WEBVTT - #368 - The Liq Podcast 0:00:00.120 --> 0:00:02.360 All right, ladies and gentlemen are now tune into the 0:00:02.440 --> 0:00:05.480 Leak Podcast. We just did Bootleg cav and if he 0:00:05.559 --> 0:00:08.440 was about to go crazy. If you fill away, just 0:00:08.520 --> 0:00:10.400 know we talked about it. You feel me. And it's 0:00:10.440 --> 0:00:12.720 all displayed for everybody to listen to. So I know 0:00:12.760 --> 0:00:15.040 you're gonna tune in. Don't get it twisted, get it right. 0:00:15.160 --> 0:00:17.800 It's the Leak Podcast, the hottest podcast. 0:00:17.440 --> 0:00:18.880 On it, the hottest. 0:00:22.520 --> 0:00:25.600 Yo Bootleg cav podcast. Man special guests in here. I'm 0:00:25.600 --> 0:00:28.200 gonna let you guys introduce yourselves. You guys have a 0:00:28.240 --> 0:00:31.760 podcast called the Lick, Leak, Leak. It's leak. You know 0:00:31.760 --> 0:00:33.440 why I say the lick because it looks like leakor 0:00:33.720 --> 0:00:36.040 well also because the alcoholics but the licks were like k. 0:00:36.440 --> 0:00:37.200 So it's the Leak. 0:00:37.320 --> 0:00:41.000 Cleik. My name is Khalik Scott. Khalik Kalik Scott. All 0:00:41.000 --> 0:00:41.879 the homeses called me leak. 0:00:42.240 --> 0:00:43.600 This is the Leak podcast. 0:00:43.760 --> 0:00:46.080 See the drip drip like water like wet. 0:00:46.200 --> 0:00:50.400 Okay, so liking shit. So it's short for Khaleik. 0:00:50.479 --> 0:00:52.519 Click. Yeah, all the homes call me leak. So that's 0:00:52.560 --> 0:00:53.800 how it came to the Leak podcast. 0:00:53.840 --> 0:00:55.240 Okay. And then this is Yike Mike. 0:00:55.160 --> 0:00:59.320 Who You're a DJ, yeah, DJ, producer, graphic designer. 0:00:59.440 --> 0:01:02.000 Everything, and the co host of the League podcast. 0:01:02.080 --> 0:01:04.280 So how long has this podcast been active? 0:01:04.720 --> 0:01:05.680 Since twenty eighteen? 0:01:05.680 --> 0:01:07.000 We started, well, shit, that's me. 0:01:07.160 --> 0:01:08.199 Yeah, yeah. 0:01:08.280 --> 0:01:10.360 I like checked out some of you guys and stuff 0:01:10.360 --> 0:01:12.679 on YouTube, and I was like, okay, you guys are 0:01:12.720 --> 0:01:14.200 like throwing live parties. 0:01:14.800 --> 0:01:16.160 Yeahhit got kind of intense. 0:01:17.000 --> 0:01:19.840 I saw like just the stream of like ass just 0:01:20.200 --> 0:01:25.759 like strippers and you're DJing, and I'm like, okay, well 0:01:25.760 --> 0:01:28.000 this is different. And then I saw you guys obviously 0:01:28.080 --> 0:01:30.320 do your interviews and stuff as well, but like, how 0:01:30.360 --> 0:01:37.399 would you describe I guess your podcasts. 0:01:36.200 --> 0:01:39.040 It's a lifestyle podcast. 0:01:39.120 --> 0:01:40.240 We do life with people. 0:01:40.560 --> 0:01:44.560 And I was doing this since twenty eighteen, and I 0:01:44.600 --> 0:01:50.400 really found, like if you watched our first episode that's 0:01:50.400 --> 0:01:53.160 on YouTube, I did what everybody does, get a bunch 0:01:53.160 --> 0:01:55.280 of homies, get a bunch of mics, and just wait 0:01:55.280 --> 0:01:58.040 for magic to happen. And I realized nobody knows how 0:01:58.080 --> 0:02:00.000 to really talk, and everybody just gotta sit there and wait. 0:02:00.640 --> 0:02:01.840 So I said, all right, let's go back to the 0:02:01.920 --> 0:02:06.680 drawing board. So I went back started just looking at 0:02:06.760 --> 0:02:08.840 what their issues were what the problems were. The main 0:02:08.880 --> 0:02:12.680 issues were the look, the sound, the branding, all that stuff. 0:02:12.960 --> 0:02:15.280 So then it took some time off, came up with 0:02:15.320 --> 0:02:17.600 the rebranding, and then we did the whole Simpson vibe. 0:02:18.000 --> 0:02:20.680 The whole Simpson vibe is like people fuck with it 0:02:21.080 --> 0:02:23.600 just by looking at it. Yeah, they don't even have 0:02:23.720 --> 0:02:25.240 to hear it, and they're already. 0:02:24.960 --> 0:02:28.560 Like, yo, fuck with your podcast. So yeah, so we 0:02:28.560 --> 0:02:29.119 did all that. 0:02:29.240 --> 0:02:31.680 I rebuilt the whole Simpson set, so that was like 0:02:31.720 --> 0:02:35.040 a quick eye grabber, the logo, everything, all that stuff. 0:02:35.560 --> 0:02:39.200 And then I was on this journey of doing what 0:02:39.240 --> 0:02:42.720 everybody else is doing. Get the artists, get the influencers, 0:02:42.800 --> 0:02:44.320 bring them in, talk to them, do. 0:02:44.280 --> 0:02:45.240 All that stuff or whatever. 0:02:45.880 --> 0:02:48.000 And then I got tired of talking to those people 0:02:48.480 --> 0:02:50.639 because I feel like a lot of them don't really 0:02:50.800 --> 0:02:52.960 know how to conversate themselves. They just want to come 0:02:53.000 --> 0:02:55.600 on the couch and get the dickstroke. You feel me like, 0:02:55.680 --> 0:02:58.720 let me just get my clips to look you know. However, 0:02:58.720 --> 0:03:01.280 they need to look on the ground. So I went 0:03:01.320 --> 0:03:02.840 on the journey the wind. I did a lot of 0:03:02.840 --> 0:03:06.920 big names, interviewed a lot of big people, got a 0:03:06.919 --> 0:03:08.960 lot of good traction, but I felt like I was 0:03:09.000 --> 0:03:12.880 working harder and not smarter. And so once I got 0:03:12.919 --> 0:03:18.360 tired of that, I'm like friends with like DJs that 0:03:18.440 --> 0:03:21.280 play in Hollywood, Yike, Mike plays a lot of these 0:03:21.320 --> 0:03:25.000 mansion parties and stuff like that. So when we're going out, 0:03:25.120 --> 0:03:27.720 I'm giving these DJs might drop for the podcast, and 0:03:27.760 --> 0:03:30.560 I'm like, when we're here, play this, bro, just play my. 0:03:30.560 --> 0:03:34.040 Drop in Hollywood. So all that stuff is happening in Hollywood. 0:03:34.080 --> 0:03:36.080 We're going crazy in Hollywood as it is with our 0:03:36.120 --> 0:03:38.360 own circle of friends and the girls and all this 0:03:38.400 --> 0:03:41.800 other stuff that we're doing. So we were doing the 0:03:41.800 --> 0:03:43.920 interview stuff, and we wanted to get into the live 0:03:44.000 --> 0:03:47.280 stream world. And the one thing that everybody says to 0:03:47.320 --> 0:03:50.320 me when they come over to the studio is, damn, 0:03:50.360 --> 0:03:53.320 you don't see all this on camera, like all the 0:03:53.400 --> 0:03:57.280 room and everything. And so I just took time to say, Okay, 0:03:57.280 --> 0:03:59.080 we're gonna go live. It has to we have to 0:03:59.120 --> 0:04:01.760 show the whole room live. It has to be different 0:04:01.760 --> 0:04:03.080 than the episodes. 0:04:02.600 --> 0:04:02.760 You know. 0:04:03.440 --> 0:04:06.120 And so when I decided to do that, I said, well, 0:04:06.200 --> 0:04:08.760 let's just do everything we're doing right now in Hollywood 0:04:09.160 --> 0:04:11.360 and these parties and these mansions and let's just do 0:04:11.400 --> 0:04:12.120 it on live stream. 0:04:12.120 --> 0:04:13.880 I didn't want to do it like everybody else, right, 0:04:14.040 --> 0:04:14.480 you get me. 0:04:14.520 --> 0:04:17.120 So we started doing it and it started off with 0:04:17.320 --> 0:04:21.000 one DJ and one stripper, and then we went six months. 0:04:21.279 --> 0:04:26.200 The second episode, the stripper that was on the show, I. 0:04:26.200 --> 0:04:27.599 Literally had a conversation with her. 0:04:27.680 --> 0:04:30.960 I said, look, just give me six months, stay down 0:04:31.000 --> 0:04:32.600 for the come up, and I guarantee you will be 0:04:32.680 --> 0:04:33.400 in a different place. 0:04:33.440 --> 0:04:35.400 We just have to hit every. 0:04:35.120 --> 0:04:38.400 Week for six months, and she said, I'm with it. 0:04:38.880 --> 0:04:41.480 And so we did that and shit went crazy. 0:04:41.160 --> 0:04:43.720 And it just snowballed and it's snowballed, and it's snowballed, 0:04:43.720 --> 0:04:45.839 and it's snowballed and it's snowballed. 0:04:45.560 --> 0:04:48.640 Until the last episode, the season finale. We had to 0:04:48.680 --> 0:04:52.279 stop because the neighbors, the cops, people were banging on 0:04:52.320 --> 0:04:52.640 the door. 0:04:52.680 --> 0:04:55.000 It's not just a party. On camera. 0:04:56.200 --> 0:05:00.080 The streets, they're shooting music videos in there's convertibles, the 0:05:00.080 --> 0:05:02.320 ass being thrown and my neighbors are just like. 0:05:02.360 --> 0:05:03.680 Fuck, is this at your house? 0:05:03.920 --> 0:05:04.160 Yeah? 0:05:04.360 --> 0:05:05.480 Oh so you do that at the crib. 0:05:06.279 --> 0:05:09.159 Yeah, I wake up and cook. 0:05:09.720 --> 0:05:12.680 Yeah we cooked. So all these people that you're seeing 0:05:12.680 --> 0:05:14.000 are pulling up to my crib. 0:05:14.240 --> 0:05:17.240 So what is your history, like, just what do you 0:05:17.279 --> 0:05:19.800 do outside of the podcast? I mean, obviously you. 0:05:19.839 --> 0:05:23.159 Just well, I'm a creative, so I've always created. Prior 0:05:23.200 --> 0:05:26.560 to this, I was doing music videos for artists, so 0:05:26.600 --> 0:05:31.240 I was traveling, editing music videos and shooting music videos, ghosts, editing, 0:05:31.400 --> 0:05:33.520 getting hard drive sent to me for like labels and 0:05:33.520 --> 0:05:34.240 shit like that. 0:05:35.200 --> 0:05:35.960 So I was doing that. 0:05:36.040 --> 0:05:39.200 Like I said, I did one podcast with my friend Ziggy, 0:05:39.560 --> 0:05:42.160 and the thing I got out of that podcast was 0:05:42.600 --> 0:05:43.560 what you put out. 0:05:43.400 --> 0:05:44.360 Is what you're gonna get back. 0:05:45.200 --> 0:05:47.919 So I was putting out these music videos and I 0:05:48.000 --> 0:05:51.520 wasn't putting out enough podcast content. So once I got 0:05:51.560 --> 0:05:54.919 tired of that lane or that field and all that stuff, 0:05:55.240 --> 0:05:57.680 I said, fuck that, Like I'm over it. Let's just 0:05:58.200 --> 0:06:00.599 these people are paying me to look big, so I said, 0:06:00.640 --> 0:06:02.280 let me just stop making them look big and make 0:06:02.360 --> 0:06:05.120 myself look big real quick. And so that's what we 0:06:05.160 --> 0:06:08.200 did and we ran it up and it's been going crazy. 0:06:08.520 --> 0:06:10.560 And are you editing everything yourself? 0:06:11.400 --> 0:06:12.919 It's being edited in real time. 0:06:13.320 --> 0:06:14.200 Oh, it's like switcher. 0:06:14.400 --> 0:06:17.520 Yeah. Once it's done, Yeah, once it's done, it's done, 0:06:17.680 --> 0:06:20.159 like you I because it's my crib I have time. 0:06:20.480 --> 0:06:23.279 But even like when you guys do interviews. Yeah, I know, 0:06:23.480 --> 0:06:25.520 what about like your social clips? Are you making those yourself? 0:06:25.680 --> 0:06:26.599 Yeah? Yeah, cut up? 0:06:26.680 --> 0:06:28.400 Yeah, I didn't know if it's like you doing it? 0:06:28.440 --> 0:06:30.800 Now I do it, Mike does it? We cut up? 0:06:30.839 --> 0:06:32.799 We really cook, That's what I'm saying. That's the difference 0:06:32.839 --> 0:06:36.080 between I guess us and these other podcasts. They either 0:06:36.120 --> 0:06:39.000 don't know how to cook, or they just outsource it, 0:06:39.440 --> 0:06:41.800 or they just let somebody figure it out. With us, 0:06:42.040 --> 0:06:44.520 We're sending clips back and forth. We're sitting there until 0:06:44.520 --> 0:06:47.279 three in the morning after the podcast, sending clips on 0:06:47.279 --> 0:06:49.080 the laptop, like, Yo, this shit is crazy. 0:06:49.680 --> 0:06:49.880 Use that. 0:06:49.960 --> 0:06:50.560 Let me use that clip. 0:06:50.600 --> 0:06:52.320 Let use that you like that clip? Man, I got 0:06:52.320 --> 0:06:54.159 this a fake after. 0:06:54.120 --> 0:06:57.279 Just doing voiceovers for his social post later on. 0:06:57.400 --> 0:06:59.560 Yeah, so you told me off camera, you said that, 0:07:00.160 --> 0:07:02.279 you said that you had an interview with my friend 0:07:02.360 --> 0:07:06.040 r J. Yeah, and his lady is Brie Carter, who's 0:07:06.160 --> 0:07:09.000 got a new project out. She's doing music, she's been 0:07:09.040 --> 0:07:09.520 doing music. 0:07:09.840 --> 0:07:11.000 Yeah, she was just on the show. 0:07:11.200 --> 0:07:14.320 Now, now you said that you had you didn't know 0:07:14.600 --> 0:07:17.480 that that was his girl, and you had. 0:07:17.400 --> 0:07:18.880 No idea, no idea. 0:07:18.640 --> 0:07:20.920 So you walked into that interview not knowing that. No, 0:07:21.040 --> 0:07:22.720 I didn't walk into your interview. I'm saying, but you 0:07:22.760 --> 0:07:26.480 had asked, you had asked some questions had you known, Yeah, 0:07:26.600 --> 0:07:27.320 you wouldn't have asked. 0:07:27.320 --> 0:07:30.120 Probably, not that I wouldn't have asked. I probably still 0:07:30.120 --> 0:07:32.160 would have asked because like the whole premise of the show, 0:07:32.560 --> 0:07:35.320 we talk about relationships, right, I probably would have just 0:07:35.400 --> 0:07:38.240 let things slide. When I look back at it, it's 0:07:38.360 --> 0:07:40.640 like I said it, we moved on, and then I 0:07:40.760 --> 0:07:43.360 doubled down on it, and that's when it was like, hey, yo, 0:07:43.560 --> 0:07:45.360 and I'm like, it's kind of what we do here. 0:07:45.480 --> 0:07:47.640 Well, what you said was your superpower is not knowing. 0:07:48.080 --> 0:07:49.560 The unknowing is my superpower. 0:07:49.560 --> 0:07:50.320 So what does that mean? 0:07:51.080 --> 0:07:52.320 I just asked, Like I. 0:07:52.520 --> 0:07:54.640 Think a lot of I go to a lot of 0:07:54.640 --> 0:07:56.640 these events. One of the things we do different than 0:07:56.760 --> 0:07:59.040 a lot of these other podcasts is we go to 0:07:59.080 --> 0:08:01.000 these functions. We go of these events, and we do 0:08:01.080 --> 0:08:03.600 interviews with artists and and you know, we're in the 0:08:03.600 --> 0:08:08.360 face with artists and so a lot of the times. 0:08:08.640 --> 0:08:10.760 And one of the reasons I have Yike, Mike and JR. 0:08:10.800 --> 0:08:13.640 And these dudes around me is because they're in that 0:08:13.720 --> 0:08:14.040 they know. 0:08:14.360 --> 0:08:14.600 Yeah. 0:08:14.680 --> 0:08:17.120 So the people were around, they're like, yo, go holler 0:08:17.160 --> 0:08:19.000 at him, go hill at him. And I'm like, all right, 0:08:19.080 --> 0:08:21.200 bet what's up. I don't got a problem talking to people. 0:08:21.240 --> 0:08:25.600 I'm a people person. And so like there's interviews where 0:08:25.600 --> 0:08:27.680 people have come to me after like yo, you asked 0:08:27.720 --> 0:08:29.440 him this, that's crazy. 0:08:29.000 --> 0:08:32.480 And I'm like, I don't know what. Yeah, I didn't 0:08:32.480 --> 0:08:33.360 know why, it's crazy. 0:08:33.440 --> 0:08:35.920 I just asking him questions, like you know, but I 0:08:35.960 --> 0:08:38.800 feel like that that's my superpower. I don't know too 0:08:38.880 --> 0:08:42.120 much about these artists because I don't have time to study. 0:08:42.280 --> 0:08:46.320 Like I'm literally like I'm almost like a dog when 0:08:46.360 --> 0:08:48.079 you know how dog sniffs ask and they just kind 0:08:48.080 --> 0:08:50.800 of figure out what's what's help with you? That's how 0:08:50.800 --> 0:08:52.200 I am with people. I'm like, what's up with you? 0:08:52.240 --> 0:08:53.160 What do you do? What do you want? 0:08:53.320 --> 0:08:53.880 What's popping? 0:08:53.920 --> 0:08:54.160 All right? 0:08:54.200 --> 0:08:55.360 What's moving? All right? 0:08:55.360 --> 0:08:55.600 Cool? 0:08:55.600 --> 0:08:58.600 Bet on? Next? What do you got going on? Okay? Cool? 0:08:58.800 --> 0:09:01.480 That's how I am with people, you know, So. 0:09:01.600 --> 0:09:04.600 I know that, Uh the day in l A Homie 0:09:04.679 --> 0:09:09.319 had did a l A Rapper report card. Yeah, and 0:09:09.800 --> 0:09:14.359 what made you want to do? Uh? LA Area podcast 0:09:14.400 --> 0:09:15.880 report card? Uh? 0:09:16.040 --> 0:09:16.840 It's marketing. 0:09:17.120 --> 0:09:19.320 Yeah, it's just marketed like for like I said, me 0:09:19.360 --> 0:09:22.800 and Mike we cooked. I cooked like I designed. 0:09:22.840 --> 0:09:25.559 I'm with the Huh how long did it take for 0:09:25.600 --> 0:09:26.360 you to put this together? 0:09:26.640 --> 0:09:27.600 A week? 0:09:28.240 --> 0:09:28.600 Okay? 0:09:28.679 --> 0:09:28.920 Yeah? 0:09:29.040 --> 0:09:31.560 You said this was l a area podcast report. That's 0:09:31.600 --> 0:09:33.560 what it looks like, right, Nah. I was connected, as 0:09:33.640 --> 0:09:34.400 I e based. 0:09:34.920 --> 0:09:40.680 I mean, I'm talking about southern California, California, Southern California. 0:09:40.720 --> 0:09:43.160 It's a southern California. Yeah. 0:09:43.200 --> 0:09:45.520 Well for me, like, I didn't really look at it like, 0:09:45.720 --> 0:09:49.480 uh like location based. I just looked like over here 0:09:49.520 --> 0:09:52.560 on this side of town, what's what are some of 0:09:52.559 --> 0:09:55.720 the outlets that are making noise and have influence over 0:09:55.760 --> 0:09:56.480 here on this side. 0:09:56.720 --> 0:09:58.439 So I didn't really look at like boundaries. So I 0:09:58.480 --> 0:09:59.560 don't really know where. 0:10:00.040 --> 0:10:03.040 All these are located, right, But I didn't go I 0:10:03.040 --> 0:10:05.000 didn't go to like the podcast I know on the 0:10:05.040 --> 0:10:05.640 East Coast. 0:10:05.880 --> 0:10:07.360 No, No, I mean, I mean the way I looked 0:10:07.360 --> 0:10:09.840 at this was I looked at it as like the way, 0:10:10.320 --> 0:10:13.440 uh is his name Dejon Dejon? The way he did 0:10:13.760 --> 0:10:15.360 at the LA Report. I was like, oh, this is 0:10:15.400 --> 0:10:20.360 like a obviously southern California based report card, right, So 0:10:20.400 --> 0:10:22.840 I see you guys got all tens, which is expected 0:10:22.840 --> 0:10:23.959 because it is your report card. 0:10:24.960 --> 0:10:27.120 Somebody coming And it was like, you can't grade your 0:10:27.120 --> 0:10:29.640 own ship, I said, And if you're going to grade 0:10:29.640 --> 0:10:32.840 your own ship, it's gotta be all you should grade 0:10:32.880 --> 0:10:33.360 your own ship. 0:10:34.120 --> 0:10:38.840 So I'm looking at this report card and uh, the 0:10:38.920 --> 0:10:40.760 one thing I can say is I never met you 0:10:40.760 --> 0:10:43.760 guys or spoke to you guys ever before. So when 0:10:43.800 --> 0:10:46.600 I got tagged in this report card, I was like, 0:10:46.679 --> 0:10:48.520 I'm always like, I'm like, I don't know. Let's like, 0:10:48.640 --> 0:10:49.560 let me take a peek. 0:10:50.679 --> 0:10:52.480 Let me ask you this. Do you agree with your grade? 0:10:52.800 --> 0:10:53.440 Yeah? For sure? 0:10:54.880 --> 0:10:57.480 Do you think like holistically like the whole thing like 0:10:57.559 --> 0:10:58.440 this thing is off? 0:10:58.960 --> 0:11:01.160 So I think we listen to what I say. Like 0:11:01.679 --> 0:11:06.120 with stuff like this, everything's opinion based, subjective, it's subjective. 0:11:06.840 --> 0:11:09.720 But I'm saying with you, you're with your opinion. Do you 0:11:09.760 --> 0:11:11.000 think this is far off? 0:11:12.679 --> 0:11:17.440 Like I'm not all the way tapped in with everybody, 0:11:17.480 --> 0:11:20.560 wapped with everybody on this, which is cool, which is 0:11:20.600 --> 0:11:23.560 fair right, So for me, if you look at like 0:11:23.760 --> 0:11:25.560 for the ones that you do know, like I love 0:11:25.679 --> 0:11:31.160 back on fig So I agree with you there, I think, Uh, 0:11:31.760 --> 0:11:34.160 brown Bag is great, so I agree with you there. 0:11:36.960 --> 0:11:40.160 I haven't watched enough of Gina's stuff to really give 0:11:40.200 --> 0:11:41.440 a grade on Hohle fessions. 