1 00:00:00,600 --> 00:00:04,640 Speaker 1: Hello, dear listener. I'm producer Gini Montarvo. For today's show, 2 00:00:04,720 --> 00:00:07,320 Speaker 1: we bring you an episode from La Varea season two, 3 00:00:07,880 --> 00:00:11,080 Speaker 1: a new podcast series from our own Futuro Studios and 4 00:00:11,280 --> 00:00:14,520 Speaker 1: w n y C Studios about the Puerto Rican experience 5 00:00:14,680 --> 00:00:18,200 Speaker 1: through music. Each episode of Blarea has an English and 6 00:00:18,239 --> 00:00:21,599 Speaker 1: a Spanish version. Last week we shared with you episode 7 00:00:21,640 --> 00:00:25,119 Speaker 1: two in the series, Er grand Baron who was Simon, 8 00:00:25,680 --> 00:00:29,680 Speaker 1: and today OI will have for you that same episode. 9 00:00:29,920 --> 00:00:35,760 Speaker 1: But er grand Baron Simon, La Brea host Alana Casanova 10 00:00:35,760 --> 00:00:37,360 Speaker 1: Burgess has the rest of the story. 11 00:00:37,400 --> 00:00:37,640 Speaker 2: Here. 12 00:00:38,000 --> 00:00:54,600 Speaker 3: Gello di fruit is wea episodes. The audio is a 13 00:00:54,640 --> 00:01:05,440 Speaker 3: Portala Sele create and Grande Mene. The best Music Para 14 00:01:05,480 --> 00:01:16,319 Speaker 3: Gaby Rivera, Ken Cristi Bronx to Lafagna all Stars. 15 00:01:17,600 --> 00:01:19,360 Speaker 4: When we went on car rides and we went to 16 00:01:19,440 --> 00:01:22,600 Speaker 4: Florida to visit relatives, my dad always had his awesome 17 00:01:22,680 --> 00:01:23,240 Speaker 4: music playing. 18 00:01:26,080 --> 00:01:35,240 Speaker 3: Gabi Rivera is Escritora, Jida, Marvel Comics, Familiar Florida, Las Alsa, 19 00:01:35,360 --> 00:01:37,000 Speaker 3: c and Pressonawa. 20 00:01:36,760 --> 00:01:43,679 Speaker 5: And Ipoca Man Radio Latino man cant and Canta Lassa. 21 00:01:44,120 --> 00:01:46,800 Speaker 3: Papa gab Charlie Rivera, then. 22 00:01:46,760 --> 00:02:03,440 Speaker 6: Matro Riveraa Para Charlie. 23 00:01:57,320 --> 00:02:05,720 Speaker 5: Had Loisa is la veelde or lokello while juno. 24 00:02:05,720 --> 00:02:16,080 Speaker 3: Or classicos that's the ector Leabo Claro, Willie Cologne, Gaby 25 00:02:16,160 --> 00:02:25,080 Speaker 3: Recordada and la minivan blanca, supapa nina nameloda peculiar eloido. 26 00:02:25,360 --> 00:02:27,639 Speaker 4: You know there's a sassa break right where all of 27 00:02:27,680 --> 00:02:28,400 Speaker 4: a sudden, it's. 28 00:02:28,280 --> 00:02:40,400 Speaker 3: Like right like pegajosa dna swing in tones loa and 29 00:02:40,520 --> 00:02:55,720 Speaker 3: panga processor la letradrastes yea gab the sie centada econ 30 00:02:55,800 --> 00:03:00,440 Speaker 3: centrada salsa v contando in estoria in usual, like what 31 00:03:00,639 --> 00:03:02,799 Speaker 3: is happening to this man. 32 00:03:05,440 --> 00:03:13,000 Speaker 4: Persona to this kid, and like it's talking about dresses 33 00:03:13,080 --> 00:03:14,440 Speaker 4: and putting on. 34 00:03:14,600 --> 00:03:22,440 Speaker 3: Lipstick baos his father won't visited porquees novi sita. 35 00:03:22,800 --> 00:03:27,919 Speaker 7: Ga where navi sara. 36 00:03:28,240 --> 00:03:42,200 Speaker 3: Geo laes porso pueto el grand baron Interpretorilli colonna exitos, 37 00:03:42,440 --> 00:03:53,800 Speaker 3: presa mire rechasa as por paragabiro pecavesas And I'm just trying. 38 00:03:53,600 --> 00:03:55,080 Speaker 4: To piece it all together. 39 00:03:55,480 --> 00:03:59,800 Speaker 8: La s la lal And I remember just asking, like 40 00:04:00,680 --> 00:04:07,400 Speaker 8: what is happening to Simon Marlo parend Simon. 41 00:04:12,160 --> 00:04:17,240 Speaker 3: Ferente laa And it was shocking to me that that 42 00:04:17,440 --> 00:04:34,080 Speaker 3: song existed, pagai erasi era Simon para studios e W 43 00:04:34,279 --> 00:04:43,440 Speaker 3: N y C Studios, so a casa burgess rega episodio 44 00:04:43,839 --> 00:04:53,960 Speaker 3: track dos el grand Baron, king Eerra Simon, You see 45 00:04:55,200 --> 00:05:01,960 Speaker 3: Simon al final common, numino existen seeing numero can lure, 46 00:05:02,480 --> 00:05:14,840 Speaker 3: contradict puerto rico I care jena, sexismo, trectoria personas ana 47 00:05:15,360 --> 00:05:30,000 Speaker 3: particular mente contradictoria grand Baron, coundo real mene lootas, com 48 00:05:33,440 --> 00:05:42,760 Speaker 3: prendente it sal fo prime slo paragua personas mas paratros, 49 00:05:43,760 --> 00:05:51,640 Speaker 3: lento difici rivera memoria importante. 