1 00:00:02,560 --> 00:00:06,120 Speaker 1: Two Teas in a Pod with Teddy Mellencamp and Camra 2 00:00:06,240 --> 00:00:16,400 Speaker 1: je Edge. 3 00:00:18,040 --> 00:00:20,360 Speaker 2: Hi, guys, welcome to another episode of Two Teas in 4 00:00:20,400 --> 00:00:20,759 Speaker 2: a Pod. 5 00:00:21,400 --> 00:00:22,599 Speaker 3: Should we not say our names? 6 00:00:22,720 --> 00:00:22,919 Speaker 2: Yes? 7 00:00:23,200 --> 00:00:25,360 Speaker 3: With the twats? Can we just say the twats? 8 00:00:25,360 --> 00:00:25,720 Speaker 2: Fine? 9 00:00:25,920 --> 00:00:29,040 Speaker 3: Do we have Ellen k introducing us? 10 00:00:29,520 --> 00:00:31,040 Speaker 2: Okay, I guess she does it better. 11 00:00:31,200 --> 00:00:34,800 Speaker 3: I think going forward we should just change that intro. 12 00:00:36,280 --> 00:00:40,040 Speaker 2: Hi, guys, welcome to another podcast with a bunch of assholes. 13 00:00:40,080 --> 00:00:43,919 Speaker 3: So well that works for me asshole one and asshole two? 14 00:00:44,320 --> 00:00:45,360 Speaker 2: But am I one or two? 15 00:00:45,880 --> 00:00:50,239 Speaker 3: Do you take your pick? Does it matter? Okay, you 16 00:00:50,280 --> 00:00:51,960 Speaker 3: could be the lead asshole. I'll give you that. 17 00:00:52,360 --> 00:00:54,880 Speaker 2: Okay, Thanks, Thanks, welcome. 18 00:00:54,920 --> 00:00:57,080 Speaker 3: I think I think ever, I. 19 00:00:57,000 --> 00:00:59,920 Speaker 2: Think we ebb and flow perfectly on who's the bigger asshole? 20 00:01:00,160 --> 00:01:00,440 Speaker 3: Yes? 21 00:01:00,880 --> 00:01:04,280 Speaker 2: Okay? So this was from the podcast that I did 22 00:01:04,280 --> 00:01:07,000 Speaker 2: with Lisa Milan. You were out of town or filming 23 00:01:07,080 --> 00:01:10,480 Speaker 2: or god knows what, and so I asked her the 24 00:01:10,560 --> 00:01:14,240 Speaker 2: question that you and I always ask each other and 25 00:01:14,360 --> 00:01:16,280 Speaker 2: laugh at, but do you think there's anyone on your 26 00:01:16,319 --> 00:01:19,520 Speaker 2: current cast that don't know your kids' names? And she 27 00:01:19,760 --> 00:01:22,880 Speaker 2: responds Lisa responded to me, you know I would have 28 00:01:22,959 --> 00:01:26,000 Speaker 2: to say maybe Stanbury doesn't know my kids' names. But 29 00:01:26,080 --> 00:01:29,240 Speaker 2: I did make an agreement with her that well, kids 30 00:01:29,280 --> 00:01:31,320 Speaker 2: are off limits, and I will not bring up her 31 00:01:31,400 --> 00:01:35,240 Speaker 2: mothering skills and her lack thereof and all of that. 32 00:01:35,880 --> 00:01:38,479 Speaker 2: This is what Lisa said about Stanbury on the pod. 33 00:01:38,520 --> 00:01:41,800 Speaker 2: And then during her interview, Stanbury said she has to 34 00:01:41,920 --> 00:01:45,319 Speaker 2: laugh at Lisa calling her a bad mom when Lisa 35 00:01:45,400 --> 00:01:49,040 Speaker 2: has kids five and six will follow her around dressed 36 00:01:49,120 --> 00:01:53,040 Speaker 2: up like the von Trapp family. So then the tweets 37 00:01:53,040 --> 00:01:55,960 Speaker 2: started coming in, and that's because of our family is 38 00:01:56,840 --> 00:01:58,560 Speaker 2: please it's the sound of music. 39 00:01:59,000 --> 00:02:02,200 Speaker 3: The hell I don't know that? 40 00:02:03,240 --> 00:02:07,279 Speaker 2: Oh my gosh. Well, so I didn't realize at first 41 00:02:07,280 --> 00:02:10,920 Speaker 2: that these tweets stemmed from our interview with Stanbury, But 42 00:02:11,360 --> 00:02:14,200 Speaker 2: now I know. I didn't know, but now I do 43 00:02:14,639 --> 00:02:18,520 Speaker 2: so well. First, Lisa Milon wrote Von Trapping and Gucci 44 00:02:19,240 --> 00:02:22,520 Speaker 2: Javon sheat findy happy to send your kids to hand 45 00:02:22,560 --> 00:02:26,000 Speaker 2: me downs because you don't even buy them clothes. See 46 00:02:26,040 --> 00:02:31,000 Speaker 2: Stanbury mention my kids again, and I will ruin you 47 00:02:31,160 --> 00:02:34,639 Speaker 2: Carolyn Brooks. Then right, she said, around and find out 48 00:02:34,800 --> 00:02:39,000 Speaker 2: Carolyn Stanbury, Nah, no smoke. Remember we all know your 49 00:02:39,040 --> 00:02:42,360 Speaker 2: secrets before your boosting season. Keep it cute, so we 50 00:02:42,400 --> 00:02:45,320 Speaker 2: can all keep it light hearted, shade going. Once you 51 00:02:45,440 --> 00:02:47,960 Speaker 2: go low, don't cry when others go to hell. 52 00:02:48,400 --> 00:02:50,400 Speaker 3: First thing, First of all, I don't even know what 53 00:02:50,440 --> 00:02:51,799 Speaker 3: she's saying. I'm sorry. 