1 00:00:07,840 --> 00:00:18,920 Speaker 1: Aska previously on Afghanistan. Daoud flees Afghanistan. 2 00:00:19,400 --> 00:00:22,520 Speaker 2: Sometimes I say maybe I am that I was the 3 00:00:22,560 --> 00:00:26,360 Speaker 2: first person to realize the situation is getting worse. 4 00:00:27,080 --> 00:00:31,880 Speaker 1: And Tolo TV is declared an official military target of 5 00:00:31,960 --> 00:00:32,559 Speaker 1: the Taliban. 6 00:00:33,120 --> 00:00:36,199 Speaker 2: The Islamic Emirate of Afghanistan from now onwards does not 7 00:00:36,240 --> 00:00:38,680 Speaker 2: recognize Hollow TV as a media outlet. 8 00:00:39,560 --> 00:00:40,559 Speaker 3: It declares them to. 9 00:00:40,560 --> 00:00:52,360 Speaker 1: Be military targets which will be eliminated. When Tolo TV 10 00:00:52,560 --> 00:00:57,000 Speaker 1: CEO and founder Sad Musseni reads the fatwa, the Taliban 11 00:00:57,080 --> 00:01:01,160 Speaker 1: declaration that Sad's company and all of his employees are 12 00:01:01,240 --> 00:01:08,759 Speaker 1: now officially targets, he's terrified, but he's also furious. He's 13 00:01:08,800 --> 00:01:12,240 Speaker 1: not gonna let the Taliban bully him into hiding. This 14 00:01:12,319 --> 00:01:16,400 Speaker 1: isn't about losing his company. It's about the cultural revolution 15 00:01:16,880 --> 00:01:21,559 Speaker 1: taking place right now. Sad believes people should be able 16 00:01:21,640 --> 00:01:24,840 Speaker 1: to watch what they want to watch, to vote with 17 00:01:24,920 --> 00:01:29,640 Speaker 1: their remote controls, and he refuses to let this revolution 18 00:01:30,280 --> 00:01:35,800 Speaker 1: fall in the face of terrorists, so he starts ramping 19 00:01:35,920 --> 00:01:36,759 Speaker 1: up security. 20 00:01:37,319 --> 00:01:41,240 Speaker 3: We had all types of equipment that would detect bombs. 21 00:01:41,400 --> 00:01:45,240 Speaker 3: We had fully trained dogs, we had machines that could 22 00:01:45,319 --> 00:01:48,520 Speaker 3: detect messhole. If people pass through them. 23 00:01:48,680 --> 00:01:52,600 Speaker 1: And he makes sure most programs are filmed within the 24 00:01:52,640 --> 00:01:55,120 Speaker 1: walls of the Tolo compound. 25 00:01:54,760 --> 00:01:58,400 Speaker 3: And of course when they travel outside the compound, we 26 00:01:58,520 --> 00:02:02,520 Speaker 3: had armored vehicles that they would travel in, especially our judges. 27 00:02:03,200 --> 00:02:07,440 Speaker 1: Also, a lot of the staff carry weapons, including Sod, 28 00:02:08,280 --> 00:02:10,679 Speaker 1: not that it would make any difference, because well. 29 00:02:10,600 --> 00:02:13,079 Speaker 3: You know that most of us were not well versed 30 00:02:13,080 --> 00:02:16,160 Speaker 3: in terms of you know, keeping a gun, cleaning a gun, 31 00:02:16,600 --> 00:02:18,400 Speaker 3: holding it should be at the front or the back 32 00:02:18,440 --> 00:02:19,600 Speaker 3: of your trousers. 33 00:02:20,080 --> 00:02:23,440 Speaker 1: With all the security in place, Sod instructs his teams 34 00:02:23,440 --> 00:02:27,480 Speaker 1: to keep making their shows. He's doubling down, hoping that 35 00:02:27,600 --> 00:02:31,280 Speaker 1: the flood of comedy and music and soap operas will 36 00:02:31,360 --> 00:02:38,520 Speaker 1: keep the Taliban at bay. Of course, there's a simpler solution. 37 00:02:39,080 --> 00:02:44,320 Speaker 1: He could just shut down the Taliban's biggest target, Afghan 38 00:02:44,440 --> 00:02:49,560 Speaker 1: Star represents everything the Taliban hate, and if he just 39 00:02:49,720 --> 00:02:53,760 Speaker 1: canceled that show, he could probably make all the threats 40 00:02:53,960 --> 00:03:00,920 Speaker 1: go away. But Sod won't do it. Instead, he does 41 00:03:00,960 --> 00:03:06,040 Speaker 1: something he knows will enrage his enemies. He hires a 42 00:03:06,160 --> 00:03:13,400 Speaker 1: new judge, a pop star named Arianna. Said, we cannot 43 00:03:13,480 --> 00:03:14,040 Speaker 1: let them win. 44 00:03:14,320 --> 00:03:19,000 Speaker 2: We cannot let the darkness come over us again. We 45 00:03:19,120 --> 00:03:22,800 Speaker 2: have to fight back. We have to fight back with music. 