WEBVTT - Horse Sense

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<v Speaker 1>Hi, Sabrina. Hey, I'm coming to you from a magical

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<v Speaker 1>new location today.

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<v Speaker 2>Oh yeah, where it's just.

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<v Speaker 1>In my little theater room. I actually there's where we're

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<v Speaker 1>doing construction on the house, and the wall they're literally

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<v Speaker 1>tearing out is the shared wall with my sound booth.

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<v Speaker 1>So if anybody wanted to hear anything, which I'm starting

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<v Speaker 1>to learn is very important in podcasting, I had was.

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<v Speaker 2>Not going to be possible.

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<v Speaker 1>Yes, that was not going to be possible. You know

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<v Speaker 1>what else is not possible for me? Talking to horses?

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<v Speaker 1>Can you talk to horses?

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<v Speaker 2>I cannot. I cannot. I get a little you know,

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<v Speaker 2>horses are a lot taller than me.

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<v Speaker 3>There's taller people, most people, but like I'm pretty sure,

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<v Speaker 3>like I'm coming up, I feel like right there on

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<v Speaker 3>that shoulder line that I.

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<v Speaker 2>Could get drop kicked by a horse real easy. So

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<v Speaker 2>how tall are you?

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<v Speaker 1>How tall are you? Actually?

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<v Speaker 3>I'm five foot like okay, like a teeny tiny bit

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<v Speaker 3>over five foot tiny, And I know I sound like

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<v Speaker 3>my four year old who says she's four and a half.

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<v Speaker 3>I'm like five foot in a quarter five foot now

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<v Speaker 3>I'm five foot and three quarters.

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<v Speaker 2>I'm almost five.

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<v Speaker 1>One Okay, Well, that's fair.

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<v Speaker 3>But yeah, I mean, you know, it brings a lot

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<v Speaker 3>of issues.

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<v Speaker 2>I hate.

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<v Speaker 3>I don't I'm not a big concert goer if I

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<v Speaker 3>don't have like a seat because I don't like hanging

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<v Speaker 3>out with people and going into large masses of people horses,

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<v Speaker 3>same thing.

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<v Speaker 1>Like you.

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<v Speaker 3>I get nervous that I could get hit in the

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<v Speaker 3>head really easily.

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<v Speaker 2>But there's so and I love horses. I love horses.

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<v Speaker 2>I do. And what about you? Can you talk to horses?

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<v Speaker 1>I can. Oh, they don't answer in any way, shape

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<v Speaker 1>or form. They don't understand me, but I do. I

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<v Speaker 1>walk up and like, what's that horse? So my wife

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<v Speaker 1>is a horse person. My wife and my stepdaughter. My

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<v Speaker 1>stepdaughter was a nationally ranked jumper. Wow, so she we

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<v Speaker 1>you know, I while I know nothing of the world,

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<v Speaker 1>they are very They know a lot about the horse

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<v Speaker 1>jumping world and the horse world and all that kind

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<v Speaker 1>of stuff. So yeah, this this movie is another one

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<v Speaker 1>that my wife watched with me because she is a

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<v Speaker 1>big horse person. And I'm glad she did. I'm glad

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<v Speaker 1>you're speaking of that. We might as well just get

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<v Speaker 1>into it. Then we should start by saying, welcome back

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<v Speaker 1>to Magical rewind the show that makes you want to

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<v Speaker 1>bring your friends, your PJS and your popcorn and go

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<v Speaker 1>back to a time and all the houses are smart,

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<v Speaker 1>the waves, tsunamis and Joey Lawrence looks fabulous in a

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<v Speaker 1>tank top.

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<v Speaker 3>I'm Wilfred All and I'm Sabrina Brian Pudi Cowboy.

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<v Speaker 1>This week we're traveling to Montana and turning this city

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<v Speaker 1>boy into a real life rancher because we're talking about

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<v Speaker 1>the nineteen ninety nine dramedy, Yes, it's a dcom, Horse Sense.

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<v Speaker 1>It made its Disney debut on November twentieth, nineteen ninety nine,

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<v Speaker 1>and had a very successful debut, actually roping in See

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<v Speaker 1>What I Did There, Sprita, roping in I Thank You

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<v Speaker 1>three point two million viewers and winning its time slot

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<v Speaker 1>for the night. It also set a record for the

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<v Speaker 1>most household watching a Disney Channel program at the time.

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<v Speaker 1>So all pretty good for horse Sense. Yes, though it

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<v Speaker 1>didn't get really great reviews at the time of its release,

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<v Speaker 1>it seemed to flourish later in life. In twenty twelve,

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<v Speaker 1>Horse Sense made that illustrious Complex List We've talked about

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<v Speaker 1>a bunch of times at number twenty two for the

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<v Speaker 1>best of the twenty five dcoms of all Time, and

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<v Speaker 1>Collider placed it at number seventy one on their top

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<v Speaker 1>ninety nine. So it is a grower, not a shower,

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<v Speaker 1>apparently to rhyme things, you're like, oh okay, just get

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<v Speaker 1>on with it. Will also worth noting it was successful

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<v Speaker 1>enough to spawn a sequel, which we will I'm sure

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<v Speaker 1>cover at some point. It's called Jumping Ship and it

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<v Speaker 1>came out in two thousand and one, two years later,

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<v Speaker 1>so write it down now. It'll be a future trip

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<v Speaker 1>to seqel Town. That's right. So we just talked about

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<v Speaker 1>this a little bit. Do you like cor I mean

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<v Speaker 1>you said you like horses. Do you like riding?

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<v Speaker 2>I haven't done a lot of riding.

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<v Speaker 3>I've done those those typical you know, vacation that you

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<v Speaker 3>don't get to really even gallop of any sort.

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<v Speaker 2>So I don't know how to do that.

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<v Speaker 3>My aunt did have horses at one point, but I

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<v Speaker 3>was really little at the time when she had them.

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<v Speaker 3>So I rode on the back of my cousin, right Like,

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<v Speaker 3>who was actually like, you know, steering and actually doing it.

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<v Speaker 2>I was just holding on for dear life.

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<v Speaker 4>Wait, you rode on the back of your cousin like that,

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<v Speaker 4>like your cousin was the horse.

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<v Speaker 3>No, Jensen, I rode behind her on the horse, being

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<v Speaker 3>on as she I don't know how the horse. I

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<v Speaker 3>don't even know how to say that I have done it.

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<v Speaker 3>I have rode like the worst was in the Caribbean.

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<v Speaker 3>We did do it was really awesome, but these horses,

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<v Speaker 3>it was like, Okay, I'm not sure I'll ever do

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<v Speaker 3>this again because they were not treated well. And I

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<v Speaker 3>just started the whole time. I was just like crying

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<v Speaker 3>because I just felt so bad for this poor little

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<v Speaker 3>horse that was all of them. And then we rode,

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<v Speaker 3>we rode through the water, and then they started pooping,

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<v Speaker 3>and I was like with my legs in the air.

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<v Speaker 1>This is a much different horse experience than most people have.

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<v Speaker 1>I would think, yeah, but it's better than riding your crossing,

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<v Speaker 1>but it is.

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<v Speaker 2>I hate you guys, so anyway, I it was.

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<v Speaker 3>I do love horses though, I think they're so beautiful

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<v Speaker 3>and I love they're just magical.

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<v Speaker 1>I feel the same way, and I've done it. I

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<v Speaker 1>think I have about the same horse experience as you do.

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<v Speaker 1>It's like you go to places where the horses know

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<v Speaker 1>what to do, so you hop on their back. And

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<v Speaker 1>they know when to run and when to gallop, like

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<v Speaker 1>you know, around the Hollywood Sign and stuff like that.

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<v Speaker 2>Other than that, I have to do it around the

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<v Speaker 2>Hollywood Sign.

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<v Speaker 1>That well, there was back in the day you'd ride

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<v Speaker 1>to like a you'd get on a horse, you'd ride

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<v Speaker 1>to the Hollywood Sign and then you'd go down and

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<v Speaker 1>you'd end it like this.

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<v Speaker 2>Bar oh wow.

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<v Speaker 1>So yeah it was. It was a cool little ride.

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<v Speaker 1>You could see the Hollywood Sign all the kind of stuff.

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<v Speaker 1>It was neat it was. But yeah, I have no

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<v Speaker 1>horse sense.

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<v Speaker 2>Oh and he brings it right back around, right around,

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<v Speaker 2>thank you.

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<v Speaker 1>Okay, So we might know your history with horses, but

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<v Speaker 1>how about your horse sense? Like, did you know this

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<v Speaker 1>movie existed before it came to our podcast assignment?

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<v Speaker 3>I mean, we've talked about doing this movie for quite

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<v Speaker 3>a while, so I sort of feel like it but

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<v Speaker 3>not before it became in this like world of us

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<v Speaker 3>here at Magical rewind.

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<v Speaker 1>No, I feel exactly I knew about it because I

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<v Speaker 1>knew about the Lawrence Boys obviously, Yes, and nineteen ninety

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<v Speaker 1>nine Maddie and I were not only doing Boy Met World,

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<v Speaker 1>but I think ninety nine is when we did h

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<v Speaker 1>double hockey sticks or ninety eight. So this was all

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<v Speaker 1>kind of right in the zeitgeis. So of course I

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<v Speaker 1>knew they were doing something. I'm not try I.

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<v Speaker 2>Mean knew what it was.

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<v Speaker 3>It does it? It doesn't like it's a complete hello.

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<v Speaker 3>Of course that there would be a d coom with

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<v Speaker 3>the Lawrence brothers.

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<v Speaker 1>But first of all, we can get into that later.

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<v Speaker 1>But there should have been a bunch with the Lawrence

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<v Speaker 1>brothers two, but there should have been fifteen decoms with

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<v Speaker 1>the boys.

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<v Speaker 2>Yes, they're perfect percent agreed.

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<v Speaker 3>There's is not a better Amigos Trios that could be

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<v Speaker 3>fit for thank Disney Channel.

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<v Speaker 1>Built for the Disney Channel. All right, Well, we've still

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<v Speaker 1>got a huge pile of manure to move, so let's

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<v Speaker 1>jump into our synopsis. A spoiled Los Angeles teen is

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<v Speaker 1>sent to spend time on his cousins struggling Montana ranch

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<v Speaker 1>as punishment for selfish behavior. There he learns responsibility, the

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<v Speaker 1>value of hard work, and the importance of family. Sabrina

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<v Speaker 1>Ben in Montana.

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<v Speaker 3>Yes, I have toured through there, so I've probably been

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<v Speaker 3>to a Walmart in Montana that I can remember, say,

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<v Speaker 3>sports me for a little moll, But I haven't gotten

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<v Speaker 3>a chance to do like the ranch experience in Montana,

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<v Speaker 3>and that is something that is absolutely on my list

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<v Speaker 3>of wanting to do.

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<v Speaker 1>One hundred percent agree with you, Montana's one. I think

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<v Speaker 1>I've done forty six to forty eight states I can't remember,

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<v Speaker 1>but Montana is one of the ones I haven't been

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<v Speaker 1>to yet. Must before you to do Montana. We'll have

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<v Speaker 1>to you know what. We'll do a family, family ranch thing.

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<v Speaker 1>We'll figure it out.

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<v Speaker 2>Yes, be so fun.

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<v Speaker 1>Love to Okay. Now, although this is set in Montana,

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<v Speaker 1>it was filmed primarily in Los Angeles and on location

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<v Speaker 1>in Utah. Yes, we've got a real Buffalo dream situation

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<v Speaker 1>going on here. But I think everything passed pretty well.

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<v Speaker 1>What do you think I did?

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<v Speaker 3>I thought it looked great. I did feel the Buffalo

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<v Speaker 3>Dreams vibe though. It was kind of like it makes

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<v Speaker 3>sense knowing that you can kind of pull that across

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<v Speaker 3>using the landscape of Utah, not Salt Lake City, but

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<v Speaker 3>the landscape.

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<v Speaker 1>And it worked like a charm. It did. This movie

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<v Speaker 1>was directed by a name that we worship here at

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<v Speaker 1>Magical Rewind and no it's not the one you might think.

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<v Speaker 1>It's Greg Beeman. Now, if you don't recognize his name,

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<v Speaker 1>you'll know him for the reigning champion dcom. He directed

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<v Speaker 1>Miracle and Lane two, which is currently the film with

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<v Speaker 1>the highest score on our podcast. He began his career

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<v Speaker 1>with two Magical World of Disney Films. That's right, Magical

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<v Speaker 1>World of Disney Films, not Wonderful World of Disney. The

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<v Speaker 1>Richest Cat in the World. Oh my god, can we

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<v Speaker 1>watch that, perple?

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<v Speaker 2>I need to see that.

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<v Speaker 1>I just by the title. I need to know what

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<v Speaker 1>is going on. We need to sit out soon. And

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<v Speaker 1>Little Spies, which I'm curious are they really tiny little

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<v Speaker 1>spies or are they only doing a little bit of spying?

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<v Speaker 1>I'd like to know. But would later make movies like

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<v Speaker 1>License to Drive, Mom and Dad, Saved the World and

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<v Speaker 1>Problem Child three. But it's yeah, right, But it's his

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<v Speaker 1>impressive dcom lineup that we care about. He did the

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<v Speaker 1>first dcom ever, under Wraps, then Brink, The Ultimate Christmas Present,

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<v Speaker 1>and Miracle in Lane two. He also directed TV shows

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<v Speaker 1>like Heroes, Lucifer, Smallville, and Jag. He is a real

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<v Speaker 1>stealth pick for Best Director. When we do our eventual

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<v Speaker 1>award show, which we're going to do, it's gonna be

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<v Speaker 1>hard to beat Paul Hoen, but hey, it could happen.

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<v Speaker 1>Some great names on that list, some great incredible films

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<v Speaker 1>on that list, So yes, there is a possibility that

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<v Speaker 1>could happen. And we've got some absolute nineties legends starring

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<v Speaker 1>in this thing, some guys that I happen to know

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<v Speaker 1>very well. We've got Joey Lawrence, who plays Michael Woods.

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<v Speaker 1>Joey became a household name from nineteen ninety to ninety

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<v Speaker 1>five as brother Joey ru So on Blossom Whoa. He

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<v Speaker 1>was a massive teen heart throb, even releasing albums and

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<v Speaker 1>super Hot Guy calendars. But before all that, as a

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<v Speaker 1>young kid, he'd appeared in movies like Summer Rental and

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<v Speaker 1>Oliver and Company, and as far as TV he was

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<v Speaker 1>a star of Gimme a Break, Brotherly Love alongside his

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<v Speaker 1>actual brothers, and the long running Melissa and Joey opposite

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<v Speaker 1>my pal Melissa Jonehart. Joey's been doing it since he

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<v Speaker 1>was like five years old. When you talk about child actors,

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<v Speaker 1>he's one of the ogs. He was one of the

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<v Speaker 1>guys that every kid actor looked up to and wanted

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<v Speaker 1>to be. When you were five or six years old,

0:10:31.000 --> 0:10:33.080
<v Speaker 1>you watched because we're exactly the same age. Joey and I.

0:10:33.160 --> 0:10:35.160
<v Speaker 1>We literally funny story and we'll talk about this because

0:10:35.200 --> 0:10:38.440
<v Speaker 1>spoiler alert, he's going to be on our park Opper

0:10:38.480 --> 0:10:40.160
<v Speaker 1>episode where we're gonna get a chance to talk to him.

0:10:40.160 --> 0:10:42.400
<v Speaker 1>But Joey and I took our SATs together.

0:10:42.480 --> 0:10:43.240
<v Speaker 2>Isn't that wow?

0:10:43.440 --> 0:10:47.680
<v Speaker 1>Strange Hollywood coincidence. But yeah, he was doing it. He

0:10:47.800 --> 0:10:49.240
<v Speaker 1>was through with it before the rest of us knew

0:10:49.240 --> 0:10:50.480
<v Speaker 1>what to do with it. As they would say, that

0:10:50.640 --> 0:10:53.680
<v Speaker 1>is Joey and he is joined by his very own

0:10:53.720 --> 0:10:57.120
<v Speaker 1>brother here again and another magical rewind favorite and past guest,

0:10:57.320 --> 0:11:00.680
<v Speaker 1>Andy Lawrence, as Tommy, Briggs and Whiles are still fresh

0:11:00.679 --> 0:11:02.800
<v Speaker 1>in our mind. Let's acknowledge that Andy is already a

0:11:02.960 --> 0:11:05.320
<v Speaker 1>shoe and nominee for Best Actor for going to the

0:11:05.360 --> 0:11:07.720
<v Speaker 1>mat Am I right, I mean, yes, one of the

0:11:07.720 --> 0:11:08.320
<v Speaker 1>best we saw.

0:11:08.480 --> 0:11:09.200
<v Speaker 2>It's a toss up.

0:11:09.280 --> 0:11:12.280
<v Speaker 3>We might have to have an award for Best Lawrence

0:11:12.480 --> 0:11:13.559
<v Speaker 3>And it's a toss up.

0:11:13.679 --> 0:11:16.000
<v Speaker 1>You can't. How do you do that? How do you

0:11:16.080 --> 0:11:17.360
<v Speaker 1>judge between the Lawrence boys?

0:11:17.360 --> 0:11:17.760
<v Speaker 2>You can't.

0:11:17.800 --> 0:11:20.040
<v Speaker 1>By the way, all of them amazingly nice people.

0:11:20.440 --> 0:11:24.640
<v Speaker 3>Seriously, I honestly, they all have so many different amazing attributes.

0:11:24.679 --> 0:11:26.040
<v Speaker 2>I don't know how you could choose.

0:11:26.280 --> 0:11:28.360
<v Speaker 1>You don't if they if they never acted again and

0:11:28.400 --> 0:11:30.079
<v Speaker 1>the three of them just sat down and sang together,

0:11:30.200 --> 0:11:31.480
<v Speaker 1>you'd be like, oh my god, that's the best thing

0:11:31.480 --> 0:11:33.160
<v Speaker 1>I've ever seen. But they can also act, they write,

0:11:33.160 --> 0:11:34.959
<v Speaker 1>they direct. It's annoying. Save something for the.

0:11:34.880 --> 0:11:35.360
<v Speaker 2>Rest of us.

0:11:36.280 --> 0:11:39.319
<v Speaker 1>Andy also appeared on Blossom, Hawaii five Oh, United States

0:11:39.320 --> 0:11:42.640
<v Speaker 1>of Tara, and was famously the voice of TJ on Recess.

0:11:43.000 --> 0:11:45.520
<v Speaker 1>He also appeared in movies like White Man's Burden, Mister Bean,

0:11:45.559 --> 0:11:47.880
<v Speaker 1>and Jack Frost. We love Andy and you can check

0:11:47.920 --> 0:11:50.520
<v Speaker 1>out his magical rewind interview right on our dedicated feed.

0:11:50.600 --> 0:11:53.640
<v Speaker 1>He's one of our faves. Worth noting their third brother

0:11:53.760 --> 0:11:57.080
<v Speaker 1>and arguably worst brother, Matthew, a former co star of

0:11:57.080 --> 0:11:59.400
<v Speaker 1>mine on Boy Meets World, does appear in the film

0:11:59.520 --> 0:12:03.200
<v Speaker 1>uncredited as a cowboy at the airport, and he is

0:12:03.280 --> 0:12:05.040
<v Speaker 1>one of the stars so the sequel. His cameo really

0:12:05.120 --> 0:12:06.760
<v Speaker 1>is an East Rag and there's a bunch of East

0:12:06.800 --> 0:12:08.320
<v Speaker 1>dregs in this movie we'll get to for fans of

0:12:08.320 --> 0:12:10.679
<v Speaker 1>the family. By the way, he's not the worst Lawrence.

0:12:10.760 --> 0:12:12.440
<v Speaker 1>He's just the one I'm closest with so I'll get.

0:12:12.320 --> 0:12:13.040
<v Speaker 2>To read them a little bit.

0:12:13.280 --> 0:12:17.760
<v Speaker 1>But so, I mean, I don't even really think I

0:12:17.800 --> 0:12:19.319
<v Speaker 1>have to ask this from the conversation we just had.

0:12:19.320 --> 0:12:21.520
<v Speaker 1>But Lawrence Boys, Disney Hall of Fame, Yeah, your name,

0:12:21.559 --> 0:12:24.199
<v Speaker 1>oh yeah, first ballad.

0:12:24.480 --> 0:12:26.880
<v Speaker 3>Well again, to restate it, what's a shame is it's

0:12:26.880 --> 0:12:31.040
<v Speaker 3>not from d COM's. It's from everything they've done, you know,

0:12:31.240 --> 0:12:32.679
<v Speaker 3>within the Disney franchise.

0:12:32.800 --> 0:12:34.679
<v Speaker 2>I mean, it's not just a dcom thing.

0:12:34.679 --> 0:12:37.080
<v Speaker 3>It's literally I just feel like there was a time

0:12:37.120 --> 0:12:41.520
<v Speaker 3>where they owned the Disney Channel or you know, ABC, Yeah,

0:12:41.600 --> 0:12:42.559
<v Speaker 3>and ever.

0:12:42.400 --> 0:12:44.760
<v Speaker 1>There was you talk about young child actors and how

0:12:44.760 --> 0:12:46.840
<v Speaker 1>they can have attitudes, and also it was if there's

0:12:46.840 --> 0:12:51.120
<v Speaker 1>ever three people that deserve to have attitudes because they

0:12:51.240 --> 0:12:54.240
<v Speaker 1>were doing it all the time, it was the Lawrence Boys,

0:12:54.320 --> 0:12:56.800
<v Speaker 1>and never did. They were completely down to earth, loved

0:12:56.840 --> 0:12:58.840
<v Speaker 1>their fans, great guys all the way around.

