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Speaker 1: Look man, oh, I see you my old line and

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Speaker 1: look over there. How is that culture? Yes, goodness ding

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Speaker 1: Dong Lost cultures calling and I set the scene. Go ahead.

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Speaker 1: We walk into the lobby of the building in which

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Speaker 1: we were recording. Yes, episode my favorite part of the

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Speaker 1: day so far, mine too. Yeah, because I give my

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Speaker 1: idea of where I turn around. You are? I see you?

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Speaker 1: Truly ravish you. You looked radiant this morning. Wait, I

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Speaker 1: have to tell you. And like I've seen the jacket

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Speaker 1: that you have on today before, there's something different about

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Speaker 1: it today. There's like a confidence, is energy. It's a

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Speaker 1: lustrous vegan leather. Holy fuck, and it really catches the light.

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Speaker 1: I think that's I think it was the light of

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Speaker 1: that lobby. Yeah, very like thaw from winter to spring.

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Speaker 1: Those of what the days have been giving. Oh, the

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Speaker 1: allergies are bad this year. Can I tell you something,

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Speaker 1: I'm not even focusing on the allergies that I pull

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Speaker 1: out my phone today and I look at the weather

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Speaker 1: sort of app which I've been doing almost every day

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Speaker 1: being in New York now, because you just never know

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Speaker 1: what you're gonna get, which is one of the great

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Speaker 1: things about the city. Yes, seventy one degrees. It says

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Speaker 1: that's not true. Not right now, it's not. But later

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Speaker 1: back with me around one pm, two pm. You got

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Speaker 1: You'll be shocked, you got it. So anyway, anyway, I

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Speaker 1: see you and you're glowing, and then we catch up

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Speaker 1: where it's such a lovely way to start off the day. Well,

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Speaker 1: I've been excited all day because of this EP. Me too,

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Speaker 1: me too, And we talk and we talk, and then

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Speaker 1: all of a sudden, this noise, this sound comes out

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Speaker 1: of your pocket, could have been coming out of me.

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Speaker 1: It was, it could have come out of your holes.

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Speaker 1: It was the song to Lie You when I by

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Speaker 1: Howie Day And you want to say, who was that artist? Again?

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Speaker 1: I said it Howie Day. And now Howie Day is

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Speaker 1: sort of back. So I want you to know, like

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Speaker 1: I didn't get up this morning and go on Spotify

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Speaker 1: and sort of type in the Spotify Howie Day. What

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Speaker 1: I did type it the Spotify this morning, and I

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Speaker 1: don't know why, but I think I can sort of

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Speaker 1: a to see why I typed into Spotify tod Vertical Horizon.

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Speaker 1: Do you remember the song Your God? And I'm nah,

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Speaker 1: I just remember that song. That is to remember that

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Speaker 1: song that is the year two thousand. That is literally

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Speaker 1: ninety eight something that was in this the continuation slide

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Speaker 1: show from when I graduated the fifth grade one hundred

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Speaker 1: is that song that? And like, I guess the Vitamin

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Speaker 1: C graduation song was played. I'm sure a Vertical Horizons.

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Speaker 1: You're going from fifth to sixth that's a huge moment.

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Speaker 1: We did sing that song at this You sang it,

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Speaker 1: we sang it. We all had to learn it. We

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Speaker 1: had such a flop graduation song my senior year. It

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Speaker 1: was the Beatles. I even forget the flops. And the

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Speaker 1: year before us they did Breakaway by Kelly Clarkton and

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Speaker 1: I was like, wow, they got that. They got this

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Speaker 1: iconic group gets a set, real stand off. Oh no,

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Speaker 1: Um okay. So but here's why I think I googled in,

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Speaker 1: googled in to spotify um Vertical Horizon because we did

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Speaker 1: Sluck the other name, Yes, and you did a bit

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Speaker 1: as Carmen Electra. Yes. So Sluck is our lip sync

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Speaker 1: filthy dance duo. We did it at Josh Sharpe's charity

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Speaker 1: show at Knockdown Center. It was a big reunion, A

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Speaker 1: lot of money was raised, our guests were there. It

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Speaker 1: was Gorgeous Moment co hosts and um we performed Sluck

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Speaker 1: and there was a bit in the Sluck mix that

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Speaker 1: Bonan put together, which was Bonan as Karmen Electra. Carmen

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Speaker 1: Electra is Tiffany Amberthisen Culture and Tiffany Emberthisen stars in

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Speaker 1: the video for You're a God as like a sad

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Speaker 1: pageant queen. Sad pageant media is something that I don't

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Speaker 1: think there's enough of anymore. I think we need to

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Speaker 1: go back to I think I think The Hole was

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Speaker 1: the first sad pageant queen Hole the album cover Oh yes, yes, yes,

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Speaker 1: you know, yeah, there's sort of I'm a pageant girl,

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Speaker 1: but like it's not sad. Yeah, it's not what you think, yes,

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Speaker 1: and then so sad And it just made me so

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Speaker 1: happy to think about this music video. I will watch

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Speaker 1: it later today. But it's Tiffany Amber Thesten sort of

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Speaker 1: as like a pageant queen who I think even wins,

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Speaker 1: but it's not what she thinks it's gonna be. It

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Speaker 1: doesn't matter if you win the fact that's culture real

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Speaker 1: Coadure number thirty eight. It doesn't matter if you win.

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Speaker 1: And I think that if you're in the pageant then

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Speaker 1: you've lost. That is actually a huge point. And we're

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Speaker 1: all in the pageant. Jesus Christ, there's a real coude

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Speaker 1: number thirty nine. We're all in the pageant in Us Christ,

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Speaker 1: I have mine. I don't think so Honey is actually

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Speaker 1: going to be controversial. And I'm just gonna say it's

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Speaker 1: gonna be controversial, but everyone's gonna be on board with it. Wow,

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Speaker 1: that's so bold, I promise you this. Okay, So before

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Speaker 1: we before we introduce the guests, um indictment watch um

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Speaker 1: where the city is buzzing. The city feels different today.

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Speaker 1: We are waiting for the indictment to come down. We're

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Speaker 1: literally blocks away. We are blocks away from the indictment

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Speaker 1: from not from Trump Towers, the indictment, which is of

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Speaker 1: course different from the arraignment. The indictment happened, yes, but

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Speaker 1: the how do you feel in this historic, unprecedented moment

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Speaker 1: fucking horned up? Oh god, I feel so happy because

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Speaker 1: the indictment is just realm the corner. The indictment already happened. Yep,

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Speaker 1: He's been in and so then also I've been listening

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Speaker 1: to great music and as a result of as a

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Speaker 1: result of vertical Horizon coming on. I want you know.

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Speaker 1: The next song was oh my God, Collide, No not

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Speaker 1: even it was you say, and I was like, Jesus Christ,

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Speaker 1: I'm gonna just be hitting it all day, am I

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Speaker 1: gonna have an amazing day? That era we never really

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Speaker 1: went back to that era, Isn't that sad? Let's bring

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Speaker 1: it back in our culture of like on our back

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Speaker 1: washy culture. We've never really genuinely quashy culture like we've

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Speaker 1: like the light is not shown on that part of

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Speaker 1: the culture in a long time. I really don't like

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Speaker 1: backwashing culture. Doesn't but don't you. But but you understand

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Speaker 1: exactly what it means, and I can also identify that

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Speaker 1: we're in it, and I don't like it at all.

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Speaker 1: You hear about this Harry Potter reboot, Mawana again, ma

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Speaker 1: wanna again, Harry Potter again. I don't. I don't get it.

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Speaker 1: I don't need it. Our guests are here, and that's

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Speaker 1: really why I'm so happy. Let's talk about our guests,

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Speaker 1: because that's actually the reason why I'm actually so happy.

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Speaker 1: So I've been looking forward to this and we I

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Speaker 1: did have to cancel yesterday, and I feel I had

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Speaker 1: the guilt. Can I say, you're such a fucking bitch

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Speaker 1: because you you almost ruined our guests, because, first of all,

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Speaker 1: Exploration Live more like Lost Culture. They're here on this pod.

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Speaker 1: I said, don't race now. It's actually one of my

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Speaker 1: favorite pods, and it's one of my favorite I don't

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Speaker 1: I love guys are so smart. I love it. I

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Speaker 1: love it, I love it. I love it. Was truly

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Speaker 1: that thing today. I was listening to it and I

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Speaker 1: almost just like they had our fucking enemies, George and

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Speaker 1: Sam of Stradio lab Ulture's favorite new podcast, Um keep

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Speaker 1: it in Um. They had them mom last week and

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Speaker 1: it was one of those things. But where hold my hand?

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Speaker 1: I was like, you know when you listen to a

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Speaker 1: podcast and you're like, I just want to time in.

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Speaker 1: Oh my god, yes you do know I can? They well, no,

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Speaker 1: I felt the same way. Yeah, let go of me. Now,

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Speaker 1: let go of me. Now. This is this is Exploration Live.

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Speaker 1: This is their their new pod, not new podcast, Headgum.

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Speaker 1: They've just newly gone to headgum. This is their live

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Speaker 1: show at Union Haul Bellhouse. We cannot wait to talk

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Speaker 1: to them, and then in some ways we already have

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Speaker 1: off my prior to oh prior and Ryan. Okay, I

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Speaker 1: say something. We were talking so much fucking shit and

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Speaker 1: you'll never be able to hear it. But for now,

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Speaker 1: while you're into your ears many, I love you. Got

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Speaker 1: the funnest minutes of my life those minutes. What have

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Speaker 1: you guys talked about in terms of intro culture with

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Speaker 1: Sam and Jewel? I love that fascinating. Oh well I missed.

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Speaker 1: I'm literally love my every person here throughout the smallest

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Speaker 1: little table in the world. We're literally getting like a

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Speaker 1: nice intimate Italian dinner right now. Yah, sitting on the

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Speaker 1: indictment watch episode this We in midtown? Yeah happening. We

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Speaker 1: in Midtown were actually on the most important avenue, ninth. Yeah,

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Speaker 1: let's follow them down to the courthouse. We do a

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Speaker 1: little bit Lady Gaga and look for evidence of I'm

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Speaker 1: happy to help about however, I count sign after this,

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Speaker 1: we're growing. I didn't hear a peep about this indictment

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Speaker 1: until literally two three days ago. I was sitting with

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Speaker 1: my other nanny friends watching the kids play, and when

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Speaker 1: Nandy goes, can't believe you got indicted the other and

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Speaker 1: he's like, it's about time, and I was like, who wait?

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Speaker 1: And so that she's known as the political political. No,

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Speaker 1: but she does have really strong opinions. No, exactly exactly

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Speaker 1: because the personal is political. So sometimes it's like you

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Speaker 1: parked your stroller inside, like you must be fucked up

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Speaker 1: think that. It's like, yeah, that is politics. Who takes

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Speaker 1: up space? Where were we? Where were we? Intro culture

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Speaker 1: and ant but you don't always have guests. Well it's yeah,

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Speaker 1: so guests are new for us, so we're really like

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Speaker 1: feeling it out. To be honest, do you hate it?

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Speaker 1: No? No No, no, no, to be honest, we're not anti.

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Speaker 1: We're just not there yet, like eause you are ways

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Speaker 1: you had guests, yeah, yeah, but for intro, like for us,

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Speaker 1: it's like okay, so that was like I actually went

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Speaker 1: to like complete giddy joy land you intro Now, I'm

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Speaker 1: all warm, I'm ready to go. Yeah. We are too

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Speaker 1: shy to do talking in front of people without them

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Speaker 1: like yeah, we know it's for the greater good. Yeah.

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Speaker 1: Sometimes it's like the podcast starts and where like can

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Speaker 1: you guys go for it and like we need a second,

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Speaker 1: like um, high, I guess I'm the one who's sort

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Speaker 1: of doing it now. I love we're feeling it out

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Speaker 1: and we've always been open that. It's like our process

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Speaker 1: is pretty loose, and that's okay, that's cool to be loose.

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Speaker 1: Imagine if we did that. I'm not not just so

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Speaker 1: that's amazing, you know, I will. Yes, one of the

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Speaker 1: intro things is I'm always wanting to be like participating. Yeah,

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Speaker 1: and I'm trying to make him into a list of

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Speaker 1: like like I had a thought. Yeah, it was like

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Speaker 1: that I have. But also, like you, it's so smart

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Speaker 1: to do an intro because, like you, if the gas

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Speaker 1: comes in from the beginning and they're just like driving,

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Speaker 1: what's the tone, what's the energy? Like, it could be freaky.

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Speaker 1: It could be freaky. I think this is the opposite

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Speaker 1: side of this point. Are you ready? I think? Okay,

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Speaker 1: So the tails, if you will. The tails you guys

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Speaker 1: were talking about post hang out check in culture. It

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Speaker 1: was on yes, okay, so important post hanging out check

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Speaker 1: in like texting someone that was really fun. Yeah, totally right.

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Speaker 1: That is like, well that is okay, Well, but I

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Speaker 1: think nowt least that's something about like before the hangout, Yeah,

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Speaker 1: to lubricate up to the hangout. It's like on the day,

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Speaker 1: on the day of, you're texting to the Hey, can't

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Speaker 1: wait to see you, right, and then like ramps up

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Speaker 1: within the last fifteen minutes, leading it right to the hang.

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Speaker 1: Oh my god, it's empty in here. I'm in the back,

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Speaker 1: like weird. I'm realizing whatever anticipation is what this is

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Speaker 1: really coming down to. Yeah, And there's nothing hotter than anticipation.

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Speaker 1: And we're here. We're like, as you guys are talking,

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Speaker 1: We're like, it's a crazy task to be like silent,

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Speaker 1: you know what I mean, Like it's so and like

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Speaker 1: we're Mike, So it's not even like I'm like covering

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Speaker 1: my men, especially when you're such a conversationalist by trade,

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Speaker 1: you know what I mean. Something, it's that down so

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Speaker 1: not me, but it's true you need the desire comes

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Speaker 1: from exactly, yes, and we were desiring you while you

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Speaker 1: were doing it feels like okay. So when it's like, hey,

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Speaker 1: I'm here early, I just I'm grabbed his table like

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Speaker 1: that to me is always so anxious. It doesn't matter

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Speaker 1: if I really know the person. First time I'm anxious,

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Speaker 1: I'm like three percent horny out to me, i'd be

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Speaker 1: three percent horny exactly because can you imagine if I

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Speaker 1: texted you and I was like, hey, just grabbed a table.

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Speaker 1: Guess my outfits a little crazy today? You know what?

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Speaker 1: My shirts so yellow? Yeah? Can I sometimes not texting

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Speaker 1: that little flurry of message sometimes that's so intense, Like

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Speaker 1: it's very much like I'll be in the yellow shirt

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Speaker 1: with the rose fine, what's the row? Okay, I thought you.

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Speaker 1: I thought you. I'll be in the yew show with

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Speaker 1: the holding a row saying that's what you're guys never

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Speaker 1: hung out with Natalie. No, I like losing you guys,

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Speaker 1: like so hard right away, so low, like right, because

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Speaker 1: the flurry can kind of be like we're friends, we're friends,

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Speaker 1: how we're talking, and when you just like wait, like

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Speaker 1: I meet you there at too, and you just like

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Speaker 1: sit there waiting to meet them with a little like

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Speaker 1: like Penn Pale meeting up with your last lover. Let's

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Speaker 1: move on. Yeah no, no, no, no, no, I wonder

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Speaker 1: if they'll show up, you know what I mean, Like

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Speaker 1: we'll meet at the bridge in four years if you

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Speaker 1: still want this, if you still in the city. That

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Speaker 1: is one of the most intense movies of scenes of right,

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Speaker 1: because Steve's not like, hey, I'm here. There's a lot

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Speaker 1: of people, you know, they didn't text each other. They

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Speaker 1: did not text. That's what it's like if you meet

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Speaker 1: up with someone and don't text before. That's what I see.

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Speaker 1: But that's the bullshit, though, that's the that's such bullshit,

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Speaker 1: because here's the real The real fact is that even

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Speaker 1: Miranda and Steve would have had to text each other

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Speaker 1: to be like you're coming right right, they wouldn't have

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Speaker 1: bowen shut up. This is where rom comes. Fuck us up.

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Speaker 1: You guys say shut up, We say shut up each other. Wait,

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Speaker 1: could you say also one more? We're not there, you

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Speaker 1: guys don't. You will never be there because that is

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Speaker 1: not the ball, will never be You don't want to

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Speaker 1: be there. You don't want you don't see the never.

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Speaker 1: One time, one time I was with Natalie and then

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Speaker 1: Francesca do it was there by the way, this things

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Speaker 1: the amazing song. Yeah it no, no, she's a project time.

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Speaker 1: It's amazing. But I've been a KA pop song to

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Speaker 1: Celeste on Saturday and then they go, this sounds like

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Speaker 1: a Francesca song. I was like, oh my god, this

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Speaker 1: sounds like you made it, and actually compliment to both

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Speaker 1: the song and Francesca absolutely. But one time I was

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Speaker 1: hanging out with Natalie and then Francesca was telling this story.

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Speaker 1: It was like wild story about like I don't know,

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Speaker 1: I forgot what it was about. I think it was

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Speaker 1: about her mom. Yeah, Francesca did something to her mom.

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Speaker 1: And then and then you said you did that, And

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Speaker 1: there's something about that. It's not really reading as I'm

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Speaker 1: saying it, but there's something about the infunction that is

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Speaker 1: really it was a little like she said a same

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Speaker 1: you and the last quiet at the table, and it

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Speaker 1: was like, what but this is but this really drills

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Speaker 1: down into my theory, the theory that we've had for years,

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Speaker 1: which is that the word that is so it's one

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Speaker 1: of the best. It's funny. It's really all things. It's

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Speaker 1: a noun. It's a noun. It's a weaponized pronoun. Yeah,

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Speaker 1: pronoun as a pronoun. And it also it can act

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Speaker 1: here it can be adjectively too. It's like she was

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Speaker 1: so that, oh my god, verb energy, that verb energy,

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Speaker 1: say that verb energy big verb energy is titled said

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Speaker 1: and the now that it's a verb energy and that

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Speaker 1: whatever not married to it, it's it's giving obsession. Well,

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Speaker 1: I'm drawn to the guests. Actually, I was on I

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Speaker 1: was on both your programs, watching um all the reels,

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Speaker 1: a real talk about reels, because now they're saying do reels?

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Speaker 1: Do read them better? Is what's happening. That's beautiful because

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Speaker 1: while it was real and now let's do reels. Yeah, well,

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Speaker 1: oh my god, I've gone. I remember doing Be Real

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Speaker 1: and being like, I know at some point this will

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Speaker 1: be over, but I cannot imagine it, like this is

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Speaker 1: such a huge part of my life. And then literally

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Speaker 1: like flip, four days later, it was like completely done,

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Speaker 1: Like I can't wait for the like I don't say that.

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Speaker 1: What I want to say is this, like the be

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Speaker 1: real like uber doc thing like will never die. And

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Speaker 1: then they did It's French, by the way, so it'll

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Speaker 1: be French uber doc. Are you kidding me? Yeah, that's

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Speaker 1: so not that they're so live in the oh, but

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Speaker 1: they're so live in the moment. They're so live in

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Speaker 1: the moment friends identity, They're so French. I was at

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Speaker 1: a bachelorette party this weekend. Really, yeah you did that,

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Speaker 1: you and the bride and all of the new sisters.

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Speaker 1: I made our listeners and readers and lovers and their

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Speaker 1: new sisters of course, and wait, talk about wait, but

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Speaker 1: what I need to say is at the bachelotte party,

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Speaker 1: it was be real. It was time to be real.

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Speaker 1: And I announced and I was like, literally seventeen girls.

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Speaker 1: I only knew like three of them. The other ones

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Speaker 1: were like the other friends. And I was like, it's

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Speaker 1: time to be real. And it was like blinklink like

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Speaker 1: you know. They were they like for why o you

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Speaker 1: n no? No, wait, I'm not like a master speller, Charlie. Okay,

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Speaker 1: so you said this on your part. Are you actually

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Speaker 1: bad at spelling? Would? Can you spell horrendous? Wait? Don't

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Speaker 1: do honey? Do you know you're nervous or something? You're like,

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Speaker 1: They're not gonna make me like spell herrect. Sometimes I

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Speaker 1: like the word I'm trying to spell, and Google's like,

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Speaker 1: we don't know what you want to. You don't know

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Speaker 1: what even you what even your suggests, We don't know

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Speaker 1: what the directions taken in. And I just have to

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Speaker 1: send the word as is to the friend and be like,

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Speaker 1: what do you make of this? Well, that's like me

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Speaker 1: with knowing what words mean. Like oftentimes Bowen will say

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Speaker 1: something like He'll be like, oh, like I don't use

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Speaker 1: words obsequious or I really connect with you when you

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Speaker 1: say I know my heart, I don't know my words

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Speaker 1: my heart, because that to me is you know, you

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Speaker 1: can't be what you can't see. No, what can I

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Speaker 1: say something about the knowing words thing, which is kind

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Speaker 1: of like what you said is that if you're the

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Speaker 1: only one who knows the word, then you suck. You

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Speaker 1: actually get yes and yeah, no, no, no, but hey

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Speaker 1: you do something that's like why do you why do

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Speaker 1: you need that? And then also you actually have a

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Speaker 1: wide latitude because no one's going to check you on it,

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Speaker 1: dequace or whatever. People are like, well, take your word

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Speaker 1: for it, I'm using it wrong. Yeah no, And wait,

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Speaker 1: I was on Radio Lab Live show and I used

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Speaker 1: what word was? And I used a word and I

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Speaker 1: was with I've been there, and I was like, wait,

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Speaker 1: did I just pronounced that wrong? And she was like yes,

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Speaker 1: and it was like in the belhouse people, and I

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Speaker 1: was like it was like the first thing I said, like,

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Speaker 1: first word out of my mouth? What was the word?

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Speaker 1: I don't know? Is there nothing more embarrassing? Aren't you

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Speaker 1: so embarrassed for someone? Maybe you aren't. Aren't you so

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Speaker 1: embarrassed for someone who uses the word like non plused wrong?

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Speaker 1: And you're like, that's actually the opposite me. Yes, I

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Speaker 1: feel humiliated when someone says non, plus I don't know

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Speaker 1: what I'm always like, I'm with you. No, you know

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Speaker 1: what did it sounds like it's sounds but to me,

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Speaker 1: of course, yeah, we understand. Yeah, asked of it, all right.

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Speaker 1: But there's like a tribalism going on already in this room.

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Speaker 1: So what you think. That's totally And we have the

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Speaker 1: same kind of microphones, and they have the same kind

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Speaker 1: of microphone they have. Oh my god, we have something.

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Speaker 1: Look at me. I'd rather be asked. This is not

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Speaker 1: what we should have wanted out on it. And it's

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00:20:10,320 --> 00:20:14,919
Speaker 1: hard it comes up because Charlie, I'm gonna go quickly

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Speaker 1: com please. The other thing of using like vocab words

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Speaker 1: is that you say it and it's like, well, nobody

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Speaker 1: knows what that means. So you have actually said nothing.

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Speaker 1: That's what I'm saying. You're not communicating it. I want

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Speaker 1: to say there was an era where bowing, Oh no,

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Speaker 1: you know you might even know what I'm gonna say,

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Speaker 1: because this word haunted me. Oh no, I wonder what

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Speaker 1: it was. Is the word well yes, can you guess um?

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Speaker 1: Um no? No, no, no, no. The word was June. Wait.

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Speaker 1: I have a whole thing with this. What's your please?

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Speaker 1: What's your this is your culture? Sace. I have a

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Speaker 1: word on my phone that I read in books that

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Speaker 1: I'm like, those are cool words. And I didn't know

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Speaker 1: what that meant. And the one I just said, go

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Speaker 1: ahead bow shoe with me at my most twenty four

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Speaker 1: year old self, thirty, I was not doing it at thirty.

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00:21:05,400 --> 00:21:08,879
Speaker 1: I gave up to June. Like after Hillary loss, I

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00:21:09,040 --> 00:21:14,600
Speaker 1: was like, you know what elitism is over? You're like,

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00:21:14,640 --> 00:21:17,480
Speaker 1: do you think they're saying Jejune in Trump country? To

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Speaker 1: understand the whole time? That was the whole op ed

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Speaker 1: in the New York Times about people who wait, but

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Speaker 1: what is like? Um like like you're stupid, You're dumb,

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00:21:32,000 --> 00:21:36,360
Speaker 1: You're you're immature, your live Yeah, well you. I don't

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Speaker 1: know if you guys noticed this before, but before Charlie

386
00:21:38,880 --> 00:21:41,679
Speaker 1: sort of like slayed a French accent. I didn't mean

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00:21:41,760 --> 00:21:44,000
Speaker 1: to be this way. It's another actually thing with you,

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Speaker 1: it's another thing. And it reminded me of the other

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Speaker 1: night where Charlie and I were talking about singing and

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00:21:50,000 --> 00:21:53,280
Speaker 1: Charlie sort of turned away and like sang beautifully and

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Speaker 1: then I sort of like went like, excuse me. I

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00:21:57,240 --> 00:21:59,320
Speaker 1: heard that, and I was like, oh my god, you

393
00:21:59,440 --> 00:22:03,480
Speaker 1: did stop. I'm so embarrassed. I thought it was alone.

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00:22:03,600 --> 00:22:06,399
Speaker 1: It was like sort of perfect describe it. It was

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00:22:06,480 --> 00:22:09,840
Speaker 1: like really healthy, which shocked me because like why because

396
00:22:09,880 --> 00:22:11,800
Speaker 1: we were in a basement of the Knockdown Center and

397
00:22:11,880 --> 00:22:14,000
Speaker 1: I felt like everyone had been screaming and sort of

398
00:22:14,040 --> 00:22:16,560
Speaker 1: slaying and then to hear this like healthy, sort of

399
00:22:16,680 --> 00:22:20,000
Speaker 1: gorgeous resonant, like the perfect vibrato come out of and

400
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Speaker 1: he had just told me about his acapella culture. Yes,

401
00:22:23,119 --> 00:22:26,080
Speaker 1: I did acapella and Yale University. Yeah, I'm not loving

402
00:22:26,119 --> 00:22:29,840
Speaker 1: the way I'm coming off on this episode, but why

403
00:22:29,960 --> 00:22:32,119
Speaker 1: would you not love it? You need to be the Bowen.