54 00:02:53,080 --> 00:02:59,000 Speaker 2: But also what Caroline said about Lisa's kids, I don't 55 00:02:59,000 --> 00:03:02,440 Speaker 2: think we're bad. What's bad? All little kids will dress 56 00:03:02,520 --> 00:03:05,000 Speaker 2: up and do what you want as they get older, 57 00:03:05,040 --> 00:03:07,640 Speaker 2: and maybe because they don't do that anymore, I don't 58 00:03:07,680 --> 00:03:10,400 Speaker 2: think she was. I think she just met like Lisa's 59 00:03:10,440 --> 00:03:13,880 Speaker 2: kids are young and easy to have them do those 60 00:03:13,919 --> 00:03:16,880 Speaker 2: types of things. When you have teenagers, I mean, you 61 00:03:16,919 --> 00:03:17,840 Speaker 2: can't even post. 62 00:03:17,600 --> 00:03:20,079 Speaker 3: A picture of them on some media like god forbid, 63 00:03:20,080 --> 00:03:22,239 Speaker 3: you try to dress them or even buy their clothes 64 00:03:22,240 --> 00:03:26,520 Speaker 3: without them knowing or coordinate. Yes, no, no, So I 65 00:03:26,560 --> 00:03:27,000 Speaker 3: don't know. 66 00:03:27,560 --> 00:03:29,480 Speaker 2: I don't think she was talking about her kids in 67 00:03:29,480 --> 00:03:31,680 Speaker 2: a bad way. So for this tweeting thing to happen 68 00:03:31,760 --> 00:03:34,120 Speaker 2: and then Lisa and Brooks to both go on board, 69 00:03:34,480 --> 00:03:35,160 Speaker 2: I feel. 70 00:03:34,880 --> 00:03:37,560 Speaker 3: Like just shows I don't think Carolyn Stanbury has a 71 00:03:37,600 --> 00:03:39,520 Speaker 3: mean bone in her body. I really don't. 72 00:03:40,000 --> 00:03:43,840 Speaker 2: I mean, I think Carolyn Stanbury is very dry and 73 00:03:44,120 --> 00:03:47,640 Speaker 2: very like she I think she can come. 74 00:03:47,600 --> 00:03:50,480 Speaker 3: Off as maybe cold sometimes, but I think it's just 75 00:03:50,680 --> 00:03:54,320 Speaker 3: who she is, her upbringing all that. I don't think 76 00:03:54,360 --> 00:03:57,280 Speaker 3: that she is a cold person or has a mean 77 00:03:57,320 --> 00:03:58,000 Speaker 3: bone in a body. 78 00:03:58,200 --> 00:03:59,960 Speaker 2: Well, I think everyone has a mean bone in them, 79 00:04:00,400 --> 00:04:02,720 Speaker 2: but I don't think she's intentionally mean. I think she's 80 00:04:02,840 --> 00:04:06,720 Speaker 2: intentionally blunt. And I. 81 00:04:08,360 --> 00:04:10,840 Speaker 3: Like people like that me too. I don't like people 82 00:04:10,880 --> 00:04:14,600 Speaker 3: that play victim, blame everybody else for their problems, never 83 00:04:14,680 --> 00:04:19,159 Speaker 3: taken accountability, and she's a time Yep, I did uh huh, yep. 84 00:04:19,200 --> 00:04:21,279 Speaker 2: I don't like this, or I do like this, whatever, 85 00:04:21,400 --> 00:04:23,760 Speaker 2: But I don't think, and I will say, if I 86 00:04:23,760 --> 00:04:28,400 Speaker 2: think somebody's saying something inappropriate about somebody's kids, I because 87 00:04:28,440 --> 00:04:31,839 Speaker 2: I'm very sensitive about my kids. I don't think Stanbury 88 00:04:31,880 --> 00:04:36,400 Speaker 2: was saying anything bad ALS's kids. But then this episode 89 00:04:36,400 --> 00:04:39,400 Speaker 2: we're on episode eight, Stanbury tells Sergio Helps that she 90 00:04:39,560 --> 00:04:42,080 Speaker 2: was at Brooks for coming to their house party with Sage. 91 00:04:42,440 --> 00:04:46,560 Speaker 2: She says Brooks came with a mission to cause drama Sergio, 92 00:04:46,800 --> 00:04:49,760 Speaker 2: but then Sergio saying that Raffi is like a piece 93 00:04:49,800 --> 00:04:53,360 Speaker 2: of bread, he's the nicest human had me confused. And 94 00:04:53,400 --> 00:04:56,479 Speaker 2: then I googled it and wouldn't you know, it's an 95 00:04:56,520 --> 00:05:00,000 Speaker 2: actual Italian saying, Tam, you're a real peace. 96 00:05:00,720 --> 00:05:02,640 Speaker 3: Does that mean that I'm yummy and full of carbs? 97 00:05:03,960 --> 00:05:06,560 Speaker 3: I mean, how I took it. I'm like, Raffie's a 98 00:05:06,600 --> 00:05:09,599 Speaker 3: piece of bread. I'm like, okay. You know what I 99 00:05:09,720 --> 00:05:13,680 Speaker 3: like is Caroline and Sergio are in bed with matching pajamas. 