0:11:41.720 --> 0:11:43.959 I had to do research on it, but I agree. 0:11:43.920 --> 0:11:46.920 With her being a ten personality. She got a D 0:11:47.000 --> 0:11:49.599 plus overall, but she got a ten as a personality, 0:11:49.600 --> 0:11:54.280 so I could agree with you there. I only saw 0:11:55.120 --> 0:11:57.480 what the Homie Watch Homie Quan said about the clap 0:11:57.559 --> 0:12:00.560 It Up La guys, so I am very ignorant to 0:12:00.600 --> 0:12:02.440 their platform, and I don't mean to be. I gotta 0:12:02.480 --> 0:12:07.920 check it out. But they got f Yeah the day 0:12:07.960 --> 0:12:12.080 in l a guy again, like I'm not. I know 0:12:12.120 --> 0:12:14.439 who he is, and I've seen him on other platforms, 0:12:14.520 --> 0:12:18.200 and I know he's got certain opinions about radio that 0:12:18.280 --> 0:12:20.000 him and I don't see necessarily. I had eye on 0:12:20.040 --> 0:12:22.439 and I'm sure we'll talk one day. He's got a D. 0:12:22.920 --> 0:12:25.800 But again, I haven't watched his podcast, so I can't 0:12:25.800 --> 0:12:29.800 even snippets. I've only seen him on No Jumper. 0:12:29.960 --> 0:12:31.760 What stops you from watching the podcast? 0:12:31.840 --> 0:12:31.920 Like? 0:12:32.200 --> 0:12:34.520 Is it time or you have to I just time? 0:12:34.960 --> 0:12:37.520 I guess I'm like in my bubble, So my bubble 0:12:37.640 --> 0:12:44.800 is like my bubble is like sports Joe Rogan. I mean, 0:12:44.840 --> 0:12:47.400 it takes a lot for me to like check out 0:12:47.400 --> 0:12:48.080 a new platform. 0:12:48.120 --> 0:12:49.680 Have you seen the lead podcast? Like, have you watched 0:12:49.720 --> 0:12:51.800 anything I just did? I just did this week? 0:12:51.840 --> 0:12:55.840 Which one I threw on the Azy Shrike episode? Have 0:12:55.920 --> 0:12:56.320 you seen the. 0:12:56.360 --> 0:13:02.080 List on a podcast with ship on his chest? That 0:13:02.160 --> 0:13:02.640 let off? 0:13:03.000 --> 0:13:05.040 That was the first time any artist came to the 0:13:05.120 --> 0:13:06.840 podcast with ship to get off. 0:13:07.040 --> 0:13:09.320 So what I did was I like, I just kind 0:13:09.320 --> 0:13:11.280 of looked over your guys and I was like, Okay, 0:13:11.320 --> 0:13:13.240 you guys are doing these streams. So I threw the 0:13:13.240 --> 0:13:14.840 stream on and I was like, oh, they got strippers 0:13:14.840 --> 0:13:18.360 and ship the djo angles, Like I've never seen nothing 0:13:18.400 --> 0:13:20.319 like that before. Like it looked cool. The one thing 0:13:20.360 --> 0:13:22.960 I was worried about is like y'all titty pops out, 0:13:23.040 --> 0:13:25.080 y'all get demonetized. Yeah, well. 0:13:26.520 --> 0:13:28.360 This is the thing with the whole Monday thing. 0:13:28.400 --> 0:13:30.840 Anyways, the whole thing was for promotion because we're playing 0:13:30.840 --> 0:13:32.720 commercial music, so we can't monetize it anyway. 0:13:32.800 --> 0:13:34.760 True, but I'm saying you might get your channel yangs. 0:13:34.800 --> 0:13:38.440 You know what, it hasn't nothing popped out. Yeah, we 0:13:38.520 --> 0:13:40.840 put like adults and all this shit. There's I don't 0:13:40.840 --> 0:13:42.760 know if you went on YouTube, but like YG's video 0:13:43.040 --> 0:13:44.840 has full on naked bitches. 0:13:44.520 --> 0:13:47.000 On your well you know what. We just talked about 0:13:47.000 --> 0:13:49.440 this like but naked. There's a there's a dude who 0:13:49.440 --> 0:13:51.880 went viral because he shaved his asshole on YouTube and 0:13:51.920 --> 0:13:54.120 it's still up. It's got like fifty million. Yeah. Yeah, yeah, 0:13:54.520 --> 0:13:57.040 there's a grown man who shaved his ass. A lot 0:13:57.080 --> 0:13:58.440 of people are on YouTube. 0:13:58.480 --> 0:13:59.720 Yeah, I think a lot of people are afraid of 0:13:59.760 --> 0:14:02.199 Newton YouTube. But there's you can do it. There's just 0:14:02.240 --> 0:14:04.120 a way to do it. So I think you just 0:14:04.120 --> 0:14:04.319 got to. 0:14:04.440 --> 0:14:06.360 I checked out, like you guys. I love the set. 0:14:06.400 --> 0:14:09.440 I love how you guys recreated the Simpsons. Couch looks dope. 0:14:11.040 --> 0:14:14.440 That's dope. It's in your garage too, so it looks 0:14:14.520 --> 0:14:16.400 I mean it looks legit. I've seen some of the 0:14:16.440 --> 0:14:18.400 forty four Voto stuff that's to do with the orange 0:14:18.400 --> 0:14:23.120 ski mask. I like his ship's cool. I don't know 0:14:23.160 --> 0:14:26.240 who ox connected, so I can't you know DJ chart. 0:14:26.240 --> 0:14:27.800 Single yeah. 0:14:29.280 --> 0:14:30.720 Platform, Oh yeah. 0:14:30.880 --> 0:14:35.160 I like his tiktoks. He'd be uh playing the la stuff. 0:14:34.960 --> 0:14:38.520 Right everything playlist. I even like. 0:14:38.520 --> 0:14:44.000 Everything came my f damn. He hasn't dropped in assistency 0:14:44.120 --> 0:14:44.480 is off. 0:14:44.920 --> 0:14:45.360 I'm on that. 0:14:45.600 --> 0:14:46.760 I was on that podcast. 0:14:46.920 --> 0:14:49.520 I also like Okay, but but I like his tiktoks, 0:14:49.840 --> 0:14:51.640 I really do. So you guys did give him a 0:14:51.680 --> 0:14:54.360 social media content You guys gave him a nine, so 0:14:54.400 --> 0:14:57.640 that's fair, Like, like consistency is important. 0:14:57.760 --> 0:15:01.520 Yeah, but but like if the social media content with 0:15:01.560 --> 0:15:05.760 the stuff that they drop on like Instagram and the artists. 0:15:06.400 --> 0:15:08.840 But like if you give them a nine on that, 0:15:08.840 --> 0:15:10.480 that makes sense, right, Yeah. 0:15:10.160 --> 0:15:12.640 But as far as consistency, it's just not there. Like 0:15:12.720 --> 0:15:15.000 as far as podcasts dropping a lot. 0:15:15.040 --> 0:15:18.080 I mean I love Rose krans Ave, I love Rosekranzvic. 0:15:18.200 --> 0:15:20.800 I mean they've been kind of the LA platform to 0:15:20.880 --> 0:15:24.320 me for a long time. I think Homegoing Radio maybe 0:15:24.320 --> 0:15:26.000 could have been a little higher. But I'm biased because 0:15:26.040 --> 0:15:27.520 djhead is like my brother. I mean he just called 0:15:27.520 --> 0:15:28.720 me before we started this podcast. 0:15:30.000 --> 0:15:31.840 But yeah, but I feel like they're. 0:15:31.840 --> 0:15:34.960 Like I think consistency is their their issue, their issue. 0:15:35.040 --> 0:15:36.600 Yeah sure, but I feel like they're in like this 0:15:36.840 --> 0:15:39.720 not rebranding phase, but they're they're doing different things. 0:15:39.800 --> 0:15:43.080 Yeah, and you you gave them like a ten on topics, 0:15:43.080 --> 0:15:45.520 eight on personality, ten on it and that really an 0:15:45.520 --> 0:15:48.440 important thing is the ten on impact and the ten 0:15:48.480 --> 0:15:48.800 on I. 0:15:48.760 --> 0:15:50.600 Give a lot of tens out this this report. Guy 0:15:50.640 --> 0:15:50.960 got a lot. 0:15:51.000 --> 0:15:52.280 I think, Yeah, when you look at a lot of 0:15:52.280 --> 0:15:55.400 this ship, and I like the corner Store freestyles. But again, 0:15:55.440 --> 0:15:58.840 it's like it's a freestyle platform from what I've seen. Again, 0:15:58.880 --> 0:16:01.080 I'm speaking from a place rents because that's all i've seen. 0:16:01.240 --> 0:16:03.960 Yeah, me too, And that's why I gave the personality 0:16:04.520 --> 0:16:05.880 uh topics. 0:16:05.480 --> 0:16:07.640 Before, because if you've got freestyles, what are the topics? 0:16:07.840 --> 0:16:14.160 But they do great freestyles. Let's see community B plus. 0:16:14.400 --> 0:16:17.640 I love back on FIG I love Community, I love 0:16:17.720 --> 0:16:22.360 their podcast. I like Icon and I think I think 0:16:22.360 --> 0:16:24.920 he's great on that podcast. I don't know about him 0:16:24.920 --> 0:16:25.920 on No Jumper because I. 0:16:26.240 --> 0:16:27.840 Know, I know, I'm just saying I like him. 0:16:27.880 --> 0:16:30.680 I like him as a host of the of the 0:16:30.840 --> 0:16:31.480 Food Community. 0:16:31.600 --> 0:16:33.160 I just need the energy needs to be a little 0:16:33.200 --> 0:16:34.720 bit more more energy. 0:16:34.760 --> 0:16:36.720 I need school, he did. I mean, I think they're 0:16:36.760 --> 0:16:40.120 like he's doing a good job of I like Food Community. 0:16:40.160 --> 0:16:42.280 They're solid. I've always fuck with him, They're a great follow. 0:16:42.880 --> 0:16:46.000 They kind of kind It was funny because I was 0:16:46.040 --> 0:16:47.680 doing a bunch of collab posts with a bunch of 0:16:47.760 --> 0:16:52.080 other media platforms, and they they collabed with me and 0:16:52.280 --> 0:16:55.000 I got somebody in trouble over there because they hit 0:16:55.040 --> 0:16:57.920 me after like an hour later and was like my 0:16:58.000 --> 0:16:59.880 manager told me, I can't post this because we didn't 0:16:59.880 --> 0:17:01.880 get so then they took it down and. 0:17:02.160 --> 0:17:05.440 Oh really yeah yeah yeah, I mean a bees respectable Yeah, 0:17:05.520 --> 0:17:08.080 like you just got to run it up, no jumper 0:17:08.240 --> 0:17:12.520 c Yeah, let me see what. Okay, So personality A five. 0:17:12.600 --> 0:17:14.879 So obviously you guys aren't aren't aren't friends of Adam 0:17:15.040 --> 0:17:17.600 because he is the personality ten no no, no, no, no 0:17:17.600 --> 0:17:18.520 no no seven. 0:17:18.320 --> 0:17:20.960 No, But no, Jumper is not just Adam, it's everybody 0:17:21.000 --> 0:17:21.440 that's there. 0:17:21.440 --> 0:17:23.840 You're right. Yeah, so I'll give you that, yeah, because 0:17:23.840 --> 0:17:26.200 I do think there are certain guys on their channel 0:17:26.200 --> 0:17:26.879 that aren't great. 0:17:27.480 --> 0:17:29.720 I feel like they just it's it's like a revolving 0:17:29.760 --> 0:17:31.680 door and they're trying to find that that's fair. 0:17:31.760 --> 0:17:34.800 Now, that's a fair assessment. Shots a brick baby who's amazing. 0:17:34.920 --> 0:17:36.560 He just he's here actually right now. 0:17:36.800 --> 0:17:39.200 Some people that are solid. Some people it just looks 0:17:39.200 --> 0:17:40.320 like they're trying to figure it out. 0:17:40.480 --> 0:17:42.080 And I do think they're really good I think you 0:17:42.080 --> 0:17:43.840 gave them a four on social media content, but I 0:17:43.880 --> 0:17:46.520 feel like they pump out content on social media a lot. 0:17:46.760 --> 0:17:49.440 Yeah, but I don't think that it's not just posting. 0:17:50.200 --> 0:17:53.280 It's back in the day they were like the lead 0:17:53.320 --> 0:17:55.359 of the culture where you went to them for new flavor. 0:17:55.440 --> 0:17:58.360 Now it's just internet mess Okay, you get me. It's 0:17:58.359 --> 0:18:00.600 not No, it's not about their pocket anymore. 0:18:01.200 --> 0:18:05.960 Why do you guys, I'm assuming that the Dejon guy's 0:18:06.000 --> 0:18:08.080 not happy with this? Yeah? 0:18:08.240 --> 0:18:10.840 Low key? Well, I mean, I don't. 0:18:10.680 --> 0:18:14.040 Mean your own version of his thing and gave him 0:18:14.040 --> 0:18:16.480 a d Did you see the cover photo I saw 0:18:16.880 --> 0:18:19.160 holding it? I saw that. What do you think about that? 0:18:20.200 --> 0:18:22.560 I mean, I thought it was kind of funny. That's 0:18:22.600 --> 0:18:26.280 the post I saw because yeah, so I thought it 0:18:26.320 --> 0:18:26.680 was cool. 0:18:27.200 --> 0:18:28.440 But what do you think he thought? 0:18:28.840 --> 0:18:30.560 I thought he hated it for sure. Why don't he 0:18:30.560 --> 0:18:32.680 hate it, though? Because he did the l a report card. 0:18:32.960 --> 0:18:35.440 But it's him, it's. 0:18:35.520 --> 0:18:36.520 We're promoting him. 0:18:36.640 --> 0:18:39.119 Yeah, he's the brand of the report card. So we 0:18:39.240 --> 0:18:41.159 got to do our respects and this is the podcast. 0:18:41.200 --> 0:18:42.920 You guys didn't pay homage to him in that way. 0:18:42.760 --> 0:18:46.800 Basically homage, but I photoshopped his hand to hold his 0:18:46.800 --> 0:18:51.680 own report You guys are nah. He reposted somebody's tweet online. 0:18:51.920 --> 0:18:53.560 He reposted somebody's tweet. 0:18:53.280 --> 0:18:58.680 That said it ain't valid if it's not Dejon doing 0:18:58.680 --> 0:18:59.960 the report card or something like that. 0:19:00.600 --> 0:19:02.240 And that's all I've really heard of it. 0:19:02.720 --> 0:19:06.960 But yeah, everybody in my comments is tagging them. Everybody 0:19:07.000 --> 0:19:08.640 around me. This is the crazy part. 0:19:08.760 --> 0:19:12.040 I haven't been blocked, but grind Face got blocked all 0:19:12.040 --> 0:19:13.640 these other people that follow him. 0:19:13.920 --> 0:19:18.160 Mike Nah, I made his intro for his whole podcast 0:19:18.200 --> 0:19:18.520 to beat. 0:19:18.600 --> 0:19:21.280 I made that. I'm done. Mike's a great name. By 0:19:21.320 --> 0:19:24.280 the way, I'm the one and only. So Hey, that's 0:19:24.280 --> 0:19:26.840 a sick name. What's your name? Mike? Motherfucker? 0:19:27.720 --> 0:19:30.040 I'm gonna use that as a tag. I got that, uh. 0:19:31.200 --> 0:19:33.639 Tag no cab, But you guys gave me a a 0:19:34.040 --> 0:19:38.440 which I appreciated. Uh, I guess I don't really Uh yeah, 0:19:38.440 --> 0:19:39.040 I mean thanks. 0:19:39.320 --> 0:19:42.600 Yeah, And I'll tell you why, because uh, there's some 0:19:42.600 --> 0:19:44.359 people that hit me up and try to make this. 0:19:44.320 --> 0:19:45.720 Like a racist. We don't know each other. 0:19:45.760 --> 0:19:46.880 Yeah, we don't know each other at all. 0:19:47.080 --> 0:19:50.080 I never ever spoken to either of you guys. I 0:19:50.119 --> 0:19:53.040 never followed you before this. It was unbiased. 0:19:53.320 --> 0:19:54.119 It's an unbiastaking. 0:19:54.119 --> 0:19:57.320 And I'm gonna tell you why because to me watching 0:19:57.440 --> 0:20:01.360 from the outside, I don't sit here and watch every episode. 0:20:01.359 --> 0:20:02.399 I'd light you if I did that. 0:20:02.560 --> 0:20:04.920 But the clips that you do post and the interviews 0:20:04.920 --> 0:20:07.360 that you do get I feel like for the culture, 0:20:07.600 --> 0:20:10.800 they're impactful, they're big names, they mean something. 0:20:11.160 --> 0:20:13.560 The branding is here, it's consistent. 0:20:13.960 --> 0:20:16.760 When everybody fell off with podcasting, everybody want to start 0:20:16.760 --> 0:20:19.560 a podcast. And one thing I tell everybody that tells me, oh, 0:20:19.600 --> 0:20:21.720 I want to start a podcast, I said, good luck. 0:20:21.800 --> 0:20:25.760 The hardest part about podcasting isn't these cameras, isn't any 0:20:25.920 --> 0:20:28.119 any of this shit. The hardest part is consistency and 0:20:28.200 --> 0:20:30.439 swimming and the fact that you've been doing it for 0:20:30.480 --> 0:20:30.840 so long. 0:20:30.920 --> 0:20:33.919 To me, I feel like you're the West Coast. 0:20:33.720 --> 0:20:36.320 Version of like funk flex appreciate you get me like 0:20:36.840 --> 0:20:39.199 he's just a known staple and artists know. They go 0:20:39.240 --> 0:20:41.359 over there to wrap, they go over there to check in, 0:20:41.440 --> 0:20:42.680 they go over there, go over there. 0:20:42.600 --> 0:20:43.080 To do that. 0:20:43.359 --> 0:20:46.440 And it's been a flag that's been over here consistently. 0:20:46.880 --> 0:20:48.760 You know, where people aren't like, oh it was here 0:20:48.760 --> 0:20:50.239 for a little bit, and then where did it go. 0:20:50.359 --> 0:20:52.080 He's out there trying to figure it out right now, 0:20:52.200 --> 0:20:54.400 or he's doing other things and he got another deal 0:20:54.440 --> 0:20:57.480 over here, so his podcast is suffering for it, and 0:20:57.960 --> 0:20:59.160 it's always been consistent. 0:20:59.200 --> 0:21:02.440 So from the outside, I'm like, that would. 0:21:02.280 --> 0:21:05.280 Be someone where I could be like, yeah, like that, 0:21:05.280 --> 0:21:08.119 that would be a good model to follow for anybody podcast. 0:21:08.200 --> 0:21:10.399 I appreciate them, y, yeah, definitely. Yeah. I was like, 0:21:10.440 --> 0:21:12.120 I was like, oh shit, I don't even know these guys, 0:21:13.560 --> 0:21:14.480 ar no, no, no, no. 0:21:14.520 --> 0:21:16.080 But see, this is the thing. Some people try to 0:21:16.080 --> 0:21:17.680 make it, make it a racial thing. 0:21:17.720 --> 0:21:19.399 I didn't even see. I haven't seen any of the 0:21:19.440 --> 0:21:22.439 commentary about my grade. So there has been people saying that. 0:21:22.359 --> 0:21:25.280 Oh, my DM's crazy. I'm trying to dig ride. 0:21:25.640 --> 0:21:27.960 I gave full community a good grade because I want 0:21:28.000 --> 0:21:29.520 to meet them and I'm a fan of them and 0:21:29.560 --> 0:21:35.280 I need them. And I graded other other platforms higher 0:21:35.320 --> 0:21:38.399 grades than the black ones, and so I'm disrespecting the 0:21:38.600 --> 0:21:42.040 black community. And I didn't look at color. I looked 0:21:42.040 --> 0:21:44.680 at quality. Yeah, I looked at quality. 0:21:45.000 --> 0:21:48.320 Sound Like sound is a big issue for a lot 0:21:48.359 --> 0:21:49.600 of these platforms trying. 0:21:49.440 --> 0:21:52.000 To figure it out for sure, straight up, and a 0:21:52.000 --> 0:21:55.000 lot of the things that people don't value. It shows 0:21:55.359 --> 0:21:58.919 production value, production value. It's crazy and a lot of 0:21:58.920 --> 0:22:01.280 them got a bad grade in mind because it's the 0:22:01.359 --> 0:22:05.320 same setup. It's a round table with microphones or a 0:22:05.359 --> 0:22:08.520 flat wall that doesn't look interesting, and they just think 0:22:08.520 --> 0:22:10.200 if I talk, people will listen. 0:22:10.400 --> 0:22:10.960 Nobody. 0:22:11.040 --> 0:22:13.280 Everybody wants to podcast and do all this stuff the 0:22:13.440 --> 0:22:16.440 same exact way, like everybody wants to be a clone. 0:22:16.440 --> 0:22:18.160 Why I would say this like that was one thing? 0:22:18.800 --> 0:22:22.080 Because I'm not sure you guys. Partying on Stream is 0:22:22.119 --> 0:22:24.000 a podcast. 0:22:23.760 --> 0:22:25.520 But did you watch the whole episode? 0:22:25.520 --> 0:22:28.159 You might have seen the party, but let me let 0:22:28.200 --> 0:22:30.600 me just interviews. 0:22:29.640 --> 0:22:30.359 Very original. 0:22:30.520 --> 0:22:32.720 Wait but wait, wait did you watch an episode? 0:22:33.680 --> 0:22:35.399 Okay, let me explain to you what happens on the 0:22:35.400 --> 0:22:37.200 podcast and watch a full episode. 0:22:37.280 --> 0:22:40.360 Right. We are the first platform to give. 0:22:40.240 --> 0:22:44.080 Strippers a voice, not sit there and exploit them, not 0:22:44.240 --> 0:22:46.320 sit there and say shake that ass bitch and want 0:22:46.320 --> 0:22:47.240 to get in that pussy. 0:22:47.560 --> 0:22:47.600 No. 0:22:48.440 --> 0:22:48.640 Right. 0:22:49.040 --> 0:22:52.560 The turn up is a byproduct of our lifestyle. So 0:22:53.040 --> 0:22:56.199 what we do in our podcast is we turn up, party, 0:22:56.240 --> 0:22:56.800 have a good. 0:22:56.680 --> 0:22:59.880 Time, get everybody comfortable. Then we stop, get the girls 0:22:59.880 --> 0:23:00.520 on the couch. 0:23:00.800 --> 0:23:04.000 Podcast Time, podcast Time, talk it out When we're ready 0:23:04.080 --> 0:23:06.080 to switch the seat back to the music. 0:23:06.160 --> 0:23:09.200 Everybody's having a good time. Next person on the couch. 