1 00:00:01,760 --> 00:00:04,760 Speaker 1: Hey, Discos, need a little more Disgraceland in your life, 2 00:00:05,160 --> 00:00:08,039 Speaker 1: just to touch to get you through. Yeah, me too. 3 00:00:08,760 --> 00:00:12,000 Speaker 1: This is the podcast that comes after the podcast. Welcome 4 00:00:12,000 --> 00:00:30,920 Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode, 5 00:00:31,160 --> 00:00:33,640 Speaker 1: a little thing we'd like to call the after Party. 6 00:00:33,920 --> 00:00:35,920 Speaker 1: This is the show after the show, the party after 7 00:00:35,960 --> 00:00:37,880 Speaker 1: the party, the bridge to get you from one full 8 00:00:37,880 --> 00:00:41,040 Speaker 1: episode of Disgraceland to the other, the backyard to dig 9 00:00:41,120 --> 00:00:44,720 Speaker 1: into the dirt. On this bonus episode, we are talking 10 00:00:44,800 --> 00:00:48,000 Speaker 1: about allegations that have been made against Bill Murray, also 11 00:00:48,040 --> 00:00:51,280 Speaker 1: talking about your personal stories involving Bill Murray, and well 12 00:00:51,360 --> 00:00:53,840 Speaker 1: your favorite Bill Murray movies and roles and of course 13 00:00:53,840 --> 00:00:57,720 Speaker 1: your voicemails and texts and as always a whole lot 14 00:00:57,720 --> 00:01:10,360 Speaker 1: of rosie. All right, Discos, let's get into it. So, 15 00:01:10,640 --> 00:01:13,680 Speaker 1: Bill Murray is an asshole. It pains me to say that, 16 00:01:14,200 --> 00:01:17,240 Speaker 1: but it's true. But wait, Jake, what about all the 17 00:01:17,280 --> 00:01:19,759 Speaker 1: praise you've heaped on Bill Murray over the past few days, 18 00:01:19,800 --> 00:01:22,680 Speaker 1: in the previous after Party episode and in the full 19 00:01:22,720 --> 00:01:25,360 Speaker 1: episode that we just heard, and on social media talking 20 00:01:25,360 --> 00:01:29,840 Speaker 1: to us, Well, I guess I'm praising a caricature of 21 00:01:29,880 --> 00:01:35,360 Speaker 1: Bill Murray a composite. I've subconsciously invented this composite. It's 22 00:01:35,840 --> 00:01:38,680 Speaker 1: a combination the coolest of Bill Murray's characters and the 23 00:01:38,680 --> 00:01:42,040 Speaker 1: mythical everyman's stories that we've all heard about regarding Bill 24 00:01:42,080 --> 00:01:44,039 Speaker 1: Murray over the years, and that some of you have 25 00:01:44,120 --> 00:01:46,839 Speaker 1: even experienced that we're going to hear later in the show. 26 00:01:47,319 --> 00:01:50,520 Speaker 1: But what I've learned over the last week in digging 27 00:01:50,560 --> 00:01:52,920 Speaker 1: deeper into Bill Murray is that as much as I 28 00:01:52,960 --> 00:01:56,120 Speaker 1: love Private John Winger from Stripes or Steve Zisu from 29 00:01:56,160 --> 00:01:58,240 Speaker 1: A Life Aquatic or any other number of iconic Bill 30 00:01:58,320 --> 00:02:02,480 Speaker 1: Murray characters, Bill seems to be an asshole. And this 31 00:02:02,640 --> 00:02:05,800 Speaker 1: is complicated, Okay. It doesn't also mean that he's not 32 00:02:05,920 --> 00:02:08,440 Speaker 1: a great guy. Doesn't mean that he wasn't that cool 33 00:02:08,520 --> 00:02:10,320 Speaker 1: dude who served you a drink at your favorite bar, 34 00:02:11,120 --> 00:02:13,160 Speaker 1: or that let you play through on the golf course, 35 00:02:13,639 --> 00:02:16,120 Speaker 1: or help some little old lady cross the street or whatever. 36 00:02:17,080 --> 00:02:21,280 Speaker 1: But the evidence of Bill Murray's prickish behavior it's not 37 00:02:21,400 --> 00:02:23,880 Speaker 1: hard to find, and there is a lot of it. 38 00:02:24,600 --> 00:02:27,399 Speaker 1: And sure some of the allegations might be a little suspect, 39 00:02:27,960 --> 00:02:30,720 Speaker 1: but after researching this behavior myself, my gut tells me 40 00:02:30,760 --> 00:02:34,200 Speaker 1: that people like Angelica Houston, Harold Ramis and others they 41 00:02:34,240 --> 00:02:39,040 Speaker 1: have legitimate beef with Bill Murray. I woke up the 42 00:02:39,080 --> 00:02:42,200 Speaker 1: morning before recording this episode and did a quick Google 43 00:02:42,240 --> 00:02:44,960 Speaker 1: search for Bill Murray just to see if there was 44 00:02:44,960 --> 00:02:46,760 Speaker 1: anything in the news that I wasn't aware of. I 45 00:02:46,760 --> 00:02:49,239 Speaker 1: know Bill, I believe he's currently on tour with his band, 46 00:02:49,960 --> 00:02:52,120 Speaker 1: and I just wanted to, you know, I didn't want 47 00:02:52,160 --> 00:02:56,960 Speaker 1: to record this and be overlooking anything. And lo and behold, 48 00:02:57,520 --> 00:03:02,800 Speaker 1: there were three pages of returns search returns on Google 49 00:03:03,280 --> 00:03:06,360 Speaker 1: regarding the allegations made by actress Lucy Lou claiming that 50 00:03:06,400 --> 00:03:09,239 Speaker 1: Bill Murray hurled unacceptable insults at her on the set 51 00:03:09,280 --> 00:03:14,799 Speaker 1: of Charlie's Angels. No real specifics, just allegations. Lou came 52 00:03:14,800 --> 00:03:16,880 Speaker 1: out and brought this up in an interview with The 53 00:03:16,919 --> 00:03:19,560 Speaker 1: Guardian just a couple of days ago this week, which 54 00:03:19,560 --> 00:03:22,360 Speaker 1: is why it's now back in the news. But again, 55 00:03:22,720 --> 00:03:25,720 Speaker 1: no specifics, but still I'm like, hmm, okay, and I've 56 00:03:25,720 --> 00:03:27,120 Speaker 1: heard I've heard a little bit from you guys on 57 00:03:27,160 --> 00:03:31,040 Speaker 1: social as well, some comments about Bill's behavior, and I 58 00:03:31,080 --> 00:03:34,880 Speaker 1: knew there was some some loose I don't want to 59 00:03:34,880 --> 00:03:38,360 Speaker 1: say me too, that's the wrong word. But some some 60 00:03:38,360 --> 00:03:40,120 Speaker 1: some allegations from a couple of years ago, and I 61 00:03:40,120 --> 00:03:43,520 Speaker 1: remember I remember doing my own sort of quick Google 62 00:03:43,560 --> 00:03:47,760 Speaker 1: search on that and not finding anything that was particularly compelling. 63 00:03:48,280 --> 00:03:52,320 Speaker 1: I'm using that word carefully. So anyways, I decided to 64 00:03:53,000 --> 00:03:55,320 Speaker 1: just dive in a little bit deeper see what else 65 00:03:55,400 --> 00:03:57,560 Speaker 1: was out there. It's important to note that I didn't 66 00:03:57,560 --> 00:04:00,640 Speaker 1: write this Bill Murray episode. I did not research it, 67 00:04:00,720 --> 00:04:02,160 Speaker 1: and I did not write it. I just voiced it 68 00:04:02,200 --> 00:04:04,640 Speaker 1: and I produced it. And I'm not making excuses in 69 00:04:04,720 --> 00:04:06,880 Speaker 1: any way. I only say that as a means to 70 00:04:06,920 --> 00:04:10,360 Speaker 1: illustrate that my knowledge of Bill Murray is not, say, 71 00:04:10,440 --> 00:04:13,120 Speaker 1: the same knowledge base I have of an episode that 72 00:04:13,400 --> 00:04:16,000 Speaker 1: I research myself and that I write myself, like this 73 00:04:16,080 --> 00:04:19,200 Speaker 1: upcoming Beastie Boys episode next week. But back to Bill 74 00:04:19,279 --> 00:04:21,120 Speaker 1: Murray and back to the allegations. Did I dug a 75 00:04:21,160 --> 00:04:24,880 Speaker 1: little bit deeper? And there's a lot Okay, there's a 76 00:04:24,920 --> 00:04:29,840 