100 00:05:13,760 --> 00:05:17,200 Speaker 3: It's quite a vibe. Caroline still has her glam on 101 00:05:17,360 --> 00:05:20,280 Speaker 3: from the night before, and then they have Cheryl bringing 102 00:05:20,320 --> 00:05:22,240 Speaker 3: her coffee in the morning as they're laying on a 103 00:05:22,279 --> 00:05:25,360 Speaker 3: mattress on the floor. I thought, there's nothing better than 104 00:05:25,360 --> 00:05:28,520 Speaker 3: this scene right now, other than Sergio one and two 105 00:05:28,600 --> 00:05:30,200 Speaker 3: toilet so they can shit together. 106 00:05:30,640 --> 00:05:34,560 Speaker 2: Oh my god. One. And then when Caroline goes, yeah, 107 00:05:34,680 --> 00:05:36,440 Speaker 2: I don't even have peace during that anymore. 108 00:05:36,440 --> 00:05:40,440 Speaker 3: But it's just their vibe, and so it's funny and 109 00:05:40,600 --> 00:05:43,880 Speaker 3: light and it works, and I think people the cast 110 00:05:43,880 --> 00:05:46,200 Speaker 3: members are maybe a little some of the cast members 111 00:05:46,279 --> 00:05:48,320 Speaker 3: a little bit jealous, a little jelly. 112 00:05:49,080 --> 00:05:51,320 Speaker 2: Then Lisa says it's a big deal for a man 113 00:05:51,400 --> 00:05:54,080 Speaker 2: to shout at a woman in Dubai, since men are 114 00:05:54,120 --> 00:05:56,159 Speaker 2: supposed to treat their women like queens. 115 00:05:56,600 --> 00:05:59,520 Speaker 3: Is that true? I got confused by that. Queens. 116 00:05:59,880 --> 00:06:02,560 Speaker 2: I do wish we could dig into more about the 117 00:06:02,680 --> 00:06:05,960 Speaker 2: Dubaias city and culture and how it affects certain aspects 118 00:06:06,000 --> 00:06:08,719 Speaker 2: of people's lives, because some of it doesn't make sense. 119 00:06:08,760 --> 00:06:10,719 Speaker 2: It's like, this is the woman's job, she's here to 120 00:06:10,760 --> 00:06:13,279 Speaker 2: do this, this is what we expect of her, but 121 00:06:13,400 --> 00:06:15,840 Speaker 2: then we treat her like Queen's. I don't get it. 122 00:06:15,880 --> 00:06:18,159 Speaker 2: I need more info explain to us, guys. 123 00:06:18,240 --> 00:06:21,000 Speaker 3: Yeah, I didn't understand that at all. But did you 124 00:06:21,000 --> 00:06:22,119 Speaker 3: think Raffi was out of line? 125 00:06:24,240 --> 00:06:26,599 Speaker 2: I think there were parts that were out of line. 126 00:06:27,200 --> 00:06:31,080 Speaker 2: I think at first, I don't think he was out 127 00:06:31,080 --> 00:06:34,640 Speaker 2: of line, and then I think Tolene, you know, got 128 00:06:34,640 --> 00:06:36,800 Speaker 2: involved and it started getting more heated, and then I 129 00:06:36,839 --> 00:06:39,240 Speaker 2: think he was more talking to the group like, yeah, 130 00:06:39,360 --> 00:06:41,080 Speaker 2: I don't camera. 131 00:06:40,960 --> 00:06:44,279 Speaker 3: I really don't think it's outline. But Brook's rewriting history 132 00:06:44,400 --> 00:06:48,919 Speaker 3: and blaming it all on Tolene is comical. Yeah, I 133 00:06:48,960 --> 00:06:53,360 Speaker 3: mean she is so she just comes up so jealous 134 00:06:54,040 --> 00:06:54,520 Speaker 3: and bitter. 135 00:06:55,200 --> 00:06:55,320 Speaker 1: OK. 136 00:06:55,480 --> 00:06:57,000 Speaker 3: It's hard for me to watch it right now. I'm like, 137 00:06:57,040 --> 00:06:59,680 Speaker 3: what's going on this season? I'm not liking you. 138 00:07:00,240 --> 00:07:02,919 Speaker 2: Neither was Stanbury. She says, it's the spiritual healing, you 139 00:07:02,960 --> 00:07:07,680 Speaker 2: know what. I think it's called trying to self produce yourself. Yeah, 140 00:07:07,760 --> 00:07:11,760 Speaker 2: trying to manufacture drama from a show, trying to make 141 00:07:11,800 --> 00:07:15,120 Speaker 2: something out of nothing. I get, I'm fine with shit stirring, 142 00:07:15,200 --> 00:07:17,440 Speaker 2: but you have to stir a shit that actually needs 143 00:07:17,440 --> 00:07:19,880 Speaker 2: a little bit of stirring. This isn't It doesn't even 144 00:07:19,920 --> 00:07:21,920 Speaker 2: matter what she's fighting about at this point. 