WEBVTT - Fried Egg Stories: Making TPC Sawgrass

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<v Speaker 1>The fried egg requires a different technique.

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<v Speaker 2>What you need to do is actually square the face

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<v Speaker 2>so it'll dig down underneath that bad lie and propel

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<v Speaker 2>that ball right out onto the green.

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<v Speaker 3>Here's the thing. Playing out of a buried lion of

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<v Speaker 3>bunker is completely different than playing out of a nice

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<v Speaker 3>clean lion of greenside bunker.

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<v Speaker 4>You need to be aggressive on any shop weather. It's

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<v Speaker 4>sitting cleanly for its Friday egg.

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<v Speaker 2>Well, we've all faced it, the dreaded Frida egg.

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<v Speaker 1>It's not to be feared, though. It's actually a pretty

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<v Speaker 1>easy shot to hit.

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<v Speaker 3>Sailing out of Gravesend, England on the trade route, Captain

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<v Speaker 3>William Hilton one August morning in sixteen sixty three came

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<v Speaker 3>upon an island peaceful and serene.

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<v Speaker 5>What you're hearing is the telecast of the nineteen sixty

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<v Speaker 5>nine Heritage Golf Classic. It was a new event held

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<v Speaker 5>at a new golf course, Harbortown Golf Links had been

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<v Speaker 5>built by a forty three year old architect named Pete Dye.

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<v Speaker 5>Back then, Pete Dye wasn't well known in the mainstream way,

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<v Speaker 5>but his collaborator had a more recognizable name.

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<v Speaker 4>Hello, I'm Jack Nicholas. This is Pete Dye.

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<v Speaker 5>The two men lean against the balustrade of an outdoor stairway,

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<v Speaker 5>both looking a little flushed in their full suits.

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<v Speaker 6>Pete and I have worked together to design and build

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<v Speaker 6>the Harbor Town Golf Links here at Seapin's plantation. We're

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<v Speaker 6>here on the eve of the first Heritage Golf Classic

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<v Speaker 6>to be played over the Thanksgiving weekend. Having a golf

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<v Speaker 6>tournament on the first year of operation, it's a dream

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<v Speaker 6>come true for.

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<v Speaker 2>Both of us.

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<v Speaker 3>And the golf course looks straight.

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<v Speaker 7>Down the sea.

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<v Speaker 8>That's beautiful, Jack, Really, it's been a lot of fun

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<v Speaker 8>here and we have that's a great contrast today the

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<v Speaker 8>unagrasses with a behea centipede mine strong brings you back

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<v Speaker 8>to Pinehurst and some of the old Briddies golflings.

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<v Speaker 7>Looks great.

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<v Speaker 5>It was quite a coup for Pete Dye to be

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<v Speaker 5>there on TV side by side with the greatest golfer

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<v Speaker 5>in the world. If you were a golf architect in

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<v Speaker 5>nineteen sixty nine, he didn't get an awful lot of

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<v Speaker 5>press unless your name was Robert Trent Jones. So the

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<v Speaker 5>opening of Harbortown marked a turning point in Pete Die's career.

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<v Speaker 5>Here was a course to be discussed. It was quirky

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<v Speaker 5>and challenging, and it proved popular among the pros. One

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<v Speaker 5>of those pros was Dean Beeman, who played his first

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<v Speaker 5>Heritage in nineteen seventy one.

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<v Speaker 3>My favorite golf course was Harbortown, and Harbortown was today

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<v Speaker 3>is many players' favorite golf course.

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<v Speaker 4>They really like it.

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<v Speaker 3>Harbortown is a golf course that has just as many

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<v Speaker 3>right right to left as left to right holes. It

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<v Speaker 3>has small and green. It demands accuracy. It doesn't fit

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<v Speaker 3>a long hitter versus a shorter hitter. So I thought

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<v Speaker 3>it had a great balance and it was a great

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<v Speaker 3>test of golf, then a fair test to golf.

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<v Speaker 5>By nineteen seventy eight, Beeman was commissioner of the PGA

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<v Speaker 5>Tour and he had just negotiated the purchase of a wild,

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<v Speaker 5>soggy property near Jacksonville, Florida. There he intended to build

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<v Speaker 5>a new venue for the Tournament Players Championship. He wanted

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<v Speaker 5>the course to tax the abilities of the world's best

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<v Speaker 5>golfers while providing a better viewing experience for spectators. It

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<v Speaker 5>would be a stadium golf course, and he knew the

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<v Speaker 5>man to build it was Pete Dye. Today on Frida

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<v Speaker 5>Egg Stories, we are going back four decades to the

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<v Speaker 5>building of the stadium course at TPC Sagrass in the

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<v Speaker 5>nineteen eighty two Players Championship. This story has been told

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<v Speaker 5>and retold over and over, and since it's Player's week

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<v Speaker 5>right now, you'll no doubt be reminded by various journalists',

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<v Speaker 5>TV hosts and podcasters of the usual bits of lore.

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<v Speaker 5>Dean Beeman purchasing the property for one dollar, Pete Dies

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<v Speaker 5>sketching a routing on the back of a place mat,

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<v Speaker 5>the creation of the island Green, the complaints of the pros,

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<v Speaker 5>and Jerry Pate after his victory in eighty two hauling

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<v Speaker 5>both Beaman and Die into the pond next to the

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<v Speaker 5>eighteenth Green. Don't get me wrong, we'll replay a few

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<v Speaker 5>of those hits in this episode. We're not about that.

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<v Speaker 5>But the real reason I'm curious about the TPC Sawgrass

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<v Speaker 5>story has to do with the personalities involved in the

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<v Speaker 5>contrasts between them. On the one hand, you had Pete Dye.

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<v Speaker 5>Golf architecture was a passion for him, not just a

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<v Speaker 5>business enterprise, and as we know in the way he

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<v Speaker 5>designed courses. He was intensely hands on and independent. He

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<v Speaker 5>was an artist. On the other hand, you had the

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<v Speaker 5>PGA Tour under the leadership of Dean Beaman, thirteen years

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<v Speaker 5>younger than Pete Dye. Beeman was energetic and assertive, a

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<v Speaker 5>deal maker. TPC Sawgrass was his venture, and he had

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<v Speaker 5>ideas of his own about what it should be. No

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<v Speaker 5>less an authority than Alice Dye, Pete's wife and most

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<v Speaker 5>trusted design consultant, had her own doubts about the partnership

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<v Speaker 5>between Dean and Pete. Oh, Pete, you're crazy, she said,

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<v Speaker 5>you can't build for Dean. He's particular, he's efficient, he's

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<v Speaker 5>all the things you aren't. He'll have his hands in

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<v Speaker 5>there trying to tell you what to do. Don't do it.

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<v Speaker 5>But he did, and oddly enough it worked. In this

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<v Speaker 5>episode of Frida Egg Stories, we'll try to figure out

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<v Speaker 5>how today the PGA Tour is the eight hundred pound

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<v Speaker 5>gorilla of the golf world. Back in the nineteen seventies,

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<v Speaker 5>it was more like a newborn computian. The Tournament Player's

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<v Speaker 5>Division as it was then known, had just separated from

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<v Speaker 5>the PGA of America, and it was a scrappy operation.

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<v Speaker 9>Yeah, it was really a mom and pop shop back then.

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<v Speaker 5>Adam Shupack is a golf journalist and the author of

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<v Speaker 5>Golf's Driving Force, a biography of Dean Beaman.

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<v Speaker 9>When the Tour moved its headquarters to Panaviter Beach, it

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<v Speaker 9>was working out of a four bedroom home with Dean's

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<v Speaker 9>office was the master bedroom. The garage had the copier

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<v Speaker 9>and postage meter, and you know for an intercom, they

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<v Speaker 9>just yelled at each other.

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<v Speaker 1>It was.

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<v Speaker 9>It was a really small staff and Beaman took over

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<v Speaker 9>in nineteen seventy four and used to say that, you know,

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<v Speaker 9>the largest capital ast that they had was an IBM

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<v Speaker 9>Selectric typewriter. They had about twenty walkie talkies and they

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<v Speaker 9>did it on. They had three Budweisers and the Canna beans.

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<v Speaker 9>I mean, it was a time period where bowling was

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<v Speaker 9>still attracting higher ratings than golf, and tennis was the

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<v Speaker 9>sports surging and popularity. So you know, he had a

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<v Speaker 9>lot of work cut out for him when he took

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<v Speaker 9>over his commission.

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<v Speaker 5>It didn't take long for Beaman to start making aggressive moves.

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<v Speaker 5>He was in his mid thirties and he had a

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<v Speaker 5>background not only as an elite golfer who had won

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<v Speaker 5>two US Amateurs, but also as an insurance broker, he

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<v Speaker 5>knew his way around tax documents as well as boardroom negotiations.

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<v Speaker 9>You know, he was an intense man. He's got these

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<v Speaker 9>piercing blue eyes, and you know, his friends used to

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<v Speaker 9>say that, you know, he could deliver a look that

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<v Speaker 9>could exterminate headlice. And it was a job that required toughness,

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<v Speaker 9>because you know, he had this quest to kind of

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<v Speaker 9>roll over the status quo in this traditional game, make

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<v Speaker 9>golf a bigger sport. And you know, he wanted to

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<v Speaker 9>create a fan base that was much broader than just

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<v Speaker 9>its own participants, and that meant doing things a little

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<v Speaker 9>differently than they'd been done in the past.

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<v Speaker 5>In his first year, Beaman converted the tour into a nonprofit,

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<v Speaker 5>exempting it from paying income taxes and changing its financial fortunes.

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<v Speaker 5>Beeman's other signature project was the new tournament Players Championship,

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<v Speaker 5>later known as the Players Championship and now apparently as

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<v Speaker 5>just the Players Anyway. From the beginning, Bemon had big

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<v Speaker 5>plans for the event. The USGA had the US Open,

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<v Speaker 5>the PGA of America had the PGA Championship and the

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<v Speaker 5>RNA had the Open, why shouldn't the PGA Tour have

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<v Speaker 5>its own major. Well, for one, it's not easy to

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<v Speaker 5>manufacture prestige, but Beeman tried his best. After staging the

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<v Speaker 5>first three tournament players Championships at three different courses, he

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<v Speaker 5>decided to stick with one that it had worked for

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<v Speaker 5>the Masters after all, So starting in nineteen seventy seven,

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<v Speaker 5>the players absorbed to the Greater Jacksonville Open and set

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<v Speaker 5>up shop at Sawgrass Country Club, which.

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<v Speaker 10>Was a very dynamic golf course that was played in

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<v Speaker 10>March where the wind blew. It was as close to

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<v Speaker 10>an ocean side course as you could get, and so

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<v Speaker 10>it had all those elements in them.

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<v Speaker 5>But while Beeman liked Sawgrass as a course, he thought

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<v Speaker 5>it could be improved as a venue.

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<v Speaker 11>There was going to have to be a substantial investment

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<v Speaker 11>made in the golf course and the facilities to accommodate

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<v Speaker 11>both the players and the gallery and what we wanted

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<v Speaker 11>to do.

