1
00:00:00,080 --> 00:00:02,480
Speaker 1: Welcome to Drink Champs, the production of the Black Effect

2
00:00:02,520 --> 00:00:17,800
Speaker 1: and I Heart Radio and it's Drink Chess, motherfucking podcast. Mason,

3
00:00:18,720 --> 00:00:21,760
Speaker 1: he's a legendary Queen's rapper. He's like it is your

4
00:00:21,760 --> 00:00:25,360
Speaker 1: boy in r He's a Miami hippop pioneer. Up is

5
00:00:25,440 --> 00:00:28,080
Speaker 1: DJ e f N. Together they drink it up with

6
00:00:28,120 --> 00:00:33,280
Speaker 1: some of the biggest players in the most professional unprofessional podcast.

7
00:00:33,440 --> 00:00:37,120
Speaker 1: And you're number one sorts for drunk drinks. Mother. Every

8
00:00:37,200 --> 00:00:41,200
Speaker 1: day is New Year's e time for Drink Champs. Drink

9
00:00:41,320 --> 00:00:49,960
Speaker 1: up the mother. Would it could be Hopeully what it

10
00:00:49,960 --> 00:00:52,199
Speaker 1: should be? It's your boy and what up is d

11
00:00:52,320 --> 00:00:54,480
Speaker 1: J e f N? And this drink chats motherfucker? Yea,

12
00:00:54,560 --> 00:01:00,000
Speaker 1: y'all would makes up load? Now right now, I guess

13
00:01:00,120 --> 00:01:06,000
Speaker 1: we got one of the most legendary producers of all times,

14
00:01:06,680 --> 00:01:10,039
Speaker 1: part of one of the alliest groups ever to come

15
00:01:10,040 --> 00:01:12,480
Speaker 1: out of the Bronx, come out of New York City,

16
00:01:12,480 --> 00:01:15,520
Speaker 1: to come out of the world. D I motherfucking TC.

17
00:01:16,640 --> 00:01:19,720
Speaker 1: The man is a legend upon legends, and he's keeping

18
00:01:19,720 --> 00:01:22,840
Speaker 1: then coming out here to promoter album. That's one of them.

19
00:01:23,000 --> 00:01:27,800
Speaker 1: The other one is one of my favorite raptivists, activists, raptivists,

20
00:01:27,800 --> 00:01:31,360
Speaker 1: whatever we call him. He's very positive. Brother. We got

21
00:01:31,440 --> 00:01:39,320
Speaker 1: to talk about the time we had Russell Simmons on. Yeah,

22
00:01:39,920 --> 00:01:42,160
Speaker 1: we didn't release the episode, so we don't got you know,

23
00:01:42,200 --> 00:01:44,039
Speaker 1: I can get these brothers solver long. But I want

24
00:01:44,080 --> 00:01:45,920
Speaker 1: to get straight into the interview case people don't know

25
00:01:45,920 --> 00:01:53,200
Speaker 1: what we're talking about. My motherfucking David d Now, first

26
00:01:53,200 --> 00:01:59,040
Speaker 1: of all, let's let's address um uh you guys have

27
00:01:59,040 --> 00:02:02,800
Speaker 1: album together. Let's rest the elephant in the room. Yes, yes, yes, okay, Um, Well,

28
00:02:02,840 --> 00:02:05,000
Speaker 1: first of all, I love the intro that you gave

29
00:02:05,040 --> 00:02:07,920
Speaker 1: the O G. Diamond. Obviously he's a legend in the game.

30
00:02:08,400 --> 00:02:12,359
Speaker 1: Um Me and Diamond dmon working together on his last

31
00:02:12,400 --> 00:02:15,280
Speaker 1: couple of albums to die Piece albums, and so we

32
00:02:15,360 --> 00:02:17,400
Speaker 1: have a great working relationship. He's one of the first,

33
00:02:17,680 --> 00:02:21,200
Speaker 1: uh known on you know, a famous artist to get

34
00:02:21,240 --> 00:02:23,760
Speaker 1: to sort of take me under his wing. And so

35
00:02:23,840 --> 00:02:26,519
Speaker 1: when he did my show, People's Party, he has sent

36
00:02:26,600 --> 00:02:29,000
Speaker 1: me a bunch of tracks and to show him some

37
00:02:29,040 --> 00:02:31,400
Speaker 1: love and respect, I just bust on all of them.

38
00:02:31,440 --> 00:02:33,880
Speaker 1: I was like, we just wrap on every track and

39
00:02:33,919 --> 00:02:35,600
Speaker 1: the next he flew in down the next day and

40
00:02:35,639 --> 00:02:37,120
Speaker 1: I played it for him, But I didn't realize it

41
00:02:37,200 --> 00:02:39,000
Speaker 1: was the making of an album until I've seen this

42
00:02:39,120 --> 00:02:42,919
Speaker 1: response to wait making an album. Yeah, something like ten

43
00:02:43,120 --> 00:02:48,320
Speaker 1: joints and no, we're not we're not, we're not. Watch

44
00:02:50,560 --> 00:02:53,000
Speaker 1: So I was like, yo, you know, um, how many

45
00:02:53,080 --> 00:02:54,480
Speaker 1: how many of you did you know? I think he

46
00:02:54,560 --> 00:02:56,240
Speaker 1: did like one of two. He's like, nah, I did

47
00:02:56,280 --> 00:02:58,480
Speaker 1: like like eight and nine of them, you know what

48
00:02:58,480 --> 00:03:00,399
Speaker 1: I mean? So that more or less just lay into

49
00:03:00,400 --> 00:03:02,280
Speaker 1: the album, because that's how is that how you usually

50
00:03:02,320 --> 00:03:04,280
Speaker 1: send beats? You sending beats and like boats like that,

51
00:03:04,320 --> 00:03:07,720
Speaker 1: tens and pins because I get confused. I need like

52
00:03:07,760 --> 00:03:09,280
Speaker 1: two beats at a time. If you send me to

53
00:03:11,400 --> 00:03:16,160
Speaker 1: you sent me, I like down, So how did you

54
00:03:16,320 --> 00:03:18,560
Speaker 1: able to prosper through that and get uh and we

55
00:03:18,639 --> 00:03:21,119
Speaker 1: going like eight or nine? I mean it's different producers.

56
00:03:21,160 --> 00:03:23,280
Speaker 1: That's just some producers who like, you need to come

57
00:03:23,280 --> 00:03:25,560
Speaker 1: to my studio and work with me. That some producers

58
00:03:25,560 --> 00:03:27,360
Speaker 1: that only send you the one they want you to

59
00:03:27,400 --> 00:03:29,600
Speaker 1: wrap on. Some producers to send you a pack. You know,

60
00:03:29,639 --> 00:03:31,639
Speaker 1: I work with mad Live a lot. You might get

61
00:03:31,639 --> 00:03:35,560
Speaker 1: a pack from him for like two beats, like keep

62
00:03:35,600 --> 00:03:37,880
Speaker 1: making like seven beats a minute, Like what I'm saying,

63
00:03:37,880 --> 00:03:40,640
Speaker 1: I'll be confused, but I appreciate the love the Diamond

64
00:03:40,680 --> 00:03:42,880
Speaker 1: showing me because I know for a fact the caliber

65
00:03:42,920 --> 00:03:44,800
Speaker 1: of of how he produced it. I know for a

66
00:03:44,800 --> 00:03:48,360
Speaker 1: fact he ain't sending everybody ten beats or twelve beats.

67
00:03:48,600 --> 00:03:50,840
Speaker 1: I know that I have to reach a certain elite

68
00:03:50,880 --> 00:03:53,720
Speaker 1: status for him to even trust me to even you

69
00:03:53,720 --> 00:03:56,600
Speaker 1: know what I'm saying, to not take advantage of You know,

70
00:03:56,760 --> 00:03:58,440
Speaker 1: sometimes you send people that that in my beats they

71
00:03:58,480 --> 00:04:00,200
Speaker 1: make their own alum these days, and Nigga make down

72
00:04:00,240 --> 00:04:02,400
Speaker 1: album and put it out right before you even knew

73
00:04:02,400 --> 00:04:05,720
Speaker 1: he did it. I imagine it's weird to send beach

74
00:04:05,760 --> 00:04:08,000
Speaker 1: from the era that that that you're coming from. To

75
00:04:08,160 --> 00:04:11,119
Speaker 1: send beach to people must still be weird, I would imagine,

76
00:04:11,680 --> 00:04:15,640
Speaker 1: I mean not at this point, definitely, definitely, because there's

77
00:04:15,640 --> 00:04:18,200
Speaker 1: nothing like working with the artists in the course, you know,

78
00:04:18,440 --> 00:04:20,400
Speaker 1: before the internet, you have to actually sit down with

79
00:04:20,400 --> 00:04:22,799
Speaker 1: the artists, right, you know what I mean, or contact

80
00:04:22,800 --> 00:04:25,400
Speaker 1: they managed me. I like that erraw better, like I

81
00:04:25,440 --> 00:04:28,160
Speaker 1: always love the error when you know you couldn't send

82
00:04:28,160 --> 00:04:30,360
Speaker 1: your rail, you have to go with record on the rail.

83
00:04:30,560 --> 00:04:33,919
Speaker 1: Is that why people always credit like the nineties and

84
00:04:33,920 --> 00:04:36,880
Speaker 1: the eighties. That for it being better music than it's

85
00:04:36,880 --> 00:04:39,040
Speaker 1: happening right now is because we actually you couldn't get

86
00:04:39,040 --> 00:04:42,880
Speaker 1: a Buster Rhymes verse sitting to you go in there. Yeah,

87
00:04:43,480 --> 00:04:46,000
Speaker 1: the producer in the MC by the way right now

88
00:04:46,080 --> 00:04:49,120
Speaker 1: as we speak, right now on Ebro showing Apple their

89
00:04:49,200 --> 00:04:52,880
Speaker 1: debut in a single from Gotham album featuring Buster Rhymes.

90
00:04:53,279 --> 00:04:59,600
Speaker 1: Why one, That's what I mean, y'all. Gotham the dedication

91
00:04:59,600 --> 00:05:02,120
Speaker 1: with me or see now, now you've been out there

92
00:05:02,120 --> 00:05:05,840
Speaker 1: with Dave Chappelle catching COVID and all that, I feel

93
00:05:05,839 --> 00:05:07,280
Speaker 1: like I might be the cure. I'm the only one

94
00:05:07,320 --> 00:05:13,920
Speaker 1: in the crew too. She was not. I think her

95
00:05:13,920 --> 00:05:16,320
Speaker 1: people's got it. I was dead at night. They don't

96
00:05:16,360 --> 00:05:18,600
Speaker 1: went to karaoke by the way. You see. I got

97
00:05:18,640 --> 00:05:21,520
Speaker 1: my DJ collegue colda college colde off that I bought,

98
00:05:21,560 --> 00:05:28,240
Speaker 1: by the way, that I bought from the store. But yeah, well,

99
00:05:28,279 --> 00:05:30,240
Speaker 1: I had to say because when I'm on the way here,

100
00:05:30,680 --> 00:05:33,640
Speaker 1: I told Fat Joe, I said, I'm interviewing uh diamond

101
00:05:33,680 --> 00:05:36,359
Speaker 1: D and Tyler Quality, And he said, diamond D is

102
00:05:36,400 --> 00:05:39,440
Speaker 1: literally the person who it's the nexest thing I ever

103
00:05:39,520 --> 00:05:41,600
Speaker 1: heard of her Flat Joe, I ever said about anybody, anybody,

104
00:05:41,680 --> 00:05:44,279
Speaker 1: he said, he said, you know, if it wasn't for you,

105
00:05:44,279 --> 00:05:46,839
Speaker 1: he said, he literally came to you, literally came to

106
00:05:46,920 --> 00:05:48,920
Speaker 1: him and said, you gotta rap, get the funk out

107
00:05:48,920 --> 00:06:01,920
Speaker 1: of the streets. Yeah, yeah, yeah, sense What up? What up? Joe?

108
00:06:02,040 --> 00:06:10,960
Speaker 1: What up? Joe crackty? What's up from? How are you feeling? Oh?

109
00:06:11,040 --> 00:06:23,520
Speaker 1: That's beautiful? Bro? Birthday? Domond d saved my life and

110
00:06:24,680 --> 00:06:27,039
Speaker 1: we knew each other since kids, and Dinmond told me

111
00:06:27,080 --> 00:06:30,479
Speaker 1: one day, Joe, Joe, every time you're doing the streets,

112
00:06:30,480 --> 00:06:32,240
Speaker 1: you gotta put it in the rats. I know you

113
00:06:32,320 --> 00:06:35,120
Speaker 1: like the rat or you're gonna die out here, You're

114
00:06:35,120 --> 00:06:37,640
Speaker 1: gonna go to jail. And if it wasn't for that

115
00:06:37,760 --> 00:06:41,120
Speaker 1: speech he gave me, I never would have really took

116
00:06:41,200 --> 00:06:45,839
Speaker 1: rap serious and never would have rat. That's real, Joe,

117
00:06:45,880 --> 00:06:50,159
Speaker 1: that's really you know that? Yeah, no doubt, no doubt.

118
00:06:50,839 --> 00:06:55,160
Speaker 1: I'll give you a cool a players you know. What's up? D.

119
00:06:55,320 --> 00:06:58,000
Speaker 1: I love you to death, y'all feel like to beat

120
00:06:58,000 --> 00:07:03,480
Speaker 1: from Bendy showing about to come on right now? All right,

121
00:07:03,520 --> 00:07:10,240
Speaker 1: my brother, we love you so much, Thank you so much. Well, look, yeah,

122
00:07:10,200 --> 00:07:12,400
Speaker 1: I'm so so I would like to I would like

123
00:07:12,560 --> 00:07:14,920
Speaker 1: because it literally was just like that. I literally jumped

124
00:07:14,920 --> 00:07:17,760
Speaker 1: in the car. Um. He called me for one of

125
00:07:17,800 --> 00:07:19,800
Speaker 1: his other friends, but I told about got him pistle,

126
00:07:19,840 --> 00:07:23,080
Speaker 1: peep up the pistol pee, Oh, I got you bro

127
00:07:22,240 --> 00:07:25,840
Speaker 1: u uh And I said, you know, it's funny because

128
00:07:25,880 --> 00:07:28,120
Speaker 1: I know the relationship with the sounds like I'm going

129
00:07:28,120 --> 00:07:31,640
Speaker 1: to And he literally said, y'all, that man literally was

130
00:07:31,680 --> 00:07:34,120
Speaker 1: the reason why I started rhyming, like the reason why

131
00:07:34,360 --> 00:07:37,560
Speaker 1: how did you do that? What was going on? He

132
00:07:37,600 --> 00:07:40,240
Speaker 1: was already into hip hop. You know, this is like,

133
00:07:40,440 --> 00:07:45,240
Speaker 1: you know, he was in the streets and his man

134
00:07:45,320 --> 00:07:48,680
Speaker 1: tone arrest the arrest of peace tone, um, the whole

135
00:07:48,840 --> 00:07:52,040
Speaker 1: terror Squad crew back then TS squad but um, like,

136
00:07:52,200 --> 00:07:54,200
Speaker 1: you know, he was already like kind of in it.

137
00:07:54,640 --> 00:07:57,200
Speaker 1: But he saw me doing it. You know, I was

138
00:07:57,240 --> 00:07:59,520
Speaker 1: in a group called Ultimate for us. He saw the

139
00:07:59,560 --> 00:08:01,880
Speaker 1: law for that's doing it. Lord fess, like right in

140
00:08:01,880 --> 00:08:07,760
Speaker 1: the next building, we popped the save bottles over there. Whatever. Relaxed, man,

141
00:08:08,080 --> 00:08:13,080
Speaker 1: It's not just like yeah, so basically just Joe seeing

142
00:08:14,240 --> 00:08:17,480
Speaker 1: people he fuck with, tangible people doing shit, you know

143
00:08:17,520 --> 00:08:19,560
Speaker 1: what I mean? And you know, from the from then on,

144
00:08:19,720 --> 00:08:21,560
Speaker 1: we never looked back. You know we went in there

145
00:08:21,600 --> 00:08:24,800
Speaker 1: we may flow Joe Flow Joe started off as a

146
00:08:24,880 --> 00:08:27,880
Speaker 1: promo for Red Alert and ready with doing the promos

147
00:08:28,840 --> 00:08:30,720
Speaker 1: and it was a just a ready like a free

148
00:08:30,720 --> 00:08:34,760
Speaker 1: stuff for the radio. Uh this hour the Italian real quick.

149
00:08:34,800 --> 00:08:37,840
Speaker 1: Making a long story short. Right at this time Chris

150
00:08:38,000 --> 00:08:42,319
Speaker 1: Litty was managing I was on Violater. No, it was

151
00:08:42,360 --> 00:08:45,679
Speaker 1: a later um and that's and that was the connection

152
00:08:45,760 --> 00:08:49,960
Speaker 1: between Red Alert, myself and Christy and Fat Joe. Ultimately

153
00:08:50,080 --> 00:08:54,000
Speaker 1: Fat Joe wand up signing with Chris like relativity and

154
00:08:56,640 --> 00:08:58,679
Speaker 1: off and running. Since then that makes a noise with

155
00:09:00,720 --> 00:09:04,040
Speaker 1: right forget boy you Daves covid. So let's go, let's

156
00:09:04,040 --> 00:09:06,080
Speaker 1: get back to that. So they are running a type

157
00:09:06,080 --> 00:09:10,880
Speaker 1: ship over there. Then he came out to the tested before. Yeah,

158
00:09:11,000 --> 00:09:13,560
Speaker 1: and then so so what so what what because people

159
00:09:13,600 --> 00:09:17,040
Speaker 1: that didn't know because I just have Instagram, right, I

160
00:09:17,080 --> 00:09:22,240
Speaker 1: didn't get invited, so you gotta y'all gotta invite did

161
00:09:22,320 --> 00:09:24,200
Speaker 1: tell me? But I just that's one of the people

162
00:09:24,200 --> 00:09:29,160
Speaker 1: to feel good. So so what is this a comedy show?

163
00:09:29,280 --> 00:09:31,120
Speaker 1: And then he brings you guys out to do some

164
00:09:31,280 --> 00:09:35,000
Speaker 1: songs or yeah, well basically this summer um he is

165
00:09:35,040 --> 00:09:37,560
Speaker 1: a neighbor, his man Steve out there in Yellow Springs,

166
00:09:37,600 --> 00:09:40,680
Speaker 1: who had this pavilion. And you know, I've known Steve

167
00:09:40,760 --> 00:09:43,200
Speaker 1: for why. I remember with Steve brought the pavilion, nobody

168
00:09:43,280 --> 00:09:45,559
Speaker 1: knew what he wanted to use it for what provision.

169
00:09:45,960 --> 00:09:51,319
Speaker 1: It's like a outdoor structure and like a c like

170
00:09:51,440 --> 00:09:53,120
Speaker 1: children in the corn He owned all the children on

171
00:09:53,240 --> 00:09:56,200
Speaker 1: the cornfield space for his payment, his people to hang out.

172
00:09:56,440 --> 00:09:58,560
Speaker 1: I had going to a birthday party Dave had thrown.

173
00:09:58,760 --> 00:10:00,599
Speaker 1: They're doing Dave ber the party for a day of

174
00:10:00,640 --> 00:10:02,760
Speaker 1: the year before. It's a nice space for people to

175
00:10:02,840 --> 00:10:06,720
Speaker 1: hang out. When the pandemic happened, Dave got the idea too.

176
00:10:07,840 --> 00:10:10,599
Speaker 1: Michelle Wolf is comedian who was staying that that's the

177
00:10:10,760 --> 00:10:12,720
Speaker 1: that's the lady that run ten miles a day. That's right,

178
00:10:13,360 --> 00:10:19,079
Speaker 1: That's right, Michelle's Michelle was out there. Danielle Rollins is

179
00:10:19,120 --> 00:10:22,160
Speaker 1: always out there, so they say, yeah, actual Larry Mommer

180
00:10:22,240 --> 00:10:24,800
Speaker 1: is always out there today, like let's um, let's tell

181
00:10:24,840 --> 00:10:26,760
Speaker 1: some jokes in the cornfield. Will set up the chairs

182
00:10:26,800 --> 00:10:30,599
Speaker 1: with socially distance. We will test the audience so it

183
00:10:30,640 --> 00:10:32,280
Speaker 1: could come in. I think it started. It's weird for

184
00:10:32,320 --> 00:10:34,599
Speaker 1: black people to be in cornfields and we want to

185
00:10:34,640 --> 00:10:39,160
Speaker 1: be that's right to tell. People had a meetings. They

186
00:10:39,200 --> 00:10:41,400
Speaker 1: tried to get a shut down, but Dave would listening

187
00:10:41,559 --> 00:10:43,599
Speaker 1: on the city council meeting to listen to what the

188
00:10:43,640 --> 00:10:45,520
Speaker 1: town people would say, you know what I'm saying, and

189
00:10:45,559 --> 00:10:47,760
Speaker 1: then they would make jokes about you know what she

190
00:10:48,080 --> 00:10:50,880
Speaker 1: is about. The situation is that's the first time that

191
00:10:51,200 --> 00:10:54,800
Speaker 1: you understand that Hollywood could exist anywhere. That's what he

192
00:10:54,880 --> 00:10:57,320
Speaker 1: kept saying. He kept saying that l A. He said

193
00:10:57,440 --> 00:10:59,760
Speaker 1: l A is dead. Hollywood is dead. From now on,

194
00:11:00,000 --> 00:11:02,000
Speaker 1: they gotta come to week where we at. So if

195
00:11:02,040 --> 00:11:07,480
Speaker 1: I say that, I actually that's that's actually happening right now.

196
00:11:10,000 --> 00:11:12,959
Speaker 1: So right now Joe Rogan left and went to Austin

197
00:11:13,120 --> 00:11:16,240
Speaker 1: Davis in Austin right now with Joe Rogan. They're doing

198
00:11:16,240 --> 00:11:18,640
Speaker 1: shows together. Yeah, and then they're gonna be in Houston

199
00:11:18,720 --> 00:11:21,680
Speaker 1: next week. You know. But that's what That's what David

200
00:11:22,360 --> 00:11:25,319
Speaker 1: Young Town, Ohio. What is it? Yellow springs? Yellow springs

201
00:11:26,200 --> 00:11:30,960
Speaker 1: right where it's fish in the river, Yeah, Diamond. When

202
00:11:31,080 --> 00:11:34,679
Speaker 1: kayak and when Niko is is kayak and that's when

203
00:11:34,679 --> 00:11:42,040
Speaker 1: you're going out there with some fresh try we try

204
00:11:42,080 --> 00:11:44,160
Speaker 1: to take side of baby Kayak, and he was like, wait,

205
00:11:44,280 --> 00:11:45,599
Speaker 1: that's a ship, y'all gott to move to ship with

206
00:11:45,679 --> 00:11:48,680
Speaker 1: your with yourself. You gotta moving both with your motor

207
00:11:48,760 --> 00:11:56,240
Speaker 1: no motor, right, yeah. So right, we just read today

208
00:11:56,360 --> 00:12:01,720
Speaker 1: that Kanye it's worth six point six million billion billi billion,

209
00:12:02,280 --> 00:12:05,600
Speaker 1: which actually and now I'm assuming that's this net worth,

210
00:12:06,800 --> 00:12:09,400
Speaker 1: right yeah, and they actually saying that he's the richest

211
00:12:09,920 --> 00:12:12,959
Speaker 1: black man in the US and in history of US.

212
00:12:13,360 --> 00:12:15,760
Speaker 1: That's what let's keep it. Let's get as some context though,

213
00:12:15,760 --> 00:12:19,319
Speaker 1: it's about seventeen hundred billionaires on the planet Earth, only

214
00:12:19,360 --> 00:12:21,800
Speaker 1: about twelve thirteen of them are black, and most of

215
00:12:21,840 --> 00:12:24,640
Speaker 1: the black ones is entertainers, even though we're the majority

216
00:12:24,679 --> 00:12:29,199
Speaker 1: on the planet. That's racism. That's like generational wealth racism.

217
00:12:29,440 --> 00:12:31,760
Speaker 1: And I'm saying this is way more black. So we're

218
00:12:31,760 --> 00:12:33,800
Speaker 1: happy for Kanye and jay Z and on him. But

219
00:12:34,160 --> 00:12:37,920
Speaker 1: the fact that the seventeen hundred only twelve black, that's crazy.

220
00:12:38,040 --> 00:12:41,079
Speaker 1: That that's crazy. But um, they're staying on Kanye for

221
00:12:41,120 --> 00:12:44,920
Speaker 1: a second. Do you think that is he talk about

222
00:12:44,960 --> 00:12:47,719
Speaker 1: still can you still talk to somebody like when you

223
00:12:47,800 --> 00:12:55,240
Speaker 1: were six point six million like at this point that

224
00:12:55,400 --> 00:12:57,400
Speaker 1: that's that's a very interesting point, because the fact is

225
00:12:57,480 --> 00:13:00,400
Speaker 1: you're breathing very rare air and only certain people are

226
00:13:00,440 --> 00:13:02,920
Speaker 1: able to exist in that stratosphere. It's almost like being

227
00:13:02,960 --> 00:13:05,520
Speaker 1: out of space. The reason why Dave Chappelle is so interested,

228
00:13:05,760 --> 00:13:07,280
Speaker 1: I don't think he's a billionaire. I don't want to

229
00:13:07,280 --> 00:13:09,520
Speaker 1: discuss too much of his finances. Everybody knows he gets

230
00:13:09,559 --> 00:13:11,640
Speaker 1: his bread, and so the reason why he's so interesting

231
00:13:11,720 --> 00:13:14,360
Speaker 1: is because he's able to get that amount of bread

232
00:13:14,600 --> 00:13:16,679
Speaker 1: but still seem like one of us, and he's the

233
00:13:16,760 --> 00:13:20,679
Speaker 1: exception to the rule. Kanye I talked with him about

234
00:13:20,760 --> 00:13:25,360
Speaker 1: that Trump stuff and all that stuff and isn't that Yeah,

235
00:13:25,559 --> 00:13:28,320
Speaker 1: we talked about it with their presidence here. And what's

236
00:13:28,320 --> 00:13:31,160
Speaker 1: interesting about Kanye is it's like you said, it's hard

237
00:13:31,240 --> 00:13:33,960
Speaker 1: to talk to someone a self made man, self made

238
00:13:34,000 --> 00:13:35,599
Speaker 1: from the bottom. I don't even think jay Z. I

239
00:13:35,640 --> 00:13:37,640
Speaker 1: don't think it take jay Z advice at this point. Yeah,

240
00:13:37,760 --> 00:13:40,280
Speaker 1: who's who'll tell him what to do? But it's hard

241
00:13:40,320 --> 00:13:42,440
Speaker 1: to trust people too when you got that kind of bread.

242
00:13:43,600 --> 00:13:46,559
Speaker 1: I've never take advice from a marriage counselor they've never

243
00:13:46,640 --> 00:13:51,160
Speaker 1: been married, makes sense, and they can give you the

244
00:13:51,240 --> 00:13:54,199
Speaker 1: best advice ever. Like you know, you know sometimes you

245
00:13:54,280 --> 00:13:57,240
Speaker 1: know that's the best knowledge. Is the drunk from the

246
00:13:57,320 --> 00:14:00,480
Speaker 1: hood that's going to block he gonna get drink, drink,

247
00:14:00,800 --> 00:14:03,679
Speaker 1: give you some of the Master. He just don't got

248
00:14:03,760 --> 00:14:06,160
Speaker 1: his owner for him a s they love himself, But

249
00:14:06,480 --> 00:14:08,960
Speaker 1: don't overlook that that that wise man, there's a drunk

250
00:14:09,000 --> 00:14:11,079
Speaker 1: that's gonna They're gonna hit you with some math to

251
00:14:11,120 --> 00:14:13,599
Speaker 1: matters that makes sense. It just didn't make sense for

252
00:14:13,760 --> 00:14:16,920
Speaker 1: his life. But we're seeing that diamond right, knowing that

253
00:14:17,040 --> 00:14:18,839
Speaker 1: the music business and how it was back then, and

254
00:14:18,880 --> 00:14:21,880
Speaker 1: seeing Dave Chappelle going or make make his his his

255
00:14:22,160 --> 00:14:24,760
Speaker 1: his plot for like like I thought, we did that

256
00:14:24,840 --> 00:14:26,960
Speaker 1: for they last sol when they last so came up here.

