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Speaker 1: Hi, Sabrina. Hey, I'm coming to you from a magical

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Speaker 1: new location today.

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Speaker 2: Oh yeah, where it's just.

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Speaker 1: In my little theater room. I actually there's where we're

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Speaker 1: doing construction on the house, and the wall they're literally

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Speaker 1: tearing out is the shared wall with my sound booth.

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Speaker 1: So if anybody wanted to hear anything, which I'm starting

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Speaker 1: to learn is very important in podcasting, I had was.

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Speaker 2: Not going to be possible.

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Speaker 1: Yes, that was not going to be possible. You know

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Speaker 1: what else is not possible for me? Talking to horses?

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Speaker 1: Can you talk to horses?

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Speaker 2: I cannot. I cannot. I get a little you know,

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Speaker 2: horses are a lot taller than me.

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Speaker 3: There's taller people, most people, but like I'm pretty sure,

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Speaker 3: like I'm coming up, I feel like right there on

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Speaker 3: that shoulder line that I.

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Speaker 2: Could get drop kicked by a horse real easy. So

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Speaker 2: how tall are you?

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Speaker 1: How tall are you? Actually?

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Speaker 3: I'm five foot like okay, like a teeny tiny bit

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Speaker 3: over five foot tiny, And I know I sound like

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Speaker 3: my four year old who says she's four and a half.

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Speaker 3: I'm like five foot in a quarter five foot now

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Speaker 3: I'm five foot and three quarters.

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Speaker 2: I'm almost five.

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Speaker 1: One Okay, Well, that's fair.

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Speaker 3: But yeah, I mean, you know, it brings a lot

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Speaker 3: of issues.

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Speaker 2: I hate.

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Speaker 3: I don't I'm not a big concert goer if I

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Speaker 3: don't have like a seat because I don't like hanging

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Speaker 3: out with people and going into large masses of people horses,

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Speaker 3: same thing.

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Speaker 1: Like you.

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Speaker 3: I get nervous that I could get hit in the

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Speaker 3: head really easily.

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Speaker 2: But there's so and I love horses. I love horses.

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Speaker 2: I do. And what about you? Can you talk to horses?

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Speaker 1: I can. Oh, they don't answer in any way, shape

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Speaker 1: or form. They don't understand me, but I do. I

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Speaker 1: walk up and like, what's that horse? So my wife

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Speaker 1: is a horse person. My wife and my stepdaughter. My

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Speaker 1: stepdaughter was a nationally ranked jumper. Wow, so she we

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Speaker 1: you know, I while I know nothing of the world,

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Speaker 1: they are very They know a lot about the horse

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Speaker 1: jumping world and the horse world and all that kind

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Speaker 1: of stuff. So yeah, this this movie is another one

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Speaker 1: that my wife watched with me because she is a

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Speaker 1: big horse person. And I'm glad she did. I'm glad

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Speaker 1: you're speaking of that. We might as well just get

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Speaker 1: into it. Then we should start by saying, welcome back

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Speaker 1: to Magical rewind the show that makes you want to

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Speaker 1: bring your friends, your PJS and your popcorn and go

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Speaker 1: back to a time and all the houses are smart,

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Speaker 1: the waves, tsunamis and Joey Lawrence looks fabulous in a

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Speaker 1: tank top.

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Speaker 3: I'm Wilfred All and I'm Sabrina Brian Pudi Cowboy.

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Speaker 1: This week we're traveling to Montana and turning this city

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Speaker 1: boy into a real life rancher because we're talking about

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Speaker 1: the nineteen ninety nine dramedy, Yes, it's a dcom, Horse Sense.

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Speaker 1: It made its Disney debut on November twentieth, nineteen ninety nine,

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Speaker 1: and had a very successful debut, actually roping in See

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Speaker 1: What I Did There, Sprita, roping in I Thank You

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Speaker 1: three point two million viewers and winning its time slot

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Speaker 1: for the night. It also set a record for the

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Speaker 1: most household watching a Disney Channel program at the time.

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Speaker 1: So all pretty good for horse Sense. Yes, though it

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Speaker 1: didn't get really great reviews at the time of its release,

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Speaker 1: it seemed to flourish later in life. In twenty twelve,

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Speaker 1: Horse Sense made that illustrious Complex List We've talked about

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Speaker 1: a bunch of times at number twenty two for the

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Speaker 1: best of the twenty five dcoms of all Time, and

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Speaker 1: Collider placed it at number seventy one on their top

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Speaker 1: ninety nine. So it is a grower, not a shower,

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Speaker 1: apparently to rhyme things, you're like, oh okay, just get

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Speaker 1: on with it. Will also worth noting it was successful

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Speaker 1: enough to spawn a sequel, which we will I'm sure

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Speaker 1: cover at some point. It's called Jumping Ship and it

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Speaker 1: came out in two thousand and one, two years later,

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Speaker 1: so write it down now. It'll be a future trip

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Speaker 1: to seqel Town. That's right. So we just talked about

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Speaker 1: this a little bit. Do you like cor I mean

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Speaker 1: you said you like horses. Do you like riding?

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Speaker 2: I haven't done a lot of riding.

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Speaker 3: I've done those those typical you know, vacation that you

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Speaker 3: don't get to really even gallop of any sort.

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Speaker 2: So I don't know how to do that.

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Speaker 3: My aunt did have horses at one point, but I

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Speaker 3: was really little at the time when she had them.

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Speaker 3: So I rode on the back of my cousin, right Like,

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Speaker 3: who was actually like, you know, steering and actually doing it.

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Speaker 2: I was just holding on for dear life.

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Speaker 4: Wait, you rode on the back of your cousin like that,

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Speaker 4: like your cousin was the horse.

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Speaker 3: No, Jensen, I rode behind her on the horse, being

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Speaker 3: on as she I don't know how the horse. I

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Speaker 3: don't even know how to say that I have done it.

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Speaker 3: I have rode like the worst was in the Caribbean.

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Speaker 3: We did do it was really awesome, but these horses,

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Speaker 3: it was like, Okay, I'm not sure I'll ever do

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Speaker 3: this again because they were not treated well. And I

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Speaker 3: just started the whole time. I was just like crying

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Speaker 3: because I just felt so bad for this poor little

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Speaker 3: horse that was all of them. And then we rode,

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Speaker 3: we rode through the water, and then they started pooping,

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Speaker 3: and I was like with my legs in the air.

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Speaker 1: This is a much different horse experience than most people have.

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Speaker 1: I would think, yeah, but it's better than riding your crossing,

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Speaker 1: but it is.

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Speaker 2: I hate you guys, so anyway, I it was.

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Speaker 3: I do love horses though, I think they're so beautiful

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Speaker 3: and I love they're just magical.

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Speaker 1: I feel the same way, and I've done it. I

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Speaker 1: think I have about the same horse experience as you do.

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Speaker 1: It's like you go to places where the horses know

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Speaker 1: what to do, so you hop on their back. And

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Speaker 1: they know when to run and when to gallop, like

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Speaker 1: you know, around the Hollywood Sign and stuff like that.

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Speaker 2: Other than that, I have to do it around the

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Speaker 2: Hollywood Sign.

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Speaker 1: That well, there was back in the day you'd ride

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Speaker 1: to like a you'd get on a horse, you'd ride

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Speaker 1: to the Hollywood Sign and then you'd go down and

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Speaker 1: you'd end it like this.

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Speaker 2: Bar oh wow.

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Speaker 1: So yeah it was. It was a cool little ride.

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Speaker 1: You could see the Hollywood Sign all the kind of stuff.

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Speaker 1: It was neat it was. But yeah, I have no

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Speaker 1: horse sense.

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Speaker 2: Oh and he brings it right back around, right around,

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Speaker 2: thank you.

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Speaker 1: Okay, So we might know your history with horses, but

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Speaker 1: how about your horse sense? Like, did you know this

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Speaker 1: movie existed before it came to our podcast assignment?

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Speaker 3: I mean, we've talked about doing this movie for quite

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Speaker 3: a while, so I sort of feel like it but

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Speaker 3: not before it became in this like world of us

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Speaker 3: here at Magical rewind.

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Speaker 1: No, I feel exactly I knew about it because I

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Speaker 1: knew about the Lawrence Boys obviously, Yes, and nineteen ninety

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Speaker 1: nine Maddie and I were not only doing Boy Met World,

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Speaker 1: but I think ninety nine is when we did h

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Speaker 1: double hockey sticks or ninety eight. So this was all

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Speaker 1: kind of right in the zeitgeis. So of course I

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Speaker 1: knew they were doing something. I'm not try I.

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Speaker 2: Mean knew what it was.

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Speaker 3: It does it? It doesn't like it's a complete hello.

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Speaker 3: Of course that there would be a d coom with

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Speaker 3: the Lawrence brothers.

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Speaker 1: But first of all, we can get into that later.

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Speaker 1: But there should have been a bunch with the Lawrence

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Speaker 1: brothers two, but there should have been fifteen decoms with

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Speaker 1: the boys.

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Speaker 2: Yes, they're perfect percent agreed.

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Speaker 3: There's is not a better Amigos Trios that could be

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Speaker 3: fit for thank Disney Channel.

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Speaker 1: Built for the Disney Channel. All right, Well, we've still

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Speaker 1: got a huge pile of manure to move, so let's

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Speaker 1: jump into our synopsis. A spoiled Los Angeles teen is

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Speaker 1: sent to spend time on his cousins struggling Montana ranch

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Speaker 1: as punishment for selfish behavior. There he learns responsibility, the

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Speaker 1: value of hard work, and the importance of family. Sabrina

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Speaker 1: Ben in Montana.

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Speaker 3: Yes, I have toured through there, so I've probably been

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Speaker 3: to a Walmart in Montana that I can remember, say,

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Speaker 3: sports me for a little moll, But I haven't gotten

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Speaker 3: a chance to do like the ranch experience in Montana,

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Speaker 3: and that is something that is absolutely on my list

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Speaker 3: of wanting to do.

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Speaker 1: One hundred percent agree with you, Montana's one. I think

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Speaker 1: I've done forty six to forty eight states I can't remember,

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Speaker 1: but Montana is one of the ones I haven't been

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Speaker 1: to yet. Must before you to do Montana. We'll have

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Speaker 1: to you know what. We'll do a family, family ranch thing.

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Speaker 1: We'll figure it out.

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Speaker 2: Yes, be so fun.

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Speaker 1: Love to Okay. Now, although this is set in Montana,

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Speaker 1: it was filmed primarily in Los Angeles and on location

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Speaker 1: in Utah. Yes, we've got a real Buffalo dream situation

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Speaker 1: going on here. But I think everything passed pretty well.

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Speaker 1: What do you think I did?

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Speaker 3: I thought it looked great. I did feel the Buffalo

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Speaker 3: Dreams vibe though. It was kind of like it makes

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Speaker 3: sense knowing that you can kind of pull that across

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Speaker 3: using the landscape of Utah, not Salt Lake City, but

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Speaker 3: the landscape.

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Speaker 1: And it worked like a charm. It did. This movie

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Speaker 1: was directed by a name that we worship here at

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Speaker 1: Magical Rewind and no it's not the one you might think.

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Speaker 1: It's Greg Beeman. Now, if you don't recognize his name,

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Speaker 1: you'll know him for the reigning champion dcom. He directed

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Speaker 1: Miracle and Lane two, which is currently the film with

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Speaker 1: the highest score on our podcast. He began his career

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Speaker 1: with two Magical World of Disney Films. That's right, Magical

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Speaker 1: World of Disney Films, not Wonderful World of Disney. The

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Speaker 1: Richest Cat in the World. Oh my god, can we

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Speaker 1: watch that, perple?

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Speaker 2: I need to see that.

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Speaker 1: I just by the title. I need to know what

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Speaker 1: is going on. We need to sit out soon. And

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Speaker 1: Little Spies, which I'm curious are they really tiny little

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Speaker 1: spies or are they only doing a little bit of spying?

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Speaker 1: I'd like to know. But would later make movies like

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Speaker 1: License to Drive, Mom and Dad, Saved the World and

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Speaker 1: Problem Child three. But it's yeah, right, But it's his

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Speaker 1: impressive dcom lineup that we care about. He did the

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Speaker 1: first dcom ever, under Wraps, then Brink, The Ultimate Christmas Present,

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Speaker 1: and Miracle in Lane two. He also directed TV shows

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Speaker 1: like Heroes, Lucifer, Smallville, and Jag. He is a real

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Speaker 1: stealth pick for Best Director. When we do our eventual

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Speaker 1: award show, which we're going to do, it's gonna be

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Speaker 1: hard to beat Paul Hoen, but hey, it could happen.

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Speaker 1: Some great names on that list, some great incredible films

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Speaker 1: on that list, So yes, there is a possibility that

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Speaker 1: could happen. And we've got some absolute nineties legends starring

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Speaker 1: in this thing, some guys that I happen to know

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Speaker 1: very well. We've got Joey Lawrence, who plays Michael Woods.

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Speaker 1: Joey became a household name from nineteen ninety to ninety

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Speaker 1: five as brother Joey ru So on Blossom Whoa. He

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Speaker 1: was a massive teen heart throb, even releasing albums and

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Speaker 1: super Hot Guy calendars. But before all that, as a

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Speaker 1: young kid, he'd appeared in movies like Summer Rental and

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Speaker 1: Oliver and Company, and as far as TV he was

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Speaker 1: a star of Gimme a Break, Brotherly Love alongside his

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Speaker 1: actual brothers, and the long running Melissa and Joey opposite

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Speaker 1: my pal Melissa Jonehart. Joey's been doing it since he

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Speaker 1: was like five years old. When you talk about child actors,

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Speaker 1: he's one of the ogs. He was one of the

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Speaker 1: guys that every kid actor looked up to and wanted

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Speaker 1: to be. When you were five or six years old,

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Speaker 1: you watched because we're exactly the same age. Joey and I.

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Speaker 1: We literally funny story and we'll talk about this because

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Speaker 1: spoiler alert, he's going to be on our park Opper

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Speaker 1: episode where we're gonna get a chance to talk to him.

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Speaker 1: But Joey and I took our SATs together.

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Speaker 2: Isn't that wow?

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Speaker 1: Strange Hollywood coincidence. But yeah, he was doing it. He

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Speaker 1: was through with it before the rest of us knew

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Speaker 1: what to do with it. As they would say, that

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Speaker 1: is Joey and he is joined by his very own

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Speaker 1: brother here again and another magical rewind favorite and past guest,

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Speaker 1: Andy Lawrence, as Tommy, Briggs and Whiles are still fresh

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Speaker 1: in our mind. Let's acknowledge that Andy is already a

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Speaker 1: shoe and nominee for Best Actor for going to the

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Speaker 1: mat Am I right, I mean, yes, one of the

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Speaker 1: best we saw.

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Speaker 2: It's a toss up.

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Speaker 3: We might have to have an award for Best Lawrence

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Speaker 3: And it's a toss up.

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Speaker 1: You can't. How do you do that? How do you

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Speaker 1: judge between the Lawrence boys?

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Speaker 2: You can't.

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Speaker 1: By the way, all of them amazingly nice people.

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Speaker 3: Seriously, I honestly, they all have so many different amazing attributes.

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Speaker 2: I don't know how you could choose.

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Speaker 1: You don't if they if they never acted again and

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Speaker 1: the three of them just sat down and sang together,

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Speaker 1: you'd be like, oh my god, that's the best thing

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Speaker 1: I've ever seen. But they can also act, they write,

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Speaker 1: they direct. It's annoying. Save something for the.

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Speaker 2: Rest of us.

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Speaker 1: Andy also appeared on Blossom, Hawaii five Oh, United States

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Speaker 1: of Tara, and was famously the voice of TJ on Recess.

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Speaker 1: He also appeared in movies like White Man's Burden, Mister Bean,

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Speaker 1: and Jack Frost. We love Andy and you can check

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Speaker 1: out his magical rewind interview right on our dedicated feed.

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Speaker 1: He's one of our faves. Worth noting their third brother

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Speaker 1: and arguably worst brother, Matthew, a former co star of

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Speaker 1: mine on Boy Meets World, does appear in the film

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Speaker 1: uncredited as a cowboy at the airport, and he is

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Speaker 1: one of the stars so the sequel. His cameo really

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Speaker 1: is an East Rag and there's a bunch of East

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Speaker 1: dregs in this movie we'll get to for fans of

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Speaker 1: the family. By the way, he's not the worst Lawrence.

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Speaker 1: He's just the one I'm closest with so I'll get.

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Speaker 2: To read them a little bit.

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Speaker 1: But so, I mean, I don't even really think I

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Speaker 1: have to ask this from the conversation we just had.

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Speaker 1: But Lawrence Boys, Disney Hall of Fame, Yeah, your name,

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Speaker 1: oh yeah, first ballad.

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Speaker 3: Well again, to restate it, what's a shame is it's

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Speaker 3: not from d COM's. It's from everything they've done, you know,

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Speaker 3: within the Disney franchise.

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Speaker 2: I mean, it's not just a dcom thing.

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Speaker 3: It's literally I just feel like there was a time

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Speaker 3: where they owned the Disney Channel or you know, ABC, Yeah,

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Speaker 3: and ever.

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Speaker 1: There was you talk about young child actors and how

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Speaker 1: they can have attitudes, and also it was if there's

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Speaker 1: ever three people that deserve to have attitudes because they

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Speaker 1: were doing it all the time, it was the Lawrence Boys,

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Speaker 1: and never did. They were completely down to earth, loved

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Speaker 1: their fans, great guys all the way around.

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Speaker 2: Always had a huge, huge following too.

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Speaker 1: Yeah, I mean, but they respected their following, which is

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Speaker 1: really really cool. We've got Susan Walters as Jules Big.

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Speaker 1: She's best known as Diane Jenkins Abbot on almost five

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Speaker 1: hundred episodes of the Young and the Wrestlers. Five hundred

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Speaker 1: episodes yes, folks, she was on that show for almost

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Speaker 1: three months. I'm kidding, get what I did there, because

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Speaker 1: it's five hundred ppersents. I'm joking. It was a twenty

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Speaker 1: year period, but she also appeared on The Flash, MTV's

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Speaker 1: Teen Wolf, The Vampire Diaries, and Seinfeld. She played Malva.

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Speaker 1: But most importantly, she's in the Albert Brooks movie Defending

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Speaker 1: Your Live Shit a small part. She played Albert Brooks's

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Speaker 1: wife when he was still alive Best movie of All

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Speaker 1: Time and character actor mc gainey is Twister. EMC is

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Speaker 1: a very recognizable face and has been in movies like

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Speaker 1: con Air, Mighty Ducks, and Breakdown, but has been in

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Speaker 1: so many TV shows, most notably Happy Days, Cheers, and Lost,

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Speaker 1: where he played one of the creepy others, Tom Friendly.

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Speaker 1: Oh God, you know you're not gonna get anyway with

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Speaker 1: anything with that name. Another soap opera legend is in

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Speaker 1: this movie Leanne Hunt as jac She's been in and

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Speaker 1: out of Days of Our Lives for the past wait

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Speaker 1: for this fifty years only Cow fifty years, even reappearing

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Speaker 1: in upcoming episodes as recently as this year.

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Speaker 2: Wow.

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Speaker 1: Robin Thomas is her husband. Glen I recognize him most

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Speaker 1: as the vice principal in nineteen eighty seven Summer School.

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Speaker 1: Producer Jensen and I have talked about this movie ad nauseum.

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Speaker 1: But he has almost one hundred and fifty credits to

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Speaker 1: his name, including Crazy Ex Girlfriend, Fuller House, The Mommies,

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Speaker 1: and the recent Murder one oh one TV movie franchise.

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Speaker 1: And finally, Steve Reeves is Mule, another recognizable face. He's

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Speaker 1: best known for his Roland Fargo. Oh, he was so good.

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Speaker 1: He had I think four words in the entire movie

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Speaker 1: and was just so good. But he also appeared in

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Speaker 1: Adam Sandler's The Longest Yard, Twins Dances with Wolves, and

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Speaker 1: he's the Native American man in the desert in the

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Speaker 1: Doors movie, which is just a really awesome credit. Wow,

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Speaker 1: And the movie runs ninety two minutes, so close there

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Speaker 1: are more Lawrence brothers in this movie than there are

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Speaker 1: minutes over ninety. So yes, it's two minutes above target.