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<v Speaker 5>So Beeman attempted to buy Sawgrass Country Club, but for

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<v Speaker 5>a variety of reasons, the deal never happened. Instead, he

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<v Speaker 5>set out to build a new course, the home course

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<v Speaker 5>for the tour, just across the road from Sawgrass Country

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<v Speaker 5>Club was a huge tract of wilderness. The owners knew

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<v Speaker 5>that being in business with the ascendant golf tour would

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<v Speaker 5>raise the value of their land, so they sold four

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<v Speaker 5>hundred and fifteen acres to Beaman for one dollar. From there,

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<v Speaker 5>the commissioner pieced together financing from a non recourse loan,

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<v Speaker 5>a few dozen expensive founding memberships, and a few thousand

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<v Speaker 5>cheap annual memberships. It was a tidy sum acquired at

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<v Speaker 5>minimal risk.

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<v Speaker 9>As PGA Tour commissiony, he's working for a board, he's

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<v Speaker 9>working for the players, and they had a lot of doubts,

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<v Speaker 9>and they pretty much said, you can't risk any of

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<v Speaker 9>our assets. They didn't have a lot to day, but

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<v Speaker 9>they didn't want to put anything on the line. And

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<v Speaker 9>if he failed, it was his neck. And so he

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<v Speaker 9>went out figured a way to do it where they

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<v Speaker 9>just couldn't say no. And it was you know, that

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<v Speaker 9>is one of the most brilliant deals ever in the

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<v Speaker 9>game of golf.

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<v Speaker 5>After all that, though, Beeman found himself in possession of

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<v Speaker 5>a piece of land that, to put it mildly, seemed

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<v Speaker 5>ill suited to golf. Here's how Pete Dye described it

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<v Speaker 5>in his autobiography Bury Me in a pop bunker. When

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<v Speaker 5>I first inspected the proposed site for the player's course,

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<v Speaker 5>my only compatriots in the impenetrable swampy jungle were deer, alligators,

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<v Speaker 5>wild boar, and deadly snakes. In order to cut a path,

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<v Speaker 5>I followed deer tracks that led me to dry areas

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<v Speaker 5>in the swamp before I nearly drowned in the depths

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<v Speaker 5>of the marshland well.

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<v Speaker 4>The property was.

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<v Speaker 3>It was dead flat. It had a lot of standing

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<v Speaker 3>water on it. There's substantial rainfall here in Jacksonville. Following

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<v Speaker 3>rainfall until it dried out, it was a pretty wet

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<v Speaker 3>piece of property.

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<v Speaker 5>It hadn't always been that way. The array of oak, pine, sweetgum,

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<v Speaker 5>and magnolia trees on the site indicated that it had

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<v Speaker 5>once been an upland, but when the Intracoastal Way was

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<v Speaker 5>built nearby in the early nineteen hundreds, water began to

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<v Speaker 5>collect on the site. By the nineteen seventies, it was

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<v Speaker 5>a Florida forest mashed up with a Florida swamp. But

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<v Speaker 5>Beeman didn't mind that the property was flat and would

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<v Speaker 5>need to be almost wholly re engineered. To him, it

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<v Speaker 5>was a blank slate where he could realize his vision

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<v Speaker 5>for a stadium golf course.

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<v Speaker 3>No golf course up to that point had been bought,

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<v Speaker 3>had been built that more interest was concentrated on the

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<v Speaker 3>gallery than the players.

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<v Speaker 4>Most golf courses are built for players.

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<v Speaker 3>We needed to build build one for the players, but

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<v Speaker 3>we also had to we want. I wanted to build

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<v Speaker 3>a golf course that would be the first what I

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<v Speaker 3>called a stadium golf course.

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<v Speaker 4>Well, I wanted. I wanted two things. There were two.

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<v Speaker 3>Elements that I thought were extremely important in making a

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<v Speaker 3>stadium course as successful as it could be. One is

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<v Speaker 3>that you did all you care to build the spectator

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<v Speaker 3>areas in the highest places on the course and the

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<v Speaker 3>golf courses in the playing serfs on the lowest point

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<v Speaker 3>of the golf court, so that the spectators were actually

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<v Speaker 3>walking with you, and they would be above the players,

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<v Speaker 3>and so more people could see. And that's the concept

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<v Speaker 3>of a stadium. The second part of the concept that

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<v Speaker 3>I thought was very important was the routing of the

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<v Speaker 3>golf course should be in a way that produced the

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<v Speaker 3>most what I call areas of activity. Instead of spreading

0:12:37.880 --> 0:12:41.920
<v Speaker 3>the golf course out and stringing the holes out they

0:12:41.960 --> 0:12:45.520
<v Speaker 3>should wind back and forth in a way that created

0:12:45.600 --> 0:12:51.000
<v Speaker 3>us hubs of activities where a spectator could maybe walk

0:12:51.240 --> 0:12:54.720
<v Speaker 3>two or three hundred yards and see four or five

0:12:54.800 --> 0:12:59.040
<v Speaker 3>different shots close to a couple of tees, a couple

0:12:59.040 --> 0:13:02.520
<v Speaker 3>of greens, and and may be a fairway and not

0:13:02.720 --> 0:13:06.439
<v Speaker 3>have to walk five miles to watch a lot of golf.

0:13:07.200 --> 0:13:10.000
<v Speaker 3>Because there are some spectators that want to follow their

0:13:10.040 --> 0:13:12.600
<v Speaker 3>favorite player and others that just want to watch golf.

0:13:13.360 --> 0:13:16.440
<v Speaker 5>It's striking how these ideas, although novel at the time,

0:13:16.720 --> 0:13:19.560
<v Speaker 5>call to mind the features of certain time tested tournament

0:13:19.559 --> 0:13:23.200
<v Speaker 5>golf courses. As Pete Dye pointed out in his autobiography,

0:13:23.480 --> 0:13:26.360
<v Speaker 5>the Links courses of Great Britain and Ireland have dunes

0:13:26.400 --> 0:13:29.840
<v Speaker 5>that form natural spectator mounds along the fairways and around

0:13:29.840 --> 0:13:33.520
<v Speaker 5>the greens, and Beeman's notion of hubs of activity reminded

0:13:33.559 --> 0:13:37.920
<v Speaker 5>me of how Augusta National returns to certain landforms, creating

0:13:38.000 --> 0:13:41.480
<v Speaker 5>gathering spots where spectators can see multiple greens and teas

0:13:41.679 --> 0:13:46.360
<v Speaker 5>at once. Perhaps in part because he appreciated these historical references,

0:13:46.760 --> 0:13:49.520
<v Speaker 5>Pete Die took beeman stadium concept and ran with it.

0:13:50.120 --> 0:13:53.640
<v Speaker 5>Over dinner at the Homestead restaurant in Jacksonville. Die sketched

0:13:53.640 --> 0:13:56.400
<v Speaker 5>a back nine routing on that now famous Place Mat

0:13:56.679 --> 0:14:00.199
<v Speaker 5>and Beeman knew he had the right architect. Granted a

0:14:00.280 --> 0:14:02.760
<v Speaker 5>Place Matt is a lot easier to work with than

0:14:02.760 --> 0:14:04.880
<v Speaker 5>a four hundred and fifteen acre alligator pit.

0:14:09.600 --> 0:14:14.640
<v Speaker 7>We killed rattlesnakes and moccasins all the time, almost every day.

0:14:15.160 --> 0:14:19.600
<v Speaker 7>Were also alligators and spiders and all kinds of stuff

0:14:20.040 --> 0:14:22.880
<v Speaker 7>out on the site, and you wore snake boots or

0:14:23.480 --> 0:14:24.680
<v Speaker 7>you didn't really go out there.

0:14:25.280 --> 0:14:29.160
<v Speaker 5>Vernon Kelly was the project manager at TPC Sawgrass.

0:14:29.400 --> 0:14:33.480
<v Speaker 7>There was something out there we called blue gumbo clay.

0:14:33.880 --> 0:14:37.440
<v Speaker 7>What it was was almost a plastic kind of clay.

0:14:37.520 --> 0:14:41.880
<v Speaker 7>It was like quicksand. And when you were digging sand

0:14:42.560 --> 0:14:46.360
<v Speaker 7>out of the pits, because wherever you found sand, we

0:14:46.440 --> 0:14:48.720
<v Speaker 7>excavated it for the golf holds, and that's how we

0:14:48.760 --> 0:14:52.320
<v Speaker 7>created seventeen. Of course, almost anywhere you see a lake

0:14:52.320 --> 0:14:54.920
<v Speaker 7>out there, it's because there was sand in that area

0:14:54.960 --> 0:14:58.160
<v Speaker 7>and we didn't have the money to buy sand. And

0:14:58.240 --> 0:15:01.800
<v Speaker 7>once you excavated the sand, sometimes you would hit this

0:15:02.080 --> 0:15:05.600
<v Speaker 7>gushy kind of play material and it didn't seem to

0:15:05.640 --> 0:15:08.800
<v Speaker 7>be the bottom to it, and out on I think

0:15:08.800 --> 0:15:11.800
<v Speaker 7>it was number seven. One night we went a backo

0:15:11.920 --> 0:15:16.120
<v Speaker 7>when we were digging building the green, and he got

0:15:16.160 --> 0:15:20.600
<v Speaker 7>into that stuff, and I mean literally, without a couple

0:15:20.600 --> 0:15:24.480
<v Speaker 7>of hours, it completely covered the tracks of the back

0:15:24.520 --> 0:15:26.960
<v Speaker 7>hoe and was up to the cab, which is about

0:15:27.000 --> 0:15:29.640
<v Speaker 7>five feet. We were able to pull it out with

0:15:30.440 --> 0:15:35.000
<v Speaker 7>a dozer, but it just showed how treacherous the sight was.

0:15:35.680 --> 0:15:38.560
<v Speaker 5>Early on, it could seem like the land itself was

0:15:38.640 --> 0:15:39.920
<v Speaker 5>rejecting the golf course.

0:15:40.880 --> 0:15:43.520
<v Speaker 7>The first thing we had to do was to find

0:15:43.560 --> 0:15:47.040
<v Speaker 7>the property, so we had the boundary surveyed, and the

0:15:47.080 --> 0:15:50.920
<v Speaker 7>surveyors actually went out there and cut the survey line

0:15:51.160 --> 0:15:54.680
<v Speaker 7>with the cheties, and then you know, went from point

0:15:54.720 --> 0:15:58.600
<v Speaker 7>to point and marked the points with the survey steaks

0:15:59.080 --> 0:16:03.560
<v Speaker 7>and survey tape. Well, the vegetation grew so fast out there,

0:16:04.440 --> 0:16:07.760
<v Speaker 7>literally within a couple of days, you could barely find

0:16:07.800 --> 0:16:11.640
<v Speaker 7>the cut lines, which were the pass from state to streak,

0:16:12.280 --> 0:16:14.920
<v Speaker 7>and you couldn't find the steaks at all.

0:16:15.960 --> 0:16:17.920
<v Speaker 5>And then there was the wildlife.

0:16:20.120 --> 0:16:22.760
<v Speaker 7>So one day we were walking along it as hot

0:16:22.760 --> 0:16:25.440
<v Speaker 7>as could be, and the bugs were about to carry

0:16:25.520 --> 0:16:28.280
<v Speaker 7>off the skews and the rest, and I was talking

0:16:28.320 --> 0:16:29.120
<v Speaker 7>to David.

