WEBVTT - Ep6 - HBO CEO Richard Plepler on Winning the Streaming Wars

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<v Speaker 1>Welcome to another episode of Strictly Business, the podcast where

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<v Speaker 1>you'll hear the brightest minds working in the media business today.

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<v Speaker 1>I'm Andrew Wallenstein, co editor in chief of Variety. It

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<v Speaker 1>was my pleasure to sit down with HBO chairman and

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<v Speaker 1>CEO Richard Plepler on May four from the stage of

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<v Speaker 1>Variety's annual Entertainment and Technology Summit in New York. We

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<v Speaker 1>enjoyed a wide ranging discussion on the state of the

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<v Speaker 1>HBO business as Plepler navigates the brand through what's probably

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<v Speaker 1>the fiercest competitive environment he's seen since he came aboard

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<v Speaker 1>way back in but I sh'll hear from him. HBO

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<v Speaker 1>is confident about its position in the marketplace thanks to

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<v Speaker 1>a well stocked cupboard of hit series like Game of

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<v Speaker 1>Thrones and a direct consumer business that is making HBO

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<v Speaker 1>widely available via digital platforms. I hope you enjoy our conversation,

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<v Speaker 1>and if you like this episode, make sure you subscribe

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<v Speaker 1>to Strictly Business. Now here's Richard Plepler. I want to

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<v Speaker 1>are with the elephant in the room, which I know

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<v Speaker 1>you're going to be limited in what you could say

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<v Speaker 1>about a actually less than limited, less than limited about

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<v Speaker 1>a certain court case about a certain pair of companies,

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<v Speaker 1>one trying to acquire the other. All right, so let

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<v Speaker 1>me let me at least ask this. A T and

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<v Speaker 1>T is no stranger to HBO. You guys struck a

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<v Speaker 1>pretty interesting distribution deal in conceptually, what does what do

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<v Speaker 1>these two companies bring to each other? Look, I think, um,

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<v Speaker 1>it's quite axiomatic. Right. They have a hundred and ten

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<v Speaker 1>hundred and twenty million connections with consumers. They have a

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<v Speaker 1>huge data analytics reservoir which I think will be very

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<v Speaker 1>useful to us in terms of subscriber acquisition. Um, the

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<v Speaker 1>more information we have, we think, the better we can

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<v Speaker 1>serve the consumer and better serve our customers currently in

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<v Speaker 1>potential customers. And the deal that we did that HBO

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<v Speaker 1>did in the summer two thousand sixteen, which was a

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<v Speaker 1>multilateral deal broadband wireless direct TV, is really kind of

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<v Speaker 1>a microcosm of our distribution strategy at large, right, which is,

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<v Speaker 1>we wanted to make HBO available whenever, however, wherever people

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<v Speaker 1>want it, And we built a multilateral distribution network for

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<v Speaker 1>cable Partner's, satellite partners, Telco Partners, and now Digital Partners.

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<v Speaker 1>And as you well know, because We've spoken about this before.

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<v Speaker 1>When we announced that we were going to build a

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<v Speaker 1>digital platform. The whole concept was we saw the broadband

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<v Speaker 1>owned the universe. When we made that announcement on Investor

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<v Speaker 1>Day in October fourteen, that were probably about three and

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<v Speaker 1>a half million broadband only subs United States. We sit

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<v Speaker 1>here today, uh, there's twenty million, and we knew that

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<v Speaker 1>that was growing, and we wanted to be available to

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<v Speaker 1>people who just had broadband. And it has been a

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<v Speaker 1>terrific addition um to our to our distribution model because

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<v Speaker 1>we now are approaching uh, folks who don't have a

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<v Speaker 1>traditional cable subscription. That said, we're growing in the ecosystem

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<v Speaker 1>as well, for all kinds of different reasons. Ecosystem meaning

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<v Speaker 1>the linear channel traditional distribution system as well and parenthetically,

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<v Speaker 1>and this is interesting. Remember the broadband platforms that Comcast has,

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<v Speaker 1>or that Spectrum has, that A T and T has

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<v Speaker 1>UM they can bundle us as well. So there's all

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<v Speaker 1>different means of getting to the customer and we wanted

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<v Speaker 1>to maximize those, which is why we did what we did, which,

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<v Speaker 1>as you know, UM resulted last year in our biggest

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<v Speaker 1>year of sub revenue growth ever. So I think it

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<v Speaker 1>was a good decision that we did it. We didn't

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<v Speaker 1>think it was going to be cannibalistic, which was uh.

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<v Speaker 1>Some people's dig on us was a we wouldn't. We

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<v Speaker 1>didn't have the tech DNA, We couldn't do it and

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<v Speaker 1>be if we did do it to be cannibalistic, yes,

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<v Speaker 1>we could know it wasn't. And our proposition was pretty simple,

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<v Speaker 1>which was the pie was going to get bigger and

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<v Speaker 1>that was going to be good for the consumer. It

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<v Speaker 1>was gonna be good for distributors, it was gonna be

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<v Speaker 1>good for us. So when you say you've got this

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<v Speaker 1>subscriber growth, forgive me for being a little skeptical. Is

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<v Speaker 1>it possible that, Okay, you guys have tapped now a

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<v Speaker 1>market that you were never able to tap, that always

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<v Speaker 1>needed to buy basic cable before they got Hbo. Now

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<v Speaker 1>they can go directly to Hbo. Okay, so you got

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<v Speaker 1>I don't know, three four or five million. How many

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<v Speaker 1>more of those people could there be left? So we

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<v Speaker 1>think um our penetration, which has always been about a

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<v Speaker 1>third of the country, we think we can get and

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<v Speaker 1>that's ambitious, it is ambitious. But we we look at

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<v Speaker 1>our better performing affiliates and those better performing affiliates UM

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<v Speaker 1>are close to that, and so for us, when we

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<v Speaker 1>looked at the opportunity in the marketplace, basically what we

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<v Speaker 1>said was pretty simple, which is, you know what, there's

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<v Speaker 1>a huge undecided vote out there, and we've shored up

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<v Speaker 1>our base pretty well. There's obviously there going to be

