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Speaker 1: And they ain't gonna repeat that I said in my head.

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Speaker 1: I want to watch me about it. This up there podcast, Man,

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Speaker 1: I go by the name A Big Loan. It's nothing

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Speaker 1: like it. I want to thank every single person that

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Speaker 1: ever tuned in. It's ever rocking with this shit. Man,

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Speaker 1: It's some of the biggest shit in the world, and

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Speaker 1: it's nothing like it. So I want to thank y'all. Man,

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Speaker 1: let's get the business out of the way. If you're

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Speaker 1: listening to the audio adventure this right now, Man, you

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Speaker 1: want to support Loan, you got to hear the patron.

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Speaker 1: It's how I know you're support. You ain't just chair

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Speaker 1: picking the game. The game is filled with a lot

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Speaker 1: of sucker shit and I don't want to be involved

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Speaker 1: with it. I asked for those of you that real

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Speaker 1: and hustlers and gap what you claim to have to

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Speaker 1: come see me on patron. It lets me separate the

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Speaker 1: men from the mice. Either way, your supporter is appreciate it. Today,

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Speaker 1: I feel like I'm gonna kick a high level of game.

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Speaker 1: I got a lot on my mind right now. That

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Speaker 1: the business is out the way, I think it's cool

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Speaker 1: that we talk about a few things. I want to

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Speaker 1: start with like Jed, being in this business, being a man,

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Speaker 1: growing into being a real man. Right, the things you

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Speaker 1: have to endure, right, and some of the decisions that

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Speaker 1: you will make it either make you or break you.

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Speaker 1: I know that my pathway is clear. And when I

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Speaker 1: told myself when I started this that I was going

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Speaker 1: to dedicate to this, that's what I meant. In the

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Speaker 1: midst of that, though I never knew that I was

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Speaker 1: started to be under a tech. See, it's people out here,

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Speaker 1: and sometimes I like to come and I don't really

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Speaker 1: talk about these things, but I know that. You know,

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Speaker 1: God didn't just give me a voice. He gave me

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Speaker 1: an audience. And I wasn't even greedy. I just asked

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Speaker 1: for a voice and got an audience. The greedy nigga

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Speaker 1: God to give him a voice and he are going

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Speaker 1: big for audience. I ain't even have to ask for

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Speaker 1: the audience. I just asked for the voice. Now I'm

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Speaker 1: in a position where I feel like I can put

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Speaker 1: people in a position, so I need to be able

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Speaker 1: to talk to people about things and try to navigate

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Speaker 1: through things. Everything is impersonal, but everything is in business either.

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Speaker 1: You see what I'm saying. So I gotta know how

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Speaker 1: to navigate between the two. As precious as life feels. Right,

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Speaker 1: I give you access to a whole list of things,

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Speaker 1: and you choose my emotions to join. You choose to

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Speaker 1: take advantage of my availability in a way that's uncomfortable

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Speaker 1: for me. I think I want to just zoom out

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Speaker 1: a little bit. Right, being dedicated to something. When I

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Speaker 1: started out, I said I'll be dedicated no matter what.

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Speaker 1: I didn't know what. No matter what meant success Stars

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Speaker 1: of War, right, because you have to change to adapt

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Speaker 1: to what's about to happen, what's happening in your life. Right,

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Speaker 1: So what happens is you alienate everyone because you're trying

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Speaker 1: to find your way. When you find your way, you're

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Speaker 1: able to be like whoever's around at this point. This

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Speaker 1: is what it is. But when you're dealing with a

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Speaker 1: man that is of purpose, he's willing to lose everything

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Speaker 1: for the goal. Any man that goes from nothing to

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Speaker 1: summons already has a gambling spirit because he didn't stay

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Speaker 1: in line like the rest of him. He bet on

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Speaker 1: this cell. So his spirit is already different than these

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Speaker 1: other these just get in line and go to work.

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Speaker 1: Do this, it's already a different spirit. So you're already

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Speaker 1: dealing with a different kind of individual, whether you recognize

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Speaker 1: it or not. That's another thing that I see happening.

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Speaker 1: People wonder why they get different results out of the

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Speaker 1: same person. There's so much about how you view and

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Speaker 1: treat them. She viewed him different than you viewed him,

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Speaker 1: so she treat him, and then you treated him, so

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Speaker 1: she get a different version to him than you got

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Speaker 1: of him. Right, And these are the things that you

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Speaker 1: have to understand. But a lot of people to think

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Speaker 1: that you're one person, know a lot of times it's

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Speaker 1: a reflection of the environment. Listen right now currently, Like

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Speaker 1: you know, I know what it's like, bro. Like I've

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Speaker 1: been in situations where people were doing me extremely bad.

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Speaker 1: I'm telling about doing me horrible, right, But I said

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Speaker 1: I was dedicated to something, so I know this goal

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Speaker 1: is so important. Right. If I take my eyes off

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Speaker 1: the road and go to fucking with that over there

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Speaker 1: and make a mistake, everything is fun. But what do

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Speaker 1: you do when that's inside the same folk wall? So

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Speaker 1: you can't even run from the trouble, You can't even

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Speaker 1: run from the devil putting you in situations where you

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Speaker 1: are supposed to flip out you flipped out in these

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Speaker 1: situations one hundred out of one hundred times in your life.

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Speaker 1: Now God has put that in but in your four

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Speaker 1: walls and told you to deal with it. Since you

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Speaker 1: said you was dedicating, you tell me what do you

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Speaker 1: do when now you know no longer works with where

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Speaker 1: you at. You handle things one way, but now where

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Speaker 1: you wet. If you handled it that way where you wet,

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Speaker 1: that don't go where you at, then you jeopardize everything

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Speaker 1: you work for. And then you jeopardize your whole situation

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Speaker 1: over what But one hundred out of one hundred times

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Speaker 1: you've been you reacted this way when these circumstances happened

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Speaker 1: to you. And God puts you in a situation where

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Speaker 1: you can't even move from the circumstances. That is a

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Speaker 1: trip wire for you and say, hey, you said you

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Speaker 1: was dedicating. You're still gonna get up at four in

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Speaker 1: the morning. I've got the devil, he got boot traps

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Speaker 1: all around you. Still gonna get up at four in

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Speaker 1: the morning and go get it like you said you

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Speaker 1: were gonna get it? Can you operate in chaos? There's

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Speaker 1: men out there, there's women out there, as people out there.

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Speaker 1: That's operating in chaos. Nobody's salutes you because nobody says

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Speaker 1: nothing right. And it's it's an old saying that says

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Speaker 1: you never cry because you don't want them to see

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Speaker 1: you broken. But at the same time, you upset because

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Speaker 1: nobody sees that you're hurt. See. See, the tall won't

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Speaker 1: be in the short, won't stretch. Right, So it's always

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Speaker 1: gonna be a situation where people are suffering in silence, right,

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Speaker 1: operating in chaos, coming out suit, button up, iron from

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Speaker 1: the cleaners, he leaving out the high man. He going

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Speaker 1: through hell. Many him broke him down, man, and he

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Speaker 1: can't run from it. He doesn't what can he do?

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Speaker 1: He can't run. He just got to come out into

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Speaker 1: the world. They don't even know. That's why all the

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Speaker 1: real great men foundation that they high. I was just man,

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Speaker 1: it was just different vibe man. Right. I ain't saying

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Speaker 1: whether they were good men or not, but I know

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Speaker 1: they had good women. But on my journey, right, I

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Speaker 1: don't even celebrate, don't I'm so I'm so lost in this,

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Speaker 1: Like I ain't even celebrating wins or nothing. I'm just

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Speaker 1: gone on, Like I'm just that funked up about this

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Speaker 1: I'm that dedicated to this right, because I see a hole,

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Speaker 1: it's like a running back. You see what I'm saying,

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Speaker 1: Like with peeing them, they just sold QC, you know,

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Speaker 1: for a good number, and it's like, yo, you got

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Speaker 1: a chance to get that that that trunk of money,

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Speaker 1: like that working capital and still be over here with salary.

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Speaker 1: Like Jay he just sold his ship in Bacard to

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Speaker 1: seven money fifty million, still got twenty four percent of

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Speaker 1: the company. But that's a time where you see a

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Speaker 1: hole as a man, like a running back on the field, right,

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Speaker 1: you see a hole, and as a man, you gotta

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Speaker 1: make the move. If the full back ain't blocking or

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Speaker 1: whatever's happening, you gotta make the move as the man

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Speaker 1: and right, and so if you got a team of

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Speaker 1: people that know, listen, I'm dealing with a man that

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Speaker 1: if he see a hole, he gonna make a move.

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Speaker 1: And see me, I've been always good as saying listen,

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Speaker 1: I'm the kind of nigger that and any time something

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Speaker 1: gonna happen, I don't know when, but I know I

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Speaker 1: got that kind of spirit, right, I got that, I

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Speaker 1: got that go get it. I got that nothing to

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Speaker 1: some spirit. So at some point something gonna happen. I

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Speaker 1: let all my people know this. I let the folks

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Speaker 1: know you dealing with him. If I see a hole,

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Speaker 1: I'm a running back. I'm looking at school. If I

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Speaker 1: see a hole on the field, man, I'm making them

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Speaker 1: I'm gone. Meaning if opportunity to knock, I'm gone. I'm

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Speaker 1: dedicating to it every day to it happened. If I

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Speaker 1: get any glimpse of any kind of opportunity to save

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Speaker 1: the family, to change generation of curses, I gotta goal.

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Speaker 1: You post understanding that I've been saying it since I

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Speaker 1: was twenty. Go ask anybody I've ever dealt with since

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Speaker 1: I was twenty, I've said this, man, I've never ever

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Speaker 1: ever been disguised as an It ain't gonna be who

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Speaker 1: I'm gonna be. I've always said this is what I'm

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Speaker 1: gonna do under all circumstances, against all lives. And I've

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Speaker 1: been trying to prep people for me making that cut,

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Speaker 1: me making that run, for me seeing that hole and

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Speaker 1: said this time, where right he go a touchdown. You

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Speaker 1: know a lot of things have happened in my life

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Speaker 1: where I ain't. I ain't just saying all right, buckle down,

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Speaker 1: it's over with shut everything down. It's on niche right here.

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Speaker 1: Like I've been involved in legendary since a youngster twenty

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Speaker 1: one years old, spending my own money, booking t I

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Speaker 1: young drow Walker flock in my town, my own paper,

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Speaker 1: me and my uncle slide Through. We got going on

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Speaker 1: all around the city. You understand what I'm saying. I've

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Speaker 1: been a part of legendary mind TI our life. And

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Speaker 1: then on top of that, there's other things that I

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Speaker 1: don't even speak about. It an easter egg for those

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Speaker 1: that know who I am. But outside of that, bro,

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Speaker 1: I've been a part of things my entire life. So

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Speaker 1: I always knew, like yo, something like this is coming,

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Speaker 1: right And when they come, I'm telling you, they're gonna

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Speaker 1: give me wood and I'm gonna build me a house.

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Speaker 1: They're gonna give me wood and I'm gonna build me

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Speaker 1: a house. I'm one of them, kind of because I

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Speaker 1: ain't one of them, mother kind of knee. I don't

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Speaker 1: know what they've confused me for as much as I've

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Speaker 1: let folk know. Listen, man, don't you never get me

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Speaker 1: up with nobody you know or you you cool with,

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Speaker 1: or none of these rappingness or none of that ship.

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Speaker 1: But I do want to spend some time on like

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Speaker 1: people suffering in silence, right, people just like building multi

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Speaker 1: million dollar companies. Man, while they going through term more,

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Speaker 1: you know why they being broke down by people they love?

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Speaker 1: Why they being took advantage of, looked over, left out?

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Speaker 1: You understand, man, I want to talk to him people man,

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Speaker 1: because they don't be having a voice because they think

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Speaker 1: it on the outside of it. It'll feel weak to

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Speaker 1: come out and say, Man, he folk trying to break me. Man,

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Speaker 1: I'm standing on business man. He folk wake it up,

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Speaker 1: trying to break me. Man, I'm standing on business man.

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Speaker 1: People don't want to say that because they think it's weak.

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Speaker 1: They think it's weak to show that they can't control

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Speaker 1: things in the inner circle. But at times, man, things

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Speaker 1: happen that you can't control. Man. Sometime God put ungrateful

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Speaker 1: people in your life. He's teaching you how to be grateful.

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Speaker 1: Sometimes God put in convenience in your life to teach

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Speaker 1: you how to appreciate convenience. Two people can't be in

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Speaker 1: the same place, the giving and the greeting. The giving

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Speaker 1: can't be around the greeting. The problem I have it

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Speaker 1: me as a man, I give very little words, but

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Speaker 1: I give alved with my actions. I give you everything

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Speaker 1: through my actions. I try to show man. I try

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Speaker 1: to be available in a way where he can't even

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Speaker 1: be disputed. I promised myself a long time ago never

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Speaker 1: to criticize me on behalf for them. If I'm gonna

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Speaker 1: be critical for me, it's gonna be self inventory. And

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Speaker 1: I'm careful about who I let in my area because

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Speaker 1: they affect the way I feel about me. And if

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Speaker 1: I don't feel to write about me, I can't do

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Speaker 1: what I'm here to do. And that's what I mean.

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Speaker 1: When you dedicated, you gotta fight through all of that

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Speaker 1: and still stay on the mission. You gotta figure out

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Speaker 1: let out and still stay on the mission. You gotta

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Speaker 1: around with love and still stay on the mission. You

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Speaker 1: gotta fuck around with the family and still stay on

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Speaker 1: the mission. Can't nothing get you off the mission, because

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Speaker 1: if you ain't got the mission, you ain't got nothing.

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Speaker 1: So you gotta fuck around with everything, ain't else and

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Speaker 1: still stay on the mission. You need an understanding person

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Speaker 1: in your life. You can't walk around with everybody that

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Speaker 1: don't understand. It ain't for everybody this high level. This

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Speaker 1: is something different, right You can't be at war your

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Speaker 1: house and operate like a man. They gotta conquer the world. Man,

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Speaker 1: you can't do that. It's impossible to do that. I

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Speaker 1: know people are suffering in silence, and I know people

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Speaker 1: are out there and they saying, Man, they trying to

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Speaker 1: break me. God, but I'm standing on business. I said,

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Speaker 1: I was dedicating. They trying to take it off from

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Speaker 1: me out there. God, I said I was dedicated. I

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Speaker 1: said I wanted this. God, I ain't going Nowhell, I

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Speaker 1: know I'm in the midst. I ain't going Nowhell, I said,

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Speaker 1: I was dedicated. Here they come, they're taking their shots,

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Speaker 1: they train everything. I don't reacted to that every single time.

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Speaker 1: I didn't smack me another about that. And they're doing

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Speaker 1: that right in my face. God, they trying to get me.

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Speaker 1: They trying to break. Then, I said, I'm gonna stand

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Speaker 1: on that business. I was dedicating. I gotta around with

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Speaker 1: my emotions and still stay at the goal, still stay

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Speaker 1: on the mission, out of around with people doing this

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Speaker 1: and there and still still, Man, people don't know that

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Speaker 1: it's juggling like this, hill man, nigga, make this look tremendous.

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Speaker 1: You're still balling the money. Fuck the deals. I got

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Speaker 1: deals coming in from everywhere, verifiable. Ask the companies I

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Speaker 1: speak loud, right, I got them on every side of

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Speaker 1: the business. I ain't having no problems that I'm telling

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Speaker 1: you something. There's people out there that's being chuck shot

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Speaker 1: said that they they an't somebody target. It's people out

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Speaker 1: there that's broken, that's being broke, that's being took advantage of,

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Speaker 1: and they still like at their goal. Man. And I'm

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Speaker 1: telling you, I applaud you people because I know what

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Speaker 1: that's like. I know what that's like. We're gonna get

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Speaker 1: into the show though. I really hate to talk like this,

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Speaker 1: but we're gonna get it. Got We gotta a lot

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Speaker 1: to talk about. We got a lot of people listening.

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Speaker 1: Over three hundred thousand people are listening to the podcast,

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Speaker 1: and then we probably one of the biggest in the

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Speaker 1: culture already. Shout out to everybody involved in that. Man,

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Speaker 1: I can't even thank y'all enough for being instrumental with

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Speaker 1: me being able to have a voice, not only a voice,

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Speaker 1: but an audience. Those two things. Man, it's such a

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Speaker 1: unique combination, and I thank y'all for that. You know,

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Speaker 1: it's therapy for me. We got Super Bowl coming up

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Speaker 1: this week. I didn't coach it. I didn't go to

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Speaker 1: Super Bowl. Man, shout out to all the home boards.

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Speaker 1: Everybody invited me out. You know, if you're out here, Loom,

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Speaker 1: just pull up owners. You know, I got everybody number,

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Speaker 1: all the company, and now I could have been out

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Speaker 1: there in the mix easily, you know. Um. But but

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Speaker 1: I got some things going on, and I got a

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Speaker 1: lot that I need to make sure i'm available for right.

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Speaker 1: I got deals that I'm closing in the next few days,

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Speaker 1: and we're getting another studio. You know, I'm about to move.

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Speaker 1: So there's things happening. And also I'm about to get

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Speaker 1: up on the Experienced podcast. Let me plug that. I'm

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Speaker 1: about to start dropping all of the episodes on the

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Speaker 1: Experienced podcast every week. Go to Patron for their video

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Speaker 1: Patron dot com, FOJFFO TV. That's the show I have

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Speaker 1: to head, Baby Adam twenty two, Rich Homie Krn, doctor

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Speaker 1: Umar Johnson, and a lot more people. Right we were

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Speaker 1: taking over the game, and we got a lot of names.

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Speaker 1: We're dealing with, man, and we just want to have

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Speaker 1: the real conversations with the most influential people in the

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Speaker 1: culture and the people that's really working the wool wheel,

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Speaker 1: and that's what we're gonna do. So make sure you

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Speaker 1: go there, tune in, check that out, anything else. Get

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Speaker 1: you some merch. We just got some new merch popping,

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Speaker 1: you know what I'm saying, And just be involved with

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Speaker 1: the community. Man. We finished start us at Discord, we

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Speaker 1: finished start gaming streaming. I just um priced out one

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Speaker 1: of those big gaming things with the seat that little

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Speaker 1: baby gat gonna try to get that M in the

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Speaker 1: new crib and shit. So man, we're gonna be involved

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Speaker 1: with y'all a lot. MODI shiell M not not spread

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Speaker 1: ourselves then, man, because I don't want to be available

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Speaker 1: all day streaming all day and that I ain't one

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Speaker 1: of them kind of guys. So it's gonna be cool,

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Speaker 1: but it's gonna be cool in a way where we

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Speaker 1: can interact behind that paywall because I ain't gonna just

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Speaker 1: come out for free light that I ain't one of

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Speaker 1: them kind of niggas, you know what I mean. Let's

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Speaker 1: talk about this job MOREM has been in the news. Um.

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Speaker 1: They alleged that a red beam was put on teammates

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Speaker 1: I believe from the Charlotte team, and they ran the

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Speaker 1: story John Morant came out and said it was Kepp.

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Speaker 1: Then we had Shannon Sharp come out. I want to

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Speaker 1: take a look at this conversation between Shannon and Skill.

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Speaker 1: I think we have an opportunity to view this in

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Speaker 1: a lot of different ways. I think Shannon has a

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Speaker 1: lot of credence as to what he's saying, but I

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Speaker 1: think that we gotta be careful how we handle each

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Speaker 1: other in public. Right, um, now, to put some context

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Speaker 1: around it, they are a legend that jas trying to

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Speaker 1: be some kind of thug or gangster or something like that. Right, Like,

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Speaker 1: he doesn't come from the inner city. Let's listen to

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Speaker 1: the conversation between Shannon. I wish Joab would realize that

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Speaker 1: he's not a thug. Jack is a really job is

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Speaker 1: a really good basketball player. Jo did everything he could

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Speaker 1: lift himself and his family out of this type of

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Speaker 1: environment and to get away from this, and for some

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Speaker 1: reason he wants to surround himself with these type of people. Why, bro,

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Speaker 1: you're not hard, that's not your life. People that in

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Speaker 1: that life would give anything to be in your life.

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Speaker 1: For some reason, You're worth thirty You're worth you got

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Speaker 1: a two hundred million dollar contract and you want people

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Speaker 1: in the NBA to thank you hood, to thank you gangster.

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Speaker 1: Because you roll with these type of people, probably you're

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Speaker 1: putting yourself in harm's way when you don't have to.

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Speaker 1: Nobody looks at you jog think man, that's a thug

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Speaker 1: he hood. You know. With Shannon Shaw, right, this is

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Speaker 1: why he's so good on the mic. I think he

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Speaker 1: said two things in this little brief part of this interaction.

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Speaker 1: I think one of those things was a great point

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Speaker 1: and the other one convoluted the other point, right, And

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Speaker 1: so you smash those together, you don't know whether to

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Speaker 1: disagree or not. So let's separate those and deal with

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Speaker 1: him as we see them again. I got a lot

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Speaker 1: of love and respect for Shannon Shaw, but I just

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Speaker 1: need him to understand how things I received from the youngsters.

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Speaker 1: They may be a little out of touch. You sit

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Speaker 1: across from the white man every day and he seems

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Speaker 1: to take shots at you that we're uncomfortable with as

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Speaker 1: a culture. So you're comfortable sitting there. Tells me that

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Speaker 1: you may be a little disconnected, but we got more

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Speaker 1: respect for you than we can even speak about on

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Speaker 1: this podcast. I want to be clear there. I just

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Speaker 1: think it's time for a conversation. He said, right here,

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Speaker 1: John Morant, you did everything to make yourself not live

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Speaker 1: that lifestyle, and you saved your life and people in

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Speaker 1: that life or do anything to get out of that life.

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Speaker 1: And I want to say that's true, because Shannon, I'm

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Speaker 1: still in that life. So I want to say that

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Speaker 1: that is one thousand percent true. The other part is

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Speaker 1: why I seem to have a little arrested development in

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Speaker 1: regards to my understanding of it. It's when you say

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Speaker 1: you're not hard, When you tell this young boy you're

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Speaker 1: not hard, and whether he's hard or not, that ain't

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Speaker 1: that ain't for us to be discussing next to the

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Speaker 1: white folks. And I ain't races at all. I'm just

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Speaker 1: saying this young boy got power. We don't want to

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Speaker 1: put him in a trick bag where his position is

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Speaker 1: every city he go in he got to defend, whether

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Speaker 1: or not his gangsters on trial, not on be hard

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Speaker 1: for us. We don't see. There's an old saying when

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Speaker 1: two brothers fight a stranger inherits their families treasures, and

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Speaker 1: wepposed to be brothers. You know one thing you can't

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Speaker 1: do with these young nicks and make them think that

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Speaker 1: oh man, you you ain't really like that. They're gonna

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Speaker 1: try to prove that. And he got real power with

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Speaker 1: real money, and Mike got crashed out people around him

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Speaker 1: on behind a full right. And so if anything, you

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Speaker 1: tell the man you save Joe life. Man, speak to

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Speaker 1: info by saving our life. Man, we're trying to save

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Speaker 1: my life. Man, save him young, you know, try to

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Speaker 1: get that information to him. Don't, man, you're not hard. Damn,

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Speaker 1: I'm not hard. Let's listen to a little moment self

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Speaker 1: in harm's way when you don't have to Nobody looks

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Speaker 1: at you. Josh fak Man, that's a thud. He hood,

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Speaker 1: he down, he bought that. You not stop pretending all

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Speaker 1: you're doing. Yeah, my, oh, I'm gonna let him little

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Speaker 1: feel another day. I'm gonna do this. You're not gonna

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Speaker 1: do nothing. What you're gonna do is get yourself in trouble,

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Speaker 1: put yourself in your family and the hard's way when

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Speaker 1: you don't have to just play basketball. If you want

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Speaker 1: to do all that chirping and all that. But about y'all, good,

394
00:21:49,280 --> 00:21:52,320
Speaker 1: how great y'all? Even though your record indicate since you

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Speaker 1: made your statement, Dylan Brooks made his statement, you've been awful.

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Speaker 1: Have that there. I got no problem. I wish you

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Speaker 1: wouldn't talk so much, considering y'all talk so much to

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Speaker 1: have done so little. That's a part of it. I

399
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Speaker 1: get that. But this this, this what you're going about,

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Speaker 1: pretending like you like you die like that that you

401
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Speaker 1: told that you carry, bro, You're putting yourself in harm's way. Okay,

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Speaker 1: well let me say this respectfully to the old g

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Speaker 1: Shannon say he putting himself at home way and you

404
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Speaker 1: putting him at Home's a way You don't. I mean,

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Speaker 1: you know, you don't. You don't. You don't put no

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Speaker 1: young in that kind of situation. You know that, domint

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Speaker 1: You know what we're in the black community. What we

408
00:22:35,200 --> 00:22:37,359
Speaker 1: do with embarrassment in the black here, we don't like

409
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Speaker 1: to be embarrassed do it? How are you they gonna

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Speaker 1: tell her? I'm not hard? You know that they take

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Speaker 1: that away down through them. Man, man, why they got

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Speaker 1: you know what I mean on behalf of you. Come on,

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Speaker 1: we don't do it like that, like that's my thing? Right?

414
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Speaker 1: Or if it's something calling college people, they reachable as

415
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Speaker 1: an oldg in the game, as an old head, they've

416
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Speaker 1: been through sports as an old head that understand then

417
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Speaker 1: the ghetto understand, the street understand just black culture, because

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Speaker 1: this ain't even about streets. When I say streets, I

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Speaker 1: just say that to let the street guys know that

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Speaker 1: there's availability for y'all to translate some of them skills

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Speaker 1: that we get from the streets. So that's always a

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Speaker 1: bad signal to those that's lost dying in the ghetto, right,

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Speaker 1: I just want people to understand that when I say that.

424
00:23:22,200 --> 00:23:25,320
Speaker 1: But as Shannon being someone who people look up to

425
00:23:25,440 --> 00:23:28,560
Speaker 1: in the voices, extremely powerful in the game, I just

426
00:23:28,600 --> 00:23:31,320
Speaker 1: couldn't understand why you're trying to put the young boy

427
00:23:31,359 --> 00:23:34,640
Speaker 1: in the trick bad Now, this is a complex conversation,

428
00:23:34,800 --> 00:23:38,800
Speaker 1: right because you know, once we as black men escape

429
00:23:38,840 --> 00:23:41,719
Speaker 1: the burning building, we do got to operate. You know,

430
00:23:41,760 --> 00:23:44,760
Speaker 1: like we understand that we escape the burning building. You know,

431
00:23:44,880 --> 00:23:48,240
Speaker 1: like we got extremely lucky to be in some of

432
00:23:48,240 --> 00:23:50,679
Speaker 1: these kind of situations like we find Jah in. So

433
00:23:50,760 --> 00:23:54,240
Speaker 1: there's credence to that. But what we don't do as

434
00:23:54,240 --> 00:23:57,320
Speaker 1: an oldg is basically try to call the young boys sucker.

435
00:23:57,920 --> 00:23:59,840
Speaker 1: We coach him up, you know, we let them know

436
00:24:00,160 --> 00:24:01,960
Speaker 1: you in the trick bag man. If he don't listen,

437
00:24:02,000 --> 00:24:03,720
Speaker 1: if you to a dollar, won't go on the trick

438
00:24:03,800 --> 00:24:07,240
Speaker 1: bag home. Hey, yo, See this is the thing people

439
00:24:07,320 --> 00:24:10,680
Speaker 1: have to understand about me. See, I'm I'm a real right.

440
00:24:10,760 --> 00:24:13,160
Speaker 1: So if I do give your little game once or twice,

441
00:24:13,160 --> 00:24:15,960
Speaker 1: and see how you don't even listen when I talk. See,

442
00:24:15,960 --> 00:24:18,119
Speaker 1: I'm in the business of being paid to talk. So

443
00:24:18,160 --> 00:24:20,360
Speaker 1: if I pull you ever to the side and talk

444
00:24:20,440 --> 00:24:23,160
Speaker 1: to you about something you ignore, you ain't never got

445
00:24:23,160 --> 00:24:26,120
Speaker 1: to worry about my game coming through your line. Never again.

446
00:24:26,840 --> 00:24:32,200
Speaker 1: That don't exclude nobody, because time is my inventory. That's

447
00:24:32,240 --> 00:24:34,680
Speaker 1: all I got. I don't got time to be wasting.

448
00:24:35,640 --> 00:24:38,280
Speaker 1: So if I identify you as me wasting time, I

449
00:24:38,440 --> 00:24:41,920
Speaker 1: move on out of respect for the people that can't

450
00:24:41,920 --> 00:24:45,120
Speaker 1: accept the help, can't accept whatever it is I give

451
00:24:45,200 --> 00:24:47,840
Speaker 1: to the universe, whether that be nothing or something. In

452
00:24:47,880 --> 00:24:50,280
Speaker 1: your opinion, it ain't gonna way with what I'm doing,

453
00:24:51,080 --> 00:24:53,040
Speaker 1: you know. But as an old head, we don't want

454
00:24:53,080 --> 00:24:55,560
Speaker 1: to talk like this, especially sitting across from a white

455
00:24:55,640 --> 00:24:58,920
Speaker 1: dude that done disrespected. As I'm saying, let's think about

456
00:24:59,000 --> 00:25:01,439
Speaker 1: this call to home. But I think that's something and

457
00:25:01,520 --> 00:25:04,320
Speaker 1: I don't know this, And if I get Shannon on

458
00:25:04,359 --> 00:25:06,800
Speaker 1: the show, hopefully he had talked to me about it.

459
00:25:06,880 --> 00:25:11,600
Speaker 1: Is there some personal with John? Is there personal beef

460
00:25:11,600 --> 00:25:14,359
Speaker 1: with John Moren? Is there something that that you're not

461
00:25:14,440 --> 00:25:17,560
Speaker 1: telling us that's a little more personal than just he

462
00:25:17,760 --> 00:25:22,199
Speaker 1: not playing well? Is there an issue because you know

463
00:25:22,280 --> 00:25:24,320
Speaker 1: what the sucker word do or you know what do?

