WEBVTT - Steve McQueen

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<v Speaker 1>Welcome to Ruthie's Table for a production of iHeartRadio and

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<v Speaker 1>Adamized Studios. Sitting here in the River Cafe on a

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<v Speaker 1>Sunday Monday morning, with chefs in the kitchen making ravioli,

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<v Speaker 1>with hiroles and waiters laying tables in the garden, the

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<v Speaker 1>uncertain world we live in feels miles away. The artist

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<v Speaker 1>and filmmaker step mc queen does not separate the world

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<v Speaker 1>of beauty and the world of suffering in any of

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<v Speaker 1>his work political oppression, slavery, sexual inequality. Steph and I

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<v Speaker 1>met in nineteen ninety nine when he won the Turner

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<v Speaker 1>Prize for his radical video art, and we once had

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<v Speaker 1>dinner together with President Obama. It was clear that the

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<v Speaker 1>only person President Obama was interested in talking to with

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<v Speaker 1>Steve mc queen, and he didn't want to share him

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<v Speaker 1>with anyone else. Now, a few years later, I finally

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<v Speaker 1>have Steve McQueen all to myself, and being a generous person,

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<v Speaker 1>we'll share him with you. Steve and I share a

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<v Speaker 1>hero in Paul Robeson. We share the same concerns for

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<v Speaker 1>equality and justice and food, and today we're going to

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<v Speaker 1>talk all about that and more. Thank you, Steve.

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<v Speaker 2>Thank you for inviting me.

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<v Speaker 1>Tell me about growing up in London. You lived with

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<v Speaker 1>your parents in West London and what did you eat?

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<v Speaker 3>Yeah, we grew up. I grew up in the first

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<v Speaker 3>leship with Bush, West London. My relationship with food really

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<v Speaker 3>starts with the market. I was the kid who was

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<v Speaker 3>carrying the bags behind their mother, you know, because basically

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<v Speaker 3>I would have to go with her, because you know,

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<v Speaker 3>I was the sort of textra pad hands a character.

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<v Speaker 2>Shopping back home.

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<v Speaker 3>Food was a way of actually getting to do London

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<v Speaker 3>because it's someone had said to my mother this, you know,

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<v Speaker 3>you could get so and so sea based in this

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<v Speaker 3>market for this amount of money, she will be there.

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<v Speaker 3>So people used to talk about where can they get

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<v Speaker 3>particularly kind of food and fresh produce.

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<v Speaker 2>Yeah.

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<v Speaker 1>Where was your mother born?

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<v Speaker 3>My mother was born in Trinidad, but she grew up

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<v Speaker 3>in in Grenada, and my father was born in Grenado.

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<v Speaker 1>How old were they when they came to London.

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<v Speaker 3>My mother was about fourteen fifteen. I think she's about

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<v Speaker 3>fifteen when she came to London. I think in the

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<v Speaker 3>early sixties, and my father was a little bit older.

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<v Speaker 3>I think maybe it was about twenty one. I don't

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<v Speaker 3>know when I think he came early sixties too, but

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<v Speaker 3>not not at the same time.

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<v Speaker 1>And so do you think her mother had taken her

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<v Speaker 1>to the market. As you say, the market does introduce

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<v Speaker 1>us to a culture, that introduces us to a city.

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<v Speaker 1>It's the first place I always go when I go

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<v Speaker 1>to any town in any city in any country. But

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<v Speaker 1>tell me more about the smells of the market and

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<v Speaker 1>what it looked like for you and your mother's experience

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<v Speaker 1>of the market.

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<v Speaker 3>Well, in fact, what happened was that a lot of

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<v Speaker 3>majority of people for coming from way did this headline,

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<v Speaker 3>and they grew their own food, you know, and look

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<v Speaker 3>after you know, the animals and so forth and whatnot.

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<v Speaker 3>And fishing was a big part of the culture too,

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<v Speaker 3>because obviously my mother lived on the coast in a

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<v Speaker 3>place called Stears and was a very big fishing spot there,

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<v Speaker 3>you know, it's called a fishing village.

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<v Speaker 2>Food was very.

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<v Speaker 3>Much directly sort of to do with who they were.

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<v Speaker 3>So when they came to London, of course looking for

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<v Speaker 3>good food was very important. And you know, we used

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<v Speaker 3>to go to all kinds of bloody markets all over London.

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<v Speaker 2>I so, I said, I met up with it.

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<v Speaker 3>I said, missed my football focus on the sacle because

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<v Speaker 3>I had to go to the market with my mum.

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<v Speaker 2>It was something which I remember.

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<v Speaker 3>There was all different cultures, you know, it was didn't

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<v Speaker 3>You had the sort of you know, the.

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<v Speaker 2>Londoners and the white Londoners and the Indian, you're the Jewish.

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<v Speaker 2>You had all kinds of people. It was fabulous. It

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<v Speaker 2>was really kind of cool, Tobe.

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<v Speaker 1>When you would come home from the market. What would

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<v Speaker 1>you eat? What would they cook from the market?

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<v Speaker 3>Oh, if you get dashing, you know spinage? You know again,

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<v Speaker 3>you know you cook? I mean my my my favorite

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<v Speaker 3>was like a nice stewed chicken. I'm not a special thing,

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<v Speaker 3>I'm roty, just you know, Oh my god, what was it?

