WEBVTT - Marques Houston

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<v Speaker 1>Money. We are thank take Vali. We are the authority

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<v Speaker 1>on all things and ladies and gentlemen, my name is

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<v Speaker 1>Tanking What the Money podcast, the authority on old thing.

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<v Speaker 1>For a week on oh R and b y oh

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<v Speaker 1>Man were talking all long jevity, yeah oh man, nigga

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<v Speaker 1>and being here for a long time, a long time,

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<v Speaker 1>long long, long long time. Should have been out a

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<v Speaker 1>long time ago back in Africa. Ye, this boy sang

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<v Speaker 1>it eat he write it. Bucking niked to this this goes,

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<v Speaker 1>he goes. He danced it and then he get on

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<v Speaker 1>the screen and he acted, Okay, yeah, this boy always

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<v Speaker 1>has a fresh hairline, doesn't studying it for years working

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<v Speaker 1>on mine. Giving up. Brother, I'm glad to be here. Bro,

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<v Speaker 1>I mean your family, so you know it's good to

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<v Speaker 1>see you. Thank you for being here with us. Then, um,

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<v Speaker 1>I want to go into a story. Kick right off.

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<v Speaker 1>I just started doing R and B music, not singing

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<v Speaker 1>it but producing it and writing it. Um for um

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<v Speaker 1>my ex wife sisters. Um. They had a little girls

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<v Speaker 1>crew and it's three them sing sing They tails off, right,

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<v Speaker 1>And so I was like, okay, I'll try, you can

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<v Speaker 1>try to produce a little R and B and I

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<v Speaker 1>used to do little Rmby music for him. And their

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<v Speaker 1>manager at the time was a guy named that that

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<v Speaker 1>is Edwards, who was like you know roal manager at

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<v Speaker 1>first Winning Fire Ussher like you know, big guy, right,

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<v Speaker 1>So he was like, I got an opportunity for the

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<v Speaker 1>girls to open for Immature, right, so at the Baltimore Arena. Right.

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<v Speaker 1>So at this time, I'm like, Okay, that'll be cool.

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<v Speaker 1>Open up Immature. That's gonna be straight. I had heard

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<v Speaker 1>of you guys, but you know, I'm a church kid.

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<v Speaker 1>I'm you know, church musician. You know who. I got

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<v Speaker 1>all that. I got all this stuff with me. You

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<v Speaker 1>know what I'm saying, whelujah, I got all that with me.

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<v Speaker 1>I had no more different. So they're like Immateur. I'm like, yeah,

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<v Speaker 1>they cool, you know straight. You know I'm saying, be

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<v Speaker 1>good opportunity for girls. Good opportunity for girls. So I

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<v Speaker 1>make my little show track for the girls so they

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<v Speaker 1>could perform, and they do some original stuff and then

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<v Speaker 1>they do the s w V color like all good stuff, right,

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<v Speaker 1>and so you know they opened, they do they do

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<v Speaker 1>awesome because you know, we're from Maryland. And then one

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<v Speaker 1>of one of the one of the little girls fallon.

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<v Speaker 1>She was actually from Baltimore. So they got mad love,

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<v Speaker 1>major love, right and so um at this point, they're

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<v Speaker 1>singing in front of the curtain. Yeah right, because you know,

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<v Speaker 1>I had never done an R and B show. I've

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<v Speaker 1>never done a big show like that, so I didn't

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<v Speaker 1>know what that untail. I don't know why that was,

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<v Speaker 1>but I knew that there was a curtain right there,

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<v Speaker 1>and then they had space to do that and it

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<v Speaker 1>was the major Yeah, I didn't know, but but I

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<v Speaker 1>was happy that they had the spaces they had, and

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<v Speaker 1>I was like, I wonder what's behind the curtain anyway,

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<v Speaker 1>So they performed and I'm like, all right, well let's

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<v Speaker 1>get out of here. Girls, good job, and they're like,

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<v Speaker 1>you don't want to stay for immature? One of them.

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<v Speaker 1>I was talking to one of the band members and

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<v Speaker 1>he was like, man, that's a quid school little track,

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<v Speaker 1>you man track, just things I did. You know, I

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<v Speaker 1>work in churches here, local churches, you know, pretty big

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<v Speaker 1>in the church circuit. Church game. Yeah, you know, they

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<v Speaker 1>mean appreciate what you guys gonna do your stuff out. Yeah,

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<v Speaker 1>we're gonna we're gonna do a little something. You like Immature?

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<v Speaker 1>Is that I don't really know the guys, you know

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<v Speaker 1>what I mean, I'm kind of into some different stuff,

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<v Speaker 1>you know, John P. K. Kimbarel, those people, you know,

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<v Speaker 1>those people. I'm being a few full port ers, right right. Yeah,

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<v Speaker 1>that's that's what we all areas like that. And so

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<v Speaker 1>like one of our biggest markets, they love but they

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<v Speaker 1>do it. So that was one of our biggest I

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<v Speaker 1>was there, Yeah, that sold out? Yeah? Absolutely, um, And

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<v Speaker 1>so we're trying to leave and it guess it's you know,

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<v Speaker 1>it's so much commotion in that in that back parking area.

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<v Speaker 1>We're blocked in. So we're like, who's blocking us in?

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<v Speaker 1>It's a sold out concert, ain't no telling who's blocking this? Yeah,

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<v Speaker 1>So we literally they're they're trying to fare out who's

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<v Speaker 1>blocking us in? At this time We're like, all right,

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<v Speaker 1>well we'll just you know, might as well just watch

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<v Speaker 1>the show while we're sitting here blocked in. Oh what

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<v Speaker 1>have you? And and the intro starts hmm and was

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<v Speaker 1>I think the first song was the first song? All right?

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<v Speaker 1>The girl was that? Was that? Was that a thing?

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<v Speaker 1>All right? Love is groove, love his groove? That was

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<v Speaker 1>that the first one? Yeah, the first song of the

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<v Speaker 1>first song, I think we intro with Yeah, that's crazy,

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<v Speaker 1>he still remembers, and listen. I'm sitting there and I'm

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<v Speaker 1>just I'm listening to the intro. I'm like, oh, that's big,

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<v Speaker 1>that's a big intro. Start getting crazy. I'm looking at

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<v Speaker 1>the musicians like, yeah, why is this sounded? And then

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<v Speaker 1>all of a sudden, booze explosion, the curtain falls. Three

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<v Speaker 1>these three niggas come running out. The crowd is going crazy.

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<v Speaker 1>Nise niggas do niggas just stepping this niggas singing. I'm like,

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<v Speaker 1>these little niggas is awesome. These little Yeah, I don't

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<v Speaker 1>know their songs, but I'm sitting here like this. Yeah.

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<v Speaker 1>I remember. And at the time, I had a gospel group,

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<v Speaker 1>one of the biggest gospel groups like in that area. Yeah,

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<v Speaker 1>And I was watching y'all perform and sing and dance

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<v Speaker 1>and your showmanship, and it was so cold that I

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<v Speaker 1>was like, as good as we can sing, as important

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<v Speaker 1>as our message is, because we were a gospel we couldn't.

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<v Speaker 1>We would we would never be able to follow you.

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<v Speaker 1>We would never. And I said, guys, I went back

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<v Speaker 1>to my guy. I said, guys, I just saw immature

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<v Speaker 1>and They're like, you don't get it, you don't get it.

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<v Speaker 1>We have to change this up. Yeah, we gotta, like

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<v Speaker 1>our entertainment value has to go up, Like we have

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<v Speaker 1>a great message. Why can't we talk about Jesus the

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<v Speaker 1>way they're talking about what they're talking about. I can't

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<v Speaker 1>our showmanship or our sound. Why can't it be like

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<v Speaker 1>that for Jesus? You you because we was you can't

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<v Speaker 1>you think don't know about the Pelvicts thrust. You don't

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<v Speaker 1>think that God invented the pelvits to be able to

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<v Speaker 1>thrust and that he would get the glory in that

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<v Speaker 1>in some way shape before. Yeah, let's get to it, huh.

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<v Speaker 1>And they looked at me like I was crazy. It

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<v Speaker 1>was like this. It was like, that's the flesh talking.

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<v Speaker 1>It's not the flesh. So but you got you kicked

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<v Speaker 1>out the out of the group. Look whoever. We tried

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<v Speaker 1>it and then it did. I had dancers tracks, everything

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<v Speaker 1>we tried. You know, that was you know, that was

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<v Speaker 1>a blessing in disguise because now you know, well, at

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<v Speaker 1>the time, I'm like, you guys, don't see it what

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<v Speaker 1>I'm trying to do. And guess what happened? So you know,

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<v Speaker 1>I think I feel like I kicked them out of

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<v Speaker 1>the group, but it was just me who was not

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<v Speaker 1>in the group. No more so, maybe I gotta whoever,

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<v Speaker 1>whoever's the group. We're practicing it tomorrow. I'll see you there.

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<v Speaker 1>It was the only one in practice. So yeah, maybe

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<v Speaker 1>it just a mutual It was a mutual decision, we'll

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<v Speaker 1>call it. It wasn't. I saw I was solo there

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<v Speaker 1>on my own, but that pushed me to the flesh

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<v Speaker 1>want to be. It pushed my flesh, flesh, It pushed

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<v Speaker 1>my flesh one. But guess what, as I'm saying, I

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<v Speaker 1>wanted to do all of that when we talked about

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<v Speaker 1>this before. Then all of a sudden, here comes Kirk Cranklin. Yes,

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<v Speaker 1>and I'm like, I told you. I told you because

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<v Speaker 1>I was a GP fane. I said, I told you

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<v Speaker 1>that the Lord deserves that. You know, it's entertainment. You

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<v Speaker 1>guys pushed me to that. You guys pushed me to

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<v Speaker 1>develop in that way, to be entertaining. And then I

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<v Speaker 1>went and bought your music. They started listening to your songs,

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<v Speaker 1>and I was like, Okay, first of all, I feel

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<v Speaker 1>like they're adult. They're adults, they're midgets. Because where the

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<v Speaker 1>little people. The little people because people because because those

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<v Speaker 1>were grown records, you hadn't no business that's singing those

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<v Speaker 1>records because those were sexy records. You you know what

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<v Speaker 1>it is. It was crazy because when we um, when

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<v Speaker 1>we started as immature, we were signed virgin records were

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<v Speaker 1>like eight nine years old. We had the crazy hands

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<v Speaker 1>that that was. That was the flop. You know, we

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<v Speaker 1>had the kid half pint. Hold on, hold on, okay,

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<v Speaker 1>because I like where you're at, go back before that

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<v Speaker 1>to even how you get there? How do you get

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<v Speaker 1>to being signed eight or nine years So here's here's

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<v Speaker 1>exactly what happened. I did a talent show um at

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<v Speaker 1>my school, and um, you know Chris was looking for

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<v Speaker 1>a group to like kind of mirror ABC. So you

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<v Speaker 1>know he was he had produced for like BBD. He

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<v Speaker 1>was friends with new editions and stuff like that. He

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<v Speaker 1>can't because you know, Chris came up in the in

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<v Speaker 1>the entertainment business. So Chris Stokes, he was he was

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<v Speaker 1>saying he wanted to do a group kind of like ABC,

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<v Speaker 1>Jackson five, that whole thing. So he found me at

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<v Speaker 1>my talent show. He had already had wrong and um,

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<v Speaker 1>we were looking for another member. We went through like

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<v Speaker 1>a couple of other members or whatever didn't work, and

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<v Speaker 1>I had um half punt. The little Asian kid that

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<v Speaker 1>was in the group. He went to school with me.

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<v Speaker 1>So I was like, you know, I got got a kid,

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<v Speaker 1>you know, one of my boys, you know, went to

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<v Speaker 1>go to school and me. We put him in the group,

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<v Speaker 1>put him in the group, and I met My dad

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<v Speaker 1>took me to meet at Chris's studio. So I was

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<v Speaker 1>a huge ABC fan. Another backgrader. You couldn't tell me

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<v Speaker 1>nothing about ABC. So I went got a bucket hat.

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<v Speaker 1>I told my dad like, I gotta, you know, dress

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<v Speaker 1>like ABC. This is my chest. I actually I don't

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<v Speaker 1>know why he was. I was a kid. I thought

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<v Speaker 1>I was gonna be in ABC. So I'm like, I'm

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<v Speaker 1>gonna be in ABC. This is my chance. So I

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<v Speaker 1>went get a bucket hat, got the mismatch shoes and

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<v Speaker 1>the backwards overalls. Met with Chris is the studio. He

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<v Speaker 1>asked me, you know, can you sing him? Like NA,

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<v Speaker 1>not really, but I could dance though, busting my dance moves,

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<v Speaker 1>did a little bit of singing, but I wasn't really

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<v Speaker 1>that good. And he was like, okay, you know, he

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<v Speaker 1>talked to my daddy. He was, I can put together

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<v Speaker 1>the group. Whatever, fast forward, I'm in the group. We immature,

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<v Speaker 1>cut to we signed in Virgin Records. How do you

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<v Speaker 1>just get signed? It was just his relationship was, yeah,

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<v Speaker 1>Chris relationships with with the Darryl Sudden. He was over

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<v Speaker 1>at Virgin Records at the time. He signed as the

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<v Speaker 1>Virgin and it didn't work. You know, we tried a lot.

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<v Speaker 1>We did. I did the movie Baba's Kids because Chris

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<v Speaker 1>was actually friends with the casting director Ailie Knight got

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<v Speaker 1>me the job or got me the audition and playing

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<v Speaker 1>like the main baby kid. Yeah. I was so that

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<v Speaker 1>that that with, you know crazy that along with we

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<v Speaker 1>did a soundtrack to Baba's Kids and then Jamae Dupre

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<v Speaker 1>We worked with Jamae Dupre uh and you know, we

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<v Speaker 1>got to do all these things, but it just didn't work.

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<v Speaker 1>First album didn't work. That's why I call. I'm like,

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<v Speaker 1>that's the flop album. And what happened is we we

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<v Speaker 1>lost our deal with Virgin and then Chris believed in

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<v Speaker 1>us and half point his parents were like, you know,

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<v Speaker 1>well we're used to him being in school seven or

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<v Speaker 1>six days a week, in the Philippines. That is how

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<v Speaker 1>they do it. So they were like, you know, they

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<v Speaker 1>wrote us a letter, or wrote Chris. The letter was like,

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<v Speaker 1>if he can't do a school six days a week,

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<v Speaker 1>actually go to school, he can't be in the group.

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<v Speaker 1>So of course we had to take him out of

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<v Speaker 1>the group. And that's where we found. I always wanted

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<v Speaker 1>how how y'all lost the Asian niggas yep, because the

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<v Speaker 1>Asian Hey listen, I'm black Asian. That's what happened. They

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<v Speaker 1>were like, you know, they wanted him to go to school.

