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Speaker 1: Big Bank. You don't be on nothing. I be on okay,

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Speaker 1: So let me ask bring you big big facts right now.

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Speaker 1: Visit the new website today Big factspod dot com line

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Speaker 1: from the culture Lab in the ATL. It's time for

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Speaker 1: that big facts, Big Bank, Baby j d J screen

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Speaker 1: Welcome in today. A true at l o G, a

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Speaker 1: true ATL pioneer, the legend Big OOMP is with us

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Speaker 1: representing the Course records. What's up? What's up? What's uping man?

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Speaker 1: Everything good with you?

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Speaker 2: God?

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Speaker 1: Thank you?

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Speaker 2: What up?

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Speaker 1: Salute you for pulling up. And we got so much

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Speaker 1: to talk about, I mean, the endless amount of things

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Speaker 1: to talk about. But first we just like to do

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Speaker 1: it well. Just check everything is going good with Big

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Speaker 1: On feeling good, Mine, mindset is good, spirit is good.

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Speaker 1: And I know it makes you smile when you think

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Speaker 1: about everything that's kind of circulating. Thirty three years of

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Speaker 1: Big Oomp record, Yes, sir, thirty three years yeah, yeah yeah.

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Speaker 1: And did you ever think when you set out on

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Speaker 1: the Big Records journey, did you see thirty three years ahead?

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Speaker 3: N I did, Man, I had no idea I was

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Speaker 3: even gonna be in music. M you know, so for

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Speaker 3: us to still be going thirty three years and like

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Speaker 3: we're still gonna be another thirty three more. I never

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Speaker 3: would imagine, never would imagine.

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Speaker 1: And it started before actually putting out action. And we'll

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Speaker 1: get into some of those acts. You said, y'all just

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Speaker 1: had like stores just slanging mixtapes.

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Speaker 2: Right yep. Started in ninety one.

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Speaker 3: I was, you know, I was in the streets doing

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Speaker 3: something totally different from music. And me, I'm still South,

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Speaker 3: you know, me, I'm still South, And dude night start

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Speaker 3: evering more every one day at the job Corps. They

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Speaker 3: had made this mixtape and they ran up on the

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Speaker 3: truck and uh, back then I had a Cherokee with

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Speaker 3: all the speakers and all that beating. They ran up

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Speaker 3: on me with a mixtape they had them made, you know,

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Speaker 3: like big boy put this in your tape there, I

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Speaker 3: put it in, man, I think was knocking so hard

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Speaker 3: when it came on. I how much I wanted for this, man? Uh,

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Speaker 3: I said ten dollars. I gave them ten dollars for

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Speaker 3: the tape. Went on about my business. Maybe another couple

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Speaker 3: of weeks. They caught me again at the same ret

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Speaker 3: like the drug or hustling. They second mixtape that they

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Speaker 3: put out then I ended up buying that mixtape, and

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Speaker 3: then I ended up changing numbers, like what y'all do

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Speaker 3: talking to them and stuff, and they were like, you know,

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Speaker 3: we made mixtapes. I like y'all wrapped. They were like

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Speaker 3: we rappers. I was like, all right, tape my number,

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Speaker 3: theame my number. They hit me up, and then we

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Speaker 3: end up meeting and sat down about two three different times,

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Speaker 3: and then I ended up investing some money into them

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Speaker 3: and took off from there.

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Speaker 4: So you're originally from Saint Louis, right.

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Speaker 3: I'm originally from Southwest Atlanta. That's case Adam Drive.

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Speaker 4: I know that.

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Speaker 1: Jilly.

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Speaker 4: Yeah, my bad.

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Speaker 5: But okay, So when you first were coming up and

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Speaker 5: getting everything together or getting started or whatever, you interned

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Speaker 5: at Bobby Brown's studio.

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Speaker 2: Who notes read.

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Speaker 5: I've been reading the notes that were in your bio.

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Speaker 5: I know I know you for real, but I'm just

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Speaker 5: trying to like together. Yeah, and now they got the

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Speaker 5: ship on your on your page on your bio.

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Speaker 2: Jenny did that Bobby Brown?

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Speaker 4: No, I'm sorry, I'm yeah.

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Speaker 2: I never had a job.

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Speaker 5: No, I know that, but I'm saying I thought it

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Speaker 5: was like a little known fact that maybe I didn't

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Speaker 5: know but my apologies.

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Speaker 6: Okay, So so basically you said, you just you slipped

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Speaker 6: up into the music shit just by being the hostel.

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Speaker 3: By being in the right spot, meeting them guys at

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Speaker 3: the red light. Yeah, they had made that tape, and uh,

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Speaker 3: like I said, I basted some money into them jokers,

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Speaker 3: and they went about a whole bunch of tape decks

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Speaker 3: and all this equipment that they needed, new turntables and stuff.

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Speaker 3: And we end up coming up with the idea to

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Speaker 3: open up Our first record store was in ninety one

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Speaker 3: was greenbroth Fleet Market and we had that spot for

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Speaker 3: about six seven months and then before the year was out,

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Speaker 3: we owned up another store in old National discoun Mall,

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Speaker 3: which is still there.

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Speaker 2: Thirty three years, still in that one location.

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Speaker 3: That's the only spot I got left now, but thirty

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Speaker 3: three years right there, old National discod got the road right,

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Speaker 3: that was out second store.

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Speaker 6: So, what what's the like after the streaming and all

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Speaker 6: that shit came about, Like how did that affect like

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Speaker 6: the tape stores and shit? And then what you have

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Speaker 6: to see a lot of then, well, way before the streaming,

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Speaker 6: bootlegging came bootleggingh niggas on every corner every.

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Speaker 3: Gas, every parking lot. That was the first downfall of

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Speaker 3: the mixtape game. Like niggas came with the bootlegging man.

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Speaker 3: They were selling stuff for like two dollars, dollars, three

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Speaker 3: for teen, all kind of crazy stuff. So that was

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Speaker 3: the beginning of that the whole downfall. Then came the streaming,

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Speaker 3: which really messed up everything. Record stores put out thousands

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Speaker 3: of record stores. Uh you know, they was able to

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Speaker 3: get the music for free. So streaming which is in now,

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Speaker 3: it's still got music and shamls.

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Speaker 2: Shit, it's still screwed up.

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Speaker 7: You think that where the coaches started at in Atlanta

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Speaker 7: with big On.

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Speaker 6: It's Big On that started to coaching because you gotta

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Speaker 6: think we come to bomp shot not yet.

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Speaker 1: To get CD. We did get bad skilled.

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Speaker 2: Yeah, way one.

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Speaker 3: You know when we first started, you had a few

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Speaker 3: black stores one but the half of it.

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Speaker 1: Yeah.

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Speaker 3: And but when we when we came, it was like

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Speaker 3: we was younger, Like I said, I was in the streets.

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Speaker 3: So we created a whole movement. And when we created

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Speaker 3: that movement with the mixtapes and record stores, then we

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Speaker 3: started the TV show. We started the TV show that

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Speaker 3: really solidified us as like these are niggas you got

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Speaker 3: to see when you come to another you want to

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Speaker 3: promote some music, anything, you gotta come see these joggers.

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Speaker 3: Now at that time we had them blow Jail up

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Speaker 3: like he was an artist. So he was the top

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Speaker 3: DJ at that time, doing all the crump street shit,

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Speaker 3: all the big parties, all the street shit.

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Speaker 2: It was Jelly.

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Speaker 3: So Jelly was doing like two three clubs a night.

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Speaker 3: Then my tape got hot, he was doing two or

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Speaker 3: three clubs. So on the weekend we covered.

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Speaker 2: Like six of the hottest crump clubs.

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Speaker 4: You know what I'm saying.

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Speaker 3: And shoot man. At that time, it was like, you

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Speaker 3: want to put out a record, you won't even be

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Speaker 3: in the music. Then you just got to come and

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Speaker 3: deal with up because we had the TV show Want

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Speaker 3: Nobody interviewing niggas back then like that, we had the

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Speaker 3: twelve record stores, we had the DJs. No, we were

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Speaker 3: ready breaking records. You know what, you had to see us,

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Speaker 3: Do you want to get your record? Really moved through

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Speaker 3: the A broke We had to be a part of that.

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Speaker 5: So let me ask you this, how do you how

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Speaker 5: important do you think the break and mortar locations were

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Speaker 5: to your ability to be able to proclaim yourselves as

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Speaker 5: the kings of the South when it came to promotion

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Speaker 5: as far as records and stuff and artists were concerned.

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Speaker 3: Like I said, we had a store on every side

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Speaker 3: of town, all the way around two eight to five. No,

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Speaker 3: what were the largest retail black chain that we would

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Speaker 3: allow your product to come in the store. Back then,

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Speaker 3: they had the Turtles and the Blockbuster music. All of

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Speaker 3: them was changed so they wouldn't even up independent music.

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Speaker 3: Rico Brooks was the first guy to start bringing and

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Speaker 3: hipping in independence.

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Speaker 2: Peppermint music. But outside of him, it was.

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Speaker 3: A handful of black stores and they was funny bringing

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Speaker 3: independent product in. So that's what really made me create

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Speaker 3: the whole retail chain. We were like, you know what, man,

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Speaker 3: they ain't the independence ain't really got no help. So

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Speaker 3: I started bring it, bring it, bring it, bring it,

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Speaker 3: bring like passing Troy. We was the one that broke

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Speaker 3: Pastor Troy here in Atlanta, like, don't nobody bring that in?

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Speaker 3: I was the first one bought one hundred CD from

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Speaker 3: that lady Canon Augusta put it in all my store.

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Speaker 3: We pushed that thing about two weeks. Man Pasta Troy

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Speaker 3: with the hottest thing in Aleta. So it was the

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Speaker 3: whole movement of the record stores that really so littfied

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Speaker 3: the underground where artists can have a way to have

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Speaker 3: distribution for their product.

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Speaker 2: That dropped some fact.

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Speaker 4: That's what I was getting at.

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Speaker 1: With DJ was mostly on the east Side. Yeah, I

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Speaker 1: remember DJ.

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Speaker 3: Yeah, that was had the east Side. He was the

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Speaker 3: man before we even got started. You know what I'm saying,

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Speaker 3: Like he had the thing on lot, but he was

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Speaker 3: the east side. The West Side wasn't really up on

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Speaker 3: the you know. It was like traveling out of.

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Speaker 2: Town man, then out of town SAT day. For the

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Speaker 2: South Side, you stayed on simpthing. Nigga, You ain't going

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Speaker 2: out the own national for what. You ain't going to

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Speaker 2: the road, you know what I'm saying.

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Speaker 3: Like they didn't go down. Yeah, Like he had the

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Speaker 3: whole ship and we was on the west side. We

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Speaker 3: wasn't even out in the east side. That JA put

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Speaker 3: out a disc tape Smurf No, Yeah, DJ, Smurf Lady,

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Speaker 3: d J Kids and Rob king up with J Player

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Speaker 3: punto all them druggers. They just us.

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Speaker 2: No, that's what it really blowed us up.

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Speaker 1: I remember that.

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Speaker 3: That's how that's how we really took That's how we

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Speaker 3: put him out of business. To be honest, we put

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Speaker 3: him out of bill. It was over by the time

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Speaker 3: we got out there fast man.

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Speaker 2: Shoot.

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Speaker 3: It was a dude named e T had a speaker

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Speaker 3: booth out there and he got in touch with Howard

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Speaker 3: MC and Song were like, man, y'all got to come

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Speaker 3: get this tape, man, they gotta take that don dish.

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Speaker 3: Y'all out him from a dude ran a roll out there,

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Speaker 3: got this tape and then she said, DJ Smurf goes

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Speaker 3: fishing Jetty something like that.

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Speaker 2: Man.

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Speaker 3: We put a whole production together, this the whole J team. Yeah,

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Speaker 3: just all of wrapping. We made up songs.

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Speaker 2: Man.

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Speaker 3: It was like Doctor dre produced that mix tape and

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Speaker 3: that ship blew up when.

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Speaker 1: It went from J team to nothing Southern style DJs camp.

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Speaker 1: Not that there was no distion, but what movement you

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Speaker 1: think came after y'all that kind of kept it going

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Speaker 1: as far as like Atlanta DJ movements.

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Speaker 3: Well after our whole ride you had, so you had

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Speaker 3: drama came started super but not mixtapes. We were like

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Speaker 3: running mixtape for I don't know a whole bunch of years.

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Speaker 2: Drama was the one that came when.

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Speaker 3: He started the Yeah, the personal mixtape, Grills and he

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Speaker 3: did the he did all the advertising. That was really

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Speaker 3: the next person to come and do. When us we

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Speaker 3: stayed underground, you know what I'm saying, Like we knew

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Speaker 3: we was illegal, you know what I mean. We want

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Speaker 3: you to know what we were doing and kind of

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Speaker 3: money were making. And you know what I'm saying, Drama

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Speaker 3: jumped out there, you know what I'm saying, put itself

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Speaker 3: out there and then you saw what happened, you know

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Speaker 3: what I'm Sayings came in like boy playing taxes on

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Speaker 3: all that good money.

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Speaker 1: Nah. Yeah, how That's what I can ask you.

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Speaker 6: How y'all managed to stay like just out of the bullshit,

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Speaker 6: you know what I'm saying. You know the bullshit niggas

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Speaker 6: go through and they had this long of a run,

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Speaker 6: you know.

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Speaker 1: What I'm saying.

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Speaker 7: How y'all how you how you steal away from all

236
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Speaker 7: the bullshit?

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Speaker 3: Because I never got mingled with the outside people, Like

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Speaker 3: we started as a family from the streets and they

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Speaker 3: grow and the core people that was the head of

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Speaker 3: the whole situation with street guys, which was my guys.

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Speaker 3: We didn't mingle outside of our.

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Speaker 7: Circle, you know what I'm saying, trying to cross over

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Speaker 7: to them.

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Speaker 2: Yeah, yeah, we had our own space. You know what

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Speaker 2: I'm saying.

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Speaker 3: If you don't come in our space, we really ain't

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Speaker 3: mingling with you, you know what I'm saying. So we don't

248
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Speaker 3: stay out the way of all everything. You don't ever

249
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Speaker 3: hear big They ain't caught up in nothing nothing. In fact,

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Speaker 3: you know what I'm saying. I stay out the Trokles way.

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Speaker 3: You know what I'm saying. I'm just here to help people.

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Speaker 3: I ain't here to you know, being no miss. You know,

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Speaker 3: if it comes our way, it will take care of

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Speaker 3: but that I ain't looking for it.

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Speaker 5: So like when you were when you were first starting out,

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Speaker 5: and you were first like because because you were already

257
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Speaker 5: a street dude. So when you started seeing like some

258
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Speaker 5: real motion and success with like the music shit, like

259
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Speaker 5: you didn't want to go out and turn up with

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Speaker 5: the team.

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Speaker 2: It ain't that either.

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Speaker 3: So we really was been underground our whole life. But

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Speaker 3: we've been successful underground our whole life. But when I

264
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Speaker 3: put out unk and we got the song walk It Out,

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Speaker 3: that that really.

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Speaker 2: Took us outside of Atlanta.

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Speaker 3: Georgia, the South, like we were with nationwide number one

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Speaker 3: record in the country, and that really was our first bust.

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Speaker 3: You know what I'm saying to the world everywhere. You

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Speaker 3: know what I'm saying, our mixtapes, it's all over the world.

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Speaker 3: But it was just mixtapes other people music. But we

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Speaker 3: came with unk in that walker out jumped out there,

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Speaker 3: and man, it took us to another whole level. And shoot,

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Speaker 3: I was starting to gradually go out. But at that time, unfortunately,

275
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Speaker 3: when our record hit, it was a group of guys

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Speaker 3: already on the scene causing all kind of corruption out

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Speaker 3: there and had the streets turned upside down, the clubs

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Speaker 3: was up, it was it was a miss out there.

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Speaker 3: So I had already been through scaping a bunch of foolishness.

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Speaker 2: So I went about to.

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Speaker 3: Go getting tangled up and all that stuff that was

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Speaker 3: going on out there. So I bagged up and my

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Speaker 3: host scess of a hit record. I was in the

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Speaker 3: house standing out the way of trouble because.