50 00:05:53,040 --> 00:05:57,279 Speaker 4: That song El gram Baron has always just been part 51 00:05:57,440 --> 00:05:59,679 Speaker 4: of the like energy of my life. 52 00:06:00,520 --> 00:06:06,240 Speaker 3: Gaviria de Simon simpresido parte li hia subida gavi sa 53 00:06:06,279 --> 00:06:10,680 Speaker 3: and frentalol sexismo, ila sex spectatia, familiares alredl Henro. 54 00:06:11,240 --> 00:06:13,880 Speaker 4: We come up against a lot of like machismo. Your 55 00:06:13,960 --> 00:06:16,480 Speaker 4: mom and your tillas might tease you and might bully 56 00:06:16,560 --> 00:06:20,240 Speaker 4: you as well for being a feminine boy right or 57 00:06:20,360 --> 00:06:21,000 Speaker 4: a butch. 58 00:06:20,880 --> 00:06:33,400 Speaker 3: Girl transmitiat Commentario in Comoros. The tiasmaloua persona trance on 59 00:06:33,520 --> 00:06:52,679 Speaker 3: novinaria perencluso, antea closet, supierra lokezo, significas madre il vision, 60 00:06:52,839 --> 00:07:00,240 Speaker 3: la pulasa davang and pantaa na latine nunca quas is 61 00:07:00,320 --> 00:07:11,520 Speaker 3: us testinos ca er fatales a tiny grand baron larolatina 62 00:07:13,720 --> 00:07:17,120 Speaker 3: romance well and really that sex. 63 00:07:17,160 --> 00:07:27,480 Speaker 9: So for the improv Lalla rodriez to exito the Frankie 64 00:07:27,560 --> 00:07:38,920 Speaker 9: us case, that's not what the last and exitos. 65 00:07:38,960 --> 00:07:42,640 Speaker 3: Jo mass locator programmer Consulta the w b U R 66 00:07:42,800 --> 00:07:44,240 Speaker 3: and Boston for current. 67 00:07:44,520 --> 00:07:51,080 Speaker 9: And lassa palaa aura is the competing the. 68 00:07:52,800 --> 00:07:55,600 Speaker 10: Romantic as a mongol as a sensual. 69 00:07:56,080 --> 00:07:59,880 Speaker 3: And matica and tesc yes la musica. The Vira compleja 70 00:08:00,200 --> 00:08:07,960 Speaker 3: consvanda grande by lave partis nuevas. Come on, WILLI colon. 71 00:08:11,600 --> 00:08:12,960 Speaker 10: In the South Bronk. 72 00:08:13,080 --> 00:08:19,040 Speaker 3: Yeah, round a legenda, salceral, bronx utro, trombonra on. 73 00:08:19,080 --> 00:08:21,680 Speaker 9: A persona mucosa more popular than. 74 00:08:21,960 --> 00:08:26,400 Speaker 3: Here, WILLI col on around Tippo, the Prodigio musical, Tlo 75 00:08:27,960 --> 00:08:33,920 Speaker 3: supremer ricola, grandel henro Ecto, lavo I ruben. 76 00:08:33,679 --> 00:08:41,560 Speaker 9: Blades, tia um Brandicaci lot and el malo from Gangster 77 00:08:41,840 --> 00:08:46,720 Speaker 9: then Yo and les Matist, The Maliante. 78 00:08:47,120 --> 00:08:53,520 Speaker 3: Hero, Willia Rasoes, mah De Malo, Ma Fioso, pocas icosac 79 00:08:53,840 --> 00:09:00,920 Speaker 3: album Minnoue Top Secrets, No Small. 80 00:08:59,400 --> 00:09:04,800 Speaker 9: Ta Secret Tennis School, Getafuera on a Personal Clan Tina 81 00:09:04,920 --> 00:09:15,000 Speaker 9: cons c I a Vargo PoTA Policia Policia is. 82 00:09:15,040 --> 00:09:22,240 Speaker 3: An album novel El Grand Baron and l Radios and 83 00:09:22,280 --> 00:09:27,440 Speaker 3: avan Can Cortas of Rex Aviatma, the Larga Racion, Como 84 00:09:27,520 --> 00:09:32,760 Speaker 3: Pedro Navaja or Asuka, the Ripalmiri Progla SLSA include Maquir 85 00:09:33,000 --> 00:09:37,520 Speaker 3: Losia and Trod Marnell, Macharia, Termino sal and Puerto Rico, 86 00:09:37,600 --> 00:09:45,040 Speaker 3: prive Sexismo and Ldia Aria yes A Toxicida, Macha Ra Tampos, 87 00:09:45,040 --> 00:09:49,560 Speaker 3: Salcero's Mass pro Sistas for the Hemplo and Loscena Rueen 88 00:09:49,640 --> 00:09:55,240 Speaker 3: Blades Grao, Ma Travida, Doncluyola and Nascimento Ramiro. 89 00:09:55,240 --> 00:10:06,120 Speaker 9: Naci, Nacio Ramiro, Nao, Ramero Senor Kenosa, Marica Keno La 90 00:10:09,240 --> 00:10:15,360 Speaker 9: a cant Tipo, The Frank Eletta, Raptin, Mando, l Steropla 91 00:10:15,440 --> 00:10:22,800 Speaker 9: Misma Best Sentil soci Is, Marlow Till La Persona Ua. 92 00:10:24,160 --> 00:10:31,199 Speaker 3: Poez Rule Nasa. 93 00:10:29,000 --> 00:10:38,520 Speaker 9: Lad e la cambia for guess like quenta plarastin and pesso. 