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<v Speaker 3>A beautiful It's like a nice stew fish. And I

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<v Speaker 3>used to love what was this? This one thing I

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<v Speaker 3>used to love very much was a vegetable?

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<v Speaker 2>What was it? It was? I love? I love?

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<v Speaker 3>It was all kinds of exotic stuff. I mean I

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<v Speaker 3>say exotic because it was familiar to me. But my friends,

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<v Speaker 3>my wife, friends, and what was that was this?

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<v Speaker 2>Was this? Yeah?

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<v Speaker 1>Who cooked in the house.

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<v Speaker 2>My mother cooked, my father cooked. My father was a

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<v Speaker 2>good cook too.

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<v Speaker 3>He took pride in the Christmas Ham.

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<v Speaker 2>That was his job.

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<v Speaker 3>There was a particular way of cooking that came from

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<v Speaker 3>because he's uncle was a butcher in the West Indies,

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<v Speaker 3>so there was a particular way of cooking the ham.

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<v Speaker 3>I can't even prescribe it now, but it's all close,

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<v Speaker 3>all into indented in all everywhere.

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<v Speaker 2>It was almost like sort of a ror movie. Marvelous. Yeah,

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<v Speaker 2>great cooks, great cooks.

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<v Speaker 1>Did you cook with them? Was it a family affair?

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<v Speaker 1>Would you all cook together?

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<v Speaker 3>I mean I loved being with my mother in a

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<v Speaker 3>kitchen because somehow I love to help out.

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<v Speaker 2>I love to sort of be I don't know, I

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<v Speaker 2>love to love that.

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<v Speaker 3>So I can't say that I'm a great cook, but

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<v Speaker 3>I was a very good shoe chef, a bit of

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<v Speaker 3>a neat and tidy person.

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<v Speaker 1>Would they entertain? Would friends come over? Did was there

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<v Speaker 1>that feeling.

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<v Speaker 2>When people did come over? It was? It was a

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<v Speaker 2>lot of family and fair and well.

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<v Speaker 3>I think most of the things I used to do

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<v Speaker 3>when the people's come up with them would just listen

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<v Speaker 3>because there was always always that would come out that

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<v Speaker 3>my parents will never talk to us about, of course,

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<v Speaker 3>but always because adults will talk to adults, so therefore

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<v Speaker 3>them find out about sort of how what was going on?

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<v Speaker 1>Or when you left this very comforting family meals where

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<v Speaker 1>you were cooked for and you ate together. What was

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<v Speaker 1>that like when you left home? Where did you live?

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<v Speaker 3>I was actually near you, guys. Actually I was in Fulham.

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<v Speaker 3>I was just around the corner from me. I was

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<v Speaker 3>with his girlfriend and she was great, was a very

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<v Speaker 3>important girlfriend of mine. Her name was Anuke. She was

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<v Speaker 3>a Swiss. And then she had discovered this restaurant, this

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<v Speaker 3>place called Malati, the Indonesian place and so, which was delicious,

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<v Speaker 3>It was gorgeous, and that was my first restaurant.

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<v Speaker 1>And she that was your first restaurant.

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<v Speaker 3>I think that was one of my first restaurants. Yeah,

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<v Speaker 3>I think I was about nineteen years old.

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<v Speaker 1>And after that the restaurants become part of your social life.

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<v Speaker 1>Did you love restaurants?

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<v Speaker 2>Absolutely?

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<v Speaker 3>I mean, what's great about I mean now, I suppose

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<v Speaker 3>in London it wasn't so when when I was growing up,

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<v Speaker 3>we didn't have that was the world, I think, and

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<v Speaker 3>to be introduced to the world through food and of

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<v Speaker 3>course good company, that's always the main ingredient for going

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<v Speaker 3>to a restaurant. So that was wonderful and then we

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<v Speaker 3>got to know. So we've got a lot of restaurants

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<v Speaker 3>and so we got to know. I remember during that time,

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<v Speaker 3>miss early nineties, early early nineties. Yeah, and also in

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<v Speaker 3>the East then too.

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<v Speaker 1>Yeah, what about an arts school? Was that revelation?

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<v Speaker 2>Yeah?

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<v Speaker 3>I mean, you know, canon bitter cheese and bag it.

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<v Speaker 3>I mean that was that was kind of like interesting

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<v Speaker 3>because again there was an addition to waste in this cheese.

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<v Speaker 3>I mean the cheese.

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<v Speaker 2>I was crappy cheese.

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<v Speaker 3>You know, you can imagine a sort of a big block

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<v Speaker 3>of something which they called cheese. But getting to them

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<v Speaker 3>cheese was interesting during my time at Foundation at Chelsea.

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<v Speaker 1>I mean, it's a kind of interesting life change, isn't

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<v Speaker 1>it between this going to the market with your mother

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<v Speaker 1>and carrying the bag and coming home and cooking and

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<v Speaker 1>then sitting down and eating and then having independence and

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<v Speaker 1>having to fend for yourself and discover life out there.

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<v Speaker 1>Did you go home? Would you return home for the

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<v Speaker 1>home cooked meal?