464
00:25:24,400 --> 00:25:27,520
Speaker 1: You ain't bout that you don't tote And now you

465
00:25:27,560 --> 00:25:30,400
Speaker 1: know what that dude you know to us and we

466
00:25:30,480 --> 00:25:32,639
Speaker 1: know you got enough game. You talk so well and

467
00:25:32,840 --> 00:25:36,440
Speaker 1: articulate so well, so I definitely understand that you understand.

468
00:25:36,480 --> 00:25:38,880
Speaker 1: Let's look at some more and it's not a good

469
00:25:38,920 --> 00:25:43,400
Speaker 1: look for you. Stop this, man, This is not you.

470
00:25:43,400 --> 00:25:45,879
Speaker 1: You you I mean, you played basketball to get out

471
00:25:45,920 --> 00:25:48,280
Speaker 1: of this environment. You could have at I guarantee you

472
00:25:48,320 --> 00:25:50,840
Speaker 1: got homeboys. You say that's your fam, you tweet that

473
00:25:50,840 --> 00:25:54,159
Speaker 1: that's your fail that probably had talent like you, but

474
00:25:54,200 --> 00:25:57,520
Speaker 1: they chose that life. Bro, you need to let that

475
00:25:57,600 --> 00:26:01,560
Speaker 1: go because that's not you. It's not you pretend like

476
00:26:01,600 --> 00:26:04,959
Speaker 1: you're hard, but you're not. Job. You're opening yourself up.

477
00:26:05,000 --> 00:26:07,640
Speaker 1: You're putting yourself in a position you don't even need

478
00:26:07,680 --> 00:26:11,800
Speaker 1: to be in. And for what for street cred? Come on, bro,

479
00:26:14,160 --> 00:26:16,359
Speaker 1: you know, with all due respect to shed and sharp.

480
00:26:16,520 --> 00:26:21,440
Speaker 1: You know you played ball too, Og, you played ball too.

481
00:26:21,720 --> 00:26:23,600
Speaker 1: You know you you a Hall of Fame and you're

482
00:26:23,600 --> 00:26:25,639
Speaker 1: a hell of a ball player. So let the gangster

483
00:26:25,720 --> 00:26:29,360
Speaker 1: say what the gangsters are. Let the gangsters identify the gangsters.

484
00:26:30,160 --> 00:26:32,040
Speaker 1: You know. So when you call a man and say

485
00:26:32,080 --> 00:26:34,080
Speaker 1: that a man is not hard, I just think you're

486
00:26:34,119 --> 00:26:36,600
Speaker 1: trying to put him. I ain't even saying you trying

487
00:26:36,600 --> 00:26:38,560
Speaker 1: to put him in a trick bag. Maybe you're not

488
00:26:38,640 --> 00:26:41,800
Speaker 1: employing your emotions in a way where it's not it's

489
00:26:41,840 --> 00:26:44,879
Speaker 1: not affecting what you're saying on camera. You know what

490
00:26:44,920 --> 00:26:47,199
Speaker 1: I'm saying. Maybe you feel away about job. I don't know,

491
00:26:47,280 --> 00:26:49,760
Speaker 1: but I'm saying, home Ite, what you're doing is dangerous

492
00:26:49,760 --> 00:26:52,920
Speaker 1: as well. It's dangerous to tell a young dude with

493
00:26:52,960 --> 00:26:55,040
Speaker 1: that kind of power, with that kind of influence, you

494
00:26:55,080 --> 00:26:57,480
Speaker 1: ain't hard. You're putting them in a trick bag. Then

495
00:26:57,520 --> 00:27:01,000
Speaker 1: you're gonna make me show one of you finger. You

496
00:27:01,040 --> 00:27:03,720
Speaker 1: ain't gonna do nothing. You're gonna just keep chirping. Now

497
00:27:03,720 --> 00:27:06,800
Speaker 1: I'm gonna have to show one of you. You think

498
00:27:06,840 --> 00:27:09,680
Speaker 1: I can't get it done with two honey millions shannons, y'all,

499
00:27:10,920 --> 00:27:13,480
Speaker 1: do you actually think a man can't get it done

500
00:27:13,520 --> 00:27:16,840
Speaker 1: with two honey millions. I'm saying, bro, don't put the

501
00:27:16,880 --> 00:27:20,080
Speaker 1: ball in the trick bag. Pull him to the side. Yo,

502
00:27:20,160 --> 00:27:21,760
Speaker 1: this ain't a good little bro. We might you might

503
00:27:21,800 --> 00:27:23,879
Speaker 1: make another honey meeting if you clean that up. He

504
00:27:23,960 --> 00:27:25,719
Speaker 1: might say. No, I'm staying true to this, all right,

505
00:27:25,760 --> 00:27:29,400
Speaker 1: but just don't go into trick bag. Though. Don't go

506
00:27:29,400 --> 00:27:32,120
Speaker 1: in the trick bag. You see what I'm saying. That's

507
00:27:32,160 --> 00:27:34,119
Speaker 1: how you handle that. You don't. You don't say you

508
00:27:34,119 --> 00:27:39,399
Speaker 1: ain't hard, you ain't toting. It's like down, ain't you

509
00:27:39,440 --> 00:27:43,480
Speaker 1: don't really know me? Like that? What I'm supposed to

510
00:27:43,560 --> 00:27:45,360
Speaker 1: do with? How you what I'm supposed to do when

511
00:27:45,400 --> 00:27:47,280
Speaker 1: now they're doing all this on the internet. By what

512
00:27:47,400 --> 00:27:50,280
Speaker 1: you said, I'm showing you I'm a good nu but

513
00:27:50,280 --> 00:27:52,760
Speaker 1: I keep playing ball. I ain't even responding to it.

514
00:27:52,840 --> 00:27:56,040
Speaker 1: I'm just playing ball. You don't showed up at a

515
00:27:56,160 --> 00:27:59,760
Speaker 1: game with a sweater and knitted sweater on find a Fighter.

516
00:28:00,200 --> 00:28:01,879
Speaker 1: You know what I'm saying. One of the biggest is

517
00:28:01,920 --> 00:28:05,119
Speaker 1: in history. You understand me, so you you read it

518
00:28:05,160 --> 00:28:08,520
Speaker 1: four one on one FUS show. Now, we don't take

519
00:28:08,600 --> 00:28:11,399
Speaker 1: nothing from Shannon Shaw. He read it and one of

520
00:28:11,440 --> 00:28:14,560
Speaker 1: you he read it four one on one. That ain't

521
00:28:14,600 --> 00:28:17,560
Speaker 1: my thing. I'm saying, coach the young up though, what

522
00:28:17,680 --> 00:28:21,120
Speaker 1: a coaching? What what were we doing? Then let's see

523
00:28:21,160 --> 00:28:23,400
Speaker 1: what Skips say he I hope he don't say nothing

524
00:28:23,400 --> 00:28:28,840
Speaker 1: by the street crib Shannon Sharp. I have tried and

525
00:28:28,880 --> 00:28:32,640
Speaker 1: tried to love this kid because he is wildly lifted

526
00:28:33,760 --> 00:28:39,520
Speaker 1: and I think his heart is good. But he is

527
00:28:39,600 --> 00:28:44,000
Speaker 1: trying to be somebody he's not on and off the court. Yes,

528
00:28:45,000 --> 00:28:48,280
Speaker 1: stick to the court. And I first called him out

529
00:28:48,840 --> 00:28:53,160
Speaker 1: after they won Game two against the table and acted

530
00:28:53,200 --> 00:28:55,800
Speaker 1: like they had. He acted like they had won the championship.

531
00:28:56,600 --> 00:29:00,760
Speaker 1: You don't want this smoke. Stop it. One to one.

532
00:29:02,480 --> 00:29:04,719
Speaker 1: You better be giving them a little more smoke. And

533
00:29:04,760 --> 00:29:08,840
Speaker 1: they did. Hold on. And if I'm getting this run

534
00:29:08,920 --> 00:29:10,840
Speaker 1: y'all tell me in the comment. I know he ain't

535
00:29:10,840 --> 00:29:14,880
Speaker 1: saying the boy can't celebrate after they beat somebody? Now

536
00:29:14,880 --> 00:29:17,720
Speaker 1: hold long, now, no hole long. I know I can't

537
00:29:17,760 --> 00:29:21,760
Speaker 1: be here running that back and acted like they had.

538
00:29:22,040 --> 00:29:25,280
Speaker 1: He acted like they'd won the championship. You don't want

539
00:29:25,280 --> 00:29:29,720
Speaker 1: this smoke. Stop it? Oh man, So you're gonna tell

540
00:29:29,720 --> 00:29:32,200
Speaker 1: a young how he gonna act when he win the championship.

541
00:29:33,560 --> 00:29:36,280
Speaker 1: He acted like he won the championship. Damn. Now you

542
00:29:36,320 --> 00:29:37,920
Speaker 1: know how I'm gonna act when I wanted when I

543
00:29:37,960 --> 00:29:40,720
Speaker 1: win the championship. You got some date on there to

544
00:29:40,800 --> 00:29:44,680
Speaker 1: y'all just up at talking. So I can't celebrate a win.

545
00:29:45,720 --> 00:29:49,880
Speaker 1: Y'all need me that much. I can't clap. Guy, can't

546
00:29:49,920 --> 00:29:53,440
Speaker 1: smile around you suckers. You hate me like that around here?

547
00:29:54,800 --> 00:29:57,280
Speaker 1: You telling the man he can't celebrate. You felt the

548
00:29:57,360 --> 00:30:01,560
Speaker 1: way in college him out for celebrating. Now we celebrate

549
00:30:01,600 --> 00:30:03,800
Speaker 1: like if it's a big game for me, dog, he

550
00:30:03,800 --> 00:30:06,480
Speaker 1: could be halfway through the season. If I feel like

551
00:30:06,520 --> 00:30:08,760
Speaker 1: this is an important game, let me feel like that.

552
00:30:09,400 --> 00:30:12,160
Speaker 1: How they criticizing me because I celebrated at the win

553
00:30:12,280 --> 00:30:14,040
Speaker 1: and say you don't want this smoke? That's how we

554
00:30:14,240 --> 00:30:17,960
Speaker 1: talk that. Ain't even know violence be saying that all

555
00:30:18,040 --> 00:30:20,920
Speaker 1: on Xbox. This is what I'm saying about out of

556
00:30:21,000 --> 00:30:25,120
Speaker 1: touch media and shout out to these legends. This is

557
00:30:25,160 --> 00:30:28,800
Speaker 1: not personal. But I gotta verify for the children and

558
00:30:28,920 --> 00:30:30,720
Speaker 1: let them know, hey, you ain't got to take just

559
00:30:30,760 --> 00:30:33,400
Speaker 1: because ESPN is because I've seen a lot of retweets.

560
00:30:33,600 --> 00:30:35,800
Speaker 1: Ain't none of the because they like job. None of

561
00:30:35,840 --> 00:30:38,320
Speaker 1: the big homies come out and say, hey, Shannon, bro

562
00:30:38,840 --> 00:30:41,760
Speaker 1: damn homie, that's putting them in the trick bad. Try

563
00:30:41,760 --> 00:30:45,200
Speaker 1: to coach him up. Don't don't publicly do him like it.

564
00:30:46,240 --> 00:30:49,280
Speaker 1: We love you, Shannon. Don't do him like it. Don't

565
00:30:49,320 --> 00:30:52,120
Speaker 1: you know your young going through Many Boy, powerful young

566
00:30:52,440 --> 00:30:56,440
Speaker 1: popping neede. Yeah. Now, now all the rappers went in

567
00:30:56,480 --> 00:30:59,120
Speaker 1: front row for man, come on, man, he poppy need

568
00:30:59,280 --> 00:31:01,360
Speaker 1: Come on, man, I ain't pot some little man will

569
00:31:01,400 --> 00:31:04,400
Speaker 1: come on man, coach him up if anything, pull him

570
00:31:04,400 --> 00:31:06,800
Speaker 1: to the side. Many Job. We ain't going in a tree,

571
00:31:06,880 --> 00:31:08,720
Speaker 1: bad man. Let me put you down. Man. You know

572
00:31:08,760 --> 00:31:10,920
Speaker 1: I mean them corporate offices. Man. The folks kind of

573
00:31:10,960 --> 00:31:13,280
Speaker 1: be saying this and then and maybe if you go

574
00:31:13,360 --> 00:31:15,520
Speaker 1: this way, you know, you might make another fit to me.

575
00:31:15,760 --> 00:31:18,240
Speaker 1: If you don't do maybe you don't want to. If

576
00:31:18,280 --> 00:31:21,440
Speaker 1: you don't, just know that they starting to kind of

577
00:31:21,440 --> 00:31:25,280
Speaker 1: try to you feel what I'm saying. And also, do

578
00:31:25,560 --> 00:31:27,800
Speaker 1: not go in the trick bad. Don't go too far

579
00:31:27,880 --> 00:31:29,960
Speaker 1: in that water. It ain't worth it for you. You

580
00:31:29,960 --> 00:31:32,800
Speaker 1: don't get out the pool. You're driving off now, you

581
00:31:32,840 --> 00:31:35,480
Speaker 1: don't turn to a lifeguard. Then you supposed to be

582
00:31:35,520 --> 00:31:38,040
Speaker 1: a lifeguard. Get up on your thing right there. And

583
00:31:38,160 --> 00:31:41,040
Speaker 1: if you see ann you relate to out there drowning

584
00:31:41,320 --> 00:31:43,240
Speaker 1: jumping in and get him or throw him one of

585
00:31:43,200 --> 00:31:45,680
Speaker 1: them jumping in. Get him out that water, because you

586
00:31:45,720 --> 00:31:47,960
Speaker 1: know what it's like being in that water. But give

587
00:31:48,040 --> 00:31:51,160
Speaker 1: him some game, don't just chestis him like it? And

588
00:31:51,280 --> 00:31:53,600
Speaker 1: Skip can't talk about who is what and what is

589
00:31:53,640 --> 00:31:56,440
Speaker 1: what in our coach as far as you know black

590
00:31:56,480 --> 00:31:59,440
Speaker 1: people and who about what? Because you know he you

591
00:31:59,480 --> 00:32:03,480
Speaker 1: wouldn't even them neighborhoods we had to play ball in, right,

592
00:32:04,120 --> 00:32:06,920
Speaker 1: No family wouldn't buy house in them neighborhoods that we

593
00:32:07,000 --> 00:32:11,080
Speaker 1: had to whoping coming up playing football and ship hells

594
00:32:11,120 --> 00:32:13,880
Speaker 1: and shooting them a little bit upon your family would

595
00:32:13,880 --> 00:32:17,280
Speaker 1: have been uncomfortable living around there. Skip, So I don't

596
00:32:17,320 --> 00:32:20,440
Speaker 1: think you need to be talking about no motherfucking who

597
00:32:20,600 --> 00:32:23,080
Speaker 1: is what and who whood and who is what on it?

598
00:32:23,520 --> 00:32:26,040
Speaker 1: Talk about the court, I think you got all liberty

599
00:32:26,080 --> 00:32:28,400
Speaker 1: to talk about the court. But far it's coming from

600
00:32:28,400 --> 00:32:31,840
Speaker 1: my culture, coming from my neighborhoods. Put a little respect

601
00:32:31,920 --> 00:32:34,280
Speaker 1: on how we had the interface with the world in

602
00:32:34,320 --> 00:32:36,400
Speaker 1: a different way than you, you know, where to do

603
00:32:36,600 --> 00:32:39,280
Speaker 1: people even if you had it hard in the suburbs.

604
00:32:39,320 --> 00:32:44,080
Speaker 1: That was easy for us in the project you talking

605
00:32:44,080 --> 00:32:46,240
Speaker 1: about you had it hard out there because sometimes you

606
00:32:46,280 --> 00:32:49,840
Speaker 1: slept on the floor and ain't never see man. Listen,

607
00:32:50,360 --> 00:32:53,760
Speaker 1: Skip can't talk about that respectfully talk about you. But

608
00:32:53,840 --> 00:32:56,360
Speaker 1: I see again Skip is pretty good too. You see

609
00:32:56,440 --> 00:32:59,400
Speaker 1: him navigated back around to the sports because that's what

610
00:32:59,560 --> 00:33:01,239
Speaker 1: he needs to live it. He don't got no being

611
00:33:01,320 --> 00:33:06,200
Speaker 1: to town by nothing else. It's one to one. You

612
00:33:06,320 --> 00:33:08,880
Speaker 1: better be giving them a little more smoke, and they did,

613
00:33:09,720 --> 00:33:12,280
Speaker 1: and then Golden State happened. And to your point that

614
00:33:12,320 --> 00:33:15,440
Speaker 1: you've made again and again, you have won exactly nothing

615
00:33:15,560 --> 00:33:18,800
Speaker 1: in this league. Yet we see the potential. I saw

616
00:33:18,840 --> 00:33:21,280
Speaker 1: the I love this team last year until they started

617
00:33:21,320 --> 00:33:25,680
Speaker 1: talking themselves into oblivion because the more you talk, the

618
00:33:25,720 --> 00:33:28,640
Speaker 1: harder you make it on yourselves. And it's hard to

619
00:33:28,680 --> 00:33:31,280
Speaker 1: live up to it yet because they're not ready to

620
00:33:31,320 --> 00:33:34,040
Speaker 1: live up to it and Golden State just toyed with

621
00:33:34,080 --> 00:33:36,120
Speaker 1: them last year when it was time. Golden State just

622
00:33:36,160 --> 00:33:38,800
Speaker 1: toyed with them because Golden State's been there and done

623
00:33:38,840 --> 00:33:41,680
Speaker 1: that and know how to do that. So here we go.

624
00:33:42,720 --> 00:33:45,440
Speaker 1: We got this episode. How many times have you told me?

625
00:33:45,520 --> 00:33:50,920
Speaker 1: How many potentially good to great football players or basketball players.

626
00:33:50,960 --> 00:33:56,040
Speaker 1: Have you watched be sucked down the drain because they

627
00:33:56,080 --> 00:33:58,360
Speaker 1: can't let go of where they came from it? Because

628
00:33:58,560 --> 00:34:00,440
Speaker 1: at some point you just have to let it go.

629
00:34:00,520 --> 00:34:04,160
Speaker 1: You had to let it go. Not that you you

630
00:34:04,200 --> 00:34:06,920
Speaker 1: still love them and they're part of your soul. But

631
00:34:07,040 --> 00:34:09,319
Speaker 1: we're doing different things. We won't different things out of light.

632
00:34:09,360 --> 00:34:11,239
Speaker 1: And there are certain lines you just have to draw

633
00:34:11,280 --> 00:34:14,839
Speaker 1: and say, no, yep, no, I'll keep in touch, I'll

634
00:34:14,880 --> 00:34:17,359
Speaker 1: talk to you, I'll text with you, but well I'm

635
00:34:17,360 --> 00:34:22,320
Speaker 1: not gonna ride with you, no, right, okay. So according

636
00:34:22,360 --> 00:34:26,840
Speaker 1: to the Athletic and also USA Today in Indiana, we

637
00:34:27,040 --> 00:34:30,440
Speaker 1: Star had all these same details, So I believe these reports.

638
00:34:30,800 --> 00:34:33,960
Speaker 1: But there are two part cars. It had gotten out

639
00:34:33,960 --> 00:34:36,319
Speaker 1: of hand during the game against the Pacers. Nim Hard

640
00:34:36,360 --> 00:34:39,360
Speaker 1: and Jode gotten into it. Nimhard's a rookie from Gonzaga, like,

641
00:34:39,440 --> 00:34:43,400
Speaker 1: come on, right, really, but if the games leave it there, okay,

642
00:34:43,560 --> 00:34:46,000
Speaker 1: leave it there. And then Jaw goes and gets in

643
00:34:46,080 --> 00:34:49,160
Speaker 1: one of the two part cars. And then it is

644
00:34:49,239 --> 00:34:52,200
Speaker 1: that car in question in which three or four guys

645
00:34:52,320 --> 00:34:54,800
Speaker 1: get out and they start yelling stuff at the Pacers.

646
00:34:55,600 --> 00:34:59,960
Speaker 1: Come get some of this. You don't know how we roll.

647
00:35:00,120 --> 00:35:02,279
Speaker 1: I'll show you what I got. These are what's being

648
00:35:02,400 --> 00:35:06,160
Speaker 1: yell yeah okay? At the pacers around their bus on

649
00:35:06,200 --> 00:35:10,440
Speaker 1: the loading dock, right, and hold on, man, this thing

650
00:35:10,520 --> 00:35:13,239
Speaker 1: about that if he got some Memphis with him, they

651
00:35:13,360 --> 00:35:17,000
Speaker 1: laying like a mother. Ain't now Memphis, Nick, Holly, you

652
00:35:17,040 --> 00:35:20,879
Speaker 1: don't know how we roll? Ain't now Memphis. Said that

653
00:35:20,880 --> 00:35:24,719
Speaker 1: that's Captain, ain't now Memphis to jump out of car

654
00:35:25,239 --> 00:35:28,239
Speaker 1: with with nothing telling about you know how we roll?

655
00:35:28,760 --> 00:35:31,440
Speaker 1: That's capp And I got to say that. Man. I

656
00:35:31,440 --> 00:35:34,000
Speaker 1: wanted to let them keep but that's cap right there home.

657
00:35:34,080 --> 00:35:36,839
Speaker 1: I'm talking about the Memphis Memphis Nick not jumping out,

658
00:35:36,880 --> 00:35:39,800
Speaker 1: know Ky, you don't know how we roll, man, I

659
00:35:39,840 --> 00:35:43,560
Speaker 1: don't think now saying that. I'll show you what I got.

660
00:35:43,680 --> 00:35:47,280
Speaker 1: These are what's being yell yeah okay at the pacers

661
00:35:47,440 --> 00:35:51,640
Speaker 1: around their bus on the loading dock. Right. And then

662
00:35:51,800 --> 00:35:54,520
Speaker 1: as the first car leads in the second car, and

663
00:35:55,120 --> 00:35:59,000
Speaker 1: reportedly Jaw is riding in the second car, a dot

664
00:35:59,040 --> 00:36:01,919
Speaker 1: of a red laser appears on several of the people

665
00:36:02,000 --> 00:36:04,400
Speaker 1: up on the loading dock, just to scare them. But

666
00:36:04,400 --> 00:36:06,880
Speaker 1: but again the security guard said, I believe that's attached

667
00:36:06,880 --> 00:36:12,160
Speaker 1: to a weapon. Yes, you're kidding. The risk of this

668
00:36:12,360 --> 00:36:16,319
Speaker 1: is staggering. That is true. Now let's let's do talk

669
00:36:16,360 --> 00:36:18,560
Speaker 1: about that too. But again, it's a way we handle

670
00:36:18,680 --> 00:36:22,160
Speaker 1: that again, y'all. Pushing a look back in the corner.

671
00:36:22,160 --> 00:36:24,759
Speaker 1: It's a way to coach the young up. It's a

672
00:36:24,800 --> 00:36:27,759
Speaker 1: way to talk to him about these days. You know.

673
00:36:27,920 --> 00:36:30,799
Speaker 1: Now he is a superstar, So criticism is gonna come

674
00:36:30,840 --> 00:36:33,440
Speaker 1: along with what position he is. He gotta understand. They

675
00:36:33,520 --> 00:36:36,359
Speaker 1: gonna go live and we is p about you all

676
00:36:36,400 --> 00:36:40,520
Speaker 1: the time. You big You need big time now, you

677
00:36:40,680 --> 00:36:45,360
Speaker 1: big time. So anything ESPN on their shotting them on. Now,

678
00:36:45,400 --> 00:36:49,560
Speaker 1: I am athlete everybody time about it. You're feeling because

679
00:36:49,560 --> 00:36:52,080
Speaker 1: you big time. So we got to know that, you know,

680
00:36:52,160 --> 00:36:54,680
Speaker 1: we got to know we heaven, we're willing this ship.

681
00:36:55,040 --> 00:36:57,600
Speaker 1: We gotta understand that. So that's to the side. But

682
00:36:57,680 --> 00:37:02,399
Speaker 1: we got to tell him, we gotta teach him if

683
00:37:02,440 --> 00:37:05,600
Speaker 1: we do believe in in these rooms, right, we got

684
00:37:05,600 --> 00:37:09,680
Speaker 1: to teach him though, And I do agree it's staggering.

685
00:37:09,760 --> 00:37:12,760
Speaker 1: It is staggering these reports coming out, these little things

686
00:37:12,840 --> 00:37:16,480
Speaker 1: being said, right, y'all, playing it is staggering because the

687
00:37:16,480 --> 00:37:19,480
Speaker 1: opportunity he got it to be a billion dollars a period.

688
00:37:20,120 --> 00:37:21,839
Speaker 1: You see what I'm saying, and so, but we got

689
00:37:21,880 --> 00:37:24,520
Speaker 1: to talk to him about to be he chasing though

690
00:37:25,280 --> 00:37:27,280
Speaker 1: you know what I'm saying, to tell him it outweigh

691
00:37:27,320 --> 00:37:29,960
Speaker 1: that other shit. Y'all want to talk to him about.

692
00:37:30,160 --> 00:37:33,680
Speaker 1: You're not hard. You're gonna make me show you everything.

693
00:37:33,719 --> 00:37:37,279
Speaker 1: You're from our area. You don't tell me, guy, ain't

694
00:37:37,880 --> 00:37:41,000
Speaker 1: who is you to tell me? That's what mold you

695
00:37:41,080 --> 00:37:43,520
Speaker 1: putting him in And you posed to be the OG

696
00:37:43,920 --> 00:37:46,640
Speaker 1: and you're sitting next to a white dude. Again, stay

697
00:37:46,680 --> 00:37:49,200
Speaker 1: on sports because y'all talking right when you talk about

698
00:37:49,239 --> 00:37:51,840
Speaker 1: sports and you know, dedicate to the sports X, Y

699
00:37:51,920 --> 00:37:55,080
Speaker 1: and Z. That's a beautiful thing. That's that's what we're

700
00:37:55,120 --> 00:37:58,840
Speaker 1: talking about. You feel me. But the gangster all of that,

701
00:37:59,080 --> 00:38:02,120
Speaker 1: even though I agree with y'all, we need him to

702
00:38:02,160 --> 00:38:05,120
Speaker 1: understand the gravity attached to it. But there's a way

703
00:38:05,160 --> 00:38:07,879
Speaker 1: to do that, especially since we think we have representation

704
00:38:07,960 --> 00:38:12,279
Speaker 1: with Shannon. You can't your your whole life that in

705
00:38:12,560 --> 00:38:16,359
Speaker 1: a moment can go up in literal smoke. Absolutely absolutely,

706
00:38:16,440 --> 00:38:18,799
Speaker 1: And for what because somebody saying something to you at

707
00:38:18,800 --> 00:38:21,120
Speaker 1: the ball game, you let it escalate to the point

708
00:38:21,160 --> 00:38:23,000
Speaker 1: that you take it outside the scope of the court

709
00:38:23,440 --> 00:38:25,960
Speaker 1: and you and your boys, Oh, we're gonna we were

710
00:38:26,000 --> 00:38:28,719
Speaker 1: gonna handle as what do you realize somebody has let

711
00:38:28,760 --> 00:38:31,040
Speaker 1: something go? You know you're going down with him, Jock,

712
00:38:31,400 --> 00:38:32,840
Speaker 1: you ain't got enough money to get up out of

713
00:38:32,840 --> 00:38:35,000
Speaker 1: that because you're in that car. Bro Let that go, John,

714
00:38:35,080 --> 00:38:38,719
Speaker 1: You not, this is not your life. Everybody wants to

715
00:38:38,760 --> 00:38:40,920
Speaker 1: pretend like I'm a thug, I'm a shoot job. You

716
00:38:41,080 --> 00:38:44,840
Speaker 1: not a bout that life, And it's okay. You shouldn't

717
00:38:44,880 --> 00:38:47,480
Speaker 1: want to be about the skip, don't. I really don't

718
00:38:47,520 --> 00:38:50,600
Speaker 1: like that, man, I really don't like that. That's the

719
00:38:50,680 --> 00:38:53,440
Speaker 1: approach I think he. I think he's better off saying

720
00:38:53,480 --> 00:38:55,759
Speaker 1: that you don't. You don't need the indulge in that

721
00:38:55,840 --> 00:38:58,520
Speaker 1: you're going in the trigg bag. I'll let you not

722
00:38:58,680 --> 00:39:03,279
Speaker 1: bout that. It's not good language where we're from. I

723
00:39:03,360 --> 00:39:05,080
Speaker 1: got two hundre million dollars. Who wants to be a

724
00:39:05,120 --> 00:39:08,120
Speaker 1: shoot you? If you got two hundred million, shooters ain't

725
00:39:08,120 --> 00:39:10,279
Speaker 1: got that kind of money. That's why I didn't do that.

726
00:39:10,440 --> 00:39:13,400
Speaker 1: They chose the life that they're in. You chose the

727
00:39:13,480 --> 00:39:16,960
Speaker 1: life that you're in. You can't mix those two and

728
00:39:17,080 --> 00:39:20,719
Speaker 1: come out unscathed. At some point in time, it will

729
00:39:20,760 --> 00:39:24,479
Speaker 1: catch up with you. John. Yeah. So he pushes back

730
00:39:24,520 --> 00:39:28,400
Speaker 1: on Twitter, saying, did an investigation seeing they were capping

731
00:39:28,719 --> 00:39:31,600
Speaker 1: still at an article, come out to paint this negative image,

732
00:39:31,680 --> 00:39:34,239
Speaker 1: excuse me image on me and my family and ban

733
00:39:34,440 --> 00:39:36,840
Speaker 1: my brother from home games for a year. It's not

734
00:39:36,920 --> 00:39:41,959
Speaker 1: his brother, it's his best friend. Okay, unbelievable, he says. Well,

735
00:39:42,000 --> 00:39:45,000
Speaker 1: he's still pushing back. It's it's not like I'm sorry,

736
00:39:45,120 --> 00:39:49,080
Speaker 1: right that they seem the lighter, right, he's defying, He said, No,

737
00:39:49,640 --> 00:39:52,279
Speaker 1: that's but Skip. That's the thing though, But as as

738
00:39:52,719 --> 00:39:54,560
Speaker 1: you know you tell your boys to be ache, bro,

739
00:39:55,480 --> 00:39:58,560
Speaker 1: you do realize who you're representing here. Now. I understand

740
00:39:58,560 --> 00:40:00,520
Speaker 1: we want to have a good time. We we had

741
00:40:00,520 --> 00:40:02,560
Speaker 1: good teams, those Broncos, and I know you want to

742
00:40:02,600 --> 00:40:04,760
Speaker 1: rub it in people's face where we traveling? You comfortable?

