WEBVTT - Episode 258 w/ Talib Kweli & Diamond D

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<v Speaker 1>Welcome to Drink Champs, the production of the Black Effect

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<v Speaker 1>and I Heart Radio and it's Drink Chess, motherfucking podcast. Mason,

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<v Speaker 1>he's a legendary Queen's rapper. He's like it is your

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<v Speaker 1>boy in r He's a Miami hippop pioneer. Up is

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<v Speaker 1>DJ e f N. Together they drink it up with

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<v Speaker 1>some of the biggest players in the most professional unprofessional podcast.

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<v Speaker 1>And you're number one sorts for drunk drinks. Mother. Every

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<v Speaker 1>day is New Year's e time for Drink Champs. Drink

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<v Speaker 1>up the mother. Would it could be Hopeully what it

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<v Speaker 1>should be? It's your boy and what up is d

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<v Speaker 1>J e f N? And this drink chats motherfucker? Yea,

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<v Speaker 1>y'all would makes up load? Now right now, I guess

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<v Speaker 1>we got one of the most legendary producers of all times,

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<v Speaker 1>part of one of the alliest groups ever to come

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<v Speaker 1>out of the Bronx, come out of New York City,

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<v Speaker 1>to come out of the world. D I motherfucking TC.

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<v Speaker 1>The man is a legend upon legends, and he's keeping

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<v Speaker 1>then coming out here to promoter album. That's one of them.

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<v Speaker 1>The other one is one of my favorite raptivists, activists, raptivists,

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<v Speaker 1>whatever we call him. He's very positive. Brother. We got

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<v Speaker 1>to talk about the time we had Russell Simmons on. Yeah,

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<v Speaker 1>we didn't release the episode, so we don't got you know,

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<v Speaker 1>I can get these brothers solver long. But I want

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<v Speaker 1>to get straight into the interview case people don't know

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<v Speaker 1>what we're talking about. My motherfucking David d Now, first

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<v Speaker 1>of all, let's let's address um uh you guys have

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<v Speaker 1>album together. Let's rest the elephant in the room. Yes, yes, yes, okay, Um, Well,

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<v Speaker 1>first of all, I love the intro that you gave

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<v Speaker 1>the O G. Diamond. Obviously he's a legend in the game.

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<v Speaker 1>Um Me and Diamond dmon working together on his last

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<v Speaker 1>couple of albums to die Piece albums, and so we

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<v Speaker 1>have a great working relationship. He's one of the first,

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<v Speaker 1>uh known on you know, a famous artist to get

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<v Speaker 1>to sort of take me under his wing. And so

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<v Speaker 1>when he did my show, People's Party, he has sent

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<v Speaker 1>me a bunch of tracks and to show him some

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<v Speaker 1>love and respect, I just bust on all of them.

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<v Speaker 1>I was like, we just wrap on every track and

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<v Speaker 1>the next he flew in down the next day and

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<v Speaker 1>I played it for him, But I didn't realize it

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<v Speaker 1>was the making of an album until I've seen this

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<v Speaker 1>response to wait making an album. Yeah, something like ten

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<v Speaker 1>joints and no, we're not we're not, we're not. Watch

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<v Speaker 1>So I was like, yo, you know, um, how many

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<v Speaker 1>how many of you did you know? I think he

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<v Speaker 1>did like one of two. He's like, nah, I did

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<v Speaker 1>like like eight and nine of them, you know what

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<v Speaker 1>I mean? So that more or less just lay into

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<v Speaker 1>the album, because that's how is that how you usually

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<v Speaker 1>send beats? You sending beats and like boats like that,

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<v Speaker 1>tens and pins because I get confused. I need like

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<v Speaker 1>two beats at a time. If you send me to

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<v Speaker 1>you sent me, I like down, So how did you

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<v Speaker 1>able to prosper through that and get uh and we

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<v Speaker 1>going like eight or nine? I mean it's different producers.

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<v Speaker 1>That's just some producers who like, you need to come

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<v Speaker 1>to my studio and work with me. That some producers

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<v Speaker 1>that only send you the one they want you to

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<v Speaker 1>wrap on. Some producers to send you a pack. You know,

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<v Speaker 1>I work with mad Live a lot. You might get

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<v Speaker 1>a pack from him for like two beats, like keep

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<v Speaker 1>making like seven beats a minute, Like what I'm saying,

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<v Speaker 1>I'll be confused, but I appreciate the love the Diamond

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<v Speaker 1>showing me because I know for a fact the caliber

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<v Speaker 1>of of how he produced it. I know for a

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<v Speaker 1>fact he ain't sending everybody ten beats or twelve beats.

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<v Speaker 1>I know that I have to reach a certain elite

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<v Speaker 1>status for him to even trust me to even you

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<v Speaker 1>know what I'm saying, to not take advantage of You know,

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<v Speaker 1>sometimes you send people that that in my beats they

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<v Speaker 1>make their own alum these days, and Nigga make down

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<v Speaker 1>album and put it out right before you even knew

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<v Speaker 1>he did it. I imagine it's weird to send beach

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<v Speaker 1>from the era that that that you're coming from. To

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<v Speaker 1>send beach to people must still be weird, I would imagine,

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<v Speaker 1>I mean not at this point, definitely, definitely, because there's

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<v Speaker 1>nothing like working with the artists in the course, you know,

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<v Speaker 1>before the internet, you have to actually sit down with

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<v Speaker 1>the artists, right, you know what I mean, or contact

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<v Speaker 1>they managed me. I like that erraw better, like I

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<v Speaker 1>always love the error when you know you couldn't send

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<v Speaker 1>your rail, you have to go with record on the rail.

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<v Speaker 1>Is that why people always credit like the nineties and

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<v Speaker 1>the eighties. That for it being better music than it's

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<v Speaker 1>happening right now is because we actually you couldn't get

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<v Speaker 1>a Buster Rhymes verse sitting to you go in there. Yeah,

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<v Speaker 1>the producer in the MC by the way right now

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<v Speaker 1>as we speak, right now on Ebro showing Apple their

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<v Speaker 1>debut in a single from Gotham album featuring Buster Rhymes.

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<v Speaker 1>Why one, That's what I mean, y'all. Gotham the dedication

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<v Speaker 1>with me or see now, now you've been out there

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<v Speaker 1>with Dave Chappelle catching COVID and all that, I feel

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<v Speaker 1>like I might be the cure. I'm the only one

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<v Speaker 1>in the crew too. She was not. I think her

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<v Speaker 1>people's got it. I was dead at night. They don't

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<v Speaker 1>went to karaoke by the way. You see. I got

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<v Speaker 1>my DJ collegue colda college colde off that I bought,

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<v Speaker 1>by the way, that I bought from the store. But yeah, well,

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<v Speaker 1>I had to say because when I'm on the way here,

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<v Speaker 1>I told Fat Joe, I said, I'm interviewing uh diamond

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<v Speaker 1>D and Tyler Quality, And he said, diamond D is

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<v Speaker 1>literally the person who it's the nexest thing I ever

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<v Speaker 1>heard of her Flat Joe, I ever said about anybody, anybody,

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<v Speaker 1>he said, he said, you know, if it wasn't for you,

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<v Speaker 1>he said, he literally came to you, literally came to

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<v Speaker 1>him and said, you gotta rap, get the funk out

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<v Speaker 1>of the streets. Yeah, yeah, yeah, sense What up? What up? Joe?

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<v Speaker 1>What up? Joe crackty? What's up from? How are you feeling? Oh?

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<v Speaker 1>That's beautiful? Bro? Birthday? Domond d saved my life and

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<v Speaker 1>we knew each other since kids, and Dinmond told me

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<v Speaker 1>one day, Joe, Joe, every time you're doing the streets,

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<v Speaker 1>you gotta put it in the rats. I know you

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<v Speaker 1>like the rat or you're gonna die out here, You're

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<v Speaker 1>gonna go to jail. And if it wasn't for that

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<v Speaker 1>speech he gave me, I never would have really took

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<v Speaker 1>rap serious and never would have rat. That's real, Joe,

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<v Speaker 1>that's really you know that? Yeah, no doubt, no doubt.

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<v Speaker 1>I'll give you a cool a players you know. What's up? D.

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<v Speaker 1>I love you to death, y'all feel like to beat

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<v Speaker 1>from Bendy showing about to come on right now? All right,

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<v Speaker 1>my brother, we love you so much, Thank you so much. Well, look, yeah,

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<v Speaker 1>I'm so so I would like to I would like

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<v Speaker 1>because it literally was just like that. I literally jumped

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<v Speaker 1>in the car. Um. He called me for one of

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<v Speaker 1>his other friends, but I told about got him pistle,

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<v Speaker 1>peep up the pistol pee, Oh, I got you bro

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<v Speaker 1>u uh And I said, you know, it's funny because

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<v Speaker 1>I know the relationship with the sounds like I'm going

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<v Speaker 1>to And he literally said, y'all, that man literally was

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<v Speaker 1>the reason why I started rhyming, like the reason why

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<v Speaker 1>how did you do that? What was going on? He

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<v Speaker 1>was already into hip hop. You know, this is like,

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<v Speaker 1>you know, he was in the streets and his man

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<v Speaker 1>tone arrest the arrest of peace tone, um, the whole

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<v Speaker 1>terror Squad crew back then TS squad but um, like,

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<v Speaker 1>you know, he was already like kind of in it.

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<v Speaker 1>But he saw me doing it. You know, I was

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<v Speaker 1>in a group called Ultimate for us. He saw the

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<v Speaker 1>law for that's doing it. Lord fess, like right in

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<v Speaker 1>the next building, we popped the save bottles over there. Whatever. Relaxed, man,

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<v Speaker 1>It's not just like yeah, so basically just Joe seeing

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<v Speaker 1>people he fuck with, tangible people doing shit, you know

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<v Speaker 1>what I mean? And you know, from the from then on,

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<v Speaker 1>we never looked back. You know we went in there

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<v Speaker 1>we may flow Joe Flow Joe started off as a

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<v Speaker 1>promo for Red Alert and ready with doing the promos

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<v Speaker 1>and it was a just a ready like a free

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<v Speaker 1>stuff for the radio. Uh this hour the Italian real quick.

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<v Speaker 1>Making a long story short. Right at this time Chris

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<v Speaker 1>Litty was managing I was on Violater. No, it was

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<v Speaker 1>a later um and that's and that was the connection

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<v Speaker 1>between Red Alert, myself and Christy and Fat Joe. Ultimately

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<v Speaker 1>Fat Joe wand up signing with Chris like relativity and

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<v Speaker 1>off and running. Since then that makes a noise with

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<v Speaker 1>right forget boy you Daves covid. So let's go, let's

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<v Speaker 1>get back to that. So they are running a type

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<v Speaker 1>ship over there. Then he came out to the tested before. Yeah,

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<v Speaker 1>and then so so what so what what because people

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<v Speaker 1>that didn't know because I just have Instagram, right, I

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<v Speaker 1>didn't get invited, so you gotta y'all gotta invite did

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<v Speaker 1>tell me? But I just that's one of the people

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<v Speaker 1>to feel good. So so what is this a comedy show?

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<v Speaker 1>And then he brings you guys out to do some

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<v Speaker 1>songs or yeah, well basically this summer um he is

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<v Speaker 1>a neighbor, his man Steve out there in Yellow Springs,

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<v Speaker 1>who had this pavilion. And you know, I've known Steve

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<v Speaker 1>for why. I remember with Steve brought the pavilion, nobody

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<v Speaker 1>knew what he wanted to use it for what provision.

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<v Speaker 1>It's like a outdoor structure and like a c like

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<v Speaker 1>children in the corn He owned all the children on

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<v Speaker 1>the cornfield space for his payment, his people to hang out.

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<v Speaker 1>I had going to a birthday party Dave had thrown.

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<v Speaker 1>They're doing Dave ber the party for a day of

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<v Speaker 1>the year before. It's a nice space for people to

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<v Speaker 1>hang out. When the pandemic happened, Dave got the idea too.

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<v Speaker 1>Michelle Wolf is comedian who was staying that that's the

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<v Speaker 1>that's the lady that run ten miles a day. That's right,

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<v Speaker 1>That's right, Michelle's Michelle was out there. Danielle Rollins is

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<v Speaker 1>always out there, so they say, yeah, actual Larry Mommer

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<v Speaker 1>is always out there today, like let's um, let's tell

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<v Speaker 1>some jokes in the cornfield. Will set up the chairs

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<v Speaker 1>with socially distance. We will test the audience so it

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<v Speaker 1>could come in. I think it started. It's weird for

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<v Speaker 1>black people to be in cornfields and we want to

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<v Speaker 1>be that's right to tell. People had a meetings. They

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<v Speaker 1>tried to get a shut down, but Dave would listening

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<v Speaker 1>on the city council meeting to listen to what the

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<v Speaker 1>town people would say, you know what I'm saying, and

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<v Speaker 1>then they would make jokes about you know what she

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<v Speaker 1>is about. The situation is that's the first time that

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<v Speaker 1>you understand that Hollywood could exist anywhere. That's what he

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<v Speaker 1>kept saying. He kept saying that l A. He said

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<v Speaker 1>l A is dead. Hollywood is dead. From now on,

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<v Speaker 1>they gotta come to week where we at. So if

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<v Speaker 1>I say that, I actually that's that's actually happening right now.

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<v Speaker 1>So right now Joe Rogan left and went to Austin

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<v Speaker 1>Davis in Austin right now with Joe Rogan. They're doing

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<v Speaker 1>shows together. Yeah, and then they're gonna be in Houston

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<v Speaker 1>next week. You know. But that's what That's what David

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<v Speaker 1>Young Town, Ohio. What is it? Yellow springs? Yellow springs

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<v Speaker 1>right where it's fish in the river, Yeah, Diamond. When

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<v Speaker 1>kayak and when Niko is is kayak and that's when

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<v Speaker 1>you're going out there with some fresh try we try

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<v Speaker 1>to take side of baby Kayak, and he was like, wait,

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<v Speaker 1>that's a ship, y'all gott to move to ship with

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<v Speaker 1>your with yourself. You gotta moving both with your motor

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<v Speaker 1>no motor, right, yeah. So right, we just read today

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<v Speaker 1>that Kanye it's worth six point six million billion billi billion,

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<v Speaker 1>which actually and now I'm assuming that's this net worth,

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<v Speaker 1>right yeah, and they actually saying that he's the richest

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<v Speaker 1>black man in the US and in history of US.

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<v Speaker 1>That's what let's keep it. Let's get as some context though,

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<v Speaker 1>it's about seventeen hundred billionaires on the planet Earth, only

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<v Speaker 1>about twelve thirteen of them are black, and most of

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<v Speaker 1>the black ones is entertainers, even though we're the majority

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<v Speaker 1>on the planet. That's racism. That's like generational wealth racism.

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<v Speaker 1>And I'm saying this is way more black. So we're

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<v Speaker 1>happy for Kanye and jay Z and on him. But

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<v Speaker 1>the fact that the seventeen hundred only twelve black, that's crazy.

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<v Speaker 1>That that's crazy. But um, they're staying on Kanye for

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<v Speaker 1>a second. Do you think that is he talk about

0:12:44.960 --> 0:12:47.719
<v Speaker 1>still can you still talk to somebody like when you

0:12:47.800 --> 0:12:55.240
<v Speaker 1>were six point six million like at this point that

0:12:55.400 --> 0:12:57.400
<v Speaker 1>that's that's a very interesting point, because the fact is

0:12:57.480 --> 0:13:00.400
<v Speaker 1>you're breathing very rare air and only certain people are

0:13:00.440 --> 0:13:02.920
<v Speaker 1>able to exist in that stratosphere. It's almost like being

0:13:02.960 --> 0:13:05.520
<v Speaker 1>out of space. The reason why Dave Chappelle is so interested,

0:13:05.760 --> 0:13:07.280
<v Speaker 1>I don't think he's a billionaire. I don't want to

0:13:07.280 --> 0:13:09.520
<v Speaker 1>discuss too much of his finances. Everybody knows he gets

0:13:09.559 --> 0:13:11.640
<v Speaker 1>his bread, and so the reason why he's so interesting

0:13:11.720 --> 0:13:14.360
<v Speaker 1>is because he's able to get that amount of bread

0:13:14.600 --> 0:13:16.679
<v Speaker 1>but still seem like one of us, and he's the

0:13:16.760 --> 0:13:20.679
<v Speaker 1>exception to the rule. Kanye I talked with him about

0:13:20.760 --> 0:13:25.360
<v Speaker 1>that Trump stuff and all that stuff and isn't that Yeah,

0:13:25.559 --> 0:13:28.320
<v Speaker 1>we talked about it with their presidence here. And what's

0:13:28.320 --> 0:13:31.160
<v Speaker 1>interesting about Kanye is it's like you said, it's hard

0:13:31.240 --> 0:13:33.960
<v Speaker 1>to talk to someone a self made man, self made

0:13:34.000 --> 0:13:35.599
<v Speaker 1>from the bottom. I don't even think jay Z. I

0:13:35.640 --> 0:13:37.640
<v Speaker 1>don't think it take jay Z advice at this point. Yeah,

0:13:37.760 --> 0:13:40.280
<v Speaker 1>who's who'll tell him what to do? But it's hard

0:13:40.320 --> 0:13:42.440
<v Speaker 1>to trust people too when you got that kind of bread.

0:13:43.600 --> 0:13:46.559
<v Speaker 1>I've never take advice from a marriage counselor they've never

0:13:46.640 --> 0:13:51.160
<v Speaker 1>been married, makes sense, and they can give you the

0:13:51.240 --> 0:13:54.199
<v Speaker 1>best advice ever. Like you know, you know sometimes you

0:13:54.280 --> 0:13:57.240
<v Speaker 1>know that's the best knowledge. Is the drunk from the

0:13:57.320 --> 0:14:00.480
<v Speaker 1>hood that's going to block he gonna get drink, drink,

0:14:00.800 --> 0:14:03.679
<v Speaker 1>give you some of the Master. He just don't got

0:14:03.760 --> 0:14:06.160
<v Speaker 1>his owner for him a s they love himself, But

0:14:06.480 --> 0:14:08.960
<v Speaker 1>don't overlook that that that wise man, there's a drunk

0:14:09.000 --> 0:14:11.079
<v Speaker 1>that's gonna They're gonna hit you with some math to

0:14:11.120 --> 0:14:13.599
<v Speaker 1>matters that makes sense. It just didn't make sense for

0:14:13.760 --> 0:14:16.920
<v Speaker 1>his life. But we're seeing that diamond right, knowing that

0:14:17.040 --> 0:14:18.839
<v Speaker 1>the music business and how it was back then, and

0:14:18.880 --> 0:14:21.880
<v Speaker 1>seeing Dave Chappelle going or make make his his his

0:14:22.160 --> 0:14:24.760
<v Speaker 1>his plot for like like I thought, we did that

0:14:24.840 --> 0:14:26.960
<v Speaker 1>for they last sol when they last so came up here.

0:14:27.160 --> 0:14:29.440
<v Speaker 1>We told Tom Sylvan, this is the right time to

0:14:29.520 --> 0:14:31.920
<v Speaker 1>do the thing. All these old white men is, you know,

0:14:32.040 --> 0:14:35.080
<v Speaker 1>looked at his masters and even owning a thing called

0:14:35.120 --> 0:14:38.120
<v Speaker 1>the Master. How did you you've seen that Dave Chappelle

0:14:38.120 --> 0:14:40.880
<v Speaker 1>took that stairs and Netflix took the standard they did

0:14:41.760 --> 0:14:44.320
<v Speaker 1>and then actually gave him back his rights or whatever

0:14:44.760 --> 0:14:48.080
<v Speaker 1>it was worked up took hibout Comedy Central Comedy said, yeah,

0:14:48.080 --> 0:14:49.480
<v Speaker 1>I mean it was the only right they did that,

0:14:49.720 --> 0:14:52.640
<v Speaker 1>you know what I mean? It was his ship you know,

0:14:52.880 --> 0:14:54.560
<v Speaker 1>like you know, you know, from the way it got

0:14:54.640 --> 0:14:57.640
<v Speaker 1>to me to quality was that the people who were

0:14:57.680 --> 0:14:59.960
<v Speaker 1>there in the nineties, they're not there. You gotta hope

0:15:00.000 --> 0:15:01.400
<v Speaker 1>a whole bunch of young people up there and then

0:15:02.080 --> 0:15:03.720
<v Speaker 1>and they just wanted to do the right thing. But

0:15:04.160 --> 0:15:05.800
<v Speaker 1>you know what I mean, so that they game back

0:15:05.880 --> 0:15:09.600
<v Speaker 1>his name, the show, they paid him some blood, the

0:15:09.760 --> 0:15:12.280
<v Speaker 1>name the Dave Chappelle's show they did. Now he owned him.

0:15:12.400 --> 0:15:15.200
<v Speaker 1>That's crazy. That was the whole thing they own own. No,

0:15:15.800 --> 0:15:18.920
<v Speaker 1>that's why I was drunk. That's kind of in the

0:15:19.000 --> 0:15:21.800
<v Speaker 1>music business. A lot of probably don't even own their name.

0:15:22.160 --> 0:15:24.760
<v Speaker 1>But my thing, my good thing is they didn't really

0:15:24.800 --> 0:15:26.760
<v Speaker 1>give a funk about me then because they spelled it wrong.

0:15:27.200 --> 0:15:28.880
<v Speaker 1>That's why I spelled it in R E A E

0:15:29.080 --> 0:15:32.280
<v Speaker 1>A G A said I. They just wanted, like the

0:15:32.320 --> 0:15:34.640
<v Speaker 1>real dictator. Come on, I'm looking for me being smart.

0:15:37.560 --> 0:15:43.720
<v Speaker 1>Ships you say, likeness, your likeness and your universe and

0:15:44.640 --> 0:15:49.320
<v Speaker 1>that ship don't make no ships. That's colonizer ship. I

0:15:49.400 --> 0:15:51.440
<v Speaker 1>was trying to own somebody's soul and on their own life.

0:15:51.480 --> 0:15:56.080
<v Speaker 1>The slavery. This is independent. I don't got to ask that. Yeah,

0:15:56.160 --> 0:15:58.560
<v Speaker 1>we did, partner, you got Diamond Mind because I got

0:15:58.760 --> 0:16:02.520
<v Speaker 1>uh the media we partnered with in Gruse distribution, but

0:16:02.680 --> 0:16:08.480
<v Speaker 1>we owned the master. That's oz. Okay, they've been around

0:16:08.480 --> 0:16:17.080
<v Speaker 1>for a whiles, Okay, okay, right and um all right?

0:16:17.440 --> 0:16:21.400
<v Speaker 1>How many records on this album? What is it? Okay,

0:16:21.480 --> 0:16:23.320
<v Speaker 1>I'm keeping it back to old and we got we

0:16:23.400 --> 0:16:26.480
<v Speaker 1>got sky Do on it. We got uh who was

0:16:26.560 --> 0:16:29.280
<v Speaker 1>not read all day on it? Bust the rhymes, John

0:16:29.360 --> 0:16:32.600
<v Speaker 1>Forte Nico is right, you ain't got none of the

0:16:32.680 --> 0:16:35.600
<v Speaker 1>new generation, none of them new niggas on that. What

0:16:35.760 --> 0:16:37.720
<v Speaker 1>is The album is called God because it's dedication to

0:16:38.320 --> 0:16:41.280
<v Speaker 1>not just New York, but old New York, particularly after

0:16:41.360 --> 0:16:43.480
<v Speaker 1>the pandemic. New York is different right now. So it's like,

0:16:43.760 --> 0:16:45.880
<v Speaker 1>I'm glad that we got it in before the pandemic.

0:16:45.960 --> 0:16:48.000
<v Speaker 1>This is about the New York I grew up this

0:16:48.200 --> 0:16:51.320
<v Speaker 1>this album was done. It was I listened to Cuban

0:16:51.400 --> 0:16:54.200
<v Speaker 1>Links for hours before I did this album. I listened

0:16:54.200 --> 0:16:57.200
<v Speaker 1>to Diamonds Catalog for hours before into this album because

0:16:57.200 --> 0:16:59.920
<v Speaker 1>I wanted, Yeah, I like the way to Ray and Ghost,

0:17:00.240 --> 0:17:02.760
<v Speaker 1>how the voices was different. So you listen to this album,

0:17:02.840 --> 0:17:05.439
<v Speaker 1>you'll notice that one one verse I'm doing in one

0:17:05.520 --> 0:17:07.720
<v Speaker 1>voice another verse. I'm doing another voice, just to have

0:17:07.800 --> 0:17:11.919
<v Speaker 1>their different colors. Um, you know just how I grew up,

0:17:11.960 --> 0:17:15.200
<v Speaker 1>me listening to records in the headphone on the train

0:17:15.560 --> 0:17:17.480
<v Speaker 1>and the error with somebody to see how you dress

0:17:17.800 --> 0:17:19.480
<v Speaker 1>and be like yo, you listen to hip hop and

0:17:19.520 --> 0:17:21.720
<v Speaker 1>they give you a flyer, give you a cassette or

0:17:21.760 --> 0:17:23.760
<v Speaker 1>something like that. That's what I was trying to capture

0:17:23.840 --> 0:17:31.679
<v Speaker 1>with this album. That sound like the came first ryman

0:17:31.760 --> 0:17:34.920
<v Speaker 1>are producing for you, um for the goth novel with

0:17:35.000 --> 0:17:39.320
<v Speaker 1>just for myself yourself in general, the beats. Who I was,

0:17:39.480 --> 0:17:41.560
<v Speaker 1>I was a DJ first. I started at the DJ

0:17:41.800 --> 0:17:44.000
<v Speaker 1>like most producers, you know what I mean. So I

0:17:44.040 --> 0:17:45.959
<v Speaker 1>started at a DJ, and then from there I got

0:17:46.000 --> 0:17:49.159
<v Speaker 1>into production and then you got filled with the n

0:17:49.240 --> 0:17:52.119
<v Speaker 1>C like fucking I'm gonna ryme on this. Well, it

0:17:52.280 --> 0:17:54.480
<v Speaker 1>was it was just gradual, you know what I mean. Like,

0:17:54.560 --> 0:17:56.400
<v Speaker 1>you know, I'm hanging around lawd Fro. That's a lot

0:17:57.040 --> 0:18:02.040
<v Speaker 1>um my man law Fro net Um the Brand New

0:18:02.080 --> 0:18:04.000
<v Speaker 1>Beans when they were recording their first album. So I'm

0:18:04.040 --> 0:18:07.000
<v Speaker 1>around pool By He's on fire, you know what I mean,

0:18:07.320 --> 0:18:09.399
<v Speaker 1>you know, and she just rubbed off, you know, and

0:18:09.560 --> 0:18:12.040
<v Speaker 1>it was a situation opened up. I got off of

0:18:12.119 --> 0:18:14.960
<v Speaker 1>the deal, and I said, okay, I just took the ship.

