WEBVTT - S3/E4 | The Train Tracks

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<v Speaker 1>M Thirteen Days of Halloween, Devil's Night, a production of

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<v Speaker 1>My Heart three D audio, Blumhouse Television and Grimm and

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<v Speaker 1>Mild from Aaron Mackey. Headphones recommended. Listener discretion advised. Here

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<v Speaker 1>we go. Are you're ready? Here? Oh? You wait? Wait

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<v Speaker 1>for it? That one the boks are? They were ready? Three? Two, one,

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<v Speaker 1>ah aero. Okay, boy, I really noted my arm, but

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<v Speaker 1>we made it. I just hope we're headed in the

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<v Speaker 1>right direction. Let's try and find a dry spot away

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<v Speaker 1>from the cold. Whoa, hello, I can't see you. You

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<v Speaker 1>don't need to. I've been expecting you. What do you

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<v Speaker 1>mean shut yourself for a moment. Hold onto that cargo

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<v Speaker 1>beside you. The train will be picking up speed. In

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<v Speaker 1>a moment it will smooth out a bit. Hold tight

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<v Speaker 1>one moment. More, hold yes, max, just so like a tie.

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<v Speaker 1>I was looking for the train into town. Wait, how

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<v Speaker 1>do you know my name? How does anyone learn anything?

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<v Speaker 1>You get old, and when you get as old as

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<v Speaker 1>I am, there are a few surprises left. As for

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<v Speaker 1>your other question, all trains go in the same place

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<v Speaker 1>these days, behind the curtain. You ride with me, You

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<v Speaker 1>ride under the skin of this great country. You're rolling

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<v Speaker 1>through its veins. But have you a bite for me?

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<v Speaker 1>Some pro vendor? I haven't Apple, I was saving, but

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<v Speaker 1>if you're starving, Wow, this will do for now. Let

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<v Speaker 1>me stand over in this moonlight. Here you can see me.

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<v Speaker 1>I'm no harm. You bang yourself up something awful. Trying

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<v Speaker 1>to hop sounded like a bone landing hard on the

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<v Speaker 1>iron first time? First time? What writing, rail son? Your

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<v Speaker 1>arm looks torn worse than a twice boiled Oklahoma chicken.

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<v Speaker 1>Let me wrap that up for you else you're likely

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<v Speaker 1>to bleed all around the bunk. Look, it's no who do.

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<v Speaker 1>Just sit there for a moment, Trust me, old boy.

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<v Speaker 1>The last thing I want is for Max's body to

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<v Speaker 1>get hurt. All right, careful, here we go. Let me

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<v Speaker 1>put a bit now, Max. How's that? That's m feels

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<v Speaker 1>ran new? Thanks? Mr. I didn't get your name, you

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<v Speaker 1>did not Max. Names have power. Why don't you just

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<v Speaker 1>call me the conductor? You know, I thought you would

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<v Speaker 1>be taller. I suspect you cast a mighty shadow, or

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<v Speaker 1>some shadow follows you. Look, Mr Conductor. I don't mean

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<v Speaker 1>to be rude, but I don't know how you seem

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<v Speaker 1>to know so much about me? Are you from town.

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<v Speaker 1>Oh no, far past town. Sun No. The signs told

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<v Speaker 1>me where to find you, hobo code from here on

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<v Speaker 1>to Sandusky points this way. I see the boy as

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<v Speaker 1>he was, I see the old arrow, but I don't

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<v Speaker 1>see that which follows after you. I smell it on you,

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<v Speaker 1>though all I smell is cold smoke. No, there's something else,

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<v Speaker 1>something close. It must be haunting you. You mean like

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<v Speaker 1>a ghost, not a ghost, son, You're familiar. Do you

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<v Speaker 1>understand the thing that follows? That's what drove you to

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<v Speaker 1>my train. Look, I appreciate you binding on my arm,

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<v Speaker 1>but you have to understand you always have it, don't

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<v Speaker 1>you that urgent need that act now? Listen, you're in shock.

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<v Speaker 1>You took a bruising in It looks like that bruising

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<v Speaker 1>started earlier than when we met there. Relax, this is

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<v Speaker 1>a safe place. Sit u spell travel with me. We've

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<v Speaker 1>got a ways to go, and you're right. I am,

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<v Speaker 1>as are all my people. Now we have been traveling,

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<v Speaker 1>max traveling for a long long time. Once upon a time,

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<v Speaker 1>before they mastered fire, your people sent their elders and

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<v Speaker 1>their young alike out into the unknown. For some of

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<v Speaker 1>the danger were the caves. For some, the sunlight. For

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<v Speaker 1>most the distance, it was a noble endeavor to travel

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<v Speaker 1>away from safety to return with glory and knowledge. Most died,

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<v Speaker 1>but on the off chance that one might return, their

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<v Speaker 1>people would wait. My people are from back before the rails,

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<v Speaker 1>before folks crossed the ocean and hitched their horses westward,

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<v Speaker 1>wagons and tow And we were always searching. Our currency

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<v Speaker 1>is stories, and stories are the only true currency of

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<v Speaker 1>this world, passed from one to another, like coins in

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<v Speaker 1>the hand or laid across the eyes, searching, always searching.

