1
00:00:00,160 --> 00:00:02,680
Speaker 1: Thanks for listening to the best of Coast to Coast podcast.

2
00:00:02,800 --> 00:00:04,880
Speaker 1: If you want to hear more than just this highlight

3
00:00:04,920 --> 00:00:07,480
Speaker 1: from the program, become a Coast Insider and you can

4
00:00:07,520 --> 00:00:10,680
Speaker 1: listen to the full episode, plus recent shows covering the

5
00:00:10,720 --> 00:00:14,560
Speaker 1: mysterious death of Kurt Kobain, The possibility that government may

6
00:00:14,600 --> 00:00:17,560
Speaker 1: soon reveal the truth about UFOs and the power of

7
00:00:17,600 --> 00:00:21,439
Speaker 1: witchcraft is told by an actual practicing which start listening

8
00:00:21,480 --> 00:00:23,400
Speaker 1: now by heading over to Coast to Coast a m

9
00:00:23,440 --> 00:00:26,840
Speaker 1: dot com at signing up for Coast in Cider. Now

10
00:00:26,880 --> 00:00:30,920
Speaker 1: here's a highlight from Coast to Coast AM on iHeart Radio.

11
00:00:31,280 --> 00:00:34,000
Speaker 1: We are back with Rich Martiniz. We're talking about the

12
00:00:34,040 --> 00:00:37,080
Speaker 1: Afterlive Riches website. Is his name linked up at Coast

13
00:00:37,120 --> 00:00:39,440
Speaker 1: to Coast am dot com. Back to a little bit

14
00:00:39,440 --> 00:00:43,479
Speaker 1: about Michael Newton. He was really a giant in his field,

15
00:00:43,640 --> 00:00:47,479
Speaker 1: wasn't he. Absolutely, he really was. And but before we

16
00:00:47,520 --> 00:00:49,320
Speaker 1: get to Michael, I just want to finish up something

17
00:00:49,320 --> 00:00:52,560
Speaker 1: about Harry Dean Stanton. So I went to Harry Dean's

18
00:00:52,600 --> 00:00:56,160
Speaker 1: memorial service, and you remember how I said five women

19
00:00:56,200 --> 00:00:59,760
Speaker 1: were sitting around him, and Jennifer had told me five

20
00:00:59,760 --> 00:01:02,280
Speaker 1: women around him, and there was a baby there. So

21
00:01:02,400 --> 00:01:05,039
Speaker 1: I'm at the memorial and I meet one of the

22
00:01:05,080 --> 00:01:07,759
Speaker 1: five women who were sitting around him on his deathbed.

23
00:01:08,319 --> 00:01:10,720
Speaker 1: I didn't know that, Jennifer didn't know that, but there

24
00:01:10,720 --> 00:01:14,640
Speaker 1: they were, and they told me that as he lay dying,

25
00:01:14,959 --> 00:01:19,479
Speaker 1: he suddenly said, hand me the baby, hand me the baby.

26
00:01:19,640 --> 00:01:21,160
Speaker 1: And they were all looking at each other, like, what

27
00:01:21,360 --> 00:01:24,280
Speaker 1: is he talking about? But Jennifer had just told me

28
00:01:24,360 --> 00:01:28,200
Speaker 1: that a week earlier. And the other thing was there

29
00:01:28,280 --> 00:01:32,120
Speaker 1: was very specific. So I asked Harry to show Jennifer

30
00:01:32,120 --> 00:01:34,440
Speaker 1: because she didn't know who he was. I said, Harry,

31
00:01:34,640 --> 00:01:37,360
Speaker 1: show Jennifer where you're going in Monterey and she said, oh,

32
00:01:37,360 --> 00:01:40,000
Speaker 1: it seems like some kind of a rock concert or

33
00:01:40,000 --> 00:01:43,520
Speaker 1: a music thing. I said, Harry, show her who's playing.

34
00:01:44,280 --> 00:01:46,319
Speaker 1: She didn't. She wasn't aware of the Monterey Pop Festival.

35
00:01:46,400 --> 00:01:49,200
Speaker 1: I mean, not everybody is. But Hendricks was there, and

36
00:01:49,200 --> 00:01:51,880
Speaker 1: you know, all these great artists were there. And I

37
00:01:52,000 --> 00:01:56,360
Speaker 1: she said, I see Prince playing. And I laughed and

38
00:01:56,480 --> 00:02:02,400
Speaker 1: I said, look more carefully, what's this prince looking guy doing?