Speaker 1: lot of allegations against Bill Murray from co stars of 77 00:04:29,880 --> 00:04:32,440 Speaker 1: his in the past, and I want to be careful 78 00:04:32,480 --> 00:04:34,920 Speaker 1: about the word allegations here. These do not, in most 79 00:04:34,920 --> 00:04:38,680 Speaker 1: cases rise to the typical fare of horror that we 80 00:04:38,760 --> 00:04:41,479 Speaker 1: discussed with our subjects. Like I said at the top, 81 00:04:41,480 --> 00:04:44,360 Speaker 1: Bill Murray is an asshole. Okay. There's lots of people 82 00:04:44,360 --> 00:04:47,000 Speaker 1: who are assholes. Doesn't mean they're not great artists. And 83 00:04:47,040 --> 00:04:49,320 Speaker 1: we can litigate whether or not some of these allegations 84 00:04:49,360 --> 00:04:54,080 Speaker 1: are just asshole behavior or if they elevate beyond that. 85 00:04:54,520 --> 00:04:57,559 Speaker 1: The most damning of these allegations comes from actress Geena Davis, 86 00:04:57,600 --> 00:04:59,520 Speaker 1: who started in a Bill Murray movie that I'd never 87 00:04:59,560 --> 00:05:03,680 Speaker 1: seen called Quick Change from nineteen ninety. Davis claims that 88 00:05:03,760 --> 00:05:07,600 Speaker 1: Bill wouldn't take no for an answer. The incident didn't 89 00:05:07,640 --> 00:05:11,120 Speaker 1: go full Louis c K, but Bill Murray allegedly made 90 00:05:11,200 --> 00:05:13,599 Speaker 1: Geena Davis lay down in a bed while he used 91 00:05:13,600 --> 00:05:16,359 Speaker 1: a massage device on her, and Davis says, quote, I 92 00:05:16,520 --> 00:05:20,760 Speaker 1: said no multiple times, but he wouldn't relent. Geena Davis 93 00:05:20,760 --> 00:05:23,919 Speaker 1: says that, of course about Bill Murray, there are numerous 94 00:05:24,240 --> 00:05:28,359 Speaker 1: other allegations that don't rise to sexual misconduct, and Geena 95 00:05:28,440 --> 00:05:32,480 Speaker 1: Davis isn't exactly alleging sexual misconduct here. I want to 96 00:05:32,520 --> 00:05:35,839 Speaker 1: be careful. She's alleging exactly what I just read to you. Okay. 97 00:05:36,440 --> 00:05:39,280 Speaker 1: These other allegations, however, they just paint this picture of 98 00:05:39,360 --> 00:05:41,800 Speaker 1: a prick of an asshole, Like I said, a moody comedian, 99 00:05:41,880 --> 00:05:45,080 Speaker 1: perhaps often hungover, who has a hard time with authority. 100 00:05:45,520 --> 00:05:48,480 Speaker 1: And you mix that with Murray's obvious and pretty consistent 101 00:05:48,760 --> 00:05:52,440 Speaker 1: smart ass attitude that he's demonstrated throughout the years, and 102 00:05:52,520 --> 00:05:54,880 Speaker 1: you start to see what's going on. The guy's an asshole. 103 00:05:55,480 --> 00:05:57,520 Speaker 1: Solange Knowles and for those of you who don't know, 104 00:05:57,600 --> 00:06:01,279 Speaker 1: this is Beyonce's sister. Solange Noo went on SNL in 105 00:06:01,320 --> 00:06:05,880 Speaker 1: twenty sixteen and performed a song titled Don't Touch My Hair. 106 00:06:06,480 --> 00:06:08,560 Speaker 1: So what did Bill Murray do backstage? According to writer 107 00:06:08,760 --> 00:06:12,480 Speaker 1: producer Jed mayerd, he touched Solange's hair and he was 108 00:06:12,600 --> 00:06:15,839 Speaker 1: kind of a prick, constantly peppering her with questions about 109 00:06:15,880 --> 00:06:18,160 Speaker 1: her hair. And I don't need to tell you what 110 00:06:18,160 --> 00:06:22,120 Speaker 1: that means, Okay, but it doesn't mean nothing. Again. Guy 111 00:06:22,160 --> 00:06:24,760 Speaker 1: can be a prick. Rob Schneider recently detailed a nineteen 112 00:06:24,839 --> 00:06:28,320 Speaker 1: ninety three hosting stint on SNL by Bill Murray where Bill, 113 00:06:28,640 --> 00:06:33,320 Speaker 1: according to Rob, demonstrated quote unquote naked rage toward cast members. 114 00:06:33,720 --> 00:06:37,600 Speaker 1: Schneider alleges that Bill Murray hated, including himself and most 115 00:06:37,640 --> 00:06:41,760 Speaker 1: specifically including Adam Sandler and Chris Farley, who just featured 116 00:06:41,800 --> 00:06:45,120 Speaker 1: a couple of weeks ago in Disgraceland, and Murray reportedly 117 00:06:45,160 --> 00:06:49,400 Speaker 1: couldn't stand these guys. Allegedly, Bill Murray also iced out 118 00:06:49,400 --> 00:06:53,760 Speaker 1: Harold Ramis for twenty years. That comes from Harold Ramis's daughter. 119 00:06:54,080 --> 00:06:56,880 Speaker 1: And Bill Murray hurt fully shut out Angelica Houston on 120 00:06:56,920 --> 00:06:59,760 Speaker 1: the set of Life Aquatic and that comes from Angelica Houston. 121 00:07:00,360 --> 00:07:03,360 Speaker 1: Bill Murray shoved a nine year old Seth Green into 122 00:07:03,400 --> 00:07:06,280 Speaker 1: a trash can. He threw an ashtray at the head 123 00:07:06,360 --> 00:07:08,719 Speaker 1: of Richard Dreyfus on the set of What About Bob, 124 00:07:09,120 --> 00:07:12,040 Speaker 1: And according to divorce proceedings with his ex wife Jennifer Murray, 125 00:07:12,280 --> 00:07:15,760 Speaker 1: Bill hit her in the face. Now, this last allegation, 126 00:07:15,920 --> 00:07:19,800 Speaker 1: like the Geena Davis allegation, is indefensible if true, But 127 00:07:19,920 --> 00:07:23,120 Speaker 1: the other allegations paint the picture of a jerk. So 128 00:07:23,440 --> 00:07:27,680 Speaker 1: who knows where Bill Murray's line was, where Bill Murray's 129 00:07:27,680 --> 00:07:30,640 Speaker 1: line is, and what he was capable of in the 130 00:07:30,640 --> 00:07:34,280 Speaker 1: past or what he's capable of in the future. That said, 131 00:07:35,040 --> 00:07:37,400 Speaker 1: none of it changes how I feel about Bill Murray 132 00:07:37,480 --> 00:07:40,560 Speaker 1: the actor. I can hold the two thoughts in my 133 00:07:40,600 --> 00:07:43,800 Speaker 1: head at the same time. One Bill Murray maybe an asshole. 134 00:07:43,960 --> 00:07:46,360 Speaker 1: Two Bill Murray maybe one of the funniest dudes to 135 00:07:46,360 --> 00:07:49,120 Speaker 1: ever do it. But given that this is Disgraceland and 136 00:07:49,160 --> 00:07:51,240 Speaker 1: this tension between art and artists is central to what 137 00:07:51,280 --> 00:07:56,200 Speaker 1: we do here, yo, it's important that if I discover 138 00:07:56,320 --> 00:07:58,600 Speaker 1: this stuff the morning before and after party by just 139 00:07:58,680 --> 00:08:03,040 Speaker 1: doing a shallow research dive into Bill Murray, that I 140 00:08:03,080 --> 00:08:04,880 Speaker 1: need to bring you guys this. Otherwise I would be 141 00:08:04,880 --> 00:08:07,400 Speaker 1: being disingenuous. Okay, That's why I'm doing it. That's why 142 00:08:07,400 --> 00:08:09,280 Speaker 1: I'm bringing to these recently learned facts. When it comes 143 00:08:09,320 --> 00:08:11,960 Speaker 1: to being an actual good dude, Bill Murray appears to be, 144 00:08:12,080 --> 00:08:16,040 Speaker 1: as he would say, medium talent still to come. Your 145 00:08:16,080 --> 00:08:18,320 Speaker 1: story is about Bill Murray and your favorite Bill Murray 146 00:08:18,320 --> 00:08:21,440 Speaker 1: performances when we get into your voicemails and texts real 147 00:08:21,560 --> 00:08:24,080 Speaker 1: quick though. This week, we've got another legend popping up 148 00:08:24,120 --> 00:08:27,240 Speaker 1: in your feed in the rewind slot after this here 149 