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Speaker 1: So that sucks. Get your life together, horse Sense. Speaking

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Speaker 1: of horse Sense, I have to ask, what did you

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Speaker 1: think of the title. It's it's kind of a random

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Speaker 1: title that I thought was gonna maybe reference it. I'm

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Speaker 1: still not one hundred percent I don't know how does

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Speaker 1: it tie in? Am I missing something? I might?

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Speaker 3: No, I mean, honestly, it's just kind of at the

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Speaker 3: very end, there's two different scenes that you're going, oh, okay,

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Speaker 3: there it is.

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Speaker 2: And it's not that they're they're not meaningful scenes.

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Speaker 3: It's just not a it's not a like part of

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Speaker 3: the storyline throughout the whole story.

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Speaker 1: It's not it's like a horse whisperer where it's like

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Speaker 1: you see him like touching the animal in a certain way.

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Speaker 3: Yeah, it doesn't happen over and over and over again.

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Speaker 3: It literally has like two moments that it makes sense.

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Speaker 3: So the whole time, I mean horse in general made sense.

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Speaker 3: Like you know, you're kind of just for me, I'm

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Speaker 3: one of those people like you're starting to kind of

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Speaker 3: am I missing something? Like now you're like trying to

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Speaker 3: like search for it, like you're like, where is it?

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Speaker 1: Where's the reason?

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Speaker 2: Where's what? You know?

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Speaker 3: So that's the only thing, Like I feel like with

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Speaker 3: the title, it's not that it didn't make sense at all,

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Speaker 3: like you had to horses, and it did for a

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Speaker 3: few moments.

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Speaker 2: It's just to name the whole movie off of that those.

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Speaker 1: I expected it to go somewhere else with it, but

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Speaker 1: me too. We'll get into that too. How about some

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Speaker 1: other suggestions, dude, Ranch Hand, Montana Summer, how about in

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Speaker 1: the Saddle?

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Speaker 2: Yeah, yeah, I mean.

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Speaker 1: I feel like I have. I feel like I'm not

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Speaker 1: telling you in any of those.

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Speaker 3: Really, I don't think they're like to me. This storyline

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Speaker 3: has been is is so broad and is something we've

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Speaker 3: seen it. You've seen a bunch that it kind of

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Speaker 3: like any of those titles would have been.

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Speaker 1: It works. Hey, sometimes they the same movie as different titles.

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Speaker 1: Gleaming the Cube was also at one point called like

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Speaker 1: not without My Brother or something like that. So you

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Speaker 1: just never know, Yeah, it'll always be clean.

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Speaker 2: Well what do you always say? Lemon lemonade Mouth was

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Speaker 2: a different version.

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Speaker 1: Of yeah of band slam. Yeah yeah, So there you go.

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Speaker 2: So it's like, you know, it could be any anything.

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Speaker 1: It could be anything.

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Speaker 2: As long as it had something to do with the country.

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Speaker 1: Then you're good. Well either way. The writers, of course,

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Speaker 1: sense are Chad Hayes and Carrie Hayes, twin brothers. That's

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Speaker 1: very cool, the right, you're such a twin fan. They

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Speaker 1: are a writing team that started their career on shows

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Speaker 1: like bay Watch, Knights and beast Master. I never saw

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Speaker 1: the show beasts Master, but the movie they Watch Nights,

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Speaker 1: Oh my god, bay Watch Nights. They took regular Baywatch

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Speaker 1: and then tried to make it even more risky. So

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Speaker 1: it's like Baywatch Knights.

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Speaker 2: Yeah, more risky.

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Speaker 1: Oh yeah, they called it everything, but the nip like

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Speaker 1: it was. It was yeah, bay Watch Nights.

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Speaker 2: Oh no, oh yeah, I definitely can't watch that. I'll

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Speaker 2: be so no.

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Speaker 1: It's oh no, it's supposed to make you uncomfortable. But

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Speaker 1: if you want to see a great movie, watch beast Master.

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Speaker 1: Great movie.

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Speaker 2: Okay.

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Speaker 1: They would also write this movie sequel, Jumping Ship, but

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Speaker 1: to my surprise, they've say went on to have quite

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Speaker 1: a career in horror. They wrote the underrated House of

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Speaker 1: Wax remake in two thousand and five, which then turned

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Speaker 1: into getting them a gig on a little movie called

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Speaker 1: The Conjuring, which has since become a massive genre franchise.

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Speaker 1: You'd love to see that. Okay, guys, let's put this

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Speaker 1: grass in a grinder and turn horse sense into a smoothie.

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Speaker 1: It's time for the recap. We open on a farm

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Speaker 1: with a ton of cows and a glorious breakfast being prepared.

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Speaker 1: If the movie ended right, there'd be the greatest decommon history, Eggs, bacon, pancakes,

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Speaker 1: sausage and peppers. And we're back to the dcom tour

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Speaker 1: of a bedroom to learn about our main character. And honestly,

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Speaker 1: I'll be honest with you, I missed it. I kind

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Speaker 1: of missed it.

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Speaker 3: I literally put in my head, oh my gosh, should

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Speaker 3: we just start a movie without being in a bedroom

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Speaker 3: for a tcon?

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Speaker 2: And then I went, oh, no, we did it.

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Speaker 1: Hey there. We only ready to make the bedroom trope

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Speaker 1: even better is by starting with a wonderful breakfast. Oh

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Speaker 1: I love that. We see a cowboy hat, a frame

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Speaker 1: photo of a boy and his dad and young Tommy

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Speaker 1: whittling Wood next to his dog. His mom yells out,

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Speaker 1: breakfast is ready. He has to hustle. He does want

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Speaker 1: a Missus plane. He makes a whistle for his cousin Michael.

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Speaker 1: He really liked the one he made for his family reunion.

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Speaker 1: He throws on his cowboy hat and rushes downstairs. He's

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Speaker 1: not sure he should go on in this trip to California.

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Speaker 1: He doesn't want to leave his mom alone and worries

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Speaker 1: that they don't have enough money. Oh, setting something up,

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Speaker 1: but his mom says not to worry about it. She

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Speaker 1: can manage for four days without him, she promises. Now

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Speaker 1: they're on the way to the airport. Tommy wonders what

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Speaker 1: it's going to be like in Beverly Hills. It seems

438
00:19:23,200 --> 00:19:25,760
Speaker 1: a little different than Montana. Then we cut over to

439
00:19:25,800 --> 00:19:29,399
Speaker 1: see just how different it is. Cousin Michael, in silk pajamas,

440
00:19:29,440 --> 00:19:32,320
Speaker 1: is just waking up at twelve fifteen. His spacious room

441
00:19:32,359 --> 00:19:34,480
Speaker 1: is filled with a fish tank, stained glass, and a

442
00:19:34,520 --> 00:19:38,040
Speaker 1: set of dumbbells. In the kitchen, it's not the down

443
00:19:38,080 --> 00:19:42,440
Speaker 1: home Bontana breakfast we just saw. It's grass wheat grass technically,

444
00:19:42,480 --> 00:19:45,560
Speaker 1: but it's grass being stuffed into a juicer by the

445
00:19:45,600 --> 00:19:48,600
Speaker 1: maid Arlene. Michael enters with a sweater tied around his

446
00:19:48,640 --> 00:19:51,520
Speaker 1: shoulders like some prepping ned chad. He downs the blended

447
00:19:51,520 --> 00:19:53,920
Speaker 1: concoction and rejects an offer of waffles and eggs. He's

448
00:19:53,960 --> 00:19:57,159
Speaker 1: watching his body fat percentage. Michael's mom, Jace, enters the

449
00:19:57,200 --> 00:19:59,359
Speaker 1: kitchen and reminds him to go pick up Tommy today,

450
00:19:59,480 --> 00:20:01,399
Speaker 1: but he says he can't. He's got a date with Gina.

451
00:20:01,680 --> 00:20:04,159
Speaker 1: Her dad's a big movie director who made lethal force

452
00:20:04,320 --> 00:20:07,960
Speaker 1: Tornado and Tornado two. This time's personal, of course I

453
00:20:08,000 --> 00:20:10,199
Speaker 1: added that part. But jac also has stuff to do

454
00:20:10,240 --> 00:20:12,760
Speaker 1: for a fundraiser in Palm Springs, so she can't help out.

455
00:20:12,800 --> 00:20:15,880
Speaker 1: And since Little Tommy's father died, he's had a hard time.

456
00:20:16,480 --> 00:20:19,760
Speaker 1: Dead dad alert. Everybody a dcom favorite now a dead

457
00:20:19,800 --> 00:20:22,000
Speaker 1: dad alert. What do we always say? They can the

458
00:20:22,240 --> 00:20:26,320
Speaker 1: parent can be dead, They can't be divorced. Yeah, we

459
00:20:26,359 --> 00:20:32,040
Speaker 1: are now at Michael's Okay, Okay, is he in high school?

460
00:20:32,200 --> 00:20:33,160
Speaker 2: He's in college?

461
00:20:33,240 --> 00:20:37,080
Speaker 1: Right? Because they say he's twenty, Yes, he's so this

462
00:20:37,119 --> 00:20:38,879
Speaker 1: has got to be he's in. I think this is

463
00:20:38,920 --> 00:20:40,400
Speaker 1: a college course that he's I mean.

464
00:20:40,320 --> 00:20:43,320
Speaker 2: The campus was obviously a college kid.

465
00:20:43,400 --> 00:20:44,880
Speaker 1: That's how I look at it too. Okay, so we're

466
00:20:44,880 --> 00:20:46,840
Speaker 1: gonna say Michael's now in college. He could have been

467
00:20:46,840 --> 00:20:48,480
Speaker 1: in high school, but I think he if he.

468
00:20:48,440 --> 00:20:50,680
Speaker 3: As a twenty one year old in high school, there

469
00:20:50,720 --> 00:20:54,120
Speaker 3: is nothing more than a super super senior, that's insane.

470
00:20:54,640 --> 00:20:56,600
Speaker 1: Well, he's twenty and he was getting a D plus,

471
00:20:56,600 --> 00:20:58,119
Speaker 1: so it's not like he's an amazing student. No, I

472
00:20:58,160 --> 00:20:59,760
Speaker 1: think you're right. I think it's college too.

473
00:20:59,760 --> 00:21:02,199
Speaker 3: I thought I thought so too, especially with like what

474
00:21:02,280 --> 00:21:05,120
Speaker 3: they were they were learning about, like the market.

475
00:21:05,040 --> 00:21:06,560
Speaker 1: And they all looked older and everything.

476
00:21:06,920 --> 00:21:09,080
Speaker 2: Yeah, she looked older that everyone looked.

477
00:21:09,119 --> 00:21:11,080
Speaker 1: Agree in college, Yeah, I agree, I agree. Okay, So

478
00:21:11,119 --> 00:21:12,800
Speaker 1: the test grades are being passed back on the last

479
00:21:12,840 --> 00:21:14,760
Speaker 1: day of the school year. He's seated next to Gina

480
00:21:14,840 --> 00:21:16,600
Speaker 1: and she's talking about how her dad is wrapping a

481
00:21:16,640 --> 00:21:19,119
Speaker 1: movie and really wants to meet her new boyfriend. Michael

482
00:21:19,119 --> 00:21:21,120
Speaker 1: hopes they end up in the Riviera at the same time,

483
00:21:21,160 --> 00:21:23,640
Speaker 1: but it depends on when Gina's dad starts his next movie.

484
00:21:23,800 --> 00:21:25,960
Speaker 1: Their teacher notices the couple chatting and lets them know

485
00:21:26,000 --> 00:21:28,320
Speaker 1: that they've talked too much and didn't pay enough attention

486
00:21:28,400 --> 00:21:31,199
Speaker 1: to the school subjects real estate development, land trust, and

487
00:21:31,240 --> 00:21:34,440
Speaker 1: property deeds. You know, even college, it seems like a

488
00:21:34,480 --> 00:21:35,560
Speaker 1: weird thing to be studying.

489
00:21:35,560 --> 00:21:40,240
Speaker 3: But anyway it does because that's like, I don't my

490
00:21:40,400 --> 00:21:42,520
Speaker 3: parents are real estate agents and that was not ever

491
00:21:42,600 --> 00:21:44,040
Speaker 3: something they learned in college.

492
00:21:44,040 --> 00:21:44,480
Speaker 2: They have to go to.

493
00:21:44,520 --> 00:21:47,399
Speaker 3: Write a special special schooling for that.

494
00:21:47,560 --> 00:21:47,720
Speaker 1: Yeah.

495
00:21:47,760 --> 00:21:50,840
Speaker 2: Yeah, but it was like, you know, okay, I shouldn't.

496
00:21:50,880 --> 00:21:52,400
Speaker 2: I need to. I need to keep this in mind.

497
00:21:52,440 --> 00:21:53,520
Speaker 2: This is gonna happen, this is.

498
00:21:53,440 --> 00:21:56,760
Speaker 1: Going to mean something exactly. Michael then looks at his

499
00:21:56,800 --> 00:22:00,199
Speaker 1: test score. He got a D. Not so good. Now

500
00:22:00,240 --> 00:22:02,160
Speaker 1: out in the quad, Gina gives him a two week

501
00:22:02,240 --> 00:22:05,040
Speaker 1: anniversary present, the famous two week anniversary present. It's a

502
00:22:05,080 --> 00:22:07,040
Speaker 1: new watch and he loves it, but when trying it on,

503
00:22:07,080 --> 00:22:09,359
Speaker 1: he realizes he's thirty minutes late to pick up Tommy.

504
00:22:09,520 --> 00:22:12,119
Speaker 1: He races off to the airport, eventually picking up Tommy

505
00:22:12,160 --> 00:22:15,639
Speaker 1: in his convertible Porsche sports car. He blames LA traffic

506
00:22:15,640 --> 00:22:19,040
Speaker 1: for being late. That's a typical excuse everyone uses, and

507
00:22:19,119 --> 00:22:21,560
Speaker 1: Tommy is a sweete pie who just isn't angry at all.

508
00:22:21,960 --> 00:22:24,960
Speaker 1: Summer vacation is official begun, and Michael is genuinely happy

509
00:22:24,960 --> 00:22:27,080
Speaker 1: to see his cousin. Tommy's about to present him with

510
00:22:27,119 --> 00:22:30,520
Speaker 1: the whistle, but the carphone rings. It's Gina, so Tommy

511
00:22:30,560 --> 00:22:33,320
Speaker 1: bashfully hides the whistle. Gina announces that her family will

512
00:22:33,359 --> 00:22:34,760
Speaker 1: in fact be in the south of France at the

513
00:22:34,760 --> 00:22:37,320
Speaker 1: same time. After all, her phone drops out, and Tommy

514
00:22:37,359 --> 00:22:39,720
Speaker 1: sees another opening for his whistle, but Gina calls right

515
00:22:39,800 --> 00:22:41,760
Speaker 1: back before he can hand it off. We find out

516
00:22:41,760 --> 00:22:44,879
Speaker 1: that Michael is manipulating some transfer program to travel to

517
00:22:44,960 --> 00:22:47,880
Speaker 1: France and will drop out once he gets there even

518
00:22:47,920 --> 00:22:51,439
Speaker 1: though he needs the school credits okay, and when she

519
00:22:51,520 --> 00:22:54,400
Speaker 1: asks if they're hanging out for their anniversary, he says yes,

520
00:22:54,520 --> 00:22:58,080
Speaker 1: leaving Tommy feeling neglected already and stuck with this goddamn whistle.

521
00:22:59,560 --> 00:23:01,960
Speaker 1: They make it to Michael's family mansion and Tommy notes

522
00:23:02,000 --> 00:23:04,479
Speaker 1: it's bigger than his school. It's dinner time in Michael's

523
00:23:04,480 --> 00:23:06,800
Speaker 1: mom wishes her sister Jules could have made the trip

524
00:23:06,840 --> 00:23:09,840
Speaker 1: to and we find out that Disneyland is a top

525
00:23:09,920 --> 00:23:12,000
Speaker 1: Tommy's wishless for the week, like so many kids that

526
00:23:12,040 --> 00:23:14,800
Speaker 1: come to Beverly Hills, so Michael plans to take him

527
00:23:14,880 --> 00:23:16,680
Speaker 1: Monday because he says the weekend is going to be

528
00:23:16,720 --> 00:23:20,119
Speaker 1: way too crowded. Good point, that's absolutely true. Glenn, Michael's

529
00:23:20,200 --> 00:23:21,840
Speaker 1: dad and Tommy's uncle, is going to be with his

530
00:23:21,880 --> 00:23:24,080
Speaker 1: wife in Palm Springs for the fundraiser, so they'll be

531
00:23:24,119 --> 00:23:26,840
Speaker 1: alone in the house for a few days. Tommy's shown

532
00:23:26,880 --> 00:23:29,520
Speaker 1: to his guest room. It's actually the home theater. It

533
00:23:29,560 --> 00:23:31,840
Speaker 1: has a popcorn machine, candy in every movie you can

534
00:23:31,840 --> 00:23:34,120
Speaker 1: possibly dream of. Tommy wants Michael to pick a movie

535
00:23:34,119 --> 00:23:36,000
Speaker 1: to watch because he's going over to Gina's to give

536
00:23:36,000 --> 00:23:38,480
Speaker 1: her a necklace he got her. He promises it'll only

537
00:23:38,520 --> 00:23:40,760
Speaker 1: be five minutes. Now. I don't know if it was

538
00:23:40,760 --> 00:23:42,320
Speaker 1: in this scene, but or the next scene where he

539
00:23:42,320 --> 00:23:47,160
Speaker 1: starts with two movies, but the bottom movie Missus Doubt Flyer, No,

540
00:23:47,240 --> 00:23:49,000
Speaker 1: Missus Doubt Fire with matt.

541
00:23:48,800 --> 00:23:50,280
Speaker 2: Lawrence with Matthew Lawrence.

542
00:23:50,320 --> 00:23:54,040
Speaker 1: And now brink was on the screen when he turns

543
00:23:54,080 --> 00:23:56,320
Speaker 1: on the thing. I was like, yeah, and there's brink.

544
00:23:56,400 --> 00:23:58,720
Speaker 1: So we're getting Eastern kind of little easter eggs all

545
00:23:58,760 --> 00:24:01,359
Speaker 1: over the place, which is left it very fun. The

546
00:24:01,440 --> 00:24:03,600
Speaker 1: next morning, Arlene is happy to make Tommy a traditional

547
00:24:03,600 --> 00:24:07,239
Speaker 1: Montana breakfast, none of that grass smoothie. He promises he's

548
00:24:07,240 --> 00:24:09,720
Speaker 1: gonna make a breakfast soon, just as Michael storms in.

549
00:24:09,960 --> 00:24:11,840
Speaker 1: He's got to leave to run errand, so Tommy invites

550
00:24:11,920 --> 00:24:13,959
Speaker 1: himself to go along. Michael thinks Tommy would have more

551
00:24:13,960 --> 00:24:15,919
Speaker 1: fun at home. Tommy says he wants to go to

552
00:24:16,000 --> 00:24:19,240
Speaker 1: adventure Land later because his friend Mule went there once

553
00:24:19,280 --> 00:24:21,600
Speaker 1: and said it was a blast. Can we please add

554
00:24:21,720 --> 00:24:24,359
Speaker 1: Mule to the list of good decom names? Can we

555
00:24:26,200 --> 00:24:29,040
Speaker 1: love it? I love it? Mule's up there. It's it's

556
00:24:29,119 --> 00:24:32,520
Speaker 1: no what is it? Johnny Jaguar why can I think

557
00:24:32,520 --> 00:24:33,480
Speaker 1: of his name from.

558
00:24:34,000 --> 00:24:39,320
Speaker 3: Jackal Johnson Jackals, not jack Jock, but Johnson. It's a

559
00:24:39,320 --> 00:24:43,359
Speaker 3: little bit better because it's just one crazy name, Mule Mule.

560
00:24:44,000 --> 00:24:47,840
Speaker 1: I love it. Yes, no, it's it is officially on

561
00:24:47,920 --> 00:24:50,760
Speaker 1: the list. Michael promises him they'll do whatever he wants,

562
00:24:50,800 --> 00:24:53,280
Speaker 1: and leaves without drinking a smoothie at all. Doesn't touch it,

563
00:24:53,280 --> 00:24:55,480
Speaker 1: doesn't put it to his lips, just grabs it. It's

564
00:24:55,520 --> 00:24:58,080
Speaker 1: orange in some way, and just puts it right down. Later,

565
00:24:58,240 --> 00:25:00,800
Speaker 1: Tommy outside alone, kicking around a sode kerball and hitting

566
00:25:00,800 --> 00:25:03,080
Speaker 1: tennis balls by himself in what has to be the

567
00:25:03,160 --> 00:25:06,119
Speaker 1: saddest montage in the history of any dcom and we

568
00:25:06,240 --> 00:25:09,359
Speaker 1: get kind of another little montage of the next few days.