39
00:02:02,560 --> 00:02:04,280
Speaker 1: Is he? Is he? What's he doing? She said, he's

40
00:02:04,320 --> 00:02:08,840
Speaker 1: playing guitar. Oh, it's Jimmie Hendrix. She saw it right there.

41
00:02:08,919 --> 00:02:12,400
Speaker 1: And later on I talked to Fred Russ and I said, Fred,

42
00:02:12,440 --> 00:02:15,000
Speaker 1: I need some confirmation about this trip you took with

43
00:02:15,080 --> 00:02:17,960
Speaker 1: Harry Dean back in nine seven. Who did you go

44
00:02:18,040 --> 00:02:21,360
Speaker 1: and see Jimmie Hendrix? I said, did you have a

45
00:02:21,360 --> 00:02:25,120
Speaker 1: flat tire in the trip? No? He did not. And

46
00:02:25,240 --> 00:02:28,560
Speaker 1: there were other details that Harry gave me to tell

47
00:02:28,680 --> 00:02:33,600
Speaker 1: people at this memorial service, private information that I went

48
00:02:33,680 --> 00:02:35,160
Speaker 1: up to them and said, I know this is going

49
00:02:35,200 --> 00:02:37,840
Speaker 1: to sound crazy, but Harry told me to ask you

50
00:02:37,880 --> 00:02:41,720
Speaker 1: about this, and both people said, oh my god, that

51
00:02:41,919 --> 00:02:44,200
Speaker 1: is exactly. I just went to my doctor's office. I'm

52
00:02:44,240 --> 00:02:47,480
Speaker 1: getting treated for that. So they weren't freaked out. They

53
00:02:47,520 --> 00:02:52,160
Speaker 1: were freaked out. They were completely well. They believe me

54
00:02:52,200 --> 00:02:54,640
Speaker 1: because they know me and they know I'm not making

55
00:02:54,680 --> 00:02:57,440
Speaker 1: this up. And they know Luana. You see Luana as

56
00:02:57,520 --> 00:03:00,600
Speaker 1: the key. They knew her very well, and so when

57
00:03:00,600 --> 00:03:02,680
Speaker 1: I mentioned her name, and same with Harry Deane, that's

58
00:03:02,720 --> 00:03:04,400
Speaker 1: how I new Harry. I mean, over the years, I

59
00:03:05,040 --> 00:03:08,000
Speaker 1: did a Laborn and Sureley with Harry Deane. I was

60
00:03:08,040 --> 00:03:11,239
Speaker 1: a pizza delivery guy years ago, and I jammed with

61
00:03:11,320 --> 00:03:14,119
Speaker 1: him at concerts and I sat with him at Dantana,

62
00:03:14,200 --> 00:03:16,040
Speaker 1: So I knew him over the years, but mainly because

63
00:03:16,040 --> 00:03:18,680
Speaker 1: of Luana. But now let's shift over to Michael Newton

64
00:03:18,720 --> 00:03:21,040
Speaker 1: for a second. Yes, he was a giant in his field.

65
00:03:21,480 --> 00:03:26,120
Speaker 1: But I've discovered that Helen Womba, a doctor from New Jersey,

66
00:03:26,200 --> 00:03:29,320
Speaker 1: had done the same research ten years prior to Newton,

67
00:03:29,680 --> 00:03:32,919
Speaker 1: same kind of research, people under hypnosis talking about choosing

68
00:03:32,960 --> 00:03:36,880
Speaker 1: their lives. It's identical to Newton's research. He wasn't aware

69
00:03:36,920 --> 00:03:39,680
Speaker 1: of it that I'm that I'm aware of because his

70
00:03:39,800 --> 00:03:42,880
Speaker 1: research was different. But still she was using hypnosis as

71
00:03:42,920 --> 00:03:46,520
Speaker 1: this tool. So the last time that I saw you, George,

72
00:03:46,560 --> 00:03:50,000
Speaker 1: was in Colorado, and just prior to the show, I'm

73
00:03:50,040 --> 00:03:54,000
Speaker 1: talking to Jennifer Schaeffer and and she said, your friend

74
00:03:54,080 --> 00:03:56,680
Speaker 1: is here. And I said, who's that And she said Morton.