0:23:09.640 --> 0:23:11.399 Well, it's a really I would say this. It is 0:23:11.440 --> 0:23:14.000 extremely original. And because I was saying I was telling 0:23:14.040 --> 0:23:17.120 this to my boy Eric, I'm like, man, like, these 0:23:17.160 --> 0:23:18.800 dudes are doing something I never seen done. 0:23:19.160 --> 0:23:19.360 Yeah. 0:23:19.400 --> 0:23:22.679 But because even just like when you hit play, like 0:23:22.800 --> 0:23:24.959 imagine if like I was like, yo, this is some 0:23:24.960 --> 0:23:26.600 ship you could just have on at the crib. 0:23:26.840 --> 0:23:28.760 Bro. My friends are telling me they are over there 0:23:28.800 --> 0:23:31.320 busting down trees and breaking weed up for all these 0:23:31.760 --> 0:23:33.719 what do they call it trimming or whatever, And these 0:23:33.760 --> 0:23:34.679 guys are just watching it. 0:23:34.720 --> 0:23:36.320 They're at work and they're just watching it. It's just 0:23:36.359 --> 0:23:38.760 something to put on. You could just listen to it. 0:23:38.920 --> 0:23:41.119 The music selection is already fired. Like you know, you 0:23:41.160 --> 0:23:43.399 need ox cord in the and the you have your homies, 0:23:43.440 --> 0:23:44.800 you got to kick back. You can just throw on 0:23:44.840 --> 0:23:45.760 the mix in the podcast. 0:23:46.560 --> 0:23:48.160 A lot of people get a lot of people got 0:23:48.160 --> 0:23:49.120 lost in the ass. 0:23:49.280 --> 0:23:52.120 But what they don't realize is that these same girls 0:23:53.119 --> 0:23:55.440 are with us for six months straight. 0:23:55.280 --> 0:23:59.440 Every Monday, every Monday. So we have a team. 0:23:59.520 --> 0:24:02.720 I got eleven girls that got the podcast tatted on them. 0:24:03.359 --> 0:24:05.080 I saw online. I just saw that. I just saw 0:24:05.119 --> 0:24:07.120 somebody had that. I was like, yo, check that out. 0:24:06.960 --> 0:24:09.320 On live shoot. Eleven girls on live shoot got tatted. 0:24:09.880 --> 0:24:13.000 And so my thing is is that it's. 0:24:12.880 --> 0:24:13.400 Like a road trip. 0:24:13.440 --> 0:24:14.960 You ever been on a road trip with somebody, like 0:24:14.960 --> 0:24:17.480 a long one and somebody who didn't know that Well, 0:24:17.680 --> 0:24:19.879 by the end of the road trip, you're like, I 0:24:19.960 --> 0:24:21.159 kind of know this guy, and I know why I 0:24:21.160 --> 0:24:22.520 fuck with him, and I know why I don't fuck 0:24:22.560 --> 0:24:24.560 with him. Right, And so the six months was a 0:24:24.560 --> 0:24:28.760 long ass road trip with these girls, and so nobody 0:24:28.800 --> 0:24:30.840 was rushing to fuck these girls. We just took time 0:24:30.880 --> 0:24:32.960 to get to know We took time to get. 0:24:32.880 --> 0:24:33.199 To know them. 0:24:33.240 --> 0:24:35.400 That's the problem most time people bring strippers around because 0:24:35.400 --> 0:24:36.560 eventually you want to try to fuck. 0:24:36.760 --> 0:24:36.960 Yeah. 0:24:37.000 --> 0:24:38.760 But but but but my thing is they're on the 0:24:38.760 --> 0:24:42.000 couch saying thank you. Nobody's ever just hurt us out, 0:24:42.080 --> 0:24:43.640 nobody's ever tried to figure us out. 0:24:43.840 --> 0:24:47.160 They just stripper's getting really bad misrepresentation. 0:24:47.680 --> 0:24:50.359 But one thing I realized in doing the pod was 0:24:50.440 --> 0:24:53.320 that stripping is just like working at Starbucks. 0:24:53.359 --> 0:24:54.760 I agree fully, It's. 0:24:54.680 --> 0:24:56.359 Just like they don't give a fuck about you. 0:24:56.520 --> 0:24:57.440 It's a literal job. 0:24:57.520 --> 0:24:59.200 It's a literal job. That's what I do. 0:24:59.280 --> 0:25:03.000 Your job is to kind of be your counselor or 0:25:03.160 --> 0:25:06.400 make you feel like they like you. That is their 0:25:06.600 --> 0:25:09.159 literal profession. My job is to make you feel like 0:25:09.440 --> 0:25:12.240 I like you. And if you feel that way, you're 0:25:12.240 --> 0:25:15.400 gonna give me some money. Then you're gonna go home 0:25:15.400 --> 0:25:16.720 to your wife, and then I'm gonna get off of 0:25:16.760 --> 0:25:18.640 work and go home to my boyfriend or my kids 0:25:18.720 --> 0:25:21.640 or whatever. Yes, it is what it is. Yeah, they're 0:25:22.080 --> 0:25:24.080 they're half naked counselors or naked counselors. 0:25:24.119 --> 0:25:25.800 And so a lot of some of the girls, like 0:25:26.320 --> 0:25:29.320 we went from the stripper thing, and then other girls 0:25:29.320 --> 0:25:31.040 started catching wind of it, and then we brought in 0:25:31.080 --> 0:25:33.240 some three or fours that are actually on fig and 0:25:33.280 --> 0:25:36.119 ship like that. They're coming in and telling their story, 0:25:36.200 --> 0:25:38.480 so it gets deep. There was one girl that was 0:25:38.760 --> 0:25:40.680 off the block was like, damn, is this church or 0:25:40.720 --> 0:25:41.359 a podcast? 0:25:41.400 --> 0:25:44.880 Like, what the fuck's going on? We have deep conversation 0:25:44.960 --> 0:25:47.520 on there, but you got to get past the ass. Yeah, 0:25:47.520 --> 0:25:48.480 you gotta get past the ass. 0:25:48.480 --> 0:25:50.600 I was like, I said, I love the presentation and 0:25:50.680 --> 0:25:54.919 I really just like the it's hard to see originality. 0:25:55.480 --> 0:25:57.760 So to me, it was like, so do you agree 0:25:57.800 --> 0:25:58.520 with my grade or no? 0:25:59.520 --> 0:26:01.440 From what you say for yourself. 0:26:02.400 --> 0:26:04.360 Like, is there something that you've seen that you disagreed 0:26:04.400 --> 0:26:07.560 with as far as content, as far as impact, as 0:26:07.600 --> 0:26:09.840 far as branding, consistency, topics. 0:26:09.920 --> 0:26:11.280 Okay, this is what I would say, there's something you 0:26:11.320 --> 0:26:14.440 don't know about. I'm very like I said, I kind 0:26:14.480 --> 0:26:19.480 of skimmed through your ship. I think I like your branding, 0:26:21.000 --> 0:26:29.960 I like the originality, great production value, you're building community. 0:26:30.480 --> 0:26:32.639 I don't know much about the topics because I haven't 0:26:32.640 --> 0:26:35.160 really seen too much to give you that. I mean, look, 0:26:35.280 --> 0:26:41.600 this is your fucking report card. Be honest, Be honest, 0:26:41.640 --> 0:26:48.200 because because I would say maybe impact would be high, 0:26:48.880 --> 0:26:51.600 Why would you say that, I think just because like 0:26:51.960 --> 0:26:54.760 when I think of impact, I think of I think 0:26:54.800 --> 0:26:57.080 of homegrown radio, like I think of like, you know. 0:26:57.760 --> 0:26:59.400 What does that mean? What does that mean? 0:26:59.440 --> 0:27:01.239 So in my opinion, an impact to me would be 0:27:01.280 --> 0:27:07.480 like the impact on either an artist trajectory. Right, so 0:27:07.560 --> 0:27:10.680 if you're helping like break artists and like you can 0:27:10.720 --> 0:27:14.199 go back and like see, well shit, you know when 0:27:14.240 --> 0:27:17.280 I think DJ had and Chuck did a Kendrick interview 0:27:17.280 --> 0:27:18.760 and like, you know, I mean I had one in 0:27:18.800 --> 0:27:20.480 twenty eleven. I think they had one in twenty ten. 0:27:21.520 --> 0:27:24.720 I think impact is I maybe look at that as 0:27:24.760 --> 0:27:27.560 more of like a longevity. 0:27:27.000 --> 0:27:30.359 Like did I make somebody lives? Like for me? 0:27:30.520 --> 0:27:32.840 For me impact, I think you've had impact on people 0:27:33.040 --> 0:27:36.199 who are on your show, right, these girls, and like 0:27:36.240 --> 0:27:38.320 maybe changing like the narrative on strippers and shit. But 0:27:38.320 --> 0:27:41.000 again I'm speaking from not the most Yeah, you know, 0:27:41.720 --> 0:27:44.879 I think impact to me though, is like like if 0:27:44.920 --> 0:27:45.800 I were to look at this. 0:27:45.680 --> 0:27:47.040 Hey, let me ask you this. Let me ask you this. 0:27:47.160 --> 0:27:49.200 Have you ever has anybody ever cried on this show? 0:27:49.640 --> 0:27:53.960 Like tears? Yes? How many people have cried on this show? 0:27:58.480 --> 0:28:02.199 One? So so to me that's different because to me, 0:28:02.280 --> 0:28:03.800 that to me, that's topics. 0:28:03.960 --> 0:28:06.800 No, that's not topics, because topics because when I'm thinking 0:28:06.840 --> 0:28:09.600 of impacting somebody's life. Yesterday we brought in an artists 0:28:09.600 --> 0:28:11.160 because we do music reviews on Wednesdays. 0:28:11.200 --> 0:28:13.680 Right, this artist sent this music in, we did a review, 0:28:13.720 --> 0:28:15.199 we liked it, so we brought him in the studio 0:28:15.600 --> 0:28:18.000 yesterday we played his music because we fucked with it. 0:28:18.040 --> 0:28:20.000 We brought him in. We're playing this stuff. What do 0:28:20.040 --> 0:28:22.200 he tell you. On the couch yesterday while we're playing stuff. 0:28:21.920 --> 0:28:23.760 He was like, this is getting a little emotional right now, 0:28:23.800 --> 0:28:26.719 Like y'all really like genuine. 0:28:26.200 --> 0:28:28.520 And so I think that's like to me, like, when 0:28:28.560 --> 0:28:31.880 I think of impact, I think of like, Okay, if 0:28:32.040 --> 0:28:36.159 we're talking about like LA culture, right, what are the 0:28:36.800 --> 0:28:40.240 what are the synonymous platforms that have been here the longest? Right? 0:28:40.320 --> 0:28:43.400 So to me, when I think of like a homegrown radio, 0:28:43.520 --> 0:28:49.000 I'm like, well, shit, homegrown has an impact that has 0:28:49.080 --> 0:28:52.120 been here for so long and they've done so much 0:28:52.160 --> 0:28:54.959 to help you know, they've they have moments in like 0:28:55.600 --> 0:28:57.600 la hip hop history that they've. 0:28:57.600 --> 0:29:00.240 Is there any clips of anybody's and. 0:29:00.160 --> 0:29:02.560 I would y'all know this. I'm looking at this strictly 0:29:02.600 --> 0:29:03.640 through a hip hop lens. 0:29:03.840 --> 0:29:06.080 So that's the time thing you're saying that's based on 0:29:06.160 --> 0:29:07.160 like how long they've been around. 0:29:07.280 --> 0:29:10.240 See, but see this isn't this isn't just off of 0:29:10.320 --> 0:29:11.520 hip hop because. 0:29:11.240 --> 0:29:13.280 So so I'm looking at this, I'm looking at this 0:29:13.280 --> 0:29:15.239 because I'm a hip hop guy. You know, I'm hip 0:29:15.280 --> 0:29:17.120 hop too, So so when I look at this, I'm 0:29:17.160 --> 0:29:17.680 thinking of. 0:29:17.880 --> 0:29:20.200 Forty four vo through doesn't he covers other stuff? 0:29:20.240 --> 0:29:23.160 News and right stuff. But so when I look at this, 0:29:23.200 --> 0:29:24.800 I'm i mean, listen, show some love. 0:29:24.920 --> 0:29:28.080 That's what's your name, Telly Spencer. It's a love podcast. 0:29:28.520 --> 0:29:29.480 It doesn't have anything to. 0:29:29.480 --> 0:29:31.040 Do with I'm not hip. But what I was going 0:29:31.080 --> 0:29:33.560 to say was like, I mean, look, because I'm thinking 0:29:33.560 --> 0:29:35.840 of this as like the La Rapper report card that 0:29:35.920 --> 0:29:37.400 kind of the same way. So I'm like, when I 0:29:37.400 --> 0:29:39.320 think of impact, I think of like I'm looking at 0:29:39.320 --> 0:29:41.720 impact through a hip hop lens. Now, the impact you 0:29:41.800 --> 0:29:45.560 might have on your guests is different, right, So I'll 0:29:45.560 --> 0:29:49.360 give you that, Like that's if that's the lens you're 0:29:49.400 --> 0:29:51.360 looking at it through, Like then yeah, I mean if 0:29:51.360 --> 0:29:55.400 you have people crying and you're changing people's lives and 0:29:55.400 --> 0:29:57.080 and then I'm like, I look down and I'm trying 0:29:57.080 --> 0:30:00.480 to see who else had low impact just so I 0:30:00.520 --> 0:30:03.760 could have some sort of So like, let me give 0:30:03.760 --> 0:30:10.080 you an example, right, the category of impact when I 0:30:10.080 --> 0:30:13.440 see No Jumpers got a seven, but I see the 0:30:13.480 --> 0:30:17.360 impact of No Jumper created two of the B and 0:30:17.400 --> 0:30:21.040 B plus platforms on this. So if you think about 0:30:21.440 --> 0:30:24.480 No Jumper from No Jumper back on figuring community were born, 0:30:24.600 --> 0:30:27.600 is that is that a safe thing to say? Because 0:30:27.640 --> 0:30:29.080 neither of them would have been doing content. I mean, 0:30:29.080 --> 0:30:35.400 they'll tell you so. To me, that's that's a big 0:30:35.440 --> 0:30:39.520 impact because if no Jumper, yeah, but I think yeah, 0:30:39.560 --> 0:30:41.760 but I guess it just depends on the lens you're 0:30:41.760 --> 0:30:42.880 looking at each one of these things. 0:30:43.040 --> 0:30:44.960 So for impact, for me, I feel like the no 0:30:45.080 --> 0:30:47.560 Jumper category, I feel like they were high. 0:30:48.160 --> 0:30:52.280 But with this is a recent this is recent. 0:30:52.360 --> 0:30:55.920 This isn't based off of past things that happen a 0:30:56.000 --> 0:30:57.560 year ago or six months ago or whatever. 0:30:57.600 --> 0:30:59.440 This is today, right, And so with. 0:30:59.480 --> 0:31:03.800 Everything falling apart like not his he did a whole 0:31:03.920 --> 0:31:05.240 orgy on his Uh. 0:31:05.280 --> 0:31:06.040 I saw that thing. 0:31:06.160 --> 0:31:08.320 So I mean it's not like his platform is hurting. 0:31:08.400 --> 0:31:11.719 He's impact, he's elsewhere, right, It's still successful, But as 0:31:11.720 --> 0:31:15.080 far as culturally what everybody went there for, it lost 0:31:15.120 --> 0:31:16.120 a lot of points because it's. 0:31:16.000 --> 0:31:17.520 Not what it's for sure, it's not what he used 0:31:17.520 --> 0:31:18.720 to it's not what it used to be at all. 0:31:18.840 --> 0:31:21.200 It's not but not hurting. I'm not saying it's not 0:31:21.200 --> 0:31:22.719 what he used to be size wise, I'm saying it's 0:31:22.760 --> 0:31:23.800 not what he used to be in terms of what 0:31:23.840 --> 0:31:24.640 people expect to gif. 0:31:24.960 --> 0:31:26.400 Yeah, yeah, yeah, he switched. 0:31:26.440 --> 0:31:29.160 He switched go to No jumpery to find out about 0:31:29.200 --> 0:31:31.080 the hot soundclud rappers. Now you go to No jumper 0:31:31.160 --> 0:31:33.360 just for you know whatever, what what do you go 0:31:33.400 --> 0:31:36.240 there for? I just like to hear him in whack talk. 0:31:39.880 --> 0:31:42.320 I think rosecrans Vic and those guys have had some 0:31:42.560 --> 0:31:44.320 You got him at a nine on impact because I 0:31:44.360 --> 0:31:46.360 think rosecrans have has done a lot to help push 0:31:46.400 --> 0:31:47.760 the LA hip hop culture. 0:31:48.240 --> 0:31:52.760 And and uh, just to speak on Rosecrans, he's he 0:31:52.840 --> 0:31:54.479 does a lot of footwork. 0:31:54.360 --> 0:31:57.760 Oh for sure, footwork is there not just it's active bro. 0:31:57.920 --> 0:31:59.600 And he's on this twice because he's a part of 0:31:59.640 --> 0:31:59.959 brown Band. 0:32:00.120 --> 0:32:01.880 And and the thing about it is what I respect 0:32:01.920 --> 0:32:04.760 about Rosecrans. I'd be out at these events and he 0:32:05.240 --> 0:32:07.240 had not only is he there, but he has a 0:32:07.280 --> 0:32:10.120 team of people out there doing media for his brand. 0:32:10.840 --> 0:32:13.160 So it's bigger than like you get me. There's a 0:32:13.200 --> 0:32:15.120 lot of people that that are missing on the word. 0:32:15.160 --> 0:32:17.960 Rose is great. He's a great, definitely, and he's a 0:32:17.960 --> 0:32:21.440 part of brown Bag, which is one of my favorite platforms. 0:32:21.480 --> 0:32:23.480 Yeah, it just gets kind of iffy with me when 0:32:23.520 --> 0:32:25.160 you start breaking up the brands. 0:32:25.200 --> 0:32:28.920 So let me ask you this, what is uh Okay, 0:32:28.920 --> 0:32:33.080 you have an F on here. Two f's d oh 0:32:33.120 --> 0:32:36.240 you got ox connect clap it up l A and 0:32:36.440 --> 0:32:37.680 uh day in l A. 0:32:38.000 --> 0:32:39.840 Yeah do you do? 0:32:39.880 --> 0:32:39.960 You? 0:32:41.920 --> 0:32:43.760 Is it because y'all got beef with these guys? Or you? Truly? 0:32:43.800 --> 0:32:46.080 I got no beef with nobody in this world. I 0:32:46.120 --> 0:32:49.280 go to bed every night with like happy. 0:32:49.560 --> 0:32:52.600 From the Suburbs. I don't beef, we don't are you 0:32:52.640 --> 0:32:55.680 from from the Rancho trying to Rancha cuckamonga. 0:32:55.800 --> 0:32:59.680 Also tell them going crazy. I see the quarterback for 0:32:59.720 --> 0:33:01.520 the text play the ballad as my boys. 0:33:01.600 --> 0:33:04.120 I hope he's terrible this year because we own the 0:33:04.160 --> 0:33:07.120 first round pick for the Texans. I'm a Cardinals. I'm 0:33:07.160 --> 0:33:10.160 a Cardinal. I mean, look, I think this is dope. 0:33:10.200 --> 0:33:13.320 I think it's there's no there's no beef. I say 0:33:13.320 --> 0:33:16.160 this too. The one cool thing about this is it 0:33:16.200 --> 0:33:20.880 went viral and for whatever reason, everybody on this list 0:33:20.920 --> 0:33:21.880 got new exposure. 0:33:22.360 --> 0:33:22.960 Straight up. 0:33:23.320 --> 0:33:27.440 So even if you are somebody like, uh, you know 0:33:27.480 --> 0:33:29.280 the biggest bros. I got to check them out because 0:33:29.280 --> 0:33:29.960 I've never heard of it. 0:33:30.040 --> 0:33:33.200 The biggest bros is uh, uh what is it? House 0:33:33.280 --> 0:33:36.440 phone and Blasi? Oh that's them them, that's their that's 0:33:36.440 --> 0:33:37.240 their platform. 0:33:37.760 --> 0:33:41.000 I've seen their and uri and them Yeah. Okay, okay, 0:33:41.040 --> 0:33:43.440 so yeah I didn't. I didn't realize that. See. 0:33:43.520 --> 0:33:46.000 And the crazy part about these other like biggest bros, 0:33:46.040 --> 0:33:48.160 hold fashions and the community and all that. 0:33:48.600 --> 0:33:50.400 I felt like, then, well then for real, then No 0:33:50.520 --> 0:33:54.480 Jumper has three platforms on here that spawned from. 0:33:54.160 --> 0:33:57.160 Yeah, but but these smaller platforms. I feel like when 0:33:57.160 --> 0:33:59.720 they left No Jumper they had to figure it out 0:33:59.720 --> 0:34:03.080 on their Yeah, for sure, tell me, like, prior to 0:34:03.120 --> 0:34:05.920 them leaving No Jumper, it was just showing up and talk. 0:34:06.160 --> 0:34:09.319 I do love I mean, I mean back on Figure 0:34:09.360 --> 0:34:13.840 is one of my favorite ships to watch. I love Crail. Uh. 0:34:13.920 --> 0:34:16.560 I don't know the other guy's name, but he has 0:34:16.600 --> 0:34:17.839 a really good personality. 0:34:17.920 --> 0:34:18.400 Macwop. 0:34:19.120 --> 0:34:21.719 He's in the little room. Is the older dude in 0:34:21.760 --> 0:34:23.560 the little room. He's with the computer. They have the 0:34:24.280 --> 0:34:25.239 strippers in there too. 0:34:27.400 --> 0:34:34.520 Wait on what what platform on the Uh? Yeah, I 0:34:34.560 --> 0:34:38.520 don't know his name, Ace Boys So that's puny puns 0:34:38.520 --> 0:34:39.920 like the older dude. 0:34:40.440 --> 0:34:42.399 His personality is amazing puns great. 0:34:43.080 --> 0:34:45.719 Yeah, and he's got the they got the yam cam going. 0:34:45.719 --> 0:34:49.480 They always got chicks pulling. So you guys have that 0:34:49.560 --> 0:34:52.920 in common whole fashion shouts to Gina. Uh yeah, I 0:34:52.960 --> 0:34:54.120 think at the end of the day, there's no way 0:34:54.120 --> 0:34:55.800 you're gonna do this list and not offend somebody. 0:34:56.440 --> 0:34:59.680 Yeah, but I think I think what uh just like, yeah, 0:34:59.680 --> 0:35:01.160 it's just there's just no way. Yeah. 0:35:01.200 --> 0:35:03.520 But everybody thinks they deserve an A plus. 0:35:03.680 --> 0:35:04.399 True, But. 0:35:05.960 --> 0:35:09.719 Every one of these podcasts. What they do on their 0:35:09.760 --> 0:35:13.000 podcast is talk about other people. This is the first 0:35:13.000 --> 0:35:16.279 time anybody's ever talked about podcasts. 