46 00:03:23,680 --> 00:03:24,640 Speaker 2: That's how we can fight. 47 00:03:26,680 --> 00:03:31,040 Speaker 1: I'm John Legend and from Kaleidoscope and iHeart This is 48 00:03:31,160 --> 00:03:56,280 Speaker 1: Afghanistar Chapter one. Ariana. Arianna said was born in Afghanistan, 49 00:03:57,160 --> 00:04:00,560 Speaker 1: but she fled when she was eight years old after 50 00:04:00,640 --> 00:04:04,120 Speaker 1: a rocket landed in a tree right outside her house 51 00:04:04,640 --> 00:04:05,720 Speaker 1: during the civil war. 52 00:04:06,200 --> 00:04:09,120 Speaker 2: This noise was actually like still kind of clinging in 53 00:04:09,160 --> 00:04:13,360 Speaker 2: our ears, and there was smoke. Everyone was coughing, trying 54 00:04:13,360 --> 00:04:17,760 Speaker 2: to look for each other. I remember so many birds 55 00:04:17,880 --> 00:04:22,200 Speaker 2: had died and they had just been thrown on the 56 00:04:22,279 --> 00:04:25,560 Speaker 2: ground everywhere, and I was looking at these birds and 57 00:04:25,600 --> 00:04:27,680 Speaker 2: I was feeling like, oh my god, what a disaster. 58 00:04:28,520 --> 00:04:30,880 Speaker 2: My father said, Okay, there's no way for us to 59 00:04:30,920 --> 00:04:32,640 Speaker 2: be able to live in this country anymore. 60 00:04:33,960 --> 00:04:38,799 Speaker 1: She went from Afghanistan to Pakistan, to Switzerland, then Germany, 61 00:04:39,960 --> 00:04:45,560 Speaker 1: and finally she settled in London. As a tween, she 62 00:04:45,600 --> 00:04:49,880 Speaker 1: became obsessed with Beyonce and Destiny's Child, and she used 63 00:04:49,880 --> 00:04:53,440 Speaker 1: to spend all day in her bedroom singing into her hairbrush. 64 00:04:55,400 --> 00:04:57,479 Speaker 2: Do you know that song by j Loo? I used 65 00:04:57,480 --> 00:05:00,280 Speaker 2: to love that song and sing it all the time. 66 00:05:01,560 --> 00:05:02,560 Speaker 4: Case you have. 67 00:05:02,839 --> 00:05:11,720 Speaker 1: Mom soon She was singing at family gatherings and parties 68 00:05:11,760 --> 00:05:15,680 Speaker 1: and even making videos which she would upload to YouTube. 69 00:05:16,720 --> 00:05:21,320 Speaker 1: And it was those videos that Sod and his producers saw. 70 00:05:22,920 --> 00:05:26,200 Speaker 1: They caught her up and said, hey, we run the 71 00:05:26,240 --> 00:05:30,200 Speaker 1: biggest music TV station in Afghanistan. Why don't you come 72 00:05:30,240 --> 00:05:31,800 Speaker 1: to Cobble and do a concert. 73 00:05:32,080 --> 00:05:35,080 Speaker 2: It's like Sida see. 74 00:05:34,400 --> 00:05:35,599 Speaker 5: Hold my heart. 75 00:05:36,480 --> 00:05:41,000 Speaker 1: Ariana had always wanted to go home, much like Sad 76 00:05:41,120 --> 00:05:43,799 Speaker 1: and other Afghans who had been displaced by the war. 77 00:05:44,440 --> 00:05:47,840 Speaker 1: She'd longed for it, and so for the first time 78 00:05:47,920 --> 00:05:52,599 Speaker 1: since she was a kid. In twenty eleven, Arianna sets 79 00:05:52,920 --> 00:05:54,560 Speaker 1: foot in Cobble. 80 00:06:00,240 --> 00:06:05,760 Speaker 2: Q as the law mason eye easies. 81 00:06:08,520 --> 00:06:12,919 Speaker 1: She steps onto the stage wearing a floor linked turquoise dress, 82 00:06:13,640 --> 00:06:17,480 Speaker 1: and she looks around. The walls of the arena are black, 83 00:06:17,920 --> 00:06:22,080 Speaker 1: dotted with thousands of multicolored lights. They look like stars 84 00:06:22,120 --> 00:06:25,560 Speaker 1: in the night sky from a distance. Her eyes dropped 85 00:06:25,600 --> 00:06:30,360 Speaker 1: to the seat surrounding the stage. Every single one of 86 00:06:30,400 --> 00:06:37,600 Speaker 1: them is filled. She struts forward, her turquoise dressed shimmering. 87 00:06:38,320 --> 00:06:41,320 Speaker 1: Her black hair cascades down the small of her back. 88 00:06:43,680 --> 00:07:13,680 Speaker 1: It swishes back and forth as she begins to say. 89 00:07:03,680 --> 00:07:08,159 Speaker 2: I remember the crops the screams and the excitement of 90 00:07:08,240 --> 00:07:18,600 Speaker 2: the audience. They absolutely loved it. 91 00:07:21,080 --> 00:07:24,080 Speaker 1: Arianna flips her hair off her shoulder and begins to 92 00:07:24,200 --> 00:07:28,000 Speaker 1: dance around the stage, pointing her microphone at the audience. 