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Speaker 1: Thank you so much everyone who came to our live show.

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Speaker 1: That was a really fun night. I'll say, what a blast.

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Speaker 1: There were a lot of people there, guys, you guys,

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Speaker 1: there were so many people. I was acting it well.

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Speaker 1: We all walked on the stage and kind of looked

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Speaker 1: up or like, oh, we're doing a show like this

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Speaker 1: is it was theater. Yeah, it was a big theater,

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Speaker 1: but then it was also just filled and man, the

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Speaker 1: love was palpable. Yeah, it was so fun to just

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Speaker 1: feel like we all were part of this community. It

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Speaker 1: was it was really intense, like it was emotional and

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Speaker 1: beautiful and fun. When we make it what thirty seconds

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Speaker 1: without you crying, Danielle was, I don't know long, It

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Speaker 1: is not that long. I think I walked out and

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Speaker 1: immediately started to crying. It was pretty awesome, And thank

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Speaker 1: you also for being our first live audience. Like you know,

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Speaker 1: we overall we're really happy with the way it went,

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Speaker 1: but of course we are critical of ourselves and there

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Speaker 1: were some bumps and some some bruises, and uh, we're

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Speaker 1: trying to put together what exactly we wanted to look

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Speaker 1: and feel like moving forward. But we're so appreciative of

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Speaker 1: all of you. Guys who were there, and the feedback

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Speaker 1: that you've given us and the things you loved. I mean, writer,

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Speaker 1: hands down your opening, which I don't want to ruin

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Speaker 1: for people who haven't you know, been to the live show.

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Speaker 1: But my goodness, did you ever start us off with

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Speaker 1: a bang? And then I feel like really will and

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Speaker 1: I let you down for the rest of the war

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Speaker 1: because you really started written part that. I think that

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Speaker 1: and then the Blue Angels fly over in the middle.

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Speaker 1: Those two we're by far the coolest parts of the show.

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Speaker 1: That was totally spontaneous, that was gonna happen. When we

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Speaker 1: saw Danielle in half that didn't go as well, and

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Speaker 1: that was weird. The Magic Country, I just don't know.

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Speaker 1: We're just stick with coin tricks. It was very weird.

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Speaker 1: And by the way, David Copperfield, I thought charged just

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Speaker 1: way too much to show up in the middle of

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Speaker 1: the show. Yeah. Crazy. Well, these are some things you

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Speaker 1: missed if you weren't at our Lives show. So I

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Speaker 1: do have good news for you though, if you missed

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Speaker 1: our live show. We have new merch, new show merch.

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Speaker 1: How you say it, it is new show merch? Is

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Speaker 1: that right? No? I don't know Uh. It debuted at

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Speaker 1: our live show and alcohone, but now it is available

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Speaker 1: for all of you. It is a Pod Meets World

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Speaker 1: was my idea shirt and it is so cute. It's

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Speaker 1: in baby blue. Uh. There were only a total of

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Speaker 1: four hundred made, so you know, get yours while you can.

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Speaker 1: They go from extra small all the way to three

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Speaker 1: XL and you can get it on Pod meets World

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Speaker 1: show dot com. And thank you for coming up with

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Speaker 1: the idea for the podcast. Everybody, what would we do

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Speaker 1: without you? I don't know what we do. I don't

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Speaker 1: know what we do. Danielle. You finished your movie. I

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Speaker 1: finished my movie. It was so hard and it was

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Speaker 1: so much work, and like you said, I mean, this

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Speaker 1: will be no surprise, but it was everything exactly what

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Speaker 1: you told me it was going to be. It was,

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Speaker 1: you know, Danielle, you said you are there are going

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Speaker 1: to be days where you are very far behind and

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Speaker 1: you feel like there's no way we're going to finish,

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Speaker 1: and then out of nowhere, you'll have a day where

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Speaker 1: suddenly you're very ahead and everything's on track, and you

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Speaker 1: don't really know how that happens. And that is exactly

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Speaker 1: what happened on the first day we did, we had

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Speaker 1: to wrap and we were behind. We had like two

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Speaker 1: pages we didn't get and it got bumped to the

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Speaker 1: next day. And then that next day somehow we ended

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Speaker 1: up making up those two pages and we were you know,

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Speaker 1: everything was fine. And then the next day you follow

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Speaker 1: a little bit more behind than you have is like

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Speaker 1: that pop up and and um, it was. It was

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Speaker 1: really exhausting emotionally physically. UM. But I will say that

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Speaker 1: we had, for the most part, a truly incredible crew

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Speaker 1: who were all people that really wanted to be there. Um.

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Speaker 1: It is very important to me that the sets that

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Speaker 1: I work on, everyone feels respected and appreciated, and that

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Speaker 1: even though it's really freaking hard and we're all in this,

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Speaker 1: you know, in the trenches together, UM, you at least

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Speaker 1: feel valued. And so I try to keep you know,

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Speaker 1: the energy very calm and I want everyone to know

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Speaker 1: that there, you know, even when there are mistakes. Because

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Speaker 1: also when you're doing these kinds of low budget movies

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Speaker 1: and people aren't getting paid truthfully what they're worth, um,

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Speaker 1: you get very green people. And for a lot of

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Speaker 1: people on our crew, it was their first ever movie. Yeah,

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Speaker 1: it was my first movie. It was our script E.

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Speaker 1: It was Script Dialogue's first movie. We had people in

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Speaker 1: g and E who had never worked on a future

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Speaker 1: film before. And um, I mean it's terrifying when you

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Speaker 1: started out. But yeah, it is terrifying. And you know

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Speaker 1: that makes things go a little slow sometimes because everyone

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Speaker 1: and then also it means that there are some mistakes

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Speaker 1: because there isn't a ton of experience necessarily, and you know,

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Speaker 1: there were times we realized halfway through somebody was missing

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Speaker 1: their purse, or somebody was in the wrong wardrobe or

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Speaker 1: you know you've already yes, and so kind of kind

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Speaker 1: of using multiple cameras, right, we did. We ended up

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Speaker 1: using two cameras and that was not the end. That

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Speaker 1: wasn't the intention when we first started, but we realized

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Speaker 1: we were really able to get very valuable stuff with

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Speaker 1: the second camera. Will came by to visit. Trina McGhee

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Speaker 1: is one of the stars of the movie. It was

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Speaker 1: so much fun to have her and to work with

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Speaker 1: her again. And she she she brought to life this

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Speaker 1: she's the mother of one of the of the lead

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Speaker 1: actress and she was just it was so much fun

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Speaker 1: to be with her. Um, and so Will got to

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Speaker 1: come by and then it really it made me want

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Speaker 1: to do it again. Every time I do that, every

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Speaker 1: time I visit somewhere or something like that, it just

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Speaker 1: make you miss it. It's and I didn't never when

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Speaker 1: I was doing it. You kind of start taking it

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Speaker 1: for granted after a while. And then it's been so

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Speaker 1: many years. I mean, I haven't been on a movie

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Speaker 1: so the last movie I did with two thousand six,

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Speaker 1: So you know, I love being on set. I don't

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Speaker 1: like being on set without something to do, you know,

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Speaker 1: like that. So you know, even visiting a set, I

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Speaker 1: kind of get like a little like, why am I

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Speaker 1: here stuck on the sideline? But yeah, like I've always

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Speaker 1: wished that, like I you know, I mean I still could,

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Speaker 1: I guess, like just take on a crew job, you know,

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Speaker 1: But I mean, I'm so what I would love to do.

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Speaker 1: I would love to be a part of camera department.

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Speaker 1: I would love to be a first A C. I

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Speaker 1: just do not have the eye or the technical skill.

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Speaker 1: I can't do it. But that would be my favorite

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Speaker 1: job because when you're part of the camera department, you're

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Speaker 1: with the actors, You're right in the heart of the action,

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Speaker 1: really up close. I just think that's you're helping with

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Speaker 1: the look of the film, and so it ends. It

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Speaker 1: can be very creative because you have to engage, you know,

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Speaker 1: if if the cameras moving, the whole department has to

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Speaker 1: be like sort of doing a dance with and setting

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Speaker 1: the shots. And if anybody is like you know, if

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Speaker 1: you have somebody who can't pull focus in that situation,

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Speaker 1: it will ruin the entire thing. Especially back in the

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Speaker 1: day when you shot on film you wouldn't even know

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Speaker 1: it until afterwards. Um yeah, I would always love to

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Speaker 1: be a part of a camera department. But um yeah, man,

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Speaker 1: I love I love film. I'm so happy for I have.

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Speaker 1: I have a new goal. My new goal is I

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Speaker 1: want to be in a lifetime movie. Right so much

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Speaker 1: the world I am throwing it out into the world.

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Speaker 1: I think that would be one of those fun suggest Hallmark. Okay, yeah,

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Speaker 1: let's like a Christmas movie. That'd be fun too, Like,

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Speaker 1: I think that would be great. They do other stuff

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Speaker 1: than Christmas, but Hallmark is. One of the things I

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Speaker 1: really like about Hallmark movies is that they are really

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Speaker 1: branching away from just romantic relationship storylines. They're really like

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Speaker 1: doing more and more like things about siblings or things about. Okay,

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Speaker 1: so the sibling story with you too. If we can't

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Speaker 1: sell it a sitcom with a multi camera, we will

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Speaker 1: take it to Hallmark and make it take it time.

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Speaker 1: We'll do a Hallmark movie. I saw a Mark movie

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Speaker 1: version with the two of you planned siblings, and I'll

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Speaker 1: direct it down. I'm also I never do this, but

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Speaker 1: I'm going to. At the very very start of our show,

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Speaker 1: here are wonderful executive user Jensen carp sent me an

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Speaker 1: email from the group of emails we get and he's like,

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Speaker 1: you have to read this one in the air because

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Speaker 1: it makes me sound awesome. Okay, let's start this way

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Speaker 1: we're doing to thank you. Let's hold on. Let's welcome

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Speaker 1: everybody to Pod Meets World. I'm Daniel fishel M, writer Strong,

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Speaker 1: and I'm apparently the very awesome Wilfred l and I'm

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Speaker 1: gonna tell you why. As I read this email, it says,

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Speaker 1: just showed my daughter a picture of Leonardo DiCaprio from

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Speaker 1: Titanic Days and she said he kind of looks like

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Speaker 1: Corey's older brother. You're welcome, will love Tess and lil

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Speaker 1: Age six. Oh yeah, my friend, that's right. Leonardo Caprio

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Speaker 1: from Titanic. That's all I gotta say. I can leave now.

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Speaker 1: By the way, I'm gonna just walk out. I actually

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Speaker 1: think you are more attractive than Leonardo DiCaprio. Wow. Yeah,

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Speaker 1: I mean, don't get me wrong, Leo. In the nineties

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Speaker 1: I had a humongous crush on you, absolutely, but you

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Speaker 1: have aged beautifully and you are so handsome. I think

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Speaker 1: you're selling yourself the tiniest bit short by by thinking

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Speaker 1: it's very sweet. Yeah, I think I think you could

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Speaker 1: do better than Leo, and so does test age things.

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Speaker 1: Thank you very much. There's your ego boost for man.

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Speaker 1: I'll say I'm turning red here, which I according to

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Speaker 1: my twenty three and me, I am unlikely to blush.

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Speaker 1: So I'm amazed that I am. This is great. Well,

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Speaker 1: I we are doing another Q and A episode because,

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Speaker 1: for one thing, we had so many questions that we

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Speaker 1: didn't get to last time, and truthfully, we get thousands

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Speaker 1: of questions in our email every month, and some of

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Speaker 1: the things you guys ask are just things that will

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Speaker 1: come up in our recaps, so we're not gonna, you know,

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Speaker 1: answer those during a Q and A episode Because there

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Speaker 1: are things like about season three or season four, and

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Speaker 1: we will get to them when when they come up.

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Speaker 1: But others are things that we think, yeah, this might

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Speaker 1: as well be a good time to talk about it.

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Speaker 1: I will say that the number one question that came

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Speaker 1: out of our last Q and A episode was Danielle,

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Speaker 1: what happened with the catfish guy who showed up at

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Speaker 1: your school? Yes, the story to the end, we just

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Speaker 1: moved on to something else. I was like, and then

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Speaker 1: he showed up in my school anyway, and then we

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Speaker 1: just like moved on to something else, and everyone was

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Speaker 1: so I will finish that story. So, yes, the guy

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Speaker 1: showed up at my school, and the school he said

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Speaker 1: that he had been sent by my family and was

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Speaker 1: there to pick me up. And the school knew right

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Speaker 1: away that something was wrong because I wasn't at school

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Speaker 1: that week. I was on set on Boy Meat's World,

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Speaker 1: and they knew that anybody who was there to pick

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Speaker 1: me up would know my work schedule and that wouldn't

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Speaker 1: be there, so they knew something was up. So they

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Speaker 1: called my parents and they said, this guy has been

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Speaker 1: you know, this guy showed up and is here to

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Speaker 1: pick you up. And we then started like an investigation.