00:08:27,320 --> 00:08:30,640 Speaker 1: after party bonus episode, and that's a full episode on 150 00:08:30,760 --> 00:08:34,480 Speaker 1: Keith Richards and Key's Canadian busts in the seventies. Justin 151 00:08:34,520 --> 00:08:38,080 Speaker 1: Trudeau's mom, the then Prime Minister's wife in bed with 152 00:08:38,160 --> 00:08:41,200 Speaker 1: Mick Jagger and Ronnie Wood and Justin's dad, Fidel Castro 153 00:08:41,280 --> 00:08:43,880 Speaker 1: Wayman alleged Dad, I should say, tell me I'm wrong 154 00:08:44,280 --> 00:08:46,320 Speaker 1: watching it all go down from the shores of Cuba. 155 00:08:46,400 --> 00:08:48,760 Speaker 1: It's the very first Rolling Stones episode, guys, that we 156 00:08:48,840 --> 00:08:50,800 Speaker 1: ever released, and it's a doozy and I hope you 157 00:08:50,840 --> 00:08:53,240 Speaker 1: revisit it with us this week in the rewind slot. 158 00:08:53,480 --> 00:08:56,880 Speaker 1: And I hope you take my tongue in cheek conspiracy 159 00:08:56,880 --> 00:08:59,760 Speaker 1: claims here with a grain of salt and all do 160 00:09:00,800 --> 00:09:06,439 Speaker 1: qualifications that said, I don't know those images, young Fidel Castro, 161 00:09:07,120 --> 00:09:10,920 Speaker 1: Young Justin Trudeau, those are compelling, all right. Of course, 162 00:09:10,960 --> 00:09:13,480 Speaker 1: next week we're hitting you, guys with our Beastie Boys episode. 163 00:09:13,600 --> 00:09:16,559 Speaker 1: And when you're listening to this episode, an episode about influence, 164 00:09:16,960 --> 00:09:19,000 Speaker 1: I want you, guys be thinking about which musician has 165 00:09:19,040 --> 00:09:21,920 Speaker 1: had the most influence on you and why. And I 166 00:09:21,960 --> 00:09:24,280 Speaker 1: don't mean musically. You don't have to be a musician 167 00:09:24,280 --> 00:09:27,520 Speaker 1: to answer this question. I heard a great quote last 168 00:09:27,559 --> 00:09:30,600 Speaker 1: week from I can't remember where I heard it from, 169 00:09:30,600 --> 00:09:32,400 Speaker 1: I was. I was talking about it last night at dinner. 170 00:09:32,760 --> 00:09:35,120 Speaker 1: This is a very simple quote about how storytelling in 171 00:09:35,160 --> 00:09:38,880 Speaker 1: general can be inspiring in different ways, and it's so 172 00:09:39,040 --> 00:09:42,320 Speaker 1: obvious that it goes without even saying we just I 173 00:09:42,360 --> 00:09:44,680 Speaker 1: take it for granted. I watch stuff all the time. 174 00:09:44,720 --> 00:09:46,480 Speaker 1: I listen to stuff all the time. I hear stories 175 00:09:46,520 --> 00:09:48,680 Speaker 1: all the time. They all influence me, they all motivate me, 176 00:09:48,720 --> 00:09:51,120 Speaker 1: they all compel me to do different things. And this 177 00:09:51,160 --> 00:09:53,480 Speaker 1: is especially true of musicians. And even though I've been 178 00:09:53,520 --> 00:09:56,040 Speaker 1: a musician or I am a musician, you know, made 179 00:09:56,040 --> 00:09:58,120 Speaker 1: my living as a musician at one point in my life. 180 00:09:58,440 --> 00:10:02,040 Speaker 1: And I talk about musicians, you know, even when I 181 00:10:02,080 --> 00:10:06,880 Speaker 1: was a kid, I was inspired deeply by certain musicians, 182 00:10:07,080 --> 00:10:10,079 Speaker 1: uh in non musical ways. So you can get at 183 00:10:10,120 --> 00:10:12,640 Speaker 1: me by answering this question either from a musical standpoint 184 00:10:12,640 --> 00:10:14,720 Speaker 1: if you if you are a musician, or from a 185 00:10:14,720 --> 00:10:17,079 Speaker 1: non musical standpoint. I just want to know, as you're 186 00:10:17,080 --> 00:10:18,920 Speaker 1: going to hear in this Beastie Boys episode that is 187 00:10:19,040 --> 00:10:22,960 Speaker 1: all about influence. I just want to know which musicians 188 00:10:23,280 --> 00:10:25,600 Speaker 1: have left their mark on you and who have most 189 00:10:25,679 --> 00:10:27,560 Speaker 1: influenced you. Let me know, and of course let me 190 00:10:27,600 --> 00:10:30,240 Speaker 1: know why. Six one seven nine oh six six six 191 00:10:30,400 --> 00:10:33,040 Speaker 1: three eight hit me up. Ask for Cookie Puss to 192 00:10:33,120 --> 00:10:35,120 Speaker 1: leave a voicemail or a text for the best in 193 00:10:35,200 --> 00:10:38,720 Speaker 1: men's clothing. That's a disgrace slam pod on the socials Instagram, 194 00:10:38,800 --> 00:10:41,680 Speaker 1: Facebook X and Disgrace lampod at gmail dot com. I'll 195 00:10:41,720 --> 00:10:44,480 Speaker 1: be back right after this with your calls, texts and dms. 196 00:10:44,760 --> 00:11:05,760 Speaker 1: On last week's question of the Week. All right, guys, 197 00:11:05,800 --> 00:11:07,360 Speaker 1: this a reminder to make sure that if you're an 198 00:11:07,400 --> 00:11:10,880 Speaker 1: Apple podcast listener, you got those auto downloads turned on 199 00:11:11,480 --> 00:11:13,480 Speaker 1: so that you're not missing any of these episodes. You're 200 00:11:13,480 --> 00:11:15,960 Speaker 1: gonna go into the app. Yeah, turn the auto downloads on. 201 00:11:16,040 --> 00:11:18,760 Speaker 1: All right, okay, let's get to you, guys. This week's 202 00:11:18,760 --> 00:11:22,600 Speaker 1: story of the Week comes from Disco Amanda Duggan or Dugan. 203 00:11:22,640 --> 00:11:24,520 Speaker 1: I'm not sure how to pronounce Amanda's last name. I 204 00:11:24,520 --> 00:11:28,240 Speaker 1: apologize for getting it half wrong at least. Anyways, Amanda 205 00:11:28,360 --> 00:11:32,240 Speaker 1: is in Little Roady and Amanda writes, Hey, Jake, Amanda 206 00:11:32,280 --> 00:11:33,680 Speaker 1: from the four to oh one here, and I just 207 00:11:33,720 --> 00:11:35,720 Speaker 1: wanted to tell you about my small run in with 208 00:11:35,880 --> 00:11:39,160 Speaker 1: Jack Black. My friends and I all went to see 209 00:11:39,200 --> 00:11:41,959 Speaker 1: Tenacious D maybe twelve years ago, and when they came 210 00:11:42,000 --> 00:11:44,360 Speaker 1: to Providence. First of all, Jack Black went onto a 211 00:11:44,400 --> 00:11:47,000 Speaker 1: talk show and had no idea where a Rhode Island 212 00:11:47,080 --> 00:11:51,680 Speaker 1: even was. That's offensive. As someone from New England, that's offensive. 213 00:11:51,679 --> 00:11:53,160 Speaker 1: You gotta know where Rhode Island is. How do you 214 00:11:53,160 --> 00:11:57,480 Speaker 1: not know where or a state is? Geez man. Amanda 215 00:11:57,960 --> 00:11:59,600 Speaker 1: is more charitable than I am. She goes on to say, 216 00:11:59,640 --> 00:12:01,160 Speaker 1: but a lot of people wouldn't know. I guess right, 217 00:12:01,640 --> 00:12:03,280 Speaker 1: she said it says. So we all took a few 218 00:12:03,280 --> 00:12:05,360 Speaker 1: cars up to Providence. I got free drinks all night 219 00:12:05,360 --> 00:12:07,319 Speaker 1: because I was wearing my kit Mitten shirt from It's 220 00:12:07,360 --> 00:12:10,000 Speaker 1: Always Sonny in Philadelphia. A great time. I caught a 221 00:12:10,040 --> 00:12:12,160 Speaker 1: guitar pick from Jack, and when the show was over, 222 00:12:12,240 --> 00:12:14,320 Speaker 1: my friends all except for my best friend who wanted 223 00:12:14,360 --> 00:12:16,160 Speaker 1: to go to a party. Well, if you know Lupo 224 00:12:16,320 --> 00:12:18,480 Speaker 1: slash Roxy in Providence, and you know that the tour 225 00:12:18,559 --> 00:12:22,160 Speaker 1: bus always parks in the back and there's really only 226 00:12:22,200 --> 00:12:25,000 Speaker 1: one way out. So we waited in the snow and 227 00:12:25,120 --> 00:12:27,559 Speaker 1: Jack Black finally came out and there weren't that many 228 00:12:27,559 --> 00:12:29,400 Speaker 1: people there. So I got a hug from Jack and 229 00:12:29,440 --> 00:12:31,760 Speaker 1: he told me he loved me after I screamed that 230 00:12:31,880 --> 00:12:35,120 Speaker 1: I loved him. What an awesome night, and my friends 231 00:12:35,160 --> 00:12:37,240 Speaker 1: who left were so mad. Thanks for reading love the 232 00:12:37,280 --> 00:12:40,520 Speaker 1: show so much, Thanks for keeping Rock alive you got it, Amanda. 