WEBVTT - Q&A Meets World pt3: The Sequel’s Sequel

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<v Speaker 1>Thank you so much everyone who came to our live show.

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<v Speaker 1>That was a really fun night. I'll say, what a blast.

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<v Speaker 1>There were a lot of people there, guys, you guys,

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<v Speaker 1>there were so many people. I was acting it well.

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<v Speaker 1>We all walked on the stage and kind of looked

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<v Speaker 1>up or like, oh, we're doing a show like this

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<v Speaker 1>is it was theater. Yeah, it was a big theater,

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<v Speaker 1>but then it was also just filled and man, the

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<v Speaker 1>love was palpable. Yeah, it was so fun to just

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<v Speaker 1>feel like we all were part of this community. It

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<v Speaker 1>was it was really intense, like it was emotional and

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<v Speaker 1>beautiful and fun. When we make it what thirty seconds

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<v Speaker 1>without you crying, Danielle was, I don't know long, It

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<v Speaker 1>is not that long. I think I walked out and

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<v Speaker 1>immediately started to crying. It was pretty awesome, And thank

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<v Speaker 1>you also for being our first live audience. Like you know,

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<v Speaker 1>we overall we're really happy with the way it went,

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<v Speaker 1>but of course we are critical of ourselves and there

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<v Speaker 1>were some bumps and some some bruises, and uh, we're

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<v Speaker 1>trying to put together what exactly we wanted to look

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<v Speaker 1>and feel like moving forward. But we're so appreciative of

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<v Speaker 1>all of you. Guys who were there, and the feedback

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<v Speaker 1>that you've given us and the things you loved. I mean, writer,

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<v Speaker 1>hands down your opening, which I don't want to ruin

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<v Speaker 1>for people who haven't you know, been to the live show.

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<v Speaker 1>But my goodness, did you ever start us off with

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<v Speaker 1>a bang? And then I feel like really will and

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<v Speaker 1>I let you down for the rest of the war

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<v Speaker 1>because you really started written part that. I think that

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<v Speaker 1>and then the Blue Angels fly over in the middle.

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<v Speaker 1>Those two we're by far the coolest parts of the show.

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<v Speaker 1>That was totally spontaneous, that was gonna happen. When we

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<v Speaker 1>saw Danielle in half that didn't go as well, and

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<v Speaker 1>that was weird. The Magic Country, I just don't know.

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<v Speaker 1>We're just stick with coin tricks. It was very weird.

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<v Speaker 1>And by the way, David Copperfield, I thought charged just

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<v Speaker 1>way too much to show up in the middle of

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<v Speaker 1>the show. Yeah. Crazy. Well, these are some things you

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<v Speaker 1>missed if you weren't at our Lives show. So I

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<v Speaker 1>do have good news for you though, if you missed

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<v Speaker 1>our live show. We have new merch, new show merch.

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<v Speaker 1>How you say it, it is new show merch? Is

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<v Speaker 1>that right? No? I don't know Uh. It debuted at

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<v Speaker 1>our live show and alcohone, but now it is available

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<v Speaker 1>for all of you. It is a Pod Meets World

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<v Speaker 1>was my idea shirt and it is so cute. It's

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<v Speaker 1>in baby blue. Uh. There were only a total of

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<v Speaker 1>four hundred made, so you know, get yours while you can.

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<v Speaker 1>They go from extra small all the way to three

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<v Speaker 1>XL and you can get it on Pod meets World

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<v Speaker 1>show dot com. And thank you for coming up with

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<v Speaker 1>the idea for the podcast. Everybody, what would we do

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<v Speaker 1>without you? I don't know what we do. I don't

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<v Speaker 1>know what we do. Danielle. You finished your movie. I

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<v Speaker 1>finished my movie. It was so hard and it was

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<v Speaker 1>so much work, and like you said, I mean, this

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<v Speaker 1>will be no surprise, but it was everything exactly what

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<v Speaker 1>you told me it was going to be. It was,

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<v Speaker 1>you know, Danielle, you said you are there are going

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<v Speaker 1>to be days where you are very far behind and

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<v Speaker 1>you feel like there's no way we're going to finish,

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<v Speaker 1>and then out of nowhere, you'll have a day where

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<v Speaker 1>suddenly you're very ahead and everything's on track, and you

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<v Speaker 1>don't really know how that happens. And that is exactly

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<v Speaker 1>what happened on the first day we did, we had

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<v Speaker 1>to wrap and we were behind. We had like two

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<v Speaker 1>pages we didn't get and it got bumped to the

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<v Speaker 1>next day. And then that next day somehow we ended

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<v Speaker 1>up making up those two pages and we were you know,

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<v Speaker 1>everything was fine. And then the next day you follow

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<v Speaker 1>a little bit more behind than you have is like

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<v Speaker 1>that pop up and and um, it was. It was

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<v Speaker 1>really exhausting emotionally physically. UM. But I will say that

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<v Speaker 1>we had, for the most part, a truly incredible crew

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<v Speaker 1>who were all people that really wanted to be there. Um.

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<v Speaker 1>It is very important to me that the sets that

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<v Speaker 1>I work on, everyone feels respected and appreciated, and that

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<v Speaker 1>even though it's really freaking hard and we're all in this,

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<v Speaker 1>you know, in the trenches together, UM, you at least

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<v Speaker 1>feel valued. And so I try to keep you know,

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<v Speaker 1>the energy very calm and I want everyone to know

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<v Speaker 1>that there, you know, even when there are mistakes. Because

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<v Speaker 1>also when you're doing these kinds of low budget movies

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<v Speaker 1>and people aren't getting paid truthfully what they're worth, um,

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<v Speaker 1>you get very green people. And for a lot of

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<v Speaker 1>people on our crew, it was their first ever movie. Yeah,

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<v Speaker 1>it was my first movie. It was our script E.

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<v Speaker 1>It was Script Dialogue's first movie. We had people in

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<v Speaker 1>g and E who had never worked on a future

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<v Speaker 1>film before. And um, I mean it's terrifying when you

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<v Speaker 1>started out. But yeah, it is terrifying. And you know

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<v Speaker 1>that makes things go a little slow sometimes because everyone

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<v Speaker 1>and then also it means that there are some mistakes

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<v Speaker 1>because there isn't a ton of experience necessarily, and you know,

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<v Speaker 1>there were times we realized halfway through somebody was missing

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<v Speaker 1>their purse, or somebody was in the wrong wardrobe or

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<v Speaker 1>you know you've already yes, and so kind of kind

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<v Speaker 1>of using multiple cameras, right, we did. We ended up

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<v Speaker 1>using two cameras and that was not the end. That

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<v Speaker 1>wasn't the intention when we first started, but we realized

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<v Speaker 1>we were really able to get very valuable stuff with

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<v Speaker 1>the second camera. Will came by to visit. Trina McGhee

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<v Speaker 1>is one of the stars of the movie. It was

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<v Speaker 1>so much fun to have her and to work with

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<v Speaker 1>her again. And she she she brought to life this

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<v Speaker 1>she's the mother of one of the of the lead

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<v Speaker 1>actress and she was just it was so much fun

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<v Speaker 1>to be with her. Um, and so Will got to

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<v Speaker 1>come by and then it really it made me want

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<v Speaker 1>to do it again. Every time I do that, every

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<v Speaker 1>time I visit somewhere or something like that, it just

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<v Speaker 1>make you miss it. It's and I didn't never when

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<v Speaker 1>I was doing it. You kind of start taking it

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<v Speaker 1>for granted after a while. And then it's been so

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<v Speaker 1>many years. I mean, I haven't been on a movie

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<v Speaker 1>so the last movie I did with two thousand six,

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<v Speaker 1>So you know, I love being on set. I don't

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<v Speaker 1>like being on set without something to do, you know,

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<v Speaker 1>like that. So you know, even visiting a set, I

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<v Speaker 1>kind of get like a little like, why am I

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<v Speaker 1>here stuck on the sideline? But yeah, like I've always

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<v Speaker 1>wished that, like I you know, I mean I still could,

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<v Speaker 1>I guess, like just take on a crew job, you know,

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<v Speaker 1>But I mean, I'm so what I would love to do.

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<v Speaker 1>I would love to be a part of camera department.

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<v Speaker 1>I would love to be a first A C. I

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<v Speaker 1>just do not have the eye or the technical skill.

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<v Speaker 1>I can't do it. But that would be my favorite

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<v Speaker 1>job because when you're part of the camera department, you're

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<v Speaker 1>with the actors, You're right in the heart of the action,

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<v Speaker 1>really up close. I just think that's you're helping with

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<v Speaker 1>the look of the film, and so it ends. It

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<v Speaker 1>can be very creative because you have to engage, you know,

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<v Speaker 1>if if the cameras moving, the whole department has to

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<v Speaker 1>be like sort of doing a dance with and setting

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<v Speaker 1>the shots. And if anybody is like you know, if

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<v Speaker 1>you have somebody who can't pull focus in that situation,

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<v Speaker 1>it will ruin the entire thing. Especially back in the

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<v Speaker 1>day when you shot on film you wouldn't even know

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<v Speaker 1>it until afterwards. Um yeah, I would always love to

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<v Speaker 1>be a part of a camera department. But um yeah, man,

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<v Speaker 1>I love I love film. I'm so happy for I have.

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<v Speaker 1>I have a new goal. My new goal is I

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<v Speaker 1>want to be in a lifetime movie. Right so much

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<v Speaker 1>the world I am throwing it out into the world.

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<v Speaker 1>I think that would be one of those fun suggest Hallmark. Okay, yeah,

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<v Speaker 1>let's like a Christmas movie. That'd be fun too, Like,

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<v Speaker 1>I think that would be great. They do other stuff

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<v Speaker 1>than Christmas, but Hallmark is. One of the things I

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<v Speaker 1>really like about Hallmark movies is that they are really

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<v Speaker 1>branching away from just romantic relationship storylines. They're really like

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<v Speaker 1>doing more and more like things about siblings or things about. Okay,

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<v Speaker 1>so the sibling story with you too. If we can't

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<v Speaker 1>sell it a sitcom with a multi camera, we will

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<v Speaker 1>take it to Hallmark and make it take it time.

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<v Speaker 1>We'll do a Hallmark movie. I saw a Mark movie

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<v Speaker 1>version with the two of you planned siblings, and I'll

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<v Speaker 1>direct it down. I'm also I never do this, but

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<v Speaker 1>I'm going to. At the very very start of our show,

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<v Speaker 1>here are wonderful executive user Jensen carp sent me an

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<v Speaker 1>email from the group of emails we get and he's like,

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<v Speaker 1>you have to read this one in the air because

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<v Speaker 1>it makes me sound awesome. Okay, let's start this way

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<v Speaker 1>we're doing to thank you. Let's hold on. Let's welcome

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<v Speaker 1>everybody to Pod Meets World. I'm Daniel fishel M, writer Strong,

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<v Speaker 1>and I'm apparently the very awesome Wilfred l and I'm

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<v Speaker 1>gonna tell you why. As I read this email, it says,

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<v Speaker 1>just showed my daughter a picture of Leonardo DiCaprio from

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<v Speaker 1>Titanic Days and she said he kind of looks like

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<v Speaker 1>Corey's older brother. You're welcome, will love Tess and lil

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<v Speaker 1>Age six. Oh yeah, my friend, that's right. Leonardo Caprio

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<v Speaker 1>from Titanic. That's all I gotta say. I can leave now.

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<v Speaker 1>By the way, I'm gonna just walk out. I actually

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<v Speaker 1>think you are more attractive than Leonardo DiCaprio. Wow. Yeah,

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<v Speaker 1>I mean, don't get me wrong, Leo. In the nineties

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<v Speaker 1>I had a humongous crush on you, absolutely, but you

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<v Speaker 1>have aged beautifully and you are so handsome. I think

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<v Speaker 1>you're selling yourself the tiniest bit short by by thinking

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<v Speaker 1>it's very sweet. Yeah, I think I think you could

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<v Speaker 1>do better than Leo, and so does test age things.

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<v Speaker 1>Thank you very much. There's your ego boost for man.

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<v Speaker 1>I'll say I'm turning red here, which I according to

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<v Speaker 1>my twenty three and me, I am unlikely to blush.

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<v Speaker 1>So I'm amazed that I am. This is great. Well,

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<v Speaker 1>I we are doing another Q and A episode because,

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<v Speaker 1>for one thing, we had so many questions that we

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<v Speaker 1>didn't get to last time, and truthfully, we get thousands

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<v Speaker 1>of questions in our email every month, and some of

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<v Speaker 1>the things you guys ask are just things that will

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<v Speaker 1>come up in our recaps, so we're not gonna, you know,

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<v Speaker 1>answer those during a Q and A episode Because there

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<v Speaker 1>are things like about season three or season four, and

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<v Speaker 1>we will get to them when when they come up.

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<v Speaker 1>But others are things that we think, yeah, this might

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<v Speaker 1>as well be a good time to talk about it.

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<v Speaker 1>I will say that the number one question that came

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<v Speaker 1>out of our last Q and A episode was Danielle,

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<v Speaker 1>what happened with the catfish guy who showed up at

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<v Speaker 1>your school? Yes, the story to the end, we just

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<v Speaker 1>moved on to something else. I was like, and then

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<v Speaker 1>he showed up in my school anyway, and then we

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<v Speaker 1>just like moved on to something else, and everyone was

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<v Speaker 1>so I will finish that story. So, yes, the guy

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<v Speaker 1>showed up at my school, and the school he said

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<v Speaker 1>that he had been sent by my family and was

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<v Speaker 1>there to pick me up. And the school knew right

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<v Speaker 1>away that something was wrong because I wasn't at school

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<v Speaker 1>that week. I was on set on Boy Meat's World,

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<v Speaker 1>and they knew that anybody who was there to pick

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<v Speaker 1>me up would know my work schedule and that wouldn't

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<v Speaker 1>be there, so they knew something was up. So they

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<v Speaker 1>called my parents and they said, this guy has been

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<v Speaker 1>you know, this guy showed up and is here to

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<v Speaker 1>pick you up. And we then started like an investigation.