94 00:10:39,160 --> 00:10:50,680 Speaker 3: A grand baron and minoret and bale la pati paso 95 00:10:50,880 --> 00:11:00,520 Speaker 3: passo comensa comamento Simon, Nacio Simon, par Simon to Andres 96 00:11:01,280 --> 00:11:03,920 Speaker 3: Orguyoso porquessimo Nacio aarn. 97 00:11:04,000 --> 00:11:08,680 Speaker 8: Ellgujo the Donandres or Servo. 98 00:11:11,040 --> 00:11:18,240 Speaker 3: And Tom says alex Lano no Sharon the pacific amente 99 00:11:18,720 --> 00:11:28,360 Speaker 3: pera Andrea or pressava. 100 00:11:28,400 --> 00:11:36,240 Speaker 9: Papa so jo ye se Simony and co ok let 101 00:11:36,360 --> 00:11:42,920 Speaker 9: Simon No, so you're pupping so your Simon Simon too grand. 102 00:11:42,800 --> 00:11:53,640 Speaker 3: Baro Ala can Simon and roamer it is al andresn 103 00:11:54,000 --> 00:12:02,160 Speaker 3: Simon No cambia natral persona episodio usa the tincto Simon 104 00:12:03,160 --> 00:12:07,560 Speaker 3: la cancion el padre Donandres Slviano Reja Sara Simon. 105 00:12:07,640 --> 00:12:14,480 Speaker 9: Anto esuand Andres the casimo you know Jegan Momento on 106 00:12:14,559 --> 00:12:17,480 Speaker 9: the s tipo reconcilai and io. 107 00:12:19,000 --> 00:12:25,000 Speaker 3: Conciun celebratorio Simon moere snaia Ulao then infermda mister jos 108 00:12:25,480 --> 00:12:27,559 Speaker 3: press pressol sida. 109 00:12:27,720 --> 00:12:32,120 Speaker 8: Unestra nja inl fermeda Marios. 110 00:12:31,600 --> 00:12:39,760 Speaker 3: Remo er if no penzarlo portuel grand Baron, salio po 111 00:12:40,000 --> 00:12:43,480 Speaker 3: momento la crisis, the lapidemia selverao. 112 00:12:43,640 --> 00:12:50,640 Speaker 8: The legend says alen permola, madies Nadie. 113 00:12:50,360 --> 00:12:54,680 Speaker 3: Joro de nuelo, Charlie Rivera ns. 114 00:12:54,520 --> 00:13:02,840 Speaker 5: Apoc la siavano con media mundo you know, keuo saveel lof. 115 00:13:04,640 --> 00:13:07,760 Speaker 10: Asu hunt the two yourself. 116 00:13:07,600 --> 00:13:29,360 Speaker 3: Simon then tro second texts grand baron, you know. 117 00:13:30,800 --> 00:13:31,480 Speaker 11: Ya p. 118 00:13:34,400 --> 00:13:39,439 Speaker 5: Consium meca your super super. 119 00:13:39,240 --> 00:13:43,640 Speaker 3: Villan recuerdaasen is a epoca and super gramma. 120 00:13:45,600 --> 00:13:46,480 Speaker 9: Gran baron. 121 00:13:48,400 --> 00:13:54,160 Speaker 3: Eli Cristio I crescio el grand baron la the billboard, 122 00:13:54,240 --> 00:14:00,200 Speaker 3: the last in quent popular lotpos pero e sono significa 123 00:14:00,240 --> 00:14:01,079 Speaker 3: kela mores ni. 124 00:14:01,040 --> 00:14:10,719 Speaker 2: Versal normosos n recordos called silos, cancian mostoland. 125 00:14:10,880 --> 00:14:14,480 Speaker 3: S s Oelia patrana a suna YouTuber, comediante stand up 126 00:14:14,960 --> 00:14:16,800 Speaker 3: influencer Mexico. 127 00:14:17,400 --> 00:14:23,000 Speaker 2: So you transgendo I'm just ca cali mint and all 128 00:14:23,080 --> 00:14:30,160 Speaker 2: the control trans ike sea sado cercam or connigo para 129 00:14:31,000 --> 00:14:31,920 Speaker 2: occuparactos the. 130 00:14:32,000 --> 00:14:39,560 Speaker 3: Violeencia para ya perpetuela fal the kel transcendo no morezkela 131 00:14:39,600 --> 00:14:47,280 Speaker 3: cancion nuca is explicitamin teke simones, transno cambians. 132 00:14:45,960 --> 00:14:49,800 Speaker 2: Tripela diver s that is opro minus oi. 133 00:14:50,200 --> 00:14:59,680 Speaker 3: Oelia maremosa, simon main gluejo, influenci ala borreto is that minala. 134 00:15:00,040 --> 00:15:01,040 Speaker 12: Tod la cancion. 135 00:15:03,400 --> 00:15:08,360 Speaker 2: Just el grand baron, the croque to nacion in mensa 136 00:15:09,000 --> 00:15:19,680 Speaker 2: onto titanicos pena. 137 00:15:15,960 --> 00:15:20,440 Speaker 3: La primera lina and secuntani gonico, simon, nace. 138 00:15:20,440 --> 00:15:24,720 Speaker 12: Baron, s foca and nacer como. 139 00:15:24,560 --> 00:15:29,920 Speaker 3: Persona trance ol cane propia, eld clement persona sex signal 140 00:15:30,160 --> 00:15:31,720 Speaker 3: na RelA. 141 00:15:31,960 --> 00:15:35,280 Speaker 12: Here a sinaco in a Persian contradzso. 