233 00:12:41,200 --> 00:12:43,400 Speaker 1: You guys know the drill. You email me, you text me, 234 00:12:43,520 --> 00:12:45,680 Speaker 1: send me a voicemail with your stories of rock and roll, 235 00:12:45,760 --> 00:12:48,199 Speaker 1: animalism or otherwise, and I'm gonna pick one or read 236 00:12:48,200 --> 00:12:51,160 Speaker 1: it here every week, thus contributing to the preservation of 237 00:12:51,160 --> 00:12:53,200 Speaker 1: the rock and roll spirit here in Disgracelane in a 238 00:12:53,320 --> 00:12:56,600 Speaker 1: very real and tangible way. Two hundred years from now, guys, 239 00:12:56,679 --> 00:12:59,040 Speaker 1: when the AI is writing all the hit songs and 240 00:12:59,200 --> 00:13:02,200 Speaker 1: rock and roll is just a far more distant memory 241 00:13:02,240 --> 00:13:04,880 Speaker 1: than it even is today, the future world can listen 242 00:13:04,960 --> 00:13:08,240 Speaker 1: to Disgraceland right here. They can hear your voices detailing 243 00:13:08,280 --> 00:13:11,160 Speaker 1: the once mighty spirit of rock and roll. Okay, you 244 00:13:11,200 --> 00:13:13,800 Speaker 1: can also hit me up with your answers to our 245 00:13:13,880 --> 00:13:15,640 Speaker 1: question of the week six one seven nine, six six 246 00:13:15,679 --> 00:13:18,760 Speaker 1: sixty three eight Voice Mountain text at Disgrace Lamdpard on 247 00:13:18,800 --> 00:13:21,640 Speaker 1: the Socials. Last week's question of the week was what 248 00:13:21,760 --> 00:13:24,880 Speaker 1: was your favorite Bill Murray performance? Sub question, I asked 249 00:13:24,880 --> 00:13:26,720 Speaker 1: for you guys to hit me with any first hand 250 00:13:26,800 --> 00:13:31,079 Speaker 1: personal Bill Murray stories from your encounters with this week's 251 00:13:31,160 --> 00:13:35,000 Speaker 1: full episode subject, Steve in Australia. 252 00:13:34,720 --> 00:13:35,360 Speaker 2: Great Jake. 253 00:13:35,760 --> 00:13:39,800 Speaker 3: It's Steve from the three one eighty three in Australia 254 00:13:40,000 --> 00:13:44,560 Speaker 3: in Melbourne. The Bill Murray roles. Favorite Bill Murray role. 255 00:13:44,600 --> 00:13:46,640 Speaker 3: I want to first off give a special mention to 256 00:13:46,840 --> 00:13:50,280 Speaker 3: Bill Murray in TUTSI. I think he's fantastic in that 257 00:13:50,520 --> 00:13:56,120 Speaker 3: perfect blend of struggling playwright and street smart New Yorker 258 00:13:56,280 --> 00:13:59,600 Speaker 3: who doesn't mind getting himself ripped every now and then. 259 00:14:00,160 --> 00:14:03,640 Speaker 3: He's a group of friends and I'll probably am far 260 00:14:03,720 --> 00:14:06,320 Speaker 3: from the first one to suggest this. I think Bill 261 00:14:06,360 --> 00:14:11,320 Speaker 3: my favorite Phil Murray role is easily in Stripes is 262 00:14:11,440 --> 00:14:18,040 Speaker 3: just fantastic stuff and it's not about Bill Murray. But 263 00:14:18,360 --> 00:14:21,840 Speaker 3: you have to also mention Harold Ramis in the same breath, 264 00:14:22,440 --> 00:14:26,520 Speaker 3: maybe rest in peace, but just you know, Bill Murray's 265 00:14:26,560 --> 00:14:31,400 Speaker 3: work as a John Winger in Stripes is absolutely outstanding. 266 00:14:31,440 --> 00:14:32,400 Speaker 3: My favorite film. 267 00:14:32,240 --> 00:14:36,400 Speaker 1: Murray role from Miles and Miles Steve. I got to 268 00:14:36,400 --> 00:14:40,800 Speaker 1: hand it to you, man. I have no recollection of 269 00:14:40,880 --> 00:14:43,720 Speaker 1: Bill Murray being in Tutsy, and I've seen Tutsy, but 270 00:14:43,760 --> 00:14:46,760 Speaker 1: I think I've only seen it as a child, and 271 00:14:46,920 --> 00:14:48,960 Speaker 1: I'm really excited about going back and watching it right 272 00:14:49,000 --> 00:14:53,440 Speaker 1: now because i can't remember this role at all. But also, 273 00:14:53,600 --> 00:14:59,480 Speaker 1: of course Stripes John Winger Steve my favorite performance as well. Incredible. 274 00:14:59,560 --> 00:15:02,960 Speaker 1: I think it's the iconic Bill Murray early first half 275 00:15:02,960 --> 00:15:05,480 Speaker 1: of his career. I think it's the iconic Bill Murray 276 00:15:05,520 --> 00:15:08,960 Speaker 1: performance to be all other performances. All right, let's check 277 00:15:09,120 --> 00:15:11,520 Speaker 1: out the eight six to two. 278 00:15:12,200 --> 00:15:14,800 Speaker 2: Hey Jacob Sam from the eight six two You Wanted 279 00:15:14,800 --> 00:15:17,440 Speaker 2: Bill Murray Stories. I encounted Bill Murray in the airport 280 00:15:17,440 --> 00:15:19,840 Speaker 2: one time. Being a fan. I walked up to mister 281 00:15:19,920 --> 00:15:23,480 Speaker 2: Murray asked for an autograph. He proceeded to take out 282 00:15:23,480 --> 00:15:25,160 Speaker 2: a pen and a piece of paper, looked at me 283 00:15:25,200 --> 00:15:28,600 Speaker 2: and said, I'd like your autograph. So I gave my autograph. 284 00:15:28,640 --> 00:15:30,640 Speaker 2: He looked at it and said, hey, that's pretty good. Thanks, 285 00:15:30,920 --> 00:15:33,400 Speaker 2: and he proceeded to give me his autograph. So peace. 286 00:15:33,920 --> 00:15:34,520 Speaker 3: Talk to you too. 287 00:15:34,880 --> 00:15:38,960 Speaker 1: Bye. Amazing story eight six two. Appreciate you. I love 288 00:15:39,000 --> 00:15:41,560 Speaker 1: this because it's just so on brand for Bill Murray 289 00:15:41,600 --> 00:15:45,560 Speaker 1: turning it around. Beautiful story. Thanks three one seven six 290 00:15:45,640 --> 00:15:49,240 Speaker 1: one seven nine oh six six six three eight three 291 00:15:49,280 --> 00:15:51,520 Speaker 1: one seven rights saying hey, Jake, this is Lauren from 292 00:15:51,560 --> 00:15:53,240 Speaker 1: the two o eight but with a three one seven 293 00:15:53,320 --> 00:15:57,360 Speaker 1: area code. Bill Murray steals the scene with whatever he does, 294 00:15:57,440 --> 00:15:59,800 Speaker 1: even in zombie Land, truly proves there are only small 295 00:15:59,800 --> 00:16:04,200 Speaker 1: actors in not small roles. He's hilarious as zombie Murray. 