145 00:07:22,040 --> 00:07:22,280 Speaker 3: I know. 146 00:07:22,640 --> 00:07:25,680 Speaker 2: Also, who would have known you can't wear leather to Bali? 147 00:07:25,920 --> 00:07:27,640 Speaker 3: I know I was thinking, God, I went to Bali, 148 00:07:27,680 --> 00:07:29,720 Speaker 3: did I wear any leather shoes? I mean, I will 149 00:07:29,760 --> 00:07:32,400 Speaker 3: tell you the humidity is so bad there that you 150 00:07:32,440 --> 00:07:35,280 Speaker 3: can get ready in your air conditioned hotel room and 151 00:07:35,360 --> 00:07:38,320 Speaker 3: walk out in your dripping sweat in two seconds. Yeah, 152 00:07:38,600 --> 00:07:41,679 Speaker 3: Teleen saying that she was afraid to go to Bali, girl, 153 00:07:41,960 --> 00:07:44,920 Speaker 3: I feel you. I'm afraid. I have PDSD. I will 154 00:07:44,920 --> 00:07:45,559 Speaker 3: never go back. 155 00:07:45,840 --> 00:07:47,880 Speaker 2: Well that's because of the show. But Matt was my 156 00:07:48,000 --> 00:07:50,760 Speaker 2: favorite trip I've ever taken to Balie. I love it. 157 00:07:51,200 --> 00:07:54,400 Speaker 3: So I will say, just fast forward a little bit 158 00:07:54,400 --> 00:07:59,880 Speaker 3: and watching them walk into their villa, it was the 159 00:08:00,000 --> 00:08:01,680 Speaker 3: budget would look like is a little bit bigger than 160 00:08:02,040 --> 00:08:02,640 Speaker 3: when we went. 161 00:08:03,400 --> 00:08:06,480 Speaker 2: Yeah, yeah, Well what about when Sergio shows up to 162 00:08:06,520 --> 00:08:10,040 Speaker 2: the airport with Stanbury. He tricked me well, and he 163 00:08:10,080 --> 00:08:14,080 Speaker 2: had his passport. But then Ion is pissed and says, 164 00:08:14,120 --> 00:08:17,120 Speaker 2: the only thing that has left is Sergio putting on 165 00:08:17,200 --> 00:08:20,360 Speaker 2: boobs and a dress and making Sergio one of them. 166 00:08:21,040 --> 00:08:24,400 Speaker 2: Then Sergio set jokes and said he's not going, He's 167 00:08:24,440 --> 00:08:27,880 Speaker 2: actually going to Spain. But then when he hands Caroline 168 00:08:28,040 --> 00:08:30,320 Speaker 2: the poster of himself dead. 169 00:08:30,440 --> 00:08:33,240 Speaker 3: Dead nothing, And then it gets better. In the in 170 00:08:33,280 --> 00:08:36,040 Speaker 3: the sprinter van or whatever they're riding in, there is 171 00:08:36,080 --> 00:08:40,079 Speaker 3: Sergio's poster in the back seat. They they had. How 172 00:08:40,080 --> 00:08:41,800 Speaker 3: do you check that in? Do you just walk on 173 00:08:41,840 --> 00:08:43,480 Speaker 3: the plane with it? That big old poster? 174 00:08:44,160 --> 00:08:45,439 Speaker 2: You put it in the overhead? 175 00:08:45,720 --> 00:08:48,439 Speaker 3: It's too big. That thing was like poster size. It 176 00:08:48,559 --> 00:08:51,640 Speaker 3: was a carry on line. How about can we talk 177 00:08:51,640 --> 00:08:56,720 Speaker 3: about the airport fashion? Which which girl would you chanel 178 00:08:56,800 --> 00:08:57,160 Speaker 3: on the gown? 179 00:08:57,880 --> 00:08:59,880 Speaker 2: And then she goes, I can't die in a pair 180 00:08:59,880 --> 00:09:03,280 Speaker 2: of tights and sneakers, Ilene skipping in and. 181 00:09:04,240 --> 00:09:06,680 Speaker 3: Yeah, Saba and feathered pajamas. 182 00:09:07,080 --> 00:09:09,679 Speaker 2: I don't like. If that's sol pajamas. 183 00:09:09,160 --> 00:09:11,120 Speaker 3: I don't like, I know, And then Telene in a 184 00:09:11,200 --> 00:09:14,920 Speaker 3: workout clothes and braids and hats, and Sarah in her 185 00:09:14,920 --> 00:09:18,160 Speaker 3: Gucci track suits. I think I would be Telene. 186 00:09:19,040 --> 00:09:21,120 Speaker 2: I think I could be Tileene, or I could probably 187 00:09:21,120 --> 00:09:24,960 Speaker 2: be Sarah if need be. I don't remember what Lisa 188 00:09:25,000 --> 00:09:26,880 Speaker 2: had on, so I don't I can't. 189 00:09:26,600 --> 00:09:30,240 Speaker 3: Just set casual outfit. They casual zoomed in on her. Yeah, 190 00:09:30,240 --> 00:09:32,480 Speaker 3: I mean when you're doing it, Dubai TBALI is a 191 00:09:32,559 --> 00:09:36,560 Speaker 3: nine hour flight. Yeah, you're gonna want to be comfortable. 192 00:09:36,720 --> 00:09:40,880 Speaker 3: Could you imagine traveling in that dress that Chanel had on, 193 00:09:41,440 --> 00:09:44,120 Speaker 3: no big old' tool dress. I'm like, that would be 194 00:09:44,320 --> 00:09:46,680 Speaker 3: so uncomfortable. Guarantee she got on and changed. 