404
00:22:32,240 --> 00:22:35,600
Speaker 1: That means that you're love No, no, this that is

405
00:22:35,680 --> 00:22:39,680
Speaker 1: not even true. Course you understand like actually being the

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00:22:39,720 --> 00:22:47,240
Speaker 1: bow Yeah Bowen and Charlie both French and white from

407
00:22:47,920 --> 00:22:54,520
Speaker 1: white French white singers. It's apologietsis okay, it's pinky in

408
00:22:54,600 --> 00:22:59,680
Speaker 1: the brain, that's yeah. You guys traded off though, Yeah, yeah,

409
00:22:59,720 --> 00:23:02,560
Speaker 1: well it's like the truth is the truth, of course,

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00:23:02,960 --> 00:23:05,639
Speaker 1: but like you also like to play what you like

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00:23:05,720 --> 00:23:08,879
Speaker 1: to play? Like you know what I mean totally, yes, totally,

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00:23:08,960 --> 00:23:12,480
Speaker 1: that's so true, so true. Like you can be like

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00:23:12,760 --> 00:23:15,280
Speaker 1: like smart downwards whatever, but it's like I like pinky,

414
00:23:15,920 --> 00:23:17,880
Speaker 1: you like, yeah, you know what I mean I feel

415
00:23:17,960 --> 00:23:19,879
Speaker 1: and we're actually wider and broader than that. But in

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00:23:19,960 --> 00:23:21,399
Speaker 1: the moment, it's like what do I play off of?

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00:23:22,080 --> 00:23:28,880
Speaker 1: And bred and broader than that? I love to play at.

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00:23:32,880 --> 00:23:36,520
Speaker 1: It's an act of course when I don't know stuff. Obviously.

419
00:23:36,520 --> 00:23:41,080
Speaker 1: You guys remember that we saw Sluck not three days ago. Yeah,

420
00:23:41,119 --> 00:23:44,960
Speaker 1: oh my god, fun. It was amazing. Did you want

421
00:23:45,440 --> 00:23:49,320
Speaker 1: the power of fuck? Wait? And the audience, the audience

422
00:23:49,440 --> 00:23:52,439
Speaker 1: really wanted sluck. Can I say something? Actually, you can

423
00:23:52,520 --> 00:23:54,679
Speaker 1: always say something. I was watching some of the Sluck

424
00:23:54,920 --> 00:23:58,520
Speaker 1: stories people where people were taking stories of Sluck problem.

425
00:23:59,280 --> 00:24:01,639
Speaker 1: They were happ ring the other co hosts on that stage,

426
00:24:01,680 --> 00:24:03,680
Speaker 1: Oh what did you? It was just a lot of

427
00:24:03,760 --> 00:24:07,760
Speaker 1: people being like, I definitely here's what I'll say. But

428
00:24:07,880 --> 00:24:10,040
Speaker 1: when Boone and I were about to go up, huh

429
00:24:10,520 --> 00:24:13,399
Speaker 1: as fluck and short of shut down the night, I

430
00:24:13,480 --> 00:24:15,959
Speaker 1: turned to Bowen. We're in our Sluck outfits, which are

431
00:24:16,119 --> 00:24:20,720
Speaker 1: essentially crop tops that are disgusting full of red lipsticks.

432
00:24:22,080 --> 00:24:25,679
Speaker 1: Then we wear a little little tiny underwear and they

433
00:24:25,760 --> 00:24:28,240
Speaker 1: basically and I turned to Boone and I said, I

434
00:24:28,400 --> 00:24:31,040
Speaker 1: can't believe that everyone is going to be behind us,

435
00:24:33,200 --> 00:24:35,879
Speaker 1: that all of our peers are going to be behind us,

436
00:24:36,359 --> 00:24:38,639
Speaker 1: and the audience is not only going to see us perform,

437
00:24:38,880 --> 00:24:42,239
Speaker 1: but them try to perform behind. They did it. They

438
00:24:42,480 --> 00:24:45,000
Speaker 1: were not performed. They did not really you would think

439
00:24:45,680 --> 00:24:48,439
Speaker 1: if I were on stage on display watching someone perform,

440
00:24:48,640 --> 00:24:50,680
Speaker 1: no matter what, I'm going to give you a layer

441
00:24:50,760 --> 00:24:55,640
Speaker 1: of active watching. Yeah, definitely going to be smiling, like, yeah,

442
00:24:55,840 --> 00:24:57,920
Speaker 1: and what did you see? Just kind of I saw,

443
00:24:58,320 --> 00:25:01,520
Speaker 1: I saw about seventy percent slacked off and but not

444
00:25:01,880 --> 00:25:03,760
Speaker 1: by the way, not you guys, and it wasn't even

445
00:25:03,800 --> 00:25:06,160
Speaker 1: an act. I was so enthralled. Yeah, I couldn't believe

446
00:25:06,200 --> 00:25:08,639
Speaker 1: it was one of the best mixes ever. And that

447
00:25:08,680 --> 00:25:11,200
Speaker 1: was Yan makes the mixes because I'm we're not gonna

448
00:25:11,200 --> 00:25:15,280
Speaker 1: believe this, but inept on the computer. I famously did

449
00:25:15,359 --> 00:25:18,440
Speaker 1: not believe that my computer made PDFs for about six years,

450
00:25:18,480 --> 00:25:21,040
Speaker 1: and I wouldn't when I was at NYU, I had

451
00:25:21,119 --> 00:25:24,200
Speaker 1: to send my send my script to City Green so

452
00:25:24,320 --> 00:25:29,520
Speaker 1: she could print out my friend because her computer could

453
00:25:29,600 --> 00:25:32,560
Speaker 1: madfs and I couldn't and she was like, I can't

454
00:25:32,640 --> 00:25:35,560
Speaker 1: even engage with you on this because it's so stupid.

455
00:25:35,560 --> 00:25:37,879
Speaker 1: I don't want to make you feel bad. But your

456
00:25:37,920 --> 00:25:44,200
Speaker 1: computer can make PDFs you because you had virus. I'm

457
00:25:44,280 --> 00:25:48,080
Speaker 1: sort of famously always on born. And so by the way,

458
00:25:48,080 --> 00:25:52,480
Speaker 1: I love this stuff. I love this stuff. What can't

459
00:25:52,520 --> 00:26:03,560
Speaker 1: she do? What can't she do? Wait? You know what

460
00:26:03,640 --> 00:26:06,280
Speaker 1: they've started to doing porn now started to do is

461
00:26:06,320 --> 00:26:09,320
Speaker 1: it's like the product placement in porn now is getting crazy,

462
00:26:09,440 --> 00:26:12,120
Speaker 1: like like literally I don't even don't even yeah, yeah, yeah,

463
00:26:12,119 --> 00:26:13,520
Speaker 1: I watched a porn the other day. This is my

464
00:26:13,560 --> 00:26:15,440
Speaker 1: I don't think so honey later not not about porn,

465
00:26:15,640 --> 00:26:17,560
Speaker 1: not about but you go did you see this one?

466
00:26:18,440 --> 00:26:21,080
Speaker 1: Did you see this one? Um? I was watching porn

467
00:26:21,760 --> 00:26:25,760
Speaker 1: and at the very top of the porn was um.

468
00:26:26,320 --> 00:26:28,439
Speaker 1: Someone reaches over and goes, have you read this new

469
00:26:28,480 --> 00:26:33,119
Speaker 1: book Isaac Oliver? And it was and I was like,

470
00:26:35,040 --> 00:26:36,600
Speaker 1: it was like, this is really good. And then the

471
00:26:36,680 --> 00:26:38,879
Speaker 1: other guy goes, oh, yeah, actually was at his book signing.

472
00:26:39,000 --> 00:26:43,200
Speaker 1: He's really funny. Wait and then the fuck that can be?

473
00:26:43,280 --> 00:26:47,439
Speaker 1: How It's like though, by the way, life like actually

474
00:26:47,520 --> 00:26:49,960
Speaker 1: like totally hook up. It's like you're like in someone's

475
00:26:50,000 --> 00:26:51,399
Speaker 1: room and you're like, hey, but did you read that?

476
00:26:52,359 --> 00:26:53,560
Speaker 1: And they're like, yeah, I thought it was cool, and

477
00:26:53,600 --> 00:26:55,200
Speaker 1: then you do start sucking and like that is actually

478
00:26:55,240 --> 00:26:58,480
Speaker 1: how it goes. It's completely scripted to life. I want that.

479
00:26:59,280 --> 00:27:01,200
Speaker 1: I don't was the one that you showed me a

480
00:27:01,280 --> 00:27:04,879
Speaker 1: few weeks ago on the pot the best. This is

481
00:27:04,920 --> 00:27:06,560
Speaker 1: the funniest I ever seen. It was the beginning of

482
00:27:06,640 --> 00:27:09,439
Speaker 1: a porn guys. And this guy goes, actually, something, it's

483
00:27:09,480 --> 00:27:12,000
Speaker 1: so funny and just pulls up a clip from Jennifer

484
00:27:12,080 --> 00:27:16,040
Speaker 1: Coolidge from She's like, gay guys, you know how to

485
00:27:16,160 --> 00:27:21,800
Speaker 1: do stuff? And then you can see it in picture.

486
00:27:21,960 --> 00:27:25,800
Speaker 1: There's a little rectangle at the bottom right corner Jennifer Coolidge.

487
00:27:26,160 --> 00:27:29,720
Speaker 1: No shot of the phone, no like reverse shot, it's

488
00:27:29,880 --> 00:27:33,520
Speaker 1: just I And then and then he puts the phone

489
00:27:33,560 --> 00:27:36,159
Speaker 1: down and he goes, that's so funny, and then he

490
00:27:36,240 --> 00:27:38,280
Speaker 1: goes to the guy she's right, though, gay guys, do

491
00:27:38,280 --> 00:27:43,120
Speaker 1: you know how to do stuff? Wait? That's so good,

492
00:27:44,800 --> 00:27:47,000
Speaker 1: that's so smart. Well, I think it's cool. It's like

493
00:27:47,240 --> 00:27:52,800
Speaker 1: what time like now? Is it like from another time period?

494
00:27:52,880 --> 00:27:59,600
Speaker 1: Like it was post single all the way to something prison,

495
00:28:00,400 --> 00:28:03,760
Speaker 1: but single all the way it came out during Oh god,

496
00:28:03,800 --> 00:28:07,560
Speaker 1: I hope they didn't have omicron back in the video.

497
00:28:07,800 --> 00:28:09,240
Speaker 1: I don't think they care at all. I bet they

498
00:28:09,280 --> 00:28:11,439
Speaker 1: didn't test on that shoot. Do you think they're testing

499
00:28:11,480 --> 00:28:16,360
Speaker 1: for COVID porn shoots? Of course we're testing to so confident.

500
00:28:16,960 --> 00:28:19,560
Speaker 1: What do you mean you're testing? Because the vibe is

501
00:28:19,600 --> 00:28:21,639
Speaker 1: that's like, of course we test, Yeah, you know what

502
00:28:21,720 --> 00:28:24,400
Speaker 1: I mean. It was like, yeah, this is a safe shoot. Wait,

503
00:28:25,560 --> 00:28:27,080
Speaker 1: I'm like, can I just say something that I have

504
00:28:27,160 --> 00:28:31,400
Speaker 1: been like miming stuff to bow and so not appropriate,

505
00:28:31,640 --> 00:28:33,200
Speaker 1: and then it's like you have to stop and like

506
00:28:33,320 --> 00:28:35,800
Speaker 1: explain it. I was in a Headgum is having us

507
00:28:35,840 --> 00:28:39,840
Speaker 1: test whenever we go, like he and I like we

508
00:28:39,960 --> 00:28:42,200
Speaker 1: don't want to know. Yeah, it is like so scary

509
00:28:42,240 --> 00:28:44,240
Speaker 1: every time because it's like what if And then it'd

510
00:28:44,240 --> 00:28:45,720
Speaker 1: be like we're in the office and we're like okay,

511
00:28:45,840 --> 00:28:48,600
Speaker 1: I'm I'm gonna go home. That's like one time I

512
00:28:48,760 --> 00:28:51,600
Speaker 1: was hanging out with Less and Bran. We got in

513
00:28:51,600 --> 00:28:53,400
Speaker 1: the car together, this was like Pete COVID and it

514
00:28:53,440 --> 00:28:54,920
Speaker 1: was like I was like, honestly, I'm just gonna test

515
00:28:54,960 --> 00:28:56,400
Speaker 1: because I'm like feeling a little weird. We were all

516
00:28:56,400 --> 00:28:59,480
Speaker 1: already in the car together driving to the beach winter

517
00:28:59,600 --> 00:29:01,480
Speaker 1: to go have a little beach day. We got our sandwiches.

518
00:29:01,760 --> 00:29:03,120
Speaker 1: I was like, I don't know, feeling weird. I put

519
00:29:03,160 --> 00:29:04,200
Speaker 1: the test that I do it in my nose and

520
00:29:04,240 --> 00:29:06,600
Speaker 1: put it in a little console in the car. We're driving, driving,

521
00:29:06,880 --> 00:29:08,800
Speaker 1: and it was like looking good looking at the less

522
00:29:09,040 --> 00:29:11,760
Speaker 1: the test. Like after fifteen minutes, I was like positive.

523
00:29:14,800 --> 00:29:17,160
Speaker 1: We were like we just like pulled the car over,

524
00:29:17,360 --> 00:29:19,240
Speaker 1: like all got out and we're like, what's the plan.

525
00:29:20,080 --> 00:29:22,520
Speaker 1: I had to sit like forty feet away from them.

526
00:29:22,680 --> 00:29:25,840
Speaker 1: I ate my sandwich and then we're like, let's drive back,

527
00:29:25,920 --> 00:29:31,080
Speaker 1: windows down and just kind of and then it was fun,

528
00:29:31,440 --> 00:29:34,160
Speaker 1: no problem. Yeah. I think when you have COVID and

529
00:29:34,280 --> 00:29:36,440
Speaker 1: roommates and it's like, okay, we're gonna kind of try

530
00:29:36,480 --> 00:29:38,320
Speaker 1: to keep it separate. But at a certain point it's like,

531
00:29:38,440 --> 00:29:41,800
Speaker 1: good luck, good good luck. Didn't you have COVID? Very

532
00:29:41,920 --> 00:29:46,800
Speaker 1: bad thing. I just cut it immediately. I was scared

533
00:29:47,000 --> 00:29:50,720
Speaker 1: and was really anxious play. I feel like you have

534
00:29:50,720 --> 00:29:52,960
Speaker 1: a complex, like it wasn't that bad, but like you

535
00:29:53,000 --> 00:29:56,640
Speaker 1: were coughing up alone. It was for a long time

536
00:29:56,720 --> 00:29:59,400
Speaker 1: it was like a month I heard about this. He

537
00:29:59,680 --> 00:30:03,000
Speaker 1: group it was no, no, no, and we were all embarrassed. No,

538
00:30:03,080 --> 00:30:07,000
Speaker 1: I'm not embarrassed. I'm saying we were all very concerned. Yeah.

539
00:30:07,360 --> 00:30:09,320
Speaker 1: Well that was the time when the group chat also

540
00:30:09,440 --> 00:30:14,440
Speaker 1: became like a doctor's association in every group chat. Yeah, yeah,

541
00:30:14,800 --> 00:30:16,280
Speaker 1: like in COVID. So it was like, you know, I

542
00:30:16,360 --> 00:30:18,040
Speaker 1: heard about someone who still has it a month later,

543
00:30:18,160 --> 00:30:21,640
Speaker 1: Like it was literally like I think it was like

544
00:30:21,720 --> 00:30:23,840
Speaker 1: either George or Sam or someone just like said to

545
00:30:23,920 --> 00:30:26,880
Speaker 1: our group that, like, Charlie has it period, it's bad.

546
00:30:28,000 --> 00:30:30,520
Speaker 1: I remember that. I was like, oh my god, no,

547
00:30:31,040 --> 00:30:34,960
Speaker 1: it's like crazy, I can't believe. Like it wasn't like

548
00:30:35,000 --> 00:30:44,040
Speaker 1: that it's bad. It's bad, Yeah exactly, but it was bad.

549
00:30:44,720 --> 00:30:47,520
Speaker 1: It wasn't like Charlie has it like bad, Like it

550
00:30:47,680 --> 00:30:49,080
Speaker 1: was like, oh my god, it was just like in

551
00:30:49,280 --> 00:30:52,960
Speaker 1: retrospect it like it wasn't that good. But the narrative

552
00:30:53,000 --> 00:30:54,960
Speaker 1: around it was it was like it could turn for

553
00:30:55,080 --> 00:30:58,480
Speaker 1: the worst and it was like it wasn't ever going

554
00:30:58,480 --> 00:31:01,120
Speaker 1: away and there was no testing. Also, yeah, I mean

555
00:31:01,720 --> 00:31:03,640
Speaker 1: it was me and my like kind of random roommate

556
00:31:03,920 --> 00:31:07,080
Speaker 1: shout out to Amy and we both had it yeah,

557
00:31:07,200 --> 00:31:11,240
Speaker 1: I bet you she does ready, and we were still no, no,

558
00:31:13,120 --> 00:31:14,920
Speaker 1: I want to do it quickly. Some people here like

559
00:31:15,000 --> 00:31:17,280
Speaker 1: some people, Oh she moved to Los Angeles. Well I'm

560
00:31:17,320 --> 00:31:20,400
Speaker 1: moving back. Okay, you are had it? Are serious? Had

561
00:31:20,440 --> 00:31:28,680
Speaker 1: it with the city? Serious here? Don't everyone? I can't

562
00:31:29,120 --> 00:31:32,760
Speaker 1: where I'm living. It's my whole family's here. Yeah, exactly,

563
00:31:32,920 --> 00:31:35,600
Speaker 1: it's got I gotta be in Manhattan, right, Yeah, so

564
00:31:35,720 --> 00:31:37,840
Speaker 1: I'm getting lunch with my mom after this. Are you

565
00:31:37,920 --> 00:31:41,160
Speaker 1: seriously you guys are doing a raid un Yeah, you

566
00:31:41,200 --> 00:31:44,400
Speaker 1: guys are doing all of a sudden. It's like sort

567
00:31:44,400 --> 00:31:47,320
Speaker 1: of become this thing of like talking about like family

568
00:31:47,480 --> 00:31:49,600
Speaker 1: and having lived here and so that I feel like

569
00:31:49,640 --> 00:31:51,880
Speaker 1: it's giving a segue into the question before we do,

570
00:31:52,000 --> 00:31:54,000
Speaker 1: I just want to say he shout out IO before

571
00:31:54,080 --> 00:31:57,240
Speaker 1: I and Io was the last time we had a

572
00:31:57,280 --> 00:32:01,240
Speaker 1: political episode. So this is our most political episodes since

573
00:32:01,400 --> 00:32:04,560
Speaker 1: I was on. And that was that was after omar Rosa.

574
00:32:04,840 --> 00:32:11,240
Speaker 1: That was Omarossa quit the staff quum and there was

575
00:32:11,240 --> 00:32:19,440
Speaker 1: a long political lull until right now. Yes, for years politics. No, well,

576
00:32:19,480 --> 00:32:21,600
Speaker 1: we took a break from that. Yeah. Yeah. We had

577
00:32:21,640 --> 00:32:24,280
Speaker 1: a joke that was like what if every news outlet

578
00:32:24,360 --> 00:32:26,280
Speaker 1: like went dark, and only we could have reported on

579
00:32:26,400 --> 00:32:28,200
Speaker 1: January six, like it would have just been us on

580
00:32:28,240 --> 00:32:31,760
Speaker 1: the ground, Like we are so disgusted in repulse what

581
00:32:31,880 --> 00:32:34,680
Speaker 1: we are seeing here today. It's horrible, and we understood that.

582
00:32:35,240 --> 00:32:40,000
Speaker 1: We're just it's terrible, feel weird. But this is like

583
00:32:40,160 --> 00:32:44,600
Speaker 1: sort of the second political episode. Yeah, and you chose

584
00:32:44,680 --> 00:32:47,800
Speaker 1: the right people. Yeah, I can tell, Yeah, I can tell.

585
00:32:49,520 --> 00:32:54,560
Speaker 1: These are politicals. Every exploration is political, and someone you're

586
00:32:54,640 --> 00:33:00,760
Speaker 1: thinking of a better world alter reality. That is politics period.

587
00:33:01,520 --> 00:33:03,640
Speaker 1: First of all, it's like the thing when you text

588
00:33:03,720 --> 00:33:05,480
Speaker 1: your friend and they don't respond for a little while.

589
00:33:07,800 --> 00:33:11,480
Speaker 1: Ideas are political, They're the most dangerous thing we have

590
00:33:12,080 --> 00:33:15,719
Speaker 1: slash back. Oh my god. Ideas are revolution. Ideas are

591
00:33:15,800 --> 00:33:21,440
Speaker 1: a new page. Ideas are something to follow. Ideas. Ideas

592
00:33:21,480 --> 00:33:26,000
Speaker 1: can't be killed, Ideas can be heightened. I just can

593
00:33:26,080 --> 00:33:33,000
Speaker 1: be explored. Yea, and chills you guys. You realize you

594
00:33:33,080 --> 00:33:35,080
Speaker 1: guys are doing that every day, and you know we

595
00:33:35,240 --> 00:33:37,360
Speaker 1: never were able to explain what the podcast was before.

596
00:33:37,440 --> 00:33:39,000
Speaker 1: Right now? Yeah, actually, like I want to steal that

597
00:33:39,040 --> 00:33:43,680
Speaker 1: as copy. Yeah, you literally killed ideas cannot be her.

598
00:33:45,240 --> 00:33:46,840
Speaker 1: I just want to say that now you guys are

599
00:33:46,880 --> 00:33:49,160
Speaker 1: in your guest Era Bone is too busy. I am

600
00:33:49,280 --> 00:33:51,760
Speaker 1: not too busy. What do you mean you can't be

601
00:33:51,800 --> 00:33:54,880
Speaker 1: on the podcast on? No, shut up, you can barely

602
00:33:54,920 --> 00:33:57,560
Speaker 1: even do this podcast. I need to be on with you.

603
00:33:57,800 --> 00:34:01,360
Speaker 1: We need to be on. That's well, actually is it's

604
00:34:01,360 --> 00:34:02,960
Speaker 1: like we're like, we would love to ask it. That's

605
00:34:03,000 --> 00:34:06,760
Speaker 1: like they wouldn't do something like, well, that's how we

606
00:34:06,800 --> 00:34:09,200
Speaker 1: felt about this one. Yeah doing it. We were like,

607
00:34:09,320 --> 00:34:12,600
Speaker 1: I mean, ask them, but we're not free Larson, right, no,

608
00:34:14,160 --> 00:34:15,920
Speaker 1: it has never been on the pod. But but but

609
00:34:21,320 --> 00:34:26,919
Speaker 1: the one good thing Brady Larsen Captain Marvel herself. Wait,

610
00:34:27,320 --> 00:34:29,520
Speaker 1: the one good thing that's happening in La recently is

611
00:34:29,560 --> 00:34:33,840
Speaker 1: there's a queer line dancing thing that happens, which is

612
00:34:33,840 --> 00:34:35,880
Speaker 1: like short for me, but I definitely will go not

613
00:34:35,960 --> 00:34:38,240
Speaker 1: even cotton Eye Joe, like they would call that j June.

614
00:34:38,920 --> 00:34:43,120
Speaker 1: They wouldn't. Anyway, here's what I want to say, and

615
00:34:43,400 --> 00:34:44,680
Speaker 1: then we can all let go. But what I want

616
00:34:44,680 --> 00:34:49,000
Speaker 1: to figuezing so hard? Brie Larson went to queer line

617
00:34:49,040 --> 00:34:54,439
Speaker 1: Dancer's uppen you were there? No, but Jared, oh good.

618
00:34:54,800 --> 00:34:58,680
Speaker 1: I like when a celebrity decides that she needs levity

619
00:34:58,960 --> 00:35:01,960
Speaker 1: and joy in her life and she turns to gay people.

620
00:35:03,760 --> 00:35:09,920
Speaker 1: So great first to do that, Judy. Judy was the

621
00:35:10,000 --> 00:35:14,600
Speaker 1: first forty yeah yeah for a little fun for ones,

622
00:35:14,800 --> 00:35:18,440
Speaker 1: little fun anyway, So yes, that's the one good thing

623
00:35:18,520 --> 00:35:21,359
Speaker 1: that's happening in la is Bree Larson at Queer Line

624
00:35:21,440 --> 00:35:24,279
Speaker 1: dancing Silver Lake at club. And can I say something,

625
00:35:24,400 --> 00:35:27,960
Speaker 1: You two are Bree Larson. Yeah in many ways, don't

626
00:35:28,000 --> 00:35:30,440
Speaker 1: say don't say we're no. I know, I don't know

627
00:35:30,480 --> 00:35:32,319
Speaker 1: why I said that. That was so weird. We are

628
00:35:32,400 --> 00:35:37,839
Speaker 1: Bree Lar, we are Larson Larson. And we're talking about

629
00:35:37,880 --> 00:35:43,560
Speaker 1: the girl from oh yeah and I Humors movie movie

630
00:35:43,600 --> 00:35:48,040
Speaker 1: she was the sister right in which one the sister. Yes, yes, yes, yes, yes,

631
00:35:51,000 --> 00:35:53,399
Speaker 1: And that's actually a little culture number ninety eight. Brie

632
00:35:53,480 --> 00:35:56,960
Speaker 1: Larson was the sister in train Rat. Yeah. Yeah, that's

633
00:35:56,960 --> 00:35:59,879
Speaker 1: amazing because well that's so funny too, like your lark

634
00:36:00,040 --> 00:36:05,759
Speaker 1: should play like a sister, like yeah, yeah, sister. Sister

635
00:36:06,080 --> 00:36:10,239
Speaker 1: actually was very much the sister. Yeah until until she

636
00:36:10,480 --> 00:36:13,799
Speaker 1: literally won an oscar, right one day, she literally won

637
00:36:13,880 --> 00:36:16,920
Speaker 1: an oscar. Before that, she had been really the sister.