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<v Speaker 1>people who aren't going to subscribe because either they feel

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<v Speaker 1>they have enough or they don't like the programming. But

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<v Speaker 1>there is a big market of an additional fifteen or

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<v Speaker 1>twenty million homes out there that we're going after in

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<v Speaker 1>both the broadband ecosystem in the traditional ecosystem. So we

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<v Speaker 1>think there's a lot of growth left and we're going

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<v Speaker 1>to attack it. And the key to doing that is

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<v Speaker 1>to continue to make great content, curate that content, and

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<v Speaker 1>make sure that our brand promise of excellence continues to

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<v Speaker 1>be sustained. If we do that, I think last year

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<v Speaker 1>is an indicator of of what's ahead. We'll get to

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<v Speaker 1>that content in a bit. But you know, another distribution question,

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<v Speaker 1>what is the primary growth driver? I know there is

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<v Speaker 1>HBO now as a standalone. I know I could get

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<v Speaker 1>it through Amazon or Hulu. Is there any one of

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<v Speaker 1>those that's going to be the real driver. It's multifaceted,

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<v Speaker 1>and I would say this over the course of the

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<v Speaker 1>last five years. Just to your point about growth, a

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<v Speaker 1>couple of things. Over the course of the last five years,

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<v Speaker 1>HBO has realized thirty five For companies forty five years old,

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<v Speaker 1>we've realized thirty five pc of our growth in the

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<v Speaker 1>last five years. So I think that shows how robust

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<v Speaker 1>the brand is. Also, over the last five years, as

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<v Speaker 1>multi channel homes have declined seven percent, excuse me, we've grown.

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<v Speaker 1>And so the fact is we were under penetrated over

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<v Speaker 1>the course I think of of the last decade, and

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<v Speaker 1>we want to get that penetration up to what we

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<v Speaker 1>think is an appropriate level, which is about half the country.

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<v Speaker 1>That's I mean, you sound incredibly confident that you could

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<v Speaker 1>do this, which is interesting. GIF. I'm not telling you

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<v Speaker 1>it's easy. I'm just telling you that, uh, we're we've

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<v Speaker 1>seen the momentum of our sub growth. We believe that.

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<v Speaker 1>You know, here's an interesting I think this is an

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<v Speaker 1>interesting paradox about what's happening out there in this very

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<v Speaker 1>rich content driven culture of ours, which is there there's

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<v Speaker 1>somewhere around nine thousand hours of programming. There's about four

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<v Speaker 1>eighty seven hours of scripted programming, which accounts to five

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<v Speaker 1>thousand hours. It's about seven hundred and fifty hours non

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<v Speaker 1>scripted programming, it's about four thousand hours. Uh, there's only

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<v Speaker 1>eight thousand, seven d and sixty hours in the year.

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<v Speaker 1>So what does that mean. It means you can't keep

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<v Speaker 1>track of everything. And brands matter more than ever because

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<v Speaker 1>when people a brand, essentially as a promise. Our promise

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<v Speaker 1>is the curation of quality. Other people are going to

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<v Speaker 1>do good work. That's fine. As long as we continue

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<v Speaker 1>to curate excellence, and we do it across a lot

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<v Speaker 1>of different categories, we're going to continue to grow. So

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<v Speaker 1>that's what we think about. How do we make sure

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<v Speaker 1>that inside the HBO brand, whether it's docues, whether it's sports,

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<v Speaker 1>whether it's half hours hours mini series, we are putting

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<v Speaker 1>together in an array of quality that can become addictive

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<v Speaker 1>to an even broader part of the consumer ration and

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<v Speaker 1>so and that's what we're doing for them. I understand

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<v Speaker 1>your bullishness, but let's take a step back and say,

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<v Speaker 1>the reality is the undeniable. The undeniable reality is is

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<v Speaker 1>the competitive landscape you're facing right now is like nothing

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<v Speaker 1>you've ever seen Netflix alone spending at probably, you know,

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<v Speaker 1>possibly double what you guys are doing on just original content,

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<v Speaker 1>not talking about licensing. Amazon right behind them, Apple coming.

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<v Speaker 1>Your incumbent competitors like Showtime and Stars aren't fading fast

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<v Speaker 1>anytime soon. So how are you going to be able

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<v Speaker 1>to compete, especially when you're being outspent by a lot

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<v Speaker 1>of these new players, not a lot, you know, our

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<v Speaker 1>brand um is a magnet for talented people in the

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<v Speaker 1>creative community. I feel like Ted Surrando says the same

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<v Speaker 1>thing he he he does, and he's welcome to say it,

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<v Speaker 1>and there's some truth to it, and they do very

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<v Speaker 1>good work. And I've said publicly and I'm I've said

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<v Speaker 1>it to them directly. Anybody who doesn't tip their hat

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<v Speaker 1>to what those guys have accomplished in the last seven

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<v Speaker 1>ten years just isn't being fair. They've done a terrific job.

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<v Speaker 1>Our job is to play our game to our fullest capacity.

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<v Speaker 1>And so the blessing of our brand, the blessing of

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<v Speaker 1>u HBO, is that the line at our door in

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<v Speaker 1>in in May of two thousand eighteen is even bigger

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<v Speaker 1>than the line at our door when I was co

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<v Speaker 1>president in two thousand seven to two thousand twelve. The

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<v Speaker 1>line was pretty big that so it's it's interesting despite

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<v Speaker 1>all this surfeit of content, we have more extraordinary writers

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<v Speaker 1>and producers and directors who want to work at HBO

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<v Speaker 1>than ever before, and so we we have that embarrassment

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<v Speaker 1>of riches. And you know, every Friday we know of

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<v Speaker 1>three or four different projects that Monday morning when we

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<v Speaker 1>came in we didn't know about. And that's very exciting.