0:18:15.119 --> 0:18:17.840
<v Speaker 1>But that wasn't the norm back then a producer being

0:18:18.280 --> 0:18:22.040
<v Speaker 1>m C himself and self producing, be like being an

0:18:22.160 --> 0:18:24.679
<v Speaker 1>m C and producing your own album. That was normal

0:18:25.080 --> 0:18:27.359
<v Speaker 1>at that time. No, it wasn't. It was. I mean,

0:18:27.520 --> 0:18:29.879
<v Speaker 1>people was doing it, but you know, not not not

0:18:30.040 --> 0:18:33.160
<v Speaker 1>on a major label. Amos. You had to get signed

0:18:33.160 --> 0:18:37.920
<v Speaker 1>as a rapper first, and you want to grab me right? Yeah?

0:18:38.000 --> 0:18:39.680
<v Speaker 1>For the food? Gis ever make some lunch for that?

0:18:42.680 --> 0:18:46.720
<v Speaker 1>Where did you keep your Grammy at? Um? Well, I

0:18:46.840 --> 0:18:49.720
<v Speaker 1>got the I didn't get the actual statue or if

0:18:49.760 --> 0:18:55.600
<v Speaker 1>I got it, Patrick Moxy probably got. Anyway, you know,

0:18:55.920 --> 0:18:57.760
<v Speaker 1>I got all the plaques and ship. You know, I

0:18:57.840 --> 0:19:00.800
<v Speaker 1>gave my mom one and I got one. Um they

0:19:00.880 --> 0:19:03.320
<v Speaker 1>you know, they give you like like a back and

0:19:03.400 --> 0:19:05.400
<v Speaker 1>not he said, got like like a like a medallion,

0:19:05.480 --> 0:19:08.040
<v Speaker 1>the whole package. But yeah, that was for the that

0:19:08.119 --> 0:19:10.840
<v Speaker 1>was for the song, the score Fuji tracking the school.

0:19:12.160 --> 0:19:14.000
<v Speaker 1>How did they feel when they called you and said

0:19:14.000 --> 0:19:15.720
<v Speaker 1>you want to gram me? Nas? Just want to grammy?

0:19:15.720 --> 0:19:18.320
<v Speaker 1>Took him twenty five years yo? Yeah, yeah, you know

0:19:18.440 --> 0:19:24.240
<v Speaker 1>what part I mean. So it's nice you know what

0:19:24.320 --> 0:19:26.600
<v Speaker 1>I mean. But it don't make or break you. But

0:19:26.640 --> 0:19:29.600
<v Speaker 1>it's all we nice to be appreciated. I mean, you know,

0:19:29.720 --> 0:19:32.000
<v Speaker 1>shouts out to nas You know, he definitely deserved that

0:19:32.240 --> 0:19:35.520
<v Speaker 1>he deserved that he ever cared about the Grammys. Uh, no,

0:19:35.720 --> 0:19:37.440
<v Speaker 1>I give a funk about But you know what's funny

0:19:37.440 --> 0:19:43.280
<v Speaker 1>about this, I'm ting I wanna tell you. I can't

0:19:43.280 --> 0:19:49.080
<v Speaker 1>be the reason you're mad that he wanted to tell

0:19:49.080 --> 0:19:52.080
<v Speaker 1>you my mad want to Grammy because I don't give

0:19:52.119 --> 0:19:54.960
<v Speaker 1>a about the Grammys. And I always used to say

0:19:55.520 --> 0:19:58.119
<v Speaker 1>I'm proud to be in a category of artists that

0:19:58.240 --> 0:20:02.680
<v Speaker 1>didn't win a Grammy like na Us, Like don't I

0:20:02.760 --> 0:20:14.280
<v Speaker 1>can't say this day hasn't gone an down with the

0:20:16.359 --> 0:20:22.080
<v Speaker 1>ball me and you as the leaders. Man. I always

0:20:22.119 --> 0:20:25.480
<v Speaker 1>think it's funny like that. I would like to, you know,

0:20:25.560 --> 0:20:29.560
<v Speaker 1>give the accolades when when it's well deserved, as it

0:20:29.720 --> 0:20:32.919
<v Speaker 1>is in No's case, in your case. But I always

0:20:32.960 --> 0:20:34.760
<v Speaker 1>felt like we should have had an old awards show

0:20:34.840 --> 0:20:37.680
<v Speaker 1>that's prestigious. It was called Source Awards at one point.

0:20:38.240 --> 0:20:39.840
<v Speaker 1>I mean I mean it was it was there. I

0:20:39.880 --> 0:20:42.560
<v Speaker 1>mean it was big at its Source Awards hit my questions.

0:20:43.880 --> 0:20:45.840
<v Speaker 1>We we do got to own ship sometimes, but it's

0:20:45.880 --> 0:20:50.440
<v Speaker 1>always corporate involvement. Someone gets I mean, you know, shout

0:20:50.440 --> 0:20:52.359
<v Speaker 1>out to my man bad Seed. I don't know if

0:20:52.359 --> 0:20:55.240
<v Speaker 1>you'll know who that is, but you know he'd be

0:20:55.400 --> 0:20:59.080
<v Speaker 1>on Instagram doing like the Grind Awards, and it'd be

0:20:59.160 --> 0:21:02.600
<v Speaker 1>like bad Seed versus like you know, some some rapper

0:21:02.640 --> 0:21:06.280
<v Speaker 1>from like Vasti versus rusty Jucks like that. Like I

0:21:06.440 --> 0:21:08.840
<v Speaker 1>like when artists do their own ship like that, like

0:21:08.920 --> 0:21:11.399
<v Speaker 1>they did their own like brooklyn Hood version of versus,

0:21:11.640 --> 0:21:13.520
<v Speaker 1>like Okay, we not can get celebrated on that level,

0:21:13.640 --> 0:21:15.840
<v Speaker 1>but let's do what ourselves. I like seeing ship like

0:21:15.920 --> 0:21:18.200
<v Speaker 1>that because like like when just did the Mix Tape Awards,

0:21:18.400 --> 0:21:23.399
<v Speaker 1>just like taking in our own hands, right piece, just

0:21:25.000 --> 0:21:27.480
<v Speaker 1>speaking the versus. Would you do it versus against most

0:21:27.480 --> 0:21:30.119
<v Speaker 1>of death? I wouldn't. I don't think most would ever

0:21:30.160 --> 0:21:36.879
<v Speaker 1>do any versus just you know, I think like that

0:21:37.359 --> 0:21:39.920
<v Speaker 1>he don't like that sort of pageantry of it, but

0:21:40.000 --> 0:21:41.800
<v Speaker 1>I would do what I like. I'm excited about the

0:21:41.880 --> 0:21:45.320
<v Speaker 1>rain ghosting. Yeah, you know, I think emtional. I didn't

0:21:45.320 --> 0:21:48.159
<v Speaker 1>initially like it, and then I went and I said, oh,

0:21:48.200 --> 0:21:50.880
<v Speaker 1>you know what they do got a lot of records separately.

0:21:50.920 --> 0:21:53.280
<v Speaker 1>They have a lot, but it's just a celebration of them.

0:21:55.200 --> 0:21:57.719
<v Speaker 1>Want somebody was fun is to see which records, who

0:21:57.840 --> 0:22:00.800
<v Speaker 1>get to play what? That's the be difficult? Yeah, just

0:22:00.920 --> 0:22:03.160
<v Speaker 1>Ray Kwan get to just ghost get to play ice.

0:22:05.560 --> 0:22:10.359
<v Speaker 1>They go, that's that's yeah album and they're gonna regret.

0:22:10.880 --> 0:22:13.960
<v Speaker 1>Would you want to go get a producer in versus? Oh,

0:22:14.119 --> 0:22:21.040
<v Speaker 1>I'll go gets anybody. Okay, let me think I as

0:22:22.240 --> 0:22:24.000
<v Speaker 1>his family. Yeah, I know that's what makes it. Just

0:22:24.160 --> 0:22:27.240
<v Speaker 1>want some celebration. That would be fly all right, let

0:22:27.280 --> 0:22:30.720
<v Speaker 1>me that would be fly Pete Rock. You get rope

0:22:30.760 --> 0:22:34.720
<v Speaker 1>to anybody anybody from the mid nineties to now who've

0:22:34.760 --> 0:22:37.800
<v Speaker 1>been doing it that long a right, you know. Yeah,

0:22:38.320 --> 0:22:41.640
<v Speaker 1>that's to have a similar cat log. Yeah, I say

0:22:41.680 --> 0:22:44.800
<v Speaker 1>I can think. I think that's that's that's dope. I

0:22:44.880 --> 0:22:50.840
<v Speaker 1>think that's leg he too, don't com this would be dope,

0:22:52.119 --> 0:22:56.520
<v Speaker 1>no doubt. Large Problems never changed. He's been the same.

0:22:56.600 --> 0:23:00.880
<v Speaker 1>That's the same because put in a game. I love

0:23:01.000 --> 0:23:03.600
<v Speaker 1>Large Bro Bro. He still come out. How long you

0:23:03.720 --> 0:23:07.239
<v Speaker 1>knew each other and well, Large Bro used to come

0:23:07.280 --> 0:23:09.800
<v Speaker 1>to my hood back in the days, and he's just

0:23:09.880 --> 0:23:13.000
<v Speaker 1>always a good dude. He's just always around, and so

0:23:13.080 --> 0:23:14.840
<v Speaker 1>I do one for a while. I can't even tell

0:23:14.840 --> 0:23:18.600
<v Speaker 1>you how long. Correct me from your main source. I knew,

0:23:18.760 --> 0:23:21.040
<v Speaker 1>I think I think after me. So okay, I see

0:23:21.080 --> 0:23:23.600
<v Speaker 1>you in Europe in the row with large progract. Yeah yeah, yeah,

0:23:23.680 --> 0:23:25.760
<v Speaker 1>we got a party. We go out there, we do

0:23:25.840 --> 0:23:30.000
<v Speaker 1>our thing, spending right and you bet DJ and you

0:23:30.080 --> 0:23:32.240
<v Speaker 1>just getting all the money. I'm a seleprity teacher. I

0:23:32.320 --> 0:23:37.960
<v Speaker 1>can't say, but yeah, I come to a little spotsible

0:23:39.520 --> 0:23:45.040
<v Speaker 1>one of the kovid They just opened up spot right there.

0:23:45.080 --> 0:23:48.280
<v Speaker 1>Pizza pizza Bard did a couple of weeks ago. What's

0:23:48.320 --> 0:23:50.720
<v Speaker 1>having the same same people? Yeah, just hoan we don't

0:23:50.720 --> 0:23:55.520
<v Speaker 1>got then got the smoking a section. I mean yeah,

0:23:55.560 --> 0:23:58.840
<v Speaker 1>I just TJ at that piece of bar weeks ago.

0:23:59.440 --> 0:24:03.680
<v Speaker 1>So um, what's your relationship with Miami? Are you living

0:24:03.720 --> 0:24:06.199
<v Speaker 1>out here? Partly? I like Miami a lot, man, I mean,

0:24:06.280 --> 0:24:09.239
<v Speaker 1>you know, the South is South is crazy's coming here.

0:24:09.840 --> 0:24:15.080
<v Speaker 1>I was super spreading and all. But I mean, you know,

0:24:15.160 --> 0:24:18.200
<v Speaker 1>Miami got something special. Miami's cultural, you know, with with

0:24:18.280 --> 0:24:21.160
<v Speaker 1>all the Latino people, the Caribbean people, everybody who moved

0:24:21.160 --> 0:24:22.840
<v Speaker 1>here from New York and everybody who moved here, like

0:24:23.119 --> 0:24:25.879
<v Speaker 1>Miami got a special thing going on, even people locally

0:24:25.960 --> 0:24:28.760
<v Speaker 1>grew up here the whole Broward SENI what y'all doing

0:24:28.840 --> 0:24:30.960
<v Speaker 1>with Winwood and the Hope, What you're doing art baths

0:24:31.000 --> 0:24:34.080
<v Speaker 1>on arts. Shout to Thurston how and everybody who just

0:24:34.160 --> 0:24:37.040
<v Speaker 1>come and relocate. Um, Miami's very special. Yea, I've been

0:24:37.080 --> 0:24:41.800
<v Speaker 1>coming different down here. At one time I used to

0:24:41.840 --> 0:24:45.000
<v Speaker 1>do I'm gonna tell you bouncing number. I was just

0:24:45.080 --> 0:24:47.440
<v Speaker 1>moving around on subjects. I'm gonna tell you something that

0:24:47.520 --> 0:24:53.119
<v Speaker 1>you told me that made funked up my mom. We

0:24:53.160 --> 0:24:56.320
<v Speaker 1>did the Russell Simmons episode. Are we talking about that? Now?

0:24:58.560 --> 0:25:02.560
<v Speaker 1>That was a Quarantine episode. It was a Quarantine episode.

0:25:03.040 --> 0:25:06.560
<v Speaker 1>I wanted to do what I my version of marching.

0:25:07.400 --> 0:25:09.560
<v Speaker 1>I have a platform. I know how powerful it is.

0:25:10.320 --> 0:25:13.040
<v Speaker 1>Well I didn't. I didn't know it. Then I know

0:25:13.760 --> 0:25:16.800
<v Speaker 1>it is. So we wanted to do a panel. So

0:25:16.840 --> 0:25:19.360
<v Speaker 1>I think we hit you. I think it was Bumby

0:25:20.760 --> 0:25:29.440
<v Speaker 1>uh Mark Mark Lamar Hill, Lamar Hill, And no, it

0:25:29.560 --> 0:25:32.479
<v Speaker 1>was no female on there. And who it was Bunby

0:25:32.600 --> 0:25:34.880
<v Speaker 1>markt My hell was my song on this my song

0:25:35.200 --> 0:25:39.600
<v Speaker 1>and and you and I remember on the promo it's

0:25:39.640 --> 0:25:41.800
<v Speaker 1>one part of the things, this part never got out.

0:25:42.160 --> 0:25:44.600
<v Speaker 1>This part never got out. But when Russ who actually

0:25:44.680 --> 0:25:46.800
<v Speaker 1>came outcause first it was just us. But when Russ

0:25:46.920 --> 0:25:49.760
<v Speaker 1>first came on, all of us smiled like everyone. It

0:25:49.880 --> 0:25:53.640
<v Speaker 1>was just like a repression thing. But when I looked

0:25:53.680 --> 0:25:55.800
<v Speaker 1>at that footage, I said, no, that can't come out

0:25:55.920 --> 0:25:58.480
<v Speaker 1>because how but you said something to me saw could

0:25:58.600 --> 0:25:59.960
<v Speaker 1>to day. I was like, yo, I didn't even really

0:26:00.560 --> 0:26:02.200
<v Speaker 1>after that happened. I was like, I didn't really know

0:26:02.640 --> 0:26:06.200
<v Speaker 1>how much they are accusing Rossa and all this. And

0:26:06.280 --> 0:26:08.600
<v Speaker 1>you said something to me that I've never heard before.

0:26:08.920 --> 0:26:13.280
<v Speaker 1>You said, yeah, we're we're male privileged. And I said,

0:26:14.520 --> 0:26:17.080
<v Speaker 1>I had never heard, like, you know what I'm saying,

0:26:17.280 --> 0:26:20.160
<v Speaker 1>the privilege. We have a certain privileges as a man

0:26:20.880 --> 0:26:23.119
<v Speaker 1>that we don't even that. It's not like we're blocking

0:26:23.160 --> 0:26:26.760
<v Speaker 1>the door, we're gnoring it second nature. I had never heard,

0:26:26.960 --> 0:26:32.399
<v Speaker 1>had never heard of that before, uh, Todd lip so so.

0:26:33.640 --> 0:26:35.600
<v Speaker 1>And then I did my research, you know. I spoke

0:26:35.640 --> 0:26:39.800
<v Speaker 1>to Mark Marc Lamar after he was argument rose a

0:26:39.880 --> 0:26:42.359
<v Speaker 1>little bit too. Yeah he was, I was arguing, but

0:26:42.560 --> 0:26:44.720
<v Speaker 1>it was lazy about So I went back and watched

0:26:44.760 --> 0:26:46.800
<v Speaker 1>my first drink Champs that I did the first time

0:26:46.840 --> 0:26:52.520
<v Speaker 1>when I got really drunk. It was great. But I

0:26:52.680 --> 0:26:55.920
<v Speaker 1>brought Rose up in that drink chance and you said, well,

0:26:55.960 --> 0:26:57.960
<v Speaker 1>she's Puerto Rican, I need to meet, we need to breathe.

0:26:58.359 --> 0:27:00.200
<v Speaker 1>So it's bug I was like, oh, I mentioned Rose

0:27:00.280 --> 0:27:02.720
<v Speaker 1>in the first time years before. It's funny that you'll

0:27:02.720 --> 0:27:05.119
<v Speaker 1>started arguing and the comments were her. I mean I

0:27:05.160 --> 0:27:07.480
<v Speaker 1>had a couple of exchanges with her on Twitter. I

0:27:07.600 --> 0:27:14.040
<v Speaker 1>think it was mad, like it was calm. And my

0:27:14.200 --> 0:27:16.640
<v Speaker 1>thing is and this goes out to a sister Rosa

0:27:16.640 --> 0:27:18.560
<v Speaker 1>who I don't think I've ever met, and if I did,

0:27:18.600 --> 0:27:23.760
<v Speaker 1>I apologize if I don't remember, But the cancel coachha,

0:27:24.040 --> 0:27:27.159
<v Speaker 1>because this is what made me mad, and it's what

0:27:27.280 --> 0:27:30.960
<v Speaker 1>made me upset, just by having rustled on. She said

0:27:31.520 --> 0:27:37.040
<v Speaker 1>drinks Champs hates black woman is crazy. Okay, well I

0:27:37.080 --> 0:27:40.719
<v Speaker 1>don't know what that is. Okay, that's good whiskey right there,

0:27:40.760 --> 0:27:42.080
<v Speaker 1>So let me be fritis. I don't want to just

0:27:42.160 --> 0:27:44.600
<v Speaker 1>leave that out there an atmosphere in the universe. So

0:27:45.520 --> 0:27:47.760
<v Speaker 1>the thing about it is, I ain't supposed to know

0:27:48.119 --> 0:27:52.960
<v Speaker 1>everything that's proper. Sometimes you gotta just take time out

0:27:53.000 --> 0:27:54.840
<v Speaker 1>of you instead of coming at somebody and this in

0:27:54.920 --> 0:28:00.960
<v Speaker 1>them that was all co side. Actually more or less

0:28:01.000 --> 0:28:04.200
<v Speaker 1>didn't use the episode more for my son Tyd lived

0:28:04.240 --> 0:28:07.560
<v Speaker 1>quality because these are my brothers who I look too

0:28:07.840 --> 0:28:10.360
<v Speaker 1>for my consciousness. You understand what I'm saying. And when

0:28:10.440 --> 0:28:14.359
<v Speaker 1>they didn't and Lamar, even Lamar Hill didn't say nothing.

0:28:14.440 --> 0:28:17.880
<v Speaker 1>He put his head down. But I appreciated him and say, yo, listen,

0:28:19.080 --> 0:28:20.960
<v Speaker 1>yeah he'd be after the fact. He went straight the Twitter.

0:28:21.560 --> 0:28:24.720
<v Speaker 1>He went straighting Twitter, and I had to accepted, had

0:28:24.720 --> 0:28:26.800
<v Speaker 1>to accept it because this is the day in time.

0:28:27.280 --> 0:28:29.359
<v Speaker 1>But he was trying to cover his ass, which he

0:28:29.480 --> 0:28:33.600
<v Speaker 1>was supposed to do. But like I said, and this

0:28:33.800 --> 0:28:36.919
<v Speaker 1>day and time, I see the comedians that have an

0:28:36.920 --> 0:28:39.719
<v Speaker 1>a rough time because they can't say certain words they

0:28:39.800 --> 0:28:43.480
<v Speaker 1>can't And I just wanted you to touch on that

0:28:43.880 --> 0:28:45.400
<v Speaker 1>a little bit. That when you hit me with the

0:28:45.560 --> 0:28:48.400
<v Speaker 1>male privilege. Okay, but we I think we all in

0:28:48.520 --> 0:28:51.600
<v Speaker 1>this room understand a bunch of dudes in this room.

0:28:52.320 --> 0:28:55.840
<v Speaker 1>The first. First of all, like I love this show.

0:28:56.920 --> 0:29:00.560
<v Speaker 1>This show needs a lot more women about That's the

0:29:00.560 --> 0:29:03.680
<v Speaker 1>first thing. And that's you know, that's not us. We've

0:29:03.760 --> 0:29:07.200
<v Speaker 1>invited them. We've invited So even with my Shapedo's party,

0:29:07.720 --> 0:29:10.960
<v Speaker 1>I found it's very easy, especially in a hip hop

0:29:11.000 --> 0:29:13.720
<v Speaker 1>space that's just toosterone driven to fall into the habit

0:29:13.800 --> 0:29:15.960
<v Speaker 1>of just booking men because it's men that running this

0:29:16.000 --> 0:29:20.880
<v Speaker 1>ship is. We don't want to do this and we

0:29:21.240 --> 0:29:23.680
<v Speaker 1>won't really book guests no more the guest book. Okay,

0:29:23.880 --> 0:29:28.240
<v Speaker 1>So that's it's kind of like, so what with the females.

0:29:28.360 --> 0:29:31.040
<v Speaker 1>We reach out and females is different because they you know,

0:29:31.080 --> 0:29:32.600
<v Speaker 1>you gotta deal with the man as you gotta do

0:29:32.600 --> 0:29:34.680
<v Speaker 1>what their boyfriends you gotta deal with From day one,

0:29:34.800 --> 0:29:39.560
<v Speaker 1>Queen Latifa a little kid like we we we we've

0:29:39.600 --> 0:29:42.360
<v Speaker 1>reached out, but I want to leave y'all because I

0:29:43.080 --> 0:29:45.040
<v Speaker 1>go above and beyond to reach out to women to

0:29:45.080 --> 0:29:46.800
<v Speaker 1>give him my show to make it more balance. And

0:29:46.840 --> 0:29:49.840
<v Speaker 1>that's a challenge. It's not it's not easy, but but

0:29:50.160 --> 0:29:52.840
<v Speaker 1>because we have what back to the point I was saying,

0:29:53.000 --> 0:29:55.720
<v Speaker 1>or everybody in his room, we understand white privilege. We

0:29:55.880 --> 0:29:59.680
<v Speaker 1>understand that if you're born white, it doesn't matter whether

0:29:59.720 --> 0:30:01.720
<v Speaker 1>you're what, you're poor. If you're born white, you're born

0:30:01.760 --> 0:30:05.040
<v Speaker 1>with a certain amount of privilege and society. Right. So

0:30:05.320 --> 0:30:07.600
<v Speaker 1>if you're born male, and that even goes for black men,

0:30:08.400 --> 0:30:10.280
<v Speaker 1>if you're born male, you're born with a certain amount

0:30:10.320 --> 0:30:12.680
<v Speaker 1>of privilege, certain doors open up for you in society

0:30:12.720 --> 0:30:14.760
<v Speaker 1>to open up for women. The most glaring example is

0:30:15.000 --> 0:30:17.760
<v Speaker 1>paid the pay rate. Women get seventy cent to every

0:30:17.800 --> 0:30:20.040
<v Speaker 1>dollar that men make. That's the most glaring example. You

0:30:20.040 --> 0:30:22.920
<v Speaker 1>know what I'm saying. But we everyone, Everyone has a

0:30:22.960 --> 0:30:26.080
<v Speaker 1>specific amount of privilege. Straight white men have more privilege

0:30:26.080 --> 0:30:28.920
<v Speaker 1>than anybody. Straight rich white men have more privilege than anybody.

0:30:29.080 --> 0:30:31.320
<v Speaker 1>But everybody got some sort of privilege. And you don't

0:30:31.360 --> 0:30:35.160
<v Speaker 1>become a jerk by having privilege. You become a jerk

0:30:35.200 --> 0:30:37.440
<v Speaker 1>if you just don't ever acknowledge it. I think in

0:30:37.520 --> 0:30:42.080
<v Speaker 1>no spaces we had some conversations. We sometimes fall into

0:30:42.120 --> 0:30:44.680
<v Speaker 1>the male privilege, whether it's intentionally or not. And I

0:30:44.760 --> 0:30:46.920
<v Speaker 1>think that's I think that's what we was doing in

0:30:47.240 --> 0:30:50.360
<v Speaker 1>in that conversation. And so when Russell came on, I

0:30:50.400 --> 0:30:52.640
<v Speaker 1>don't want to get it to the weeds about what

0:30:52.840 --> 0:30:55.520
<v Speaker 1>who thinks Russell did what? The fact is that the

0:30:55.600 --> 0:31:01.040
<v Speaker 1>accusations are out there, accusations have been made by credible individuals.