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Speaker 1: It feel like you're gonna get caught up in the

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Speaker 1: in the mix.

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Speaker 2: Of them, because.

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Speaker 3: You know, to be speaking and you know, at this time,

289
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Speaker 3: when I'm talking about BMF had to hit the city,

290
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Speaker 3: and they was the ship like they was the conversation

291
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Speaker 3: every night.

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Speaker 2: Baby D was my artist.

293
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Speaker 3: Baby D got plugged in with them guys and started

294
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Speaker 3: running with him real tight. And it's like now unt

295
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Speaker 3: Camp is involved with BMF.

296
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Speaker 2: Now it's unt Camp and BMF.

297
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Speaker 3: And they was doing so much that I knew trouble

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Speaker 3: was coming, you know what I'm saying. Like I said,

299
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Speaker 3: I I didn't want that kind of heat. I was

300
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Speaker 3: I'm already doing good for myself with no heat. That

301
00:15:32,280 --> 00:15:34,160
Speaker 3: was a lot of heat. I saw it was coming.

302
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Speaker 3: So by the time I record hit, I had to

303
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Speaker 3: put myself out the way because the streets was BMF.

304
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Speaker 3: I don't give damn what club you were. You hit

305
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Speaker 3: BMF here, bml J left and it's a fight here

306
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Speaker 3: Da da da dah. I just I couldn't get involved

307
00:15:48,520 --> 00:15:52,040
Speaker 3: with Donnade, you know what I mean. And my circle

308
00:15:53,080 --> 00:15:55,000
Speaker 3: we ain't playing with you either, So you know what

309
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Speaker 3: I'm saying, ain't nothing but a bunch of blood shit,

310
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Speaker 3: gunfire enemies on site. That wasn't the type of life

311
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Speaker 3: I wanted to live, So I stayed out the way. Basically,

312
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Speaker 3: ship smart being smart.

313
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Speaker 1: So when you talk about the track record of Big

314
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Speaker 1: Big On Records. Obviously if you if you talk about

315
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Speaker 1: your roster, you was telling me it started with Major Bank.

316
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Speaker 1: Y'all had Sammy Sam Baby d recipes a little c uh.

317
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Speaker 1: I know it's more than I probably intoxicated uh local

318
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Speaker 1: dj on. But even outside of that, what is it

319
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Speaker 1: called top quality productions?

320
00:16:30,320 --> 00:16:31,240
Speaker 2: Stop quality production?

321
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Speaker 1: We was talking to Monte to y'all produce some big records,

322
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Speaker 1: one of them being flow right Along, which I know

323
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Speaker 1: y'all still eat good off of to this day. What's

324
00:16:39,160 --> 00:16:40,680
Speaker 1: some of the other records and some of the other

325
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Speaker 1: people that you felt like y'all y'all pushed up their careers,

326
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Speaker 1: that y'all should get flowers.

327
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Speaker 2: For Man, we got so much production out though.

328
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Speaker 1: Tons like.

329
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Speaker 3: Yeah, gee, crying up gee, he said, t I, man,

330
00:17:02,360 --> 00:17:06,040
Speaker 3: we don't did. I don't know how much slew a production,

331
00:17:06,720 --> 00:17:09,760
Speaker 3: but I don't really really really really really really really

332
00:17:09,800 --> 00:17:13,280
Speaker 3: remember it's the ones that make the mailbox miles. So

333
00:17:15,560 --> 00:17:17,960
Speaker 3: I might always go back to the floor Rider, you know,

334
00:17:19,320 --> 00:17:22,000
Speaker 3: walk it Out, two Step, Get Low, and Sugar is

335
00:17:22,040 --> 00:17:27,560
Speaker 3: my biggest four records out of NDS. Walking Down, two Step,

336
00:17:28,840 --> 00:17:32,440
Speaker 3: Get Low, Get Low, and Sugar is another record, flow Rider,

337
00:17:32,520 --> 00:17:35,199
Speaker 3: which one is Sugar. It had a Chick Night Sunshine

338
00:17:35,240 --> 00:17:37,800
Speaker 3: on it. But a couple of platforms too.

339
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Speaker 1: Okay, But even outside of that, you're speaking like.

340
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Speaker 2: They had a bunch of more record foolish.

341
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Speaker 1: Foolish low Yeah, Yes, a lot of records. Yeah, But

342
00:17:49,480 --> 00:17:51,840
Speaker 1: I'm saying even outside of that, like you got a

343
00:17:51,880 --> 00:17:55,919
Speaker 1: salute the camp brand for like you said, past the Troy,

344
00:17:56,560 --> 00:17:58,359
Speaker 1: But I ain't gonna lie, like I think like a

345
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Speaker 1: lot of the lot of those like t I mixtapes

346
00:18:00,600 --> 00:18:02,439
Speaker 1: and all that stuff I got for y'all stores, and

347
00:18:02,480 --> 00:18:05,119
Speaker 1: there's a lot of like different artists that came just

348
00:18:05,160 --> 00:18:07,639
Speaker 1: through them stories all cooking.

349
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Speaker 3: So so so as far as.

350
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Speaker 1: Broke like yeah, broke Flowers, Flowers, all of the production

351
00:18:15,240 --> 00:18:18,160
Speaker 1: of John Yeah, boys who you with?

352
00:18:18,640 --> 00:18:20,280
Speaker 3: Boys who were to put in the work with that

353
00:18:20,480 --> 00:18:22,399
Speaker 3: who you were in nineteen ninety seven we had on

354
00:18:22,440 --> 00:18:26,280
Speaker 3: our mixtape back then you bought our mixtapes to hear

355
00:18:26,400 --> 00:18:27,679
Speaker 3: new records.

356
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Speaker 2: Freaknick.

357
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Speaker 3: We broke who you with? During Freaknik That was the

358
00:18:32,320 --> 00:18:36,720
Speaker 3: first one on our hottest mixtape, and we was nigga.

359
00:18:36,840 --> 00:18:39,520
Speaker 3: Everybody came to a lot and got left with with

360
00:18:39,680 --> 00:18:43,680
Speaker 3: mixtapes during them freakniks. You going out of Auburn Avenue.

361
00:18:43,680 --> 00:18:46,400
Speaker 3: We got ten boosts from one end all the way

362
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Speaker 3: down to the other.

363
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Speaker 1: Exclusive.

364
00:18:48,440 --> 00:18:53,120
Speaker 2: You can't get nobody music but our mix tapes. But Rocco.

365
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Speaker 1: That's what That's what I'm trying to get your whole pocket.

366
00:18:59,240 --> 00:19:00,720
Speaker 1: I'm trying to get you the fop in a little.

367
00:19:02,000 --> 00:19:05,000
Speaker 3: Everybody who first was coming out, man, you came through

368
00:19:05,200 --> 00:19:08,000
Speaker 3: us because we're the one that really broke your records

369
00:19:09,080 --> 00:19:12,480
Speaker 3: from the radio. Jelly was doing five o'clock traffic game

370
00:19:13,080 --> 00:19:18,560
Speaker 3: with smoking Beat, go back, go back to raheem, were

371
00:19:18,600 --> 00:19:23,040
Speaker 3: breaking rahem, most beautiful girl and all that.

372
00:19:23,119 --> 00:19:25,640
Speaker 2: You know what I'm saying. We were way back then,

373
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Speaker 2: like oh shit, man, everybody.

374
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Speaker 1: What's what's what's one situation that might have like you know,

375
00:19:30,480 --> 00:19:32,760
Speaker 1: won't get emotional, but like hurt you though, Like man,

376
00:19:32,800 --> 00:19:35,159
Speaker 1: we really, we really put it all out there to

377
00:19:35,160 --> 00:19:37,440
Speaker 1: help break this artist. And then like we might have

378
00:19:37,480 --> 00:19:39,440
Speaker 1: wanted some love back for a feature or whatever it

379
00:19:39,520 --> 00:19:41,160
Speaker 1: might have been, and they might not have kept it real.

380
00:19:41,680 --> 00:19:42,760
Speaker 1: Have you had those.

381
00:19:44,160 --> 00:19:46,000
Speaker 2: Unfortunately? Man, It's crazy.

382
00:19:47,320 --> 00:19:51,280
Speaker 3: We have so much respect from people and we give

383
00:19:51,400 --> 00:19:55,080
Speaker 3: respect to well, we ain't never really gotta know three

384
00:19:55,160 --> 00:19:56,840
Speaker 3: thousand jumped on the record when he was.

385
00:19:59,320 --> 00:20:01,840
Speaker 2: Charged me, he wrote and gave me the publishing.

386
00:20:04,680 --> 00:20:09,159
Speaker 3: Heard this so much for this city, you can have this.

387
00:20:09,600 --> 00:20:11,800
Speaker 6: He wasn't even rapping at that time, that's all right,

388
00:20:12,119 --> 00:20:14,720
Speaker 6: and he killed.

389
00:20:13,840 --> 00:20:16,280
Speaker 3: He took the record at number one here. Yeah, we

390
00:20:16,320 --> 00:20:19,520
Speaker 3: ain't even have New York the record first came out.

391
00:20:19,560 --> 00:20:22,640
Speaker 3: We didn't have up top when Jim Jones and Drake

392
00:20:22,680 --> 00:20:25,040
Speaker 3: got on that record. That she was number one on

393
00:20:25,160 --> 00:20:29,400
Speaker 3: all them stations Boston, everywhere, all them top stations up north.

394
00:20:29,400 --> 00:20:31,240
Speaker 3: Who was number one on every station over there?

395
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Speaker 1: What made y'all kind of keep it independent throughout? Because

396
00:20:34,640 --> 00:20:36,520
Speaker 1: I think at that time y'all was doing business way

397
00:20:36,560 --> 00:20:37,400
Speaker 1: it was a catch.

398
00:20:37,640 --> 00:20:41,680
Speaker 3: Or so, to be honest with you, we didn't really

399
00:20:41,800 --> 00:20:45,280
Speaker 3: keep it independent. I just didn't know no better. I

400
00:20:45,359 --> 00:20:47,919
Speaker 3: had my own money, you know what I'm saying. If

401
00:20:47,960 --> 00:20:51,240
Speaker 3: I didn't have money, then I probably hurt up and

402
00:20:51,280 --> 00:20:52,639
Speaker 3: try to find a way.

403
00:20:52,920 --> 00:20:55,760
Speaker 2: To New York. You gonna get a job, get a deal,

404
00:20:55,800 --> 00:20:56,000
Speaker 2: you know.

405
00:20:56,160 --> 00:21:01,200
Speaker 3: Right, People's coming out there, like Lula, they had to

406
00:21:01,200 --> 00:21:01,560
Speaker 3: go get it.

407
00:21:01,680 --> 00:21:02,920
Speaker 2: Everybody was coming out at that time.

408
00:21:02,960 --> 00:21:04,879
Speaker 3: They didn't have money, so they had to go get deals.

409
00:21:05,000 --> 00:21:08,600
Speaker 3: I had money, so it ain't crossed my mind. I

410
00:21:08,720 --> 00:21:11,800
Speaker 3: need a deal, you know what I'm saying. I was winning,

411
00:21:12,600 --> 00:21:14,960
Speaker 3: we had the regularly, you know, we had our own movement,

412
00:21:15,240 --> 00:21:16,600
Speaker 3: and we was doing good, you.

413
00:21:16,520 --> 00:21:17,040
Speaker 2: Know what I'm saying.

414
00:21:17,080 --> 00:21:21,399
Speaker 3: And I didn't have the knowledge to know, go get

415
00:21:21,520 --> 00:21:24,280
Speaker 3: a deal. When I got Sam and Sam hot with

416
00:21:25,720 --> 00:21:28,000
Speaker 3: Rhyme with some players in the score card wanted.

417
00:21:27,840 --> 00:21:30,680
Speaker 2: To sign Sam.

418
00:21:29,480 --> 00:21:34,639
Speaker 3: Well, so I didn't understand, Damn they won't Sam. I

419
00:21:34,720 --> 00:21:36,800
Speaker 3: need to sign Sam. I was like, man, I gotta

420
00:21:36,840 --> 00:21:39,520
Speaker 3: sign the camp were the own camp, Like I got

421
00:21:39,600 --> 00:21:42,800
Speaker 3: five artists. I ain't just breaking my stuff up. You know,

422
00:21:42,840 --> 00:21:46,880
Speaker 3: you gotta sign everybody. And at that time, I'm visually

423
00:21:46,920 --> 00:21:51,119
Speaker 3: looking at cash Money, No Limit, swave House. Then was

424
00:21:51,200 --> 00:21:53,879
Speaker 3: the three labels that was doing good, went at my

425
00:21:53,960 --> 00:21:58,760
Speaker 3: success time, and I'm like, sure, man master Peace started

426
00:21:58,840 --> 00:22:02,080
Speaker 3: dropping records, he got a record deal, cash money. They

427
00:22:02,160 --> 00:22:04,560
Speaker 3: just started dropping. They gotta I need a deal like that,

428
00:22:04,600 --> 00:22:09,159
Speaker 3: you know what I'm saying, A label deal. And it

429
00:22:09,640 --> 00:22:10,639
Speaker 3: wasn't that situation.

430
00:22:10,760 --> 00:22:10,920
Speaker 2: Man.

431
00:22:10,960 --> 00:22:13,399
Speaker 3: I supposed to have just been like, hell, yeah you

432
00:22:13,440 --> 00:22:16,359
Speaker 3: can sign Sam. Let go, let Sam get through the door.

433
00:22:16,920 --> 00:22:20,080
Speaker 3: Now here come whoever, baby, deal whoever the next artist.

434
00:22:20,359 --> 00:22:22,359
Speaker 3: I was just like, now, y'all gotta sign the whole camp.

435
00:22:22,600 --> 00:22:26,640
Speaker 3: I ain't sign the whole camp everybody that I ain't

436
00:22:26,680 --> 00:22:30,440
Speaker 3: breaking my stuff up. And that was a mistake. That

437
00:22:30,520 --> 00:22:32,880
Speaker 3: was a mistake. So if I would have new then

438
00:22:33,040 --> 00:22:36,800
Speaker 3: mentally making the right decisions at that time, I would

439
00:22:36,800 --> 00:22:39,440
Speaker 3: have signed Sam. That would have o'm up the doors

440
00:22:39,440 --> 00:22:40,919
Speaker 3: and I might have could have been a big as

441
00:22:41,000 --> 00:22:43,920
Speaker 3: the other recordet because I had the movement going, you

442
00:22:43,960 --> 00:22:46,119
Speaker 3: know what I mean. I just should have went on

443
00:22:46,160 --> 00:22:49,480
Speaker 3: to tuck that muscle, that power, that money, let them

444
00:22:49,520 --> 00:22:52,200
Speaker 3: go on and blow me up like the next rough Riders,

445
00:22:52,520 --> 00:22:55,679
Speaker 3: you know what I mean. But made bad decisions at

446
00:22:55,680 --> 00:22:58,120
Speaker 3: the time, too much money at the time.

447
00:22:58,200 --> 00:22:59,679
Speaker 2: Should have been a little broke, you know.

448
00:23:00,040 --> 00:23:03,560
Speaker 3: And got thing I'm thinking different that what it was

449
00:23:03,800 --> 00:23:08,440
Speaker 3: really at least he admitted it.

450
00:23:08,720 --> 00:23:11,200
Speaker 1: Else when.

451
00:23:13,640 --> 00:23:16,119
Speaker 6: What's some ship that you've seen in this ship now

452
00:23:17,760 --> 00:23:19,560
Speaker 6: that you be like, man, I never would have saw

453
00:23:19,640 --> 00:23:22,440
Speaker 6: this fly these day and time. I bet, like back

454
00:23:22,480 --> 00:23:25,640
Speaker 6: from where we come from, it's like ship that going

455
00:23:25,680 --> 00:23:27,200
Speaker 6: on now even have to be in the music and

456
00:23:27,200 --> 00:23:28,160
Speaker 6: it could just be anything.