296 00:16:04,280 --> 00:16:06,600 Speaker 1: Love the show. Never seen zombie Land, But of course 297 00:16:06,720 --> 00:16:08,360 Speaker 1: now you got me intrigued, and I'm gonna check it out. 298 00:16:08,400 --> 00:16:10,400 Speaker 1: I wonder if it's appropriate for my kids. I'm struggling 299 00:16:10,480 --> 00:16:14,200 Speaker 1: finding movies to watch with my children. I think I'm 300 00:16:14,200 --> 00:16:16,840 Speaker 1: going to show him Blues Brothers side note. I showed 301 00:16:16,920 --> 00:16:20,680 Speaker 1: him the James Brown church scene the other day. I 302 00:16:20,680 --> 00:16:22,480 Speaker 1: think I can work my way around the sort of 303 00:16:22,560 --> 00:16:24,720 Speaker 1: not so safe for kids' parts in that movie. I 304 00:16:24,720 --> 00:16:27,240 Speaker 1: don't know. I'll check it out or report back down 305 00:16:27,320 --> 00:16:29,600 Speaker 1: from the six one nine formerly from the seven to 306 00:16:29,640 --> 00:16:31,840 Speaker 1: seven three right say. My favorite Bill Murray movie is 307 00:16:31,920 --> 00:16:35,400 Speaker 1: lost in translation. As a former flight attendant, this film 308 00:16:35,440 --> 00:16:38,000 Speaker 1: is close to my heart as it perfectly depicts how 309 00:16:38,040 --> 00:16:40,480 Speaker 1: it feels to be totally immersed in a foreign environment 310 00:16:40,680 --> 00:16:43,720 Speaker 1: and how finding a friend is so awesome. It also 311 00:16:43,840 --> 00:16:47,400 Speaker 1: shows the transient nature of these friendships. Love this text, 312 00:16:47,440 --> 00:16:50,160 Speaker 1: Thank you, don I appreciate that and that movie. I 313 00:16:50,480 --> 00:16:53,160 Speaker 1: think that's the quintessential movie, just like Stripes is of 314 00:16:53,240 --> 00:16:55,680 Speaker 1: the first half of Maury's career. Of the second half 315 00:16:55,800 --> 00:16:58,880 Speaker 1: of Maury's career more than Life Aquatic, which I might 316 00:16:59,040 --> 00:17:03,520 Speaker 1: like more, but I think in translation is probably a 317 00:17:03,560 --> 00:17:08,720 Speaker 1: better performance for old Bill. And to that point seven 318 00:17:08,840 --> 00:17:11,639 Speaker 1: seven five Rites, And as I get older, things I 319 00:17:11,720 --> 00:17:14,880 Speaker 1: found funny in my younger days don't hold up as such. 320 00:17:15,000 --> 00:17:17,160 Speaker 1: I find Bill Murray much more compelling and dramatic roles 321 00:17:17,200 --> 00:17:19,560 Speaker 1: where he can provide some comic relief. I really like 322 00:17:19,600 --> 00:17:21,960 Speaker 1: Saint Vincent for this reason. They're a handful of others 323 00:17:22,000 --> 00:17:23,880 Speaker 1: I also like, but this is the one that sticks 324 00:17:23,920 --> 00:17:25,800 Speaker 1: with me for some reason. For straight comedy. I liked 325 00:17:25,800 --> 00:17:28,440 Speaker 1: What About Bob? Love What About Bob. I'm happy that 326 00:17:28,480 --> 00:17:31,119 Speaker 1: Bill Murray didn't Bean Richard Dreyfus with that with that 327 00:17:31,240 --> 00:17:34,440 Speaker 1: ash tray on the set of What About Bob. Saint 328 00:17:34,520 --> 00:17:36,600 Speaker 1: Vincent I've only seen once. I don't really remember it. 329 00:17:36,840 --> 00:17:39,200 Speaker 1: I remember liking it. I guess I just I don't 330 00:17:39,240 --> 00:17:40,960 Speaker 1: really remember. This is a really interesting point that you 331 00:17:41,000 --> 00:17:45,360 Speaker 1: bring up here, seven seven five. I think I went 332 00:17:45,359 --> 00:17:48,040 Speaker 1: through a phase where the things that I found funny 333 00:17:48,040 --> 00:17:53,080 Speaker 1: when I was younger no longer appealed to me or 334 00:17:53,119 --> 00:17:55,600 Speaker 1: to my sense of humor for a brief period of time. 335 00:17:55,640 --> 00:17:59,159 Speaker 1: But now I'm finding I've sort of reverted to form, 336 00:17:59,359 --> 00:18:02,359 Speaker 1: and I laugh even harder at the things that I 337 00:18:02,400 --> 00:18:05,720 Speaker 1: found funny when I was a kid. Recently showed my 338 00:18:05,840 --> 00:18:08,440 Speaker 1: kids some Beavis and butt Ed episodes because they've been 339 00:18:08,600 --> 00:18:11,840 Speaker 1: hectoring me to watch the series, and there's no way 340 00:18:11,880 --> 00:18:13,840 Speaker 1: I'm letting them do that. But I did police it 341 00:18:13,960 --> 00:18:17,560 Speaker 1: sort of on YouTube, sort of pick some episodes that 342 00:18:17,640 --> 00:18:20,120 Speaker 1: I could watch with them and stop or fast forward 343 00:18:20,119 --> 00:18:24,439 Speaker 1: if things got a little too BEVs and I was dying. 344 00:18:25,160 --> 00:18:29,560 Speaker 1: I was dying laughing. So I don't know, maybe seven 345 00:18:29,560 --> 00:18:32,040 Speaker 1: to seventy five. At some point you're gonna come back around. 346 00:18:32,040 --> 00:18:34,280 Speaker 1: You're going to find those old Bill Murray movies funny again. 347 00:18:34,640 --> 00:18:36,840 Speaker 1: Who knows? Why not? Right, that'd be a good thing, right, 348 00:18:37,240 --> 00:18:39,439 Speaker 1: six one seven nine oh six six six three eight. 349 00:18:39,440 --> 00:18:40,719 Speaker 1: You guys want to send me some text, you want 350 00:18:40,720 --> 00:18:42,840 Speaker 1: to send me some voicemails, whatever you want to do. 351 00:18:43,280 --> 00:18:45,520 Speaker 1: You can also hit me up at Disgrace slam Pod 352 00:18:45,640 --> 00:18:52,720 Speaker 1: on Facebook, on Instagram, on x Lincoln Jesic on Instagram. Rights. 353 00:18:53,240 --> 00:18:56,160 Speaker 1: I had a sore throat. I drank fireball. No more 354 00:18:56,200 --> 00:19:00,440 Speaker 1: sore throat now I'm drunk. Take notes. Jake Brennan Lincoln. 355 00:19:01,480 --> 00:19:03,439 Speaker 1: That might be my favorite text of the day. Thank you. 356 00:19:04,119 --> 00:19:06,600 Speaker 1: Lots of Bill Murray content over on our Facebook page 357 00:19:06,640 --> 00:19:09,200 Speaker 1: and lots of commentary there from all of you users. 358 00:19:09,280 --> 00:19:13,320 Speaker 1: Good conversations going. We told the story on social media 359 00:19:13,359 --> 00:19:15,440 Speaker 1: this week, which we told in the episode. We sort 360 00:19:15,440 --> 00:19:18,600 Speaker 1: of micro adomized it. I should say, the story of 361 00:19:18,600 --> 00:19:22,639 Speaker 1: Bill Murray coming to blows with Chevy Chase almost on 362 00:19:22,720 --> 00:19:25,680 Speaker 1: live TV, but they were broken up by John Belushi 363 00:19:25,680 --> 00:19:28,520 Speaker 1: before us and I went live that night, and we, 364 00:19:28,840 --> 00:19:30,800 Speaker 1: like I said, we mentioned this. We tell this story 365 00:19:30,800 --> 00:19:33,040 Speaker 1: on Instagram and on Facebook, and a lot of you 366 00:19:33,080 --> 00:19:35,680 Speaker 1: have chimed in, so I'm in there as well. Head 367 00:19:35,680 --> 00:19:39,119 Speaker 1: over to Facebook dot com at disgracelam pod follow us 368 00:19:39,160 --> 00:19:41,960 Speaker 1: over there if you're not already, follow us on Instagram, 369 00:19:42,000 --> 00:19:44,479 Speaker 1: follow us on X and get into the conversation. All right, 370 00:19:44,520 --> 00:19:47,760 Speaker 1: I want to finish this segment with one more story 371 00:19:47,760 --> 00:19:52,800 Speaker 1: of rock and roll animalism. This one was quite hysterically 372 00:19:53,240 --> 00:19:56,680 Speaker 1: emailed to me by Double Elvis head of operations, Jamie Demas, 373 00:19:57,040 --> 00:20:00,359 Speaker 1: who I work with closely here now. Jamie mails me 374 00:20:00,440 --> 00:20:03,280 Speaker 1: every day, but she sent this to the Disgraceland email, 375 00:20:03,560 --> 00:20:06,080 Speaker 1: which I think was funny, and I talked to Jamie 376 00:20:06,160 --> 00:20:08,720 Speaker 1: quite frequently on the telephone and she did not mention this, 377 00:20:09,680 --> 00:20:12,280 Speaker 1: and I love it. I love that she just sent 378 00:20:12,320 --> 00:20:15,080 Speaker 1: it in as a Disgraceland listener and it's a great story. 