638
00:36:17,760 --> 00:36:20,879
Speaker 1: In fact, she was the daughter in the United States

639
00:36:20,920 --> 00:36:25,759
Speaker 1: of tera r. Never mind what did she win an

640
00:36:25,800 --> 00:36:27,640
Speaker 1: oscar when she was like twenty two? In room? She

641
00:36:27,719 --> 00:36:31,759
Speaker 1: won a very young you were kind of room right now? Yeah,

642
00:36:31,800 --> 00:36:34,960
Speaker 1: we want a very young girl that was very young

643
00:36:35,040 --> 00:36:38,600
Speaker 1: of her. He put us in room. This is very

644
00:36:38,640 --> 00:36:43,239
Speaker 1: much room, and we got a couple of Tromblays and

645
00:36:43,320 --> 00:36:45,480
Speaker 1: a couple of breaths. We're putting Jacob in the trunk.

646
00:36:46,120 --> 00:36:49,800
Speaker 1: I think you can I say something if if this

647
00:36:51,840 --> 00:36:55,840
Speaker 1: I'm literally saying right now, I feel no, no, no no,

648
00:36:56,080 --> 00:36:59,840
Speaker 1: I feel that Toby Bowen means to be Tromblay. Yeah. Yeah,

649
00:37:00,160 --> 00:37:02,920
Speaker 1: I'm telling you something shit goes down in here. You

650
00:37:03,040 --> 00:37:06,719
Speaker 1: and I are running the show. Wait, I don't. Yeah,

651
00:37:06,880 --> 00:37:10,640
Speaker 1: I would say I think so were the ones who

652
00:37:10,719 --> 00:37:13,960
Speaker 1: have to like be protected? I think so. It's like,

653
00:37:14,160 --> 00:37:16,960
Speaker 1: but we have such seeds of hope within us. Anything.

654
00:37:17,320 --> 00:37:20,400
Speaker 1: Are you guys are identify as more mommy or daddy? WHOA,

655
00:37:20,600 --> 00:37:23,279
Speaker 1: Oh that's really hard. I actually think I have an answer.

656
00:37:23,600 --> 00:37:27,719
Speaker 1: I think it's I think it's daddy. Actually, you do

657
00:37:27,760 --> 00:37:32,600
Speaker 1: you have like directions and like general knowledge like stuff

658
00:37:32,640 --> 00:37:35,000
Speaker 1: like that. I'm stubborn sometimes yeah, you know what I mean.

659
00:37:35,120 --> 00:37:37,840
Speaker 1: And it's like, all right, I identify as daddy in

660
00:37:37,920 --> 00:37:40,759
Speaker 1: that like I'm allowed to be like an idiot and

661
00:37:40,920 --> 00:37:43,640
Speaker 1: not know anything, and there's some like beautiful girl who's

662
00:37:43,640 --> 00:37:48,200
Speaker 1: going to take care of me? Is also true? Yeah

663
00:37:49,080 --> 00:37:51,440
Speaker 1: I know, Well actually am I growing up? And I

664
00:37:51,520 --> 00:37:54,239
Speaker 1: will go there For a second, I was kind of like,

665
00:37:54,440 --> 00:37:56,360
Speaker 1: what's going to happen to me? Like where's my jacket?

666
00:37:56,400 --> 00:37:59,440
Speaker 1: Like where my shoes? Like whatever? And then and like

667
00:37:59,600 --> 00:38:01,360
Speaker 1: I was like, are there girls like me? You know

668
00:38:01,400 --> 00:38:03,520
Speaker 1: what I mean? I don't know. And then I looked

669
00:38:03,560 --> 00:38:05,480
Speaker 1: at my dad, who has my same face, and he's

670
00:38:05,520 --> 00:38:08,080
Speaker 1: like my Mom's like, if you eat an apple and

671
00:38:08,320 --> 00:38:11,400
Speaker 1: leave the core wherever you're sitting one more time, like

672
00:38:11,560 --> 00:38:15,239
Speaker 1: I'm gonna lose my mind. I'm like I could do that. Yeah, yeah,

673
00:38:15,840 --> 00:38:18,520
Speaker 1: I could do that. And I'm like when someone's birthday,

674
00:38:18,520 --> 00:38:20,320
Speaker 1: it's like you just get a wife, you know what

675
00:38:20,440 --> 00:38:23,319
Speaker 1: I mean? Oh my god, what's up with you guys?

676
00:38:23,440 --> 00:38:29,160
Speaker 1: Why I think you guys? Think you too? Are absolutely daddy?

677
00:38:29,600 --> 00:38:32,160
Speaker 1: I think, yeah, what are you? I'm definitely I think

678
00:38:32,239 --> 00:38:38,799
Speaker 1: both of them. And I'm like I'm I'm like, it's okay, energy,

679
00:38:38,840 --> 00:38:41,239
Speaker 1: Oh I'm not a big deal energy, But also like,

680
00:38:41,680 --> 00:38:45,319
Speaker 1: but I also think that, and I'm perceptibly. Yes. Yeah,

681
00:38:45,800 --> 00:38:48,640
Speaker 1: I also think, Matt, you have like strong opinions, like

682
00:38:48,760 --> 00:38:54,680
Speaker 1: a mommy with like a lot of care, like I think, true,

683
00:38:55,560 --> 00:38:57,960
Speaker 1: I'm mommy because I don't. I also I am not

684
00:38:58,080 --> 00:39:02,120
Speaker 1: like a reprimander. I'm not like a disciplinarian. I'm more

685
00:39:02,200 --> 00:39:05,319
Speaker 1: just like, Well, I think we made a mistake today's right,

686
00:39:06,480 --> 00:39:09,160
Speaker 1: And I think your mommy bone because you give special attention.

687
00:39:09,600 --> 00:39:13,480
Speaker 1: Oh my god, quiet power good lining. Quiet power is so.

688
00:39:13,880 --> 00:39:16,520
Speaker 1: But see sometimes quiet power is just me going. I

689
00:39:16,600 --> 00:39:18,400
Speaker 1: don't have anything to say. I don't. I don't have

690
00:39:18,440 --> 00:39:23,040
Speaker 1: a thought. Right, she's busy, she needs a little time

691
00:39:23,080 --> 00:39:26,440
Speaker 1: to be bent blank, I'm tired, mommy, and that it's tired. Wait,

692
00:39:26,440 --> 00:39:28,319
Speaker 1: we're talking about childhoods. I think this is the time

693
00:39:28,360 --> 00:39:30,239
Speaker 1: to ask me. We're like an hour and we haven't

694
00:39:30,239 --> 00:39:32,640
Speaker 1: asked the question. Take it away, Bowen, We're gonna ask

695
00:39:32,680 --> 00:39:35,560
Speaker 1: you both. Let's start with Natalie. Oh, Natalie, what is

696
00:39:35,600 --> 00:39:38,360
Speaker 1: the culture that made you say culture is for me? Okay,

697
00:39:38,640 --> 00:39:44,200
Speaker 1: thanks guys, Well mine is gonna be And I've been

698
00:39:44,239 --> 00:39:47,920
Speaker 1: thinking about this obviously. Well, we hope the Awesome Powers franchise.

699
00:39:48,040 --> 00:39:51,440
Speaker 1: Oh has anyone done that recently? No? But actually it

700
00:39:51,520 --> 00:39:53,960
Speaker 1: didn't come up recently because Bowen revealed that as a

701
00:39:54,080 --> 00:39:59,800
Speaker 1: child he dressed up as Austin Powers and you just

702
00:40:00,000 --> 00:40:04,719
Speaker 1: it up. I just did. I just did. Said it

703
00:40:05,080 --> 00:40:08,960
Speaker 1: was Bible camp and people went crazy. Yeah, that's gonna crush.

704
00:40:09,200 --> 00:40:14,480
Speaker 1: That was because it's culture, because it's at the time,

705
00:40:14,760 --> 00:40:18,839
Speaker 1: at the time I think still talk about your favorite movie,

706
00:40:18,880 --> 00:40:23,560
Speaker 1: your favorite moments, Yeah, your favorite supporting characters so much. Well,

707
00:40:24,160 --> 00:40:27,160
Speaker 1: I was a strong I had a strong connection to

708
00:40:27,280 --> 00:40:31,000
Speaker 1: the Beyonce movie, which I think is and that one

709
00:40:31,040 --> 00:40:32,960
Speaker 1: I used to watch, Like my friend with cover would

710
00:40:32,960 --> 00:40:34,600
Speaker 1: be like, Okay, we have to study tonight, but let's

711
00:40:34,640 --> 00:40:40,320
Speaker 1: just put on gold mat yeah, like and it just

712
00:40:40,480 --> 00:40:45,600
Speaker 1: like it was just perful, like first of all, smoke

713
00:40:45,640 --> 00:40:49,680
Speaker 1: in a pancake pipe and buns like that stuff. Like

714
00:40:49,800 --> 00:40:51,880
Speaker 1: I think it's still in me and it's not deep down,

715
00:40:51,960 --> 00:40:54,160
Speaker 1: it's at the top. Yeah. And I recently have been

716
00:40:54,200 --> 00:40:59,160
Speaker 1: getting into James Bond, right, I watched Yeah, and my

717
00:40:59,360 --> 00:41:01,359
Speaker 1: family I had all sisters, Like we didn't do any

718
00:41:01,480 --> 00:41:04,279
Speaker 1: boy movies, Like we didn't touch like scarfet I don't

719
00:41:04,280 --> 00:41:06,520
Speaker 1: know what, like whatever, I don't care about that. But

720
00:41:07,160 --> 00:41:09,279
Speaker 1: so we never watch that. We watch awesome Powers, And

721
00:41:09,400 --> 00:41:11,279
Speaker 1: now I'm watching James Bond for the first time, and

722
00:41:11,360 --> 00:41:14,040
Speaker 1: I'm like, this has really strong echoes of Awesome Powers

723
00:41:15,200 --> 00:41:19,480
Speaker 1: and its flow in that direction. Yeah, but at a

724
00:41:19,520 --> 00:41:22,520
Speaker 1: certain point, Awesome Powers must have inspired James Bond. Do

725
00:41:22,600 --> 00:41:26,000
Speaker 1: you know what I'm saying? No, exactly, there's no Skyfall

726
00:41:26,080 --> 00:41:31,880
Speaker 1: without spire, Lily. I think the sexuality of Awesome Powers

727
00:41:32,040 --> 00:41:37,040
Speaker 1: is also like exactly on point, true to life like realism. Yeah, perfect,

728
00:41:37,360 --> 00:41:40,279
Speaker 1: Like that's how you feel. He's so horny, he's so

729
00:41:40,480 --> 00:41:44,680
Speaker 1: shag oriented, like and you know what, Actually, I like

730
00:41:44,800 --> 00:41:46,960
Speaker 1: forgot about this, but like one of the most like powerful,

731
00:41:47,120 --> 00:41:50,400
Speaker 1: helpful like mechanisms of thinking in my life has been

732
00:41:50,480 --> 00:41:53,200
Speaker 1: like when Awesome Powers loses his mojo, yes, and when

733
00:41:53,239 --> 00:41:56,880
Speaker 1: he finds can we talk about this yet? Because I

734
00:41:57,080 --> 00:41:59,719
Speaker 1: think about I think about mojo all the time. Yes,

735
00:42:00,239 --> 00:42:02,919
Speaker 1: And I think gram Tell. I think my Heather Graham

736
00:42:03,040 --> 00:42:07,520
Speaker 1: telling him while they're escaping the moon, like He's like,

737
00:42:07,560 --> 00:42:10,800
Speaker 1: what I mean, my mojo? And and and then she

738
00:42:10,880 --> 00:42:13,040
Speaker 1: said something like and trust me, You're gonna get the girl.

739
00:42:13,239 --> 00:42:18,880
Speaker 1: And I'm like, that's so Heather Ground we love And

740
00:42:19,040 --> 00:42:21,960
Speaker 1: this actually is a big announcement. This I have an announcement,

741
00:42:23,120 --> 00:42:26,160
Speaker 1: Heather Graham has won the last culture He says icon

742
00:42:26,239 --> 00:42:32,759
Speaker 1: a ward. Um, this is amazing, Heather Graham, God, you

743
00:42:32,960 --> 00:42:35,960
Speaker 1: deserve this and you would you join a very short

744
00:42:36,000 --> 00:42:41,760
Speaker 1: list of people that have who wanted last year. Adele.

745
00:42:45,560 --> 00:42:47,319
Speaker 1: You guys are coming to the awards, by the way,

746
00:42:47,719 --> 00:42:51,840
Speaker 1: I can't Oh, I can't announce it the fuck. I

747
00:42:51,960 --> 00:42:54,759
Speaker 1: know that was scary, but you have to be You'll

748
00:42:54,760 --> 00:42:58,440
Speaker 1: have to be out the awards. You warm. Okay, so,

749
00:42:58,719 --> 00:43:10,480
Speaker 1: but might even nominated? Um, okay, so yeah, so pegram

750
00:43:10,520 --> 00:43:14,960
Speaker 1: the mojoy like and then what what do you feel like? Wait?

751
00:43:15,040 --> 00:43:16,480
Speaker 1: You know what's like? Probably the back? Oh yeah, so

752
00:43:16,520 --> 00:43:18,279
Speaker 1: the mojo. So sometimes in your life you're just like,

753
00:43:18,440 --> 00:43:21,200
Speaker 1: what's up with me? Ye? Wrong? And I like that

754
00:43:21,440 --> 00:43:24,120
Speaker 1: you know what? Me too? No, but I think I'm

755
00:43:24,200 --> 00:43:26,920
Speaker 1: now back. It's there, and it's such a thing of

756
00:43:27,000 --> 00:43:29,160
Speaker 1: like you lost it and it's coming back to you. Right.

757
00:43:29,320 --> 00:43:31,799
Speaker 1: Sometimes your mojo is just gone and then you feel

758
00:43:31,840 --> 00:43:34,960
Speaker 1: it come back and you're like, I'm randy baby, yeah,

759
00:43:36,960 --> 00:43:39,080
Speaker 1: And it's so honest about it to you. He's like,

760
00:43:39,200 --> 00:43:41,720
Speaker 1: I'm just not feeling good, right, And it's that's actually

761
00:43:41,880 --> 00:43:44,760
Speaker 1: very like open, it's very sweet. There's something like he's

762
00:43:44,760 --> 00:43:48,759
Speaker 1: a good model of masculine because you can't deny he

763
00:43:49,000 --> 00:43:52,120
Speaker 1: is that man, you know what I mean. Also, he's

764
00:43:52,160 --> 00:43:54,839
Speaker 1: he's gonna come forward and say like my mojo's gone.

765
00:43:54,840 --> 00:43:59,640
Speaker 1: And also yeah, is very vulnerable. Yeah dad, Okay, I

766
00:43:59,760 --> 00:44:07,520
Speaker 1: was I was gonna say change the underway, but I

767
00:44:07,640 --> 00:44:09,560
Speaker 1: was saying, Mike Myers, never been sex to your job.

768
00:44:09,640 --> 00:44:12,240
Speaker 1: Then in that segment of gold Member when he's singing, daddy,

769
00:44:12,320 --> 00:44:16,720
Speaker 1: wasn't there? Absolutely, And I'm like Mike Myers, Mike Myers, sexy.

770
00:44:17,880 --> 00:44:19,359
Speaker 1: Can I also tell you one of my favorite parts

771
00:44:19,400 --> 00:44:22,759
Speaker 1: of any of the whole franchise is ladies and tent

772
00:44:22,800 --> 00:44:27,840
Speaker 1: of them mister bet Bakara and Elvis Costello. Do you

773
00:44:28,040 --> 00:44:31,719
Speaker 1: get when you fall love Elizabeth Hurley like dancing on

774
00:44:31,840 --> 00:44:36,680
Speaker 1: the like bus? Yeah? I love so sweet? And also

775
00:44:36,760 --> 00:44:42,040
Speaker 1: Elizabeth Hurley, I have an announcement to make you have

776
00:44:42,239 --> 00:44:48,360
Speaker 1: one of the last tho reasons. I congratulations Elizabeth. You

777
00:44:48,480 --> 00:44:51,040
Speaker 1: have never looked better. And you have a hot son too. Yes,

778
00:44:51,400 --> 00:44:58,160
Speaker 1: and her son is like a model. Give it to him,

779
00:44:58,440 --> 00:45:02,800
Speaker 1: give it to him. No, I've seen his acting and

780
00:45:02,960 --> 00:45:04,360
Speaker 1: in order to win I kind of wanted you have

781
00:45:04,480 --> 00:45:10,279
Speaker 1: to be a actress. Actress. Yeah, yeah, so you do.

782
00:45:10,920 --> 00:45:16,560
Speaker 1: Britney Spears and Goldmember in the beginning, sorry were chasing him. Yeah,

783
00:45:16,840 --> 00:45:18,880
Speaker 1: they're they're in like a dance circle and they like

784
00:45:19,000 --> 00:45:24,560
Speaker 1: circa right, and he's like doing this little thing. We

785
00:45:24,760 --> 00:45:27,279
Speaker 1: remember the scene where he's in the golf cart trying

786
00:45:27,320 --> 00:45:33,560
Speaker 1: to like get so funny. It's on us, right, no exactly.

787
00:45:34,239 --> 00:45:35,600
Speaker 1: You know what I love about them too is that

788
00:45:35,680 --> 00:45:37,400
Speaker 1: like I watched them and it's like the structure of

789
00:45:37,440 --> 00:45:40,000
Speaker 1: the movies really is it's like sketch, sketch, sketch. Yeah,

790
00:45:40,200 --> 00:45:42,359
Speaker 1: it's every little set piece where it's like and here's

791
00:45:42,400 --> 00:45:44,520
Speaker 1: the joke for the next few minutes, right, and then

792
00:45:44,520 --> 00:45:45,960
Speaker 1: they move on and they're like, okay, so they're in

793
00:45:46,000 --> 00:45:50,520
Speaker 1: the hot tub and you can't see the words. It's

794
00:45:50,520 --> 00:45:52,080
Speaker 1: like that's the or it's like I think it's covering

795
00:45:52,120 --> 00:45:56,719
Speaker 1: his penis, right, he's pissing in the fountain. Always got

796
00:45:56,800 --> 00:46:02,680
Speaker 1: me the like shadow they would do of like like

797
00:46:02,719 --> 00:46:04,359
Speaker 1: like she was having a beat or he was having

798
00:46:04,400 --> 00:46:07,000
Speaker 1: a baby and she was like, oh, like you know

799
00:46:07,200 --> 00:46:12,960
Speaker 1: all that shit like slapstick. You know, yeah, it's fun.

800
00:46:15,680 --> 00:46:18,399
Speaker 1: And of course, um gold Member was important culture because

801
00:46:18,400 --> 00:46:21,520
Speaker 1: It's also teachable culture because a lot of little gay

802
00:46:21,560 --> 00:46:23,520
Speaker 1: white boys at the time were like, I'm a whole

803
00:46:23,760 --> 00:46:26,719
Speaker 1: lot of woman. And now you look back and you're like, oh, no,

804
00:46:27,280 --> 00:46:28,920
Speaker 1: that's you know what I mean? How many times did

805
00:46:28,960 --> 00:46:30,480
Speaker 1: I say I was a whole lot of woman, like

806
00:46:30,600 --> 00:46:35,279
Speaker 1: in the like about in the high school hallway? Like

807
00:46:35,440 --> 00:46:38,960
Speaker 1: probably too many? Right? Right, Well, there's at hours to

808
00:46:39,040 --> 00:46:44,400
Speaker 1: reckon with. Yeah, like we fully endorse it. No, not exactly,

809
00:46:45,080 --> 00:46:56,760
Speaker 1: no notes, but notes. Wait, it's time to ask. Yeah,

810
00:46:56,880 --> 00:46:59,800
Speaker 1: you asked Charlie Barday, It's now time for you to

811
00:47:00,000 --> 00:47:01,879
Speaker 1: hell us what was the culture that made you say

812
00:47:01,960 --> 00:47:03,879
Speaker 1: culture was for you? And I actually cheated and asked

813
00:47:03,920 --> 00:47:05,960
Speaker 1: him this question the other night. You're sort of having

814
00:47:05,960 --> 00:47:08,200
Speaker 1: a conversation in the era where I thought this wasn't

815
00:47:08,239 --> 00:47:10,960
Speaker 1: going to happen, wasn't sing And now everyone gets it

816
00:47:11,040 --> 00:47:13,759
Speaker 1: wasn't actually right before I found out what I was

817
00:47:13,880 --> 00:47:16,560
Speaker 1: dealing with, right right, And now, if you're a vocalist

818
00:47:16,640 --> 00:47:19,120
Speaker 1: in the period and I'm looking at you in the eyes,

819
00:47:19,400 --> 00:47:22,600
Speaker 1: I see you queen. Yeah. Um, now the world gets

820
00:47:22,640 --> 00:47:24,920
Speaker 1: to know. Okay, I'm wanting to change because I'm inspired

821
00:47:24,920 --> 00:47:27,160
Speaker 1: by that. But I'm gonna sick with it, and for me,

822
00:47:27,360 --> 00:47:31,600
Speaker 1: my true answer is Star Magazine, Jen and Brad divorce.

823
00:47:31,840 --> 00:47:35,320
Speaker 1: Oh my god. Wow. Okay, So when you say that,

824
00:47:35,960 --> 00:47:38,720
Speaker 1: do you sort of mean like when that that feeling

825
00:47:38,840 --> 00:47:41,200
Speaker 1: of looking at like the supermarket rack and it being

826
00:47:41,360 --> 00:47:46,319
Speaker 1: everywhere like like like that sort of tabloid culture. It's

827
00:47:46,320 --> 00:47:48,560
Speaker 1: a tabloid culture. But we had them in the house.

828
00:47:48,840 --> 00:47:52,480
Speaker 1: So it's like I really read Star Magazine every week

829
00:47:53,200 --> 00:47:55,400
Speaker 1: like you had him in the house. Yea. My mom

830
00:47:55,480 --> 00:47:58,440
Speaker 1: had them, and I was like engaged and invested, do

831
00:47:58,480 --> 00:48:01,080
Speaker 1: you know what I mean? Reader, Yeah, every whatever day

832
00:48:01,120 --> 00:48:02,680
Speaker 1: of the week it was, it would come. Yeah, you

833
00:48:02,800 --> 00:48:04,480
Speaker 1: were like I was like, let me check up, let

834
00:48:04,520 --> 00:48:06,560
Speaker 1: me follow up. And also it's like there's a whole

835
00:48:06,600 --> 00:48:10,120
Speaker 1: culture of like celebrity evaluation that happens there, right, Oh

836
00:48:10,239 --> 00:48:14,799
Speaker 1: my god, yeah, like like like like the fashion police. Yes, yeah, yeah,

837
00:48:14,840 --> 00:48:16,800
Speaker 1: totally like because and it started there because it's like,

838
00:48:16,880 --> 00:48:17,920
Speaker 1: I mean, this is the thing I show with my

839
00:48:17,960 --> 00:48:20,479
Speaker 1: mom who I'm getting line within hi minute? Like where

840
00:48:21,120 --> 00:48:23,279
Speaker 1: you guys, it wasn't actually all gonna be about my

841
00:48:23,320 --> 00:48:26,440
Speaker 1: mom too. Well, oh my god, there's a lot to say.

842
00:48:26,840 --> 00:48:29,040
Speaker 1: My mom and dad got divorced at the same time

843
00:48:29,080 --> 00:48:32,640
Speaker 1: as him, and oh my mom has the same color

844
00:48:32,719 --> 00:48:37,200
Speaker 1: hair as Jennifer andson sort of in a way. Yeah

845
00:48:37,280 --> 00:48:39,040
Speaker 1: he can be do you know what I mean? Yeah,

846
00:48:39,719 --> 00:48:41,759
Speaker 1: that he's a man. He's older than me, so all

847
00:48:41,760 --> 00:48:46,800
Speaker 1: the pieces are kind of Yeah, he had like a

848
00:48:46,880 --> 00:48:50,680
Speaker 1: dirty blonde wife, you know what I mean, he had

849
00:48:50,719 --> 00:48:52,920
Speaker 1: a dirty blond wife. My mom is gonna be like

850
00:48:53,040 --> 00:48:58,800
Speaker 1: hey and this, this will be this will be a

851
00:48:58,880 --> 00:49:02,239
Speaker 1: question that is too much. Yeah, there was no Angelina. Um,

852
00:49:02,320 --> 00:49:05,799
Speaker 1: there wasn't Angelina. And my stepmom has um black hair

853
00:49:05,880 --> 00:49:08,800
Speaker 1: like Angelina or brown hair. This is crazy, I know.

854
00:49:09,200 --> 00:49:11,520
Speaker 1: So you have to understand me at age like nine

855
00:49:11,600 --> 00:49:13,840
Speaker 1: or whatever, reading this and being like, okay, so this

856
00:49:14,000 --> 00:49:17,720
Speaker 1: is actually magic, Like I'm holding a magic book. Yeah exactly.

