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Speaker 1: So check it out. Guys, it's me Russell and you're

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Speaker 1: listening to Culturally Cancel. Before we get into this episode,

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Speaker 1: I want to let you guys know that I got

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Speaker 1: shows coming up in case you want to see me live.

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Speaker 1: July nine to eleven, I'll be in Ontario, California at

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Speaker 1: the Improv. The Ontario Improv. That's Ontario, California. I know

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Speaker 1: I'm from Ontario, Canada, and I didn't want people to

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Speaker 1: get too excited because I would love to be home

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Speaker 1: and performed, but I can't because they're not open yet. Anyway.

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Speaker 1: July fift July seventeenth, I'll be in Raleigh, North Carolina

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Speaker 1: at the Raleigh Improv. It's my first time there, so

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Speaker 1: I'm excited about it. And if you're planning a little

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Speaker 1: farther ahead, from August fifth to August seventh, I'll be

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Speaker 1: in Oklahoma at the Bricktown Comedy Club. Never been in

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Speaker 1: Oklahoma yet and I'm excited about it. I skipped something.

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Speaker 1: I'll also be from July twenty to July I'll be

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Speaker 1: in San Jose, California at the San Jose Improv. Haven't

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Speaker 1: been there in many years, and I'm really excited about

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Speaker 1: that as well. August twelve to August fourteenth, I'll be

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Speaker 1: in Liberty Township in Ohio at the Funny Bone that's

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Speaker 1: just outside of sin to Nasty Um. A great room,

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Speaker 1: great club, great people, had a great time when was

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Speaker 1: there last time. I'll probably end up at Dave Chappelle's place,

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Speaker 1: so you know, Dave lives out there and he always

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Speaker 1: hits me. Hey, man, I heared you ring now Ohio.

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Speaker 1: So August ninety second, i'll be in San Diego the

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Speaker 1: American Comedy Company. August eight I'll be in West Palm

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Speaker 1: Beach at the West Palm Beach Improv. I believe that's

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Speaker 1: in Florida. And then on September I'll be doing a

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Speaker 1: very special show in Abu Dhabi at the Etty Hat Arena.

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Speaker 1: It will be the first show in that arena and

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Speaker 1: I will be that first show. There's always more shows

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Speaker 1: being added, so please keep checking Russell Peters dot com

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Speaker 1: for updates. And I thank you for listening to me. Hey,

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Speaker 1: I know a lot of people ask me about djaying

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Speaker 1: and stuff, and Russell, welcome me here. DJ will funny.

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Speaker 1: You should ask uh. This Sunday, the fourth of July,

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Speaker 1: I'll be d jaying in the daytime at Delicious Pizza

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Speaker 1: on Sunset Boulevard and Hollywood. Uh, we're doing it. I

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Speaker 1: think I look at the parking lot of something. It's

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Speaker 1: gonna be me DJ A V and Frank Nitty from

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Speaker 1: Frank and Dank a k A. Uh. You know Frank

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Speaker 1: Frank Nitty, he grew up with Dila and he's playing

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Speaker 1: and it's at Delicious Pizza. They really do have fucking

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Speaker 1: delicious Pizza, and so it's gonna be fun. I'n we're

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Speaker 1: playing whatever the hell we want to play, and you're

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Speaker 1: gonna come out and have a good time. It's in

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Speaker 1: the day and then I think it's from like two

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Speaker 1: till seven or something like that, and it's gonna be fun.

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Speaker 1: I'm gonna post the flyer on my Instagram so you

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Speaker 1: can check it out. Check out this latest episode with

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Speaker 1: V mic B DJ cash Money and as always, Lord

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Speaker 1: Finesse popped in and we threw him, threw them Mike

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Speaker 1: at him. It's a fun episode. Uh, cash your money.

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Speaker 1: You know how it goes on this. We break balls,

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Speaker 1: we have a good time. We just talked about random shit.

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Speaker 1: I think you're gonna dig it. Green Eyes and Green Juice,

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Speaker 1: So we should call this episode. I like that the

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Speaker 1: Green Juice banded brother banded with the Green Juice. Um

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Speaker 1: have we recording already? Look at that? How well? Welcome

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Speaker 1: to culturally canceled. I'm Russell Peters. I don't you know

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Speaker 1: that this is my podcast? UM very casual today with

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Speaker 1: me sitting in is uh my dear friend. I call

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Speaker 1: him my dear friend, but really we've only uh it's

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Speaker 1: my first time hanging out with them, but we we

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Speaker 1: follow each other on Instagram and we've met in airports

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Speaker 1: and we've met in the past, I think like maybe

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Speaker 1: fifteen or fourteen, fifteen years ago and when Wilmore VALDERRAMI

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Speaker 1: used to have that nightclub and everybody's take turns dejaying

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Speaker 1: my friend. The might be hello, hello DJ, the might

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Speaker 1: be what was your other DJ? Name? Might be? That's it? Well,

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Speaker 1: I mean I have I have like five or six

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Speaker 1: other names that I get that I go under. Just

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Speaker 1: Brillstein is like a house project cameo UFOs just drumming bass,

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Speaker 1: and then pools, which is kind of just mellow vibes.

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Speaker 1: Pool switches, pool switches. Is that what it's called? No,

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Speaker 1: just pools pools, which is mellow vibes. Oh right, okay, okay, sorry.

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Speaker 1: And then we have another DJ. This guy just started, um,

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Speaker 1: very new to the DJ world. Um he just got

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Speaker 1: a controller. I'm really excited for him, a toy one. Yeah,

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Speaker 1: he got the new mattel Um. Anyway, this next the

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Speaker 1: guy I was sitting over on my right, on the

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Speaker 1: right of Mike b is a man who I quit

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Speaker 1: my job to see when I UM. I was working

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Speaker 1: at KFC and I had asked for that Sunday off

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Speaker 1: because my favorite DJ in the entire world was coming

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Speaker 1: to Toronto and I wanted to go see him, and

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Speaker 1: they wouldn't give me the night off. And I went

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Speaker 1: into work and as I sat there working, I was like,

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Speaker 1: I was a KFC and I was I was working

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Speaker 1: and dropping chicken. I was like, you know what, fuck you, KFC.

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Speaker 1: Maybe finger looking good, but you can get the middle

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Speaker 1: finger looking good today. And I just literally went to

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Speaker 1: the bathroom, changed my clothes and walked out in the

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Speaker 1: middle of the rush, fucking because they wouldn't let me

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Speaker 1: go see my friend. Mr DJ cash Money is in

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Speaker 1: the building tonight from Philly. Hey Hey, hey, hey, hey,

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Speaker 1: all time legend all time legend. I'm a little I

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Speaker 1: mean it's a little it's quite a sandwich to be

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Speaker 1: sitting in. Honestly, it's a lot of a lot of fame.

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Speaker 1: It's pretty cool. I mean, you know, you you come

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Speaker 1: from a different pedigree to you know, you're not You

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Speaker 1: didn't grow up in the DJ world. You I did

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Speaker 1: not grow up in the teaching you can't. You came

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Speaker 1: up in a in an interesting world that we all

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Speaker 1: funny enough, although you may not realize this, but we

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Speaker 1: all know who his dad was and all the movies

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Speaker 1: his dad produced. Do you remember Bernie Brostein, Brostein Gray?

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Speaker 1: Remember Ghostbusters? People know the movies, but they don't know

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Speaker 1: every less. You're like an industry guy or like someone

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Speaker 1: who went to school to become an agent. I don't

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Speaker 1: know if that's a thing, but like like there's a

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Speaker 1: scumbag school. Yeah, yeah, exactly. It's like, hey, do you

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Speaker 1: want to learn how to have a nice suit and

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Speaker 1: be a piece of ship? Yeah, but don't to do school.

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Speaker 1: But you know, I think they make him read his book, um,

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Speaker 1: and so so it's like he's there's like a cult following,

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Speaker 1: but really it's more behind the scenes, Like I think

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Speaker 1: I think comics obviously know who he is. DJ's don't.

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Speaker 1: That's why I literally thought everybody until you said Ghostbusters. Yeah, yeah,

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Speaker 1: well we all know Ghostbusters. Ghostbusters he did. He did

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Speaker 1: the Blues Brothers, Ghostbusters, Summer Rental. Oh yeah, because he

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Speaker 1: managed him Spies. Yeah, he managed that. He had. I

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Speaker 1: don't know that he managed. He did because John Candy

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Speaker 1: co managed John Candy with a lady in Toronto and

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Speaker 1: Katherine McCartney. That makes sense. Uh, John Candy's son. I'm

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Speaker 1: close with Chris Candy. He doesn't show on k xl U.

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Speaker 1: Is he out here? Yeah, I didn't know that. I

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Speaker 1: met him and his sister. Yeah, they're awesome. And when

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Speaker 1: I met them, I started crying because I love to

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Speaker 1: be around him because he looks there's so much like

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Speaker 1: his father, and and you know, I think we all

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Speaker 1: love John. I mean you, I don't want to speak

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Speaker 1: for everybody, but you know, I think we all have

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Speaker 1: a place in our hearts for John Candy. Oh yeah, um,

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Speaker 1: but yeah, he did Summer Rental, which was based on

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Speaker 1: my family's trips to the beach. So I was played

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Speaker 1: by Joey Lawrence very similar looking. Yeah, yeah, I was

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Speaker 1: gonna get Eddie Valdez to play cash Money in the

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Speaker 1: Cash Money bio biopic. You know what like that For

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Speaker 1: those who can't see, I've gotten his foot on a

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Speaker 1: on a knee rover, which I've been wanting for years

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Speaker 1: to get around like Coachella with just just one leg

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Speaker 1: less uh work. You know you play at Coachella. I

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Speaker 1: played near Coachella. Uh so I played like the fancy

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Speaker 1: Uh you know the parties that people who don't party,

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Speaker 1: who don't want to go, who don't want to like,

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Speaker 1: that's those people who don't want to pay to go

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Speaker 1: to Coachella. But I'm a pay to go to Coachella guy.

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Speaker 1: Was always a ticket buyer. Um, it's just easier. And

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Speaker 1: then you don't know anyone anything that's true. That's something

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Speaker 1: your dad tell you essentially. Yeah, it's like you buy tickets,

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Speaker 1: buy tickets. You know that sounds like handed down knowledge.

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Speaker 1: He would he would take us to his friends places

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Speaker 1: and buy things from there. Like it was always more

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Speaker 1: like he wasn't a big asker. Yeah, well that's I

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Speaker 1: think that's why he was so respected. I think so.

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Speaker 1: I mean he was just it was very well respected.

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Speaker 1: He was a good guy. I never heard he had

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Speaker 1: a little evil guys around two years thirty two years

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Speaker 1: I've been I never heard one person saying negative thing

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Speaker 1: about your father. I love to hear that. I hear

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Speaker 1: that a lot, and it makes me happy when I

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Speaker 1: hear that. Because he was he was very good at

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Speaker 1: keeping his you know, dirty work secret. Yeah, I mean

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Speaker 1: he was, and that he was genuinely of of a

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Speaker 1: really a really sweet, caring, wonderful man who everybody loved.

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Speaker 1: I never got. But that's why he had Brad Gray.

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Speaker 1: I never get. Yeah, Brad Gray was the Brad rest

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Speaker 1: rest in peace. But yeah, but you know Brad was

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Speaker 1: the the cunning, evil genius. Well that's what happens, you know,

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Speaker 1: That's what happens with Jews there, like good Cop Bad Cup,

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Speaker 1: it is you get to be the sweet Jew, but

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Speaker 1: you have to have like a little sneaky Jew around you.

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Speaker 1: Well and Glad, I think we got the sweet shirt

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Speaker 1: with us. That's my problem is I don't have a

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Speaker 1: little sneaky Jew. So anyone who's out there, who's who's

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Speaker 1: you know, looking to do my dirty work? Yeah, I

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Speaker 1: have a friend. I have a friend in this business too,

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Speaker 1: another Jewish guy and um, his dad created all these

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Speaker 1: great like Charlie's Angels and Mannix and all this, And

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Speaker 1: he was telling me that that you need when you

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Speaker 1: go into these situations. It's not about the project you're pitching.

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Speaker 1: It's about who knows who in the room. And and

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Speaker 1: they're called the trust a Farians in many ways, or

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Speaker 1: you know, formerly was a trust a Ferian. Yeah you

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Speaker 1: did this sh it, didn't you. Well the trust, well,

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Speaker 1: the trust a farign as I understand it is like

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Speaker 1: a hit like a trust fund hippie, right, is that

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Speaker 1: what it is? I thought it was just I really trusted. Yeah,

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Speaker 1: maybe I fully misunderstood that. By definition of Trustafarian is

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Speaker 1: like it's like so it's like if you wear birkin

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Speaker 1: stocks and like a like a like a reggae no

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Speaker 1: problem on the hat, but you live here, Yeah, you're

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Speaker 1: a trust Defarian. Oh I didn't know that. I completely

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Speaker 1: I've had I've had brief bouts of TRUSTAFARIANI is um

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Speaker 1: in my in my in my days of wealth. Yeah.

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Speaker 1: But so, but so what's your definition of the trust?

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Speaker 1: I thought it? Well, there, that's right there, look at

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Speaker 1: that Trustafarian. A wealthy young person who adopts an e

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Speaker 1: turn to live. Yeah, from non Western cultures, so like

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Speaker 1: or not, you know, the other the lesser Hanks boy, yeah,

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Speaker 1: not calling the one, the one that has the spout,

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Speaker 1: the bounce with his baby mama. Yeah, I'm talking about Cash.

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Speaker 1: What's that what's his name, Chet? Yeah, it is Tom

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Speaker 1: Hanks's son, Chet Hanks. He's got like all these baby

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Speaker 1: mama drama ship and and I can't even say much

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Speaker 1: because you know, as a dance hall sometimes dance hall

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Speaker 1: t J from Beverly Hills, like, I can't weigh in

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Speaker 1: too much on what's right. I'm wrong about what Chat

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Speaker 1: Hanks does, but I mean, you know, at the least,

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Speaker 1: I'm not. I think we can see the differences. I

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Speaker 1: think we see the difference swing. He goes to the gym,

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Speaker 1: and I don't. Well, there's that, and uh, that's the

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Speaker 1: Eastern that's the trust of foreignism. I think when you're

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Speaker 1: getting into the third period trant, well, there's that. And

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Speaker 1: I also think he gets it. Looks it looks like

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Speaker 1: he scores math somewhere too. I don't know. Yeah, I

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Speaker 1: mean there's not there's not not drugs involved. Oh yeah,

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Speaker 1: his eyes tell a story. I mean I've told I've

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Speaker 1: told less long stories than those eyes. But not today.

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Speaker 1: Oh Chet, you don't know chat about the business, sweetboy chat.

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Speaker 1: I don't know much about him other than he does

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Speaker 1: a spot on you know PATSOI uh and sall rude

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Speaker 1: boy lick shots. That's so fucking weird. But this is

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Speaker 1: But see, I grew up with Jamaican's you have your

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Speaker 1: your Toronto right, yeah, and so that has a thick, thick,

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Speaker 1: heavy Jamaican of it. Yeah. Growing up when I with

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Speaker 1: DJ parties, Um, I would remember I'm trudging through the

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Speaker 1: snow with my records. My friend like, yo, my brother's

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Speaker 1: having a party, bring your records. I bring a crate

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Speaker 1: and I never a car, So walking like two and

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Speaker 1: a half miles carrying this created records in the snow

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Speaker 1: that I'd find a shopping cart, putting the shopper guard

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Speaker 1: and pushed the shopping guard to the house. Get there.

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Speaker 1: My hands and frozen, my feet are frozen. I'm scared

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Speaker 1: the records are gonna be warped. We're getting the basement.

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Speaker 1: Basement's hot as ship because everybody's in there dancing, and

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Speaker 1: I'm like, fun, my ship's gonna is gonna warp. Then

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Speaker 1: I bring the records to the DJ booth and then

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Speaker 1: and the Jamaican to look at me and goes I

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Speaker 1: go hip hop and R and B. He's like, start,

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Speaker 1: we're not playing all blood clod funk music. I gotta

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Speaker 1: dance how And I was like, are you fucking kidding me? Dude?

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Speaker 1: I just dragged this ship here two and a half miles. Well,

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Speaker 1: it was what was Peter Tosh's quote, He was like,

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Speaker 1: you don't want to hear anybody singing baby I blood

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Speaker 1: clot love you. That's true. You know Dave low You

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Speaker 1: know Dave Lowin? Yeah, you do from D and D Studios.

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Speaker 1: You've met him from me. I gotta see his face, man, Dave,

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Speaker 1: he looks like him. No, this is a pandemic. The

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Speaker 1: pandemic I believe had an effect on on the human memory.

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Speaker 1: Where we where we just yeah, you just we. I

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Speaker 1: think we've forgotten people's names because you don't have to

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Speaker 1: know them anymore, a combination of of having them in

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Speaker 1: your phone. Dave lived with Peter Tosh in Jamaica for

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Speaker 1: a little while. He was working on something with them.

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Speaker 1: So Dave has like a really, I don't want to

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Speaker 1: say intimate knowledge because that sounds a little that sounds

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Speaker 1: like I'm telling you the wrong. You're allowed to say

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Speaker 1: those things, Yeah you are. But he knows him, he

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Speaker 1: knows personal level, which is what which is wild because

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Speaker 1: such a you know, that's an intense cat, Peter Tosh.

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Speaker 1: I mean that's a heavy, heavy, heavy cat. And then

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Speaker 1: I did my first movie I ever did was with

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Speaker 1: this director named Nicholas Campbell who was also an actor,

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Speaker 1: and he did that. He did that documentary Stepan Razor.

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Speaker 1: Is that that that's the one document about the FBI's

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Speaker 1: coming from and yeah, stuff, Yeah, that's that's a crazy movie. Yeah,

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Speaker 1: that's crazy movie. I remember that now. See Toronto was

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Speaker 1: very was very reggae growing up, and then it was

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Speaker 1: also very funk and disco in the black world. And

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Speaker 1: then the radio we got what There was this little

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Speaker 1: um college radio station named c kel N eight e

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Speaker 1: eight point one and this guy Ron Nelson had a

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Speaker 1: he had a hip hop show called the Fantastic Voyage Program,

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Speaker 1: and he somehow got cassettes. He got cassettes of cash Money. Um.

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Speaker 1: I don't know where he got the cassettes from, uh,

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Speaker 1: but he had these cassettes and he would play them

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Speaker 1: on the radio and that's the first time I heard

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Speaker 1: cash Money and I was like, Yo, what the fuck

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Speaker 1: is this? And the sound quality was trash, but I

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Speaker 1: would recorded off the radio and you're here hhooooooooooooo, no, no,

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Speaker 1: do the big beat, and I was like, Yo, whoever

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Speaker 1: this guy is, he's the best DJ in the world. Outstanding,

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Speaker 1: But that's crazy. How how That's how I started coming

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Speaker 1: up there because of cassette up there. Yeah. You, I

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Speaker 1: don't know what the distribution situation you had set up was,

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Speaker 1: but I know it was like it wasn't like on

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Speaker 1: a label, but I had your cassette from like Tower

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Speaker 1: Records in Los Angeles. Oh you had learned old school

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Speaker 1: and learned the Yeah it was old old the one

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Speaker 1: it had like just a cold world on it, and

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Speaker 1: oh yeah yeah yeah it's called k I Volume. Yeah

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Speaker 1: U k yes, but it was k I S my sight.

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Speaker 1: And I remember bugging out because if you wanted mix tapes,

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Speaker 1: you could only get them like you know, on Melrose

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Speaker 1: and then the DJ shops, But like that mixtape was

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Speaker 1: being sold in which whoever was distributing your stuff was

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Speaker 1: like really on it. It was really distributing here. It

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Speaker 1: was really distre But I bought that in tower records.

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Speaker 1: I don't know. Getting back to like Toronto, man like

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Speaker 1: I had, I'd never forget. We had got a phone

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Speaker 1: call from Ron and he was like, Hey, we want

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Speaker 1: you to come up to uh to Toronto, but you

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Speaker 1: have to battle this crew that was up there. I

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Speaker 1: guess they were from like Buffalo, New York. I forget

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Speaker 1: the name of the like two brothers. I never forget.

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Speaker 1: They had Jerry Curls and everything. Yeah, So we came

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Speaker 1: up there and me and Marvin. That was the first

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Speaker 1: night that we must have destroyed them. We destroyed. We

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Speaker 1: had a lot of those types of things happened in

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Speaker 1: Toronto the early to mid eighties because I would be

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Speaker 1: at all those shows because it was the only thing

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Speaker 1: going on hip hop wise. And one time Rox and

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Speaker 1: Shante came and they gave her this white guy from

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Speaker 1: Toronto to beat box for her. Well I think, I

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Speaker 1: think whatever happened and she was like, who can beat boxes?

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Speaker 1: And like the white guy and he got on and

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Speaker 1: he kind of he was he call him off the

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Speaker 1: box that rocks and I was like, and I remember,

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Speaker 1: and everyone's laughing at him and booing him and stuff.

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Speaker 1: And then some in the audience was like you think

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Speaker 1: you could do better, and like she goes, you think

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Speaker 1: you do better? He goes yeah. And this other dude,

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Speaker 1: I think this kid from Buffalo got up and just

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Speaker 1: murdered a get on the beatboxing and we were like,

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Speaker 1: oh ship. There was a lot of that type of

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Speaker 1: stuff and like DJ Cheese battled cut Master d C

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Speaker 1: in Toronto. I didn't know that I was there, and uh,

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Speaker 1: and she's one because cut Master DC was doing all

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Speaker 1: the body tricks and all the fucking cutting with the

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Speaker 1: shoe and cutting with his and he picked up he

334
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Speaker 1: picked up a basketball to cut with and the basketball

335
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Speaker 1: slipped out of his hand, dropped on the turntable and

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Speaker 1: I was like, woo, the pageant tree is as as

337
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Speaker 1: really left the building. Oh yeah yeah, Like I love

338
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Speaker 1: watching like early nineties crew battles where you had like

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Speaker 1: the Filipino guys that had like the the like violinbo

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Speaker 1: and the record. It was like oh yeah, and they're

341
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Speaker 1: like playing with the put the needle on their finger.

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Speaker 1: That was Cuber doing all that ship. Remember Cubert took

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Speaker 1: the needle, turned it upside down and scratched the record

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Speaker 1: across the needle right and then he yeah, pulled it.

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Speaker 1: He pulls the tone arm up. He pulls the tone

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Speaker 1: arm like up off of the record. This is what's

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Speaker 1: missing man. And then he would take the Remember he

348
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Speaker 1: took the tone arm and cut with the tone Armumpum,

349
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Speaker 1: who was the guy who put the rubber band on

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Speaker 1: the tone arm, was like, yeah, play it like a

351
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Speaker 1: like a like a like a base, like a like

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Speaker 1: a base and a jug band, you know, like was

353
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Speaker 1: that in a DMC? Yeah, I don't know where this guys.

354
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Speaker 1: They used to have those like at a certain well

355
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Speaker 1: because the scratching wasn't evolving as fast as the like

356
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Speaker 1: stage present, right, like I mean compared to what to

357
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Speaker 1: what you guys were doing and like like you and

358
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Speaker 1: Jeff were doing and like the early eighties, which was

359
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Speaker 1: like just inventing, like like I still can't do anything

360
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Speaker 1: better than what you guys were doing in nineties people.

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Speaker 1: The thing of it is back in those days when

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Speaker 1: we were doing it, we still had to rock a party, right.

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Speaker 1: You know. It wasn't just the word band on the

364
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Speaker 1: cross fader. That's like that's like Roydon, but like uh yeah,

365
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Speaker 1: it's get your back, yeah exactly, that's you can't Yeah,

366
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Speaker 1: you gotta for lazy crabbing, which is also something I

367
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Speaker 1: do in the summertimes. No, yeah, I got I got

368
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Speaker 1: the laziest crabs you've seen. You're just lazy crabbing. Lab

369
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Speaker 1: crab in California, lab crab in California. I was gonna

370
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Speaker 1: go crabbing stabbing, but it's it's grublet what you did

371
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Speaker 1: there on topic. Yeah, so back to my story there,

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Speaker 1: I never the job when I that night, I quit

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Speaker 1: my job to go see cash Money. I never ended

374
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Speaker 1: up getting to see him because I didn't have any

375
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Speaker 1: money to take the bus, because I didn't know which

376
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Speaker 1: fucking bus would take me to that part of town.

377
00:20:17,760 --> 00:20:20,359
Speaker 1: So I quit my job uselessly. So you did not

378
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Speaker 1: make it to the shop, not make it to the show.

379
00:20:22,000 --> 00:20:23,520
Speaker 1: I could my job to see. That doesn't mean I

380
00:20:23,520 --> 00:20:25,960
Speaker 1: went and saw you. I just quit my job to

381
00:20:26,000 --> 00:20:28,760
Speaker 1: see it's the result. Yeah, it was. It was. It

382
00:20:28,800 --> 00:20:30,919
Speaker 1: was in protest. If it wasn't it would I like

383
00:20:31,000 --> 00:20:32,880
Speaker 1: to think it would you were you were that job

384
00:20:32,960 --> 00:20:34,840
Speaker 1: was on its way out the door? Oh yeah, I mean,

385
00:20:35,560 --> 00:20:37,639
Speaker 1: I mean I sometimes reflect on my life now and

386
00:20:37,680 --> 00:20:38,919
Speaker 1: I go funk, what would have happen if I had

387
00:20:38,960 --> 00:20:43,000
Speaker 1: stayed at KFC. Might I be in a better position today?

388
00:20:44,119 --> 00:20:48,520
Speaker 1: We could be you know, smoking cigars somewhere. Yeah, I

389
00:20:48,680 --> 00:20:53,320
Speaker 1: like original, You could be the next Colonel Sanders. They're

390
00:20:53,320 --> 00:20:56,199
Speaker 1: still revolving Colonel Sanders, as I understand it, Well, there

391
00:20:56,280 --> 00:20:59,800
Speaker 1: is a chicken sandwich revolution happening. I just saw burgen

392
00:21:00,240 --> 00:21:03,280
Speaker 1: one Bergin always had that. Everybody had chicken sandwich. That's

393
00:21:03,320 --> 00:21:06,120
Speaker 1: the fucking weird part. It's not like these chicken sandwiches

394
00:21:06,119 --> 00:21:07,199
Speaker 1: came out and they were like, oh my god, have

395
00:21:07,240 --> 00:21:12,919
Speaker 1: you heard about the chicken sandwich? The chicken sandwich? You know,

396
00:21:13,000 --> 00:21:16,199
Speaker 1: KFC has eight chicken sand and Quavos selling them on

397
00:21:16,240 --> 00:21:19,359
Speaker 1: the side. Quavo that was the thing, right, he he

398
00:21:19,400 --> 00:21:22,840
Speaker 1: was like e being uh, the fancy chicken sandwiches that

399
00:21:22,880 --> 00:21:26,480
Speaker 1: everyone was flating over. Quavo from Misua. I mean, do

400
00:21:26,480 --> 00:21:31,919
Speaker 1: you know I don't want to know that one. Oh right,

401
00:21:31,920 --> 00:21:35,080
Speaker 1: because he's problematic now right? Did you do something bad?

402
00:21:36,640 --> 00:21:39,800
Speaker 1: You just don't like him. I don't like any of

403
00:21:39,840 --> 00:21:41,240
Speaker 1: that stuff. That's why it's interesting to have you here

404
00:21:41,280 --> 00:21:43,720
Speaker 1: because you're like ten years younger than me, and you're

405
00:21:43,720 --> 00:21:45,920
Speaker 1: about thirty years younger than Cash because all the ship

406
00:21:46,080 --> 00:21:49,639
Speaker 1: but um, but I look older than both of you,

407
00:21:49,640 --> 00:21:52,200
Speaker 1: which is the important thing. Well, that's forty years in

408
00:21:52,240 --> 00:21:57,159
Speaker 1: the desert will do that to you, guys. Put it

409
00:21:57,200 --> 00:21:58,879
Speaker 1: this way. Cash is so old he's changing the name

410
00:21:58,920 --> 00:22:08,840
Speaker 1: to dj bitcoin. He's on a roll. Hey, Cash, when

411
00:22:08,880 --> 00:22:13,399
Speaker 1: did you start? When you start Djane? Was it seventies?

412
00:22:15,000 --> 00:22:16,840
Speaker 1: I don't know why I sounded when was it seven ds?

413
00:22:17,520 --> 00:22:24,240
Speaker 1: What the seventies? It sounded? That was very like what

414
00:22:26,320 --> 00:22:29,679
Speaker 1: I got. Guys, I got an excuse. I'm from seventies.

415
00:22:30,480 --> 00:22:36,520
Speaker 1: Now I have um round eighty one. I'd say so

416
00:22:36,600 --> 00:22:39,399
Speaker 1: four years before I started djaying, and you had a

417
00:22:39,440 --> 00:22:42,600
Speaker 1: whole world of fucking difference, more talent than I'll ever

418
00:22:42,680 --> 00:22:45,679
Speaker 1: have to this day. Yeah. I was just trying to

419
00:22:46,680 --> 00:22:49,280
Speaker 1: just take things to a whole different level, making noise

420
00:22:49,359 --> 00:22:53,200
Speaker 1: but making it danceable. Did you have twelves? Uh? No?

421
00:22:53,280 --> 00:22:57,080
Speaker 1: I started off with techniques B one oh one, the

422
00:22:57,119 --> 00:22:59,159
Speaker 1: belt driven turn table. I had an sl I had

423
00:22:59,359 --> 00:23:03,960
Speaker 1: s LB two two hundreds with the wheel. With the wheel,

424
00:23:04,000 --> 00:23:06,280
Speaker 1: that's that's the that's like the full like you touch

425
00:23:06,359 --> 00:23:09,760
Speaker 1: it and it's like you and your and your belt

426
00:23:09,800 --> 00:23:12,520
Speaker 1: would stretch and fall off, and then I would Those

427
00:23:12,520 --> 00:23:14,240
Speaker 1: were cute and I never knew who those were for

428
00:23:14,359 --> 00:23:16,160
Speaker 1: it I was. I used to go to my pick

429
00:23:16,200 --> 00:23:17,840
Speaker 1: up my mom from work with my dad who worked

430
00:23:17,840 --> 00:23:19,840
Speaker 1: at kmart, and I would go to the turntable section,

431
00:23:19,880 --> 00:23:22,960
Speaker 1: steal the belts off to the display turntables and take

432
00:23:23,000 --> 00:23:28,280
Speaker 1: them a sneaky, sneaky survival strong se I messed up.

433
00:23:28,280 --> 00:23:30,359
Speaker 1: No one really told me much, and I would. And

434
00:23:30,920 --> 00:23:34,200
Speaker 1: you know, Bernie Bee brought me to the Circuit City

435
00:23:34,240 --> 00:23:35,840
Speaker 1: and was like, you want turntables and we're gonna sit

436
00:23:35,920 --> 00:23:40,760
Speaker 1: in this seat and I was eleven, Oh damn um,

437
00:23:40,840 --> 00:23:43,480
Speaker 1: and all I knew was techniques. But I did get

438
00:23:43,520 --> 00:23:48,240
Speaker 1: a pair of linear because they looked because they looked

439
00:23:48,320 --> 00:23:50,000
Speaker 1: because they were cool because they were black, and they

440
00:23:50,000 --> 00:23:52,520
Speaker 1: said techniques on them. But I didn't realize that, like

441
00:23:52,560 --> 00:23:55,760
Speaker 1: I needed non linear turntables. So I just was absolutely

442
00:23:55,840 --> 00:24:01,000
Speaker 1: destroying the twelve inches I wanted. I wanted linear turntables

443
00:24:01,000 --> 00:24:02,440
Speaker 1: the first time I saw them too, because they looked

444
00:24:02,440 --> 00:24:07,280
Speaker 1: so dope. The button the arms went, I was like, yo,

445
00:24:07,480 --> 00:24:10,440
Speaker 1: that ship's dope. I didn't realize they had no pitch

446
00:24:10,480 --> 00:24:13,280
Speaker 1: control and you couldn't scratch with them, so the many

447
00:24:13,320 --> 00:24:14,840
Speaker 1: you scratched, the many to lift it up right, But

448
00:24:14,880 --> 00:24:17,080
Speaker 1: I will tell you eleventh grade people would come over

449
00:24:17,119 --> 00:24:19,000
Speaker 1: and be like, you got two turntables, that DJ and

450
00:24:19,000 --> 00:24:21,160
Speaker 1: all the makeout parties. So it was good. The same

451
00:24:21,280 --> 00:24:23,280
Speaker 1: night of my first DJ gig, it was my first

452
00:24:23,280 --> 00:24:24,800
Speaker 1: French kiss. So you know it's it was a big

453
00:24:25,320 --> 00:24:27,520
Speaker 1: It was eleventh grade, a big combo eleventh grade. Now

454
00:24:27,560 --> 00:24:30,040
Speaker 1: this was sixth grade. I was gonna say a long

455
00:24:30,080 --> 00:24:33,760
Speaker 1: time to get a French kiss on eleven grade. Now

456
00:24:33,760 --> 00:24:36,760
Speaker 1: I was eleven years old. That those the ones you had, Yes,

457
00:24:37,440 --> 00:24:39,119
Speaker 1: it was like that, but I want to say it

458
00:24:39,160 --> 00:24:42,200
Speaker 1: was it was black. Yeah, this is amazing. By the way,

459
00:24:42,240 --> 00:24:43,840
Speaker 1: so those who can't see, we get we're getting the

460
00:24:43,880 --> 00:24:47,240
Speaker 1: information right on the screen. Was we know. What we

461
00:24:47,240 --> 00:24:49,439
Speaker 1: do is while we're talking on the YouTube channel, they

462
00:24:49,960 --> 00:24:52,200
Speaker 1: the court and will get the pictures posted while we're talking.

463
00:24:52,200 --> 00:24:55,040
Speaker 1: It's phenomenal. It's very professionally. You know. It's crazy about that.

464
00:24:55,040 --> 00:24:58,080
Speaker 1: That whole concept of delinear tier turntables. They made the

465
00:24:58,119 --> 00:25:06,040
Speaker 1: boom box with one Alton yea the shark, yes, yeah,

466
00:25:06,080 --> 00:25:08,200
Speaker 1: it was like a front loader. Yeah, but it played

467
00:25:08,200 --> 00:25:11,640
Speaker 1: both sides of the uh oh, the needle would spin around.

468
00:25:13,760 --> 00:25:16,880
Speaker 1: You have that right, yeah. Does it work well? Yeah,

469
00:25:17,040 --> 00:25:20,880
Speaker 1: does a skip no? Wow? Doesn't like even if you're

470
00:25:20,920 --> 00:25:24,560
Speaker 1: walking down the street, doesn't know Nope. And you think

471
00:25:24,600 --> 00:25:26,719
Speaker 1: that would have caught on a little more. Yeah, they

472
00:25:26,720 --> 00:25:33,240
Speaker 1: were expensive. How many bin boxes you got scraped cash? Um? About? God? Damn?

473
00:25:33,240 --> 00:25:35,399
Speaker 1: Did my brother hit you up about one recently? Yeah?

474
00:25:35,760 --> 00:25:38,960
Speaker 1: He wanted to buy mine. Yeah, my brother, my brother

475
00:25:39,040 --> 00:25:42,920
Speaker 1: wanted r c M ninety I think, yeah, he found one. Yeah,

476
00:25:42,960 --> 00:25:45,159
Speaker 1: he found one, my brother. My brother still has his

477
00:25:45,240 --> 00:25:48,040
Speaker 1: RCM seventy and it works even the light on the

478
00:25:48,640 --> 00:25:52,000
Speaker 1: on the radio band with things like what still lights up? Wow?

479
00:25:52,000 --> 00:25:55,000
Speaker 1: Because you know, the belt and everything, they just disintegrate

480
00:25:55,040 --> 00:25:58,359
Speaker 1: after a while. No, his is forty two years old.

481
00:25:58,359 --> 00:26:02,040
Speaker 1: Now you have fifty two boom boxes. Yeah? Did they

482
00:26:02,040 --> 00:26:06,359
Speaker 1: all work still? Yeah? I haven't played in a while,

483
00:26:06,600 --> 00:26:09,119
Speaker 1: so I'm not so. They were before I put them

484
00:26:09,160 --> 00:26:13,040
Speaker 1: away in storage. They were working, but their time, the

485
00:26:13,040 --> 00:26:16,200
Speaker 1: belts just disintegrate, so you have to get new belts.

486
00:26:16,880 --> 00:26:20,560
Speaker 1: But remember when they made them with detachable speakers. Oh yeah,

487
00:26:20,920 --> 00:26:22,560
Speaker 1: and then that's when I that's when I step on

488
00:26:22,560 --> 00:26:25,720
Speaker 1: the scene. Yeah, but that's but the shitty thing was

489
00:26:25,800 --> 00:26:30,400
Speaker 1: sometimes the clip is right there. Yeah, sometimes the clip. Yeah,

490
00:26:30,480 --> 00:26:32,360
Speaker 1: that's the one. That's how my dad had out by

491
00:26:32,359 --> 00:26:36,040
Speaker 1: the Pool. So that one my brother wanted so bad

492
00:26:36,160 --> 00:26:38,840
Speaker 1: for years since we were kids. And I think he

493
00:26:38,880 --> 00:26:40,840
Speaker 1: hit up cash Money about it because I made up

494
00:26:40,880 --> 00:26:44,080
Speaker 1: I posted it. You want to buy it? I'm like,

495
00:26:44,080 --> 00:26:47,400
Speaker 1: it's the only one I had Clayton RCM sixty okay,

496
00:26:47,480 --> 00:26:50,400
Speaker 1: and I need this. So my brother got it. Finally

497
00:26:50,880 --> 00:26:56,000
Speaker 1: played it. Because this thing sounds like ship. It's finn

498
00:26:56,720 --> 00:27:00,399
Speaker 1: only listens like I can't believe I waited forty years

499
00:27:00,400 --> 00:27:04,320
Speaker 1: and it sounds like ship. That's only for phil Spector Records.