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<v Speaker 1>We went to the police. The police looked up the

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<v Speaker 1>address where he had been sending me mail. Turns out

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<v Speaker 1>it was a p O box. It wasn't a home address,

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<v Speaker 1>so we didn't know where he lived, but they were

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<v Speaker 1>able to figure out his work address, and a police

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<v Speaker 1>officer showed up at his work with like, I don't

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<v Speaker 1>know what the version of a cease and desist is,

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<v Speaker 1>but it was basically, if you ever contact this person again,

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<v Speaker 1>we're gonna not quite a restraining order exactly, not quite

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<v Speaker 1>a restraining order, but you were and we're putting like

0:11:36.480 --> 0:11:39.520
<v Speaker 1>it's here at work. It was kind of a big deal. Um,

0:11:39.840 --> 0:11:42.200
<v Speaker 1>and yeah, And then I didn't hear from him again

0:11:42.240 --> 0:11:46.000
<v Speaker 1>for a while, and then years later I started getting yeah,

0:11:46.080 --> 0:11:53.760
<v Speaker 1>and then his name's Jensen Gard. Years later I started

0:11:53.800 --> 0:11:58.280
<v Speaker 1>getting kind of odd fan letters again, and my mom's

0:11:58.320 --> 0:12:01.240
<v Speaker 1>like spidy sense just started tayling, and she was like,

0:12:01.280 --> 0:12:03.400
<v Speaker 1>I just, for some reason have a feeling this is

0:12:03.440 --> 0:12:05.760
<v Speaker 1>the same guy. He had switched up his technique or

0:12:05.760 --> 0:12:07.520
<v Speaker 1>his tactic. He wasn't writing to me as a little

0:12:07.559 --> 0:12:11.120
<v Speaker 1>girl anymore, but he Um. I think he was saying

0:12:11.160 --> 0:12:14.160
<v Speaker 1>he was like a prince of somewhere and that he

0:12:14.280 --> 0:12:17.080
<v Speaker 1>wanted he wanted me to be his princess. And I

0:12:17.160 --> 0:12:19.559
<v Speaker 1>just remember my mom reading one of the letters and going,

0:12:19.760 --> 0:12:21.480
<v Speaker 1>I don't know, I think we should say, let's see

0:12:21.480 --> 0:12:25.199
<v Speaker 1>the ring. Maybe we should at least contemplate it. Um.

0:12:25.360 --> 0:12:27.320
<v Speaker 1>But I think she just kind of like sense that

0:12:27.360 --> 0:12:29.600
<v Speaker 1>maybe it was him. But then, you know, I think

0:12:29.640 --> 0:12:31.120
<v Speaker 1>I sent him a whole lot of money to help

0:12:31.200 --> 0:12:34.439
<v Speaker 1>him get out of prison, so I apparently I saved

0:12:34.440 --> 0:12:36.920
<v Speaker 1>I helped save him. You know, that can be really scary.

0:12:37.000 --> 0:12:39.360
<v Speaker 1>It can be really scary with that. You guys remember

0:12:39.360 --> 0:12:41.960
<v Speaker 1>the story about the weird fan letters that I started

0:12:41.960 --> 0:12:44.200
<v Speaker 1>getting that I didn't find out about til years later.

0:12:44.600 --> 0:12:49.640
<v Speaker 1>Oh didn't, so Sherman told me when we were when

0:12:49.640 --> 0:12:52.400
<v Speaker 1>I was in my twenties, because they ended up keeping

0:12:52.400 --> 0:12:55.880
<v Speaker 1>it from a at the time. But they started I

0:12:55.880 --> 0:12:59.320
<v Speaker 1>started getting the letters, and Disney like intercepted them and

0:12:59.559 --> 0:13:02.400
<v Speaker 1>brought them to the producer's attention. And there was a

0:13:02.440 --> 0:13:08.600
<v Speaker 1>series of letters where this guy was describing people's daily lives,

0:13:08.640 --> 0:13:11.040
<v Speaker 1>like telling you know, in the letter, he was like, so,

0:13:11.160 --> 0:13:14.760
<v Speaker 1>dear writer, this person wakes up at this address this time,

0:13:14.800 --> 0:13:17.520
<v Speaker 1>goes to this word. And what they realized was that

0:13:17.600 --> 0:13:21.000
<v Speaker 1>this they wanted me to kill them. This guy was

0:13:21.040 --> 0:13:23.760
<v Speaker 1>like asking me to become like a hit man for

0:13:23.840 --> 0:13:28.240
<v Speaker 1>him and was like listing out people's daily schedules in

0:13:28.320 --> 0:13:32.440
<v Speaker 1>order for me to kill them. It was so where

0:13:32.720 --> 0:13:34.880
<v Speaker 1>think you were going to find the time? I don't know,

0:13:35.200 --> 0:13:38.440
<v Speaker 1>and me like why did why? What was you know?

0:13:38.600 --> 0:13:40.160
<v Speaker 1>And I think the writers at the time they were like,

0:13:40.200 --> 0:13:43.120
<v Speaker 1>there's something about Sean Hunter as this sort of like

0:13:43.200 --> 0:13:46.720
<v Speaker 1>sort of troubled outsider that this guy thought maybe like

0:13:47.040 --> 0:13:49.400
<v Speaker 1>he or me, I would be the person to go,

0:13:49.880 --> 0:13:54.720
<v Speaker 1>but you could be murders for him. So weird. I

0:13:54.760 --> 0:13:57.640
<v Speaker 1>never knew about at the time, but they apparently they

0:13:57.640 --> 0:13:59.199
<v Speaker 1>collected all these letters and then they had a big

0:13:59.200 --> 0:14:00.719
<v Speaker 1>discussion about what to do about it, and I think

0:14:00.720 --> 0:14:03.320
<v Speaker 1>they did end up referring the person to the police event,

0:14:03.760 --> 0:14:07.000
<v Speaker 1>but I never got them, so I don't. I don't

0:14:07.000 --> 0:14:10.040
<v Speaker 1>talk about mine because mine's very recent and I don't

0:14:10.040 --> 0:14:13.360
<v Speaker 1>want to encourage it. I don't blame you. You know

0:14:13.360 --> 0:14:18.280
<v Speaker 1>who else got some weird letters? Jonathan Taylor Thomas, Oh,

0:14:18.360 --> 0:14:21.160
<v Speaker 1>I'm sure. Oh, I couldn't even have mad when when

0:14:21.160 --> 0:14:25.400
<v Speaker 1>he had that amount of fame. Um, quickly, they are

0:14:25.440 --> 0:14:27.440
<v Speaker 1>not my stories to share, so I won't do it.

0:14:27.520 --> 0:14:30.000
<v Speaker 1>But if we are ever lucky enough to get Jonathan

0:14:30.120 --> 0:14:32.480
<v Speaker 1>on this podcast, as I guess I, I don't even

0:14:32.520 --> 0:14:33.840
<v Speaker 1>know if he'd want to talk about it, but boy,

0:14:33.880 --> 0:14:36.080
<v Speaker 1>did he ever get some And he's such a quiet

0:14:36.080 --> 0:14:39.360
<v Speaker 1>He was such a quiet, unassuming kid that it's you know, yeah,

0:14:39.400 --> 0:14:41.000
<v Speaker 1>dealing with that kind of stuff at that age. It's

0:14:41.000 --> 0:14:43.960
<v Speaker 1>just something the idea that you even have to put

0:14:44.000 --> 0:14:46.360
<v Speaker 1>that on your radar, that you have to deal with

0:14:46.360 --> 0:14:49.560
<v Speaker 1>with people that are unbalanced. I was so stupid, like

0:14:49.560 --> 0:14:51.520
<v Speaker 1>when I started driving, and so this was when I

0:14:51.520 --> 0:14:53.240
<v Speaker 1>was eighteen, because I moved out of my parents house

0:14:53.280 --> 0:14:56.320
<v Speaker 1>and was living in Manhattan Beach, and people would go

0:14:56.440 --> 0:14:59.280
<v Speaker 1>to our live studio audience tapings and then pull their

0:14:59.320 --> 0:15:01.360
<v Speaker 1>cars off of a lot and park off to the

0:15:01.400 --> 0:15:04.600
<v Speaker 1>side and then wait for us to drive. And then

0:15:04.720 --> 0:15:07.360
<v Speaker 1>I got followed home a couple of times, and at

0:15:07.440 --> 0:15:10.520
<v Speaker 1>least one time I actually got off on an off

0:15:10.600 --> 0:15:14.600
<v Speaker 1>ramp before my off ramp and then stopped at the

0:15:14.640 --> 0:15:16.040
<v Speaker 1>red light at the end of the off ramp and

0:15:16.080 --> 0:15:17.760
<v Speaker 1>it was just me and the car behind me that

0:15:17.760 --> 0:15:19.760
<v Speaker 1>had been following me, and I got out of my

0:15:19.880 --> 0:15:24.080
<v Speaker 1>car and walked up to the driver's side and there

0:15:24.160 --> 0:15:26.680
<v Speaker 1>was two guys and they rolled down their window and

0:15:26.680 --> 0:15:29.720
<v Speaker 1>I said, this is not cool. I know what you're doing.

0:15:29.920 --> 0:15:32.000
<v Speaker 1>I've seen you been following me from all the way

0:15:32.040 --> 0:15:34.400
<v Speaker 1>from back there. What are you doing? You want to

0:15:34.560 --> 0:15:36.800
<v Speaker 1>see where I live? And then what this is scary?

0:15:36.840 --> 0:15:39.520
<v Speaker 1>And they were like, we're so sorry. I really apologize.

0:15:41.840 --> 0:15:46.400
<v Speaker 1>I know the stupid like what talk about Chris and

0:15:46.560 --> 0:15:52.360
<v Speaker 1>just like just so you're invincible decisions you make at

0:15:52.360 --> 0:15:55.720
<v Speaker 1>that age. But yeah, like I would never do something

0:15:55.720 --> 0:15:57.760
<v Speaker 1>like that now, but oil boy, I was a real

0:15:57.840 --> 0:16:01.080
<v Speaker 1>maroon back in the day. All right, Um, so our

0:16:01.200 --> 0:16:04.880
<v Speaker 1>second top question that we were asked, and I will

0:16:04.960 --> 0:16:09.800
<v Speaker 1>say the second question. The second question we'd like to

0:16:09.840 --> 0:16:13.320
<v Speaker 1>ask is do you story you know the story of that.

0:16:13.560 --> 0:16:18.280
<v Speaker 1>I've never heard that. Bugs Bunny used to say, it's

0:16:18.280 --> 0:16:20.200
<v Speaker 1>in the Looney Tunes, And it was because you couldn't

0:16:20.200 --> 0:16:23.640
<v Speaker 1>say the word more on television back then. They thought

0:16:23.680 --> 0:16:26.600
<v Speaker 1>that the word moron was you know, like a real

0:16:26.680 --> 0:16:30.560
<v Speaker 1>insult or you know, just a or something. Yeah, I

0:16:30.600 --> 0:16:34.160
<v Speaker 1>was like, so instead he called everybody maroons or whatever,

0:16:35.160 --> 0:16:45.520
<v Speaker 1>or maybe I have heard that. I don't know. Well,

0:16:45.880 --> 0:16:50.440
<v Speaker 1>this is honestly, it's become a very controversial subject on

0:16:50.600 --> 0:16:55.280
<v Speaker 1>the hard Meats world. It is honestly maybe bigger than

0:16:56.120 --> 0:17:01.560
<v Speaker 1>what is it Llama pet Writer recently mentioned a certain

0:17:01.640 --> 0:17:06.359
<v Speaker 1>popularity he has on the internet and he said Jeff

0:17:07.960 --> 0:17:13.359
<v Speaker 1>rather than Giff. It is Jeff, thank you. So the

0:17:13.400 --> 0:17:15.760
<v Speaker 1>three of us are all and complete agreement. That the

0:17:15.920 --> 0:17:22.560
<v Speaker 1>three because are in complete agreement that it is Jeff exactly. Now,

0:17:23.080 --> 0:17:27.760
<v Speaker 1>to be fair, the creator has also said that both

0:17:27.880 --> 0:17:32.080
<v Speaker 1>are acceptable. But it is supposed to be Jiff and

0:17:32.119 --> 0:17:35.119
<v Speaker 1>it doesn't come from graphics like people think o that

0:17:35.160 --> 0:17:36.880
<v Speaker 1>would be the hard g It doesn't come from that,

0:17:37.240 --> 0:17:39.520
<v Speaker 1>he said. It is supposed to be from in a

0:17:39.680 --> 0:17:43.840
<v Speaker 1>Jiffy for the fast pace and the shortness of the image.

0:17:44.280 --> 0:17:47.840
<v Speaker 1>So it is Jeff. It is not pronounced gift if

0:17:47.880 --> 0:17:50.640
<v Speaker 1>you want to say gift. They have said that now

0:17:50.680 --> 0:17:55.120
<v Speaker 1>both are acceptable. However, if you come for Writer one

0:17:55.160 --> 0:18:00.040
<v Speaker 1>more time and say what he says Jiff like the

0:18:00.040 --> 0:18:03.359
<v Speaker 1>penut butter, and you make fun of him one more time,

0:18:03.760 --> 0:18:06.000
<v Speaker 1>I'm gonna find where you live and I'm gonna follow

0:18:06.040 --> 0:18:08.119
<v Speaker 1>you off. I'm gonna follow you home, and they're no,

0:18:08.320 --> 0:18:11.280
<v Speaker 1>Mobby's not gonna do that. But it is Jeff, guys, Yeah,

0:18:11.560 --> 0:18:15.720
<v Speaker 1>it's Jeff. There's so they're very quick. Story. Um, Gene Roddenberry,

0:18:15.720 --> 0:18:17.960
<v Speaker 1>who created Star Trek, went to a Star Trek invention

0:18:18.000 --> 0:18:19.800
<v Speaker 1>and he stood up in front of everybody and between

0:18:19.800 --> 0:18:23.000
<v Speaker 1>the Star trek uh fans there is a break between

0:18:23.040 --> 0:18:26.840
<v Speaker 1>trek eas and trekkers, and so he stood up and said,

0:18:26.880 --> 0:18:29.400
<v Speaker 1>I want to welcome all you trekkers here. Are trek

0:18:29.440 --> 0:18:32.200
<v Speaker 1>hes here, And somebody stood up and said it's trekkers

0:18:32.240 --> 0:18:34.160
<v Speaker 1>and he looked at him and he said, it's trek ease.

0:18:34.359 --> 0:18:38.160
<v Speaker 1>I invented the thing. So it's that same kind of thing.

0:18:38.280 --> 0:18:40.840
<v Speaker 1>It's like when the inventor says it's called a Jeff.