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<v Speaker 1>So our job is pick well, work with people with

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<v Speaker 1>whom we have a shared vision. We have more programming

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<v Speaker 1>coming next year than at any time in our history,

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<v Speaker 1>working with a wide range of people, um from you

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<v Speaker 1>know j J Abrams to Issa to a prequel of Thrones,

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<v Speaker 1>which were uh, we're looking at a range of different

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<v Speaker 1>pilots right now, uh damon. Linda law from has come

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<v Speaker 1>back with a project called Watchman. There is absolutely no

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<v Speaker 1>shortage of extraordinary work being done for us. Our job

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<v Speaker 1>make the right bets and if we do that then

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<v Speaker 1>this is not binary. Doesn't mean there isn't going to

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<v Speaker 1>be a good show on Netflix or a good show

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<v Speaker 1>on Amazon. None of that has interfered with our growth.

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<v Speaker 1>And I think the proof is in the pudding. Um. Again,

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<v Speaker 1>despite the intensity of this competition, we grew more last

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<v Speaker 1>year than in any year in our history, and we're

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<v Speaker 1>growing and on track for terrific double digit sub revenue

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<v Speaker 1>growth this year as well. So wouldn't you say, our

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<v Speaker 1>game well and curate quality, and we will continue to grow.

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<v Speaker 1>It's not a zero sum game. I was exactly the

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<v Speaker 1>exact phrase I was going to use. Don't you think

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<v Speaker 1>even if you manage to do well while competitor B

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<v Speaker 1>does very well, that competitor F, G and H may

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<v Speaker 1>actually fall out. Aren't we, in this consolidating world coming

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<v Speaker 1>to a place where well, the lower brands are not

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<v Speaker 1>going to make it? Listen, I do think that. Um,

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<v Speaker 1>if you just look at your own lives and you

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<v Speaker 1>look at you know, you have only a certain amount

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<v Speaker 1>of leisure time, a certain amount of time you can

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<v Speaker 1>watch movies, watch television beyond the computer you make, you make,

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<v Speaker 1>you make judgments, you make picks, and Um, the key

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<v Speaker 1>for us is to keep the halo on our brand

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<v Speaker 1>so that when people do have discretionary time, they are

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<v Speaker 1>comfortable that we are fulfilling our honest to deliver excells

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<v Speaker 1>and they come they might not love everything but they

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<v Speaker 1>certainly think that for fifteen dollars a month, three thousand

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<v Speaker 1>hours of library, the wide range of programming which we

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<v Speaker 1>make for Hollywood movie studios, people end up saying, you

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<v Speaker 1>know what, that's a pretty good price value proposition. And

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<v Speaker 1>they're delivering what they say they're going to deliver. And well,

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<v Speaker 1>I and I can't watch everything. There's three or four

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<v Speaker 1>things on every month on HBO that I think are terrific.

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<v Speaker 1>Maybe they're in love with John Oliver, maybe Bill Maher,

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<v Speaker 1>Maybe it's Vice, Maybe it's our docuse, maybe it's the movies,

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<v Speaker 1>maybe it's Silicon Valley, whatever it is. I want to

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<v Speaker 1>be a part of this because it's worth it. That's

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<v Speaker 1>what we think about all the time. Are we building

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<v Speaker 1>addicts and are we developing and enhancing our curation making

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<v Speaker 1>more and more consumers um decide that they want to

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<v Speaker 1>be a subscriber. So you know, job one, of course,

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<v Speaker 1>is putting on the hits. You just mentioned Game of Thrones. Uh,

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<v Speaker 1>these prequels that are in in development, Where do things

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<v Speaker 1>stand there? I mean, is that going to be the

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<v Speaker 1>next big hit? Well, look, as you well know a

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<v Speaker 1>student that nobody knows what the next big hit is

0:13:07.000 --> 0:13:12.000
<v Speaker 1>you know the the when I when I started, uh

0:13:12.160 --> 0:13:14.320
<v Speaker 1>back in oh seven and the Sopranos was going off

0:13:14.320 --> 0:13:17.960
<v Speaker 1>the year. Um, the first question when I sat up

0:13:17.960 --> 0:13:20.200
<v Speaker 1>at the tc A you may have even been there, was,

0:13:20.240 --> 0:13:23.320
<v Speaker 1>oh my god, Sopranos is up there? What's the next Sopranos?

0:13:23.400 --> 0:13:25.600
<v Speaker 1>And I answered it then by saying, there is no

0:13:25.679 --> 0:13:29.640
<v Speaker 1>next Sopranos. There's the next great range of programming. And

0:13:29.800 --> 0:13:32.560
<v Speaker 1>in came Alan Ball with True Blood, and in came

0:13:32.640 --> 0:13:35.000
<v Speaker 1>Lean had done him with Girls, and in came you

0:13:35.040 --> 0:13:38.199
<v Speaker 1>know this, this this British writer named Amandui and Nuci

0:13:38.480 --> 0:13:41.520
<v Speaker 1>satirizing American politics would be. And these two guys who

0:13:41.600 --> 0:13:44.200
<v Speaker 1>had never really done television, who nobody had heard of,

0:13:44.280 --> 0:13:47.040
<v Speaker 1>David benny Off and Dan Wise with Thrones. So what

0:13:47.120 --> 0:13:49.839
<v Speaker 1>you want to do is create an environment, which we're

0:13:49.960 --> 0:13:53.080
<v Speaker 1>very proud of, UM, where talent wants to work. And

0:13:53.120 --> 0:13:57.680
<v Speaker 1>if you do that, UM, it's it creates a certain

0:13:57.720 --> 0:14:02.680
<v Speaker 1>catalytic momentum because talent shows up and m and then look,

0:14:04.280 --> 0:14:08.840
<v Speaker 1>we're pretty damn good brand ambassadors. We believe in our brand. Um,

0:14:09.000 --> 0:14:11.760
<v Speaker 1>we're very proud of it. But the best brand ambassadors

0:14:11.760 --> 0:14:15.640
<v Speaker 1>for us are the talent themselves because Nicole Kidman has

0:14:15.640 --> 0:14:18.080
<v Speaker 1>an experience, or Reese Witherspoon has an experience, or David

0:14:18.120 --> 0:14:22.880
<v Speaker 1>Kelly has an experience. They're then repeating that to their colleagues,

0:14:23.160 --> 0:14:26.160
<v Speaker 1>and they're saying, you know, uh, look, I've worked in

0:14:26.200 --> 0:14:28.360
<v Speaker 1>a lot of places. I've never had the kind of feedback.