93 00:07:28,440 --> 00:07:31,360 Speaker 2: I got the audience to sing along with me, and 94 00:07:31,440 --> 00:07:35,360 Speaker 2: I think that was the first time in the Afghan 95 00:07:35,440 --> 00:07:40,720 Speaker 2: music history that a single got the public, even including women, 96 00:07:40,840 --> 00:07:41,520 Speaker 2: to sing along. 97 00:07:47,560 --> 00:07:49,960 Speaker 1: They keep bursting up and out of their seats to 98 00:07:50,080 --> 00:07:53,480 Speaker 1: join in. They're holding hands and waving their arms in 99 00:07:53,520 --> 00:08:14,400 Speaker 1: the air, clapping to the beat and whistling. Over the 100 00:08:14,440 --> 00:08:19,239 Speaker 1: next few years, Ariana just keeps getting bigger, a full 101 00:08:19,320 --> 00:08:24,600 Speaker 1: on Afghan pop sensation. Her makeup is glamorous, her hair 102 00:08:24,880 --> 00:08:29,960 Speaker 1: is long and thick and straight, and she wears it uncovered. 103 00:08:30,680 --> 00:08:34,760 Speaker 1: Her outfits are big and sparkly. She has tattoos on 104 00:08:34,840 --> 00:08:39,360 Speaker 1: her hands, and her songs have made her famous, like 105 00:08:39,720 --> 00:08:40,920 Speaker 1: really really famous. 106 00:08:41,840 --> 00:08:47,800 Speaker 4: Tama Tama Ariana Said is a superstar in Afghanistan, Singing 107 00:08:47,840 --> 00:08:51,400 Speaker 4: in n Pashto and Dari dialects. Her voice not only 108 00:08:51,400 --> 00:08:55,960 Speaker 4: gives Afghani folkloric music a modern twist, but also carries 109 00:08:56,000 --> 00:08:59,640 Speaker 4: the aspirations of women seeking empowerment in a country that 110 00:08:59,720 --> 00:09:01,480 Speaker 4: was one under Taliban rule. 111 00:09:02,240 --> 00:09:05,680 Speaker 1: She has fans all over the world, one point nine 112 00:09:05,760 --> 00:09:10,080 Speaker 1: million followers on Instagram, and because she's so famous, she's. 113 00:09:09,840 --> 00:09:13,520 Speaker 4: Been targeted by Islamic cardliners and even had a bounty 114 00:09:13,559 --> 00:09:15,199 Speaker 4: on her head for not wearing a veil. 115 00:09:16,880 --> 00:09:20,800 Speaker 2: Outside this hotel where I'm performing, there were about, I 116 00:09:20,800 --> 00:09:24,240 Speaker 2: don't know two hundred and fifty to three hundred people 117 00:09:24,920 --> 00:09:30,240 Speaker 2: praying and screaming and shouting, calling my name death to Ariana. 118 00:09:30,480 --> 00:09:34,280 Speaker 2: She's Satan. She's bringing music to Afghanistan and we have 119 00:09:34,400 --> 00:09:36,560 Speaker 2: to stop her. And they were praying at the same time, 120 00:09:36,720 --> 00:09:46,360 Speaker 2: calling God and calling me infidel. 121 00:09:46,480 --> 00:09:49,760 Speaker 1: And that's when Sad approaches and he tells her that 122 00:09:49,840 --> 00:09:52,160 Speaker 1: he wants her to head up the next season of 123 00:09:52,240 --> 00:09:57,640 Speaker 1: Afghanistar as a judge. She isn't just the most visible 124 00:09:57,679 --> 00:10:00,960 Speaker 1: pop star in the country, she's all so the perfect 125 00:10:01,240 --> 00:10:12,600 Speaker 1: soldier to help him fight the Taliban. And just as 126 00:10:12,600 --> 00:10:16,319 Speaker 1: he predicted, Ariana's impact is immediate. 127 00:10:16,920 --> 00:10:20,199 Speaker 2: Every time I was on the show, their viewers would 128 00:10:20,520 --> 00:10:25,240 Speaker 2: automatically like go up by so many percentages. Because I 129 00:10:25,280 --> 00:10:27,880 Speaker 2: was a part of the show and because people love. 130 00:10:27,760 --> 00:10:41,559 Speaker 1: Me, female fans line up for hours for a chance 131 00:10:41,600 --> 00:10:43,800 Speaker 1: to talk to her. After tapings, They used to. 132 00:10:43,720 --> 00:10:46,520 Speaker 2: Tell me stories about their daily lives and how people 133 00:10:46,559 --> 00:10:50,040 Speaker 2: would look down upon them from there or let's say, 134 00:10:50,240 --> 00:10:52,680 Speaker 2: I don't know, on a bus, traveling to their home, 135 00:10:52,800 --> 00:10:54,400 Speaker 2: or being on the road on the streets. 