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<v Speaker 1>Where Once we traveled through clouds and chariots and prophets, dreams,

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<v Speaker 1>we travel now with the ravens and the crows, the rats,

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<v Speaker 1>the hobo and the coyote. My people are like you.

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<v Speaker 1>We're just trying to get home. Once long ago, the

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<v Speaker 1>Creator and there is one, had an uncharacteristically good mood.

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<v Speaker 1>He brought into being the mortal world from light. He

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<v Speaker 1>made angels from clay, He made man from smokeless fire.

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<v Speaker 1>He made my people powerful. We were in those days

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<v Speaker 1>astride both this world and the next, being of smokeless fire.

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<v Speaker 1>We alone in all the world, had no shadows of

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<v Speaker 1>our own. Last the Creator made the shadows, that they

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<v Speaker 1>may hold passage between the riddle of light and the

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<v Speaker 1>answer of the dark. We raised a mighty city bur

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<v Speaker 1>Some called it the city of Brass. Others later saw

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<v Speaker 1>the ruins and called those Babylon. For some long ages

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<v Speaker 1>the city grew ripe and golden, a flame of wisdom

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<v Speaker 1>for all who visited. In the manner of holy things,

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<v Speaker 1>we set upon each member of this city a task,

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<v Speaker 1>a ritual, to leave, to travel, to return, and add

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<v Speaker 1>what they had learned to this great endeavor. So it

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<v Speaker 1>came to pass A boy set out into the wild.

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<v Speaker 1>He didn't want to leave, Like so many, he was forced,

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<v Speaker 1>though truth be told, some piece of him yearned for this,

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<v Speaker 1>the promise of adventure, of ship and story and danger.

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<v Speaker 1>This is the siren call of all men, all boy, human, angel,

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<v Speaker 1>or otherwise, dream of venturing. They believe their journey will

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<v Speaker 1>bring them, piece by piece closer towards the man they

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<v Speaker 1>hoped to one day be. Come. This boy he was

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<v Speaker 1>just like you. Only a day, he thought again and again,

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<v Speaker 1>and sooner than I know, I will be returned. And

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<v Speaker 1>like you, he found one way leads only to another.

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<v Speaker 1>At first he came to a farm in a land

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<v Speaker 1>near his own, a farm in desperate times, where the

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<v Speaker 1>people's ribs showed through their clothes, and the vultures circled

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<v Speaker 1>fat heavy through the pitiless sky. Coming from a land

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<v Speaker 1>of magic and plenty, this was unfamiliar. He sought to

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<v Speaker 1>learn this boy the ways of this land in the

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<v Speaker 1>hopes that he might God willing improve the lot of

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<v Speaker 1>the people living upon it. And so he sought to

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<v Speaker 1>teach these laborers the secret arts of the orchard, the

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<v Speaker 1>delicate pull of the ripest dates, the fragile song of

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<v Speaker 1>seeds within the ground, how to hear them, how to

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<v Speaker 1>sing to them. Yet he was rebuffed, beaten by the

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<v Speaker 1>peasants on the land. Just like a bum, you could say,

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<v Speaker 1>when the bulls catch you snoozing in the grainer, Bulls

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<v Speaker 1>in the train yard, railroad bulls. Police. Boy, there have

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<v Speaker 1>always been the police, or something like them, the things

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<v Speaker 1>that hunt the free. Tell me, do you see your shadow?

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<v Speaker 1>It's too dark to see anything in here. Don't pretend, boy,

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<v Speaker 1>you know what I mean. I know you've seen it before,

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<v Speaker 1>and we both know it's following you. Still, that name

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<v Speaker 1>is meaningless. You could call all of a thousand names

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<v Speaker 1>and a thousand tons and it may respond it's a trickster, Max,

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<v Speaker 1>it's playing games with you. So is he here with us? Now?

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<v Speaker 1>I don't think so. Well, you don't see him. But

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<v Speaker 1>do you think your shadow sees you? I I don't know.