457
00:23:28,480 --> 00:23:30,720
Speaker 3: Well, for what I'm gonna say now, because I called

458
00:23:30,800 --> 00:23:34,800
Speaker 3: football and I'm around these children, man, parenting. If I

459
00:23:34,840 --> 00:23:38,000
Speaker 3: got to speak on anything about that subject, I got

460
00:23:38,000 --> 00:23:40,440
Speaker 3: to take it back old school and say parenting man,

461
00:23:40,520 --> 00:23:45,040
Speaker 3: because when I was a child, parenting, man, you get slot, nigga,

462
00:23:45,119 --> 00:23:47,240
Speaker 3: you get knocked out with your pants, ain't going off

463
00:23:47,280 --> 00:23:51,640
Speaker 3: your ass, with your hair, napping with your cussing, talking crazy?

464
00:23:51,720 --> 00:23:56,000
Speaker 3: Oh yes, sir, no, yes, unless yes ma'am. Like I'm

465
00:23:56,000 --> 00:24:00,880
Speaker 3: fifty two, parenting was totally different. And I fault what's

466
00:24:00,960 --> 00:24:05,600
Speaker 3: going on now with everything. It comes back from no

467
00:24:05,760 --> 00:24:10,000
Speaker 3: old school parenting because this generation now man is allowing

468
00:24:10,160 --> 00:24:13,680
Speaker 3: everything to go on with their children, babies, having babies,

469
00:24:14,280 --> 00:24:18,880
Speaker 3: and the parenting got away years ago, and it's everything.

470
00:24:18,960 --> 00:24:21,320
Speaker 3: It affects everything, everything we got going on, where we

471
00:24:21,359 --> 00:24:24,400
Speaker 3: make money, how we leave everything. It's just I'm about

472
00:24:24,400 --> 00:24:26,480
Speaker 3: to take it way back and be like, parenting is

473
00:24:27,119 --> 00:24:29,160
Speaker 3: the biggest thing of that subject for me right there.

474
00:24:29,240 --> 00:24:32,480
Speaker 1: Man. What you think like when you look at modern

475
00:24:32,560 --> 00:24:37,640
Speaker 1: day Atlanta where you think the city kind of went

476
00:24:37,680 --> 00:24:40,200
Speaker 1: to the went left? Where you think things started going

477
00:24:40,320 --> 00:24:41,639
Speaker 1: left with Atlanta?

478
00:24:41,920 --> 00:24:43,960
Speaker 2: When you say what you mean, just.

479
00:24:43,880 --> 00:24:46,480
Speaker 1: Like I guess people be feeling like Atlanta needs to

480
00:24:46,520 --> 00:24:47,680
Speaker 1: be a place where you could kick it. It was

481
00:24:47,720 --> 00:24:49,480
Speaker 1: always the streets. But like you can kick it and

482
00:24:49,520 --> 00:24:53,160
Speaker 1: don't have to worry about certain things. But everybody it's

483
00:24:53,240 --> 00:24:55,040
Speaker 1: basically they don't feel like it.

484
00:24:56,280 --> 00:25:01,320
Speaker 3: Parenting, okay, after it, it affects everything you can. Man,

485
00:25:01,400 --> 00:25:02,960
Speaker 3: niggas were coming here from everywhere.

486
00:25:03,080 --> 00:25:04,280
Speaker 2: It was gravy. They can wear.

487
00:25:04,320 --> 00:25:07,040
Speaker 3: They jewelry out and stuff. Man, listen, I have a

488
00:25:07,160 --> 00:25:09,480
Speaker 3: nice car on my jewey. I would not pull up

489
00:25:09,720 --> 00:25:12,360
Speaker 3: getting off the fucking highway on Martin Luther King.

490
00:25:13,160 --> 00:25:17,400
Speaker 2: I'm gonna be like, because I don't want to kill

491
00:25:17,480 --> 00:25:26,280
Speaker 2: one scared nigga. Support the hustle up. Ain't got no care.

492
00:25:26,480 --> 00:25:27,440
Speaker 2: I got cash out.

493
00:25:27,720 --> 00:25:29,440
Speaker 3: You know what I'm saying. They sold the man, but

494
00:25:29,600 --> 00:25:31,960
Speaker 3: they all over your car. They'll stand on top of

495
00:25:31,960 --> 00:25:36,200
Speaker 3: his spell man listen, Man parenting, parenting.

496
00:25:40,400 --> 00:25:42,080
Speaker 2: Nigga blue man.

497
00:25:45,040 --> 00:25:47,119
Speaker 3: A lot of them switched cars of parenting and it

498
00:25:47,200 --> 00:25:49,359
Speaker 3: was safe. Like like she just said, it was safe.

499
00:25:49,440 --> 00:25:51,879
Speaker 3: I remember the good days. So it being say, I

500
00:25:51,920 --> 00:25:55,679
Speaker 3: remember the days when it wasn't all the shooting. You know,

501
00:25:56,440 --> 00:25:59,240
Speaker 3: when I was young and my twins, it wasn't a

502
00:25:59,240 --> 00:26:02,760
Speaker 3: whole bunch of I almost knew who the killers was,

503
00:26:03,080 --> 00:26:05,280
Speaker 3: almost knew who the killers were?

504
00:26:05,280 --> 00:26:07,240
Speaker 1: You almost knew how not to set.

505
00:26:07,920 --> 00:26:11,760
Speaker 3: Yeah, go in that neighborhood. You know Jay Bull over there?

506
00:26:11,840 --> 00:26:13,080
Speaker 3: Now you go there, now.

507
00:26:13,040 --> 00:26:13,800
Speaker 2: Gold over there?

508
00:26:14,359 --> 00:26:16,240
Speaker 1: You know you go over that tard over there.

509
00:26:16,280 --> 00:26:18,320
Speaker 2: You know what I'm saying. You kind of know who

510
00:26:18,359 --> 00:26:19,080
Speaker 2: the killers is.

511
00:26:19,119 --> 00:26:21,080
Speaker 1: You know what I'm saying now you don't know.

512
00:26:21,640 --> 00:26:23,760
Speaker 3: That little joker right there with the pair hangout and

513
00:26:23,960 --> 00:26:26,840
Speaker 3: twisting the head put a bullet in bangs.

514
00:26:28,760 --> 00:26:29,920
Speaker 2: Right Parenting, Then.

515
00:26:31,040 --> 00:26:32,800
Speaker 1: If you can bring a club back with which one

516
00:26:32,800 --> 00:26:33,280
Speaker 1: would it be.

517
00:26:34,040 --> 00:26:37,800
Speaker 3: The Bounce even though it's a club, But it ain't

518
00:26:37,800 --> 00:26:41,320
Speaker 3: the Bounce. I bring the bun I made so much

519
00:26:41,359 --> 00:26:45,040
Speaker 3: money at the bounceding parties, Man, three thousand people. Man,

520
00:26:45,240 --> 00:26:48,640
Speaker 3: the bounce, even though I love the five five Man,

521
00:26:48,920 --> 00:26:50,960
Speaker 3: you know that I had great days.

522
00:26:52,400 --> 00:26:54,440
Speaker 4: Is like, man, the Bounce is like fifteen.

523
00:26:55,240 --> 00:26:55,760
Speaker 2: You know what I'm saying.

524
00:26:55,760 --> 00:26:58,840
Speaker 3: I gotta go to the Bounce because I've done so

525
00:26:59,240 --> 00:27:02,920
Speaker 3: many big parties at the I did five five nine

526
00:27:02,960 --> 00:27:05,760
Speaker 3: part I did three twenty one parties. I did like

527
00:27:05,760 --> 00:27:09,680
Speaker 3: a pavilion parties. I done did parties and a lot

528
00:27:09,720 --> 00:27:13,120
Speaker 3: of them street clubs back then. But the Bounce has

529
00:27:13,160 --> 00:27:14,600
Speaker 3: been the ultimate for me.

530
00:27:15,800 --> 00:27:19,919
Speaker 1: Be nothing like the Bounce Bounce downstairs. Les was crazy

531
00:27:19,920 --> 00:27:24,800
Speaker 1: too though downstairs downstairs that what j it was downstairs

532
00:27:24,920 --> 00:27:27,400
Speaker 1: they had super friends in them upstairs, but downstairs there's

533
00:27:27,440 --> 00:27:30,760
Speaker 1: a lot of records broke downstairs, especially the east side

534
00:27:30,800 --> 00:27:34,200
Speaker 1: west of Courtland, the originals on Courtland.

535
00:27:33,920 --> 00:27:36,440
Speaker 2: Downs at the bottom.

536
00:27:36,080 --> 00:27:38,439
Speaker 1: Down, So that's when east.

537
00:27:37,880 --> 00:27:39,679
Speaker 4: The niggas, the niggas with the money used to be

538
00:27:39,680 --> 00:27:40,520
Speaker 4: in the Bounce.

539
00:27:40,240 --> 00:27:43,399
Speaker 1: Boy like oh yeah, the bounces. They had everything. They

540
00:27:43,400 --> 00:27:44,119
Speaker 1: had the bigger.

541
00:27:46,240 --> 00:27:50,560
Speaker 3: Man, you know, people with the traffic on two way

542
00:27:50,600 --> 00:27:53,240
Speaker 3: to five getting off on bank. It was down two

543
00:27:53,240 --> 00:28:00,400
Speaker 3: way to five. Yes, crazy, crazy boy. Then I used

544
00:28:00,400 --> 00:28:03,480
Speaker 3: to do them parties and most apart man for my birthday.

545
00:28:03,840 --> 00:28:07,920
Speaker 3: Thousands people used to come to them parties all over everywhere,

546
00:28:08,119 --> 00:28:09,120
Speaker 3: come flying.

547
00:28:08,840 --> 00:28:11,879
Speaker 2: From out of town everywhere. There weren't no, weren't nobody

548
00:28:11,960 --> 00:28:12,200
Speaker 2: doing this.

549
00:28:14,320 --> 00:28:17,960
Speaker 7: Like you said, you all gonna know who who what?

550
00:28:18,400 --> 00:28:21,679
Speaker 1: Yeah and what's what? Yeah, but you know such to

551
00:28:21,800 --> 00:28:24,040
Speaker 1: them that that yeah, that used to be the biggest.

552
00:28:24,160 --> 00:28:26,399
Speaker 5: Like the only person that I know that was even

553
00:28:27,440 --> 00:28:29,680
Speaker 5: comparable was like Danny Boy and that then.

554
00:28:29,960 --> 00:28:33,400
Speaker 4: But other than that, like that, it was like big.

555
00:28:33,240 --> 00:28:36,639
Speaker 1: Like getting money, that's what that's I think that's I

556
00:28:36,680 --> 00:28:39,360
Speaker 1: think that's what it is. Parenting for sure.

557
00:28:40,160 --> 00:28:42,080
Speaker 4: Ain't no mom, no more money.

558
00:28:42,120 --> 00:28:43,560
Speaker 1: Nigga don't know how to though.

559
00:28:43,840 --> 00:28:45,880
Speaker 6: They don't know how to get no money because anything

560
00:28:46,560 --> 00:28:49,240
Speaker 6: like what we used to do, go buy, spend fifty dollars,

561
00:28:49,440 --> 00:28:51,680
Speaker 6: ten dollars, nigga, I don't spend five dollars to try

562
00:28:51,720 --> 00:28:53,800
Speaker 6: to come up before a breakdown.

563
00:28:54,400 --> 00:28:56,479
Speaker 1: What we used to do is below. These niggas standard

564
00:28:56,520 --> 00:28:59,760
Speaker 1: d day. They don't feel like they're supposed to start with.

565
00:29:00,560 --> 00:29:05,040
Speaker 3: But see, man, another thing is it's like taking one

566
00:29:05,080 --> 00:29:08,040
Speaker 3: out of these max back then either and you can

567
00:29:08,080 --> 00:29:11,160
Speaker 3: trust a homide. Now boy, you can't lift your homie

568
00:29:11,160 --> 00:29:14,000
Speaker 3: see too much, but you'd be dead for that what

569
00:29:14,160 --> 00:29:17,400
Speaker 3: he saw. You ain't gonna find a way the trip

570
00:29:17,400 --> 00:29:18,040
Speaker 3: acrossing for.

571
00:29:18,000 --> 00:29:19,600
Speaker 1: That, but find a way to running mouth.

572
00:29:19,920 --> 00:29:23,360
Speaker 3: I'm trying to tell you, man. And you know, back

573
00:29:23,400 --> 00:29:28,640
Speaker 3: then it's just the killing one. It wasn't out there

574
00:29:28,760 --> 00:29:32,320
Speaker 3: like that. I ain't got no switches now, boy, that

575
00:29:32,720 --> 00:29:35,680
Speaker 3: you ride by a scene now used to be sem

576
00:29:35,760 --> 00:29:38,920
Speaker 3: eight fifteen, a little yeller thing because nigga got fifteen

577
00:29:38,960 --> 00:29:43,840
Speaker 3: shots and then nine or whatever. Now you ride about somewhere, man,

578
00:29:43,840 --> 00:29:46,640
Speaker 3: it's a hundred of them little yellow thing. It's one

579
00:29:46,720 --> 00:29:50,440
Speaker 3: hundred shells out there. Now, Man, three seconds, I ain't

580
00:29:50,680 --> 00:29:52,800
Speaker 3: shot that thing. That's one hundred shells laying out there.

581
00:29:52,840 --> 00:29:57,480
Speaker 3: No damn what I ain't playing with you. I don't

582
00:29:57,480 --> 00:29:59,680
Speaker 3: want no part year now.

583
00:30:00,600 --> 00:30:05,600
Speaker 1: Top three of all time out of Atlanta rappers.

584
00:30:07,360 --> 00:30:09,080
Speaker 2: Man, God, why you put it on?

585
00:30:09,160 --> 00:30:12,200
Speaker 1: We gotta do it. We're gonna close this conversation after

586
00:30:12,200 --> 00:30:14,080
Speaker 1: this because we don't have a lot of debates on

587
00:30:14,160 --> 00:30:18,240
Speaker 1: big facts and we're not gonna add lib. We're gonna

588
00:30:18,280 --> 00:30:19,680
Speaker 1: let him say what he says.

589
00:30:20,680 --> 00:30:22,840
Speaker 2: It's gonna be tough because I'm older, you know what

590
00:30:22,880 --> 00:30:23,360
Speaker 2: I'm saying.

591
00:30:23,480 --> 00:30:28,560
Speaker 3: So a lot of that new stuff I can't understand

592
00:30:28,600 --> 00:30:32,080
Speaker 3: what they're saying. Don't get offended, Jade like y'all through.

593
00:30:32,400 --> 00:30:34,800
Speaker 3: I don't know what the hell didn't he talking about it?

594
00:30:37,400 --> 00:30:38,360
Speaker 1: I know he one of.

595
00:30:38,280 --> 00:30:42,440
Speaker 3: Them biggest atl artists of the last ten years, an know.

596
00:30:45,720 --> 00:30:49,840
Speaker 3: So you know I'm about to I'm out this my

597
00:30:49,960 --> 00:30:51,840
Speaker 3: top three, this is my top three. I'm about to

598
00:30:51,880 --> 00:30:56,600
Speaker 3: go with Jesu t I, the old TI, now this

599
00:30:56,720 --> 00:31:01,360
Speaker 3: new t Im about the twenty folds and the first

600
00:31:01,360 --> 00:31:04,680
Speaker 3: to all that right there with all the money.

601
00:31:04,880 --> 00:31:07,680
Speaker 2: You don't want to all that, Yeah, I want to

602
00:31:07,720 --> 00:31:08,520
Speaker 2: hear the old. Yeah.

603
00:31:08,600 --> 00:31:11,360
Speaker 3: So I'm here in my top because because he done

604
00:31:11,400 --> 00:31:13,960
Speaker 3: made that music. I used to ride, I mean really

605
00:31:14,040 --> 00:31:17,200
Speaker 3: enjoy too. And I might have go with Sam and

606
00:31:17,280 --> 00:31:24,280
Speaker 3: Sam Samon Sam one of my favorite rappers. Like you

607
00:31:24,360 --> 00:31:26,920
Speaker 3: take me back to a group, I might have to

608
00:31:26,960 --> 00:31:30,120
Speaker 3: go with the Diablos. That's how old school I am.

609
00:31:31,640 --> 00:31:32,360
Speaker 3: You know what I'm saying.

610
00:31:32,560 --> 00:31:34,520
Speaker 1: They had the streets on fire. Hey, but who you think?