0:14:28.400 --> 0:14:30.760
<v Speaker 1>I've never had the kind of response. I've never been

0:14:30.800 --> 0:14:35.080
<v Speaker 1>treated that way. My product is marketed beautifully, it's promoted beautifully.

0:14:35.120 --> 0:14:38.040
<v Speaker 1>That's an experience I want to repeat so well. People

0:14:38.080 --> 0:14:41.000
<v Speaker 1>can say a lot of different things, and everybody is

0:14:41.600 --> 0:14:44.960
<v Speaker 1>perfectly within their rights to celebrate and brag about their brands.

0:14:45.560 --> 0:14:48.120
<v Speaker 1>We've delivered on it for a long time, and I

0:14:48.160 --> 0:14:52.200
<v Speaker 1>think the talent speaks about it authentically and and that

0:14:52.200 --> 0:14:55.000
<v Speaker 1>that has its own virtuous circle. But as we saw

0:14:55.120 --> 0:14:59.400
<v Speaker 1>with Big Little Lies, the cost of that talent is

0:14:59.440 --> 0:15:02.720
<v Speaker 1>going up. The cost of production has been driven up

0:15:02.800 --> 0:15:05.920
<v Speaker 1>dramatically for a lot of different genres, and then you've

0:15:05.960 --> 0:15:08.600
<v Speaker 1>got I hate to go back to the Netflix of

0:15:08.640 --> 0:15:11.320
<v Speaker 1>it all, but when you see the Ryan Murphy's and

0:15:11.360 --> 0:15:15.320
<v Speaker 1>the Shonda Rhymes getting sort of just peeled out and

0:15:15.480 --> 0:15:18.800
<v Speaker 1>put back into that streaming service, I mean, don't you

0:15:19.160 --> 0:15:22.640
<v Speaker 1>have to worry about holding onto talent on both sides

0:15:22.680 --> 0:15:25.240
<v Speaker 1>of the camera when it seems like they can get

0:15:25.240 --> 0:15:28.720
<v Speaker 1>more easily poached than ever. Well, look, we understand that

0:15:28.760 --> 0:15:32.720
<v Speaker 1>the cost of content has gone up, and we understand that, um,

0:15:32.760 --> 0:15:34.920
<v Speaker 1>there's a premium on that, and there's a multiple, and

0:15:34.960 --> 0:15:37.080
<v Speaker 1>we have to pay it. But we're more than willing

0:15:37.120 --> 0:15:39.640
<v Speaker 1>to do it because the return on that investment is

0:15:39.680 --> 0:15:42.040
<v Speaker 1>as strong as it is. You know, we are operating

0:15:42.040 --> 0:15:45.680
<v Speaker 1>income last year, I think report he was somewhere very

0:15:45.680 --> 0:15:48.760
<v Speaker 1>close to two and a half billion dollars. We were growing,

0:15:49.080 --> 0:15:51.920
<v Speaker 1>and we're making money, and we're investing, and we're going

0:15:51.960 --> 0:15:54.480
<v Speaker 1>to continue to invest more and more in content because

0:15:54.680 --> 0:15:56.840
<v Speaker 1>that's the heart and soul of the brand. So we're

0:15:56.920 --> 0:16:00.440
<v Speaker 1>perfectly comfortable making the kinds of invest monts and the

0:16:00.480 --> 0:16:04.680
<v Speaker 1>kinds of bets we need to make to have a

0:16:04.760 --> 0:16:07.080
<v Speaker 1>panoply of shows on our network that are going to

0:16:07.200 --> 0:16:10.840
<v Speaker 1>be compelling. And I think talent knows, because this is

0:16:10.960 --> 0:16:13.960
<v Speaker 1>a whole different conversation. There are back end opportunities for

0:16:14.000 --> 0:16:18.720
<v Speaker 1>talented HBO UH people who come and have uh a

0:16:18.880 --> 0:16:21.800
<v Speaker 1>full and rich experience at HBO. From the creative side,

0:16:22.040 --> 0:16:26.160
<v Speaker 1>if the show does well, they do very well. And

0:16:26.320 --> 0:16:28.640
<v Speaker 1>you know, if you go talk to people who have

0:16:28.720 --> 0:16:30.640
<v Speaker 1>worked with us, who have a lot of options to

0:16:30.640 --> 0:16:33.080
<v Speaker 1>go a lot of different places, they're coming back over

0:16:33.120 --> 0:16:35.240
<v Speaker 1>and over again to work at HBO. I think that

0:16:35.280 --> 0:16:39.240
<v Speaker 1>speaks volumes about our brand in the experience that people

0:16:39.280 --> 0:16:42.240
<v Speaker 1>have there. So is it competitive? Of course it's competitive.

0:16:42.400 --> 0:16:44.320
<v Speaker 1>Are we more than up to the competition? I think

0:16:44.360 --> 0:16:46.520
<v Speaker 1>we are. Do you how do you you know when

0:16:46.560 --> 0:16:49.080
<v Speaker 1>you're in the room wooing the biggest and best talent

0:16:49.160 --> 0:16:53.440
<v Speaker 1>and those talents are getting wooed elsewhere, you know, do

0:16:53.040 --> 0:16:55.160
<v Speaker 1>you do you point out things like kind of look,

0:16:55.200 --> 0:16:57.600
<v Speaker 1>Netflix has this, They have so much volume there they

0:16:57.600 --> 0:16:59.440
<v Speaker 1>don't even know how to handle it, whereas maybe we

0:16:59.520 --> 0:17:02.120
<v Speaker 1>take a little more of a and in Glover pro

0:17:02.360 --> 0:17:06.679
<v Speaker 1>what I don't think it's necessary to you know, we

0:17:06.720 --> 0:17:10.760
<v Speaker 1>don't get into speak in derogation of Netflix or of Showtime.