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<v Speaker 1>It was like, we don't want him to be you know,

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<v Speaker 1>if he can't make six days a week in public school,

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<v Speaker 1>and we like that, you can't do my protitutor. So

0:13:10.800 --> 0:13:13.520
<v Speaker 1>they took him out. And I'm like, well, my neighbor

0:13:14.480 --> 0:13:16.720
<v Speaker 1>the right down the street from me can play the drums,

0:13:17.040 --> 0:13:21.200
<v Speaker 1>and that was Ldbow and we put Kelton. He was

0:13:21.240 --> 0:13:23.880
<v Speaker 1>he was a drummer. It actually in our band because

0:13:23.880 --> 0:13:25.679
<v Speaker 1>we had a kid band and we had like the

0:13:25.679 --> 0:13:28.240
<v Speaker 1>whole immature the Virgin Records day. It was like big,

0:13:28.280 --> 0:13:32.880
<v Speaker 1>we get our cells. He was in the band. He

0:13:32.960 --> 0:13:36.160
<v Speaker 1>was he was the bass player or no, no, he

0:13:36.200 --> 0:13:38.560
<v Speaker 1>was the guitar player. RAYJ was the bass player. Who

0:13:38.600 --> 0:13:42.040
<v Speaker 1>was ray J was a bass player. Brandy was the

0:13:42.080 --> 0:13:45.960
<v Speaker 1>background singer. Ray J is always gonna find his way

0:13:46.200 --> 0:13:55.640
<v Speaker 1>into the story. Was the background singer. What we break

0:13:55.679 --> 0:13:57.720
<v Speaker 1>that down one the time? So so we get this

0:13:57.840 --> 0:14:00.040
<v Speaker 1>right in the immature band and the immature band and

0:14:00.840 --> 0:14:04.640
<v Speaker 1>that was the guitar player. Ty's dad was the orchestrator.

0:14:04.679 --> 0:14:07.000
<v Speaker 1>He was the production manager of all of it. Okay,

0:14:07.080 --> 0:14:09.959
<v Speaker 1>he did all the like band stuff. Ray J was

0:14:10.000 --> 0:14:13.679
<v Speaker 1>the bass player. He didn't play bass though, I don't

0:14:13.720 --> 0:14:19.000
<v Speaker 1>think definitely was the gimbick and he would he would

0:14:19.000 --> 0:14:21.120
<v Speaker 1>we we would perform and we would be like ray

0:14:21.160 --> 0:14:22.840
<v Speaker 1>J on the bass and he would hit this note

0:14:22.840 --> 0:14:25.640
<v Speaker 1>and he would like and he would do this run

0:14:25.760 --> 0:14:30.880
<v Speaker 1>like yeah yeah something like that. That was his moment,

0:14:31.360 --> 0:14:33.880
<v Speaker 1>and Brandy would do her thing. So Brandy was a

0:14:33.920 --> 0:14:36.680
<v Speaker 1>background vocalist. Ray J was the bass player. Ty Doller

0:14:36.800 --> 0:14:39.120
<v Speaker 1>was a guitar player, and Kelton was the drummer. Yeah.

0:14:39.320 --> 0:14:41.840
<v Speaker 1>So then when when uh, but kell would always get

0:14:41.880 --> 0:14:43.240
<v Speaker 1>in the front of the pictures and he would like,

0:14:43.320 --> 0:14:44.480
<v Speaker 1>you know, you could tell you when to be in

0:14:44.520 --> 0:14:47.960
<v Speaker 1>the group. So I was like, you know, Kelt just

0:14:48.040 --> 0:14:51.880
<v Speaker 1>naturally step into to place. And then Chris put his

0:14:51.920 --> 0:14:54.320
<v Speaker 1>money together and recorded a whole album on us. And

0:14:54.360 --> 0:14:57.600
<v Speaker 1>that's the album the I Don't mind Never Lie all

0:14:57.640 --> 0:15:01.360
<v Speaker 1>those yea, And we took it to Arnie Singleton an

0:15:01.440 --> 0:15:03.440
<v Speaker 1>NCA and we got signed and shout out to Arnie Singles.

0:15:03.520 --> 0:15:07.440
<v Speaker 1>Come on man, come on man, what year is this?

0:15:07.440 --> 0:15:11.400
<v Speaker 1>This is ninety two? I think I was twelve? Yeah, yeah,

0:15:12.600 --> 0:15:14.960
<v Speaker 1>what was the was was was? I don't what was

0:15:14.960 --> 0:15:17.920
<v Speaker 1>the first single? First single was never Lied? Never Never Lied? One?

0:15:17.920 --> 0:15:20.680
<v Speaker 1>YOUNI is in like a tree or so Yeah, it

0:15:20.720 --> 0:15:23.720
<v Speaker 1>was a tree with the like a tree. I remember

0:15:24.120 --> 0:15:27.440
<v Speaker 1>it was recording song christ you gotta give me more feeling,

0:15:27.480 --> 0:15:29.320
<v Speaker 1>you gotta give you more feeling. At that point, I'm like,

0:15:29.320 --> 0:15:32.400
<v Speaker 1>I don't know what I don't. Yeah, but record even

0:15:32.520 --> 0:15:36.240
<v Speaker 1>the grown record a lot of you again, this is

0:15:36.320 --> 0:15:40.160
<v Speaker 1>line of twelve right the girls, so you do it twic.

0:15:40.320 --> 0:15:42.080
<v Speaker 1>I didn't. I didn't know a lot of girls yet

0:15:42.120 --> 0:15:46.240
<v Speaker 1>I was still telling the truth in his army. Yeah, yeah,

0:15:48.640 --> 0:15:56.400
<v Speaker 1>I ain't. Wasn't for the color, wasn't How did they know?

0:15:57.200 --> 0:15:59.000
<v Speaker 1>How did they do they know? Them? Not lying anymore?

0:16:00.520 --> 0:16:05.000
<v Speaker 1>And yeah, like literally going from like us trying all

0:16:05.040 --> 0:16:07.200
<v Speaker 1>this stuff and not really being successful and it never

0:16:07.280 --> 0:16:10.200
<v Speaker 1>lie hits and we played it and the we we

0:16:10.360 --> 0:16:15.440
<v Speaker 1>debuted in DC WPGC, Washington, DC, and it lit up,

0:16:15.760 --> 0:16:21.920
<v Speaker 1>blew up, and from there it was just it was pandemonium, pandemonium.

0:16:22.520 --> 0:16:26.280
<v Speaker 1>And so at this point you're Batman. Yeah, yeah, why

0:16:26.280 --> 0:16:29.920
<v Speaker 1>are you Batman? Well there's another story to that. I

0:16:30.000 --> 0:16:35.800
<v Speaker 1>got stories great, so I used to, Right, So we

0:16:35.920 --> 0:16:39.480
<v Speaker 1>went to convention BR. So we went to the BR

0:16:39.560 --> 0:16:42.200
<v Speaker 1>you conventioned this is the Virsion days. And I'm in

0:16:42.280 --> 0:16:44.680
<v Speaker 1>the hotel room and you know, our image was wild,

0:16:44.760 --> 0:16:48.040
<v Speaker 1>we had like you know, before a TLC. It was us.

0:16:48.120 --> 0:16:50.960
<v Speaker 1>We was wild and crazy all this like crazy big

0:16:51.040 --> 0:16:53.720
<v Speaker 1>hats and stuff like that. So I'm in the room

0:16:53.760 --> 0:16:55.280
<v Speaker 1>and play. I'm getting dressed and I put on my

0:16:55.360 --> 0:16:57.680
<v Speaker 1>beatie right, and you know, I had my uh my

0:16:57.760 --> 0:17:00.000
<v Speaker 1>pair of Batman draws. I used to love Batman draws.

0:17:00.040 --> 0:17:02.560
<v Speaker 1>The Batman was my favorite superhero. Don't ask me why

0:17:02.600 --> 0:17:04.959
<v Speaker 1>I had my Batman draws and why I put them

0:17:05.000 --> 0:17:07.080
<v Speaker 1>over my beattie, but I did. I'm like this is

0:17:07.280 --> 0:17:11.240
<v Speaker 1>this would be just crazy, you know, over my Beatie

0:17:11.520 --> 0:17:15.520
<v Speaker 1>playing in the room like hi, Hi, We go out

0:17:16.480 --> 0:17:18.359
<v Speaker 1>and it was like everybody was like looking that we

0:17:18.440 --> 0:17:20.280
<v Speaker 1>had caught a lot of attention because we was little

0:17:20.359 --> 0:17:22.480
<v Speaker 1>kids and I got Batman underwear in my head and

0:17:22.560 --> 0:17:24.120
<v Speaker 1>they're like, hey, you know, what's your name? And I'll

0:17:24.160 --> 0:17:29.800
<v Speaker 1>just be like Batman. That's how I started. I don't

0:17:29.800 --> 0:17:31.960
<v Speaker 1>ask me why I did it. I don't know why

0:17:32.080 --> 0:17:37.600
<v Speaker 1>I referred to the draws as my name, but I

0:17:37.800 --> 0:17:41.000
<v Speaker 1>was being funny. But it worked. Batman was great. It

0:17:41.119 --> 0:17:44.840
<v Speaker 1>was that's when that was the beginning of the Batman. Okay,

0:17:44.880 --> 0:17:50.040
<v Speaker 1>so what what's the first major show you do where

0:17:50.080 --> 0:17:54.960
<v Speaker 1>you see the effects of um, I will never lie.

0:17:55.160 --> 0:18:01.560
<v Speaker 1>It was Constitution Hall watching the Boy talking to Right Talk. Yeah, yeah, yeah,

0:18:02.080 --> 0:18:05.480
<v Speaker 1>we sold our show. Who I was on it? I

0:18:05.560 --> 0:18:08.959
<v Speaker 1>don't even remember the opening act. I know we did

0:18:09.000 --> 0:18:11.760
<v Speaker 1>a tour and we had Usher as an opening act

0:18:12.080 --> 0:18:15.560
<v Speaker 1>on one of our tours. We had Drew Hill as

0:18:15.560 --> 0:18:17.760
<v Speaker 1>an over and act on one of our tours. Monica

0:18:17.920 --> 0:18:20.720
<v Speaker 1>like all these these people that are just huge because

0:18:20.720 --> 0:18:24.760
<v Speaker 1>if you were if you were either a teenage our

0:18:25.400 --> 0:18:30.879
<v Speaker 1>young kid act, you had to go yeah, and if

0:18:30.920 --> 0:18:33.800
<v Speaker 1>you mean because you knew that's where all the kids

0:18:33.840 --> 0:18:35.399
<v Speaker 1>were going to be. All the Kids was going to

0:18:35.480 --> 0:18:39.680
<v Speaker 1>be so and we did Constitution Hall and the level

0:18:39.760 --> 0:18:44.200
<v Speaker 1>of it was just crazy, like people was fainting and

0:18:44.600 --> 0:18:48.639
<v Speaker 1>it was just like I remember when we when we

0:18:48.760 --> 0:18:51.719
<v Speaker 1>were in Immature, the first when I was like nineteen,

0:18:51.800 --> 0:18:53.440
<v Speaker 1>we first got in the Mature and when we're going

0:18:53.440 --> 0:18:55.360
<v Speaker 1>to the grocery store. I grew up in the hood,

0:18:55.480 --> 0:18:58.320
<v Speaker 1>you know, Baldwin Hills, Crisshaw applies that I was like

0:18:58.440 --> 0:19:01.159
<v Speaker 1>my hangout spot. I would go over there like whatever.

0:19:01.240 --> 0:19:03.080
<v Speaker 1>So I went. I would go to the grocery store

0:19:03.080 --> 0:19:05.040
<v Speaker 1>and I was like, I wonder if I'm gonna get

0:19:05.119 --> 0:19:09.680
<v Speaker 1>noticed today? Never got noticed that whole time. I would

0:19:09.680 --> 0:19:12.080
<v Speaker 1>go to the grocery store and I'm just like, wait on.

0:19:12.320 --> 0:19:14.080
<v Speaker 1>I would wait like for somebody to be like can

0:19:14.359 --> 0:19:19.159
<v Speaker 1>the autographs? I'm just like looking like, yeah, never happened,

0:19:19.400 --> 0:19:25.360
<v Speaker 1>you know? If do you know? But after Never Lie

0:19:25.480 --> 0:19:29.080
<v Speaker 1>came out, after that album, I couldn't go nowhere. So

0:19:29.280 --> 0:19:31.440
<v Speaker 1>did y'all ever because I know you wanted to be

0:19:31.520 --> 0:19:34.240
<v Speaker 1>in a group, did y'all ever get to perform with ABC? No?

0:19:34.680 --> 0:19:38.879
<v Speaker 1>We actually had beef with ABC. Oh Man. So the

0:19:39.040 --> 0:19:42.760
<v Speaker 1>thing was because we worked with Jermaine and the whole

0:19:42.840 --> 0:19:47.200
<v Speaker 1>criss Cross. Yeah, yeah, it was. It was like you

0:19:47.240 --> 0:19:49.080
<v Speaker 1>know what I'm saying, It was natural. So then we

0:19:49.200 --> 0:19:51.040
<v Speaker 1>did we did a video tear it up for the

0:19:51.080 --> 0:19:54.200
<v Speaker 1>baby ass kids, and we tore up the mental side

0:19:54.240 --> 0:19:58.760
<v Speaker 1>because I think BIV and everything BBD and yeah that

0:19:58.920 --> 0:20:01.840
<v Speaker 1>was like yeah mental right, So we was that was

0:20:01.960 --> 0:20:03.880
<v Speaker 1>those like our big brothers, Chris Cross. We was close

0:20:03.880 --> 0:20:07.000
<v Speaker 1>to Chris Cross because Jermaine or whatever. So because of that,

0:20:07.119 --> 0:20:10.960
<v Speaker 1>I think ABC didn't really like us. So yeah, we chose.

0:20:11.040 --> 0:20:14.400
<v Speaker 1>So we did this thing and I remember were kids

0:20:14.440 --> 0:20:17.080
<v Speaker 1>and ABC was they was bad, like there was another

0:20:17.119 --> 0:20:19.280
<v Speaker 1>bad creation was not just their name like they were.