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Speaker 1: We went to the police. The police looked up the

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Speaker 1: address where he had been sending me mail. Turns out

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Speaker 1: it was a p O box. It wasn't a home address,

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Speaker 1: so we didn't know where he lived, but they were

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Speaker 1: able to figure out his work address, and a police

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Speaker 1: officer showed up at his work with like, I don't

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Speaker 1: know what the version of a cease and desist is,

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Speaker 1: but it was basically, if you ever contact this person again,

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Speaker 1: we're gonna not quite a restraining order exactly, not quite

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Speaker 1: a restraining order, but you were and we're putting like

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Speaker 1: it's here at work. It was kind of a big deal. Um,

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Speaker 1: and yeah, And then I didn't hear from him again

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Speaker 1: for a while, and then years later I started getting yeah,

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Speaker 1: and then his name's Jensen Gard. Years later I started

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Speaker 1: getting kind of odd fan letters again, and my mom's

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Speaker 1: like spidy sense just started tayling, and she was like,

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Speaker 1: I just, for some reason have a feeling this is

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Speaker 1: the same guy. He had switched up his technique or

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Speaker 1: his tactic. He wasn't writing to me as a little

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Speaker 1: girl anymore, but he Um. I think he was saying

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Speaker 1: he was like a prince of somewhere and that he

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Speaker 1: wanted he wanted me to be his princess. And I

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Speaker 1: just remember my mom reading one of the letters and going,

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Speaker 1: I don't know, I think we should say, let's see

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Speaker 1: the ring. Maybe we should at least contemplate it. Um.

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Speaker 1: But I think she just kind of like sense that

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Speaker 1: maybe it was him. But then, you know, I think

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Speaker 1: I sent him a whole lot of money to help

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Speaker 1: him get out of prison, so I apparently I saved

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Speaker 1: I helped save him. You know, that can be really scary.

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Speaker 1: It can be really scary with that. You guys remember

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Speaker 1: the story about the weird fan letters that I started

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Speaker 1: getting that I didn't find out about til years later.

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Speaker 1: Oh didn't, so Sherman told me when we were when

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Speaker 1: I was in my twenties, because they ended up keeping

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Speaker 1: it from a at the time. But they started I

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Speaker 1: started getting the letters, and Disney like intercepted them and

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Speaker 1: brought them to the producer's attention. And there was a

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Speaker 1: series of letters where this guy was describing people's daily lives,

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Speaker 1: like telling you know, in the letter, he was like, so,

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Speaker 1: dear writer, this person wakes up at this address this time,

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Speaker 1: goes to this word. And what they realized was that

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Speaker 1: this they wanted me to kill them. This guy was

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Speaker 1: like asking me to become like a hit man for

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Speaker 1: him and was like listing out people's daily schedules in

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Speaker 1: order for me to kill them. It was so where

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Speaker 1: think you were going to find the time? I don't know,

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Speaker 1: and me like why did why? What was you know?

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Speaker 1: And I think the writers at the time they were like,

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Speaker 1: there's something about Sean Hunter as this sort of like

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Speaker 1: sort of troubled outsider that this guy thought maybe like

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Speaker 1: he or me, I would be the person to go,

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Speaker 1: but you could be murders for him. So weird. I

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Speaker 1: never knew about at the time, but they apparently they

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Speaker 1: collected all these letters and then they had a big

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Speaker 1: discussion about what to do about it, and I think

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Speaker 1: they did end up referring the person to the police event,

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Speaker 1: but I never got them, so I don't. I don't

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Speaker 1: talk about mine because mine's very recent and I don't

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Speaker 1: want to encourage it. I don't blame you. You know

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Speaker 1: who else got some weird letters? Jonathan Taylor Thomas, Oh,

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Speaker 1: I'm sure. Oh, I couldn't even have mad when when

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Speaker 1: he had that amount of fame. Um, quickly, they are

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Speaker 1: not my stories to share, so I won't do it.

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Speaker 1: But if we are ever lucky enough to get Jonathan

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Speaker 1: on this podcast, as I guess I, I don't even

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Speaker 1: know if he'd want to talk about it, but boy,

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Speaker 1: did he ever get some And he's such a quiet

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Speaker 1: He was such a quiet, unassuming kid that it's you know, yeah,

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Speaker 1: dealing with that kind of stuff at that age. It's

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Speaker 1: just something the idea that you even have to put

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Speaker 1: that on your radar, that you have to deal with

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Speaker 1: with people that are unbalanced. I was so stupid, like

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Speaker 1: when I started driving, and so this was when I

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Speaker 1: was eighteen, because I moved out of my parents house

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Speaker 1: and was living in Manhattan Beach, and people would go

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Speaker 1: to our live studio audience tapings and then pull their

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Speaker 1: cars off of a lot and park off to the

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Speaker 1: side and then wait for us to drive. And then

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Speaker 1: I got followed home a couple of times, and at

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Speaker 1: least one time I actually got off on an off

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Speaker 1: ramp before my off ramp and then stopped at the

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Speaker 1: red light at the end of the off ramp and

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Speaker 1: it was just me and the car behind me that

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Speaker 1: had been following me, and I got out of my

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Speaker 1: car and walked up to the driver's side and there

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Speaker 1: was two guys and they rolled down their window and

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Speaker 1: I said, this is not cool. I know what you're doing.

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Speaker 1: I've seen you been following me from all the way

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Speaker 1: from back there. What are you doing? You want to

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Speaker 1: see where I live? And then what this is scary?

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Speaker 1: And they were like, we're so sorry. I really apologize.

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Speaker 1: I know the stupid like what talk about Chris and

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Speaker 1: just like just so you're invincible decisions you make at

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Speaker 1: that age. But yeah, like I would never do something

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Speaker 1: like that now, but oil boy, I was a real

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Speaker 1: maroon back in the day. All right, Um, so our

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Speaker 1: second top question that we were asked, and I will

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Speaker 1: say the second question. The second question we'd like to

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Speaker 1: ask is do you story you know the story of that.

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Speaker 1: I've never heard that. Bugs Bunny used to say, it's

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Speaker 1: in the Looney Tunes, And it was because you couldn't

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Speaker 1: say the word more on television back then. They thought

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Speaker 1: that the word moron was you know, like a real

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Speaker 1: insult or you know, just a or something. Yeah, I

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Speaker 1: was like, so instead he called everybody maroons or whatever,

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Speaker 1: or maybe I have heard that. I don't know. Well,

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Speaker 1: this is honestly, it's become a very controversial subject on

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Speaker 1: the hard Meats world. It is honestly maybe bigger than

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Speaker 1: what is it Llama pet Writer recently mentioned a certain

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Speaker 1: popularity he has on the internet and he said Jeff

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Speaker 1: rather than Giff. It is Jeff, thank you. So the

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Speaker 1: three of us are all and complete agreement. That the

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Speaker 1: three because are in complete agreement that it is Jeff exactly. Now,

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Speaker 1: to be fair, the creator has also said that both

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Speaker 1: are acceptable. But it is supposed to be Jiff and

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Speaker 1: it doesn't come from graphics like people think o that

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Speaker 1: would be the hard g It doesn't come from that,

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Speaker 1: he said. It is supposed to be from in a

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Speaker 1: Jiffy for the fast pace and the shortness of the image.

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Speaker 1: So it is Jeff. It is not pronounced gift if

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Speaker 1: you want to say gift. They have said that now

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Speaker 1: both are acceptable. However, if you come for Writer one

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Speaker 1: more time and say what he says Jiff like the

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Speaker 1: penut butter, and you make fun of him one more time,

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Speaker 1: I'm gonna find where you live and I'm gonna follow

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Speaker 1: you off. I'm gonna follow you home, and they're no,

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Speaker 1: Mobby's not gonna do that. But it is Jeff, guys, Yeah,

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Speaker 1: it's Jeff. There's so they're very quick. Story. Um, Gene Roddenberry,

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Speaker 1: who created Star Trek, went to a Star Trek invention

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Speaker 1: and he stood up in front of everybody and between

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Speaker 1: the Star trek uh fans there is a break between

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Speaker 1: trek eas and trekkers, and so he stood up and said,

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Speaker 1: I want to welcome all you trekkers here. Are trek

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Speaker 1: hes here, And somebody stood up and said it's trekkers

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Speaker 1: and he looked at him and he said, it's trek ease.

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Speaker 1: I invented the thing. So it's that same kind of thing.

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Speaker 1: It's like when the inventor says it's called a Jeff.

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Speaker 1: If you find the comment first, you get to name

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Speaker 1: the comment. That's the way it works. So it's that

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Speaker 1: same kind of thing. Yeah, it is Jeff. I'm sorry

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Speaker 1: to ruin all of your lives, but it's Jeff. Anyway,

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Speaker 1: let's get into some questions. I thought this was a

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Speaker 1: really interesting question, and I, well, I don't know how

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Speaker 1: much the three of us all know about it. You

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Speaker 1: guys probably know more about it than I do. But

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Speaker 1: the question was, it's usually the case our residuals still

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Speaker 1: good money for you guys, And I thought, that's really

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Speaker 1: interesting that we've never really explained how residuals work, what

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Speaker 1: residuals are. How much do we even know how residuals work.

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Speaker 1: It's truthfully, we don't know. We just trust the system

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Speaker 1: that the system is working. Right. That's not a very

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Speaker 1: smart thing to do, especially at least in the animation world.

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Speaker 1: You have to fight and hunt down a lot of

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Speaker 1: your residuals sometimes so forever. I mean, this is a

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Speaker 1: very going to be it could be a very long

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Speaker 1: winded answer that I don't want it to be. But

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Speaker 1: for every different type of production, film, streaming, TV, animation, commercials,

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Speaker 1: there are their own set of rules for residuals. And

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Speaker 1: then it's also different based on the budget of all

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Speaker 1: of those things, right like low budget indies, ultra low budget,

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Speaker 1: low budgets all there. They all have their own specific

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Speaker 1: title and and they are you know, they get their

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Speaker 1: titles based on exactly how much money is going into

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Speaker 1: the production. Um, depending on what that is, that your

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Speaker 1: residuals could be different. Just speaking to our experience with

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Speaker 1: Boy Meets World, UM, I think the way residuals work

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Speaker 1: is that the first time in episode airs, you you know,

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Speaker 1: you well, we get paid our weekly salary or our

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Speaker 1: per episode salary, and then the first time it airs

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Speaker 1: you get that payment, not that the first time you've

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Speaker 1: been paid for When reruns you get paid almost the

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Speaker 1: same amount. Again, if it's on network, if it's network,

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Speaker 1: well that's what I'm saying for us with Meets World.

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Speaker 1: It also depends on the network. Depends on Yeah, because

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Speaker 1: if it was cable as opposed to network network at

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Speaker 1: the time, like if it's aired on Disney Channel, that

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Speaker 1: we'd get less money than if it aired again on ABC.

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Speaker 1: But when we were on Boy Meats World from to

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Speaker 1: two thousand, yes, our reruns until we went into syndication,

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Speaker 1: our reruns were only on ABC, right, yes, right, because

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Speaker 1: it wasn't shown anywhere. It wasn't anywhere even really had

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Speaker 1: reruns at the time. I don't think they ever did reruns.

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Speaker 1: Wasn't it just if we had if we had an

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Speaker 1: episode that didn't like we There was times where we

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Speaker 1: didn't have a new episode, but they'd still put up

401
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Speaker 1: an older Boy Meats World. Wouldn't they do that? Also,

402
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Speaker 1: what would happen during the summer they didn't have the show? No,

403
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Speaker 1: I think during the summer of t G I F

404
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Speaker 1: always tried to do something else. It was like Summer

405
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Speaker 1: Splash or ABC this that they did not they saved

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Speaker 1: the show. I mean that was the idea. It was

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Speaker 1: that that was why you wanted to have enough episodes

408
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Speaker 1: to have a syndication package that they could sell other

409
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Speaker 1: local which was every episodes, because then you would have

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Speaker 1: enough episodes that it would be a worthwhile investment for

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Speaker 1: a local channel to purchase the rights to play that

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Speaker 1: those episodes as a package. Um, so you would always

413
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Speaker 1: want the thing. All of this is pretty antiquated now,

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Speaker 1: I mean it's it's totally and and so the way

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Speaker 1: it used to work is that basically sag the Screen

416
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Speaker 1: Actors Guild. You know, the idea of the whole idea

417
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Speaker 1: behind residuals was that you could only have to work

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Speaker 1: a few times a year, Right like if you did

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Speaker 1: a commercial or you did a TV a guest star

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Speaker 1: on one show, that that would sustain you by uh

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Speaker 1: continuing to pay you every time a company re aired

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Speaker 1: it because they make more money off of airing a rerun. Right,

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Speaker 1: they can still sell advertisers on the idea that they're

424
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Speaker 1: showing content. But you as an actor of only you

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Speaker 1: showed up that one day or that one week and

426
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Speaker 1: did that one job. But they're making money off of

427
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Speaker 1: your image and your content that you participated. And so

428
00:22:46,800 --> 00:22:49,879
Speaker 1: the whole idea behind residuals is that writers, directors and actors,

429
00:22:49,920 --> 00:22:54,480
Speaker 1: the creatives that help, you know, create the content, can

430
00:22:54,480 --> 00:22:57,320
Speaker 1: continue to make money off of that content as it

431
00:22:57,440 --> 00:23:00,359
Speaker 1: keeps making money in other contexts. And so you you

432
00:23:00,359 --> 00:23:05,520
Speaker 1: continuously get checks in the mail that can be tiny,

433
00:23:05,680 --> 00:23:08,760
Speaker 1: that can be I've gotten five cent checks, I've gotten

434
00:23:08,760 --> 00:23:12,240
Speaker 1: two cent checks many times. Uh so, And and there's

435
00:23:12,280 --> 00:23:15,280
Speaker 1: a there's a formula that they figured out that they've

436
00:23:15,320 --> 00:23:19,159
Speaker 1: agreed to basically between the unions, like so the director's Guild,

437
00:23:19,560 --> 00:23:23,159
Speaker 1: the Writer's Guild, the screen actors Guild, they have to

438
00:23:23,200 --> 00:23:28,440
Speaker 1: make separate agreements with the content created are the studios

439
00:23:28,480 --> 00:23:30,879
Speaker 1: and the networks as to how much they're going to

440
00:23:30,960 --> 00:23:35,200
Speaker 1: pay whenever an episode re airs and in a different context.