611
00:31:34,600 --> 00:31:36,600
Speaker 6: Which artist you think had the biggest This is the

612
00:31:36,680 --> 00:31:40,960
Speaker 6: question had the biggest impact to the world?

613
00:31:41,000 --> 00:31:45,160
Speaker 7: From eleven and in eleven who had the biggest impact?

614
00:31:45,560 --> 00:31:45,760
Speaker 1: Three?

615
00:31:46,000 --> 00:31:49,960
Speaker 2: Talking about song or just a whole run the person?

616
00:31:50,520 --> 00:31:54,120
Speaker 1: How had impact on people? Lets it go for song

617
00:31:54,360 --> 00:31:55,240
Speaker 1: cultural impact?

618
00:31:55,360 --> 00:32:00,160
Speaker 3: Cultural impact from song Andre three thousand on what talk

619
00:32:00,200 --> 00:32:04,280
Speaker 3: of our remix? He said, make your mama proud? Take

620
00:32:04,360 --> 00:32:09,040
Speaker 3: their shirt two sizes down. Member shirts is way down here?

621
00:32:10,320 --> 00:32:13,120
Speaker 3: Who's wearing about the whole world was wearing white T

622
00:32:13,280 --> 00:32:17,520
Speaker 3: shirts down to your knees, right, and that's came out.

623
00:32:17,560 --> 00:32:20,720
Speaker 2: That was it for white teams down to your knees.

624
00:32:20,840 --> 00:32:21,560
Speaker 1: You are correct.

625
00:32:22,160 --> 00:32:24,960
Speaker 3: They ended the era of it. They ended the era

626
00:32:24,960 --> 00:32:27,720
Speaker 3: of white teams down to your knees. He said, make

627
00:32:27,800 --> 00:32:30,080
Speaker 3: your mama pride, take their shirt two sides of day.

628
00:32:30,080 --> 00:32:34,080
Speaker 2: And that was it. I see no more white teams,

629
00:32:37,720 --> 00:32:38,520
Speaker 2: white T shirt.

630
00:32:40,160 --> 00:32:43,680
Speaker 6: That's one moment, though, Come on, come on?

631
00:32:44,600 --> 00:32:46,160
Speaker 1: Which go ahead? Go ahead?

632
00:32:46,200 --> 00:32:48,080
Speaker 2: He was about to say which artists.

633
00:32:47,920 --> 00:32:54,440
Speaker 6: Which artist has had the biggest influential impact from Atlanta?

634
00:32:56,600 --> 00:33:05,320
Speaker 3: Which artists had the biggest influential impact? Crazy, I don't know, man,

635
00:33:05,480 --> 00:33:10,680
Speaker 3: Sure lately it's been youngd Up like he'd been the

636
00:33:10,760 --> 00:33:15,360
Speaker 3: hottest got little baby, you know, but influence, I don't know.

637
00:33:16,640 --> 00:33:17,000
Speaker 2: I don't know.

638
00:33:17,160 --> 00:33:21,880
Speaker 1: Tell me like how TUPI say, Jesus say too, I

639
00:33:21,960 --> 00:33:29,920
Speaker 1: say future, future for sure, Pluto for sure in my opinion, See.

640
00:33:29,960 --> 00:33:34,880
Speaker 3: I don't listen to the future. I can't hardly understand something.

641
00:33:41,960 --> 00:33:42,920
Speaker 2: She going too fast?

642
00:33:43,320 --> 00:33:43,800
Speaker 1: Too slow?

643
00:33:44,000 --> 00:33:45,120
Speaker 2: Was I be smoking?

644
00:33:45,200 --> 00:33:45,520
Speaker 1: Man?

645
00:33:46,760 --> 00:33:50,600
Speaker 3: Man, you need some scar face. No, I'm old school

646
00:33:51,200 --> 00:33:56,320
Speaker 3: to tell you. You tell your music now, don't. You

647
00:33:56,360 --> 00:34:01,960
Speaker 3: can't even really he what y'all talk about? Man talking though,

648
00:34:02,440 --> 00:34:06,240
Speaker 3: frust like the man, I don't know, no foulk be talking.

649
00:34:06,360 --> 00:34:08,239
Speaker 3: I can't hear no, folks, I can't hear that.

650
00:34:08,400 --> 00:34:09,960
Speaker 1: The funny you know, the funny thing is.

651
00:34:10,840 --> 00:34:12,160
Speaker 2: Walk it like you talking.

652
00:34:13,840 --> 00:34:14,520
Speaker 1: I love that.

653
00:34:15,480 --> 00:34:16,560
Speaker 2: Let's stop with my record.

654
00:34:16,680 --> 00:34:22,760
Speaker 1: Yeah, listening to that one, I heard that clear.

655
00:34:24,160 --> 00:34:24,799
Speaker 2: What I did?

656
00:34:24,840 --> 00:34:27,359
Speaker 1: Did y'all? Y'all had to do some beatings on that record.

657
00:34:27,520 --> 00:34:29,640
Speaker 2: Yeah, yeah, thirty percent of it.

658
00:34:29,680 --> 00:34:36,400
Speaker 1: That's dope. This it's funny though in the nineties I

659
00:34:36,480 --> 00:34:39,120
Speaker 1: think it was Booty shape and then it's like cast

660
00:34:39,160 --> 00:34:41,480
Speaker 1: get him all the dungeon and all that. That was

661
00:34:41,520 --> 00:34:45,399
Speaker 1: one thing. But see then, like the people a little

662
00:34:45,400 --> 00:34:47,759
Speaker 1: bit older than yourself, even when Oak Camp came with

663
00:34:47,800 --> 00:34:51,080
Speaker 1: the crunk, some of them couldn't digest it, like yeah,

664
00:34:51,160 --> 00:34:53,279
Speaker 1: you see what I'm saying because everybody's all ug K

665
00:34:53,560 --> 00:34:56,120
Speaker 1: and this kind of yellow. So it's just funny how

666
00:34:56,160 --> 00:34:57,200
Speaker 1: the ship progresses.

667
00:34:57,320 --> 00:34:58,520
Speaker 2: And well what about me?

668
00:34:58,800 --> 00:35:04,000
Speaker 3: When I tell you, uh made the song walking out

669
00:35:04,360 --> 00:35:08,280
Speaker 3: and I come in the studio they played the record,

670
00:35:08,400 --> 00:35:10,879
Speaker 3: was like my tale, Like, man, this is a hit.

671
00:35:11,680 --> 00:35:14,160
Speaker 3: I was like, he said, we got a hit. I said,

672
00:35:14,160 --> 00:35:17,799
Speaker 3: oh yeah, I said play it man. Thing came on

673
00:35:17,880 --> 00:35:24,040
Speaker 3: walking out, walk in, walk out? Like what what what?

674
00:35:25,840 --> 00:35:27,759
Speaker 2: He said? Oh man, this is a hit. They need

675
00:35:27,760 --> 00:35:28,439
Speaker 2: to come out now.

676
00:35:28,800 --> 00:35:32,920
Speaker 3: I said, play it again, man, that man, play that record. Man,

677
00:35:32,960 --> 00:35:34,400
Speaker 3: I could not hear what.

678
00:35:34,320 --> 00:35:37,840
Speaker 1: He talking about two Step? After that, he said, man.

679
00:35:38,040 --> 00:35:41,480
Speaker 3: Well a gainster label. Man, we can't come with walking out?

680
00:35:41,520 --> 00:35:42,080
Speaker 3: Walking out?

681
00:35:42,280 --> 00:35:43,040
Speaker 1: What what what doing?

682
00:35:43,880 --> 00:35:47,640
Speaker 3: He was like, oh, man, this a hit, like I'll

683
00:35:47,680 --> 00:35:49,799
Speaker 3: tell you this ship gonna hit. And I was like, man,

684
00:35:50,400 --> 00:35:54,080
Speaker 3: play it again. I couldn't hear it, man. But the

685
00:35:54,120 --> 00:35:57,879
Speaker 3: best thing I did was not say, Man, we ain't

686
00:35:57,920 --> 00:36:02,720
Speaker 3: thinking about I say, man, if that's how you feel,

687
00:36:02,719 --> 00:36:05,279
Speaker 3: I said, I tell you're gonna break the record. I'm

688
00:36:05,280 --> 00:36:06,200
Speaker 3: gonna break the record.

689
00:36:06,200 --> 00:36:06,640
Speaker 1: This is a hit.

690
00:36:07,200 --> 00:36:11,640
Speaker 3: Alright, let's go get it mixed and go. And that's

691
00:36:11,680 --> 00:36:14,879
Speaker 3: how that had happened. But other than that, that thing

692
00:36:15,040 --> 00:36:16,160
Speaker 3: was almost shut down.

693
00:36:16,360 --> 00:36:18,560
Speaker 1: Did that change your whole perspective on ship, because right

694
00:36:18,600 --> 00:36:21,719
Speaker 1: after that was two steps, two step came around to them, Yeah,

695
00:36:21,920 --> 00:36:23,759
Speaker 1: and that was gonna be No.

696
00:36:24,480 --> 00:36:27,759
Speaker 3: There was some dance record all over again, and I

697
00:36:27,800 --> 00:36:31,719
Speaker 3: was just like, man, but end up being the here too.

698
00:36:33,080 --> 00:36:36,120
Speaker 2: So the remixes really took both of them up through there.

699
00:36:37,360 --> 00:36:39,520
Speaker 6: So having them type of records like and being the

700
00:36:39,560 --> 00:36:42,279
Speaker 6: type of nigga that y'all was, did y'all go place?

701
00:36:42,320 --> 00:36:44,800
Speaker 6: And nigga tried y'all like y'all with that type of record,

702
00:36:45,000 --> 00:36:46,120
Speaker 6: when y'all come places.

703
00:36:46,320 --> 00:36:51,120
Speaker 3: No, be honest with you, Bro unc blowed up outside

704
00:36:51,239 --> 00:36:53,960
Speaker 3: of Atlanta. As far as shows, yeah, he can count

705
00:36:54,000 --> 00:36:58,239
Speaker 3: on one hand probably him being booked in Atlanta at

706
00:36:58,239 --> 00:36:58,760
Speaker 3: that time.

707
00:36:59,400 --> 00:37:05,080
Speaker 6: During yeah that she skipped the chicken Yeah yeah.

708
00:37:05,880 --> 00:37:06,279
Speaker 2: Mm hmm.

709
00:37:06,960 --> 00:37:10,320
Speaker 3: She went it was like hit white people in college

710
00:37:10,360 --> 00:37:15,640
Speaker 3: people no niggas, no niggas riding around and no cut

711
00:37:16,239 --> 00:37:25,560
Speaker 3: be you know, setting don't.

712
00:37:21,680 --> 00:37:27,680
Speaker 2: Walk it out. No, I ain't never even been to

713
00:37:28,200 --> 00:37:32,959
Speaker 2: walk it out show mm hmm. Never.

714
00:37:33,600 --> 00:37:38,279
Speaker 1: You just had the business. Never is that is? That is?

715
00:37:38,280 --> 00:37:41,680
Speaker 1: That is the artist, the artist that you had a

716
00:37:41,760 --> 00:37:43,400
Speaker 1: chance to sign, that you missed out on, that you

717
00:37:43,480 --> 00:37:44,520
Speaker 1: slept on, that they got.

718
00:37:45,200 --> 00:37:48,799
Speaker 3: They blew up t I he cousin name too. He's

719
00:37:48,840 --> 00:37:52,440
Speaker 3: dead now, rest in peace. But Bro tipped to me

720
00:37:52,480 --> 00:37:55,920
Speaker 3: at least three times begging me to sign him.

721
00:37:56,000 --> 00:37:57,880
Speaker 1: You ain't see it, see that.

722
00:37:58,120 --> 00:38:01,960
Speaker 3: So at that time I was doing what I was doing.

723
00:38:02,200 --> 00:38:05,040
Speaker 3: But you know, when you're working on the inside, you

724
00:38:05,120 --> 00:38:06,759
Speaker 3: don't see the picture.

725
00:38:06,480 --> 00:38:09,439
Speaker 2: From the outside. From the outside a little.

726
00:38:09,520 --> 00:38:12,480
Speaker 3: I knew what I was doing, but I had money,

727
00:38:12,760 --> 00:38:16,399
Speaker 3: so we just doing the mad street promoding. People were

728
00:38:16,480 --> 00:38:18,680
Speaker 3: seeing stuff. But man, at the same time, I didn't

729
00:38:18,719 --> 00:38:20,560
Speaker 3: know what I was doing. Man, I'm learning this shit

730
00:38:20,680 --> 00:38:23,440
Speaker 3: day by day. I ain't have a clue what I

731
00:38:23,480 --> 00:38:25,439
Speaker 3: was doing. It was just day by day by day.

732
00:38:25,760 --> 00:38:26,279
Speaker 2: And at that.

733
00:38:26,280 --> 00:38:27,800
Speaker 3: Time, man, I was like, man, I don't want to

734
00:38:27,840 --> 00:38:30,480
Speaker 3: sign nobody, like, I don't know what I'm doing. I

735
00:38:30,600 --> 00:38:33,759
Speaker 3: signed tip. I don't know how to really put no

736
00:38:34,280 --> 00:38:34,839
Speaker 3: artists out.

737
00:38:34,880 --> 00:38:35,399
Speaker 2: You know what I'm saying.

738
00:38:35,440 --> 00:38:38,799
Speaker 3: I'm learning day by day, like literally just coming up

739
00:38:38,840 --> 00:38:40,839
Speaker 3: with ideas. Hey man, we about to get some posters made.

740
00:38:41,160 --> 00:38:42,960
Speaker 3: Hey man, we about to get some fly man. Hey man,

741
00:38:43,040 --> 00:38:44,920
Speaker 3: let's go hit them stoves on the East side. Hey man,

742
00:38:45,320 --> 00:38:49,520
Speaker 3: were coming over stuff day by day, just building the blueprint.

743
00:38:49,600 --> 00:38:53,720
Speaker 3: I didn't know. Indiri came to my office with her guitar.

744
00:38:54,280 --> 00:38:59,399
Speaker 3: Indiri came to my office with her gut tar, did

745
00:38:59,440 --> 00:39:02,839
Speaker 3: a record. I'm just looking at her like, I don't

746
00:39:02,880 --> 00:39:04,359
Speaker 3: know what the hell to do with this.

747
00:39:05,719 --> 00:39:08,160
Speaker 2: I don't have a clue. At the time, we got

748
00:39:10,160 --> 00:39:11,600
Speaker 2: dropped around the club and ship.

749
00:39:11,680 --> 00:39:14,799
Speaker 3: You know what I'm saying, not playing a good talk man,

750
00:39:14,840 --> 00:39:22,560
Speaker 3: I don't know what man, crime up crime I first

751
00:39:22,600 --> 00:39:25,000
Speaker 3: got started a little dude. Was it Jay Will trying

752
00:39:25,000 --> 00:39:28,040
Speaker 3: to get me to trivial try to get me to

753
00:39:28,080 --> 00:39:37,800
Speaker 3: sign them. Who else at that time Jerome tried to

754
00:39:37,800 --> 00:39:40,680
Speaker 3: get me to partner with him with the Diablos.

755
00:39:41,840 --> 00:39:42,239
Speaker 2: M hm.

756
00:39:44,080 --> 00:39:46,759
Speaker 3: But the biggest one is Tip, Like, I know I

757
00:39:46,880 --> 00:39:49,000
Speaker 3: turned that down at least three different times with his

758
00:39:49,080 --> 00:39:50,239
Speaker 3: cousins bringing them to me.

759
00:39:51,560 --> 00:39:56,200
Speaker 1: What you say, turned down? Like? How's that? Like? What's

760
00:39:56,280 --> 00:39:58,719
Speaker 1: that conversation? Like? Is it just no? You know, keep

761
00:39:58,800 --> 00:40:00,600
Speaker 1: doing your thing, bro, I don't.

762
00:40:00,400 --> 00:40:01,000
Speaker 2: Know what I'm doing.

763
00:40:01,120 --> 00:40:02,879
Speaker 1: Yeah, you know what I'm saying.