379 00:20:15,160 --> 00:20:15,960 Speaker 1: So I'm going to read it to you. 380 00:20:16,040 --> 00:20:16,159 Speaker 2: Here. 381 00:20:16,200 --> 00:20:18,359 Speaker 1: It says, Hey, Jake, I've been listening to the after 382 00:20:18,400 --> 00:20:21,320 Speaker 1: Party episodes and want to contribute my craziest, most dangerous 383 00:20:21,359 --> 00:20:25,120 Speaker 1: rock and roll experience to this conversation. It was August eighth, 384 00:20:25,320 --> 00:20:29,760 Speaker 1: nineteen ninety two, and insane all caps lineup at Lollapalooza 385 00:20:29,920 --> 00:20:34,240 Speaker 1: great Woods. Great Woods is the big shed amphitheater in 386 00:20:34,359 --> 00:20:38,399 Speaker 1: Massachusetts and western Massachusetts for those who don't know. So 387 00:20:38,520 --> 00:20:41,879 Speaker 1: here's a lineup from Jamie's perspective, starting with Lush Pearl, 388 00:20:41,960 --> 00:20:46,480 Speaker 1: jam Jesus and Mary Chain, Soundgarden, Ice Cube, Ministry, and 389 00:20:46,520 --> 00:20:49,840 Speaker 1: the headliners Red Hot Chili Peppers. I was there on 390 00:20:49,880 --> 00:20:52,400 Speaker 1: the lawn with my then boyfriend Arthur. Everything was fine 391 00:20:52,400 --> 00:20:54,720 Speaker 1: and dandy until Ministry hit the stage and I was 392 00:20:54,760 --> 00:20:56,480 Speaker 1: not at all familiar with their stuff, but they were 393 00:20:56,560 --> 00:20:59,960 Speaker 1: loud and dark and they started whipping up the crowded 394 00:21:00,119 --> 00:21:02,640 Speaker 1: the small fire on the lawn and okay, so here's 395 00:21:02,640 --> 00:21:05,119 Speaker 1: what you gotta know. Great Woods, the first section of 396 00:21:05,160 --> 00:21:07,720 Speaker 1: the crowd, like the first one hundred rows or something 397 00:21:07,720 --> 00:21:10,160 Speaker 1: two hundred whatever it is, there are seats, and then 398 00:21:10,240 --> 00:21:13,600 Speaker 1: behind those seats there's a walkway, and then behind that 399 00:21:13,720 --> 00:21:17,439 Speaker 1: walkway is a big grass hill which they call the lawn, 400 00:21:17,640 --> 00:21:20,199 Speaker 1: and that's sort of general emission seating up there, and 401 00:21:20,200 --> 00:21:21,920 Speaker 1: that's where shit went down if you were going to 402 00:21:21,960 --> 00:21:24,240 Speaker 1: Great Woods back in the day. So Jamie goes on 403 00:21:24,280 --> 00:21:26,600 Speaker 1: to say, we noticed a small fire on the lawn. 404 00:21:26,640 --> 00:21:30,520 Speaker 1: People were burning mostly trash at first, and then more fires. 405 00:21:31,080 --> 00:21:33,480 Speaker 1: Then some guys started pulling down the wooden fencing surrounding 406 00:21:33,480 --> 00:21:36,520 Speaker 1: the venue and using the planks to build a huge bonfire. 407 00:21:36,760 --> 00:21:40,280 Speaker 1: We're talking twenty foot flames. It was insane. Soon hordes 408 00:21:40,280 --> 00:21:43,760 Speaker 1: of kids were running in circles around the enormous fire, 409 00:21:44,040 --> 00:21:46,600 Speaker 1: and the show went on, and I distinctly remember someone 410 00:21:46,600 --> 00:21:48,800 Speaker 1: throwing a blanket on the fire, which exploded into a 411 00:21:48,880 --> 00:21:51,240 Speaker 1: huge burst of flames. It was terrifying. At this point, 412 00:21:51,320 --> 00:21:53,119 Speaker 1: there were fires all over the lawn. All hell was 413 00:21:53,119 --> 00:21:55,439 Speaker 1: breaking loose in the lawn section. People started pulling up 414 00:21:55,480 --> 00:21:57,120 Speaker 1: sections of the turf and hurling at all the people 415 00:21:57,200 --> 00:21:59,399 Speaker 1: sitting in the seats, and only after people in the 416 00:21:59,400 --> 00:22:01,879 Speaker 1: seats were getting hit with bottles and chunks of turf 417 00:22:02,119 --> 00:22:04,679 Speaker 1: did the venue stop the performance. My memory is a 418 00:22:04,680 --> 00:22:07,200 Speaker 1: bit shady, Pretty sure I had consume some shrooms that evening, 419 00:22:07,200 --> 00:22:09,760 Speaker 1: but I recall Al Jurgenson asking the crowd to cut 420 00:22:09,760 --> 00:22:12,119 Speaker 1: the shit so they could keep playing. I also remember 421 00:22:12,160 --> 00:22:14,080 Speaker 1: fire trucks coming to put out the fires on the lawn. 422 00:22:14,400 --> 00:22:16,120 Speaker 1: But after that the show went on and read Hot 423 00:22:16,160 --> 00:22:19,480 Speaker 1: Chili Peppers played an amazing set that night exemplifies your 424 00:22:19,480 --> 00:22:22,520 Speaker 1: point about true rock and roll being dangerous rock a 425 00:22:22,640 --> 00:22:26,240 Speaker 1: rolla Jamie, great story. And you don't know this, but 426 00:22:26,320 --> 00:22:28,280 Speaker 1: I was actually at that show. We didn't know each 427 00:22:28,280 --> 00:22:30,240 Speaker 1: other at that point, and I remember it distinctly, but 428 00:22:30,320 --> 00:22:33,560 Speaker 1: I had forgotten about it, which is why I wanted 429 00:22:33,560 --> 00:22:35,880 Speaker 1: to read this. How does one forget about a massive 430 00:22:35,960 --> 00:22:38,719 Speaker 1: bonfire at a concert? And this thing was huge, now 431 00:22:38,760 --> 00:22:41,160 Speaker 1: I remember, and I remember the people dancing around it 432 00:22:41,200 --> 00:22:43,200 Speaker 1: to Ministry, by the way, and I was a fan 433 00:22:43,240 --> 00:22:45,199 Speaker 1: of Ministry, so I knew very well what Ministry was 434 00:22:45,200 --> 00:22:47,800 Speaker 1: cooking up. And it was dark, and that whole imagery 435 00:22:47,960 --> 00:22:54,040 Speaker 1: was borderline satanic. What is with people starting fires? Side 436 00:22:54,040 --> 00:22:56,960 Speaker 1: note caveat. Obviously, there's a lot going on in Los Angeles. 437 00:22:57,000 --> 00:22:59,720 Speaker 1: A lot of people have been affected by this horrible, 438 00:22:59,840 --> 00:23:04,080 Speaker 1: horrible disaster, and we're still getting to the bottom of 439 00:23:04,119 --> 00:23:06,720 Speaker 1: how it started, and there's a lot of information out there. 