0:18:41.240 --> 0:18:43.480
<v Speaker 1>If you find the comment first, you get to name

0:18:43.520 --> 0:18:45.840
<v Speaker 1>the comment. That's the way it works. So it's that

0:18:45.920 --> 0:18:48.720
<v Speaker 1>same kind of thing. Yeah, it is Jeff. I'm sorry

0:18:48.920 --> 0:18:52.440
<v Speaker 1>to ruin all of your lives, but it's Jeff. Anyway,

0:18:52.560 --> 0:18:55.879
<v Speaker 1>let's get into some questions. I thought this was a

0:18:55.920 --> 0:18:58.840
<v Speaker 1>really interesting question, and I, well, I don't know how

0:18:58.920 --> 0:19:00.639
<v Speaker 1>much the three of us all know about it. You

0:19:00.680 --> 0:19:02.879
<v Speaker 1>guys probably know more about it than I do. But

0:19:02.960 --> 0:19:07.960
<v Speaker 1>the question was, it's usually the case our residuals still

0:19:08.080 --> 0:19:10.760
<v Speaker 1>good money for you guys, And I thought, that's really

0:19:10.800 --> 0:19:15.000
<v Speaker 1>interesting that we've never really explained how residuals work, what

0:19:15.119 --> 0:19:19.320
<v Speaker 1>residuals are. How much do we even know how residuals work.

0:19:19.359 --> 0:19:23.480
<v Speaker 1>It's truthfully, we don't know. We just trust the system

0:19:23.720 --> 0:19:27.000
<v Speaker 1>that the system is working. Right. That's not a very

0:19:27.040 --> 0:19:29.840
<v Speaker 1>smart thing to do, especially at least in the animation world.

0:19:29.920 --> 0:19:31.720
<v Speaker 1>You have to fight and hunt down a lot of

0:19:31.720 --> 0:19:34.960
<v Speaker 1>your residuals sometimes so forever. I mean, this is a

0:19:35.119 --> 0:19:36.879
<v Speaker 1>very going to be it could be a very long

0:19:36.920 --> 0:19:38.879
<v Speaker 1>winded answer that I don't want it to be. But

0:19:39.000 --> 0:19:48.040
<v Speaker 1>for every different type of production, film, streaming, TV, animation, commercials,

0:19:48.080 --> 0:19:53.000
<v Speaker 1>there are their own set of rules for residuals. And

0:19:53.040 --> 0:19:55.400
<v Speaker 1>then it's also different based on the budget of all

0:19:55.400 --> 0:19:59.919
<v Speaker 1>of those things, right like low budget indies, ultra low budget,

0:20:00.400 --> 0:20:03.400
<v Speaker 1>low budgets all there. They all have their own specific

0:20:03.440 --> 0:20:06.240
<v Speaker 1>title and and they are you know, they get their

0:20:06.280 --> 0:20:08.440
<v Speaker 1>titles based on exactly how much money is going into

0:20:08.480 --> 0:20:11.840
<v Speaker 1>the production. Um, depending on what that is, that your

0:20:11.880 --> 0:20:15.080
<v Speaker 1>residuals could be different. Just speaking to our experience with

0:20:15.119 --> 0:20:19.000
<v Speaker 1>Boy Meets World, UM, I think the way residuals work

0:20:19.280 --> 0:20:23.439
<v Speaker 1>is that the first time in episode airs, you you know,

0:20:23.520 --> 0:20:25.520
<v Speaker 1>you well, we get paid our weekly salary or our

0:20:25.880 --> 0:20:29.240
<v Speaker 1>per episode salary, and then the first time it airs

0:20:29.760 --> 0:20:33.000
<v Speaker 1>you get that payment, not that the first time you've

0:20:33.000 --> 0:20:38.119
<v Speaker 1>been paid for When reruns you get paid almost the

0:20:38.160 --> 0:20:43.359
<v Speaker 1>same amount. Again, if it's on network, if it's network,

0:20:43.440 --> 0:20:45.240
<v Speaker 1>well that's what I'm saying for us with Meets World.

0:20:46.200 --> 0:20:49.720
<v Speaker 1>It also depends on the network. Depends on Yeah, because

0:20:49.720 --> 0:20:53.600
<v Speaker 1>if it was cable as opposed to network network at

0:20:53.600 --> 0:20:56.720
<v Speaker 1>the time, like if it's aired on Disney Channel, that

0:20:56.760 --> 0:20:59.160
<v Speaker 1>we'd get less money than if it aired again on ABC.

0:21:00.119 --> 0:21:02.879
<v Speaker 1>But when we were on Boy Meats World from to

0:21:03.000 --> 0:21:07.320
<v Speaker 1>two thousand, yes, our reruns until we went into syndication,

0:21:07.520 --> 0:21:12.520
<v Speaker 1>our reruns were only on ABC, right, yes, right, because

0:21:12.560 --> 0:21:15.160
<v Speaker 1>it wasn't shown anywhere. It wasn't anywhere even really had

0:21:15.160 --> 0:21:17.280
<v Speaker 1>reruns at the time. I don't think they ever did reruns.

0:21:18.080 --> 0:21:19.800
<v Speaker 1>Wasn't it just if we had if we had an

0:21:19.800 --> 0:21:22.159
<v Speaker 1>episode that didn't like we There was times where we

0:21:22.200 --> 0:21:23.960
<v Speaker 1>didn't have a new episode, but they'd still put up

0:21:23.960 --> 0:21:26.000
<v Speaker 1>an older Boy Meats World. Wouldn't they do that? Also,

0:21:26.080 --> 0:21:29.840
<v Speaker 1>what would happen during the summer they didn't have the show? No,

0:21:29.920 --> 0:21:31.280
<v Speaker 1>I think during the summer of t G I F

0:21:31.359 --> 0:21:33.320
<v Speaker 1>always tried to do something else. It was like Summer

0:21:33.359 --> 0:21:37.760
<v Speaker 1>Splash or ABC this that they did not they saved

0:21:37.800 --> 0:21:39.199
<v Speaker 1>the show. I mean that was the idea. It was

0:21:39.240 --> 0:21:41.400
<v Speaker 1>that that was why you wanted to have enough episodes

0:21:41.440 --> 0:21:44.920
<v Speaker 1>to have a syndication package that they could sell other

0:21:45.240 --> 0:21:51.080
<v Speaker 1>local which was every episodes, because then you would have

0:21:51.200 --> 0:21:53.600
<v Speaker 1>enough episodes that it would be a worthwhile investment for

0:21:54.119 --> 0:21:58.399
<v Speaker 1>a local channel to purchase the rights to play that

0:21:58.520 --> 0:22:01.320
<v Speaker 1>those episodes as a package. Um, so you would always

0:22:01.359 --> 0:22:04.240
<v Speaker 1>want the thing. All of this is pretty antiquated now,

0:22:04.280 --> 0:22:07.520
<v Speaker 1>I mean it's it's totally and and so the way

0:22:07.560 --> 0:22:10.960
<v Speaker 1>it used to work is that basically sag the Screen

0:22:10.960 --> 0:22:13.760
<v Speaker 1>Actors Guild. You know, the idea of the whole idea

0:22:13.800 --> 0:22:18.440
<v Speaker 1>behind residuals was that you could only have to work

0:22:18.520 --> 0:22:20.720
<v Speaker 1>a few times a year, Right like if you did

0:22:20.720 --> 0:22:23.480
<v Speaker 1>a commercial or you did a TV a guest star

0:22:23.560 --> 0:22:27.479
<v Speaker 1>on one show, that that would sustain you by uh

0:22:27.680 --> 0:22:30.920
<v Speaker 1>continuing to pay you every time a company re aired

0:22:30.960 --> 0:22:34.800
<v Speaker 1>it because they make more money off of airing a rerun. Right,

0:22:34.800 --> 0:22:37.280
<v Speaker 1>they can still sell advertisers on the idea that they're

0:22:37.280 --> 0:22:40.159
<v Speaker 1>showing content. But you as an actor of only you

0:22:40.200 --> 0:22:42.000
<v Speaker 1>showed up that one day or that one week and

0:22:42.040 --> 0:22:44.439
<v Speaker 1>did that one job. But they're making money off of

0:22:44.520 --> 0:22:46.760
<v Speaker 1>your image and your content that you participated. And so

0:22:46.800 --> 0:22:49.879
<v Speaker 1>the whole idea behind residuals is that writers, directors and actors,

0:22:49.920 --> 0:22:54.480
<v Speaker 1>the creatives that help, you know, create the content, can

0:22:54.480 --> 0:22:57.320
<v Speaker 1>continue to make money off of that content as it

0:22:57.440 --> 0:23:00.359
<v Speaker 1>keeps making money in other contexts. And so you you

0:23:00.359 --> 0:23:05.520
<v Speaker 1>continuously get checks in the mail that can be tiny,

0:23:05.680 --> 0:23:08.760
<v Speaker 1>that can be I've gotten five cent checks, I've gotten

0:23:08.760 --> 0:23:12.240
<v Speaker 1>two cent checks many times. Uh so, And and there's

0:23:12.280 --> 0:23:15.280
<v Speaker 1>a there's a formula that they figured out that they've

0:23:15.320 --> 0:23:19.159
<v Speaker 1>agreed to basically between the unions, like so the director's Guild,

0:23:19.560 --> 0:23:23.159
<v Speaker 1>the Writer's Guild, the screen actors Guild, they have to

0:23:23.200 --> 0:23:28.440
<v Speaker 1>make separate agreements with the content created are the studios

0:23:28.480 --> 0:23:30.879
<v Speaker 1>and the networks as to how much they're going to

0:23:30.960 --> 0:23:35.200
<v Speaker 1>pay whenever an episode re airs and in a different context.

0:23:35.240 --> 0:23:38.040
<v Speaker 1>So in other words, it's cheaper for it was when

0:23:38.080 --> 0:23:41.400
<v Speaker 1>we were on on on boy Leats World, the unions

0:23:41.640 --> 0:23:45.879
<v Speaker 1>wanted to support the new cable industry because cable was

0:23:45.960 --> 0:23:48.199
<v Speaker 1>brand new at the time, and so in order to

0:23:48.280 --> 0:23:53.080
<v Speaker 1>help cable companies be able to afford content. The unions

0:23:53.080 --> 0:23:55.359
<v Speaker 1>agreed to take less money than the networks would have

0:23:55.400 --> 0:23:57.520
<v Speaker 1>to pay if they showed the same content. So if

0:23:57.560 --> 0:23:59.880
<v Speaker 1>an air an episode of Boy Meats World aired all

0:24:00.200 --> 0:24:05.280
<v Speaker 1>a network show, ABC, NBC, CBS and eventually Fox, they

0:24:05.280 --> 0:24:06.960
<v Speaker 1>would have to pay a premium. They would have to

0:24:06.960 --> 0:24:09.160
<v Speaker 1>pay a certain amount, and we would actually make good

0:24:09.200 --> 0:24:11.960
<v Speaker 1>money if those episodes. It was almost equivalent to our

0:24:12.000 --> 0:24:15.160
<v Speaker 1>original paycheck, I think. Um. And then they could every

0:24:15.160 --> 0:24:17.440
<v Speaker 1>time they showed that same episode a second, or third

0:24:17.520 --> 0:24:20.160
<v Speaker 1>or four it got less and less money away every time,

0:24:20.200 --> 0:24:22.679
<v Speaker 1>I think, I think it almost have every time. But

0:24:23.000 --> 0:24:26.440
<v Speaker 1>if a cable company decided to show our show, they

0:24:26.440 --> 0:24:29.280
<v Speaker 1>could show an episode eight times without having to pay

0:24:29.400 --> 0:24:31.760
<v Speaker 1>us back in the day, or or they could only

0:24:31.760 --> 0:24:33.520
<v Speaker 1>pay us a little bit and that would allow them

0:24:33.520 --> 0:24:36.919
<v Speaker 1>to show them episode eight times. Um. And so the

0:24:36.960 --> 0:24:41.000
<v Speaker 1>cable industry of course got huge and became very powerful,

0:24:41.160 --> 0:24:44.080
<v Speaker 1>and uh, it's became a little ridiculous that they could

0:24:44.119 --> 0:24:47.440
<v Speaker 1>get away with pain very little on the residuals, so

0:24:47.520 --> 0:24:49.879
<v Speaker 1>everything had to be renegotiated. And then, of course the

0:24:49.880 --> 0:24:52.640
<v Speaker 1>next thing was streamers streaming. So for a while there

0:24:52.880 --> 0:24:56.560
<v Speaker 1>streamers could show content without having to pay for any residuals. Now,

0:24:56.600 --> 0:25:00.119
<v Speaker 1>there are some residuals structured into but it's still not

0:25:00.320 --> 0:25:03.359
<v Speaker 1>great a lot less than network television used to be.

0:25:03.440 --> 0:25:06.440
<v Speaker 1>And that's because you know, streamers don't show commercials often

0:25:06.600 --> 0:25:09.160
<v Speaker 1>the same way that network I used to show commercials.

0:25:09.200 --> 0:25:11.359
<v Speaker 1>A perfect kind of example, So last week I got

0:25:11.400 --> 0:25:14.080
<v Speaker 1>a residual check. I did one episode of thirty Rock

0:25:14.119 --> 0:25:17.359
<v Speaker 1>from the Sun in two thousand and I got a

0:25:17.480 --> 0:25:21.479
<v Speaker 1>check last week for forty four dollars. Okay, So it's like,

0:25:21.560 --> 0:25:23.960
<v Speaker 1>and I have that's the first one. About three or

0:25:23.960 --> 0:25:25.720
<v Speaker 1>four times a year, I'll get a check that's a

0:25:25.760 --> 0:25:28.800
<v Speaker 1>dollar or less for Law and Order when I was fifteen,

0:25:29.359 --> 0:25:31.800
<v Speaker 1>because it do you remember the residual bar and was

0:25:31.840 --> 0:25:36.040
<v Speaker 1>it the residual bar and burbank where is it's called residuals.