500
00:27:04,359 --> 00:27:08,240
Speaker 1: Oh yeah, the sharp one with the double set and

501
00:27:09,119 --> 00:27:12,960
Speaker 1: the bottom seven. There you go to have money back then,

502
00:27:13,000 --> 00:27:16,040
Speaker 1: I did not have. Did you have it? Like the

503
00:27:16,400 --> 00:27:20,040
Speaker 1: Kanyon the one with the alarm? My best friend Staco

504
00:27:20,160 --> 00:27:23,359
Speaker 1: had one. I got a T shirt with it on it. Okay,

505
00:27:23,440 --> 00:27:25,240
Speaker 1: I got I should have warned today I have it upstairs.

506
00:27:25,240 --> 00:27:26,959
Speaker 1: I was. I was considering it. Is that the one

507
00:27:27,000 --> 00:27:30,800
Speaker 1: they still make with like the blue and yellow. Yeah,

508
00:27:30,840 --> 00:27:35,320
Speaker 1: and it had the purple burglar alarm in the middle. Yeah, dope. Yeah,

509
00:27:35,359 --> 00:27:37,720
Speaker 1: that's one of the few that they signed on Clarion.

510
00:27:37,800 --> 00:27:43,040
Speaker 1: They all copied the same I had a Hitachi back

511
00:27:43,080 --> 00:27:47,040
Speaker 1: in the mid eighties and it had the three speakers

512
00:27:47,080 --> 00:27:50,160
Speaker 1: at the bottom, the big sub in the middle, and

513
00:27:50,200 --> 00:27:53,920
Speaker 1: it was and it had side handles. Yeah, that's mine.

514
00:27:53,920 --> 00:27:57,760
Speaker 1: That's my old one. That was. It wasn't that small.

515
00:27:57,800 --> 00:28:00,439
Speaker 1: It was like this big full bandy. I'm talking compared

516
00:28:00,480 --> 00:28:03,640
Speaker 1: to a real big one. Batteries are good. How many

517
00:28:03,680 --> 00:28:09,840
Speaker 1: batteries it took six or eight? Now? My my favorite

518
00:28:09,840 --> 00:28:15,600
Speaker 1: one was the Toshiba bomb Beat. Toshiba Bombay, you have one? Yeah,

519
00:28:16,200 --> 00:28:18,520
Speaker 1: how do you find a Toshiba bomb Beat? This is

520
00:28:18,520 --> 00:28:25,159
Speaker 1: gonna make for great listening. It's a podcast where you

521
00:28:25,320 --> 00:28:30,080
Speaker 1: just talk about um stereo equipment. That's off camera. Yeah,

522
00:28:30,080 --> 00:28:32,960
Speaker 1: I think it's the which one is there? It is

523
00:28:33,560 --> 00:28:41,680
Speaker 1: the which there? You know? That is awesome. That's fun

524
00:28:41,720 --> 00:28:43,840
Speaker 1: to look at. That looks like the sharp one sort of.

525
00:28:44,360 --> 00:28:47,360
Speaker 1: I would like to high speed It sounds great, really, yeah,

526
00:28:47,440 --> 00:28:50,040
Speaker 1: it sounds great high speed dubbing. Remember that that was

527
00:28:50,320 --> 00:28:52,800
Speaker 1: I was just doing a lot of high speed dubbing.

528
00:28:53,040 --> 00:28:56,320
Speaker 1: I did like a limited edition cassette for a clothing

529
00:28:56,360 --> 00:28:59,640
Speaker 1: line called Ignored Prayers and that it was a volume

530
00:28:59,680 --> 00:29:01,479
Speaker 1: two and the first one. They were like, yeah, we're

531
00:29:01,520 --> 00:29:03,479
Speaker 1: gonna do the tapes, don't worry about it. And then

532
00:29:03,480 --> 00:29:04,719
Speaker 1: I put it in the tape. I was like, this

533
00:29:04,760 --> 00:29:06,720
Speaker 1: sounds like ship, Like what how did you guys even do?

534
00:29:06,760 --> 00:29:08,000
Speaker 1: It's like we well, my friend did it, and I

535
00:29:08,040 --> 00:29:09,760
Speaker 1: was like, I'm gonna do it because there was only

536
00:29:09,760 --> 00:29:12,040
Speaker 1: fifty of them, and I was like, I can. I'm

537
00:29:12,080 --> 00:29:17,640
Speaker 1: gonna do this. It was so like aesthetically pleasing to

538
00:29:17,760 --> 00:29:19,920
Speaker 1: sit and listen to that sounds. I haven't heard it

539
00:29:19,960 --> 00:29:23,440
Speaker 1: in thirty years. And it was like you didn't find

540
00:29:23,440 --> 00:29:26,240
Speaker 1: it tedious? After that? Maybe the tenth one? Any reason

541
00:29:26,280 --> 00:29:30,040
Speaker 1: to stay at home? Oh yeah, it's like I got Mike,

542
00:29:30,120 --> 00:29:34,000
Speaker 1: wanted to do this by zoom. By the way, it

543
00:29:34,000 --> 00:29:35,840
Speaker 1: doesn't matter. Can we zoom? Where do you live twenty

544
00:29:35,840 --> 00:29:38,920
Speaker 1: minutes from here? Can I just zoom? Or well? Putting

545
00:29:38,920 --> 00:29:41,160
Speaker 1: on shoes as a task, I'm with you, buddy. You

546
00:29:41,200 --> 00:29:43,680
Speaker 1: gotta think about it. You know. It's like I'm going

547
00:29:43,720 --> 00:29:45,560
Speaker 1: in see you. No, I gotta look nice. I gotta

548
00:29:45,640 --> 00:29:47,080
Speaker 1: you know, have to have it together. I got my

549
00:29:47,160 --> 00:29:55,080
Speaker 1: beer trimmed for this. You came in hot, well, you know,

550
00:29:55,120 --> 00:29:57,160
Speaker 1: I mean here you're gonna be with cash money. You

551
00:29:57,200 --> 00:30:02,239
Speaker 1: gotta look hard as you might try. You can't be

552
00:30:02,240 --> 00:30:04,520
Speaker 1: good at everything. For example, you might do a fabulous

553
00:30:04,520 --> 00:30:09,680
Speaker 1: impression of John Levitt and that would be fantastic, and

554
00:30:09,720 --> 00:30:11,360
Speaker 1: you can be a fantastic DJ. I think I'm just

555
00:30:11,400 --> 00:30:13,280
Speaker 1: compliming myself right now, But that does mean you're a

556
00:30:13,320 --> 00:30:15,320
Speaker 1: good cook. I know this firsthand because I am not

557
00:30:15,440 --> 00:30:18,360
Speaker 1: a good cook. I can tear up a microwave, though.

558
00:30:19,160 --> 00:30:21,640
Speaker 1: But even if you aren't a gifted cheft, Hello Fresh

559
00:30:21,640 --> 00:30:24,080
Speaker 1: will help you feel like one. With Hello Fresh, you

560
00:30:24,160 --> 00:30:27,960
Speaker 1: get fresh, pre measured ingredients and mouth watering seasonal recipes

561
00:30:28,160 --> 00:30:31,200
Speaker 1: delivered right to your door. Skip trips to the grocery store,

562
00:30:31,200 --> 00:30:33,640
Speaker 1: and count on Hello Fresh to make home cooking easy,

563
00:30:34,080 --> 00:30:38,120
Speaker 1: fun and affordable. And that's why it's America's number one

564
00:30:38,160 --> 00:30:41,520
Speaker 1: meal kid. I've never considered myself to be a good cook,

565
00:30:41,880 --> 00:30:44,320
Speaker 1: even though I went to high school for chef training

566
00:30:44,320 --> 00:30:47,000
Speaker 1: for two years. But I've made enough Hello Fresh recipes

567
00:30:47,080 --> 00:30:49,320
Speaker 1: now that I'm starting to trust myself in the kitchen,

568
00:30:49,560 --> 00:30:51,920
Speaker 1: and you know what, so are my kids and my fiance.

569
00:30:52,760 --> 00:30:56,480
Speaker 1: And when Kevin Nealon was on the podcast, he totally unprompted,

570
00:30:56,520 --> 00:30:59,000
Speaker 1: said he was using Hello Fresh too, and he even

571
00:30:59,080 --> 00:31:01,400
Speaker 1: used it as his excuse to end our conversation and

572
00:31:01,440 --> 00:31:04,360
Speaker 1: go home. I mean, what better time to leave me

573
00:31:04,520 --> 00:31:07,240
Speaker 1: than when I'm talking about something. Because Hello Fresh recipes

574
00:31:07,240 --> 00:31:08,720
Speaker 1: are good enough to make you look forward to going

575
00:31:08,720 --> 00:31:12,000
Speaker 1: home for dinner. They are restaurant quality meals that you

576
00:31:12,040 --> 00:31:14,720
Speaker 1: can enjoin the comfort of your own home for way

577
00:31:14,800 --> 00:31:19,000
Speaker 1: less money. Hello Fresh as gourmet recipes like balsamic fig

578
00:31:19,040 --> 00:31:22,720
Speaker 1: sirloin are over seventy cheaper than an average restaurant meal.

579
00:31:23,560 --> 00:31:26,240
Speaker 1: And if you travel a lot or no you'll be

580
00:31:26,240 --> 00:31:28,280
Speaker 1: out of town at any point. Hello Fresh offers the

581
00:31:28,280 --> 00:31:31,760
Speaker 1: flexibility your busy life requires. My schedule changes all the time,

582
00:31:32,040 --> 00:31:34,040
Speaker 1: and with Hello Fresh, I can skip a week whenever

583
00:31:34,080 --> 00:31:36,440
Speaker 1: I need to, or change my delivery days that I'm

584
00:31:36,480 --> 00:31:39,120
Speaker 1: home when my fellow fresh box arrives. And you can

585
00:31:39,160 --> 00:31:41,760
Speaker 1: also customize your orders every week. And if you have

586
00:31:41,840 --> 00:31:43,800
Speaker 1: any friends or family staying where you, you you can even

587
00:31:43,800 --> 00:31:47,120
Speaker 1: get a larger box size from more servings and more savings.

588
00:31:47,800 --> 00:31:50,560
Speaker 1: This is just one of those things that makes sense. People,

589
00:31:50,920 --> 00:31:53,600
Speaker 1: you need Hello Fresh in your life, go to Hello

590
00:31:53,640 --> 00:31:58,000
Speaker 1: Fresh dot com, slash twelve peters and use code twelve

591
00:31:58,080 --> 00:32:03,719
Speaker 1: peters for twelve free meals. That's one to Peters the numbers,

592
00:32:03,800 --> 00:32:07,480
Speaker 1: not the word. So one to Peters for twelve free meals,

593
00:32:07,520 --> 00:32:10,840
Speaker 1: including free shipping. That's Hello Fresh dot com. Slash one

594
00:32:10,880 --> 00:32:14,720
Speaker 1: to Peters for twelve free meals, including the free shipping

595
00:32:15,400 --> 00:32:20,680
Speaker 1: Hello Fresh America's number one meal kit. Oh yeah, I

596
00:32:20,680 --> 00:32:24,960
Speaker 1: forgot to tell you this part after when I was

597
00:32:25,000 --> 00:32:29,000
Speaker 1: in Canada. When I was in Canada, KFC made that

598
00:32:29,280 --> 00:32:32,800
Speaker 1: those lids for me on chicking boxes and did they

599
00:32:32,880 --> 00:32:39,000
Speaker 1: know you knew? Threw them under the chicken bus one day.

600
00:32:39,560 --> 00:32:41,520
Speaker 1: They need to make d J cash money one. Yeah,

601
00:32:41,560 --> 00:32:44,280
Speaker 1: they really should, but nobody will get it because they

602
00:32:44,280 --> 00:32:45,840
Speaker 1: didn't know the bus route and didn't have the money

603
00:32:45,840 --> 00:32:48,920
Speaker 1: to get there. There's the foreshadowing. We're promoting you to Colonel.

604
00:32:48,920 --> 00:32:50,400
Speaker 1: I told you gonna be the next one. That's true.

605
00:32:50,400 --> 00:32:52,680
Speaker 1: You know what. I didn't realize that this is from

606
00:32:52,720 --> 00:32:54,160
Speaker 1: many years ago too, and I was like, this is

607
00:32:54,160 --> 00:32:57,200
Speaker 1: a four show. This was retroactive. It was do you

608
00:32:57,200 --> 00:33:02,200
Speaker 1: recall when Norm McDonald's was the colonel a few years

609
00:33:02,400 --> 00:33:04,680
Speaker 1: he was the first of the new colonels and then

610
00:33:04,760 --> 00:33:08,440
Speaker 1: he tweeted something very ominous and he like, as I

611
00:33:08,480 --> 00:33:10,720
Speaker 1: love him on Twitter because he's e's are like doing

612
00:33:10,760 --> 00:33:13,200
Speaker 1: a shot by shot review of what's happening in a

613
00:33:13,240 --> 00:33:16,800
Speaker 1: golf game, or or like you never know what norm

614
00:33:16,880 --> 00:33:20,080
Speaker 1: so like, and he was like, in the future, everyone

615
00:33:20,120 --> 00:33:23,280
Speaker 1: will be Colonel Sanders for a short while. And I

616
00:33:23,320 --> 00:33:25,800
Speaker 1: was like, that is a weird tweet and I don't

617
00:33:25,800 --> 00:33:29,960
Speaker 1: know what it means. And then it was yeah, and

618
00:33:30,000 --> 00:33:32,880
Speaker 1: then it was you know, who's the very tan guy

619
00:33:32,920 --> 00:33:34,120
Speaker 1: who did it? And I was like, oh, he was

620
00:33:34,160 --> 00:33:37,840
Speaker 1: just saying like, I'm not permanently going to be Colonel Sanders. Yeah,

621
00:33:37,840 --> 00:33:41,000
Speaker 1: they just kept switching out their Colonel Sanders because for

622
00:33:41,080 --> 00:33:44,000
Speaker 1: extra crispy they had was at George Hamilton's or like, oh, yeah,

623
00:33:44,000 --> 00:33:47,600
Speaker 1: that's actually funny though, that is pretty funny. I mean

624
00:33:47,640 --> 00:33:50,520
Speaker 1: that is pretty damn good. But Colonel Danders Eddie, that's

625
00:33:51,440 --> 00:33:55,320
Speaker 1: that guy's really need some lotion. Colonel Danders and his

626
00:33:55,440 --> 00:33:59,000
Speaker 1: pet too. Oh, that's like a that's a colonel who's

627
00:33:59,000 --> 00:34:03,280
Speaker 1: got a lot of dandro pet he's got. Yeah, he's

628
00:34:03,320 --> 00:34:08,560
Speaker 1: just said Colonel Mildred. That was his name, Colonel Mildred Sanders.

629
00:34:08,600 --> 00:34:13,240
Speaker 1: Is that he said? Harlan Harlan. I didn't see them,

630
00:34:13,880 --> 00:34:16,719
Speaker 1: have you was like, Kenny Rodgers. The important thing is

631
00:34:16,719 --> 00:34:20,239
Speaker 1: have you heard Colonel Sanders drunken out takes? Oh? The

632
00:34:20,239 --> 00:34:23,480
Speaker 1: real Colonel Sanders. Oh yeah, that Colonel Harland Sanders. When

633
00:34:23,520 --> 00:34:25,480
Speaker 1: he was doing the commercials in like the fifties or

634
00:34:25,520 --> 00:34:29,080
Speaker 1: sixties whever, there was that like notorious recordings that went

635
00:34:29,120 --> 00:34:32,320
Speaker 1: around of of of celebrities doing voiceovers and like screaming

636
00:34:32,360 --> 00:34:37,600
Speaker 1: at the studio engine, what the fun is this? Yeah?

637
00:34:39,080 --> 00:34:40,719
Speaker 1: And it's like it was so jarring to hear it

638
00:34:40,760 --> 00:34:42,719
Speaker 1: because he just had never heard any of these people

639
00:34:42,760 --> 00:34:47,759
Speaker 1: say anything untowards. But Colonel Sanders was so drunk that

640
00:34:47,880 --> 00:34:51,719
Speaker 1: he can't say like the word chicken. And he's just like,

641
00:34:51,800 --> 00:34:56,879
Speaker 1: it's my conternal Cruspy crusp Crispy crespy, crost check check

642
00:34:56,920 --> 00:34:59,440
Speaker 1: a truck. And they're just screaming at him. It's like

643
00:34:59,520 --> 00:35:03,640
Speaker 1: ninety two takes. You know, he looks like he would

644
00:35:03,680 --> 00:35:05,799
Speaker 1: have gotten drug. Yeah, I mean, who would have thought

645
00:35:05,840 --> 00:35:11,200
Speaker 1: that this this man two and fifty year old tracker

646
00:35:11,320 --> 00:35:15,319
Speaker 1: was was you know Cookie rob Low? Is he going

647
00:35:15,360 --> 00:35:18,320
Speaker 1: to be the next Colonel Sanders? Robert was Colonel Sanders?

648
00:35:19,920 --> 00:35:23,040
Speaker 1: See Norm McDonald says said, Jerry Garcia was Colonel Sanders,

649
00:35:23,040 --> 00:35:27,839
Speaker 1: who was Raymond McIntyre was colonel Sanders. What the fun Well,

650
00:35:27,880 --> 00:35:30,040
Speaker 1: it's a whole new world. Anyone can be Colonel Sanders.

651
00:35:30,080 --> 00:35:34,480
Speaker 1: Now I identify as Colonel Sanders, actually identify this original

652
00:35:36,560 --> 00:35:40,200
Speaker 1: O Crispy O G. Regular people need to recognize that

653
00:35:40,239 --> 00:35:43,279
Speaker 1: I'm Colonel Sanders because I say so. Julius Bjornson, I

654
00:35:43,280 --> 00:35:46,600
Speaker 1: can't believe he did it. Well, every man has his

655
00:35:46,680 --> 00:35:52,000
Speaker 1: price RoboCop. They can't even say Peter Weller. They had

656
00:35:52,040 --> 00:35:56,000
Speaker 1: to the man has a name. Did your dad produce RoboCop?

657
00:35:56,320 --> 00:35:58,759
Speaker 1: My dad did not produce robotcop. This check. He did

658
00:35:58,760 --> 00:36:01,880
Speaker 1: not do a lot of like very violent ship although

659
00:36:01,920 --> 00:36:04,000
Speaker 1: he was the head of LORI mar for the release

660
00:36:04,040 --> 00:36:08,120
Speaker 1: of Action Jackson, which I snuck at the VHS when

661
00:36:08,160 --> 00:36:10,240
Speaker 1: I was like ten and I was I'm still horrified

662
00:36:10,239 --> 00:36:11,719
Speaker 1: by what I saw in that film. That movie is

663
00:36:11,719 --> 00:36:13,759
Speaker 1: sucked up. That was with Karl Weathers, right, that was

664
00:36:13,840 --> 00:36:18,320
Speaker 1: Carl Weathers and Sharon Stone and crazy Yeah in Vanity.

665
00:36:18,400 --> 00:36:20,799
Speaker 1: Yeah that's right. Yeah, I remember the car right when

666
00:36:20,800 --> 00:36:25,760
Speaker 1: they were in the alleyway. Yeah, it's horrifying all in Detroit.

667
00:36:25,800 --> 00:36:28,879
Speaker 1: And there's like so much like aggressive heroin use in sex.

668
00:36:29,200 --> 00:36:32,160
Speaker 1: I mean, it's a full exploitation film that's put out

669
00:36:32,160 --> 00:36:35,800
Speaker 1: by Laura mar in seven or eighty eight. That was.

670
00:36:36,920 --> 00:36:40,080
Speaker 1: And then he also did Replacement Killers, which was that

671
00:36:40,120 --> 00:36:43,040
Speaker 1: was a dark with Chow Young Fats. First it wasn't that,

672
00:36:44,920 --> 00:36:48,640
Speaker 1: um No, that was Natural Born Killers. That Yeah, this

673
00:36:48,719 --> 00:36:52,719
Speaker 1: was the Replacement Killers. It was Mira Sorvino and Chow

674
00:36:52,840 --> 00:36:57,560
Speaker 1: Yun Fat and Clifton Collins Jr. Yeah, there it is.

675
00:36:58,200 --> 00:36:59,680
Speaker 1: I know Clifton I haven't talked to about a while.

676
00:36:59,680 --> 00:37:02,279
Speaker 1: Clift is the man, A good dude. Yeah, great guy.

677
00:37:02,440 --> 00:37:05,480
Speaker 1: His real name is Gonzalez Gonzalez. Clifton Gonzalez Gonzalez from

678
00:37:05,680 --> 00:37:07,440
Speaker 1: a movie called The Stone Age that was just like

679
00:37:07,640 --> 00:37:10,640
Speaker 1: an original thing. Yeah, I think his real name is.

680
00:37:11,040 --> 00:37:12,759
Speaker 1: Doesn't love it when you see him out and you're

681
00:37:12,840 --> 00:37:15,040
Speaker 1: drunk and you quote the stone Age to him a lot,

682
00:37:15,160 --> 00:37:17,799
Speaker 1: which is what I did? Is that what you do? Yeah?

683
00:37:17,560 --> 00:37:21,399
Speaker 1: I know. I met him at the Boondocks Saints Part

684
00:37:21,480 --> 00:37:25,080
Speaker 1: two premiere and we somehow they couldn't They needed more

685
00:37:25,120 --> 00:37:30,040
Speaker 1: of that movie? Is that how your eyes stay green?

686
00:37:30,120 --> 00:37:35,359
Speaker 1: Cash you drink green juice, the green juice brother brother

687
00:37:35,400 --> 00:37:39,160
Speaker 1: with the green juice Cash. Just talk to you some more.

688
00:37:40,480 --> 00:37:42,720
Speaker 1: Let's go, what did did you used to sell merchan

689
00:37:42,719 --> 00:37:45,359
Speaker 1: at your gigs in hero in the mid eighties. Absolutely,

690
00:37:45,440 --> 00:37:49,520
Speaker 1: would you sell T shirts? Cash money, marvelous T shirts

691
00:37:49,600 --> 00:37:53,360
Speaker 1: the hats. Actually I went to jail for it. Jail,

692
00:37:54,360 --> 00:37:58,520
Speaker 1: Why I beat up a promoter? Well that's fair. Yeah,

693
00:37:58,560 --> 00:38:01,200
Speaker 1: promoters need their asses, we now. And then Yeah, we

694
00:38:01,200 --> 00:38:05,360
Speaker 1: were on tour overseas and the promoter was supposed to

695
00:38:05,440 --> 00:38:09,360
Speaker 1: break ourself our percentage every night, and he was withholding

696
00:38:09,719 --> 00:38:12,239
Speaker 1: for about five shows, and then we threatened to say

697
00:38:12,600 --> 00:38:14,160
Speaker 1: We told him we're not gonna do no more of

698
00:38:14,200 --> 00:38:19,080
Speaker 1: the show. The shows and he refused to pay our

699
00:38:19,520 --> 00:38:22,000
Speaker 1: hotel bill, so we were locked out of our rooms.

700
00:38:22,280 --> 00:38:25,359
Speaker 1: So my manager was trying to reason with him, and

701
00:38:25,400 --> 00:38:28,200
Speaker 1: I said enough is enough. I said, hey, get this

702
00:38:28,239 --> 00:38:31,160
Speaker 1: sorted out in twenty minutes or I'm coming down there.

703
00:38:31,280 --> 00:38:33,239
Speaker 1: And he said, will you threatening me? I said no,

704
00:38:33,280 --> 00:38:37,759
Speaker 1: I'm promising you. So yeah, I went down there. I

705
00:38:37,840 --> 00:38:43,279
Speaker 1: saw him. Boom, boom boom. He sorted it out, but

706
00:38:43,960 --> 00:38:46,240
Speaker 1: he called the cops on me and I was arrested

707
00:38:46,520 --> 00:38:49,680
Speaker 1: and Tim Westwood posted bail for me so I can

708
00:38:49,719 --> 00:38:51,960
Speaker 1: get out. I used to have a cassette of you

709
00:38:52,040 --> 00:38:57,600
Speaker 1: on Tim Westwood in like cutting up choices, yours the wick?

710
00:38:58,760 --> 00:39:01,400
Speaker 1: Uh there all the ship's so dope and I gotta

711
00:39:01,440 --> 00:39:05,080
Speaker 1: find that fucking cassette. Tim Westwood continues to do his

712
00:39:05,160 --> 00:39:07,360
Speaker 1: thing on a very high level. Yeah you know what

713
00:39:07,440 --> 00:39:10,439
Speaker 1: I did? I did Westwood Show. It must have been seven.

714
00:39:11,480 --> 00:39:14,359
Speaker 1: Me and d L hugely went and did it. And

715
00:39:14,400 --> 00:39:17,400
Speaker 1: I was making fun of him in between commercial. You

716
00:39:17,440 --> 00:39:20,279
Speaker 1: didn't like that, I go, heay, whit? Why do you

717
00:39:20,400 --> 00:39:24,880
Speaker 1: talk like that? It sounds like fish He sounds like

718
00:39:24,920 --> 00:39:28,000
Speaker 1: the English version of funk mastered FLEs idol. And I

719
00:39:28,160 --> 00:39:30,480
Speaker 1: was pretty to be. In all fairness, I was being

720
00:39:31,239 --> 00:39:33,239
Speaker 1: man disrespectful to a guy who's letting me be on

721
00:39:33,320 --> 00:39:34,840
Speaker 1: his show. You know what I mean? But how do

722
00:39:34,960 --> 00:39:37,520
Speaker 1: you not? Because Tim Westwood is such a cookie Carter,

723
00:39:37,600 --> 00:39:41,560
Speaker 1: no doubt, no doubt. So Cash you want to see

724
00:39:41,600 --> 00:39:45,239
Speaker 1: some real ship, watch watch Tim Westwood interview young thug

725
00:39:46,600 --> 00:39:49,320
Speaker 1: and talk like a like a young man from Atlanta.

726
00:39:50,400 --> 00:39:53,879
Speaker 1: That is what he flips into. Now, I mean, if

727
00:39:53,920 --> 00:39:55,920
Speaker 1: you want, I mean, I don't know how he hasn't

728
00:39:56,040 --> 00:39:58,560
Speaker 1: you want to talk about culturally canceled like this is?

729
00:39:58,840 --> 00:40:01,040
Speaker 1: I mean, it's wild and I loved him Westwood, but

730
00:40:01,120 --> 00:40:03,480
Speaker 1: it is Crazy's just like he's just like, you know,

731
00:40:03,600 --> 00:40:07,400
Speaker 1: the redskin, the red Bone babies, tell him, tell me

732
00:40:07,440 --> 00:40:09,959
Speaker 1: about the red Bone. Mommy's like, and it's just like, dude,

733
00:40:10,040 --> 00:40:13,960
Speaker 1: you can't say that ship, you know. And Young Doug

734
00:40:14,080 --> 00:40:15,719
Speaker 1: is just kind of like, Okay, it's like you're gonna

735
00:40:15,800 --> 00:40:18,239
Speaker 1: roll a spliff. No, that's for you, Young Doug. Like

736
00:40:18,320 --> 00:40:21,040
Speaker 1: it's just like it's a it's intense. It's a man.

737
00:40:21,640 --> 00:40:23,640
Speaker 1: He's interviewing Young Doug and trying to be you know,

738
00:40:23,760 --> 00:40:26,160
Speaker 1: his cool uncle. I can't give these young kids any

739
00:40:26,200 --> 00:40:28,719
Speaker 1: fucking respects. I'm like, funk out of here. We brought

740
00:40:28,760 --> 00:40:30,719
Speaker 1: that up earlier, and it's interesting to hear that as

741
00:40:30,760 --> 00:40:33,279
Speaker 1: a man who is you have hip hop, you know

742
00:40:33,640 --> 00:40:36,800
Speaker 1: ingrained in your soul. That's why I can't, right, So

743
00:40:36,920 --> 00:40:40,359
Speaker 1: are you just saying cats like that that are out

744
00:40:41,560 --> 00:40:44,680
Speaker 1: any any of them? I can't fucking any of those

745
00:40:44,760 --> 00:40:48,040
Speaker 1: fucking no, no, no, no, no, no no no. You

746
00:40:48,120 --> 00:40:50,040
Speaker 1: know what the problem is. I think this is where

747
00:40:50,080 --> 00:40:55,520
Speaker 1: the problem lies. They pile everything into hip hop when

748
00:40:55,560 --> 00:40:57,960
Speaker 1: I think they should have their own sub John, it

749
00:40:57,960 --> 00:41:00,160
Speaker 1: shouldn't be considered hip hop, and noting that, I think

750
00:41:00,239 --> 00:41:03,160
Speaker 1: that's what my beef is with it. When you say

751
00:41:03,239 --> 00:41:06,279
Speaker 1: that not fucking hip hop. It is rap music or

752
00:41:06,360 --> 00:41:08,480
Speaker 1: trap music, but it's not hip It's not hip hop

753
00:41:08,560 --> 00:41:10,400
Speaker 1: because nothing about it has anything to do with hip

754
00:41:10,440 --> 00:41:12,880
Speaker 1: hop if you really think about it. It's one element

755
00:41:12,920 --> 00:41:16,879
Speaker 1: of hip hop, and even that element is fucking shaky. Yeah. See,

756
00:41:16,880 --> 00:41:18,320
Speaker 1: I don't I don't know what don't. I don't know

757
00:41:18,360 --> 00:41:19,680
Speaker 1: where I stand. It's like I said, I was never

758
00:41:19,760 --> 00:41:21,799
Speaker 1: I was never a genre guy. Was always a music guy.

759
00:41:21,880 --> 00:41:23,799
Speaker 1: So I feel like either people are good or they're bad.

760
00:41:24,600 --> 00:41:29,160
Speaker 1: So to disqualify everything that's going on now, I always

761
00:41:29,200 --> 00:41:30,959
Speaker 1: felt was was a little while, but then there also

762
00:41:31,040 --> 00:41:33,239
Speaker 1: does come a point where it doesn't. You just can't

763
00:41:33,280 --> 00:41:35,400
Speaker 1: pay attention anymore. And you know what you like, you know,

764
00:41:35,800 --> 00:41:37,400
Speaker 1: hotch money? Where do you? Where do you stand on this? You?

765
00:41:37,480 --> 00:41:40,879
Speaker 1: Are you there? Anyone knew? Like any New Atlantic cats

766
00:41:41,040 --> 00:41:44,279
Speaker 1: or like or like young young people that are not

767
00:41:45,160 --> 00:41:47,799
Speaker 1: well like Griselda is like obviously like made for us,

768
00:41:48,080 --> 00:41:50,120
Speaker 1: you know, and things like that, but they're also like

769
00:41:50,280 --> 00:41:52,640
Speaker 1: my age, you know, So like I'm talking about like

770
00:41:52,719 --> 00:41:55,880
Speaker 1: people in their teens and early Well, there's that kid

771
00:41:55,960 --> 00:42:00,120
Speaker 1: from Philly l g P. He's dope. I'm not weare

772
00:42:00,120 --> 00:42:01,520
Speaker 1: of him. He's good. I should check him out. Yeah,

773
00:42:01,560 --> 00:42:03,400
Speaker 1: he's like he's gonna be like twenty or something. I

774
00:42:03,520 --> 00:42:07,879
Speaker 1: love me like a lot at all future a lot

775
00:42:08,080 --> 00:42:10,760
Speaker 1: like And I had talked to a large professor about

776
00:42:10,800 --> 00:42:13,560
Speaker 1: this because I was interested to see what what his

777
00:42:13,719 --> 00:42:16,759
Speaker 1: take on it was was was was was Billy Paul?

778
00:42:16,880 --> 00:42:20,799
Speaker 1: Was he sober or drunk? He was drunk and um

779
00:42:21,239 --> 00:42:23,080
Speaker 1: and no, we were having a time. We were Djane.

780
00:42:23,160 --> 00:42:25,239
Speaker 1: This was maybe this was like around the time Bad

781
00:42:25,280 --> 00:42:27,640
Speaker 1: and Bougie was like really out and Megos were like

782
00:42:27,760 --> 00:42:30,520
Speaker 1: definitely becoming the rock stars that they are. And he

783
00:42:30,880 --> 00:42:34,879
Speaker 1: said he was like, he's like, I love me Goos

784
00:42:35,160 --> 00:42:37,799
Speaker 1: and he's like and if people say it was something

785
00:42:37,920 --> 00:42:40,120
Speaker 1: like like you can't say you love dos effects and

786
00:42:40,160 --> 00:42:42,080
Speaker 1: then disrespect me Goos. And I was like that's an

787
00:42:42,120 --> 00:42:45,200
Speaker 1: interesting point, um, But but then we'll just it's a

788
00:42:45,280 --> 00:42:50,440
Speaker 1: very you know, it's a similar wacky crazy like you

789
00:42:50,560 --> 00:42:54,800
Speaker 1: came and compared to alternately, compared the two, you'd be

790
00:42:54,960 --> 00:42:57,759
Speaker 1: surprised how how much how much there there is going

791
00:42:57,800 --> 00:42:59,080
Speaker 1: on there. But then he said he had a lot

792
00:42:59,120 --> 00:43:01,960
Speaker 1: of ire for a little Uzi Vert who's a Philly cat.

793
00:43:02,480 --> 00:43:04,319
Speaker 1: But he was like he was like little little lousy

794
00:43:04,440 --> 00:43:06,440
Speaker 1: versus a lot of rappers. He's like meghos is rappers,

795
00:43:07,640 --> 00:43:09,279
Speaker 1: Like I say, didn't find them to be any of that.

796
00:43:09,640 --> 00:43:14,719
Speaker 1: You have to they listen when you say their names.

797
00:43:14,840 --> 00:43:17,080
Speaker 1: It's like you're comparing them to rock him with somebody

798
00:43:17,480 --> 00:43:22,080
Speaker 1: who are very who's very lyrical. Right, you cannot, you can't.

799
00:43:22,160 --> 00:43:24,560
Speaker 1: You just can't put him everybody in one pot man?

800
00:43:24,760 --> 00:43:26,400
Speaker 1: All right, Well that's what I say, like a kid like,

801
00:43:26,520 --> 00:43:28,960
Speaker 1: I don't think they wanted I don't think they even

802
00:43:29,040 --> 00:43:31,759
Speaker 1: want to be. Well, here's the thing. It's like when

803
00:43:31,760 --> 00:43:34,680
Speaker 1: you think about it like this, like house music got

804
00:43:34,760 --> 00:43:38,320
Speaker 1: all the divisions, right, you know what I mean? Because

805
00:43:38,360 --> 00:43:42,360
Speaker 1: we grew up with original house music, classic house, and

806
00:43:42,480 --> 00:43:45,160
Speaker 1: then in the late eighties Detroit took it and made

807
00:43:45,760 --> 00:43:47,880
Speaker 1: techno house with it, and we were good with that

808
00:43:47,960 --> 00:43:51,359
Speaker 1: techno house because it wasn't too technically. Then England got

809
00:43:51,400 --> 00:43:52,879
Speaker 1: it and made acid house, and I was like, wait,

810
00:43:52,880 --> 00:43:55,279
Speaker 1: what's going on here? And then England and then the

811
00:43:55,280 --> 00:43:57,600
Speaker 1: rest of your did acid and techno and switched the

812
00:43:57,640 --> 00:44:00,920
Speaker 1: whole vibe up, and then the house community went all right,

813
00:44:01,000 --> 00:44:03,719
Speaker 1: C d M, that's not well. We spent years you know,

814
00:44:03,800 --> 00:44:07,279
Speaker 1: aggressively sub genre. And then like someone was just like, well,

815
00:44:07,280 --> 00:44:09,359
Speaker 1: it's all just electronic dance music, and then we all

816
00:44:09,360 --> 00:44:13,080
Speaker 1: got fucked. Yeah yeah, and I'm like, it's it's it is. Yeah,

817
00:44:13,120 --> 00:44:15,759
Speaker 1: it's actually it's an electronic all of it is. But yeah,

818
00:44:16,280 --> 00:44:21,480
Speaker 1: I mean in many ways rapid is electry, especially um.

819
00:44:21,880 --> 00:44:23,640
Speaker 1: But yeah, I mean with the house thing, you knew

820
00:44:23,640 --> 00:44:28,920
Speaker 1: what you were getting. Nobody was comparing um fucking Tiesto

821
00:44:29,400 --> 00:44:33,000
Speaker 1: to Kenny Dope because they knew that's this lane, that's

822
00:44:33,040 --> 00:44:35,480
Speaker 1: this one. It depends how hard core you. There's hip.

823
00:44:35,560 --> 00:44:38,839
Speaker 1: There's people in house like DJ Sneak, who was who

824
00:44:38,920 --> 00:44:41,560
Speaker 1: was in Toronto for quite some time. Um, and he's

825
00:44:41,680 --> 00:44:46,279
Speaker 1: really he's like a second generation Chicago guy and he

826
00:44:47,480 --> 00:44:49,719
Speaker 1: has a lot of very hip, hoppy things to say

827
00:44:49,719 --> 00:44:52,120
Speaker 1: about house music. And so he like came at the

828
00:44:52,160 --> 00:44:55,560
Speaker 1: Swedish house Mafia like on some on some hip hop

829
00:44:56,200 --> 00:44:58,759
Speaker 1: house attitude to like, you guys aren't real, you guys

830
00:44:58,800 --> 00:45:01,080
Speaker 1: aren't doing I mean that you had bits right about

831
00:45:01,239 --> 00:45:03,840
Speaker 1: Steve Aoki and and I don't know Steve. I know

832
00:45:03,920 --> 00:45:06,400
Speaker 1: you know him well, I wouldn't say I know him well.