142 00:15:35,680 --> 00:15:40,040 Speaker 3: Se converte and l foco. The tanta comersaies l na 143 00:15:40,120 --> 00:15:50,920 Speaker 3: ses versova le filo comoela le reguerdaa insistencia lae, the 144 00:15:51,000 --> 00:15:56,640 Speaker 3: refer persona trans hendero, persona bremuerto todad name. The constantamentosa 145 00:15:56,760 --> 00:16:02,440 Speaker 3: elno erroneo is a less mis gendering es valencia c ironic. 146 00:16:02,680 --> 00:16:09,360 Speaker 2: La porque repeat deficily c c c c madescu condres 147 00:16:09,480 --> 00:16:10,240 Speaker 2: and a persona. 148 00:16:16,600 --> 00:16:38,120 Speaker 3: In elcorosa plamasutrnco and theresa ivaria, possi un yes hiro 149 00:16:38,200 --> 00:16:45,560 Speaker 3: al padre andres mireio la porta ke ma lo como 150 00:16:45,640 --> 00:16:54,240 Speaker 3: soon lad ke algota Malcolm Simon ye posiilo suna lera 151 00:16:54,840 --> 00:17:05,840 Speaker 3: unam ra crouel the lo quir ham normal isaroo a 152 00:17:06,200 --> 00:17:15,960 Speaker 3: ke andressona queirs persona. 153 00:17:15,640 --> 00:17:24,320 Speaker 2: Trance paravamilias pero ma choca and elcorasson. 154 00:17:26,600 --> 00:17:27,439 Speaker 12: Famili is. 155 00:17:29,680 --> 00:17:33,120 Speaker 3: Gabie Rivera, i'm frent is a contrac in la cancion. 156 00:17:33,680 --> 00:17:37,720 Speaker 4: So there is that element of like that lens right, 157 00:17:37,840 --> 00:17:44,399 Speaker 4: that hetero, maybe even homophobic, unintentional homophobic lens. You know, 158 00:17:44,440 --> 00:17:46,119 Speaker 4: they shouldn't have been wearing a dress, or why are 159 00:17:46,119 --> 00:17:47,480 Speaker 4: they're putting on lipstick. 160 00:17:52,000 --> 00:17:52,359 Speaker 3: Laes. 161 00:17:52,880 --> 00:17:57,000 Speaker 4: This song is speaking to the older generation, my father's generation, 162 00:17:57,280 --> 00:17:57,960 Speaker 4: my generation. 163 00:18:00,040 --> 00:18:02,159 Speaker 3: In sa Si, you gotta speak the language of the 164 00:18:02,240 --> 00:18:15,080 Speaker 3: vehitos racion sierra straightermano geymo mimo. 165 00:18:15,560 --> 00:18:18,080 Speaker 4: The language that you use isn't necessarily the language that 166 00:18:18,119 --> 00:18:19,760 Speaker 4: he's going to use about himself. 167 00:18:21,680 --> 00:18:27,680 Speaker 3: Gabi Simon ubi rasiro elo lao tree. 168 00:18:27,800 --> 00:18:29,560 Speaker 4: But the tree with the most leaves are the most 169 00:18:29,600 --> 00:18:30,240 Speaker 4: brilliant tree. 170 00:18:30,640 --> 00:18:41,160 Speaker 3: Mafieng uvira palomaso has i mapri and there Si simon 171 00:18:41,440 --> 00:18:47,479 Speaker 3: ubre critos propia cancion qisa tambieng elfino, rel Mimo, porquel 172 00:18:47,520 --> 00:18:53,119 Speaker 3: grantermina comola represent queer swelling terminal Lamberte. 173 00:18:53,800 --> 00:18:56,920 Speaker 4: Especially growing up in the eighties and nineties, always saw 174 00:18:57,119 --> 00:18:59,760 Speaker 4: all I saw was my queer elders, like dying of. 175 00:18:59,880 --> 00:19:10,199 Speaker 3: Huda criandos and Loventa verraz Mari, sida, la norma, per 176 00:19:10,359 --> 00:19:16,439 Speaker 3: paraga grand baron resoo, the forma tinta, yeah ya recordolaau 177 00:19:16,520 --> 00:19:25,560 Speaker 3: propea sara Simon, fulgola Marco. 178 00:19:26,600 --> 00:19:30,760 Speaker 4: If these words could be spoken sung out loud, then 179 00:19:30,880 --> 00:19:34,440 Speaker 4: maybe there was like room for me to say my truth. 180 00:19:37,560 --> 00:19:42,200 Speaker 3: Bos alta and son says he really and bos alta. 181 00:19:42,400 --> 00:19:45,280 Speaker 4: And to demand love and care. 182 00:19:46,000 --> 00:19:49,879 Speaker 13: And also maybe I would fucking die alone for the 183 00:19:49,960 --> 00:19:58,560 Speaker 13: exi Amoricarinho Borghesi and prexistier Marisola Borgesa eladria cancium. 184 00:20:00,080 --> 00:20:02,680 Speaker 4: That it would be something I might experience alone and 185 00:20:02,760 --> 00:20:03,440 Speaker 4: no one would care. 186 00:20:12,440 --> 00:20:30,160 Speaker 3: Sandos persona comona, simon affectae el doli idreiente cancion alfano 187 00:20:30,240 --> 00:20:33,640 Speaker 3: you sa the Panama the second since Spiro and persona 188 00:20:33,720 --> 00:20:35,800 Speaker 3: real alaccio. 