0:25:36.760 --> 0:25:38.679
<v Speaker 1>And if you go in with a check under a dollar,

0:25:39.119 --> 0:25:40.199
<v Speaker 1>or it used to be, if you went in with

0:25:40.240 --> 0:25:41.840
<v Speaker 1>the residual check under a dollar, they'd hang it on

0:25:41.840 --> 0:25:43.919
<v Speaker 1>the wall and they'd give you a drink. So there

0:25:44.000 --> 0:25:46.680
<v Speaker 1>is like residual a little residual checks all over the place,

0:25:46.680 --> 0:25:48.560
<v Speaker 1>which is kind of a cool idea. Yeah, that is

0:25:48.600 --> 0:25:50.760
<v Speaker 1>a cool idea. Um, yeah. I mean I think the

0:25:50.760 --> 0:25:54.480
<v Speaker 1>thing that that would we would say two people is, um,

0:25:54.520 --> 0:25:57.159
<v Speaker 1>there's still some money coming in from residuals, but it

0:25:57.280 --> 0:26:01.120
<v Speaker 1>is not even remotely enough to live on. It's diminishing

0:26:01.160 --> 0:26:03.359
<v Speaker 1>returns throughout the years. That's yeah. But I think if

0:26:03.359 --> 0:26:05.040
<v Speaker 1>you were on a hitch, I mean I think a

0:26:05.080 --> 0:26:08.440
<v Speaker 1>show like Simpsons is still getting more incredible residuals. Oh yeah,

0:26:08.520 --> 0:26:10.560
<v Speaker 1>Or if you were on um, you know, my guess

0:26:10.600 --> 0:26:14.199
<v Speaker 1>is because something like Big Bang Theory is everywhere. You know,

0:26:14.320 --> 0:26:16.720
<v Speaker 1>they probably got a very good but I remember somebody,

0:26:16.840 --> 0:26:20.479
<v Speaker 1>But oftentimes I think, like when Friends negotiated that they

0:26:20.520 --> 0:26:23.920
<v Speaker 1>got paid a million dollars each, I think they were.

0:26:25.040 --> 0:26:28.560
<v Speaker 1>They might because they that was part of the negotiations

0:26:28.560 --> 0:26:30.960
<v Speaker 1>that you buy us out per episode so we do

0:26:31.040 --> 0:26:33.919
<v Speaker 1>not continue to get for the for the producers and

0:26:34.119 --> 0:26:37.600
<v Speaker 1>the creators of the show. I mean, somebody once told

0:26:37.600 --> 0:26:39.760
<v Speaker 1>me that Charles in Charge when it was when into

0:26:39.760 --> 0:26:42.560
<v Speaker 1>syndications was worth three million dollars to the creators and

0:26:42.560 --> 0:26:44.639
<v Speaker 1>the and the stars of the show. I mean the

0:26:44.680 --> 0:26:48.040
<v Speaker 1>famous one was was when Seinfeld went into syndication and

0:26:48.119 --> 0:26:51.439
<v Speaker 1>Larry David and Jerry Seinfeld split a billion dollars so

0:26:51.520 --> 0:26:54.359
<v Speaker 1>I mean there's there's for the creators of the show,

0:26:55.040 --> 0:26:57.359
<v Speaker 1>um and executive bruces of the show. It can be

0:26:57.440 --> 0:26:59.800
<v Speaker 1>a lot of money, but I think it's still the case.

0:27:00.400 --> 0:27:04.720
<v Speaker 1>It might not be with everything is different with streaming. Well,

0:27:04.760 --> 0:27:07.880
<v Speaker 1>perfect example with with animation. When back in the day,

0:27:08.160 --> 0:27:11.160
<v Speaker 1>you used to get a set amount of money for

0:27:11.359 --> 0:27:14.400
<v Speaker 1>your session fee. You'd signed you sign a contract every

0:27:14.400 --> 0:27:16.680
<v Speaker 1>time you went in to do every individual episode, even

0:27:16.680 --> 0:27:18.680
<v Speaker 1>if you're a regular on the show, and you'd sign

0:27:18.720 --> 0:27:20.959
<v Speaker 1>that and then you'd get residuals. Now, if you go

0:27:21.040 --> 0:27:23.360
<v Speaker 1>do a regular session fee for something like a Netflix,

0:27:23.400 --> 0:27:25.840
<v Speaker 1>the check is slightly bigger because they know you're not

0:27:25.880 --> 0:27:28.639
<v Speaker 1>going to get the same residuals. So it's you're signing

0:27:28.680 --> 0:27:32.879
<v Speaker 1>a slightly bigger uh day player check, you know, contract,

0:27:33.000 --> 0:27:35.000
<v Speaker 1>but it's not breaking the bank, but it's like an

0:27:35.000 --> 0:27:37.119
<v Speaker 1>extra like hundred fifty dollars or something like that. So

0:27:37.160 --> 0:27:39.280
<v Speaker 1>it's yeah, the whole thing is different with streamers. And

0:27:39.280 --> 0:27:41.919
<v Speaker 1>that's why every five or six years when new technology

0:27:41.960 --> 0:27:44.399
<v Speaker 1>comes out, there's everyone's like, why is SAG going to

0:27:44.480 --> 0:27:47.360
<v Speaker 1>strike again? It's like, well, because now this new thing

0:27:47.480 --> 0:27:51.119
<v Speaker 1>has been invented that wasn't here before and actors are

0:27:51.119 --> 0:27:53.119
<v Speaker 1>getting screwed, so they're gonna, you know, we have to

0:27:53.160 --> 0:27:56.160
<v Speaker 1>negotiate because we should be able to get something from

0:27:56.200 --> 0:27:59.280
<v Speaker 1>now you're showing our show at nauseum and we're getting nothing.

0:27:59.320 --> 0:28:01.280
<v Speaker 1>So yeah, they need to be in a renegotiation. That

0:28:01.320 --> 0:28:04.040
<v Speaker 1>does it happens like every decade? Well, I think that's

0:28:04.080 --> 0:28:07.040
<v Speaker 1>everything you've ever wanted and nothing and everything you ever

0:28:07.080 --> 0:28:11.040
<v Speaker 1>wanted to know about information. So what is a line

0:28:11.080 --> 0:28:13.000
<v Speaker 1>from Boy Meets World that you have repeated the most

0:28:13.040 --> 0:28:17.560
<v Speaker 1>throughout your life? If any? Wow, because I do cameo,

0:28:17.640 --> 0:28:19.800
<v Speaker 1>I would probably have to say, lose one friend, lose

0:28:19.800 --> 0:28:22.800
<v Speaker 1>all friends, lose yourself, or life's tough, get a helmet.

0:28:22.840 --> 0:28:24.800
<v Speaker 1>Those two are the people that they want those the most.

0:28:25.119 --> 0:28:29.280
<v Speaker 1>I would probably say this outfit with this hair, hello

0:28:29.359 --> 0:28:32.239
<v Speaker 1>but bye? I am so I can see that. What

0:28:32.320 --> 0:28:35.840
<v Speaker 1>was that from the haircut episode haircut hair today, goon tomorrow?

0:28:36.119 --> 0:28:37.720
<v Speaker 1>When you guys are like, Topanga is not going to

0:28:37.880 --> 0:28:40.200
<v Speaker 1>change at all. I think your Shawn says that, like

0:28:40.280 --> 0:28:42.680
<v Speaker 1>to Panga, you know, she's she's not the type to

0:28:42.720 --> 0:28:44.440
<v Speaker 1>care about appearance. And then I come out and I

0:28:44.480 --> 0:28:47.160
<v Speaker 1>say this outfit with this hair, hello but bye, I'm

0:28:47.280 --> 0:28:49.440
<v Speaker 1>so at them all. Her hair is five inches shorter.

0:28:49.520 --> 0:28:52.600
<v Speaker 1>She can't totally change the person she is. I mean,

0:28:52.640 --> 0:28:54.720
<v Speaker 1>my favorite line that I think about all the time,

0:28:54.720 --> 0:28:58.720
<v Speaker 1>which I've loved to discover something that um that the

0:28:58.760 --> 0:29:00.520
<v Speaker 1>fans look too, is is they want you to take

0:29:00.560 --> 0:29:02.760
<v Speaker 1>the roles like That was one thing we used to

0:29:02.760 --> 0:29:04.920
<v Speaker 1>always say. And of course because and I think it's

0:29:04.920 --> 0:29:08.200
<v Speaker 1>probably because you're at a restaurant often where they deliver roles,

0:29:08.200 --> 0:29:10.200
<v Speaker 1>and so you think about that line, but I don't

0:29:10.200 --> 0:29:12.520
<v Speaker 1>actually say it. But that's one of my favorite lines.

0:29:12.840 --> 0:29:15.280
<v Speaker 1>You have to You have two writer that I think

0:29:15.280 --> 0:29:18.479
<v Speaker 1>are arguably too of the best comedy lines in our

0:29:18.520 --> 0:29:20.000
<v Speaker 1>show period. I think I know one of them that

0:29:20.000 --> 0:29:21.680
<v Speaker 1>you're gonna say, but I don't say. You know, I

0:29:21.720 --> 0:29:25.280
<v Speaker 1>don't like which one the don't move Maybe maybe he

0:29:25.320 --> 0:29:28.160
<v Speaker 1>doesn't see us. That's brilliant. That's one of my favorite lines.

0:29:28.240 --> 0:29:30.040
<v Speaker 1>And I'll get as sick as I can get without

0:29:30.040 --> 0:29:32.800
<v Speaker 1>actually dying, I think, is one of the other very

0:29:32.800 --> 0:29:36.240
<v Speaker 1>clever very kids won't get it, but adults will kind

0:29:36.240 --> 0:29:38.600
<v Speaker 1>of lines. Those are another one that I've often thought

0:29:39.520 --> 0:29:43.480
<v Speaker 1>so dumb. It is what a scuba stand for something

0:29:43.520 --> 0:29:51.240
<v Speaker 1>something creepy and andy. If I remember correctly, that's a

0:29:51.280 --> 0:29:53.120
<v Speaker 1>Jeff Manel line. We have to ask him if he

0:29:53.160 --> 0:29:54.920
<v Speaker 1>came up with that, because I think that that was

0:29:55.120 --> 0:29:59.800
<v Speaker 1>a Manel line. Uh, we haven't done that episode on

0:29:59.880 --> 0:30:02.720
<v Speaker 1>the questions to ask Minnell to so many things that

0:30:02.760 --> 0:30:04.040
<v Speaker 1>have come up that will be like Minnell, will no,

0:30:04.160 --> 0:30:07.440
<v Speaker 1>let's ask Minnell. Yeah, okay, So another question, were we

0:30:07.600 --> 0:30:13.000
<v Speaker 1>encouraged to improv do it during rehearsals or taping encouraged

0:30:13.040 --> 0:30:18.600
<v Speaker 1>as a loading Absolutely not. I was never told not to,

0:30:20.640 --> 0:30:23.120
<v Speaker 1>so I kind of did a lot. I think that

0:30:23.120 --> 0:30:24.920
<v Speaker 1>there was a word for word obsession on the show

0:30:24.960 --> 0:30:28.120
<v Speaker 1>if you messed up a line or really you were

0:30:28.160 --> 0:30:31.160
<v Speaker 1>told to improv. Will I wasn't told to improv, but

0:30:31.160 --> 0:30:33.080
<v Speaker 1>I improved all the time, and they were. They would

0:30:33.080 --> 0:30:35.480
<v Speaker 1>always keep the camera Like I could think of a

0:30:35.560 --> 0:30:37.520
<v Speaker 1>number of scenes where I just threw stuff in and

0:30:37.560 --> 0:30:40.800
<v Speaker 1>they usually kept it. But mostly you were throwing in

0:30:41.120 --> 0:30:43.280
<v Speaker 1>like at the end of a scene, the beginning of

0:30:43.320 --> 0:30:47.040
<v Speaker 1>the scene. I would button sound or like I would

0:30:47.080 --> 0:30:49.320
<v Speaker 1>butt in scenes a lot, or I would do something

0:30:49.360 --> 0:30:52.040
<v Speaker 1>in run through that they then wrote into The switch

0:30:52.080 --> 0:30:54.400
<v Speaker 1>of the scot was something they did quite a bit again.

0:30:55.600 --> 0:31:00.760
<v Speaker 1>You and Ben and Danielle had had a different acting

0:31:00.880 --> 0:31:03.320
<v Speaker 1>experience on the show than I did. I was very

0:31:03.360 --> 0:31:06.239
<v Speaker 1>much kind of left alone as I as we got

0:31:06.360 --> 0:31:08.520
<v Speaker 1>later in the show, especially where it was just kind

0:31:08.560 --> 0:31:10.960
<v Speaker 1>of like if I can get the laugh, go get

0:31:11.000 --> 0:31:12.760
<v Speaker 1>the laugh. That was kind of what it was. You

0:31:12.760 --> 0:31:16.240
<v Speaker 1>guys had the more dramatic kind of storyline, so I

0:31:16.240 --> 0:31:17.960
<v Speaker 1>think they wanted to stick to that more. And then

0:31:17.960 --> 0:31:19.960
<v Speaker 1>it was kind of like, now watch will go sneeze

0:31:20.000 --> 0:31:22.920
<v Speaker 1>lottery tickets? You know, So it was I I was

0:31:23.520 --> 0:31:25.800
<v Speaker 1>not encouraged is not the right word, but I certainly

0:31:25.880 --> 0:31:30.760
<v Speaker 1>was not discouraged from IMPROVM as how I would say it,

0:31:31.160 --> 0:31:33.320
<v Speaker 1>what do you guys know about the episodes that were

0:31:33.360 --> 0:31:37.320
<v Speaker 1>banned from Disney Channel and will you be rewatching them?

0:31:37.560 --> 0:31:41.040
<v Speaker 1>I tried to. It was so funny. The other day

0:31:41.080 --> 0:31:43.760
<v Speaker 1>I was trying I was working on something for us

0:31:44.320 --> 0:31:47.920
<v Speaker 1>and I was trying to remember all. I think there's

0:31:48.040 --> 0:31:52.360
<v Speaker 1>four and I was trying to remember which ones they were.

0:31:52.400 --> 0:31:55.400
<v Speaker 1>There's two I think that I have to do with drinking. Okay,

0:31:55.640 --> 0:31:58.840
<v Speaker 1>there's one where Korey and to Panga are contemplating losing

0:31:58.840 --> 0:32:03.480
<v Speaker 1>their virginity from from prom okay. And then there's one

0:32:03.480 --> 0:32:05.400
<v Speaker 1>other and I can't remember what it was. Was it

0:32:05.520 --> 0:32:08.960
<v Speaker 1>the honeymoon episode because they actually make love or is

0:32:08.960 --> 0:32:11.440
<v Speaker 1>it because that was just such a terrible episode that

0:32:11.480 --> 0:32:14.320
<v Speaker 1>they didn't want to air it on a television anywhere

0:32:14.320 --> 0:32:17.200
<v Speaker 1>in the world. Um. But I think I can't think

0:32:17.200 --> 0:32:18.600
<v Speaker 1>of what the fourth one is and I didn't want

0:32:18.600 --> 0:32:19.760
<v Speaker 1>to google it. I've been I'm like, I'm not going

0:32:19.840 --> 0:32:21.280
<v Speaker 1>to google it, and I want to see what it is.