569
00:25:09,560 --> 00:25:11,879
Speaker 1: Tommy's watching a ton of movies, last swing a statue

570
00:25:11,920 --> 00:25:14,440
Speaker 1: in the front yard, cooking breakfast for Arlean as he promised,

571
00:25:14,600 --> 00:25:17,240
Speaker 1: then teaching her how to wrangle. He's never even seen

572
00:25:17,280 --> 00:25:19,560
Speaker 1: Michael again, or if he does, he's on the phone

573
00:25:19,560 --> 00:25:21,720
Speaker 1: with Gina. He's in his bedroom. He's just not paying

574
00:25:21,760 --> 00:25:25,280
Speaker 1: attention to him at all. Arlene has now officially seen enough.

575
00:25:25,520 --> 00:25:27,919
Speaker 1: The next morning, she decides to shame Michael for ignoring

576
00:25:27,960 --> 00:25:30,720
Speaker 1: his cousin, Michael says he's taking him to Disneyland next week,

577
00:25:30,800 --> 00:25:34,000
Speaker 1: but in reality, Tommy leaves tomorrow. Michael can't believe it.

578
00:25:34,040 --> 00:25:36,600
Speaker 1: He apparently doesn't know how time works at all, even

579
00:25:36,600 --> 00:25:40,240
Speaker 1: with that fancy new watch. Tommy enters the kitchen, clearly pissed.

580
00:25:40,240 --> 00:25:42,280
Speaker 1: When Michael asked if he's ready to go to Disneyland.

581
00:25:42,320 --> 00:25:45,280
Speaker 1: Tommy make sure he actually wants to go and won't

582
00:25:45,280 --> 00:25:48,679
Speaker 1: bail on him. Michael promises he won't. So after Disneyland

583
00:25:48,720 --> 00:25:52,200
Speaker 1: they're going to go to Nights of the Round Table. Huh,

584
00:25:52,240 --> 00:25:54,120
Speaker 1: which is the name they use? So Medieval Times won't

585
00:25:54,160 --> 00:25:56,720
Speaker 1: sue them? Timmy is so and I never get that.

586
00:25:56,760 --> 00:25:59,639
Speaker 1: Why wouldn't you want like Medieval Times? You'd want the

587
00:25:59,720 --> 00:26:02,280
Speaker 1: name of your company in a big movie? Would you know?

588
00:26:03,000 --> 00:26:04,639
Speaker 3: It is the same thing. It's the same way on

589
00:26:04,680 --> 00:26:08,080
Speaker 3: the channel. How we probably every you know, every network.

590
00:26:08,080 --> 00:26:11,040
Speaker 3: How you have to like put something over a Nike Yeah, you.

591
00:26:11,080 --> 00:26:12,920
Speaker 1: Get it's called greeking it out. You have to greek

592
00:26:12,960 --> 00:26:16,359
Speaker 1: out the logo. Yes, it's very strange. We would always

593
00:26:16,480 --> 00:26:19,640
Speaker 1: change the products on our on the set of Boy

594
00:26:19,680 --> 00:26:23,199
Speaker 1: Meets World, so it's like we'd get Captain cunch. Oh,

595
00:26:23,240 --> 00:26:26,119
Speaker 1: and if they did st Waffel crisp instead of waffle,

596
00:26:26,119 --> 00:26:27,800
Speaker 1: could they cover out one part? So it was just

597
00:26:27,880 --> 00:26:29,879
Speaker 1: it was va It was a vaffle crisp. You do

598
00:26:29,920 --> 00:26:32,359
Speaker 1: things like that. Oak. We drank a lot of oak,

599
00:26:34,160 --> 00:26:37,680
Speaker 1: just the way it was. Yes, Tommy is so excited

600
00:26:37,720 --> 00:26:39,920
Speaker 1: and Arlene seems happy as well, so they decide to

601
00:26:40,000 --> 00:26:42,639
Speaker 1: leave right now. On the way there, Michael apologizes for

602
00:26:42,720 --> 00:26:44,800
Speaker 1: how fast the week has gone by. He planned on

603
00:26:44,880 --> 00:26:46,520
Speaker 1: doing way more with Tommy and he's going to do

604
00:26:46,560 --> 00:26:49,040
Speaker 1: more with him today. But then, oh, what happens? Gina

605
00:26:49,080 --> 00:26:51,200
Speaker 1: calls her Daddy got back this morning and wants to

606
00:26:51,240 --> 00:26:53,760
Speaker 1: know when he can finally meet Michael. At first, Michael

607
00:26:53,800 --> 00:26:56,040
Speaker 1: says he can't, but eventually agrees that he'll only stay

608
00:26:56,080 --> 00:26:58,880
Speaker 1: for like a minute or two, and again the disappointment

609
00:26:58,960 --> 00:27:01,920
Speaker 1: is visible on Tommy's face. As a result, Michael drops

610
00:27:01,920 --> 00:27:04,480
Speaker 1: Tommy off at Kiddie Zone, a play place with loud

611
00:27:04,560 --> 00:27:07,280
Speaker 1: music and screaming babies. He promises he'll be back soon

612
00:27:07,440 --> 00:27:09,960
Speaker 1: and fun little dcom Easter Egg here Yet again, the

613
00:27:10,040 --> 00:27:14,520
Speaker 1: kids are watching Prink on the TV. Same director Greg Beaman.

614
00:27:14,600 --> 00:27:16,399
Speaker 1: He's shown his movies all over the place, I love it.

615
00:27:16,720 --> 00:27:19,400
Speaker 3: I love it too, And I'm sure when people were

616
00:27:19,400 --> 00:27:20,440
Speaker 3: watching this they're.

617
00:27:20,200 --> 00:27:22,119
Speaker 2: Like, hey, I know that one. That's you know, I

618
00:27:22,200 --> 00:27:23,520
Speaker 2: watch a brink so fun.

619
00:27:23,640 --> 00:27:25,879
Speaker 1: We cut to a horse track where now Michael, Gina,

620
00:27:25,880 --> 00:27:28,320
Speaker 1: and her dad are cheering on a thoroughbred. Michael has

621
00:27:28,359 --> 00:27:30,840
Speaker 1: been picking winners and Gina's dad wants to know his secret,

622
00:27:31,160 --> 00:27:33,000
Speaker 1: which again I thought was a whole different movie. This

623
00:27:33,080 --> 00:27:36,000
Speaker 1: guy apparently went to four horse races and won four times.

624
00:27:36,040 --> 00:27:38,200
Speaker 1: How is this not a bigger story than they're making

625
00:27:38,240 --> 00:27:40,480
Speaker 1: it out to be. He's some kind of how is

626
00:27:40,520 --> 00:27:43,800
Speaker 1: it not called the yeah, the the gambling sense or whatever.

627
00:27:43,800 --> 00:27:45,040
Speaker 1: This guy could have been a jigillionaire.

628
00:27:45,119 --> 00:27:48,159
Speaker 2: Some people just have that. It's so strange.

629
00:27:48,359 --> 00:27:51,440
Speaker 1: No one can pick horse winners. I don't believe it's

630
00:27:51,440 --> 00:27:52,480
Speaker 1: all it's all guessing.

631
00:27:52,880 --> 00:27:53,920
Speaker 2: Yes, that's what I mean.

632
00:27:54,040 --> 00:27:56,000
Speaker 1: Like does he pick Michael could really just be like

633
00:27:56,080 --> 00:27:57,120
Speaker 1: I can pick winners.

634
00:27:57,440 --> 00:27:59,359
Speaker 3: No, Like it's just like you just kind of like

635
00:27:59,400 --> 00:28:03,159
Speaker 3: for whatever he's in that luck of just like yeah,

636
00:28:03,200 --> 00:28:04,760
Speaker 3: for no reason at all, you're just like.

637
00:28:04,720 --> 00:28:05,520
Speaker 2: Eating Meanie Miny.

638
00:28:05,560 --> 00:28:07,840
Speaker 3: Moe Monroe just learned how to do that, and you're

639
00:28:07,880 --> 00:28:10,600
Speaker 3: just like eating Meani Miney mo that one and then

640
00:28:10,880 --> 00:28:11,320
Speaker 3: they win.

641
00:28:11,680 --> 00:28:14,040
Speaker 2: That happens so crazy.

642
00:28:15,600 --> 00:28:15,960
Speaker 3: It does.

643
00:28:16,400 --> 00:28:19,480
Speaker 1: Well, that's Joey Lawrence's character is a lucky horse picker.

644
00:28:19,520 --> 00:28:22,600
Speaker 1: I don't even know what they're called the horses exactly.

645
00:28:23,320 --> 00:28:25,680
Speaker 1: So everything's going great, but Michael knows he has to

646
00:28:25,760 --> 00:28:27,560
Speaker 1: run and pick up Tommy, but Gina's dad says he

647
00:28:27,560 --> 00:28:29,480
Speaker 1: can't leave before the next race. He needs to pick

648
00:28:29,520 --> 00:28:31,920
Speaker 1: him another winner, which again, I wouldn't let him leave either.

649
00:28:32,400 --> 00:28:34,920
Speaker 1: Gina also begs him to stay, so he does, eventually

650
00:28:34,960 --> 00:28:37,440
Speaker 1: sprinting to his car and crashing into an old lady's

651
00:28:37,520 --> 00:28:40,560
Speaker 1: vehicle on his way out, and they exchange info very

652
00:28:40,640 --> 00:28:43,800
Speaker 1: very quickly. When he does finally get back to play place,

653
00:28:43,840 --> 00:28:45,960
Speaker 1: he can't find Tommy anywhere. He panics, climbing through the

654
00:28:46,000 --> 00:28:48,600
Speaker 1: obstacles looking for his cousin, screaming his name, and fighting

655
00:28:48,640 --> 00:28:51,440
Speaker 1: off little rugrats. He eventually finds out that Tommy called

656
00:28:51,600 --> 00:28:53,760
Speaker 1: Arlene to pick him up because he was worried something

657
00:28:53,840 --> 00:28:57,080
Speaker 1: might have happened to Michael. Oh. When Michael does get

658
00:28:57,080 --> 00:28:59,360
Speaker 1: back to the house, Tommy's watching TV. Michael tries to

659
00:28:59,360 --> 00:29:01,719
Speaker 1: guilt him about leaving the playplace, but Tommy calls his

660
00:29:01,760 --> 00:29:04,640
Speaker 1: cousin selfish and says he can't wait to go home tomorrow.

661
00:29:04,680 --> 00:29:08,520
Speaker 1: Nobody is going to gaslight a farm kid. It's like, no, no, no,

662
00:29:08,960 --> 00:29:11,360
Speaker 1: we don't mess around here, buddy. That's just the way

663
00:29:11,400 --> 00:29:15,760
Speaker 1: it works. Michael apologizes and blames the Lucky Horse streak,

664
00:29:15,800 --> 00:29:17,880
Speaker 1: but Tommy calls horse racing animal abuse.

665
00:29:18,880 --> 00:29:19,200
Speaker 2: It is.

666
00:29:19,680 --> 00:29:22,040
Speaker 1: Michael's parents get home from Palm Springs and ask how

667
00:29:22,040 --> 00:29:24,800
Speaker 1: Disneyland was. Tommy covers from Michael, saying it was exactly

668
00:29:24,920 --> 00:29:27,600
Speaker 1: how he expected it to be, but he's tired and

669
00:29:27,680 --> 00:29:30,080
Speaker 1: needs to go pack. Michael also lies and tells his

670
00:29:30,160 --> 00:29:31,920
Speaker 1: dad the damage on his car was from a hit

671
00:29:32,040 --> 00:29:35,840
Speaker 1: and run. The next morning, Tommy is ready to fly home.

672
00:29:35,960 --> 00:29:37,720
Speaker 1: He takes one last look at the whistle he never

673
00:29:37,760 --> 00:29:39,800
Speaker 1: had a chance to give to Michael and returns it

674
00:29:39,840 --> 00:29:42,480
Speaker 1: to his bag. Tommy tells his aunt if Michael ever

675
00:29:42,520 --> 00:29:44,440
Speaker 1: makes it out to the ranch, he'd like to return

676
00:29:44,480 --> 00:29:48,280
Speaker 1: the favor of hospitality. We catch the sarcasm, but she doesn't,

677
00:29:48,400 --> 00:29:52,360
Speaker 1: and just like that, Tommy returns to Montana. That night,

678
00:29:52,360 --> 00:29:54,479
Speaker 1: in Beverly Hills, Michael joins his parents for dinner and

679
00:29:54,560 --> 00:29:57,040
Speaker 1: something is definitely off. His mom got a call from

680
00:29:57,040 --> 00:29:59,840
Speaker 1: her sister. They now know he didn't spend any time

681
00:30:00,080 --> 00:30:02,600
Speaker 1: Tommy during the trip. They ask about Kiddy's own and

682
00:30:02,640 --> 00:30:06,400
Speaker 1: horse racing and why he's always sleeping or out with Gina.

683
00:30:06,760 --> 00:30:08,760
Speaker 1: And that's when the doorbell rings, and I was like, Okay,

684
00:30:08,800 --> 00:30:10,840
Speaker 1: this can't be good. You're supposed to live in Beverly Hills,

685
00:30:10,960 --> 00:30:14,080
Speaker 1: nobody rings your doorbell, so it's not going to be

686
00:30:14,080 --> 00:30:16,880
Speaker 1: a good thing. It's two police officers. They're looking for

687
00:30:16,920 --> 00:30:20,040
Speaker 1: Michael about a car accident. He gave the woman false

688
00:30:20,080 --> 00:30:23,800
Speaker 1: information and took off, And I was like, why you've

689
00:30:23,800 --> 00:30:27,200
Speaker 1: got insurance, You've got everything. Why why give false information?

690
00:30:27,240 --> 00:30:28,280
Speaker 1: Why lie about it? Oh?

691
00:30:28,280 --> 00:30:30,400
Speaker 3: I didn't feel like he did it on purpose. I

692
00:30:30,480 --> 00:30:33,480
Speaker 3: literally think I've just felt like he like just.

693
00:30:33,400 --> 00:30:34,600
Speaker 2: Gave her the wrong information.

694
00:30:34,680 --> 00:30:36,840
Speaker 3: However, when he was doing it, he was doing it

695
00:30:36,880 --> 00:30:39,040
Speaker 3: off of memory, and I'm like, I could never give

696
00:30:39,080 --> 00:30:40,400
Speaker 3: my insurance card number.

697
00:30:40,760 --> 00:30:42,280
Speaker 1: No nobody knows that.

698
00:30:42,520 --> 00:30:47,400
Speaker 3: Like that was like, what but no, I'm so sorry,

699
00:30:47,440 --> 00:30:51,160
Speaker 3: surpose huh. Oh, I thought he just like like tried

700
00:30:51,160 --> 00:30:52,960
Speaker 3: to do it and then gave her the wrong information.

701
00:30:53,280 --> 00:30:54,200
Speaker 2: Take care what it was.

702
00:30:54,520 --> 00:30:56,440
Speaker 1: I thought he kind of because he never says when

703
00:30:56,440 --> 00:30:58,280
Speaker 1: he's getting yelled at like, I thought I gave her

704
00:30:58,320 --> 00:31:00,240
Speaker 1: all my information. I didn't try to run away.

705
00:31:00,000 --> 00:31:01,440
Speaker 2: Hey, yeah he did.

706
00:31:01,840 --> 00:31:04,680
Speaker 1: No, Does he say I I screwed up and gave

707
00:31:04,680 --> 00:31:05,640
Speaker 1: her the wrong information?

708
00:31:05,920 --> 00:31:07,760
Speaker 3: Yes, he said I gave I didn't realize I gave

709
00:31:07,800 --> 00:31:08,600
Speaker 3: her the wrong information.

710
00:31:08,800 --> 00:31:10,240
Speaker 1: So then I miss I missed that part. I didn't.

711
00:31:10,280 --> 00:31:11,920
Speaker 1: I didn't see that. Oh, okay, got more. Then there

712
00:31:12,000 --> 00:31:12,240
Speaker 1: you go.

713
00:31:12,440 --> 00:31:15,280
Speaker 3: Yeah, because there's just no way someone He's like he

714
00:31:15,400 --> 00:31:17,880
Speaker 3: was thinking he could give her the wrong information and

715
00:31:17,920 --> 00:31:20,360
Speaker 3: she wasn't gonna like report it.

716
00:31:20,600 --> 00:31:22,760
Speaker 1: Oh see, I thought he was gonna, oh, here's my

717
00:31:22,840 --> 00:31:26,360
Speaker 1: information by and he bounced like this old lady's never

718
00:31:26,400 --> 00:31:27,240
Speaker 1: gonna be able to find me.

719
00:31:27,520 --> 00:31:27,880
Speaker 2: I didn't know.

720
00:31:27,920 --> 00:31:29,640
Speaker 1: He mentions it later, saying, I guess I gave her

721
00:31:29,680 --> 00:31:30,320
Speaker 1: the wrong information.

722
00:31:30,360 --> 00:31:30,920
Speaker 2: We've got it.

723
00:31:31,000 --> 00:31:33,480
Speaker 3: We're gonna have to ask him what was the real

724
00:31:33,720 --> 00:31:36,200
Speaker 3: backstory of Yes, I love that.

725
00:31:36,240 --> 00:31:39,640
Speaker 1: We're gonna figure it out. What's the backstory? By the way,

726
00:31:39,680 --> 00:31:41,440
Speaker 1: my favorite thing in the world in this movie, and

727
00:31:41,440 --> 00:31:44,280
Speaker 1: it's such an inside baseball thing for anyone who knows them,

728
00:31:44,280 --> 00:31:48,920
Speaker 1: but the Lawrence brothers call everybody buddy, hey, buddy, And

729
00:31:48,960 --> 00:31:51,440
Speaker 1: then they called each other throughout the entire movie. I

730
00:31:51,440 --> 00:31:54,120
Speaker 1: was like, Oh, it's so true to life. Yes, hey, buddy.

731
00:31:54,720 --> 00:31:57,800
Speaker 1: Once the cops leave, Michael's mom and dad are obviously furious.

732
00:31:57,840 --> 00:32:00,239
Speaker 1: They don't know what's gotten into him. He swears, he oh,

733
00:32:00,280 --> 00:32:02,640
Speaker 1: there you go. He swears he accidentally messed up his information.

734
00:32:02,680 --> 00:32:04,640
Speaker 1: I guess I just missed that part. But his parents

735
00:32:04,680 --> 00:32:07,080
Speaker 1: aren't sure of that, especially because he also lied to

736
00:32:07,160 --> 00:32:09,600
Speaker 1: them and called it a hit and run, which technically

737
00:32:09,600 --> 00:32:12,720
Speaker 1: it was, but yeah, I get it, and as punishment,

738
00:32:12,720 --> 00:32:15,640
Speaker 1: the European Study tour is now in limbo. Michael says

739
00:32:15,640 --> 00:32:18,000
Speaker 1: he's going to call Tommy to profusely apologize and take

740
00:32:18,040 --> 00:32:20,320
Speaker 1: money from his trust fund to fix the Porsche. He'll

741
00:32:20,320 --> 00:32:22,760
Speaker 1: also fly Tommy back out and treat him right. But

742
00:32:22,800 --> 00:32:25,360
Speaker 1: his dad isn't impressed. His trust fund wasn't made for that.

743
00:32:25,440 --> 00:32:27,480
Speaker 1: He's twenty years old and it's time to grow up.

744
00:32:27,640 --> 00:32:29,400
Speaker 1: They decided he's going to spend some time on his

745
00:32:29,440 --> 00:32:32,080
Speaker 1: aunt's ranch and work there for a month for free.

746
00:32:32,280 --> 00:32:34,320
Speaker 1: Michael can't believe what he's hearing, but his parents hope

747
00:32:34,320 --> 00:32:37,000
Speaker 1: he'll learn something about hard work and responsibility, and if

748
00:32:37,000 --> 00:32:39,400
Speaker 1: they hear any negative reports from Jewels or Tommy while

749
00:32:39,400 --> 00:32:43,200
Speaker 1: he's in Montana. The European trip is off. This was

750
00:32:43,600 --> 00:32:48,120
Speaker 1: a great scene, good acting, good writing, way to get

751
00:32:48,160 --> 00:32:49,720
Speaker 1: us into a great way to get us into the movie.

