WEBVTT - Short Stuff: Benin Bronzes

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<v Speaker 1>Hey, and welcome to the short Stuff. I'm Josh, Chuck's

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<v Speaker 1>here too, Jerry's here to Dave's not, but you know

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<v Speaker 1>the jam and this is short stuff. You go, Okay,

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<v Speaker 1>I'll go. So we're talking about the Benin bronzes and

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<v Speaker 1>they are a treasure trove of artworks that came out

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<v Speaker 1>of Benin, which is a former kingdom. Actually it's still

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<v Speaker 1>a current kingdom in Edo State in the south of

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<v Speaker 1>Nigeria right now, but before Nigeria was Nigeria, Benin was

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<v Speaker 1>a kingdom along West Africa that was a very powerful kingdom.

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<v Speaker 1>And one of the things that they did when a

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<v Speaker 1>new king, which they called an obah oba or a

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<v Speaker 1>new queen mother, ascended to the throne, when there was

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<v Speaker 1>some sort of important event or even something that they

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<v Speaker 1>just wanted to kind of chronicle, they would make these plaques,

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<v Speaker 1>these incredibly intricate, well made ron's plaques. And over time,

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<v Speaker 1>over hundreds of years of creating these things and documenting

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<v Speaker 1>the kingdom, they ended up with a lot of these things,

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<v Speaker 1>and so much so that it became essentially considered a

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<v Speaker 1>cultural legacy of the world, but in particular of Benin

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<v Speaker 1>in West Africa.

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<v Speaker 2>Yeah. Absolutely, boy, what a set up.

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<v Speaker 1>Thanks. I've been practicing it for like eight days.

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<v Speaker 2>I really know what you're doing. They also serve as

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<v Speaker 2>a historical record, of course, because like you said, they

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<v Speaker 2>came along when there were new obas and new queen mothers.

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<v Speaker 2>So it's art and its history all wrapped up into one.

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<v Speaker 2>And one element of the historical part of it is

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<v Speaker 2>how it figures in, and this very much figures in

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<v Speaker 2>with sort of the story. Here is their contact with

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<v Speaker 2>Europeans in Europe and these countries, the first of which

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<v Speaker 2>was the Portuguese. When they started trading and having diplomatic

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<v Speaker 2>contacts and relations with Portugal, so they were sort of

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<v Speaker 2>the first on board. They would send emissaries back and

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<v Speaker 2>forth between Portugal and Benin and they negotiated their their

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<v Speaker 2>their deal, their trade deal, their sort of how they

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<v Speaker 2>were going to work together as people, and that's where

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<v Speaker 2>Europe enters the picture basically as far as Benin is concerned.

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<v Speaker 1>Yeah, and it was just the Portuguese at first. That

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<v Speaker 1>was I don't know if you said it or not,

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<v Speaker 1>but starting in the fifteenth century they made contact and

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<v Speaker 1>we're trading with them, and then shortly after that this

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<v Speaker 1>is like the Age of Discovery, where people from Europe

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<v Speaker 1>just started sailing around being like, hey, hey, who wants

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<v Speaker 1>to buy our stuff? And whose stuff can we buy

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<v Speaker 1>so or take? Yeah, yeah, exactly. They were very quickly

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<v Speaker 1>followed by the French, the Dutch, the English, and Benins

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<v Speaker 1>trading with all of these European nations. And they were

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<v Speaker 1>already a fairly powerful kingdom from what I can tell,

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<v Speaker 1>but they became exponentially powerful because they positioned themselves as

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<v Speaker 1>the contact between European traders and countries and kingdoms and

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<v Speaker 1>states in the interior. You wanted to trade with any

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<v Speaker 1>other groups in West Africa, you needed to go through

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<v Speaker 1>the Kingdom of Benin to do that if you were

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<v Speaker 1>a European. And so they became very very powerful, and

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<v Speaker 1>that's kind of how things went for a couple of centuries.

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<v Speaker 1>They became really involved in the West African slave trade.