0:32:21.840 --> 0:32:25.040
<v Speaker 1>But does anybody know of are those streaming on Disney

0:32:25.040 --> 0:32:27.400
<v Speaker 1>Plus or did Disney Plus not put those on either?

0:32:28.000 --> 0:32:29.760
<v Speaker 1>I do not know the answer to this question. I

0:32:29.800 --> 0:32:31.600
<v Speaker 1>don't know how many there are. I think it's four,

0:32:31.640 --> 0:32:34.760
<v Speaker 1>but it also maybe five. Um, and I do think

0:32:34.800 --> 0:32:39.000
<v Speaker 1>they were drinking, yeah, drinking related and sex related. And

0:32:39.040 --> 0:32:41.239
<v Speaker 1>I don't know if they're on Disney Plus. So we

0:32:41.280 --> 0:32:43.800
<v Speaker 1>do need to research it though, because I don't know

0:32:43.840 --> 0:32:45.720
<v Speaker 1>when the first one is that will come to and

0:32:45.760 --> 0:32:48.080
<v Speaker 1>if we're watching it on Disney Plus, we're gonna need

0:32:48.120 --> 0:32:50.240
<v Speaker 1>to find it somewhere else. But not only that, but

0:32:50.320 --> 0:32:54.280
<v Speaker 1>Disney would internally edit episodes. They would cut lines, they

0:32:54.280 --> 0:33:01.040
<v Speaker 1>would cut beats. Now with other shows, because I know

0:33:01.160 --> 0:33:05.080
<v Speaker 1>mash backwards and forwards and mashes ones, and they're cutting

0:33:05.120 --> 0:33:07.320
<v Speaker 1>stuff out. Well, no, but I know that Disney when

0:33:07.320 --> 0:33:09.720
<v Speaker 1>they re aired our show on Disney Channel would cut

0:33:09.800 --> 0:33:11.840
<v Speaker 1>because maybe it was a scream episode. They probably cut

0:33:11.840 --> 0:33:14.760
<v Speaker 1>the scream episode. They probably didn't air that on Disney Channel, right,

0:33:15.280 --> 0:33:16.920
<v Speaker 1>I don't know, I don't know. You also know that

0:33:16.920 --> 0:33:20.160
<v Speaker 1>when that there's different sometimes on cable syndication, there's different

0:33:20.200 --> 0:33:24.280
<v Speaker 1>timing than there is on UH network. So so a

0:33:24.360 --> 0:33:27.320
<v Speaker 1>network run was twenty three minutes plus seven minutes of commercials,

0:33:27.800 --> 0:33:32.080
<v Speaker 1>So a UH cable run might have been short, just

0:33:32.200 --> 0:33:33.960
<v Speaker 1>they might have short and no, because they didn't have

0:33:34.240 --> 0:33:35.720
<v Speaker 1>they do have commercials on Disney. No, they didn't have

0:33:35.720 --> 0:33:40.719
<v Speaker 1>commercials on Disney Channel. They don't. They did know they do, Okay, Um,

0:33:40.760 --> 0:33:44.960
<v Speaker 1>But to answer the question, um, I mean I remember

0:33:44.960 --> 0:33:49.040
<v Speaker 1>the drinking stuff very vividly, like you know, acting those episodes, um,

0:33:49.160 --> 0:33:52.640
<v Speaker 1>and feeling challenged by them and discussing like how to

0:33:52.680 --> 0:33:56.440
<v Speaker 1>play drunk and all that stuff of course. Um. And

0:33:56.480 --> 0:33:59.840
<v Speaker 1>then I remember really not liking the prom episode. Yeah,

0:34:00.040 --> 0:34:02.360
<v Speaker 1>we were taping it. I remember being very upset during

0:34:02.360 --> 0:34:04.600
<v Speaker 1>that entire week. I was very upset with the adults

0:34:04.600 --> 0:34:07.360
<v Speaker 1>on our set. The way that they were approaching this

0:34:07.560 --> 0:34:13.560
<v Speaker 1>UM specifically because UM, we were not discussing UM safe sex.

0:34:13.800 --> 0:34:17.200
<v Speaker 1>That the fact that we would not bring up Corey

0:34:17.200 --> 0:34:21.719
<v Speaker 1>and to Banga using condoms or having a discussion about

0:34:21.719 --> 0:34:24.440
<v Speaker 1>birth control at all, and yet the entire episode is

0:34:24.440 --> 0:34:26.400
<v Speaker 1>about whether will they or will they not in the

0:34:26.480 --> 0:34:28.560
<v Speaker 1>bedroom in the hotel room, and it was and I

0:34:28.600 --> 0:34:32.839
<v Speaker 1>just remember being so upset. And then like three weeks

0:34:32.880 --> 0:34:34.800
<v Speaker 1>and I brought it up. I remember talking to Michael

0:34:34.800 --> 0:34:36.880
<v Speaker 1>about it and saying, like, can we talk about this,

0:34:37.000 --> 0:34:40.160
<v Speaker 1>Like maybe you generationally don't understand that, but like we

0:34:40.160 --> 0:34:41.840
<v Speaker 1>were growing up in the era of AIDS, this is

0:34:41.880 --> 0:34:43.719
<v Speaker 1>something that we have to talk about, Like when you

0:34:43.840 --> 0:34:47.080
<v Speaker 1>are discussing losing your virginity, you discuss who you know,

0:34:47.120 --> 0:34:48.920
<v Speaker 1>how you're going to do it, and like how to

0:34:48.960 --> 0:34:51.600
<v Speaker 1>be safe about it. And he completely blew me off

0:34:51.680 --> 0:34:53.359
<v Speaker 1>and told me it was a ridiculous thing to worry

0:34:53.360 --> 0:34:55.520
<v Speaker 1>about UM and that we don't even need to discuss

0:34:55.560 --> 0:34:57.840
<v Speaker 1>it UM. And I felt at the time that that

0:34:57.880 --> 0:35:03.000
<v Speaker 1>was incredibly irresponsible. And and then I remember like three

0:35:03.120 --> 0:35:05.440
<v Speaker 1>episodes later, we were doing an episode where we made

0:35:05.440 --> 0:35:09.560
<v Speaker 1>a joke about sharing razors, where Corey and like to

0:35:09.680 --> 0:35:12.600
<v Speaker 1>pangas talk about sharing razors in college, and I remember

0:35:12.680 --> 0:35:14.880
<v Speaker 1>during a note session, Michael Jacob saying, you know, I

0:35:14.920 --> 0:35:17.279
<v Speaker 1>recently read that hepatitis can spread through razors? Are we

0:35:17.360 --> 0:35:20.760
<v Speaker 1>being irresponsible by And I was like, I just remember

0:35:20.800 --> 0:35:22.960
<v Speaker 1>being so pissed. I was like, oh, this is where

0:35:23.280 --> 0:35:26.400
<v Speaker 1>now we're going to talk about, like us hepatitis. But

0:35:26.560 --> 0:35:29.520
<v Speaker 1>for whatever reason, the notion of like discussing safe sex

0:35:29.600 --> 0:35:32.320
<v Speaker 1>was off the table, even though the entire episode was

0:35:32.360 --> 0:35:34.720
<v Speaker 1>about having sex. So I I remember being very upset

0:35:34.760 --> 0:35:38.320
<v Speaker 1>during that episode and just generationally feeling that difference, like, oh, well,

0:35:38.360 --> 0:35:41.880
<v Speaker 1>you know, it's not something that they were concerned with,

0:35:41.920 --> 0:35:44.480
<v Speaker 1>And I felt like, you know, first of all, I

0:35:44.520 --> 0:35:46.879
<v Speaker 1>remember being very uncomfortable all the sex conversation. I'm going

0:35:46.960 --> 0:35:49.239
<v Speaker 1>the world like it was just weird, um, you know,

0:35:49.280 --> 0:35:52.239
<v Speaker 1>And and it was so I remember rolling my eyes

0:35:52.280 --> 0:35:55.000
<v Speaker 1>about all the like Corey to Panga virgin stuf. It's

0:35:55.000 --> 0:36:00.000
<v Speaker 1>like it just felt so uh precious, outdated and also

0:36:00.040 --> 0:36:01.440
<v Speaker 1>just weird to be talking about, like why are we

0:36:01.480 --> 0:36:04.200
<v Speaker 1>obsessing over this um even at the time, and then um,

0:36:04.280 --> 0:36:05.920
<v Speaker 1>and then yet if you're going to do a whole

0:36:05.960 --> 0:36:09.160
<v Speaker 1>episode about it, to not discuss it responsibly felt really all.

0:36:09.200 --> 0:36:12.400
<v Speaker 1>You know, Yeah, I think I'll probably have more memories.

0:36:12.440 --> 0:36:15.560
<v Speaker 1>I remember also feeling very uncomfortable the whole week, um

0:36:15.600 --> 0:36:18.960
<v Speaker 1>for similar reasons, But I don't necessarily have specific memories

0:36:18.960 --> 0:36:24.200
<v Speaker 1>other than just kind of um ickiness um about the week.

0:36:24.280 --> 0:36:27.120
<v Speaker 1>So yeah, I mean, I mean, yeah, I don't. I

0:36:27.160 --> 0:36:29.279
<v Speaker 1>honestly don't remember the episode. And I think there's three

0:36:29.320 --> 0:36:31.960
<v Speaker 1>episodes that and it says three that haven't been I

0:36:32.000 --> 0:36:35.439
<v Speaker 1>did finally google three that weren't on Disney Channel, um,

0:36:35.480 --> 0:36:36.880
<v Speaker 1>and that this is one of them. I think this

0:36:36.960 --> 0:36:39.200
<v Speaker 1>is the one called if you can't be the with

0:36:39.239 --> 0:36:43.759
<v Speaker 1>the one you love? Is that that that one? Season five? Um?

0:36:43.880 --> 0:36:46.680
<v Speaker 1>I believe that's what they're talking about. But I mean

0:36:46.719 --> 0:36:50.560
<v Speaker 1>I get them doing an episode about losing your virginity

0:36:50.560 --> 0:36:53.319
<v Speaker 1>on problem not. I think that's a natural thing to

0:36:53.440 --> 0:36:56.120
<v Speaker 1>kind of happen. Yeah, I mean, that's that's a that's

0:36:56.160 --> 0:36:58.880
<v Speaker 1>a real issue too. I think bring up but not

0:36:58.920 --> 0:37:00.799
<v Speaker 1>bring up the safe sex thing doesn't make any sense.

0:37:00.840 --> 0:37:05.839
<v Speaker 1>But um, yes, promises promises you can't be with the

0:37:05.840 --> 0:37:07.720
<v Speaker 1>one you love, So that's got to be a different

0:37:07.719 --> 0:37:11.880
<v Speaker 1>one then, um Shawn's character one. Yeah, see again, I

0:37:11.920 --> 0:37:15.040
<v Speaker 1>don't I don't know these episodes promises, promises, and then

0:37:16.200 --> 0:37:21.399
<v Speaker 1>the third one is the Truth about Honesty. Mm hmm ah,

0:37:21.719 --> 0:37:24.600
<v Speaker 1>no idea. So maybe maybe one of those is the

0:37:25.640 --> 0:37:29.840
<v Speaker 1>is the and when I don't know that says you

0:37:29.880 --> 0:37:32.439
<v Speaker 1>can watch him on Hulu. When Topanga used Cory's razor,

0:37:32.480 --> 0:37:34.840
<v Speaker 1>he became on set, which I mean, that's literally the

0:37:34.880 --> 0:37:38.319
<v Speaker 1>episode you're talking about, is the Truth about Honesty. We

0:37:38.360 --> 0:37:40.520
<v Speaker 1>have them on DVD, so we will watch We will

0:37:40.560 --> 0:37:42.359
<v Speaker 1>watch them if they're not on Disney Plus, we will

0:37:42.360 --> 0:37:44.800
<v Speaker 1>watch them on DVD. I don't remember any of those episodes.

0:37:49.280 --> 0:37:51.839
<v Speaker 1>Hey everyone, I'm Wilford LL, also known as a voice

0:37:51.840 --> 0:37:54.839
<v Speaker 1>behind Ron Stoppable. Hey, and I'm Christy Carlson or Model,

0:37:54.920 --> 0:37:57.640
<v Speaker 1>also known as the voice behind Kim Possible. And we

0:37:57.719 --> 0:37:59.680
<v Speaker 1>have teamed up again, but this time is the host

0:37:59.760 --> 0:38:02.080
<v Speaker 1>of I Hear Voices. Have you ever wanted to go

0:38:02.200 --> 0:38:05.120
<v Speaker 1>behind the scenes of your favorite cartoons, video games, and

0:38:05.200 --> 0:38:08.560
<v Speaker 1>animated movies. If so, we have the podcast for you.

0:38:08.960 --> 0:38:11.040
<v Speaker 1>Every week, we're gonna be talking to the biggest stars

0:38:11.080 --> 0:38:14.240
<v Speaker 1>of voice over, like Alan tutic, Vette, Nicole Brown, Steve Downs,

0:38:14.280 --> 0:38:17.320
<v Speaker 1>Dietrich Bader, and even reuniting with our Kim Possible co

0:38:17.400 --> 0:38:20.719
<v Speaker 1>star Taj Maury. They tell us everything from how they

0:38:20.719 --> 0:38:23.239
<v Speaker 1>got started, two things we didn't even know about some

0:38:23.320 --> 0:38:26.239
<v Speaker 1>of our favorite animated characters. You're also going to hear

0:38:26.280 --> 0:38:28.799
<v Speaker 1>about new shows, games, and movies from all of these

0:38:28.840 --> 0:38:30.879
<v Speaker 1>actors who bring them to life. So if you want

0:38:30.920 --> 0:38:34.920
<v Speaker 1>to laugh, learn, and here's someone launch into characters like Bugs, Bunny,

0:38:35.000 --> 0:38:38.080
<v Speaker 1>and Batman all in the same episode, then this is

0:38:38.080 --> 0:38:40.879
<v Speaker 1>the podcast for you. Download the free I Heart Radio

0:38:40.880 --> 0:38:43.640
<v Speaker 1>app and check out the I Hear Voices podcast today.