0:12:58.880 --> 0:13:00.880
<v Speaker 2>Always had a huge, huge following too.

0:13:00.920 --> 0:13:04.120
<v Speaker 1>Yeah, I mean, but they respected their following, which is

0:13:04.200 --> 0:13:08.400
<v Speaker 1>really really cool. We've got Susan Walters as Jules Big.

0:13:08.480 --> 0:13:11.680
<v Speaker 1>She's best known as Diane Jenkins Abbot on almost five

0:13:11.960 --> 0:13:14.439
<v Speaker 1>hundred episodes of the Young and the Wrestlers. Five hundred

0:13:14.440 --> 0:13:16.720
<v Speaker 1>episodes yes, folks, she was on that show for almost

0:13:16.880 --> 0:13:19.760
<v Speaker 1>three months. I'm kidding, get what I did there, because

0:13:19.760 --> 0:13:22.240
<v Speaker 1>it's five hundred ppersents. I'm joking. It was a twenty

0:13:22.320 --> 0:13:25.720
<v Speaker 1>year period, but she also appeared on The Flash, MTV's

0:13:25.760 --> 0:13:29.640
<v Speaker 1>Teen Wolf, The Vampire Diaries, and Seinfeld. She played Malva.

0:13:30.160 --> 0:13:33.040
<v Speaker 1>But most importantly, she's in the Albert Brooks movie Defending

0:13:33.040 --> 0:13:35.320
<v Speaker 1>Your Live Shit a small part. She played Albert Brooks's

0:13:35.320 --> 0:13:37.360
<v Speaker 1>wife when he was still alive Best movie of All

0:13:37.400 --> 0:13:41.640
<v Speaker 1>Time and character actor mc gainey is Twister. EMC is

0:13:41.679 --> 0:13:43.840
<v Speaker 1>a very recognizable face and has been in movies like

0:13:43.880 --> 0:13:46.760
<v Speaker 1>con Air, Mighty Ducks, and Breakdown, but has been in

0:13:46.800 --> 0:13:50.080
<v Speaker 1>so many TV shows, most notably Happy Days, Cheers, and Lost,

0:13:50.360 --> 0:13:53.679
<v Speaker 1>where he played one of the creepy others, Tom Friendly.

0:13:53.880 --> 0:13:55.640
<v Speaker 1>Oh God, you know you're not gonna get anyway with

0:13:55.679 --> 0:13:58.840
<v Speaker 1>anything with that name. Another soap opera legend is in

0:13:58.880 --> 0:14:02.360
<v Speaker 1>this movie Leanne Hunt as jac She's been in and

0:14:02.360 --> 0:14:04.400
<v Speaker 1>out of Days of Our Lives for the past wait

0:14:04.440 --> 0:14:11.239
<v Speaker 1>for this fifty years only Cow fifty years, even reappearing

0:14:11.280 --> 0:14:15.720
<v Speaker 1>in upcoming episodes as recently as this year.

0:14:16.160 --> 0:14:16.480
<v Speaker 2>Wow.

0:14:16.600 --> 0:14:19.080
<v Speaker 1>Robin Thomas is her husband. Glen I recognize him most

0:14:19.120 --> 0:14:21.240
<v Speaker 1>as the vice principal in nineteen eighty seven Summer School.

0:14:21.920 --> 0:14:24.280
<v Speaker 1>Producer Jensen and I have talked about this movie ad nauseum.

0:14:24.280 --> 0:14:27.000
<v Speaker 1>But he has almost one hundred and fifty credits to

0:14:27.040 --> 0:14:30.480
<v Speaker 1>his name, including Crazy Ex Girlfriend, Fuller House, The Mommies,

0:14:30.880 --> 0:14:33.440
<v Speaker 1>and the recent Murder one oh one TV movie franchise.

0:14:33.840 --> 0:14:38.080
<v Speaker 1>And finally, Steve Reeves is Mule, another recognizable face. He's

0:14:38.120 --> 0:14:40.920
<v Speaker 1>best known for his Roland Fargo. Oh, he was so good.

0:14:41.040 --> 0:14:44.440
<v Speaker 1>He had I think four words in the entire movie

0:14:44.480 --> 0:14:47.560
<v Speaker 1>and was just so good. But he also appeared in

0:14:47.560 --> 0:14:51.400
<v Speaker 1>Adam Sandler's The Longest Yard, Twins Dances with Wolves, and

0:14:51.880 --> 0:14:54.120
<v Speaker 1>he's the Native American man in the desert in the

0:14:54.200 --> 0:14:57.480
<v Speaker 1>Doors movie, which is just a really awesome credit. Wow,

0:14:57.800 --> 0:15:06.760
<v Speaker 1>And the movie runs ninety two minutes, so close there

0:15:06.800 --> 0:15:08.640
<v Speaker 1>are more Lawrence brothers in this movie than there are

0:15:08.680 --> 0:15:11.800
<v Speaker 1>minutes over ninety. So yes, it's two minutes above target.

0:15:11.840 --> 0:15:16.560
<v Speaker 1>So that sucks. Get your life together, horse Sense. Speaking

0:15:16.600 --> 0:15:18.240
<v Speaker 1>of horse Sense, I have to ask, what did you

0:15:18.240 --> 0:15:20.240
<v Speaker 1>think of the title. It's it's kind of a random

0:15:20.280 --> 0:15:23.560
<v Speaker 1>title that I thought was gonna maybe reference it. I'm

0:15:23.560 --> 0:15:25.040
<v Speaker 1>still not one hundred percent I don't know how does

0:15:25.080 --> 0:15:26.520
<v Speaker 1>it tie in? Am I missing something? I might?

0:15:26.800 --> 0:15:29.920
<v Speaker 3>No, I mean, honestly, it's just kind of at the

0:15:30.080 --> 0:15:35.240
<v Speaker 3>very end, there's two different scenes that you're going, oh, okay,

0:15:35.280 --> 0:15:35.840
<v Speaker 3>there it is.

0:15:36.400 --> 0:15:39.000
<v Speaker 2>And it's not that they're they're not meaningful scenes.

0:15:39.040 --> 0:15:41.400
<v Speaker 3>It's just not a it's not a like part of

0:15:41.440 --> 0:15:44.120
<v Speaker 3>the storyline throughout the whole story.

0:15:44.480 --> 0:15:47.320
<v Speaker 1>It's not it's like a horse whisperer where it's like

0:15:47.400 --> 0:15:50.240
<v Speaker 1>you see him like touching the animal in a certain way.

0:15:50.360 --> 0:15:53.240
<v Speaker 3>Yeah, it doesn't happen over and over and over again.

0:15:53.320 --> 0:15:55.960
<v Speaker 3>It literally has like two moments that it makes sense.

0:15:56.040 --> 0:16:00.800
<v Speaker 3>So the whole time, I mean horse in general made sense.

0:16:00.920 --> 0:16:03.600
<v Speaker 3>Like you know, you're kind of just for me, I'm

0:16:03.640 --> 0:16:06.160
<v Speaker 3>one of those people like you're starting to kind of

0:16:06.840 --> 0:16:08.920
<v Speaker 3>am I missing something? Like now you're like trying to

0:16:08.960 --> 0:16:10.920
<v Speaker 3>like search for it, like you're like, where is it?

0:16:10.960 --> 0:16:11.640
<v Speaker 1>Where's the reason?

0:16:11.720 --> 0:16:12.600
<v Speaker 2>Where's what? You know?

0:16:12.680 --> 0:16:14.840
<v Speaker 3>So that's the only thing, Like I feel like with

0:16:14.920 --> 0:16:17.160
<v Speaker 3>the title, it's not that it didn't make sense at all,

0:16:17.560 --> 0:16:19.680
<v Speaker 3>like you had to horses, and it did for a

0:16:19.720 --> 0:16:20.280
<v Speaker 3>few moments.

0:16:20.320 --> 0:16:23.080
<v Speaker 2>It's just to name the whole movie off of that those.

0:16:23.120 --> 0:16:24.880
<v Speaker 1>I expected it to go somewhere else with it, but

0:16:25.120 --> 0:16:27.120
<v Speaker 1>me too. We'll get into that too. How about some

0:16:27.160 --> 0:16:32.880
<v Speaker 1>other suggestions, dude, Ranch Hand, Montana Summer, how about in

0:16:32.920 --> 0:16:33.440
<v Speaker 1>the Saddle?

0:16:33.880 --> 0:16:36.640
<v Speaker 2>Yeah, yeah, I mean.

0:16:36.840 --> 0:16:38.040
<v Speaker 1>I feel like I have. I feel like I'm not

0:16:38.040 --> 0:16:38.920
<v Speaker 1>telling you in any of those.

0:16:38.920 --> 0:16:44.560
<v Speaker 3>Really, I don't think they're like to me. This storyline

0:16:44.560 --> 0:16:47.760
<v Speaker 3>has been is is so broad and is something we've

0:16:47.760 --> 0:16:49.800
<v Speaker 3>seen it. You've seen a bunch that it kind of

0:16:49.840 --> 0:16:51.200
<v Speaker 3>like any of those titles would have been.

0:16:51.800 --> 0:16:54.560
<v Speaker 1>It works. Hey, sometimes they the same movie as different titles.

0:16:54.560 --> 0:16:56.800
<v Speaker 1>Gleaming the Cube was also at one point called like

0:16:56.880 --> 0:16:58.720
<v Speaker 1>not without My Brother or something like that. So you

0:16:58.880 --> 0:17:01.160
<v Speaker 1>just never know, Yeah, it'll always be clean.

0:17:01.280 --> 0:17:03.520
<v Speaker 2>Well what do you always say? Lemon lemonade Mouth was

0:17:03.560 --> 0:17:04.720
<v Speaker 2>a different version.

0:17:04.520 --> 0:17:09.280
<v Speaker 1>Of yeah of band slam. Yeah yeah, So there you go.

0:17:09.480 --> 0:17:11.359
<v Speaker 2>So it's like, you know, it could be any anything.

0:17:11.440 --> 0:17:12.119
<v Speaker 1>It could be anything.

0:17:12.240 --> 0:17:14.600
<v Speaker 2>As long as it had something to do with the country.

0:17:14.320 --> 0:17:16.520
<v Speaker 1>Then you're good. Well either way. The writers, of course,

0:17:16.560 --> 0:17:20.120
<v Speaker 1>sense are Chad Hayes and Carrie Hayes, twin brothers. That's

0:17:20.160 --> 0:17:24.360
<v Speaker 1>very cool, the right, you're such a twin fan. They

0:17:24.400 --> 0:17:26.439
<v Speaker 1>are a writing team that started their career on shows

0:17:26.440 --> 0:17:29.600
<v Speaker 1>like bay Watch, Knights and beast Master. I never saw

0:17:29.600 --> 0:17:32.360
<v Speaker 1>the show beasts Master, but the movie they Watch Nights,

0:17:33.440 --> 0:17:35.760
<v Speaker 1>Oh my god, bay Watch Nights. They took regular Baywatch

0:17:35.760 --> 0:17:37.560
<v Speaker 1>and then tried to make it even more risky. So

0:17:37.600 --> 0:17:39.040
<v Speaker 1>it's like Baywatch Knights.

0:17:39.800 --> 0:17:40.880
<v Speaker 2>Yeah, more risky.

0:17:41.040 --> 0:17:44.679
<v Speaker 1>Oh yeah, they called it everything, but the nip like

0:17:44.760 --> 0:17:48.080
<v Speaker 1>it was. It was yeah, bay Watch Nights.

0:17:48.200 --> 0:17:50.560
<v Speaker 2>Oh no, oh yeah, I definitely can't watch that. I'll

0:17:50.600 --> 0:17:51.439
<v Speaker 2>be so no.

0:17:51.520 --> 0:17:53.320
<v Speaker 1>It's oh no, it's supposed to make you uncomfortable. But

0:17:53.320 --> 0:17:54.880
<v Speaker 1>if you want to see a great movie, watch beast Master.

0:17:55.000 --> 0:17:55.480
<v Speaker 1>Great movie.

0:17:55.760 --> 0:17:56.040
<v Speaker 2>Okay.

0:17:56.320 --> 0:17:59.000
<v Speaker 1>They would also write this movie sequel, Jumping Ship, but

0:17:59.040 --> 0:18:01.119
<v Speaker 1>to my surprise, they've say went on to have quite

0:18:01.119 --> 0:18:04.199
<v Speaker 1>a career in horror. They wrote the underrated House of

0:18:04.200 --> 0:18:06.440
<v Speaker 1>Wax remake in two thousand and five, which then turned

0:18:06.480 --> 0:18:08.280
<v Speaker 1>into getting them a gig on a little movie called

0:18:08.680 --> 0:18:11.960
<v Speaker 1>The Conjuring, which has since become a massive genre franchise.

0:18:12.119 --> 0:18:14.840
<v Speaker 1>You'd love to see that. Okay, guys, let's put this

0:18:14.920 --> 0:18:17.760
<v Speaker 1>grass in a grinder and turn horse sense into a smoothie.

0:18:18.080 --> 0:18:20.760
<v Speaker 1>It's time for the recap. We open on a farm

0:18:20.800 --> 0:18:23.880
<v Speaker 1>with a ton of cows and a glorious breakfast being prepared.

0:18:23.880 --> 0:18:28.440
<v Speaker 1>If the movie ended right, there'd be the greatest decommon history, Eggs, bacon, pancakes,

0:18:28.440 --> 0:18:31.000
<v Speaker 1>sausage and peppers. And we're back to the dcom tour

0:18:31.119 --> 0:18:33.800
<v Speaker 1>of a bedroom to learn about our main character. And honestly,

0:18:33.840 --> 0:18:35.840
<v Speaker 1>I'll be honest with you, I missed it. I kind

0:18:35.880 --> 0:18:36.240
<v Speaker 1>of missed it.

0:18:36.600 --> 0:18:38.760
<v Speaker 3>I literally put in my head, oh my gosh, should

0:18:38.760 --> 0:18:41.280
<v Speaker 3>we just start a movie without being in a bedroom

0:18:41.320 --> 0:18:41.960
<v Speaker 3>for a tcon?

0:18:42.359 --> 0:18:44.720
<v Speaker 2>And then I went, oh, no, we did it.

0:18:45.280 --> 0:18:47.280
<v Speaker 1>Hey there. We only ready to make the bedroom trope

0:18:47.320 --> 0:18:50.120
<v Speaker 1>even better is by starting with a wonderful breakfast. Oh

0:18:50.160 --> 0:18:53.000
<v Speaker 1>I love that. We see a cowboy hat, a frame

0:18:53.000 --> 0:18:55.119
<v Speaker 1>photo of a boy and his dad and young Tommy

0:18:55.160 --> 0:18:57.920
<v Speaker 1>whittling Wood next to his dog. His mom yells out,

0:18:57.960 --> 0:19:00.199
<v Speaker 1>breakfast is ready. He has to hustle. He does want

0:19:00.200 --> 0:19:03.000
<v Speaker 1>a Missus plane. He makes a whistle for his cousin Michael.

0:19:03.040 --> 0:19:05.320
<v Speaker 1>He really liked the one he made for his family reunion.

0:19:05.440 --> 0:19:08.160
<v Speaker 1>He throws on his cowboy hat and rushes downstairs. He's

0:19:08.160 --> 0:19:09.920
<v Speaker 1>not sure he should go on in this trip to California.

0:19:09.960 --> 0:19:11.879
<v Speaker 1>He doesn't want to leave his mom alone and worries

0:19:11.920 --> 0:19:14.560
<v Speaker 1>that they don't have enough money. Oh, setting something up,

0:19:14.920 --> 0:19:16.520
<v Speaker 1>but his mom says not to worry about it. She

0:19:16.560 --> 0:19:19.560
<v Speaker 1>can manage for four days without him, she promises. Now

0:19:19.640 --> 0:19:21.359
<v Speaker 1>they're on the way to the airport. Tommy wonders what

0:19:21.359 --> 0:19:23.160
<v Speaker 1>it's going to be like in Beverly Hills. It seems

0:19:23.200 --> 0:19:25.760
<v Speaker 1>a little different than Montana. Then we cut over to

0:19:25.800 --> 0:19:29.399
<v Speaker 1>see just how different it is. Cousin Michael, in silk pajamas,

0:19:29.440 --> 0:19:32.320
<v Speaker 1>is just waking up at twelve fifteen. His spacious room

0:19:32.359 --> 0:19:34.480
<v Speaker 1>is filled with a fish tank, stained glass, and a

0:19:34.520 --> 0:19:38.040
<v Speaker 1>set of dumbbells. In the kitchen, it's not the down

0:19:38.080 --> 0:19:42.440
<v Speaker 1>home Bontana breakfast we just saw. It's grass wheat grass technically,

0:19:42.480 --> 0:19:45.560
<v Speaker 1>but it's grass being stuffed into a juicer by the

0:19:45.600 --> 0:19:48.600
<v Speaker 1>maid Arlene. Michael enters with a sweater tied around his

0:19:48.640 --> 0:19:51.520
<v Speaker 1>shoulders like some prepping ned chad. He downs the blended

0:19:51.520 --> 0:19:53.920
<v Speaker 1>concoction and rejects an offer of waffles and eggs. He's

0:19:53.960 --> 0:19:57.159
<v Speaker 1>watching his body fat percentage. Michael's mom, Jace, enters the

0:19:57.200 --> 0:19:59.359
<v Speaker 1>kitchen and reminds him to go pick up Tommy today,

0:19:59.480 --> 0:20:01.399
<v Speaker 1>but he says he can't. He's got a date with Gina.

0:20:01.680 --> 0:20:04.159
<v Speaker 1>Her dad's a big movie director who made lethal force

0:20:04.320 --> 0:20:07.960
<v Speaker 1>Tornado and Tornado two. This time's personal, of course I

0:20:08.000 --> 0:20:10.199
<v Speaker 1>added that part. But jac also has stuff to do

0:20:10.240 --> 0:20:12.760
<v Speaker 1>for a fundraiser in Palm Springs, so she can't help out.

0:20:12.800 --> 0:20:15.880
<v Speaker 1>And since Little Tommy's father died, he's had a hard time.

0:20:16.480 --> 0:20:19.760
<v Speaker 1>Dead dad alert. Everybody a dcom favorite now a dead

0:20:19.800 --> 0:20:22.000
<v Speaker 1>dad alert. What do we always say? They can the

0:20:22.240 --> 0:20:26.320
<v Speaker 1>parent can be dead, They can't be divorced. Yeah, we

0:20:26.359 --> 0:20:32.040
<v Speaker 1>are now at Michael's Okay, Okay, is he in high school?

0:20:32.200 --> 0:20:33.160
<v Speaker 2>He's in college?

0:20:33.240 --> 0:20:37.080
<v Speaker 1>Right? Because they say he's twenty, Yes, he's so this

0:20:37.119 --> 0:20:38.879
<v Speaker 1>has got to be he's in. I think this is

0:20:38.920 --> 0:20:40.400
<v Speaker 1>a college course that he's I mean.

0:20:40.320 --> 0:20:43.320
<v Speaker 2>The campus was obviously a college kid.

0:20:43.400 --> 0:20:44.880
<v Speaker 1>That's how I look at it too. Okay, so we're

0:20:44.880 --> 0:20:46.840
<v Speaker 1>gonna say Michael's now in college. He could have been

0:20:46.840 --> 0:20:48.480
<v Speaker 1>in high school, but I think he if he.

0:20:48.440 --> 0:20:50.680
<v Speaker 3>As a twenty one year old in high school, there

0:20:50.720 --> 0:20:54.120
<v Speaker 3>is nothing more than a super super senior, that's insane.

0:20:54.640 --> 0:20:56.600
<v Speaker 1>Well, he's twenty and he was getting a D plus,

0:20:56.600 --> 0:20:58.119
<v Speaker 1>so it's not like he's an amazing student. No, I

0:20:58.160 --> 0:20:59.760
<v Speaker 1>think you're right. I think it's college too.

0:20:59.760 --> 0:21:02.199
<v Speaker 3>I thought I thought so too, especially with like what

0:21:02.280 --> 0:21:05.120
<v Speaker 3>they were they were learning about, like the market.

0:21:05.040 --> 0:21:06.560
<v Speaker 1>And they all looked older and everything.

0:21:06.920 --> 0:21:09.080
<v Speaker 2>Yeah, she looked older that everyone looked.

0:21:09.119 --> 0:21:11.080
<v Speaker 1>Agree in college, Yeah, I agree, I agree. Okay, So

0:21:11.119 --> 0:21:12.800
<v Speaker 1>the test grades are being passed back on the last

0:21:12.840 --> 0:21:14.760
<v Speaker 1>day of the school year. He's seated next to Gina

0:21:14.840 --> 0:21:16.600
<v Speaker 1>and she's talking about how her dad is wrapping a

0:21:16.640 --> 0:21:19.119
<v Speaker 1>movie and really wants to meet her new boyfriend. Michael

0:21:19.119 --> 0:21:21.120
<v Speaker 1>hopes they end up in the Riviera at the same time,

0:21:21.160 --> 0:21:23.640
<v Speaker 1>but it depends on when Gina's dad starts his next movie.

0:21:23.800 --> 0:21:25.960
<v Speaker 1>Their teacher notices the couple chatting and lets them know

0:21:26.000 --> 0:21:28.320
<v Speaker 1>that they've talked too much and didn't pay enough attention

0:21:28.400 --> 0:21:31.199
<v Speaker 1>to the school subjects real estate development, land trust, and

0:21:31.240 --> 0:21:34.440
<v Speaker 1>property deeds. You know, even college, it seems like a

0:21:34.480 --> 0:21:35.560
<v Speaker 1>weird thing to be studying.