257
00:14:27,160 --> 00:14:29,440
Speaker 1: We told Tom Sylvan, this is the right time to

258
00:14:29,520 --> 00:14:31,920
Speaker 1: do the thing. All these old white men is, you know,

259
00:14:32,040 --> 00:14:35,080
Speaker 1: looked at his masters and even owning a thing called

260
00:14:35,120 --> 00:14:38,120
Speaker 1: the Master. How did you you've seen that Dave Chappelle

261
00:14:38,120 --> 00:14:40,880
Speaker 1: took that stairs and Netflix took the standard they did

262
00:14:41,760 --> 00:14:44,320
Speaker 1: and then actually gave him back his rights or whatever

263
00:14:44,760 --> 00:14:48,080
Speaker 1: it was worked up took hibout Comedy Central Comedy said, yeah,

264
00:14:48,080 --> 00:14:49,480
Speaker 1: I mean it was the only right they did that,

265
00:14:49,720 --> 00:14:52,640
Speaker 1: you know what I mean? It was his ship you know,

266
00:14:52,880 --> 00:14:54,560
Speaker 1: like you know, you know, from the way it got

267
00:14:54,640 --> 00:14:57,640
Speaker 1: to me to quality was that the people who were

268
00:14:57,680 --> 00:14:59,960
Speaker 1: there in the nineties, they're not there. You gotta hope

269
00:15:00,000 --> 00:15:01,400
Speaker 1: a whole bunch of young people up there and then

270
00:15:02,080 --> 00:15:03,720
Speaker 1: and they just wanted to do the right thing. But

271
00:15:04,160 --> 00:15:05,800
Speaker 1: you know what I mean, so that they game back

272
00:15:05,880 --> 00:15:09,600
Speaker 1: his name, the show, they paid him some blood, the

273
00:15:09,760 --> 00:15:12,280
Speaker 1: name the Dave Chappelle's show they did. Now he owned him.

274
00:15:12,400 --> 00:15:15,200
Speaker 1: That's crazy. That was the whole thing they own own. No,

275
00:15:15,800 --> 00:15:18,920
Speaker 1: that's why I was drunk. That's kind of in the

276
00:15:19,000 --> 00:15:21,800
Speaker 1: music business. A lot of probably don't even own their name.

277
00:15:22,160 --> 00:15:24,760
Speaker 1: But my thing, my good thing is they didn't really

278
00:15:24,800 --> 00:15:26,760
Speaker 1: give a funk about me then because they spelled it wrong.

279
00:15:27,200 --> 00:15:28,880
Speaker 1: That's why I spelled it in R E A E

280
00:15:29,080 --> 00:15:32,280
Speaker 1: A G A said I. They just wanted, like the

281
00:15:32,320 --> 00:15:34,640
Speaker 1: real dictator. Come on, I'm looking for me being smart.

282
00:15:37,560 --> 00:15:43,720
Speaker 1: Ships you say, likeness, your likeness and your universe and

283
00:15:44,640 --> 00:15:49,320
Speaker 1: that ship don't make no ships. That's colonizer ship. I

284
00:15:49,400 --> 00:15:51,440
Speaker 1: was trying to own somebody's soul and on their own life.

285
00:15:51,480 --> 00:15:56,080
Speaker 1: The slavery. This is independent. I don't got to ask that. Yeah,

286
00:15:56,160 --> 00:15:58,560
Speaker 1: we did, partner, you got Diamond Mind because I got

287
00:15:58,760 --> 00:16:02,520
Speaker 1: uh the media we partnered with in Gruse distribution, but

288
00:16:02,680 --> 00:16:08,480
Speaker 1: we owned the master. That's oz. Okay, they've been around

289
00:16:08,480 --> 00:16:17,080
Speaker 1: for a whiles, Okay, okay, right and um all right?

290
00:16:17,440 --> 00:16:21,400
Speaker 1: How many records on this album? What is it? Okay,

291
00:16:21,480 --> 00:16:23,320
Speaker 1: I'm keeping it back to old and we got we

292
00:16:23,400 --> 00:16:26,480
Speaker 1: got sky Do on it. We got uh who was

293
00:16:26,560 --> 00:16:29,280
Speaker 1: not read all day on it? Bust the rhymes, John

294
00:16:29,360 --> 00:16:32,600
Speaker 1: Forte Nico is right, you ain't got none of the

295
00:16:32,680 --> 00:16:35,600
Speaker 1: new generation, none of them new niggas on that. What

296
00:16:35,760 --> 00:16:37,720
Speaker 1: is The album is called God because it's dedication to

297
00:16:38,320 --> 00:16:41,280
Speaker 1: not just New York, but old New York, particularly after

298
00:16:41,360 --> 00:16:43,480
Speaker 1: the pandemic. New York is different right now. So it's like,

299
00:16:43,760 --> 00:16:45,880
Speaker 1: I'm glad that we got it in before the pandemic.

300
00:16:45,960 --> 00:16:48,000
Speaker 1: This is about the New York I grew up this

301
00:16:48,200 --> 00:16:51,320
Speaker 1: this album was done. It was I listened to Cuban

302
00:16:51,400 --> 00:16:54,200
Speaker 1: Links for hours before I did this album. I listened

303
00:16:54,200 --> 00:16:57,200
Speaker 1: to Diamonds Catalog for hours before into this album because

304
00:16:57,200 --> 00:16:59,920
Speaker 1: I wanted, Yeah, I like the way to Ray and Ghost,

305
00:17:00,240 --> 00:17:02,760
Speaker 1: how the voices was different. So you listen to this album,

306
00:17:02,840 --> 00:17:05,439
Speaker 1: you'll notice that one one verse I'm doing in one

307
00:17:05,520 --> 00:17:07,720
Speaker 1: voice another verse. I'm doing another voice, just to have

308
00:17:07,800 --> 00:17:11,919
Speaker 1: their different colors. Um, you know just how I grew up,

309
00:17:11,960 --> 00:17:15,200
Speaker 1: me listening to records in the headphone on the train

310
00:17:15,560 --> 00:17:17,480
Speaker 1: and the error with somebody to see how you dress

311
00:17:17,800 --> 00:17:19,480
Speaker 1: and be like yo, you listen to hip hop and

312
00:17:19,520 --> 00:17:21,720
Speaker 1: they give you a flyer, give you a cassette or

313
00:17:21,760 --> 00:17:23,760
Speaker 1: something like that. That's what I was trying to capture

314
00:17:23,840 --> 00:17:31,679
Speaker 1: with this album. That sound like the came first ryman

315
00:17:31,760 --> 00:17:34,920
Speaker 1: are producing for you, um for the goth novel with

316
00:17:35,000 --> 00:17:39,320
Speaker 1: just for myself yourself in general, the beats. Who I was,

317
00:17:39,480 --> 00:17:41,560
Speaker 1: I was a DJ first. I started at the DJ

318
00:17:41,800 --> 00:17:44,000
Speaker 1: like most producers, you know what I mean. So I

319
00:17:44,040 --> 00:17:45,959
Speaker 1: started at a DJ, and then from there I got

320
00:17:46,000 --> 00:17:49,159
Speaker 1: into production and then you got filled with the n

321
00:17:49,240 --> 00:17:52,119
Speaker 1: C like fucking I'm gonna ryme on this. Well, it

322
00:17:52,280 --> 00:17:54,480
Speaker 1: was it was just gradual, you know what I mean. Like,

323
00:17:54,560 --> 00:17:56,400
Speaker 1: you know, I'm hanging around lawd Fro. That's a lot

324
00:17:57,040 --> 00:18:02,040
Speaker 1: um my man law Fro net Um the Brand New

325
00:18:02,080 --> 00:18:04,000
Speaker 1: Beans when they were recording their first album. So I'm

326
00:18:04,040 --> 00:18:07,000
Speaker 1: around pool By He's on fire, you know what I mean,

327
00:18:07,320 --> 00:18:09,399
Speaker 1: you know, and she just rubbed off, you know, and

328
00:18:09,560 --> 00:18:12,040
Speaker 1: it was a situation opened up. I got off of

329
00:18:12,119 --> 00:18:14,960
Speaker 1: the deal, and I said, okay, I just took the ship.

330
00:18:15,119 --> 00:18:17,840
Speaker 1: But that wasn't the norm back then a producer being

331
00:18:18,280 --> 00:18:22,040
Speaker 1: m C himself and self producing, be like being an

332
00:18:22,160 --> 00:18:24,679
Speaker 1: m C and producing your own album. That was normal

333
00:18:25,080 --> 00:18:27,359
Speaker 1: at that time. No, it wasn't. It was. I mean,

334
00:18:27,520 --> 00:18:29,879
Speaker 1: people was doing it, but you know, not not not

335
00:18:30,040 --> 00:18:33,160
Speaker 1: on a major label. Amos. You had to get signed

336
00:18:33,160 --> 00:18:37,920
Speaker 1: as a rapper first, and you want to grab me right? Yeah?

337
00:18:38,000 --> 00:18:39,680
Speaker 1: For the food? Gis ever make some lunch for that?

338
00:18:42,680 --> 00:18:46,720
Speaker 1: Where did you keep your Grammy at? Um? Well, I

339
00:18:46,840 --> 00:18:49,720
Speaker 1: got the I didn't get the actual statue or if

340
00:18:49,760 --> 00:18:55,600
Speaker 1: I got it, Patrick Moxy probably got. Anyway, you know,

341
00:18:55,920 --> 00:18:57,760
Speaker 1: I got all the plaques and ship. You know, I

342
00:18:57,840 --> 00:19:00,800
Speaker 1: gave my mom one and I got one. Um they

343
00:19:00,880 --> 00:19:03,320
Speaker 1: you know, they give you like like a back and

344
00:19:03,400 --> 00:19:05,400
Speaker 1: not he said, got like like a like a medallion,

345
00:19:05,480 --> 00:19:08,040
Speaker 1: the whole package. But yeah, that was for the that

346
00:19:08,119 --> 00:19:10,840
Speaker 1: was for the song, the score Fuji tracking the school.

347
00:19:12,160 --> 00:19:14,000
Speaker 1: How did they feel when they called you and said

348
00:19:14,000 --> 00:19:15,720
Speaker 1: you want to gram me? Nas? Just want to grammy?

349
00:19:15,720 --> 00:19:18,320
Speaker 1: Took him twenty five years yo? Yeah, yeah, you know

350
00:19:18,440 --> 00:19:24,240
Speaker 1: what part I mean. So it's nice you know what

351
00:19:24,320 --> 00:19:26,600
Speaker 1: I mean. But it don't make or break you. But

352
00:19:26,640 --> 00:19:29,600
Speaker 1: it's all we nice to be appreciated. I mean, you know,

353
00:19:29,720 --> 00:19:32,000
Speaker 1: shouts out to nas You know, he definitely deserved that

354
00:19:32,240 --> 00:19:35,520
Speaker 1: he deserved that he ever cared about the Grammys. Uh, no,

355
00:19:35,720 --> 00:19:37,440
Speaker 1: I give a funk about But you know what's funny

356
00:19:37,440 --> 00:19:43,280
Speaker 1: about this, I'm ting I wanna tell you. I can't

357
00:19:43,280 --> 00:19:49,080
Speaker 1: be the reason you're mad that he wanted to tell

358
00:19:49,080 --> 00:19:52,080
Speaker 1: you my mad want to Grammy because I don't give

359
00:19:52,119 --> 00:19:54,960
Speaker 1: a about the Grammys. And I always used to say

360
00:19:55,520 --> 00:19:58,119
Speaker 1: I'm proud to be in a category of artists that

361
00:19:58,240 --> 00:20:02,680
Speaker 1: didn't win a Grammy like na Us, Like don't I

362
00:20:02,760 --> 00:20:14,280
Speaker 1: can't say this day hasn't gone an down with the

363
00:20:16,359 --> 00:20:22,080
Speaker 1: ball me and you as the leaders. Man. I always

364
00:20:22,119 --> 00:20:25,480
Speaker 1: think it's funny like that. I would like to, you know,

365
00:20:25,560 --> 00:20:29,560
Speaker 1: give the accolades when when it's well deserved, as it

366
00:20:29,720 --> 00:20:32,919
Speaker 1: is in No's case, in your case. But I always

367
00:20:32,960 --> 00:20:34,760
Speaker 1: felt like we should have had an old awards show

368
00:20:34,840 --> 00:20:37,680
Speaker 1: that's prestigious. It was called Source Awards at one point.

369
00:20:38,240 --> 00:20:39,840
Speaker 1: I mean I mean it was it was there. I

370
00:20:39,880 --> 00:20:42,560
Speaker 1: mean it was big at its Source Awards hit my questions.

371
00:20:43,880 --> 00:20:45,840
Speaker 1: We we do got to own ship sometimes, but it's

372
00:20:45,880 --> 00:20:50,440
Speaker 1: always corporate involvement. Someone gets I mean, you know, shout

373
00:20:50,440 --> 00:20:52,359
Speaker 1: out to my man bad Seed. I don't know if

374
00:20:52,359 --> 00:20:55,240
Speaker 1: you'll know who that is, but you know he'd be

375
00:20:55,400 --> 00:20:59,080
Speaker 1: on Instagram doing like the Grind Awards, and it'd be

376
00:20:59,160 --> 00:21:02,600
Speaker 1: like bad Seed versus like you know, some some rapper

377
00:21:02,640 --> 00:21:06,280
Speaker 1: from like Vasti versus rusty Jucks like that. Like I

378
00:21:06,440 --> 00:21:08,840
Speaker 1: like when artists do their own ship like that, like

379
00:21:08,920 --> 00:21:11,399
Speaker 1: they did their own like brooklyn Hood version of versus,

380
00:21:11,640 --> 00:21:13,520
Speaker 1: like Okay, we not can get celebrated on that level,

381
00:21:13,640 --> 00:21:15,840
Speaker 1: but let's do what ourselves. I like seeing ship like

382
00:21:15,920 --> 00:21:18,200
Speaker 1: that because like like when just did the Mix Tape Awards,

383
00:21:18,400 --> 00:21:23,399
Speaker 1: just like taking in our own hands, right piece, just

384
00:21:25,000 --> 00:21:27,480
Speaker 1: speaking the versus. Would you do it versus against most

385
00:21:27,480 --> 00:21:30,119
Speaker 1: of death? I wouldn't. I don't think most would ever

386
00:21:30,160 --> 00:21:36,879
Speaker 1: do any versus just you know, I think like that

387
00:21:37,359 --> 00:21:39,920
Speaker 1: he don't like that sort of pageantry of it, but

388
00:21:40,000 --> 00:21:41,800
Speaker 1: I would do what I like. I'm excited about the

389
00:21:41,880 --> 00:21:45,320
Speaker 1: rain ghosting. Yeah, you know, I think emtional. I didn't

390
00:21:45,320 --> 00:21:48,159
Speaker 1: initially like it, and then I went and I said, oh,

391
00:21:48,200 --> 00:21:50,880
Speaker 1: you know what they do got a lot of records separately.

392
00:21:50,920 --> 00:21:53,280
Speaker 1: They have a lot, but it's just a celebration of them.

393
00:21:55,200 --> 00:21:57,719
Speaker 1: Want somebody was fun is to see which records, who

394
00:21:57,840 --> 00:22:00,800
Speaker 1: get to play what? That's the be difficult? Yeah, just

395
00:22:00,920 --> 00:22:03,160
Speaker 1: Ray Kwan get to just ghost get to play ice.

396
00:22:05,560 --> 00:22:10,359
Speaker 1: They go, that's that's yeah album and they're gonna regret.

397
00:22:10,880 --> 00:22:13,960
Speaker 1: Would you want to go get a producer in versus? Oh,

398
00:22:14,119 --> 00:22:21,040
Speaker 1: I'll go gets anybody. Okay, let me think I as

399
00:22:22,240 --> 00:22:24,000
Speaker 1: his family. Yeah, I know that's what makes it. Just

400
00:22:24,160 --> 00:22:27,240
Speaker 1: want some celebration. That would be fly all right, let

401
00:22:27,280 --> 00:22:30,720
Speaker 1: me that would be fly Pete Rock. You get rope

402
00:22:30,760 --> 00:22:34,720
Speaker 1: to anybody anybody from the mid nineties to now who've

403
00:22:34,760 --> 00:22:37,800
Speaker 1: been doing it that long a right, you know. Yeah,

404
00:22:38,320 --> 00:22:41,640
Speaker 1: that's to have a similar cat log. Yeah, I say

405
00:22:41,680 --> 00:22:44,800
Speaker 1: I can think. I think that's that's that's dope. I

406
00:22:44,880 --> 00:22:50,840
Speaker 1: think that's leg he too, don't com this would be dope,

407
00:22:52,119 --> 00:22:56,520
Speaker 1: no doubt. Large Problems never changed. He's been the same.

408
00:22:56,600 --> 00:23:00,880
Speaker 1: That's the same because put in a game. I love

409
00:23:01,000 --> 00:23:03,600
Speaker 1: Large Bro Bro. He still come out. How long you

410
00:23:03,720 --> 00:23:07,239
Speaker 1: knew each other and well, Large Bro used to come

411
00:23:07,280 --> 00:23:09,800
Speaker 1: to my hood back in the days, and he's just

412
00:23:09,880 --> 00:23:13,000
Speaker 1: always a good dude. He's just always around, and so

413
00:23:13,080 --> 00:23:14,840
Speaker 1: I do one for a while. I can't even tell

414
00:23:14,840 --> 00:23:18,600
Speaker 1: you how long. Correct me from your main source. I knew,

415
00:23:18,760 --> 00:23:21,040
Speaker 1: I think I think after me. So okay, I see

416
00:23:21,080 --> 00:23:23,600
Speaker 1: you in Europe in the row with large progract. Yeah yeah, yeah,

417
00:23:23,680 --> 00:23:25,760
Speaker 1: we got a party. We go out there, we do

418
00:23:25,840 --> 00:23:30,000
Speaker 1: our thing, spending right and you bet DJ and you

419
00:23:30,080 --> 00:23:32,240
Speaker 1: just getting all the money. I'm a seleprity teacher. I

420
00:23:32,320 --> 00:23:37,960
Speaker 1: can't say, but yeah, I come to a little spotsible

421
00:23:39,520 --> 00:23:45,040
Speaker 1: one of the kovid They just opened up spot right there.

422
00:23:45,080 --> 00:23:48,280
Speaker 1: Pizza pizza Bard did a couple of weeks ago. What's

423
00:23:48,320 --> 00:23:50,720
Speaker 1: having the same same people? Yeah, just hoan we don't

424
00:23:50,720 --> 00:23:55,520
Speaker 1: got then got the smoking a section. I mean yeah,

425
00:23:55,560 --> 00:23:58,840
Speaker 1: I just TJ at that piece of bar weeks ago.

426
00:23:59,440 --> 00:24:03,680
Speaker 1: So um, what's your relationship with Miami? Are you living

427
00:24:03,720 --> 00:24:06,199
Speaker 1: out here? Partly? I like Miami a lot, man, I mean,

428
00:24:06,280 --> 00:24:09,239
Speaker 1: you know, the South is South is crazy's coming here.

429
00:24:09,840 --> 00:24:15,080
Speaker 1: I was super spreading and all. But I mean, you know,

430
00:24:15,160 --> 00:24:18,200
Speaker 1: Miami got something special. Miami's cultural, you know, with with

431
00:24:18,280 --> 00:24:21,160
Speaker 1: all the Latino people, the Caribbean people, everybody who moved

432
00:24:21,160 --> 00:24:22,840
Speaker 1: here from New York and everybody who moved here, like

433
00:24:23,119 --> 00:24:25,879
Speaker 1: Miami got a special thing going on, even people locally

434
00:24:25,960 --> 00:24:28,760
Speaker 1: grew up here the whole Broward SENI what y'all doing

435
00:24:28,840 --> 00:24:30,960
Speaker 1: with Winwood and the Hope, What you're doing art baths

436
00:24:31,000 --> 00:24:34,080
Speaker 1: on arts. Shout to Thurston how and everybody who just

437
00:24:34,160 --> 00:24:37,040
Speaker 1: come and relocate. Um, Miami's very special. Yea, I've been

438
00:24:37,080 --> 00:24:41,800
Speaker 1: coming different down here. At one time I used to

439
00:24:41,840 --> 00:24:45,000
Speaker 1: do I'm gonna tell you bouncing number. I was just

440
00:24:45,080 --> 00:24:47,440
Speaker 1: moving around on subjects. I'm gonna tell you something that

441
00:24:47,520 --> 00:24:53,119
Speaker 1: you told me that made funked up my mom. We

442
00:24:53,160 --> 00:24:56,320
Speaker 1: did the Russell Simmons episode. Are we talking about that? Now?

443
00:24:58,560 --> 00:25:02,560
Speaker 1: That was a Quarantine episode. It was a Quarantine episode.

444
00:25:03,040 --> 00:25:06,560
Speaker 1: I wanted to do what I my version of marching.

445
00:25:07,400 --> 00:25:09,560
Speaker 1: I have a platform. I know how powerful it is.

446
00:25:10,320 --> 00:25:13,040
Speaker 1: Well I didn't. I didn't know it. Then I know

447
00:25:13,760 --> 00:25:16,800
Speaker 1: it is. So we wanted to do a panel. So

448
00:25:16,840 --> 00:25:19,360
Speaker 1: I think we hit you. I think it was Bumby

449
00:25:20,760 --> 00:25:29,440
Speaker 1: uh Mark Mark Lamar Hill, Lamar Hill, And no, it

450
00:25:29,560 --> 00:25:32,479
Speaker 1: was no female on there. And who it was Bunby

451
00:25:32,600 --> 00:25:34,880
Speaker 1: markt My hell was my song on this my song

452
00:25:35,200 --> 00:25:39,600
Speaker 1: and and you and I remember on the promo it's

453
00:25:39,640 --> 00:25:41,800
Speaker 1: one part of the things, this part never got out.

454
00:25:42,160 --> 00:25:44,600
Speaker 1: This part never got out. But when Russ who actually

455
00:25:44,680 --> 00:25:46,800
Speaker 1: came outcause first it was just us. But when Russ

456
00:25:46,920 --> 00:25:49,760
Speaker 1: first came on, all of us smiled like everyone. It

457
00:25:49,880 --> 00:25:53,640
Speaker 1: was just like a repression thing. But when I looked

458
00:25:53,680 --> 00:25:55,800
Speaker 1: at that footage, I said, no, that can't come out

459
00:25:55,920 --> 00:25:58,480
Speaker 1: because how but you said something to me saw could

460
00:25:58,600 --> 00:25:59,960
Speaker 1: to day. I was like, yo, I didn't even really

461
00:26:00,560 --> 00:26:02,200
Speaker 1: after that happened. I was like, I didn't really know

462
00:26:02,640 --> 00:26:06,200
Speaker 1: how much they are accusing Rossa and all this. And

463
00:26:06,280 --> 00:26:08,600
Speaker 1: you said something to me that I've never heard before.

464
00:26:08,920 --> 00:26:13,280
Speaker 1: You said, yeah, we're we're male privileged. And I said,

465
00:26:14,520 --> 00:26:17,080
Speaker 1: I had never heard, like, you know what I'm saying,

466
00:26:17,280 --> 00:26:20,160
Speaker 1: the privilege. We have a certain privileges as a man

467
00:26:20,880 --> 00:26:23,119
Speaker 1: that we don't even that. It's not like we're blocking

468
00:26:23,160 --> 00:26:26,760
Speaker 1: the door, we're gnoring it second nature. I had never heard,

469
00:26:26,960 --> 00:26:32,399
Speaker 1: had never heard of that before, uh, Todd lip so so.

470
00:26:33,640 --> 00:26:35,600
Speaker 1: And then I did my research, you know. I spoke

471
00:26:35,640 --> 00:26:39,800
Speaker 1: to Mark Marc Lamar after he was argument rose a

472
00:26:39,880 --> 00:26:42,359
Speaker 1: little bit too. Yeah he was, I was arguing, but

473
00:26:42,560 --> 00:26:44,720
Speaker 1: it was lazy about So I went back and watched

474
00:26:44,760 --> 00:26:46,800
Speaker 1: my first drink Champs that I did the first time

475
00:26:46,840 --> 00:26:52,520
Speaker 1: when I got really drunk. It was great. But I

476
00:26:52,680 --> 00:26:55,920
Speaker 1: brought Rose up in that drink chance and you said, well,

477
00:26:55,960 --> 00:26:57,960
Speaker 1: she's Puerto Rican, I need to meet, we need to breathe.

478
00:26:58,359 --> 00:27:00,200
Speaker 1: So it's bug I was like, oh, I mentioned Rose

479
00:27:00,280 --> 00:27:02,720
Speaker 1: in the first time years before. It's funny that you'll

480
00:27:02,720 --> 00:27:05,119
Speaker 1: started arguing and the comments were her. I mean I

481
00:27:05,160 --> 00:27:07,480
Speaker 1: had a couple of exchanges with her on Twitter. I

482
00:27:07,600 --> 00:27:14,040
Speaker 1: think it was mad, like it was calm. And my

483
00:27:14,200 --> 00:27:16,640
Speaker 1: thing is and this goes out to a sister Rosa

484
00:27:16,640 --> 00:27:18,560
Speaker 1: who I don't think I've ever met, and if I did,

485
00:27:18,600 --> 00:27:23,760
Speaker 1: I apologize if I don't remember, But the cancel coachha,

486
00:27:24,040 --> 00:27:27,159
Speaker 1: because this is what made me mad, and it's what

487
00:27:27,280 --> 00:27:30,960
Speaker 1: made me upset, just by having rustled on. She said

488
00:27:31,520 --> 00:27:37,040
Speaker 1: drinks Champs hates black woman is crazy. Okay, well I

489
00:27:37,080 --> 00:27:40,719
Speaker 1: don't know what that is. Okay, that's good whiskey right there,

490
00:27:40,760 --> 00:27:42,080
Speaker 1: So let me be fritis. I don't want to just

491
00:27:42,160 --> 00:27:44,600
Speaker 1: leave that out there an atmosphere in the universe. So

492
00:27:45,520 --> 00:27:47,760
Speaker 1: the thing about it is, I ain't supposed to know

493
00:27:48,119 --> 00:27:52,960
Speaker 1: everything that's proper. Sometimes you gotta just take time out

494
00:27:53,000 --> 00:27:54,840
Speaker 1: of you instead of coming at somebody and this in

495
00:27:54,920 --> 00:28:00,960
Speaker 1: them that was all co side. Actually more or less

496
00:28:01,000 --> 00:28:04,200
Speaker 1: didn't use the episode more for my son Tyd lived

497
00:28:04,240 --> 00:28:07,560
Speaker 1: quality because these are my brothers who I look too

498
00:28:07,840 --> 00:28:10,360
Speaker 1: for my consciousness. You understand what I'm saying. And when

499
00:28:10,440 --> 00:28:14,359
Speaker 1: they didn't and Lamar, even Lamar Hill didn't say nothing.

500
00:28:14,440 --> 00:28:17,880
Speaker 1: He put his head down. But I appreciated him and say, yo, listen,

501
00:28:19,080 --> 00:28:20,960
Speaker 1: yeah he'd be after the fact. He went straight the Twitter.

502
00:28:21,560 --> 00:28:24,720
Speaker 1: He went straighting Twitter, and I had to accepted, had

503
00:28:24,720 --> 00:28:26,800
Speaker 1: to accept it because this is the day in time.