0:20:20.320 --> 0:20:25.680
<v Speaker 1>They really wanted to smoke. So now we do this

0:20:25.760 --> 0:20:29.280
<v Speaker 1>little function somewhere and they banging on us, like we

0:20:29.400 --> 0:20:34.280
<v Speaker 1>walked to the car and they're like we was like what, Oh,

0:20:34.560 --> 0:20:39.800
<v Speaker 1>I got Batman's draws on my baby broo. After Playground,

0:20:39.840 --> 0:20:42.880
<v Speaker 1>I did the playground and the show play grab come

0:20:42.960 --> 0:20:46.080
<v Speaker 1>on it. So we just never you know what I'm saying,

0:20:46.080 --> 0:20:49.160
<v Speaker 1>We never connected with ABC, so you know, it never

0:20:49.200 --> 0:20:52.040
<v Speaker 1>got to do that show that did show that would

0:20:52.040 --> 0:20:55.160
<v Speaker 1>have been a crazy showmagine it would have been ABC

0:20:55.720 --> 0:20:59.920
<v Speaker 1>Immature and Chris Criss Cross. Yeah, you know that could

0:20:59.920 --> 0:21:11.840
<v Speaker 1>have sold out. They had a meeting with us to

0:21:11.960 --> 0:21:13.960
<v Speaker 1>be on SIS when they were doing a pilot, but

0:21:14.000 --> 0:21:15.520
<v Speaker 1>it didn't work out. So they were like, you know what,

0:21:15.680 --> 0:21:17.359
<v Speaker 1>it doesn't work for the whole group to be on

0:21:17.480 --> 0:21:22.520
<v Speaker 1>the show, but we want him to read for the

0:21:22.720 --> 0:21:25.360
<v Speaker 1>role of Roger. Made it all the way to UM

0:21:25.760 --> 0:21:28.399
<v Speaker 1>Network and I got the role of Roger. And then

0:21:28.560 --> 0:21:32.600
<v Speaker 1>I seen Darlene. She on my way into the audition.

0:21:32.680 --> 0:21:34.320
<v Speaker 1>She was like, I put in a good word for you,

0:21:35.000 --> 0:21:37.560
<v Speaker 1>so you know, yeah, so I think she might have

0:21:37.560 --> 0:21:39.520
<v Speaker 1>put in a good work. Yeah, I hope she did.

0:21:39.560 --> 0:21:41.440
<v Speaker 1>I don't know she did that, but you know, Darlene,

0:21:41.440 --> 0:21:42.800
<v Speaker 1>thank you if you did put in a good work.

0:21:43.040 --> 0:21:46.200
<v Speaker 1>I ended up being Roger. How many seasons? I did

0:21:46.320 --> 0:21:50.480
<v Speaker 1>four seasons and then I left the show, okay, because

0:21:50.520 --> 0:21:54.320
<v Speaker 1>I just didn't want to be uh you know. It

0:21:54.400 --> 0:21:57.720
<v Speaker 1>was it was difficult to to to be here with

0:21:57.920 --> 0:22:01.840
<v Speaker 1>this huge, successful group and we're running things with the

0:22:01.960 --> 0:22:04.280
<v Speaker 1>ladies and and this and that, and then I have

0:22:04.359 --> 0:22:07.240
<v Speaker 1>to come get this to set and be Roger. It

0:22:07.359 --> 0:22:09.440
<v Speaker 1>was mentally it was just kind of it was like

0:22:10.640 --> 0:22:13.920
<v Speaker 1>I really got yeah, I mean, but I mean, me

0:22:13.960 --> 0:22:16.399
<v Speaker 1>and Tia had a little a little something you know,

0:22:17.920 --> 0:22:21.800
<v Speaker 1>behind the scenes, you know, but uh, I just felt

0:22:21.840 --> 0:22:25.280
<v Speaker 1>like I didn't want to be old and be Roger,

0:22:25.480 --> 0:22:29.359
<v Speaker 1>Like I didn't want to be like Jalil White was

0:22:29.440 --> 0:22:31.879
<v Speaker 1>what I felt like, you know. I was like, I

0:22:31.960 --> 0:22:34.320
<v Speaker 1>don't want to get to a point where I'm eighteen

0:22:34.480 --> 0:22:37.080
<v Speaker 1>nineteen and I'm still playing Roger. And then I went

0:22:37.119 --> 0:22:39.520
<v Speaker 1>to the executives and I was like, you know, do

0:22:39.600 --> 0:22:41.840
<v Speaker 1>you mind writing me to be a little bit cooler.

0:22:41.920 --> 0:22:43.440
<v Speaker 1>So then one one season that like they had the

0:22:43.520 --> 0:22:46.280
<v Speaker 1>cool Roger and it didn't end up, it didn't really work,

0:22:46.359 --> 0:22:48.280
<v Speaker 1>and it was just like it was just too much

0:22:48.320 --> 0:22:51.119
<v Speaker 1>with that kind of how with with family matters. Jalil

0:22:51.240 --> 0:22:58.160
<v Speaker 1>went in and wrote step yeah exactly, and I wanted

0:22:58.160 --> 0:22:59.680
<v Speaker 1>to do that, but it just didn't work with such

0:22:59.680 --> 0:23:02.200
<v Speaker 1>a just couldn't work out, you know. So it was

0:23:02.280 --> 0:23:04.520
<v Speaker 1>just like I left the show because I didn't want

0:23:04.520 --> 0:23:06.440
<v Speaker 1>to keep I didn't want people to remember that and

0:23:06.520 --> 0:23:09.080
<v Speaker 1>I know where I was going musically. That's what I

0:23:09.160 --> 0:23:11.560
<v Speaker 1>wanted first. That was my first love and that's what

0:23:11.640 --> 0:23:13.480
<v Speaker 1>I wanted to do, and I felt like it was

0:23:13.600 --> 0:23:15.760
<v Speaker 1>getting in the way of my music. So now you're

0:23:15.800 --> 0:23:19.040
<v Speaker 1>back immature, full time, YEP, and what's the movement? We

0:23:19.119 --> 0:23:22.159
<v Speaker 1>did another album, it's a big album, and then we

0:23:22.320 --> 0:23:26.359
<v Speaker 1>kind of got stuck in that you know, adolescence age

0:23:26.600 --> 0:23:30.120
<v Speaker 1>where it was like my voice was weird, it was changing,

0:23:30.320 --> 0:23:32.840
<v Speaker 1>and you know, we were kind of like growing up.

0:23:32.920 --> 0:23:35.080
<v Speaker 1>But then we were like, you know, didn't wasn't really

0:23:35.200 --> 0:23:37.320
<v Speaker 1>kids no more. So it's not like the wow factor

0:23:37.640 --> 0:23:41.960
<v Speaker 1>being oh, these kids are talented. Now they're teenagers and

0:23:42.200 --> 0:23:45.199
<v Speaker 1>it's kind of like what are y'all gonna do now?

0:23:45.680 --> 0:23:48.639
<v Speaker 1>So that album didn't really do well Journey and it's like,

0:23:48.720 --> 0:23:50.480
<v Speaker 1>we want to kind of do something different. We want

0:23:50.480 --> 0:23:53.200
<v Speaker 1>to change the name, and I thought, I think that

0:23:53.359 --> 0:23:56.400
<v Speaker 1>might have been a mistake because Immature was the brand,

0:23:56.440 --> 0:23:59.520
<v Speaker 1>and we didn't realize that the name Immature was the brand.

0:24:00.000 --> 0:24:03.359
<v Speaker 1>It's like boys two men, you know, and we changed

0:24:03.359 --> 0:24:06.400
<v Speaker 1>the name to IMAX. They came in the whole MCA stabbing. Okay,

0:24:06.440 --> 0:24:09.080
<v Speaker 1>we love Imax. You know, we thought about like I'm

0:24:09.160 --> 0:24:11.280
<v Speaker 1>mature or this and that, but you know, it changed

0:24:11.280 --> 0:24:14.240
<v Speaker 1>the Imax and then we put out State to Night,

0:24:15.080 --> 0:24:17.880
<v Speaker 1>so we kind of crossed. That was our first time

0:24:17.960 --> 0:24:21.000
<v Speaker 1>really crossing other than never lie crossing into like you know,

0:24:21.200 --> 0:24:24.760
<v Speaker 1>crossover crossover pop. That was a huge pop single State

0:24:24.800 --> 0:24:27.000
<v Speaker 1>to Night and it was working. So it was like, okay,

0:24:27.080 --> 0:24:29.200
<v Speaker 1>we we we weathered the storm, we figured it out.

0:24:29.240 --> 0:24:32.040
<v Speaker 1>We figured it out. Gold single, you know, did really good,

0:24:32.200 --> 0:24:38.360
<v Speaker 1>were crossing over. The whole label gets fired, everybody, everybody

0:24:38.400 --> 0:24:41.639
<v Speaker 1>gets canned, our album gets put on the shelf. No

0:24:41.800 --> 0:24:48.080
<v Speaker 1>more singles, and we ended up leaving MCA at that point,

0:24:48.400 --> 0:24:50.760
<v Speaker 1>and then we did another independent album. That's when we

0:24:50.840 --> 0:24:53.960
<v Speaker 1>did House Party four. Then it did another independent album

0:24:54.040 --> 0:24:57.119
<v Speaker 1>which was uh we did. We came up with the

0:24:57.200 --> 0:24:59.600
<v Speaker 1>first time I'm not gonna I'm not gonna let you

0:25:00.080 --> 0:25:02.520
<v Speaker 1>breeze over house Party for though. House Party four no, no, no, no, no,

0:25:02.600 --> 0:25:06.800
<v Speaker 1>I'm saying house Party for it was a classic. You know,

0:25:06.840 --> 0:25:11.040
<v Speaker 1>it's fucking classic. And Bernie Mack Yeah, that's Tucker. No,

0:25:11.200 --> 0:25:13.879
<v Speaker 1>that's three. No no, no, when Burnie back Chris Tucker,

0:25:13.920 --> 0:25:16.480
<v Speaker 1>that's three. So that was three. Yeah, yeah, that was

0:25:16.640 --> 0:25:18.440
<v Speaker 1>you had already done three. We had already done three, yeah,

0:25:18.440 --> 0:25:22.800
<v Speaker 1>because three was like when we were still virgin days. Okay,

0:25:22.880 --> 0:25:25.960
<v Speaker 1>oh wow, okay, so that was before because it threw

0:25:26.000 --> 0:25:30.840
<v Speaker 1>me successful back to it Asian nigga in House Party. Yeah,

0:25:31.119 --> 0:25:35.280
<v Speaker 1>he's a house party. Yeah yeah, yeah, same time, man time, Man,

0:25:35.400 --> 0:25:40.440
<v Speaker 1>I don't know you. And what was the sexiest a weapon? Sex?

0:25:40.800 --> 0:25:43.480
<v Speaker 1>Sex is a west sex is a weapon. Yeah. So yeah,

0:25:43.520 --> 0:25:45.480
<v Speaker 1>House Party three was before we actually no, no, no,

0:25:46.000 --> 0:25:49.720
<v Speaker 1>you niggas actually went and made your own house party

0:25:49.760 --> 0:25:53.880
<v Speaker 1>at our part. Yeah. Now it's now clear. Hell yeah,

0:25:53.880 --> 0:25:55.920
<v Speaker 1>it took the movie. Yeah, so we just you know,

0:25:56.240 --> 0:25:58.520
<v Speaker 1>and we were signing. New Line Records came out with

0:25:58.560 --> 0:26:00.720
<v Speaker 1>a couple of records, and that did where we're like

0:26:00.880 --> 0:26:05.720
<v Speaker 1>as a new line. Simitar had a record label, Ye Records.

0:26:06.000 --> 0:26:09.600
<v Speaker 1>So that's how y'all was able to negotiate the movie. Yep.

0:26:09.760 --> 0:26:11.600
<v Speaker 1>So New Line Records put out put out. Oh yeah,

0:26:11.640 --> 0:26:14.040
<v Speaker 1>y'a I've been doing business. Yeah yeah. That was the

0:26:14.160 --> 0:26:17.640
<v Speaker 1>beginning era of B two K. That's where they started

0:26:17.640 --> 0:26:20.120
<v Speaker 1>coming into the to the picture. So what most people

0:26:20.160 --> 0:26:24.600
<v Speaker 1>don't realize you were a part of the label. Yeah, like, yes,

0:26:24.680 --> 0:26:28.240
<v Speaker 1>you were Marcus Houston Batman from Immature in Imax, but

0:26:28.359 --> 0:26:32.080
<v Speaker 1>you were also an executive. Yes, you were instrumental in

0:26:32.400 --> 0:26:36.680
<v Speaker 1>discovering as put together, putting together projects and this whole

0:26:36.760 --> 0:26:41.320
<v Speaker 1>thing at what eighteen nineteen years Yeah, about we produced,

0:26:41.520 --> 0:26:44.040
<v Speaker 1>we had our our producing team platinum status. We produced

0:26:44.080 --> 0:26:47.000
<v Speaker 1>all of B two k's music. You know, we had

0:26:47.000 --> 0:26:48.959
<v Speaker 1>a couple acts that, you know, we produced on Destiny

0:26:49.080 --> 0:26:52.680
<v Speaker 1>Child like it was we were going into that, you know,

0:26:52.840 --> 0:26:57.280
<v Speaker 1>going into the production aspect of things, and we put

0:26:57.359 --> 0:27:00.680
<v Speaker 1>B two K together. They were kind of like, you know,

0:27:01.440 --> 0:27:04.080
<v Speaker 1>they were actually and we did a song called Clap

0:27:04.200 --> 0:27:07.119
<v Speaker 1>your Hands for the soundtrack of House Party and they

0:27:07.160 --> 0:27:10.360
<v Speaker 1>were in the video that was like, they're like introduction, introduction.

0:27:10.480 --> 0:27:13.760
<v Speaker 1>So we put them out. They took off so fast

0:27:14.440 --> 0:27:17.280
<v Speaker 1>it wasn't even funny. So I remember so immature we were.

0:27:17.359 --> 0:27:18.960
<v Speaker 1>We were the King's right. We were like, you know,

0:27:19.160 --> 0:27:23.480
<v Speaker 1>it's smature. I MX. Now you know, we're going on tour,

0:27:23.840 --> 0:27:29.000
<v Speaker 1>big guys, We're going tour B two K. The first show,

0:27:29.640 --> 0:27:35.240
<v Speaker 1>it's our tour, right first night they performed and shut

0:27:35.320 --> 0:27:38.440
<v Speaker 1>it down. We were last. We tried to go, We tried,

0:27:38.520 --> 0:27:43.119
<v Speaker 1>we tried to go, We tried, we tried to go last.

0:27:43.920 --> 0:27:46.160
<v Speaker 1>And that was the last night that we went last.

0:27:46.440 --> 0:27:49.000
<v Speaker 1>The first night, the first night turned into the B

0:27:49.080 --> 0:27:53.280
<v Speaker 1>two K tour. They completely took up. We was just

0:27:53.440 --> 0:28:01.679
<v Speaker 1>like just kill y'all, scream y'all, y'all do down screaming.

0:28:01.720 --> 0:28:04.560
<v Speaker 1>Hell y'all screamed out, yea, I was Enjodan on the Wizards.