0:21:35.560 --> 0:21:40.240
<v Speaker 3>But anyway it does because that's like, I don't my

0:21:40.400 --> 0:21:42.520
<v Speaker 3>parents are real estate agents and that was not ever

0:21:42.600 --> 0:21:44.040
<v Speaker 3>something they learned in college.

0:21:44.040 --> 0:21:44.480
<v Speaker 2>They have to go to.

0:21:44.520 --> 0:21:47.399
<v Speaker 3>Write a special special schooling for that.

0:21:47.560 --> 0:21:47.720
<v Speaker 1>Yeah.

0:21:47.760 --> 0:21:50.840
<v Speaker 2>Yeah, but it was like, you know, okay, I shouldn't.

0:21:50.880 --> 0:21:52.400
<v Speaker 2>I need to. I need to keep this in mind.

0:21:52.440 --> 0:21:53.520
<v Speaker 2>This is gonna happen, this is.

0:21:53.440 --> 0:21:56.760
<v Speaker 1>Going to mean something exactly. Michael then looks at his

0:21:56.800 --> 0:22:00.199
<v Speaker 1>test score. He got a D. Not so good. Now

0:22:00.240 --> 0:22:02.160
<v Speaker 1>out in the quad, Gina gives him a two week

0:22:02.240 --> 0:22:05.040
<v Speaker 1>anniversary present, the famous two week anniversary present. It's a

0:22:05.080 --> 0:22:07.040
<v Speaker 1>new watch and he loves it, but when trying it on,

0:22:07.080 --> 0:22:09.359
<v Speaker 1>he realizes he's thirty minutes late to pick up Tommy.

0:22:09.520 --> 0:22:12.119
<v Speaker 1>He races off to the airport, eventually picking up Tommy

0:22:12.160 --> 0:22:15.639
<v Speaker 1>in his convertible Porsche sports car. He blames LA traffic

0:22:15.640 --> 0:22:19.040
<v Speaker 1>for being late. That's a typical excuse everyone uses, and

0:22:19.119 --> 0:22:21.560
<v Speaker 1>Tommy is a sweete pie who just isn't angry at all.

0:22:21.960 --> 0:22:24.960
<v Speaker 1>Summer vacation is official begun, and Michael is genuinely happy

0:22:24.960 --> 0:22:27.080
<v Speaker 1>to see his cousin. Tommy's about to present him with

0:22:27.119 --> 0:22:30.520
<v Speaker 1>the whistle, but the carphone rings. It's Gina, so Tommy

0:22:30.560 --> 0:22:33.320
<v Speaker 1>bashfully hides the whistle. Gina announces that her family will

0:22:33.359 --> 0:22:34.760
<v Speaker 1>in fact be in the south of France at the

0:22:34.760 --> 0:22:37.320
<v Speaker 1>same time. After all, her phone drops out, and Tommy

0:22:37.359 --> 0:22:39.720
<v Speaker 1>sees another opening for his whistle, but Gina calls right

0:22:39.800 --> 0:22:41.760
<v Speaker 1>back before he can hand it off. We find out

0:22:41.760 --> 0:22:44.879
<v Speaker 1>that Michael is manipulating some transfer program to travel to

0:22:44.960 --> 0:22:47.880
<v Speaker 1>France and will drop out once he gets there even

0:22:47.920 --> 0:22:51.439
<v Speaker 1>though he needs the school credits okay, and when she

0:22:51.520 --> 0:22:54.400
<v Speaker 1>asks if they're hanging out for their anniversary, he says yes,

0:22:54.520 --> 0:22:58.080
<v Speaker 1>leaving Tommy feeling neglected already and stuck with this goddamn whistle.

0:22:59.560 --> 0:23:01.960
<v Speaker 1>They make it to Michael's family mansion and Tommy notes

0:23:02.000 --> 0:23:04.479
<v Speaker 1>it's bigger than his school. It's dinner time in Michael's

0:23:04.480 --> 0:23:06.800
<v Speaker 1>mom wishes her sister Jules could have made the trip

0:23:06.840 --> 0:23:09.840
<v Speaker 1>to and we find out that Disneyland is a top

0:23:09.920 --> 0:23:12.000
<v Speaker 1>Tommy's wishless for the week, like so many kids that

0:23:12.040 --> 0:23:14.800
<v Speaker 1>come to Beverly Hills, so Michael plans to take him

0:23:14.880 --> 0:23:16.680
<v Speaker 1>Monday because he says the weekend is going to be

0:23:16.720 --> 0:23:20.119
<v Speaker 1>way too crowded. Good point, that's absolutely true. Glenn, Michael's

0:23:20.200 --> 0:23:21.840
<v Speaker 1>dad and Tommy's uncle, is going to be with his

0:23:21.880 --> 0:23:24.080
<v Speaker 1>wife in Palm Springs for the fundraiser, so they'll be

0:23:24.119 --> 0:23:26.840
<v Speaker 1>alone in the house for a few days. Tommy's shown

0:23:26.880 --> 0:23:29.520
<v Speaker 1>to his guest room. It's actually the home theater. It

0:23:29.560 --> 0:23:31.840
<v Speaker 1>has a popcorn machine, candy in every movie you can

0:23:31.840 --> 0:23:34.120
<v Speaker 1>possibly dream of. Tommy wants Michael to pick a movie

0:23:34.119 --> 0:23:36.000
<v Speaker 1>to watch because he's going over to Gina's to give

0:23:36.000 --> 0:23:38.480
<v Speaker 1>her a necklace he got her. He promises it'll only

0:23:38.520 --> 0:23:40.760
<v Speaker 1>be five minutes. Now. I don't know if it was

0:23:40.760 --> 0:23:42.320
<v Speaker 1>in this scene, but or the next scene where he

0:23:42.320 --> 0:23:47.160
<v Speaker 1>starts with two movies, but the bottom movie Missus Doubt Flyer, No,

0:23:47.240 --> 0:23:49.000
<v Speaker 1>Missus Doubt Fire with matt.

0:23:48.800 --> 0:23:50.280
<v Speaker 2>Lawrence with Matthew Lawrence.

0:23:50.320 --> 0:23:54.040
<v Speaker 1>And now brink was on the screen when he turns

0:23:54.080 --> 0:23:56.320
<v Speaker 1>on the thing. I was like, yeah, and there's brink.

0:23:56.400 --> 0:23:58.720
<v Speaker 1>So we're getting Eastern kind of little easter eggs all

0:23:58.760 --> 0:24:01.359
<v Speaker 1>over the place, which is left it very fun. The

0:24:01.440 --> 0:24:03.600
<v Speaker 1>next morning, Arlene is happy to make Tommy a traditional

0:24:03.600 --> 0:24:07.239
<v Speaker 1>Montana breakfast, none of that grass smoothie. He promises he's

0:24:07.240 --> 0:24:09.720
<v Speaker 1>gonna make a breakfast soon, just as Michael storms in.

0:24:09.960 --> 0:24:11.840
<v Speaker 1>He's got to leave to run errand, so Tommy invites

0:24:11.920 --> 0:24:13.959
<v Speaker 1>himself to go along. Michael thinks Tommy would have more

0:24:13.960 --> 0:24:15.919
<v Speaker 1>fun at home. Tommy says he wants to go to

0:24:16.000 --> 0:24:19.240
<v Speaker 1>adventure Land later because his friend Mule went there once

0:24:19.280 --> 0:24:21.600
<v Speaker 1>and said it was a blast. Can we please add

0:24:21.720 --> 0:24:24.359
<v Speaker 1>Mule to the list of good decom names? Can we

0:24:26.200 --> 0:24:29.040
<v Speaker 1>love it? I love it? Mule's up there. It's it's

0:24:29.119 --> 0:24:32.520
<v Speaker 1>no what is it? Johnny Jaguar why can I think

0:24:32.520 --> 0:24:33.480
<v Speaker 1>of his name from.

0:24:34.000 --> 0:24:39.320
<v Speaker 3>Jackal Johnson Jackals, not jack Jock, but Johnson. It's a

0:24:39.320 --> 0:24:43.359
<v Speaker 3>little bit better because it's just one crazy name, Mule Mule.

0:24:44.000 --> 0:24:47.840
<v Speaker 1>I love it. Yes, no, it's it is officially on

0:24:47.920 --> 0:24:50.760
<v Speaker 1>the list. Michael promises him they'll do whatever he wants,

0:24:50.800 --> 0:24:53.280
<v Speaker 1>and leaves without drinking a smoothie at all. Doesn't touch it,

0:24:53.280 --> 0:24:55.480
<v Speaker 1>doesn't put it to his lips, just grabs it. It's

0:24:55.520 --> 0:24:58.080
<v Speaker 1>orange in some way, and just puts it right down. Later,

0:24:58.240 --> 0:25:00.800
<v Speaker 1>Tommy outside alone, kicking around a sode kerball and hitting

0:25:00.800 --> 0:25:03.080
<v Speaker 1>tennis balls by himself in what has to be the

0:25:03.160 --> 0:25:06.119
<v Speaker 1>saddest montage in the history of any dcom and we

0:25:06.240 --> 0:25:09.359
<v Speaker 1>get kind of another little montage of the next few days.

0:25:09.560 --> 0:25:11.879
<v Speaker 1>Tommy's watching a ton of movies, last swing a statue

0:25:11.920 --> 0:25:14.440
<v Speaker 1>in the front yard, cooking breakfast for Arlean as he promised,

0:25:14.600 --> 0:25:17.240
<v Speaker 1>then teaching her how to wrangle. He's never even seen

0:25:17.280 --> 0:25:19.560
<v Speaker 1>Michael again, or if he does, he's on the phone

0:25:19.560 --> 0:25:21.720
<v Speaker 1>with Gina. He's in his bedroom. He's just not paying

0:25:21.760 --> 0:25:25.280
<v Speaker 1>attention to him at all. Arlene has now officially seen enough.

0:25:25.520 --> 0:25:27.919
<v Speaker 1>The next morning, she decides to shame Michael for ignoring

0:25:27.960 --> 0:25:30.720
<v Speaker 1>his cousin, Michael says he's taking him to Disneyland next week,

0:25:30.800 --> 0:25:34.000
<v Speaker 1>but in reality, Tommy leaves tomorrow. Michael can't believe it.

0:25:34.040 --> 0:25:36.600
<v Speaker 1>He apparently doesn't know how time works at all, even

0:25:36.600 --> 0:25:40.240
<v Speaker 1>with that fancy new watch. Tommy enters the kitchen, clearly pissed.

0:25:40.240 --> 0:25:42.280
<v Speaker 1>When Michael asked if he's ready to go to Disneyland.

0:25:42.320 --> 0:25:45.280
<v Speaker 1>Tommy make sure he actually wants to go and won't

0:25:45.280 --> 0:25:48.679
<v Speaker 1>bail on him. Michael promises he won't. So after Disneyland

0:25:48.720 --> 0:25:52.200
<v Speaker 1>they're going to go to Nights of the Round Table. Huh,

0:25:52.240 --> 0:25:54.120
<v Speaker 1>which is the name they use? So Medieval Times won't

0:25:54.160 --> 0:25:56.720
<v Speaker 1>sue them? Timmy is so and I never get that.

0:25:56.760 --> 0:25:59.639
<v Speaker 1>Why wouldn't you want like Medieval Times? You'd want the

0:25:59.720 --> 0:26:02.280
<v Speaker 1>name of your company in a big movie? Would you know?

0:26:03.000 --> 0:26:04.639
<v Speaker 3>It is the same thing. It's the same way on

0:26:04.680 --> 0:26:08.080
<v Speaker 3>the channel. How we probably every you know, every network.

0:26:08.080 --> 0:26:11.040
<v Speaker 3>How you have to like put something over a Nike Yeah, you.

0:26:11.080 --> 0:26:12.920
<v Speaker 1>Get it's called greeking it out. You have to greek

0:26:12.960 --> 0:26:16.359
<v Speaker 1>out the logo. Yes, it's very strange. We would always

0:26:16.480 --> 0:26:19.640
<v Speaker 1>change the products on our on the set of Boy

0:26:19.680 --> 0:26:23.199
<v Speaker 1>Meets World, so it's like we'd get Captain cunch. Oh,

0:26:23.240 --> 0:26:26.119
<v Speaker 1>and if they did st Waffel crisp instead of waffle,

0:26:26.119 --> 0:26:27.800
<v Speaker 1>could they cover out one part? So it was just

0:26:27.880 --> 0:26:29.879
<v Speaker 1>it was va It was a vaffle crisp. You do

0:26:29.920 --> 0:26:32.359
<v Speaker 1>things like that. Oak. We drank a lot of oak,

0:26:34.160 --> 0:26:37.680
<v Speaker 1>just the way it was. Yes, Tommy is so excited

0:26:37.720 --> 0:26:39.920
<v Speaker 1>and Arlene seems happy as well, so they decide to

0:26:40.000 --> 0:26:42.639
<v Speaker 1>leave right now. On the way there, Michael apologizes for

0:26:42.720 --> 0:26:44.800
<v Speaker 1>how fast the week has gone by. He planned on

0:26:44.880 --> 0:26:46.520
<v Speaker 1>doing way more with Tommy and he's going to do

0:26:46.560 --> 0:26:49.040
<v Speaker 1>more with him today. But then, oh, what happens? Gina

0:26:49.080 --> 0:26:51.200
<v Speaker 1>calls her Daddy got back this morning and wants to

0:26:51.240 --> 0:26:53.760
<v Speaker 1>know when he can finally meet Michael. At first, Michael

0:26:53.800 --> 0:26:56.040
<v Speaker 1>says he can't, but eventually agrees that he'll only stay

0:26:56.080 --> 0:26:58.880
<v Speaker 1>for like a minute or two, and again the disappointment

0:26:58.960 --> 0:27:01.920
<v Speaker 1>is visible on Tommy's face. As a result, Michael drops

0:27:01.920 --> 0:27:04.480
<v Speaker 1>Tommy off at Kiddie Zone, a play place with loud

0:27:04.560 --> 0:27:07.280
<v Speaker 1>music and screaming babies. He promises he'll be back soon

0:27:07.440 --> 0:27:09.960
<v Speaker 1>and fun little dcom Easter Egg here Yet again, the

0:27:10.040 --> 0:27:14.520
<v Speaker 1>kids are watching Prink on the TV. Same director Greg Beaman.

0:27:14.600 --> 0:27:16.399
<v Speaker 1>He's shown his movies all over the place, I love it.

0:27:16.720 --> 0:27:19.400
<v Speaker 3>I love it too, And I'm sure when people were

0:27:19.400 --> 0:27:20.440
<v Speaker 3>watching this they're.

0:27:20.200 --> 0:27:22.119
<v Speaker 2>Like, hey, I know that one. That's you know, I

0:27:22.200 --> 0:27:23.520
<v Speaker 2>watch a brink so fun.

0:27:23.640 --> 0:27:25.879
<v Speaker 1>We cut to a horse track where now Michael, Gina,

0:27:25.880 --> 0:27:28.320
<v Speaker 1>and her dad are cheering on a thoroughbred. Michael has

0:27:28.359 --> 0:27:30.840
<v Speaker 1>been picking winners and Gina's dad wants to know his secret,

0:27:31.160 --> 0:27:33.000
<v Speaker 1>which again I thought was a whole different movie. This

0:27:33.080 --> 0:27:36.000
<v Speaker 1>guy apparently went to four horse races and won four times.

0:27:36.040 --> 0:27:38.200
<v Speaker 1>How is this not a bigger story than they're making

0:27:38.240 --> 0:27:40.480
<v Speaker 1>it out to be. He's some kind of how is

0:27:40.520 --> 0:27:43.800
<v Speaker 1>it not called the yeah, the the gambling sense or whatever.

0:27:43.800 --> 0:27:45.040
<v Speaker 1>This guy could have been a jigillionaire.

0:27:45.119 --> 0:27:48.159
<v Speaker 2>Some people just have that. It's so strange.

0:27:48.359 --> 0:27:51.440
<v Speaker 1>No one can pick horse winners. I don't believe it's

0:27:51.440 --> 0:27:52.480
<v Speaker 1>all it's all guessing.

0:27:52.880 --> 0:27:53.920
<v Speaker 2>Yes, that's what I mean.

0:27:54.040 --> 0:27:56.000
<v Speaker 1>Like does he pick Michael could really just be like

0:27:56.080 --> 0:27:57.120
<v Speaker 1>I can pick winners.

0:27:57.440 --> 0:27:59.359
<v Speaker 3>No, Like it's just like you just kind of like

0:27:59.400 --> 0:28:03.159
<v Speaker 3>for whatever he's in that luck of just like yeah,

0:28:03.200 --> 0:28:04.760
<v Speaker 3>for no reason at all, you're just like.

0:28:04.720 --> 0:28:05.520
<v Speaker 2>Eating Meanie Miny.

0:28:05.560 --> 0:28:07.840
<v Speaker 3>Moe Monroe just learned how to do that, and you're

0:28:07.880 --> 0:28:10.600
<v Speaker 3>just like eating Meani Miney mo that one and then

0:28:10.880 --> 0:28:11.320
<v Speaker 3>they win.

0:28:11.680 --> 0:28:14.040
<v Speaker 2>That happens so crazy.

0:28:15.600 --> 0:28:15.960
<v Speaker 3>It does.

0:28:16.400 --> 0:28:19.480
<v Speaker 1>Well, that's Joey Lawrence's character is a lucky horse picker.

0:28:19.520 --> 0:28:22.600
<v Speaker 1>I don't even know what they're called the horses exactly.

0:28:23.320 --> 0:28:25.680
<v Speaker 1>So everything's going great, but Michael knows he has to

0:28:25.760 --> 0:28:27.560
<v Speaker 1>run and pick up Tommy, but Gina's dad says he

0:28:27.560 --> 0:28:29.480
<v Speaker 1>can't leave before the next race. He needs to pick

0:28:29.520 --> 0:28:31.920
<v Speaker 1>him another winner, which again, I wouldn't let him leave either.

0:28:32.400 --> 0:28:34.920
<v Speaker 1>Gina also begs him to stay, so he does, eventually

0:28:34.960 --> 0:28:37.440
<v Speaker 1>sprinting to his car and crashing into an old lady's

0:28:37.520 --> 0:28:40.560
<v Speaker 1>vehicle on his way out, and they exchange info very

0:28:40.640 --> 0:28:43.800
<v Speaker 1>very quickly. When he does finally get back to play place,

0:28:43.840 --> 0:28:45.960
<v Speaker 1>he can't find Tommy anywhere. He panics, climbing through the

0:28:46.000 --> 0:28:48.600
<v Speaker 1>obstacles looking for his cousin, screaming his name, and fighting

0:28:48.640 --> 0:28:51.440
<v Speaker 1>off little rugrats. He eventually finds out that Tommy called

0:28:51.600 --> 0:28:53.760
<v Speaker 1>Arlene to pick him up because he was worried something

0:28:53.840 --> 0:28:57.080
<v Speaker 1>might have happened to Michael. Oh. When Michael does get

0:28:57.080 --> 0:28:59.360
<v Speaker 1>back to the house, Tommy's watching TV. Michael tries to

0:28:59.360 --> 0:29:01.719
<v Speaker 1>guilt him about leaving the playplace, but Tommy calls his

0:29:01.760 --> 0:29:04.640
<v Speaker 1>cousin selfish and says he can't wait to go home tomorrow.

0:29:04.680 --> 0:29:08.520
<v Speaker 1>Nobody is going to gaslight a farm kid. It's like, no, no, no,

0:29:08.960 --> 0:29:11.360
<v Speaker 1>we don't mess around here, buddy. That's just the way

0:29:11.400 --> 0:29:15.760
<v Speaker 1>it works. Michael apologizes and blames the Lucky Horse streak,

0:29:15.800 --> 0:29:17.880
<v Speaker 1>but Tommy calls horse racing animal abuse.

0:29:18.880 --> 0:29:19.200
<v Speaker 2>It is.

0:29:19.680 --> 0:29:22.040
<v Speaker 1>Michael's parents get home from Palm Springs and ask how

0:29:22.040 --> 0:29:24.800
<v Speaker 1>Disneyland was. Tommy covers from Michael, saying it was exactly

0:29:24.920 --> 0:29:27.600
<v Speaker 1>how he expected it to be, but he's tired and

0:29:27.680 --> 0:29:30.080
<v Speaker 1>needs to go pack. Michael also lies and tells his

0:29:30.160 --> 0:29:31.920
<v Speaker 1>dad the damage on his car was from a hit

0:29:32.040 --> 0:29:35.840
<v Speaker 1>and run. The next morning, Tommy is ready to fly home.

0:29:35.960 --> 0:29:37.720
<v Speaker 1>He takes one last look at the whistle he never

0:29:37.760 --> 0:29:39.800
<v Speaker 1>had a chance to give to Michael and returns it

0:29:39.840 --> 0:29:42.480
<v Speaker 1>to his bag. Tommy tells his aunt if Michael ever

0:29:42.520 --> 0:29:44.440
<v Speaker 1>makes it out to the ranch, he'd like to return

0:29:44.480 --> 0:29:48.280
<v Speaker 1>the favor of hospitality. We catch the sarcasm, but she doesn't,

0:29:48.400 --> 0:29:52.360
<v Speaker 1>and just like that, Tommy returns to Montana. That night,

0:29:52.360 --> 0:29:54.479
<v Speaker 1>in Beverly Hills, Michael joins his parents for dinner and

0:29:54.560 --> 0:29:57.040
<v Speaker 1>something is definitely off. His mom got a call from

0:29:57.040 --> 0:29:59.840
<v Speaker 1>her sister. They now know he didn't spend any time

0:30:00.080 --> 0:30:02.600
<v Speaker 1>Tommy during the trip. They ask about Kiddy's own and

0:30:02.640 --> 0:30:06.400
<v Speaker 1>horse racing and why he's always sleeping or out with Gina.