189 00:20:37,400 --> 00:20:45,760 Speaker 7: Con semos laga selveranose hell or who yo don andres. 190 00:20:49,880 --> 00:21:28,040 Speaker 14: Yea latando LaBrea. 191 00:21:34,600 --> 00:21:43,240 Speaker 3: L grand Baron, se Congabi scucases A dormentandos yes like 192 00:21:43,359 --> 00:21:52,480 Speaker 3: Toria de Simon. Let us know Alexander Propriamas was implemented 193 00:21:53,080 --> 00:22:02,040 Speaker 3: Atrasulta ke paras out la petro Memoria com panel mocho tempo. 194 00:22:04,160 --> 00:22:06,120 Speaker 12: Alfano You saw the Panama. 195 00:22:06,560 --> 00:22:15,080 Speaker 3: See not that's when I m Alfano Panama persona and 196 00:22:15,200 --> 00:22:39,359 Speaker 3: u perto Ricano montuas Yeah, do sa bona eta and persando. 197 00:22:39,840 --> 00:22:43,960 Speaker 3: You know Miami is and Gondro com barrio pa and 198 00:22:44,040 --> 00:22:54,919 Speaker 3: paron a recorder in in particular Arian Calfano or India Yama, Simon, he. 199 00:22:55,119 --> 00:23:05,000 Speaker 15: Cas Simon, Simon s my Rico not almost Exulla Salva 200 00:23:05,760 --> 00:23:10,480 Speaker 15: Avian mave d s Para Despectiva parallelmo as. 201 00:23:10,400 --> 00:23:15,840 Speaker 3: Well Bartelcira critic card considered a feminale. 202 00:23:15,720 --> 00:23:21,400 Speaker 12: Pararembre to yo. 203 00:23:23,560 --> 00:23:27,160 Speaker 3: Macharania o Mariso Campagnero, continu. 204 00:23:27,200 --> 00:23:29,720 Speaker 10: Chief di Parando. 205 00:23:30,760 --> 00:23:37,200 Speaker 3: Suda Simon, Panama Latino Americano, don a little closet, proce 206 00:23:37,240 --> 00:23:45,280 Speaker 3: and control com Machi Violento to Patrico, Canco, grand Baron, Conda, 207 00:23:45,320 --> 00:23:49,919 Speaker 3: Simon cele present Portunida, the Muarcia San Francisco, Nolo penzol 208 00:23:50,160 --> 00:23:53,359 Speaker 3: vessente lef. 209 00:23:54,200 --> 00:23:57,919 Speaker 12: My Contaro, mellow Contaro. 210 00:23:58,240 --> 00:24:00,880 Speaker 3: Le Breneil Saa, simone, Rance. 211 00:24:01,119 --> 00:24:01,520 Speaker 8: Joe. 212 00:24:02,920 --> 00:24:10,920 Speaker 3: John for Lo Americano, commente Bron Simon person and real. 213 00:24:11,320 --> 00:24:13,440 Speaker 12: L Altem. 214 00:24:14,760 --> 00:24:23,040 Speaker 15: Super relator like Maria. 215 00:24:21,160 --> 00:24:24,760 Speaker 3: And u he Americo. 216 00:24:26,560 --> 00:24:27,600 Speaker 11: Piano is a ma. 217 00:24:30,560 --> 00:24:43,119 Speaker 16: Slverano and orguo Andres's. 218 00:24:39,280 --> 00:24:43,400 Speaker 3: A localos s excretory hasen s tom oliverta camiretta yes 219 00:24:43,840 --> 00:24:48,680 Speaker 3: is benol reto a comparaso su proprietoria no pus. 220 00:24:53,840 --> 00:24:54,679 Speaker 10: Andress and in. 221 00:24:57,640 --> 00:25:02,480 Speaker 3: Tema de la pression familiar is a suspected you usla 222 00:25:02,880 --> 00:25:14,440 Speaker 3: simon lot modes, provida, bar lit mecont familiar, lano and 223 00:25:14,520 --> 00:25:28,280 Speaker 3: tita familiar pervamas, pola musica, logo de sa and spirarel 224 00:25:28,320 --> 00:25:30,880 Speaker 3: grand baron you remo. 225 00:25:32,359 --> 00:25:41,640 Speaker 7: Remo, corrio, pola pala terminators as sec. 226 00:25:43,440 --> 00:25:52,240 Speaker 3: La simona caxtran fermidadico if it is no penzarida sin 227 00:25:52,320 --> 00:25:56,040 Speaker 3: embargo alfao Marijo can rally that rima. 228 00:25:57,680 --> 00:26:03,800 Speaker 10: The pull Monia, Mario Simo on cancer, murial Cio. 229 00:26:06,359 --> 00:26:09,000 Speaker 3: And lac elcida for an accident. 230 00:26:11,000 --> 00:26:12,800 Speaker 10: On the list Ontra and. 231 00:26:15,359 --> 00:26:20,800 Speaker 3: Mar Es Momento hopital in San Francisco, Mariendo la in 232 00:26:20,880 --> 00:26:23,440 Speaker 3: fermidad J J. 233 00:26:23,600 --> 00:26:34,600 Speaker 7: Computrova provetica omo and soldad ocona compao reconnecto simon. 234 00:26:36,440 --> 00:26:45,280 Speaker 15: Da no Carloai we said we como it. 235 00:26:45,359 --> 00:27:05,119 Speaker 3: Can Calfano aviendo and a m b and teke fromo simpli. 