743
00:40:04,840 --> 00:40:07,879
Speaker 1: Abl eight? You got on eighty four and you don't

744
00:40:07,880 --> 00:40:09,759
Speaker 1: told everybody up in the stage that's your homeboy, we

745
00:40:09,880 --> 00:40:12,640
Speaker 1: went to school together. That's my boy. Be on your

746
00:40:12,640 --> 00:40:15,960
Speaker 1: best behavior. But they, Bro, that's not but them guys

747
00:40:16,000 --> 00:40:18,399
Speaker 1: that I grew up with. That that let them things off,

748
00:40:18,400 --> 00:40:20,799
Speaker 1: and that did stretches. Now you can't come to my

749
00:40:20,840 --> 00:40:22,480
Speaker 1: game because I already know you get mad at what's

750
00:40:22,480 --> 00:40:27,960
Speaker 1: gonna happen. So I tried to watch your documentarily, let

751
00:40:28,000 --> 00:40:30,319
Speaker 1: me also say this and then we'll move on from this.

752
00:40:30,400 --> 00:40:32,640
Speaker 1: I spend enough time on the Shannon didn't get two

753
00:40:32,680 --> 00:40:35,280
Speaker 1: hunting Mellion. At that age, you don't know the power

754
00:40:35,360 --> 00:40:38,400
Speaker 1: to young dealing with Let's keep it gainster. You know

755
00:40:38,400 --> 00:40:40,680
Speaker 1: what I'm saying. Wherever you came from, and I believe

756
00:40:40,719 --> 00:40:43,160
Speaker 1: you came from my culture. We all over our product

757
00:40:43,200 --> 00:40:46,040
Speaker 1: of our environment, every single one us, right, but my

758
00:40:46,160 --> 00:40:48,360
Speaker 1: thing gives man that dude got a lot of power

759
00:40:48,440 --> 00:40:51,920
Speaker 1: to be that young. We gotta give some room for improvement,

760
00:40:52,000 --> 00:40:55,680
Speaker 1: some lead way. You know what I'm saying, got two

761
00:40:55,760 --> 00:40:58,759
Speaker 1: hunting met and at that age, like and you till

762
00:40:58,880 --> 00:41:02,440
Speaker 1: my he ain't posted celebrate Folks said he ain't post

763
00:41:02,480 --> 00:41:04,840
Speaker 1: an argue with people that's doing this and that and

764
00:41:04,920 --> 00:41:07,439
Speaker 1: feel a certain kind of way. They may never thought

765
00:41:07,520 --> 00:41:10,440
Speaker 1: he would be who he was. Now they might have

766
00:41:10,480 --> 00:41:12,480
Speaker 1: fought through the trenches to be who he is, and

767
00:41:12,560 --> 00:41:14,319
Speaker 1: now that don't even might have fought through all this

768
00:41:14,880 --> 00:41:17,040
Speaker 1: boot He was literally out he ain't gonna be the

769
00:41:17,120 --> 00:41:19,440
Speaker 1: dunk like it in the NBA, and that he might

770
00:41:19,480 --> 00:41:22,640
Speaker 1: have fought through. I'll let and now I feel like

771
00:41:22,800 --> 00:41:26,319
Speaker 1: I'm undeniable. Now I didn't put the work in on

772
00:41:26,400 --> 00:41:28,920
Speaker 1: you suckers, and I didn't got tall on you just

773
00:41:29,680 --> 00:41:32,160
Speaker 1: deal with it, and y'all telling me after a whole

774
00:41:32,200 --> 00:41:35,040
Speaker 1: lot undone behind the scenes. I can't come out when

775
00:41:35,040 --> 00:41:38,319
Speaker 1: the curtains is removed and show you what I got.

776
00:41:38,320 --> 00:41:40,759
Speaker 1: And I can't be proud about that. Man, y'all can't

777
00:41:40,800 --> 00:41:44,160
Speaker 1: really dictate that, in my opinion, we can have a

778
00:41:44,160 --> 00:41:47,160
Speaker 1: conversation about it. Somebody hitting me up. I just don't

779
00:41:47,200 --> 00:41:50,240
Speaker 1: think as the big Homa Shannon's supposed to be shooting

780
00:41:50,320 --> 00:41:53,000
Speaker 1: him down like it or putting him in that ConA.

781
00:41:53,160 --> 00:41:55,200
Speaker 1: I do think you post to pull his coat tail,

782
00:41:55,239 --> 00:41:57,360
Speaker 1: but you're putting him in a ConA that I don't respect.

783
00:41:57,400 --> 00:41:59,640
Speaker 1: I ain't kind of say, man, you know, when talk

784
00:41:59,640 --> 00:42:02,759
Speaker 1: to each other other like that, I won't tell each other.

785
00:42:02,800 --> 00:42:05,480
Speaker 1: You ain't a bout that. And I got two hunting mellion.

786
00:42:05,840 --> 00:42:08,480
Speaker 1: You don't think I can hire nobody? Damn you think

787
00:42:08,520 --> 00:42:10,640
Speaker 1: I grew up with all the white folks out there

788
00:42:10,719 --> 00:42:13,719
Speaker 1: on you don't think two honey, met you can get

789
00:42:13,719 --> 00:42:15,960
Speaker 1: it done. And you don't think if I'm sill enough

790
00:42:16,000 --> 00:42:19,000
Speaker 1: to do it, I can't get like it's don't put that.

791
00:42:19,120 --> 00:42:21,359
Speaker 1: You don't you pushing them in that you're pushing him

792
00:42:21,440 --> 00:42:24,640
Speaker 1: over there to what something gotta happen? And he got

793
00:42:24,719 --> 00:42:27,200
Speaker 1: to just be like I told y'all that like what

794
00:42:27,280 --> 00:42:30,480
Speaker 1: you want to happen, what you're asking for, what you

795
00:42:30,600 --> 00:42:34,560
Speaker 1: expected when you tell him that, you think you're gonna

796
00:42:34,560 --> 00:42:36,600
Speaker 1: tell him you're not hard, you're not about that, and

797
00:42:36,640 --> 00:42:38,840
Speaker 1: he gonna go in the corner and say, you know what,

798
00:42:39,000 --> 00:42:41,839
Speaker 1: I ain't hard, man, I ain't about that. You know,

799
00:42:41,920 --> 00:42:44,920
Speaker 1: I'm gonna with my two hunting mellon and my homeboys

800
00:42:44,960 --> 00:42:47,560
Speaker 1: that I know a crash out. I'm just gonna come

801
00:42:47,600 --> 00:42:50,520
Speaker 1: on now, I ain't about that. Like, nah, that ain't

802
00:42:50,520 --> 00:42:53,440
Speaker 1: how that work. Right, you're dealing with You're dealing with

803
00:42:53,480 --> 00:42:56,880
Speaker 1: a different type of thing. All right, let's talk about this.

804
00:42:57,040 --> 00:42:59,200
Speaker 1: Joe Budden, the NBA Young Boy. For those of you

805
00:42:59,239 --> 00:43:02,800
Speaker 1: who are on away, Joe Budden took a couple of shots,

806
00:43:02,800 --> 00:43:05,760
Speaker 1: said NBA Young Boys, saying he was faking is stop

807
00:43:05,840 --> 00:43:10,160
Speaker 1: the Violence campaign. Right. He said that NBA Young Boys

808
00:43:10,200 --> 00:43:12,680
Speaker 1: fake and then they got into a heated exchange. NBA

809
00:43:12,800 --> 00:43:16,279
Speaker 1: Young Boy then tweeted out to Joe Buden don't try

810
00:43:16,280 --> 00:43:19,040
Speaker 1: to set Home. Then his album name is Don't Try

811
00:43:19,040 --> 00:43:23,239
Speaker 1: to Set Home. You know me, I deal with information.

812
00:43:23,280 --> 00:43:25,680
Speaker 1: I like to talk about these topics. So the first

813
00:43:25,760 --> 00:43:27,600
Speaker 1: thing we want to do, take a look at the

814
00:43:27,640 --> 00:43:33,080
Speaker 1: conversation Joe Budden was having about NBA Young Boy about you.

815
00:43:33,280 --> 00:43:36,279
Speaker 1: So you are so you just refused a lot, a lot,

816
00:43:39,040 --> 00:43:42,200
Speaker 1: But I understand that conditioning marketing. You fall for all

817
00:43:42,239 --> 00:43:46,960
Speaker 1: of hip hop's tricks. Everyone give me another example. Come on,

818
00:43:47,080 --> 00:43:51,640
Speaker 1: let's talk about NBA. I'm applauding NBA Young Boys. They

819
00:43:51,719 --> 00:43:54,000
Speaker 1: check this out. I do one better, even if it

820
00:43:54,080 --> 00:43:57,719
Speaker 1: is marketing artists of his stature coming out saying that

821
00:43:58,080 --> 00:43:59,920
Speaker 1: he's saying with his millions of other people, what this.

822
00:44:00,280 --> 00:44:03,320
Speaker 1: He's denouncing all of that violence he was doing, denouncing

823
00:44:03,360 --> 00:44:05,280
Speaker 1: all of the beef. He squashed the beef with fred o'bang.

824
00:44:05,600 --> 00:44:07,399
Speaker 1: I didn't see nobody covering that, and I even came

825
00:44:07,520 --> 00:44:11,960
Speaker 1: here and said it. I'm talking about because the negativity

826
00:44:12,040 --> 00:44:13,879
Speaker 1: is what everybody want to see, especially from an act

827
00:44:13,920 --> 00:44:17,040
Speaker 1: like him. That's my problem. So when he says this, hey,

828
00:44:17,120 --> 00:44:20,560
Speaker 1: let's say it's boy a person of his statue saying

829
00:44:20,560 --> 00:44:23,600
Speaker 1: it still matters, or you moved the gold post. Now

830
00:44:23,760 --> 00:44:26,719
Speaker 1: I'm not moving to I'm not because I agree with you.

831
00:44:26,719 --> 00:44:32,520
Speaker 1: I'm not lying. It's good, but there's no argument. But

832
00:44:32,800 --> 00:44:36,400
Speaker 1: I still believe it. Well, there's no way him the

833
00:44:36,480 --> 00:44:41,359
Speaker 1: shaky voice really, really, I'm scared of ice is either

834
00:44:41,400 --> 00:44:43,480
Speaker 1: parting the line. Let me stop it a little bit.

835
00:44:43,480 --> 00:44:47,200
Speaker 1: I want to speak to them saying that the shaking

836
00:44:47,360 --> 00:44:54,080
Speaker 1: really and them thinking that that it's fake, that someone

837
00:44:56,000 --> 00:44:58,480
Speaker 1: it's dealing with any kind of demons on behalf for

838
00:44:58,560 --> 00:45:03,640
Speaker 1: the things that they've to positive in the universe. It

839
00:45:03,760 --> 00:45:06,640
Speaker 1: lets me know, Number One, you disconnected to what happens

840
00:45:07,320 --> 00:45:10,680
Speaker 1: and the after effects to some of these encounters. I

841
00:45:10,800 --> 00:45:13,920
Speaker 1: question if you ever been involved in things where you

842
00:45:14,000 --> 00:45:16,640
Speaker 1: had to go home and not know whether or not

843
00:45:16,719 --> 00:45:20,439
Speaker 1: that decision was yours to make to begin with. I don't.

844
00:45:20,480 --> 00:45:22,719
Speaker 1: I don't know if you've been involved with that low

845
00:45:22,840 --> 00:45:25,719
Speaker 1: level vibration and how scary it is to be that

846
00:45:26,000 --> 00:45:30,959
Speaker 1: vibrating at that low of a frequency. Anytime you put

847
00:45:31,000 --> 00:45:33,560
Speaker 1: your head to board water and you look down and

848
00:45:33,640 --> 00:45:37,000
Speaker 1: see how far you had to come deck in itself

849
00:45:37,040 --> 00:45:39,759
Speaker 1: can be scary because you operated down the way you

850
00:45:39,880 --> 00:45:44,120
Speaker 1: post to die at. Sometimes I question if you guys

851
00:45:44,160 --> 00:45:48,640
Speaker 1: have been involved in ways that you that you perpetrate

852
00:45:49,360 --> 00:45:52,520
Speaker 1: also because first I say, damn, is it a South thing?

853
00:45:52,560 --> 00:45:54,160
Speaker 1: That I got to think? And now it can't be

854
00:45:54,160 --> 00:45:57,399
Speaker 1: a South thing because I up top in New York

855
00:45:57,440 --> 00:46:00,680
Speaker 1: putting pain in It's me young doing drills, listening to

856
00:46:00,719 --> 00:46:03,160
Speaker 1: the young boy that he's influencing, that he is the

857
00:46:03,280 --> 00:46:05,600
Speaker 1: nick that put that battery in. They back like you

858
00:46:05,680 --> 00:46:09,600
Speaker 1: don't never let it slide. Stand on that business. And

859
00:46:09,680 --> 00:46:12,440
Speaker 1: if he campaigning the change that just to affix of

860
00:46:12,520 --> 00:46:15,400
Speaker 1: those words can save one life. That means more to

861
00:46:15,480 --> 00:46:18,480
Speaker 1: us because we come from it. When you that disconnected.

862
00:46:18,520 --> 00:46:20,680
Speaker 1: The dudes in New York, you got them little New

863
00:46:20,760 --> 00:46:23,160
Speaker 1: York rapping nick going back and forth to them, little

864
00:46:23,200 --> 00:46:26,239
Speaker 1: Nick is putting in pain. What you think they're doing?

865
00:46:26,560 --> 00:46:29,360
Speaker 1: All you think that go away? You ever been involved

866
00:46:29,360 --> 00:46:32,040
Speaker 1: with some of these things y'all be reporting on like

867
00:46:32,200 --> 00:46:34,879
Speaker 1: these are real questions though from a real one. These

868
00:46:34,920 --> 00:46:37,840
Speaker 1: are real questions. Have you ever been involved with some

869
00:46:37,920 --> 00:46:40,040
Speaker 1: of these things? I ain't talking about being the victim.

870
00:46:41,480 --> 00:46:44,959
Speaker 1: I don't want to talk to no victims. I don't

871
00:46:45,000 --> 00:46:47,400
Speaker 1: want to talk to no being shot out all love me,

872
00:46:47,480 --> 00:46:50,840
Speaker 1: y'all done being done bad in your neighborhood, defolt, done

873
00:46:50,960 --> 00:46:53,919
Speaker 1: extorted you and punched you in your faith. I don't

874
00:46:53,960 --> 00:46:55,640
Speaker 1: want to I'm talking about. Have you been on the

875
00:46:55,680 --> 00:46:58,720
Speaker 1: other side where it's like, damn son, we've been putting

876
00:46:58,760 --> 00:47:03,799
Speaker 1: belt to ass around here, we bless. Now you know

877
00:47:03,880 --> 00:47:07,359
Speaker 1: what that's like. Down you escape that or did you?

878
00:47:08,200 --> 00:47:12,160
Speaker 1: Did it? Just get bigger? It's me putting this down.

879
00:47:12,239 --> 00:47:14,480
Speaker 1: They're gonna cost me my life because now I'm trying

880
00:47:14,520 --> 00:47:16,719
Speaker 1: not to be violent. If they're gonna kill me now

881
00:47:17,320 --> 00:47:19,920
Speaker 1: because I stopped the beef, don't mean they stopped it.

882
00:47:19,960 --> 00:47:22,160
Speaker 1: Is it a trick involved when I try to squash this.

883
00:47:22,520 --> 00:47:26,279
Speaker 1: It's a lot going on with that, And Yo, I'm

884
00:47:26,440 --> 00:47:29,560
Speaker 1: I'm scared of people now, y'all. Don't come from that

885
00:47:29,719 --> 00:47:32,080
Speaker 1: world where your own people are still from you. Your

886
00:47:32,080 --> 00:47:34,719
Speaker 1: own people to kill you, your own people to call

887
00:47:34,800 --> 00:47:37,160
Speaker 1: you outside and get you shot in the head. Y'all

888
00:47:37,200 --> 00:47:39,919
Speaker 1: ain't never witness that, So y'all don't y'all, don't even

889
00:47:39,960 --> 00:47:42,600
Speaker 1: think about it that way. Now, I'm a liar to

890
00:47:42,840 --> 00:47:46,520
Speaker 1: millions of people. It's interesting. Let's listen to them on NBA.

891
00:47:46,600 --> 00:47:51,880
Speaker 1: Young boy. Okay, that's number one. So once Billboard comes

892
00:47:52,080 --> 00:47:55,960
Speaker 1: into play, you're gonna act. It's the music business. It's

893
00:47:56,680 --> 00:47:59,160
Speaker 1: real quick before you do that. That's not number one

894
00:47:59,239 --> 00:48:02,880
Speaker 1: because he's been saying this prior to Billboard. But go ahead,

895
00:48:03,040 --> 00:48:07,120
Speaker 1: I just wanted to talk about this piece that's going on.

896
00:48:07,360 --> 00:48:09,799
Speaker 1: Let me finish, and then you can interrupt. All day long,

897
00:48:10,160 --> 00:48:12,360
Speaker 1: he was just arguing about Bobby sch murder. Somebody go

898
00:48:12,560 --> 00:48:17,680
Speaker 1: kill him. No, we got Billboard bill Well, it's not

899
00:48:17,840 --> 00:48:21,239
Speaker 1: decent because you're not talking. Yeah, but let's go back

900
00:48:21,280 --> 00:48:22,880
Speaker 1: to that. But listen, Yeah, let's let's get that in.

901
00:48:22,920 --> 00:48:25,279
Speaker 1: But listen for him. It's first Billboard coming in for

902
00:48:25,400 --> 00:48:28,560
Speaker 1: me spells music business to higher ups, to behind the

903
00:48:28,600 --> 00:48:31,279
Speaker 1: scenes people. It's to label people that made some This

904
00:48:31,320 --> 00:48:35,000
Speaker 1: is an important piece and it's pushed as it's being

905
00:48:35,200 --> 00:48:39,200
Speaker 1: like it's important. They got him in Utah, looking at

906
00:48:39,239 --> 00:48:42,000
Speaker 1: the snow, looking at the mountains covered in snow. It's beautiful,

907
00:48:42,160 --> 00:48:44,880
Speaker 1: looking like a looking like an angel. Humans. Yea episode

908
00:48:44,880 --> 00:48:47,919
Speaker 1: there they're and they're trying to humanize him, which I'm

909
00:48:47,960 --> 00:48:50,600
Speaker 1: with that. So they got a lot of pieces of

910
00:48:50,680 --> 00:48:57,600
Speaker 1: him talking a very low, very soft voice. This is trick.

911
00:48:57,800 --> 00:48:59,879
Speaker 1: This is marketing tricks. If I haven't seen it, one

912
00:49:00,120 --> 00:49:05,759
Speaker 1: real low voice, and he's explaining how he started living

913
00:49:05,760 --> 00:49:08,440
Speaker 1: the way he was living, which was well, let me

914
00:49:08,520 --> 00:49:10,520
Speaker 1: let me let me again give some credence to this,

915
00:49:10,560 --> 00:49:13,320
Speaker 1: because again I just happened to be in their unique

916
00:49:13,320 --> 00:49:16,320
Speaker 1: position while I can speak to some of this. First

917
00:49:16,320 --> 00:49:18,880
Speaker 1: of all, Billboard is probably gonna send some kind of

918
00:49:19,360 --> 00:49:23,759
Speaker 1: respectfully to Billboard. I appreciate what they've done for for

919
00:49:23,800 --> 00:49:27,400
Speaker 1: the labels, for the rappers and whatever light they signed

920
00:49:27,480 --> 00:49:30,280
Speaker 1: on them. You know that, stay biding it. But Billboard

921
00:49:30,360 --> 00:49:32,359
Speaker 1: is gonna send some people out there that that's not

922
00:49:32,520 --> 00:49:36,920
Speaker 1: of your culture. They're gonna probably send a journalist, a photographer,

923
00:49:37,480 --> 00:49:40,440
Speaker 1: you know, a video videographer. They're gonna send some people

924
00:49:40,480 --> 00:49:43,479
Speaker 1: that you're probably not gonna be comfortable speaking to. A

925
00:49:43,480 --> 00:49:45,840
Speaker 1: matter of fact, I got even more information on that

926
00:49:46,239 --> 00:49:51,319
Speaker 1: when I was with Little Baby Billboard. Ain't this was

927
00:49:51,360 --> 00:49:54,520
Speaker 1: out there at his house and so the people that

928
00:49:54,680 --> 00:49:57,800
Speaker 1: was there representing Billboard, because Baby's one of the biggest

929
00:49:57,880 --> 00:50:00,160
Speaker 1: artists in the world. Ain't somebody that you're gonna walk

930
00:50:00,239 --> 00:50:02,880
Speaker 1: up to and talk like me and Baby gonna talk.

931
00:50:04,239 --> 00:50:07,320
Speaker 1: So you ask him them to talk to him about

932
00:50:07,360 --> 00:50:10,240
Speaker 1: some of these encounters, and he's trying to probably stand

933
00:50:10,239 --> 00:50:13,520
Speaker 1: on whatever, stop the violence that he's already been saying.

934
00:50:13,560 --> 00:50:16,640
Speaker 1: And it's like it could be a weird interaction, right,

935
00:50:16,880 --> 00:50:19,759
Speaker 1: what kind of voice you're expecting for a twenty three

936
00:50:19,840 --> 00:50:22,800
Speaker 1: year old dude to have with a white man sitting

937
00:50:22,800 --> 00:50:25,880
Speaker 1: across from him asking them about all of a sudden

938
00:50:25,920 --> 00:50:30,120
Speaker 1: you now stop the violence? What you're expecting the right?

939
00:50:30,200 --> 00:50:33,840
Speaker 1: So again, ignorant of your own culture. I just so

940
00:50:34,000 --> 00:50:35,840
Speaker 1: happened to being out there with Baby when they was

941
00:50:35,920 --> 00:50:37,879
Speaker 1: out there, and I see the kind of people they seeing.

942
00:50:37,880 --> 00:50:40,880
Speaker 1: They ain't sending no dudes like me. They ain't sending

943
00:50:40,920 --> 00:50:43,560
Speaker 1: nobody they can relate to them dudes and talk to

944
00:50:43,640 --> 00:50:47,120
Speaker 1: him about everything or anything that they want to talk about.

945
00:50:47,120 --> 00:50:51,320
Speaker 1: They're sending somebody with some very scripted questions. They're reading

946
00:50:51,440 --> 00:50:55,680
Speaker 1: from something they're writing down. It's awkward. They build this

947
00:50:55,840 --> 00:50:58,759
Speaker 1: thing where you take pictures in the house, you know

948
00:50:58,800 --> 00:51:02,000
Speaker 1: what I'm saying. So it's like it's a thing, right,

949
00:51:02,040 --> 00:51:04,239
Speaker 1: and it is the music business. But for you to

950
00:51:04,320 --> 00:51:08,319
Speaker 1: identify soft voice like that, that's trickery. It's like, that's

951
00:51:08,320 --> 00:51:11,680
Speaker 1: a weird observation. In my opinion. I was very I

952
00:51:11,760 --> 00:51:13,719
Speaker 1: was very small in school. And what happened is when

953
00:51:13,719 --> 00:51:16,080
Speaker 1: I went to school, all the kids would laugh at me.

954
00:51:16,640 --> 00:51:19,120
Speaker 1: So when they laughed, they would beat me up. And

955
00:51:19,200 --> 00:51:21,239
Speaker 1: every time they beat me up in school. Every day

956
00:51:21,280 --> 00:51:23,399
Speaker 1: I went to school and I got beat up by

957
00:51:23,440 --> 00:51:26,319
Speaker 1: the biggest bullis and I went on and cried, and

958
00:51:26,400 --> 00:51:28,960
Speaker 1: I cried and cried it and I said to myself,

959
00:51:29,520 --> 00:51:32,120
Speaker 1: it unlocked something inside of me and turn me into

960
00:51:32,160 --> 00:51:34,719
Speaker 1: someone that I never wanted. I never wanted to be.

961
00:51:35,040 --> 00:51:38,279
Speaker 1: This is this is the thing. This is the thing.

962
00:51:38,520 --> 00:51:41,040
Speaker 1: So he's taking you from his childhood. This is the

963
00:51:41,080 --> 00:51:43,680
Speaker 1: first time I've ever heard him be mister victim where

964
00:51:43,680 --> 00:51:45,600
Speaker 1: everybody was beating him up and he was so helpless.

965
00:51:45,600 --> 00:51:47,360
Speaker 1: But that's cool. I might be his real story. And

966
00:51:47,440 --> 00:51:49,680
Speaker 1: that turned him into the monster that he was. And

967
00:51:49,680 --> 00:51:51,920
Speaker 1: then he goes on to look like this and heard

968
00:51:52,000 --> 00:51:53,960
Speaker 1: the people and I'm not gonna wrap about violence and

969
00:51:53,960 --> 00:51:59,240
Speaker 1: blah blah blah blah blah. Marketing. I say it's marketing

970
00:51:59,320 --> 00:52:02,000
Speaker 1: number one because I just saw that whole Bobby's murder exchange.

971
00:52:02,000 --> 00:52:05,360
Speaker 1: Like Flip said, correct and while he was talking peace

972
00:52:06,040 --> 00:52:09,960
Speaker 1: for the white people listening, the black people listening, let's

973
00:52:10,280 --> 00:52:13,080
Speaker 1: read through the dog whistles. Yeah, and we could hear

974
00:52:13,160 --> 00:52:16,719
Speaker 1: him saying, I'll kill you. All you Knicks should stay

975
00:52:16,760 --> 00:52:20,480
Speaker 1: away from hey, stay away from me because I don't

976
00:52:20,520 --> 00:52:27,120
Speaker 1: want no problems. Stop the violence. Don't mean I'm kill me.

977
00:52:27,600 --> 00:52:30,000
Speaker 1: It's some of the realists in the game. It's like, yo,

978
00:52:30,040 --> 00:52:32,760
Speaker 1: I ain't beefing. That don't mean you don't get spank playing.

979
00:52:34,080 --> 00:52:37,440
Speaker 1: I just ain't rap beefing with you, but play with

980
00:52:37,480 --> 00:52:41,920
Speaker 1: these nick putting built that around him. And again, let

981
00:52:41,920 --> 00:52:44,719
Speaker 1: me reiterate, I don't know if young boys is off

982
00:52:44,760 --> 00:52:47,520
Speaker 1: the the violence. I don't know if he owned the violence.

983
00:52:47,560 --> 00:52:49,880
Speaker 1: I don't know what's going on with violence because I

984
00:52:49,880 --> 00:52:53,719
Speaker 1: don't speak on violence I'm saying. But what I do

985
00:52:53,960 --> 00:52:57,640
Speaker 1: know is that if a young Knicks can influence other

986
00:52:57,760 --> 00:53:01,320
Speaker 1: young Knicks that I know for one one hundred percent fact,

987
00:53:01,360 --> 00:53:04,320
Speaker 1: then young Nick I know, pulling up banging certain music,

988
00:53:04,360 --> 00:53:06,799
Speaker 1: they own certain ship, so they do they drills if

989
00:53:06,840 --> 00:53:09,120
Speaker 1: that dude can influence them to turn some of that

990
00:53:09,239 --> 00:53:12,800
Speaker 1: shit down. So I pray to be breathed life into

991
00:53:12,840 --> 00:53:15,960
Speaker 1: the children. What to stop the violence it's better for

992
00:53:16,040 --> 00:53:18,359
Speaker 1: y'all if we don't run into each other. I'm doing

993
00:53:18,400 --> 00:53:20,799
Speaker 1: too great for myself. I don't want to see y'all

994
00:53:20,840 --> 00:53:23,359
Speaker 1: and be met, So all your niggas stay away because

995
00:53:23,360 --> 00:53:30,239
Speaker 1: I'm promoting peace. That's a very passive, aggressive, condescending. That's

996
00:53:30,280 --> 00:53:33,440
Speaker 1: ah that. But you know it can get there because

997
00:53:33,440 --> 00:53:36,080
Speaker 1: that's been that can you can flip back to that

998
00:53:36,120 --> 00:53:39,160
Speaker 1: in the heartbeat that well, that's where well that that

999
00:53:39,160 --> 00:53:44,920
Speaker 1: that sentence you just said, that's what I'm arguing with that.

1000
00:53:44,920 --> 00:53:47,879
Speaker 1: That sentence you just said is where I'm calling the cap.

1001
00:53:48,400 --> 00:53:51,919
Speaker 1: I'm either pregnant, well I'm not pregnant. I either am

1002
00:53:51,920 --> 00:53:54,919
Speaker 1: a smoker or I'm not a smoker. It's not no,

1003
00:53:55,040 --> 00:53:56,880
Speaker 1: I just I'm missed. I know you, but let me

1004
00:53:56,880 --> 00:54:01,480
Speaker 1: finish that gun. It's not I'm missed their peace until

1005
00:54:01,520 --> 00:54:03,640
Speaker 1: one of y'all somebody give me a reason to no

1006
00:54:03,719 --> 00:54:07,240
Speaker 1: longer be peaceful. All right, I'm not I'm not jacking it, Okay,

1007
00:54:07,480 --> 00:54:10,040
Speaker 1: he could tell last year, hold on, hold on, hold on,

1008
00:54:10,160 --> 00:54:13,399
Speaker 1: check it out. A person that's a recovering addict right

1009
00:54:13,440 --> 00:54:15,720
Speaker 1: not to touch the drink in twelve, thirteen, fourteen, fifteen

1010
00:54:15,760 --> 00:54:17,919
Speaker 1: years still identifies an addict and know if they take

1011
00:54:17,960 --> 00:54:20,960
Speaker 1: that drink, they could be right back there. True, that's

1012
00:54:21,120 --> 00:54:22,960
Speaker 1: that I don't know that. I don't like that. I

1013
00:54:23,000 --> 00:54:25,600
Speaker 1: don't like that example because the recovering addicts are not

1014
00:54:25,680 --> 00:54:28,840
Speaker 1: running around saying I wish one of you would make me,

1015
00:54:28,840 --> 00:54:36,080
Speaker 1: pick would make me. Addicts are acting like stop playing

1016
00:54:36,800 --> 00:54:39,040
Speaker 1: their life, for ruining their life, and they're never going back.