0:30:06.760 --> 0:30:08.760
<v Speaker 1>And that's when the doorbell rings, and I was like, Okay,

0:30:08.800 --> 0:30:10.840
<v Speaker 1>this can't be good. You're supposed to live in Beverly Hills,

0:30:10.960 --> 0:30:14.080
<v Speaker 1>nobody rings your doorbell, so it's not going to be

0:30:14.080 --> 0:30:16.880
<v Speaker 1>a good thing. It's two police officers. They're looking for

0:30:16.920 --> 0:30:20.040
<v Speaker 1>Michael about a car accident. He gave the woman false

0:30:20.080 --> 0:30:23.800
<v Speaker 1>information and took off, And I was like, why you've

0:30:23.800 --> 0:30:27.200
<v Speaker 1>got insurance, You've got everything. Why why give false information?

0:30:27.240 --> 0:30:28.280
<v Speaker 1>Why lie about it? Oh?

0:30:28.280 --> 0:30:30.400
<v Speaker 3>I didn't feel like he did it on purpose. I

0:30:30.480 --> 0:30:33.480
<v Speaker 3>literally think I've just felt like he like just.

0:30:33.400 --> 0:30:34.600
<v Speaker 2>Gave her the wrong information.

0:30:34.680 --> 0:30:36.840
<v Speaker 3>However, when he was doing it, he was doing it

0:30:36.880 --> 0:30:39.040
<v Speaker 3>off of memory, and I'm like, I could never give

0:30:39.080 --> 0:30:40.400
<v Speaker 3>my insurance card number.

0:30:40.760 --> 0:30:42.280
<v Speaker 1>No nobody knows that.

0:30:42.520 --> 0:30:47.400
<v Speaker 3>Like that was like, what but no, I'm so sorry,

0:30:47.440 --> 0:30:51.160
<v Speaker 3>surpose huh. Oh, I thought he just like like tried

0:30:51.160 --> 0:30:52.960
<v Speaker 3>to do it and then gave her the wrong information.

0:30:53.280 --> 0:30:54.200
<v Speaker 2>Take care what it was.

0:30:54.520 --> 0:30:56.440
<v Speaker 1>I thought he kind of because he never says when

0:30:56.440 --> 0:30:58.280
<v Speaker 1>he's getting yelled at like, I thought I gave her

0:30:58.320 --> 0:31:00.240
<v Speaker 1>all my information. I didn't try to run away.

0:31:00.000 --> 0:31:01.440
<v Speaker 2>Hey, yeah he did.

0:31:01.840 --> 0:31:04.680
<v Speaker 1>No, Does he say I I screwed up and gave

0:31:04.680 --> 0:31:05.640
<v Speaker 1>her the wrong information?

0:31:05.920 --> 0:31:07.760
<v Speaker 3>Yes, he said I gave I didn't realize I gave

0:31:07.800 --> 0:31:08.600
<v Speaker 3>her the wrong information.

0:31:08.800 --> 0:31:10.240
<v Speaker 1>So then I miss I missed that part. I didn't.

0:31:10.280 --> 0:31:11.920
<v Speaker 1>I didn't see that. Oh, okay, got more. Then there

0:31:12.000 --> 0:31:12.240
<v Speaker 1>you go.

0:31:12.440 --> 0:31:15.280
<v Speaker 3>Yeah, because there's just no way someone He's like he

0:31:15.400 --> 0:31:17.880
<v Speaker 3>was thinking he could give her the wrong information and

0:31:17.920 --> 0:31:20.360
<v Speaker 3>she wasn't gonna like report it.

0:31:20.600 --> 0:31:22.760
<v Speaker 1>Oh see, I thought he was gonna, oh, here's my

0:31:22.840 --> 0:31:26.360
<v Speaker 1>information by and he bounced like this old lady's never

0:31:26.400 --> 0:31:27.240
<v Speaker 1>gonna be able to find me.

0:31:27.520 --> 0:31:27.880
<v Speaker 2>I didn't know.

0:31:27.920 --> 0:31:29.640
<v Speaker 1>He mentions it later, saying, I guess I gave her

0:31:29.680 --> 0:31:30.320
<v Speaker 1>the wrong information.

0:31:30.360 --> 0:31:30.920
<v Speaker 2>We've got it.

0:31:31.000 --> 0:31:33.480
<v Speaker 3>We're gonna have to ask him what was the real

0:31:33.720 --> 0:31:36.200
<v Speaker 3>backstory of Yes, I love that.

0:31:36.240 --> 0:31:39.640
<v Speaker 1>We're gonna figure it out. What's the backstory? By the way,

0:31:39.680 --> 0:31:41.440
<v Speaker 1>my favorite thing in the world in this movie, and

0:31:41.440 --> 0:31:44.280
<v Speaker 1>it's such an inside baseball thing for anyone who knows them,

0:31:44.280 --> 0:31:48.920
<v Speaker 1>but the Lawrence brothers call everybody buddy, hey, buddy, And

0:31:48.960 --> 0:31:51.440
<v Speaker 1>then they called each other throughout the entire movie. I

0:31:51.440 --> 0:31:54.120
<v Speaker 1>was like, Oh, it's so true to life. Yes, hey, buddy.

0:31:54.720 --> 0:31:57.800
<v Speaker 1>Once the cops leave, Michael's mom and dad are obviously furious.

0:31:57.840 --> 0:32:00.239
<v Speaker 1>They don't know what's gotten into him. He swears, he oh,

0:32:00.280 --> 0:32:02.640
<v Speaker 1>there you go. He swears he accidentally messed up his information.

0:32:02.680 --> 0:32:04.640
<v Speaker 1>I guess I just missed that part. But his parents

0:32:04.680 --> 0:32:07.080
<v Speaker 1>aren't sure of that, especially because he also lied to

0:32:07.160 --> 0:32:09.600
<v Speaker 1>them and called it a hit and run, which technically

0:32:09.600 --> 0:32:12.720
<v Speaker 1>it was, but yeah, I get it, and as punishment,

0:32:12.720 --> 0:32:15.640
<v Speaker 1>the European Study tour is now in limbo. Michael says

0:32:15.640 --> 0:32:18.000
<v Speaker 1>he's going to call Tommy to profusely apologize and take

0:32:18.040 --> 0:32:20.320
<v Speaker 1>money from his trust fund to fix the Porsche. He'll

0:32:20.320 --> 0:32:22.760
<v Speaker 1>also fly Tommy back out and treat him right. But

0:32:22.800 --> 0:32:25.360
<v Speaker 1>his dad isn't impressed. His trust fund wasn't made for that.

0:32:25.440 --> 0:32:27.480
<v Speaker 1>He's twenty years old and it's time to grow up.

0:32:27.640 --> 0:32:29.400
<v Speaker 1>They decided he's going to spend some time on his

0:32:29.440 --> 0:32:32.080
<v Speaker 1>aunt's ranch and work there for a month for free.

0:32:32.280 --> 0:32:34.320
<v Speaker 1>Michael can't believe what he's hearing, but his parents hope

0:32:34.320 --> 0:32:37.000
<v Speaker 1>he'll learn something about hard work and responsibility, and if

0:32:37.000 --> 0:32:39.400
<v Speaker 1>they hear any negative reports from Jewels or Tommy while

0:32:39.400 --> 0:32:43.200
<v Speaker 1>he's in Montana. The European trip is off. This was

0:32:43.600 --> 0:32:48.120
<v Speaker 1>a great scene, good acting, good writing, way to get

0:32:48.160 --> 0:32:49.720
<v Speaker 1>us into a great way to get us into the movie.

0:32:49.720 --> 0:32:53.880
<v Speaker 1>But also parents that are holding their kids accountable for

0:32:53.960 --> 0:32:55.360
<v Speaker 1>what they did in a dcom.

0:32:55.880 --> 0:32:58.520
<v Speaker 3>And they also set it up to where this is

0:32:59.000 --> 0:33:01.560
<v Speaker 3>although they have a lot of money, you do get

0:33:01.560 --> 0:33:07.920
<v Speaker 3>the the information that they aren't old money. They've earned

0:33:07.960 --> 0:33:11.880
<v Speaker 3>their money, so it they're really making sure that they understand,

0:33:11.960 --> 0:33:15.560
<v Speaker 3>like their kid understands the idea of working hard and

0:33:15.600 --> 0:33:19.400
<v Speaker 3>earning your you know, earning dollar, the.

0:33:19.400 --> 0:33:22.160
<v Speaker 2>Value of a dollar. And I love that. I always

0:33:22.200 --> 0:33:23.080
<v Speaker 2>love those me too.

0:33:23.120 --> 0:33:25.920
<v Speaker 1>I thought this was it was. I thought this was

0:33:25.920 --> 0:33:29.040
<v Speaker 1>another movie where all of the adults were great.

0:33:29.520 --> 0:33:32.240
<v Speaker 2>Yes, well they were. It was mainly adults in this movie.

0:33:32.280 --> 0:33:34.280
<v Speaker 1>Yeah, yeah, they were the first time in a.

0:33:34.200 --> 0:33:37.560
<v Speaker 2>Long time a movie we're watching with mainly adults.

0:33:37.680 --> 0:33:40.560
<v Speaker 1>Yeah other than Andy, yeah, everybody, he's the only kid.

0:33:40.600 --> 0:33:43.080
<v Speaker 1>Everybody else are adults and they were really really good

0:33:43.080 --> 0:33:53.280
<v Speaker 1>in this movie. Yes, and so Michael lands in Montana

0:33:53.320 --> 0:33:56.440
<v Speaker 1>now sporting some flashy expensive western gear but clearly a

0:33:56.480 --> 0:34:02.680
<v Speaker 1>city slicker. After playing round Stone Cow. I was like, wow,

0:34:02.720 --> 0:34:07.600
<v Speaker 1>look at that boots. Oh, it was, but kind of

0:34:07.640 --> 0:34:11.160
<v Speaker 1>a perfect Beverly Hills like this is obviously what cowboys

0:34:11.160 --> 0:34:11.520
<v Speaker 1>look like.

0:34:11.800 --> 0:34:12.920
<v Speaker 2>It was perfect.

0:34:13.040 --> 0:34:15.280
<v Speaker 1>It was perfect, It really was. Right off the plane,

0:34:15.280 --> 0:34:17.640
<v Speaker 1>he bumps into a more realistic cowboy played by his

0:34:17.960 --> 0:34:21.040
<v Speaker 1>very hunky brother, Matt, Sabrina, did you immediately know it

0:34:21.080 --> 0:34:21.959
<v Speaker 1>was Matt? Yes?

0:34:22.239 --> 0:34:24.400
<v Speaker 2>And he looks so cute? And I went, wait, I

0:34:24.440 --> 0:34:26.600
<v Speaker 2>didn't think Matt was in This is Matt in this movie?

0:34:26.920 --> 0:34:28.640
<v Speaker 2>Is this a cameo? What is going on right now?

0:34:28.840 --> 0:34:29.360
<v Speaker 1>Just a cameo?

0:34:29.600 --> 0:34:30.719
<v Speaker 2>And it threw me a little bit.

0:34:30.880 --> 0:34:32.880
<v Speaker 1>Cute boy cameo? Come on, let's oh.

0:34:32.760 --> 0:34:34.759
<v Speaker 2>He's Oh yeah, for sure. He looked great.

0:34:35.200 --> 0:34:36.719
<v Speaker 1>Would he be on your wall? Would map be one

0:34:36.719 --> 0:34:39.600
<v Speaker 1>of the guys on your wall? No, God, We're never

0:34:39.640 --> 0:34:42.520
<v Speaker 1>gonna find a guy for your wall. You're gonna end

0:34:42.560 --> 0:34:46.239
<v Speaker 1>up with a guyless wall. Sabrina, I know, I know.

0:34:47.000 --> 0:34:47.759
<v Speaker 1>Is Joey.

0:34:49.400 --> 0:34:51.040
<v Speaker 2>H probably?

0:34:51.440 --> 0:34:52.000
<v Speaker 1>Yeah?

0:34:51.719 --> 0:34:53.960
<v Speaker 2>Okay, awesome, Yeah.

0:34:53.640 --> 0:34:55.600
<v Speaker 1>Okay, there's a long haired Joey.

0:34:56.920 --> 0:34:59.720
<v Speaker 2>Yeah, I guess. I just he was just so funny

0:34:59.719 --> 0:35:01.200
<v Speaker 2>and just so dreamy.

0:35:00.960 --> 0:35:03.200
<v Speaker 1>Like okay, hey, I'm I was.

0:35:04.880 --> 0:35:08.160
<v Speaker 3>Really little during Blossom though, right, and that's okay, Just like.

0:35:08.120 --> 0:35:11.080
<v Speaker 1>Anyone I see you in just this, this horrible white

0:35:11.239 --> 0:35:13.080
<v Speaker 1>room with nothing on your walls. So now at least

0:35:13.080 --> 0:35:13.680
<v Speaker 1>there's a Joey.

0:35:13.600 --> 0:35:16.480
<v Speaker 2>Lawrence dance pictures and things like that.

0:35:17.560 --> 0:35:19.319
<v Speaker 1>Well and a Joey We're putting joy lawns up there.

0:35:19.320 --> 0:35:20.759
<v Speaker 1>It's just the words. I'm just glad that we got

0:35:20.760 --> 0:35:21.560
<v Speaker 1>somebody on your walls.

0:35:21.600 --> 0:35:25.560
<v Speaker 3>I definitely didn't have a room ever with like in

0:35:25.719 --> 0:35:27.320
<v Speaker 3>sync or even if I was, even though I was

0:35:27.360 --> 0:35:29.839
<v Speaker 3>fans of that, I never had like a room like

0:35:29.840 --> 0:35:30.239
<v Speaker 3>a room.

0:35:30.320 --> 0:35:33.000
<v Speaker 1>How about in your locker, I didn't have a locker.

0:35:33.080 --> 0:35:37.040
<v Speaker 1>We already we talked about this locker had different child.

0:35:37.280 --> 0:35:40.880
<v Speaker 3>I almost locker almost at my gym, like upgraded my

0:35:40.920 --> 0:35:43.360
<v Speaker 3>membership to get a locker, just so I had one,

0:35:43.560 --> 0:35:45.920
<v Speaker 3>even though I would have never left stuff I'm buying

0:35:46.480 --> 0:35:46.920
<v Speaker 3>for Christmas.

0:35:46.920 --> 0:35:48.560
<v Speaker 1>I don't know how that's possibly like a little mini

0:35:48.600 --> 0:35:50.560
<v Speaker 1>one I'm gonna get. I'm getting you a full sized

0:35:50.600 --> 0:35:55.080
<v Speaker 1>locker delivered to your house. So Odd Jewels and Tommy

0:35:55.120 --> 0:35:58.719
<v Speaker 1>are there to pick him up and sarcastically compliments Michael's boots.

0:35:59.040 --> 0:36:00.920
<v Speaker 1>You get the feeling he has not yet forgiven him

0:36:00.920 --> 0:36:03.279
<v Speaker 1>for his la trip. Jeweles makes a quick stop at

0:36:03.280 --> 0:36:05.120
<v Speaker 1>a nearby bank to talk to a guy in a suit,

0:36:05.200 --> 0:36:08.440
<v Speaker 1>and eventually exits adding papers to her folder. She definitely

0:36:08.440 --> 0:36:11.160
<v Speaker 1>looks stressed. We are now at the ranch. Michael is

0:36:11.520 --> 0:36:15.160
<v Speaker 1>disturbed by the smell and guess who he meets Mule. Yes,

0:36:15.480 --> 0:36:17.920
<v Speaker 1>he finally meets Mule, good old Mule. He's a ranch

0:36:17.920 --> 0:36:20.960
<v Speaker 1>hand around and it reveals that actually Mule is his

0:36:21.000 --> 0:36:23.560
<v Speaker 1>real name, and I already love him. He's my favorite.

0:36:23.719 --> 0:36:26.120
<v Speaker 1>And not to be outdone, he meets Twister, a tough

0:36:26.120 --> 0:36:29.200
<v Speaker 1>looking mustache cowboy the backbone of the ranch who's already

0:36:29.239 --> 0:36:33.840
<v Speaker 1>intimidating the city folk on purpose. They're also They also

0:36:33.880 --> 0:36:36.560
<v Speaker 1>go compliment his goofy boots, and Michael brags that they're

0:36:36.560 --> 0:36:39.960
<v Speaker 1>Italian leather. Mule asks if that means the cow's mood

0:36:40.120 --> 0:36:43.480
<v Speaker 1>in an accent, but Michael insists it's because they're expensive.

0:36:43.960 --> 0:36:46.719
<v Speaker 1>Even Max, the family dog, can't stop growling at their

0:36:46.760 --> 0:36:49.839
<v Speaker 1>new visitor. I thought that we were going to get

0:36:49.880 --> 0:36:52.359
<v Speaker 1>a scene where eventually Max was going to be like

0:36:52.920 --> 0:36:56.080
<v Speaker 1>sitting with Michael on his lap kind of. They were

0:36:56.080 --> 0:36:57.480
<v Speaker 1>going to go for me always growled with them. I

0:36:57.480 --> 0:36:59.160
<v Speaker 1>thought it was gonna be an on running thing every

0:36:59.160 --> 0:37:00.800
<v Speaker 1>time he saw me growl. Then we're going to do

0:37:00.800 --> 0:37:02.720
<v Speaker 1>a scene where it's like he protects him or something,

0:37:03.000 --> 0:37:06.200
<v Speaker 1>and it just never happened. Michael will bunk with Tommy,

0:37:06.280 --> 0:37:08.120
<v Speaker 1>and he doesn't seem thrilled about it. He quickly calls

0:37:08.160 --> 0:37:12.520
<v Speaker 1>Gina back home and calls Montana Bowersville. As he hangs up,

0:37:12.560 --> 0:37:15.080
<v Speaker 1>Tommy is hiding in a nearby treehouse and jump scares Michael.

0:37:15.120 --> 0:37:17.920
<v Speaker 1>Boot Now in the house, Michael is impressed with their antiques,

0:37:18.000 --> 0:37:20.399
<v Speaker 1>including the TV stand, a gift to his dad from

0:37:20.440 --> 0:37:23.040
<v Speaker 1>a great great grandfather. Tommy teaches Michael how to use

0:37:23.040 --> 0:37:25.080
<v Speaker 1>the remote control in case he wants to watch some TV,

0:37:25.320 --> 0:37:27.440
<v Speaker 1>but Tommy's going to bed. On his way out, he

0:37:27.560 --> 0:37:29.600
<v Speaker 1>encourages Michael to stay up as late as he'd like,

0:37:29.680 --> 0:37:32.360
<v Speaker 1>with a smirk on his face. Very very early. The

0:37:32.400 --> 0:37:34.680
<v Speaker 1>next morning, Michael is sleeping and it's still dark outside,

0:37:34.760 --> 0:37:37.680
<v Speaker 1>so Tommy quietly hovers over him and loudly plays a

0:37:37.719 --> 0:37:41.040
<v Speaker 1>triangle right next to his ear. Michael jumps, rise and shine.

0:37:41.120 --> 0:37:43.680
<v Speaker 1>It's four thirty AM and breakfast is on the table.

0:37:44.120 --> 0:37:47.280
<v Speaker 1>Michael just went to bed, but Tommy doesn't care. Michael

0:37:47.280 --> 0:37:48.799
<v Speaker 1>tries to go back to sleep, but Tommy gives him

0:37:48.840 --> 0:37:53.160
<v Speaker 1>two words French riviera. It's payback time, and he knows

0:37:53.200 --> 0:37:55.560
<v Speaker 1>his aunt and uncle's phone number. Oh yeah, a little

0:37:55.560 --> 0:37:57.960
<v Speaker 1>bit of blackmail. Down in the kitchen, everyone is now

0:37:58.040 --> 0:38:00.799
<v Speaker 1>eating a big breakfast, even Twister and Mule. Michael takes

0:38:00.800 --> 0:38:02.440
<v Speaker 1>his seat and is told not to work on an

0:38:02.440 --> 0:38:05.800
<v Speaker 1>empty stomach. When he asks for turkey bacon, everyone laughs,

0:38:05.880 --> 0:38:09.560
<v Speaker 1>bacon's from a pig, not turkey's. Reality's setting in Montana's

0:38:09.560 --> 0:38:11.840
<v Speaker 1>Gonna Suck for Michael, Tommy says he wants.

0:38:13.600 --> 0:38:15.440
<v Speaker 2>Tana's Gonna suck for Michael.

0:38:16.080 --> 0:38:18.799
<v Speaker 5>It's absolutely well it is.

0:38:19.239 --> 0:38:22.120
<v Speaker 1>Tommy says, he went to the bluff and saw that

0:38:22.200 --> 0:38:24.440
<v Speaker 1>three colored paint again, and I had no idea what

0:38:24.480 --> 0:38:27.440
<v Speaker 1>he was talking about, not at all. Had rewind it twice.

0:38:27.800 --> 0:38:30.000
<v Speaker 2>I did too. I was like, was he saying three

0:38:30.000 --> 0:38:30.760
<v Speaker 2>colored pig?

0:38:31.200 --> 0:38:31.399
<v Speaker 1>Yeah?

0:38:31.440 --> 0:38:31.880
<v Speaker 2>I don't know.