0:31:01.240 --> 0:31:03.320
<v Speaker 1>These are not random people. These are people who have

0:31:03.680 --> 0:31:07.720
<v Speaker 1>credibility in our business. The fact is that Oprahto pulled

0:31:07.800 --> 0:31:11.280
<v Speaker 1>away from doing a documentary rustle because she couldn't I

0:31:11.320 --> 0:31:13.320
<v Speaker 1>can't speak up. But she pulled away from it, right,

0:31:13.640 --> 0:31:16.480
<v Speaker 1>So I thought he deserved the doubt from that. But

0:31:16.600 --> 0:31:18.880
<v Speaker 1>that's not your platform. Are you allowed to do that? Right? No,

0:31:19.040 --> 0:31:23.120
<v Speaker 1>I actually walked away from it. Actually, actually I said,

0:31:23.520 --> 0:31:26.520
<v Speaker 1>well we we I didn't understand it, but I remember

0:31:26.760 --> 0:31:28.640
<v Speaker 1>that episode. I wasn't even there, so I forget what

0:31:29.080 --> 0:31:31.840
<v Speaker 1>my reason was. I wasn't on that and I found

0:31:31.880 --> 0:31:34.520
<v Speaker 1>out after the fact, and I still found myself arguing

0:31:34.680 --> 0:31:38.600
<v Speaker 1>with trying to defend our stands. And I'm gonna tell

0:31:38.600 --> 0:31:41.400
<v Speaker 1>you something, just because we never broke it up, next

0:31:41.440 --> 0:31:45.800
<v Speaker 1>time you see your person that's of your culture, that's

0:31:45.840 --> 0:31:49.400
<v Speaker 1>doing something that's culturally not appropriate, you can do the

0:31:49.520 --> 0:31:52.600
<v Speaker 1>same way he was DM and we were flipping on

0:31:52.680 --> 0:31:57.680
<v Speaker 1>each other. Was a good ship too, sister. You let's

0:31:57.720 --> 0:31:59.560
<v Speaker 1>go to each other to be understeing. I'm going to

0:31:59.640 --> 0:32:02.800
<v Speaker 1>check the Rosa love you. Me and me and Rosa

0:32:02.880 --> 0:32:05.600
<v Speaker 1>had had me. Rose had heated conversation about this. Me

0:32:05.680 --> 0:32:07.760
<v Speaker 1>and Rose. That's my good friend. But we don't agree

0:32:07.800 --> 0:32:10.160
<v Speaker 1>on every single thing. We had which we check each other.

0:32:10.520 --> 0:32:12.480
<v Speaker 1>We had a heated conversation about it because her whole

0:32:12.520 --> 0:32:16.640
<v Speaker 1>thing was the whole thing is at the age we at,

0:32:17.040 --> 0:32:19.320
<v Speaker 1>we're supposed to know better. My whole thing was, I said,

0:32:19.320 --> 0:32:21.680
<v Speaker 1>you gotta look at who Noriega is. This is a man.

0:32:21.880 --> 0:32:24.160
<v Speaker 1>If you know his hip hop hip hop history, you

0:32:24.240 --> 0:32:26.960
<v Speaker 1>know where Nori comes from. You know he comes from poverty,

0:32:27.320 --> 0:32:29.560
<v Speaker 1>He come from situation. He built himself up out of this.

0:32:29.840 --> 0:32:31.560
<v Speaker 1>And now this man who has been to jam, this

0:32:31.680 --> 0:32:34.200
<v Speaker 1>man who has been through the system, is now realizing it.

0:32:34.320 --> 0:32:36.520
<v Speaker 1>As an older man, I have an opportunity to take

0:32:36.560 --> 0:32:39.280
<v Speaker 1>what I learned and be more positive. So let's give

0:32:39.360 --> 0:32:42.640
<v Speaker 1>the brother space to grow. We're gonna be progressive. We

0:32:42.720 --> 0:32:45.360
<v Speaker 1>can't assume that he knows what we know. Did I

0:32:45.440 --> 0:32:48.000
<v Speaker 1>actually like, I heard the allegation, and let me just

0:32:48.240 --> 0:32:50.800
<v Speaker 1>be something clear. Not taking up for Russell because if

0:32:50.840 --> 0:32:53.120
<v Speaker 1>he's guilty of things that he's guilty of, then I

0:32:53.160 --> 0:32:55.000
<v Speaker 1>feel like he should face the consequences. Right, there's no

0:32:55.160 --> 0:32:57.720
<v Speaker 1>as about it. But this man that they describe I've

0:32:57.760 --> 0:33:01.800
<v Speaker 1>never mad. I have never meant like, if you're gonna say,

0:33:02.040 --> 0:33:04.880
<v Speaker 1>and I'm not saying a crime should be forgiving or whatever,

0:33:05.000 --> 0:33:08.080
<v Speaker 1>but if you bring up who I was at eighteen

0:33:08.160 --> 0:33:10.400
<v Speaker 1>years old, I'm not who the fucking guy I hate.

0:33:10.480 --> 0:33:14.479
<v Speaker 1>Would I wouldn't hang out with that guy hanging out

0:33:14.520 --> 0:33:17.040
<v Speaker 1>with the take your old version of me. He's an asshole.

0:33:17.320 --> 0:33:18.880
<v Speaker 1>You know what I'm saying. He didn't. He doesn't want

0:33:18.920 --> 0:33:21.200
<v Speaker 1>to come home. This guy comes home to his family.

0:33:21.520 --> 0:33:24.120
<v Speaker 1>So I tend not to do that to someone else.

0:33:24.440 --> 0:33:25.760
<v Speaker 1>You know what I'm saying, Why would I judge you

0:33:25.800 --> 0:33:28.040
<v Speaker 1>on what you was who you was at eighteen and

0:33:28.480 --> 0:33:31.640
<v Speaker 1>and you got to realize that. I'm not making no

0:33:31.800 --> 0:33:35.320
<v Speaker 1>excuses for anybody, but the culture was different back then.

0:33:35.480 --> 0:33:37.719
<v Speaker 1>People would literally walk up to girls and smack him

0:33:37.720 --> 0:33:39.880
<v Speaker 1>when they asked. Women would literally do that to me

0:33:40.000 --> 0:33:42.080
<v Speaker 1>in the office. I'll be getting the headcut. Get up

0:33:42.480 --> 0:33:45.640
<v Speaker 1>a woman, Bob. I didn't know I was being me too.

0:33:46.920 --> 0:33:52.080
<v Speaker 1>I didn't. I don't something you understand I'm saying what

0:33:52.200 --> 0:33:54.680
<v Speaker 1>that was. I'm not not col siding it, but what

0:33:54.800 --> 0:33:57.200
<v Speaker 1>I'm saying is that was it was more likely you

0:33:57.320 --> 0:34:01.480
<v Speaker 1>to walk in and see somebody, uh one of the CEOs,

0:34:01.720 --> 0:34:04.400
<v Speaker 1>somebody's up there, assistant sitting on their lap. That that

0:34:04.560 --> 0:34:06.600
<v Speaker 1>was kind of the normal back then. Not not co

0:34:06.800 --> 0:34:09.520
<v Speaker 1>signing it, not saying it was right, but seeing it

0:34:09.920 --> 0:34:12.400
<v Speaker 1>wasn't abnormal. Yeah, you know that's the thing. That's what

0:34:12.520 --> 0:34:14.880
<v Speaker 1>they talk about rape culture being normalized. It was so

0:34:15.080 --> 0:34:17.799
<v Speaker 1>normal back then that we accepted it is okay. It's

0:34:17.840 --> 0:34:20.239
<v Speaker 1>our job to grow and progress and change. And that's

0:34:20.280 --> 0:34:23.680
<v Speaker 1>the thing with cancer culture and the only thing that

0:34:23.800 --> 0:34:26.200
<v Speaker 1>the thing that's bad about it is is not giving

0:34:26.239 --> 0:34:29.120
<v Speaker 1>people the chance to grow and progress, like like right now, sorry,

0:34:29.719 --> 0:34:31.680
<v Speaker 1>right now, right. I don't know if you follow cam,

0:34:31.719 --> 0:34:35.360
<v Speaker 1>but Cam got this this twenty nine c right, this

0:34:35.560 --> 0:34:38.279
<v Speaker 1>girl from his building. She's following him, she's talking him.

0:34:38.480 --> 0:34:41.520
<v Speaker 1>We're all laughing at that, right, we're laughing. He's feeling

0:34:41.520 --> 0:34:44.040
<v Speaker 1>he's running away from up. Had that been a man,

0:34:44.120 --> 0:34:46.560
<v Speaker 1>that wouldn't have been funny, right right, Has that been

0:34:46.600 --> 0:34:49.560
<v Speaker 1>the other way around him doing that? I can see

0:34:49.600 --> 0:34:55.319
<v Speaker 1>someone calling the police. And this is where our male

0:34:55.360 --> 0:34:58.759
<v Speaker 1>preface comes in because women, and this is something I've learned,

0:34:58.760 --> 0:35:01.640
<v Speaker 1>it's like I grow older when that happens to women,

0:35:02.160 --> 0:35:05.239
<v Speaker 1>they beget murt Like when when dudes be stalking with

0:35:05.320 --> 0:35:07.440
<v Speaker 1>like women, when dude, you know, when when women get

0:35:07.520 --> 0:35:10.800
<v Speaker 1>cat cold and dudes they get rejected, dude, women be

0:35:10.840 --> 0:35:13.440
<v Speaker 1>getting violently assaulted, And that's what it is, Like women

0:35:13.480 --> 0:35:18.200
<v Speaker 1>go through that so much that Harlem. You know what

0:35:18.200 --> 0:35:21.759
<v Speaker 1>I'm saying, that the community stood up and yeah, oh

0:35:22.600 --> 0:35:26.279
<v Speaker 1>I see the after effect. What happened. Um, some dude

0:35:26.320 --> 0:35:27.800
<v Speaker 1>try to hole at her. She's like, no, you know,

0:35:27.880 --> 0:35:32.560
<v Speaker 1>I'm good. Then when she left, just beat up. Women

0:35:32.640 --> 0:35:35.920
<v Speaker 1>be going through that for so long that with men

0:35:36.239 --> 0:35:38.160
<v Speaker 1>like and we've been social. Look, I just went through

0:35:38.200 --> 0:35:40.880
<v Speaker 1>some ship recently with somebody saying some ship about what

0:35:40.960 --> 0:35:42.680
<v Speaker 1>happened with me. When I went back to the situation,

0:35:42.760 --> 0:35:44.800
<v Speaker 1>I'm like, if I had did that to a woman,

0:35:46.120 --> 0:35:48.200
<v Speaker 1>that would have been raped what this woman did to me.

0:35:48.920 --> 0:35:50.600
<v Speaker 1>But as when it happened when I was like my

0:35:50.640 --> 0:35:52.480
<v Speaker 1>early twenties in my career, we looked at us and

0:35:52.560 --> 0:35:56.600
<v Speaker 1>fly ship. So what happened advantage? I didn't look at

0:35:56.600 --> 0:35:59.200
<v Speaker 1>it like that at that time. Give me no exctasy,

0:35:59.239 --> 0:36:01.239
<v Speaker 1>but just the way which she was coming at me

0:36:01.680 --> 0:36:04.160
<v Speaker 1>and the way in where she was like pressed about

0:36:04.200 --> 0:36:06.520
<v Speaker 1>the ship where I found myself hiding from this woman,

0:36:06.800 --> 0:36:08.959
<v Speaker 1>you know what I'm saying. And I told my friends

0:36:08.960 --> 0:36:12.080
<v Speaker 1>are on some funny ship. But twenty years later, I'm like, well,

0:36:12.120 --> 0:36:15.360
<v Speaker 1>not I was sexual harassment right all right? But I

0:36:15.440 --> 0:36:18.360
<v Speaker 1>thought it was fly because I never had that cat calling.

0:36:18.719 --> 0:36:21.000
<v Speaker 1>I never had that attention. I never had until I

0:36:21.080 --> 0:36:23.759
<v Speaker 1>became a rapper. What I'm saying, But we're like, we

0:36:23.840 --> 0:36:26.080
<v Speaker 1>gotta figure like the conversation. But I think all of

0:36:26.200 --> 0:36:29.960
<v Speaker 1>us know for a fact that rape culture, everything that

0:36:30.040 --> 0:36:33.080
<v Speaker 1>we're talking about, none of us coach signed starts to

0:36:33.120 --> 0:36:35.960
<v Speaker 1>get murky. Is the cancel culture side of it, where

0:36:36.000 --> 0:36:40.640
<v Speaker 1>it just every the society has become judge and jury. Boom, Well,

0:36:40.640 --> 0:36:42.680
<v Speaker 1>how you draw out the baby with the bath water?

0:36:42.719 --> 0:36:44.799
<v Speaker 1>How do you throw out everyone? And I'm not even

0:36:44.800 --> 0:36:46.759
<v Speaker 1>gonna start naming names because I don't want nobody to

0:36:46.920 --> 0:36:49.800
<v Speaker 1>can but let me how you were here for that

0:36:49.840 --> 0:36:51.880
<v Speaker 1>because we couldn't handle it like that because we was

0:36:51.920 --> 0:36:55.399
<v Speaker 1>on zoom zoom get called out, you would get cut

0:36:55.400 --> 0:36:57.399
<v Speaker 1>off when you're trying to This is not it. We're

0:36:57.440 --> 0:36:59.520
<v Speaker 1>here for this time. We're here to happen. Okay, so

0:36:59.600 --> 0:37:02.319
<v Speaker 1>let's let's let's break it down. We just actually let's

0:37:02.320 --> 0:37:06.080
<v Speaker 1>just tell you something. But I just noticed they're trying

0:37:06.120 --> 0:37:08.319
<v Speaker 1>to go and take Russells ship off for all these

0:37:08.800 --> 0:37:13.560
<v Speaker 1>like his name of the Tatsu Harvey is you can

0:37:13.600 --> 0:37:19.160
<v Speaker 1>still watching Mary Max. You're not man, but you can't

0:37:19.200 --> 0:37:24.760
<v Speaker 1>destroy the legacy pops up, Bro, I'm the other day company.

0:37:24.840 --> 0:37:28.439
<v Speaker 1>Other days Netflix wasn't working, my my my Prime video

0:37:28.560 --> 0:37:30.239
<v Speaker 1>wasn't working, my whole it wasn't working. So I went

0:37:30.320 --> 0:37:33.160
<v Speaker 1>back to cable and I watched the regular cable until

0:37:33.200 --> 0:37:36.320
<v Speaker 1>the ship well, and I'm just randomly just don't do

0:37:36.480 --> 0:37:39.400
<v Speaker 1>movies and still seeing his name pop up on offist

0:37:39.480 --> 0:37:42.560
<v Speaker 1>you Cable. Not wrong, but I think that the thing

0:37:42.640 --> 0:37:45.879
<v Speaker 1>we have to do as men is realized that because

0:37:45.920 --> 0:37:47.880
<v Speaker 1>we teach our children this, we teach our children were

0:37:47.920 --> 0:37:49.640
<v Speaker 1>just because he's doing it doesn't mean it's okay for you.

0:37:50.040 --> 0:37:51.560
<v Speaker 1>So as men we have to be like, Okay, yeah,

0:37:51.920 --> 0:37:55.520
<v Speaker 1>Harvey Washtein exists and Jeffrey Epstein exists, but just because

0:37:55.560 --> 0:37:57.800
<v Speaker 1>they exist, we can't use what about us, and we

0:37:57.840 --> 0:38:00.400
<v Speaker 1>can't see what about this. We have to we have

0:38:00.480 --> 0:38:02.480
<v Speaker 1>to own our ship. So I think you can't from

0:38:02.520 --> 0:38:05.640
<v Speaker 1>a place where you didn't understand the ramification, but now

0:38:05.719 --> 0:38:10.319
<v Speaker 1>that you do, I still actually understand fully because I'm

0:38:10.400 --> 0:38:13.320
<v Speaker 1>looking at people reposting Russell Simmonds, that's a woman, but

0:38:13.360 --> 0:38:17.399
<v Speaker 1>he's a thing that him being bied doings and said

0:38:17.480 --> 0:38:20.319
<v Speaker 1>not me. Yeah, But what I'm saying is, but even

0:38:20.360 --> 0:38:22.960
<v Speaker 1>if women in proximity has not he didn't do it.

0:38:23.120 --> 0:38:24.759
<v Speaker 1>He has not been, but he's not been. He's not

0:38:24.840 --> 0:38:27.000
<v Speaker 1>been r But let me ask you this. Yeah, just

0:38:27.160 --> 0:38:28.960
<v Speaker 1>like you had to ask me about it, now that

0:38:29.120 --> 0:38:31.920
<v Speaker 1>you know, with knowledge comes responsibility. You couldn't have me

0:38:32.000 --> 0:38:33.880
<v Speaker 1>on the show without asking me. So now that you know,

0:38:34.320 --> 0:38:36.319
<v Speaker 1>if Russell was sitting in his chair, you know you'd

0:38:36.320 --> 0:38:38.200
<v Speaker 1>be asking. I have to laugh. You know what I

0:38:38.239 --> 0:38:40.080
<v Speaker 1>would do. This would be my first time I had

0:38:40.120 --> 0:38:43.120
<v Speaker 1>somebody goes right my video, my interview. I would actually

0:38:43.400 --> 0:38:45.319
<v Speaker 1>go let Rose and give me all the question. Yes,

0:38:45.520 --> 0:38:48.520
<v Speaker 1>you give me the question that in that instance when

0:38:48.520 --> 0:38:51.320
<v Speaker 1>he joined the zoom should have been But that's and

0:38:51.360 --> 0:38:53.919
<v Speaker 1>that's where I was going. You didn't do it because

0:38:53.920 --> 0:38:56.320
<v Speaker 1>you didn't know, But had you known. The way for

0:38:56.480 --> 0:38:58.879
<v Speaker 1>us to do it is we can't We can't say

0:38:58.960 --> 0:39:01.400
<v Speaker 1>that Russell Simmons is not worthy to be in the conversation.

0:39:01.760 --> 0:39:03.480
<v Speaker 1>But if he's in the conversation, well then we got

0:39:03.600 --> 0:39:05.560
<v Speaker 1>to deal with it. To say that that you asked Carriss,

0:39:05.600 --> 0:39:08.680
<v Speaker 1>what about coming like, we're not We're not going to

0:39:08.800 --> 0:39:11.120
<v Speaker 1>not have caress. That's why we aren't going to ask

0:39:11.160 --> 0:39:12.960
<v Speaker 1>to her. You know what it was I didn't realize

0:39:13.000 --> 0:39:15.760
<v Speaker 1>that I'm also a journalist too. I wasn't being a journalist.

0:39:15.800 --> 0:39:17.239
<v Speaker 1>I was being a Black Lives Matter was being a

0:39:17.320 --> 0:39:22.719
<v Speaker 1>black person being a journalist. And I see Mark Head

0:39:22.800 --> 0:39:26.879
<v Speaker 1>goes to market the journalists for hen to the actor,

0:39:26.960 --> 0:39:32.600
<v Speaker 1>he was like, Yo, what was that? Yeah? Yeah, soon

0:39:32.680 --> 0:39:34.920
<v Speaker 1>as you we hung up Head treat. It's like Mark

0:39:35.040 --> 0:39:38.640
<v Speaker 1>Lamart said, he's not what. I'm like, what the fuck?

0:39:38.960 --> 0:39:42.719
<v Speaker 1>And I had to deal with it. But again, sisters,

0:39:43.960 --> 0:39:46.320
<v Speaker 1>our coach of people that really like, you really know,

0:39:46.520 --> 0:39:49.000
<v Speaker 1>I love this coach. You really know that, you really

0:39:49.040 --> 0:39:52.560
<v Speaker 1>know I'm coming from a place of almost stupidity if

0:39:52.600 --> 0:39:55.480
<v Speaker 1>I coaturally don't be appropriate sometime I'm coming from a

0:39:55.520 --> 0:39:59.600
<v Speaker 1>place of stupidity, not a straight stupidity. You don't you

0:39:59.680 --> 0:40:02.640
<v Speaker 1>should didn't chastize me for every stupid move, but for

0:40:02.760 --> 0:40:05.719
<v Speaker 1>every move that you take. Sometimes you really need to

0:40:05.800 --> 0:40:07.920
<v Speaker 1>just hit somebody and say you're listen, bro, you might

0:40:07.960 --> 0:40:10.279
<v Speaker 1>not want to do that. Boom boom boom, boom boom boom,

0:40:10.360 --> 0:40:12.120
<v Speaker 1>and then you take it from there. I had a

0:40:12.160 --> 0:40:14.480
<v Speaker 1>little Kim on my show and she talked about being

0:40:14.480 --> 0:40:17.200
<v Speaker 1>a teenager when she dropped that album cover hardcoorn, how

0:40:17.280 --> 0:40:19.520
<v Speaker 1>niggas and jail loved it everything. And she said she

0:40:19.640 --> 0:40:21.600
<v Speaker 1>thought she was just having fun being a young lady.

0:40:21.800 --> 0:40:23.719
<v Speaker 1>And as see the Lorias, Tucker and them came and

0:40:23.760 --> 0:40:25.920
<v Speaker 1>they was steamrolling her CDs and she said something interesting,

0:40:25.920 --> 0:40:28.400
<v Speaker 1>She said, I was just a child. Why did this

0:40:28.520 --> 0:40:31.200
<v Speaker 1>older black lady hit pulled me to the side and

0:40:31.280 --> 0:40:33.040
<v Speaker 1>give me some life advice? And I don't know what

0:40:33.120 --> 0:40:35.040
<v Speaker 1>I was doing, but why did they attack me? Media?

0:40:35.040 --> 0:40:37.560
<v Speaker 1>Doesn't that even the way you just said it right now?

0:40:37.600 --> 0:40:39.680
<v Speaker 1>Maybe even creepier though that that cover that she was

0:40:39.760 --> 0:40:46.960
<v Speaker 1>a child? Like whoever the imagery I'm saying now that

0:40:47.080 --> 0:40:49.680
<v Speaker 1>we're older now the way you're saying she's a child,

0:40:50.120 --> 0:40:55.040
<v Speaker 1>I got a daughter. But that was the culture back then,

0:40:56.400 --> 0:41:00.440
<v Speaker 1>sexual ship going on, like the people were openly about

0:41:00.600 --> 0:41:03.120
<v Speaker 1>eating pussy and sucking dick and and all. This is

0:41:03.320 --> 0:41:06.239
<v Speaker 1>this is what we hit, was Deliverment, and it was

0:41:06.360 --> 0:41:08.520
<v Speaker 1>a part of it, like watching this ship go down,

0:41:08.640 --> 0:41:11.680
<v Speaker 1>this super sexist ship going down. It was we you

0:41:11.760 --> 0:41:16.359
<v Speaker 1>guys are la grow but I don't. I don't think.

0:41:16.480 --> 0:41:19.520
<v Speaker 1>I don't think you can attack delric You think Luke

0:41:19.840 --> 0:41:22.080
<v Speaker 1>Luke got daughters. You think he was thinking of that now,

0:41:22.280 --> 0:41:23.880
<v Speaker 1>but he doesn't want to have to be careful. We

0:41:23.920 --> 0:41:26.200
<v Speaker 1>can't attack the freedom of speech either, and and and

0:41:26.320 --> 0:41:28.440
<v Speaker 1>freedom to be creative. I don't know whether to me

0:41:28.520 --> 0:41:31.080
<v Speaker 1>there's a finalance I supposed to. Let me just say,

0:41:31.320 --> 0:41:33.520
<v Speaker 1>because Luke ended up running for office and Luke as

0:41:33.600 --> 0:41:36.799
<v Speaker 1>him doing positive, let me just say, imagine that housing

0:41:36.840 --> 0:41:40.600
<v Speaker 1>you back then. It doesn't matter how sexual girls sucking.

0:41:43.360 --> 0:41:47.680
<v Speaker 1>What I want to say is, no matter what ratchees,

0:41:48.040 --> 0:41:50.400
<v Speaker 1>no matter what Rache ratchet ship you went to as

0:41:50.440 --> 0:41:52.800
<v Speaker 1>a rapper, he was the only one you said you

0:41:52.880 --> 0:41:59.239
<v Speaker 1>can't smoke camera, you end up being a conscious, conscious rapper.

0:41:59.719 --> 0:42:02.400
<v Speaker 1>Matter said, if you get to a certain you go

0:42:02.719 --> 0:42:04.680
<v Speaker 1>play if rappers a video game, and you get to

0:42:04.760 --> 0:42:06.960
<v Speaker 1>the boss, you get to the top. If you if

0:42:06.960 --> 0:42:09.359
<v Speaker 1>you survive all the ship to rap, you either become

0:42:09.600 --> 0:42:11.479
<v Speaker 1>even if you're not conscious of your lyrics, you become

0:42:11.520 --> 0:42:16.040
<v Speaker 1>a conscious individual. Every gangster rapper from Too Short to Nori,

0:42:16.400 --> 0:42:18.560
<v Speaker 1>you know that everybody turned to new if you survive

0:42:18.640 --> 0:42:26.640
<v Speaker 1>a ship. Okay, yeah, man, you're right. Yeah, this is

0:42:26.680 --> 0:42:31.440
<v Speaker 1>a good conversation because I actually don't know which we

0:42:31.520 --> 0:42:38.160
<v Speaker 1>may not be qualified for this may in it, but

0:42:39.120 --> 0:42:42.239
<v Speaker 1>and that and that's what's interesting is when I look

0:42:42.239 --> 0:42:45.799
<v Speaker 1>at Simon's thing and I see that woman support him

0:42:46.320 --> 0:42:49.160
<v Speaker 1>so like so like that's why it's weird to me. It's,

0:42:49.200 --> 0:42:51.440
<v Speaker 1>like I said, it's one of those subjects where it

0:42:51.520 --> 0:42:54.160
<v Speaker 1>is it's just in the I think it's about personal responsibility.

0:42:54.360 --> 0:42:56.319
<v Speaker 1>There's some women who like rustle then do not wrong.

0:42:56.520 --> 0:42:58.759
<v Speaker 1>That's some women that's that's like he's a rapist, But

0:42:58.840 --> 0:43:01.239
<v Speaker 1>it's about we can't judge how we're gonna behave on

0:43:01.320 --> 0:43:03.239
<v Speaker 1>how others we had to look. You know, we have

0:43:03.800 --> 0:43:07.080
<v Speaker 1>Russell is Russell Simmons, that's Russell Rush. Like we can't

0:43:07.080 --> 0:43:09.640
<v Speaker 1>erase what he did a hip hop but you know,

0:43:09.760 --> 0:43:11.279
<v Speaker 1>he's just I think because of what he did in

0:43:11.400 --> 0:43:13.279
<v Speaker 1>hip hop, because we really done for the community, he

0:43:13.400 --> 0:43:16.480
<v Speaker 1>deserves to have his voice heard. Now what he says

0:43:16.560 --> 0:43:18.959
<v Speaker 1>with his voice, we'll have to judge. And I'm gonna

0:43:18.960 --> 0:43:20.759
<v Speaker 1>tell people like this that I never said this story.