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<v Speaker 2>Yes? I used to love going home for food.

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<v Speaker 3>My goodness, I said, oh, oh, my goodness, I used

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<v Speaker 3>to love it. It's just it's just the sort of yeah,

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<v Speaker 3>it was difficult because at first it was how do

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<v Speaker 3>I cook? What do I cook? I was on the

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<v Speaker 3>phone to my mom, Mom, how do I do this?

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<v Speaker 2>Mom? I do this? My Mom, I do that. So

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<v Speaker 2>a lot of coals up.

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<v Speaker 3>Making sort of soups and things like that, and how

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<v Speaker 3>do I season them? Because I can't. For granted, I

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<v Speaker 3>said to be a shoe shop, but I wasn't really looking.

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<v Speaker 3>It wasn't really studying, yea, So a lot of phone

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<v Speaker 3>calls basically back round, Welcome.

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<v Speaker 1>Back to River Cafe, Table four. In each episode, my

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<v Speaker 1>guest reads a recipe they have chosen from one of

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<v Speaker 1>our cookbooks. We chose spinach and peas, So would you

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<v Speaker 1>like to go for it and tell the world how

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<v Speaker 1>to make it?

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<v Speaker 3>One kilogram fresh peas in their pods, extra virgin olive oil,

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<v Speaker 3>one garlic cloth peel and diced, one dried red chili crumbled,

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<v Speaker 3>one knogram of spinach, washed tough sports, removed.

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<v Speaker 1>Pid the piece and blanche them in plenty of boily water.

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<v Speaker 1>In Italy, no one ever cooks vegetables.

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<v Speaker 2>Absolutely only past it.

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<v Speaker 3>So rather than blenching these peas, boil them so that

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<v Speaker 3>they almost melt together with spinach and the olive oil.

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<v Speaker 1>Gorgeous. So now Steve, here we are and we're going

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<v Speaker 1>to talk about the series that has just been on

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<v Speaker 1>television that we've all watched and been so moved by.

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<v Speaker 1>Small acts. You tell the story of a local restaurant

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<v Speaker 1>constantly harassed by the police. Is that a memory or

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<v Speaker 1>is that? Can you tell me about the restaurant, the

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<v Speaker 1>politics and the series.

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<v Speaker 2>Sure, well.

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<v Speaker 3>The Mangrove Restaurant was a restaurant run by Frank Critchlow

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<v Speaker 3>in Lambergrove on All Saints Road, and he opened a

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<v Speaker 3>restaurant in nineteen sixty eight and it was a sort

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<v Speaker 3>of home away from home restaurant. You can imagine, as

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<v Speaker 3>I said before, the peaceeople wanting the sort of the

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<v Speaker 3>taste of home and had a vibrancy of having sort

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<v Speaker 3>of like many people wanted to sort of come to

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<v Speaker 3>a place to eat and to sort of commune with

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<v Speaker 3>each other. So it was a place of refuge in

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<v Speaker 3>it in a way. You know, the vibe, the vibes

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<v Speaker 3>that came out of there, and it was just one

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<v Speaker 3>of those places which became very infectious if people wanted

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<v Speaker 3>to go. It was it was it was something which

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<v Speaker 3>was which was which was on the scene and unfortunately

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<v Speaker 3>the police and the authorities that be obviously didn't like

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<v Speaker 3>what was happening at this place because again it was

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<v Speaker 3>you know, it was people from the Western Ears, it

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<v Speaker 3>was working class people, it was the thinkers, it was

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<v Speaker 3>sort of activists were coming there and also the hoy eploy.

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<v Speaker 2>So all these people.

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<v Speaker 3>Coming to this spot and talking over food, having ideas

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<v Speaker 3>and obviously that was something which the authorities didn't like,

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<v Speaker 3>and therefore they tried to disrupt disrupted as much as

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<v Speaker 3>they could. You know, it was a case of the

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<v Speaker 3>people not wanting certain ideas having a foot in the UK,

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<v Speaker 3>and they thought that the Mangrove was a place where

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<v Speaker 3>those ideas could sort of take root.

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<v Speaker 1>There's something about doing that kind of discussion as well

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<v Speaker 1>over food. And one of the things that I see

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<v Speaker 1>in the restaurant is that somehow being out of your house,

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<v Speaker 1>being away from your domestic life, being looked after, gives

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<v Speaker 1>you the chance to really focus on a conversation. Do

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<v Speaker 1>you find that in a restaurant.

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<v Speaker 3>Absolutely absolutely, And there's a sense of, I don't know

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<v Speaker 3>what is it. Purpose, you're there, you're present, there's another

0:11:33.840 --> 0:11:37.280
<v Speaker 3>person there and present, but also actually just a listen.

0:11:38.000 --> 0:11:40.959
<v Speaker 3>It's just a case of being in an environment where

0:11:41.000 --> 0:11:44.760
<v Speaker 3>you are you know, you feel comfortable in order to

0:11:44.800 --> 0:11:46.480
<v Speaker 3>say things and listen.