0:28:04.720 --> 0:28:10.280
<v Speaker 1>Yeah yeah, so yeah, they're going on and it took

0:28:10.320 --> 0:28:12.480
<v Speaker 1>over that whole you know, so we had to But

0:28:12.600 --> 0:28:15.840
<v Speaker 1>we businessman, you know, hell yeah, we own it. So

0:28:16.480 --> 0:28:19.520
<v Speaker 1>the bigger you guys are great, you know, so we

0:28:19.600 --> 0:28:22.320
<v Speaker 1>went with it. That's the I think that's the other

0:28:22.480 --> 0:28:26.000
<v Speaker 1>part about your you guys dynamic and network that people

0:28:26.080 --> 0:28:30.520
<v Speaker 1>don't really pay attention to, right because everything you guys

0:28:30.720 --> 0:28:35.840
<v Speaker 1>do is in house. Yeah, literally everything everything everything. Yeah,

0:28:35.920 --> 0:28:39.480
<v Speaker 1>Like at one point Kelton was the road manager. Yeah,

0:28:39.880 --> 0:28:49.400
<v Speaker 1>for was wrong, was wrong? No, DJ, I don't gonna

0:28:49.440 --> 0:28:52.600
<v Speaker 1>get nobody else. I was like, you know what, listen,

0:28:52.720 --> 0:28:56.880
<v Speaker 1>that's what I was at Motown. I'm like, waiting, it's cool,

0:28:57.480 --> 0:29:00.520
<v Speaker 1>but this is how we're gonna keep the bread. That's right,

0:29:00.680 --> 0:29:04.280
<v Speaker 1>turning and circulate. Yeah, you are now a role man. Okay,

0:29:04.560 --> 0:29:08.840
<v Speaker 1>you assist man the exactly game and everybody was like

0:29:08.920 --> 0:29:12.520
<v Speaker 1>this cool, let's work. Yeah. I remember I was Max

0:29:12.640 --> 0:29:14.720
<v Speaker 1>Goose come to a photoshoot b twok was having a

0:29:14.760 --> 0:29:18.080
<v Speaker 1>photo shooting. I was ironing their clothes and Max looks

0:29:18.120 --> 0:29:21.600
<v Speaker 1>at me like, what are you doing? So I'm learning

0:29:21.680 --> 0:29:24.600
<v Speaker 1>the clothes. What do you think I'm doing? This? These

0:29:25.040 --> 0:29:27.520
<v Speaker 1>these boys is about to be huge? You know, I'm

0:29:27.840 --> 0:29:29.640
<v Speaker 1>this is this is this is my group. What do

0:29:29.680 --> 0:29:31.760
<v Speaker 1>you expect me to do? And he was so appalled

0:29:31.800 --> 0:29:36.040
<v Speaker 1>by that, and he was like, but you're you know,

0:29:36.400 --> 0:29:41.080
<v Speaker 1>you're I'm like, that doesn't matter, you know because at

0:29:41.120 --> 0:29:43.360
<v Speaker 1>the end of the day, you know, we all knew

0:29:43.360 --> 0:29:46.000
<v Speaker 1>what a B two game was gonna be. So it

0:29:46.200 --> 0:29:49.360
<v Speaker 1>was just like everybody hands on deck. I mean, you

0:29:49.400 --> 0:29:51.400
<v Speaker 1>can either you can either watch the train just go

0:29:51.560 --> 0:29:53.360
<v Speaker 1>on without you, or you can jump on a tram.

0:29:54.080 --> 0:29:56.360
<v Speaker 1>Part of it. It's just being of service, bro. Yeah,

0:29:56.680 --> 0:29:59.440
<v Speaker 1>there's always a way to be a part, to play

0:29:59.520 --> 0:30:01.440
<v Speaker 1>your part. Yeah, you know what I'm saying, checking your

0:30:01.480 --> 0:30:07.680
<v Speaker 1>ego at I listen, I will do anything when it

0:30:07.720 --> 0:30:10.000
<v Speaker 1>comes to music. Yeah, just what y'all need to keep

0:30:10.640 --> 0:30:16.880
<v Speaker 1>no problem when you passionate about something, that's it. But

0:30:17.280 --> 0:30:20.080
<v Speaker 1>the way you guys set your business up at whatever

0:30:20.320 --> 0:30:23.200
<v Speaker 1>high or whatever low you were in that you were

0:30:23.280 --> 0:30:25.120
<v Speaker 1>figuring out a way to keep you in it and

0:30:25.280 --> 0:30:27.960
<v Speaker 1>keep money in little pocket that keep you growing, keep

0:30:28.000 --> 0:30:32.520
<v Speaker 1>you evolving. So now that shoot, probably by twenty years old,

0:30:32.920 --> 0:30:36.640
<v Speaker 1>you know every facet of the business, every every facet everything.

0:30:37.040 --> 0:30:39.120
<v Speaker 1>I mean, I could do it all. It was very

0:30:39.200 --> 0:30:44.320
<v Speaker 1>much like the Winds. Yeah, absolutely absolutely, always a grip

0:30:44.520 --> 0:30:48.960
<v Speaker 1>with that same last name, producer. Beware it's gonna be away.

0:30:50.160 --> 0:30:54.080
<v Speaker 1>And we we me and me and uh because Drell's

0:30:54.120 --> 0:30:56.720
<v Speaker 1>my cousin, Jay Buck, He's that with blood cousin, so

0:30:56.800 --> 0:30:58.800
<v Speaker 1>we we Uh he works, he still works with our

0:30:58.840 --> 0:31:01.040
<v Speaker 1>company and everything. So we've another day. And we were saying,

0:31:01.120 --> 0:31:04.200
<v Speaker 1>like how we was like the Wayne's like coming up.

0:31:04.240 --> 0:31:07.680
<v Speaker 1>We was like them, you know, to the ways of music. Yeah,

0:31:07.840 --> 0:31:09.600
<v Speaker 1>you know that's kind of like what we were. And

0:31:09.720 --> 0:31:12.480
<v Speaker 1>people hated that. You know, people would always hate you know,

0:31:12.600 --> 0:31:15.520
<v Speaker 1>people always be you know, in their ears saying oh ye'all,

0:31:15.520 --> 0:31:18.120
<v Speaker 1>do you know what I'm saying? People hate person. Yeah,

0:31:18.120 --> 0:31:20.960
<v Speaker 1>they love to hate what they don't understand, you know,

0:31:21.000 --> 0:31:23.320
<v Speaker 1>and they want to break it up. And I felt

0:31:23.360 --> 0:31:27.760
<v Speaker 1>like that us be two k that whole powerhouse could

0:31:27.800 --> 0:31:31.800
<v Speaker 1>have been so much bigger. Have they not broken up? Definitely?

0:31:32.200 --> 0:31:35.760
<v Speaker 1>So well. I mean we still have to get to

0:31:35.840 --> 0:31:40.160
<v Speaker 1>a classic classic film. We can get to that classic film,

0:31:40.520 --> 0:31:43.560
<v Speaker 1>can we can? We I got a funny ass story too,

0:31:43.840 --> 0:31:47.320
<v Speaker 1>Can we got a funny you Got served? Can you

0:31:47.400 --> 0:31:50.840
<v Speaker 1>Got served? As story? You go first? Please? So you

0:31:50.920 --> 0:31:56.440
<v Speaker 1>got served? Please? This time I have a production partner.

0:31:57.280 --> 0:32:01.920
<v Speaker 1>His name is Wade Robson. Oh being Way didn't sync together, right.

0:32:02.120 --> 0:32:05.760
<v Speaker 1>So he's like, I'm a part of a movie, but

0:32:05.880 --> 0:32:11.360
<v Speaker 1>I'm not part of a movie, right, So I'm like, what, okay? Right?

0:32:12.520 --> 0:32:14.480
<v Speaker 1>So yeah, you get this side of it, right. Yeah.

0:32:15.160 --> 0:32:17.040
<v Speaker 1>So at the time, Wade was trying to get in

0:32:17.120 --> 0:32:20.040
<v Speaker 1>film and television stuff, and I guess he had met

0:32:20.840 --> 0:32:24.800
<v Speaker 1>some high level executive whoever whoever, the guy who green

0:32:24.920 --> 0:32:30.480
<v Speaker 1>lit the movie randomly, and when they introduce him to Wade,

0:32:31.240 --> 0:32:33.440
<v Speaker 1>he's like, you know that somebody else introduce him. I'm like, oh,

0:32:33.640 --> 0:32:36.440
<v Speaker 1>you know, this is Way Robson and he goes, oh wait,

0:32:37.240 --> 0:32:43.240
<v Speaker 1>you're in my movie, and Way goes I Am. So

0:32:43.480 --> 0:32:45.520
<v Speaker 1>him and him, an executive, had the conversation. He don't

0:32:45.560 --> 0:32:48.080
<v Speaker 1>he don't really know what he's talking about. But he's like, listen,

0:32:48.120 --> 0:32:50.120
<v Speaker 1>this is the head of a movie studio. If he

0:32:50.200 --> 0:32:53.640
<v Speaker 1>says I'm in this movie, I'm in this damn movie. Right.

0:32:54.120 --> 0:32:56.120
<v Speaker 1>So he's like, but I don't know what's going on.

0:32:56.320 --> 0:32:58.440
<v Speaker 1>So I'm trying to figure out how to ask what

0:32:58.600 --> 0:33:02.600
<v Speaker 1>the movie it is? What out put it on? I

0:33:02.840 --> 0:33:06.960
<v Speaker 1>don't know what movie talking about. So two sides of

0:33:07.200 --> 0:33:13.480
<v Speaker 1>you got served. Let's let's just go to you. First

0:33:13.520 --> 0:33:20.200
<v Speaker 1>of all, thank you, because yeah that movie. So so

0:33:20.680 --> 0:33:26.840
<v Speaker 1>how that started is he started writing scripts long time ago.

0:33:27.280 --> 0:33:30.040
<v Speaker 1>House Party was this first movie that he'd actually directed.

0:33:30.200 --> 0:33:32.120
<v Speaker 1>He was like, I directed all these music videos. I

0:33:32.160 --> 0:33:33.680
<v Speaker 1>want to direct House Party for it when we did

0:33:33.720 --> 0:33:38.960
<v Speaker 1>on our own. So yeah, we stole that give album. Yeah,

0:33:39.080 --> 0:33:43.600
<v Speaker 1>y'all give us that movie. So um. He wrote a

0:33:43.720 --> 0:33:51.720
<v Speaker 1>movie called Dance that was for Aliyah, Dave Scott and Genuine,

0:33:53.080 --> 0:33:57.280
<v Speaker 1>which is why my name is Elgin's name Dave and

0:33:57.400 --> 0:34:05.960
<v Speaker 1>why Jennifer's name is Lea Wow. And the opposing team

0:34:06.800 --> 0:34:10.280
<v Speaker 1>was Wade and Max, so it was actually for Waye Robson.

0:34:11.080 --> 0:34:16.560
<v Speaker 1>Wade choreographed our videos. Way but we did a Good

0:34:16.600 --> 0:34:19.080
<v Speaker 1>Burger soundtrack. I was in the movie Good Burger. We

0:34:19.160 --> 0:34:25.759
<v Speaker 1>did a Good Burger soundtrack Washing Dogs Childhood, so way

0:34:28.239 --> 0:34:32.520
<v Speaker 1>without knowing you, yeah, Wade choreographed our video. He was

0:34:32.640 --> 0:34:35.880
<v Speaker 1>our choreographer. Dave Scott, who choreographed B two K, was

0:34:35.920 --> 0:34:39.040
<v Speaker 1>also our choreographer. So that's wh wrote the movie dance

0:34:39.200 --> 0:34:41.800
<v Speaker 1>for Cut to seventy that didn't happen. I don't know,

0:34:41.960 --> 0:34:43.360
<v Speaker 1>you know, he reached out to gen u Y and

0:34:43.440 --> 0:34:46.920
<v Speaker 1>way it didn't happen. Cut to seven years later. Um,

0:34:47.760 --> 0:34:50.400
<v Speaker 1>you know, b TWOK was with Sony Records, and Sony

0:34:50.560 --> 0:34:53.319
<v Speaker 1>was like interested in doing the project. They sent him

0:34:53.360 --> 0:34:57.000
<v Speaker 1>to screen Gyms, which is executive um over at screen

0:34:57.080 --> 0:34:59.360
<v Speaker 1>Gyms to do the movie. They're like, we want to

0:34:59.400 --> 0:35:01.040
<v Speaker 1>do the movie. I see you on the screen Gyms

0:35:01.080 --> 0:35:04.640
<v Speaker 1>and start a subsidiary company that does these budgets. We're

0:35:04.680 --> 0:35:07.719
<v Speaker 1>gonna make the movie happen. The executive and this is

0:35:07.920 --> 0:35:09.919
<v Speaker 1>this is a story even B t K weren't aware

0:35:09.960 --> 0:35:13.680
<v Speaker 1>of back in that time. So because I wasn't supposed

0:35:13.680 --> 0:35:18.480
<v Speaker 1>to really be you know, the character Elgin. But the

0:35:18.600 --> 0:35:21.920
<v Speaker 1>executive said he Chris showed in my video to that

0:35:22.080 --> 0:35:24.759
<v Speaker 1>girl because it all a dancing. He's like, this is

0:35:24.880 --> 0:35:27.279
<v Speaker 1>kind of how I want to do it. And you know,

0:35:27.400 --> 0:35:29.600
<v Speaker 1>he was like, who's that? I want him to be

0:35:29.640 --> 0:35:33.520
<v Speaker 1>the start of movie. So I'm like, oh, okay, cool.

0:35:34.160 --> 0:35:36.200
<v Speaker 1>Right away he was like I want whoever that kid is,

0:35:36.200 --> 0:35:37.759
<v Speaker 1>I want him to be starry movie. So that's how

0:35:37.840 --> 0:35:42.440
<v Speaker 1>I got the role of m Elgin and then so

0:35:42.640 --> 0:35:44.440
<v Speaker 1>we did it as a project with all of us

0:35:44.480 --> 0:35:49.879
<v Speaker 1>B two k Omar of course chose David buz Rico.

0:35:50.000 --> 0:35:51.640
<v Speaker 1>We did all the characters and everything like that. But

0:35:51.760 --> 0:35:55.160
<v Speaker 1>like I said, originally that movie was for Dave scott

0:35:55.320 --> 0:35:58.840
<v Speaker 1>Alia and Genuine and Wade. So we took it to

0:35:58.920 --> 0:36:02.920
<v Speaker 1>Wade when we were doing it with Sony and Chris

0:36:03.120 --> 0:36:05.120
<v Speaker 1>was like, you know, I want you to do this movie. Uh,

0:36:05.480 --> 0:36:07.400
<v Speaker 1>you got served and played a bad guy, and I

0:36:07.440 --> 0:36:09.000
<v Speaker 1>guess he didn't really want it. He didn't want to

0:36:09.000 --> 0:36:10.080
<v Speaker 1>do it at that point. I don't think he was

0:36:10.120 --> 0:36:12.680
<v Speaker 1>trying to act or whatever. So he turned it down.