195 00:09:47,240 --> 00:09:52,640 Speaker 2: I do remember my very first trip on Beverly Hills, 196 00:09:52,720 --> 00:09:55,800 Speaker 2: and I came casual, and all of the women off 197 00:09:55,840 --> 00:09:59,320 Speaker 2: camera said to me, listen us getting on and off 198 00:09:59,320 --> 00:10:02,560 Speaker 2: a jet is always used in opening titles, So you 199 00:10:02,600 --> 00:10:06,200 Speaker 2: want to dress up for these? And I was like, oh, okay. 200 00:10:06,040 --> 00:10:07,959 Speaker 3: Like they did they use yours? I? 201 00:10:08,080 --> 00:10:11,440 Speaker 2: Yes, I was in a white T shirt and jeans. 202 00:10:13,400 --> 00:10:16,040 Speaker 3: I mean, come on, it's a reality show. Let's be 203 00:10:16,080 --> 00:10:16,800 Speaker 3: real people. 204 00:10:17,559 --> 00:10:21,400 Speaker 2: Yeah. But then Brooks is late to the airport. None 205 00:10:21,440 --> 00:10:24,160 Speaker 2: of their text Wait she didn't show up? Yeah, well, 206 00:10:24,200 --> 00:10:28,560 Speaker 2: what's apple calls are getting there? You know, I don't 207 00:10:28,559 --> 00:10:30,600 Speaker 2: know I think if there's one thing Brooks is going 208 00:10:30,679 --> 00:10:33,319 Speaker 2: to do, it's make sure everybody is talking about. 209 00:10:33,040 --> 00:10:35,000 Speaker 3: Her about her and make a grand appearance. And this, 210 00:10:35,360 --> 00:10:38,040 Speaker 3: you know what, this just bothered me even more. And 211 00:10:38,080 --> 00:10:39,599 Speaker 3: I've bothered me even more. 212 00:10:39,520 --> 00:10:41,560 Speaker 2: And I'm gonna have to say something right now, Brooks. 213 00:10:41,600 --> 00:10:43,640 Speaker 2: This is not to cause a fight with you, but 214 00:10:43,800 --> 00:10:47,600 Speaker 2: if you actually took a private jet to BALI, please 215 00:10:47,679 --> 00:10:50,520 Speaker 2: send the twatz proof. I want to see it. 216 00:10:51,400 --> 00:10:55,000 Speaker 3: We know you on later on exactly there was no 217 00:10:55,480 --> 00:11:01,560 Speaker 3: posting of it. Later on, Caroline stan Barry questions her 218 00:11:01,600 --> 00:11:04,640 Speaker 3: about it, and she makes it sound like maybe some 219 00:11:05,679 --> 00:11:09,000 Speaker 3: man might have paid for it. 220 00:11:09,320 --> 00:11:11,760 Speaker 2: Yeah, I know, but half a million dollars for her 221 00:11:11,760 --> 00:11:12,760 Speaker 2: to go on a cast trip? 222 00:11:13,400 --> 00:11:16,280 Speaker 3: Is it really five hundred thousand dollars to fly private 223 00:11:16,920 --> 00:11:17,760 Speaker 3: for nine hours? 224 00:11:18,200 --> 00:11:22,600 Speaker 2: I would get okay, So to fly from LA to 225 00:11:22,760 --> 00:11:27,600 Speaker 2: New York private is not including like gas and stuff? 226 00:11:27,640 --> 00:11:29,360 Speaker 2: I think it's like seventy five thousand. 227 00:11:30,120 --> 00:11:31,720 Speaker 3: Wit you have to pay gas on top of that. 228 00:11:32,040 --> 00:11:35,040 Speaker 2: Yes, Oh, it's a quarter of a million. Quarter of 229 00:11:35,040 --> 00:11:35,920 Speaker 2: a million, does sound right? 230 00:11:36,000 --> 00:11:39,480 Speaker 3: Quarter of a million, quarter of a million dollars to 231 00:11:39,559 --> 00:11:40,160 Speaker 3: fly two. 232 00:11:40,080 --> 00:11:42,480 Speaker 2: Hundred and fifty k which makes sense. Because if it's 233 00:11:42,480 --> 00:11:44,480 Speaker 2: about seventy five doll one hundred k to get to 234 00:11:44,520 --> 00:11:46,040 Speaker 2: New York from La. 235 00:11:46,679 --> 00:11:49,319 Speaker 3: Okay, I know if anybody would know would be Caroline. 236 00:11:50,360 --> 00:11:52,760 Speaker 2: But then Tolene says she wanted to come on the 237 00:11:52,800 --> 00:11:56,000 Speaker 2: trip and clear everything up. Chanelle tells Tolene that she 238 00:11:56,120 --> 00:11:59,319 Speaker 2: heard Toleine was chasing Brooks at Stanbury's house saying where's 239 00:11:59,360 --> 00:12:02,160 Speaker 2: your husband? Toleene tells Chanelle it is dirty. What she 240 00:12:02,280 --> 00:12:06,160 Speaker 2: is doing was do you think Ian was trying to 241 00:12:06,200 --> 00:12:07,840 Speaker 2: stir it up here? She wanted to get the full 242 00:12:07,840 --> 00:12:10,040 Speaker 2: story because she wasn't chasing her, she was just standing 243 00:12:10,040 --> 00:12:11,160 Speaker 2: there flipping her head around. 