0:11:47.040 --> 0:11:50.880
<v Speaker 1>And also I've talked to various people in business and

0:11:50.920 --> 0:11:54.760
<v Speaker 1>in film and creating movies or making deals. I mean

0:11:54.800 --> 0:11:57.560
<v Speaker 1>when I always quote is Michael Caine who said that

0:11:57.640 --> 0:11:59.960
<v Speaker 1>he never did a deal for a movie in America

0:12:00.080 --> 0:12:03.600
<v Speaker 1>that didn't take place in a restaurant. And he said

0:12:03.840 --> 0:12:06.720
<v Speaker 1>that was very Hollywood. Do you work in restaurants? Do

0:12:06.760 --> 0:12:08.720
<v Speaker 1>you like to meet people that you're going to work

0:12:08.760 --> 0:12:10.040
<v Speaker 1>with in a restaurant?

0:12:10.120 --> 0:12:12.960
<v Speaker 2>First, I love it, but that doesn't happen often.

0:12:14.120 --> 0:12:16.880
<v Speaker 3>I mean, I think it's sort of it's a classy

0:12:16.880 --> 0:12:18.880
<v Speaker 3>way to do anything, isn't it. And also I love

0:12:18.920 --> 0:12:21.439
<v Speaker 3>it because growing up in the art world. What was

0:12:21.640 --> 0:12:23.640
<v Speaker 3>wonderful about growing up in the art world is that

0:12:24.080 --> 0:12:28.360
<v Speaker 3>artists never paid for dinners, never because you're the artist.

0:12:28.960 --> 0:12:29.760
<v Speaker 2>And it was amazing.

0:12:30.080 --> 0:12:32.520
<v Speaker 3>In fact, I think that's how I grew up in

0:12:32.880 --> 0:12:35.800
<v Speaker 3>food in an an interesting way. It was through the

0:12:35.920 --> 0:12:38.720
<v Speaker 3>art world. It's completely different to the film world. I mean,

0:12:38.760 --> 0:12:40.720
<v Speaker 3>you know the fact that you you know, you might

0:12:40.800 --> 0:12:43.439
<v Speaker 3>go crappy sang which you're you're you're lucky. But in

0:12:43.520 --> 0:12:45.360
<v Speaker 3>the art world, it was always the best wines. It

0:12:45.440 --> 0:12:47.480
<v Speaker 3>was always the best food. You know, if it was

0:12:47.480 --> 0:12:49.640
<v Speaker 3>an opening or even a meeting, it was always the

0:12:49.720 --> 0:12:52.559
<v Speaker 3>best restaurant. And that was a huge education. Absolutely.

0:12:52.920 --> 0:12:56.719
<v Speaker 1>I was thinking about making movies and the movies you've made,

0:12:56.720 --> 0:12:59.880
<v Speaker 1>and of course here we are talking about food and

0:13:00.120 --> 0:13:04.280
<v Speaker 1>eating and the joy of being taken care of through food.

0:13:04.800 --> 0:13:07.599
<v Speaker 1>And then I think of the movie that you know,

0:13:07.800 --> 0:13:10.920
<v Speaker 1>was so earth shattering, which was Hunger, And so we're

0:13:10.920 --> 0:13:13.959
<v Speaker 1>talking about a movie called Hunger and the state of

0:13:14.040 --> 0:13:19.199
<v Speaker 1>hunger and somebody put their principles and politics above comfort

0:13:19.360 --> 0:13:23.400
<v Speaker 1>and as a political act actually starved themselves. So what

0:13:23.600 --> 0:13:26.560
<v Speaker 1>was it like making a movie that was the absence

0:13:26.600 --> 0:13:28.400
<v Speaker 1>of food as a political statement?

0:13:28.960 --> 0:13:34.440
<v Speaker 2>Heavy? I mean, for me, it was again it's food

0:13:34.520 --> 0:13:35.080
<v Speaker 2>is interesting thing.

0:13:36.960 --> 0:13:39.319
<v Speaker 3>I related to that in a way that of being

0:13:39.360 --> 0:13:42.600
<v Speaker 3>a child, in the way that you know, the often

0:13:42.720 --> 0:13:46.679
<v Speaker 3>only power a child has is frailing to eat his

0:13:47.040 --> 0:13:52.000
<v Speaker 3>or her mother saying you're not leaving the table until

0:13:52.040 --> 0:13:55.040
<v Speaker 3>you finish that plate, and the child sort of you know,

0:13:55.200 --> 0:13:59.680
<v Speaker 3>refusing to eat, and then you're sent off the bed,

0:14:00.160 --> 0:14:02.520
<v Speaker 3>you know. And it's interesting because you know what what

0:14:02.640 --> 0:14:04.679
<v Speaker 3>you know, the clothes you wear that as a as

0:14:04.679 --> 0:14:06.160
<v Speaker 3>a child of a cerdaden age, what time you go

0:14:06.280 --> 0:14:08.920
<v Speaker 3>to bed, what food you eat is chosen by your parents,

0:14:08.960 --> 0:14:11.439
<v Speaker 3>and the whole idea that this child, the power this

0:14:11.559 --> 0:14:14.559
<v Speaker 3>child has is to refrain to eat. That was my

0:14:14.640 --> 0:14:18.000
<v Speaker 3>relationship in some ways to Bobby Sands and hunger strike,

0:14:18.040 --> 0:14:20.080
<v Speaker 3>that the power that person had was to refrain to

0:14:20.120 --> 0:14:22.160
<v Speaker 3>eat every since it was a child. I remembered asking

0:14:22.240 --> 0:14:24.280
<v Speaker 3>my mom when I saw this image of Bobby's Sands

0:14:24.320 --> 0:14:26.440
<v Speaker 3>on on television with a number beneath his image, and

0:14:26.480 --> 0:14:29.160
<v Speaker 3>asking my mother, what's what's what is that? How oldest

0:14:29.160 --> 0:14:30.720
<v Speaker 3>person is? Because no, that how many days this person

0:14:30.720 --> 0:14:33.000
<v Speaker 3>has been on hunger strike. So there was an immediate

0:14:33.080 --> 0:14:36.080
<v Speaker 3>relationship with the story and it was, yeah, it was.