0:35:15.680 --> 0:35:18.400 In a group. And that's what's offensive by it. But 0:35:18.480 --> 0:35:20.040 you can be offended by it if you. 0:35:20.040 --> 0:35:22.760 Do it every day right about all these other artists 0:35:22.840 --> 0:35:25.520 and everything going on. My thing is I just like 0:35:25.600 --> 0:35:28.160 to do things that nobody's doing. I got tired of 0:35:28.200 --> 0:35:30.319 just covering artists because there's enough people that do that. 0:35:30.560 --> 0:35:30.960 You get me. 0:35:30.960 --> 0:35:32.719 We're gonna talk to the artists and they're gonna be 0:35:32.760 --> 0:35:35.040 part of what we're doing. But I'm gonna do things 0:35:35.080 --> 0:35:38.160 that people aren't doing. And when everybody's going left, we're 0:35:38.200 --> 0:35:40.759 gonna go right, and everybody's going right, we're gonna go left. 0:35:40.960 --> 0:35:41.160 Yep. 0:35:41.239 --> 0:35:43.080 And this is what this is. I just put the 0:35:43.120 --> 0:35:44.280 spotlight on them. 0:35:44.600 --> 0:35:45.640 You don't think it's bad. 0:35:45.840 --> 0:35:47.560 Do you think do you agree that we should be 0:35:47.640 --> 0:35:50.360 keeping like how Dejon had the artist's report card, the 0:35:50.400 --> 0:35:52.520 whole goals to make West Coast music. You're gonna get 0:35:52.520 --> 0:35:55.239 everybody to get better, just like the platforms that are 0:35:55.239 --> 0:35:57.720 covering these artists. The platforms need to get these artists 0:35:57.800 --> 0:35:59.840 and cover them and so we can get you know, 0:36:00.040 --> 0:36:00.400 back up. 0:36:00.440 --> 0:36:01.680 And you don't think. 0:36:01.560 --> 0:36:04.040 It's wrong to hold these platforms accountable, just like we 0:36:04.120 --> 0:36:05.759 hold these artists accountable. 0:36:05.880 --> 0:36:07.520 I don't even think you're holding them accountable. I just 0:36:07.520 --> 0:36:08.560 think this is a cool idea. 0:36:08.560 --> 0:36:12.240 It's like we're owning them accountable, so I'm better get better. 0:36:12.120 --> 0:36:14.360 You know why, because I put so much time and 0:36:14.360 --> 0:36:18.200 effort into what we do, and I feel like there's 0:36:18.239 --> 0:36:21.160 these artists that are blinded by just going and getting 0:36:21.200 --> 0:36:23.799 content that they don't give a fuck how it looks right. 0:36:23.800 --> 0:36:25.200 They're just like, all right, give me a mic. I 0:36:25.200 --> 0:36:26.640 need a camera and I need to look like I'm 0:36:26.680 --> 0:36:30.399 getting interviewed. And people that go get interviewed, they don't 0:36:30.440 --> 0:36:31.600 keep these people accountable at all. 0:36:31.680 --> 0:36:35.759 To me, when you dive into like the specific categories, 0:36:35.840 --> 0:36:37.799 like you know, like the corner store guy, like you 0:36:37.880 --> 0:36:41.400 got a tan inconsistency, branding, originality, and impact. Like that's dope. 0:36:41.800 --> 0:36:44.120 Now he's got to see plus. But that's because you 0:36:44.160 --> 0:36:46.000 know of stuff that you're like you said, like. 0:36:46.160 --> 0:36:48.080 He just needs to talk more. He just needs to 0:36:48.080 --> 0:36:49.640 have a small interview part. 0:36:49.680 --> 0:36:51.080 To me, it's not even like a bad thing. 0:36:51.160 --> 0:36:53.960 It's not a bad thing, no, because his show isn't. 0:36:53.760 --> 0:36:58.040 That Yeah, and then I just know that like the 0:36:58.040 --> 0:37:01.040 the Dejon kid, I see the report card had a 0:37:01.080 --> 0:37:02.759 lot of impact. You gave him at ten to that 0:37:02.840 --> 0:37:08.400 because he made yeah. 0:37:06.280 --> 0:37:08.600 He got he got hip hop mad over here on inside. 0:37:08.920 --> 0:37:12.720 He impacted a lot of people's lives. He made people feel. 0:37:12.880 --> 0:37:14.719 I think when I think about impact, I think about 0:37:14.760 --> 0:37:17.919 feeling right. You can feel good or you can feel 0:37:17.960 --> 0:37:20.200 bad about me, you feel me, But as long as 0:37:20.200 --> 0:37:22.399 you can make people feel that's what this is all for. 0:37:22.760 --> 0:37:25.680 Everybody has an opinion, but can you make somebody feel? 0:37:25.760 --> 0:37:28.560 Right now? This thing made people feel and so for. 0:37:28.560 --> 0:37:32.480 That and you guys have ran into with this what 0:37:32.520 --> 0:37:34.759 do you mean negatives? Just like anything negative like that. 0:37:34.960 --> 0:37:37.319 Maybe you were like maybe I burned a bridge or 0:37:38.080 --> 0:37:39.040 like I have. 0:37:39.160 --> 0:37:41.120 People on my team say, hey, bro, we might burn 0:37:41.160 --> 0:37:41.520 a bridge. 0:37:41.520 --> 0:37:44.960 Fuck the bridge let's build a boat, let's fucking go 0:37:45.280 --> 0:37:46.040 like you know what I mean? 0:37:47.200 --> 0:37:49.239 Yeah, no, no, no, real shit, because at the end 0:37:49.239 --> 0:37:51.480 of the day, if these people, if these people were 0:37:51.480 --> 0:37:52.920 gonna fuck with me, they would have fuck with me. 0:37:53.400 --> 0:37:56.239 I'm not worried about anybody giving me a handout. I'm 0:37:56.239 --> 0:37:59.120 not worried about anybody opening a door. I'm living life 0:37:59.160 --> 0:37:59.840 and I'm cooking. 0:38:00.600 --> 0:38:02.520 I'm in here just cooking, and you guys are just 0:38:02.600 --> 0:38:03.840 getting to watch the artwork. 0:38:03.920 --> 0:38:05.160 You get me, So I don't. 0:38:05.000 --> 0:38:08.560 Really this world is so big, this world is ginormous, 0:38:08.600 --> 0:38:10.480 and I don't have to worry about who's fucking with 0:38:10.520 --> 0:38:11.120 me and who's not. 0:38:11.800 --> 0:38:14.120 I'm just here cooking. That's all we really do. 0:38:14.320 --> 0:38:15.840 Am I mad at like when I look at the 0:38:16.000 --> 0:38:19.839 like actual like categories, you know, because I'm a fan 0:38:19.880 --> 0:38:21.880 of Gina. Yeah, so you gave her a ten as 0:38:21.920 --> 0:38:24.800 of personality, It's like, yeah, that's that says you're great. 0:38:25.000 --> 0:38:28.160 Yeah, her personality is amazing, But I feel like. 0:38:28.239 --> 0:38:30.720 She's could the consistency be better? 0:38:30.760 --> 0:38:32.719 Sure, yeah, the consistency, but it's not just that. 0:38:32.800 --> 0:38:36.120 It's like she's with Sway and then she's with No Jumper, 0:38:36.160 --> 0:38:36.960 and then she's. 0:38:36.760 --> 0:38:39.319 With old Feshions. I think is her own show. 0:38:39.400 --> 0:38:40.520 Yeah, yeah, offessially own ship. 0:38:40.560 --> 0:38:44.800 But what I'm saying there's no like like brand around, 0:38:44.920 --> 0:38:47.400 like she's biding the brand now, but the brand is 0:38:47.400 --> 0:38:47.919 is her name. 0:38:47.960 --> 0:38:49.319 It's not an actual. 0:38:49.120 --> 0:38:53.000 Like right ohle Feshion Yeah yeah, yeah, yeah. I mean, look, man, 0:38:53.560 --> 0:38:57.520 I appreciate the love on here. I think it's interesting 0:38:57.520 --> 0:39:00.000 because I think, like you said, like you get people 0:39:00.239 --> 0:39:04.480 talking and to me, there's something to do on the Internet, 0:39:04.640 --> 0:39:08.480 and if somebody is like really offended by it, it's like, hey, man, 0:39:08.640 --> 0:39:15.920 like one, this is your opinion. Two, you know, maybe improve. 0:39:16.680 --> 0:39:20.360 And just like just like motion Mondays with the strippers 0:39:20.520 --> 0:39:24.560 was advertisement and marketing, this is the same ship. Yeah, 0:39:24.600 --> 0:39:26.759 it's the same ship. The difference is we're doing it 0:39:26.800 --> 0:39:29.440 with style. We're making fashion out of it. 0:39:29.560 --> 0:39:30.799 You got to show the comments too. 0:39:31.480 --> 0:39:33.600 People were saying the Internet is not real life, but 0:39:33.680 --> 0:39:36.120 this looks pretty real to me. With the bombs on 0:39:36.160 --> 0:39:36.880 the one time. 0:39:36.880 --> 0:39:38.640 Let me see who's there, Jesus Christ. 0:39:38.680 --> 0:39:45.040 We got uh storm the bards on their oh thank you. 0:39:46.840 --> 0:39:47.879 We got the comments on the back. 0:39:48.040 --> 0:39:51.560 Yeah, of course, because there's love and there's hate, there's booze. 0:39:51.560 --> 0:39:53.200 That's document there's awe. 0:39:53.960 --> 0:39:57.239 Some people are haters and some people support This is 0:39:57.239 --> 0:40:00.959 what I would say. I see the laughs. Okay, yeah, 0:40:01.000 --> 0:40:04.080 I saw getting great with my rounds, my Rose Cranspin, 0:40:04.239 --> 0:40:08.160 but my bag Brown, that's fire. Yeah. I mean, like 0:40:08.160 --> 0:40:10.280 I said, Bro, I think you guys are doing something dope. 0:40:10.320 --> 0:40:14.800 I think people like these kind of lists are made 0:40:14.840 --> 0:40:17.879 for people to disagree on and you know what I mean. 0:40:17.840 --> 0:40:22.000 Well, not to disagree. This is a spark conversation. 0:40:22.520 --> 0:40:25.480 Spark conversation, So however you feel about it, it should 0:40:25.480 --> 0:40:26.400 spark some conversation. 0:40:26.680 --> 0:40:28.600 Do you think it's a conversation that needs to happen though, 0:40:29.080 --> 0:40:29.680 I mean. 0:40:30.120 --> 0:40:33.400 I think that there's people who take this shit extremely serious. 0:40:34.440 --> 0:40:36.319 And I think for the most part, all the people 0:40:36.360 --> 0:40:38.680 who I'm extremely educated about on this list do take 0:40:38.719 --> 0:40:41.239 it very serious. So yeah, maybe because like at the 0:40:41.320 --> 0:40:43.279 end of the day, like you know, like. 0:40:43.640 --> 0:40:46.400 You know, how many people start podcasts every week or 0:40:46.440 --> 0:40:50.480 every day, and these people watch these platforms. 0:40:49.920 --> 0:40:51.719 And they do this, Oh I need to do it 0:40:51.760 --> 0:40:53.239 like no Jumper, or I need to do it like 0:40:53.239 --> 0:40:55.000 bulet kV or I need to do it like this. 0:40:55.320 --> 0:40:57.200 And so my thing is, if we're coming in this 0:40:57.239 --> 0:40:59.560 game and we're taking it dead ass serious and we're 0:40:59.560 --> 0:41:01.520 trying to be hottest in the game, and we're trying 0:41:01.520 --> 0:41:03.319 to do all this ship. I'm move more like an 0:41:03.360 --> 0:41:04.800 artist than a podcaster. 0:41:04.680 --> 0:41:07.759 And like this is a great way to promote your ship. Yeah, yeah, 0:41:07.800 --> 0:41:10.120 straight up, because now everybody's got to go check your 0:41:10.160 --> 0:41:10.600 shit out. 0:41:10.760 --> 0:41:13.640 But but that's what I'm saying, Like we're coming in 0:41:13.680 --> 0:41:15.480 the culture not to change it, because it's going to 0:41:15.560 --> 0:41:17.359 change on its own, but we're coming to shift it 0:41:17.640 --> 0:41:20.680 and tilted to where we want it to be. And 0:41:20.880 --> 0:41:22.759 the way we're doing it is by telling people what 0:41:22.840 --> 0:41:25.279 we fuck with and what we don't and just by 0:41:25.960 --> 0:41:28.040 us moving out there creating content. 0:41:28.680 --> 0:41:29.880 Uh, you know all. 0:41:29.760 --> 0:41:31.760 This ship we just we just did a mansion party. 0:41:31.960 --> 0:41:35.399 Uh and the ie and the moment we showed up, 0:41:35.840 --> 0:41:38.799 the people were expecting us. Oh ship lead podcast in 0:41:38.800 --> 0:41:41.600 the buildings podcast as went from zero to one hundred quick. 0:41:41.760 --> 0:41:45.440 When we go in a room that's impact, We changed 0:41:45.480 --> 0:41:46.600 like this. 0:41:47.280 --> 0:41:51.239 Do you think impact? Also, because there's there's a couple 0:41:51.280 --> 0:41:53.239 of ways look at impact. I'm looking at impact through 0:41:53.280 --> 0:41:55.640 the lens already told you. Another way to look at 0:41:55.640 --> 0:42:00.000 impact is how does your content impact viewers? 0:42:01.160 --> 0:42:04.719 It impacts viewers because, for one, we're getting into real life. 0:42:04.800 --> 0:42:07.960 I say that because I saw what Watchabi Kwan said. Yeah, yeah, 0:42:08.080 --> 0:42:09.879 so so, but here you see something like that. 0:42:10.000 --> 0:42:12.320 Are you talking about the whole black people are making you? 0:42:12.800 --> 0:42:14.160 I think I just saw what he said that like 0:42:14.520 --> 0:42:18.040 uh he in regards to the Clapping Up podcast, he 0:42:18.040 --> 0:42:20.880 has said something like your shit is like mant for 0:42:20.920 --> 0:42:23.360 people to like. I don't want to put words in 0:42:23.360 --> 0:42:27.080 his mouth, but essentially, you guys are doing parties and 0:42:27.280 --> 0:42:28.239 there's no substance. 0:42:28.600 --> 0:42:32.080 But if you actually watch it, there is substance. There's 0:42:32.120 --> 0:42:34.520 a video that was posted with him coming on the 0:42:34.560 --> 0:42:37.759 podcast and saying substance talking about God. 0:42:37.400 --> 0:42:40.520 Watching Kwan, Yes, okay, he went on your guys this podcast. 0:42:40.600 --> 0:42:41.759 Yeah, I had him on a year ago. 0:42:42.680 --> 0:42:44.040 I mean I think it's dope, man. I think you 0:42:44.080 --> 0:42:47.400 guys you know are I'll say this innovative man because 0:42:47.480 --> 0:42:48.560 I've never seen anybody. 0:42:48.600 --> 0:42:51.080 And it's crazy because there's people that, like I say, 0:42:51.080 --> 0:42:52.520 with this, you know, you want to know what this did. 0:42:54.040 --> 0:42:56.200 We're in La, We're at all these events, we go 0:42:56.239 --> 0:42:58.759 to the pop ups, we're at the Sali store. He's 0:42:58.800 --> 0:43:00.759 spinning out of Sally for are all the pop ups 0:43:00.800 --> 0:43:02.920 that happened over there, all that ship. So we're active, 0:43:02.920 --> 0:43:03.440 We're out there in. 0:43:03.400 --> 0:43:06.520 The streets doing the footwork. People that I thought fucked 0:43:06.520 --> 0:43:09.279 with me. This exposed a lot of people that don't 0:43:09.280 --> 0:43:11.239 fuck with me, and it helped me out because it 0:43:11.280 --> 0:43:14.560 helped me cut the bullshit because we're shaking hands everybody. 0:43:14.560 --> 0:43:15.239 What what's what? 0:43:15.440 --> 0:43:17.520 We're exposing the real and all these people even when 0:43:17.560 --> 0:43:19.560 they come on the couch, they like this on the internet, 0:43:19.600 --> 0:43:20.879 but in real life not like that. 0:43:20.960 --> 0:43:23.200 So you're who would you guys say? I saw a 0:43:23.320 --> 0:43:27.839 MBJ commented but Roochie, you guys fuck with Ruchie obviously. Uh, 0:43:28.080 --> 0:43:31.480 who would you guys say? Is like your guys is like, 0:43:32.000 --> 0:43:34.279 you know, closest homie in the rap game when it 0:43:34.280 --> 0:43:36.920 comes to like like supporting, Like who's your guys biggest supporter? 0:43:36.960 --> 0:43:39.520 When we got YB in the mer Kay Beans, DBI 0:43:39.600 --> 0:43:43.880 bought a bag, True car Radio bass O g Maco. 0:43:45.960 --> 0:43:49.360 I mean there still lives in Riverside right Uh Riverside? 0:43:50.160 --> 0:43:53.120 Yeah, Naim, we got a show coming up. 0:43:53.080 --> 0:43:56.120 So yeah, like right now, like DJ, you know you 0:43:56.200 --> 0:43:57.080 know your DJ? 0:43:57.320 --> 0:43:59.200 You know, did you do my club in Scott Steele? 0:43:59.520 --> 0:44:01.640 I did eleven hours looking forward to meeting you, and 0:44:01.920 --> 0:44:06.919 you weren't there. Yeah, you know scumming, uh no, scum 0:44:07.000 --> 0:44:09.480 beats he pro produced, blue face. 0:44:09.440 --> 0:44:13.160 Producers and scum tell owner loaded up. You know, never 0:44:13.239 --> 0:44:14.120 heard you never. 0:44:14.000 --> 0:44:14.759 Heard of scum beats. 0:44:14.840 --> 0:44:16.800 I heard I heard that tag butt. 0:44:18.800 --> 0:44:20.560 So these are these are big producers in the game 0:44:20.640 --> 0:44:23.719 right now, their blue faces like main producers right now, 0:44:23.800 --> 0:44:27.080 right These dudes that are coming around right now, like 0:44:27.680 --> 0:44:30.160 they're tucked and we got them popping out right now. 0:44:30.480 --> 0:44:33.080 These artists are are in my dms right now, fucking what. 0:44:33.160 --> 0:44:35.400 It's heavy right now because they see the motion and 0:44:35.480 --> 0:44:39.160 what we're doing. And so we went from chasing to attracting. 0:44:39.640 --> 0:44:41.760 And my thing is, I'd rather be an artist, homie, 0:44:42.080 --> 0:44:44.719 than just send out a thousand d ms. 0:44:44.760 --> 0:44:46.160 Hey, bro, try to come on my show. 0:44:47.120 --> 0:44:49.479 The content is speaking and they're fucking what it's because 0:44:49.480 --> 0:44:52.440 we're all come to you. Yeah yeah, yea based upon 0:44:52.520 --> 0:44:55.000 what we put out. So I stopped chasing, I started attracting. 0:44:55.080 --> 0:44:57.000 And it's different, way different. 0:44:57.760 --> 0:44:57.880 Man. 0:44:57.920 --> 0:44:59.400 Hey, look man, I think you guys are attracting a 0:44:59.440 --> 0:45:00.200 lot of attention with this. 0:45:00.800 --> 0:45:02.880 We're basically just showing the culture like and then if 0:45:02.920 --> 0:45:04.800 you look at everybody that's on the show. It's not 0:45:04.960 --> 0:45:07.359 just random people. We do music reviews, people sending music 0:45:07.400 --> 0:45:07.799 every wind. 0:45:08.320 --> 0:45:09.560 How many times a week are you guys? 0:45:09.800 --> 0:45:10.279 Twice a week? 0:45:11.280 --> 0:45:13.040 People send the music, people send the music. 0:45:13.120 --> 0:45:14.680 We got DJs, engineers. 0:45:14.760 --> 0:45:16.319 We have people that come on and we actually give 0:45:16.320 --> 0:45:18.200 an actual opinion and not just get an opinion. We 0:45:18.239 --> 0:45:20.279 tell him critique, how to get better and what to do. 0:45:20.400 --> 0:45:22.760 Since we're DJs. If we like the song, we invite 0:45:22.800 --> 0:45:26.040 him on the couch like TV bag Party. He was 0:45:26.080 --> 0:45:28.279 the first Golden buzzer we invited him on. Now his 0:45:28.360 --> 0:45:29.560 song is going super crazy. 0:45:29.880 --> 0:45:30.440 He's seen that. 0:45:32.239 --> 0:45:34.800 No, we were just with at the club. Yeah, he 0:45:34.840 --> 0:45:37.880 about to come on. He coming produced for him too. 0:45:38.080 --> 0:45:40.919 Yeah. I feel like Vader's got like a wave going 0:45:41.000 --> 0:45:43.440 like his sound is like Yeah, it's kind of like 0:45:43.719 --> 0:45:45.239 if you go to LA He's the guy who you 0:45:45.239 --> 0:45:45.919 will hear his ship. 0:45:46.040 --> 0:45:47.719 Yeah, for sure, I'll be wondering how he'd be having 0:45:47.760 --> 0:45:49.040 all those samples and I don't. 0:45:48.880 --> 0:45:49.680 Know if he's clearing them. 0:45:49.760 --> 0:45:52.919 There's no way like the City, we had that whole 0:45:53.000 --> 0:45:54.919 dialogue on the show. But he's coming. 0:45:55.280 --> 0:45:59.799 He's not clear, but good for him. He's gonna get 0:45:59.840 --> 0:46:02.000 that kid check as long as he can until they 0:46:02.080 --> 0:46:02.920 come through and they're. 0:46:02.760 --> 0:46:04.759 Like, hey, But so when we talk about impact though, 0:46:04.800 --> 0:46:06.840 like when we're going out to all these events and 0:46:06.920 --> 0:46:09.160 talking to the artists, because there's been artists that have 0:46:09.640 --> 0:46:11.200 we've tried to get him on the show, but they've 0:46:11.239 --> 0:46:13.400 said all we charge, and we've pulled up to them 0:46:13.520 --> 0:46:13.879 in person. 