136 00:10:54,920 --> 00:10:59,160 Speaker 1: Ariana begins to take female contestants under her wing, coaching 137 00:10:59,200 --> 00:11:00,880 Speaker 1: them to get further in the competition. 138 00:11:01,520 --> 00:11:06,000 Speaker 2: They used to be called names. People would not vote 139 00:11:06,000 --> 00:11:08,559 Speaker 2: for them to be on the show. They would make 140 00:11:08,640 --> 00:11:12,040 Speaker 2: fun of them. Their families would say you are not 141 00:11:12,200 --> 00:11:12,720 Speaker 2: my daughter. 142 00:11:12,960 --> 00:11:13,200 Speaker 6: You know. 143 00:11:13,440 --> 00:11:17,000 Speaker 2: It was extremely hard, extremely challenging for them. 144 00:11:17,440 --> 00:11:21,600 Speaker 1: But with Ariana behind them, two women get through to 145 00:11:21,679 --> 00:11:25,760 Speaker 1: the top twelve and one of them is even a rapper. 146 00:11:35,520 --> 00:11:40,319 Speaker 1: Afghan Star started with everyone auditioning using the same Afghan 147 00:11:40,440 --> 00:11:44,840 Speaker 1: Elvis songs. There was no new music. Dau Sadiki, the 148 00:11:44,880 --> 00:11:47,920 Speaker 1: first producer, couldn't even find a judge because there were 149 00:11:47,920 --> 00:11:52,000 Speaker 1: barely any singers in the country. But ten seasons later, 150 00:11:52,480 --> 00:11:58,000 Speaker 1: there are female rappers, gorgeous pop songs, famous pop stars. 151 00:11:59,000 --> 00:12:01,600 Speaker 3: It was a lightning rod all other ways. I mean, 152 00:12:01,600 --> 00:12:04,360 Speaker 3: one side of the coin was that we're getting lots 153 00:12:04,360 --> 00:12:07,600 Speaker 3: of viewers and we're giving people joy. But the other 154 00:12:07,679 --> 00:12:09,920 Speaker 3: side was that people just did not like us for 155 00:12:10,120 --> 00:12:10,640 Speaker 3: airing this. 156 00:12:10,640 --> 00:12:16,960 Speaker 1: Program, but Sad doesn't care. This is a revolution and 157 00:12:17,040 --> 00:12:22,320 Speaker 1: it will be televised. He won't back down, or so 158 00:12:22,640 --> 00:12:51,640 Speaker 1: he thinks. Thanks January twentieth, twenty sixteen, Sad is on 159 00:12:51,720 --> 00:12:54,160 Speaker 1: a business trip when he gets a call from an 160 00:12:54,160 --> 00:12:59,560 Speaker 1: employee in Cobble. He listens as this producer explains that 161 00:12:59,600 --> 00:13:03,479 Speaker 1: the news team is out reporting on a developing story. 162 00:13:04,120 --> 00:13:08,760 Speaker 1: A minibus full of people was targeted in a suicide 163 00:13:08,880 --> 00:13:18,079 Speaker 1: bomb attack. And then the producer pauses and Sad waits, 164 00:13:21,160 --> 00:13:23,800 Speaker 1: and he says something horrifying. 165 00:13:24,720 --> 00:13:26,360 Speaker 3: He said, I'm trying to get a hold of people 166 00:13:26,360 --> 00:13:47,000 Speaker 3: and Melon's strength. I think it may be our boss. 167 00:13:49,440 --> 00:13:59,120 Speaker 1: Chapter two, A Brave Girl. The morning of January twentieth, 168 00:13:59,120 --> 00:14:03,240 Speaker 1: twenty sixteen had been like any other for Ghoul Mohammed Azizi. 169 00:14:04,720 --> 00:14:10,400 Speaker 1: His daughter Mahri Azizi was rushing after work Dona. 170 00:14:14,000 --> 00:14:16,960 Speaker 6: She was very kind hearted and I loved her so much. 171 00:14:17,040 --> 00:14:19,480 Speaker 6: She was not only a reason of pro for me, 172 00:14:19,560 --> 00:14:20,680 Speaker 6: but for my whole family. 173 00:14:22,000 --> 00:14:25,200 Speaker 1: Mary was talented. In addition to her mother tongue, she 174 00:14:25,200 --> 00:14:29,560 Speaker 1: could speak English and German and Dutch. She loved to 175 00:14:29,680 --> 00:14:32,560 Speaker 1: learn and would stay up until one am most knights 176 00:14:32,960 --> 00:14:34,960 Speaker 1: studying and working. 