0:16:29.160 --> 0:16:33.080
<v Speaker 5>That would be David post Away, Pete Dies Construction superintendent.

0:16:33.680 --> 0:16:36.160
<v Speaker 7>He said, do you think there are any alligators out here?

0:16:36.200 --> 0:16:38.400
<v Speaker 7>I said, oh, yeah, they're all over the place because

0:16:38.480 --> 0:16:41.440
<v Speaker 7>they can travel in this water. It's about knee high

0:16:41.840 --> 0:16:43.960
<v Speaker 7>and they can move from place to place. And he said,

0:16:44.160 --> 0:16:48.200
<v Speaker 7>those are step on one. It's all. We won't do that,

0:16:48.280 --> 0:16:51.560
<v Speaker 7>but you can find them because there'll be a an

0:16:51.560 --> 0:16:54.680
<v Speaker 7>alligator pit. And what they do is they'll be in

0:16:54.360 --> 0:17:00.240
<v Speaker 7>an area of sawgrass and they'll root around and make

0:17:00.800 --> 0:17:05.040
<v Speaker 7>an alligator pit that's probably twenty feet square around where

0:17:05.160 --> 0:17:08.679
<v Speaker 7>they ripped up the vegetation and kind of dug the

0:17:08.960 --> 0:17:11.920
<v Speaker 7>butt a little bit deeper, and that's where they live

0:17:12.480 --> 0:17:14.320
<v Speaker 7>and that's where they sleep in the water. And all

0:17:15.000 --> 0:17:19.320
<v Speaker 7>they're scavengers. They don't eat live meat. They kill things

0:17:19.560 --> 0:17:22.679
<v Speaker 7>and they put it in that pit to rot and

0:17:22.760 --> 0:17:26.400
<v Speaker 7>when it's real gamey, then they'll eat it. So when

0:17:26.400 --> 0:17:28.440
<v Speaker 7>you come to one of those pits, you can tell

0:17:28.640 --> 0:17:31.760
<v Speaker 7>what it is because it stinks to high heaven. And

0:17:31.800 --> 0:17:33.639
<v Speaker 7>he said, boy, I hate to be in something like that,

0:17:33.720 --> 0:17:35.879
<v Speaker 7>and I said, yeah, me too. So in the meantime,

0:17:35.920 --> 0:17:39.200
<v Speaker 7>we're pushing through. We're pushing through the sawgrass and it's

0:17:39.240 --> 0:17:42.760
<v Speaker 7>about five feet high, and it's so thick. I mean,

0:17:42.800 --> 0:17:45.800
<v Speaker 7>you can't. It just wears you out to push against it,

0:17:45.920 --> 0:17:50.840
<v Speaker 7>sort of leaning leaning into it. I was in front

0:17:51.200 --> 0:17:53.560
<v Speaker 7>and Dave was following me, and all of a sudden

0:17:54.160 --> 0:17:55.800
<v Speaker 7>I was leaning. All of a sudden it just parted

0:17:55.840 --> 0:17:58.280
<v Speaker 7>and I fell in this hole. And I knew immediately

0:17:58.280 --> 0:18:00.320
<v Speaker 7>what it was because it's stunk to high have it,

0:18:00.920 --> 0:18:03.600
<v Speaker 7>and I'd fallen into an alligator.

0:18:03.760 --> 0:18:03.960
<v Speaker 2>Kid.

0:18:04.720 --> 0:18:08.600
<v Speaker 7>Fortunately the alligator was home, but you know, said, I'm

0:18:09.680 --> 0:18:13.199
<v Speaker 7>laying of this thing, and my full concentration is on

0:18:13.480 --> 0:18:17.440
<v Speaker 7>keeping my balpha order. All of a sudden, David comes

0:18:17.840 --> 0:18:20.160
<v Speaker 7>pops right through the grass and falls right on top

0:18:20.200 --> 0:18:23.880
<v Speaker 7>of me. He looks around. He says, oh my god,

0:18:23.960 --> 0:18:25.760
<v Speaker 7>he says, the stinks that I haven't what is this.

0:18:26.560 --> 0:18:30.479
<v Speaker 7>It's what we were talking about. It's an alligator. He's gone.

0:18:32.000 --> 0:18:35.040
<v Speaker 7>He just disappeared. He was He took off so fast.

0:18:35.640 --> 0:18:36.520
<v Speaker 5>How did you get out?

0:18:36.720 --> 0:18:39.520
<v Speaker 7>Oh? I got out. I was. I was right by,

0:18:40.240 --> 0:18:41.920
<v Speaker 7>but nothing happened to it.

0:18:45.200 --> 0:18:47.919
<v Speaker 5>Kelly, who hadn't worked on a peat dye project before,

0:18:48.119 --> 0:18:51.760
<v Speaker 5>quickly got a taste of Die's creative process.

0:18:51.760 --> 0:18:53.840
<v Speaker 7>When we first started working with him. We had to

0:18:53.840 --> 0:18:56.679
<v Speaker 7>get upset of plans from the bank in order to

0:18:56.680 --> 0:19:00.280
<v Speaker 7>just strin alone. It was the hardest thing to get

0:19:00.280 --> 0:19:04.000
<v Speaker 7>a set of plants. Pete resisted it and just didn't

0:19:04.000 --> 0:19:06.480
<v Speaker 7>want to give us a set of plants. And finally

0:19:07.160 --> 0:19:09.200
<v Speaker 7>we were able to secure a set of plans from him.

0:19:09.200 --> 0:19:11.880
<v Speaker 7>We gave him to the bank and everything's ready to go.

0:19:12.359 --> 0:19:16.119
<v Speaker 7>So we were on the site the first day. We

0:19:16.119 --> 0:19:19.040
<v Speaker 7>were walking out to the first t I said, oh, wait, man,

0:19:19.080 --> 0:19:21.280
<v Speaker 7>I forgot something. And I went running back to the

0:19:21.320 --> 0:19:25.280
<v Speaker 7>truck and got the plans, and son come running, come

0:19:25.359 --> 0:19:28.399
<v Speaker 7>running back, and Pete says to me, what's that And

0:19:28.520 --> 0:19:30.960
<v Speaker 7>I said, Oh, these are the plants. And he said,

0:19:31.040 --> 0:19:33.160
<v Speaker 7>put them back in the truck, and I don't want

0:19:33.160 --> 0:19:38.320
<v Speaker 7>to see them again. That was the last time we

0:19:38.359 --> 0:19:39.359
<v Speaker 7>had the plants on the.

0:19:39.440 --> 0:19:42.480
<v Speaker 5>Job, and that, it seems to me, is exactly where

0:19:42.480 --> 0:19:45.600
<v Speaker 5>Pete Die and the tour could have found themselves at loggerheads,

0:19:45.960 --> 0:19:50.399
<v Speaker 5>the craftsmen versus the corporation, the improviser versus the plan followers.

0:19:50.840 --> 0:19:53.760
<v Speaker 5>But as it turned out, Dean Beeman himself had a

0:19:53.760 --> 0:19:56.720
<v Speaker 5>healthy regard for Die's methods.

0:19:56.440 --> 0:19:57.359
<v Speaker 4>That's Pete.

0:19:57.560 --> 0:20:01.119
<v Speaker 3>Pete wants to be hands on boots on the I

0:20:01.200 --> 0:20:02.840
<v Speaker 3>want to see it. I don't want to see it

0:20:02.880 --> 0:20:04.320
<v Speaker 3>on a piece of paper. I want to see it

0:20:04.320 --> 0:20:06.639
<v Speaker 3>with my own eye and my boots on the ground

0:20:06.640 --> 0:20:08.320
<v Speaker 3>and get wet.

0:20:07.920 --> 0:20:10.359
<v Speaker 5>And from Vernon Kelly's point of view. While there was

0:20:10.400 --> 0:20:13.520
<v Speaker 5>a contrast in styles between Die and Beaman, there was

0:20:13.560 --> 0:20:15.919
<v Speaker 5>also a crucial element that kept the peace.

0:20:16.880 --> 0:20:19.760
<v Speaker 7>There was a tremendous amount of respect between Dean and

0:20:19.840 --> 0:20:23.479
<v Speaker 7>deep In both ways and Alice both ways.

0:20:24.200 --> 0:20:27.320
<v Speaker 5>Years later, Alice I admitted that her initial fears about

0:20:27.320 --> 0:20:31.200
<v Speaker 5>the partnership had been unfounded. Dean was wonderful, she said.

0:20:31.640 --> 0:20:34.880
<v Speaker 5>He let Pete do his thing, and both of them

0:20:35.040 --> 0:20:37.840
<v Speaker 5>let Alice do her thing. She too was on site,

0:20:37.920 --> 0:20:39.960
<v Speaker 5>and she too had a knack for boots on the

0:20:40.000 --> 0:20:44.320
<v Speaker 5>ground improvisation. According to plans, the par three seventeenth would

0:20:44.359 --> 0:20:47.720
<v Speaker 5>have water just on the right, but around the seventeenth green,

0:20:47.760 --> 0:20:49.720
<v Speaker 5>as it happened, was some of the best sand on

0:20:49.760 --> 0:20:53.199
<v Speaker 5>a generally mucky property, So the crew kept digging that

0:20:53.280 --> 0:20:56.360
<v Speaker 5>sand out and using it as foundation for turf elsewhere

0:20:56.400 --> 0:20:59.720
<v Speaker 5>on the course. Eventually there was an enormous pit where

0:20:59.720 --> 0:21:02.720
<v Speaker 5>the seeventeenth hole was supposed to be. Here's how Pete

0:21:02.760 --> 0:21:06.520
<v Speaker 5>Dye recounted what happened next. I called Alice over to

0:21:06.560 --> 0:21:09.000
<v Speaker 5>discuss with her where we could find a new place

0:21:09.040 --> 0:21:12.000
<v Speaker 5>for the green. She said, put the green back where

0:21:12.000 --> 0:21:15.720
<v Speaker 5>it was and fill the hole with water. Simple enough.

0:21:16.920 --> 0:21:21.200
<v Speaker 5>This sort of husband wife collaboration was common on Dye projects.

0:21:21.240 --> 0:21:24.080
<v Speaker 5>One summer when he was in college, Tom Doak worked

0:21:24.119 --> 0:21:26.520
<v Speaker 5>on the crew at die'es Long Cove Club on Hilton

0:21:26.600 --> 0:21:27.159
<v Speaker 5>Head Island.

0:21:28.160 --> 0:21:30.960
<v Speaker 1>They were renting a house three miles away and see

0:21:31.000 --> 0:21:34.400
<v Speaker 1>Pine's plantation, And you know, Pete would be there six

0:21:34.520 --> 0:21:36.280
<v Speaker 1>or seven days a week at six thirty in the

0:21:36.280 --> 0:21:39.920
<v Speaker 1>morning with the crew, and Alice would come out maybe

0:21:39.920 --> 0:21:42.440
<v Speaker 1>two or three times a week, you know, at lunchtime

0:21:42.600 --> 0:21:46.439
<v Speaker 1>or in the afternoon, and she'd just come check on

0:21:46.520 --> 0:21:49.080
<v Speaker 1>progress and see, you know, see what what had been

0:21:49.119 --> 0:21:51.480
<v Speaker 1>done since the last time she was out there, which

0:21:51.720 --> 0:21:54.560
<v Speaker 1>you know, even that would be more visits than most

0:21:54.680 --> 0:22:00.840
<v Speaker 1>architects would make to their own construction sites. And it

0:22:00.920 --> 0:22:03.359
<v Speaker 1>was actually a guy on her crew that would have

0:22:03.400 --> 0:22:07.080
<v Speaker 1>been a college roommate of PD's. You know, Pete was

0:22:07.160 --> 0:22:10.240
<v Speaker 1>shaping on the golf course and Steve, his roommate, was

0:22:10.240 --> 0:22:12.040
<v Speaker 1>out there working on the labor crew. And I get

0:22:12.040 --> 0:22:14.600
<v Speaker 1>to know Steve a little bit, and at one point

0:22:14.800 --> 0:22:17.919
<v Speaker 1>Steve just sort of said, really casually, well, you know,

0:22:18.000 --> 0:22:22.840
<v Speaker 1>nothing's really done out here until miss Sally says it's okay.