0:36:12.760 --> 0:36:14.920
<v Speaker 1>So we actually got Chris Jones with the spiky hair

0:36:15.480 --> 0:36:22.640
<v Speaker 1>to be the way way this. Yeah, yeah, you know.

0:36:22.800 --> 0:36:25.239
<v Speaker 1>So so that's how that character came. And then we

0:36:25.360 --> 0:36:29.680
<v Speaker 1>did the movie and so they were like, okay, Sony,

0:36:30.160 --> 0:36:33.560
<v Speaker 1>you guys did this subsiderate movie with these kids who

0:36:33.640 --> 0:36:37.680
<v Speaker 1>cares nobody thought it was. They was like okay, so whatever.

0:36:37.800 --> 0:36:41.000
<v Speaker 1>So Chris went in and said, okay, Look, he negotiated

0:36:41.080 --> 0:36:44.279
<v Speaker 1>deals for all of us, for him, me and all

0:36:44.320 --> 0:36:47.960
<v Speaker 1>of B two K for box office Bumps and box

0:36:48.080 --> 0:36:49.840
<v Speaker 1>what a box office Bumps with people that don't know,

0:36:50.600 --> 0:36:53.440
<v Speaker 1>if a movie hits a certain number, you get it.

0:36:55.400 --> 0:37:00.120
<v Speaker 1>So at ten million, every ten million, he negotiated its

0:37:00.120 --> 0:37:03.279
<v Speaker 1>astronomical number that we would get at ten million, and

0:37:03.360 --> 0:37:07.279
<v Speaker 1>they said yes because they were like this movie yeah, yeah, yeah,

0:37:07.320 --> 0:37:11.640
<v Speaker 1>it saw fifty so five times, five times we got paid.

0:37:12.560 --> 0:37:14.400
<v Speaker 1>So it was so when it and it was, it

0:37:14.560 --> 0:37:17.120
<v Speaker 1>was it was just you know, it was crazy because

0:37:17.160 --> 0:37:19.200
<v Speaker 1>when the movie we went to the premiere, that's when

0:37:19.239 --> 0:37:21.600
<v Speaker 1>the group broke up. We went to the premiere of

0:37:21.640 --> 0:37:23.320
<v Speaker 1>me and Oh had to go to the premiere by ourselves,

0:37:23.400 --> 0:37:25.279
<v Speaker 1>like the group they came with, like Bower or something

0:37:25.320 --> 0:37:27.600
<v Speaker 1>like that. It was like, you know, it was two

0:37:27.680 --> 0:37:29.680
<v Speaker 1>k broken up by the time the time when we

0:37:29.760 --> 0:37:32.520
<v Speaker 1>came out, it was it was whacked because we had

0:37:32.560 --> 0:37:34.080
<v Speaker 1>to go to the premiere and we couldn't really all

0:37:34.239 --> 0:37:38.560
<v Speaker 1>enjoy the moment together. And you know, it came out

0:37:38.920 --> 0:37:44.160
<v Speaker 1>and I mean just huge. No one expected an number

0:37:44.200 --> 0:37:46.840
<v Speaker 1>one movie debuted like sixteen million back then. That was

0:37:46.920 --> 0:37:49.880
<v Speaker 1>like crazy. How much did the movie cost? Eight million

0:37:50.000 --> 0:37:52.879
<v Speaker 1>was a production budget, so the movie ends up making

0:37:53.480 --> 0:37:57.759
<v Speaker 1>over fifty dollars. Wow, So we was just like it's

0:37:57.800 --> 0:37:59.800
<v Speaker 1>great business. It was. It was a craziness. It was

0:38:00.080 --> 0:38:02.960
<v Speaker 1>was it was, and I'm sure all of the uh

0:38:04.600 --> 0:38:08.720
<v Speaker 1>all of all of the business was leaning in you guys'

0:38:08.880 --> 0:38:13.560
<v Speaker 1>favorite again because there was no belief somebody believe. I

0:38:13.680 --> 0:38:16.759
<v Speaker 1>think it was it was like some really big other

0:38:16.880 --> 0:38:20.480
<v Speaker 1>movies that was that was coming out. Nobody knew it

0:38:20.560 --> 0:38:23.080
<v Speaker 1>was going to be big, and it just it came

0:38:23.120 --> 0:38:26.680
<v Speaker 1>out and was just astronomical, and it, you know, started

0:38:26.719 --> 0:38:29.600
<v Speaker 1>all these other dance movies and yeah, and the Way

0:38:29.719 --> 0:38:31.560
<v Speaker 1>did a cameo. Yeah, and Way ended up doing it.

0:38:31.640 --> 0:38:36.480
<v Speaker 1>Came and he played a judge in what the movie? Yeah,

0:38:37.000 --> 0:38:39.800
<v Speaker 1>the movie, And it was it was crazy because we

0:38:40.040 --> 0:38:43.400
<v Speaker 1>uh so the final scene, the final battle scene, it

0:38:43.560 --> 0:38:45.680
<v Speaker 1>was crazy because we we had rehearsed. We you know,

0:38:45.800 --> 0:38:47.880
<v Speaker 1>Chris hadn't seen it yet. He's seen a couple of rehearsals,

0:38:47.920 --> 0:38:50.000
<v Speaker 1>but like Dave and we all kind of got together,

0:38:50.080 --> 0:38:52.120
<v Speaker 1>so we was like, okay, cool, We're about to shoot

0:38:52.160 --> 0:38:54.000
<v Speaker 1>the scene or whatever. Everybody's like damn for the scene.

0:38:54.080 --> 0:38:56.279
<v Speaker 1>It's like the final battle. We're like, whoa, it's about

0:38:56.320 --> 0:38:59.000
<v Speaker 1>to go down. Because you know, everybody was still battling

0:38:59.040 --> 0:39:01.880
<v Speaker 1>in their own right, like we was still It was

0:39:01.920 --> 0:39:03.680
<v Speaker 1>a real thing. Like, even though it was scripted to

0:39:03.719 --> 0:39:06.360
<v Speaker 1>who lost and who won, it was still real. So

0:39:06.480 --> 0:39:11.760
<v Speaker 1>we do the final battle, Chris says cut. He walks

0:39:11.800 --> 0:39:14.520
<v Speaker 1>up to us, said, Dave came here. He was like,

0:39:14.600 --> 0:39:18.279
<v Speaker 1>that was horrible. That was trash. I can't end my

0:39:18.400 --> 0:39:21.919
<v Speaker 1>movie with this. So he said, y'all figure something out

0:39:22.600 --> 0:39:25.279
<v Speaker 1>because it has to be better than this. So we

0:39:25.480 --> 0:39:29.239
<v Speaker 1>was like, oh, okay, because we thought we killed it

0:39:29.400 --> 0:39:31.440
<v Speaker 1>just now. But we was like, oh, I guess, I

0:39:31.560 --> 0:39:34.080
<v Speaker 1>guess it didn't work. So then a couple of dancers,

0:39:34.239 --> 0:39:36.440
<v Speaker 1>you know, God, we get together. Dave gets together. He

0:39:36.480 --> 0:39:37.920
<v Speaker 1>was like, all right, I'm gonna put this piece. So

0:39:38.040 --> 0:39:41.920
<v Speaker 1>that ending battle ended up being real because neither side

0:39:42.000 --> 0:39:44.759
<v Speaker 1>knew what we were to do. So it ended up

0:39:44.760 --> 0:39:46.400
<v Speaker 1>being a real battle. And that's why I was so

0:39:46.520 --> 0:39:48.319
<v Speaker 1>explosive at the end because it was that was real.

0:39:48.400 --> 0:39:51.319
<v Speaker 1>So we was like even like the SlowMo party, dude

0:39:51.360 --> 0:39:52.520
<v Speaker 1>came to us. He was like, all right, I got

0:39:52.560 --> 0:39:54.719
<v Speaker 1>this idea I always wanted to try. And he was like,

0:39:55.080 --> 0:39:57.320
<v Speaker 1>so when I do my cartwheel or I'll do my

0:39:57.360 --> 0:39:59.160
<v Speaker 1>hands and I'm gonna go slow motion, and everybody just

0:39:59.200 --> 0:40:02.040
<v Speaker 1>starts moving slow motion. So he told us to do

0:40:02.120 --> 0:40:04.279
<v Speaker 1>that on the fly. So all of that stuff was

0:40:04.360 --> 0:40:06.879
<v Speaker 1>like that was all like, you know, it wasn't really

0:40:07.160 --> 0:40:09.239
<v Speaker 1>some most some of it was choreograph and most of

0:40:09.320 --> 0:40:11.120
<v Speaker 1>it was like just you know us kind of like

0:40:11.239 --> 0:40:18.879
<v Speaker 1>some monster dancers and all the monsters were in that everybody. Yeah, yeah, yeah,

0:40:19.400 --> 0:40:23.520
<v Speaker 1>And I think that's what really really drove it, the

0:40:24.080 --> 0:40:27.959
<v Speaker 1>the authenticity of Yeah it was because everybody everybody, because

0:40:28.000 --> 0:40:30.000
<v Speaker 1>it's like your peers were like, oh no, that's that's

0:40:30.040 --> 0:40:50.200
<v Speaker 1>the real thing. Yeah, things are really had absolutely naked. Okay,

0:40:51.280 --> 0:40:56.759
<v Speaker 1>story time, let's good too. Oh yeah, I'm in the background. Okay,

0:40:56.880 --> 0:41:03.399
<v Speaker 1>you go first. Okay, So it so we uh, I'll

0:41:03.440 --> 0:41:08.839
<v Speaker 1>start with the the US. UM. I did my first

0:41:08.840 --> 0:41:12.759
<v Speaker 1>solo album, So I am X. We broke up on tour,

0:41:12.840 --> 0:41:17.160
<v Speaker 1>actually broke up on tour. We broke up. It was

0:41:17.200 --> 0:41:20.120
<v Speaker 1>the last show in Miami, was on tour B two

0:41:20.160 --> 0:41:23.600
<v Speaker 1>K and you know, the Fellas just kind of wanted to,

0:41:23.760 --> 0:41:26.680
<v Speaker 1>you know, do. Kelton was more like, I just don't

0:41:26.760 --> 0:41:29.440
<v Speaker 1>want to be entertained. I just I want to be regular.

0:41:29.480 --> 0:41:31.440
<v Speaker 1>I want to just do regular stuff. I'm tired of

0:41:31.520 --> 0:41:33.839
<v Speaker 1>the entertainment. Rome was like, you know, I don't really

0:41:33.920 --> 0:41:35.919
<v Speaker 1>I'm you know, I want to more do more rap.

0:41:36.239 --> 0:41:38.480
<v Speaker 1>You know, I'm not really interested in like being an

0:41:38.600 --> 0:41:41.920
<v Speaker 1>R and B singer anymore. I want to rape you.

0:41:42.239 --> 0:41:43.920
<v Speaker 1>I'm like, don't we want to be with the R

0:41:43.960 --> 0:41:48.080
<v Speaker 1>and B normal. So so it was like, you know,

0:41:48.200 --> 0:41:50.160
<v Speaker 1>I was a little salty at first because I was like,

0:41:50.239 --> 0:41:53.680
<v Speaker 1>you know, a year prior, I, um, you know, j

0:41:53.880 --> 0:41:57.160
<v Speaker 1>D wanted to do my solo album and this was

0:41:57.280 --> 0:42:00.560
<v Speaker 1>right after Imax, the New Line album, and I said no.

0:42:01.239 --> 0:42:03.480
<v Speaker 1>So I was loyal to the guys. So I was like, yeah,

0:42:03.480 --> 0:42:04.880
<v Speaker 1>I don't want to go solo. I was sitting in

0:42:04.920 --> 0:42:07.680
<v Speaker 1>the group cut two years later like I don't want

0:42:07.680 --> 0:42:09.880
<v Speaker 1>to do the group. I felt like, well, y'all can

0:42:10.160 --> 0:42:18.560
<v Speaker 1>me solo album? Y'all told me that then Now I

0:42:18.600 --> 0:42:21.760
<v Speaker 1>can't go back, Jamie, we can do it now anyway.

0:42:21.800 --> 0:42:24.880
<v Speaker 1>So did the first album come down to the second album?

0:42:25.440 --> 0:42:28.320
<v Speaker 1>First albums? Was it did well? You know it it

0:42:28.680 --> 0:42:32.080
<v Speaker 1>was independent, Um no, it was on electric, but it

0:42:32.160 --> 0:42:35.280
<v Speaker 1>reintroduced me as you know, uh you know solo artists.

0:42:35.280 --> 0:42:36.839
<v Speaker 1>It did well, you know, it was it was good.

0:42:36.880 --> 0:42:38.920
<v Speaker 1>We had clubbing that was That was a single off

0:42:38.960 --> 0:42:41.200
<v Speaker 1>that album, and I did really well. Kelse you know

0:42:41.480 --> 0:42:44.120
<v Speaker 1>we he had his run and I was part of

0:42:44.200 --> 0:42:47.080
<v Speaker 1>that run with Clubbing. So the second album was like,

0:42:47.480 --> 0:42:50.759
<v Speaker 1>all right, where where are we gonna go? So we

0:42:50.840 --> 0:42:53.719
<v Speaker 1>sit down. Omari was actually in the studio with Underdogs

0:42:54.120 --> 0:42:57.080
<v Speaker 1>recording with Underdogs. He had also went solo. So now

0:42:57.200 --> 0:42:59.600
<v Speaker 1>there's this. I don't want to do nothing like my brother.

0:43:00.000 --> 0:43:01.839
<v Speaker 1>I want him nothing like I'm aory. I want him

0:43:01.840 --> 0:43:03.080
<v Speaker 1>to have his own lane and I want to have

0:43:03.200 --> 0:43:05.719
<v Speaker 1>my own lane. If we do anything alike, it's gonna

0:43:05.719 --> 0:43:07.200
<v Speaker 1>be like, you know what I'm saying, I don't even

0:43:07.280 --> 0:43:10.279
<v Speaker 1>want that. So Chris is like, but are you sure

0:43:10.360 --> 0:43:12.600
<v Speaker 1>the Underdogs are dope? You know what I'm saying. I'm like, no,

0:43:12.920 --> 0:43:16.000
<v Speaker 1>I don't want to work with Underdogs only because I

0:43:16.040 --> 0:43:18.400
<v Speaker 1>always working with him. It had nothing to do with

0:43:18.800 --> 0:43:21.719
<v Speaker 1>the talent of the Underdogs anything like that. Loved Damon

0:43:21.760 --> 0:43:24.560
<v Speaker 1>and Harvey. I don't know use over there at that point,

0:43:24.760 --> 0:43:27.040
<v Speaker 1>but you know, I was like, cool, I don't want

0:43:27.040 --> 0:43:30.399
<v Speaker 1>to do nothing that I'm alreadys doing. So a couple

0:43:30.440 --> 0:43:32.120
<v Speaker 1>of weeks later, he comes back to me, He's like, Okay,

0:43:32.320 --> 0:43:35.319
<v Speaker 1>I really think that you should go in and work

0:43:35.360 --> 0:43:40.239
<v Speaker 1>with them. I was just like I was like, all right,

0:43:40.239 --> 0:43:42.640
<v Speaker 1>I'll trust you if you feel like as long as

0:43:42.719 --> 0:43:44.640
<v Speaker 1>they can, you know, we can do some different stuff.