1017
00:54:39,239 --> 00:54:42,160
Speaker 1: Nothing nobody can make them make them. There's nothing nobody

1018
00:54:42,200 --> 00:54:43,560
Speaker 1: can do to make them go back and living the

1019
00:54:43,560 --> 00:54:45,560
Speaker 1: way we used to live. If NBA young boy was

1020
00:54:45,600 --> 00:54:48,520
Speaker 1: talking like that, then I wouldn't I'd be clapping it up.

1021
00:54:48,640 --> 00:54:52,759
Speaker 1: Damn if the needs it's so easy to identify what's

1022
00:54:52,760 --> 00:54:55,320
Speaker 1: happening here, But when you are ignorant up your own colt,

1023
00:54:55,480 --> 00:54:59,880
Speaker 1: you cannot grasp the situation. I see that they're mentioning

1024
00:55:00,040 --> 00:55:02,719
Speaker 1: addicts right now, and they're missing a component. He's saying,

1025
00:55:02,760 --> 00:55:05,839
Speaker 1: it's nothing like a recovering addict. I can provide a

1026
00:55:05,880 --> 00:55:10,640
Speaker 1: different illustration of what I'm seeing. What I believe is

1027
00:55:11,360 --> 00:55:14,840
Speaker 1: this is a little different because you're recovering addict of

1028
00:55:14,960 --> 00:55:18,759
Speaker 1: something that worked for you. Usually a recovering addict has

1029
00:55:18,800 --> 00:55:21,880
Speaker 1: went to the depths of hell, with whatever they addicted to,

1030
00:55:21,960 --> 00:55:26,280
Speaker 1: and they're not able to live life and function regularly.

1031
00:55:26,320 --> 00:55:29,160
Speaker 1: It's if now affected almost every facet of their life

1032
00:55:29,200 --> 00:55:32,520
Speaker 1: based on whatever their addiction is, and now they realize

1033
00:55:32,560 --> 00:55:35,080
Speaker 1: that life ain't worth it when you deal with these

1034
00:55:35,160 --> 00:55:38,080
Speaker 1: rappers that's been talking violence, killing in all of this

1035
00:55:38,480 --> 00:55:41,560
Speaker 1: that made me a multi million Now now I'm trying

1036
00:55:41,600 --> 00:55:43,560
Speaker 1: to put it down. You don't think that scary, You

1037
00:55:43,560 --> 00:55:45,920
Speaker 1: don't think that, you don't think I gotta think twice

1038
00:55:45,960 --> 00:55:48,320
Speaker 1: about that and wonder if I'm headed the right way.

1039
00:55:48,800 --> 00:55:52,280
Speaker 1: I'd have made sixty to seventy million with it this way,

1040
00:55:52,560 --> 00:55:55,120
Speaker 1: telling them to slide and tell about my pain and

1041
00:55:55,239 --> 00:55:58,319
Speaker 1: killing something growing up like this, I'd have made all

1042
00:55:58,400 --> 00:56:02,840
Speaker 1: my money that way. So I'm a recovering addict. I

1043
00:56:02,840 --> 00:56:06,680
Speaker 1: didn't put something down that was working for me, not

1044
00:56:06,880 --> 00:56:09,520
Speaker 1: something that ruined my life, not something that took me

1045
00:56:09,640 --> 00:56:11,920
Speaker 1: down to the depths of hell and I couldn't survive.

1046
00:56:12,040 --> 00:56:14,720
Speaker 1: Lost my house, my car, I would train and staying

1047
00:56:14,760 --> 00:56:18,840
Speaker 1: to get high, lost everything. Now this shit worked, and

1048
00:56:18,960 --> 00:56:21,439
Speaker 1: I'm saying, what damn? It worked? But it probably was too.

1049
00:56:21,960 --> 00:56:25,080
Speaker 1: It probably affected a lot of So I'm trying to

1050
00:56:25,160 --> 00:56:28,879
Speaker 1: switch it. These don't even consider that because I don't

1051
00:56:28,920 --> 00:56:32,000
Speaker 1: think they really understand what it's like to developing the

1052
00:56:32,120 --> 00:56:34,839
Speaker 1: dog to come about the dogness. I don't think they

1053
00:56:34,880 --> 00:56:38,640
Speaker 1: really believe that. They don't really understand that it's an underworld. Man,

1054
00:56:38,680 --> 00:56:42,839
Speaker 1: it's an underworld working with the street, no culture. Like,

1055
00:56:42,920 --> 00:56:45,200
Speaker 1: it's a lot going on that you would never witnessed

1056
00:56:45,200 --> 00:56:47,880
Speaker 1: if you ain't involved. You would think it's our fairy

1057
00:56:47,880 --> 00:56:50,680
Speaker 1: tales because all you do is watch movies. All you

1058
00:56:50,760 --> 00:56:53,840
Speaker 1: do is see niggas when they had trial and like that.

1059
00:56:54,280 --> 00:56:57,279
Speaker 1: You ain't never been intimately involved with these things, so

1060
00:56:57,360 --> 00:56:59,759
Speaker 1: you don't understand what it took to come out of it.

1061
00:57:00,239 --> 00:57:02,560
Speaker 1: Especially if it was working, you won't need to lay

1062
00:57:02,600 --> 00:57:05,080
Speaker 1: it down. I just think that when we deal with

1063
00:57:05,160 --> 00:57:07,560
Speaker 1: it from that perspective, you can view it different. But

1064
00:57:07,600 --> 00:57:10,360
Speaker 1: it ever did they take somebody like me to point

1065
00:57:10,360 --> 00:57:12,520
Speaker 1: that out. He's saying, you know, I don't want to

1066
00:57:12,520 --> 00:57:15,000
Speaker 1: do that no more. And then my problem is and

1067
00:57:14,680 --> 00:57:17,080
Speaker 1: then and then my problem ain't even really with NBA,

1068
00:57:17,160 --> 00:57:18,920
Speaker 1: young boy, and it wants to be honest with you,

1069
00:57:19,000 --> 00:57:22,320
Speaker 1: like my problem is with the record business and Billboard.

1070
00:57:22,520 --> 00:57:25,360
Speaker 1: Here Billboard come like they ain't got eyes. They ain't

1071
00:57:25,440 --> 00:57:28,880
Speaker 1: heard or seeing nothing that's been going on. We're just coming.

1072
00:57:28,920 --> 00:57:31,400
Speaker 1: We want to co sign this, this positive message right

1073
00:57:31,440 --> 00:57:33,320
Speaker 1: here that don't negate none of the other ship that

1074
00:57:33,360 --> 00:57:35,680
Speaker 1: we keep saying it. Don't hold on, y'all just playing

1075
00:57:35,760 --> 00:57:39,000
Speaker 1: big with money. But even though even though I'm not

1076
00:57:39,000 --> 00:57:40,880
Speaker 1: trying to be funny, even even if that's the case,

1077
00:57:42,480 --> 00:57:44,919
Speaker 1: we're supposed to still support the change. Like you said,

1078
00:57:44,960 --> 00:57:46,440
Speaker 1: we need to fuck all that other ship that he

1079
00:57:46,440 --> 00:57:48,600
Speaker 1: did if he wants to be a change. Oh way, no, no, no,

1080
00:57:48,640 --> 00:57:51,240
Speaker 1: I will support the chance. My conversation with Ice is

1081
00:57:51,240 --> 00:57:53,640
Speaker 1: whether I believe it, But even if you don't believe it,

1082
00:57:53,640 --> 00:57:56,120
Speaker 1: we still support it. I'm clapping it up. Cool. So

1083
00:57:56,120 --> 00:57:58,960
Speaker 1: you don't believe it, So you don't believe this is semantics.

1084
00:57:59,280 --> 00:58:01,280
Speaker 1: I believe it, but I don't support it. I mean,

1085
00:58:01,320 --> 00:58:03,600
Speaker 1: I support it, but I don't believe it. Whoa, whoa, whoa,

1086
00:58:03,600 --> 00:58:06,360
Speaker 1: whoa whoa. Y'all let him get that off. You could

1087
00:58:06,360 --> 00:58:09,280
Speaker 1: tell where you talk the niggas you paid say you

1088
00:58:09,320 --> 00:58:11,520
Speaker 1: can't you can't support it if you don't believe it.

1089
00:58:12,680 --> 00:58:15,400
Speaker 1: You mean, that's how they trick us in the raw, y'all, Eve,

1090
00:58:15,720 --> 00:58:18,360
Speaker 1: I support you, Loo ain't cut me, no check, got

1091
00:58:18,440 --> 00:58:22,240
Speaker 1: no check with me. You don't support me. You talk

1092
00:58:22,320 --> 00:58:26,080
Speaker 1: about you supporting me. Nah, you can't believe in me

1093
00:58:26,400 --> 00:58:30,440
Speaker 1: and not supporting me. But again, this is the game's

1094
00:58:30,800 --> 00:58:33,280
Speaker 1: play when they good with words, but pay attention and

1095
00:58:33,360 --> 00:58:35,960
Speaker 1: you will miss nothing. I don't believe one word or

1096
00:58:35,960 --> 00:58:38,080
Speaker 1: any of that shit. I don't believe one fucking word

1097
00:58:38,160 --> 00:58:41,560
Speaker 1: or any of it. I laughed every time that popped

1098
00:58:41,640 --> 00:58:43,080
Speaker 1: up on my phone in the Black and White man

1099
00:58:45,880 --> 00:58:49,160
Speaker 1: was again, that was just a conversation. I don't know

1100
00:58:49,200 --> 00:58:51,280
Speaker 1: where they're going with it. For them to act like

1101
00:58:51,320 --> 00:58:54,200
Speaker 1: a man can't change man, It's like, yo, this is

1102
00:58:54,240 --> 00:58:57,439
Speaker 1: a weird space. Man. I don't know. Man. Every time

1103
00:58:57,480 --> 00:58:59,760
Speaker 1: I hear like this should made me up my price.

1104
00:59:00,600 --> 00:59:06,320
Speaker 1: All right, let's talk about this quality control QC. Coach

1105
00:59:06,440 --> 00:59:12,080
Speaker 1: K have been acquired by school le Braun number one.

1106
00:59:12,280 --> 00:59:15,800
Speaker 1: I want to give a round of applause to coach

1107
00:59:15,920 --> 00:59:20,400
Speaker 1: K and P on a great run for the South

1108
00:59:20,520 --> 00:59:22,840
Speaker 1: and for their self and for their families, making a

1109
00:59:22,840 --> 00:59:27,360
Speaker 1: lot of millionaires along the way. This is not a

1110
00:59:27,400 --> 00:59:32,720
Speaker 1: small feat. I want to make sure we understand that's

1111
00:59:32,760 --> 00:59:40,200
Speaker 1: furch right. Having an understanding is imperative, right, so I

1112
00:59:40,240 --> 00:59:42,280
Speaker 1: always try to start with that. You got to look

1113
00:59:42,320 --> 00:59:44,480
Speaker 1: at what QC has been able to do for the

1114
00:59:44,560 --> 00:59:48,040
Speaker 1: people that has been successful over there. If they were

1115
00:59:48,560 --> 00:59:50,400
Speaker 1: I don't see it happening. But if they were to

1116
00:59:50,440 --> 00:59:54,080
Speaker 1: stop right now, they've changed the lives of many black

1117
00:59:54,120 --> 00:59:56,800
Speaker 1: guys and me and they came from poverty, came from

1118
00:59:56,840 --> 00:59:59,800
Speaker 1: the ghetto. People they've interacted with, They've been able to

1119
01:00:00,320 --> 01:00:03,000
Speaker 1: lights on them in ways that I'm not sure why

1120
01:00:03,000 --> 01:00:05,880
Speaker 1: the America would have been able to do. Right. It

1121
01:00:05,920 --> 01:00:08,800
Speaker 1: takes a specific set of skills to see a diamond

1122
01:00:08,880 --> 01:00:13,000
Speaker 1: in the rough. See, everybody can recognize a diamond, just

1123
01:00:13,080 --> 01:00:17,760
Speaker 1: depending on the circumstances the diamond is end that same

1124
01:00:17,800 --> 01:00:21,760
Speaker 1: diamond polished up, you would notice the value. But we're

1125
01:00:21,800 --> 01:00:23,959
Speaker 1: able to see diamonds in the rough and they don't

1126
01:00:24,320 --> 01:00:26,680
Speaker 1: amount of money. You can't put a really put a

1127
01:00:26,800 --> 01:00:29,920
Speaker 1: number on that. You understand me. And just again, just

1128
01:00:30,080 --> 01:00:32,160
Speaker 1: when you look back and you see the black men,

1129
01:00:32,280 --> 01:00:37,520
Speaker 1: then the women, you know, the city girls, Lakia Gloss,

1130
01:00:37,560 --> 01:00:42,600
Speaker 1: these are life changing interactions from black people and that

1131
01:00:42,680 --> 01:00:46,960
Speaker 1: should be applauded. We want to read the press release.

1132
01:00:47,040 --> 01:00:50,880
Speaker 1: It says Hypermerica acquires Quality Control home A Little Baby

1133
01:00:50,920 --> 01:00:54,479
Speaker 1: Megoes in City Girls in three hundred plus million dollar

1134
01:00:54,640 --> 01:00:59,960
Speaker 1: deal led by Scooter Broun. Hypermerica has entered into an

1135
01:01:00,080 --> 01:01:03,160
Speaker 1: agreement to merge the acquired Quality Control, which is QC

1136
01:01:03,400 --> 01:01:08,160
Speaker 1: Media Holdings Incorporated, the Atlanta based entertainment company covering music

1137
01:01:08,680 --> 01:01:12,920
Speaker 1: Little Baby, Little Yatti, City Girls Megos, amongst its signing sports,

1138
01:01:13,000 --> 01:01:18,240
Speaker 1: films and television, founded by CEO Prep Thomas and CEO

1139
01:01:18,720 --> 01:01:22,800
Speaker 1: Kevin Coach k Lee. The deal value that three hundred

1140
01:01:22,880 --> 01:01:25,240
Speaker 1: twenty million in stock and cash was led by Hype

1141
01:01:25,240 --> 01:01:29,840
Speaker 1: America CEO Scooter Braun, whose relationship with Coaching p as

1142
01:01:29,920 --> 01:01:32,600
Speaker 1: Lee and Thomas are known goes back to the early

1143
01:01:32,640 --> 01:01:36,280
Speaker 1: two thousands, where Braun was living in Atlanta. It aligns

1144
01:01:36,280 --> 01:01:40,320
Speaker 1: with Hype's mission to build a global entertainment giant rooting

1145
01:01:40,320 --> 01:01:44,200
Speaker 1: in music with interest in other mediums and platforms related

1146
01:01:44,240 --> 01:01:47,960
Speaker 1: to entertainment, lifestyle and coach. A QC Music roster will

1147
01:01:48,040 --> 01:01:52,960
Speaker 1: continue its affiliation with Universal Music Group. All deals will

1148
01:01:53,040 --> 01:01:56,280
Speaker 1: stay in place. It also marks the first major move

1149
01:01:56,400 --> 01:01:59,919
Speaker 1: by Braun since becoming the CEO of Hype America early

1150
01:02:00,200 --> 01:02:05,680
Speaker 1: this year. The South Korean Entertainment leaders US portfolio includes

1151
01:02:05,840 --> 01:02:10,200
Speaker 1: it's be Project Management, home to Justin Beaver, Arianna Grande,

1152
01:02:10,240 --> 01:02:13,520
Speaker 1: and Mego's member Quavo, amongst others, as well as Big

1153
01:02:13,560 --> 01:02:18,200
Speaker 1: Machine label group whose rosters include country artists Tim McGraw

1154
01:02:18,840 --> 01:02:20,960
Speaker 1: and others, as well as rock and roll Hall of Fame.

1155
01:02:21,040 --> 01:02:26,880
Speaker 1: So they've acquired a slew of portfolio in regards to music.

1156
01:02:26,960 --> 01:02:30,320
Speaker 1: Hype's current mark cap stands at six point six billion.

1157
01:02:30,680 --> 01:02:33,360
Speaker 1: He says, I'm so proud and honored to have Coaching

1158
01:02:33,440 --> 01:02:37,800
Speaker 1: Pete joined Bangers as our partner, said Braun and announcing

1159
01:02:37,840 --> 01:02:40,480
Speaker 1: the deal. QC is one of the most significant independent

1160
01:02:40,560 --> 01:02:43,280
Speaker 1: labels in the world, working with incredible artists who are

1161
01:02:43,360 --> 01:02:46,640
Speaker 1: and remain the voices of Coach. I'll never forget riding

1162
01:02:46,680 --> 01:02:50,440
Speaker 1: around Atlanta twenty years ago with Coach discussing our dreams

1163
01:02:50,440 --> 01:02:52,280
Speaker 1: and ambitious and how we said if they let us

1164
01:02:52,360 --> 01:02:54,840
Speaker 1: in the game, we're never gonna give it back. Now,

1165
01:02:54,880 --> 01:02:57,320
Speaker 1: all these years later, with joining forces to make these

1166
01:02:57,400 --> 01:03:01,400
Speaker 1: dreams of reality, added p Hype perfect partners for quality

1167
01:03:01,440 --> 01:03:04,360
Speaker 1: control as we come together to take our story and

1168
01:03:04,480 --> 01:03:08,000
Speaker 1: work global. All of Hype's leaders are entrepreneurs with phenomenal

1169
01:03:08,040 --> 01:03:11,400
Speaker 1: combined history, finding talent and taking it to the highest levels.

1170
01:03:11,920 --> 01:03:16,200
Speaker 1: Taking QC world wide requires key partners like this who

1171
01:03:16,320 --> 01:03:20,480
Speaker 1: understand building something from the bottom and aiming sky high.

1172
01:03:20,880 --> 01:03:24,760
Speaker 1: It matters to us greatly their grasp of culture and

1173
01:03:24,840 --> 01:03:28,600
Speaker 1: acutely seeing what QC has built and the limitless path

1174
01:03:28,800 --> 01:03:31,640
Speaker 1: of where it can go. Over many years school then

1175
01:03:31,720 --> 01:03:34,960
Speaker 1: I have cultivated real trust and a common way of

1176
01:03:35,000 --> 01:03:38,440
Speaker 1: looking at the world and culture. And then the boldness

1177
01:03:38,480 --> 01:03:41,440
Speaker 1: of this partnership is the fact that both QC and

1178
01:03:41,520 --> 01:03:45,960
Speaker 1: HYPE having have existing relationships with the UMG family, and

1179
01:03:46,000 --> 01:03:48,960
Speaker 1: it'll just create an easy flow with that will benefit

1180
01:03:49,000 --> 01:03:52,560
Speaker 1: the artists. The artists of QC are our focus, the

1181
01:03:52,640 --> 01:03:57,000
Speaker 1: our best interests, and they will be incredibly supported with

1182
01:03:57,040 --> 01:03:59,800
Speaker 1: this partnership. Good for them to speak on the artist,

1183
01:04:00,560 --> 01:04:03,400
Speaker 1: you know, I know that they believe that they're probably worthy.

1184
01:04:03,480 --> 01:04:06,240
Speaker 1: So that's good that they let them know now publicly.

1185
01:04:06,360 --> 01:04:09,360
Speaker 1: Now we stand by them. We got them. It's worth

1186
01:04:09,400 --> 01:04:12,360
Speaker 1: noting that key architects of the deal braun Lee Thomas

1187
01:04:12,480 --> 01:04:16,240
Speaker 1: and HYPE chairman bang C. I can't say that are

1188
01:04:16,360 --> 01:04:21,960
Speaker 1: all minorities whose US operations employed multiple females executives in

1189
01:04:22,040 --> 01:04:27,000
Speaker 1: top roles, with SBP boasting the seventies percent nine male staff.

1190
01:04:27,480 --> 01:04:31,920
Speaker 1: It's been speculated that Ethiopia, my girl, who exited her

1191
01:04:31,960 --> 01:04:35,160
Speaker 1: CEO post at Motown Records in November twenty two, will

1192
01:04:35,240 --> 01:04:38,120
Speaker 1: join the new company as a leadership position. Shout out

1193
01:04:38,120 --> 01:04:40,680
Speaker 1: to her and so this this just goes on to

1194
01:04:40,720 --> 01:04:44,000
Speaker 1: speak about and building a multifaceted QC coaching. P have

1195
01:04:44,120 --> 01:04:46,800
Speaker 1: grown into one of the biggest independent companies in hip hop,

1196
01:04:46,800 --> 01:04:49,680
Speaker 1: with a capital catalog that are mass over thirty seven

1197
01:04:49,760 --> 01:04:53,640
Speaker 1: billion streams through twenty twenty two. Again going back to numbers.

1198
01:04:53,760 --> 01:04:56,320
Speaker 1: Numbers are so important in this game. When you sit

1199
01:04:56,400 --> 01:04:58,880
Speaker 1: at the round table, you gotta say it. Warrant this

1200
01:04:59,000 --> 01:05:01,800
Speaker 1: because of that right. So found it in two thousand

1201
01:05:01,800 --> 01:05:05,320
Speaker 1: and three by Lee formerly manage of rappers Jeez and

1202
01:05:05,560 --> 01:05:08,840
Speaker 1: Gucci Man and Thomas who owned a recording studio they paired,

1203
01:05:09,280 --> 01:05:11,080
Speaker 1: you know, and just they just talk about how they

1204
01:05:11,120 --> 01:05:13,000
Speaker 1: came together. This is a great article. Man. If you

1205
01:05:13,080 --> 01:05:16,120
Speaker 1: haven't seen this, UM, go read that man that is

1206
01:05:16,160 --> 01:05:19,320
Speaker 1: on Variety dot com. Again, shout out the P and

1207
01:05:19,360 --> 01:05:22,960
Speaker 1: coach you know. Um. A lot of people say why

1208
01:05:23,040 --> 01:05:27,320
Speaker 1: sell it? And I say why not? Especially when we

1209
01:05:27,440 --> 01:05:30,480
Speaker 1: still involve now I would like to hear arguments and

1210
01:05:30,600 --> 01:05:33,080
Speaker 1: why not right, how many times we get to get

1211
01:05:33,120 --> 01:05:36,280
Speaker 1: a number like it? Though? You see what I'm saying,

1212
01:05:36,600 --> 01:05:38,960
Speaker 1: what we're gonna wait five more years? And what you

1213
01:05:38,960 --> 01:05:41,240
Speaker 1: want me to wait? You know you want me to

1214
01:05:41,280 --> 01:05:44,120
Speaker 1: bank on something. Now they're saying, ain't the hustler. We

1215
01:05:44,240 --> 01:05:46,840
Speaker 1: know if you're really doing business, you know it's built

1216
01:05:46,880 --> 01:05:49,520
Speaker 1: to sell it. It's built to sell, build to sell,

1217
01:05:49,720 --> 01:05:53,640
Speaker 1: built to scale and sell, build the scale and sell.

1218
01:05:54,760 --> 01:05:57,520
Speaker 1: I need, I need it better to understand, like even

1219
01:05:57,560 --> 01:06:00,919
Speaker 1: with me, right, for for y'all to get, for y'all

1220
01:06:00,960 --> 01:06:03,840
Speaker 1: to get the deals y'all need. If y'all like come

1221
01:06:03,920 --> 01:06:07,000
Speaker 1: from my background, right, I gotta go in some of

1222
01:06:07,040 --> 01:06:11,040
Speaker 1: these buildings and do certain things and secure certain deals

1223
01:06:11,040 --> 01:06:13,560
Speaker 1: and make sure that I deliver, because it ain't even

1224
01:06:13,640 --> 01:06:16,280
Speaker 1: bat me. It's bout the next guy behind me that

1225
01:06:16,360 --> 01:06:18,920
Speaker 1: they got a bank own or they gotta you know,

1226
01:06:19,680 --> 01:06:23,680
Speaker 1: take a risk on, you know. And so my whole

1227
01:06:23,720 --> 01:06:26,160
Speaker 1: thing is, we won't our people next to the risk

1228
01:06:26,280 --> 01:06:31,120
Speaker 1: take us. We won't our people next to the investors. Right,

1229
01:06:31,440 --> 01:06:35,280
Speaker 1: it'd be rough. That's why I always champion the relationship

1230
01:06:35,520 --> 01:06:39,720
Speaker 1: that meet them has has co devaded over there with

1231
01:06:39,800 --> 01:06:42,600
Speaker 1: Michael Rubin and Robert Craft and baby and all of them,

1232
01:06:42,680 --> 01:06:46,360
Speaker 1: and how that's a real genuine relationship. And it's like,

1233
01:06:46,800 --> 01:06:49,480
Speaker 1: we need our people next to the risk takers of

1234
01:06:49,560 --> 01:06:54,160
Speaker 1: this world, to the people that's investing in they they're

1235
01:06:54,200 --> 01:06:58,200
Speaker 1: turning ideas in the product and product in the billions

1236
01:07:00,040 --> 01:07:03,960
Speaker 1: because we ain't doing that and together, I don't give

1237
01:07:04,000 --> 01:07:07,400
Speaker 1: a fuck how good niggas wrapping. Niggas ain't turning that

1238
01:07:07,480 --> 01:07:12,320
Speaker 1: shit into nothing without to help us some people that's

1239
01:07:12,360 --> 01:07:14,680
Speaker 1: been in the game a long time. And so when

1240
01:07:14,680 --> 01:07:17,800
Speaker 1: we got the chance to turn whatever we had whipped

1241
01:07:17,840 --> 01:07:20,600
Speaker 1: up in the kitchen into a four course meal, when

1242
01:07:20,640 --> 01:07:23,200
Speaker 1: we got a chance to hand our food to a

1243
01:07:23,280 --> 01:07:25,560
Speaker 1: chelf for him to go ahead and turn that to

1244
01:07:25,680 --> 01:07:28,120
Speaker 1: a meal for the family, we got to know that

1245
01:07:28,200 --> 01:07:32,120
Speaker 1: that's important. I keep telling y'all, y'all wold on it.

1246
01:07:32,200 --> 01:07:34,520
Speaker 1: This one thing. Man, Listen, you gotta do this ten

1247
01:07:34,600 --> 01:07:36,600
Speaker 1: times to do what Jay and them done, to do

1248
01:07:36,720 --> 01:07:39,880
Speaker 1: what Michael Rubin done, to do what did it done

1249
01:07:39,960 --> 01:07:42,160
Speaker 1: to live like this here? Man, You got to do

1250
01:07:42,240 --> 01:07:46,040
Speaker 1: this shit ten times. You got the hustle good enough, nigga,

1251
01:07:46,120 --> 01:07:48,320
Speaker 1: well A, I killed him in rapping. I killed him

1252
01:07:48,320 --> 01:07:50,800
Speaker 1: in that I had this product going. I killed him

1253
01:07:50,800 --> 01:07:52,880
Speaker 1: with that. I killed him over here in movies. I

1254
01:07:52,960 --> 01:07:55,800
Speaker 1: killed him over here on streaming. I killed him in media.

1255
01:07:56,200 --> 01:07:58,600
Speaker 1: I tied in with Sudden Sudden them killed him over

1256
01:07:58,640 --> 01:08:01,880
Speaker 1: there in podcasting behind the scenes. I killed him in

1257
01:08:01,960 --> 01:08:04,880
Speaker 1: restaurant business. I killed him in the barbershop world. I

1258
01:08:04,960 --> 01:08:07,960
Speaker 1: killed him in real estate. Man, I'm killing them around

1259
01:08:08,000 --> 01:08:10,600
Speaker 1: here with you know, I'm just right. So you got

1260
01:08:10,600 --> 01:08:13,760
Speaker 1: to do this five six times for you really to

1261
01:08:13,880 --> 01:08:17,600
Speaker 1: live comfortable and say I'm really good. And so the

1262
01:08:17,680 --> 01:08:20,320
Speaker 1: closer we can get to the risk take us. It's

1263
01:08:20,360 --> 01:08:22,720
Speaker 1: some people. You can get next to loon sitting next

1264
01:08:22,760 --> 01:08:24,320
Speaker 1: to them with the kind of game he got, and

1265
01:08:24,320 --> 01:08:29,479
Speaker 1: they say, man, invertifying me and the ship immediately. That's

1266
01:08:29,680 --> 01:08:32,679
Speaker 1: is supposed to be leading the culture, ain't No, ain't

1267
01:08:32,720 --> 01:08:34,760
Speaker 1: nothing to talk about. Right. They know how to turn

1268
01:08:34,800 --> 01:08:37,320
Speaker 1: an idea to a product, to turn the product into

1269
01:08:37,360 --> 01:08:41,120
Speaker 1: some money. That be the that's the information that's lost. See,

1270
01:08:41,120 --> 01:08:44,080
Speaker 1: we stuck on being the best. Everybody in the black

1271
01:08:44,120 --> 01:08:48,599
Speaker 1: community worried about the idea. Part of everybody got great ideas. Man,

1272
01:08:48,640 --> 01:08:51,479
Speaker 1: it's a three step process they ain't telling folks about.

1273
01:08:51,720 --> 01:08:53,840
Speaker 1: You got to turn the idea to a product. The

1274
01:08:53,960 --> 01:08:59,519
Speaker 1: product into some Yeah, you see what I'm saying. So

1275
01:08:59,560 --> 01:09:02,400
Speaker 1: ain't nobody saying that? So everybody's stuck on Man, I

1276
01:09:02,400 --> 01:09:04,240
Speaker 1: got all the ideas. I know how to wrap bet

1277
01:09:04,320 --> 01:09:09,559
Speaker 1: in to him, say, bro, he's selling records, he feeding

1278
01:09:09,560 --> 01:09:11,840
Speaker 1: his family off this shit, but I wrap better to him.