441
00:23:35,240 --> 00:23:38,040
Speaker 1: So in other words, it's cheaper for it was when

442
00:23:38,080 --> 00:23:41,400
Speaker 1: we were on on on boy Leats World, the unions

443
00:23:41,640 --> 00:23:45,879
Speaker 1: wanted to support the new cable industry because cable was

444
00:23:45,960 --> 00:23:48,199
Speaker 1: brand new at the time, and so in order to

445
00:23:48,280 --> 00:23:53,080
Speaker 1: help cable companies be able to afford content. The unions

446
00:23:53,080 --> 00:23:55,359
Speaker 1: agreed to take less money than the networks would have

447
00:23:55,400 --> 00:23:57,520
Speaker 1: to pay if they showed the same content. So if

448
00:23:57,560 --> 00:23:59,880
Speaker 1: an air an episode of Boy Meats World aired all

449
00:24:00,200 --> 00:24:05,280
Speaker 1: a network show, ABC, NBC, CBS and eventually Fox, they

450
00:24:05,280 --> 00:24:06,960
Speaker 1: would have to pay a premium. They would have to

451
00:24:06,960 --> 00:24:09,160
Speaker 1: pay a certain amount, and we would actually make good

452
00:24:09,200 --> 00:24:11,960
Speaker 1: money if those episodes. It was almost equivalent to our

453
00:24:12,000 --> 00:24:15,160
Speaker 1: original paycheck, I think. Um. And then they could every

454
00:24:15,160 --> 00:24:17,440
Speaker 1: time they showed that same episode a second, or third

455
00:24:17,520 --> 00:24:20,160
Speaker 1: or four it got less and less money away every time,

456
00:24:20,200 --> 00:24:22,679
Speaker 1: I think, I think it almost have every time. But

457
00:24:23,000 --> 00:24:26,440
Speaker 1: if a cable company decided to show our show, they

458
00:24:26,440 --> 00:24:29,280
Speaker 1: could show an episode eight times without having to pay

459
00:24:29,400 --> 00:24:31,760
Speaker 1: us back in the day, or or they could only

460
00:24:31,760 --> 00:24:33,520
Speaker 1: pay us a little bit and that would allow them

461
00:24:33,520 --> 00:24:36,919
Speaker 1: to show them episode eight times. Um. And so the

462
00:24:36,960 --> 00:24:41,000
Speaker 1: cable industry of course got huge and became very powerful,

463
00:24:41,160 --> 00:24:44,080
Speaker 1: and uh, it's became a little ridiculous that they could

464
00:24:44,119 --> 00:24:47,440
Speaker 1: get away with pain very little on the residuals, so

465
00:24:47,520 --> 00:24:49,879
Speaker 1: everything had to be renegotiated. And then, of course the

466
00:24:49,880 --> 00:24:52,640
Speaker 1: next thing was streamers streaming. So for a while there

467
00:24:52,880 --> 00:24:56,560
Speaker 1: streamers could show content without having to pay for any residuals. Now,

468
00:24:56,600 --> 00:25:00,119
Speaker 1: there are some residuals structured into but it's still not

469
00:25:00,320 --> 00:25:03,359
Speaker 1: great a lot less than network television used to be.

470
00:25:03,440 --> 00:25:06,440
Speaker 1: And that's because you know, streamers don't show commercials often

471
00:25:06,600 --> 00:25:09,160
Speaker 1: the same way that network I used to show commercials.

472
00:25:09,200 --> 00:25:11,359
Speaker 1: A perfect kind of example, So last week I got

473
00:25:11,400 --> 00:25:14,080
Speaker 1: a residual check. I did one episode of thirty Rock

474
00:25:14,119 --> 00:25:17,359
Speaker 1: from the Sun in two thousand and I got a

475
00:25:17,480 --> 00:25:21,479
Speaker 1: check last week for forty four dollars. Okay, So it's like,

476
00:25:21,560 --> 00:25:23,960
Speaker 1: and I have that's the first one. About three or

477
00:25:23,960 --> 00:25:25,720
Speaker 1: four times a year, I'll get a check that's a

478
00:25:25,760 --> 00:25:28,800
Speaker 1: dollar or less for Law and Order when I was fifteen,

479
00:25:29,359 --> 00:25:31,800
Speaker 1: because it do you remember the residual bar and was

480
00:25:31,840 --> 00:25:36,040
Speaker 1: it the residual bar and burbank where is it's called residuals.

481
00:25:36,760 --> 00:25:38,679
Speaker 1: And if you go in with a check under a dollar,

482
00:25:39,119 --> 00:25:40,199
Speaker 1: or it used to be, if you went in with

483
00:25:40,240 --> 00:25:41,840
Speaker 1: the residual check under a dollar, they'd hang it on

484
00:25:41,840 --> 00:25:43,919
Speaker 1: the wall and they'd give you a drink. So there

485
00:25:44,000 --> 00:25:46,680
Speaker 1: is like residual a little residual checks all over the place,

486
00:25:46,680 --> 00:25:48,560
Speaker 1: which is kind of a cool idea. Yeah, that is

487
00:25:48,600 --> 00:25:50,760
Speaker 1: a cool idea. Um, yeah. I mean I think the

488
00:25:50,760 --> 00:25:54,480
Speaker 1: thing that that would we would say two people is, um,

489
00:25:54,520 --> 00:25:57,159
Speaker 1: there's still some money coming in from residuals, but it

490
00:25:57,280 --> 00:26:01,120
Speaker 1: is not even remotely enough to live on. It's diminishing

491
00:26:01,160 --> 00:26:03,359
Speaker 1: returns throughout the years. That's yeah. But I think if

492
00:26:03,359 --> 00:26:05,040
Speaker 1: you were on a hitch, I mean I think a

493
00:26:05,080 --> 00:26:08,440
Speaker 1: show like Simpsons is still getting more incredible residuals. Oh yeah,

494
00:26:08,520 --> 00:26:10,560
Speaker 1: Or if you were on um, you know, my guess

495
00:26:10,600 --> 00:26:14,199
Speaker 1: is because something like Big Bang Theory is everywhere. You know,

496
00:26:14,320 --> 00:26:16,720
Speaker 1: they probably got a very good but I remember somebody,

497
00:26:16,840 --> 00:26:20,479
Speaker 1: But oftentimes I think, like when Friends negotiated that they

498
00:26:20,520 --> 00:26:23,920
Speaker 1: got paid a million dollars each, I think they were.

499
00:26:25,040 --> 00:26:28,560
Speaker 1: They might because they that was part of the negotiations

500
00:26:28,560 --> 00:26:30,960
Speaker 1: that you buy us out per episode so we do

501
00:26:31,040 --> 00:26:33,919
Speaker 1: not continue to get for the for the producers and

502
00:26:34,119 --> 00:26:37,600
Speaker 1: the creators of the show. I mean, somebody once told

503
00:26:37,600 --> 00:26:39,760
Speaker 1: me that Charles in Charge when it was when into

504
00:26:39,760 --> 00:26:42,560
Speaker 1: syndications was worth three million dollars to the creators and

505
00:26:42,560 --> 00:26:44,639
Speaker 1: the and the stars of the show. I mean the

506
00:26:44,680 --> 00:26:48,040
Speaker 1: famous one was was when Seinfeld went into syndication and

507
00:26:48,119 --> 00:26:51,439
Speaker 1: Larry David and Jerry Seinfeld split a billion dollars so

508
00:26:51,520 --> 00:26:54,359
Speaker 1: I mean there's there's for the creators of the show,

509
00:26:55,040 --> 00:26:57,359
Speaker 1: um and executive bruces of the show. It can be

510
00:26:57,440 --> 00:26:59,800
Speaker 1: a lot of money, but I think it's still the case.

511
00:27:00,400 --> 00:27:04,720
Speaker 1: It might not be with everything is different with streaming. Well,

512
00:27:04,760 --> 00:27:07,880
Speaker 1: perfect example with with animation. When back in the day,

513
00:27:08,160 --> 00:27:11,160
Speaker 1: you used to get a set amount of money for

514
00:27:11,359 --> 00:27:14,400
Speaker 1: your session fee. You'd signed you sign a contract every

515
00:27:14,400 --> 00:27:16,680
Speaker 1: time you went in to do every individual episode, even

516
00:27:16,680 --> 00:27:18,680
Speaker 1: if you're a regular on the show, and you'd sign

517
00:27:18,720 --> 00:27:20,959
Speaker 1: that and then you'd get residuals. Now, if you go

518
00:27:21,040 --> 00:27:23,360
Speaker 1: do a regular session fee for something like a Netflix,

519
00:27:23,400 --> 00:27:25,840
Speaker 1: the check is slightly bigger because they know you're not

520
00:27:25,880 --> 00:27:28,639
Speaker 1: going to get the same residuals. So it's you're signing

521
00:27:28,680 --> 00:27:32,879
Speaker 1: a slightly bigger uh day player check, you know, contract,

522
00:27:33,000 --> 00:27:35,000
Speaker 1: but it's not breaking the bank, but it's like an

523
00:27:35,000 --> 00:27:37,119
Speaker 1: extra like hundred fifty dollars or something like that. So

524
00:27:37,160 --> 00:27:39,280
Speaker 1: it's yeah, the whole thing is different with streamers. And

525
00:27:39,280 --> 00:27:41,919
Speaker 1: that's why every five or six years when new technology

526
00:27:41,960 --> 00:27:44,399
Speaker 1: comes out, there's everyone's like, why is SAG going to

527
00:27:44,480 --> 00:27:47,360
Speaker 1: strike again? It's like, well, because now this new thing

528
00:27:47,480 --> 00:27:51,119
Speaker 1: has been invented that wasn't here before and actors are

529
00:27:51,119 --> 00:27:53,119
Speaker 1: getting screwed, so they're gonna, you know, we have to

530
00:27:53,160 --> 00:27:56,160
Speaker 1: negotiate because we should be able to get something from

531
00:27:56,200 --> 00:27:59,280
Speaker 1: now you're showing our show at nauseum and we're getting nothing.

532
00:27:59,320 --> 00:28:01,280
Speaker 1: So yeah, they need to be in a renegotiation. That

533
00:28:01,320 --> 00:28:04,040
Speaker 1: does it happens like every decade? Well, I think that's

534
00:28:04,080 --> 00:28:07,040
Speaker 1: everything you've ever wanted and nothing and everything you ever

535
00:28:07,080 --> 00:28:11,040
Speaker 1: wanted to know about information. So what is a line

536
00:28:11,080 --> 00:28:13,000
Speaker 1: from Boy Meets World that you have repeated the most

537
00:28:13,040 --> 00:28:17,560
Speaker 1: throughout your life? If any? Wow, because I do cameo,

538
00:28:17,640 --> 00:28:19,800
Speaker 1: I would probably have to say, lose one friend, lose

539
00:28:19,800 --> 00:28:22,800
Speaker 1: all friends, lose yourself, or life's tough, get a helmet.

540
00:28:22,840 --> 00:28:24,800
Speaker 1: Those two are the people that they want those the most.

541
00:28:25,119 --> 00:28:29,280
Speaker 1: I would probably say this outfit with this hair, hello

542
00:28:29,359 --> 00:28:32,239
Speaker 1: but bye? I am so I can see that. What

543
00:28:32,320 --> 00:28:35,840
Speaker 1: was that from the haircut episode haircut hair today, goon tomorrow?

544
00:28:36,119 --> 00:28:37,720
Speaker 1: When you guys are like, Topanga is not going to

545
00:28:37,880 --> 00:28:40,200
Speaker 1: change at all. I think your Shawn says that, like

546
00:28:40,280 --> 00:28:42,680
Speaker 1: to Panga, you know, she's she's not the type to

547
00:28:42,720 --> 00:28:44,440
Speaker 1: care about appearance. And then I come out and I

548
00:28:44,480 --> 00:28:47,160
Speaker 1: say this outfit with this hair, hello but bye, I'm

549
00:28:47,280 --> 00:28:49,440
Speaker 1: so at them all. Her hair is five inches shorter.