752
00:32:49,720 --> 00:32:53,880
Speaker 1: But also parents that are holding their kids accountable for

753
00:32:53,960 --> 00:32:55,360
Speaker 1: what they did in a dcom.

754
00:32:55,880 --> 00:32:58,520
Speaker 3: And they also set it up to where this is

755
00:32:59,000 --> 00:33:01,560
Speaker 3: although they have a lot of money, you do get

756
00:33:01,560 --> 00:33:07,920
Speaker 3: the the information that they aren't old money. They've earned

757
00:33:07,960 --> 00:33:11,880
Speaker 3: their money, so it they're really making sure that they understand,

758
00:33:11,960 --> 00:33:15,560
Speaker 3: like their kid understands the idea of working hard and

759
00:33:15,600 --> 00:33:19,400
Speaker 3: earning your you know, earning dollar, the.

760
00:33:19,400 --> 00:33:22,160
Speaker 2: Value of a dollar. And I love that. I always

761
00:33:22,200 --> 00:33:23,080
Speaker 2: love those me too.

762
00:33:23,120 --> 00:33:25,920
Speaker 1: I thought this was it was. I thought this was

763
00:33:25,920 --> 00:33:29,040
Speaker 1: another movie where all of the adults were great.

764
00:33:29,520 --> 00:33:32,240
Speaker 2: Yes, well they were. It was mainly adults in this movie.

765
00:33:32,280 --> 00:33:34,280
Speaker 1: Yeah, yeah, they were the first time in a.

766
00:33:34,200 --> 00:33:37,560
Speaker 2: Long time a movie we're watching with mainly adults.

767
00:33:37,680 --> 00:33:40,560
Speaker 1: Yeah other than Andy, yeah, everybody, he's the only kid.

768
00:33:40,600 --> 00:33:43,080
Speaker 1: Everybody else are adults and they were really really good

769
00:33:43,080 --> 00:33:53,280
Speaker 1: in this movie. Yes, and so Michael lands in Montana

770
00:33:53,320 --> 00:33:56,440
Speaker 1: now sporting some flashy expensive western gear but clearly a

771
00:33:56,480 --> 00:34:02,680
Speaker 1: city slicker. After playing round Stone Cow. I was like, wow,

772
00:34:02,720 --> 00:34:07,600
Speaker 1: look at that boots. Oh, it was, but kind of

773
00:34:07,640 --> 00:34:11,160
Speaker 1: a perfect Beverly Hills like this is obviously what cowboys

774
00:34:11,160 --> 00:34:11,520
Speaker 1: look like.

775
00:34:11,800 --> 00:34:12,920
Speaker 2: It was perfect.

776
00:34:13,040 --> 00:34:15,280
Speaker 1: It was perfect, It really was. Right off the plane,

777
00:34:15,280 --> 00:34:17,640
Speaker 1: he bumps into a more realistic cowboy played by his

778
00:34:17,960 --> 00:34:21,040
Speaker 1: very hunky brother, Matt, Sabrina, did you immediately know it

779
00:34:21,080 --> 00:34:21,959
Speaker 1: was Matt? Yes?

780
00:34:22,239 --> 00:34:24,400
Speaker 2: And he looks so cute? And I went, wait, I

781
00:34:24,440 --> 00:34:26,600
Speaker 2: didn't think Matt was in This is Matt in this movie?

782
00:34:26,920 --> 00:34:28,640
Speaker 2: Is this a cameo? What is going on right now?

783
00:34:28,840 --> 00:34:29,360
Speaker 1: Just a cameo?

784
00:34:29,600 --> 00:34:30,719
Speaker 2: And it threw me a little bit.

785
00:34:30,880 --> 00:34:32,880
Speaker 1: Cute boy cameo? Come on, let's oh.

786
00:34:32,760 --> 00:34:34,759
Speaker 2: He's Oh yeah, for sure. He looked great.

787
00:34:35,200 --> 00:34:36,719
Speaker 1: Would he be on your wall? Would map be one

788
00:34:36,719 --> 00:34:39,600
Speaker 1: of the guys on your wall? No, God, We're never

789
00:34:39,640 --> 00:34:42,520
Speaker 1: gonna find a guy for your wall. You're gonna end

790
00:34:42,560 --> 00:34:46,239
Speaker 1: up with a guyless wall. Sabrina, I know, I know.

791
00:34:47,000 --> 00:34:47,759
Speaker 1: Is Joey.

792
00:34:49,400 --> 00:34:51,040
Speaker 2: H probably?

793
00:34:51,440 --> 00:34:52,000
Speaker 1: Yeah?

794
00:34:51,719 --> 00:34:53,960
Speaker 2: Okay, awesome, Yeah.

795
00:34:53,640 --> 00:34:55,600
Speaker 1: Okay, there's a long haired Joey.

796
00:34:56,920 --> 00:34:59,720
Speaker 2: Yeah, I guess. I just he was just so funny

797
00:34:59,719 --> 00:35:01,200
Speaker 2: and just so dreamy.

798
00:35:00,960 --> 00:35:03,200
Speaker 1: Like okay, hey, I'm I was.

799
00:35:04,880 --> 00:35:08,160
Speaker 3: Really little during Blossom though, right, and that's okay, Just like.

800
00:35:08,120 --> 00:35:11,080
Speaker 1: Anyone I see you in just this, this horrible white

801
00:35:11,239 --> 00:35:13,080
Speaker 1: room with nothing on your walls. So now at least

802
00:35:13,080 --> 00:35:13,680
Speaker 1: there's a Joey.

803
00:35:13,600 --> 00:35:16,480
Speaker 2: Lawrence dance pictures and things like that.

804
00:35:17,560 --> 00:35:19,319
Speaker 1: Well and a Joey We're putting joy lawns up there.

805
00:35:19,320 --> 00:35:20,759
Speaker 1: It's just the words. I'm just glad that we got

806
00:35:20,760 --> 00:35:21,560
Speaker 1: somebody on your walls.

807
00:35:21,600 --> 00:35:25,560
Speaker 3: I definitely didn't have a room ever with like in

808
00:35:25,719 --> 00:35:27,320
Speaker 3: sync or even if I was, even though I was

809
00:35:27,360 --> 00:35:29,839
Speaker 3: fans of that, I never had like a room like

810
00:35:29,840 --> 00:35:30,239
Speaker 3: a room.

811
00:35:30,320 --> 00:35:33,000
Speaker 1: How about in your locker, I didn't have a locker.

812
00:35:33,080 --> 00:35:37,040
Speaker 1: We already we talked about this locker had different child.

813
00:35:37,280 --> 00:35:40,880
Speaker 3: I almost locker almost at my gym, like upgraded my

814
00:35:40,920 --> 00:35:43,360
Speaker 3: membership to get a locker, just so I had one,

815
00:35:43,560 --> 00:35:45,920
Speaker 3: even though I would have never left stuff I'm buying

816
00:35:46,480 --> 00:35:46,920
Speaker 3: for Christmas.

817
00:35:46,920 --> 00:35:48,560
Speaker 1: I don't know how that's possibly like a little mini

818
00:35:48,600 --> 00:35:50,560
Speaker 1: one I'm gonna get. I'm getting you a full sized

819
00:35:50,600 --> 00:35:55,080
Speaker 1: locker delivered to your house. So Odd Jewels and Tommy

820
00:35:55,120 --> 00:35:58,719
Speaker 1: are there to pick him up and sarcastically compliments Michael's boots.

821
00:35:59,040 --> 00:36:00,920
Speaker 1: You get the feeling he has not yet forgiven him

822
00:36:00,920 --> 00:36:03,279
Speaker 1: for his la trip. Jeweles makes a quick stop at

823
00:36:03,280 --> 00:36:05,120
Speaker 1: a nearby bank to talk to a guy in a suit,

824
00:36:05,200 --> 00:36:08,440
Speaker 1: and eventually exits adding papers to her folder. She definitely

825
00:36:08,440 --> 00:36:11,160
Speaker 1: looks stressed. We are now at the ranch. Michael is

826
00:36:11,520 --> 00:36:15,160
Speaker 1: disturbed by the smell and guess who he meets Mule. Yes,

827
00:36:15,480 --> 00:36:17,920
Speaker 1: he finally meets Mule, good old Mule. He's a ranch

828
00:36:17,920 --> 00:36:20,960
Speaker 1: hand around and it reveals that actually Mule is his

829
00:36:21,000 --> 00:36:23,560
Speaker 1: real name, and I already love him. He's my favorite.

830
00:36:23,719 --> 00:36:26,120
Speaker 1: And not to be outdone, he meets Twister, a tough

831
00:36:26,120 --> 00:36:29,200
Speaker 1: looking mustache cowboy the backbone of the ranch who's already

832
00:36:29,239 --> 00:36:33,840
Speaker 1: intimidating the city folk on purpose. They're also They also

833
00:36:33,880 --> 00:36:36,560
Speaker 1: go compliment his goofy boots, and Michael brags that they're

834
00:36:36,560 --> 00:36:39,960
Speaker 1: Italian leather. Mule asks if that means the cow's mood

835
00:36:40,120 --> 00:36:43,480
Speaker 1: in an accent, but Michael insists it's because they're expensive.

836
00:36:43,960 --> 00:36:46,719
Speaker 1: Even Max, the family dog, can't stop growling at their

837
00:36:46,760 --> 00:36:49,839
Speaker 1: new visitor. I thought that we were going to get

838
00:36:49,880 --> 00:36:52,359
Speaker 1: a scene where eventually Max was going to be like

839
00:36:52,920 --> 00:36:56,080
Speaker 1: sitting with Michael on his lap kind of. They were

840
00:36:56,080 --> 00:36:57,480
Speaker 1: going to go for me always growled with them. I

841
00:36:57,480 --> 00:36:59,160
Speaker 1: thought it was gonna be an on running thing every

842
00:36:59,160 --> 00:37:00,800
Speaker 1: time he saw me growl. Then we're going to do

843
00:37:00,800 --> 00:37:02,720
Speaker 1: a scene where it's like he protects him or something,

844
00:37:03,000 --> 00:37:06,200
Speaker 1: and it just never happened. Michael will bunk with Tommy,

845
00:37:06,280 --> 00:37:08,120
Speaker 1: and he doesn't seem thrilled about it. He quickly calls

846
00:37:08,160 --> 00:37:12,520
Speaker 1: Gina back home and calls Montana Bowersville. As he hangs up,

847
00:37:12,560 --> 00:37:15,080
Speaker 1: Tommy is hiding in a nearby treehouse and jump scares Michael.

848
00:37:15,120 --> 00:37:17,920
Speaker 1: Boot Now in the house, Michael is impressed with their antiques,

849
00:37:18,000 --> 00:37:20,399
Speaker 1: including the TV stand, a gift to his dad from

850
00:37:20,440 --> 00:37:23,040
Speaker 1: a great great grandfather. Tommy teaches Michael how to use

851
00:37:23,040 --> 00:37:25,080
Speaker 1: the remote control in case he wants to watch some TV,

852
00:37:25,320 --> 00:37:27,440
Speaker 1: but Tommy's going to bed. On his way out, he

853
00:37:27,560 --> 00:37:29,600
Speaker 1: encourages Michael to stay up as late as he'd like,

854
00:37:29,680 --> 00:37:32,360
Speaker 1: with a smirk on his face. Very very early. The

855
00:37:32,400 --> 00:37:34,680
Speaker 1: next morning, Michael is sleeping and it's still dark outside,

856
00:37:34,760 --> 00:37:37,680
Speaker 1: so Tommy quietly hovers over him and loudly plays a

857
00:37:37,719 --> 00:37:41,040
Speaker 1: triangle right next to his ear. Michael jumps, rise and shine.

858
00:37:41,120 --> 00:37:43,680
Speaker 1: It's four thirty AM and breakfast is on the table.

859
00:37:44,120 --> 00:37:47,280
Speaker 1: Michael just went to bed, but Tommy doesn't care. Michael

860
00:37:47,280 --> 00:37:48,799
Speaker 1: tries to go back to sleep, but Tommy gives him

861
00:37:48,840 --> 00:37:53,160
Speaker 1: two words French riviera. It's payback time, and he knows

862
00:37:53,200 --> 00:37:55,560
Speaker 1: his aunt and uncle's phone number. Oh yeah, a little

863
00:37:55,560 --> 00:37:57,960
Speaker 1: bit of blackmail. Down in the kitchen, everyone is now

864
00:37:58,040 --> 00:38:00,799
Speaker 1: eating a big breakfast, even Twister and Mule. Michael takes

865
00:38:00,800 --> 00:38:02,440
Speaker 1: his seat and is told not to work on an

866
00:38:02,440 --> 00:38:05,800
Speaker 1: empty stomach. When he asks for turkey bacon, everyone laughs,

867
00:38:05,880 --> 00:38:09,560
Speaker 1: bacon's from a pig, not turkey's. Reality's setting in Montana's

868
00:38:09,560 --> 00:38:11,840
Speaker 1: Gonna Suck for Michael, Tommy says he wants.

869
00:38:13,600 --> 00:38:15,440
Speaker 2: Tana's Gonna suck for Michael.

870
00:38:16,080 --> 00:38:18,799
Speaker 5: It's absolutely well it is.

871
00:38:19,239 --> 00:38:22,120
Speaker 1: Tommy says, he went to the bluff and saw that

872
00:38:22,200 --> 00:38:24,440
Speaker 1: three colored paint again, and I had no idea what

873
00:38:24,480 --> 00:38:27,440
Speaker 1: he was talking about, not at all. Had rewind it twice.

874
00:38:27,800 --> 00:38:30,000
Speaker 2: I did too. I was like, was he saying three

875
00:38:30,000 --> 00:38:30,760
Speaker 2: colored pig?

876
00:38:31,200 --> 00:38:31,399
Speaker 1: Yeah?

877
00:38:31,440 --> 00:38:31,880
Speaker 2: I don't know.

878
00:38:32,000 --> 00:38:34,719
Speaker 1: I just accepted what. I figure it out later because

879
00:38:34,760 --> 00:38:37,080
Speaker 1: I was like, I don't know, there's a three colored paint, Okay,

880
00:38:37,120 --> 00:38:40,200
Speaker 1: I know what that means. Twister and Mule leave for work,

881
00:38:40,239 --> 00:38:42,960
Speaker 1: and Tommy gleefully decides Michael's first day will be doing

882
00:38:42,960 --> 00:38:46,600
Speaker 1: work around the barn. Sounds harmless enough Michael also meets Goliath,

883
00:38:46,680 --> 00:38:49,120
Speaker 1: a very mean bull that once tried to kill Mule.

884
00:38:49,400 --> 00:38:51,560
Speaker 1: How dare you? I will kill anyone who tries to

885
00:38:51,600 --> 00:38:54,799
Speaker 1: hurt Mule. Still dressed to the nines, Michael will spend

886
00:38:54,800 --> 00:38:57,279
Speaker 1: his day moving manure to a pickup truck, something he

887
00:38:57,400 --> 00:39:00,880
Speaker 1: begrudgingly does all day, eventually falling ahead first into the

888
00:39:00,920 --> 00:39:03,120
Speaker 1: newer and later finding out he could have used a

889
00:39:03,160 --> 00:39:06,080
Speaker 1: nearby tractor instead of a shovel and wheelburrow. And if

890
00:39:06,080 --> 00:39:08,839
Speaker 1: you pause it, it's not even close to being Joey

891
00:39:08,920 --> 00:39:10,480
Speaker 1: Lawrence who falls in the mud.

892
00:39:10,760 --> 00:39:13,400
Speaker 2: Oh really, when he gets out of the.

893
00:39:13,440 --> 00:39:16,520
Speaker 1: Mud, they're still shooting him head on. And I paused it.

894
00:39:16,560 --> 00:39:19,440
Speaker 1: I'm like, they're not even trying to hide. It's just

895
00:39:19,480 --> 00:39:20,080
Speaker 1: some other guy.

896
00:39:20,360 --> 00:39:24,160
Speaker 2: It just not that though I did not notice that

897
00:39:24,960 --> 00:39:25,800
Speaker 2: several times.

898
00:39:25,560 --> 00:39:27,240
Speaker 1: In this movie. It's just some other dude.

899
00:39:27,400 --> 00:39:31,320
Speaker 2: Oh my gosh. You know why, I was going, what

900
00:39:31,440 --> 00:39:32,600
Speaker 2: kind of in my head?

901
00:39:32,640 --> 00:39:35,480
Speaker 3: Then I start going, if I had to do this scene,

902
00:39:35,560 --> 00:39:38,000
Speaker 3: what would it be that I was actually falling into

903
00:39:38,520 --> 00:39:41,960
Speaker 3: just because even mud seems disgusting.

904
00:39:42,360 --> 00:39:44,440
Speaker 1: It's mud, You're falling in the mud. Come on, you're

905
00:39:44,480 --> 00:39:48,480
Speaker 1: making a movie. I know, But I was amazed. I

906
00:39:48,480 --> 00:39:51,480
Speaker 1: was like, oh god, that's not even They show another guy.

907
00:39:51,560 --> 00:39:53,359
Speaker 1: I thought it was a mistake. They show another guy

908
00:39:53,440 --> 00:39:56,200
Speaker 1: pushing the wheelbarrow and then falling into the mud and

909
00:39:56,239 --> 00:39:58,240
Speaker 1: then getting up and looking at the camera with glasses

910
00:39:58,239 --> 00:40:00,640
Speaker 1: on him, like, that's that's just not him. For the

911
00:40:00,719 --> 00:40:02,960
Speaker 1: last ten seconds, it hasn't been him. If you don't

912
00:40:02,960 --> 00:40:03,840
Speaker 1: want to try to hide.

913
00:40:03,719 --> 00:40:06,399
Speaker 3: It, you know his face so well because I did

914
00:40:06,400 --> 00:40:07,400
Speaker 3: not notice that.

915
00:40:07,239 --> 00:40:09,279
Speaker 1: Gobe Honestly, go back and watch and you're like, oh

916
00:40:09,320 --> 00:40:09,720
Speaker 1: my god.

917
00:40:09,920 --> 00:40:12,040
Speaker 2: Joey was Joey up on your wall?

918
00:40:12,320 --> 00:40:17,120
Speaker 1: Will now that you know it's I just noticed stuff, Sabrina,

919
00:40:17,600 --> 00:40:20,880
Speaker 1: And yes he was. He was dreamy. What do you

920
00:40:20,880 --> 00:40:21,400
Speaker 1: want from me?

921
00:40:21,800 --> 00:40:22,040
Speaker 4: Hey?

922
00:40:22,400 --> 00:40:23,080
Speaker 2: Hey, hey.

923
00:40:23,080 --> 00:40:24,919
Speaker 1: The first time I met Joey Lawrence, we're both twelve

924
00:40:24,960 --> 00:40:27,360
Speaker 1: years old, and we bumped into each other. Literally. I

925
00:40:27,480 --> 00:40:28,800
Speaker 1: was going in and he was coming out of the

926
00:40:28,920 --> 00:40:30,719
Speaker 1: Ed Debevieck's bathroom and in.

927
00:40:30,719 --> 00:40:34,680
Speaker 3: Line, I loved vicksh At Tobeks is the best.

928
00:40:34,680 --> 00:40:37,480
Speaker 1: We've talked about it on Potmetrol all the time, Magical

929
00:40:37,480 --> 00:40:42,759
Speaker 1: Rewind and Podmeworld sponsored by Ed Debecks. Uh, they're not anyway. Later,

930
00:40:42,840 --> 00:40:45,000
Speaker 1: Tommy and his mom are on the porch, looking concerned.

931
00:40:45,040 --> 00:40:46,919
Speaker 1: What are they going to do? She says that they'll

932
00:40:46,920 --> 00:40:48,520
Speaker 1: have to go live with their uncle Hank for a while,

933
00:40:48,600 --> 00:40:50,400
Speaker 1: just until they can get their feet back on the ground.

934
00:40:50,800 --> 00:40:53,000
Speaker 1: Tommy hopes the bank can just wait a little longer,

935
00:40:53,000 --> 00:40:54,720
Speaker 1: but his mom admits they owe a lot of money,

936
00:40:54,719 --> 00:40:57,040
Speaker 1: more than they'll ever have, and there's an auction with

937
00:40:57,080 --> 00:40:59,480
Speaker 1: the bank in four weeks to start liquidating their things.