244 00:12:11,360 --> 00:12:13,880 Speaker 3: I think that she was being a messy housewife. That's 245 00:12:13,880 --> 00:12:15,680 Speaker 3: what you know, that's what we like to watch. And 246 00:12:15,760 --> 00:12:18,520 Speaker 3: I got to applaud Chanel for like, listen, everybody's talking 247 00:12:18,520 --> 00:12:20,800 Speaker 3: about how they don't want drama. You know, Oh, let's 248 00:12:20,800 --> 00:12:23,559 Speaker 3: not have drama. Let's just all get along. And then 249 00:12:24,040 --> 00:12:26,720 Speaker 3: you know, Chanelle comes in with that and Tleene's like, 250 00:12:26,880 --> 00:12:30,520 Speaker 3: I'm not doing this. I just said, yeah, I think 251 00:12:30,520 --> 00:12:34,439 Speaker 3: she's just doing her job. Yeah, yes, guys, for those 252 00:12:34,480 --> 00:12:36,040 Speaker 3: of you out there, it is a job. 253 00:12:36,559 --> 00:12:37,200 Speaker 2: It is a job. 254 00:12:37,280 --> 00:12:38,360 Speaker 3: Don't act like, you don't know that. 255 00:12:50,400 --> 00:12:53,480 Speaker 2: Then Stanbury tells Sarah to live with her boyfriend to 256 00:12:53,520 --> 00:12:56,319 Speaker 2: test the relationship. Sarah says she can't live with a 257 00:12:56,360 --> 00:12:59,439 Speaker 2: boyfriend until she's married because of her religion slash culture. 258 00:12:59,760 --> 00:13:02,320 Speaker 2: She wants to take things slowly, and then she says 259 00:13:02,360 --> 00:13:04,920 Speaker 2: that even if she could, she wouldn't want to because 260 00:13:04,920 --> 00:13:07,200 Speaker 2: it takes away from getting married. So then they go 261 00:13:07,280 --> 00:13:10,360 Speaker 2: to dinner, which they're all confused by this truffle pasta 262 00:13:10,400 --> 00:13:12,560 Speaker 2: that all I wanted to do was eat. I was like, 263 00:13:12,600 --> 00:13:15,600 Speaker 2: oh my, oh my god, that looks so good when 264 00:13:15,640 --> 00:13:19,199 Speaker 2: it's in the cheese wheel, the cheese not the cheese wheel. 265 00:13:20,040 --> 00:13:22,080 Speaker 2: I was like, oh. But then we thought the night 266 00:13:22,160 --> 00:13:24,680 Speaker 2: was like coming to an end clearly because nothing was happening. 267 00:13:25,160 --> 00:13:28,920 Speaker 2: But then we see they all go back to the villa. 268 00:13:29,200 --> 00:13:31,400 Speaker 2: When they said the villa, all I kept thinking was 269 00:13:31,440 --> 00:13:34,240 Speaker 2: love Island. When they're like, let's go to the villa, 270 00:13:34,640 --> 00:13:38,640 Speaker 2: they go, I don't even see them really having drinks, 271 00:13:38,679 --> 00:13:39,079 Speaker 2: but like. 272 00:13:39,160 --> 00:13:41,200 Speaker 3: The god a villa. This is what it is, guys, 273 00:13:41,240 --> 00:13:44,280 Speaker 3: cue the production. Girls dance have fun. The girls dance, 274 00:13:44,280 --> 00:13:47,679 Speaker 3: they're dancing, Oh yeah, having fun. And then as one 275 00:13:47,720 --> 00:13:50,480 Speaker 3: of them, yeah, she's dry humping everybody and then they 276 00:13:50,480 --> 00:13:52,520 Speaker 3: all stop and they're like, Okay, let's go to bed. 277 00:13:52,760 --> 00:13:56,880 Speaker 2: Yeah, well not before Brooks arrives. Brooke shows up, brook 278 00:13:56,920 --> 00:13:59,240 Speaker 2: says she came late because she needed a minute. She 279 00:13:59,320 --> 00:14:03,040 Speaker 2: claims she private, and then Brooks ask Sarah if Toaline 280 00:14:03,280 --> 00:14:06,560 Speaker 2: has apologized for being fake two faced in a poster. 281 00:14:07,160 --> 00:14:08,719 Speaker 2: Then they decide to I'll go to bed. 282 00:14:09,360 --> 00:14:14,320 Speaker 3: M they're tired after they did their production dance, after 283 00:14:14,360 --> 00:14:15,959 Speaker 3: they get fun. 284 00:14:16,120 --> 00:14:16,960 Speaker 2: With no music. 285 00:14:17,120 --> 00:14:19,600 Speaker 3: Yeah, then standard's like the Chicken dance. 286 00:14:19,920 --> 00:14:24,360 Speaker 2: Yeah. Then Stanbury tells Brooke that she is prickly and 287 00:14:24,400 --> 00:14:27,320 Speaker 2: tells her to stop the healing because she was better before. 288 00:14:27,600 --> 00:14:30,960 Speaker 2: Stanbury asked if she actually flew private and asked who 289 00:14:30,960 --> 00:14:33,600 Speaker 2: funded it. Brooks shaws, she's not telling her. I don't 290 00:14:33,640 --> 00:14:36,120 Speaker 2: think what Stanbury is saying. And listen, I'm not trying 291 00:14:36,160 --> 00:14:39,040 Speaker 2: to just have Stanbury's back finally. 