0:43:20.800 --> 0:43:23.799
<v Speaker 1>Hopefully I think I never said this story, But those

0:43:23.800 --> 0:43:28.879
<v Speaker 1>women deserved that. He definitely not publicly. When now had

0:43:28.960 --> 0:43:32.920
<v Speaker 1>a seven shootout happened and they banned us. They banned

0:43:33.000 --> 0:43:36.640
<v Speaker 1>us immediately. They pulled every record from Compona Noriega to Noriega,

0:43:36.800 --> 0:43:39.800
<v Speaker 1>to thugged out to the firm. Whatever record I was on,

0:43:40.280 --> 0:43:44.080
<v Speaker 1>they pulled it. They pulled it. You know who got

0:43:44.160 --> 0:43:48.279
<v Speaker 1>me to get back on the Radio's Russell. He was

0:43:48.320 --> 0:43:51.200
<v Speaker 1>dead for me the time that I needed him. I

0:43:51.280 --> 0:43:53.840
<v Speaker 1>gotta say, the hardest conscious rapper out now is Camponent.

0:43:56.440 --> 0:43:59.600
<v Speaker 1>Get back to that and with a key time for

0:43:59.760 --> 0:44:03.880
<v Speaker 1>me to show back that favor. I stood with the woman.

0:44:04.600 --> 0:44:08.479
<v Speaker 1>M hmm, I want to make that clip. I still

0:44:08.560 --> 0:44:11.640
<v Speaker 1>with the woman because I but I think I don't think.

0:44:11.680 --> 0:44:14.000
<v Speaker 1>I don't think. I don't think it's mutually exclusive. I

0:44:14.080 --> 0:44:16.840
<v Speaker 1>think you could show solidarity for women as to respect

0:44:16.920 --> 0:44:20.279
<v Speaker 1>Russell's contributions to your life, to this coach. I tried to,

0:44:20.440 --> 0:44:23.839
<v Speaker 1>but when the comments was so well, when they were

0:44:23.960 --> 0:44:26.040
<v Speaker 1>and then and what they were doing was I felt

0:44:26.080 --> 0:44:28.600
<v Speaker 1>bad for our partners because they were blaming it on

0:44:29.320 --> 0:44:33.040
<v Speaker 1>um uh the title and puff there was like look

0:44:33.120 --> 0:44:36.160
<v Speaker 1>at this puffing and jay Z puts Russell Simmons on

0:44:37.640 --> 0:44:42.000
<v Speaker 1>Russell Simmings on Dreamcat like you got nothing. So it

0:44:42.120 --> 0:44:46.920
<v Speaker 1>was crazy and we're we're doing hip hop effects uncovered

0:44:47.000 --> 0:44:50.440
<v Speaker 1>with our big you bid me and he said the

0:44:50.520 --> 0:44:53.279
<v Speaker 1>only part that they hated. Is that the studio made

0:44:53.320 --> 0:44:56.239
<v Speaker 1>him take Russell Simmons out, he said, but they let

0:44:56.360 --> 0:45:01.919
<v Speaker 1>us interview murderous. He said, look at our markets. Yeah,

0:45:02.400 --> 0:45:06.799
<v Speaker 1>that's that's the mother ship, right, some other ship that's

0:45:06.800 --> 0:45:09.160
<v Speaker 1>like that day Chapelle jokes six and Stones where he's like, well,

0:45:09.200 --> 0:45:13.400
<v Speaker 1>I'm not a nigger either. Yeah, that's this is a

0:45:13.440 --> 0:45:16.000
<v Speaker 1>deep conversation. This is deep, man. I ain't even looking

0:45:16.040 --> 0:45:19.920
<v Speaker 1>at my notes. Holy mouse, you said you go above

0:45:19.960 --> 0:45:23.880
<v Speaker 1>and beyond to book more female guests. Yeah, what is

0:45:23.920 --> 0:45:26.399
<v Speaker 1>it that you're doing. Give us an example. Shout out

0:45:26.440 --> 0:45:29.400
<v Speaker 1>to my team because we haven't had light on, but

0:45:29.440 --> 0:45:31.520
<v Speaker 1>we've had We've had We've had a lot of female guests.

0:45:31.640 --> 0:45:33.600
<v Speaker 1>We had last week, we had Dasher Polanco. Next week

0:45:33.640 --> 0:45:36.319
<v Speaker 1>is Sonny Anderson. Um Sonny told said to say what's

0:45:36.400 --> 0:45:40.000
<v Speaker 1>up as well? I know that that's one of us. Yeah.

0:45:41.000 --> 0:45:44.600
<v Speaker 1>There was an argument on the squad because they kept

0:45:44.600 --> 0:45:47.319
<v Speaker 1>booking really good guests. We had busted d M mex

0:45:47.360 --> 0:45:49.640
<v Speaker 1>And and I'm like, yo, I gave him a list

0:45:49.719 --> 0:45:51.960
<v Speaker 1>of women the book. I'm like, make sure you get

0:45:52.040 --> 0:45:54.279
<v Speaker 1>I gave him as ten women. I said, get your

0:45:54.320 --> 0:45:56.959
<v Speaker 1>bad and that average needs to be three hundred book

0:45:57.080 --> 0:45:59.239
<v Speaker 1>three of these women and then months went by. We

0:45:59.360 --> 0:46:01.239
<v Speaker 1>get in dope, ask but they ain't getting none in women.

0:46:01.560 --> 0:46:04.640
<v Speaker 1>And I'm like, yo, if I'm not pushing to get women,

0:46:04.680 --> 0:46:07.680
<v Speaker 1>we we we all as the team are default is

0:46:07.719 --> 0:46:09.879
<v Speaker 1>to just be comfortable with the with the male talking,

0:46:10.200 --> 0:46:12.440
<v Speaker 1>you know, and it's like we, I think we need

0:46:12.520 --> 0:46:14.640
<v Speaker 1>to balance and I think people like us who had

0:46:14.680 --> 0:46:17.920
<v Speaker 1>the platforms we gotta fight for it. Um yeah, we

0:46:18.080 --> 0:46:19.880
<v Speaker 1>we just gotta fight for it. And shout out to

0:46:19.920 --> 0:46:23.200
<v Speaker 1>your coat as well. Now you worked on a low

0:46:23.320 --> 0:46:25.880
<v Speaker 1>end theory with TP called chust. Yeah, you know on

0:46:25.920 --> 0:46:29.840
<v Speaker 1>the song show bits I run on that song. I

0:46:29.840 --> 0:46:34.160
<v Speaker 1>didn't that you should tell the story about how you

0:46:34.200 --> 0:46:36.400
<v Speaker 1>got on that record. Okay, yeah's all right? So this

0:46:36.480 --> 0:46:38.120
<v Speaker 1>this this is crazy right. I went down I went

0:46:38.200 --> 0:46:40.400
<v Speaker 1>down to the to the session to play some beasts

0:46:40.400 --> 0:46:44.960
<v Speaker 1>for Tipper. Yeah. Yeah, just just want I feel bad

0:46:45.160 --> 0:46:47.600
<v Speaker 1>over yet that you want some of this. I want

0:46:47.760 --> 0:46:52.200
<v Speaker 1>somebody st a little bit. I'm gonna be honest, I am,

0:46:55.080 --> 0:47:01.960
<v Speaker 1>but just man, Mr Lead, who's the whiskey drinker who

0:47:02.000 --> 0:47:06.520
<v Speaker 1>comm to Jamison? Yeah? Mr Lee? So show business right,

0:47:07.400 --> 0:47:11.200
<v Speaker 1>tripical quests. So I go down to Battley Studios, and

0:47:11.680 --> 0:47:15.919
<v Speaker 1>I'm trying to play tests joints. Um. Oh so I'm drinking.

0:47:19.320 --> 0:47:26.960
<v Speaker 1>I didn't know that, yeah, so a little m so

0:47:27.040 --> 0:47:31.400
<v Speaker 1>I'm playing tips and beats. Um. At this point, Tipping

0:47:31.440 --> 0:47:34.120
<v Speaker 1>Knew had a deal for the Stunts Pluss and Hip

0:47:34.160 --> 0:47:36.880
<v Speaker 1>Hop album. We would see each other, like Jackie, we

0:47:36.880 --> 0:47:39.400
<v Speaker 1>will see each other up about Jazz j Studio up

0:47:39.400 --> 0:47:43.719
<v Speaker 1>in the Bronx. I'm down here playing beats for him

0:47:44.440 --> 0:47:49.759
<v Speaker 1>and Lord Jaman some diet they show up, they do

0:47:50.160 --> 0:47:52.840
<v Speaker 1>they do their verses right. Well, the first time they

0:47:52.920 --> 0:47:55.920
<v Speaker 1>they did verse, Pooba was there. I wasn't there the

0:47:55.960 --> 0:47:59.239
<v Speaker 1>first time, but anyway that what happened was Pooba his verse.

0:47:59.440 --> 0:48:02.040
<v Speaker 1>You know he was told been him out gaze and

0:48:02.760 --> 0:48:05.080
<v Speaker 1>you know, just kicking in the buck. You know, he's

0:48:05.080 --> 0:48:08.040
<v Speaker 1>a father center so you already know this stance. So

0:48:08.280 --> 0:48:11.640
<v Speaker 1>Job is like, all right, listen, we love pool By,

0:48:12.040 --> 0:48:15.160
<v Speaker 1>you know, asking to write a new verse. Poop. I

0:48:15.280 --> 0:48:18.080
<v Speaker 1>was like, what, you're dead on that? So he didn't

0:48:18.120 --> 0:48:20.120
<v Speaker 1>want to write a new verse. Who was on a lecture?

0:48:20.200 --> 0:48:22.640
<v Speaker 1>There was on the lecture at that time. But but

0:48:22.760 --> 0:48:24.279
<v Speaker 1>this is this is on I'm cute, this is on

0:48:24.360 --> 0:48:27.000
<v Speaker 1>Trapical quest albums. I know you said job and that

0:48:27.239 --> 0:48:31.000
<v Speaker 1>job so um. So when I showed up to play

0:48:31.160 --> 0:48:33.360
<v Speaker 1>play took some some beats. He was like, yo, you

0:48:33.400 --> 0:48:36.439
<v Speaker 1>want to jump on the song all right? I was like, hell, yeah,

0:48:37.200 --> 0:48:39.000
<v Speaker 1>you know what I mean. So that, like me being

0:48:39.040 --> 0:48:41.240
<v Speaker 1>on that on that album kind of set up my album,

0:48:42.000 --> 0:48:44.480
<v Speaker 1>you know, because the Lower Theory came out maybe a

0:48:44.600 --> 0:48:47.360
<v Speaker 1>few months before Stunts, blunt and hip hop. You know

0:48:47.400 --> 0:48:49.880
<v Speaker 1>what I mean? But how many mcs round on the

0:48:49.920 --> 0:48:55.920
<v Speaker 1>tribe bobum, you know what I mean? I did, It's

0:48:55.960 --> 0:48:59.680
<v Speaker 1>only of us, just take that's crazy though. It was crazy.

0:48:59.719 --> 0:49:02.640
<v Speaker 1>I watched the documentary the other day and I cried

0:49:02.719 --> 0:49:08.480
<v Speaker 1>like I never saw it again because when I saw

0:49:08.600 --> 0:49:11.600
<v Speaker 1>him and que Tip argue, I actually called coupon. I

0:49:11.640 --> 0:49:13.320
<v Speaker 1>didn't tell him what I was calling him. I was like,

0:49:13.520 --> 0:49:15.080
<v Speaker 1>you know, you know, I just want you to know

0:49:15.200 --> 0:49:18.680
<v Speaker 1>I leve you, bro, And he was like, because it's

0:49:18.680 --> 0:49:23.399
<v Speaker 1>just weird, just love you. Because I related to cute

0:49:23.400 --> 0:49:27.360
<v Speaker 1>Tip and both was making sense. I was, yeah, I

0:49:27.480 --> 0:49:29.919
<v Speaker 1>was both for them. At one point. I was like, oh, shoot,

0:49:29.960 --> 0:49:31.960
<v Speaker 1>he's right, but then the other one would saying something.

0:49:32.000 --> 0:49:38.600
<v Speaker 1>I was like, how is he? I looked and I

0:49:38.760 --> 0:49:46.239
<v Speaker 1>was like, wow, and it's crazy, because, yeah, I think that.

0:49:46.719 --> 0:49:49.839
<v Speaker 1>I think the most slept on two in the hip

0:49:49.880 --> 0:49:53.560
<v Speaker 1>hop is the hip hop documentary. Like since Rhyming Reason,

0:49:55.800 --> 0:49:57.920
<v Speaker 1>I watched Around the Reason twice a year. Just makes

0:49:57.960 --> 0:50:02.160
<v Speaker 1>your my mom right and he best slow down over

0:50:02.200 --> 0:50:06.160
<v Speaker 1>there over there, man, you know what I'm saying. They

0:50:06.280 --> 0:50:08.600
<v Speaker 1>helped me drink the champage, so you know, you got

0:50:08.640 --> 0:50:12.160
<v Speaker 1>all the brothers helping, you know. But I think that's

0:50:12.200 --> 0:50:15.120
<v Speaker 1>the most slept on the hip hop documentary. Like I

0:50:15.200 --> 0:50:17.359
<v Speaker 1>would love to see a Black Star. I would want

0:50:17.360 --> 0:50:20.319
<v Speaker 1>to Black Star documentary more. Did I want a Black

0:50:20.360 --> 0:50:23.919
<v Speaker 1>Star album after that? I've never made a film before

0:50:23.920 --> 0:50:26.200
<v Speaker 1>in my life. But after we do this, I'm gonna

0:50:26.200 --> 0:50:28.879
<v Speaker 1>show y'all a ten minute rough for the Black Star

0:50:29.000 --> 0:50:32.000
<v Speaker 1>documentary that I've been working on the last two years.

0:50:32.080 --> 0:50:34.000
<v Speaker 1>Last two years. Okay, wow, I'm saying some of that

0:50:34.040 --> 0:50:38.640
<v Speaker 1>ship has been filmed on my iPhone. But documentary first

0:50:38.640 --> 0:50:41.319
<v Speaker 1>of doctors my favorite style of the film. I feel

0:50:41.320 --> 0:50:44.279
<v Speaker 1>like I'm being entertained and learning something at the same time.

0:50:45.120 --> 0:50:47.920
<v Speaker 1>But yeah, that that is hill into that. Yeah. I

0:50:48.080 --> 0:50:50.080
<v Speaker 1>was on the Tribal album because I went to the

0:50:50.200 --> 0:50:54.239
<v Speaker 1>Afro punk cute Tip was in Brooklyn to see Ice

0:50:54.280 --> 0:50:56.879
<v Speaker 1>Cube perform. He was performing at Afro Punk, a couple

0:50:56.880 --> 0:50:59.880
<v Speaker 1>of blocks from where I stay. You see how just

0:51:02.960 --> 0:51:04.640
<v Speaker 1>and Q tipping me and decided we're gonna work in

0:51:04.680 --> 0:51:06.000
<v Speaker 1>the record. We've been talking about the song. You know,

0:51:06.120 --> 0:51:08.920
<v Speaker 1>Tipp is talking about a record of two years I'm

0:51:08.920 --> 0:51:12.279
<v Speaker 1>trying to get this record. Five passed away, and so

0:51:12.400 --> 0:51:14.880
<v Speaker 1>in my mind, I'm like, funk that record. I'm never

0:51:15.000 --> 0:51:17.359
<v Speaker 1>asking for that record again. Like if I hit, if

0:51:17.360 --> 0:51:19.920
<v Speaker 1>I hit, Bro, it's just on some just what's up?

0:51:20.520 --> 0:51:22.719
<v Speaker 1>You know what I'm saying, because like the friendships in

0:51:22.760 --> 0:51:24.719
<v Speaker 1>the in the brotherhood is more important than I was

0:51:24.760 --> 0:51:27.040
<v Speaker 1>getting a studio. And when I seen him, it was

0:51:27.040 --> 0:51:29.080
<v Speaker 1>the first time I seen him since Fife passed. And

0:51:29.160 --> 0:51:31.200
<v Speaker 1>I'm like, you know what I'm saying, And he's like, Yo,

0:51:31.480 --> 0:51:33.000
<v Speaker 1>what happened to that song? We're gonna do the song.

0:51:33.040 --> 0:51:35.120
<v Speaker 1>I was like, hey, bro, you know what I'm saying,

0:51:35.200 --> 0:51:38.640
<v Speaker 1>Like we could do the song, but he invited me

0:51:38.680 --> 0:51:40.120
<v Speaker 1>over the crib. When I went over the crib as

0:51:40.160 --> 0:51:42.360
<v Speaker 1>him drove me there and they listened in the songs

0:51:42.400 --> 0:51:44.960
<v Speaker 1>of him and Fife did that nobody had heard and

0:51:45.080 --> 0:51:47.640
<v Speaker 1>they listening to Tip his mixing records and he's like, yeah,

0:51:47.640 --> 0:51:51.279
<v Speaker 1>I'm dropping a tropical Quest album And I was like, Yo,

0:51:51.360 --> 0:51:54.360
<v Speaker 1>would you mind if I'm on the last album. I

0:51:54.480 --> 0:51:56.399
<v Speaker 1>just came through his house every day to watch him

0:51:56.400 --> 0:52:01.919
<v Speaker 1>work on this album. You want him beat Rob? Yeah,

0:52:02.320 --> 0:52:06.920
<v Speaker 1>just kid, give me, just give me that ship. But yeah, man,

0:52:06.960 --> 0:52:08.719
<v Speaker 1>it's one of my friend paid me. I was like,

0:52:08.880 --> 0:52:12.919
<v Speaker 1>you get paid. I was like, I supposed to listen

0:52:12.960 --> 0:52:17.000
<v Speaker 1>his jobs could move when you was because that was

0:52:17.200 --> 0:52:21.000
<v Speaker 1>Beach Robs in Life is a is an underrated trial album,

0:52:21.520 --> 0:52:25.200
<v Speaker 1>but the connection, the Queen's connection and the connection they

0:52:25.280 --> 0:52:28.200
<v Speaker 1>made between the North East side of Queens to see

0:52:28.239 --> 0:52:30.040
<v Speaker 1>an inside of Queens and the trial Quest side of

0:52:30.080 --> 0:52:32.799
<v Speaker 1>question was very important for the coaches because it wasn't

0:52:32.840 --> 0:52:35.400
<v Speaker 1>too later. I'm gonna tell you something. I fight first heard, No,

0:52:35.600 --> 0:52:37.719
<v Speaker 1>you know what it is and you know that you

0:52:37.800 --> 0:52:41.040
<v Speaker 1>know Jack, he didn't really feel me at first, like

0:52:41.520 --> 0:52:46.560
<v Speaker 1>kind of Jack fight competitive competitive. And the other connection

0:52:46.640 --> 0:52:49.280
<v Speaker 1>to that album is the guy who created our logo,

0:52:49.360 --> 0:52:55.920
<v Speaker 1>Scam who did that album. When I'm on is he

0:52:56.000 --> 0:53:03.600
<v Speaker 1>a Beach Life for Love movement? Love movement? Yeah, that

0:53:03.760 --> 0:53:08.919
<v Speaker 1>was just just just whiteum cover. When when when When

0:53:10.400 --> 0:53:12.680
<v Speaker 1>when you watch the documentary like that David d and

0:53:12.800 --> 0:53:17.320
<v Speaker 1>all the relationships and ups and downs, did you see like,

0:53:17.400 --> 0:53:19.880
<v Speaker 1>Because I'm gonna tell you something that's makes gonna make

0:53:19.920 --> 0:53:24.319
<v Speaker 1>me sound very, very very naive. I didn't really see

0:53:24.440 --> 0:53:27.279
<v Speaker 1>Fife look that sick like I saw him. Did you

0:53:27.440 --> 0:53:30.600
<v Speaker 1>notice that in real life? No? Like whenever I saw

0:53:30.640 --> 0:53:33.880
<v Speaker 1>a Fife, I never really saw him sick. Right? Was

0:53:33.960 --> 0:53:36.680
<v Speaker 1>you living in Atlanta the same time he was there? Um? Yeah,

0:53:36.760 --> 0:53:39.160
<v Speaker 1>I saw him that I was seeing. You know, you don't,

0:53:39.280 --> 0:53:41.360
<v Speaker 1>like when you're sick, you don't come outside, so you

0:53:41.400 --> 0:53:44.480
<v Speaker 1>know he's outside. You know he's Fife. But you know

0:53:44.640 --> 0:53:47.359
<v Speaker 1>most people who were sick on that level, when they're sick,

0:53:47.400 --> 0:53:49.560
<v Speaker 1>they stay indoors. Yeah, you know what I mean. You

0:53:49.600 --> 0:53:50.719
<v Speaker 1>know you don't want to be you know, you don't

0:53:50.719 --> 0:53:52.600
<v Speaker 1>want to come around and people cheat you like like

0:53:52.719 --> 0:53:55.839
<v Speaker 1>like like a pity case. Because I I didn't see

0:53:55.840 --> 0:53:58.600
<v Speaker 1>the same thing with Punt. People said they were signs.

0:53:58.840 --> 0:54:01.480
<v Speaker 1>The only thing I've seen on with Pun he got bigger,

0:54:02.080 --> 0:54:04.120
<v Speaker 1>but not that didn't even make me so I didn't

0:54:04.120 --> 0:54:06.200
<v Speaker 1>even Knowice like because he was just I just always

0:54:06.239 --> 0:54:09.160
<v Speaker 1>met him as a big guy one of the signs.

0:54:09.200 --> 0:54:11.480
<v Speaker 1>I didn't know this was bad form TV video shoot.

0:54:11.680 --> 0:54:14.480
<v Speaker 1>I remember me talking and we're just kicking it, and

0:54:14.640 --> 0:54:17.000
<v Speaker 1>he just went into sleep and he just started snoring.

0:54:17.480 --> 0:54:20.120
<v Speaker 1>So I thought my story was trash. Like I didn't know,

0:54:20.239 --> 0:54:27.680
<v Speaker 1>Like I was like, really stepped my game the sleep

0:54:29.360 --> 0:54:31.440
<v Speaker 1>sleep for me. And it wasn't till later on when

0:54:31.480 --> 0:54:36.040
<v Speaker 1>it was like, yo, that's that's that. But I didn't know,

0:54:36.239 --> 0:54:38.840
<v Speaker 1>like I mean, even down to the funeral. You know,

0:54:38.920 --> 0:54:41.160
<v Speaker 1>they gave everybody like a certain amount of time to

0:54:41.280 --> 0:54:43.840
<v Speaker 1>go to the casket. And I sat there and I

0:54:43.920 --> 0:54:46.560
<v Speaker 1>sat down, and I guess I got in the praying stance.

0:54:46.800 --> 0:54:48.800
<v Speaker 1>I don't even know how I got there, but and

0:54:48.840 --> 0:54:50.960
<v Speaker 1>I kept crying. And I remember the people from TS like, yo,

0:54:51.080 --> 0:54:52.400
<v Speaker 1>he's in a better place. I was like, how's it

0:54:52.440 --> 0:54:54.759
<v Speaker 1>in a better place. It's like he's not suffering. I'm

0:54:54.800 --> 0:54:57.719
<v Speaker 1>like suffering. They're like, yeah, no, you't know. And I

0:54:57.880 --> 0:55:00.680
<v Speaker 1>didn't see pun stuffing. Is that meet me him naive

0:55:01.440 --> 0:55:05.279
<v Speaker 1>or you know, just like probably winning around him like

0:55:05.320 --> 0:55:08.440
<v Speaker 1>that either, And maybe he didn't show that side himself

0:55:08.480 --> 0:55:10.600
<v Speaker 1>to you. It's like when he said if you if

0:55:10.640 --> 0:55:13.320
<v Speaker 1>he felt bad, he probably din't come out when he

0:55:13.400 --> 0:55:18.680
<v Speaker 1>felt better. Now, what what's up with Lord Finess? Lord? Yeah, man,

0:55:18.719 --> 0:55:21.480
<v Speaker 1>that's my brother. Um for next, he just put out

0:55:21.480 --> 0:55:23.719
<v Speaker 1>an album. Um, he just remixed UM a bunch of

0:55:23.800 --> 0:55:28.319
<v Speaker 1>Motown records. UM and that that that that's incredible. Um.

0:55:30.440 --> 0:55:33.080
<v Speaker 1>He's also he's out there on the West coast. You know,

0:55:33.120 --> 0:55:37.520
<v Speaker 1>he running around. But your man Russell Peters, so you

0:55:37.600 --> 0:55:39.040
<v Speaker 1>know he know, he do his thing. You know, he's

0:55:39.040 --> 0:55:41.280
<v Speaker 1>still Djane. I'm trying to get Finesse to make another

0:55:41.440 --> 0:55:46.880
<v Speaker 1>MC album. Wow, that would be tough. You know. You

0:55:46.960 --> 0:55:50.640
<v Speaker 1>know what I just found out the other day. Cameron

0:55:50.719 --> 0:55:54.400
<v Speaker 1>literally told me this yesterday. He said, you could go

0:55:54.480 --> 0:55:57.640
<v Speaker 1>to the label right now and get hit him with that. YO.

0:55:58.280 --> 0:56:00.680
<v Speaker 1>Nobody wants to be a master and on a mask

0:56:00.760 --> 0:56:04.359
<v Speaker 1>at this point, right, So let's negotiate to get our

0:56:04.440 --> 0:56:08.480
<v Speaker 1>master's back, to go back. He said. If they say no,

0:56:09.160 --> 0:56:11.719
<v Speaker 1>it's a it's a legal law that you can go

0:56:11.920 --> 0:56:14.279
<v Speaker 1>in and do your old he said, you know, he

0:56:14.360 --> 0:56:16.480
<v Speaker 1>said eight year statue limitation on that. Did you have

0:56:16.600 --> 0:56:18.200
<v Speaker 1>you heard of this? To do your over you can

0:56:18.200 --> 0:56:24.359
<v Speaker 1>do your whole album? Yeah, what say arrested that the community? Yeah,

0:56:24.440 --> 0:56:25.839
<v Speaker 1>he did that. He did that. He had an album

0:56:25.920 --> 0:56:27.799
<v Speaker 1>that he sold the rights too early in his career.

0:56:28.120 --> 0:56:29.640
<v Speaker 1>Then he blew up and he went back to the dude.