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<v Speaker 1>I'd be careful, Max, You might be surprised what they

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<v Speaker 1>see and what they hear. The boy certainly was, you see.

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<v Speaker 1>As he was laying there in the land of Men,

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<v Speaker 1>beaten into the dirt, his shadow rose and took its vengeance.

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<v Speaker 1>It broke the covenant of shadows and raised its hand

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<v Speaker 1>to the mortal world. Listen close, Max. The shadow offered

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<v Speaker 1>the boy a deal as inevitable as a train on

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<v Speaker 1>iron Hans. It had offered him a passage home. What

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<v Speaker 1>did the boys say? You know this story? I don't

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<v Speaker 1>think I do. The boy said, yes, of course. Like

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<v Speaker 1>all boys, he grew tired of wandering once he learned

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<v Speaker 1>the cruelty of the road. He wanted more than anything

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<v Speaker 1>to return home. But his shadow followed, and the shadow

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<v Speaker 1>had different fans for the old storytellers were trading our currency.

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<v Speaker 1>This covenant with the shadow is the great moral, That's

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<v Speaker 1>what we tell. Outsiders, at least gathered around the hobo jungles,

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<v Speaker 1>and the breadlines and the other hidden places. But let

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<v Speaker 1>me tell you this, It's not the end of the tale.

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<v Speaker 1>Would you like to know the rest? Look? I know

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<v Speaker 1>some stories of my own. How about this one? A

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<v Speaker 1>kid in this dog just trying to get home. No

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<v Speaker 1>one will help them. I like it, Max, I do.

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<v Speaker 1>But you'll need more than that where you're going. Here's

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<v Speaker 1>what happens next, the part of the story only a

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<v Speaker 1>few may know, and fewer remember. Listen closely. This is

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<v Speaker 1>my gift to you, A thank you for the apple,

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<v Speaker 1>an appeal, a favor. The boy escaped the farm, pursued

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<v Speaker 1>like it or not by his shadow. It became part

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<v Speaker 1>of him, It followed, it yearned. He was waylaid more

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<v Speaker 1>than once. On the hungry road to home, he learned

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<v Speaker 1>from a kindly traveler the danger of the shadows. You see, Max,

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<v Speaker 1>All shadows are of one. And what if I tell

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<v Speaker 1>would you? This shadow knew all along that the boy's

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<v Speaker 1>home had been lost? Why didn't it tell him? Shadows

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<v Speaker 1>are creatures of secrets, and here is their greatest They

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<v Speaker 1>are not content to follow with every step they take.

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<v Speaker 1>They raced to not be behind, but to be within.

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<v Speaker 1>And then they seek to consume, they want to become

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<v Speaker 1>in their world. You are the reflection what happened to

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<v Speaker 1>the boy. That's the biggest secret of all, Max. This

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<v Speaker 1>is the part you will have to right yourself. The

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<v Speaker 1>boy could not guess what the shadow wanted. Sometimes it

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<v Speaker 1>seemed to help him, sometimes to hinder him. It grew

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<v Speaker 1>closer and closer with each passing day, with each passing hour,

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<v Speaker 1>until one day the boy awoke to find he had

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<v Speaker 1>no shadow at all, at least not on the outside.

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<v Speaker 1>He heard his voice as though it was a shadow,

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<v Speaker 1>and he asked himself, Am I the boy that left?

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<v Speaker 1>Am I the shadow that returned? I was that boy

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<v Speaker 1>once upon a time, Max, and my shadow caught me.

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<v Speaker 1>It holds me even now, and I am doomed to search,

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<v Speaker 1>to roam by darkness and rail until I find the

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<v Speaker 1>city of my people, that which was once lost. It

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<v Speaker 1>is a pitiless quest, one that grants me no rest,

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<v Speaker 1>no peace in this mortal world. If I die, it

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<v Speaker 1>reaches back and pulls me from the depths. I'm tired now.

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<v Speaker 1>The shadow needs new blood and I need rest. Something's wrong.

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<v Speaker 1>They're stopping the train. We don't have much time. Listen

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<v Speaker 1>I've searched for you so long, Max, This body is

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<v Speaker 1>almost done. Come closer. Please, you can save me, Max,

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<v Speaker 1>and I can save you. Join me. Trade your shadow,

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<v Speaker 1>the one you hear even now for mine. Take my

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<v Speaker 1>place along the road. You will not weaken, you will

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<v Speaker 1>not die. You will ride free as a lonely wind

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<v Speaker 1>throughout this land. And I in your place, I will

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<v Speaker 1>finally be granted the peace of death. What's that? What

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<v Speaker 1>do you think the bulls? Come here, boy? I know

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<v Speaker 1>just where the heart. All right, come on out now.

