1 00:00:19,120 --> 00:00:22,640 Therésa: Hello, Hello, Hello, and welcome to the tenth episode of 2 00:00:22,760 --> 00:00:28,200 Therésa: Haunting Purgatory's premiere podcast, where we share original, one hundred 3 00:00:28,200 --> 00:00:33,440 Therésa: percent real stories about mortal encounters with the paranormal. Our 4 00:00:33,520 --> 00:00:36,960 Therésa: little old podcast is officially double digits today. Now, I 5 00:00:37,040 --> 00:00:40,040 Therésa: know that's not some big, crazy milestone or anything, but 6 00:00:40,360 --> 00:00:43,760 Therésa: as my therapist used to preach, it's about celebrating the 7 00:00:43,880 --> 00:00:46,960 Therésa: little wins. Of course, she was referring to managing my 8 00:00:47,000 --> 00:00:50,640 Therésa: Real Housewives addiction, but I think the sentiment applies here too, 9 00:00:50,800 --> 00:00:54,480 Therésa: and for what it's worth, by the end, I was 10 00:00:54,480 --> 00:00:59,280 Therésa: only watching Salt Lake, Yes, by far, the best of 11 00:00:59,320 --> 00:01:03,440 Therésa: the franchise. Now, I'm not usually one to get sappy on main , 12 00:01:03,480 --> 00:01:06,400 Therésa: but I'm really proud of what we've accomplished in the 13 00:01:06,480 --> 00:01:10,240 Therésa: last ten episodes. A lot of people have been truly terrified, 14 00:01:10,560 --> 00:01:13,720 Therésa: maybe even had life changing experiences that haunt them to 15 00:01:13,720 --> 00:01:19,360 Therésa: this day. But what matters more is that I've really grown. 16 00:01:21,000 --> 00:01:22,840 Therésa: When I died and found out I'd be stuck in 17 00:01:22,880 --> 00:01:25,520 Therésa: Purgatory hosting this podcast for the rest of eternity, or 18 00:01:25,560 --> 00:01:29,080 Therésa: until my unfinished business was finished, I kind of freaked, 19 00:01:32,520 --> 00:01:35,640 Therésa: but after a meltdown in my rage room, My rage 20 00:01:35,680 --> 00:01:38,080 Therésa: room is an abandoned tuberculosis hospital where I go and 21 00:01:38,120 --> 00:01:40,920 Therésa: bang on pipes to get my aggression out. I came 22 00:01:40,959 --> 00:01:44,080 Therésa: to terms with my new reality and decided to turn 23 00:01:44,160 --> 00:01:48,240 Therésa: my lemons into lemon infused charcoal detox water 24 00:01:49,960 --> 00:01:50,000 Len: (MUMBLES) 25 00:01:53,880 --> 00:01:55,480 Therésa: It's Gwyneth's take on lemonade,  Len. 26 00:01:55,520 --> 00:01:55,680 Len: (MUMBLES) 27 00:01:58,520 --> 00:02:01,760 Therésa: Oh my god, Len. Keep up. But I have to say 28 00:02:01,840 --> 00:02:04,560 Therésa: I've really learned a lot, not just about the afterlife, 29 00:02:04,600 --> 00:02:09,079 Therésa: but about expressing myself in a non visual medium. For example, 30 00:02:09,440 --> 00:02:12,200 Therésa: as a spirit, I don't show up in photos anymore. 31 00:02:12,560 --> 00:02:14,320 Therésa: So if I want people to know I spent my 32 00:02:14,360 --> 00:02:18,240 Therésa: weekend haunting the VIP section of Pacha Ibiza with Liberace 33 00:02:18,320 --> 00:02:22,520 Therésa: and River Phoenix, I have to mention it repeatedly. You 34 00:02:22,600 --> 00:02:27,200 Therésa: could say I'm feeling pretty at peace these days, almost 35 00:02:27,360 --> 00:02:32,680 Therésa: like my business is finished. Yep, don't tell my caseworker 36 00:02:32,760 --> 00:02:40,200 Therésa: Sharon that my business is feeling pretty finished. I thought 37 00:02:40,200 --> 00:02:42,880 Therésa: that might work, but okay, no, I get it. You 38 00:02:42,960 --> 00:02:48,560 Therésa: gotta trust the process. Anyway, Now we're gonna hear from Karlyn, 39 00:02:48,840 --> 00:02:53,680 Therésa: who is every supernatural podcast host dream listener, because well 40 00:02:54,000 --> 00:03:00,239 Therésa: she can actually hear us. 41 00:03:01,600 --> 00:03:04,840 STORY A: I'm not really sure what to call it. When it starts, 42 00:03:04,960 --> 00:03:08,280 STORY A: it will go in and out, like you're popping your 43 00:03:08,280 --> 00:03:12,359 STORY A: head above water and then going under again, like when 44 00:03:12,400 --> 00:03:17,520 STORY A: water rushes into your ear. I mostly hear voices, but 45 00:03:17,600 --> 00:03:21,240 STORY A: it's hard to distinguish what they're saying because it's usually 46 00:03:21,280 --> 00:03:24,839 STORY A: many voices. But it's just me hearing this. No one 47 00:03:24,840 --> 00:03:27,320 STORY A: else can hear it. This has happened before to me, 48 00:03:27,400 --> 00:03:29,960 STORY A: so I kind of just like brush it off. But 49 00:03:30,080 --> 00:03:34,680 STORY A: this one time it really scared me. Hi I'm Karlyn. 