0:17:11.480 --> 0:17:16.000
<v Speaker 1>People come to HBO because they know that we are

0:17:16.119 --> 0:17:20.560
<v Speaker 1>very good at adventizing programming. Our marketing is superb. Our

0:17:21.040 --> 0:17:24.440
<v Speaker 1>communications team is superb. We know how to take things

0:17:24.480 --> 0:17:28.440
<v Speaker 1>and lift them up into a very crowded culture. And again,

0:17:29.440 --> 0:17:32.800
<v Speaker 1>don't listen to me about this. Don't listen to my

0:17:32.960 --> 0:17:35.920
<v Speaker 1>colleagues about this, listen to the talent talk about this.

0:17:36.240 --> 0:17:41.159
<v Speaker 1>So what we do is again the line at the

0:17:41.200 --> 0:17:44.400
<v Speaker 1>door is a long one and that is a blessing

0:17:44.480 --> 0:17:48.080
<v Speaker 1>for us. And when people come in, they're very enthusiastic

0:17:48.200 --> 0:17:51.600
<v Speaker 1>from the first hour about developing with us because our

0:17:51.640 --> 0:17:54.760
<v Speaker 1>development team is also fantastic and people know what it

0:17:54.840 --> 0:17:58.840
<v Speaker 1>is to work inside UM. You know, with our development teams,

0:17:58.840 --> 0:18:01.240
<v Speaker 1>whether it's on a half hours or hours or minis

0:18:01.320 --> 0:18:04.119
<v Speaker 1>so a lot of the pedigree that we bring to

0:18:04.160 --> 0:18:07.800
<v Speaker 1>the creative process UM, I think is a great advantage

0:18:08.520 --> 0:18:11.960
<v Speaker 1>to to to our competitive side. Let's go back to

0:18:12.000 --> 0:18:14.880
<v Speaker 1>the distribution side of the house, because I think one

0:18:15.000 --> 0:18:20.440
<v Speaker 1>under appreciated piece of the HBO business is international, and

0:18:20.720 --> 0:18:23.480
<v Speaker 1>I think people don't even buy a large understand how

0:18:23.520 --> 0:18:26.280
<v Speaker 1>big a footprint that is. And that also is making

0:18:26.280 --> 0:18:29.840
<v Speaker 1>this sort of streaming evolution and lots of different interesting ways.

0:18:30.119 --> 0:18:33.760
<v Speaker 1>So where's that all going. So we have just as

0:18:33.800 --> 0:18:40.520
<v Speaker 1>our distribution strategy domestically is multilateral, it is uh internationally multilateral.

0:18:40.560 --> 0:18:43.520
<v Speaker 1>So we have owned and operated networks in sixty countries

0:18:43.560 --> 0:18:46.440
<v Speaker 1>as you know, in Latin America, in in Eastern Europe

0:18:46.480 --> 0:18:51.680
<v Speaker 1>and Asia. We have directed consumer products in Nordics and

0:18:51.720 --> 0:18:54.840
<v Speaker 1>in Spain and now in Poland and and and uh,

0:18:54.880 --> 0:18:57.720
<v Speaker 1>and we're thinking about other markets as well. And then

0:18:57.760 --> 0:19:00.440
<v Speaker 1>we have what we call home of HBO, which are

0:19:00.760 --> 0:19:05.800
<v Speaker 1>licensing deals with Sky, with Foxtel, with Bell Media, which

0:19:05.840 --> 0:19:10.080
<v Speaker 1>are very very very um uh you know, high marginal,

0:19:10.080 --> 0:19:14.160
<v Speaker 1>lowris revenue deals. And the question for us, uh, you know,

0:19:14.280 --> 0:19:18.000
<v Speaker 1>has always been with those don't get counted as subscribers,

0:19:18.040 --> 0:19:22.399
<v Speaker 1>even though we have you know, eighty five million subscribers internationally.

0:19:22.760 --> 0:19:27.439
<v Speaker 1>Those don't get counted. But Sky Sky Italia home of HBO,

0:19:27.480 --> 0:19:30.800
<v Speaker 1>Sky Deutscheley and home of HBO, um Sky Atlanta home

0:19:30.840 --> 0:19:34.960
<v Speaker 1>of HBO Bell Media in Canada, those are all HBO subs.

0:19:35.000 --> 0:19:38.200
<v Speaker 1>They're just put under an overall licensing deal. So we've

0:19:38.200 --> 0:19:41.440
<v Speaker 1>made up till now the decision to do those kinds

0:19:41.440 --> 0:19:44.520
<v Speaker 1>of licensing deals home of deals. UM. Whether that evolves

0:19:44.520 --> 0:19:47.439
<v Speaker 1>in the future is an open question. I hate to

0:19:47.440 --> 0:19:51.200
<v Speaker 1>sound like a broken record, but Netflix, Amazon full Court

0:19:51.240 --> 0:19:55.119
<v Speaker 1>Press globally. UM. It's interesting hearing you guys take this

0:19:55.200 --> 0:19:59.399
<v Speaker 1>customized approach region to region. At some point, though, do

0:19:59.480 --> 0:20:02.560
<v Speaker 1>you need to go head to head with Netflix and

0:20:02.600 --> 0:20:07.640
<v Speaker 1>Amazon and others in the same way that you're doing domestically. Well,

0:20:07.680 --> 0:20:10.040
<v Speaker 1>I wouldn't look at it as are we going to

0:20:10.119 --> 0:20:12.040
<v Speaker 1>go head to head with Netflix or head to head

0:20:12.040 --> 0:20:13.800
<v Speaker 1>with the Amazon. I would look at it, what is

0:20:13.840 --> 0:20:17.760
<v Speaker 1>the proper way to maximize um our brand over a

0:20:17.800 --> 0:20:22.560
<v Speaker 1>ten year time rising. Remember we have been UM you know,

0:20:22.680 --> 0:20:28.000
<v Speaker 1>managing our our business and and tethered to a corporation

0:20:28.440 --> 0:20:31.679
<v Speaker 1>which was running uh an earnings model for you know,

0:20:31.720 --> 0:20:33.159
<v Speaker 1>a long time. And when you're at that end of

0:20:33.160 --> 0:20:35.480
<v Speaker 1>Pennsylvania Avenue, you have one set of demands. When you're

0:20:35.560 --> 0:20:38.600
<v Speaker 1>my inde Pennsylvania Avenue, you know, you may be thinking

0:20:38.640 --> 0:20:41.399
<v Speaker 1>slightly differently. So I think the good thing is that

0:20:41.440 --> 0:20:46.159
<v Speaker 1>our technology has evolved. UM we now have one global platform.

