WEBVTT - All About Short Course Architecture

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<v Speaker 1>Short courses are having a moment right now. They're being

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<v Speaker 1>built at a rake neck pace and they're enjoying a

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<v Speaker 1>kind of cultural relevancy in the golf architectural world that,

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<v Speaker 1>you know, would have been hard to imagine 30 years ago.

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<v Speaker 1>A lot of exciting up and coming architects are getting

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<v Speaker 1>a chance to work on short course designs of their own.

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<v Speaker 1>One of those architects, Benjamin Warren, is my guest for

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<v Speaker 1>this episode. Benjamin was behind the loop at Chaska. a

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<v Speaker 1>very innovative short course in Minnesota, and he's currently building

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<v Speaker 1>the Half Mile at Terra Cotta in Illinois. In this episode,

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<v Speaker 1>Benjamin and I talk about those projects, about the unique

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<v Speaker 1>aspects of short course architecture, and about some of our

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<v Speaker 1>favorite short courses in the world. I'm Garrett Morrison, and

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<v Speaker 1>this is Designing Golf. All right, Benjamin, we're going to

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<v Speaker 1>be talking about short courses today. But first, I want

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<v Speaker 1>to discuss your background a little bit because I don't

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<v Speaker 1>believe you've been on any of the Friday podcasts before.

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<v Speaker 1>So I just want to introduce you to our listeners.

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<v Speaker 1>I believe you're originally from Scotland. When people hear you talk,

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<v Speaker 1>they'll know that that's the case. Where did you grow up?

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<v Speaker 2>Yeah. So I was raised in North Berwick. Um, you know,

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<v Speaker 2>mom and dad still live there. Uh, that's, that's very

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<v Speaker 2>much home for me still, even though I, I, I

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<v Speaker 2>live in a, in a different country now and I spend,

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<v Speaker 2>you know, like everyone who does what I do like

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<v Speaker 2>eight to 10 months a year on the road. So, uh,

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<v Speaker 2>but yeah, when I, when I think about home, it's

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<v Speaker 2>definitely North Berwick and growing up on the links there and, uh,

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<v Speaker 2>you know, everything that, that, that, that entails. But yeah,

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<v Speaker 2>for now I'm, I'm based in Tokyo and, uh, Yeah,

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<v Speaker 2>I've been here for a while. Coming up for almost

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<v Speaker 2>20 years in Japan at this point.

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<v Speaker 1>I want to go back to North Berwick real quick.

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<v Speaker 1>I mean, there's got to be no better place in

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<v Speaker 1>the world for an aspiring golf architect to grow up

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<v Speaker 1>than North Berwick. James Duncan, who you've worked with, James Duncan,

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<v Speaker 1>who has worked with Coren Crenshaw on a few projects,

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<v Speaker 1>including Rambles, also spent a lot of time in North Berwick.

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<v Speaker 1>Did the two of you know each other or were

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<v Speaker 1>you there at different times?

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<v Speaker 2>We actually did not, but I'm very proud to say

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<v Speaker 2>that I introduced James for membership a few years ago.

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<v Speaker 2>So very happy to help him get into the club.

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<v Speaker 2>And yeah, he's a great advocate for the golf course

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<v Speaker 2>and the town. And I think having folks like that

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<v Speaker 2>around who have a global perspective on what North Berwick

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<v Speaker 2>is and its place in the world of golf is

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<v Speaker 2>great for all involved. So yeah, I was really pleased

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<v Speaker 2>when James approached me and asked about you know, whether

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<v Speaker 2>or not there was a way to kind of help

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<v Speaker 2>him into North Berwick. And I think he came with, uh,

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<v Speaker 2>you know, a letter of support from Ben Crenshaw, which

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<v Speaker 2>probably helps, right. So, you know, he was, uh, he,

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<v Speaker 2>he made it in, he made it in. Okay.

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<v Speaker 1>Brought a gun to a knife fight.

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<v Speaker 2>Yeah. Yeah. Um, no, it's, it's incredible town. Um, and

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<v Speaker 2>when you grew up in North Berwick, you're just surrounded

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<v Speaker 2>by the most incredible golf. I mean, the hardest thing

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<v Speaker 2>is when you when you grow up a little bit

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<v Speaker 2>and you forge outside of North Berwick, like the golf

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<v Speaker 2>that you find is far less inspiring than all this ancient,

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<v Speaker 2>you know, 150 plus year old golf that we, that

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<v Speaker 2>we grew up with in our neighborhood. And, you know,

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<v Speaker 2>that was, that was honestly the hardest thing for me.

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<v Speaker 2>It wasn't until a kind of very fortuitous circumstance where,

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<v Speaker 2>you know, Renaissance golf design came to North Berwick and

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<v Speaker 2>we're building Renaissance club. And, you know, that, if you

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<v Speaker 2>hadn't been in the States in the late nineties or

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<v Speaker 2>early two thousands, you weren't really aware of the, the,

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<v Speaker 2>the sort of, I don't know, second golden age, whatever

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<v Speaker 2>you want to call it, but like this, you know, the, the,

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<v Speaker 2>the golf design trend that was emerging and the, the

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<v Speaker 2>very much more craftsmanship, you know, oriented golf courses that were,

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<v Speaker 2>that were being put into the ground. So, you know,

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<v Speaker 2>renaissance club was my first chance to see that. And

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<v Speaker 2>to meet a few of the guys, you know, especially

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<v Speaker 2>Don Plasek was great. He kind of took me out

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<v Speaker 2>and showed me around the project. And just to see

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<v Speaker 2>what they were doing, to see the level of craftsmanship

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<v Speaker 2>on that property was a game changer for me because, frankly,

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<v Speaker 2>having not spent that much time in the States before that,

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<v Speaker 2>the new golf courses that I'd seen were pretty disappointing. And,

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<v Speaker 2>you know, this is just coming from someone who grew

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<v Speaker 2>up in North Berwick, right? So I hope that's not

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<v Speaker 2>like a, you know, a really egregious thing to say,

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<v Speaker 2>but it's certainly a privileged environment to grow up in.

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<v Speaker 2>And I think if you've internalized all the lessons you

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<v Speaker 2>learned from North Berwick and if you've you know, taking

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<v Speaker 2>the time to, to understand the architecture out there and

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<v Speaker 2>you try and, uh, take little bits and pieces of

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<v Speaker 2>that and insert it into your work for other architects

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<v Speaker 2>or on your own projects. I think you could go,

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<v Speaker 2>you know, you're not going to do too bad.

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<v Speaker 1>Did you realize as a kid, how special North Berwick

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<v Speaker 1>was from a design perspective?

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<v Speaker 2>It's more the context. So, I mean, so growing up

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<v Speaker 2>as a kid in North Berwick, you're playing North Berwick

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<v Speaker 2>kids course. And, um, You know, we have these 100-year-old

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<v Speaker 2>competitions that have been running on the kids' course. And

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<v Speaker 2>first of all, that's a remarkable place to learn to

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<v Speaker 2>play golf. And even what you take away from that kids'

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<v Speaker 2>course before you even get to the big course is

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<v Speaker 2>pretty special, right? But when you're playing the kids' course,

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<v Speaker 2>you can kind of see over, like, the closest green

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<v Speaker 2>to the kids' course is the Redan. So you're playing, like,

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<v Speaker 2>this really funky, cool little kids' course, but you're kind

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<v Speaker 2>of looking over the OB line to, like, just this

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<v Speaker 2>monster and these giant hazards. And this thing that you're like,

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<v Speaker 2>you know that somehow eventually you're going to have to

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<v Speaker 2>step up to playing that thing, which is not daunting

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<v Speaker 2>for a kid. I think it's probably more exciting. But

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<v Speaker 2>I think what helped me to truly understand like North

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<v Speaker 2>Berwick's place in the world was just caddying at North Berwick. So,

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<v Speaker 2>you know, from the age of 12 to whatever, sometime

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<v Speaker 2>early into college, you know, I was looping North Berwick

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<v Speaker 2>in the summer and you just had people from all

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<v Speaker 2>over the world, people who were so unbelievably excited to

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<v Speaker 2>be there playing North Berwick. And, you know, if you're,

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<v Speaker 2>if you can't infer from that, that there's something pretty

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<v Speaker 2>special about your hometown course, you know, it's, uh, it's, um, that, that,

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<v Speaker 2>that's a, that's a bit of a, a bit of

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<v Speaker 2>a flag right there. So, um, yeah. Um, I think

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<v Speaker 2>just the, just all those people traveling to North Berwick

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<v Speaker 2>and appreciating North Berwick and their excitement for it helped

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<v Speaker 2>to rub off on you and make you realize that

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<v Speaker 2>this is something a little, a little bit unique, a

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<v Speaker 2>little bit special.

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<v Speaker 1>So you, you mentioned earlier that you're, you're currently based

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<v Speaker 1>in Japan. How did that come about?

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<v Speaker 2>Uh, so I moved here in the early two thousands

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<v Speaker 2>to go snowboarding. Um, and you know, a winter of

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<v Speaker 2>snowboarding turned into still being here, whatever, 23 years later. So, um, yeah,

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<v Speaker 2>it's a, it's a fascinating country, engaging country, um, really

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<v Speaker 2>unique golf culture. Like Japan's interpretation of golf is, is

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<v Speaker 2>pretty fun. And, you know, I, I've been to a

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<v Speaker 2>lot of different countries and seen golf in a lot

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<v Speaker 2>of different places and, you know, Japan has its own

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<v Speaker 2>thing going on, but it's a really cool expression of golf. Um,

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<v Speaker 2>and yeah, wonderful country to live in. Um, yeah, Tokyo is, uh,

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<v Speaker 2>Tokyo is one of the world's great cities in my opinion. Um,

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<v Speaker 2>so yeah, lots to like about living here and, uh, and, uh, yeah,

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<v Speaker 2>still here and, uh, you know, building some golf locally.

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<v Speaker 2>So I tend to be recently, I've just been splitting

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<v Speaker 2>my time between the States and Japan for, for work. So, um, yeah.

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<v Speaker 1>We'll get into some of what you're doing in the States. Uh,

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<v Speaker 1>our topic today is, is short course golf. golf architecture.

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<v Speaker 1>And the reason I'm having you on for this topic

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<v Speaker 1>is that you yourself have designed a short course recently

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<v Speaker 1>and are in the process of designing another. So why

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<v Speaker 1>don't we start with those two projects? The first one

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<v Speaker 1>I think people may have heard about because we covered

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<v Speaker 1>it at Fried Egg and it got a fair amount

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<v Speaker 1>of attention. This is the loop at Shaska. So what

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<v Speaker 1>are the basics that people need to know about this

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<v Speaker 1>golf course?

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<v Speaker 2>Lupichesco is really cool. You know, I was there last week, um,

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<v Speaker 2>places playing incredible. The greens are super fun. Uh, we essentially,

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<v Speaker 2>this was, this was a fascinating project for me. Um, uh,

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<v Speaker 2>this RFB kind of hit my, hit my inbox out

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<v Speaker 2>of nowhere. And, uh, you know, with an invitation to,

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<v Speaker 2>to travel to Minnesota to interview for this short course

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<v Speaker 2>redesign project. And the, I think that the, client or

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<v Speaker 2>the you know the the driving force behind the project

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<v Speaker 2>is barrier free golf which is based out of minnesota

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<v Speaker 2>uh you know funded by tim anderson who's just a

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<v Speaker 2>like a huge figure in that kind of local uh

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<v Speaker 2>um you know minnesota golf scene he's like a usga

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<v Speaker 2>rules guy and in recent years he's been really big

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<v Speaker 2>into like the adaptive golf side of things and uh

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<v Speaker 2>you know tournaments uh sort of supervision and uh yeah

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<v Speaker 2>so he had a vision to transform like this kind

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<v Speaker 2>of misunderstood uh slightly dangerous, you know, pretty boggy mini

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<v Speaker 2>short course in Chaska, Minnesota, and transform it into a

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<v Speaker 2>showcase project for golf course design, which is fun for everyone,

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<v Speaker 2>but has specifically thought about the needs of adaptive golfers

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<v Speaker 2>and how to make the experience more you know, more fun,

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<v Speaker 2>more equitable for them. You know, how can, how can

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<v Speaker 2>you create a golf course where an adaptive golfer, like

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<v Speaker 2>let's say an amputee, let's say someone in a, you know,

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<v Speaker 2>a seated golfer in a wheelchair for a blind golfer,

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<v Speaker 2>you know, that we, we brought together like a whole,

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<v Speaker 2>a whole cast of incredible adaptive athletes to kind of

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<v Speaker 2>help us on this project. But essentially what we were

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<v Speaker 2>trying to do was to create a golf course where

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<v Speaker 2>A seated golfer, which is like the hardest golfer to

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<v Speaker 2>design for just because of the the sort of accessibility

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<v Speaker 2>limitations of those vehicles and like an able-bodied golfer could

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<v Speaker 2>have an equitable match with you know no dropping playing

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<v Speaker 2>off the same tees you know so on and so

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<v Speaker 2>forth so that was really kind of the genesis of

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<v Speaker 2>the idea from barrier-free golf Um, the, as to how

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<v Speaker 2>that was to be interpreted into a design was still

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<v Speaker 2>kind of, you know, to be, to be determined. And, um,

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<v Speaker 2>you know, we had a lot of super smart people

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<v Speaker 2>help us with the thinking and, and especially the, you know,

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<v Speaker 2>the group of adaptive golfers that we brought together. But

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<v Speaker 2>I mean, I guess our, our core thesis was that

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<v Speaker 2>we wanted to make the place shine on the, on

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<v Speaker 2>the basis of greens. And we wanted to have. essentially

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<v Speaker 2>gravity based hazards. So, you know, all kinds of short

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<v Speaker 2>grass hazards. Uh, we decided that we would build a

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<v Speaker 2>couple of creeks out there or specifically one Creek and

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<v Speaker 2>one smaller Creek out there because, you know, in under

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<v Speaker 2>the rules of golf, like an adaptive golfer and able-bodied

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<v Speaker 2>golfer essentially treated the same way, you know, for kind

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<v Speaker 2>of dealing with that, that Creek. Um, but so going

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<v Speaker 2>back to the very start of the project, I mean,

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<v Speaker 2>this was a Trent Jones senior design short course, and

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<v Speaker 2>he built it while he was building Hazeltine. And, you know,

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<v Speaker 2>it was a tournament short course, you know, to all

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<v Speaker 2>intents and purposes. It had four greens hard on the

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<v Speaker 2>lake edge and pretty much everyone who played it. We're

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<v Speaker 2>talking like a very, very diverse set of golfers from

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<v Speaker 2>like good golfers to beginner golfers. Everyone was just losing

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<v Speaker 2>a bunch of golf balls. And, you know, it's nice

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<v Speaker 2>to have this, you know, water feature in the middle

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<v Speaker 2>of the property, but it didn't look good. It was shallow.

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<v Speaker 2>It was full of algae. Um, it was just an

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<v Speaker 2>amenity lake that had been kind of hogged out of

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<v Speaker 2>there to, in order to push greens onto the edge

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<v Speaker 2>of the lake, basically. So it didn't really function very

0:11:56.120 --> 0:12:01.140
<v Speaker 2>well from a golf standpoint. Uh, the, the greens by

0:12:01.160 --> 0:12:04.060
<v Speaker 2>the lake edge were just way too hard. And actually

0:12:04.120 --> 0:12:07.710
<v Speaker 2>since the golf course had been built, you know, it was, uh, uh,

0:12:07.780 --> 0:12:10.380
<v Speaker 2>basically the miss shot from the golf course was all

0:12:10.440 --> 0:12:12.660
<v Speaker 2>kind of to the right miss shot was all to

0:12:12.700 --> 0:12:15.890
<v Speaker 2>an OB. And since the golf course was built, there

0:12:15.929 --> 0:12:18.370
<v Speaker 2>was now a bunch of townhomes, a bunch of offices,

0:12:18.470 --> 0:12:20.670
<v Speaker 2>and just a bunch of other stuff around the golf course.

0:12:20.710 --> 0:12:23.740
<v Speaker 2>And every shot that left the golf property was just

0:12:23.790 --> 0:12:26.099
<v Speaker 2>clattering into houses and offices and so on and so forth.

0:12:27.120 --> 0:12:29.640
<v Speaker 1>So either going into the water or going into houses.

0:12:29.780 --> 0:12:32.220
<v Speaker 2>Yeah, yeah, yeah, yeah. If you get scared of the water,

0:12:32.240 --> 0:12:37.240
<v Speaker 2>you're going to hit someone's house, basically. So there was

0:12:37.280 --> 0:12:41.650
<v Speaker 2>a lot that could be improved, right? The sparring position

0:12:41.690 --> 0:12:47.040
<v Speaker 2>was pretty low. Um, and the city was very, um,

0:12:48.559 --> 0:12:50.840
<v Speaker 2>open to, you know, to our ideas. I mean, obviously

0:12:50.880 --> 0:12:52.700
<v Speaker 2>Tim had spent a lot of time building up trust

0:12:52.720 --> 0:12:55.680
<v Speaker 2>with the city. Um, you know, Hazel teams there, like

0:12:55.730 --> 0:12:59.290
<v Speaker 2>this is like Chaska is a sort of high golf

0:12:59.410 --> 0:13:02.570
<v Speaker 2>IQ town for a little town in the Midwest. Like

0:13:02.790 --> 0:13:06.010
<v Speaker 2>they've hosted like a Ryder cup and a bunch of PJs,

0:13:06.030 --> 0:13:07.849
<v Speaker 2>a bunch of women's PJs. I mean, this is a

0:13:07.870 --> 0:13:11.790
<v Speaker 2>town that is aware of like the wider world of golf. And,

0:13:11.890 --> 0:13:14.790
<v Speaker 2>you know, for sure that Mayor Matt Podraski, he'd been

0:13:14.809 --> 0:13:17.189
<v Speaker 2>to Ryder Cups in Scotland. He'd been to obviously the

0:13:17.250 --> 0:13:19.250
<v Speaker 2>Ryder Cups in the US. And, you know, they were

0:13:19.270 --> 0:13:22.380
<v Speaker 2>sort of open and amenable to doing something kind of

0:13:22.460 --> 0:13:26.900
<v Speaker 2>unique and different. And, you know, fortunately, when we started

0:13:26.980 --> 0:13:29.640
<v Speaker 2>thinking about the project in earnest and we proposed that

0:13:29.679 --> 0:13:32.660
<v Speaker 2>we would move the clubhouse and reroute the entire golf course,

0:13:34.070 --> 0:13:37.410
<v Speaker 2>the city was open to that because fundamentally it just

0:13:37.450 --> 0:13:39.890
<v Speaker 2>had to happen. Um, the golf course was hidden in

0:13:39.929 --> 0:13:41.809
<v Speaker 2>quite a strange part of the property, which is now

0:13:41.850 --> 0:13:44.469
<v Speaker 2>the first green and it's, it's a much better first

0:13:44.510 --> 0:13:47.429
<v Speaker 2>green than a clubhouse location. And, uh, you know, we

0:13:47.490 --> 0:13:50.030
<v Speaker 2>moved the clubhouse over to the street edge, you know,

0:13:50.090 --> 0:13:53.030
<v Speaker 2>by this busy kind of thoroughfare, which heads into Hazeltine

0:13:53.070 --> 0:13:55.170
<v Speaker 2>and there's a mall there and a bunch of apartment buildings.