50 00:03:35,400 --> 00:03:38,080 STORY A: I think that ghost might be trying to communicate with me. 51 00:03:43,880 --> 00:03:46,760 STORY A: This was a couple of years ago. I was in 52 00:03:46,800 --> 00:03:50,400 STORY A: my apartment. It was just a normal night in New 53 00:03:50,480 --> 00:03:54,440 STORY A: York City. My boyfriend and I had gone to bed, 54 00:03:54,680 --> 00:03:56,880 STORY A: but the light was still on in the living room. 55 00:03:56,920 --> 00:04:01,320 STORY A: It's not like we shut everything off. We were in 56 00:04:01,360 --> 00:04:04,680 STORY A: bed for maybe ten minutes and then he dozed off. 57 00:04:05,960 --> 00:04:11,840 STORY A: My apartment's a railroad apartment. There's a straight line going 58 00:04:11,880 --> 00:04:15,680 STORY A: from the left. There's a backyard, and then there is 59 00:04:16,240 --> 00:04:20,440 STORY A: my bedroom, then the living room, and then there's a 60 00:04:20,480 --> 00:04:27,719 STORY A: really long hallway where the kitchen is in. I had 61 00:04:27,720 --> 00:04:31,760 STORY A: my eyes closed, but I was awake, and I hear 62 00:04:31,880 --> 00:04:38,560 STORY A: this seventies rock music playing, and I also hear people 63 00:04:39,120 --> 00:04:43,440 STORY A: laughing and talking. The voices get like louder, like someone's 64 00:04:43,480 --> 00:04:46,000 STORY A: like shouting and excitement, and it sounds like it's a 65 00:04:46,080 --> 00:04:56,480 STORY A: karaoke party. So I opened my eyes. It's silent. There's 66 00:04:56,520 --> 00:05:01,040 STORY A: no party going on. The light was still on in 67 00:05:01,080 --> 00:05:04,159 STORY A: the living room, but nothing else. Nothing was on. We 68 00:05:04,240 --> 00:05:08,000 STORY A: didn't have a TV or radio on. It was weird, 69 00:05:08,240 --> 00:05:11,600 STORY A: but I brush it off and I'm just laying down 70 00:05:11,760 --> 00:05:14,920 STORY A: like awake you know, when your eyes are just closed, 71 00:05:15,680 --> 00:05:17,800 STORY A: but you're not really sleeping, you're just on the cusp 72 00:05:17,839 --> 00:05:28,760 STORY A: of it. And then my ears pop. The best way 73 00:05:28,800 --> 00:05:31,279 STORY A: for me to describe it is when you go under 74 00:05:31,400 --> 00:05:34,599 STORY A: water and the water fills your ears and it sounds empty, 75 00:05:35,240 --> 00:05:38,599 STORY A: kind of like an echo of nothing, nothing, nothing, nothing. 76 00:05:44,080 --> 00:05:53,560 STORY A: And then it changes. There's radio static. It sounds like 77 00:05:54,200 --> 00:06:04,040 STORY A: someone is changing the radio station , like someone's trying 78 00:06:04,040 --> 00:06:07,080 STORY A: to look for a channel. And then it'll be like voices, 79 00:06:07,160 --> 00:06:10,160 STORY A: and then it'll change again to something else, and it's 80 00:06:10,279 --> 00:06:17,720 STORY A: very quick, and then I hear a very clear nine 81 00:06:17,560 --> 00:06:23,720 STORY A: one one call. I hear the operator first the address 82 00:06:23,720 --> 00:06:27,440 STORY A: of your emergency typical operator, like where are you, like, 83 00:06:27,480 --> 00:06:33,680 STORY A: what can I do for you? You know, It's a 84 00:06:33,720 --> 00:06:37,359 STORY A: woman and she's very frantic. She is trapped in a 85 00:06:37,440 --> 00:06:40,240 STORY A: house and the nine one one operator asks her if 86 00:06:40,279 --> 00:06:44,840 STORY A: someone is in the house with her. She says, yes, 87 00:06:44,880 --> 00:06:48,680 STORY A: he's in here. He's trapped me in the house. I 88 00:06:48,720 --> 00:06:52,200 STORY A: can hear this woman's panic and it kind of just 89 00:06:52,440 --> 00:06:57,440 STORY A: escalated to her screaming for help, and it's so loud, 90 