0:20:46.440 --> 0:20:49.880
<v Speaker 1>We've merged our tech stacts between HBO Go and HBO now.

0:20:50.080 --> 0:20:52.600
<v Speaker 1>And what's exciting for us is if we wanted to

0:20:52.640 --> 0:20:55.880
<v Speaker 1>pivot internationally like we did in Nordics, like we did

0:20:55.880 --> 0:20:58.720
<v Speaker 1>in Spain, like we just didn't, we can do that

0:20:59.040 --> 0:21:00.680
<v Speaker 1>and that will be a decision and that we make.

0:21:00.920 --> 0:21:02.760
<v Speaker 1>You know, over the coming years. What I wanted to

0:21:02.760 --> 0:21:04.840
<v Speaker 1>make sure that we had and what thankfully we have

0:21:04.960 --> 0:21:09.080
<v Speaker 1>built is optionality and UM you know, where we pivot

0:21:09.080 --> 0:21:12.920
<v Speaker 1>and how we pivot, stay tuned, got it. Uh. Also

0:21:12.960 --> 0:21:16.879
<v Speaker 1>wanted to talk about technical infrastructure, what you're doing through

0:21:17.240 --> 0:21:21.920
<v Speaker 1>you know, HBO's digital expression. I mean, you guys went

0:21:22.040 --> 0:21:25.080
<v Speaker 1>through an evolution there where you know there was some

0:21:25.160 --> 0:21:29.480
<v Speaker 1>trial and error bam tech. Uh, bam Tech wasn't trial

0:21:29.520 --> 0:21:33.200
<v Speaker 1>and error before that. Well, we were building from a

0:21:33.320 --> 0:21:35.359
<v Speaker 1>stand I wouldn't even call that trial in here. We

0:21:35.359 --> 0:21:41.480
<v Speaker 1>were building from a standing start, a a tech strategy.

0:21:41.520 --> 0:21:46.320
<v Speaker 1>And what we concluded very quickly was the fastest way

0:21:46.359 --> 0:21:49.520
<v Speaker 1>for us to build digital capacity was to rent our

0:21:49.560 --> 0:21:52.000
<v Speaker 1>back end. And that's what we did with BAMTech. I

0:21:52.000 --> 0:21:55.440
<v Speaker 1>think it was proved to be um the right decision.

0:21:55.480 --> 0:21:58.000
<v Speaker 1>They did a terrific job for us, and as we

0:21:58.000 --> 0:22:03.639
<v Speaker 1>were doing that, we a proficiencies. We built our engineering team,

0:22:03.720 --> 0:22:06.159
<v Speaker 1>and we created the capacity for us to move on

0:22:06.240 --> 0:22:08.800
<v Speaker 1>our own. But we couldn't have done that and moved

0:22:08.840 --> 0:22:11.320
<v Speaker 1>as fast as we did into the digital space. So

0:22:11.520 --> 0:22:14.679
<v Speaker 1>we rented what we needed to. We grew and we built,

0:22:15.200 --> 0:22:18.440
<v Speaker 1>and we are where we are now, which is independent

0:22:18.720 --> 0:22:20.960
<v Speaker 1>with our own with our own tex stat I mean,

0:22:21.000 --> 0:22:24.679
<v Speaker 1>as you look across the media landscape, do you see

0:22:25.400 --> 0:22:30.080
<v Speaker 1>that brands like yourselves are sort of like ingesting that

0:22:30.200 --> 0:22:32.800
<v Speaker 1>technical DNA and that's what's necessary to get to the

0:22:32.840 --> 0:22:36.639
<v Speaker 1>next level. Well, you certainly want the kind of tech

0:22:36.680 --> 0:22:41.199
<v Speaker 1>proficiency and engineering proficiency to improve your I improve your US,

0:22:41.320 --> 0:22:44.800
<v Speaker 1>be able to do customization, personalization, all those things. It's interesting.

0:22:44.800 --> 0:22:47.640
<v Speaker 1>I had one of our senior engineers um in from

0:22:47.640 --> 0:22:51.439
<v Speaker 1>Seattle yesterday and I said to him, when when you

0:22:51.480 --> 0:22:55.440
<v Speaker 1>talk about recruitment, which is obviously very competitive in the valley,

0:22:55.480 --> 0:22:58.960
<v Speaker 1>what is the number one recruitment tool for you when

0:22:58.960 --> 0:23:02.320
<v Speaker 1>you're bringing people into our house, Because you know there's

0:23:02.359 --> 0:23:05.280
<v Speaker 1>there's obviously many many places for talented engineers to go.

0:23:05.320 --> 0:23:09.320
<v Speaker 1>And you said, the brand, And it's a terrific opportunity

0:23:09.480 --> 0:23:12.640
<v Speaker 1>um for engineers to come into HBO and to move

0:23:12.720 --> 0:23:16.960
<v Speaker 1>the needle um in a way that's quite dramatic over

0:23:16.960 --> 0:23:19.880
<v Speaker 1>a short period of time, which they've done and they've

0:23:19.880 --> 0:23:21.760
<v Speaker 1>been quite brilliant at it, and and we're improving all the

0:23:21.800 --> 0:23:26.880
<v Speaker 1>time as you look out. Also on the landscape right now,

0:23:27.040 --> 0:23:28.600
<v Speaker 1>we can't talk about, you know, what's going to be

0:23:28.640 --> 0:23:31.919
<v Speaker 1>the future of your corporate parentage, but elsewhere it's you know,

0:23:32.000 --> 0:23:38.600
<v Speaker 1>with CBS, Viacom, other things. The consolidation of this world

0:23:38.840 --> 0:23:42.600
<v Speaker 1>what does it mean for HBO when so much around

0:23:42.640 --> 0:23:46.000
<v Speaker 1>it is bulking up the way it is. You know,