177 00:14:41,240 --> 00:14:44,480 Speaker 6: And she wanted to pursue and complete her education and 178 00:14:45,600 --> 00:14:49,680 Speaker 6: reach the highest you know, position wise that she is 179 00:14:49,760 --> 00:14:53,640 Speaker 6: dreaming of. And from that point of view, she wanted 180 00:14:53,680 --> 00:14:55,040 Speaker 6: to serve the country. 181 00:14:55,960 --> 00:14:59,120 Speaker 1: And what better way than taking part in Tolo TV's 182 00:14:59,280 --> 00:15:04,520 Speaker 1: revolution of entertainment. She was in her early twenties and 183 00:15:04,560 --> 00:15:07,880 Speaker 1: she was already a rising star on the staff of 184 00:15:08,000 --> 00:15:18,000 Speaker 1: Sad's company. But then the fatoi was issued by the 185 00:15:18,000 --> 00:15:22,520 Speaker 1: Taliban and the threats rolled in one after the other. 186 00:15:25,240 --> 00:15:27,880 Speaker 1: Corono and the work some shoot moan. 187 00:15:28,280 --> 00:15:32,400 Speaker 6: She told her mother that I feel I feel it 188 00:15:32,440 --> 00:15:35,520 Speaker 6: in my heart that I'm going to be martied in 189 00:15:35,680 --> 00:15:38,960 Speaker 6: the way that I'm going from job home and from 190 00:15:39,040 --> 00:15:39,600 Speaker 6: home to job. 191 00:15:40,440 --> 00:15:44,720 Speaker 1: That's right. She feels like she's going to become a martyr. 192 00:15:45,440 --> 00:15:47,880 Speaker 1: She tells her mom that she has a feeling she 193 00:15:48,080 --> 00:15:51,600 Speaker 1: thinks she's about to die. 194 00:15:57,040 --> 00:15:59,440 Speaker 6: I asked her that you shouldn't go if there are 195 00:15:59,480 --> 00:16:01,440 Speaker 6: threats against your job. 196 00:16:02,120 --> 00:16:05,480 Speaker 1: But she tells her father, no, I'm going in alongside 197 00:16:05,480 --> 00:16:09,680 Speaker 1: my colleagues. She was a brave girl, and so she 198 00:16:09,880 --> 00:16:15,200 Speaker 1: keeps working and on the evening of January twentieth, twenty sixteen, 199 00:16:16,000 --> 00:16:22,200 Speaker 1: her father's phone rings it's two of Mary's colleagues. They 200 00:16:22,320 --> 00:16:29,760 Speaker 1: sound panicked, upset. They tell him there's been an attack. 201 00:16:30,880 --> 00:16:34,160 Speaker 6: Unfortunately, the Mehry was also part of those people who 202 00:16:34,160 --> 00:16:35,560 Speaker 6: were there in the in the. 203 00:16:35,520 --> 00:16:42,760 Speaker 1: Best and she didn't survive. Gold Mohammed is in tears 204 00:16:43,520 --> 00:16:47,960 Speaker 1: as he tells this story. It keeps dropping his head 205 00:16:48,240 --> 00:16:51,720 Speaker 1: to wipe his tears with a handkerchief, but he doesn't 206 00:16:51,720 --> 00:16:52,280 Speaker 1: stop talking. 207 00:16:52,880 --> 00:16:58,640 Speaker 6: Rang A. It was a very painful moment, and her 208 00:16:58,680 --> 00:17:01,440 Speaker 6: mother was very said, and she was crying a lot. 209 00:17:01,560 --> 00:17:03,120 Speaker 6: She was beating herself up. 210 00:17:03,920 --> 00:17:07,040 Speaker 1: He rushes to the hospital to see her body. 211 00:17:09,160 --> 00:17:12,520 Speaker 6: There were a lot of family members that were so 212 00:17:12,760 --> 00:17:17,080 Speaker 6: crowd and everyone was running down and they didn't let 213 00:17:17,160 --> 00:17:21,600 Speaker 6: us initially to go inside and see. 214 00:17:21,920 --> 00:17:26,880 Speaker 1: And then all of a sudden, it all hits him, 215 00:17:27,000 --> 00:17:35,560 Speaker 1: the stress, the panic, this immense sense of loss that 216 00:17:35,680 --> 00:17:43,520 Speaker 1: his baby girl is gone. His body shuts down and 217 00:17:43,600 --> 00:17:46,520 Speaker 1: he drops to the ground unconscious. 218 00:17:50,960 --> 00:17:55,240 Speaker 5: Chaos in the center of carbol after a carbombing. Attackers 219 00:17:55,280 --> 00:17:57,440 Speaker 5: I thought we have targeted the van of local TV 220 00:17:57,560 --> 00:18:02,600 Speaker 5: news station TOLO. At least employees are feared dead. There 221 00:18:02,600 --> 00:18:06,640 Speaker 5: have been no immediate claims of responsibility for the attack. However, 222 00:18:06,720 --> 00:18:09,879 Speaker 5: the Taliban said last year that they considered Tolo TV 223 00:18:10,080 --> 00:18:11,399 Speaker 5: a legitimate target. 