764
00:40:02,960 --> 00:40:05,759
Speaker 3: It look good. I'm just spending money. I talked him like,

765
00:40:05,760 --> 00:40:09,600
Speaker 3: I'm telling you how yeah, the same thing. But he

766
00:40:09,760 --> 00:40:11,719
Speaker 3: just kept feeling like the more and more he saw

767
00:40:12,239 --> 00:40:16,280
Speaker 3: be su stuff because if nobody wasn't doing it, Remember,

768
00:40:17,160 --> 00:40:20,800
Speaker 3: nobody wanted doing this, so he's just seeing, He's just seeing.

769
00:40:20,840 --> 00:40:23,360
Speaker 3: He was like shit, you know, he felt like I

770
00:40:23,400 --> 00:40:25,120
Speaker 3: probab knew what I was doing, but man, I didn't

771
00:40:25,120 --> 00:40:27,440
Speaker 3: have a clue. I wish I did. She was definitely

772
00:40:27,440 --> 00:40:30,440
Speaker 3: been my artist, you know, like they say, one of

773
00:40:30,480 --> 00:40:34,080
Speaker 3: my top three artists right now. I would love to

774
00:40:34,120 --> 00:40:35,680
Speaker 3: have you take that rest.

775
00:40:36,200 --> 00:40:38,000
Speaker 1: You think if you would have made some of the

776
00:40:38,080 --> 00:40:41,160
Speaker 1: moves a little differently, Like I feel like big On

777
00:40:41,360 --> 00:40:43,080
Speaker 1: was like the first QC. But you think you would

778
00:40:43,080 --> 00:40:45,799
Speaker 1: have had like that type of success if you would

779
00:40:45,800 --> 00:40:48,279
Speaker 1: have made some different decisions or.

780
00:40:48,280 --> 00:40:51,920
Speaker 3: If you would have greater knowledge, Oh yeah, I'll probably

781
00:40:51,920 --> 00:40:56,600
Speaker 3: be I'd be one of the biggest probably labels facts

782
00:40:56,600 --> 00:40:57,000
Speaker 3: to this.

783
00:40:56,960 --> 00:40:57,560
Speaker 2: Day right now.

784
00:40:57,640 --> 00:40:59,640
Speaker 3: If I would have went on the jump then in

785
00:40:59,680 --> 00:41:02,600
Speaker 3: the with the big dog. Know I'm I got a

786
00:41:02,640 --> 00:41:04,040
Speaker 3: big dog. Make you a superstar?

787
00:41:04,640 --> 00:41:06,080
Speaker 2: You know what I'm saying. You know, tell that what

788
00:41:06,280 --> 00:41:07,359
Speaker 2: my career would have been.

789
00:41:07,960 --> 00:41:10,120
Speaker 3: I would have been around people who got the knowledge

790
00:41:10,160 --> 00:41:12,640
Speaker 3: of saying, now you need to do this, you need

791
00:41:12,680 --> 00:41:13,560
Speaker 3: to do this, you need to do that.

792
00:41:13,760 --> 00:41:16,120
Speaker 2: I was just me. I didn't have a mentor. I

793
00:41:16,120 --> 00:41:18,000
Speaker 2: didn't have nobody go.

794
00:41:18,040 --> 00:41:20,520
Speaker 3: Sit down to and be like, so, you gotta think

795
00:41:20,560 --> 00:41:23,360
Speaker 3: when I got started, Coach k was coming up my

796
00:41:23,400 --> 00:41:28,400
Speaker 3: steps asking me what to do, what I'm doing, Jason Jeter,

797
00:41:28,480 --> 00:41:31,759
Speaker 3: who had t I coming up my steps asking me

798
00:41:32,040 --> 00:41:35,800
Speaker 3: what I'm doing, how I'm doing it, Scooter who managed

799
00:41:36,320 --> 00:41:40,680
Speaker 3: just to autumn, Scooter Bru coming up my steps asking

800
00:41:40,719 --> 00:41:43,360
Speaker 3: me what I'm doing, how I'm doing Like I was

801
00:41:43,440 --> 00:41:46,040
Speaker 3: the fourth front before all these guys tuck off with

802
00:41:46,200 --> 00:41:47,480
Speaker 3: their careers and their artists.

803
00:41:47,560 --> 00:41:49,680
Speaker 1: You could never Maybe I'm just throwing it out there.

804
00:41:50,080 --> 00:41:53,120
Speaker 1: Make a call to a Jermaine Duprix or somebody from

805
00:41:53,120 --> 00:41:55,040
Speaker 1: the face for no game or no nothing like that.

806
00:41:55,120 --> 00:41:56,640
Speaker 1: Y'all didn't have that type of camaraderie.

807
00:41:57,360 --> 00:41:59,399
Speaker 2: Ah back then, I was a straight street dude.

808
00:41:59,480 --> 00:42:06,279
Speaker 3: Jam uh yeah, I got you know, you know he

809
00:42:06,480 --> 00:42:07,759
Speaker 3: was that guy at that.

810
00:42:08,400 --> 00:42:09,000
Speaker 2: Yeah he won.

811
00:42:10,000 --> 00:42:13,640
Speaker 3: I couldn't even imagine us sitting down even talking at that.

812
00:42:14,800 --> 00:42:15,960
Speaker 2: Probably wouldn't want to talk.

813
00:42:18,560 --> 00:42:23,000
Speaker 3: Yeah, two three niggas with me braid looking like I slapped,

814
00:42:23,960 --> 00:42:24,359
Speaker 3: tell me.

815
00:42:24,360 --> 00:42:31,000
Speaker 1: Yes right right. There wasn't even any damn.

816
00:42:32,400 --> 00:42:33,240
Speaker 4: It was a shade.

817
00:42:34,320 --> 00:42:37,239
Speaker 5: It was a niggas feel like you type of ship

818
00:42:37,280 --> 00:42:39,760
Speaker 5: out of them those dark, those black ass shaves.

819
00:42:39,880 --> 00:42:40,279
Speaker 4: That was it.

820
00:42:40,880 --> 00:42:43,759
Speaker 1: And the hundred people in the ump shirts. Man, they

821
00:42:43,760 --> 00:42:45,360
Speaker 1: didn't go nowhere less than the honey.

822
00:42:46,880 --> 00:42:50,040
Speaker 3: Oh yeah, but that's how we broke Jenny. Jelly was

823
00:42:50,080 --> 00:42:52,480
Speaker 3: a d J. We moved Jenny around like an artist.

824
00:42:52,520 --> 00:42:53,359
Speaker 1: I remember.

825
00:42:54,880 --> 00:43:00,440
Speaker 3: Jelly around like we putting up the club like nigga Jenny.

826
00:43:00,719 --> 00:43:01,399
Speaker 2: You know what I'm saying.

827
00:43:01,400 --> 00:43:03,840
Speaker 3: We with Jenny and we all got to get up

828
00:43:03,840 --> 00:43:05,560
Speaker 3: there there. I mean, it's been so many times we

829
00:43:05,640 --> 00:43:08,560
Speaker 3: don't have to put that ship down and then the

830
00:43:08,600 --> 00:43:10,480
Speaker 3: next time it's all g you know what I'm saying,

831
00:43:10,560 --> 00:43:12,400
Speaker 3: Like we with Jerry, we with Jailly, you know what

832
00:43:12,400 --> 00:43:15,080
Speaker 3: I mean. Moved jail around like he was an artist

833
00:43:15,160 --> 00:43:24,759
Speaker 3: and it worked twenty deep with a DJ's.

834
00:43:21,440 --> 00:43:24,000
Speaker 1: The relationship still in tact with like everybody from on

835
00:43:24,120 --> 00:43:26,160
Speaker 1: camp to do like if you'll, if y'all, y'all just

836
00:43:26,160 --> 00:43:30,600
Speaker 1: did a reunion birthday. But it's the relationship in tach

837
00:43:30,719 --> 00:43:34,279
Speaker 1: with obviously Jelly Monte Baby d.

838
00:43:34,640 --> 00:43:37,160
Speaker 3: Baby work my booth now out there on National that's

839
00:43:37,160 --> 00:43:42,000
Speaker 3: who Okay on Fridays and Saturdays. Okay, that's hard. Still

840
00:43:42,160 --> 00:43:45,040
Speaker 3: me and Jelly my Tay. So we got an app

841
00:43:45,880 --> 00:43:48,320
Speaker 3: all our mix tapes on the app called mix Tape Mobster.

842
00:43:48,600 --> 00:43:49,000
Speaker 1: That's hard.

843
00:43:49,800 --> 00:43:51,279
Speaker 4: Where's Where's now?

844
00:43:51,880 --> 00:43:53,920
Speaker 2: I'm still doing shows. She just did the wall.

845
00:43:54,280 --> 00:43:56,319
Speaker 3: She got there late, so I ain't do the birthday man,

846
00:43:56,400 --> 00:43:58,560
Speaker 3: but he got that show coming up with next week

847
00:43:58,600 --> 00:43:59,279
Speaker 3: at State.

848
00:43:59,040 --> 00:44:02,480
Speaker 1: Farm, Easy Pop Restaurant.

849
00:44:02,960 --> 00:44:06,680
Speaker 3: I just owe my up a restaurant on five teen

850
00:44:06,880 --> 00:44:13,040
Speaker 3: Fabrine Road, that Burger's Hole, Wings and Rolls just a

851
00:44:13,120 --> 00:44:18,680
Speaker 3: four million back, maybe twenty five items good food.

852
00:44:19,640 --> 00:44:21,759
Speaker 1: And you spoke a little earlier of Sammy Sam. Where

853
00:44:21,920 --> 00:44:22,680
Speaker 1: is Sammy Sam?

854
00:44:23,400 --> 00:44:23,839
Speaker 2: What I'm saying?

855
00:44:23,920 --> 00:44:29,000
Speaker 3: I just really yeah, he came always been home less

856
00:44:29,040 --> 00:44:31,359
Speaker 3: than a year, did like ten ten years?

857
00:44:31,920 --> 00:44:33,799
Speaker 2: Mm hmmm, uh we did a ten.

858
00:44:33,760 --> 00:44:38,680
Speaker 1: Year bit, did you you? Was it was Roco doing

859
00:44:38,680 --> 00:44:41,360
Speaker 1: business with Sam before you or after you after me?

860
00:44:41,520 --> 00:44:46,040
Speaker 3: So I had Sam, Sam went to jail. Sam came

861
00:44:46,160 --> 00:44:49,920
Speaker 3: home and signed with Rocco.

862
00:44:50,440 --> 00:44:50,960
Speaker 2: I wanted to.

863
00:44:50,920 --> 00:44:53,919
Speaker 3: Say that Rocco had a step dad. It's song song

864
00:44:54,000 --> 00:44:57,879
Speaker 3: it to Smurf Rocket Rocky Road, Rocket Road.

865
00:44:58,000 --> 00:44:58,640
Speaker 1: Yeah, I think so.

866
00:44:59,239 --> 00:45:01,239
Speaker 3: I think you might have did the cross deal with

867
00:45:01,560 --> 00:45:06,640
Speaker 3: smur something and Smurf walked them into Universal and stuff

868
00:45:07,719 --> 00:45:08,120
Speaker 3: your say.

869
00:45:08,160 --> 00:45:10,320
Speaker 2: I came home and I.

870
00:45:10,200 --> 00:45:13,719
Speaker 1: Got with them with my prison about three or four years.

871
00:45:14,960 --> 00:45:15,200
Speaker 2: Yeah.

872
00:45:16,880 --> 00:45:18,840
Speaker 1: I just seen Sam at the concept.

873
00:45:18,960 --> 00:45:20,960
Speaker 3: Yeah, you're on point right now. It's the best. I

874
00:45:21,000 --> 00:45:25,080
Speaker 3: don't seen him on focus and on point. And since

875
00:45:25,120 --> 00:45:26,080
Speaker 3: I've known them.

876
00:45:29,480 --> 00:45:30,000
Speaker 1: Had that b.

877
00:45:32,440 --> 00:45:33,240
Speaker 2: That was for years.

878
00:45:33,840 --> 00:45:40,000
Speaker 1: Was crazy. This was hard be talking. Sam and Troy

879
00:45:40,040 --> 00:45:43,000
Speaker 1: went at it too, right, Yeah, yeah, I remember that.

880
00:45:43,520 --> 00:45:49,000
Speaker 1: I had to hit it beer yeah, oh yeah, Sam

881
00:45:49,000 --> 00:45:52,919
Speaker 1: and try Yeah. But that's when you could go at

882
00:45:52,920 --> 00:45:53,640
Speaker 1: it and.

883
00:45:53,400 --> 00:45:58,120
Speaker 3: You know, nobody fighting music even see that the same

884
00:45:58,160 --> 00:45:59,640
Speaker 3: I ain't really never really want to know.

885
00:46:00,040 --> 00:46:00,560
Speaker 2: I beef.

886
00:46:00,600 --> 00:46:02,400
Speaker 3: You know what I'm saying. He just do it for entertainment,

887
00:46:02,560 --> 00:46:05,839
Speaker 3: keep the name going. I'm so bride here, came home

888
00:46:05,880 --> 00:46:10,279
Speaker 3: and did nobody now to get it? Probably know any

889
00:46:10,320 --> 00:46:14,200
Speaker 3: of the shoot no, though it's a little different. Probably

890
00:46:14,560 --> 00:46:17,680
Speaker 3: you're gonna really gonna fire your glass up.

891
00:46:20,480 --> 00:46:29,240
Speaker 1: Ain't to say, you know, damn guarringing like your ass.

892
00:46:29,840 --> 00:46:32,399
Speaker 2: Let's gonna get it, boy.

893
00:46:32,960 --> 00:46:39,600
Speaker 1: Anything else to got big fat if big On wasn't

894
00:46:39,600 --> 00:46:43,360
Speaker 1: the record executive. What do you think your other.

895
00:46:43,280 --> 00:46:47,120
Speaker 5: Callings about your real estate portfolio?

896
00:46:47,360 --> 00:46:48,520
Speaker 1: I just see now I'm learning.

897
00:46:49,400 --> 00:46:52,840
Speaker 2: Yeah, that's what I would be doing real estate. I

898
00:46:52,920 --> 00:46:54,440
Speaker 2: don't like thirty one properties.

899
00:46:55,640 --> 00:46:57,879
Speaker 1: There you have it.

900
00:46:57,480 --> 00:47:00,600
Speaker 3: If I want to do my music, probably be heavily.

901
00:47:00,760 --> 00:47:02,800
Speaker 3: I'll probably be building this shit downtown.

902
00:47:02,880 --> 00:47:06,840
Speaker 1: But no, m.

903
00:47:08,360 --> 00:47:10,239
Speaker 7: What's thirty What the next thirty look like?

904
00:47:12,239 --> 00:47:13,440
Speaker 2: Next thirty years?

905
00:47:13,760 --> 00:47:18,040
Speaker 3: Be a couple of more restaurants, maybe a chain of restaurants,

906
00:47:18,320 --> 00:47:25,800
Speaker 3: maybe two different guys, three different guys, chain of restaurants,

907
00:47:26,719 --> 00:47:33,880
Speaker 3: probably building some multi unit stuff. Just shot a movie.

908
00:47:33,880 --> 00:47:42,200
Speaker 3: It's at editing, So some more movies and that's about it. Man,

909
00:47:42,239 --> 00:47:43,879
Speaker 3: I don't have a lot of more stuff I want

910
00:47:43,960 --> 00:47:48,719
Speaker 3: to do at all. Really at my end the retirement stage,

911
00:47:48,760 --> 00:47:51,120
Speaker 3: I just got to finish up some stuff that I

912
00:47:51,160 --> 00:47:55,640
Speaker 3: already been doing. The restaurant is the newest adventure, but

913
00:47:55,880 --> 00:47:58,239
Speaker 3: I ain't even really dealing with that. I just funded it.

914
00:47:58,400 --> 00:48:00,959
Speaker 3: My kids writing it. You know, they'll be the ones

915
00:48:01,040 --> 00:48:02,520
Speaker 3: running the next one, in the next one, in the

916
00:48:02,560 --> 00:48:07,960
Speaker 3: next one. A really hands off, just the finances until

917
00:48:08,000 --> 00:48:10,560
Speaker 3: this one get up, get my money back, and the

918
00:48:10,640 --> 00:48:12,640
Speaker 3: next that money and pay for the next and the next,

919
00:48:12,800 --> 00:48:15,640
Speaker 3: the next one. So that'll be the plan for that.