0:43:45.239 --> 0:43:48.520
<v Speaker 1>I don't want nothing like oh, so I want to

0:43:48.520 --> 0:43:50.720
<v Speaker 1>do some different stuff. I want to do some nasty stuff.

0:43:50.760 --> 0:43:52.960
<v Speaker 1>Then so I get on the phone. I think I

0:43:53.040 --> 0:43:55.080
<v Speaker 1>got on the phone with Damon and I was like,

0:43:55.719 --> 0:43:58.080
<v Speaker 1>these are three titles that I want to do naked

0:43:58.160 --> 0:43:59.880
<v Speaker 1>sex with you and like one other title something like that.

0:44:00.560 --> 0:44:03.600
<v Speaker 1>He's like, all right, cool, I got you. So go

0:44:03.680 --> 0:44:09.600
<v Speaker 1>to the studio and was it. Oh, I see the

0:44:09.680 --> 0:44:13.200
<v Speaker 1>fun that's the strip club. That was the first song

0:44:13.320 --> 0:44:18.840
<v Speaker 1>they played for and I recorded it, but I was like,

0:44:19.680 --> 0:44:22.560
<v Speaker 1>that's I don't go to the strip club. I've been

0:44:22.600 --> 0:44:25.080
<v Speaker 1>the one strip club in my life. Like, that's not me.

0:44:25.320 --> 0:44:27.239
<v Speaker 1>I don't I want to be authentic. I don't go

0:44:27.320 --> 0:44:29.160
<v Speaker 1>to the strip club. But it just really wasn't working

0:44:29.200 --> 0:44:35.759
<v Speaker 1>for me. And then they played me the the the

0:44:35.920 --> 0:44:40.480
<v Speaker 1>one yeah, and it was naked Yeah, and the tank

0:44:40.640 --> 0:44:42.359
<v Speaker 1>was in his room, you know, he had a little

0:44:42.440 --> 0:44:44.440
<v Speaker 1>room in there and it comes out and plays it

0:44:44.520 --> 0:44:50.520
<v Speaker 1>for me, and I was like, oh, that's what I

0:44:50.600 --> 0:44:53.800
<v Speaker 1>wanted to record right there. That was it, and you know,

0:44:54.520 --> 0:45:02.399
<v Speaker 1>and left your vocals on there too. Listen, I don't mind. Yeah,

0:45:02.480 --> 0:45:05.160
<v Speaker 1>but yeah, that's that was That's how I was. I

0:45:05.320 --> 0:45:07.640
<v Speaker 1>was never gonna work without the dogs. And you know,

0:45:08.000 --> 0:45:10.040
<v Speaker 1>Chris just kept convincing me, like you, I feel like

0:45:10.120 --> 0:45:12.440
<v Speaker 1>this is you know what you need And it ended

0:45:12.480 --> 0:45:15.400
<v Speaker 1>up being what I needed. And then you guys go

0:45:15.520 --> 0:45:18.640
<v Speaker 1>on the road. Was that a screen tour? Ye? Yes,

0:45:18.960 --> 0:45:20.759
<v Speaker 1>that was a screen tour. That was a screen tour.

0:45:21.160 --> 0:45:24.279
<v Speaker 1>And and You're on a screen tour the box and

0:45:25.040 --> 0:45:27.319
<v Speaker 1>and I'm like, I didn't know how old you were

0:45:27.360 --> 0:45:29.120
<v Speaker 1>at the time. I never know how old you are.

0:45:29.880 --> 0:45:32.839
<v Speaker 1>I've never I've never I felt like you've never turned

0:45:32.880 --> 0:45:38.600
<v Speaker 1>an age or like somehow I've never known always been

0:45:38.840 --> 0:45:42.080
<v Speaker 1>forty one. I feel like he's always been eighteen. Like

0:45:42.560 --> 0:45:45.440
<v Speaker 1>just that's it. Just that's it. That's eighteen Peter Pan

0:45:45.520 --> 0:45:48.040
<v Speaker 1>type shit. And so when he was going on a

0:45:48.080 --> 0:45:50.600
<v Speaker 1>scream too, I was like, but how does he I

0:45:50.800 --> 0:45:53.120
<v Speaker 1>understand how old he is? Yeah, I don't get it. Yeah,

0:45:53.160 --> 0:45:55.840
<v Speaker 1>so you're going to scream tour? What city did you

0:45:55.960 --> 0:45:59.040
<v Speaker 1>go to? I went to a couple of SETI I

0:45:59.040 --> 0:46:01.799
<v Speaker 1>went to I of my Klan story after and uh,

0:46:01.880 --> 0:46:03.719
<v Speaker 1>and I'm standing there, I'm like, oh, he's about to

0:46:03.719 --> 0:46:05.360
<v Speaker 1>do naked. I wonder what he's gonna doing naked, you

0:46:05.400 --> 0:46:06.840
<v Speaker 1>know what I'm saying, Like, I mean, it would be

0:46:06.880 --> 0:46:08.440
<v Speaker 1>crazy if he got naked, but I'm sure he's like

0:46:08.760 --> 0:46:11.839
<v Speaker 1>naked in front of all these kids and he's getting naked.

0:46:13.200 --> 0:46:17.879
<v Speaker 1>But he threw his draws all in the crab. So yeah,

0:46:17.920 --> 0:46:21.640
<v Speaker 1>we had the naked box because the video I was naked, ye,

0:46:22.320 --> 0:46:24.840
<v Speaker 1>so we wanted to recreate something kind of like the

0:46:24.960 --> 0:46:27.359
<v Speaker 1>video came up with the naked box with the little

0:46:27.440 --> 0:46:32.320
<v Speaker 1>mate hiding whatever, and uh yeah, I was like, you know,

0:46:32.880 --> 0:46:34.920
<v Speaker 1>throw the draws off, saided getting new pair of draws

0:46:35.960 --> 0:46:39.560
<v Speaker 1>every uh every show through the draws off? Good did

0:46:39.600 --> 0:46:42.120
<v Speaker 1>you did you go like did you go the the

0:46:43.160 --> 0:46:45.600
<v Speaker 1>economical route and like go to target and grab the

0:46:45.680 --> 0:46:47.800
<v Speaker 1>draws or did you like go get designer? Now we

0:46:48.320 --> 0:46:52.000
<v Speaker 1>target was strowing target draws. I was stowing target draws,

0:46:52.400 --> 0:46:56.960
<v Speaker 1>and and they just want I have a story. Okay,

0:46:58.239 --> 0:47:03.000
<v Speaker 1>of course, just this story of this is not a

0:47:03.080 --> 0:47:09.400
<v Speaker 1>good story. So I was not. So you know, when

0:47:09.440 --> 0:47:12.640
<v Speaker 1>you go on tour, there's pranks. Yeah right, there's always

0:47:12.719 --> 0:47:15.520
<v Speaker 1>going to be a prank. So I bought for the

0:47:15.640 --> 0:47:18.239
<v Speaker 1>most part, every show I had a brand new pair

0:47:18.280 --> 0:47:23.640
<v Speaker 1>of draws. But there was this one show that the

0:47:23.760 --> 0:47:28.120
<v Speaker 1>draws were not brand new. Okay, so I would actually

0:47:28.239 --> 0:47:31.520
<v Speaker 1>get dressed in my backstage with the rope, get dressed,

0:47:31.560 --> 0:47:34.160
<v Speaker 1>put the draws on, then throw them off right, it

0:47:34.239 --> 0:47:37.160
<v Speaker 1>had something else under it though obviously I wasn't button

0:47:37.239 --> 0:47:41.759
<v Speaker 1>naked on stage. So the one so one day I

0:47:41.880 --> 0:47:45.200
<v Speaker 1>decided to prank my dancers and prank whoever caught the draws.

0:47:46.160 --> 0:47:50.120
<v Speaker 1>So I was in these draws all day and when

0:47:50.200 --> 0:47:52.920
<v Speaker 1>it came to do the naked song, so I'm sweaty,

0:47:53.960 --> 0:48:01.520
<v Speaker 1>just whatever, they had draws my real draws. When play

0:48:01.560 --> 0:48:04.600
<v Speaker 1>the game, oh no, we was. I was all over

0:48:04.680 --> 0:48:08.040
<v Speaker 1>the place before the shot. I was all over the

0:48:08.120 --> 0:48:12.840
<v Speaker 1>place before the show doing everything I could possibly done,

0:48:14.320 --> 0:48:17.560
<v Speaker 1>draws out. I don't even remember what city was, but

0:48:17.680 --> 0:48:19.480
<v Speaker 1>I threw my real draws. So then and then my

0:48:19.560 --> 0:48:21.400
<v Speaker 1>two dancers will come in and put the robe on me,

0:48:21.680 --> 0:48:23.759
<v Speaker 1>so they came into surprises. Normally I would have on

0:48:23.880 --> 0:48:26.279
<v Speaker 1>like the little draws under the draws. That was I

0:48:26.440 --> 0:48:28.840
<v Speaker 1>was free balling. So they came in like, oh okay,

0:48:29.160 --> 0:48:37.000
<v Speaker 1>you really, So whoever whoever got those draws the real

0:48:37.680 --> 0:48:42.600
<v Speaker 1>real sorry, draws. I don't know then was the play.

0:48:43.280 --> 0:48:45.680
<v Speaker 1>I didn't want to throw them back all bad bro.

0:48:46.560 --> 0:48:50.560
<v Speaker 1>So yeah that's Oakland, give me Oakland. So Oakland. Yeah.

0:48:51.600 --> 0:48:56.320
<v Speaker 1>My sister caused me and she's like, I easy to

0:48:56.400 --> 0:49:01.440
<v Speaker 1>take all the kids to the screen to it all

0:49:01.480 --> 0:49:05.680
<v Speaker 1>the kids said, of course, all of it. At this time,

0:49:07.680 --> 0:49:09.880
<v Speaker 1>I had the City Boy Van is what we called it,

0:49:10.239 --> 0:49:12.399
<v Speaker 1>because I was a name of my label, City Boys Music,

0:49:13.440 --> 0:49:16.160
<v Speaker 1>and we had a van at twelve. You know, I

0:49:16.520 --> 0:49:21.680
<v Speaker 1>didn't bought the full We didn't wrapped wrap on it.

0:49:21.760 --> 0:49:24.360
<v Speaker 1>The whole ship, right, Me and all little girls and

0:49:24.440 --> 0:49:29.480
<v Speaker 1>all my nieces and their friends the screen and we

0:49:29.640 --> 0:49:32.279
<v Speaker 1>get to the show and I'm like, I want to

0:49:32.320 --> 0:49:35.920
<v Speaker 1>give them the experience. So I called, oh oh, make

0:49:36.000 --> 0:49:38.680
<v Speaker 1>sure we were straight with everything. Got us all the

0:49:38.760 --> 0:49:41.520
<v Speaker 1>meet and greeds, got us all everything we need. These

0:49:41.640 --> 0:49:44.480
<v Speaker 1>they wanted to they wanted to do it. They wanted

0:49:44.520 --> 0:49:47.480
<v Speaker 1>to do it right. So we get there early, the

0:49:47.600 --> 0:49:53.520
<v Speaker 1>whole ship. By getting there early, we catched the opening act.

0:49:54.400 --> 0:49:59.879
<v Speaker 1>Who there were these four kids from Florida, four kids

0:50:00.080 --> 0:50:06.200
<v Speaker 1>floating called pretty rick. Wow, I've never heard of them.

0:50:08.640 --> 0:50:12.800
<v Speaker 1>The lights go out, the lights come back on, the

0:50:13.000 --> 0:50:18.719
<v Speaker 1>lights are pointed at the stage of sheets. What the

0:50:18.920 --> 0:50:26.080
<v Speaker 1>fuck the sheets start fucking the stage. Oh yeah, I'm like,

0:50:26.440 --> 0:50:30.480
<v Speaker 1>what the Yeah? Pretty they had a nasty show. Them

0:50:30.600 --> 0:50:36.000
<v Speaker 1>niggas jump up in their in their draw singing grind on,

0:50:38.320 --> 0:50:44.480
<v Speaker 1>taking down six little girls here, five little girls there.

0:50:45.320 --> 0:50:52.640
<v Speaker 1>I'm like, get your ass, make them go to the

0:50:52.719 --> 0:50:55.600
<v Speaker 1>concession stand. Yeah, I got it. I got a little bit.

0:50:55.840 --> 0:50:58.440
<v Speaker 1>Run run them out of the building so they can

0:50:58.480 --> 0:51:00.759
<v Speaker 1>go get concession. Nigga. I'm talking about, spend four five

0:51:00.840 --> 0:51:05.719
<v Speaker 1>hundred on whatever you want, all the candy and poppa whatever,

0:51:05.800 --> 0:51:08.000
<v Speaker 1>whatever you want, just get it into these niggas. Get

0:51:08.040 --> 0:51:12.200
<v Speaker 1>off the stage. Because and Mark, I think Mario was

0:51:12.239 --> 0:51:16.480
<v Speaker 1>on that tour too. Yeah, so I got Mario performing, Um,

0:51:17.400 --> 0:51:20.840
<v Speaker 1>how could you? We got a marian performing? Oh and

0:51:20.920 --> 0:51:23.040
<v Speaker 1>I'm trying to so I'm like, I'm showing off to

0:51:23.120 --> 0:51:25.719
<v Speaker 1>my nieces, the record, your uncles, and then we've been

0:51:25.719 --> 0:51:29.680
<v Speaker 1>a part of school ship. No. Yeah, then I take

0:51:29.800 --> 0:51:39.239
<v Speaker 1>them back downstairs naked box, bring your going on me?

0:51:40.200 --> 0:51:43.600
<v Speaker 1>Yeah we did. I actually, um, the last last show,

0:51:43.760 --> 0:51:46.840
<v Speaker 1>Michael Martin came to me and was like it was

0:51:46.880 --> 0:51:50.160
<v Speaker 1>in my I think Miami. He was like, uh, if

0:51:50.200 --> 0:51:53.040
<v Speaker 1>you if you if you do the naked box, you

0:51:53.680 --> 0:51:56.520
<v Speaker 1>might get you might get arrested tonight. So just we

0:51:56.520 --> 0:51:59.200
<v Speaker 1>wish they would arrested your ass and just just just

0:51:59.800 --> 0:52:02.279
<v Speaker 1>just tell you know, so I didn't I didn't do

0:52:02.360 --> 0:52:04.719
<v Speaker 1>the whole naked box. I think I kept on a

0:52:04.800 --> 0:52:06.120
<v Speaker 1>tank top or something like that. I had to do

0:52:06.160 --> 0:52:07.759
<v Speaker 1>something because I was like, I ain't going to jail.