504
00:28:27,280 --> 00:28:29,359
Speaker 1: But he was trying to cover his ass, which he

505
00:28:29,480 --> 00:28:33,600
Speaker 1: was supposed to do. But like I said, and this

506
00:28:33,800 --> 00:28:36,919
Speaker 1: day and time, I see the comedians that have an

507
00:28:36,920 --> 00:28:39,719
Speaker 1: a rough time because they can't say certain words they

508
00:28:39,800 --> 00:28:43,480
Speaker 1: can't And I just wanted you to touch on that

509
00:28:43,880 --> 00:28:45,400
Speaker 1: a little bit. That when you hit me with the

510
00:28:45,560 --> 00:28:48,400
Speaker 1: male privilege. Okay, but we I think we all in

511
00:28:48,520 --> 00:28:51,600
Speaker 1: this room understand a bunch of dudes in this room.

512
00:28:52,320 --> 00:28:55,840
Speaker 1: The first. First of all, like I love this show.

513
00:28:56,920 --> 00:29:00,560
Speaker 1: This show needs a lot more women about That's the

514
00:29:00,560 --> 00:29:03,680
Speaker 1: first thing. And that's you know, that's not us. We've

515
00:29:03,760 --> 00:29:07,200
Speaker 1: invited them. We've invited So even with my Shapedo's party,

516
00:29:07,720 --> 00:29:10,960
Speaker 1: I found it's very easy, especially in a hip hop

517
00:29:11,000 --> 00:29:13,720
Speaker 1: space that's just toosterone driven to fall into the habit

518
00:29:13,800 --> 00:29:15,960
Speaker 1: of just booking men because it's men that running this

519
00:29:16,000 --> 00:29:20,880
Speaker 1: ship is. We don't want to do this and we

520
00:29:21,240 --> 00:29:23,680
Speaker 1: won't really book guests no more the guest book. Okay,

521
00:29:23,880 --> 00:29:28,240
Speaker 1: So that's it's kind of like, so what with the females.

522
00:29:28,360 --> 00:29:31,040
Speaker 1: We reach out and females is different because they you know,

523
00:29:31,080 --> 00:29:32,600
Speaker 1: you gotta deal with the man as you gotta do

524
00:29:32,600 --> 00:29:34,680
Speaker 1: what their boyfriends you gotta deal with From day one,

525
00:29:34,800 --> 00:29:39,560
Speaker 1: Queen Latifa a little kid like we we we we've

526
00:29:39,600 --> 00:29:42,360
Speaker 1: reached out, but I want to leave y'all because I

527
00:29:43,080 --> 00:29:45,040
Speaker 1: go above and beyond to reach out to women to

528
00:29:45,080 --> 00:29:46,800
Speaker 1: give him my show to make it more balance. And

529
00:29:46,840 --> 00:29:49,840
Speaker 1: that's a challenge. It's not it's not easy, but but

530
00:29:50,160 --> 00:29:52,840
Speaker 1: because we have what back to the point I was saying,

531
00:29:53,000 --> 00:29:55,720
Speaker 1: or everybody in his room, we understand white privilege. We

532
00:29:55,880 --> 00:29:59,680
Speaker 1: understand that if you're born white, it doesn't matter whether

533
00:29:59,720 --> 00:30:01,720
Speaker 1: you're what, you're poor. If you're born white, you're born

534
00:30:01,760 --> 00:30:05,040
Speaker 1: with a certain amount of privilege and society. Right. So

535
00:30:05,320 --> 00:30:07,600
Speaker 1: if you're born male, and that even goes for black men,

536
00:30:08,400 --> 00:30:10,280
Speaker 1: if you're born male, you're born with a certain amount

537
00:30:10,320 --> 00:30:12,680
Speaker 1: of privilege, certain doors open up for you in society

538
00:30:12,720 --> 00:30:14,760
Speaker 1: to open up for women. The most glaring example is

539
00:30:15,000 --> 00:30:17,760
Speaker 1: paid the pay rate. Women get seventy cent to every

540
00:30:17,800 --> 00:30:20,040
Speaker 1: dollar that men make. That's the most glaring example. You

541
00:30:20,040 --> 00:30:22,920
Speaker 1: know what I'm saying. But we everyone, Everyone has a

542
00:30:22,960 --> 00:30:26,080
Speaker 1: specific amount of privilege. Straight white men have more privilege

543
00:30:26,080 --> 00:30:28,920
Speaker 1: than anybody. Straight rich white men have more privilege than anybody.

544
00:30:29,080 --> 00:30:31,320
Speaker 1: But everybody got some sort of privilege. And you don't

545
00:30:31,360 --> 00:30:35,160
Speaker 1: become a jerk by having privilege. You become a jerk

546
00:30:35,200 --> 00:30:37,440
Speaker 1: if you just don't ever acknowledge it. I think in

547
00:30:37,520 --> 00:30:42,080
Speaker 1: no spaces we had some conversations. We sometimes fall into

548
00:30:42,120 --> 00:30:44,680
Speaker 1: the male privilege, whether it's intentionally or not. And I

549
00:30:44,760 --> 00:30:46,920
Speaker 1: think that's I think that's what we was doing in

550
00:30:47,240 --> 00:30:50,360
Speaker 1: in that conversation. And so when Russell came on, I

551
00:30:50,400 --> 00:30:52,640
Speaker 1: don't want to get it to the weeds about what

552
00:30:52,840 --> 00:30:55,520
Speaker 1: who thinks Russell did what? The fact is that the

553
00:30:55,600 --> 00:31:01,040
Speaker 1: accusations are out there, accusations have been made by credible individuals.

554
00:31:01,240 --> 00:31:03,320
Speaker 1: These are not random people. These are people who have

555
00:31:03,680 --> 00:31:07,720
Speaker 1: credibility in our business. The fact is that Oprahto pulled

556
00:31:07,800 --> 00:31:11,280
Speaker 1: away from doing a documentary rustle because she couldn't I

557
00:31:11,320 --> 00:31:13,320
Speaker 1: can't speak up. But she pulled away from it, right,

558
00:31:13,640 --> 00:31:16,480
Speaker 1: So I thought he deserved the doubt from that. But

559
00:31:16,600 --> 00:31:18,880
Speaker 1: that's not your platform. Are you allowed to do that? Right? No,

560
00:31:19,040 --> 00:31:23,120
Speaker 1: I actually walked away from it. Actually, actually I said,

561
00:31:23,520 --> 00:31:26,520
Speaker 1: well we we I didn't understand it, but I remember

562
00:31:26,760 --> 00:31:28,640
Speaker 1: that episode. I wasn't even there, so I forget what

563
00:31:29,080 --> 00:31:31,840
Speaker 1: my reason was. I wasn't on that and I found

564
00:31:31,880 --> 00:31:34,520
Speaker 1: out after the fact, and I still found myself arguing

565
00:31:34,680 --> 00:31:38,600
Speaker 1: with trying to defend our stands. And I'm gonna tell

566
00:31:38,600 --> 00:31:41,400
Speaker 1: you something, just because we never broke it up, next

567
00:31:41,440 --> 00:31:45,800
Speaker 1: time you see your person that's of your culture, that's

568
00:31:45,840 --> 00:31:49,400
Speaker 1: doing something that's culturally not appropriate, you can do the

569
00:31:49,520 --> 00:31:52,600
Speaker 1: same way he was DM and we were flipping on

570
00:31:52,680 --> 00:31:57,680
Speaker 1: each other. Was a good ship too, sister. You let's

571
00:31:57,720 --> 00:31:59,560
Speaker 1: go to each other to be understeing. I'm going to

572
00:31:59,640 --> 00:32:02,800
Speaker 1: check the Rosa love you. Me and me and Rosa

573
00:32:02,880 --> 00:32:05,600
Speaker 1: had had me. Rose had heated conversation about this. Me

574
00:32:05,680 --> 00:32:07,760
Speaker 1: and Rose. That's my good friend. But we don't agree

575
00:32:07,800 --> 00:32:10,160
Speaker 1: on every single thing. We had which we check each other.

576
00:32:10,520 --> 00:32:12,480
Speaker 1: We had a heated conversation about it because her whole

577
00:32:12,520 --> 00:32:16,640
Speaker 1: thing was the whole thing is at the age we at,

578
00:32:17,040 --> 00:32:19,320
Speaker 1: we're supposed to know better. My whole thing was, I said,

579
00:32:19,320 --> 00:32:21,680
Speaker 1: you gotta look at who Noriega is. This is a man.

580
00:32:21,880 --> 00:32:24,160
Speaker 1: If you know his hip hop hip hop history, you

581
00:32:24,240 --> 00:32:26,960
Speaker 1: know where Nori comes from. You know he comes from poverty,

582
00:32:27,320 --> 00:32:29,560
Speaker 1: He come from situation. He built himself up out of this.

583
00:32:29,840 --> 00:32:31,560
Speaker 1: And now this man who has been to jam, this

584
00:32:31,680 --> 00:32:34,200
Speaker 1: man who has been through the system, is now realizing it.

585
00:32:34,320 --> 00:32:36,520
Speaker 1: As an older man, I have an opportunity to take

586
00:32:36,560 --> 00:32:39,280
Speaker 1: what I learned and be more positive. So let's give

587
00:32:39,360 --> 00:32:42,640
Speaker 1: the brother space to grow. We're gonna be progressive. We

588
00:32:42,720 --> 00:32:45,360
Speaker 1: can't assume that he knows what we know. Did I

589
00:32:45,440 --> 00:32:48,000
Speaker 1: actually like, I heard the allegation, and let me just

590
00:32:48,240 --> 00:32:50,800
Speaker 1: be something clear. Not taking up for Russell because if

591
00:32:50,840 --> 00:32:53,120
Speaker 1: he's guilty of things that he's guilty of, then I

592
00:32:53,160 --> 00:32:55,000
Speaker 1: feel like he should face the consequences. Right, there's no

593
00:32:55,160 --> 00:32:57,720
Speaker 1: as about it. But this man that they describe I've

594
00:32:57,760 --> 00:33:01,800
Speaker 1: never mad. I have never meant like, if you're gonna say,

595
00:33:02,040 --> 00:33:04,880
Speaker 1: and I'm not saying a crime should be forgiving or whatever,

596
00:33:05,000 --> 00:33:08,080
Speaker 1: but if you bring up who I was at eighteen

597
00:33:08,160 --> 00:33:10,400
Speaker 1: years old, I'm not who the fucking guy I hate.

598
00:33:10,480 --> 00:33:14,479
Speaker 1: Would I wouldn't hang out with that guy hanging out

599
00:33:14,520 --> 00:33:17,040
Speaker 1: with the take your old version of me. He's an asshole.

600
00:33:17,320 --> 00:33:18,880
Speaker 1: You know what I'm saying. He didn't. He doesn't want

601
00:33:18,920 --> 00:33:21,200
Speaker 1: to come home. This guy comes home to his family.

602
00:33:21,520 --> 00:33:24,120
Speaker 1: So I tend not to do that to someone else.

603
00:33:24,440 --> 00:33:25,760
Speaker 1: You know what I'm saying, Why would I judge you

604
00:33:25,800 --> 00:33:28,040
Speaker 1: on what you was who you was at eighteen and

605
00:33:28,480 --> 00:33:31,640
Speaker 1: and you got to realize that. I'm not making no

606
00:33:31,800 --> 00:33:35,320
Speaker 1: excuses for anybody, but the culture was different back then.

607
00:33:35,480 --> 00:33:37,719
Speaker 1: People would literally walk up to girls and smack him

608
00:33:37,720 --> 00:33:39,880
Speaker 1: when they asked. Women would literally do that to me

609
00:33:40,000 --> 00:33:42,080
Speaker 1: in the office. I'll be getting the headcut. Get up

610
00:33:42,480 --> 00:33:45,640
Speaker 1: a woman, Bob. I didn't know I was being me too.

611
00:33:46,920 --> 00:33:52,080
Speaker 1: I didn't. I don't something you understand I'm saying what

612
00:33:52,200 --> 00:33:54,680
Speaker 1: that was. I'm not not col siding it, but what

613
00:33:54,800 --> 00:33:57,200
Speaker 1: I'm saying is that was it was more likely you

614
00:33:57,320 --> 00:34:01,480
Speaker 1: to walk in and see somebody, uh one of the CEOs,

615
00:34:01,720 --> 00:34:04,400
Speaker 1: somebody's up there, assistant sitting on their lap. That that

616
00:34:04,560 --> 00:34:06,600
Speaker 1: was kind of the normal back then. Not not co

617
00:34:06,800 --> 00:34:09,520
Speaker 1: signing it, not saying it was right, but seeing it

618
00:34:09,920 --> 00:34:12,400
Speaker 1: wasn't abnormal. Yeah, you know that's the thing. That's what

619
00:34:12,520 --> 00:34:14,880
Speaker 1: they talk about rape culture being normalized. It was so

620
00:34:15,080 --> 00:34:17,799
Speaker 1: normal back then that we accepted it is okay. It's

621
00:34:17,840 --> 00:34:20,239
Speaker 1: our job to grow and progress and change. And that's

622
00:34:20,280 --> 00:34:23,680
Speaker 1: the thing with cancer culture and the only thing that

623
00:34:23,800 --> 00:34:26,200
Speaker 1: the thing that's bad about it is is not giving

624
00:34:26,239 --> 00:34:29,120
Speaker 1: people the chance to grow and progress, like like right now, sorry,

625
00:34:29,719 --> 00:34:31,680
Speaker 1: right now, right. I don't know if you follow cam,

626
00:34:31,719 --> 00:34:35,360
Speaker 1: but Cam got this this twenty nine c right, this

627
00:34:35,560 --> 00:34:38,279
Speaker 1: girl from his building. She's following him, she's talking him.

628
00:34:38,480 --> 00:34:41,520
Speaker 1: We're all laughing at that, right, we're laughing. He's feeling

629
00:34:41,520 --> 00:34:44,040
Speaker 1: he's running away from up. Had that been a man,

630
00:34:44,120 --> 00:34:46,560
Speaker 1: that wouldn't have been funny, right right, Has that been

631
00:34:46,600 --> 00:34:49,560
Speaker 1: the other way around him doing that? I can see

632
00:34:49,600 --> 00:34:55,319
Speaker 1: someone calling the police. And this is where our male

633
00:34:55,360 --> 00:34:58,759
Speaker 1: preface comes in because women, and this is something I've learned,

634
00:34:58,760 --> 00:35:01,640
Speaker 1: it's like I grow older when that happens to women,

635
00:35:02,160 --> 00:35:05,239
Speaker 1: they beget murt Like when when dudes be stalking with

636
00:35:05,320 --> 00:35:07,440
Speaker 1: like women, when dude, you know, when when women get

637
00:35:07,520 --> 00:35:10,800
Speaker 1: cat cold and dudes they get rejected, dude, women be

638
00:35:10,840 --> 00:35:13,440
Speaker 1: getting violently assaulted, And that's what it is, Like women

639
00:35:13,480 --> 00:35:18,200
Speaker 1: go through that so much that Harlem. You know what

640
00:35:18,200 --> 00:35:21,759
Speaker 1: I'm saying, that the community stood up and yeah, oh

641
00:35:22,600 --> 00:35:26,279
Speaker 1: I see the after effect. What happened. Um, some dude

642
00:35:26,320 --> 00:35:27,800
Speaker 1: try to hole at her. She's like, no, you know,

643
00:35:27,880 --> 00:35:32,560
Speaker 1: I'm good. Then when she left, just beat up. Women

644
00:35:32,640 --> 00:35:35,920
Speaker 1: be going through that for so long that with men

645
00:35:36,239 --> 00:35:38,160
Speaker 1: like and we've been social. Look, I just went through

646
00:35:38,200 --> 00:35:40,880
Speaker 1: some ship recently with somebody saying some ship about what

647
00:35:40,960 --> 00:35:42,680
Speaker 1: happened with me. When I went back to the situation,

648
00:35:42,760 --> 00:35:44,800
Speaker 1: I'm like, if I had did that to a woman,

649
00:35:46,120 --> 00:35:48,200
Speaker 1: that would have been raped what this woman did to me.

650
00:35:48,920 --> 00:35:50,600
Speaker 1: But as when it happened when I was like my

651
00:35:50,640 --> 00:35:52,480
Speaker 1: early twenties in my career, we looked at us and

652
00:35:52,560 --> 00:35:56,600
Speaker 1: fly ship. So what happened advantage? I didn't look at

653
00:35:56,600 --> 00:35:59,200
Speaker 1: it like that at that time. Give me no exctasy,

654
00:35:59,239 --> 00:36:01,239
Speaker 1: but just the way which she was coming at me

655
00:36:01,680 --> 00:36:04,160
Speaker 1: and the way in where she was like pressed about

656
00:36:04,200 --> 00:36:06,520
Speaker 1: the ship where I found myself hiding from this woman,

657
00:36:06,800 --> 00:36:08,959
Speaker 1: you know what I'm saying. And I told my friends

658
00:36:08,960 --> 00:36:12,080
Speaker 1: are on some funny ship. But twenty years later, I'm like, well,

659
00:36:12,120 --> 00:36:15,360
Speaker 1: not I was sexual harassment right all right? But I

660
00:36:15,440 --> 00:36:18,360
Speaker 1: thought it was fly because I never had that cat calling.

661
00:36:18,719 --> 00:36:21,000
Speaker 1: I never had that attention. I never had until I

662
00:36:21,080 --> 00:36:23,759
Speaker 1: became a rapper. What I'm saying, But we're like, we

663
00:36:23,840 --> 00:36:26,080
Speaker 1: gotta figure like the conversation. But I think all of

664
00:36:26,200 --> 00:36:29,960
Speaker 1: us know for a fact that rape culture, everything that

665
00:36:30,040 --> 00:36:33,080
Speaker 1: we're talking about, none of us coach signed starts to

666
00:36:33,120 --> 00:36:35,960
Speaker 1: get murky. Is the cancel culture side of it, where

667
00:36:36,000 --> 00:36:40,640
Speaker 1: it just every the society has become judge and jury. Boom, Well,

668
00:36:40,640 --> 00:36:42,680
Speaker 1: how you draw out the baby with the bath water?

669
00:36:42,719 --> 00:36:44,799
Speaker 1: How do you throw out everyone? And I'm not even

670
00:36:44,800 --> 00:36:46,759
Speaker 1: gonna start naming names because I don't want nobody to

671
00:36:46,920 --> 00:36:49,800
Speaker 1: can but let me how you were here for that

672
00:36:49,840 --> 00:36:51,880
Speaker 1: because we couldn't handle it like that because we was

673
00:36:51,920 --> 00:36:55,399
Speaker 1: on zoom zoom get called out, you would get cut

674
00:36:55,400 --> 00:36:57,399
Speaker 1: off when you're trying to This is not it. We're

675
00:36:57,440 --> 00:36:59,520
Speaker 1: here for this time. We're here to happen. Okay, so

676
00:36:59,600 --> 00:37:02,319
Speaker 1: let's let's let's break it down. We just actually let's

677
00:37:02,320 --> 00:37:06,080
Speaker 1: just tell you something. But I just noticed they're trying

678
00:37:06,120 --> 00:37:08,319
Speaker 1: to go and take Russells ship off for all these

679
00:37:08,800 --> 00:37:13,560
Speaker 1: like his name of the Tatsu Harvey is you can

680
00:37:13,600 --> 00:37:19,160
Speaker 1: still watching Mary Max. You're not man, but you can't

681
00:37:19,200 --> 00:37:24,760
Speaker 1: destroy the legacy pops up, Bro, I'm the other day company.

682
00:37:24,840 --> 00:37:28,439
Speaker 1: Other days Netflix wasn't working, my my my Prime video

683
00:37:28,560 --> 00:37:30,239
Speaker 1: wasn't working, my whole it wasn't working. So I went

684
00:37:30,320 --> 00:37:33,160
Speaker 1: back to cable and I watched the regular cable until

685
00:37:33,200 --> 00:37:36,320
Speaker 1: the ship well, and I'm just randomly just don't do

686
00:37:36,480 --> 00:37:39,400
Speaker 1: movies and still seeing his name pop up on offist

687
00:37:39,480 --> 00:37:42,560
Speaker 1: you Cable. Not wrong, but I think that the thing

688
00:37:42,640 --> 00:37:45,879
Speaker 1: we have to do as men is realized that because

689
00:37:45,920 --> 00:37:47,880
Speaker 1: we teach our children this, we teach our children were

690
00:37:47,920 --> 00:37:49,640
Speaker 1: just because he's doing it doesn't mean it's okay for you.

691
00:37:50,040 --> 00:37:51,560
Speaker 1: So as men we have to be like, Okay, yeah,

692
00:37:51,920 --> 00:37:55,520
Speaker 1: Harvey Washtein exists and Jeffrey Epstein exists, but just because

693
00:37:55,560 --> 00:37:57,800
Speaker 1: they exist, we can't use what about us, and we

694
00:37:57,840 --> 00:38:00,400
Speaker 1: can't see what about this. We have to we have

695
00:38:00,480 --> 00:38:02,480
Speaker 1: to own our ship. So I think you can't from

696
00:38:02,520 --> 00:38:05,640
Speaker 1: a place where you didn't understand the ramification, but now

697
00:38:05,719 --> 00:38:10,319
Speaker 1: that you do, I still actually understand fully because I'm

698
00:38:10,400 --> 00:38:13,320
Speaker 1: looking at people reposting Russell Simmonds, that's a woman, but

699
00:38:13,360 --> 00:38:17,399
Speaker 1: he's a thing that him being bied doings and said

700
00:38:17,480 --> 00:38:20,319
Speaker 1: not me. Yeah, But what I'm saying is, but even

701
00:38:20,360 --> 00:38:22,960
Speaker 1: if women in proximity has not he didn't do it.

702
00:38:23,120 --> 00:38:24,759
Speaker 1: He has not been, but he's not been. He's not

703
00:38:24,840 --> 00:38:27,000
Speaker 1: been r But let me ask you this. Yeah, just

704
00:38:27,160 --> 00:38:28,960
Speaker 1: like you had to ask me about it, now that

705
00:38:29,120 --> 00:38:31,920
Speaker 1: you know, with knowledge comes responsibility. You couldn't have me

706
00:38:32,000 --> 00:38:33,880
Speaker 1: on the show without asking me. So now that you know,

707
00:38:34,320 --> 00:38:36,319
Speaker 1: if Russell was sitting in his chair, you know you'd

708
00:38:36,320 --> 00:38:38,200
Speaker 1: be asking. I have to laugh. You know what I

709
00:38:38,239 --> 00:38:40,080
Speaker 1: would do. This would be my first time I had

710
00:38:40,120 --> 00:38:43,120
Speaker 1: somebody goes right my video, my interview. I would actually

711
00:38:43,400 --> 00:38:45,319
Speaker 1: go let Rose and give me all the question. Yes,

712
00:38:45,520 --> 00:38:48,520
Speaker 1: you give me the question that in that instance when

713
00:38:48,520 --> 00:38:51,320
Speaker 1: he joined the zoom should have been But that's and

714
00:38:51,360 --> 00:38:53,919
Speaker 1: that's where I was going. You didn't do it because

715
00:38:53,920 --> 00:38:56,320
Speaker 1: you didn't know, But had you known. The way for

716
00:38:56,480 --> 00:38:58,879
Speaker 1: us to do it is we can't We can't say

717
00:38:58,960 --> 00:39:01,400
Speaker 1: that Russell Simmons is not worthy to be in the conversation.

718
00:39:01,760 --> 00:39:03,480
Speaker 1: But if he's in the conversation, well then we got

719
00:39:03,600 --> 00:39:05,560
Speaker 1: to deal with it. To say that that you asked Carriss,

720
00:39:05,600 --> 00:39:08,680
Speaker 1: what about coming like, we're not We're not going to

721
00:39:08,800 --> 00:39:11,120
Speaker 1: not have caress. That's why we aren't going to ask

722
00:39:11,160 --> 00:39:12,960
Speaker 1: to her. You know what it was I didn't realize

723
00:39:13,000 --> 00:39:15,760
Speaker 1: that I'm also a journalist too. I wasn't being a journalist.

724
00:39:15,800 --> 00:39:17,239
Speaker 1: I was being a Black Lives Matter was being a

725
00:39:17,320 --> 00:39:22,719
Speaker 1: black person being a journalist. And I see Mark Head

726
00:39:22,800 --> 00:39:26,879
Speaker 1: goes to market the journalists for hen to the actor,

727
00:39:26,960 --> 00:39:32,600
Speaker 1: he was like, Yo, what was that? Yeah? Yeah, soon

728
00:39:32,680 --> 00:39:34,920
Speaker 1: as you we hung up Head treat. It's like Mark

729
00:39:35,040 --> 00:39:38,640
Speaker 1: Lamart said, he's not what. I'm like, what the fuck?

730
00:39:38,960 --> 00:39:42,719
Speaker 1: And I had to deal with it. But again, sisters,

731
00:39:43,960 --> 00:39:46,320
Speaker 1: our coach of people that really like, you really know,

732
00:39:46,520 --> 00:39:49,000
Speaker 1: I love this coach. You really know that, you really

733
00:39:49,040 --> 00:39:52,560
Speaker 1: know I'm coming from a place of almost stupidity if

734
00:39:52,600 --> 00:39:55,480
Speaker 1: I coaturally don't be appropriate sometime I'm coming from a

735
00:39:55,520 --> 00:39:59,600
Speaker 1: place of stupidity, not a straight stupidity. You don't you

736
00:39:59,680 --> 00:40:02,640
Speaker 1: should didn't chastize me for every stupid move, but for

737
00:40:02,760 --> 00:40:05,719
Speaker 1: every move that you take. Sometimes you really need to

738
00:40:05,800 --> 00:40:07,920
Speaker 1: just hit somebody and say you're listen, bro, you might

739
00:40:07,960 --> 00:40:10,279
Speaker 1: not want to do that. Boom boom boom, boom boom boom,

740
00:40:10,360 --> 00:40:12,120
Speaker 1: and then you take it from there. I had a

741
00:40:12,160 --> 00:40:14,480
Speaker 1: little Kim on my show and she talked about being

742
00:40:14,480 --> 00:40:17,200
Speaker 1: a teenager when she dropped that album cover hardcoorn, how

743
00:40:17,280 --> 00:40:19,520
Speaker 1: niggas and jail loved it everything. And she said she

744
00:40:19,640 --> 00:40:21,600
Speaker 1: thought she was just having fun being a young lady.

745
00:40:21,800 --> 00:40:23,719
Speaker 1: And as see the Lorias, Tucker and them came and

746
00:40:23,760 --> 00:40:25,920
Speaker 1: they was steamrolling her CDs and she said something interesting,

747
00:40:25,920 --> 00:40:28,400
Speaker 1: She said, I was just a child. Why did this

748
00:40:28,520 --> 00:40:31,200
Speaker 1: older black lady hit pulled me to the side and

749
00:40:31,280 --> 00:40:33,040
Speaker 1: give me some life advice? And I don't know what

750
00:40:33,120 --> 00:40:35,040
Speaker 1: I was doing, but why did they attack me? Media?

751
00:40:35,040 --> 00:40:37,560
Speaker 1: Doesn't that even the way you just said it right now?

752
00:40:37,600 --> 00:40:39,680
Speaker 1: Maybe even creepier though that that cover that she was

753
00:40:39,760 --> 00:40:46,960
Speaker 1: a child? Like whoever the imagery I'm saying now that

754
00:40:47,080 --> 00:40:49,680
Speaker 1: we're older now the way you're saying she's a child,

755
00:40:50,120 --> 00:40:55,040
Speaker 1: I got a daughter. But that was the culture back then,

756
00:40:56,400 --> 00:41:00,440
Speaker 1: sexual ship going on, like the people were openly about

757
00:41:00,600 --> 00:41:03,120
Speaker 1: eating pussy and sucking dick and and all. This is

758
00:41:03,320 --> 00:41:06,239
Speaker 1: this is what we hit, was Deliverment, and it was

759
00:41:06,360 --> 00:41:08,520
Speaker 1: a part of it, like watching this ship go down,

760
00:41:08,640 --> 00:41:11,680
Speaker 1: this super sexist ship going down. It was we you

761
00:41:11,760 --> 00:41:16,359
Speaker 1: guys are la grow but I don't. I don't think.