0:23:46.040 --> 0:23:50.040
<v Speaker 1>we've all remember we've always been an Ala carte play,

0:23:50.080 --> 0:23:53.639
<v Speaker 1>so we've always lived in an Ola carte universe where

0:23:53.640 --> 0:23:56.119
<v Speaker 1>whatever the bundle was, we were sold on top of

0:23:56.119 --> 0:23:59.119
<v Speaker 1>that bundle. And I think one of you asked early

0:23:59.160 --> 0:24:01.760
<v Speaker 1>on about our growth the potential. I think one of

0:24:01.760 --> 0:24:05.400
<v Speaker 1>the interesting things about our potential is we've always been

0:24:05.480 --> 0:24:08.359
<v Speaker 1>kind of underpenetrated, I think, and we're now moving that

0:24:08.400 --> 0:24:12.520
<v Speaker 1>penetration up. When you've been fully penetrated, it's it's a

0:24:12.600 --> 0:24:15.960
<v Speaker 1>much it's a much harder dynamic when I think there's

0:24:15.960 --> 0:24:18.480
<v Speaker 1>been nine million people over the course of the last

0:24:18.480 --> 0:24:21.440
<v Speaker 1>few years who have who have cut the cord. So

0:24:21.680 --> 0:24:24.240
<v Speaker 1>I think brands are, as I said earlier, matter more

0:24:24.280 --> 0:24:28.840
<v Speaker 1>than ever and are you delivering to the consumer something

0:24:29.200 --> 0:24:33.240
<v Speaker 1>unique because the optionality that is out there for consumers

0:24:33.320 --> 0:24:36.560
<v Speaker 1>is greater than ever and so your brand has to

0:24:36.600 --> 0:24:39.639
<v Speaker 1>stand for something and deliver on that promise so that

0:24:39.760 --> 0:24:43.560
<v Speaker 1>people feel they are buying they are acquiring differentiation. We've

0:24:43.600 --> 0:24:46.119
<v Speaker 1>always believed we're good at that. I think we've become

0:24:46.160 --> 0:24:49.679
<v Speaker 1>better and better at it. And um that's our brand promise.

0:24:49.760 --> 0:24:52.600
<v Speaker 1>And I think the talent, the writers, the producers who

0:24:52.680 --> 0:24:55.040
<v Speaker 1>come into work with us, they want to deliver on that.

0:24:55.480 --> 0:24:57.359
<v Speaker 1>And the first thing we hear all the time if

0:24:57.400 --> 0:25:01.600
<v Speaker 1>you sit in pitch meetings is you don't hear repetition

0:25:02.080 --> 0:25:04.800
<v Speaker 1>in a pitch meeting at HBO. You hear innovation at

0:25:04.840 --> 0:25:06.960
<v Speaker 1>a pitch meeting at HBO. No one's coming in and

0:25:07.000 --> 0:25:09.600
<v Speaker 1>saying I want to do this differently. They're coming in

0:25:09.680 --> 0:25:13.159
<v Speaker 1>and saying I have a new idea. And you know,

0:25:13.240 --> 0:25:16.280
<v Speaker 1>we're not perfect. We make mistakes, but we have pretty

0:25:16.359 --> 0:25:18.760
<v Speaker 1>darn good aboutting average. But you know, at a time

0:25:18.760 --> 0:25:20.800
<v Speaker 1>when you guys, for instance, are doing and I think

0:25:20.800 --> 0:25:24.840
<v Speaker 1>this is smart. You know Game of Thrones prequels, isn't

0:25:24.840 --> 0:25:27.000
<v Speaker 1>there something to be said, especially as a media environment

0:25:27.000 --> 0:25:30.159
<v Speaker 1>and everyonething is getting reboot crazy about sticking to the

0:25:30.200 --> 0:25:33.040
<v Speaker 1>try it and true, don't get too innovative, find the

0:25:33.119 --> 0:25:37.679
<v Speaker 1>shore things. No. I think that the brand has always

0:25:37.840 --> 0:25:41.520
<v Speaker 1>at our best. Artists have come in and done things

0:25:41.560 --> 0:25:44.480
<v Speaker 1>that have never been done before. David Chase did something

0:25:44.520 --> 0:25:47.880
<v Speaker 1>that had never been done before. I think Alan Ball

0:25:47.960 --> 0:25:49.919
<v Speaker 1>did something with six ft under that had never been

0:25:49.960 --> 0:25:53.920
<v Speaker 1>done before. True Blood. You know, when we green lit

0:25:53.920 --> 0:25:57.800
<v Speaker 1>True Blood that was not such an obvious pick of

0:25:57.920 --> 0:26:00.679
<v Speaker 1>vampire show on HBO. That was a bit pulpy in

0:26:00.720 --> 0:26:05.760
<v Speaker 1>that way. And when when I did my second UH

0:26:05.920 --> 0:26:08.720
<v Speaker 1>t C A UM, the first t C A is

0:26:08.920 --> 0:26:11.879
<v Speaker 1>Sopranos has gone, what are you gonna do? Who the

0:26:11.880 --> 0:26:14.040
<v Speaker 1>hell are you? And can this? How the hell is

0:26:14.080 --> 0:26:17.119
<v Speaker 1>this gonna work? And the second t is was, Mrs Butler,

0:26:17.119 --> 0:26:20.880
<v Speaker 1>how did you presage the rise of the vampire phenomenon

0:26:21.200 --> 0:26:23.800
<v Speaker 1>in the United States? And of course the answer to

0:26:23.840 --> 0:26:26.680
<v Speaker 1>that was we pre sade you nothing. We just bet

0:26:26.680 --> 0:26:31.480
<v Speaker 1>on Alan and um were we were right. So look

0:26:31.520 --> 0:26:34.879
<v Speaker 1>at Bill Hayter, who comes in with you know, with Barry,

0:26:34.920 --> 0:26:37.480
<v Speaker 1>which has done phenomenally well for us from might judge

0:26:37.480 --> 0:26:41.080
<v Speaker 1>with Silicon Valley, UM J J and Jonah and Lisa

0:26:41.160 --> 0:26:46.000
<v Speaker 1>Joy pitching West World. When and when they pitched Westworld,