0:52:07.920 --> 0:52:10.919
<v Speaker 1>As you should have went to jail that Bobby Brown,

0:52:11.000 --> 0:52:12.400
<v Speaker 1>you could have got right out. I would have got

0:52:12.480 --> 0:52:15.120
<v Speaker 1>right out. Legend you got bill money. Yeah, I ain't

0:52:15.120 --> 0:52:17.560
<v Speaker 1>gonna go to jail, not in Miami. Had photos again,

0:52:17.840 --> 0:52:32.640
<v Speaker 1>I got some jail Miami get off definitely. Was it

0:52:32.760 --> 0:52:46.200
<v Speaker 1>like little piano like hil piano, like a little a

0:52:46.200 --> 0:52:52.239
<v Speaker 1>little plan like this? What should they saying when they

0:52:52.280 --> 0:52:58.800
<v Speaker 1>get What should they say? There ain't never been no

0:52:58.920 --> 0:53:03.200
<v Speaker 1>school beening on school he too was, but they he left,

0:53:03.360 --> 0:53:05.640
<v Speaker 1>he left ear he ain't left. He left the group.

0:53:06.920 --> 0:53:14.279
<v Speaker 1>He would have one it done. So we can get

0:53:14.320 --> 0:53:19.880
<v Speaker 1>to immate your segments. Yeah, a segment time. Okay, what image?

0:53:23.280 --> 0:53:36.319
<v Speaker 1>Top five? You're top five? Okay to five? Top five?

0:53:37.520 --> 0:53:46.879
<v Speaker 1>Holy besy, oh man, be so I then be your

0:53:47.400 --> 0:53:55.680
<v Speaker 1>then be your top top your dopp do hi hi,

0:53:58.840 --> 0:54:25.320
<v Speaker 1>join in no school for that. It sounds like it

0:54:26.000 --> 0:54:38.759
<v Speaker 1>sounds like the top five, like one five order, no order,

0:54:39.120 --> 0:54:42.440
<v Speaker 1>no order, no order. Just today a woman? How are

0:54:42.440 --> 0:54:47.040
<v Speaker 1>you feeling today? Oh? Man? A woman. They could be

0:54:47.080 --> 0:54:48.719
<v Speaker 1>in a group, they could be sold. Whatever are you

0:54:48.840 --> 0:54:56.520
<v Speaker 1>your world? Okay? Take my top five. Ask anybody that

0:54:56.600 --> 0:55:07.560
<v Speaker 1>knows me. They'll tell you that I'm Sean Stockman. Yeah.

0:55:09.160 --> 0:55:17.719
<v Speaker 1>The guys yea, why not. It's a problem right now

0:55:17.840 --> 0:55:20.440
<v Speaker 1>still to this day in his full chest, I hate them,

0:55:20.520 --> 0:55:25.520
<v Speaker 1>full hate them usher m h Yeah, gonna get out

0:55:25.560 --> 0:55:34.640
<v Speaker 1>to Vegas. I need to Yeah yeah. Michael Jackson. Now

0:55:34.680 --> 0:55:40.240
<v Speaker 1>there's no order, Yeah yeah, yeah. This is my top five. Wow, okay,

0:55:42.520 --> 0:55:52.840
<v Speaker 1>feel good about yourself? Dodge Top five, Top five R

0:55:52.920 --> 0:56:10.319
<v Speaker 1>and B songs. Okay, so let's seem burn Jesus. Yeah, naked, Yeah, man,

0:56:11.080 --> 0:56:43.399
<v Speaker 1>come on, man, listens, gonna do come on, ship the sun,

0:56:43.560 --> 0:56:48.279
<v Speaker 1>don't come on to mon, don't come on to mo.

0:56:51.880 --> 0:56:58.359
<v Speaker 1>He spread the pro he's a pro, he's a professional. Naked,

0:56:58.400 --> 0:57:01.120
<v Speaker 1>Thank you, sir. Walk Away, which you probably don't know.

0:57:02.320 --> 0:57:05.919
<v Speaker 1>So my first album song called walk Away, I'm gonna

0:57:05.920 --> 0:57:07.400
<v Speaker 1>go back and listening because that was the joint that

0:57:07.440 --> 0:57:12.959
<v Speaker 1>she was in love with Kenny Whitehead. Okay, walk Away

0:57:14.000 --> 0:57:22.080
<v Speaker 1>first album, first Alba album. M m uh, I believe

0:57:22.160 --> 0:57:25.080
<v Speaker 1>I can fly? Does that count as R and B though, Yeah,

0:57:25.400 --> 0:57:29.800
<v Speaker 1>damn right, because I'm assuming else. That's what I thought. Flowers,

0:57:30.000 --> 0:57:33.880
<v Speaker 1>all right, that's what shit. Okay, that's for right yep

0:57:37.040 --> 0:57:49.520
<v Speaker 1>on bended knee. Mm hmm. It's all time. So it's

0:57:49.520 --> 0:57:53.280
<v Speaker 1>just disrespectful court structures and the damn melodies. Very give

0:57:53.320 --> 0:57:55.320
<v Speaker 1>me the reason. Well, last time you've been to a

0:57:55.360 --> 0:57:59.120
<v Speaker 1>Boyson main concert? Never have what? And as my favorite

0:57:59.160 --> 0:58:01.280
<v Speaker 1>group of all times, every been to a contact, I

0:58:01.320 --> 0:58:04.400
<v Speaker 1>hadn't been to hundreds. I just opened up for him

0:58:04.720 --> 0:58:08.840
<v Speaker 1>at the Barclays, and I got as many boys in

0:58:08.880 --> 0:58:11.400
<v Speaker 1>many kinds as I can't. I did my thing. I

0:58:11.480 --> 0:58:15.800
<v Speaker 1>did my set when we titties out boys, the you

0:58:15.880 --> 0:58:19.800
<v Speaker 1>know what, No, no, I opened for them. They won't anyway.

0:58:20.440 --> 0:58:24.400
<v Speaker 1>I'm gonna do tank tanks that. I got to get

0:58:24.440 --> 0:58:29.520
<v Speaker 1>a shape. So I came out there and I did

0:58:29.600 --> 0:58:32.880
<v Speaker 1>what I do. I should. I shout the crowd, shut

0:58:32.960 --> 0:58:37.360
<v Speaker 1>their asses up, made them nasty, okay boys. The men

0:58:41.360 --> 0:58:47.880
<v Speaker 1>fully closed and erased everything. Look listen, they had erased

0:58:48.040 --> 0:58:53.600
<v Speaker 1>everything that happened before they got on Statch. Nothing else mattered.

0:58:53.960 --> 0:58:55.560
<v Speaker 1>There was an artist that was supposed to go after them.

0:58:55.840 --> 0:59:01.040
<v Speaker 1>We'll talk about that. Nope, Voltron, m that's you're gonna do.

0:59:01.800 --> 0:59:03.160
<v Speaker 1>So I want to know what you try to think?

0:59:03.680 --> 0:59:05.200
<v Speaker 1>You're bro I know you, I know you're ready, but

0:59:05.320 --> 0:59:09.520
<v Speaker 1>just you're Voltron. Who are you getting the vocal from?

0:59:11.120 --> 0:59:15.600
<v Speaker 1>The performance style, the styling and the passion the heart

0:59:15.640 --> 0:59:18.040
<v Speaker 1>of the artists. Who are you getting the vocal from

0:59:18.280 --> 0:59:22.640
<v Speaker 1>to build your artist? Mm hm, Who's gonna be the

0:59:22.720 --> 0:59:26.560
<v Speaker 1>least sanger? I would give that to Michael? Why not?

0:59:27.360 --> 0:59:30.880
<v Speaker 1>I would? Why not? Why not? Why not? As you should?

0:59:31.000 --> 0:59:35.320
<v Speaker 1>As you should, that's Michael. He's gonna take that. Michael

0:59:35.400 --> 0:59:40.840
<v Speaker 1>had the ability to create a style, a style of singing,

0:59:42.640 --> 0:59:46.919
<v Speaker 1>and as many have tried, ye doesn't happen. I wish

0:59:46.920 --> 1:00:07.360
<v Speaker 1>you nigga will go niggas that. I wish you you can't. Okay, yeah,

1:00:08.600 --> 1:00:14.720
<v Speaker 1>my daughter says when she hits me, So maybe maybe

1:00:14.760 --> 1:00:20.240
<v Speaker 1>he up. He's a man of the arts. Who are

1:00:20.240 --> 1:00:22.400
<v Speaker 1>you getting the performance style from? I already know you

1:00:22.440 --> 1:00:25.120
<v Speaker 1>want to say. You don't know what I'm gonna saying.

1:00:25.240 --> 1:00:31.080
<v Speaker 1>I do. I don't know what performance style style on stage. Yeah,

1:00:31.320 --> 1:00:36.080
<v Speaker 1>who you're gonna give to your vultr artist Chris bro Oh,

1:00:36.840 --> 1:00:39.120
<v Speaker 1>he didn't know that. You ain't know that. You thought

1:00:40.720 --> 1:00:45.040
<v Speaker 1>it's the same. It's one A and one bat. Is

1:00:45.080 --> 1:00:49.520
<v Speaker 1>he nasty? I just can't boy, Breezy is something. He's

1:00:49.560 --> 1:00:54.640
<v Speaker 1>a problem. He's a problem. Um styling the trip of

1:00:54.720 --> 1:00:59.000
<v Speaker 1>the artists. I will give that to Chris mm hmm.

1:01:00.160 --> 1:01:04.680
<v Speaker 1>He's had some some good he's dripping. Yeah, it's good.

1:01:04.680 --> 1:01:07.080
<v Speaker 1>It's good. Background with that. It's five racks of drip

1:01:07.920 --> 1:01:13.760
<v Speaker 1>in his dressing room. He refuses to be boxed in

1:01:15.360 --> 1:01:18.840
<v Speaker 1>on any standpoint musically and style wise. He does it

1:01:19.080 --> 1:01:23.120
<v Speaker 1>all and it all works. Ye never seen an artist

1:01:23.200 --> 1:01:26.840
<v Speaker 1>like that? Yeah, all right. The passion of the artist,

1:01:26.920 --> 1:01:32.440
<v Speaker 1>the heart of the the heart of the artists. M

1:01:32.720 --> 1:01:41.120
<v Speaker 1>m got that shit make you do wrong? Kaals mm hmmm,

1:01:42.520 --> 1:01:45.720
<v Speaker 1>Now that might be. You know, everybody y'all have R

1:01:45.760 --> 1:01:49.400
<v Speaker 1>and B money talking about R and B music that heart.

1:01:50.320 --> 1:01:54.840
<v Speaker 1>I don't think there's an artist to me ever, that

1:01:55.280 --> 1:02:01.080
<v Speaker 1>actually had that passionate yeah, you know, and was able

1:02:01.120 --> 1:02:04.480
<v Speaker 1>to get it out dude music Colse, Who is we

1:02:04.560 --> 1:02:07.640
<v Speaker 1>all trying to get it from? Cause? I like what

1:02:07.760 --> 1:02:10.320
<v Speaker 1>you did there. I like what you did there, but

1:02:10.400 --> 1:02:17.760
<v Speaker 1>you're not done. You definitely ain't done. Okay, you can't

1:02:17.840 --> 1:02:22.880
<v Speaker 1>leave here without I ain't saying no names. I ain't

1:02:22.880 --> 1:02:26.880
<v Speaker 1>saying no names, saying no names. I ain't saying no names.

1:02:26.960 --> 1:02:31.880
<v Speaker 1>Where you was, who you win? What you did? Don't

1:02:31.920 --> 1:02:47.080
<v Speaker 1>say she, I ain't saying no name. So the story time, Yeah,

1:02:49.320 --> 1:02:53.440
<v Speaker 1>I hate relaxed man, stay, stay ready, load the good ones,

1:02:53.480 --> 1:02:56.040
<v Speaker 1>load the good one. No, no, listen, listen, give you

1:02:56.200 --> 1:02:59.240
<v Speaker 1>the breakdown, give me a breakdown. Make sure it's a

1:02:59.280 --> 1:03:04.600
<v Speaker 1>good one. Okay, story funny or fucked up? Are funny

1:03:04.760 --> 1:03:10.280
<v Speaker 1>and fucked up your travels? It's Marcus Houston Batman, I

1:03:10.360 --> 1:03:13.480
<v Speaker 1>mean Batman. There have been many in the movies, but

1:03:13.640 --> 1:03:17.840
<v Speaker 1>in this community it's only been one. Batman's right, you hm,

1:03:18.160 --> 1:03:25.480
<v Speaker 1>it's right, you am. So this is Marcus Houston, the legend. Understand,

1:03:25.760 --> 1:03:27.520
<v Speaker 1>understand the man we got in the building to day,

1:03:28.960 --> 1:03:33.400
<v Speaker 1>this is his I ain't saying no names. Yeah, so

1:03:35.280 --> 1:03:37.800
<v Speaker 1>this is a good story. Okay. So I'm in the

1:03:37.880 --> 1:03:41.040
<v Speaker 1>story though, so that cannot say my name? Yea. So

1:03:41.200 --> 1:03:43.880
<v Speaker 1>we say you're gonna go third person on, Uh, yeah,

1:03:43.920 --> 1:03:50.800
<v Speaker 1>I can go third person m Batman group. And Batman

1:03:50.880 --> 1:03:54.200
<v Speaker 1>didn't really know the industry that well. Okay, he was

1:03:55.160 --> 1:03:59.880
<v Speaker 1>a kid that was very wishful and he thought of

1:04:00.080 --> 1:04:04.200
<v Speaker 1>was glamorous and he grew up thinking that it might

1:04:04.280 --> 1:04:06.600
<v Speaker 1>have been real. There may have been some real people

1:04:06.640 --> 1:04:10.840
<v Speaker 1>in n but he found out quick that this industry

1:04:11.000 --> 1:04:14.000
<v Speaker 1>was very fake. And I'll tell you how he found

1:04:14.040 --> 1:04:18.520
<v Speaker 1>that album. So everybe when I told you earlier, somebody

1:04:18.560 --> 1:04:20.840
<v Speaker 1>paid for the album. We did the album, took it

1:04:20.920 --> 1:04:25.600
<v Speaker 1>to a label, got signed through a guy that was

1:04:25.720 --> 1:04:28.760
<v Speaker 1>the person at the label. He signed it. The group.