1279
01:09:11,920 --> 01:09:14,240
Speaker 1: You see, you ain't getting it. It ain't never about

1280
01:09:14,280 --> 01:09:16,840
Speaker 1: who wrapped the best. It's about who can turn they

1281
01:09:16,920 --> 01:09:20,559
Speaker 1: wrapping into a business, and who can turn their business

1282
01:09:20,640 --> 01:09:25,400
Speaker 1: into some prophecy. You need profit to talk like a

1283
01:09:25,439 --> 01:09:29,639
Speaker 1: boss man. A lot of y'all just be working. You'd

1284
01:09:29,680 --> 01:09:32,920
Speaker 1: be spending all the money you're getting and talking boshit boss,

1285
01:09:33,000 --> 01:09:36,320
Speaker 1: cleaning them numbers. A Bous is in the green, nick

1286
01:09:38,080 --> 01:09:42,559
Speaker 1: A Bous is in the green. You see what I'm saying.

1287
01:09:42,800 --> 01:09:45,679
Speaker 1: And I know a couple of my homeboys getting real paper,

1288
01:09:45,760 --> 01:09:49,000
Speaker 1: living like rock stars. I'm not trying to live like that.

1289
01:09:49,280 --> 01:09:52,880
Speaker 1: I got to stay in the green. They probably in

1290
01:09:52,960 --> 01:09:55,200
Speaker 1: the green based on what they making. They're still in

1291
01:09:55,240 --> 01:09:57,920
Speaker 1: the green living like that. Loom can't reach for that cup.

1292
01:09:58,120 --> 01:10:03,800
Speaker 1: I got to stay in the green. Bosses the green. Now,

1293
01:10:03,840 --> 01:10:07,800
Speaker 1: you don't got to be worth fifty six million? Is

1294
01:10:07,840 --> 01:10:10,960
Speaker 1: you in the green? Though? You got something put up

1295
01:10:11,040 --> 01:10:13,360
Speaker 1: though in case a rainy day, though you can grab

1296
01:10:13,479 --> 01:10:16,439
Speaker 1: sevny K or something. You got something put You got

1297
01:10:16,479 --> 01:10:20,000
Speaker 1: anything put away regularly with sevny K put away. In

1298
01:10:20,120 --> 01:10:24,599
Speaker 1: my opinion, he doing all right, but you gotta have something.

1299
01:10:24,680 --> 01:10:27,080
Speaker 1: But but back to what I was saying, the closer

1300
01:10:27,160 --> 01:10:30,320
Speaker 1: we can get to the risk takers of this world,

1301
01:10:30,479 --> 01:10:33,479
Speaker 1: the bet off will be. And the reason I say that,

1302
01:10:34,720 --> 01:10:36,760
Speaker 1: and that's why I'm about to close this deal with

1303
01:10:36,760 --> 01:10:38,800
Speaker 1: with with the homeboy. I'm closing a way because he

1304
01:10:38,840 --> 01:10:42,240
Speaker 1: a risk taker, you know. But the closer we can

1305
01:10:42,280 --> 01:10:44,400
Speaker 1: get to the risk takers of the world, the bet

1306
01:10:44,400 --> 01:10:48,040
Speaker 1: off will be because that gives us access to generation

1307
01:10:48,120 --> 01:10:53,640
Speaker 1: of wealth. Right. Um. I even learned from one of

1308
01:10:53,640 --> 01:10:57,439
Speaker 1: my NFL partners, be Martial. It's like he was teaching

1309
01:10:57,439 --> 01:11:00,519
Speaker 1: me the funding game where you get funded like business

1310
01:11:00,600 --> 01:11:03,080
Speaker 1: is the business, but it's you sell a percentage of

1311
01:11:03,240 --> 01:11:05,879
Speaker 1: get funding, and it's like it's off your back. Niggas

1312
01:11:05,880 --> 01:11:08,160
Speaker 1: don't know how to do that. I still don't know

1313
01:11:08,200 --> 01:11:09,880
Speaker 1: how to do that, and I'm around him and I

1314
01:11:10,680 --> 01:11:13,759
Speaker 1: understand it's possible, but I understand it's a lot happening.

1315
01:11:14,240 --> 01:11:17,160
Speaker 1: This coded language that they don't teach you anywhere but

1316
01:11:17,280 --> 01:11:19,880
Speaker 1: inside of that little bubble of the business. That's why

1317
01:11:20,000 --> 01:11:22,400
Speaker 1: we got to start having conversations about where to get

1318
01:11:22,439 --> 01:11:25,360
Speaker 1: that information. That for the people with capital on the

1319
01:11:25,400 --> 01:11:28,280
Speaker 1: street or just done something good business and they got

1320
01:11:28,280 --> 01:11:30,720
Speaker 1: some money and they need to make a transition. But

1321
01:11:30,840 --> 01:11:33,360
Speaker 1: we get access to generational wealth when we get next

1322
01:11:33,400 --> 01:11:35,519
Speaker 1: to the people that's willing to turn the ideas in

1323
01:11:35,560 --> 01:11:40,360
Speaker 1: the products. Because we're flooded with ideas. We're flooded with ideas,

1324
01:11:40,360 --> 01:11:43,439
Speaker 1: and we just don't have that structure. And that's why

1325
01:11:43,520 --> 01:11:46,040
Speaker 1: rappers would still be rapping that sixty and not know

1326
01:11:46,080 --> 01:11:48,439
Speaker 1: what else to do. It's because they got different ideas.

1327
01:11:48,479 --> 01:11:50,200
Speaker 1: They don't know how to turn it in the product.

1328
01:11:50,560 --> 01:11:53,480
Speaker 1: They don't know how to leverage their artistry, the celebrity.

1329
01:11:53,760 --> 01:11:55,759
Speaker 1: They don't know how to do any of these things

1330
01:11:55,800 --> 01:11:58,920
Speaker 1: and instructure this as a business in which they will

1331
01:11:58,960 --> 01:12:01,400
Speaker 1: and and and granted for them. You used to maybe

1332
01:12:01,400 --> 01:12:04,519
Speaker 1: couldn't sell us celebrating and where you could today. I

1333
01:12:04,560 --> 01:12:06,639
Speaker 1: would push back on that and say that's a lie,

1334
01:12:06,680 --> 01:12:10,800
Speaker 1: because marketing has always been a thing. Anytime Nike or

1335
01:12:10,840 --> 01:12:15,160
Speaker 1: Gatorade needed to appease the audience, they would get Michael Jordan,

1336
01:12:15,200 --> 01:12:19,280
Speaker 1: you would seem, you know, Charles Barkley get a shoe,

1337
01:12:19,439 --> 01:12:22,400
Speaker 1: you knowing certain things happened, unless you know that they've

1338
01:12:22,439 --> 01:12:29,120
Speaker 1: always reached to us to speak to us, and so

1339
01:12:29,160 --> 01:12:31,280
Speaker 1: it's always been a market for that. I think we

1340
01:12:31,400 --> 01:12:34,880
Speaker 1: just now are starting to tap in how to use

1341
01:12:34,920 --> 01:12:39,760
Speaker 1: our name, image and likeness, you know, And I applaud

1342
01:12:39,920 --> 01:12:43,040
Speaker 1: us going to get money being risk takers. Now this

1343
01:12:43,160 --> 01:12:45,839
Speaker 1: makes p and coach risk takers. Now they got capital

1344
01:12:45,880 --> 01:12:49,320
Speaker 1: to be risk takers. Jay Z's he had capital be

1345
01:12:49,479 --> 01:12:52,639
Speaker 1: risk takers? Did it? Capital be risk So that's why

1346
01:12:53,120 --> 01:12:57,599
Speaker 1: in this space people hold these people accountable to be say, listen, man,

1347
01:12:58,040 --> 01:13:00,240
Speaker 1: A lot of times the numbers may not look right,

1348
01:13:00,280 --> 01:13:03,240
Speaker 1: but we expect y'all to respect the future and understand

1349
01:13:03,280 --> 01:13:06,400
Speaker 1: what some of these things are diamonds in the rough, right.

1350
01:13:06,479 --> 01:13:08,840
Speaker 1: We expect that from y'all because y'all come out the

1351
01:13:08,880 --> 01:13:10,840
Speaker 1: culture when you was a diamond in the rough. So

1352
01:13:10,960 --> 01:13:13,280
Speaker 1: you know it's possible to be dying there and not

1353
01:13:13,439 --> 01:13:16,519
Speaker 1: really look like it, but be worth a billion dollars

1354
01:13:16,520 --> 01:13:20,439
Speaker 1: in fifteen years. You know that because that's you or

1355
01:13:20,479 --> 01:13:23,400
Speaker 1: are you that disconnected? Have the money wash the way

1356
01:13:23,720 --> 01:13:27,519
Speaker 1: everything that you understood on your way up. Now all

1357
01:13:27,600 --> 01:13:29,880
Speaker 1: you can understand is where you at now? Is that

1358
01:13:29,960 --> 01:13:31,960
Speaker 1: what's happening? Because when I look at it, I hold

1359
01:13:31,960 --> 01:13:35,120
Speaker 1: these guys accountable, Like Yo, some shit ain't gonna look

1360
01:13:35,240 --> 01:13:38,280
Speaker 1: right on paper. You understand. I shouldn't have to give

1361
01:13:38,320 --> 01:13:40,920
Speaker 1: the white people and the black people the same numbers

1362
01:13:40,920 --> 01:13:44,720
Speaker 1: for them to understand my culture impact. That means that

1363
01:13:44,760 --> 01:13:49,479
Speaker 1: means something's happening, right. We expected certain people in our

1364
01:13:49,479 --> 01:13:53,920
Speaker 1: culture to respect the future. You've been a diamond in

1365
01:13:53,960 --> 01:13:57,439
Speaker 1: the rough. You got you in position to gamble a

1366
01:13:57,520 --> 01:14:01,120
Speaker 1: little bit. We expect them folks to gamble. QC them's

1367
01:14:01,200 --> 01:14:04,320
Speaker 1: moved into that position with this, They've already been doing that.

1368
01:14:04,640 --> 01:14:07,840
Speaker 1: Jay in that position, did it in that position, Um,

1369
01:14:08,439 --> 01:14:12,240
Speaker 1: Charlemagne in that position? Who else is cutting chicks? Barstool

1370
01:14:12,400 --> 01:14:14,599
Speaker 1: was in that position? Did it with Wallu? And Gill's

1371
01:14:14,640 --> 01:14:17,080
Speaker 1: just about you gotta cut Chase and say, hey, yo,

1372
01:14:17,160 --> 01:14:19,640
Speaker 1: I think this can be that. It just need a

1373
01:14:19,680 --> 01:14:22,360
Speaker 1: little support, and we're gonna support it in a way

1374
01:14:23,840 --> 01:14:27,160
Speaker 1: where it ain't gonna be dictated just purely off clicks

1375
01:14:27,200 --> 01:14:31,439
Speaker 1: and numbers and shit like that. We now need risk

1376
01:14:31,479 --> 01:14:34,719
Speaker 1: takers to break some of these curses and another black

1377
01:14:34,760 --> 01:14:38,360
Speaker 1: man when they got a big bag, jay Z. Jay

1378
01:14:38,439 --> 01:14:42,720
Speaker 1: Z sold his steak and Bacardi for seven hundred and

1379
01:14:42,760 --> 01:14:46,400
Speaker 1: fifty million and still holds twenty four percent of that company.

1380
01:14:46,560 --> 01:14:49,040
Speaker 1: Now you know, we got the guild a round of

1381
01:14:49,040 --> 01:14:58,160
Speaker 1: applause for that as well. Again, we expect, we expect

1382
01:14:58,200 --> 01:15:00,280
Speaker 1: these guys to be risk takers. They've been there to

1383
01:15:00,280 --> 01:15:02,720
Speaker 1: do so many things in the game. This dude here

1384
01:15:02,800 --> 01:15:06,439
Speaker 1: operates at the highest level right in regards to business.

1385
01:15:06,720 --> 01:15:10,240
Speaker 1: And what's interesting is, Um, I didn't hear they don't

1386
01:15:10,280 --> 01:15:14,040
Speaker 1: They don't give Jay the sellout card, right. I think

1387
01:15:14,040 --> 01:15:17,000
Speaker 1: they just, you know, sometimes they pin that on certain people.

1388
01:15:17,040 --> 01:15:19,200
Speaker 1: I think Jay don't get that. I wonder why that's

1389
01:15:19,240 --> 01:15:21,800
Speaker 1: the case, you know, But I know none of these

1390
01:15:21,800 --> 01:15:23,880
Speaker 1: guys are selling out. They're going to get this check.

1391
01:15:23,960 --> 01:15:26,920
Speaker 1: But I just wonder why the narrative of sellout don't

1392
01:15:26,960 --> 01:15:29,880
Speaker 1: go to a nigger that gets seven fifty You know

1393
01:15:29,880 --> 01:15:32,000
Speaker 1: what I'm saying. But in a way, man, we respect

1394
01:15:32,120 --> 01:15:35,479
Speaker 1: jaj is high level game. He is the highest level

1395
01:15:35,479 --> 01:15:38,559
Speaker 1: of business in our in our culture, right, and so

1396
01:15:38,600 --> 01:15:41,920
Speaker 1: we look at it. It says Sean jay Z card

1397
01:15:41,960 --> 01:15:45,439
Speaker 1: in Baccardi redefined the next chapter of to Do Say brand.

1398
01:15:45,840 --> 01:15:48,720
Speaker 1: Sean jay Z Carter and Baccardy have jointly announced the

1399
01:15:48,800 --> 01:15:52,839
Speaker 1: long term agreement that renews the successful partnership. Would Say

1400
01:15:53,040 --> 01:15:56,760
Speaker 1: the world's fastest growing super premium Kanyak brand is part

1401
01:15:56,840 --> 01:16:00,760
Speaker 1: of the agreement which positions the iconic Kanye brand for

1402
01:16:00,800 --> 01:16:04,639
Speaker 1: the next era of growth. Viccarty has acquired majority interests

1403
01:16:04,640 --> 01:16:07,800
Speaker 1: in the multi billion dollar brand from mister Carter. He

1404
01:16:07,840 --> 01:16:11,559
Speaker 1: will retain a significant ownership stake in the brand. In

1405
01:16:11,640 --> 01:16:15,080
Speaker 1: twenty twelve, mister Carter and Viccardi partner to launch Do

1406
01:16:15,240 --> 01:16:17,960
Speaker 1: Say Kanyek to set a new and clear standard for

1407
01:16:18,040 --> 01:16:23,280
Speaker 1: Kanye around the world. Collected numerous distinctions including Double Goal

1408
01:16:23,439 --> 01:16:26,840
Speaker 1: at twenty one at twenty twenty one San Francisco World

1409
01:16:27,040 --> 01:16:30,240
Speaker 1: Spirit Competition and Double Goal at twenty two Proof Awards.

1410
01:16:30,280 --> 01:16:34,760
Speaker 1: Do Say it has become an iconic brand standing for integrity, boldest,

1411
01:16:34,800 --> 01:16:39,439
Speaker 1: freedom and elevation. Stated by mister Carter, grown Do Say

1412
01:16:39,520 --> 01:16:41,560
Speaker 1: over the past decade from an idea to one of

1413
01:16:41,600 --> 01:16:44,639
Speaker 1: the fastest selling spirits in history has been a blessing.

1414
01:16:45,080 --> 01:16:48,840
Speaker 1: The next phase of this journey will further see men

1415
01:16:48,960 --> 01:16:52,559
Speaker 1: Do Say's legacy is one of the world's most respected brands.

1416
01:16:53,000 --> 01:16:56,719
Speaker 1: I am excited to renew this partnership with Riccarty. Shout

1417
01:16:56,720 --> 01:16:59,960
Speaker 1: out to Jay. They're paying attention. That's why I'm trying

1418
01:16:59,960 --> 01:17:02,240
Speaker 1: to tell dudes about product. Man, this is why I

1419
01:17:02,320 --> 01:17:04,880
Speaker 1: try to always give a little game out to the

1420
01:17:04,920 --> 01:17:08,439
Speaker 1: people that's listening, Like, you gotta get a product in

1421
01:17:08,439 --> 01:17:11,559
Speaker 1: your hand. You gotta be involved with these products. And really,

1422
01:17:12,320 --> 01:17:14,640
Speaker 1: this is what you do if you're a wrapper or

1423
01:17:14,920 --> 01:17:18,519
Speaker 1: somebody would influence even me, Well, I'm giving so much

1424
01:17:18,560 --> 01:17:20,640
Speaker 1: game out. I need to start using my influence in

1425
01:17:20,680 --> 01:17:23,000
Speaker 1: that way too, because I'm opopping in at a lot

1426
01:17:23,040 --> 01:17:26,280
Speaker 1: of rapping. I got two hundred thousand people listen to me,

1427
01:17:26,880 --> 01:17:29,439
Speaker 1: listen to me for two to three hours at a time,

1428
01:17:29,560 --> 01:17:33,800
Speaker 1: two hundred thousand people. Right. But anyway, what you do

1429
01:17:33,960 --> 01:17:37,360
Speaker 1: is you get people that already has a product and

1430
01:17:37,479 --> 01:17:39,920
Speaker 1: you come and say, look, I wrapped my arms around

1431
01:17:39,960 --> 01:17:44,120
Speaker 1: it for this much, for this percentage of that company. Right,

1432
01:17:44,200 --> 01:17:46,960
Speaker 1: y'all already got a roll and I believe in that product.

1433
01:17:47,160 --> 01:17:48,880
Speaker 1: That's the problem. You gotta make sure you get a

1434
01:17:48,920 --> 01:17:51,080
Speaker 1: product you really believe in. But you gotta get a

1435
01:17:51,120 --> 01:17:54,000
Speaker 1: product to get that real paper wrapping is cool, but

1436
01:17:54,080 --> 01:17:59,200
Speaker 1: you gotta transition. Playing ball is cool, all this shit cool,

1437
01:17:59,200 --> 01:18:01,360
Speaker 1: but you gotta trade position. One piece of bread, they

1438
01:18:01,479 --> 01:18:05,360
Speaker 1: never been no loaf. One piece of bread ain't no

1439
01:18:05,479 --> 01:18:09,919
Speaker 1: motherfucking loaf, right, So you got to have multiple hustles,

1440
01:18:10,160 --> 01:18:13,280
Speaker 1: you know. Anything. Anybody that got one hustle, they probably

1441
01:18:13,280 --> 01:18:16,120
Speaker 1: stealing from the people that worked from them. I don't

1442
01:18:16,160 --> 01:18:18,439
Speaker 1: know what they put Jay z Worth at now. He

1443
01:18:18,560 --> 01:18:20,559
Speaker 1: may be over. He may be over a couple of

1444
01:18:20,600 --> 01:18:23,200
Speaker 1: big and that might have pushed him. Damn there two

1445
01:18:23,320 --> 01:18:27,120
Speaker 1: three big and maybe over two big. I know that

1446
01:18:27,280 --> 01:18:30,320
Speaker 1: did a marker. Though. Let's talk about this Jay Prince

1447
01:18:30,400 --> 01:18:34,400
Speaker 1: and Offset. Unfortunately, there's been a back and forth with

1448
01:18:34,520 --> 01:18:36,679
Speaker 1: off setting. Jay Prince, you know, I hate to see

1449
01:18:36,720 --> 01:18:39,120
Speaker 1: all this over the internet. You know, I'm one of

1450
01:18:39,120 --> 01:18:41,800
Speaker 1: them old school kind of you know, but I know

1451
01:18:42,120 --> 01:18:46,439
Speaker 1: falling victim to this Diseasey, I want to look at

1452
01:18:46,520 --> 01:18:48,960
Speaker 1: a little bit. I want to talk about a few things.

1453
01:18:49,040 --> 01:18:51,960
Speaker 1: You know, there's things I want to talk about, right,

1454
01:18:52,000 --> 01:18:54,800
Speaker 1: and so if you don't know how they started, Jay

1455
01:18:54,880 --> 01:18:56,840
Speaker 1: Prince went on million dollars worth a game and he

1456
01:18:56,880 --> 01:18:59,680
Speaker 1: addressed off Setting. He said, Man, I think you know

1457
01:18:59,800 --> 01:19:02,400
Speaker 1: I y'all kind of stuff, and All said, it's kind

1458
01:19:02,400 --> 01:19:05,200
Speaker 1: of saying some things I ain't happy with, right, and

1459
01:19:05,280 --> 01:19:09,120
Speaker 1: so yeah, I guess addressed all set, and then All said,

1460
01:19:09,640 --> 01:19:12,559
Speaker 1: came back and we'll start there. Let's take a look.

1461
01:19:12,880 --> 01:19:15,479
Speaker 1: You know, my real brother, I don't know what y'all got.

1462
01:19:15,520 --> 01:19:19,120
Speaker 1: What ain't got going on? Y'all? My real brother hot there?

1463
01:19:19,160 --> 01:19:22,800
Speaker 1: When y'all speak on me and take relationship, I don't know.

1464
01:19:22,880 --> 01:19:25,479
Speaker 1: You never can of paint. Y'all don't know how me

1465
01:19:25,560 --> 01:19:27,920
Speaker 1: and my brother rotten. Right, you're trying to clear your

1466
01:19:27,960 --> 01:19:30,960
Speaker 1: faith this show, fifth interview. You're what I did about

1467
01:19:30,960 --> 01:19:33,719
Speaker 1: my brother. You ain't thinking about it, Mama. You didn't

1468
01:19:33,720 --> 01:19:36,320
Speaker 1: think about the family when he said nothing, Ain't nobody

1469
01:19:36,320 --> 01:19:39,080
Speaker 1: said nothing, but you nick you n who y'all think,

1470
01:19:39,160 --> 01:19:42,120
Speaker 1: y'all John got it. Ain't nobody going for none of

1471
01:19:42,120 --> 01:19:44,360
Speaker 1: that right, ain't start none of this ship, nigga TI either.

1472
01:19:44,680 --> 01:19:47,200
Speaker 1: And if you heard something from me, I'm gonna tell

1473
01:19:47,240 --> 01:19:49,479
Speaker 1: you it's it's gonna come from me. Call my phone.

1474
01:19:49,760 --> 01:19:52,160
Speaker 1: Y'all need going off, and he says, She says, then

1475
01:19:52,280 --> 01:19:54,400
Speaker 1: y'all supposed to be. This is who who y'allpposed to be?

1476
01:19:54,680 --> 01:19:57,320
Speaker 1: And y'all need interviews, and it out on an interview

1477
01:19:57,439 --> 01:20:01,719
Speaker 1: somebody I said to call my don't you call my phone.

1478
01:20:01,760 --> 01:20:06,720
Speaker 1: We'll have a conversation. They're about internet. So that was

1479
01:20:06,760 --> 01:20:10,559
Speaker 1: all set. Response to Jay Prince, Jay Prince came back

1480
01:20:10,600 --> 01:20:14,160
Speaker 1: and said this this clown off set suffering from being

1481
01:20:14,200 --> 01:20:18,679
Speaker 1: a fake mother physease. He want to play victim now,

1482
01:20:19,400 --> 01:20:22,080
Speaker 1: but he was a volunteer when he spoke frits about

1483
01:20:22,160 --> 01:20:24,920
Speaker 1: me and my family name in the mouth A boy,

1484
01:20:25,040 --> 01:20:29,479
Speaker 1: what he gonna do? Why you didn't call me to

1485
01:20:29,520 --> 01:20:33,559
Speaker 1: talk because the twists you want to use to lie

1486
01:20:33,640 --> 01:20:36,920
Speaker 1: in your woman and I don't have time to listen

1487
01:20:36,960 --> 01:20:40,519
Speaker 1: to we Now you want to fake in front of

1488
01:20:40,560 --> 01:20:44,240
Speaker 1: a camera, trying to have behind takeoff mother when I

1489
01:20:44,280 --> 01:20:49,200
Speaker 1: was shown nothing but respect for her and family. See, boy,

1490
01:20:49,200 --> 01:20:51,240
Speaker 1: are you acting like you're a part of a family

1491
01:20:51,840 --> 01:20:56,320
Speaker 1: that don't really fit you because you're a snake. Now

1492
01:20:56,360 --> 01:20:59,280
Speaker 1: you don't know me from a can of paint. Let

1493
01:20:59,320 --> 01:21:03,120
Speaker 1: me see if I can refresh your memory. Remember we

1494
01:21:03,160 --> 01:21:08,120
Speaker 1: talked when you got your whoop in Atlanta. You forgot

1495
01:21:09,880 --> 01:21:12,439
Speaker 1: Remember when you call up on me and I came

1496
01:21:12,479 --> 01:21:15,639
Speaker 1: to La and met with you because you was nervous

1497
01:21:15,680 --> 01:21:19,639
Speaker 1: about your wife performing because she had them issues about

1498
01:21:19,800 --> 01:21:26,280
Speaker 1: using the word flute. You forgot remember when you and

1499
01:21:26,439 --> 01:21:29,320
Speaker 1: Sauce Walker was beefing and you wanted me to stamp

1500
01:21:29,360 --> 01:21:33,720
Speaker 1: that bullshit. You forgot that too. I can go on,

1501
01:21:34,160 --> 01:21:37,840
Speaker 1: but I think you remember now. See this is the

1502
01:21:37,920 --> 01:21:40,960
Speaker 1: reason I say blood make you keen and large, to

1503
01:21:41,040 --> 01:21:44,160
Speaker 1: make you family because of mother like you that have

1504
01:21:44,320 --> 01:21:47,400
Speaker 1: stuck a knife in the back of the ones you

1505
01:21:47,520 --> 01:21:53,559
Speaker 1: call your brother. Explain since you're really explained to the

1506
01:21:53,640 --> 01:21:56,960
Speaker 1: people the real reason why you weren't on that stage

1507
01:21:57,000 --> 01:21:59,960
Speaker 1: at the Grammars with Quavo, who you call your brother

1508
01:22:00,439 --> 01:22:04,080
Speaker 1: for the tribute. You ain't man enough to do that

1509
01:22:04,160 --> 01:22:08,880
Speaker 1: because you what we call a tender dick. Take off

1510
01:22:09,640 --> 01:22:13,080
Speaker 1: Quevo and the family wouldn't with you for a while

1511
01:22:13,720 --> 01:22:16,719
Speaker 1: before it's passed. And it's still don't with you because

1512
01:22:17,120 --> 01:22:22,400
Speaker 1: you're a ravager. Quevo been letting you make it because

1513
01:22:22,400 --> 01:22:26,200
Speaker 1: he got a good heart. It's consequences when you for me.

1514
01:22:26,920 --> 01:22:29,960
Speaker 1: I don't have no heart for no snake, and I'll

1515
01:22:30,000 --> 01:22:33,760
Speaker 1: give you what you asked for. And by the way,

1516
01:22:35,240 --> 01:22:37,960
Speaker 1: I don't think I'm no John got it. That ain't

1517
01:22:37,960 --> 01:22:40,760
Speaker 1: who I looked up to. It's no secret who my

1518
01:22:40,800 --> 01:22:45,720
Speaker 1: old ye is the flag you perpetrate you with. But

1519
01:22:45,880 --> 01:22:49,840
Speaker 1: when you better go do what you do best, write

1520
01:22:49,920 --> 01:22:56,080
Speaker 1: some rhymes and quit playing gangster. I don't want no trouble.

1521
01:22:57,200 --> 01:23:02,240
Speaker 1: So that was j Prince responding to all set, you know,

1522
01:23:02,400 --> 01:23:04,720
Speaker 1: speaking about some things with quite vote. This is where

1523
01:23:04,720 --> 01:23:06,880
Speaker 1: it gets slippery for me, right, It's like it's too

1524
01:23:06,920 --> 01:23:10,559
Speaker 1: many people involved that ain't really saying nothing. You know,

1525
01:23:10,600 --> 01:23:12,679
Speaker 1: that's when it gets slippery for me. It's when there's

1526
01:23:12,680 --> 01:23:15,840
Speaker 1: so many people involved when it ain't ain't nobody saying nothing.

1527
01:23:15,840 --> 01:23:19,280
Speaker 1: Like it's like, man, them folks hurt, hurt, hurt. Man.

1528
01:23:19,320 --> 01:23:21,559
Speaker 1: I know, I know everybody say that hurt, but it's

1529
01:23:21,600 --> 01:23:24,640
Speaker 1: a couple of people really hurt, hurt, hurt. It's a

1530
01:23:24,680 --> 01:23:28,240
Speaker 1: couple of pre but really double about this hill and

1531
01:23:28,400 --> 01:23:31,920
Speaker 1: y'all handled it like it's content. Man. That's getting kind

1532
01:23:31,920 --> 01:23:34,720
Speaker 1: of slippery. You know what I'm saying that should get

1533
01:23:34,800 --> 01:23:37,559
Speaker 1: kind of slippery. Man. You know, it ain't my place

1534
01:23:37,600 --> 01:23:39,680
Speaker 1: to speak on it though, because it ain't my you know,

1535
01:23:39,720 --> 01:23:43,200
Speaker 1: it ain't really my problem. But it's like blow our emotions.

1536
01:23:43,520 --> 01:23:46,519
Speaker 1: Whack one Hunting came out said that Jay Prince's lane,

1537
01:23:46,560 --> 01:23:49,200
Speaker 1: He said, academics this name. We covered the car to

1538
01:23:49,320 --> 01:23:52,439
Speaker 1: be that weekend she had dined MoU and we kept

1539
01:23:52,439 --> 01:23:55,719
Speaker 1: her straight. She had a hundred bloods with all weekend

1540
01:23:55,760 --> 01:23:58,320
Speaker 1: on top of the management team, Jay Prince, I'll cared.

1541
01:23:58,360 --> 01:24:00,320
Speaker 1: Why are you letting the world noticed man had a

1542
01:24:00,360 --> 01:24:03,080
Speaker 1: problem with you and you heard this in the streets.