440 00:23:07,200 --> 00:23:10,480 Speaker 1: But I have seen videos of recent videos of people 441 00:23:10,560 --> 00:23:15,080 Speaker 1: lighting fires in Los Angeles, in these neighborhoods, adding to 442 00:23:15,240 --> 00:23:17,879 Speaker 1: the disaster, to the tragedy, with this lunacy, and I 443 00:23:18,200 --> 00:23:22,200 Speaker 1: just don't fucking get it. I said it before, I'll 444 00:23:22,240 --> 00:23:24,160 Speaker 1: say it again to any of you who are affected 445 00:23:24,160 --> 00:23:27,199 Speaker 1: by these fires out there, God bless, I'm thinking of you. 446 00:23:27,840 --> 00:23:30,359 Speaker 1: I'm thinking of your families. I had a close friend 447 00:23:30,359 --> 00:23:33,040 Speaker 1: of mine his loss his entire house. I know that 448 00:23:33,080 --> 00:23:34,800 Speaker 1: I am not unique. I know that a lot of 449 00:23:34,840 --> 00:23:38,200 Speaker 1: people have friends and family out there who have suffered 450 00:23:38,400 --> 00:23:40,720 Speaker 1: immense loss, and I'm sure some of you who will 451 00:23:40,760 --> 00:23:43,600 Speaker 1: eventually hear this will have suffered some sort of loss 452 00:23:43,640 --> 00:23:46,359 Speaker 1: as well. And again, my heart breaks for you, and 453 00:23:46,359 --> 00:23:48,480 Speaker 1: I hope you're doing as well as you can be. 454 00:23:49,000 --> 00:23:52,080 Speaker 1: I just would like to say I've seen evidence of 455 00:23:52,119 --> 00:23:54,440 Speaker 1: this all over social media, and I just want to 456 00:23:54,480 --> 00:23:57,800 Speaker 1: point it out that in the darkness, there is light, 457 00:23:58,359 --> 00:24:00,880 Speaker 1: and we are seeing people come together in the face 458 00:24:00,920 --> 00:24:03,359 Speaker 1: of this tragedy and help out other folks. And I 459 00:24:03,400 --> 00:24:05,520 Speaker 1: just think that is wonderful and I want to shine 460 00:24:05,520 --> 00:24:07,320 Speaker 1: a little light on that, and we should we should 461 00:24:07,400 --> 00:24:09,439 Speaker 1: try to focus on that as best we can. I'm 462 00:24:09,480 --> 00:24:25,880 Speaker 1: gonna take a quick break. I'll be back in the flash, 463 00:24:25,960 --> 00:24:27,879 Speaker 1: all right. I am back one more thing on the 464 00:24:27,960 --> 00:24:28,880 Speaker 1: La wildfires. 465 00:24:28,920 --> 00:24:29,160 Speaker 2: Here. 466 00:24:29,600 --> 00:24:33,400 Speaker 1: There's lots of places to donate to, you know Red Cross, 467 00:24:33,880 --> 00:24:36,840 Speaker 1: there's local organizations as well. You guys are all on 468 00:24:36,880 --> 00:24:40,679 Speaker 1: social media, see you see these organizations popping up. I 469 00:24:40,760 --> 00:24:43,080 Speaker 1: know you're donating. I reached out to a friend of 470 00:24:43,119 --> 00:24:46,360 Speaker 1: mine in Los Angeles and I just wanted to ask 471 00:24:46,440 --> 00:24:51,600 Speaker 1: him specifically. His home was spared, although he lives near 472 00:24:52,160 --> 00:24:54,280 Speaker 1: Alta Dina, and I asked him. I was like, are 473 00:24:54,280 --> 00:24:57,080 Speaker 1: there any organizations you want me to call out? And 474 00:24:57,280 --> 00:25:02,800 Speaker 1: he specifically mentioned Pasadena Humane and you can go to 475 00:25:03,000 --> 00:25:07,560 Speaker 1: give dot Pasadena Humane dot org. And obviously we're thinking 476 00:25:07,640 --> 00:25:11,440 Speaker 1: of all the people who are affected by this horrible tragedy. 477 00:25:11,800 --> 00:25:15,280 Speaker 1: And one of the really bad results of what's happening 478 00:25:15,280 --> 00:25:17,600 Speaker 1: out there in the Palisades and everywhere else in Los 479 00:25:17,640 --> 00:25:20,480 Speaker 1: Angeles where these fires are occurring is the displacement of 480 00:25:20,480 --> 00:25:23,600 Speaker 1: all these animals who have nowhere to go. And Pasadena Humane, 481 00:25:24,160 --> 00:25:27,600 Speaker 1: from my guy Chris's perspective, is a worthy organization who's 482 00:25:27,640 --> 00:25:30,720 Speaker 1: helping with these displaced animals. And again you can go 483 00:25:30,760 --> 00:25:34,760 Speaker 1: to give dot Pasadena Humane dot org if you care 484 00:25:35,040 --> 00:25:37,919 Speaker 1: to donate, and of course there's always the Red Cross 485 00:25:37,960 --> 00:25:40,640 Speaker 1: and as I said, a host of other organizations doing 486 00:25:40,720 --> 00:25:44,960 Speaker 1: really good work out there. All right, let's do some 487 00:25:45,480 --> 00:25:47,560 Speaker 1: what are we gonna do here, Let's do some reviews 488 00:25:47,680 --> 00:25:50,760 Speaker 1: real quick. The reviews, as you know, help with the show, 489 00:25:50,800 --> 00:25:56,000 Speaker 1: help with discovery. Carol Trotta over on Spotify Rights, in 490 00:25:56,200 --> 00:25:58,560 Speaker 1: reaction to the Bill Murray episode, Love the show. The 491 00:25:58,560 --> 00:26:00,679 Speaker 1: way you tell each story has me looked even when 492 00:26:00,680 --> 00:26:02,800 Speaker 1: I'm not a fan of the subject. Not the case 493 00:26:02,840 --> 00:26:05,399 Speaker 1: with this episode. She's talking about Bill Murray. Keep up 494 00:26:05,400 --> 00:26:08,280 Speaker 1: the great storytelling. You got it, Carol, Carol, get in touch, 495 00:26:08,359 --> 00:26:10,520 Speaker 1: hit me out. We'll get you some merch. This one 496 00:26:10,600 --> 00:26:16,119 Speaker 1: comes on Apple Podcasts from He's hr DGTG subject Jerry 497 00:26:16,160 --> 00:26:19,960 Speaker 1: Lelewis five Stars. Just so you guys know, we re 498 00:26:19,960 --> 00:26:22,080 Speaker 1: released the Jerry le Lewis episode in the rewind slot. 499 00:26:22,119 --> 00:26:23,320 Speaker 1: I think you do know that I talked about it 500 00:26:23,359 --> 00:26:26,080 Speaker 1: the last week's After Party listener goes on the Road. 501 00:26:26,119 --> 00:26:28,760 Speaker 1: I've listened to every episode and this one remains my favorite. 502 00:26:28,760 --> 00:26:31,040 Speaker 1: It's the alpha, the promise of what will be delivered. 503 00:26:31,119 --> 00:26:33,159 Speaker 1: Jake took on one of the wildest rockers ever and 504 00:26:33,160 --> 00:26:35,320 Speaker 1: set the stage for more epic episodes that keep me 505 00:26:35,359 --> 00:26:40,159 Speaker 1: tuned in every week. I appreciate this review. We released 506 00:26:40,160 --> 00:26:43,560 Speaker 1: that Jerry Lee episode back in twenty eighteen. It's twenty 507 00:26:43,600 --> 00:26:47,200 Speaker 1: twenty five and we are still going strong. Get in touch, 508 00:26:47,240 --> 00:26:50,480 Speaker 1: whatever your name is, this is the weirdest handle. He's 509 00:26:50,680 --> 00:26:54,119 Speaker 1: hr DGTG and we'll get you some free merch all 510 00:26:54,240 --> 00:26:57,680 Speaker 1: right at Disgrace lam pod on the DM's Disgrace lampod 511 00:26:57,760 --> 00:26:59,960 Speaker 1: at gmail dot com. If you want to send me 512 00:27:00,000 --> 00:27:04,160 Speaker 1: an email. And I'm reading this email from Penny Winninger 513 00:27:04,560 --> 00:27:10,840 Speaker 1: because I'll tell you why in a second. It's Penny 514 00:27:10,840 --> 00:27:12,080 Speaker 1: goes on to say, you asked for my favorite Bill 515 00:27:12,119 --> 00:27:15,480 Speaker 1: Murray movie. Mine is one that might be overlooked. Meatballs, 516 00:27:15,640 --> 00:27:18,120 Speaker 1: a funny, feel good story featuring Bill at his nuttiest 517 00:27:18,119 --> 00:27:23,080 Speaker 1: and compassionate itself. Looking forward to the episode, I you know, guys, 518 00:27:23,440 --> 00:27:25,439 Speaker 1: I can't I think of all the movies that I 519 00:27:25,480 --> 00:27:30,480 Speaker 1: received incoming on on Bill Murray, Meatballs got the most heat, 520 00:27:30,840 --> 00:27:33,600 Speaker 1: which is why I'm reading Penny's email here. Not that 521 00:27:33,640 --> 00:27:36,200 Speaker 1: I particularly care about Meatball's. I'm much not my favorite movie, 522 00:27:36,640 --> 00:27:39,040 Speaker 1: you know, but you guys love it, so I just figured, hey, 523 00:27:39,119 --> 00:27:41,639 Speaker 1: give the people what they want. Penny, thanks for the email. 