0:38:43.880 --> 0:38:47.160
<v Speaker 1>It's free and you can even listen offline. Discover music

0:38:47.320 --> 0:38:56.240
<v Speaker 1>radio and podcasts you'll love, especially ours. Now another question,

0:38:56.320 --> 0:38:59.399
<v Speaker 1>would you ever be interested in revisiting the Boy Meets

0:38:59.400 --> 0:39:03.920
<v Speaker 1>World unit verse? I think now is probably a fine

0:39:04.000 --> 0:39:06.360
<v Speaker 1>time to mention that a couple of years ago we

0:39:06.520 --> 0:39:12.880
<v Speaker 1>talked very briefly about doing a totally weird offshoot of

0:39:13.000 --> 0:39:17.600
<v Speaker 1>a Boy Meets World reboot that actually was kind of

0:39:17.600 --> 0:39:22.080
<v Speaker 1>in the horror genre. It was it was such a

0:39:22.120 --> 0:39:25.600
<v Speaker 1>fun idea and a fun script, and we were all

0:39:25.640 --> 0:39:28.399
<v Speaker 1>going to be able to, you know, be producers or

0:39:28.400 --> 0:39:34.400
<v Speaker 1>writers and actually we ourselves correct, we were playing ourselves,

0:39:34.840 --> 0:39:39.720
<v Speaker 1>having been on a fictionalized version of a Boy meets

0:39:39.760 --> 0:39:42.600
<v Speaker 1>World that we were calling something else. Um, but we

0:39:42.600 --> 0:39:44.560
<v Speaker 1>were all involved. It was going to be really fun

0:39:44.600 --> 0:39:48.120
<v Speaker 1>and it was going to be like Scream meets a

0:39:48.600 --> 0:39:52.960
<v Speaker 1>Boy meets World ish reboot, and um, we took it

0:39:53.000 --> 0:39:55.279
<v Speaker 1>pretty far. We got pretty far in the process. We

0:39:55.320 --> 0:39:59.279
<v Speaker 1>actually sold the idea to a streamer who I will

0:39:59.320 --> 0:40:04.080
<v Speaker 1>not mention, and then said streamer wasn't really sure exactly

0:40:04.120 --> 0:40:07.000
<v Speaker 1>what they were doing with their their their network, if

0:40:07.040 --> 0:40:09.800
<v Speaker 1>you will, and it ended up getting dropped. And then

0:40:09.880 --> 0:40:13.919
<v Speaker 1>we took the idea to uh Sony, and Sony bought

0:40:13.960 --> 0:40:17.160
<v Speaker 1>the idea and we were really excited. But then Sony

0:40:17.320 --> 0:40:20.320
<v Speaker 1>and this other streamer couldn't work out the terms to

0:40:21.200 --> 0:40:23.160
<v Speaker 1>let us go over to Sony, and the whole idea

0:40:23.280 --> 0:40:26.240
<v Speaker 1>just kind of now lays their dormant in a puddle

0:40:26.280 --> 0:40:29.279
<v Speaker 1>at our feet. So well, you said something, Danielle that

0:40:29.400 --> 0:40:32.160
<v Speaker 1>I thought was amazing at the time, because we were

0:40:32.200 --> 0:40:34.799
<v Speaker 1>talking about and reboots were big, and you said, you

0:40:34.840 --> 0:40:36.759
<v Speaker 1>know what, it's never been done that I really want

0:40:36.800 --> 0:40:40.440
<v Speaker 1>to do. I want to reboot the caste which is

0:40:40.520 --> 0:40:42.480
<v Speaker 1>I don't want to reboot the show. I want us

0:40:42.520 --> 0:40:44.960
<v Speaker 1>all the whole cast to get together and do a

0:40:45.000 --> 0:40:48.719
<v Speaker 1>different project as different people, totally different show. I just

0:40:48.760 --> 0:40:50.600
<v Speaker 1>think it would be I think it's kind of an

0:40:50.600 --> 0:40:54.960
<v Speaker 1>interesting experiment, agreed. I think that is you take the

0:40:55.000 --> 0:40:56.759
<v Speaker 1>cast of a show and you put them in a

0:40:56.800 --> 0:40:59.000
<v Speaker 1>different show with different characters. You see if people would

0:40:59.000 --> 0:41:01.800
<v Speaker 1>be able to accept them as other characters. And I

0:41:01.840 --> 0:41:05.160
<v Speaker 1>think if they're different enough, it's cool enough that they would.

0:41:05.200 --> 0:41:07.080
<v Speaker 1>But that idea always stuck with me, the idea of

0:41:07.080 --> 0:41:09.560
<v Speaker 1>rebooting the cast as opposed to the show. I think

0:41:09.600 --> 0:41:11.759
<v Speaker 1>that's great. And we knew that Writer really didn't have

0:41:11.840 --> 0:41:14.200
<v Speaker 1>much of an interest in being an actor. So Writer

0:41:14.280 --> 0:41:16.239
<v Speaker 1>actually ended up in a coma at the end of

0:41:16.280 --> 0:41:19.120
<v Speaker 1>the first episode, which got him to just basically lay

0:41:19.160 --> 0:41:22.759
<v Speaker 1>there very still exactly. So whatever this, whatever, this new

0:41:22.840 --> 0:41:25.680
<v Speaker 1>version is of us rebooting the cast, Writer, you can

0:41:25.719 --> 0:41:27.200
<v Speaker 1>be in a you can be in a coma, I

0:41:27.200 --> 0:41:32.319
<v Speaker 1>think it. And you're just direct exactly perfect, all right.

0:41:32.440 --> 0:41:35.799
<v Speaker 1>So yes, I think, like Will said, um, we have

0:41:35.880 --> 0:41:40.280
<v Speaker 1>no interest in doing another Boy Meets World related show,

0:41:40.520 --> 0:41:43.040
<v Speaker 1>but rebooting something where we all got to work together

0:41:43.080 --> 0:41:45.120
<v Speaker 1>and we had agency in it and could have a

0:41:45.200 --> 0:41:47.920
<v Speaker 1>say in it from a producing and writing and directing standpoint,

0:41:47.960 --> 0:41:49.680
<v Speaker 1>I think, yeah, I mean, obviously, we all love each

0:41:49.719 --> 0:41:51.880
<v Speaker 1>other and we love working together, and so we're always

0:41:51.920 --> 0:41:53.600
<v Speaker 1>coming up with ideas and things that we could do.

0:41:53.680 --> 0:41:56.080
<v Speaker 1>So you never know, maybe somewhere down the line you'll

0:41:56.080 --> 0:42:00.160
<v Speaker 1>see You'll see us doing something. Um, someone wanted to know,

0:42:00.280 --> 0:42:03.040
<v Speaker 1>can we get evidence that Danielle wrapped a bust of

0:42:03.160 --> 0:42:06.319
<v Speaker 1>rhyme song during MTV spring break? I have a bet

0:42:06.360 --> 0:42:09.080
<v Speaker 1>with my brother. I remember it. He says it never happened.

0:42:09.200 --> 0:42:12.000
<v Speaker 1>We can't find it anywhere. Who is right? Did you?

0:42:12.560 --> 0:42:16.319
<v Speaker 1>I most certainly did, and it was per Say What

0:42:16.520 --> 0:42:21.919
<v Speaker 1>Karaoke during MTVS spring Break, and UM, it was so

0:42:22.000 --> 0:42:24.040
<v Speaker 1>much fun. I mean, you guys know what a big

0:42:24.200 --> 0:42:26.600
<v Speaker 1>hip hop head I've been for most of my life,

0:42:26.680 --> 0:42:28.840
<v Speaker 1>and so when I got to do say What karaoke,

0:42:29.800 --> 0:42:32.200
<v Speaker 1>I wanted to do that song and I did it.

0:42:32.200 --> 0:42:34.440
<v Speaker 1>It was really fun. You cannot find it anywhere. I

0:42:34.480 --> 0:42:37.480
<v Speaker 1>have no copy of it. I don't I I don't

0:42:37.480 --> 0:42:39.840
<v Speaker 1>know where it is. MTV is very believe YouTube doesn't

0:42:39.880 --> 0:42:44.759
<v Speaker 1>have it. MTV is very uh, they are very protective

0:42:44.760 --> 0:42:46.920
<v Speaker 1>over their I P and I don't know, it's just

0:42:47.000 --> 0:42:49.279
<v Speaker 1>not there. It comes up all the time that people

0:42:49.280 --> 0:42:51.759
<v Speaker 1>are like, did I is that a fever dream. Did

0:42:51.800 --> 0:42:54.120
<v Speaker 1>I dream that? And it's like, no, it really happened,

0:42:54.160 --> 0:42:56.200
<v Speaker 1>but there is no evidence on it of it online.

0:42:56.239 --> 0:42:58.480
<v Speaker 1>So I remember you talking to me about this. Isn't

0:42:58.520 --> 0:43:00.440
<v Speaker 1>it true that one of the reasons like you didn't

0:43:00.440 --> 0:43:03.120
<v Speaker 1>win or something that is because you were wrapping faster

0:43:03.280 --> 0:43:06.359
<v Speaker 1>than Busta rhymes. Yeah, and it's not necessarily because I'm

0:43:06.440 --> 0:43:09.400
<v Speaker 1>faster than Busta rhymes. It was the way the earpiece

0:43:09.520 --> 0:43:11.840
<v Speaker 1>was in my ear and the way so I actually lost,

0:43:11.880 --> 0:43:13.960
<v Speaker 1>Like I came in third place. I'm at Zappa, I

0:43:14.000 --> 0:43:18.480
<v Speaker 1>think one or maybe it was the kids from Geeks

0:43:18.600 --> 0:43:21.440
<v Speaker 1>freaksing Geeks, maybe they won something, but either way, I

0:43:21.480 --> 0:43:24.879
<v Speaker 1>came in third place. And um, my performance was good,

0:43:24.920 --> 0:43:26.920
<v Speaker 1>but in my earpiece and the way the audience was

0:43:27.000 --> 0:43:29.920
<v Speaker 1>yelling and everything, the music actually started in my ear

0:43:30.440 --> 0:43:33.319
<v Speaker 1>sooner than it started elsewhere, and so I was like

0:43:33.480 --> 0:43:35.759
<v Speaker 1>I was, I started a little fast and then yes,

0:43:35.800 --> 0:43:38.920
<v Speaker 1>I was rapping faster than Busta rhymes. Um, and I

0:43:38.920 --> 0:43:41.080
<v Speaker 1>think that may have affected my my win, but yes

0:43:41.120 --> 0:43:43.720
<v Speaker 1>I did it and it was really fun. And um,

0:43:43.760 --> 0:43:47.400
<v Speaker 1>you win the bet with your brother, so that's very exciting. Um,

0:43:47.520 --> 0:43:50.120
<v Speaker 1>do you still get Disney perks? Do you have to

0:43:50.160 --> 0:43:54.640
<v Speaker 1>pay for Disney plus we get no Disney perks, and yes,

0:43:54.719 --> 0:43:58.080
<v Speaker 1>we have to pay for Disney was I have a

0:43:58.120 --> 0:44:01.400
<v Speaker 1>story about that. Actually, we used to be able to

0:44:01.840 --> 0:44:04.120
<v Speaker 1>call up and say I want to go to Disneyland

0:44:04.560 --> 0:44:08.799
<v Speaker 1>next week or whatever, and they would give us free tickets. Um.

0:44:08.840 --> 0:44:10.799
<v Speaker 1>When we went to Disney World, they would fly us

0:44:10.840 --> 0:44:13.000
<v Speaker 1>there for events and then we would get the v

0:44:13.040 --> 0:44:15.439
<v Speaker 1>I P Guest guide, like taking us to the front

0:44:15.440 --> 0:44:17.360
<v Speaker 1>of the line. But like, I remember being able to

0:44:17.360 --> 0:44:18.920
<v Speaker 1>go to Disney And I didn't take advantage of this

0:44:19.200 --> 0:44:21.000
<v Speaker 1>too often, but I remember being able to go to

0:44:21.000 --> 0:44:24.720
<v Speaker 1>Disneyland just by calling us, you know, the publicity department,

0:44:24.760 --> 0:44:26.239
<v Speaker 1>saying hey, could I get tickets, and they would give

0:44:26.239 --> 0:44:28.239
<v Speaker 1>me tickets um for me and my friends to go.

0:44:28.440 --> 0:44:31.400
<v Speaker 1>I only did it a few times, but I remember

0:44:31.719 --> 0:44:35.680
<v Speaker 1>when our show got uh got canceled, or when it

0:44:35.719 --> 0:44:38.879
<v Speaker 1>was over. I went to New York to like the

0:44:38.920 --> 0:44:41.959
<v Speaker 1>week after our show was canceled, and I had talked

0:44:42.040 --> 0:44:44.480
<v Speaker 1>to somebody about getting tickets to go see The Lion

0:44:44.600 --> 0:44:48.520
<v Speaker 1>King on Broadway, uh and the they didn't get back

0:44:48.560 --> 0:44:50.480
<v Speaker 1>to me. And I remember the show in New York.

0:44:50.520 --> 0:44:52.960
<v Speaker 1>I was calling to Pelicity department being like, hey can

0:44:53.000 --> 0:44:55.479
<v Speaker 1>I yeah, yeah, right, we'll get back to you about that. Click.

0:44:55.640 --> 0:44:59.880
<v Speaker 1>Never heard back, Like the just ended, no more Disney tickets,

0:45:00.000 --> 0:45:03.399
<v Speaker 1>own more ability to see Broadway shows Disney Broadway Show,

0:45:03.480 --> 0:45:05.680
<v Speaker 1>and I never heard back from the publicity department. It

0:45:05.719 --> 0:45:07.840
<v Speaker 1>was like, literally the week after the show ended. I

0:45:07.880 --> 0:45:11.200
<v Speaker 1>was in New York being like, hey, you know, Lisa whomever, like,

0:45:11.480 --> 0:45:13.920
<v Speaker 1>remember those tickets we've done. Yeah, I'll look into that, right,

0:45:14.000 --> 0:45:16.799
<v Speaker 1>we'll get back to you. Never. I still do some

0:45:16.880 --> 0:45:18.799
<v Speaker 1>voice over stuff for Disney, so I still get some

0:45:18.840 --> 0:45:21.120
<v Speaker 1>of the Disney perks. That's good. Yeah, I mean I

0:45:21.160 --> 0:45:23.719
<v Speaker 1>direct for Disney, writer directed for Disney. They don't give

0:45:23.760 --> 0:45:27.479
<v Speaker 1>them to the directors, they give them to the actors. Yeah, um,

0:45:27.520 --> 0:45:29.400
<v Speaker 1>and yeah, you get like a certain amount every season.