762
00:41:16,480 --> 00:41:19,520
Speaker 1: I don't think you can attack delric You think Luke

763
00:41:19,840 --> 00:41:22,080
Speaker 1: Luke got daughters. You think he was thinking of that now,

764
00:41:22,280 --> 00:41:23,880
Speaker 1: but he doesn't want to have to be careful. We

765
00:41:23,920 --> 00:41:26,200
Speaker 1: can't attack the freedom of speech either, and and and

766
00:41:26,320 --> 00:41:28,440
Speaker 1: freedom to be creative. I don't know whether to me

767
00:41:28,520 --> 00:41:31,080
Speaker 1: there's a finalance I supposed to. Let me just say,

768
00:41:31,320 --> 00:41:33,520
Speaker 1: because Luke ended up running for office and Luke as

769
00:41:33,600 --> 00:41:36,799
Speaker 1: him doing positive, let me just say, imagine that housing

770
00:41:36,840 --> 00:41:40,600
Speaker 1: you back then. It doesn't matter how sexual girls sucking.

771
00:41:43,360 --> 00:41:47,680
Speaker 1: What I want to say is, no matter what ratchees,

772
00:41:48,040 --> 00:41:50,400
Speaker 1: no matter what Rache ratchet ship you went to as

773
00:41:50,440 --> 00:41:52,800
Speaker 1: a rapper, he was the only one you said you

774
00:41:52,880 --> 00:41:59,239
Speaker 1: can't smoke camera, you end up being a conscious, conscious rapper.

775
00:41:59,719 --> 00:42:02,400
Speaker 1: Matter said, if you get to a certain you go

776
00:42:02,719 --> 00:42:04,680
Speaker 1: play if rappers a video game, and you get to

777
00:42:04,760 --> 00:42:06,960
Speaker 1: the boss, you get to the top. If you if

778
00:42:06,960 --> 00:42:09,359
Speaker 1: you survive all the ship to rap, you either become

779
00:42:09,600 --> 00:42:11,479
Speaker 1: even if you're not conscious of your lyrics, you become

780
00:42:11,520 --> 00:42:16,040
Speaker 1: a conscious individual. Every gangster rapper from Too Short to Nori,

781
00:42:16,400 --> 00:42:18,560
Speaker 1: you know that everybody turned to new if you survive

782
00:42:18,640 --> 00:42:26,640
Speaker 1: a ship. Okay, yeah, man, you're right. Yeah, this is

783
00:42:26,680 --> 00:42:31,440
Speaker 1: a good conversation because I actually don't know which we

784
00:42:31,520 --> 00:42:38,160
Speaker 1: may not be qualified for this may in it, but

785
00:42:39,120 --> 00:42:42,239
Speaker 1: and that and that's what's interesting is when I look

786
00:42:42,239 --> 00:42:45,799
Speaker 1: at Simon's thing and I see that woman support him

787
00:42:46,320 --> 00:42:49,160
Speaker 1: so like so like that's why it's weird to me. It's,

788
00:42:49,200 --> 00:42:51,440
Speaker 1: like I said, it's one of those subjects where it

789
00:42:51,520 --> 00:42:54,160
Speaker 1: is it's just in the I think it's about personal responsibility.

790
00:42:54,360 --> 00:42:56,319
Speaker 1: There's some women who like rustle then do not wrong.

791
00:42:56,520 --> 00:42:58,759
Speaker 1: That's some women that's that's like he's a rapist, But

792
00:42:58,840 --> 00:43:01,239
Speaker 1: it's about we can't judge how we're gonna behave on

793
00:43:01,320 --> 00:43:03,239
Speaker 1: how others we had to look. You know, we have

794
00:43:03,800 --> 00:43:07,080
Speaker 1: Russell is Russell Simmons, that's Russell Rush. Like we can't

795
00:43:07,080 --> 00:43:09,640
Speaker 1: erase what he did a hip hop but you know,

796
00:43:09,760 --> 00:43:11,279
Speaker 1: he's just I think because of what he did in

797
00:43:11,400 --> 00:43:13,279
Speaker 1: hip hop, because we really done for the community, he

798
00:43:13,400 --> 00:43:16,480
Speaker 1: deserves to have his voice heard. Now what he says

799
00:43:16,560 --> 00:43:18,959
Speaker 1: with his voice, we'll have to judge. And I'm gonna

800
00:43:18,960 --> 00:43:20,759
Speaker 1: tell people like this that I never said this story.

801
00:43:20,800 --> 00:43:23,799
Speaker 1: Hopefully I think I never said this story, But those

802
00:43:23,800 --> 00:43:28,879
Speaker 1: women deserved that. He definitely not publicly. When now had

803
00:43:28,960 --> 00:43:32,920
Speaker 1: a seven shootout happened and they banned us. They banned

804
00:43:33,000 --> 00:43:36,640
Speaker 1: us immediately. They pulled every record from Compona Noriega to Noriega,

805
00:43:36,800 --> 00:43:39,800
Speaker 1: to thugged out to the firm. Whatever record I was on,

806
00:43:40,280 --> 00:43:44,080
Speaker 1: they pulled it. They pulled it. You know who got

807
00:43:44,160 --> 00:43:48,279
Speaker 1: me to get back on the Radio's Russell. He was

808
00:43:48,320 --> 00:43:51,200
Speaker 1: dead for me the time that I needed him. I

809
00:43:51,280 --> 00:43:53,840
Speaker 1: gotta say, the hardest conscious rapper out now is Camponent.

810
00:43:56,440 --> 00:43:59,600
Speaker 1: Get back to that and with a key time for

811
00:43:59,760 --> 00:44:03,880
Speaker 1: me to show back that favor. I stood with the woman.

812
00:44:04,600 --> 00:44:08,479
Speaker 1: M hmm, I want to make that clip. I still

813
00:44:08,560 --> 00:44:11,640
Speaker 1: with the woman because I but I think I don't think.

814
00:44:11,680 --> 00:44:14,000
Speaker 1: I don't think. I don't think it's mutually exclusive. I

815
00:44:14,080 --> 00:44:16,840
Speaker 1: think you could show solidarity for women as to respect

816
00:44:16,920 --> 00:44:20,279
Speaker 1: Russell's contributions to your life, to this coach. I tried to,

817
00:44:20,440 --> 00:44:23,839
Speaker 1: but when the comments was so well, when they were

818
00:44:23,960 --> 00:44:26,040
Speaker 1: and then and what they were doing was I felt

819
00:44:26,080 --> 00:44:28,600
Speaker 1: bad for our partners because they were blaming it on

820
00:44:29,320 --> 00:44:33,040
Speaker 1: um uh the title and puff there was like look

821
00:44:33,120 --> 00:44:36,160
Speaker 1: at this puffing and jay Z puts Russell Simmons on

822
00:44:37,640 --> 00:44:42,000
Speaker 1: Russell Simmings on Dreamcat like you got nothing. So it

823
00:44:42,120 --> 00:44:46,920
Speaker 1: was crazy and we're we're doing hip hop effects uncovered

824
00:44:47,000 --> 00:44:50,440
Speaker 1: with our big you bid me and he said the

825
00:44:50,520 --> 00:44:53,279
Speaker 1: only part that they hated. Is that the studio made

826
00:44:53,320 --> 00:44:56,239
Speaker 1: him take Russell Simmons out, he said, but they let

827
00:44:56,360 --> 00:45:01,919
Speaker 1: us interview murderous. He said, look at our markets. Yeah,

828
00:45:02,400 --> 00:45:06,799
Speaker 1: that's that's the mother ship, right, some other ship that's

829
00:45:06,800 --> 00:45:09,160
Speaker 1: like that day Chapelle jokes six and Stones where he's like, well,

830
00:45:09,200 --> 00:45:13,400
Speaker 1: I'm not a nigger either. Yeah, that's this is a

831
00:45:13,440 --> 00:45:16,000
Speaker 1: deep conversation. This is deep, man. I ain't even looking

832
00:45:16,040 --> 00:45:19,920
Speaker 1: at my notes. Holy mouse, you said you go above

833
00:45:19,960 --> 00:45:23,880
Speaker 1: and beyond to book more female guests. Yeah, what is

834
00:45:23,920 --> 00:45:26,399
Speaker 1: it that you're doing. Give us an example. Shout out

835
00:45:26,440 --> 00:45:29,400
Speaker 1: to my team because we haven't had light on, but

836
00:45:29,440 --> 00:45:31,520
Speaker 1: we've had We've had We've had a lot of female guests.

837
00:45:31,640 --> 00:45:33,600
Speaker 1: We had last week, we had Dasher Polanco. Next week

838
00:45:33,640 --> 00:45:36,319
Speaker 1: is Sonny Anderson. Um Sonny told said to say what's

839
00:45:36,400 --> 00:45:40,000
Speaker 1: up as well? I know that that's one of us. Yeah.

840
00:45:41,000 --> 00:45:44,600
Speaker 1: There was an argument on the squad because they kept

841
00:45:44,600 --> 00:45:47,319
Speaker 1: booking really good guests. We had busted d M mex

842
00:45:47,360 --> 00:45:49,640
Speaker 1: And and I'm like, yo, I gave him a list

843
00:45:49,719 --> 00:45:51,960
Speaker 1: of women the book. I'm like, make sure you get

844
00:45:52,040 --> 00:45:54,279
Speaker 1: I gave him as ten women. I said, get your

845
00:45:54,320 --> 00:45:56,959
Speaker 1: bad and that average needs to be three hundred book

846
00:45:57,080 --> 00:45:59,239
Speaker 1: three of these women and then months went by. We

847
00:45:59,360 --> 00:46:01,239
Speaker 1: get in dope, ask but they ain't getting none in women.

848
00:46:01,560 --> 00:46:04,640
Speaker 1: And I'm like, yo, if I'm not pushing to get women,

849
00:46:04,680 --> 00:46:07,680
Speaker 1: we we we all as the team are default is

850
00:46:07,719 --> 00:46:09,879
Speaker 1: to just be comfortable with the with the male talking,

851
00:46:10,200 --> 00:46:12,440
Speaker 1: you know, and it's like we, I think we need

852
00:46:12,520 --> 00:46:14,640
Speaker 1: to balance and I think people like us who had

853
00:46:14,680 --> 00:46:17,920
Speaker 1: the platforms we gotta fight for it. Um yeah, we

854
00:46:18,080 --> 00:46:19,880
Speaker 1: we just gotta fight for it. And shout out to

855
00:46:19,920 --> 00:46:23,200
Speaker 1: your coat as well. Now you worked on a low

856
00:46:23,320 --> 00:46:25,880
Speaker 1: end theory with TP called chust. Yeah, you know on

857
00:46:25,920 --> 00:46:29,840
Speaker 1: the song show bits I run on that song. I

858
00:46:29,840 --> 00:46:34,160
Speaker 1: didn't that you should tell the story about how you

859
00:46:34,200 --> 00:46:36,400
Speaker 1: got on that record. Okay, yeah's all right? So this

860
00:46:36,480 --> 00:46:38,120
Speaker 1: this this is crazy right. I went down I went

861
00:46:38,200 --> 00:46:40,400
Speaker 1: down to the to the session to play some beasts

862
00:46:40,400 --> 00:46:44,960
Speaker 1: for Tipper. Yeah. Yeah, just just want I feel bad

863
00:46:45,160 --> 00:46:47,600
Speaker 1: over yet that you want some of this. I want

864
00:46:47,760 --> 00:46:52,200
Speaker 1: somebody st a little bit. I'm gonna be honest, I am,

865
00:46:55,080 --> 00:47:01,960
Speaker 1: but just man, Mr Lead, who's the whiskey drinker who

866
00:47:02,000 --> 00:47:06,520
Speaker 1: comm to Jamison? Yeah? Mr Lee? So show business right,

867
00:47:07,400 --> 00:47:11,200
Speaker 1: tripical quests. So I go down to Battley Studios, and

868
00:47:11,680 --> 00:47:15,919
Speaker 1: I'm trying to play tests joints. Um. Oh so I'm drinking.

869
00:47:19,320 --> 00:47:26,960
Speaker 1: I didn't know that, yeah, so a little m so

870
00:47:27,040 --> 00:47:31,400
Speaker 1: I'm playing tips and beats. Um. At this point, Tipping

871
00:47:31,440 --> 00:47:34,120
Speaker 1: Knew had a deal for the Stunts Pluss and Hip

872
00:47:34,160 --> 00:47:36,880
Speaker 1: Hop album. We would see each other, like Jackie, we

873
00:47:36,880 --> 00:47:39,400
Speaker 1: will see each other up about Jazz j Studio up

874
00:47:39,400 --> 00:47:43,719
Speaker 1: in the Bronx. I'm down here playing beats for him

875
00:47:44,440 --> 00:47:49,759
Speaker 1: and Lord Jaman some diet they show up, they do

876
00:47:50,160 --> 00:47:52,840
Speaker 1: they do their verses right. Well, the first time they

877
00:47:52,920 --> 00:47:55,920
Speaker 1: they did verse, Pooba was there. I wasn't there the

878
00:47:55,960 --> 00:47:59,239
Speaker 1: first time, but anyway that what happened was Pooba his verse.

879
00:47:59,440 --> 00:48:02,040
Speaker 1: You know he was told been him out gaze and

880
00:48:02,760 --> 00:48:05,080
Speaker 1: you know, just kicking in the buck. You know, he's

881
00:48:05,080 --> 00:48:08,040
Speaker 1: a father center so you already know this stance. So

882
00:48:08,280 --> 00:48:11,640
Speaker 1: Job is like, all right, listen, we love pool By,

883
00:48:12,040 --> 00:48:15,160
Speaker 1: you know, asking to write a new verse. Poop. I

884
00:48:15,280 --> 00:48:18,080
Speaker 1: was like, what, you're dead on that? So he didn't

885
00:48:18,120 --> 00:48:20,120
Speaker 1: want to write a new verse. Who was on a lecture?

886
00:48:20,200 --> 00:48:22,640
Speaker 1: There was on the lecture at that time. But but

887
00:48:22,760 --> 00:48:24,279
Speaker 1: this is this is on I'm cute, this is on

888
00:48:24,360 --> 00:48:27,000
Speaker 1: Trapical quest albums. I know you said job and that

889
00:48:27,239 --> 00:48:31,000
Speaker 1: job so um. So when I showed up to play

890
00:48:31,160 --> 00:48:33,360
Speaker 1: play took some some beats. He was like, yo, you

891
00:48:33,400 --> 00:48:36,439
Speaker 1: want to jump on the song all right? I was like, hell, yeah,

892
00:48:37,200 --> 00:48:39,000
Speaker 1: you know what I mean. So that, like me being

893
00:48:39,040 --> 00:48:41,240
Speaker 1: on that on that album kind of set up my album,

894
00:48:42,000 --> 00:48:44,480
Speaker 1: you know, because the Lower Theory came out maybe a

895
00:48:44,600 --> 00:48:47,360
Speaker 1: few months before Stunts, blunt and hip hop. You know

896
00:48:47,400 --> 00:48:49,880
Speaker 1: what I mean? But how many mcs round on the

897
00:48:49,920 --> 00:48:55,920
Speaker 1: tribe bobum, you know what I mean? I did, It's

898
00:48:55,960 --> 00:48:59,680
Speaker 1: only of us, just take that's crazy though. It was crazy.

899
00:48:59,719 --> 00:49:02,640
Speaker 1: I watched the documentary the other day and I cried

900
00:49:02,719 --> 00:49:08,480
Speaker 1: like I never saw it again because when I saw

901
00:49:08,600 --> 00:49:11,600
Speaker 1: him and que Tip argue, I actually called coupon. I

902
00:49:11,640 --> 00:49:13,320
Speaker 1: didn't tell him what I was calling him. I was like,

903
00:49:13,520 --> 00:49:15,080
Speaker 1: you know, you know, I just want you to know

904
00:49:15,200 --> 00:49:18,680
Speaker 1: I leve you, bro, And he was like, because it's

905
00:49:18,680 --> 00:49:23,399
Speaker 1: just weird, just love you. Because I related to cute

906
00:49:23,400 --> 00:49:27,360
Speaker 1: Tip and both was making sense. I was, yeah, I

907
00:49:27,480 --> 00:49:29,919
Speaker 1: was both for them. At one point. I was like, oh, shoot,

908
00:49:29,960 --> 00:49:31,960
Speaker 1: he's right, but then the other one would saying something.

909
00:49:32,000 --> 00:49:38,600
Speaker 1: I was like, how is he? I looked and I

910
00:49:38,760 --> 00:49:46,239
Speaker 1: was like, wow, and it's crazy, because, yeah, I think that.

911
00:49:46,719 --> 00:49:49,839
Speaker 1: I think the most slept on two in the hip

912
00:49:49,880 --> 00:49:53,560
Speaker 1: hop is the hip hop documentary. Like since Rhyming Reason,

913
00:49:55,800 --> 00:49:57,920
Speaker 1: I watched Around the Reason twice a year. Just makes

914
00:49:57,960 --> 00:50:02,160
Speaker 1: your my mom right and he best slow down over

915
00:50:02,200 --> 00:50:06,160
Speaker 1: there over there, man, you know what I'm saying. They

916
00:50:06,280 --> 00:50:08,600
Speaker 1: helped me drink the champage, so you know, you got

917
00:50:08,640 --> 00:50:12,160
Speaker 1: all the brothers helping, you know. But I think that's

918
00:50:12,200 --> 00:50:15,120
Speaker 1: the most slept on the hip hop documentary. Like I

919
00:50:15,200 --> 00:50:17,359
Speaker 1: would love to see a Black Star. I would want

920
00:50:17,360 --> 00:50:20,319
Speaker 1: to Black Star documentary more. Did I want a Black

921
00:50:20,360 --> 00:50:23,919
Speaker 1: Star album after that? I've never made a film before

922
00:50:23,920 --> 00:50:26,200
Speaker 1: in my life. But after we do this, I'm gonna

923
00:50:26,200 --> 00:50:28,879
Speaker 1: show y'all a ten minute rough for the Black Star

924
00:50:29,000 --> 00:50:32,000
Speaker 1: documentary that I've been working on the last two years.

925
00:50:32,080 --> 00:50:34,000
Speaker 1: Last two years. Okay, wow, I'm saying some of that

926
00:50:34,040 --> 00:50:38,640
Speaker 1: ship has been filmed on my iPhone. But documentary first

927
00:50:38,640 --> 00:50:41,319
Speaker 1: of doctors my favorite style of the film. I feel

928
00:50:41,320 --> 00:50:44,279
Speaker 1: like I'm being entertained and learning something at the same time.

929
00:50:45,120 --> 00:50:47,920
Speaker 1: But yeah, that that is hill into that. Yeah. I

930
00:50:48,080 --> 00:50:50,080
Speaker 1: was on the Tribal album because I went to the

931
00:50:50,200 --> 00:50:54,239
Speaker 1: Afro punk cute Tip was in Brooklyn to see Ice

932
00:50:54,280 --> 00:50:56,879
Speaker 1: Cube perform. He was performing at Afro Punk, a couple

933
00:50:56,880 --> 00:50:59,880
Speaker 1: of blocks from where I stay. You see how just

934
00:51:02,960 --> 00:51:04,640
Speaker 1: and Q tipping me and decided we're gonna work in

935
00:51:04,680 --> 00:51:06,000
Speaker 1: the record. We've been talking about the song. You know,

936
00:51:06,120 --> 00:51:08,920
Speaker 1: Tipp is talking about a record of two years I'm

937
00:51:08,920 --> 00:51:12,279
Speaker 1: trying to get this record. Five passed away, and so

938
00:51:12,400 --> 00:51:14,880
Speaker 1: in my mind, I'm like, funk that record. I'm never

939
00:51:15,000 --> 00:51:17,359
Speaker 1: asking for that record again. Like if I hit, if

940
00:51:17,360 --> 00:51:19,920
Speaker 1: I hit, Bro, it's just on some just what's up?

941
00:51:20,520 --> 00:51:22,719
Speaker 1: You know what I'm saying, because like the friendships in

942
00:51:22,760 --> 00:51:24,719
Speaker 1: the in the brotherhood is more important than I was

943
00:51:24,760 --> 00:51:27,040
Speaker 1: getting a studio. And when I seen him, it was

944
00:51:27,040 --> 00:51:29,080
Speaker 1: the first time I seen him since Fife passed. And

945
00:51:29,160 --> 00:51:31,200
Speaker 1: I'm like, you know what I'm saying, And he's like, Yo,

946
00:51:31,480 --> 00:51:33,000
Speaker 1: what happened to that song? We're gonna do the song.

947
00:51:33,040 --> 00:51:35,120
Speaker 1: I was like, hey, bro, you know what I'm saying,

948
00:51:35,200 --> 00:51:38,640
Speaker 1: Like we could do the song, but he invited me

949
00:51:38,680 --> 00:51:40,120
Speaker 1: over the crib. When I went over the crib as

950
00:51:40,160 --> 00:51:42,360
Speaker 1: him drove me there and they listened in the songs

951
00:51:42,400 --> 00:51:44,960
Speaker 1: of him and Fife did that nobody had heard and

952
00:51:45,080 --> 00:51:47,640
Speaker 1: they listening to Tip his mixing records and he's like, yeah,

953
00:51:47,640 --> 00:51:51,279
Speaker 1: I'm dropping a tropical Quest album And I was like, Yo,

954
00:51:51,360 --> 00:51:54,360
Speaker 1: would you mind if I'm on the last album. I

955
00:51:54,480 --> 00:51:56,399
Speaker 1: just came through his house every day to watch him

956
00:51:56,400 --> 00:52:01,919
Speaker 1: work on this album. You want him beat Rob? Yeah,

957
00:52:02,320 --> 00:52:06,920
Speaker 1: just kid, give me, just give me that ship. But yeah, man,

958
00:52:06,960 --> 00:52:08,719
Speaker 1: it's one of my friend paid me. I was like,

959
00:52:08,880 --> 00:52:12,919
Speaker 1: you get paid. I was like, I supposed to listen

960
00:52:12,960 --> 00:52:17,000
Speaker 1: his jobs could move when you was because that was

961
00:52:17,200 --> 00:52:21,000
Speaker 1: Beach Robs in Life is a is an underrated trial album,

962
00:52:21,520 --> 00:52:25,200
Speaker 1: but the connection, the Queen's connection and the connection they

963
00:52:25,280 --> 00:52:28,200
Speaker 1: made between the North East side of Queens to see

964
00:52:28,239 --> 00:52:30,040
Speaker 1: an inside of Queens and the trial Quest side of

965
00:52:30,080 --> 00:52:32,799
Speaker 1: question was very important for the coaches because it wasn't

966
00:52:32,840 --> 00:52:35,400
Speaker 1: too later. I'm gonna tell you something. I fight first heard, No,

967
00:52:35,600 --> 00:52:37,719
Speaker 1: you know what it is and you know that you

968
00:52:37,800 --> 00:52:41,040
Speaker 1: know Jack, he didn't really feel me at first, like

969
00:52:41,520 --> 00:52:46,560
Speaker 1: kind of Jack fight competitive competitive. And the other connection

970
00:52:46,640 --> 00:52:49,280
Speaker 1: to that album is the guy who created our logo,

971
00:52:49,360 --> 00:52:55,920
Speaker 1: Scam who did that album. When I'm on is he

972
00:52:56,000 --> 00:53:03,600
Speaker 1: a Beach Life for Love movement? Love movement? Yeah, that

973
00:53:03,760 --> 00:53:08,919
Speaker 1: was just just just whiteum cover. When when when When

974
00:53:10,400 --> 00:53:12,680
Speaker 1: when you watch the documentary like that David d and

975
00:53:12,800 --> 00:53:17,320
Speaker 1: all the relationships and ups and downs, did you see like,

976
00:53:17,400 --> 00:53:19,880
Speaker 1: Because I'm gonna tell you something that's makes gonna make

977
00:53:19,920 --> 00:53:24,319
Speaker 1: me sound very, very very naive. I didn't really see

978
00:53:24,440 --> 00:53:27,279
Speaker 1: Fife look that sick like I saw him. Did you

979
00:53:27,440 --> 00:53:30,600
Speaker 1: notice that in real life? No? Like whenever I saw

980
00:53:30,640 --> 00:53:33,880
Speaker 1: a Fife, I never really saw him sick. Right? Was

981
00:53:33,960 --> 00:53:36,680
Speaker 1: you living in Atlanta the same time he was there? Um? Yeah,

982
00:53:36,760 --> 00:53:39,160
Speaker 1: I saw him that I was seeing. You know, you don't,

983
00:53:39,280 --> 00:53:41,360
Speaker 1: like when you're sick, you don't come outside, so you

984
00:53:41,400 --> 00:53:44,480
Speaker 1: know he's outside. You know he's Fife. But you know

985
00:53:44,640 --> 00:53:47,359
Speaker 1: most people who were sick on that level, when they're sick,

986
00:53:47,400 --> 00:53:49,560
Speaker 1: they stay indoors. Yeah, you know what I mean. You

987
00:53:49,600 --> 00:53:50,719
Speaker 1: know you don't want to be you know, you don't

988
00:53:50,719 --> 00:53:52,600
Speaker 1: want to come around and people cheat you like like

989
00:53:52,719 --> 00:53:55,839
Speaker 1: like like a pity case. Because I I didn't see

990
00:53:55,840 --> 00:53:58,600
Speaker 1: the same thing with Punt. People said they were signs.

991
00:53:58,840 --> 00:54:01,480
Speaker 1: The only thing I've seen on with Pun he got bigger,

992
00:54:02,080 --> 00:54:04,120
Speaker 1: but not that didn't even make me so I didn't

993
00:54:04,120 --> 00:54:06,200
Speaker 1: even Knowice like because he was just I just always

994
00:54:06,239 --> 00:54:09,160
Speaker 1: met him as a big guy one of the signs.

995
00:54:09,200 --> 00:54:11,480
Speaker 1: I didn't know this was bad form TV video shoot.

996
00:54:11,680 --> 00:54:14,480
Speaker 1: I remember me talking and we're just kicking it, and

997
00:54:14,640 --> 00:54:17,000
Speaker 1: he just went into sleep and he just started snoring.

998
00:54:17,480 --> 00:54:20,120
Speaker 1: So I thought my story was trash. Like I didn't know,

999
00:54:20,239 --> 00:54:27,680
Speaker 1: Like I was like, really stepped my game the sleep

1000
00:54:29,360 --> 00:54:31,440
Speaker 1: sleep for me. And it wasn't till later on when

1001
00:54:31,480 --> 00:54:36,040
Speaker 1: it was like, yo, that's that's that. But I didn't know,

1002
00:54:36,239 --> 00:54:38,840
Speaker 1: like I mean, even down to the funeral. You know,

1003
00:54:38,920 --> 00:54:41,160
Speaker 1: they gave everybody like a certain amount of time to

1004
00:54:41,280 --> 00:54:43,840
Speaker 1: go to the casket. And I sat there and I

1005
00:54:43,920 --> 00:54:46,560
Speaker 1: sat down, and I guess I got in the praying stance.

1006
00:54:46,800 --> 00:54:48,800
Speaker 1: I don't even know how I got there, but and

1007
00:54:48,840 --> 00:54:50,960
Speaker 1: I kept crying. And I remember the people from TS like, yo,

1008
00:54:51,080 --> 00:54:52,400
Speaker 1: he's in a better place. I was like, how's it

1009
00:54:52,440 --> 00:54:54,759
Speaker 1: in a better place. It's like he's not suffering. I'm

1010
00:54:54,800 --> 00:54:57,719
Speaker 1: like suffering. They're like, yeah, no, you't know. And I

1011
00:54:57,880 --> 00:55:00,680
Speaker 1: didn't see pun stuffing. Is that meet me him naive

1012
00:55:01,440 --> 00:55:05,279
Speaker 1: or you know, just like probably winning around him like

1013
00:55:05,320 --> 00:55:08,440
Speaker 1: that either, And maybe he didn't show that side himself

1014
00:55:08,480 --> 00:55:10,600
Speaker 1: to you. It's like when he said if you if

1015
00:55:10,640 --> 00:55:13,320
Speaker 1: he felt bad, he probably din't come out when he

1016
00:55:13,400 --> 00:55:18,680
Speaker 1: felt better. Now, what what's up with Lord Finess? Lord? Yeah, man,

1017
00:55:18,719 --> 00:55:21,480
Speaker 1: that's my brother. Um for next, he just put out

1018
00:55:21,480 --> 00:55:23,719
Speaker 1: an album. Um, he just remixed UM a bunch of

1019
00:55:23,800 --> 00:55:28,319
Speaker 1: Motown records. UM and that that that that's incredible. Um.