0:22:22.920 --> 0:22:26.000
<v Speaker 1>And I thought that was funny at the time, but

0:22:26.000 --> 0:22:28.760
<v Speaker 1>but I really did get the impression by the time

0:22:28.800 --> 0:22:31.520
<v Speaker 1>I was done working for Pete and Alice that Alice

0:22:31.560 --> 0:22:35.040
<v Speaker 1>had a lot to say about you know, maybe not

0:22:35.119 --> 0:22:37.760
<v Speaker 1>the final say, but she was certainly going to tell

0:22:37.840 --> 0:22:41.240
<v Speaker 1>Pee if she didn't think, you know, she thought golf

0:22:41.240 --> 0:22:43.480
<v Speaker 1>course was too hard or too easy, or if that

0:22:43.600 --> 0:22:47.240
<v Speaker 1>feature didn't look right, and you know, hers was the

0:22:47.280 --> 0:22:50.080
<v Speaker 1>most important opinion to Pete.

0:22:52.240 --> 0:22:54.920
<v Speaker 5>So while Pete Die was firm in his own convictions,

0:22:55.240 --> 0:22:57.800
<v Speaker 5>he was also eager to gather input from others.

0:22:58.400 --> 0:23:01.159
<v Speaker 1>I contend, as an architect artist, one of the hardest

0:23:01.160 --> 0:23:02.760
<v Speaker 1>things to do when you're in the middle of a

0:23:02.840 --> 0:23:08.040
<v Speaker 1>construction project is half perspective on you've sort of you've

0:23:08.040 --> 0:23:11.880
<v Speaker 1>gotten away from playing golf on grass and you get

0:23:11.920 --> 0:23:14.800
<v Speaker 1>to lose perspective of this is too hard, is this

0:23:14.920 --> 0:23:17.880
<v Speaker 1>too easy? And it really helps to have somebody out

0:23:17.920 --> 0:23:22.320
<v Speaker 1>there you trust just this you know, it's okay, it's fine,

0:23:22.680 --> 0:23:24.920
<v Speaker 1>or it's O, wait, are you sure you want to

0:23:24.960 --> 0:23:27.960
<v Speaker 1>be doing that? You know, and most architects don't have that.

0:23:31.600 --> 0:23:35.199
<v Speaker 5>The Stadium Course opened in nineteen eighty, but as the

0:23:35.200 --> 0:23:38.480
<v Speaker 5>eighty two Players Championship approached, the first players to be

0:23:38.520 --> 0:23:42.119
<v Speaker 5>held at TPC Sawgrass, the pressure on both Pete Die

0:23:42.200 --> 0:23:44.120
<v Speaker 5>and Dean Beeman ratcheted up.

0:23:44.680 --> 0:23:46.840
<v Speaker 12>It was definitely a move forward for the PGA Tour

0:23:46.920 --> 0:23:49.520
<v Speaker 12>because they were opening their own golf course.

0:23:50.160 --> 0:23:53.560
<v Speaker 5>Sean Martin is a senior editor for PGA Tour dot com,

0:23:53.880 --> 0:23:56.960
<v Speaker 5>and in twenty seventeen he wrote a feature called Leap

0:23:57.000 --> 0:24:00.320
<v Speaker 5>of Faith behind the Stadium Course's wild debut at the

0:24:00.400 --> 0:24:03.800
<v Speaker 5>nineteen eighty two Players Championship. It's really great and a

0:24:03.840 --> 0:24:05.760
<v Speaker 5>major inspiration for this episode.

0:24:06.440 --> 0:24:09.320
<v Speaker 12>So now they were getting into the golf course business,

0:24:09.320 --> 0:24:11.639
<v Speaker 12>and there was debate among the players whether or not

0:24:11.720 --> 0:24:14.480
<v Speaker 12>the PGA Tour should be getting into the golf course business,

0:24:14.520 --> 0:24:16.880
<v Speaker 12>whether or not that was a wise business decision.

0:24:16.920 --> 0:24:17.080
<v Speaker 4>You know.

0:24:17.119 --> 0:24:19.600
<v Speaker 12>You look at Adam Schupack's book about Dean Beeman and

0:24:20.000 --> 0:24:22.920
<v Speaker 12>the early tour was run out of basically, I believe

0:24:22.920 --> 0:24:25.000
<v Speaker 12>it was a town home or a condo at the

0:24:25.080 --> 0:24:28.359
<v Speaker 12>Sawgrass Country Club. So it was a very modest organization,

0:24:28.520 --> 0:24:30.520
<v Speaker 12>so to now all of a sudden get into the

0:24:30.560 --> 0:24:33.600
<v Speaker 12>golf course business. It was a risky venture.

0:24:33.880 --> 0:24:36.359
<v Speaker 5>And the heat on Beeman and Die got turned up

0:24:36.400 --> 0:24:38.479
<v Speaker 5>when the pros started to visit the new course.

0:24:39.119 --> 0:24:42.359
<v Speaker 12>So Sawgrass Country Club, which hosted the players, was literally

0:24:42.440 --> 0:24:45.520
<v Speaker 12>across the street, so when guys were in town for

0:24:45.720 --> 0:24:48.760
<v Speaker 12>the players, they could go over and see TPC. It

0:24:48.800 --> 0:24:51.200
<v Speaker 12>was carved out of a swamp. It was much more

0:24:51.240 --> 0:24:53.960
<v Speaker 12>severe than what you see today. I think some of

0:24:54.000 --> 0:24:57.480
<v Speaker 12>that is just when you build slopes and you shape them,

0:24:57.760 --> 0:25:00.200
<v Speaker 12>they never look quite as severe as when they get

0:25:00.240 --> 0:25:02.359
<v Speaker 12>grass on them. And so just I think of course

0:25:02.400 --> 0:25:04.040
<v Speaker 12>is always gonna be severe when it's new. And then

0:25:04.119 --> 0:25:07.600
<v Speaker 12>also you know, combine some of that with just the

0:25:07.640 --> 0:25:12.880
<v Speaker 12>wild surrounds off the fairway. If you strayed from the

0:25:12.880 --> 0:25:15.680
<v Speaker 12>corridors and hit it into that stuff, I mean you're

0:25:15.680 --> 0:25:18.720
<v Speaker 12>looking at lost balls, You're having trouble hacking out. It

0:25:18.800 --> 0:25:21.800
<v Speaker 12>was very raw and very very penal.

0:25:22.400 --> 0:25:25.119
<v Speaker 5>The players began to make their opinions known, and not

0:25:25.240 --> 0:25:29.680
<v Speaker 5>long after the grand opening, Dean Beaman oversaw some significant changes.

0:25:30.359 --> 0:25:34.080
<v Speaker 3>It was difficult for me to envision what the final

0:25:34.200 --> 0:25:37.840
<v Speaker 3>product would be based on looking at dirt when the

0:25:37.880 --> 0:25:40.280
<v Speaker 3>grass was on it, it was far different.

0:25:40.080 --> 0:25:41.280
<v Speaker 4>Than I had imagined.

0:25:41.800 --> 0:25:45.760
<v Speaker 3>And clearly as soon as it opened, even before tour

0:25:45.800 --> 0:25:49.760
<v Speaker 3>players came in and wanted to play it, I determined

0:25:49.800 --> 0:25:54.280
<v Speaker 3>it was much too severe. The greens themselves were much

0:25:54.320 --> 0:25:57.960
<v Speaker 3>too severe. So during the course of that year, before

0:25:58.000 --> 0:26:01.359
<v Speaker 3>the first tournament, a lot of work was gone to

0:26:01.480 --> 0:26:04.600
<v Speaker 3>take some of the severity out of the green.

0:26:07.720 --> 0:26:10.879
<v Speaker 5>But when the eighty two Players Championship arrived, the course

0:26:10.960 --> 0:26:14.840
<v Speaker 5>was still very rugged and very difficult. Tom Doak headed

0:26:14.840 --> 0:26:17.880
<v Speaker 5>down from Cornell during his spring break to watch the tournament.

0:26:18.400 --> 0:26:22.000
<v Speaker 5>When Doak remembers that era of TPC Sagrass, the image

0:26:22.000 --> 0:26:25.040
<v Speaker 5>of a relatively bare bones golf course comes to his mind.

0:26:25.640 --> 0:26:27.439
<v Speaker 1>You know, one of the things about the TPC that

0:26:27.520 --> 0:26:30.080
<v Speaker 1>most people don't realize is, you know, in nineteen seventy

0:26:30.160 --> 0:26:34.719
<v Speaker 1>ninety eighty was terrible recession time in America, and the

0:26:34.760 --> 0:26:37.879
<v Speaker 1>TPC was really built to be a low maintenance golf

0:26:37.920 --> 0:26:41.320
<v Speaker 1>course in a fairly low budget golf course to build.

0:26:41.960 --> 0:26:44.040
<v Speaker 1>And of course once it was opened for three or

0:26:44.040 --> 0:26:47.480
<v Speaker 1>four years, they all of a sudden it was like, well,

0:26:47.520 --> 0:26:49.359
<v Speaker 1>this is the headquarters of the tour. We've got to

0:26:49.400 --> 0:26:50.920
<v Speaker 1>spruce it up, and we've got to make it look

0:26:50.960 --> 0:26:55.119
<v Speaker 1>pretty imperfect. But that was not Pete's idea going into it.

0:26:55.640 --> 0:26:57.760
<v Speaker 1>One of the quotes I remember him saying it that

0:26:57.840 --> 0:27:01.280
<v Speaker 1>the original tournament in nineteen eighty two was everything here

0:27:01.400 --> 0:27:04.400
<v Speaker 1>is the dead opposite of Augusta on purpose.

0:27:05.640 --> 0:27:07.959
<v Speaker 5>When Dope got to the tournament, he went out and

0:27:08.000 --> 0:27:09.600
<v Speaker 5>found Pete Dye on the course.

0:27:10.320 --> 0:27:13.280
<v Speaker 1>I think it was on like the eleventh or twelfth hole.

0:27:14.000 --> 0:27:16.199
<v Speaker 1>Basically he was just going around to one hole at

0:27:16.200 --> 0:27:19.199
<v Speaker 1>a time and watching players come through and you know,

0:27:19.440 --> 0:27:22.440
<v Speaker 1>watching shots and seeing how they reacted. He wanted to

0:27:22.480 --> 0:27:24.360
<v Speaker 1>see how they played them. He didn't want to hear

0:27:24.440 --> 0:27:26.800
<v Speaker 1>how what they said. He didn't cares so much what

0:27:26.840 --> 0:27:28.600
<v Speaker 1>they said about it. You know, he just wanted to

0:27:28.600 --> 0:27:31.119
<v Speaker 1>see if the shots work the way he intended them to.