0:56:29.680 --> 0:56:31.879
<v Speaker 1>He said, listen, I got this amount of money, give

0:56:31.920 --> 0:56:33.600
<v Speaker 1>me to write some my out back. The dude was like, no,

0:56:33.719 --> 0:56:35.560
<v Speaker 1>it's too valuable. So he just went and did the

0:56:35.560 --> 0:56:38.359
<v Speaker 1>whole set over, recorded it over at a comedy club,

0:56:38.640 --> 0:56:46.200
<v Speaker 1>joke for joke, and put it out himself. He got

0:56:46.280 --> 0:56:51.359
<v Speaker 1>arrested right after. Yeah, this was after. This was after

0:56:51.440 --> 0:56:55.400
<v Speaker 1>his arrest. He was hanging with him and it was

0:56:56.280 --> 0:57:00.719
<v Speaker 1>we just saw him at the bar. You drinking, but

0:57:00.800 --> 0:57:02.880
<v Speaker 1>I could see how he was drinking. To the killer,

0:57:03.040 --> 0:57:06.960
<v Speaker 1>I said, he's gonna be fit he get arrested tonight. Yeah, yeah,

0:57:07.239 --> 0:57:10.719
<v Speaker 1>I kind of. He is sober since theant really don't

0:57:10.760 --> 0:57:15.480
<v Speaker 1>drink like like like drunk Hannibal bro like that. That

0:57:15.760 --> 0:57:18.000
<v Speaker 1>is a great guy when he's drunk. Oh my god,

0:57:18.080 --> 0:57:21.160
<v Speaker 1>he's good. Let me qualified because he did say this

0:57:21.320 --> 0:57:23.600
<v Speaker 1>to me, because I said, you're sober now. He said, listen,

0:57:23.920 --> 0:57:30.000
<v Speaker 1>I just don't drink. So yeah, that's that's that's real.

0:57:30.120 --> 0:57:33.800
<v Speaker 1>That's real, old movie, block of movie. How long you

0:57:33.880 --> 0:57:38.120
<v Speaker 1>had your studio in Midtown Manhattan? Came here once seven

0:57:38.440 --> 0:57:42.080
<v Speaker 1>eight years and that's ship that was like my best

0:57:42.160 --> 0:57:49.800
<v Speaker 1>worst investment. No, that's miss mys All thunked out. Yeah,

0:57:49.800 --> 0:57:52.480
<v Speaker 1>I had the best location. We didn't have the best equipment,

0:57:52.800 --> 0:57:55.520
<v Speaker 1>We didn't have the best anything else, just the best location,

0:57:55.840 --> 0:57:59.720
<v Speaker 1>just the fruits on, but carry was there. What I

0:57:59.800 --> 0:58:03.600
<v Speaker 1>know was back then was people didn't want to come

0:58:03.600 --> 0:58:05.280
<v Speaker 1>to see me in Queens because they just thought that

0:58:06.000 --> 0:58:07.919
<v Speaker 1>whatever part of Queen's he from, it gotta be bad.

0:58:09.120 --> 0:58:13.160
<v Speaker 1>Which was when this town, which was not right then

0:58:13.200 --> 0:58:15.520
<v Speaker 1>when I went. I had one in Jersey. I had

0:58:15.520 --> 0:58:19.200
<v Speaker 1>a studio in Jersey. Uh, people didn't want to travel.

0:58:19.240 --> 0:58:21.760
<v Speaker 1>They felt like Jersey was out of town. And I

0:58:21.840 --> 0:58:23.880
<v Speaker 1>had my joint I was in. Were talking which was

0:58:23.960 --> 0:58:27.160
<v Speaker 1>like the next town, but no one, no one could convinced.

0:58:27.760 --> 0:58:30.320
<v Speaker 1>But when I got the hood, lad was on thirty

0:58:30.400 --> 0:58:32.960
<v Speaker 1>second in Madison. Between thirty first thirty second in Madison,

0:58:33.200 --> 0:58:36.400
<v Speaker 1>it was the location everyone from Mike Ryan Carry the

0:58:36.760 --> 0:58:41.120
<v Speaker 1>Diamond d the big ticket UH to e FN. Everybody

0:58:41.160 --> 0:58:44.480
<v Speaker 1>would go because their hotels is ten minutes away. Everyone

0:58:44.560 --> 0:58:51.360
<v Speaker 1>said it was so exactly, it was so hotel. It

0:58:51.560 --> 0:58:55.040
<v Speaker 1>was dope because at the time, you know, they didn't

0:58:55.040 --> 0:58:57.400
<v Speaker 1>look at me as a person that's gonna send an invoice.

0:58:57.960 --> 0:59:00.880
<v Speaker 1>So if I put Norrie Studio, because you know, I

0:59:00.920 --> 0:59:03.320
<v Speaker 1>had to send invoices for people but booking sessions, like

0:59:03.600 --> 0:59:06.720
<v Speaker 1>I literally paid myself to be called my own at

0:59:06.840 --> 0:59:10.760
<v Speaker 1>my own studio, but they wouldn't give me the money

0:59:10.840 --> 0:59:14.000
<v Speaker 1>like Homeboy Exchange. I had to literally make a studio

0:59:14.120 --> 0:59:16.800
<v Speaker 1>session logging you know what I'm saying, and then present

0:59:16.960 --> 0:59:20.920
<v Speaker 1>depth with the joints that's took the Hood lab instead

0:59:20.920 --> 0:59:24.360
<v Speaker 1>of like Norwri studio. But yeah, it was a great investment.

0:59:24.400 --> 0:59:27.760
<v Speaker 1>I should have actually made it a real studio where

0:59:28.320 --> 0:59:30.320
<v Speaker 1>you know, other people could rent it out, because if

0:59:30.360 --> 0:59:32.040
<v Speaker 1>you didn't know me, you wouldn't rent this ship out,

0:59:32.480 --> 0:59:36.200
<v Speaker 1>like you know, like listen to me, like what's her name,

0:59:36.280 --> 0:59:40.480
<v Speaker 1>Evie Queen, the reggae throng artist, Evie Queen, since she

0:59:40.600 --> 0:59:43.720
<v Speaker 1>came to be called, came to be called and we

0:59:43.840 --> 0:59:46.520
<v Speaker 1>were like fire niggers like we probably this is to

0:59:46.640 --> 0:59:49.640
<v Speaker 1>be clear, I made it was fired in definitely right

0:59:49.680 --> 0:59:51.480
<v Speaker 1>I told about we didn't mob, We didn't do none

0:59:51.520 --> 0:59:54.880
<v Speaker 1>of that, but it was it was a vibe though.

0:59:54.920 --> 0:59:56.919
<v Speaker 1>You would go there and make five six records because

0:59:56.920 --> 0:59:58.760
<v Speaker 1>we had a vibe but we didn't really clean. We

0:59:58.880 --> 1:00:02.960
<v Speaker 1>cleaned once maybe twice a month. So yeah, I mean

1:00:03.040 --> 1:00:04.960
<v Speaker 1>it just had to I was trying to make D

1:00:05.080 --> 1:00:11.640
<v Speaker 1>and D D. But yes, like we would have the

1:00:11.760 --> 1:00:14.760
<v Speaker 1>NBC with the NBC box on it like that it

1:00:14.840 --> 1:00:17.240
<v Speaker 1>came in like you know, using people somebody by a table. No,

1:00:17.720 --> 1:00:19.520
<v Speaker 1>we just just kept the box that came on the NBC.

1:00:20.600 --> 1:00:24.440
<v Speaker 1>So get back to this story. Evie Queen is starting

1:00:24.480 --> 1:00:27.240
<v Speaker 1>to record and in the room that she recorded and

1:00:27.320 --> 1:00:30.440
<v Speaker 1>we had carpet, but she walks out of the room

1:00:30.480 --> 1:00:33.920
<v Speaker 1>that we recorded and without her shoes on. I was like,

1:00:34.120 --> 1:00:40.280
<v Speaker 1>no shoes we got, we got. E got a little

1:00:40.320 --> 1:00:43.680
<v Speaker 1>crazy here. I don't want to just jump on your point.

1:00:43.760 --> 1:00:45.240
<v Speaker 1>She was like, why might be dome from together? I

1:00:45.360 --> 1:00:48.360
<v Speaker 1>was like, this might be worse than together, like they

1:00:48.440 --> 1:00:51.000
<v Speaker 1>might be harving things on the flute. You gotta go

1:00:53.320 --> 1:00:56.320
<v Speaker 1>your own, Madison. So each year the rent got higher

1:00:56.320 --> 1:01:01.760
<v Speaker 1>and higher, but it was dope for for me that time, Expirit, So,

1:01:02.160 --> 1:01:04.720
<v Speaker 1>what's what's your favorite part of hip hop? Is? It?

1:01:04.840 --> 1:01:09.320
<v Speaker 1>Is it making the record, performing the record everything, but

1:01:09.520 --> 1:01:13.040
<v Speaker 1>as a producer, creating something out of nothing, you know

1:01:13.080 --> 1:01:15.320
<v Speaker 1>what I mean, that's that's that's that's the dopest family

1:01:15.400 --> 1:01:21.959
<v Speaker 1>for me. What about you? The fact that black people

1:01:22.040 --> 1:01:26.480
<v Speaker 1>marginalize people, people who come from nothing could take art

1:01:27.160 --> 1:01:33.400
<v Speaker 1>and create a megaphone check to broadcast what we experienced globally.

1:01:34.320 --> 1:01:37.200
<v Speaker 1>I think it's fly. Yeah. I like that too. Yeah,

1:01:37.280 --> 1:01:41.960
<v Speaker 1>I like how you already dead like you, I don't

1:01:41.960 --> 1:01:45.320
<v Speaker 1>know you you noticed? I remember we used to have

1:01:45.480 --> 1:01:48.520
<v Speaker 1>to wait for our albums to come out in England,

1:01:48.760 --> 1:01:51.120
<v Speaker 1>like they would literally come out two months later in

1:01:51.200 --> 1:01:55.160
<v Speaker 1>the UK versions and the UK version. And now that

1:01:55.280 --> 1:01:57.200
<v Speaker 1>you can just make an album and that's it could

1:01:57.200 --> 1:02:00.280
<v Speaker 1>be in Japan the same day it's in forty Priest Jackson,

1:02:00.320 --> 1:02:04.120
<v Speaker 1>it could be in the same days in Brooklyn, it

1:02:04.160 --> 1:02:08.480
<v Speaker 1>could be Osaka and all that. I think that did

1:02:08.520 --> 1:02:11.920
<v Speaker 1>you think? What do y'all think about streaming? Though? Man?

1:02:11.960 --> 1:02:16.320
<v Speaker 1>I've been having this conversation. It's accomplished, really yeah, man,

1:02:16.400 --> 1:02:20.640
<v Speaker 1>because people yeah, man like like because this n f

1:02:20.760 --> 1:02:24.120
<v Speaker 1>T ship is popping off, right and it's just popping off,

1:02:24.160 --> 1:02:25.680
<v Speaker 1>and you can sell a picture of us right now,

1:02:26.040 --> 1:02:28.040
<v Speaker 1>off a picture of us and that could be worth

1:02:28.360 --> 1:02:31.040
<v Speaker 1>six and we get and we get with the right people,

1:02:31.360 --> 1:02:34.040
<v Speaker 1>get read right team. We could sell it and become millionaires,

1:02:34.920 --> 1:02:39.200
<v Speaker 1>possibly the royalties as it gets so definitely have a

1:02:39.280 --> 1:02:43.640
<v Speaker 1>situation where streaming was always unfair. The price point is unfair,

1:02:44.160 --> 1:02:47.280
<v Speaker 1>but if you create something, you get to create the

1:02:47.360 --> 1:02:49.920
<v Speaker 1>price point, just like any business. But the thing that

1:02:50.040 --> 1:02:52.040
<v Speaker 1>makes the most unfair is that we don't get to

1:02:52.160 --> 1:02:56.000
<v Speaker 1>see what Apple. We get to see, but with titles Spotify,

1:02:56.160 --> 1:02:58.000
<v Speaker 1>something we don't. We don't get to see Think you

1:02:58.080 --> 1:03:00.640
<v Speaker 1>get to see Apple, you think, but you really don't. Right,

1:03:01.160 --> 1:03:03.400
<v Speaker 1>we don't get to see the whole ship. So it's

1:03:03.440 --> 1:03:05.840
<v Speaker 1>like they're telling us, look, this is your percentage, but

1:03:05.880 --> 1:03:07.959
<v Speaker 1>they're not telling us what they're making. They're not telling

1:03:08.080 --> 1:03:09.920
<v Speaker 1>us you know. And that's the whole problem with it

1:03:10.560 --> 1:03:13.800
<v Speaker 1>is that it's not transparent. We were making we're making

1:03:14.120 --> 1:03:22.400
<v Speaker 1>pieces of a penny for each stream. But the problem

1:03:22.560 --> 1:03:26.040
<v Speaker 1>is you have to make a decision as a as

1:03:26.080 --> 1:03:29.280
<v Speaker 1>a businessman or and a creator. Are you a populist

1:03:29.680 --> 1:03:32.200
<v Speaker 1>who wants the people to hear whatever you got to hear?

1:03:32.480 --> 1:03:34.480
<v Speaker 1>Are you only in it for your bread and you

1:03:34.520 --> 1:03:36.720
<v Speaker 1>don't care if a small elite group of people hear it.

1:03:37.160 --> 1:03:39.760
<v Speaker 1>Because if you're a populist, then you're gonna work within

1:03:39.840 --> 1:03:43.400
<v Speaker 1>the system of music assumers are getting their ship from Spotify.

1:03:43.760 --> 1:03:45.760
<v Speaker 1>So if you're populist, you want your ship of Spotify,

1:03:45.800 --> 1:03:48.320
<v Speaker 1>you want people to hear it. They're not, they're not

1:03:48.600 --> 1:03:50.560
<v Speaker 1>you know what I'm saying. But if you just if

1:03:50.680 --> 1:03:53.520
<v Speaker 1>if that's not important to you, well then you could

1:03:53.560 --> 1:03:55.680
<v Speaker 1>just make your ship exclusive and only a certain people

1:03:56.240 --> 1:03:59.440
<v Speaker 1>you know, Rock Marciano, certain people. Certain artists have figured

1:03:59.480 --> 1:04:01.760
<v Speaker 1>it out, right, they have made it to where a

1:04:02.240 --> 1:04:06.640
<v Speaker 1>Nipsey figured it out. You know, you can follow the example.

1:04:06.760 --> 1:04:09.440
<v Speaker 1>But that's where the conflict is for artists right now.

1:04:09.760 --> 1:04:13.200
<v Speaker 1>It's like do you sell your soul so that the

1:04:13.360 --> 1:04:17.440
<v Speaker 1>masses can hear your ship or do you keep it

1:04:17.560 --> 1:04:22.160
<v Speaker 1>more to your more exclusive or finding that balance where

1:04:22.200 --> 1:04:25.600
<v Speaker 1>you utilize what's there now, But you're always working towards

1:04:25.960 --> 1:04:29.080
<v Speaker 1>getting away from that. Like a Strange Music where they

1:04:29.160 --> 1:04:32.479
<v Speaker 1>found that the physical side, they've been able to sell

1:04:32.640 --> 1:04:37.360
<v Speaker 1>physical like like no other label has today to whereas

1:04:37.440 --> 1:04:40.400
<v Speaker 1>Techno is number three on the forms list in terms

1:04:40.440 --> 1:04:43.600
<v Speaker 1>of toring income. But then pandemics hit and that's the

1:04:43.680 --> 1:04:46.640
<v Speaker 1>type of things that that affect I'm speaking of that

1:04:46.760 --> 1:04:49.800
<v Speaker 1>have that aspected your yeah bag like um as far

1:04:49.920 --> 1:04:54.000
<v Speaker 1>as not being able to do shows. Has that been

1:04:54.440 --> 1:04:56.920
<v Speaker 1>effective for you, because I know, like big overseas, like

1:04:57.400 --> 1:05:00.880
<v Speaker 1>big overseason, I mean for me and not related my business,

1:05:01.760 --> 1:05:05.360
<v Speaker 1>because my entire business model was based around Torn. I'm

1:05:05.560 --> 1:05:08.840
<v Speaker 1>very just stopped having much based around Torn a year ago,

1:05:10.160 --> 1:05:13.000
<v Speaker 1>right on time, right, So I'm very blessed that I

1:05:13.080 --> 1:05:15.600
<v Speaker 1>found certain situations and I figured some sh it out,

1:05:16.240 --> 1:05:17.880
<v Speaker 1>and you know what I'm saying, like to whereas I

1:05:17.920 --> 1:05:20.160
<v Speaker 1>can still I just a good opportunity for me to

1:05:20.200 --> 1:05:22.360
<v Speaker 1>plug my book. I had a book deal, I wrote

1:05:22.400 --> 1:05:24.320
<v Speaker 1>my book. I've been trying to get the book out,

1:05:24.520 --> 1:05:26.560
<v Speaker 1>but when the pandemic hit, I focused on that. I

1:05:26.680 --> 1:05:28.919
<v Speaker 1>was like, Okay, let me focus on getting the book.

1:05:28.920 --> 1:05:32.960
<v Speaker 1>As a book is called vibrate higher, Vibrate higher. Happy

1:05:33.240 --> 1:05:36.840
<v Speaker 1>you got your copies out there. It's it's it's um

1:05:37.640 --> 1:05:41.200
<v Speaker 1>getting rave reviews. It's it's my my autobiography mixed in

1:05:41.320 --> 1:05:43.160
<v Speaker 1>with social commentary and the history of the hip hop.

1:05:43.200 --> 1:05:46.360
<v Speaker 1>I was listening to at the time Mays for that.

1:05:46.440 --> 1:05:51.440
<v Speaker 1>God damn. So I've been you know, but it's it's

1:05:51.480 --> 1:05:55.160
<v Speaker 1>been very um. People don't like to hear artists or

1:05:55.240 --> 1:05:58.720
<v Speaker 1>celebrities complained because we chose this. You know what, I'm saying,

1:05:59.160 --> 1:06:02.560
<v Speaker 1>but it's been very hard to figure it out. But

1:06:02.600 --> 1:06:04.200
<v Speaker 1>I've been blessed to be able to pivot in a

1:06:04.240 --> 1:06:09.200
<v Speaker 1>way now, Diamond, you worked with forty five King back

1:06:09.200 --> 1:06:12.320
<v Speaker 1>in the day. How how was that? I never got

1:06:12.360 --> 1:06:15.480
<v Speaker 1>to work with him as a producer, Like I always

1:06:15.560 --> 1:06:17.760
<v Speaker 1>kind of admired, I never got a chance. How was that?

1:06:17.960 --> 1:06:24.120
<v Speaker 1>How was the experiencing with you? Um yo? Like I

1:06:24.640 --> 1:06:28.320
<v Speaker 1>was a fan, like you know Hetrom the Bronx, but

1:06:28.520 --> 1:06:30.400
<v Speaker 1>at that time I didn't know you know what I mean,

1:06:30.560 --> 1:06:33.840
<v Speaker 1>but shouts out to Mark. You know, Mark is the

1:06:33.920 --> 1:06:36.960
<v Speaker 1>one um. In the early nineties, Russell Simmons had a

1:06:37.000 --> 1:06:41.040
<v Speaker 1>thing called RPM Rush Producer's Man and easy Mobi was

1:06:41.160 --> 1:06:43.760
<v Speaker 1>over there. There was a few few other producers over

1:06:44.120 --> 1:06:47.800
<v Speaker 1>a lot of professor was over there, and you know

1:06:47.920 --> 1:06:49.640
<v Speaker 1>forty five King. He made a phone call and he

1:06:49.680 --> 1:06:51.240
<v Speaker 1>got me and he set up a meeting with me

1:06:51.360 --> 1:06:55.080
<v Speaker 1>over there. This when Francesca spiroit was over there and

1:06:56.080 --> 1:06:58.320
<v Speaker 1>they wanted him signing me. So you know, he had

1:06:58.360 --> 1:07:01.240
<v Speaker 1>a big, big hand like in my early production career

1:07:01.440 --> 1:07:04.480
<v Speaker 1>him and shouts out to my man DJ Jazzy J.

1:07:04.680 --> 1:07:07.600
<v Speaker 1>Of course he's the one who like taught me foundations.

1:07:08.880 --> 1:07:10.560
<v Speaker 1>You want to do the shot a shot, I don't

1:07:10.560 --> 1:07:12.560
<v Speaker 1>know what you gotta tell you? How about show Business

1:07:12.600 --> 1:07:17.680
<v Speaker 1>A g How was it working with them shows? Come on,

1:07:17.840 --> 1:07:20.760
<v Speaker 1>you know we'll be with each other, so you know,

1:07:20.920 --> 1:07:26.320
<v Speaker 1>it's just family. That was a tough album. You made

1:07:26.360 --> 1:07:29.360
<v Speaker 1>that whole album. Oh no, no, I co coulduce thum?

1:07:29.720 --> 1:07:32.919
<v Speaker 1>Can I get a soul? Clapp? Me and show Biz

1:07:33.040 --> 1:07:35.720
<v Speaker 1>we we both did that drink okay okay, So that

1:07:35.880 --> 1:07:37.800
<v Speaker 1>was like that was like one of the first big joints.

1:07:38.360 --> 1:07:40.480
<v Speaker 1>Then they would on to do other great things. You

1:07:40.520 --> 1:07:43.560
<v Speaker 1>know what I mean. Did you think the like hip

1:07:43.600 --> 1:07:47.280
<v Speaker 1>hop and how pure it was? You think that now, um,

1:07:48.960 --> 1:07:51.120
<v Speaker 1>that we would have an artist like Cardi b like

1:07:51.240 --> 1:07:53.080
<v Speaker 1>doing like I think if she did a hundred million

1:07:53.120 --> 1:07:55.800
<v Speaker 1>the other day or she's the first some crazy. I

1:07:55.840 --> 1:07:58.160
<v Speaker 1>mean she's the first female artist shout out out to

1:07:58.240 --> 1:08:01.200
<v Speaker 1>Cardi beats from the Bronx. But it's like it's dope.

1:08:01.280 --> 1:08:05.280
<v Speaker 1>It's dope. I personally love card But it's so different

1:08:05.680 --> 1:08:07.760
<v Speaker 1>back then you already know knowing it. Like in the nineties,

1:08:07.840 --> 1:08:10.880
<v Speaker 1>it was just the lyric system is like really taken seriously.

1:08:11.360 --> 1:08:13.439
<v Speaker 1>Everybody got their shots, right, I mean, you got your shots.

1:08:14.000 --> 1:08:16.439
<v Speaker 1>I'm a shot at what already got. Okay, cool, cool, cool,

1:08:16.560 --> 1:08:22.360
<v Speaker 1>very smart. You learned from drink Chace lesson your listen.

1:08:22.400 --> 1:08:24.080
<v Speaker 1>We don't know if y'all know, but this is about

1:08:24.360 --> 1:08:27.639
<v Speaker 1>you know, and in this business, it's about giving people

1:08:27.720 --> 1:08:31.040
<v Speaker 1>these flowers to they face. You know, you guys are

1:08:31.080 --> 1:08:33.280
<v Speaker 1>two or great. I can't believe how. I can't wait

1:08:33.320 --> 1:08:35.400
<v Speaker 1>to hear how this album sound. Can't wait to read

1:08:35.439 --> 1:08:37.479
<v Speaker 1>the book, can't wait that you keep supporting. That's what

1:08:37.600 --> 1:08:39.519
<v Speaker 1>we do over here. We support each other. Man. You

1:08:39.560 --> 1:08:40.680
<v Speaker 1>know what I'm saying. As you can see, I got

1:08:40.720 --> 1:08:43.880
<v Speaker 1>my DJ college jacking on, boy boy, I didn't get

1:08:43.960 --> 1:08:50.479
<v Speaker 1>this for three day. Make sure y'all check out Organic

1:08:50.560 --> 1:08:56.040
<v Speaker 1>Food Kings. I had a steak from Organic Organic Food Kids.

1:08:56.800 --> 1:08:59.400
<v Speaker 1>When I was speaking the Organic Food Kings, they said,

1:08:59.400 --> 1:09:01.200
<v Speaker 1>come through, We're gonna take care of you. So I

1:09:01.280 --> 1:09:02.720
<v Speaker 1>was like, I gotta go through because they showed me

1:09:02.800 --> 1:09:04.680
<v Speaker 1>so much love. I went through, but I did to think.

1:09:04.800 --> 1:09:06.880
<v Speaker 1>I was on my way the airport and I was like,

1:09:06.880 --> 1:09:09.880
<v Speaker 1>I don't want to eat vegan food in the She

1:09:09.920 --> 1:09:11.840
<v Speaker 1>didn't want to eat vegan food in the car with

1:09:12.000 --> 1:09:13.759
<v Speaker 1>the masks and ship on the way to the airport,

1:09:14.040 --> 1:09:15.240
<v Speaker 1>and I'm like, it's not gonna be good when I

1:09:15.280 --> 1:09:16.479
<v Speaker 1>get to the airport. And I was like, I'm gonna

1:09:16.479 --> 1:09:20.760
<v Speaker 1>go anyway. And I went anyway, got the ship and

1:09:21.000 --> 1:09:24.080
<v Speaker 1>ate the ship at the airport and she was still good.

1:09:24.760 --> 1:09:35.120
<v Speaker 1>Far was faring about the questions too far. There's no

1:09:35.280 --> 1:09:36.880
<v Speaker 1>far vegan food. You know, there's a lot of vegan

1:09:36.880 --> 1:09:41.240
<v Speaker 1>food making me far you ever vegan fool? I'm not

1:09:41.520 --> 1:09:51.000
<v Speaker 1>a little bit right here. Yeah, sometimes I'll be far ridiculous.

1:09:51.920 --> 1:09:55.760
<v Speaker 1>Ter view is going off. Sometimes it's a good, healthy part.