0:13:55.250 --> 0:13:57.800
<v Speaker 2>So like we were kind of moving the clubhouse to

0:13:57.840 --> 0:13:59.959
<v Speaker 2>a spot where it was, instead of being isolated in

0:13:59.980 --> 0:14:01.920
<v Speaker 2>the middle of the property, it was now connected to

0:14:01.960 --> 0:14:05.820
<v Speaker 2>like the existing community. And, uh, know it's really cool

0:14:05.840 --> 0:14:08.860
<v Speaker 2>there's now you know really nice kind of um white

0:14:08.900 --> 0:14:11.699
<v Speaker 2>wooden fences around the golf course so like walkers by

0:14:11.760 --> 0:14:13.320
<v Speaker 2>can kind of see into the golf course when you

0:14:13.340 --> 0:14:15.160
<v Speaker 2>pull into the parking lot you've got these views right

0:14:15.210 --> 0:14:18.790
<v Speaker 2>across it and uh we were also allowed to just

0:14:18.830 --> 0:14:21.430
<v Speaker 2>completely flip the routing right you know turn the routing

0:14:21.450 --> 0:14:24.630
<v Speaker 2>in reverse all our missed shots went into the former

0:14:24.670 --> 0:14:27.150
<v Speaker 2>lake that we converted into this beauty this beautiful wetland

0:14:27.330 --> 0:14:29.340
<v Speaker 2>we beautiful restoration project.

0:14:30.600 --> 0:14:35.530
<v Speaker 1>So you were designing this course in collaboration with Barrier

0:14:35.550 --> 0:14:41.400
<v Speaker 1>Free Golf. It was intended to be accessible to adaptive golfers.

0:14:42.520 --> 0:14:46.920
<v Speaker 1>So I wonder what was different about designing a course

0:14:46.960 --> 0:14:50.680
<v Speaker 1>for adaptive golfers and what was the same as just

0:14:50.730 --> 0:14:52.410
<v Speaker 1>designing any golf course?

0:14:56.010 --> 0:14:59.550
<v Speaker 2>I mean, there's no reason an adaptive golfer can't play

0:14:59.810 --> 0:15:02.500
<v Speaker 2>golf on cool greens, right? So So, I mean, we were.

0:15:02.660 --> 0:15:03.520
<v Speaker 1>That doesn't change.

0:15:03.540 --> 0:15:03.760
<v Speaker 2>Yeah.

0:15:03.800 --> 0:15:05.590
<v Speaker 1>No matter who you're designing for, you want cool.

0:15:05.630 --> 0:15:09.229
<v Speaker 2>Right. Exactly. Exactly. So, you know, that was the main

0:15:09.270 --> 0:15:12.790
<v Speaker 2>thing was just like, let's build cool greens out there. And, uh,

0:15:12.890 --> 0:15:14.460
<v Speaker 2>you know, to that end, we were really lucky. We

0:15:14.500 --> 0:15:16.860
<v Speaker 2>had help from, uh, you know, Jimmy Craig stopped by

0:15:16.920 --> 0:15:19.840
<v Speaker 2>Jonathan Reister from Renaissance golf design. Brett Hochstein came out

0:15:19.860 --> 0:15:21.880
<v Speaker 2>to design some greens, build some greens for us. So,

0:15:22.280 --> 0:15:24.620
<v Speaker 2>you know, we had a, like a murderer's row of shapers,

0:15:24.700 --> 0:15:28.920
<v Speaker 2>I guess, uh, kind of helping us, but, um, Yeah,

0:15:29.020 --> 0:15:31.190
<v Speaker 2>we did our due diligence. You know, we had an

0:15:31.230 --> 0:15:36.890
<v Speaker 2>amazing design consultant called Tenelle Bolt from BC. Her dad

0:15:37.010 --> 0:15:39.310
<v Speaker 2>had been a superintendent. You know, she'd had an injury

0:15:39.390 --> 0:15:42.470
<v Speaker 2>in her late 20s that made her, you know, she

0:15:42.490 --> 0:15:45.150
<v Speaker 2>became a paraplegic after that injury. But, you know, she'd

0:15:45.170 --> 0:15:48.020
<v Speaker 2>grown up around golf all her life and, you know,

0:15:48.160 --> 0:15:53.060
<v Speaker 2>runs a sort of nonprofit providing adaptive equipment to, you know,

0:15:53.240 --> 0:15:56.100
<v Speaker 2>folks who need it. And it's just an amazing kind

0:15:56.120 --> 0:15:57.970
<v Speaker 2>of powerhouse and a wealth of knowledge about this kind

0:15:58.000 --> 0:16:01.390
<v Speaker 2>of thing. So, you know, we brought Tanel out there

0:16:02.270 --> 0:16:05.630
<v Speaker 2>with us during the build. And, you know, we were

0:16:05.710 --> 0:16:09.330
<v Speaker 2>kind of aware of the operating abilities and the sort

0:16:09.350 --> 0:16:14.010
<v Speaker 2>of safety tolerances of the adaptive equipment. But, you know,

0:16:14.030 --> 0:16:17.960
<v Speaker 2>if we jumped in that stuff, we wouldn't have learned

0:16:18.000 --> 0:16:19.920
<v Speaker 2>a whole lot. But having Tanel out there kind of

0:16:20.000 --> 0:16:22.920
<v Speaker 2>riding the equipment around our golf course, you know, in

0:16:22.940 --> 0:16:27.630
<v Speaker 2>the dirt, just kind of stress testing our contours was eyeopening.

0:16:27.690 --> 0:16:30.350
<v Speaker 2>I mean, it's brilliant. Like those machines are incredibly capable.

0:16:30.770 --> 0:16:32.890
<v Speaker 2>I mean, if you're looking at like those, the paragolfer

0:16:32.910 --> 0:16:35.220
<v Speaker 2>setups that the seated golfers use, I mean, that thing

0:16:35.320 --> 0:16:37.500
<v Speaker 2>is as stable as a triplex. It can drive up

0:16:37.640 --> 0:16:42.480
<v Speaker 2>pretty much anything. The only limitation comes for stability when

0:16:42.500 --> 0:16:45.560
<v Speaker 2>you're trying to swing on a steep bank. So what

0:16:45.620 --> 0:16:49.210
<v Speaker 2>that led us to was, okay, if we can, you know,

0:16:49.370 --> 0:16:52.370
<v Speaker 2>avoid scenarios where golf balls are hanging up on steep banks,

0:16:52.450 --> 0:16:55.630
<v Speaker 2>then this is, you know, going to, serve the adaptive

0:16:55.650 --> 0:16:58.670
<v Speaker 2>golf community much better. So, and that's music to my ears.

0:16:58.730 --> 0:17:00.890
<v Speaker 2>Cause that was just like, okay, well, everything's going to

0:17:00.910 --> 0:17:04.790
<v Speaker 2>be fairway. If it's no green, it's fairway. There's, there's no,

0:17:04.810 --> 0:17:08.050
<v Speaker 2>I don't think there's any rough to speak of in

0:17:08.109 --> 0:17:11.429
<v Speaker 2>play in the golf course. Um, there's certainly nothing where,

0:17:12.060 --> 0:17:13.340
<v Speaker 2>you know, a golf ball is going to hang up

0:17:13.410 --> 0:17:16.100
<v Speaker 2>on a slope. That's so steep that someone in an

0:17:16.220 --> 0:17:18.919
<v Speaker 2>adaptive vehicle, we'd have to try to swing on that

0:17:18.980 --> 0:17:20.419
<v Speaker 2>slope and potentially lose balance.

0:17:20.800 --> 0:17:21.020
<v Speaker 1>Right.

0:17:21.140 --> 0:17:21.340
<v Speaker 2>Yeah.

0:17:21.359 --> 0:17:25.010
<v Speaker 1>Pull like plug lies in really steep. small bunkers, that,

0:17:25.070 --> 0:17:28.440
<v Speaker 1>that kind of thing you can, you can avoid, uh, in,

0:17:28.580 --> 0:17:29.240
<v Speaker 1>in a course like this.

0:17:30.280 --> 0:17:32.720
<v Speaker 2>Yeah, exactly. Well, I mean, fundamentally the, the no bunker,

0:17:32.740 --> 0:17:38.720
<v Speaker 2>the no bunker aspect was really a no brainer to us. Um, the,

0:17:40.240 --> 0:17:43.530
<v Speaker 2>first of all, I mean, we're dealing with like a PT,

0:17:44.030 --> 0:17:48.710
<v Speaker 2>like hilly sort of, you know, twin cities property, you know,

0:17:48.730 --> 0:17:50.330
<v Speaker 2>a lot of context for bunkers out there. So we

0:17:50.350 --> 0:17:54.010
<v Speaker 2>didn't really feel like, you know, having sand, having sand

0:17:54.050 --> 0:17:55.950
<v Speaker 2>out of the loop was an essential part of the

0:17:56.430 --> 0:17:59.129
<v Speaker 2>essential part of the project. And, you know, it's, it's

0:17:59.170 --> 0:18:01.340
<v Speaker 2>just really, really hard for adaptive golfers to get in

0:18:01.380 --> 0:18:04.260
<v Speaker 2>and out of bunkers. So there's, there's some special provisions

0:18:04.340 --> 0:18:05.979
<v Speaker 2>in the, in the rules of golf. Now they sort

0:18:06.000 --> 0:18:08.640
<v Speaker 2>of merged the rules of golf a few years ago. And,

0:18:09.560 --> 0:18:11.500
<v Speaker 2>you know, adaptive golfers have special provisions for how to

0:18:11.520 --> 0:18:13.020
<v Speaker 2>deal with bunkers and how to drop and so on

0:18:13.060 --> 0:18:15.419
<v Speaker 2>and so forth. But, you know, this goes back to

0:18:15.500 --> 0:18:20.280
<v Speaker 2>our original goal where we wanted, An adaptive golfer and

0:18:20.320 --> 0:18:22.159
<v Speaker 2>an able-bodied golfer to just be able to have the

0:18:22.200 --> 0:18:25.359
<v Speaker 2>same golf experience without, you know, the adaptive golfer having to,

0:18:25.900 --> 0:18:28.920
<v Speaker 2>you know, dive into the sort of specific like adaptive

0:18:28.940 --> 0:18:32.740
<v Speaker 2>golf rules to compensate for something that they can't do

0:18:32.800 --> 0:18:34.320
<v Speaker 2>that an able-bodied golfer can do.

0:18:41.460 --> 0:18:44.190
<v Speaker 1>This episode of Designing Golf is brought to you by

0:18:44.450 --> 0:18:49.250
<v Speaker 1>Perfect Practice. Specifically the Perfect Practice putting mat and chip shot.

0:18:49.700 --> 0:18:53.340
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0:18:53.380 --> 0:18:57.220
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0:18:57.240 --> 0:19:02.320
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0:19:02.359 --> 0:19:06.760
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0:19:26.010 --> 0:19:29.990
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0:19:46.770 --> 0:19:49.510
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0:19:55.820 --> 0:20:05.540
<v Speaker 1>Check it out. As I mentioned before, you're in the

0:20:05.580 --> 0:20:09.770
<v Speaker 1>process of designing another short course now, This one in

0:20:09.850 --> 0:20:13.670
<v Speaker 1>Prairie Grove, Illinois, which as I understand it is kind

0:20:13.690 --> 0:20:20.389
<v Speaker 1>of like distant northwest suburbs of Chicago. This place is

0:20:20.470 --> 0:20:24.460
<v Speaker 1>called the Half Mile at Terracotta. Tell me about this project.

0:20:24.520 --> 0:20:26.840
<v Speaker 1>I don't know much about it. I've seen a routing map,

0:20:26.980 --> 0:20:29.159
<v Speaker 1>but I haven't heard the story behind it. So what's

0:20:29.200 --> 0:20:29.640
<v Speaker 1>going on there?

0:20:30.300 --> 0:20:34.790
<v Speaker 2>So. the owners are the Terracotta or the family who

0:20:34.830 --> 0:20:37.810
<v Speaker 2>own the Terracotta company or TC Industries and the Terracotta company,

0:20:37.850 --> 0:20:41.270
<v Speaker 2>like their ownership of this stewardship, ownership of this property

0:20:41.310 --> 0:20:44.889
<v Speaker 2>goes back almost a hundred years. It's really cool. So,

0:20:44.910 --> 0:20:49.320
<v Speaker 2>you know, obviously we're building on a piece of family landholding,

0:20:49.359 --> 0:20:52.240
<v Speaker 2>so there's no land costs at the start. So it's

0:20:52.260 --> 0:20:54.440
<v Speaker 2>really nice to be able to, you know, build a

0:20:54.460 --> 0:20:56.740
<v Speaker 2>short course where you don't have land costs and you're

0:20:56.840 --> 0:20:59.970
<v Speaker 2>only going to be essentially passing like the construction costs

0:21:00.050 --> 0:21:04.390
<v Speaker 2>onto the, onto the consumer. Right. So, um, like affordability

0:21:04.430 --> 0:21:07.530
<v Speaker 2>is not necessarily like one of the key goals out there. Uh,

0:21:07.850 --> 0:21:11.170
<v Speaker 2>I think we'll, we'll have some, um, some interesting, um,

0:21:11.359 --> 0:21:14.220
<v Speaker 2>you know, playing options out there, probably a little bit more, uh,

0:21:16.080 --> 0:21:18.380
<v Speaker 2>leaning into the way the Sweden's Cove operates with like

0:21:18.420 --> 0:21:21.540
<v Speaker 2>day passes, like for, for us being like a 45

0:21:21.540 --> 0:21:23.800
<v Speaker 2>minutes out of the metro area might be half day passes,

0:21:24.300 --> 0:21:27.340
<v Speaker 2>something like that, but we'll create a, a way to get,

0:21:27.580 --> 0:21:31.030
<v Speaker 2>you know, smaller, you know, pretty limited numbers of people

0:21:31.050 --> 0:21:33.290
<v Speaker 2>that own that thing with a degree of freedom to,

0:21:33.310 --> 0:21:35.570
<v Speaker 2>you know, play the way they want to play and

0:21:35.609 --> 0:21:38.090
<v Speaker 2>just kind of, you know, hop around and play in

0:21:38.109 --> 0:21:40.170
<v Speaker 2>big groups and do all the things that make Sweden's

0:21:40.190 --> 0:21:42.960
<v Speaker 2>Cove like very, very fun. We started off in a,

0:21:42.950 --> 0:21:46.950
<v Speaker 2>you know, a floodplain. Again, going with like the Sweden's

0:21:46.970 --> 0:21:50.719
<v Speaker 2>Cove similarities, we are like 50% of our property was

0:21:50.760 --> 0:21:53.699
<v Speaker 2>in a floodplain. So the first move was to, you know,

0:21:53.740 --> 0:21:55.780
<v Speaker 2>figure out how and where to find the dirt to

0:21:55.820 --> 0:21:59.790
<v Speaker 2>kind of raise our golf features up. And fortunately, the

0:21:59.830 --> 0:22:02.409
<v Speaker 2>property had been operating as a sod farm for 50 years,

0:22:02.690 --> 0:22:04.330
<v Speaker 2>which was kind of cool. I mean, we turned up

0:22:04.369 --> 0:22:08.150
<v Speaker 2>to break ground on the cleanest construction site you've ever seen.

0:22:08.330 --> 0:22:13.310
<v Speaker 2>It was perfect. But yeah, it's simple, kind of tilty property.

0:22:13.530 --> 0:22:15.409
<v Speaker 2>So we basically went up to the high side and

0:22:15.430 --> 0:22:17.390
<v Speaker 2>we dug a giant quarry and played a few holes

0:22:17.430 --> 0:22:20.050
<v Speaker 2>around the quarry and moved some dirt down into the

0:22:20.109 --> 0:22:22.230
<v Speaker 2>low to kind of build up our greens. We built

0:22:22.270 --> 0:22:26.480
<v Speaker 2>some creeks to get our you know, compensatory storage balance.

0:22:26.500 --> 0:22:31.420
<v Speaker 2>So like the, you know, flood mitigation calculations, basically. And

0:22:31.920 --> 0:22:35.760
<v Speaker 2>the contractor DWS construction, which is Kirk Spieth and Derek Love,

0:22:35.780 --> 0:22:38.859
<v Speaker 2>who are both kind of from Beverly background, went out

0:22:38.920 --> 0:22:42.899
<v Speaker 2>there with GNSS equipped bulldozers and basically did like a

0:22:42.940 --> 0:22:45.500
<v Speaker 2>kind of Lido style project where they just went through

0:22:45.520 --> 0:22:47.860
<v Speaker 2>with my grading plan and just bulked everything into place.