938
00:40:59,640 --> 00:41:02,040
Speaker 1: You could they're both heartbroken, she says, to keep this

939
00:41:02,080 --> 00:41:04,640
Speaker 1: news between them. Just as Michael returns from a long shower,

940
00:41:04,760 --> 00:41:07,120
Speaker 1: he joins them for the sunset, or what they call

941
00:41:07,320 --> 00:41:10,359
Speaker 1: God's painting. Tommy decides to go to bed, and Michael

942
00:41:10,360 --> 00:41:12,400
Speaker 1: says he won't be watching TV tonight. Now alone with

943
00:41:12,400 --> 00:41:14,719
Speaker 1: his aunt, Michael admits that Montana is a little bit

944
00:41:14,719 --> 00:41:17,480
Speaker 1: different than La. She points out the treehouse. It explains

945
00:41:17,520 --> 00:41:19,240
Speaker 1: it was a project that Tommy and his dad started

946
00:41:19,239 --> 00:41:21,640
Speaker 1: before he got sick, but now Tommy just can't finish.

947
00:41:21,680 --> 00:41:23,879
Speaker 1: Michael says he's sorry for what happened to his uncle John.

948
00:41:24,239 --> 00:41:26,239
Speaker 1: She says the ranch was his life and starts to

949
00:41:26,239 --> 00:41:29,880
Speaker 1: get choked up. The next day, Tommy brings Michael to

950
00:41:29,920 --> 00:41:32,400
Speaker 1: help with branding the cows, and I didn't like the

951
00:41:32,440 --> 00:41:35,439
Speaker 1: scene just because branding looks awful. They're going to see

952
00:41:35,440 --> 00:41:38,040
Speaker 1: the cattle through and then spend the night outside. Their

953
00:41:38,080 --> 00:41:40,439
Speaker 1: neighbor said she saw some wolf tracks, but Tommy thinks

954
00:41:40,440 --> 00:41:42,600
Speaker 1: it's no big deal. Michael swears he can ride a horse,

955
00:41:42,600 --> 00:41:45,120
Speaker 1: but no one is convinced. Tommy's found his horse with

956
00:41:45,200 --> 00:41:47,760
Speaker 1: his dad and then nursed her back to life. Michael's

957
00:41:47,800 --> 00:41:50,560
Speaker 1: given a very skinny horse named Slingshot, but Michael demands

958
00:41:50,560 --> 00:41:53,839
Speaker 1: a healthier looking one they sometimes call Black and right

959
00:41:53,840 --> 00:41:55,400
Speaker 1: as they point to him, I kid you not. My

960
00:41:55,400 --> 00:41:57,200
Speaker 1: wife will back me up. Right as they point to him,

961
00:41:57,360 --> 00:41:59,520
Speaker 1: Before he even says anything, I go, I bet that

962
00:41:59,600 --> 00:42:03,680
Speaker 1: horse is named Lightning. I swear to God I did it.

963
00:42:03,680 --> 00:42:05,600
Speaker 1: And so when they finally say Lightning, both toon and

964
00:42:05,640 --> 00:42:07,279
Speaker 1: I went, oh, my god, like I fully called the

965
00:42:07,320 --> 00:42:10,400
Speaker 1: name doors my God. I don't know why. Once he

966
00:42:10,440 --> 00:42:13,680
Speaker 1: mounts Black, Michael takes almost no precautions whatsoever, so he

967
00:42:13,719 --> 00:42:16,200
Speaker 1: takes off at full speed on first kick. We get

968
00:42:16,239 --> 00:42:18,600
Speaker 1: a real rodeo scene here, and a stunt double eventually

969
00:42:18,600 --> 00:42:21,080
Speaker 1: throwing Michael right into Goliath's pen. Uh oh, that is

970
00:42:21,120 --> 00:42:24,200
Speaker 1: a killer bowl and it instantly goes to Gorham, but

971
00:42:24,239 --> 00:42:27,279
Speaker 1: Michael exits just in time, and if you slow it down,

972
00:42:27,320 --> 00:42:29,040
Speaker 1: it looks like whoever's jumping out of the pen might

973
00:42:29,040 --> 00:42:32,520
Speaker 1: have gotten hit in the leg. It's real close. Not

974
00:42:32,600 --> 00:42:34,680
Speaker 1: a good start to the day. Now they're out in

975
00:42:34,719 --> 00:42:36,560
Speaker 1: the canyon, the whole gang is rounding up cows, with

976
00:42:36,600 --> 00:42:38,600
Speaker 1: Michael trying his best but mostly just falling off of

977
00:42:38,640 --> 00:42:41,440
Speaker 1: the saddle. And once they do corrawl the animals and start,

978
00:42:41,680 --> 00:42:43,920
Speaker 1: you know, branding the cows one by one, he actually

979
00:42:44,000 --> 00:42:46,720
Speaker 1: does start to help. That night, they prepare dinner outside

980
00:42:46,719 --> 00:42:50,120
Speaker 1: and Michael's getting accustomed to slingshot, though his butt is sore.

981
00:42:50,600 --> 00:42:53,240
Speaker 1: But before he can rest, Twister gives him some jerky

982
00:42:53,280 --> 00:42:56,400
Speaker 1: and a flashlight. He's first watch up for the wolves.

983
00:42:56,600 --> 00:42:58,600
Speaker 1: He's told not to make any abrupt noises and if

984
00:42:58,600 --> 00:43:00,960
Speaker 1: he sees any wolves, just come back and get them.

985
00:43:01,239 --> 00:43:04,040
Speaker 1: Now he's on night watch. Michael does what Michael does,

986
00:43:04,080 --> 00:43:08,160
Speaker 1: and for some reason calls Gina and complains mid conversation,

987
00:43:08,280 --> 00:43:10,920
Speaker 1: s he's a beautiful shooting star and it's a shooting

988
00:43:10,920 --> 00:43:12,880
Speaker 1: star that isn't a Cheetah Girls two shooting star. This

989
00:43:12,920 --> 00:43:15,200
Speaker 1: one actually just goes pretty quick, like a real shooting star.

990
00:43:15,480 --> 00:43:16,960
Speaker 2: I could have done for it to go a little

991
00:43:16,960 --> 00:43:17,879
Speaker 2: bit longer, a.

992
00:43:17,800 --> 00:43:19,600
Speaker 1: Little bit less, so that you and your three friends

993
00:43:19,640 --> 00:43:20,640
Speaker 1: could get up and make wishes.

994
00:43:21,200 --> 00:43:23,120
Speaker 2: I get run to the window and make a wish.

995
00:43:23,360 --> 00:43:26,200
Speaker 1: I get it. He's obviously never seen a shooting star

996
00:43:26,239 --> 00:43:28,920
Speaker 1: in Los Angeles, and he has to admit Montana is beautiful.

997
00:43:29,360 --> 00:43:31,839
Speaker 1: Gina begs him not to go all quote, dances with

998
00:43:31,920 --> 00:43:35,000
Speaker 1: wolves on him unquote, and becomes frustrated when he's not

999
00:43:35,000 --> 00:43:38,160
Speaker 1: paying attention to her and hangs up. It's also worth

1000
00:43:38,200 --> 00:43:41,000
Speaker 1: noting that a very popular nineties club, Dragonfly, is mentioned

1001
00:43:41,040 --> 00:43:43,880
Speaker 1: here some la realism in the script. I had to

1002
00:43:43,880 --> 00:43:46,160
Speaker 1: ask producer Jensen if that was real thing, because apparently

1003
00:43:46,200 --> 00:43:48,279
Speaker 1: it is. And I've never been to a club in

1004
00:43:48,320 --> 00:43:53,040
Speaker 1: my life. So when Gina the only time I went

1005
00:43:53,040 --> 00:43:56,040
Speaker 1: to a night club, I went to Sabrina Carpenter's sixteenth

1006
00:43:56,120 --> 00:43:58,879
Speaker 1: birthday and a nightclub, and I was like, A why

1007
00:43:58,920 --> 00:44:00,680
Speaker 1: am I in a nightclub for a seat teen year old?

1008
00:44:01,400 --> 00:44:06,720
Speaker 1: And b I was like forty So no, I was not. Hey, crowds,

1009
00:44:06,760 --> 00:44:10,120
Speaker 1: loud music, dancing, yay. No, not for this guy.

1010
00:44:10,560 --> 00:44:13,200
Speaker 2: Crowds in me can't do it. I get elbowed in

1011
00:44:13,239 --> 00:44:14,719
Speaker 2: the head. It was not good for me.

1012
00:44:14,960 --> 00:44:17,560
Speaker 1: Yeah, but you could dance the night away. We all know.

1013
00:44:17,640 --> 00:44:20,040
Speaker 1: I've seen it. I've seen it. I saw you with

1014
00:44:20,080 --> 00:44:22,640
Speaker 1: what's his name? With the guy who you made out with.

1015
00:44:23,040 --> 00:44:25,280
Speaker 1: We'll get into that later. Would that guy venue? Oh?

1016
00:44:25,280 --> 00:44:27,439
Speaker 1: Would dancing guy from Chetah Girls tube on your wall?

1017
00:44:27,880 --> 00:44:28,120
Speaker 3: No?

1018
00:44:28,880 --> 00:44:29,360
Speaker 5: Wow?

1019
00:44:29,480 --> 00:44:32,080
Speaker 1: Okay no, first on screen kiss wouldn't have been in

1020
00:44:32,080 --> 00:44:35,319
Speaker 1: the wall. That's sad, Sabrina. So when Gina quickly calls

1021
00:44:35,320 --> 00:44:38,279
Speaker 1: back to apologize for her attitude, the ringing spooks his horse,

1022
00:44:38,360 --> 00:44:40,800
Speaker 1: kicking Michael out of the saddle and causing the cows

1023
00:44:40,800 --> 00:44:43,560
Speaker 1: to stampede. He runs away, and as they chase me,

1024
00:44:43,680 --> 00:44:46,880
Speaker 1: calls nine to one one. He eventually jumps in a

1025
00:44:46,920 --> 00:44:49,319
Speaker 1: tree to let them pass, but that was another close call.

1026
00:44:49,640 --> 00:44:52,080
Speaker 1: The group eventually catches up with the now smashed cell

1027
00:44:52,120 --> 00:44:55,200
Speaker 1: phone and can't believe he lost all the cows. The

1028
00:44:55,239 --> 00:44:58,200
Speaker 1: next day, Twister rounded up strays and the stampede knocked

1029
00:44:58,200 --> 00:45:00,800
Speaker 1: down some fences. Now Michael's been tasked with moving large

1030
00:45:00,800 --> 00:45:03,279
Speaker 1: wooden poles for the broken fences into a truck, a

1031
00:45:03,360 --> 00:45:05,480
Speaker 1: job he thinks will be easy for him, but when

1032
00:45:05,560 --> 00:45:07,879
Speaker 1: Mule sees his progress, Michael finds out that the truck

1033
00:45:07,920 --> 00:45:11,399
Speaker 1: he's been using hasn't run in fifteen years. Mule shows

1034
00:45:11,440 --> 00:45:13,480
Speaker 1: him the real truck that was hiding around the corner.

1035
00:45:13,800 --> 00:45:15,440
Speaker 1: And so now Michael wants a word with Tommy. He's

1036
00:45:15,480 --> 00:45:17,160
Speaker 1: angry about the truck mix up and is sick of

1037
00:45:17,200 --> 00:45:20,839
Speaker 1: being sabotage. Payback is over. Tommy can't believe he used

1038
00:45:20,880 --> 00:45:22,759
Speaker 1: to want Michael to be his brother. And even at

1039
00:45:22,760 --> 00:45:26,040
Speaker 1: this point even I agreed. I was like, Okay, yeah,

1040
00:45:26,080 --> 00:45:27,880
Speaker 1: he treats he didn't treat you well when you were

1041
00:45:27,880 --> 00:45:31,640
Speaker 1: in LA and you got him back a couple times. Enough,

1042
00:45:32,280 --> 00:45:34,239
Speaker 1: even I was to the enough point at this At

1043
00:45:34,280 --> 00:45:35,799
Speaker 1: this point, I got it.

1044
00:45:35,920 --> 00:45:36,279
Speaker 4: I got it.

1045
00:45:36,440 --> 00:45:39,160
Speaker 3: Was like, hey, Michael, why don't we start like looking

1046
00:45:39,239 --> 00:45:42,120
Speaker 3: around before you start your next project and just make

1047
00:45:42,200 --> 00:45:43,359
Speaker 3: sure that you.

1048
00:45:43,400 --> 00:45:46,680
Speaker 2: Know what you're doing, because now it's starting.

1049
00:45:47,239 --> 00:45:50,840
Speaker 1: You Shame on, you fool me twice pulls in a truck.

1050
00:45:51,080 --> 00:45:52,840
Speaker 1: So that's as the old saying.

1051
00:45:52,640 --> 00:45:56,200
Speaker 2: Is the old old old say. Everyone knows Mike.

1052
00:45:56,200 --> 00:46:00,280
Speaker 1: That everyone knows that. Michael says the reunion wasn't real life.

1053
00:46:00,320 --> 00:46:02,960
Speaker 1: They were the only two people under thirty. He was

1054
00:46:03,120 --> 00:46:05,279
Speaker 1: just so bored. He had nothing better to do than

1055
00:46:05,320 --> 00:46:07,320
Speaker 1: hang out with Tommy. They decided at that point to

1056
00:46:07,360 --> 00:46:09,239
Speaker 1: stay out of each other's way for the rest of

1057
00:46:09,280 --> 00:46:09,760
Speaker 1: his stuff.

1058
00:46:10,120 --> 00:46:12,480
Speaker 2: That was harsh, though, Michael, come on, you're twenty. This

1059
00:46:12,560 --> 00:46:13,560
Speaker 2: kid's young, and.

1060
00:46:13,600 --> 00:46:16,799
Speaker 1: That's but it also shows how good an actor Andy is.

1061
00:46:16,880 --> 00:46:18,680
Speaker 1: Andy was so good. I mean, they both are, but

1062
00:46:18,719 --> 00:46:21,239
Speaker 1: Andy was so good in the scene. He is a

1063
00:46:21,280 --> 00:46:24,560
Speaker 1: true dcom star. I also feel like we might have

1064
00:46:24,640 --> 00:46:27,160
Speaker 1: gotten a little bit robbed of him as a mainstream

1065
00:46:27,200 --> 00:46:31,040
Speaker 1: movie star. Yes, feel like, especially when I was watching

1066
00:46:31,080 --> 00:46:33,760
Speaker 1: a bunch of this, I had real but even better

1067
00:46:33,800 --> 00:46:36,560
Speaker 1: for his age, but real kind of Macaulay Culkin vibes,

1068
00:46:36,560 --> 00:46:39,680
Speaker 1: like how he easily could have taken that path of

1069
00:46:39,680 --> 00:46:41,560
Speaker 1: being in some of these huge Hollywood movies when he

1070
00:46:41,640 --> 00:46:42,160
Speaker 1: was that age.

1071
00:46:42,160 --> 00:46:45,440
Speaker 3: He was great, Yes, And I honestly I don't know

1072
00:46:45,640 --> 00:46:49,840
Speaker 3: his like you know story of like why and what

1073
00:46:50,040 --> 00:46:51,200
Speaker 3: happened where?

1074
00:46:51,560 --> 00:46:54,160
Speaker 2: You know, yeah, where the career ended up going.

1075
00:46:54,239 --> 00:46:58,239
Speaker 3: Because you're right, he was great and everyone loved him.

1076
00:46:58,320 --> 00:47:02,440
Speaker 3: And how adore this age before he's hitting his like

1077
00:47:02,880 --> 00:47:06,239
Speaker 3: cool guy age. How adorable is he? Like, yeah, he

1078
00:47:06,280 --> 00:47:08,759
Speaker 3: could be in anything anything.

1079
00:47:08,320 --> 00:47:10,239
Speaker 1: Well, look at him in this and then look at

1080
00:47:10,280 --> 00:47:11,839
Speaker 1: him and going to the mat. It looks like two

1081
00:47:11,880 --> 00:47:14,080
Speaker 1: different people. I mean, he looks so much like a

1082
00:47:14,120 --> 00:47:16,160
Speaker 1: Lawrence and going to the mat and here he's like

1083
00:47:16,440 --> 00:47:19,360
Speaker 1: he's a Lawrence obviously, but he's just the cute leading

1084
00:47:19,520 --> 00:47:20,200
Speaker 1: kid y.

1085
00:47:20,680 --> 00:47:24,240
Speaker 3: Yeah, his eyes are just like the kindest little teddy

1086
00:47:24,239 --> 00:47:24,799
Speaker 3: bear eyes.

1087
00:47:24,880 --> 00:47:27,680
Speaker 2: You just want to just like, oh, come here, give

1088
00:47:27,719 --> 00:47:28,960
Speaker 2: me a hug a little bit.

1089
00:47:29,040 --> 00:47:29,319
Speaker 3: He does.

1090
00:47:29,360 --> 00:47:32,319
Speaker 1: He definitely lights up the scream he does.

1091
00:47:32,560 --> 00:47:33,120
Speaker 2: He does.

1092
00:47:40,600 --> 00:47:42,760
Speaker 1: Michael then finds a safe spot to nap on his truck,

1093
00:47:42,800 --> 00:47:45,319
Speaker 1: only to eventually be startled by Twister, barking orders the

1094
00:47:45,360 --> 00:47:48,200
Speaker 1: rebuilding of the fence will take weeks, which Michael just

1095
00:47:48,239 --> 00:47:50,480
Speaker 1: doesn't have the patience for, and Twister points out that

1096
00:47:50,520 --> 00:47:52,520
Speaker 1: Michael just doesn't give a darn, and he does say

1097
00:47:52,600 --> 00:47:55,919
Speaker 1: darn about the family losing their ranch, which Michael doesn't get.

1098
00:47:56,120 --> 00:47:59,880
Speaker 1: Lose their ranch. Yeah he didn't know. Twister says everything, Michael,

1099
00:48:00,320 --> 00:48:03,000
Speaker 1: right now, isn't that truck, and then rides away. We're

1100
00:48:03,000 --> 00:48:05,160
Speaker 1: back in the house. The banker is serving the family's

1101
00:48:05,200 --> 00:48:08,040
Speaker 1: belongings for auction, even sizing up the antique TV stand,

1102
00:48:08,080 --> 00:48:10,400
Speaker 1: which is an arm wall. I love that word, Michael

1103
00:48:10,400 --> 00:48:13,920
Speaker 1: complimented him earlier on, and as the bankers leave, Michael enters.

1104
00:48:14,160 --> 00:48:16,560
Speaker 1: Jules tries to cover up the meeting, but he knows

1105
00:48:16,560 --> 00:48:19,160
Speaker 1: something was up. That night, Michael can't sleep. He stares

1106
00:48:19,160 --> 00:48:20,920
Speaker 1: at the picture of his deceased unkle and he knows

1107
00:48:20,960 --> 00:48:22,759
Speaker 1: he has to do something. He goes out to the

1108
00:48:22,760 --> 00:48:25,399
Speaker 1: stables and gets to know at nightning a little better

1109
00:48:25,520 --> 00:48:28,279
Speaker 1: called it. Eventually, the sound of the horse wakes Tommy up.

1110
00:48:28,320 --> 00:48:32,040
Speaker 1: When he sees his cousin practicing outside, Tommy is actually impressed.

1111
00:48:32,520 --> 00:48:34,800
Speaker 1: That morning, Michael starts working on the fence and Joey

1112
00:48:34,840 --> 00:48:38,239
Speaker 1: Lawrence is very buff. He really was in nineties, hunk.

1113
00:48:38,280 --> 00:48:39,080
Speaker 1: There's no denying it.

1114
00:48:40,320 --> 00:48:42,759
Speaker 2: I'm telling you he was. He was.

1115
00:48:43,280 --> 00:48:46,040
Speaker 1: I will I will say this, and I'm very comfortable

1116
00:48:46,080 --> 00:48:49,240
Speaker 1: in my own sexuality. I know the man can fill

1117
00:48:49,280 --> 00:48:51,360
Speaker 1: out a tank top. That's all I have to say.

1118
00:48:51,880 --> 00:48:55,040
Speaker 3: There's not very many guys either that like I would

1119
00:48:55,239 --> 00:48:57,800
Speaker 3: be like, I don't really love guys in the tank tops,

1120
00:48:57,840 --> 00:49:00,880
Speaker 3: but like Joey and Lawrence can wear a tank it's okay,

1121
00:49:01,200 --> 00:49:05,319
Speaker 3: Like good, it's okay, it's okay. Like I really don't

1122
00:49:05,400 --> 00:49:08,720
Speaker 3: I'm not into tank tops with guys really that much.