1543
01:24:03,760 --> 01:24:06,800
Speaker 1: Carter b said, never. Somebody tweeted Carter be and say

1544
01:24:06,840 --> 01:24:09,519
Speaker 1: you'd be tripping and forgot. Jay Prince had to help

1545
01:24:09,560 --> 01:24:12,599
Speaker 1: you feel safe in La where it's the lie. Carter said,

1546
01:24:12,680 --> 01:24:15,439
Speaker 1: never tell him show receipts. Only people that was there

1547
01:24:15,560 --> 01:24:18,080
Speaker 1: was whacking big you. Why would he be called for

1548
01:24:18,160 --> 01:24:21,719
Speaker 1: anything involving crimp, crimps a whole bunch of fairy tales.

1549
01:24:21,800 --> 01:24:25,160
Speaker 1: And I said responded as well, like again, this has

1550
01:24:25,200 --> 01:24:28,760
Speaker 1: just been a situation that's unfortunate because you know, I

1551
01:24:28,840 --> 01:24:33,040
Speaker 1: still say r P Takeoff and if the focus is

1552
01:24:33,160 --> 01:24:38,120
Speaker 1: Takeoff and his family, it's mother. They got to deal

1553
01:24:38,160 --> 01:24:42,280
Speaker 1: with the ramifications of whatever mistake was made that night.

1554
01:24:43,680 --> 01:24:47,599
Speaker 1: And like I said last podcast, it's so unfortunate, you know,

1555
01:24:47,680 --> 01:24:50,040
Speaker 1: on behalf for the mothers. I'm saying this because I

1556
01:24:50,080 --> 01:24:52,680
Speaker 1: got a mama I know she ain't right. It's like

1557
01:24:53,640 --> 01:24:57,240
Speaker 1: it's unfortunate to hear nigga saying that some is straight

1558
01:24:57,280 --> 01:25:00,360
Speaker 1: about a body, and ain't nobody saying my mama name.

1559
01:25:00,880 --> 01:25:02,920
Speaker 1: She the one that needs to be cleared about what

1560
01:25:03,040 --> 01:25:05,360
Speaker 1: happened to me. She the one got to sleep at night.

1561
01:25:05,600 --> 01:25:08,200
Speaker 1: A lot of people hurt, but she the one though,

1562
01:25:09,680 --> 01:25:13,360
Speaker 1: you see what I'm saying, or whoever raised me, the

1563
01:25:13,479 --> 01:25:18,280
Speaker 1: more they really this rap, this super cool chain ways,

1564
01:25:18,880 --> 01:25:24,360
Speaker 1: the people that raised me, them folks, them is the folks.

1565
01:25:24,439 --> 01:25:28,360
Speaker 1: I'm talking back out of respect for them. But but

1566
01:25:28,479 --> 01:25:33,040
Speaker 1: you know, I think I know what's happening. But you know,

1567
01:25:33,200 --> 01:25:36,640
Speaker 1: I think everything ain't to be spoken about on the podcast.

1568
01:25:36,960 --> 01:25:39,679
Speaker 1: You know, I'll leave it there. That's what I'm saying.

1569
01:25:39,720 --> 01:25:45,200
Speaker 1: Bred take a strong understanding to an ignore obligation. You know,

1570
01:25:45,240 --> 01:25:48,800
Speaker 1: in some we'd be promising each other. Man in these trenches, man,

1571
01:25:48,840 --> 01:25:51,680
Speaker 1: when when when when I backb against the wall, man,

1572
01:25:51,760 --> 01:25:53,800
Speaker 1: we'd be looking at each other and each other eye

1573
01:25:53,880 --> 01:25:57,679
Speaker 1: man a twin. If it's ell, you know it's yeah nah,

1574
01:25:57,720 --> 01:25:59,800
Speaker 1: And I mean that. Man. I'm talking about this on

1575
01:25:59,840 --> 01:26:02,080
Speaker 1: the float about you, man. I'm talking about all this

1576
01:26:02,720 --> 01:26:05,160
Speaker 1: lying about you. Man. You know what I mean, and

1577
01:26:05,240 --> 01:26:08,559
Speaker 1: sometimes people really meaning that. So you know what kind

1578
01:26:08,600 --> 01:26:12,200
Speaker 1: of understanding they take to ignore obligation. You know how

1579
01:26:12,240 --> 01:26:15,960
Speaker 1: they eat at a man? Do you understand the way

1580
01:26:15,960 --> 01:26:21,360
Speaker 1: that it can eat at a man? It's like, man, Damn,

1581
01:26:21,439 --> 01:26:25,479
Speaker 1: I'm really confused. I'm really fucked up about this. I'm

1582
01:26:25,479 --> 01:26:28,000
Speaker 1: really lonesome. I don't know what. Do you see what

1583
01:26:28,040 --> 01:26:32,160
Speaker 1: I'm saying. It's like a different kind of feeling. Oh,

1584
01:26:32,200 --> 01:26:35,160
Speaker 1: I do want to transition out of that and speak

1585
01:26:35,200 --> 01:26:38,720
Speaker 1: about checking the in though, because I want to give

1586
01:26:38,800 --> 01:26:41,640
Speaker 1: some game the rappers, athletes, people with money, all you

1587
01:26:41,720 --> 01:26:45,200
Speaker 1: guys that may be involved with this checking the end thing.

1588
01:26:45,360 --> 01:26:49,160
Speaker 1: I don't check in, you know. Number one, I don't

1589
01:26:49,200 --> 01:26:52,439
Speaker 1: want to come to your projects. You understand, I come

1590
01:26:52,479 --> 01:26:55,000
Speaker 1: to an interview with you where you grew up better,

1591
01:26:55,120 --> 01:26:57,800
Speaker 1: something like that. But I ain't there a smoking hang guy,

1592
01:26:57,880 --> 01:27:00,760
Speaker 1: I ain't one of them. Count If I'm doing that

1593
01:27:00,840 --> 01:27:04,080
Speaker 1: with you, we really got a different type of respect.

1594
01:27:04,600 --> 01:27:07,400
Speaker 1: I got a real understanding what you You know what

1595
01:27:07,479 --> 01:27:09,200
Speaker 1: I'm saying because I ain't doing I don't even do

1596
01:27:09,280 --> 01:27:11,519
Speaker 1: that in my own neighborhood. So I ain't really trying

1597
01:27:11,520 --> 01:27:14,280
Speaker 1: to hang get nigga's neighborhood and pull up over here

1598
01:27:14,360 --> 01:27:16,879
Speaker 1: and there. I am trying to go to the spots

1599
01:27:16,920 --> 01:27:19,479
Speaker 1: where it's up. But you know where some bitches at.

1600
01:27:19,880 --> 01:27:21,719
Speaker 1: You know, I'm gonna keep it peing. I ain't trying

1601
01:27:21,760 --> 01:27:23,920
Speaker 1: to go to where it's boring that or I might

1602
01:27:24,040 --> 01:27:26,000
Speaker 1: bring the party to me. But at the end of

1603
01:27:26,040 --> 01:27:29,639
Speaker 1: the day, I ain't doing no checking then. So when

1604
01:27:29,680 --> 01:27:32,200
Speaker 1: you got a young nick with money that's coming through

1605
01:27:32,240 --> 01:27:34,920
Speaker 1: the city to get money and he ain't willing to

1606
01:27:35,000 --> 01:27:38,600
Speaker 1: check in, how you get him to check in? You

1607
01:27:38,680 --> 01:27:42,160
Speaker 1: put a little press game down on him? Well, how

1608
01:27:42,200 --> 01:27:44,200
Speaker 1: you put the press game down? What the first thing

1609
01:27:44,280 --> 01:27:46,440
Speaker 1: you want to do is you want to get abundant

1610
01:27:46,960 --> 01:27:52,240
Speaker 1: and convince them that he got enemies in your time. See,

1611
01:27:52,280 --> 01:27:54,719
Speaker 1: I'll always be thinking when they tell me, say long,

1612
01:27:55,760 --> 01:27:59,680
Speaker 1: if an enemy doing not get the thing and enemy,

1613
01:28:00,360 --> 01:28:03,080
Speaker 1: I don't got no enemies. I ain't from here. I

1614
01:28:03,080 --> 01:28:06,200
Speaker 1: ain't got no enemies in your city, my nick, I

1615
01:28:06,240 --> 01:28:09,320
Speaker 1: ain't having enemies in your city. I'm having opportunists in

1616
01:28:09,400 --> 01:28:12,400
Speaker 1: your city. And it's a difference meet ducking enemies and

1617
01:28:12,560 --> 01:28:16,280
Speaker 1: ducking opportunists. See, they're making y'all need pay like you

1618
01:28:16,439 --> 01:28:19,599
Speaker 1: ducking enemies and you really just ducking opportunity that's broken.

1619
01:28:19,880 --> 01:28:22,679
Speaker 1: They ain't got nothing that's looking for. The breaking your car,

1620
01:28:22,960 --> 01:28:28,280
Speaker 1: rob your do something like that is opportunists, not opposition.

1621
01:28:29,400 --> 01:28:31,839
Speaker 1: And so the first thing that a do is convince

1622
01:28:31,920 --> 01:28:34,679
Speaker 1: you that is major, major, dangerous. And there's so many

1623
01:28:34,800 --> 01:28:38,640
Speaker 1: nick won't your neck over here. And the minute you

1624
01:28:38,760 --> 01:28:40,880
Speaker 1: buy into that, you thank you paying for something. A

1625
01:28:40,920 --> 01:28:45,320
Speaker 1: lot of times you're paying for Imagine everything they can

1626
01:28:45,400 --> 01:28:47,639
Speaker 1: love you in this time you will never know because

1627
01:28:47,760 --> 01:28:52,599
Speaker 1: they got your ear. Then they got your ear. Tell you, boy,

1628
01:28:52,640 --> 01:28:54,679
Speaker 1: you come out of this room right here. Man, they're

1629
01:28:54,720 --> 01:28:58,439
Speaker 1: taking chains around here there, go as far to have

1630
01:28:58,640 --> 01:29:01,160
Speaker 1: their homeboy try to it at you. If you do

1631
01:29:01,200 --> 01:29:05,320
Speaker 1: a little research, you do a little research and find out, man,

1632
01:29:05,840 --> 01:29:08,320
Speaker 1: know that they tried to get us. We shot that

1633
01:29:09,640 --> 01:29:11,920
Speaker 1: the dude they can't. Yeah, Man, that dude that was

1634
01:29:11,960 --> 01:29:14,120
Speaker 1: in front of the road Russ didn't end up getting shot.

1635
01:29:14,160 --> 01:29:16,719
Speaker 1: He knowed that was in the roads Rus with us.

1636
01:29:18,240 --> 01:29:20,479
Speaker 1: You see what I'm saying that you'll get the oh man,

1637
01:29:20,520 --> 01:29:26,639
Speaker 1: they send in the blizze. They playing defense. So first

1638
01:29:26,640 --> 01:29:30,040
Speaker 1: thing you gotta always remember is I don't really won't

1639
01:29:30,080 --> 01:29:32,679
Speaker 1: know trying to convince me. I know what an enemy

1640
01:29:32,760 --> 01:29:35,640
Speaker 1: looked like, right, so I don't won't know trying to

1641
01:29:35,680 --> 01:29:38,800
Speaker 1: convince me I got no enemies in this city, in

1642
01:29:38,960 --> 01:29:42,840
Speaker 1: his town, I know it's opportunists in where we come from.

1643
01:29:42,880 --> 01:29:45,400
Speaker 1: Ain't nobody where ain't nobody got nothing. I know what

1644
01:29:45,560 --> 01:29:48,120
Speaker 1: being broke feel like. I know what a plate looked like.

1645
01:29:48,200 --> 01:29:51,080
Speaker 1: I know I'm a walk in plate. So I'm maneuval

1646
01:29:51,160 --> 01:29:53,600
Speaker 1: with that in man. But now it's a difference than

1647
01:29:53,680 --> 01:29:56,439
Speaker 1: me ducking enemies though. See I was brought up where

1648
01:29:56,439 --> 01:29:59,120
Speaker 1: you're letting say a lie, but John, you don't let

1649
01:29:59,160 --> 01:30:02,360
Speaker 1: them sell a lit. You let him say a lie,

1650
01:30:02,400 --> 01:30:04,960
Speaker 1: but you don't let them sell a lie. You selling

1651
01:30:05,000 --> 01:30:08,160
Speaker 1: me a lie? Man, You got man so many you

1652
01:30:08,200 --> 01:30:10,280
Speaker 1: know what. I don't like you around here. We're gonna

1653
01:30:10,320 --> 01:30:12,960
Speaker 1: try to get you, you know. But but if you

1654
01:30:13,040 --> 01:30:15,639
Speaker 1: pay me, I can make sure they don't nobody get you.

1655
01:30:16,360 --> 01:30:19,920
Speaker 1: I just don't understand how that even makes sense. Can't

1656
01:30:19,920 --> 01:30:24,720
Speaker 1: nobody guarantee safety you come to my city. I can't

1657
01:30:24,760 --> 01:30:28,599
Speaker 1: guarantee safety. I can guarantee a response. That's the only

1658
01:30:28,640 --> 01:30:32,160
Speaker 1: thing I can guarantee is a response. I can't guarantee

1659
01:30:32,240 --> 01:30:34,559
Speaker 1: they ain't gonna try nothing, but I can guarantee if

1660
01:30:34,680 --> 01:30:37,280
Speaker 1: you try something, what's gonna happen on behalf. For that,

1661
01:30:37,600 --> 01:30:40,439
Speaker 1: I can't guarantee it won't happen. And so I'm going

1662
01:30:40,520 --> 01:30:43,240
Speaker 1: by me growing up in the get all, growing up

1663
01:30:43,280 --> 01:30:47,439
Speaker 1: in the hood, seeing the backdoor left open. I gotta

1664
01:30:47,520 --> 01:30:50,920
Speaker 1: go through that. I've been through these things and see

1665
01:30:50,920 --> 01:30:54,000
Speaker 1: the eyes provide evidence that the ears can't interpi it.

1666
01:30:54,320 --> 01:30:56,519
Speaker 1: So you hit me telling you I've been through, but

1667
01:30:56,600 --> 01:30:59,280
Speaker 1: you can never really understand what it done to me.

1668
01:31:00,120 --> 01:31:02,559
Speaker 1: You can never really feel what it done to me.

1669
01:31:03,120 --> 01:31:05,479
Speaker 1: How I gotta view life and look at the double

1670
01:31:05,560 --> 01:31:07,640
Speaker 1: cross and the trip across. What a nigga in the

1671
01:31:07,720 --> 01:31:11,360
Speaker 1: middle don't even know he being crossed. He crossing me

1672
01:31:11,479 --> 01:31:15,559
Speaker 1: without knowing it because he being crossed. That man, there's

1673
01:31:15,560 --> 01:31:19,360
Speaker 1: so many levels to this. Then I got to operate, understand,

1674
01:31:19,400 --> 01:31:22,800
Speaker 1: and even survived even in this transition. A lot of

1675
01:31:22,880 --> 01:31:25,439
Speaker 1: y'all don't even understand what it's life going from street

1676
01:31:25,720 --> 01:31:28,760
Speaker 1: to legit to me, and now that's a transition. It's

1677
01:31:28,800 --> 01:31:33,720
Speaker 1: real dangerous right there. It's dangerous in a motherfucker right there,

1678
01:31:34,240 --> 01:31:36,680
Speaker 1: because they know you either got the money or you

1679
01:31:36,840 --> 01:31:38,920
Speaker 1: right there on the brink of the money, and you

1680
01:31:39,080 --> 01:31:42,639
Speaker 1: still in reach, right because your new life it takes

1681
01:31:42,680 --> 01:31:45,679
Speaker 1: time to structure that. So you're still in your old

1682
01:31:45,760 --> 01:31:49,000
Speaker 1: life while getting prepared for your new life. And so

1683
01:31:49,080 --> 01:31:52,080
Speaker 1: you're still in arms reach. So you can't lay down

1684
01:31:52,120 --> 01:31:55,040
Speaker 1: just because you legit and think that it's all good.

1685
01:31:55,080 --> 01:31:57,679
Speaker 1: You still got to operate. What a A I'm still

1686
01:31:58,400 --> 01:32:00,519
Speaker 1: like it's like I'm getting in the ring. I ain't

1687
01:32:00,560 --> 01:32:03,600
Speaker 1: in there yet now, and so paying attention is imperative,

1688
01:32:03,720 --> 01:32:05,759
Speaker 1: and they're trying to convince me I got the enemies

1689
01:32:05,760 --> 01:32:08,639
Speaker 1: in the spot I ain't from. I got some enemies

1690
01:32:08,720 --> 01:32:11,320
Speaker 1: up here. But see some of y'all gang banging. They

1691
01:32:11,400 --> 01:32:13,759
Speaker 1: might work like that. They really got their arm around

1692
01:32:13,840 --> 01:32:17,240
Speaker 1: y'all because they can say, man, you know, it's flooded

1693
01:32:17,360 --> 01:32:20,280
Speaker 1: like whatever your enemy is for your gang man, it's

1694
01:32:20,280 --> 01:32:23,360
Speaker 1: flooded with the sudden sudden cribs around here, and you

1695
01:32:23,400 --> 01:32:26,120
Speaker 1: know you will do blooh, man, that got smoked over

1696
01:32:26,160 --> 01:32:28,600
Speaker 1: there from one of your click man. So it's you know,

1697
01:32:28,640 --> 01:32:30,679
Speaker 1: I know you're picking up a fouling man, but it's

1698
01:32:30,680 --> 01:32:33,160
Speaker 1: a little you know, they can make them gag bang

1699
01:32:33,200 --> 01:32:35,880
Speaker 1: because it be smoked like that it be on site

1700
01:32:36,000 --> 01:32:39,439
Speaker 1: like that, but just a hustling. No, you don't let

1701
01:32:39,439 --> 01:32:42,040
Speaker 1: them get you with that gang. But you gotta you

1702
01:32:42,120 --> 01:32:45,040
Speaker 1: gotta anything. I'll say, man tailored to your life. You

1703
01:32:45,120 --> 01:32:48,320
Speaker 1: understand me if you if you know, loan our gang bang.

1704
01:32:48,720 --> 01:32:51,639
Speaker 1: So I gotta slick ride like I gotta go to

1705
01:32:51,680 --> 01:32:54,479
Speaker 1: that city and tab being with the Cribs because I

1706
01:32:54,479 --> 01:32:56,800
Speaker 1: don't know what the Cribs did that that represent my

1707
01:32:56,880 --> 01:33:01,960
Speaker 1: flag undone in that in that city and they get

1708
01:33:02,000 --> 01:33:04,760
Speaker 1: me and I represent that flag and they get me.

1709
01:33:05,120 --> 01:33:08,759
Speaker 1: That's a that's like sending a nuke on call of dud,

1710
01:33:09,600 --> 01:33:11,640
Speaker 1: you know. So there might be a little danger. So

1711
01:33:11,720 --> 01:33:15,120
Speaker 1: again it's it's about intel and understanding what you up

1712
01:33:15,120 --> 01:33:17,919
Speaker 1: against and what has happened. Let's talk about this. Beyonce

1713
01:33:19,680 --> 01:33:22,040
Speaker 1: and jay Z actually showed up to the Grammars the

1714
01:33:22,080 --> 01:33:24,760
Speaker 1: Grammar's head our footprint on it. This year, jay Z

1715
01:33:24,880 --> 01:33:27,599
Speaker 1: and them did the Guard Deal with Rick Ross, DJ Kelley,

1716
01:33:27,840 --> 01:33:31,360
Speaker 1: Little Wayne and Friday. They did the Top fifty Rappers

1717
01:33:31,600 --> 01:33:34,799
Speaker 1: fifty Years of Hip Hop. A little baby was involved

1718
01:33:34,840 --> 01:33:37,200
Speaker 1: in that. They had a bunch of the older artists

1719
01:33:37,240 --> 01:33:39,479
Speaker 1: and it was just a vibe, you know, we were

1720
01:33:39,520 --> 01:33:42,040
Speaker 1: there Beyonce was there. I think she broke the record,

1721
01:33:42,040 --> 01:33:45,920
Speaker 1: but she did not win album Muddy Yeah, some unfortunate

1722
01:33:46,000 --> 01:33:50,439
Speaker 1: Beyonce has been nominated for this category so many times

1723
01:33:50,439 --> 01:33:53,040
Speaker 1: and came up short, and we don't understand how you

1724
01:33:53,120 --> 01:33:56,360
Speaker 1: come up short in a game where everything is supposed

1725
01:33:56,400 --> 01:33:59,400
Speaker 1: to be numbers driven, and she's been able to dominate

1726
01:33:59,439 --> 01:34:03,000
Speaker 1: in a way it's undeniable, yet still not meet whatever

1727
01:34:03,120 --> 01:34:06,880
Speaker 1: criteria that's behind that door, behind that wall. There's a

1728
01:34:06,920 --> 01:34:09,400
Speaker 1: lot of rumors out there that says that they deny

1729
01:34:09,520 --> 01:34:12,320
Speaker 1: her entry to win Album of the Year because she's

1730
01:34:12,560 --> 01:34:15,000
Speaker 1: so famous. I would find that hard to believe, but

1731
01:34:15,080 --> 01:34:17,560
Speaker 1: I do know that we have to face certain standards

1732
01:34:17,600 --> 01:34:20,960
Speaker 1: that other people in the same position don't seem to encounter,

1733
01:34:21,040 --> 01:34:24,200
Speaker 1: and I don't find it hard to believe that she

1734
01:34:24,320 --> 01:34:28,519
Speaker 1: would be under some circumstances that unique the black people.

1735
01:34:28,720 --> 01:34:32,040
Speaker 1: When you look at Taylor Swift having so many fans,

1736
01:34:32,240 --> 01:34:34,200
Speaker 1: none of these people that win Album of the Year,

1737
01:34:34,320 --> 01:34:37,040
Speaker 1: Kendrick Lamar, all these people that win Album of the Year,

1738
01:34:37,160 --> 01:34:40,639
Speaker 1: these people have an abundance amount of people that indulge

1739
01:34:40,680 --> 01:34:44,840
Speaker 1: in their content from raptive concerts to merch from all

1740
01:34:44,960 --> 01:34:47,519
Speaker 1: things and involved with them. They show up in a

1741
01:34:47,600 --> 01:34:51,160
Speaker 1: way that's undeniable, but beyond for some reason that's held

1742
01:34:51,160 --> 01:34:54,400
Speaker 1: against her, and I can't seem to draw anything up

1743
01:34:54,479 --> 01:34:58,439
Speaker 1: outside of the obvious. With that being said, we still

1744
01:34:58,439 --> 01:35:00,960
Speaker 1: want to celebrate the fact that she break the record

1745
01:35:01,479 --> 01:35:04,840
Speaker 1: with holding the most Grammys, um, and we want to

1746
01:35:04,880 --> 01:35:11,280
Speaker 1: take a look at her speed. He goes to cop

1747
01:35:11,360 --> 01:35:42,000
Speaker 1: it down low, niggas. Beyonce time, Beyonce. Thanks, all right,

1748
01:35:42,000 --> 01:35:44,559
Speaker 1: all right, all right, so for real, Beyonce is on

1749
01:35:44,560 --> 01:35:46,519
Speaker 1: her way. But you know the upside of hosting The

1750
01:35:47,000 --> 01:35:49,240
Speaker 1: upside of hosting the Grammys in LA is that everyone

1751
01:35:49,280 --> 01:35:51,240
Speaker 1: can be here. The downside of hosting the Grammys in

1752
01:35:51,360 --> 01:35:53,880
Speaker 1: LA is the traffic. Beyonce is on her way. And

1753
01:35:53,880 --> 01:35:56,200
Speaker 1: and just just for reference, how are you missing out? Now?

1754
01:35:56,320 --> 01:36:00,439
Speaker 1: Just congratulations, congrats, Just for reference, Beyonce has now equal

1755
01:36:00,720 --> 01:36:04,719
Speaker 1: the record for most Grammys of an individual of all time.

1756
01:36:06,200 --> 01:36:08,680
Speaker 1: This is it, This is it now, rogers, everybody, this

1757
01:36:08,760 --> 01:36:16,640
Speaker 1: has been amazing. Congratulations now that again, congratulations to beyoncef

1758
01:36:16,720 --> 01:36:19,559
Speaker 1: There may be some information there though her not being

1759
01:36:19,600 --> 01:36:23,280
Speaker 1: there yet, might have said to me that she's anticipating

1760
01:36:23,400 --> 01:36:25,400
Speaker 1: probably winning an Album of a Year and they don't

1761
01:36:25,479 --> 01:36:28,720
Speaker 1: announce that the early right, So her not being there

1762
01:36:28,760 --> 01:36:30,960
Speaker 1: says something. I don't know what it says. Maybe it's

1763
01:36:31,040 --> 01:36:34,759
Speaker 1: just traffic, but I don't I think that she thought

1764
01:36:34,800 --> 01:36:42,120
Speaker 1: she would win Album of a Year like everybody else. Okay, well,

1765
01:36:43,920 --> 01:36:50,160
Speaker 1: this isn't on out because we are witnessing history tonight,

1766
01:36:52,479 --> 01:36:56,080
Speaker 1: breaking the record for the most Grammy wins of old time.

1767
01:36:57,280 --> 01:37:02,040
Speaker 1: Be upstanding and show your respects. It's renaissance. We all

1768
01:37:02,120 --> 01:37:33,719
Speaker 1: said thank you to thank you so much. I'm trying

1769
01:37:33,800 --> 01:37:38,160
Speaker 1: not to be too emotional, and I'm trying to just

1770
01:37:39,960 --> 01:37:54,599
Speaker 1: receive this night. I want to thank God for it's

1771
01:37:54,640 --> 01:38:02,080
Speaker 1: acting me. Thank you God. I'd like to thank my

1772
01:38:02,160 --> 01:38:11,960
Speaker 1: uncle Johnny, who's not here, but he's here in spirit.

1773
01:38:14,560 --> 01:38:18,920
Speaker 1: I'd like to thank my parents, my father, my mother

1774
01:38:20,200 --> 01:38:24,639
Speaker 1: for loving me and pushing me. I like to thank

1775
01:38:24,680 --> 01:38:30,120
Speaker 1: my beautiful husband, my beautiful three children who are at

1776
01:38:30,160 --> 01:38:34,120
Speaker 1: home watching. I'd like to thank the queer community for

1777
01:38:34,240 --> 01:38:38,960
Speaker 1: your love and for inventing the genre. God, bless you.

1778
01:38:39,560 --> 01:38:46,360
Speaker 1: Thank you so much to the Grammys. Thank you. Damn.

1779
01:38:46,439 --> 01:38:48,559
Speaker 1: I think I'm getting solved. I don't know why this

1780
01:38:48,640 --> 01:38:50,920
Speaker 1: shit touched me like that shit touched me like a

1781
01:38:51,040 --> 01:38:54,639
Speaker 1: mom fucking I think it's because I'm working so hard.

1782
01:38:55,160 --> 01:38:57,559
Speaker 1: And when you work hard and you see somebody get

1783
01:38:58,080 --> 01:39:00,760
Speaker 1: appreciated for the hard work, I ain't that shit make

1784
01:39:00,840 --> 01:39:04,439
Speaker 1: you be like, man, it's possible to be appreciator something.

1785
01:39:04,439 --> 01:39:07,520
Speaker 1: I don't know. He gives off something, some kind of vibration,

1786
01:39:07,640 --> 01:39:09,800
Speaker 1: like you know what I'm saying. Like I've started to

1787
01:39:09,920 --> 01:39:12,519
Speaker 1: notice that when people get celebrated in front of me,

1788
01:39:13,320 --> 01:39:15,800
Speaker 1: like when me and U, when me and Pete was

1789
01:39:15,840 --> 01:39:19,680
Speaker 1: at the Rep Snack party at James lindsays birthday party

1790
01:39:19,960 --> 01:39:22,479
Speaker 1: and James Lindsay called p up and called a couple

1791
01:39:22,479 --> 01:39:24,519
Speaker 1: of people up, and he was just celebrating them and

1792
01:39:24,520 --> 01:39:26,760
Speaker 1: they were celebrating him. I'm over there like, damn, I'm

1793
01:39:26,800 --> 01:39:32,200
Speaker 1: getting Damn you get solved, man, you you starting to.

1794
01:39:33,439 --> 01:39:37,160
Speaker 1: But I think it's finally I found the groove in life.

1795
01:39:37,160 --> 01:39:40,559
Speaker 1: While I can recognize that I'm working hard at something,

1796
01:39:41,680 --> 01:39:44,439
Speaker 1: Hustling was never an obstacle for me, and she never

1797
01:39:44,479 --> 01:39:48,960
Speaker 1: gave me nothing. I lived good off the land, but

1798
01:39:49,080 --> 01:39:53,000
Speaker 1: it never gave me no fulfillment. It's like I know,

1799
01:39:53,200 --> 01:39:55,679
Speaker 1: like people every day are sending me stuff, man, were

1800
01:39:55,720 --> 01:39:59,679
Speaker 1: like people send me videos with their children. Watching my stuff.

1801
01:40:00,400 --> 01:40:02,280
Speaker 1: I'd be like, man, you know, I say, y'all kind

1802
01:40:02,280 --> 01:40:04,519
Speaker 1: of share. Let him watch certain parts while I get

1803
01:40:04,520 --> 01:40:06,760
Speaker 1: into them vibes where I'm talking about the kids not

1804
01:40:06,960 --> 01:40:09,840
Speaker 1: playing gangster doing. Oh you know what I'm saying. Then

1805
01:40:09,880 --> 01:40:11,880
Speaker 1: women hit me up, like man, I listen to you

1806
01:40:11,920 --> 01:40:15,519
Speaker 1: all dudes hit me up. Man, you speaking directly to us.