0:22:48.540 --> 0:22:51.179
<v Speaker 2>so uh yeah i made like one site visit kind

0:22:51.220 --> 0:22:53.080
<v Speaker 2>of checked in with the guys you know we kind

0:22:53.119 --> 0:22:54.960
<v Speaker 2>of got oriented a little bit i went off to

0:22:55.000 --> 0:22:57.060
<v Speaker 2>work on something else for a month and when i

0:22:57.100 --> 0:22:59.280
<v Speaker 2>came back like this landscape was just there it was

0:22:59.500 --> 0:23:02.639
<v Speaker 2>it's incredibly fun so then i just basically hopped in

0:23:02.700 --> 0:23:05.199
<v Speaker 2>after the guys and you know again like they did

0:23:05.260 --> 0:23:08.359
<v Speaker 2>alito just kind of went through and and detailed out

0:23:08.420 --> 0:23:11.159
<v Speaker 2>every green you know maybe moved some greens around it

0:23:11.200 --> 0:23:13.630
<v Speaker 2>just did little bits and pieces out there but by

0:23:13.690 --> 0:23:16.399
<v Speaker 2>and large was just, you know, adding a layer of

0:23:16.460 --> 0:23:18.460
<v Speaker 2>detail on top of the work that they'd done with

0:23:18.760 --> 0:23:22.520
<v Speaker 2>the big dozers and the GNSS. So like super efficient project.

0:23:23.920 --> 0:23:25.520
<v Speaker 2>It kind of has to be like such a short

0:23:25.540 --> 0:23:28.180
<v Speaker 2>construction season in Chicago that, you know, anything you can

0:23:28.240 --> 0:23:30.859
<v Speaker 2>do to get a boost and get a headstart on

0:23:30.900 --> 0:23:36.220
<v Speaker 2>the weather is pretty huge. So yeah, no, like really

0:23:36.270 --> 0:23:38.430
<v Speaker 2>fun concept. We have a couple of bunkers out there.

0:23:38.490 --> 0:23:40.390
<v Speaker 2>Like I said, it's not like really an adaptive kind

0:23:40.410 --> 0:23:44.130
<v Speaker 2>of focused project by the client. Uh, Mr. Barry, um,

0:23:44.730 --> 0:23:47.659
<v Speaker 2>didn't really want bunkers out there. I figured, you know,

0:23:47.700 --> 0:23:49.240
<v Speaker 2>we'll throw a couple in there. We'll do like a

0:23:49.260 --> 0:23:51.119
<v Speaker 2>little lion's mouth. We'll do a donut bunker in a

0:23:51.140 --> 0:23:53.740
<v Speaker 2>green and just, you know, let's not, I didn't want

0:23:53.760 --> 0:23:57.780
<v Speaker 2>it to be sort of compared with the loop at Chaska,

0:23:58.380 --> 0:24:00.840
<v Speaker 2>you know, as just trying to be the same thing

0:24:00.880 --> 0:24:02.780
<v Speaker 2>as the loop at Chaska. So that was important to,

0:24:03.200 --> 0:24:04.560
<v Speaker 2>to push for a couple of bunkers out there and

0:24:04.600 --> 0:24:07.429
<v Speaker 2>those ones will be pretty fun. They'll see some action, but, uh,

0:24:07.440 --> 0:24:10.970
<v Speaker 2>you know, certainly not an undue, you know, maintenance overhead.

0:24:11.540 --> 0:24:15.139
<v Speaker 1>So something that's really interesting about this project at Half Mile,

0:24:15.180 --> 0:24:20.250
<v Speaker 1>which you mentioned, is the use of GNSS bulldozers. And

0:24:20.470 --> 0:24:23.390
<v Speaker 1>if people don't know what that means, it stands for,

0:24:23.450 --> 0:24:28.510
<v Speaker 1>I believe, Global Navigation Satellite System bulldozers. You know, something

0:24:28.590 --> 0:24:31.540
<v Speaker 1>kind of parallel to GPS, I suppose. But basically what

0:24:31.580 --> 0:24:35.080
<v Speaker 1>you have is automated bulldozers that can go out and

0:24:35.100 --> 0:24:38.060
<v Speaker 1>kind of prepare the site for you in a general

0:24:38.119 --> 0:24:42.550
<v Speaker 1>way so that then... the human shapers can focus on

0:24:42.670 --> 0:24:46.550
<v Speaker 1>detail work and finishing and things of that nature. So

0:24:47.310 --> 0:24:51.030
<v Speaker 1>what kind of difference did that process make at half mile?

0:24:51.090 --> 0:24:52.270
<v Speaker 1>How did that all play out for you?

0:24:53.730 --> 0:24:58.010
<v Speaker 2>Yeah, I mean, it's huge, Garrett. And there are still,

0:24:58.730 --> 0:25:01.100
<v Speaker 2>even in the GNSS bulldozer, still an operator in there

0:25:01.119 --> 0:25:03.060
<v Speaker 2>at this point. I might get to a point where

0:25:03.080 --> 0:25:05.850
<v Speaker 2>there's no operator, but Yeah, for now, someone's in there

0:25:06.190 --> 0:25:09.729
<v Speaker 2>following a diagram which is kind of telling them what

0:25:09.750 --> 0:25:11.750
<v Speaker 2>to do with the blade and where to cut, where

0:25:11.770 --> 0:25:12.830
<v Speaker 2>to fill, and so on and so forth.

0:25:12.890 --> 0:25:15.090
<v Speaker 1>Yeah, when I say automated, I don't want people to

0:25:15.130 --> 0:25:21.110
<v Speaker 1>envision literal robots going out there. Yeah, it's just more

0:25:21.130 --> 0:25:24.760
<v Speaker 1>that the operator has information that they're able to follow

0:25:24.890 --> 0:25:26.290
<v Speaker 1>instead of kind of eyeballing it.

0:25:27.320 --> 0:25:31.200
<v Speaker 2>Yeah, exactly. There's guidance there. So when we're doing the

0:25:31.240 --> 0:25:33.899
<v Speaker 2>detail shaping, we're just doing it from eye. There's no...

0:25:34.619 --> 0:25:37.990
<v Speaker 2>we're not really using stakes or elevations. It's just, um, yeah,

0:25:38.010 --> 0:25:40.649
<v Speaker 2>just whatever looks good, whatever's going to work, whatever's going

0:25:40.670 --> 0:25:44.370
<v Speaker 2>to give you the, the, the reaction of a golf

0:25:44.390 --> 0:25:46.530
<v Speaker 2>ball on a green that you're looking for. But yeah,

0:25:46.609 --> 0:25:49.570
<v Speaker 2>so the GNSS, you know, Kirk Spieth was out there

0:25:49.590 --> 0:25:52.030
<v Speaker 2>for DWS and, and, and the D6 just kind of

0:25:52.750 --> 0:25:56.790
<v Speaker 2>digging into our quarry and, uh, shifting dirt around the property. And, uh, yeah,

0:25:56.830 --> 0:25:59.070
<v Speaker 2>he was, you know, he was bouncing around on some

0:25:59.109 --> 0:26:02.290
<v Speaker 2>rocks and that thing. So he'll, he'll certainly remember, remember

0:26:02.310 --> 0:26:04.770
<v Speaker 2>that phase of the project, but, um, Yeah, no, it

0:26:04.950 --> 0:26:08.369
<v Speaker 2>was great. So for me, for my purposes, you know, I, uh,

0:26:09.790 --> 0:26:11.340
<v Speaker 2>I kind of came in at the start of the project.

0:26:11.380 --> 0:26:13.239
<v Speaker 2>Then I hopped away to work on something else. And,

0:26:13.460 --> 0:26:15.280
<v Speaker 2>you know, by the time I came back a month later,

0:26:15.340 --> 0:26:18.240
<v Speaker 2>the guys had basically roughed in the entire golf course. So,

0:26:18.800 --> 0:26:23.119
<v Speaker 2>you know, 10 green pads, the clubhouse locations, the, uh, uh,

0:26:23.400 --> 0:26:25.060
<v Speaker 2>a bunch of kind of creeks that we built running

0:26:25.080 --> 0:26:27.300
<v Speaker 2>through the property. So then my task was just to

0:26:27.340 --> 0:26:29.540
<v Speaker 2>go through kind of green by green, hole by hole,

0:26:29.640 --> 0:26:31.919
<v Speaker 2>and just add a layer of detail on top of

0:26:31.960 --> 0:26:33.899
<v Speaker 2>this base. I mean, it's hard to overstay. Like we

0:26:33.920 --> 0:26:36.399
<v Speaker 2>started off with nothing on that property. And this is

0:26:36.440 --> 0:26:39.409
<v Speaker 2>just a simple tilt kind of running down towards a

0:26:39.450 --> 0:26:42.909
<v Speaker 2>river's edge. So, yep, nothing to work off of, you know,

0:26:42.970 --> 0:26:47.530
<v Speaker 2>nothing worth, quote unquote, saving. So, yeah, just to get

0:26:47.590 --> 0:26:53.080
<v Speaker 2>that kind of basic, you know, kind of contouring in there.

0:26:53.720 --> 0:26:55.300
<v Speaker 2>And then to be able to see that and to

0:26:55.359 --> 0:26:57.760
<v Speaker 2>make decisions about, well, okay, well, I'm going to raise

0:26:57.800 --> 0:26:59.600
<v Speaker 2>this green up a little bit or lower this green

0:26:59.619 --> 0:27:02.080
<v Speaker 2>down a little bit. But, you know, to basically have

0:27:02.140 --> 0:27:06.199
<v Speaker 2>everything in place is huge. And I spent, I would say,

0:27:06.200 --> 0:27:10.270
<v Speaker 2>45 to 50 days shaping out there, you know, for

0:27:10.270 --> 0:27:12.630
<v Speaker 2>10 greens and a couple of teas in the Himalayas.

0:27:12.650 --> 0:27:17.690
<v Speaker 2>So that's really a pretty efficient way to go about

0:27:17.710 --> 0:27:18.429
<v Speaker 2>this kind of project.

0:27:25.590 --> 0:27:28.070
<v Speaker 1>This episode of Designing Golf is brought to you in

0:27:28.150 --> 0:27:31.510
<v Speaker 1>part by Friday Golf Club. So let me tell you

0:27:31.550 --> 0:27:35.949
<v Speaker 1>about something that's going on right now in FEGC. I

0:27:35.990 --> 0:27:39.330
<v Speaker 1>have started a book club. A bunch of people are

0:27:39.410 --> 0:27:44.250
<v Speaker 1>reading Robert Hunter's 1926 book, The Links. This is a

0:27:44.450 --> 0:27:50.560
<v Speaker 1>really entertaining, well-written introduction to golf architecture. Robert Hunter was

0:27:50.680 --> 0:27:55.850
<v Speaker 1>one of Alistair McKenzie's associates and He was very responsible

0:27:55.970 --> 0:27:59.350
<v Speaker 1>for a lot of the great things about Cypress Point

0:27:59.510 --> 0:28:02.650
<v Speaker 1>and Meadow Club. And this book that he wrote in

0:28:02.650 --> 0:28:07.260
<v Speaker 1>1926 is absolutely fantastic. We're reading it chapter by chapter

0:28:07.440 --> 0:28:11.220
<v Speaker 1>in Friday Golf Club and discussing it. Recently, we just

0:28:11.320 --> 0:28:14.169
<v Speaker 1>read the preface. This week, we're reading a couple of

0:28:14.210 --> 0:28:17.930
<v Speaker 1>the first sort of sections of the book. And people

0:28:17.970 --> 0:28:19.750
<v Speaker 1>are really getting into it. There's been a lot of

0:28:19.790 --> 0:28:23.830
<v Speaker 1>good discussion already. So come join us. If you're interested

0:28:24.010 --> 0:28:26.129
<v Speaker 1>in a book club of this sort, we might do

0:28:26.170 --> 0:28:29.920
<v Speaker 1>it for other books in the future as well. Go

0:28:30.000 --> 0:28:34.679
<v Speaker 1>to thefriedegg.com slash membership and join FEGC.

0:28:42.030 --> 0:28:42.160
<v Speaker 2>So.

0:28:43.270 --> 0:28:46.570
<v Speaker 1>those are two projects that you've been involved in that

0:28:46.610 --> 0:28:50.410
<v Speaker 1>you've directed really the, the loop at Chaska. I, you know,

0:28:50.490 --> 0:28:53.100
<v Speaker 1>Chaska is a tough one for me to pronounce for

0:28:53.130 --> 0:28:57.020
<v Speaker 1>some reason or another. I say Shaska, I say Chaska,

0:28:57.160 --> 0:28:59.500
<v Speaker 1>I say, you know, I never quite get it right,

0:28:59.560 --> 0:29:03.180
<v Speaker 1>but I believe Chaska is the, is the, is the

0:29:03.220 --> 0:29:06.440
<v Speaker 1>closest way to how I've, how I've heard people say it.

0:29:06.800 --> 0:29:10.220
<v Speaker 1>In any case, the loop in Minnesota is, a half

0:29:10.280 --> 0:29:14.310
<v Speaker 1>mile at Terracotta. Those are your two projects. But this

0:29:14.370 --> 0:29:18.230
<v Speaker 1>is really part of a big trend in the industry

0:29:18.610 --> 0:29:24.470
<v Speaker 1>that I've noticed. So before we talked, I went through,

0:29:24.490 --> 0:29:30.370
<v Speaker 1>I tried to remember all the projects, short course projects

0:29:30.750 --> 0:29:33.330
<v Speaker 1>that I've heard about recently, and I wrote some of

0:29:33.350 --> 0:29:36.650
<v Speaker 1>them down. So this is by no means an exhaustive list,

0:29:36.730 --> 0:29:39.239
<v Speaker 1>but these are some ones that I've kind of been

0:29:39.260 --> 0:29:46.040
<v Speaker 1>tracking recently. You have a course called WeNip, which is

0:29:46.540 --> 0:29:50.490
<v Speaker 1>pretty great, at Grand Geneva, which I believe is in Wisconsin.

0:29:51.450 --> 0:29:57.220
<v Speaker 1>The architect is Matt Dusenberry. It opened in May 2026.

0:29:57.220 --> 0:30:02.080
<v Speaker 1>You have the Cauldron at Sandwich Club in Connecticut. OCM

0:30:02.420 --> 0:30:05.980
<v Speaker 1>is the architect on that project. It opened this season.

0:30:06.060 --> 0:30:09.390
<v Speaker 1>That's a private golf club in Connecticut. You have Old

0:30:09.490 --> 0:30:14.130
<v Speaker 1>Field in North Carolina. That's Smyers, Craig, and Coyne. Opened

0:30:14.270 --> 0:30:18.510
<v Speaker 1>mid-year this year. Cool kind of public course, so more

0:30:18.550 --> 0:30:21.270
<v Speaker 1>in the spirit of what you've been doing. You have

0:30:21.290 --> 0:30:25.170
<v Speaker 1>a new short course at Wild Horse in Nebraska. Dave

0:30:25.230 --> 0:30:28.440
<v Speaker 1>Axeland and Dan Proctor were run that project. I believe

0:30:28.540 --> 0:30:32.790
<v Speaker 1>it opened this season. You have the Matchbox at Tobacco Road.

0:30:33.590 --> 0:30:38.530
<v Speaker 1>Carlton Marshall Design is behind that one. Opened very recently.

0:30:38.730 --> 0:30:42.650
<v Speaker 1>It is an artificial turf course. You have the 12-hole

0:30:42.770 --> 0:30:47.350
<v Speaker 1>scurry course at Chichese Creek Club. Dave Zinkand is the architect.

0:30:47.810 --> 0:30:51.190
<v Speaker 1>That just opened. You have a short course at Sweetens Cove.

0:30:51.670 --> 0:30:55.610
<v Speaker 1>King Collins Dormer under construction right now. You have Sweet

0:30:55.670 --> 0:31:00.180
<v Speaker 1>Tooth at Candy Root. North Carolina New Resort, Mike Kropowski

0:31:00.280 --> 0:31:04.420
<v Speaker 1>and Michelle Wee West are on that project. That's under construction.

0:31:04.860 --> 0:31:08.260
<v Speaker 1>You have Highside Golf Club, which has two short courses

0:31:08.540 --> 0:31:12.420
<v Speaker 1>in North Carolina. Chris Spence and Katie Craig are working

0:31:12.510 --> 0:31:15.729
<v Speaker 1>on that, set to open next year. And you have

0:31:15.910 --> 0:31:20.050
<v Speaker 1>a new short course for First Tee Charleston. Brian Schneider

0:31:20.090 --> 0:31:23.010
<v Speaker 1>and Troy Miller are working on that one. And that

0:31:23.070 --> 0:31:27.620
<v Speaker 1>was just announced. Now that is... a partial, partial list

0:31:28.160 --> 0:31:32.080
<v Speaker 1>of the projects kind of recently wrapping up or currently underway.

0:31:33.580 --> 0:31:39.660
<v Speaker 1>If you're looking for particularly publicly accessible new build or

0:31:39.780 --> 0:31:44.220
<v Speaker 1>complete redesign projects happening right now, a lot of them

0:31:44.300 --> 0:31:48.280
<v Speaker 1>would be short courses as opposed to regulation 18 whole courses.

0:31:48.320 --> 0:31:53.479
<v Speaker 1>Like a surprising proportion of those would be short courses.

0:31:54.420 --> 0:31:55.620
<v Speaker 1>So what do you think? I mean, if you had

0:31:55.640 --> 0:31:58.090
<v Speaker 1>to speculate, I know you're an architect and not a developer,

0:31:58.150 --> 0:32:00.510
<v Speaker 1>not a, not a business person, but if you had

0:32:00.550 --> 0:32:03.930
<v Speaker 1>to speculate, what do you think is behind this trend

0:32:03.990 --> 0:32:04.790
<v Speaker 1>happening right now?