550
00:28:49,520 --> 00:28:52,600
Speaker 1: She can't totally change the person she is. I mean,

551
00:28:52,640 --> 00:28:54,720
Speaker 1: my favorite line that I think about all the time,

552
00:28:54,720 --> 00:28:58,720
Speaker 1: which I've loved to discover something that um that the

553
00:28:58,760 --> 00:29:00,520
Speaker 1: fans look too, is is they want you to take

554
00:29:00,560 --> 00:29:02,760
Speaker 1: the roles like That was one thing we used to

555
00:29:02,760 --> 00:29:04,920
Speaker 1: always say. And of course because and I think it's

556
00:29:04,920 --> 00:29:08,200
Speaker 1: probably because you're at a restaurant often where they deliver roles,

557
00:29:08,200 --> 00:29:10,200
Speaker 1: and so you think about that line, but I don't

558
00:29:10,200 --> 00:29:12,520
Speaker 1: actually say it. But that's one of my favorite lines.

559
00:29:12,840 --> 00:29:15,280
Speaker 1: You have to You have two writer that I think

560
00:29:15,280 --> 00:29:18,479
Speaker 1: are arguably too of the best comedy lines in our

561
00:29:18,520 --> 00:29:20,000
Speaker 1: show period. I think I know one of them that

562
00:29:20,000 --> 00:29:21,680
Speaker 1: you're gonna say, but I don't say. You know, I

563
00:29:21,720 --> 00:29:25,280
Speaker 1: don't like which one the don't move Maybe maybe he

564
00:29:25,320 --> 00:29:28,160
Speaker 1: doesn't see us. That's brilliant. That's one of my favorite lines.

565
00:29:28,240 --> 00:29:30,040
Speaker 1: And I'll get as sick as I can get without

566
00:29:30,040 --> 00:29:32,800
Speaker 1: actually dying, I think, is one of the other very

567
00:29:32,800 --> 00:29:36,240
Speaker 1: clever very kids won't get it, but adults will kind

568
00:29:36,240 --> 00:29:38,600
Speaker 1: of lines. Those are another one that I've often thought

569
00:29:39,520 --> 00:29:43,480
Speaker 1: so dumb. It is what a scuba stand for something

570
00:29:43,520 --> 00:29:51,240
Speaker 1: something creepy and andy. If I remember correctly, that's a

571
00:29:51,280 --> 00:29:53,120
Speaker 1: Jeff Manel line. We have to ask him if he

572
00:29:53,160 --> 00:29:54,920
Speaker 1: came up with that, because I think that that was

573
00:29:55,120 --> 00:29:59,800
Speaker 1: a Manel line. Uh, we haven't done that episode on

574
00:29:59,880 --> 00:30:02,720
Speaker 1: the questions to ask Minnell to so many things that

575
00:30:02,760 --> 00:30:04,040
Speaker 1: have come up that will be like Minnell, will no,

576
00:30:04,160 --> 00:30:07,440
Speaker 1: let's ask Minnell. Yeah, okay, So another question, were we

577
00:30:07,600 --> 00:30:13,000
Speaker 1: encouraged to improv do it during rehearsals or taping encouraged

578
00:30:13,040 --> 00:30:18,600
Speaker 1: as a loading Absolutely not. I was never told not to,

579
00:30:20,640 --> 00:30:23,120
Speaker 1: so I kind of did a lot. I think that

580
00:30:23,120 --> 00:30:24,920
Speaker 1: there was a word for word obsession on the show

581
00:30:24,960 --> 00:30:28,120
Speaker 1: if you messed up a line or really you were

582
00:30:28,160 --> 00:30:31,160
Speaker 1: told to improv. Will I wasn't told to improv, but

583
00:30:31,160 --> 00:30:33,080
Speaker 1: I improved all the time, and they were. They would

584
00:30:33,080 --> 00:30:35,480
Speaker 1: always keep the camera Like I could think of a

585
00:30:35,560 --> 00:30:37,520
Speaker 1: number of scenes where I just threw stuff in and

586
00:30:37,560 --> 00:30:40,800
Speaker 1: they usually kept it. But mostly you were throwing in

587
00:30:41,120 --> 00:30:43,280
Speaker 1: like at the end of a scene, the beginning of

588
00:30:43,320 --> 00:30:47,040
Speaker 1: the scene. I would button sound or like I would

589
00:30:47,080 --> 00:30:49,320
Speaker 1: butt in scenes a lot, or I would do something

590
00:30:49,360 --> 00:30:52,040
Speaker 1: in run through that they then wrote into The switch

591
00:30:52,080 --> 00:30:54,400
Speaker 1: of the scot was something they did quite a bit again.

592
00:30:55,600 --> 00:31:00,760
Speaker 1: You and Ben and Danielle had had a different acting

593
00:31:00,880 --> 00:31:03,320
Speaker 1: experience on the show than I did. I was very

594
00:31:03,360 --> 00:31:06,239
Speaker 1: much kind of left alone as I as we got

595
00:31:06,360 --> 00:31:08,520
Speaker 1: later in the show, especially where it was just kind

596
00:31:08,560 --> 00:31:10,960
Speaker 1: of like if I can get the laugh, go get

597
00:31:11,000 --> 00:31:12,760
Speaker 1: the laugh. That was kind of what it was. You

598
00:31:12,760 --> 00:31:16,240
Speaker 1: guys had the more dramatic kind of storyline, so I

599
00:31:16,240 --> 00:31:17,960
Speaker 1: think they wanted to stick to that more. And then

600
00:31:17,960 --> 00:31:19,960
Speaker 1: it was kind of like, now watch will go sneeze

601
00:31:20,000 --> 00:31:22,920
Speaker 1: lottery tickets? You know, So it was I I was

602
00:31:23,520 --> 00:31:25,800
Speaker 1: not encouraged is not the right word, but I certainly

603
00:31:25,880 --> 00:31:30,760
Speaker 1: was not discouraged from IMPROVM as how I would say it,

604
00:31:31,160 --> 00:31:33,320
Speaker 1: what do you guys know about the episodes that were

605
00:31:33,360 --> 00:31:37,320
Speaker 1: banned from Disney Channel and will you be rewatching them?

606
00:31:37,560 --> 00:31:41,040
Speaker 1: I tried to. It was so funny. The other day

607
00:31:41,080 --> 00:31:43,760
Speaker 1: I was trying I was working on something for us

608
00:31:44,320 --> 00:31:47,920
Speaker 1: and I was trying to remember all. I think there's

609
00:31:48,040 --> 00:31:52,360
Speaker 1: four and I was trying to remember which ones they were.

610
00:31:52,400 --> 00:31:55,400
Speaker 1: There's two I think that I have to do with drinking. Okay,

611
00:31:55,640 --> 00:31:58,840
Speaker 1: there's one where Korey and to Panga are contemplating losing

612
00:31:58,840 --> 00:32:03,480
Speaker 1: their virginity from from prom okay. And then there's one

613
00:32:03,480 --> 00:32:05,400
Speaker 1: other and I can't remember what it was. Was it

614
00:32:05,520 --> 00:32:08,960
Speaker 1: the honeymoon episode because they actually make love or is

615
00:32:08,960 --> 00:32:11,440
Speaker 1: it because that was just such a terrible episode that

616
00:32:11,480 --> 00:32:14,320
Speaker 1: they didn't want to air it on a television anywhere

617
00:32:14,320 --> 00:32:17,200
Speaker 1: in the world. Um. But I think I can't think

618
00:32:17,200 --> 00:32:18,600
Speaker 1: of what the fourth one is and I didn't want

619
00:32:18,600 --> 00:32:19,760
Speaker 1: to google it. I've been I'm like, I'm not going

620
00:32:19,840 --> 00:32:21,280
Speaker 1: to google it, and I want to see what it is.

621
00:32:21,840 --> 00:32:25,040
Speaker 1: But does anybody know of are those streaming on Disney

622
00:32:25,040 --> 00:32:27,400
Speaker 1: Plus or did Disney Plus not put those on either?

623
00:32:28,000 --> 00:32:29,760
Speaker 1: I do not know the answer to this question. I

624
00:32:29,800 --> 00:32:31,600
Speaker 1: don't know how many there are. I think it's four,

625
00:32:31,640 --> 00:32:34,760
Speaker 1: but it also maybe five. Um, and I do think

626
00:32:34,800 --> 00:32:39,000
Speaker 1: they were drinking, yeah, drinking related and sex related. And

627
00:32:39,040 --> 00:32:41,239
Speaker 1: I don't know if they're on Disney Plus. So we

628
00:32:41,280 --> 00:32:43,800
Speaker 1: do need to research it though, because I don't know

629
00:32:43,840 --> 00:32:45,720
Speaker 1: when the first one is that will come to and

630
00:32:45,760 --> 00:32:48,080
Speaker 1: if we're watching it on Disney Plus, we're gonna need

631
00:32:48,120 --> 00:32:50,240
Speaker 1: to find it somewhere else. But not only that, but

632
00:32:50,320 --> 00:32:54,280
Speaker 1: Disney would internally edit episodes. They would cut lines, they

633
00:32:54,280 --> 00:33:01,040
Speaker 1: would cut beats. Now with other shows, because I know

634
00:33:01,160 --> 00:33:05,080
Speaker 1: mash backwards and forwards and mashes ones, and they're cutting

635
00:33:05,120 --> 00:33:07,320
Speaker 1: stuff out. Well, no, but I know that Disney when

636
00:33:07,320 --> 00:33:09,720
Speaker 1: they re aired our show on Disney Channel would cut

637
00:33:09,800 --> 00:33:11,840
Speaker 1: because maybe it was a scream episode. They probably cut

638
00:33:11,840 --> 00:33:14,760
Speaker 1: the scream episode. They probably didn't air that on Disney Channel, right,

639
00:33:15,280 --> 00:33:16,920
Speaker 1: I don't know, I don't know. You also know that

640
00:33:16,920 --> 00:33:20,160
Speaker 1: when that there's different sometimes on cable syndication, there's different

641
00:33:20,200 --> 00:33:24,280
Speaker 1: timing than there is on UH network. So so a

642
00:33:24,360 --> 00:33:27,320
Speaker 1: network run was twenty three minutes plus seven minutes of commercials,

643
00:33:27,800 --> 00:33:32,080
Speaker 1: So a UH cable run might have been short, just

644
00:33:32,200 --> 00:33:33,960
Speaker 1: they might have short and no, because they didn't have

645
00:33:34,240 --> 00:33:35,720
Speaker 1: they do have commercials on Disney. No, they didn't have

646
00:33:35,720 --> 00:33:40,719
Speaker 1: commercials on Disney Channel. They don't. They did know they do, Okay, Um,

647
00:33:40,760 --> 00:33:44,960
Speaker 1: But to answer the question, um, I mean I remember

648
00:33:44,960 --> 00:33:49,040
Speaker 1: the drinking stuff very vividly, like you know, acting those episodes, um,

649
00:33:49,160 --> 00:33:52,640
Speaker 1: and feeling challenged by them and discussing like how to

650
00:33:52,680 --> 00:33:56,440
Speaker 1: play drunk and all that stuff of course. Um. And

651
00:33:56,480 --> 00:33:59,840
Speaker 1: then I remember really not liking the prom episode. Yeah,

652
00:34:00,040 --> 00:34:02,360
Speaker 1: we were taping it. I remember being very upset during

653
00:34:02,360 --> 00:34:04,600
Speaker 1: that entire week. I was very upset with the adults

654
00:34:04,600 --> 00:34:07,360
Speaker 1: on our set. The way that they were approaching this

655
00:34:07,560 --> 00:34:13,560
Speaker 1: UM specifically because UM, we were not discussing UM safe sex.