00:06:57,960 --> 00:07:03,440 STORY A: and then it changes very fast. Other voices start to 91 00:07:03,480 --> 00:07:08,360 STORY A: come in. Some are speaking different languages. Some are whispery 92 00:07:08,400 --> 00:07:12,160 STORY A: and very fast, like they're rushed to say what they're saying, 93 00:07:13,240 --> 00:07:16,280 STORY A: very creepy. And then some are really loud, but it's 94 00:07:16,640 --> 00:07:18,960 STORY A: kind of muffled and far away, so it's hard to 95 00:07:18,960 --> 00:07:22,440 STORY A: make out what they're saying. And it's just like a 96 00:07:22,480 --> 00:07:25,880 STORY A: whirlwind of voices trying to talk to me. I can't 97 00:07:25,920 --> 00:07:28,040 STORY A: hear what they're saying. They're all talking over each other. 98 00:07:28,800 --> 00:07:32,000 STORY A: And then it gets louder until everyone is shouting in 99 00:07:32,040 --> 00:07:37,160 STORY A: my ears. It's so loud it hurts my ears, and 100 00:07:37,200 --> 00:07:44,440 STORY A: then I start to freak out. There's a weight in 101 00:07:44,480 --> 00:07:50,240 STORY A: the room. I can sense their presence right next to me. 102 00:07:53,680 --> 00:07:57,520 STORY A: It's close, like it's right on top of me. It 103 00:07:57,560 --> 00:07:59,880 STORY A: gets really overwhelming, so I just feel like I need 104 00:07:59,920 --> 00:08:03,280 STORY A: to pull myself out of it, and it feels like 105 00:08:03,640 --> 00:08:06,200 STORY A: it takes a long time. But all I do is 106 00:08:06,240 --> 00:08:11,200 STORY A: just open my eyes and everything stops. I'm awake. My 107 00:08:11,280 --> 00:08:14,720 STORY A: body's awake, my mind is awake, my adrenaline is rushing. 108 00:08:16,000 --> 00:08:18,800 STORY A: And then I roll over and I look up right 109 00:08:18,840 --> 00:08:28,600 STORY A: above me is this shadow figure floating above me. I 110 00:08:28,760 --> 00:08:34,440 STORY A: was frozen in fear and awe. I've never seen a 111 00:08:34,480 --> 00:08:40,439 STORY A: shadow person. It was massive, the very tall male shape, 112 00:08:40,880 --> 00:08:47,720 STORY A: and it didn't seem friendly. I'm just in shock staring 113 00:08:47,760 --> 00:08:51,439 STORY A: at it, and it starts to move towards me. I 114 00:08:51,480 --> 00:08:53,679 STORY A: was like, oh my god, I can't believe what I'm 115 00:08:53,679 --> 00:08:57,400 STORY A: actually seeing right now. And it's not really dark in 116 00:08:57,480 --> 00:08:59,920 STORY A: the room, you know, there's light coming in from the 117 00:09:00,080 --> 00:09:03,840 STORY A: living room, so I'm seeing it. It's not my shadow 118 00:09:04,120 --> 00:09:08,120 STORY A: or anyone else's shadow. I don't take my eyes off it. 119 00:09:08,200 --> 00:09:11,319 STORY A: I just start hitting my boyfriend, trying to wake him up. 120 00:09:11,760 --> 00:09:14,440 STORY A: I want him to see what I'm seeing, but I 121 00:09:14,520 --> 00:09:22,280 STORY A: also need protection. He just like grabs me and holds 122 00:09:22,280 --> 00:09:25,679 STORY A: me and he's like ssh, like relax, and I like 123 00:09:25,800 --> 00:09:29,160 STORY A: curl into him. I kind of take a deep breath, 124 00:09:30,160 --> 00:09:33,600 STORY A: and then I look back up at the ceiling. The 125 00:09:33,600 --> 00:09:40,760 STORY A: shadow figure is gone. It scared me. It was probably 126 00:09:40,800 --> 00:09:43,120 STORY A: the scariest thing that's happened to me in a very 127 00:09:43,200 --> 00:09:47,559 STORY A: long time. This wasn't a night terror, and it wasn't 128 00:09:47,760 --> 00:09:53,760 STORY A: sleep paralysis. I've told this story to my friends. They 129 00:09:53,800 --> 00:09:58,040 STORY A: think that it's spirits trying to communicate with me, like 130 00:09:58,120 --> 00:10:01,640 STORY A: I'm almost a channel for these spirits or whatever. On the 131 00:10:01,679 --> 00:10:06,280 STORY A: other side, I do think I'm sensitive to it, and 132 00:10:06,360 --> 00:10:08,880 STORY A: I'm open to it, whether I want to be or not. 133 00:10:09,559 --> 00:10:13,120 STORY A: But I'm scared, and I don't know how to get 134 00:10:13,160 --> 00:10:16,400 STORY A: over my fear and really open up and listen to 135 00:10:16,440 --> 00:10:20,880 STORY A: see if I can actually hear what they have to say. 136 00:10:20,960 --> 00:10:24,640 STORY A: Because it's so many voices at one time it's overwhelming. 