0:32:07.510 --> 0:32:12.760
<v Speaker 2>Hmm. Um, I was speaking from like the architect side,

0:32:13.260 --> 0:32:16.600
<v Speaker 2>these things are fun and fast to build. And I think,

0:32:16.640 --> 0:32:20.120
<v Speaker 2>you know, from the developer standpoint, like that's also a

0:32:20.180 --> 0:32:27.350
<v Speaker 2>desirable thing. You know, you're getting to. announce something, build it,

0:32:28.070 --> 0:32:34.990
<v Speaker 2>open it pretty quick. And the examples you mentioned there

0:32:35.170 --> 0:32:38.670
<v Speaker 2>are really, really diverse. I mean, that's some destination stuff.

0:32:38.730 --> 0:32:41.980
<v Speaker 2>That's some urban stuff. That's some stuff, of course, is

0:32:42.040 --> 0:32:45.940
<v Speaker 2>at private clubs, some resort-based things, some things in cities.

0:32:46.060 --> 0:32:52.710
<v Speaker 2>I mean, there's clearly a lot of potential variety in

0:32:52.750 --> 0:32:57.120
<v Speaker 2>the art form. And, uh, you know, the, the way

0:32:57.160 --> 0:33:00.800
<v Speaker 2>I've heard it discussed, I think very effectively is in

0:33:00.840 --> 0:33:04.420
<v Speaker 2>terms of if you really try to simplify is like

0:33:04.460 --> 0:33:10.710
<v Speaker 2>revenue per yard. So you are not maintaining, you know, whatever,

0:33:11.830 --> 0:33:14.390
<v Speaker 2>like 18 holes worth of fairways or 14 holes worth

0:33:14.410 --> 0:33:16.110
<v Speaker 2>of fairways, whatever it is. Yeah.

0:33:16.150 --> 0:33:19.910
<v Speaker 1>Regulation golf courses are highly inefficient uses of land in

0:33:19.950 --> 0:33:23.070
<v Speaker 1>terms of revenue per yard. That is true. It's something

0:33:23.090 --> 0:33:26.610
<v Speaker 1>you hear golf course developers talk about all the time. Yeah.

0:33:26.750 --> 0:33:29.150
<v Speaker 2>So, you know, at your, at your sort of classic

0:33:29.190 --> 0:33:35.060
<v Speaker 2>short course, um, you are as an operator and as a, uh, uh,

0:33:35.100 --> 0:33:37.560
<v Speaker 2>you know, the, the team charged with maintaining it, you

0:33:37.600 --> 0:33:40.800
<v Speaker 2>can put almost all of your focus into just making

0:33:40.820 --> 0:33:42.960
<v Speaker 2>the greens perfect. I mean, I was at loop at

0:33:42.980 --> 0:33:45.880
<v Speaker 2>Chaska last week. Greens are unbelievable. Like the guys are

0:33:45.900 --> 0:33:47.800
<v Speaker 2>doing a beautiful job out there. Those things that like

0:33:48.340 --> 0:33:51.690
<v Speaker 2>for a mini short course, first of all, I mean,

0:33:51.730 --> 0:33:54.910
<v Speaker 2>those greens are super fun, but like the conditioning was wonderful.

0:33:55.030 --> 0:33:56.410
<v Speaker 2>We had, we had a great, great time out there,

0:33:56.430 --> 0:33:59.350
<v Speaker 2>all credit to the maintenance team at Cheska. So yeah,

0:33:59.390 --> 0:34:02.010
<v Speaker 2>I just think the ability to really kind of pour your,

0:34:02.490 --> 0:34:05.530
<v Speaker 2>your assets or your, your, your, your sort of maintenance

0:34:05.590 --> 0:34:10.230
<v Speaker 2>resources into, into the, the part of the golf course

0:34:10.250 --> 0:34:12.160
<v Speaker 2>that people spend the most time on and play the

0:34:12.200 --> 0:34:14.089
<v Speaker 2>most shots on and spend the most time around is,

0:34:14.719 --> 0:34:16.960
<v Speaker 2>is a, is a, is a pretty big benefit in

0:34:16.980 --> 0:34:20.989
<v Speaker 2>that standpoint. But certainly just the cost to, get these

0:34:21.030 --> 0:34:23.890
<v Speaker 2>things open, get them making money. It's, it's a lot

0:34:23.930 --> 0:34:27.770
<v Speaker 2>lower than obviously, you know, like a, like a hundred

0:34:27.830 --> 0:34:31.590
<v Speaker 2>acre or whatever, 150 acre property. Yeah.

0:34:31.650 --> 0:34:34.950
<v Speaker 1>I mean, that's so true. It is, it is more

0:34:35.180 --> 0:34:41.160
<v Speaker 1>efficient in terms of land use versus, you know, uh, the,

0:34:41.219 --> 0:34:46.020
<v Speaker 1>the utility to the player, I guess. But traditionally we

0:34:46.080 --> 0:34:51.790
<v Speaker 1>haven't seen that many standalone short courses. Often short courses

0:34:51.850 --> 0:34:56.259
<v Speaker 1>have been connected to big resorts or have been in

0:34:56.420 --> 0:35:02.560
<v Speaker 1>alternative playing area at clubs. It's been relatively rare that

0:35:02.600 --> 0:35:06.100
<v Speaker 1>we've seen, especially par three courses, you know, these very

0:35:06.219 --> 0:35:10.830
<v Speaker 1>small property golf facilities like the ones that you've worked at.

0:35:11.170 --> 0:35:15.370
<v Speaker 1>It's been relatively rare to see those stood up as

0:35:15.930 --> 0:35:19.509
<v Speaker 1>independent businesses. But now we're starting to see a little

0:35:19.550 --> 0:35:22.210
<v Speaker 1>bit more of that. And I don't know, I guess

0:35:22.250 --> 0:35:25.129
<v Speaker 1>I'm just sort of thinking out loud here. Neither you

0:35:25.170 --> 0:35:30.719
<v Speaker 1>nor I really knows what is behind trying to make

0:35:30.780 --> 0:35:35.940
<v Speaker 1>a standalone short course go as a business. But we

0:35:36.000 --> 0:35:38.080
<v Speaker 1>have started to see more of them recently. And I

0:35:38.120 --> 0:35:40.360
<v Speaker 1>wonder if that means that golfers have just started to

0:35:40.400 --> 0:35:44.640
<v Speaker 1>become more open to the idea of going to a

0:35:44.719 --> 0:35:47.000
<v Speaker 1>golf facility and just playing a short course.

0:35:49.260 --> 0:35:53.319
<v Speaker 2>Well, Look, I think it's, if you really to, to

0:35:53.360 --> 0:35:57.380
<v Speaker 2>boil it down, I think it's more about operators and

0:35:57.400 --> 0:36:01.819
<v Speaker 2>developers understanding the importance of the hang. And if you,

0:36:01.880 --> 0:36:04.560
<v Speaker 2>and if you want, I think it's a, it's a really,

0:36:04.620 --> 0:36:08.940
<v Speaker 2>really helpful to look at the unlikeliness of like Sweden's

0:36:08.960 --> 0:36:12.460
<v Speaker 2>Cove working as like a destination nine hole course in

0:36:13.160 --> 0:36:17.390
<v Speaker 2>rural Tennessee. Um, I think the big takeaways from Sweden's

0:36:17.410 --> 0:36:21.620
<v Speaker 2>Cove are, are the fact that, and then, you know,

0:36:21.640 --> 0:36:23.020
<v Speaker 2>it took them a while to get to where they

0:36:23.060 --> 0:36:25.140
<v Speaker 2>got to Sweden's Cove in terms of the operating model,

0:36:25.180 --> 0:36:28.680
<v Speaker 2>but it's just a great place to go with a

0:36:28.700 --> 0:36:31.000
<v Speaker 2>group of friends and hang out. And, you know, they

0:36:31.140 --> 0:36:32.900
<v Speaker 2>are going out of their way to make sure that

0:36:32.920 --> 0:36:34.460
<v Speaker 2>you have a good time and to make it kind

0:36:34.520 --> 0:36:37.020
<v Speaker 2>of a little bit loose, a little bit fun, and

0:36:37.100 --> 0:36:39.859
<v Speaker 2>just a very different experience from what you would either

0:36:39.920 --> 0:36:45.380
<v Speaker 2>have at certainly like a, probably a public golf course,

0:36:45.420 --> 0:36:48.210
<v Speaker 2>certainly a muni, certainly a private club. you know, there's

0:36:48.270 --> 0:36:52.839
<v Speaker 2>maybe like little bits of the, you know, just the

0:36:52.880 --> 0:36:55.660
<v Speaker 2>way that you can, you can kind of enjoy yourself

0:36:55.680 --> 0:36:57.960
<v Speaker 2>at a private club if you're, you know, obviously part

0:36:58.000 --> 0:37:01.080
<v Speaker 2>of the membership and there's, there's certain sort of some

0:37:01.160 --> 0:37:05.399
<v Speaker 2>small elements of flexibility there. But like, just, I think

0:37:05.600 --> 0:37:10.070
<v Speaker 2>giving a more, just a, just making a better hang,

0:37:10.110 --> 0:37:12.750
<v Speaker 2>like more accessible and understanding the importance of that and

0:37:12.790 --> 0:37:18.450
<v Speaker 2>how complimentary that is to fun architecture. And then, that

0:37:19.150 --> 0:37:21.330
<v Speaker 2>don't get me wrong, like recreating like the magic of

0:37:21.370 --> 0:37:24.910
<v Speaker 2>Sweden's covers is not an easy thing to do, but I, I,

0:37:25.200 --> 0:37:28.120
<v Speaker 2>I sense that that's driving quite a lot of this,

0:37:28.200 --> 0:37:31.580
<v Speaker 2>like recognizing the success of that. Yeah.

0:37:31.640 --> 0:37:37.050
<v Speaker 1>Now that we have seen Sweden's cove succeed, the model

0:37:37.090 --> 0:37:39.600
<v Speaker 1>exists and now other people can kind of follow it.

0:37:39.910 --> 0:37:43.250
<v Speaker 1>That's a really good shout there bringing up Sweden's cove

0:37:43.370 --> 0:37:46.960
<v Speaker 1>because Yeah, it took them a few years, but this

0:37:47.080 --> 0:37:52.469
<v Speaker 1>idea of the nine-hole destination rural golf course did end

0:37:52.530 --> 0:37:56.150
<v Speaker 1>up working quite well because people, one, discovered that it

0:37:56.190 --> 0:37:59.570
<v Speaker 1>was a very fun course to play, and two, discovered

0:37:59.610 --> 0:38:01.790
<v Speaker 1>that it wasn't that big of a bummer that it

0:38:01.850 --> 0:38:07.250
<v Speaker 1>was just, quote-unquote, a nine-hole course, especially considering all the

0:38:07.290 --> 0:38:10.430
<v Speaker 1>other things that the facility offered in terms of the,

0:38:11.390 --> 0:38:13.980
<v Speaker 1>for lack of a better term, the vibe and And,

0:38:14.219 --> 0:38:16.820
<v Speaker 1>you know, hanging out above the ninth green and watching

0:38:16.860 --> 0:38:19.060
<v Speaker 1>other people come in, people just had a lot of fun.

0:38:19.560 --> 0:38:21.700
<v Speaker 1>And so I guess that is, that is part of

0:38:21.739 --> 0:38:23.879
<v Speaker 1>what these short courses are going to be trying to do.

0:38:24.000 --> 0:38:27.989
<v Speaker 1>Like create a nice bar area and you go play golf,

0:38:28.050 --> 0:38:29.870
<v Speaker 1>but then you also spend a good amount of time

0:38:29.910 --> 0:38:31.910
<v Speaker 1>because you have a good amount of time because you

0:38:31.930 --> 0:38:34.190
<v Speaker 1>haven't just played a five hour round of golf. You

0:38:34.230 --> 0:38:36.670
<v Speaker 1>have a good amount of time to hang out and

0:38:36.890 --> 0:38:38.969
<v Speaker 1>just kind of chill and drink a couple of beers

0:38:39.010 --> 0:38:39.390
<v Speaker 1>or something.

0:38:40.550 --> 0:38:42.810
<v Speaker 2>Yeah, exactly. So, I mean, when you look at the,

0:38:42.950 --> 0:38:46.230
<v Speaker 2>like our situation at the half mile versus Sweden's Cove,

0:38:46.250 --> 0:38:50.670
<v Speaker 2>I mean, we're like 45 minutes from North Chicago. Uh,

0:38:51.610 --> 0:38:54.319
<v Speaker 2>we are probably an hour from Milwaukee. So, you know,

0:38:54.360 --> 0:38:57.580
<v Speaker 2>if you can convince folks from those Metro areas, if

0:38:57.620 --> 0:39:01.180
<v Speaker 2>you can dangle like some cool greens and, you know,

0:39:01.260 --> 0:39:04.259
<v Speaker 2>just the, just kind of good hand public golf that

0:39:04.719 --> 0:39:09.650
<v Speaker 2>doesn't really necessarily exist at this point in those, in those, uh,

0:39:10.420 --> 0:39:14.240
<v Speaker 2>those communities and to kind of give them a chance

0:39:14.300 --> 0:39:18.879
<v Speaker 2>to to just yeah come and you know maybe come

0:39:18.920 --> 0:39:21.600
<v Speaker 2>for a half day you know drive down hang out

0:39:21.600 --> 0:39:24.930
<v Speaker 2>you know lap this thing a couple of times come

0:39:24.930 --> 0:39:27.739
<v Speaker 2>with a group yeah sure we've got a bar. We

0:39:27.780 --> 0:39:29.700
<v Speaker 2>got a couple of bars out there. We got cocktails.

0:39:29.719 --> 0:39:31.520
<v Speaker 2>We got you covered. We have a food truck parking,

0:39:31.560 --> 0:39:33.520
<v Speaker 2>you know, we're, it's going to be a good time.

0:39:33.600 --> 0:39:37.890
<v Speaker 2>And I think there's a really big golf population in

0:39:38.050 --> 0:39:41.190
<v Speaker 2>suburban Chicago anyway, but I think when you're tapping into,

0:39:41.210 --> 0:39:44.490
<v Speaker 2>you make it make sense for folks in the Metro

0:39:44.530 --> 0:39:47.330
<v Speaker 2>markets as well. And I think it's a, it's, It's

0:39:47.350 --> 0:39:50.110
<v Speaker 2>kind of a no-brainer out there in northwestern Illinois.

0:39:51.590 --> 0:39:54.299
<v Speaker 1>Okay, so I'd like to get into the architectural side

0:39:54.320 --> 0:39:58.080
<v Speaker 1>of things a bit here. What is kind of distinctive

0:39:58.219 --> 0:40:03.110
<v Speaker 1>about short course golf architecture? What is potentially interesting about it?

0:40:04.239 --> 0:40:08.560
<v Speaker 1>Are there ways in which, for you personally, designing a

0:40:08.640 --> 0:40:13.460
<v Speaker 1>short course has freed you up as an architect? Does

0:40:13.500 --> 0:40:15.140
<v Speaker 1>it allow you to let go of certain things?

0:40:17.550 --> 0:40:20.989
<v Speaker 2>Yeah, you can get much more aggressive with greens. You know,

0:40:21.550 --> 0:40:24.930
<v Speaker 2>the variables at a short course are so much smaller.

0:40:24.950 --> 0:40:29.360
<v Speaker 2>You know, essentially folks are approaching a green from one

0:40:29.440 --> 0:40:32.040
<v Speaker 2>angle and one angle only. You know, maybe there's a

0:40:32.060 --> 0:40:34.239
<v Speaker 2>little bit of diversity angle. You can obviously kind of,

0:40:34.480 --> 0:40:37.279
<v Speaker 2>you know, get some multiple tees out there, but it

0:40:37.300 --> 0:40:40.050
<v Speaker 2>doesn't have the same kind of variables as folks playing

0:40:40.150 --> 0:40:42.430
<v Speaker 2>like a full scale golf course and all the different

0:40:42.450 --> 0:40:45.630
<v Speaker 2>things that can happen between tee and green, right? So

0:40:45.810 --> 0:40:49.129
<v Speaker 2>you're eliminating that for starters, and obviously you still need

0:40:49.150 --> 0:40:51.410
<v Speaker 2>to make the recovery shots around the green work. But,

0:40:52.969 --> 0:40:55.469
<v Speaker 2>you know, the way that I've typically approached these projects

0:40:55.550 --> 0:40:58.290
<v Speaker 2>is just to go out and think about, you know,

0:40:58.370 --> 0:41:02.490
<v Speaker 2>my favorite, what are some of the most interesting second

0:41:02.530 --> 0:41:05.739
<v Speaker 2>shots that you play out there on full-size golf courses?

0:41:05.820 --> 0:41:10.360
<v Speaker 2>We're not really, never really, it's rare to be influenced

0:41:10.420 --> 0:41:13.730
<v Speaker 2>by a, par three on these projects. It's funny, even

0:41:13.810 --> 0:41:17.970
<v Speaker 2>though they're, they're obviously par three courses. I've personally, I've

0:41:17.989 --> 0:41:22.920
<v Speaker 2>been taking more inspiration from, uh, really interesting second shots on,

0:41:23.100 --> 0:41:25.460
<v Speaker 2>on par fours and third shots on par fives and

0:41:25.480 --> 0:41:27.700
<v Speaker 2>trying to integrate some of those shots into the golf course.

0:41:28.300 --> 0:41:31.820
<v Speaker 2>So just to, to make it really, you know, so

0:41:32.340 --> 0:41:34.150
<v Speaker 2>if we go to the loop at Chaska, you know,

0:41:34.190 --> 0:41:37.649
<v Speaker 2>we built like a, a kind of May West, the Alps,

0:41:37.670 --> 0:41:41.469
<v Speaker 2>the green, um, You know, we built a version of,

0:41:41.489 --> 0:41:45.260
<v Speaker 2>a little mini version of the Cape Green and Mid-Ocean Club.

0:41:45.540 --> 0:41:49.020
<v Speaker 2>We built, you know, Brett built a crazy kind of

0:41:49.060 --> 0:41:52.200
<v Speaker 2>double punch bowl plateau kind of arrangement there on the second.