1020
00:55:30,440 --> 00:55:33,080
Speaker 1: He's also he's out there on the West coast. You know,

1021
00:55:33,120 --> 00:55:37,520
Speaker 1: he running around. But your man Russell Peters, so you

1022
00:55:37,600 --> 00:55:39,040
Speaker 1: know he know, he do his thing. You know, he's

1023
00:55:39,040 --> 00:55:41,280
Speaker 1: still Djane. I'm trying to get Finesse to make another

1024
00:55:41,440 --> 00:55:46,880
Speaker 1: MC album. Wow, that would be tough. You know. You

1025
00:55:46,960 --> 00:55:50,640
Speaker 1: know what I just found out the other day. Cameron

1026
00:55:50,719 --> 00:55:54,400
Speaker 1: literally told me this yesterday. He said, you could go

1027
00:55:54,480 --> 00:55:57,640
Speaker 1: to the label right now and get hit him with that. YO.

1028
00:55:58,280 --> 00:56:00,680
Speaker 1: Nobody wants to be a master and on a mask

1029
00:56:00,760 --> 00:56:04,359
Speaker 1: at this point, right, So let's negotiate to get our

1030
00:56:04,440 --> 00:56:08,480
Speaker 1: master's back, to go back. He said. If they say no,

1031
00:56:09,160 --> 00:56:11,719
Speaker 1: it's a it's a legal law that you can go

1032
00:56:11,920 --> 00:56:14,279
Speaker 1: in and do your old he said, you know, he

1033
00:56:14,360 --> 00:56:16,480
Speaker 1: said eight year statue limitation on that. Did you have

1034
00:56:16,600 --> 00:56:18,200
Speaker 1: you heard of this? To do your over you can

1035
00:56:18,200 --> 00:56:24,359
Speaker 1: do your whole album? Yeah, what say arrested that the community? Yeah,

1036
00:56:24,440 --> 00:56:25,839
Speaker 1: he did that. He did that. He had an album

1037
00:56:25,920 --> 00:56:27,799
Speaker 1: that he sold the rights too early in his career.

1038
00:56:28,120 --> 00:56:29,640
Speaker 1: Then he blew up and he went back to the dude.

1039
00:56:29,680 --> 00:56:31,879
Speaker 1: He said, listen, I got this amount of money, give

1040
00:56:31,920 --> 00:56:33,600
Speaker 1: me to write some my out back. The dude was like, no,

1041
00:56:33,719 --> 00:56:35,560
Speaker 1: it's too valuable. So he just went and did the

1042
00:56:35,560 --> 00:56:38,359
Speaker 1: whole set over, recorded it over at a comedy club,

1043
00:56:38,640 --> 00:56:46,200
Speaker 1: joke for joke, and put it out himself. He got

1044
00:56:46,280 --> 00:56:51,359
Speaker 1: arrested right after. Yeah, this was after. This was after

1045
00:56:51,440 --> 00:56:55,400
Speaker 1: his arrest. He was hanging with him and it was

1046
00:56:56,280 --> 00:57:00,719
Speaker 1: we just saw him at the bar. You drinking, but

1047
00:57:00,800 --> 00:57:02,880
Speaker 1: I could see how he was drinking. To the killer,

1048
00:57:03,040 --> 00:57:06,960
Speaker 1: I said, he's gonna be fit he get arrested tonight. Yeah, yeah,

1049
00:57:07,239 --> 00:57:10,719
Speaker 1: I kind of. He is sober since theant really don't

1050
00:57:10,760 --> 00:57:15,480
Speaker 1: drink like like like drunk Hannibal bro like that. That

1051
00:57:15,760 --> 00:57:18,000
Speaker 1: is a great guy when he's drunk. Oh my god,

1052
00:57:18,080 --> 00:57:21,160
Speaker 1: he's good. Let me qualified because he did say this

1053
00:57:21,320 --> 00:57:23,600
Speaker 1: to me, because I said, you're sober now. He said, listen,

1054
00:57:23,920 --> 00:57:30,000
Speaker 1: I just don't drink. So yeah, that's that's that's real.

1055
00:57:30,120 --> 00:57:33,800
Speaker 1: That's real, old movie, block of movie. How long you

1056
00:57:33,880 --> 00:57:38,120
Speaker 1: had your studio in Midtown Manhattan? Came here once seven

1057
00:57:38,440 --> 00:57:42,080
Speaker 1: eight years and that's ship that was like my best

1058
00:57:42,160 --> 00:57:49,800
Speaker 1: worst investment. No, that's miss mys All thunked out. Yeah,

1059
00:57:49,800 --> 00:57:52,480
Speaker 1: I had the best location. We didn't have the best equipment,

1060
00:57:52,800 --> 00:57:55,520
Speaker 1: We didn't have the best anything else, just the best location,

1061
00:57:55,840 --> 00:57:59,720
Speaker 1: just the fruits on, but carry was there. What I

1062
00:57:59,800 --> 00:58:03,600
Speaker 1: know was back then was people didn't want to come

1063
00:58:03,600 --> 00:58:05,280
Speaker 1: to see me in Queens because they just thought that

1064
00:58:06,000 --> 00:58:07,919
Speaker 1: whatever part of Queen's he from, it gotta be bad.

1065
00:58:09,120 --> 00:58:13,160
Speaker 1: Which was when this town, which was not right then

1066
00:58:13,200 --> 00:58:15,520
Speaker 1: when I went. I had one in Jersey. I had

1067
00:58:15,520 --> 00:58:19,200
Speaker 1: a studio in Jersey. Uh, people didn't want to travel.

1068
00:58:19,240 --> 00:58:21,760
Speaker 1: They felt like Jersey was out of town. And I

1069
00:58:21,840 --> 00:58:23,880
Speaker 1: had my joint I was in. Were talking which was

1070
00:58:23,960 --> 00:58:27,160
Speaker 1: like the next town, but no one, no one could convinced.

1071
00:58:27,760 --> 00:58:30,320
Speaker 1: But when I got the hood, lad was on thirty

1072
00:58:30,400 --> 00:58:32,960
Speaker 1: second in Madison. Between thirty first thirty second in Madison,

1073
00:58:33,200 --> 00:58:36,400
Speaker 1: it was the location everyone from Mike Ryan Carry the

1074
00:58:36,760 --> 00:58:41,120
Speaker 1: Diamond d the big ticket UH to e FN. Everybody

1075
00:58:41,160 --> 00:58:44,480
Speaker 1: would go because their hotels is ten minutes away. Everyone

1076
00:58:44,560 --> 00:58:51,360
Speaker 1: said it was so exactly, it was so hotel. It

1077
00:58:51,560 --> 00:58:55,040
Speaker 1: was dope because at the time, you know, they didn't

1078
00:58:55,040 --> 00:58:57,400
Speaker 1: look at me as a person that's gonna send an invoice.

1079
00:58:57,960 --> 00:59:00,880
Speaker 1: So if I put Norrie Studio, because you know, I

1080
00:59:00,920 --> 00:59:03,320
Speaker 1: had to send invoices for people but booking sessions, like

1081
00:59:03,600 --> 00:59:06,720
Speaker 1: I literally paid myself to be called my own at

1082
00:59:06,840 --> 00:59:10,760
Speaker 1: my own studio, but they wouldn't give me the money

1083
00:59:10,840 --> 00:59:14,000
Speaker 1: like Homeboy Exchange. I had to literally make a studio

1084
00:59:14,120 --> 00:59:16,800
Speaker 1: session logging you know what I'm saying, and then present

1085
00:59:16,960 --> 00:59:20,920
Speaker 1: depth with the joints that's took the Hood lab instead

1086
00:59:20,920 --> 00:59:24,360
Speaker 1: of like Norwri studio. But yeah, it was a great investment.

1087
00:59:24,400 --> 00:59:27,760
Speaker 1: I should have actually made it a real studio where

1088
00:59:28,320 --> 00:59:30,320
Speaker 1: you know, other people could rent it out, because if

1089
00:59:30,360 --> 00:59:32,040
Speaker 1: you didn't know me, you wouldn't rent this ship out,

1090
00:59:32,480 --> 00:59:36,200
Speaker 1: like you know, like listen to me, like what's her name,

1091
00:59:36,280 --> 00:59:40,480
Speaker 1: Evie Queen, the reggae throng artist, Evie Queen, since she

1092
00:59:40,600 --> 00:59:43,720
Speaker 1: came to be called, came to be called and we

1093
00:59:43,840 --> 00:59:46,520
Speaker 1: were like fire niggers like we probably this is to

1094
00:59:46,640 --> 00:59:49,640
Speaker 1: be clear, I made it was fired in definitely right

1095
00:59:49,680 --> 00:59:51,480
Speaker 1: I told about we didn't mob, We didn't do none

1096
00:59:51,520 --> 00:59:54,880
Speaker 1: of that, but it was it was a vibe though.

1097
00:59:54,920 --> 00:59:56,919
Speaker 1: You would go there and make five six records because

1098
00:59:56,920 --> 00:59:58,760
Speaker 1: we had a vibe but we didn't really clean. We

1099
00:59:58,880 --> 01:00:02,960
Speaker 1: cleaned once maybe twice a month. So yeah, I mean

1100
01:00:03,040 --> 01:00:04,960
Speaker 1: it just had to I was trying to make D

1101
01:00:05,080 --> 01:00:11,640
Speaker 1: and D D. But yes, like we would have the

1102
01:00:11,760 --> 01:00:14,760
Speaker 1: NBC with the NBC box on it like that it

1103
01:00:14,840 --> 01:00:17,240
Speaker 1: came in like you know, using people somebody by a table. No,

1104
01:00:17,720 --> 01:00:19,520
Speaker 1: we just just kept the box that came on the NBC.

1105
01:00:20,600 --> 01:00:24,440
Speaker 1: So get back to this story. Evie Queen is starting

1106
01:00:24,480 --> 01:00:27,240
Speaker 1: to record and in the room that she recorded and

1107
01:00:27,320 --> 01:00:30,440
Speaker 1: we had carpet, but she walks out of the room

1108
01:00:30,480 --> 01:00:33,920
Speaker 1: that we recorded and without her shoes on. I was like,

1109
01:00:34,120 --> 01:00:40,280
Speaker 1: no shoes we got, we got. E got a little

1110
01:00:40,320 --> 01:00:43,680
Speaker 1: crazy here. I don't want to just jump on your point.

1111
01:00:43,760 --> 01:00:45,240
Speaker 1: She was like, why might be dome from together? I

1112
01:00:45,360 --> 01:00:48,360
Speaker 1: was like, this might be worse than together, like they

1113
01:00:48,440 --> 01:00:51,000
Speaker 1: might be harving things on the flute. You gotta go

1114
01:00:53,320 --> 01:00:56,320
Speaker 1: your own, Madison. So each year the rent got higher

1115
01:00:56,320 --> 01:01:01,760
Speaker 1: and higher, but it was dope for for me that time, Expirit, So,

1116
01:01:02,160 --> 01:01:04,720
Speaker 1: what's what's your favorite part of hip hop? Is? It?

1117
01:01:04,840 --> 01:01:09,320
Speaker 1: Is it making the record, performing the record everything, but

1118
01:01:09,520 --> 01:01:13,040
Speaker 1: as a producer, creating something out of nothing, you know

1119
01:01:13,080 --> 01:01:15,320
Speaker 1: what I mean, that's that's that's that's the dopest family

1120
01:01:15,400 --> 01:01:21,959
Speaker 1: for me. What about you? The fact that black people

1121
01:01:22,040 --> 01:01:26,480
Speaker 1: marginalize people, people who come from nothing could take art

1122
01:01:27,160 --> 01:01:33,400
Speaker 1: and create a megaphone check to broadcast what we experienced globally.

1123
01:01:34,320 --> 01:01:37,200
Speaker 1: I think it's fly. Yeah. I like that too. Yeah,

1124
01:01:37,280 --> 01:01:41,960
Speaker 1: I like how you already dead like you, I don't

1125
01:01:41,960 --> 01:01:45,320
Speaker 1: know you you noticed? I remember we used to have

1126
01:01:45,480 --> 01:01:48,520
Speaker 1: to wait for our albums to come out in England,

1127
01:01:48,760 --> 01:01:51,120
Speaker 1: like they would literally come out two months later in

1128
01:01:51,200 --> 01:01:55,160
Speaker 1: the UK versions and the UK version. And now that

1129
01:01:55,280 --> 01:01:57,200
Speaker 1: you can just make an album and that's it could

1130
01:01:57,200 --> 01:02:00,280
Speaker 1: be in Japan the same day it's in forty Priest Jackson,

1131
01:02:00,320 --> 01:02:04,120
Speaker 1: it could be in the same days in Brooklyn, it

1132
01:02:04,160 --> 01:02:08,480
Speaker 1: could be Osaka and all that. I think that did

1133
01:02:08,520 --> 01:02:11,920
Speaker 1: you think? What do y'all think about streaming? Though? Man?

1134
01:02:11,960 --> 01:02:16,320
Speaker 1: I've been having this conversation. It's accomplished, really yeah, man,

1135
01:02:16,400 --> 01:02:20,640
Speaker 1: because people yeah, man like like because this n f

1136
01:02:20,760 --> 01:02:24,120
Speaker 1: T ship is popping off, right and it's just popping off,

1137
01:02:24,160 --> 01:02:25,680
Speaker 1: and you can sell a picture of us right now,

1138
01:02:26,040 --> 01:02:28,040
Speaker 1: off a picture of us and that could be worth

1139
01:02:28,360 --> 01:02:31,040
Speaker 1: six and we get and we get with the right people,

1140
01:02:31,360 --> 01:02:34,040
Speaker 1: get read right team. We could sell it and become millionaires,

1141
01:02:34,920 --> 01:02:39,200
Speaker 1: possibly the royalties as it gets so definitely have a

1142
01:02:39,280 --> 01:02:43,640
Speaker 1: situation where streaming was always unfair. The price point is unfair,

1143
01:02:44,160 --> 01:02:47,280
Speaker 1: but if you create something, you get to create the

1144
01:02:47,360 --> 01:02:49,920
Speaker 1: price point, just like any business. But the thing that

1145
01:02:50,040 --> 01:02:52,040
Speaker 1: makes the most unfair is that we don't get to

1146
01:02:52,160 --> 01:02:56,000
Speaker 1: see what Apple. We get to see, but with titles Spotify,

1147
01:02:56,160 --> 01:02:58,000
Speaker 1: something we don't. We don't get to see Think you

1148
01:02:58,080 --> 01:03:00,640
Speaker 1: get to see Apple, you think, but you really don't. Right,

1149
01:03:01,160 --> 01:03:03,400
Speaker 1: we don't get to see the whole ship. So it's

1150
01:03:03,440 --> 01:03:05,840
Speaker 1: like they're telling us, look, this is your percentage, but

1151
01:03:05,880 --> 01:03:07,959
Speaker 1: they're not telling us what they're making. They're not telling

1152
01:03:08,080 --> 01:03:09,920
Speaker 1: us you know. And that's the whole problem with it

1153
01:03:10,560 --> 01:03:13,800
Speaker 1: is that it's not transparent. We were making we're making

1154
01:03:14,120 --> 01:03:22,400
Speaker 1: pieces of a penny for each stream. But the problem

1155
01:03:22,560 --> 01:03:26,040
Speaker 1: is you have to make a decision as a as

1156
01:03:26,080 --> 01:03:29,280
Speaker 1: a businessman or and a creator. Are you a populist

1157
01:03:29,680 --> 01:03:32,200
Speaker 1: who wants the people to hear whatever you got to hear?

1158
01:03:32,480 --> 01:03:34,480
Speaker 1: Are you only in it for your bread and you

1159
01:03:34,520 --> 01:03:36,720
Speaker 1: don't care if a small elite group of people hear it.

1160
01:03:37,160 --> 01:03:39,760
Speaker 1: Because if you're a populist, then you're gonna work within

1161
01:03:39,840 --> 01:03:43,400
Speaker 1: the system of music assumers are getting their ship from Spotify.

1162
01:03:43,760 --> 01:03:45,760
Speaker 1: So if you're populist, you want your ship of Spotify,

1163
01:03:45,800 --> 01:03:48,320
Speaker 1: you want people to hear it. They're not, they're not

1164
01:03:48,600 --> 01:03:50,560
Speaker 1: you know what I'm saying. But if you just if

1165
01:03:50,680 --> 01:03:53,520
Speaker 1: if that's not important to you, well then you could

1166
01:03:53,560 --> 01:03:55,680
Speaker 1: just make your ship exclusive and only a certain people

1167
01:03:56,240 --> 01:03:59,440
Speaker 1: you know, Rock Marciano, certain people. Certain artists have figured

1168
01:03:59,480 --> 01:04:01,760
Speaker 1: it out, right, they have made it to where a

1169
01:04:02,240 --> 01:04:06,640
Speaker 1: Nipsey figured it out. You know, you can follow the example.

1170
01:04:06,760 --> 01:04:09,440
Speaker 1: But that's where the conflict is for artists right now.

1171
01:04:09,760 --> 01:04:13,200
Speaker 1: It's like do you sell your soul so that the

1172
01:04:13,360 --> 01:04:17,440
Speaker 1: masses can hear your ship or do you keep it

1173
01:04:17,560 --> 01:04:22,160
Speaker 1: more to your more exclusive or finding that balance where

1174
01:04:22,200 --> 01:04:25,600
Speaker 1: you utilize what's there now, But you're always working towards

1175
01:04:25,960 --> 01:04:29,080
Speaker 1: getting away from that. Like a Strange Music where they

1176
01:04:29,160 --> 01:04:32,479
Speaker 1: found that the physical side, they've been able to sell

1177
01:04:32,640 --> 01:04:37,360
Speaker 1: physical like like no other label has today to whereas

1178
01:04:37,440 --> 01:04:40,400
Speaker 1: Techno is number three on the forms list in terms

1179
01:04:40,440 --> 01:04:43,600
Speaker 1: of toring income. But then pandemics hit and that's the

1180
01:04:43,680 --> 01:04:46,640
Speaker 1: type of things that that affect I'm speaking of that

1181
01:04:46,760 --> 01:04:49,800
Speaker 1: have that aspected your yeah bag like um as far

1182
01:04:49,920 --> 01:04:54,000
Speaker 1: as not being able to do shows. Has that been

1183
01:04:54,440 --> 01:04:56,920
Speaker 1: effective for you, because I know, like big overseas, like

1184
01:04:57,400 --> 01:05:00,880
Speaker 1: big overseason, I mean for me and not related my business,

1185
01:05:01,760 --> 01:05:05,360
Speaker 1: because my entire business model was based around Torn. I'm

1186
01:05:05,560 --> 01:05:08,840
Speaker 1: very just stopped having much based around Torn a year ago,

1187
01:05:10,160 --> 01:05:13,000
Speaker 1: right on time, right, So I'm very blessed that I

1188
01:05:13,080 --> 01:05:15,600
Speaker 1: found certain situations and I figured some sh it out,

1189
01:05:16,240 --> 01:05:17,880
Speaker 1: and you know what I'm saying, like to whereas I

1190
01:05:17,920 --> 01:05:20,160
Speaker 1: can still I just a good opportunity for me to

1191
01:05:20,200 --> 01:05:22,360
Speaker 1: plug my book. I had a book deal, I wrote

1192
01:05:22,400 --> 01:05:24,320
Speaker 1: my book. I've been trying to get the book out,

1193
01:05:24,520 --> 01:05:26,560
Speaker 1: but when the pandemic hit, I focused on that. I

1194
01:05:26,680 --> 01:05:28,919
Speaker 1: was like, Okay, let me focus on getting the book.

1195
01:05:28,920 --> 01:05:32,960
Speaker 1: As a book is called vibrate higher, Vibrate higher. Happy

1196
01:05:33,240 --> 01:05:36,840
Speaker 1: you got your copies out there. It's it's it's um

1197
01:05:37,640 --> 01:05:41,200
Speaker 1: getting rave reviews. It's it's my my autobiography mixed in

1198
01:05:41,320 --> 01:05:43,160
Speaker 1: with social commentary and the history of the hip hop.

1199
01:05:43,200 --> 01:05:46,360
Speaker 1: I was listening to at the time Mays for that.

1200
01:05:46,440 --> 01:05:51,440
Speaker 1: God damn. So I've been you know, but it's it's

1201
01:05:51,480 --> 01:05:55,160
Speaker 1: been very um. People don't like to hear artists or

1202
01:05:55,240 --> 01:05:58,720
Speaker 1: celebrities complained because we chose this. You know what, I'm saying,

1203
01:05:59,160 --> 01:06:02,560
Speaker 1: but it's been very hard to figure it out. But

1204
01:06:02,600 --> 01:06:04,200
Speaker 1: I've been blessed to be able to pivot in a

1205
01:06:04,240 --> 01:06:09,200
Speaker 1: way now, Diamond, you worked with forty five King back

1206
01:06:09,200 --> 01:06:12,320
Speaker 1: in the day. How how was that? I never got

1207
01:06:12,360 --> 01:06:15,480
Speaker 1: to work with him as a producer, Like I always

1208
01:06:15,560 --> 01:06:17,760
Speaker 1: kind of admired, I never got a chance. How was that?

1209
01:06:17,960 --> 01:06:24,120
Speaker 1: How was the experiencing with you? Um yo? Like I

1210
01:06:24,640 --> 01:06:28,320
Speaker 1: was a fan, like you know Hetrom the Bronx, but

1211
01:06:28,520 --> 01:06:30,400
Speaker 1: at that time I didn't know you know what I mean,

1212
01:06:30,560 --> 01:06:33,840
Speaker 1: but shouts out to Mark. You know, Mark is the

1213
01:06:33,920 --> 01:06:36,960
Speaker 1: one um. In the early nineties, Russell Simmons had a

1214
01:06:37,000 --> 01:06:41,040
Speaker 1: thing called RPM Rush Producer's Man and easy Mobi was

1215
01:06:41,160 --> 01:06:43,760
Speaker 1: over there. There was a few few other producers over

1216
01:06:44,120 --> 01:06:47,800
Speaker 1: a lot of professor was over there, and you know

1217
01:06:47,920 --> 01:06:49,640
Speaker 1: forty five King. He made a phone call and he

1218
01:06:49,680 --> 01:06:51,240
Speaker 1: got me and he set up a meeting with me

1219
01:06:51,360 --> 01:06:55,080
Speaker 1: over there. This when Francesca spiroit was over there and

1220
01:06:56,080 --> 01:06:58,320
Speaker 1: they wanted him signing me. So you know, he had

1221
01:06:58,360 --> 01:07:01,240
Speaker 1: a big, big hand like in my early production career

1222
01:07:01,440 --> 01:07:04,480
Speaker 1: him and shouts out to my man DJ Jazzy J.

1223
01:07:04,680 --> 01:07:07,600
Speaker 1: Of course he's the one who like taught me foundations.

1224
01:07:08,880 --> 01:07:10,560
Speaker 1: You want to do the shot a shot, I don't

1225
01:07:10,560 --> 01:07:12,560
Speaker 1: know what you gotta tell you? How about show Business

1226
01:07:12,600 --> 01:07:17,680
Speaker 1: A g How was it working with them shows? Come on,

1227
01:07:17,840 --> 01:07:20,760
Speaker 1: you know we'll be with each other, so you know,

1228
01:07:20,920 --> 01:07:26,320
Speaker 1: it's just family. That was a tough album. You made

1229
01:07:26,360 --> 01:07:29,360
Speaker 1: that whole album. Oh no, no, I co coulduce thum?

1230
01:07:29,720 --> 01:07:32,919
Speaker 1: Can I get a soul? Clapp? Me and show Biz

1231
01:07:33,040 --> 01:07:35,720
Speaker 1: we we both did that drink okay okay, So that

1232
01:07:35,880 --> 01:07:37,800
Speaker 1: was like that was like one of the first big joints.

1233
01:07:38,360 --> 01:07:40,480
Speaker 1: Then they would on to do other great things. You

1234
01:07:40,520 --> 01:07:43,560
Speaker 1: know what I mean. Did you think the like hip

1235
01:07:43,600 --> 01:07:47,280
Speaker 1: hop and how pure it was? You think that now, um,

1236
01:07:48,960 --> 01:07:51,120
Speaker 1: that we would have an artist like Cardi b like

1237
01:07:51,240 --> 01:07:53,080
Speaker 1: doing like I think if she did a hundred million

1238
01:07:53,120 --> 01:07:55,800
Speaker 1: the other day or she's the first some crazy. I

1239
01:07:55,840 --> 01:07:58,160
Speaker 1: mean she's the first female artist shout out out to

1240
01:07:58,240 --> 01:08:01,200
Speaker 1: Cardi beats from the Bronx. But it's like it's dope.

1241
01:08:01,280 --> 01:08:05,280
Speaker 1: It's dope. I personally love card But it's so different

1242
01:08:05,680 --> 01:08:07,760
Speaker 1: back then you already know knowing it. Like in the nineties,

1243
01:08:07,840 --> 01:08:10,880
Speaker 1: it was just the lyric system is like really taken seriously.

1244
01:08:11,360 --> 01:08:13,439
Speaker 1: Everybody got their shots, right, I mean, you got your shots.

1245
01:08:14,000 --> 01:08:16,439
Speaker 1: I'm a shot at what already got. Okay, cool, cool, cool,

1246
01:08:16,560 --> 01:08:22,360
Speaker 1: very smart. You learned from drink Chace lesson your listen.

1247
01:08:22,400 --> 01:08:24,080
Speaker 1: We don't know if y'all know, but this is about

1248
01:08:24,360 --> 01:08:27,639
Speaker 1: you know, and in this business, it's about giving people

1249
01:08:27,720 --> 01:08:31,040
Speaker 1: these flowers to they face. You know, you guys are

1250
01:08:31,080 --> 01:08:33,280
Speaker 1: two or great. I can't believe how. I can't wait

1251
01:08:33,320 --> 01:08:35,400
Speaker 1: to hear how this album sound. Can't wait to read

1252
01:08:35,439 --> 01:08:37,479
Speaker 1: the book, can't wait that you keep supporting. That's what

1253
01:08:37,600 --> 01:08:39,519
Speaker 1: we do over here. We support each other. Man. You

1254
01:08:39,560 --> 01:08:40,680
Speaker 1: know what I'm saying. As you can see, I got

1255
01:08:40,720 --> 01:08:43,880
Speaker 1: my DJ college jacking on, boy boy, I didn't get

1256
01:08:43,960 --> 01:08:50,479
Speaker 1: this for three day. Make sure y'all check out Organic

1257
01:08:50,560 --> 01:08:56,040
Speaker 1: Food Kings. I had a steak from Organic Organic Food Kids.

1258
01:08:56,800 --> 01:08:59,400
Speaker 1: When I was speaking the Organic Food Kings, they said,

1259
01:08:59,400 --> 01:09:01,200
Speaker 1: come through, We're gonna take care of you. So I

1260
01:09:01,280 --> 01:09:02,720
Speaker 1: was like, I gotta go through because they showed me

1261
01:09:02,800 --> 01:09:04,680
Speaker 1: so much love. I went through, but I did to think.

1262
01:09:04,800 --> 01:09:06,880
Speaker 1: I was on my way the airport and I was like,

1263
01:09:06,880 --> 01:09:09,880
Speaker 1: I don't want to eat vegan food in the She

1264
01:09:09,920 --> 01:09:11,840
Speaker 1: didn't want to eat vegan food in the car with

1265
01:09:12,000 --> 01:09:13,759
Speaker 1: the masks and ship on the way to the airport,

1266
01:09:14,040 --> 01:09:15,240
Speaker 1: and I'm like, it's not gonna be good when I

1267
01:09:15,280 --> 01:09:16,479
Speaker 1: get to the airport. And I was like, I'm gonna

1268
01:09:16,479 --> 01:09:20,760
Speaker 1: go anyway. And I went anyway, got the ship and

1269
01:09:21,000 --> 01:09:24,080
Speaker 1: ate the ship at the airport and she was still good.