0:46:13.960 --> 0:46:16.759 This is what I would say if anybody tells me 0:46:17.160 --> 0:46:18.880 I've only had one person try to charge me to 0:46:18.920 --> 0:46:21.120 do an interview. Actually I take that back too. One 0:46:21.160 --> 0:46:22.919 of them was Krick Mack and it was five hundred 0:46:22.920 --> 0:46:24.399 dollars and I was like, you know what, I paid 0:46:24.400 --> 0:46:26.080 five hundred dollars just to hang out with krit Mac 0:46:26.480 --> 0:46:29.560 and record it. Whatever we didn't. We haven't done anything yet. 0:46:30.520 --> 0:46:34.520 The other one was bandman Kevo try to charge me 0:46:34.600 --> 0:46:38.279 ten grand and I just said, lol, out pass And 0:46:38.360 --> 0:46:40.440 then it has his people reach out trying to get 0:46:40.520 --> 0:46:42.960 bottles at my club last week because he was in Arizona. 0:46:42.960 --> 0:46:46.120 I'm like, but you got me fucked up, bro, you bottles. 0:46:48.120 --> 0:46:50.080 But when I say so, like, that's. 0:46:49.880 --> 0:46:51.480 A couple of people that try to charge two But 0:46:51.719 --> 0:46:53.680 those people I felt like, so I think. 0:46:53.600 --> 0:46:55.880 You guys pretty much are spot on because when I 0:46:55.920 --> 0:46:58.440 see impact, I'm like, okay to me, I think of 0:46:58.560 --> 0:47:01.600 like DJ head go and sits in the studio with 0:47:01.640 --> 0:47:05.000 these artists and helps like Big Bank from my g 0:47:05.239 --> 0:47:08.160 I'm not sure that song comes out without DJ Head, Like. 0:47:08.320 --> 0:47:11.000 But that's not a podcast. That's DJ head on his own, 0:47:11.360 --> 0:47:13.440 but DJ Head on his own, it's not it's not. 0:47:13.840 --> 0:47:17.399 Fair a podcast, that's fair. 0:47:17.480 --> 0:47:19.480 They have different accolades, and I think being spread out, 0:47:19.480 --> 0:47:19.799 I don't know. 0:47:19.800 --> 0:47:21.880 If that's like you said, and that's like where the 0:47:21.960 --> 0:47:23.960 brands are kind of spread Chuck. Sometimes it does interviews 0:47:23.960 --> 0:47:25.759 on his own at the radio stay so I get to. 0:47:26.000 --> 0:47:27.840 I just like saying, me and j are in the 0:47:27.880 --> 0:47:29.880 studio with like blue Face and making records with all 0:47:29.920 --> 0:47:30.560 these artists, so. 0:47:30.680 --> 0:47:31.440 The podcast has more. 0:47:31.880 --> 0:47:35.640 Yeah, that's fair. Yeah, I mean I think you guys 0:47:35.680 --> 0:47:38.040 got a lot of this ship. But again I am not. 0:47:40.000 --> 0:47:41.120 I don't want to sit here and be like you 0:47:41.160 --> 0:47:43.160 guys are right because I'm not hipped to a lot 0:47:43.239 --> 0:47:45.600 of this ship. Like don't domind do you say this 0:47:45.680 --> 0:47:46.880 from Most No? 0:47:46.920 --> 0:47:48.799 No, no, but what I'm saying from yeah, from Most County, 0:47:48.840 --> 0:47:51.719 But from what you do know it's fair from the 0:47:51.800 --> 0:47:52.200 things you do. 0:47:52.400 --> 0:47:56.360 Yeah, I mean, I mean I would probably personally. The 0:47:56.560 --> 0:47:59.520 only thing I would probably change on here if I 0:47:59.600 --> 0:48:05.279 had it ain't something I think that the day in 0:48:05.480 --> 0:48:08.919 La dude probably deserves a little. I feel like he's 0:48:09.000 --> 0:48:12.480 extremely he feels even though I don't agree with most 0:48:12.560 --> 0:48:16.640 of the things that he says, like what he's just 0:48:16.719 --> 0:48:20.040 approached to radio and like he's honestly beefing with Head 0:48:20.280 --> 0:48:22.640 so headed. He says some shit about Head that's crazy, 0:48:23.680 --> 0:48:24.200 which you. 0:48:24.239 --> 0:48:28.600 Know, that's your boy, that's. 0:48:27.719 --> 0:48:30.719 Like the most selfless motherfucker alive, and he's been pushing 0:48:30.760 --> 0:48:33.520 this l a line for I don't know, but. 0:48:33.600 --> 0:48:35.520 I heard from what I heard, Head be biased with 0:48:35.600 --> 0:48:37.879 some people. Though, Yeah, from I heard like he's kind 0:48:37.880 --> 0:48:38.560 of a gatekeeper. 0:48:38.760 --> 0:48:41.480 Why do you think that is I mean bias. 0:48:41.480 --> 0:48:44.320 I wouldn't say Head's biased. I think no, why do 0:48:44.400 --> 0:48:46.120 you think? Okay? You and the radio too? 0:48:46.280 --> 0:48:49.560 Why are you guysies every day? 0:48:49.680 --> 0:48:50.600 So okay? 0:48:50.640 --> 0:48:53.120 But why do you do you ever like reach out 0:48:53.200 --> 0:48:56.040 to other upcoming artists like the whole West Coast scene, Like. 0:48:56.200 --> 0:48:57.799 Yes, I mean, I'm trying to get dB to come 0:48:58.120 --> 0:48:59.480 DV by the back I've been trying to get him 0:48:59.480 --> 0:49:00.439 on the show for like six months. 0:49:00.480 --> 0:49:01.800 So let me ask you, what do you think is 0:49:01.880 --> 0:49:03.400 wrong trying to get him? 0:49:03.760 --> 0:49:07.280 Russ had Russ has us on his tour. He's stopping 0:49:07.360 --> 0:49:09.520 buy in l A. He's putting us on the media pass. 0:49:09.600 --> 0:49:11.680 We're going to be the only media platform covering that 0:49:11.920 --> 0:49:15.200 tour when he's in LA. Yeah, he's covered. We're doing 0:49:15.280 --> 0:49:17.000 his release party, so we're gonna be covering. 0:49:16.840 --> 0:49:17.560 The release party. 0:49:17.600 --> 0:49:20.799 I mean, I think and Russ has and Russ has 0:49:20.840 --> 0:49:22.880 him pulling up to our podcast as one as the 0:49:22.920 --> 0:49:23.439 stops wall. 0:49:24.680 --> 0:49:28.520 I think it's going to be a if you're going 0:49:28.600 --> 0:49:30.800 to be a platform that I think it should be 0:49:30.880 --> 0:49:32.880 kind of like your duty to try to help up 0:49:32.880 --> 0:49:35.000 and coming artists. So if you watch my ship, you'll 0:49:35.040 --> 0:49:37.719 notice I'll have artists that not a lot of people know, 0:49:38.000 --> 0:49:40.239 but I just happen to think they're dope. And then 0:49:40.280 --> 0:49:42.200 I'll have artists everybody knows. 0:49:42.280 --> 0:49:45.279 Yeah, it's like, you know, for me, it's like part 0:49:45.320 --> 0:49:47.360 of what I'm I think that's that's the wow factor 0:49:47.440 --> 0:49:50.120 because because like I had Destal double on, and when 0:49:50.120 --> 0:49:52.480 I had Destal on the internet went crazy. 0:49:52.480 --> 0:49:55.040 If my my numbers shut up right, and then right 0:49:55.120 --> 0:49:57.879 after that we're bringing regular people on. But it makes 0:49:57.920 --> 0:50:00.200 people feel like fuck, I could be a par part 0:50:00.239 --> 0:50:03.920 of that too. That's the power and regular people we have. 0:50:04.120 --> 0:50:10.160 Like I'm trying to think. I mean, dude, I mean 0:50:10.200 --> 0:50:11.480 I tap in with you. I mean, you have the 0:50:11.560 --> 0:50:13.480 Russell on the podcast like two and a half years ago, 0:50:14.120 --> 0:50:17.680 you know before everybody was like uh on them. 0:50:18.120 --> 0:50:18.359 Yeah. 0:50:18.520 --> 0:50:20.400 So for me, it's like I'm always just like hey, 0:50:20.400 --> 0:50:23.000 if someone's dope and I see what they're doing. Liked that. 0:50:23.120 --> 0:50:25.400 Mexico Te's going crazy right now. Him and I had 0:50:25.440 --> 0:50:26.759 a moment on the show where I was like, dude, 0:50:26.800 --> 0:50:29.800 I DMS you a year and a half ago and 0:50:29.920 --> 0:50:32.080 you hit me back. He's like no way, and I'm 0:50:32.160 --> 0:50:35.040 like he's like, oh shit, yeah, you know. So for me, 0:50:35.160 --> 0:50:37.000 it's like you got to kind of even in here 0:50:37.040 --> 0:50:40.120 in La, Like, dude, I've tried to pretty much show 0:50:40.200 --> 0:50:42.799 love to everybody I fuck with in La. 0:50:43.239 --> 0:50:44.600 So what do you think is the problem out here? 0:50:44.680 --> 0:50:46.759 Like just I support a John and were talking about 0:50:47.239 --> 0:50:50.840 podcasts the artist right now, why do you think the 0:50:50.920 --> 0:50:53.200 West Coast music scene? Because I produce on DJ I 0:50:53.239 --> 0:50:55.319 see what do you think? Why are we why are 0:50:55.320 --> 0:50:56.719 we not selling out here? Why is it not going 0:50:56.760 --> 0:50:57.799 crazy in the West right now? 0:50:58.280 --> 0:51:02.640 I would say the following The answer is already there. 0:51:03.800 --> 0:51:05.359 If you look at the artists who have word from 0:51:05.520 --> 0:51:13.399 LA in the last let's say ten years, right, Kendrick Lamar, Schoolboy, Q, Roddy, Rich, 0:51:13.920 --> 0:51:18.320 Blast Iigu, tid Ale Sign and you can just go 0:51:18.400 --> 0:51:24.480 to up and down on this right. None of those 0:51:24.560 --> 0:51:27.959 guys music at a certain point in time. Every single 0:51:28.000 --> 0:51:31.680 one of those people showed the ability to make records 0:51:31.719 --> 0:51:35.600 that were bigger than what is perceived to be the 0:51:35.680 --> 0:51:41.680 Los Angeles sound. So if you think about HyG Yg 0:51:42.800 --> 0:51:47.400 Tutored and Booted was definitely like a snapshot into the 0:51:47.600 --> 0:51:51.920 LA sound at that time. But what really changed YG's 0:51:51.960 --> 0:51:56.359 life was My Hita with Gizi and Rich Homi Kwan, right, 0:51:56.440 --> 0:51:58.719 because that kind of busted open the whole country for him. 0:51:58.760 --> 0:52:00.600 And then what did he do put out one of 0:52:00.640 --> 0:52:03.000 the best albums of the last ten years, a classic. 0:52:03.120 --> 0:52:05.239 My Crazy Life is like the type of music that 0:52:05.719 --> 0:52:11.160 is un deniable. So if you're putting out undeniable levels 0:52:11.280 --> 0:52:14.800 of music quality, you could put it in the rafters 0:52:14.880 --> 0:52:17.480 next to Good Kid, Mad City and Doggy style and 0:52:17.560 --> 0:52:22.200 get Richard I trying. That's the level of music you 0:52:22.320 --> 0:52:22.799 need to make. 0:52:23.080 --> 0:52:24.440 So you do think artists are making that. 0:52:25.520 --> 0:52:27.879 I think that people are making good, good la music. 0:52:28.440 --> 0:52:30.399 What do you think about like the whole Silk City 0:52:30.400 --> 0:52:32.240 shout out three to one old baby, like that Detroit 0:52:32.560 --> 0:52:33.560 West Coast bounce? 0:52:33.719 --> 0:52:35.400 I think the Detroit shit. I mean, I think, like 0:52:35.480 --> 0:52:37.000 you said, like all that shit is cool. But at 0:52:37.000 --> 0:52:40.080 the end of the day, is that shit a snapshot 0:52:40.560 --> 0:52:43.840 into what's going on right now? Is it timeless? So 0:52:43.960 --> 0:52:47.360 you think that there's your question is is you should 0:52:47.360 --> 0:52:50.000 ask yourself because it's why I always tell everybody make 0:52:50.080 --> 0:52:52.920 timeless music. Timeless means if you listen to it in 0:52:53.000 --> 0:52:58.759 ten years, right, is Lil Vada making timeless music? Probably not? 0:52:59.080 --> 0:53:00.200 Is he making it be? 0:53:00.280 --> 0:53:01.920 Though? Because it's samples, it might be? 0:53:02.800 --> 0:53:05.520 Might be. What I'm saying is making Is he making 0:53:05.560 --> 0:53:07.640 hot records for the West Coast to playing the club? 0:53:07.719 --> 0:53:07.919 Fuck? 0:53:08.000 --> 0:53:10.160 Yeah? But is that ship if you play back in 0:53:10.200 --> 0:53:12.160 ten years, fifteen years, or people gonna be like yo, 0:53:12.239 --> 0:53:13.560 you like, think about the jerks? 0:53:13.680 --> 0:53:15.080 We really don't know. To be honest, I feel like 0:53:15.160 --> 0:53:16.239 this generation don't know. 0:53:16.400 --> 0:53:19.600 But what I'm saying is this right, Like, timeless music 0:53:19.719 --> 0:53:24.919 always prevails for the for the next Uh, Toddy allis 0:53:24.960 --> 0:53:27.640 sign makes timeless? Do you think it was for that 0:53:27.800 --> 0:53:28.279 time though? 0:53:28.400 --> 0:53:30.200 Like, don't you think the kids now that are growing up, 0:53:30.200 --> 0:53:32.000 these high schoolers, Like people say, oh, they're making high 0:53:32.000 --> 0:53:32.440 school music. 0:53:32.480 --> 0:53:35.799 It's just TikTok gimm music at it? You think that shit? Right? 0:53:36.680 --> 0:53:37.960 That was an era though it was an era. 0:53:38.040 --> 0:53:39.560 But do you hear people playing I'm a Jerk in 0:53:39.600 --> 0:53:40.200 the club anymore? 0:53:40.239 --> 0:53:40.279 No? 0:53:41.480 --> 0:53:43.239 Do you hear people playing Dreams and Nightmares in the club? 0:53:43.280 --> 0:53:43.520 Still? 0:53:44.080 --> 0:53:46.680 Yes? I see what you're saying. I see what you're saying. Hey, 0:53:46.920 --> 0:53:51.320 think about some LA shit balling by Roddy Rich and Mustard. 0:53:52.120 --> 0:53:54.719 That record will always be played, even if it's a 0:53:54.760 --> 0:53:57.359 part of your opening set. That record is getting played 0:53:57.400 --> 0:53:59.160 in the club. That might not get played every night, 0:53:59.320 --> 0:54:00.840 but that record is timeless. 0:54:00.920 --> 0:54:02.680 When you break that down, what do you think about 0:54:02.719 --> 0:54:06.000 a timeless record? Is the production everythat or just the song? 0:54:06.080 --> 0:54:07.480 Mean we're talking about I mean, look at I mean, 0:54:07.480 --> 0:54:11.040 who's the biggest LA rapper in the last twenty years. 0:54:11.320 --> 0:54:16.759 It's Kendrick Lamar. Kendrick Lamar is making the highest level 0:54:16.800 --> 0:54:19.320 of hip hop. You can make right, Like it's just 0:54:20.040 --> 0:54:20.600 it's just like. 0:54:20.880 --> 0:54:22.840 A lot of people weren't really fucking with his album. 0:54:23.400 --> 0:54:25.360 Whose album you're talking about where he sold out the 0:54:25.400 --> 0:54:25.959 Staples Center. 0:54:27.280 --> 0:54:28.680 It was just like it was just kind of a 0:54:28.760 --> 0:54:30.759 weird album. I mean, I don't think I thought it 0:54:30.880 --> 0:54:33.160 was brilliant, Like how often do you listen to that 0:54:33.239 --> 0:54:33.799 album a lot? 0:54:34.440 --> 0:54:39.680 For first of all, Kendrick Lamar EP is a fucking classic, 0:54:39.800 --> 0:54:43.480 all right. So if you think back to when Dre 0:54:43.760 --> 0:54:48.359 shouted him out on Big Boys Neighborhood YEP and then 0:54:50.360 --> 0:54:52.080 Kendrick dropped that I think it was the watch out 0:54:52.120 --> 0:54:54.200 for Dtox Freestyle? Am I wrong? What the fuck was 0:54:54.200 --> 0:54:55.600 the name of that ship? I think it was a 0:54:55.640 --> 0:54:59.080 watch out for Detox Freestyle. The thing about Kendrick Lamar 0:54:59.200 --> 0:55:02.680 is Kendrick Lamar's like maybe the greatest rapper of all time. 0:55:03.480 --> 0:55:08.319 So like again we're talking about he's an alien, right, 0:55:08.680 --> 0:55:11.520 Like he's an alien, so like you like, he's an 0:55:11.560 --> 0:55:14.920 alien talented person who's just making music to live too. 0:55:15.960 --> 0:55:18.360 He's not just sitting there rapping in one tone like. 0:55:20.080 --> 0:55:21.640 Kendrick uses. His voice is a tool. 0:55:21.760 --> 0:55:24.040 I would say, Kendrick to some rappers that find a 0:55:24.120 --> 0:55:26.160 formula and they just stick to that on every song, 0:55:26.200 --> 0:55:27.680 and you could take it and put it on any 0:55:27.719 --> 0:55:30.000 song and it'll work out on your last thing. Yeah. 0:55:30.040 --> 0:55:32.279 But what I'm saying is with Kendrick, he doesn't have that. 0:55:32.480 --> 0:55:33.600 You don't know what he's going to mean. 0:55:33.840 --> 0:55:36.759 Kendricks one of the greatest rappers of all time. So 0:55:37.040 --> 0:55:39.480 so if you like so, to me, the La dilemma 0:55:39.680 --> 0:55:45.000 is our LA artist making a real conscious effort to 0:55:45.239 --> 0:55:49.480 make like ship that works, no ship that will be 0:55:49.520 --> 0:55:49.960 here forever. 0:55:50.040 --> 0:55:52.480 You say, La, do you know II has a ton 0:55:52.600 --> 0:55:54.840 of plethora San Diego. 0:55:54.960 --> 0:55:56.000 I'm tapped in with all that ship. 0:55:56.080 --> 0:56:00.279 Yeah, I mean I he's fucking honestly, boy, I don't 0:56:00.320 --> 0:56:02.279 think artists are thinking that deep into it. I think 0:56:02.360 --> 0:56:04.160 a lot of these street artists are just having fun. 0:56:04.200 --> 0:56:06.600 We just we just had a cam archer on the 0:56:06.640 --> 0:56:08.839 show from San Bernardino. All right, we got to stop 0:56:08.880 --> 0:56:11.319 the interview real quick. Tell you about our folks at 0:56:11.400 --> 0:56:13.200 my Bookie, our partners at my Bookie. 0:56:13.239 --> 0:56:13.359 Man. 0:56:13.400 --> 0:56:17.359 Listen, football season is approaching. It is preseason right now. 0:56:18.080 --> 0:56:21.160 I can feel it. Just have my first fantasy draft. 0:56:21.200 --> 0:56:24.319 It's time to get this fucking money. NFL is here. 0:56:24.640 --> 0:56:27.319 Go to my bookie dot ag right now, sign up 0:56:27.320 --> 0:56:31.160 for a new account. Use the promo code bootleg right now. 0:56:31.400 --> 0:56:33.720 When you sign up, they're gonna give you that first 0:56:34.160 --> 0:56:38.000 deposit bonus. 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The thing about Atlanta in the 0:58:52.240 --> 0:58:54.520 South and Memphis, tell me, tell me they are the 0:58:54.680 --> 0:58:57.480 sound of hip hop. So it used to there was 0:58:57.560 --> 0:59:01.400 a pocket in time when the sound was Mustard beats. 0:59:01.960 --> 0:59:04.200 Do you think it's the tempo, the one hundred bpms? 0:59:04.280 --> 0:59:04.640 The un. 0:59:06.200 --> 0:59:08.160 I feel like I felt like is Sem needs a 0:59:08.240 --> 0:59:11.120 crossover record and over in order for it to make. 0:59:11.080 --> 0:59:12.920 I mean, because I like the way you move is 0:59:13.000 --> 0:59:15.480 like his biggest record, Blue Face got on the remix. 0:59:17.360 --> 0:59:20.240 I just think like we got to understand, like one, 0:59:21.240 --> 0:59:23.720 if you're like Roddy Rich did such a good job 0:59:23.800 --> 0:59:27.160 of coming in and just making records, like if. 0:59:27.120 --> 0:59:29.160 There were a crossover cross over. 0:59:29.240 --> 0:59:33.120 But if you listen, even if you listen to like uh, like, 0:59:33.400 --> 0:59:36.320 listen to Racks in the Middle, that's eighty bpms. That's 0:59:36.360 --> 0:59:39.040 an eighty bpm record. That's not an one hundred and 0:59:39.120 --> 0:59:41.200 two bpm record. You know what I'm saying. If you 0:59:41.240 --> 0:59:46.200 listen to the box, that's fucking uh fifty eight bpms. 0:59:46.560 --> 0:59:49.920 One of my favor YG records is Toxic, right. 0:59:50.080 --> 0:59:51.400 A fucking amazing record. 0:59:51.480 --> 0:59:55.080 Amazing record, right, but it's it's like it's a crossover record. 0:59:55.120 --> 0:59:57.800 It's a commercial. It's not that record playing everywhere. Yeah, 0:59:57.840 --> 0:59:58.600 but that's what I'm saying. 0:59:59.040 --> 1:00:01.640 I feel like, once gets one of them type records 1:00:01.640 --> 1:00:03.400 across over Restort, then it's then. 1:00:04.240 --> 1:00:05.960 But you got to understand, like are you making music 1:00:06.040 --> 1:00:07.480 for you and your homies and and where you're from? 1:00:07.520 --> 1:00:09.760 Are you making music for the fucking Hey. 1:00:09.800 --> 1:00:12.800 He's just having fun, which is and yeah, and guess what. 1:00:13.040 --> 1:00:15.760 And to me, that's okay because I love LA music, 1:00:15.920 --> 1:00:18.280 so I like West Coast music, but I also can 1:00:18.400 --> 1:00:20.760 understand that, like there's certain music that has a ceiling, 1:00:21.240 --> 1:00:23.000 you know what I'm saying. And that's why I appreciate 1:00:23.080 --> 1:00:25.480 like someone like ge Perico. He kind of goes out 1:00:25.480 --> 1:00:29.040 of his way to kind of do different ship like 1:00:29.120 --> 1:00:31.520 he's wrapping on different styles of beats. Not everything sounds like, 1:00:32.160 --> 1:00:35.080 uh the way Geperico shit sounded five years ago, Like 1:00:35.200 --> 1:00:36.680 he's doing like his gangster grills. 