224 00:18:24,080 --> 00:18:26,720 Speaker 1: While all of this is happening, Sad is on a 225 00:18:26,800 --> 00:18:31,600 Speaker 1: plane back to Kabo. He can't do anything until he lands, 226 00:18:32,000 --> 00:18:35,240 Speaker 1: so he just keeps refreshing his messages and his news app, 227 00:18:35,600 --> 00:18:45,320 Speaker 1: hoping for an update. Eventually, it's confirmed seven employees were 228 00:18:45,440 --> 00:18:47,160 Speaker 1: murdered in the attack. 229 00:18:50,359 --> 00:18:53,600 Speaker 3: Operating in a place like Afghanistan, we have been exposed 230 00:18:53,640 --> 00:18:59,840 Speaker 3: to attacks and friends and family getting killed. I stopped counting, 231 00:18:59,840 --> 00:19:04,040 Speaker 3: and twenty twelve or twenty thirteen, but but by then 232 00:19:04,240 --> 00:19:08,520 Speaker 3: I had lost something like forty close friends in the war. 233 00:19:09,600 --> 00:19:14,600 Speaker 3: But what was important, but this particular attack, was that 234 00:19:14,680 --> 00:19:16,960 Speaker 3: some of these kids were like our own children, and 235 00:19:17,000 --> 00:19:23,720 Speaker 3: you have this responsibility in terms of protecting them. 236 00:19:23,760 --> 00:19:27,520 Speaker 1: When Saad's plane finally touches down, he goes straight to 237 00:19:27,520 --> 00:19:29,040 Speaker 1: see the victim's families. 238 00:19:29,880 --> 00:19:33,199 Speaker 3: The environment is such a way, you have dozens of 239 00:19:33,240 --> 00:19:36,959 Speaker 3: families wailing as they identify their but you know, so 240 00:19:37,000 --> 00:19:42,119 Speaker 3: it's very traumatic experience for all and some, of course, 241 00:19:42,119 --> 00:19:46,840 Speaker 3: many were deeply angry with us and unhappy with us, 242 00:19:49,160 --> 00:19:52,080 Speaker 3: but that's, you know, expected. 243 00:19:52,960 --> 00:19:56,120 Speaker 1: He calls ghul Mohammad, Mary's father. 244 00:19:57,920 --> 00:20:01,560 Speaker 6: Plays it up and he promised that we will help 245 00:20:01,800 --> 00:20:04,400 Speaker 6: with anything that we can. He promises that they will 246 00:20:04,440 --> 00:20:07,000 Speaker 6: pay us up to ten years half of their salaries, 247 00:20:07,320 --> 00:20:10,320 Speaker 6: and along with that he promised that any family members 248 00:20:10,480 --> 00:20:12,840 Speaker 6: we will help and hire them. 249 00:20:12,880 --> 00:20:13,120 Speaker 1: Here. 250 00:20:13,400 --> 00:20:19,040 Speaker 3: Let's you feel guilty. 251 00:20:19,520 --> 00:20:20,040 Speaker 1: We still do. 252 00:20:20,520 --> 00:20:24,280 Speaker 3: Of course you do. You want to comfort them and 253 00:20:24,280 --> 00:20:26,640 Speaker 3: and condole them, but you understand, you have to understand 254 00:20:26,640 --> 00:20:27,159 Speaker 3: their anger. 255 00:20:29,040 --> 00:20:33,480 Speaker 1: That night, Sad lies in his bed, awake. The darkness 256 00:20:33,520 --> 00:20:38,560 Speaker 1: feels suffocating. He can't get the images out of his head, 257 00:20:40,040 --> 00:20:43,959 Speaker 1: and for the first time, he asks himself, is it 258 00:20:44,000 --> 00:20:48,080 Speaker 1: all worth it? This whole thing? I started this revolution, 259 00:20:48,480 --> 00:20:53,159 Speaker 1: this idea of spreading pop culture around Afghanistan and giving 260 00:20:53,200 --> 00:20:59,359 Speaker 1: people entertainment in the face of people actually dying kids, 261 00:20:59,359 --> 00:21:02,879 Speaker 1: We gave jobs, jobs, two being blown up coming home 262 00:21:02,920 --> 00:21:09,680 Speaker 1: from work. Is any of it worth it? 263 00:21:09,680 --> 00:21:13,639 Speaker 3: It's not a rhetorical question, it's a serious question. But 264 00:21:13,720 --> 00:21:16,560 Speaker 3: you have to prepare to carry through with your decision. 265 00:21:16,560 --> 00:21:18,640 Speaker 3: If you were together and shut down the operation. 