1:09:57.320 --> 1:10:07.000
<v Speaker 1>That's what. Sometimes. Sometimes gotta part break. Sometimes you gotta lee,

1:10:07.120 --> 1:10:09.240
<v Speaker 1>you gotta you gotta talk a little bit about big

1:10:09.320 --> 1:10:14.120
<v Speaker 1>Out and the legacy. Yes, I feel like we don't

1:10:14.479 --> 1:10:18.120
<v Speaker 1>we don't talk enough about Bigger. I mean, you know Bigger,

1:10:18.360 --> 1:10:20.479
<v Speaker 1>you know, definitely was on his way to being one

1:10:20.520 --> 1:10:22.920
<v Speaker 1>of the greatest. Think you know, people are already look

1:10:23.000 --> 1:10:24.720
<v Speaker 1>at him that way, and you know he's been dead

1:10:24.800 --> 1:10:29.280
<v Speaker 1>all these years, you know what I mean. Um, especially

1:10:29.360 --> 1:10:31.560
<v Speaker 1>that one freestyle session he had with jay Z on

1:10:31.600 --> 1:10:36.519
<v Speaker 1>a stretch your arm strong, Yeah, kind of kind of

1:10:36.600 --> 1:10:39.720
<v Speaker 1>handled jay Z up there. He was supposed to be

1:10:39.720 --> 1:10:41.880
<v Speaker 1>signing the Rocket Feller yeah, you know what I mean, So,

1:10:42.439 --> 1:10:46.520
<v Speaker 1>I mean, what can you say? You know? Lamont definitely

1:10:46.840 --> 1:10:52.719
<v Speaker 1>one of the best um lifestyles of the um foreign dangerous,

1:10:52.760 --> 1:10:56.040
<v Speaker 1>It's dangerous right then. Um the second album The Big

1:10:56.120 --> 1:10:58.680
<v Speaker 1>Picture that wind up going go and he wasn't even

1:10:58.720 --> 1:11:00.400
<v Speaker 1>here to see that, and all the indie stuff he

1:11:00.479 --> 1:11:05.400
<v Speaker 1>did and big like the first Street when the Streets No,

1:11:05.600 --> 1:11:08.360
<v Speaker 1>Scott the Rock was when the Streets got involved with

1:11:09.120 --> 1:11:11.840
<v Speaker 1>a rapper killing. But I was about to let me

1:11:11.880 --> 1:11:14.599
<v Speaker 1>correct myself. I think Scott the Rock was the first

1:11:14.680 --> 1:11:16.360
<v Speaker 1>year that was a D Nice beef he went over

1:11:16.520 --> 1:11:23.720
<v Speaker 1>the squashing Wow, Yeah, who big El it was? I

1:11:23.760 --> 1:11:30.560
<v Speaker 1>think he said a D nice beef. That's that was

1:11:30.600 --> 1:11:33.360
<v Speaker 1>the d J D Nice beef. Really, I've never heard

1:11:33.439 --> 1:11:35.000
<v Speaker 1>this you would like to talk about. I think I've

1:11:35.000 --> 1:11:37.760
<v Speaker 1>seen this somewhere. Evidently he went over there try to

1:11:37.800 --> 1:11:42.920
<v Speaker 1>squash it. He's a social worker. He was doing crazy

1:11:43.600 --> 1:11:46.640
<v Speaker 1>don't go in the community. Yeah, he's still in the

1:11:46.680 --> 1:11:50.400
<v Speaker 1>hood like that. But definitely big El definitely going going

1:11:50.479 --> 1:11:53.439
<v Speaker 1>through soon. What was your favorite big El drinks? We

1:11:53.479 --> 1:11:57.439
<v Speaker 1>had to pick one. I ain't gonna live I gotta

1:11:57.479 --> 1:11:59.760
<v Speaker 1>pick him all. Like, I've never heard the rack bigger

1:12:00.200 --> 1:12:02.400
<v Speaker 1>record I've never heard of I never excuse me, let

1:12:02.439 --> 1:12:04.120
<v Speaker 1>me go deep it in that I've never heard of

1:12:04.200 --> 1:12:06.800
<v Speaker 1>rap big eel verse like I've never heard of verse

1:12:06.880 --> 1:12:09.400
<v Speaker 1>where he just you know. My favorite moment was I

1:12:09.840 --> 1:12:12.200
<v Speaker 1>didn't even know he knew who I was, and I

1:12:12.280 --> 1:12:13.840
<v Speaker 1>said this on the cam and for the other day

1:12:13.840 --> 1:12:15.560
<v Speaker 1>he was doing. He was like yo, because there's like

1:12:16.000 --> 1:12:18.400
<v Speaker 1>you fell back. It seemed like he wasn't rapping. He's

1:12:18.439 --> 1:12:22.559
<v Speaker 1>like no, I wasn't inspired until Cam Nori and dear

1:12:22.640 --> 1:12:27.600
<v Speaker 1>Mex and I was like this, he's a herald to me,

1:12:27.720 --> 1:12:29.519
<v Speaker 1>Like I still be bugging out, like when a person

1:12:29.680 --> 1:12:32.320
<v Speaker 1>like you know, shot with like what up? Norm like

1:12:32.439 --> 1:12:35.519
<v Speaker 1>what you know? Like you know, because I'm just I

1:12:35.640 --> 1:12:38.640
<v Speaker 1>downplayed myself. But that was my favorite moment. He had

1:12:38.720 --> 1:12:40.720
<v Speaker 1>rhymed right before that, and just the fact that he

1:12:40.800 --> 1:12:44.320
<v Speaker 1>had recognized me, because I don't think he understood how

1:12:44.439 --> 1:12:47.479
<v Speaker 1>much I admired him, know what I mean? So like

1:12:47.880 --> 1:12:50.720
<v Speaker 1>I never expect the person I'm a fair enough to

1:12:50.760 --> 1:12:52.479
<v Speaker 1>be a fan of me, you know what I'm saying.

1:12:52.479 --> 1:12:54.880
<v Speaker 1>But it doesn't take away, it doesn't take it away,

1:12:54.920 --> 1:12:56.720
<v Speaker 1>like like if I finally you're not a fan of

1:12:56.840 --> 1:12:58.920
<v Speaker 1>like aigh school. You know, I still respect you know

1:12:58.920 --> 1:13:01.600
<v Speaker 1>what I'm saying? Like, um, all right, now, let me

1:13:01.600 --> 1:13:04.080
<v Speaker 1>switch the subject a little bit. Right. One of my

1:13:04.160 --> 1:13:07.160
<v Speaker 1>favorite rappers of all time is this guy named Granddaddy

1:13:07.200 --> 1:13:10.240
<v Speaker 1>at you, right, grand of you. That's one of my

1:13:10.400 --> 1:13:13.599
<v Speaker 1>number ones, right, but I never wanted to sound like Granddad?

1:13:14.360 --> 1:13:17.960
<v Speaker 1>Why are these why is everybody? Right now? You can

1:13:18.040 --> 1:13:20.560
<v Speaker 1>say yo, A new kid could come out of his

1:13:20.640 --> 1:13:22.800
<v Speaker 1>name could be Smoke Champ and he can say, yo,

1:13:23.520 --> 1:13:25.920
<v Speaker 1>who's your favorite artists? I like future? And we could

1:13:25.920 --> 1:13:29.559
<v Speaker 1>be like we know because we have ship. You're real quick.

1:13:29.720 --> 1:13:32.600
<v Speaker 1>You just post some with Granddaddy at you? Yeah, but

1:13:34.240 --> 1:13:36.360
<v Speaker 1>I do back to that. Okay, yeah, let me go

1:13:36.520 --> 1:13:39.719
<v Speaker 1>back to that. But why is why is these guys

1:13:39.840 --> 1:13:43.360
<v Speaker 1>actually sounding like the people to day admyering and things

1:13:43.400 --> 1:13:46.240
<v Speaker 1>like that? What's going on with this culture? What do

1:13:46.280 --> 1:13:49.920
<v Speaker 1>you think? I take the hip hop at some point,

1:13:50.920 --> 1:13:54.439
<v Speaker 1>like every art form that because mainstream started being made

1:13:54.560 --> 1:13:58.160
<v Speaker 1>on assembly line type of thing and to whereas they're like, okay,

1:13:58.280 --> 1:14:01.719
<v Speaker 1>especially when the radio station started being owned by certain

1:14:01.760 --> 1:14:05.400
<v Speaker 1>corporations in frost the country and you went from regional

1:14:06.000 --> 1:14:08.559
<v Speaker 1>DJs and program directors having power to the point where

1:14:08.600 --> 1:14:10.040
<v Speaker 1>it's like, well, you got a problem to the playlist

1:14:10.280 --> 1:14:14.760
<v Speaker 1>handed down. So yeah, it's just it just becomes it

1:14:14.840 --> 1:14:20.679
<v Speaker 1>just becomes a consistency who had who makes the most whoppers? Yeah,

1:14:20.800 --> 1:14:23.080
<v Speaker 1>and I think that so. So kids who grew up

1:14:23.200 --> 1:14:24.680
<v Speaker 1>listening to music like that, We grew up in the

1:14:24.720 --> 1:14:27.519
<v Speaker 1>era where we heard different influences or or you can't

1:14:27.680 --> 1:14:29.840
<v Speaker 1>or like if you if you somebody traveled, you went

1:14:29.880 --> 1:14:32.280
<v Speaker 1>from New York to Miami, it's a whole different sound.

1:14:33.000 --> 1:14:35.800
<v Speaker 1>And so you were able to remember when like Uncle

1:14:35.880 --> 1:14:38.000
<v Speaker 1>Luke used to come to New York. It was a party,

1:14:38.120 --> 1:14:40.280
<v Speaker 1>used to hang out with Red Alert and Funk Flex

1:14:40.320 --> 1:14:41.840
<v Speaker 1>and all them, and it was a whole it was

1:14:41.880 --> 1:14:44.640
<v Speaker 1>like Uncle Lukes intown, We're gonna do this Miami thing.

1:14:44.680 --> 1:14:47.439
<v Speaker 1>But it's like definitely a different thing. Um. And I

1:14:47.520 --> 1:14:50.240
<v Speaker 1>think the culture is missing sort of that respect for

1:14:50.400 --> 1:14:54.599
<v Speaker 1>the for different what I will say, indigenous sounds. Um.

1:14:55.680 --> 1:14:59.400
<v Speaker 1>And I think that, Um, that's that's the whole problem.

1:14:59.439 --> 1:15:02.439
<v Speaker 1>So kids who rolling up these days, just like how

1:15:02.520 --> 1:15:04.600
<v Speaker 1>we grew up. We grew up wanting to be successful

1:15:04.960 --> 1:15:06.680
<v Speaker 1>and we looked at our favorite artists and that's how

1:15:06.720 --> 1:15:09.160
<v Speaker 1>you do it. Okay, it'd be different to be creative.

1:15:09.200 --> 1:15:13.720
<v Speaker 1>That was that was success is you just copy the

1:15:13.760 --> 1:15:16.080
<v Speaker 1>next nigga. They look at that, they say, Okay, that's working.

1:15:16.120 --> 1:15:17.920
<v Speaker 1>There was There was ever when I when I came

1:15:17.960 --> 1:15:20.960
<v Speaker 1>into business where this mad fake drink chaps out there

1:15:21.600 --> 1:15:29.040
<v Speaker 1>up successful. When I remember when I came in for me,

1:15:29.200 --> 1:15:32.679
<v Speaker 1>that's who I was ruining it with. What I noticed

1:15:32.760 --> 1:15:36.040
<v Speaker 1>the shift was people stopped wanting to be dope m

1:15:36.160 --> 1:15:40.200
<v Speaker 1>c s and dope DJs. Puff was killing it. People

1:15:40.240 --> 1:15:42.439
<v Speaker 1>stopped wanting to be dope em you're run into him

1:15:42.800 --> 1:15:44.760
<v Speaker 1>love hip hop and what you do you DJ is

1:15:44.840 --> 1:15:47.799
<v Speaker 1>and now he's a No, I'm a CEO, I'm an executive.

1:15:47.840 --> 1:15:51.280
<v Speaker 1>People wanted people wanted to be record executive and industry people,

1:15:51.520 --> 1:15:53.759
<v Speaker 1>and that was different from me, Like I never wanted

1:15:53.800 --> 1:15:55.800
<v Speaker 1>to be a record industry person. But now that's a

1:15:55.920 --> 1:15:57.800
<v Speaker 1>thing that somebody wants to be. I want to be

1:15:57.880 --> 1:15:59.840
<v Speaker 1>a mogul. I want to be They're not wrong with that,

1:16:00.280 --> 1:16:02.479
<v Speaker 1>you know, but it just that's shifted. And so now

1:16:02.680 --> 1:16:04.720
<v Speaker 1>kids they see what's going on. They just want to

1:16:04.760 --> 1:16:08.120
<v Speaker 1>be like this certain artist, and and why why don't

1:16:08.120 --> 1:16:09.439
<v Speaker 1>they why why don't they want to be like that?

1:16:09.600 --> 1:16:12.240
<v Speaker 1>That's obviously a path to success. They're not. They don't

1:16:12.400 --> 1:16:14.200
<v Speaker 1>get the real though. They don't know that that's a

1:16:14.280 --> 1:16:16.719
<v Speaker 1>once in a lifetime thing. They don't know that one

1:16:17.120 --> 1:16:19.280
<v Speaker 1>out of a million make it. They don't know that,

1:16:19.479 --> 1:16:23.639
<v Speaker 1>so it becomes copies. Shout out to legend Jerobe would

1:16:23.640 --> 1:16:29.960
<v Speaker 1>just be now, Diamond D, has there ever been a

1:16:30.080 --> 1:16:35.040
<v Speaker 1>time you know, you come from the no com commercial era,

1:16:35.600 --> 1:16:38.240
<v Speaker 1>like y'all motherfucker's just making it was right to be

1:16:38.360 --> 1:16:46.080
<v Speaker 1>on the radio? I mean remember this, soio, have ever

1:16:46.160 --> 1:16:47.920
<v Speaker 1>been a time a record label that came to you

1:16:48.000 --> 1:16:50.160
<v Speaker 1>and said, yo, I want to cross over a record

1:16:51.120 --> 1:16:55.960
<v Speaker 1>and if so, did you ever do it? Uh? Probably

1:16:56.040 --> 1:16:59.760
<v Speaker 1>closest I came to that was the Black Panther sound

1:17:00.000 --> 1:17:03.360
<v Speaker 1>like that song freedom have all all the top female

1:17:03.479 --> 1:17:08.720
<v Speaker 1>artist singing on it. Oh, I want to see if

1:17:08.720 --> 1:17:15.840
<v Speaker 1>you win commercial. I mean not mean I would. It's

1:17:15.880 --> 1:17:17.400
<v Speaker 1>in business, you know what I mean. You don't want

1:17:17.439 --> 1:17:19.000
<v Speaker 1>to pleasure. You don't if you produce, so you don't

1:17:19.040 --> 1:17:22.479
<v Speaker 1>want to be pitching holding to one thing right yourself

1:17:22.479 --> 1:17:24.800
<v Speaker 1>yourself with this service, you know how like they say

1:17:24.960 --> 1:17:27.240
<v Speaker 1>it is a premiere sound or do you feel like

1:17:27.320 --> 1:17:30.120
<v Speaker 1>Diamond D has a sound. It's a certain sound of diamond.

1:17:30.439 --> 1:17:34.839
<v Speaker 1>Someone say I do, but I know, I guess instances.

1:17:34.880 --> 1:17:38.920
<v Speaker 1>I feel like to the Dompie's albums, right, I mean,

1:17:40.320 --> 1:17:43.680
<v Speaker 1>there's a it's fluid, but every joint is different. I

1:17:43.760 --> 1:17:45.960
<v Speaker 1>gotta say though I can't. I can't pick a diamond

1:17:46.000 --> 1:17:49.360
<v Speaker 1>dbat so you can't listen to say that you can't know.

1:17:49.600 --> 1:17:51.800
<v Speaker 1>I mean if you tell me diamond made and I'm like, okay,

1:17:51.840 --> 1:17:54.639
<v Speaker 1>that makes sense. But even with this Gotham album, there's

1:17:54.640 --> 1:17:57.320
<v Speaker 1>so many different textures of sounds, of flavors that I'm

1:17:57.360 --> 1:17:59.640
<v Speaker 1>not like, It's not like I hear a beat and

1:17:59.640 --> 1:18:03.320
<v Speaker 1>I'm like, oh, that's definitely a diamond. I don't and

1:18:03.479 --> 1:18:05.960
<v Speaker 1>like Permiere like when you're here Forrell, but it's not

1:18:06.160 --> 1:18:11.760
<v Speaker 1>it's not bad, that's not it's also it don't happen

1:18:11.760 --> 1:18:13.960
<v Speaker 1>to sit at your sound too. It's also because like

1:18:14.000 --> 1:18:17.479
<v Speaker 1>it's not ruining it because everybody has this run when

1:18:17.479 --> 1:18:20.839
<v Speaker 1>you're a produce a where it's like now a producer

1:18:20.960 --> 1:18:23.599
<v Speaker 1>might be able to do it, like Premiere, you could

1:18:23.680 --> 1:18:25.880
<v Speaker 1>you could answer this question better, Premiere, Pete Rock or

1:18:25.960 --> 1:18:28.200
<v Speaker 1>somebody might say they'd be like, that's a diamond. DP

1:18:28.960 --> 1:18:31.040
<v Speaker 1>maybe they here might be trained, but I can't do

1:18:31.120 --> 1:18:33.120
<v Speaker 1>you know what I'm saying. They might know the sounds

1:18:33.280 --> 1:18:37.360
<v Speaker 1>usually they might even maybe they know the snare you use.

1:18:37.840 --> 1:18:40.120
<v Speaker 1>But you know, it's not look crazy that Jerue just

1:18:40.200 --> 1:18:42.679
<v Speaker 1>came here and did not just say I just watched

1:18:42.680 --> 1:18:51.400
<v Speaker 1>a documentary. That's just crazy. It just suck up. I

1:18:51.520 --> 1:18:53.479
<v Speaker 1>just run up that no idea he was coming down.

1:18:53.760 --> 1:18:56.320
<v Speaker 1>I just routed it up. I just can't. We gonna

1:18:56.320 --> 1:19:00.720
<v Speaker 1>bring you in bro as well. But oh yeah, quick

1:19:00.720 --> 1:19:03.320
<v Speaker 1>time you're ready, all right, so this we're gonna do

1:19:03.360 --> 1:19:04.840
<v Speaker 1>this real quickly, gonna bring you rob. What do you

1:19:04.960 --> 1:19:09.720
<v Speaker 1>do because quick time, quick answers he wants. It's an

1:19:09.720 --> 1:19:13.400
<v Speaker 1>a n B answer. But if you want to say both,

1:19:13.439 --> 1:19:16.519
<v Speaker 1>it's cool. You just gotta take a shot. If you

1:19:16.560 --> 1:19:18.400
<v Speaker 1>say both, you gotta take a shot. If you want

1:19:18.439 --> 1:19:20.120
<v Speaker 1>to be political, you gotta take the shot. You gotta

1:19:20.160 --> 1:19:22.120
<v Speaker 1>take the shot. You want to be political, you gotta

1:19:22.160 --> 1:19:27.160
<v Speaker 1>take the shot. All right, all right, you ready, first year,

1:19:27.479 --> 1:19:32.960
<v Speaker 1>But it's saying jay z or nay jay z. Oh,

1:19:34.439 --> 1:19:41.439
<v Speaker 1>I'm taking a shot. Take a good I like this.

1:19:42.680 --> 1:19:45.799
<v Speaker 1>Oh listen, take that and then um just fill yourself

1:19:45.880 --> 1:19:48.040
<v Speaker 1>up again, because I just know you know what you're

1:19:48.040 --> 1:19:50.280
<v Speaker 1>doing that you don't gotta make it a pretty shot

1:19:50.360 --> 1:19:52.560
<v Speaker 1>if you think you know me. I think so, I

1:19:52.680 --> 1:19:54.479
<v Speaker 1>think so that I think it mightn't know. I'm not

1:19:54.520 --> 1:19:58.679
<v Speaker 1>sure if a diamond going with it, but not ether

1:19:58.920 --> 1:20:05.639
<v Speaker 1>was better. Okay, okay, I respect that, no doubt can Okay, ready,

1:20:06.120 --> 1:20:13.800
<v Speaker 1>I'm starting with you. I'm starting with Big all big fun.

1:20:15.479 --> 1:20:22.120
<v Speaker 1>I'm gonna take a shot with you. I got from

1:20:22.160 --> 1:20:24.880
<v Speaker 1>my game face this and I think I don't think

1:20:25.160 --> 1:20:27.040
<v Speaker 1>hold on the next time yet, hold on, hold on,

1:20:28.720 --> 1:20:32.559
<v Speaker 1>big big one. I would he had the look taking

1:20:32.600 --> 1:20:43.439
<v Speaker 1>a shot. Just take the shot, man. It's something wrong

1:20:43.479 --> 1:20:50.320
<v Speaker 1>with the big puns rhymes to me, his his rhyme

1:20:50.400 --> 1:20:53.360
<v Speaker 1>schemes a little more intricate. Doesn't mean that he was

1:20:53.439 --> 1:20:55.920
<v Speaker 1>better or not, but his wrong just you know, a

1:20:56.000 --> 1:20:59.760
<v Speaker 1>little more intricate in my opinion, and Big at that

1:21:00.160 --> 1:21:03.040
<v Speaker 1>at that time. Okay, I mean, you know they both giants.

1:21:03.120 --> 1:21:05.840
<v Speaker 1>But that's my answer. I don't know what the answer me,

1:21:10.160 --> 1:21:15.439
<v Speaker 1>I would say, Big, alright, cool, I'm taking the diamond

1:21:15.479 --> 1:21:20.320
<v Speaker 1>keeps wrong instruction, all right, I'm taking the right keeping.

1:21:21.120 --> 1:21:23.280
<v Speaker 1>I'm about to walk out here funked up and miss

1:21:23.320 --> 1:21:25.160
<v Speaker 1>my kid. And I can did last time. I don't

1:21:25.200 --> 1:21:28.680
<v Speaker 1>do that. You're gonna take your shot. I'm starting with you.

1:21:31.439 --> 1:21:35.960
<v Speaker 1>I'm gonna start have to answer these questions in terms

1:21:36.000 --> 1:21:40.479
<v Speaker 1>of what they only in one category, in terms of

1:21:40.560 --> 1:21:45.040
<v Speaker 1>just production, just straight production, straight production, premiere. Okay, that's good.

1:21:45.160 --> 1:21:50.280
<v Speaker 1>I come here. Okay, let me get that later. Most

1:21:50.400 --> 1:21:54.880
<v Speaker 1>death or common? Who are you asking that to both

1:21:54.920 --> 1:22:07.240
<v Speaker 1>of your niggers in terms of what acting skill? What

1:22:07.360 --> 1:22:12.920
<v Speaker 1>you're talking about skill in terms of acting skill? M

1:22:14.280 --> 1:22:17.320
<v Speaker 1>m C. That was your comment is an MC motherfucker

1:22:17.520 --> 1:22:20.599
<v Speaker 1>of course, so it's most deaf. I watched that motherfucker him.

1:22:21.040 --> 1:22:23.400
<v Speaker 1>That's a that's a good most on the Dave Chappelle

1:22:23.520 --> 1:22:25.519
<v Speaker 1>riding through Brooklyn, I thought I think it was Brooklyn.

1:22:26.160 --> 1:22:32.639
<v Speaker 1>That's a good push. Well, so listen, you gotta be careful.

1:22:32.640 --> 1:22:34.719
<v Speaker 1>That's a good pair. But they took a different I'm

1:22:34.720 --> 1:22:37.639
<v Speaker 1>gonna teach you how to answer and still be politically corrected.

1:22:37.920 --> 1:22:40.400
<v Speaker 1>I needed I needed here to answer, and if you

1:22:40.560 --> 1:22:42.439
<v Speaker 1>let's me, I'm satisfied. I would take a shot for you.

1:22:42.520 --> 1:22:44.519
<v Speaker 1>But if not, you gotta do this shot. But I'm

1:22:44.560 --> 1:22:48.240
<v Speaker 1>gonna keep an answer. Okay, let's go. I'm gonna pick

1:22:48.320 --> 1:23:00.800
<v Speaker 1>most deaf. You shoot up and that's all I gotta see. Cutkay,

1:23:01.080 --> 1:23:04.679
<v Speaker 1>I can see that, all right, this is gonna be crazy.

1:23:04.720 --> 1:23:08.280
<v Speaker 1>Look j Roby doesn't even know he was here. Midnight

1:23:08.400 --> 1:23:24.040
<v Speaker 1>Marauders or low end Theory. J gotta leading room. No, no, no,

1:23:25.720 --> 1:23:28.560
<v Speaker 1>because we're having a real deep Phipps. In terms of

1:23:28.760 --> 1:23:34.720
<v Speaker 1>what's problem, it's quick one this time. It doesn't have

1:23:34.920 --> 1:23:39.519
<v Speaker 1>much deep. I really want Jeros answer after. We're gonna

1:23:39.560 --> 1:23:41.680
<v Speaker 1>get his after. We don't want him to funk up

1:23:41.720 --> 1:23:45.240
<v Speaker 1>your opinion, so we want to hear yours first. Remember,

1:23:45.240 --> 1:23:47.000
<v Speaker 1>if you go both, I'll drink what you I'm going

1:23:47.080 --> 1:24:01.400
<v Speaker 1>to say Midnight Marauder as a producer, Midnight Mark definitely

1:24:01.479 --> 1:24:06.800
<v Speaker 1>the just heard the progression in the production. That was hard.

1:24:07.400 --> 1:24:20.280
<v Speaker 1>That was hard, That was hard. Turn came, but I'm

1:24:20.320 --> 1:24:26.040
<v Speaker 1>gonna take a flash the emergence to fight door emergent.

1:24:26.080 --> 1:24:28.439
<v Speaker 1>But it's like Godfather and Godfather too. There is no

1:24:28.520 --> 1:24:34.320
<v Speaker 1>Midnight Marauders without lowing theory and without people. Okay, Miami

1:24:34.479 --> 1:24:37.040
<v Speaker 1>or l A, either one of you. Miami, that's easier.

1:24:37.120 --> 1:24:38.519
<v Speaker 1>It was about to say, it's a lot of Miami. Mother.

1:24:39.880 --> 1:24:42.439
<v Speaker 1>I mean that I didn't even talk about that. Also

1:24:42.520 --> 1:24:44.880
<v Speaker 1>that they both said, Miami, now this one right here

1:24:45.320 --> 1:24:53.639
<v Speaker 1>up in the air, independent or major independent Independent, you're

1:24:53.840 --> 1:24:57.200
<v Speaker 1>losing these man, we have this independent verse major debate.

1:24:57.280 --> 1:25:00.360
<v Speaker 1>I'm and not talking independent. Tell me why you made

1:25:00.360 --> 1:25:03.080
<v Speaker 1>you guy? Because I'm lazy to a certain extent. That's

1:25:05.640 --> 1:25:08.280
<v Speaker 1>sometimes you just need a good partner to handle the business.

1:25:08.320 --> 1:25:11.160
<v Speaker 1>You can just get that. Yeah, you know, it's it's

1:25:11.320 --> 1:25:13.320
<v Speaker 1>I just I love it. But let's get out a

1:25:13.360 --> 1:25:18.559
<v Speaker 1>quick time of slim and we'll come back. Okay, it's

1:25:18.600 --> 1:25:21.880
<v Speaker 1>not it's not gonna be good for you. Bow or

1:25:22.000 --> 1:25:27.400
<v Speaker 1>large pro. Oh man, to take the shot, take the shot.