0:27:31.320 --> 0:27:33.360
<v Speaker 1>And you know, so we just go to one hole

0:27:33.400 --> 0:27:35.680
<v Speaker 1>at a time and watched three or four groups play through,

0:27:35.720 --> 0:27:39.080
<v Speaker 1>and Pete did see somebody hid a good shot and go, oh,

0:27:39.119 --> 0:27:41.440
<v Speaker 1>that hole works. We can go to the next hall now.

0:27:43.480 --> 0:27:47.000
<v Speaker 5>But the pros were coming to their own conclusions.

0:27:46.480 --> 0:27:46.639
<v Speaker 1>You know.

0:27:46.760 --> 0:27:48.600
<v Speaker 12>Going in, people knew I think that there was going

0:27:48.640 --> 0:27:51.080
<v Speaker 12>to be a high Tension Week. This was a players

0:27:51.080 --> 0:27:53.439
<v Speaker 12>were facing something that was new, something that was very penal.

0:27:54.080 --> 0:27:56.840
<v Speaker 12>Players had an opportunity to voice their opinions and voice

0:27:56.880 --> 0:28:00.080
<v Speaker 12>them strongly and loudly, and the press obviously was very

0:28:00.119 --> 0:28:02.120
<v Speaker 12>willing to write them. And so you had some great

0:28:02.200 --> 0:28:04.600
<v Speaker 12>quotes that you know, I think players had probably spent

0:28:04.680 --> 0:28:07.800
<v Speaker 12>some time thinking about. And so you had Ben Crenshaw

0:28:07.840 --> 0:28:10.040
<v Speaker 12>of all people, referring to it as Star Wars golf

0:28:10.080 --> 0:28:13.600
<v Speaker 12>designed by Darth Vader. Jack Nicholas after missing the cuts

0:28:13.600 --> 0:28:16.120
<v Speaker 12>that I've never been very good at stopping a five

0:28:16.119 --> 0:28:17.359
<v Speaker 12>iron on the hood of a car.

0:28:17.840 --> 0:28:20.240
<v Speaker 5>At least one player, however, was in his element.

0:28:20.680 --> 0:28:22.439
<v Speaker 2>As far as a Pete Die golf course, I was

0:28:22.480 --> 0:28:25.720
<v Speaker 2>fortunate enough to play in nineteen seventy four, I played

0:28:25.720 --> 0:28:27.720
<v Speaker 2>the Teeth of the Dog at Casady Compo.

0:28:28.400 --> 0:28:31.160
<v Speaker 5>Jerry Pate was a twenty eight year old US amateur

0:28:31.280 --> 0:28:35.040
<v Speaker 5>and US Open champion. He had a silky, powerful swing

0:28:35.280 --> 0:28:37.720
<v Speaker 5>and a fearless attitude, and he felt that he had

0:28:37.760 --> 0:28:39.560
<v Speaker 5>a bead on Pete Dye designs.

0:28:40.280 --> 0:28:43.200
<v Speaker 2>So I kind of understood Pete strategies. I had a

0:28:43.240 --> 0:28:46.400
<v Speaker 2>feel for how he liked to strategize holes, and there

0:28:46.400 --> 0:28:48.480
<v Speaker 2>were just certain places you couldn't hit the ball. You

0:28:48.560 --> 0:28:50.640
<v Speaker 2>just did you hit it there, you were in trouble.

0:28:51.320 --> 0:28:54.360
<v Speaker 2>And when I saw the Stadium course for the first time,

0:28:54.840 --> 0:28:57.400
<v Speaker 2>a lot of people complained about it because the greens

0:28:57.400 --> 0:28:59.840
<v Speaker 2>were sort of perched up off of the grade, so

0:29:00.920 --> 0:29:04.200
<v Speaker 2>you had a lot of areas that had I would

0:29:04.240 --> 0:29:06.920
<v Speaker 2>call them false fronts in the front, and the green

0:29:07.040 --> 0:29:09.240
<v Speaker 2>ran off on the left side and the right side,

0:29:09.320 --> 0:29:12.880
<v Speaker 2>and there were very very small pinnable areas that were

0:29:12.880 --> 0:29:15.040
<v Speaker 2>little target areas, and if you didn't hint it there,

0:29:15.120 --> 0:29:18.600
<v Speaker 2>the ball would gather some fifteen to thirty forty feet

0:29:18.640 --> 0:29:21.360
<v Speaker 2>away from there into a low depression either on the

0:29:21.400 --> 0:29:23.640
<v Speaker 2>green or off the green. So you had to be

0:29:23.680 --> 0:29:25.720
<v Speaker 2>extremely accurate with your iron. You had to be a

0:29:25.760 --> 0:29:27.880
<v Speaker 2>good driver of the ball, which I was, and you

0:29:27.880 --> 0:29:29.960
<v Speaker 2>had to be a really good iron player, which I was.

0:29:30.040 --> 0:29:33.320
<v Speaker 2>So his designs sort of played right into my hand.

0:29:33.880 --> 0:29:37.280
<v Speaker 5>Still, like everyone else, Jerry Pate was struck by the

0:29:37.360 --> 0:29:39.600
<v Speaker 5>rawness and difficulty of the new TPC.

0:29:40.480 --> 0:29:42.600
<v Speaker 2>And you know, the golf course was wild and willy then.

0:29:42.640 --> 0:29:45.800
<v Speaker 2>It wasn't just naturally managed and manacured light. I mean,

0:29:45.800 --> 0:29:49.040
<v Speaker 2>it wasn't as manicured today. It was natural with palmettos

0:29:49.120 --> 0:29:53.640
<v Speaker 2>and just you know, basically bobcats and rattlesnakes twenty foot

0:29:53.680 --> 0:29:57.680
<v Speaker 2>off the fairway and Armadilla's and you name it. So

0:29:57.760 --> 0:30:00.560
<v Speaker 2>that day there was nothing on earth. I mean that,

0:30:00.800 --> 0:30:03.720
<v Speaker 2>not with it, not with exaggeration. There was no other

0:30:03.880 --> 0:30:07.600
<v Speaker 2>course on the earth more difficult and diabolical than that

0:30:07.720 --> 0:30:08.360
<v Speaker 2>golf course.

0:30:08.880 --> 0:30:12.120
<v Speaker 5>But unlike almost everyone else, Pate wasn't much bothered by

0:30:12.120 --> 0:30:15.400
<v Speaker 5>the stadium course's severity. This was at least in part

0:30:15.480 --> 0:30:17.720
<v Speaker 5>because he just wasn't the worrying type.

0:30:18.120 --> 0:30:22.480
<v Speaker 12>Yeah, so he was this gregarious balls riker, just fun

0:30:22.560 --> 0:30:25.920
<v Speaker 12>loving flagging shots and I guess maybe kind of cavalier

0:30:25.920 --> 0:30:28.560
<v Speaker 12>in that way, aiming at flags and playing I think,

0:30:28.640 --> 0:30:30.800
<v Speaker 12>kind of care free, because when you're that good of

0:30:30.800 --> 0:30:33.200
<v Speaker 12>a ball striker, you can kind of do that because

0:30:33.440 --> 0:30:34.760
<v Speaker 12>the ball's going to go where you aim.

0:30:35.200 --> 0:30:37.920
<v Speaker 5>Pate also had the advantage of having played at the

0:30:37.920 --> 0:30:41.320
<v Speaker 5>grand opening of TPC Sawgrass in nineteen eighty and being

0:30:41.400 --> 0:30:44.960
<v Speaker 5>paired with Dean Beaman himself. Beaman had shown him where

0:30:44.960 --> 0:30:47.320
<v Speaker 5>he could be aggressive off the tee and taught him

0:30:47.360 --> 0:30:49.640
<v Speaker 5>not to be intimidated by Die's visuals.

0:30:50.280 --> 0:30:52.840
<v Speaker 12>Look, the fairways are much wider than they appear. They're

0:30:53.200 --> 0:30:57.400
<v Speaker 12>classic Pete Die deception, you know, who build up bunkers

0:30:57.960 --> 0:30:59.920
<v Speaker 12>or slopes that will make the fairway look smaller than

0:30:59.960 --> 0:31:02.680
<v Speaker 12>they are. But the problem is is really the fairwaies

0:31:02.920 --> 0:31:04.720
<v Speaker 12>or wider than you think. And if you lay back

0:31:04.720 --> 0:31:07.160
<v Speaker 12>off the tee, the second shot you're going to face

0:31:07.200 --> 0:31:09.840
<v Speaker 12>into the greens is harder than the shot that you

0:31:09.920 --> 0:31:12.640
<v Speaker 12>just avoided off the tee. So by playing safe off

0:31:12.640 --> 0:31:15.239
<v Speaker 12>the tee, you're not really avoiding as much trouble as

0:31:15.240 --> 0:31:17.320
<v Speaker 12>you think you are, and you're just bringing that much

0:31:17.320 --> 0:31:20.080
<v Speaker 12>more into play around the greens. And so it is

0:31:20.240 --> 0:31:23.760
<v Speaker 12>very visually intimidating, but you're also going to be best

0:31:23.840 --> 0:31:25.880
<v Speaker 12>suited if you take the challenge on.

0:31:26.760 --> 0:31:29.880
<v Speaker 5>So Pete was even more confident than usual going into

0:31:29.920 --> 0:31:32.840
<v Speaker 5>the eighty two players. Not only did he like Pete

0:31:32.840 --> 0:31:35.360
<v Speaker 5>Die courses and do well at them, not only did

0:31:35.360 --> 0:31:38.280
<v Speaker 5>he have the right skill set and disposition. Not only

0:31:38.320 --> 0:31:41.560
<v Speaker 5>did he have intel on TPC sawgrass, but he also

0:31:41.640 --> 0:31:45.080
<v Speaker 5>had deep family connections to Jacksonville. His father had been

0:31:45.080 --> 0:31:47.360
<v Speaker 5>born and raised there, and his mother had moved there

0:31:47.360 --> 0:31:50.160
<v Speaker 5>in high school. Add it all up and Jerry Pate

0:31:50.240 --> 0:31:52.160
<v Speaker 5>felt that he had destiny on his side.

0:31:52.560 --> 0:31:54.760
<v Speaker 2>I just knew I was gonna win it. It wasn't

0:31:54.800 --> 0:31:57.400
<v Speaker 2>even a fall in my head, you know, I knew

0:31:57.440 --> 0:31:58.040
<v Speaker 2>it all along.

0:31:59.120 --> 0:32:01.520
<v Speaker 5>Well, he didn't exactly jump out to the lead. He

0:32:01.600 --> 0:32:06.400
<v Speaker 5>hung around shooting seventy seventy three seventy. After fifty four holes,

0:32:06.480 --> 0:32:09.240
<v Speaker 5>he was tied for sixth, three shots behind his brother

0:32:09.280 --> 0:32:13.520
<v Speaker 5>in law Bruce Letsky and co leader Brad Bryant. Meanwhile,

0:32:13.640 --> 0:32:16.720
<v Speaker 5>Pate was very aware of the rumblings among veteran players

0:32:16.720 --> 0:32:18.800
<v Speaker 5>about the course and the tour's new direction.