1807
01:40:15,560 --> 01:40:18,320
Speaker 1: I'll be using that these beating looking they might got

1808
01:40:18,320 --> 01:40:21,720
Speaker 1: two three hundred k no. One of my fans. I

1809
01:40:21,760 --> 01:40:24,640
Speaker 1: answered my DM one day when I ain't know that

1810
01:40:24,680 --> 01:40:28,439
Speaker 1: you can call through the DM. Man, I put this

1811
01:40:28,479 --> 01:40:32,080
Speaker 1: on my children, looking probably up to three hundred recks,

1812
01:40:32,920 --> 01:40:35,559
Speaker 1: saying you to go. I don't listen to numb but

1813
01:40:35,720 --> 01:40:38,559
Speaker 1: you and I'm living like that loo he put. I'm like, man,

1814
01:40:38,840 --> 01:40:42,080
Speaker 1: a little young crazy. He's showing me y'all kind of

1815
01:40:42,080 --> 01:40:44,800
Speaker 1: shit behind him like little young crazy. I'm telling him

1816
01:40:44,840 --> 01:40:47,320
Speaker 1: get what. I put some game on him though, I said,

1817
01:40:47,320 --> 01:40:49,800
Speaker 1: you got too much money in one place. Now you

1818
01:40:49,880 --> 01:40:52,559
Speaker 1: need to be transition here. I go, putting the game down.

1819
01:40:52,920 --> 01:40:58,120
Speaker 1: But that's what that's what respect, you know. But it's like, damn,

1820
01:40:58,160 --> 01:41:00,720
Speaker 1: I'm starting to get soff on that ship starting to

1821
01:41:00,720 --> 01:41:03,240
Speaker 1: affect me. Man, I might be I might yo, I'm

1822
01:41:03,280 --> 01:41:07,479
Speaker 1: working hard. Man. It's starting to mentally, my mentally starting

1823
01:41:07,479 --> 01:41:10,120
Speaker 1: to be all well where it's like I can identify

1824
01:41:10,280 --> 01:41:14,400
Speaker 1: boom work, hard work, dedication paid off, its break down

1825
01:41:14,439 --> 01:41:17,240
Speaker 1: the barrier, Like damn, bro, it ain't all for nothing,

1826
01:41:17,600 --> 01:41:20,160
Speaker 1: because that's your biggest feel, all for nothing, doing it

1827
01:41:20,240 --> 01:41:23,000
Speaker 1: our whole this for none, sacrificing all this for nothing.

1828
01:41:23,040 --> 01:41:25,760
Speaker 1: That's why me and scared of love. I let all

1829
01:41:25,840 --> 01:41:28,360
Speaker 1: let God down, did that for years and then you

1830
01:41:28,439 --> 01:41:30,240
Speaker 1: just one day woke up and you don't love me

1831
01:41:30,360 --> 01:41:34,240
Speaker 1: no more. You ain't even consider what it costs me,

1832
01:41:34,520 --> 01:41:36,800
Speaker 1: what I had to do to love you all them years.

1833
01:41:36,840 --> 01:41:38,840
Speaker 1: That don't even matter now because you don't love me

1834
01:41:38,960 --> 01:41:41,960
Speaker 1: no more. So now I come out of losing in

1835
01:41:42,000 --> 01:41:46,600
Speaker 1: regards to time, and time is my inventory, that's my lifeline.

1836
01:41:46,840 --> 01:41:49,240
Speaker 1: You did what I'm saying, and that's scary for you.

1837
01:41:50,040 --> 01:41:53,160
Speaker 1: But let's get into relationships. As you see. I think

1838
01:41:53,200 --> 01:41:56,760
Speaker 1: it's so dope for Beyonce to be as big as

1839
01:41:56,760 --> 01:41:59,599
Speaker 1: she is, as celebrated as she is, as powerful as

1840
01:41:59,600 --> 01:42:05,679
Speaker 1: she and she still say, my beautiful husband, I still

1841
01:42:05,760 --> 01:42:11,479
Speaker 1: showed it gratitude to my husband. Let's take a look

1842
01:42:11,479 --> 01:42:15,960
Speaker 1: at it really quick. My parents, my father, my mother

1843
01:42:17,240 --> 01:42:21,679
Speaker 1: for loving me and pushing me. I like to thank

1844
01:42:21,720 --> 01:42:27,120
Speaker 1: my beautiful husband, my beautiful three children who are at

1845
01:42:27,200 --> 01:42:31,599
Speaker 1: home watching. And then it's also on the other side,

1846
01:42:31,600 --> 01:42:36,040
Speaker 1: it's so powerful for Beyonce to be a powerful as

1847
01:42:36,080 --> 01:42:40,040
Speaker 1: she is, and it still kind of feels like jay Leeds.

1848
01:42:40,640 --> 01:42:43,280
Speaker 1: He's so good at like playing the shadows and just

1849
01:42:43,360 --> 01:42:47,400
Speaker 1: letting us shine, you know it take work, boy, Because

1850
01:42:47,439 --> 01:42:50,559
Speaker 1: I love her differently, y'all like her, y'all like help me, Nah,

1851
01:42:50,640 --> 01:42:54,639
Speaker 1: I'm talking about the year now I love her. Yeah, Nah,

1852
01:42:54,640 --> 01:42:58,280
Speaker 1: it's different, like that's who man, that's rough, you know,

1853
01:42:58,439 --> 01:43:00,519
Speaker 1: in this same way she probably had to a that.

1854
01:43:00,720 --> 01:43:04,160
Speaker 1: But it's like he been so good at playing the shadows.

1855
01:43:04,200 --> 01:43:07,760
Speaker 1: And then for hers, she just gives so self energy,

1856
01:43:08,240 --> 01:43:10,719
Speaker 1: you know, and that's this, that's such a beautiful thing.

1857
01:43:10,840 --> 01:43:14,559
Speaker 1: That's self energy coming off something pretty you know what

1858
01:43:14,560 --> 01:43:19,920
Speaker 1: I'm man, that's just such a beautiful, pretty powerful, talented right,

1859
01:43:20,040 --> 01:43:24,200
Speaker 1: and self energy about her man though not about all y'all,

1860
01:43:24,240 --> 01:43:29,960
Speaker 1: but about her man self energy now, the selfest energy

1861
01:43:30,000 --> 01:43:34,800
Speaker 1: about her. Man. You know, call her beautiful up ell,

1862
01:43:35,080 --> 01:43:38,840
Speaker 1: my beautiful husband, like she talking from my heart. We

1863
01:43:38,920 --> 01:43:41,280
Speaker 1: ain't saying, don't no problems happening. I'm trying to get

1864
01:43:41,320 --> 01:43:45,000
Speaker 1: you to understand that being submissive is so attractive when

1865
01:43:45,040 --> 01:43:49,840
Speaker 1: it ain't. Not a desperation being submissive? Why while being

1866
01:43:50,000 --> 01:43:55,519
Speaker 1: equal is a blessing, compromising while being equal is a blessing.

1867
01:43:56,720 --> 01:43:59,800
Speaker 1: You see what I'm saying. Not compromising because I can't

1868
01:43:59,800 --> 01:44:02,880
Speaker 1: pay the bills if he leaves, so I better just

1869
01:44:02,960 --> 01:44:06,600
Speaker 1: do what he say. Because if he leaves, Wingham be

1870
01:44:06,640 --> 01:44:09,439
Speaker 1: able to live like this, That ain't that's desperation. That's

1871
01:44:09,520 --> 01:44:15,640
Speaker 1: driving that car. Now on this woman to be powerful

1872
01:44:15,680 --> 01:44:19,800
Speaker 1: in our own right, pretty but solved, willing to just

1873
01:44:19,920 --> 01:44:22,960
Speaker 1: be like, Look, we're here for each other, Wayne, don't

1874
01:44:23,040 --> 01:44:27,400
Speaker 1: now let competition ship. We post a work together. I

1875
01:44:27,439 --> 01:44:29,920
Speaker 1: am because we are now we are because I am.

1876
01:44:31,000 --> 01:44:33,000
Speaker 1: You see what I'm saying. This the game you got

1877
01:44:33,000 --> 01:44:35,600
Speaker 1: to put in your old lady or putting your relationship

1878
01:44:35,760 --> 01:44:39,599
Speaker 1: or putting your circle. Being submissive out of desperation becomes

1879
01:44:39,600 --> 01:44:42,240
Speaker 1: a job. Is no different than that work. When they

1880
01:44:42,240 --> 01:44:44,120
Speaker 1: tell you put your phone away, you know you want

1881
01:44:44,120 --> 01:44:45,559
Speaker 1: to be on your phone. You know you want to

1882
01:44:45,600 --> 01:44:48,080
Speaker 1: listen to something in one ear and take calls in

1883
01:44:48,080 --> 01:44:51,000
Speaker 1: this ear. They you can't do that. You put it away.

1884
01:44:51,720 --> 01:44:54,360
Speaker 1: You got to compromise because this job paid the bill.

1885
01:44:54,479 --> 01:44:57,559
Speaker 1: But this ain't how you really want to live. This

1886
01:44:57,600 --> 01:44:59,560
Speaker 1: ain't if it was. In a perfect world, you have

1887
01:44:59,800 --> 01:45:02,360
Speaker 1: you too, but right here and try to still be working.

1888
01:45:03,960 --> 01:45:05,640
Speaker 1: They ain't even gave you a chance. You might and

1889
01:45:05,720 --> 01:45:08,880
Speaker 1: get that done. They don't even know. But in the

1890
01:45:08,960 --> 01:45:12,080
Speaker 1: perfect world, that'll be your setting. Just like in a relationship,

1891
01:45:12,520 --> 01:45:17,479
Speaker 1: you you compromise with someone that you equal with. Man

1892
01:45:17,600 --> 01:45:20,360
Speaker 1: that right there give off an energy that just speak

1893
01:45:20,439 --> 01:45:23,280
Speaker 1: to the heart of the person. And I was speaking

1894
01:45:23,320 --> 01:45:26,040
Speaker 1: about breaking that love agreement. I heard blue facing. I

1895
01:45:26,080 --> 01:45:28,479
Speaker 1: thought about this last week when I got off the Pard.

1896
01:45:30,080 --> 01:45:33,320
Speaker 1: I thought about this. Blue Face looked at Chris Shannon said,

1897
01:45:33,439 --> 01:45:35,000
Speaker 1: and I reached out to them to see if they

1898
01:45:35,000 --> 01:45:37,320
Speaker 1: can come on the show. Blue Face looked at Chris

1899
01:45:37,360 --> 01:45:40,960
Speaker 1: Shannon said, you want me to embarrass you. I said, damn,

1900
01:45:41,600 --> 01:45:44,240
Speaker 1: picture that see you gotta look at and never look

1901
01:45:44,280 --> 01:45:47,720
Speaker 1: at what nobody say, look at why they're saying. And

1902
01:45:47,800 --> 01:45:51,280
Speaker 1: what I said to myself then was old the picture

1903
01:45:51,360 --> 01:45:56,960
Speaker 1: that being out like got left. I mean barrass you.

1904
01:45:57,200 --> 01:45:59,240
Speaker 1: That's how I got that mean. I don't run out

1905
01:45:59,240 --> 01:46:02,120
Speaker 1: of everything. I tried talking to you. I didn't tried

1906
01:46:02,160 --> 01:46:05,080
Speaker 1: taking the dick from you. I didn't try not paying

1907
01:46:05,120 --> 01:46:08,240
Speaker 1: the bar, not getting bang you, nothing, not talking to

1908
01:46:08,360 --> 01:46:10,000
Speaker 1: you for a couple of I didn't try it. I

1909
01:46:10,040 --> 01:46:12,320
Speaker 1: didn't got alway down the list. Now you want me

1910
01:46:12,400 --> 01:46:15,599
Speaker 1: to embarrass you. That's how I got left. That mean

1911
01:46:15,680 --> 01:46:20,400
Speaker 1: you you rattling my cage, you know, And we gotta understand.

1912
01:46:20,720 --> 01:46:25,120
Speaker 1: I understand that relationships go through things, right, I just saint,

1913
01:46:25,400 --> 01:46:27,439
Speaker 1: but I can't be involved in that level of sh

1914
01:46:27,600 --> 01:46:30,599
Speaker 1: I'm too old to be doing all that they young though.

1915
01:46:31,000 --> 01:46:33,320
Speaker 1: When I was young, I was doing while. And So

1916
01:46:33,400 --> 01:46:36,519
Speaker 1: while we're talking about relationships, let's get to JT. Shout

1917
01:46:36,520 --> 01:46:40,360
Speaker 1: out JT. She went to Holliday Angel Martinez in real life.

1918
01:46:40,360 --> 01:46:42,960
Speaker 1: She has such a dope podcast. I watch everything you

1919
01:46:43,000 --> 01:46:46,599
Speaker 1: know that on top the game. Her podcast is just

1920
01:46:46,760 --> 01:46:50,679
Speaker 1: real conversation. She said, names like Kim kardash and she's

1921
01:46:50,720 --> 01:46:54,960
Speaker 1: had Laura London JT. Now, she said, Joe Budden. So

1922
01:46:55,080 --> 01:46:57,240
Speaker 1: many different people have been on there. You know, she's

1923
01:46:57,280 --> 01:47:00,840
Speaker 1: a legend. So her conversation flows so effortly. It's just

1924
01:47:01,000 --> 01:47:04,559
Speaker 1: so dope. Right this shot, well everything it's a dope show.

1925
01:47:04,600 --> 01:47:07,160
Speaker 1: I give that to her. Jat went over there. We're

1926
01:47:07,200 --> 01:47:10,120
Speaker 1: gonna look at some things she spoke about little ooze

1927
01:47:10,160 --> 01:47:12,920
Speaker 1: it vert. I just want to appreciate women in their

1928
01:47:13,040 --> 01:47:17,080
Speaker 1: divine finitemity. I want to appreciate that, just like I

1929
01:47:17,160 --> 01:47:20,240
Speaker 1: just did with Beyonce. I want to salute jay salute

1930
01:47:20,280 --> 01:47:22,680
Speaker 1: ooze It. But we want to identify this for the

1931
01:47:22,760 --> 01:47:25,280
Speaker 1: young girls on the other side. Right, because so many

1932
01:47:25,320 --> 01:47:28,960
Speaker 1: people highlight when when the black relationships have bumps in

1933
01:47:29,000 --> 01:47:32,280
Speaker 1: the role, when Beyonce and jay Z may have an

1934
01:47:32,280 --> 01:47:36,880
Speaker 1: altercation in the elevator, or jay Z may unfollow ooze

1935
01:47:36,880 --> 01:47:40,240
Speaker 1: it right, This make blogs site. But when people go

1936
01:47:40,280 --> 01:47:43,160
Speaker 1: and tell you how much they appreciate they love ones,

1937
01:47:43,200 --> 01:47:46,519
Speaker 1: they family, their relatives, don't nobody say nothing. So it's

1938
01:47:46,600 --> 01:47:48,720
Speaker 1: my job to put the game down and make them

1939
01:47:48,720 --> 01:47:51,519
Speaker 1: pick it up. We gotta change how media looks at

1940
01:47:51,520 --> 01:47:55,120
Speaker 1: our people. Right, we can talk about it happened that

1941
01:47:55,280 --> 01:47:58,519
Speaker 1: highlights mistakes. It's being made to try to make sure

1942
01:47:58,560 --> 01:48:00,439
Speaker 1: other people don't make them. But let's I light the

1943
01:48:00,479 --> 01:48:03,679
Speaker 1: other side too. So today I want to celebrate Beyonce

1944
01:48:03,960 --> 01:48:06,760
Speaker 1: and how she loves on jay Z. I want to

1945
01:48:06,760 --> 01:48:11,439
Speaker 1: celebrate JT and how she loves on um um oozi vert.

1946
01:48:11,520 --> 01:48:14,440
Speaker 1: I want to celebrate how some of these relationships interact

1947
01:48:14,600 --> 01:48:19,320
Speaker 1: because black love ain't just arguments. Black love ain't just tworking,

1948
01:48:19,760 --> 01:48:23,040
Speaker 1: you know, on the beach or bang gift. Sometimes we

1949
01:48:23,160 --> 01:48:26,000
Speaker 1: show compassion and we deal with each other at our

1950
01:48:26,000 --> 01:48:28,799
Speaker 1: worst times, and sometimes I think we need to highlight

1951
01:48:28,920 --> 01:48:32,120
Speaker 1: that we deal with each other behind closed doors when

1952
01:48:32,160 --> 01:48:35,439
Speaker 1: things ain't always good, even bagging Ari. We want to

1953
01:48:35,520 --> 01:48:38,679
Speaker 1: highlight these things. I just saw bad gone there with Ari.

1954
01:48:39,000 --> 01:48:41,160
Speaker 1: When he come on the show, he'll be here. He'll

1955
01:48:41,200 --> 01:48:43,479
Speaker 1: be coming in the next few weeks. When he come

1956
01:48:43,560 --> 01:48:46,160
Speaker 1: on the show, we're gonna talk about his relationship and

1957
01:48:46,200 --> 01:48:49,120
Speaker 1: how he's been able to find love and get comfortable.

1958
01:48:50,520 --> 01:48:54,599
Speaker 1: Because this ain't easy for us. It ain't as easy

1959
01:48:54,640 --> 01:48:56,880
Speaker 1: as we make it look. We've been hurt, we've been

1960
01:48:57,000 --> 01:49:00,280
Speaker 1: let down, lost love, ones, trust, don't killed everything thing

1961
01:49:00,360 --> 01:49:04,320
Speaker 1: we know. Fuck you Tom bout y'all don't know what

1962
01:49:04,400 --> 01:49:06,640
Speaker 1: it takes us to get down these roles that we

1963
01:49:06,880 --> 01:49:10,920
Speaker 1: finally are traveling on, you understand. So we're gonna celebrate

1964
01:49:11,000 --> 01:49:15,519
Speaker 1: black love. We're gonna celebrate JT and ooze It. We're

1965
01:49:15,520 --> 01:49:19,800
Speaker 1: gonna celebrate our rn bag. We're gonna celebrate beyond saying

1966
01:49:19,960 --> 01:49:24,040
Speaker 1: Jay this week. Every week we're gonna try to celebrate

1967
01:49:24,120 --> 01:49:28,280
Speaker 1: some some black love because black love is Black power.

1968
01:49:28,360 --> 01:49:32,479
Speaker 1: But anyway, JT went over to Angie Martinez and I

1969
01:49:32,479 --> 01:49:34,960
Speaker 1: don't mean to be you know, it's passionate about this

1970
01:49:35,040 --> 01:49:38,080
Speaker 1: because I know y'all need to consume this information. Man,

1971
01:49:38,160 --> 01:49:40,640
Speaker 1: I don't want to get off off track, you know.

1972
01:49:40,760 --> 01:49:43,720
Speaker 1: But JT went over there, man, and she spoke about things.

1973
01:49:43,760 --> 01:49:45,679
Speaker 1: I want to highlight a few things before we get

1974
01:49:45,680 --> 01:49:49,000
Speaker 1: into this part. Though. She's matured in the way man,

1975
01:49:49,000 --> 01:49:51,680
Speaker 1: when she looks back at it, and I think she

1976
01:49:51,800 --> 01:49:54,679
Speaker 1: kind of feels like, damn and I might have slow

1977
01:49:54,840 --> 01:49:57,360
Speaker 1: City Girls down a little bit. Like when I'm listening

1978
01:49:57,400 --> 01:49:59,720
Speaker 1: to her, it's almost like she feels like, Man, I

1979
01:49:59,720 --> 01:50:02,439
Speaker 1: went the jail and that ship kind of well. It's

1980
01:50:02,479 --> 01:50:04,880
Speaker 1: almost like her mind says, where would we be if

1981
01:50:04,920 --> 01:50:07,479
Speaker 1: I wouldn't have never been in jail, or if the

1982
01:50:07,560 --> 01:50:11,679
Speaker 1: pandemic didn't hit, man, we might would have been right.

1983
01:50:12,160 --> 01:50:14,800
Speaker 1: And for us, y'all don't understand a lot of y'all

1984
01:50:14,800 --> 01:50:17,280
Speaker 1: white people. I don't even say white people, people that

1985
01:50:17,360 --> 01:50:20,600
Speaker 1: don't really come from our culture y'all don't understand what

1986
01:50:20,720 --> 01:50:23,599
Speaker 1: it takes to make it out. So any yards left

1987
01:50:23,640 --> 01:50:26,160
Speaker 1: on the field, man, that should keep us up at night.

1988
01:50:27,080 --> 01:50:29,519
Speaker 1: Any mistakes we know made, or just what if we

1989
01:50:29,560 --> 01:50:31,400
Speaker 1: would have done that? There might have been an extra

1990
01:50:31,479 --> 01:50:34,960
Speaker 1: ten ms that might keeping up at knife for weeks.

1991
01:50:35,040 --> 01:50:38,000
Speaker 1: Sometimes they might just randomly think about this shit like damn,

1992
01:50:38,000 --> 01:50:41,080
Speaker 1: what if I would have signed with such and such?

1993
01:50:41,200 --> 01:50:44,760
Speaker 1: Nemn't done? Shit? Did I leave yards on the fit

1994
01:50:44,840 --> 01:50:47,400
Speaker 1: that I make the Damn? Did I signed? Like you

1995
01:50:47,520 --> 01:50:51,120
Speaker 1: have started getting to you and she starting to recognize that.

1996
01:50:51,280 --> 01:50:53,560
Speaker 1: In my opinion, as I see her, had a conversation,

1997
01:50:54,040 --> 01:50:56,719
Speaker 1: she spoke about it a few times. And it's popping

1998
01:50:56,800 --> 01:50:59,920
Speaker 1: in city. Girls is because they popping. They got the win.

1999
01:51:00,000 --> 01:51:01,559
Speaker 1: I mean, ain't nothing you can do with that. They

2000
01:51:01,600 --> 01:51:04,800
Speaker 1: got the women. It's just that on that they them right,

2001
01:51:04,880 --> 01:51:07,040
Speaker 1: ain't no sense and nobody putting no tent on that.

2002
01:51:07,120 --> 01:51:09,320
Speaker 1: When they drop something, them folk going to eat that

2003
01:51:09,479 --> 01:51:12,559
Speaker 1: up right. And I think, man, it's just good to

2004
01:51:12,560 --> 01:51:16,160
Speaker 1: see them to navigate right JT and Young Miami because

2005
01:51:16,160 --> 01:51:20,280
Speaker 1: it's hard on black women. Like they spoke about the comparisons.

2006
01:51:20,840 --> 01:51:23,960
Speaker 1: You see what I'm saying. The inner terminol. Both people

2007
01:51:24,040 --> 01:51:28,960
Speaker 1: bosses in their own right. Both people got two different egos,

2008
01:51:29,040 --> 01:51:32,680
Speaker 1: two different outlooks, two different approaches, but they sisters. They

2009
01:51:32,720 --> 01:51:35,920
Speaker 1: come up together. This money doesn't ruin some of the

2010
01:51:35,920 --> 01:51:40,360
Speaker 1: best We don't ever seen. Man, This money untore part

2011
01:51:40,360 --> 01:51:43,240
Speaker 1: things that we never saw coming. So you see people

2012
01:51:43,360 --> 01:51:45,680
Speaker 1: always asking on the edge that they see because they

2013
01:51:45,720 --> 01:51:49,000
Speaker 1: see black women in that position and they wonder this

2014
01:51:49,120 --> 01:51:52,759
Speaker 1: in there, this affecting them, and they seem to continue

2015
01:51:52,760 --> 01:51:54,719
Speaker 1: to be like, man, we're trying our best to swat

2016
01:51:54,800 --> 01:51:58,960
Speaker 1: at this down like even glow really and gloss. It's

2017
01:51:58,960 --> 01:52:01,280
Speaker 1: just like, you know, I'm saying you're gonna run into

2018
01:52:01,360 --> 01:52:03,760
Speaker 1: some ship. Now you feel what I'm saying, You're gonna

2019
01:52:03,800 --> 01:52:06,240
Speaker 1: run into some ship where it's like, damn, is this shit?

2020
01:52:06,880 --> 01:52:08,920
Speaker 1: You know? Should we break this ship? If I'm bigging

2021
01:52:08,960 --> 01:52:11,679
Speaker 1: in there, you know you gotta know how to be like, nah,

2022
01:52:11,680 --> 01:52:14,479
Speaker 1: it's my real budding and I may not never for

2023
01:52:14,520 --> 01:52:18,599
Speaker 1: the rest of my life meeting nobody genuine. Picture that

2024
01:52:18,600 --> 01:52:21,640
Speaker 1: that's what fame due to you. Fame or make it

2025
01:52:21,680 --> 01:52:24,559
Speaker 1: where ever since you got you're never in your life

2026
01:52:24,600 --> 01:52:28,360
Speaker 1: meeting nobody else genuine. Everybody you meet now is transaction

2027
01:52:28,439 --> 01:52:32,040
Speaker 1: on some kind of level, some kind of access. They

2028
01:52:32,120 --> 01:52:36,280
Speaker 1: won't need. Something's happening with every relationship you got going

2029
01:52:36,360 --> 01:52:39,800
Speaker 1: on now. So anybody that you can pull up with you,

2030
01:52:39,880 --> 01:52:41,960
Speaker 1: they come from the Mure, you gotta pull them up

2031
01:52:42,000 --> 01:52:45,880
Speaker 1: with you. Them the last of the Mohicans, them the last,

2032
01:52:45,920 --> 01:52:49,639
Speaker 1: So there's gonna be genuine them, the last Southern. They

2033
01:52:49,640 --> 01:52:52,800
Speaker 1: can even identify you, wes who you is before this

2034
01:52:53,040 --> 01:52:56,000
Speaker 1: ship body else? Now you whatever your rap names or

2035
01:52:56,040 --> 01:52:58,880
Speaker 1: whatever you're moving you in or whatever they call you

2036
01:52:58,960 --> 01:53:01,680
Speaker 1: on the court, whatever your scoring is, you that now

2037
01:53:01,800 --> 01:53:05,000
Speaker 1: you're not the little nigga that everybody knew back then.

2038
01:53:05,840 --> 01:53:08,280
Speaker 1: You don't even have regular conversations. That's why when I

2039
01:53:08,320 --> 01:53:13,000
Speaker 1: meet I just try to talk regular full back to JT.

2040
01:53:13,760 --> 01:53:17,320
Speaker 1: I just again want to highlight her self energy, right,

2041
01:53:17,320 --> 01:53:21,040
Speaker 1: I want to highlight her ability to recognize that her

2042
01:53:21,120 --> 01:53:26,639
Speaker 1: man is available for her like not many people, it's

2043
01:53:26,680 --> 01:53:30,000
Speaker 1: being for her. I think a lot of times EGO

2044
01:53:30,040 --> 01:53:32,240
Speaker 1: don't let us look at people for what they really

2045
01:53:32,280 --> 01:53:36,560
Speaker 1: provide tours. We always view people through the lens of

2046
01:53:36,680 --> 01:53:40,559
Speaker 1: what we want them to provide tours because humans are greeting.

2047
01:53:41,720 --> 01:53:45,840
Speaker 1: I always tell niggas give a Thursday, Man, a drink here,

2048
01:53:45,920 --> 01:53:48,479
Speaker 1: ask you for a straw. These niggas and never get enough.

2049
01:53:48,760 --> 01:53:51,600
Speaker 1: They want more and more, And so in relationships is

2050
01:53:51,640 --> 01:53:54,439
Speaker 1: none different. You settle for something that ain't providing you

2051
01:53:54,520 --> 01:53:56,639
Speaker 1: what you want, and you hope to peel the layers

2052
01:53:56,680 --> 01:53:58,800
Speaker 1: back to turn it into what you wanted to be,

2053
01:53:58,920 --> 01:54:02,759
Speaker 1: and then get frustrated when it don't turn It. Ain't

2054
01:54:02,800 --> 01:54:04,800
Speaker 1: no peeling it that it was what it was when

2055
01:54:04,800 --> 01:54:07,519
Speaker 1: it got here. But outside of that, and outside of

2056
01:54:07,600 --> 01:54:10,559
Speaker 1: trying to teach whatever my understanding is about love, I

2057
01:54:10,600 --> 01:54:18,080
Speaker 1: wanted again focus on the interaction between JT and her love.

2058
01:54:18,200 --> 01:54:20,720
Speaker 1: Want to ooze it. Sometimes it feel like asking your

2059
01:54:20,760 --> 01:54:23,920
Speaker 1: partner to provide peace. It's something that a lot of

2060
01:54:23,960 --> 01:54:27,280
Speaker 1: people don't don't know how to sustain. So we gotta

2061
01:54:27,360 --> 01:54:33,520
Speaker 1: highlight when people say, man, we don't found peace. That

2062
01:54:33,640 --> 01:54:36,680
Speaker 1: don't mean Wayne got problems, don't, but we don't found

2063
01:54:36,720 --> 01:54:39,960
Speaker 1: peace when we when we with each other, man, the

2064
01:54:40,080 --> 01:54:42,720
Speaker 1: world can shut down. We're gonna be hiding this house

2065
01:54:42,920 --> 01:54:46,800
Speaker 1: us just us. We cool. We filled up when we

2066
01:54:46,920 --> 01:54:51,280
Speaker 1: with each other and we looked for that. Let's take

2067
01:54:51,280 --> 01:54:52,840
Speaker 1: a look at a little bit of what JT was

2068
01:54:52,840 --> 01:54:56,280
Speaker 1: saying when did you find out she did want you ground?

2069
01:54:57,720 --> 01:54:59,840
Speaker 1: You don't think so you can get time without f

2070
01:55:00,320 --> 01:55:03,760
Speaker 1: like that. I want to say, like me being older

2071
01:55:04,040 --> 01:55:06,800
Speaker 1: and me seeing how serious life is, Like I kind

2072
01:55:06,800 --> 01:55:10,000
Speaker 1: of don't blame her. You know, life is hard, Like

2073
01:55:10,120 --> 01:55:12,160
Speaker 1: life is hard even with the position I'm in and

2074
01:55:12,320 --> 01:55:17,680
Speaker 1: like trying to beat addiction and raise the child. Imagine

2075
01:55:17,680 --> 01:55:20,960
Speaker 1: it like I don't do drugs. I smoke, but hard drugs.

2076
01:55:21,000 --> 01:55:23,360
Speaker 1: I can never do the hard drugs. Well I'm not

2077
01:55:23,440 --> 01:55:26,400
Speaker 1: gonna would. No, you can't because if I do hard

2078
01:55:26,480 --> 01:55:29,680
Speaker 1: I felt my family, my whole family is a victim.

2079
01:55:29,800 --> 01:55:31,760
Speaker 1: My whole mom's out of family, and my dad too.