833
00:45:06,560 --> 00:45:09,799
Speaker 1: We we were work friends. But see I know, here's

834
00:45:09,840 --> 00:45:12,040
Speaker 1: the thing. When I first moved out here, I remember

835
00:45:12,080 --> 00:45:16,400
Speaker 1: hearing Steve Aoki's name through your crew, like through what

836
00:45:16,560 --> 00:45:19,360
Speaker 1: I did. You needed to make money somewhere. No, but

837
00:45:19,520 --> 00:45:21,960
Speaker 1: he wasn't throwing He wasn't throwing cakes, and he wasn't

838
00:45:21,960 --> 00:45:24,480
Speaker 1: doing all that wacky ship. He was actually trying to

839
00:45:24,560 --> 00:45:26,640
Speaker 1: learn how to DJ. Back then. I assure you there's

840
00:45:26,719 --> 00:45:30,320
Speaker 1: nothing worse than listening to Steve Aokie do doubles. Oh I,

841
00:45:30,520 --> 00:45:33,560
Speaker 1: I can't even imagine it. I mean, I can't even

842
00:45:33,560 --> 00:45:35,680
Speaker 1: imagine him actually djaying. To be honest with you, and

843
00:45:35,760 --> 00:45:40,279
Speaker 1: I remember him DJ. I've seen it. He's better off prerecorded. Yeah,

844
00:45:40,520 --> 00:45:42,919
Speaker 1: I would imagine he would be. He tried. He tried

845
00:45:42,960 --> 00:45:44,960
Speaker 1: his little heart out for so many years, and you

846
00:45:45,000 --> 00:45:48,080
Speaker 1: guys should have like a battle like the Battle of

847
00:45:48,200 --> 00:45:51,960
Speaker 1: the Trust Fund DJs, the Battle of the entitled DJ. Yeah,

848
00:45:53,320 --> 00:45:56,600
Speaker 1: I would trust trust trust fens. I would call you

849
00:45:56,800 --> 00:45:58,319
Speaker 1: entitled if I thought you were, but I don't think

850
00:45:58,360 --> 00:46:01,399
Speaker 1: you are at all. I the way your father brought

851
00:46:01,440 --> 00:46:03,799
Speaker 1: you up was in a very normal way, Like listen,

852
00:46:03,880 --> 00:46:06,880
Speaker 1: some we got some ship, and I'm not gonna let

853
00:46:06,920 --> 00:46:08,840
Speaker 1: you act like you got some ship. He made A

854
00:46:09,040 --> 00:46:11,840
Speaker 1: really strong point was New York not being an asshole.

855
00:46:12,000 --> 00:46:14,960
Speaker 1: Um so, so I fought him on that and I'm

856
00:46:15,000 --> 00:46:17,759
Speaker 1: now I'm an asshole. But he uh, he was. He

857
00:46:17,880 --> 00:46:21,479
Speaker 1: was a New York gu yes, so. And his father

858
00:46:21,640 --> 00:46:25,400
Speaker 1: was not not even a milliner, but worked in the

859
00:46:25,480 --> 00:46:29,440
Speaker 1: millinary district selling ladies hats. So we did not come

860
00:46:29,560 --> 00:46:33,800
Speaker 1: from money. Is that one of your grandfather's hats? Possibly?

861
00:46:33,840 --> 00:46:35,160
Speaker 1: But this is I think I believe I'm wearing the

862
00:46:35,239 --> 00:46:38,640
Speaker 1: Arroyo Seco Municipal Golf course. That that's where I go

863
00:46:38,800 --> 00:46:43,319
Speaker 1: do my part three stuff. Oh Bobby exactly. You know, well,

864
00:46:43,360 --> 00:46:46,120
Speaker 1: you gotta you gotta stay on the course. That's my exercise.

865
00:46:46,160 --> 00:46:50,400
Speaker 1: That's where I get my son very slowly. Man, I

866
00:46:50,480 --> 00:46:52,279
Speaker 1: can't do it either, dude. I've never tried it, but

867
00:46:52,400 --> 00:46:56,080
Speaker 1: I didn't even like it. Put. I like many putting. Hell, yeah,

868
00:46:56,080 --> 00:46:59,719
Speaker 1: I like that ship golf golf. Now, I will say

869
00:46:59,760 --> 00:47:03,680
Speaker 1: that the Tiger Woods game on Yeah, that's where I

870
00:47:03,760 --> 00:47:08,320
Speaker 1: learned to play golf the Nintendo. Yeah, on PlayStation. But

871
00:47:08,680 --> 00:47:11,719
Speaker 1: just like you can actually learn how to play golf

872
00:47:11,719 --> 00:47:13,840
Speaker 1: from that video game, it'll teach you how to triangulate

873
00:47:13,920 --> 00:47:18,879
Speaker 1: put some stuff. Yeah, But people say they send cash.

874
00:47:18,960 --> 00:47:22,520
Speaker 1: If you ever stopped playing basketball, you'll you'll, you'll make it.

875
00:47:22,760 --> 00:47:25,840
Speaker 1: It'll be a smooth transition into golf. I don't see it.

876
00:47:26,040 --> 00:47:30,160
Speaker 1: It's easier on your knees, right. But he never gained weight,

877
00:47:30,239 --> 00:47:33,600
Speaker 1: so he's okay. It's been the same sign. You probably

878
00:47:33,800 --> 00:47:36,680
Speaker 1: have to have a pretty good vertical leap. Mine has

879
00:47:36,719 --> 00:47:38,960
Speaker 1: been gone since you know, six gravity gets you now

880
00:47:41,200 --> 00:47:44,279
Speaker 1: surprisingly agile for for a large man. But was Eddie,

881
00:47:44,320 --> 00:47:45,879
Speaker 1: you know, I don't have a not at the moment,

882
00:47:46,560 --> 00:47:48,360
Speaker 1: not at the moment, But Eddie, what I live in

883
00:47:48,480 --> 00:47:54,719
Speaker 1: constant fear of got in a motorcycle acts. That's not

884
00:47:54,880 --> 00:47:58,840
Speaker 1: something I live intycle because he lives in La Plente,

885
00:47:59,600 --> 00:48:06,640
Speaker 1: some he's donkey was crossing the street and he because

886
00:48:06,680 --> 00:48:08,879
Speaker 1: it's really Mexican out there, I said, no, I don't

887
00:48:08,880 --> 00:48:11,600
Speaker 1: see what you did. She was crossing, she was she

888
00:48:11,719 --> 00:48:13,160
Speaker 1: was trying to do a U turn on her buro

889
00:48:17,640 --> 00:48:21,560
Speaker 1: And Edie, is it really from a motorcycle accident? But

890
00:48:21,680 --> 00:48:24,279
Speaker 1: it was any way to get the knee rovers I'm

891
00:48:24,320 --> 00:48:25,960
Speaker 1: gonna have to figure out another way to get it.

892
00:48:27,280 --> 00:48:30,400
Speaker 1: That's what this is. And that would be excited to

893
00:48:30,480 --> 00:48:34,920
Speaker 1: have like a knee storied Edie very well. I heard

894
00:48:34,960 --> 00:48:36,600
Speaker 1: him on the phone or there. He's a hustler, He's

895
00:48:36,719 --> 00:48:40,399
Speaker 1: he's making a hustler. He's a sucking shyster. Um. There's

896
00:48:40,440 --> 00:48:43,400
Speaker 1: a difference, you know, six six six one twelve or

897
00:48:43,400 --> 00:48:47,880
Speaker 1: the other. I believe that's the same. But but you

898
00:48:47,920 --> 00:48:50,319
Speaker 1: know what I will, I will change when you have time,

899
00:48:50,400 --> 00:48:52,400
Speaker 1: when you have seventeen minutes free. I know you're a

900
00:48:52,440 --> 00:48:55,239
Speaker 1: very busy man, but you watch me goes on on

901
00:48:55,400 --> 00:48:59,920
Speaker 1: Tim Westwood where they freestyle, freestyle off the dome as

902
00:49:00,040 --> 00:49:01,879
Speaker 1: they say, And I'm someone who has heard every bit

903
00:49:01,920 --> 00:49:05,200
Speaker 1: of recorded music that they have, which is a lot um.

904
00:49:05,360 --> 00:49:08,279
Speaker 1: And these lyrics were never anywhere else. And because there

905
00:49:08,320 --> 00:49:10,280
Speaker 1: are three guys that you know, they would wrap together

906
00:49:10,320 --> 00:49:14,440
Speaker 1: at the at the Bandoh Atlanta, Yeah, I am a

907
00:49:14,520 --> 00:49:18,040
Speaker 1: mine from Atlanta. They are from Atlanta. Yeah. And so

908
00:49:18,120 --> 00:49:22,600
Speaker 1: it's seventeen minutes of NonStop um and they're doing each

909
00:49:22,640 --> 00:49:25,520
Speaker 1: other's ad libs. They're wrapping over like all classic Atlanta beats.

910
00:49:25,560 --> 00:49:27,800
Speaker 1: So it's like over like Gucci Main beats. And is

911
00:49:27,840 --> 00:49:29,160
Speaker 1: that was that where it ends me? Did you even

912
00:49:29,160 --> 00:49:30,640
Speaker 1: get up to Gucci Main or did you never? I

913
00:49:30,719 --> 00:49:35,080
Speaker 1: never got you never went to pastadcasting goody mob didn't

914
00:49:35,080 --> 00:49:36,759
Speaker 1: get them. You didn't even like them. You didn't like

915
00:49:36,840 --> 00:49:39,520
Speaker 1: out cast. I like a song or two here and there.

916
00:49:40,520 --> 00:49:45,840
Speaker 1: I like a statement. I liked, um, who's that creeping

917
00:49:45,880 --> 00:49:49,000
Speaker 1: in my window? Knows about it? That's a good that's

918
00:49:49,040 --> 00:49:53,120
Speaker 1: not about that. I know both Dungeon families. So you

919
00:49:53,160 --> 00:50:01,080
Speaker 1: didn't like Atlanteans, was it? So? Elevators right songs and

920
00:50:01,200 --> 00:50:04,000
Speaker 1: I like Spotio like a Clement is considered one of

921
00:50:04,040 --> 00:50:06,879
Speaker 1: the best albums ever made in the history of music

922
00:50:07,200 --> 00:50:14,080
Speaker 1: by me, I feel like that. I like Lovelicious, like

923
00:50:14,239 --> 00:50:16,040
Speaker 1: loved it, like I could play that back and well

924
00:50:16,120 --> 00:50:20,359
Speaker 1: that that song transcends, and again Elevators transcends as well. Yeah,

925
00:50:20,600 --> 00:50:23,640
Speaker 1: but Elevators is a rap song. That's a proper beat

926
00:50:24,480 --> 00:50:26,200
Speaker 1: rap song with a touch of like kind of like

927
00:50:26,360 --> 00:50:29,040
Speaker 1: screwed screwed, like you know, it's a syrup. But also

928
00:50:29,160 --> 00:50:33,439
Speaker 1: they also wrote lyrics back then they said some ship. Yeah,

929
00:50:33,719 --> 00:50:35,680
Speaker 1: my problem was their accent. I couldn't get into it.

930
00:50:36,400 --> 00:50:37,960
Speaker 1: You know, growing up in Toronto, you get all the

931
00:50:37,960 --> 00:50:40,120
Speaker 1: New York ships, So we just only wanted to hear

932
00:50:41,000 --> 00:50:43,320
Speaker 1: the East Coast accent. That's where a lot of the

933
00:50:43,480 --> 00:50:46,400
Speaker 1: problems come for me with people talking about mumble rap.

934
00:50:46,480 --> 00:50:49,600
Speaker 1: I'm like, that's a racist term because if you've been

935
00:50:49,640 --> 00:50:51,520
Speaker 1: to Atlanta, like I'm sure you spent a little time

936
00:50:51,520 --> 00:50:54,000
Speaker 1: in Atlanta, Like, that's just how they talk. It's just

937
00:50:54,200 --> 00:50:55,879
Speaker 1: it's just that we can't understand it. You know, they're

938
00:50:55,880 --> 00:50:59,080
Speaker 1: just like, well, no, that's how they talk now. I mean,

939
00:50:59,280 --> 00:51:01,560
Speaker 1: if I always could, I always talking to my black

940
00:51:01,600 --> 00:51:03,919
Speaker 1: friends about this, and I guess I'll consider cash Money

941
00:51:03,960 --> 00:51:07,120
Speaker 1: black today, although he's fucking later than both of us,

942
00:51:09,280 --> 00:51:11,200
Speaker 1: but I always talked about my friends. I'm like there's

943
00:51:11,239 --> 00:51:14,400
Speaker 1: been some sort of mental deterioration there, because listen to

944
00:51:14,440 --> 00:51:17,360
Speaker 1: black people talk from the forties, fifties and sixties with

945
00:51:17,560 --> 00:51:21,439
Speaker 1: no education, spoke much clearer and and they spoke better

946
00:51:21,560 --> 00:51:24,320
Speaker 1: English then than these fucking idiots do now. And I'm like,

947
00:51:24,680 --> 00:51:26,839
Speaker 1: what happened? I've got to steer clear of this whole

948
00:51:26,880 --> 00:51:30,680
Speaker 1: hornet's nest. Yeah, I don't understand. Now, you'll meet obviously

949
00:51:30,680 --> 00:51:32,480
Speaker 1: you won't meet the scholars and the people that do

950
00:51:32,640 --> 00:51:35,000
Speaker 1: speak well, but the amount of people that don't. You're like,

951
00:51:36,080 --> 00:51:39,080
Speaker 1: you had more opportunity. How did this happen? Yeah? Because

952
00:51:39,120 --> 00:51:43,440
Speaker 1: you had the most prestigious black colleges down there, Spellman,

953
00:51:43,719 --> 00:51:47,760
Speaker 1: more House, Clark Um. Yeah, did you go to college?

954
00:51:48,440 --> 00:51:52,680
Speaker 1: I went to a community college Delaware County. I didn't

955
00:51:52,680 --> 00:51:59,400
Speaker 1: ask that long. Was it in Delaware? No, that's that

956
00:51:59,560 --> 00:52:02,640
Speaker 1: that really is. Yeah, I never really thought about it.

957
00:52:06,800 --> 00:52:08,880
Speaker 1: I don't think the University of Phoenix on lines actually

958
00:52:08,880 --> 00:52:11,320
Speaker 1: in Phoenix, I've heard it's not that's apparently it's so

959
00:52:11,440 --> 00:52:15,080
Speaker 1: it's down. It suck in Torrance. I always see the

960
00:52:15,120 --> 00:52:17,920
Speaker 1: freeway exit there on the one ten University of Phoenix,

961
00:52:17,920 --> 00:52:19,480
Speaker 1: and I never when I was a kid that sucked

962
00:52:19,520 --> 00:52:22,160
Speaker 1: me up. But I could, but take it from me,

963
00:52:22,320 --> 00:52:25,279
Speaker 1: someone just being near good education will not get you far.

964
00:52:25,800 --> 00:52:27,840
Speaker 1: Did you go to Harvard West? I went to n

965
00:52:28,000 --> 00:52:30,200
Speaker 1: y You know. I went to a Happy Valley school

966
00:52:30,239 --> 00:52:33,200
Speaker 1: which was like a like a hippie boarding school. So

967
00:52:33,320 --> 00:52:35,080
Speaker 1: that's where I learned how to like smoke weed and

968
00:52:35,120 --> 00:52:38,200
Speaker 1: take acid and stuff. Um. And then I went to

969
00:52:38,320 --> 00:52:46,200
Speaker 1: n y U for a short while. Acids, I passed,

970
00:52:46,480 --> 00:52:52,759
Speaker 1: I did blood, but that's where I met. That's where

971
00:52:52,760 --> 00:52:56,600
Speaker 1: I'm at Stretch Armstrong and and then I quit school

972
00:52:56,680 --> 00:52:58,840
Speaker 1: for hip hip hop music. Much like a young Russell

973
00:52:58,880 --> 00:53:02,120
Speaker 1: Peters Quinn kfter the Yeah, I was like, I don't

974
00:53:03,719 --> 00:53:06,160
Speaker 1: anymore because I've met Stretch Armstrong and everything to go.

975
00:53:06,640 --> 00:53:13,000
Speaker 1: My eight six was her Yeah huh yeah, So you

976
00:53:13,120 --> 00:53:18,000
Speaker 1: were down with Stretch when Barbito they had the College

977
00:53:18,040 --> 00:53:21,719
Speaker 1: show essentially. Yeah. If you keep watching their documentary, like

978
00:53:21,920 --> 00:53:24,560
Speaker 1: ten minutes after the credits are done, that's when I

979
00:53:24,680 --> 00:53:29,759
Speaker 1: come in. I love that documentary. It's incredible. It's like

980
00:53:29,880 --> 00:53:33,600
Speaker 1: watching a mixtape come to life. So when so, you know,

981
00:53:33,680 --> 00:53:35,680
Speaker 1: they talked about the period where they were fighting and

982
00:53:35,800 --> 00:53:38,360
Speaker 1: taking turns doing the show. That's when I met Stretched.

983
00:53:38,400 --> 00:53:42,880
Speaker 1: So it was like just murderous rap music. I've never

984
00:53:42,960 --> 00:53:46,320
Speaker 1: met Stretch. I remember Bob funny enough interesting and we

985
00:53:46,480 --> 00:53:51,400
Speaker 1: have all the same friends. They are two outstanding people.

986
00:53:52,000 --> 00:53:54,080
Speaker 1: Um Bob I don't know well, but I mean just

987
00:53:54,239 --> 00:53:58,920
Speaker 1: to know of what he's done and what he does. Yeah, absolutely.

988
00:53:59,320 --> 00:54:01,279
Speaker 1: You know. It was crazy when jay Z first, I

989
00:54:01,360 --> 00:54:04,439
Speaker 1: think it was his first time on their college show.

990
00:54:04,600 --> 00:54:08,680
Speaker 1: I think had dead president Presidents out. I was DJA

991
00:54:08,760 --> 00:54:11,439
Speaker 1: and at night, Oh you were playing on the show. Yeah,

992
00:54:12,080 --> 00:54:14,520
Speaker 1: I went on right before he came on. Yeah, I

993
00:54:14,520 --> 00:54:18,200
Speaker 1: didn't realized he was that tall. Yeah, very tall. Yeah, Yeah,

994
00:54:18,280 --> 00:54:19,480
Speaker 1: I took a. I have a picture of me in

995
00:54:19,560 --> 00:54:22,279
Speaker 1: him from nineties? Is that when he raps with big El,

996
00:54:23,520 --> 00:54:26,640
Speaker 1: probably because there's a long legendary like eight and a

997
00:54:26,680 --> 00:54:29,600
Speaker 1: half minute like big L wasn't it wasn't longer than that.

998
00:54:29,880 --> 00:54:32,120
Speaker 1: Jay Z for it's long. I think it's like fourteen

999
00:54:32,200 --> 00:54:36,600
Speaker 1: minutes or something because they both took turns. Ye, jay

1000
00:54:36,680 --> 00:54:42,319
Speaker 1: Z is still rapping like jazz a little bit, but yeah,

1001
00:54:43,280 --> 00:54:47,360
Speaker 1: wild wild stuff man. Long was it nine nine and

1002
00:54:47,360 --> 00:54:49,040
Speaker 1: a half minutes? Yeah, nine and a half minutes is

1003
00:54:49,040 --> 00:54:51,760
Speaker 1: exactly right. Well, Finesse just cut home and there's Finesse

1004
00:54:51,920 --> 00:54:55,000
Speaker 1: right there. Finesse, but no, Finesse might have even been

1005
00:54:55,080 --> 00:54:59,279
Speaker 1: there when that happened. He was likely there, so that

1006
00:54:59,360 --> 00:55:02,880
Speaker 1: would so that's right before. That might have been that

1007
00:55:03,000 --> 00:55:07,520
Speaker 1: show because Dead President because I left because yeah I

1008
00:55:07,600 --> 00:55:10,920
Speaker 1: had it. Yeah, hey ness, were you there the day

1009
00:55:11,040 --> 00:55:15,200
Speaker 1: that jay Z and big Al freestyle on Barbito and them? No,

1010
00:55:18,880 --> 00:55:25,920
Speaker 1: it's upload from nests. How you doing, Nest? That's the

1011
00:55:26,080 --> 00:55:28,000
Speaker 1: mic B how you doing? That's the guy I showed

1012
00:55:28,040 --> 00:55:31,759
Speaker 1: this post on the wall. Yeah we we, I mean

1013
00:55:31,800 --> 00:55:33,239
Speaker 1: we've met here and there, but to say we know

1014
00:55:33,320 --> 00:55:36,920
Speaker 1: each other would be overstated. He says how much he

1015
00:55:36,960 --> 00:55:39,439
Speaker 1: loves you. You kept talking about you. Good to see

1016
00:55:39,719 --> 00:55:43,240
Speaker 1: and I recognized your living room from uh west Winds

1017
00:55:43,320 --> 00:55:48,960
Speaker 1: the switch feed. Yeah, okay, of course he's infamous. Man,

1018
00:55:51,080 --> 00:55:53,799
Speaker 1: he's coming. They want to take a picture of that alone. Yeah.

1019
00:55:53,840 --> 00:55:55,320
Speaker 1: I've had people come home and just take a picture

1020
00:55:55,320 --> 00:55:57,560
Speaker 1: of your of your laptop being held up like that,

1021
00:55:57,600 --> 00:55:59,319
Speaker 1: and they're like, I want to show people I was there.

1022
00:56:00,040 --> 00:56:03,560
Speaker 1: It out of here, and and the people you wouldn't

1023
00:56:03,560 --> 00:56:05,840
Speaker 1: think that are doing this, Like like the dude that

1024
00:56:05,920 --> 00:56:08,360
Speaker 1: works at polar Check jewelry store came by. I was like,

1025
00:56:08,440 --> 00:56:12,080
Speaker 1: oh ship. Then the white guy, the kind of regular

1026
00:56:12,120 --> 00:56:15,239
Speaker 1: white guy. It's not dorky, he's not cool. He's just

1027
00:56:15,360 --> 00:56:18,080
Speaker 1: a regular white guy. It's a Jew. But still, I mean,

1028
00:56:18,680 --> 00:56:20,600
Speaker 1: Jews are just white people with special powers. You know.

1029
00:56:21,520 --> 00:56:25,719
Speaker 1: That's what I always say, Oh man, what are the

1030
00:56:25,840 --> 00:56:27,920
Speaker 1: what are the special powers? I'd like to unlock my

1031
00:56:28,040 --> 00:56:31,920
Speaker 1: special powers? If I say, Yamica, Orneather, you forgot to

1032
00:56:32,040 --> 00:56:35,200
Speaker 1: wear your special hat? I did? I did. I actually

1033
00:56:35,239 --> 00:56:38,120
Speaker 1: don't own a Yamaica. I was never a practicing Jew

1034
00:56:38,200 --> 00:56:41,880
Speaker 1: because I already had perfected it. Yeah, um, but I

1035
00:56:42,480 --> 00:56:44,920
Speaker 1: did you have a barta? I did not. Really. I

1036
00:56:45,040 --> 00:56:48,320
Speaker 1: was given the option, um because I just you know,

1037
00:56:48,560 --> 00:56:51,719
Speaker 1: in Beverly Hills, bar Mitzvah just meant you would you

1038
00:56:51,800 --> 00:56:53,560
Speaker 1: were to receive a great deal of money and have

1039
00:56:53,640 --> 00:56:55,480
Speaker 1: a sick party when you were thirteen, whether you went

1040
00:56:55,520 --> 00:56:57,840
Speaker 1: to Hebrew School or not. And like you said, my

1041
00:56:57,960 --> 00:56:59,440
Speaker 1: father was a little bit more of a hardass, and

1042
00:56:59,480 --> 00:57:01,600
Speaker 1: he was like not a hardass, but he had, you know,

1043
00:57:02,160 --> 00:57:04,640
Speaker 1: some sort of code. He was like if you didn't

1044
00:57:04,680 --> 00:57:05,960
Speaker 1: do it, I'm not going to get well, he said.

1045
00:57:05,960 --> 00:57:07,680
Speaker 1: When I was ten, he said, you can either go

1046
00:57:07,840 --> 00:57:11,680
Speaker 1: to Hebrew school every Sunday and have the big bar Mitzvah,

1047
00:57:11,920 --> 00:57:14,000
Speaker 1: or you cannot and you can just have like an

1048
00:57:14,040 --> 00:57:17,040
Speaker 1: okay thirteenth birthday. Yeah. And I just was like three

1049
00:57:17,120 --> 00:57:19,280
Speaker 1: years of going to school on Sundays like, fuck it,

1050
00:57:19,840 --> 00:57:22,560
Speaker 1: No nobody needs that kind of party, Yeah nobody. Yeah,

1051
00:57:22,720 --> 00:57:26,520
Speaker 1: So I did not have it. I was actually I was, ironically,

1052
00:57:27,480 --> 00:57:30,480
Speaker 1: I was bar mitzvahed in Stretch Armstrong Studio when I

1053
00:57:30,640 --> 00:57:34,280
Speaker 1: was like twenty three. By Habbad's, which are the Jehovah's

1054
00:57:34,280 --> 00:57:36,640
Speaker 1: witnesses of Jews. They go door to door like is

1055
00:57:36,680 --> 00:57:38,760
Speaker 1: there anyone Jewish here? Do you want to pray with us,

1056
00:57:39,400 --> 00:57:44,360
Speaker 1: and the woman, the woman who who the receptionist of

1057
00:57:44,440 --> 00:57:46,840
Speaker 1: that studio was so I don't know, for lack of

1058
00:57:46,880 --> 00:57:49,840
Speaker 1: a better word, dumb that when they came and knocked

1059
00:57:49,880 --> 00:57:51,800
Speaker 1: on the door and said, is there anyone Jewish here?

1060
00:57:51,880 --> 00:57:55,720
Speaker 1: She said, oh, you must be looking for Mike, like

1061
00:57:55,880 --> 00:57:58,040
Speaker 1: those were my friends that were coming down, and we're

1062
00:57:58,080 --> 00:57:59,800
Speaker 1: just like, yeah, we're here for a Jewish friend. And

1063
00:58:00,040 --> 00:58:02,240
Speaker 1: she led them in. And this is how the war

1064
00:58:02,360 --> 00:58:06,840
Speaker 1: started in thirties started. The Nazis got their ship together.

1065
00:58:06,960 --> 00:58:10,800
Speaker 1: Are there Jews here? Yeah? Oh, you must be here

1066
00:58:10,840 --> 00:58:14,520
Speaker 1: for the bake off. I was in there having a

1067
00:58:14,600 --> 00:58:16,560
Speaker 1: bit of a bake off. So I'm stoned his ship.

1068
00:58:16,720 --> 00:58:18,480
Speaker 1: And you know, because I'm working in a rap studio

1069
00:58:18,600 --> 00:58:21,840
Speaker 1: like doing clean edits for Stretches radio show. And these

1070
00:58:21,880 --> 00:58:25,080
Speaker 1: guys walked in and and they say, you know, are

1071
00:58:25,080 --> 00:58:27,360
Speaker 1: you Jewish? Yes? I am. Have you ever been bar missfoot?

1072
00:58:27,360 --> 00:58:28,960
Speaker 1: And I said no? And the little kid looked at

1073
00:58:29,000 --> 00:58:31,880
Speaker 1: the older one like, oh my god, we found one. Yeah,

1074
00:58:31,920 --> 00:58:33,680
Speaker 1: we found one. Like we're here to do our job.

1075
00:58:33,800 --> 00:58:35,439
Speaker 1: So they wrapped this shift around my hands. I don't

1076
00:58:35,440 --> 00:58:38,120
Speaker 1: even know what it's called, and they made me say

1077
00:58:38,160 --> 00:58:40,080
Speaker 1: all kind of things, and then they said like, now

1078
00:58:40,120 --> 00:58:42,280
Speaker 1: you've been bar missfood. It took like five minutes. Apparently

1079
00:58:42,320 --> 00:58:44,720
Speaker 1: you don't need to do the three years. And uh

1080
00:58:45,480 --> 00:58:49,640
Speaker 1: Habad's like c h A chad ads. Yeah, you know

1081
00:58:49,680 --> 00:58:52,600
Speaker 1: they're the ones that have the little center, the ads

1082
00:58:52,640 --> 00:58:55,720
Speaker 1: for all over Billshire Boulevard. Yeah, I didn't know that's

1083
00:58:55,720 --> 00:59:00,160
Speaker 1: what they were. Bad. They're they're the Jehovah's Witnesses of Jews. Hey,

1084
00:59:00,920 --> 00:59:04,200
Speaker 1: you get in a car accident, that's a that's a

1085
00:59:04,680 --> 00:59:07,920
Speaker 1: they do where these guys have like the hats and yeah,

1086
00:59:07,960 --> 00:59:11,440
Speaker 1: they're these guys, dude, that's a personal and I want

1087
00:59:11,440 --> 00:59:14,800
Speaker 1: to ever see any anti Semitic je bro. Those motherfucker's

1088
00:59:14,800 --> 00:59:17,880
Speaker 1: stink they do. They're smelly and they have booger booger hands.

1089
00:59:18,320 --> 00:59:20,520
Speaker 1: It's just gross. Every time I see one, I'm like, oh, dude.

1090
00:59:20,560 --> 00:59:22,680
Speaker 1: And I'm on the flight, usually on the flight from

1091
00:59:22,760 --> 00:59:25,080
Speaker 1: JFK to l A, and they got fun ton of

1092
00:59:25,280 --> 00:59:27,320
Speaker 1: come on and they walked past them like, oh Jesus Christ,

1093
00:59:27,880 --> 00:59:29,960
Speaker 1: society only have the one black suit. Don't you have

1094
00:59:30,000 --> 00:59:32,120
Speaker 1: ten of them? Should you have ten of these fucking things? Yeah,

1095
00:59:32,400 --> 00:59:35,040
Speaker 1: it's like a society of unpleasant and they won't speak

1096
00:59:35,040 --> 00:59:37,440
Speaker 1: to you if you're not Jewish. No, that's a that's

1097
00:59:37,480 --> 00:59:40,520
Speaker 1: a thing. My friend got. We we got rear ended

1098
00:59:40,680 --> 00:59:45,320
Speaker 1: by some Habbad's and they like and then we got

1099
00:59:45,360 --> 00:59:48,320
Speaker 1: in a car accident, but we got We got rear

1100
00:59:48,480 --> 00:59:50,360
Speaker 1: ended by Habbad's and they came out and they were like,

1101
00:59:50,640 --> 00:59:52,360
Speaker 1: are you Jewish? And we said yes, and they said

1102
00:59:52,400 --> 00:59:53,560
Speaker 1: you want to pray with us? And we said no,

1103
00:59:53,680 --> 00:59:56,160
Speaker 1: and they're like, give me your insurance. So it's like

1104
00:59:56,240 --> 00:59:58,760
Speaker 1: it's it's like a thing where they do. They're the

1105
00:59:58,840 --> 01:00:01,360
Speaker 1: ones they give us bad name. Was you dressed a

1106
01:00:01,400 --> 01:00:03,760
Speaker 1: certain way when they asked you? You and you can

1107
01:00:03,800 --> 01:00:06,560
Speaker 1: look at it. I mean I was, I was wearing

1108
01:00:06,640 --> 01:00:11,040
Speaker 1: my face. I mean, he does look very jew They

1109
01:00:11,120 --> 01:00:13,240
Speaker 1: won't talk to you unless you're Jewish for real. This

1110
01:00:13,440 --> 01:00:15,400
Speaker 1: is well, they will talk to you, but they don't

1111
01:00:15,440 --> 01:00:17,400
Speaker 1: have much to say to you if you're like I

1112
01:00:17,560 --> 01:00:19,040
Speaker 1: asked one of them in this and it was a

1113
01:00:19,080 --> 01:00:20,960
Speaker 1: real question because the guy had the hat box with

1114
01:00:21,080 --> 01:00:24,400
Speaker 1: him and look like a diesel ass hat box. It's

1115
01:00:24,480 --> 01:00:27,240
Speaker 1: four ft deep ye, And I was like, hey, where

1116
01:00:27,280 --> 01:00:29,520
Speaker 1: do you get those? And he looked at me and

1117
01:00:29,560 --> 01:00:30,720
Speaker 1: walked away. I was like, I just want to know

1118
01:00:30,760 --> 01:00:32,720
Speaker 1: what you got a fucking hat box from. That's a

1119
01:00:32,760 --> 01:00:34,760
Speaker 1: good ass hat box. Well, he looked he had a

1120
01:00:34,840 --> 01:00:36,440
Speaker 1: feeling that you weren't Jewish, and if you were, you

1121
01:00:36,480 --> 01:00:38,360
Speaker 1: weren't his kind of jew That's the other. Well, that's

1122
01:00:38,360 --> 01:00:39,919
Speaker 1: the other. These are the white ones. Really they don't

1123
01:00:39,960 --> 01:00:42,800
Speaker 1: get down that. They don't talk to you. So look

1124
01:00:42,800 --> 01:00:45,720
Speaker 1: at what a save guy. What if something happened, you know,

1125
01:00:47,000 --> 01:00:49,840
Speaker 1: plane catch on fire, on fire, ain't gonna say ship

1126
01:00:49,920 --> 01:00:53,440
Speaker 1: to you. They ain't gonna ask for helping, nothing, But

1127
01:00:53,520 --> 01:00:55,439
Speaker 1: they're all ready to go to God and they don't

1128
01:00:55,480 --> 01:00:57,800
Speaker 1: have a hell. So like if they're on fire, they

1129
01:00:58,040 --> 01:01:00,320
Speaker 1: it's like they're finally met there. You know, they're karmic

1130
01:01:00,400 --> 01:01:03,560
Speaker 1: destiny so weird. I don't think they believe in karma.

1131
01:01:03,640 --> 01:01:06,360
Speaker 1: I don't. I don't really know what what They always

1132
01:01:06,360 --> 01:01:08,880
Speaker 1: find the ship fascinating. I'm like, but he just believed

1133
01:01:09,240 --> 01:01:13,720
Speaker 1: blindly believe. Yeah, that's why we bull hats in the

1134
01:01:13,800 --> 01:01:17,800
Speaker 1: middle of the golden curls and really big unpleasant Yeah.

1135
01:01:17,800 --> 01:01:19,440
Speaker 1: I don't know. I'll tell you. Man. When I had

1136
01:01:19,800 --> 01:01:21,800
Speaker 1: did with my show over there, man, I was like

1137
01:01:22,120 --> 01:01:25,400
Speaker 1: it was a culture shot during Israel. Yeah. Yeah, I

1138
01:01:25,440 --> 01:01:29,240
Speaker 1: went to the Holy City and everything. Yeah, what did

1139
01:01:29,280 --> 01:01:35,960
Speaker 1: you play? Punks jump up to get beat. I think

1140
01:01:35,960 --> 01:01:38,520
Speaker 1: I'm gonna get one of those hats because rusty. Haven't

1141
01:01:39,120 --> 01:01:41,600
Speaker 1: you have a col in here? Man? They like being warm.

1142
01:01:41,640 --> 01:01:44,040
Speaker 1: I could get one of those hats. Never listen. You

1143
01:01:44,160 --> 01:01:45,840
Speaker 1: know how it's been in the past few days. Ness

1144
01:01:45,880 --> 01:01:49,560
Speaker 1: had the fucking heat on in his room. Still three

1145
01:01:49,560 --> 01:01:52,360
Speaker 1: outside and I go, I go, holy funck the heats

1146
01:01:52,400 --> 01:01:54,080
Speaker 1: on and nest the side of the house. I go, yo,

1147
01:01:54,280 --> 01:01:57,200
Speaker 1: Well that's how you sweat it out African style. Man. No,

1148
01:01:57,280 --> 01:02:00,400
Speaker 1: but even in Africa they use a ce Nah. I

1149
01:02:00,480 --> 01:02:05,000
Speaker 1: don't use a ship. Yeah, I got sick. Yeah, when

1150
01:02:05,800 --> 01:02:08,480
Speaker 1: should you had it on today? Yeah? I don't. I

1151
01:02:08,600 --> 01:02:12,880
Speaker 1: get congested when it happened to me today. When I

1152
01:02:13,000 --> 01:02:15,320
Speaker 1: lived in New York and I would come back here,

1153
01:02:15,560 --> 01:02:18,280
Speaker 1: I would it was. I would get crazy, like itchy

1154
01:02:18,440 --> 01:02:22,040
Speaker 1: eyes and running. I do get more congestion in California

1155
01:02:22,080 --> 01:02:25,200
Speaker 1: than anywhere else in the count There's a lot of

1156
01:02:25,240 --> 01:02:27,600
Speaker 1: weird in the stuff. You don't have trees in New York,

1157
01:02:27,640 --> 01:02:29,200
Speaker 1: so you don't have any of this ship. Yeah, but

1158
01:02:29,240 --> 01:02:33,439
Speaker 1: you got the humidity in New York Yeah, you want

1159
01:02:33,480 --> 01:02:35,760
Speaker 1: to talk switz. That's why I would come out here

1160
01:02:35,800 --> 01:02:37,840
Speaker 1: for the summers and have you know the dry heat

1161
01:02:37,880 --> 01:02:43,760
Speaker 1: as they say, this is bullsh fitz. It is bulls. Wow.

1162
01:02:44,520 --> 01:02:46,920
Speaker 1: When I didn't understand, I left that one alone. I

1163
01:02:47,000 --> 01:02:50,840
Speaker 1: came when I came back from the Holy City and

1164
01:02:50,960 --> 01:02:54,320
Speaker 1: right across the street they're selling nine West shoe stores

1165
01:02:54,360 --> 01:02:57,200
Speaker 1: and like this like a mall. It's the craziest thing

1166
01:02:57,280 --> 01:03:00,880
Speaker 1: I've seen. Man. That was the Holy Sale City. Everything

1167
01:03:00,960 --> 01:03:03,440
Speaker 1: was wholesome because we love a bargain. Yeah. So it's like,

1168
01:03:03,680 --> 01:03:05,400
Speaker 1: you know, we can pray, we can. You must need

1169
01:03:05,520 --> 01:03:08,000
Speaker 1: new shoes. And Shine is out there. Do you know

1170
01:03:08,040 --> 01:03:10,640
Speaker 1: about this is living out there. Shine is the first

1171
01:03:12,000 --> 01:03:18,160
Speaker 1: h black Orthodox rabbi who recognized by the State of Israel. Wow.

1172
01:03:18,800 --> 01:03:21,920
Speaker 1: Was he always Jewish? No? He picked this up in prison. Yeah,

1173
01:03:22,880 --> 01:03:24,560
Speaker 1: he went to jail for puffy. No. But usually, you know,

1174
01:03:24,600 --> 01:03:27,040
Speaker 1: you hear about people picking up Islam and getting you.