1123
00:49:08,760 --> 00:49:10,399
Speaker 2: But Joey can fill a.

1124
00:49:10,360 --> 00:49:13,040
Speaker 1: Tank top works on Joey Man, What do you want

1125
00:49:13,040 --> 00:49:14,279
Speaker 1: to say? He just can't.

1126
00:49:14,719 --> 00:49:16,480
Speaker 2: You can't. You can't take it away from him.

1127
00:49:16,719 --> 00:49:17,160
Speaker 1: You can't.

1128
00:49:17,320 --> 00:49:18,200
Speaker 2: That would be a lie.

1129
00:49:18,719 --> 00:49:20,640
Speaker 1: We'd be lying, and we don't do that on the show.

1130
00:49:20,840 --> 00:49:23,120
Speaker 2: We absolutely don't. It is nothing but the truth here

1131
00:49:23,160 --> 00:49:24,080
Speaker 2: on Magical.

1132
00:49:24,000 --> 00:49:28,319
Speaker 1: On Magical rewind. Eventually, Tommy dismounts nearby and points out

1133
00:49:28,360 --> 00:49:31,200
Speaker 1: the three colored paint something we can finally understand. He

1134
00:49:31,239 --> 00:49:33,480
Speaker 1: was talking about a multi colored horse and the herd

1135
00:49:33,520 --> 00:49:35,959
Speaker 1: has let her join the group. Tommy knew they would.

1136
00:49:36,440 --> 00:49:38,880
Speaker 1: Michael apologizes for earlier he said some cruel things that

1137
00:49:38,880 --> 00:49:41,520
Speaker 1: weren't true. At the reunion, he truthfully had a great time.

1138
00:49:41,560 --> 00:49:43,440
Speaker 1: They sit on a bench that Tommy's dad made, and

1139
00:49:43,480 --> 00:49:45,919
Speaker 1: Tommy talks about how much he misses him. He'd sit

1140
00:49:45,960 --> 00:49:47,839
Speaker 1: with his dad on the bench every day after work

1141
00:49:47,880 --> 00:49:50,560
Speaker 1: and name the horses together. They even named the little

1142
00:49:50,560 --> 00:49:53,680
Speaker 1: one Tommy Boy. His dad thought the wild horses were lucky,

1143
00:49:53,719 --> 00:49:56,120
Speaker 1: but now Tommy doubts that, and that helps Michael put

1144
00:49:56,120 --> 00:49:59,200
Speaker 1: together why his cousin hates the racetrack. Michael wants to

1145
00:49:59,200 --> 00:50:00,880
Speaker 1: know why he didn't know about the banking issues, and

1146
00:50:00,880 --> 00:50:03,319
Speaker 1: Tommy admits that he doubted he'd even care. They just

1147
00:50:03,360 --> 00:50:05,840
Speaker 1: can't get out of debt, and no one can because

1148
00:50:06,000 --> 00:50:08,719
Speaker 1: everyone in this area is having the same issues. They'll

1149
00:50:08,719 --> 00:50:11,719
Speaker 1: auction their belongings next week, sell the herd, and do

1150
00:50:11,800 --> 00:50:14,760
Speaker 1: what they can. But what is Michael care? Tommy Nosey's

1151
00:50:14,840 --> 00:50:18,600
Speaker 1: leaving soon for a vacation with Gina. It is another great, touching,

1152
00:50:18,800 --> 00:50:22,080
Speaker 1: quiet scene for d Coom. I don't know if it's

1153
00:50:22,120 --> 00:50:24,760
Speaker 1: harder to act with your brother when you're both playing

1154
00:50:24,800 --> 00:50:29,640
Speaker 1: different characters, or if it's easier to act, but the chemistry.

1155
00:50:29,080 --> 00:50:31,000
Speaker 2: Was just unreal. It really was.

1156
00:50:31,480 --> 00:50:33,680
Speaker 1: And there's a couple scenes in the movie that are

1157
00:50:33,920 --> 00:50:36,800
Speaker 1: that are like this, that are just really good quiet

1158
00:50:36,920 --> 00:50:38,400
Speaker 1: dcom scenes that were great.

1159
00:50:38,680 --> 00:50:41,879
Speaker 3: Yes, I mean throughout the whole movie. It was just like, man,

1160
00:50:42,040 --> 00:50:44,600
Speaker 3: you just kept going for me. I just kept going.

1161
00:50:45,160 --> 00:50:47,440
Speaker 2: God, these guys are good, but they're just.

1162
00:50:47,960 --> 00:50:51,840
Speaker 3: I mean, I will believe anything they're selling at this point,

1163
00:50:51,920 --> 00:50:53,280
Speaker 3: like they're just so good.

1164
00:50:53,800 --> 00:50:55,480
Speaker 1: In all fairness, I think after the last scene, no

1165
00:50:55,560 --> 00:50:56,759
Speaker 1: matter what he was selling, if he was in the

1166
00:50:56,760 --> 00:50:57,680
Speaker 1: tank top, you'd be buying.

1167
00:50:57,760 --> 00:51:01,040
Speaker 3: Let's be honest, this is Oh I can't even give

1168
00:51:01,080 --> 00:51:03,319
Speaker 3: you just the seed, because then you just take it

1169
00:51:03,360 --> 00:51:05,560
Speaker 3: and you grow a freaking orchard with it.

1170
00:51:06,040 --> 00:51:06,920
Speaker 2: God damn it.

1171
00:51:07,000 --> 00:51:10,319
Speaker 1: Okay, seeds are meant to grow things, Sabrina, seeds are

1172
00:51:10,320 --> 00:51:13,160
Speaker 1: meant to grow things. That's the way it works. Later,

1173
00:51:13,560 --> 00:51:16,520
Speaker 1: Michael comfortably sprints home on his horse to call his dad.

1174
00:51:16,560 --> 00:51:19,680
Speaker 1: He tells them about Jewels and Tommy's financial situation, but

1175
00:51:19,719 --> 00:51:22,000
Speaker 1: his dad already knew about it. His dad actually tried

1176
00:51:22,040 --> 00:51:23,919
Speaker 1: to help them, but they won't accept his money. They're

1177
00:51:23,960 --> 00:51:26,279
Speaker 1: too proud to take handouts. He even offered to make

1178
00:51:26,320 --> 00:51:28,640
Speaker 1: it alone, but Jewels said no. Michael doesn't get it.

1179
00:51:28,680 --> 00:51:31,640
Speaker 1: They're just gonna throw all this away. Michael isn't giving up, though,

1180
00:51:31,640 --> 00:51:33,520
Speaker 1: He's going to find a way to keep the ranch.

1181
00:51:33,920 --> 00:51:37,280
Speaker 1: The next morning, Michael is quick to explain pyramid schemes

1182
00:51:37,440 --> 00:51:40,080
Speaker 1: to Twister. This is his plan. Well, I guess this

1183
00:51:40,120 --> 00:51:41,560
Speaker 1: is what you get when you're in college and getting

1184
00:51:41,600 --> 00:51:44,440
Speaker 1: these good idea. Hey, not only leave them broke, but

1185
00:51:44,520 --> 00:51:47,600
Speaker 1: put him in jail. This is such a random edition,

1186
00:51:47,920 --> 00:51:49,840
Speaker 1: and we found where we could cut two minutes to

1187
00:51:49,840 --> 00:51:51,880
Speaker 1: make it ninety minutes. This scene could have gone, you

1188
00:51:51,960 --> 00:51:54,279
Speaker 1: don't need it. Get them something in the good you know,

1189
00:51:54,400 --> 00:51:57,880
Speaker 1: have him come up with another thing, you know, anything else,

1190
00:51:57,960 --> 00:51:59,880
Speaker 1: essentially to get the same scene.

1191
00:51:59,760 --> 00:52:02,560
Speaker 3: True to the time, because at this time there were

1192
00:52:02,760 --> 00:52:05,520
Speaker 3: so many different pyramid schemes kind of out there.

1193
00:52:05,600 --> 00:52:06,279
Speaker 1: I guess that's true.

1194
00:52:06,360 --> 00:52:08,239
Speaker 3: Yeah, it was really true to the and it was

1195
00:52:08,280 --> 00:52:10,279
Speaker 3: a quick way to make a buck. And how people,

1196
00:52:10,400 --> 00:52:13,279
Speaker 3: especially young people, I mean, how many times was it

1197
00:52:13,320 --> 00:52:17,040
Speaker 3: like a door to door salesman situation where you're just like, yeah, okay.

1198
00:52:17,280 --> 00:52:20,120
Speaker 1: So if you and I can get two other podcasts

1199
00:52:21,080 --> 00:52:23,799
Speaker 1: to come together, and then they get two.

1200
00:52:23,760 --> 00:52:27,319
Speaker 2: Other podcasts, right, it's just ridiculous.

1201
00:52:27,360 --> 00:52:31,200
Speaker 1: It'll work, It'll work. Yes, good news is Twister figures

1202
00:52:31,200 --> 00:52:33,920
Speaker 1: out it's a gambling scam and passes on the idea,

1203
00:52:34,000 --> 00:52:36,920
Speaker 1: but reiterates jewels won't take money from anyone anyway. Michael

1204
00:52:37,000 --> 00:52:39,560
Speaker 1: just doesn't get all this pride, Twister explains, it just

1205
00:52:39,600 --> 00:52:41,719
Speaker 1: don't make any sense to keep the business going. It

1206
00:52:41,719 --> 00:52:43,960
Speaker 1: happens to a lot of farmers and ranchers, which is

1207
00:52:43,960 --> 00:52:46,640
Speaker 1: another kind of underlying story of this movie, as it

1208
00:52:46,640 --> 00:52:48,279
Speaker 1: does happens to a lot of farmers and ranchers who

1209
00:52:48,280 --> 00:52:50,200
Speaker 1: work their butts off to keep the rest of us fed,

1210
00:52:50,520 --> 00:52:53,480
Speaker 1: and sometimes they can't keep their farms. Later, Jewels and

1211
00:52:53,520 --> 00:52:56,280
Speaker 1: Tommy are leaving for Uncle Hank's barbecue, but Michael's decided

1212
00:52:56,320 --> 00:52:58,720
Speaker 1: to stay home. We find out Tommy has been rushing

1213
00:52:58,880 --> 00:53:01,319
Speaker 1: to get the treehouse done before they leave, but it's

1214
00:53:01,320 --> 00:53:03,480
Speaker 1: a lot of work. But once Jewels and Tommy leave,

1215
00:53:03,600 --> 00:53:07,400
Speaker 1: Michael uses the alone time to finish the treehouse, something

1216
00:53:07,440 --> 00:53:10,760
Speaker 1: he just magically knows. I mean the guy houses.

1217
00:53:11,040 --> 00:53:13,120
Speaker 3: That was one of the things, like the guy can't

1218
00:53:13,480 --> 00:53:16,800
Speaker 3: have a clue on how to get this fence started

1219
00:53:16,880 --> 00:53:17,840
Speaker 3: to get finished.

1220
00:53:18,120 --> 00:53:19,560
Speaker 1: But he's building a small home.

1221
00:53:19,640 --> 00:53:21,720
Speaker 2: But he can go up there and build a tiny,

1222
00:53:21,960 --> 00:53:23,040
Speaker 2: a tiny little apartment.

1223
00:53:23,280 --> 00:53:25,960
Speaker 1: In like two hours, he builds the whole house, including

1224
00:53:26,000 --> 00:53:29,360
Speaker 1: a debt with with a railing. So it was like,

1225
00:53:29,440 --> 00:53:31,320
Speaker 1: oh my god, the only the only thing missing this

1226
00:53:31,440 --> 00:53:32,799
Speaker 1: is like I'm putting the pool in the morrow, Like

1227
00:53:32,800 --> 00:53:35,759
Speaker 1: what's the problem? It was? It was a lot it

1228
00:53:35,800 --> 00:53:38,879
Speaker 1: should have been like it again, like he.

1229
00:53:38,960 --> 00:53:41,120
Speaker 2: Just did a lot of like not I don't think

1230
00:53:41,120 --> 00:53:42,160
Speaker 2: he needed to finish it.

1231
00:53:42,239 --> 00:53:44,839
Speaker 3: He could have just made it like like the progress,

1232
00:53:44,880 --> 00:53:46,960
Speaker 3: like a lot of progress to show like it.

1233
00:53:46,920 --> 00:53:49,480
Speaker 1: Should have been something like that was so close to

1234
00:53:49,520 --> 00:53:53,480
Speaker 1: being done, but the last three boards he keep the

1235
00:53:53,719 --> 00:53:56,000
Speaker 1: Tommy keeps putting up and pulling off, and putting up

1236
00:53:56,000 --> 00:53:59,279
Speaker 1: and pulling off. I couldn't say. Michael goes to finish it,

1237
00:53:59,320 --> 00:54:01,760
Speaker 1: and he like does the finishing touches, but the idea

1238
00:54:01,760 --> 00:54:03,400
Speaker 1: of that in two hours, he's able to finish the

1239
00:54:03,560 --> 00:54:06,240
Speaker 1: entire home. It's a five bedroom.

1240
00:54:05,840 --> 00:54:07,879
Speaker 2: Hall, four and a half fast It's very nice.

1241
00:54:07,880 --> 00:54:08,920
Speaker 1: It's on Zillow check.

1242
00:54:08,760 --> 00:54:13,279
Speaker 3: It out, stick it out for three million dollars three

1243
00:54:13,320 --> 00:54:14,200
Speaker 3: point two million.

1244
00:54:15,280 --> 00:54:18,360
Speaker 1: But when the duo returned to see his work, Tommy

1245
00:54:18,520 --> 00:54:20,080
Speaker 1: is not happy. He was supposed to finish it with

1246
00:54:20,120 --> 00:54:23,239
Speaker 1: his dad. He starts frantically dismantling it, breaking down and

1247
00:54:23,280 --> 00:54:24,080
Speaker 1: crying in pain.

1248
00:54:24,320 --> 00:54:28,640
Speaker 2: Another great scene. Great see mister Andy Lawrence. Yes, great and.

1249
00:54:28,920 --> 00:54:31,000
Speaker 1: Even the way Joey reacts. They're both really good in

1250
00:54:31,040 --> 00:54:33,799
Speaker 1: this movie. Now Inside, Michael calls Gina to tell her

1251
00:54:33,880 --> 00:54:37,400
Speaker 1: about Jules's terrible financial situation when he's heading off to Europe.

1252
00:54:37,400 --> 00:54:39,279
Speaker 1: They won't you to have a house. She doesn't care.

1253
00:54:39,360 --> 00:54:41,840
Speaker 1: It's all too depressing. She wants to talk about villas,

1254
00:54:41,840 --> 00:54:44,360
Speaker 1: five star restaurants and a racehorse or dad just bought.

1255
00:54:44,600 --> 00:54:47,560
Speaker 1: He explains he's proud of himself. He's been learning and

1256
00:54:47,600 --> 00:54:49,680
Speaker 1: doing things he never thought he could do. He's working

1257
00:54:49,680 --> 00:54:51,600
Speaker 1: with his hands and riding horses, but she cuts him

1258
00:54:51,600 --> 00:54:54,960
Speaker 1: off and hangs up. I hated Gina. The next morning,

1259
00:54:55,000 --> 00:54:56,920
Speaker 1: he's still working with Gina.

1260
00:54:58,040 --> 00:55:01,240
Speaker 2: A new girl name for us.

1261
00:55:01,360 --> 00:55:07,760
Speaker 6: Gina, Like from now on, Yeah, seriously, God's damn it Gina.

1262
00:55:08,040 --> 00:55:10,600
Speaker 2: That's it. There it is God, Gina, Gina.

1263
00:55:11,280 --> 00:55:13,800
Speaker 1: Don't even get me started. Don't get me started on Gina.

1264
00:55:14,760 --> 00:55:16,680
Speaker 1: The next morning, he is still working when he hears

1265
00:55:16,680 --> 00:55:19,279
Speaker 1: a stampede of horses. He's quick to remember all their names,

1266
00:55:19,280 --> 00:55:21,040
Speaker 1: but then Tommy races down the hill and his horse

1267
00:55:21,080 --> 00:55:24,440
Speaker 1: screaming for Twister. He tells Michael that Tommy Boy is dying.

1268
00:55:24,760 --> 00:55:27,440
Speaker 1: Michael jumps on Tommy's horse to help and finds Tommy

1269
00:55:27,440 --> 00:55:30,000
Speaker 1: Boy stuck in the mud. Tommy tried to lasso him

1270
00:55:30,000 --> 00:55:32,520
Speaker 1: out but can't get to him, so Michael wants to

1271
00:55:32,520 --> 00:55:34,960
Speaker 1: go in, but Tommy knows he has an easier time

1272
00:55:35,000 --> 00:55:36,960
Speaker 1: of it because of his weight. He's smaller, he can

1273
00:55:36,960 --> 00:55:39,360
Speaker 1: get there safer, so they tie a rope around Tommy

1274
00:55:39,400 --> 00:55:42,040
Speaker 1: and slowly let him walk into the mud, with Tommy

1275
00:55:42,040 --> 00:55:44,200
Speaker 1: giving him slack and making sure they don't also lose

1276
00:55:44,239 --> 00:55:46,600
Speaker 1: a human in this, because you know that would suck.

1277
00:55:47,200 --> 00:55:50,120
Speaker 1: Tommy does eventually wrap up the horse, but spooks him,

1278
00:55:50,400 --> 00:55:53,000
Speaker 1: pushing Tommy and Michael into the mud. Michael jumps up

1279
00:55:53,040 --> 00:55:56,439
Speaker 1: and Tommy caresses the animal. M He's a very stressed animal.

1280
00:55:56,480 --> 00:55:57,960
Speaker 1: And this is where horse sense, I think comes in

1281
00:55:57,960 --> 00:56:00,799
Speaker 1: a little bit. Yes, he's cressing out of animal, he's

1282
00:56:00,880 --> 00:56:02,040
Speaker 1: kind of relaxing.

1283
00:56:02,160 --> 00:56:03,800
Speaker 2: The close up on the eye.

1284
00:56:03,520 --> 00:56:06,000
Speaker 1: On the eyes, all that stuff. Michael is touched and

1285
00:56:06,040 --> 00:56:09,080
Speaker 1: impressed by his cousin's calmness, only snapping out of his

1286
00:56:09,200 --> 00:56:11,680
Speaker 1: reaction when he has to work again to pull him out.

1287
00:56:11,680 --> 00:56:13,960
Speaker 1: It is a tough push and pull, but eventually they

1288
00:56:14,000 --> 00:56:16,520
Speaker 1: save Tommy boy and let him be free. They did it,

1289
00:56:16,640 --> 00:56:19,359
Speaker 1: the cousins worked together. We're now back at the house.

1290
00:56:19,440 --> 00:56:21,600
Speaker 1: Jewels sees the boys returning and is not only shocked

1291
00:56:21,640 --> 00:56:24,239
Speaker 1: to see how muddy her son is, but Michael is

1292
00:56:24,280 --> 00:56:26,399
Speaker 1: only five minutes to shower and make his flight home.

1293
00:56:26,480 --> 00:56:29,520
Speaker 1: Michael runs the house to get ready. Now packed and clean,

1294
00:56:29,600 --> 00:56:32,279
Speaker 1: Michael power walks to the car with Tommy. This trip

1295
00:56:32,320 --> 00:56:35,240
Speaker 1: went so fast. Michael apologizes again about Disneyland and promises

1296
00:56:35,280 --> 00:56:37,239
Speaker 1: him next time he's in La they're going for sure.

1297
00:56:37,520 --> 00:56:39,960
Speaker 1: He says goodbye and gets in Jewels's truck to leave.

1298
00:56:40,400 --> 00:56:42,120
Speaker 1: On our way to the airport, they notice they're being

1299
00:56:42,200 --> 00:56:44,400
Speaker 1: trailed by Tommy or a thirty five year old man

1300
00:56:44,440 --> 00:56:46,640
Speaker 1: on a horse, which is obviously what it was. He

1301
00:56:46,760 --> 00:56:49,719
Speaker 1: it's the whistle he still has there he wants to

1302
00:56:49,840 --> 00:56:51,840
Speaker 1: finally give it to Michael. He thanks Tommy for the

1303
00:56:51,840 --> 00:56:54,319
Speaker 1: thoughtful gift, and they drive off, waving goodbye to his

1304
00:56:54,400 --> 00:56:57,200
Speaker 1: now smiling cousin riding the horse, which then turns into

1305
00:56:57,200 --> 00:56:59,880
Speaker 1: a little bit of a horse car race. Michael's at

1306
00:56:59,880 --> 00:57:02,520
Speaker 1: the track again. He's home now in Los Angeles with

1307
00:57:02,760 --> 00:57:05,200
Speaker 1: Gina and her dad, but now he hears every crack

1308
00:57:05,280 --> 00:57:07,840
Speaker 1: of every whip and imagines the wild horses in Montana.