857
00:49:18,920 --> 00:49:21,200
Speaker 1: Were you following, like what's going to happen to them?

858
00:49:21,200 --> 00:49:23,480
Speaker 1: And what's gonna happen to me? Like exactly? Yeah, yeah, yeah,

859
00:49:23,480 --> 00:49:24,840
Speaker 1: it's like this is the future, do you know what

860
00:49:24,880 --> 00:49:26,360
Speaker 1: I mean? Like there were maybe a few steps ahead.

861
00:49:26,600 --> 00:49:28,480
Speaker 1: So I'm reading it and I'm like, this is so

862
00:49:28,760 --> 00:49:31,160
Speaker 1: it is a powerful document. Oh my god, it's actually

863
00:49:31,160 --> 00:49:33,879
Speaker 1: like the Book of Spells. Yeah exactly, but data still

864
00:49:33,880 --> 00:49:36,520
Speaker 1: with stepmom. Yes, So guess what it was not the

865
00:49:36,600 --> 00:49:42,640
Speaker 1: future because because it did it actually everybody wins. I

866
00:49:42,800 --> 00:49:48,120
Speaker 1: remember being a few yeah, yeah, I remember a few

867
00:49:48,200 --> 00:49:51,799
Speaker 1: years ago being so shocked that Brad and Angelina were

868
00:49:51,840 --> 00:49:54,000
Speaker 1: going to get divorced. I just for some reason thought

869
00:49:54,080 --> 00:49:57,239
Speaker 1: like maybe it was because after the whole Brad and

870
00:49:57,320 --> 00:50:00,480
Speaker 1: gen thing happened. I then saw mister and miss Smith

871
00:50:00,640 --> 00:50:02,959
Speaker 1: in the theaters and I was like, oh, well, duh,

872
00:50:03,160 --> 00:50:06,520
Speaker 1: like yeah, they met each other's person like they so

873
00:50:06,760 --> 00:50:10,160
Speaker 1: clearly are soulmates. So that years later, when they stayed

874
00:50:10,280 --> 00:50:12,120
Speaker 1: married for so long and had that big family and

875
00:50:12,200 --> 00:50:14,840
Speaker 1: they divorced, I was like, now for it to be

876
00:50:15,040 --> 00:50:19,200
Speaker 1: so ugly right, also so wild, it feels like off

877
00:50:19,480 --> 00:50:22,800
Speaker 1: the like of That's when it started to be like

878
00:50:23,000 --> 00:50:25,200
Speaker 1: what is happening with like wait with Star magazine, not

879
00:50:25,320 --> 00:50:29,759
Speaker 1: like this powerful thing? Maybe what I mean? Yeah, I

880
00:50:29,840 --> 00:50:31,279
Speaker 1: had this other part of this where it's like the

881
00:50:31,360 --> 00:50:34,520
Speaker 1: celebrity culture of like evaluating yeah and being like a

882
00:50:34,560 --> 00:50:37,000
Speaker 1: little gay kid who is like, she does not look

883
00:50:37,040 --> 00:50:38,560
Speaker 1: good in that dress. And I used to watch like

884
00:50:38,640 --> 00:50:41,080
Speaker 1: Fashion Police and Project run Away with my mom and

885
00:50:41,239 --> 00:50:44,000
Speaker 1: be like so critical. I was like I cannot believe,

886
00:50:44,120 --> 00:50:47,080
Speaker 1: like Jennifer Lehuet or that to the Oscars. Meanwhile, like

887
00:50:47,200 --> 00:50:49,280
Speaker 1: at a time where I was like wearing green skinny

888
00:50:49,320 --> 00:50:52,160
Speaker 1: jeans to school every single day, green like lime green

889
00:50:52,239 --> 00:50:55,440
Speaker 1: skinny jeans and being like, she does not look good.

890
00:50:56,800 --> 00:50:59,160
Speaker 1: I remember like there was a line that always appeared

891
00:50:59,160 --> 00:51:01,840
Speaker 1: in Fashion Police and whenever something someone wore something fuzzy,

892
00:51:02,280 --> 00:51:06,080
Speaker 1: I would I would have to put the magazine down

893
00:51:06,280 --> 00:51:09,759
Speaker 1: right around and laughing. When anyone would say how many

894
00:51:09,840 --> 00:51:12,120
Speaker 1: muppets had to die to make it? I would just

895
00:51:12,360 --> 00:51:16,759
Speaker 1: I would cry and scream laughing got you? Nothing got

896
00:51:16,800 --> 00:51:21,759
Speaker 1: you funnier to me than a muppets for fashion? I

897
00:51:21,840 --> 00:51:27,080
Speaker 1: would scream, cry, carry on thorough hands. I would be

898
00:51:27,160 --> 00:51:31,279
Speaker 1: up in my bedroom daughter shouting. I think I think

899
00:51:31,280 --> 00:51:34,440
Speaker 1: I'd run down to the kitchens and like wherever. I

900
00:51:34,480 --> 00:51:36,640
Speaker 1: would be like, mom, mom, you have to read this.

901
00:51:37,360 --> 00:51:43,400
Speaker 1: How many muppets I die to this? And it's just like, Okay,

902
00:51:44,760 --> 00:51:47,279
Speaker 1: I'm not as gay as you, right, She's like I

903
00:51:47,360 --> 00:51:49,320
Speaker 1: can't keep up with that, Like I don't want to

904
00:51:49,440 --> 00:51:54,359
Speaker 1: engage in that. There's no possible way this is as

905
00:51:54,440 --> 00:51:59,879
Speaker 1: funny as you do story. I'll never forget this. Start man,

906
00:52:00,000 --> 00:52:03,960
Speaker 1: maazine is involved. I think we were in Orlando. Important,

907
00:52:04,800 --> 00:52:07,319
Speaker 1: see you soon, see you soon. We were staying off

908
00:52:07,360 --> 00:52:11,120
Speaker 1: the property like Motel six. Um, we had to go

909
00:52:11,160 --> 00:52:13,000
Speaker 1: to the grocery store to buy like, you know, instant

910
00:52:13,080 --> 00:52:16,360
Speaker 1: noodles or something for dinner. Were family not me? No, no,

911
00:52:16,480 --> 00:52:21,960
Speaker 1: no yet, sorry, yes, I gave you place. Not the time.

912
00:52:22,000 --> 00:52:25,600
Speaker 1: It was like like two thousand and three or something. Okay, perfect,

913
00:52:25,880 --> 00:52:28,920
Speaker 1: Um we're in. We're in the check out line at

914
00:52:28,920 --> 00:52:30,680
Speaker 1: the grocery store buying a bunch of like instant noodles

915
00:52:30,719 --> 00:52:33,120
Speaker 1: for like those that was gonna be like our meal basically.

916
00:52:33,200 --> 00:52:36,919
Speaker 1: And then um, there's a Star magazine at the checkout line.

917
00:52:37,520 --> 00:52:41,359
Speaker 1: Jessica Simpson and Nicholache are on it, and my mom goes,

918
00:52:41,880 --> 00:52:45,120
Speaker 1: my mom looks at this magazine cover and like has

919
00:52:45,320 --> 00:52:47,680
Speaker 1: a look of terror on her face. And I know

920
00:52:47,920 --> 00:52:52,200
Speaker 1: Mom wants the wrong and she goes that woman, I

921
00:52:52,280 --> 00:52:56,920
Speaker 1: can tell that it's not a good woman. He goes,

922
00:52:59,760 --> 00:53:02,840
Speaker 1: I tell that it's not a good Simpson being like

923
00:53:03,320 --> 00:53:06,960
Speaker 1: like like like looking seductively at the camera like and

924
00:53:07,040 --> 00:53:08,480
Speaker 1: I think she like a lot of lip cloths on,

925
00:53:08,719 --> 00:53:12,680
Speaker 1: so like it looked a little crazy. My mom was like, woman,

926
00:53:13,160 --> 00:53:18,720
Speaker 1: that is not that that one that culture, and I've

927
00:53:18,800 --> 00:53:21,279
Speaker 1: never been able like my mom had this visceral like

928
00:53:21,680 --> 00:53:31,840
Speaker 1: spiritual religious eversion. She's giving channels. It was like my

929
00:53:32,160 --> 00:53:38,160
Speaker 1: sister never like Mom, are you mom? Are you? Like?

930
00:53:38,360 --> 00:53:41,920
Speaker 1: What must you have seen? Right? I've never seen her

931
00:53:42,040 --> 00:53:45,400
Speaker 1: like that. That woman, that woman can tell that a

932
00:53:45,480 --> 00:53:48,520
Speaker 1: good woman. It was like a dark mark and what

933
00:53:48,719 --> 00:53:51,959
Speaker 1: it was like a very Harry Potter, very Harry Potter,

934
00:53:52,640 --> 00:53:58,279
Speaker 1: the dark Mark, the dark Mark, Baltimore is back. That

935
00:53:58,440 --> 00:54:01,239
Speaker 1: was what the dark mark was, right, Well, this is

936
00:54:01,920 --> 00:54:05,719
Speaker 1: in a world where we're talking about that when the

937
00:54:05,840 --> 00:54:12,080
Speaker 1: when the stars the dark Lord and they got to

938
00:54:12,080 --> 00:54:13,640
Speaker 1: each other and they go is it burning? And the

939
00:54:13,719 --> 00:54:15,680
Speaker 1: O they were like yes. It was like a sort

940
00:54:15,680 --> 00:54:18,080
Speaker 1: of Homerotic moment where like the deaths were all like

941
00:54:18,239 --> 00:54:25,360
Speaker 1: is yours burned? Definitely? Yeah, yours is so beyond beyond

942
00:54:25,520 --> 00:54:27,399
Speaker 1: just the brad and gen of at all. What were

943
00:54:27,480 --> 00:54:30,520
Speaker 1: other tabloid stories that you can remember latching onto or

944
00:54:30,719 --> 00:54:32,560
Speaker 1: was it kind of that that's the one that's imprinted,

945
00:54:32,600 --> 00:54:35,000
Speaker 1: because you know what else? I remember being actually not

946
00:54:35,120 --> 00:54:37,160
Speaker 1: to be like self flattering, but I remember being pretty

947
00:54:37,200 --> 00:54:40,480
Speaker 1: early on like leave Brittany alone, Yeah, like that narrative

948
00:54:40,520 --> 00:54:43,760
Speaker 1: and being like you know what, you back the fuck off? Yeah,

949
00:54:44,840 --> 00:54:46,640
Speaker 1: being like this, like it seems like this is hard

950
00:54:46,680 --> 00:54:49,120
Speaker 1: for and just really actually being like And also it

951
00:54:49,200 --> 00:54:50,640
Speaker 1: was a moment where I had to step away, like

952
00:54:50,760 --> 00:54:52,960
Speaker 1: at the Glee that which they were like her performance

953
00:54:53,000 --> 00:54:55,400
Speaker 1: of Give Me More, which a disaster. It's like, you

954
00:54:55,480 --> 00:54:58,520
Speaker 1: know what, like I thought, No, it wasn't relaxed about this,

955
00:54:58,760 --> 00:55:01,120
Speaker 1: like I don't want this, and it really reveals such

956
00:55:01,160 --> 00:55:03,759
Speaker 1: a pure heart to me. Thank you. And again it's

957
00:55:03,760 --> 00:55:06,160
Speaker 1: like they always like that. Yeah, but I found something

958
00:55:06,239 --> 00:55:08,040
Speaker 1: in me that was good. Yeah, this is my thing

959
00:55:08,040 --> 00:55:13,439
Speaker 1: a much Charlie. He has a genuine love and understanding

960
00:55:13,600 --> 00:55:26,719
Speaker 1: of women. Sorry, no, thank you. People were going so

961
00:55:27,120 --> 00:55:29,640
Speaker 1: hard on her, yeah, like oh she drove her baby

962
00:55:29,680 --> 00:55:32,320
Speaker 1: on her lap. It's like she really wanted to do that. No,

963
00:55:32,560 --> 00:55:35,040
Speaker 1: it's like people are literally it was like mean spirited

964
00:55:35,120 --> 00:55:37,200
Speaker 1: and it was not right and it was good. I

965
00:55:37,520 --> 00:55:39,320
Speaker 1: was like, I found something in myself and that was

966
00:55:39,320 --> 00:55:41,120
Speaker 1: an important moment. And that was an important moment. How

967
00:55:41,200 --> 00:55:45,640
Speaker 1: do we how do we approach Brittany now? And we don't,

968
00:55:45,840 --> 00:55:47,680
Speaker 1: to be honest, I think that's right. I think I

969
00:55:47,760 --> 00:55:50,680
Speaker 1: think that what we what we have to understand is

970
00:55:50,760 --> 00:55:54,239
Speaker 1: that we can be her fan. And she's got so

971
00:55:54,560 --> 00:55:57,000
Speaker 1: much music out there and so much content out there

972
00:55:57,080 --> 00:55:59,840
Speaker 1: that is to be enjoyed. And to ask her to

973
00:56:00,000 --> 00:56:03,719
Speaker 1: who sort of approach like what she used to be

974
00:56:03,880 --> 00:56:06,880
Speaker 1: would be asked her asking her to re engage. No no, no,

975
00:56:07,080 --> 00:56:09,000
Speaker 1: no no. And so I think like in terms of now,

976
00:56:09,040 --> 00:56:11,800
Speaker 1: it's just like letter post let her post on Instagram

977
00:56:12,280 --> 00:56:15,800
Speaker 1: like give a double tap or unfollow, you know what

978
00:56:15,880 --> 00:56:17,880
Speaker 1: I mean, Like she doesn't care, she can't see it.

979
00:56:18,120 --> 00:56:20,200
Speaker 1: If you can't do it with your heart, then it's

980
00:56:20,239 --> 00:56:22,319
Speaker 1: like back away. Yeah, you know what I mean. Yes,

981
00:56:24,320 --> 00:56:29,680
Speaker 1: you are right about him? No is that? What is that?

982
00:56:29,760 --> 00:56:32,920
Speaker 1: What drew you to Charlie? What draw you to each other?

983
00:56:34,120 --> 00:56:38,560
Speaker 1: What draw you to each other? You asked, how did

984
00:56:38,600 --> 00:56:40,759
Speaker 1: you start? Tell us now? Actually like at an open

985
00:56:41,640 --> 00:56:43,920
Speaker 1: and then we like drift in a grocery store for

986
00:56:44,040 --> 00:56:46,600
Speaker 1: like an hour after what grocery store? Like, yeah, Charlie

987
00:56:46,640 --> 00:56:50,440
Speaker 1: makes you know, like it's like by the Rosemont, you

988
00:56:50,520 --> 00:56:57,040
Speaker 1: know the one on the Oh, yeah, I know, I'm

989
00:56:57,080 --> 00:57:01,960
Speaker 1: just genuinely ask but it was a Rosemont. Yeah, And

990
00:57:02,000 --> 00:57:03,800
Speaker 1: it was not a gay mic. It was just like

991
00:57:04,080 --> 00:57:07,640
Speaker 1: a bunch of little gay there were gay guys there

992
00:57:07,760 --> 00:57:13,600
Speaker 1: and gay girls and whatever. I could never I could.

993
00:57:13,800 --> 00:57:15,759
Speaker 1: This is something like looking back, I don't think I

994
00:57:15,840 --> 00:57:19,440
Speaker 1: could have done just like a straight mic, straight mics,

995
00:57:19,440 --> 00:57:22,080
Speaker 1: and it really did like traumatiz it actually does like

996
00:57:22,280 --> 00:57:27,240
Speaker 1: make you harder, like yeah, exactly because you are like

997
00:57:27,480 --> 00:57:29,760
Speaker 1: I can't. It's actually such a crazy experience. It'd be

998
00:57:29,840 --> 00:57:32,720
Speaker 1: like last at like the horrible open mic, you know

999
00:57:32,760 --> 00:57:35,440
Speaker 1: what I mean. Yeah, And sometimes it makes you stronger,

1000
00:57:35,640 --> 00:57:37,560
Speaker 1: do you know what I mean? But you lose a tenderness,

1001
00:57:37,960 --> 00:57:40,240
Speaker 1: So do you feel like you and you're saying you

1002
00:57:40,360 --> 00:57:43,360
Speaker 1: have lost you calloused a little bit because of that. No.

1003
00:57:44,120 --> 00:57:46,120
Speaker 1: I did a long period where like there was like

1004
00:57:46,160 --> 00:57:47,600
Speaker 1: a year where I was doing Mikes before I met

1005
00:57:47,720 --> 00:57:52,440
Speaker 1: Charlie changed where I didn't have like friends doing comedy.

1006
00:57:53,160 --> 00:57:55,360
Speaker 1: I had improv friends, but like I didn't have any

1007
00:57:55,520 --> 00:57:57,240
Speaker 1: I would just go to Mikes alone. I like Creak

1008
00:57:57,280 --> 00:57:59,000
Speaker 1: in the Cave or whatever. I kind of like the

1009
00:57:59,080 --> 00:58:02,440
Speaker 1: anonymity of it it and the kind of you know,

1010
00:58:02,520 --> 00:58:04,880
Speaker 1: when I would there was no one there to see it,

1011
00:58:05,360 --> 00:58:08,000
Speaker 1: like yeah, whatever, But but then when you do have

1012
00:58:08,120 --> 00:58:10,520
Speaker 1: someone there and it's like it's horrible, then it becomes

1013
00:58:10,520 --> 00:58:12,720
Speaker 1: so fun. Yeah, you're in the back, You're like screaming.

1014
00:58:12,760 --> 00:58:16,760
Speaker 1: You're like, it's kind of amazing. Well, I think we

1015
00:58:16,960 --> 00:58:18,920
Speaker 1: were very lucky because it was like we were very

1016
00:58:18,960 --> 00:58:23,200
Speaker 1: like held by each other and also like we started well,

1017
00:58:23,280 --> 00:58:24,600
Speaker 1: but you and I both had like we would like

1018
00:58:24,800 --> 00:58:27,400
Speaker 1: go our separate ways sometimes and like perform individually and

1019
00:58:27,480 --> 00:58:31,000
Speaker 1: we would both have like horrific experience. Oh god, yeah bad,

1020
00:58:31,160 --> 00:58:34,280
Speaker 1: and then like but I also remember like because we

1021
00:58:34,440 --> 00:58:36,600
Speaker 1: came up in like sketch and improv, it was like

1022
00:58:36,760 --> 00:58:40,040
Speaker 1: this like gayer thing already because everyone was acting because

1023
00:58:40,040 --> 00:58:44,560
Speaker 1: everyone knew it was like stand ups also have to

1024
00:58:44,680 --> 00:58:47,160
Speaker 1: understand it's what you're doing in the theater. It's theater,

1025
00:58:47,240 --> 00:58:49,320
Speaker 1: and it's not totally you have to like you're on

1026
00:58:49,400 --> 00:58:52,480
Speaker 1: a stage. You're not too literally you're literally not cool

1027
00:58:52,520 --> 00:58:54,160
Speaker 1: for doing it, and you have to you have to

1028
00:58:54,360 --> 00:58:58,520
Speaker 1: literally act like someone who is saying something. For one

1029
00:58:58,560 --> 00:59:00,600
Speaker 1: of the first times I said it, which is like

1030
00:59:00,720 --> 00:59:05,200
Speaker 1: complete theater, Like it's really to pretend. Yeah, it's so gay.

1031
00:59:05,680 --> 00:59:07,760
Speaker 1: It's so gay to pretend. That's actually really Coach number

1032
00:59:07,760 --> 00:59:10,000
Speaker 1: forty two, it's so gay to pretend. But I do

1033
00:59:10,200 --> 00:59:14,640
Speaker 1: remember like getting into comedy. I remember getting into you

1034
00:59:14,720 --> 00:59:17,360
Speaker 1: can say it. You could always say Okay, that actually

1035
00:59:17,360 --> 00:59:19,160
Speaker 1: makes another one comes out, that makes the rule a

1036
00:59:19,280 --> 00:59:25,080
Speaker 1: super rule. But I remember getting into comedy pretty much

1037
00:59:25,160 --> 00:59:29,080
Speaker 1: because I wanted to be an actress, and I was like,

1038
00:59:29,280 --> 00:59:32,320
Speaker 1: I know, the acceptable way for me, as a still

1039
00:59:32,360 --> 00:59:37,120
Speaker 1: closeted person at nineteen to like get into the one

1040
00:59:37,240 --> 00:59:40,160
Speaker 1: question me is to say, well, I'm doing sketch comedy,

1041
00:59:40,240 --> 00:59:41,960
Speaker 1: and with the hopes of one they being I'm like,

1042
00:59:42,160 --> 00:59:44,080
Speaker 1: all right, night Live. You know. Being from Long Island,

1043
00:59:44,160 --> 00:59:47,440
Speaker 1: it's like a language that everyone can speak. Yeah. And

1044
00:59:47,600 --> 00:59:50,160
Speaker 1: so that's why I did no theater in high school

1045
00:59:50,440 --> 00:59:52,640
Speaker 1: because it really day to me. You know, I didn't

1046
00:59:52,640 --> 00:59:55,320
Speaker 1: start doing anything until I was in whoa did you

1047
00:59:55,360 --> 01:00:01,120
Speaker 1: do theater in high school? It's really I really sports kid? No, really,

1048
01:00:01,920 --> 01:00:05,440
Speaker 1: Oh my god. I had a coach, Dad, Sure, that'll

1049
01:00:05,480 --> 01:00:08,200
Speaker 1: do it. I had a coach dad, I was and

1050
01:00:08,360 --> 01:00:10,920
Speaker 1: I was like, took it very very seriously, in almost

1051
01:00:10,960 --> 01:00:14,320
Speaker 1: like a gay way. Right, Yeah, you guys, seriously, the

1052
01:00:14,400 --> 01:00:17,240
Speaker 1: game is next week and if we're not gonna show

1053
01:00:17,320 --> 01:00:22,280
Speaker 1: up on time to practice, yeah, I recently ran into

1054
01:00:22,360 --> 01:00:24,880
Speaker 1: someone this is crazy. So I was captain of the

1055
01:00:24,960 --> 01:00:26,760
Speaker 1: track team when I was like young. I was like,

1056
01:00:26,800 --> 01:00:29,440
Speaker 1: I was like a sophomore in high school. Sophomore it's

1057
01:00:29,480 --> 01:00:33,400
Speaker 1: usually juniors, yes, And like basically, I like I had

1058
01:00:33,440 --> 01:00:36,760
Speaker 1: earned the respect of so basically, like I remember, I'm

1059
01:00:36,800 --> 01:00:39,080
Speaker 1: a sophomore in high school. I'm captain of the track team.

1060
01:00:39,560 --> 01:00:42,520
Speaker 1: And my coach comes to me and says, hey, one

1061
01:00:42,600 --> 01:00:45,120
Speaker 1: of the other captains is not pulling their weight, and

1062
01:00:45,240 --> 01:00:47,840
Speaker 1: I need you to tell him he can't be captain anymore.

1063
01:00:48,520 --> 01:00:51,840
Speaker 1: He was a junior, he was the coach was not good.

1064
01:00:51,920 --> 01:00:53,600
Speaker 1: So he was a junior, this kid, and he was

1065
01:00:53,640 --> 01:00:55,480
Speaker 1: like he was he did like events, he was like

1066
01:00:55,520 --> 01:00:59,360
Speaker 1: a high jumper. And also I intrinsically knew in my

1067
01:00:59,600 --> 01:01:02,280
Speaker 1: spirit that this was one of the only other gay

1068
01:01:02,400 --> 01:01:05,880
Speaker 1: kids at my high school. No, no, the other captain.

1069
01:01:06,400 --> 01:01:09,080
Speaker 1: So I had to do a gay kid. And I'm

1070
01:01:09,120 --> 01:01:12,040
Speaker 1: telling you I had to as a sophomore. Oh, I

1071
01:01:12,160 --> 01:01:14,760
Speaker 1: had to walk over to him before practice and I

1072
01:01:14,880 --> 01:01:18,800
Speaker 1: had to be like, hey, Frank, I was and I

1073
01:01:18,880 --> 01:01:21,840
Speaker 1: had to be like, listen, coach has come to me

1074
01:01:21,920 --> 01:01:24,760
Speaker 1: and let me know that, like you're not really like

1075
01:01:25,640 --> 01:01:29,000
Speaker 1: get you're not giving captain And and I remember he

1076
01:01:29,080 --> 01:01:31,000
Speaker 1: was looking at me like he and in his eyes.

1077
01:01:31,080 --> 01:01:32,320
Speaker 1: He could see me, and he was like, why are

1078
01:01:32,320 --> 01:01:34,120
Speaker 1: you doing this? Don't do this, don't don't do this.