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<v Speaker 1>They supplied slaves to the Europeans, They traded leopard skins, pepper, ivory,

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<v Speaker 1>things that were really valued in Europe. They had a

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<v Speaker 1>lot of stuff that the Europeans wanted, So, like I said,

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<v Speaker 1>they became powerful. But as industrializations started to really take

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<v Speaker 1>hold in Europe, particularly in the UK, Great Britain became

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<v Speaker 1>more and more powerful, and essentially eventually I should say,

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<v Speaker 1>dominated trade with West Africa and Benin in particular. But

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<v Speaker 1>they weren't happy with having a monopoly. They wanted to

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<v Speaker 1>get rid of Benin altogether and just be able to

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<v Speaker 1>trade with people in the er. Why should they have

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<v Speaker 1>a middle man, and so they started to kind of

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<v Speaker 1>antagonize Benin and things just kind of went south from there.

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<v Speaker 2>It's a little early, but I think we should take

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<v Speaker 2>a break because it's such a good cliffhanger.

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<v Speaker 1>Wow, thanks man, all right, we'll be right.

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<v Speaker 2>Back, all right. So when we left off, Great Britain

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<v Speaker 2>was like, hey, you know what, we don't need this

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<v Speaker 2>gatekeeper anymore. We don't need a middle man. We want

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<v Speaker 2>to be able to do what we want in Africa

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<v Speaker 2>and Central Africa and not go through Benin. So in

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<v Speaker 2>eighteen ninety seven, in January of that year, they supposedly

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<v Speaker 2>a peaceful mission, but it was a pretty aggressive, provocative

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<v Speaker 2>thing that they did. The British Trade mission went in

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<v Speaker 2>and they were attacked when they're on their way to

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<v Speaker 2>Benin City, and this really changed everything. There were seven

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<v Speaker 2>British delegates who died in this attack. I think two

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<v Speaker 2>hundred and thirty of the African carriers died. But as

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<v Speaker 2>far as Britain was concerned, is it's on now because

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<v Speaker 2>seven of us are dead. And that triggered a full

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<v Speaker 2>scale a retaliatory military assault and expedition on Benin, which

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<v Speaker 2>of course was no match at all for the British

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<v Speaker 2>forces at the time. Yeah.

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<v Speaker 1>No, it was something that Great Britain could point to

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<v Speaker 1>and just be like, oh, look, we don't have any

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<v Speaker 1>moral quander anymore. We can go take over Benin now

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<v Speaker 1>under the guise of revenge. This is called the Punitive expedition.

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<v Speaker 1>And so they sent in a bunch of a large

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<v Speaker 1>military contingent and they just occupied Benin, killed off a

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<v Speaker 1>lot of the chiefs, they exiled the Oba, they pilled

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<v Speaker 1>and this is really critical, This is kind of the

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<v Speaker 1>point of this short stuff. They pillaged stuff, they found treasures,

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<v Speaker 1>they found a Benin and one of the things they

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<v Speaker 1>pillaged was the Benin bronzes. And in addition to those

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<v Speaker 1>plaques that we talked about, the Benin bronze, that that term,

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<v Speaker 1>it's like an umbrella term to describe a whole group

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<v Speaker 1>of artworks that were created in the Kingdom of Benin

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<v Speaker 1>from about the at least the fifteenth century up until

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<v Speaker 1>the nineteenth century, although they seem to have been creating

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<v Speaker 1>pretty great artworks even before that fifteenth century, like in

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<v Speaker 1>the medieval era. But this it could be made of ivory,

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<v Speaker 1>it could be made of brass, it could be made

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<v Speaker 1>of bronze. All sorts of different media in making jewelry,

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<v Speaker 1>or making busts, or making altar pieces, or making those plaques,

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<v Speaker 1>all of those are encompassed by this Benin bronze term.

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<v Speaker 1>And all of those were pillaged. I think ten thousand

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<v Speaker 1>pieces of art and cultural artifacts were pillaged during this

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<v Speaker 1>occupation by the British of Benin.

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<v Speaker 2>Yeah, and a lot of that went back to the UK.

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<v Speaker 2>You know, they call that spoils of war, which is

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<v Speaker 2>a nice way to say things we stole after we

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<v Speaker 2>invaded a country, and some of it they distributed among

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<v Speaker 2>some of the people of the expedition, like here, you

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<v Speaker 2>take this, you take this, I'll be taking this, and

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<v Speaker 2>they basically remove Benin as that gatekeeper, and all of

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<v Speaker 2>a sudden, you know, Central Africa was open for all

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<v Speaker 2>of Europe to trade with, certainly England, and these artifacts

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<v Speaker 2>ended up you know where they always end up in

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<v Speaker 2>the hands of nobility, private collections and notably museums, where

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<v Speaker 2>a lot of this stuff are still in these museums today, right.