920
00:48:15,960 --> 00:48:21,200
Speaker 3: My real estate, I got a bunch of land that

921
00:48:21,200 --> 00:48:25,400
Speaker 3: that I need to build and finish up those properties.

922
00:48:26,440 --> 00:48:31,319
Speaker 2: And yeah, that's it. I got shoot smoke movies, a.

923
00:48:31,280 --> 00:48:33,120
Speaker 1: Lot, a lot of a lot of like record e section,

924
00:48:33,200 --> 00:48:34,960
Speaker 1: I guess like Lucy and Grange and some of the

925
00:48:35,000 --> 00:48:38,840
Speaker 1: people they'll put like the kids in control of their label.

926
00:48:38,920 --> 00:48:41,239
Speaker 1: Like is that the future for Big On Records are.

927
00:48:41,560 --> 00:48:43,600
Speaker 2: I don't even deal with the record like Big Corey my.

928
00:48:43,480 --> 00:48:47,760
Speaker 1: Son, Yeah, he run all that stuff.

929
00:48:47,760 --> 00:48:51,160
Speaker 3: He got like ten places in his last year. This

930
00:48:51,320 --> 00:48:55,040
Speaker 3: production game is crazy right now. And Trigger Steward he

931
00:48:55,160 --> 00:48:58,800
Speaker 3: over there working with Tricky Like Trigger got him in

932
00:48:58,880 --> 00:49:01,160
Speaker 3: the headlock right now. So he got a bunch of

933
00:49:01,160 --> 00:49:02,080
Speaker 3: big records back.

934
00:49:02,880 --> 00:49:04,920
Speaker 1: Would you sign one of these young niggas, Like if

935
00:49:04,960 --> 00:49:06,200
Speaker 1: they was hot in the streets right now?

936
00:49:07,320 --> 00:49:07,600
Speaker 2: Would I?

937
00:49:08,000 --> 00:49:09,600
Speaker 1: Yeah? I would, you would?

938
00:49:09,760 --> 00:49:13,800
Speaker 2: But so crazy story right, So there's been a lot.

939
00:49:13,640 --> 00:49:16,120
Speaker 1: Of hot street artists.

940
00:49:16,520 --> 00:49:21,480
Speaker 3: But man, they so far street, Bro, I'm so far

941
00:49:21,680 --> 00:49:24,120
Speaker 3: out the way of that. I'm like, Man, I can't

942
00:49:24,120 --> 00:49:27,080
Speaker 3: even do it. I can't even I don't even want

943
00:49:27,080 --> 00:49:30,080
Speaker 3: to touch it, man, because I don't want I like,

944
00:49:30,160 --> 00:49:32,360
Speaker 3: standing outside of my partner, like at my office, I

945
00:49:32,400 --> 00:49:34,840
Speaker 3: don't feel like I gotta get it. But these young boys,

946
00:49:35,080 --> 00:49:36,880
Speaker 3: I might. I can't stand out there no more. Man,

947
00:49:37,320 --> 00:49:40,680
Speaker 3: what was out here getting into me? So I rather

948
00:49:40,800 --> 00:49:45,239
Speaker 3: not even engage into all the young stuff.

949
00:49:44,920 --> 00:49:48,279
Speaker 2: That's going on. You were involved with the game, you.

950
00:49:48,200 --> 00:49:53,520
Speaker 3: Were involved with the guns, all that shit that's causing deaths,

951
00:49:54,000 --> 00:49:55,680
Speaker 3: twenty year prison sentences.

952
00:49:56,560 --> 00:49:57,080
Speaker 2: Stay away.

953
00:49:57,680 --> 00:49:59,920
Speaker 3: I don't want no part and I don't want my son, bro,

954
00:50:00,080 --> 00:50:02,080
Speaker 3: because he got a life to live. We got a

955
00:50:02,080 --> 00:50:04,719
Speaker 3: bunch of businesses that he can gonna inherit it. He

956
00:50:04,840 --> 00:50:07,160
Speaker 3: don't need that trouble to make my money, you know

957
00:50:07,200 --> 00:50:10,000
Speaker 3: what I'm saying. So all money ain't good money. That

958
00:50:10,120 --> 00:50:12,280
Speaker 3: kind of money right there for me at my age,

959
00:50:13,200 --> 00:50:15,640
Speaker 3: the mature level I'm at and the peace of mind

960
00:50:15,640 --> 00:50:19,160
Speaker 3: where I'm at no price to it. I can't sign

961
00:50:19,239 --> 00:50:21,680
Speaker 3: none of that crazy stuff, you know what I'm saying.

962
00:50:22,760 --> 00:50:24,800
Speaker 3: My son and my tape, they won't see, you know

963
00:50:24,840 --> 00:50:29,359
Speaker 3: what I'm saying. But I tell them, if y'all ain't

964
00:50:29,400 --> 00:50:32,680
Speaker 3: gonna have me involved at all, I mean, no finance

965
00:50:32,760 --> 00:50:36,880
Speaker 3: and no nothing do y'all. Well, if y'all need me

966
00:50:37,160 --> 00:50:40,360
Speaker 3: for any of it, I'm not touching that stuff. I

967
00:50:40,360 --> 00:50:41,360
Speaker 3: don't want to be a part of it.

968
00:50:42,480 --> 00:50:43,360
Speaker 1: You know what I'm saying.

969
00:50:43,880 --> 00:50:46,000
Speaker 2: I don't want my son dealing with the y'all niggas.

970
00:50:46,000 --> 00:50:49,360
Speaker 3: They like why you put my record out yet the

971
00:50:49,400 --> 00:50:53,319
Speaker 3: ain't want to cuss, be disrespectful. That shit go two

972
00:50:53,320 --> 00:50:56,400
Speaker 3: ways fast, you know what I'm saying. And trouble because

973
00:50:56,800 --> 00:50:59,400
Speaker 3: this kid don't even know how to respect they boss.

974
00:50:59,200 --> 00:51:01,920
Speaker 2: Men, you know what I'm saying. And that's just idea

975
00:51:02,080 --> 00:51:05,040
Speaker 2: though you know how to talk to spend their.

976
00:51:04,920 --> 00:51:08,680
Speaker 1: Money on them. You think you think that's a little

977
00:51:08,920 --> 00:51:12,280
Speaker 1: awkward because I'm just keeping it real. You might sign

978
00:51:12,360 --> 00:51:16,239
Speaker 1: somebody or you might have that type of tension. But

979
00:51:16,280 --> 00:51:18,680
Speaker 1: they don't go to the big labels with all that,

980
00:51:18,880 --> 00:51:20,919
Speaker 1: Like they don't have that same energy with the big,

981
00:51:21,040 --> 00:51:25,840
Speaker 1: big big labels. Bro, they don't. Bro, have we seen

982
00:51:26,000 --> 00:51:29,080
Speaker 1: any of them. They might go on social media and complain,

983
00:51:29,239 --> 00:51:30,760
Speaker 1: but they don't get in their face.

984
00:51:30,760 --> 00:51:33,239
Speaker 5: And actually, but I feel like they don't get in

985
00:51:33,280 --> 00:51:35,239
Speaker 5: their face with the big labels and do all that

986
00:51:35,360 --> 00:51:37,239
Speaker 5: because they don't have they don't have the same type

987
00:51:37,239 --> 00:51:39,560
Speaker 5: of access. That's a good point to the big labels

988
00:51:39,640 --> 00:51:41,600
Speaker 5: as they do right here with them.

989
00:51:42,080 --> 00:51:44,120
Speaker 1: That's a great point. That's a great point.

990
00:51:44,640 --> 00:51:47,560
Speaker 5: Like they can't get man, they can't get past clearance

991
00:51:47,600 --> 00:51:49,080
Speaker 5: to get to fucking lootion.

992
00:51:49,680 --> 00:51:52,040
Speaker 1: That's real. You can't pull up to Manhattan or LA

993
00:51:52,120 --> 00:51:55,640
Speaker 1: and just go upstairs and talk to them that ship. Yeah,

994
00:51:55,680 --> 00:51:57,680
Speaker 1: but you can pull up to office and be like,

995
00:51:57,719 --> 00:51:58,520
Speaker 1: oh what the hell?

996
00:51:58,680 --> 00:52:02,200
Speaker 2: Yeah, like I say, parenting man, the young.

997
00:52:01,960 --> 00:52:05,560
Speaker 1: Boy that's the name of this episode.

998
00:52:07,120 --> 00:52:09,319
Speaker 3: Got no respect, you know what I'm saying. Put up,

999
00:52:09,680 --> 00:52:12,160
Speaker 3: why this DJ ain't playing my record? And then up

1000
00:52:12,239 --> 00:52:16,879
Speaker 3: man stuff man too much to come too much?

1001
00:52:17,200 --> 00:52:18,320
Speaker 1: For real? I agree.

1002
00:52:18,440 --> 00:52:20,920
Speaker 3: Give me a artist who ain't talking about all that

1003
00:52:21,040 --> 00:52:25,360
Speaker 3: craziness and he can you know, you know how to

1004
00:52:25,360 --> 00:52:28,880
Speaker 3: promote himself, you know how to do his social media

1005
00:52:28,920 --> 00:52:30,799
Speaker 3: and stuff and listen to that.

1006
00:52:31,160 --> 00:52:31,600
Speaker 1: Mm hmm.

1007
00:52:32,440 --> 00:52:38,120
Speaker 2: But the street stuff, that money is it is gone

1008
00:52:38,120 --> 00:52:38,360
Speaker 2: for me.

1009
00:52:40,040 --> 00:52:42,200
Speaker 1: It's gone the same way.

1010
00:52:42,400 --> 00:52:44,400
Speaker 3: Give me an artist who topping that stuff and he

1011
00:52:44,520 --> 00:52:46,520
Speaker 3: just ain't that street dude. You just know how to

1012
00:52:46,600 --> 00:52:46,960
Speaker 3: wrap it.

1013
00:52:48,280 --> 00:52:49,000
Speaker 1: If you keep.

1014
00:52:51,080 --> 00:52:51,600
Speaker 4: I don't.

1015
00:52:51,600 --> 00:52:53,320
Speaker 2: I don't want no rep.

1016
00:52:55,280 --> 00:52:59,319
Speaker 1: That's the I don't want no part. Even if he

1017
00:52:59,320 --> 00:53:02,799
Speaker 1: ain't doing he bring that should have tracked this ship though, real.

1018
00:53:04,040 --> 00:53:05,440
Speaker 1: So Yeah, like you said, I.

1019
00:53:05,480 --> 00:53:06,719
Speaker 2: Am the man.

1020
00:53:06,760 --> 00:53:08,880
Speaker 3: When we first came out with East Side versus the

1021
00:53:08,920 --> 00:53:12,480
Speaker 3: West Side, Bro, we go do shows, you gonna always

1022
00:53:12,480 --> 00:53:14,960
Speaker 3: have these few niggas standing in the front to shoot

1023
00:53:15,080 --> 00:53:18,520
Speaker 3: gang sign bean mugging, maybe straight.

1024
00:53:18,200 --> 00:53:19,359
Speaker 2: On some other stuff. Man.

1025
00:53:19,400 --> 00:53:23,560
Speaker 3: Everybody jumping around, they enjoying the show, they enjoying the record.

1026
00:53:23,640 --> 00:53:26,160
Speaker 3: But you got them few little druggers right there. Man,

1027
00:53:26,200 --> 00:53:28,839
Speaker 3: they on some well I can't wait the kitchen or something,

1028
00:53:28,840 --> 00:53:33,440
Speaker 3: you know, just throw it out, man. Yeah, when it

1029
00:53:33,520 --> 00:53:36,000
Speaker 3: was Stemma eight back then, and it's about a hundred

1030
00:53:36,000 --> 00:53:37,880
Speaker 3: of them now, i'na go.

1031
00:53:38,320 --> 00:53:41,960
Speaker 2: Everybody gotta switch. Yeah, everybody don't go parenting.

1032
00:53:42,880 --> 00:53:45,000
Speaker 5: But do you think Okay, speaking going back to parenting

1033
00:53:45,080 --> 00:53:48,000
Speaker 5: and all of that, do you think that a lot

1034
00:53:48,040 --> 00:53:52,560
Speaker 5: of these issues with these newer younger kids outside of

1035
00:53:52,600 --> 00:53:56,080
Speaker 5: the parenting also have to do with the fact that

1036
00:53:56,680 --> 00:54:02,799
Speaker 5: most of these people are residents of drug users all that.

1037
00:54:03,320 --> 00:54:06,600
Speaker 3: Check this out, right, So I coached football, y, so

1038
00:54:06,920 --> 00:54:10,080
Speaker 3: I don't coach cust the kids, right, another cust the

1039
00:54:10,200 --> 00:54:15,399
Speaker 3: kid don't even low cussing in my program. Well, there's

1040
00:54:15,440 --> 00:54:18,080
Speaker 3: so many other programs out there around now they got.

1041
00:54:18,280 --> 00:54:20,440
Speaker 3: You can go on YouTube right now and pull up

1042
00:54:20,480 --> 00:54:22,759
Speaker 3: some game. You got six year old kids, sell them

1043
00:54:22,800 --> 00:54:26,200
Speaker 3: a all the way up to fourteen cussing, Yeah, I

1044
00:54:26,239 --> 00:54:29,960
Speaker 3: mean cussing. I mean and the parents dropping their child

1045
00:54:30,000 --> 00:54:33,359
Speaker 3: off to this coach knowing this coach got your little

1046
00:54:33,440 --> 00:54:36,920
Speaker 3: six self eight year old kid cussing and yo, you

1047
00:54:37,080 --> 00:54:41,080
Speaker 3: the parent, You me, I dropped my son off and

1048
00:54:41,200 --> 00:54:45,000
Speaker 3: this coach doing all this foolishness. Now he got my

1049
00:54:45,160 --> 00:54:47,799
Speaker 3: kids chaing, cussword or this is wrong program for me.

1050
00:54:48,600 --> 00:54:51,360
Speaker 3: I ain't even take my son with me, par leaving

1051
00:54:51,360 --> 00:54:55,239
Speaker 3: them sons there. Indeed, drugger got them knock a nigga shit,

1052
00:54:55,440 --> 00:55:00,640
Speaker 3: lose knock a nigga shit. Ain't your kid knock a

1053
00:55:00,760 --> 00:55:04,560
Speaker 3: nigga ship, lose one, two three, kick ass and all man.

1054
00:55:04,760 --> 00:55:08,040
Speaker 2: Is crazy man. But you think about it, guess what's

1055
00:55:08,080 --> 00:55:12,399
Speaker 2: definitely doing. It's so many.

1056
00:55:12,400 --> 00:55:17,320
Speaker 3: Kids play sports, right right. I wish I could be

1057
00:55:17,440 --> 00:55:20,000
Speaker 3: the guy, but I ain't the guy. I wish macaolm

1058
00:55:20,040 --> 00:55:22,600
Speaker 3: Mix or Martin Luther King or somebody can just drop

1059
00:55:22,680 --> 00:55:26,919
Speaker 3: down and say, all your youth coaches, All y'all from

1060
00:55:26,920 --> 00:55:28,839
Speaker 3: that side of town, that side of town, that side

1061
00:55:28,840 --> 00:55:30,839
Speaker 3: of town, that city, that city, that state, this state,

1062
00:55:31,080 --> 00:55:34,879
Speaker 3: all y'all come come here. Guess what come here? All

1063
00:55:35,040 --> 00:55:39,520
Speaker 3: y'all can be the new leagers of our youth. Facts right,

1064
00:55:40,200 --> 00:55:45,160
Speaker 3: y'all got so much control over the youth and power.

1065
00:55:45,760 --> 00:55:47,640
Speaker 2: Y'all got more power than the parents.

1066
00:55:47,840 --> 00:55:52,880
Speaker 3: Right, all your knuckleheads, let's do this plan right. No

1067
00:55:53,040 --> 00:55:55,799
Speaker 3: more cussing the kids. Let's make sure the kids going

1068
00:55:55,840 --> 00:55:57,719
Speaker 3: to school. Let's make sure the kids saying yes sir,

1069
00:55:57,840 --> 00:56:00,120
Speaker 3: no sir. Let's make sure the kids saying thank you

1070
00:56:00,160 --> 00:56:01,000
Speaker 3: to their mom and daddy.

