1 00:00:00,000 --> 00:00:02,880 Speaker 1: Hey, guys, welcome to another episode of Selective Ignorance. However, 2 00:00:03,000 --> 00:00:05,320 Speaker 1: before we get to this week's episode, I want to 3 00:00:05,360 --> 00:00:09,120 Speaker 1: remind you guys to purchase my book No Holds Barred, 4 00:00:09,240 --> 00:00:12,319 Speaker 1: a dual manifesto of sexual exploration and power. So feel 5 00:00:12,320 --> 00:00:16,320 Speaker 1: free to go to your local bookstores preferably queer owned, 6 00:00:16,440 --> 00:00:19,160 Speaker 1: black owned, or woman owned to support them, but also 7 00:00:19,320 --> 00:00:23,479 Speaker 1: just click the button on Amazon, Barnes and Nobles, or 8 00:00:23,520 --> 00:00:27,600 Speaker 1: wherever you read your books. Again. That is No Holds Barred, 9 00:00:27,680 --> 00:00:31,280 Speaker 1: a dual manifesto of sexual exploration and power, written by 10 00:00:31,320 --> 00:00:35,519 Speaker 1: yours truly and my co host of the Decisions Decisions podcast, Weezy. 11 00:00:35,800 --> 00:00:37,960 Speaker 1: Make sure y'all get that. Now, let's get to this 12 00:00:38,000 --> 00:00:41,280 Speaker 1: week's episode. This is Mandy Be. Welcome to Selective Ignorance, 13 00:00:41,320 --> 00:00:44,360 Speaker 1: a production of The Black Effect Podcast Network and Iartradio. 14 00:00:45,240 --> 00:00:49,000 Speaker 1: Welcome to another episode of Selective Ignorance, the show where 15 00:00:49,080 --> 00:00:52,559 Speaker 1: nuance still matters, the great area gets center stage, and 16 00:00:52,600 --> 00:00:55,640 Speaker 1: we're not afraid to ask the questions that piss off 17 00:00:55,800 --> 00:00:58,800 Speaker 1: both sides. I'm your host, Mandy Be and New York 18 00:00:58,840 --> 00:01:02,280 Speaker 1: Times bestseller, and we're talking today about new media, the good, 19 00:01:02,360 --> 00:01:05,400 Speaker 1: the bad, and the brain numbing So here's the thing. 20 00:01:05,840 --> 00:01:08,840 Speaker 1: We live in a time where everyone has a microphone, yep, 21 00:01:08,880 --> 00:01:12,240 Speaker 1: even me, but somehow fewer people seem to be saying 22 00:01:12,400 --> 00:01:18,280 Speaker 1: anything worth listening to. Opinions are everywhere outrageous, constant facts occasional, 23 00:01:18,720 --> 00:01:22,919 Speaker 1: but the signal to noise ratio yep, it's getting harder 24 00:01:22,959 --> 00:01:25,640 Speaker 1: to hear the truth over the hot takes. And here's 25 00:01:25,680 --> 00:01:28,480 Speaker 1: a twist. People love to shout about the First Amendment 26 00:01:28,800 --> 00:01:32,039 Speaker 1: free speech. They out when it's something they agree with, 27 00:01:32,280 --> 00:01:37,200 Speaker 1: But let someone say something uncomfortable or inconvenient, or god forbid, 28 00:01:37,400 --> 00:01:40,559 Speaker 1: actually thought provoking and subtly, the same folks are calling 29 00:01:40,600 --> 00:01:45,560 Speaker 1: for bands blocks, boycotts, and removing microphones from podcasters. So 30 00:01:45,760 --> 00:01:49,400 Speaker 1: is it freedom or is it just freedom for your side? Now, 31 00:01:49,400 --> 00:01:52,880 Speaker 1: with the rise of new media YouTube, TikTok, podcasts, streaming, 32 00:01:53,240 --> 00:01:56,880 Speaker 1: it seems like traditional journalism is either dying or desperately 33 00:01:56,960 --> 00:01:59,160 Speaker 1: trying to keep up. But is that a good thing? 34 00:01:59,560 --> 00:02:03,680 Speaker 1: Are we democketizing information or just diluting it? Sometimes I 35 00:02:03,720 --> 00:02:07,800 Speaker 1: wonder is all this constant content making us more informed 36 00:02:08,680 --> 00:02:12,320 Speaker 1: or more distracted? Are we building knowledge or just binging noise? 37 00:02:12,360 --> 00:02:14,640 Speaker 1: And here's my personal tug of war. Part of me 38 00:02:14,840 --> 00:02:17,760 Speaker 1: loves the chaos of new media. Y'all know that because 39 00:02:17,800 --> 00:02:21,880 Speaker 1: I am chaos. The creativity, the access, the diversity of voices. 40 00:02:22,280 --> 00:02:26,160 Speaker 1: But another part of me misses the standards, the accountability, 41 00:02:26,160 --> 00:02:30,240 Speaker 1: the actual editing of traditional journalism. I'm stuck between CNN 42 00:02:30,680 --> 00:02:32,400 Speaker 1: and some dude in his basement with a ring light, 43 00:02:32,560 --> 00:02:36,360 Speaker 1: and honestly, I don't know which one's telling me the truth, 44 00:02:36,480 --> 00:02:39,480 Speaker 1: nor sometimes do I care. So today we're diving deep. 45 00:02:39,919 --> 00:02:42,240 Speaker 1: Is new media better or worse than the old guard? 46 00:02:42,680 --> 00:02:46,760 Speaker 1: Is entertainment taking priority over real information? And maybe the 47 00:02:46,760 --> 00:02:51,239 Speaker 1: biggest question, are we getting smarter or are we selectively 48 00:02:51,360 --> 00:02:58,960 Speaker 1: choosing to stay ignorant. Welcome, y'all. I am joined today 49 00:03:00,080 --> 00:03:08,080 Speaker 1: always with my super producers A King and Jadson, And 50 00:03:08,080 --> 00:03:10,959 Speaker 1: then I'm also joined by someone You guys were recently 51 00:03:11,080 --> 00:03:16,920 Speaker 1: introduced to my good, long standing friend Job. I'm really 52 00:03:16,919 --> 00:03:20,480 Speaker 1: excited to talk to these fellas because they have all 53 00:03:20,520 --> 00:03:24,840 Speaker 1: been a part of the media landscape for probably Jason, 54 00:03:24,880 --> 00:03:27,359 Speaker 1: you old hasn't been like thirty years, twenty twenty five. 55 00:03:30,840 --> 00:03:34,320 Speaker 2: Man, the sound design is gonna be crazy. 56 00:03:34,720 --> 00:03:37,800 Speaker 1: I mean, how long have you have you been been 57 00:03:37,840 --> 00:03:38,320 Speaker 1: doing this? 58 00:03:39,600 --> 00:03:41,640 Speaker 2: Over twenty years? Since two thousand and one. 59 00:03:41,800 --> 00:03:46,200 Speaker 1: Damn since I was in pairpers old as I thought, 60 00:03:46,280 --> 00:03:49,600 Speaker 1: I met your babysitting John, what about you? 61 00:03:49,840 --> 00:03:54,840 Speaker 3: I started this in two thousand and ten. Yep, that's yes, ten. 62 00:03:54,760 --> 00:03:57,880 Speaker 1: We were in the same thing. Lay damn. Have I 63 00:03:57,920 --> 00:03:59,360 Speaker 1: had fifteen years of this shit? 64 00:03:59,560 --> 00:04:00,000 Speaker 4: Yeah? 65 00:04:00,240 --> 00:04:02,160 Speaker 1: Oh shit, I'm old too. 66 00:04:02,320 --> 00:04:03,960 Speaker 2: Put some put some creaky sounds there. 67 00:04:04,080 --> 00:04:07,200 Speaker 1: Yeah, don't don't. It's funny because I've been potting for 68 00:04:07,200 --> 00:04:10,080 Speaker 1: eight years and that seems like a century. But I 69 00:04:10,120 --> 00:04:14,360 Speaker 1: started in the blog era back in twenty ten. So yeah, 70 00:04:14,720 --> 00:04:17,839 Speaker 1: you was full core pumps and did the owner of 71 00:04:17,880 --> 00:04:18,360 Speaker 1: full Court? 72 00:04:19,839 --> 00:04:20,080 Speaker 3: Yeah? 73 00:04:20,320 --> 00:04:24,200 Speaker 1: Yeah, and then a king You were you in this space? 74 00:04:24,279 --> 00:04:25,920 Speaker 1: I know you were music, but were you in this 75 00:04:26,000 --> 00:04:28,479 Speaker 1: space prior to combat Jack? 76 00:04:28,600 --> 00:04:29,800 Speaker 3: Yeah? Yeah, absolutely? 77 00:04:29,880 --> 00:04:30,480 Speaker 1: And what past? 78 00:04:30,920 --> 00:04:34,560 Speaker 5: So the journey, The journey starts after college, just trying 79 00:04:34,560 --> 00:04:35,839 Speaker 5: to figure it out because I was trying to find 80 00:04:35,839 --> 00:04:37,600 Speaker 5: my way to radio because that's how I was doing college. 81 00:04:38,360 --> 00:04:41,000 Speaker 5: And then real quick and we could talk about this 82 00:04:41,040 --> 00:04:44,320 Speaker 5: another time. I plan on doing something extensive, but a 83 00:04:44,400 --> 00:04:49,480 Speaker 5: Craigslist ad led me to internet radio stations. 84 00:04:48,360 --> 00:04:49,720 Speaker 1: Has led me to a lot of other things. 85 00:04:49,720 --> 00:04:53,560 Speaker 5: I was going to say that I definitely thought it 86 00:04:53,560 --> 00:04:57,200 Speaker 5: was sankey what and I was like Dumbo Brooklyn at 87 00:04:57,200 --> 00:05:00,839 Speaker 5: that time. Listen, I'm from Easter. It was four parts 88 00:05:00,839 --> 00:05:02,240 Speaker 5: of Brooklyn. That's it, you know what I mean. So 89 00:05:02,279 --> 00:05:04,839 Speaker 5: I like Dumbo. What the hell is Dumbo? So I 90 00:05:04,880 --> 00:05:07,400 Speaker 5: went there. It was this establishment called P and C Radio, 91 00:05:07,920 --> 00:05:12,880 Speaker 5: and that's when this space because that was the we 92 00:05:12,880 --> 00:05:15,320 Speaker 5: were trying to figure out. SoundCloud was there, and so 93 00:05:15,360 --> 00:05:17,320 Speaker 5: what we would do we would do live. We would 94 00:05:17,360 --> 00:05:19,159 Speaker 5: do what we're doing now live and then take the 95 00:05:19,160 --> 00:05:22,000 Speaker 5: audio and archiving on SoundCloud and put it out on 96 00:05:22,040 --> 00:05:22,440 Speaker 5: the internet. 97 00:05:22,600 --> 00:05:23,760 Speaker 1: So y'all created podcasts. 98 00:05:23,800 --> 00:05:26,159 Speaker 3: So that's what I'm saying, So you are the creator. 99 00:05:27,000 --> 00:05:28,960 Speaker 5: So it was a dude, actually, this kid named I 100 00:05:28,960 --> 00:05:31,039 Speaker 5: don't know if his handled still the same, but his 101 00:05:31,120 --> 00:05:31,800 Speaker 5: name was Sell Cracked. 102 00:05:31,839 --> 00:05:32,279 Speaker 3: The kids. 103 00:05:32,440 --> 00:05:34,760 Speaker 5: He used to always say, Yo, you guys are doing 104 00:05:34,760 --> 00:05:38,120 Speaker 5: this podcasting, you should put this on iTunes? Like what 105 00:05:38,160 --> 00:05:40,919 Speaker 5: the fuck are you talking about? And then that's the 106 00:05:41,080 --> 00:05:44,480 Speaker 5: part of the genesis. But yeah, but that was adjacent 107 00:05:44,520 --> 00:05:47,680 Speaker 5: to the blog era because all of the people who 108 00:05:47,880 --> 00:05:52,000 Speaker 5: I my ecosystem were writers, and you go out to 109 00:05:52,400 --> 00:05:55,880 Speaker 5: the events you start. We talked about Big crit earlier. Right, 110 00:05:56,160 --> 00:05:59,040 Speaker 5: we're entering the era where we get the blog era rappers. 111 00:05:59,080 --> 00:06:00,000 Speaker 5: They used to come to New York. 112 00:06:00,320 --> 00:06:00,760 Speaker 3: Kendrick. 113 00:06:01,560 --> 00:06:06,680 Speaker 5: They create currency, Jay Electronica and j Electronica from my space, right, 114 00:06:07,160 --> 00:06:10,560 Speaker 5: So just think about that Lupe Fiasco all of those guys, 115 00:06:10,800 --> 00:06:12,120 Speaker 5: So they all would come to New York and that 116 00:06:12,200 --> 00:06:15,240 Speaker 5: became part of somebody gotta interview him. You got to 117 00:06:15,240 --> 00:06:18,279 Speaker 5: create these platforms for those guys. So yeah, but this 118 00:06:18,360 --> 00:06:20,599 Speaker 5: is what's crazy about him even telling that story. I 119 00:06:20,720 --> 00:06:23,280 Speaker 5: met Jason and A King for the first time at 120 00:06:23,320 --> 00:06:24,120 Speaker 5: P and C Radio. 121 00:06:24,360 --> 00:06:28,880 Speaker 4: Around the same time that we met, I was coming 122 00:06:28,920 --> 00:06:30,760 Speaker 4: to New York a lot just to get involved in 123 00:06:30,800 --> 00:06:32,640 Speaker 4: what was going on because I was working in Boston 124 00:06:32,760 --> 00:06:36,560 Speaker 4: and that's why I d M Dallas Penn Recipes Dallas 125 00:06:36,600 --> 00:06:39,200 Speaker 4: Penn and we would go back and forth, and I 126 00:06:39,320 --> 00:06:40,680 Speaker 4: was like, I'm coming up to New York. 127 00:06:40,720 --> 00:06:42,600 Speaker 6: He was like, oh, well, we're doing this show at 128 00:06:42,600 --> 00:06:45,960 Speaker 6: this place called P and C Radio. Crazy Jason, I 129 00:06:45,960 --> 00:06:53,320 Speaker 6: think Boston was there. I think, uh uh, what is 130 00:06:53,360 --> 00:06:56,800 Speaker 6: my man's name. I want to say, this is crazy 131 00:06:57,000 --> 00:06:58,320 Speaker 6: Butcher this man's name I want to call him? 132 00:06:58,360 --> 00:06:58,440 Speaker 3: Right? 133 00:06:58,480 --> 00:07:02,480 Speaker 6: Heem not right, no, no, no, Ramen Romen okay, Roman 134 00:07:02,560 --> 00:07:06,040 Speaker 6: Deuce was there, I think and everybody. Shah, he was there, 135 00:07:06,080 --> 00:07:07,360 Speaker 6: I think, and that was that was my first time 136 00:07:07,400 --> 00:07:11,480 Speaker 6: meeting a ship. This is the media in New York 137 00:07:11,960 --> 00:07:14,200 Speaker 6: like all in this and and and everybody. 138 00:07:14,400 --> 00:07:16,840 Speaker 5: The whole goal was how do we get to see 139 00:07:16,840 --> 00:07:19,560 Speaker 5: at the table of what was dominating radio at the 140 00:07:19,560 --> 00:07:23,400 Speaker 5: time in New York without So that was that. 141 00:07:23,400 --> 00:07:25,080 Speaker 1: Was the part of me moving here though like New 142 00:07:25,160 --> 00:07:26,640 Speaker 1: York radio was the pinnacle. 143 00:07:26,920 --> 00:07:28,880 Speaker 3: It was like you was the media period. 144 00:07:29,000 --> 00:07:32,240 Speaker 5: And then once things was started to shift a little bit, 145 00:07:32,280 --> 00:07:35,040 Speaker 5: we had another We now have another radio station, another 146 00:07:35,400 --> 00:07:39,119 Speaker 5: hip hop R and B radio station that emerged, right, 147 00:07:39,240 --> 00:07:41,640 Speaker 5: so now we have two. But then you still needed 148 00:07:42,080 --> 00:07:44,680 Speaker 5: the Internet's like, yo, we gotta what's this ship about? 149 00:07:44,760 --> 00:07:48,080 Speaker 5: Everybody's writing and then it's just a line. 150 00:07:47,680 --> 00:07:50,480 Speaker 1: Now such a that was such a great nickname for 151 00:07:50,520 --> 00:07:52,520 Speaker 1: your listeners, the Internet. 152 00:07:52,880 --> 00:07:56,320 Speaker 5: Internet's well that was that was That's that's Dallas that 153 00:07:56,320 --> 00:07:57,000 Speaker 5: did that. 154 00:07:56,840 --> 00:07:57,280 Speaker 3: That was his. 155 00:07:57,560 --> 00:07:59,840 Speaker 5: That was his way of saying, Yo, you gotta the 156 00:08:00,120 --> 00:08:05,760 Speaker 5: es for for for the supreme idea of creatives, right, 157 00:08:06,080 --> 00:08:07,480 Speaker 5: you put the s on it. That's why I hate 158 00:08:07,480 --> 00:08:10,720 Speaker 5: when people say internets. That's corny, like you can't even 159 00:08:11,040 --> 00:08:14,440 Speaker 5: like what is internet? Is Internet? But that was just 160 00:08:14,480 --> 00:08:18,200 Speaker 5: the interconnected networks right of this of how we're able 161 00:08:18,240 --> 00:08:22,800 Speaker 5: to we're here right here. Yeah, I mean you were 162 00:08:22,880 --> 00:08:25,680 Speaker 5: doing your thing in twenty Oh wow. 163 00:08:26,520 --> 00:08:28,880 Speaker 6: That that that's that's the photo that we took that well, 164 00:08:29,440 --> 00:08:32,320 Speaker 6: I think you might have took the photo Jason. 165 00:08:33,960 --> 00:08:42,960 Speaker 1: Hold on Jason's scarf game. Y'all have to see this. 166 00:08:43,040 --> 00:08:43,360 Speaker 1: I'm good. 167 00:08:43,559 --> 00:08:50,240 Speaker 3: Oh no, let's not get it twisted. Jason and John. 168 00:08:50,240 --> 00:08:52,400 Speaker 5: I don't know for the Jays, but these two are 169 00:08:52,400 --> 00:08:57,280 Speaker 5: fit masters, stellar like we see j on the virtual 170 00:08:57,440 --> 00:08:59,959 Speaker 5: but no, his fit game is crazy to scarf was 171 00:09:00,120 --> 00:09:04,839 Speaker 5: nasty him and they was running m t V at 172 00:09:04,840 --> 00:09:07,240 Speaker 5: the time on the hip hop side. That's what even 173 00:09:07,120 --> 00:09:10,439 Speaker 5: to these guys is like, oh ship, yo, we need 174 00:09:10,480 --> 00:09:11,000 Speaker 5: to do something. 175 00:09:11,120 --> 00:09:13,760 Speaker 1: I mean, I think I think for why I chose 176 00:09:13,800 --> 00:09:17,560 Speaker 1: to work with y'all on this, like y'all's history and 177 00:09:17,720 --> 00:09:21,840 Speaker 1: time spent in this space is why for y'all listening, 178 00:09:22,160 --> 00:09:24,880 Speaker 1: these niggas is gonna always be on the microphone so 179 00:09:24,920 --> 00:09:28,480 Speaker 1: y'all can hear from these legends. Okay, I'm doing this 180 00:09:28,520 --> 00:09:30,000 Speaker 1: space kind of not really. 181 00:09:29,960 --> 00:09:30,480 Speaker 3: Not really. 182 00:09:31,400 --> 00:09:34,880 Speaker 1: I did though. Before we we get going, kind of 183 00:09:34,920 --> 00:09:38,840 Speaker 1: a quick catch up on all the things y'all know 184 00:09:39,120 --> 00:09:42,080 Speaker 1: I announced that I'm now on black Effect. I'm also 185 00:09:42,120 --> 00:09:43,760 Speaker 1: a New York Times best settler. 