1:25:29.400 --> 1:25:34.320
<v Speaker 1>You take a shot, Take a shot. Shot. I think

1:25:34.320 --> 1:25:36.960
<v Speaker 1>you're taking a shot too, like you're taking this shot.

1:25:37.680 --> 1:25:41.120
<v Speaker 1>That's how I'm going with large prom. Okay, okay, I'm

1:25:41.160 --> 1:25:44.240
<v Speaker 1>going large Pro. Not because all respect due to the great,

1:25:44.720 --> 1:25:49.479
<v Speaker 1>the great, legendary, legendary, but for me personally, you know,

1:25:49.640 --> 1:25:53.559
<v Speaker 1>sometimes you have a personal relationship with our large Large

1:25:53.560 --> 1:25:57.160
<v Speaker 1>Professor did for me personally with that breaking Adam's album,

1:25:57.920 --> 1:25:59.840
<v Speaker 1>I was, I was living with that album. I was.

1:26:00.240 --> 1:26:01.800
<v Speaker 1>It was first like he made it for you. It

1:26:01.880 --> 1:26:04.400
<v Speaker 1>was a personal Okay, I respect that you shouldn't take

1:26:04.439 --> 1:26:10.439
<v Speaker 1>a shot for that, all right, Actor Brooklyn, Little Kimra,

1:26:10.520 --> 1:26:18.160
<v Speaker 1>Foxy Brown, somebody that it was just women power, remember

1:26:19.479 --> 1:26:25.720
<v Speaker 1>women powers. That this is the quiller. I'll take this here.

1:26:29.360 --> 1:26:31.760
<v Speaker 1>I'm interested to hear what you're gonna say, Little Kima,

1:26:31.840 --> 1:26:37.519
<v Speaker 1>Foxy Brown, another shot because that's your old shot. Yeah,

1:26:37.520 --> 1:26:39.080
<v Speaker 1>I'm taking this game. I'm playing this game with my

1:26:39.160 --> 1:26:45.679
<v Speaker 1>friends just a little bit. I like Foxy a little more. Okay,

1:26:46.040 --> 1:26:52.920
<v Speaker 1>I'll expect that who four or five King or show bars.

1:26:56.000 --> 1:27:01.240
<v Speaker 1>You're asking me, Yeah, you're asking you. Yeah, I'm going

1:27:01.360 --> 1:27:07.519
<v Speaker 1>with show just because of that Godfather now jam made earlier. Okay,

1:27:07.800 --> 1:27:10.280
<v Speaker 1>one can't come without the other. Right, where we going?

1:27:10.400 --> 1:27:30.599
<v Speaker 1>Diamond drinking whiskey? Right because they both they both made

1:27:30.720 --> 1:27:33.360
<v Speaker 1>joints that only day could have been. I can't really

1:27:33.360 --> 1:27:37.800
<v Speaker 1>answer that. If my boy Brian all right, um, all right,

1:27:40.080 --> 1:27:47.200
<v Speaker 1>I think this is this wass it fairly long? It's

1:27:47.240 --> 1:27:50.719
<v Speaker 1>only three three more questions? Okay, this one should really

1:27:50.760 --> 1:27:55.280
<v Speaker 1>be easy for both of y'all. Stretching Bobby though verse

1:27:55.360 --> 1:28:00.080
<v Speaker 1>the Wake Up Show. I'm gonna stretching Bob because as

1:28:00.120 --> 1:28:02.000
<v Speaker 1>a personal experience, I'm going to stress the ball too.

1:28:02.040 --> 1:28:07.360
<v Speaker 1>Sorrys Wade sorry, we just we just were just looking

1:28:07.439 --> 1:28:09.920
<v Speaker 1>up that with Swade. You're gonna take your shot, nobody

1:28:09.960 --> 1:28:17.080
<v Speaker 1>asked you. Okay, Cardi br Nicki Minaj, Nikki that was

1:28:17.120 --> 1:28:24.800
<v Speaker 1>fast taking a shot because he remember women improvement. Who

1:28:24.880 --> 1:28:26.640
<v Speaker 1>does that have to do with this answer? I don't know.

1:28:27.920 --> 1:28:34.600
<v Speaker 1>I'm taking a shot. They're Nicki minajs or Cardi B.

1:28:34.840 --> 1:28:44.080
<v Speaker 1>In terms of what yo's artiste? Cardis the only lawyers

1:28:44.200 --> 1:28:48.439
<v Speaker 1>during quick time of seeing nobody you can pass me

1:28:48.479 --> 1:28:50.920
<v Speaker 1>that light of time. What do we talking about here?

1:28:50.960 --> 1:28:52.760
<v Speaker 1>In terms of what? In terms of whatever you wanted

1:28:52.800 --> 1:28:57.720
<v Speaker 1>to be an overall artist? Overall see drawn curveballs over here?

1:28:58.800 --> 1:29:06.920
<v Speaker 1>He said ten minutes, overall artists. I reserved the right

1:29:06.960 --> 1:29:10.439
<v Speaker 1>to change my answer. I reserved the right to change

1:29:10.479 --> 1:29:15.720
<v Speaker 1>my answer in ten years. Okay, wait what I never

1:29:15.800 --> 1:29:19.599
<v Speaker 1>heard this ten years? We're not doing dreat chance we're

1:29:19.640 --> 1:29:22.759
<v Speaker 1>gonna come back to change my answer ten years. Okay,

1:29:22.880 --> 1:29:27.200
<v Speaker 1>But as of now, yes, as incredible as Cardi B is,

1:29:28.960 --> 1:29:31.880
<v Speaker 1>Nicki Minaj has done some ship. So I'm going with Nicki. Okay,

1:29:32.000 --> 1:29:36.560
<v Speaker 1>all right, that took a long time. All right, this

1:29:36.600 --> 1:29:39.080
<v Speaker 1>would be fit this might you might be taking a

1:29:39.120 --> 1:29:43.920
<v Speaker 1>shot to this, Oh, oh, taking shots all three ah,

1:29:45.800 --> 1:29:53.200
<v Speaker 1>dip set or the locks locks locks. Really, that was

1:29:53.479 --> 1:29:55.240
<v Speaker 1>very easy. I didn't think. I didn't think you guys

1:29:55.479 --> 1:30:01.320
<v Speaker 1>go listen the question to change the game. But for

1:30:01.439 --> 1:30:04.360
<v Speaker 1>me personally, that's what it is. Now we get into

1:30:04.400 --> 1:30:07.160
<v Speaker 1>the of course, it's about how you personally feel, how

1:30:07.200 --> 1:30:17.439
<v Speaker 1>something exactly exactly. I respect that. Okay, I'm gonna take

1:30:17.479 --> 1:30:21.120
<v Speaker 1>a shot right now. I'm going with. I'm going with,

1:30:21.360 --> 1:30:23.680
<v Speaker 1>I'm going to red alert. I'm going I'm going with

1:30:24.120 --> 1:30:27.679
<v Speaker 1>because because I should be the analogy as well. I'm

1:30:27.680 --> 1:30:30.400
<v Speaker 1>going to red alert because I got into hip hop

1:30:30.960 --> 1:30:34.479
<v Speaker 1>like eighty five, eight, six, eighty seven, and around the

1:30:34.560 --> 1:30:36.640
<v Speaker 1>time when I got into hip hop, I wasn't in

1:30:36.720 --> 1:30:39.719
<v Speaker 1>the streets as a little kid. My hip hop experience

1:30:39.760 --> 1:30:42.360
<v Speaker 1>came from listening to the Red Alert, Kissing Fami and

1:30:42.479 --> 1:30:44.639
<v Speaker 1>Jeff Fox, the Rocks Box and all that type of ship.

1:30:44.960 --> 1:30:48.120
<v Speaker 1>Taking your shot, taking your shot, Dimond just from the

1:30:48.200 --> 1:30:55.880
<v Speaker 1>last job. But I got my answer is rather alert

1:30:55.920 --> 1:30:58.800
<v Speaker 1>because Lert influence kick agree. Yeah, that's what I'm saying.

1:30:58.840 --> 1:31:01.280
<v Speaker 1>That's the Godfather thing. And I'm to tell y'all my

1:31:01.400 --> 1:31:06.599
<v Speaker 1>answers should be ready alert too. I had so much

1:31:06.640 --> 1:31:09.879
<v Speaker 1>more experience, like it was me going to Kick Apris

1:31:09.960 --> 1:31:12.759
<v Speaker 1>parties that made me say, this might be the baddest

1:31:12.840 --> 1:31:17.160
<v Speaker 1>DJ to be. His name is Not to be Slandered,

1:31:17.640 --> 1:31:20.040
<v Speaker 1>and Kick Capri and his production on the Big Ail

1:31:20.080 --> 1:31:24.200
<v Speaker 1>Ship and Certain Ship He's done for the Culture Joint

1:31:24.280 --> 1:31:27.479
<v Speaker 1>produced from Death Comedy Jam and just like Kick Capri

1:31:28.200 --> 1:31:30.600
<v Speaker 1>and and even just now I posted, I reposted some

1:31:30.640 --> 1:31:35.960
<v Speaker 1>ship Kicker PrePost on Instagram about about work, making sure

1:31:35.960 --> 1:31:38.360
<v Speaker 1>you working people really appreciate you, and I was like, yo,

1:31:38.520 --> 1:31:42.040
<v Speaker 1>just just so everybody knows, I need to work with Kickapri,

1:31:42.479 --> 1:31:45.320
<v Speaker 1>I said. Kick Capri is an absolute legend. He's one

1:31:45.320 --> 1:31:51.200
<v Speaker 1>of my favorite human beings. He'd probably he's one of

1:31:51.240 --> 1:31:54.400
<v Speaker 1>my favorite human beings. Yeah, I just see, I see.

1:31:54.439 --> 1:31:57.200
<v Speaker 1>I was like I was in a I think I

1:31:57.280 --> 1:31:59.160
<v Speaker 1>was in DC one day with him, the next day

1:31:59.160 --> 1:32:01.920
<v Speaker 1>in North Line, the next day someone else, and he

1:32:01.920 --> 1:32:04.800
<v Speaker 1>would equally walk the party with different sets, like he

1:32:04.840 --> 1:32:07.280
<v Speaker 1>wouldn't repeat his sets. And that was the first time

1:32:07.360 --> 1:32:13.800
<v Speaker 1>I had organic. He was playing alert. Can't do what

1:32:13.920 --> 1:32:17.120
<v Speaker 1>Kicker pre do right? The Kick Apre It's not read

1:32:17.120 --> 1:32:20.240
<v Speaker 1>alert right, Okay, this is the last one. It's pretty

1:32:20.320 --> 1:32:28.160
<v Speaker 1>much eighties or the nineties. That's a fucking good question.

1:32:29.120 --> 1:32:35.200
<v Speaker 1>I think it is in terms of what error ten

1:32:35.280 --> 1:32:40.080
<v Speaker 1>years that ten years again, but ten years it up

1:32:40.160 --> 1:32:45.040
<v Speaker 1>the ten because if you shift the ten between eighty

1:32:45.120 --> 1:32:48.840
<v Speaker 1>five and ninety five, I'm going with the eighties going empty,

1:32:48.840 --> 1:32:52.040
<v Speaker 1>hammer and nigger. That's the one I know, EMC hammer

1:32:52.160 --> 1:33:00.120
<v Speaker 1>just not define it? Are you nothing looking back? When

1:33:00.160 --> 1:33:02.280
<v Speaker 1>I say, in terms of what are we talking about

1:33:02.640 --> 1:33:05.439
<v Speaker 1>specifically hip hop? Would you like the error are you

1:33:05.479 --> 1:33:10.880
<v Speaker 1>talking about? Because they might have a change to the nineties. Okay, yeah, okay,

1:33:10.920 --> 1:33:15.880
<v Speaker 1>why because the eighties we said eighties versus nineties in

1:33:15.960 --> 1:33:19.759
<v Speaker 1>terms of error. In terms of error, the eighties is superior,

1:33:20.040 --> 1:33:22.519
<v Speaker 1>but the eighties end of eighties hip hop set up

1:33:22.560 --> 1:33:27.559
<v Speaker 1>the nineties hip hop. Nineties hip hop is. It's great,

1:33:27.640 --> 1:33:32.000
<v Speaker 1>but up, but it terms of hip hop nineties hip hop.

1:33:32.080 --> 1:33:34.320
<v Speaker 1>If you go to any party on the planet, on

1:33:34.520 --> 1:33:39.040
<v Speaker 1>any or any party on the planet right now, righting,

1:33:39.800 --> 1:33:42.679
<v Speaker 1>and you play any type of music, if the DJ

1:33:42.840 --> 1:33:45.120
<v Speaker 1>decide that he want to do fifty and twenty minutes

1:33:45.120 --> 1:33:47.160
<v Speaker 1>of just nineties hip hops, right that's going to be

1:33:47.240 --> 1:33:49.439
<v Speaker 1>the best part of the party. I don't think about

1:33:49.640 --> 1:33:52.840
<v Speaker 1>like that. If he played nothing the DJ doing nothing

1:33:53.320 --> 1:33:59.320
<v Speaker 1>nothing in two thousand? What what? What? What if you

1:33:59.439 --> 1:34:03.240
<v Speaker 1>go on you doing a scenario, If you're doing a scenario,

1:34:03.800 --> 1:34:06.800
<v Speaker 1>do a house of pain drip around? You don't have

1:34:06.960 --> 1:34:10.360
<v Speaker 1>some page up around in a scenario and any and

1:34:10.439 --> 1:34:14.240
<v Speaker 1>then biggy no money, more money, more problems and how

1:34:14.360 --> 1:34:16.519
<v Speaker 1>could just kill a man? And if if you're going

1:34:16.560 --> 1:34:19.000
<v Speaker 1>to a public enemy set, if you do fight to power,

1:34:19.800 --> 1:34:23.720
<v Speaker 1>what the what do we powers? Eighties? Eighties? That's all

1:34:23.720 --> 1:34:30.760
<v Speaker 1>I'm trying to tell you. It's as a producer, I

1:34:30.800 --> 1:34:33.560
<v Speaker 1>would say nineties because the late eighties and when the

1:34:33.640 --> 1:34:37.040
<v Speaker 1>sample of becomes in effect and hip hop got away

1:34:37.080 --> 1:34:41.120
<v Speaker 1>from the live instrumentation of the early to mid ager

1:34:41.320 --> 1:34:43.920
<v Speaker 1>without saying it was more of getting back to the essence,

1:34:44.720 --> 1:34:48.040
<v Speaker 1>you know what I mean. So that would be my answer.

1:34:49.479 --> 1:34:54.599
<v Speaker 1>Nine eight What is the best year of hip hop

1:34:54.640 --> 1:34:59.840
<v Speaker 1>of all time? What Google told you that I don't

1:35:00.000 --> 1:35:03.960
<v Speaker 1>no no no no no no no no no no

1:35:05.360 --> 1:35:08.719
<v Speaker 1>is the best year is when everything changed? And I Google.

1:35:08.840 --> 1:35:11.680
<v Speaker 1>I did Google Google because I wanted to see a

1:35:11.840 --> 1:35:16.839
<v Speaker 1>public takes the nation of millions holders back. Great adventures

1:35:16.920 --> 1:35:21.840
<v Speaker 1>like Rick absolutely trade out of Compton, strictly business E. P. M. D.

1:35:22.640 --> 1:35:29.040
<v Speaker 1>Long lived to Kynes, following the leader by Enemies necessary

1:35:30.080 --> 1:35:33.479
<v Speaker 1>straight out to jungle. He's a DJ on the rapper

1:35:34.680 --> 1:35:41.880
<v Speaker 1>critical beat down, tougher than leather Light is a rock easy,

1:35:42.000 --> 1:35:48.200
<v Speaker 1>doesn't going off. He's Marquis. The best is going off

1:35:52.720 --> 1:35:57.160
<v Speaker 1>in full gear stet to Sonica talking all that jazz

1:35:57.720 --> 1:36:02.760
<v Speaker 1>in control Volume one, Symphony for Molly Maul act the

1:36:02.840 --> 1:36:09.479
<v Speaker 1>fool King Tea, But listen tower iced tea, a salt

1:36:09.560 --> 1:36:14.000
<v Speaker 1>with a deadly pepper. Alright, so that's night it takes

1:36:14.040 --> 1:36:16.680
<v Speaker 1>to rob Base one of the best records of all More,

1:36:16.800 --> 1:36:22.400
<v Speaker 1>can I say audio to the world's greatest entertainer, Doggy Fresh,

1:36:23.560 --> 1:36:25.719
<v Speaker 1>all that in one year, I need you to google

1:36:25.800 --> 1:36:28.960
<v Speaker 1>night to night. I'm gonna tell you the next year

1:36:29.000 --> 1:36:31.720
<v Speaker 1>to come after that. I've done my resent next year,

1:36:34.240 --> 1:36:38.559
<v Speaker 1>your next next year that got as many dope albums

1:36:38.560 --> 1:36:43.640
<v Speaker 1>as that. It's ninety six six, all right, who's in

1:36:43.720 --> 1:36:48.640
<v Speaker 1>ninety six? And I feel like I didn't come out

1:36:48.680 --> 1:36:51.320
<v Speaker 1>to ninety eight. I was told that was my persont year.

1:36:51.360 --> 1:36:53.519
<v Speaker 1>I told you to google next because that's a year

1:36:56.320 --> 1:37:00.360
<v Speaker 1>my year. Really quick, before you say those everything mentioned

1:37:00.400 --> 1:37:03.680
<v Speaker 1>in eight eight set up the nineties. A lot of

1:37:03.800 --> 1:37:07.960
<v Speaker 1>all that music influenced everything that happened in the early nineties. Yeah,

1:37:08.040 --> 1:37:12.960
<v Speaker 1>what you read this is what you use, Okay, okay,

1:37:13.080 --> 1:37:18.880
<v Speaker 1>ninety six is I might be wrong? Yeah alright, let

1:37:18.920 --> 1:37:22.800
<v Speaker 1>me start tupac all eyes on me. The Foojis to

1:37:22.840 --> 1:37:28.400
<v Speaker 1>score fire That right, Maskills from Where wasn't the commercial

1:37:28.720 --> 1:37:31.519
<v Speaker 1>wasn't commercial. That's a that's that's a classic album. That's

1:37:31.520 --> 1:37:37.000
<v Speaker 1>a class out. We have Maskills, Conscious Daughters, Gamers, Hammad Collage,

1:37:37.080 --> 1:37:42.759
<v Speaker 1>Classic Smooth, The Hustler, Once Uplaic, Okay, Classics, Buster Robs,

1:37:42.800 --> 1:37:48.320
<v Speaker 1>the Coming Classics, that's right, BC Boys to End Sound

1:37:48.360 --> 1:37:53.680
<v Speaker 1>from Way Out, Ghetto Boys, The Resurrection, Massive, p ice

1:37:53.720 --> 1:38:02.400
<v Speaker 1>Cream Man. Uh, I might be wrong about ninety six. Yeah,

1:38:02.479 --> 1:38:08.280
<v Speaker 1>nine six they're also six is high Classic NASA was

1:38:08.320 --> 1:38:13.960
<v Speaker 1>written X Wild Cowboys, Problems in Life, Trick Requests Classic

1:38:17.240 --> 1:38:23.080
<v Speaker 1>eight Aliens Classic Ah No, it's not the say Rose

1:38:23.960 --> 1:38:29.960
<v Speaker 1>the same. Taking a break without taking a break. I'm

1:38:30.000 --> 1:38:32.880
<v Speaker 1>gonna take a p p at bringing away. We don't

1:38:32.920 --> 1:38:35.760
<v Speaker 1>take a break. We didn't bring I don't want to

1:38:36.040 --> 1:38:38.280
<v Speaker 1>take a break down. You don't use the bathroom if

1:38:38.280 --> 1:38:40.200
<v Speaker 1>you want. I'm good, okay, yeah, I'm cool right now?

1:38:40.400 --> 1:38:43.760
<v Speaker 1>So what okay? So ninety eight. It's a year the

1:38:43.800 --> 1:38:47.320
<v Speaker 1>Black Star came out. Okay, September. In September ninety eight,

1:38:48.479 --> 1:38:53.200
<v Speaker 1>five hip Hop Classics dropped it September, the same day

1:38:53.240 --> 1:38:55.840
<v Speaker 1>that the Black Star album dropped? Is that is that not?

1:38:56.080 --> 1:38:59.920
<v Speaker 1>Nine eleven? No? Okay, the same day to the Blacks,

1:39:00.000 --> 1:39:04.320
<v Speaker 1>the album dropped, well, read the whole year. But I'm

1:39:04.320 --> 1:39:09.800
<v Speaker 1>a Black Star dropped ninety eight Okay, September Septem a

1:39:09.920 --> 1:39:20.800
<v Speaker 1>quemini four hundred degrees, juvenile capital, punishment, big pun the

1:39:20.920 --> 1:39:28.240
<v Speaker 1>Miseducation of Lauren Hill Foundation by brand Newbian Beach, Romes

1:39:28.280 --> 1:39:32.040
<v Speaker 1>in Life by Tryck requests, moment of Truth again started

1:39:32.160 --> 1:39:37.760
<v Speaker 1>ninety eight might be the year not beat, Ribs of Life,

1:39:37.880 --> 1:39:42.840
<v Speaker 1>the love movement, which I don't know why I keep

1:39:42.880 --> 1:39:46.600
<v Speaker 1>calling it. Okay, okay, this is this one's about to

1:39:46.840 --> 1:39:50.479
<v Speaker 1>seal the deal, about the seal the deal, money power, respect,

1:39:50.520 --> 1:39:54.680
<v Speaker 1>by the locks. We could go, we could go a

1:39:54.680 --> 1:39:56.880
<v Speaker 1>head of what I'm about to see it. I'm about

1:39:56.880 --> 1:40:03.040
<v Speaker 1>to see e l E By bust the ROMs can

1:40:03.120 --> 1:40:09.320
<v Speaker 1>I bus by Cannabis. Wow, Okay, still standing by the

1:40:09.360 --> 1:40:13.360
<v Speaker 1>good emm ah. This is a slept on the album

1:40:14.160 --> 1:40:20.639
<v Speaker 1>Soul Survivor by p Rock. Okay, I already mentioned member Survivor.

1:40:20.720 --> 1:40:23.680
<v Speaker 1>Do ye remember I said brand new Rear Foundation that

1:40:23.800 --> 1:40:31.280
<v Speaker 1>came out that Hello Nasty by the Beastie Boys. That's

1:40:31.320 --> 1:40:36.880
<v Speaker 1>a fucking good album. Year, Hello Nasty. You know what?

1:40:37.360 --> 1:40:41.519
<v Speaker 1>Nori Than is my new ninety six. Yeah, was a

1:40:41.520 --> 1:40:44.760
<v Speaker 1>good year. That's my favorite year. Flesh Blood of My

1:40:44.840 --> 1:40:49.040
<v Speaker 1>Blood by DMX, Yeah, yeah, that's my year, my best year.

1:40:54.960 --> 1:41:00.400
<v Speaker 1>This this is an incredible album. Hel Ni Yo by

1:41:00.479 --> 1:41:06.559
<v Speaker 1>the Death Squad. That Joe Don Carters on the album too,

1:41:07.120 --> 1:41:23.639
<v Speaker 1>all right, and o R popped up r Bynory. Okay,

1:41:23.720 --> 1:41:26.240
<v Speaker 1>but here's the album that I'm on that niggers don't

1:41:26.280 --> 1:41:28.120
<v Speaker 1>even know. I'm not. I'm not on this, Okay, I'm not.

1:41:28.160 --> 1:41:31.759
<v Speaker 1>I'm not on this album. I'm on a remix Sons

1:41:31.800 --> 1:41:34.880
<v Speaker 1>of Men. The last should be first and the first

1:41:34.880 --> 1:41:39.120
<v Speaker 1>should be last. Shout to Heaven Raised. I'm on a remix.

1:41:40.320 --> 1:41:43.479
<v Speaker 1>I thought I was on album Sons of Man's Killer

1:41:43.520 --> 1:41:49.080
<v Speaker 1>priest Um sixty Second Assassin. DMX is darker to tell

1:41:49.160 --> 1:41:54.439
<v Speaker 1>us he was the first artist in history to have

1:41:54.680 --> 1:42:00.360
<v Speaker 1>platinum twice in one year. I was there, I was there,

1:42:01.600 --> 1:42:06.600
<v Speaker 1>I was there, I was right right. This is the

1:42:06.680 --> 1:42:10.960
<v Speaker 1>year I was doing Bobby Digital and Bobby did you

1:42:11.040 --> 1:42:12.800
<v Speaker 1>I want to let you keep going. I'm gonna tell

1:42:12.800 --> 1:42:16.080
<v Speaker 1>you how to examined. Forty days, forty nights. That's what

1:42:16.200 --> 1:42:20.559
<v Speaker 1>you see is what you get? YEA classic video First

1:42:20.600 --> 1:42:25.880
<v Speaker 1>Family for Life, the Cool Steal, this album classic rest

1:42:25.920 --> 1:42:28.840
<v Speaker 1>in Peace, the DJ right she passed away, I War

1:42:28.920 --> 1:42:31.040
<v Speaker 1>in Peace Fine one and two? I want that too?

1:42:31.479 --> 1:42:33.800
<v Speaker 1>You want that? That's what I was this East Coast

1:42:33.880 --> 1:42:42.519
<v Speaker 1>Niggas which one? What was that was? Fine? Oh? Yeah, yeah,

1:42:42.560 --> 1:42:51.080
<v Speaker 1>I was question connection ice Cube. I think we'll be remix, right,

1:42:51.280 --> 1:42:55.000
<v Speaker 1>we'll be corrupt. But on the remix, me and Most

1:42:55.040 --> 1:42:56.880
<v Speaker 1>Deaf used to do Black Star shows in the error,

1:42:57.200 --> 1:42:58.840
<v Speaker 1>and we used to perform a version of that song,

1:42:59.320 --> 1:43:02.360
<v Speaker 1>and we used to be we'll be clubbing Little Baby Seals,

1:43:02.439 --> 1:43:07.920
<v Speaker 1>so we can make coach. We'll be clubbing. Push it

1:43:08.000 --> 1:43:10.960
<v Speaker 1>Wait push. I was like, wait, oh, puh, yeah, that's it.