0:38:32.000 --> 0:38:34.719
<v Speaker 1>I just accepted what. I figure it out later because

0:38:34.760 --> 0:38:37.080
<v Speaker 1>I was like, I don't know, there's a three colored paint, Okay,

0:38:37.120 --> 0:38:40.200
<v Speaker 1>I know what that means. Twister and Mule leave for work,

0:38:40.239 --> 0:38:42.960
<v Speaker 1>and Tommy gleefully decides Michael's first day will be doing

0:38:42.960 --> 0:38:46.600
<v Speaker 1>work around the barn. Sounds harmless enough Michael also meets Goliath,

0:38:46.680 --> 0:38:49.120
<v Speaker 1>a very mean bull that once tried to kill Mule.

0:38:49.400 --> 0:38:51.560
<v Speaker 1>How dare you? I will kill anyone who tries to

0:38:51.600 --> 0:38:54.799
<v Speaker 1>hurt Mule. Still dressed to the nines, Michael will spend

0:38:54.800 --> 0:38:57.279
<v Speaker 1>his day moving manure to a pickup truck, something he

0:38:57.400 --> 0:39:00.880
<v Speaker 1>begrudgingly does all day, eventually falling ahead first into the

0:39:00.920 --> 0:39:03.120
<v Speaker 1>newer and later finding out he could have used a

0:39:03.160 --> 0:39:06.080
<v Speaker 1>nearby tractor instead of a shovel and wheelburrow. And if

0:39:06.080 --> 0:39:08.839
<v Speaker 1>you pause it, it's not even close to being Joey

0:39:08.920 --> 0:39:10.480
<v Speaker 1>Lawrence who falls in the mud.

0:39:10.760 --> 0:39:13.400
<v Speaker 2>Oh really, when he gets out of the.

0:39:13.440 --> 0:39:16.520
<v Speaker 1>Mud, they're still shooting him head on. And I paused it.

0:39:16.560 --> 0:39:19.440
<v Speaker 1>I'm like, they're not even trying to hide. It's just

0:39:19.480 --> 0:39:20.080
<v Speaker 1>some other guy.

0:39:20.360 --> 0:39:24.160
<v Speaker 2>It just not that though I did not notice that

0:39:24.960 --> 0:39:25.800
<v Speaker 2>several times.

0:39:25.560 --> 0:39:27.240
<v Speaker 1>In this movie. It's just some other dude.

0:39:27.400 --> 0:39:31.320
<v Speaker 2>Oh my gosh. You know why, I was going, what

0:39:31.440 --> 0:39:32.600
<v Speaker 2>kind of in my head?

0:39:32.640 --> 0:39:35.480
<v Speaker 3>Then I start going, if I had to do this scene,

0:39:35.560 --> 0:39:38.000
<v Speaker 3>what would it be that I was actually falling into

0:39:38.520 --> 0:39:41.960
<v Speaker 3>just because even mud seems disgusting.

0:39:42.360 --> 0:39:44.440
<v Speaker 1>It's mud, You're falling in the mud. Come on, you're

0:39:44.480 --> 0:39:48.480
<v Speaker 1>making a movie. I know, But I was amazed. I

0:39:48.480 --> 0:39:51.480
<v Speaker 1>was like, oh god, that's not even They show another guy.

0:39:51.560 --> 0:39:53.359
<v Speaker 1>I thought it was a mistake. They show another guy

0:39:53.440 --> 0:39:56.200
<v Speaker 1>pushing the wheelbarrow and then falling into the mud and

0:39:56.239 --> 0:39:58.240
<v Speaker 1>then getting up and looking at the camera with glasses

0:39:58.239 --> 0:40:00.640
<v Speaker 1>on him, like, that's that's just not him. For the

0:40:00.719 --> 0:40:02.960
<v Speaker 1>last ten seconds, it hasn't been him. If you don't

0:40:02.960 --> 0:40:03.840
<v Speaker 1>want to try to hide.

0:40:03.719 --> 0:40:06.399
<v Speaker 3>It, you know his face so well because I did

0:40:06.400 --> 0:40:07.400
<v Speaker 3>not notice that.

0:40:07.239 --> 0:40:09.279
<v Speaker 1>Gobe Honestly, go back and watch and you're like, oh

0:40:09.320 --> 0:40:09.720
<v Speaker 1>my god.

0:40:09.920 --> 0:40:12.040
<v Speaker 2>Joey was Joey up on your wall?

0:40:12.320 --> 0:40:17.120
<v Speaker 1>Will now that you know it's I just noticed stuff, Sabrina,

0:40:17.600 --> 0:40:20.880
<v Speaker 1>And yes he was. He was dreamy. What do you

0:40:20.880 --> 0:40:21.400
<v Speaker 1>want from me?

0:40:21.800 --> 0:40:22.040
<v Speaker 4>Hey?

0:40:22.400 --> 0:40:23.080
<v Speaker 2>Hey, hey.

0:40:23.080 --> 0:40:24.919
<v Speaker 1>The first time I met Joey Lawrence, we're both twelve

0:40:24.960 --> 0:40:27.360
<v Speaker 1>years old, and we bumped into each other. Literally. I

0:40:27.480 --> 0:40:28.800
<v Speaker 1>was going in and he was coming out of the

0:40:28.920 --> 0:40:30.719
<v Speaker 1>Ed Debevieck's bathroom and in.

0:40:30.719 --> 0:40:34.680
<v Speaker 3>Line, I loved vicksh At Tobeks is the best.

0:40:34.680 --> 0:40:37.480
<v Speaker 1>We've talked about it on Potmetrol all the time, Magical

0:40:37.480 --> 0:40:42.759
<v Speaker 1>Rewind and Podmeworld sponsored by Ed Debecks. Uh, they're not anyway. Later,

0:40:42.840 --> 0:40:45.000
<v Speaker 1>Tommy and his mom are on the porch, looking concerned.

0:40:45.040 --> 0:40:46.919
<v Speaker 1>What are they going to do? She says that they'll

0:40:46.920 --> 0:40:48.520
<v Speaker 1>have to go live with their uncle Hank for a while,

0:40:48.600 --> 0:40:50.400
<v Speaker 1>just until they can get their feet back on the ground.

0:40:50.800 --> 0:40:53.000
<v Speaker 1>Tommy hopes the bank can just wait a little longer,

0:40:53.000 --> 0:40:54.720
<v Speaker 1>but his mom admits they owe a lot of money,

0:40:54.719 --> 0:40:57.040
<v Speaker 1>more than they'll ever have, and there's an auction with

0:40:57.080 --> 0:40:59.480
<v Speaker 1>the bank in four weeks to start liquidating their things.

0:40:59.640 --> 0:41:02.040
<v Speaker 1>You could they're both heartbroken, she says, to keep this

0:41:02.080 --> 0:41:04.640
<v Speaker 1>news between them. Just as Michael returns from a long shower,

0:41:04.760 --> 0:41:07.120
<v Speaker 1>he joins them for the sunset, or what they call

0:41:07.320 --> 0:41:10.359
<v Speaker 1>God's painting. Tommy decides to go to bed, and Michael

0:41:10.360 --> 0:41:12.400
<v Speaker 1>says he won't be watching TV tonight. Now alone with

0:41:12.400 --> 0:41:14.719
<v Speaker 1>his aunt, Michael admits that Montana is a little bit

0:41:14.719 --> 0:41:17.480
<v Speaker 1>different than La. She points out the treehouse. It explains

0:41:17.520 --> 0:41:19.240
<v Speaker 1>it was a project that Tommy and his dad started

0:41:19.239 --> 0:41:21.640
<v Speaker 1>before he got sick, but now Tommy just can't finish.

0:41:21.680 --> 0:41:23.879
<v Speaker 1>Michael says he's sorry for what happened to his uncle John.

0:41:24.239 --> 0:41:26.239
<v Speaker 1>She says the ranch was his life and starts to

0:41:26.239 --> 0:41:29.880
<v Speaker 1>get choked up. The next day, Tommy brings Michael to

0:41:29.920 --> 0:41:32.400
<v Speaker 1>help with branding the cows, and I didn't like the

0:41:32.440 --> 0:41:35.439
<v Speaker 1>scene just because branding looks awful. They're going to see

0:41:35.440 --> 0:41:38.040
<v Speaker 1>the cattle through and then spend the night outside. Their

0:41:38.080 --> 0:41:40.439
<v Speaker 1>neighbor said she saw some wolf tracks, but Tommy thinks

0:41:40.440 --> 0:41:42.600
<v Speaker 1>it's no big deal. Michael swears he can ride a horse,

0:41:42.600 --> 0:41:45.120
<v Speaker 1>but no one is convinced. Tommy's found his horse with

0:41:45.200 --> 0:41:47.760
<v Speaker 1>his dad and then nursed her back to life. Michael's

0:41:47.800 --> 0:41:50.560
<v Speaker 1>given a very skinny horse named Slingshot, but Michael demands

0:41:50.560 --> 0:41:53.839
<v Speaker 1>a healthier looking one they sometimes call Black and right

0:41:53.840 --> 0:41:55.400
<v Speaker 1>as they point to him, I kid you not. My

0:41:55.400 --> 0:41:57.200
<v Speaker 1>wife will back me up. Right as they point to him,

0:41:57.360 --> 0:41:59.520
<v Speaker 1>Before he even says anything, I go, I bet that

0:41:59.600 --> 0:42:03.680
<v Speaker 1>horse is named Lightning. I swear to God I did it.

0:42:03.680 --> 0:42:05.600
<v Speaker 1>And so when they finally say Lightning, both toon and

0:42:05.640 --> 0:42:07.279
<v Speaker 1>I went, oh, my god, like I fully called the

0:42:07.320 --> 0:42:10.400
<v Speaker 1>name doors my God. I don't know why. Once he

0:42:10.440 --> 0:42:13.680
<v Speaker 1>mounts Black, Michael takes almost no precautions whatsoever, so he

0:42:13.719 --> 0:42:16.200
<v Speaker 1>takes off at full speed on first kick. We get

0:42:16.239 --> 0:42:18.600
<v Speaker 1>a real rodeo scene here, and a stunt double eventually

0:42:18.600 --> 0:42:21.080
<v Speaker 1>throwing Michael right into Goliath's pen. Uh oh, that is

0:42:21.120 --> 0:42:24.200
<v Speaker 1>a killer bowl and it instantly goes to Gorham, but

0:42:24.239 --> 0:42:27.279
<v Speaker 1>Michael exits just in time, and if you slow it down,

0:42:27.320 --> 0:42:29.040
<v Speaker 1>it looks like whoever's jumping out of the pen might

0:42:29.040 --> 0:42:32.520
<v Speaker 1>have gotten hit in the leg. It's real close. Not

0:42:32.600 --> 0:42:34.680
<v Speaker 1>a good start to the day. Now they're out in

0:42:34.719 --> 0:42:36.560
<v Speaker 1>the canyon, the whole gang is rounding up cows, with

0:42:36.600 --> 0:42:38.600
<v Speaker 1>Michael trying his best but mostly just falling off of

0:42:38.640 --> 0:42:41.440
<v Speaker 1>the saddle. And once they do corrawl the animals and start,

0:42:41.680 --> 0:42:43.920
<v Speaker 1>you know, branding the cows one by one, he actually

0:42:44.000 --> 0:42:46.720
<v Speaker 1>does start to help. That night, they prepare dinner outside

0:42:46.719 --> 0:42:50.120
<v Speaker 1>and Michael's getting accustomed to slingshot, though his butt is sore.

0:42:50.600 --> 0:42:53.240
<v Speaker 1>But before he can rest, Twister gives him some jerky

0:42:53.280 --> 0:42:56.400
<v Speaker 1>and a flashlight. He's first watch up for the wolves.

0:42:56.600 --> 0:42:58.600
<v Speaker 1>He's told not to make any abrupt noises and if

0:42:58.600 --> 0:43:00.960
<v Speaker 1>he sees any wolves, just come back and get them.

0:43:01.239 --> 0:43:04.040
<v Speaker 1>Now he's on night watch. Michael does what Michael does,

0:43:04.080 --> 0:43:08.160
<v Speaker 1>and for some reason calls Gina and complains mid conversation,

0:43:08.280 --> 0:43:10.920
<v Speaker 1>s he's a beautiful shooting star and it's a shooting

0:43:10.920 --> 0:43:12.880
<v Speaker 1>star that isn't a Cheetah Girls two shooting star. This

0:43:12.920 --> 0:43:15.200
<v Speaker 1>one actually just goes pretty quick, like a real shooting star.

0:43:15.480 --> 0:43:16.960
<v Speaker 2>I could have done for it to go a little

0:43:16.960 --> 0:43:17.879
<v Speaker 2>bit longer, a.

0:43:17.800 --> 0:43:19.600
<v Speaker 1>Little bit less, so that you and your three friends

0:43:19.640 --> 0:43:20.640
<v Speaker 1>could get up and make wishes.

0:43:21.200 --> 0:43:23.120
<v Speaker 2>I get run to the window and make a wish.

0:43:23.360 --> 0:43:26.200
<v Speaker 1>I get it. He's obviously never seen a shooting star

0:43:26.239 --> 0:43:28.920
<v Speaker 1>in Los Angeles, and he has to admit Montana is beautiful.

0:43:29.360 --> 0:43:31.839
<v Speaker 1>Gina begs him not to go all quote, dances with

0:43:31.920 --> 0:43:35.000
<v Speaker 1>wolves on him unquote, and becomes frustrated when he's not

0:43:35.000 --> 0:43:38.160
<v Speaker 1>paying attention to her and hangs up. It's also worth

0:43:38.200 --> 0:43:41.000
<v Speaker 1>noting that a very popular nineties club, Dragonfly, is mentioned

0:43:41.040 --> 0:43:43.880
<v Speaker 1>here some la realism in the script. I had to

0:43:43.880 --> 0:43:46.160
<v Speaker 1>ask producer Jensen if that was real thing, because apparently

0:43:46.200 --> 0:43:48.279
<v Speaker 1>it is. And I've never been to a club in

0:43:48.320 --> 0:43:53.040
<v Speaker 1>my life. So when Gina the only time I went

0:43:53.040 --> 0:43:56.040
<v Speaker 1>to a night club, I went to Sabrina Carpenter's sixteenth

0:43:56.120 --> 0:43:58.879
<v Speaker 1>birthday and a nightclub, and I was like, A why

0:43:58.920 --> 0:44:00.680
<v Speaker 1>am I in a nightclub for a seat teen year old?

0:44:01.400 --> 0:44:06.720
<v Speaker 1>And b I was like forty So no, I was not. Hey, crowds,

0:44:06.760 --> 0:44:10.120
<v Speaker 1>loud music, dancing, yay. No, not for this guy.

0:44:10.560 --> 0:44:13.200
<v Speaker 2>Crowds in me can't do it. I get elbowed in

0:44:13.239 --> 0:44:14.719
<v Speaker 2>the head. It was not good for me.

0:44:14.960 --> 0:44:17.560
<v Speaker 1>Yeah, but you could dance the night away. We all know.

0:44:17.640 --> 0:44:20.040
<v Speaker 1>I've seen it. I've seen it. I saw you with

0:44:20.080 --> 0:44:22.640
<v Speaker 1>what's his name? With the guy who you made out with.

0:44:23.040 --> 0:44:25.280
<v Speaker 1>We'll get into that later. Would that guy venue? Oh?

0:44:25.280 --> 0:44:27.439
<v Speaker 1>Would dancing guy from Chetah Girls tube on your wall?

0:44:27.880 --> 0:44:28.120
<v Speaker 3>No?

0:44:28.880 --> 0:44:29.360
<v Speaker 5>Wow?

0:44:29.480 --> 0:44:32.080
<v Speaker 1>Okay no, first on screen kiss wouldn't have been in

0:44:32.080 --> 0:44:35.319
<v Speaker 1>the wall. That's sad, Sabrina. So when Gina quickly calls

0:44:35.320 --> 0:44:38.279
<v Speaker 1>back to apologize for her attitude, the ringing spooks his horse,

0:44:38.360 --> 0:44:40.800
<v Speaker 1>kicking Michael out of the saddle and causing the cows

0:44:40.800 --> 0:44:43.560
<v Speaker 1>to stampede. He runs away, and as they chase me,

0:44:43.680 --> 0:44:46.880
<v Speaker 1>calls nine to one one. He eventually jumps in a

0:44:46.920 --> 0:44:49.319
<v Speaker 1>tree to let them pass, but that was another close call.

0:44:49.640 --> 0:44:52.080
<v Speaker 1>The group eventually catches up with the now smashed cell

0:44:52.120 --> 0:44:55.200
<v Speaker 1>phone and can't believe he lost all the cows. The

0:44:55.239 --> 0:44:58.200
<v Speaker 1>next day, Twister rounded up strays and the stampede knocked

0:44:58.200 --> 0:45:00.800
<v Speaker 1>down some fences. Now Michael's been tasked with moving large

0:45:00.800 --> 0:45:03.279
<v Speaker 1>wooden poles for the broken fences into a truck, a

0:45:03.360 --> 0:45:05.480
<v Speaker 1>job he thinks will be easy for him, but when

0:45:05.560 --> 0:45:07.879
<v Speaker 1>Mule sees his progress, Michael finds out that the truck

0:45:07.920 --> 0:45:11.399
<v Speaker 1>he's been using hasn't run in fifteen years. Mule shows

0:45:11.440 --> 0:45:13.480
<v Speaker 1>him the real truck that was hiding around the corner.

0:45:13.800 --> 0:45:15.440
<v Speaker 1>And so now Michael wants a word with Tommy. He's

0:45:15.480 --> 0:45:17.160
<v Speaker 1>angry about the truck mix up and is sick of

0:45:17.200 --> 0:45:20.839
<v Speaker 1>being sabotage. Payback is over. Tommy can't believe he used

0:45:20.880 --> 0:45:22.759
<v Speaker 1>to want Michael to be his brother. And even at

0:45:22.760 --> 0:45:26.040
<v Speaker 1>this point even I agreed. I was like, Okay, yeah,

0:45:26.080 --> 0:45:27.880
<v Speaker 1>he treats he didn't treat you well when you were

0:45:27.880 --> 0:45:31.640
<v Speaker 1>in LA and you got him back a couple times. Enough,

0:45:32.280 --> 0:45:34.239
<v Speaker 1>even I was to the enough point at this At

0:45:34.280 --> 0:45:35.799
<v Speaker 1>this point, I got it.

0:45:35.920 --> 0:45:36.279
<v Speaker 4>I got it.

0:45:36.440 --> 0:45:39.160
<v Speaker 3>Was like, hey, Michael, why don't we start like looking

0:45:39.239 --> 0:45:42.120
<v Speaker 3>around before you start your next project and just make

0:45:42.200 --> 0:45:43.359
<v Speaker 3>sure that you.

0:45:43.400 --> 0:45:46.680
<v Speaker 2>Know what you're doing, because now it's starting.

0:45:47.239 --> 0:45:50.840
<v Speaker 1>You Shame on, you fool me twice pulls in a truck.

0:45:51.080 --> 0:45:52.840
<v Speaker 1>So that's as the old saying.

0:45:52.640 --> 0:45:56.200
<v Speaker 2>Is the old old old say. Everyone knows Mike.

0:45:56.200 --> 0:46:00.280
<v Speaker 1>That everyone knows that. Michael says the reunion wasn't real life.

0:46:00.320 --> 0:46:02.960
<v Speaker 1>They were the only two people under thirty. He was

0:46:03.120 --> 0:46:05.279
<v Speaker 1>just so bored. He had nothing better to do than

0:46:05.320 --> 0:46:07.320
<v Speaker 1>hang out with Tommy. They decided at that point to

0:46:07.360 --> 0:46:09.239
<v Speaker 1>stay out of each other's way for the rest of

0:46:09.280 --> 0:46:09.760
<v Speaker 1>his stuff.

0:46:10.120 --> 0:46:12.480
<v Speaker 2>That was harsh, though, Michael, come on, you're twenty. This

0:46:12.560 --> 0:46:13.560
<v Speaker 2>kid's young, and.

0:46:13.600 --> 0:46:16.799
<v Speaker 1>That's but it also shows how good an actor Andy is.

0:46:16.880 --> 0:46:18.680
<v Speaker 1>Andy was so good. I mean, they both are, but

0:46:18.719 --> 0:46:21.239
<v Speaker 1>Andy was so good in the scene. He is a

0:46:21.280 --> 0:46:24.560
<v Speaker 1>true dcom star. I also feel like we might have

0:46:24.640 --> 0:46:27.160
<v Speaker 1>gotten a little bit robbed of him as a mainstream

0:46:27.200 --> 0:46:31.040
<v Speaker 1>movie star. Yes, feel like, especially when I was watching

0:46:31.080 --> 0:46:33.760
<v Speaker 1>a bunch of this, I had real but even better

0:46:33.800 --> 0:46:36.560
<v Speaker 1>for his age, but real kind of Macaulay Culkin vibes,

0:46:36.560 --> 0:46:39.680
<v Speaker 1>like how he easily could have taken that path of

0:46:39.680 --> 0:46:41.560
<v Speaker 1>being in some of these huge Hollywood movies when he

0:46:41.640 --> 0:46:42.160
<v Speaker 1>was that age.

0:46:42.160 --> 0:46:45.440
<v Speaker 3>He was great, Yes, And I honestly I don't know

0:46:45.640 --> 0:46:49.840
<v Speaker 3>his like you know story of like why and what

0:46:50.040 --> 0:46:51.200
<v Speaker 3>happened where?

0:46:51.560 --> 0:46:54.160
<v Speaker 2>You know, yeah, where the career ended up going.

0:46:54.239 --> 0:46:58.239
<v Speaker 3>Because you're right, he was great and everyone loved him.