1270
01:09:24,760 --> 01:09:35,120
Speaker 1: Far was faring about the questions too far. There's no

1271
01:09:35,280 --> 01:09:36,880
Speaker 1: far vegan food. You know, there's a lot of vegan

1272
01:09:36,880 --> 01:09:41,240
Speaker 1: food making me far you ever vegan fool? I'm not

1273
01:09:41,520 --> 01:09:51,000
Speaker 1: a little bit right here. Yeah, sometimes I'll be far ridiculous.

1274
01:09:51,920 --> 01:09:55,760
Speaker 1: Ter view is going off. Sometimes it's a good, healthy part.

1275
01:09:57,320 --> 01:10:07,000
Speaker 1: That's what. Sometimes. Sometimes gotta part break. Sometimes you gotta lee,

1276
01:10:07,120 --> 01:10:09,240
Speaker 1: you gotta you gotta talk a little bit about big

1277
01:10:09,320 --> 01:10:14,120
Speaker 1: Out and the legacy. Yes, I feel like we don't

1278
01:10:14,479 --> 01:10:18,120
Speaker 1: we don't talk enough about Bigger. I mean, you know Bigger,

1279
01:10:18,360 --> 01:10:20,479
Speaker 1: you know, definitely was on his way to being one

1280
01:10:20,520 --> 01:10:22,920
Speaker 1: of the greatest. Think you know, people are already look

1281
01:10:23,000 --> 01:10:24,720
Speaker 1: at him that way, and you know he's been dead

1282
01:10:24,800 --> 01:10:29,280
Speaker 1: all these years, you know what I mean. Um, especially

1283
01:10:29,360 --> 01:10:31,560
Speaker 1: that one freestyle session he had with jay Z on

1284
01:10:31,600 --> 01:10:36,519
Speaker 1: a stretch your arm strong, Yeah, kind of kind of

1285
01:10:36,600 --> 01:10:39,720
Speaker 1: handled jay Z up there. He was supposed to be

1286
01:10:39,720 --> 01:10:41,880
Speaker 1: signing the Rocket Feller yeah, you know what I mean, So,

1287
01:10:42,439 --> 01:10:46,520
Speaker 1: I mean, what can you say? You know? Lamont definitely

1288
01:10:46,840 --> 01:10:52,719
Speaker 1: one of the best um lifestyles of the um foreign dangerous,

1289
01:10:52,760 --> 01:10:56,040
Speaker 1: It's dangerous right then. Um the second album The Big

1290
01:10:56,120 --> 01:10:58,680
Speaker 1: Picture that wind up going go and he wasn't even

1291
01:10:58,720 --> 01:11:00,400
Speaker 1: here to see that, and all the indie stuff he

1292
01:11:00,479 --> 01:11:05,400
Speaker 1: did and big like the first Street when the Streets No,

1293
01:11:05,600 --> 01:11:08,360
Speaker 1: Scott the Rock was when the Streets got involved with

1294
01:11:09,120 --> 01:11:11,840
Speaker 1: a rapper killing. But I was about to let me

1295
01:11:11,880 --> 01:11:14,599
Speaker 1: correct myself. I think Scott the Rock was the first

1296
01:11:14,680 --> 01:11:16,360
Speaker 1: year that was a D Nice beef he went over

1297
01:11:16,520 --> 01:11:23,720
Speaker 1: the squashing Wow, Yeah, who big El it was? I

1298
01:11:23,760 --> 01:11:30,560
Speaker 1: think he said a D nice beef. That's that was

1299
01:11:30,600 --> 01:11:33,360
Speaker 1: the d J D Nice beef. Really, I've never heard

1300
01:11:33,439 --> 01:11:35,000
Speaker 1: this you would like to talk about. I think I've

1301
01:11:35,000 --> 01:11:37,760
Speaker 1: seen this somewhere. Evidently he went over there try to

1302
01:11:37,800 --> 01:11:42,920
Speaker 1: squash it. He's a social worker. He was doing crazy

1303
01:11:43,600 --> 01:11:46,640
Speaker 1: don't go in the community. Yeah, he's still in the

1304
01:11:46,680 --> 01:11:50,400
Speaker 1: hood like that. But definitely big El definitely going going

1305
01:11:50,479 --> 01:11:53,439
Speaker 1: through soon. What was your favorite big El drinks? We

1306
01:11:53,479 --> 01:11:57,439
Speaker 1: had to pick one. I ain't gonna live I gotta

1307
01:11:57,479 --> 01:11:59,760
Speaker 1: pick him all. Like, I've never heard the rack bigger

1308
01:12:00,200 --> 01:12:02,400
Speaker 1: record I've never heard of I never excuse me, let

1309
01:12:02,439 --> 01:12:04,120
Speaker 1: me go deep it in that I've never heard of

1310
01:12:04,200 --> 01:12:06,800
Speaker 1: rap big eel verse like I've never heard of verse

1311
01:12:06,880 --> 01:12:09,400
Speaker 1: where he just you know. My favorite moment was I

1312
01:12:09,840 --> 01:12:12,200
Speaker 1: didn't even know he knew who I was, and I

1313
01:12:12,280 --> 01:12:13,840
Speaker 1: said this on the cam and for the other day

1314
01:12:13,840 --> 01:12:15,560
Speaker 1: he was doing. He was like yo, because there's like

1315
01:12:16,000 --> 01:12:18,400
Speaker 1: you fell back. It seemed like he wasn't rapping. He's

1316
01:12:18,439 --> 01:12:22,559
Speaker 1: like no, I wasn't inspired until Cam Nori and dear

1317
01:12:22,640 --> 01:12:27,600
Speaker 1: Mex and I was like this, he's a herald to me,

1318
01:12:27,720 --> 01:12:29,519
Speaker 1: Like I still be bugging out, like when a person

1319
01:12:29,680 --> 01:12:32,320
Speaker 1: like you know, shot with like what up? Norm like

1320
01:12:32,439 --> 01:12:35,519
Speaker 1: what you know? Like you know, because I'm just I

1321
01:12:35,640 --> 01:12:38,640
Speaker 1: downplayed myself. But that was my favorite moment. He had

1322
01:12:38,720 --> 01:12:40,720
Speaker 1: rhymed right before that, and just the fact that he

1323
01:12:40,800 --> 01:12:44,320
Speaker 1: had recognized me, because I don't think he understood how

1324
01:12:44,439 --> 01:12:47,479
Speaker 1: much I admired him, know what I mean? So like

1325
01:12:47,880 --> 01:12:50,720
Speaker 1: I never expect the person I'm a fair enough to

1326
01:12:50,760 --> 01:12:52,479
Speaker 1: be a fan of me, you know what I'm saying.

1327
01:12:52,479 --> 01:12:54,880
Speaker 1: But it doesn't take away, it doesn't take it away,

1328
01:12:54,920 --> 01:12:56,720
Speaker 1: like like if I finally you're not a fan of

1329
01:12:56,840 --> 01:12:58,920
Speaker 1: like aigh school. You know, I still respect you know

1330
01:12:58,920 --> 01:13:01,600
Speaker 1: what I'm saying? Like, um, all right, now, let me

1331
01:13:01,600 --> 01:13:04,080
Speaker 1: switch the subject a little bit. Right. One of my

1332
01:13:04,160 --> 01:13:07,160
Speaker 1: favorite rappers of all time is this guy named Granddaddy

1333
01:13:07,200 --> 01:13:10,240
Speaker 1: at you, right, grand of you. That's one of my

1334
01:13:10,400 --> 01:13:13,599
Speaker 1: number ones, right, but I never wanted to sound like Granddad?

1335
01:13:14,360 --> 01:13:17,960
Speaker 1: Why are these why is everybody? Right now? You can

1336
01:13:18,040 --> 01:13:20,560
Speaker 1: say yo, A new kid could come out of his

1337
01:13:20,640 --> 01:13:22,800
Speaker 1: name could be Smoke Champ and he can say, yo,

1338
01:13:23,520 --> 01:13:25,920
Speaker 1: who's your favorite artists? I like future? And we could

1339
01:13:25,920 --> 01:13:29,559
Speaker 1: be like we know because we have ship. You're real quick.

1340
01:13:29,720 --> 01:13:32,600
Speaker 1: You just post some with Granddaddy at you? Yeah, but

1341
01:13:34,240 --> 01:13:36,360
Speaker 1: I do back to that. Okay, yeah, let me go

1342
01:13:36,520 --> 01:13:39,719
Speaker 1: back to that. But why is why is these guys

1343
01:13:39,840 --> 01:13:43,360
Speaker 1: actually sounding like the people to day admyering and things

1344
01:13:43,400 --> 01:13:46,240
Speaker 1: like that? What's going on with this culture? What do

1345
01:13:46,280 --> 01:13:49,920
Speaker 1: you think? I take the hip hop at some point,

1346
01:13:50,920 --> 01:13:54,439
Speaker 1: like every art form that because mainstream started being made

1347
01:13:54,560 --> 01:13:58,160
Speaker 1: on assembly line type of thing and to whereas they're like, okay,

1348
01:13:58,280 --> 01:14:01,719
Speaker 1: especially when the radio station started being owned by certain

1349
01:14:01,760 --> 01:14:05,400
Speaker 1: corporations in frost the country and you went from regional

1350
01:14:06,000 --> 01:14:08,559
Speaker 1: DJs and program directors having power to the point where

1351
01:14:08,600 --> 01:14:10,040
Speaker 1: it's like, well, you got a problem to the playlist

1352
01:14:10,280 --> 01:14:14,760
Speaker 1: handed down. So yeah, it's just it just becomes it

1353
01:14:14,840 --> 01:14:20,679
Speaker 1: just becomes a consistency who had who makes the most whoppers? Yeah,

1354
01:14:20,800 --> 01:14:23,080
Speaker 1: and I think that so. So kids who grew up

1355
01:14:23,200 --> 01:14:24,680
Speaker 1: listening to music like that, We grew up in the

1356
01:14:24,720 --> 01:14:27,519
Speaker 1: era where we heard different influences or or you can't

1357
01:14:27,680 --> 01:14:29,840
Speaker 1: or like if you if you somebody traveled, you went

1358
01:14:29,880 --> 01:14:32,280
Speaker 1: from New York to Miami, it's a whole different sound.

1359
01:14:33,000 --> 01:14:35,800
Speaker 1: And so you were able to remember when like Uncle

1360
01:14:35,880 --> 01:14:38,000
Speaker 1: Luke used to come to New York. It was a party,

1361
01:14:38,120 --> 01:14:40,280
Speaker 1: used to hang out with Red Alert and Funk Flex

1362
01:14:40,320 --> 01:14:41,840
Speaker 1: and all them, and it was a whole it was

1363
01:14:41,880 --> 01:14:44,640
Speaker 1: like Uncle Lukes intown, We're gonna do this Miami thing.

1364
01:14:44,680 --> 01:14:47,439
Speaker 1: But it's like definitely a different thing. Um. And I

1365
01:14:47,520 --> 01:14:50,240
Speaker 1: think the culture is missing sort of that respect for

1366
01:14:50,400 --> 01:14:54,599
Speaker 1: the for different what I will say, indigenous sounds. Um.

1367
01:14:55,680 --> 01:14:59,400
Speaker 1: And I think that, Um, that's that's the whole problem.

1368
01:14:59,439 --> 01:15:02,439
Speaker 1: So kids who rolling up these days, just like how

1369
01:15:02,520 --> 01:15:04,600
Speaker 1: we grew up. We grew up wanting to be successful

1370
01:15:04,960 --> 01:15:06,680
Speaker 1: and we looked at our favorite artists and that's how

1371
01:15:06,720 --> 01:15:09,160
Speaker 1: you do it. Okay, it'd be different to be creative.

1372
01:15:09,200 --> 01:15:13,720
Speaker 1: That was that was success is you just copy the

1373
01:15:13,760 --> 01:15:16,080
Speaker 1: next nigga. They look at that, they say, Okay, that's working.

1374
01:15:16,120 --> 01:15:17,920
Speaker 1: There was There was ever when I when I came

1375
01:15:17,960 --> 01:15:20,960
Speaker 1: into business where this mad fake drink chaps out there

1376
01:15:21,600 --> 01:15:29,040
Speaker 1: up successful. When I remember when I came in for me,

1377
01:15:29,200 --> 01:15:32,679
Speaker 1: that's who I was ruining it with. What I noticed

1378
01:15:32,760 --> 01:15:36,040
Speaker 1: the shift was people stopped wanting to be dope m

1379
01:15:36,160 --> 01:15:40,200
Speaker 1: c s and dope DJs. Puff was killing it. People

1380
01:15:40,240 --> 01:15:42,439
Speaker 1: stopped wanting to be dope em you're run into him

1381
01:15:42,800 --> 01:15:44,760
Speaker 1: love hip hop and what you do you DJ is

1382
01:15:44,840 --> 01:15:47,799
Speaker 1: and now he's a No, I'm a CEO, I'm an executive.

1383
01:15:47,840 --> 01:15:51,280
Speaker 1: People wanted people wanted to be record executive and industry people,

1384
01:15:51,520 --> 01:15:53,759
Speaker 1: and that was different from me, Like I never wanted

1385
01:15:53,800 --> 01:15:55,800
Speaker 1: to be a record industry person. But now that's a

1386
01:15:55,920 --> 01:15:57,800
Speaker 1: thing that somebody wants to be. I want to be

1387
01:15:57,880 --> 01:15:59,840
Speaker 1: a mogul. I want to be They're not wrong with that,

1388
01:16:00,280 --> 01:16:02,479
Speaker 1: you know, but it just that's shifted. And so now

1389
01:16:02,680 --> 01:16:04,720
Speaker 1: kids they see what's going on. They just want to

1390
01:16:04,760 --> 01:16:08,120
Speaker 1: be like this certain artist, and and why why don't

1391
01:16:08,120 --> 01:16:09,439
Speaker 1: they why why don't they want to be like that?

1392
01:16:09,600 --> 01:16:12,240
Speaker 1: That's obviously a path to success. They're not. They don't

1393
01:16:12,400 --> 01:16:14,200
Speaker 1: get the real though. They don't know that that's a

1394
01:16:14,280 --> 01:16:16,719
Speaker 1: once in a lifetime thing. They don't know that one

1395
01:16:17,120 --> 01:16:19,280
Speaker 1: out of a million make it. They don't know that,

1396
01:16:19,479 --> 01:16:23,639
Speaker 1: so it becomes copies. Shout out to legend Jerobe would

1397
01:16:23,640 --> 01:16:29,960
Speaker 1: just be now, Diamond D, has there ever been a

1398
01:16:30,080 --> 01:16:35,040
Speaker 1: time you know, you come from the no com commercial era,

1399
01:16:35,600 --> 01:16:38,240
Speaker 1: like y'all motherfucker's just making it was right to be

1400
01:16:38,360 --> 01:16:46,080
Speaker 1: on the radio? I mean remember this, soio, have ever

1401
01:16:46,160 --> 01:16:47,920
Speaker 1: been a time a record label that came to you

1402
01:16:48,000 --> 01:16:50,160
Speaker 1: and said, yo, I want to cross over a record

1403
01:16:51,120 --> 01:16:55,960
Speaker 1: and if so, did you ever do it? Uh? Probably

1404
01:16:56,040 --> 01:16:59,760
Speaker 1: closest I came to that was the Black Panther sound

1405
01:17:00,000 --> 01:17:03,360
Speaker 1: like that song freedom have all all the top female

1406
01:17:03,479 --> 01:17:08,720
Speaker 1: artist singing on it. Oh, I want to see if

1407
01:17:08,720 --> 01:17:15,840
Speaker 1: you win commercial. I mean not mean I would. It's

1408
01:17:15,880 --> 01:17:17,400
Speaker 1: in business, you know what I mean. You don't want

1409
01:17:17,439 --> 01:17:19,000
Speaker 1: to pleasure. You don't if you produce, so you don't

1410
01:17:19,040 --> 01:17:22,479
Speaker 1: want to be pitching holding to one thing right yourself

1411
01:17:22,479 --> 01:17:24,800
Speaker 1: yourself with this service, you know how like they say

1412
01:17:24,960 --> 01:17:27,240
Speaker 1: it is a premiere sound or do you feel like

1413
01:17:27,320 --> 01:17:30,120
Speaker 1: Diamond D has a sound. It's a certain sound of diamond.

1414
01:17:30,439 --> 01:17:34,839
Speaker 1: Someone say I do, but I know, I guess instances.

1415
01:17:34,880 --> 01:17:38,920
Speaker 1: I feel like to the Dompie's albums, right, I mean,

1416
01:17:40,320 --> 01:17:43,680
Speaker 1: there's a it's fluid, but every joint is different. I

1417
01:17:43,760 --> 01:17:45,960
Speaker 1: gotta say though I can't. I can't pick a diamond

1418
01:17:46,000 --> 01:17:49,360
Speaker 1: dbat so you can't listen to say that you can't know.

1419
01:17:49,600 --> 01:17:51,800
Speaker 1: I mean if you tell me diamond made and I'm like, okay,

1420
01:17:51,840 --> 01:17:54,639
Speaker 1: that makes sense. But even with this Gotham album, there's

1421
01:17:54,640 --> 01:17:57,320
Speaker 1: so many different textures of sounds, of flavors that I'm

1422
01:17:57,360 --> 01:17:59,640
Speaker 1: not like, It's not like I hear a beat and

1423
01:17:59,640 --> 01:18:03,320
Speaker 1: I'm like, oh, that's definitely a diamond. I don't and

1424
01:18:03,479 --> 01:18:05,960
Speaker 1: like Permiere like when you're here Forrell, but it's not

1425
01:18:06,160 --> 01:18:11,760
Speaker 1: it's not bad, that's not it's also it don't happen

1426
01:18:11,760 --> 01:18:13,960
Speaker 1: to sit at your sound too. It's also because like

1427
01:18:14,000 --> 01:18:17,479
Speaker 1: it's not ruining it because everybody has this run when

1428
01:18:17,479 --> 01:18:20,839
Speaker 1: you're a produce a where it's like now a producer

1429
01:18:20,960 --> 01:18:23,599
Speaker 1: might be able to do it, like Premiere, you could

1430
01:18:23,680 --> 01:18:25,880
Speaker 1: you could answer this question better, Premiere, Pete Rock or

1431
01:18:25,960 --> 01:18:28,200
Speaker 1: somebody might say they'd be like, that's a diamond. DP

1432
01:18:28,960 --> 01:18:31,040
Speaker 1: maybe they here might be trained, but I can't do

1433
01:18:31,120 --> 01:18:33,120
Speaker 1: you know what I'm saying. They might know the sounds

1434
01:18:33,280 --> 01:18:37,360
Speaker 1: usually they might even maybe they know the snare you use.

1435
01:18:37,840 --> 01:18:40,120
Speaker 1: But you know, it's not look crazy that Jerue just

1436
01:18:40,200 --> 01:18:42,679
Speaker 1: came here and did not just say I just watched

1437
01:18:42,680 --> 01:18:51,400
Speaker 1: a documentary. That's just crazy. It just suck up. I

1438
01:18:51,520 --> 01:18:53,479
Speaker 1: just run up that no idea he was coming down.

1439
01:18:53,760 --> 01:18:56,320
Speaker 1: I just routed it up. I just can't. We gonna

1440
01:18:56,320 --> 01:19:00,720
Speaker 1: bring you in bro as well. But oh yeah, quick

1441
01:19:00,720 --> 01:19:03,320
Speaker 1: time you're ready, all right, so this we're gonna do

1442
01:19:03,360 --> 01:19:04,840
Speaker 1: this real quickly, gonna bring you rob. What do you

1443
01:19:04,960 --> 01:19:09,720
Speaker 1: do because quick time, quick answers he wants. It's an

1444
01:19:09,720 --> 01:19:13,400
Speaker 1: a n B answer. But if you want to say both,

1445
01:19:13,439 --> 01:19:16,519
Speaker 1: it's cool. You just gotta take a shot. If you

1446
01:19:16,560 --> 01:19:18,400
Speaker 1: say both, you gotta take a shot. If you want

1447
01:19:18,439 --> 01:19:20,120
Speaker 1: to be political, you gotta take the shot. You gotta

1448
01:19:20,160 --> 01:19:22,120
Speaker 1: take the shot. You want to be political, you gotta

1449
01:19:22,160 --> 01:19:27,160
Speaker 1: take the shot. All right, all right, you ready, first year,

1450
01:19:27,479 --> 01:19:32,960
Speaker 1: But it's saying jay z or nay jay z. Oh,

1451
01:19:34,439 --> 01:19:41,439
Speaker 1: I'm taking a shot. Take a good I like this.

1452
01:19:42,680 --> 01:19:45,799
Speaker 1: Oh listen, take that and then um just fill yourself

1453
01:19:45,880 --> 01:19:48,040
Speaker 1: up again, because I just know you know what you're

1454
01:19:48,040 --> 01:19:50,280
Speaker 1: doing that you don't gotta make it a pretty shot

1455
01:19:50,360 --> 01:19:52,560
Speaker 1: if you think you know me. I think so, I

1456
01:19:52,680 --> 01:19:54,479
Speaker 1: think so that I think it mightn't know. I'm not

1457
01:19:54,520 --> 01:19:58,679
Speaker 1: sure if a diamond going with it, but not ether

1458
01:19:58,920 --> 01:20:05,639
Speaker 1: was better. Okay, okay, I respect that, no doubt can Okay, ready,

1459
01:20:06,120 --> 01:20:13,800
Speaker 1: I'm starting with you. I'm starting with Big all big fun.

1460
01:20:15,479 --> 01:20:22,120
Speaker 1: I'm gonna take a shot with you. I got from

1461
01:20:22,160 --> 01:20:24,880
Speaker 1: my game face this and I think I don't think

1462
01:20:25,160 --> 01:20:27,040
Speaker 1: hold on the next time yet, hold on, hold on,

1463
01:20:28,720 --> 01:20:32,559
Speaker 1: big big one. I would he had the look taking

1464
01:20:32,600 --> 01:20:43,439
Speaker 1: a shot. Just take the shot, man. It's something wrong

1465
01:20:43,479 --> 01:20:50,320
Speaker 1: with the big puns rhymes to me, his his rhyme

1466
01:20:50,400 --> 01:20:53,360
Speaker 1: schemes a little more intricate. Doesn't mean that he was

1467
01:20:53,439 --> 01:20:55,920
Speaker 1: better or not, but his wrong just you know, a

1468
01:20:56,000 --> 01:20:59,760
Speaker 1: little more intricate in my opinion, and Big at that

1469
01:21:00,160 --> 01:21:03,040
Speaker 1: at that time. Okay, I mean, you know they both giants.

1470
01:21:03,120 --> 01:21:05,840
Speaker 1: But that's my answer. I don't know what the answer me,

1471
01:21:10,160 --> 01:21:15,439
Speaker 1: I would say, Big, alright, cool, I'm taking the diamond

1472
01:21:15,479 --> 01:21:20,320
Speaker 1: keeps wrong instruction, all right, I'm taking the right keeping.

1473
01:21:21,120 --> 01:21:23,280
Speaker 1: I'm about to walk out here funked up and miss

1474
01:21:23,320 --> 01:21:25,160
Speaker 1: my kid. And I can did last time. I don't

1475
01:21:25,200 --> 01:21:28,680
Speaker 1: do that. You're gonna take your shot. I'm starting with you.

1476
01:21:31,439 --> 01:21:35,960
Speaker 1: I'm gonna start have to answer these questions in terms

1477
01:21:36,000 --> 01:21:40,479
Speaker 1: of what they only in one category, in terms of

1478
01:21:40,560 --> 01:21:45,040
Speaker 1: just production, just straight production, straight production, premiere. Okay, that's good.

1479
01:21:45,160 --> 01:21:50,280
Speaker 1: I come here. Okay, let me get that later. Most

1480
01:21:50,400 --> 01:21:54,880
Speaker 1: death or common? Who are you asking that to both

1481
01:21:54,920 --> 01:22:07,240
Speaker 1: of your niggers in terms of what acting skill? What

1482
01:22:07,360 --> 01:22:12,920
Speaker 1: you're talking about skill in terms of acting skill? M

1483
01:22:14,280 --> 01:22:17,320
Speaker 1: m C. That was your comment is an MC motherfucker

1484
01:22:17,520 --> 01:22:20,599
Speaker 1: of course, so it's most deaf. I watched that motherfucker him.

1485
01:22:21,040 --> 01:22:23,400
Speaker 1: That's a that's a good most on the Dave Chappelle

1486
01:22:23,520 --> 01:22:25,519
Speaker 1: riding through Brooklyn, I thought I think it was Brooklyn.

1487
01:22:26,160 --> 01:22:32,639
Speaker 1: That's a good push. Well, so listen, you gotta be careful.

1488
01:22:32,640 --> 01:22:34,719
Speaker 1: That's a good pair. But they took a different I'm

1489
01:22:34,720 --> 01:22:37,639
Speaker 1: gonna teach you how to answer and still be politically corrected.

1490
01:22:37,920 --> 01:22:40,400
Speaker 1: I needed I needed here to answer, and if you

1491
01:22:40,560 --> 01:22:42,439
Speaker 1: let's me, I'm satisfied. I would take a shot for you.

1492
01:22:42,520 --> 01:22:44,519
Speaker 1: But if not, you gotta do this shot. But I'm

1493
01:22:44,560 --> 01:22:48,240
Speaker 1: gonna keep an answer. Okay, let's go. I'm gonna pick

1494
01:22:48,320 --> 01:23:00,800
Speaker 1: most deaf. You shoot up and that's all I gotta see. Cutkay,

1495
01:23:01,080 --> 01:23:04,679
Speaker 1: I can see that, all right, this is gonna be crazy.

1496
01:23:04,720 --> 01:23:08,280
Speaker 1: Look j Roby doesn't even know he was here. Midnight

1497
01:23:08,400 --> 01:23:24,040
Speaker 1: Marauders or low end Theory. J gotta leading room. No, no, no,

1498
01:23:25,720 --> 01:23:28,560
Speaker 1: because we're having a real deep Phipps. In terms of

1499
01:23:28,760 --> 01:23:34,720
Speaker 1: what's problem, it's quick one this time. It doesn't have

1500
01:23:34,920 --> 01:23:39,519
Speaker 1: much deep. I really want Jeros answer after. We're gonna

1501
01:23:39,560 --> 01:23:41,680
Speaker 1: get his after. We don't want him to funk up

1502
01:23:41,720 --> 01:23:45,240
Speaker 1: your opinion, so we want to hear yours first. Remember,

1503
01:23:45,240 --> 01:23:47,000
Speaker 1: if you go both, I'll drink what you I'm going

1504
01:23:47,080 --> 01:24:01,400
Speaker 1: to say Midnight Marauder as a producer, Midnight Mark definitely

1505
01:24:01,479 --> 01:24:06,800
Speaker 1: the just heard the progression in the production. That was hard.

1506
01:24:07,400 --> 01:24:20,280
Speaker 1: That was hard, That was hard. Turn came, but I'm

1507
01:24:20,320 --> 01:24:26,040
Speaker 1: gonna take a flash the emergence to fight door emergent.

1508
01:24:26,080 --> 01:24:28,439
Speaker 1: But it's like Godfather and Godfather too. There is no

1509
01:24:28,520 --> 01:24:34,320
Speaker 1: Midnight Marauders without lowing theory and without people. Okay, Miami

1510
01:24:34,479 --> 01:24:37,040
Speaker 1: or l A, either one of you. Miami, that's easier.

1511
01:24:37,120 --> 01:24:38,519
Speaker 1: It was about to say, it's a lot of Miami. Mother.