292 00:14:38,600 --> 00:14:41,160 Speaker 3: And I feel like they literally go after it for 293 00:14:41,200 --> 00:14:44,360 Speaker 3: everything she says in like twist things and take it 294 00:14:44,400 --> 00:14:47,480 Speaker 3: out of you know, context, and it's such bullshit and 295 00:14:47,480 --> 00:14:48,280 Speaker 3: you can see it. 296 00:14:49,000 --> 00:14:51,440 Speaker 2: Well, especially like I think it's one thing to say, 297 00:14:51,480 --> 00:14:56,360 Speaker 2: like whatever, this current spiritual healing journey you're on is 298 00:14:56,400 --> 00:14:59,000 Speaker 2: clearly not the right one. Maybe don't do one through Sarah. 299 00:14:59,040 --> 00:15:01,280 Speaker 2: If you need therapy, if you need trauma healing, if 300 00:15:01,280 --> 00:15:03,760 Speaker 2: you need whatever, you should probably do that on your own, 301 00:15:04,960 --> 00:15:07,720 Speaker 2: not with one of your cast members, who's we ultimately 302 00:15:07,720 --> 00:15:09,120 Speaker 2: are going to find out, is going to throw it 303 00:15:09,120 --> 00:15:09,640 Speaker 2: in your face. 304 00:15:10,240 --> 00:15:14,080 Speaker 3: Yeah, they're not fair to Stanbury. Now, you guys look 305 00:15:14,120 --> 00:15:16,960 Speaker 3: for this when you're watching housewives. There are housewives out 306 00:15:16,960 --> 00:15:21,240 Speaker 3: there that use sound bites. So you can be having 307 00:15:21,240 --> 00:15:23,560 Speaker 3: a conversation and all somebody's like, oh, you're gonna yell 308 00:15:23,600 --> 00:15:25,400 Speaker 3: at me, Oh, don't yell at me, when the other 309 00:15:25,440 --> 00:15:27,720 Speaker 3: person's I've been yelling at them. It's a way to 310 00:15:27,960 --> 00:15:32,160 Speaker 3: change the viewer's perception of what is going on. And 311 00:15:32,200 --> 00:15:33,880 Speaker 3: it's so annoying, and I feel like they do that 312 00:15:33,920 --> 00:15:36,560 Speaker 3: to Stanbury all the time. Now, what I did like 313 00:15:36,720 --> 00:15:39,120 Speaker 3: is Sarah saying we set to to Brooks, we set 314 00:15:39,160 --> 00:15:43,080 Speaker 3: intentions last night, we're all good, and then Brooks says 315 00:15:43,360 --> 00:15:45,200 Speaker 3: Telene is a liar. I'm going to confront her, and 316 00:15:45,240 --> 00:15:50,680 Speaker 3: Sarah goes absolutely absolutely. It's like, come on, Sarah, can 317 00:15:50,720 --> 00:15:53,440 Speaker 3: you at least fake it and say, well, you know what, 318 00:15:53,520 --> 00:15:56,040 Speaker 3: you should do it with a you know, a gentle 319 00:15:56,200 --> 00:15:58,360 Speaker 3: heart or some bullshit that she's. 320 00:15:58,400 --> 00:16:03,280 Speaker 2: Let's do this in Apias. But there dun dunt duke. 321 00:16:03,360 --> 00:16:06,880 Speaker 3: I constantly talking about Telene, though constantly it just makes 322 00:16:06,880 --> 00:16:08,000 Speaker 3: her look jealous. 323 00:16:08,320 --> 00:16:11,520 Speaker 2: She's just mad that Telene is effortlessly fitting in. Ion 324 00:16:11,640 --> 00:16:14,320 Speaker 2: has a voice note from Sarah saying, even if I'm 325 00:16:14,320 --> 00:16:16,720 Speaker 2: not a Brooks fan, I will not stand for that. 326 00:16:16,880 --> 00:16:18,880 Speaker 2: And that is true, you know what, I am not 327 00:16:19,040 --> 00:16:22,520 Speaker 2: her biggest fan as well. Sarah always is taking the 328 00:16:22,920 --> 00:16:26,120 Speaker 2: talks highly about Brooks. So the ladies feel like they're 329 00:16:26,160 --> 00:16:29,440 Speaker 2: finally seeing what it is that she says, and it's like, 330 00:16:29,560 --> 00:16:32,760 Speaker 2: finally the mask of Sarah's slips. I wish she just 331 00:16:32,760 --> 00:16:34,720 Speaker 2: would allow herself to be that on the show. 332 00:16:35,320 --> 00:16:38,120 Speaker 3: I was a little bit confused by the voice note 333 00:16:38,160 --> 00:16:39,880 Speaker 3: because once it was talked about, then it was presented 334 00:16:39,920 --> 00:16:44,440 Speaker 3: at the table. It was a voice note from Sarah 335 00:16:44,680 --> 00:16:47,040 Speaker 3: to Ion or whoa, oh. 336 00:16:46,880 --> 00:16:50,280 Speaker 2: This is you missed it? Okay, So Brooks brings it 337 00:16:50,400 --> 00:16:53,400 Speaker 2: up to the ladies what Stanbury said to her about 338 00:16:53,440 --> 00:16:55,920 Speaker 2: the healing journey, which I still don't think was that bad. 339 00:16:55,920 --> 00:16:57,080 Speaker 2: I don't think she was saying I don't want you 340 00:16:57,120 --> 00:16:58,960 Speaker 2: to get better as a person. She's saying, I don't 341 00:16:59,000 --> 00:17:02,560 Speaker 2: want Sarah be your What is it when somebody talks 342 00:17:02,560 --> 00:17:03,200 Speaker 