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<v Speaker 1>We can make this easy, but that's up to you.

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<v Speaker 1>Of course. This car is cleared for transport of livestock

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<v Speaker 1>and material only. Anyone found freight hopping should be warned

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<v Speaker 1>that they are committing an interstate felony. We already know

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<v Speaker 1>you're here. We will find you better, easier for you

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<v Speaker 1>to show yourself. Now, come mad, Come at wherever you

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<v Speaker 1>are mat Are you okay? I'll steal it from me.

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<v Speaker 1>I know you're here. I can smell you. Max. Where

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<v Speaker 1>is it? We know he was here with you? Who

0:17:43.960 --> 0:17:48.080
<v Speaker 1>was here? Who is here? You know? Damn well? Another

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<v Speaker 1>presence could have been a man, a woman? Is it home?

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<v Speaker 1>When you recognize or maybe another dog. Come here, Arrow,

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<v Speaker 1>call yourself, Arrow, Just let me see your eyes. No, no,

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<v Speaker 1>it's not the dog. Something drew you into this train,

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<v Speaker 1>Something lured you in. We just need to know what

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<v Speaker 1>it was. Just tell them the truth. Boy, the thing

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<v Speaker 1>lured me in. I was running from the carnival and

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<v Speaker 1>I hopped the train. Do you know what his train is? No?

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<v Speaker 1>But I hope he was going in the right direction.

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<v Speaker 1>Then all aboard for Brad Barren. How did you do that? Hear?

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<v Speaker 1>Do you think it's driving why east? More than one

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<v Speaker 1>of you? Why? Well, that doesn't have to be better.

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<v Speaker 1>Now go on, son, ask him? What do you want

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<v Speaker 1>to know? How does this end? How does what end?

0:19:00.320 --> 0:19:04.520
<v Speaker 1>The story of the Boy and the Dog in the Shadow?

0:19:05.400 --> 0:19:08.080
<v Speaker 1>I don't think I know that with Max, but I'm

0:19:08.080 --> 0:19:11.800
<v Speaker 1>sure of one thing. You were not alone on this trade,

0:19:13.040 --> 0:19:17.240
<v Speaker 1>and we are not alone. Now this is important. Max.

0:19:17.720 --> 0:19:21.760
<v Speaker 1>Did it give you something? What's there to give with

0:19:21.800 --> 0:19:26.560
<v Speaker 1>no one to give it to? No nothing? What is

0:19:26.600 --> 0:19:32.840
<v Speaker 1>this on your own? I? Um, where did you get this? Oh?

0:19:32.880 --> 0:19:36.639
<v Speaker 1>That's been there all along. I think I had it.

0:19:36.960 --> 0:19:42.000
<v Speaker 1>I don't know, I don't remember. Yes, you do, something happened,

0:19:42.400 --> 0:19:44.480
<v Speaker 1>you hurt your own did somebody wrap it up for you?

0:19:45.160 --> 0:19:51.480
<v Speaker 1>Not her? Feeling much better? It's feeling much better, then

0:19:51.560 --> 0:19:55.880
<v Speaker 1>let's just take it off. No step away, boy. It

0:19:55.920 --> 0:19:58.399
<v Speaker 1>aims to hurt you. It aims to take you away

0:19:58.480 --> 0:20:08.560
<v Speaker 1>from me. No, no, no, Well hello, I was wondering

0:20:08.600 --> 0:20:12.560
<v Speaker 1>where I would find you back demon, You are too late.

0:20:12.920 --> 0:20:18.520
<v Speaker 1>The boy is mine, Max. Walk towards me. Stay away, boy,

0:20:18.800 --> 0:20:22.240
<v Speaker 1>you know now what that thing is, what he pretends

0:20:22.280 --> 0:20:26.320
<v Speaker 1>to be is only a mask. I can keep you safe.

0:20:27.240 --> 0:20:31.560
<v Speaker 1>I'm counting to three. One. It will lie to you, Max,

0:20:32.000 --> 0:20:35.679
<v Speaker 1>It will play games with your life to Once it

0:20:35.760 --> 0:20:40.399
<v Speaker 1>gets you, it will never let you go. Three. Come

0:20:40.480 --> 0:20:46.800
<v Speaker 1>to me, boy. I've got his feet, I've got his arms,

0:20:47.160 --> 0:20:50.760
<v Speaker 1>I've got his head. You put me down, your abomination

0:20:52.040 --> 0:21:10.439
<v Speaker 1>out of the train. Ready boys, Ready, ready, right, swift

0:21:10.480 --> 0:21:18.000
<v Speaker 1>and efficient? Well that boys, now back to one. Are