266 00:21:25,840 --> 00:21:29,199 Speaker 1: Hey, it's John Legend. If you've been listening, you already 267 00:21:29,240 --> 00:21:33,920 Speaker 1: know that Afghan Star is a tale of resistance and hope. 268 00:21:34,000 --> 00:21:38,120 Speaker 1: For fifteen years, Afghan Star was a beacon. But when 269 00:21:38,160 --> 00:21:41,639 Speaker 1: the Taliban returned to power, they shut the show down 270 00:21:41,960 --> 00:21:46,400 Speaker 1: along with so many Afghan rights. They banned music, education 271 00:21:46,560 --> 00:21:49,920 Speaker 1: for girls and women, and they continue to clamp down 272 00:21:50,040 --> 00:21:54,520 Speaker 1: on everyone's freedoms. But there are ways to show your support. 273 00:21:54,960 --> 00:21:59,160 Speaker 1: We've teamed up with AWA Studios and their incredible graphic 274 00:21:59,320 --> 00:22:03,399 Speaker 1: artists to illustrate some of the most extraordinary moments in 275 00:22:03,440 --> 00:22:07,840 Speaker 1: this podcast. There is a unique print for each episode, 276 00:22:08,200 --> 00:22:12,440 Speaker 1: bringing to life powerful moments that are moving and inspiring. 277 00:22:13,040 --> 00:22:16,840 Speaker 1: And there's an unforgettable print based on a painting from 278 00:22:16,920 --> 00:22:22,399 Speaker 1: superstar artist Raza that represents the spirit of hope embodied 279 00:22:22,440 --> 00:22:26,119 Speaker 1: by the show. Art and music have the power to 280 00:22:26,359 --> 00:22:30,639 Speaker 1: uplift us all, and ordering a work for yourself or 281 00:22:30,680 --> 00:22:35,160 Speaker 1: as a gift help support Afghans. With every purchase will 282 00:22:35,200 --> 00:22:38,639 Speaker 1: be donating to the Nore Initiative, a nonprofit working to 283 00:22:38,760 --> 00:22:44,400 Speaker 1: ensure that every Afghan girl has access to education and opportunity. 284 00:22:46,000 --> 00:22:50,360 Speaker 1: For more information on our collaboration with AWA, the artworks 285 00:22:50,400 --> 00:22:53,960 Speaker 1: available to listeners, and to learn more about the Nere 286 00:22:54,119 --> 00:22:59,600 Speaker 1: Initiative's efforts to educate, support independent media, and transform lives 287 00:22:59,600 --> 00:23:02,680 Speaker 1: across the region, head to the link in our show 288 00:23:02,720 --> 00:23:17,240 Speaker 1: notes below. The next day, Sod gets ready to go 289 00:23:17,320 --> 00:23:22,720 Speaker 1: into the office. He's slower than usual, dragging his heels 290 00:23:23,440 --> 00:23:25,040 Speaker 1: because he's expecting the worst. 291 00:23:25,520 --> 00:23:27,560 Speaker 3: I expected half a dozen people to show up because 292 00:23:27,560 --> 00:23:29,840 Speaker 3: we've given the day off to everyone, because everyone has 293 00:23:29,880 --> 00:23:31,119 Speaker 3: been so traumatized. 294 00:23:32,080 --> 00:23:36,280 Speaker 1: Sod drives in, thinking about all the possible outcomes. Will 295 00:23:36,320 --> 00:23:40,280 Speaker 1: his staff quit, Will they disavow their work and severed 296 00:23:40,359 --> 00:23:44,240 Speaker 1: ties with TOLO after the bombing? Will anyone want to 297 00:23:44,280 --> 00:23:47,080 Speaker 1: work on Afghan Star? People are scared. 298 00:23:47,200 --> 00:23:50,040 Speaker 3: I mean, our judges are scared, Our contestants are scared. 299 00:23:50,160 --> 00:23:53,199 Speaker 1: We were scared. He knows he needs to talk to 300 00:23:53,240 --> 00:23:58,600 Speaker 1: his staff, whatever staff are left, but he doesn't know 301 00:23:58,640 --> 00:24:03,639 Speaker 1: what to say. He's still asking himself, should we shut 302 00:24:03,680 --> 00:24:08,600 Speaker 1: the whole thing down? He drives past the security guards 303 00:24:08,840 --> 00:24:13,720 Speaker 1: with their AK forty sevens standing outside. He parks and 304 00:24:13,840 --> 00:24:18,960 Speaker 1: goes in. He walks down the corridor until finally he 305 00:24:19,040 --> 00:24:23,040 Speaker 1: reaches the door to the newsroom, and that's when he 306 00:24:23,119 --> 00:24:24,520 Speaker 1: sees them. 307 00:24:24,359 --> 00:24:29,280 Speaker 3: The entire organization and hundreds of kids who were present that. 308 00:24:29,320 --> 00:24:31,920 Speaker 1: Morning, all standing there. 