1071
00:56:01,040 --> 00:56:01,279
Speaker 2: Drop it.

1072
00:56:01,800 --> 00:56:03,480
Speaker 3: Let's make sure the kids say I love you mom

1073
00:56:03,600 --> 00:56:07,600
Speaker 3: and daddy, good night mama. Let's be their mentors and

1074
00:56:07,719 --> 00:56:10,279
Speaker 3: lead them the right way. Let's set up programs to

1075
00:56:10,320 --> 00:56:12,960
Speaker 3: where we educating them to beat something in life, getting

1076
00:56:12,960 --> 00:56:16,160
Speaker 3: them ready for cottage court. This is so much that

1077
00:56:16,400 --> 00:56:20,120
Speaker 3: US football coaches can be leaders to the youth.

1078
00:56:20,680 --> 00:56:21,960
Speaker 2: But guess what, it's so many of.

1079
00:56:21,920 --> 00:56:25,200
Speaker 3: Them knuckleheirs want to win so bad they really give

1080
00:56:25,200 --> 00:56:28,400
Speaker 3: a damn about what's going on with the youth. Wesh,

1081
00:56:28,440 --> 00:56:32,319
Speaker 3: they steps after they leave them, they caress they just

1082
00:56:32,360 --> 00:56:34,359
Speaker 3: want to win right now. So if they can put

1083
00:56:34,400 --> 00:56:37,640
Speaker 3: that anger in the kid that kill them in talenting

1084
00:56:37,719 --> 00:56:40,359
Speaker 3: the kid to go out there and win, they got

1085
00:56:40,400 --> 00:56:43,400
Speaker 3: to beat them or cuss them and make them feel

1086
00:56:43,440 --> 00:56:45,000
Speaker 3: like I'm about to knock his dig in the dirt

1087
00:56:45,000 --> 00:56:47,239
Speaker 3: all of their stuff. And that's what the coach is

1088
00:56:47,280 --> 00:56:49,520
Speaker 3: doing now, and they know got their kids cuts. It

1089
00:56:49,640 --> 00:56:53,040
Speaker 3: so crazy, man, it's impossible that they ain't supposed to

1090
00:56:53,080 --> 00:56:55,600
Speaker 3: be allowed. It's like it should be gets the lost

1091
00:56:56,120 --> 00:56:59,240
Speaker 3: coaches called the conduct should not have no kids that's

1092
00:56:59,680 --> 00:57:04,920
Speaker 3: under age cussing and it's okay, whole twenty kids one

1093
00:57:05,000 --> 00:57:07,640
Speaker 3: two three, kick ass one two three, knock the ass

1094
00:57:07,640 --> 00:57:10,680
Speaker 3: out one two three, knock a nigga ship loose all

1095
00:57:10,760 --> 00:57:11,160
Speaker 3: this stuff.

1096
00:57:11,160 --> 00:57:13,200
Speaker 2: Man, it's just foodish man, it's crazy.

1097
00:57:13,400 --> 00:57:15,839
Speaker 3: I hate going to a game, and I got my

1098
00:57:15,960 --> 00:57:20,160
Speaker 3: kids together and I'm talking to them, saying positive words

1099
00:57:20,200 --> 00:57:22,520
Speaker 3: and stuff about how let's go win. But then we

1100
00:57:22,560 --> 00:57:24,840
Speaker 3: got to hear the right cross walk with right cross

1101
00:57:25,000 --> 00:57:28,640
Speaker 3: ten yards, they chomping up and down knock a nigga ship.

1102
00:57:31,280 --> 00:57:38,960
Speaker 8: Like what what bro be trying to knock a nigga

1103
00:57:38,960 --> 00:57:39,439
Speaker 8: shit loose?

1104
00:57:39,440 --> 00:57:39,600
Speaker 2: Too?

1105
00:57:39,600 --> 00:57:42,200
Speaker 3: While by putting that thing, he but that what though

1106
00:57:42,240 --> 00:57:44,960
Speaker 3: you're putting all that killer instinct, then they're gonna be

1107
00:57:45,040 --> 00:57:48,080
Speaker 3: the ones they're ready to put that sweet ready to

1108
00:57:48,120 --> 00:57:48,760
Speaker 3: shoot your.

1109
00:57:48,640 --> 00:57:50,480
Speaker 2: Ass eight of time. You know what I'm saying.

1110
00:57:50,840 --> 00:57:54,880
Speaker 3: You already instilled in that that grit. You know what

1111
00:57:54,920 --> 00:57:56,960
Speaker 3: I'm saying, you putting that grit. You know you're putting

1112
00:57:56,960 --> 00:57:59,760
Speaker 3: that and it ain't no decent grit. It ain't no

1113
00:58:01,240 --> 00:58:07,120
Speaker 3: go be tough Bill d One athlete, scholar, athlete, not

1114
00:58:07,240 --> 00:58:09,920
Speaker 3: a nigga ship. Listen, you ain't thinking about education, You

1115
00:58:09,920 --> 00:58:13,479
Speaker 3: ain't thinking about no respect, no nothing. Are you thinking

1116
00:58:13,480 --> 00:58:16,800
Speaker 3: about going to get that wrap?

1117
00:58:17,720 --> 00:58:24,400
Speaker 1: Mhm? This question for everybody sitting in this space. Would

1118
00:58:24,440 --> 00:58:28,280
Speaker 1: you ever move from Atlanta? Meaning as in your primary

1119
00:58:28,360 --> 00:58:31,320
Speaker 1: residence where you go every day, it's not Atlanta? Would

1120
00:58:31,360 --> 00:58:33,200
Speaker 1: you ever move from Atlanta.

1121
00:58:34,280 --> 00:58:40,720
Speaker 3: Yeah, I would, I would always have a house here,

1122
00:58:40,800 --> 00:58:41,720
Speaker 3: but I would.

1123
00:58:43,120 --> 00:58:44,480
Speaker 2: Because I would, I will.

1124
00:58:44,600 --> 00:58:47,280
Speaker 1: I would like to sell your house here and now.

1125
00:58:47,120 --> 00:58:49,160
Speaker 2: You live just get the hell on the way from that.

1126
00:58:50,120 --> 00:58:55,240
Speaker 1: No, never would see it for myself either, which I

1127
00:58:55,280 --> 00:58:55,960
Speaker 1: ain't no telling.

1128
00:58:56,920 --> 00:59:02,000
Speaker 3: Yeah, I know up but but but as I get older,

1129
00:59:02,120 --> 00:59:03,720
Speaker 3: I never know. You know what I'm saying, I might

1130
00:59:03,760 --> 00:59:08,000
Speaker 3: want to go and enjoy that beautiful weather, a house

1131
00:59:09,120 --> 00:59:09,880
Speaker 3: late boats.

1132
00:59:09,920 --> 00:59:10,440
Speaker 2: You know what I'm saying.

1133
00:59:10,440 --> 00:59:12,240
Speaker 3: That's a lot of living out there, man, if you

1134
00:59:12,320 --> 00:59:16,960
Speaker 3: got the money, it's another next level of living out there,

1135
00:59:17,000 --> 00:59:21,400
Speaker 3: another next level living with that money. You know, with

1136
00:59:21,520 --> 00:59:23,680
Speaker 3: a piece of man, man, you can go enjoy it.

1137
00:59:24,640 --> 00:59:28,000
Speaker 3: But now when I leave Atlanta, know but ship violence

1138
00:59:28,040 --> 00:59:32,480
Speaker 3: so bad here, Nigga, I'm scared when I leave, I

1139
00:59:32,560 --> 00:59:36,520
Speaker 3: get to the West side, but they're like here on

1140
00:59:36,560 --> 00:59:43,120
Speaker 3: the foot little water board.

1141
00:59:46,120 --> 00:59:48,320
Speaker 1: You know what I'm saying that Nigga five years ago.

1142
00:59:48,280 --> 00:59:52,680
Speaker 2: Knocking nigga ship, trying to tell you, man.

1143
00:59:53,520 --> 01:00:01,760
Speaker 6: Nigga knocking ship ship man Damn Harry one team said,

1144
01:00:01,800 --> 01:00:05,880
Speaker 6: who's scared? The kids say they scared when they bitchyad.

1145
01:00:09,720 --> 01:00:12,280
Speaker 1: Kids eggs.

1146
01:00:12,440 --> 01:00:17,240
Speaker 2: You're talking about high school cheers, kids no care.

1147
01:00:17,960 --> 01:00:19,440
Speaker 1: Who's scared. They were pulling them to.

1148
01:00:27,760 --> 01:00:29,120
Speaker 2: The kids to be coached by them.

1149
01:00:29,480 --> 01:00:33,000
Speaker 3: To huh the parents allow on their kids to be

1150
01:00:33,080 --> 01:00:34,440
Speaker 3: coached by them type of guys.

1151
01:00:35,520 --> 01:00:36,160
Speaker 4: Yeah, but see that.

1152
01:00:36,280 --> 01:00:38,560
Speaker 5: But see that ship right there, That ship be causing

1153
01:00:39,200 --> 01:00:41,320
Speaker 5: the ship to be happening off the field with the

1154
01:00:41,400 --> 01:00:44,680
Speaker 5: parents because I know, like when when I when, like

1155
01:00:44,720 --> 01:00:48,439
Speaker 5: when used to play and like they used to play

1156
01:00:48,480 --> 01:00:50,960
Speaker 5: some some kids that were just like out of control,

1157
01:00:51,040 --> 01:00:51,320
Speaker 5: like I.

1158
01:00:51,320 --> 01:00:53,160
Speaker 4: Used to come on the field. I'm like, who the

1159
01:00:53,160 --> 01:00:54,280
Speaker 4: hell are y'all playing with?

1160
01:00:54,520 --> 01:01:00,360
Speaker 3: Like in real life? First kJ kJ kJ they played

1161
01:01:00,360 --> 01:01:02,560
Speaker 3: football for me. She brung kJ out there when he

1162
01:01:02,680 --> 01:01:07,760
Speaker 3: was six and Joe had on rough kJ up right,

1163
01:01:08,000 --> 01:01:10,640
Speaker 3: not fighting, but just doing mauled him up on a plate.

1164
01:01:11,480 --> 01:01:15,200
Speaker 3: This girl done ran out on the field. You no

1165
01:01:15,360 --> 01:01:17,160
Speaker 3: grab kJ What are doing?

1166
01:01:17,200 --> 01:01:18,880
Speaker 2: She cussling in there. I go, woh whah, woah, woah,

1167
01:01:18,880 --> 01:01:19,240
Speaker 2: woh wah.

1168
01:01:19,320 --> 01:01:20,480
Speaker 4: You can't come out of and do that.

1169
01:01:21,280 --> 01:01:24,400
Speaker 2: I mean, straight boy by the junk boy ready to

1170
01:01:24,480 --> 01:01:24,919
Speaker 2: go am.

1171
01:01:25,280 --> 01:01:27,160
Speaker 5: But it's like, but you see how like when they

1172
01:01:27,280 --> 01:01:31,040
Speaker 5: be having like shootings and stuff at like little kids games,

1173
01:01:31,360 --> 01:01:33,360
Speaker 5: it be because of the k not nigga shit looses

1174
01:01:34,080 --> 01:01:38,600
Speaker 5: like like these kids are only don't know what they're taught.

1175
01:01:38,920 --> 01:01:39,840
Speaker 4: So like when they go.

1176
01:01:41,520 --> 01:01:45,000
Speaker 5: Over the line and like do more than just tackling

1177
01:01:45,200 --> 01:01:46,919
Speaker 5: or you know, they really be trying out there trying

1178
01:01:46,920 --> 01:01:49,520
Speaker 5: to kill niggas and shit. Like if you are out

1179
01:01:49,560 --> 01:01:51,680
Speaker 5: there trying to kill my child, I'm not going for that.

1180
01:01:52,760 --> 01:01:55,440
Speaker 5: Like if you if you grabbing my child and shaking

1181
01:01:55,480 --> 01:01:57,120
Speaker 5: them and slamming them to the ground and doing all

1182
01:01:57,200 --> 01:01:59,160
Speaker 5: that and not playing football.

1183
01:01:58,760 --> 01:01:59,520
Speaker 4: I'm not going for that.

1184
01:02:00,080 --> 01:02:02,160
Speaker 7: Need to take in the Ivy League, maybe we trying

1185
01:02:02,160 --> 01:02:02,680
Speaker 7: to knock.

1186
01:02:02,520 --> 01:02:11,520
Speaker 1: A ship on the strong survide who wanted to. I

1187
01:02:11,760 --> 01:02:13,680
Speaker 1: understand what they it's a bullshit, But.

1188
01:02:16,160 --> 01:02:18,919
Speaker 4: But you got parents that ain't going for that ship.

1189
01:02:19,200 --> 01:02:19,720
Speaker 1: Now you're right.

1190
01:02:20,280 --> 01:02:22,200
Speaker 3: It ain't got to have all this. I've been coaching

1191
01:02:22,280 --> 01:02:25,800
Speaker 3: twenty two years. I've been in the championship seventeen times

1192
01:02:26,240 --> 01:02:30,360
Speaker 3: and don't won ten championship without all of that, without

1193
01:02:30,400 --> 01:02:30,680
Speaker 3: all the.

1194
01:02:32,320 --> 01:02:34,080
Speaker 2: Oh man, none of that.

1195
01:02:34,480 --> 01:02:36,480
Speaker 3: It don't it don't take that to go and have

1196
01:02:36,600 --> 01:02:40,160
Speaker 3: a successful season and teach the kids and develop the kids.

1197
01:02:40,200 --> 01:02:43,520
Speaker 3: You know, it don't take all that. I did it

1198
01:02:43,600 --> 01:02:46,680
Speaker 3: too many times. Start out fifty teams in that age

1199
01:02:46,760 --> 01:02:48,680
Speaker 3: group at the end and no family. It's on the

1200
01:02:48,760 --> 01:02:52,520
Speaker 3: two teams. Seventeen times out of twenty two years, I've

1201
01:02:52,560 --> 01:02:58,640
Speaker 3: been one of them, two teams at the end, no cussing, zero.

1202
01:02:59,760 --> 01:03:04,480
Speaker 6: Hey, it was one of the biggest misrepresentations of Atlanta

1203
01:03:04,560 --> 01:03:08,480
Speaker 6: that you think people got from somewhere else that you're like, Man,

1204
01:03:08,520 --> 01:03:09,720
Speaker 6: I just want to straighten this up.

1205
01:03:09,920 --> 01:03:13,760
Speaker 7: This ain't this, ain't that with this, ain't elemta you

1206
01:03:13,840 --> 01:03:14,400
Speaker 7: know what I'm saying.

1207
01:03:16,000 --> 01:03:16,360
Speaker 2: Mm hmm.

1208
01:03:16,720 --> 01:03:23,360
Speaker 3: That's a good question. You got me right there, because shoot,

1209
01:03:23,480 --> 01:03:29,360
Speaker 3: the gaze is here everywhere. The scammels, Oh.

1210
01:03:29,480 --> 01:03:33,280
Speaker 1: Man, they ain't lying on the lying on that.

1211
01:03:35,360 --> 01:03:37,840
Speaker 2: Give me that one right there. You gotta good one.

1212
01:03:37,920 --> 01:03:42,560
Speaker 2: That boy who got the ansle with that boy? Look

1213
01:03:42,560 --> 01:03:49,120
Speaker 2: at her, Look at boy. I don't know what's the

1214
01:03:49,160 --> 01:03:57,760
Speaker 2: answer about. You're crazy. I see they lie on. That's

1215
01:03:57,800 --> 01:04:01,920
Speaker 2: what's going over there. Y'all think touch out, we move man.

1216
01:04:02,040 --> 01:04:07,960
Speaker 3: More scammer than drug didders, Yeah, scammers and drug dodders.