0:41:52.320 --> 0:41:56.799
<v Speaker 2>We built a little double plateau. You know, we built

0:41:56.860 --> 0:41:59.740
<v Speaker 2>a kind of just tilty, old-fashioned kind of pizza box

0:41:59.760 --> 0:42:03.379
<v Speaker 2>style green. So, you know, the opportunity to just throw

0:42:03.420 --> 0:42:06.120
<v Speaker 2>out like a bunch of really diverse greens, but, you know,

0:42:07.040 --> 0:42:10.820
<v Speaker 2>greens that you might be you know, attacking with a

0:42:10.880 --> 0:42:13.000
<v Speaker 2>second shot on a, on a full size golf course.

0:42:13.920 --> 0:42:15.640
<v Speaker 2>But yeah, just, just integrating some of those, you know,

0:42:15.880 --> 0:42:19.020
<v Speaker 2>half mile, we, we went deep, you know, went to

0:42:19.360 --> 0:42:22.140
<v Speaker 2>the North Berwick well, and we, we got a version

0:42:22.160 --> 0:42:24.370
<v Speaker 2>of the 16th green out there. We did a, you know,

0:42:24.390 --> 0:42:26.629
<v Speaker 2>a hole with a stone hole with a stone wall

0:42:26.670 --> 0:42:29.330
<v Speaker 2>in front of it, kind of recreating that second shot

0:42:29.370 --> 0:42:30.690
<v Speaker 2>into the 13th, the North Berwick.

0:42:32.390 --> 0:42:32.670
<v Speaker 1>Yeah.

0:42:32.730 --> 0:42:37.989
<v Speaker 2>Just, just some really like diverse, quirky shots. like a

0:42:38.070 --> 0:42:40.569
<v Speaker 2>collection of just really, really interesting greens. And I think

0:42:40.590 --> 0:42:43.319
<v Speaker 2>if you can nail that and then get the overall,

0:42:43.360 --> 0:42:45.739
<v Speaker 2>so like the loop, the thing that defines the loop

0:42:45.800 --> 0:42:48.239
<v Speaker 2>is like this giant wetland restoration project that we did

0:42:48.280 --> 0:42:50.340
<v Speaker 2>in the middle. Like that's very much the character of

0:42:50.400 --> 0:42:53.680
<v Speaker 2>that property. Uh, the half mile, you know, we've built

0:42:53.860 --> 0:42:56.810
<v Speaker 2>just a bunch of creeks and the interaction between these

0:42:56.890 --> 0:42:58.790
<v Speaker 2>creeks and the golf holes is really going to be

0:42:59.190 --> 0:43:00.830
<v Speaker 2>the kind of character on that property. But that was

0:43:00.890 --> 0:43:03.170
<v Speaker 2>also a function of having to, you know, to make

0:43:03.210 --> 0:43:08.210
<v Speaker 2>the kind of floods um, mitigation, alleviation, the, the compensatory

0:43:08.230 --> 0:43:11.710
<v Speaker 2>storage thing work out there. So, um, yeah, so I

0:43:11.770 --> 0:43:15.879
<v Speaker 2>think you can, you can add, there's just a lot

0:43:15.900 --> 0:43:18.620
<v Speaker 2>of detail. Like it's quite an immersive experience. Like when you're,

0:43:18.660 --> 0:43:21.879
<v Speaker 2>when you're on the half mile, there's a lot going

0:43:21.920 --> 0:43:24.020
<v Speaker 2>on around you. There's a lot of greens around. There's

0:43:24.060 --> 0:43:26.819
<v Speaker 2>a lot of like really kind of cool features, you know,

0:43:26.900 --> 0:43:29.370
<v Speaker 2>winding through all the greens and kind of giving the

0:43:29.410 --> 0:43:32.430
<v Speaker 2>holes like a little bit of, um, sort of physical separation,

0:43:32.469 --> 0:43:36.469
<v Speaker 2>if not visual separation. And, um, yeah it's just kind

0:43:36.489 --> 0:43:38.730
<v Speaker 2>of as you turn through that property it's just kind

0:43:38.790 --> 0:43:42.410
<v Speaker 2>of cool green after cool green and you know neat

0:43:42.510 --> 0:43:45.030
<v Speaker 2>kind of views that just have a lot of golf

0:43:45.090 --> 0:43:47.350
<v Speaker 2>in them like you're just in a golf playground right

0:43:47.410 --> 0:43:50.110
<v Speaker 2>it's a it's a very different experience to being on

0:43:50.150 --> 0:43:53.770
<v Speaker 2>a full-size golf course typically and uh you know to

0:43:53.790 --> 0:43:55.489
<v Speaker 2>the earlier point if you combine that with a good

0:43:55.530 --> 0:43:57.969
<v Speaker 2>hang and a degree of freedom to to enjoy the

0:43:58.010 --> 0:43:59.890
<v Speaker 2>golf course the way that you feel like enjoying at

0:43:59.930 --> 0:44:03.010
<v Speaker 2>that particular time um these things can just be incredibly

0:44:03.050 --> 0:44:07.360
<v Speaker 2>popular and you know you can not necessarily charge accordingly,

0:44:07.420 --> 0:44:11.320
<v Speaker 2>but like, it's not like, uh, this is somewhere between

0:44:11.360 --> 0:44:16.100
<v Speaker 2>like a premium golf product and, uh, you know, you,

0:44:16.180 --> 0:44:18.450
<v Speaker 2>you can, you can price it in a way where

0:44:19.239 --> 0:44:25.730
<v Speaker 2>the conditioning can be, you know, comparable to, you know,

0:44:25.770 --> 0:44:29.690
<v Speaker 2>playing like a really elite condition golf course. I think

0:44:29.710 --> 0:44:32.739
<v Speaker 2>you can, you can make that, Because again, you're just

0:44:32.800 --> 0:44:37.840
<v Speaker 2>focusing all of your maintenance expertise and resources into a

0:44:38.580 --> 0:44:42.960
<v Speaker 2>relatively small area. So with a relatively modest budget compared

0:44:42.980 --> 0:44:44.320
<v Speaker 2>to a normal golf course, you can still have the

0:44:44.360 --> 0:44:47.870
<v Speaker 2>thing singing. I mean, it can be very fun. Very

0:44:47.910 --> 0:44:48.950
<v Speaker 2>fun playing conditions out there.

0:44:49.690 --> 0:44:54.529
<v Speaker 1>Yeah, the maintenance is much more concentrated and efficient for

0:44:54.570 --> 0:44:58.430
<v Speaker 1>sure because you're not maintaining a massive property. Of course,

0:44:58.469 --> 0:45:00.800
<v Speaker 1>it also means that the play, the wear and tear,

0:45:01.489 --> 0:45:05.049
<v Speaker 1>is more concentrated as well on, on teas and greens. And,

0:45:05.260 --> 0:45:08.230
<v Speaker 1>and that does create some challenges. I've, I've talked to, uh, uh,

0:45:08.920 --> 0:45:11.140
<v Speaker 1>the people at sand Valley about this before. And, and,

0:45:11.360 --> 0:45:13.640
<v Speaker 1>you know, that, that is a tough job, but if

0:45:13.680 --> 0:45:16.020
<v Speaker 1>you can spread out the wear and tear through different

0:45:16.040 --> 0:45:19.739
<v Speaker 1>pin positions and different T positions, then, then you really, uh,

0:45:20.530 --> 0:45:22.870
<v Speaker 1>help yourself there. But yeah, I mean, short courses are,

0:45:23.150 --> 0:45:27.750
<v Speaker 1>are unique in terms of this concentration of everything, right?

0:45:27.890 --> 0:45:30.290
<v Speaker 1>Concentration of players. When you're on a short course, you

0:45:30.350 --> 0:45:33.860
<v Speaker 1>feel like, you're really social because there are other players

0:45:34.480 --> 0:45:37.279
<v Speaker 1>right close to you. And you also feel like there's,

0:45:37.560 --> 0:45:41.520
<v Speaker 1>there's cool golf features everywhere because they're, they're all within

0:45:42.239 --> 0:45:45.790
<v Speaker 1>your site kind of right. There's the, you see more,

0:45:45.950 --> 0:45:49.790
<v Speaker 1>it's more information dense, I guess. And that's, that's gotta

0:45:49.830 --> 0:45:52.049
<v Speaker 1>be fun for an architect because as an architect, you're

0:45:52.070 --> 0:45:55.170
<v Speaker 1>always thinking about what is the player seeing from any

0:45:55.210 --> 0:45:57.710
<v Speaker 1>given point on the property. Well, when you're designing a

0:45:57.730 --> 0:46:00.580
<v Speaker 1>short course, as opposed to a regulation course, you really

0:46:00.620 --> 0:46:04.319
<v Speaker 1>get to do a lot with those sight lines compared to,

0:46:04.340 --> 0:46:08.219
<v Speaker 1>you know, what you would do at a much bigger property, right?

0:46:09.260 --> 0:46:11.680
<v Speaker 2>Yeah, absolutely. I mean, one of my favorite pictures out

0:46:11.700 --> 0:46:14.799
<v Speaker 2>at the loop at Chaska is there's a stack of

0:46:14.880 --> 0:46:19.500
<v Speaker 2>four greens from like right across the property that, you know,

0:46:19.520 --> 0:46:21.620
<v Speaker 2>they all kind of more or less line up and

0:46:21.640 --> 0:46:23.660
<v Speaker 2>you've just got kind of flag after flag after flag

0:46:23.700 --> 0:46:26.299
<v Speaker 2>and really interesting diverse greens kind of coming in from

0:46:26.320 --> 0:46:28.900
<v Speaker 2>different angles. Like it looks super, super cool. So as

0:46:28.920 --> 0:46:31.400
<v Speaker 2>you turn around and kind of look through the property,

0:46:31.420 --> 0:46:34.520
<v Speaker 2>you get all these really interesting looks of like very,

0:46:34.560 --> 0:46:39.009
<v Speaker 2>very dense golf. And, you know, to your earlier point,

0:46:40.330 --> 0:46:45.710
<v Speaker 2>the size of those features is, I would say that

0:46:45.750 --> 0:46:48.190
<v Speaker 2>what we've done at the Half Mile is like pretty

0:46:48.770 --> 0:46:53.680
<v Speaker 2>whimsical golf architecture. Like we have our square footage of

0:46:53.739 --> 0:46:56.510
<v Speaker 2>our greens out there for 10 greens is, you know,

0:46:56.550 --> 0:46:58.610
<v Speaker 2>probably bigger than it would be on an 18 hole

0:46:58.630 --> 0:47:01.910
<v Speaker 2>golf course. The square footage of the teas out there is,

0:47:02.190 --> 0:47:04.670
<v Speaker 2>you know, bigger than the greens. So it's, it's essentially

0:47:04.810 --> 0:47:07.690
<v Speaker 2>just the way we looked at it was that the

0:47:07.810 --> 0:47:09.910
<v Speaker 2>areas that when you look at, you know, a drone

0:47:09.930 --> 0:47:12.049
<v Speaker 2>shot of the half mile, the areas that would appear

0:47:12.070 --> 0:47:14.430
<v Speaker 2>to be fairways are essentially all just treated as teas

0:47:14.510 --> 0:47:17.490
<v Speaker 2>and drained and constructed as teas. So, I mean, you're,

0:47:17.590 --> 0:47:22.070
<v Speaker 2>you can essentially tee up anywhere and, uh, And yeah,

0:47:22.150 --> 0:47:24.830
<v Speaker 2>the greens are enormous. You know, one of the things

0:47:24.890 --> 0:47:27.170
<v Speaker 2>I think we wanted to do was to potentially support

0:47:27.210 --> 0:47:29.469
<v Speaker 2>like two flag setups. Again, same as we do at

0:47:29.489 --> 0:47:32.910
<v Speaker 2>Sweden's Cove. I'm not sure that would necessarily be like

0:47:32.930 --> 0:47:37.250
<v Speaker 2>a day-to-day setup thing. But I think having the opportunity

0:47:37.290 --> 0:47:40.590
<v Speaker 2>to do that for specific groups, I think is a

0:47:40.610 --> 0:47:44.049
<v Speaker 2>very cool thing and just helps to let people, you know,

0:47:44.850 --> 0:47:47.489
<v Speaker 2>get off the 10th hole and immediately think about going

0:47:47.530 --> 0:47:49.450
<v Speaker 2>back to the first hole and like, let's, let's play

0:47:49.489 --> 0:47:51.990
<v Speaker 2>this thing differently or let's play cross country or whatever

0:47:52.030 --> 0:47:55.509
<v Speaker 2>it is. Just, you know, shouldn't be too hard to

0:47:55.550 --> 0:47:56.739
<v Speaker 2>have fun out there. Let's put it that way.

0:47:57.890 --> 0:47:59.779
<v Speaker 1>So to go back to one of your earlier points,

0:47:59.840 --> 0:48:02.219
<v Speaker 1>I want to make sure I understood you correctly when

0:48:02.239 --> 0:48:04.719
<v Speaker 1>you're talking about why you could be a little more

0:48:04.800 --> 0:48:08.600
<v Speaker 1>bold with short course greens. Does that have something to

0:48:08.640 --> 0:48:10.540
<v Speaker 1>do with the fact that players are playing them from

0:48:10.700 --> 0:48:13.700
<v Speaker 1>only one direction and you don't need to be quite

0:48:13.760 --> 0:48:18.299
<v Speaker 1>as conservative? with the contours as you would if you're

0:48:18.320 --> 0:48:21.760
<v Speaker 1>trying to accommodate, you know, a number of different approach

0:48:21.780 --> 0:48:24.049
<v Speaker 1>shots that they might be hitting into the green? Is

0:48:24.070 --> 0:48:26.210
<v Speaker 1>that kind of what your argument would be?

0:48:27.730 --> 0:48:31.569
<v Speaker 2>So I, like the way I look at golf architecture

0:48:31.610 --> 0:48:34.710
<v Speaker 2>and the way I play golf as someone who grew

0:48:34.750 --> 0:48:38.989
<v Speaker 2>up in Scotland, I'm looking at so I think we'll

0:48:39.010 --> 0:48:40.570
<v Speaker 2>come back to like, you're the main part of your question,

0:48:40.610 --> 0:48:43.700
<v Speaker 2>but like, I'm looking at like aerial approaches to running

0:48:43.739 --> 0:48:46.680
<v Speaker 2>approaches to like hitting a putter on all, basically all

0:48:46.700 --> 0:48:49.020
<v Speaker 2>of these holes, the trajectory that a golf ball is,

0:48:49.239 --> 0:48:52.940
<v Speaker 2>is coming in towards these greens is, is, you know, there,

0:48:53.000 --> 0:48:56.450
<v Speaker 2>there's a lot of variability. There's a lot of, uh,

0:48:56.510 --> 0:48:59.770
<v Speaker 2>you know, option to play different trajectory shots into these

0:48:59.830 --> 0:49:05.049
<v Speaker 2>things and to use little contours to bank into certain pins. But, um, yeah, it,

0:49:05.780 --> 0:49:11.580
<v Speaker 2>To your main point, like there's a far smaller spread of,

0:49:11.630 --> 0:49:13.790
<v Speaker 2>you know, where golf balls could potentially be coming into

0:49:13.810 --> 0:49:16.210
<v Speaker 2>the green from. So, you know, you can afford to

0:49:16.230 --> 0:49:18.100
<v Speaker 2>be like a little a little bit more aggressive than

0:49:18.140 --> 0:49:20.719
<v Speaker 2>you would in an 18 hole setting. Like, absolutely. I mean,

0:49:21.239 --> 0:49:29.220
<v Speaker 2>it's just all about those variables and the, um, you know, relatively,

0:49:29.239 --> 0:49:34.839
<v Speaker 2>you know, similar, um, you know, playing lines into each green. But,

0:49:34.989 --> 0:49:36.989
<v Speaker 2>you know, we, we obviously, the way we were thinking

0:49:37.030 --> 0:49:39.690
<v Speaker 2>about the half mile was to, to, to create some

0:49:39.730 --> 0:49:42.250
<v Speaker 2>kind of cross country options out there. So, you know,

0:49:42.310 --> 0:49:44.630
<v Speaker 2>there's some greens that would be, you know, if you,

0:49:45.610 --> 0:49:47.350
<v Speaker 2>I mean, there's certain greens like on a, on an

0:49:47.350 --> 0:49:48.790
<v Speaker 2>18 year old golf course, like if you were trying

0:49:48.810 --> 0:49:51.350
<v Speaker 2>to play into a Redan from the wrong sides, like, right,

0:49:51.450 --> 0:49:54.130
<v Speaker 2>good luck. Right. So, you know, they're, they're not necessarily

0:49:54.170 --> 0:49:57.469
<v Speaker 2>going to work from every angle, but I think, you know,

0:49:57.489 --> 0:49:59.470
<v Speaker 2>that's up to golfers to figure that out for themselves.

0:49:59.510 --> 0:50:01.569
<v Speaker 2>You know, there'll be some extremely hard shots out there.

0:50:01.630 --> 0:50:04.190
<v Speaker 2>You might have to, to use a little contour somewhere

0:50:04.230 --> 0:50:06.529
<v Speaker 2>over there to kind of bank, stun it and kind

0:50:06.570 --> 0:50:08.190
<v Speaker 2>of bank it around and get it to the green.

0:50:08.250 --> 0:50:10.790
<v Speaker 2>But yeah, there'll be a, there'll be lots of fun

0:50:10.810 --> 0:50:12.850
<v Speaker 2>to be had on those greens. Yeah.