1512
01:24:39,880 --> 01:24:42,439
Speaker 1: I mean that I didn't even talk about that. Also

1513
01:24:42,520 --> 01:24:44,880
Speaker 1: that they both said, Miami, now this one right here

1514
01:24:45,320 --> 01:24:53,639
Speaker 1: up in the air, independent or major independent Independent, you're

1515
01:24:53,840 --> 01:24:57,200
Speaker 1: losing these man, we have this independent verse major debate.

1516
01:24:57,280 --> 01:25:00,360
Speaker 1: I'm and not talking independent. Tell me why you made

1517
01:25:00,360 --> 01:25:03,080
Speaker 1: you guy? Because I'm lazy to a certain extent. That's

1518
01:25:05,640 --> 01:25:08,280
Speaker 1: sometimes you just need a good partner to handle the business.

1519
01:25:08,320 --> 01:25:11,160
Speaker 1: You can just get that. Yeah, you know, it's it's

1520
01:25:11,320 --> 01:25:13,320
Speaker 1: I just I love it. But let's get out a

1521
01:25:13,360 --> 01:25:18,559
Speaker 1: quick time of slim and we'll come back. Okay, it's

1522
01:25:18,600 --> 01:25:21,880
Speaker 1: not it's not gonna be good for you. Bow or

1523
01:25:22,000 --> 01:25:27,400
Speaker 1: large pro. Oh man, to take the shot, take the shot.

1524
01:25:29,400 --> 01:25:34,320
Speaker 1: You take a shot, Take a shot. Shot. I think

1525
01:25:34,320 --> 01:25:36,960
Speaker 1: you're taking a shot too, like you're taking this shot.

1526
01:25:37,680 --> 01:25:41,120
Speaker 1: That's how I'm going with large prom. Okay, okay, I'm

1527
01:25:41,160 --> 01:25:44,240
Speaker 1: going large Pro. Not because all respect due to the great,

1528
01:25:44,720 --> 01:25:49,479
Speaker 1: the great, legendary, legendary, but for me personally, you know,

1529
01:25:49,640 --> 01:25:53,559
Speaker 1: sometimes you have a personal relationship with our large Large

1530
01:25:53,560 --> 01:25:57,160
Speaker 1: Professor did for me personally with that breaking Adam's album,

1531
01:25:57,920 --> 01:25:59,840
Speaker 1: I was, I was living with that album. I was.

1532
01:26:00,240 --> 01:26:01,800
Speaker 1: It was first like he made it for you. It

1533
01:26:01,880 --> 01:26:04,400
Speaker 1: was a personal Okay, I respect that you shouldn't take

1534
01:26:04,439 --> 01:26:10,439
Speaker 1: a shot for that, all right, Actor Brooklyn, Little Kimra,

1535
01:26:10,520 --> 01:26:18,160
Speaker 1: Foxy Brown, somebody that it was just women power, remember

1536
01:26:19,479 --> 01:26:25,720
Speaker 1: women powers. That this is the quiller. I'll take this here.

1537
01:26:29,360 --> 01:26:31,760
Speaker 1: I'm interested to hear what you're gonna say, Little Kima,

1538
01:26:31,840 --> 01:26:37,519
Speaker 1: Foxy Brown, another shot because that's your old shot. Yeah,

1539
01:26:37,520 --> 01:26:39,080
Speaker 1: I'm taking this game. I'm playing this game with my

1540
01:26:39,160 --> 01:26:45,679
Speaker 1: friends just a little bit. I like Foxy a little more. Okay,

1541
01:26:46,040 --> 01:26:52,920
Speaker 1: I'll expect that who four or five King or show bars.

1542
01:26:56,000 --> 01:27:01,240
Speaker 1: You're asking me, Yeah, you're asking you. Yeah, I'm going

1543
01:27:01,360 --> 01:27:07,519
Speaker 1: with show just because of that Godfather now jam made earlier. Okay,

1544
01:27:07,800 --> 01:27:10,280
Speaker 1: one can't come without the other. Right, where we going?

1545
01:27:10,400 --> 01:27:30,599
Speaker 1: Diamond drinking whiskey? Right because they both they both made

1546
01:27:30,720 --> 01:27:33,360
Speaker 1: joints that only day could have been. I can't really

1547
01:27:33,360 --> 01:27:37,800
Speaker 1: answer that. If my boy Brian all right, um, all right,

1548
01:27:40,080 --> 01:27:47,200
Speaker 1: I think this is this wass it fairly long? It's

1549
01:27:47,240 --> 01:27:50,719
Speaker 1: only three three more questions? Okay, this one should really

1550
01:27:50,760 --> 01:27:55,280
Speaker 1: be easy for both of y'all. Stretching Bobby though verse

1551
01:27:55,360 --> 01:28:00,080
Speaker 1: the Wake Up Show. I'm gonna stretching Bob because as

1552
01:28:00,120 --> 01:28:02,000
Speaker 1: a personal experience, I'm going to stress the ball too.

1553
01:28:02,040 --> 01:28:07,360
Speaker 1: Sorrys Wade sorry, we just we just were just looking

1554
01:28:07,439 --> 01:28:09,920
Speaker 1: up that with Swade. You're gonna take your shot, nobody

1555
01:28:09,960 --> 01:28:17,080
Speaker 1: asked you. Okay, Cardi br Nicki Minaj, Nikki that was

1556
01:28:17,120 --> 01:28:24,800
Speaker 1: fast taking a shot because he remember women improvement. Who

1557
01:28:24,880 --> 01:28:26,640
Speaker 1: does that have to do with this answer? I don't know.

1558
01:28:27,920 --> 01:28:34,600
Speaker 1: I'm taking a shot. They're Nicki minajs or Cardi B.

1559
01:28:34,840 --> 01:28:44,080
Speaker 1: In terms of what yo's artiste? Cardis the only lawyers

1560
01:28:44,200 --> 01:28:48,439
Speaker 1: during quick time of seeing nobody you can pass me

1561
01:28:48,479 --> 01:28:50,920
Speaker 1: that light of time. What do we talking about here?

1562
01:28:50,960 --> 01:28:52,760
Speaker 1: In terms of what? In terms of whatever you wanted

1563
01:28:52,800 --> 01:28:57,720
Speaker 1: to be an overall artist? Overall see drawn curveballs over here?

1564
01:28:58,800 --> 01:29:06,920
Speaker 1: He said ten minutes, overall artists. I reserved the right

1565
01:29:06,960 --> 01:29:10,439
Speaker 1: to change my answer. I reserved the right to change

1566
01:29:10,479 --> 01:29:15,720
Speaker 1: my answer in ten years. Okay, wait what I never

1567
01:29:15,800 --> 01:29:19,599
Speaker 1: heard this ten years? We're not doing dreat chance we're

1568
01:29:19,640 --> 01:29:22,759
Speaker 1: gonna come back to change my answer ten years. Okay,

1569
01:29:22,880 --> 01:29:27,200
Speaker 1: But as of now, yes, as incredible as Cardi B is,

1570
01:29:28,960 --> 01:29:31,880
Speaker 1: Nicki Minaj has done some ship. So I'm going with Nicki. Okay,

1571
01:29:32,000 --> 01:29:36,560
Speaker 1: all right, that took a long time. All right, this

1572
01:29:36,600 --> 01:29:39,080
Speaker 1: would be fit this might you might be taking a

1573
01:29:39,120 --> 01:29:43,920
Speaker 1: shot to this, Oh, oh, taking shots all three ah,

1574
01:29:45,800 --> 01:29:53,200
Speaker 1: dip set or the locks locks locks. Really, that was

1575
01:29:53,479 --> 01:29:55,240
Speaker 1: very easy. I didn't think. I didn't think you guys

1576
01:29:55,479 --> 01:30:01,320
Speaker 1: go listen the question to change the game. But for

1577
01:30:01,439 --> 01:30:04,360
Speaker 1: me personally, that's what it is. Now we get into

1578
01:30:04,400 --> 01:30:07,160
Speaker 1: the of course, it's about how you personally feel, how

1579
01:30:07,200 --> 01:30:17,439
Speaker 1: something exactly exactly. I respect that. Okay, I'm gonna take

1580
01:30:17,479 --> 01:30:21,120
Speaker 1: a shot right now. I'm going with. I'm going with,

1581
01:30:21,360 --> 01:30:23,680
Speaker 1: I'm going to red alert. I'm going I'm going with

1582
01:30:24,120 --> 01:30:27,679
Speaker 1: because because I should be the analogy as well. I'm

1583
01:30:27,680 --> 01:30:30,400
Speaker 1: going to red alert because I got into hip hop

1584
01:30:30,960 --> 01:30:34,479
Speaker 1: like eighty five, eight, six, eighty seven, and around the

1585
01:30:34,560 --> 01:30:36,640
Speaker 1: time when I got into hip hop, I wasn't in

1586
01:30:36,720 --> 01:30:39,719
Speaker 1: the streets as a little kid. My hip hop experience

1587
01:30:39,760 --> 01:30:42,360
Speaker 1: came from listening to the Red Alert, Kissing Fami and

1588
01:30:42,479 --> 01:30:44,639
Speaker 1: Jeff Fox, the Rocks Box and all that type of ship.

1589
01:30:44,960 --> 01:30:48,120
Speaker 1: Taking your shot, taking your shot, Dimond just from the

1590
01:30:48,200 --> 01:30:55,880
Speaker 1: last job. But I got my answer is rather alert

1591
01:30:55,920 --> 01:30:58,800
Speaker 1: because Lert influence kick agree. Yeah, that's what I'm saying.

1592
01:30:58,840 --> 01:31:01,280
Speaker 1: That's the Godfather thing. And I'm to tell y'all my

1593
01:31:01,400 --> 01:31:06,599
Speaker 1: answers should be ready alert too. I had so much

1594
01:31:06,640 --> 01:31:09,879
Speaker 1: more experience, like it was me going to Kick Apris

1595
01:31:09,960 --> 01:31:12,759
Speaker 1: parties that made me say, this might be the baddest

1596
01:31:12,840 --> 01:31:17,160
Speaker 1: DJ to be. His name is Not to be Slandered,

1597
01:31:17,640 --> 01:31:20,040
Speaker 1: and Kick Capri and his production on the Big Ail

1598
01:31:20,080 --> 01:31:24,200
Speaker 1: Ship and Certain Ship He's done for the Culture Joint

1599
01:31:24,280 --> 01:31:27,479
Speaker 1: produced from Death Comedy Jam and just like Kick Capri

1600
01:31:28,200 --> 01:31:30,600
Speaker 1: and and even just now I posted, I reposted some

1601
01:31:30,640 --> 01:31:35,960
Speaker 1: ship Kicker PrePost on Instagram about about work, making sure

1602
01:31:35,960 --> 01:31:38,360
Speaker 1: you working people really appreciate you, and I was like, yo,

1603
01:31:38,520 --> 01:31:42,040
Speaker 1: just just so everybody knows, I need to work with Kickapri,

1604
01:31:42,479 --> 01:31:45,320
Speaker 1: I said. Kick Capri is an absolute legend. He's one

1605
01:31:45,320 --> 01:31:51,200
Speaker 1: of my favorite human beings. He'd probably he's one of

1606
01:31:51,240 --> 01:31:54,400
Speaker 1: my favorite human beings. Yeah, I just see, I see.

1607
01:31:54,439 --> 01:31:57,200
Speaker 1: I was like I was in a I think I

1608
01:31:57,280 --> 01:31:59,160
Speaker 1: was in DC one day with him, the next day

1609
01:31:59,160 --> 01:32:01,920
Speaker 1: in North Line, the next day someone else, and he

1610
01:32:01,920 --> 01:32:04,800
Speaker 1: would equally walk the party with different sets, like he

1611
01:32:04,840 --> 01:32:07,280
Speaker 1: wouldn't repeat his sets. And that was the first time

1612
01:32:07,360 --> 01:32:13,800
Speaker 1: I had organic. He was playing alert. Can't do what

1613
01:32:13,920 --> 01:32:17,120
Speaker 1: Kicker pre do right? The Kick Apre It's not read

1614
01:32:17,120 --> 01:32:20,240
Speaker 1: alert right, Okay, this is the last one. It's pretty

1615
01:32:20,320 --> 01:32:28,160
Speaker 1: much eighties or the nineties. That's a fucking good question.

1616
01:32:29,120 --> 01:32:35,200
Speaker 1: I think it is in terms of what error ten

1617
01:32:35,280 --> 01:32:40,080
Speaker 1: years that ten years again, but ten years it up

1618
01:32:40,160 --> 01:32:45,040
Speaker 1: the ten because if you shift the ten between eighty

1619
01:32:45,120 --> 01:32:48,840
Speaker 1: five and ninety five, I'm going with the eighties going empty,

1620
01:32:48,840 --> 01:32:52,040
Speaker 1: hammer and nigger. That's the one I know, EMC hammer

1621
01:32:52,160 --> 01:33:00,120
Speaker 1: just not define it? Are you nothing looking back? When

1622
01:33:00,160 --> 01:33:02,280
Speaker 1: I say, in terms of what are we talking about

1623
01:33:02,640 --> 01:33:05,439
Speaker 1: specifically hip hop? Would you like the error are you

1624
01:33:05,479 --> 01:33:10,880
Speaker 1: talking about? Because they might have a change to the nineties. Okay, yeah, okay,

1625
01:33:10,920 --> 01:33:15,880
Speaker 1: why because the eighties we said eighties versus nineties in

1626
01:33:15,960 --> 01:33:19,759
Speaker 1: terms of error. In terms of error, the eighties is superior,

1627
01:33:20,040 --> 01:33:22,519
Speaker 1: but the eighties end of eighties hip hop set up

1628
01:33:22,560 --> 01:33:27,559
Speaker 1: the nineties hip hop. Nineties hip hop is. It's great,

1629
01:33:27,640 --> 01:33:32,000
Speaker 1: but up, but it terms of hip hop nineties hip hop.

1630
01:33:32,080 --> 01:33:34,320
Speaker 1: If you go to any party on the planet, on

1631
01:33:34,520 --> 01:33:39,040
Speaker 1: any or any party on the planet right now, righting,

1632
01:33:39,800 --> 01:33:42,679
Speaker 1: and you play any type of music, if the DJ

1633
01:33:42,840 --> 01:33:45,120
Speaker 1: decide that he want to do fifty and twenty minutes

1634
01:33:45,120 --> 01:33:47,160
Speaker 1: of just nineties hip hops, right that's going to be

1635
01:33:47,240 --> 01:33:49,439
Speaker 1: the best part of the party. I don't think about

1636
01:33:49,640 --> 01:33:52,840
Speaker 1: like that. If he played nothing the DJ doing nothing

1637
01:33:53,320 --> 01:33:59,320
Speaker 1: nothing in two thousand? What what? What? What if you

1638
01:33:59,439 --> 01:34:03,240
Speaker 1: go on you doing a scenario, If you're doing a scenario,

1639
01:34:03,800 --> 01:34:06,800
Speaker 1: do a house of pain drip around? You don't have

1640
01:34:06,960 --> 01:34:10,360
Speaker 1: some page up around in a scenario and any and

1641
01:34:10,439 --> 01:34:14,240
Speaker 1: then biggy no money, more money, more problems and how

1642
01:34:14,360 --> 01:34:16,519
Speaker 1: could just kill a man? And if if you're going

1643
01:34:16,560 --> 01:34:19,000
Speaker 1: to a public enemy set, if you do fight to power,

1644
01:34:19,800 --> 01:34:23,720
Speaker 1: what the what do we powers? Eighties? Eighties? That's all

1645
01:34:23,720 --> 01:34:30,760
Speaker 1: I'm trying to tell you. It's as a producer, I

1646
01:34:30,800 --> 01:34:33,560
Speaker 1: would say nineties because the late eighties and when the

1647
01:34:33,640 --> 01:34:37,040
Speaker 1: sample of becomes in effect and hip hop got away

1648
01:34:37,080 --> 01:34:41,120
Speaker 1: from the live instrumentation of the early to mid ager

1649
01:34:41,320 --> 01:34:43,920
Speaker 1: without saying it was more of getting back to the essence,

1650
01:34:44,720 --> 01:34:48,040
Speaker 1: you know what I mean. So that would be my answer.

1651
01:34:49,479 --> 01:34:54,599
Speaker 1: Nine eight What is the best year of hip hop

1652
01:34:54,640 --> 01:34:59,840
Speaker 1: of all time? What Google told you that I don't

1653
01:35:00,000 --> 01:35:03,960
Speaker 1: no no no no no no no no no no

1654
01:35:05,360 --> 01:35:08,719
Speaker 1: is the best year is when everything changed? And I Google.

1655
01:35:08,840 --> 01:35:11,680
Speaker 1: I did Google Google because I wanted to see a

1656
01:35:11,840 --> 01:35:16,839
Speaker 1: public takes the nation of millions holders back. Great adventures

1657
01:35:16,920 --> 01:35:21,840
Speaker 1: like Rick absolutely trade out of Compton, strictly business E. P. M. D.

1658
01:35:22,640 --> 01:35:29,040
Speaker 1: Long lived to Kynes, following the leader by Enemies necessary

1659
01:35:30,080 --> 01:35:33,479
Speaker 1: straight out to jungle. He's a DJ on the rapper

1660
01:35:34,680 --> 01:35:41,880
Speaker 1: critical beat down, tougher than leather Light is a rock easy,

1661
01:35:42,000 --> 01:35:48,200
Speaker 1: doesn't going off. He's Marquis. The best is going off

1662
01:35:52,720 --> 01:35:57,160
Speaker 1: in full gear stet to Sonica talking all that jazz

1663
01:35:57,720 --> 01:36:02,760
Speaker 1: in control Volume one, Symphony for Molly Maul act the

1664
01:36:02,840 --> 01:36:09,479
Speaker 1: fool King Tea, But listen tower iced tea, a salt

1665
01:36:09,560 --> 01:36:14,000
Speaker 1: with a deadly pepper. Alright, so that's night it takes

1666
01:36:14,040 --> 01:36:16,680
Speaker 1: to rob Base one of the best records of all More,

1667
01:36:16,800 --> 01:36:22,400
Speaker 1: can I say audio to the world's greatest entertainer, Doggy Fresh,

1668
01:36:23,560 --> 01:36:25,719
Speaker 1: all that in one year, I need you to google

1669
01:36:25,800 --> 01:36:28,960
Speaker 1: night to night. I'm gonna tell you the next year

1670
01:36:29,000 --> 01:36:31,720
Speaker 1: to come after that. I've done my resent next year,

1671
01:36:34,240 --> 01:36:38,559
Speaker 1: your next next year that got as many dope albums

1672
01:36:38,560 --> 01:36:43,640
Speaker 1: as that. It's ninety six six, all right, who's in

1673
01:36:43,720 --> 01:36:48,640
Speaker 1: ninety six? And I feel like I didn't come out

1674
01:36:48,680 --> 01:36:51,320
Speaker 1: to ninety eight. I was told that was my persont year.

1675
01:36:51,360 --> 01:36:53,519
Speaker 1: I told you to google next because that's a year

1676
01:36:56,320 --> 01:37:00,360
Speaker 1: my year. Really quick, before you say those everything mentioned

1677
01:37:00,400 --> 01:37:03,680
Speaker 1: in eight eight set up the nineties. A lot of

1678
01:37:03,800 --> 01:37:07,960
Speaker 1: all that music influenced everything that happened in the early nineties. Yeah,

1679
01:37:08,040 --> 01:37:12,960
Speaker 1: what you read this is what you use, Okay, okay,

1680
01:37:13,080 --> 01:37:18,880
Speaker 1: ninety six is I might be wrong? Yeah alright, let

1681
01:37:18,920 --> 01:37:22,800
Speaker 1: me start tupac all eyes on me. The Foojis to

1682
01:37:22,840 --> 01:37:28,400
Speaker 1: score fire That right, Maskills from Where wasn't the commercial

1683
01:37:28,720 --> 01:37:31,519
Speaker 1: wasn't commercial. That's a that's that's a classic album. That's

1684
01:37:31,520 --> 01:37:37,000
Speaker 1: a class out. We have Maskills, Conscious Daughters, Gamers, Hammad Collage,

1685
01:37:37,080 --> 01:37:42,759
Speaker 1: Classic Smooth, The Hustler, Once Uplaic, Okay, Classics, Buster Robs,

1686
01:37:42,800 --> 01:37:48,320
Speaker 1: the Coming Classics, that's right, BC Boys to End Sound

1687
01:37:48,360 --> 01:37:53,680
Speaker 1: from Way Out, Ghetto Boys, The Resurrection, Massive, p ice

1688
01:37:53,720 --> 01:38:02,400
Speaker 1: Cream Man. Uh, I might be wrong about ninety six. Yeah,

1689
01:38:02,479 --> 01:38:08,280
Speaker 1: nine six they're also six is high Classic NASA was

1690
01:38:08,320 --> 01:38:13,960
Speaker 1: written X Wild Cowboys, Problems in Life, Trick Requests Classic

1691
01:38:17,240 --> 01:38:23,080
Speaker 1: eight Aliens Classic Ah No, it's not the say Rose

1692
01:38:23,960 --> 01:38:29,960
Speaker 1: the same. Taking a break without taking a break. I'm

1693
01:38:30,000 --> 01:38:32,880
Speaker 1: gonna take a p p at bringing away. We don't

1694
01:38:32,920 --> 01:38:35,760
Speaker 1: take a break. We didn't bring I don't want to

1695
01:38:36,040 --> 01:38:38,280
Speaker 1: take a break down. You don't use the bathroom if

1696
01:38:38,280 --> 01:38:40,200
Speaker 1: you want. I'm good, okay, yeah, I'm cool right now?

1697
01:38:40,400 --> 01:38:43,760
Speaker 1: So what okay? So ninety eight. It's a year the

1698
01:38:43,800 --> 01:38:47,320
Speaker 1: Black Star came out. Okay, September. In September ninety eight,

1699
01:38:48,479 --> 01:38:53,200
Speaker 1: five hip Hop Classics dropped it September, the same day

1700
01:38:53,240 --> 01:38:55,840
Speaker 1: that the Black Star album dropped? Is that is that not?

1701
01:38:56,080 --> 01:38:59,920
Speaker 1: Nine eleven? No? Okay, the same day to the Blacks,

1702
01:39:00,000 --> 01:39:04,320
Speaker 1: the album dropped, well, read the whole year. But I'm

1703
01:39:04,320 --> 01:39:09,800
Speaker 1: a Black Star dropped ninety eight Okay, September Septem a

1704
01:39:09,920 --> 01:39:20,800
Speaker 1: quemini four hundred degrees, juvenile capital, punishment, big pun the

1705
01:39:20,920 --> 01:39:28,240
Speaker 1: Miseducation of Lauren Hill Foundation by brand Newbian Beach, Romes

1706
01:39:28,280 --> 01:39:32,040
Speaker 1: in Life by Tryck requests, moment of Truth again started

1707
01:39:32,160 --> 01:39:37,760
Speaker 1: ninety eight might be the year not beat, Ribs of Life,

1708
01:39:37,880 --> 01:39:42,840
Speaker 1: the love movement, which I don't know why I keep

1709
01:39:42,880 --> 01:39:46,600
Speaker 1: calling it. Okay, okay, this is this one's about to

1710
01:39:46,840 --> 01:39:50,479
Speaker 1: seal the deal, about the seal the deal, money power, respect,

1711
01:39:50,520 --> 01:39:54,680
Speaker 1: by the locks. We could go, we could go a

1712
01:39:54,680 --> 01:39:56,880
Speaker 1: head of what I'm about to see it. I'm about

1713
01:39:56,880 --> 01:40:03,040
Speaker 1: to see e l E By bust the ROMs can

1714
01:40:03,120 --> 01:40:09,320
Speaker 1: I bus by Cannabis. Wow, Okay, still standing by the

1715
01:40:09,360 --> 01:40:13,360
Speaker 1: good emm ah. This is a slept on the album

1716
01:40:14,160 --> 01:40:20,639
Speaker 1: Soul Survivor by p Rock. Okay, I already mentioned member Survivor.

1717
01:40:20,720 --> 01:40:23,680
Speaker 1: Do ye remember I said brand new Rear Foundation that

1718
01:40:23,800 --> 01:40:31,280
Speaker 1: came out that Hello Nasty by the Beastie Boys. That's

1719
01:40:31,320 --> 01:40:36,880
Speaker 1: a fucking good album. Year, Hello Nasty. You know what?

1720
01:40:37,360 --> 01:40:41,519
Speaker 1: Nori Than is my new ninety six. Yeah, was a

1721
01:40:41,520 --> 01:40:44,760
Speaker 1: good year. That's my favorite year. Flesh Blood of My

1722
01:40:44,840 --> 01:40:49,040
Speaker 1: Blood by DMX, Yeah, yeah, that's my year, my best year.

1723
01:40:54,960 --> 01:41:00,400
Speaker 1: This this is an incredible album. Hel Ni Yo by

1724
01:41:00,479 --> 01:41:06,559
Speaker 1: the Death Squad. That Joe Don Carters on the album too,

1725
01:41:07,120 --> 01:41:23,639
Speaker 1: all right, and o R popped up r Bynory. Okay,

1726
01:41:23,720 --> 01:41:26,240
Speaker 1: but here's the album that I'm on that niggers don't

1727
01:41:26,280 --> 01:41:28,120
Speaker 1: even know. I'm not. I'm not on this, Okay, I'm not.

1728
01:41:28,160 --> 01:41:31,759
Speaker 1: I'm not on this album. I'm on a remix Sons

1729
01:41:31,800 --> 01:41:34,880
Speaker 1: of Men. The last should be first and the first

1730
01:41:34,880 --> 01:41:39,120
Speaker 1: should be last. Shout to Heaven Raised. I'm on a remix.

1731
01:41:40,320 --> 01:41:43,479
Speaker 1: I thought I was on album Sons of Man's Killer

1732
01:41:43,520 --> 01:41:49,080
Speaker 1: priest Um sixty Second Assassin. DMX is darker to tell

1733
01:41:49,160 --> 01:41:54,439
Speaker 1: us he was the first artist in history to have

1734
01:41:54,680 --> 01:42:00,360
Speaker 1: platinum twice in one year. I was there, I was there,

1735
01:42:01,600 --> 01:42:06,600
Speaker 1: I was there, I was right right. This is the

1736
01:42:06,680 --> 01:42:10,960
Speaker 1: year I was doing Bobby Digital and Bobby did you

1737
01:42:11,040 --> 01:42:12,800
Speaker 1: I want to let you keep going. I'm gonna tell

1738
01:42:12,800 --> 01:42:16,080
Speaker 1: you how to examined. Forty days, forty nights. That's what

1739
01:42:16,200 --> 01:42:20,559
Speaker 1: you see is what you get? YEA classic video First

1740
01:42:20,600 --> 01:42:25,880
Speaker 1: Family for Life, the Cool Steal, this album classic rest

1741
01:42:25,920 --> 01:42:28,840
Speaker 1: in Peace, the DJ right she passed away, I War

1742
01:42:28,920 --> 01:42:31,040
Speaker 1: in Peace Fine one and two? I want that too?

1743
01:42:31,479 --> 01:42:33,800
Speaker 1: You want that? That's what I was this East Coast

1744
01:42:33,880 --> 01:42:42,519
Speaker 1: Niggas which one? What was that was? Fine? Oh? Yeah, yeah,

1745
01:42:42,560 --> 01:42:51,080
Speaker 1: I was question connection ice Cube. I think we'll be remix, right,

1746
01:42:51,280 --> 01:42:55,000
Speaker 1: we'll be corrupt. But on the remix, me and Most

1747
01:42:55,040 --> 01:42:56,880
Speaker 1: Deaf used to do Black Star shows in the error,

1748
01:42:57,200 --> 01:42:58,840
Speaker 1: and we used to perform a version of that song,

1749
01:42:59,320 --> 01:43:02,360
Speaker 1: and we used to be we'll be clubbing Little Baby Seals,

1750
01:43:02,439 --> 01:43:07,920
Speaker 1: so we can make coach. We'll be clubbing. Push it

1751
01:43:08,000 --> 01:43:10,960
Speaker 1: Wait push. I was like, wait, oh, puh, yeah, that's it.