0:21:18.000 --> 0:21:22.679
<v Speaker 1>you okay? Max? Who was that? A corrupted thing? Hiding

0:21:22.680 --> 0:21:25.760
<v Speaker 1>and wait for someone like you to come along? Like

0:21:25.920 --> 0:21:29.080
<v Speaker 1>he was writing this train, it rides from one body

0:21:29.119 --> 0:21:33.359
<v Speaker 1>to the next. He knew things about me, things he

0:21:33.400 --> 0:21:37.040
<v Speaker 1>had no reason to know. A great story teller, but

0:21:37.200 --> 0:21:40.239
<v Speaker 1>a trickster. You were lucky you were not taken in

0:21:40.280 --> 0:21:44.639
<v Speaker 1>by it. And well not all the way, And it

0:21:44.760 --> 0:21:49.800
<v Speaker 1>knew about you more careful deception. These things are crafty.

0:21:50.520 --> 0:21:53.680
<v Speaker 1>It shifts its story to lure its prey. What means

0:21:53.760 --> 0:21:57.480
<v Speaker 1>you any different? You? In both of you? All of you?

0:21:58.160 --> 0:22:00.639
<v Speaker 1>You're not who you say you are. You're nothing but

0:22:00.720 --> 0:22:05.560
<v Speaker 1>a shadow, a lousy shadow, following me around, stirring up trouble.

0:22:06.400 --> 0:22:10.840
<v Speaker 1>But I am not going to hurt you. Where is

0:22:10.880 --> 0:22:16.040
<v Speaker 1>this train going? I told you home. Look, we're about

0:22:16.040 --> 0:22:22.800
<v Speaker 1>to cross the river. That's the bridge ahead, Harrow, get ready?

0:22:24.960 --> 0:22:28.320
<v Speaker 1>What are you doing to you? Do not need to

0:22:28.400 --> 0:23:02.920
<v Speaker 1>fear me? Great m Thirteen Days of Halloween, Devil's Night,

0:23:03.480 --> 0:23:08.320
<v Speaker 1>starring Carter Rockwood and Clancy Brown, Episode four The train

0:23:08.440 --> 0:23:12.800
<v Speaker 1>tracks written by Ben Bolan and Alexander Williams, featuring the

0:23:12.880 --> 0:23:17.400
<v Speaker 1>voice of Mark Hatfield. Editing and sound design by Trevor Young,

0:23:18.000 --> 0:23:23.640
<v Speaker 1>directed by Alexander Williams, Script supervision by Nicholas Takoski. Casting

0:23:23.720 --> 0:23:26.520
<v Speaker 1>by Sunday Bowling c s A and Meg Mormon c

0:23:26.800 --> 0:23:31.760
<v Speaker 1>s A. Production coordinator Wayna Calderon, Production assistants Zoe Shay

0:23:31.880 --> 0:23:36.480
<v Speaker 1>and Amber Ferris. Animal recording by Ben James, closing theme

0:23:36.640 --> 0:23:41.760
<v Speaker 1>by Rose Azerti. Loyalty Freak Music dot Com. Recorded at

0:23:41.840 --> 0:23:46.119
<v Speaker 1>d G Entertainment in Los Angeles, California. Engineered by Gary

0:23:46.160 --> 0:23:51.480
<v Speaker 1>Forbes and Jody Abbott. Executive producers Aaron Manky, Noah Finberg,

0:23:51.760 --> 0:23:57.240
<v Speaker 1>Chris Dicky, Matt Frederick and Alexander Williams. Supervising producers Trevor

0:23:57.320 --> 0:24:01.119
<v Speaker 1>Young and Josh Thane. Producers Jeff see Funk and rima

0:24:01.240 --> 0:24:05.520
<v Speaker 1>Il Kali. Thirteen Days of Halloween was created by Matt

0:24:05.560 --> 0:24:08.800
<v Speaker 1>Frederick and Alexander Williams and is a production of I

0:24:08.920 --> 0:24:12.399
<v Speaker 1>Heeart three D Audio, Blumhouse Television and Grim and Mild

0:24:12.480 --> 0:24:15.560
<v Speaker 1>from Aaron Maankeey. Learn more about the show at Grim

0:24:15.560 --> 0:24:19.120
<v Speaker 1>and Mild dot com, slash thirteen Days and find more

0:24:19.160 --> 0:24:21.600
<v Speaker 1>podcasts from I heart Radio by visiting the i heart

0:24:21.640 --> 0:24:24.800
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:24:24.840 --> 0:24:25.560
<v Speaker 1>favorite shows