1175
01:03:27,200 --> 01:03:31,720
Speaker 1: Rarely hear about a rapper turning Orthodox Jew and then

1176
01:03:31,840 --> 01:03:33,520
Speaker 1: becoming all I mean, going all the way to being

1177
01:03:33,520 --> 01:03:36,160
Speaker 1: a rabbi and then going to Israel to be a rabbi.

1178
01:03:36,240 --> 01:03:38,360
Speaker 1: That's a lot of change. His name to Moses Michael

1179
01:03:38,440 --> 01:03:42,680
Speaker 1: Levi Barrow. That's He's Shine is way more Jewish than me.

1180
01:03:43,280 --> 01:03:46,200
Speaker 1: Oh yeah, that's not hard to do. He's the same

1181
01:03:46,240 --> 01:03:50,800
Speaker 1: age as he is. He Yeah, He's Shine is like

1182
01:03:50,880 --> 01:03:54,120
Speaker 1: six months older than me. He was. Did you ever

1183
01:03:54,160 --> 01:03:58,080
Speaker 1: work with Shine for us? No? I met Shine at

1184
01:03:58,280 --> 01:04:06,400
Speaker 1: uh Robs release party for Whoa. That's the first time

1185
01:04:06,440 --> 01:04:08,840
Speaker 1: I met Sean. I was with Buck Wow and I

1186
01:04:08,960 --> 01:04:11,920
Speaker 1: was having a party. He you know Rob phone record

1187
01:04:12,000 --> 01:04:14,760
Speaker 1: it was Yeah, No, I believe I was at this party.

1188
01:04:15,360 --> 01:04:18,640
Speaker 1: It was in S I R Studios possibly. I mean,

1189
01:04:18,680 --> 01:04:21,160
Speaker 1: I was spending a lot of time with Black Rob

1190
01:04:21,200 --> 01:04:24,200
Speaker 1: at the time of the release of of Whoa. You

1191
01:04:24,280 --> 01:04:27,000
Speaker 1: gotta use the mic though, Is that him now? You

1192
01:04:27,120 --> 01:04:29,920
Speaker 1: literally pointed with the mic. He just did exactly what

1193
01:04:30,000 --> 01:04:37,280
Speaker 1: I said people do on this show. Yea, Yeah, I

1194
01:04:37,400 --> 01:04:40,800
Speaker 1: was at that wall and is that the whaling wall?

1195
01:04:41,600 --> 01:04:44,200
Speaker 1: It looks like they need to be a song Christopher

1196
01:04:44,240 --> 01:04:50,840
Speaker 1: Cross needs to rewrite waiting. Well, that's like that's frowned upon.

1197
01:04:50,960 --> 01:04:54,240
Speaker 1: Now I believe whaling Is it like fishing for whales?

1198
01:04:54,800 --> 01:04:57,200
Speaker 1: Oh yeah right, yeah, Well that's why when you go

1199
01:04:57,280 --> 01:05:01,920
Speaker 1: there you see people acting like blubbering fools. We're good,

1200
01:05:01,960 --> 01:05:05,520
Speaker 1: we're really workshopping that, we're really righting any take notes,

1201
01:05:06,520 --> 01:05:09,480
Speaker 1: But yeah, I remember Buck, like Buck that Buck Wild

1202
01:05:09,600 --> 01:05:11,720
Speaker 1: and because that's when he was doing all the bad

1203
01:05:11,800 --> 01:05:15,760
Speaker 1: boys stuff. Yeah, well that was the start of it. Yeah. Yeah,

1204
01:05:15,960 --> 01:05:20,880
Speaker 1: And I don't know, I mean Buck a lot of

1205
01:05:20,960 --> 01:05:24,560
Speaker 1: joints he did. Uh got a Story to Tell? Oh yes,

1206
01:05:24,880 --> 01:05:28,880
Speaker 1: he did Story to Tell and much slept on Story

1207
01:05:28,960 --> 01:05:34,800
Speaker 1: to Tell Part two, which was a Mace record on

1208
01:05:34,960 --> 01:05:37,600
Speaker 1: Mason's second album, These Are This is the ship that

1209
01:05:37,720 --> 01:05:40,680
Speaker 1: I know. This is what I think he did. Uh.

1210
01:05:41,000 --> 01:05:43,920
Speaker 1: He definitely did Faith Faith Evans I Love You, which

1211
01:05:43,920 --> 01:05:48,160
Speaker 1: is all time classic. Yeah. And did he did a

1212
01:05:48,280 --> 01:05:50,960
Speaker 1: Sherry Dennis record. I think he might have passed me.

1213
01:05:51,040 --> 01:05:59,480
Speaker 1: And I mean Buck is you know, unstoppable, sneaky discography

1214
01:06:00,000 --> 01:06:01,920
Speaker 1: at that word lifetime. He did times up, I did

1215
01:06:02,000 --> 01:06:04,040
Speaker 1: a lot of album cuts and a lot of like

1216
01:06:04,240 --> 01:06:08,040
Speaker 1: uncredited remixes, and big Il put it on. He did

1217
01:06:08,160 --> 01:06:10,520
Speaker 1: get it together. Yeah, that's what I'm saying. The first

1218
01:06:10,560 --> 01:06:12,680
Speaker 1: studio session I got to go to when I worked

1219
01:06:12,800 --> 01:06:14,640
Speaker 1: when I started A and Ring for Stretch, when I

1220
01:06:14,800 --> 01:06:16,680
Speaker 1: moved up from intern to A and R was a

1221
01:06:16,760 --> 01:06:19,160
Speaker 1: Buck Wild and a rapper named f T who was

1222
01:06:19,200 --> 01:06:22,000
Speaker 1: from a group called Street Smarts. Who was f T know? Ft?

1223
01:06:22,240 --> 01:06:24,160
Speaker 1: Was he from New York? He was, Um. He had

1224
01:06:24,200 --> 01:06:27,640
Speaker 1: a song called Metal Things and there was the buck

1225
01:06:27,680 --> 01:06:30,600
Speaker 1: Wild remix. Yeah, we packed Metal Things just to settle things.

1226
01:06:30,720 --> 01:06:33,720
Speaker 1: And so I've stretch signed that. This guy f T

1227
01:06:33,960 --> 01:06:35,920
Speaker 1: funck that and he was doing a record with Wait

1228
01:06:36,000 --> 01:06:37,880
Speaker 1: was that the label you guys had? Yeah, it was

1229
01:06:37,920 --> 01:06:41,480
Speaker 1: called Spit Spit. We spent a million dollars of Sony's

1230
01:06:41,520 --> 01:06:46,080
Speaker 1: money and then uh put nothing out and then and

1231
01:06:46,200 --> 01:06:50,200
Speaker 1: then uh, Russell Simmons bought the name from US for

1232
01:06:50,400 --> 01:06:57,440
Speaker 1: his label Spit, which was also called Spit. Yes. And

1233
01:06:57,520 --> 01:07:03,400
Speaker 1: if there's no lube, you can it Yes, exactly classic. Um.

1234
01:07:03,680 --> 01:07:05,760
Speaker 1: But when we shared a record, we shared an office

1235
01:07:05,800 --> 01:07:08,320
Speaker 1: with Game Recordings with Check Green's label, and we used

1236
01:07:08,360 --> 01:07:11,960
Speaker 1: to it was Checks Spit Game the Game Girls and

1237
01:07:12,040 --> 01:07:15,040
Speaker 1: all that. Oh yeah, we're the Game Girls everything. I

1238
01:07:15,160 --> 01:07:17,280
Speaker 1: used to get to attend Game Girls castings, which was

1239
01:07:18,480 --> 01:07:20,520
Speaker 1: very I used to buy game records just for the

1240
01:07:20,960 --> 01:07:26,320
Speaker 1: album covers. But wasn't the TV show Yeah, Wrap Network,

1241
01:07:26,400 --> 01:07:27,920
Speaker 1: Well that was Yeah. The first time I got to

1242
01:07:27,960 --> 01:07:31,720
Speaker 1: see cast Cash Money Play live was for something called

1243
01:07:31,920 --> 01:07:35,520
Speaker 1: Rap Network dot Com, which was you may remember a

1244
01:07:35,600 --> 01:07:38,040
Speaker 1: time in the late nineties where everyone needed millions of

1245
01:07:38,160 --> 01:07:41,320
Speaker 1: dollars for to make a website. Oh yes, I remember that.

1246
01:07:41,480 --> 01:07:43,200
Speaker 1: I do remember that. And you had to don't I

1247
01:07:43,240 --> 01:07:45,440
Speaker 1: can't afford a webs You have to have pinball machines

1248
01:07:45,480 --> 01:07:48,400
Speaker 1: and receptionists and all kinds of stuff because you were

1249
01:07:48,440 --> 01:07:52,120
Speaker 1: making a portal or some such and and Rap Network

1250
01:07:52,200 --> 01:07:54,400
Speaker 1: was Checky's vision and it was all all of all

1251
01:07:54,440 --> 01:07:57,280
Speaker 1: of we're talking about Jonathan Scheckter, who founded the Source

1252
01:07:57,400 --> 01:08:01,560
Speaker 1: magazine and put eminem in business and did very relevant

1253
01:08:02,600 --> 01:08:06,680
Speaker 1: hip hop. Yeah, Good Bad Versus Evil was on I

1254
01:08:06,760 --> 01:08:09,360
Speaker 1: mean cover of it was Ma Doory Whatley, who was

1255
01:08:09,440 --> 01:08:12,840
Speaker 1: Jody Watley's sister. Real. Yeah, she was the game game girl,

1256
01:08:12,880 --> 01:08:15,000
Speaker 1: A bad meant evil. He had two for that. I

1257
01:08:15,040 --> 01:08:17,040
Speaker 1: remember that. On that song by Jody Whatley, Don't You

1258
01:08:17,120 --> 01:08:18,880
Speaker 1: Want Me? I used to think she was singing her

1259
01:08:18,960 --> 01:08:21,960
Speaker 1: name in the course. I thought she was going Jody Whatley,

1260
01:08:23,000 --> 01:08:27,880
Speaker 1: Jody Whatley. I'm the worst with lyrics, Like lyrics to

1261
01:08:27,920 --> 01:08:31,160
Speaker 1: any song. I fuck, I I make up the lyrics.

1262
01:08:31,200 --> 01:08:33,559
Speaker 1: I I don't know what, We'll have your own lyrics

1263
01:08:33,640 --> 01:08:35,920
Speaker 1: to them. I know, but I literally suck it up,

1264
01:08:36,000 --> 01:08:39,519
Speaker 1: like not on purpose, like remember the Rain by Orange

1265
01:08:39,560 --> 01:08:43,439
Speaker 1: Juice Jones. So I thought, because it was the eighties,

1266
01:08:43,439 --> 01:08:46,240
Speaker 1: I thought he was trying to be like um subtle.

1267
01:08:46,960 --> 01:08:53,400
Speaker 1: I thought he said I saw you walking. I legit

1268
01:08:53,560 --> 01:08:57,800
Speaker 1: thought he was like, man, I saw you walk in

1269
01:08:57,840 --> 01:09:02,400
Speaker 1: the rain. More woke. You're not gendering whoever his other

1270
01:09:02,479 --> 01:09:06,479
Speaker 1: may have been walking with. Yeah, I saw you walking

1271
01:09:06,520 --> 01:09:08,840
Speaker 1: in the rain. That's actually sounds something like like that's

1272
01:09:08,960 --> 01:09:12,240
Speaker 1: a little more old jewie. I like that Jonathan Rapping.

1273
01:09:13,240 --> 01:09:16,120
Speaker 1: So here's something new. You know what's funny is um cash.

1274
01:09:16,240 --> 01:09:20,560
Speaker 1: I was. I was in Omaha, Nebraska recently, and I

1275
01:09:20,720 --> 01:09:24,160
Speaker 1: met this uh old Jewish guy came to my show

1276
01:09:24,200 --> 01:09:28,200
Speaker 1: with his new wife and and he was telling me

1277
01:09:28,400 --> 01:09:31,360
Speaker 1: like these great stories about back in the sixties and

1278
01:09:31,479 --> 01:09:35,000
Speaker 1: seventies and eighties he was involved in the record industry.

1279
01:09:36,200 --> 01:09:38,200
Speaker 1: And we started talking and I was talking about hip

1280
01:09:38,240 --> 01:09:42,719
Speaker 1: hop and and uh it turns out he was married

1281
01:09:42,760 --> 01:09:46,240
Speaker 1: to his sister at one point. That's who introduced me

1282
01:09:46,320 --> 01:09:48,240
Speaker 1: to Stretch Armstrong. Yeah, that's what he told me. He said,

1283
01:09:48,280 --> 01:09:51,439
Speaker 1: I introduced Mike to Stretch, and he'd never let me

1284
01:09:51,479 --> 01:09:54,519
Speaker 1: forget it. It sounds about right too. Yeah, he's like

1285
01:09:54,680 --> 01:09:57,800
Speaker 1: anytime we got in a fight about I introduced you

1286
01:09:57,920 --> 01:09:59,680
Speaker 1: to stretch and I was like, this is why we

1287
01:09:59,760 --> 01:10:06,240
Speaker 1: all you can't you can't do one nice And I

1288
01:10:06,360 --> 01:10:08,280
Speaker 1: was like, I thanked you for that a million times.

1289
01:10:08,320 --> 01:10:10,680
Speaker 1: I bought you beautiful Christmas gifts. It's fifteen years later,

1290
01:10:10,760 --> 01:10:15,000
Speaker 1: you're dick. There we go, Buck Wild. Then what a

1291
01:10:15,080 --> 01:10:17,640
Speaker 1: pleasure he was to be around in the studio, to

1292
01:10:17,840 --> 01:10:20,640
Speaker 1: like only said what needed to be said and was

1293
01:10:20,720 --> 01:10:22,560
Speaker 1: just like focused on beat making. I mean, I know

1294
01:10:22,680 --> 01:10:25,200
Speaker 1: you guys are like very very close. I spoke to

1295
01:10:25,240 --> 01:10:27,120
Speaker 1: Buck the other day, right, I mean, D I, T.

1296
01:10:27,280 --> 01:10:30,720
Speaker 1: C is like everything to me. Um one thing to

1297
01:10:30,840 --> 01:10:32,880
Speaker 1: like to be in the studio with him was crazy.

1298
01:10:33,439 --> 01:10:36,400
Speaker 1: Everybody be every which way? That's would it be a

1299
01:10:36,840 --> 01:10:40,720
Speaker 1: A G could be We just spoked a G one today, Yeah,

1300
01:10:40,840 --> 01:10:44,040
Speaker 1: spoked a G today. Where then is he? Ah he's

1301
01:10:44,080 --> 01:10:46,400
Speaker 1: in New York. I've been I've been begging him to

1302
01:10:46,439 --> 01:10:51,280
Speaker 1: come out here. Yeah he just actually congratulations a G.

1303
01:10:51,880 --> 01:10:54,519
Speaker 1: He's managing that girl group that he just got signed

1304
01:10:54,560 --> 01:10:59,120
Speaker 1: a three hundred. So so yeah, so that's that's a

1305
01:10:59,280 --> 01:11:01,519
Speaker 1: G is doing. And I just told him I was

1306
01:11:01,600 --> 01:11:03,599
Speaker 1: proud of him because you know, how does it feel

1307
01:11:04,040 --> 01:11:07,720
Speaker 1: to take something from scratch and make it come to fuition?

1308
01:11:08,439 --> 01:11:10,559
Speaker 1: So I was telling them, yeah, we definitely I talked

1309
01:11:10,560 --> 01:11:13,000
Speaker 1: about that when I see you, you know. But yeah,

1310
01:11:13,160 --> 01:11:17,040
Speaker 1: so A G has a successful new project that he's managing. Ah,

1311
01:11:17,120 --> 01:11:21,400
Speaker 1: he got a two girl group, females, female sees, and

1312
01:11:21,600 --> 01:11:26,320
Speaker 1: they're like a female mob Deep. Yeah you can say that, Yeah, yeah, excellent. Well,

1313
01:11:26,320 --> 01:11:28,000
Speaker 1: I think when you say female mob Deep, I think

1314
01:11:28,040 --> 01:11:30,120
Speaker 1: of like boss, what's the name? We know? These ones

1315
01:11:30,120 --> 01:11:31,960
Speaker 1: are good. I don't know. I don't know the name

1316
01:11:31,960 --> 01:11:34,160
Speaker 1: of the group. I know one of them is called

1317
01:11:34,200 --> 01:11:37,880
Speaker 1: Hastiddy and they they all over his page to check

1318
01:11:37,920 --> 01:11:42,800
Speaker 1: his page age. They like wrapping over a quiet storm

1319
01:11:42,800 --> 01:11:45,120
Speaker 1: and all that kind of ship. And maybe that's why

1320
01:11:45,160 --> 01:11:47,160
Speaker 1: I associate them with Deep because I always hear them

1321
01:11:47,200 --> 01:11:50,200
Speaker 1: wrapping over Mob Deep tracks. I heard them spitting over

1322
01:11:50,560 --> 01:11:53,160
Speaker 1: shook ones and well, that is a that is a

1323
01:11:53,320 --> 01:11:56,559
Speaker 1: that's it. It's an interesting thing to see rap get older,

1324
01:11:56,760 --> 01:11:58,479
Speaker 1: and like you're hearing, you're seeing all these things like

1325
01:11:58,600 --> 01:12:02,040
Speaker 1: Jake Cole wrapping over nineties three till Infinity, and I hear, like,

1326
01:12:02,160 --> 01:12:04,439
Speaker 1: you know, listening to Shade forty five and stuff. You

1327
01:12:04,479 --> 01:12:07,560
Speaker 1: hear all every new rapper getting over every old I

1328
01:12:07,640 --> 01:12:10,200
Speaker 1: think now when they do do that, they earn my respect.

1329
01:12:11,040 --> 01:12:13,200
Speaker 1: You like it. I like it because like I want

1330
01:12:13,240 --> 01:12:15,880
Speaker 1: to hear people do new ship well, no, I know,

1331
01:12:16,160 --> 01:12:18,599
Speaker 1: I I like to know that they know what came

1332
01:12:18,680 --> 01:12:21,479
Speaker 1: before them. Sure, I think that's what my my big

1333
01:12:21,560 --> 01:12:23,400
Speaker 1: problem is with the younger generation. I feel like they

1334
01:12:23,479 --> 01:12:26,640
Speaker 1: don't know what happened before them. They just that's my

1335
01:12:26,920 --> 01:12:31,479
Speaker 1: same that's my same thing. It's like, I don't mind you,

1336
01:12:32,120 --> 01:12:34,479
Speaker 1: you know, being a part of hip hop or but

1337
01:12:34,640 --> 01:12:37,439
Speaker 1: at least know what you're doing and where it came

1338
01:12:37,520 --> 01:12:39,240
Speaker 1: from me. You can't tell me you're doing something you

1339
01:12:39,280 --> 01:12:43,040
Speaker 1: don't know about. But but not everybody gets to be

1340
01:12:43,720 --> 01:12:46,080
Speaker 1: I mean, obviously you know, you guys were part of

1341
01:12:46,800 --> 01:12:50,120
Speaker 1: the creating, creating what You and I are fans to

1342
01:12:50,200 --> 01:12:52,080
Speaker 1: be hip hop. You and I are fans that we

1343
01:12:52,160 --> 01:12:55,040
Speaker 1: do deep digs, but not everybody has the timer than

1344
01:12:55,120 --> 01:12:57,200
Speaker 1: clination to do it or or to you know, you

1345
01:12:57,320 --> 01:12:59,759
Speaker 1: get to grow up and be best friends with every rapper.

1346
01:13:00,120 --> 01:13:04,400
Speaker 1: I got to be uh around Stretch and John Checkter

1347
01:13:04,479 --> 01:13:06,400
Speaker 1: and guys like this who who It's like I said,

1348
01:13:06,600 --> 01:13:09,840
Speaker 1: he taught me who you were because I didn't know

1349
01:13:10,000 --> 01:13:12,120
Speaker 1: I had the one mixtape. I knew you were a DJ,

1350
01:13:12,640 --> 01:13:14,680
Speaker 1: but I didn't know about cash money and Marvelous. I

1351
01:13:14,720 --> 01:13:17,000
Speaker 1: didn't know you invented the transform. I didn't know, like

1352
01:13:17,680 --> 01:13:20,200
Speaker 1: and not everyone has someone to say you don't know this,

1353
01:13:20,400 --> 01:13:22,560
Speaker 1: like sit down, and also not everybody cares. So I

1354
01:13:22,720 --> 01:13:26,160
Speaker 1: was just sitting there, blunted, nineteen years old, like everything

1355
01:13:26,439 --> 01:13:30,920
Speaker 1: just that way to do it, Like from just said.

1356
01:13:31,240 --> 01:13:33,600
Speaker 1: I think that's the problem with the young generation is

1357
01:13:33,760 --> 01:13:37,639
Speaker 1: they see the money in the popularity and don't want

1358
01:13:37,680 --> 01:13:41,080
Speaker 1: to anything else, like, well, that's not gonna give me money,

1359
01:13:41,439 --> 01:13:44,080
Speaker 1: right right, And I'm like, it's not always about the money.

1360
01:13:44,120 --> 01:13:46,400
Speaker 1: It shouldn't always be about the money. Can tell you

1361
01:13:46,400 --> 01:13:50,120
Speaker 1: it's not always about me coming in the game saying

1362
01:13:51,000 --> 01:13:54,280
Speaker 1: you know, I'm doing hip hop and in my era,

1363
01:13:55,040 --> 01:13:57,599
Speaker 1: and I was like, well, you know what I'm saying,

1364
01:13:57,960 --> 01:14:01,519
Speaker 1: Kane and and Coogi Rapp and chemno matters me now,

1365
01:14:01,680 --> 01:14:04,320
Speaker 1: I'm doing me. Now I want to hear about them,

1366
01:14:05,000 --> 01:14:08,360
Speaker 1: like how would I would sound hear about no Melly

1367
01:14:08,439 --> 01:14:12,120
Speaker 1: mells me our world? And that's what I think it

1368
01:14:12,320 --> 01:14:16,840
Speaker 1: gets disrespectful because artists that do put time in so

1369
01:14:17,120 --> 01:14:20,240
Speaker 1: you can do what you're doing, you feel like you

1370
01:14:20,320 --> 01:14:23,400
Speaker 1: don't need to acknowledge them. I'm not saying about down

1371
01:14:23,479 --> 01:14:27,400
Speaker 1: to them and do anything like just yeah, just acknowledge

1372
01:14:27,400 --> 01:14:29,320
Speaker 1: of what you're doing. But when you think about yourself

1373
01:14:29,400 --> 01:14:31,920
Speaker 1: and your late teens and early twenties, like did you

1374
01:14:33,280 --> 01:14:35,680
Speaker 1: did you feel did you? I mean you were a

1375
01:14:35,720 --> 01:14:40,920
Speaker 1: record digger. I guess it was different, but the differences

1376
01:14:41,320 --> 01:14:44,320
Speaker 1: we had we had like these kids don't have music

1377
01:14:44,439 --> 01:14:46,840
Speaker 1: they can look at, Like we had our album cover

1378
01:14:47,240 --> 01:14:50,680
Speaker 1: that we could look at. Ours was more substantial. It

1379
01:14:50,760 --> 01:14:52,919
Speaker 1: feels like we had a we had a more tangible

1380
01:14:53,000 --> 01:14:56,840
Speaker 1: hip hop experience, right, but they're they're tangible things are

1381
01:14:56,960 --> 01:15:01,000
Speaker 1: Gucci and Louis Vatton and Rolex. But also you gotta

1382
01:15:01,080 --> 01:15:03,240
Speaker 1: I feel like you have to give people time to

1383
01:15:03,479 --> 01:15:06,400
Speaker 1: figure that stuff out. Like I was, uh, you know,

1384
01:15:06,520 --> 01:15:08,760
Speaker 1: not to sound too fancy, but over the pandemic, I

1385
01:15:08,880 --> 01:15:10,519
Speaker 1: was like I had the free time, so I watched

1386
01:15:10,560 --> 01:15:15,240
Speaker 1: the entirety of Ken Burns Jazz. Again it is, it's

1387
01:15:15,479 --> 01:15:18,280
Speaker 1: fourteen hours, but I was like rewinding because I was like,

1388
01:15:18,400 --> 01:15:20,479
Speaker 1: these are things that you want to remember and when

1389
01:15:20,520 --> 01:15:24,080
Speaker 1: you see that like Louis Armstrong did everything he did

1390
01:15:24,360 --> 01:15:27,120
Speaker 1: and still at one point had to like run away

1391
01:15:27,200 --> 01:15:30,320
Speaker 1: to France to get away from his his creditors and

1392
01:15:30,479 --> 01:15:33,839
Speaker 1: gangsters and stuff, and and and that people weren't respecting

1393
01:15:33,920 --> 01:15:36,160
Speaker 1: him because they loved the new jazz and everyone was

1394
01:15:36,240 --> 01:15:39,479
Speaker 1: into Duke Ellington. And then you see like Miles Davis

1395
01:15:39,600 --> 01:15:44,000
Speaker 1: kind of like talking shit about simultaneously being like whatever,

1396
01:15:44,120 --> 01:15:46,759
Speaker 1: like fuck Duke Ellington and Louis Armstrong, and you also

1397
01:15:47,240 --> 01:15:50,479
Speaker 1: have quotes of him being like Ornette Coleman's insane, like

1398
01:15:50,640 --> 01:15:53,080
Speaker 1: that's this is bullshit music, you know, like and things

1399
01:15:53,120 --> 01:15:56,680
Speaker 1: like that. Yeah, so it's like it was, it's a

1400
01:15:56,760 --> 01:15:58,800
Speaker 1: lot of the same trajectory and you have but then

1401
01:15:59,240 --> 01:16:02,920
Speaker 1: you know the ones they're lucky enough to get to

1402
01:16:03,080 --> 01:16:07,080
Speaker 1: grow up, um have a different have a different You

1403
01:16:07,400 --> 01:16:09,120
Speaker 1: get a different point of view. I think as your

1404
01:16:09,120 --> 01:16:11,240
Speaker 1: scope becomes bigger, because I had a lot of to

1405
01:16:11,320 --> 01:16:15,280
Speaker 1: say about music and who sucked and who was awful,

1406
01:16:15,320 --> 01:16:17,600
Speaker 1: and I've been lucky enough to be in a in

1407
01:16:17,760 --> 01:16:19,400
Speaker 1: a lot of studios with a lot of different people,

1408
01:16:19,439 --> 01:16:22,080
Speaker 1: and I don't it just it's changes for me over time,

1409
01:16:22,160 --> 01:16:24,640
Speaker 1: like and a lot of the people who people love

1410
01:16:24,760 --> 01:16:28,120
Speaker 1: now I don't love, and I don't know. I mean,

1411
01:16:28,160 --> 01:16:31,479
Speaker 1: it's just music. It's very subjective. But I think to respect,

1412
01:16:31,560 --> 01:16:35,680
Speaker 1: like someone who puts in work and is talented, even

1413
01:16:35,720 --> 01:16:38,720
Speaker 1: if you don't like it is something is an art

1414
01:16:38,800 --> 01:16:41,439
Speaker 1: that is often lost on well cee J Colear and

1415
01:16:41,520 --> 01:16:44,120
Speaker 1: my respect. A long time ago, I couldn't tell you

1416
01:16:44,200 --> 01:16:47,760
Speaker 1: one J Cole record. Yeah, because who anytime I I

1417
01:16:47,800 --> 01:16:49,400
Speaker 1: can hear a record, I'm like, I don't who is this?

1418
01:16:49,560 --> 01:16:52,479
Speaker 1: It's always him, Like I can never remember who he is,

1419
01:16:52,640 --> 01:16:54,200
Speaker 1: but I know that he is like one of the

1420
01:16:54,479 --> 01:16:57,080
Speaker 1: best doing it, and I recognize his talent. I just

1421
01:16:57,640 --> 01:17:00,960
Speaker 1: those freestyles he did recently, We're fucking we did one

1422
01:17:01,360 --> 01:17:02,920
Speaker 1: in the old school style and did one in the

1423
01:17:02,960 --> 01:17:04,720
Speaker 1: modern styles like, oh you know what, Well, here's the

1424
01:17:04,760 --> 01:17:07,439
Speaker 1: real question. Would you rather listen to Infinity or J

1425
01:17:07,600 --> 01:17:11,160
Speaker 1: Cole rapping over Infinity? Well, there you go. I mean,

1426
01:17:11,280 --> 01:17:13,320
Speaker 1: actually I didn't mind J Cole's version of it, so

1427
01:17:13,600 --> 01:17:16,200
Speaker 1: you know, I'm good with either. Yeah, it sounds good. Yeah,

1428
01:17:17,479 --> 01:17:19,559
Speaker 1: I mean, you know, just to refresh it. I guess

1429
01:17:20,720 --> 01:17:22,360
Speaker 1: it's like you're sleeping on the same bed, but you're

1430
01:17:22,439 --> 01:17:25,720
Speaker 1: changing the sheets. You know. You got me on that one,

1431
01:17:28,040 --> 01:17:31,040
Speaker 1: which what sheets did you like better? I like, what

1432
01:17:31,280 --> 01:17:34,720
Speaker 1: was your cotton count? I feel like j Cole has

1433
01:17:34,720 --> 01:17:40,040
Speaker 1: a much higher thread count than solicit mischief sheets. Yeah,

1434
01:17:40,760 --> 01:17:43,280
Speaker 1: whatever that means. I don't know what it means either,

1435
01:17:43,320 --> 01:17:45,679
Speaker 1: but it sounds. Really I don't know what it means either,

1436
01:17:45,720 --> 01:17:48,760
Speaker 1: but it sounds. It's provocative. It's provocative. It gets the

1437
01:17:48,800 --> 01:17:52,800
Speaker 1: people going, yeah, that's what it is. The l A

1438
01:17:52,920 --> 01:17:58,800
Speaker 1: Leakers one. You want to talk about unpleasant names? Can

1439
01:17:58,840 --> 01:18:02,920
Speaker 1: we talk about the l A Leakers? I mean, I

1440
01:18:03,000 --> 01:18:08,000
Speaker 1: mean I understand the pun. How clever is it? Though? Um?

1441
01:18:08,080 --> 01:18:10,439
Speaker 1: You know I have? I mean they're I mean I

1442
01:18:10,479 --> 01:18:12,439
Speaker 1: think they're good DJs. I don't know a lot about them.

1443
01:18:12,600 --> 01:18:15,720
Speaker 1: There they are DJs, right, I don't know. I think

1444
01:18:15,760 --> 01:18:20,120
Speaker 1: they're like Power one of six. Is that like, um oh,

1445
01:18:20,160 --> 01:18:22,720
Speaker 1: they are DJs. But I just think of guys that are,

1446
01:18:23,000 --> 01:18:27,599
Speaker 1: you know, experiencing dick problems, like like like you're leaking.

1447
01:18:28,439 --> 01:18:33,480
Speaker 1: Well that's how you leave them leaking, like LAPA demos.

1448
01:18:35,840 --> 01:18:38,680
Speaker 1: I've been left leaking more than one. Hello. Oh yeah,

1449
01:18:38,720 --> 01:18:41,320
Speaker 1: I just saw Bellies one today. That was good too,

1450
01:18:41,920 --> 01:18:45,840
Speaker 1: And I've fucking known the guy twenty years. Belly is

1451
01:18:45,920 --> 01:18:49,800
Speaker 1: not a new rapper. No, he's new. He's new to me,

1452
01:18:49,920 --> 01:18:51,879
Speaker 1: I don't. I don't know a lot of mouth from Canada.

1453
01:18:53,000 --> 01:18:55,600
Speaker 1: I've known him about twenty years since he began in

1454
01:18:55,680 --> 01:18:58,160
Speaker 1: the business. I knew him as Ahmed because that's his

1455
01:18:58,240 --> 01:19:02,240
Speaker 1: real name. I'm underwe but he's like but he's his

1456
01:19:02,360 --> 01:19:05,960
Speaker 1: success is relatively recent, right, well, he made he made

1457
01:19:06,000 --> 01:19:08,879
Speaker 1: most of his money, I think writing for um Weekend.

1458
01:19:10,360 --> 01:19:12,040
Speaker 1: He wrote a lot of songs for the weekend. The

1459
01:19:12,120 --> 01:19:14,559
Speaker 1: Weekend's got what an army of like forty two writers,

1460
01:19:14,640 --> 01:19:16,400
Speaker 1: like half of the club promoters I know have been

1461
01:19:16,439 --> 01:19:19,000
Speaker 1: writing for the weekend for the last I mean, either way,

1462
01:19:19,040 --> 01:19:20,960
Speaker 1: the Weekends recouped all that money pretty good. I mean

1463
01:19:21,040 --> 01:19:23,120
Speaker 1: he's doing he's doing good. He's the only guy to

1464
01:19:23,240 --> 01:19:24,840
Speaker 1: get Daft punk to make beats for him, so I

1465
01:19:24,880 --> 01:19:29,720
Speaker 1: don't be good for him. Here's the thing. We all

1466
01:19:29,760 --> 01:19:31,600
Speaker 1: know that take a multi vitamin is probably in our

1467
01:19:31,640 --> 01:19:34,519
Speaker 1: best interest, but so many of them are big, chalky

1468
01:19:34,600 --> 01:19:37,720
Speaker 1: pills that that aren't exactly fun to take, And for

1469
01:19:37,800 --> 01:19:39,439
Speaker 1: me at least, that means I don't take them as

1470
01:19:39,479 --> 01:19:42,719
Speaker 1: often as I should. But ritual is different. Their capsules

1471
01:19:42,720 --> 01:19:45,000
Speaker 1: are small and sleek and they have a fresh minty

1472
01:19:45,080 --> 01:19:47,920
Speaker 1: taste that makes take vitamins a lot easier. I know

1473
01:19:48,000 --> 01:19:50,479
Speaker 1: it sounds simple, but that alone has helped me develop

1474
01:19:50,520 --> 01:19:55,519
Speaker 1: a better vitamin habit. Plus, Ritual's clean, vegan friendly multi

1475
01:19:55,600 --> 01:19:59,479
Speaker 1: vitamin is formulated with high quality nutrients in bioavailable forms

1476
01:19:59,600 --> 01:20:04,240
Speaker 1: your body can actually use. That means you won't find sugars, GMOs,

1477
01:20:04,360 --> 01:20:08,479
Speaker 1: major allergens, synthetic fillers, or artificial colorance in there, because

1478
01:20:08,720 --> 01:20:11,880
Speaker 1: none of that stuff belongs in a vitamin anyway. With Ritual,

1479
01:20:11,920 --> 01:20:14,479
Speaker 1: you'll always know what nutrients you're taking and where they

1480
01:20:14,560 --> 01:20:16,880
Speaker 1: come from. Thanks to Rituals one of a kind visible

1481
01:20:16,920 --> 01:20:19,240
Speaker 1: supply chain. Like I said, I feel like the fresh

1482
01:20:19,280 --> 01:20:21,320
Speaker 1: tasting gel capsule makes it easy for me to remember

1483
01:20:21,360 --> 01:20:24,280
Speaker 1: to take my vitamins now because I don't mind taking

1484
01:20:24,320 --> 01:20:26,760
Speaker 1: my vitamins. If you're anything like me, you might need

1485
01:20:26,880 --> 01:20:29,200
Speaker 1: some help form and good habits, so Ritual actually helps

1486
01:20:29,240 --> 01:20:31,760
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1487
01:20:31,800 --> 01:20:34,839
Speaker 1: in the past, Ritual vitamins never make me feel queasy.

1488
01:20:35,120 --> 01:20:38,320
Speaker 1: They're delayed release capsule design delivers high quality of nutrients

1489
01:20:38,360 --> 01:20:42,000
Speaker 1: include in vitamin D three, which is a very important

1490
01:20:42,120 --> 01:20:46,160
Speaker 1: vitamin in the covid era we're living in, and that's

1491
01:20:46,200 --> 01:20:47,920
Speaker 1: in just two daily pills. So all I have to

1492
01:20:48,000 --> 01:20:50,000
Speaker 1: do is swallow a pill that tastes like a breath

1493
01:20:50,080 --> 01:20:52,439
Speaker 1: mint twice a day and then congratulate myself on a

1494
01:20:52,520 --> 01:20:55,840
Speaker 1: job well done, which I'm very eager to do. And

1495
01:20:55,920 --> 01:20:57,680
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1496
01:20:57,760 --> 01:21:00,599
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1497
01:21:00,680 --> 01:21:02,880
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1499
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1500
01:21:09,280 --> 01:21:11,759
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Speaker 1: refund your first order. Get key Nutrients without the BS.

1502
01:21:16,080 --> 01:21:19,280
Speaker 1: Ritual is offering my listeners ten percent off your first

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01:21:19,479 --> 01:21:23,719
Speaker 1: three months. Visit ritual dot com slash Peters to start

1504
01:21:23,840 --> 01:21:28,400
Speaker 1: your ritual today. I remember now, Rogers told me a

1505
01:21:28,439 --> 01:21:31,519
Speaker 1: story about Miles Davis Beck in the seventies. He said

1506
01:21:31,560 --> 01:21:33,439
Speaker 1: that he was at some party and now this is

1507
01:21:33,479 --> 01:21:35,639
Speaker 1: a nil and chikrah on fire. It was like seventies

1508
01:21:35,640 --> 01:21:40,960
Speaker 1: seventy eight and uh and um fucking Miles Davis coast him.

1509
01:21:41,160 --> 01:21:46,200
Speaker 1: Don't you anyone them fucking hits, the fucking hits, and

1510
01:21:46,280 --> 01:21:50,360
Speaker 1: I was like, really, write me a fucking hit. It's like, well,

1511
01:21:51,000 --> 01:21:53,320
Speaker 1: Miles was very aggressive. Well that's a real thing because

1512
01:21:53,360 --> 01:21:56,000
Speaker 1: he was signed to Siah Records after that, right, and

1513
01:21:56,080 --> 01:21:58,680
Speaker 1: he made like he was He made like eighties kind

1514
01:21:58,720 --> 01:22:02,759
Speaker 1: of like funky cynthy records with with Nile Rogers didn't

1515
01:22:02,800 --> 01:22:04,320
Speaker 1: know he didn't do any with now, did he did?