2: for you all the time? 343 00:17:03,800 --> 00:17:05,920 Speaker 3: Your your your? 344 00:17:06,080 --> 00:17:10,520 Speaker 2: Yeah, your mouthpiece, your mouth mouthpiece. Yeah. So, and then 345 00:17:10,560 --> 00:17:13,120 Speaker 2: they flashed back to all the clips that Sarah has 346 00:17:13,160 --> 00:17:16,600 Speaker 2: talked for Brooks since this healing journey, which he has. Yes. 347 00:17:16,920 --> 00:17:20,000 Speaker 2: Then they flashed back and they show the voice note 348 00:17:20,000 --> 00:17:25,639 Speaker 2: that Ion shares that we had assumed had come to 349 00:17:26,000 --> 00:17:31,800 Speaker 2: Ion from Sarah. Yes, but then that's where it got confused. No, no, 350 00:17:32,280 --> 00:17:34,959 Speaker 2: what actually happened? And this is where we see the 351 00:17:35,080 --> 00:17:41,280 Speaker 2: demise of Ion and Lisa. Is that that voice note 352 00:17:42,240 --> 00:17:46,600 Speaker 2: went to Lisa. Lisa then sent it to Ion. 353 00:17:47,680 --> 00:17:50,200 Speaker 3: Oh it was okay, okay. 354 00:17:50,440 --> 00:17:55,720 Speaker 2: So that's where you know, Lisa tells Ion she is 355 00:17:55,840 --> 00:17:59,480 Speaker 2: messy because she sent that voice note to Iona. 356 00:17:59,560 --> 00:18:02,520 Speaker 3: Things are heating up and the guys words of Ion, 357 00:18:02,840 --> 00:18:03,680 Speaker 3: the ocean. 358 00:18:03,359 --> 00:18:06,680 Speaker 2: Can kill you or you Yeah, and I don't want 359 00:18:06,680 --> 00:18:10,560 Speaker 2: to do either with things I haven't seen. Yes, but 360 00:18:10,800 --> 00:18:13,879 Speaker 2: in this moment I actually felt bad for Brooks, like, really, 361 00:18:13,920 --> 00:18:16,760 Speaker 2: without her, where would we be this season? But also, 362 00:18:17,080 --> 00:18:22,040 Speaker 2: your supposed supposed spiritual healing friend is sending voice notes 363 00:18:22,240 --> 00:18:25,960 Speaker 2: to Lisa Milan who's then shitting them to Ion and. 364 00:18:25,880 --> 00:18:29,560 Speaker 3: Like Ion's yeah, and then tells Caroline. Then Caroline brings 365 00:18:29,560 --> 00:18:32,200 Speaker 3: it up at the table. But the way Caroline brought 366 00:18:32,240 --> 00:18:34,520 Speaker 3: it up was pretty masterfult. She did it like this, 367 00:18:34,760 --> 00:18:37,919 Speaker 3: Oh yeah, maybe then we should. 368 00:18:37,680 --> 00:18:39,000 Speaker 2: Talk about the voice note. 369 00:18:39,160 --> 00:18:43,800 Speaker 3: Yeah, it was she She gets the attention off of 370 00:18:43,840 --> 00:18:47,880 Speaker 3: her and let the bitches fight it. Let the bitches 371 00:18:47,960 --> 00:18:48,800 Speaker 3: fall where they may. 372 00:18:49,640 --> 00:18:53,000 Speaker 2: Yeah, let the pieces fall. Because would you be pissed 373 00:18:53,119 --> 00:18:56,720 Speaker 2: at Ion for sharing the voice note? Or would you pay? 374 00:18:56,960 --> 00:18:59,280 Speaker 2: Or if you're Sarah, are you pissed at Lisa for 375 00:18:59,320 --> 00:19:03,200 Speaker 2: sharing the voice point being don't send a voice mode 376 00:19:03,320 --> 00:19:05,640 Speaker 2: talking about somebody that's supposedly your best friend. 377 00:19:05,640 --> 00:19:07,639 Speaker 3: If you don't want to share it, well, it's going 378 00:19:07,680 --> 00:19:09,719 Speaker 3: to come out, especially if you're writing hard for that 379 00:19:09,800 --> 00:19:13,480 Speaker 3: person or you're contradicting yourself. It's going to come out. 380 00:19:13,720 --> 00:19:16,600 Speaker 2: If you're somebody's mouthpiece and then you're talking about them 381 00:19:16,680 --> 00:19:19,680 Speaker 2: on voice notes to other cast members, it ain't gonna 382 00:19:19,720 --> 00:19:22,440 Speaker 2: be good. And this is where we're about to see 383 00:19:22,720 --> 00:19:26,680 Speaker 2: all of the women's relationships that we currently know implode. 384 00:19:26,880 --> 00:19:30,120 Speaker 2: So thank you, Dubai, you're coming in hot. Episode nine, 385 00:19:30,160 --> 00:19:33,000 Speaker 2: great episode, really good but I think episode nine. I 386 00:19:33,000 --> 00:19:35,280 Speaker 2: don't think it's on next week. I think there's a 387 00:19:35,359 --> 00:19:38,280 Speaker 2: gap week. Oh really, yeah, I think I read that. 388 00:19:38,600 --> 00:19:42,119 Speaker 2: But so yeah, we uh you've got your hooks in 389 00:19:42,240 --> 00:19:44,560 Speaker 2: us now, so thank you, thank you very much