186 00:09:46,400 --> 00:09:50,559 Speaker 3: That goes in italics, but also. 187 00:09:50,360 --> 00:09:55,119 Speaker 1: Our super producer A King just joined the Recording Academy. 188 00:09:56,000 --> 00:10:00,440 Speaker 1: So what what okay? And and in your law caption 189 00:10:00,559 --> 00:10:03,160 Speaker 1: in your beautiful you know asset that they gave you 190 00:10:03,200 --> 00:10:06,640 Speaker 1: to post on your social like, what does being a 191 00:10:06,679 --> 00:10:10,720 Speaker 1: part of the Recording Academy mean? Because even in the 192 00:10:10,760 --> 00:10:13,360 Speaker 1: caption it read that you're able to have input on 193 00:10:14,080 --> 00:10:18,719 Speaker 1: Grammy Award nominations and winners, like are you a part 194 00:10:18,720 --> 00:10:20,400 Speaker 1: of the voting? But what does that look like to 195 00:10:20,440 --> 00:10:20,920 Speaker 1: be a part of the. 196 00:10:20,920 --> 00:10:22,640 Speaker 3: Recording process that you know what I mean? 197 00:10:22,679 --> 00:10:26,439 Speaker 5: This is just more on the you know, just having 198 00:10:26,440 --> 00:10:30,000 Speaker 5: an opportunity to advocate, okay, and being a part of 199 00:10:30,000 --> 00:10:34,040 Speaker 5: that ecosystem and you know, just journey, journey your way 200 00:10:34,080 --> 00:10:37,040 Speaker 5: through the chambers of of what that looks like. 201 00:10:37,280 --> 00:10:40,160 Speaker 1: So then can I ask you your thoughts on them 202 00:10:40,320 --> 00:10:47,480 Speaker 1: recently announcing hold on, hold on now, can't you yourself? 203 00:10:48,320 --> 00:10:49,560 Speaker 1: I would just like to know. 204 00:10:53,880 --> 00:10:57,760 Speaker 3: I can't no more now, I'm like, I can't cuss somebody. 205 00:10:57,800 --> 00:10:59,720 Speaker 3: I'm just saying. 206 00:11:00,160 --> 00:11:02,080 Speaker 1: If you are now part of the Academy. I would 207 00:11:02,120 --> 00:11:05,240 Speaker 1: love to know your thoughts on them. Once Beyonce you 208 00:11:05,280 --> 00:11:10,400 Speaker 1: want a country or now they added contemporary country, so 209 00:11:10,760 --> 00:11:12,480 Speaker 1: kind of what are your thoughts on that? And are 210 00:11:12,480 --> 00:11:14,679 Speaker 1: we gonna even start seeing that? What do you think 211 00:11:14,679 --> 00:11:16,439 Speaker 1: it's something that you would consider. We had a whole 212 00:11:16,640 --> 00:11:20,080 Speaker 1: conversation about R and B, but R and B artists 213 00:11:20,080 --> 00:11:23,480 Speaker 1: actually do the same with how they identify their music. 214 00:11:23,840 --> 00:11:26,319 Speaker 1: So what are your thoughts on them adding that contemporary 215 00:11:26,360 --> 00:11:29,600 Speaker 1: country after Beyonce won the Country Grammy last year. 216 00:11:29,640 --> 00:11:31,199 Speaker 5: I think they do a great job of listening to 217 00:11:31,280 --> 00:11:33,240 Speaker 5: the people, and I think you have people in place 218 00:11:33,640 --> 00:11:38,160 Speaker 5: who are members that are tapped into what you know, culturally, 219 00:11:38,160 --> 00:11:41,000 Speaker 5: what people are saying, and where it is an opportunity 220 00:11:41,080 --> 00:11:43,400 Speaker 5: for them to at least that's what it looks like 221 00:11:43,440 --> 00:11:46,520 Speaker 5: for me. Wherever there's an opportunity for them to make 222 00:11:46,559 --> 00:11:52,240 Speaker 5: the make that sort of pivot to cater toward those requests, 223 00:11:52,360 --> 00:11:53,160 Speaker 5: I think they do it. 224 00:11:53,720 --> 00:11:55,760 Speaker 3: Okay, now you've. 225 00:11:55,600 --> 00:12:00,880 Speaker 1: Been media training, Oh I got that. 226 00:12:01,080 --> 00:12:02,920 Speaker 3: Yeah, but you kill that. 227 00:12:03,120 --> 00:12:06,079 Speaker 5: But I think also too, there was an outcry for 228 00:12:06,679 --> 00:12:08,760 Speaker 5: you know, there's a big conversation about her and her 229 00:12:08,760 --> 00:12:12,040 Speaker 5: placement in country music, and I think that they were 230 00:12:12,080 --> 00:12:16,120 Speaker 5: listening to that and they're kind of catering to partly 231 00:12:16,200 --> 00:12:19,600 Speaker 5: the noise around it and also the honesty around it, 232 00:12:19,679 --> 00:12:23,240 Speaker 5: you know, and where we're at today in twenty twenty four, these. 233 00:12:23,200 --> 00:12:26,240 Speaker 1: People to the streets. Yeah, they better go ahead and 234 00:12:26,280 --> 00:12:29,480 Speaker 1: add contemporary rock because Act three is supposed to be 235 00:12:29,640 --> 00:12:31,200 Speaker 1: rock from Beyonce. 236 00:12:31,240 --> 00:12:33,760 Speaker 6: And she's probably not the only ones. I think there's 237 00:12:33,800 --> 00:12:38,080 Speaker 6: about to be an emergence of black rock artists. 238 00:12:37,720 --> 00:12:39,840 Speaker 3: Who are going to be that not my prediction. 239 00:12:40,120 --> 00:12:42,080 Speaker 6: Yeah, I think that's going to be a thing in 240 00:12:42,120 --> 00:12:43,800 Speaker 6: the next five to ten years. I think you're going 241 00:12:43,880 --> 00:12:48,520 Speaker 6: to see a lot of alternative acts. One come in 242 00:12:48,559 --> 00:12:50,439 Speaker 6: particular that I know of that we'll talk about it 243 00:12:50,559 --> 00:12:51,560 Speaker 6: later on, But like. 244 00:12:52,400 --> 00:12:53,600 Speaker 3: I think that's about to be a thing. 245 00:12:54,040 --> 00:12:56,720 Speaker 6: My question for that, I only asked about the contemporary 246 00:12:56,720 --> 00:13:00,840 Speaker 6: country thing is I'm interested to watch the history of 247 00:13:00,880 --> 00:13:05,040 Speaker 6: it to see if it is does contemporary country mean 248 00:13:05,600 --> 00:13:09,680 Speaker 6: black or does contemporary country mean well, I guess my 249 00:13:09,760 --> 00:13:14,520 Speaker 6: question is like, is it the sound or the awards? 250 00:13:14,520 --> 00:13:16,599 Speaker 6: Who will be nominated for these awards? It's going to 251 00:13:16,640 --> 00:13:19,320 Speaker 6: be mostly black people in contemporary is like urban. 252 00:13:19,480 --> 00:13:23,079 Speaker 2: Urban or if you're designed to be they would say 253 00:13:23,080 --> 00:13:24,120 Speaker 2: it's designed to be young. 254 00:13:24,280 --> 00:13:26,079 Speaker 3: Sure, we would probably. 255 00:13:25,800 --> 00:13:28,320 Speaker 2: Interpret it's like urban. But that's the point. That's the 256 00:13:28,320 --> 00:13:30,800 Speaker 2: point of them like getting a king, which it's a 257 00:13:30,800 --> 00:13:32,320 Speaker 2: big deal, Like we should clap it up from it's 258 00:13:32,320 --> 00:13:35,880 Speaker 2: a big deal because it's not going to have like 259 00:13:36,040 --> 00:13:39,920 Speaker 2: more voices that input that. Like you know, culture moves slow, right, 260 00:13:39,960 --> 00:13:42,000 Speaker 2: so some people who are like in the streets and 261 00:13:42,040 --> 00:13:44,160 Speaker 2: the know, who can like exactly like you said, John, 262 00:13:44,240 --> 00:13:46,480 Speaker 2: like there's gonna be this movement. I'm gonna say re 263 00:13:46,520 --> 00:13:49,960 Speaker 2: emerging because you're correct re emerging. So it's like you 264 00:13:50,000 --> 00:13:51,679 Speaker 2: see it so like when you're in a room, you 265 00:13:51,679 --> 00:13:52,520 Speaker 2: have that influence. 266 00:13:52,559 --> 00:13:55,720 Speaker 1: And I'm just curious design to do that. I'm curious. 267 00:13:56,000 --> 00:13:56,400 Speaker 2: I don't know. 268 00:13:56,480 --> 00:13:59,680 Speaker 1: Y'all brought up color and even like age, it's going 269 00:13:59,760 --> 00:14:03,360 Speaker 1: to be interesting how you justify that to like just 270 00:14:03,400 --> 00:14:07,560 Speaker 1: based on overall eras essentially, like what is a new sound, 271 00:14:07,640 --> 00:14:10,600 Speaker 1: especially if they're singing about the same ship, hopping on horses, 272 00:14:11,040 --> 00:14:15,840 Speaker 1: drinking whiskey, like also the it's still talking about the same. 273 00:14:15,640 --> 00:14:17,760 Speaker 2: Ship, but if it hasn't eight or eight underneath of it? 274 00:14:17,960 --> 00:14:20,720 Speaker 6: Okay, But but that's why I asked that question because 275 00:14:20,800 --> 00:14:24,800 Speaker 6: contemporary country. When I think contemporary country, I think country 276 00:14:24,840 --> 00:14:29,120 Speaker 6: with trap beats. I think Kozy, I think of Adele Tanner, 277 00:14:29,240 --> 00:14:31,560 Speaker 6: I think of some of. 278 00:14:31,560 --> 00:14:35,840 Speaker 3: The stuff to beyond. Right. 279 00:14:36,760 --> 00:14:39,080 Speaker 6: So it's like that sound is what I think about 280 00:14:39,120 --> 00:14:42,720 Speaker 6: contemporary country. Because if you're not doing that sound, that 281 00:14:42,840 --> 00:14:46,280 Speaker 6: young sound that Jason is talking about, then what Morgan 282 00:14:46,320 --> 00:14:48,680 Speaker 6: Wiland They're not gonna put in contemporary country. 283 00:14:48,960 --> 00:14:51,040 Speaker 3: They're not gonna put uh. 284 00:14:51,080 --> 00:14:53,920 Speaker 6: Randy Travis or who a Reba McIntyre or whoever else 285 00:14:53,920 --> 00:14:56,360 Speaker 6: puts out an album that year in that spot Dixie Chick. 286 00:14:56,760 --> 00:15:00,080 Speaker 2: Even though Morgan Wiland has he flows with it a. 287 00:15:00,040 --> 00:15:01,600 Speaker 3: Little bit with it. And what's what's the what's the 288 00:15:01,640 --> 00:15:02,920 Speaker 3: black brother's name? King? 289 00:15:06,400 --> 00:15:13,720 Speaker 1: Where does he leave nigga? That nigga by Rachel. 290 00:15:14,720 --> 00:15:21,680 Speaker 6: Jacob God bless God, Bless God, Bless God, Bless God, bless. 291 00:15:19,600 --> 00:15:23,240 Speaker 1: Bless because he's seen as he's not the Drake. Then, 292 00:15:23,280 --> 00:15:31,760 Speaker 1: because Drake is being questioned on his blackness, j Cole is, we. 293 00:15:31,800 --> 00:15:35,800 Speaker 3: Got to revisit Many's rule of summer ship. Every everything. 294 00:15:37,720 --> 00:15:47,880 Speaker 1: Actually we are not bringing up episode. Let's get into 295 00:15:47,960 --> 00:15:51,440 Speaker 1: our new segment, especially because we have a guest this 296 00:15:51,480 --> 00:15:54,840 Speaker 1: week that can join in on his thoughts. If you 297 00:15:54,880 --> 00:15:58,280 Speaker 1: are unfamiliar, this is the double down or take it back. 298 00:15:58,680 --> 00:16:01,240 Speaker 1: This is where I play a clip of my own 299 00:16:01,320 --> 00:16:06,720 Speaker 1: thoughts and views and accountability. I like to believe I 300 00:16:06,760 --> 00:16:10,160 Speaker 1: have something you know, and so basically I'll play a 301 00:16:10,200 --> 00:16:13,040 Speaker 1: clip from any of the various pods that I've been on, 302 00:16:13,680 --> 00:16:16,920 Speaker 1: either my own decisions decisions, maybe a previous selective ignorance clip, 303 00:16:17,240 --> 00:16:19,560 Speaker 1: or any of the other pods I go on, and 304 00:16:19,600 --> 00:16:23,400 Speaker 1: based on the response the outrage in the comments is 305 00:16:23,600 --> 00:16:26,800 Speaker 1: how I decide what I bring back to the show 306 00:16:26,880 --> 00:16:30,040 Speaker 1: to either again double down what the fuck I said, 307 00:16:30,440 --> 00:16:33,040 Speaker 1: or take it back because y'all, y'all might have some credence. 308 00:16:33,800 --> 00:16:35,480 Speaker 1: So Jason, you want to queue up the clip so 309 00:16:35,520 --> 00:16:36,280 Speaker 1: that John can hear it? 310 00:16:38,200 --> 00:16:40,520 Speaker 2: Apparent is your largest asset you're gonna. 311 00:16:40,280 --> 00:16:43,600 Speaker 1: Do some Do you agree or disagree if your height 312 00:16:43,680 --> 00:16:46,240 Speaker 1: is your largest asset or you're gonna play basketball? Nope, 313 00:16:46,280 --> 00:16:47,080 Speaker 1: not the same. 314 00:16:47,080 --> 00:16:48,520 Speaker 3: I kind of like to that a little bit. 315 00:16:48,520 --> 00:16:51,320 Speaker 1: One of the things that they don't talk about pretty 316 00:16:51,320 --> 00:16:55,640 Speaker 1: privilege often is the unfortunate. You may be at more 317 00:16:55,760 --> 00:17:00,600 Speaker 1: risk to get sexually assaulted, sexually harassed, and unfortunately end 318 00:17:00,720 --> 00:17:03,400 Speaker 1: up in a lifestyle that was forced upon you because 319 00:17:03,640 --> 00:17:06,560 Speaker 1: maybe because you're so attractive, you didn't really have to 320 00:17:06,600 --> 00:17:08,639 Speaker 1: be smart, So the direction for you wasn't to go 321 00:17:08,640 --> 00:17:11,800 Speaker 1: to school. You never were forced to be in position 322 00:17:11,880 --> 00:17:16,080 Speaker 1: of competition because you always won, or like me, where 323 00:17:16,200 --> 00:17:19,199 Speaker 1: I don't think I was at all the prettiest in 324 00:17:19,280 --> 00:17:22,000 Speaker 1: my teens. My circle was full of pretty girls. They 325 00:17:22,000 --> 00:17:23,600 Speaker 1: did a lot of whole ship, and they brought me 326 00:17:23,600 --> 00:17:25,239 Speaker 1: in the whole ship. We brought each other in the 327 00:17:25,240 --> 00:17:25,760 Speaker 1: whole shit. 328 00:17:28,320 --> 00:17:35,080 Speaker 6: So you stepped on every landmine. I'm not gonna lie fluid, 329 00:17:36,119 --> 00:17:37,399 Speaker 6: just just. 330 00:17:37,359 --> 00:17:40,160 Speaker 3: Crip walked across. 331 00:17:41,000 --> 00:17:46,840 Speaker 1: You said that because I got blue. Okay, So the 332 00:17:46,960 --> 00:17:50,879 Speaker 1: outrage in the comments heavily lean towards although you mentioned 333 00:17:50,880 --> 00:17:55,119 Speaker 1: all the landmines I stepped on. The comments heavily leaned 334 00:17:55,119 --> 00:17:58,480 Speaker 1: into the fact that you do not have to be 335 00:17:58,560 --> 00:18:03,200 Speaker 1: attractive to be sectual assaulted or sexually harassed. Now, sure, 336 00:18:05,040 --> 00:18:09,560 Speaker 1: what is wet? My nigga men are monsters, and yeah, 337 00:18:09,720 --> 00:18:13,800 Speaker 1: they will fuck a chicken sandwich. I am aware that 338 00:18:14,520 --> 00:18:19,399 Speaker 1: your attractiveness is not the only identified you know, the 339 00:18:19,560 --> 00:18:22,520 Speaker 1: identifier as to whether you are a victim of sexual 340 00:18:22,520 --> 00:18:29,119 Speaker 1: assault or sexual harassment. However, However, you end up maybe 341 00:18:29,160 --> 00:18:32,199 Speaker 1: working at clubs because of your attractiveness, and we know 342 00:18:32,600 --> 00:18:35,639 Speaker 1: what type of environment is in the clubs. You know 343 00:18:35,760 --> 00:18:39,240 Speaker 1: that if you walk into a place, like maybe someone 344 00:18:39,280 --> 00:18:41,600 Speaker 1: will graze you differently because you have this or like, 345 00:18:41,640 --> 00:18:44,160 Speaker 1: I'm sorry, I'm not taking that back. I do believe 346 00:18:44,400 --> 00:18:48,040 Speaker 1: that if you are the quote unquote standard of beauty, 347 00:18:48,480 --> 00:18:53,000 Speaker 1: you may be at a higher risk of being sexually assaulted. Now, 348 00:18:53,040 --> 00:18:56,879 Speaker 1: I did not say I did not say comprehension skills 349 00:18:56,880 --> 00:18:59,960 Speaker 1: are lost amongst us. I did not say that they 350 00:19:00,280 --> 00:19:02,879 Speaker 1: are like that's the standard to be sexually assaulted or 351 00:19:02,880 --> 00:19:06,480 Speaker 1: sexually harassment. I am aware that more women are that way. 352 00:19:06,640 --> 00:19:10,240 Speaker 1: They also said I liked accountability for becoming a hope. Now, listen, 353 00:19:11,480 --> 00:19:13,200 Speaker 1: you could be a whole looking like anything. 354 00:19:13,280 --> 00:19:13,760 Speaker 3: I get it. 355 00:19:14,240 --> 00:19:18,560 Speaker 1: But the access that I had in my eighteen to 356 00:19:18,680 --> 00:19:22,080 Speaker 1: early twenties, like as soon as bro I was hanging 357 00:19:22,080 --> 00:19:25,359 Speaker 1: around music INDUSTRYNI because I was hanging around athletes and 358 00:19:25,400 --> 00:19:28,120 Speaker 1: we just saw the goddamn Diddy trial. We know what 359 00:19:28,200 --> 00:19:32,360 Speaker 1: type of environment is you're exposed to when you are 360 00:19:32,680 --> 00:19:36,480 Speaker 1: around that sort of environment. So it's to me, I'm 361 00:19:36,560 --> 00:19:39,040 Speaker 1: not I'm not taking this back. I do think that 362 00:19:39,080 --> 00:19:42,480 Speaker 1: there's an element of pretty privilege that people don't want 363 00:19:42,520 --> 00:19:48,240 Speaker 1: to acknowledge. And I do also think that sometimes your 364 00:19:48,240 --> 00:19:52,040 Speaker 1: looks are are your best asset in a lot of places. 