1516
01:22:04,360 --> 01:22:06,720
Speaker 1: He not? Was like, you're like you're under arrest? Was

1517
01:22:06,800 --> 01:22:10,519
Speaker 1: that because because Sire was Nile's label, Sire was Miles. Yeah,

1518
01:22:11,000 --> 01:22:14,840
Speaker 1: it wasn't Madonna in there? Yeah? Yeah, yeah, mcdonna was

1519
01:22:14,920 --> 01:22:18,920
Speaker 1: on there. Niles Nile signed Madonna and also Jonathan Schecker's

1520
01:22:18,920 --> 01:22:23,120
Speaker 1: I'm BMOC. Yeah, the big men on campus. They wore

1521
01:22:23,160 --> 01:22:26,880
Speaker 1: Harvard sweaters and it was produced by by Boogie Down

1522
01:22:26,920 --> 01:22:29,800
Speaker 1: Productions and executive producer Nile Rodgers. It's quite a twelve

1523
01:22:30,200 --> 01:22:33,040
Speaker 1: I remember I remember something like that actually being produced

1524
01:22:33,080 --> 01:22:35,680
Speaker 1: by Boogie Down Productions And what then is this? I

1525
01:22:35,760 --> 01:22:40,960
Speaker 1: do remember that mistake. Never never took him up on

1526
01:22:41,040 --> 01:22:43,760
Speaker 1: writing him a head. See, well no, I'm not. None

1527
01:22:43,760 --> 01:22:45,519
Speaker 1: of the records were hits, but they think they tried,

1528
01:22:46,479 --> 01:22:48,519
Speaker 1: you know what, And now I don't never did it. Yeah,

1529
01:22:49,120 --> 01:22:50,759
Speaker 1: He's like, I'll write you a song, but it doesn't.

1530
01:22:53,320 --> 01:22:56,680
Speaker 1: Nile's the freaking genius with writing heads. It's true. I mean,

1531
01:22:56,760 --> 01:22:59,759
Speaker 1: he's he's. It doesn't get much better than that interesting

1532
01:22:59,760 --> 01:23:03,280
Speaker 1: fact about not Rodgers. He's actually my wedding band. Really,

1533
01:23:03,600 --> 01:23:05,160
Speaker 1: he played that your wet No, he will be, he

1534
01:23:05,240 --> 01:23:06,800
Speaker 1: will be. Yes, he And when I want to tell

1535
01:23:06,920 --> 01:23:09,639
Speaker 1: him getting married, he was like, oh, that's awesome, man. Hey,

1536
01:23:09,840 --> 01:23:12,360
Speaker 1: uh I know this great band because I know a

1537
01:23:12,400 --> 01:23:14,679
Speaker 1: great band, and I go, awesome, if they're not availably,

1538
01:23:14,760 --> 01:23:19,040
Speaker 1: think she can do it. And he said, ha ha, motherfucker.

1539
01:23:21,120 --> 01:23:22,720
Speaker 1: I think if anyone could get it done, it's you

1540
01:23:25,560 --> 01:23:31,559
Speaker 1: write Me on mother fucking Good Times. Yeah, right, right,

1541
01:23:31,920 --> 01:23:35,760
Speaker 1: right right be one of the greatest songs ever made. Right,

1542
01:23:35,880 --> 01:23:38,400
Speaker 1: that's exactly because now show me the stories like write

1543
01:23:38,439 --> 01:23:42,240
Speaker 1: Me and motherfucking Good Times. I mean, I mean, as

1544
01:23:42,280 --> 01:23:44,519
Speaker 1: I understand it, Miles was a cranky person, so I

1545
01:23:44,560 --> 01:23:46,320
Speaker 1: could see. I could see. I couldn't see this coming

1546
01:23:46,320 --> 01:23:49,000
Speaker 1: out of this that movie that Don Cheetle played. Miles

1547
01:23:49,120 --> 01:23:53,200
Speaker 1: Davidson was fucking good, dude. It's heavy, it's heavy. He

1548
01:23:53,439 --> 01:23:57,280
Speaker 1: looked exactly like my dog did so much. It diverted

1549
01:23:57,320 --> 01:24:01,479
Speaker 1: me discussed Greg. He was talking about he goes Man.

1550
01:24:01,840 --> 01:24:05,120
Speaker 1: He was a motherfucking fashion statement. He only will one

1551
01:24:05,439 --> 01:24:08,360
Speaker 1: outfit in the movie and was getting high and chasing

1552
01:24:08,400 --> 01:24:11,719
Speaker 1: a white girl down the street that was in that movie. Again,

1553
01:24:15,600 --> 01:24:20,200
Speaker 1: Miles ahead, Miles ahead. Yeah, people was dogging it so

1554
01:24:20,439 --> 01:24:22,280
Speaker 1: much that I was like, damn, I don't want well,

1555
01:24:22,439 --> 01:24:26,640
Speaker 1: it is not good, but it is, but it's but

1556
01:24:26,720 --> 01:24:29,280
Speaker 1: it's worth watching. Yeah, It's like it's a it's if

1557
01:24:29,320 --> 01:24:31,880
Speaker 1: you're a music person and you like, I mean, it's

1558
01:24:31,920 --> 01:24:35,759
Speaker 1: a great don Cheelo performance, and it's it's brutally honest.

1559
01:24:35,800 --> 01:24:39,280
Speaker 1: I think a lot of people don't like to hear.

1560
01:24:39,840 --> 01:24:42,880
Speaker 1: Why a shitty person. Miles Davis was, but he was

1561
01:24:43,000 --> 01:24:46,679
Speaker 1: not a good guy. He was an incredibly talented musician,

1562
01:24:46,960 --> 01:24:49,120
Speaker 1: but you know he was a notorious you know, drug

1563
01:24:49,960 --> 01:24:52,640
Speaker 1: and and and woman beat her and he's like I was,

1564
01:24:52,800 --> 01:24:55,080
Speaker 1: I was. I was friends with his ex wife with

1565
01:24:55,240 --> 01:24:58,519
Speaker 1: with Francis Davis. She was actually the hostess at the

1566
01:24:58,600 --> 01:25:02,960
Speaker 1: Hamburger Hamlet on on Doheny and Sunset, and she was

1567
01:25:03,200 --> 01:25:05,720
Speaker 1: She's on the cover of Someday My Prince Will Come.

1568
01:25:05,760 --> 01:25:07,400
Speaker 1: One of the first black women ever to be on

1569
01:25:07,520 --> 01:25:10,760
Speaker 1: the cover of a major label album. And she was

1570
01:25:10,840 --> 01:25:13,000
Speaker 1: a hostess at fucking Hamburger Hamlet. Well that was she

1571
01:25:13,080 --> 01:25:14,479
Speaker 1: loved it there, like she would you know, she would

1572
01:25:14,520 --> 01:25:16,200
Speaker 1: hold court because the guys that would eat there were

1573
01:25:16,240 --> 01:25:18,080
Speaker 1: all like it was like Paul Cooper, who was like

1574
01:25:18,120 --> 01:25:19,920
Speaker 1: the old head of Atlantic Records, and like all the

1575
01:25:20,040 --> 01:25:22,400
Speaker 1: kind of like all the people should kind of knew.

1576
01:25:22,520 --> 01:25:25,240
Speaker 1: It was the place in entourage where they where they

1577
01:25:25,320 --> 01:25:27,160
Speaker 1: go for the meeting, you know, because no one would

1578
01:25:27,200 --> 01:25:29,240
Speaker 1: ever be caught dead there. But who would be caught

1579
01:25:29,320 --> 01:25:31,599
Speaker 1: dead there was like you know, people from the sixties

1580
01:25:31,640 --> 01:25:33,600
Speaker 1: and seventies, and it was it was a hangout for

1581
01:25:34,080 --> 01:25:36,439
Speaker 1: elderly Hollywood people. It's like where where I would eat

1582
01:25:36,479 --> 01:25:38,000
Speaker 1: with my grandparents. When I first moved to l A,

1583
01:25:38,040 --> 01:25:39,960
Speaker 1: I asked, Love it's because love it's love, John Lovetts

1584
01:25:39,960 --> 01:25:42,439
Speaker 1: loves Hamburgers. And I was like, John, what's the best

1585
01:25:42,479 --> 01:25:46,120
Speaker 1: Hamberg Hamburger Hamlet? Doohani and sunset? You gotta go there

1586
01:25:46,360 --> 01:25:48,639
Speaker 1: and then and then there's another place right across from

1587
01:25:48,680 --> 01:25:51,080
Speaker 1: the abbey and they got great Hamburgers too, But you

1588
01:25:51,120 --> 01:25:53,599
Speaker 1: gotta go in the daytime otherwise you might get mixed

1589
01:25:53,680 --> 01:25:57,960
Speaker 1: up with the abbey crowd. That's that's the hamburger habit. Yeah, yeah,

1590
01:25:57,960 --> 01:26:03,760
Speaker 1: there was the habit in the hamlet, ye did it? Yeah?

1591
01:26:03,920 --> 01:26:05,959
Speaker 1: I could see that. Too much meat in one neighborhood,

1592
01:26:06,000 --> 01:26:08,400
Speaker 1: come on, guys. But that was a classic. You know,

1593
01:26:08,600 --> 01:26:10,400
Speaker 1: l A is a hamburger city. So that was always

1594
01:26:10,439 --> 01:26:12,439
Speaker 1: my my argument, and that you know, people love l

1595
01:26:12,479 --> 01:26:14,600
Speaker 1: A now, but in the nineties you get a lot

1596
01:26:14,640 --> 01:26:16,360
Speaker 1: of beef. He was, l A has no soul and

1597
01:26:16,439 --> 01:26:18,240
Speaker 1: it's made of plastic. I was like, all we have

1598
01:26:18,400 --> 01:26:20,360
Speaker 1: is hamburgers and tacos. Like, you tell me that's not

1599
01:26:20,479 --> 01:26:23,960
Speaker 1: a soulful town. You know, Um, I haven't had a hamburger.

1600
01:26:24,040 --> 01:26:26,320
Speaker 1: That blew my mind out here. We're a hamburger city.

1601
01:26:26,360 --> 01:26:34,360
Speaker 1: Man went around here? What counturgers around? Which one? The counter?

1602
01:26:34,720 --> 01:26:38,479
Speaker 1: The counter? The counters, counter counters classic. I like shake check.

1603
01:26:40,200 --> 01:26:43,120
Speaker 1: I love that burger. I mean, cheeseburgers are cheeseburgers, but

1604
01:26:43,200 --> 01:26:46,559
Speaker 1: no butchers. We've got carneys. We had the hamburger hamlet

1605
01:26:46,640 --> 01:26:48,240
Speaker 1: we have. I used to go to Carneys and sit

1606
01:26:48,320 --> 01:26:51,479
Speaker 1: in that little caboose the apple pan, thank you very much.

1607
01:26:52,960 --> 01:26:56,160
Speaker 1: The apple pan was also just saved. Is it still

1608
01:26:56,200 --> 01:26:59,240
Speaker 1: around It is good. It was about to close. What's

1609
01:26:59,240 --> 01:27:02,920
Speaker 1: good about it? Though it is a specific burger. See

1610
01:27:02,960 --> 01:27:05,200
Speaker 1: all these places they have a very different burger. It's

1611
01:27:05,240 --> 01:27:06,519
Speaker 1: kind of like you go to New York and it's like,

1612
01:27:06,920 --> 01:27:09,040
Speaker 1: you want an Italian style slice, you go here, you

1613
01:27:09,120 --> 01:27:11,360
Speaker 1: want to you want to a classic kind of New

1614
01:27:11,439 --> 01:27:13,640
Speaker 1: York slice. You go here, you want an artichoke or

1615
01:27:13,720 --> 01:27:16,880
Speaker 1: whatever they're doing now. Um So like Carnies is the

1616
01:27:16,920 --> 01:27:23,920
Speaker 1: best chili burger artichoke place. It's good, incredible. I see,

1617
01:27:23,960 --> 01:27:26,599
Speaker 1: I like me and them greasy divy plays. Wasn't my favorites?

1618
01:27:26,840 --> 01:27:31,559
Speaker 1: Raise famous race best like diners and I like fucking

1619
01:27:31,600 --> 01:27:35,080
Speaker 1: little those little I've heard this about you, that's true,

1620
01:27:35,280 --> 01:27:38,200
Speaker 1: It's very true. Guy as well diner guy and Hole

1621
01:27:38,240 --> 01:27:40,640
Speaker 1: in the Walled Burger place and my favorite there you go.

1622
01:27:41,439 --> 01:27:44,439
Speaker 1: Have you ever been to Astro's Family Diner in Silver Lake.

1623
01:27:45,880 --> 01:27:48,439
Speaker 1: It's the closest thing that we have in Los Angeles

1624
01:27:48,520 --> 01:27:51,200
Speaker 1: to like a like a New York Greek diner, like

1625
01:27:51,280 --> 01:27:53,280
Speaker 1: a place where you're just like, why is there we

1626
01:27:53,320 --> 01:27:56,080
Speaker 1: go there? Why do you have filet of soul on

1627
01:27:56,160 --> 01:27:59,120
Speaker 1: the men? You're like just one of those places when

1628
01:27:59,160 --> 01:28:01,639
Speaker 1: they have like the fucking more teen page menue London

1629
01:28:01,720 --> 01:28:04,200
Speaker 1: Do you want to London broil? Or like yeah, yeah,

1630
01:28:04,960 --> 01:28:06,439
Speaker 1: do you want? Yeah? Do you wanna? Do you want

1631
01:28:06,439 --> 01:28:09,200
Speaker 1: to make that a Diane? It's the Atlantic Salmon. Yeah,

1632
01:28:09,720 --> 01:28:11,160
Speaker 1: but it's like, no, I want, I gotta thought out.

1633
01:28:11,200 --> 01:28:15,439
Speaker 1: I'll be right back and yeah, oh that looks good.

1634
01:28:16,320 --> 01:28:18,519
Speaker 1: Yeah it's classic. And they've just reopened. I was sitting

1635
01:28:18,560 --> 01:28:20,439
Speaker 1: at that counter just a few nights ago. It's twenty

1636
01:28:20,479 --> 01:28:23,559
Speaker 1: four hours in a row. Yeah, just like it's opened

1637
01:28:23,600 --> 01:28:28,760
Speaker 1: twenty four hours a week. Yeah, it's classic. It's in

1638
01:28:28,800 --> 01:28:31,560
Speaker 1: a lot of movies. Um, they do a lot of

1639
01:28:31,600 --> 01:28:33,799
Speaker 1: filming there late night, which is fun. But that counted

1640
01:28:33,880 --> 01:28:36,040
Speaker 1: right there. That's my seat, the one that's all looks

1641
01:28:36,080 --> 01:28:40,519
Speaker 1: like a one right at the end of one. That's

1642
01:28:40,520 --> 01:28:43,439
Speaker 1: the only one that's twisted. You gonna take a picture of.

1643
01:28:43,479 --> 01:28:47,240
Speaker 1: That was my fat back. Um at the speaking of

1644
01:28:47,360 --> 01:28:52,240
Speaker 1: fat back, how about bag stroking. I was doing some

1645
01:28:52,320 --> 01:28:54,599
Speaker 1: of that too in the hot weather. You know, uh,

1646
01:28:55,120 --> 01:29:00,560
Speaker 1: cash money, You're really good on this podcast. Um, you

1647
01:29:00,640 --> 01:29:02,920
Speaker 1: guts to talk about things I don't know. Man, you

1648
01:29:03,000 --> 01:29:07,599
Speaker 1: gotta get involved, kid man, get involved a diner. All

1649
01:29:07,680 --> 01:29:10,679
Speaker 1: I know is fat burgers, fat Burger is a spot though,

1650
01:29:11,280 --> 01:29:12,800
Speaker 1: do you mean is that where you hit when you

1651
01:29:12,880 --> 01:29:16,280
Speaker 1: come to the I haven't been out at this way

1652
01:29:16,320 --> 01:29:18,519
Speaker 1: in quite some time, right, Yeah, there used to be

1653
01:29:18,640 --> 01:29:22,560
Speaker 1: one at that hotel, the Nico, Yes, right across the

1654
01:29:22,640 --> 01:29:25,160
Speaker 1: street you're talking about so on Las Siega, And that

1655
01:29:25,240 --> 01:29:27,360
Speaker 1: was the old o G Fatburger, which has now turned

1656
01:29:27,360 --> 01:29:30,040
Speaker 1: into a hurt rental car rental car. But that was

1657
01:29:30,200 --> 01:29:33,479
Speaker 1: the one back in the day. Yeah, exactly. That's the

1658
01:29:33,520 --> 01:29:36,400
Speaker 1: one that really the shootings outside of it. Well, that's

1659
01:29:36,439 --> 01:29:38,320
Speaker 1: like the one that ice Cube kind of like you know,

1660
01:29:38,600 --> 01:29:40,400
Speaker 1: three in the morning went to Fat Burger, like that

1661
01:29:40,520 --> 01:29:42,680
Speaker 1: was the one that was open late. I remember that

1662
01:29:42,760 --> 01:29:44,439
Speaker 1: in the nineties and now they're all over the place.

1663
01:29:44,479 --> 01:29:47,080
Speaker 1: They franchised. I think like that song actually had a

1664
01:29:47,120 --> 01:29:49,960
Speaker 1: lot to do with the popularity of Fat Burger. Yeah,

1665
01:29:49,960 --> 01:29:51,639
Speaker 1: the name, I think the name is what really made

1666
01:29:51,680 --> 01:29:53,920
Speaker 1: people go to Fat Burger. Yeah, well it's the name

1667
01:29:54,040 --> 01:30:00,040
Speaker 1: fat Burger sounds funny. Were like this sick. Oh what

1668
01:30:00,160 --> 01:30:03,599
Speaker 1: you can do skinny fries. You get to pick there,

1669
01:30:03,680 --> 01:30:06,320
Speaker 1: which is nice. No, I used to see there all

1670
01:30:06,320 --> 01:30:10,120
Speaker 1: the time, Queen Latip, but what's fat Burger? She used

1671
01:30:10,120 --> 01:30:14,760
Speaker 1: to be here all the time. I used to see

1672
01:30:14,920 --> 01:30:20,080
Speaker 1: Queen Latifa and La Fatburger. That makes sense. Yeah, I'm

1673
01:30:20,120 --> 01:30:23,120
Speaker 1: a huge Latifa fan. Just everything she does. She's a

1674
01:30:23,160 --> 01:30:26,320
Speaker 1: cool chick. I've never met her. Oh she's she's cool

1675
01:30:26,360 --> 01:30:28,920
Speaker 1: as ship man. You hang out with her, she'd be like,

1676
01:30:29,040 --> 01:30:31,439
Speaker 1: she's cool and she loves house music too. Yeah. Well,

1677
01:30:31,600 --> 01:30:35,719
Speaker 1: I mean, I mean, what do you primarily play? Hard

1678
01:30:35,800 --> 01:30:39,439
Speaker 1: to say right now? Mostly dance music is where where

1679
01:30:39,439 --> 01:30:43,080
Speaker 1: I've made my home. Um, but I listened to everything,

1680
01:30:43,240 --> 01:30:45,439
Speaker 1: and because I'm a hip hop head, but I listened

1681
01:30:45,439 --> 01:30:49,360
Speaker 1: to classic Rome. Like what do I listen to when

1682
01:30:49,400 --> 01:30:51,360
Speaker 1: I'm like picking number when you're playing? Like? Do you

1683
01:30:51,439 --> 01:30:55,600
Speaker 1: still dig? I do? Of course? Everydayness, I got a

1684
01:30:55,640 --> 01:30:58,599
Speaker 1: contestant for your show. What's that? What's that? What's the show?

1685
01:31:00,439 --> 01:31:09,080
Speaker 1: It all right? Sizzle today he's the Micnus. We shot

1686
01:31:09,120 --> 01:31:13,800
Speaker 1: a sizzle today. It was me, it was Newmarck. It

1687
01:31:14,000 --> 01:31:18,799
Speaker 1: was easy. Mobi was there and had a special surprise

1688
01:31:18,840 --> 01:31:24,360
Speaker 1: when man Supreme Larrock from Seattle was there. Yeah, he

1689
01:31:24,520 --> 01:31:28,679
Speaker 1: probably met him before. I certainly do I know the name. Yeah,

1690
01:31:31,120 --> 01:31:35,519
Speaker 1: that's Mike. Nice to meet you here. You do these

1691
01:31:35,640 --> 01:31:39,200
Speaker 1: chairs really make it like a full evil genius. You

1692
01:31:39,360 --> 01:31:41,960
Speaker 1: come to my front side, I will not find me.

1693
01:31:42,280 --> 01:31:46,840
Speaker 1: Who's around me? I don't know, but very comfortable. This

1694
01:31:47,040 --> 01:31:49,639
Speaker 1: is a gentleman's chair. That's why I do that. That's

1695
01:31:49,880 --> 01:31:52,680
Speaker 1: I'm very much a gentleman. Um. That's exciting. So you're

1696
01:31:52,680 --> 01:31:56,360
Speaker 1: working on a show concept which will speak of later,

1697
01:31:56,439 --> 01:31:57,800
Speaker 1: but it hasn't we know it has something to do

1698
01:31:57,840 --> 01:32:00,400
Speaker 1: with record digging, and then I'll be a can testined

1699
01:32:00,400 --> 01:32:07,200
Speaker 1: on it. Definitely, it's fantastic, Mike will no spots do.

1700
01:32:07,720 --> 01:32:10,240
Speaker 1: I mean, I do less and ever since Discogs, I've

1701
01:32:10,280 --> 01:32:12,360
Speaker 1: been doing less. Like I r L is all I

1702
01:32:12,439 --> 01:32:14,599
Speaker 1: ever wanted my whole life was record stores that were

1703
01:32:14,680 --> 01:32:17,639
Speaker 1: open in the middle of the night. You know, I think,

1704
01:32:17,720 --> 01:32:20,600
Speaker 1: like you guys probably understand that's like DJs and and

1705
01:32:20,800 --> 01:32:24,800
Speaker 1: studio heads, like you're you're awake at night, like that's

1706
01:32:24,800 --> 01:32:26,519
Speaker 1: when you come to life in the daytime. It's not

1707
01:32:26,600 --> 01:32:29,120
Speaker 1: always convenient, and you know, like Tower Records would stay

1708
01:32:29,120 --> 01:32:30,800
Speaker 1: open till midnight. I was always the guy that was

1709
01:32:30,840 --> 01:32:34,880
Speaker 1: in there, Like Tower Records in Japan with the multi levels.

1710
01:32:35,600 --> 01:32:39,320
Speaker 1: I've never actually been to Japan, but i've that's the

1711
01:32:39,360 --> 01:32:41,760
Speaker 1: only one that's still open, right, Yes, yes, and they

1712
01:32:41,800 --> 01:32:44,839
Speaker 1: are real, as I understand. I heard that because records

1713
01:32:44,880 --> 01:32:47,599
Speaker 1: are selling and cassettes are selling, there's this weird kind

1714
01:32:47,640 --> 01:32:50,640
Speaker 1: of thing with the records. I think record labels a

1715
01:32:50,800 --> 01:32:55,560
Speaker 1: kind of fucking it up because they're not they're not

1716
01:32:55,720 --> 01:33:02,080
Speaker 1: putting out some real obscure ship. Not even that, they're

1717
01:33:02,080 --> 01:33:07,120
Speaker 1: putting out records for artists whose listeners don't buy records.

1718
01:33:08,120 --> 01:33:10,400
Speaker 1: Well that's where I come in. I have all the

1719
01:33:10,479 --> 01:33:13,639
Speaker 1: Megos and Young Thugs and and Travis Scott not even

1720
01:33:13,720 --> 01:33:16,000
Speaker 1: not even that stuff, have it all on vinyl, and

1721
01:33:16,120 --> 01:33:18,640
Speaker 1: it really confuses people that have like vinyl as a

1722
01:33:18,720 --> 01:33:21,559
Speaker 1: genre night like place. It will be like it's just vinyl.

1723
01:33:21,960 --> 01:33:23,640
Speaker 1: And like I was sitting there playing Bad and b

1724
01:33:24,280 --> 01:33:26,680
Speaker 1: vinyl and and the owner of the club came up

1725
01:33:26,720 --> 01:33:28,400
Speaker 1: to He's like, no, you know what's vinyl only right?

1726
01:33:28,400 --> 01:33:30,639
Speaker 1: And I'm like, yeah, you guys only set up turntables,

1727
01:33:30,680 --> 01:33:32,679
Speaker 1: Like what do you think I'm doing. He's like, yeah,

1728
01:33:32,760 --> 01:33:36,080
Speaker 1: but you're playing like bad and Bougie. It's a vinyl night.

1729
01:33:36,120 --> 01:33:38,240
Speaker 1: And I was like, yeah, vinyl is not a genre

1730
01:33:38,479 --> 01:33:43,120
Speaker 1: face like I think. I think to say you're having

1731
01:33:43,160 --> 01:33:46,200
Speaker 1: a vinyl night is to say your time stamping the

1732
01:33:46,320 --> 01:33:49,120
Speaker 1: evening without saying I'm having an eighties or night. But

1733
01:33:49,200 --> 01:33:51,880
Speaker 1: I'm always here to prove to everyone that they've worded

1734
01:33:51,960 --> 01:33:53,920
Speaker 1: things wrong. Like when I did the Motown I did

1735
01:33:54,000 --> 01:33:57,000
Speaker 1: Motown on Mondays, and every record you have to play

1736
01:33:58,040 --> 01:34:02,880
Speaker 1: is had to been on Motown, And so I played

1737
01:34:02,920 --> 01:34:06,360
Speaker 1: an actor. I played this mix with Remember I played

1738
01:34:06,400 --> 01:34:07,720
Speaker 1: that you were there that night when I played the

1739
01:34:07,840 --> 01:34:12,439
Speaker 1: Nirvana and the Michael Jackson was over it and it's

1740
01:34:12,479 --> 01:34:14,840
Speaker 1: just in town. Then Michael comes and they go, oh, shoot, okay,

1741
01:34:15,439 --> 01:34:19,280
Speaker 1: there you go. Yeah, and we Boys to Men was

1742
01:34:19,360 --> 01:34:22,920
Speaker 1: on Motown as well. Now you can play fucking rare earth.

1743
01:34:23,000 --> 01:34:25,200
Speaker 1: People don't know that mo Town Monday. You could play

1744
01:34:25,840 --> 01:34:33,040
Speaker 1: just yeah, yeah, that's you gotta I guess when you're

1745
01:34:34,200 --> 01:34:37,040
Speaker 1: like always a DJ, your head goes, I don't want

1746
01:34:37,040 --> 01:34:39,240
Speaker 1: to do what everybody else is doing. I gotta do

1747
01:34:39,520 --> 01:34:41,880
Speaker 1: that's supposed to be to art, that is what you're

1748
01:34:41,880 --> 01:34:43,920
Speaker 1: supposed to do. People get mad when they booked me

1749
01:34:44,000 --> 01:34:46,960
Speaker 1: to play like eighties nights or nineties nights, because to

1750
01:34:47,040 --> 01:34:50,439
Speaker 1: them that means like somehow, nineties night means you're playing

1751
01:34:50,520 --> 01:34:53,960
Speaker 1: like Brittney Spears, and to me is not the nineties,

1752
01:34:54,640 --> 01:34:59,559
Speaker 1: you know, like so yeah, so someone well played, well played,

1753
01:35:00,000 --> 01:35:02,240
Speaker 1: really thought that's what you meant. No, I mean like

1754
01:35:02,320 --> 01:35:05,000
Speaker 1: the year, you know, like like it was the thing

1755
01:35:05,080 --> 01:35:07,360
Speaker 1: like all the other DJs are playing like Backstreet Boys

1756
01:35:07,400 --> 01:35:08,559
Speaker 1: and things like, first of all, I'm just never going

1757
01:35:08,600 --> 01:35:11,679
Speaker 1: to play the Backstreet Boys. I wouldn't even have yeah,

1758
01:35:13,040 --> 01:35:15,240
Speaker 1: but like so I was really going early nineties like

1759
01:35:15,360 --> 01:35:21,200
Speaker 1: stereo m c s and and and you connected, yeah, sure,

1760
01:35:21,479 --> 01:35:23,519
Speaker 1: like the Soup Dragons and like you know, things like that.

1761
01:35:23,520 --> 01:35:28,040
Speaker 1: I'm thinking like and then also like we Love is

1762
01:35:28,120 --> 01:35:30,599
Speaker 1: technically nineties music on the nineties nine, But I think

1763
01:35:30,640 --> 01:35:33,080
Speaker 1: what people mean by that is like one hit Wonders

1764
01:35:33,160 --> 01:35:36,479
Speaker 1: and like kind of over the top cheese and stuff,

1765
01:35:36,520 --> 01:35:38,040
Speaker 1: and I'm like, you can it comes to a whole

1766
01:35:38,080 --> 01:35:40,679
Speaker 1: decade by that. When it comes to eighties, I always

1767
01:35:40,720 --> 01:35:43,479
Speaker 1: play like the corny ist white boy shit when I

1768
01:35:43,479 --> 01:35:46,960
Speaker 1: play the heard eighties set though on like and this

1769
01:35:47,160 --> 01:35:49,400
Speaker 1: is proof that that I actually have respect for you

1770
01:35:49,560 --> 01:35:54,120
Speaker 1: as a DJ. Is that I tweeted at Lord Sear

1771
01:35:54,280 --> 01:35:57,439
Speaker 1: when you were on the Drunk Mix and I was like, yo,

1772
01:35:57,880 --> 01:35:59,880
Speaker 1: see her, like you were killing it right now, and

1773
01:36:00,040 --> 01:36:02,360
Speaker 1: he was like, no, that's the Homie Russell Peters because

1774
01:36:02,360 --> 01:36:04,360
Speaker 1: you were playing like the twelve inch version of Naked

1775
01:36:04,439 --> 01:36:09,200
Speaker 1: Eyes and like you were playing the classic like e

1776
01:36:09,240 --> 01:36:13,560
Speaker 1: eighties club version sets like the twelve inch version. You

1777
01:36:13,600 --> 01:36:15,679
Speaker 1: know what's funny about that mix that I sent Lord Syra.

1778
01:36:15,800 --> 01:36:18,640
Speaker 1: That's a mix I made from my friend when his

1779
01:36:18,720 --> 01:36:21,720
Speaker 1: girlfriend broke up with him, and all the songs have

1780
01:36:21,880 --> 01:36:25,280
Speaker 1: to do with somebody leaving you, so it's and or

1781
01:36:25,400 --> 01:36:27,200
Speaker 1: like something to do I remember is like another one

1782
01:36:27,280 --> 01:36:30,160
Speaker 1: bites the dust. It was like I wouldn't I wouldn't

1783
01:36:30,160 --> 01:36:32,880
Speaker 1: want to be like you fifty Ways to Leave your lover.

1784
01:36:33,240 --> 01:36:35,960
Speaker 1: I wouldn't want to be like you. Yeah. And because

1785
01:36:36,040 --> 01:36:38,080
Speaker 1: she was much younger than I might, played Father Figure

1786
01:36:38,960 --> 01:36:41,120
Speaker 1: fifty Ways to Leave your Lover. I remember that that

1787
01:36:41,280 --> 01:36:43,160
Speaker 1: was in there. Yeah, and father said a drift I

1788
01:36:43,240 --> 01:36:47,040
Speaker 1: played Father Figure was But that's I mean, you want

1789
01:36:47,080 --> 01:36:51,680
Speaker 1: to talk about sample flips the way or you used

1790
01:36:51,680 --> 01:36:55,240
Speaker 1: to be PM Don's DJ. I saw that fact. I

1791
01:36:55,320 --> 01:36:57,760
Speaker 1: did a little research. I had to had to brush up.

1792
01:36:57,800 --> 01:36:59,920
Speaker 1: The only reason I ever wanted CPM down was because

1793
01:37:00,000 --> 01:37:02,000
Speaker 1: were there DJ. I was like, I don't want to

1794
01:37:02,240 --> 01:37:04,320
Speaker 1: CPM done, but cash money there? DJ? Does he do

1795
01:37:04,479 --> 01:37:07,120
Speaker 1: cash money things on the tour. Yeah I did, Did

1796
01:37:07,200 --> 01:37:10,360
Speaker 1: you did? Yeah? Yeah, tell me about it please? Yeah. Um,

1797
01:37:10,439 --> 01:37:13,599
Speaker 1: I was with I was with them around the Bliss album. Actually,

1798
01:37:13,600 --> 01:37:18,680
Speaker 1: I produced two songs on the album, and I remixed

1799
01:37:19,120 --> 01:37:20,800
Speaker 1: one of them, Ways to Win, which they made a

1800
01:37:20,920 --> 01:37:25,160
Speaker 1: video for interesting. Yeah. Yeah, were you there for the

1801
01:37:25,320 --> 01:37:31,160
Speaker 1: infamous No, I wasn't there Paris one night, I just

1802
01:37:31,200 --> 01:37:33,200
Speaker 1: still remember the drawing. Remember they used to have that

1803
01:37:33,439 --> 01:37:35,719
Speaker 1: the last word on the last page of the source.

1804
01:37:35,800 --> 01:37:38,040
Speaker 1: They had the drawing. Yeah, they had that drawing of

1805
01:37:38,200 --> 01:37:42,760
Speaker 1: caras when is that you there? Look at you there? Yeah? Yeah,

1806
01:37:43,800 --> 01:37:45,920
Speaker 1: oh you guys got on the couch on our city? Yeah?

1807
01:37:46,000 --> 01:37:48,360
Speaker 1: What was that? What was us? We were on SAMI

1808
01:37:48,640 --> 01:37:51,800
Speaker 1: twice and I was supposed to play with the band,

1809
01:37:52,120 --> 01:37:54,400
Speaker 1: and then they had fir con On coming on and

1810
01:37:54,520 --> 01:37:59,080
Speaker 1: that's when the show. I was like, oh yeah, yeah,

1811
01:37:59,280 --> 01:38:01,240
Speaker 1: you know what's funny? As I asked our Seno about that.

1812
01:38:01,320 --> 01:38:04,280
Speaker 1: One night he drove me home from not to drop names,

1813
01:38:04,280 --> 01:38:06,280
Speaker 1: but Arsenio dropped me home and one night after being

1814
01:38:06,320 --> 01:38:09,639
Speaker 1: at Eddie Murphy's house, I love I love it already

1815
01:38:09,760 --> 01:38:11,599
Speaker 1: and uh I staw driving home. I was asking them

1816
01:38:11,600 --> 01:38:14,400
Speaker 1: all kinds of questions, and I said, hey, all right,

1817
01:38:14,439 --> 01:38:15,680
Speaker 1: let me ask you a question goes what I go.

1818
01:38:16,240 --> 01:38:18,040
Speaker 1: Did you get canceled because you had fair Corn on

1819
01:38:18,080 --> 01:38:21,439
Speaker 1: the show? He said, no, I had already quit. I

1820
01:38:21,479 --> 01:38:24,479
Speaker 1: had month left on my on my contract, and I

1821
01:38:24,520 --> 01:38:26,000
Speaker 1: wanted to have people I wanted on, So I had

1822
01:38:26,040 --> 01:38:29,720
Speaker 1: fire Can on and we're of a move where like

1823
01:38:29,840 --> 01:38:33,240
Speaker 1: you're comfortable enough. Yeah, and then he said as soon

1824
01:38:33,880 --> 01:38:36,320
Speaker 1: because I just wanted time off. He said, as soon

1825
01:38:36,400 --> 01:38:39,280
Speaker 1: as I gave up the show, I regretted it. He said,

1826
01:38:39,320 --> 01:38:42,000
Speaker 1: I regretted it. That my first day off. I regretted it.

1827
01:38:42,520 --> 01:38:44,000
Speaker 1: And he said I couldn't go back and be like,

1828
01:38:44,120 --> 01:38:45,960
Speaker 1: I want the show back. He said, I couldn't go back.

1829
01:38:46,120 --> 01:38:49,040
Speaker 1: He waited till the late nineties, but then none of us. Yeah,

1830
01:38:49,040 --> 01:38:52,160
Speaker 1: but then he saw him on America's Funny Videos or something.

1831
01:38:52,240 --> 01:38:53,720
Speaker 1: He was on one of them shows, and then he

1832
01:38:53,760 --> 01:38:56,680
Speaker 1: started trying to make his make a comeback. He did.

1833
01:38:56,760 --> 01:38:58,599
Speaker 1: He did it. He had an art Cineo Hall show

1834
01:38:58,640 --> 01:39:00,760
Speaker 1: in the late nineties of drawing super in lip made

1835
01:39:00,800 --> 01:39:07,640
Speaker 1: two thousands. But he was before maybe he had he

1836
01:39:07,800 --> 01:39:10,840
Speaker 1: was doing America Funny Videos or something like that. He

1837
01:39:10,960 --> 01:39:13,040
Speaker 1: was like, why is he doing that. I remember when

1838
01:39:13,040 --> 01:39:15,840
Speaker 1: he came back, came back like yeah, like ten years ago,

1839
01:39:15,880 --> 01:39:17,920
Speaker 1: and he had DJ Spider on for like a week

1840
01:39:18,000 --> 01:39:19,360
Speaker 1: and he had It was weird when he came back

1841
01:39:19,360 --> 01:39:21,240
Speaker 1: because I was now grown up and I knew everyone

1842
01:39:21,280 --> 01:39:23,360
Speaker 1: that was on the Arsenio hall show. Like in the

1843
01:39:23,439 --> 01:39:26,320
Speaker 1: first week he had like allow Black and DJ Spider

1844
01:39:26,400 --> 01:39:28,080
Speaker 1: and I was just like, this is just funny. Whenever

1845
01:39:28,120 --> 01:39:30,800
Speaker 1: I talked to my friends, whenever I talked to Hallo Black,

1846
01:39:30,840 --> 01:39:35,479
Speaker 1: I always got all a Black. Hello Black. In Europe

1847
01:39:35,520 --> 01:39:39,360
Speaker 1: they call him allow A. Yeah, there was like a

1848
01:39:39,800 --> 01:39:45,120
Speaker 1: Black and I was supposed to do it and it

1849
01:39:45,200 --> 01:39:48,000
Speaker 1: got canceled. Remember I was supposed to do it, and

1850
01:39:48,040 --> 01:39:49,720
Speaker 1: then I had to cancel my night because I had

1851
01:39:49,760 --> 01:39:52,680
Speaker 1: something going on. And then when we're rebooked, it got

1852
01:39:52,800 --> 01:39:55,800
Speaker 1: canceled on May. The last show was supposed to do

1853
01:39:55,840 --> 01:39:58,120
Speaker 1: in like July or something. I was like, motherfuck. Every

1854
01:39:58,160 --> 01:40:00,600
Speaker 1: time I was supposed to do I cut off. And

1855
01:40:00,720 --> 01:40:02,920
Speaker 1: for the young people listening and watching, that was when

1856
01:40:03,200 --> 01:40:06,040
Speaker 1: I don't think any canceled actually meant you got canceled.