1079
01:01:34,520 --> 01:01:36,920
Speaker 1: And I was just like, and I just feel like

1080
01:01:37,040 --> 01:01:38,840
Speaker 1: if you're if you don't want to be captain, like,

1081
01:01:39,000 --> 01:01:41,600
Speaker 1: don't be captain like and I was just like I

1082
01:01:41,720 --> 01:01:44,880
Speaker 1: started to start my heart started to break because he

1083
01:01:44,960 --> 01:01:46,520
Speaker 1: started to like cry a little bit, and I was

1084
01:01:46,560 --> 01:01:48,240
Speaker 1: just like, don't cry, don't cry, and all I all

1085
01:01:48,280 --> 01:01:51,439
Speaker 1: I wanted to do now. And what's funny is I'm

1086
01:01:51,480 --> 01:01:54,800
Speaker 1: in La like about a month ago, and I look

1087
01:01:54,880 --> 01:01:58,040
Speaker 1: over and I was just like, oh my god, and

1088
01:01:58,120 --> 01:02:01,480
Speaker 1: he comes over. He comes No, he's so successful and

1089
01:02:02,120 --> 01:02:05,640
Speaker 1: so good and he comes over, he goes Matt Rogers

1090
01:02:05,720 --> 01:02:08,520
Speaker 1: and I was like Frank and I just like hugged

1091
01:02:08,560 --> 01:02:11,600
Speaker 1: him and all. And it didn't come up. And he's

1092
01:02:11,680 --> 01:02:14,800
Speaker 1: never bounced back from now you have to start, you

1093
01:02:17,320 --> 01:02:24,360
Speaker 1: like he's doing. But I'll never ever forget like my

1094
01:02:24,560 --> 01:02:28,600
Speaker 1: straight coach who couldn't even take on the responsibility. It

1095
01:02:28,680 --> 01:02:30,960
Speaker 1: really horrible and my dad always had a bad feeling

1096
01:02:30,960 --> 01:02:34,600
Speaker 1: about him, and um so so I just remember like

1097
01:02:34,760 --> 01:02:38,240
Speaker 1: it was this heartbreaking thing of me needing to try

1098
01:02:38,520 --> 01:02:41,880
Speaker 1: so desperately to run status on this kid because I

1099
01:02:42,240 --> 01:02:45,160
Speaker 1: needed to prove to myself and other people that I

1100
01:02:45,360 --> 01:02:48,280
Speaker 1: was like good enough, tough enough, straight enough to like

1101
01:02:48,440 --> 01:02:51,320
Speaker 1: do this, and in the process, like, I feel like

1102
01:02:51,440 --> 01:02:54,600
Speaker 1: I hurt one of my sisters and I now and

1103
01:02:54,720 --> 01:02:57,360
Speaker 1: now now sisterhood is of course number one for me,

1104
01:02:57,640 --> 01:03:00,320
Speaker 1: right and I but I'll never forget at that. It

1105
01:03:00,400 --> 01:03:02,200
Speaker 1: was like a symptom of being like a sports kid,

1106
01:03:02,240 --> 01:03:04,520
Speaker 1: as you had to be a little bit like tough, stupid.

1107
01:03:04,880 --> 01:03:07,360
Speaker 1: Why are you crying? Right? And I am such an

1108
01:03:07,520 --> 01:03:10,800
Speaker 1: I'm so mommy and not like that, but I want

1109
01:03:10,840 --> 01:03:13,040
Speaker 1: to be crying in theater so bad. All I wanted

1110
01:03:13,040 --> 01:03:14,640
Speaker 1: to do was crying in theater. All I wanted to

1111
01:03:14,720 --> 01:03:17,560
Speaker 1: do was try out for like the swing choir and

1112
01:03:17,720 --> 01:03:19,720
Speaker 1: like do all those things. But I didn't do any

1113
01:03:19,760 --> 01:03:23,920
Speaker 1: of it. It's like, yeah, a lot of my girlfriends

1114
01:03:23,960 --> 01:03:25,640
Speaker 1: were in swing choir and like you know, did the

1115
01:03:25,680 --> 01:03:27,400
Speaker 1: plays and stuff, and they were like, Matt, just do it,

1116
01:03:27,600 --> 01:03:29,360
Speaker 1: do it, and I was just like I can't. I can't.

1117
01:03:29,480 --> 01:03:31,160
Speaker 1: And they were like I could tell they were like

1118
01:03:31,360 --> 01:03:33,680
Speaker 1: rolling their eyes and they were like, our gay friend

1119
01:03:33,840 --> 01:03:38,120
Speaker 1: can't be gay, right, And it's so tragic, legit. When

1120
01:03:38,160 --> 01:03:41,880
Speaker 1: you described his eyes. It's very powerful. I remember looking

1121
01:03:41,960 --> 01:03:43,560
Speaker 1: in his eyes and no one looked each other in

1122
01:03:43,600 --> 01:03:46,840
Speaker 1: the eyes then, right or today right, And I was

1123
01:03:46,920 --> 01:03:48,720
Speaker 1: just like, I was just like, I've looked at it all.

1124
01:03:48,920 --> 01:03:50,560
Speaker 1: I've actually looked at all of you in your eyes

1125
01:03:50,640 --> 01:03:55,680
Speaker 1: this whole time totally. And now I can't, but I

1126
01:03:55,800 --> 01:03:59,040
Speaker 1: just remember like it was. It was so so many

1127
01:03:59,120 --> 01:04:02,520
Speaker 1: things were not being said in that moment that were like, yeah,

1128
01:04:02,720 --> 01:04:05,800
Speaker 1: so harsh. Right, It's like, oh, you're both communicant. You

1129
01:04:05,840 --> 01:04:08,320
Speaker 1: can't you can't make the subtexts. Yeah, I mean like

1130
01:04:08,400 --> 01:04:10,240
Speaker 1: what I wanted to say was like, hey, I don't

1131
01:04:10,240 --> 01:04:11,880
Speaker 1: think either of us are having fun doing this. Do

1132
01:04:11,880 --> 01:04:15,840
Speaker 1: you want to go like blow each other yefirmed game

1133
01:04:16,320 --> 01:04:19,880
Speaker 1: fool around? And then and then you know what really sucked,

1134
01:04:20,080 --> 01:04:23,680
Speaker 1: right was afterwards I said to the coach. I was like, yeah,

1135
01:04:23,720 --> 01:04:25,080
Speaker 1: I did it. It's done. He's not good, he doesn't

1136
01:04:25,080 --> 01:04:26,440
Speaker 1: want to be captain anymore, but he still wants to

1137
01:04:26,440 --> 01:04:28,240
Speaker 1: be on the team. It's done. And then and then

1138
01:04:28,280 --> 01:04:29,880
Speaker 1: he was like good, He's like yeah, and then he

1139
01:04:29,920 --> 01:04:31,680
Speaker 1: said he turned to my assistant coach and I remember

1140
01:04:31,760 --> 01:04:33,760
Speaker 1: him being like, the thing is like, I feel like

1141
01:04:33,800 --> 01:04:35,760
Speaker 1: I can't say it to him because like you know

1142
01:04:35,800 --> 01:04:38,320
Speaker 1: what I mean, Like it's upset and he's so obviously

1143
01:04:38,440 --> 01:04:42,480
Speaker 1: like you said that the coach in front of me,

1144
01:04:44,040 --> 01:04:46,160
Speaker 1: and I remember just sitting there and my my heart

1145
01:04:46,320 --> 01:04:48,720
Speaker 1: was just in my shoes. I was just like, oh,

1146
01:04:49,800 --> 01:04:52,640
Speaker 1: I was just like this is horrible and I'm complicit.

1147
01:04:53,200 --> 01:04:55,680
Speaker 1: I can't believe it. And like at the time, I

1148
01:04:55,800 --> 01:04:59,120
Speaker 1: was so desperate to like code switch and fit in that,

1149
01:04:59,240 --> 01:05:04,000
Speaker 1: like it was like like party to this, like horrible,

1150
01:05:04,240 --> 01:05:06,880
Speaker 1: not just like this thing that guaranteed he went home

1151
01:05:06,920 --> 01:05:09,479
Speaker 1: and was so upset about and maybe remained upset about,

1152
01:05:09,720 --> 01:05:11,840
Speaker 1: but then for there to be stuff set about him,

1153
01:05:11,880 --> 01:05:15,800
Speaker 1: I was just like, oh my god, Yeah, the coach

1154
01:05:15,920 --> 01:05:21,520
Speaker 1: was your Star magazine and Frank was Brittany. You were alone, Yeah,

1155
01:05:21,960 --> 01:05:28,080
Speaker 1: leave Frank alone. You don't know. God, it's seriously in

1156
01:05:28,400 --> 01:05:30,480
Speaker 1: It's also like it's so psychotic because it's like that

1157
01:05:30,600 --> 01:05:34,560
Speaker 1: was an adult right, literally, very much, very much so.

1158
01:05:35,240 --> 01:05:36,920
Speaker 1: But that's the thing is, it's like looking back now

1159
01:05:37,000 --> 01:05:39,080
Speaker 1: when you think back to teachers and we have conversations

1160
01:05:39,120 --> 01:05:41,120
Speaker 1: about this, because a lot of times this comes up,

1161
01:05:41,200 --> 01:05:43,080
Speaker 1: like because we talk about the culture that made us

1162
01:05:43,120 --> 01:05:44,960
Speaker 1: say blah blah blah, and it's like you return to

1163
01:05:45,080 --> 01:05:48,400
Speaker 1: that period and adults in your life at that time,

1164
01:05:48,480 --> 01:05:53,600
Speaker 1: it meant nothing that they were adults. Their behavior, it's crazy,

1165
01:05:53,840 --> 01:05:56,760
Speaker 1: Like teachers, I'm sure your schools as well, like really

1166
01:05:56,840 --> 01:05:59,640
Speaker 1: did have clear favorites and they're like, what's the gossip.

1167
01:05:59,680 --> 01:06:01,880
Speaker 1: Oh my, she like hooked up with him, And it's like,

1168
01:06:02,040 --> 01:06:04,960
Speaker 1: why you're talking about a sixteen year old? Yeah, like

1169
01:06:05,120 --> 01:06:09,040
Speaker 1: back off, get away, get away. It's weird. It's weird.

1170
01:06:09,120 --> 01:06:13,040
Speaker 1: It's weird. I'm just repeating, but because I agree, it's

1171
01:06:13,040 --> 01:06:17,160
Speaker 1: like it's even weird. It's no exactly, get a job,

1172
01:06:17,320 --> 01:06:21,240
Speaker 1: get away from her, Yeah, exactly. People people be posting that. Yeah,

1173
01:06:21,360 --> 01:06:26,320
Speaker 1: it's true. Like Bowen always talks about this one theater

1174
01:06:26,400 --> 01:06:29,280
Speaker 1: teacher he had that like ruin your life ruined. But

1175
01:06:29,920 --> 01:06:33,360
Speaker 1: oh oh, it's just it's like it's it's the person

1176
01:06:33,440 --> 01:06:37,360
Speaker 1: who like fucked you up, like made you feel like

1177
01:06:37,440 --> 01:06:38,840
Speaker 1: you were going to have to be a certain way

1178
01:06:38,920 --> 01:06:41,960
Speaker 1: or couldn't do a certain thing. It actually also takes

1179
01:06:42,000 --> 01:06:45,040
Speaker 1: like a really long time to get past that, especially

1180
01:06:45,080 --> 01:06:47,440
Speaker 1: something like that, Like you know, I'm glad Frank is

1181
01:06:47,480 --> 01:06:49,960
Speaker 1: doing okay, he's doing so great, right, but I bet

1182
01:06:50,000 --> 01:06:51,840
Speaker 1: you it actually was like a long time. Yeah. I'm like,

1183
01:06:51,920 --> 01:06:54,480
Speaker 1: so you say whatever, but I'm sure it does take

1184
01:06:54,480 --> 01:06:56,760
Speaker 1: a really long time. Yeah, I was. Were we talking

1185
01:06:56,760 --> 01:06:59,200
Speaker 1: about this? I like didn't get into the improv groups

1186
01:06:59,320 --> 01:07:03,800
Speaker 1: and that I yeah, oh yeah, we were talking crayons laws, Yeah,

1187
01:07:04,960 --> 01:07:08,120
Speaker 1: poker literally exact high poker. Hey, you actually are nailing it, yeah,

1188
01:07:08,160 --> 01:07:10,640
Speaker 1: because because I guess what, I fucking knew all of

1189
01:07:10,720 --> 01:07:14,160
Speaker 1: the groups we used to go to like not compete,

1190
01:07:14,240 --> 01:07:16,880
Speaker 1: we would sometimes like do festivals with them, and I

1191
01:07:16,920 --> 01:07:18,760
Speaker 1: can't believe you weren't in it talk about this and

1192
01:07:18,840 --> 01:07:21,480
Speaker 1: I did Acapella instead, which I didn't, like, no offense

1193
01:07:21,640 --> 01:07:23,720
Speaker 1: to the Acapella community. It's okay, But then I did

1194
01:07:23,760 --> 01:07:25,240
Speaker 1: stand up at college and like I was like, well

1195
01:07:25,280 --> 01:07:27,040
Speaker 1: that's my thing. But it took me so long to

1196
01:07:27,120 --> 01:07:30,560
Speaker 1: get over the like church in my shoulder of like wow,

1197
01:07:30,760 --> 01:07:33,040
Speaker 1: like and truly like stills and not to animates me

1198
01:07:33,120 --> 01:07:35,720
Speaker 1: of like like how far I've come? Yeah yeah, And

1199
01:07:35,840 --> 01:07:39,439
Speaker 1: it's like, okay, relax about that, you know, but don't relax. Yeah,

1200
01:07:40,400 --> 01:07:43,160
Speaker 1: are very deep, right, Well, you know one of my

1201
01:07:43,280 --> 01:07:45,640
Speaker 1: earliest wounds was when I went to go audition for

1202
01:07:45,680 --> 01:07:48,200
Speaker 1: the Danger Bucks improv group and Yu and Bow and Yang,

1203
01:07:48,280 --> 01:07:50,680
Speaker 1: and in our very first meeting, came over to me

1204
01:07:50,760 --> 01:07:54,080
Speaker 1: and said, hey, Matt, it's so great that I heard it.

1205
01:07:54,080 --> 01:07:56,680
Speaker 1: You're really funny, and so I guess what happens in there?

1206
01:07:56,840 --> 01:08:01,560
Speaker 1: And I got caught first rounds. Yes, I see what

1207
01:08:01,600 --> 01:08:05,040
Speaker 1: you got. You were frank in that moment, and you

1208
01:08:05,120 --> 01:08:07,360
Speaker 1: were I was the coach. And then and then I

1209
01:08:07,480 --> 01:08:10,600
Speaker 1: stormed into that sketch audition the next day I got it,

1210
01:08:10,680 --> 01:08:12,120
Speaker 1: and then saw that one at the first party, and

1211
01:08:12,200 --> 01:08:16,719
Speaker 1: I said, you will never keep me down. Don't try,

1212
01:08:17,080 --> 01:08:19,600
Speaker 1: don't even try. And yet you did, and yet I

1213
01:08:19,720 --> 01:08:22,320
Speaker 1: did and I but then you have to learn from you.

1214
01:08:23,160 --> 01:08:25,000
Speaker 1: Then you become part of the acapella group and we're

1215
01:08:25,000 --> 01:08:28,120
Speaker 1: doing them a favorite with your gorgeous tone. Well I

1216
01:08:28,200 --> 01:08:33,000
Speaker 1: just didn't Yeah. Well, I'm like talk about it because

1217
01:08:33,000 --> 01:08:36,640
Speaker 1: I'm like, I don't want to be like yeah. But

1218
01:08:36,920 --> 01:08:39,640
Speaker 1: my thing with yeah, my thing with it was I

1219
01:08:39,720 --> 01:08:41,920
Speaker 1: was always like, why don't we add an instrument? This

1220
01:08:42,040 --> 01:08:43,720
Speaker 1: might sound a little bit better, Like why are we

1221
01:08:43,840 --> 01:08:46,000
Speaker 1: trying to do this song? Like I know it's like

1222
01:08:46,920 --> 01:08:49,720
Speaker 1: we're trying to like approximate a guitar sound, right right,

1223
01:08:49,840 --> 01:08:54,720
Speaker 1: this might work a little bit better, Like acapella is

1224
01:08:55,280 --> 01:08:58,800
Speaker 1: an amazing way to prepare for a world in which

1225
01:08:59,040 --> 01:09:04,360
Speaker 1: if something happened, odd forbid instruments anymore. But thank god

1226
01:09:04,760 --> 01:09:07,760
Speaker 1: it hasn't happened, right exactly, So use them all you

1227
01:09:07,880 --> 01:09:10,360
Speaker 1: got them, and keep practicing. But we don't need to

1228
01:09:10,479 --> 01:09:13,920
Speaker 1: listen to It's likely do it in the bunker in

1229
01:09:14,040 --> 01:09:18,000
Speaker 1: the morning in right. Have you guys explored on the

1230
01:09:18,040 --> 01:09:19,880
Speaker 1: po at the show? Are the pod this like this

1231
01:09:20,000 --> 01:09:22,200
Speaker 1: idea a long time ago? Yeah, I think we talked

1232
01:09:22,240 --> 01:09:24,200
Speaker 1: about acapella. My thing with it now is I was

1233
01:09:24,240 --> 01:09:26,320
Speaker 1: remembering that I was in choir in high school and

1234
01:09:26,360 --> 01:09:28,479
Speaker 1: I was like, oh, that was actually amazing because that's

1235
01:09:28,600 --> 01:09:30,760
Speaker 1: music that's designed for just voices and it was so

1236
01:09:31,320 --> 01:09:34,800
Speaker 1: And that's also very like ego less art because you're like, really,

1237
01:09:34,960 --> 01:09:37,320
Speaker 1: I'm just one, and if you stand out, your choir

1238
01:09:37,400 --> 01:09:40,040
Speaker 1: teacher is like that someone in the tenors, it has

1239
01:09:40,040 --> 01:09:42,439
Speaker 1: a little bit of a nasal tone and you're like, sorry,

1240
01:09:42,520 --> 01:09:45,880
Speaker 1: it's for the many. Yeah, it's very cool because you're like,

1241
01:09:46,000 --> 01:09:49,599
Speaker 1: I'm just I'm here to help. Yeah. The idea of blending, blending,

1242
01:09:49,680 --> 01:09:51,760
Speaker 1: it's so powerful, and that's not like that so much

1243
01:09:52,160 --> 01:09:54,920
Speaker 1: in our work now, No, especially as such a soloist.

1244
01:09:55,720 --> 01:09:58,799
Speaker 1: You know what I'm saying. I had to learn powerful

1245
01:09:59,000 --> 01:10:02,920
Speaker 1: distinct residence. Are you talking about Arlie? Are you both

1246
01:10:02,960 --> 01:10:06,479
Speaker 1: of you? Both? It's I'm talking about both of us

1247
01:10:06,479 --> 01:10:11,160
Speaker 1: all the time. Scalist say we, I mean I say

1248
01:10:11,439 --> 01:10:13,320
Speaker 1: When I say we, I'm talking about men. When I

1249
01:10:13,360 --> 01:10:17,640
Speaker 1: say I, I mean, I mean you get it right,

1250
01:10:18,760 --> 01:10:20,720
Speaker 1: Charlie's in that. You were talking about yourself, and I'm like,

1251
01:10:20,920 --> 01:10:24,280
Speaker 1: right right, I'm in there no problem. When I say that,

1252
01:10:24,479 --> 01:10:30,320
Speaker 1: I mean me and now pronoun joke A pronoun joke.

1253
01:10:30,439 --> 01:10:33,559
Speaker 1: I like, yeah, hey, And they said we couldn't find

1254
01:10:33,600 --> 01:10:37,360
Speaker 1: a way, right, we did? Not hateful pronoun joke? How

1255
01:10:37,400 --> 01:10:41,080
Speaker 1: about that? Here's what I'm saying about it. That's what's

1256
01:10:41,160 --> 01:10:43,400
Speaker 1: up with you? Guys's with you? Guys? Wait? What's up

1257
01:10:43,400 --> 01:10:46,439
Speaker 1: with my guys? Um? Wait? Can I see me about vocalists?

1258
01:10:46,760 --> 01:10:49,880
Speaker 1: It's also about Wicked. Oh yes, I just saw Wicked,

1259
01:10:50,000 --> 01:10:52,519
Speaker 1: Oh my God on Broadway for my birthday for Broadway?

1260
01:10:52,560 --> 01:10:55,880
Speaker 1: What did you think for Broadway on my birthday? Um?

1261
01:10:55,920 --> 01:10:57,920
Speaker 1: It was one of the best experiences of my green

1262
01:10:58,080 --> 01:11:00,519
Speaker 1: I'm wearing green obviously, but it was so fun to

1263
01:11:00,640 --> 01:11:04,040
Speaker 1: see the ensemble members get their one little moment to

1264
01:11:04,160 --> 01:11:07,599
Speaker 1: sound cuckoo crazy, like they're blending, they're so perfect, it's

1265
01:11:07,600 --> 01:11:14,439
Speaker 1: all whatever, and then they're like, oh, here's and it's like, whoa, whoa,

1266
01:11:14,680 --> 01:11:17,680
Speaker 1: you got a particular voice on you. We didn't know

1267
01:11:17,920 --> 01:11:21,360
Speaker 1: that you could sound so you that you could send it,

1268
01:11:21,760 --> 01:11:25,120
Speaker 1: you could send it send. I ask you a question,

1269
01:11:25,200 --> 01:11:27,040
Speaker 1: because this actually is the most This is how I

1270
01:11:27,120 --> 01:11:29,720
Speaker 1: think you can tell if a production of Wicket is

1271
01:11:30,200 --> 01:11:34,640
Speaker 1: worth its salt. What did Madame Morrible give when she

1272
01:11:34,800 --> 01:11:39,559
Speaker 1: said wicked? What was it giving powerful? Was it giving

1273
01:11:39,720 --> 01:11:43,559
Speaker 1: vocal quality? Was a giving going forward or break? Yeah?

1274
01:11:43,680 --> 01:11:48,040
Speaker 1: I did want to say that I found Madame Morrible

1275
01:11:48,240 --> 01:11:51,519
Speaker 1: as wonderful as she was an actor, to be a

1276
01:11:51,680 --> 01:11:57,280
Speaker 1: wittle city like, I think that's a really dark character,

1277
01:11:57,760 --> 01:12:02,240
Speaker 1: you know what I mean, just wasting the wait to

1278
01:12:02,400 --> 01:12:06,720
Speaker 1: quote Hamilton, quote, you know, to quote Hamilton? Have you

1279
01:12:06,880 --> 01:12:10,280
Speaker 1: have you do? You know who's playing Morrible in the movie, Michelle? Yeoh,

1280
01:12:12,600 --> 01:12:17,439
Speaker 1: she's not giving, she's not being whittle silly. It's giving imperious. Wait,

1281
01:12:17,560 --> 01:12:21,920
Speaker 1: I'm obsessed with that. Natalie's like my one note exactly,

1282
01:12:22,360 --> 01:12:24,439
Speaker 1: And don't worry because in the film that will last

1283
01:12:24,560 --> 01:12:28,560
Speaker 1: for all of time on celluloid. It's being performed a

1284
01:12:28,600 --> 01:12:35,880
Speaker 1: different way. Good, can I can? I can? I can?

1285
01:12:35,920 --> 01:12:37,439
Speaker 1: I give a spoiler? Actually, and like I think there

1286
01:12:37,439 --> 01:12:40,240
Speaker 1: will be some technics. No, no, no, no, because you

1287
01:12:40,360 --> 01:12:44,040
Speaker 1: just did. I was in the room. I don't think

1288
01:12:44,040 --> 01:12:46,320
Speaker 1: you can say this whatever it is, I'm just gonna

1289
01:12:46,360 --> 01:12:48,720
Speaker 1: do a line. Okay, okay, we can cut it out.

1290
01:12:48,760 --> 01:12:51,040
Speaker 1: But this is how Michelle Yo said it in one take.

1291
01:12:54,000 --> 01:12:56,000
Speaker 1: That's do you think that's spoiler? Do you think we're

1292
01:12:56,000 --> 01:12:58,080
Speaker 1: gonna have to bleep it out? But but but I

1293
01:12:58,120 --> 01:12:59,639
Speaker 1: don't think. I don't think I don't think we should.

1294
01:12:59,680 --> 01:13:02,160
Speaker 1: I don't think we should think. I don't think that.

1295
01:13:02,320 --> 01:13:04,439
Speaker 1: I think that's okay for I think that's a perfectly

1296
01:13:04,520 --> 01:13:07,080
Speaker 1: sized thing from bleeping it is one of the funniest

1297
01:13:07,160 --> 01:13:11,360
Speaker 1: ideas I have. I'm gonna say it again, bleep it again.

1298
01:13:11,360 --> 01:13:17,759
Speaker 1: I don't care she goes cheers like this is so funny.

1299
01:13:17,960 --> 01:13:23,160
Speaker 1: Don't bleep this. But one just said fag faget and

1300
01:13:23,760 --> 01:13:26,280
Speaker 1: and people are gonna cheer in the seats. I would

1301
01:13:26,280 --> 01:13:30,559
Speaker 1: be a fin so much. Michelle said, do you see

1302
01:13:30,600 --> 01:13:33,720
Speaker 1: that gazelle? Brian just went for it. Yeah, wait, we

1303
01:13:33,800 --> 01:13:39,080
Speaker 1: were talking about this yesterday, but that's all culture number

1304
01:13:39,240 --> 01:13:42,479
Speaker 1: ninety eight here you see it just went for it.

1305
01:13:43,360 --> 01:13:46,240
Speaker 1: Now he's talking about Gazelle Bryan on Reasonably Shady. I'm

1306
01:13:46,240 --> 01:13:53,479
Speaker 1: gonna play it god, or have you guys watched Potomac

1307
01:13:54,280 --> 01:13:58,120
Speaker 1: it is? I don't think Charlie to learn about it

1308
01:13:58,240 --> 01:14:01,360
Speaker 1: through now, Yes, yes, I hear about it, like secondhand

1309
01:14:01,400 --> 01:14:03,719
Speaker 1: you went celest This thame was celest like, we won't

1310
01:14:03,760 --> 01:14:06,120
Speaker 1: watch Potoma but it was Celestia should watch it. But

1311
01:14:06,200 --> 01:14:08,200
Speaker 1: it is such a gift in my life to hear

1312
01:14:08,360 --> 01:14:11,599
Speaker 1: Natalie talk about Real House fives. Oh, because now it'll

1313
01:14:11,640 --> 01:14:13,960
Speaker 1: be like I'm like, I'm I'm sitting down, I'm ready,

1314
01:14:14,120 --> 01:14:16,519
Speaker 1: let's go, and they'll be like, okay, okay, here it is,

1315
01:14:16,640 --> 01:14:20,000
Speaker 1: and we'll just do a whole episode. Bryant saying the

1316
01:14:20,080 --> 01:14:24,000
Speaker 1: fsler on her podcast Reasonably trad Here we go talking

1317
01:14:24,000 --> 01:14:26,720
Speaker 1: about talking about I'mjesse Smllett. So what he did was

1318
01:14:26,760 --> 01:14:30,879
Speaker 1: the case you guys don't remember? Was he stage stage?