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<v Speaker 1>Yeah, the two largest collections are held by the British

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<v Speaker 1>Museum and the Ethnographic Museum in Berlin. And even though

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<v Speaker 1>that that umbrella term Benine bronzes refers to a lot

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<v Speaker 1>of different artworks, typically you're also really talking about those

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<v Speaker 1>plaques that show different you know, different Obasa sending to

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<v Speaker 1>the throne, different you know, moments in benin history. And

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<v Speaker 1>they're they're considered like a again I think I said,

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<v Speaker 1>a cultural legacy of humanity. But they're also just treasure.

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<v Speaker 1>I mean, they're worth Chuck, I saw an estimated one

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<v Speaker 1>hundred and thirty billion dollars. They are priceless, I guess

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<v Speaker 1>not priceless. They were the one hundred and thirty billion,

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<v Speaker 1>but they're incredibly valuable, not just monetarily, but also culturally

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<v Speaker 1>and historically, and they are outside of Africa. There was

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<v Speaker 1>a French report by a restitution group that was commissioned

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<v Speaker 1>by Emanuel Macron in twenty seventeen that estimated that ninety

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<v Speaker 1>to ninety five percent of Africa's cultural hair is held

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<v Speaker 1>by major museums outside of Africa because of something called

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<v Speaker 1>the Scramble for Africa in the late nineteenth century, when

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<v Speaker 1>all these European powers just invaded Africa and started carving

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<v Speaker 1>it up and turning it into colonies. They took all

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<v Speaker 1>the stuff that they liked and sent it back to

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<v Speaker 1>Europe and it's still in these museums.

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<v Speaker 2>Yeah. But and this is something we've talked about before

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<v Speaker 2>in some other art podcasts. Part of that twenty seventeen study.

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<v Speaker 2>The whole point of that was repatriation, was getting this

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<v Speaker 2>art back into the hands of the countries of origin,

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<v Speaker 2>these stolen artifacts. And Emmanuel Macron said, you know what,

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<v Speaker 2>over the next five years, we're gonna return the stuff

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<v Speaker 2>that we have. Germany got involved the Smithsonian, like individual museums,

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<v Speaker 2>the Smithsonian and the met all have said like, all right,

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<v Speaker 2>we need to start, you know, returning these these looted

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<v Speaker 2>art pieces, especially these were not as spac actually, but

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<v Speaker 2>for this episode, you know, notably these bronze plaques from Nigeria,

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<v Speaker 2>and so Nigeria is getting so much stuff back that

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<v Speaker 2>next year. I don't know if it's still on track,

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<v Speaker 2>but in twenty twenty five, they are opening the Edo

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<v Speaker 2>Museum of West African Art because they finally have art again.

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<v Speaker 1>Yeah, there was a sculptor from Nigeria called a Hanjazo Gleiley,

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<v Speaker 1>He's a sculptor and said that there's an artistic awakening

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<v Speaker 1>in Nigeria because of the return of these bronzes.

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<v Speaker 2>Yeah. But I think this one in particular comes with

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<v Speaker 2>a little bit of controversy, right because the the current

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<v Speaker 2>OBA is that right, Yes, his Royal Majesty Oba Uwaar

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<v Speaker 2>the second I'm going with ure the second okay, legally

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<v Speaker 2>speaking as the rightful owner of these bronzes. But in

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<v Speaker 2>twenty twenty three, Muhammadu Bihari, who is the outgoing president said,

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<v Speaker 2>you know, any of this looted stuff that comes back

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<v Speaker 2>to the Oba like belongs to the Oba and the

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<v Speaker 2>palace of the Oba, and no one can do anything

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<v Speaker 2>with it unless the Oba says so.

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<v Speaker 1>Yeah, and if you are in Nigeria and like Benin,

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<v Speaker 1>it's still it's just a department, like we said, it's

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<v Speaker 1>a not considered like an independent nation state or even kingdom.