1:00:36.440 --> 1:00:40.560 As shout out shout out was him steals Yeah, producer, 1:00:40.680 --> 1:00:45.120 I felt like they locked in and created they created 1:00:45.160 --> 1:00:47.320 a sound like that's like his forty how. 1:00:48.760 --> 1:00:50.400 Like very important in the West Coast. Do you think 1:00:50.440 --> 1:00:51.840 it's a lot of producers are a lot of beat 1:00:51.840 --> 1:00:54.800 makers because who's really locking in with these artists going 1:00:54.840 --> 1:00:55.640 to the studio session. 1:00:55.760 --> 1:00:57.760 So there's a lot of beat makers for sure, But 1:00:57.880 --> 1:00:59.440 producers are like you said, you got to kind of 1:00:59.480 --> 1:01:01.200 like like Steals a producer. 1:01:01.400 --> 1:01:01.880 Yeah, but to. 1:01:04.960 --> 1:01:07.840 See Stills come up and how he started and where 1:01:07.840 --> 1:01:11.360 he's at now, it's like, yeah, you're the superstar. 1:01:11.760 --> 1:01:13.800 It wasn't all these artists think about. 1:01:14.080 --> 1:01:15.040 We're talking about Roddy Rich. 1:01:15.120 --> 1:01:15.200 Right. 1:01:16.280 --> 1:01:21.240 Die Young was a song that was before Please excuse 1:01:21.240 --> 1:01:25.040 me for being antisocial. Right, Die Young is a record 1:01:25.120 --> 1:01:26.680 that if you're still in the club, you could just 1:01:26.760 --> 1:01:28.800 drop the hook, get in and out of that bitch. 1:01:29.200 --> 1:01:33.520 That record is eighty two bpms. That's not one hundred 1:01:34.840 --> 1:01:36.720 you know what I'm saying, like DJ, so it's like 1:01:38.240 --> 1:01:39.800 you know what I'm saying. So it's like, I guess what. 1:01:39.960 --> 1:01:41.680 Then Nli Choppa had to go and get him a 1:01:41.760 --> 1:01:44.080 Roddy hook on an eighty two bpm record. Walk him 1:01:44.120 --> 1:01:47.880 Down is crazy and that's what that's the dude from 1:01:47.880 --> 1:01:50.160 the South who was like, I gotta tap in with 1:01:50.280 --> 1:01:53.320 Roddy Rich. So at the end of the day, right now, 1:01:53.640 --> 1:01:56.960 think about blast everyone. If you look at NAS's got 1:01:57.000 --> 1:01:59.640 blast on his albums, Rick Ross got blasting hooks, like 1:02:00.120 --> 1:02:01.800 ty Dolla Signed was one of those guys where if 1:02:01.840 --> 1:02:03.440 you listen to Tie you might be like, oh, this 1:02:03.520 --> 1:02:05.160 is the greatest artist to ever live. If you listen 1:02:05.200 --> 1:02:08.400 to some of his albums, like There's No Box, you 1:02:08.440 --> 1:02:10.560 could put TI dollars sign in because Tie is focused 1:02:10.560 --> 1:02:11.680 on making timeless music. 1:02:11.880 --> 1:02:14.200 And if it's Tie is like a musician, he picks 1:02:14.880 --> 1:02:17.800 He's an alien, Yeah, but that's what I'm saying. 1:02:17.880 --> 1:02:20.040 He's not, but he's focused on time artists. 1:02:20.080 --> 1:02:24.000 These other artists were talking about like they just write. 1:02:24.280 --> 1:02:27.960 I remember the YG mixtape era and the pushes Ink Ship, 1:02:28.040 --> 1:02:35.360 and things started to change when the music became more 1:02:35.360 --> 1:02:37.680 of a priority for those guys. Because you can look 1:02:37.680 --> 1:02:39.200 on YouTube, I have an interviewer, I'm interview in. Ty 1:02:39.240 --> 1:02:41.400 Dolla Signed, Bobby Brackens and YG at the same time, 1:02:41.680 --> 1:02:44.320 and at that time, Bobby Brackens was the most poppin 1:02:44.960 --> 1:02:48.680 and those guys. Tie has always been so musically like 1:02:48.920 --> 1:02:52.080 inclined that like it was just a matter of time, right, 1:02:52.520 --> 1:02:57.800 and yg his everyone's When he was on the double 1:02:57.920 --> 1:02:59.920 XL cover with the big yg Jan, people were like, 1:03:00.080 --> 1:03:02.520 why is he on this cover? He got one record 1:03:02.560 --> 1:03:04.200 tout in the Buddha people didn't understand it. 1:03:04.360 --> 1:03:04.520 Right. 1:03:05.160 --> 1:03:07.240 What happened was he put out a classic album. His 1:03:07.320 --> 1:03:10.000 first album is a literal classic, and it changed the 1:03:10.040 --> 1:03:14.400 way everyone in the country looked at YG because after 1:03:14.480 --> 1:03:17.080 that you got Ygi Mustard and Tie on the fucking 1:03:17.160 --> 1:03:19.560 cover the Source together, you know what I'm saying, Like 1:03:19.880 --> 1:03:22.080 it just kind of stamped. 1:03:22.200 --> 1:03:25.480 Like do you think in every team everybody has their 1:03:25.520 --> 1:03:29.720 own moments to shine? Like, do you think this is 1:03:29.800 --> 1:03:31.760 leap frog with like a lot of these camps that 1:03:31.800 --> 1:03:32.560 are moving together. 1:03:32.760 --> 1:03:35.760 Well, I think Atlanta and the South have honestly had 1:03:36.320 --> 1:03:38.439 the hip hop and a stranglehold for like twenty years. 1:03:39.040 --> 1:03:41.280 So the South is kind of like like right now 1:03:41.320 --> 1:03:46.360 it's like Memphis, you know, like Memphis, Atlanta, Alabama, but 1:03:46.560 --> 1:03:50.160 just that whole region just has I mean they're not 1:03:50.320 --> 1:03:51.520 let go of wrap for. 1:03:53.560 --> 1:03:58.400 You think the politics also holds back music collaborations, collab Yeah, 1:03:58.440 --> 1:04:00.240 for sure. So say like an artists, oh that this 1:04:00.360 --> 1:04:02.360 artist collab with this artist, especially in LA. Do you 1:04:02.400 --> 1:04:04.160 think a producer could change that and just have a 1:04:04.200 --> 1:04:05.640 hook from him and a verse of him and just 1:04:05.720 --> 1:04:07.040 make the song and drop it maybe. What do you 1:04:07.040 --> 1:04:07.480 think about that? 1:04:07.600 --> 1:04:09.560 But I think that that could be, like you would 1:04:09.560 --> 1:04:11.440 have to have both of them co sign it, and 1:04:11.920 --> 1:04:14.200 you know that's the only That's another thing that's unfortunate 1:04:14.240 --> 1:04:16.200 about l A is like sometimes like that's why I 1:04:16.360 --> 1:04:18.400 like some of the younger dudes, like one Take Jay 1:04:18.680 --> 1:04:21.040 and like Azy Chike. Well you know, Chike's had his 1:04:21.200 --> 1:04:25.080 issues with with Draco and the ingle weird shit or whatever. 1:04:26.640 --> 1:04:30.240 But I think that the younger dudes in LA have 1:04:30.800 --> 1:04:35.120 at least made a real concerted effort to like work together. 1:04:35.520 --> 1:04:37.160 What do you think is hindering them? Like the one 1:04:37.200 --> 1:04:39.880 a Jay as Chie. I mean, I think they're making 1:04:39.920 --> 1:04:42.720 cool music, but they just gotta make better music, Like 1:04:42.960 --> 1:04:45.880 make better music. Good mids No, the ship is good. 1:04:46.000 --> 1:04:47.080 It's good West Coast. 1:04:46.960 --> 1:04:48.680 Shit, like it's good out here. 1:04:48.800 --> 1:04:52.680 One of my favorite Rouccie, Like I love Ruccie's albums. 1:04:53.120 --> 1:04:56.280 I loved him and Shike's album but like I'm a 1:04:56.360 --> 1:04:57.680 fan of West Coast music. 1:04:57.960 --> 1:04:59.760 Shout out Roucie I feel like Rouccie is one of 1:04:59.760 --> 1:05:03.200 those guys where he's he has good music, but his 1:05:03.360 --> 1:05:06.760 personality rolls into his brand being and it's just like, 1:05:07.000 --> 1:05:08.680 you know why people love Ruccie. 1:05:08.800 --> 1:05:09.480 Ruchie's the best. 1:05:09.640 --> 1:05:12.840 We went after our season finale, we went with Rucie 1:05:12.920 --> 1:05:15.920 to Keynes and we took over Knes with and Ruccie 1:05:15.960 --> 1:05:17.840 is the best crazy personality. 1:05:18.360 --> 1:05:21.000 Watched the season finale of Most of Mondays on Leak podcast, 1:05:21.120 --> 1:05:24.240 and you will understand why Rouccie is a West Coast staple. 1:05:24.000 --> 1:05:26.200 And why Roucci and so let me say this about 1:05:26.400 --> 1:05:28.920 about Rouccie, right, Rucchie is a smart kid man and 1:05:29.720 --> 1:05:32.400 and I think somebody who's doing shit kind of like 1:05:32.920 --> 1:05:35.560 the right way since he broke away with Promognation is Gperico. 1:05:35.600 --> 1:05:38.200 I think he's a great example of any LA artist. 1:05:38.520 --> 1:05:40.480 Can look and see the amount of shots he puts up. 1:05:40.520 --> 1:05:45.120 He's putting out hella fucking product, and he's not afraid 1:05:45.160 --> 1:05:47.120 to jump on different beats and do different ship And 1:05:47.240 --> 1:05:49.160 whether or not he catches a quote unquote hit is 1:05:49.200 --> 1:05:51.200 one thing. But the fact that he's able to take 1:05:51.320 --> 1:05:54.800 Rouccie out on a national tour like they went on 1:05:54.920 --> 1:05:58.920 on a national fucking tour in New York, in Atlanta, 1:05:59.120 --> 1:06:01.440 in DC and did a tour off of what g 1:06:01.600 --> 1:06:03.560 Perico has done the last three years since you left 1:06:03.640 --> 1:06:08.000 Rock Nation. So Rucchie to me, Rucci is super smart 1:06:08.160 --> 1:06:09.320 and he's super talent. 1:06:09.680 --> 1:06:12.120 Was it you that told me that Rouccie, he's independent, 1:06:12.240 --> 1:06:14.280 has bigger numbers than he's artist. 1:06:14.680 --> 1:06:16.960 Is the biggest independent artist in l A right now? 1:06:17.320 --> 1:06:21.680 I think probably is they're both on Empire, just Empire Empire, 1:06:22.120 --> 1:06:23.840 They're both on the same What do you. 1:06:23.920 --> 1:06:28.080 Think about should artists drop drop, drop drop or be 1:06:28.520 --> 1:06:29.720 very slow at their drops? 1:06:29.760 --> 1:06:31.560 And I think, what do you think if if if 1:06:31.600 --> 1:06:35.840 I'm independent and I'm a rapper and I'm independent. 1:06:36.000 --> 1:06:38.960 I'm dropping best method drop every week, dropping every other week? 1:06:39.000 --> 1:06:40.760 When you do, I can't tell you, but I'm keeping that. 1:06:41.040 --> 1:06:43.040 Mixed mixtapes are singles. What do you think I'll drop 1:06:43.080 --> 1:06:45.600 a project out or just keep single single, single single? 1:06:45.640 --> 1:06:48.960 If you don't have a following, drop singles? If you 1:06:49.040 --> 1:06:50.880 have a following? What what? 1:06:51.120 --> 1:06:53.920 What? What dictates to following is the number? Is there 1:06:53.920 --> 1:06:54.560 a certain number that? 1:06:54.680 --> 1:06:57.720 This is what you gotta understand about Spotify right is 1:06:58.360 --> 1:07:01.960 Spotify is the biggest Okay, right. Spotify is if somebody 1:07:02.160 --> 1:07:04.360 from a record label, if. 1:07:04.280 --> 1:07:06.880 You're they're gonna check Spotify, don't check Apple. 1:07:06.920 --> 1:07:08.920 They go on Spotify to see your monthly listeners. It's 1:07:09.000 --> 1:07:10.760 just the standard. So when I say Spotify, I'm talking 1:07:10.760 --> 1:07:15.560 about whatever, Apple Music, apply it to title whatever. Every 1:07:15.600 --> 1:07:18.840 time you do a release, right, it's another push and 1:07:18.920 --> 1:07:21.200 impression to your algorithm on your plate, on your on 1:07:21.280 --> 1:07:21.800 your profile. 1:07:21.920 --> 1:07:22.040 Right. 1:07:22.640 --> 1:07:25.760 So if you don't have fans and you put a 1:07:25.840 --> 1:07:29.800 twelve song album out, that's one impression. That's one chance 1:07:29.880 --> 1:07:32.080 to hear break it up in the hits. So that's 1:07:32.160 --> 1:07:33.960 one chance for you to get an audience with this 1:07:34.080 --> 1:07:35.880 body of work that you put together, instead of you 1:07:35.960 --> 1:07:37.560 saying I could get twelve chances. 1:07:38.400 --> 1:07:38.560 Right. 1:07:39.640 --> 1:07:43.200 If you're Geperico and you got a built in fan base, 1:07:43.880 --> 1:07:44.920 then yo, just drop it. 1:07:45.080 --> 1:07:47.680 But where's the middle ground to be like, Okay, because 1:07:47.720 --> 1:07:48.320 that's the extreme. 1:07:48.360 --> 1:07:50.320 You gotta have fans where you'll know If you have fans, bro, 1:07:50.480 --> 1:07:52.520 you'll know, Bro, you'll know if you've got motherfuckers buying 1:07:52.520 --> 1:07:55.520 all your merch, showing up and selling out shows. Otherwise, 1:07:55.640 --> 1:07:58.400 drop singles and build that following, because you're gonna build 1:07:58.400 --> 1:07:59.320 the following through singles. 1:07:59.400 --> 1:08:01.760 How do you get the I mean, I don't know, bro, 1:08:02.240 --> 1:08:03.560 that's the best way to just get that. 1:08:04.560 --> 1:08:07.320 You got to be extremely content one. Like you said, 1:08:07.360 --> 1:08:10.800 it's none of the difference. Most important it is consistency. Right, 1:08:11.000 --> 1:08:13.200 So if you if you pop out and you got 1:08:13.280 --> 1:08:15.640 one record that does well, but then you don't do 1:08:15.800 --> 1:08:17.680 ship after that, or you do a follow up and 1:08:17.720 --> 1:08:19.479 then you get discouraged because the follow up didn't do. 1:08:20.120 --> 1:08:21.120 Just keep throwing shots up. 1:08:21.160 --> 1:08:22.960 It's crazy is that there's a lot of big artists 1:08:22.960 --> 1:08:23.360 in l A. 1:08:23.640 --> 1:08:27.960 And the reason I know this is because we've they're 1:08:28.120 --> 1:08:30.439 they're with it to come on the podcast, but they're 1:08:30.640 --> 1:08:31.760 just like tucked right now. 1:08:32.200 --> 1:08:35.280 They had success, they have big records, and that's their 1:08:35.439 --> 1:08:38.519 l A statement is consistency. But but but they I 1:08:38.560 --> 1:08:40.040 don't know if it's comfort, I don't know if it's 1:08:40.080 --> 1:08:41.519 mental health. I don't know what it is. 1:08:41.840 --> 1:08:43.680 But a lot of these artists that were big, they 1:08:43.800 --> 1:08:45.519 just kind of go into hiding and take a couple 1:08:45.520 --> 1:08:46.080 of years off. 1:08:46.360 --> 1:08:50.120 When you don't have that time, think about this. 1:08:50.320 --> 1:08:52.880 Think about O g Z. He's on Atlantic right. O 1:08:53.040 --> 1:08:56.639 g Z is being just dropping consistently since he left 1:08:56.680 --> 1:09:01.240 Shoreline album singles like Oh Giz is on the road consistently. 1:09:01.720 --> 1:09:03.679 He just announced the new tour that sold out. Before 1:09:03.680 --> 1:09:05.640 that he was on tour, y g like for that, 1:09:05.760 --> 1:09:08.280 he was on his own tour. It's like consistency matters 1:09:08.360 --> 1:09:10.439 and it's super serving. Like at the end of the day, 1:09:10.560 --> 1:09:11.240 like you. 1:09:11.280 --> 1:09:13.040 Got to how long do you think an artist kul 1:09:13.120 --> 1:09:15.639 tuck after they drop like a big body of work. 1:09:15.960 --> 1:09:18.120 It depends on how big we're talking. But if like 1:09:19.000 --> 1:09:22.479 if we're talking like like big locally, yeah. 1:09:23.000 --> 1:09:25.800 Like like like Southern California artists out here, I think 1:09:26.479 --> 1:09:26.680 you know. 1:09:27.160 --> 1:09:30.400 You should drop three months later an album for sure, 1:09:30.640 --> 1:09:32.360 But I think motherfucker should be dropping singles. 1:09:32.520 --> 1:09:34.080 If you haven't hit, how long do you write it 1:09:34.120 --> 1:09:35.639 out before you drop something else? 1:09:35.680 --> 1:09:37.200 Like do you just ride that hit so you can 1:09:37.280 --> 1:09:40.519 still drop something else while also pushing the hit. It 1:09:40.560 --> 1:09:42.680 ain't like you can't do both. So if you have 1:09:42.720 --> 1:09:45.280 a hit record, it's going crazy push that record, but 1:09:45.320 --> 1:09:46.280 then drop another record. 1:09:46.600 --> 1:09:49.000 But I've heard a lot of these these big LA 1:09:49.200 --> 1:09:50.880 artists or LA artists that are over here. 1:09:50.960 --> 1:09:53.360 It depends on like people's fucking like they got new. 1:09:53.320 --> 1:09:56.320 Music, they got new music, But all you hear is 1:09:56.400 --> 1:09:57.559 the old stuff that works. 1:09:57.960 --> 1:10:01.360 What the problem is is most people will outthink themselves 1:10:01.400 --> 1:10:06.320 out of a career or overthink themselves. People think too much, 1:10:06.520 --> 1:10:08.720 they're worried about well I don't like the way the 1:10:08.800 --> 1:10:14.200 video looks, or you know, people overthink everything. I mean, 1:10:14.360 --> 1:10:17.360 I see it every single day with just people going 1:10:17.439 --> 1:10:19.800 close with to her artists like, bro, why are you 1:10:19.880 --> 1:10:22.200 sitting on fifty songs in your heart. 1:10:22.160 --> 1:10:24.160 Drive because you're waiting all go out? 1:10:24.200 --> 1:10:28.040 If you're waiting for the right time, when's the right time? Like, 1:10:28.880 --> 1:10:30.400 I agree with some fucking music out, bro. 1:10:30.640 --> 1:10:33.240 Or they'll have managers or people like these artists will 1:10:33.280 --> 1:10:35.720 have managers and people that say, oh, we gotta do 1:10:35.760 --> 1:10:37.360 it this way. Oh and I don't like that one, 1:10:37.439 --> 1:10:38.920 Like they'll tell them, well I don't like that song. 1:10:39.000 --> 1:10:40.960 How are you gonna tell an artist what they There's 1:10:40.960 --> 1:10:41.439 the thing is. 1:10:41.479 --> 1:10:43.360 Like in today's world, everyone's got a short memory, bro, 1:10:43.520 --> 1:10:44.960 So you might put a song out and if your 1:10:44.960 --> 1:10:46.400 fans don't fuck with it, drop another one. 1:10:46.520 --> 1:10:46.720 Yeah. 1:10:46.840 --> 1:10:49.000 We had a girl on our show and she's like, oh, 1:10:49.040 --> 1:10:51.439 I just started rapping, so I'm not really taking it serious. 1:10:51.520 --> 1:10:53.680 And I said, but if the ship went viral, you 1:10:53.720 --> 1:10:55.640 would take it serious. Like you're waiting too long to 1:10:55.720 --> 1:10:58.160 take it serious. You're waiting for it to blow. 1:10:58.200 --> 1:11:03.080 Any goes crazy. You're not even prepared for the moment 1:11:03.120 --> 1:11:04.240 that's going to be delivered to you. 1:11:04.720 --> 1:11:06.760 I mean they tried to pass the problem with like 1:11:06.800 --> 1:11:09.080 when when Perico was on Rock Nation, Bro, they were 1:11:09.240 --> 1:11:11.080 just like overthinking all his shit. They're like, we need 1:11:11.320 --> 1:11:13.680 a radio record, and then they would overthink it. And 1:11:13.760 --> 1:11:16.280 then Prico's like, Bro, as soon as he got out 1:11:16.320 --> 1:11:20.560 of that deal, that motherfucker turned up and like the 1:11:20.640 --> 1:11:22.640 proof is in the pudding. The proof of concept is there. 1:11:22.680 --> 1:11:25.680 It's like hey, bro, Like especially if you're like an 1:11:25.760 --> 1:11:28.559 artist who you're like, hey, I know I make fire 1:11:28.640 --> 1:11:33.439 West Coast music, right, so let me just make up 1:11:33.560 --> 1:11:36.280 for the fact that maybe I ain't popping in Nebraska, 1:11:37.160 --> 1:11:39.720 but I'm popping from like New Mexico over or like 1:11:40.520 --> 1:11:43.519 you know, El Paso over whatever. So let me just 1:11:43.600 --> 1:11:45.439 turn up and run up the catalog, you know what 1:11:45.479 --> 1:11:47.519 I'm saying. Like we use an example, little like Little 1:11:47.600 --> 1:11:48.880 Vada's like killing it, you know what I mean. He's 1:11:48.880 --> 1:11:51.640 getting he's running and getting bags everywhere. It's like, bro, 1:11:51.880 --> 1:11:54.000 just keep turning up and super serving your fans and 1:11:54.040 --> 1:11:56.960 if you catch one that's bigger, it'll happen. But like 1:11:57.080 --> 1:12:01.759 at the end of the day, like unfortunately, for whatever reason, 1:12:02.640 --> 1:12:04.960 most of the gatekeepers and hip hop aren't based in 1:12:05.120 --> 1:12:08.760 l A. Right, So there's that because you look at 1:12:08.800 --> 1:12:11.000 like the double XELF Freshman cover, it's a it's a 1:12:11.400 --> 1:12:14.479 East Coast biased process to where they pick these artists. 