137 00:10:25,559 --> 00:10:28,560 STORY A: But I felt like if I was less scared and 138 00:10:28,640 --> 00:10:32,920 STORY A: more open to it, the voices would come through more clearly. 139 00:10:34,120 --> 00:10:39,880 STORY A: In those moments, I feel very vulnerable, like I'm open 140 00:10:39,960 --> 00:10:42,240 STORY A: for good things, but I'm also open for bad things, 141 00:10:42,280 --> 00:10:44,360 STORY A: and I feel the bad things, like I feel the 142 00:10:44,400 --> 00:10:46,640 STORY A: bad energy and I'm like, okay, I need to close 143 00:10:46,679 --> 00:10:50,120 STORY A: it off. I feel like I've never had a good 144 00:10:50,160 --> 00:10:55,319 STORY A: experience it's more like very neutral or it's very bad. 145 00:10:56,960 --> 00:11:00,439 STORY A: I am interested in finding out if I am a medium, 146 00:11:00,559 --> 00:11:01,959 STORY A: but it's also kind of scary. 147 00:11:12,080 --> 00:11:15,840 Therésa: Karlyn Girl, tune into our channel. It's a party. No 148 00:11:15,960 --> 00:11:19,240 Therésa: shadow people over here, just two well meaning spirits and 149 00:11:19,280 --> 00:11:23,040 Therésa: one poorly adapted demonic intern celebrating a small but mighty 150 00:11:23,080 --> 00:11:29,120 Therésa: milestone in their other worldly career endeavors. I'm sorry, Naomi, 151 00:11:29,160 --> 00:11:32,160 Therésa: but your work ethic is inconsistent and your disregard for 152 00:11:32,200 --> 00:11:38,480 Therésa: authority is troubling. Right, So I want to give you 153 00:11:38,520 --> 00:11:41,880 Therésa: my rose, bud and thorn of this whole experience so far, 154 00:11:42,559 --> 00:11:45,079 Therésa: I would say my rose was episode eight when I 155 00:11:45,160 --> 00:11:49,719 Therésa: learned about the afterlife dating apps, and my thorn was 156 00:11:49,760 --> 00:11:52,840 Therésa: probably in episode six when I accidentally alienated Jimmy Buffet's 157 00:11:52,880 --> 00:11:56,000 Therésa: entire fan base. Len, maybe we just delete that one? 158 00:11:56,280 --> 00:11:57,839 Len: (MUMBLES) 159 00:11:57,880 --> 00:12:02,480 Therésa: Ugh, fine. Well, my bud, which is something I'm looking 160 00:12:02,480 --> 00:12:05,600 Therésa: forward to that has blooming potential, is continuing to learn 161 00:12:05,679 --> 00:12:08,680 Therésa: more about all the different types of spiritual entities out 162 00:12:08,679 --> 00:12:11,800 Therésa: there and the creative ways they inflict suffering and terror 163 00:12:11,880 --> 00:12:14,880 Therésa: on their human targets, and the potential for free stuff 164 00:12:14,920 --> 00:12:18,600 Therésa: from pr people. Yeah, we like free stuff. 165 00:12:19,000 --> 00:12:21,040 Therésa: Now, if you have any favorite moments from the last 166 00:12:21,080 --> 00:12:24,760 Therésa: ten episodes you'd like to share, email Len at HauntingThePodcast@gmail.com 167 00:12:26,440 --> 00:12:29,760 Therésa: and while you do, listen to Alex, who continues our 168 00:12:29,880 --> 00:12:34,120 Therésa: celebratory theme of the auditory Haunt with this next story. 169 00:12:37,240 --> 00:12:40,200 STORY B: I've heard a lot of the paranormal sounding stories from people. 170 00:12:40,640 --> 00:12:43,199 STORY B: Part of me always was like, oh, man, I kind 171 00:12:43,200 --> 00:12:46,080 STORY B: of wish something like that would happen to me. When 172 00:12:46,120 --> 00:12:49,680 STORY B: it did, I instantly regret ever having a desire for 173 00:12:49,760 --> 00:12:55,560 STORY B: something like this to happen to me. Our first thought was, 174 00:12:55,600 --> 00:13:03,040 STORY B: something is behind us. We saw darkness. We can't see there, 175 00:13:03,080 --> 00:13:07,840 STORY B: but whatever is there can see us. It's definitely very haunting. 