1857
01:40:06,040 --> 01:40:08,280
Speaker 1: I meant your show was really over it, not just

1858
01:40:08,439 --> 01:40:12,960
Speaker 1: if people decided they didn't care for you anymore. Not

1859
01:40:13,120 --> 01:40:18,280
Speaker 1: culturally canceled, literally canceled. Do you mean culturally canceled with

1860
01:40:18,400 --> 01:40:29,760
Speaker 1: Russell Peters. That was that America's funny video script. I

1861
01:40:29,760 --> 01:40:33,519
Speaker 1: didn't do anything great, guy, I don't let me tell

1862
01:40:33,520 --> 01:40:36,920
Speaker 1: you that. I mean all time legend. That was Actually

1863
01:40:37,000 --> 01:40:41,280
Speaker 1: what's upset me most about coming to America was I

1864
01:40:41,479 --> 01:40:43,720
Speaker 1: just wanted to see It's like, I just want to

1865
01:40:43,760 --> 01:40:45,600
Speaker 1: see him and Eddie had taken to New York and

1866
01:40:45,880 --> 01:40:48,240
Speaker 1: and do their thing. I want you, I didn't want.

1867
01:40:48,280 --> 01:40:50,080
Speaker 1: I don't. I think they odate a little on how

1868
01:40:50,120 --> 01:40:52,120
Speaker 1: many cameos they put in that movie. They tricked me

1869
01:40:52,160 --> 01:40:54,680
Speaker 1: into watching a Germaine Fowler movie, is what happened. Yeah, well,

1870
01:40:57,120 --> 01:40:59,840
Speaker 1: Jermin I apologized my friend. No shout out to Jermaine.

1871
01:41:00,360 --> 01:41:02,040
Speaker 1: I mean, you know, but it is what it is.

1872
01:41:03,200 --> 01:41:05,600
Speaker 1: And I wanted more Wesley Snipes as the Warlord. He

1873
01:41:05,720 --> 01:41:07,960
Speaker 1: was absolutely I asked a hie that night if he

1874
01:41:07,960 --> 01:41:10,120
Speaker 1: would and he told me, yeah, we're doing coming to

1875
01:41:10,160 --> 01:41:13,120
Speaker 1: America too next year. And I go, you know, I'm

1876
01:41:13,120 --> 01:41:15,320
Speaker 1: available if you need an Indian guy in this movie.

1877
01:41:15,840 --> 01:41:17,559
Speaker 1: And that's where they fucked up. They you know, they

1878
01:41:17,600 --> 01:41:20,880
Speaker 1: were not they're not not properly representing for you guys

1879
01:41:21,080 --> 01:41:25,439
Speaker 1: that I'm never my people are never properly represented medical

1880
01:41:25,479 --> 01:41:27,280
Speaker 1: show that's supposed to be like in Chicago, New York

1881
01:41:27,320 --> 01:41:29,800
Speaker 1: and all the there's like one Indian doctor, like, have

1882
01:41:29,920 --> 01:41:34,360
Speaker 1: you ever been into a hospital doctors? Yeah? Yeah, And

1883
01:41:34,600 --> 01:41:36,880
Speaker 1: and and meanwhile, Hanka Zaria has to take all the heat.

1884
01:41:40,400 --> 01:41:42,800
Speaker 1: He's just trying to makes been on an apology tour

1885
01:41:42,960 --> 01:41:46,600
Speaker 1: for five years, and that sucks for him, you know,

1886
01:41:46,880 --> 01:41:50,000
Speaker 1: it really does, and he ruined it. It changed the

1887
01:41:50,040 --> 01:41:54,280
Speaker 1: whole dynamic of brock Meyer as well. Brock brock Meyer

1888
01:41:54,400 --> 01:41:55,800
Speaker 1: was great, and they had him being this, you know,

1889
01:41:55,920 --> 01:41:57,960
Speaker 1: gross asshole, and then now they have to clean up

1890
01:41:58,000 --> 01:42:02,240
Speaker 1: brock Meyer's image because because hand Kazario was so sad

1891
01:42:02,280 --> 01:42:06,240
Speaker 1: about the accents that he did as a Brockman was great.

1892
01:42:06,280 --> 01:42:09,600
Speaker 1: Did you watch it? Greg used to talk about all

1893
01:42:09,600 --> 01:42:11,519
Speaker 1: the time. It's really great. I mean those first few

1894
01:42:11,560 --> 01:42:13,760
Speaker 1: seasons are are are dynamite. I mean, he's and he's

1895
01:42:13,760 --> 01:42:16,120
Speaker 1: just one of the funniest guys ever. But to watch

1896
01:42:16,240 --> 01:42:19,639
Speaker 1: him flail on on on talk shows apologizing for things

1897
01:42:19,720 --> 01:42:22,400
Speaker 1: that he didn't do is really a weird thing. And

1898
01:42:22,560 --> 01:42:24,160
Speaker 1: that is a weird thing. I'd hate to be have

1899
01:42:24,320 --> 01:42:26,160
Speaker 1: done and I don't want that. Yeah, it's a it's

1900
01:42:26,200 --> 01:42:28,400
Speaker 1: a it's a it's a peculiar thing. I mean i'd imagine.

1901
01:42:28,400 --> 01:42:30,160
Speaker 1: I mean you've had, you said, but you get I

1902
01:42:30,240 --> 01:42:32,080
Speaker 1: think when you get to do it from the from

1903
01:42:32,120 --> 01:42:36,519
Speaker 1: a stage, you get you get more leeway. Right Well,

1904
01:42:36,680 --> 01:42:38,040
Speaker 1: I mean like you talk a lot of ship, but

1905
01:42:38,200 --> 01:42:40,680
Speaker 1: that's kind of your thing. I talk a lot of ship.

1906
01:42:41,040 --> 01:42:43,160
Speaker 1: I mean Cash has seen it, Nesta seen it. Yeah,

1907
01:42:43,200 --> 01:42:49,479
Speaker 1: they know firsthand. Nobody's safe. But if you're not coming

1908
01:42:49,560 --> 01:42:52,679
Speaker 1: after one person, and you're and you're and you're making jokes,

1909
01:42:52,760 --> 01:42:55,240
Speaker 1: then I feel like it's amazing. Like I used to

1910
01:42:55,360 --> 01:42:59,240
Speaker 1: I used to manage Ego Trip as comedy writers the

1911
01:42:59,320 --> 01:43:03,040
Speaker 1: magazine US and they we were doing We Love that magazine.

1912
01:43:03,040 --> 01:43:04,640
Speaker 1: They were the best, and you know, and they had

1913
01:43:04,680 --> 01:43:07,840
Speaker 1: the Book of rap Lists. You have that book, the

1914
01:43:07,880 --> 01:43:11,120
Speaker 1: Big Book of Racism, And then they had the Book

1915
01:43:11,120 --> 01:43:12,760
Speaker 1: of Rapists I have I think I have a copy

1916
01:43:12,800 --> 01:43:14,879
Speaker 1: of that somewhere. And then the Big Book of Racism

1917
01:43:15,000 --> 01:43:18,080
Speaker 1: is particularly good, and obviously it's out of print now

1918
01:43:18,120 --> 01:43:21,439
Speaker 1: because nobody wants to really touch that. But they also

1919
01:43:21,520 --> 01:43:23,439
Speaker 1: had a show on v H one that was called

1920
01:43:23,760 --> 01:43:26,840
Speaker 1: racil rama where they would just talk about like old

1921
01:43:26,920 --> 01:43:32,000
Speaker 1: like racism and television, like was was Tubs calling Crockett cracker?

1922
01:43:33,200 --> 01:43:35,720
Speaker 1: I probably was, and he was. There's a lot of

1923
01:43:35,760 --> 01:43:40,000
Speaker 1: like Crockett, Crockett please and and such a like when

1924
01:43:40,040 --> 01:43:42,320
Speaker 1: he gets upset with him. Yeah, we grew up a

1925
01:43:42,400 --> 01:43:44,559
Speaker 1: lot of racist cartoons if you really think. Remember every time,

1926
01:43:44,640 --> 01:43:47,439
Speaker 1: like they would like on on like the Bugs Bunny

1927
01:43:47,560 --> 01:43:48,840
Speaker 1: when they when they would have a gun to the

1928
01:43:48,880 --> 01:43:51,400
Speaker 1: guy's face, like the shotgun and he would stick his

1929
01:43:51,479 --> 01:43:53,200
Speaker 1: finger in the barrel and it would still fire off.

1930
01:43:53,200 --> 01:43:55,160
Speaker 1: The guy would end up with black face and big lips,

1931
01:43:57,680 --> 01:43:59,559
Speaker 1: and we none of us went, oh my god, that's

1932
01:43:59,600 --> 01:44:02,120
Speaker 1: so racist, Like well, if it was Daffy Duck, it

1933
01:44:02,160 --> 01:44:06,320
Speaker 1: would spin his bill around, gets fun around. And then

1934
01:44:06,360 --> 01:44:08,400
Speaker 1: there was that episode, remember it was a Daffy Duck

1935
01:44:08,439 --> 01:44:11,559
Speaker 1: episode and Bugs Bunny episode. It very similarly did very

1936
01:44:11,560 --> 01:44:14,880
Speaker 1: similar episodes where they went to the they went to

1937
01:44:14,960 --> 01:44:16,800
Speaker 1: the Middle East and the girl was wearing a veil

1938
01:44:16,840 --> 01:44:18,920
Speaker 1: and she was really pretty and when she took it off,

1939
01:44:21,320 --> 01:44:23,080
Speaker 1: and I was like, that's where we're living in right now,

1940
01:44:23,160 --> 01:44:27,640
Speaker 1: that's the mask world. It is, Well, that was what

1941
01:44:27,760 --> 01:44:29,640
Speaker 1: the rave world was a little bit like for me

1942
01:44:29,800 --> 01:44:31,880
Speaker 1: as a team, you know, when people were like very

1943
01:44:32,360 --> 01:44:34,120
Speaker 1: large clothing. I guess it might have been like that

1944
01:44:34,240 --> 01:44:36,800
Speaker 1: in hip hop, but it wasn't so much. It was

1945
01:44:36,880 --> 01:44:39,720
Speaker 1: like the girls were dressed like TLC kind of like

1946
01:44:39,800 --> 01:44:43,240
Speaker 1: a huge pants and so you would have a cute face.

1947
01:44:43,320 --> 01:44:45,040
Speaker 1: But then it was, you know, it was anyone's guess

1948
01:44:45,520 --> 01:44:47,080
Speaker 1: what would happen when you don't know what's happening on?

1949
01:44:47,280 --> 01:44:50,280
Speaker 1: The huge hoody came off. Yeah, not like me where

1950
01:44:50,320 --> 01:44:52,160
Speaker 1: I have a huge hoody, but it's still very tight,

1951
01:44:52,280 --> 01:44:55,680
Speaker 1: form fitting. It's a very fun fitting hood you wear it.

1952
01:44:56,960 --> 01:44:58,760
Speaker 1: I've got a little bit of cleavage. But you know,

1953
01:44:59,040 --> 01:45:02,439
Speaker 1: these things happen actually have interesting. Fine, I just found

1954
01:45:03,160 --> 01:45:06,960
Speaker 1: uh KKK records since we were on the topic of racism,

1955
01:45:07,320 --> 01:45:10,120
Speaker 1: get open. Yeah, I found a whole bunch of them

1956
01:45:10,360 --> 01:45:13,800
Speaker 1: KKK records. Yeah, like the Ku Klux Klan. Yes, did

1957
01:45:13,840 --> 01:45:17,160
Speaker 1: you get something? Yeah? What color was the vinyl? It's well,

1958
01:45:17,439 --> 01:45:19,719
Speaker 1: isn't that interesting? They changed their name to Kate Tell

1959
01:45:20,000 --> 01:45:24,880
Speaker 1: after all that was that was Kivas Television. Now they

1960
01:45:24,920 --> 01:45:27,760
Speaker 1: were on they were on Rebel Rebel records. You ever

1961
01:45:27,840 --> 01:45:31,519
Speaker 1: see that? Um uh the Boondocks did an episode with

1962
01:45:31,720 --> 01:45:37,559
Speaker 1: this uncle. Uncle Ruckus was following this guy named Johnny

1963
01:45:37,600 --> 01:45:44,960
Speaker 1: Rebel and uh, he loved his songs and yeah, well

1964
01:45:45,000 --> 01:45:48,040
Speaker 1: that's that's based on a real life character. There's a

1965
01:45:48,479 --> 01:45:53,040
Speaker 1: records like how racist were they? They were on KKK Records.

1966
01:45:53,080 --> 01:45:54,920
Speaker 1: I feel like they're pretty racist. I wonder if the

1967
01:45:55,000 --> 01:45:59,960
Speaker 1: lyrics were racist as well. Wasn't like this song is

1968
01:46:00,000 --> 01:46:05,200
Speaker 1: called looking for a Hand just smell that way? Wow? Yeah,

1969
01:46:05,560 --> 01:46:11,200
Speaker 1: Martin Luther kum wow Wow, aggressively racist. I think it's

1970
01:46:11,240 --> 01:46:17,360
Speaker 1: the end. Also, Timely Um, they were writing a Timely

1971
01:46:17,479 --> 01:46:22,040
Speaker 1: Records cajun clue Klux, Well do you know about this

1972
01:46:22,320 --> 01:46:25,200
Speaker 1: funny to listen to that? Because they really felt that

1973
01:46:25,320 --> 01:46:27,439
Speaker 1: way at that time. That was real. I don't know

1974
01:46:27,439 --> 01:46:33,320
Speaker 1: why you're saying at that time. Well, according to David Duke,

1975
01:46:33,360 --> 01:46:36,680
Speaker 1: there is no more clue Klux Klim. We'll tell that

1976
01:46:36,800 --> 01:46:39,160
Speaker 1: to the fucking white hoods guys out there. You know,

1977
01:46:39,200 --> 01:46:41,600
Speaker 1: I listened to his podcast all the time. Uh, not

1978
01:46:41,760 --> 01:46:46,920
Speaker 1: really as a past but if he did, I don't know.

1979
01:46:47,000 --> 01:46:49,760
Speaker 1: I'm going to leave this one alone. But there is

1980
01:46:49,800 --> 01:46:52,640
Speaker 1: a guy who have you heard of? I can't I

1981
01:46:52,640 --> 01:46:54,920
Speaker 1: can't remember his name. There's a movie called Accidental Courtesy

1982
01:46:54,960 --> 01:46:58,439
Speaker 1: about like an infamous rock musician who is a black

1983
01:46:58,520 --> 01:47:01,840
Speaker 1: man who does collect clan hoods because he gets people

1984
01:47:01,880 --> 01:47:03,479
Speaker 1: out of the clan and every time he does it,

1985
01:47:03,520 --> 01:47:07,800
Speaker 1: they get the documentary. Right, Yeah, that big dude, that guy. Yeah, yeah,

1986
01:47:07,880 --> 01:47:11,479
Speaker 1: Darrell Davis, Yeah you know who was talking Yeah, Roman

1987
01:47:11,600 --> 01:47:13,800
Speaker 1: was talking to me about him. He's a very polarizing

1988
01:47:14,000 --> 01:47:17,880
Speaker 1: character because a lot of people feel that he's just

1989
01:47:18,800 --> 01:47:22,280
Speaker 1: like fetishizing, uh you know, the clan and like doing

1990
01:47:22,360 --> 01:47:24,519
Speaker 1: this and that you know, the effect is not worth

1991
01:47:25,479 --> 01:47:29,240
Speaker 1: the Dragon's Yeah know, he's gotten grand Wizards out and

1992
01:47:29,280 --> 01:47:31,920
Speaker 1: Grand Dragon. So he's got like something like thirty seven

1993
01:47:32,000 --> 01:47:35,200
Speaker 1: clan hoods in his garage and he collects all the

1994
01:47:35,320 --> 01:47:37,840
Speaker 1: like ephemera, so probably like these records that that you're

1995
01:47:37,880 --> 01:47:39,600
Speaker 1: talking about and like all this stuff. He's got a

1996
01:47:39,640 --> 01:47:41,720
Speaker 1: whole house full of it. How many crosses does he have?

1997
01:47:41,960 --> 01:47:47,240
Speaker 1: You knowl DJ called themselves grand Wizards and grand Masters.

1998
01:47:49,479 --> 01:47:52,920
Speaker 1: I don't know, talked to Theodore and Flash well because

1999
01:47:53,000 --> 01:47:55,639
Speaker 1: that is the how did you get the name cash

2000
01:47:55,680 --> 01:48:00,040
Speaker 1: money interest basketball? Yeah I don't see the connection. And

2001
01:48:00,200 --> 01:48:02,760
Speaker 1: that was that was in your way? I could shoot Yeah, yeah,

2002
01:48:02,760 --> 01:48:05,520
Speaker 1: And at that time everybody was like, I said Grandmaster,

2003
01:48:05,680 --> 01:48:08,479
Speaker 1: cut Master or something, and I just wanted something that

2004
01:48:08,680 --> 01:48:10,840
Speaker 1: was fit. So every time I would shoot, everybody used

2005
01:48:10,840 --> 01:48:13,280
Speaker 1: to be like, oh, that's cash money, So that's it

2006
01:48:13,439 --> 01:48:18,639
Speaker 1: just stuck. Is a lord lords? Like a lord lords

2007
01:48:18,680 --> 01:48:22,240
Speaker 1: and ladies? Yeah? Do you think he started the lord era?

2008
01:48:23,520 --> 01:48:25,840
Speaker 1: I think it could have been a lord or something

2009
01:48:25,880 --> 01:48:30,160
Speaker 1: before me. I'm not exactly sure, but yeah, you know,

2010
01:48:30,640 --> 01:48:33,679
Speaker 1: I just ain't want to be a master or cool

2011
01:48:34,160 --> 01:48:37,479
Speaker 1: or you're just in the court. I just wanted something.

2012
01:48:37,479 --> 01:48:40,400
Speaker 1: When you say the name, that ship meant some ship. Yeah.

2013
01:48:40,800 --> 01:48:45,360
Speaker 1: Lord as remember they first they first introduced me at

2014
01:48:45,400 --> 01:48:51,040
Speaker 1: the seminar and coming up next is Lord Finesse. But

2015
01:48:51,160 --> 01:48:54,439
Speaker 1: I guarantee you after that first round they knew that

2016
01:48:55,080 --> 01:48:57,120
Speaker 1: very well. They said it like they didn't know who

2017
01:48:57,160 --> 01:48:58,960
Speaker 1: you were. Yeah, they said it like because I was

2018
01:48:59,000 --> 01:49:01,000
Speaker 1: going against Mike Did in the first round. So it

2019
01:49:01,080 --> 01:49:03,519
Speaker 1: was like Mikey D. I don't remember Mikey D. He

2020
01:49:03,640 --> 01:49:07,280
Speaker 1: was on sleeping I mean, yeah sleep. Yeah, it wasn't

2021
01:49:08,000 --> 01:49:11,000
Speaker 1: MS was a Philly guy, wasn't he fresh go too?

2022
01:49:11,520 --> 01:49:14,280
Speaker 1: No fresh Gooes from the fresh Gos from New York.

2023
01:49:14,560 --> 01:49:18,800
Speaker 1: He's from Brooklyn, ain't you fresh go? Yeah, Mrs dub

2024
01:49:18,920 --> 01:49:21,400
Speaker 1: Is he a lawyer? Now? Somebody told me MS was

2025
01:49:21,400 --> 01:49:25,640
Speaker 1: a lawyer. Now you see him, you know, I know him.

2026
01:49:25,680 --> 01:49:27,720
Speaker 1: I don't really see him that much, but I'm still

2027
01:49:27,720 --> 01:49:30,040
Speaker 1: in Philly. Yeah, I see him like pop up one.

2028
01:49:30,040 --> 01:49:32,400
Speaker 1: I want to know who else? You know? Cash? I

2029
01:49:32,479 --> 01:49:36,080
Speaker 1: know everybody's that naming them? I mean all the Philly cats. Yeah,

2030
01:49:36,120 --> 01:49:40,960
Speaker 1: I know everybody. We all grew up together. Tent money. Yeah, um,

2031
01:49:41,040 --> 01:49:48,639
Speaker 1: what was my discosto school? E? Who was this DJ? Again?

2032
01:49:48,680 --> 01:49:55,040
Speaker 1: It was code money? Code money like C O D D.

2033
01:49:57,080 --> 01:49:59,559
Speaker 1: I'm not aware of code money, I remember, I remember,

2034
01:49:59,560 --> 01:50:04,479
Speaker 1: remember my That's where my knowledge ends. So hey school.

2035
01:50:04,520 --> 01:50:06,840
Speaker 1: He was like a first I gotta say some like

2036
01:50:07,000 --> 01:50:08,960
Speaker 1: ill gangster ship on the record too. I remember that

2037
01:50:10,080 --> 01:50:13,880
Speaker 1: his old cadences. Yeah. I remember losing that argument where

2038
01:50:13,920 --> 01:50:16,080
Speaker 1: I was like getting out to New York and talking

2039
01:50:16,120 --> 01:50:18,680
Speaker 1: to my friend who was from there about you know.

2040
01:50:18,760 --> 01:50:20,439
Speaker 1: I was just like, well he's like l a rap,

2041
01:50:20,680 --> 01:50:22,920
Speaker 1: never did anything for anybody. And I was like I

2042
01:50:23,000 --> 01:50:25,439
Speaker 1: was like, well you know what about like uh, you know,

2043
01:50:25,520 --> 01:50:27,080
Speaker 1: we kind of brought the funk to it. He's like

2044
01:50:27,120 --> 01:50:28,519
Speaker 1: you ever heard an E P? M D. And I

2045
01:50:28,640 --> 01:50:30,280
Speaker 1: was like, well, what about the gangster ship. He's like,

2046
01:50:30,320 --> 01:50:32,240
Speaker 1: what you ever heard of school e D. I was like, okay,

2047
01:50:32,280 --> 01:50:35,840
Speaker 1: well I lost the argument. He was a hood hero

2048
01:50:36,520 --> 01:50:38,960
Speaker 1: coming up because he used to sell records out of

2049
01:50:39,000 --> 01:50:41,640
Speaker 1: the trunk of his car. I'll never forget man. Like,

2050
01:50:41,840 --> 01:50:44,320
Speaker 1: you know, we wasn't making that much money doing hip

2051
01:50:44,360 --> 01:50:46,320
Speaker 1: hop back then, but he had a Lincoln town car

2052
01:50:46,439 --> 01:50:51,639
Speaker 1: he bought, man like. He was like, damn he always had. Man.

2053
01:50:51,800 --> 01:50:55,120
Speaker 1: We was like, damn, he's our that's who we want

2054
01:50:55,160 --> 01:51:00,720
Speaker 1: to be here. Yeah, looking at my this is all

2055
01:51:00,800 --> 01:51:05,760
Speaker 1: his fault. Yeah. Now he's doing paintings. You know. I

2056
01:51:05,760 --> 01:51:07,400
Speaker 1: don't want to say too much about it. But when

2057
01:51:07,439 --> 01:51:10,920
Speaker 1: we had him on Hip Hop Evolution, um, we we

2058
01:51:11,000 --> 01:51:15,600
Speaker 1: interviewed him and he wanted a bag of something and

2059
01:51:15,680 --> 01:51:20,040
Speaker 1: it wasn't green, and then so we got him the bag.

2060
01:51:21,040 --> 01:51:25,599
Speaker 1: It was a bag of gold um Acapulco gold, I believe,

2061
01:51:27,479 --> 01:51:30,320
Speaker 1: and uh, I remember he gave him that. He did

2062
01:51:30,360 --> 01:51:33,320
Speaker 1: the interview, and I guess he went away and finished

2063
01:51:33,400 --> 01:51:35,640
Speaker 1: that bag and then called us up like two in

2064
01:51:35,680 --> 01:51:36,960
Speaker 1: the morning. You know, I want to talk some more.

2065
01:51:38,240 --> 01:51:44,840
Speaker 1: What what the fuck? I still to this day have

2066
01:51:44,920 --> 01:51:47,040
Speaker 1: not met school Ead, but I remember I have met

2067
01:51:47,120 --> 01:51:50,160
Speaker 1: school D's a very cool motherfucker. Just Ice was a

2068
01:51:50,160 --> 01:51:52,400
Speaker 1: cool motherfucker when I met him. I remember meeting just

2069
01:51:52,600 --> 01:51:57,200
Speaker 1: Ice in two thousand and five at Hammerstein. I was

2070
01:51:57,280 --> 01:52:00,720
Speaker 1: there six, and he was staying a sime igo Yo you,

2071
01:52:00,840 --> 01:52:03,519
Speaker 1: just Ice goes yeah. Are you Jamaican? Goes yeah. My

2072
01:52:03,560 --> 01:52:06,120
Speaker 1: mom from Clarendon. I was like, oh ship. We started

2073
01:52:06,120 --> 01:52:08,360
Speaker 1: talking because you know, that was always my point of

2074
01:52:08,400 --> 01:52:10,559
Speaker 1: reference for people like my My entry point was are

2075
01:52:10,560 --> 01:52:12,240
Speaker 1: you Jamaican? Let me talk. Let's talk, because you know

2076
01:52:12,280 --> 01:52:14,519
Speaker 1: that's what I know the best. And then I remember

2077
01:52:14,560 --> 01:52:15,800
Speaker 1: we let we got a drink. We went to the

2078
01:52:15,840 --> 01:52:17,360
Speaker 1: bar and I got him a drink and I think

2079
01:52:17,360 --> 01:52:19,280
Speaker 1: I slipped on a hundred bucks hey man. Here He

2080
01:52:19,400 --> 01:52:23,040
Speaker 1: was like, oh thanks man, but he was still seemed

2081
01:52:23,040 --> 01:52:25,519
Speaker 1: like a gangster. But was he wearing a big leather hat?

2082
01:52:27,040 --> 01:52:29,120
Speaker 1: He sure as was I was. I was saying that

2083
01:52:29,280 --> 01:52:31,760
Speaker 1: cash earlier. Just Ice was the first rapper I ever

2084
01:52:31,800 --> 01:52:34,120
Speaker 1: saw in real life. I was like nine or ten

2085
01:52:34,240 --> 01:52:37,000
Speaker 1: years old. It was a layover in Chicago, and I'll

2086
01:52:37,040 --> 01:52:38,800
Speaker 1: never forget I walked off the plane. There was someone

2087
01:52:38,840 --> 01:52:40,920
Speaker 1: waiting to get on and you knew it was just

2088
01:52:41,120 --> 01:52:42,720
Speaker 1: Ice because he had a big leather hat on that

2089
01:52:42,760 --> 01:52:44,840
Speaker 1: said just Ice. It was an m C M one

2090
01:52:44,960 --> 01:52:49,720
Speaker 1: that was good one. And I was like, they're real

2091
01:52:49,800 --> 01:52:52,040
Speaker 1: people like it, Like it never really occurred to me.

2092
01:52:54,560 --> 01:52:57,840
Speaker 1: I'm seeing pictures of photos of him with like I

2093
01:52:57,920 --> 01:53:00,280
Speaker 1: think Pete Rock just posted something with him and b D.

2094
01:53:00,800 --> 01:53:03,320
Speaker 1: I was like, man, I think if you look at

2095
01:53:03,680 --> 01:53:07,439
Speaker 1: strictly for the ladies, he's strictly for the ladies. Yes,

2096
01:53:07,880 --> 01:53:12,160
Speaker 1: he was just and his his impact like overseas, like

2097
01:53:12,200 --> 01:53:14,479
Speaker 1: they're like like guys like Schoolie D and just Ice

2098
01:53:14,560 --> 01:53:17,679
Speaker 1: in particularly like the English dudes. Oh yeah, well Schoolie

2099
01:53:17,720 --> 01:53:20,759
Speaker 1: they liked because he's in England, especially because he's Jamaican.

2100
01:53:20,840 --> 01:53:23,479
Speaker 1: So they loved Schoolie they I mean, I just did.

2101
01:53:23,479 --> 01:53:26,960
Speaker 1: They loved Heavy D. They love Pete Rock. But like INHM,

2102
01:53:26,960 --> 01:53:28,680
Speaker 1: all the West Indian guys like yeah, that's a guy

2103
01:53:28,880 --> 01:53:31,200
Speaker 1: in the mid to late nineties like Big Beat era,

2104
01:53:31,479 --> 01:53:33,879
Speaker 1: you know, like Fat Boys, Slim and the Chemical Brothers

2105
01:53:34,000 --> 01:53:36,920
Speaker 1: and Propeller Heads, Fat Boy Slim with Lord for nest

2106
01:53:36,960 --> 01:53:44,439
Speaker 1: here because right about now, do you remember exactly what

2107
01:53:44,680 --> 01:53:47,640
Speaker 1: that not that was settled in it? Some wait, do

2108
01:53:47,680 --> 01:53:49,560
Speaker 1: you remember exactly what you said in that drop that

2109
01:53:49,640 --> 01:53:52,360
Speaker 1: they chopped up and putting that tone together for that song. Yeah,

2110
01:53:54,920 --> 01:53:56,599
Speaker 1: all you need is your microphone too. I mean, I'm

2111
01:53:56,640 --> 01:54:02,240
Speaker 1: just saying, I'm thinking, I'm just talking out you are.

2112
01:54:02,320 --> 01:54:05,240
Speaker 1: That's how this podcast goes. We're just talking. Yeah. Sometimes

2113
01:54:05,320 --> 01:54:08,320
Speaker 1: we still need the mix coming live and direct check

2114
01:54:08,360 --> 01:54:10,639
Speaker 1: it out now is the funk so brother, the law

2115
01:54:10,720 --> 01:54:14,000
Speaker 1: finesse and if you dig in, keep digging. Check it

2116
01:54:14,040 --> 01:54:16,519
Speaker 1: out now. And I said it again and I did

2117
01:54:16,600 --> 01:54:19,280
Speaker 1: not just get goose bumps. Pretty cool, right, So yeah,

2118
01:54:19,680 --> 01:54:21,639
Speaker 1: because he still sounds like that guy on the record,

2119
01:54:22,040 --> 01:54:24,960
Speaker 1: he is that guy that I actually pointed out to

2120
01:54:25,120 --> 01:54:27,880
Speaker 1: Royal Flush. You can barely hear it, but on on

2121
01:54:28,080 --> 01:54:30,679
Speaker 1: the other song, on the one with the Christopher Walking

2122
01:54:30,840 --> 01:54:34,320
Speaker 1: Spike Jones video, there's very quietly a loop of Royal

2123
01:54:34,440 --> 01:54:37,680
Speaker 1: Flush that runs through the whole thing, going go for Broken,

2124
01:54:37,720 --> 01:54:40,160
Speaker 1: get your team smoke, Go for Broken, get your team

2125
01:54:40,200 --> 01:54:43,360
Speaker 1: smoke from from Royal Flush. Yeah. I love world line

2126
01:54:43,440 --> 01:54:49,680
Speaker 1: when Yeah, Billy Billy Preston, Billy Preston sample, Yeah, Yeah,

2127
01:54:50,000 --> 01:54:51,840
Speaker 1: Royal Flush was here at my house about a month ago.

2128
01:54:52,120 --> 01:54:54,440
Speaker 1: That's my fucking guy. He was here, really, he was

2129
01:54:54,480 --> 01:54:57,640
Speaker 1: in town a month ago. That's amazing. He came over him,

2130
01:54:57,720 --> 01:55:01,520
Speaker 1: his wife is and people he night. For one week.

2131
01:55:01,600 --> 01:55:05,040
Speaker 1: I owned the beat for Ucci Wally did, and I

2132
01:55:05,240 --> 01:55:08,320
Speaker 1: recorded Royal Flush over it right before he went to

2133
01:55:09,160 --> 01:55:13,960
Speaker 1: on vacation. Um and he uh and he lost the beat. Uh, well,

2134
01:55:14,080 --> 01:55:15,720
Speaker 1: it was we were doing it. If you still have

2135
01:55:15,880 --> 01:55:18,080
Speaker 1: that compilation, I do. I have the track we did.

2136
01:55:18,320 --> 01:55:19,680
Speaker 1: We did over it, and it was proof to me

2137
01:55:19,760 --> 01:55:21,880
Speaker 1: that I knew how to pick beats because we were

2138
01:55:21,960 --> 01:55:25,280
Speaker 1: doing a compilation. I was a and ring a compilation

2139
01:55:25,360 --> 01:55:29,520
Speaker 1: for Stretches label and for Spit. Yeah. It was basically

2140
01:55:29,600 --> 01:55:31,320
Speaker 1: like we had twenty grand to do the whole thing.

2141
01:55:31,400 --> 01:55:34,240
Speaker 1: We're gonna do ten songs, pay each MC a thousand dollars,

2142
01:55:34,280 --> 01:55:38,720
Speaker 1: each producer a thousand dollars and um. And I said, well,

2143
01:55:38,800 --> 01:55:40,640
Speaker 1: let's get Royal Flush because I've just seen him at

2144
01:55:40,680 --> 01:55:42,760
Speaker 1: the club the night before and we had exchanged numbers

2145
01:55:42,840 --> 01:55:44,960
Speaker 1: and smoked weed and whatever and just we're talking ship

2146
01:55:45,000 --> 01:55:46,600
Speaker 1: and he's like, yeah, let me come by the studio

2147
01:55:47,320 --> 01:55:49,200
Speaker 1: and um. And so he said, well, who do you

2148
01:55:49,200 --> 01:55:51,080
Speaker 1: want to produce it? And I said, well easy LP

2149
01:55:51,400 --> 01:55:56,040
Speaker 1: obviously because I iced down metallions and um, easy LP

2150
01:55:56,200 --> 01:55:58,000
Speaker 1: brought us a bunch of beats, and I'm a sucker

2151
01:55:58,080 --> 01:56:01,160
Speaker 1: for anything that has those a green drums and like

2152
01:56:01,240 --> 01:56:05,160
Speaker 1: an Asian sound, so like so like you know, there

2153
01:56:05,280 --> 01:56:07,840
Speaker 1: was like open mic night story to tell, I mean

2154
01:56:07,880 --> 01:56:10,120
Speaker 1: everything like going back to paper thin, like anything that

2155
01:56:10,200 --> 01:56:13,960
Speaker 1: has those al green drums. And no he did not,

2156
01:56:14,160 --> 01:56:16,680
Speaker 1: but like it just has that those same those uh

2157
01:56:16,840 --> 01:56:18,880
Speaker 1: you know what I'm talking about, those rim shot type

2158
01:56:18,880 --> 01:56:20,880
Speaker 1: of sounds. Yeah, exactly, It's like a little rim shots

2159
01:56:21,080 --> 01:56:25,640
Speaker 1: and and it was that with that crazy bugged out sample.

2160
01:56:25,800 --> 01:56:27,760
Speaker 1: And then I played it for Flush and he loved

2161
01:56:27,840 --> 01:56:31,080
Speaker 1: it and him and he and his cousin waste Lands

2162
01:56:31,640 --> 01:56:33,320
Speaker 1: I want to say it was his name like laid

2163
01:56:33,480 --> 01:56:35,320
Speaker 1: laid down versus over it. And then he went away

2164
01:56:35,360 --> 01:56:39,760
Speaker 1: the next day and then easy Lp came back and

2165
01:56:39,880 --> 01:56:41,760
Speaker 1: he had signed some kind of boiler plate contract and

2166
01:56:41,800 --> 01:56:43,480
Speaker 1: we'd given him a thousand dollar check and he came

2167
01:56:43,480 --> 01:56:46,960
Speaker 1: back and he was like, Yo, can I have that?

2168
01:56:47,160 --> 01:56:49,960
Speaker 1: Can you tear it up? Here's your check back? Um

2169
01:56:50,360 --> 01:56:53,960
Speaker 1: Nas wants it for the Brave Hearts album and and

2170
01:56:54,000 --> 01:56:56,880
Speaker 1: they're gonna give me like ten. So I was like, well,

2171
01:56:56,880 --> 01:56:58,640
Speaker 1: I didn't really want to find out what happens when

2172
01:56:58,680 --> 01:57:00,600
Speaker 1: you say no, you know, so it's just like, yeah,

2173
01:57:00,720 --> 01:57:03,560
Speaker 1: of course, you know, take it back and then you know,

2174
01:57:03,600 --> 01:57:06,120
Speaker 1: I'm not saying basically, I'm saying you're welcome to the

2175
01:57:06,160 --> 01:57:11,400
Speaker 1: world for Uchi Wally, because I could have if I

2176
01:57:11,520 --> 01:57:14,080
Speaker 1: wanted to be that guy, could have held on, but

2177
01:57:14,120 --> 01:57:15,600
Speaker 1: I did not. But also, I mean, we did not

2178
01:57:15,760 --> 01:57:18,880
Speaker 1: know what that record was going to be. Obviously, if Royal,

2179
01:57:18,960 --> 01:57:20,040
Speaker 1: you know, if we had put it out on our

2180
01:57:20,080 --> 01:57:22,000
Speaker 1: compilation that no one heard like, it wouldn't have been

2181
01:57:22,080 --> 01:57:24,400
Speaker 1: what I would. I would song is still a monster

2182
01:57:24,480 --> 01:57:27,200
Speaker 1: on it. I would still you know, what I would

2183
01:57:27,240 --> 01:57:30,520
Speaker 1: like is to get a story to tell without the

2184
01:57:30,560 --> 01:57:35,040
Speaker 1: guitar and it just have Bucky send us that beat

2185
01:57:35,200 --> 01:57:38,760
Speaker 1: without the ding ding ding, just take that out. It is.