0:32:19.320 --> 0:32:22.280
<v Speaker 2>And they was talking the locker room by the Senior

0:32:22.960 --> 0:32:25.400
<v Speaker 2>Hall of Famers just before they were into Hall of Fame.

0:32:25.520 --> 0:32:27.960
<v Speaker 2>And I won't mention names. Some of them are dead now.

0:32:28.160 --> 0:32:31.640
<v Speaker 2>Somer still lives in their eighties, and the talk was

0:32:31.800 --> 0:32:33.640
<v Speaker 2>they were going to get, you know, have a coup

0:32:33.680 --> 0:32:36.280
<v Speaker 2>and fire Dean because we had no business owning a

0:32:36.320 --> 0:32:39.360
<v Speaker 2>golf course. And it was crazy, and it was competing

0:32:39.600 --> 0:32:43.280
<v Speaker 2>against some of these famous golfers design careers. They had

0:32:43.280 --> 0:32:45.880
<v Speaker 2>their own design careers going. So they're thinking, well, wait

0:32:45.880 --> 0:32:49.320
<v Speaker 2>a minute, PGA Tours hiring some outside guy named Pete

0:32:49.400 --> 0:32:51.600
<v Speaker 2>Died to design their golf cours. Why didn't they hire

0:32:51.600 --> 0:32:56.600
<v Speaker 2>a player, it was victrial. It was anger. The players

0:32:56.600 --> 0:32:59.880
<v Speaker 2>were mad angry. I mean, you could use all the

0:33:00.480 --> 0:33:03.360
<v Speaker 2>It was a big deal politically for Dane and Pete Die,

0:33:03.440 --> 0:33:06.280
<v Speaker 2>I can tell you. And there were some really top

0:33:06.280 --> 0:33:09.200
<v Speaker 2>players in that, as I said, hall of fame, golfers

0:33:09.280 --> 0:33:11.520
<v Speaker 2>that didn't like the golf course at all, in fact

0:33:11.600 --> 0:33:15.000
<v Speaker 2>missed the cut. And then once you get something that's

0:33:15.040 --> 0:33:17.480
<v Speaker 2>negative in your mind, you don't like the golf course,

0:33:17.520 --> 0:33:19.960
<v Speaker 2>you're done. There's no way you're gonna play well. And

0:33:20.080 --> 0:33:20.760
<v Speaker 2>I loved it.

0:33:21.080 --> 0:33:24.720
<v Speaker 5>On Sunday after Burnying twelve, Pate had closed the gap

0:33:24.720 --> 0:33:28.239
<v Speaker 5>between himself and the leaders. The year prior, he had

0:33:28.240 --> 0:33:31.000
<v Speaker 5>won in Memphis, and in celebration he had leapt into

0:33:31.040 --> 0:33:34.600
<v Speaker 5>the lake by the eighteenth green. So rumors were already

0:33:34.600 --> 0:33:37.640
<v Speaker 5>going around TPC Sawgrass that if he pulled off the victory,

0:33:38.040 --> 0:33:39.280
<v Speaker 5>he would do the same today.

0:33:39.760 --> 0:33:42.320
<v Speaker 2>So anyway, as I walked back to thirteen t and

0:33:42.440 --> 0:33:44.200
<v Speaker 2>I heard somebody kind of running up behind me and

0:33:44.240 --> 0:33:46.560
<v Speaker 2>they grabbed my arm. I turned around. It was Alice

0:33:46.640 --> 0:33:49.360
<v Speaker 2>Dye and she looked at me and she said, you've

0:33:49.400 --> 0:33:51.920
<v Speaker 2>got to win this thing, and you gotta throw Pete

0:33:51.920 --> 0:33:52.440
<v Speaker 2>in the lake.

0:33:52.960 --> 0:33:56.560
<v Speaker 5>Alice's idea, it seems, was that a little playful public

0:33:56.600 --> 0:33:59.360
<v Speaker 5>come uppings might do some good. It might provide an

0:33:59.400 --> 0:34:02.600
<v Speaker 5>outlet for the rising hostility toward her husband and their

0:34:02.600 --> 0:34:03.600
<v Speaker 5>design business.

0:34:03.920 --> 0:34:06.880
<v Speaker 2>First, Pete had been catching an ungodly amount of hate

0:34:06.880 --> 0:34:11.000
<v Speaker 2>for this golf course, and Alice, I think, was a

0:34:11.000 --> 0:34:13.640
<v Speaker 2>little bit worried. Can I turn around? Looked at her

0:34:13.920 --> 0:34:16.160
<v Speaker 2>just calm as can be, And everybody used to think,

0:34:16.320 --> 0:34:19.080
<v Speaker 2>you know, when I played, I was cocky. I really

0:34:19.160 --> 0:34:21.840
<v Speaker 2>wasn't cocky. I just you know, I knew in my

0:34:21.920 --> 0:34:24.160
<v Speaker 2>heart I could pull it off, and I said, I'm

0:34:24.160 --> 0:34:24.600
<v Speaker 2>gonna win.

0:34:25.160 --> 0:34:28.720
<v Speaker 5>Pate went on to par thirteen, birdie fourteen, and birdie

0:34:28.760 --> 0:34:31.680
<v Speaker 5>the Island seventeenth hole. He drove it right up the

0:34:31.719 --> 0:34:34.520
<v Speaker 5>god on eighteen and had a five iron into the green.

0:34:35.360 --> 0:34:38.200
<v Speaker 5>Until that point, the most famous moment in Pate's career

0:34:38.280 --> 0:34:41.680
<v Speaker 5>had involved another seventy second hole five iron, this one

0:34:41.760 --> 0:34:44.759
<v Speaker 5>at the nineteen seventy six US Open. He hit it

0:34:44.840 --> 0:34:47.480
<v Speaker 5>so close to a dangerous whole location that some accused

0:34:47.520 --> 0:34:51.120
<v Speaker 5>him of pulling it. Today, the approach to the eighteenth

0:34:51.120 --> 0:34:54.480
<v Speaker 5>that TPC sawgrass is still a scary shot, even when

0:34:54.480 --> 0:34:57.319
<v Speaker 5>pros are hitting eight or nine irons. Almost no one

0:34:57.400 --> 0:35:00.600
<v Speaker 5>goes directly at the pin, but Pate did with a

0:35:00.680 --> 0:35:03.160
<v Speaker 5>five iron, and he knocked it to two feet.

0:35:03.680 --> 0:35:06.040
<v Speaker 2>For me to hit that shot, It's like Ben Crenshaw

0:35:06.160 --> 0:35:09.120
<v Speaker 2>hitting a you know, a six foot pot. He's not nervous.

0:35:09.480 --> 0:35:12.319
<v Speaker 2>Jack Nicholas isn't nervous on a six foot pot. Tom

0:35:12.360 --> 0:35:15.720
<v Speaker 2>Watson wasn't nervous on a six foot but Lee Taveno

0:35:15.880 --> 0:35:18.239
<v Speaker 2>was never nervous on a niney yard web shot, and

0:35:18.320 --> 0:35:20.760
<v Speaker 2>Jerry Pate was never nervous hitting a long iron shot.

0:35:20.800 --> 0:35:24.480
<v Speaker 2>I mean, I nerves weren't even in my vocabulary. And

0:35:25.040 --> 0:35:26.799
<v Speaker 2>when I hit the five iron, and I went to

0:35:26.840 --> 0:35:29.760
<v Speaker 2>the press room, and I think Tom Place was running

0:35:29.760 --> 0:35:31.799
<v Speaker 2>the interview for the PGA Tour, and he said, you

0:35:31.840 --> 0:35:33.879
<v Speaker 2>have any opening statements, and I go, yeah, I guess,

0:35:33.880 --> 0:35:36.120
<v Speaker 2>I guess I pulled another five iron.

0:35:38.880 --> 0:35:41.360
<v Speaker 5>But let's go back for a moment to the eighteenth fairway,

0:35:41.680 --> 0:35:44.120
<v Speaker 5>just after Pate had stiffed his approach.

0:35:44.560 --> 0:35:47.080
<v Speaker 2>And the camera was on me. Little Davy Fence who

0:35:47.120 --> 0:35:49.759
<v Speaker 2>worked for CBS, and Trikennyan is in the truck. I

0:35:49.800 --> 0:35:52.719
<v Speaker 2>knew that, and you know, all my buddies at CBS

0:35:52.719 --> 0:35:55.000
<v Speaker 2>were there and I have no idea what they've said.

0:35:55.760 --> 0:35:59.160
<v Speaker 2>But as I walked up the eighteenth fairway, Davy Fence

0:35:59.160 --> 0:36:01.640
<v Speaker 2>says you're gonna up in the lake, and I said, Pete,

0:36:01.719 --> 0:36:03.160
<v Speaker 2>die will go for a swim.

0:36:03.480 --> 0:36:05.640
<v Speaker 5>As he waited for the groups behind him to finish,

0:36:05.960 --> 0:36:09.000
<v Speaker 5>Pate saw Dean Beeman's wife, Judy, who urged him to

0:36:09.040 --> 0:36:13.319
<v Speaker 5>throw Dean in the water with Pete. As that was happening, CBS,

0:36:13.440 --> 0:36:16.120
<v Speaker 5>with Vin Scully calling the action, was working a bit

0:36:16.160 --> 0:36:17.080
<v Speaker 5>of TV magic.

0:36:17.640 --> 0:36:20.000
<v Speaker 12>There was a gator that had been seen in the

0:36:20.160 --> 0:36:23.800
<v Speaker 12>pond at seventeen, So Frank Trickinney and the great CBS

0:36:24.000 --> 0:36:27.080
<v Speaker 12>producer put up a split screen and there's kind of

0:36:27.320 --> 0:36:30.640
<v Speaker 12>waiting for Jerry to throw them in at the trophy

0:36:30.680 --> 0:36:32.799
<v Speaker 12>ceremony on one side and the other side of this

0:36:32.920 --> 0:36:35.640
<v Speaker 12>gator in the water. But what Vin said was that

0:36:35.719 --> 0:36:38.480
<v Speaker 12>this gator is on the lake at seventeen. The lake

0:36:38.520 --> 0:36:41.160
<v Speaker 12>on eighteen is not connected. And so the television viewers

0:36:41.160 --> 0:36:43.800
<v Speaker 12>thinking they're about to jump into this gator infested pond.

0:36:46.680 --> 0:36:49.160
<v Speaker 2>Now I didn't even think I was going to go in.

0:36:49.239 --> 0:36:50.759
<v Speaker 2>I thought I would just throw them both in the

0:36:50.840 --> 0:36:52.879
<v Speaker 2>lake and that would be it. And then they were

0:36:52.920 --> 0:36:54.640
<v Speaker 2>out there and you know, in the lake. So I

0:36:54.680 --> 0:36:56.640
<v Speaker 2>threw them both in the lake off the bulkhead, and

0:36:56.680 --> 0:36:59.160
<v Speaker 2>then I jumped in behind him. But you know, I

0:36:59.239 --> 0:37:01.960
<v Speaker 2>never realized that high it was, and when I jumped in.