75
00:03:57,520 --> 00:04:01,040
Speaker 1: I said, who's Morton? She went, that guy that's in

76
00:04:01,040 --> 00:04:04,240
Speaker 1: your book. So she had mixed up his name Michael

77
00:04:04,320 --> 00:04:07,680
Speaker 1: Newton as more. But what's funny about that is if

78
00:04:07,720 --> 00:04:10,560
Speaker 1: she was trying to implant something, you know, why would

79
00:04:10,600 --> 00:04:12,839
Speaker 1: she get the name wrong. But she said, well, he's here,

80
00:04:13,320 --> 00:04:15,800
Speaker 1: and he and he wants to tell you he's taking

81
00:04:15,840 --> 00:04:19,919
Speaker 1: notes over there about the process of how to talk

82
00:04:20,040 --> 00:04:22,839
Speaker 1: from the flip side to this side. I said, wait,

83
00:04:22,920 --> 00:04:25,560
Speaker 1: let me clarify this. He's helping he's figuring out how

84
00:04:25,600 --> 00:04:27,840
Speaker 1: to help people here talk to their loved ones who

85
00:04:27,880 --> 00:04:31,919
Speaker 1: passed away. She said, no, the opposite. He's trying to

86
00:04:31,960 --> 00:04:36,240
Speaker 1: help people over there communicate with people over here. I said, okay, Michael,

87
00:04:36,240 --> 00:04:37,839
Speaker 1: would you do me a favor. I'm going to see

88
00:04:37,880 --> 00:04:41,520
Speaker 1: George Noory next week. Give me a one two three.

89
00:04:42,080 --> 00:04:43,800
Speaker 1: How do we talk to our loved ones on the

90
00:04:43,839 --> 00:04:48,320
Speaker 1: other side, He said, just say their name? I said,

91
00:04:48,320 --> 00:04:50,400
Speaker 1: do you say their name aloud or do you say

92
00:04:50,440 --> 00:04:53,440
Speaker 1: it in your head? He said, Richard, it doesn't matter.

93
00:04:54,400 --> 00:04:58,520
Speaker 1: I said, okay, Well, how do people differentiate between making

94
00:04:58,560 --> 00:05:01,240
Speaker 1: something up if they're asking questions to their loved ones

95
00:05:01,279 --> 00:05:04,520
Speaker 1: on the other side, making it up, or whether it's accurate?

96
00:05:04,920 --> 00:05:07,880
Speaker 1: He said, when you ask them a question and they

97
00:05:07,920 --> 00:05:11,839
Speaker 1: answer it before you can form the question, then you'll

98
00:05:11,880 --> 00:05:18,280
Speaker 1: know you're connected. M hm, very simple. One too. Three.

99
00:05:18,839 --> 00:05:21,800
Speaker 1: You can try it. Anyone can try it. You can

100
00:05:21,800 --> 00:05:23,880
Speaker 1: take out a photograph, look at a photograph of your

101
00:05:23,920 --> 00:05:26,159
Speaker 1: loved one. You don't need to, but that's fine. You

102
00:05:26,200 --> 00:05:29,640
Speaker 1: can do that. Ask them questions that you don't know

103
00:05:29,680 --> 00:05:32,880
Speaker 1: the answer to that would be nice if you ask them,

104
00:05:32,880 --> 00:05:37,120
Speaker 1: how are you? I'm fine. Every time I asked somebody

105
00:05:37,120 --> 00:05:40,039
Speaker 1: on the flip side to give me one sentence, like

106
00:05:40,120 --> 00:05:43,039
Speaker 1: what's it like for you? They say I can fly.

107
00:05:44,440 --> 00:05:47,719
Speaker 1: I can fly. They say that I can fly. Why

108
00:05:47,720 --> 00:05:51,440
Speaker 1: would they say that? Because your ability to move from

109
00:05:51,520 --> 00:05:55,320
Speaker 1: one place, when you're outside of time and space to

110
00:05:55,440 --> 00:05:59,600
Speaker 1: another places it's instant. It is literally saying I'm going

111
00:05:59,640 --> 00:06:03,599
Speaker 1: to pair us boom, I'm there. I've done this a

112
00:06:03,680 --> 00:06:06,839
Speaker 1: number of times with different mediums of Kim Babcock was

113
00:06:06,880 --> 00:06:09,240
Speaker 1: out visiting me. She's from Ohio. It wasn't visiting me,

114
00:06:09,360 --> 00:06:12,039
Speaker 1: but I met her and I interviewed her. And during

115
00:06:12,120 --> 00:06:16,480
Speaker 1: our interview, I said, Um, a friend of mine passed away.

116
00:06:16,920 --> 00:06:19,839
Speaker 1: His name's Bill, and I'd like to talk to him.

117
00:06:19,960 --> 00:06:22,640
Speaker 1: And she said, he's been waiting to talk to you.

118
00:06:22,880 --> 00:06:26,719
Speaker 1: I said, okay, great, she's I said, so, Bill, you know,

119
00:06:26,920 --> 00:06:29,880
Speaker 1: would you tell us something? What's going on? What's your experience.