309 00:24:31,960 --> 00:24:35,440 Speaker 3: Standing outside on a particularly cold day. 310 00:24:36,119 --> 00:24:42,359 Speaker 1: Waiting waiting for him to speak. So he takes a 311 00:24:42,359 --> 00:24:43,400 Speaker 1: deep breath. 312 00:24:44,600 --> 00:24:46,320 Speaker 3: And I said, listen at the end of the day, 313 00:24:47,240 --> 00:24:51,240 Speaker 3: if it means that we save lives, I'd be happy 314 00:24:51,280 --> 00:24:55,200 Speaker 3: to shut down the operation. And for me, it's not 315 00:24:55,280 --> 00:24:56,440 Speaker 3: worth one life. 316 00:24:56,520 --> 00:24:59,720 Speaker 1: Whatever we're doing, it's not the words they want to hear. 317 00:25:00,400 --> 00:25:04,040 Speaker 1: It's clear they aren't going anywhere. 318 00:25:05,840 --> 00:25:08,680 Speaker 3: There was no fear, and as a matter of fact, 319 00:25:08,720 --> 00:25:10,840 Speaker 3: it became evident that there was a great deal of anger, 320 00:25:11,240 --> 00:25:16,000 Speaker 3: and their determination to carry on was for me very important. 321 00:25:17,560 --> 00:25:22,440 Speaker 1: Instead of being afraid, they are livid. For these young 322 00:25:22,520 --> 00:25:28,040 Speaker 1: producers and cameramen and anchors and gaffers, the losses are visceral. 323 00:25:28,760 --> 00:25:33,040 Speaker 1: In an instant, dreams were snatched, their friends and colleagues, 324 00:25:33,119 --> 00:25:38,760 Speaker 1: lives taken away, and the names are ringing through their heads. 325 00:25:41,560 --> 00:26:03,080 Speaker 1: Merry as easy, said Jawad Husseini, Zaynab mer Zaid, Mariam Ibrahimi, 326 00:26:08,119 --> 00:26:31,120 Speaker 1: Mohammad Hussein, Mohammad Ali, Mohammadi, Hossein Amiri. Asaad looks at 327 00:26:31,119 --> 00:26:36,160 Speaker 1: his little media army. He realizes they are so much 328 00:26:36,200 --> 00:26:43,080 Speaker 1: stronger than he'd ever known from the wreckage and the loss. 329 00:26:43,680 --> 00:26:46,439 Speaker 1: They need to know that what they've all built together 330 00:26:47,040 --> 00:26:52,920 Speaker 1: means something, that their friends' lives and work mean something. 331 00:26:54,600 --> 00:26:58,920 Speaker 1: They want to rip the Taliban apart and they are 332 00:26:59,000 --> 00:27:04,119 Speaker 1: standing here unified, waiting for orders to fight back. 333 00:27:04,359 --> 00:27:08,040 Speaker 2: There's no way Taliban would be able to gain power 334 00:27:08,080 --> 00:27:10,760 Speaker 2: and couple. My heart would never accept it. 335 00:27:11,560 --> 00:27:39,720 Speaker 1: That's next time. Afghanstar is a Kaleidoscope production in collaboration 336 00:27:39,880 --> 00:27:45,440 Speaker 1: with iHeart Podcasts, produced by samas dot Audio and hosted 337 00:27:45,480 --> 00:27:50,000 Speaker 1: by me John Legend from samas dot Audio. The series 338 00:27:50,040 --> 00:27:54,800 Speaker 1: producer is Mira Kumar. Our executive producers are Joe Sikes 339 00:27:54,840 --> 00:28:00,480 Speaker 1: and Dasha Listsina. Mix and sound designed by Jeff Imptman. 340 00:28:02,359 --> 00:28:07,560 Speaker 1: Story editing by Joe Sikes, with original composition by Kyle Murdoch. 341 00:28:08,720 --> 00:28:15,040 Speaker 1: Recording engineer Tim McClain. Chapter artwork by a WA Studios 342 00:28:16,400 --> 00:28:21,560 Speaker 1: from Kaleidoscope. The executive producers are Kate Osborne, Mengesh hattikadur 343 00:28:21,880 --> 00:28:27,320 Speaker 1: Oz Volisian and Costas Lenos from iHeart. The executive producers 344 00:28:27,359 --> 00:28:31,840 Speaker 1: are Ali Perry and Katrina Norval. Social Media by Darra 345 00:28:31,960 --> 00:28:38,120 Speaker 1: Patts and Vaheiny Shormi. Special thanks to Tom Freston, Lizzie Jacobs, 346 00:28:38,280 --> 00:28:43,800 Speaker 1: Will Pearson, Carrie Lieberman, Nikki Etore, Bob Pittman, John Sikes, 347 00:28:44,040 --> 00:28:48,040 Speaker 1: con o Byrne Sad Mussenni and the Mossenni family, Matthew 348 00:28:48,120 --> 00:28:52,960 Speaker 1: Anderson and Axo Alonzo, and a special thanks to everyone 349 00:28:53,040 --> 00:29:04,720 Speaker 1: at MOBI group to give out but