176 00:13:09,400 --> 00:13:14,040 STORY B: We make a run for it. We booked it. My 177 00:13:14,120 --> 00:13:17,840 STORY B: name is Alex and one night in a forest in Spain, 178 00:13:18,640 --> 00:13:22,720 STORY B: I heard something scream from behind me and it still 179 00:13:22,760 --> 00:13:32,760 STORY B: haunts me to this day. It was in June of 180 00:13:32,800 --> 00:13:38,480 STORY B: twenty thirteen. It took place in a small coastal farmtown 181 00:13:38,559 --> 00:13:44,040 STORY B: in Galicia, which is in the northwest of Spain. I 182 00:13:44,080 --> 00:13:47,280 STORY B: was about twenty four years old at the time. I 183 00:13:47,320 --> 00:13:50,119 STORY B: have a lot of family in Spain. My mom is Spanish. 184 00:13:51,120 --> 00:13:53,480 STORY B: Growing up going to Spain, it was something we did 185 00:13:53,520 --> 00:13:57,080 STORY B: almost every summer to see family and stuff, and you know, 186 00:13:57,160 --> 00:14:00,679 STORY B: it's a really unique, beautiful town. So it took a 187 00:14:00,720 --> 00:14:02,880 STORY B: couple of weeks off of work and with a really 188 00:14:02,880 --> 00:14:05,800 STORY B: good friend of mine. I think it had been like 189 00:14:05,880 --> 00:14:07,880 STORY B: a couple of years since I had last went at 190 00:14:07,880 --> 00:14:11,920 STORY B: that time. You know, I've been going there almost every 191 00:14:11,920 --> 00:14:15,559 STORY B: summer of my life and wanted to share that with 192 00:14:15,600 --> 00:14:22,480 STORY B: somebody else. So we made our way there. We brought 193 00:14:22,680 --> 00:14:24,960 STORY B: our nice camera, so we were really hoping that we 194 00:14:25,000 --> 00:14:27,680 STORY B: would get to practice some night photography while we were there. 195 00:14:29,320 --> 00:14:32,840 STORY B: I've always felt very safe there. We always used to say, 196 00:14:32,920 --> 00:14:35,280 STORY B: oh my god, this is a small town. Whatever bad 197 00:14:35,400 --> 00:14:42,200 STORY B: could happen here. When we were young, we used to 198 00:14:42,280 --> 00:14:45,160 STORY B: take night walks as a family, and we were just 199 00:14:45,320 --> 00:14:47,760 STORY B: always kind of just think, oh my gosh, like, you know, 200 00:14:47,840 --> 00:14:50,280 STORY B: this is so safe. We never heard anything about animals, 201 00:14:50,360 --> 00:14:53,600 STORY B: We never heard anything about people coming through and doing 202 00:14:53,600 --> 00:15:01,200 STORY B: any harm to anybody. We had about four days left 203 00:15:01,200 --> 00:15:05,520 STORY B: on our trip, and you know, we really wanted to 204 00:15:05,560 --> 00:15:08,000 STORY B: test out the camera. We had never done night photography before. 205 00:15:08,080 --> 00:15:14,400 STORY B: We bought a remote shutter for it. The first night 206 00:15:14,640 --> 00:15:17,080 STORY B: we wanted to go take pictures of this lighthouse they 207 00:15:17,160 --> 00:15:23,160 STORY B: call it Alfaro. When you think of your traditional lighthouse, 208 00:15:23,160 --> 00:15:25,120 STORY B: you think of the shape and you know the beacon 209 00:15:25,120 --> 00:15:26,920 STORY B: at the top, and this one just it was a 210 00:15:27,040 --> 00:15:29,880 STORY B: unique architecture. It's something a lot of people come to visit. 211 00:15:30,280 --> 00:15:32,800 STORY B: This is, you know, this big rectangular building with a 212 00:15:32,800 --> 00:15:38,880 STORY B: beacon on top that you know spins. Underneath the lighthouse, 213 00:15:39,000 --> 00:15:41,360 STORY B: You have these like tunnels and these bunkers that were 214 00:15:41,400 --> 00:15:43,840 STORY B: built during the Spanish Civil War. They were used as 215 00:15:43,840 --> 00:15:49,480 STORY B: lookout points to see if the French were invading. It's 216 00:15:49,600 --> 00:15:53,480 STORY B: been there for almost one hundred years or something. It 217 00:15:53,600 --> 00:15:56,080 STORY B: just seemed like a natural thing to take night photos of. 218 00:16:02,560 --> 00:16:04,160 STORY B: I would say you to get there from my house, 219 00:16:04,360 --> 00:16:07,240 STORY B: it's got to be about forty five minutes to an 220 00:16:07,280 --> 00:16:13,520 STORY B: hour walk. It's not too far away. You know, you 221 00:16:13,600 --> 00:16:15,400 STORY B: have to walk through the town, you know, you walk 222 00:16:15,600 --> 00:16:20,000 