1309
00:57:07,880 --> 00:57:10,360
Speaker 1: He can't enjoy this anymore. They make their way to

1310
00:57:10,440 --> 00:57:12,759
Speaker 1: the winner circle, and even though he's one, because again

1311
00:57:13,600 --> 00:57:17,440
Speaker 1: he's one, Gina's dad's horse freaks out, bucking the jockey

1312
00:57:17,440 --> 00:57:20,080
Speaker 1: onto the ground while everyone runs away. Michael approaches the

1313
00:57:20,120 --> 00:57:21,960
Speaker 1: horse and is able to calm him down by pulling

1314
00:57:22,000 --> 00:57:24,720
Speaker 1: its reins and rubbing him softly, just like his cousin

1315
00:57:24,760 --> 00:57:29,240
Speaker 1: did for Tommy Boy horse sense. Back at Michael's house. Gina,

1316
00:57:30,280 --> 00:57:31,680
Speaker 1: Gina and her dad.

1317
00:57:31,480 --> 00:57:34,680
Speaker 5: God damn it, Gina, damn it, Gina, God damn it

1318
00:57:34,760 --> 00:57:39,240
Speaker 5: Gina have arrived to pick him up for Europe.

1319
00:57:39,680 --> 00:57:42,000
Speaker 1: Elena can tell something is bothering Michael, but he says

1320
00:57:42,000 --> 00:57:44,480
Speaker 1: everything's okay. He gets his luggage and makes his way

1321
00:57:44,480 --> 00:57:46,800
Speaker 1: to the limo, but when Gina say.

1322
00:57:46,640 --> 00:57:50,080
Speaker 2: It, God damn it, Gina.

1323
00:57:49,960 --> 00:57:52,560
Speaker 1: Runs out to greet him. He doesn't give his bags

1324
00:57:52,560 --> 00:57:55,120
Speaker 1: to the chauffeur. He's not going. He realizes there's something

1325
00:57:55,120 --> 00:57:57,560
Speaker 1: more important than he has to do, and Gina, God

1326
00:57:57,640 --> 00:58:00,880
Speaker 1: damn it, Gina is not happy. We cut to a

1327
00:58:00,880 --> 00:58:03,320
Speaker 1: car dealership when Michael has sold his car. Then he

1328
00:58:03,360 --> 00:58:06,280
Speaker 1: decides to liquidate his trust fund at the bank. Back

1329
00:58:06,320 --> 00:58:08,600
Speaker 1: in Montana, Jewels and Tommy are packing up their things.

1330
00:58:08,640 --> 00:58:10,520
Speaker 1: They're sad, but they know things will work out, and

1331
00:58:10,520 --> 00:58:13,240
Speaker 1: then the door opens. It's Michael. He says it's time

1332
00:58:13,280 --> 00:58:16,000
Speaker 1: to unpack. Jewles is shocked to see him. Michael hands

1333
00:58:16,000 --> 00:58:17,880
Speaker 1: her a check, but she still can't take it. He

1334
00:58:17,920 --> 00:58:19,800
Speaker 1: says it's an investment, not a free ride, but she

1335
00:58:19,840 --> 00:58:22,440
Speaker 1: says it's a bad investment. She says it's time to

1336
00:58:22,440 --> 00:58:24,840
Speaker 1: move on. Jewels tears up, but that's it, it's over.

1337
00:58:25,160 --> 00:58:27,280
Speaker 1: She asked Michael to trust her. They're going to be fine.

1338
00:58:28,600 --> 00:58:31,160
Speaker 1: The next day, they're prepping for the auction. Potential bidders

1339
00:58:31,160 --> 00:58:33,280
Speaker 1: are checking out the items in the front yard. Tommy

1340
00:58:33,280 --> 00:58:35,720
Speaker 1: and Michael bring out some last minute editions, including a

1341
00:58:35,800 --> 00:58:38,640
Speaker 1: trunk that could bring them some extra cash. Tommy says

1342
00:58:38,680 --> 00:58:40,720
Speaker 1: his mom filled it with all of his childhood schoolwork.

1343
00:58:41,120 --> 00:58:43,680
Speaker 1: She of course, has kept everything like me. They discover

1344
00:58:43,760 --> 00:58:46,120
Speaker 1: some of Tommy's A plus classwork, reminding Michael of his

1345
00:58:46,200 --> 00:58:48,840
Speaker 1: recent D plus. When Tommy asked him what class it

1346
00:58:48,880 --> 00:58:51,040
Speaker 1: was in, Michael remembers it was about real estate and

1347
00:58:51,120 --> 00:58:53,840
Speaker 1: deeds and trusts are something and then light bulb that

1348
00:58:53,840 --> 00:58:55,960
Speaker 1: gives him an idea. He's got to check something out.

1349
00:58:56,000 --> 00:58:58,160
Speaker 1: He calls his dad to recover that test. He wants

1350
00:58:58,200 --> 00:59:01,280
Speaker 1: to know something about land trusts. Next thing. You know,

1351
00:59:01,480 --> 00:59:04,600
Speaker 1: although why he would go to his dplus paper where

1352
00:59:04,600 --> 00:59:05,880
Speaker 1: obviously everything he said was.

1353
00:59:05,880 --> 00:59:07,280
Speaker 2: Wrong, Everything was wrong.

1354
00:59:07,400 --> 00:59:09,520
Speaker 1: That's what I started joking. I was watching the thing

1355
00:59:09,520 --> 00:59:11,520
Speaker 1: and I was like, Michael, this is one long sentence.

1356
00:59:11,800 --> 00:59:14,720
Speaker 3: None ask him for your textbook. Where's your text book?

1357
00:59:14,800 --> 00:59:19,800
Speaker 3: Let's get the actual facts. Michael something this essay.

1358
00:59:20,280 --> 00:59:23,880
Speaker 1: Exactly, let's look for something other than that. Hey, that's

1359
00:59:23,920 --> 00:59:26,040
Speaker 1: a good idea. Next thing, you know, Michael is running

1360
00:59:26,080 --> 00:59:27,680
Speaker 1: back to the auction. His car is blocked in, so

1361
00:59:27,720 --> 00:59:30,000
Speaker 1: he quickly hops on Lightning and takes the horse all

1362
00:59:30,040 --> 00:59:31,680
Speaker 1: the way to the bank to meet with the man

1363
00:59:31,720 --> 00:59:33,840
Speaker 1: for closing on the ranch. He tells the banker his

1364
00:59:33,920 --> 00:59:35,760
Speaker 1: ot and cousin work hard, and he knows there's no

1365
00:59:35,800 --> 00:59:38,560
Speaker 1: such thing as quick fix, but he's done some research

1366
00:59:38,640 --> 00:59:41,680
Speaker 1: and has an idea. The bank has foreclosed on eighteen

1367
00:59:41,760 --> 00:59:43,960
Speaker 1: ranches in the last few years, and all of these

1368
00:59:43,960 --> 00:59:47,240
Speaker 1: properties are still for sale, he suggests. So essentially, what

1369
00:59:47,240 --> 00:59:49,800
Speaker 1: he's saying is you're losing money by doing this. He

1370
00:59:49,880 --> 00:59:52,560
Speaker 1: suggests a land trust. That way they can work together

1371
00:59:52,640 --> 00:59:54,560
Speaker 1: to make some money. He just needs to take a chance,

1372
00:59:54,600 --> 00:59:56,480
Speaker 1: and just like that, the banker says he'll give it

1373
00:59:56,520 --> 00:59:59,240
Speaker 1: some thought. Back at the ranch, the auction's in full effect.

1374
00:59:59,240 --> 01:00:01,200
Speaker 1: It now the beloved t two hundred year old armoire

1375
01:00:01,280 --> 01:00:03,840
Speaker 1: that uses the TV stand is up for sale. Jewels

1376
01:00:03,880 --> 01:00:05,840
Speaker 1: can't stay. It's too much for her. But just as

1377
01:00:05,840 --> 01:00:08,400
Speaker 1: they're leaving, here comes Michael and Lightning. He cuts off

1378
01:00:08,440 --> 01:00:11,120
Speaker 1: the auctioneer in commandeer is the mic. He announces this

1379
01:00:11,160 --> 01:00:14,240
Speaker 1: auction is over, nothing else will be sold, and everything

1380
01:00:14,280 --> 01:00:16,960
Speaker 1: will be refunded. He apologizes and sends them home. Jewels

1381
01:00:17,040 --> 01:00:19,680
Speaker 1: is mad, what is he doing? She explains they don't

1382
01:00:19,680 --> 01:00:22,320
Speaker 1: have a choice, but Michael says, actually they do have

1383
01:00:22,360 --> 01:00:24,960
Speaker 1: a choice. He reveals a thirty day extension from the

1384
01:00:24,960 --> 01:00:27,440
Speaker 1: bank and tells Tommy that his dad was right. The

1385
01:00:27,480 --> 01:00:31,640
Speaker 1: wild horses are lucky. He then explains land trusts. Because

1386
01:00:31,680 --> 01:00:34,840
Speaker 1: the land supports stray horses, the land trust can protect

1387
01:00:34,840 --> 01:00:37,680
Speaker 1: them and their habitats. So if the land is accepted

1388
01:00:37,680 --> 01:00:39,680
Speaker 1: by the trust, which it should be, the debt will

1389
01:00:39,720 --> 01:00:42,000
Speaker 1: be covered by it. They won't own the land anymore,

1390
01:00:42,000 --> 01:00:44,200
Speaker 1: but they'll get paid to stay where they are and

1391
01:00:44,240 --> 01:00:46,520
Speaker 1: to take care of it. Jewels thanks him, but Michael

1392
01:00:46,560 --> 01:00:48,840
Speaker 1: is one last request. He wants to stay in Montana

1393
01:00:48,840 --> 01:00:51,240
Speaker 1: a little longer to see the trust through. This is

1394
01:00:51,240 --> 01:00:54,200
Speaker 1: obviously okay, and we even see Twister and Mule smile

1395
01:00:54,240 --> 01:00:58,360
Speaker 1: a little bit. God, I love Mule. As the bidders leave, Mule,

1396
01:00:58,520 --> 01:01:00,800
Speaker 1: That's why I'd have my wall locker, I'd have a

1397
01:01:00,800 --> 01:01:05,600
Speaker 1: picture of Mule. As the bitters leave, Tommy asks Michael,

1398
01:01:05,640 --> 01:01:08,400
Speaker 1: one last thing, do you feel like working on the treehouse,

1399
01:01:08,480 --> 01:01:10,680
Speaker 1: and this time he does. They race off to finish it,

1400
01:01:10,760 --> 01:01:21,800
Speaker 1: and that's our movie. Wow, Sabrina, let's do some real reviews.

1401
01:01:22,840 --> 01:01:26,440
Speaker 1: I've got the one star and excuse me, I've got

1402
01:01:26,480 --> 01:01:29,479
Speaker 1: the five star this week and it's by the jew

1403
01:01:29,560 --> 01:01:35,560
Speaker 1: review Wow he and it reads as follows not a

1404
01:01:35,600 --> 01:01:37,880
Speaker 1: load of manure. This is one of the hardest films

1405
01:01:37,880 --> 01:01:40,520
Speaker 1: to watch because it's not officially on DVD and the VHS.

1406
01:01:40,520 --> 01:01:42,840
Speaker 1: It's hard to come by. This movie is rewarding in

1407
01:01:42,880 --> 01:01:45,640
Speaker 1: that it does show what love, family and hard work

1408
01:01:45,680 --> 01:01:48,880
Speaker 1: can offer. Five stars. I agree, I like it all right.

1409
01:01:50,360 --> 01:01:52,240
Speaker 1: What do you got there, Sabrina.

1410
01:01:52,200 --> 01:01:55,120
Speaker 3: I've got a one star by our friend of the

1411
01:01:55,160 --> 01:02:00,760
Speaker 3: podcast named got another one from unnamed somebody who wants

1412
01:02:00,800 --> 01:02:02,920
Speaker 3: to say something on the internet and not claim it.

1413
01:02:03,240 --> 01:02:07,040
Speaker 3: All right, one star? Well, what do you expect from

1414
01:02:07,080 --> 01:02:11,080
Speaker 3: a Disney movie? Cheese and over the top, heartwarmy moments.

1415
01:02:11,320 --> 01:02:16,280
Speaker 3: But John Lawrence is nice to look at all right.

1416
01:02:17,600 --> 01:02:20,080
Speaker 1: Okay, for the record, Johnny Lawrence was the bad guy

1417
01:02:20,240 --> 01:02:23,600
Speaker 1: in Karate Kid, so that's there. They're they're mixing up

1418
01:02:23,680 --> 01:02:24,560
Speaker 1: Lawrence boys.

1419
01:02:24,720 --> 01:02:29,320
Speaker 3: Okay, don't give this nomid person any credit.

1420
01:02:29,440 --> 01:02:33,200
Speaker 2: That is garbage. This movie was greatly was it.

1421
01:02:33,080 --> 01:02:36,080
Speaker 1: Was okay, let's do our We of course to the

1422
01:02:36,520 --> 01:02:40,120
Speaker 1: part of our program that Sabrina loves. It's our feature presentation.

1423
01:02:41,000 --> 01:02:44,760
Speaker 1: This game, set up by producer Jensen, is called horse

1424
01:02:44,800 --> 01:02:48,960
Speaker 1: Sense or sixth Sense. We better hope we were paying

1425
01:02:48,960 --> 01:02:51,160
Speaker 1: attention because this week we'll be given a movie quote

1426
01:02:51,200 --> 01:02:52,640
Speaker 1: and we must decide if it's a line from the

1427
01:02:52,680 --> 01:02:56,600
Speaker 1: movie we just recapped, horse Sense or the nineteen ninety

1428
01:02:56,640 --> 01:03:00,560
Speaker 1: nine breakout mystery thriller sixth Sense from m Night chamel In.

1429
01:03:00,960 --> 01:03:03,280
Speaker 1: That sounds easy enough, right, three out of five wins,

1430
01:03:03,400 --> 01:03:06,440
Speaker 1: You would think, Producer Jensen, are you with us?

1431
01:03:06,600 --> 01:03:09,760
Speaker 4: I think you guys are both horse sensed out. Let's see.

1432
01:03:10,440 --> 01:03:14,160
Speaker 1: I don't know if I'm gonna get this. Okay, first quote,

1433
01:03:14,680 --> 01:03:17,080
Speaker 1: you think you're the only one who has to fight.

1434
01:03:21,640 --> 01:03:22,920
Speaker 1: I'm gonna say sixth Sense.

1435
01:03:23,520 --> 01:03:25,880
Speaker 4: Yeah, Oh that's funny because it's horse sense.

1436
01:03:26,480 --> 01:03:27,920
Speaker 1: Come on, who says that?

1437
01:03:28,760 --> 01:03:29,120
Speaker 4: Twister?

1438
01:03:30,280 --> 01:03:32,640
Speaker 1: Oh god? This movie?

1439
01:03:32,840 --> 01:03:35,880
Speaker 4: Yeah, I figured this is gonna happen. I was like, like,

1440
01:03:35,920 --> 01:03:37,560
Speaker 4: they just watched it, but I don't think it. I

1441
01:03:37,600 --> 01:03:41,160
Speaker 4: think you're gonna be horse sensed out. Yeah, unsensible?

1442
01:03:41,440 --> 01:03:44,840
Speaker 1: Maybe our second quote, I didn't know you were funny.

1443
01:03:46,080 --> 01:03:51,360
Speaker 1: I didn't know you were funny. Sixth sense, horse sense,

1444
01:03:52,760 --> 01:03:55,280
Speaker 1: it's sixth sense. Yes, finally got one.

1445
01:03:56,160 --> 01:03:57,840
Speaker 2: Who's funny in sixth sense?

1446
01:03:58,360 --> 01:04:00,600
Speaker 1: Everybody that movie was just sterical.

1447
01:04:00,760 --> 01:04:02,920
Speaker 4: We didn't recap six cents, so I can't tell you.

1448
01:04:04,720 --> 01:04:07,520
Speaker 1: The third quote. You saw that on TV?

1449
01:04:10,640 --> 01:04:13,960
Speaker 4: I do love how just down the line these quotes.

1450
01:04:13,680 --> 01:04:15,480
Speaker 1: Are I know, they're so random.

1451
01:04:15,520 --> 01:04:17,920
Speaker 4: It's like there was one that was like hello, and

1452
01:04:17,960 --> 01:04:18,920
Speaker 4: I was like, it could be either one.

1453
01:04:18,960 --> 01:04:22,240
Speaker 1: I can't right, you saw that on TV. I'm going

1454
01:04:22,320 --> 01:04:22,920
Speaker 1: to say.

1455
01:04:22,760 --> 01:04:25,080
Speaker 2: That's sixth sense.

1456
01:04:25,800 --> 01:04:29,280
Speaker 1: I'm going to say horse sense splitting it one, it's

1457
01:04:29,280 --> 01:04:33,760
Speaker 1: sixth sense. Okay, so you've got okay, wait, you gotta

1458
01:04:33,760 --> 01:04:34,840
Speaker 1: get both these, yep?

1459
01:04:34,920 --> 01:04:35,400
Speaker 2: Okay?

1460
01:04:35,520 --> 01:04:37,439
Speaker 1: And the fourth quote you think this is a joke?

1461
01:04:38,960 --> 01:04:41,920
Speaker 2: Horse sense sense feets are so good.

1462
01:04:43,600 --> 01:04:44,880
Speaker 4: It's horse sense twister again.

1463
01:04:45,640 --> 01:04:48,720
Speaker 5: Yes, and number five I think we've won because number

1464
01:04:48,760 --> 01:04:52,160
Speaker 5: five is I see dead People, which is clearly horse

1465
01:04:52,200 --> 01:04:58,640
Speaker 5: sense six got th congrats, another double win.

1466
01:05:00,400 --> 01:05:03,439
Speaker 1: We're getting there. That was good.

1467
01:05:03,640 --> 01:05:09,480
Speaker 2: Dang, that was like, seriously, have.

1468
01:05:09,480 --> 01:05:11,640
Speaker 1: Been Can we please do some Sabrina sas?

1469
01:05:15,880 --> 01:05:19,680
Speaker 3: Of course we can. So we are going to where

1470
01:05:19,680 --> 01:05:22,560
Speaker 3: are we going to start here again. I already told

1471
01:05:22,560 --> 01:05:26,640
Speaker 3: you the the wow, we're not in the bedroom, just kidding,

1472
01:05:26,680 --> 01:05:28,880
Speaker 3: We are right into the bedroom, just like right from

1473
01:05:28,880 --> 01:05:32,040
Speaker 3: the beginning I wanted to go over with. We had

1474
01:05:32,080 --> 01:05:35,040
Speaker 3: a lot of I don't know what you call them,

1475
01:05:35,160 --> 01:05:38,600
Speaker 3: name drops or kind of either like spin offs of

1476
01:05:38,720 --> 01:05:41,280
Speaker 3: names or name drops. We've talked about a couple of them,

1477
01:05:41,280 --> 01:05:44,360
Speaker 3: but we did stop on each of them, like Lethal

1478
01:05:44,680 --> 01:05:49,000
Speaker 3: the movies of the director Lethal Force instead of what

1479
01:05:49,120 --> 01:05:52,720
Speaker 3: is leap leal Weapon? And then we had Tornado instead

1480
01:05:52,760 --> 01:05:56,640
Speaker 3: of the movie time Twister, right, and then we'll Dances

1481
01:05:56,640 --> 01:05:58,880
Speaker 3: with Wolves was an actual movie, so it has and

1482
01:05:58,920 --> 01:06:00,960
Speaker 3: that has to have been a Disney movie because that's

1483
01:06:00,960 --> 01:06:02,600
Speaker 3: the only way they would probably have been able.

1484
01:06:02,400 --> 01:06:03,720
Speaker 2: To use that, right.

1485
01:06:04,320 --> 01:06:07,680
Speaker 3: And then of course we also did say the what

1486
01:06:07,840 --> 01:06:10,160
Speaker 3: it was it, oh medieval.