1:12:15.520 --> 1:12:17.360 Like when we talk about these platforms, though you don't 1:12:17.360 --> 1:12:19.080 think there should be a platform that should get to 1:12:19.200 --> 1:12:20.559 that standard of XL. 1:12:20.960 --> 1:12:24.320 Problem is this is double XL, double XCEL that's has 1:12:24.320 --> 1:12:28.720 been around for Yeah, but the problem is up But 1:12:29.320 --> 1:12:31.639 but but they're they're not relevant outside of that one 1:12:31.720 --> 1:12:32.400 cover every year. 1:12:32.479 --> 1:12:35.280 But but yeah, and understand this what we're trying to 1:12:35.320 --> 1:12:37.840 do and the reason we're doing this and pressing so 1:12:37.960 --> 1:12:39.200 hard and in everybody's face. 1:12:39.560 --> 1:12:42.640 We plan to be the new mt V, the new 1:12:42.720 --> 1:12:46.040 one O six in part, the new Lowerville of the 1:12:46.200 --> 1:12:48.640 music game of culture. 1:12:48.360 --> 1:12:49.920 And more people, more people. 1:12:50.640 --> 1:12:52.920 If if I'm not just trying to sit on the 1:12:53.600 --> 1:12:55.280 talk about l A is because if you think about 1:12:55.360 --> 1:12:58.760 l A, like we need more platforms because the whole 1:12:58.920 --> 1:13:01.800 entire industry is biased against LA. 1:13:02.560 --> 1:13:03.639 So you agree with what we're doing. 1:13:03.920 --> 1:13:06.280 Yeah no, no, no no, But but you think we 1:13:06.400 --> 1:13:08.840 need more No, No. I think the problem is is 1:13:09.680 --> 1:13:12.160 I think the podcast game is getting just as flooded. 1:13:13.200 --> 1:13:18.200 I'm saying that this music industry is operating at all times, yeah, 1:13:18.560 --> 1:13:22.960 at a non It's it's operating with a non LA 1:13:23.080 --> 1:13:26.479 bias at all times because most of the labels and 1:13:26.600 --> 1:13:30.920 the big big motherfuckers, Like if you think of like Adam, right, 1:13:31.240 --> 1:13:35.519 Adam is probably the biggest platform in LA him and 1:13:35.680 --> 1:13:39.280 lab right because that's based here. But like I wouldn't 1:13:39.320 --> 1:13:43.960 consider them like LA platforms. I would say, like Adam's 1:13:44.560 --> 1:13:47.679 mostly known for popping on like XXX and like Little 1:13:47.760 --> 1:13:50.800 YACHTI and like Little Zan and like shit like that 1:13:51.000 --> 1:13:56.200 back then. Right, So it's like right now, you know, 1:13:57.080 --> 1:14:00.760 if you think about what's going on on in New York, 1:14:01.240 --> 1:14:07.800 there's the rap radar shit, there's Joe Budden, uh, Noriega's 1:14:07.800 --> 1:14:11.639 in Miami, Drink Champs in Atlanta. You got a bunch 1:14:11.640 --> 1:14:15.040 of academics is in New York. So everybody double ex 1:14:15.120 --> 1:14:19.439 sells in New York. Complex is a New York based company, 1:14:19.600 --> 1:14:24.479 Complexes Media Juggernaut that is New York. All the people 1:14:24.520 --> 1:14:28.360 who work there. For the most part, they're New York kids. 1:14:28.880 --> 1:14:31.639 So you're just describing like all these big platforms out 1:14:31.760 --> 1:14:32.760 that way, not out here. 1:14:32.880 --> 1:14:35.280 No, no, So what I'm saying is in the way 1:14:35.360 --> 1:14:39.639 that like New York drill shit gets covered nationally, it'd 1:14:39.680 --> 1:14:42.240 be nice if they would cover LA shit nationally like 1:14:42.320 --> 1:14:42.840 the same way. 1:14:43.120 --> 1:14:45.080 But the problem is that the platform's fault is that 1:14:45.160 --> 1:14:48.519 because there's no platforms out here that are knowledgeable, I just. 1:14:48.560 --> 1:14:50.200 I feel like, well, but I feel like this. 1:14:50.360 --> 1:14:51.760 I have a lot of friends in Jersey and the 1:14:51.800 --> 1:14:54.120 East Coast and shit like that, and with everything we're doing, 1:14:54.240 --> 1:14:56.680 they fuck with heavy and you get me, and so for. 1:14:56.840 --> 1:15:01.160 Me it's I'm not like like, uh, let's say, for instance, 1:15:01.240 --> 1:15:03.560 like the fig community and the and the community, and 1:15:03.760 --> 1:15:05.800 there's like a certain street lane that they stay in. 1:15:06.120 --> 1:15:09.120 So there's like a bubble with what we're doing. It's 1:15:09.320 --> 1:15:12.559 this is like, I'm not street, I'm not hood, I'm 1:15:12.600 --> 1:15:13.320 none of that ship. 1:15:13.479 --> 1:15:16.639 So, like I said, to be like the MTV version 1:15:17.000 --> 1:15:19.720 of of to date and being that platform at the point, 1:15:19.840 --> 1:15:23.479 if we're able to to get the artists to be uh, 1:15:23.960 --> 1:15:26.600 to launch them out and they're not looking at just 1:15:26.640 --> 1:15:28.680 the artists, but they're looking at the platform who's doing it. 1:15:29.320 --> 1:15:31.720 They will get their shout out on that side of town, 1:15:31.800 --> 1:15:34.040 but they need a big platform under them to be 1:15:34.080 --> 1:15:35.000 able to shout them out. 1:15:35.360 --> 1:15:37.160 Yeah. I think I think there's a few things right 1:15:37.240 --> 1:15:39.559 if you really think about like guys who have gotten 1:15:39.680 --> 1:15:44.360 like extremely huge, uh notoriety recently who are from the 1:15:44.439 --> 1:15:48.439 West Coast, it's because they're doing something different. 1:15:48.560 --> 1:15:49.040 Who are they? 1:15:49.200 --> 1:15:52.839 L Russell Larrussell's been on every podcast and true. 1:15:52.920 --> 1:15:56.759 True, but to Play, to Play, to Play, Devil's Advocate. 1:15:58.080 --> 1:16:01.280 L Russell's lane is live for performances. 1:16:01.200 --> 1:16:04.599 And I mean his music it's I mean, but he's bro. 1:16:04.760 --> 1:16:06.920 He's got fas. I mean, I'm not saying he doesn't no, no, no, 1:16:08.080 --> 1:16:09.360 he's got fans off of his music. 1:16:09.439 --> 1:16:12.080 Yeah yeah, yeah yeah. I've seen this man in now thousand. 1:16:13.200 --> 1:16:15.599 I'm not denying his greatness. I'm not denying the people 1:16:15.640 --> 1:16:17.000 that showing up for him and stuff like that. But 1:16:17.080 --> 1:16:21.760 what I'm saying is it's like, uh uh, people that 1:16:21.880 --> 1:16:25.080 freestyle have a hard time making radio records. 1:16:25.240 --> 1:16:26.960 You get me in, So his music just hits a 1:16:27.040 --> 1:16:31.400 little bit different. His lane is live performances, his bars, 1:16:31.560 --> 1:16:34.400 his bars. When it's live performances, you just feel it. 1:16:34.920 --> 1:16:37.200 It's like, oh ship, people connect to it. But when 1:16:37.240 --> 1:16:40.280 you hear the song on a regular MP three, mixing, 1:16:40.360 --> 1:16:42.840 mastered and all that stuff, the Russell's records don't hit 1:16:42.880 --> 1:16:43.160 the same. 1:16:43.200 --> 1:16:46.240 But my point is, Who's I got love for you? 1:16:46.320 --> 1:16:46.400 Bro? 1:16:46.560 --> 1:16:51.400 No? Hey, I'm just understand who's getting national? Like l 1:16:51.479 --> 1:16:54.840 Russell's whole approach to this ship. He changed their music. 1:16:55.280 --> 1:16:56.639 Yeah, he changed the game for sure. 1:16:56.920 --> 1:16:59.519 So he's been getting exposure on every platform. 1:16:59.600 --> 1:17:01.519 That's not so the problem is, but what song on 1:17:01.600 --> 1:17:02.479 the rate non radio? 1:17:02.720 --> 1:17:03.280 What song? 1:17:03.439 --> 1:17:05.759 What MP three of his is going crazy? 1:17:05.800 --> 1:17:07.519 You're just saying that because he's different though, that's where 1:17:07.520 --> 1:17:08.080 you get the bag. 1:17:08.160 --> 1:17:08.720 That's just hard. 1:17:08.840 --> 1:17:11.320 No, but like the MP three version of the live version, 1:17:11.320 --> 1:17:12.840 because the live version goes a lot of crazy. 1:17:12.880 --> 1:17:14.720 Stream the stream, I mean honest in the Russell shit, 1:17:14.760 --> 1:17:16.680 he puts an out out like every month. I mean, 1:17:16.680 --> 1:17:18.200 the Russell's doing numbers on Spotify. 1:17:18.280 --> 1:17:20.200 I'm not saying that he's not. But what I'm saying is. 1:17:21.720 --> 1:17:24.120 What he's doing is building a community and building a 1:17:24.200 --> 1:17:27.200 co following like we've never seen while also changing music. 1:17:27.400 --> 1:17:29.960 And that's why that like and I'll give credit to 1:17:29.960 --> 1:17:31.800 the Russell right now, there's a lot of people that 1:17:31.840 --> 1:17:34.160 are scared that like bring people to my crib and 1:17:34.240 --> 1:17:34.920 do this and all that. 1:17:35.400 --> 1:17:37.680 Seeing what he did, it gave me the battery to 1:17:37.760 --> 1:17:38.599 have people pull up. 1:17:38.800 --> 1:17:39.000 Yeah. 1:17:39.240 --> 1:17:41.720 I was like, he's doing it. Yeah, let's do it. 1:17:42.000 --> 1:17:42.519 Like it's fine. 1:17:42.640 --> 1:17:45.720 So I would say, like, you know, it's important to like, 1:17:45.880 --> 1:17:48.599 you know, a lot of these bigger companies like Complex 1:17:48.720 --> 1:17:51.280 or Amazon. Like Amazon, a lot of the people who 1:17:51.280 --> 1:17:53.880 are running shit at Amazon now are LA folks. So 1:17:54.200 --> 1:17:57.280 you'll see like Amazon will probably start showing more attention 1:17:57.479 --> 1:18:02.519 through rap rotation and Amazon Music to LA artists because 1:18:03.040 --> 1:18:04.880 a lot of the folks pulling the strings on the 1:18:04.880 --> 1:18:07.720 Amazon music side are LA folks. So you'll notice that 1:18:07.800 --> 1:18:10.240 will change. So just a matter of like. 1:18:10.400 --> 1:18:12.120 But for me, like even like a lot of this 1:18:12.280 --> 1:18:15.280 young LA sound right now, the moment I hear click, click, 1:18:15.360 --> 1:18:17.479 bang bang bow bow, it's just like all. 1:18:17.400 --> 1:18:20.320 Right, bro, Now, I appreciate everybody having fun. And I 1:18:20.360 --> 1:18:23.200 think what you asked, like, how can LA music kind 1:18:23.200 --> 1:18:25.120 of take over more? It's like West Coast, not just 1:18:25.320 --> 1:18:28.240 West Coast, just make better music a lot. 1:18:28.520 --> 1:18:30.320 I feel like there's a lot of people that make 1:18:30.439 --> 1:18:33.200 good music though, like II shout out Morgan c. If 1:18:33.200 --> 1:18:34.880 you don't know good music, I can show you some 1:18:34.960 --> 1:18:37.559 great music from the ie I artists that nobody's shigning 1:18:37.680 --> 1:18:38.600 light on the IU right now. 1:18:38.600 --> 1:18:39.080 I don't know why. 1:18:39.120 --> 1:18:41.120 It's l A l A l A l a. Uh 1:18:41.479 --> 1:18:43.880 thisler got the Bay Area, but I has. 1:18:44.000 --> 1:18:48.640 Tons of talent. Yeah, No, I mean Sam Bernardino, Ranchel, Kukamonga, 1:18:48.760 --> 1:18:53.200 Marino Valley, Ocean Side, uh DESI, Hollows Fire, you know, 1:18:53.320 --> 1:18:55.479 dud to damn thing from Sam Bardino. I heard of them. 1:18:55.800 --> 1:18:59.000 There's the other kid who we tried to interview like 1:18:59.080 --> 1:19:00.800 three times, but he just no show it every time. 1:19:00.840 --> 1:19:03.760 It happen. Nice from Samardo. 1:19:03.880 --> 1:19:05.080 How do you feel about no shows? 1:19:07.320 --> 1:19:10.120 I mean it depends on who it is, honestly for real, 1:19:10.600 --> 1:19:14.559 it's like someone no shows. I guess it. No show 1:19:14.640 --> 1:19:18.040 is different than like canceling. Yeah, but if someone just 1:19:18.120 --> 1:19:20.040 no shows and I don't hear from thin, No, but 1:19:20.160 --> 1:19:23.519 like canceling and you know it happens. Bro. But like 1:19:23.640 --> 1:19:27.320 the dude him Beezy, what do you think about him? 1:19:27.400 --> 1:19:30.000 He's busy, He no showed three times on the podcast. 1:19:30.080 --> 1:19:32.640 He does he have an interviewer he's supposed to. Do 1:19:32.720 --> 1:19:36.400 you know where he's from? Isn't he from Sam? Bernardino? 1:19:38.280 --> 1:19:40.439 What do you think you think that he's from Sam? 1:19:40.720 --> 1:19:42.360 He said that, No, where's he from. 1:19:43.040 --> 1:19:44.320 He's from somewhere over there, right. 1:19:44.800 --> 1:19:47.599 I mean, I've seen interviews he's from La. 1:19:47.720 --> 1:19:48.040 I guess. 1:19:48.080 --> 1:19:49.400 I guess he's from La. I'm not. 1:19:50.680 --> 1:19:52.680 But what do you think about heim Basy though? Like 1:19:52.720 --> 1:19:54.240 what do you think as far as like him on 1:19:54.320 --> 1:19:56.560 the West Coast, like how he's he's getting played in 1:19:56.720 --> 1:19:59.439 like Florida and that they're thinking he's a Florida artist, 1:19:59.479 --> 1:20:00.719 And like from what I've seen. 1:20:00.520 --> 1:20:04.000 At least, like they think I'm not educated enough nationwide 1:20:04.080 --> 1:20:07.280 artists type speak on like what he's doing. Because I 1:20:07.439 --> 1:20:08.920 heard it his like a couple of records and I 1:20:09.000 --> 1:20:09.920 just thought they were cool, you. 1:20:09.960 --> 1:20:11.800 Know, But why did you want to bring him in? 1:20:11.800 --> 1:20:12.800 Because of those couple of records? 1:20:12.840 --> 1:20:14.680 Now, he wasn't coming to freestyle like I like to, 1:20:14.880 --> 1:20:16.920 like if somebody's like buzzing, I like to have him 1:20:16.960 --> 1:20:20.560 come up and wrap, you know. But yeah, no, he 1:20:20.720 --> 1:20:23.519 was supposed to come on here and and just he 1:20:23.640 --> 1:20:26.559 had like a car breakdown and his manager one time, 1:20:26.640 --> 1:20:28.760 his manager was here him in a little bit at 1:20:28.800 --> 1:20:33.280 the same manager or they did, but his managers were 1:20:33.320 --> 1:20:34.760 here and they were just waiting on him, and just 1:20:34.840 --> 1:20:36.720 he just had Ship pop up. I eventually, I'm sure 1:20:36.720 --> 1:20:38.280 I have him come up. You know, he was supposed 1:20:38.280 --> 1:20:39.559 to come up and rap first. 1:20:39.800 --> 1:20:42.240 When we had Dusta one, we were all the team 1:20:42.280 --> 1:20:44.160 got together. Everybody's like, desk was coming, all. 1:20:44.080 --> 1:20:44.719 This shit or whatever. 1:20:45.160 --> 1:20:45.800 I posted it. 1:20:46.320 --> 1:20:48.479 I had groupies pop up to the studio all this 1:20:48.520 --> 1:20:51.599 shit or whatever, right just because that Dusta was coming. 1:20:51.920 --> 1:20:53.719 Then he called him, was like, I got a flat 1:20:53.800 --> 1:20:54.920 tire on the freeway or whatever. 1:20:54.960 --> 1:20:57.240 I'm like, are you doing it? Like over there? Like 1:20:57.360 --> 1:21:00.760 and like where you're from? So that's where Yeah, motherfuckers, 1:21:00.760 --> 1:21:01.479 that's a drive bro. 1:21:01.680 --> 1:21:02.360 Yeah no. 1:21:02.560 --> 1:21:04.759 So but I was like, oh, Ship, here's the excuse. 1:21:04.760 --> 1:21:07.800 Because I didn't meet him until that interview, I thought 1:21:07.840 --> 1:21:09.639 it was bullshit. And then I looked at the story, 1:21:09.920 --> 1:21:12.560 I'm like, oh, he actually like fucked his car, you 1:21:12.600 --> 1:21:12.960 feel me? 1:21:13.280 --> 1:21:15.519 And so I just feel like a lot of people 1:21:15.600 --> 1:21:18.160 take things sensitive when you got I don't take life. 1:21:18.240 --> 1:21:22.439 I don't take anything personal, anything music related or industry related. 1:21:22.920 --> 1:21:25.880 I don't take any of this Ship personal. His TG 1:21:25.960 --> 1:21:27.360 stood up and walked out of an interview, and I 1:21:27.479 --> 1:21:29.479 was like, well that was fun whatever. 1:21:30.240 --> 1:21:32.760 I don't give the But was the energy aggressive when 1:21:32.800 --> 1:21:34.800 he walked out or was it like it's just like weird. 1:21:35.760 --> 1:21:40.120 But it wasn't on No, like it was just weird aggressive. 1:21:40.439 --> 1:21:41.120 It wasn't, bro. 1:21:41.360 --> 1:21:45.120 It wasn't like what's his name baby? Where he was like, 1:21:45.479 --> 1:21:48.320 put some respect on my name, my name wasn't like that. 1:21:48.800 --> 1:21:49.559 It wasn't aggressive. 1:21:49.600 --> 1:21:51.200 But I don't take any shit personal, bro. I don't 1:21:51.200 --> 1:21:54.000 care about no ship. My fuckers have bad days, these 1:21:54.040 --> 1:21:57.160 fools don't. I don't care. I literally don't care. Like 1:21:57.200 --> 1:21:58.719 you could have gave me an f and I would 1:21:58.840 --> 1:22:00.839 not have. I wouldn't have comment. I just would. 1:22:02.280 --> 1:22:04.880 We still happened, We give you will, we still be 1:22:04.920 --> 1:22:05.360 here right now. 1:22:05.560 --> 1:22:10.400 No, they made us get on. You hit the balls 1:22:10.439 --> 1:22:11.240 on the one time. 1:22:12.160 --> 1:22:13.480 I honestly probably. 1:22:15.160 --> 1:22:16.720 So. The fact that you got to a is why 1:22:16.800 --> 1:22:17.120 we're here. 1:22:17.439 --> 1:22:19.200 Well, I mean no, not just did you know who 1:22:19.240 --> 1:22:20.600 I am? Do you know who Yike Mike is? 1:22:20.640 --> 1:22:22.800 Do you know you never know the records I made? 1:22:22.960 --> 1:22:26.920 Or dj Okay got to stop the interview real quick 1:22:26.960 --> 1:22:29.519 to tell you about our good folks at Blue Chew. Baby, 1:22:29.600 --> 1:22:33.080 that's right. Shout out to Blue Chew man. Listen, everyone's 1:22:33.080 --> 1:22:37.439 always asking me does blue chow work? 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Odd socksofficial dot com whatever you're into. 1:24:51.520 --> 1:24:54.679 They got the license WWE scarface fucking breaking bad whatever. 1:24:55.160 --> 1:24:58.280 Odd sooxofficial dot com promo code bootleg go over there, 1:24:58.360 --> 1:25:01.400 get twenty percent off right now. Now let's get back 1:25:01.439 --> 1:25:02.080 to the interview. 1:25:02.760 --> 1:25:05.000 But I think the bigger question is would you be 1:25:05.240 --> 1:25:07.000 open to exploring the I E. 1:25:07.240 --> 1:25:08.280 Just yes, of course? 1:25:08.840 --> 1:25:11.600 How come you haven't? What stopped you? I actually like 1:25:11.800 --> 1:25:14.360 right now the one I want to do. So you know, I' 1:25:14.360 --> 1:25:18.560 from Arizona. So I've done uh Arizona cipher or I 1:25:18.600 --> 1:25:20.840 had like who I thought, because I've had like my 1:25:20.960 --> 1:25:23.320 favorite as artists come down to La we did a cipher. 1:25:23.400 --> 1:25:25.800 I did it with Tucson too. So my next thing 1:25:25.920 --> 1:25:31.240 is to do San Diego, I e. The High Desert 1:25:31.720 --> 1:25:34.840 like Victorville Apple Valley. See if there's anybody dope out there. 1:25:34.920 --> 1:25:37.519 You heard of Maddy Ice, I've heard of him, Yes, 1:25:38.760 --> 1:25:41.080 in Arizona doing the big things with artists out there. 1:25:42.200 --> 1:25:44.280 Let me ask you, for as long even doing radio 1:25:44.439 --> 1:25:46.680 and in the music scene, why have you not have 1:25:46.800 --> 1:25:48.800 already been tapping in with the I like a long 1:25:48.880 --> 1:25:53.400 time ago, and why are you not? I'm just confused 1:25:53.439 --> 1:25:56.280 on why there's there's not no light in the ie right. 1:25:56.400 --> 1:25:59.320 Who's the biggest artist in I ever? Rapper? 1:26:00.080 --> 1:26:02.120 I mean rapper R three is from out there? Art 1:26:02.280 --> 1:26:02.720 is pretty big. 1:26:02.720 --> 1:26:05.160 I try to interview UR three? What happened we got 1:26:05.280 --> 1:26:08.400 to work on? He's on three hundred? Oh, I know 1:26:08.439 --> 1:26:10.160 why you don't like him? Busy because they got beef? 1:26:11.200 --> 1:26:13.680 Okay, girls Low Dev, I don't know. 1:26:14.040 --> 1:26:15.760 I mean I've never heard Girls of Dev's music, So 1:26:15.760 --> 1:26:17.160 I've heard the name, but I don't know his music. 1:26:18.000 --> 1:26:19.080 And I'll be paying attention. 1:26:19.200 --> 1:26:22.000 So, I mean, came on the show, he told me 1:26:22.040 --> 1:26:25.200 about R three and R three was like barely bubbling. 