0:14:36.200 --> 0:14:38.680
<v Speaker 3>It was difficult, but I think Michael Fans been there,

0:14:38.760 --> 0:14:41.240
<v Speaker 3>you know where cars is. Bobby Sands was tremendous and

0:14:41.280 --> 0:14:42.960
<v Speaker 3>that was a bond up you know we have to

0:14:43.080 --> 0:14:46.280
<v Speaker 3>this day. It was a real kind of a labor

0:14:46.320 --> 0:14:46.600
<v Speaker 3>of love.

0:14:46.640 --> 0:14:49.680
<v Speaker 1>And what are the food scenes in your movies? In

0:14:49.760 --> 0:14:52.240
<v Speaker 1>twelve years a slave? There's a scene, isn't there at

0:14:52.280 --> 0:14:53.080
<v Speaker 1>the dinner table?

0:14:53.720 --> 0:14:55.720
<v Speaker 3>I seem to remember, Yeah, there's lots of I think

0:14:55.760 --> 0:14:57.200
<v Speaker 3>there's lots of food in my films. I mean you

0:14:57.240 --> 0:14:59.840
<v Speaker 3>can see after that is shame the two characters, Brandon

0:14:59.840 --> 0:15:02.120
<v Speaker 3>and any sort of a possible girlfriend or at this

0:15:02.200 --> 0:15:05.560
<v Speaker 3>dinner table and this waiter, annoying waiter comes in every

0:15:05.680 --> 0:15:08.520
<v Speaker 3>five seconds to interrupt them. I remember that from having

0:15:08.600 --> 0:15:10.840
<v Speaker 3>lots of dinners in New York and every five seconds

0:15:10.880 --> 0:15:13.120
<v Speaker 3>one becomes in the middle of something was getting bigger.

0:15:13.440 --> 0:15:15.640
<v Speaker 2>You know how conversations are. They had to get to

0:15:15.760 --> 0:15:16.920
<v Speaker 2>that point, you know.

0:15:16.960 --> 0:15:19.280
<v Speaker 3>It's always it was commercial buddy breaks every five seconds.

0:15:19.280 --> 0:15:20.840
<v Speaker 3>You have to start from a scratch every five minutes.

0:15:20.880 --> 0:15:23.720
<v Speaker 3>So it didn't make for a good eating experience. So

0:15:24.320 --> 0:15:26.040
<v Speaker 3>I put that in the movie What do you.

0:15:26.040 --> 0:15:26.760
<v Speaker 1>Eat on a film?

0:15:26.840 --> 0:15:26.880
<v Speaker 2>So?

0:15:27.400 --> 0:15:29.880
<v Speaker 1>Do you hate stopping for lunch when you're filming?

0:15:30.360 --> 0:15:30.400
<v Speaker 2>No?

0:15:30.520 --> 0:15:32.960
<v Speaker 3>I think it's fantastic. I mean, what was so wonderful

0:15:33.160 --> 0:15:36.640
<v Speaker 3>when I started filmmaking and there hunger and sharing in

0:15:36.720 --> 0:15:39.000
<v Speaker 3>twelve this it's like all the actors and all the

0:15:39.040 --> 0:15:41.600
<v Speaker 3>crew will eat together. We did the people in their

0:15:41.640 --> 0:15:45.040
<v Speaker 3>buddy trailers in that crap, everyone lead together. There's something

0:15:45.120 --> 0:15:52.640
<v Speaker 3>about communal eating and it's about weed. It's such a

0:15:53.000 --> 0:15:56.480
<v Speaker 3>unifying thing to see, you know, the hear and makeup

0:15:56.600 --> 0:15:59.720
<v Speaker 3>and the camera department and tune up, furity and sitting

0:15:59.760 --> 0:16:02.080
<v Speaker 3>at a table together and talking about the film or

0:16:02.120 --> 0:16:07.560
<v Speaker 3>talking about things. There's a camaraderie. It's only time often

0:16:07.680 --> 0:16:09.960
<v Speaker 3>when you're sort of on set together that you had

0:16:10.080 --> 0:16:13.840
<v Speaker 3>that sort of time, you know, when you're sitting together

0:16:13.920 --> 0:16:16.360
<v Speaker 3>eating and it's fun.

0:16:16.440 --> 0:16:18.800
<v Speaker 2>It's fun. I love it.