365 00:19:52,400 --> 00:19:55,520 Speaker 6: Well, here's the thing I say the obviously, yes, the 366 00:19:55,520 --> 00:19:58,240 Speaker 6: sexual assault, sexual harassment doesn't have a you can be 367 00:19:58,280 --> 00:20:00,639 Speaker 6: a penny or a dime like everywhere, it is what 368 00:20:00,680 --> 00:20:00,919 Speaker 6: it is. 369 00:20:01,240 --> 00:20:03,880 Speaker 3: From that standpoint, as far as hold them go, really. 370 00:20:12,160 --> 00:20:13,879 Speaker 1: Can't get rid of them to save their life. 371 00:20:17,680 --> 00:20:21,199 Speaker 6: But but to your point about hold them like any 372 00:20:21,480 --> 00:20:24,520 Speaker 6: any any number down the line of attractiveness can be 373 00:20:24,560 --> 00:20:24,960 Speaker 6: a whole. 374 00:20:25,040 --> 00:20:26,119 Speaker 3: But who are you hoeing with? 375 00:20:27,119 --> 00:20:27,159 Speaker 2: Like? 376 00:20:27,920 --> 00:20:32,320 Speaker 6: To your point like, if you around athletes, entertainers, actors, 377 00:20:32,320 --> 00:20:35,480 Speaker 6: whoever are certain uh I guess echelone of society for 378 00:20:35,560 --> 00:20:37,720 Speaker 6: lack of a better word, then yeah, you're probably gonna 379 00:20:37,720 --> 00:20:40,800 Speaker 6: be hoing with niggas who are of that ilk And 380 00:20:40,840 --> 00:20:43,320 Speaker 6: a lot of them niggas are entitled. A lot of 381 00:20:43,320 --> 00:20:45,000 Speaker 6: the niggas are monsters, and like you said, we just 382 00:20:45,400 --> 00:20:47,040 Speaker 6: a lot of the niggas have their own ship going on. 383 00:20:47,160 --> 00:20:51,760 Speaker 6: So it's just who are you being uh sexually harassed 384 00:20:51,800 --> 00:20:55,080 Speaker 6: or sexually assaulted by the people on the other side 385 00:20:55,520 --> 00:20:56,679 Speaker 6: You know, regular every day. 386 00:20:56,600 --> 00:20:59,520 Speaker 1: Joe's and I have to make a whole higherarchy. But yeah, 387 00:20:59,520 --> 00:21:02,439 Speaker 1: there's different between fucking for some rint money and fucking 388 00:21:02,440 --> 00:21:04,880 Speaker 1: for a ten piece, like you know what I mean. 389 00:21:04,920 --> 00:21:08,200 Speaker 1: Like there's a difference with with whatever you're getting. 390 00:21:07,960 --> 00:21:11,399 Speaker 5: Out of it too, and some people doing it do 391 00:21:11,480 --> 00:21:14,880 Speaker 5: it without realizing to after the fact, it's still an action. 392 00:21:15,280 --> 00:21:15,479 Speaker 3: I mean. 393 00:21:15,520 --> 00:21:17,840 Speaker 1: What's also crazy though, is like when we think of 394 00:21:18,040 --> 00:21:22,520 Speaker 1: this idea of looks being your asset right when you 395 00:21:23,160 --> 00:21:25,520 Speaker 1: when you are, especially as a woman, if you look 396 00:21:25,520 --> 00:21:30,680 Speaker 1: a certain way, you're pushed into the direction to do leading, cheerleading, 397 00:21:30,680 --> 00:21:35,120 Speaker 1: over basketball, You're pushed to maybe become a model, over 398 00:21:35,680 --> 00:21:38,920 Speaker 1: going to get your doctorate. Like even society will push 399 00:21:38,920 --> 00:21:41,440 Speaker 1: you to well, you're pretty, why don't you just go 400 00:21:41,600 --> 00:21:43,760 Speaker 1: do bottle service? They make a lot of money. Like 401 00:21:44,480 --> 00:21:47,200 Speaker 1: if you even go into like say a Starbucks, I've 402 00:21:47,200 --> 00:21:49,159 Speaker 1: seen people be like, oh, she's too pretty to be 403 00:21:49,200 --> 00:21:54,040 Speaker 1: working here. There's literally this mindset of your looks supposed 404 00:21:54,040 --> 00:21:56,760 Speaker 1: to be being able to get you to a different 405 00:21:57,119 --> 00:22:00,000 Speaker 1: place in life, and there's an access point. I don't 406 00:22:00,080 --> 00:22:04,600 Speaker 1: know why people act so like they don't understand nuanced 407 00:22:04,640 --> 00:22:07,200 Speaker 1: with certain clips and yeah, like some well. 408 00:22:07,119 --> 00:22:10,280 Speaker 6: Pretty people get attention. And that's not saying that other 409 00:22:10,320 --> 00:22:12,720 Speaker 6: people don't get attention. But if you're very attractive by 410 00:22:12,760 --> 00:22:15,960 Speaker 6: whatever standard, man, woman, whatever, people are going to be 411 00:22:15,960 --> 00:22:17,320 Speaker 6: looking at you, paying attention to you. 412 00:22:17,320 --> 00:22:18,800 Speaker 3: People are going to want to be in your orbit. 413 00:22:18,840 --> 00:22:20,880 Speaker 6: People are going to want to talk to you, and 414 00:22:20,920 --> 00:22:22,320 Speaker 6: everything else that goes in between. 415 00:22:22,920 --> 00:22:25,040 Speaker 1: I mean, I said it in I think our R 416 00:22:25,080 --> 00:22:28,600 Speaker 1: and B conversation. I think there are some artists that 417 00:22:28,680 --> 00:22:31,040 Speaker 1: would be a lot bigger if they were more attractive. 418 00:22:31,480 --> 00:22:34,159 Speaker 3: Yeah, visual media, I mean visual. 419 00:22:34,040 --> 00:22:35,520 Speaker 1: Like matters across this. 420 00:22:35,840 --> 00:22:38,640 Speaker 6: Like there's a reason that, like there's a trend of 421 00:22:38,680 --> 00:22:41,600 Speaker 6: like the bad bitch weather girl. There's a reason that 422 00:22:42,720 --> 00:22:46,040 Speaker 6: there's a reason that all of the women on ESPN 423 00:22:46,320 --> 00:22:48,480 Speaker 6: in Fox Sports who are on. 424 00:22:48,480 --> 00:22:50,760 Speaker 3: TV don't do that. 425 00:22:51,800 --> 00:22:59,520 Speaker 1: I know, I know you're question, it's interesting, let me 426 00:22:59,600 --> 00:23:02,119 Speaker 1: do let me all of y'all though, real quick, just 427 00:23:02,119 --> 00:23:05,720 Speaker 1: to be selectively ignorant here. So, so FS one is 428 00:23:05,760 --> 00:23:10,960 Speaker 1: seeing a huge draassic drop in their overall content. However, 429 00:23:12,359 --> 00:23:16,840 Speaker 1: Joy Taylor recently her contract was not renewed, and of 430 00:23:16,880 --> 00:23:20,960 Speaker 1: course they said it was because of the drop in viewership. However, 431 00:23:21,240 --> 00:23:24,600 Speaker 1: she was on three shows, one with I think what 432 00:23:24,720 --> 00:23:28,480 Speaker 1: Keishawn Johnson and then the other with Paul Pierce, all 433 00:23:28,480 --> 00:23:32,080 Speaker 1: of that shit good done. Do you think it's because 434 00:23:32,080 --> 00:23:34,960 Speaker 1: of that pending lawsuit or do you actually think it's 435 00:23:34,960 --> 00:23:35,760 Speaker 1: because of your ship? 436 00:23:35,920 --> 00:23:38,080 Speaker 3: I think it's fatigue. What do you mean by fatigue lawsuit? 437 00:23:38,119 --> 00:23:40,800 Speaker 5: I think it's the lawsuit and the details behind the lawsuit. 438 00:23:40,880 --> 00:23:44,359 Speaker 5: People would like they just kind of discredited her, like 439 00:23:44,600 --> 00:23:47,800 Speaker 5: you know, like okay, she And I'm not saying this 440 00:23:47,880 --> 00:23:50,080 Speaker 5: is my view on I'm just saying what I've seen 441 00:23:50,359 --> 00:23:55,440 Speaker 5: is they invalidate her journey to get whatever she got there, 442 00:23:55,960 --> 00:23:58,560 Speaker 5: however she got there because of the US. 443 00:23:58,800 --> 00:24:02,080 Speaker 1: I will just say I am so glad that she 444 00:24:02,119 --> 00:24:03,320 Speaker 1: has her own platform right now. 445 00:24:04,040 --> 00:24:06,119 Speaker 3: Part of it right that's. 446 00:24:05,480 --> 00:24:09,440 Speaker 5: Like gonna be as And I think that's a part 447 00:24:09,480 --> 00:24:14,200 Speaker 5: of why they're doing those why they're downsizing, because podcasting 448 00:24:14,800 --> 00:24:16,760 Speaker 5: in that realm is definitely affecting. 449 00:24:16,760 --> 00:24:19,639 Speaker 1: Now, you know what's crazy even me. We talk about 450 00:24:19,680 --> 00:24:22,320 Speaker 1: like the love and hate of free speech and ability 451 00:24:22,359 --> 00:24:25,639 Speaker 1: to own IP and all these things. So on one 452 00:24:25,880 --> 00:24:28,280 Speaker 1: point of the coin, On one side of the coin, 453 00:24:28,680 --> 00:24:31,880 Speaker 1: I love that Joey Taylor has too personal and she's 454 00:24:31,960 --> 00:24:35,080 Speaker 1: able to monetize and create her own platform and continue 455 00:24:35,119 --> 00:24:38,160 Speaker 1: making money on the other side of a coin. I'm 456 00:24:38,240 --> 00:24:41,119 Speaker 1: upset that Shannon Sharp has his own platform, that he 457 00:24:41,160 --> 00:24:44,679 Speaker 1: can continue to make millions after everything that happened with him. 458 00:24:44,720 --> 00:24:47,600 Speaker 1: So clearly we saw ESPN, but they're signed, they're a 459 00:24:47,600 --> 00:24:50,040 Speaker 1: part of Disney. They let him go. They pretty much 460 00:24:50,040 --> 00:24:51,960 Speaker 1: said you could walk away. We're gonna fire you, nigga, 461 00:24:52,040 --> 00:24:54,359 Speaker 1: he said, I walked away. We know he didn't, but 462 00:24:54,960 --> 00:24:58,440 Speaker 1: a part of me is annoyed that he's still got 463 00:24:58,440 --> 00:25:00,920 Speaker 1: Club Shay Shay. He still has night Cap and he's 464 00:25:00,920 --> 00:25:04,359 Speaker 1: still I know, but I think it's it's it was, 465 00:25:04,600 --> 00:25:07,080 Speaker 1: It's what my point was about Diddy. I feel like 466 00:25:07,119 --> 00:25:08,679 Speaker 1: he's not gonna have to come out and wait for 467 00:25:08,720 --> 00:25:10,200 Speaker 1: a company to give him a check because we're in 468 00:25:10,240 --> 00:25:13,520 Speaker 1: a place where you can create your own viewership, your 469 00:25:13,560 --> 00:25:16,440 Speaker 1: own audience, your own bags essentially through you know what 470 00:25:16,480 --> 00:25:16,760 Speaker 1: I mean. 471 00:25:17,119 --> 00:25:17,880 Speaker 3: Well, I mean you can't. 472 00:25:18,760 --> 00:25:20,960 Speaker 6: You can't really have one without the other, right, It's 473 00:25:21,040 --> 00:25:23,960 Speaker 6: either either, you know, one of us is free or 474 00:25:23,960 --> 00:25:24,880 Speaker 6: nobody's free. 475 00:25:25,880 --> 00:25:27,480 Speaker 3: So it's like, yeah. 476 00:25:27,160 --> 00:25:30,000 Speaker 6: You know, if you lose your platform on a corporate level, 477 00:25:30,280 --> 00:25:32,040 Speaker 6: you know that's gonna happen that can and for Joy 478 00:25:32,040 --> 00:25:34,600 Speaker 6: Taylor situation, Like, honestly, I don't think there's any reason 479 00:25:34,600 --> 00:25:36,280 Speaker 6: that both things can't kind of be true. 480 00:25:36,320 --> 00:25:38,760 Speaker 3: I don't know FS one's ratings. 481 00:25:39,040 --> 00:25:43,600 Speaker 6: I mean, those debate shows aren't like bringing in the 482 00:25:43,640 --> 00:25:47,040 Speaker 6: same ratings as like the view, Like like, yeah, first 483 00:25:47,119 --> 00:25:50,000 Speaker 6: take is clearly number one, and you're talking about what 484 00:25:50,119 --> 00:25:52,439 Speaker 6: seven hundred thousand people, eight hundred thousand if you like 485 00:25:52,520 --> 00:25:54,200 Speaker 6: that kind of thing, So we're not talking about a 486 00:25:54,280 --> 00:25:56,840 Speaker 6: one point one to one point two. If you're performing 487 00:25:56,880 --> 00:25:58,960 Speaker 6: and you have a scandal, depending on what the scandal is, 488 00:25:59,080 --> 00:26:00,600 Speaker 6: sometimes you can stick with you. 489 00:26:01,119 --> 00:26:03,200 Speaker 2: Yeah, you'll be, you'll be, you'll be. Yeah, numbers will 490 00:26:03,200 --> 00:26:03,680 Speaker 2: make your scandal. 491 00:26:04,200 --> 00:26:05,919 Speaker 6: Yeah, give you a little bit of armor. But like 492 00:26:05,960 --> 00:26:08,320 Speaker 6: they to me, they rolled with Joy. This this news 493 00:26:08,359 --> 00:26:09,520 Speaker 6: broke what six months ago? 494 00:26:09,720 --> 00:26:12,639 Speaker 1: Three months ago, Yeah, maybe maybe earlier. 495 00:26:13,000 --> 00:26:15,040 Speaker 3: So it wasn't like Shannon Sharp had to go home 496 00:26:15,080 --> 00:26:18,920 Speaker 3: immediately immediately, he didn't kicked it, came back. 497 00:26:18,840 --> 00:26:21,359 Speaker 6: To the park, right, nothing, Everything was cool that everybody 498 00:26:21,440 --> 00:26:23,800 Speaker 6: said nothing. It was what it was, and you know, 499 00:26:23,920 --> 00:26:24,480 Speaker 6: now we're here. 500 00:26:24,640 --> 00:26:26,840 Speaker 1: I wanted to then if that's why she leaned heavily 501 00:26:26,880 --> 00:26:30,159 Speaker 1: into sure she knew they wasn't it was. 502 00:26:31,920 --> 00:26:34,600 Speaker 5: Read that up and you gotta assume they kind of 503 00:26:35,000 --> 00:26:37,200 Speaker 5: they read the tea leaves before this thing, before it 504 00:26:37,240 --> 00:26:40,960 Speaker 5: gets to us. She probably knew this was the eventual 505 00:26:41,000 --> 00:26:42,560 Speaker 5: thing that's gonna happen three four months ago. 506 00:26:43,000 --> 00:26:45,600 Speaker 1: Well, yes, I mean same same with Shannon Sharp. He 507 00:26:45,880 --> 00:26:49,520 Speaker 1: offered to pay her the ten like a million, ten million, 508 00:26:49,600 --> 00:26:53,800 Speaker 1: six million something to settle outside. And I ain't gonna 509 00:26:53,840 --> 00:26:56,600 Speaker 1: hold you pay me ten million. I might take you 510 00:26:59,320 --> 00:27:01,159 Speaker 1: got you got. 511 00:27:02,800 --> 00:27:04,200 Speaker 3: Like Mandy. 512 00:27:04,200 --> 00:27:05,679 Speaker 2: So let me ask you what the Shannon Sharp of 513 00:27:05,680 --> 00:27:07,760 Speaker 2: it all? Because that because Shannon Sharp is probably he's 514 00:27:07,760 --> 00:27:12,199 Speaker 2: the breakout like media star or media story of the 515 00:27:12,240 --> 00:27:15,440 Speaker 2: past like a year, right, you. 516 00:27:15,400 --> 00:27:19,679 Speaker 1: Know what's interesting he is? But I do wonder too 517 00:27:20,200 --> 00:27:23,160 Speaker 1: if he is that same breakout star. And it's it's 518 00:27:23,160 --> 00:27:27,600 Speaker 1: funny because we're kind of guests based over here, but 519 00:27:27,680 --> 00:27:31,520 Speaker 1: I wonder if he is that. Without Cat Williams, that 520 00:27:31,600 --> 00:27:34,040 Speaker 1: interview was by far one of the best ones, and 521 00:27:34,080 --> 00:27:37,359 Speaker 1: even recently seeing the seven pm in Brooklyn numbers with 522 00:27:37,520 --> 00:27:41,600 Speaker 1: Kat Williams, like, it's just interesting to me because and 523 00:27:41,880 --> 00:27:43,159 Speaker 1: then so go. 524 00:27:43,119 --> 00:27:45,440 Speaker 2: Ahead, so I want to ask you so I feel 525 00:27:45,480 --> 00:27:47,240 Speaker 2: you on that with it being guest based and it 526 00:27:47,280 --> 00:27:49,479 Speaker 2: kind of has like the yo yo ing element of it. 527 00:27:49,720 --> 00:27:54,960 Speaker 2: But but he's also not just club because here's nightcat right, right. 528 00:27:55,000 --> 00:27:57,560 Speaker 2: And so if we're talking about like, you know, audience 529 00:27:57,600 --> 00:27:59,960 Speaker 2: makes you scandal proof, right, And so he's been able 530 00:28:00,240 --> 00:28:03,280 Speaker 2: to get audience right where whether it's being like super 531 00:28:03,359 --> 00:28:06,120 Speaker 2: Unk at nighttime or doing these interviews during the daytime, 532 00:28:06,359 --> 00:28:09,679 Speaker 2: and he's become like the breakout story. Do you know, 533 00:28:09,720 --> 00:28:11,720 Speaker 2: I don't know if people feel comfortable calling him media. 534 00:28:11,800 --> 00:28:14,240 Speaker 2: Is he something else? Do people call him a YouTuber? 535 00:28:14,440 --> 00:28:15,920 Speaker 2: Like you know that that's some of the elements that 536 00:28:15,920 --> 00:28:19,240 Speaker 2: I guess we'll get into me like he's one, yeah, 537 00:28:19,400 --> 00:28:21,840 Speaker 2: but he's but he but he's like he's the bell Weather. 538 00:28:21,960 --> 00:28:23,960 Speaker 2: Is that not what people want? Is that not the 539 00:28:24,040 --> 00:28:26,159 Speaker 2: idea of what Joey Taylor hopes to spin it off to. 540 00:28:26,560 --> 00:28:28,399 Speaker 2: Is that not the idea of what we want like 541 00:28:28,600 --> 00:28:32,359 Speaker 2: selective ignorance to be where it's this independent thing, you know, 542 00:28:32,440 --> 00:28:36,680 Speaker 2: corporate entities partner with us, but we're free and whether 543 00:28:36,720 --> 00:28:39,680 Speaker 2: it's scandal or controversy or whatever, like we're still alive. 