236 00:27:02,680 --> 00:27:12,960 Speaker 17: Aloho avlonte s seramente lub sando montralo superference sexual car 237 00:27:13,520 --> 00:27:13,919 Speaker 17: So you know. 238 00:27:15,200 --> 00:27:15,399 Speaker 4: You know. 239 00:27:22,920 --> 00:27:29,800 Speaker 3: Alfana critic as ascoros a comparason prolematica. So we are 240 00:27:29,840 --> 00:27:37,600 Speaker 3: often the simla real pro mari is as intension, okay, 241 00:27:37,920 --> 00:27:44,280 Speaker 3: and it is a problem villa a la si mari 242 00:27:45,760 --> 00:27:52,560 Speaker 3: u cambio and perro penske Serria exactly. 243 00:27:52,720 --> 00:27:54,240 Speaker 10: Let you ab. 244 00:27:55,640 --> 00:28:01,399 Speaker 15: So j cambia nada naa naaa. 245 00:27:59,800 --> 00:28:06,160 Speaker 3: Canna creation in Spirada and less experience a persona Realtoria 246 00:28:06,320 --> 00:28:11,520 Speaker 3: simon el interpretation or part Mara Alfano I willi Cologne 247 00:28:12,320 --> 00:28:25,479 Speaker 3: then Pastrana like YouTuber Comediante mainated. 248 00:28:25,000 --> 00:28:29,080 Speaker 12: Local records of Elias Baron Scrito. 249 00:28:30,600 --> 00:28:37,760 Speaker 3: Maria Triste de milne uja persona s Vito paramal then 250 00:28:37,800 --> 00:28:43,640 Speaker 3: trod Victoria del grand Baron Peroi m simon. 251 00:28:43,480 --> 00:28:49,920 Speaker 10: U l persona simo meentif montnge like I am semon 252 00:28:50,200 --> 00:28:50,400 Speaker 10: you know. 253 00:28:52,400 --> 00:28:57,520 Speaker 3: Anna Majo Artita Hener, Nobinario provenent cagas as a musica 254 00:28:57,600 --> 00:28:58,560 Speaker 3: pop urbana. 255 00:28:59,080 --> 00:29:02,720 Speaker 10: First of all, Puerto Ricans love a good saying. They 256 00:29:02,800 --> 00:29:10,400 Speaker 10: love that and cant dicho the campo una pl yes. 257 00:29:10,240 --> 00:29:13,680 Speaker 3: A cooro, controversial exactmentees. 258 00:29:13,120 --> 00:29:19,720 Speaker 11: Croquia, quanto, sacon and coferente older generations so re queerness 259 00:29:20,240 --> 00:29:29,480 Speaker 11: come Albocenama sendreesaque to mundolo beholan Diomi. 260 00:29:31,040 --> 00:29:38,920 Speaker 3: Thenuelo man told no cele familiar del versola persona happens 261 00:29:38,960 --> 00:29:47,880 Speaker 3: sars Simon consio loke in correctos user Simon in Simon 262 00:29:49,440 --> 00:29:56,440 Speaker 3: episodio presenta elgoso, the la vida, the Simon persona el centro, 263 00:29:57,240 --> 00:30:07,320 Speaker 3: Simon lace andres Elea and Melioto and says Simon vivian vida. 264 00:30:07,760 --> 00:30:10,600 Speaker 10: But I'm sure Simon was just living her best life. 265 00:30:11,200 --> 00:30:20,640 Speaker 3: Jana Machoda, I can know your post, Mam Condola, macho 266 00:30:21,680 --> 00:30:23,240 Speaker 3: rio meno. 267 00:30:24,520 --> 00:30:30,960 Speaker 11: Tell h Jolas and Puerto Rican Jouett and Tomyria. My 268 00:30:31,040 --> 00:30:36,280 Speaker 11: family do Macau and so andre is in monsoon Macau. 269 00:30:37,200 --> 00:30:40,720 Speaker 10: Okay, it was so vever and wente ok. I could 270 00:30:40,760 --> 00:30:41,480 Speaker 10: have swung. 271 00:30:42,920 --> 00:30:46,600 Speaker 3: Yeke and Puerto Rico not color rosa. 272 00:30:47,440 --> 00:30:52,640 Speaker 11: Puerto Rica, Bien Critiano, Puerto Rico, bien Consolva Puerto Rica, 273 00:30:52,720 --> 00:30:54,280 Speaker 11: band Judgment. 274 00:30:55,640 --> 00:31:00,800 Speaker 3: Persona and Puerto Rico and Metro popularist So same rengue 275 00:31:00,960 --> 00:31:05,200 Speaker 3: reggaeton puelex is still a perception de ge perre pro 276 00:31:05,320 --> 00:31:07,239 Speaker 3: recio I liberalo. 277 00:31:07,240 --> 00:31:10,120 Speaker 11: We're all just ja loos and distra cons and ba 278 00:31:10,280 --> 00:31:14,360 Speaker 11: Bannis Puerto Rican and citio sex Mane Puerto Rico and 279 00:31:14,480 --> 00:31:16,080 Speaker 11: Sido sexual. 280 00:31:15,880 --> 00:31:16,280 Speaker 12: Is how. 281 00:31:17,760 --> 00:31:21,680 Speaker 3: American and de liberta Sivilles, Puerto Rico con laasas the 282 00:31:21,720 --> 00:31:25,640 Speaker 3: Femini City of Malta and l Mundo sebet Una epidemia, 283 00:31:25,680 --> 00:31:31,320 Speaker 3: the Voleencia Henro and to Largipi lago yas la comn 284 00:31:31,680 --> 00:31:38,760 Speaker 3: trans and Friends am Voalencia Constante and Febre Milbente alexand 285 00:31:38,760 --> 00:31:44,200 Speaker 3: ne Gron Luciano unamu Transgendero fuchalla yes Sinala, Susata conte 286 00:31:44,440 --> 00:31:48,400 Speaker 3: film maroon Aco Sandola and Uvido viral Monsi. 