656
00:34:13,800 --> 00:34:17,200
Speaker 1: That the fact that we would not bring up Corey

657
00:34:17,200 --> 00:34:21,719
Speaker 1: and to Banga using condoms or having a discussion about

658
00:34:21,719 --> 00:34:24,440
Speaker 1: birth control at all, and yet the entire episode is

659
00:34:24,440 --> 00:34:26,400
Speaker 1: about whether will they or will they not in the

660
00:34:26,480 --> 00:34:28,560
Speaker 1: bedroom in the hotel room, and it was and I

661
00:34:28,600 --> 00:34:32,839
Speaker 1: just remember being so upset. And then like three weeks

662
00:34:32,880 --> 00:34:34,800
Speaker 1: and I brought it up. I remember talking to Michael

663
00:34:34,800 --> 00:34:36,880
Speaker 1: about it and saying, like, can we talk about this,

664
00:34:37,000 --> 00:34:40,160
Speaker 1: Like maybe you generationally don't understand that, but like we

665
00:34:40,160 --> 00:34:41,840
Speaker 1: were growing up in the era of AIDS, this is

666
00:34:41,880 --> 00:34:43,719
Speaker 1: something that we have to talk about, Like when you

667
00:34:43,840 --> 00:34:47,080
Speaker 1: are discussing losing your virginity, you discuss who you know,

668
00:34:47,120 --> 00:34:48,920
Speaker 1: how you're going to do it, and like how to

669
00:34:48,960 --> 00:34:51,600
Speaker 1: be safe about it. And he completely blew me off

670
00:34:51,680 --> 00:34:53,359
Speaker 1: and told me it was a ridiculous thing to worry

671
00:34:53,360 --> 00:34:55,520
Speaker 1: about UM and that we don't even need to discuss

672
00:34:55,560 --> 00:34:57,840
Speaker 1: it UM. And I felt at the time that that

673
00:34:57,880 --> 00:35:03,000
Speaker 1: was incredibly irresponsible. And and then I remember like three

674
00:35:03,120 --> 00:35:05,440
Speaker 1: episodes later, we were doing an episode where we made

675
00:35:05,440 --> 00:35:09,560
Speaker 1: a joke about sharing razors, where Corey and like to

676
00:35:09,680 --> 00:35:12,600
Speaker 1: pangas talk about sharing razors in college, and I remember

677
00:35:12,680 --> 00:35:14,880
Speaker 1: during a note session, Michael Jacob saying, you know, I

678
00:35:14,920 --> 00:35:17,279
Speaker 1: recently read that hepatitis can spread through razors? Are we

679
00:35:17,360 --> 00:35:20,760
Speaker 1: being irresponsible by And I was like, I just remember

680
00:35:20,800 --> 00:35:22,960
Speaker 1: being so pissed. I was like, oh, this is where

681
00:35:23,280 --> 00:35:26,400
Speaker 1: now we're going to talk about, like us hepatitis. But

682
00:35:26,560 --> 00:35:29,520
Speaker 1: for whatever reason, the notion of like discussing safe sex

683
00:35:29,600 --> 00:35:32,320
Speaker 1: was off the table, even though the entire episode was

684
00:35:32,360 --> 00:35:34,720
Speaker 1: about having sex. So I I remember being very upset

685
00:35:34,760 --> 00:35:38,320
Speaker 1: during that episode and just generationally feeling that difference, like, oh, well,

686
00:35:38,360 --> 00:35:41,880
Speaker 1: you know, it's not something that they were concerned with,

687
00:35:41,920 --> 00:35:44,480
Speaker 1: And I felt like, you know, first of all, I

688
00:35:44,520 --> 00:35:46,879
Speaker 1: remember being very uncomfortable all the sex conversation. I'm going

689
00:35:46,960 --> 00:35:49,239
Speaker 1: the world like it was just weird, um, you know,

690
00:35:49,280 --> 00:35:52,239
Speaker 1: And and it was so I remember rolling my eyes

691
00:35:52,280 --> 00:35:55,000
Speaker 1: about all the like Corey to Panga virgin stuf. It's

692
00:35:55,000 --> 00:36:00,000
Speaker 1: like it just felt so uh precious, outdated and also

693
00:36:00,040 --> 00:36:01,440
Speaker 1: just weird to be talking about, like why are we

694
00:36:01,480 --> 00:36:04,200
Speaker 1: obsessing over this um even at the time, and then um,

695
00:36:04,280 --> 00:36:05,920
Speaker 1: and then yet if you're going to do a whole

696
00:36:05,960 --> 00:36:09,160
Speaker 1: episode about it, to not discuss it responsibly felt really all.

697
00:36:09,200 --> 00:36:12,400
Speaker 1: You know, Yeah, I think I'll probably have more memories.

698
00:36:12,440 --> 00:36:15,560
Speaker 1: I remember also feeling very uncomfortable the whole week, um

699
00:36:15,600 --> 00:36:18,960
Speaker 1: for similar reasons, But I don't necessarily have specific memories

700
00:36:18,960 --> 00:36:24,200
Speaker 1: other than just kind of um ickiness um about the week.

701
00:36:24,280 --> 00:36:27,120
Speaker 1: So yeah, I mean, I mean, yeah, I don't. I

702
00:36:27,160 --> 00:36:29,279
Speaker 1: honestly don't remember the episode. And I think there's three

703
00:36:29,320 --> 00:36:31,960
Speaker 1: episodes that and it says three that haven't been I

704
00:36:32,000 --> 00:36:35,439
Speaker 1: did finally google three that weren't on Disney Channel, um,

705
00:36:35,480 --> 00:36:36,880
Speaker 1: and that this is one of them. I think this

706
00:36:36,960 --> 00:36:39,200
Speaker 1: is the one called if you can't be the with

707
00:36:39,239 --> 00:36:43,759
Speaker 1: the one you love? Is that that that one? Season five? Um?

708
00:36:43,880 --> 00:36:46,680
Speaker 1: I believe that's what they're talking about. But I mean

709
00:36:46,719 --> 00:36:50,560
Speaker 1: I get them doing an episode about losing your virginity

710
00:36:50,560 --> 00:36:53,319
Speaker 1: on problem not. I think that's a natural thing to

711
00:36:53,440 --> 00:36:56,120
Speaker 1: kind of happen. Yeah, I mean, that's that's a that's

712
00:36:56,160 --> 00:36:58,880
Speaker 1: a real issue too. I think bring up but not

713
00:36:58,920 --> 00:37:00,799
Speaker 1: bring up the safe sex thing doesn't make any sense.

714
00:37:00,840 --> 00:37:05,839
Speaker 1: But um, yes, promises promises you can't be with the

715
00:37:05,840 --> 00:37:07,720
Speaker 1: one you love, So that's got to be a different

716
00:37:07,719 --> 00:37:11,880
Speaker 1: one then, um Shawn's character one. Yeah, see again, I

717
00:37:11,920 --> 00:37:15,040
Speaker 1: don't I don't know these episodes promises, promises, and then

718
00:37:16,200 --> 00:37:21,399
Speaker 1: the third one is the Truth about Honesty. Mm hmm ah,

719
00:37:21,719 --> 00:37:24,600
Speaker 1: no idea. So maybe maybe one of those is the

720
00:37:25,640 --> 00:37:29,840
Speaker 1: is the and when I don't know that says you

721
00:37:29,880 --> 00:37:32,439
Speaker 1: can watch him on Hulu. When Topanga used Cory's razor,

722
00:37:32,480 --> 00:37:34,840
Speaker 1: he became on set, which I mean, that's literally the

723
00:37:34,880 --> 00:37:38,319
Speaker 1: episode you're talking about, is the Truth about Honesty. We

724
00:37:38,360 --> 00:37:40,520
Speaker 1: have them on DVD, so we will watch We will

725
00:37:40,560 --> 00:37:42,359
Speaker 1: watch them if they're not on Disney Plus, we will

726
00:37:42,360 --> 00:37:44,800
Speaker 1: watch them on DVD. I don't remember any of those episodes.

727
00:37:49,280 --> 00:37:51,839
Speaker 1: Hey everyone, I'm Wilford LL, also known as a voice

728
00:37:51,840 --> 00:37:54,839
Speaker 1: behind Ron Stoppable. Hey, and I'm Christy Carlson or Model,

729
00:37:54,920 --> 00:37:57,640
Speaker 1: also known as the voice behind Kim Possible. And we

730
00:37:57,719 --> 00:37:59,680
Speaker 1: have teamed up again, but this time is the host

731
00:37:59,760 --> 00:38:02,080
Speaker 1: of I Hear Voices. Have you ever wanted to go

732
00:38:02,200 --> 00:38:05,120
Speaker 1: behind the scenes of your favorite cartoons, video games, and

733
00:38:05,200 --> 00:38:08,560
Speaker 1: animated movies. If so, we have the podcast for you.

734
00:38:08,960 --> 00:38:11,040
Speaker 1: Every week, we're gonna be talking to the biggest stars

735
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Speaker 1: of voice over, like Alan tutic, Vette, Nicole Brown, Steve Downs,

736
00:38:14,280 --> 00:38:17,320
Speaker 1: Dietrich Bader, and even reuniting with our Kim Possible co

737
00:38:17,400 --> 00:38:20,719
Speaker 1: star Taj Maury. They tell us everything from how they

738
00:38:20,719 --> 00:38:23,239
Speaker 1: got started, two things we didn't even know about some

739
00:38:23,320 --> 00:38:26,239
Speaker 1: of our favorite animated characters. You're also going to hear

740
00:38:26,280 --> 00:38:28,799
Speaker 1: about new shows, games, and movies from all of these

741
00:38:28,840 --> 00:38:30,879
Speaker 1: actors who bring them to life. So if you want

742
00:38:30,920 --> 00:38:34,920
Speaker 1: to laugh, learn, and here's someone launch into characters like Bugs, Bunny,

743
00:38:35,000 --> 00:38:38,080
Speaker 1: and Batman all in the same episode, then this is

744
00:38:38,080 --> 00:38:40,879
Speaker 1: the podcast for you. Download the free I Heart Radio

745
00:38:40,880 --> 00:38:43,640
Speaker 1: app and check out the I Hear Voices podcast today.

746
00:38:43,880 --> 00:38:47,160
Speaker 1: It's free and you can even listen offline. Discover music

747
00:38:47,320 --> 00:38:56,240
Speaker 1: radio and podcasts you'll love, especially ours. Now another question,

748
00:38:56,320 --> 00:38:59,399
Speaker 1: would you ever be interested in revisiting the Boy Meets

749
00:38:59,400 --> 00:39:03,920
Speaker 1: World unit verse? I think now is probably a fine

750
00:39:04,000 --> 00:39:06,360
Speaker 1: time to mention that a couple of years ago we

751
00:39:06,520 --> 00:39:12,880
Speaker 1: talked very briefly about doing a totally weird offshoot of

752
00:39:13,000 --> 00:39:17,600
Speaker 1: a Boy Meets World reboot that actually was kind of

753
00:39:17,600 --> 00:39:22,080
Speaker 1: in the horror genre. It was it was such a

754
00:39:22,120 --> 00:39:25,600
Speaker 1: fun idea and a fun script, and we were all

755
00:39:25,640 --> 00:39:28,399
Speaker 1: going to be able to, you know, be producers or

756
00:39:28,400 --> 00:39:34,400
Speaker 1: writers and actually we ourselves correct, we were playing ourselves,

757
00:39:34,840 --> 00:39:39,720
Speaker 1: having been on a fictionalized version of a Boy meets

758
00:39:39,760 --> 00:39:42,600
Speaker 1: World that we were calling something else. Um, but we

759
00:39:42,600 --> 00:39:44,560
Speaker 1: were all involved. It was going to be really fun

760
00:39:44,600 --> 00:39:48,120
Speaker 1: and it was going to be like Scream meets a

761
00:39:48,600 --> 00:39:52,960
Speaker 1: Boy meets World ish reboot, and um, we took it

762
00:39:53,000 --> 00:39:55,279
Speaker 1: pretty far. We got pretty far in the process. We

763
00:39:55,320 --> 00:39:59,279
Speaker 1: actually sold the idea to a streamer who I will

764
00:39:59,320 --> 00:40:04,080
Speaker 1: not mention, and then said streamer wasn't really sure exactly

765
00:40:04,120 --> 00:40:07,000
Speaker 1: what they were doing with their their their network, if

766
00:40:07,040 --> 00:40:09,800
Speaker 1: you will, and it ended up getting dropped. And then

767
00:40:09,880 --> 00:40:13,919
Speaker 1: we took the idea to uh Sony, and Sony bought

768
00:40:13,960 --> 00:40:17,160
Speaker 1: the idea and we were really excited. But then Sony

769
00:40:17,320 --> 00:40:20,320
Speaker 1: and this other streamer couldn't work out the terms to

770
00:40:21,200 --> 00:40:23,160
Speaker 1: let us go over to Sony, and the whole idea

771
00:40:23,280 --> 00:40:26,240
Speaker 1: just kind of now lays their dormant in a puddle

772
00:40:26,280 --> 00:40:29,279
Speaker 1: at our feet. So well, you said something, Danielle that

773
00:40:29,400 --> 00:40:32,160
Speaker 1: I thought was amazing at the time, because we were

774
00:40:32,200 --> 00:40:34,799
Speaker 1: talking about and reboots were big, and you said, you

775
00:40:34,840 --> 00:40:36,759
Speaker 1: know what, it's never been done that I really want

776
00:40:36,800 --> 00:40:40,440
Speaker 1: to do. I want to reboot the caste which is

777
00:40:40,520 --> 00:40:42,480
Speaker 1: I don't want to reboot the show. I want us

778
00:40:42,520 --> 00:40:44,960
Speaker 1: all the whole cast to get together and do a

779
00:40:45,000 --> 00:40:48,719
Speaker 1: different project as different people, totally different show. I just

780
00:40:48,760 --> 00:40:50,600
Speaker 1: think it would be I think it's kind of an

781
00:40:50,600 --> 00:40:54,960
Speaker 1: interesting experiment, agreed. I think that is you take the

782
00:40:55,000 --> 00:40:56,759
Speaker 1: cast of a show and you put them in a

783
00:40:56,800 --> 00:40:59,000
Speaker 1: different show with different characters. You see if people would

784
00:40:59,000 --> 00:41:01,800
Speaker 1: be able to accept them as other characters. And I

785
00:41:01,840 --> 00:41:05,160
Speaker 1: think if they're different enough, it's cool enough that they would.