544 00:28:40,160 --> 00:28:45,840 Speaker 1: Here's here's my dilemma. And we can lean into almost 545 00:28:46,080 --> 00:28:49,960 Speaker 1: every not y'all in this room. But almost every mail 546 00:28:51,360 --> 00:28:54,880 Speaker 1: that is on a podcast Mike has had allegations against 547 00:28:54,960 --> 00:28:59,200 Speaker 1: them for one thing or another. I'm not gonna say 548 00:28:59,240 --> 00:29:01,520 Speaker 1: all I didn't say that, but there are a lot. 549 00:29:02,080 --> 00:29:04,600 Speaker 1: And so even if we talk about the Cuomo of it, all, right, 550 00:29:04,680 --> 00:29:08,080 Speaker 1: let's take it to politics, and well, both of them 551 00:29:08,080 --> 00:29:12,160 Speaker 1: has some shit right. To me, what's disheartening though, is 552 00:29:13,040 --> 00:29:16,960 Speaker 1: the audience is what's allowing these people to continue making money, 553 00:29:17,200 --> 00:29:20,000 Speaker 1: but in terms of accountability is the people they are. 554 00:29:20,480 --> 00:29:23,280 Speaker 1: It sucks that they're still able to be platformed. So 555 00:29:23,440 --> 00:29:27,520 Speaker 1: for me, it removes the idea that you can do 556 00:29:27,600 --> 00:29:32,200 Speaker 1: something bad and actually have to be there's consequences for it. 557 00:29:32,480 --> 00:29:36,600 Speaker 1: To me, Shannon Sharp leaving ESPN and still being able 558 00:29:36,600 --> 00:29:38,880 Speaker 1: to make his millions on his platform, to me, it 559 00:29:38,960 --> 00:29:44,920 Speaker 1: absolves consequence from everyone else who's seeing these rapists. And 560 00:29:45,360 --> 00:29:47,880 Speaker 1: I could do all the bleep bleep bleep words of 561 00:29:47,960 --> 00:29:50,720 Speaker 1: what people have been alleged or what they're being accused of, 562 00:29:50,800 --> 00:29:53,520 Speaker 1: or what they're being sued for. No one is being 563 00:29:53,560 --> 00:29:56,120 Speaker 1: held accountable for their actions off of these mics, And 564 00:29:56,200 --> 00:29:59,719 Speaker 1: because the listeners and consumers kind of ain't holding them 565 00:29:59,720 --> 00:30:02,400 Speaker 1: act either, they're still able to come out and make 566 00:30:02,680 --> 00:30:03,800 Speaker 1: all the money in the world. 567 00:30:03,880 --> 00:30:10,320 Speaker 6: Well, societal justice would never trump criminal justice, right, or. 568 00:30:10,680 --> 00:30:13,160 Speaker 3: If we even have criminal justice, that's it. I mean 569 00:30:13,160 --> 00:30:14,280 Speaker 3: that's suspect too, right. 570 00:30:14,320 --> 00:30:18,680 Speaker 6: But if that suspect, then asking the people to be 571 00:30:18,760 --> 00:30:20,800 Speaker 6: held to a standard that that's not that's never going 572 00:30:20,880 --> 00:30:23,200 Speaker 6: to happen. I just don't believe that will ever be 573 00:30:23,240 --> 00:30:25,960 Speaker 6: a thing. Somebody somewhere will still like this person. Plenty 574 00:30:26,000 --> 00:30:28,640 Speaker 6: of people like r Kelly, plenty of people like Tory Lanez, 575 00:30:28,680 --> 00:30:32,040 Speaker 6: plenty of people like like society. 576 00:30:31,520 --> 00:30:34,080 Speaker 2: And then the scope of media, though, isn't that the 577 00:30:34,120 --> 00:30:37,520 Speaker 2: most honest transaction we like a king. A king talked 578 00:30:37,520 --> 00:30:40,520 Speaker 2: about gatekeepers, right, so before people would get fired from 579 00:30:40,520 --> 00:30:43,960 Speaker 2: a company that was a gatekeeper, whereas now the audience 580 00:30:44,040 --> 00:30:47,680 Speaker 2: is still following them. So not even like a morality 581 00:30:47,720 --> 00:30:50,479 Speaker 2: player of at all, or like patriarchy, Mandy, Like just 582 00:30:50,480 --> 00:30:53,800 Speaker 2: in terms of like a media relationship, if your audience 583 00:30:53,840 --> 00:30:57,480 Speaker 2: follows you or not, it's really the most honest transaction. 584 00:30:57,080 --> 00:30:59,920 Speaker 1: People, Alex Jones, It's funny because you brought up them 585 00:31:00,560 --> 00:31:03,160 Speaker 1: of it, And that's where I want to kind of 586 00:31:03,600 --> 00:31:07,520 Speaker 1: lean into the outrage of the audience and what happens 587 00:31:07,520 --> 00:31:10,200 Speaker 1: in these comments and stuff, and I want to take 588 00:31:10,200 --> 00:31:14,040 Speaker 1: it to you job because when I first started blogging 589 00:31:14,120 --> 00:31:18,080 Speaker 1: right full court pumps. At first, I wanted to highlight 590 00:31:18,560 --> 00:31:20,920 Speaker 1: the dope things that I knew the athletes I knew 591 00:31:20,960 --> 00:31:24,480 Speaker 1: were doing off the court, so leaning into their their 592 00:31:24,520 --> 00:31:28,120 Speaker 1: nonprofit organizations, their or their AAU leagues in the summer 593 00:31:28,480 --> 00:31:31,800 Speaker 1: and highlighting those things. And it started that way and 594 00:31:31,840 --> 00:31:36,480 Speaker 1: I realized, well, okay, views are getting slow, and okay, 595 00:31:36,520 --> 00:31:39,520 Speaker 1: no one really cares, and then I'll never forget it. 596 00:31:39,600 --> 00:31:43,440 Speaker 1: My first big ass payout from AdSense. Ad Sense is 597 00:31:43,440 --> 00:31:45,440 Speaker 1: where you used to get paid out for the blogger, 598 00:31:47,080 --> 00:31:48,760 Speaker 1: and mind you don't get paid out unless you hit 599 00:31:48,760 --> 00:31:51,080 Speaker 1: one hundred dollars, so sometimes I would go a couple 600 00:31:51,160 --> 00:31:55,960 Speaker 1: months not seeing no money. But my biggest payout happened. 601 00:31:56,120 --> 00:32:00,000 Speaker 1: I was uh, there was two of them. The first 602 00:32:00,120 --> 00:32:02,440 Speaker 1: one was I was at a I was at I 603 00:32:02,440 --> 00:32:05,560 Speaker 1: was at a fight. It was a boxing, boxing fight, 604 00:32:05,680 --> 00:32:11,400 Speaker 1: I want to say, one of the Spanish boxers and Mayweather. Anyways, 605 00:32:11,520 --> 00:32:13,640 Speaker 1: I think he had like a side check or something 606 00:32:13,680 --> 00:32:16,400 Speaker 1: there and I ended up having the tea about it. 607 00:32:16,440 --> 00:32:18,520 Speaker 1: Found the girl's picture on the Instagram. This is who's 608 00:32:18,680 --> 00:32:23,560 Speaker 1: who boom blew up. The second one was, oh, I 609 00:32:23,600 --> 00:32:26,560 Speaker 1: got the first ring of Dirk Novinsky's black wife at 610 00:32:26,560 --> 00:32:29,400 Speaker 1: the sb Awards, So I was I went to the 611 00:32:29,520 --> 00:32:32,880 Speaker 1: SPS shout out to Robert Littel from Black Sports Online. 612 00:32:33,280 --> 00:32:36,160 Speaker 1: So I went to the sp Awards. I see Dirk. 613 00:32:36,240 --> 00:32:39,560 Speaker 1: This is right after they just won the championship, and 614 00:32:39,600 --> 00:32:42,000 Speaker 1: he's with his black girlfriend and she has a ring. 615 00:32:42,360 --> 00:32:44,840 Speaker 1: So I'm on the carpet and I'm snapping pictures at her, 616 00:32:45,240 --> 00:32:48,040 Speaker 1: and immediately it's picked up that she has the ring 617 00:32:48,080 --> 00:32:50,840 Speaker 1: on her finger. All the things that blew up. The 618 00:32:50,920 --> 00:32:53,400 Speaker 1: other one Deshaun Jackson spending all his money in the 619 00:32:53,400 --> 00:32:57,480 Speaker 1: club during the NBA lockout NFL lockout. So those are 620 00:32:57,480 --> 00:33:00,520 Speaker 1: my three things. But what I realized is, oh shit, 621 00:33:01,480 --> 00:33:04,239 Speaker 1: the people love the mess. They love the mess. They 622 00:33:04,240 --> 00:33:07,440 Speaker 1: want to know who's sleeping with who, who's cheating on who, 623 00:33:07,840 --> 00:33:10,560 Speaker 1: who doesne betrayed, what, who's doing something that they're not 624 00:33:10,560 --> 00:33:13,560 Speaker 1: supposed to do. And so when we go back to 625 00:33:13,600 --> 00:33:15,720 Speaker 1: the morality of everything, when we go back to the 626 00:33:15,760 --> 00:33:17,600 Speaker 1: outrage of what I see in the comments and people 627 00:33:17,680 --> 00:33:20,920 Speaker 1: just disagreeing, y'all love the mess. And so it goes 628 00:33:20,920 --> 00:33:23,960 Speaker 1: back to jah you, which I'm gonna coin you as 629 00:33:23,960 --> 00:33:30,840 Speaker 1: the creator of headlines. Oh yeah, that stir up, but 630 00:33:31,240 --> 00:33:34,520 Speaker 1: that sound a mess in terms of like leading into 631 00:33:34,680 --> 00:33:40,760 Speaker 1: the messiness of whatever is, so like where maybe tabloids 632 00:33:41,120 --> 00:33:44,160 Speaker 1: would lean into it, like with just here's the solid facts. 633 00:33:44,720 --> 00:33:48,120 Speaker 1: You would bring the headlines to us in a way 634 00:33:48,120 --> 00:33:49,680 Speaker 1: that we would want to discuss it. 635 00:33:49,840 --> 00:33:50,000 Speaker 3: Yeah. 636 00:33:50,080 --> 00:33:52,960 Speaker 6: Well, the thing about it was is that during that 637 00:33:53,000 --> 00:33:57,320 Speaker 6: blog era of time, it was so many blogs and 638 00:33:57,400 --> 00:34:01,600 Speaker 6: like people are kind of talking about everybody's talking about 639 00:34:01,640 --> 00:34:02,160 Speaker 6: the same thing. 640 00:34:02,240 --> 00:34:03,680 Speaker 1: You had to wake up at like five thirty in 641 00:34:03,680 --> 00:34:04,480 Speaker 1: the morning and be ready. 642 00:34:04,600 --> 00:34:05,800 Speaker 6: She was going to be the first one on it 643 00:34:05,880 --> 00:34:07,560 Speaker 6: and had that kind of thing. So it was like 644 00:34:08,280 --> 00:34:11,239 Speaker 6: it turned into when I started working at bost, I 645 00:34:11,280 --> 00:34:14,160 Speaker 6: was writing there. But also there was no social media manager, 646 00:34:14,320 --> 00:34:17,400 Speaker 6: Like our Twitter was just an auto send of we 647 00:34:17,440 --> 00:34:21,200 Speaker 6: published a story on WordPress, it goes to Twitter, super generic, 648 00:34:21,280 --> 00:34:24,040 Speaker 6: like there was no there was no there was no 649 00:34:24,120 --> 00:34:25,399 Speaker 6: personality in it at all. 650 00:34:25,560 --> 00:34:25,680 Speaker 2: All. 651 00:34:25,680 --> 00:34:28,840 Speaker 6: The personality was on the site and in certain headlines 652 00:34:28,880 --> 00:34:32,560 Speaker 6: that are see all the time. Mar Frasier she had 653 00:34:32,640 --> 00:34:36,480 Speaker 6: kind of put together these things of bossabisms basically of 654 00:34:36,600 --> 00:34:40,200 Speaker 6: like she would take songs like it'll be hosted down 655 00:34:40,360 --> 00:34:43,040 Speaker 6: Kim Kardashian, blah blah blah blah blah, she did something 656 00:34:43,280 --> 00:34:46,439 Speaker 6: or I forget some of the other ones. We don't 657 00:34:46,480 --> 00:34:48,920 Speaker 6: even know, we don't even use them no more. But 658 00:34:49,360 --> 00:34:51,359 Speaker 6: she had these things that she just wanted to put 659 00:34:51,440 --> 00:34:54,120 Speaker 6: as the headlines, but the social media was not there. 660 00:34:54,760 --> 00:34:59,160 Speaker 6: So I just kind of started writing headlines and putting 661 00:34:59,160 --> 00:35:03,400 Speaker 6: them on Twitter myself. So I would have we published 662 00:35:03,400 --> 00:35:06,320 Speaker 6: a story. Then I beat the delete the auto popular, 663 00:35:06,440 --> 00:35:09,680 Speaker 6: the auto population and just redo it and just say 664 00:35:09,719 --> 00:35:12,719 Speaker 6: whatever the thing was. And three or four of us 665 00:35:12,800 --> 00:35:15,120 Speaker 6: on the team, we just all started doing it because 666 00:35:15,880 --> 00:35:18,120 Speaker 6: the headline started going crazy on Twitter. 667 00:35:18,400 --> 00:35:22,120 Speaker 1: I think that's the thing though too, that stemmed us 668 00:35:22,160 --> 00:35:28,040 Speaker 1: being a headline as like I guess community sumership, like 669 00:35:28,680 --> 00:35:32,160 Speaker 1: even right now, what are the most popular things on Twitter? 670 00:35:32,200 --> 00:35:35,879 Speaker 1: Sometimes it's literally a headline over a graphic, and it's 671 00:35:35,880 --> 00:35:38,080 Speaker 1: funny because they'll say, as long as it's in that font, 672 00:35:38,160 --> 00:35:40,400 Speaker 1: niggas will think it's real, And that's kind of what 673 00:35:40,520 --> 00:35:42,400 Speaker 1: it is, you know what I mean. Like it'll say 674 00:35:42,840 --> 00:35:45,400 Speaker 1: thirty six percent of this they just made up this 675 00:35:45,440 --> 00:35:47,279 Speaker 1: goddamn number. But if it's in a certain font and 676 00:35:47,320 --> 00:35:50,759 Speaker 1: it's on a certain it looks legit, and I think 677 00:35:50,800 --> 00:35:56,240 Speaker 1: though we lean into legitimacy coming from headlines, and that's 678 00:35:56,880 --> 00:35:57,480 Speaker 1: not the case. 679 00:35:57,840 --> 00:36:00,840 Speaker 6: Yeah, like with our headlines, I think with it was 680 00:36:00,880 --> 00:36:04,840 Speaker 6: always to you can't add facts to the headlines, but 681 00:36:05,120 --> 00:36:10,200 Speaker 6: you can make the words you use sound bigger and 682 00:36:10,440 --> 00:36:16,279 Speaker 6: more inflammatory, or you know, to pull some reaction or 683 00:36:16,320 --> 00:36:18,200 Speaker 6: emotion out of somebody. So it might be this is 684 00:36:18,200 --> 00:36:21,120 Speaker 6: the actual story, but everyone's gonna write a regular headline, 685 00:36:21,160 --> 00:36:23,040 Speaker 6: this is what happened, this person's involved. 686 00:36:23,480 --> 00:36:26,520 Speaker 1: Not to jump around, Yes and no. There was just 687 00:36:26,560 --> 00:36:30,360 Speaker 1: a recent headline from a black boy Max. Look at me, 688 00:36:30,480 --> 00:36:33,839 Speaker 1: y'all know, I'd be on the guy, damn white boy 689 00:36:33,880 --> 00:36:36,400 Speaker 1: Max as a streamer and he was talking about something 690 00:36:36,440 --> 00:36:39,400 Speaker 1: he did and he apologized for it. They took a 691 00:36:39,440 --> 00:36:42,400 Speaker 1: snippet of what he said, because again wasn't listening to 692 00:36:42,440 --> 00:36:44,719 Speaker 1: the whole conversation. They took a snippet of what he said, 693 00:36:44,760 --> 00:36:46,680 Speaker 1: and they were they pretty much made the headline that 694 00:36:46,719 --> 00:36:48,440 Speaker 1: he was coming out about being gay or doing some 695 00:36:48,440 --> 00:36:49,480 Speaker 1: gay shit in the past. 696 00:36:49,719 --> 00:36:52,160 Speaker 3: Oh literally, not gonna do with. 697 00:36:52,080 --> 00:36:54,919 Speaker 1: Anything, which is why for me, even the outrage on 698 00:36:55,360 --> 00:36:59,000 Speaker 1: social clips from podcasts, is like they could go and 699 00:36:59,080 --> 00:37:01,279 Speaker 1: listen to the whole goddamn topic because people will put 700 00:37:01,280 --> 00:37:04,279 Speaker 1: in the cop in the comments something that actually was 701 00:37:04,280 --> 00:37:07,000 Speaker 1: iterated maybe ten seconds after the clip was cut off, right, 702 00:37:07,280 --> 00:37:11,360 Speaker 1: And so to me, headlines now could literally be anything 703 00:37:11,360 --> 00:37:14,160 Speaker 1: that people want. And it's how we're digesting this news 704 00:37:14,719 --> 00:37:15,960 Speaker 1: that is bullshit. 705 00:37:17,040 --> 00:37:19,279 Speaker 2: I Thoughtso it's funny, did you say digesting? I think 706 00:37:19,280 --> 00:37:23,880 Speaker 2: people cook it up wrong too, because because it's aggregation, 707 00:37:24,080 --> 00:37:25,640 Speaker 2: you know what I mean. And so it's like some 708 00:37:25,680 --> 00:37:29,600 Speaker 2: people willingly are fishing for something that they think is 709 00:37:29,680 --> 00:37:31,880 Speaker 2: like it's close enough to like what they want to 710 00:37:31,920 --> 00:37:34,799 Speaker 2: post because they're thinking about the reaction, right, like I 711 00:37:34,800 --> 00:37:37,440 Speaker 2: want this reaction and so like I'm going to pull 712 00:37:37,480 --> 00:37:39,960 Speaker 2: it out just this way, and you know, like there's 713 00:37:40,000 --> 00:37:41,520 Speaker 2: an art to it, like we all know, like there's 714 00:37:41,520 --> 00:37:44,080 Speaker 2: an art to like aggregate and something that's interesting that 715 00:37:44,160 --> 00:37:45,759 Speaker 2: has like I don't want to say integrity because that's 716 00:37:45,760 --> 00:37:48,600 Speaker 2: like way that's loaded of a word. But like you know, 717 00:37:49,000 --> 00:37:51,320 Speaker 2: now I feel like it's a bit more wild West. 718 00:37:52,040 --> 00:37:53,480 Speaker 2: And I think it's a wild West because like to 719 00:37:53,560 --> 00:37:56,520 Speaker 2: Job's point, like there was so many blogs. Now it's 720 00:37:56,640 --> 00:37:58,839 Speaker 2: there's everybody has a social media account, there's you could 721 00:37:58,840 --> 00:38:01,279 Speaker 2: you could tell the hierarchy of the big accounts the 722 00:38:01,360 --> 00:38:04,080 Speaker 2: smaller ones, like you know, sometimes there's like the really 723 00:38:04,120 --> 00:38:07,359 Speaker 2: tiny micro influenzer ones and influence the big ones, and 724 00:38:07,400 --> 00:38:10,080 Speaker 2: they're just like they're just like chipping away at the 725 00:38:10,080 --> 00:38:12,680 Speaker 2: bone to get any Like I'll make this a story. 