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<v Speaker 1>I guess it's part of Nigeria. But it's like the

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<v Speaker 1>Oba has like a government advisory role to the Nigerian

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<v Speaker 1>government like they're they're viewed legitimately in similar lines to

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<v Speaker 1>the way the man somebody's gonna kill us for this

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<v Speaker 1>little bit. But the royal family is in Great Britain.

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<v Speaker 1>They don't actually rule Great Britain, but they still have

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<v Speaker 1>they're still consulted on things, they still have some sort

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<v Speaker 1>of cultural importance as well. That's the impression that I

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<v Speaker 1>have there. But so the Nigerian president doing that makes

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<v Speaker 1>total sense in Nigeria, like it was the Kingdom of

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<v Speaker 1>Benins to begin with, the Kingdom of Benin is still there.

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<v Speaker 1>Though oh Ba is the leader of the Kingdom of Benina,

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<v Speaker 1>ancestor or a descendant of these people from whom these

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<v Speaker 1>plaques were stolen, it makes sense that it's his. But

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<v Speaker 1>outside of Nigeria, if you're a museum curator, you don't

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<v Speaker 1>like the sound of that at all.

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<v Speaker 2>Yeah, I mean, there's definitely been some complaints from these

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<v Speaker 2>Western museums who are like, you know, I don't know

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<v Speaker 2>about returning all this stuff and having it just be

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<v Speaker 2>claimed by the palace, and you know, apparently the museum

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<v Speaker 2>director there, Philip Ihanako, is how I'm going to pronounce it.

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<v Speaker 2>Although I have appealing that I might be silent, said,

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<v Speaker 2>you know what, you don't really get a say in

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<v Speaker 2>this anymore. Yeah, like you can't loot this stuff over

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<v Speaker 2>you know, a long period of time and then a

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<v Speaker 2>expect it to be you know, handled like you want

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<v Speaker 2>or handled you know, perfectly in a very quick manner.

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<v Speaker 1>And so yeah, the West is like, okay, you know,

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<v Speaker 1>we agreed, like these are illegitimately taken from Benin, so

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<v Speaker 1>they need to go back to Benin, and they're just

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<v Speaker 1>going to have to deal with the fact that this

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<v Speaker 1>this cultural legacy of humanity is privately owned by one person,

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<v Speaker 1>the Oba of Benin.

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<v Speaker 2>I mean, is it the complaint that it's not going

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<v Speaker 2>to be or not necessarily going to be on display.

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<v Speaker 1>I don't know, because they built the Museum of West

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<v Speaker 1>African Art, so I don't know that that's it. I

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<v Speaker 1>think the idea is in the West, if a museum

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<v Speaker 1>owns something, it belongs to everybody, and the museums is

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<v Speaker 1>kind of the keeper of that. They protected the keeper shape.

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<v Speaker 1>They show you this this stuff, they put it on display.

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<v Speaker 1>This is like, no, these things belong to the Oba.

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<v Speaker 1>He can do whatever he wants.

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<v Speaker 2>Yeah, essentially, Okay, so they're afraid it's just going to

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<v Speaker 2>be like decorating the bathroom or something.

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<v Speaker 1>I guess I think so, I'm not sure. I just

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<v Speaker 1>think that they're a little skittish about the whole thing.

0:13:58.760 --> 0:14:01.400
<v Speaker 1>And I think the guy who, like Well West needs

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<v Speaker 1>to butt out of it and just give us our

0:14:02.920 --> 0:14:06.080
<v Speaker 1>plaques back. It's tough not to. It's tough to discount

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<v Speaker 1>his thoughts too. Are you got anything else?

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<v Speaker 2>I got nothing else.

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<v Speaker 1>If you want to know more about the Benin bronzes,

0:14:13.320 --> 0:14:16.640
<v Speaker 1>go look them up online. They're really fascinating and beautiful.

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<v Speaker 1>And since I said that short, stuff's out.

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<v Speaker 2>Stuff you should Know is a production of iHeartRadio. For

0:14:25.400 --> 0:14:28.920
<v Speaker 2>more podcasts my heart Radio, visit the iHeartRadio app, Apple

0:14:28.960 --> 0:14:29.600
<v Speaker 2>Podcasts

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<v Speaker 1>Or wherever you listen to your favorite shows.