STORY B: past all these houses and then you get to the 223 00:16:20,120 --> 00:16:23,360 STORY B: entrance of the forest. At night, you see the beacon 224 00:16:23,400 --> 00:16:26,480 STORY B: of light spinning, so it's almost kind of like it 225 00:16:26,560 --> 00:16:30,480 STORY B: draws you. It's pretty much a straight shot, you know, 226 00:16:30,520 --> 00:16:32,440 STORY B: you just kind of follow the road. You get to 227 00:16:32,480 --> 00:16:34,440 STORY B: the forest, and then that takes you up to the 228 00:16:34,440 --> 00:16:36,280 STORY B: cliffs and then you make a right and you just kind 229 00:16:36,280 --> 00:16:38,560 STORY B: of follow the road all the way and then kind 230 00:16:38,560 --> 00:16:40,600 STORY B: of curves around and then you just kind of walk. 231 00:16:42,360 --> 00:16:45,000 STORY B: Honestly, The biggest danger you might have a crazy spaniard just 232 00:16:45,080 --> 00:16:52,240 STORY B: driving super fast on that road. First night went absolutely amazing. 233 00:16:53,160 --> 00:16:55,520 STORY B: You know. We visited some of the bunkers underneath and 234 00:16:55,640 --> 00:17:00,360 STORY B: we got some great photos. It was a moonless night. 235 00:17:01,640 --> 00:17:04,080 STORY B: It was so dark, yet in a way, the sky 236 00:17:04,400 --> 00:17:06,800 STORY B: was so bright with stars. I had never seen so 237 00:17:06,880 --> 00:17:10,560 STORY B: many stars in my life, just like a mess of stars. 238 00:17:11,520 --> 00:17:13,480 STORY B: We decided to come back at two in the morning. 239 00:17:14,440 --> 00:17:16,480 STORY B: When we were walking back, we even stopped in the 240 00:17:16,480 --> 00:17:19,959 STORY B: forest take a few night photos in there. So the 241 00:17:19,960 --> 00:17:22,080 STORY B: next night we were like, let's do this again, let's 242 00:17:22,200 --> 00:17:28,160 STORY B: go do more. It was the same situation. Couldn't see 243 00:17:28,200 --> 00:17:32,399 STORY B: the moon, mess of stars in the sky. We were 244 00:17:32,440 --> 00:17:34,800 STORY B: out there a little longer than the night before, because 245 00:17:34,840 --> 00:17:37,880 STORY B: you just lose yourself when you're doing this one shot. 246 00:17:37,920 --> 00:17:40,200 STORY B: You do a three minute exposure and you just keep 247 00:17:40,240 --> 00:17:41,720 STORY B: doing that until you get one next thing. You know, 248 00:17:41,840 --> 00:17:44,720 STORY B: oh wow, it's about three now I really should be 249 00:17:44,800 --> 00:17:51,080 STORY B: walking home now. We're walking back now through the forest. 250 00:17:53,359 --> 00:17:57,000 STORY B: Everything's fine. We had a little radio with us that 251 00:17:57,040 --> 00:18:01,040 STORY B: we were playing music, and all of a sudden we 252 00:18:01,320 --> 00:18:07,520 STORY B: hear this loud, high pitched, female sounding shriek from very 253 00:18:07,520 --> 00:18:18,320 STORY B: close behind us. Obviously, we got extremely startled. We just 254 00:18:18,560 --> 00:18:22,040 STORY B: stopped in our tracks and both of us kind of 255 00:18:22,080 --> 00:18:24,720 STORY B: whipped our bodies around to look and it was just 256 00:18:25,119 --> 00:18:33,760 STORY B: darkness behind us. My mind was just racing and I'm 257 00:18:33,760 --> 00:18:35,800 STORY B: trying to kind of give a facade like okay, okay, but on 258 00:18:36,480 --> 00:18:38,879 STORY B: the inside, I'm like, something is about to emerge from 259 00:18:38,880 --> 00:18:40,920 STORY B: the darkness, and the most I can do is buy 260 00:18:40,960 --> 00:18:45,439 STORY B: five seconds for my friend here. We just didn't know 261 00:18:45,480 --> 00:18:51,879 STORY B: what to do. And then another scream. It must have 262 00:18:52,000 --> 00:18:56,280 STORY B: been fifteen seconds after. At that point, we do our 263 00:18:56,280 --> 00:18:59,240 STORY B: best impression of an Olympic sprinter. We turn around and 264 00:18:59,280 --> 00:19:06,120 STORY B: we just run. I'll never forget. As we're running, I hear 265 00:19:06,240 --> 00:19:10,040 STORY B: the stream two more times. We get to the entrance 266 00:19:10,080 --> 00:19:14,280 STORY B: of the forest and hear it again, but it sounds 267 00:19:14,320 --> 00:19:20,200 STORY B: further enough. Adrenaline is pumping. I remember my heart beating 268 00:19:20,320 --> 00:19:23,720 STORY B: so fast. It just felt like once we got to the 269 00:19:23,840 --> 00:19:25,680 STORY B: entrance of the forest, we didn't need to run anymore. 