726 00:38:12,760 --> 00:38:17,319 Speaker 6: You're fighting for attention and there's a traffic jam and 727 00:38:17,360 --> 00:38:19,000 Speaker 6: you're trying to and you're trying to find your way 728 00:38:19,000 --> 00:38:21,759 Speaker 6: to cut through, and the only differential between you and 729 00:38:21,800 --> 00:38:25,319 Speaker 6: the other site will be how do you grab if 730 00:38:25,320 --> 00:38:27,920 Speaker 6: I only have if most people are only paying attention 731 00:38:28,000 --> 00:38:31,160 Speaker 6: for eight seconds, and all of the bigger shade rooms 732 00:38:31,160 --> 00:38:34,080 Speaker 6: and everybody else has six of those seconds because people 733 00:38:34,120 --> 00:38:36,600 Speaker 6: know that name, they see that name, they stop, then 734 00:38:36,960 --> 00:38:40,480 Speaker 6: I've got one second, two seconds to grab your attention 735 00:38:40,600 --> 00:38:43,840 Speaker 6: right now. With the first couple of words, truth or 736 00:38:43,880 --> 00:38:46,160 Speaker 6: not for those for those people. For me, I never 737 00:38:46,200 --> 00:38:48,080 Speaker 6: got down with that because I wanted to make my 738 00:38:48,120 --> 00:38:51,120 Speaker 6: shit funny or to make it, like I said, more 739 00:38:51,520 --> 00:38:54,759 Speaker 6: inflammatory as far as how you're going to react to it, 740 00:38:54,840 --> 00:38:58,279 Speaker 6: but change it for me anyway. I could never go 741 00:38:58,320 --> 00:39:01,879 Speaker 6: in there and just make some shit up because that's 742 00:39:01,920 --> 00:39:04,200 Speaker 6: not really going to serve that won't get the reaction 743 00:39:04,239 --> 00:39:06,000 Speaker 6: I need out of it if it's fake. For me, 744 00:39:06,040 --> 00:39:08,319 Speaker 6: it'll only work if it's the real thing. But I 745 00:39:08,440 --> 00:39:11,800 Speaker 6: found a creative way to say that thing or present 746 00:39:11,800 --> 00:39:14,000 Speaker 6: it to you. 747 00:39:14,040 --> 00:39:18,719 Speaker 1: See now y'all said a few words, virality, there's information. 748 00:39:19,160 --> 00:39:21,520 Speaker 1: How we digest it? I want to ask all of 749 00:39:21,600 --> 00:39:26,040 Speaker 1: y'all's opinions. During the Diddy trial, I thought that armand 750 00:39:26,040 --> 00:39:30,120 Speaker 1: Wiggins was doing an incredible job with keeping everybody abreast 751 00:39:30,160 --> 00:39:33,160 Speaker 1: of what was happening inside the courtroom during the trial. Right, 752 00:39:34,040 --> 00:39:37,680 Speaker 1: he is also the gentleman who went viral for doubting 753 00:39:37,800 --> 00:39:45,880 Speaker 1: himself in baby oil following your face, following the actual verdict. 754 00:39:46,360 --> 00:39:48,960 Speaker 2: And so this is a great example to talk about. 755 00:39:49,239 --> 00:39:52,680 Speaker 1: Yeah, and so we have this person who's actually putting 756 00:39:52,719 --> 00:39:54,800 Speaker 1: out what I thought, Like my homegirl who's a lawyer, 757 00:39:55,239 --> 00:39:57,560 Speaker 1: was watching him every day because she lives in LA 758 00:39:57,600 --> 00:39:59,680 Speaker 1: couldn't attend the trial, and thought that he was just 759 00:39:59,680 --> 00:40:02,759 Speaker 1: giving a really good breakdown of information. And to me, 760 00:40:03,400 --> 00:40:06,360 Speaker 1: when I found out that he was the one outside 761 00:40:06,440 --> 00:40:09,200 Speaker 1: doubling himself, and I was like, were you not getting 762 00:40:09,200 --> 00:40:12,560 Speaker 1: the attention? Was this an attention seeking thing this now 763 00:40:12,600 --> 00:40:15,000 Speaker 1: brings in the bias of it all, like it was 764 00:40:15,040 --> 00:40:18,480 Speaker 1: just really poorly done. He did end up apologizing, but 765 00:40:18,560 --> 00:40:20,560 Speaker 1: not really for what he did. Do we have that clip? 766 00:40:21,600 --> 00:40:22,600 Speaker 3: I want to know your thoughts. 767 00:40:23,320 --> 00:40:24,799 Speaker 1: We could always cut it. I want to know your 768 00:40:24,840 --> 00:40:27,960 Speaker 1: thoughts on and you're shaking your head to taking. 769 00:40:29,440 --> 00:40:32,000 Speaker 2: But but but but before you go, there's hold on. 770 00:40:32,600 --> 00:40:35,279 Speaker 2: Let me let me get this clip going first, and 771 00:40:35,320 --> 00:40:36,920 Speaker 2: then I want to after the clip, I want to 772 00:40:36,920 --> 00:40:38,919 Speaker 2: add some context to what Mandy was saying. Okay, because 773 00:40:38,960 --> 00:40:43,080 Speaker 2: I do think it's a good example for reasons good 774 00:40:43,120 --> 00:40:44,360 Speaker 2: And he said I got. 775 00:40:44,160 --> 00:40:45,239 Speaker 3: Something to say about it. 776 00:40:45,760 --> 00:40:48,080 Speaker 1: I'm glad you do, because we got something to say 777 00:40:48,080 --> 00:40:48,760 Speaker 1: about everything. 778 00:40:49,000 --> 00:40:50,719 Speaker 3: Wrote a song about it like here here. 779 00:40:50,719 --> 00:40:55,239 Speaker 1: Going for his charges sex trafficking and racketeering, he was 780 00:40:55,239 --> 00:40:57,640 Speaker 1: found guilty of two counts of engaging and trans and 781 00:40:57,719 --> 00:41:03,080 Speaker 1: transportation for prostitution. You were outside with oil on you 782 00:41:03,160 --> 00:41:04,440 Speaker 1: now talk to me about. 783 00:41:04,120 --> 00:41:05,240 Speaker 2: This, Angela. 784 00:41:05,320 --> 00:41:06,640 Speaker 7: You know, I'll try to say it with a straight 785 00:41:06,640 --> 00:41:09,680 Speaker 7: face because we got to be serious of here. But dude, 786 00:41:10,080 --> 00:41:12,000 Speaker 7: but I tell you, I wish I would have never 787 00:41:12,080 --> 00:41:14,720 Speaker 7: done that, you know what I mean, because it got 788 00:41:15,080 --> 00:41:16,000 Speaker 7: so long out of. 789 00:41:15,920 --> 00:41:18,520 Speaker 3: Proportion to be easy with you. 790 00:41:18,680 --> 00:41:19,160 Speaker 1: I was not. 791 00:41:20,080 --> 00:41:22,440 Speaker 8: Anybody that knows me knows I was not a baby 792 00:41:22,520 --> 00:41:24,000 Speaker 8: supporter in that way. 793 00:41:24,160 --> 00:41:27,080 Speaker 3: I wish for the facts, okay, But to make. 794 00:41:26,960 --> 00:41:30,440 Speaker 8: A long story short, I had always been doing kind 795 00:41:30,480 --> 00:41:33,680 Speaker 8: of comedy with my reporting of the case. Yeah, more oil, 796 00:41:33,760 --> 00:41:36,399 Speaker 8: more oil. I even have a more oil fund on 797 00:41:36,440 --> 00:41:38,680 Speaker 8: my platform. They would send me money for more oil, 798 00:41:38,719 --> 00:41:41,400 Speaker 8: which means it would keep me here covering the case. 799 00:41:41,840 --> 00:41:45,279 Speaker 8: And so in that moment, I was just thinking, you 800 00:41:45,280 --> 00:41:47,719 Speaker 8: know what, today is the last day. Let's do some 801 00:41:47,760 --> 00:41:51,160 Speaker 8: more oil live with the people here just on my 802 00:41:51,680 --> 00:41:52,400 Speaker 8: on YouTube. 803 00:41:52,440 --> 00:41:54,799 Speaker 1: And you've been working out, yeah, you know. 804 00:41:54,960 --> 00:41:56,480 Speaker 3: So I was like, let's just do We're having a 805 00:41:56,480 --> 00:42:04,399 Speaker 3: good time. We're on Verdict, watch Nigga please yeah, like st. 806 00:42:05,920 --> 00:42:09,040 Speaker 2: Yes, but hold on, John, it's it's it's it's it's 807 00:42:09,080 --> 00:42:12,239 Speaker 2: it's nuts, right. But this is my thing with it 808 00:42:12,280 --> 00:42:17,280 Speaker 2: all one is that he so he's not a traditional journalist. 809 00:42:17,280 --> 00:42:19,320 Speaker 2: He's a YouTuber. He's a YouTuber and he's a streamer. 810 00:42:19,800 --> 00:42:22,160 Speaker 2: And for this case, and and I just about thot 811 00:42:22,160 --> 00:42:23,839 Speaker 2: it was interesting and smart for Mandy to pick this 812 00:42:23,880 --> 00:42:27,280 Speaker 2: one because this case really reflects how media has changed. 813 00:42:27,320 --> 00:42:30,960 Speaker 2: So you have like NBC News. There, you have TikTokers. There, 814 00:42:31,000 --> 00:42:33,520 Speaker 2: there was this chick Tisa something who was covering it 815 00:42:33,560 --> 00:42:37,680 Speaker 2: really well on tipto. Tisa tells us there, ye ha, 816 00:42:37,760 --> 00:42:41,400 Speaker 2: Lauren la was radio and then you had armand right. 817 00:42:41,440 --> 00:42:44,360 Speaker 2: And so he's a he's a streamer and streamer. We 818 00:42:44,400 --> 00:42:46,799 Speaker 2: talked about it earlier. It's about developing your audience and 819 00:42:46,960 --> 00:42:50,520 Speaker 2: community based, right. So he's having this conversation with his 820 00:42:50,600 --> 00:42:54,120 Speaker 2: audience and it has humor and bad humor or not. 821 00:42:54,320 --> 00:42:56,560 Speaker 2: With the movie we did with the with the oil, 822 00:42:57,800 --> 00:43:00,120 Speaker 2: there's different standards for what he's doing versus like with 823 00:43:00,320 --> 00:43:02,319 Speaker 2: NBC News is doing at the end. At the end 824 00:43:02,320 --> 00:43:05,239 Speaker 2: of NBC News is coverage. They're not going to celebrate 825 00:43:05,320 --> 00:43:08,040 Speaker 2: by pouring baboy on them because they're also not having 826 00:43:08,040 --> 00:43:11,000 Speaker 2: a two way conversation, right, like they're just writing news 827 00:43:11,160 --> 00:43:13,560 Speaker 2: and distributing it. Where what he's doing is something a 828 00:43:13,600 --> 00:43:15,719 Speaker 2: little bit different. And again I'm not saying that it's 829 00:43:15,760 --> 00:43:18,959 Speaker 2: right or wrong, but it's something that's wholly different than 830 00:43:19,120 --> 00:43:22,680 Speaker 2: what Lauren l Rosso was doing, what Tisa tells was doing, 831 00:43:23,000 --> 00:43:26,120 Speaker 2: and what NBC News was doing. And so and that's 832 00:43:26,160 --> 00:43:27,759 Speaker 2: what I think that's why you got sort of that 833 00:43:27,960 --> 00:43:30,720 Speaker 2: apology non apology from him. 834 00:43:30,880 --> 00:43:32,520 Speaker 3: I mean it's one of those things. Well, first off, 835 00:43:32,600 --> 00:43:35,160 Speaker 3: like the idea that it. 836 00:43:35,080 --> 00:43:37,040 Speaker 2: Was and it still deserves to please and everything. 837 00:43:37,320 --> 00:43:42,879 Speaker 6: Un it's blown out of proportion like that, you blew 838 00:43:42,880 --> 00:43:43,600 Speaker 6: it out of proportion. 839 00:43:44,200 --> 00:43:46,280 Speaker 3: You did, you made a spectacle of yourself. 840 00:43:46,320 --> 00:43:49,920 Speaker 6: You did a circus outside of the courthouse that every 841 00:43:50,280 --> 00:43:53,399 Speaker 6: major news station picked up and talked about. 842 00:43:53,440 --> 00:43:54,920 Speaker 2: But they picked up on him because they thought he 843 00:43:54,960 --> 00:43:58,800 Speaker 2: was a fan, right, yes, And I think that's I 844 00:43:58,840 --> 00:44:00,359 Speaker 2: think if we not if we have to we knock 845 00:44:00,440 --> 00:44:02,560 Speaker 2: him forward, I think we have to knock traditional media 846 00:44:02,600 --> 00:44:04,160 Speaker 2: for it too, because they got played. 847 00:44:04,920 --> 00:44:08,040 Speaker 6: Okay, no, and that's fair, and that's fair, but it's 848 00:44:08,080 --> 00:44:11,919 Speaker 6: the idea. It's like the it's like the Sally Jesse 849 00:44:12,040 --> 00:44:15,680 Speaker 6: Raphael thing, right, Like she was like a respected journalist 850 00:44:15,760 --> 00:44:22,359 Speaker 6: like radio. Yeah, if you didn't see the great hairs 851 00:44:22,360 --> 00:44:24,320 Speaker 6: in my chin, I just told you how old I 852 00:44:24,360 --> 00:44:28,480 Speaker 6: said the name Sally Jesse. But like she was a 853 00:44:28,520 --> 00:44:33,800 Speaker 6: traditional journalist and her talk show was not like necessarily 854 00:44:33,840 --> 00:44:37,440 Speaker 6: the same thing as her traditional journalists, like she you 855 00:44:37,480 --> 00:44:40,040 Speaker 6: know you have it was full of fuckeries and it 856 00:44:40,160 --> 00:44:43,120 Speaker 6: was like, okay, this is the thing, so this blueprint 857 00:44:43,160 --> 00:44:45,759 Speaker 6: isn't even necessarily a new thing. Like I feel like 858 00:44:45,840 --> 00:44:53,160 Speaker 6: there's journalists and writers media. You think about it, literally 859 00:44:53,400 --> 00:44:55,400 Speaker 6: this talk show and this talk show. He tried to 860 00:44:55,400 --> 00:44:57,720 Speaker 6: do it straight forward. 861 00:44:58,920 --> 00:45:00,759 Speaker 2: You said, you said it man, Yeah, if you guys 862 00:45:00,760 --> 00:45:02,000 Speaker 2: had an outrage. 863 00:45:02,160 --> 00:45:04,480 Speaker 1: The outrage is what led him to doing the bullshit, 864 00:45:04,480 --> 00:45:05,560 Speaker 1: and he was surprised. 865 00:45:05,600 --> 00:45:06,200 Speaker 3: He was shocked. 866 00:45:06,239 --> 00:45:09,080 Speaker 1: He was shocked that this is what America he did. 867 00:45:09,120 --> 00:45:10,960 Speaker 2: He did he did catch a prostitution charge. 868 00:45:11,000 --> 00:45:16,000 Speaker 3: I mean, everyone, what are you talking about? 869 00:45:16,080 --> 00:45:18,719 Speaker 1: Everyone pays for pussy. God damn. That's why I don't 870 00:45:18,719 --> 00:45:21,399 Speaker 1: think did he go really get charged because niggas gonna 871 00:45:21,440 --> 00:45:22,920 Speaker 1: be like, well, we all to pay for some coaching 872 00:45:23,000 --> 00:45:25,120 Speaker 1: now we done all flew a little bit shut. So 873 00:45:25,600 --> 00:45:30,160 Speaker 1: but to me bringing back the Sally's, bringing up even 874 00:45:30,160 --> 00:45:34,439 Speaker 1: the Jerry Springers now thinking you're right, this is where 875 00:45:34,440 --> 00:45:36,880 Speaker 1: we're thinking of new age media as something like in 876 00:45:37,040 --> 00:45:42,440 Speaker 1: armand Wiggins, no traditional media even in the nineties, I 877 00:45:42,440 --> 00:45:44,320 Speaker 1: didn't even think about that. 878 00:45:43,520 --> 00:45:46,879 Speaker 6: This is what like, there's been journalists and writers who 879 00:45:46,880 --> 00:45:50,160 Speaker 6: have been doing this, playing this role for a long 880 00:45:50,200 --> 00:45:52,480 Speaker 6: time of like I did this, I try to go straight, 881 00:45:52,600 --> 00:45:54,360 Speaker 6: and now I gotta go back to selling drugs. 882 00:45:54,360 --> 00:45:56,120 Speaker 1: I mean, to be fair, even what's her name? Is 883 00:45:56,160 --> 00:46:00,360 Speaker 1: it Nancy Grace? The one who covers the criminal. 884 00:46:00,680 --> 00:46:03,560 Speaker 3: Like the children a king? 885 00:46:03,600 --> 00:46:07,680 Speaker 2: Do you remember Richard Bay Richard New York, New York 886 00:46:07,760 --> 00:46:08,560 Speaker 2: legend right there? 887 00:46:08,840 --> 00:46:12,160 Speaker 5: But like I think, I think earlier you talked about Beyonce, right, 888 00:46:12,239 --> 00:46:13,640 Speaker 5: and you talked about the country. 889 00:46:14,360 --> 00:46:17,560 Speaker 3: Yeah. Category, we just need to put this ship in 890 00:46:17,600 --> 00:46:19,359 Speaker 3: a category, and it's. 891 00:46:19,239 --> 00:46:22,520 Speaker 2: Contemporary comp contemporary contemporary. 892 00:46:23,000 --> 00:46:27,239 Speaker 5: I think it's just I think it's degenerate, not degenerate, 893 00:46:28,760 --> 00:46:32,440 Speaker 5: because you said the people. The people are the ones 894 00:46:32,560 --> 00:46:35,520 Speaker 5: that have the opt out or opt in, and it 895 00:46:35,600 --> 00:46:37,480 Speaker 5: seems to be more times than not they opting in. 896 00:46:37,640 --> 00:46:37,879 Speaker 1: There. 897 00:46:37,920 --> 00:46:42,600 Speaker 5: Also, maybe for myself maybe and I'm I'm only speaking 898 00:46:42,600 --> 00:46:43,760 Speaker 5: for myself here, right. 899 00:46:43,960 --> 00:46:48,840 Speaker 3: But maybe we, oh, I overvalue. 900 00:46:49,640 --> 00:46:55,520 Speaker 5: What the culture is in terms of moral compass intelligence. 901 00:46:55,960 --> 00:46:58,960 Speaker 5: You mentioned comprehension skills earlier. We've seen a deficit in 902 00:46:59,719 --> 00:47:02,399 Speaker 5: you know that stuff, right. I know Dallas will always 903 00:47:02,400 --> 00:47:04,720 Speaker 5: say you got two ears, one mouth. Well, now everybody 904 00:47:04,800 --> 00:47:08,000 Speaker 5: got two miles and no ears. So it's like maybe 905 00:47:08,880 --> 00:47:13,279 Speaker 5: accepting that fact about the degenerate culture of things, we 906 00:47:13,320 --> 00:47:15,399 Speaker 5: just need to put it in a box that's that's 907 00:47:16,320 --> 00:47:16,799 Speaker 5: what it is. 908 00:47:16,880 --> 00:47:17,040 Speaker 1: You know. 909 00:47:17,160 --> 00:47:18,080 Speaker 3: I think that's the problem. 