1:04:30.760 --> 1:04:33.560
<v Speaker 1>So when the group, you know, you go to ther

1:04:33.600 --> 1:04:35.800
<v Speaker 1>press day, go to New York. Gotta go to New

1:04:35.880 --> 1:04:39.240
<v Speaker 1>York to gotta go to New York meet the company

1:04:39.360 --> 1:04:42.360
<v Speaker 1>because most back then most companies was in New York.

1:04:42.880 --> 1:04:45.080
<v Speaker 1>That was like the you know, that's how you knew

1:04:45.120 --> 1:04:46.560
<v Speaker 1>Year have made it. Yeah, you go to New York.

1:04:47.800 --> 1:04:51.880
<v Speaker 1>So the group goes to New York, meets one of

1:04:51.920 --> 1:04:59.080
<v Speaker 1>the head guys of the label. The group's nothing yet,

1:05:00.400 --> 1:05:02.480
<v Speaker 1>so walking you know, you're doing the meet and greets.

1:05:02.480 --> 1:05:04.280
<v Speaker 1>You gotta walk around the company and you gotta you know,

1:05:04.440 --> 1:05:07.720
<v Speaker 1>meet this person, meet that person. Guy treats them like

1:05:09.520 --> 1:05:14.560
<v Speaker 1>complete trash, like almost get out of my office trash, Like,

1:05:14.840 --> 1:05:22.760
<v Speaker 1>who are you guys? Despicable? Right? We go go away,

1:05:23.160 --> 1:05:25.960
<v Speaker 1>you know, hands hanging low, kind of like, wow, that

1:05:26.120 --> 1:05:32.240
<v Speaker 1>was you know, headed label go away. Song comes out,

1:05:33.480 --> 1:05:41.280
<v Speaker 1>group explodes, go back to New York. Now the group

1:05:41.400 --> 1:05:46.280
<v Speaker 1>is big, goes to the same person's office and he says, hey,

1:05:46.360 --> 1:05:51.840
<v Speaker 1>it's my son's come on in my son's how you

1:05:51.920 --> 1:05:59.680
<v Speaker 1>guys doing. We was like, wow, that's what that's that's

1:05:59.680 --> 1:06:02.440
<v Speaker 1>what that's about. Huh, that's what Okay? Cool? So I

1:06:02.560 --> 1:06:05.760
<v Speaker 1>never forgot that because it was it was the ft

1:06:05.840 --> 1:06:09.240
<v Speaker 1>up story. Yeah, and I never forgot because I was like,

1:06:09.440 --> 1:06:14.439
<v Speaker 1>you know, you treated us like dog crap, and now

1:06:14.520 --> 1:06:16.880
<v Speaker 1>it's like we your sons and we family. So that

1:06:17.080 --> 1:06:19.000
<v Speaker 1>just kind of just taught me a little bit about

1:06:20.000 --> 1:06:23.320
<v Speaker 1>you know, just watch it a little bit. And that

1:06:23.440 --> 1:06:27.520
<v Speaker 1>was early because I was said groups first hit record, yep,

1:06:28.560 --> 1:06:31.000
<v Speaker 1>so it's very early. But I learned something, you know,

1:06:31.760 --> 1:06:34.360
<v Speaker 1>I learned that's how the industry is, and you gotta

1:06:34.760 --> 1:06:38.880
<v Speaker 1>the people that you choose to be in your circle.

1:06:39.840 --> 1:06:43.680
<v Speaker 1>Stick with that. That's your core. Let that be your corvation.

1:06:43.880 --> 1:06:49.200
<v Speaker 1>Understand the rest. Yeah, So yeah, that's my story. I

1:06:49.240 --> 1:06:52.000
<v Speaker 1>hope it was a good one. That's a story that

1:06:52.040 --> 1:06:54.280
<v Speaker 1>they need to know in them periods, because that's a

1:06:54.440 --> 1:06:58.160
<v Speaker 1>very real thing. And I have to tell people not

1:06:58.240 --> 1:07:03.720
<v Speaker 1>to take it personal. That's true. That's listen. You're not hot. Yeah,

1:07:05.480 --> 1:07:11.800
<v Speaker 1>so I've been there, so you're not. We got a surprise, Okay,

1:07:12.240 --> 1:07:14.760
<v Speaker 1>I got a little surprised. Man wants to bring this

1:07:15.000 --> 1:07:26.520
<v Speaker 1>in tank. Oh shit, so take Durrell Tank, Babs Senior. Yeah,

1:07:27.240 --> 1:07:30.720
<v Speaker 1>the Neaked album is officially certified gold. And just so

1:07:30.880 --> 1:07:33.920
<v Speaker 1>you know, you gotta pay for these. Come on, so

1:07:34.080 --> 1:07:43.120
<v Speaker 1>I bought my guy. Yeah yeah, just a just another

1:07:43.280 --> 1:07:51.840
<v Speaker 1>plaque to copies, you know. Yeah, we sold them. Yeah

1:07:51.880 --> 1:07:57.320
<v Speaker 1>this ain't this ain't single. Yeah, this album. Yeah that's great. Bro. Congratulations,

1:07:57.360 --> 1:07:59.960
<v Speaker 1>thank you, thank you, cotulations, thank you, thank you, congratulation.

1:08:00.280 --> 1:08:02.880
<v Speaker 1>She said, yeah, you know I'm saying. You know, listen,

1:08:02.920 --> 1:08:09.919
<v Speaker 1>I had left the underdogs by the time, damn it. Yeah,

1:08:10.040 --> 1:08:14.200
<v Speaker 1>he wasn't a dog. He up started. Oh wow, I'd

1:08:14.240 --> 1:08:18.720
<v Speaker 1>like to thank I'd like to thank first of all,

1:08:19.080 --> 1:08:24.680
<v Speaker 1>um Marcus Houston for for being a vessel, Um for

1:08:24.800 --> 1:08:28.320
<v Speaker 1>such amazing art, being receptive. Thank you very much, um

1:08:29.520 --> 1:08:32.320
<v Speaker 1>to to just what I was trying to do at

1:08:32.360 --> 1:08:35.920
<v Speaker 1>the moment um just just just trying to trying to

1:08:36.000 --> 1:08:38.800
<v Speaker 1>be creative, trying to be musical, um and trying not

1:08:38.880 --> 1:08:40.840
<v Speaker 1>to be poor. Worked, I'm trying to be poor. Shout out.

1:08:40.960 --> 1:08:44.640
<v Speaker 1>Shout out to Harvey Mason Junior um who saw the

1:08:44.720 --> 1:08:49.000
<v Speaker 1>vision as well. Um, they hard without you know, help

1:08:49.120 --> 1:08:51.439
<v Speaker 1>help help me finish that track and that song. And

1:08:52.000 --> 1:08:53.719
<v Speaker 1>you know all of my guys up there, a little

1:08:53.720 --> 1:08:57.960
<v Speaker 1>Steve and Er Dawkins, Tony Dixon, Jay was gone by

1:08:58.000 --> 1:09:01.280
<v Speaker 1>the end. I thank him anyway for he just should

1:09:01.360 --> 1:09:06.640
<v Speaker 1>be thanked. He's fine, He's fine when I left, and

1:09:07.080 --> 1:09:09.679
<v Speaker 1>m you know, just just a great time, a great

1:09:09.760 --> 1:09:12.880
<v Speaker 1>moment in music history. Shout out to the Naked Box, Um,

1:09:15.720 --> 1:09:18.200
<v Speaker 1>the Naked Box. Shout out to the Naked Box. Very

1:09:18.280 --> 1:09:23.080
<v Speaker 1>disturbing on stage is throwing draws. And I never shout

1:09:23.120 --> 1:09:26.680
<v Speaker 1>out to the person that shout out to you. I

1:09:26.760 --> 1:09:32.040
<v Speaker 1>know you're somewhere traumatized. M g TD got the drop.

1:09:34.520 --> 1:09:37.640
<v Speaker 1>I'm just happy to be here, you know. Um, I

1:09:37.720 --> 1:09:39.559
<v Speaker 1>can't think of any other place I'd rather be right

1:09:39.640 --> 1:09:42.240
<v Speaker 1>now than on the arm by Money podcast Money talking

1:09:42.280 --> 1:09:45.559
<v Speaker 1>to my brother Marcus since for my brother Ja Valentine. UM,

1:09:45.800 --> 1:09:48.920
<v Speaker 1>hold just holding the go record, you know, so you

1:09:49.000 --> 1:09:52.280
<v Speaker 1>know I'm gonna just hold this right here. It's classic.

1:09:52.360 --> 1:09:54.720
<v Speaker 1>I wanted to make sure that you got it. Just

1:09:54.880 --> 1:09:58.439
<v Speaker 1>came out fresh out of the box. Um so brother,

1:09:58.560 --> 1:10:03.400
<v Speaker 1>brother Marcus Houston. UM, your time is valuable. Yes, UM,

1:10:03.640 --> 1:10:06.599
<v Speaker 1>we appreciate, We appreciate you coming as I appreciate you. Um.

1:10:06.880 --> 1:10:10.240
<v Speaker 1>You are. You are a true legend. Thank you very much.

1:10:10.400 --> 1:10:13.439
<v Speaker 1>Nobody can take that from you ever. In a million

1:10:13.560 --> 1:10:16.920
<v Speaker 1>years you will. You will be talked about for the

1:10:17.000 --> 1:10:22.840
<v Speaker 1>ages Batman or image. You will continue to live on.

1:10:23.800 --> 1:10:27.640
<v Speaker 1>Thank you for Thank you for inspiring me. Yeah you

1:10:27.680 --> 1:10:29.360
<v Speaker 1>know what I mean, thank you, thank you for giving

1:10:29.400 --> 1:10:32.080
<v Speaker 1>me levels I appreciate to attain too, because a lot

1:10:32.120 --> 1:10:34.240
<v Speaker 1>of people don't. You know. It's we in an industry

1:10:34.280 --> 1:10:36.720
<v Speaker 1>where people don't give credit, and I like to give

1:10:36.800 --> 1:10:39.400
<v Speaker 1>credit to you as well. Yeah. You know you inspired

1:10:39.400 --> 1:10:42.080
<v Speaker 1>me every day, you know what I'm saying exactly. Yeah.

1:10:42.080 --> 1:10:45.160
<v Speaker 1>And when you stop learning, then you stop living, That's right,

1:10:45.400 --> 1:10:47.479
<v Speaker 1>and so that's what we continue to do. Man, I

1:10:47.560 --> 1:10:50.720
<v Speaker 1>still don't that while you wait, M I mean, I

1:10:50.840 --> 1:10:52.559
<v Speaker 1>just you know, I just put on my piano though.

1:10:52.600 --> 1:10:55.719
<v Speaker 1>My thing. Another another one of Jay Valentine's thousand ideas

1:10:55.760 --> 1:10:59.800
<v Speaker 1>In the morning, I got it. I got twenty things.

1:10:59.840 --> 1:11:03.280
<v Speaker 1>You wait, I'm not going to do any of that

1:11:04.160 --> 1:11:05.880
<v Speaker 1>phone I call them back. Okay, I'm gonna do the third.

1:11:07.560 --> 1:11:12.360
<v Speaker 1>I'm um, So can I throw throw a little you know,

1:11:12.479 --> 1:11:15.519
<v Speaker 1>just let everybody know what's going on? Please? Yeah? Please?

1:11:16.360 --> 1:11:19.759
<v Speaker 1>Got a movie coming out, of course, wrote and produced,

1:11:20.520 --> 1:11:24.040
<v Speaker 1>of course it started Wow why not? Uh it's called

1:11:24.120 --> 1:11:28.760
<v Speaker 1>No Way Out? Yeah? Okay, yeah, So make sure I

1:11:28.760 --> 1:11:32.280
<v Speaker 1>don't sound aggressive like it's it's it's it's a little action,

1:11:32.320 --> 1:11:34.800
<v Speaker 1>it's a little suspense. Okay, it's pretty dope. Me and

1:11:34.880 --> 1:11:37.960
<v Speaker 1>my Boycasper Smart. Where will we be able to find it?

1:11:38.040 --> 1:11:41.559
<v Speaker 1>To be young Casper? Yeah? God, Toby, Yeah, I can

1:11:41.600 --> 1:11:43.519
<v Speaker 1>find it on Toby. And if you don't know, to

1:11:43.680 --> 1:11:46.280
<v Speaker 1>Be's free. Had to add on the super Bowl. You know,

1:11:47.320 --> 1:11:48.960
<v Speaker 1>I've seen it. I love it. I've seen it. Had

1:11:49.040 --> 1:11:50.800
<v Speaker 1>people trying to figure out what you figure out what?

1:11:50.880 --> 1:11:52.640
<v Speaker 1>I was trying to figure out what's going on my

1:11:52.720 --> 1:11:56.720
<v Speaker 1>TV blaming Auntie Wanda because she's drinking, Like, why have

1:11:56.880 --> 1:11:59.479
<v Speaker 1>you got boat? She's like, I hate touching it, so

1:11:59.600 --> 1:12:03.479
<v Speaker 1>yet shout out to me, you know, written directed by

1:12:03.560 --> 1:12:06.639
<v Speaker 1>Chris Stokes. One of our twenty five I'll be expect

1:12:06.720 --> 1:12:12.599
<v Speaker 1>one of the phone calls. You should yeah, you should expect.

1:12:13.880 --> 1:12:19.160
<v Speaker 1>We'll be expecting phone calls. I mean, you know, Okay,

1:12:19.640 --> 1:12:24.680
<v Speaker 1>we'll talk letty. My name is Tank and this has

1:12:24.760 --> 1:12:28.920
<v Speaker 1>been the armby Money podcast, the authority on all things

1:12:29.160 --> 1:12:30.880
<v Speaker 1>R and B and this has been one of the

1:12:30.960 --> 1:12:35.479
<v Speaker 1>authorities on all things on e not limited to a thing,

1:12:35.840 --> 1:12:46.560
<v Speaker 1>but it is yeah Money. R and B Money is

1:12:46.560 --> 1:12:49.880
<v Speaker 1>a production of the Black Effect Podcast Network. For more

1:12:50.000 --> 1:12:55.040
<v Speaker 1>podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or

1:12:55.160 --> 1:12:58.320
<v Speaker 1>wherever you listen to your favorite shows. Don't forget to

1:12:58.360 --> 1:13:01.479
<v Speaker 1>subscribe to and rate our show, and you can connect

1:13:01.520 --> 1:13:04.800
<v Speaker 1>with us on social media at Jay Valentine and at

1:13:04.880 --> 1:13:09.200
<v Speaker 1>the Real Tank. For the extended episode, subscribe to YouTube

1:13:09.280 --> 1:13:12.240
<v Speaker 1>dot com, forward Slash, R and B Money