0:45:29.440 --> 0:45:32.239
<v Speaker 1>You'd be like, okay, you get you know, twelve free

0:45:32.280 --> 0:45:34.359
<v Speaker 1>tickets or something. And so it used to be really

0:45:34.400 --> 0:45:36.240
<v Speaker 1>fun because you could just call up and be like, Okay,

0:45:36.239 --> 0:45:38.640
<v Speaker 1>me and three are my friends are coming, and they'd

0:45:38.680 --> 0:45:41.280
<v Speaker 1>put your names down and get the very fun company

0:45:41.280 --> 0:45:44.239
<v Speaker 1>to work for. My favorite, my favorite event was when

0:45:44.360 --> 0:45:48.239
<v Speaker 1>you know, they shut down Disney after five PM during

0:45:48.280 --> 0:45:50.680
<v Speaker 1>the holiday season for a couple of nights, Like there's

0:45:50.680 --> 0:45:54.200
<v Speaker 1>like three nights where Disney employees and not actors, but

0:45:54.320 --> 0:45:57.600
<v Speaker 1>everybody works in every aspect of Disney can go for

0:45:57.760 --> 0:46:01.240
<v Speaker 1>the holiday for for it's like only open to Disney

0:46:01.239 --> 0:46:04.080
<v Speaker 1>employees from five pm on during the holiday season for

0:46:04.120 --> 0:46:06.399
<v Speaker 1>a couple of days. And that is so much fun

0:46:06.440 --> 0:46:09.239
<v Speaker 1>because it's at night and the cark is, you know,

0:46:09.239 --> 0:46:12.000
<v Speaker 1>at like twenty percent capacity. And I just remember like

0:46:12.040 --> 0:46:14.440
<v Speaker 1>me and Ben running around because they would take us

0:46:14.440 --> 0:46:16.640
<v Speaker 1>down in a bus when that would happen, and all

0:46:16.680 --> 0:46:19.040
<v Speaker 1>the Boy Meets World cast and crew would go down together,

0:46:19.440 --> 0:46:21.319
<v Speaker 1>and I just I just remember those. I have such

0:46:21.400 --> 0:46:24.800
<v Speaker 1>fun memories because I felt like Disney Disneyland was ours,

0:46:24.800 --> 0:46:26.120
<v Speaker 1>you know not. It was like it was like the

0:46:26.120 --> 0:46:29.080
<v Speaker 1>whole park was was Disney people and Disney eployees. And

0:46:29.120 --> 0:46:31.440
<v Speaker 1>we would get um an ornament to like a Disney

0:46:31.440 --> 0:46:34.160
<v Speaker 1>special around when you left the park. Uh, And I did,

0:46:34.239 --> 0:46:36.279
<v Speaker 1>and there was something magical about that. I did that

0:46:36.320 --> 0:46:37.880
<v Speaker 1>all the way up into college. I remember going to

0:46:37.960 --> 0:46:39.880
<v Speaker 1>those things and I still, yeah, I missed them. Yeah, no,

0:46:39.960 --> 0:46:42.200
<v Speaker 1>there's great. One of my coolest memories ever in my

0:46:42.239 --> 0:46:44.560
<v Speaker 1>life is Melissa jone Hart and I were shooting something

0:46:44.600 --> 0:46:47.280
<v Speaker 1>for Disney and Disney World, and we had to shoot

0:46:47.280 --> 0:46:49.920
<v Speaker 1>it at night, so we had the whole park to ourselves.

0:46:50.120 --> 0:46:52.040
<v Speaker 1>That literally it was you had the Magic Kingdom. It

0:46:52.080 --> 0:46:54.120
<v Speaker 1>was the two of us together, just walking around at

0:46:54.160 --> 0:46:56.560
<v Speaker 1>like three o'clock in the morning. All the rides were working,

0:46:56.680 --> 0:46:59.560
<v Speaker 1>everything was up because they were shooting stuff, and it

0:46:59.640 --> 0:47:02.879
<v Speaker 1>was empty, so it was like, here's Disney World. It

0:47:03.000 --> 0:47:06.560
<v Speaker 1>was so cool. It was awesome. No, I that is

0:47:06.560 --> 0:47:09.120
<v Speaker 1>still so fun. I love those memories of us on

0:47:09.160 --> 0:47:11.120
<v Speaker 1>those cast and crew knights. It was so much fun.

0:47:11.120 --> 0:47:12.920
<v Speaker 1>That's the story Lee told actually about Lee and I

0:47:13.040 --> 0:47:16.520
<v Speaker 1>on the bus together. Daniel Do you remember you and

0:47:16.560 --> 0:47:19.280
<v Speaker 1>I doing one of those together? Do you remember? Because

0:47:19.320 --> 0:47:22.879
<v Speaker 1>I had totally forgotten about this and then somebody sent

0:47:22.920 --> 0:47:25.080
<v Speaker 1>me a clip of it. You and I were flown

0:47:25.200 --> 0:47:28.759
<v Speaker 1>to Disney World for the opening of the Animal Kingdom. Oh,

0:47:28.800 --> 0:47:31.520
<v Speaker 1>I do remember that, and you and I just hung

0:47:31.520 --> 0:47:33.799
<v Speaker 1>out there for a bunch of days and a bunch

0:47:33.880 --> 0:47:36.839
<v Speaker 1>of stuff, and it was just the two of us,

0:47:36.840 --> 0:47:38.520
<v Speaker 1>and it was like Drew Carey and we were hanging

0:47:38.520 --> 0:47:39.960
<v Speaker 1>out with Drew carry and he was throwing out us.

0:47:39.960 --> 0:47:42.160
<v Speaker 1>Like Danielle will tell us about the animals and we

0:47:42.160 --> 0:47:45.320
<v Speaker 1>were hanging out with everybody there. I forgot about that entirely,

0:47:45.360 --> 0:47:48.239
<v Speaker 1>but yes, yeah, you and I did a whole big thing.

0:47:49.040 --> 0:47:50.880
<v Speaker 1>It was a ton of fun. Yeah. We also did

0:47:50.880 --> 0:47:53.960
<v Speaker 1>the anniversary of Disney World. That was a week long

0:47:54.040 --> 0:47:55.960
<v Speaker 1>celebration and they flew us all out there and we

0:47:55.960 --> 0:47:58.560
<v Speaker 1>were doing so much press. We were there for a while.

0:47:58.600 --> 0:48:01.480
<v Speaker 1>Like that was huge event. That was cool. We had that.

0:48:01.520 --> 0:48:04.560
<v Speaker 1>We had the Chicago Bulls private plane fly us here.

0:48:04.640 --> 0:48:07.600
<v Speaker 1>Remember that. It was a little cabins and everything, and

0:48:07.760 --> 0:48:09.759
<v Speaker 1>I just remember sitting there playing magic, the gathering with

0:48:09.800 --> 0:48:12.399
<v Speaker 1>you in the in the plane as we were flying there.

0:48:12.400 --> 0:48:14.120
<v Speaker 1>I only flew back, so it would have been on

0:48:14.200 --> 0:48:16.120
<v Speaker 1>the flight. Okay, the only time because it was my

0:48:16.160 --> 0:48:19.400
<v Speaker 1>first time on a private plane. Um. But yeah, I remember.

0:48:19.600 --> 0:48:23.520
<v Speaker 1>I remember meeting Michael Jay Fox that week. We all

0:48:23.560 --> 0:48:25.480
<v Speaker 1>sat there and talked to him. It was the coolest thing.

0:48:25.520 --> 0:48:27.600
<v Speaker 1>Oh my god, it was like meeting my my hero.

0:48:27.880 --> 0:48:30.080
<v Speaker 1>It was I was star strive speechless. It was one

0:48:30.120 --> 0:48:31.759
<v Speaker 1>of the coolest things that ever happened. And he knew

0:48:31.760 --> 0:48:33.600
<v Speaker 1>who we were like that he did because he knew

0:48:33.680 --> 0:48:37.200
<v Speaker 1>be Remember Ben was like he was in Mr. Fox. Yeah,

0:48:37.239 --> 0:48:41.040
<v Speaker 1>and he's like Mr Fox, He's like you guys, And

0:48:41.080 --> 0:48:42.560
<v Speaker 1>we sat and talked with him, and then he was

0:48:42.600 --> 0:48:43.719
<v Speaker 1>in the parade of the Hand of Us and I

0:48:43.760 --> 0:48:45.680
<v Speaker 1>remember we kept making faces at each other and I

0:48:45.760 --> 0:48:47.560
<v Speaker 1>was just like it was the coolest thing in the world.

0:48:48.960 --> 0:48:53.480
<v Speaker 1>Fox knows who I am. Those are such good memories. Um.

0:48:53.520 --> 0:48:56.799
<v Speaker 1>So this is from Tyler Eikenberg from the episode one

0:48:56.800 --> 0:48:59.440
<v Speaker 1>oh two. In the water Fight, Amy is using a hose,

0:48:59.680 --> 0:49:02.480
<v Speaker 1>which got him thinking about the show's plumbing. How much

0:49:02.480 --> 0:49:05.520
<v Speaker 1>of a set was actually set up for plumbing. Were

0:49:05.560 --> 0:49:09.200
<v Speaker 1>the sinks and toilets and showers actually working? Did any

0:49:09.280 --> 0:49:11.560
<v Speaker 1>of the sinks work? No, they have to always add

0:49:11.560 --> 0:49:15.360
<v Speaker 1>a water tank. You have their offset make it work.

0:49:15.560 --> 0:49:17.840
<v Speaker 1>They will say do you want a functional sink? Do

0:49:17.880 --> 0:49:19.719
<v Speaker 1>you need a functional whatever, and then they can make

0:49:19.760 --> 0:49:22.319
<v Speaker 1>it work. But it's otherwise it's not working. I found

0:49:22.320 --> 0:49:26.160
<v Speaker 1>out the hard way. Those toilets are fake. The walls

0:49:26.160 --> 0:49:29.040
<v Speaker 1>are so incredibly thin, Like I don't think people realize that, Like,

0:49:29.320 --> 0:49:31.240
<v Speaker 1>you know, they don't have fault they're not built to code.

0:49:31.239 --> 0:49:34.440
<v Speaker 1>They're built So it's like the so all the like

0:49:34.480 --> 0:49:37.480
<v Speaker 1>break is fake, all the style is fake. It's all

0:49:37.520 --> 0:49:40.399
<v Speaker 1>just it's all fake and it's very thin, and if

0:49:40.400 --> 0:49:43.319
<v Speaker 1>you could see the behind what you know, you're you're

0:49:43.360 --> 0:49:47.360
<v Speaker 1>looking at very flimsy structures. Yeah. So is it common

0:49:47.400 --> 0:49:49.680
<v Speaker 1>for sitcoms to shoot out of order like we did

0:49:49.719 --> 0:49:52.600
<v Speaker 1>with the pilot in the first season? Um No, I

0:49:52.680 --> 0:49:56.040
<v Speaker 1>don't know. I don't think to shoot in order of

0:49:56.080 --> 0:49:58.880
<v Speaker 1>their season. Yeah, And I think we probably stuck with

0:49:59.440 --> 0:50:01.279
<v Speaker 1>an order after the first season. I think it was

0:50:01.560 --> 0:50:03.480
<v Speaker 1>during the and they were still trying to figure out

0:50:03.480 --> 0:50:05.839
<v Speaker 1>which episodes to air, you know, for that's the thing.

0:50:05.880 --> 0:50:08.040
<v Speaker 1>We probably shot in order, but they aired them in

0:50:08.080 --> 0:50:10.520
<v Speaker 1>a different order, right, But I would say after that,

0:50:10.560 --> 0:50:12.520
<v Speaker 1>after second season, they probably were in the order that

0:50:12.520 --> 0:50:15.920
<v Speaker 1>we shot, I would have Yeah. So I don't know

0:50:15.960 --> 0:50:17.520
<v Speaker 1>if we're going to know the answer to this question.

0:50:17.560 --> 0:50:21.160
<v Speaker 1>Were some sets redesigned to look like different places? For example,

0:50:21.520 --> 0:50:24.640
<v Speaker 1>the outdoor store looks similar to the ski cabin where

0:50:24.680 --> 0:50:27.640
<v Speaker 1>Corey kissed Lauren, and the house party where Corey is

0:50:27.719 --> 0:50:31.000
<v Speaker 1>drunk and dancing looks like the Matthews living room. Yes,

0:50:31.120 --> 0:50:32.799
<v Speaker 1>the answer to that is yes. And I can give

0:50:32.800 --> 0:50:38.040
<v Speaker 1>you definitive proof, and that is Jonathan Turner's apartment turned

0:50:38.080 --> 0:50:42.600
<v Speaker 1>into Jack and Eric's apartment. So it was actually exactly

0:50:42.640 --> 0:50:45.160
<v Speaker 1>the same set redesigned that used to do it all

0:50:45.200 --> 0:50:47.280
<v Speaker 1>the time because you're you know, you're on a budget,

0:50:47.320 --> 0:50:48.880
<v Speaker 1>so you build a set, you throw it in a

0:50:48.960 --> 0:50:51.440
<v Speaker 1>in a shed somewhere, and then you take it out

0:50:51.440 --> 0:50:53.200
<v Speaker 1>and you repurpose it for something else. So yes, I

0:50:53.239 --> 0:50:55.440
<v Speaker 1>would not doubt at all that the Wilderness Store was

0:50:55.480 --> 0:50:59.759
<v Speaker 1>something else. Yeah, that makes sense. I forgot about the

0:50:59.760 --> 0:51:04.360
<v Speaker 1>apart the apartment switched all yeah. Yeah. What did the

0:51:04.400 --> 0:51:07.759
<v Speaker 1>writer's room of Boy Meats World look like? Kind of

0:51:07.760 --> 0:51:10.480
<v Speaker 1>just like an office room, like a pretty boring like

0:51:10.600 --> 0:51:13.920
<v Speaker 1>one one big table, a folding table. This is a

0:51:13.920 --> 0:51:17.879
<v Speaker 1>conference room, yeah, and then offices kind offices they had

0:51:17.880 --> 0:51:20.000
<v Speaker 1>where people that writers would go off and write. And

0:51:20.000 --> 0:51:23.280
<v Speaker 1>then the other than a few core people, the staff

0:51:23.320 --> 0:51:25.480
<v Speaker 1>was changing every year. I mean there'll be four or

0:51:25.480 --> 0:51:27.520
<v Speaker 1>five that were the same, and then they try new

0:51:27.520 --> 0:51:29.920
<v Speaker 1>people that would come in or or they'd be interns

0:51:30.080 --> 0:51:35.360
<v Speaker 1>or writers, and they always tic TACs, tons of food,

0:51:35.440 --> 0:51:38.040
<v Speaker 1>tons of paper, airplanes, nerf guns. I mean it's like

0:51:38.160 --> 0:51:42.440
<v Speaker 1>it's like a kid's room essentially. So yeah, So later

0:51:42.480 --> 0:51:44.520
<v Speaker 1>in the show, when the show had more fans showing

0:51:44.560 --> 0:51:47.120
<v Speaker 1>up to tapings, would they be given any context before

0:51:47.160 --> 0:51:50.680
<v Speaker 1>the episode began feeling filming specifically thinking about during the

0:51:50.719 --> 0:51:53.320
<v Speaker 1>times after Coreyan too paying a breakup. Would the studio

0:51:53.320 --> 0:51:55.759
<v Speaker 1>audience have to piece together based on context that the

0:51:55.800 --> 0:52:00.400
<v Speaker 1>relationship had ended. I remember them at certain times showing

0:52:00.440 --> 0:52:03.080
<v Speaker 1>the episode before to the audience, Right, yeah, okay, that's

0:52:03.080 --> 0:52:05.480
<v Speaker 1>what I thought, Yeah, okay. Would they would always give context?