0:37:02.200 --> 0:37:04.560
<v Speaker 2>After the fact, I go back and look at those videos. Heck,

0:37:04.600 --> 0:37:06.799
<v Speaker 2>it was about an eight foot off the water. That

0:37:06.880 --> 0:37:09.640
<v Speaker 2>bulkhead was about eight foot, so it's a pretty big

0:37:09.719 --> 0:37:12.040
<v Speaker 2>racing dive. It'd be eight foot in the air. But

0:37:12.440 --> 0:37:16.120
<v Speaker 2>we didn't care. There was so much, so much adrenaline,

0:37:16.480 --> 0:37:20.960
<v Speaker 2>the emotion of winning. It was an exciting time and

0:37:21.040 --> 0:37:23.359
<v Speaker 2>it was, you know, a memory I'll never forget. It was.

0:37:23.640 --> 0:37:25.840
<v Speaker 2>It was as great as winning the US Open, I

0:37:25.880 --> 0:37:26.440
<v Speaker 2>can tell you.

0:37:26.920 --> 0:37:29.759
<v Speaker 5>Dean Beaman has his own way of remembering the experience.

0:37:30.320 --> 0:37:31.320
<v Speaker 5>How did the water feel?

0:37:32.840 --> 0:37:34.319
<v Speaker 7>It was pretty ugly.

0:37:41.239 --> 0:37:43.719
<v Speaker 5>The jump in the lake and its theater of just

0:37:43.760 --> 0:37:46.680
<v Speaker 5>desserts may have taken the edge off the player's outrage.

0:37:47.239 --> 0:37:50.320
<v Speaker 5>Dean Beaman kept his job and Pete Die kept designing

0:37:50.320 --> 0:37:53.560
<v Speaker 5>courses for the PGA Tour, but the pro's opinion of

0:37:53.560 --> 0:37:56.960
<v Speaker 5>the stadium course at TPC Sawgrass didn't change right away.

0:37:57.760 --> 0:38:00.720
<v Speaker 12>After the tournament was over. Pete's in the lockerroom changing.

0:38:00.800 --> 0:38:03.200
<v Speaker 12>He's just been thrown in the lake. Ed Snead and

0:38:03.239 --> 0:38:05.640
<v Speaker 12>Tom Wiscoff were waiting for him, and Pete knew both

0:38:05.680 --> 0:38:07.839
<v Speaker 12>of them from Ohio, and they had a question about

0:38:07.840 --> 0:38:10.640
<v Speaker 12>the thirteenth hole, which is a par three. There's water

0:38:10.800 --> 0:38:15.239
<v Speaker 12>left and the green is bisected by a pretty severe swale,

0:38:15.600 --> 0:38:17.480
<v Speaker 12>and so the whole locations down on the left. They're

0:38:17.480 --> 0:38:19.360
<v Speaker 12>by the water, but you can use that swale to

0:38:19.440 --> 0:38:22.160
<v Speaker 12>funnel the tea shot towards the hole. However, if you

0:38:22.200 --> 0:38:24.840
<v Speaker 12>miss on the wrong side of it, you're now putting

0:38:24.880 --> 0:38:27.040
<v Speaker 12>down a very steep slope to the hole. Two putting

0:38:27.120 --> 0:38:30.200
<v Speaker 12>is almost impossible. So Ed and Tom had played together.

0:38:30.320 --> 0:38:32.400
<v Speaker 12>They said their tea shots landed within two feet of

0:38:32.400 --> 0:38:34.640
<v Speaker 12>each other. One of them funneled down towards the hole,

0:38:34.719 --> 0:38:38.000
<v Speaker 12>the other state up top. And they were asking, how

0:38:38.000 --> 0:38:40.200
<v Speaker 12>can we have a golf course where two shots that

0:38:40.320 --> 0:38:43.040
<v Speaker 12>land within two feet of each other have such vastly

0:38:43.120 --> 0:38:46.480
<v Speaker 12>different results. That doesn't seem fair. Pete looks at them

0:38:46.520 --> 0:38:49.120
<v Speaker 12>and he says, well, the only reason that happened is

0:38:49.120 --> 0:38:51.960
<v Speaker 12>because you guys are chicken. If you were aiming at

0:38:51.960 --> 0:38:54.239
<v Speaker 12>the hole that two feet wouldn't have mattered at all.

0:38:54.440 --> 0:38:56.080
<v Speaker 12>But you're afraid of the water on the left, so

0:38:56.120 --> 0:38:57.719
<v Speaker 12>you're aiming for a slope in the green to try

0:38:57.760 --> 0:38:59.520
<v Speaker 12>to save you, and that has too small of a

0:38:59.560 --> 0:39:02.000
<v Speaker 12>margin for error, which you just told me you're not

0:39:02.040 --> 0:39:02.759
<v Speaker 12>good enough to hit.

0:39:03.360 --> 0:39:06.759
<v Speaker 5>In spite of appearances, though Pete Dye was not unmoved

0:39:06.800 --> 0:39:10.560
<v Speaker 5>by the criticism, He wrote in his autobiography, the verbal

0:39:10.600 --> 0:39:13.920
<v Speaker 5>assault against our new creation hit like a stake in

0:39:14.000 --> 0:39:17.560
<v Speaker 5>my heart. Still he saw no evidence that the course

0:39:17.640 --> 0:39:20.359
<v Speaker 5>was too hard. After all, Jerry Pate had won at

0:39:20.360 --> 0:39:22.840
<v Speaker 5>eight under. In order to make the top ten, you

0:39:22.920 --> 0:39:25.839
<v Speaker 5>had to break par. In fact, Die said at the time,

0:39:26.200 --> 0:39:28.440
<v Speaker 5>when they learn how to play the stadium course, we

0:39:28.520 --> 0:39:30.600
<v Speaker 5>may have to put in some more obstacles to keep

0:39:30.640 --> 0:39:37.399
<v Speaker 5>them totally frustrated. But ultimately it wasn't Die's call. After

0:39:37.440 --> 0:39:42.120
<v Speaker 5>the eighty three Tournament Players Championship, the pros revolted. According

0:39:42.120 --> 0:39:44.879
<v Speaker 5>to Adam Shupack's account, a group of top players sent

0:39:44.920 --> 0:39:48.360
<v Speaker 5>a letter of complaint to Commissioner Beeman. Among the signees

0:39:48.360 --> 0:39:52.600
<v Speaker 5>were Ben Crenshaw, Hail Irwin, Jack, Nicholas Craig Stadler, Tom

0:39:52.600 --> 0:39:56.680
<v Speaker 5>Watson and Tom Weiscough. Quickly, Beaman arranged a meeting at

0:39:56.680 --> 0:40:00.480
<v Speaker 5>TPC Sawgrass between Pete Dye and a player committee. They

0:40:00.480 --> 0:40:03.040
<v Speaker 5>toured the course and the players grilled Die about the

0:40:03.040 --> 0:40:07.120
<v Speaker 5>green contours. The commissioner saw their side well.

0:40:07.160 --> 0:40:09.799
<v Speaker 3>Some of the lowest areas on the greens that were

0:40:09.840 --> 0:40:14.080
<v Speaker 3>pin positions were in places that the green surfaces at

0:40:14.080 --> 0:40:15.080
<v Speaker 3>the higher part.

0:40:14.880 --> 0:40:17.799
<v Speaker 4>Of those greens were so severe that the.

0:40:17.800 --> 0:40:20.239
<v Speaker 3>Ball coming off the high side down on the low

0:40:20.280 --> 0:40:21.799
<v Speaker 3>side wouldn't stay on the green at all.

0:40:22.320 --> 0:40:26.520
<v Speaker 4>So it was literally impossible to not three parts, many.

0:40:26.239 --> 0:40:30.640
<v Speaker 3>Many times from one transition part of a green to another.

0:40:31.400 --> 0:40:34.160
<v Speaker 3>And the players were right, it was too severe. It

0:40:34.360 --> 0:40:37.440
<v Speaker 3>was still too severe to be really a fair test

0:40:37.480 --> 0:40:41.560
<v Speaker 3>to golf. Yeah, our feelings were still hurt, but they

0:40:41.600 --> 0:40:42.000
<v Speaker 3>were right.

0:40:44.080 --> 0:40:47.680
<v Speaker 5>Months later Ben Crenshaw, the co chair of the architectural Committee,

0:40:47.760 --> 0:40:49.920
<v Speaker 5>presented a list of changes to be made to the

0:40:49.960 --> 0:40:53.719
<v Speaker 5>Stadium course. At that point, Die almost certainly saw the

0:40:53.760 --> 0:40:56.680
<v Speaker 5>writing on the wall. How do you think mister Dye

0:40:57.120 --> 0:41:01.400
<v Speaker 5>reacted to or felt about the fact that he was

0:41:01.800 --> 0:41:03.840
<v Speaker 5>modifying or had to modify the course.

0:41:05.120 --> 0:41:07.600
<v Speaker 3>The answer is he was very reluctant to make the

0:41:07.719 --> 0:41:11.759
<v Speaker 3>changes that we wanted made. He wanted it as difficulty

0:41:11.840 --> 0:41:14.360
<v Speaker 3>could because he wanted to challenge the best players in

0:41:14.400 --> 0:41:14.840
<v Speaker 3>the world.

0:41:15.560 --> 0:41:16.919
<v Speaker 4>But and he didn't care.

0:41:17.640 --> 0:41:19.680
<v Speaker 3>He didn't think off was fair in the first place,

0:41:20.120 --> 0:41:25.560
<v Speaker 3>so he was not He was not happy with the

0:41:25.640 --> 0:41:27.319
<v Speaker 3>continual modifications of it.

0:41:27.960 --> 0:41:31.440
<v Speaker 5>But the modifications were made, mostly carried out by Die's

0:41:31.440 --> 0:41:35.720
<v Speaker 5>associate Bobby Weed between eighty three and eighty eight. Weed

0:41:35.800 --> 0:41:38.360
<v Speaker 5>once said, one of my biggest regrets of being in

0:41:38.400 --> 0:41:40.360
<v Speaker 5>the business is I was the one who had to

0:41:40.400 --> 0:41:44.239
<v Speaker 5>make all the changes. Those changes did, however, mollify the

0:41:44.280 --> 0:41:48.680
<v Speaker 5>pros and TPC sawgrass, which today boasts Augusta like conditions,

0:41:48.719 --> 0:41:52.200
<v Speaker 5>complete with flower beds accenting the arena of the seventeenth Hole,

0:41:52.560 --> 0:41:55.919
<v Speaker 5>is now highly regarded among PGA Tour members. In a way,

0:41:56.000 --> 0:41:58.720
<v Speaker 5>it's become a symbol of the tour that Dean Beaman built,

0:41:59.239 --> 0:42:03.480
<v Speaker 5>sturdy and pressive and efficiently run. Here's Adam Schupeck.