270 00:19:27,640 --> 00:19:30,679 STORY B: The screams were way behind us now, didn't seem like 271 00:19:30,680 --> 00:19:33,000 STORY B: anything was following us. We felt safe at that point. 272 00:19:41,200 --> 00:19:44,159 STORY B: We made our way back into the town and I 273 00:19:44,240 --> 00:19:49,240 STORY B: remember all of the neighbors dogs barking, howling. Normally the 274 00:19:49,280 --> 00:19:50,919 STORY B: dogs will bark at you if you walk by, but 275 00:19:50,960 --> 00:19:53,360 STORY B: I remember that night like you could just hear all 276 00:19:53,400 --> 00:19:58,119 STORY B: of the dogs barking from all the houses. I remember 277 00:19:58,160 --> 00:19:59,959 STORY B: we were walking by my uncle's house and he had 278 00:20:00,040 --> 00:20:02,840 STORY B: this really nice dog that would usually come and greet us, 279 00:20:02,880 --> 00:20:04,840 STORY B: and I remember we kind of walked by and the 280 00:20:04,880 --> 00:20:06,960 STORY B: dog came up, but the dog seemed very tense and 281 00:20:06,960 --> 00:20:09,200 STORY B: almost kind of retreated a little bit and was growling. 282 00:20:10,160 --> 00:20:11,919 STORY B: You know, I felt like we got a lot of 283 00:20:11,960 --> 00:20:15,199 STORY B: bad energy on us right now, and it was agitating 284 00:20:15,240 --> 00:20:22,440 STORY B: all the animals. I felt terrible. You know, I bring 285 00:20:22,760 --> 00:20:25,480 STORY B: my really really great friend to Spain with me and 286 00:20:25,560 --> 00:20:29,399 STORY B: tell her family, don't worry, I'll keep her safe. Well, 287 00:20:29,480 --> 00:20:31,959 STORY B: it was so scary about it was just how close 288 00:20:32,000 --> 00:20:35,680 STORY B: it was to us, and just how all four times 289 00:20:35,680 --> 00:20:37,760 STORY B: that I heard the scream it was the same tone, 290 00:20:38,240 --> 00:20:42,480 STORY B: the same length, the same. It just was definitely very haunting. 291 00:20:44,040 --> 00:20:45,760 STORY B: When we got back to the house, we tried to 292 00:20:45,800 --> 00:20:50,360 STORY B: think about it practically. Well, what could this have really been? 293 00:20:50,440 --> 00:20:53,199 STORY B: You know, it felt paranormal. But you know, we're just 294 00:20:53,200 --> 00:20:55,560 STORY B: trying to think, maybe it was an animal? Maybe it 295 00:20:55,640 --> 00:20:59,920 STORY B: was a bird? I had never heard of any animals. 296 00:21:00,000 --> 00:21:02,000 STORY B: I don't think I've ever really even seen deer in 297 00:21:02,080 --> 00:21:05,320 STORY B: that forest. All my life growing up, nobody ever said, oh, 298 00:21:05,400 --> 00:21:09,360 STORY B: watch out, there's big cats or something. It was certainly 299 00:21:09,880 --> 00:21:13,159 STORY B: the most bizarre thing I had personally ever experienced in 300 00:21:13,200 --> 00:21:18,240 STORY B: my life. With a female sounding scream, we would always 301 00:21:18,280 --> 00:21:22,600 STORY B: call her the Little Banshee Woman of Spain. From what 302 00:21:22,680 --> 00:21:26,440 STORY B: I know about banshee's, it's like screaming ghosts. You hear 303 00:21:26,480 --> 00:21:31,560 STORY B: the scream and you want to get away from the scream. 304 00:21:31,720 --> 00:21:34,879 STORY B: You know, some people ask me, do you think that 305 00:21:35,000 --> 00:21:38,080 STORY B: the ghost put a curse on you or something? And 306 00:21:38,119 --> 00:21:40,760 STORY B: I'm like, you know, I can't tell for sure, but 307 00:21:41,200 --> 00:21:48,360 STORY B: hopefully I've done enough to lift that curse. I can't lie. 308 00:21:48,400 --> 00:21:52,719 STORY B: I'm still a bit skeptical, but in my heart, it 309 00:21:52,840 --> 00:21:58,320 STORY B: really did feel paranormal to me. I truly believe people 310 00:21:58,520 --> 00:22:01,399 STORY B: experience things that are just out of this world. 