0:16:23.960 --> 0:16:27.800
<v Speaker 1>Year three is an exhibition that was at the Tate

0:16:28.640 --> 0:16:31.160
<v Speaker 1>and I went to see it three times because every

0:16:31.200 --> 0:16:34.680
<v Speaker 1>time I went back I saw something something different in

0:16:34.800 --> 0:16:38.120
<v Speaker 1>the expression of a child of a teacher. It really

0:16:38.280 --> 0:16:41.160
<v Speaker 1>told the story of the world we live in through

0:16:41.240 --> 0:16:43.840
<v Speaker 1>these photographs. And one of the issues that I think

0:16:44.000 --> 0:16:48.520
<v Speaker 1>is very important is that when we had the lockdown

0:16:48.560 --> 0:16:51.120
<v Speaker 1>a year ago, one of the things we learned that

0:16:51.200 --> 0:16:55.080
<v Speaker 1>when children were denied school, they were also denied food,

0:16:55.680 --> 0:16:58.600
<v Speaker 1>and they were denied food at lunchtime, which might have

0:16:58.680 --> 0:17:03.120
<v Speaker 1>been their only meal of the day. And the idea

0:17:03.200 --> 0:17:07.000
<v Speaker 1>that we have a society that children depend on having

0:17:07.040 --> 0:17:09.400
<v Speaker 1>their food away from the home because of the poverty

0:17:09.560 --> 0:17:13.960
<v Speaker 1>in the home is appalling and shocking and distressing everything else.

0:17:14.320 --> 0:17:16.879
<v Speaker 3>Yes, absolutely, I mean I had schooled this which I

0:17:17.000 --> 0:17:19.960
<v Speaker 3>paid for by my mother. That's why even today I

0:17:20.080 --> 0:17:24.520
<v Speaker 3>like hot meals. I love hot lunches, I mean, and

0:17:24.600 --> 0:17:27.000
<v Speaker 3>they were vital. They were vital there were children. I

0:17:27.200 --> 0:17:30.560
<v Speaker 3>know for a fact that that was the main meal

0:17:30.600 --> 0:17:33.520
<v Speaker 3>of the day, if not the only meal of the day.

0:17:34.240 --> 0:17:35.840
<v Speaker 3>And this is with our bottle of milk in the

0:17:35.880 --> 0:17:37.879
<v Speaker 3>morning before missus snatcher took it away from us.

0:17:38.280 --> 0:17:38.480
<v Speaker 1>Yeah.

0:17:38.800 --> 0:17:41.159
<v Speaker 3>Yeah, I love school meals in that way. Also, just

0:17:41.240 --> 0:17:44.920
<v Speaker 3>because we're such a good laugh in the canteen, you know,

0:17:45.080 --> 0:17:49.119
<v Speaker 3>I associate food in school with good times. And I

0:17:49.160 --> 0:17:52.639
<v Speaker 3>can even remember the smell of it, the canteen and

0:17:52.760 --> 0:17:56.920
<v Speaker 3>the noise and the cutlery banging together, and it's so important.

0:17:57.160 --> 0:17:57.320
<v Speaker 2>You know.

0:17:57.840 --> 0:18:00.600
<v Speaker 3>Also, people have to sort of really tip the hat

0:18:00.680 --> 0:18:03.200
<v Speaker 3>to Marcus Rashford and what he did in the sense of,

0:18:03.440 --> 0:18:05.320
<v Speaker 3>you know, getting the government to sort of stand down

0:18:05.840 --> 0:18:08.879
<v Speaker 3>twice about the school mill because you know it can

0:18:09.040 --> 0:18:11.040
<v Speaker 3>This is you know, if we can't look after people

0:18:11.400 --> 0:18:13.199
<v Speaker 3>we can't afford to eat, then I don't know who

0:18:13.280 --> 0:18:15.920
<v Speaker 3>we are as human beings. That it took a footballer

0:18:15.960 --> 0:18:17.399
<v Speaker 3>to do that is kind of a bit you know.

0:18:18.040 --> 0:18:19.600
<v Speaker 3>There you go, everyone has got to step up in

0:18:19.680 --> 0:18:21.399
<v Speaker 3>your own way I suppose if people aren't doing their

0:18:21.480 --> 0:18:24.200
<v Speaker 3>job properly, that meaning the government. And also, don't forget

0:18:24.240 --> 0:18:26.320
<v Speaker 3>this again, It's just one of those things I feel

0:18:26.359 --> 0:18:28.560
<v Speaker 3>that you know, everyone is unfortunately not brought into this

0:18:28.680 --> 0:18:32.800
<v Speaker 3>world equally. But if you just give someone the possibility

0:18:33.119 --> 0:18:35.440
<v Speaker 3>a little bit of a shaft of light, one doesn't

0:18:35.480 --> 0:18:37.600
<v Speaker 3>know where that might lead them to. So, yeah, the

0:18:37.680 --> 0:18:39.600
<v Speaker 3>fact that people actually have a meal in the stomach,

0:18:40.240 --> 0:18:45.480
<v Speaker 3>you know in Britain, Yeah, it's more than important. One

0:18:45.520 --> 0:18:47.600
<v Speaker 3>thing I was very shocked by when I was shooting

0:18:47.640 --> 0:18:51.159
<v Speaker 3>in Chicago, shooting widows, was how I didn't see a

0:18:51.200 --> 0:18:55.560
<v Speaker 3>grocery store in a black neighborhood. I didn't see any

0:18:55.760 --> 0:18:59.119
<v Speaker 3>greens in a black neighbor you know, there wasn't a

0:18:59.200 --> 0:19:02.040
<v Speaker 3>green grocers, but there was always some sort of fast

0:19:02.080 --> 0:19:03.320
<v Speaker 3>food place where people eat.