0:26:46.160 --> 0:26:50.680
<v Speaker 1>the whole uh kind of cultural understanding and marination in

0:26:50.760 --> 0:26:55.080
<v Speaker 1>aid wasn't as dynamic as it is now. They were

0:26:55.200 --> 0:26:59.640
<v Speaker 1>way ahead in seeing, um, both how dynamic that could

0:26:59.680 --> 0:27:02.320
<v Speaker 1>be and how entertaining that could be. So now I

0:27:02.359 --> 0:27:06.320
<v Speaker 1>think part of the DNA for us is that writers

0:27:06.880 --> 0:27:10.840
<v Speaker 1>know that they can take risks and they can make

0:27:10.880 --> 0:27:15.440
<v Speaker 1>big bets there. There's no fear at our network about

0:27:15.520 --> 0:27:19.560
<v Speaker 1>doing something that we think has a strong and differentiated

0:27:19.600 --> 0:27:22.960
<v Speaker 1>creative voice. And the blessing for us is that talent

0:27:23.080 --> 0:27:25.840
<v Speaker 1>knows that, and I think we're the great beneficiaries of

0:27:26.119 --> 0:27:29.399
<v Speaker 1>those of that kind of risk take. Are there genres

0:27:29.480 --> 0:27:31.840
<v Speaker 1>right now that you're cool too that you think need

0:27:31.920 --> 0:27:34.840
<v Speaker 1>or you know, maybe need to lay follow you know?

0:27:35.000 --> 0:27:38.160
<v Speaker 1>I think that we we have when when somebody comes in,

0:27:38.520 --> 0:27:41.719
<v Speaker 1>we have a totally open mind. Um, we want to

0:27:41.720 --> 0:27:44.800
<v Speaker 1>hear the vision, we want to hear their point of view,

0:27:45.240 --> 0:27:47.359
<v Speaker 1>we want to hear why they think this can break

0:27:47.440 --> 0:27:50.680
<v Speaker 1>new ground. I think it's very you know, if somebody,

0:27:50.720 --> 0:27:53.480
<v Speaker 1>if some when benni Off and Wise came in to

0:27:53.640 --> 0:27:57.200
<v Speaker 1>pitch thrones, remember that was a fantasy showed. David's comment

0:27:57.240 --> 0:27:59.639
<v Speaker 1>to me was, you're nervous about this. There's dragons in it.

0:27:59.640 --> 0:28:03.000
<v Speaker 1>It's in to see. This isn't typical aga we And

0:28:03.440 --> 0:28:05.800
<v Speaker 1>the way he pitched it was he said, look, this

0:28:05.880 --> 0:28:09.840
<v Speaker 1>is about power, and it's about archetypal power, and it's

0:28:09.840 --> 0:28:13.640
<v Speaker 1>it's Shakespearean, it's biblical, and if you just forget where

0:28:13.640 --> 0:28:16.520
<v Speaker 1>you are, you could you could be in tenth century France,

0:28:16.520 --> 0:28:18.800
<v Speaker 1>you could be in fifties. That doesn't really matter. And

0:28:19.080 --> 0:28:23.280
<v Speaker 1>we we believed their vision. So it's not closing what

0:28:23.400 --> 0:28:25.520
<v Speaker 1>once you start saying, we're not going to do fantasy

0:28:25.720 --> 0:28:29.240
<v Speaker 1>or you know, uh, you know, the whole gestalp of

0:28:29.320 --> 0:28:33.080
<v Speaker 1>Westworld was something nobody had ever seen before. Um, and

0:28:33.160 --> 0:28:36.480
<v Speaker 1>I think, uh, they they've done just a remarkable job.

0:28:36.840 --> 0:28:40.440
<v Speaker 1>Jesse Armstrong's Succession, which is coming this summer, a remarkable

0:28:40.480 --> 0:28:45.640
<v Speaker 1>piece of work, I believe, differentiated from anything we've seen. Uh,

0:28:46.240 --> 0:28:49.560
<v Speaker 1>a drama about a media company. Do you sort of

0:28:49.720 --> 0:28:52.280
<v Speaker 1>do you spark to something like that? For obvious reasons?

0:28:52.960 --> 0:28:59.000
<v Speaker 1>The pitch it's actually it's actually not so much about it.

0:28:59.000 --> 0:29:05.680
<v Speaker 1>It's about family, and it's about Faustian deals inside families,

0:29:05.720 --> 0:29:08.200
<v Speaker 1>and it's about fathers and sons, and it's about the

0:29:08.200 --> 0:29:12.479
<v Speaker 1>complexity of dynasties and families. And um, they happen to

0:29:12.520 --> 0:29:16.240
<v Speaker 1>own a media conglomerate. But that's just the subtext. It

0:29:16.400 --> 0:29:20.720
<v Speaker 1>sounds a little like a real world analog think of

0:29:20.960 --> 0:29:23.880
<v Speaker 1>but as you can appreciate, it is hardly specific to

0:29:23.920 --> 0:29:28.880
<v Speaker 1>any one family, but it is. Uh, it's I've seen

0:29:28.920 --> 0:29:31.120
<v Speaker 1>eight out of the ten and hopefully this weekend we'll

0:29:31.120 --> 0:29:33.920
<v Speaker 1>see the other two. They've done just a splendid time.

0:29:34.320 --> 0:29:36.240
<v Speaker 1>Good luck with that, good luck with a lot more,

0:29:36.280 --> 0:29:38.120
<v Speaker 1>and thanks for coming to us a pleasure any thanks

0:29:38.160 --> 0:29:43.760
<v Speaker 1>for having anytime, Thanks for listening to yet another episode

0:29:43.760 --> 0:29:47.000
<v Speaker 1>of Strictly Business. Make sure you subscribe and you'll get

0:29:47.000 --> 0:29:50.640
<v Speaker 1>more episodes every week. Tune in next week when we'll

0:29:50.640 --> 0:29:54.040
<v Speaker 1>have the CEO of Group nine Media and Leer. We'll

0:29:54.040 --> 0:29:55.680
<v Speaker 1>see you next week.