311 00:22:15,080 --> 00:22:18,280 Therésa: Spooky, yes, But the Little Banshee Woman of Spain is 312 00:22:18,320 --> 00:22:23,560 Therésa: a great name for a band. Well, I've almost polished 313 00:22:23,600 --> 00:22:26,600 Therésa: off this bottle of Champagne completely on my own because 314 00:22:26,800 --> 00:22:29,240 Therésa: Len refuses to have any fun at all while we're 315 00:22:29,240 --> 00:22:33,600 Therésa: on the clock. What clock, There's no time here. I 316 00:22:33,600 --> 00:22:38,280 Therésa: don't even know how long I've been dead. But truly, 317 00:22:38,560 --> 00:22:41,120 Therésa: from the bottom of my heart, thank you to our 318 00:22:41,160 --> 00:22:44,760 Therésa: listeners for tuning in, sharing your stories, and engaging with 319 00:22:44,840 --> 00:22:49,320 Therésa: us via email, the feed, dms, and psychic mediums. I 320 00:22:49,520 --> 00:22:55,639 Therésa: read every single positive comment about me. Remember, everyone, this 321 00:22:55,800 --> 00:22:57,679 Therésa: is just the beginning of Haunting, and we want to 322 00:22:57,760 --> 00:23:01,639 Therésa: share your stories. So if you've ever been personally victimized 323 00:23:01,640 --> 00:23:04,760 Therésa: by a malicious spirit, don't let it have been in vain. 324 00:23:04,960 --> 00:23:10,520 Therésa: Share it on the pod. Email Len at Haunting ThePodcast@gmail.com. You 325 00:23:10,640 --> 00:23:14,159 Therésa: never know. It might even feel cathartic. Oh boy, Naomi 326 00:23:14,240 --> 00:23:19,160 Therésa: opened another. Here we go! Naomi, You're bad. You want 327 00:23:19,160 --> 00:23:22,639 Therésa: to watch Real Housewives Salt Lake after this? Okay, betch. 328 00:23:23,840 --> 00:23:29,480 Therésa: Bye Loves, see you next time. Wait, guys, should we 329 00:23:29,520 --> 00:23:33,960 Therésa: go haunting like I'm in the mood to just Boo boo, boo, 330 00:23:34,040 --> 00:23:38,120 Therésa: boo boo all over town. You get a boo, you 331 00:23:38,160 --> 00:23:43,600 Therésa: get a boo, and you get a- It's okay, I'm okay, 332 00:23:43,920 --> 00:23:44,399 Therésa: I'm fine. 333 00:23:46,760 --> 00:23:49,399 Credits: If you have a Haunting story to share, please email 334 00:23:49,480 --> 00:23:54,320 Credits: us at HauntingThePodcast@gmail.com. Haunting is a production of Glass Podcast 335 00:23:54,400 --> 00:23:58,520 Credits: in partnership with iHeart Podcast. Haunting was created and executive produced 336 00:23:58,520 --> 00:24:02,719 Credits: by Nancy Glass, Andrea Gunning, Ben Fetterman and Lauren Lapkus. It 337 00:24:02,800 --> 00:24:06,680 Credits: is hosted by Lauren Lapkus as her character Therésa. Haunting 338 00:24:06,720 --> 00:24:09,199 Credits: is directed by Aleah Welsh and produced by Trey Morgan. 339 00:24:09,440 --> 00:24:11,639 Credits: It is written by Aleah Welsh, with additional writing by 340 00:24:11,760 --> 00:24:16,040 Credits: Nancy Glass, Trey Morgan, Ben Fetterman, and Kristin Melchiorre. Additional 341 00:24:16,040 --> 00:24:19,400 Credits: production support by Todd Ganz. Additional voice acting by Trey 342 00:24:19,440 --> 00:24:23,480 Credits: Morgan as the character producer Len Walker. Editing and sound 343 00:24:23,480 --> 00:24:26,720 Credits: designed by Matt Delvecchio with additional editing by Nico Arouca, 344 00:24:27,440 --> 00:24:30,959 Credits: mixed and mastered by Dave Saia. Operations and production support 345 00:24:30,960 --> 00:24:35,120 Credits: by Kristin Melchiorre. Haunting's theme and original compositions were composed 346 00:24:35,119 --> 00:24:38,800 Credits: by Oliver Baines and Dorry Macaulay of Noiser. Music Library 347 00:24:38,800 --> 00:24:43,600 Credits: provided by Mibe Music. Special thanks to Speakeasy Sound Studios in Burbank, California. 348 00:24:44,080 --> 00:24:47,000 Credits: Follow us on social media by searching for Glass Podcast 349 00:24:47,240 --> 00:24:51,000 Credits: or by visiting glasspodcast.com . For more shows from iHeart 350 00:24:51,000 --> 00:24:55,080 Credits: Podcasts and Glass Podcast, visit the iHeartRadio app, Apple podcast, 351 00:24:55,400 --> 00:24:57,520 Credits: or wherever you get your podcasts.