2186
01:57:38,920 --> 01:57:41,120
Speaker 1: That was the part of the song that I didn't like. Really,

2187
01:57:41,720 --> 01:57:45,120
Speaker 1: you know, that's not the original sample. Well that's not

2188
01:57:45,320 --> 01:57:48,520
Speaker 1: that that was a replayed guitar, but still the original

2189
01:57:48,600 --> 01:57:51,320
Speaker 1: The original one was a sample that they couldn't clear.

2190
01:57:51,400 --> 01:57:54,480
Speaker 1: There's a demo version that is you know around if

2191
01:57:54,520 --> 01:57:58,240
Speaker 1: you look on you and it doesn't sound yeah, and

2192
01:57:58,360 --> 01:58:01,240
Speaker 1: it's it's beautiful, it's a different it's a different song

2193
01:58:01,800 --> 01:58:03,680
Speaker 1: I love story to tell as it was because I

2194
01:58:03,720 --> 01:58:09,720
Speaker 1: mean it's mastered and mixing. I got the original and

2195
01:58:10,120 --> 01:58:14,280
Speaker 1: the computer. I'd imagine there's a couple that there's quite

2196
01:58:14,280 --> 01:58:16,640
Speaker 1: a bit of heat in there. It's a lot of heating.

2197
01:58:18,000 --> 01:58:21,440
Speaker 1: How would you clear those fucking records for ugly people?

2198
01:58:21,520 --> 01:58:25,160
Speaker 1: Be quiet and all? That sample clearance wasn't around back then. Yeah,

2199
01:58:25,200 --> 01:58:27,960
Speaker 1: that was. That was pre because we had like everything

2200
01:58:28,000 --> 01:58:31,320
Speaker 1: and that you had long Red, you had Tears for Fears,

2201
01:58:31,400 --> 01:58:34,800
Speaker 1: Tears for Fears? What else do you have in that?

2202
01:58:35,200 --> 01:58:36,880
Speaker 1: A lot? Like it's all I mean, there's a there's

2203
01:58:36,880 --> 01:58:39,680
Speaker 1: a lot in that record. Yeah that was tears and

2204
01:58:39,720 --> 01:58:45,600
Speaker 1: then yeah, yeah long Raid. Can see what else I

2205
01:58:45,680 --> 01:58:49,560
Speaker 1: added there? The Mexican? Really, where was the Mexican in it?

2206
01:58:51,240 --> 01:58:54,440
Speaker 1: It wasn't the Mexican that break beat jelly bean beneath

2207
01:58:55,840 --> 01:58:59,360
Speaker 1: version I had that record What Up Ski? That was

2208
01:58:59,400 --> 01:59:00,960
Speaker 1: the name of that albu that the Mexican was on

2209
01:59:01,480 --> 01:59:03,440
Speaker 1: What you Know? And Ski was a big name in

2210
01:59:03,480 --> 01:59:05,360
Speaker 1: the eighties as well to Rob. Do you want to

2211
01:59:05,360 --> 01:59:08,640
Speaker 1: talk about that? Man? Started back to my first name.

2212
01:59:08,680 --> 01:59:13,840
Speaker 1: My first rap name was like Rob Ski. You know,

2213
01:59:14,080 --> 01:59:17,080
Speaker 1: people used to say that everybody called themselves that because

2214
01:59:17,120 --> 01:59:22,320
Speaker 1: they was doing they were doing the slalom dance, that

2215
01:59:22,400 --> 01:59:29,440
Speaker 1: they were doing that because you were alone myself, because

2216
01:59:29,560 --> 01:59:33,880
Speaker 1: you wasn't doing that. But yeah, rust On, let me

2217
01:59:33,960 --> 01:59:36,640
Speaker 1: forget that. You did you ever know the name before

2218
01:59:36,680 --> 01:59:41,000
Speaker 1: DJ cash Money? You know you did DJ Baby Flash.

2219
01:59:41,680 --> 01:59:44,400
Speaker 1: Oh no, it was horrible. Man. Oh no, you're not

2220
01:59:44,800 --> 01:59:50,240
Speaker 1: supposed to flash. That was baby. I think that's a felony. Yeah,

2221
01:59:51,880 --> 01:59:55,240
Speaker 1: what you get locked up for baby Flash? Baby Flash?

2222
01:59:55,360 --> 02:00:02,320
Speaker 1: The jo felonies? DJ? Yeah, that name and cool Ice Rome,

2223
02:00:02,920 --> 02:00:07,720
Speaker 1: cool Ice Rome. Oh yeah, Jerome right, cool Ice romas. Man,

2224
02:00:07,840 --> 02:00:11,920
Speaker 1: it was coming up next on the Wheels and Steel.

2225
02:00:11,960 --> 02:00:17,120
Speaker 1: It's cool Ice is cool. Say to Finesse his point

2226
02:00:17,160 --> 02:00:20,160
Speaker 1: about putting the lord in front of the name. It

2227
02:00:20,240 --> 02:00:22,200
Speaker 1: really does something because I used to just be DJ

2228
02:00:22,360 --> 02:00:23,960
Speaker 1: Mike Be and no one knew who the funk I was,

2229
02:00:24,040 --> 02:00:25,960
Speaker 1: and there was twelve others, and then one day I

2230
02:00:26,040 --> 02:00:29,360
Speaker 1: put the V in front of it. Literally overnight career success. Yeah,

2231
02:00:29,400 --> 02:00:33,360
Speaker 1: because I love calling you V. It's the thing people.

2232
02:00:33,360 --> 02:00:36,600
Speaker 1: I texted him. I was like, the you don't have

2233
02:00:36,680 --> 02:00:38,960
Speaker 1: to finish it, you don't even have to do it well.

2234
02:00:38,960 --> 02:00:40,920
Speaker 1: Because it was also a way of kind of being

2235
02:00:41,000 --> 02:00:43,680
Speaker 1: like I was so annoyed by all the other before

2236
02:00:43,760 --> 02:00:49,960
Speaker 1: this internet, like cool and deadly. There you go. Who

2237
02:00:50,360 --> 02:00:52,760
Speaker 1: I think that's the why everybody spelled cool back then

2238
02:00:52,800 --> 02:00:56,200
Speaker 1: cool rock Skate spelt it that way cool her You

2239
02:00:56,280 --> 02:00:59,880
Speaker 1: know what, this is a funny story. Uh people did

2240
02:01:00,040 --> 02:01:08,360
Speaker 1: even know this guy. Yeah, when I got signed to

2241
02:01:08,440 --> 02:01:12,160
Speaker 1: Sleeping Bag, Um, I had me and Marvelous. We always

2242
02:01:12,200 --> 02:01:15,640
Speaker 1: had arguments all the time, the creative things. He just

2243
02:01:15,800 --> 02:01:19,520
Speaker 1: wasn't uh as serious as I was. So I had

2244
02:01:19,520 --> 02:01:23,360
Speaker 1: another MC named Cool Breeze. So cool Breeze he ended

2245
02:01:23,440 --> 02:01:26,080
Speaker 1: up with somebody else, didn't he. That was DJ cool Breeze.

2246
02:01:27,320 --> 02:01:30,200
Speaker 1: And there was DJ cool Breeze. DJ cool Breeze. Is

2247
02:01:31,000 --> 02:01:33,960
Speaker 1: you're talking about Breeze from l A d J Cool

2248
02:01:33,960 --> 02:01:36,560
Speaker 1: bree No, DJ cool Breeze. There was a guy named

2249
02:01:36,600 --> 02:01:41,480
Speaker 1: DJ cool Breeze. No, I don't think it was. I

2250
02:01:41,560 --> 02:01:44,240
Speaker 1: know it was a soundtrack called cool Breeze, right, cool

2251
02:01:44,280 --> 02:01:47,080
Speaker 1: Breeze Ye, wasn't he the There was a Dungeon family

2252
02:01:47,160 --> 02:01:51,720
Speaker 1: Cool Breeze as well, Gucci Main Wait was DJ cool Breeze.

2253
02:01:51,720 --> 02:01:54,040
Speaker 1: I remember the C stands for Cool Breeze. Who's known

2254
02:01:54,080 --> 02:01:56,840
Speaker 1: as the champ is that you remember on on three

2255
02:01:56,880 --> 02:02:00,240
Speaker 1: ft High and Rising. Um when they did that, little Man,

2256
02:02:00,280 --> 02:02:03,240
Speaker 1: it was like DJ cool Breeze is rocking it, rocking it.

2257
02:02:04,320 --> 02:02:06,680
Speaker 1: I don't remember that. Yeah, they did it on the

2258
02:02:06,760 --> 02:02:09,880
Speaker 1: three ft h Rising. They mentioned him and this is

2259
02:02:10,760 --> 02:02:14,760
Speaker 1: but so this is not the same Cool Breeze Nasburgh

2260
02:02:14,840 --> 02:02:19,080
Speaker 1: Cool Breeze Steve. So you probably saw like uh or

2261
02:02:19,160 --> 02:02:22,760
Speaker 1: heard those tapes up in Toronto. That's who was my MC.

2262
02:02:23,320 --> 02:02:27,280
Speaker 1: Well Man Trynics wasn't feeling them like they didn't tell

2263
02:02:27,280 --> 02:02:29,120
Speaker 1: it as though he was up to you know, up

2264
02:02:29,160 --> 02:02:33,080
Speaker 1: to the bar with his with his rhymes. So he

2265
02:02:33,440 --> 02:02:39,280
Speaker 1: connected me with um nah, he connected me with Bryce

2266
02:02:40,360 --> 02:02:42,880
Speaker 1: Bryce Love from Groove Theory. He was my MC for

2267
02:02:42,920 --> 02:02:47,080
Speaker 1: a while. Really yeah yeah a lot of people don't

2268
02:02:47,120 --> 02:02:51,000
Speaker 1: know that. Yeah. The problem but the problem was he

2269
02:02:51,160 --> 02:02:53,200
Speaker 1: was from Queens and I'm in Philly, so that the

2270
02:02:53,520 --> 02:02:56,320
Speaker 1: distance was killing us. Man. So me and Marv ended

2271
02:02:56,400 --> 02:02:58,560
Speaker 1: up mending our ways and then we got back and

2272
02:02:59,160 --> 02:03:01,680
Speaker 1: Man Trynics like Mark. So that's how the whole wealthy

2273
02:03:01,680 --> 02:03:04,760
Speaker 1: people be quiet thing happening. Interesting fact, Curtis man Tronic

2274
02:03:04,800 --> 02:03:09,040
Speaker 1: and South African moved to Canada and then he ended

2275
02:03:09,120 --> 02:03:11,240
Speaker 1: up making music with you guys. I started doing his

2276
02:03:11,360 --> 02:03:12,840
Speaker 1: music out of I think it went to New York

2277
02:03:12,880 --> 02:03:14,800
Speaker 1: from there, right, yeah, he lived on top of the

2278
02:03:15,000 --> 02:03:20,400
Speaker 1: Sleeping Back record. One thing about Man Tronics, He's underrated man.

2279
02:03:20,840 --> 02:03:25,320
Speaker 1: He as a as a innovator and as an innovator

2280
02:03:25,600 --> 02:03:30,840
Speaker 1: and as a programmer. His programming was just ahead of

2281
02:03:30,920 --> 02:03:34,320
Speaker 1: his time, especially when you look at hip hop records

2282
02:03:34,440 --> 02:03:37,800
Speaker 1: that didn't have samples like that. And I tell them

2283
02:03:37,840 --> 02:03:40,040
Speaker 1: all the time, like, you do know that you're you

2284
02:03:40,200 --> 02:03:42,840
Speaker 1: started the Triple high Hats. That's what they're doing right now,

2285
02:03:43,080 --> 02:03:49,560
Speaker 1: the Triplets all that stuff. Yeah. Remember I bought I

2286
02:03:49,600 --> 02:03:51,280
Speaker 1: bought the Needle to the Groove twelve inch because the

2287
02:03:51,320 --> 02:03:54,400
Speaker 1: fucking graffiti and art on the twelve inch was so dope.

2288
02:03:54,440 --> 02:03:56,080
Speaker 1: I was a girl, I need this. I used to

2289
02:03:56,120 --> 02:03:58,200
Speaker 1: buy records based on their cover sometimes if I didn't

2290
02:03:58,200 --> 02:04:02,840
Speaker 1: even hear them, Like I bought that um what's his

2291
02:04:02,960 --> 02:04:06,120
Speaker 1: name that did the cuts on Rocket Um? Oh d

2292
02:04:06,320 --> 02:04:08,360
Speaker 1: X Yeah, I bought that grand mix of d x

2293
02:04:08,440 --> 02:04:14,000
Speaker 1: T twelve bunch grand mixing. But the album cover looks

2294
02:04:14,040 --> 02:04:16,680
Speaker 1: so dope to me, you know, with the fucking nameplate

2295
02:04:16,760 --> 02:04:19,440
Speaker 1: Belk and the cazals, And I was like Yo, that's

2296
02:04:19,480 --> 02:04:21,520
Speaker 1: so dope. See and that goes back to when we

2297
02:04:21,600 --> 02:04:26,280
Speaker 1: were talking about, you know, the younger generation. See covers

2298
02:04:26,320 --> 02:04:30,000
Speaker 1: meant something to us. Yeah, absolutely no, but there's no

2299
02:04:30,120 --> 02:04:33,440
Speaker 1: physical you know now, like like they're everything. That's been

2300
02:04:33,520 --> 02:04:35,440
Speaker 1: my favorite album of the last five years. Like if

2301
02:04:35,440 --> 02:04:37,040
Speaker 1: I go to Amba and I see the album cover,

2302
02:04:37,240 --> 02:04:39,280
Speaker 1: like this is the album r because you don't even know,

2303
02:04:39,400 --> 02:04:41,600
Speaker 1: like you're Spotify, it's just a little blue cube. Yeah,

2304
02:04:41,960 --> 02:04:44,800
Speaker 1: I don't even know what I'm hearing um. And that's

2305
02:04:44,800 --> 02:04:46,840
Speaker 1: why I think that's why it's more forgettable. And like

2306
02:04:46,920 --> 02:04:48,680
Speaker 1: I mean even back then, if you bought an album

2307
02:04:48,720 --> 02:04:50,600
Speaker 1: that you did, if I bought something I didn't like

2308
02:04:50,800 --> 02:04:53,520
Speaker 1: them and I only listened to it like ten times, yeah,

2309
02:04:53,640 --> 02:04:56,000
Speaker 1: you still knew the album even Like I bought Dr

2310
02:04:56,120 --> 02:04:59,040
Speaker 1: Jacqueline Mr. Hyde because it was on Profile and I

2311
02:04:59,160 --> 02:05:02,040
Speaker 1: remember them being on Pumpkin in the All Stars and

2312
02:05:02,160 --> 02:05:05,240
Speaker 1: I was like, Yo, this is those guys from Pumpkin

2313
02:05:05,280 --> 02:05:06,760
Speaker 1: and the Also this is gonna be dope record and

2314
02:05:06,840 --> 02:05:10,280
Speaker 1: it's on Profile and the album fucking sucked. Remember when

2315
02:05:10,280 --> 02:05:12,440
Speaker 1: I met Andre Horrell at Russell Simmons house, I was like,

2316
02:05:13,280 --> 02:05:15,960
Speaker 1: Russell goes you know what Andrea go no, hey, he goes, hey,

2317
02:05:16,120 --> 02:05:18,680
Speaker 1: Andre's Russell. I go, hey, man, hey, can I get

2318
02:05:18,720 --> 02:05:21,720
Speaker 1: six bucks? And he goes what And I go because

2319
02:05:21,760 --> 02:05:26,920
Speaker 1: I bought that fucking album back in the day. Gave

2320
02:05:26,960 --> 02:05:29,320
Speaker 1: me a dirty look and I go yellow panties? Really?

2321
02:05:31,200 --> 02:05:34,760
Speaker 1: And oh, she head on? What was of yellow panties?

2322
02:05:35,400 --> 02:05:37,280
Speaker 1: That's what I mean, even stuff you didn't like. It

2323
02:05:37,440 --> 02:05:40,000
Speaker 1: was like, I bought this and I'm going to listen

2324
02:05:40,040 --> 02:05:42,200
Speaker 1: to listen to it because this is my entertainment for

2325
02:05:43,080 --> 02:05:45,000
Speaker 1: I bought. I bought the jelly Bean album because of

2326
02:05:45,040 --> 02:05:47,360
Speaker 1: the graffiti on it. I remember playing going, this isn't

2327
02:05:47,440 --> 02:05:49,920
Speaker 1: hip hop. But after a while I knew every fucking

2328
02:05:49,960 --> 02:05:51,840
Speaker 1: record on that all the every song on that album,

2329
02:05:52,280 --> 02:05:54,240
Speaker 1: and that album is hot. Though now I think that

2330
02:05:54,360 --> 02:05:55,960
Speaker 1: goes it's a dope album. But I would never have

2331
02:05:56,000 --> 02:05:59,120
Speaker 1: bought it if the album art wasn't so dope, I think,

2332
02:05:59,520 --> 02:06:03,120
Speaker 1: and that really that that ever created real hip hop

2333
02:06:03,240 --> 02:06:07,120
Speaker 1: fans because it wasn't no video. You got to look

2334
02:06:07,200 --> 02:06:10,280
Speaker 1: at the cover, and if the cover ain't had no picture,

2335
02:06:10,360 --> 02:06:12,720
Speaker 1: you had to kind of imagine what to wrap a

2336
02:06:12,840 --> 02:06:15,880
Speaker 1: sounding like I mean, it looked like mean if you

2337
02:06:15,920 --> 02:06:17,600
Speaker 1: had like just a twelve like a club twelve, and

2338
02:06:17,720 --> 02:06:21,880
Speaker 1: so artists really had to sell himself on the record

2339
02:06:22,360 --> 02:06:25,280
Speaker 1: as a lyricist, as a as a dope record to

2340
02:06:25,400 --> 02:06:27,120
Speaker 1: make you go, I want to go see this dude

2341
02:06:27,200 --> 02:06:29,640
Speaker 1: live and concert, because you don't know what he looked like.

2342
02:06:29,760 --> 02:06:32,000
Speaker 1: You don't know what she was getting. You just know

2343
02:06:32,120 --> 02:06:35,200
Speaker 1: I like that record, right, But but I feel like

2344
02:06:35,320 --> 02:06:38,680
Speaker 1: the less connotations the better. There are plenty of albums

2345
02:06:38,720 --> 02:06:41,400
Speaker 1: that were terrible that I loved because of the cover art,

2346
02:06:41,480 --> 02:06:45,400
Speaker 1: like particularly in the early nineties, like anything that had

2347
02:06:45,480 --> 02:06:48,120
Speaker 1: like a week leaf on it wasn't just gonna get bought.

2348
02:06:48,520 --> 02:06:51,040
Speaker 1: So I would end up with like total devastation and

2349
02:06:51,320 --> 02:06:53,640
Speaker 1: and and things that were, you know, not great, but

2350
02:06:53,720 --> 02:06:55,400
Speaker 1: I would listen to me, I'll be like you loving

2351
02:06:55,480 --> 02:06:57,680
Speaker 1: your money. Yeah, I'm getting my money's worth out of it.

2352
02:06:59,040 --> 02:07:01,200
Speaker 1: But but you know, and I say this like I

2353
02:07:01,280 --> 02:07:03,120
Speaker 1: was saying earlier about you know, there's no good genres.

2354
02:07:03,160 --> 02:07:05,400
Speaker 1: I think that there are good genres, but only when

2355
02:07:05,440 --> 02:07:09,840
Speaker 1: there's like less than like releases. So I think that's

2356
02:07:09,840 --> 02:07:12,760
Speaker 1: why people hold onto that Golden era hip hop, because

2357
02:07:12,760 --> 02:07:15,200
Speaker 1: when you're talking about like the eighties, like up until nineties,

2358
02:07:15,280 --> 02:07:18,360
Speaker 1: in the early nineties when there was like major labels

2359
02:07:18,400 --> 02:07:21,320
Speaker 1: putting out tons of stuff. You only had so many

2360
02:07:21,440 --> 02:07:24,640
Speaker 1: records and like, and that's and I think we relate

2361
02:07:24,720 --> 02:07:27,880
Speaker 1: to that, to that that time when it's like when

2362
02:07:27,960 --> 02:07:31,240
Speaker 1: something's new and every everything that has that new sound

2363
02:07:31,280 --> 02:07:35,280
Speaker 1: you're gonna like. And it gets when those album covers

2364
02:07:35,320 --> 02:07:38,480
Speaker 1: were important because they kind of dictated what you're like.

2365
02:07:38,760 --> 02:07:41,520
Speaker 1: When I bought cash this twelve inch and the album,

2366
02:07:41,960 --> 02:07:44,120
Speaker 1: he had his foot up on the turntable and he

2367
02:07:44,200 --> 02:07:46,840
Speaker 1: had those nikes and I was like, yo, with the

2368
02:07:46,920 --> 02:07:51,040
Speaker 1: black and green and the white strap. I was like, yo,

2369
02:07:51,120 --> 02:07:53,120
Speaker 1: I want those sneakers. I couldn't find him anyone, and

2370
02:07:53,120 --> 02:07:55,200
Speaker 1: then I eventually found him, but I found him in blue,

2371
02:07:55,520 --> 02:07:57,600
Speaker 1: white and blue. I bought him anyway, but I was like,

2372
02:07:57,640 --> 02:08:00,280
Speaker 1: I want the green, I want the green and act

2373
02:08:01,080 --> 02:08:03,160
Speaker 1: I want the Cash Money sneakers. For me, that was

2374
02:08:03,240 --> 02:08:06,080
Speaker 1: the grape ices that that m C Search had on

2375
02:08:06,160 --> 02:08:08,080
Speaker 1: on the Pop Goes the Weasel twelve in and the

2376
02:08:08,120 --> 02:08:10,600
Speaker 1: Weasel goes pop Ye and he's jumping up in the air,

2377
02:08:10,640 --> 02:08:12,320
Speaker 1: but he had the purple and green ones, which were

2378
02:08:12,360 --> 02:08:14,800
Speaker 1: like not easy, later to be known as the Fresh

2379
02:08:14,840 --> 02:08:17,640
Speaker 1: Princess for some reason, formerly known as the Grape Ices.

2380
02:08:17,640 --> 02:08:19,800
Speaker 1: And like I said, I think that's what is missing

2381
02:08:19,960 --> 02:08:25,520
Speaker 1: out of music today is then it's also like it's

2382
02:08:25,600 --> 02:08:28,760
Speaker 1: it's it's it's iconography. It's just like you see something

2383
02:08:28,840 --> 02:08:31,040
Speaker 1: and you're like, I want to I want to be that.

2384
02:08:31,240 --> 02:08:34,720
Speaker 1: But now it's everything moves too fast, like everything has

2385
02:08:34,760 --> 02:08:37,040
Speaker 1: a dope music video that you've never seen. And no

2386
02:08:37,160 --> 02:08:40,480
Speaker 1: matter how much time I spend just sitting around being

2387
02:08:40,640 --> 02:08:43,600
Speaker 1: up on everything, you know, I've basically like foregone having

2388
02:08:43,680 --> 02:08:46,000
Speaker 1: a real life so that I can just listen to music.

2389
02:08:46,080 --> 02:08:48,880
Speaker 1: I think everyone in here can relate to that a

2390
02:08:48,960 --> 02:08:50,960
Speaker 1: little bit. And then, no matter what, as soon as

2391
02:08:51,000 --> 02:08:52,720
Speaker 1: you let someone else in your studio, it's like, oh

2392
02:08:52,760 --> 02:08:55,760
Speaker 1: you haven't heard this ship and it's like better you know,

2393
02:08:55,840 --> 02:08:59,040
Speaker 1: it's it's incredible, and it's it's frustrating, Like it's because

2394
02:08:59,080 --> 02:09:01,200
Speaker 1: it because it moves you fast. There there was a

2395
02:09:01,280 --> 02:09:05,640
Speaker 1: time where you could actually be an authority. Yeah, milk, milk,

2396
02:09:05,960 --> 02:09:08,240
Speaker 1: bread and eggs have a longer shelf life now than

2397
02:09:08,280 --> 02:09:13,919
Speaker 1: the music does. It's wild that it's true about yet

2398
02:09:15,320 --> 02:09:16,640
Speaker 1: I've had a loaf of bread sit there for a

2399
02:09:16,720 --> 02:09:19,680
Speaker 1: month and I still late. It was good. But you

2400
02:09:19,800 --> 02:09:23,000
Speaker 1: hear a new song next week, it's dead. It was

2401
02:09:23,080 --> 02:09:25,240
Speaker 1: hot and then all these TikTok videos. Now is dead.

2402
02:09:27,760 --> 02:09:30,520
Speaker 1: Let me tell you something, man, if you're losing your hair,

2403
02:09:30,640 --> 02:09:33,240
Speaker 1: you're not alone. Trust me. Look at me. Two out

2404
02:09:33,320 --> 02:09:35,320
Speaker 1: of three men will experience some form of hair loss

2405
02:09:35,360 --> 02:09:37,440
Speaker 1: by the time they're thirty five. I know I did,

2406
02:09:37,520 --> 02:09:39,680
Speaker 1: and I do and I'm still fighting the whole problem.

2407
02:09:39,760 --> 02:09:42,360
Speaker 1: But whatever. If you're looking to hang onto your hair,

2408
02:09:42,400 --> 02:09:46,120
Speaker 1: i'd suggest try and Keeps. Keeps offers a simple, stress

2409
02:09:46,160 --> 02:09:49,520
Speaker 1: free way to keep your hair on your head. And

2410
02:09:50,120 --> 02:09:52,840
Speaker 1: there are only two FDA approved medications that can prevent

2411
02:09:52,920 --> 02:09:56,800
Speaker 1: hair loss, and Keeps just happens to offer both and

2412
02:09:57,000 --> 02:10:00,120
Speaker 1: Keeps his affordable an convenient treatments start at just end

2413
02:10:00,160 --> 02:10:02,920
Speaker 1: bucks a month, and medications have delivered straight to your

2414
02:10:02,960 --> 02:10:05,880
Speaker 1: door every three months. Not only that, but Keeps offers

2415
02:10:05,920 --> 02:10:09,440
Speaker 1: convenient virtual doctor consultation so that you don't have to

2416
02:10:09,560 --> 02:10:11,880
Speaker 1: leave your house for an appointment. I mean, if you

2417
02:10:11,880 --> 02:10:13,160
Speaker 1: want to leave your house, I'm sure you can, but

2418
02:10:13,240 --> 02:10:15,760
Speaker 1: this is probably easier. There are a lot of options

2419
02:10:15,840 --> 02:10:17,879
Speaker 1: on the market when it comes to hair loss solutions,

2420
02:10:17,920 --> 02:10:20,720
Speaker 1: but what really sold me on Keeps was the fact

2421
02:10:20,800 --> 02:10:23,240
Speaker 1: that they have more five star reviews than any of

2422
02:10:23,320 --> 02:10:26,120
Speaker 1: their competitors. Clearly, it's working for people, and I think

2423
02:10:26,160 --> 02:10:28,640
Speaker 1: it makes it worth trying. I can't guarantee it's gonna work,

2424
02:10:28,680 --> 02:10:30,600
Speaker 1: but you know what, what do you got to lose? Well,

2425
02:10:30,600 --> 02:10:32,360
Speaker 1: we already know what you got to lose. Let's figure

2426
02:10:32,360 --> 02:10:34,720
Speaker 1: out how to not lose it. If you're curious about

2427
02:10:34,720 --> 02:10:36,680
Speaker 1: trying Keeps for your hair loss concerns, I'm here to

2428
02:10:36,720 --> 02:10:39,160
Speaker 1: tell you that you should definitely give it a shot. So,

2429
02:10:39,240 --> 02:10:42,000
Speaker 1: if you're curious about trying Keeps for your hair loss concerns,

2430
02:10:42,000 --> 02:10:43,400
Speaker 1: I'm here to tell you that you should definitely give

2431
02:10:43,400 --> 02:10:45,360
Speaker 1: it a shot. I'm telling you they have for such

2432
02:10:45,360 --> 02:10:48,040
Speaker 1: an easy, discreet, and convenient solution to something that so

2433
02:10:48,120 --> 02:10:51,040
Speaker 1: many of us men struggle with. Why worry about hair

2434
02:10:51,120 --> 02:10:53,560
Speaker 1: loss anymore? If you don't have to? Prevention is the

2435
02:10:53,640 --> 02:10:55,560
Speaker 1: key here, and treatments can take four to six months

2436
02:10:55,640 --> 02:10:57,880
Speaker 1: to see results. So if you're thinking that Keeps might

2437
02:10:57,960 --> 02:11:00,800
Speaker 1: make sense for your hair loss concerns, I wouldn't wait.

2438
02:11:01,320 --> 02:11:03,640
Speaker 1: If you're ready to take action and prevent hair loss,

2439
02:11:03,720 --> 02:11:06,600
Speaker 1: go to Keeps dot com slash peters to receive your

2440
02:11:06,640 --> 02:11:10,920
Speaker 1: first month of treatment for free. That's keeps dot com

2441
02:11:11,120 --> 02:11:15,640
Speaker 1: slash peters to get your first month free keeps dot

2442
02:11:15,720 --> 02:11:21,800
Speaker 1: com slash peters. Please don't slash me. Cash is a

2443
02:11:21,840 --> 02:11:23,600
Speaker 1: lot of cool show whatever happened in your coffee table

2444
02:11:23,640 --> 02:11:26,760
Speaker 1: book that you were gonna do? Uh, never got to

2445
02:11:27,360 --> 02:11:30,320
Speaker 1: telling you that book is now was the time I've

2446
02:11:30,360 --> 02:11:32,400
Speaker 1: been telling you that you need to hire a good

2447
02:11:32,440 --> 02:11:36,280
Speaker 1: as photographer and Paula, you gotta help with this man.

2448
02:11:36,840 --> 02:11:40,400
Speaker 1: He's got like all this really cool ship like memorability

2449
02:11:40,480 --> 02:11:44,800
Speaker 1: type stuff and it would make an amazing coffee table book. Yeah.

2450
02:11:44,800 --> 02:11:52,040
Speaker 1: I have some weird like uh, eight track tapes of

2451
02:11:52,120 --> 02:11:58,840
Speaker 1: the most rarest things. Records, yeah, um, pinball machines. You

2452
02:11:58,920 --> 02:12:02,520
Speaker 1: got pinball machines, yeah, bigg as the damn house. Yeah,

2453
02:12:02,560 --> 02:12:06,680
Speaker 1: it's in storage though, a lot of them. Um Japanese

2454
02:12:06,840 --> 02:12:12,280
Speaker 1: um slot machines. Yeah, like the rarest ones cash everything.

2455
02:12:12,320 --> 02:12:15,360
Speaker 1: I feel like wild for just having records and tapes

2456
02:12:15,400 --> 02:12:17,960
Speaker 1: and stickers and skateboards in my house. You've got slot

2457
02:12:18,040 --> 02:12:21,280
Speaker 1: machines and printing ball machines. That's the next level of Yeah.

2458
02:12:21,600 --> 02:12:24,520
Speaker 1: But the thing that I collect because I got like

2459
02:12:24,600 --> 02:12:28,600
Speaker 1: Bruce Lee Pachinko machines that have I got them because

2460
02:12:29,320 --> 02:12:33,280
Speaker 1: they have the um Kareem Abdul jabars on the right,

2461
02:12:33,320 --> 02:12:36,080
Speaker 1: the Game of Death one Game of Death. I got

2462
02:12:36,160 --> 02:12:38,880
Speaker 1: Game of Death and entered the Dragon. So Jim Kelly's

2463
02:12:38,920 --> 02:12:42,120
Speaker 1: in the other one. What is it called the Pictchinko machines?

2464
02:12:42,440 --> 02:12:48,080
Speaker 1: That sounds racist? Um well, no, Pachenko. I mean it

2465
02:12:48,120 --> 02:12:50,120
Speaker 1: sounds but I believe he fight. He fights Kareem early

2466
02:12:50,200 --> 02:12:52,280
Speaker 1: in the in the in the movie together, Kareem kicks

2467
02:12:52,320 --> 02:12:58,760
Speaker 1: him in the chest. Pachenko, that's really the name of it. Huh.

2468
02:12:59,520 --> 02:13:01,040
Speaker 1: I don't think they should do something with an Asian

2469
02:13:01,080 --> 02:13:07,440
Speaker 1: guy called Pachinko Al Pachinko. Yeah, he's a very huge

2470
02:13:07,480 --> 02:13:12,920
Speaker 1: in Asia. So you have a type up type up. Uh.

2471
02:13:13,720 --> 02:13:17,520
Speaker 1: They seemed to be worth a portraite Pachinko and see

2472
02:13:17,640 --> 02:13:22,760
Speaker 1: what pops up? Entering the sungem is about like that?

2473
02:13:23,080 --> 02:13:26,560
Speaker 1: Oh is that the one you got? That's fucking dope?

2474
02:13:27,440 --> 02:13:30,720
Speaker 1: What is it like a plinko machine? Yeah, but you

2475
02:13:30,800 --> 02:13:33,400
Speaker 1: drop a coin down and interact. No, you got these?

2476
02:13:33,960 --> 02:13:41,080
Speaker 1: I hate to say this. You're allowed to say all that. No, man,

2477
02:13:41,560 --> 02:13:44,040
Speaker 1: not around him? What do you do with your balls? Cat?

2478
02:13:45,040 --> 02:13:50,080
Speaker 1: Did you see that these come on? You gotta put

2479
02:13:50,120 --> 02:13:56,320
Speaker 1: these steel things in there, man. Yeah, the spheres, little

2480
02:13:56,400 --> 02:13:59,840
Speaker 1: steel spherical ball machine, a pen a pen sphere. But

2481
02:14:00,040 --> 02:14:03,200
Speaker 1: you well you heard there was a basketball player who

2482
02:14:03,280 --> 02:14:06,280
Speaker 1: was just fine for saying no homo in an interview.

2483
02:14:07,000 --> 02:14:10,880
Speaker 1: Really yeah, yeah, because you just you're not Could you

2484
02:14:10,920 --> 02:14:14,160
Speaker 1: imagine if you're considered hate speech? Yeah, But here's what

2485
02:14:14,240 --> 02:14:18,280
Speaker 1: they gotta do. They gotta figure out what your intention

2486
02:14:18,400 --> 02:14:20,560
Speaker 1: is when you're saying it. Like I called my brother

2487
02:14:20,680 --> 02:14:23,760
Speaker 1: gay all the time. He calls me gayles. It's like, yo,

2488
02:14:23,760 --> 02:14:26,560
Speaker 1: what are you doing. I'm just how you're so gay? Like,

2489
02:14:26,760 --> 02:14:28,720
Speaker 1: and we'll say it to each other on on the

2490
02:14:28,840 --> 02:14:30,880
Speaker 1: least gay thing you could do, Like I'll send him

2491
02:14:30,920 --> 02:14:33,840
Speaker 1: a picture of me and my lady and like so gay,

2492
02:14:33,960 --> 02:14:35,880
Speaker 1: And I'm like, it's literally the least gay thing I

2493
02:14:35,920 --> 02:14:38,120
Speaker 1: could send you. You know, but it has nothing to

2494
02:14:38,200 --> 02:14:41,480
Speaker 1: do with sexuality. You're gay for your fiance. Yeah, I

2495
02:14:41,560 --> 02:14:47,840
Speaker 1: get it. But these machines are there, they're moving parts

2496
02:14:47,880 --> 02:14:51,200
Speaker 1: in there, and they interact with them actual movies. That's

2497
02:14:51,240 --> 02:14:52,880
Speaker 1: why they're so dope. I don't know how they did

2498
02:14:52,960 --> 02:15:03,960
Speaker 1: it with the licensing. I got up um the Avengers. Yeah,

2499
02:15:05,400 --> 02:15:08,840
Speaker 1: and is this like a modern day Avengers machine? The

2500
02:15:09,080 --> 02:15:12,760
Speaker 1: first movie, so from like ten years ago. Oh they

2501
02:15:12,840 --> 02:15:17,280
Speaker 1: still make them. No, they're used because they were in there,

2502
02:15:17,360 --> 02:15:20,040
Speaker 1: they were in the casinos over there, so they just

2503
02:15:20,200 --> 02:15:23,600
Speaker 1: go and destroying them. Well yeah, they're they're like they

2504
02:15:23,720 --> 02:15:27,360
Speaker 1: rebrand them, right yeah. So like but they had them

2505
02:15:27,440 --> 02:15:30,440
Speaker 1: parts and they make new ones. So how many Pachinko

2506
02:15:30,520 --> 02:15:41,640
Speaker 1: machines do you have? Uh? I got like pachinko, You've

2507
02:15:41,680 --> 02:15:46,000
Speaker 1: got fifteen of them. That's more machines than I have. Yeah,

2508
02:15:46,080 --> 02:15:48,800
Speaker 1: that's I've got none. I've been collecting for the longest. Man.