0:50:12.950 --> 0:50:16.109
<v Speaker 1>I think another factor here is that golfers are just

0:50:16.469 --> 0:50:19.640
<v Speaker 1>taking themselves a little bit less seriously on a short

0:50:19.680 --> 0:50:23.919
<v Speaker 1>course than they are on a regulation course. You know, the, the,

0:50:24.040 --> 0:50:27.040
<v Speaker 1>the score, the, the, the handicap is, is not as

0:50:27.100 --> 0:50:29.640
<v Speaker 1>much a part of the picture for them when, when

0:50:29.660 --> 0:50:32.990
<v Speaker 1>they're playing these courses and, And so they can loosen

0:50:33.050 --> 0:50:36.570
<v Speaker 1>up a little bit and maybe accept really bold green

0:50:36.630 --> 0:50:40.050
<v Speaker 1>features in a way that they might not normally. I

0:50:40.640 --> 0:50:43.000
<v Speaker 1>know I sort of find myself reacting that way to

0:50:43.040 --> 0:50:47.440
<v Speaker 1>short courses myself, even though I'm fine with big, bold

0:50:47.480 --> 0:50:50.719
<v Speaker 1>greens at normal regulation courses. But when I'm playing a

0:50:50.760 --> 0:50:54.969
<v Speaker 1>short course, it's not even something that's in consideration for me,

0:50:55.030 --> 0:50:58.750
<v Speaker 1>whether I find this green to be too severe or

0:50:59.130 --> 0:51:02.549
<v Speaker 1>gimmicky or whatever else. I'm just not I'm not in

0:51:02.590 --> 0:51:05.250
<v Speaker 1>that frame of mind, right. When I'm playing a short course.

0:51:05.290 --> 0:51:08.230
<v Speaker 2>Yeah, exactly. Exactly. And I, like, I think with a

0:51:08.270 --> 0:51:10.270
<v Speaker 2>short course, just like with a full golf course, it's

0:51:10.330 --> 0:51:13.109
<v Speaker 2>important to have some rhythm and cadence to the run, right.

0:51:13.150 --> 0:51:16.989
<v Speaker 2>You don't want to just have, you know, it's not

0:51:17.090 --> 0:51:20.370
<v Speaker 2>kind of full accelerator or like full throttle on every hole.

0:51:20.570 --> 0:51:23.129
<v Speaker 2>You know, you're looking for some, some more, some more

0:51:23.170 --> 0:51:26.210
<v Speaker 2>subtle greens. You're looking for some, you know, just to,

0:51:26.310 --> 0:51:30.120
<v Speaker 2>just to set up like different shots, uh, just to,

0:51:30.200 --> 0:51:33.359
<v Speaker 2>to give people, um, you know, chance to, you know,

0:51:33.420 --> 0:51:36.140
<v Speaker 2>have sort of high points and, and, you know, quieter

0:51:36.200 --> 0:51:37.680
<v Speaker 2>points in the round and so on and so forth.

0:51:37.719 --> 0:51:40.600
<v Speaker 2>I mean, that's, that's important in short course architecture, full

0:51:40.620 --> 0:51:42.279
<v Speaker 2>size architecture. Yeah.

0:51:43.410 --> 0:51:47.089
<v Speaker 1>Now to, to address the other side of this, there

0:51:47.170 --> 0:51:49.790
<v Speaker 1>are a lot of fun opportunities for architecture at short

0:51:49.830 --> 0:51:52.930
<v Speaker 1>course at short courses. You know, it, it, it does

0:51:53.570 --> 0:51:55.509
<v Speaker 1>you know, we've, we've, we've talked about that. I can

0:51:55.550 --> 0:51:58.310
<v Speaker 1>see how a golf architect might find this kind of architecture,

0:51:58.370 --> 0:52:02.989
<v Speaker 1>very fun and, and kind of, Like the governor is

0:52:03.130 --> 0:52:06.740
<v Speaker 1>off in a lot of ways. At the same time,

0:52:06.760 --> 0:52:11.000
<v Speaker 1>I have heard some golfers say that after a while,

0:52:11.800 --> 0:52:16.900
<v Speaker 1>they find short courses maybe a little bit boring or

0:52:17.460 --> 0:52:21.360
<v Speaker 1>repetitive to a degree, right? And I think that the

0:52:21.380 --> 0:52:25.259
<v Speaker 1>reason for that is very simple, and that's that regulation

0:52:25.340 --> 0:52:30.490
<v Speaker 1>courses have a key advantage in terms of hole-to-hole variety.

0:52:31.560 --> 0:52:34.920
<v Speaker 1>they get to use a few par threes, a bunch

0:52:34.960 --> 0:52:38.310
<v Speaker 1>of par fours, and a few par fives. And so

0:52:38.390 --> 0:52:41.469
<v Speaker 1>just in terms of length of hole and the number

0:52:41.510 --> 0:52:44.950
<v Speaker 1>of shots that you hit on a certain hole, regulation

0:52:45.010 --> 0:52:49.680
<v Speaker 1>courses can differentiate their holes from each other much more effectively.

0:52:50.360 --> 0:52:54.360
<v Speaker 1>At short courses, generally your tool is just par threes.

0:52:54.900 --> 0:52:56.980
<v Speaker 1>Now there are some short courses being built right now

0:52:57.040 --> 0:53:02.310
<v Speaker 1>that interestingly incorporate par fours or even par fives with,

0:53:02.710 --> 0:53:05.110
<v Speaker 1>you know, a concentration of par threes. I'm thinking of

0:53:05.170 --> 0:53:08.759
<v Speaker 1>the commons at sand Valley or, uh, Dave Zinkan's course at,

0:53:08.960 --> 0:53:11.799
<v Speaker 1>at to Chessie Creek there, there are some longer holes

0:53:11.880 --> 0:53:14.219
<v Speaker 1>on those horse, uh, on those courses while at the

0:53:14.260 --> 0:53:18.259
<v Speaker 1>same time, they are clearly short courses, but most short

0:53:18.320 --> 0:53:20.690
<v Speaker 1>courses and the ones that you've built are all par threes.

0:53:21.530 --> 0:53:25.989
<v Speaker 1>So how do you deal with that limitation? Like how

0:53:26.010 --> 0:53:28.450
<v Speaker 1>do you create whole to whole variety of, When the

0:53:28.530 --> 0:53:30.290
<v Speaker 1>only tool at your disposal is the par three.

0:53:31.810 --> 0:53:34.969
<v Speaker 2>So, well, the loop actually has one par four and

0:53:35.730 --> 0:53:37.250
<v Speaker 2>the par four that we snuck in there. We just

0:53:37.290 --> 0:53:39.430
<v Speaker 2>had like one part of the property that was suitable

0:53:39.469 --> 0:53:41.920
<v Speaker 2>for hitting for like a, an elite player to hit

0:53:41.960 --> 0:53:44.359
<v Speaker 2>driver in. Right. So we're like, okay, well, let's take

0:53:44.380 --> 0:53:46.620
<v Speaker 2>advantage of this one part of the property. And essentially

0:53:46.640 --> 0:53:48.880
<v Speaker 2>this is like a par five for kids, right. Or

0:53:48.940 --> 0:53:50.739
<v Speaker 2>par six for kids, probably par five from kids for

0:53:50.760 --> 0:53:53.620
<v Speaker 2>the front T. But yeah, it was just, we just

0:53:53.660 --> 0:53:56.170
<v Speaker 2>had one part of the property that was you know,

0:53:56.250 --> 0:53:59.989
<v Speaker 2>between a railway line, property line and the wetland that

0:54:00.030 --> 0:54:01.790
<v Speaker 2>was kind of wide enough to just let people have

0:54:01.830 --> 0:54:04.630
<v Speaker 2>like a big old swing out there. So we were like, okay, cool.

0:54:04.690 --> 0:54:09.870
<v Speaker 2>Let's keep that one long hole, our long hole out there. But,

0:54:10.250 --> 0:54:13.510
<v Speaker 2>you know, more so than like the variety of like

0:54:13.640 --> 0:54:15.540
<v Speaker 2>length of shots, it's like the type of shots that

0:54:15.560 --> 0:54:17.900
<v Speaker 2>we're encouraging people to hit. And like, you're talking to

0:54:17.920 --> 0:54:22.120
<v Speaker 2>like a Scottish Lynx kid here, right? So, I mean,

0:54:22.280 --> 0:54:25.470
<v Speaker 2>I would hope that you know, folks at the half mile,

0:54:25.750 --> 0:54:30.310
<v Speaker 2>certainly when I'm playing the half mile from hole to hole,

0:54:30.330 --> 0:54:33.130
<v Speaker 2>I might be pulling, and these holes are all, you know,

0:54:33.150 --> 0:54:35.770
<v Speaker 2>a hundred and a hundred yards of change there, thereabouts.

0:54:36.450 --> 0:54:38.820
<v Speaker 2>I'll be pulling anything from six iron to nine iron

0:54:38.840 --> 0:54:42.060
<v Speaker 2>to wedge to putter on these golf holes, just to,

0:54:42.360 --> 0:54:47.360
<v Speaker 2>you know, so that the, the, the proposition is, is

0:54:47.460 --> 0:54:50.340
<v Speaker 2>quite diverse. And, you know, I think depending on the

0:54:50.380 --> 0:54:53.250
<v Speaker 2>pin positions they're using out there, There's some pin positions

0:54:53.310 --> 0:54:55.850
<v Speaker 2>which are very conducive to a running approach. You know,

0:54:55.890 --> 0:54:58.710
<v Speaker 2>others are aerial, others might be, well, it makes it

0:54:58.730 --> 0:55:00.870
<v Speaker 2>a no-brainer to pull a putter on that thing. I mean,

0:55:00.890 --> 0:55:04.680
<v Speaker 2>I was playing the Commons last week. I mean, I

0:55:04.739 --> 0:55:07.319
<v Speaker 2>was pulling putter on some par threes of the Commons, right?

0:55:07.400 --> 0:55:10.160
<v Speaker 2>I mean, especially there where it's fescue, like to me,

0:55:10.200 --> 0:55:13.120
<v Speaker 2>that's a no-brainer. I mean, I'm almost happier just like

0:55:13.200 --> 0:55:17.770
<v Speaker 2>bunting a putter up there than pulling wedge. But no,

0:55:17.790 --> 0:55:19.870
<v Speaker 2>I think it's the variety of shots that we're encouraging

0:55:19.910 --> 0:55:23.860
<v Speaker 2>people to hit. And, you know, I'm not, expecting everyone

0:55:23.880 --> 0:55:26.160
<v Speaker 2>to necessarily see the same shots that I see because

0:55:26.200 --> 0:55:28.140
<v Speaker 2>I grew up in North Berwick and that's just the

0:55:28.180 --> 0:55:31.339
<v Speaker 2>shots that you kind of have to hit. But yeah,

0:55:31.400 --> 0:55:34.439
<v Speaker 2>I would like to think that over time people will

0:55:34.460 --> 0:55:36.799
<v Speaker 2>start to see some of those shots and find sort

0:55:36.820 --> 0:55:39.549
<v Speaker 2>of ways to play the half mile without just kind

0:55:39.590 --> 0:55:42.790
<v Speaker 2>of default pulling wedge on every hole. Yeah.

0:55:43.610 --> 0:55:45.650
<v Speaker 1>Do you think there's such a thing as a strategic

0:55:45.710 --> 0:55:49.900
<v Speaker 1>par three? I've had this discussion before. I kind of like...

0:55:50.340 --> 0:55:54.580
<v Speaker 1>Because usually the way we think about strategic design has

0:55:54.600 --> 0:55:58.290
<v Speaker 1>to do with the interaction between two full shots, right?

0:55:58.710 --> 0:56:03.610
<v Speaker 1>And the relationship between where you place your drive and

0:56:03.670 --> 0:56:06.170
<v Speaker 1>what the resulting approach shot is. And so when it

0:56:06.210 --> 0:56:08.250
<v Speaker 1>comes to a par three, it's a little hard to

0:56:08.710 --> 0:56:10.410
<v Speaker 1>sort out what strategy is there.

0:56:11.430 --> 0:56:15.020
<v Speaker 2>Well, I think the main thing is just knowing where

0:56:15.060 --> 0:56:20.130
<v Speaker 2>to miss. Knowing if you... Depending on the situation in

0:56:20.170 --> 0:56:23.250
<v Speaker 2>your match or depending on what number you need to get,

0:56:23.310 --> 0:56:26.719
<v Speaker 2>if you have a scorecard in your hand, you're just

0:56:26.760 --> 0:56:29.940
<v Speaker 2>trying to eliminate some. There should be some risks on

0:56:29.980 --> 0:56:31.920
<v Speaker 2>a par three. If you think about the great par threes,

0:56:31.980 --> 0:56:35.540
<v Speaker 2>like there's ways to hang yourself, right? So I think

0:56:35.580 --> 0:56:40.129
<v Speaker 2>when you have some really sort of severe features, take

0:56:40.170 --> 0:56:44.020
<v Speaker 2>a Calamity, take a Redan, you know, the devil's divot

0:56:44.060 --> 0:56:46.890
<v Speaker 2>at Girono or something like that, right? Some of these

0:56:47.130 --> 0:56:51.310
<v Speaker 2>classic par threes where, you know, if you hit like

0:56:52.070 --> 0:56:55.190
<v Speaker 2>the shot that you should never, never hit, you could

0:56:55.210 --> 0:56:59.009
<v Speaker 2>be having like a really big number. And then, you know,

0:56:59.030 --> 0:57:02.300
<v Speaker 2>I think the strategy in that is if you have to,

0:57:02.600 --> 0:57:04.600
<v Speaker 2>you have to understand what the miss is. And if it's,

0:57:04.800 --> 0:57:07.160
<v Speaker 2>let's just take North Berger Dan, if you need a

0:57:07.200 --> 0:57:09.839
<v Speaker 2>number there, you're hitting it long left every time. And

0:57:09.860 --> 0:57:11.839
<v Speaker 2>like hitting it long left is not bailout. Like you

0:57:11.880 --> 0:57:15.620
<v Speaker 2>need to, pool more club you need to think about

0:57:15.640 --> 0:57:18.180
<v Speaker 2>the fact that like okay i'm you know best case

0:57:18.200 --> 0:57:19.830
<v Speaker 2>scenario i want this to land kind of middle of

0:57:19.870 --> 0:57:21.810
<v Speaker 2>the green roll out through the back left and then

0:57:21.850 --> 0:57:25.110
<v Speaker 2>i've got you know a relatively straightforward putter chip back

0:57:25.170 --> 0:57:26.510
<v Speaker 2>up the green i've got a really good chance of

0:57:26.530 --> 0:57:28.990
<v Speaker 2>making three you know if you need a two that's

0:57:29.010 --> 0:57:31.360
<v Speaker 2>a different story altogether but um i i think if

0:57:31.380 --> 0:57:33.480
<v Speaker 2>you want to talk strategy par threes it's just about

0:57:34.460 --> 0:57:36.180
<v Speaker 2>where you miss it when you need to make a

0:57:36.200 --> 0:57:36.920
<v Speaker 2>certain number.

0:57:37.880 --> 0:57:41.660
<v Speaker 1>It makes me think of this yardage guide that the

0:57:41.740 --> 0:57:46.110
<v Speaker 1>architect Mike Kaprowski made for Broom Sedge in South Carolina.

0:57:46.650 --> 0:57:51.010
<v Speaker 1>Really cool kind of hand-drawn yardage guide that Mike made.

0:57:51.910 --> 0:57:56.570
<v Speaker 1>But the funniest part of it is how he labeled

0:57:56.590 --> 0:58:01.630
<v Speaker 1>the surrounds of each green, where some parts he would

0:58:01.670 --> 0:58:07.120
<v Speaker 1>write good, Other parts he would write bad, other parts

0:58:07.220 --> 0:58:08.460
<v Speaker 1>he would write horrible.

0:58:08.820 --> 0:58:08.960
<v Speaker 2>Yeah.

0:58:10.180 --> 0:58:12.240
<v Speaker 1>And so it's, it's kind of, but that's, it's such

0:58:12.260 --> 0:58:14.780
<v Speaker 1>a great way to think about what the strategy of

0:58:14.940 --> 0:58:17.080
<v Speaker 1>an approach shot or the strategy of a tee shot

0:58:17.140 --> 0:58:20.280
<v Speaker 1>on a par three might be. You have your good,

0:58:20.320 --> 0:58:24.400
<v Speaker 1>your bad and your horrible misses. And if the pin

0:58:24.460 --> 0:58:27.540
<v Speaker 1>happens to be near a horrible miss, then this, then

0:58:27.580 --> 0:58:30.820
<v Speaker 1>the risk reward question is how much do you go

0:58:30.860 --> 0:58:36.170
<v Speaker 1>at that pin? And on a Redan, the pin is

0:58:36.190 --> 0:58:39.660
<v Speaker 1>going to usually be in the back there, and that

0:58:39.720 --> 0:58:44.480
<v Speaker 1>is an interesting strategic scenario, because where do you miss

0:58:44.560 --> 0:58:46.780
<v Speaker 1>around there? You really don't want to be short, you

0:58:46.820 --> 0:58:49.060
<v Speaker 1>really don't want to be long right, but long left

0:58:49.140 --> 0:58:49.860
<v Speaker 1>is kind of okay.

0:58:50.880 --> 0:58:54.060
<v Speaker 2>Yeah, I think it's the essence of a great par 3.

0:58:54.060 --> 0:58:56.300
<v Speaker 2>If you have to attack it, it is gettable, but

0:58:56.500 --> 0:58:58.840
<v Speaker 2>if you have to make a score, you can try

0:58:58.880 --> 0:59:01.380
<v Speaker 2>and mitigate some risk. Yeah.

0:59:01.770 --> 0:59:04.360
<v Speaker 1>Yeah, and if you can work those options out really

0:59:04.360 --> 0:59:06.770
<v Speaker 1>clearly in the design of a short course par three,

0:59:06.810 --> 0:59:09.820
<v Speaker 1>then you start to have something that's, that's pretty dynamic,

0:59:09.880 --> 0:59:14.100
<v Speaker 1>you know, depending on, uh, on pin position. Um, so

0:59:14.240 --> 0:59:16.180
<v Speaker 1>I want to, uh, uh, talk with you a little

0:59:16.220 --> 0:59:19.320
<v Speaker 1>bit about just short courses that you've seen. What, what,

0:59:19.400 --> 0:59:23.620
<v Speaker 1>what does a successful short course look like, uh, aside

0:59:23.660 --> 0:59:29.680
<v Speaker 1>from the Do you have, are there short courses that

0:59:29.720 --> 0:59:33.730
<v Speaker 1>come to mind for you as, as inspirations or, or

0:59:33.850 --> 0:59:36.110
<v Speaker 1>ones that, that really stand out above the rest as,

0:59:36.710 --> 0:59:38.170
<v Speaker 1>as kind of classics of the genre?