1752
01:43:11,400 --> 01:43:15,400
Speaker 1: It was that I'm still here. That's a great joint.

1753
01:43:15,920 --> 01:43:20,040
Speaker 1: Spike Lee. He got Game ninety one, ice Cube, Record

1754
01:43:20,040 --> 01:43:25,680
Speaker 1: of nine Generation Effects, a c alone, A book of

1755
01:43:25,800 --> 01:43:28,840
Speaker 1: Human Language. This is actually a very good album, very

1756
01:43:28,880 --> 01:43:32,000
Speaker 1: good album. Black Eyed Peas Behind the front. What that

1757
01:43:32,160 --> 01:43:35,680
Speaker 1: was before Fergie when Yeah, that was the underground black

1758
01:43:36,120 --> 01:43:37,680
Speaker 1: Look at Tyler Live and getting his hip hop on

1759
01:43:38,080 --> 01:43:48,720
Speaker 1: you hip hop, Let's do it look as seen the

1760
01:43:48,800 --> 01:43:54,280
Speaker 1: shadiest buster here you Dad's dealing your revenge retaliation Lyricist

1761
01:43:54,360 --> 01:43:57,439
Speaker 1: Lounge bust albums that year the Lyricist Lounge did you

1762
01:43:57,720 --> 01:44:03,160
Speaker 1: buster twice? Okay? It was just okay, goddamn it. Anybody

1763
01:44:03,200 --> 01:44:06,200
Speaker 1: want to move? I know that's a camera and Confessions

1764
01:44:06,240 --> 01:44:09,320
Speaker 1: of Fire. That's what the nig I'm on that too, right,

1765
01:44:09,360 --> 01:44:20,280
Speaker 1: that's what you listen David, You year period like of

1766
01:44:20,400 --> 01:44:22,439
Speaker 1: my life. The only thing is better about it my

1767
01:44:22,560 --> 01:44:25,280
Speaker 1: father died in the middle of my hype. I don't

1768
01:44:25,280 --> 01:44:29,080
Speaker 1: even talk about. Okay, let's Big Duty, Kane drop Veteran's Day,

1769
01:44:29,080 --> 01:44:33,960
Speaker 1: which is an underrated album. Veterans Day styles are beyond

1770
01:44:34,000 --> 01:44:46,599
Speaker 1: two thousand fold method man to couch, jous ships, ship, corruption, corrupt, Classic,

1771
01:44:47,360 --> 01:44:52,240
Speaker 1: Shut Them Down, Classic, um Snoop Dogg. The game is

1772
01:44:52,320 --> 01:44:54,519
Speaker 1: to be sold, not to be told. With no limit.

1773
01:44:54,600 --> 01:44:56,880
Speaker 1: That's the no limit. That's a classic, too easy. Pieces

1774
01:44:56,920 --> 01:45:01,880
Speaker 1: of a Man. That's the best I learned on Tree

1775
01:45:01,960 --> 01:45:08,040
Speaker 1: Champs today. Can mess with it depends it's great. You

1776
01:45:08,160 --> 01:45:12,160
Speaker 1: know who we should you know what? You know, it's

1777
01:45:12,200 --> 01:45:16,040
Speaker 1: actually an ill versus Listen, listen, listen, because I was

1778
01:45:16,360 --> 01:45:18,760
Speaker 1: only I love Versus and I'm actually a little bit

1779
01:45:18,800 --> 01:45:20,400
Speaker 1: a part of it. But the only thing that I

1780
01:45:20,560 --> 01:45:22,479
Speaker 1: didn't like a little bit part of it, you know what.

1781
01:45:23,240 --> 01:45:29,000
Speaker 1: But like I didn't like the D'Angelo bringing up people

1782
01:45:29,240 --> 01:45:34,960
Speaker 1: was D'Angelo versus himself. If we're gonna go there, why

1783
01:45:35,000 --> 01:45:40,200
Speaker 1: don't we do something like that with eight versus nine

1784
01:45:41,640 --> 01:45:50,320
Speaker 1: and have some of them lostical it just by the way,

1785
01:45:50,560 --> 01:45:55,560
Speaker 1: who's killing Harold on there? And I was done, It

1786
01:45:55,680 --> 01:45:57,160
Speaker 1: was done, but it was just weird because it was

1787
01:45:58,640 --> 01:46:03,640
Speaker 1: from versus. Yeah, magic, you do verse and you have

1788
01:46:03,800 --> 01:46:06,719
Speaker 1: these artists, you get as much artists from both eras

1789
01:46:06,760 --> 01:46:09,040
Speaker 1: that's still alive, that's still That's the beautiful list thing

1790
01:46:09,080 --> 01:46:11,960
Speaker 1: about coming to America They got all the same actors

1791
01:46:12,200 --> 01:46:14,840
Speaker 1: and you get the people perform their records. I think

1792
01:46:14,840 --> 01:46:16,400
Speaker 1: that would be so wait wait, wait, are you saying

1793
01:46:16,439 --> 01:46:18,519
Speaker 1: that you're a fan of coming to America? Coming to

1794
01:46:18,600 --> 01:46:23,880
Speaker 1: America too? You go and grab this conversation. I'm gonna

1795
01:46:23,880 --> 01:46:25,800
Speaker 1: get into it. I think it was a well made movie.

1796
01:46:27,040 --> 01:46:29,120
Speaker 1: Fan I don't understand? What what? What? What's that not

1797
01:46:29,200 --> 01:46:32,160
Speaker 1: to like about it? Word? You know what? I'm about

1798
01:46:32,160 --> 01:46:35,120
Speaker 1: to blow your minds. You hated it? I enjoyed it.

1799
01:46:36,120 --> 01:46:39,479
Speaker 1: It's not better because I was a good movie. Listen,

1800
01:46:39,520 --> 01:46:41,960
Speaker 1: I'm a fan of movies. I know that people had

1801
01:46:42,000 --> 01:46:46,800
Speaker 1: a lot to say about it, but it's very hard

1802
01:46:46,840 --> 01:46:50,280
Speaker 1: to make a sequel and the classic. The running theme

1803
01:46:50,360 --> 01:46:53,519
Speaker 1: of tonight is Godfather versus Godfather too. I brought this

1804
01:46:53,640 --> 01:46:57,000
Speaker 1: up several times. We'll call it, we'll title the episode

1805
01:46:58,920 --> 01:47:02,320
Speaker 1: times right. I enjoyed it because it was good to

1806
01:47:02,400 --> 01:47:05,479
Speaker 1: see my O g s and my heroes having fun.

1807
01:47:06,920 --> 01:47:09,360
Speaker 1: Was it as good as Coming to America? Absolutely not?

1808
01:47:10,240 --> 01:47:16,720
Speaker 1: But did I expect it to do it? In his

1809
01:47:16,840 --> 01:47:19,320
Speaker 1: own understand it was? It was? It was good. We

1810
01:47:19,439 --> 01:47:21,760
Speaker 1: gotta support. I didn't like the Fashion Nova part and

1811
01:47:21,800 --> 01:47:25,439
Speaker 1: I didn't like the part with Homeboys start Fashion was like,

1812
01:47:25,520 --> 01:47:28,280
Speaker 1: come on, it turned into Hamilton and look at it.

1813
01:47:33,960 --> 01:47:36,920
Speaker 1: That's the best part. But the reason why they had

1814
01:47:36,960 --> 01:47:42,400
Speaker 1: Fashion Nova and Pepsi and Puma and all the other

1815
01:47:42,479 --> 01:47:44,719
Speaker 1: brands because when you make a movie, you get paid

1816
01:47:44,800 --> 01:47:46,960
Speaker 1: for the movie. Do you get paid for you know?

1817
01:47:47,240 --> 01:47:50,760
Speaker 1: But here's the thing they should have the only thing

1818
01:47:50,800 --> 01:47:53,240
Speaker 1: I would say creatively. The reason why I coming to

1819
01:47:53,280 --> 01:47:54,920
Speaker 1: America the first one was dope is because it's a

1820
01:47:54,960 --> 01:47:58,479
Speaker 1: fish out of water story. It's a fictional African character

1821
01:47:58,520 --> 01:48:01,720
Speaker 1: coming to New York City, queens and living. This new

1822
01:48:01,760 --> 01:48:05,760
Speaker 1: movie took place into Munda, right if they take place

1823
01:48:05,800 --> 01:48:07,519
Speaker 1: in the bud Fay Queens too, that was fake me.

1824
01:48:07,600 --> 01:48:10,640
Speaker 1: I was offended, but they said it was Hurst, that

1825
01:48:10,680 --> 01:48:12,280
Speaker 1: a new way that else in the in the world.

1826
01:48:12,680 --> 01:48:14,880
Speaker 1: Hurst is the kid in places from Listen Man. When

1827
01:48:14,920 --> 01:48:17,639
Speaker 1: that when they put the you know, you know I'm rewinding,

1828
01:48:17,720 --> 01:48:20,840
Speaker 1: I'm looking, I'm going to see they said, I'm Hurst,

1829
01:48:20,880 --> 01:48:25,200
Speaker 1: New York. I was like, sut um, they're getting married.

1830
01:48:25,520 --> 01:48:27,040
Speaker 1: You know, if you look at this, it real good.

1831
01:48:27,080 --> 01:48:29,240
Speaker 1: It says Elmer's And I'm just so because I'm ten

1832
01:48:29,360 --> 01:48:32,040
Speaker 1: minutes away from Elmhurst, so I know everything to that.

1833
01:48:32,560 --> 01:48:36,040
Speaker 1: But that's me personally. That's me personally. The fact that

1834
01:48:37,120 --> 01:48:40,719
Speaker 1: and they put out Girl Queen's is very much mentioned.

1835
01:48:47,120 --> 01:48:49,840
Speaker 1: I'm not I'm not, I'm not charge. Can we get

1836
01:48:49,880 --> 01:48:57,920
Speaker 1: a drink? Champs clap for what's his name? Yeah? Yo um,

1837
01:48:58,960 --> 01:49:01,840
Speaker 1: And I got to give it up one million percent.

1838
01:49:01,920 --> 01:49:05,360
Speaker 1: I've ever met her. I actually just see her comedies

1839
01:49:05,360 --> 01:49:07,240
Speaker 1: before and I see her stand up prior to me

1840
01:49:07,360 --> 01:49:12,040
Speaker 1: watching it. But Leslie listened to me as a person

1841
01:49:12,640 --> 01:49:16,600
Speaker 1: who my whole life, I dedicate ghetto queens woman. She

1842
01:49:16,720 --> 01:49:20,120
Speaker 1: hit it on the news. She hit it on the news.

1843
01:49:20,240 --> 01:49:26,120
Speaker 1: I'm telling you queens queens, and she hit it on

1844
01:49:26,280 --> 01:49:30,080
Speaker 1: the she said, I hate queen. I'm sorry. I slap

1845
01:49:30,200 --> 01:49:34,400
Speaker 1: at your man. That's exactly one day. One day when

1846
01:49:34,400 --> 01:49:36,920
Speaker 1: I'm an old man. One day, when I'm an old man,

1847
01:49:37,280 --> 01:49:42,200
Speaker 1: I'm gonna tell the world about my DM conversations with Leslie. Leslie,

1848
01:49:42,400 --> 01:49:46,240
Speaker 1: let your damn she she I slid in hers. Oh

1849
01:49:48,400 --> 01:49:57,920
Speaker 1: some comedy ship. I'm like everybody, everybody's why you want

1850
01:49:57,960 --> 01:50:08,000
Speaker 1: to wait two years? What we just say? Who the private?

1851
01:50:08,040 --> 01:50:15,320
Speaker 1: Dont toromy know me? For real? Everybody? Everybody? Single man? Yeah,

1852
01:50:16,040 --> 01:50:18,400
Speaker 1: not you, and I know that you're sing single man

1853
01:50:18,520 --> 01:50:23,519
Speaker 1: talking as far when is this coming out? You never

1854
01:50:24,240 --> 01:50:29,400
Speaker 1: I've never my life, he said, to be at home

1855
01:50:29,880 --> 01:50:34,559
Speaker 1: coming out? What I never heard of? You're sucking me up.

1856
01:50:34,600 --> 01:50:37,760
Speaker 1: I always got something to say. If I don't even

1857
01:50:37,760 --> 01:50:39,600
Speaker 1: know what to say, don't word. I don't know what

1858
01:50:40,120 --> 01:50:42,360
Speaker 1: what the kind of ship was that that was the

1859
01:50:42,400 --> 01:50:45,320
Speaker 1: fifth sha. I know, pimp. When I see it's like,

1860
01:50:45,640 --> 01:50:52,479
Speaker 1: what was this coming out? I holy sh it, I

1861
01:50:52,520 --> 01:50:56,680
Speaker 1: don't even know what a bottle that I don't know. Uh,

1862
01:50:57,320 --> 01:51:05,120
Speaker 1: you diamonded, you don't have pimple with you're married? Up,

1863
01:51:05,360 --> 01:51:08,360
Speaker 1: I'm not married. You're not married. Let's make your noise

1864
01:51:08,400 --> 01:51:16,720
Speaker 1: when you're trying to be loyal. This is the last question. Um,

1865
01:51:17,960 --> 01:51:21,400
Speaker 1: like that, Like Biggie's words, I never thought that hip

1866
01:51:21,439 --> 01:51:26,920
Speaker 1: hop would take it this far. The level of the

1867
01:51:27,040 --> 01:51:31,759
Speaker 1: hip hop is now, Um, although we compromise with the music.

1868
01:51:33,000 --> 01:51:35,000
Speaker 1: Sometimes the music is not up to Paul. But the

1869
01:51:35,240 --> 01:51:38,680
Speaker 1: level of business that I'm seeing being done, that I'm

1870
01:51:38,720 --> 01:51:45,320
Speaker 1: seeing being presented is on another level at this point,

1871
01:51:45,640 --> 01:51:48,639
Speaker 1: like everybody is being able to eat, these people being

1872
01:51:48,680 --> 01:51:50,800
Speaker 1: able to reach their family with switching them there with

1873
01:51:51,000 --> 01:51:55,800
Speaker 1: versus very very very when they gave people equity for

1874
01:51:56,000 --> 01:51:59,000
Speaker 1: you know, putting their their likeness and their image on

1875
01:51:59,120 --> 01:52:01,400
Speaker 1: the thing, because most of these guys don't even own

1876
01:52:02,040 --> 01:52:05,559
Speaker 1: the actual records that they're playing, so they really wasn't

1877
01:52:05,640 --> 01:52:08,560
Speaker 1: benefiting you. Was doing versus just to do versus And

1878
01:52:08,640 --> 01:52:11,040
Speaker 1: for Swiss and Timberling to say, you know what I

1879
01:52:11,120 --> 01:52:12,960
Speaker 1: know some of y'all don't own your masses. So what

1880
01:52:13,040 --> 01:52:14,680
Speaker 1: we're gonna do is we donna give your stake in

1881
01:52:14,720 --> 01:52:18,640
Speaker 1: the actual company where hip hop is. I want to

1882
01:52:18,760 --> 01:52:21,840
Speaker 1: just um, you know, we are the big words. I

1883
01:52:21,920 --> 01:52:23,800
Speaker 1: want to start with you because you came at the end.

1884
01:52:24,160 --> 01:52:26,040
Speaker 1: Did you ever think that hip hop would take it

1885
01:52:26,160 --> 01:52:31,240
Speaker 1: this far? Not at all? M In fact, that's one

1886
01:52:31,240 --> 01:52:34,920
Speaker 1: of the reasons why I um, I started taking color

1887
01:52:34,960 --> 01:52:36,599
Speaker 1: the arts. You know what I'm saying, That's right, that's why.

1888
01:52:36,640 --> 01:52:39,280
Speaker 1: That's one of the reasons. That's right. But it's cool

1889
01:52:39,400 --> 01:52:41,880
Speaker 1: to see it now because we're treated as it is,

1890
01:52:42,120 --> 01:52:44,800
Speaker 1: like we're a culture, you know what I'm saying. Now,

1891
01:52:44,840 --> 01:52:48,560
Speaker 1: it's being treated as a culture now there's companies targeting

1892
01:52:48,600 --> 01:52:51,000
Speaker 1: our culture like they target whites and blacks, and you

1893
01:52:51,040 --> 01:52:52,519
Speaker 1: know what I'm saying, And that's a cool thing to

1894
01:52:52,600 --> 01:52:55,000
Speaker 1: see because they thought we were just some some kids

1895
01:52:55,080 --> 01:52:59,280
Speaker 1: making noise. Yeah, fact, they didn't understand the network and

1896
01:52:59,320 --> 01:53:02,000
Speaker 1: the grammar group in the community we were building, you

1897
01:53:02,040 --> 01:53:03,680
Speaker 1: know what I mean. So that's that's really dope to

1898
01:53:03,720 --> 01:53:06,200
Speaker 1: see that part of it. Right, So so utah, I lived.

1899
01:53:06,240 --> 01:53:08,880
Speaker 1: Did you ever think hip hop? Do you see you

1900
01:53:08,960 --> 01:53:12,880
Speaker 1: see Jay Z just sold his company this to Moat.

1901
01:53:13,520 --> 01:53:17,120
Speaker 1: Now me growing up was the richest ship you can drink.

1902
01:53:17,560 --> 01:53:20,400
Speaker 1: For it to be for them to recognize this company

1903
01:53:20,560 --> 01:53:23,479
Speaker 1: as a five million dollars person and then to buy

1904
01:53:23,640 --> 01:53:26,639
Speaker 1: in but I think at forty nine percent, which which

1905
01:53:26,720 --> 01:53:30,160
Speaker 1: means that he's still is the majority owner. Like that's

1906
01:53:30,200 --> 01:53:32,920
Speaker 1: just the amazing thing to this. This is we all

1907
01:53:33,240 --> 01:53:36,800
Speaker 1: grew up drinking mo and for us for them to

1908
01:53:36,880 --> 01:53:38,640
Speaker 1: be a part of this company that he did on

1909
01:53:38,720 --> 01:53:40,439
Speaker 1: his own, this is big. Like you ever thought the

1910
01:53:40,479 --> 01:53:45,160
Speaker 1: hip hop god this farm? No, I didn't, um, but

1911
01:53:45,320 --> 01:53:49,880
Speaker 1: I attribute that to how we grew up. We had limitations.

1912
01:53:50,000 --> 01:53:52,280
Speaker 1: We had like Blonde just put on it as far

1913
01:53:52,360 --> 01:53:54,880
Speaker 1: as what we could imagine, Like we all just got

1914
01:53:54,960 --> 01:53:57,679
Speaker 1: Everybody in this room got into it because you want

1915
01:53:57,720 --> 01:53:59,800
Speaker 1: somebody and me me personally, it was like you want

1916
01:53:59,840 --> 01:54:01,760
Speaker 1: some I just think he was nice. And if you

1917
01:54:01,840 --> 01:54:04,280
Speaker 1: read jay z book he talked about that, he talked

1918
01:54:04,280 --> 01:54:06,519
Speaker 1: about he said, it's all comes down to the rhom.

1919
01:54:06,680 --> 01:54:10,479
Speaker 1: Like everything I gain attributed to like I just want

1920
01:54:10,520 --> 01:54:12,360
Speaker 1: to write the best raps and everything and if like,

1921
01:54:12,840 --> 01:54:16,479
Speaker 1: if you appreciate this culture, you put your all into it,

1922
01:54:17,760 --> 01:54:21,520
Speaker 1: things like this will happen. We we come from situations

1923
01:54:21,560 --> 01:54:27,439
Speaker 1: where we made to feel like something's wrong with us

1924
01:54:28,479 --> 01:54:33,000
Speaker 1: if we aspire outside of what the hood supposedly represent.

1925
01:54:34,720 --> 01:54:37,400
Speaker 1: And this is why jay Z is such an important

1926
01:54:37,480 --> 01:54:42,240
Speaker 1: artist and human being. It's because he break the barriers constantly,

1927
01:54:43,000 --> 01:54:48,560
Speaker 1: and he involved all of us in it. He makes

1928
01:54:48,560 --> 01:54:51,040
Speaker 1: sure that all of us, at least two people where

1929
01:54:51,080 --> 01:54:53,360
Speaker 1: he comes from. He makes sure all of us, uh

1930
01:54:53,480 --> 01:54:54,840
Speaker 1: see a part of it, in a piece of it,

1931
01:54:55,200 --> 01:54:57,320
Speaker 1: even whether whether or not you're in business with him,

1932
01:54:57,920 --> 01:55:00,160
Speaker 1: through the way he's making his moves. You know what

1933
01:55:00,160 --> 01:55:02,800
Speaker 1: I'm saying and what I was saying earlier about conscious artists.

1934
01:55:03,280 --> 01:55:05,520
Speaker 1: I can't grow no hair now. Back when I was

1935
01:55:05,560 --> 01:55:08,760
Speaker 1: a teenager. When I was a teenager, I had dreads.

1936
01:55:09,360 --> 01:55:14,840
Speaker 1: My dreads looked like John uh Michelle Bascott's hope looking

1937
01:55:14,880 --> 01:55:18,240
Speaker 1: like I've seen Kodak Black and shout out to Kodak

1938
01:55:18,280 --> 01:55:21,320
Speaker 1: Black because he's a Florida artist. I've seen him saying

1939
01:55:21,320 --> 01:55:24,480
Speaker 1: that jay Z was copying his hairstyle. That's that's some

1940
01:55:24,560 --> 01:55:28,080
Speaker 1: young boys ship. He just never seen that. Scott. Yeah,

1941
01:55:28,240 --> 01:55:31,600
Speaker 1: because jay Z is copying Baskett. I love I love

1942
01:55:31,680 --> 01:55:38,600
Speaker 1: how you pronouncing it right. Because I can't. I got

1943
01:55:38,680 --> 01:55:48,040
Speaker 1: Fred for real, I'm sure beyond you know. But even

1944
01:55:48,040 --> 01:55:49,800
Speaker 1: though all the time, even if Kodak Black is a

1945
01:55:49,840 --> 01:55:52,960
Speaker 1: little misguided with his with his historical references as far

1946
01:55:53,000 --> 01:55:54,960
Speaker 1: as coming here, the fact that he grew his hair

1947
01:55:55,040 --> 01:55:58,160
Speaker 1: out like that is revolutionary. The fact that Scott did

1948
01:55:58,240 --> 01:56:00,720
Speaker 1: that is revolutionary. The fact that Jay's when I see

1949
01:56:00,800 --> 01:56:02,320
Speaker 1: j Z, I'm like, That's how my hair looked when

1950
01:56:02,320 --> 01:56:04,480
Speaker 1: I was in high school, know what I'm saying. And

1951
01:56:04,560 --> 01:56:07,240
Speaker 1: it's like it all comes from circles. Like I'm like, yo,

1952
01:56:07,320 --> 01:56:09,280
Speaker 1: that's what we're supposed to be. So we're supposed to

1953
01:56:09,320 --> 01:56:12,680
Speaker 1: be free. We're supposed to be embracing our our our

1954
01:56:12,760 --> 01:56:15,520
Speaker 1: blackness or whatever you are. And it was like, we're

1955
01:56:15,520 --> 01:56:18,760
Speaker 1: supposed to embrace it and be free. And um, I

1956
01:56:18,880 --> 01:56:20,800
Speaker 1: just love the freedom and the fact that his freedom

1957
01:56:21,160 --> 01:56:25,560
Speaker 1: has led to him being and a Stuti businessman. We

1958
01:56:25,640 --> 01:56:28,320
Speaker 1: can now we could do this business, he could do

1959
01:56:28,440 --> 01:56:31,000
Speaker 1: this type of business, and him and his wife and

1960
01:56:31,120 --> 01:56:34,920
Speaker 1: his family could do conscious art and still contribute to

1961
01:56:34,960 --> 01:56:37,960
Speaker 1: conscious causes and still win awards and all that. Beyonce

1962
01:56:38,080 --> 01:56:40,400
Speaker 1: the most winning this artists of all time and the

1963
01:56:40,440 --> 01:56:54,800
Speaker 1: Grammys or whatever. Um, how about you Diamond Nah to

1964
01:56:54,880 --> 01:56:58,920
Speaker 1: see the culture come from black and brown people having

1965
01:56:58,960 --> 01:57:02,320
Speaker 1: block parties, plugging the equipment up to the lamp post

1966
01:57:04,320 --> 01:57:07,880
Speaker 1: to something that jay Z just did d J D

1967
01:57:08,080 --> 01:57:17,040
Speaker 1: Nice in a Ford truck commercial. Not no way, sneakers,

1968
01:57:18,840 --> 01:57:22,760
Speaker 1: no way to test them out though, you know, to

1969
01:57:22,880 --> 01:57:28,080
Speaker 1: to the culture that we started. So yeah, it's crazy. Yeah, man,

1970
01:57:28,560 --> 01:57:30,840
Speaker 1: you know what on that note list in this and say,

1971
01:57:30,920 --> 01:57:34,080
Speaker 1: you know what, God blessed hip hop. It's blessed everyone

1972
01:57:34,240 --> 01:57:38,680
Speaker 1: in this room to a certain extent. Um. Like I said, man,

1973
01:57:38,800 --> 01:57:43,040
Speaker 1: one of the keep watching this documentaries and I think

1974
01:57:43,080 --> 01:57:46,480
Speaker 1: that that's one of the most um slept on hip

1975
01:57:46,520 --> 01:57:49,160
Speaker 1: hop tool is the hip hop documentaries. Like we all.

1976
01:57:49,440 --> 01:57:52,320
Speaker 1: You know what I love about documentaries is it's like

1977
01:57:52,400 --> 01:57:54,720
Speaker 1: you know, you ever watched the HBO fights. You know,

1978
01:57:54,800 --> 01:57:58,120
Speaker 1: they make sure everybody has a story. You understand. I'm saying, like,

1979
01:57:58,800 --> 01:58:01,360
Speaker 1: and that's what the documentaries is. And I'm excited to

1980
01:58:01,520 --> 01:58:03,840
Speaker 1: hear about this Black Star documentary. I'm excited to hear

1981
01:58:03,880 --> 01:58:06,280
Speaker 1: about you guys when when it's got them out one

1982
01:58:06,960 --> 01:58:13,120
Speaker 1: April's I'll try to put this out that we could

1983
01:58:14,040 --> 01:58:16,680
Speaker 1: which so we can help with the promotion. But overall man,

1984
01:58:16,760 --> 01:58:18,440
Speaker 1: thank you brothers for taking your time. I have to

1985
01:58:18,480 --> 01:58:20,320
Speaker 1: come with us and get drunk and have some drinks.

1986
01:58:20,480 --> 01:58:22,840
Speaker 1: We're gonna do some drops and some all pictures and

1987
01:58:23,000 --> 01:58:33,920
Speaker 1: we got this. Thanks for joining us for another episode

1988
01:58:33,960 --> 01:58:36,360
Speaker 1: of Drink Champs hosted by yours truly, d J e

1989
01:58:36,520 --> 01:58:38,880
Speaker 1: F and n O r E. Please make sure to

1990
01:58:38,920 --> 01:58:41,440
Speaker 1: follow us on all our socials. Let's add Drink Champs

1991
01:58:41,440 --> 01:58:44,640
Speaker 1: across all platforms at the Real Noriega and I g

1992
01:58:45,400 --> 01:58:48,520
Speaker 1: at Noriega on Twitter, Mine is at Who's Crazy on

1993
01:58:48,640 --> 01:58:51,800
Speaker 1: I g at d j e FN on Twitter, and

1994
01:58:51,880 --> 01:58:54,280
Speaker 1: most importantly, stay up to date with the latest releases,

1995
01:58:54,680 --> 01:58:57,880
Speaker 1: news and merch by going to drink Champs dot com.

1996
01:59:00,080 --> 01:59:07,800
Speaker 1: M For more podcasts from my Heart Radio, visit the

1997
01:59:07,840 --> 01:59:11,640
Speaker 1: iHeart Radio app, Apple podcast, or wherever you listen to

1998
01:59:11,720 --> 01:59:12,520
Speaker 1: your favorite shows.