1:43:11.400 --> 1:43:15.400
<v Speaker 1>It was that I'm still here. That's a great joint.

1:43:15.920 --> 1:43:20.040
<v Speaker 1>Spike Lee. He got Game ninety one, ice Cube, Record

1:43:20.040 --> 1:43:25.680
<v Speaker 1>of nine Generation Effects, a c alone, A book of

1:43:25.800 --> 1:43:28.840
<v Speaker 1>Human Language. This is actually a very good album, very

1:43:28.880 --> 1:43:32.000
<v Speaker 1>good album. Black Eyed Peas Behind the front. What that

1:43:32.160 --> 1:43:35.680
<v Speaker 1>was before Fergie when Yeah, that was the underground black

1:43:36.120 --> 1:43:37.680
<v Speaker 1>Look at Tyler Live and getting his hip hop on

1:43:38.080 --> 1:43:48.720
<v Speaker 1>you hip hop, Let's do it look as seen the

1:43:48.800 --> 1:43:54.280
<v Speaker 1>shadiest buster here you Dad's dealing your revenge retaliation Lyricist

1:43:54.360 --> 1:43:57.439
<v Speaker 1>Lounge bust albums that year the Lyricist Lounge did you

1:43:57.720 --> 1:44:03.160
<v Speaker 1>buster twice? Okay? It was just okay, goddamn it. Anybody

1:44:03.200 --> 1:44:06.200
<v Speaker 1>want to move? I know that's a camera and Confessions

1:44:06.240 --> 1:44:09.320
<v Speaker 1>of Fire. That's what the nig I'm on that too, right,

1:44:09.360 --> 1:44:20.280
<v Speaker 1>that's what you listen David, You year period like of

1:44:20.400 --> 1:44:22.439
<v Speaker 1>my life. The only thing is better about it my

1:44:22.560 --> 1:44:25.280
<v Speaker 1>father died in the middle of my hype. I don't

1:44:25.280 --> 1:44:29.080
<v Speaker 1>even talk about. Okay, let's Big Duty, Kane drop Veteran's Day,

1:44:29.080 --> 1:44:33.960
<v Speaker 1>which is an underrated album. Veterans Day styles are beyond

1:44:34.000 --> 1:44:46.599
<v Speaker 1>two thousand fold method man to couch, jous ships, ship, corruption, corrupt, Classic,

1:44:47.360 --> 1:44:52.240
<v Speaker 1>Shut Them Down, Classic, um Snoop Dogg. The game is

1:44:52.320 --> 1:44:54.519
<v Speaker 1>to be sold, not to be told. With no limit.

1:44:54.600 --> 1:44:56.880
<v Speaker 1>That's the no limit. That's a classic, too easy. Pieces

1:44:56.920 --> 1:45:01.880
<v Speaker 1>of a Man. That's the best I learned on Tree

1:45:01.960 --> 1:45:08.040
<v Speaker 1>Champs today. Can mess with it depends it's great. You

1:45:08.160 --> 1:45:12.160
<v Speaker 1>know who we should you know what? You know, it's

1:45:12.200 --> 1:45:16.040
<v Speaker 1>actually an ill versus Listen, listen, listen, because I was

1:45:16.360 --> 1:45:18.760
<v Speaker 1>only I love Versus and I'm actually a little bit

1:45:18.800 --> 1:45:20.400
<v Speaker 1>a part of it. But the only thing that I

1:45:20.560 --> 1:45:22.479
<v Speaker 1>didn't like a little bit part of it, you know what.

1:45:23.240 --> 1:45:29.000
<v Speaker 1>But like I didn't like the D'Angelo bringing up people

1:45:29.240 --> 1:45:34.960
<v Speaker 1>was D'Angelo versus himself. If we're gonna go there, why

1:45:35.000 --> 1:45:40.200
<v Speaker 1>don't we do something like that with eight versus nine

1:45:41.640 --> 1:45:50.320
<v Speaker 1>and have some of them lostical it just by the way,

1:45:50.560 --> 1:45:55.560
<v Speaker 1>who's killing Harold on there? And I was done, It

1:45:55.680 --> 1:45:57.160
<v Speaker 1>was done, but it was just weird because it was

1:45:58.640 --> 1:46:03.640
<v Speaker 1>from versus. Yeah, magic, you do verse and you have

1:46:03.800 --> 1:46:06.719
<v Speaker 1>these artists, you get as much artists from both eras

1:46:06.760 --> 1:46:09.040
<v Speaker 1>that's still alive, that's still That's the beautiful list thing

1:46:09.080 --> 1:46:11.960
<v Speaker 1>about coming to America They got all the same actors

1:46:12.200 --> 1:46:14.840
<v Speaker 1>and you get the people perform their records. I think

1:46:14.840 --> 1:46:16.400
<v Speaker 1>that would be so wait wait, wait, are you saying

1:46:16.439 --> 1:46:18.519
<v Speaker 1>that you're a fan of coming to America? Coming to

1:46:18.600 --> 1:46:23.880
<v Speaker 1>America too? You go and grab this conversation. I'm gonna

1:46:23.880 --> 1:46:25.800
<v Speaker 1>get into it. I think it was a well made movie.

1:46:27.040 --> 1:46:29.120
<v Speaker 1>Fan I don't understand? What what? What? What's that not

1:46:29.200 --> 1:46:32.160
<v Speaker 1>to like about it? Word? You know what? I'm about

1:46:32.160 --> 1:46:35.120
<v Speaker 1>to blow your minds. You hated it? I enjoyed it.

1:46:36.120 --> 1:46:39.479
<v Speaker 1>It's not better because I was a good movie. Listen,

1:46:39.520 --> 1:46:41.960
<v Speaker 1>I'm a fan of movies. I know that people had

1:46:42.000 --> 1:46:46.800
<v Speaker 1>a lot to say about it, but it's very hard

1:46:46.840 --> 1:46:50.280
<v Speaker 1>to make a sequel and the classic. The running theme

1:46:50.360 --> 1:46:53.519
<v Speaker 1>of tonight is Godfather versus Godfather too. I brought this

1:46:53.640 --> 1:46:57.000
<v Speaker 1>up several times. We'll call it, we'll title the episode

1:46:58.920 --> 1:47:02.320
<v Speaker 1>times right. I enjoyed it because it was good to

1:47:02.400 --> 1:47:05.479
<v Speaker 1>see my O g s and my heroes having fun.

1:47:06.920 --> 1:47:09.360
<v Speaker 1>Was it as good as Coming to America? Absolutely not?

1:47:10.240 --> 1:47:16.720
<v Speaker 1>But did I expect it to do it? In his

1:47:16.840 --> 1:47:19.320
<v Speaker 1>own understand it was? It was? It was good. We

1:47:19.439 --> 1:47:21.760
<v Speaker 1>gotta support. I didn't like the Fashion Nova part and

1:47:21.800 --> 1:47:25.439
<v Speaker 1>I didn't like the part with Homeboys start Fashion was like,

1:47:25.520 --> 1:47:28.280
<v Speaker 1>come on, it turned into Hamilton and look at it.

1:47:33.960 --> 1:47:36.920
<v Speaker 1>That's the best part. But the reason why they had

1:47:36.960 --> 1:47:42.400
<v Speaker 1>Fashion Nova and Pepsi and Puma and all the other

1:47:42.479 --> 1:47:44.719
<v Speaker 1>brands because when you make a movie, you get paid

1:47:44.800 --> 1:47:46.960
<v Speaker 1>for the movie. Do you get paid for you know?

1:47:47.240 --> 1:47:50.760
<v Speaker 1>But here's the thing they should have the only thing

1:47:50.800 --> 1:47:53.240
<v Speaker 1>I would say creatively. The reason why I coming to

1:47:53.280 --> 1:47:54.920
<v Speaker 1>America the first one was dope is because it's a

1:47:54.960 --> 1:47:58.479
<v Speaker 1>fish out of water story. It's a fictional African character

1:47:58.520 --> 1:48:01.720
<v Speaker 1>coming to New York City, queens and living. This new

1:48:01.760 --> 1:48:05.760
<v Speaker 1>movie took place into Munda, right if they take place

1:48:05.800 --> 1:48:07.519
<v Speaker 1>in the bud Fay Queens too, that was fake me.

1:48:07.600 --> 1:48:10.640
<v Speaker 1>I was offended, but they said it was Hurst, that

1:48:10.680 --> 1:48:12.280
<v Speaker 1>a new way that else in the in the world.

1:48:12.680 --> 1:48:14.880
<v Speaker 1>Hurst is the kid in places from Listen Man. When

1:48:14.920 --> 1:48:17.639
<v Speaker 1>that when they put the you know, you know I'm rewinding,

1:48:17.720 --> 1:48:20.840
<v Speaker 1>I'm looking, I'm going to see they said, I'm Hurst,

1:48:20.880 --> 1:48:25.200
<v Speaker 1>New York. I was like, sut um, they're getting married.

1:48:25.520 --> 1:48:27.040
<v Speaker 1>You know, if you look at this, it real good.

1:48:27.080 --> 1:48:29.240
<v Speaker 1>It says Elmer's And I'm just so because I'm ten

1:48:29.360 --> 1:48:32.040
<v Speaker 1>minutes away from Elmhurst, so I know everything to that.

1:48:32.560 --> 1:48:36.040
<v Speaker 1>But that's me personally. That's me personally. The fact that

1:48:37.120 --> 1:48:40.719
<v Speaker 1>and they put out Girl Queen's is very much mentioned.

1:48:47.120 --> 1:48:49.840
<v Speaker 1>I'm not I'm not, I'm not charge. Can we get

1:48:49.880 --> 1:48:57.920
<v Speaker 1>a drink? Champs clap for what's his name? Yeah? Yo um,

1:48:58.960 --> 1:49:01.840
<v Speaker 1>And I got to give it up one million percent.

1:49:01.920 --> 1:49:05.360
<v Speaker 1>I've ever met her. I actually just see her comedies

1:49:05.360 --> 1:49:07.240
<v Speaker 1>before and I see her stand up prior to me

1:49:07.360 --> 1:49:12.040
<v Speaker 1>watching it. But Leslie listened to me as a person

1:49:12.640 --> 1:49:16.600
<v Speaker 1>who my whole life, I dedicate ghetto queens woman. She

1:49:16.720 --> 1:49:20.120
<v Speaker 1>hit it on the news. She hit it on the news.

1:49:20.240 --> 1:49:26.120
<v Speaker 1>I'm telling you queens queens, and she hit it on

1:49:26.280 --> 1:49:30.080
<v Speaker 1>the she said, I hate queen. I'm sorry. I slap

1:49:30.200 --> 1:49:34.400
<v Speaker 1>at your man. That's exactly one day. One day when

1:49:34.400 --> 1:49:36.920
<v Speaker 1>I'm an old man. One day, when I'm an old man,

1:49:37.280 --> 1:49:42.200
<v Speaker 1>I'm gonna tell the world about my DM conversations with Leslie. Leslie,

1:49:42.400 --> 1:49:46.240
<v Speaker 1>let your damn she she I slid in hers. Oh

1:49:48.400 --> 1:49:57.920
<v Speaker 1>some comedy ship. I'm like everybody, everybody's why you want

1:49:57.960 --> 1:50:08.000
<v Speaker 1>to wait two years? What we just say? Who the private?

1:50:08.040 --> 1:50:15.320
<v Speaker 1>Dont toromy know me? For real? Everybody? Everybody? Single man? Yeah,

1:50:16.040 --> 1:50:18.400
<v Speaker 1>not you, and I know that you're sing single man

1:50:18.520 --> 1:50:23.519
<v Speaker 1>talking as far when is this coming out? You never

1:50:24.240 --> 1:50:29.400
<v Speaker 1>I've never my life, he said, to be at home

1:50:29.880 --> 1:50:34.559
<v Speaker 1>coming out? What I never heard of? You're sucking me up.

1:50:34.600 --> 1:50:37.760
<v Speaker 1>I always got something to say. If I don't even

1:50:37.760 --> 1:50:39.600
<v Speaker 1>know what to say, don't word. I don't know what

1:50:40.120 --> 1:50:42.360
<v Speaker 1>what the kind of ship was that that was the

1:50:42.400 --> 1:50:45.320
<v Speaker 1>fifth sha. I know, pimp. When I see it's like,

1:50:45.640 --> 1:50:52.479
<v Speaker 1>what was this coming out? I holy sh it, I

1:50:52.520 --> 1:50:56.680
<v Speaker 1>don't even know what a bottle that I don't know. Uh,

1:50:57.320 --> 1:51:05.120
<v Speaker 1>you diamonded, you don't have pimple with you're married? Up,

1:51:05.360 --> 1:51:08.360
<v Speaker 1>I'm not married. You're not married. Let's make your noise

1:51:08.400 --> 1:51:16.720
<v Speaker 1>when you're trying to be loyal. This is the last question. Um,

1:51:17.960 --> 1:51:21.400
<v Speaker 1>like that, Like Biggie's words, I never thought that hip

1:51:21.439 --> 1:51:26.920
<v Speaker 1>hop would take it this far. The level of the

1:51:27.040 --> 1:51:31.759
<v Speaker 1>hip hop is now, Um, although we compromise with the music.

1:51:33.000 --> 1:51:35.000
<v Speaker 1>Sometimes the music is not up to Paul. But the

1:51:35.240 --> 1:51:38.680
<v Speaker 1>level of business that I'm seeing being done, that I'm

1:51:38.720 --> 1:51:45.320
<v Speaker 1>seeing being presented is on another level at this point,

1:51:45.640 --> 1:51:48.639
<v Speaker 1>like everybody is being able to eat, these people being

1:51:48.680 --> 1:51:50.800
<v Speaker 1>able to reach their family with switching them there with

1:51:51.000 --> 1:51:55.800
<v Speaker 1>versus very very very when they gave people equity for

1:51:56.000 --> 1:51:59.000
<v Speaker 1>you know, putting their their likeness and their image on

1:51:59.120 --> 1:52:01.400
<v Speaker 1>the thing, because most of these guys don't even own

1:52:02.040 --> 1:52:05.559
<v Speaker 1>the actual records that they're playing, so they really wasn't

1:52:05.640 --> 1:52:08.560
<v Speaker 1>benefiting you. Was doing versus just to do versus And

1:52:08.640 --> 1:52:11.040
<v Speaker 1>for Swiss and Timberling to say, you know what I

1:52:11.120 --> 1:52:12.960
<v Speaker 1>know some of y'all don't own your masses. So what

1:52:13.040 --> 1:52:14.680
<v Speaker 1>we're gonna do is we donna give your stake in

1:52:14.720 --> 1:52:18.640
<v Speaker 1>the actual company where hip hop is. I want to

1:52:18.760 --> 1:52:21.840
<v Speaker 1>just um, you know, we are the big words. I

1:52:21.920 --> 1:52:23.800
<v Speaker 1>want to start with you because you came at the end.

1:52:24.160 --> 1:52:26.040
<v Speaker 1>Did you ever think that hip hop would take it

1:52:26.160 --> 1:52:31.240
<v Speaker 1>this far? Not at all? M In fact, that's one

1:52:31.240 --> 1:52:34.920
<v Speaker 1>of the reasons why I um, I started taking color

1:52:34.960 --> 1:52:36.599
<v Speaker 1>the arts. You know what I'm saying, That's right, that's why.

1:52:36.640 --> 1:52:39.280
<v Speaker 1>That's one of the reasons. That's right. But it's cool

1:52:39.400 --> 1:52:41.880
<v Speaker 1>to see it now because we're treated as it is,

1:52:42.120 --> 1:52:44.800
<v Speaker 1>like we're a culture, you know what I'm saying. Now,

1:52:44.840 --> 1:52:48.560
<v Speaker 1>it's being treated as a culture now there's companies targeting

1:52:48.600 --> 1:52:51.000
<v Speaker 1>our culture like they target whites and blacks, and you

1:52:51.040 --> 1:52:52.519
<v Speaker 1>know what I'm saying, And that's a cool thing to

1:52:52.600 --> 1:52:55.000
<v Speaker 1>see because they thought we were just some some kids

1:52:55.080 --> 1:52:59.280
<v Speaker 1>making noise. Yeah, fact, they didn't understand the network and

1:52:59.320 --> 1:53:02.000
<v Speaker 1>the grammar group in the community we were building, you

1:53:02.040 --> 1:53:03.680
<v Speaker 1>know what I mean. So that's that's really dope to

1:53:03.720 --> 1:53:06.200
<v Speaker 1>see that part of it. Right, So so utah, I lived.

1:53:06.240 --> 1:53:08.880
<v Speaker 1>Did you ever think hip hop? Do you see you

1:53:08.960 --> 1:53:12.880
<v Speaker 1>see Jay Z just sold his company this to Moat.

1:53:13.520 --> 1:53:17.120
<v Speaker 1>Now me growing up was the richest ship you can drink.

1:53:17.560 --> 1:53:20.400
<v Speaker 1>For it to be for them to recognize this company

1:53:20.560 --> 1:53:23.479
<v Speaker 1>as a five million dollars person and then to buy

1:53:23.640 --> 1:53:26.639
<v Speaker 1>in but I think at forty nine percent, which which

1:53:26.720 --> 1:53:30.160
<v Speaker 1>means that he's still is the majority owner. Like that's

1:53:30.200 --> 1:53:32.920
<v Speaker 1>just the amazing thing to this. This is we all

1:53:33.240 --> 1:53:36.800
<v Speaker 1>grew up drinking mo and for us for them to

1:53:36.880 --> 1:53:38.640
<v Speaker 1>be a part of this company that he did on

1:53:38.720 --> 1:53:40.439
<v Speaker 1>his own, this is big. Like you ever thought the

1:53:40.479 --> 1:53:45.160
<v Speaker 1>hip hop god this farm? No, I didn't, um, but

1:53:45.320 --> 1:53:49.880
<v Speaker 1>I attribute that to how we grew up. We had limitations.

1:53:50.000 --> 1:53:52.280
<v Speaker 1>We had like Blonde just put on it as far

1:53:52.360 --> 1:53:54.880
<v Speaker 1>as what we could imagine, Like we all just got

1:53:54.960 --> 1:53:57.679
<v Speaker 1>Everybody in this room got into it because you want

1:53:57.720 --> 1:53:59.800
<v Speaker 1>somebody and me me personally, it was like you want

1:53:59.840 --> 1:54:01.760
<v Speaker 1>some I just think he was nice. And if you

1:54:01.840 --> 1:54:04.280
<v Speaker 1>read jay z book he talked about that, he talked

1:54:04.280 --> 1:54:06.519
<v Speaker 1>about he said, it's all comes down to the rhom.

1:54:06.680 --> 1:54:10.479
<v Speaker 1>Like everything I gain attributed to like I just want

1:54:10.520 --> 1:54:12.360
<v Speaker 1>to write the best raps and everything and if like,

1:54:12.840 --> 1:54:16.479
<v Speaker 1>if you appreciate this culture, you put your all into it,

1:54:17.760 --> 1:54:21.520
<v Speaker 1>things like this will happen. We we come from situations

1:54:21.560 --> 1:54:27.439
<v Speaker 1>where we made to feel like something's wrong with us

1:54:28.479 --> 1:54:33.000
<v Speaker 1>if we aspire outside of what the hood supposedly represent.

1:54:34.720 --> 1:54:37.400
<v Speaker 1>And this is why jay Z is such an important

1:54:37.480 --> 1:54:42.240
<v Speaker 1>artist and human being. It's because he break the barriers constantly,

1:54:43.000 --> 1:54:48.560
<v Speaker 1>and he involved all of us in it. He makes

1:54:48.560 --> 1:54:51.040
<v Speaker 1>sure that all of us, at least two people where

1:54:51.080 --> 1:54:53.360
<v Speaker 1>he comes from. He makes sure all of us, uh

1:54:53.480 --> 1:54:54.840
<v Speaker 1>see a part of it, in a piece of it,

1:54:55.200 --> 1:54:57.320
<v Speaker 1>even whether whether or not you're in business with him,

1:54:57.920 --> 1:55:00.160
<v Speaker 1>through the way he's making his moves. You know what

1:55:00.160 --> 1:55:02.800
<v Speaker 1>I'm saying and what I was saying earlier about conscious artists.

1:55:03.280 --> 1:55:05.520
<v Speaker 1>I can't grow no hair now. Back when I was

1:55:05.560 --> 1:55:08.760
<v Speaker 1>a teenager. When I was a teenager, I had dreads.

1:55:09.360 --> 1:55:14.840
<v Speaker 1>My dreads looked like John uh Michelle Bascott's hope looking

1:55:14.880 --> 1:55:18.240
<v Speaker 1>like I've seen Kodak Black and shout out to Kodak

1:55:18.280 --> 1:55:21.320
<v Speaker 1>Black because he's a Florida artist. I've seen him saying

1:55:21.320 --> 1:55:24.480
<v Speaker 1>that jay Z was copying his hairstyle. That's that's some

1:55:24.560 --> 1:55:28.080
<v Speaker 1>young boys ship. He just never seen that. Scott. Yeah,

1:55:28.240 --> 1:55:31.600
<v Speaker 1>because jay Z is copying Baskett. I love I love

1:55:31.680 --> 1:55:38.600
<v Speaker 1>how you pronouncing it right. Because I can't. I got

1:55:38.680 --> 1:55:48.040
<v Speaker 1>Fred for real, I'm sure beyond you know. But even

1:55:48.040 --> 1:55:49.800
<v Speaker 1>though all the time, even if Kodak Black is a

1:55:49.840 --> 1:55:52.960
<v Speaker 1>little misguided with his with his historical references as far

1:55:53.000 --> 1:55:54.960
<v Speaker 1>as coming here, the fact that he grew his hair

1:55:55.040 --> 1:55:58.160
<v Speaker 1>out like that is revolutionary. The fact that Scott did

1:55:58.240 --> 1:56:00.720
<v Speaker 1>that is revolutionary. The fact that Jay's when I see

1:56:00.800 --> 1:56:02.320
<v Speaker 1>j Z, I'm like, That's how my hair looked when

1:56:02.320 --> 1:56:04.480
<v Speaker 1>I was in high school, know what I'm saying. And

1:56:04.560 --> 1:56:07.240
<v Speaker 1>it's like it all comes from circles. Like I'm like, yo,

1:56:07.320 --> 1:56:09.280
<v Speaker 1>that's what we're supposed to be. So we're supposed to

1:56:09.320 --> 1:56:12.680
<v Speaker 1>be free. We're supposed to be embracing our our our

1:56:12.760 --> 1:56:15.520
<v Speaker 1>blackness or whatever you are. And it was like, we're

1:56:15.520 --> 1:56:18.760
<v Speaker 1>supposed to embrace it and be free. And um, I

1:56:18.880 --> 1:56:20.800
<v Speaker 1>just love the freedom and the fact that his freedom

1:56:21.160 --> 1:56:25.560
<v Speaker 1>has led to him being and a Stuti businessman. We

1:56:25.640 --> 1:56:28.320
<v Speaker 1>can now we could do this business, he could do

1:56:28.440 --> 1:56:31.000
<v Speaker 1>this type of business, and him and his wife and

1:56:31.120 --> 1:56:34.920
<v Speaker 1>his family could do conscious art and still contribute to

1:56:34.960 --> 1:56:37.960
<v Speaker 1>conscious causes and still win awards and all that. Beyonce

1:56:38.080 --> 1:56:40.400
<v Speaker 1>the most winning this artists of all time and the

1:56:40.440 --> 1:56:54.800
<v Speaker 1>Grammys or whatever. Um, how about you Diamond Nah to

1:56:54.880 --> 1:56:58.920
<v Speaker 1>see the culture come from black and brown people having

1:56:58.960 --> 1:57:02.320
<v Speaker 1>block parties, plugging the equipment up to the lamp post

1:57:04.320 --> 1:57:07.880
<v Speaker 1>to something that jay Z just did d J D

1:57:08.080 --> 1:57:17.040
<v Speaker 1>Nice in a Ford truck commercial. Not no way, sneakers,

1:57:18.840 --> 1:57:22.760
<v Speaker 1>no way to test them out though, you know, to

1:57:22.880 --> 1:57:28.080
<v Speaker 1>to the culture that we started. So yeah, it's crazy. Yeah, man,

1:57:28.560 --> 1:57:30.840
<v Speaker 1>you know what on that note list in this and say,

1:57:30.920 --> 1:57:34.080
<v Speaker 1>you know what, God blessed hip hop. It's blessed everyone

1:57:34.240 --> 1:57:38.680
<v Speaker 1>in this room to a certain extent. Um. Like I said, man,

1:57:38.800 --> 1:57:43.040
<v Speaker 1>one of the keep watching this documentaries and I think

1:57:43.080 --> 1:57:46.480
<v Speaker 1>that that's one of the most um slept on hip

1:57:46.520 --> 1:57:49.160
<v Speaker 1>hop tool is the hip hop documentaries. Like we all.

1:57:49.440 --> 1:57:52.320
<v Speaker 1>You know what I love about documentaries is it's like

1:57:52.400 --> 1:57:54.720
<v Speaker 1>you know, you ever watched the HBO fights. You know,

1:57:54.800 --> 1:57:58.120
<v Speaker 1>they make sure everybody has a story. You understand. I'm saying, like,

1:57:58.800 --> 1:58:01.360
<v Speaker 1>and that's what the documentaries is. And I'm excited to

1:58:01.520 --> 1:58:03.840
<v Speaker 1>hear about this Black Star documentary. I'm excited to hear

1:58:03.880 --> 1:58:06.280
<v Speaker 1>about you guys when when it's got them out one

1:58:06.960 --> 1:58:13.120
<v Speaker 1>April's I'll try to put this out that we could

1:58:14.040 --> 1:58:16.680
<v Speaker 1>which so we can help with the promotion. But overall man,

1:58:16.760 --> 1:58:18.440
<v Speaker 1>thank you brothers for taking your time. I have to

1:58:18.480 --> 1:58:20.320
<v Speaker 1>come with us and get drunk and have some drinks.

1:58:20.480 --> 1:58:22.840
<v Speaker 1>We're gonna do some drops and some all pictures and

1:58:23.000 --> 1:58:33.920
<v Speaker 1>we got this. Thanks for joining us for another episode

1:58:33.960 --> 1:58:36.360
<v Speaker 1>of Drink Champs hosted by yours truly, d J e

1:58:36.520 --> 1:58:38.880
<v Speaker 1>F and n O r E. Please make sure to

1:58:38.920 --> 1:58:41.440
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