910 00:47:18,120 --> 00:47:20,680 Speaker 5: Maybe maybe we're looking at it wrong, Like everybody's not 911 00:47:21,000 --> 00:47:24,879 Speaker 5: going to be meet people where they're at. We're meeting 912 00:47:24,880 --> 00:47:29,680 Speaker 5: a massive, overwhelming populace people. Well, let's be clear about 913 00:47:29,680 --> 00:47:32,080 Speaker 5: something like and we all are degenerate. But that's what 914 00:47:32,120 --> 00:47:33,480 Speaker 5: I'm gonna be. 915 00:47:34,200 --> 00:47:41,560 Speaker 1: Your mother, your mother, just look at your We like. 916 00:47:43,920 --> 00:47:46,439 Speaker 3: That's but that's that's beyond. We're talking about something. 917 00:47:46,480 --> 00:47:49,160 Speaker 2: Now we look on. 918 00:47:49,239 --> 00:47:52,440 Speaker 3: Instagram, we see the that's what we don't know. 919 00:47:54,360 --> 00:47:56,960 Speaker 1: You in the group, we like, damn, this girl got 920 00:47:57,040 --> 00:48:00,759 Speaker 1: cheated on uh while she was pregnant. Her man, fuck 921 00:48:00,840 --> 00:48:03,239 Speaker 1: twenty five bitches while she was pregnant. That's the ship. 922 00:48:03,320 --> 00:48:07,160 Speaker 6: Thenas I watched it Chased by GSP, I watched one 923 00:48:07,200 --> 00:48:09,120 Speaker 6: this morning. The first video I watched this morning was 924 00:48:09,120 --> 00:48:14,360 Speaker 6: Georgia State Patrol chasing. Just no, just any video on 925 00:48:14,480 --> 00:48:18,240 Speaker 6: the on Internet or Instagram of Georgia State Patrol chasing somebody. 926 00:48:18,320 --> 00:48:18,960 Speaker 3: I just want to see. 927 00:48:21,480 --> 00:48:24,560 Speaker 1: But here's the difference. Then here's the difference. Then watching 928 00:48:24,680 --> 00:48:28,440 Speaker 1: content for entertainment is different than viewing content for information. 929 00:48:29,520 --> 00:48:31,360 Speaker 1: And I think that that's the difference because, like I 930 00:48:31,520 --> 00:48:34,759 Speaker 1: was just telling a king the other day, shout out 931 00:48:34,760 --> 00:48:37,040 Speaker 1: to ste He put me on. There's a whole channel 932 00:48:37,080 --> 00:48:43,000 Speaker 1: now of like police cams and and them capturing niggas 933 00:48:43,000 --> 00:48:45,920 Speaker 1: snitching on each other doing crimes. So, like, I just 934 00:48:46,040 --> 00:48:48,399 Speaker 1: watched the whole thing about these niggas was going into 935 00:48:48,520 --> 00:48:51,240 Speaker 1: a TD bank and in West Pond Beach and Florida 936 00:48:52,160 --> 00:48:54,880 Speaker 1: and doing fraudulent checks for like over ten thousand dollars. 937 00:48:55,360 --> 00:48:57,360 Speaker 1: So they get caught. They see the mayor trying to 938 00:48:57,400 --> 00:48:59,320 Speaker 1: run out the car and he's like, no, man, he 939 00:48:59,520 --> 00:49:01,600 Speaker 1: was in there. It wasn't me. But you literally see 940 00:49:01,640 --> 00:49:04,400 Speaker 1: the two people snitching on each other. I was like, yo, 941 00:49:04,640 --> 00:49:05,759 Speaker 1: this this is good ship. 942 00:49:05,960 --> 00:49:06,160 Speaker 7: I know. 943 00:49:13,960 --> 00:49:15,000 Speaker 3: He's gonna tell Hen. 944 00:49:15,920 --> 00:49:19,759 Speaker 1: Florida stay embarrassing people. Oh my god. But it's it's 945 00:49:19,840 --> 00:49:23,279 Speaker 1: such good content. But like, you're right, I think that we, 946 00:49:24,120 --> 00:49:28,680 Speaker 1: outside of comprehension skills, also lack nuance, Like like not 947 00:49:28,960 --> 00:49:32,560 Speaker 1: everything is for everybody. You don't have to agree with everything, 948 00:49:32,640 --> 00:49:34,279 Speaker 1: but there has to be a way in which you 949 00:49:34,560 --> 00:49:38,080 Speaker 1: dissect Are you watching this for pure entertainment value or 950 00:49:38,160 --> 00:49:40,239 Speaker 1: are you trying to get something from it? Again, back 951 00:49:40,280 --> 00:49:43,279 Speaker 1: to the question at the top, are you viewing this 952 00:49:43,440 --> 00:49:46,320 Speaker 1: to become smarter or are you selectively choosing to just 953 00:49:46,400 --> 00:49:48,720 Speaker 1: be ignorant and even how you're receiving. 954 00:49:48,520 --> 00:49:49,120 Speaker 3: Well, that's the thing. 955 00:49:50,040 --> 00:49:55,359 Speaker 6: A part of new media that isn't probably talked about 956 00:49:55,480 --> 00:49:57,799 Speaker 6: enough or at least the messaging isn't I don't think 957 00:49:57,880 --> 00:50:01,560 Speaker 6: influence society at large quite yet. Is we're gonna have 958 00:50:01,680 --> 00:50:04,040 Speaker 6: new media, Like you said, everyone's got a microphone, everybody's 959 00:50:04,040 --> 00:50:07,080 Speaker 6: got an opinion. So now it becomes more incumbent upon 960 00:50:07,239 --> 00:50:12,160 Speaker 6: the listener to have literacy to understand what's going on, 961 00:50:12,600 --> 00:50:14,279 Speaker 6: and like, like you said, we're all gonna watch some 962 00:50:14,360 --> 00:50:15,319 Speaker 6: fluctionhit for fun. 963 00:50:15,880 --> 00:50:19,000 Speaker 3: But I know that's fun. When I eat a whole pizza, 964 00:50:19,520 --> 00:50:22,719 Speaker 3: I know that's pizza. That's not vegetables. I know that 965 00:50:22,960 --> 00:50:23,840 Speaker 3: you have a vegetable. 966 00:50:26,360 --> 00:50:27,560 Speaker 5: Like I know what this is. 967 00:50:27,719 --> 00:50:29,640 Speaker 6: I know what a bag of funions is, and I 968 00:50:29,800 --> 00:50:32,000 Speaker 6: know what in the rugular salad is and I did 969 00:50:32,120 --> 00:50:34,239 Speaker 6: not the same thing. And so as long as you 970 00:50:34,360 --> 00:50:37,759 Speaker 6: understand what it is you're listening to watching intaking, I 971 00:50:37,840 --> 00:50:40,239 Speaker 6: think people would be better off that way. But trying to, 972 00:50:40,400 --> 00:50:42,080 Speaker 6: like you said, trying to run with stuff as if 973 00:50:42,120 --> 00:50:45,960 Speaker 6: it's facts or proven or it's a legitimate thing that's 974 00:50:46,000 --> 00:50:47,799 Speaker 6: a whole nother you gotta go to a whole another 975 00:50:47,880 --> 00:50:49,920 Speaker 6: source that you're not getting that off Instagram. 976 00:50:49,960 --> 00:50:52,000 Speaker 5: And I call Cap on what he said about he 977 00:50:52,080 --> 00:50:56,800 Speaker 5: wished he could take it back. You could go outside 978 00:50:56,840 --> 00:51:01,000 Speaker 5: of a federal ass place and do that. You knew 979 00:51:01,040 --> 00:51:06,080 Speaker 5: that that was the whole intent about. And that's what 980 00:51:06,160 --> 00:51:06,799 Speaker 5: I was going to say. 981 00:51:06,840 --> 00:51:09,480 Speaker 1: There's a there's a thing, there's a there's a drug 982 00:51:09,800 --> 00:51:15,080 Speaker 1: in virality and attention right now where where whether you 983 00:51:15,280 --> 00:51:17,480 Speaker 1: started something to want to do something like I did 984 00:51:17,600 --> 00:51:19,680 Speaker 1: with my blog and then ended up leaning into the 985 00:51:19,719 --> 00:51:23,160 Speaker 1: mess because that's what people wanted. We have to be 986 00:51:23,239 --> 00:51:26,560 Speaker 1: honest as content creators. Why we're putting out certain things, 987 00:51:27,080 --> 00:51:30,160 Speaker 1: why we're leading into certain clips going out instead of 988 00:51:30,200 --> 00:51:32,840 Speaker 1: the informational ones, Like we even sit on this podcast 989 00:51:33,239 --> 00:51:36,080 Speaker 1: and we'll deep dive into some things where we're bringing 990 00:51:36,160 --> 00:51:38,560 Speaker 1: up laws, we're bringing up things that are informational that 991 00:51:38,680 --> 00:51:41,120 Speaker 1: might not make the clip because we want to also 992 00:51:41,840 --> 00:51:46,560 Speaker 1: garner a reaction. Reaction. 993 00:51:46,719 --> 00:51:47,680 Speaker 3: Basically, we study it. 994 00:51:47,760 --> 00:51:51,640 Speaker 5: We study how our audiences are yeh, because we are 995 00:51:51,680 --> 00:51:53,600 Speaker 5: audience right. So it was like, all right, what are 996 00:51:53,680 --> 00:51:56,120 Speaker 5: the trends in the and there's no blueprint we are 997 00:51:56,200 --> 00:51:57,120 Speaker 5: living the blueprint, and. 998 00:51:57,160 --> 00:51:57,600 Speaker 3: Really we are. 999 00:51:58,120 --> 00:52:01,200 Speaker 6: When I was writing Boss of Headline, I knew exactly 1000 00:52:01,960 --> 00:52:04,880 Speaker 6: what's gonna be the reaction. As I was crafting that 1001 00:52:04,960 --> 00:52:07,400 Speaker 6: ship the night before when something happened, I'm like, oh, 1002 00:52:07,440 --> 00:52:09,200 Speaker 6: I know exactly what I'm gonna say tomorrow. I know 1003 00:52:09,280 --> 00:52:11,560 Speaker 6: exactly how they're gonna react. I know exactly who's going 1004 00:52:11,640 --> 00:52:14,120 Speaker 6: to retweet it. I know who's gonna retweet it, like 1005 00:52:14,200 --> 00:52:15,480 Speaker 6: it and quote tweet it. 1006 00:52:15,960 --> 00:52:18,320 Speaker 2: I was laying out, I was laying out his Jordan's 1007 00:52:18,600 --> 00:52:19,000 Speaker 2: his shirt. 1008 00:52:19,440 --> 00:52:22,360 Speaker 1: Yeah, like it was tomorrow. 1009 00:52:22,719 --> 00:52:23,560 Speaker 3: I can't wait. 1010 00:52:23,600 --> 00:52:27,319 Speaker 6: When that ship happened with the with THEE, when they 1011 00:52:27,520 --> 00:52:30,440 Speaker 6: came out as like a diehard report, I knew. I 1012 00:52:30,600 --> 00:52:33,160 Speaker 6: was like, tomorrow morning, it's gonna be fun. I'm going 1013 00:52:33,280 --> 00:52:35,640 Speaker 6: to flame this nigga, and it is gonna go crazy. 1014 00:52:35,719 --> 00:52:38,200 Speaker 5: You know what, I judge people when they when they 1015 00:52:38,280 --> 00:52:46,880 Speaker 5: pick up when I pick that up, don't pick up 1016 00:52:46,880 --> 00:52:47,400 Speaker 5: my Iberia. 1017 00:52:48,000 --> 00:52:51,440 Speaker 3: You know you don't worry. You gotta get that for 1018 00:52:51,520 --> 00:52:51,839 Speaker 3: the people. 1019 00:52:51,880 --> 00:52:52,440 Speaker 2: You're gonna get that. 1020 00:52:53,800 --> 00:52:55,440 Speaker 1: Let me tell y'all how bad I am. And this 1021 00:52:55,560 --> 00:52:58,040 Speaker 1: is me being selectively ignorant because bitch, I love. They 1022 00:52:58,120 --> 00:53:00,000 Speaker 1: gotta write some peace box because write some peace take 1023 00:53:00,120 --> 00:53:05,960 Speaker 1: a long time, right, got one dat it's real good, Nigga. 1024 00:53:06,000 --> 00:53:08,480 Speaker 1: I went to three grocery stores looking for that guy. 1025 00:53:13,480 --> 00:53:15,560 Speaker 1: I was looking for the Goya on the shelves, and 1026 00:53:15,680 --> 00:53:16,280 Speaker 1: I said. 1027 00:53:16,120 --> 00:53:19,239 Speaker 2: She said, hey, hey man, anybody, anybody, anybody got somebody 1028 00:53:20,160 --> 00:53:23,800 Speaker 2: free just the free giving away man, Hey many Nigga. 1029 00:53:24,160 --> 00:53:27,880 Speaker 1: I was like, I'm in Georgia. I know there's go products. 1030 00:53:28,320 --> 00:53:30,719 Speaker 1: I know that they were not thrown off at the 1031 00:53:30,800 --> 00:53:34,080 Speaker 1: Trump support Nigga. I went to three stores. Then my 1032 00:53:34,120 --> 00:53:35,520 Speaker 1: ass on Amazon, like maybe I. 1033 00:53:35,520 --> 00:53:37,520 Speaker 3: Can order that ship went to Highway. You should have 1034 00:53:37,520 --> 00:53:39,920 Speaker 3: went right to beat Highway and you got that. 1035 00:53:40,840 --> 00:53:42,399 Speaker 1: When I tell you, even they like, like I said, 1036 00:53:42,400 --> 00:53:44,759 Speaker 1: they little so free throwing ship, got that good ship, 1037 00:53:46,280 --> 00:53:49,000 Speaker 1: like they cut down the time it takes to make 1038 00:53:49,120 --> 00:53:49,960 Speaker 1: some really good show. 1039 00:53:51,520 --> 00:53:58,600 Speaker 3: Has frozen planting. Wow, it's the easiest ship to do. 1040 00:53:59,120 --> 00:53:59,759 Speaker 3: How do you do that? 1041 00:54:01,040 --> 00:54:02,600 Speaker 2: What time is it even saving you? 1042 00:54:03,080 --> 00:54:03,759 Speaker 3: Hold on? Hold on? 1043 00:54:03,840 --> 00:54:07,080 Speaker 1: You know what's crazy though, him knowing all the ship. 1044 00:54:08,520 --> 00:54:12,240 Speaker 3: Because I'm they got frozen peanut butter and jelly frozen. 1045 00:54:13,880 --> 00:54:18,759 Speaker 1: Jelly Prez's cheese crustables is one of my favorite. Yes, 1046 00:54:19,560 --> 00:54:21,680 Speaker 1: I don't do that I'm an uncrustable asshole. 1047 00:54:22,920 --> 00:54:27,080 Speaker 3: Okay, we gotta do it class. We need an episode 1048 00:54:28,239 --> 00:54:31,600 Speaker 3: we can I don't like uncrustable. I can make the 1049 00:54:31,680 --> 00:54:32,400 Speaker 3: ship myself. 1050 00:54:32,560 --> 00:54:34,320 Speaker 1: Oh no, I just throw it out at all and 1051 00:54:36,880 --> 00:54:38,120 Speaker 1: I wait for that thing too. 1052 00:54:38,440 --> 00:54:38,480 Speaker 2: On. 1053 00:54:39,040 --> 00:54:40,200 Speaker 3: This is what we're fighting on the time. 1054 00:54:40,400 --> 00:54:48,000 Speaker 2: Ye get you, get you all back on track. Can 1055 00:54:48,040 --> 00:54:50,399 Speaker 2: I ask a question about words and word choices? Yes, 1056 00:54:50,600 --> 00:54:52,759 Speaker 2: come on words and word choices, because because we've been 1057 00:54:52,800 --> 00:54:57,120 Speaker 2: saying it, I think ar mind pouring oil on him 1058 00:54:57,239 --> 00:54:59,120 Speaker 2: was good content but bad media. 1059 00:54:59,640 --> 00:55:00,239 Speaker 5: That makes sense? 1060 00:55:01,280 --> 00:55:07,239 Speaker 6: Are you like, from from a subjectives? Just looking at 1061 00:55:07,280 --> 00:55:09,439 Speaker 6: it from a does this work? Or does this not work? 1062 00:55:09,520 --> 00:55:12,600 Speaker 3: Hell? Yeah, that should work? Right now? 1063 00:55:12,760 --> 00:55:15,080 Speaker 1: We all have let it work to do what? Just 1064 00:55:15,200 --> 00:55:15,880 Speaker 1: garner attention? 1065 00:55:18,800 --> 00:55:20,720 Speaker 2: But that's what that's supposed to attention? 1066 00:55:20,840 --> 00:55:22,400 Speaker 3: Yeah, I would, but I would. 1067 00:55:22,239 --> 00:55:25,080 Speaker 1: Want to know again as a content creator, as a journalist, 1068 00:55:25,400 --> 00:55:28,040 Speaker 1: when you do things like that for attention, a lot 1069 00:55:28,120 --> 00:55:31,520 Speaker 1: of times we also want to do things to get subscribers, 1070 00:55:31,600 --> 00:55:34,800 Speaker 1: to get money to get my things and work to 1071 00:55:34,880 --> 00:55:38,600 Speaker 1: do what Because if he didn't get an influx abtraction 1072 00:55:38,760 --> 00:55:41,759 Speaker 1: to his channel, or if he lost supporters for that, 1073 00:55:42,239 --> 00:55:43,120 Speaker 1: did it really work? 1074 00:55:43,200 --> 00:55:46,719 Speaker 3: But here's the thing about it when you do this. 1075 00:55:46,960 --> 00:55:50,560 Speaker 3: For some people doing this, they want two things out 1076 00:55:50,600 --> 00:55:51,000 Speaker 3: of this. 1077 00:55:51,800 --> 00:55:52,399 Speaker 1: What do they want? 1078 00:55:52,440 --> 00:55:55,640 Speaker 6: They want to get paid and they want attention. Okay, 1079 00:55:55,800 --> 00:55:57,719 Speaker 6: that's not that. Those are the two currencies that you 1080 00:55:57,880 --> 00:56:00,719 Speaker 6: have here. So for him, he can come on there 1081 00:56:00,760 --> 00:56:03,000 Speaker 6: and what I don't know what happened that would make 1082 00:56:03,040 --> 00:56:04,800 Speaker 6: him say, oh, I regret it now, what happened? You 1083 00:56:04,840 --> 00:56:06,919 Speaker 6: didn't lose anything, You didn't your house didn't. 1084 00:56:07,239 --> 00:56:09,120 Speaker 2: I think he didn't know how to handle the unwanted 1085 00:56:09,200 --> 00:56:12,120 Speaker 2: attention right, Like to your point, like he wanted attention, 1086 00:56:12,400 --> 00:56:14,320 Speaker 2: but then when he was getting some of the other attention, 1087 00:56:14,440 --> 00:56:17,600 Speaker 2: which maybe was coming from people outside the community that 1088 00:56:17,680 --> 00:56:19,279 Speaker 2: weren't going to stick with him and follow him, and 1089 00:56:19,360 --> 00:56:23,239 Speaker 2: they were criticizing him. That's what I don't want him though, Like, yeah, 1090 00:56:24,120 --> 00:56:25,520 Speaker 2: that's why he shouldn't apologize. 1091 00:56:25,600 --> 00:56:26,920 Speaker 3: Yeah, don't don't apologize. 