1319
01:14:31,080 --> 01:14:33,439
Speaker 1: I hate crying. So they were supposed to put a

1320
01:14:33,520 --> 01:14:37,160
Speaker 1: noose around his neck. They're supposed to call him baggett

1321
01:14:37,280 --> 01:14:52,240
Speaker 1: or gay gay empire fae. I like the people. This

1322
01:14:52,520 --> 01:14:54,760
Speaker 1: is not because she's deciding if she should say it

1323
01:14:54,880 --> 01:14:57,160
Speaker 1: or not. It's just remembering it. I don't think so.

1324
01:14:57,400 --> 01:15:00,040
Speaker 1: I think I think the lotus is. I think so

1325
01:15:00,120 --> 01:15:02,519
Speaker 1: many things are happening, she's just remembering it. She's bailing

1326
01:15:02,640 --> 01:15:06,639
Speaker 1: on it yea through and then she is playing dumb

1327
01:15:07,240 --> 01:15:10,080
Speaker 1: at the end. Yes, it's also it's it's what Gizelle

1328
01:15:10,080 --> 01:15:12,200
Speaker 1: doesn't every sing. You can also hear Robin Dixon a

1329
01:15:12,240 --> 01:15:20,040
Speaker 1: little bit and then back being like, oh replies on

1330
01:15:20,200 --> 01:15:22,640
Speaker 1: that tweet, and it replies on that tweet. It is

1331
01:15:22,720 --> 01:15:25,400
Speaker 1: they do post up. Kelly Osborne on the view that

1332
01:15:25,560 --> 01:15:32,479
Speaker 1: moment after mister Trump, No, no, in the sense that

1333
01:15:36,880 --> 01:15:44,120
Speaker 1: Kelly I went for it. Absolutely, you guys try to

1334
01:15:44,240 --> 01:15:48,800
Speaker 1: go for it. Do you like no, I'm I'm but

1335
01:15:48,880 --> 01:15:51,080
Speaker 1: I had for a really long time. Well, I like

1336
01:15:51,240 --> 01:15:53,840
Speaker 1: that the gizl has like a real levity to her,

1337
01:15:54,000 --> 01:15:57,000
Speaker 1: Like she'll just like be like laughing at everything, and

1338
01:15:57,080 --> 01:15:59,400
Speaker 1: I like that. But I do think it's it's a mass,

1339
01:15:59,640 --> 01:16:02,200
Speaker 1: it's a ask, yeah, and it's a little like her

1340
01:16:02,360 --> 01:16:05,720
Speaker 1: like other people's business like is funny to her. And

1341
01:16:05,760 --> 01:16:07,080
Speaker 1: at first it was like ha ha, and then it

1342
01:16:07,160 --> 01:16:10,040
Speaker 1: was like, wait, that's like someone's life. Yeah, it's it's

1343
01:16:10,080 --> 01:16:13,320
Speaker 1: officially um what is it? What do you call it? Um?

1344
01:16:13,439 --> 01:16:16,479
Speaker 1: When something has gone too far? Sharks? Is that what

1345
01:16:16,520 --> 01:16:26,160
Speaker 1: you mean? It's officially like gone gone too far? The

1346
01:16:26,200 --> 01:16:29,479
Speaker 1: shark um bridge the gap. No, come on, there is

1347
01:16:29,520 --> 01:16:35,640
Speaker 1: a thing. You're getting a lot of good as all

1348
01:16:35,720 --> 01:16:38,120
Speaker 1: good could use them gone to what? What? What? What?

1349
01:16:38,320 --> 01:16:41,559
Speaker 1: What is? What is it? God? It's not as um.

1350
01:16:42,040 --> 01:16:52,680
Speaker 1: This is officially God must it's cuckoo. Anyway. We don't like,

1351
01:16:53,040 --> 01:16:55,840
Speaker 1: we don't like Giselle. We're actually on recordiz saying I

1352
01:16:56,120 --> 01:16:59,400
Speaker 1: know that word. We hate Giselle. I not gonna rect

1353
01:16:59,439 --> 01:17:01,439
Speaker 1: because that was the episode, but I'm here to say,

1354
01:17:01,479 --> 01:17:04,439
Speaker 1: at least for me, Jazelle Bryant is a person I

1355
01:17:04,560 --> 01:17:08,800
Speaker 1: hate and I don't use that and Robin together, I

1356
01:17:08,880 --> 01:17:13,040
Speaker 1: think is like a full bull. It's not good. It's

1357
01:17:13,080 --> 01:17:18,160
Speaker 1: not good, and it's actually well, we're very team Candics

1358
01:17:18,200 --> 01:17:22,880
Speaker 1: all the time, Like we actually celebrate Candidas. Wait, we've

1359
01:17:22,920 --> 01:17:26,840
Speaker 1: had on the podcast, We've had doctor. He's been a Candids.

1360
01:17:27,040 --> 01:17:29,040
Speaker 1: Candice did win the Record of the Year award at

1361
01:17:29,040 --> 01:17:32,840
Speaker 1: the last Culture Ratist Awards. So yeah, yeah, drive back

1362
01:17:34,120 --> 01:17:40,000
Speaker 1: back to the way. Drive back is on repeat, repeat, repeat,

1363
01:17:40,720 --> 01:17:43,400
Speaker 1: across a million screams on Spotify. Yes, so, I was

1364
01:17:43,400 --> 01:17:45,280
Speaker 1: just talking to my friend name about like we haven't

1365
01:17:45,360 --> 01:17:47,880
Speaker 1: had it's a very rare thing to have a housewife

1366
01:17:47,920 --> 01:17:50,799
Speaker 1: like you have Candy who like obviously has like musical background,

1367
01:17:51,800 --> 01:17:54,960
Speaker 1: but a housewife who starts as a housewife and enters

1368
01:17:54,960 --> 01:17:58,080
Speaker 1: the musical space. Yeah, and it's like not a joke,

1369
01:17:58,240 --> 01:18:00,720
Speaker 1: like like wait a minute, and like she's so it's

1370
01:18:00,760 --> 01:18:02,920
Speaker 1: just like it's a it's a rare thing. It's very

1371
01:18:03,160 --> 01:18:06,280
Speaker 1: it's really rare, and we are supporting all the way.

1372
01:18:06,720 --> 01:18:09,639
Speaker 1: And who knows, maybe at maybe at last Cold Piece

1373
01:18:09,640 --> 01:18:20,200
Speaker 1: of Culture Awards w mort com. All right, it's time,

1374
01:18:20,400 --> 01:18:22,920
Speaker 1: is it time? So it's time now for I don't

1375
01:18:22,960 --> 01:18:26,599
Speaker 1: think so, honey. This is our really sixty second segment

1376
01:18:26,800 --> 01:18:30,400
Speaker 1: that um we do weekly, Yes, on our weekly podcast

1377
01:18:30,920 --> 01:18:39,360
Speaker 1: Never Never not Happens up? Where are we? Dare you? Um?

1378
01:18:40,520 --> 01:18:42,719
Speaker 1: We rail against something and Cold we really go forward

1379
01:18:42,720 --> 01:18:45,680
Speaker 1: against something in culture that should not be Um. So

1380
01:18:47,880 --> 01:18:49,680
Speaker 1: I do have something, okay, and it's gonna be a

1381
01:18:49,720 --> 01:18:54,479
Speaker 1: little controversial. I think, oh me too. This is Matt Rogers.

1382
01:18:54,479 --> 01:18:55,920
Speaker 1: I don't think so many as time starts yet I

1383
01:18:55,960 --> 01:18:59,920
Speaker 1: don't think so, honey, Mowanna again. I definitely don't think

1384
01:19:00,160 --> 01:19:03,120
Speaker 1: we need ma Wanna again. I think that we had

1385
01:19:03,240 --> 01:19:06,559
Speaker 1: Moana once and it was wonderful. I am on record

1386
01:19:06,600 --> 01:19:08,880
Speaker 1: for being like, is actual Maana a little bit slow?

1387
01:19:09,160 --> 01:19:11,479
Speaker 1: But act one half far ago? I love it. I

1388
01:19:11,600 --> 01:19:15,600
Speaker 1: love the end. Lovewell did that gorgeous? Linmonwell did that

1389
01:19:16,080 --> 01:19:21,559
Speaker 1: just yet? But I will say that ma Wanna live action.

1390
01:19:21,840 --> 01:19:23,160
Speaker 1: It's not that I don't want to see it in

1391
01:19:23,400 --> 01:19:26,599
Speaker 1: in ten fifteen years. I don't know that we need

1392
01:19:26,680 --> 01:19:30,320
Speaker 1: it right now. It's really sad that also what's happening

1393
01:19:30,360 --> 01:19:31,920
Speaker 1: with Harry Potter. Another saying is going to be a

1394
01:19:31,960 --> 01:19:35,599
Speaker 1: limited series of Harry Potter um on HBO. It's like, guys,

1395
01:19:35,680 --> 01:19:38,680
Speaker 1: these things just literally just happened, and please, let's just

1396
01:19:38,800 --> 01:19:40,840
Speaker 1: get a new idea. I also understand that it's a

1397
01:19:40,840 --> 01:19:42,360
Speaker 1: little bit I don't think so, honey, me even saying

1398
01:19:42,400 --> 01:19:44,160
Speaker 1: this because it's like we kind of get what we

1399
01:19:44,280 --> 01:19:46,640
Speaker 1: deserve as consumers, Like if we keep telling them all

1400
01:19:46,640 --> 01:19:48,400
Speaker 1: you want is the same thing, Like what do we expect?

1401
01:19:48,800 --> 01:19:51,200
Speaker 1: Like this is coming from someone who did see the

1402
01:19:51,240 --> 01:19:53,639
Speaker 1: Way of Water twice and didn't like it necessarily either,

1403
01:19:54,640 --> 01:19:56,880
Speaker 1: So I don't think so honey me and saying this,

1404
01:19:57,040 --> 01:19:59,360
Speaker 1: but I don't think so honey. Mawana again and that's

1405
01:19:59,360 --> 01:20:04,360
Speaker 1: one minute, just because again again again, like I wanna

1406
01:20:04,560 --> 01:20:09,200
Speaker 1: fine wanna again. And in terms of mo wanna comma again,

1407
01:20:09,800 --> 01:20:11,439
Speaker 1: like I get that it's gonna be live action, and

1408
01:20:11,560 --> 01:20:14,920
Speaker 1: I certainly think that'll that'll be something to watch, and

1409
01:20:15,200 --> 01:20:17,800
Speaker 1: you know, we have Dwayne the Rock that's gonna be

1410
01:20:17,960 --> 01:20:21,080
Speaker 1: in it. But the thing is like I just feel like,

1411
01:20:21,680 --> 01:20:23,599
Speaker 1: is it? Is it? Even though it would be fun,

1412
01:20:23,680 --> 01:20:27,280
Speaker 1: And I also know that so many millions billions of

1413
01:20:27,360 --> 01:20:29,880
Speaker 1: people love this movie and it means something to them,

1414
01:20:29,960 --> 01:20:32,160
Speaker 1: so like it's for them, it's four kids. I don't

1415
01:20:32,240 --> 01:20:34,880
Speaker 1: I shouldn't complain. I don't care. But it's also just

1416
01:20:35,040 --> 01:20:38,639
Speaker 1: like in terms of like just the business in general,

1417
01:20:38,720 --> 01:20:41,040
Speaker 1: it's like, okay, so now we're not even pretending that

1418
01:20:41,160 --> 01:20:43,479
Speaker 1: we don't care, like now we it's not even like

1419
01:20:43,560 --> 01:20:47,639
Speaker 1: we want the industry to be something good again. It's

1420
01:20:47,680 --> 01:20:50,040
Speaker 1: just like we are only interested in money. And I

1421
01:20:50,080 --> 01:20:52,439
Speaker 1: guess that's my thing with Disney in general, is it's like, oh,

1422
01:20:52,560 --> 01:20:55,320
Speaker 1: you guys are just genuinely only about the bottom line

1423
01:20:55,320 --> 01:20:59,400
Speaker 1: in a way that's like completely out indisputable, like you

1424
01:20:59,560 --> 01:21:02,320
Speaker 1: can't even talk about it anymore. Wait. Someone was telling

1425
01:21:02,360 --> 01:21:04,000
Speaker 1: me this and I didn't verify because I thought it

1426
01:21:04,040 --> 01:21:06,519
Speaker 1: was funny or if it was true. Um, but someone

1427
01:21:06,720 --> 01:21:09,479
Speaker 1: was like the live action Lion King, because I was like,

1428
01:21:09,560 --> 01:21:11,280
Speaker 1: why do you think keep making these live action like

1429
01:21:11,360 --> 01:21:13,240
Speaker 1: Disney movies? It look so bad and they keep doing them.

1430
01:21:13,600 --> 01:21:16,479
Speaker 1: And a friend was like, the live action Lion King

1431
01:21:16,520 --> 01:21:18,479
Speaker 1: and all those live action movies are like the top five,

1432
01:21:18,720 --> 01:21:21,280
Speaker 1: like highest grossing movies of all time. Yeah, they're up there.

1433
01:21:21,280 --> 01:21:25,800
Speaker 1: I actually was just because I literally just went on

1434
01:21:26,160 --> 01:21:28,800
Speaker 1: the site box officemojo dot com of course, because I

1435
01:21:28,920 --> 01:21:31,200
Speaker 1: just wanted to see like sort of what was up right,

1436
01:21:31,479 --> 01:21:33,479
Speaker 1: and I just wanted to see like what the highest

1437
01:21:33,520 --> 01:21:35,639
Speaker 1: grossing movies of all time were. And it's so crazy.

1438
01:21:35,800 --> 01:21:40,680
Speaker 1: They're literally all like either the same thing or like

1439
01:21:40,920 --> 01:21:43,400
Speaker 1: some version of something else, right, you know what I mean.

1440
01:21:43,439 --> 01:21:48,200
Speaker 1: It's it's like Lion King two sixteen, but that one

1441
01:21:48,360 --> 01:21:51,320
Speaker 1: really was like top ten, wow, which is crazy because

1442
01:21:51,360 --> 01:21:53,560
Speaker 1: it's funny. Yeah, and that's like charl when I was

1443
01:21:53,680 --> 01:21:56,960
Speaker 1: high on marijuana down center and I laughed for an

1444
01:21:57,000 --> 01:22:01,439
Speaker 1: hour and now yeah, yeah, well I right, yeah's true.

1445
01:22:01,479 --> 01:22:02,920
Speaker 1: I told you that, and you were like, that is

1446
01:22:02,960 --> 01:22:06,439
Speaker 1: the funniest thing I've ever heard. Yeah, yeah, you can't

1447
01:22:07,920 --> 01:22:11,040
Speaker 1: about one. But the highest grossing movies of all time

1448
01:22:11,080 --> 01:22:15,120
Speaker 1: are literally like The Star Wars New One, Avatar, Avatar too,

1449
01:22:15,640 --> 01:22:19,160
Speaker 1: the Star Wars New One, right at Lion King now

1450
01:22:19,800 --> 01:22:26,080
Speaker 1: Lion King, then Dress World, Rassic World, Dress Park. It

1451
01:22:26,160 --> 01:22:30,160
Speaker 1: is the last original story highest gross that, like, like

1452
01:22:30,240 --> 01:22:33,280
Speaker 1: broke Records, is that Titanic. Titanic is the only one

1453
01:22:33,320 --> 01:22:36,800
Speaker 1: in the top ten that's not like based on a franchise.

1454
01:22:37,200 --> 01:22:40,479
Speaker 1: And even that, it's like Titanic is now like ip right,

1455
01:22:40,720 --> 01:22:43,479
Speaker 1: like they could literally do Titanic again, and I feel like,

1456
01:22:43,760 --> 01:22:46,080
Speaker 1: of course they did. Wait, that would be funny if

1457
01:22:46,120 --> 01:22:50,920
Speaker 1: they're from where it left off again what happened? We

1458
01:22:51,040 --> 01:22:53,000
Speaker 1: know what happened? Be the movie was in the future too, right,

1459
01:22:53,320 --> 01:22:56,519
Speaker 1: so Titanic even knew if it happened, Like it's based

1460
01:22:56,560 --> 01:23:00,320
Speaker 1: on newspaper articles, right, that's the real you know what? Really,

1461
01:23:00,760 --> 01:23:02,960
Speaker 1: probably they should do and I might as well just pitch.

1462
01:23:03,200 --> 01:23:05,400
Speaker 1: It's like a limited series on HBEL called like Rose,

1463
01:23:05,920 --> 01:23:08,360
Speaker 1: which is just about like in six episodes. There's just

1464
01:23:08,479 --> 01:23:12,320
Speaker 1: different moments in her life like between her after Titanic

1465
01:23:12,400 --> 01:23:15,320
Speaker 1: and before she was old as hell, Like, get six

1466
01:23:15,400 --> 01:23:17,880
Speaker 1: different actresses to play her, my God and Kate do

1467
01:23:18,040 --> 01:23:21,720
Speaker 1: one of them? Kate like a way shoddy so that

1468
01:23:21,760 --> 01:23:26,360
Speaker 1: no one can take Also, wait, you need to do

1469
01:23:27,400 --> 01:23:29,920
Speaker 1: before Titanic and after tan or just after Titanic. I

1470
01:23:29,960 --> 01:23:33,280
Speaker 1: think it's after Titanic and before she's old as hell

1471
01:23:34,680 --> 01:23:36,880
Speaker 1: and being like something at the at the pottery wheel.

1472
01:23:36,920 --> 01:23:38,320
Speaker 1: I think I thought I was thought I was iconic

1473
01:23:38,360 --> 01:23:40,360
Speaker 1: that she was at the pottery wheel. And then she's

1474
01:23:40,400 --> 01:23:43,240
Speaker 1: like because remember all those remember wattery when she's like

1475
01:23:43,360 --> 01:23:48,400
Speaker 1: local and when she's old potters the ancient times of course,

1476
01:23:48,479 --> 01:23:52,800
Speaker 1: but on a wheel. So when did we get the times?

1477
01:23:54,240 --> 01:23:56,439
Speaker 1: But don't you think all those pictures like when when

1478
01:23:56,760 --> 01:24:01,240
Speaker 1: at the end wood dud dude, dude, which by the way, iconic,

1479
01:24:01,760 --> 01:24:05,840
Speaker 1: um that all those pitches of her like, yeah, it's

1480
01:24:05,960 --> 01:24:07,439
Speaker 1: just the horse that I remember. It could be a

1481
01:24:07,520 --> 01:24:10,519
Speaker 1: Last of Us episode three type episode about her finally

1482
01:24:10,600 --> 01:24:12,320
Speaker 1: getting on the horse and like having a love affair

1483
01:24:12,360 --> 01:24:14,320
Speaker 1: with the guy who teaches her how to ride side saddle.

1484
01:24:14,560 --> 01:24:16,479
Speaker 1: And then at the end of the episode you see

1485
01:24:16,520 --> 01:24:19,160
Speaker 1: her look back at like the she's she's just postcoital, right,

1486
01:24:19,240 --> 01:24:22,160
Speaker 1: she gets out of bed, she looks over her shoulder

1487
01:24:22,640 --> 01:24:24,400
Speaker 1: at the little house where she's just sucked the guy,

1488
01:24:24,439 --> 01:24:26,640
Speaker 1: and she rides side saddle away And that's the end

1489
01:24:26,680 --> 01:24:29,479
Speaker 1: of episode three of my limited series Rose. Wait, can

1490
01:24:29,520 --> 01:24:31,200
Speaker 1: I make another pitch for that? Yeah? You want to

1491
01:24:31,280 --> 01:24:37,160
Speaker 1: ride on the show? Yeah? Thank you? Okay, that's all. No, Um,

1492
01:24:37,560 --> 01:24:39,320
Speaker 1: I want it to be like Last of a Style,

1493
01:24:39,400 --> 01:24:41,519
Speaker 1: except it's old her, but she's actually surviving in a

1494
01:24:41,520 --> 01:24:47,720
Speaker 1: post character and she survived the whole time. I want

1495
01:24:47,800 --> 01:24:50,280
Speaker 1: to see that. I really like that. Yeah, and maybe

1496
01:24:50,360 --> 01:24:52,560
Speaker 1: that's actually like or that series two, do you know

1497
01:24:52,560 --> 01:24:54,479
Speaker 1: what I mean? Yeah, Like the first one is what

1498
01:24:54,560 --> 01:24:56,160
Speaker 1: you want, and then it's like we actually take it

1499
01:24:56,200 --> 01:24:59,120
Speaker 1: in a really different direction. Basically you're just pitching, like

1500
01:24:59,200 --> 01:25:06,160
Speaker 1: me getting overthrown as like exactly what you're pitching is like,

1501
01:25:06,240 --> 01:25:07,640
Speaker 1: that's cool that you want to do that. And then

1502
01:25:07,680 --> 01:25:09,479
Speaker 1: I take your job and do a different shop. Right

1503
01:25:11,720 --> 01:25:14,120
Speaker 1: then I thought we were us. Yeah, I know we

1504
01:25:14,280 --> 01:25:19,160
Speaker 1: used to be exactly we broke up. Yeah, all right,

1505
01:25:19,240 --> 01:25:21,479
Speaker 1: so are you ready to do You're out and think so, yeah,

1506
01:25:21,479 --> 01:25:23,519
Speaker 1: I'm ready And remember this, you said this is gonna

1507
01:25:23,520 --> 01:25:25,840
Speaker 1: be like incendiary and really rough. I just think it's

1508
01:25:25,840 --> 01:25:28,360
Speaker 1: gonna it's gonna you're gonna disagree with me, and then

1509
01:25:28,400 --> 01:25:30,559
Speaker 1: you're gonna agree with you. Can I say I'm using

1510
01:25:30,560 --> 01:25:34,960
Speaker 1: your pop socket all this is? I don't think so, honey,

1511
01:25:35,280 --> 01:25:38,120
Speaker 1: time starts now. I don't think so, honey. Skip AD

1512
01:25:38,640 --> 01:25:41,679
Speaker 1: someone worked really hard on that, and it's actually, wouldn't

1513
01:25:41,720 --> 01:25:45,080
Speaker 1: you rather be like be like, have to have it

1514
01:25:45,120 --> 01:25:47,360
Speaker 1: be upfront that it's an AD and not not have

1515
01:25:47,520 --> 01:25:50,280
Speaker 1: it be products placement? Like if I see skip AD,

1516
01:25:50,360 --> 01:25:52,479
Speaker 1: I know it's an AD. But if I don't see

1517
01:25:52,520 --> 01:25:54,640
Speaker 1: skip at and I'm watching something and there's like a

1518
01:25:54,760 --> 01:25:57,240
Speaker 1: Durist Cell battery like being like shoved in my face,

1519
01:25:57,400 --> 01:25:59,240
Speaker 1: then I'm like, is this a commercial for Durist Cell?

1520
01:26:00,000 --> 01:26:02,439
Speaker 1: It's actually skip ad. It's actually a blessing in the

1521
01:26:02,560 --> 01:26:06,320
Speaker 1: current media Landsky because because it's very very very spared.

1522
01:26:06,400 --> 01:26:09,120
Speaker 1: What this is? Everything else these days like like like

1523
01:26:10,320 --> 01:26:15,200
Speaker 1: ads are actually good. It's mad. It's bad. It's bad

1524
01:26:15,240 --> 01:26:17,560
Speaker 1: that we're being marketed to bloo boo boo boo. But

1525
01:26:17,640 --> 01:26:20,679
Speaker 1: it's like if if I see an AD on Instagram

1526
01:26:20,800 --> 01:26:24,479
Speaker 1: or TI, I go, oh, okay, this this sucks. This

1527
01:26:24,600 --> 01:26:26,800
Speaker 1: interrupts like, you know my experience, but at least I

1528
01:26:26,920 --> 01:26:29,120
Speaker 1: know what this is and I can just move on.

1529
01:26:29,560 --> 01:26:33,799
Speaker 1: But I think I think we're we're teetering into dangerous

1530
01:26:33,840 --> 01:26:35,519
Speaker 1: territory now where everything is an AD. But if you

1531
01:26:35,560 --> 01:26:36,960
Speaker 1: see skip bad, then you know, you know, you know

1532
01:26:37,000 --> 01:26:39,800
Speaker 1: what it is exactly. Okay, that's one minute. I understand, Yeah,

1533
01:26:39,840 --> 01:26:41,840
Speaker 1: I got I actually don't think anyone no. But it's

1534
01:26:41,840 --> 01:26:45,040
Speaker 1: also like what Mats was saying that nobody gets don't

1535
01:26:45,120 --> 01:26:47,599
Speaker 1: just don't just throw I thought that was going down

1536
01:26:47,720 --> 01:26:51,840
Speaker 1: on the table like four Actually, you guys don't highest

1537
01:26:51,880 --> 01:26:54,880
Speaker 1: grossing movies of all time. It's like Matt was saying about,

1538
01:26:54,920 --> 01:26:57,640
Speaker 1: like you teach the media how to treat you, Like

1539
01:26:58,000 --> 01:27:00,200
Speaker 1: the more we skip AD, the more they're gonna be like, fine,

1540
01:27:00,280 --> 01:27:04,760
Speaker 1: we'll pay for the movie itself. That's so true. So

1541
01:27:04,840 --> 01:27:12,960
Speaker 1: it's maybe like musical maybe season three of Rose is

1542
01:27:15,040 --> 01:27:18,200
Speaker 1: I think for sure the Great Musical Episode. Definitely there's

1543
01:27:18,240 --> 01:27:20,840
Speaker 1: one episode of God, what is your relationship with the

1544
01:27:20,840 --> 01:27:24,439
Speaker 1: Great Anatomy musical episode Disappointment? I think you came over

1545
01:27:24,520 --> 01:27:26,320
Speaker 1: to my apartment to watch it, to watch it, and

1546
01:27:26,360 --> 01:27:28,640
Speaker 1: we were all like, are you gree as anatomy culture. No,

1547
01:27:29,120 --> 01:27:30,880
Speaker 1: not even when it was good. No, what do you

1548
01:27:30,960 --> 01:27:35,400
Speaker 1: It's okay. I watched like a lot of TikTok, like

1549
01:27:35,600 --> 01:27:38,519
Speaker 1: South Park clips where it's like over a subway surfer.