2509
02:15:48,880 --> 02:15:50,680
Speaker 1: So what they do is they put them on it

2510
02:15:50,840 --> 02:15:53,200
Speaker 1: because they're heavier ship They're like a hundreds of pounds,

2511
02:15:53,880 --> 02:15:57,640
Speaker 1: so I gotta buy them in bolt. So they basically

2512
02:15:58,840 --> 02:16:01,000
Speaker 1: ship them over here and then they put them on

2513
02:16:01,080 --> 02:16:05,000
Speaker 1: this big gas Yeah, and they put it in front

2514
02:16:05,040 --> 02:16:08,760
Speaker 1: of my house. And how does this start? Like what

2515
02:16:08,960 --> 02:16:12,960
Speaker 1: was your gateway into Patrico collecting to Japan? And you

2516
02:16:13,040 --> 02:16:15,480
Speaker 1: just saw them when you connected with them and they

2517
02:16:15,560 --> 02:16:19,120
Speaker 1: got a bunch of them in there. Man, I'm yeah,

2518
02:16:19,440 --> 02:16:21,200
Speaker 1: So it's just that's I mean, that's collected like I

2519
02:16:21,280 --> 02:16:23,840
Speaker 1: collect skateboards and weird stuff where you just see it

2520
02:16:24,040 --> 02:16:26,320
Speaker 1: and you're just like I need it, and then you

2521
02:16:26,440 --> 02:16:28,520
Speaker 1: go home and you try to find more and then

2522
02:16:28,560 --> 02:16:31,040
Speaker 1: you just end up. Yeah, so I've been collecting them

2523
02:16:31,120 --> 02:16:33,240
Speaker 1: for a long time. What about the stuff you have

2524
02:16:33,360 --> 02:16:36,160
Speaker 1: like the boom box? It was it all? Was it

2525
02:16:36,240 --> 02:16:38,320
Speaker 1: a retroactive that you bought them all? Or did you

2526
02:16:38,400 --> 02:16:39,800
Speaker 1: have stuff from when you were a kid. Now, I

2527
02:16:39,920 --> 02:16:41,880
Speaker 1: had some of them when I was a kid. But

2528
02:16:42,080 --> 02:16:44,120
Speaker 1: just like I was telling Finess earlier, it's just like

2529
02:16:44,240 --> 02:16:49,720
Speaker 1: collecting records. Right after you find pretty much all the

2530
02:16:49,760 --> 02:16:52,640
Speaker 1: records that you have, then you start finding these albums

2531
02:16:52,920 --> 02:16:59,360
Speaker 1: on different formats, cassettes, eight tracks, real the reels like

2532
02:17:00,320 --> 02:17:03,600
Speaker 1: and that's what blows my mind when I when I

2533
02:17:03,680 --> 02:17:07,879
Speaker 1: find something like that. Man like especially, I started collecting

2534
02:17:07,920 --> 02:17:11,000
Speaker 1: eight tracks because I wanted all the break beat albums

2535
02:17:11,840 --> 02:17:14,680
Speaker 1: right that I had on as an album. You have

2536
02:17:14,720 --> 02:17:20,920
Speaker 1: Bob James on eight track I got, I was telling, huh, yes,

2537
02:17:22,400 --> 02:17:25,840
Speaker 1: which is well, because you can separate those well if

2538
02:17:25,840 --> 02:17:28,720
Speaker 1: you haven't, some of them came out as quads. Yeah,

2539
02:17:28,959 --> 02:17:31,880
Speaker 1: you can separate the channels that way, but I don't

2540
02:17:31,920 --> 02:17:34,240
Speaker 1: open them up there all sealed. I remember in the

2541
02:17:34,400 --> 02:17:36,400
Speaker 1: in the late seventies, my brother figured out how to

2542
02:17:36,480 --> 02:17:40,480
Speaker 1: record over an eight track, and my parents had a

2543
02:17:40,520 --> 02:17:44,000
Speaker 1: monte Vanni waltz eight track that they used to play.

2544
02:17:44,040 --> 02:17:49,360
Speaker 1: And my brother recorded Ring My bell Um, I to

2545
02:17:49,440 --> 02:17:53,640
Speaker 1: Eye Contact by Edwin Star, all these disco songs on

2546
02:17:53,800 --> 02:17:55,480
Speaker 1: one and we were driving to New York, and I

2547
02:17:55,520 --> 02:17:57,840
Speaker 1: remember my parents put it in the hell is this

2548
02:17:58,480 --> 02:18:02,600
Speaker 1: My brother ran the back seat and they let it play,

2549
02:18:03,600 --> 02:18:06,120
Speaker 1: right because they had blank eight tracks back then. No, no, no,

2550
02:18:06,240 --> 02:18:09,800
Speaker 1: My brother recorded over one same as the tape, right,

2551
02:18:10,120 --> 02:18:14,480
Speaker 1: I think it is the Little Square and then but

2552
02:18:14,600 --> 02:18:16,560
Speaker 1: I didn't know we had a recorder. I don't know

2553
02:18:16,600 --> 02:18:18,480
Speaker 1: we had an eight track recorder in the house. And

2554
02:18:18,560 --> 02:18:20,480
Speaker 1: he recorded him from the turntable and from the from

2555
02:18:20,480 --> 02:18:28,440
Speaker 1: the vinyl that I remember driving under Contact You Wind

2556
02:18:33,440 --> 02:18:36,480
Speaker 1: And this was what was on the eight track that

2557
02:18:36,560 --> 02:18:39,959
Speaker 1: your father thought he was. It was waltz, it was Montevani,

2558
02:18:40,680 --> 02:18:43,240
Speaker 1: It was a waltz eight track, like it was my

2559
02:18:43,360 --> 02:18:46,240
Speaker 1: parents music. And he was not ready for that disco destruction.

2560
02:18:46,360 --> 02:18:48,840
Speaker 1: Yeah no, because because my dad'd always played the same

2561
02:18:48,879 --> 02:18:50,920
Speaker 1: eight tracks in the car would be Frankie Lane, the

2562
02:18:51,000 --> 02:18:57,680
Speaker 1: Mills Brothers, Uh, Patsy Klein, Connie Stephens and or Connie Francis,

2563
02:18:57,800 --> 02:19:01,680
Speaker 1: both of them, actually, both Connie's and the and and

2564
02:19:02,000 --> 02:19:03,960
Speaker 1: that's all would ever hear in the car. Driving music

2565
02:19:04,160 --> 02:19:08,040
Speaker 1: for us was like, you know, you train and Louis

2566
02:19:08,160 --> 02:19:10,360
Speaker 1: Armstrong and all that kind of stuff would be played

2567
02:19:10,360 --> 02:19:13,959
Speaker 1: in the car. But you know, my brother figured out

2568
02:19:13,959 --> 02:19:18,120
Speaker 1: how to record over Montevani. Wow, I mean that's well played. Yeah.

2569
02:19:18,200 --> 02:19:20,720
Speaker 1: I look, my brother was fifteen then I was. I

2570
02:19:20,800 --> 02:19:24,119
Speaker 1: was nine, so I remember just going he we don't

2571
02:19:24,160 --> 02:19:27,760
Speaker 1: have to hear. Yeah, big brothers doing things that are

2572
02:19:27,840 --> 02:19:36,400
Speaker 1: against your parents. Are um the players, um no Donnamite

2573
02:19:37,080 --> 02:19:40,840
Speaker 1: eight Donnamite eight track These are the dopest Oh no

2574
02:19:41,040 --> 02:19:45,360
Speaker 1: that Donnamite T n T eight track players. I have

2575
02:19:45,520 --> 02:19:48,400
Speaker 1: every color? And now are you in touch with like that?

2576
02:19:49,040 --> 02:19:51,840
Speaker 1: It would change tracks? Yeah? Are you in touch with

2577
02:19:52,400 --> 02:19:55,240
Speaker 1: with the larger community of like pachinko machine and eight

2578
02:19:55,280 --> 02:19:59,480
Speaker 1: track collectors and are you part of a Pachinko chat

2579
02:19:59,560 --> 02:20:07,960
Speaker 1: room or something? Yeah? For everything, there's yeah, well there's

2580
02:20:08,000 --> 02:20:12,320
Speaker 1: a society for any bullshit because there's something breaks. You know,

2581
02:20:12,640 --> 02:20:15,800
Speaker 1: Hey man, I'm having this problem. Can anybody help me out?

2582
02:20:15,840 --> 02:20:18,400
Speaker 1: And hey, yeah, try this, turn it off, turn the key,

2583
02:20:18,680 --> 02:20:24,080
Speaker 1: blah blah blah blah. Yeah, Jimmy J. J. Walker has

2584
02:20:24,120 --> 02:20:28,400
Speaker 1: a commercial promoting these from back in the day. Yeah,

2585
02:20:29,280 --> 02:20:35,280
Speaker 1: it's a brand new one. Yeahs Dyno Mike Dy right

2586
02:20:35,360 --> 02:20:38,000
Speaker 1: of course with Dino Mike. Oh, it's the Dynamite T

2587
02:20:38,120 --> 02:20:41,760
Speaker 1: and T. I see what's happened there. I never saw

2588
02:20:41,840 --> 02:20:43,440
Speaker 1: those back and then I don't remember that. Yeah, they

2589
02:20:43,520 --> 02:20:46,200
Speaker 1: had I have every last color of those. And now

2590
02:20:46,760 --> 02:20:50,080
Speaker 1: they also had these cassette as well. Cassette and what

2591
02:20:50,160 --> 02:20:59,039
Speaker 1: kind of balls do these take? That's why he didn't

2592
02:21:00,040 --> 02:21:01,959
Speaker 1: playing it. You got to go with the classic pause

2593
02:21:02,040 --> 02:21:05,200
Speaker 1: as opposed to no, homo, it's not and that can

2594
02:21:05,240 --> 02:21:07,200
Speaker 1: be and and even pause now we don't use we

2595
02:21:07,360 --> 02:21:10,119
Speaker 1: use AO if anything, Well, AO is when you're busted.

2596
02:21:10,240 --> 02:21:12,720
Speaker 1: Pauses when you're aware of what I spent a lot

2597
02:21:12,760 --> 02:21:15,720
Speaker 1: of time around lord sear and and stretching as I

2598
02:21:15,840 --> 02:21:18,760
Speaker 1: understand it. They kind of but AO was if you

2599
02:21:18,840 --> 02:21:21,119
Speaker 1: were if you got busted things, So like I put

2600
02:21:21,200 --> 02:21:23,680
Speaker 1: my balls in it's AO. But if you're saying it,

2601
02:21:23,800 --> 02:21:26,040
Speaker 1: you would say pause. I put my balls in it.

2602
02:21:26,160 --> 02:21:28,920
Speaker 1: That means I recognize what I'm saying sounds sexual and

2603
02:21:29,040 --> 02:21:30,959
Speaker 1: you can't. I will, I will know, but I would

2604
02:21:30,959 --> 02:21:33,280
Speaker 1: say something and then I put in brackets when I'm

2605
02:21:33,280 --> 02:21:35,960
Speaker 1: texting and like by the way, AO, and then continue, well,

2606
02:21:35,959 --> 02:21:38,240
Speaker 1: that's just calling yourself out. You do a pause. I'm

2607
02:21:38,280 --> 02:21:44,760
Speaker 1: aware of that I'm saying this, but anyway, yeah a yo, exactly,

2608
02:21:45,280 --> 02:21:47,920
Speaker 1: we get yeah. Well when you get a run on

2609
02:21:48,320 --> 02:21:51,440
Speaker 1: AO from someone, when someone's like they won't they're totally

2610
02:21:51,520 --> 02:21:53,760
Speaker 1: unaware of it, but it just keeps going on and

2611
02:21:53,800 --> 02:21:56,440
Speaker 1: they're like yeah, like it was real long, and you're

2612
02:21:56,440 --> 02:21:58,480
Speaker 1: just like, hey, yo, it's like and it started to hurt.

2613
02:21:58,480 --> 02:21:59,880
Speaker 1: You should add that to your other risk because you

2614
02:21:59,920 --> 02:22:03,480
Speaker 1: have ah yeah on this one, you got yeah yeah

2615
02:22:03,520 --> 02:22:06,800
Speaker 1: right there, and then I can have who's this? Just

2616
02:22:06,920 --> 02:22:09,320
Speaker 1: keep going to say that. The only tattoo statements. I

2617
02:22:09,360 --> 02:22:11,560
Speaker 1: have a few tattoos I have. I have all yeah,

2618
02:22:12,040 --> 02:22:14,440
Speaker 1: which is you know, for for our friend d J

2619
02:22:14,600 --> 02:22:17,360
Speaker 1: A m um. I have this for my brother. It's

2620
02:22:17,680 --> 02:22:20,440
Speaker 1: all My tattoos are fun tattoos for dead people. Is

2621
02:22:20,480 --> 02:22:22,920
Speaker 1: your brother dad, but one of my brothers is dad.

2622
02:22:23,480 --> 02:22:25,720
Speaker 1: Simplings you have I have two brothers and two sisters,

2623
02:22:26,560 --> 02:22:28,280
Speaker 1: but now you're down to one and I've down to

2624
02:22:28,320 --> 02:22:33,000
Speaker 1: one brother and two sisters just the one. Um. But yeah,

2625
02:22:33,800 --> 02:22:35,520
Speaker 1: Kennedy's logo so yeah, that's what I thought it was.

2626
02:22:35,600 --> 02:22:38,959
Speaker 1: I was like, handrid, this was his signature, and then

2627
02:22:39,000 --> 02:22:40,720
Speaker 1: I've got one. I've got a woo tang logo on

2628
02:22:40,840 --> 02:22:43,680
Speaker 1: my back. That's a weird place to have. It's I

2629
02:22:43,680 --> 02:22:45,200
Speaker 1: don't know who. I don't know who that. To be

2630
02:22:45,280 --> 02:22:49,440
Speaker 1: honest with you, Well you don't want Ji on your back.

2631
02:22:49,640 --> 02:22:56,440
Speaker 1: I don't pause. I've got chips on my back. Well

2632
02:22:56,520 --> 02:22:58,800
Speaker 1: that's just a heavy name. That's just someone. He should

2633
02:22:58,800 --> 02:23:01,680
Speaker 1: have just paused when he just about Rabbit, like the pause,

2634
02:23:02,280 --> 02:23:06,400
Speaker 1: the old dirty bastard, the a oh, yeah, it's a

2635
02:23:06,440 --> 02:23:08,880
Speaker 1: gross name. I think we can all acknowledge that it

2636
02:23:08,959 --> 02:23:12,920
Speaker 1: sounds better than Gary. But he was the genius before

2637
02:23:13,280 --> 02:23:16,920
Speaker 1: switched it up to the Gary Grace. Why is that? Um?

2638
02:23:17,240 --> 02:23:20,960
Speaker 1: But but um, I forgot where we were going. You

2639
02:23:21,000 --> 02:23:23,800
Speaker 1: got me good with the jizz on my back, But

2640
02:23:23,879 --> 02:23:25,880
Speaker 1: I do have it upside down. It's a Method Man

2641
02:23:26,000 --> 02:23:28,240
Speaker 1: logo for Mike. This is why sixteen year old should

2642
02:23:28,240 --> 02:23:30,039
Speaker 1: not be allowed to get tattoos and are not when

2643
02:23:30,040 --> 02:23:32,760
Speaker 1: you do a headspin. Look, I they didn't ask me

2644
02:23:32,840 --> 02:23:35,280
Speaker 1: for it, but I showed it to Method Man. Can

2645
02:23:35,360 --> 02:23:37,480
Speaker 1: we see it? And you can't see it through my

2646
02:23:37,520 --> 02:23:46,560
Speaker 1: back hair. Unfortunately, that's really it's really buried. But I

2647
02:23:46,640 --> 02:23:48,160
Speaker 1: did when I was a team, you know, and I

2648
02:23:48,480 --> 02:23:50,280
Speaker 1: didn't have so much back hair. I showed it to

2649
02:23:50,360 --> 02:23:52,240
Speaker 1: method Man, but he wasn't ready for that. This was

2650
02:23:52,320 --> 02:23:56,440
Speaker 1: before even the second album. So so this is that's

2651
02:23:56,440 --> 02:23:57,920
Speaker 1: how much I love the wood Tank class. So you're

2652
02:23:57,959 --> 02:24:01,600
Speaker 1: talking about just the first three solo albums, and Quon

2653
02:24:01,640 --> 02:24:03,680
Speaker 1: and I are very good friends. I would imagine, is

2654
02:24:03,720 --> 02:24:05,840
Speaker 1: there there's no rapper that you're not very good friends

2655
02:24:05,879 --> 02:24:08,480
Speaker 1: with and they're living my childhood. Some I don't know.

2656
02:24:09,320 --> 02:24:12,080
Speaker 1: I met a lot of them from from ness Um.

2657
02:24:12,400 --> 02:24:14,240
Speaker 1: He's introduced me with a lot. Marco Polo was the

2658
02:24:14,280 --> 02:24:16,680
Speaker 1: one that actually started me down the road of meeting

2659
02:24:16,720 --> 02:24:20,640
Speaker 1: everybody because Marco Polo was Canadian. I'm Canadian. He worked

2660
02:24:20,640 --> 02:24:22,800
Speaker 1: with Primo, so he brought Primo around and then I

2661
02:24:22,879 --> 02:24:26,000
Speaker 1: started meeting everybody this way. Craig g I think it

2662
02:24:26,080 --> 02:24:27,960
Speaker 1: was the first guy that I knew well. I knew

2663
02:24:28,040 --> 02:24:37,680
Speaker 1: Mr Complex. You know Corey from these from the Bronx. Yeah, yeah, yeah,

2664
02:24:37,840 --> 02:24:39,560
Speaker 1: I mean I met him a lot of people. I

2665
02:24:39,640 --> 02:24:41,080
Speaker 1: met a lot of these guys in the nineties when

2666
02:24:41,080 --> 02:24:43,480
Speaker 1: I was on the radio with Mastermind in Toronto, So

2667
02:24:43,600 --> 02:24:46,400
Speaker 1: you had a rap radio show. Mastermind had the radio shows,

2668
02:24:46,400 --> 02:24:48,560
Speaker 1: the Mastermind Street Jam, and I was just the co host.

2669
02:24:49,280 --> 02:24:51,440
Speaker 1: I was never signed to the radio station, but I

2670
02:24:51,480 --> 02:24:54,240
Speaker 1: would go in every week. Well, Barbito was never technically

2671
02:24:54,320 --> 02:24:56,240
Speaker 1: part of the show either. It was Stretch Armstrong Show

2672
02:24:56,280 --> 02:24:59,560
Speaker 1: featuring Bobtoa. That's that's basically what it was. It was

2673
02:24:59,640 --> 02:25:01,560
Speaker 1: master My Street Jam, and then I would I would

2674
02:25:01,600 --> 02:25:03,680
Speaker 1: DJ while Masterman was doing the talking. At the beginning

2675
02:25:03,680 --> 02:25:05,360
Speaker 1: of the show. I'd get the first record and then

2676
02:25:05,400 --> 02:25:07,800
Speaker 1: master I would jump on the turntables and then we interviews,

2677
02:25:08,160 --> 02:25:10,160
Speaker 1: and I'd be the guy talking ship in the interview,

2678
02:25:10,800 --> 02:25:12,720
Speaker 1: and I'd be the guy getting us in trouble every

2679
02:25:12,800 --> 02:25:15,840
Speaker 1: fucking time. You're spicing it up, like every time something

2680
02:25:15,920 --> 02:25:17,560
Speaker 1: bad would happen, I would be the guy that gets

2681
02:25:17,600 --> 02:25:21,080
Speaker 1: to a too soon moment. Like when Big Pun died.

2682
02:25:21,320 --> 02:25:22,720
Speaker 1: They were like, I said, it's a very sad day

2683
02:25:22,760 --> 02:25:24,840
Speaker 1: for hip hop, but a Saturday for the Paul Bears,

2684
02:25:25,480 --> 02:25:27,760
Speaker 1: And you know, we got hate, we got hate, we

2685
02:25:27,879 --> 02:25:29,760
Speaker 1: got hate. Man from well, this is what happened. That

2686
02:25:29,840 --> 02:25:31,880
Speaker 1: was why when everyone when this Brittany thing went on,

2687
02:25:32,040 --> 02:25:34,560
Speaker 1: and they were like you know, the their gotcha moment

2688
02:25:34,640 --> 02:25:36,840
Speaker 1: with Justin Timberlake was from Star and Buck Wild. I

2689
02:25:36,920 --> 02:25:39,360
Speaker 1: was like, these are the guys that got kicked off

2690
02:25:39,400 --> 02:25:45,000
Speaker 1: the air for making a monsoon jokes, uh or the

2691
02:25:45,080 --> 02:25:48,080
Speaker 1: tsunami tsunami jokes. Yeah, And I was like it was

2692
02:25:48,120 --> 02:25:49,280
Speaker 1: like you can't you know. It was like he was

2693
02:25:49,360 --> 02:25:51,720
Speaker 1: like a seventeen year old kid and they were like

2694
02:25:51,800 --> 02:25:53,920
Speaker 1: big brother pressuring him into saying that he you know

2695
02:25:54,000 --> 02:25:56,200
Speaker 1: bone Britney spears. I was like, yeah, plus, you have

2696
02:25:56,320 --> 02:25:58,720
Speaker 1: to dig pretty hard to get that star. And when

2697
02:25:58,720 --> 02:26:01,240
Speaker 1: the tsunami stuff was like two nummi yeah. I mean,

2698
02:26:01,280 --> 02:26:02,880
Speaker 1: it was like the week of right, and they were

2699
02:26:02,920 --> 02:26:05,120
Speaker 1: just making they were playing I mean, you know, I

2700
02:26:05,200 --> 02:26:07,880
Speaker 1: mean that's the thing. It's I think they played wipe out.

2701
02:26:08,080 --> 02:26:10,280
Speaker 1: And remember I was in New York at the time.

2702
02:26:10,320 --> 02:26:12,680
Speaker 1: It wasn't it wasn't funny, but they were. I mean

2703
02:26:12,720 --> 02:26:14,800
Speaker 1: they were on public accident. You could say publicly that

2704
02:26:14,879 --> 02:26:17,160
Speaker 1: it wasn't funny, but at the time you were probably laughing.

2705
02:26:17,240 --> 02:26:19,360
Speaker 1: I mean, I know, I have a very dark sense

2706
02:26:19,400 --> 02:26:22,320
Speaker 1: of humor, so when and I'm a comic, so whenever

2707
02:26:22,400 --> 02:26:24,440
Speaker 1: a disaster happens, the first thing I get is text

2708
02:26:24,480 --> 02:26:27,240
Speaker 1: from other comics making jokes about it, and we giggle

2709
02:26:27,320 --> 02:26:30,320
Speaker 1: our a little silly asses off to it, and uh,

2710
02:26:30,959 --> 02:26:34,200
Speaker 1: but we can never share it with the public because

2711
02:26:34,400 --> 02:26:36,880
Speaker 1: because a it will get us canceled and be it's

2712
02:26:36,920 --> 02:26:38,760
Speaker 1: really dark and the only people that are gonna laugh

2713
02:26:38,800 --> 02:26:41,640
Speaker 1: at the comics, and since comics won't defend it, they

2714
02:26:41,680 --> 02:26:46,039
Speaker 1: were secret. Yeah, it is kind of a secret comedy society.

2715
02:26:47,120 --> 02:26:49,400
Speaker 1: It's like there's records that DJs like that you can't

2716
02:26:49,400 --> 02:26:52,360
Speaker 1: play at a party, in fact, unless it's a room

2717
02:26:52,400 --> 02:26:53,960
Speaker 1: full of DJs, and then who the funk wants to

2718
02:26:53,959 --> 02:26:56,160
Speaker 1: play that? Well, it goes on and on, and especially

2719
02:26:56,320 --> 02:27:00,480
Speaker 1: as I get older and find myself playing old school

2720
02:27:00,560 --> 02:27:04,520
Speaker 1: hip hop sets four young crowds, and I'm more aware

2721
02:27:04,560 --> 02:27:06,400
Speaker 1: of the lyrics and their lyrics, and we've been dancing

2722
02:27:06,440 --> 02:27:08,480
Speaker 1: to our whole lives. But then you're sitting there, and

2723
02:27:08,520 --> 02:27:10,080
Speaker 1: then you sit and you see just the whole room

2724
02:27:10,200 --> 02:27:14,640
Speaker 1: just go like, yeah, what you second? Because they've never

2725
02:27:14,720 --> 02:27:16,560
Speaker 1: heard punks jump up to get beat down, you know,

2726
02:27:16,680 --> 02:27:19,400
Speaker 1: and it's just like there's just I mean, there's just

2727
02:27:20,600 --> 02:27:25,960
Speaker 1: remember you blank, no com rapper on request. I'm like, wow,

2728
02:27:26,080 --> 02:27:27,680
Speaker 1: we used to just say that. I remember I think

2729
02:27:27,720 --> 02:27:29,960
Speaker 1: back to my act when I first started in eighty nine.

2730
02:27:30,320 --> 02:27:32,320
Speaker 1: They were the first three years I would say. I

2731
02:27:32,480 --> 02:27:33,840
Speaker 1: think back to some of the ship I said. I

2732
02:27:33,920 --> 02:27:37,080
Speaker 1: was like, wow, I just fucking said these things like

2733
02:27:37,160 --> 02:27:39,520
Speaker 1: it was normal ship to say. It was normal to

2734
02:27:39,520 --> 02:27:41,680
Speaker 1: say at the time, and you didn't think about because

2735
02:27:41,720 --> 02:27:44,039
Speaker 1: you weren't thinking about offending anybody. You were just thinking

2736
02:27:44,080 --> 02:27:46,800
Speaker 1: about saying this. Look, that's like ultra magmatic. I just

2737
02:27:46,879 --> 02:27:50,520
Speaker 1: found out they were this and run dmc oh yeah. Now,

2738
02:27:50,560 --> 02:27:57,400
Speaker 1: Peter Pipe held the time that it's not just found

2739
02:27:57,440 --> 02:28:01,000
Speaker 1: that out, being like I'm the new hot ship, you know. Yeah,

2740
02:28:02,360 --> 02:28:10,160
Speaker 1: how's that going again? Yeah? How's it? Get down? Party people?

2741
02:28:10,360 --> 02:28:12,240
Speaker 1: Your dreams are No. They were kind of taking a

2742
02:28:12,240 --> 02:28:15,800
Speaker 1: shot at that too, because they were doing it. They

2743
02:28:15,840 --> 02:28:19,240
Speaker 1: were taking a shot of tougher than Leather wanted to

2744
02:28:19,720 --> 02:28:23,400
Speaker 1: go as far as left, trying to break as many

2745
02:28:23,520 --> 02:28:28,240
Speaker 1: rules as he can with some pep burn in your step. Man, Listen,

2746
02:28:28,640 --> 02:28:30,560
Speaker 1: I heard that record for the very first time in

2747
02:28:30,640 --> 02:28:37,200
Speaker 1: Latin quarters. Man, I stayed. We slept in the car until, uh,

2748
02:28:38,000 --> 02:28:40,400
Speaker 1: what's the what's the record store that used to be

2749
02:28:40,480 --> 02:28:44,400
Speaker 1: around the corner down there, Music Factory Music factory and

2750
02:28:45,120 --> 02:28:48,760
Speaker 1: I bought the record. I can't got back to Philly

2751
02:28:49,040 --> 02:28:50,720
Speaker 1: and they were selling the ship in Philly. I'm like,

2752
02:28:51,000 --> 02:28:55,240
Speaker 1: what a dummy, that's the night in the car because

2753
02:28:55,280 --> 02:28:59,720
Speaker 1: I thought like, damn, it's some new ship. Right. Let's say.

2754
02:28:59,760 --> 02:29:01,520
Speaker 1: You know, the thing for us was in Toronto. We

2755
02:29:01,560 --> 02:29:03,400
Speaker 1: would drive eight hours to go to New York just

2756
02:29:03,480 --> 02:29:06,840
Speaker 1: to buy records and come back like we would. Literally

2757
02:29:07,280 --> 02:29:11,080
Speaker 1: dope was especially on the reggae tip. Reggae was easy

2758
02:29:11,120 --> 02:29:16,320
Speaker 1: for us to find. We didn't have any problem. Huh. Mississauga, Mississauga, Mississauga. Yeah,

2759
02:29:16,360 --> 02:29:18,080
Speaker 1: there was a record store I used to get all

2760
02:29:18,200 --> 02:29:20,600
Speaker 1: my There was a few reggae records. There's one in

2761
02:29:20,640 --> 02:29:23,800
Speaker 1: my hometown, Brampton. There was it was. There was Dell's

2762
02:29:23,840 --> 02:29:25,920
Speaker 1: barbershop right beside it, and there was the record store

2763
02:29:26,000 --> 02:29:28,760
Speaker 1: right there at your hometown was Brampton. See that sounds

2764
02:29:28,760 --> 02:29:33,840
Speaker 1: like y G saying something that that's something else, right, Yeah,

2765
02:29:33,879 --> 02:29:36,960
Speaker 1: like it's Crampton, but it's from Brampton. Yeah, it was.

2766
02:29:37,120 --> 02:29:39,120
Speaker 1: It was Brampton. You know it's from Brampt. Let me

2767
02:29:39,160 --> 02:29:42,959
Speaker 1: tell you from Brampton other than myself, Michael Sira there

2768
02:29:43,000 --> 02:29:46,640
Speaker 1: you um Scott Thompson from Kids in the Hall. Yeah, um,

2769
02:29:46,879 --> 02:29:52,120
Speaker 1: Canadians of note, Little X the director excellent. Little X

2770
02:29:52,240 --> 02:29:54,680
Speaker 1: was like the other Hype Williams. Yes, and he's but

2771
02:29:54,800 --> 02:29:57,240
Speaker 1: he's still very popular, very relevant. Does all Drake videos now?

2772
02:29:57,920 --> 02:30:00,560
Speaker 1: And Director X director X because is a grown man.

2773
02:30:00,680 --> 02:30:03,440
Speaker 1: He's I'm not little. I like when people stop being little. Well,

2774
02:30:03,440 --> 02:30:05,920
Speaker 1: it's funny because I've known him so long. I've known

2775
02:30:05,959 --> 02:30:08,480
Speaker 1: him since he was twelve years old, so I've always

2776
02:30:08,480 --> 02:30:10,720
Speaker 1: called him by his government name. I still called Julian.

2777
02:30:10,760 --> 02:30:12,280
Speaker 1: When I said, well, little Kim is now just known

2778
02:30:12,320 --> 02:30:15,840
Speaker 1: as Kimberly, she I don't know, well she she should

2779
02:30:15,840 --> 02:30:17,680
Speaker 1: be known as Catwoman because she don't look like little

2780
02:30:17,720 --> 02:30:20,000
Speaker 1: Kim no more. She said, yeah, that's another human. Don't

2781
02:30:22,120 --> 02:30:25,120
Speaker 1: you must know a little kim Ness? Yeah, I seen

2782
02:30:25,400 --> 02:30:28,440
Speaker 1: last time I'm saying little Kim. She performed in the Bronx.

2783
02:30:29,240 --> 02:30:31,800
Speaker 1: Do you know her though? Yeah? I mean you know,

2784
02:30:31,920 --> 02:30:35,119
Speaker 1: she's Ali's favorite in the entire world. Oh for real,

2785
02:30:35,440 --> 02:30:38,240
Speaker 1: Oh my god, she Ali any fucking little Kim song.

2786
02:30:38,320 --> 02:30:43,040
Speaker 1: Ali knows every word and dance move to it. Oh yeah,

2787
02:30:43,440 --> 02:30:46,440
Speaker 1: that's her, that's her. Michael Jackson. Some of the album

2788
02:30:46,520 --> 02:30:48,480
Speaker 1: cuts on her second album, but that she had one

2789
02:30:48,480 --> 02:30:53,320
Speaker 1: where she's sampled Little Lewis french Kiss, not that I'm

2790
02:30:53,320 --> 02:30:56,080
Speaker 1: aware of. It's called Goodness. It's like goodness. Grace is

2791
02:30:56,160 --> 02:30:58,360
Speaker 1: the paper, you know, after Biggie died and wasn't writing

2792
02:30:58,360 --> 02:31:00,800
Speaker 1: her lyrics anymore, she just had to take ones it existing.

2793
02:31:00,840 --> 02:31:03,960
Speaker 1: Oh yeah, um, those are really interesting to listen to.

2794
02:31:04,040 --> 02:31:06,000
Speaker 1: Have you guys ever heard the Biggie like you know

2795
02:31:06,200 --> 02:31:10,080
Speaker 1: he would write the tracks, Yeah, so to listen to

2796
02:31:10,240 --> 02:31:14,680
Speaker 1: him about the follow tracks aggressively sucking sucking listen, Yeah,

2797
02:31:15,560 --> 02:31:18,640
Speaker 1: I used to be scared of the dick, like, Holy Ship,

2798
02:31:21,360 --> 02:31:26,120
Speaker 1: that's my girl's favorite. That's my girl's favorite song in

2799
02:31:26,240 --> 02:31:30,080
Speaker 1: the world. Biggie singing Big Little Kim's version like, that's

2800
02:31:31,720 --> 02:31:34,720
Speaker 1: that's my my favorite song is Biggie singing and the

2801
02:31:34,800 --> 02:31:36,320
Speaker 1: and the joke with her and I is the Big

2802
02:31:36,400 --> 02:31:38,880
Speaker 1: Mama thing. You know was produced by Stretch Rump Show.

2803
02:31:39,240 --> 02:31:43,040
Speaker 1: Really wow, I didn't know he did. He looped it

2804
02:31:43,160 --> 02:31:46,640
Speaker 1: right up. Yeah, that's my girl's favorite song in the

2805
02:31:46,800 --> 02:31:49,640
Speaker 1: entire world. You play and she loses her ship and

2806
02:31:50,120 --> 02:31:54,560
Speaker 1: because you know, because I'm a degenerate male, I keep

2807
02:31:54,640 --> 02:31:59,080
Speaker 1: I que pointed take it in the butt and when

2808
02:31:59,080 --> 02:32:00,560
Speaker 1: I'm playing and I keep looking, gonna go take it

2809
02:32:00,640 --> 02:32:03,320
Speaker 1: in the book, Take it in the book, take it into,

2810
02:32:03,360 --> 02:32:06,320
Speaker 1: take it into and she's like, Nope, not gonna happen.

2811
02:32:06,360 --> 02:32:09,080
Speaker 1: I'm like, oh, did I put a ring on your finger? Four? Uh,

2812
02:32:09,680 --> 02:32:13,320
Speaker 1: these are questions. I'll call it something yes at some point. Listen,

2813
02:32:13,400 --> 02:32:15,960
Speaker 1: this was a really long episode and it took a

2814
02:32:16,040 --> 02:32:17,600
Speaker 1: long time to get going, but I'm glad it did

2815
02:32:17,640 --> 02:32:20,160
Speaker 1: get going, and I'm glad Cash Money spoke at some point.

2816
02:32:20,200 --> 02:32:22,840
Speaker 1: I think that's great. Well, even if it was about

2817
02:32:22,840 --> 02:32:27,199
Speaker 1: his balls. I mean, we'll take I want to thank

2818
02:32:27,240 --> 02:32:29,200
Speaker 1: you Lord Ferness for dropping in on this one. This

2819
02:32:29,360 --> 02:32:31,440
Speaker 1: is nice. You know, Lord Finesse is a resident here,

2820
02:32:31,520 --> 02:32:34,360
Speaker 1: so um, there's no like episode where you're like, oh, oh,

2821
02:32:34,480 --> 02:32:36,879
Speaker 1: Lord Finesse. You know he lives here, so he's gonna

2822
02:32:36,920 --> 02:32:38,720
Speaker 1: he's bound to drop in. And I always liked when

2823
02:32:38,800 --> 02:32:41,160
Speaker 1: Finesse is here because he always drops these little gems

2824
02:32:41,200 --> 02:32:44,040
Speaker 1: that you didn't know. And you know, we had the

2825
02:32:44,480 --> 02:32:49,800
Speaker 1: Jezebec Mike be here tonight and uh DJ steel Balls,

2826
02:32:49,959 --> 02:32:55,440
Speaker 1: Cash Money. Uh. This was a fun episode of culturally

2827
02:32:55,520 --> 02:32:58,520
Speaker 1: canceled with myself. Russell peters Um I'm sure we're gonna

2828
02:32:58,640 --> 02:33:00,880
Speaker 1: edit this down to a good fifteen minutes and it's

2829
02:33:00,879 --> 02:33:09,360
Speaker 1: gonna be great slid. Thanks guys, thanks for having Thank you, Hey,

2830
02:33:09,480 --> 02:33:12,160
Speaker 1: thanks for listening. Guys. I really hope you enjoyed the conversation.

2831
02:33:12,240 --> 02:33:15,680
Speaker 1: Today we had Mike b A k A Well, Mike

2832
02:33:15,720 --> 02:33:19,280
Speaker 1: Brostein ak might Be, and the legendary DJ cash Money

2833
02:33:19,600 --> 02:33:21,640
Speaker 1: and uh, you know, I hope you enjoyed his story

2834
02:33:21,640 --> 02:33:24,960
Speaker 1: about his metal balls. If you like the podcast, be

2835
02:33:25,120 --> 02:33:26,960
Speaker 1: sure to rate it and review it on Apple Podcast.

2836
02:33:27,000 --> 02:33:28,240
Speaker 1: Some more people can find out about it. And if

2837
02:33:28,240 --> 02:33:30,879
Speaker 1: you're negative, keep your bullshit to yourself and follow us

2838
02:33:30,879 --> 02:33:34,480
Speaker 1: on Instagram and culturally Canceled and culturally RP on Twitter.

2839
02:33:34,800 --> 02:33:36,320
Speaker 1: We're also on YouTube. If you want to see what

2840
02:33:36,400 --> 02:33:38,200
Speaker 1: happens in my backyard and you want to get a

2841
02:33:38,200 --> 02:33:40,120
Speaker 1: sneak peek, you could probably how you're gonna zoom and

2842
02:33:40,200 --> 02:33:42,680
Speaker 1: sneak around in the background. I know what you people do, perfets.

2843
02:33:42,879 --> 02:33:45,360
Speaker 1: It's nothing dirty back there. It's just my house. Also,

2844
02:33:45,440 --> 02:33:47,360
Speaker 1: we have a phone line now, so call and leave

2845
02:33:47,400 --> 02:33:50,000
Speaker 1: a message. You can ask me about hip hop, parenting,

2846
02:33:50,040 --> 02:33:52,240
Speaker 1: food boxing, relationships, comedy, whatever the hell you want to

2847
02:33:52,240 --> 02:33:53,800
Speaker 1: ask me about. You can ask me about should don't

2848
02:33:53,800 --> 02:33:55,320
Speaker 1: even know about. I'll just trying to answer the question,

2849
02:33:55,560 --> 02:33:57,200
Speaker 1: but it'll be fun. So if you want to leave

2850
02:33:57,200 --> 02:33:59,520
Speaker 1: a message of the phone number is four to four

2851
02:34:00,000 --> 02:34:04,520
Speaker 1: six six six three. That's four two four triple six

2852
02:34:04,720 --> 02:34:07,879
Speaker 1: ninety three. Until next week. You be you and I'll

2853
02:34:07,920 --> 02:34:09,880
Speaker 1: be me and we'll be each other and uh and

2854
02:34:10,040 --> 02:34:18,000
Speaker 1: let's just love each other and have a great time. Um.