0:19:03.359 --> 0:19:06.200
<v Speaker 2>So people are losing this sort of heritage of food.

0:19:06.600 --> 0:19:09.880
<v Speaker 3>People are not aware of food and nourishment and possibilities

0:19:09.920 --> 0:19:13.280
<v Speaker 3>within food. And food is politics in a way, it

0:19:13.400 --> 0:19:17.240
<v Speaker 3>reverts back to what we were talking about right at

0:19:17.240 --> 0:19:21.320
<v Speaker 3>the beginning of a conversation. It starts with like, in

0:19:21.400 --> 0:19:24.320
<v Speaker 3>a way, markets, because markets, a lot of markets are

0:19:24.320 --> 0:19:27.000
<v Speaker 3>on the threat. A lot of markets have closed. So

0:19:27.440 --> 0:19:30.080
<v Speaker 3>this sense of community, sense of promarderiate, a sense of

0:19:30.200 --> 0:19:34.040
<v Speaker 3>sort of love of food and love of each other

0:19:34.760 --> 0:19:37.760
<v Speaker 3>is being sort of erased in the sort of you know,

0:19:38.320 --> 0:19:40.600
<v Speaker 3>working class areas. I mean, you get these markets, but

0:19:40.720 --> 0:19:43.399
<v Speaker 3>they're so they're kind of like posh markets, aren't they.

0:19:43.440 --> 0:19:45.560
<v Speaker 3>They're sort of farmers markets, they call them. And you know,

0:19:45.880 --> 0:19:49.800
<v Speaker 3>the food is so expensive, so and I can I

0:19:49.920 --> 0:19:52.879
<v Speaker 3>feel that they're becoming kind of food deserts in a

0:19:52.920 --> 0:19:55.840
<v Speaker 3>way where kids are growing up on fast food and

0:19:55.960 --> 0:19:58.879
<v Speaker 3>not being introduced to sort of love food in a

0:19:58.920 --> 0:20:02.560
<v Speaker 3>way that Stundlach, which I'm a bit sort of concerned about.

0:20:03.400 --> 0:20:07.240
<v Speaker 1>Yeah, food is a connection, and food is a memory,

0:20:08.040 --> 0:20:11.200
<v Speaker 1>and food is giving and sharing, and food is political

0:20:11.359 --> 0:20:15.680
<v Speaker 1>and social, and it's also comfort. It's something that we

0:20:15.840 --> 0:20:18.880
<v Speaker 1>go to and we need comfort. And so I suppose

0:20:18.960 --> 0:20:23.000
<v Speaker 1>Steve McQueen, what would you say is the food you

0:20:23.040 --> 0:20:25.200
<v Speaker 1>would go to if you needed comfort?

0:20:25.640 --> 0:20:28.640
<v Speaker 3>For me, the comfort food that I very much love

0:20:28.680 --> 0:20:32.480
<v Speaker 3>and I appreciate is often a cold day, you know,

0:20:32.640 --> 0:20:35.320
<v Speaker 3>and you come in and it's my mum's chicken soups

0:20:35.400 --> 0:20:37.680
<v Speaker 3>West Indian chicken soup, which has the bones in it

0:20:37.760 --> 0:20:39.600
<v Speaker 3>and stuff, you know, you suck on the bones, and

0:20:40.200 --> 0:20:40.840
<v Speaker 3>it's the sort of.

0:20:40.880 --> 0:20:42.919
<v Speaker 2>You know, it's the time, it's.

0:20:42.840 --> 0:20:45.320
<v Speaker 3>The garlic, it's all kinds of stuff, you know, the

0:20:45.440 --> 0:20:48.360
<v Speaker 3>sugar ingredient which she wants, you still want atomic, the dumplings,

0:20:48.520 --> 0:20:50.119
<v Speaker 3>a bit of potatoes, a bit of peas.

0:20:50.200 --> 0:20:50.880
<v Speaker 2>It's wonderful.

0:20:50.960 --> 0:20:53.600
<v Speaker 3>So those are the kind of things I really love. Yeah,

0:20:53.880 --> 0:20:57.320
<v Speaker 3>And I could hear my dad sucking the bones right now.

0:21:00.160 --> 0:21:02.960
<v Speaker 3>It was a wonderful, you know, having those dinners together

0:21:04.080 --> 0:21:07.080
<v Speaker 3>on those cold days. I remember it was. It was beautiful.

0:21:07.160 --> 0:21:09.320
<v Speaker 3>It was beautiful and lots of great memories. My dad's

0:21:09.359 --> 0:21:12.360
<v Speaker 3>not anymore. So when I often do think about him,

0:21:12.960 --> 0:21:14.639
<v Speaker 3>I do think about him, and that soup. I do

0:21:14.760 --> 0:21:18.320
<v Speaker 3>think about him. Christmas and the ham, of course, and Christmas.