120
00:06:30,240 --> 00:06:33,440
Speaker 1: She detailed exactly how he passed away. He had a

121
00:06:33,520 --> 00:06:37,719
Speaker 1: heart issue, there was problems with his heart. Um, and

122
00:06:37,880 --> 00:06:41,080
Speaker 1: he he did these things where he was on medication

123
00:06:41,160 --> 00:06:44,479
Speaker 1: and she described all these different things. But then she

124
00:06:44,680 --> 00:06:47,640
Speaker 1: started teasing me, just the way my friend Bill did,

125
00:06:48,560 --> 00:06:52,080
Speaker 1: where he was mocking me. I said, well, tell me

126
00:06:52,160 --> 00:06:54,240
Speaker 1: what's it like for you over there? He said, I

127
00:06:54,279 --> 00:06:58,039
Speaker 1: can fly. I said, okay, that's great. He said, there's

128
00:06:58,080 --> 00:07:01,840
Speaker 1: no time, there's no death. And he said that he

129
00:07:01,880 --> 00:07:04,560
Speaker 1: realized once he crossed over that he was so afraid

130
00:07:04,600 --> 00:07:07,719
Speaker 1: of dying during his life that that became a wave

131
00:07:07,839 --> 00:07:12,400
Speaker 1: that he passed along to other people fear of health issues. Finally,

132
00:07:12,440 --> 00:07:14,760
Speaker 1: I said, Bill, would you show this friend of mine

133
00:07:14,760 --> 00:07:17,840
Speaker 1: who you are? And he he did, like a zip lip,

134
00:07:17,880 --> 00:07:20,880
Speaker 1: I'm not going to tell you, and I'll tell you

135
00:07:20,880 --> 00:07:22,760
Speaker 1: in a second. And so now I took I'm talking

136
00:07:22,760 --> 00:07:26,400
Speaker 1: to Jennifer Schaefer and I did the same thing. I'm

137
00:07:26,440 --> 00:07:30,440
Speaker 1: not talked to Bill. And she says, Oh, he's hilarious.

138
00:07:30,480 --> 00:07:33,120
Speaker 1: He's making fun of you. He's he had a hard condition,

139
00:07:33,280 --> 00:07:36,160
Speaker 1: you know he and she sees all this, she's seeing this,

140
00:07:36,600 --> 00:07:38,920
Speaker 1: and she says to me, why is he showing me

141
00:07:38,960 --> 00:07:44,360
Speaker 1: a picture of the Titanic? And I said, because he's

142
00:07:44,360 --> 00:07:47,520
Speaker 1: associated with it, And she said, was he in the movie?

143
00:07:48,400 --> 00:07:51,280
Speaker 1: I said, yes, he was. I said, Bill, show her

144
00:07:52,080 --> 00:07:54,800
Speaker 1: what you did in that movie, and she looked at

145
00:07:54,800 --> 00:07:57,200
Speaker 1: me with eyes wide. I'm filming this, she says, Is

146
00:07:57,240 --> 00:08:01,200
Speaker 1: this Bill Paxton? Yes, it is. It's amazing. I knew

147
00:08:01,240 --> 00:08:04,920
Speaker 1: Bill very well. Yeah, and we were close friends when

148
00:08:05,160 --> 00:08:07,480
Speaker 1: he's starting out. He was going to start my first movie,

149
00:08:07,520 --> 00:08:09,960
Speaker 1: and he helped me rewrite the script and we stayed

150
00:08:09,960 --> 00:08:11,960
Speaker 1: friends over the years. I hadn't seen him a while,

151
00:08:12,640 --> 00:08:15,560
Speaker 1: but you know, on the phone a couple of times,

152
00:08:15,560 --> 00:08:19,160
Speaker 1: but very aware of his persona. So when he reached

153
00:08:19,160 --> 00:08:23,200
Speaker 1: out to both of these people, two different mediums. In

154
00:08:23,400 --> 00:08:28,360
Speaker 1: Jennifer's case, he I said, Billy showed her what it

155
00:08:28,440 --> 00:08:31,720
Speaker 1: was like for you in that batosphere. Jennifer doesn't know

156
00:08:31,720 --> 00:08:33,960
Speaker 1: what a pat sis fear he is, but she went,

157
00:08:34,640 --> 00:08:37,520
Speaker 1: I'm I'm I'm next to the Titanic. I can see

158
00:08:37,559 --> 00:08:41,240
Speaker 1: the Titanic. Bill went on trips with Jim Cameron. He

159
00:08:41,280 --> 00:08:44,079
Speaker 1: went on like six trips down to the Titanic. No,

160
00:08:44,200 --> 00:08:46,040
Speaker 1: not everybody knows this. Yes, you can look it up.