0:52:05.560 --> 0:52:07.760
<v Speaker 1>Our warm up guy would give a little bit of context.

0:52:07.800 --> 0:52:10.200
<v Speaker 1>So since you've seen the last since the last time

0:52:10.280 --> 0:52:12.720
<v Speaker 1>you may have watched boy meets well, here's what happened,

0:52:12.960 --> 0:52:14.799
<v Speaker 1>and they would lead through so then this happened with

0:52:14.800 --> 0:52:16.680
<v Speaker 1>this episode, and this happened with this episode, and now

0:52:16.719 --> 0:52:19.600
<v Speaker 1>we're going to play for you last week's episode. So

0:52:19.640 --> 0:52:23.480
<v Speaker 1>they would always get to watch the episode that preceded

0:52:23.560 --> 0:52:25.239
<v Speaker 1>this one that they were about to watch films, so

0:52:25.280 --> 0:52:27.600
<v Speaker 1>they had an idea of context. And they also, you know,

0:52:27.800 --> 0:52:29.719
<v Speaker 1>it gave them thirty minutes of something to do in

0:52:29.760 --> 0:52:32.279
<v Speaker 1>the audience, Um, while they were waiting for us to

0:52:32.880 --> 0:52:35.680
<v Speaker 1>come out and start the show. Can we talk very

0:52:35.719 --> 0:52:40.080
<v Speaker 1>briefly about how amazing our audiences were because you have

0:52:40.160 --> 0:52:42.839
<v Speaker 1>to sit there sometimes for hours, watch the same thing

0:52:42.960 --> 0:52:47.560
<v Speaker 1>over and over again, and they were engaged and loving

0:52:47.920 --> 0:52:53.239
<v Speaker 1>and so amazing. Week after week we had the best audiences,

0:52:53.280 --> 0:52:56.359
<v Speaker 1>So I really a big shout out because, especially when

0:52:56.360 --> 0:52:59.800
<v Speaker 1>you're doing a sitcom, Um, the audience is another character,

0:53:00.080 --> 0:53:02.719
<v Speaker 1>absolutely another character, and it was a character that showed

0:53:02.760 --> 0:53:05.120
<v Speaker 1>up for us every single week. You kept us on

0:53:05.160 --> 0:53:07.960
<v Speaker 1>our toes, you kept us active, you kept us happy.

0:53:08.480 --> 0:53:11.920
<v Speaker 1>It was unbelievable. So everybody who came and supported us live,

0:53:12.920 --> 0:53:16.200
<v Speaker 1>you were amazing and you really made it a better

0:53:16.200 --> 0:53:21.120
<v Speaker 1>show every single week. So thank you for that. Absolutely. Well,

0:53:21.360 --> 0:53:24.319
<v Speaker 1>this concludes our last Q and A episode. We have

0:53:24.400 --> 0:53:27.440
<v Speaker 1>been asked already many times if we have anything that

0:53:27.520 --> 0:53:32.280
<v Speaker 1>we can share from our first ever live pod meets

0:53:32.320 --> 0:53:35.160
<v Speaker 1>World show, and uh, we do. We have some clips

0:53:35.200 --> 0:53:37.359
<v Speaker 1>for you. We can't play the whole thing because part

0:53:37.360 --> 0:53:39.680
<v Speaker 1>of what makes the live show special is that what

0:53:39.880 --> 0:53:43.040
<v Speaker 1>happens in the room kind of sometimes sort of stays

0:53:43.080 --> 0:53:45.400
<v Speaker 1>in the room. So there are some things that we

0:53:45.440 --> 0:53:47.040
<v Speaker 1>just won't be sharing with you, but we do have

0:53:47.080 --> 0:53:48.640
<v Speaker 1>some clips that we want you to take a listen to.

0:53:48.760 --> 0:53:59.719
<v Speaker 1>So here are a few of those clips. Um. I

0:53:59.719 --> 0:54:03.560
<v Speaker 1>did a question for Rider in Trina Um I think

0:54:04.080 --> 0:54:05.920
<v Speaker 1>I love the show so much obviously, but one of

0:54:05.960 --> 0:54:08.719
<v Speaker 1>the things that made me the most uncomfortable watching the

0:54:08.760 --> 0:54:12.000
<v Speaker 1>show is especially as a kid, was that Angela and

0:54:12.040 --> 0:54:16.040
<v Speaker 1>Sean would awkwardly just seeming like they made out so much,

0:54:16.920 --> 0:54:20.000
<v Speaker 1>like just like in the background. I remember there was

0:54:20.040 --> 0:54:23.239
<v Speaker 1>one episode where it was almost like an ongoing joke.

0:54:23.360 --> 0:54:25.359
<v Speaker 1>They were like on the in the student union's called

0:54:25.400 --> 0:54:26.920
<v Speaker 1>a student union by the way. I know that was

0:54:26.960 --> 0:54:29.800
<v Speaker 1>a podcast joke, and you're just like on the couch

0:54:29.840 --> 0:54:33.000
<v Speaker 1>and I think maybe you're one time um making out

0:54:33.080 --> 0:54:36.760
<v Speaker 1>on top of Eric. And I'm just wondering, one how

0:54:39.080 --> 0:54:48.880
<v Speaker 1>like how did you prepare for those scenes and then chapstick? Yeah?

0:54:49.160 --> 0:54:51.719
<v Speaker 1>And secondly, is it like is it was it weird

0:54:51.800 --> 0:54:53.279
<v Speaker 1>for you? Now? I know that you talked about in

0:54:53.280 --> 0:54:56.440
<v Speaker 1>the podcasts they're being an age difference, so I'm not

0:54:57.040 --> 0:54:59.960
<v Speaker 1>pointing out something that no one knows, But is it weird? Now?

0:55:00.120 --> 0:55:03.880
<v Speaker 1>Was it weird? Then? I just wanted to It was

0:55:03.960 --> 0:55:07.440
<v Speaker 1>not weird at all. It was like I remember thinking

0:55:07.440 --> 0:55:09.839
<v Speaker 1>it was totally like now it seems weird to me,

0:55:09.920 --> 0:55:12.319
<v Speaker 1>Like now I watched the show and I'm like, oh

0:55:12.400 --> 0:55:14.759
<v Speaker 1>my god, yeah, because we are We're kissing all the time,

0:55:15.400 --> 0:55:18.640
<v Speaker 1>and like the whole scenes where we're like kiss talk,

0:55:19.080 --> 0:55:21.680
<v Speaker 1>kiss talk, and I'm like, well, this is like a

0:55:21.800 --> 0:55:25.360
<v Speaker 1>huge part of the show and yeah, I don't know.

0:55:25.640 --> 0:55:27.880
<v Speaker 1>But at the time it never girt. I don't know.

0:55:28.200 --> 0:55:32.040
<v Speaker 1>It felt totally fine, like we were very each other. Yeah,

0:55:33.120 --> 0:55:35.160
<v Speaker 1>we were cool. I mean it was something about us

0:55:35.160 --> 0:55:37.279
<v Speaker 1>are it is always very comfortable with each other. So

0:55:37.360 --> 0:55:39.840
<v Speaker 1>I never feel I always feel actually more comfortable in

0:55:39.880 --> 0:55:44.839
<v Speaker 1>general when you're around. So so no, it's true, So

0:55:45.000 --> 0:55:47.160
<v Speaker 1>you know, No, it wasn't. I would say your lips

0:55:47.160 --> 0:55:53.080
<v Speaker 1>were a little dry sometimes that I remember, but overall

0:55:53.120 --> 0:55:57.560
<v Speaker 1>he was very enjoyable. You know, comes out you heard

0:55:57.600 --> 0:56:04.759
<v Speaker 1>it here first man, alright, chapstick on vest I think

0:56:05.040 --> 0:56:10.960
<v Speaker 1>it's a little past the time writer. Hi, Hello, Hi,

0:56:11.160 --> 0:56:13.799
<v Speaker 1>I'm Nicole. You guys are amazing and wonderful. Thank you

0:56:13.800 --> 0:56:15.880
<v Speaker 1>so much. I brought my mom she watches it with me,

0:56:15.960 --> 0:56:19.840
<v Speaker 1>so thanks. Um. So my question is, I know you

0:56:19.920 --> 0:56:22.600
<v Speaker 1>all did that kind of crossover with Sabrina, with the

0:56:22.640 --> 0:56:26.600
<v Speaker 1>whole time ball situation. So if you could have put

0:56:26.719 --> 0:56:31.320
<v Speaker 1>your characters into a completely different TV show, what TV

0:56:31.400 --> 0:56:34.400
<v Speaker 1>show would you want them to go into and why

0:56:34.000 --> 0:56:46.800
<v Speaker 1>A question answer? Let's all say it together. Mash there's

0:56:46.920 --> 0:56:53.520
<v Speaker 1>his Okay. I I wrote this thing once, and I

0:56:53.560 --> 0:56:56.160
<v Speaker 1>think Sean would have been great on like a drama,

0:56:56.280 --> 0:56:58.800
<v Speaker 1>like like a cop like a greedy cop show drama

0:56:58.920 --> 0:57:02.640
<v Speaker 1>or something Austin's Creek were. But it basically was on that,

0:57:02.800 --> 0:57:05.719
<v Speaker 1>you know, like that's what Boy became essentially. No, like

0:57:05.760 --> 0:57:08.160
<v Speaker 1>I would like to see Sean like a really gritty,

0:57:08.200 --> 0:57:11.480
<v Speaker 1>you know, I don't know, doing this the whole tag

0:57:11.560 --> 0:57:22.600
<v Speaker 1>exactly catching all your hood came. Yeah. Well, I would

0:57:22.640 --> 0:57:24.760
<v Speaker 1>think it would be really funny if the cast of

0:57:24.800 --> 0:57:31.960
<v Speaker 1>Boy Meets World tried an episode of good Times. I

0:57:32.000 --> 0:57:37.560
<v Speaker 1>think that'd be really funny. Man. I think to Panga

0:57:37.600 --> 0:57:39.080
<v Speaker 1>would have like I would have loved to have seen

0:57:39.160 --> 0:57:44.360
<v Speaker 1>Topanga in her lawyer dom, like on the practice or

0:57:44.520 --> 0:57:46.320
<v Speaker 1>like something like that. Because even when we did Girl

0:57:46.320 --> 0:57:48.320
<v Speaker 1>Meets World and it was like to pangas a lawyer

0:57:48.400 --> 0:57:50.080
<v Speaker 1>and it basically met you saw her with a briefcase

0:57:50.120 --> 0:57:54.160
<v Speaker 1>every now and then. Um, so I wouldn't like, I'd

0:57:54.200 --> 0:57:57.160
<v Speaker 1>like to see Topanga talking lawyer. Did you ever get

0:57:57.160 --> 0:57:59.720
<v Speaker 1>to do any lawyerly things? No, I got to I

0:57:59.760 --> 0:58:01.280
<v Speaker 1>think I got to show up at the school at

0:58:01.280 --> 0:58:04.240
<v Speaker 1>the classroom once, and like that's when Lee came back

0:58:04.320 --> 0:58:07.760
<v Speaker 1>and I was doing something but it wasn't cool, lawyally,

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<v Speaker 1>so yeah, I think like the practice to Penguin, the

0:58:13.840 --> 0:58:19.920
<v Speaker 1>practice would have been fun. Yeah, judging Amy, And that

0:58:20.080 --> 0:58:22.200
<v Speaker 1>was Pod Meets World. Thank you for listening. You can

0:58:22.240 --> 0:58:24.560
<v Speaker 1>follow us on Instagram at Pod Meets World Show. You

0:58:24.600 --> 0:58:26.920
<v Speaker 1>can email us at Pod meets World Show at gmail

0:58:26.960 --> 0:58:33.040
<v Speaker 1>dot com, and as always, we've got merch much pod

0:58:33.080 --> 0:58:37.080
<v Speaker 1>meets World Show dot com and we love you all,

0:58:37.600 --> 0:58:42.360
<v Speaker 1>pod dismissed. Pod Meets World is an i heeart podcast

0:58:42.440 --> 0:58:45.439
<v Speaker 1>produced and hosted by Danielle Fischel, Wilfred l and Wright

0:58:45.600 --> 0:58:49.400
<v Speaker 1>Strong Executive producers Jensen Cart and Amy Sugarman, Executive in

0:58:49.480 --> 0:58:54.120
<v Speaker 1>charge of production, Danielle Romo, producer and editor, Tara sued Back, producer,

0:58:54.200 --> 0:58:58.360
<v Speaker 1>Jackie Rodriguez, engineer and Boy Meets World super fan Easton Allen.

0:58:58.520 --> 0:59:01.320
<v Speaker 1>Our theme song is by Kyle Morton of Typhoon. You

0:59:01.360 --> 0:59:04.000
<v Speaker 1>can follow us on Instagram at Pod Meets World Show

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<v Speaker 1>or email us at Pod Meets World Show at gmail

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<v Speaker 1>dot com