786
00:41:05,200 --> 00:41:07,080
Speaker 1: But that idea always stuck with me, the idea of

787
00:41:07,080 --> 00:41:09,560
Speaker 1: rebooting the cast as opposed to the show. I think

788
00:41:09,600 --> 00:41:11,759
Speaker 1: that's great. And we knew that Writer really didn't have

789
00:41:11,840 --> 00:41:14,200
Speaker 1: much of an interest in being an actor. So Writer

790
00:41:14,280 --> 00:41:16,239
Speaker 1: actually ended up in a coma at the end of

791
00:41:16,280 --> 00:41:19,120
Speaker 1: the first episode, which got him to just basically lay

792
00:41:19,160 --> 00:41:22,759
Speaker 1: there very still exactly. So whatever this, whatever, this new

793
00:41:22,840 --> 00:41:25,680
Speaker 1: version is of us rebooting the cast, Writer, you can

794
00:41:25,719 --> 00:41:27,200
Speaker 1: be in a you can be in a coma, I

795
00:41:27,200 --> 00:41:32,319
Speaker 1: think it. And you're just direct exactly perfect, all right.

796
00:41:32,440 --> 00:41:35,799
Speaker 1: So yes, I think, like Will said, um, we have

797
00:41:35,880 --> 00:41:40,280
Speaker 1: no interest in doing another Boy Meets World related show,

798
00:41:40,520 --> 00:41:43,040
Speaker 1: but rebooting something where we all got to work together

799
00:41:43,080 --> 00:41:45,120
Speaker 1: and we had agency in it and could have a

800
00:41:45,200 --> 00:41:47,920
Speaker 1: say in it from a producing and writing and directing standpoint,

801
00:41:47,960 --> 00:41:49,680
Speaker 1: I think, yeah, I mean, obviously, we all love each

802
00:41:49,719 --> 00:41:51,880
Speaker 1: other and we love working together, and so we're always

803
00:41:51,920 --> 00:41:53,600
Speaker 1: coming up with ideas and things that we could do.

804
00:41:53,680 --> 00:41:56,080
Speaker 1: So you never know, maybe somewhere down the line you'll

805
00:41:56,080 --> 00:42:00,160
Speaker 1: see You'll see us doing something. Um, someone wanted to know,

806
00:42:00,280 --> 00:42:03,040
Speaker 1: can we get evidence that Danielle wrapped a bust of

807
00:42:03,160 --> 00:42:06,319
Speaker 1: rhyme song during MTV spring break? I have a bet

808
00:42:06,360 --> 00:42:09,080
Speaker 1: with my brother. I remember it. He says it never happened.

809
00:42:09,200 --> 00:42:12,000
Speaker 1: We can't find it anywhere. Who is right? Did you?

810
00:42:12,560 --> 00:42:16,319
Speaker 1: I most certainly did, and it was per Say What

811
00:42:16,520 --> 00:42:21,919
Speaker 1: Karaoke during MTVS spring Break, and UM, it was so

812
00:42:22,000 --> 00:42:24,040
Speaker 1: much fun. I mean, you guys know what a big

813
00:42:24,200 --> 00:42:26,600
Speaker 1: hip hop head I've been for most of my life,

814
00:42:26,680 --> 00:42:28,840
Speaker 1: and so when I got to do say What karaoke,

815
00:42:29,800 --> 00:42:32,200
Speaker 1: I wanted to do that song and I did it.

816
00:42:32,200 --> 00:42:34,440
Speaker 1: It was really fun. You cannot find it anywhere. I

817
00:42:34,480 --> 00:42:37,480
Speaker 1: have no copy of it. I don't I I don't

818
00:42:37,480 --> 00:42:39,840
Speaker 1: know where it is. MTV is very believe YouTube doesn't

819
00:42:39,880 --> 00:42:44,759
Speaker 1: have it. MTV is very uh, they are very protective

820
00:42:44,760 --> 00:42:46,920
Speaker 1: over their I P and I don't know, it's just

821
00:42:47,000 --> 00:42:49,279
Speaker 1: not there. It comes up all the time that people

822
00:42:49,280 --> 00:42:51,759
Speaker 1: are like, did I is that a fever dream. Did

823
00:42:51,800 --> 00:42:54,120
Speaker 1: I dream that? And it's like, no, it really happened,

824
00:42:54,160 --> 00:42:56,200
Speaker 1: but there is no evidence on it of it online.

825
00:42:56,239 --> 00:42:58,480
Speaker 1: So I remember you talking to me about this. Isn't

826
00:42:58,520 --> 00:43:00,440
Speaker 1: it true that one of the reasons like you didn't

827
00:43:00,440 --> 00:43:03,120
Speaker 1: win or something that is because you were wrapping faster

828
00:43:03,280 --> 00:43:06,359
Speaker 1: than Busta rhymes. Yeah, and it's not necessarily because I'm

829
00:43:06,440 --> 00:43:09,400
Speaker 1: faster than Busta rhymes. It was the way the earpiece

830
00:43:09,520 --> 00:43:11,840
Speaker 1: was in my ear and the way so I actually lost,

831
00:43:11,880 --> 00:43:13,960
Speaker 1: Like I came in third place. I'm at Zappa, I

832
00:43:14,000 --> 00:43:18,480
Speaker 1: think one or maybe it was the kids from Geeks

833
00:43:18,600 --> 00:43:21,440
Speaker 1: freaksing Geeks, maybe they won something, but either way, I

834
00:43:21,480 --> 00:43:24,879
Speaker 1: came in third place. And um, my performance was good,

835
00:43:24,920 --> 00:43:26,920
Speaker 1: but in my earpiece and the way the audience was

836
00:43:27,000 --> 00:43:29,920
Speaker 1: yelling and everything, the music actually started in my ear

837
00:43:30,440 --> 00:43:33,319
Speaker 1: sooner than it started elsewhere, and so I was like

838
00:43:33,480 --> 00:43:35,759
Speaker 1: I was, I started a little fast and then yes,

839
00:43:35,800 --> 00:43:38,920
Speaker 1: I was rapping faster than Busta rhymes. Um, and I

840
00:43:38,920 --> 00:43:41,080
Speaker 1: think that may have affected my my win, but yes

841
00:43:41,120 --> 00:43:43,720
Speaker 1: I did it and it was really fun. And um,

842
00:43:43,760 --> 00:43:47,400
Speaker 1: you win the bet with your brother, so that's very exciting. Um,

843
00:43:47,520 --> 00:43:50,120
Speaker 1: do you still get Disney perks? Do you have to

844
00:43:50,160 --> 00:43:54,640
Speaker 1: pay for Disney plus we get no Disney perks, and yes,

845
00:43:54,719 --> 00:43:58,080
Speaker 1: we have to pay for Disney was I have a

846
00:43:58,120 --> 00:44:01,400
Speaker 1: story about that. Actually, we used to be able to

847
00:44:01,840 --> 00:44:04,120
Speaker 1: call up and say I want to go to Disneyland

848
00:44:04,560 --> 00:44:08,799
Speaker 1: next week or whatever, and they would give us free tickets. Um.

849
00:44:08,840 --> 00:44:10,799
Speaker 1: When we went to Disney World, they would fly us

850
00:44:10,840 --> 00:44:13,000
Speaker 1: there for events and then we would get the v

851
00:44:13,040 --> 00:44:15,439
Speaker 1: I P Guest guide, like taking us to the front

852
00:44:15,440 --> 00:44:17,360
Speaker 1: of the line. But like, I remember being able to

853
00:44:17,360 --> 00:44:18,920
Speaker 1: go to Disney And I didn't take advantage of this

854
00:44:19,200 --> 00:44:21,000
Speaker 1: too often, but I remember being able to go to

855
00:44:21,000 --> 00:44:24,720
Speaker 1: Disneyland just by calling us, you know, the publicity department,

856
00:44:24,760 --> 00:44:26,239
Speaker 1: saying hey, could I get tickets, and they would give

857
00:44:26,239 --> 00:44:28,239
Speaker 1: me tickets um for me and my friends to go.

858
00:44:28,440 --> 00:44:31,400
Speaker 1: I only did it a few times, but I remember

859
00:44:31,719 --> 00:44:35,680
Speaker 1: when our show got uh got canceled, or when it

860
00:44:35,719 --> 00:44:38,879
Speaker 1: was over. I went to New York to like the

861
00:44:38,920 --> 00:44:41,959
Speaker 1: week after our show was canceled, and I had talked

862
00:44:42,040 --> 00:44:44,480
Speaker 1: to somebody about getting tickets to go see The Lion

863
00:44:44,600 --> 00:44:48,520
Speaker 1: King on Broadway, uh and the they didn't get back

864
00:44:48,560 --> 00:44:50,480
Speaker 1: to me. And I remember the show in New York.

865
00:44:50,520 --> 00:44:52,960
Speaker 1: I was calling to Pelicity department being like, hey can

866
00:44:53,000 --> 00:44:55,479
Speaker 1: I yeah, yeah, right, we'll get back to you about that. Click.

867
00:44:55,640 --> 00:44:59,880
Speaker 1: Never heard back, Like the just ended, no more Disney tickets,

868
00:45:00,000 --> 00:45:03,399
Speaker 1: own more ability to see Broadway shows Disney Broadway Show,

869
00:45:03,480 --> 00:45:05,680
Speaker 1: and I never heard back from the publicity department. It

870
00:45:05,719 --> 00:45:07,840
Speaker 1: was like, literally the week after the show ended. I

871
00:45:07,880 --> 00:45:11,200
Speaker 1: was in New York being like, hey, you know, Lisa whomever, like,

872
00:45:11,480 --> 00:45:13,920
Speaker 1: remember those tickets we've done. Yeah, I'll look into that, right,

873
00:45:14,000 --> 00:45:16,799
Speaker 1: we'll get back to you. Never. I still do some

874
00:45:16,880 --> 00:45:18,799
Speaker 1: voice over stuff for Disney, so I still get some

875
00:45:18,840 --> 00:45:21,120
Speaker 1: of the Disney perks. That's good. Yeah, I mean I

876
00:45:21,160 --> 00:45:23,719
Speaker 1: direct for Disney, writer directed for Disney. They don't give

877
00:45:23,760 --> 00:45:27,479
Speaker 1: them to the directors, they give them to the actors. Yeah, um,

878
00:45:27,520 --> 00:45:29,400
Speaker 1: and yeah, you get like a certain amount every season.

879
00:45:29,440 --> 00:45:32,239
Speaker 1: You'd be like, okay, you get you know, twelve free

880
00:45:32,280 --> 00:45:34,359
Speaker 1: tickets or something. And so it used to be really

881
00:45:34,400 --> 00:45:36,240
Speaker 1: fun because you could just call up and be like, Okay,

882
00:45:36,239 --> 00:45:38,640
Speaker 1: me and three are my friends are coming, and they'd

883
00:45:38,680 --> 00:45:41,280
Speaker 1: put your names down and get the very fun company

884
00:45:41,280 --> 00:45:44,239
Speaker 1: to work for. My favorite, my favorite event was when

885
00:45:44,360 --> 00:45:48,239
Speaker 1: you know, they shut down Disney after five PM during

886
00:45:48,280 --> 00:45:50,680
Speaker 1: the holiday season for a couple of nights, Like there's

887
00:45:50,680 --> 00:45:54,200
Speaker 1: like three nights where Disney employees and not actors, but

888
00:45:54,320 --> 00:45:57,600
Speaker 1: everybody works in every aspect of Disney can go for

889
00:45:57,760 --> 00:46:01,240
Speaker 1: the holiday for for it's like only open to Disney

890
00:46:01,239 --> 00:46:04,080
Speaker 1: employees from five pm on during the holiday season for

891
00:46:04,120 --> 00:46:06,399
Speaker 1: a couple of days. And that is so much fun

892
00:46:06,440 --> 00:46:09,239
Speaker 1: because it's at night and the cark is, you know,

893
00:46:09,239 --> 00:46:12,000
Speaker 1: at like twenty percent capacity. And I just remember like

894
00:46:12,040 --> 00:46:14,440
Speaker 1: me and Ben running around because they would take us

895
00:46:14,440 --> 00:46:16,640
Speaker 1: down in a bus when that would happen, and all

896
00:46:16,680 --> 00:46:19,040
Speaker 1: the Boy Meets World cast and crew would go down together,

897
00:46:19,440 --> 00:46:21,319
Speaker 1: and I just I just remember those. I have such

898
00:46:21,400 --> 00:46:24,800
Speaker 1: fun memories because I felt like Disney Disneyland was ours,

899
00:46:24,800 --> 00:46:26,120
Speaker 1: you know not. It was like it was like the

900
00:46:26,120 --> 00:46:29,080
Speaker 1: whole park was was Disney people and Disney eployees. And

901
00:46:29,120 --> 00:46:31,440
Speaker 1: we would get um an ornament to like a Disney

902
00:46:31,440 --> 00:46:34,160
Speaker 1: special around when you left the park. Uh, And I did,

903
00:46:34,239 --> 00:46:36,279
Speaker 1: and there was something magical about that. I did that

904
00:46:36,320 --> 00:46:37,880
Speaker 1: all the way up into college. I remember going to

905
00:46:37,960 --> 00:46:39,880
Speaker 1: those things and I still, yeah, I missed them. Yeah, no,

906
00:46:39,960 --> 00:46:42,200
Speaker 1: there's great. One of my coolest memories ever in my

907
00:46:42,239 --> 00:46:44,560
Speaker 1: life is Melissa jone Hart and I were shooting something

908
00:46:44,600 --> 00:46:47,280
Speaker 1: for Disney and Disney World, and we had to shoot

909
00:46:47,280 --> 00:46:49,920
Speaker 1: it at night, so we had the whole park to ourselves.