1217
01:04:09,480 --> 01:04:12,080
Speaker 5: But that goes back to a lot of these a

1218
01:04:12,200 --> 01:04:15,040
Speaker 5: lot of guys or girls or you know what I'm saying. Whoever,

1219
01:04:15,680 --> 01:04:18,000
Speaker 5: they don't And I'm not saying that you don't have

1220
01:04:18,200 --> 01:04:19,280
Speaker 5: to hustle to scam.

1221
01:04:19,920 --> 01:04:21,120
Speaker 4: But like.

1222
01:04:22,960 --> 01:04:27,040
Speaker 5: Hustle when you're talking about hustling and scamming versus selling drugs,

1223
01:04:27,120 --> 01:04:30,040
Speaker 5: like you gotta you gotta really know what you're doing,

1224
01:04:30,320 --> 01:04:33,640
Speaker 5: and you gotta really be able to push your product

1225
01:04:33,840 --> 01:04:35,959
Speaker 5: and stay down and take that risk.

1226
01:04:36,040 --> 01:04:37,680
Speaker 4: And you know what I'm saying, all kind of ship

1227
01:04:37,800 --> 01:04:39,880
Speaker 4: like it ain't that ship.

1228
01:04:40,040 --> 01:04:42,800
Speaker 3: It's a lot of shit before scamming. Man, you get

1229
01:04:42,920 --> 01:04:52,600
Speaker 3: hustled by anything. Bolts said that we shoot, Yeah, everything, shade, butter, incense,

1230
01:04:55,400 --> 01:04:58,920
Speaker 3: whatever you get. You to hustle to flip a dollar. Man,

1231
01:04:58,960 --> 01:05:01,600
Speaker 3: niggas don't want to rub up taking scam now. They

1232
01:05:01,640 --> 01:05:04,440
Speaker 3: ain't got no hustle. They ain't trying to find a product.

1233
01:05:04,520 --> 01:05:06,880
Speaker 3: They gonna put two three penns of dollars or something

1234
01:05:06,920 --> 01:05:10,640
Speaker 3: on and reset it in. Yeah, that's not even people's

1235
01:05:10,640 --> 01:05:11,320
Speaker 3: thoughts no more.

1236
01:05:12,120 --> 01:05:12,840
Speaker 1: That's that's over.

1237
01:05:13,040 --> 01:05:13,520
Speaker 2: That's over.

1238
01:05:16,000 --> 01:05:18,040
Speaker 6: So I think we get it back to how you

1239
01:05:18,200 --> 01:05:21,080
Speaker 6: think get it back to that? I think the coming

1240
01:05:21,200 --> 01:05:27,680
Speaker 6: back parenting. I don't have to, right though, we're gonna

1241
01:05:27,680 --> 01:05:28,960
Speaker 6: start the new generation up.

1242
01:05:30,320 --> 01:05:32,440
Speaker 1: But what about what about what you said when you

1243
01:05:32,480 --> 01:05:35,760
Speaker 1: say parenting. I get it, but what if those parents

1244
01:05:36,960 --> 01:05:39,080
Speaker 1: see it trickle down, like what if them parents don't

1245
01:05:39,080 --> 01:05:40,720
Speaker 1: have the right parents, And now we don't get to

1246
01:05:40,800 --> 01:05:43,040
Speaker 1: this point where it's like ship we're telling them, telling

1247
01:05:43,080 --> 01:05:45,800
Speaker 1: them to parent them, but they weren't even parented.

1248
01:05:46,000 --> 01:05:47,880
Speaker 5: Because I feel like I feel like this, I feel

1249
01:05:47,920 --> 01:05:50,200
Speaker 5: like it used to be before, Like when a nigga

1250
01:05:50,280 --> 01:05:53,720
Speaker 5: used to hit rock bottom and go flat, The first

1251
01:05:53,760 --> 01:05:56,960
Speaker 5: thing a nigga was thinking about is like what can

1252
01:05:57,080 --> 01:05:59,240
Speaker 5: I what can I flip or what can I say?

1253
01:05:59,280 --> 01:06:01,400
Speaker 4: All the like get my money back up and run

1254
01:06:01,440 --> 01:06:02,200
Speaker 4: my ship back up.

1255
01:06:02,480 --> 01:06:04,440
Speaker 5: Now niggas are thinking like when they hit rock bottom

1256
01:06:04,480 --> 01:06:07,680
Speaker 5: and they go flat, Okay, who got the most or

1257
01:06:07,720 --> 01:06:11,040
Speaker 5: who got what? I can take it and be right

1258
01:06:11,160 --> 01:06:14,440
Speaker 5: back to a hundred from zero without having to hit fifty.

1259
01:06:14,680 --> 01:06:18,680
Speaker 2: They don't want to grind no more looking for a link.

1260
01:06:22,960 --> 01:06:23,760
Speaker 2: What did they read?

1261
01:06:24,040 --> 01:06:25,840
Speaker 1: But I feel like we're all looking for a lit

1262
01:06:25,960 --> 01:06:29,280
Speaker 1: But we know in the meantime we got a hustling girl.

1263
01:06:29,800 --> 01:06:31,520
Speaker 2: Looking for a lin in a positive way.

1264
01:06:31,680 --> 01:06:32,760
Speaker 1: Yeah right, I got you.

1265
01:06:33,400 --> 01:06:35,000
Speaker 4: I always provide longevity.

1266
01:06:35,360 --> 01:06:38,800
Speaker 3: Yeah I ain't talking about it positively, talking about like

1267
01:06:38,960 --> 01:06:40,600
Speaker 3: me sitting up here with their jeer and they were like,

1268
01:06:40,640 --> 01:06:42,600
Speaker 3: oh well, I know, I ain't getting me something that's

1269
01:06:42,640 --> 01:06:42,960
Speaker 3: a link.

1270
01:06:43,080 --> 01:06:43,160
Speaker 2: You know.

1271
01:06:44,040 --> 01:06:45,480
Speaker 1: I got you that type of.

1272
01:06:46,120 --> 01:06:48,200
Speaker 3: Up at the gas station. I ain't looking and this

1273
01:06:48,360 --> 01:06:50,240
Speaker 3: the ain't no gun in the back of my head, nigga.

1274
01:06:50,040 --> 01:06:51,840
Speaker 1: Drop come out. I want it all.

1275
01:06:52,400 --> 01:06:56,040
Speaker 2: Yeah, that ain't trying to hustle and grind no more.

1276
01:06:56,240 --> 01:06:57,080
Speaker 1: Yeah Nah, you're right.

1277
01:06:58,160 --> 01:06:59,560
Speaker 4: Yeah that's crazy.

1278
01:07:01,360 --> 01:07:04,160
Speaker 7: Damn man, I think, Man, it's still somebody.

1279
01:07:04,240 --> 01:07:04,560
Speaker 1: I think.

1280
01:07:05,520 --> 01:07:08,800
Speaker 7: I think the rappers can can can convince the young.

1281
01:07:09,880 --> 01:07:13,120
Speaker 3: But it takes the right leader to pull them rappers.

1282
01:07:15,680 --> 01:07:18,440
Speaker 3: I'm just saying about the youth coaches, the you coaches. Man,

1283
01:07:18,560 --> 01:07:20,600
Speaker 3: let me tell you something, man, you coach got more

1284
01:07:20,720 --> 01:07:24,680
Speaker 3: power than really man. If you think, man, it's it's

1285
01:07:24,800 --> 01:07:28,880
Speaker 3: so many football teams and basketball teams and track and

1286
01:07:29,120 --> 01:07:32,960
Speaker 3: basket baseball. Man, so many youth coaches bank it's probably

1287
01:07:33,840 --> 01:07:37,200
Speaker 3: I don't know, nigging in them jokers. Man, You youth

1288
01:07:37,840 --> 01:07:41,960
Speaker 3: coaches in all sports. If somebody can pull them together,

1289
01:07:42,840 --> 01:07:46,720
Speaker 3: that'll set the tone. It's set the tone. It's set

1290
01:07:46,760 --> 01:07:49,240
Speaker 3: the tone. But what other way, man, You know, we

1291
01:07:49,360 --> 01:07:53,200
Speaker 3: still got the private schools that's doing everything with They

1292
01:07:53,280 --> 01:07:55,200
Speaker 3: still the kids and group of kids. You still got

1293
01:07:55,280 --> 01:07:59,760
Speaker 3: the parents who got money who ain't allowing their kids

1294
01:07:59,800 --> 01:08:03,160
Speaker 3: to do involved with that kind of circle of kids.

1295
01:08:03,240 --> 01:08:09,200
Speaker 3: That's bad, influential kids to their kids. But the majority, man,

1296
01:08:09,600 --> 01:08:15,080
Speaker 3: you know, guess what, most kids in all races listen

1297
01:08:15,160 --> 01:08:17,200
Speaker 3: to rap music now than any time.

1298
01:08:17,439 --> 01:08:17,599
Speaker 2: Man.

1299
01:08:17,720 --> 01:08:19,560
Speaker 3: Rap music is and it got something to do with

1300
01:08:19,680 --> 01:08:23,760
Speaker 3: everything of culture right now. But how much of that

1301
01:08:23,920 --> 01:08:25,120
Speaker 3: rap music is positive?

1302
01:08:25,200 --> 01:08:25,479
Speaker 1: Right now?

1303
01:08:26,800 --> 01:08:27,400
Speaker 7: This much.

1304
01:08:29,960 --> 01:08:33,200
Speaker 3: Rap music is into all the commercials, whatever people doing

1305
01:08:33,240 --> 01:08:36,320
Speaker 3: to make money, whatever they got going on, music is

1306
01:08:36,439 --> 01:08:40,719
Speaker 3: involved right It's it's got a big niche to whatever.

1307
01:08:41,040 --> 01:08:47,080
Speaker 3: Somebody trying to create a dollar and rap music is big.

1308
01:08:47,439 --> 01:08:50,920
Speaker 3: But somebody got to be the leader. I don't know

1309
01:08:51,000 --> 01:08:55,000
Speaker 3: who it's gonna be. Y'all got an outlet podcast, This

1310
01:08:55,200 --> 01:08:57,519
Speaker 3: is a great outlet to start if y'all got youth.

1311
01:08:58,240 --> 01:09:00,559
Speaker 3: I don't know who y'all viewers, but you know, shoot,

1312
01:09:00,640 --> 01:09:04,599
Speaker 3: I can start a whole something. I got to direct something.

1313
01:09:04,720 --> 01:09:06,120
Speaker 1: I think we did our part. We have a lot

1314
01:09:06,160 --> 01:09:08,800
Speaker 1: of people that walk up to us and tell us,

1315
01:09:08,920 --> 01:09:12,200
Speaker 1: you know, we positively impact people. That's what I'm saying,

1316
01:09:12,840 --> 01:09:14,679
Speaker 1: do our part, But everybody got to do their part.

1317
01:09:14,880 --> 01:09:16,800
Speaker 3: Me I do my part of my community. I have

1318
01:09:16,960 --> 01:09:19,320
Speaker 3: so many people praise me on what I do. I

1319
01:09:19,520 --> 01:09:22,240
Speaker 3: give back, I feed the key, I do book back,

1320
01:09:22,280 --> 01:09:24,439
Speaker 3: I do all kinds of stuff for the community. Man,

1321
01:09:24,640 --> 01:09:28,240
Speaker 3: I always get those praises back in those thank yous

1322
01:09:28,360 --> 01:09:30,599
Speaker 3: and all that stuff, But we need more.

1323
01:09:30,520 --> 01:09:36,000
Speaker 1: And more and more and more. What's the biggest gym

1324
01:09:36,400 --> 01:09:39,400
Speaker 1: on the biggest game you would give somebody watching big

1325
01:09:39,479 --> 01:09:42,200
Speaker 1: facts right now, like through your life experience and your journey,

1326
01:09:42,200 --> 01:09:45,000
Speaker 1: everything that don't been through. What's your biggest game and

1327
01:09:45,040 --> 01:09:46,479
Speaker 1: biggest gym you'll get somebody?

1328
01:09:47,320 --> 01:09:53,600
Speaker 3: I would say, you know, set some goals, find a

1329
01:09:53,640 --> 01:09:57,479
Speaker 3: way to commit to your goals, find a way to work,

1330
01:09:58,320 --> 01:10:02,880
Speaker 3: you know, daily towards your goals. You know, give it

1331
01:10:02,960 --> 01:10:05,880
Speaker 3: you all, you know, make the best effort you can.

1332
01:10:07,120 --> 01:10:10,720
Speaker 3: And with no goals, Like what are you doing? You know,

1333
01:10:11,479 --> 01:10:14,200
Speaker 3: what's your plan? You know you ain't gotten nothing sick

1334
01:10:14,280 --> 01:10:16,920
Speaker 3: to do tomorrow? Then what you're waking up doing?

1335
01:10:17,120 --> 01:10:17,720
Speaker 2: You know what I mean?

1336
01:10:17,920 --> 01:10:24,439
Speaker 3: Like's create a lane of things to do that's gonna

1337
01:10:24,439 --> 01:10:27,639
Speaker 3: make you successful, that's gonna get your another step ahead

1338
01:10:27,680 --> 01:10:28,040
Speaker 3: of life.

1339
01:10:28,800 --> 01:10:29,320
Speaker 1: You know what I mean?

1340
01:10:29,360 --> 01:10:31,360
Speaker 3: If you're waking up every day and you ain't getting

1341
01:10:31,400 --> 01:10:34,040
Speaker 3: that done, and you ain't already rich, and what are

1342
01:10:34,120 --> 01:10:38,439
Speaker 3: you doing? Make some goals. Get your things to do list,

1343
01:10:39,280 --> 01:10:41,960
Speaker 3: stay committed to it. Scratch this shit off as you

1344
01:10:42,040 --> 01:10:44,639
Speaker 3: knock it out, and keep creating things to do list.

1345
01:10:45,160 --> 01:10:47,679
Speaker 3: Keep getting ahead in life. You ain't growing in life

1346
01:10:47,800 --> 01:10:49,920
Speaker 3: or getting ahead in life, and you ain't already got it?

1347
01:10:50,439 --> 01:10:51,680
Speaker 2: What are you doing? Ye?

1348
01:10:51,840 --> 01:10:52,280
Speaker 4: Know what I mean?

1349
01:10:52,479 --> 01:10:55,640
Speaker 3: Like, just make some goals and stay committed to it.

1350
01:10:55,680 --> 01:10:58,040
Speaker 3: Give one hundred and twenty percent and you'll get there.

1351
01:10:58,760 --> 01:11:00,000
Speaker 3: Bring stuff to the finish line.

1352
01:11:01,120 --> 01:11:02,880
Speaker 1: Know what I mean? Finished when you started?

1353
01:11:03,360 --> 01:11:04,760
Speaker 2: Get stuff to the finish line.

1354
01:11:06,040 --> 01:11:08,280
Speaker 1: Oh man, it's a little to you on thirty three years,

1355
01:11:08,560 --> 01:11:10,840
Speaker 1: you know, saying much respect to you, thirty three more.

1356
01:11:10,880 --> 01:11:12,400
Speaker 1: We wish that to you. You know what I'm saying,

1357
01:11:13,560 --> 01:11:14,479
Speaker 1: thank you for every day.

1358
01:11:14,840 --> 01:11:17,639
Speaker 2: I finally got my way up. Get on the number one.

1359
01:11:20,240 --> 01:11:23,240
Speaker 1: Number one. I had a call. I had a calling

1360
01:11:23,320 --> 01:11:25,320
Speaker 1: nigga to call another nigga, the call a nigga to

1361
01:11:25,360 --> 01:11:26,360
Speaker 1: find you can't.

1362
01:11:26,280 --> 01:11:29,160
Speaker 2: Just fine, I'll hit you in the D, I said,

1363
01:11:29,200 --> 01:11:29,759
Speaker 2: D who.

1364
01:11:34,160 --> 01:11:37,400
Speaker 1: Now, we appreciate you, Appreciate you much love the Big One.

1365
01:11:37,479 --> 01:11:39,960
Speaker 1: Congratulations the Big Old Records and check us out to

1366
01:11:40,120 --> 01:11:44,080
Speaker 1: triple w dot big fatspot dot com. Like share to

1367
01:11:44,160 --> 01:11:48,040
Speaker 1: the world salute. Now visit the new website today, Big

1368
01:11:48,160 --> 01:11:49,479
Speaker 1: factspod dot com