0:46:58.320 --> 0:47:02.440
<v Speaker 3>And how adore this age before he's hitting his like

0:47:02.880 --> 0:47:06.239
<v Speaker 3>cool guy age. How adorable is he? Like, yeah, he

0:47:06.280 --> 0:47:08.759
<v Speaker 3>could be in anything anything.

0:47:08.320 --> 0:47:10.239
<v Speaker 1>Well, look at him in this and then look at

0:47:10.280 --> 0:47:11.839
<v Speaker 1>him and going to the mat. It looks like two

0:47:11.880 --> 0:47:14.080
<v Speaker 1>different people. I mean, he looks so much like a

0:47:14.120 --> 0:47:16.160
<v Speaker 1>Lawrence and going to the mat and here he's like

0:47:16.440 --> 0:47:19.360
<v Speaker 1>he's a Lawrence obviously, but he's just the cute leading

0:47:19.520 --> 0:47:20.200
<v Speaker 1>kid y.

0:47:20.680 --> 0:47:24.240
<v Speaker 3>Yeah, his eyes are just like the kindest little teddy

0:47:24.239 --> 0:47:24.799
<v Speaker 3>bear eyes.

0:47:24.880 --> 0:47:27.680
<v Speaker 2>You just want to just like, oh, come here, give

0:47:27.719 --> 0:47:28.960
<v Speaker 2>me a hug a little bit.

0:47:29.040 --> 0:47:29.319
<v Speaker 3>He does.

0:47:29.360 --> 0:47:32.319
<v Speaker 1>He definitely lights up the scream he does.

0:47:32.560 --> 0:47:33.120
<v Speaker 2>He does.

0:47:40.600 --> 0:47:42.760
<v Speaker 1>Michael then finds a safe spot to nap on his truck,

0:47:42.800 --> 0:47:45.319
<v Speaker 1>only to eventually be startled by Twister, barking orders the

0:47:45.360 --> 0:47:48.200
<v Speaker 1>rebuilding of the fence will take weeks, which Michael just

0:47:48.239 --> 0:47:50.480
<v Speaker 1>doesn't have the patience for, and Twister points out that

0:47:50.520 --> 0:47:52.520
<v Speaker 1>Michael just doesn't give a darn, and he does say

0:47:52.600 --> 0:47:55.919
<v Speaker 1>darn about the family losing their ranch, which Michael doesn't get.

0:47:56.120 --> 0:47:59.880
<v Speaker 1>Lose their ranch. Yeah he didn't know. Twister says everything, Michael,

0:48:00.320 --> 0:48:03.000
<v Speaker 1>right now, isn't that truck, and then rides away. We're

0:48:03.000 --> 0:48:05.160
<v Speaker 1>back in the house. The banker is serving the family's

0:48:05.200 --> 0:48:08.040
<v Speaker 1>belongings for auction, even sizing up the antique TV stand,

0:48:08.080 --> 0:48:10.400
<v Speaker 1>which is an arm wall. I love that word, Michael

0:48:10.400 --> 0:48:13.920
<v Speaker 1>complimented him earlier on, and as the bankers leave, Michael enters.

0:48:14.160 --> 0:48:16.560
<v Speaker 1>Jules tries to cover up the meeting, but he knows

0:48:16.560 --> 0:48:19.160
<v Speaker 1>something was up. That night, Michael can't sleep. He stares

0:48:19.160 --> 0:48:20.920
<v Speaker 1>at the picture of his deceased unkle and he knows

0:48:20.960 --> 0:48:22.759
<v Speaker 1>he has to do something. He goes out to the

0:48:22.760 --> 0:48:25.399
<v Speaker 1>stables and gets to know at nightning a little better

0:48:25.520 --> 0:48:28.279
<v Speaker 1>called it. Eventually, the sound of the horse wakes Tommy up.

0:48:28.320 --> 0:48:32.040
<v Speaker 1>When he sees his cousin practicing outside, Tommy is actually impressed.

0:48:32.520 --> 0:48:34.800
<v Speaker 1>That morning, Michael starts working on the fence and Joey

0:48:34.840 --> 0:48:38.239
<v Speaker 1>Lawrence is very buff. He really was in nineties, hunk.

0:48:38.280 --> 0:48:39.080
<v Speaker 1>There's no denying it.

0:48:40.320 --> 0:48:42.759
<v Speaker 2>I'm telling you he was. He was.

0:48:43.280 --> 0:48:46.040
<v Speaker 1>I will I will say this, and I'm very comfortable

0:48:46.080 --> 0:48:49.240
<v Speaker 1>in my own sexuality. I know the man can fill

0:48:49.280 --> 0:48:51.360
<v Speaker 1>out a tank top. That's all I have to say.

0:48:51.880 --> 0:48:55.040
<v Speaker 3>There's not very many guys either that like I would

0:48:55.239 --> 0:48:57.800
<v Speaker 3>be like, I don't really love guys in the tank tops,

0:48:57.840 --> 0:49:00.880
<v Speaker 3>but like Joey and Lawrence can wear a tank it's okay,

0:49:01.200 --> 0:49:05.319
<v Speaker 3>Like good, it's okay, it's okay. Like I really don't

0:49:05.400 --> 0:49:08.720
<v Speaker 3>I'm not into tank tops with guys really that much.

0:49:08.760 --> 0:49:10.399
<v Speaker 2>But Joey can fill a.

0:49:10.360 --> 0:49:13.040
<v Speaker 1>Tank top works on Joey Man, What do you want

0:49:13.040 --> 0:49:14.279
<v Speaker 1>to say? He just can't.

0:49:14.719 --> 0:49:16.480
<v Speaker 2>You can't. You can't take it away from him.

0:49:16.719 --> 0:49:17.160
<v Speaker 1>You can't.

0:49:17.320 --> 0:49:18.200
<v Speaker 2>That would be a lie.

0:49:18.719 --> 0:49:20.640
<v Speaker 1>We'd be lying, and we don't do that on the show.

0:49:20.840 --> 0:49:23.120
<v Speaker 2>We absolutely don't. It is nothing but the truth here

0:49:23.160 --> 0:49:24.080
<v Speaker 2>on Magical.

0:49:24.000 --> 0:49:28.319
<v Speaker 1>On Magical rewind. Eventually, Tommy dismounts nearby and points out

0:49:28.360 --> 0:49:31.200
<v Speaker 1>the three colored paint something we can finally understand. He

0:49:31.239 --> 0:49:33.480
<v Speaker 1>was talking about a multi colored horse and the herd

0:49:33.520 --> 0:49:35.959
<v Speaker 1>has let her join the group. Tommy knew they would.

0:49:36.440 --> 0:49:38.880
<v Speaker 1>Michael apologizes for earlier he said some cruel things that

0:49:38.880 --> 0:49:41.520
<v Speaker 1>weren't true. At the reunion, he truthfully had a great time.

0:49:41.560 --> 0:49:43.440
<v Speaker 1>They sit on a bench that Tommy's dad made, and

0:49:43.480 --> 0:49:45.919
<v Speaker 1>Tommy talks about how much he misses him. He'd sit

0:49:45.960 --> 0:49:47.839
<v Speaker 1>with his dad on the bench every day after work

0:49:47.880 --> 0:49:50.560
<v Speaker 1>and name the horses together. They even named the little

0:49:50.560 --> 0:49:53.680
<v Speaker 1>one Tommy Boy. His dad thought the wild horses were lucky,

0:49:53.719 --> 0:49:56.120
<v Speaker 1>but now Tommy doubts that, and that helps Michael put

0:49:56.120 --> 0:49:59.200
<v Speaker 1>together why his cousin hates the racetrack. Michael wants to

0:49:59.200 --> 0:50:00.880
<v Speaker 1>know why he didn't know about the banking issues, and

0:50:00.880 --> 0:50:03.319
<v Speaker 1>Tommy admits that he doubted he'd even care. They just

0:50:03.360 --> 0:50:05.840
<v Speaker 1>can't get out of debt, and no one can because

0:50:06.000 --> 0:50:08.719
<v Speaker 1>everyone in this area is having the same issues. They'll

0:50:08.719 --> 0:50:11.719
<v Speaker 1>auction their belongings next week, sell the herd, and do

0:50:11.800 --> 0:50:14.760
<v Speaker 1>what they can. But what is Michael care? Tommy Nosey's

0:50:14.840 --> 0:50:18.600
<v Speaker 1>leaving soon for a vacation with Gina. It is another great, touching,

0:50:18.800 --> 0:50:22.080
<v Speaker 1>quiet scene for d Coom. I don't know if it's

0:50:22.120 --> 0:50:24.760
<v Speaker 1>harder to act with your brother when you're both playing

0:50:24.800 --> 0:50:29.640
<v Speaker 1>different characters, or if it's easier to act, but the chemistry.

0:50:29.080 --> 0:50:31.000
<v Speaker 2>Was just unreal. It really was.

0:50:31.480 --> 0:50:33.680
<v Speaker 1>And there's a couple scenes in the movie that are

0:50:33.920 --> 0:50:36.800
<v Speaker 1>that are like this, that are just really good quiet

0:50:36.920 --> 0:50:38.400
<v Speaker 1>dcom scenes that were great.

0:50:38.680 --> 0:50:41.879
<v Speaker 3>Yes, I mean throughout the whole movie. It was just like, man,

0:50:42.040 --> 0:50:44.600
<v Speaker 3>you just kept going for me. I just kept going.

0:50:45.160 --> 0:50:47.440
<v Speaker 2>God, these guys are good, but they're just.

0:50:47.960 --> 0:50:51.840
<v Speaker 3>I mean, I will believe anything they're selling at this point,

0:50:51.920 --> 0:50:53.280
<v Speaker 3>like they're just so good.

0:50:53.800 --> 0:50:55.480
<v Speaker 1>In all fairness, I think after the last scene, no

0:50:55.560 --> 0:50:56.759
<v Speaker 1>matter what he was selling, if he was in the

0:50:56.760 --> 0:50:57.680
<v Speaker 1>tank top, you'd be buying.

0:50:57.760 --> 0:51:01.040
<v Speaker 3>Let's be honest, this is Oh I can't even give

0:51:01.080 --> 0:51:03.319
<v Speaker 3>you just the seed, because then you just take it

0:51:03.360 --> 0:51:05.560
<v Speaker 3>and you grow a freaking orchard with it.

0:51:06.040 --> 0:51:06.920
<v Speaker 2>God damn it.

0:51:07.000 --> 0:51:10.319
<v Speaker 1>Okay, seeds are meant to grow things, Sabrina, seeds are

0:51:10.320 --> 0:51:13.160
<v Speaker 1>meant to grow things. That's the way it works. Later,

0:51:13.560 --> 0:51:16.520
<v Speaker 1>Michael comfortably sprints home on his horse to call his dad.

0:51:16.560 --> 0:51:19.680
<v Speaker 1>He tells them about Jewels and Tommy's financial situation, but

0:51:19.719 --> 0:51:22.000
<v Speaker 1>his dad already knew about it. His dad actually tried

0:51:22.040 --> 0:51:23.919
<v Speaker 1>to help them, but they won't accept his money. They're

0:51:23.960 --> 0:51:26.279
<v Speaker 1>too proud to take handouts. He even offered to make

0:51:26.320 --> 0:51:28.640
<v Speaker 1>it alone, but Jewels said no. Michael doesn't get it.

0:51:28.680 --> 0:51:31.640
<v Speaker 1>They're just gonna throw all this away. Michael isn't giving up, though,

0:51:31.640 --> 0:51:33.520
<v Speaker 1>He's going to find a way to keep the ranch.

0:51:33.920 --> 0:51:37.280
<v Speaker 1>The next morning, Michael is quick to explain pyramid schemes

0:51:37.440 --> 0:51:40.080
<v Speaker 1>to Twister. This is his plan. Well, I guess this

0:51:40.120 --> 0:51:41.560
<v Speaker 1>is what you get when you're in college and getting

0:51:41.600 --> 0:51:44.440
<v Speaker 1>these good idea. Hey, not only leave them broke, but

0:51:44.520 --> 0:51:47.600
<v Speaker 1>put him in jail. This is such a random edition,

0:51:47.920 --> 0:51:49.840
<v Speaker 1>and we found where we could cut two minutes to

0:51:49.840 --> 0:51:51.880
<v Speaker 1>make it ninety minutes. This scene could have gone, you

0:51:51.960 --> 0:51:54.279
<v Speaker 1>don't need it. Get them something in the good you know,

0:51:54.400 --> 0:51:57.880
<v Speaker 1>have him come up with another thing, you know, anything else,

0:51:57.960 --> 0:51:59.880
<v Speaker 1>essentially to get the same scene.

0:51:59.760 --> 0:52:02.560
<v Speaker 3>True to the time, because at this time there were

0:52:02.760 --> 0:52:05.520
<v Speaker 3>so many different pyramid schemes kind of out there.

0:52:05.600 --> 0:52:06.279
<v Speaker 1>I guess that's true.

0:52:06.360 --> 0:52:08.239
<v Speaker 3>Yeah, it was really true to the and it was

0:52:08.280 --> 0:52:10.279
<v Speaker 3>a quick way to make a buck. And how people,

0:52:10.400 --> 0:52:13.279
<v Speaker 3>especially young people, I mean, how many times was it

0:52:13.320 --> 0:52:17.040
<v Speaker 3>like a door to door salesman situation where you're just like, yeah, okay.

0:52:17.280 --> 0:52:20.120
<v Speaker 1>So if you and I can get two other podcasts

0:52:21.080 --> 0:52:23.799
<v Speaker 1>to come together, and then they get two.

0:52:23.760 --> 0:52:27.319
<v Speaker 2>Other podcasts, right, it's just ridiculous.

0:52:27.360 --> 0:52:31.200
<v Speaker 1>It'll work, It'll work. Yes, good news is Twister figures

0:52:31.200 --> 0:52:33.920
<v Speaker 1>out it's a gambling scam and passes on the idea,

0:52:34.000 --> 0:52:36.920
<v Speaker 1>but reiterates jewels won't take money from anyone anyway. Michael

0:52:37.000 --> 0:52:39.560
<v Speaker 1>just doesn't get all this pride, Twister explains, it just

0:52:39.600 --> 0:52:41.719
<v Speaker 1>don't make any sense to keep the business going. It

0:52:41.719 --> 0:52:43.960
<v Speaker 1>happens to a lot of farmers and ranchers, which is

0:52:43.960 --> 0:52:46.640
<v Speaker 1>another kind of underlying story of this movie, as it

0:52:46.640 --> 0:52:48.279
<v Speaker 1>does happens to a lot of farmers and ranchers who

0:52:48.280 --> 0:52:50.200
<v Speaker 1>work their butts off to keep the rest of us fed,

0:52:50.520 --> 0:52:53.480
<v Speaker 1>and sometimes they can't keep their farms. Later, Jewels and

0:52:53.520 --> 0:52:56.280
<v Speaker 1>Tommy are leaving for Uncle Hank's barbecue, but Michael's decided

0:52:56.320 --> 0:52:58.720
<v Speaker 1>to stay home. We find out Tommy has been rushing

0:52:58.880 --> 0:53:01.319
<v Speaker 1>to get the treehouse done before they leave, but it's

0:53:01.320 --> 0:53:03.480
<v Speaker 1>a lot of work. But once Jewels and Tommy leave,

0:53:03.600 --> 0:53:07.400
<v Speaker 1>Michael uses the alone time to finish the treehouse, something

0:53:07.440 --> 0:53:10.760
<v Speaker 1>he just magically knows. I mean the guy houses.

0:53:11.040 --> 0:53:13.120
<v Speaker 3>That was one of the things, like the guy can't

0:53:13.480 --> 0:53:16.800
<v Speaker 3>have a clue on how to get this fence started

0:53:16.880 --> 0:53:17.840
<v Speaker 3>to get finished.

0:53:18.120 --> 0:53:19.560
<v Speaker 1>But he's building a small home.

0:53:19.640 --> 0:53:21.720
<v Speaker 2>But he can go up there and build a tiny,

0:53:21.960 --> 0:53:23.040
<v Speaker 2>a tiny little apartment.

0:53:23.280 --> 0:53:25.960
<v Speaker 1>In like two hours, he builds the whole house, including

0:53:26.000 --> 0:53:29.360
<v Speaker 1>a debt with with a railing. So it was like,

0:53:29.440 --> 0:53:31.320
<v Speaker 1>oh my god, the only the only thing missing this

0:53:31.440 --> 0:53:32.799
<v Speaker 1>is like I'm putting the pool in the morrow, Like

0:53:32.800 --> 0:53:35.759
<v Speaker 1>what's the problem? It was? It was a lot it

0:53:35.800 --> 0:53:38.879
<v Speaker 1>should have been like it again, like he.

0:53:38.960 --> 0:53:41.120
<v Speaker 2>Just did a lot of like not I don't think

0:53:41.120 --> 0:53:42.160
<v Speaker 2>he needed to finish it.

0:53:42.239 --> 0:53:44.839
<v Speaker 3>He could have just made it like like the progress,

0:53:44.880 --> 0:53:46.960
<v Speaker 3>like a lot of progress to show like it.

0:53:46.920 --> 0:53:49.480
<v Speaker 1>Should have been something like that was so close to

0:53:49.520 --> 0:53:53.480
<v Speaker 1>being done, but the last three boards he keep the

0:53:53.719 --> 0:53:56.000
<v Speaker 1>Tommy keeps putting up and pulling off, and putting up

0:53:56.000 --> 0:53:59.279
<v Speaker 1>and pulling off. I couldn't say. Michael goes to finish it,

0:53:59.320 --> 0:54:01.760
<v Speaker 1>and he like does the finishing touches, but the idea

0:54:01.760 --> 0:54:03.400
<v Speaker 1>of that in two hours, he's able to finish the

0:54:03.560 --> 0:54:06.240
<v Speaker 1>entire home. It's a five bedroom.

0:54:05.840 --> 0:54:07.879
<v Speaker 2>Hall, four and a half fast It's very nice.

0:54:07.880 --> 0:54:08.920
<v Speaker 1>It's on Zillow check.

0:54:08.760 --> 0:54:13.279
<v Speaker 3>It out, stick it out for three million dollars three

0:54:13.320 --> 0:54:14.200
<v Speaker 3>point two million.

0:54:15.280 --> 0:54:18.360
<v Speaker 1>But when the duo returned to see his work, Tommy

0:54:18.520 --> 0:54:20.080
<v Speaker 1>is not happy. He was supposed to finish it with

0:54:20.120 --> 0:54:23.239
<v Speaker 1>his dad. He starts frantically dismantling it, breaking down and

0:54:23.280 --> 0:54:24.080
<v Speaker 1>crying in pain.

0:54:24.320 --> 0:54:28.640
<v Speaker 2>Another great scene. Great see mister Andy Lawrence. Yes, great and.

0:54:28.920 --> 0:54:31.000
<v Speaker 1>Even the way Joey reacts. They're both really good in

0:54:31.040 --> 0:54:33.799
<v Speaker 1>this movie. Now Inside, Michael calls Gina to tell her

0:54:33.880 --> 0:54:37.400
<v Speaker 1>about Jules's terrible financial situation when he's heading off to Europe.

0:54:37.400 --> 0:54:39.279
<v Speaker 1>They won't you to have a house. She doesn't care.

0:54:39.360 --> 0:54:41.840
<v Speaker 1>It's all too depressing. She wants to talk about villas,

0:54:41.840 --> 0:54:44.360
<v Speaker 1>five star restaurants and a racehorse or dad just bought.

0:54:44.600 --> 0:54:47.560
<v Speaker 1>He explains he's proud of himself. He's been learning and

0:54:47.600 --> 0:54:49.680
<v Speaker 1>doing things he never thought he could do. He's working

0:54:49.680 --> 0:54:51.600
<v Speaker 1>with his hands and riding horses, but she cuts him

0:54:51.600 --> 0:54:54.960
<v Speaker 1>off and hangs up. I hated Gina. The next morning,

0:54:55.000 --> 0:54:56.920
<v Speaker 1>he's still working with Gina.

0:54:58.040 --> 0:55:01.240
<v Speaker 2>A new girl name for us.

0:55:01.360 --> 0:55:07.760
<v Speaker 6>Gina, Like from now on, Yeah, seriously, God's damn it Gina.

0:55:08.040 --> 0:55:10.600
<v Speaker 2>That's it. There it is God, Gina, Gina.

0:55:11.280 --> 0:55:13.800
<v Speaker 1>Don't even get me started. Don't get me started on Gina.

0:55:14.760 --> 0:55:16.680
<v Speaker 1>The next morning, he is still working when he hears

0:55:16.680 --> 0:55:19.279
<v Speaker 1>a stampede of horses. He's quick to remember all their names,

0:55:19.280 --> 0:55:21.040
<v Speaker 1>but then Tommy races down the hill and his horse

0:55:21.080 --> 0:55:24.440
<v Speaker 1>screaming for Twister. He tells Michael that Tommy Boy is dying.

0:55:24.760 --> 0:55:27.440
<v Speaker 1>Michael jumps on Tommy's horse to help and finds Tommy

0:55:27.440 --> 0:55:30.000
<v Speaker 1>Boy stuck in the mud. Tommy tried to lasso him

0:55:30.000 --> 0:55:32.520
<v Speaker 1>out but can't get to him, so Michael wants to

0:55:32.520 --> 0:55:34.960
<v Speaker 1>go in, but Tommy knows he has an easier time

0:55:35.000 --> 0:55:36.960
<v Speaker 1>of it because of his weight. He's smaller, he can

0:55:36.960 --> 0:55:39.360
<v Speaker 1>get there safer, so they tie a rope around Tommy

0:55:39.400 --> 0:55:42.040
<v Speaker 1>and slowly let him walk into the mud, with Tommy

0:55:42.040 --> 0:55:44.200
<v Speaker 1>giving him slack and making sure they don't also lose

0:55:44.239 --> 0:55:46.600
<v Speaker 1>a human in this, because you know that would suck.