0:59:40.870 --> 0:59:43.070
<v Speaker 2>So we obviously have to start with North Barrett kids course.

0:59:43.260 --> 0:59:44.720
<v Speaker 2>I mean, which was originally.

0:59:45.280 --> 0:59:49.760
<v Speaker 1>For people unfamiliar, kids course at North Barrett, like where

0:59:49.860 --> 0:59:50.840
<v Speaker 1>is it? What is it like?

0:59:51.500 --> 0:59:54.960
<v Speaker 2>Yeah, yeah, yeah. So nine hole course actually opened in

0:59:54.980 --> 0:59:58.180
<v Speaker 2>the 1880s there, thereabouts. It was originally the ladies golf course.

0:59:59.400 --> 1:00:02.740
<v Speaker 2>I think the ladies for maybe five or 10 years,

1:00:03.520 --> 1:00:05.580
<v Speaker 2>you know, played there and then they were like, yeah,

1:00:05.800 --> 1:00:08.920
<v Speaker 2>we're just going to play the big course. So, so yeah,

1:00:08.980 --> 1:00:12.960
<v Speaker 2>it's been a dedicated kids course for over a hundred years. And,

1:00:13.020 --> 1:00:17.340
<v Speaker 2>you know, it just like, it's, it has a remarkable

1:00:17.440 --> 1:00:22.480
<v Speaker 2>variety and, and really stand out memorability on the golf holes. So,

1:00:22.500 --> 1:00:25.200
<v Speaker 2>you know, you have a punch bowl green, you have

1:00:25.220 --> 1:00:27.820
<v Speaker 2>an uphill hole, you have a downhill hole, you have

1:00:27.840 --> 1:00:30.580
<v Speaker 2>a kind of Dell-style hole, you have a hole that

1:00:30.600 --> 1:00:35.840
<v Speaker 2>just plays over a bunch of diagonal ripples. They're very, like,

1:00:36.360 --> 1:00:40.510
<v Speaker 2>just memorable and easily identifiable golf holes for even, like,

1:00:40.550 --> 1:00:43.470
<v Speaker 2>the most beginner of golfers, right? So I think North

1:00:43.490 --> 1:00:46.470
<v Speaker 2>Berwick kids' course, and there's obviously stone walls and whatever,

1:00:46.670 --> 1:00:48.510
<v Speaker 2>just cool kind of North Berwick contours out there. I mean,

1:00:48.530 --> 1:00:50.730
<v Speaker 2>it's a great place to start, right? I think in

1:00:50.750 --> 1:00:52.970
<v Speaker 2>the modern era, like the cradle to me is an

1:00:53.070 --> 1:01:02.460
<v Speaker 2>iconic project. Um, and probably primarily just because Pinehurst Resort

1:01:02.580 --> 1:01:06.000
<v Speaker 2>understood the importance of location. Um, like if you build

1:01:06.020 --> 1:01:08.120
<v Speaker 2>the cradle off in like a little corner of the

1:01:08.140 --> 1:01:10.600
<v Speaker 2>resort somewhere, this is different animal, right?

1:01:10.620 --> 1:01:11.180
<v Speaker 1>That's so true.

1:01:11.240 --> 1:01:13.900
<v Speaker 2>If you get, if you give that thing center stage,

1:01:14.160 --> 1:01:17.070
<v Speaker 2>if you understand the fact that, you know, what you,

1:01:17.700 --> 1:01:19.280
<v Speaker 2>what you want to do. So what, what used to,

1:01:19.420 --> 1:01:21.290
<v Speaker 2>what did they used to have in front of, you know,

1:01:21.330 --> 1:01:24.270
<v Speaker 2>the Pinehurst resort clubhouse there, I guess a driving range

1:01:24.330 --> 1:01:26.070
<v Speaker 2>and maybe the first hole of course, one in the

1:01:26.110 --> 1:01:29.090
<v Speaker 2>first of course, three, I can't remember exactly something like that.

1:01:29.530 --> 1:01:32.510
<v Speaker 2>Either way, it's not very engaging. There's not a whole

1:01:32.530 --> 1:01:35.780
<v Speaker 2>lot of action out there. The vibe is not great. Um,

1:01:36.060 --> 1:01:39.820
<v Speaker 2>but if you move that stuff elsewhere, put in a

1:01:39.840 --> 1:01:42.460
<v Speaker 2>killer short course, put in a bar, put in a Himalayas,

1:01:43.160 --> 1:01:45.470
<v Speaker 2>all of a sudden, um, You just have this kind

1:01:45.510 --> 1:01:48.190
<v Speaker 2>of focal point for golf activity, like right in front

1:01:48.230 --> 1:01:51.090
<v Speaker 2>of the clubhouse with food and beverage right there. Um,

1:01:51.330 --> 1:01:55.010
<v Speaker 2>you know, that's, that to me is just people and,

1:01:55.130 --> 1:01:56.490
<v Speaker 2>you know, how much of that was Gail and how

1:01:56.530 --> 1:01:58.490
<v Speaker 2>much was the resort? I don't know, but that is

1:01:58.890 --> 1:02:03.950
<v Speaker 2>folks just understanding how short courses with all that kind

1:02:03.990 --> 1:02:06.680
<v Speaker 2>of compactness and all those people together in this relatively

1:02:06.720 --> 1:02:10.860
<v Speaker 2>small space creates like a really, a really good vibe. Yeah.

1:02:10.980 --> 1:02:14.850
<v Speaker 1>It has totally changed the character of that place. And

1:02:14.930 --> 1:02:21.740
<v Speaker 1>it reinforces this notion that architecture is in part placemaking, right?

1:02:21.800 --> 1:02:26.700
<v Speaker 1>You can, through architecture, change what a place feels like.

1:02:27.520 --> 1:02:30.060
<v Speaker 1>And the Cradle is the perfect example of that because

1:02:30.180 --> 1:02:33.480
<v Speaker 1>of its location right there. All of a sudden, that

1:02:33.540 --> 1:02:36.550
<v Speaker 1>whole area is such a fun place to be. And

1:02:36.590 --> 1:02:38.690
<v Speaker 1>it was always a pretty fun place to be because,

1:02:38.790 --> 1:02:41.370
<v Speaker 1>you know, you had the 18th Green at Pinehurst No.

1:02:41.370 --> 1:02:43.010
<v Speaker 1>2 right there and the First Tee and you had

1:02:43.030 --> 1:02:45.260
<v Speaker 1>the little patio and And all of that stuff has

1:02:45.280 --> 1:02:47.540
<v Speaker 1>been in place for a while, but now you add

1:02:47.560 --> 1:02:50.919
<v Speaker 1>in the cradle and it's just like a theme park there,

1:02:51.220 --> 1:02:54.860
<v Speaker 1>you know, it's, it's really fun. And it's, there's so

1:02:54.900 --> 1:02:57.440
<v Speaker 1>many people there and it, and you get that, you

1:02:57.480 --> 1:02:59.290
<v Speaker 1>get that energy out of, out of that course.

1:02:59.330 --> 1:03:02.350
<v Speaker 2>Right. Yeah. I know they had to, obviously had to

1:03:02.430 --> 1:03:04.650
<v Speaker 2>move a lot of things around to make that happen. But,

1:03:05.170 --> 1:03:08.470
<v Speaker 2>you know, I think, I don't think anyone would argue

1:03:08.490 --> 1:03:11.070
<v Speaker 2>that that you know, the expense and the effort that

1:03:11.110 --> 1:03:13.160
<v Speaker 2>they went to, to, to make the cradle work. Like

1:03:13.200 --> 1:03:16.520
<v Speaker 2>that's completely justified. I mean, that is just such an incredible,

1:03:17.340 --> 1:03:20.140
<v Speaker 2>incredible addition to the resort. And from what I understand,

1:03:20.180 --> 1:03:22.760
<v Speaker 2>like the food and beverage out there is, you know,

1:03:22.780 --> 1:03:23.990
<v Speaker 2>it does pretty well. Right.

1:03:24.750 --> 1:03:28.010
<v Speaker 1>I would imagine. I would imagine that like makes a

1:03:28.030 --> 1:03:33.030
<v Speaker 1>little money for, uh, for the resort. Um, recently you were,

1:03:33.210 --> 1:03:36.410
<v Speaker 1>and you have, by the way, just gotten back to Japan.

1:03:36.490 --> 1:03:38.780
<v Speaker 1>So I want to thank you publicly for, uh, for

1:03:38.820 --> 1:03:41.660
<v Speaker 1>coming on the podcast so quickly after you've done so

1:03:41.740 --> 1:03:44.920
<v Speaker 1>much travel, but you were, you were recently traveling a

1:03:45.340 --> 1:03:49.440
<v Speaker 1>little bit around, uh, uh, around the States and you

1:03:49.480 --> 1:03:52.700
<v Speaker 1>found yourself at one point at sand Valley. You, you've

1:03:52.740 --> 1:03:55.640
<v Speaker 1>mentioned that, that you had gone to the commons. Uh,

1:03:55.910 --> 1:03:57.410
<v Speaker 1>did you also play the sandbox while.

1:03:57.350 --> 1:04:00.500
<v Speaker 2>You were there? I actually didn't this time, but I,

1:04:00.820 --> 1:04:03.830
<v Speaker 2>because the, the, the half mile that we've been building,

1:04:03.890 --> 1:04:06.750
<v Speaker 2>the project in Chicago is only like a two or

1:04:06.850 --> 1:04:08.790
<v Speaker 2>two and a half, three hour drive from sand Valley.

1:04:08.810 --> 1:04:10.750
<v Speaker 2>I've been up a bunch of this summer. So I

1:04:10.790 --> 1:04:13.250
<v Speaker 2>was up there with Akbar from Seamus, uh, like a

1:04:13.310 --> 1:04:18.980
<v Speaker 2>month ago. And, uh, yeah, we did some, we did, uh, some, some, uh, some,

1:04:19.100 --> 1:04:21.440
<v Speaker 2>some short course funds, some, oh man, I'm blanking on

1:04:21.460 --> 1:04:24.500
<v Speaker 2>the name right now. Uh, sandbox. We did a, we did,

1:04:24.540 --> 1:04:26.420
<v Speaker 2>we did a couple of sandbox runs. Yeah. It's a

1:04:26.440 --> 1:04:28.830
<v Speaker 2>fantastic place. Jimmy Craig did a beautiful job out there.

1:04:29.410 --> 1:04:32.970
<v Speaker 2>And it's, it's, I think it's really interesting, like trying

1:04:32.990 --> 1:04:36.630
<v Speaker 2>to get like the right amount of golf in that property. Right.

1:04:36.730 --> 1:04:43.940
<v Speaker 2>And how, how defined the boundaries of that property were

1:04:43.980 --> 1:04:45.960
<v Speaker 2>when Jimmy started. And I know, you know, Bill and

1:04:46.060 --> 1:04:47.520
<v Speaker 2>Bill and Ben were obviously working on it with him

1:04:47.560 --> 1:04:53.840
<v Speaker 2>as well. But, Yeah, just to create like the perfect

1:04:54.560 --> 1:04:57.600
<v Speaker 2>amount of golf is quite a hard thing to do.

1:04:57.680 --> 1:05:00.900
<v Speaker 2>And I think the, you know, the sandbox does it

1:05:00.940 --> 1:05:03.430
<v Speaker 2>very well. It's obviously a neat little property and there's

1:05:03.550 --> 1:05:05.470
<v Speaker 2>a lot of kind of twisting and turning and you

1:05:05.510 --> 1:05:08.150
<v Speaker 2>kind of, it gets compressed and you get kind of

1:05:08.190 --> 1:05:09.990
<v Speaker 2>back to the clubhouse and then it kind of opens

1:05:10.090 --> 1:05:12.370
<v Speaker 2>up on the last few holes. You know, you've got

1:05:12.410 --> 1:05:14.169
<v Speaker 2>your kind of long range views out into the rest

1:05:14.190 --> 1:05:17.930
<v Speaker 2>of the property. You know, it's beautiful. I mean, everything,

1:05:18.510 --> 1:05:21.340
<v Speaker 2>every technique that you employ to make you know, a

1:05:21.360 --> 1:05:24.840
<v Speaker 2>full size golf course, like dramatic and memorable can also

1:05:24.880 --> 1:05:26.590
<v Speaker 2>be deployed on a short course, right? I mean, they're

1:05:26.680 --> 1:05:30.010
<v Speaker 2>none of the, like the, the, the writing lessons from

1:05:30.070 --> 1:05:33.850
<v Speaker 2>full size golf can all be sort of adapted and, and,

1:05:34.450 --> 1:05:37.230
<v Speaker 2>and kind of repurposed for, for short course golf experience.

1:05:37.250 --> 1:05:40.250
<v Speaker 2>I mean, it should still be a story with a start,

1:05:40.310 --> 1:05:42.790
<v Speaker 2>a middle and an end and, you know, cadence and

1:05:42.830 --> 1:05:45.910
<v Speaker 2>high points and low points and all those good things. Yeah.

1:05:45.930 --> 1:05:48.780
<v Speaker 1>That's such a good point about the sandbox. Cause I, I've,

1:05:49.530 --> 1:05:51.450
<v Speaker 1>When I think of the best short course I've played,

1:05:51.470 --> 1:05:55.770
<v Speaker 1>I think of The Sandbox. I like it even more

1:05:55.810 --> 1:05:59.380
<v Speaker 1>than Bandon Preserve, which is the short course that maybe

1:05:59.410 --> 1:06:02.620
<v Speaker 1>most people would say is the best they've played. And

1:06:03.180 --> 1:06:05.600
<v Speaker 1>for good reason, like Bandon Preserve is in an absolutely

1:06:05.640 --> 1:06:08.240
<v Speaker 1>spectacular location. It's on a piece of land that really

1:06:08.300 --> 1:06:12.020
<v Speaker 1>couldn't have been used for anything else, but it's perfect

1:06:12.060 --> 1:06:16.620
<v Speaker 1>for a short course. But what makes The Sandbox so

1:06:16.820 --> 1:06:19.630
<v Speaker 1>impressive to me is what you're talking about, the kind

1:06:19.670 --> 1:06:24.450
<v Speaker 1>of journey across the property. And that property was nothing, right?

1:06:24.910 --> 1:06:30.070
<v Speaker 1>There was nothing there that was useful for a golf

1:06:30.110 --> 1:06:36.520
<v Speaker 1>architect like Bill Kaur. But they created some really interesting topography.

1:06:37.340 --> 1:06:41.640
<v Speaker 1>And then they created a routing that explores that topography

1:06:43.160 --> 1:06:45.080
<v Speaker 1>in a way that feels like a Kaur and Crenshaw

1:06:45.120 --> 1:06:48.460
<v Speaker 1>golf course. there's a sense of discovery as you go

1:06:48.540 --> 1:06:52.280
<v Speaker 1>around through those little kind of humps and hollows. It's

1:06:52.320 --> 1:06:55.130
<v Speaker 1>kind of roughly maybe a figure eight routing or kind

1:06:55.190 --> 1:06:59.610
<v Speaker 1>of there, there's some looping that happens. And as you

1:06:59.650 --> 1:07:01.770
<v Speaker 1>get to the latter parts of the golf course, you

1:07:01.810 --> 1:07:04.970
<v Speaker 1>realize where you're going and there's sort of this realization, Oh,

1:07:05.010 --> 1:07:08.820
<v Speaker 1>this is, this is how it works. And that's really pleasurable, right?

1:07:08.840 --> 1:07:11.520
<v Speaker 1>When you figure out, Oh, this is, this is how

1:07:11.560 --> 1:07:15.120
<v Speaker 1>they made this all work from, from beginning to end.

1:07:15.670 --> 1:07:17.510
<v Speaker 1>So that's something that's so cool about it. And then

1:07:17.550 --> 1:07:22.320
<v Speaker 1>the greens are just absolutely brilliant, like such cool greens,

1:07:22.480 --> 1:07:27.540
<v Speaker 1>each one very memorable. It's an achievement to design that

1:07:27.600 --> 1:07:32.030
<v Speaker 1>many greens and have each be instantly memorable. But yeah,

1:07:32.050 --> 1:07:35.030
<v Speaker 1>the sandbox always comes to mind as a real achievement

1:07:35.090 --> 1:07:38.670
<v Speaker 1>because you had a property that wasn't offering much in

1:07:38.730 --> 1:07:42.910
<v Speaker 1>terms of terrain. but you created just enough terrain and

1:07:42.930 --> 1:07:46.190
<v Speaker 1>then a routing through it that, yeah, it's like you're

1:07:46.210 --> 1:07:49.580
<v Speaker 1>playing a miniature version of Sand Valley or something where

1:07:49.600 --> 1:07:52.160
<v Speaker 1>you're discovering each piece of the course as you go

1:07:52.240 --> 1:07:55.560
<v Speaker 1>along and it creates that excitement. I can't think of

1:07:55.580 --> 1:07:57.840
<v Speaker 1>many short courses that do that, right?