1550
01:27:38,760 --> 01:27:41,280
Speaker 1: Oh my god. I haven't watched a full episode of

1551
01:27:41,320 --> 01:27:45,679
Speaker 1: TV and maybe fifty years totally watches like clips clips.

1552
01:27:46,000 --> 01:27:49,760
Speaker 1: I was like American Dad Best of Roger twenty minute compilation.

1553
01:27:50,360 --> 01:27:53,040
Speaker 1: Never watched an episode of My Life creature. I'm like

1554
01:27:53,080 --> 01:27:55,880
Speaker 1: a YouTube creature. It's horrible. It's a more efficient way

1555
01:27:55,920 --> 01:27:57,800
Speaker 1: of watching. Yeah, well, I'm like, I want the best

1556
01:27:57,920 --> 01:28:00,479
Speaker 1: of Roger. I went like Roger, like all of his

1557
01:28:00,600 --> 01:28:02,599
Speaker 1: female personas all at once. I don't want to wait.

1558
01:28:02,760 --> 01:28:04,840
Speaker 1: I want to get them. And we have that technology now,

1559
01:28:04,960 --> 01:28:07,240
Speaker 1: I actually I have to come forward. And that's like

1560
01:28:07,360 --> 01:28:09,560
Speaker 1: me with like Abbot Elementary. I'll watch like best of

1561
01:28:09,640 --> 01:28:13,479
Speaker 1: Ava Yeah, and I'll watch Janelle coming in and slang

1562
01:28:13,560 --> 01:28:19,720
Speaker 1: and I'll be like I love yeah, oh my god,

1563
01:28:19,760 --> 01:28:24,680
Speaker 1: and and and you do. There's many different ways to consume, right, Yeah, Well,

1564
01:28:24,680 --> 01:28:26,479
Speaker 1: it's like what like TV shows are like clips? Do

1565
01:28:26,520 --> 01:28:29,000
Speaker 1: you know what I meant? Well, it's funny because then

1566
01:28:29,040 --> 01:28:30,800
Speaker 1: sometimes I'll watch stuff and I'll be like, oh, I

1567
01:28:30,840 --> 01:28:32,920
Speaker 1: actually know what happens in this episode. Yeah, that I

1568
01:28:33,040 --> 01:28:36,640
Speaker 1: watched now over like forty different compilations. It's probably so surprising,

1569
01:28:36,840 --> 01:28:38,760
Speaker 1: right because I'm like, that's where they were, that's where

1570
01:28:38,760 --> 01:28:41,920
Speaker 1: they were going. There, I have no idea he revealed

1571
01:28:42,200 --> 01:28:46,160
Speaker 1: right exactly. It's literally nonlinear. And then you have this

1572
01:28:46,360 --> 01:28:48,280
Speaker 1: concept that you're a fan of a show, but you

1573
01:28:48,360 --> 01:28:50,960
Speaker 1: actually like, I don't. I think the number of episodes

1574
01:28:51,000 --> 01:28:52,960
Speaker 1: of the Office I've seen in full, it's probably like

1575
01:28:53,000 --> 01:28:56,880
Speaker 1: six or seven. But I was so invested. Of course,

1576
01:28:56,960 --> 01:28:58,800
Speaker 1: when Jim and Pam kissed, I was like, this was

1577
01:28:58,840 --> 01:29:01,000
Speaker 1: a moment I had waited for for years, and I

1578
01:29:01,120 --> 01:29:03,280
Speaker 1: was just like, no, you saw a flip of it

1579
01:29:03,400 --> 01:29:06,880
Speaker 1: happen on television. We're told that we stand and I

1580
01:29:07,000 --> 01:29:09,559
Speaker 1: was like, me too. I actually I think we all

1581
01:29:09,640 --> 01:29:12,720
Speaker 1: are gym and pans all want to thank you. They

1582
01:29:12,800 --> 01:29:21,880
Speaker 1: find and it's like, first thing, I'm emotional, the first

1583
01:29:21,920 --> 01:29:24,840
Speaker 1: thing Rachel and rom like, well they won't they and

1584
01:29:24,880 --> 01:29:27,000
Speaker 1: weren't they on a break or what? It's like I've

1585
01:29:27,120 --> 01:29:30,439
Speaker 1: never seen it, right, No, I believe Yeah. I mean

1586
01:29:30,520 --> 01:29:31,960
Speaker 1: Friends is one of those shows where even if you

1587
01:29:32,000 --> 01:29:34,439
Speaker 1: haven't seen it, you literally have it like Seinfeld, right,

1588
01:29:34,560 --> 01:29:39,160
Speaker 1: even Charlie, I've seen Segfeld. Yeah. But actually, by the way,

1589
01:29:39,240 --> 01:29:42,000
Speaker 1: there's a lot of I've seen mostly clips, right, and

1590
01:29:42,320 --> 01:29:44,800
Speaker 1: that since I've seen it so and then I've seen

1591
01:29:44,840 --> 01:29:47,679
Speaker 1: a few episodes with my grandmother back in the day,

1592
01:29:47,800 --> 01:29:50,559
Speaker 1: so I have like, you need actually one full episode

1593
01:29:50,600 --> 01:29:52,680
Speaker 1: to get the rhythm, and then once you have that, oh,

1594
01:29:52,800 --> 01:29:55,720
Speaker 1: you're good to go with the clips exactly, You're like, okay,

1595
01:29:55,760 --> 01:29:57,880
Speaker 1: so that's probably this part of the episode. Like, now

1596
01:29:57,920 --> 01:29:59,799
Speaker 1: that I know the structure, I can just like, yeah,

1597
01:30:00,000 --> 01:30:02,360
Speaker 1: I'll be cracking up. When Elaine is getting ready to

1598
01:30:02,439 --> 01:30:05,800
Speaker 1: say something. She'll be like, well, it's so true, and

1599
01:30:05,880 --> 01:30:08,360
Speaker 1: I'll be like that this is gonna be good. Oh

1600
01:30:09,000 --> 01:30:13,679
Speaker 1: my god, Julia Emmy Seinfeld is the most nonlinear show,

1601
01:30:13,760 --> 01:30:16,320
Speaker 1: maybe because you can't cut together episodes from what you

1602
01:30:16,360 --> 01:30:19,400
Speaker 1: watched with your grandma to like a YouTube compilation and

1603
01:30:19,840 --> 01:30:22,120
Speaker 1: it will make sense. Yeah, it does work. It works.

1604
01:30:22,360 --> 01:30:25,160
Speaker 1: I remember amazing seeing in that Hearing and that Scissors song,

1605
01:30:26,000 --> 01:30:30,280
Speaker 1: that scene where Elaine and um, mister Seinfeld they're talking

1606
01:30:30,280 --> 01:30:32,880
Speaker 1: about if they're gonna have sex, and I had never

1607
01:30:32,960 --> 01:30:36,679
Speaker 1: watched it fully and like heard that was like why Yeah.

1608
01:30:36,800 --> 01:30:39,280
Speaker 1: They had this whole kind of really horny plotline if

1609
01:30:39,280 --> 01:30:40,720
Speaker 1: you choose to look at it that way, where it

1610
01:30:40,840 --> 01:30:44,120
Speaker 1: was like they have casual sex a lot, and they

1611
01:30:44,439 --> 01:30:47,000
Speaker 1: they just have conversations while they fuck, and I'm like,

1612
01:30:47,080 --> 01:30:51,200
Speaker 1: that's so hot, it's pretty queer. I recently watched a

1613
01:30:51,280 --> 01:30:54,680
Speaker 1: porn where I recently watched a porno um where a

1614
01:30:54,760 --> 01:30:57,240
Speaker 1: guy was just like riding someone's dick and they were

1615
01:30:57,280 --> 01:30:59,519
Speaker 1: just talking to each other about their day, and I

1616
01:30:59,600 --> 01:31:02,800
Speaker 1: was just like, why is this so incredible? I love that.

1617
01:31:03,120 --> 01:31:07,320
Speaker 1: It's like villains villains, do you know what I mean? Oh,

1618
01:31:07,840 --> 01:31:10,320
Speaker 1: I am putting something like really private about my like

1619
01:31:10,560 --> 01:31:14,400
Speaker 1: psychual psyche um like villains, like they don't even care

1620
01:31:14,439 --> 01:31:18,800
Speaker 1: what they're doing. Oh yeah, he'll be shooting a gun

1621
01:31:18,840 --> 01:31:21,920
Speaker 1: and be like what's for breakfast? Oh yeah, but not

1622
01:31:22,160 --> 01:31:29,280
Speaker 1: to them. Yes, that's really good. I remember it can

1623
01:31:29,479 --> 01:31:32,919
Speaker 1: be like sex is that casual, It can be that casual,

1624
01:31:33,280 --> 01:31:36,720
Speaker 1: but they're friends, and then that's actually what started the

1625
01:31:36,800 --> 01:31:41,000
Speaker 1: gay community, right, you can be friends and have that right,

1626
01:31:42,240 --> 01:31:46,320
Speaker 1: really cool And with that, so I guess Natalie did

1627
01:31:46,400 --> 01:31:49,880
Speaker 1: the first cult culture, so Charlie should do the first

1628
01:31:49,880 --> 01:31:51,800
Speaker 1: t them think, so, yeah, I agree, and that way

1629
01:31:51,880 --> 01:31:56,760
Speaker 1: goes around the table too exactly, and so like Clow,

1630
01:31:57,400 --> 01:32:02,719
Speaker 1: it only took me directionally. What was happening? We always

1631
01:32:02,760 --> 01:32:04,680
Speaker 1: have no clock. It's like and left and right like

1632
01:32:04,760 --> 01:32:08,200
Speaker 1: that has never gotten easier, like no, or for you guys,

1633
01:32:08,320 --> 01:32:10,920
Speaker 1: or well you don't never got no, I don't, but

1634
01:32:11,000 --> 01:32:12,559
Speaker 1: I do it in my head. Takes me a little bit.

1635
01:32:13,200 --> 01:32:15,599
Speaker 1: But left and right is literally really hard. Yeah, it's

1636
01:32:15,640 --> 01:32:17,160
Speaker 1: like what's the difference? Do you know what I mean?

1637
01:32:17,360 --> 01:32:19,840
Speaker 1: Like what do we have to go on? The only

1638
01:32:19,880 --> 01:32:22,639
Speaker 1: reason left and right exists is because, like you, because

1639
01:32:22,760 --> 01:32:29,040
Speaker 1: human beings have like two shoulders, right what I mean exactly? Literally, yes, yeah,

1640
01:32:30,000 --> 01:32:32,160
Speaker 1: I'm like losing you guys pretty hard. It's funny that

1641
01:32:32,240 --> 01:32:34,439
Speaker 1: the two smarties, I honestly think what's happening is you

1642
01:32:34,479 --> 01:32:36,320
Speaker 1: guys are trying to play pinky and you don't get it,

1643
01:32:36,439 --> 01:32:39,160
Speaker 1: Like you know, friends like Joey will say something and

1644
01:32:39,240 --> 01:32:40,880
Speaker 1: it's like how do you get through the day? Like

1645
01:32:40,920 --> 01:32:42,920
Speaker 1: they're trying to make you look so stupid? Like do

1646
01:32:42,960 --> 01:32:45,880
Speaker 1: you know what I mean? But it's like, well, whatever

1647
01:32:46,439 --> 01:32:49,000
Speaker 1: do you any way to target you? I feel my

1648
01:32:49,040 --> 01:32:51,599
Speaker 1: friend's target me. I feel, I feel, I feel targeted

1649
01:32:51,640 --> 01:32:53,240
Speaker 1: by my smart friends all the time, Like I have

1650
01:32:53,280 --> 01:32:55,160
Speaker 1: to hang out with Boone and study like all the time,

1651
01:32:55,640 --> 01:32:57,760
Speaker 1: and sometimes they'll look at each other and there, we

1652
01:32:57,960 --> 01:33:00,240
Speaker 1: don't do that. Now, they don't do that. Do you

1653
01:33:00,400 --> 01:33:03,200
Speaker 1: get a little kick out of it? Yeah? Sometimes I

1654
01:33:03,280 --> 01:33:05,639
Speaker 1: love being the clown. Yeah. And then sometimes you play

1655
01:33:05,640 --> 01:33:06,960
Speaker 1: it up so much and you're like, they think I

1656
01:33:07,040 --> 01:33:13,439
Speaker 1: can't like time, my shoes, oh the droet beany thing

1657
01:33:13,520 --> 01:33:16,360
Speaker 1: where it's like they actually over wrote it a little. Yeah, yeah, yeah,

1658
01:33:16,640 --> 01:33:21,759
Speaker 1: this is now. This is Charlie's I don't honey, okay, um, Charlie,

1659
01:33:21,920 --> 01:33:23,800
Speaker 1: our day here is gurt. I don't think so, honey.

1660
01:33:23,920 --> 01:33:26,479
Speaker 1: Your time starts now. Okay, I don't think so, honey.

1661
01:33:26,600 --> 01:33:29,799
Speaker 1: The thing when movie posters the names of the actors

1662
01:33:29,840 --> 01:33:33,240
Speaker 1: are not over the actors, that is, oh my god,

1663
01:33:34,400 --> 01:33:38,360
Speaker 1: confusing for me because guess what that's not Jessica Chastain. No,

1664
01:33:38,560 --> 01:33:41,840
Speaker 1: and you're seriously confusing everybody in the subway station. Look,

1665
01:33:42,000 --> 01:33:45,120
Speaker 1: I'm in a position where I've been like privileged enough

1666
01:33:45,160 --> 01:33:47,840
Speaker 1: to know from like my background and experiences who Jessica

1667
01:33:47,920 --> 01:33:50,240
Speaker 1: Chastain is right, But not everybody can say that. And

1668
01:33:50,320 --> 01:33:53,840
Speaker 1: if you're putting Jessica Chastain the picture underneath the words

1669
01:33:53,880 --> 01:33:56,760
Speaker 1: that say Diane Keaton. Someone is going to be like,

1670
01:33:56,920 --> 01:34:01,040
Speaker 1: that must be Diane Keaton labels. You're putting it over

1671
01:34:01,080 --> 01:34:03,680
Speaker 1: a picture. Look, I get that, Like the whole thing

1672
01:34:03,720 --> 01:34:06,479
Speaker 1: of it is like it's probably contract negotiation. So it's

1673
01:34:06,520 --> 01:34:09,000
Speaker 1: like Jessica Chastain is like, well, like it made sense

1674
01:34:09,040 --> 01:34:10,360
Speaker 1: for her on the poster to be on the right,

1675
01:34:10,600 --> 01:34:12,599
Speaker 1: but she's actually like she gets built first, so she's

1676
01:34:12,640 --> 01:34:14,680
Speaker 1: on the left. You know what you need to like

1677
01:34:15,240 --> 01:34:17,840
Speaker 1: like that doesn't matter to me actually, and left to

1678
01:34:18,000 --> 01:34:20,280
Speaker 1: right is not like a real hierarchy, So Jessica, it's

1679
01:34:20,320 --> 01:34:22,160
Speaker 1: okay for you to be on the right. This is

1680
01:34:22,240 --> 01:34:25,719
Speaker 1: confusing that everybody words should go with their pictures. That's

1681
01:34:25,760 --> 01:34:28,200
Speaker 1: one minute. That is so this is what they did

1682
01:34:28,240 --> 01:34:32,120
Speaker 1: with Charlie's angels in the photo it's it's it's Drew,

1683
01:34:32,600 --> 01:34:37,040
Speaker 1: Cameron Lucy and then on the top it's Cameron, Drew Lucy,

1684
01:34:37,840 --> 01:34:41,479
Speaker 1: switch Cameron and Drew. It's not that it's like it

1685
01:34:41,720 --> 01:34:45,120
Speaker 1: doesn't matter like the it's like whatever, just like put

1686
01:34:45,240 --> 01:34:49,439
Speaker 1: them there to those actresses, right matters? So right, and

1687
01:34:49,640 --> 01:34:52,560
Speaker 1: that's that's that's the crazy. But the crazy thing is

1688
01:34:52,720 --> 01:34:55,360
Speaker 1: who's first in the names is different? Is the different

1689
01:34:55,439 --> 01:34:58,519
Speaker 1: hierarchy than allegedly then who is middle of a tree?

1690
01:34:59,160 --> 01:35:02,639
Speaker 1: There's visual who is in the middle. Visually it's it's

1691
01:35:02,720 --> 01:35:05,720
Speaker 1: it's satisfying for the eye, I think because she's I

1692
01:35:05,800 --> 01:35:08,599
Speaker 1: don't know, like, but there's nobody getting style like someone

1693
01:35:08,640 --> 01:35:11,599
Speaker 1: in the center and someone who's first and left most

1694
01:35:11,920 --> 01:35:14,840
Speaker 1: I would really left to right, Like that doesn't read

1695
01:35:14,880 --> 01:35:17,760
Speaker 1: as a hierarchy to me. I'm not like, oh, it's first,

1696
01:35:17,800 --> 01:35:20,400
Speaker 1: Cameron Diaz. I'm like, whatever, you're all on top? Is

1697
01:35:20,439 --> 01:35:26,120
Speaker 1: that if you're top left on the on the poster,

1698
01:35:26,280 --> 01:35:29,080
Speaker 1: that means you're top building. You're really Yeah, you're the

1699
01:35:29,160 --> 01:35:31,479
Speaker 1: queen of the movie. Yeah kind of. This literally was

1700
01:35:31,520 --> 01:35:33,760
Speaker 1: big news actually when when Charlie Dane Wass even came out,

1701
01:35:33,800 --> 01:35:36,160
Speaker 1: because it was like, Cameron Diaz was paid like twenty

1702
01:35:36,200 --> 01:35:38,680
Speaker 1: million dollars for that movie and was top build and

1703
01:35:38,840 --> 01:35:41,320
Speaker 1: then twenty million. Yes this is back in the day

1704
01:35:41,360 --> 01:35:44,360
Speaker 1: when she was commanding twenty mili and so Drew Barrymore

1705
01:35:44,439 --> 01:35:46,720
Speaker 1: was a producer on the movie, so made money that way,

1706
01:35:46,760 --> 01:35:49,680
Speaker 1: but only was paid like twelve point five because of

1707
01:35:49,760 --> 01:35:54,080
Speaker 1: her commanding power. And then Lucy was paid way less. Wow,

1708
01:35:54,320 --> 01:35:57,920
Speaker 1: even though even though they were all doing an equal Yeah,

1709
01:35:58,120 --> 01:36:01,680
Speaker 1: like maybe who's the protagonist a little bit, but like

1710
01:36:01,840 --> 01:36:03,920
Speaker 1: not really, it's like a three hander. It's Charlie's Angels.

1711
01:36:04,400 --> 01:36:06,720
Speaker 1: But at that time, like Lucy Lou was not a

1712
01:36:06,840 --> 01:36:09,679
Speaker 1: quote unquote movie star in the way that like Cameron

1713
01:36:09,880 --> 01:36:13,120
Speaker 1: was and then secondarily Drew was. So it's it's a

1714
01:36:13,240 --> 01:36:15,840
Speaker 1: thing though, like the lawyers are going back and forth

1715
01:36:16,000 --> 01:36:18,720
Speaker 1: right to like make sure their client gets like and

1716
01:36:18,840 --> 01:36:21,040
Speaker 1: by the way, it's like your storytellers, like why don't

1717
01:36:21,040 --> 01:36:22,760
Speaker 1: you tell an honest story of like I'm on this

1718
01:36:22,920 --> 01:36:25,719
Speaker 1: poster and Lucy Lou, Like that's what this is about.

1719
01:36:25,960 --> 01:36:28,840
Speaker 1: Like they're abandoning craft. They're abandoning the craft to be like, oh,

1720
01:36:28,920 --> 01:36:31,080
Speaker 1: it's like you've lost the plot here. We want to

1721
01:36:31,120 --> 01:36:33,479
Speaker 1: know who Drew Barrymore is first and foremost. That's the

1722
01:36:33,600 --> 01:36:36,200
Speaker 1: story of the poster. Yes, yeah, it's really I don't

1723
01:36:36,240 --> 01:36:38,840
Speaker 1: like that sometimes too, like if you can tell it's

1724
01:36:38,840 --> 01:36:40,439
Speaker 1: like a it's like a situation where they were like

1725
01:36:40,600 --> 01:36:42,320
Speaker 1: we don't want to do that, like if and it's

1726
01:36:42,360 --> 01:36:44,599
Speaker 1: a true two hander, like you'll get a thing where

1727
01:36:44,640 --> 01:36:46,640
Speaker 1: on the on the one title card. They both come

1728
01:36:46,680 --> 01:36:48,840
Speaker 1: up at the same time, Like I've noticed that that.

1729
01:36:48,920 --> 01:36:50,400
Speaker 1: It's like that with the other two. It's like Drew

1730
01:36:50,479 --> 01:36:54,240
Speaker 1: Tarver and Helena York like not one is not over there. No,

1731
01:36:54,320 --> 01:36:56,960
Speaker 1: They're like, we're not doing this where it is equal.

1732
01:36:57,160 --> 01:37:00,600
Speaker 1: It is equality, and it's like the way like the

1733
01:37:00,720 --> 01:37:03,400
Speaker 1: work will stand out, like you can put your name first,

1734
01:37:03,640 --> 01:37:05,920
Speaker 1: but it's like if you're not serving like first person,

1735
01:37:06,000 --> 01:37:08,760
Speaker 1: you won't be remembered. Yeah, I'm sure there's examples of

1736
01:37:08,840 --> 01:37:14,200
Speaker 1: that one. I mean, have you have you seen the

1737
01:37:14,240 --> 01:37:16,600
Speaker 1: movie in a Question with Jessica chats Stand and Diane Keaton. No,

1738
01:37:17,040 --> 01:37:20,000
Speaker 1: And I don't even know there. I just can't. Just

1739
01:37:20,160 --> 01:37:23,040
Speaker 1: don't because you know what I think one by THEE

1740
01:37:23,120 --> 01:37:24,680
Speaker 1: there was one that came out recently. I think it

1741
01:37:24,680 --> 01:37:26,840
Speaker 1: was Clared Armageddon Time, and it was like it was

1742
01:37:26,920 --> 01:37:29,320
Speaker 1: like Anne Hathaway and Jessica chat Stain, Yeah, And I

1743
01:37:29,439 --> 01:37:31,320
Speaker 1: believe it was something like that where I was like, Okay,

1744
01:37:31,360 --> 01:37:33,400
Speaker 1: are they sort of insinuating the Anne Hathaway It's just

1745
01:37:33,479 --> 01:37:35,800
Speaker 1: like a chat Stain because that's my gay ass and

1746
01:37:35,880 --> 01:37:38,519
Speaker 1: I'm telling you that ain't her. Yeah, but I remember

1747
01:37:38,640 --> 01:37:41,840
Speaker 1: watching and I was like, yeah, one sleigh is harder

1748
01:37:41,880 --> 01:37:44,479
Speaker 1: than the other. First of all, what a hard conversation

1749
01:37:44,520 --> 01:37:48,360
Speaker 1: I have. So I do forbid, God forbid, literally, god forbid.

1750
01:37:48,400 --> 01:37:55,080
Speaker 1: I wouldn't slayed different, not harder, just different. Yeah, they

1751
01:37:55,080 --> 01:37:58,479
Speaker 1: were wearing different wigs, which set them up for different sleighs, right, exactly,

1752
01:37:59,000 --> 01:38:00,640
Speaker 1: the wigs. That's the slave. You have to like be

1753
01:38:00,720 --> 01:38:03,200
Speaker 1: honest about that when that happened. Yeah, and it's hard.

1754
01:38:03,240 --> 01:38:05,240
Speaker 1: It's a hard conversation. And also it's like when you're

1755
01:38:05,240 --> 01:38:06,960
Speaker 1: looking when you get the script for Charlie's Angels, and

1756
01:38:07,040 --> 01:38:09,120
Speaker 1: it's like you are all turning the page of the

1757
01:38:09,120 --> 01:38:10,880
Speaker 1: table read. I mean you're like you're like sort of

1758
01:38:10,960 --> 01:38:13,840
Speaker 1: in a slag contest. Yeah, oh, you have to sort

1759
01:38:13,880 --> 01:38:15,400
Speaker 1: of like because that movie is actually a really good

1760
01:38:15,400 --> 01:38:18,320
Speaker 1: example of the all three of them equally slay. It

1761
01:38:18,479 --> 01:38:21,920
Speaker 1: really is remarkable how it's equal slag, totally slay or lane. Yeah,

1762
01:38:22,160 --> 01:38:30,759
Speaker 1: Like they are perfectly cast. Cameron dis as like earhead

1763
01:38:30,800 --> 01:38:35,720
Speaker 1: genius dancer, Drew Barrymore as like fucking Stoneer Macgoner, like

1764
01:38:35,880 --> 01:38:37,479
Speaker 1: I could give a fuck, but also I kick your

1765
01:38:37,479 --> 01:38:39,200
Speaker 1: ass and I'm super smart and I'm like that and

1766
01:38:39,240 --> 01:38:41,880
Speaker 1: I'm gonna suck Tom Green because that makes me horny

1767
01:38:42,280 --> 01:38:48,080
Speaker 1: and the smart bad at cooking and like whips chains leather,

1768
01:38:48,439 --> 01:38:53,280
Speaker 1: but also it sucks. Joey Tribbiani likes them and just

1769
01:38:53,479 --> 01:38:57,639
Speaker 1: like cold hard numbers, like love it. That's scene where

1770
01:38:57,640 --> 01:39:00,840
Speaker 1: the guys have her across and she's like, h no,

1771
01:39:01,240 --> 01:39:03,840
Speaker 1: it's so good, Lucy. The best line of the movie.