1:26:25.479 --> 1:26:28.040 And then who's the big who's the biggest Afflee went crazy? 1:26:28.240 --> 1:26:29.840 Is it safe to say Drummer Boys probably the most 1:26:29.840 --> 1:26:34.240 successful ie artist that's independent. I would say hit boy, Okay, 1:26:34.280 --> 1:26:36.519 hit boy, but his boy also is like Pasadena to 1:26:36.920 --> 1:26:38.120 like his dad was he I E. 1:26:38.360 --> 1:26:39.639 Now he's fontanic Okay. 1:26:39.560 --> 1:26:43.080 He's so guess what he Everybody considers him an LA artist, 1:26:43.120 --> 1:26:43.640 but he's I. 1:26:43.960 --> 1:26:47.320 Listen, man, I had everybody from HS eighty seven Hit 1:26:47.439 --> 1:26:50.880 Boy's been on my show like thirty times. Everybody from 1:26:51.000 --> 1:26:53.240 HS eighty seven has. I mean back in the day 1:26:53.640 --> 1:26:57.360 when HS eighty seven was like moving. Yeah. My thing 1:26:57.479 --> 1:26:59.920 is is like, hey, there's a dude named cam Archer 1:27:00.600 --> 1:27:04.160 from Sam Bernardina, cam Archer, who to me was like 1:27:04.240 --> 1:27:06.400 an alien level rapper because I saw one of my 1:27:06.600 --> 1:27:08.600 actually my producer saw when his freestyle said it to me, 1:27:08.680 --> 1:27:10.840 I'm like, cam Archer, guess what the can. 1:27:10.800 --> 1:27:12.679 Ask you a question? What makes you care about artists? 1:27:13.200 --> 1:27:15.320 I just like, like, what intrigues you about it? 1:27:15.600 --> 1:27:17.599 I mean, I just been bro. My whole life has 1:27:17.640 --> 1:27:18.120 been hip hop. 1:27:18.240 --> 1:27:19.680 Yeah I know. I just seen you post that a 1:27:19.760 --> 1:27:21.280 happy Birthday hip hop and I sen your. 1:27:21.400 --> 1:27:23.840 Whole life man, you were youngest I was five years old. 1:27:23.880 --> 1:27:26.200 Is my whole life revolved around rap music? So you know, 1:27:26.520 --> 1:27:29.280 for me, I like if I'm but the question cam 1:27:29.400 --> 1:27:32.880 archer ship came across my my desk and I was like, oh, 1:27:33.000 --> 1:27:35.679 that's crazy, Like he's got to come rapp. 1:27:35.640 --> 1:27:36.880 So it just got to come across you. 1:27:37.080 --> 1:27:43.400 I don't understand. I got like fucking nine businesses going 1:27:43.439 --> 1:27:46.600 on at the same time, so it's like I like 1:27:46.720 --> 1:27:48.680 to discover new music, but at the same time, like 1:27:49.000 --> 1:27:49.720 how much of it is? 1:27:49.880 --> 1:27:51.560 But what I'm asking is how much of it is 1:27:51.640 --> 1:27:54.280 a business and just keeping it going and how much 1:27:54.320 --> 1:27:56.439 of it like what actually interests you about artists and 1:27:56.479 --> 1:27:56.920 bring them. 1:27:56.840 --> 1:27:59.880 In or what I do or are you just like 1:28:00.320 --> 1:28:02.640 this is what I do and this is the thing 1:28:02.680 --> 1:28:05.160 that you understanding is like the podcast is a great 1:28:05.200 --> 1:28:08.240 bag for me, but like, wow, I don't need this ship. 1:28:09.240 --> 1:28:11.519 I don't need this ship, Like I'm let me have it. 1:28:12.479 --> 1:28:14.400 But isn't this how you tap in with the culture 1:28:14.479 --> 1:28:16.360 and figure out This is. 1:28:16.360 --> 1:28:18.240 What I'm saying. I just had this conversation with an 1:28:18.280 --> 1:28:20.000 interview I did from the Netherlands and he's like, why 1:28:20.160 --> 1:28:23.400 what pushes his passion? I just love music and you'll 1:28:23.400 --> 1:28:26.360 see me pushing a lot of like the type of 1:28:26.439 --> 1:28:29.639 hip hop I'm really into. Right, So if if it's 1:28:29.720 --> 1:28:32.439 cam Archer cam Rsher's crazy, I'm like, oh, your. 1:28:32.360 --> 1:28:35.719 Bias towards it if you like, this is this platform, 1:28:35.880 --> 1:28:36.160 I guess. 1:28:36.439 --> 1:28:40.040 Of course, if I like somebody ship and they might 1:28:40.160 --> 1:28:43.720 not be popping, I like you, so come up and show. 1:28:43.840 --> 1:28:46.160 Let me help you out with my platform. 1:28:46.240 --> 1:28:48.679 So it's not just to open like, oh I see 1:28:48.760 --> 1:28:50.240 I beating them, or if. 1:28:50.160 --> 1:28:53.679 It makes sense, if if if somebody is like, hey, 1:28:54.160 --> 1:28:57.000 I'm working with this artist and I check this ship out, 1:28:57.000 --> 1:28:58.439 and I'm like, Okay, I see what they're doing, Like 1:28:58.560 --> 1:29:00.400 maybe it ain't for me, But just if I only 1:29:00.439 --> 1:29:03.599 interviewed people I was into it, would I would only 1:29:03.680 --> 1:29:07.400 interview like twelve guys, you know? So if I see, 1:29:07.479 --> 1:29:09.160 if I see what someone's doing and I'm like, okay, 1:29:09.160 --> 1:29:10.559 I see what they're doing, listen, like or I think 1:29:10.600 --> 1:29:13.240 they might be interesting. Like there's artists who I love 1:29:13.360 --> 1:29:15.519 to talk to who I might not necessarily love their music, 1:29:15.600 --> 1:29:17.960 but we have dope conversations, you know what I'm saying. 1:29:18.000 --> 1:29:19.840 So what about producers and DJs though? 1:29:20.360 --> 1:29:24.240 To me, I mean, I'm not interviewing DJs unless they've 1:29:24.360 --> 1:29:28.479 like contributed like crazy shit to hip hop. What about producers, Yeah, 1:29:28.520 --> 1:29:30.320 I mean I'll interview producers. I've had hit Boy on 1:29:30.400 --> 1:29:32.679 thirty fucking million times. I'm working on getting the Alchemists 1:29:32.720 --> 1:29:35.040 on right now. Like, is it a certain level? I've 1:29:35.040 --> 1:29:37.120 had Mustard on a bunch. Yeah, I'm not just interviewing 1:29:37.160 --> 1:29:39.920 a producer because you got a yeah, I. 1:29:40.120 --> 1:29:41.240 Made a hit record that's going. 1:29:41.280 --> 1:29:44.040 It's not even that like I had. I had Jnari 1:29:44.439 --> 1:29:48.519 on the show and Dupre before, Like you know, I've 1:29:48.560 --> 1:29:51.600 had guys on But like, I'm not just yo. You 1:29:51.680 --> 1:29:53.760 can't tell me you produced a blue Face song and 1:29:53.840 --> 1:29:55.160 expect to come and sit down with me, like I 1:29:55.200 --> 1:29:57.680 don't care. Yeah, just to be honest is what is 1:29:57.720 --> 1:29:59.519 the I just don't give a period. I just have 1:29:59.600 --> 1:30:01.760 to care. To me. When I think of League of 1:30:01.840 --> 1:30:05.200 Stars and Dupre and Jnari, I think of like an 1:30:05.320 --> 1:30:09.439 era of West Coast music. I'm like, oh, these guys 1:30:09.520 --> 1:30:12.080 wave they started. These guys were a part of that wave. 1:30:12.720 --> 1:30:16.160 That's important in the context of the historical conversation of 1:30:16.360 --> 1:30:18.479 La Raps. So I would love to talk to Dupre 1:30:19.040 --> 1:30:23.120 and Jnari and them dudes about just that era. 1:30:23.560 --> 1:30:25.040 Can I ask you a question, how many people are 1:30:25.080 --> 1:30:27.040 in your ear when you go outside too much? 1:30:27.160 --> 1:30:30.400 My dms are a fucking terrible place. Yeah, I mean dude, 1:30:30.400 --> 1:30:32.880 I get sent ship thirty forty fifty one hundred times 1:30:32.880 --> 1:30:33.120 a day. 1:30:33.120 --> 1:30:34.160 You got security when you go out? 1:30:34.360 --> 1:30:36.439 No, no, no, no they come and rob me? 1:30:36.520 --> 1:30:38.680 Bro, No no not rob no no no, no no no. 1:30:39.080 --> 1:30:40.080 We're getting to a point. 1:30:39.960 --> 1:30:41.799 I know I've never had security. 1:30:42.040 --> 1:30:43.000 I mean no, we're getting to. 1:30:43.000 --> 1:30:45.000 A point right now where it's not security for safety, 1:30:45.080 --> 1:30:46.559 is security to keep people away. 1:30:47.120 --> 1:30:48.439 Like the crazy part about. 1:30:48.200 --> 1:30:49.400 It is I don't care about none of that shit. 1:30:49.439 --> 1:30:50.880 I mean, look, you can walk up to me, I'll talk. 1:30:51.120 --> 1:30:52.599 That's no grabbing on you though. 1:30:53.280 --> 1:30:56.000 But when nobody, when nobody can say about me, is 1:30:56.120 --> 1:30:57.840 that they ever came up to me? And I was like, 1:30:58.680 --> 1:31:00.559 I never have big I don't know a big timer. 1:31:00.640 --> 1:31:02.600 I'm just like, hey, I'll talk to anybody. 1:31:02.479 --> 1:31:04.320 But it's not just talking. 1:31:04.640 --> 1:31:06.439 I just went to the Big X the plug concert. 1:31:07.520 --> 1:31:08.200 Yeah I want to. 1:31:08.479 --> 1:31:10.360 You'll say you'll talk to anybody until you have a 1:31:10.479 --> 1:31:12.280 drunk person trying to tell you. I need to be 1:31:12.360 --> 1:31:14.759 on your podcast, bro, because I'm gonna say the craziest ship. 1:31:14.640 --> 1:31:15.760 I own the nightclub? Bro? 1:31:15.960 --> 1:31:16.560 Do you hear all that? 1:31:17.080 --> 1:31:20.640 When I walk through my club in Arizona, every yo 1:31:20.960 --> 1:31:26.880 put me on the podcast and response, No, right then 1:31:26.920 --> 1:31:29.080 and there, Yeah, no DM ME or ship And if 1:31:29.080 --> 1:31:31.280 I get around to it, I'll check it out. But no, yeah, 1:31:31.840 --> 1:31:33.680 like I'm not just I'm not just putting you on 1:31:33.760 --> 1:31:36.320 my plate just because so. 1:31:36.840 --> 1:31:40.519 Hey, so I don't get so so it's a general census. 1:31:41.320 --> 1:31:43.680 Hollowing at a podcast or the club isn't the move. 1:31:44.720 --> 1:31:45.840 What do you hope to achieve? 1:31:45.960 --> 1:31:47.840 No, I know, I just want the audience to know. 1:31:48.080 --> 1:31:50.560 No, So hallowing at a podcast or to get on 1:31:50.640 --> 1:31:52.439 the podcast in public is not the place to do it. 1:31:52.479 --> 1:31:52.519 No. 1:31:52.600 --> 1:31:54.200 People want me to play their songs on the radio 1:31:54.280 --> 1:31:57.800 and it's unmixed mastered and tell them dirty. 1:31:57.680 --> 1:31:59.519 Like may you wanted me to send? They send me 1:31:59.680 --> 1:32:01.439 music and it's like, bro, you really want me to 1:32:01.439 --> 1:32:02.599 play this at this top of party. 1:32:02.680 --> 1:32:05.599 I'm on the radio every single day in twenty five 1:32:05.680 --> 1:32:13.360 cities La Vegas, Miami, Tampa, fucking At Phoenix, Tucson, Madison, Wisconsin, Flint, Michigan, 1:32:13.520 --> 1:32:15.439 every single day, four hours a day. I'm on the radio. 1:32:15.479 --> 1:32:16.800 Right now, you're gonna get in your car at seven 1:32:16.960 --> 1:32:19.400 and twenty minutes you'll hear You'll hear the bootleg cap 1:32:19.439 --> 1:32:21.000 showing Real ninety two three as soon as you get 1:32:21.000 --> 1:32:25.080 in that car. So fuck like, what if I don't 1:32:25.120 --> 1:32:28.080 know you? Shit? Like what I'm trying to I'm gonna 1:32:28.080 --> 1:32:30.120 play some shit. It's gonna be some shit that makes sense. Bro, 1:32:30.520 --> 1:32:33.120 You got to compete against Drake on these airwaves. Motherfucker. 1:32:33.120 --> 1:32:35.320 You think I'm gonna play your local rap shit. That's 1:32:35.360 --> 1:32:38.040 not how that shit works. Yeah, it's a business, you 1:32:38.120 --> 1:32:40.760 know what I'm saying. Anyway, Well, look, go watch the 1:32:40.840 --> 1:32:44.680 YouTube channel Mondays and Wednesdays, right, they could check this. 1:32:45.120 --> 1:32:46.160 Oh yeah, money us. 1:32:46.120 --> 1:32:49.920 No, Instagram Instagram Live aally live. 1:32:50.040 --> 1:32:53.599 Oh actually yeah, so look motion Mondays was on YouTube. 1:32:53.960 --> 1:32:56.160 You could go see all the motion Mondays we have uploaded. 1:32:56.320 --> 1:32:58.679 We're now changing the game right now. We're the only 1:32:58.840 --> 1:33:02.120 podcast right that I've seen that is going live on 1:33:02.240 --> 1:33:04.840 Instagram that looks like full production with these mics and 1:33:04.880 --> 1:33:08.240 cameras and everything. We have a whole vertical display that 1:33:08.320 --> 1:33:09.559 goes straight to Instagram Live. 1:33:09.680 --> 1:33:13.360 So you have YouTube and Instagram Live simultaneous. Yes, yes, 1:33:13.560 --> 1:33:15.320 it's for ig and the YouTube channels. 1:33:15.320 --> 1:33:18.439 People go, I like you podcasts leak podcasts, not liquid 1:33:18.600 --> 1:33:21.719 look and ship it's the leak podcast like wet like water, 1:33:21.960 --> 1:33:22.719 like that ship. 1:33:23.120 --> 1:33:25.519 Is and you can check out the report cards. 1:33:25.360 --> 1:33:26.840 And when we say we got an A plus and 1:33:27.240 --> 1:33:28.880 you got to think about it, we're innovating. 1:33:28.920 --> 1:33:32.559 We're creating the dialogue with anybody about my A plus. 1:33:33.560 --> 1:33:36.000 Just name another podcast for one. We could just get 1:33:36.160 --> 1:33:39.360 who's going on Instagram live Monday Wednesday? With the setup, 1:33:39.439 --> 1:33:43.120 the display, everything there can't answer that question for us. 1:33:43.200 --> 1:33:45.919 Why US is deeper than just the microphone. There's real artist. 1:33:46.080 --> 1:33:49.519 Because producers, DJ's engineers, we make music. We're actually artists. 1:33:49.560 --> 1:33:51.760 But it's not just music. We're creating the deep in 1:33:51.840 --> 1:33:52.400 the podcast. 1:33:52.520 --> 1:33:52.960 It's deeper. 1:33:53.080 --> 1:33:55.240 We're creating the brand and doing all that photoshop ship. 1:33:55.280 --> 1:33:57.840 We're not going to fiver and paying somebody. 1:33:57.920 --> 1:34:00.240 We're making our own drip and wearing it fly. We're 1:34:00.280 --> 1:34:02.800 at the parties. We're looking saucy drip. The artists that 1:34:02.880 --> 1:34:04.679 are at the clubs and parties are at We're having 1:34:04.720 --> 1:34:09.120 more motion and more people trying to be Ciaga. 1:34:09.760 --> 1:34:11.280 We're next to these rappers that don't know how to 1:34:11.320 --> 1:34:12.280 wear Balenciaga and. 1:34:13.800 --> 1:34:16.200 Left the designer wear them in instead of design. 1:34:16.439 --> 1:34:18.679 Where the new Lowerville is the new street, weear brand 1:34:18.760 --> 1:34:21.639 of the Inland Empire. So cow now whatever you want 1:34:21.640 --> 1:34:22.080 to say. 1:34:22.000 --> 1:34:23.360 The man shut up. 1:34:23.400 --> 1:34:25.800 Shout out to the man. I just had to tell keV. 1:34:25.840 --> 1:34:29.439 Right man, it's going crazy. And right now y'all don't 1:34:29.479 --> 1:34:32.400 know it or not. Producer's going crazy. So DJ Eric 1:34:33.360 --> 1:34:35.240 justin girls Love, they have the artistry out there is 1:34:35.280 --> 1:34:35.719 going crazy. 1:34:35.840 --> 1:34:36.120 Morgan. 1:34:36.200 --> 1:34:39.080 See it's going crazy right now. This is a way 1:34:39.120 --> 1:34:41.639 that's coming up. The young kids, they got it, the youngins, 1:34:41.640 --> 1:34:42.000 they got it. 1:34:42.360 --> 1:34:44.920 Hey, I got I'm on the I'm on the radio. 1:34:45.400 --> 1:34:46.439 I got to get you hip, keV. 1:34:46.479 --> 1:34:47.240 I got to get you hip. 1:34:47.960 --> 1:34:49.439 I'm like Mike, this is what I do. I'm in 1:34:49.520 --> 1:34:49.880 the culture. 1:34:50.120 --> 1:34:52.120 Tell you what you give me a list of ten 1:34:52.280 --> 1:34:56.200 artists who can rap? 1:34:56.760 --> 1:34:58.760 Okay, let me ask you this when you okay, it 1:34:58.840 --> 1:35:00.920 was cipher, Okay, ten of them we're going to do. 1:35:00.960 --> 1:35:02.240 They gotta rap, Yes. 1:35:02.280 --> 1:35:04.679 They can't funk around. They gotta be able to Okay. 1:35:04.920 --> 1:35:07.400 And I got to ask you this question as I 1:35:07.760 --> 1:35:10.200 engineer and all that range, real producer, but I got 1:35:10.320 --> 1:35:12.720 to ask you this. When you look at artists, do 1:35:12.880 --> 1:35:15.080 you does the look do you think the look hinders them? 1:35:15.160 --> 1:35:17.960 Or if they can just have a crazy flow, crazy voice, 1:35:18.560 --> 1:35:21.479 you think the image hinders I don't know, bro, there's 1:35:21.520 --> 1:35:23.200 no right or do you not look at that stuff 1:35:23.200 --> 1:35:24.240 that doesn't no right answer? 1:35:24.320 --> 1:35:25.920 No, Look, we're not looking for right answer. 1:35:26.040 --> 1:35:28.599 Looking not because there's examples of people who you would 1:35:28.640 --> 1:35:31.400 not think are have an image that pop. There are 1:35:31.520 --> 1:35:34.040 people who don't have star quality that become stars. There's 1:35:34.120 --> 1:35:35.360 no exact science. 1:35:36.560 --> 1:35:38.479 I'm just saying that because I hear a lot of 1:35:38.720 --> 1:35:39.960 I'm just saying that because I hear a lot of 1:35:40.000 --> 1:35:42.080 people saying, oh, you don't look the part, just because 1:35:42.080 --> 1:35:43.840 you can have you can be talented to have all 1:35:43.880 --> 1:35:45.400 this in that, but if you don't look the part, 1:35:46.280 --> 1:35:47.320 not going to be able to get of the. 1:35:47.280 --> 1:35:49.280 Way to look like ship. You know, like you should 1:35:49.320 --> 1:35:51.880 look representable. If you're an artist, you're a product. What 1:35:52.040 --> 1:35:56.760 everyone needs to understand is you and your music, both 1:35:56.800 --> 1:35:57.880 of you are products. 1:35:58.360 --> 1:35:58.559 Yep. 1:35:58.840 --> 1:36:00.799 The image right, yep. No, you're a product. 1:36:00.800 --> 1:36:01.439 You're a product. 1:36:01.479 --> 1:36:03.600 That's image though, right, I mean it's a part of it. 1:36:03.880 --> 1:36:06.040 So the image, your image might even be that you 1:36:06.120 --> 1:36:07.280 are like you're the product. 1:36:07.280 --> 1:36:07.879 You're homeless. 1:36:08.040 --> 1:36:10.960 Understand you're the product, but you are a product that 1:36:11.120 --> 1:36:13.400 is being sold. Make no mind, understand your product. 1:36:13.760 --> 1:36:15.439 If you do not look at yourself like a product. 1:36:15.439 --> 1:36:19.160 Then you're fucked, because this is the music business. This 1:36:19.320 --> 1:36:23.920 is not the music community. It's business. You're a product. 1:36:23.960 --> 1:36:26.679 Your music is a product, your live show is a product. 1:36:27.479 --> 1:36:29.599 If you don't look at it as I'm a product, 1:36:30.280 --> 1:36:33.400 then you're fucked. Who cares about your fucking talent? 1:36:35.160 --> 1:36:37.599 Talent? You think talent doesn't work. It's all about hard work. 1:36:37.640 --> 1:36:39.160 There's a lot of talented people. 1:36:39.200 --> 1:36:40.960 Do you think I know talented? Are I know a 1:36:41.439 --> 1:36:44.639 level talented motherfuckers that you'll never know about because they're 1:36:44.680 --> 1:36:47.120 lazy as fun. They're lazy, and they're they think that 1:36:47.200 --> 1:36:48.800 they're entitled because they're so good. 1:36:49.840 --> 1:36:51.639 I hear a lot that like talents of people think 1:36:51.720 --> 1:36:52.559 oh I'm so good. 1:36:52.800 --> 1:36:54.160 This is music that you ain't got to put in 1:36:54.200 --> 1:36:58.680 the work. You could be talented all you want. If 1:36:58.680 --> 1:37:01.120 you ain't willing to fucking get over yourself and put 1:37:01.160 --> 1:37:02.200 the work in, then you're fucked. 1:37:02.400 --> 1:37:04.640 It's like an agenda that people that have talent, they 1:37:04.720 --> 1:37:08.120 have like, oh, all these people are I'm better than them, 1:37:08.280 --> 1:37:08.680 and all. 1:37:08.680 --> 1:37:10.439 Right, well, good luck, man, have fun being talented in 1:37:10.479 --> 1:37:12.760 your bedroom. Listen. I appreciate you guys pulling up the 1:37:12.840 --> 1:37:16.759 Leak Podcast Mondays and Wednesdays. Check out their live streams 1:37:16.800 --> 1:37:20.240 Man Instagram Live into the Leak Podcast. 1:37:20.560 --> 1:37:22.120 Can we get the bombs on him too? Can we 1:37:22.160 --> 1:37:23.680 get the bombs hit the bombs on him? 1:37:23.720 --> 1:37:31.240 Right? 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