910
00:46:50,120 --> 00:46:52,040
Speaker 1: That literally it was you had the Magic Kingdom. It

911
00:46:52,080 --> 00:46:54,120
Speaker 1: was the two of us together, just walking around at

912
00:46:54,160 --> 00:46:56,560
Speaker 1: like three o'clock in the morning. All the rides were working,

913
00:46:56,680 --> 00:46:59,560
Speaker 1: everything was up because they were shooting stuff, and it

914
00:46:59,640 --> 00:47:02,879
Speaker 1: was empty, so it was like, here's Disney World. It

915
00:47:03,000 --> 00:47:06,560
Speaker 1: was so cool. It was awesome. No, I that is

916
00:47:06,560 --> 00:47:09,120
Speaker 1: still so fun. I love those memories of us on

917
00:47:09,160 --> 00:47:11,120
Speaker 1: those cast and crew knights. It was so much fun.

918
00:47:11,120 --> 00:47:12,920
Speaker 1: That's the story Lee told actually about Lee and I

919
00:47:13,040 --> 00:47:16,520
Speaker 1: on the bus together. Daniel Do you remember you and

920
00:47:16,560 --> 00:47:19,280
Speaker 1: I doing one of those together? Do you remember? Because

921
00:47:19,320 --> 00:47:22,879
Speaker 1: I had totally forgotten about this and then somebody sent

922
00:47:22,920 --> 00:47:25,080
Speaker 1: me a clip of it. You and I were flown

923
00:47:25,200 --> 00:47:28,759
Speaker 1: to Disney World for the opening of the Animal Kingdom. Oh,

924
00:47:28,800 --> 00:47:31,520
Speaker 1: I do remember that, and you and I just hung

925
00:47:31,520 --> 00:47:33,799
Speaker 1: out there for a bunch of days and a bunch

926
00:47:33,880 --> 00:47:36,839
Speaker 1: of stuff, and it was just the two of us,

927
00:47:36,840 --> 00:47:38,520
Speaker 1: and it was like Drew Carey and we were hanging

928
00:47:38,520 --> 00:47:39,960
Speaker 1: out with Drew carry and he was throwing out us.

929
00:47:39,960 --> 00:47:42,160
Speaker 1: Like Danielle will tell us about the animals and we

930
00:47:42,160 --> 00:47:45,320
Speaker 1: were hanging out with everybody there. I forgot about that entirely,

931
00:47:45,360 --> 00:47:48,239
Speaker 1: but yes, yeah, you and I did a whole big thing.

932
00:47:49,040 --> 00:47:50,880
Speaker 1: It was a ton of fun. Yeah. We also did

933
00:47:50,880 --> 00:47:53,960
Speaker 1: the anniversary of Disney World. That was a week long

934
00:47:54,040 --> 00:47:55,960
Speaker 1: celebration and they flew us all out there and we

935
00:47:55,960 --> 00:47:58,560
Speaker 1: were doing so much press. We were there for a while.

936
00:47:58,600 --> 00:48:01,480
Speaker 1: Like that was huge event. That was cool. We had that.

937
00:48:01,520 --> 00:48:04,560
Speaker 1: We had the Chicago Bulls private plane fly us here.

938
00:48:04,640 --> 00:48:07,600
Speaker 1: Remember that. It was a little cabins and everything, and

939
00:48:07,760 --> 00:48:09,759
Speaker 1: I just remember sitting there playing magic, the gathering with

940
00:48:09,800 --> 00:48:12,399
Speaker 1: you in the in the plane as we were flying there.

941
00:48:12,400 --> 00:48:14,120
Speaker 1: I only flew back, so it would have been on

942
00:48:14,200 --> 00:48:16,120
Speaker 1: the flight. Okay, the only time because it was my

943
00:48:16,160 --> 00:48:19,400
Speaker 1: first time on a private plane. Um. But yeah, I remember.

944
00:48:19,600 --> 00:48:23,520
Speaker 1: I remember meeting Michael Jay Fox that week. We all

945
00:48:23,560 --> 00:48:25,480
Speaker 1: sat there and talked to him. It was the coolest thing.

946
00:48:25,520 --> 00:48:27,600
Speaker 1: Oh my god, it was like meeting my my hero.

947
00:48:27,880 --> 00:48:30,080
Speaker 1: It was I was star strive speechless. It was one

948
00:48:30,120 --> 00:48:31,759
Speaker 1: of the coolest things that ever happened. And he knew

949
00:48:31,760 --> 00:48:33,600
Speaker 1: who we were like that he did because he knew

950
00:48:33,680 --> 00:48:37,200
Speaker 1: be Remember Ben was like he was in Mr. Fox. Yeah,

951
00:48:37,239 --> 00:48:41,040
Speaker 1: and he's like Mr Fox, He's like you guys, And

952
00:48:41,080 --> 00:48:42,560
Speaker 1: we sat and talked with him, and then he was

953
00:48:42,600 --> 00:48:43,719
Speaker 1: in the parade of the Hand of Us and I

954
00:48:43,760 --> 00:48:45,680
Speaker 1: remember we kept making faces at each other and I

955
00:48:45,760 --> 00:48:47,560
Speaker 1: was just like it was the coolest thing in the world.

956
00:48:48,960 --> 00:48:53,480
Speaker 1: Fox knows who I am. Those are such good memories. Um.

957
00:48:53,520 --> 00:48:56,799
Speaker 1: So this is from Tyler Eikenberg from the episode one

958
00:48:56,800 --> 00:48:59,440
Speaker 1: oh two. In the water Fight, Amy is using a hose,

959
00:48:59,680 --> 00:49:02,480
Speaker 1: which got him thinking about the show's plumbing. How much

960
00:49:02,480 --> 00:49:05,520
Speaker 1: of a set was actually set up for plumbing. Were

961
00:49:05,560 --> 00:49:09,200
Speaker 1: the sinks and toilets and showers actually working? Did any

962
00:49:09,280 --> 00:49:11,560
Speaker 1: of the sinks work? No, they have to always add

963
00:49:11,560 --> 00:49:15,360
Speaker 1: a water tank. You have their offset make it work.

964
00:49:15,560 --> 00:49:17,840
Speaker 1: They will say do you want a functional sink? Do

965
00:49:17,880 --> 00:49:19,719
Speaker 1: you need a functional whatever, and then they can make

966
00:49:19,760 --> 00:49:22,319
Speaker 1: it work. But it's otherwise it's not working. I found

967
00:49:22,320 --> 00:49:26,160
Speaker 1: out the hard way. Those toilets are fake. The walls

968
00:49:26,160 --> 00:49:29,040
Speaker 1: are so incredibly thin, Like I don't think people realize that, Like,

969
00:49:29,320 --> 00:49:31,240
Speaker 1: you know, they don't have fault they're not built to code.

970
00:49:31,239 --> 00:49:34,440
Speaker 1: They're built So it's like the so all the like

971
00:49:34,480 --> 00:49:37,480
Speaker 1: break is fake, all the style is fake. It's all

972
00:49:37,520 --> 00:49:40,399
Speaker 1: just it's all fake and it's very thin, and if

973
00:49:40,400 --> 00:49:43,319
Speaker 1: you could see the behind what you know, you're you're

974
00:49:43,360 --> 00:49:47,360
Speaker 1: looking at very flimsy structures. Yeah. So is it common

975
00:49:47,400 --> 00:49:49,680
Speaker 1: for sitcoms to shoot out of order like we did

976
00:49:49,719 --> 00:49:52,600
Speaker 1: with the pilot in the first season? Um No, I

977
00:49:52,680 --> 00:49:56,040
Speaker 1: don't know. I don't think to shoot in order of

978
00:49:56,080 --> 00:49:58,880
Speaker 1: their season. Yeah, And I think we probably stuck with

979
00:49:59,440 --> 00:50:01,279
Speaker 1: an order after the first season. I think it was

980
00:50:01,560 --> 00:50:03,480
Speaker 1: during the and they were still trying to figure out

981
00:50:03,480 --> 00:50:05,839
Speaker 1: which episodes to air, you know, for that's the thing.

982
00:50:05,880 --> 00:50:08,040
Speaker 1: We probably shot in order, but they aired them in

983
00:50:08,080 --> 00:50:10,520
Speaker 1: a different order, right, But I would say after that,

984
00:50:10,560 --> 00:50:12,520
Speaker 1: after second season, they probably were in the order that

985
00:50:12,520 --> 00:50:15,920
Speaker 1: we shot, I would have Yeah. So I don't know

986
00:50:15,960 --> 00:50:17,520
Speaker 1: if we're going to know the answer to this question.

987
00:50:17,560 --> 00:50:21,160
Speaker 1: Were some sets redesigned to look like different places? For example,

988
00:50:21,520 --> 00:50:24,640
Speaker 1: the outdoor store looks similar to the ski cabin where

989
00:50:24,680 --> 00:50:27,640
Speaker 1: Corey kissed Lauren, and the house party where Corey is

990
00:50:27,719 --> 00:50:31,000
Speaker 1: drunk and dancing looks like the Matthews living room. Yes,

991
00:50:31,120 --> 00:50:32,799
Speaker 1: the answer to that is yes. And I can give

992
00:50:32,800 --> 00:50:38,040
Speaker 1: you definitive proof, and that is Jonathan Turner's apartment turned

993
00:50:38,080 --> 00:50:42,600
Speaker 1: into Jack and Eric's apartment. So it was actually exactly

994
00:50:42,640 --> 00:50:45,160
Speaker 1: the same set redesigned that used to do it all

995
00:50:45,200 --> 00:50:47,280
Speaker 1: the time because you're you know, you're on a budget,

996
00:50:47,320 --> 00:50:48,880
Speaker 1: so you build a set, you throw it in a

997
00:50:48,960 --> 00:50:51,440
Speaker 1: in a shed somewhere, and then you take it out

998
00:50:51,440 --> 00:50:53,200
Speaker 1: and you repurpose it for something else. So yes, I

999
00:50:53,239 --> 00:50:55,440
Speaker 1: would not doubt at all that the Wilderness Store was

1000
00:50:55,480 --> 00:50:59,759
Speaker 1: something else. Yeah, that makes sense. I forgot about the

1001
00:50:59,760 --> 00:51:04,360
Speaker 1: apart the apartment switched all yeah. Yeah. What did the

1002
00:51:04,400 --> 00:51:07,759
Speaker 1: writer's room of Boy Meats World look like? Kind of

1003
00:51:07,760 --> 00:51:10,480
Speaker 1: just like an office room, like a pretty boring like

1004
00:51:10,600 --> 00:51:13,920
Speaker 1: one one big table, a folding table. This is a

1005
00:51:13,920 --> 00:51:17,879
Speaker 1: conference room, yeah, and then offices kind offices they had

1006
00:51:17,880 --> 00:51:20,000
Speaker 1: where people that writers would go off and write. And

1007
00:51:20,000 --> 00:51:23,280
Speaker 1: then the other than a few core people, the staff

1008
00:51:23,320 --> 00:51:25,480
Speaker 1: was changing every year. I mean there'll be four or

1009
00:51:25,480 --> 00:51:27,520
Speaker 1: five that were the same, and then they try new

1010
00:51:27,520 --> 00:51:29,920
Speaker 1: people that would come in or or they'd be interns

1011
00:51:30,080 --> 00:51:35,360
Speaker 1: or writers, and they always tic TACs, tons of food,

1012
00:51:35,440 --> 00:51:38,040
Speaker 1: tons of paper, airplanes, nerf guns. I mean it's like

1013
00:51:38,160 --> 00:51:42,440
Speaker 1: it's like a kid's room essentially. So yeah, So later

1014
00:51:42,480 --> 00:51:44,520
Speaker 1: in the show, when the show had more fans showing

1015
00:51:44,560 --> 00:51:47,120
Speaker 1: up to tapings, would they be given any context before

1016
00:51:47,160 --> 00:51:50,680
Speaker 1: the episode began feeling filming specifically thinking about during the

1017
00:51:50,719 --> 00:51:53,320
Speaker 1: times after Coreyan too paying a breakup. Would the studio

1018
00:51:53,320 --> 00:51:55,759
Speaker 1: audience have to piece together based on context that the

1019
00:51:55,800 --> 00:52:00,400
Speaker 1: relationship had ended. I remember them at certain times showing

1020
00:52:00,440 --> 00:52:03,080
Speaker 1: the episode before to the audience, Right, yeah, okay, that's

1021
00:52:03,080 --> 00:52:05,480
Speaker 1: what I thought, Yeah, okay. Would they would always give context?

1022
00:52:05,560 --> 00:52:07,760
Speaker 1: Our warm up guy would give a little bit of context.