1772
01:39:04,200 --> 01:39:08,880
Speaker 1: Flip your hair? What flip god damn hair? Moment culture.

1773
01:39:08,880 --> 01:39:11,200
Speaker 1: Actually it's actually a moment of culture. What that was

1774
01:39:11,240 --> 01:39:13,240
Speaker 1: a moment of That was a moment culture. I'm telling you,

1775
01:39:13,400 --> 01:39:16,479
Speaker 1: Oh my god, that so thank you so much for that.

1776
01:39:16,520 --> 01:39:19,280
Speaker 1: I don't think so that was really good, no problem.

1777
01:39:19,920 --> 01:39:21,400
Speaker 1: You know what I've realized right now, I think I

1778
01:39:21,439 --> 01:39:24,880
Speaker 1: don't think so Honey Live was like before. I think

1779
01:39:25,280 --> 01:39:28,840
Speaker 1: before our guest time. I think I did you one

1780
01:39:29,520 --> 01:39:35,240
Speaker 1: the way I did cars. All right, it's good. Did

1781
01:39:35,280 --> 01:39:37,599
Speaker 1: you feel like did you feel on the night one? Great? Yeah?

1782
01:39:37,680 --> 01:39:40,280
Speaker 1: I feel like it. Well, I think I like everybody

1783
01:39:41,280 --> 01:39:44,599
Speaker 1: what I said, everybody that is like, you guys create

1784
01:39:44,640 --> 01:39:48,120
Speaker 1: a space where everybody's slaves. That's very nice. That is

1785
01:39:48,200 --> 01:39:49,880
Speaker 1: the dream. I don't I don't know if we always

1786
01:39:49,920 --> 01:39:52,920
Speaker 1: achieve Yeah, and we knew that going into the podcast.

1787
01:39:53,080 --> 01:39:54,640
Speaker 1: We were like, oh my god, we're nervous, and was like,

1788
01:39:54,920 --> 01:39:57,400
Speaker 1: you know what, they create a space where everyone the

1789
01:39:57,479 --> 01:39:59,200
Speaker 1: people we talked to you who I've done it. We

1790
01:39:59,320 --> 01:40:08,280
Speaker 1: went to our elders and they were like, they really

1791
01:40:08,680 --> 01:40:11,560
Speaker 1: make it so that you feel so comfortable and like

1792
01:40:11,720 --> 01:40:15,200
Speaker 1: you feel like you're doing well. I mean, we love

1793
01:40:15,280 --> 01:40:19,200
Speaker 1: you guys, say, got sure, can I do the thing

1794
01:40:19,240 --> 01:40:20,840
Speaker 1: that I've heard people doing this podcast? I'll do it

1795
01:40:20,880 --> 01:40:28,880
Speaker 1: really fascinated. And then and then I'm going to create

1796
01:40:28,920 --> 01:40:31,080
Speaker 1: a show that Charlie takes over and we'll do better

1797
01:40:31,120 --> 01:40:36,840
Speaker 1: than yeah, and then we'll do the Fungus season that

1798
01:40:36,960 --> 01:40:39,880
Speaker 1: There have just been certain times when I've been feeling

1799
01:40:40,080 --> 01:40:43,920
Speaker 1: low that I have turned to this when I'm like

1800
01:40:44,160 --> 01:40:46,160
Speaker 1: when I'm like things are just like messy in my

1801
01:40:46,200 --> 01:40:49,320
Speaker 1: head and I'm like I just need something and entertaining

1802
01:40:49,600 --> 01:40:52,360
Speaker 1: that hits like it has to be something that keeps

1803
01:40:52,439 --> 01:40:55,719
Speaker 1: me entertained because I don't really like the other stuff

1804
01:40:55,760 --> 01:40:58,439
Speaker 1: that I'm thinking about right now. It's you guys, and

1805
01:40:58,600 --> 01:41:04,439
Speaker 1: you really do it in you you know. I literally

1806
01:41:04,600 --> 01:41:06,120
Speaker 1: was like I was so excited that you guys were

1807
01:41:06,160 --> 01:41:08,920
Speaker 1: coming on because I genuinely like, I mean I'm I'm actually,

1808
01:41:09,280 --> 01:41:10,560
Speaker 1: that's like one of the reasons why I want to

1809
01:41:10,600 --> 01:41:12,600
Speaker 1: move back is because there's like people here that I

1810
01:41:12,680 --> 01:41:15,479
Speaker 1: feel like I have to know. You and Richard Perez

1811
01:41:15,520 --> 01:41:17,280
Speaker 1: at a moment the other night, well, I sort of

1812
01:41:17,320 --> 01:41:19,639
Speaker 1: went over there and I was like, listen, hey, YouTube,

1813
01:41:19,640 --> 01:41:21,360
Speaker 1: I tell us the less. You two have a similar

1814
01:41:21,479 --> 01:41:23,840
Speaker 1: energy where Richard. You and Richard are both good at

1815
01:41:23,920 --> 01:41:27,760
Speaker 1: like coquettish like yeah, you know, like I really I

1816
01:41:27,880 --> 01:41:31,479
Speaker 1: really respond to Richard. Oh my god. Rich first of all,

1817
01:41:31,800 --> 01:41:35,000
Speaker 1: talk about a genius. I mean that video of them

1818
01:41:35,080 --> 01:41:45,840
Speaker 1: getting fucked perfect every video, everybody out video. What I loved.

1819
01:41:46,040 --> 01:41:50,240
Speaker 1: What I loved about it was every the sudden like laugh,

1820
01:41:50,360 --> 01:41:54,680
Speaker 1: like crying a little bit, Like I was like, you

1821
01:41:54,880 --> 01:42:01,280
Speaker 1: really are like the most personal like glimpse into getting

1822
01:42:01,520 --> 01:42:07,880
Speaker 1: fucked like like just like the whole thing. I was

1823
01:42:07,920 --> 01:42:11,600
Speaker 1: just like, I feel really really did this thing the

1824
01:42:11,640 --> 01:42:13,719
Speaker 1: other day that was like a certain way of walking

1825
01:42:14,720 --> 01:42:18,360
Speaker 1: and I saw I was like, so you see everything, Yeah,

1826
01:42:18,400 --> 01:42:19,560
Speaker 1: you know you know what it was. It was like

1827
01:42:20,000 --> 01:42:23,240
Speaker 1: celebrity walking from the restaurant into their car and it

1828
01:42:23,439 --> 01:42:26,640
Speaker 1: was like hitch perfect. Was it like head down, a

1829
01:42:26,680 --> 01:42:31,719
Speaker 1: little bit down for a little bit of that and like, bag,

1830
01:42:33,000 --> 01:42:38,920
Speaker 1: wait you the brothers I'm saying is performer exdin I

1831
01:42:39,040 --> 01:42:42,960
Speaker 1: see it. Um, we see each other as a break

1832
01:42:43,120 --> 01:42:45,920
Speaker 1: I see you. No, No, that was Candy. Candy Burris

1833
01:42:46,040 --> 01:42:51,439
Speaker 1: had a two who we miss? Yeah? Is that Avatar too?

1834
01:42:52,680 --> 01:42:55,680
Speaker 1: I see you, I see you as one, but I

1835
01:42:55,840 --> 01:43:00,639
Speaker 1: see as well as well as see another great tune,

1836
01:43:00,680 --> 01:43:07,519
Speaker 1: one of the great. You will always be famous. Natalie.

1837
01:43:07,680 --> 01:43:10,519
Speaker 1: Natalie is Nalie Rotan. I don't think so many of

1838
01:43:10,520 --> 01:43:14,559
Speaker 1: your time starts now, okay, it's Housewives one. Okay, okay,

1839
01:43:14,680 --> 01:43:16,840
Speaker 1: this is I don't think so, honey. When you're binging

1840
01:43:16,880 --> 01:43:19,559
Speaker 1: a Housewives series and you get to the part where

1841
01:43:19,600 --> 01:43:26,280
Speaker 1: the women found out about by Felicia, there's no franchise

1842
01:43:26,360 --> 01:43:30,840
Speaker 1: that doesn't touch every single franchise you're watching through it's

1843
01:43:30,920 --> 01:43:33,519
Speaker 1: twenty ten. You're just watching like an amazing scene where

1844
01:43:33,560 --> 01:43:36,400
Speaker 1: it's like you talked about my marriage. I would never

1845
01:43:36,479 --> 01:43:38,639
Speaker 1: do that to you, like my marriage is off limits,

1846
01:43:38,640 --> 01:43:41,599
Speaker 1: and the other person's like you did, just can't want

1847
01:43:41,640 --> 01:43:45,920
Speaker 1: buye Felicia. You're like do a little gasp, and then

1848
01:43:46,400 --> 01:43:49,599
Speaker 1: it's like a scurche, Like there's no woman who doesn't

1849
01:43:49,680 --> 01:43:53,160
Speaker 1: say it there's no franchise doesn't touch. And it got

1850
01:43:53,240 --> 01:43:55,479
Speaker 1: to them and it fits so perfectly with what they

1851
01:43:55,520 --> 01:43:58,000
Speaker 1: need to say to each other, which is like you're done,

1852
01:43:58,280 --> 01:44:01,040
Speaker 1: you know, and am And as soon as it comes,

1853
01:44:01,080 --> 01:44:04,760
Speaker 1: it goes, and it never feels good. And I don't

1854
01:44:04,760 --> 01:44:07,479
Speaker 1: know when Bye Felicia hit the culture, but it's obviously

1855
01:44:07,479 --> 01:44:09,439
Speaker 1: like a year later it hit them. Yeah, I love

1856
01:44:09,520 --> 01:44:17,240
Speaker 1: you guys. Wait didn't it just happen on Miami? First

1857
01:44:17,240 --> 01:44:20,720
Speaker 1: of all, get out? I want to say, you have

1858
01:44:20,840 --> 01:44:25,000
Speaker 1: to watch I watched a few of Miami with Celeste,

1859
01:44:25,840 --> 01:44:28,240
Speaker 1: watched an episode, but also didn't. Where are you guys

1860
01:44:28,280 --> 01:44:32,040
Speaker 1: getting together to watch Celeste's house? You guys go over

1861
01:44:32,120 --> 01:44:34,920
Speaker 1: to Selst house and watch Miami. This is what happened.

1862
01:44:36,720 --> 01:44:38,160
Speaker 1: We would do that whenever you're in time, we watch

1863
01:44:38,200 --> 01:44:41,639
Speaker 1: the house lives together and the most But bo, where

1864
01:44:41,840 --> 01:44:45,519
Speaker 1: did Felicia just happen? I think Felicia Survivor you're thinking

1865
01:44:45,520 --> 01:44:49,680
Speaker 1: of surviving? Oh it happened on Survivor just now, yes, yes,

1866
01:44:50,080 --> 01:44:52,559
Speaker 1: jet where someone said by Felicia to Jeff Right, someone

1867
01:44:52,640 --> 01:44:55,840
Speaker 1: said bye Felicia and to another contestant, and then the

1868
01:44:55,920 --> 01:45:00,960
Speaker 1: contestant was was like, well, I guess I'm Felicia. Someone

1869
01:45:01,040 --> 01:45:03,000
Speaker 1: was surmising that they were going to get voted out

1870
01:45:03,000 --> 01:45:04,599
Speaker 1: and they were like, and Jeff, I think that I'm

1871
01:45:04,680 --> 01:45:10,639
Speaker 1: Felicia tonight to like Deconstructor. Yes, And all of a sudden,

1872
01:45:12,240 --> 01:45:13,760
Speaker 1: you know, there's lots of talking on the beach, like

1873
01:45:13,840 --> 01:45:17,120
Speaker 1: everyone's scattering and that Survivor right and tonight, I'm afraid

1874
01:45:17,200 --> 01:45:20,840
Speaker 1: I might be Policia. Tonight I'm Felicia. And then Jeff

1875
01:45:21,000 --> 01:45:23,040
Speaker 1: is like, well, if you're Felicia, what do you do?

1876
01:45:23,560 --> 01:45:27,600
Speaker 1: Like TB Council, you're Felicia, Carolyn, what do you do

1877
01:45:27,720 --> 01:45:32,479
Speaker 1: if you Felicia? Jeffer? And there's this crazy woman Carolyn

1878
01:45:32,560 --> 01:45:35,800
Speaker 1: on the season who literally tolts like this and she's

1879
01:45:35,880 --> 01:45:40,400
Speaker 1: gonna win the show. If you're not watching Survivor this season,

1880
01:45:40,960 --> 01:45:48,719
Speaker 1: you're not doing dragule. It's actually super rule culture number

1881
01:45:48,760 --> 01:45:52,320
Speaker 1: one one. If you're not watching Survivor season, you're not

1882
01:45:53,360 --> 01:45:56,040
Speaker 1: Why why didn't you? Because Natalie wasn't doing it? And

1883
01:45:56,360 --> 01:45:59,360
Speaker 1: I was like, maybe can you do your avoids again?

1884
01:46:02,120 --> 01:46:06,040
Speaker 1: Well I want just sitting there and they're talking about

1885
01:46:07,960 --> 01:46:09,800
Speaker 1: and when I'm telling you, she's playing by far the

1886
01:46:09,880 --> 01:46:14,880
Speaker 1: best game. Oh my god, part of the game when

1887
01:46:15,040 --> 01:46:17,240
Speaker 1: when you watch the show. First of all, there's never

1888
01:46:17,320 --> 01:46:20,040
Speaker 1: been a season of Survivor that doesn't start like, oh,

1889
01:46:21,320 --> 01:46:24,439
Speaker 1: sixteen Survivors, Like, they didn't do that. This This season

1890
01:46:24,600 --> 01:46:27,240
Speaker 1: opened on this woman's confessional and they're like, so, tell

1891
01:46:27,320 --> 01:46:29,479
Speaker 1: us your name, and she goes, just tell you my

1892
01:46:29,680 --> 01:46:33,760
Speaker 1: name and they're like, yeah, like tell us, tell us

1893
01:46:33,760 --> 01:46:35,120
Speaker 1: her name, tell us you want to get to know you.

1894
01:46:35,280 --> 01:46:41,439
Speaker 1: She goes, We're okay, and then it was like and

1895
01:46:41,520 --> 01:46:45,760
Speaker 1: then this season started. But when I'm telling you this

1896
01:46:46,040 --> 01:46:52,840
Speaker 1: is never and I'm telling you, like, Carolyn, get out

1897
01:46:52,880 --> 01:46:58,200
Speaker 1: there yet, and I'm like from water Like part of

1898
01:46:58,240 --> 01:47:00,240
Speaker 1: me is like, are they fixing it? Because they know

1899
01:47:00,400 --> 01:47:05,120
Speaker 1: they have like a star and they're like, Caroline, they might.

1900
01:47:05,560 --> 01:47:07,800
Speaker 1: They know how to make that show with this. That's

1901
01:47:07,840 --> 01:47:10,000
Speaker 1: the thing. It's not like it doesn't matter if we're

1902
01:47:10,040 --> 01:47:13,240
Speaker 1: in the wild West, which a Survivor. They're producing a

1903
01:47:13,320 --> 01:47:16,960
Speaker 1: reality and they know a star when they see one. Yeah,

1904
01:47:17,120 --> 01:47:23,360
Speaker 1: I mean the casting team Felicia, Felicia Jeff I might

1905
01:47:23,439 --> 01:47:30,680
Speaker 1: be in his tone. So are you feeling Felicia? How

1906
01:47:30,720 --> 01:47:34,760
Speaker 1: many people do feel like Felicia Jeff And after tonight

1907
01:47:34,800 --> 01:47:37,280
Speaker 1: Felicia don't live here, no mom thatch, which is a

1908
01:47:37,360 --> 01:47:40,880
Speaker 1: sort of remember that one every Every Housewives does the

1909
01:47:41,040 --> 01:47:43,920
Speaker 1: boy by Felicia. I was scared. I think I drowned

1910
01:47:44,000 --> 01:47:47,200
Speaker 1: the most today. But it's not a competition, huh nothing,

1911
01:47:47,439 --> 01:47:48,800
Speaker 1: I think I don't think so many. I was like

1912
01:47:49,000 --> 01:47:51,679
Speaker 1: really hyping it up in it and guess what didn't

1913
01:47:52,560 --> 01:47:58,320
Speaker 1: And Lane, I think the four of us did slay

1914
01:47:58,360 --> 01:48:01,599
Speaker 1: our slay in our own lane. Fla lay in your

1915
01:48:01,640 --> 01:48:05,120
Speaker 1: own lane. You love that. I am feeling tired and

1916
01:48:05,240 --> 01:48:08,400
Speaker 1: that's why I'm like bowen Yang is feeling tired. Everyone.

1917
01:48:08,560 --> 01:48:13,120
Speaker 1: It must be Tuesday. Shut up. No, I'm not gonna stop,

1918
01:48:13,160 --> 01:48:14,360
Speaker 1: and I don't have to come in here on the

1919
01:48:14,400 --> 01:48:21,280
Speaker 1: first episode. You ever come in here and say stop stop? Um? Well, wow,

1920
01:48:21,400 --> 01:48:26,040
Speaker 1: this has been an absolute and you believe that we

1921
01:48:26,120 --> 01:48:28,479
Speaker 1: had to sort of fight to make it happen. Yeah,

1922
01:48:28,720 --> 01:48:31,720
Speaker 1: but good things are worth fighting for good? Can we say?

1923
01:48:32,000 --> 01:48:35,240
Speaker 1: Charlie before we hit record, Charlie went, I might have

1924
01:48:35,320 --> 01:48:37,200
Speaker 1: to go take a pea break, and we said, and

1925
01:48:37,280 --> 01:48:39,680
Speaker 1: you guys said, no one had ever done that. No

1926
01:48:39,800 --> 01:48:41,320
Speaker 1: one happened. By the way, I need to go to

1927
01:48:41,400 --> 01:48:44,400
Speaker 1: the bathroom so bad. You Yeah, By the way we're

1928
01:48:44,439 --> 01:48:46,920
Speaker 1: gonna end, but no problem. We never want this time.

1929
01:48:46,960 --> 01:48:49,240
Speaker 1: Do you have a small black don't? Yeah? You do?

1930
01:48:49,920 --> 01:48:53,120
Speaker 1: You peel a lot? Yeah, and you do not love it? Yeah? Yeah,

1931
01:48:53,320 --> 01:48:54,560
Speaker 1: I love it. So I love the feeling of it,

1932
01:48:54,760 --> 01:48:58,639
Speaker 1: and I love the feeling of sneezing too. I hate

1933
01:48:58,840 --> 01:49:02,759
Speaker 1: I hate coughing, throwing up. I don't think you should

1934
01:49:02,760 --> 01:49:04,599
Speaker 1: be a lot to sneeze around other people because it's

1935
01:49:04,640 --> 01:49:07,280
Speaker 1: so sexual. Oh my god, wait, it is the same

1936
01:49:07,400 --> 01:49:09,760
Speaker 1: like pleasure, right, Like you're like, am I gonna am?

1937
01:49:09,800 --> 01:49:12,200
Speaker 1: I gonna? Am I gonna? I like? So I tutor?

1938
01:49:12,320 --> 01:49:14,760
Speaker 1: So I like, and I've been sneezing a lot and

1939
01:49:16,120 --> 01:49:19,840
Speaker 1: what like allergies. Yeah, but I relaxed, understand, Yeah, thank you.

1940
01:49:20,280 --> 01:49:22,200
Speaker 1: Or like when I sneeze, I too on tutoring. I

1941
01:49:22,360 --> 01:49:26,240
Speaker 1: like when I sneeze, I just can't help but teachum.

1942
01:49:26,880 --> 01:49:28,880
Speaker 1: But it's like, because I'm on zoom, I'm like, let

1943
01:49:28,960 --> 01:49:30,920
Speaker 1: me not sneeze directly into the microphone. I'm gonna like

1944
01:49:31,200 --> 01:49:34,439
Speaker 1: mute myself. So thoughtful. Yeah. And then recently what happened

1945
01:49:34,720 --> 01:49:37,080
Speaker 1: is I was like, oh, I'm gonna need to sneeze,

1946
01:49:37,160 --> 01:49:40,519
Speaker 1: and then I accidentally muted the kids. I was talking,

1947
01:49:41,360 --> 01:49:43,760
Speaker 1: so the vibit was. I was like, can you shut

1948
01:49:43,800 --> 01:49:45,479
Speaker 1: the fuck up for one second? And then I sneeze

1949
01:49:45,520 --> 01:49:47,880
Speaker 1: into the microphone because when you're here, by sneeze, yeah,

1950
01:49:48,160 --> 01:49:53,320
Speaker 1: it's gonna be so beautiful. And then also I can't

1951
01:49:53,360 --> 01:49:55,679
Speaker 1: You can't un mute someone else when you're on zoom.

1952
01:49:55,720 --> 01:49:58,800
Speaker 1: So I basically like muted someone sneeze, and then I

1953
01:49:58,800 --> 01:50:04,080
Speaker 1: had to be like, can you Oh my god, was like,

1954
01:50:04,320 --> 01:50:05,960
Speaker 1: I have something important. I know you're talking about the

1955
01:50:06,040 --> 01:50:12,040
Speaker 1: problem at hand, and they're like you and the onus

1956
01:50:12,120 --> 01:50:13,840
Speaker 1: is on them to un mute them, right right, And

1957
01:50:13,920 --> 01:50:15,719
Speaker 1: I have to ask have to be like, hey, sorry,

1958
01:50:15,760 --> 01:50:18,000
Speaker 1: so I actually made a mistake and I muted you

1959
01:50:18,240 --> 01:50:20,000
Speaker 1: instead of myself. I took away your voice. I took

1960
01:50:20,040 --> 01:50:22,559
Speaker 1: away your voice. Yeah, oh my god. Well I'll tell

1961
01:50:22,560 --> 01:50:25,160
Speaker 1: you whose voice we did not take away these two

1962
01:50:25,920 --> 01:50:28,760
Speaker 1: And I feel we're gonna grasp pans one more time

1963
01:50:28,840 --> 01:50:31,320
Speaker 1: and just say this was so fun and so wonderful

1964
01:50:31,680 --> 01:50:36,639
Speaker 1: and it was one of our favorite episodes we've ever done, ever, ever,

1965
01:50:36,880 --> 01:50:41,439
Speaker 1: ever and song and if you know the song, you're

1966
01:50:41,479 --> 01:50:43,160
Speaker 1: welcome to join in. And by the way, go to

1967
01:50:43,200 --> 01:50:45,320
Speaker 1: their show on April thirteenth at the Bellhouse and also

1968
01:50:45,439 --> 01:50:56,280
Speaker 1: Exploration Live Wednesdays. Somehow fine you and die lidde do

1969
01:51:00,160 --> 01:51:01,920
Speaker 1: wait hold on is it? Do do do do do?

1970
01:51:02,200 --> 01:51:06,719
Speaker 1: Or do do do do? Do? Wait? Oh? Go lower.

1971
01:51:07,680 --> 01:51:10,200
Speaker 1: I am finding the lower harmony lately, and it's been shocked.

1972
01:51:10,200 --> 01:51:12,760
Speaker 1: It's actually harder than the upper harm because can I

1973
01:51:12,840 --> 01:51:16,320
Speaker 1: say something, I'm a man apparently, and I guess I

1974
01:51:16,520 --> 01:51:18,439
Speaker 1: have to sort of be on the lower to be

1975
01:51:18,520 --> 01:51:24,479
Speaker 1: comfortable everywhere, to stop put it away a bitch, yes

1976
01:51:24,560 --> 01:51:27,720
Speaker 1: to go. I was gonna say this, which is that

1977
01:51:27,800 --> 01:51:30,080
Speaker 1: we all want I think as gay guys, you want

1978
01:51:30,120 --> 01:51:32,160
Speaker 1: to be a soprano or an alto and you have

1979
01:51:32,280 --> 01:51:35,040
Speaker 1: to reckon with It's like sometimes you're a baritone and actually,

1980
01:51:35,080 --> 01:51:37,800
Speaker 1: like when you're choosing karaoke songs, you can't always do

1981
01:51:37,880 --> 01:51:43,800
Speaker 1: the ones that you want. No, I've always I'm limited,

1982
01:51:44,280 --> 01:51:47,120
Speaker 1: but I've always and that's what set me apart from

1983
01:51:47,160 --> 01:51:52,840
Speaker 1: other game in a counter an, what you can do

1984
01:51:53,000 --> 01:51:55,360
Speaker 1: when you stand, deliver and use your I'm gonna say

1985
01:51:55,479 --> 01:51:58,880
Speaker 1: pelvic floor of doom. It's like and like it is

1986
01:51:58,920 --> 01:52:00,960
Speaker 1: really wild. And then then moments where we used to

1987
01:52:01,000 --> 01:52:02,960
Speaker 1: sing let me be your Star Alive which was a

1988
01:52:03,080 --> 01:52:06,960
Speaker 1: large part of our sort of live performance career. I

1989
01:52:07,120 --> 01:52:08,960
Speaker 1: was always shocked when you let me do the high

1990
01:52:09,000 --> 01:52:11,040
Speaker 1: harmony of it, because you can do it. Yeah, but

1991
01:52:11,439 --> 01:52:15,519
Speaker 1: you are a natural star. Everyone here is slaying, and

1992
01:52:15,600 --> 01:52:17,240
Speaker 1: they're laying bye bye