287 00:31:48,320 --> 00:31:51,640 Speaker 14: And Puerto Rico Forato transn. 288 00:31:52,080 --> 00:31:55,160 Speaker 10: Alexis murder has shocked the conscience of people in Puerto rim. 289 00:31:55,320 --> 00:32:00,120 Speaker 16: Trans Villa at tiros Parente grim and de odo. 290 00:32:01,480 --> 00:32:05,760 Speaker 3: Fuel Primo, singco, sinatos moest trans and Puerto Rico and 291 00:32:06,560 --> 00:32:11,760 Speaker 3: looks cold on the massacinatos transpho because o core and 292 00:32:12,080 --> 00:32:16,760 Speaker 3: in toto thousands and part com reporta so an amateur, 293 00:32:16,920 --> 00:32:21,560 Speaker 3: cribonrbida la doulo, cuerpa. 294 00:32:31,200 --> 00:32:34,600 Speaker 10: Just a b m Fiel and comet mia Joe, I mean. 295 00:32:36,640 --> 00:32:43,959 Speaker 3: Lo jocio Nacio, the conversation sorely peli ros seruna persona 296 00:32:44,000 --> 00:32:48,760 Speaker 3: trance and Puerto Rico unto dance and clay second. 297 00:32:51,880 --> 00:33:02,719 Speaker 11: Come on came polcn po al commente, the migaj rabio 298 00:33:03,000 --> 00:33:09,240 Speaker 11: lem Betty million sale so looke migorio Shapu song Gonna 299 00:33:09,680 --> 00:33:16,320 Speaker 11: and Mario friend loping melaping your. 300 00:33:16,320 --> 00:33:27,480 Speaker 10: Mela pas salle solely meso different saline this statement, the da. 301 00:33:28,440 --> 00:33:34,760 Speaker 3: Is lo masal alrich and andres celera, I said, look 302 00:33:36,080 --> 00:33:38,000 Speaker 3: important loans and the mass. 303 00:33:39,520 --> 00:33:46,440 Speaker 10: Your messo super super excited. Tell me that you know 304 00:33:46,560 --> 00:33:50,240 Speaker 10: for ico come okay. People don't get to see how 305 00:33:50,360 --> 00:33:53,520 Speaker 10: happy and joy for we are because those are not 306 00:33:53,640 --> 00:33:54,680 Speaker 10: the story being told. 307 00:33:57,600 --> 00:34:00,640 Speaker 12: So if you're party, it's my man. 308 00:34:01,960 --> 00:34:07,320 Speaker 3: Then of el patrana, the sugar in the center, vistas 309 00:34:07,400 --> 00:34:15,080 Speaker 3: lamente eta conmersasion being todas las conmersation familiar instoketermina and 310 00:34:15,200 --> 00:34:19,000 Speaker 3: la correct celebration lad massimon is the lavida. 311 00:34:18,680 --> 00:34:21,160 Speaker 12: Real well in supermento. 312 00:34:22,320 --> 00:34:22,640 Speaker 8: Exist. 313 00:34:22,800 --> 00:34:28,560 Speaker 2: If you result lens you then follow up lemas f 314 00:34:28,640 --> 00:34:35,200 Speaker 2: B and B the okay serscriptions manzanas cultural plot twist 315 00:34:35,200 --> 00:34:41,720 Speaker 2: now said that your levananda services lad, your croest cocon 316 00:34:43,160 --> 00:34:49,280 Speaker 2: resc comica l service. 317 00:34:57,040 --> 00:35:04,359 Speaker 3: In labda real and system fletra hicos felices it GISs 318 00:35:04,440 --> 00:35:17,800 Speaker 3: us comensos grand baron Charlie. 319 00:35:25,360 --> 00:35:28,800 Speaker 4: You know, everyone is different, everyone is made in God's images. 320 00:35:32,239 --> 00:35:36,040 Speaker 4: We all love each other. And so the tenderness with 321 00:35:36,160 --> 00:35:39,800 Speaker 4: which my father explained that, and the way that he 322 00:35:39,960 --> 00:35:43,600 Speaker 4: was able to articulate elements about like L g B, 323 00:35:43,719 --> 00:35:48,040 Speaker 4: t Q identity right but without any judgment, that just 324 00:35:48,320 --> 00:35:50,279 Speaker 4: always struck me later. 325 00:35:52,400 --> 00:35:57,840 Speaker 3: Spreuios ImpACTA ga there's all this love, you know, and 326 00:35:57,960 --> 00:36:06,520 Speaker 3: this is a song that he never skips. Spare clexplicomo 327 00:36:07,200 --> 00:36:10,480 Speaker 3: no big deal soza. 328 00:36:09,600 --> 00:36:12,640 Speaker 4: That gave me permission to come out. And I thought, well, 329 00:36:12,880 --> 00:36:14,879 Speaker 4: my father built that first bridge. 330 00:36:14,640 --> 00:36:21,879 Speaker 3: Between us gabi esso significa and padilla pasa la da 331 00:36:21,920 --> 00:36:30,920 Speaker 3: dera gabi and so tam being it's co and toldas 332 00:36:30,960 --> 00:36:42,280 Speaker 3: last Familiasencia and Contro and barrio cafes and a regular 333 00:36:42,400 --> 00:36:44,360 Speaker 3: mene and he just would. 