1023
00:52:07,800 --> 00:52:10,200
Speaker 1: So since you've seen the last since the last time

1024
00:52:10,280 --> 00:52:12,720
Speaker 1: you may have watched boy meets well, here's what happened,

1025
00:52:12,960 --> 00:52:14,799
Speaker 1: and they would lead through so then this happened with

1026
00:52:14,800 --> 00:52:16,680
Speaker 1: this episode, and this happened with this episode, and now

1027
00:52:16,719 --> 00:52:19,600
Speaker 1: we're going to play for you last week's episode. So

1028
00:52:19,640 --> 00:52:23,480
Speaker 1: they would always get to watch the episode that preceded

1029
00:52:23,560 --> 00:52:25,239
Speaker 1: this one that they were about to watch films, so

1030
00:52:25,280 --> 00:52:27,600
Speaker 1: they had an idea of context. And they also, you know,

1031
00:52:27,800 --> 00:52:29,719
Speaker 1: it gave them thirty minutes of something to do in

1032
00:52:29,760 --> 00:52:32,279
Speaker 1: the audience, Um, while they were waiting for us to

1033
00:52:32,880 --> 00:52:35,680
Speaker 1: come out and start the show. Can we talk very

1034
00:52:35,719 --> 00:52:40,080
Speaker 1: briefly about how amazing our audiences were because you have

1035
00:52:40,160 --> 00:52:42,839
Speaker 1: to sit there sometimes for hours, watch the same thing

1036
00:52:42,960 --> 00:52:47,560
Speaker 1: over and over again, and they were engaged and loving

1037
00:52:47,920 --> 00:52:53,239
Speaker 1: and so amazing. Week after week we had the best audiences,

1038
00:52:53,280 --> 00:52:56,359
Speaker 1: So I really a big shout out because, especially when

1039
00:52:56,360 --> 00:52:59,800
Speaker 1: you're doing a sitcom, Um, the audience is another character,

1040
00:53:00,080 --> 00:53:02,719
Speaker 1: absolutely another character, and it was a character that showed

1041
00:53:02,760 --> 00:53:05,120
Speaker 1: up for us every single week. You kept us on

1042
00:53:05,160 --> 00:53:07,960
Speaker 1: our toes, you kept us active, you kept us happy.

1043
00:53:08,480 --> 00:53:11,920
Speaker 1: It was unbelievable. So everybody who came and supported us live,

1044
00:53:12,920 --> 00:53:16,200
Speaker 1: you were amazing and you really made it a better

1045
00:53:16,200 --> 00:53:21,120
Speaker 1: show every single week. So thank you for that. Absolutely. Well,

1046
00:53:21,360 --> 00:53:24,319
Speaker 1: this concludes our last Q and A episode. We have

1047
00:53:24,400 --> 00:53:27,440
Speaker 1: been asked already many times if we have anything that

1048
00:53:27,520 --> 00:53:32,280
Speaker 1: we can share from our first ever live pod meets

1049
00:53:32,320 --> 00:53:35,160
Speaker 1: World show, and uh, we do. We have some clips

1050
00:53:35,200 --> 00:53:37,359
Speaker 1: for you. We can't play the whole thing because part

1051
00:53:37,360 --> 00:53:39,680
Speaker 1: of what makes the live show special is that what

1052
00:53:39,880 --> 00:53:43,040
Speaker 1: happens in the room kind of sometimes sort of stays

1053
00:53:43,080 --> 00:53:45,400
Speaker 1: in the room. So there are some things that we

1054
00:53:45,440 --> 00:53:47,040
Speaker 1: just won't be sharing with you, but we do have

1055
00:53:47,080 --> 00:53:48,640
Speaker 1: some clips that we want you to take a listen to.

1056
00:53:48,760 --> 00:53:59,719
Speaker 1: So here are a few of those clips. Um. I

1057
00:53:59,719 --> 00:54:03,560
Speaker 1: did a question for Rider in Trina Um I think

1058
00:54:04,080 --> 00:54:05,920
Speaker 1: I love the show so much obviously, but one of

1059
00:54:05,960 --> 00:54:08,719
Speaker 1: the things that made me the most uncomfortable watching the

1060
00:54:08,760 --> 00:54:12,000
Speaker 1: show is especially as a kid, was that Angela and

1061
00:54:12,040 --> 00:54:16,040
Speaker 1: Sean would awkwardly just seeming like they made out so much,

1062
00:54:16,920 --> 00:54:20,000
Speaker 1: like just like in the background. I remember there was

1063
00:54:20,040 --> 00:54:23,239
Speaker 1: one episode where it was almost like an ongoing joke.

1064
00:54:23,360 --> 00:54:25,359
Speaker 1: They were like on the in the student union's called

1065
00:54:25,400 --> 00:54:26,920
Speaker 1: a student union by the way. I know that was

1066
00:54:26,960 --> 00:54:29,800
Speaker 1: a podcast joke, and you're just like on the couch

1067
00:54:29,840 --> 00:54:33,000
Speaker 1: and I think maybe you're one time um making out

1068
00:54:33,080 --> 00:54:36,760
Speaker 1: on top of Eric. And I'm just wondering, one how

1069
00:54:39,080 --> 00:54:48,880
Speaker 1: like how did you prepare for those scenes and then chapstick? Yeah?

1070
00:54:49,160 --> 00:54:51,719
Speaker 1: And secondly, is it like is it was it weird

1071
00:54:51,800 --> 00:54:53,279
Speaker 1: for you? Now? I know that you talked about in

1072
00:54:53,280 --> 00:54:56,440
Speaker 1: the podcasts they're being an age difference, so I'm not

1073
00:54:57,040 --> 00:54:59,960
Speaker 1: pointing out something that no one knows, But is it weird? Now?

1074
00:55:00,120 --> 00:55:03,880
Speaker 1: Was it weird? Then? I just wanted to It was

1075
00:55:03,960 --> 00:55:07,440
Speaker 1: not weird at all. It was like I remember thinking

1076
00:55:07,440 --> 00:55:09,839
Speaker 1: it was totally like now it seems weird to me,

1077
00:55:09,920 --> 00:55:12,319
Speaker 1: Like now I watched the show and I'm like, oh

1078
00:55:12,400 --> 00:55:14,759
Speaker 1: my god, yeah, because we are We're kissing all the time,

1079
00:55:15,400 --> 00:55:18,640
Speaker 1: and like the whole scenes where we're like kiss talk,

1080
00:55:19,080 --> 00:55:21,680
Speaker 1: kiss talk, and I'm like, well, this is like a

1081
00:55:21,800 --> 00:55:25,360
Speaker 1: huge part of the show and yeah, I don't know.

1082
00:55:25,640 --> 00:55:27,880
Speaker 1: But at the time it never girt. I don't know.

1083
00:55:28,200 --> 00:55:32,040
Speaker 1: It felt totally fine, like we were very each other. Yeah,

1084
00:55:33,120 --> 00:55:35,160
Speaker 1: we were cool. I mean it was something about us

1085
00:55:35,160 --> 00:55:37,279
Speaker 1: are it is always very comfortable with each other. So

1086
00:55:37,360 --> 00:55:39,840
Speaker 1: I never feel I always feel actually more comfortable in

1087
00:55:39,880 --> 00:55:44,839
Speaker 1: general when you're around. So so no, it's true, So

1088
00:55:45,000 --> 00:55:47,160
Speaker 1: you know, No, it wasn't. I would say your lips

1089
00:55:47,160 --> 00:55:53,080
Speaker 1: were a little dry sometimes that I remember, but overall

1090
00:55:53,120 --> 00:55:57,560
Speaker 1: he was very enjoyable. You know, comes out you heard

1091
00:55:57,600 --> 00:56:04,759
Speaker 1: it here first man, alright, chapstick on vest I think

1092
00:56:05,040 --> 00:56:10,960
Speaker 1: it's a little past the time writer. Hi, Hello, Hi,

1093
00:56:11,160 --> 00:56:13,799
Speaker 1: I'm Nicole. You guys are amazing and wonderful. Thank you

1094
00:56:13,800 --> 00:56:15,880
Speaker 1: so much. I brought my mom she watches it with me,

1095
00:56:15,960 --> 00:56:19,840
Speaker 1: so thanks. Um. So my question is, I know you

1096
00:56:19,920 --> 00:56:22,600
Speaker 1: all did that kind of crossover with Sabrina, with the

1097
00:56:22,640 --> 00:56:26,600
Speaker 1: whole time ball situation. So if you could have put

1098
00:56:26,719 --> 00:56:31,320
Speaker 1: your characters into a completely different TV show, what TV

1099
00:56:31,400 --> 00:56:34,400
Speaker 1: show would you want them to go into and why

1100
00:56:34,000 --> 00:56:46,800
Speaker 1: A question answer? Let's all say it together. Mash there's

1101
00:56:46,920 --> 00:56:53,520
Speaker 1: his Okay. I I wrote this thing once, and I

1102
00:56:53,560 --> 00:56:56,160
Speaker 1: think Sean would have been great on like a drama,

1103
00:56:56,280 --> 00:56:58,800
Speaker 1: like like a cop like a greedy cop show drama

1104
00:56:58,920 --> 00:57:02,640
Speaker 1: or something Austin's Creek were. But it basically was on that,

1105
00:57:02,800 --> 00:57:05,719
Speaker 1: you know, like that's what Boy became essentially. No, like

1106
00:57:05,760 --> 00:57:08,160
Speaker 1: I would like to see Sean like a really gritty,

1107
00:57:08,200 --> 00:57:11,480
Speaker 1: you know, I don't know, doing this the whole tag

1108
00:57:11,560 --> 00:57:22,600
Speaker 1: exactly catching all your hood came. Yeah. Well, I would

1109
00:57:22,640 --> 00:57:24,760
Speaker 1: think it would be really funny if the cast of

1110
00:57:24,800 --> 00:57:31,960
Speaker 1: Boy Meets World tried an episode of good Times. I

1111
00:57:32,000 --> 00:57:37,560
Speaker 1: think that'd be really funny. Man. I think to Panga

1112
00:57:37,600 --> 00:57:39,080
Speaker 1: would have like I would have loved to have seen

1113
00:57:39,160 --> 00:57:44,360
Speaker 1: Topanga in her lawyer dom, like on the practice or

1114
00:57:44,520 --> 00:57:46,320
Speaker 1: like something like that. Because even when we did Girl

1115
00:57:46,320 --> 00:57:48,320
Speaker 1: Meets World and it was like to pangas a lawyer

1116
00:57:48,400 --> 00:57:50,080
Speaker 1: and it basically met you saw her with a briefcase

1117
00:57:50,120 --> 00:57:54,160
Speaker 1: every now and then. Um, so I wouldn't like, I'd

1118
00:57:54,200 --> 00:57:57,160
Speaker 1: like to see Topanga talking lawyer. Did you ever get

1119
00:57:57,160 --> 00:57:59,720
Speaker 1: to do any lawyerly things? No, I got to I

1120
00:57:59,760 --> 00:58:01,280
Speaker 1: think I got to show up at the school at

1121
00:58:01,280 --> 00:58:04,240
Speaker 1: the classroom once, and like that's when Lee came back

1122
00:58:04,320 --> 00:58:07,760
Speaker 1: and I was doing something but it wasn't cool, lawyally,

1123
00:58:09,880 --> 00:58:13,840
Speaker 1: so yeah, I think like the practice to Penguin, the

1124
00:58:13,840 --> 00:58:19,920
Speaker 1: practice would have been fun. Yeah, judging Amy, And that

1125
00:58:20,080 --> 00:58:22,200
Speaker 1: was Pod Meets World. Thank you for listening. You can

1126
00:58:22,240 --> 00:58:24,560
Speaker 1: follow us on Instagram at Pod Meets World Show. You

1127
00:58:24,600 --> 00:58:26,920
Speaker 1: can email us at Pod meets World Show at gmail

1128
00:58:26,960 --> 00:58:33,040
Speaker 1: dot com, and as always, we've got merch much pod

1129
00:58:33,080 --> 00:58:37,080
Speaker 1: meets World Show dot com and we love you all,

1130
00:58:37,600 --> 00:58:42,360
Speaker 1: pod dismissed. Pod Meets World is an i heeart podcast

1131
00:58:42,440 --> 00:58:45,439
Speaker 1: produced and hosted by Danielle Fischel, Wilfred l and Wright

1132
00:58:45,600 --> 00:58:49,400
Speaker 1: Strong Executive producers Jensen Cart and Amy Sugarman, Executive in

1133
00:58:49,480 --> 00:58:54,120
Speaker 1: charge of production, Danielle Romo, producer and editor, Tara sued Back, producer,

1134
00:58:54,200 --> 00:58:58,360
Speaker 1: Jackie Rodriguez, engineer and Boy Meets World super fan Easton Allen.

1135
00:58:58,520 --> 00:59:01,320
Speaker 1: Our theme song is by Kyle Morton of Typhoon. You

1136
00:59:01,360 --> 00:59:04,000
Speaker 1: can follow us on Instagram at Pod Meets World Show

1137
00:59:04,120 --> 00:59:06,600
Speaker 1: or email us at Pod Meets World Show at gmail

1138
00:59:06,640 --> 00:59:07,680
Speaker 1: dot com