1:07:58.860 --> 1:08:02.260
<v Speaker 2>Yeah, it's really, really good. And I think to your

1:08:02.280 --> 1:08:04.450
<v Speaker 2>other point with the recent addition of the commons, I

1:08:04.490 --> 1:08:07.390
<v Speaker 2>think just having the ability to move from that kind

1:08:07.430 --> 1:08:11.920
<v Speaker 2>of pure kind of par three style you know, short

1:08:11.960 --> 1:08:14.300
<v Speaker 2>course experience to like the 12 holder that you can

1:08:14.320 --> 1:08:17.980
<v Speaker 2>play in two hours. It's just like all these really

1:08:18.000 --> 1:08:24.150
<v Speaker 2>kind of lovely packages, you know, like servings of golf

1:08:24.210 --> 1:08:27.150
<v Speaker 2>that are just, you know, perfect for, you know, however

1:08:27.210 --> 1:08:30.630
<v Speaker 2>you feel in a certain day, you know, certainly we

1:08:30.670 --> 1:08:33.269
<v Speaker 2>had a, we had a crew up at Lido last

1:08:33.330 --> 1:08:36.230
<v Speaker 2>week and you know, for our final morning before everyone

1:08:36.270 --> 1:08:38.189
<v Speaker 2>took off, no brainer. Okay. We're all going to go

1:08:38.210 --> 1:08:42.410
<v Speaker 2>out to the commons couple hours, Just, again, super fun greens.

1:08:42.470 --> 1:08:47.680
<v Speaker 2>Another very fascinating routing, very dramatic features on the commons.

1:08:47.740 --> 1:08:52.300
<v Speaker 2>It's a different animal to the sandbox for sure. But again,

1:08:52.380 --> 1:08:56.960
<v Speaker 2>just a beautifully precise serving of golf for a bunch

1:08:56.960 --> 1:08:59.330
<v Speaker 2>of people who are about to you know, drive a

1:08:59.350 --> 1:09:01.750
<v Speaker 2>bunch of hours and hop on planes to get wherever. Right.

1:09:02.830 --> 1:09:08.599
<v Speaker 1>Yeah. Well, the commons is a slightly different genre, of course,

1:09:08.680 --> 1:09:12.120
<v Speaker 1>obviously still a short course. So, so very much within

1:09:12.140 --> 1:09:14.260
<v Speaker 1>the realm of what we're talking about in this episode,

1:09:14.320 --> 1:09:19.200
<v Speaker 1>but Michael Kaiser refers to the commons as an afternoon course.

1:09:20.110 --> 1:09:22.629
<v Speaker 1>It has a mixture of par fours and par threes.

1:09:22.689 --> 1:09:26.150
<v Speaker 1>It's 12 holes. It's a little more of an in-depth

1:09:26.220 --> 1:09:31.620
<v Speaker 1>experience of golf, not quite as casual, but still a

1:09:31.700 --> 1:09:33.920
<v Speaker 1>great thing to kind of tack on to the end

1:09:34.660 --> 1:09:37.920
<v Speaker 1>of a long day, a very manageable golf experience. And

1:09:38.000 --> 1:09:43.500
<v Speaker 1>Kaiser's inspiration in this, as well as Jim Craig's inspiration,

1:09:43.540 --> 1:09:47.590
<v Speaker 1>et cetera, are these kind of second courses that a

1:09:47.650 --> 1:09:52.660
<v Speaker 1>lot of clubs in england scotland and ireland have one

1:09:52.680 --> 1:09:55.620
<v Speaker 1>that i just saw that sort of blew my mind

1:09:56.020 --> 1:09:59.160
<v Speaker 1>and i wonder if you've been to it cruden bay

1:09:59.840 --> 1:10:05.099
<v Speaker 1>the saint olaf course that place is amazing now i

1:10:05.430 --> 1:10:07.990
<v Speaker 1>i was at cruden bay on a trip for friday

1:10:08.030 --> 1:10:10.650
<v Speaker 1>golf club we're we're going around the highlands playing a

1:10:10.689 --> 1:10:13.650
<v Speaker 1>bunch of different courses i did not plan to go

1:10:13.729 --> 1:10:17.670
<v Speaker 1>to saint olaf until brian schneider told me that i

1:10:17.729 --> 1:10:21.990
<v Speaker 1>needed to And so after I played the main championship

1:10:22.030 --> 1:10:26.309
<v Speaker 1>course at Cruden Bay, I just walked around the nine

1:10:26.380 --> 1:10:30.860
<v Speaker 1>hole St. Olaf course. It has five par fours and

1:10:30.920 --> 1:10:36.020
<v Speaker 1>four par threes. And it is absolutely delightful. It uses

1:10:36.100 --> 1:10:38.600
<v Speaker 1>sort of the leftover land for the most part, you know,

1:10:38.640 --> 1:10:41.679
<v Speaker 1>kind of the most subtle land at Cruden Bay, whereas

1:10:41.720 --> 1:10:44.280
<v Speaker 1>the championship course really goes into the big dunes and

1:10:44.560 --> 1:10:48.930
<v Speaker 1>adheres to the big dunes. But That land in the

1:10:49.010 --> 1:10:53.710
<v Speaker 1>middle of the valley that's less dramatic is still so interesting.

1:10:53.830 --> 1:10:57.590
<v Speaker 1>It's just smaller contour, but it's really chaotic and fun.

1:10:58.110 --> 1:11:00.160
<v Speaker 1>And then the course kind of wraps around and then

1:11:00.660 --> 1:11:03.820
<v Speaker 1>visits the dunes for a couple of holes, uh, on

1:11:03.840 --> 1:11:07.120
<v Speaker 1>the sixth and seventh holes. And then, and then comes

1:11:07.200 --> 1:11:12.050
<v Speaker 1>back and the greens are Tom Simpson, Herbert Fowler greens.

1:11:12.270 --> 1:11:15.810
<v Speaker 1>Like they're probably even better than the greens on the,

1:11:16.090 --> 1:11:19.400
<v Speaker 1>on the main course. And I was just like, man,

1:11:19.439 --> 1:11:21.240
<v Speaker 1>this would be a great thing to have as a

1:11:21.260 --> 1:11:24.360
<v Speaker 1>club member. Like this is, this is where I would play.

1:11:25.020 --> 1:11:26.950
<v Speaker 1>If I were coming home from a day at work,

1:11:27.370 --> 1:11:29.700
<v Speaker 1>I wouldn't play the championship course. I mean, that's a,

1:11:29.729 --> 1:11:31.910
<v Speaker 1>that's a heavy lift. It's a great golf course, but

1:11:32.550 --> 1:11:35.849
<v Speaker 1>I need a day to do that. Come home after work.

1:11:36.090 --> 1:11:38.610
<v Speaker 1>I can play St. Olaf for sure in like an

1:11:38.650 --> 1:11:41.509
<v Speaker 1>hour and a half. And that, and that would be great.

1:11:41.570 --> 1:11:44.740
<v Speaker 1>And that's a satisfying golf experience where I'm hitting some drivers,

1:11:44.780 --> 1:11:49.840
<v Speaker 1>playing some strategic par fours, but, It's, it's a quick experience.

1:11:50.280 --> 1:11:51.080
<v Speaker 2>So I was, I was.

1:11:51.020 --> 1:11:52.469
<v Speaker 1>Blown away that by that place. I don't know if

1:11:52.479 --> 1:11:53.160
<v Speaker 1>you've been there at all.

1:11:53.550 --> 1:11:55.670
<v Speaker 2>Yeah, it's super cool. And you know, there's examples like

1:11:55.729 --> 1:12:00.190
<v Speaker 2>that all across the UK really. It's almost like you

1:12:00.210 --> 1:12:02.470
<v Speaker 2>have the championship course over here and the holiday course

1:12:02.510 --> 1:12:04.170
<v Speaker 2>over there or whatever the term for it is, but

1:12:04.189 --> 1:12:08.910
<v Speaker 2>holiday course was used like fairly used quite a lot. Um, yeah, they're,

1:12:08.990 --> 1:12:11.080
<v Speaker 2>they're amazing. And, uh, I think a lot of that

1:12:11.140 --> 1:12:13.320
<v Speaker 2>is just leaning into the fact that it's light. So

1:12:13.360 --> 1:12:15.979
<v Speaker 2>late in Scotland and you know, there's a culture of

1:12:16.020 --> 1:12:19.979
<v Speaker 2>playing golf like after work. Right. So, um, yeah, I

1:12:20.030 --> 1:12:23.580
<v Speaker 2>think being able to head out there almost like after dinner,

1:12:23.620 --> 1:12:26.140
<v Speaker 2>it was almost like an after dinner golf course in Scotland. Right.

1:12:26.180 --> 1:12:28.980
<v Speaker 2>I mean, you might be heading out there like 7 PM. Yeah.

1:12:29.080 --> 1:12:32.230
<v Speaker 1>When sunset is like 10, 30 or 11, you know,

1:12:32.770 --> 1:12:35.010
<v Speaker 1>that's kind of like when you, you can, you can

1:12:35.050 --> 1:12:36.920
<v Speaker 1>do it. That's a summer, a summer treat sort of,

1:12:36.950 --> 1:12:37.230
<v Speaker 1>I guess.

1:12:37.770 --> 1:12:40.210
<v Speaker 2>Yeah. So, I mean, I would imagine that that played

1:12:40.229 --> 1:12:42.370
<v Speaker 2>a big part in the, in the original development of

1:12:42.430 --> 1:12:46.360
<v Speaker 2>those facilities in Scotland, uh, Scotland and England. Um, yeah.

1:12:46.600 --> 1:12:49.460
<v Speaker 2>A hundred percent. I mean, like just people want to

1:12:49.500 --> 1:12:51.400
<v Speaker 2>play golf. You just give them something that kind of

1:12:51.470 --> 1:12:54.310
<v Speaker 2>fits their lifestyle and the time they have available and

1:12:54.630 --> 1:12:57.330
<v Speaker 2>it's going to be popular. Yeah. Yeah.

1:12:57.570 --> 1:13:00.150
<v Speaker 1>And one last thing I want to mention about, about

1:13:00.189 --> 1:13:03.309
<v Speaker 1>short courses and, and the good ones that I've seen,

1:13:04.430 --> 1:13:07.320
<v Speaker 1>not many people have been out to Sylvie's Valley Ranch

1:13:07.780 --> 1:13:12.060
<v Speaker 1>in Eastern Oregon. I'm assuming you haven't been out there before.

1:13:12.080 --> 1:13:15.660
<v Speaker 2>I have not. I'm familiar with it. I have not. Yeah. Fascinating.

1:13:16.240 --> 1:13:19.040
<v Speaker 1>Dan Hickson designed golf courses out there. He did a

1:13:19.100 --> 1:13:21.460
<v Speaker 1>reversible course. That's, that's really cool. That's kind of the

1:13:21.520 --> 1:13:25.840
<v Speaker 1>main course at Sylvie's Valley ranch. But the craziest one

1:13:26.060 --> 1:13:29.700
<v Speaker 1>is this little short course called McVeigh's gauntlet. And it's

1:13:29.920 --> 1:13:33.760
<v Speaker 1>on the most severe piece of land that I've ever

1:13:33.880 --> 1:13:39.150
<v Speaker 1>seen adapted to golf. Like it is a hike you,

1:13:39.360 --> 1:13:42.689
<v Speaker 1>but it's, and it's walking only, but, but you really

1:13:42.750 --> 1:13:46.950
<v Speaker 1>need to hike up some mountains, but, It's so cool

1:13:46.979 --> 1:13:49.560
<v Speaker 1>because you could not have put a normal golf course there.

1:13:49.580 --> 1:13:52.620
<v Speaker 1>You could not have laid out regulation golf holes on

1:13:52.660 --> 1:13:56.240
<v Speaker 1>this terrain. But you can create a few small greens

1:13:56.600 --> 1:14:00.730
<v Speaker 1>on the peaks of these choppy hills that the golf

1:14:00.770 --> 1:14:04.530
<v Speaker 1>course occupies. And it's incredible that you can play golf

1:14:04.570 --> 1:14:09.550
<v Speaker 1>across this landscape. It's really a unique experience. And as

1:14:09.670 --> 1:14:11.930
<v Speaker 1>I was playing that course, I thought to myself, well,

1:14:13.130 --> 1:14:15.150
<v Speaker 1>This is what short courses can do. It can give

1:14:15.189 --> 1:14:19.290
<v Speaker 1>you access to landscapes that might not normally be accessible.

1:14:19.450 --> 1:14:22.870
<v Speaker 1>And I think band and preserve fits that category as well.

1:14:22.890 --> 1:14:25.030
<v Speaker 1>And so that, that is also something I feel that

1:14:25.050 --> 1:14:27.630
<v Speaker 1>it's exciting about short courses. You can, you can find

1:14:27.670 --> 1:14:28.690
<v Speaker 1>these little pieces of land.

1:14:29.710 --> 1:14:32.690
<v Speaker 2>It's probably the, the, I think it's the little bad nine.

1:14:33.140 --> 1:14:34.740
<v Speaker 2>That Scottsdale national as well is going.

1:14:34.660 --> 1:14:35.719
<v Speaker 1>To be the bad little nine.

1:14:35.920 --> 1:14:38.460
<v Speaker 2>Yeah. Jackson nine. There you go. There you go. There

1:14:38.479 --> 1:14:38.700
<v Speaker 2>you go.

1:14:38.740 --> 1:14:39.139
<v Speaker 1>Crazy.

1:14:39.160 --> 1:14:42.140
<v Speaker 2>I mean, just there's just wild little pieces of property that,

1:14:42.200 --> 1:14:44.839
<v Speaker 2>as you say, just unsuitable for full size golf, because

1:14:45.140 --> 1:14:48.040
<v Speaker 2>you know, too many variables in full size golf. So

1:14:48.080 --> 1:14:50.580
<v Speaker 2>you eliminate some of those things. You have people playing

1:14:50.620 --> 1:14:53.230
<v Speaker 2>from reduced set of angles. Yeah. You can, you can

1:14:53.270 --> 1:14:55.950
<v Speaker 2>make use of some very, very funky land that otherwise

1:14:56.030 --> 1:14:57.830
<v Speaker 2>is just sadly going to be sitting over there and

1:14:57.870 --> 1:14:58.790
<v Speaker 2>not part of your golf course.

1:14:59.490 --> 1:15:03.140
<v Speaker 1>And it kind of fits with minimalist principles because If

1:15:03.200 --> 1:15:06.519
<v Speaker 1>you were to put a regulation golf course or try

1:15:06.560 --> 1:15:09.420
<v Speaker 1>to put one on the land of McVeigh's Gauntlet at

1:15:09.840 --> 1:15:13.660
<v Speaker 1>Sylvie's Valley Ranch, you'd have to knock down a lot

1:15:13.680 --> 1:15:18.700
<v Speaker 1>of topography. You'd have to really carve out the golf features.

1:15:19.140 --> 1:15:21.300
<v Speaker 1>And that would be a bummer because you'd be disrupting

1:15:21.340 --> 1:15:25.439
<v Speaker 1>this very cool piece of land. So instead, you put

1:15:25.460 --> 1:15:27.400
<v Speaker 1>a short course on there. You can keep the land

1:15:27.880 --> 1:15:31.610
<v Speaker 1>intact and still play golf on it. And again, this

1:15:31.670 --> 1:15:34.570
<v Speaker 1>is exactly, it was exactly the logic behind band and preserve.

1:15:34.590 --> 1:15:36.410
<v Speaker 1>And it's why people like that golf course so much.

1:15:36.430 --> 1:15:38.950
<v Speaker 1>You're gaining access to a piece of land that, that

1:15:38.970 --> 1:15:39.950
<v Speaker 1>you wouldn't normally otherwise.

1:15:40.750 --> 1:15:43.990
<v Speaker 2>The same. There's the Mulligan course at Ballyneal as well.

1:15:44.030 --> 1:15:46.830
<v Speaker 2>I forget what exactly. Exactly. Yeah. Same thing again, just

1:15:46.870 --> 1:15:49.330
<v Speaker 2>a really gnarly little piece of property. You're not going

1:15:49.350 --> 1:15:51.070
<v Speaker 2>to get any full size golf holes in there, but

1:15:51.610 --> 1:15:53.930
<v Speaker 2>I mean, that is a fun short course. Yeah.

1:15:54.470 --> 1:15:57.050
<v Speaker 1>Very fun. Very fun. I had forgotten that one. That's a,

1:15:57.310 --> 1:16:01.240
<v Speaker 1>but yeah, that's, that's absolutely a good, a good pick too. Okay,

1:16:01.320 --> 1:16:04.820
<v Speaker 1>I think we've probably done enough remembering some golf courses.

1:16:04.900 --> 1:16:09.820
<v Speaker 1>Like remembering some guys who used to play baseball in

1:16:09.850 --> 1:16:12.689
<v Speaker 1>the 1990s. We've done a little bit of that. But

1:16:12.710 --> 1:16:15.910
<v Speaker 1>that was very interesting. Thank you so much for coming

1:16:15.950 --> 1:16:20.050
<v Speaker 1>on the podcast, Benjamin. Appreciate it. And good luck with

1:16:20.150 --> 1:16:22.970
<v Speaker 1>the project at Half Mile. I hope it turns out well.

1:16:24.270 --> 1:16:25.920
<v Speaker 2>Thank you, Garrett. Great to be on the pod. Thanks

1:16:25.939 --> 1:16:28.880
<v Speaker 2>for the invitation. And yeah, good stuff. Good to talk

1:16:28.920 --> 1:16:29.900
<v Speaker 2>about short courses. Thank you.

1:16:30.490 --> 1:16:41.680
<v Speaker 1>Absolutely. This episode of designing golf was produced by Will Balsam.

1:16:42.040 --> 1:16:45.800
<v Speaker 1>Thank you, Will. If you've been enjoying the podcast, then

1:16:45.979 --> 1:16:49.720
<v Speaker 1>go to Apple podcasts or Spotify or wherever you might

1:16:49.740 --> 1:16:52.840
<v Speaker 1>be listening to us and leave a rating and review.

1:16:53.080 --> 1:16:55.960
<v Speaker 1>We do like hearing from listeners. If you have ideas

1:16:56.000 --> 1:16:59.160
<v Speaker 1>for future episodes, I always take note of those. So

1:16:59.189 --> 1:17:01.450
<v Speaker 1>let me know what you're thinking. Thank you for listening,

1:17:01.870 --> 1:17:04.790
<v Speaker 1>and we'll be back again soon with another episode.