1487
01:06:09,720 --> 01:06:11,320
Speaker 2: Times was called.

1488
01:06:12,560 --> 01:06:14,760
Speaker 1: Nights of the Round Table, Knights of the Roundtable.

1489
01:06:15,160 --> 01:06:16,400
Speaker 2: I just thought that was interesting.

1490
01:06:16,440 --> 01:06:18,960
Speaker 3: We haven't really seen or heard a lot of that

1491
01:06:19,040 --> 01:06:20,920
Speaker 3: in the d cooms that much. They kind of played

1492
01:06:20,920 --> 01:06:23,400
Speaker 3: with it a lot more. And then along the time

1493
01:06:23,640 --> 01:06:26,120
Speaker 3: along the line, I said, we saw a thing of

1494
01:06:26,160 --> 01:06:29,560
Speaker 3: missus doubtfire and we saw Brink twice in the movie.

1495
01:06:29,640 --> 01:06:32,280
Speaker 3: So this was a little kind of funny thing, like

1496
01:06:32,320 --> 01:06:35,120
Speaker 3: you said, those eggs that we got to kind of

1497
01:06:35,160 --> 01:06:35,960
Speaker 3: see or hear.

1498
01:06:36,200 --> 01:06:40,640
Speaker 2: Well Matt law and of course Matt Lawrence. Yeah, his cameo.

1499
01:06:40,800 --> 01:06:41,640
Speaker 2: That's on mine too.

1500
01:06:42,200 --> 01:06:45,760
Speaker 3: I loved the little linguo because I thought this was

1501
01:06:45,800 --> 01:06:48,960
Speaker 3: a dated little thing. But it says the mom at

1502
01:06:49,000 --> 01:06:52,320
Speaker 3: the very beginning with Michael says, you said, no problem.

1503
01:06:52,480 --> 01:06:57,000
Speaker 2: Oh that's like dated, right? Is this movie came out?

1504
01:06:57,720 --> 01:07:01,640
Speaker 1: I feel like pretty tubular. I don't know, is that wrong?

1505
01:07:02,440 --> 01:07:04,560
Speaker 3: I feel like this was that was dated, but I

1506
01:07:04,560 --> 01:07:07,880
Speaker 3: don't know. To me, I was like, no problelimo. We

1507
01:07:08,000 --> 01:07:11,280
Speaker 3: mentioned it a little bit, but this I want to think.

1508
01:07:11,320 --> 01:07:13,800
Speaker 3: I have racked my brain. And this is our first

1509
01:07:14,280 --> 01:07:19,200
Speaker 3: college student in a dcom. We haven't had anyone to college.

1510
01:07:19,360 --> 01:07:20,440
Speaker 1: Have we not been to college?

1511
01:07:20,640 --> 01:07:22,960
Speaker 2: Not at all? I don't think unless the.

1512
01:07:22,920 --> 01:07:25,440
Speaker 1: Only time it's been mentioned, I can think of it

1513
01:07:25,480 --> 01:07:29,080
Speaker 1: being mentioned. The older brother in Hannah Montana movies, and

1514
01:07:29,240 --> 01:07:33,680
Speaker 1: most college see him in correct, correct, David has We

1515
01:07:33,720 --> 01:07:34,400
Speaker 1: didn't see him?

1516
01:07:34,840 --> 01:07:36,000
Speaker 2: No, not David Henry.

1517
01:07:36,200 --> 01:07:37,040
Speaker 1: Is that David Henry?

1518
01:07:37,160 --> 01:07:37,320
Speaker 3: No?

1519
01:07:37,480 --> 01:07:41,120
Speaker 2: Is he the older brother mont No, he's from uh.

1520
01:07:41,840 --> 01:07:44,560
Speaker 1: Oh, he's from Jason.

1521
01:07:44,240 --> 01:07:47,240
Speaker 2: Earls Jason David Henry was in the.

1522
01:07:47,760 --> 01:07:50,320
Speaker 1: Is Wizards of Waverley Place, Thank you, Yes, that's it.

1523
01:07:51,600 --> 01:07:55,200
Speaker 3: And then I thought it was odd, even though I

1524
01:07:55,240 --> 01:07:56,920
Speaker 3: know we were just kind of getting through it. But

1525
01:07:57,200 --> 01:07:59,720
Speaker 3: when he mentions a hit and run to his parents

1526
01:07:59,840 --> 01:08:04,120
Speaker 3: like that, they were like, oh, that's weird, like you

1527
01:08:04,160 --> 01:08:06,080
Speaker 3: could know you got a hit and run.

1528
01:08:06,360 --> 01:08:09,760
Speaker 2: I mean, let's call the cops. Like you can't just

1529
01:08:09,800 --> 01:08:12,080
Speaker 2: like throw out hit and run and not think that.

1530
01:08:12,040 --> 01:08:14,120
Speaker 1: You guys, some guy walked up and stabbed me. It's

1531
01:08:14,120 --> 01:08:15,880
Speaker 1: no big deal, right, okay?

1532
01:08:16,000 --> 01:08:18,920
Speaker 3: And then again I have to say, like a Rhymestone

1533
01:08:19,120 --> 01:08:22,360
Speaker 3: cown boy, like, I mean, that guy was so good

1534
01:08:22,400 --> 01:08:23,519
Speaker 3: when he got off the plane.

1535
01:08:23,760 --> 01:08:25,479
Speaker 2: You had to see it. You had to see it.

1536
01:08:27,360 --> 01:08:30,240
Speaker 3: Andy, this is this is a funny thing for me

1537
01:08:31,000 --> 01:08:33,880
Speaker 3: after doing our interview and learning so much more about

1538
01:08:33,960 --> 01:08:36,599
Speaker 3: him and how musical he is and can it from

1539
01:08:36,600 --> 01:08:37,640
Speaker 3: you a lot?

1540
01:08:37,920 --> 01:08:39,760
Speaker 2: Why couldn't he play that triangle?

1541
01:08:41,080 --> 01:08:41,559
Speaker 1: I think.

1542
01:08:43,840 --> 01:08:48,040
Speaker 6: I know, but it just like like it's like get

1543
01:08:48,080 --> 01:08:54,479
Speaker 6: it in there, like what are you doing? It's so funny,

1544
01:08:54,680 --> 01:08:55,680
Speaker 6: like I just you.

1545
01:08:55,640 --> 01:09:01,000
Speaker 2: Can play the guitar, play the triangle.

1546
01:09:01,120 --> 01:09:03,600
Speaker 3: So when you hang out with him next, just like

1547
01:09:03,680 --> 01:09:06,880
Speaker 3: remind him that like he does to work on his triangles, skilled.

1548
01:09:06,640 --> 01:09:07,360
Speaker 1: That's the best.

1549
01:09:07,960 --> 01:09:10,600
Speaker 2: And then I got this was on it.

1550
01:09:10,640 --> 01:09:12,799
Speaker 3: But we obviously find out that it was a horse.

1551
01:09:12,840 --> 01:09:15,559
Speaker 3: But I was kind of thinking for a minute that

1552
01:09:15,560 --> 01:09:20,400
Speaker 3: that three colored paint that he was talking about. Quickly after,

1553
01:09:20,520 --> 01:09:23,400
Speaker 3: just in a few minutes, they talk about God's painting,

1554
01:09:23,720 --> 01:09:25,800
Speaker 3: so I went, oh, that must have been where the

1555
01:09:25,840 --> 01:09:28,519
Speaker 3: reference was going. But then no, it was a horse.

1556
01:09:28,560 --> 01:09:29,880
Speaker 3: So they got me.

1557
01:09:30,080 --> 01:09:30,559
Speaker 2: They got me.

1558
01:09:30,600 --> 01:09:32,559
Speaker 3: I thought they were talking about a sunset at some point,

1559
01:09:32,600 --> 01:09:34,479
Speaker 3: and then they got me. No, we're talking about a horse,

1560
01:09:34,960 --> 01:09:35,519
Speaker 3: and that's it.

1561
01:09:36,000 --> 01:09:37,479
Speaker 1: There we go, thank you so much. And now, of

1562
01:09:37,520 --> 01:09:39,080
Speaker 1: course we come to the part of our program where

1563
01:09:39,080 --> 01:09:41,280
Speaker 1: we have to rate the film we just saw. Yes,

1564
01:09:43,479 --> 01:09:45,320
Speaker 1: I'm sorry, I'm just figuring out what the rating system

1565
01:09:45,360 --> 01:09:47,960
Speaker 1: should be to do. Let's do one out of ten

1566
01:09:48,920 --> 01:09:51,640
Speaker 1: and want to I do, I do, and we'll do

1567
01:09:51,800 --> 01:09:54,360
Speaker 1: one this time is the lowest, and we'll do ten

1568
01:09:54,400 --> 01:09:56,800
Speaker 1: the best and our options this week one out of

1569
01:09:56,800 --> 01:10:00,599
Speaker 1: ten friends named Mule, one out of ten movies, Tornado

1570
01:10:01,520 --> 01:10:06,200
Speaker 1: Grass Smoothies, one a ten Dead Dad alerts oh one

1571
01:10:06,240 --> 01:10:09,080
Speaker 1: at attend high school classes about land deeds. Even though we

1572
01:10:09,080 --> 01:10:13,120
Speaker 1: think he's in college. Yeah, one at attend medieval times, lawsuits,

1573
01:10:14,320 --> 01:10:18,240
Speaker 1: pyramid schemes, two hundred year old armoirs are I'm going

1574
01:10:18,320 --> 01:10:20,880
Speaker 1: to add one out at ten. Goddamn it, Gina's.

1575
01:10:21,200 --> 01:10:23,840
Speaker 2: Uh, god, Gas, we got it.

1576
01:10:24,680 --> 01:10:27,960
Speaker 1: Goddamn it, Genas. I think I'm going first this time

1577
01:10:28,000 --> 01:10:29,880
Speaker 1: because I think you went first for the last movie.

1578
01:10:29,920 --> 01:10:35,400
Speaker 3: Right, No, well, no, you went, well, we did on Tuesday,

1579
01:10:35,439 --> 01:10:36,439
Speaker 3: we did the Cheetah Girls.

1580
01:10:36,439 --> 01:10:39,040
Speaker 1: So yeah, and I rted first, didn't I you? We

1581
01:10:39,040 --> 01:10:41,600
Speaker 1: wouldn't have started with you, right, Oh that's right, So

1582
01:10:41,640 --> 01:10:43,960
Speaker 1: then it is your first time. Sorry, my bad.

1583
01:10:44,240 --> 01:10:44,519
Speaker 2: Good.

1584
01:10:44,560 --> 01:10:46,280
Speaker 3: Well, because I want to make sure this is like

1585
01:10:46,320 --> 01:10:50,960
Speaker 3: a true, true one because I really liked this movie.

1586
01:10:51,200 --> 01:10:56,000
Speaker 3: It wasn't necessarily one of my favorite movies, but I

1587
01:10:56,040 --> 01:10:59,599
Speaker 3: loved it because, especially now that we're getting a chance

1588
01:10:59,640 --> 01:11:04,160
Speaker 3: to do an interview with Joey the friends of the

1589
01:11:04,200 --> 01:11:08,080
Speaker 3: Pod being on it, and I loved that they were

1590
01:11:08,320 --> 01:11:13,400
Speaker 3: so freaking good in this movie. This just put the

1591
01:11:13,439 --> 01:11:17,479
Speaker 3: stamp on the royalty of the Lawrence family and what

1592
01:11:17,520 --> 01:11:20,360
Speaker 3: they have and what they should be honored with at

1593
01:11:20,800 --> 01:11:26,160
Speaker 3: the Disney franchises. Right, they were so good and I

1594
01:11:26,240 --> 01:11:27,960
Speaker 3: really really like enjoyed this movie.

1595
01:11:28,000 --> 01:11:30,439
Speaker 2: But what I liked about it, it wasn't like.

1596
01:11:30,400 --> 01:11:34,080
Speaker 3: The high energy you know of the musicals that we watch,

1597
01:11:34,200 --> 01:11:38,240
Speaker 3: and it wasn't necessarily super drama driven either.

1598
01:11:38,400 --> 01:11:40,240
Speaker 2: I mean, the drama was there, it was like in

1599
01:11:40,320 --> 01:11:43,120
Speaker 2: the middle. And it was a really easy watch. It

1600
01:11:43,160 --> 01:11:43,719
Speaker 2: was nice.

1601
01:11:44,160 --> 01:11:46,439
Speaker 3: It was slower pace than kind of what we've seen,

1602
01:11:46,520 --> 01:11:49,280
Speaker 3: which normally would be like snoozefest for me because I

1603
01:11:49,360 --> 01:11:52,240
Speaker 3: kind of like the pace a little bit faster. But

1604
01:11:52,360 --> 01:11:54,559
Speaker 3: I liked it and I enjoyed it. It was just like

1605
01:11:54,600 --> 01:11:58,519
Speaker 3: a really easy watch. And so I'm going to give

1606
01:11:58,560 --> 01:12:00,160
Speaker 3: this an eight point five.

1607
01:12:00,240 --> 01:12:01,720
Speaker 2: God damn it, Gena's.

1608
01:12:03,720 --> 01:12:08,240
Speaker 1: I love that. I I couldn't agree with you more.

1609
01:12:08,560 --> 01:12:11,200
Speaker 1: I thought it was a really good movie. I thought

1610
01:12:11,240 --> 01:12:15,280
Speaker 1: they were engaging. They were great together. Andy and Joe

1611
01:12:15,360 --> 01:12:19,479
Speaker 1: just I thought did really well. The movie made sense,

1612
01:12:20,160 --> 01:12:22,479
Speaker 1: you know, it wasn't a ridiculous premise to why you

1613
01:12:22,520 --> 01:12:25,479
Speaker 1: get this this guy from Beverly Hills. It worked.

1614
01:12:25,640 --> 01:12:28,200
Speaker 2: It worked, and there really weren't any holes, Like no,

1615
01:12:28,680 --> 01:12:29,120
Speaker 2: it worked.

1616
01:12:29,160 --> 01:12:30,760
Speaker 1: I mean there's a couple of things. There was a

1617
01:12:30,760 --> 01:12:36,400
Speaker 1: couple obvious uh stunt men where it was bad where

1618
01:12:36,400 --> 01:12:38,120
Speaker 1: it was like, wow, that's not even close to being

1619
01:12:38,200 --> 01:12:41,559
Speaker 1: Joey Lawrence. But other than that, I thought, again, the

1620
01:12:41,600 --> 01:12:44,560
Speaker 1: acting was great, the adults were good, there was accountability

1621
01:12:44,600 --> 01:12:48,360
Speaker 1: for the kids. I really liked this movie, and I'm

1622
01:12:48,479 --> 01:12:50,880
Speaker 1: matching your eight point five. I thought that exact same

1623
01:12:50,920 --> 01:12:55,080
Speaker 1: thing eight point five. God damn it Genas for this movie,

1624
01:12:55,160 --> 01:12:58,400
Speaker 1: because I thought this was it was, it was, it was.

1625
01:12:58,479 --> 01:13:02,360
Speaker 1: This was to me, you could not build a better

1626
01:13:02,680 --> 01:13:07,320
Speaker 1: acting family than the Lawrence's for dcoms. They're perfect for this.

1627
01:13:08,080 --> 01:13:09,920
Speaker 1: It was. I really enjoyed it. I really did. It was.

1628
01:13:10,040 --> 01:13:15,200
Speaker 1: It was heartfelt, yes, funny, everything about it was beautifully shot.

1629
01:13:15,360 --> 01:13:17,720
Speaker 1: It ate less great great, less seon.

1630
01:13:17,920 --> 01:13:21,240
Speaker 2: Okay, that is something we've got to just quickly hit.

1631
01:13:21,840 --> 01:13:25,960
Speaker 3: This movie was gorgeous, beautiful, budget beautiful, like it was

1632
01:13:26,360 --> 01:13:28,880
Speaker 3: bigger than what a lot of our dim cooms are.

1633
01:13:28,960 --> 01:13:31,040
Speaker 2: The budget looked pretty hefty.

1634
01:13:31,320 --> 01:13:33,920
Speaker 1: Now, it was a beautiful movie, and I would suggest

1635
01:13:34,000 --> 01:13:36,519
Speaker 1: anybody go and check it out. So there you go.

1636
01:13:36,680 --> 01:13:40,040
Speaker 1: That's our movie, horse Sense. Our next movie is another

1637
01:13:40,160 --> 01:13:43,240
Speaker 1: very high profile movie. We are recapping a Disney heavyweight People.

1638
01:13:43,360 --> 01:13:47,240
Speaker 1: It is two thousand and threes Lizzie McGuire movie available

1639
01:13:47,280 --> 01:13:50,080
Speaker 1: to stream on Disney Plus. Wow. So get in front

1640
01:13:50,080 --> 01:13:52,240
Speaker 1: of us and watch it before next week if you can.

1641
01:13:53,400 --> 01:13:56,400
Speaker 1: I've never seen a single Lizzie McGuire thing in my

1642
01:13:56,640 --> 01:13:58,519
Speaker 1: entire life. I don't know if she's a wizard, if

1643
01:13:58,560 --> 01:14:00,679
Speaker 1: she deals with horses. I have no idea what Lizzie

1644
01:14:00,720 --> 01:14:02,040
Speaker 1: MacGuire does this one.

1645
01:14:02,200 --> 01:14:04,439
Speaker 3: This won't really like mess you up at all, but

1646
01:14:04,479 --> 01:14:06,559
Speaker 3: there's like a cartoon aspect in it.

1647
01:14:06,760 --> 01:14:07,280
Speaker 2: I love that.

1648
01:14:07,680 --> 01:14:09,080
Speaker 1: Animation is my favorite thing in the world.

1649
01:14:09,160 --> 01:14:11,000
Speaker 2: Yeah, I know you would like it, So I.

1650
01:14:10,920 --> 01:14:14,080
Speaker 1: Got animation posters all around me. So love that very much.

1651
01:14:14,200 --> 01:14:16,040
Speaker 1: But we're not done yet here because we've got a

1652
01:14:16,040 --> 01:14:17,920
Speaker 1: big Park Copper episode this week. We've talked about it,

1653
01:14:17,960 --> 01:14:19,960
Speaker 1: We're going to take it. We're doing it. It's happening.

1654
01:14:19,960 --> 01:14:22,760
Speaker 1: We were talking to a nineties icon and Michael the

1655
01:14:22,800 --> 01:14:25,439
Speaker 1: city boy from Horse Sense. It is Joey Lawrence himself.

1656
01:14:25,560 --> 01:14:27,240
Speaker 1: We had a ton of fun talking about not only

1657
01:14:27,280 --> 01:14:30,000
Speaker 1: this movie, but the guy's entire career. Take a listen

1658
01:14:30,080 --> 01:14:34,120
Speaker 1: right now so we can watch Appetite. Was it always

1659
01:14:34,160 --> 01:14:35,760
Speaker 1: going to be you and Andy in the movie? How

1660
01:14:35,760 --> 01:14:38,160
Speaker 1: did the whole film come about? Yeah? We put this

1661
01:14:38,240 --> 01:14:43,680
Speaker 1: together for the Disney Channel. Yes, yes, wow, yeah, okay, yeah.

1662
01:14:43,040 --> 01:14:45,960
Speaker 7: We actually we found a couple of great writers, Chad

1663
01:14:46,000 --> 01:14:49,320
Speaker 7: and Carry Hayes, who are great writers, and yeah, we

1664
01:14:49,400 --> 01:14:51,800
Speaker 7: came up with the idea, sort of pitched it to

1665
01:14:52,160 --> 01:14:55,200
Speaker 7: Gary Marsh and yeah, and they obviously wanted to do something.

1666
01:14:57,040 --> 01:14:58,559
Speaker 1: I promise that's one you did not want to miss.

1667
01:14:58,560 --> 01:15:00,639
Speaker 1: I mean, in all fairtas, you shouldn't miss any our interviews.

1668
01:15:00,800 --> 01:15:03,439
Speaker 1: We're talking to so many Disney legends. Just search for

1669
01:15:03,560 --> 01:15:05,880
Speaker 1: Magical Rewind wherever you get your podcasts and subscribe to

1670
01:15:05,920 --> 01:15:08,479
Speaker 1: our dedicated feed. And for more info, you can follow

1671
01:15:08,520 --> 01:15:24,840
Speaker 1: us that Magical Rewind pod on the Instagram Machine. Bye everybody, Bye,