1092 00:56:26,960 --> 00:56:28,560 Speaker 5: To stand on that and let it be what it is, 1093 00:56:28,680 --> 00:56:30,719 Speaker 5: because it's going to be a degenerated outlet that's going 1094 00:56:30,760 --> 00:56:33,160 Speaker 5: to give him a platform to do that wild ship 1095 00:56:33,480 --> 00:56:34,040 Speaker 5: and then he's not. 1096 00:56:34,880 --> 00:56:37,319 Speaker 2: But he has his own platform, he doesn't even need. 1097 00:56:39,440 --> 00:56:45,360 Speaker 1: He got an oil fund that he's for people to 1098 00:56:45,440 --> 00:56:47,640 Speaker 1: donate money. He could have, he could have. 1099 00:56:47,960 --> 00:56:50,400 Speaker 3: I just don't like the word fund, like fund sounds like. 1100 00:56:50,440 --> 00:56:54,160 Speaker 2: Okay, that's so that's my second part of it, right, 1101 00:56:54,280 --> 00:56:59,759 Speaker 2: Like there's uh so like I'm my people call me 1102 00:56:59,840 --> 00:57:03,440 Speaker 2: aournalists identify as a journalist people, And I'm just I'm 1103 00:57:03,480 --> 00:57:06,120 Speaker 2: just saying in terms of like having like a public profile. Right, 1104 00:57:06,600 --> 00:57:09,520 Speaker 2: people refers to me as a journalist. I viewed myself 1105 00:57:09,520 --> 00:57:12,239 Speaker 2: as journalism. I mean, went to journalism school, but like 1106 00:57:12,360 --> 00:57:15,759 Speaker 2: I also published a newsletter, right and and so that's 1107 00:57:15,800 --> 00:57:19,040 Speaker 2: probably like that's creator like, but I don't think of 1108 00:57:19,120 --> 00:57:22,080 Speaker 2: myself as a creator. But those things it's probably almost 1109 00:57:22,160 --> 00:57:24,600 Speaker 2: sillier for me to not think what I'm not. And 1110 00:57:24,920 --> 00:57:27,360 Speaker 2: they just they're almost all the same thing. But there's 1111 00:57:27,400 --> 00:57:28,240 Speaker 2: so many similarities. 1112 00:57:28,360 --> 00:57:30,560 Speaker 1: Do you identify as a journalist because you went to 1113 00:57:30,640 --> 00:57:32,800 Speaker 1: journalism school? I think that that's what I'm here. 1114 00:57:32,840 --> 00:57:34,360 Speaker 2: I think it's I think it's I think it's because 1115 00:57:34,360 --> 00:57:36,440 Speaker 2: of the activities that I learned from the school that 1116 00:57:36,520 --> 00:57:38,640 Speaker 2: I still do. So Like I operate my newsletter, I 1117 00:57:38,760 --> 00:57:40,640 Speaker 2: make phone calls in my newsletter. I try to break 1118 00:57:40,680 --> 00:57:43,480 Speaker 2: things in my newsletter. I'll get sources. Like it's not 1119 00:57:43,800 --> 00:57:45,760 Speaker 2: just like this is it's not just off of vibes 1120 00:57:45,920 --> 00:57:48,240 Speaker 2: or how I feel or what I think, Like there's 1121 00:57:48,280 --> 00:57:51,040 Speaker 2: a there's a foundational element. I don't and I don't 1122 00:57:51,080 --> 00:57:53,760 Speaker 2: mean that because, like I said, I think I. 1123 00:57:53,800 --> 00:57:55,400 Speaker 3: Want to go for accounting. 1124 00:57:56,440 --> 00:57:57,200 Speaker 1: Anymore. 1125 00:57:57,720 --> 00:57:59,480 Speaker 2: But I think I think the oil fund is funny, 1126 00:57:59,520 --> 00:58:01,760 Speaker 2: and I think that's it is I would I wouldn't 1127 00:58:01,800 --> 00:58:04,520 Speaker 2: do that, right, but that's not like that's not my DNA, 1128 00:58:04,720 --> 00:58:06,680 Speaker 2: but I think that is good content. But also the 1129 00:58:06,800 --> 00:58:09,040 Speaker 2: idea of what like what you just said, you want 1130 00:58:09,040 --> 00:58:11,160 Speaker 2: to accounting school. You went to school for accounting, but 1131 00:58:11,160 --> 00:58:12,600 Speaker 2: that's not what you do anymore, but you run a 1132 00:58:12,640 --> 00:58:16,520 Speaker 2: business that requires finance, right, And I think it's just curious, 1133 00:58:16,640 --> 00:58:19,520 Speaker 2: like like what we call ourselves right where it's like 1134 00:58:19,560 --> 00:58:21,600 Speaker 2: mandya are you a podcast? So you said you're a 1135 00:58:21,680 --> 00:58:23,840 Speaker 2: creator job, what do you call yourself today? 1136 00:58:24,000 --> 00:58:24,680 Speaker 3: I call myself. 1137 00:58:25,520 --> 00:58:27,880 Speaker 6: I called myself a writer only because I didn't feel 1138 00:58:27,920 --> 00:58:30,240 Speaker 6: comfortable with journalists a not just because I didn't go 1139 00:58:30,280 --> 00:58:35,680 Speaker 6: to journalism school, but like my writing hasn't really appeared 1140 00:58:35,800 --> 00:58:40,880 Speaker 6: in places that would be uh strict journalism media outlets, 1141 00:58:40,920 --> 00:58:42,320 Speaker 6: Like I don't write for the AJAC. I don't write 1142 00:58:42,360 --> 00:58:45,280 Speaker 6: for a newspaper. I didn't write for a magazine. But 1143 00:58:45,360 --> 00:58:48,200 Speaker 6: I'm a guy who knows how to write and respects 1144 00:58:48,240 --> 00:58:52,480 Speaker 6: the tenants of journalism because that's what makes for good writing, 1145 00:58:52,600 --> 00:58:56,560 Speaker 6: that gives you credibility. So I don't consider myself a journalist, 1146 00:58:56,640 --> 00:58:59,000 Speaker 6: but I try to operate within as many of those 1147 00:58:59,080 --> 00:59:01,280 Speaker 6: tenants as I can in a given situation. 1148 00:59:02,440 --> 00:59:03,840 Speaker 3: So who ask me what I am? I just tell 1149 00:59:03,880 --> 00:59:04,480 Speaker 3: them I'm a writer. 1150 00:59:05,000 --> 00:59:08,560 Speaker 2: I would say you're like a cultural critic or a cultural. 1151 00:59:08,880 --> 00:59:12,480 Speaker 6: Culture critic, because to me, journalism is a title that 1152 00:59:12,600 --> 00:59:16,680 Speaker 6: you have earned through either school or your history of 1153 00:59:16,800 --> 00:59:17,960 Speaker 6: integrity in your work. 1154 00:59:18,120 --> 00:59:20,840 Speaker 1: I think the way we are now trying to place 1155 00:59:20,960 --> 00:59:24,600 Speaker 1: labels on titles in this space is the same that 1156 00:59:24,720 --> 00:59:27,840 Speaker 1: people place titles on their sexuality. I don't give a 1157 00:59:27,960 --> 00:59:30,240 Speaker 1: fuck about you, know what I mean? Like, I think 1158 00:59:30,360 --> 00:59:33,520 Speaker 1: that we even try to tell someone what they are 1159 00:59:33,640 --> 00:59:35,480 Speaker 1: or what they're not, and a part of me is 1160 00:59:35,560 --> 00:59:37,520 Speaker 1: just like, eh, I don't know like that. I know 1161 00:59:37,600 --> 00:59:39,720 Speaker 1: what I am right now as an author, but when 1162 00:59:39,760 --> 00:59:42,720 Speaker 1: it comes to like podcasting, I know I don't do interviews. 1163 00:59:42,960 --> 00:59:45,520 Speaker 1: I have conversations, So there's a different way in which 1164 00:59:45,640 --> 00:59:47,400 Speaker 1: I delivered things as well, but again, I didn't go 1165 00:59:47,440 --> 00:59:49,600 Speaker 1: to journalism school, so I would never sit up and 1166 00:59:49,640 --> 00:59:52,760 Speaker 1: say I'm a journalist. Like I also don't like interviewing 1167 00:59:53,200 --> 00:59:53,560 Speaker 1: too much. 1168 00:59:53,880 --> 00:59:56,720 Speaker 2: Like do you identify as a podcaster or a creator 1169 00:59:57,000 --> 00:59:58,680 Speaker 2: or are they the same or is there difference? 1170 00:59:58,800 --> 01:00:02,520 Speaker 1: Is both? I do? I say media personality and podcaster. 1171 01:00:03,720 --> 01:00:06,160 Speaker 1: I lean into both because I've also hosted a dating 1172 01:00:06,160 --> 01:00:08,760 Speaker 1: show on MTV. I've also done stuff with Revolt and 1173 01:00:09,160 --> 01:00:10,600 Speaker 1: like you know, I've done I've done a lot of 1174 01:00:10,600 --> 01:00:12,880 Speaker 1: different things that take me outside of just sitting in 1175 01:00:12,920 --> 01:00:13,480 Speaker 1: front of a mic. 1176 01:00:13,840 --> 01:00:15,480 Speaker 2: But this is what if I called you? What if 1177 01:00:15,480 --> 01:00:18,240 Speaker 2: I called you a streamer? Because I I'm just like. 1178 01:00:20,560 --> 01:00:22,280 Speaker 1: I do want to stream, but that's the thing. I 1179 01:00:22,400 --> 01:00:25,240 Speaker 1: don't live stream. I think once I get in front 1180 01:00:25,280 --> 01:00:26,240 Speaker 1: of my cameras. 1181 01:00:26,040 --> 01:00:28,400 Speaker 2: On Instagram, on Instagram live like every morning. 1182 01:00:28,200 --> 01:00:31,120 Speaker 1: Calm down, not every morning, once a week, calm down? 1183 01:00:31,160 --> 01:00:31,440 Speaker 2: But is that? 1184 01:00:31,600 --> 01:00:32,720 Speaker 3: But is that not? If you did it? 1185 01:00:32,800 --> 01:00:34,439 Speaker 2: The only difference is if you did it on Twitch. 1186 01:00:34,520 --> 01:00:36,840 Speaker 2: But it would be the same thing. So you're could 1187 01:00:36,920 --> 01:00:38,520 Speaker 2: I think I could honestly say you're. 1188 01:00:38,360 --> 01:00:41,520 Speaker 1: A streaming I say no, because the the everyday person 1189 01:00:42,080 --> 01:00:44,200 Speaker 1: that might hop on an I g live because they're 1190 01:00:44,200 --> 01:00:46,720 Speaker 1: around their friends. That doesn't make them a streamer. So 1191 01:00:47,240 --> 01:00:49,480 Speaker 1: I would never call myself that until I get to 1192 01:00:49,560 --> 01:00:52,600 Speaker 1: the place where I am live streaming. But just someone 1193 01:00:52,680 --> 01:00:58,120 Speaker 1: hopping on a social no, it doesn't make everyone. 1194 01:01:00,200 --> 01:01:00,360 Speaker 8: Like you. 1195 01:01:00,600 --> 01:01:03,480 Speaker 1: Up to this sentence, you uploading a video to YouTube 1196 01:01:03,520 --> 01:01:05,960 Speaker 1: does not make you a YouTuber. I just had this 1197 01:01:06,400 --> 01:01:08,640 Speaker 1: this argument with redacted. I'm not gonna say his name 1198 01:01:08,640 --> 01:01:11,840 Speaker 1: because I fucking think he sucks, but he literally tried 1199 01:01:11,920 --> 01:01:15,440 Speaker 1: to t label me a YouTuber because I have a 1200 01:01:15,520 --> 01:01:17,840 Speaker 1: YouTube channel, and I was like, no, my nigga, I'm 1201 01:01:17,880 --> 01:01:21,280 Speaker 1: a podcaster. This is just another avenue of marketing for me. 1202 01:01:21,440 --> 01:01:24,360 Speaker 1: It's like a commercial for me. But I've never identified 1203 01:01:24,400 --> 01:01:26,760 Speaker 1: myself as a YouTuber because I don't go into the 1204 01:01:26,880 --> 01:01:30,240 Speaker 1: algorithm of YouTube and fully like, damn, let me monetize this. 1205 01:01:30,520 --> 01:01:32,480 Speaker 1: I don't care about my numbers on YouTube. I care 1206 01:01:32,520 --> 01:01:35,080 Speaker 1: about my audio numbers on podcasting because this is where 1207 01:01:35,080 --> 01:01:36,320 Speaker 1: I made my brother and product, and. 1208 01:01:36,360 --> 01:01:38,240 Speaker 6: I think some of it also, I would say for 1209 01:01:38,840 --> 01:01:41,000 Speaker 6: me anyway, and I don't have I don't have a 1210 01:01:41,040 --> 01:01:43,080 Speaker 6: YouTube channel or do any of those things right now. 1211 01:01:43,240 --> 01:01:45,880 Speaker 6: But for me, it's to me, it's about what you 1212 01:01:46,040 --> 01:01:48,680 Speaker 6: put your effort and investment into. If your effort in 1213 01:01:48,800 --> 01:01:52,520 Speaker 6: investment is into podcasting, then I feel like it makes 1214 01:01:52,520 --> 01:01:55,280 Speaker 6: sense to refer to your story as a podcaster. But 1215 01:01:55,440 --> 01:01:58,760 Speaker 6: like you said, posting the content on Instagram, posting the 1216 01:01:58,840 --> 01:02:02,160 Speaker 6: content on YouTube or whatever other platform doesn't. 1217 01:02:01,920 --> 01:02:04,680 Speaker 1: Make you that Oh yeah, like you pulling up on 1218 01:02:04,760 --> 01:02:09,880 Speaker 1: amateur Night and motherfucker don't think you know what I mean? 1219 01:02:10,520 --> 01:02:11,280 Speaker 1: Like it don't. 1220 01:02:11,480 --> 01:02:15,760 Speaker 2: So I mean so our DJ streamers now, like like DJ. 1221 01:02:18,440 --> 01:02:22,240 Speaker 1: Imagine, Yeah, you got a few DJ damage who gets 1222 01:02:22,280 --> 01:02:24,240 Speaker 1: on TikTok every day. Like that's what I'm saying. You 1223 01:02:24,280 --> 01:02:29,000 Speaker 1: could be more than one thing, like in this space. Yeah, 1224 01:02:29,360 --> 01:02:32,720 Speaker 1: I mean this conversation with somewhere that I didn't expect 1225 01:02:32,760 --> 01:02:35,000 Speaker 1: it to. Not me really just being like, y'all just 1226 01:02:35,040 --> 01:02:36,919 Speaker 1: got to figure out how to fuck you digest shiit, 1227 01:02:37,000 --> 01:02:40,200 Speaker 1: how you dissect it, how you consume it, like, because yeah, 1228 01:02:40,240 --> 01:02:42,480 Speaker 1: it could be informational for you or it could just 1229 01:02:42,520 --> 01:02:44,720 Speaker 1: be entertainment. But I need y'all to get the fuck 1230 01:02:44,760 --> 01:02:46,840 Speaker 1: out of the comments when you just don't agree with somebody, 1231 01:02:47,120 --> 01:02:49,000 Speaker 1: like someone is like, oh my god, I don't want 1232 01:02:49,040 --> 01:02:50,800 Speaker 1: to listen to this ship. You know, you have a 1233 01:02:50,960 --> 01:02:53,320 Speaker 1: choice you don't have to. 1234 01:02:54,880 --> 01:02:55,160 Speaker 3: Bruh. 1235 01:02:55,400 --> 01:02:57,760 Speaker 1: The hate listener is a whole other thing, but the hate. 1236 01:02:57,840 --> 01:03:00,720 Speaker 6: But we will never probably be able to quantify this 1237 01:03:00,920 --> 01:03:03,160 Speaker 6: for this show, or probably any other show for that matter. 1238 01:03:03,320 --> 01:03:07,160 Speaker 6: But I feel like for any platform that has grown 1239 01:03:07,200 --> 01:03:09,840 Speaker 6: to a certain size, I'm just gonna make up an 1240 01:03:09,880 --> 01:03:11,600 Speaker 6: arbitrary number because that's what these niggas do, right. 1241 01:03:11,880 --> 01:03:13,680 Speaker 3: But I'm gonna say that that fine. 1242 01:03:14,480 --> 01:03:15,000 Speaker 2: Is that fine? 1243 01:03:15,160 --> 01:03:17,000 Speaker 3: Hey, yeah, you're gonna put this in that fine? 1244 01:03:17,320 --> 01:03:21,400 Speaker 6: I would say that like anywhere from ten to maybe 1245 01:03:21,480 --> 01:03:26,920 Speaker 6: even twenty percent of listeners of major programmers are hate listening, 1246 01:03:26,960 --> 01:03:27,520 Speaker 6: hate watching. 1247 01:03:28,160 --> 01:03:30,560 Speaker 3: That's part of the audience, like they're coming back, Yeah, 1248 01:03:30,720 --> 01:03:31,120 Speaker 3: their return. 1249 01:03:32,120 --> 01:03:34,840 Speaker 6: People hate Joe Rogan, but I will guarantee you there's 1250 01:03:34,840 --> 01:03:37,800 Speaker 6: a lot of people listening to Joe Rogan who disagree 1251 01:03:37,840 --> 01:03:38,880 Speaker 6: with everything he's saying. 1252 01:03:39,240 --> 01:03:43,440 Speaker 1: I listen to both I hate Joe Budden like the 1253 01:03:43,520 --> 01:03:46,360 Speaker 1: podcast and even a lot of their taste. I don't 1254 01:03:46,400 --> 01:03:50,840 Speaker 1: think that the way that I listen to them is 1255 01:03:50,920 --> 01:03:52,640 Speaker 1: not the way that I listen to Van Lathan and 1256 01:03:52,760 --> 01:03:55,000 Speaker 1: Rachel Lindsay. It's not the same way I listen to 1257 01:03:55,320 --> 01:03:58,600 Speaker 1: the read. There's certain people that I do think do 1258 01:03:58,760 --> 01:04:02,280 Speaker 1: a very well job and sharing their opinions because they 1259 01:04:02,320 --> 01:04:05,080 Speaker 1: looked into it, they actually have a thought process from it. 1260 01:04:05,480 --> 01:04:08,600 Speaker 1: Then there's another to hear people iterate things they read 1261 01:04:08,640 --> 01:04:11,600 Speaker 1: on Twitter and not really stand true in having an 1262 01:04:11,640 --> 01:04:14,439 Speaker 1: actual opinion. And I think for a podcast with fifty 1263 01:04:14,440 --> 01:04:17,640 Speaker 1: eleven people, I listen to it and I'm more frustrated 1264 01:04:17,720 --> 01:04:22,160 Speaker 1: that there's not a deeper take into their opinions and 1265 01:04:22,240 --> 01:04:24,800 Speaker 1: why they have them. It's why I have this show, 1266 01:04:25,120 --> 01:04:27,680 Speaker 1: Like I can respect people having a difference of opinion, 1267 01:04:27,920 --> 01:04:29,520 Speaker 1: but when I bring on guests or when I talk 1268 01:04:29,560 --> 01:04:32,520 Speaker 1: to y'all, I want to make sure that you have 1269 01:04:32,640 --> 01:04:36,800 Speaker 1: an opinion because of your experience or because of your background, 1270 01:04:37,080 --> 01:04:39,960 Speaker 1: not because you've been on Twitter all morning and now 1271 01:04:40,080 --> 01:04:43,960 Speaker 1: your opinion has been crafted by the masses and now 1272 01:04:44,000 --> 01:04:46,760 Speaker 1: you're just saying what you think the audience wants to hear. 1273 01:04:47,080 --> 01:04:49,880 Speaker 1: And unfortunately, that's what I get from them. And then 1274 01:04:49,960 --> 01:04:53,440 Speaker 1: when it gets deep, niggas make jokes because it's uncomfortable 1275 01:04:53,480 --> 01:04:55,600 Speaker 1: to get deep because maybe now you feel dumb, So 1276 01:04:55,840 --> 01:04:59,760 Speaker 1: for me it's entertaining. But I actually listen to it 1277 01:05:00,200 --> 01:05:02,080 Speaker 1: kind of hate a lot of their takes. But there's 1278 01:05:02,200 --> 01:05:04,200 Speaker 1: other platforms that I'm able to listen to during the 1279 01:05:04,240 --> 01:05:07,880 Speaker 1: week where I gathered some information that I appreciate. 