2080
01:55:32,120 --> 01:55:34,600
Speaker 1: My dad used to sell it into it. So I

2081
01:55:34,640 --> 01:55:37,480
Speaker 1: feel like if I do it, I'll fall so flat

2082
01:55:37,520 --> 01:55:40,040
Speaker 1: on my face. So hard drugs, it's just something I

2083
01:55:40,080 --> 01:55:42,840
Speaker 1: don't do. And I just started smoking me when I

2084
01:55:42,880 --> 01:55:44,960
Speaker 1: got out of jail, like just to be cool, and

2085
01:55:45,200 --> 01:55:46,760
Speaker 1: I was like, it's a little vibe, but it ain't

2086
01:55:46,800 --> 01:55:50,320
Speaker 1: nothing I need every day. I'm rolling that up every day,

2087
01:55:50,360 --> 01:55:52,960
Speaker 1: but I do it sometimes just be like meditated, but

2088
01:55:52,960 --> 01:55:56,640
Speaker 1: it ain't right yeah, not right now? Right now? He's

2089
01:55:56,720 --> 01:56:04,640
Speaker 1: drug really? Yeah? Is he different? I love the way

2090
01:56:04,640 --> 01:56:06,560
Speaker 1: you talk about him. Yeah, he's a great man. He's

2091
01:56:06,600 --> 01:56:09,520
Speaker 1: a great I can say USI is a great man,

2092
01:56:09,920 --> 01:56:12,800
Speaker 1: no matter how the Internet tries to saint us. Yeah,

2093
01:56:13,040 --> 01:56:17,120
Speaker 1: because artist, artist, he's so like. Yes, he's so much

2094
01:56:17,640 --> 01:56:19,400
Speaker 1: like he gotta work every night. He had work right

2095
01:56:19,440 --> 01:56:24,120
Speaker 1: now like me, I'm sleep. Let's take a minute to

2096
01:56:24,200 --> 01:56:27,720
Speaker 1: understand what that looks like and what that means. Oftentimes,

2097
01:56:28,080 --> 01:56:30,720
Speaker 1: men want to try to instill the confidence in you

2098
01:56:30,760 --> 01:56:33,360
Speaker 1: to be able to operate like that in public, because

2099
01:56:33,400 --> 01:56:35,560
Speaker 1: one thing about it, when you come out and you

2100
01:56:35,640 --> 01:56:38,240
Speaker 1: do a blatant sentence like that, you can't never take

2101
01:56:38,320 --> 01:56:41,360
Speaker 1: that back. And and women don't do those kind of

2102
01:56:41,400 --> 01:56:47,680
Speaker 1: sentences without the confidence in that dude themselves. Right, you're here,

2103
01:56:47,720 --> 01:56:50,200
Speaker 1: and I give you some examples to try to drill

2104
01:56:50,240 --> 01:56:53,000
Speaker 1: this down. You will hear women say things like, when

2105
01:56:53,040 --> 01:56:56,160
Speaker 1: somebody asks about that man, that he's the ultimate provider.

2106
01:56:57,480 --> 01:57:01,280
Speaker 1: Pay attention now he's the old him and provide him.

2107
01:57:01,840 --> 01:57:03,560
Speaker 1: Or you might hear somebody to say he won't he

2108
01:57:03,600 --> 01:57:05,880
Speaker 1: won't let us won't for nothing, No, he really loved

2109
01:57:05,880 --> 01:57:08,880
Speaker 1: the kids, or one thing about him, he gonna show

2110
01:57:08,960 --> 01:57:12,200
Speaker 1: up right. These are much different titles than He's a

2111
01:57:12,240 --> 01:57:17,920
Speaker 1: great man. Understand this. This is high level game. He's

2112
01:57:17,960 --> 01:57:21,120
Speaker 1: a great man speaks to the totality of the individual.

2113
01:57:22,880 --> 01:57:25,600
Speaker 1: Right now. I know angels focused on music and things

2114
01:57:25,680 --> 01:57:28,600
Speaker 1: like that, but man, when you hear your woman be

2115
01:57:28,720 --> 01:57:30,960
Speaker 1: able to enter that space where she can just say

2116
01:57:31,000 --> 01:57:34,920
Speaker 1: he's a great man more than that, you're gonna feel

2117
01:57:34,920 --> 01:57:36,840
Speaker 1: a little better. And you have to learn how to

2118
01:57:36,880 --> 01:57:39,800
Speaker 1: be in the president and remind yourself you're okay, and

2119
01:57:39,800 --> 01:57:41,600
Speaker 1: that she taught me how to deal with my trauma,

2120
01:57:41,640 --> 01:57:43,360
Speaker 1: which was that. I mean, your trauma is a different

2121
01:57:43,360 --> 01:57:45,200
Speaker 1: type of trauma, but it can be it can be

2122
01:57:45,240 --> 01:57:48,640
Speaker 1: dealt with like you can. Yeah, you're in you can

2123
01:57:48,680 --> 01:57:52,200
Speaker 1: be feel safe sometimes exactly. And I feel like my

2124
01:57:52,320 --> 01:57:56,040
Speaker 1: past trauma, if it facts so much around me, my

2125
01:57:56,160 --> 01:58:00,320
Speaker 1: relationship get like I live in a household, I mean right,

2126
01:58:01,000 --> 01:58:05,360
Speaker 1: And I feel like I'm not domesticated because I didn't

2127
01:58:05,400 --> 01:58:07,760
Speaker 1: have time to be domesticated because who told you told

2128
01:58:07,800 --> 01:58:09,360
Speaker 1: me how to be domesticated? Who even taught you how

2129
01:58:09,360 --> 01:58:11,760
Speaker 1: to be in a relationship? Right, So it's just like

2130
01:58:11,800 --> 01:58:14,160
Speaker 1: I'm trying to figure this shit out every day, and

2131
01:58:14,480 --> 01:58:15,840
Speaker 1: I don't want you to think you're not doing your

2132
01:58:15,920 --> 01:58:21,000
Speaker 1: job because I'm not domesticated. I'm trying to figure myself out.

2133
01:58:21,040 --> 01:58:23,640
Speaker 1: So we just two young artists in a house with

2134
01:58:23,760 --> 01:58:26,880
Speaker 1: each other trying to figure each other out. There the conversation.

2135
01:58:27,000 --> 01:58:29,120
Speaker 1: So it's just like he's trying to sit down and

2136
01:58:29,280 --> 01:58:31,840
Speaker 1: counsel me, and I'm like going across at it like

2137
01:58:32,440 --> 01:58:35,760
Speaker 1: I don't care. I just want to be you know more.

2138
01:58:35,920 --> 01:58:40,040
Speaker 1: And he always reassured me that, like it's not about

2139
01:58:40,040 --> 01:58:42,280
Speaker 1: who you are. I just love you for you get it.

2140
01:58:43,120 --> 01:58:45,160
Speaker 1: So it's just like, no, I can't let you down,

2141
01:58:46,040 --> 01:58:47,560
Speaker 1: Like what do you think he saw in you? Like

2142
01:58:47,560 --> 01:58:51,400
Speaker 1: because he saw something that he came Like to this day,

2143
01:58:51,480 --> 01:58:53,680
Speaker 1: I don't not know what he saw in me because

2144
01:58:53,720 --> 01:58:57,560
Speaker 1: it's just like me just like coming from where I

2145
01:58:57,600 --> 01:59:01,600
Speaker 1: come from once to where I went through, I don't

2146
01:59:01,640 --> 01:59:04,440
Speaker 1: know what made me so deserving of somebody so good.

2147
01:59:05,480 --> 01:59:09,080
Speaker 1: That's so sweet. So I should still to this day

2148
01:59:09,240 --> 01:59:11,720
Speaker 1: a little bit get a little feisty about there, like

2149
01:59:11,880 --> 01:59:14,200
Speaker 1: what you want and we little that we don't be

2150
01:59:14,280 --> 01:59:16,960
Speaker 1: together for years and instead like what you want? You

2151
01:59:17,000 --> 01:59:19,720
Speaker 1: don't trust that that you you don't feeling not him,

2152
01:59:20,000 --> 01:59:23,520
Speaker 1: but I don't trust them to the feeling. But it's okay.

2153
01:59:23,520 --> 01:59:25,640
Speaker 1: It's just me, me and therapy. I need to take therapy.

2154
01:59:26,800 --> 01:59:28,960
Speaker 1: You know what, man, we all want our women to

2155
01:59:29,040 --> 01:59:33,440
Speaker 1: feel lucky with us. We all want to feel fulfeel

2156
01:59:33,640 --> 01:59:37,720
Speaker 1: fucking with us, right, And those statements like dude, he's

2157
01:59:37,760 --> 01:59:40,920
Speaker 1: just a great man, And how I get lucky enough

2158
01:59:40,920 --> 01:59:45,320
Speaker 1: to find somebody to even vibrate on the level that

2159
01:59:45,360 --> 01:59:48,840
Speaker 1: I'm vibrating on. And when you give us that, man,

2160
01:59:49,880 --> 01:59:53,240
Speaker 1: what you get from us in return probably change your

2161
01:59:53,320 --> 01:59:56,440
Speaker 1: life and change how you view men. Because when our

2162
01:59:56,440 --> 01:59:59,400
Speaker 1: woman gives us the feeling that she feel fulfilled and

2163
01:59:59,480 --> 02:00:04,280
Speaker 1: she's she's appreciative of everything we are as a man, like, babe,

2164
02:00:04,320 --> 02:00:09,040
Speaker 1: you're busting your ass. You do everything you can for

2165
02:00:09,160 --> 02:00:11,920
Speaker 1: me around here. I want to I wanna show up

2166
02:00:11,960 --> 02:00:15,240
Speaker 1: for you in ways that I probably ain't showed you

2167
02:00:16,160 --> 02:00:18,240
Speaker 1: since we've been together. I want to learn how to

2168
02:00:18,320 --> 02:00:20,160
Speaker 1: be a wife for you. I want to learn how

2169
02:00:20,200 --> 02:00:23,040
Speaker 1: to be better for you because you've been great for me.

2170
02:00:23,120 --> 02:00:25,640
Speaker 1: You do whatever it is I need done for me.

2171
02:00:26,920 --> 02:00:30,280
Speaker 1: And when your old lady gets to talket like that man,

2172
02:00:30,320 --> 02:00:33,840
Speaker 1: she unlocked, puts it pumper number one and unlimited bag,

2173
02:00:34,040 --> 02:00:38,600
Speaker 1: she get whatever. She wan't talking like that man, she man,

2174
02:00:38,600 --> 02:00:41,560
Speaker 1: I'm telling my man, she activated, there's gonna go triple

2175
02:00:41,680 --> 02:00:45,240
Speaker 1: time is hard, man, he gonna wake up ed. They

2176
02:00:45,360 --> 02:00:48,280
Speaker 1: man feeling like spec if he loved her. When they

2177
02:00:48,320 --> 02:00:51,520
Speaker 1: come from the woman you really love, it activates something

2178
02:00:51,560 --> 02:00:53,960
Speaker 1: in you. Man. They can't nobody else hit that button.

2179
02:00:54,000 --> 02:00:58,400
Speaker 1: But huh, when she get that appreciation off, when she

2180
02:00:58,520 --> 02:01:01,960
Speaker 1: get that self appreciatian off, and she and her solf

2181
02:01:02,200 --> 02:01:07,280
Speaker 1: error handling her business and she is encouraging you and

2182
02:01:07,800 --> 02:01:10,200
Speaker 1: with you on the level where you say, man, that's mine.

2183
02:01:10,240 --> 02:01:13,880
Speaker 1: She with she with the guy, can't no six in

2184
02:01:13,920 --> 02:01:17,240
Speaker 1: the field with that. Ain't no breaking them kind of

2185
02:01:17,280 --> 02:01:21,280
Speaker 1: barriers down. We can be fing on the beach in Greece.

2186
02:01:22,200 --> 02:01:24,680
Speaker 1: She can't break through that kind of bond. She can't

2187
02:01:24,680 --> 02:01:28,240
Speaker 1: break through them kind of barriers because I don't need

2188
02:01:28,360 --> 02:01:30,480
Speaker 1: that from her. Don't even look at her in a

2189
02:01:30,560 --> 02:01:32,440
Speaker 1: way where she can even get that to me. But

2190
02:01:32,520 --> 02:01:34,880
Speaker 1: that one out, that girl I love. When she gave

2191
02:01:34,960 --> 02:01:40,040
Speaker 1: me that appreciation that souf man bay just man bay

2192
02:01:40,120 --> 02:01:43,360
Speaker 1: one of them. She gotta meet it to say it,

2193
02:01:43,440 --> 02:01:46,400
Speaker 1: though I don't. You can't pay for that. You just

2194
02:01:46,520 --> 02:01:49,240
Speaker 1: paying for that and you over smiling in the car.

2195
02:01:49,360 --> 02:01:51,880
Speaker 1: She's saying it because you just bought a ten thousand over.

2196
02:01:52,280 --> 02:01:54,560
Speaker 1: I'm talking about when she doesn't want something, you just

2197
02:01:54,720 --> 02:01:59,280
Speaker 1: in the cut. She ain't even been coached. She over

2198
02:01:59,480 --> 02:02:01,720
Speaker 1: doing all. Don't think s man here a great man.

2199
02:02:01,880 --> 02:02:03,960
Speaker 1: You ain't even you don't even know. Damn, she's saying,

2200
02:02:04,000 --> 02:02:06,680
Speaker 1: I'm a great man over. She just that's in her,

2201
02:02:06,840 --> 02:02:09,720
Speaker 1: That's that's in her soul. That's that's how she You

2202
02:02:09,840 --> 02:02:13,840
Speaker 1: feel me, And when the women talk about you like that, dog,

2203
02:02:14,840 --> 02:02:17,040
Speaker 1: I want women to know that activate the side of

2204
02:02:17,040 --> 02:02:21,320
Speaker 1: a man that I promise you you're gonna love. So man,

2205
02:02:21,360 --> 02:02:23,920
Speaker 1: we're gonna get out of here. Boy. You know what

2206
02:02:23,960 --> 02:02:26,480
Speaker 1: we're gonna start doing is at the end of the podcast,

2207
02:02:26,560 --> 02:02:28,920
Speaker 1: we're gonna get into one of the topics that we're

2208
02:02:28,960 --> 02:02:31,200
Speaker 1: gonna talk about next week. There's been a long part.

2209
02:02:31,280 --> 02:02:33,800
Speaker 1: Y'all should enjoy this. I really be putting work in.

2210
02:02:34,160 --> 02:02:36,400
Speaker 1: That's why if you ain't on patron, man, I really

2211
02:02:36,400 --> 02:02:39,080
Speaker 1: be feeling bad because it's like, say, bro, I put

2212
02:02:39,120 --> 02:02:41,080
Speaker 1: them on work in and all them niggas and I'm

2213
02:02:41,080 --> 02:02:43,800
Speaker 1: by myself and I get the best content and my

2214
02:02:43,840 --> 02:02:47,000
Speaker 1: misses pure and I'm the truth, and the real niggas

2215
02:02:47,000 --> 02:02:49,480
Speaker 1: fuck with me. The biggest artist in the world. Fuck

2216
02:02:49,560 --> 02:02:51,920
Speaker 1: with me, the biggest athletes in the world, Like you

2217
02:02:51,960 --> 02:02:54,560
Speaker 1: supposed to be fucking with this shit Differently, if you ain't,

2218
02:02:54,840 --> 02:02:57,440
Speaker 1: it's just like dog, I gotta really question if you

2219
02:02:57,680 --> 02:03:01,040
Speaker 1: is what you say you is. Nonetheless, this next subject

2220
02:03:01,120 --> 02:03:03,800
Speaker 1: is near and dear to me because it's about podcast business.

2221
02:03:03,800 --> 02:03:06,440
Speaker 1: And if you know me, know anything about me, I've

2222
02:03:06,440 --> 02:03:09,560
Speaker 1: been putting that game down since I came in the game, right,

2223
02:03:09,600 --> 02:03:12,320
Speaker 1: So this is about Stephen Crowder versus The Dayly. While

2224
02:03:12,400 --> 02:03:15,360
Speaker 1: The Dayly Why is one of the biggest conglomerates in

2225
02:03:15,400 --> 02:03:19,240
Speaker 1: the conservative space in regards to content and media, it

2226
02:03:19,320 --> 02:03:22,440
Speaker 1: had some of the names like Candice Owens, Jordan Peterson,

2227
02:03:23,440 --> 02:03:26,200
Speaker 1: Bench Shapiro, and a bunch more Right, so they are

2228
02:03:26,360 --> 02:03:29,480
Speaker 1: rocking over the millions of views, billions of views. They

2229
02:03:29,520 --> 02:03:33,200
Speaker 1: generated two hundred million last Shield on the Texas is

2230
02:03:33,240 --> 02:03:37,520
Speaker 1: what they filed, right, got funding for the company a

2231
02:03:37,600 --> 02:03:40,080
Speaker 1: couple of years ago and now look at it. Nonetheless,

2232
02:03:40,560 --> 02:03:44,600
Speaker 1: Stephen Crowder was not signed with The Daily Why. He

2233
02:03:44,680 --> 02:03:47,680
Speaker 1: became a free agent. He came from a place called

2234
02:03:47,720 --> 02:03:54,400
Speaker 1: The Blaze. The Blaze is another conservative powerhouse, not as

2235
02:03:54,440 --> 02:03:56,960
Speaker 1: big as The Daily Why. In my opinion. I really

2236
02:03:56,960 --> 02:03:58,920
Speaker 1: don't know the numbers on them, but they did have

2237
02:03:59,040 --> 02:04:02,040
Speaker 1: Stephen Crowder and he kind of held it up over there.

2238
02:04:02,080 --> 02:04:05,920
Speaker 1: Stephen crowd is moving around with three hundred thousand subscribers,

2239
02:04:05,960 --> 02:04:09,960
Speaker 1: meaning whoever signs him get three hundred thousand paid people

2240
02:04:10,040 --> 02:04:12,360
Speaker 1: that week. This is the numbers he's given. I want

2241
02:04:12,360 --> 02:04:15,240
Speaker 1: you to understand that's powerful in the market, right, and

2242
02:04:15,280 --> 02:04:17,400
Speaker 1: we're talking business now, you know how, I'll give it

2243
02:04:17,480 --> 02:04:19,720
Speaker 1: up when we get to this. I love this. So

2244
02:04:20,640 --> 02:04:23,960
Speaker 1: Stephen Crowder became a free agent Daily while sent over

2245
02:04:24,360 --> 02:04:27,040
Speaker 1: a deal. The deal was for fifty million dollars for

2246
02:04:27,160 --> 02:04:29,480
Speaker 1: I think a six year, four year with a two

2247
02:04:29,560 --> 02:04:33,520
Speaker 1: year option. So that's fifty million dollars. But that is

2248
02:04:33,560 --> 02:04:36,680
Speaker 1: an operational budget. That it's different than you being paid

2249
02:04:36,800 --> 02:04:39,600
Speaker 1: is talent. You have to take that fifty million union.

2250
02:04:39,640 --> 02:04:42,280
Speaker 1: You have to run your company. Your video people need

2251
02:04:42,320 --> 02:04:46,000
Speaker 1: to be paid. Whoever has a salary, your drivers, your insurance,

2252
02:04:46,040 --> 02:04:48,440
Speaker 1: your lawyers, everything needs to be paid out of that

2253
02:04:48,600 --> 02:04:52,440
Speaker 1: money within a five or six year span. Stephen, it's

2254
02:04:52,480 --> 02:04:54,920
Speaker 1: probably worth more than that. He says, he's worth more

2255
02:04:54,920 --> 02:04:58,000
Speaker 1: than that. I don't know. Stephen had recorded a phone

2256
02:04:58,000 --> 02:05:00,880
Speaker 1: call with one of the decisions and makers wanted a

2257
02:05:00,960 --> 02:05:04,600
Speaker 1: big feet over at the Daily WI and this is

2258
02:05:04,640 --> 02:05:09,800
Speaker 1: wig is slippery. Let's start this conversation. They don't get

2259
02:05:09,880 --> 02:05:13,080
Speaker 1: deals that the wage slaves for a little bit. You

2260
02:05:13,120 --> 02:05:16,120
Speaker 1: can come over in Vegas houry and grow their brand

2261
02:05:18,440 --> 02:05:29,240
Speaker 1: slaves for a little bit. For a little bit. God

2262
02:05:29,240 --> 02:05:31,000
Speaker 1: bless the talk boy. Those things are worth like five

2263
02:05:31,000 --> 02:05:33,920
Speaker 1: thousand dollars now. It's an expensive gag. Um. So I

2264
02:05:34,000 --> 02:05:37,200
Speaker 1: didn't want to have to do this. But Daily Wire

2265
02:05:37,240 --> 02:05:42,600
Speaker 1: out of themselves very very quickly, and sure enough, if

2266
02:05:42,600 --> 02:05:45,000
Speaker 1: you see all of the people who work there, um,

2267
02:05:45,120 --> 02:05:48,280
Speaker 1: some of whom I have relationships with, they immediately tried

2268
02:05:48,320 --> 02:05:52,960
Speaker 1: to make this all about money. Here's the problem. There

2269
02:05:52,960 --> 02:05:55,520
Speaker 1: are a few problems. Now go through with some receipts.

2270
02:05:56,080 --> 02:06:00,360
Speaker 1: Everything that was said about negotiations, how they transpired beyond

2271
02:06:00,440 --> 02:06:03,160
Speaker 1: the numerical value, which is true, and I'll get to

2272
02:06:03,720 --> 02:06:06,800
Speaker 1: everything else is untrue. I don't really want to get

2273
02:06:06,800 --> 02:06:11,080
Speaker 1: into that. It's completely irrelevant. Here's why. Go back to

2274
02:06:11,120 --> 02:06:14,760
Speaker 1: the twenty something minute video. Thirty minute video. You've never

2275
02:06:14,800 --> 02:06:19,640
Speaker 1: heard me say or write anywhere online that these offers

2276
02:06:19,640 --> 02:06:26,920
Speaker 1: weren't paying enough money. Why, Because it's not about the money.

2277
02:06:27,560 --> 02:06:29,800
Speaker 1: It's kind of unreal to me that the only thing

2278
02:06:29,840 --> 02:06:32,120
Speaker 1: these people can still talk about is the money. The

2279
02:06:32,200 --> 02:06:37,800
Speaker 1: conversation was about conservatism, the movement, and big tech. They

2280
02:06:37,880 --> 02:06:41,200
Speaker 1: keep talking about money. I'm talking about a country, I'm

2281
02:06:41,240 --> 02:06:44,520
Speaker 1: talking about a movement. I'm talking about making a difference.

2282
02:06:45,200 --> 02:06:48,760
Speaker 1: It's not about the money. And Jeremy and the Daily

2283
02:06:48,800 --> 02:06:51,240
Speaker 1: Wire know that. How do I know they know that

2284
02:06:51,360 --> 02:06:54,520
Speaker 1: because after according to what he said, you know, I

2285
02:06:54,640 --> 02:06:57,920
Speaker 1: walked away from the offer. I did place one more

2286
02:06:57,960 --> 02:07:00,960
Speaker 1: call to the Daily Wire, and I made it very

2287
02:07:01,040 --> 02:07:04,600
Speaker 1: very clear that it wasn't about money. That was not

2288
02:07:04,640 --> 02:07:08,040
Speaker 1: the topic of conversation. There was zero as they've tried

2289
02:07:08,080 --> 02:07:12,520
Speaker 1: to portray this miscommunication. It was one last call where

2290
02:07:12,560 --> 02:07:16,640
Speaker 1: the only thing that I asked for, my only demand

2291
02:07:17,920 --> 02:07:21,720
Speaker 1: was their word. And not even for me, but for

2292
02:07:21,840 --> 02:07:27,280
Speaker 1: other people coming up facing these kinds of contracts. Let's

2293
02:07:27,320 --> 02:07:28,800
Speaker 1: say it's a kid who comes in with five hundred

2294
02:07:28,800 --> 02:07:31,560
Speaker 1: thousand YouTube subscribers or something like the one hundred thousand.

2295
02:07:31,600 --> 02:07:34,040
Speaker 1: Let's say some other kid you're paying, You're paying six

2296
02:07:34,120 --> 02:07:36,360
Speaker 1: figures to come in and do it. There's not the

2297
02:07:36,400 --> 02:07:42,080
Speaker 1: penalty of the demonetization or if they're removed from iTunes, Apple, YouTube, Yeah,

2298
02:07:42,160 --> 02:07:47,640
Speaker 1: sure there would be. Here's something else. I was also

2299
02:07:48,560 --> 02:07:53,480
Speaker 1: very measured. I was painstakingly clear in taking myself off

2300
02:07:53,520 --> 02:07:55,720
Speaker 1: the table because it wasn't going to be a right fit.

2301
02:07:55,800 --> 02:07:58,760
Speaker 1: That happens in business all the time, but that we

2302
02:07:58,760 --> 02:08:03,200
Speaker 1: weren't talking about. We were talking about the futures of

2303
02:08:03,360 --> 02:08:07,120
Speaker 1: other people who could potentially be in that position, that

2304
02:08:07,280 --> 02:08:12,320
Speaker 1: very disconcerting position. No miscommunication. What I'm talking about is

2305
02:08:12,560 --> 02:08:15,919
Speaker 1: you're describing a model for everyone, a model for everyone,

2306
02:08:16,040 --> 02:08:19,320
Speaker 1: not just let's get rid of me here everyone. If

2307
02:08:19,360 --> 02:08:23,440
Speaker 1: there's a penalty for being demonetized on YouTube, because your

2308
02:08:23,480 --> 02:08:26,480
Speaker 1: business model requires that be a huge component of it,

2309
02:08:26,800 --> 02:08:29,520
Speaker 1: you need to change your business model or this movement

2310
02:08:29,600 --> 02:08:33,600
Speaker 1: cannot work. Jeremy, I can't imagine my show trying to

2311
02:08:33,600 --> 02:08:40,160
Speaker 1: come up and beholden to YouTube advertiser guidelines let alone,

2312
02:08:40,160 --> 02:08:44,040
Speaker 1: I mean, honestly, being beholden from a conservative energy with

2313
02:08:44,120 --> 02:08:47,520
Speaker 1: hard strikes right being removed, but let alone being advertiser friendly.

2314
02:08:47,560 --> 02:08:49,760
Speaker 1: We know how broad those guidelines are. They might as

2315
02:08:49,800 --> 02:08:53,040
Speaker 1: well just read don't say anything offensive, and they change

2316
02:08:53,080 --> 02:08:56,280
Speaker 1: them at the drop. So for me to catch out low,

2317
02:08:57,640 --> 02:09:01,600
Speaker 1: this is a situation where they sent over the fifty

2318
02:09:01,600 --> 02:09:04,360
Speaker 1: million dollars as an operational budget. Again, this is a

2319
02:09:04,440 --> 02:09:07,960
Speaker 1: first offer, so you can definitely count this offer. But

2320
02:09:09,000 --> 02:09:11,520
Speaker 1: they sent it over as an operational budget. They hit

2321
02:09:11,560 --> 02:09:16,760
Speaker 1: back and said, listen, in that contract, you indicate that

2322
02:09:16,800 --> 02:09:20,880
Speaker 1: if we're get a strike on YouTube by pays Doctor,

2323
02:09:20,920 --> 02:09:22,640
Speaker 1: or we get a strike on Apple or one of

2324
02:09:22,640 --> 02:09:27,480
Speaker 1: these streaming platforms that I pay will be docked up

2325
02:09:27,520 --> 02:09:30,040
Speaker 1: to forty or sixty percent. This is what Stephen Crowd

2326
02:09:30,120 --> 02:09:34,600
Speaker 1: is saying. And this is dangerous because they can rally

2327
02:09:34,680 --> 02:09:38,320
Speaker 1: up enough troops to effect the bottom line, which by

2328
02:09:38,400 --> 02:09:42,560
Speaker 1: proxy silence you because now you can't get any advertisers

2329
02:09:42,560 --> 02:09:45,800
Speaker 1: to do any business. And so the Daily Wild has

2330
02:09:45,880 --> 02:09:48,800
Speaker 1: made a response to this, and this is getting very messy.

2331
02:09:49,040 --> 02:09:53,080
Speaker 1: I want y'all to pay attention for the hot I'm

2332
02:09:53,120 --> 02:09:57,120
Speaker 1: not suggesting that the guidelines aren't terrible. I'm suggesting that

2333
02:09:57,440 --> 02:09:59,800
Speaker 1: if making money off of those platforms as part of

2334
02:09:59,800 --> 02:10:03,080
Speaker 1: how you're justifying the salary you're paying someone, then when

2335
02:10:03,560 --> 02:10:06,200
Speaker 1: or the feet you're I keep saying the feet you're

2336
02:10:06,200 --> 02:10:11,760
Speaker 1: paying someone, then when those go away, everybody loses money.

2337
02:10:11,760 --> 02:10:14,040
Speaker 1: You can't pay the same amount with let's refue How

2338
02:10:14,040 --> 02:10:17,320
Speaker 1: about you create a different business model. Now I know

2339
02:10:17,360 --> 02:10:19,400
Speaker 1: what somebody you're thinking, of course, telling someone else, hey, hey,

2340
02:10:19,480 --> 02:10:21,880
Speaker 1: change your business model. I get it. I'm in no

2341
02:10:22,160 --> 02:10:26,720
Speaker 1: position to say that unless instead of Monday morning quarterbacking it.

2342
02:10:28,760 --> 02:10:32,839
Speaker 1: Here's the thing. I didn't just offer criticisms. I offered

2343
02:10:32,840 --> 02:10:35,840
Speaker 1: a guide on how to Here's the deal. I want

2344
02:10:35,840 --> 02:10:37,880
Speaker 1: to sit at the table with people who, granted, have

2345
02:10:37,960 --> 02:10:41,520
Speaker 1: an immense amount of power and have incredibly deep pockets.

2346
02:10:41,600 --> 02:10:44,680
Speaker 1: That is all true, to be clear, and by the way,

2347
02:10:45,800 --> 02:10:48,680
Speaker 1: we'll get into this next week. Come to Patron for

2348
02:10:48,760 --> 02:10:50,480
Speaker 1: the bat bracest