0:21:19.080 --> 0:21:20.960
<v Speaker 3>Christmas breakfast was a big thing.

0:21:21.800 --> 0:21:22.480
<v Speaker 2>Hot coke coo.

0:21:23.200 --> 0:21:25.040
<v Speaker 3>My dad would make a bake. A bake is a

0:21:25.119 --> 0:21:27.639
<v Speaker 3>kind of a flat bread West Indian flat bread in

0:21:27.720 --> 0:21:28.320
<v Speaker 3>the morning.

0:21:28.160 --> 0:21:30.520
<v Speaker 2>And oh my god, how can I how can I

0:21:30.680 --> 0:21:36.280
<v Speaker 2>not say this? Fish cakes? My mother's fish cakes. Oh

0:21:36.400 --> 0:21:37.960
<v Speaker 2>my god, my mother's fish cakes.

0:21:38.000 --> 0:21:40.840
<v Speaker 3>On the Christmas morning and she's making these little bakes

0:21:41.280 --> 0:21:44.040
<v Speaker 3>which was a sort of like a like a bread

0:21:44.160 --> 0:21:47.240
<v Speaker 3>you'll fry and oil, oh my god, and even my

0:21:47.400 --> 0:21:50.560
<v Speaker 3>daughter youtually when my mom comes up as yours, ask

0:21:50.640 --> 0:21:53.119
<v Speaker 3>Granny please make fish cakes for me because it's a

0:21:53.160 --> 0:21:55.680
<v Speaker 3>West Indian fishcakes such as it's gorgeous and of course

0:21:55.760 --> 0:21:57.600
<v Speaker 3>you know there's never anything left for me when I

0:21:57.640 --> 0:22:00.720
<v Speaker 3>get home. But you know it's just I think, really,

0:22:00.800 --> 0:22:02.800
<v Speaker 3>what you've done actually is actually given me.

0:22:03.480 --> 0:22:04.760
<v Speaker 2>I mean fast, what love is rock?

0:22:05.600 --> 0:22:08.720
<v Speaker 3>Not even love is rock. That's what the whole of

0:22:08.880 --> 0:22:11.840
<v Speaker 3>Small Acts was based on. The foundation of all of

0:22:11.920 --> 0:22:15.200
<v Speaker 3>that was based on food and memory. Because it's what's

0:22:15.280 --> 0:22:18.600
<v Speaker 3>so fascinating. I'm rambling on it again myself. But the

0:22:18.840 --> 0:22:24.560
<v Speaker 3>smell is the most antaste is the most potent sources

0:22:24.720 --> 0:22:27.960
<v Speaker 3>of memory, not the photographs. Photographs is only twenty so

0:22:28.119 --> 0:22:30.480
<v Speaker 3>much because you know, it cuts out what's beyond the

0:22:30.600 --> 0:22:33.280
<v Speaker 3>frame is not present, it's not visible.

0:22:33.960 --> 0:22:35.280
<v Speaker 2>Going on wrapping.

0:22:36.080 --> 0:22:39.560
<v Speaker 1>I'll stop myself, no doubt it's beautiful, but it is

0:22:39.920 --> 0:22:42.560
<v Speaker 1>what it does. There are people who say, I never

0:22:42.680 --> 0:22:46.000
<v Speaker 1>remembered that until we started talking about the food, and

0:22:46.119 --> 0:22:48.600
<v Speaker 1>that brought back the memory. I had somebody whose father

0:22:49.240 --> 0:22:51.840
<v Speaker 1>had left home and he would when he saw his

0:22:52.000 --> 0:22:55.080
<v Speaker 1>children on the weekends he would suddenly start cooking for them,

0:22:55.600 --> 0:22:57.880
<v Speaker 1>and he said, oh, I don't know. I don't think

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<v Speaker 1>I've ever told anybody that story. But now I remember

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<v Speaker 1>my father actually is a way of his guilt or

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<v Speaker 1>his love just started cooking, you know. And I think,

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<v Speaker 1>what you just when you choose your comfort food, you

0:23:10.000 --> 0:23:13.159
<v Speaker 1>start thinking about your father and your mother, and you

0:23:13.280 --> 0:23:17.040
<v Speaker 1>think about the memories and that it's so potent, isn't it.

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<v Speaker 1>I thought it would be interesting, But what it really

0:23:20.359 --> 0:23:22.920
<v Speaker 1>brings home over and over again is the connection that

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<v Speaker 1>food has for us for memories.

0:23:24.960 --> 0:23:31.040
<v Speaker 2>Yeah, forget about this, I'm telling you. Do You've done it, mate,

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<v Speaker 2>smell and til you've done it.

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<v Speaker 1>Well, thank you, you've done it.

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<v Speaker 2>It's all to do with you.

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<v Speaker 1>To visit the online shop of The River Cafe, go

0:23:43.400 --> 0:23:52.480
<v Speaker 1>to shop The Rivercafe dot co dot uk. Ruthie's Table

0:23:52.560 --> 0:23:57.280
<v Speaker 1>for is a production of iHeartRadio Anatomized Studios. For more

0:23:57.400 --> 0:24:03.040
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

0:24:03.119 --> 0:24:05.960
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