1280 01:05:08,160 --> 01:05:09,880 Speaker 6: I mean, And that's again, that just goes back to 1281 01:05:09,960 --> 01:05:11,720 Speaker 6: what I was saying as far as the listener. If 1282 01:05:11,720 --> 01:05:14,520 Speaker 6: you're the listener, you have more of a responsibility now 1283 01:05:14,840 --> 01:05:19,480 Speaker 6: to understand what you're listening to. Yeah, and like view 1284 01:05:19,560 --> 01:05:21,520 Speaker 6: it in that way and keep it keep things in 1285 01:05:21,640 --> 01:05:22,600 Speaker 6: their proper perspective. 1286 01:05:23,600 --> 01:05:25,960 Speaker 1: So, Jason, what do we want to ask the audience 1287 01:05:26,000 --> 01:05:28,120 Speaker 1: to sit with after this conversation. What's the question we're 1288 01:05:28,120 --> 01:05:28,640 Speaker 1: going to give them. 1289 01:05:29,240 --> 01:05:31,560 Speaker 2: It's cool and I've been thinking about a lot of it. 1290 01:05:31,840 --> 01:05:34,680 Speaker 2: I guess I was going to ask you this question, 1291 01:05:34,760 --> 01:05:36,880 Speaker 2: but maybe we should ask it to the audience. Remember 1292 01:05:36,880 --> 01:05:38,440 Speaker 2: when we did the R and B episode and you 1293 01:05:38,560 --> 01:05:41,800 Speaker 2: were like you were differentiating between soul and R and B, 1294 01:05:41,960 --> 01:05:43,640 Speaker 2: and you should it for R and B. I have 1295 01:05:43,720 --> 01:05:44,880 Speaker 2: to feel it in my heart and feel it in 1296 01:05:44,960 --> 01:05:48,320 Speaker 2: my pants. Mandy B says this, Yep, right. So I 1297 01:05:48,440 --> 01:05:50,560 Speaker 2: was going to ask you what makes media, like what 1298 01:05:50,720 --> 01:05:51,720 Speaker 2: makes media today? 1299 01:05:51,840 --> 01:05:51,880 Speaker 5: Like? 1300 01:05:51,920 --> 01:05:53,320 Speaker 2: What are what are the things that make media? And 1301 01:05:53,560 --> 01:05:55,280 Speaker 2: you know, Job said something interesting where it's like it's 1302 01:05:55,320 --> 01:05:58,200 Speaker 2: not you know the thing that you use, but it's 1303 01:05:58,240 --> 01:06:00,680 Speaker 2: what you do right or how you identified. But I 1304 01:06:00,720 --> 01:06:03,360 Speaker 2: don't know, is it something to work to ask the audience, 1305 01:06:03,440 --> 01:06:06,360 Speaker 2: like what what are the characteristics that they think for media? 1306 01:06:06,560 --> 01:06:11,680 Speaker 1: For me, media media should be differentiated between informational and entertainment. 1307 01:06:12,400 --> 01:06:14,080 Speaker 1: And I think that we kind of blurred the lines 1308 01:06:14,080 --> 01:06:16,400 Speaker 1: there just a little bit. And it's like I said, 1309 01:06:16,760 --> 01:06:19,640 Speaker 1: it's why I like listening to a Van Lathan or 1310 01:06:19,680 --> 01:06:22,480 Speaker 1: even an antinette on around the way Curls because there's 1311 01:06:22,600 --> 01:06:27,760 Speaker 1: thought out research done which may lean into more bit 1312 01:06:27,800 --> 01:06:32,280 Speaker 1: of journalism. Like there's actual read and there's actual fact. 1313 01:06:34,200 --> 01:06:34,600 Speaker 3: Opinions. 1314 01:06:34,800 --> 01:06:38,760 Speaker 1: Oh my god, there's the sharing of facts and breaking 1315 01:06:38,800 --> 01:06:41,120 Speaker 1: down the history of it and actually delivering it away 1316 01:06:41,200 --> 01:06:45,280 Speaker 1: where I'm learning. And then there's the difference having opinion 1317 01:06:45,800 --> 01:06:48,720 Speaker 1: on some ship and now it's this is just for 1318 01:06:48,880 --> 01:06:53,320 Speaker 1: me to get my will spinning, but someone's opinion never 1319 01:06:53,440 --> 01:06:56,680 Speaker 1: really teaches me anything, if that makes sense. I don't 1320 01:06:56,680 --> 01:06:59,520 Speaker 1: think people listening here like what what I hope people 1321 01:06:59,560 --> 01:07:01,400 Speaker 1: get from any of the platforms that I'm on is 1322 01:07:01,720 --> 01:07:04,160 Speaker 1: what I'm y'all know, what I'm gonna do is give 1323 01:07:04,160 --> 01:07:07,800 Speaker 1: a motherfucking opinion. But I'm not telling you how to think. 1324 01:07:08,200 --> 01:07:11,160 Speaker 1: I don't believe everything I say is right or wrong. 1325 01:07:11,600 --> 01:07:14,040 Speaker 1: It's my opinion, and so I just push people to 1326 01:07:14,120 --> 01:07:16,560 Speaker 1: have their own. But to me, that's how I distinguish 1327 01:07:16,680 --> 01:07:19,960 Speaker 1: between media as a whole, Like what I'm gathering from it, 1328 01:07:20,400 --> 01:07:24,280 Speaker 1: soaking in and actually learning, and then what I'm just watching. 1329 01:07:24,000 --> 01:07:25,960 Speaker 2: Being entertained by me to be entertained. 1330 01:07:26,480 --> 01:07:26,680 Speaker 8: Yeah. 1331 01:07:26,760 --> 01:07:29,720 Speaker 6: I mean a while ago, I had a conversation with 1332 01:07:29,880 --> 01:07:32,720 Speaker 6: my homegirl in New York and she was she was 1333 01:07:32,880 --> 01:07:38,360 Speaker 6: calling what I do news and I was like, I 1334 01:07:38,400 --> 01:07:40,760 Speaker 6: don't really do news, Like yeah, you do, and I 1335 01:07:40,840 --> 01:07:42,880 Speaker 6: was like, nah, I don't really do the news, and 1336 01:07:42,960 --> 01:07:45,600 Speaker 6: she was like, well, you know, you post stories that 1337 01:07:45,880 --> 01:07:48,800 Speaker 6: real things happening that people are reading and consuming, and 1338 01:07:48,880 --> 01:07:52,000 Speaker 6: you're doing it with you know, the facts, even if 1339 01:07:52,080 --> 01:07:54,040 Speaker 6: there's like some comedy in there or some you know, 1340 01:07:54,200 --> 01:07:55,920 Speaker 6: like I said, crazy headlines and shit like that. But 1341 01:07:56,000 --> 01:07:58,440 Speaker 6: you're doing stories that people are reading about, whether it's 1342 01:07:58,960 --> 01:08:02,880 Speaker 6: something entertainment or something police brutality or whatever scandal is 1343 01:08:02,920 --> 01:08:05,480 Speaker 6: going on in public eye at the time, you know. 1344 01:08:05,560 --> 01:08:08,080 Speaker 3: And I'm like, but that's not news. And we went 1345 01:08:08,160 --> 01:08:09,680 Speaker 3: back and forth about this for like thirty minutes. 1346 01:08:09,720 --> 01:08:11,960 Speaker 6: And this is a conversation that happened maybe a decade ago, 1347 01:08:12,560 --> 01:08:14,880 Speaker 6: and you know, now we're here in this space having 1348 01:08:14,920 --> 01:08:17,639 Speaker 6: this conversation when so much of the media has changed. 1349 01:08:17,920 --> 01:08:23,840 Speaker 3: But to her point, people think everything is the news. 1350 01:08:24,120 --> 01:08:24,360 Speaker 5: They do. 1351 01:08:25,120 --> 01:08:28,880 Speaker 6: But the news is supposed to be journalism, information, facts, research, 1352 01:08:28,880 --> 01:08:30,559 Speaker 6: all this stuff you were talking about, that's the news. 1353 01:08:30,680 --> 01:08:33,600 Speaker 3: But now it's just like the news just means what 1354 01:08:33,920 --> 01:08:36,599 Speaker 3: just happened thirty minutes ago, Yeah, to people, And that's 1355 01:08:36,680 --> 01:08:37,639 Speaker 3: not what I post. 1356 01:08:37,760 --> 01:08:39,960 Speaker 6: What can I post? What is the what story just broke? 1357 01:08:39,960 --> 01:08:41,680 Speaker 6: I don't have all the information, but I know for 1358 01:08:41,760 --> 01:08:43,600 Speaker 6: a fact this thing happens, so I can talk about it. 1359 01:08:43,680 --> 01:08:46,800 Speaker 1: I mean, even the fact that music reviews, which at 1360 01:08:46,840 --> 01:08:49,880 Speaker 1: one point was a bit of journalism, Like Jason, you 1361 01:08:50,000 --> 01:08:53,920 Speaker 1: are part of that landscape. I was a music sign, 1362 01:08:54,280 --> 01:08:58,960 Speaker 1: you were period. It is now album dropped Friday, ten 1363 01:08:59,040 --> 01:09:02,559 Speaker 1: hours into listening. Now they're spewing their thoughts and critiques 1364 01:09:02,920 --> 01:09:04,559 Speaker 1: on an album that hasn't even been out for twenty 1365 01:09:04,600 --> 01:09:05,040 Speaker 1: four hours. 1366 01:09:05,280 --> 01:09:07,320 Speaker 5: I don't mind that you don't because I have a 1367 01:09:07,880 --> 01:09:10,960 Speaker 5: so and this is kind of leaning into outside of 1368 01:09:11,120 --> 01:09:15,160 Speaker 5: the content creation podcast space. On the music side, I 1369 01:09:15,240 --> 01:09:17,320 Speaker 5: have a rule. I know, I a record is dope. 1370 01:09:17,400 --> 01:09:20,400 Speaker 5: Fifteen seconds in okay easy, I'm not just saying that 1371 01:09:20,640 --> 01:09:21,559 Speaker 5: this is a this is a thing. 1372 01:09:21,680 --> 01:09:23,479 Speaker 1: Records don't grow on you because I don't know. 1373 01:09:23,680 --> 01:09:24,280 Speaker 3: They still grow. 1374 01:09:24,920 --> 01:09:25,280 Speaker 2: That's the thing. 1375 01:09:26,000 --> 01:09:28,000 Speaker 3: I know. When when is when is lit? 1376 01:09:28,080 --> 01:09:31,280 Speaker 1: But the thing is, he said, I like showers, not growers. 1377 01:09:35,840 --> 01:09:48,160 Speaker 1: W wild, He said, I know what fifteen seconds if 1378 01:09:48,160 --> 01:09:48,680 Speaker 1: I want to be. 1379 01:09:50,680 --> 01:09:58,639 Speaker 3: Baby, I forgot no sidebar, not a sidebar. 1380 01:09:58,720 --> 01:10:01,120 Speaker 5: But when you said you didn't know how to identify yourself, right, 1381 01:10:01,520 --> 01:10:04,760 Speaker 5: I went over to the new Oh, I went over 1382 01:10:04,840 --> 01:10:11,840 Speaker 5: to the New Black Slaw Dictionary of Chat GPT, and 1383 01:10:11,960 --> 01:10:17,120 Speaker 5: they said that you are a journalist, editor, and cultural commentator. 1384 01:10:17,640 --> 01:10:19,360 Speaker 1: Not identified. 1385 01:10:20,120 --> 01:10:21,400 Speaker 5: Let me tell you what happened when I put his 1386 01:10:21,520 --> 01:10:24,080 Speaker 5: name in there, right, they gave me the other Jason Lee. 1387 01:10:24,560 --> 01:10:29,680 Speaker 5: Of course, Oh, mister hip hop, they said, Oh, let 1388 01:10:29,680 --> 01:10:35,240 Speaker 5: me let me. That's what I'm gonna get to, mister Reguez. 1389 01:10:35,320 --> 01:10:39,800 Speaker 3: Second, it says great distinction. Oh yo, this ship is crazy. 1390 01:10:41,000 --> 01:10:42,320 Speaker 3: Jason A. 1391 01:10:42,439 --> 01:10:45,559 Speaker 5: K A is a different figure from Jason Lee from 1392 01:10:45,720 --> 01:10:48,280 Speaker 5: talk about period, period talk about that. 1393 01:10:48,360 --> 01:10:49,320 Speaker 3: So he gave that assessment. 1394 01:10:49,400 --> 01:10:51,599 Speaker 1: Dam I should have actually introduced you as just Jason 1395 01:10:51,680 --> 01:10:53,120 Speaker 1: Lee and people. 1396 01:10:54,040 --> 01:10:54,799 Speaker 3: People figure. 1397 01:10:56,720 --> 01:10:57,519 Speaker 1: He south straight? 1398 01:10:57,800 --> 01:11:01,519 Speaker 3: So uh where Mandy said? 1399 01:11:01,720 --> 01:11:02,840 Speaker 2: Uh? Uh? 1400 01:11:03,200 --> 01:11:07,200 Speaker 5: Mandy B is an immediate entrepreneur, podcaster, and sex positive 1401 01:11:07,240 --> 01:11:08,280 Speaker 5: cultural commentator. 1402 01:11:08,439 --> 01:11:09,400 Speaker 1: Okay, that's good. 1403 01:11:09,560 --> 01:11:11,240 Speaker 3: I'm not mad at that's good for mister. 1404 01:11:12,760 --> 01:11:16,240 Speaker 5: It says, oh maybe no. Jason ro Reguez is a 1405 01:11:16,320 --> 01:11:19,479 Speaker 5: veteran hip hop journalist and media executive who's worked as 1406 01:11:19,520 --> 01:11:25,120 Speaker 5: an editor and strategious and cultural story shape strategious. 1407 01:11:25,120 --> 01:11:26,799 Speaker 1: It's crazy, it's strategy. 1408 01:11:26,800 --> 01:11:29,120 Speaker 5: We in a we're in a society of the generators 1409 01:11:29,880 --> 01:11:36,719 Speaker 5: about bringing back cursive writing. 1410 01:11:37,960 --> 01:11:42,559 Speaker 1: I never got We're old. I still do cursive Okay. 1411 01:11:42,880 --> 01:11:44,120 Speaker 3: The fact they bring it back is crazy. 1412 01:11:45,520 --> 01:11:45,640 Speaker 2: Uh. 1413 01:11:46,960 --> 01:11:51,040 Speaker 5: Who's work as an editor, strategist and cultural storyteller has 1414 01:11:51,040 --> 01:11:54,880 Speaker 5: shaped how narratives and document and document how shake back? 1415 01:11:56,920 --> 01:11:59,360 Speaker 2: Come on chat t help me out with the other 1416 01:11:59,439 --> 01:12:01,519 Speaker 2: ship speak GPT. 1417 01:12:02,560 --> 01:12:04,920 Speaker 5: Jason Royrigguez is a veteran hip hop journalist and media 1418 01:12:04,960 --> 01:12:08,680 Speaker 5: executive who's worked as an editor, strategist, and cultural storyteller 1419 01:12:08,720 --> 01:12:11,759 Speaker 5: has shaped how hip hop narratives are documented and shared 1420 01:12:11,800 --> 01:12:14,160 Speaker 5: across digital platform not documented. 1421 01:12:14,120 --> 01:12:14,680 Speaker 3: Choking you up? 1422 01:12:16,120 --> 01:12:16,320 Speaker 2: Yeah? 1423 01:12:16,960 --> 01:12:17,840 Speaker 1: What about you a king? 1424 01:12:17,960 --> 01:12:20,520 Speaker 2: But if I hold this up on my content creator. 1425 01:12:25,280 --> 01:12:27,160 Speaker 3: A little mini microphone. 1426 01:12:27,400 --> 01:12:29,599 Speaker 5: I've seen someone I'm not gonna say they name because 1427 01:12:29,640 --> 01:12:31,560 Speaker 5: I don't know if I really like their content like that. 1428 01:12:31,680 --> 01:12:33,640 Speaker 5: That's funny and they've been in but they had the 1429 01:12:33,680 --> 01:12:36,559 Speaker 5: little ship and I'm like, look at this nigga. Sorry 1430 01:12:36,760 --> 01:12:39,680 Speaker 5: I'm doing look at this degro with the ship on 1431 01:12:39,760 --> 01:12:42,800 Speaker 5: his chin. But anyway, it says uh A. King is 1432 01:12:42,840 --> 01:12:48,320 Speaker 5: a pioneering podcast producer, pioneering yeah period, talent manager, and 1433 01:12:48,479 --> 01:12:51,560 Speaker 5: cultural curator whose work has shaped hip hop podcasting and 1434 01:12:51,720 --> 01:12:54,639 Speaker 5: champion authentic storytelling across music and media. 1435 01:12:55,080 --> 01:12:57,960 Speaker 1: Do y'all see we coatsing this motherfucker I'm talking about? 1436 01:12:58,200 --> 01:13:00,640 Speaker 1: All right, well, y'all, we are about to sign on 1437 01:13:00,960 --> 01:13:08,680 Speaker 1: out Jason Lee the one, thank you see one period Jah, 1438 01:13:08,840 --> 01:13:09,880 Speaker 1: thank you for joining us. 1439 01:13:10,080 --> 01:13:12,280 Speaker 3: Always would love you. 1440 01:13:12,320 --> 01:13:14,439 Speaker 1: To join us whenever you are. And I'm waiting for 1441 01:13:14,520 --> 01:13:17,120 Speaker 1: you to get on a goddamn microphone even though niggas 1442 01:13:17,120 --> 01:13:22,680 Speaker 1: ail like no more microphones for the black community. There 1443 01:13:22,760 --> 01:13:26,760 Speaker 1: we go, period period, will y'all. This is another episode 1444 01:13:26,920 --> 01:13:32,920 Speaker 1: of Selective Ignorance, where curiosity lives, controversy thrives, and conversations matter. 1445 01:13:33,479 --> 01:13:34,960 Speaker 1: See you next week. 1446 01:13:35,120 --> 01:13:35,559 Speaker 3: I know that. 1447 01:13:37,880 --> 01:13:41,160 Speaker 1: Selective Ignorance a production of the Black Effect Podcast Network 1448 01:13:41,400 --> 01:13:44,800 Speaker 1: For more podcasts from iHeart Radio, visit the iHeartRadio app, 1449 01:13:45,080 --> 01:13:48,160 Speaker 1: Apple Podcasts, or wherever you listen to your favorite shows. 1450 01:13:48,280 --> 01:13:50,600 Speaker 2: Thanks for tuning in the Selective Ignorance of Mandy B. 1451 01:13:50,800 --> 01:13:53,720 Speaker 2: Selective Ignorance. It's executive produced to buy Mandy B. And 1452 01:13:53,800 --> 01:13:57,160 Speaker 2: it's a Full Court Media studio production with lead producers 1453 01:13:57,280 --> 01:14:01,160 Speaker 2: Jason Rodriguez, That's me and Aaron ak. Now, do us 1454 01:14:01,200 --> 01:14:04,560 Speaker 2: a favor and rate, Subscribe, comment and share wherever you 1455 01:14:04,640 --> 01:14:07,679 Speaker 2: get your favorite podcasts, and be sure to follow Selective 1456 01:14:07,720 --> 01:14:12,040 Speaker 2: Ignorance on Instagram at Selective Underscore Ignorance. And of course, 1457 01:14:12,080 --> 01:14:14,519 Speaker 2: if you're not following our hosts Mandy B, make sure 1458 01:14:14,560 --> 01:14:16,680 Speaker 2: you're following her at Full Court pumps Now. If you 1459 01:14:16,720 --> 01:14:19,720 Speaker 2: want the full video experience of Selective Ignorance, make sure 1460 01:14:19,760 --> 01:14:23,680 Speaker 2: you subscribe to the Patreon It's patreon dot com backslash 1461 01:14:23,920 --> 01:14:25,200 Speaker 2: Selective Ignorance