334 00:36:44,200 --> 00:36:46,279 Speaker 4: Be there in his little suit, having just come from 335 00:36:46,400 --> 00:36:48,719 Speaker 4: his job at Castelo. 336 00:36:48,320 --> 00:36:56,000 Speaker 3: Gablo Reguerda Mediol village in Saint Marks. 337 00:36:56,040 --> 00:36:58,960 Speaker 4: Just standing in the back while his daughter is reciting 338 00:36:59,000 --> 00:37:00,720 Speaker 4: a poem about love being a girl. 339 00:37:00,760 --> 00:37:08,440 Speaker 18: You know, the clamari publico, oh the pro Papa, I 340 00:37:08,520 --> 00:37:11,160 Speaker 18: still love, and they would tell him like, thank you 341 00:37:11,239 --> 00:37:17,840 Speaker 18: for being here, iueno come lass, Charlie pay. 342 00:37:19,560 --> 00:37:22,920 Speaker 3: Persona a serprendi and the presente and. 343 00:37:22,960 --> 00:37:25,800 Speaker 4: People would be like, It's like he's standing in for 344 00:37:25,960 --> 00:37:28,200 Speaker 4: my dad, who I haven't talked to in twenty years. 345 00:37:29,040 --> 00:37:37,400 Speaker 3: Am sustu propio padres don andres grand baron no leos 346 00:37:39,080 --> 00:37:43,240 Speaker 3: Charlie s Fahi principal Dela and tolo momento. 347 00:37:45,320 --> 00:37:55,960 Speaker 19: Barasi presacnsun mra do or die pre no para simon. 348 00:37:57,320 --> 00:37:59,880 Speaker 5: Aura Papa Mama sipo. 349 00:38:00,080 --> 00:38:23,360 Speaker 16: Then Cambialuna massr baron a bian cute, Trilian cute and 350 00:38:23,520 --> 00:38:23,960 Speaker 16: Cube and. 351 00:38:24,040 --> 00:38:31,040 Speaker 3: Cube segundo track the album that covers. 352 00:38:31,560 --> 00:38:32,239 Speaker 4: Los la. 353 00:38:34,000 --> 00:38:36,560 Speaker 10: Ale Quarienti, Tresna. 354 00:38:39,200 --> 00:38:49,919 Speaker 3: Last perfect Amente An covers covered the Anna Maccho the Tansion. 355 00:38:49,800 --> 00:38:52,600 Speaker 11: I decided to stick with as much as possible to 356 00:38:52,800 --> 00:38:56,680 Speaker 11: the original lyrics, just out of respect to this hypothetical 357 00:38:57,160 --> 00:38:59,360 Speaker 11: fictional character, like it's their journey. 358 00:38:59,480 --> 00:39:03,920 Speaker 10: It's not trying to like project onto It and. 359 00:39:08,160 --> 00:39:16,720 Speaker 3: Camras Co, Alberta, Rosimon and Sucrason nor the Uncle of Simon, 360 00:39:16,800 --> 00:39:18,960 Speaker 3: Non Cambielo and covered Tna. 361 00:39:18,920 --> 00:39:43,359 Speaker 11: In context Salon tran Square know as locals Comosdrasua. 362 00:39:34,840 --> 00:39:40,760 Speaker 3: Lavarsion, Compete El Grand Baron interpret Macho and Marso album 363 00:39:40,840 --> 00:39:59,759 Speaker 3: Competo lagaf the episode of Ala Casanova Burgess for A 364 00:40:00,000 --> 00:40:05,320 Speaker 3: Tao for Mark Pagan, Victor, Ramo Rossello, I Prducido, Porgini, Montalvo, Gonada, 365 00:40:05,400 --> 00:40:13,279 Speaker 3: del Rodrigueandino Itaha Sandoval, Arriginal, Papilio, Esportma, Pagan, Nil, Gracias 366 00:40:13,400 --> 00:40:19,040 Speaker 3: et Semana, Akalila, Charbes of Elia, Patrana, Carmel, Alfano, Quiera, 367 00:40:19,120 --> 00:40:28,440 Speaker 3: Nunez in Nataly al Garin Elea, include Gini, Montalvo, Rodrigujandino, 368 00:40:28,680 --> 00:40:35,200 Speaker 3: Joaquin Cutler, Liliana, Ruiz, Tasha, Sandoval, Mark Tagan, Maria Garcia, Victor, 369 00:40:35,320 --> 00:40:42,120 Speaker 3: Ramo Rossello, Juan Diego, Ramirez, Margon, Bishop Jenny Lawton, temporda 370 00:40:42,320 --> 00:40:48,759 Speaker 3: istra paceco Maria sol La de Latos de Sonido is 371 00:40:48,920 --> 00:40:59,040 Speaker 3: Joe Flord, mister tema Esportife, la music Original balloon, Episodio 372 00:40:59,239 --> 00:41:05,520 Speaker 3: in tempo Ada and Mistro Sparafy playlist La Episodio in 373 00:41:05,640 --> 00:41:10,680 Speaker 3: All That they Like. Paragoa porque ra cres gala semana 374 00:41:11,400 --> 00:41:14,880 Speaker 3: is the Tempora Laga existe gracias as the Melon Foundation, 375 00:41:16,280 --> 00:41:19,640 Speaker 3: yosojel and a Casanova purgas not memo Haaki paral proximo 376 00:41:19,719 --> 00:41:24,600 Speaker 3: track Numero tres suamene at Labroxima