0:55:47.200 --> 0:55:50.120
<v Speaker 1>Tommy does eventually wrap up the horse, but spooks him,

0:55:50.400 --> 0:55:53.000
<v Speaker 1>pushing Tommy and Michael into the mud. Michael jumps up

0:55:53.040 --> 0:55:56.439
<v Speaker 1>and Tommy caresses the animal. M He's a very stressed animal.

0:55:56.480 --> 0:55:57.960
<v Speaker 1>And this is where horse sense, I think comes in

0:55:57.960 --> 0:56:00.799
<v Speaker 1>a little bit. Yes, he's cressing out of animal, he's

0:56:00.880 --> 0:56:02.040
<v Speaker 1>kind of relaxing.

0:56:02.160 --> 0:56:03.800
<v Speaker 2>The close up on the eye.

0:56:03.520 --> 0:56:06.000
<v Speaker 1>On the eyes, all that stuff. Michael is touched and

0:56:06.040 --> 0:56:09.080
<v Speaker 1>impressed by his cousin's calmness, only snapping out of his

0:56:09.200 --> 0:56:11.680
<v Speaker 1>reaction when he has to work again to pull him out.

0:56:11.680 --> 0:56:13.960
<v Speaker 1>It is a tough push and pull, but eventually they

0:56:14.000 --> 0:56:16.520
<v Speaker 1>save Tommy boy and let him be free. They did it,

0:56:16.640 --> 0:56:19.359
<v Speaker 1>the cousins worked together. We're now back at the house.

0:56:19.440 --> 0:56:21.600
<v Speaker 1>Jewels sees the boys returning and is not only shocked

0:56:21.640 --> 0:56:24.239
<v Speaker 1>to see how muddy her son is, but Michael is

0:56:24.280 --> 0:56:26.399
<v Speaker 1>only five minutes to shower and make his flight home.

0:56:26.480 --> 0:56:29.520
<v Speaker 1>Michael runs the house to get ready. Now packed and clean,

0:56:29.600 --> 0:56:32.279
<v Speaker 1>Michael power walks to the car with Tommy. This trip

0:56:32.320 --> 0:56:35.240
<v Speaker 1>went so fast. Michael apologizes again about Disneyland and promises

0:56:35.280 --> 0:56:37.239
<v Speaker 1>him next time he's in La they're going for sure.

0:56:37.520 --> 0:56:39.960
<v Speaker 1>He says goodbye and gets in Jewels's truck to leave.

0:56:40.400 --> 0:56:42.120
<v Speaker 1>On our way to the airport, they notice they're being

0:56:42.200 --> 0:56:44.400
<v Speaker 1>trailed by Tommy or a thirty five year old man

0:56:44.440 --> 0:56:46.640
<v Speaker 1>on a horse, which is obviously what it was. He

0:56:46.760 --> 0:56:49.719
<v Speaker 1>it's the whistle he still has there he wants to

0:56:49.840 --> 0:56:51.840
<v Speaker 1>finally give it to Michael. He thanks Tommy for the

0:56:51.840 --> 0:56:54.319
<v Speaker 1>thoughtful gift, and they drive off, waving goodbye to his

0:56:54.400 --> 0:56:57.200
<v Speaker 1>now smiling cousin riding the horse, which then turns into

0:56:57.200 --> 0:56:59.880
<v Speaker 1>a little bit of a horse car race. Michael's at

0:56:59.880 --> 0:57:02.520
<v Speaker 1>the track again. He's home now in Los Angeles with

0:57:02.760 --> 0:57:05.200
<v Speaker 1>Gina and her dad, but now he hears every crack

0:57:05.280 --> 0:57:07.840
<v Speaker 1>of every whip and imagines the wild horses in Montana.

0:57:07.880 --> 0:57:10.360
<v Speaker 1>He can't enjoy this anymore. They make their way to

0:57:10.440 --> 0:57:12.759
<v Speaker 1>the winner circle, and even though he's one, because again

0:57:13.600 --> 0:57:17.440
<v Speaker 1>he's one, Gina's dad's horse freaks out, bucking the jockey

0:57:17.440 --> 0:57:20.080
<v Speaker 1>onto the ground while everyone runs away. Michael approaches the

0:57:20.120 --> 0:57:21.960
<v Speaker 1>horse and is able to calm him down by pulling

0:57:22.000 --> 0:57:24.720
<v Speaker 1>its reins and rubbing him softly, just like his cousin

0:57:24.760 --> 0:57:29.240
<v Speaker 1>did for Tommy Boy horse sense. Back at Michael's house. Gina,

0:57:30.280 --> 0:57:31.680
<v Speaker 1>Gina and her dad.

0:57:31.480 --> 0:57:34.680
<v Speaker 5>God damn it, Gina, damn it, Gina, God damn it

0:57:34.760 --> 0:57:39.240
<v Speaker 5>Gina have arrived to pick him up for Europe.

0:57:39.680 --> 0:57:42.000
<v Speaker 1>Elena can tell something is bothering Michael, but he says

0:57:42.000 --> 0:57:44.480
<v Speaker 1>everything's okay. He gets his luggage and makes his way

0:57:44.480 --> 0:57:46.800
<v Speaker 1>to the limo, but when Gina say.

0:57:46.640 --> 0:57:50.080
<v Speaker 2>It, God damn it, Gina.

0:57:49.960 --> 0:57:52.560
<v Speaker 1>Runs out to greet him. He doesn't give his bags

0:57:52.560 --> 0:57:55.120
<v Speaker 1>to the chauffeur. He's not going. He realizes there's something

0:57:55.120 --> 0:57:57.560
<v Speaker 1>more important than he has to do, and Gina, God

0:57:57.640 --> 0:58:00.880
<v Speaker 1>damn it, Gina is not happy. We cut to a

0:58:00.880 --> 0:58:03.320
<v Speaker 1>car dealership when Michael has sold his car. Then he

0:58:03.360 --> 0:58:06.280
<v Speaker 1>decides to liquidate his trust fund at the bank. Back

0:58:06.320 --> 0:58:08.600
<v Speaker 1>in Montana, Jewels and Tommy are packing up their things.

0:58:08.640 --> 0:58:10.520
<v Speaker 1>They're sad, but they know things will work out, and

0:58:10.520 --> 0:58:13.240
<v Speaker 1>then the door opens. It's Michael. He says it's time

0:58:13.280 --> 0:58:16.000
<v Speaker 1>to unpack. Jewles is shocked to see him. Michael hands

0:58:16.000 --> 0:58:17.880
<v Speaker 1>her a check, but she still can't take it. He

0:58:17.920 --> 0:58:19.800
<v Speaker 1>says it's an investment, not a free ride, but she

0:58:19.840 --> 0:58:22.440
<v Speaker 1>says it's a bad investment. She says it's time to

0:58:22.440 --> 0:58:24.840
<v Speaker 1>move on. Jewels tears up, but that's it, it's over.

0:58:25.160 --> 0:58:27.280
<v Speaker 1>She asked Michael to trust her. They're going to be fine.

0:58:28.600 --> 0:58:31.160
<v Speaker 1>The next day, they're prepping for the auction. Potential bidders

0:58:31.160 --> 0:58:33.280
<v Speaker 1>are checking out the items in the front yard. Tommy

0:58:33.280 --> 0:58:35.720
<v Speaker 1>and Michael bring out some last minute editions, including a

0:58:35.800 --> 0:58:38.640
<v Speaker 1>trunk that could bring them some extra cash. Tommy says

0:58:38.680 --> 0:58:40.720
<v Speaker 1>his mom filled it with all of his childhood schoolwork.

0:58:41.120 --> 0:58:43.680
<v Speaker 1>She of course, has kept everything like me. They discover

0:58:43.760 --> 0:58:46.120
<v Speaker 1>some of Tommy's A plus classwork, reminding Michael of his

0:58:46.200 --> 0:58:48.840
<v Speaker 1>recent D plus. When Tommy asked him what class it

0:58:48.880 --> 0:58:51.040
<v Speaker 1>was in, Michael remembers it was about real estate and

0:58:51.120 --> 0:58:53.840
<v Speaker 1>deeds and trusts are something and then light bulb that

0:58:53.840 --> 0:58:55.960
<v Speaker 1>gives him an idea. He's got to check something out.

0:58:56.000 --> 0:58:58.160
<v Speaker 1>He calls his dad to recover that test. He wants

0:58:58.200 --> 0:59:01.280
<v Speaker 1>to know something about land trusts. Next thing. You know,

0:59:01.480 --> 0:59:04.600
<v Speaker 1>although why he would go to his dplus paper where

0:59:04.600 --> 0:59:05.880
<v Speaker 1>obviously everything he said was.

0:59:05.880 --> 0:59:07.280
<v Speaker 2>Wrong, Everything was wrong.

0:59:07.400 --> 0:59:09.520
<v Speaker 1>That's what I started joking. I was watching the thing

0:59:09.520 --> 0:59:11.520
<v Speaker 1>and I was like, Michael, this is one long sentence.

0:59:11.800 --> 0:59:14.720
<v Speaker 3>None ask him for your textbook. Where's your text book?

0:59:14.800 --> 0:59:19.800
<v Speaker 3>Let's get the actual facts. Michael something this essay.

0:59:20.280 --> 0:59:23.880
<v Speaker 1>Exactly, let's look for something other than that. Hey, that's

0:59:23.920 --> 0:59:26.040
<v Speaker 1>a good idea. Next thing, you know, Michael is running

0:59:26.080 --> 0:59:27.680
<v Speaker 1>back to the auction. His car is blocked in, so

0:59:27.720 --> 0:59:30.000
<v Speaker 1>he quickly hops on Lightning and takes the horse all

0:59:30.040 --> 0:59:31.680
<v Speaker 1>the way to the bank to meet with the man

0:59:31.720 --> 0:59:33.840
<v Speaker 1>for closing on the ranch. He tells the banker his

0:59:33.920 --> 0:59:35.760
<v Speaker 1>ot and cousin work hard, and he knows there's no

0:59:35.800 --> 0:59:38.560
<v Speaker 1>such thing as quick fix, but he's done some research

0:59:38.640 --> 0:59:41.680
<v Speaker 1>and has an idea. The bank has foreclosed on eighteen

0:59:41.760 --> 0:59:43.960
<v Speaker 1>ranches in the last few years, and all of these

0:59:43.960 --> 0:59:47.240
<v Speaker 1>properties are still for sale, he suggests. So essentially, what

0:59:47.240 --> 0:59:49.800
<v Speaker 1>he's saying is you're losing money by doing this. He

0:59:49.880 --> 0:59:52.560
<v Speaker 1>suggests a land trust. That way they can work together

0:59:52.640 --> 0:59:54.560
<v Speaker 1>to make some money. He just needs to take a chance,

0:59:54.600 --> 0:59:56.480
<v Speaker 1>and just like that, the banker says he'll give it

0:59:56.520 --> 0:59:59.240
<v Speaker 1>some thought. Back at the ranch, the auction's in full effect.

0:59:59.240 --> 1:00:01.200
<v Speaker 1>It now the beloved t two hundred year old armoire

1:00:01.280 --> 1:00:03.840
<v Speaker 1>that uses the TV stand is up for sale. Jewels

1:00:03.880 --> 1:00:05.840
<v Speaker 1>can't stay. It's too much for her. But just as

1:00:05.840 --> 1:00:08.400
<v Speaker 1>they're leaving, here comes Michael and Lightning. He cuts off

1:00:08.440 --> 1:00:11.120
<v Speaker 1>the auctioneer in commandeer is the mic. He announces this

1:00:11.160 --> 1:00:14.240
<v Speaker 1>auction is over, nothing else will be sold, and everything

1:00:14.280 --> 1:00:16.960
<v Speaker 1>will be refunded. He apologizes and sends them home. Jewels

1:00:17.040 --> 1:00:19.680
<v Speaker 1>is mad, what is he doing? She explains they don't

1:00:19.680 --> 1:00:22.320
<v Speaker 1>have a choice, but Michael says, actually they do have

1:00:22.360 --> 1:00:24.960
<v Speaker 1>a choice. He reveals a thirty day extension from the

1:00:24.960 --> 1:00:27.440
<v Speaker 1>bank and tells Tommy that his dad was right. The

1:00:27.480 --> 1:00:31.640
<v Speaker 1>wild horses are lucky. He then explains land trusts. Because

1:00:31.680 --> 1:00:34.840
<v Speaker 1>the land supports stray horses, the land trust can protect

1:00:34.840 --> 1:00:37.680
<v Speaker 1>them and their habitats. So if the land is accepted

1:00:37.680 --> 1:00:39.680
<v Speaker 1>by the trust, which it should be, the debt will

1:00:39.720 --> 1:00:42.000
<v Speaker 1>be covered by it. They won't own the land anymore,

1:00:42.000 --> 1:00:44.200
<v Speaker 1>but they'll get paid to stay where they are and

1:00:44.240 --> 1:00:46.520
<v Speaker 1>to take care of it. Jewels thanks him, but Michael

1:00:46.560 --> 1:00:48.840
<v Speaker 1>is one last request. He wants to stay in Montana

1:00:48.840 --> 1:00:51.240
<v Speaker 1>a little longer to see the trust through. This is

1:00:51.240 --> 1:00:54.200
<v Speaker 1>obviously okay, and we even see Twister and Mule smile

1:00:54.240 --> 1:00:58.360
<v Speaker 1>a little bit. God, I love Mule. As the bidders leave, Mule,

1:00:58.520 --> 1:01:00.800
<v Speaker 1>That's why I'd have my wall locker, I'd have a

1:01:00.800 --> 1:01:05.600
<v Speaker 1>picture of Mule. As the bitters leave, Tommy asks Michael,

1:01:05.640 --> 1:01:08.400
<v Speaker 1>one last thing, do you feel like working on the treehouse,

1:01:08.480 --> 1:01:10.680
<v Speaker 1>and this time he does. They race off to finish it,

1:01:10.760 --> 1:01:21.800
<v Speaker 1>and that's our movie. Wow, Sabrina, let's do some real reviews.

1:01:22.840 --> 1:01:26.440
<v Speaker 1>I've got the one star and excuse me, I've got

1:01:26.480 --> 1:01:29.479
<v Speaker 1>the five star this week and it's by the jew

1:01:29.560 --> 1:01:35.560
<v Speaker 1>review Wow he and it reads as follows not a

1:01:35.600 --> 1:01:37.880
<v Speaker 1>load of manure. This is one of the hardest films

1:01:37.880 --> 1:01:40.520
<v Speaker 1>to watch because it's not officially on DVD and the VHS.

1:01:40.520 --> 1:01:42.840
<v Speaker 1>It's hard to come by. This movie is rewarding in

1:01:42.880 --> 1:01:45.640
<v Speaker 1>that it does show what love, family and hard work

1:01:45.680 --> 1:01:48.880
<v Speaker 1>can offer. Five stars. I agree, I like it all right.

1:01:50.360 --> 1:01:52.240
<v Speaker 1>What do you got there, Sabrina.

1:01:52.200 --> 1:01:55.120
<v Speaker 3>I've got a one star by our friend of the

1:01:55.160 --> 1:02:00.760
<v Speaker 3>podcast named got another one from unnamed somebody who wants

1:02:00.800 --> 1:02:02.920
<v Speaker 3>to say something on the internet and not claim it.

1:02:03.240 --> 1:02:07.040
<v Speaker 3>All right, one star? Well, what do you expect from

1:02:07.080 --> 1:02:11.080
<v Speaker 3>a Disney movie? Cheese and over the top, heartwarmy moments.

1:02:11.320 --> 1:02:16.280
<v Speaker 3>But John Lawrence is nice to look at all right.

1:02:17.600 --> 1:02:20.080
<v Speaker 1>Okay, for the record, Johnny Lawrence was the bad guy

1:02:20.240 --> 1:02:23.600
<v Speaker 1>in Karate Kid, so that's there. They're they're mixing up

1:02:23.680 --> 1:02:24.560
<v Speaker 1>Lawrence boys.

1:02:24.720 --> 1:02:29.320
<v Speaker 3>Okay, don't give this nomid person any credit.

1:02:29.440 --> 1:02:33.200
<v Speaker 2>That is garbage. This movie was greatly was it.

1:02:33.080 --> 1:02:36.080
<v Speaker 1>Was okay, let's do our We of course to the

1:02:36.520 --> 1:02:40.120
<v Speaker 1>part of our program that Sabrina loves. It's our feature presentation.

1:02:41.000 --> 1:02:44.760
<v Speaker 1>This game, set up by producer Jensen, is called horse

1:02:44.800 --> 1:02:48.960
<v Speaker 1>Sense or sixth Sense. We better hope we were paying

1:02:48.960 --> 1:02:51.160
<v Speaker 1>attention because this week we'll be given a movie quote

1:02:51.200 --> 1:02:52.640
<v Speaker 1>and we must decide if it's a line from the

1:02:52.680 --> 1:02:56.600
<v Speaker 1>movie we just recapped, horse Sense or the nineteen ninety

1:02:56.640 --> 1:03:00.560
<v Speaker 1>nine breakout mystery thriller sixth Sense from m Night chamel In.

1:03:00.960 --> 1:03:03.280
<v Speaker 1>That sounds easy enough, right, three out of five wins,

1:03:03.400 --> 1:03:06.440
<v Speaker 1>You would think, Producer Jensen, are you with us?

1:03:06.600 --> 1:03:09.760
<v Speaker 4>I think you guys are both horse sensed out. Let's see.

1:03:10.440 --> 1:03:14.160
<v Speaker 1>I don't know if I'm gonna get this. Okay, first quote,

1:03:14.680 --> 1:03:17.080
<v Speaker 1>you think you're the only one who has to fight.

1:03:21.640 --> 1:03:22.920
<v Speaker 1>I'm gonna say sixth Sense.

1:03:23.520 --> 1:03:25.880
<v Speaker 4>Yeah, Oh that's funny because it's horse sense.

1:03:26.480 --> 1:03:27.920
<v Speaker 1>Come on, who says that?

1:03:28.760 --> 1:03:29.120
<v Speaker 4>Twister?

1:03:30.280 --> 1:03:32.640
<v Speaker 1>Oh god? This movie?

1:03:32.840 --> 1:03:35.880
<v Speaker 4>Yeah, I figured this is gonna happen. I was like, like,

1:03:35.920 --> 1:03:37.560
<v Speaker 4>they just watched it, but I don't think it. I

1:03:37.600 --> 1:03:41.160
<v Speaker 4>think you're gonna be horse sensed out. Yeah, unsensible?

1:03:41.440 --> 1:03:44.840
<v Speaker 1>Maybe our second quote, I didn't know you were funny.

1:03:46.080 --> 1:03:51.360
<v Speaker 1>I didn't know you were funny. Sixth sense, horse sense,

1:03:52.760 --> 1:03:55.280
<v Speaker 1>it's sixth sense. Yes, finally got one.

1:03:56.160 --> 1:03:57.840
<v Speaker 2>Who's funny in sixth sense?

1:03:58.360 --> 1:04:00.600
<v Speaker 1>Everybody that movie was just sterical.

1:04:00.760 --> 1:04:02.920
<v Speaker 4>We didn't recap six cents, so I can't tell you.

1:04:04.720 --> 1:04:07.520
<v Speaker 1>The third quote. You saw that on TV?

1:04:10.640 --> 1:04:13.960
<v Speaker 4>I do love how just down the line these quotes.

1:04:13.680 --> 1:04:15.480
<v Speaker 1>Are I know, they're so random.

1:04:15.520 --> 1:04:17.920
<v Speaker 4>It's like there was one that was like hello, and

1:04:17.960 --> 1:04:18.920
<v Speaker 4>I was like, it could be either one.

1:04:18.960 --> 1:04:22.240
<v Speaker 1>I can't right, you saw that on TV. I'm going

1:04:22.320 --> 1:04:22.920
<v Speaker 1>to say.

1:04:22.760 --> 1:04:25.080
<v Speaker 2>That's sixth sense.

1:04:25.800 --> 1:04:29.280
<v Speaker 1>I'm going to say horse sense splitting it one, it's

1:04:29.280 --> 1:04:33.760
<v Speaker 1>sixth sense. Okay, so you've got okay, wait, you gotta

1:04:33.760 --> 1:04:34.840
<v Speaker 1>get both these, yep?

1:04:34.920 --> 1:04:35.400
<v Speaker 2>Okay?

1:04:35.520 --> 1:04:37.439
<v Speaker 1>And the fourth quote you think this is a joke?

1:04:38.960 --> 1:04:41.920
<v Speaker 2>Horse sense sense feets are so good.

1:04:43.600 --> 1:04:44.880
<v Speaker 4>It's horse sense twister again.

1:04:45.640 --> 1:04:48.720
<v Speaker 5>Yes, and number five I think we've won because number

1:04:48.760 --> 1:04:52.160
<v Speaker 5>five is I see dead People, which is clearly horse

1:04:52.200 --> 1:04:58.640
<v Speaker 5>sense six got th congrats, another double win.

1:05:00.400 --> 1:05:03.439
<v Speaker 1>We're getting there. That was good.

1:05:03.640 --> 1:05:09.480
<v Speaker 2>Dang, that was like, seriously, have.

1:05:09.480 --> 1:05:11.640
<v Speaker 1>Been Can we please do some Sabrina sas?