0:42:04.200 --> 0:42:07.080
<v Speaker 9>Dean came along at a time where the PGA Tour

0:42:07.320 --> 0:42:09.600
<v Speaker 9>was just this mom and pop shop, and he really,

0:42:09.719 --> 0:42:12.960
<v Speaker 9>during his twenty years tenures, assembled the building blocks that

0:42:13.000 --> 0:42:15.680
<v Speaker 9>are the foundation of the modern PGA tour. And I

0:42:15.680 --> 0:42:18.319
<v Speaker 9>feel like the PGA Tour is still running. The Dean

0:42:18.400 --> 0:42:20.799
<v Speaker 9>Beam and playbook. It's worked all this time, and it

0:42:20.840 --> 0:42:26.920
<v Speaker 9>continues to seem almost invincible and impenetrable to whatever comes along.

0:42:27.280 --> 0:42:29.719
<v Speaker 9>It's just a well oiled machine.

0:42:32.320 --> 0:42:35.279
<v Speaker 5>Now. Whether the alterations to Die's original design were for

0:42:35.320 --> 0:42:37.920
<v Speaker 5>the best remains a topic of debate in the golf world,

0:42:38.280 --> 0:42:41.560
<v Speaker 5>one that breaks down along familiar lines. If you're a

0:42:41.560 --> 0:42:45.239
<v Speaker 5>competitive or score oriented golfer, if you prize fairness and

0:42:45.320 --> 0:42:48.440
<v Speaker 5>course design whatever that means, you'll likely see the changes

0:42:48.480 --> 0:42:52.920
<v Speaker 5>as positive, even necessary. Others may argue that fairness is

0:42:52.960 --> 0:42:55.880
<v Speaker 5>an irrelevant concern, especially when everyone is competing on the

0:42:55.920 --> 0:42:58.680
<v Speaker 5>same course. These people may wish that more of the

0:42:58.760 --> 0:43:03.160
<v Speaker 5>rugged quirk of dies original design had been preserved. Tom

0:43:03.200 --> 0:43:05.359
<v Speaker 5>Doak takes a fairly diplomatic view.

0:43:06.320 --> 0:43:08.279
<v Speaker 1>I don't know if he can say the changes made

0:43:08.280 --> 0:43:11.319
<v Speaker 1>the course better or worse. You know, it's all it's

0:43:11.360 --> 0:43:13.719
<v Speaker 1>all a matter of opinion, and it's all your perspective

0:43:13.760 --> 0:43:16.319
<v Speaker 1>on what the objective of the course should try to be.

0:43:16.880 --> 0:43:20.719
<v Speaker 1>To me, it just made it different than the original intention,

0:43:21.280 --> 0:43:24.200
<v Speaker 1>you know, in terms of how much pressure it put

0:43:24.239 --> 0:43:27.480
<v Speaker 1>on the players to hit good shots consistently through the

0:43:27.480 --> 0:43:31.200
<v Speaker 1>golf course. But you know, the bottom line is, you know,

0:43:31.280 --> 0:43:34.280
<v Speaker 1>pros don't like shooting seventy five when they have an

0:43:34.320 --> 0:43:37.040
<v Speaker 1>average to poor day. You know, they don't mind not

0:43:37.080 --> 0:43:39.200
<v Speaker 1>shooting sixty seven all the time, but they don't. They

0:43:39.239 --> 0:43:41.279
<v Speaker 1>don't want the numbers to get up there and the

0:43:41.320 --> 0:43:45.080
<v Speaker 1>TPC when you're having a bad day. Darnwell reflected it

0:43:45.120 --> 0:43:45.840
<v Speaker 1>on the scorecard.

0:43:47.960 --> 0:43:51.319
<v Speaker 5>In a sense, Alice Stye's prediction had come true. But

0:43:51.400 --> 0:43:54.400
<v Speaker 5>it wasn't Dean Beeman specifically who came into conflict with

0:43:54.440 --> 0:43:57.440
<v Speaker 5>her husband. It was the players and they had the

0:43:57.520 --> 0:44:01.120
<v Speaker 5>last word at some point, perhaps during that walk around

0:44:01.160 --> 0:44:04.319
<v Speaker 5>TPC Sawgrass with the committee in nineteen eighty three, he

0:44:04.400 --> 0:44:10.759
<v Speaker 5>must have recognized that fact. After his triumph at the

0:44:10.800 --> 0:44:13.959
<v Speaker 5>eighty two Players, Jerry Pate was living large.

0:44:13.840 --> 0:44:15.480
<v Speaker 2>And I had a ten year exemption. It was a

0:44:15.480 --> 0:44:17.800
<v Speaker 2>big deal, the most money anybody had ever won, ninety

0:44:17.840 --> 0:44:21.399
<v Speaker 2>thousand dollars, a lot of endorsements. You know, life was great.

0:44:21.400 --> 0:44:23.560
<v Speaker 2>To have my own private plane. Jack and Arnold and

0:44:23.640 --> 0:44:25.600
<v Speaker 2>I were the only three players had a private plane

0:44:25.600 --> 0:44:28.319
<v Speaker 2>on the tour at that time. And I was twenty eight,

0:44:28.440 --> 0:44:30.799
<v Speaker 2>you know, in pretty big tall cotton, I guess you

0:44:30.800 --> 0:44:33.600
<v Speaker 2>could say for a Southern boy. And then in one

0:44:33.680 --> 0:44:36.080
<v Speaker 2>swing in the first of June that was kind of

0:44:36.080 --> 0:44:38.120
<v Speaker 2>into my golfing competitive career.

0:44:38.640 --> 0:44:41.360
<v Speaker 5>He was on the driving range at Pensacola preparing for

0:44:41.400 --> 0:44:44.400
<v Speaker 5>the Open by practicing one iron stingers into the wind

0:44:44.520 --> 0:44:47.480
<v Speaker 5>off of hard ground. On one swing, he felt his

0:44:47.600 --> 0:44:51.279
<v Speaker 5>left shoulder pop, and that injury turned Jerry Pate into

0:44:51.320 --> 0:44:54.600
<v Speaker 5>one of golf's great what if stories. He never won

0:44:54.640 --> 0:44:57.759
<v Speaker 5>again on the PGA Tour, but he stayed in the

0:44:57.760 --> 0:45:00.959
<v Speaker 5>golf business, eventually starting a course design firm of his own.

0:45:01.440 --> 0:45:04.000
<v Speaker 5>Over the years, he became close with Pete and Alice Dye.

0:45:04.480 --> 0:45:07.279
<v Speaker 5>Their friendship had begun in nineteen seventy four when a

0:45:07.320 --> 0:45:09.600
<v Speaker 5>twenty one year old Pate played the World amateur at

0:45:09.640 --> 0:45:13.239
<v Speaker 5>Teeth of the Dog. Today, his firm looks after Teeth

0:45:13.280 --> 0:45:15.600
<v Speaker 5>of the Dog and the other die courses at Cosa

0:45:15.600 --> 0:45:16.839
<v Speaker 5>de Compo, as.

0:45:16.800 --> 0:45:19.360
<v Speaker 2>We've sort of taken on the role to keep the

0:45:19.880 --> 0:45:24.439
<v Speaker 2>integrity of the aesthetics of the architecture and agronomics there.

0:45:24.480 --> 0:45:26.960
<v Speaker 2>I go to Kastada Kamp, I'm going next week down there.

0:45:26.960 --> 0:45:28.640
<v Speaker 2>In fact, I go down.

0:45:28.560 --> 0:45:29.120
<v Speaker 7>There a lot.

0:45:29.520 --> 0:45:31.879
<v Speaker 2>And so it's a great honor to have met Pete

0:45:31.960 --> 0:45:34.439
<v Speaker 2>Dye as a twenty one year old kid, and now

0:45:34.480 --> 0:45:36.799
<v Speaker 2>I'm sort of stepped in his place at one of

0:45:36.840 --> 0:45:38.680
<v Speaker 2>his favorite places, and that's where he died.

0:45:39.160 --> 0:45:42.040
<v Speaker 5>If you listen to the Frida Egg podcast, you already

0:45:42.080 --> 0:45:45.200
<v Speaker 5>know that Pete and Alice Die are no longer with us.

0:45:45.560 --> 0:45:48.200
<v Speaker 5>Pete passed away in January at the age of ninety

0:45:48.200 --> 0:45:51.919
<v Speaker 5>five after a battle with Alzheimer's. Alice was ninety one

0:45:51.960 --> 0:45:56.560
<v Speaker 5>when she died in February of last year. They're longtime friends.

0:45:56.680 --> 0:45:59.920
<v Speaker 5>Like Dean Beaman, Vernon Kelly, and Jerry Pate tend to

0:45:59.880 --> 0:46:02.800
<v Speaker 5>speak about Pete and Alice in terms of both personal

0:46:03.040 --> 0:46:09.160
<v Speaker 5>and historical. Their generosity, their accomplishments, their eccentric nomadic lifestyle,

0:46:09.520 --> 0:46:13.319
<v Speaker 5>their influence on a generation of architects, their commitment to

0:46:13.360 --> 0:46:15.160
<v Speaker 5>the game and to the craft.

0:46:16.400 --> 0:46:18.680
<v Speaker 2>They didn't build golf courses for the money they gave.

0:46:18.719 --> 0:46:21.080
<v Speaker 2>They built golf course because because Alice was a great

0:46:21.160 --> 0:46:25.040
<v Speaker 2>amateur player in her own right, her husband was really

0:46:25.040 --> 0:46:27.920
<v Speaker 2>a fine amateur player, and they gave so much to

0:46:28.000 --> 0:46:31.160
<v Speaker 2>the game. I guess Alice was the first woman to

0:46:31.200 --> 0:46:33.920
<v Speaker 2>sit on the PGA of America board that I remember,

0:46:33.920 --> 0:46:37.520
<v Speaker 2>and I know she was head of the Architects Society.

0:46:37.640 --> 0:46:39.560
<v Speaker 2>I mean, they were, you know, for a woman. She

0:46:39.680 --> 0:46:43.480
<v Speaker 2>did on incredible things in a man's world. And of

0:46:43.480 --> 0:46:46.279
<v Speaker 2>course Pete was a legend. Oh my god. You know

0:46:46.320 --> 0:46:48.160
<v Speaker 2>the stories Pete used to tell me about how he

0:46:48.239 --> 0:46:52.040
<v Speaker 2>got fired by Augie Bush or fired by Herb Kohler,

0:46:52.080 --> 0:46:54.160
<v Speaker 2>and then they'd hire him back. And I'm sure Dean

0:46:54.239 --> 0:46:57.839
<v Speaker 2>wanted to fire me. He was quite a character, you know.

0:46:58.719 --> 0:47:01.560
<v Speaker 2>And you couldn't help the low Pete Dye and Alice

0:47:01.600 --> 0:47:03.760
<v Speaker 2>was just gosh, she was the salt of the earth.

0:47:04.120 --> 0:47:06.200
<v Speaker 2>She was like a mother to me, I'll tell you.

0:47:06.400 --> 0:47:10.319
<v Speaker 2>And so I dearly miss him both. I dearly miss

0:47:10.360 --> 0:47:10.759
<v Speaker 2>them both.

0:47:16.520 --> 0:47:19.480
<v Speaker 5>This was the fourth episode of Frida Egg Stories. It

0:47:19.600 --> 0:47:22.960
<v Speaker 5>was created and hosted by me Garrett Morrison, with mixing

0:47:23.000 --> 0:47:27.200
<v Speaker 5>and engineering from Jay Eric. Our executive producer is Andy Johnson.

0:47:27.719 --> 0:47:28.520
<v Speaker 5>Thanks for listening.