524 00:27:41,640 --> 00:27:44,080 Speaker 1: Appreciate you. Everyone else who wrote in about Meatballs appreciate 525 00:27:44,119 --> 00:27:46,080 Speaker 1: you as well. But come on, Stripes is better. You know, 526 00:27:46,359 --> 00:27:50,960 Speaker 1: you know, you know it, you know it? All right, guys. 527 00:27:51,000 --> 00:27:54,719 Speaker 1: Next week for you, guys, All Access episode on Towns 528 00:27:54,840 --> 00:28:00,159 Speaker 1: van Zandt great Texas songwriter, one of the wildest to 529 00:28:00,240 --> 00:28:05,760 Speaker 1: ever do it great. It's not even that adjective just 530 00:28:05,800 --> 00:28:07,959 Speaker 1: doesn't work, you know. Anyways, you're gonna have to hear 531 00:28:07,960 --> 00:28:10,760 Speaker 1: this episode. If you're an All Access member, this is 532 00:28:10,800 --> 00:28:14,160 Speaker 1: what your exclusive episode for the month. Next month, you're 533 00:28:14,160 --> 00:28:16,119 Speaker 1: gonna get an episode on Stevie Ravon. I don't know 534 00:28:16,119 --> 00:28:18,040 Speaker 1: why we stayed in Texas for these two episodes, but 535 00:28:18,119 --> 00:28:20,159 Speaker 1: we did so. I just wanted to hip you to 536 00:28:20,160 --> 00:28:23,000 Speaker 1: all that because this episode here is nearing its end. 537 00:28:23,320 --> 00:28:26,560 Speaker 1: But again, all Access members are gonna know after party 538 00:28:26,560 --> 00:28:29,680 Speaker 1: continues for you right here, Okay, go to Disgrace sampod 539 00:28:29,760 --> 00:28:32,120 Speaker 1: dot com slash membership. You can sign up for five 540 00:28:32,119 --> 00:28:33,959 Speaker 1: bucks a month. You're gonna get ad free listening. You're 541 00:28:34,000 --> 00:28:38,240 Speaker 1: gonna get that exclusive episode every month only as a member, 542 00:28:38,360 --> 00:28:40,880 Speaker 1: like the Townes Vans An't One or the upcoming Stevie 543 00:28:40,920 --> 00:28:43,520 Speaker 1: Ravon one. I'm about to figure out a whole slate 544 00:28:43,600 --> 00:28:46,960 Speaker 1: of other exclusive episodes for our Patreon members. You don't 545 00:28:46,960 --> 00:28:49,720 Speaker 1: want to miss this five bucks cost. Like I said 546 00:28:49,720 --> 00:28:51,800 Speaker 1: it before, it's like the cost of a beer. It's 547 00:28:51,800 --> 00:28:56,320 Speaker 1: the cost of an expensive latte or you know, a 548 00:28:56,320 --> 00:28:59,080 Speaker 1: good little cheap coffee and a little deli in one 549 00:28:59,080 --> 00:29:01,720 Speaker 1: of those like blue and white Greek coffee cup. Things. 550 00:29:01,880 --> 00:29:04,320 Speaker 1: You know, coffee shouldn't be over a buck. There are 551 00:29:04,320 --> 00:29:06,440 Speaker 1: certain things, just side note, certain things it shouldn't be 552 00:29:06,440 --> 00:29:10,360 Speaker 1: over a dollar. Coffee, a hot dog, an ice cream cone, 553 00:29:11,120 --> 00:29:15,920 Speaker 1: even certain domestic beers just a buck. Okay, I would 554 00:29:15,960 --> 00:29:18,520 Speaker 1: donate to a politician who ran on that platform. All right, 555 00:29:18,520 --> 00:29:22,000 Speaker 1: you can sign up at disgraylandpod dot com slash membership. 556 00:29:22,280 --> 00:29:46,040 Speaker 4: Back in the flash, all right, guys, we are back. 557 00:29:46,400 --> 00:29:48,800 Speaker 1: Mentioned a bunch of artists in this episode. As always, 558 00:29:48,840 --> 00:29:51,080 Speaker 1: some of them have been covered in Disgraceland and are 559 00:29:51,120 --> 00:29:55,840 Speaker 1: there in the archive for you Jane's addiction. Okay, Soundgarden, 560 00:29:56,240 --> 00:29:58,480 Speaker 1: we mentioned ice Cube. We don't have an ice Cube episode, 561 00:29:58,480 --> 00:30:01,800 Speaker 1: but I guess we could. We have two episodes, and 562 00:30:01,920 --> 00:30:05,320 Speaker 1: we have six Rolling Stones episodes and they all start 563 00:30:05,360 --> 00:30:08,000 Speaker 1: with the Keith Richards episode that is being re released 564 00:30:08,000 --> 00:30:10,880 Speaker 1: as a rewind episode right after this bonus episode in 565 00:30:10,920 --> 00:30:15,320 Speaker 1: your feed. But if you are interested the Keith episode, 566 00:30:15,480 --> 00:30:19,480 Speaker 1: that's part one. Then there's a Brian Jones episode we 567 00:30:19,520 --> 00:30:23,320 Speaker 1: released a season later. We released an episode on Altamont, 568 00:30:23,920 --> 00:30:28,200 Speaker 1: another episode on Exile Exile on Main Street, and two 569 00:30:28,240 --> 00:30:33,120 Speaker 1: episodes on the Stones Early days in London. So that's 570 00:30:33,200 --> 00:30:36,680 Speaker 1: six Rolling Stones episodes. Get into them. For all these 571 00:30:36,800 --> 00:30:40,040 Speaker 1: archive episodes. Matt's gonna have the information all that stuff 572 00:30:40,040 --> 00:30:42,360 Speaker 1: in the show notes. All right, let's recap, shall we? 573 00:30:42,480 --> 00:30:44,920 Speaker 1: Number one? I want your story, Call me, text me, 574 00:30:45,120 --> 00:30:47,520 Speaker 1: hit me up on the socials. Your favorite story of 575 00:30:47,640 --> 00:30:50,160 Speaker 1: rock and roll animalism as wild a story about a 576 00:30:50,200 --> 00:30:52,320 Speaker 1: rock star that you're aware of or that you want 577 00:30:52,320 --> 00:30:55,080 Speaker 1: me to tell. Can be something that I've already talked about, 578 00:30:55,240 --> 00:30:57,360 Speaker 1: could be something that you only know about, something that 579 00:30:57,400 --> 00:30:59,719 Speaker 1: happened to you or maybe not, maybe it's something from history. 580 00:31:00,240 --> 00:31:02,320 Speaker 1: Let me know, let me know who you are, let 581 00:31:02,320 --> 00:31:03,880 Speaker 1: me know where you're from, and how long you've been 582 00:31:03,880 --> 00:31:06,160 Speaker 1: listening to Disgracelane number two right now in your feed. 583 00:31:06,280 --> 00:31:09,720 Speaker 1: Our episode on Bill Murray number three coming tomorrow, rewinding 584 00:31:09,760 --> 00:31:12,440 Speaker 1: back to our first Rolling Stones episode on Keith Richard's 585 00:31:12,600 --> 00:31:14,840 Speaker 1: number four merch Winners, get in Touch. You know who 586 00:31:14,880 --> 00:31:17,520 Speaker 1: you are, number five. Remember no one cares about preserving 587 00:31:17,560 --> 00:31:19,280 Speaker 1: the true spirit of rock and roll more than you do. 588 00:31:19,480 --> 00:31:21,959 Speaker 1: And well that's a disgrace, all right. My favorite Bill 589 00:31:22,040 --> 00:31:24,800 Speaker 1: Murray movie was released on June twenty sixth, nineteen eighty one, 590 00:31:24,840 --> 00:31:27,480 Speaker 1: and that would be Stripes. And in honor of that date, 591 00:31:27,680 --> 00:31:32,520 Speaker 1: here's the Billboard charts from that week. Number one Mistaken 592 00:31:32,520 --> 00:31:38,560 Speaker 1: Identity Kim Karns last week two, peak position one weeks 593 00:31:38,560 --> 00:31:44,960 Speaker 1: on Chart nine. Number two High Infidelity Reo Speedwagon last 594 00:31:44,960 --> 00:31:50,760 Speaker 1: week one, peak position one weeks on Chart two. Number 595 00:31:50,800 --> 00:31:56,400 Speaker 1: three Dirty Deeds Done Dirt Cheating ACDC last week number three, 596 00:31:56,920 --> 00:32:00,800 Speaker 1: peak position viation three weeks on Chust eleven two five, 597 00:32:01,040 --> 00:32:06,000 Speaker 1: Number four number Paradise Theatres on sticks last weeper, number four, 598 00:32:06,120 --> 00:32:10,520 Speaker 1: last positions position weeks on tricks last week's to Chop 599 00:32:11,160 --> 00:32:28,320 Speaker 1: number five, manage last weeks, quit talking and start mixing.