1:05:15.880 --> 1:05:19.680
<v Speaker 3>Of course we can. So we are going to where

1:05:19.680 --> 1:05:22.560
<v Speaker 3>are we going to start here again. I already told

1:05:22.560 --> 1:05:26.640
<v Speaker 3>you the the wow, we're not in the bedroom, just kidding,

1:05:26.680 --> 1:05:28.880
<v Speaker 3>We are right into the bedroom, just like right from

1:05:28.880 --> 1:05:32.040
<v Speaker 3>the beginning I wanted to go over with. We had

1:05:32.080 --> 1:05:35.040
<v Speaker 3>a lot of I don't know what you call them,

1:05:35.160 --> 1:05:38.600
<v Speaker 3>name drops or kind of either like spin offs of

1:05:38.720 --> 1:05:41.280
<v Speaker 3>names or name drops. We've talked about a couple of them,

1:05:41.280 --> 1:05:44.360
<v Speaker 3>but we did stop on each of them, like Lethal

1:05:44.680 --> 1:05:49.000
<v Speaker 3>the movies of the director Lethal Force instead of what

1:05:49.120 --> 1:05:52.720
<v Speaker 3>is leap leal Weapon? And then we had Tornado instead

1:05:52.760 --> 1:05:56.640
<v Speaker 3>of the movie time Twister, right, and then we'll Dances

1:05:56.640 --> 1:05:58.880
<v Speaker 3>with Wolves was an actual movie, so it has and

1:05:58.920 --> 1:06:00.960
<v Speaker 3>that has to have been a Disney movie because that's

1:06:00.960 --> 1:06:02.600
<v Speaker 3>the only way they would probably have been able.

1:06:02.400 --> 1:06:03.720
<v Speaker 2>To use that, right.

1:06:04.320 --> 1:06:07.680
<v Speaker 3>And then of course we also did say the what

1:06:07.840 --> 1:06:10.160
<v Speaker 3>it was it, oh medieval.

1:06:09.720 --> 1:06:11.320
<v Speaker 2>Times was called.

1:06:12.560 --> 1:06:14.760
<v Speaker 1>Nights of the Round Table, Knights of the Roundtable.

1:06:15.160 --> 1:06:16.400
<v Speaker 2>I just thought that was interesting.

1:06:16.440 --> 1:06:18.960
<v Speaker 3>We haven't really seen or heard a lot of that

1:06:19.040 --> 1:06:20.920
<v Speaker 3>in the d cooms that much. They kind of played

1:06:20.920 --> 1:06:23.400
<v Speaker 3>with it a lot more. And then along the time

1:06:23.640 --> 1:06:26.120
<v Speaker 3>along the line, I said, we saw a thing of

1:06:26.160 --> 1:06:29.560
<v Speaker 3>missus doubtfire and we saw Brink twice in the movie.

1:06:29.640 --> 1:06:32.280
<v Speaker 3>So this was a little kind of funny thing, like

1:06:32.320 --> 1:06:35.120
<v Speaker 3>you said, those eggs that we got to kind of

1:06:35.160 --> 1:06:35.960
<v Speaker 3>see or hear.

1:06:36.200 --> 1:06:40.640
<v Speaker 2>Well Matt law and of course Matt Lawrence. Yeah, his cameo.

1:06:40.800 --> 1:06:41.640
<v Speaker 2>That's on mine too.

1:06:42.200 --> 1:06:45.760
<v Speaker 3>I loved the little linguo because I thought this was

1:06:45.800 --> 1:06:48.960
<v Speaker 3>a dated little thing. But it says the mom at

1:06:49.000 --> 1:06:52.320
<v Speaker 3>the very beginning with Michael says, you said, no problem.

1:06:52.480 --> 1:06:57.000
<v Speaker 2>Oh that's like dated, right? Is this movie came out?

1:06:57.720 --> 1:07:01.640
<v Speaker 1>I feel like pretty tubular. I don't know, is that wrong?

1:07:02.440 --> 1:07:04.560
<v Speaker 3>I feel like this was that was dated, but I

1:07:04.560 --> 1:07:07.880
<v Speaker 3>don't know. To me, I was like, no problelimo. We

1:07:08.000 --> 1:07:11.280
<v Speaker 3>mentioned it a little bit, but this I want to think.

1:07:11.320 --> 1:07:13.800
<v Speaker 3>I have racked my brain. And this is our first

1:07:14.280 --> 1:07:19.200
<v Speaker 3>college student in a dcom. We haven't had anyone to college.

1:07:19.360 --> 1:07:20.440
<v Speaker 1>Have we not been to college?

1:07:20.640 --> 1:07:22.960
<v Speaker 2>Not at all? I don't think unless the.

1:07:22.920 --> 1:07:25.440
<v Speaker 1>Only time it's been mentioned, I can think of it

1:07:25.480 --> 1:07:29.080
<v Speaker 1>being mentioned. The older brother in Hannah Montana movies, and

1:07:29.240 --> 1:07:33.680
<v Speaker 1>most college see him in correct, correct, David has We

1:07:33.720 --> 1:07:34.400
<v Speaker 1>didn't see him?

1:07:34.840 --> 1:07:36.000
<v Speaker 2>No, not David Henry.

1:07:36.200 --> 1:07:37.040
<v Speaker 1>Is that David Henry?

1:07:37.160 --> 1:07:37.320
<v Speaker 3>No?

1:07:37.480 --> 1:07:41.120
<v Speaker 2>Is he the older brother mont No, he's from uh.

1:07:41.840 --> 1:07:44.560
<v Speaker 1>Oh, he's from Jason.

1:07:44.240 --> 1:07:47.240
<v Speaker 2>Earls Jason David Henry was in the.

1:07:47.760 --> 1:07:50.320
<v Speaker 1>Is Wizards of Waverley Place, Thank you, Yes, that's it.

1:07:51.600 --> 1:07:55.200
<v Speaker 3>And then I thought it was odd, even though I

1:07:55.240 --> 1:07:56.920
<v Speaker 3>know we were just kind of getting through it. But

1:07:57.200 --> 1:07:59.720
<v Speaker 3>when he mentions a hit and run to his parents

1:07:59.840 --> 1:08:04.120
<v Speaker 3>like that, they were like, oh, that's weird, like you

1:08:04.160 --> 1:08:06.080
<v Speaker 3>could know you got a hit and run.

1:08:06.360 --> 1:08:09.760
<v Speaker 2>I mean, let's call the cops. Like you can't just

1:08:09.800 --> 1:08:12.080
<v Speaker 2>like throw out hit and run and not think that.

1:08:12.040 --> 1:08:14.120
<v Speaker 1>You guys, some guy walked up and stabbed me. It's

1:08:14.120 --> 1:08:15.880
<v Speaker 1>no big deal, right, okay?

1:08:16.000 --> 1:08:18.920
<v Speaker 3>And then again I have to say, like a Rhymestone

1:08:19.120 --> 1:08:22.360
<v Speaker 3>cown boy, like, I mean, that guy was so good

1:08:22.400 --> 1:08:23.519
<v Speaker 3>when he got off the plane.

1:08:23.760 --> 1:08:25.479
<v Speaker 2>You had to see it. You had to see it.

1:08:27.360 --> 1:08:30.240
<v Speaker 3>Andy, this is this is a funny thing for me

1:08:31.000 --> 1:08:33.880
<v Speaker 3>after doing our interview and learning so much more about

1:08:33.960 --> 1:08:36.599
<v Speaker 3>him and how musical he is and can it from

1:08:36.600 --> 1:08:37.640
<v Speaker 3>you a lot?

1:08:37.920 --> 1:08:39.760
<v Speaker 2>Why couldn't he play that triangle?

1:08:41.080 --> 1:08:41.559
<v Speaker 1>I think.

1:08:43.840 --> 1:08:48.040
<v Speaker 6>I know, but it just like like it's like get

1:08:48.080 --> 1:08:54.479
<v Speaker 6>it in there, like what are you doing? It's so funny,

1:08:54.680 --> 1:08:55.680
<v Speaker 6>like I just you.

1:08:55.640 --> 1:09:01.000
<v Speaker 2>Can play the guitar, play the triangle.

1:09:01.120 --> 1:09:03.600
<v Speaker 3>So when you hang out with him next, just like

1:09:03.680 --> 1:09:06.880
<v Speaker 3>remind him that like he does to work on his triangles, skilled.

1:09:06.640 --> 1:09:07.360
<v Speaker 1>That's the best.

1:09:07.960 --> 1:09:10.600
<v Speaker 2>And then I got this was on it.

1:09:10.640 --> 1:09:12.799
<v Speaker 3>But we obviously find out that it was a horse.

1:09:12.840 --> 1:09:15.559
<v Speaker 3>But I was kind of thinking for a minute that

1:09:15.560 --> 1:09:20.400
<v Speaker 3>that three colored paint that he was talking about. Quickly after,

1:09:20.520 --> 1:09:23.400
<v Speaker 3>just in a few minutes, they talk about God's painting,

1:09:23.720 --> 1:09:25.800
<v Speaker 3>so I went, oh, that must have been where the

1:09:25.840 --> 1:09:28.519
<v Speaker 3>reference was going. But then no, it was a horse.

1:09:28.560 --> 1:09:29.880
<v Speaker 3>So they got me.

1:09:30.080 --> 1:09:30.559
<v Speaker 2>They got me.

1:09:30.600 --> 1:09:32.559
<v Speaker 3>I thought they were talking about a sunset at some point,

1:09:32.600 --> 1:09:34.479
<v Speaker 3>and then they got me. No, we're talking about a horse,

1:09:34.960 --> 1:09:35.519
<v Speaker 3>and that's it.

1:09:36.000 --> 1:09:37.479
<v Speaker 1>There we go, thank you so much. And now, of

1:09:37.520 --> 1:09:39.080
<v Speaker 1>course we come to the part of our program where

1:09:39.080 --> 1:09:41.280
<v Speaker 1>we have to rate the film we just saw. Yes,

1:09:43.479 --> 1:09:45.320
<v Speaker 1>I'm sorry, I'm just figuring out what the rating system

1:09:45.360 --> 1:09:47.960
<v Speaker 1>should be to do. Let's do one out of ten

1:09:48.920 --> 1:09:51.640
<v Speaker 1>and want to I do, I do, and we'll do

1:09:51.800 --> 1:09:54.360
<v Speaker 1>one this time is the lowest, and we'll do ten

1:09:54.400 --> 1:09:56.800
<v Speaker 1>the best and our options this week one out of

1:09:56.800 --> 1:10:00.599
<v Speaker 1>ten friends named Mule, one out of ten movies, Tornado

1:10:01.520 --> 1:10:06.200
<v Speaker 1>Grass Smoothies, one a ten Dead Dad alerts oh one

1:10:06.240 --> 1:10:09.080
<v Speaker 1>at attend high school classes about land deeds. Even though we

1:10:09.080 --> 1:10:13.120
<v Speaker 1>think he's in college. Yeah, one at attend medieval times, lawsuits,

1:10:14.320 --> 1:10:18.240
<v Speaker 1>pyramid schemes, two hundred year old armoirs are I'm going

1:10:18.320 --> 1:10:20.880
<v Speaker 1>to add one out at ten. Goddamn it, Gina's.

1:10:21.200 --> 1:10:23.840
<v Speaker 2>Uh, god, Gas, we got it.

1:10:24.680 --> 1:10:27.960
<v Speaker 1>Goddamn it, Genas. I think I'm going first this time

1:10:28.000 --> 1:10:29.880
<v Speaker 1>because I think you went first for the last movie.

1:10:29.920 --> 1:10:35.400
<v Speaker 3>Right, No, well, no, you went, well, we did on Tuesday,

1:10:35.439 --> 1:10:36.439
<v Speaker 3>we did the Cheetah Girls.

1:10:36.439 --> 1:10:39.040
<v Speaker 1>So yeah, and I rted first, didn't I you? We

1:10:39.040 --> 1:10:41.600
<v Speaker 1>wouldn't have started with you, right, Oh that's right, So

1:10:41.640 --> 1:10:43.960
<v Speaker 1>then it is your first time. Sorry, my bad.

1:10:44.240 --> 1:10:44.519
<v Speaker 2>Good.

1:10:44.560 --> 1:10:46.280
<v Speaker 3>Well, because I want to make sure this is like

1:10:46.320 --> 1:10:50.960
<v Speaker 3>a true, true one because I really liked this movie.

1:10:51.200 --> 1:10:56.000
<v Speaker 3>It wasn't necessarily one of my favorite movies, but I

1:10:56.040 --> 1:10:59.599
<v Speaker 3>loved it because, especially now that we're getting a chance

1:10:59.640 --> 1:11:04.160
<v Speaker 3>to do an interview with Joey the friends of the

1:11:04.200 --> 1:11:08.080
<v Speaker 3>Pod being on it, and I loved that they were

1:11:08.320 --> 1:11:13.400
<v Speaker 3>so freaking good in this movie. This just put the

1:11:13.439 --> 1:11:17.479
<v Speaker 3>stamp on the royalty of the Lawrence family and what

1:11:17.520 --> 1:11:20.360
<v Speaker 3>they have and what they should be honored with at

1:11:20.800 --> 1:11:26.160
<v Speaker 3>the Disney franchises. Right, they were so good and I

1:11:26.240 --> 1:11:27.960
<v Speaker 3>really really like enjoyed this movie.

1:11:28.000 --> 1:11:30.439
<v Speaker 2>But what I liked about it, it wasn't like.

1:11:30.400 --> 1:11:34.080
<v Speaker 3>The high energy you know of the musicals that we watch,

1:11:34.200 --> 1:11:38.240
<v Speaker 3>and it wasn't necessarily super drama driven either.

1:11:38.400 --> 1:11:40.240
<v Speaker 2>I mean, the drama was there, it was like in

1:11:40.320 --> 1:11:43.120
<v Speaker 2>the middle. And it was a really easy watch. It

1:11:43.160 --> 1:11:43.719
<v Speaker 2>was nice.

1:11:44.160 --> 1:11:46.439
<v Speaker 3>It was slower pace than kind of what we've seen,

1:11:46.520 --> 1:11:49.280
<v Speaker 3>which normally would be like snoozefest for me because I

1:11:49.360 --> 1:11:52.240
<v Speaker 3>kind of like the pace a little bit faster. But

1:11:52.360 --> 1:11:54.559
<v Speaker 3>I liked it and I enjoyed it. It was just like

1:11:54.600 --> 1:11:58.519
<v Speaker 3>a really easy watch. And so I'm going to give

1:11:58.560 --> 1:12:00.160
<v Speaker 3>this an eight point five.

1:12:00.240 --> 1:12:01.720
<v Speaker 2>God damn it, Gena's.

1:12:03.720 --> 1:12:08.240
<v Speaker 1>I love that. I I couldn't agree with you more.

1:12:08.560 --> 1:12:11.200
<v Speaker 1>I thought it was a really good movie. I thought

1:12:11.240 --> 1:12:15.280
<v Speaker 1>they were engaging. They were great together. Andy and Joe

1:12:15.360 --> 1:12:19.479
<v Speaker 1>just I thought did really well. The movie made sense,

1:12:20.160 --> 1:12:22.479
<v Speaker 1>you know, it wasn't a ridiculous premise to why you

1:12:22.520 --> 1:12:25.479
<v Speaker 1>get this this guy from Beverly Hills. It worked.

1:12:25.640 --> 1:12:28.200
<v Speaker 2>It worked, and there really weren't any holes, Like no,

1:12:28.680 --> 1:12:29.120
<v Speaker 2>it worked.

1:12:29.160 --> 1:12:30.760
<v Speaker 1>I mean there's a couple of things. There was a

1:12:30.760 --> 1:12:36.400
<v Speaker 1>couple obvious uh stunt men where it was bad where

1:12:36.400 --> 1:12:38.120
<v Speaker 1>it was like, wow, that's not even close to being

1:12:38.200 --> 1:12:41.559
<v Speaker 1>Joey Lawrence. But other than that, I thought, again, the

1:12:41.600 --> 1:12:44.560
<v Speaker 1>acting was great, the adults were good, there was accountability

1:12:44.600 --> 1:12:48.360
<v Speaker 1>for the kids. I really liked this movie, and I'm

1:12:48.479 --> 1:12:50.880
<v Speaker 1>matching your eight point five. I thought that exact same

1:12:50.920 --> 1:12:55.080
<v Speaker 1>thing eight point five. God damn it Genas for this movie,

1:12:55.160 --> 1:12:58.400
<v Speaker 1>because I thought this was it was, it was, it was.

1:12:58.479 --> 1:13:02.360
<v Speaker 1>This was to me, you could not build a better

1:13:02.680 --> 1:13:07.320
<v Speaker 1>acting family than the Lawrence's for dcoms. They're perfect for this.

1:13:08.080 --> 1:13:09.920
<v Speaker 1>It was. I really enjoyed it. I really did. It was.

1:13:10.040 --> 1:13:15.200
<v Speaker 1>It was heartfelt, yes, funny, everything about it was beautifully shot.

1:13:15.360 --> 1:13:17.720
<v Speaker 1>It ate less great great, less seon.

1:13:17.920 --> 1:13:21.240
<v Speaker 2>Okay, that is something we've got to just quickly hit.

1:13:21.840 --> 1:13:25.960
<v Speaker 3>This movie was gorgeous, beautiful, budget beautiful, like it was

1:13:26.360 --> 1:13:28.880
<v Speaker 3>bigger than what a lot of our dim cooms are.

1:13:28.960 --> 1:13:31.040
<v Speaker 2>The budget looked pretty hefty.

1:13:31.320 --> 1:13:33.920
<v Speaker 1>Now, it was a beautiful movie, and I would suggest

1:13:34.000 --> 1:13:36.519
<v Speaker 1>anybody go and check it out. So there you go.

1:13:36.680 --> 1:13:40.040
<v Speaker 1>That's our movie, horse Sense. Our next movie is another

1:13:40.160 --> 1:13:43.240
<v Speaker 1>very high profile movie. We are recapping a Disney heavyweight People.

1:13:43.360 --> 1:13:47.240
<v Speaker 1>It is two thousand and threes Lizzie McGuire movie available

1:13:47.280 --> 1:13:50.080
<v Speaker 1>to stream on Disney Plus. Wow. So get in front

1:13:50.080 --> 1:13:52.240
<v Speaker 1>of us and watch it before next week if you can.

1:13:53.400 --> 1:13:56.400
<v Speaker 1>I've never seen a single Lizzie McGuire thing in my

1:13:56.640 --> 1:13:58.519
<v Speaker 1>entire life. I don't know if she's a wizard, if

1:13:58.560 --> 1:14:00.679
<v Speaker 1>she deals with horses. I have no idea what Lizzie

1:14:00.720 --> 1:14:02.040
<v Speaker 1>MacGuire does this one.

1:14:02.200 --> 1:14:04.439
<v Speaker 3>This won't really like mess you up at all, but

1:14:04.479 --> 1:14:06.559
<v Speaker 3>there's like a cartoon aspect in it.

1:14:06.760 --> 1:14:07.280
<v Speaker 2>I love that.

1:14:07.680 --> 1:14:09.080
<v Speaker 1>Animation is my favorite thing in the world.

1:14:09.160 --> 1:14:11.000
<v Speaker 2>Yeah, I know you would like it, So I.

1:14:10.920 --> 1:14:14.080
<v Speaker 1>Got animation posters all around me. So love that very much.

1:14:14.200 --> 1:14:16.040
<v Speaker 1>But we're not done yet here because we've got a

1:14:16.040 --> 1:14:17.920
<v Speaker 1>big Park Copper episode this week. We've talked about it,

1:14:17.960 --> 1:14:19.960
<v Speaker 1>We're going to take it. We're doing it. It's happening.

1:14:19.960 --> 1:14:22.760
<v Speaker 1>We were talking to a nineties icon and Michael the

1:14:22.800 --> 1:14:25.439
<v Speaker 1>city boy from Horse Sense. It is Joey Lawrence himself.

1:14:25.560 --> 1:14:27.240
<v Speaker 1>We had a ton of fun talking about not only

1:14:27.280 --> 1:14:30.000
<v Speaker 1>this movie, but the guy's entire career. Take a listen

1:14:30.080 --> 1:14:34.120
<v Speaker 1>right now so we can watch Appetite. Was it always

1:14:34.160 --> 1:14:35.760
<v Speaker 1>going to be you and Andy in the movie? How

1:14:35.760 --> 1:14:38.160
<v Speaker 1>did the whole film come about? Yeah? We put this

1:14:38.240 --> 1:14:43.680
<v Speaker 1>together for the Disney Channel. Yes, yes, wow, yeah, okay, yeah.

1:14:43.040 --> 1:14:45.960
<v Speaker 7>We actually we found a couple of great writers, Chad

1:14:46.000 --> 1:14:49.320
<v Speaker 7>and Carry Hayes, who are great writers, and yeah, we

1:14:49.400 --> 1:14:51.800
<v Speaker 7>came up with the idea, sort of pitched it to

1:14:52.160 --> 1:14:55.200
<v Speaker 7>Gary Marsh and yeah, and they obviously wanted to do something.

1:14:57.040 --> 1:14:58.559
<v Speaker 1>I promise that's one you did not want to miss.

1:14:58.560 --> 1:15:00.639
<v Speaker 1>I mean, in all fairtas, you shouldn't miss any our interviews.

1:15:00.800 --> 1:15:03.439
<v Speaker 1>We're talking to so many Disney legends. Just search for

1:15:03.560 --> 1:15:05.880
<v Speaker 1>Magical Rewind wherever you get your podcasts and subscribe to

1:15:05.920 --> 1:15:08.479
<v Speaker 1>our dedicated feed. And for more info, you can follow

1:15:08.520 --> 1:15:24.840
<v Speaker 1>us that Magical Rewind pod on the Instagram Machine. Bye everybody, Bye,