161
00:08:46,040 --> 00:08:48,200
Speaker 1: But Jennifer didn't know what I was talking about, but

162
00:08:48,360 --> 00:08:51,720
Speaker 1: she had the experience. He showed it to her, and

163
00:08:51,760 --> 00:08:53,760
Speaker 1: he showed her other things and talked to her about

164
00:08:53,800 --> 00:08:57,000
Speaker 1: other stuff, and mostly he wanted to say this that

165
00:08:57,320 --> 00:09:01,560
Speaker 1: when people pass away, your family is stressed and you

166
00:09:01,640 --> 00:09:05,600
Speaker 1: have to give them obviously space to understand it and

167
00:09:05,600 --> 00:09:09,600
Speaker 1: and you know exactly and mourn and grieve, and you

168
00:09:09,640 --> 00:09:11,440
Speaker 1: can't be the person running in and saying, hey, there's

169
00:09:11,480 --> 00:09:15,040
Speaker 1: a message for you. But eventually they find the message.

170
00:09:15,520 --> 00:09:17,720
Speaker 1: They will hear from somebody who said, hey, did you

171
00:09:17,760 --> 00:09:20,520
Speaker 1: hear so and so said these things about your pal?

172
00:09:21,360 --> 00:09:23,760
Speaker 1: And that's and I And the last time I talked

173
00:09:23,760 --> 00:09:25,800
Speaker 1: to Bill, he said, I want you to reach out

174
00:09:25,800 --> 00:09:29,520
Speaker 1: to my family and let them know I'm okay, I'm

175
00:09:29,600 --> 00:09:33,720
Speaker 1: fine over here and I can fly and he's keeping

176
00:09:33,760 --> 00:09:35,920
Speaker 1: an eye on them, these kinds of things. He wanted

177
00:09:35,920 --> 00:09:38,080
Speaker 1: me to reach out to him. So I have through

178
00:09:38,240 --> 00:09:41,080
Speaker 1: you know, mutual friends. I'm not trying to sell this

179
00:09:41,200 --> 00:09:44,000
Speaker 1: to anybody as a concept or an idea. I talked

180
00:09:44,040 --> 00:09:48,120
Speaker 1: about it on my website, but ultimately, you know, who's

181
00:09:48,120 --> 00:09:51,040
Speaker 1: a better judge of when I'm talking to a friend

182
00:09:51,080 --> 00:09:54,160
Speaker 1: on the flip side than somebody who knows their syntax,

183
00:09:54,280 --> 00:09:57,400
Speaker 1: you know, knows their jokes and knows how they would talk.

184
00:09:57,400 --> 00:09:59,200
Speaker 1: And if you're doing it through a medium, and like,

185
00:09:59,240 --> 00:10:01,360
Speaker 1: I'm not recommend ending all mediums, we don't have to

186
00:10:01,400 --> 00:10:04,199
Speaker 1: all wear pyramid hats. Now, we don't have to assume

187
00:10:04,200 --> 00:10:09,560
Speaker 1: that mediums are correct. My point is, be skeptical. If

188
00:10:09,600 --> 00:10:11,720
Speaker 1: you're going to talk to a medium and I'll find

189
00:10:11,720 --> 00:10:14,080
Speaker 1: out that they've helped other people, and then I would say,

190
00:10:14,240 --> 00:10:18,480
Speaker 1: focus your questions on the here and now, not on

191
00:10:18,600 --> 00:10:20,880
Speaker 1: what's going to happen in the future, because you know

192
00:10:20,960 --> 00:10:24,200
Speaker 1: that there's so many other elements of play. If you

193
00:10:24,320 --> 00:10:27,160
Speaker 1: haven't met your the love of your life, allow that

194
00:10:27,240 --> 00:10:29,720
Speaker 1: it's possible that you signed up for a lifetime that

195
00:10:29,800 --> 00:10:31,960
Speaker 1: you're not going to meet the love of your life.

196
00:10:32,120 --> 00:10:34,920
Speaker 1: That's okay too, You're eventually going to get back together

197
00:10:34,960 --> 00:10:37,880
Speaker 1: with them. It's like putting a block up, isn't it. Yeah,

198
00:10:37,960 --> 00:10:40,800
Speaker 1: it's like putting a block up, and what happens is

199
00:10:41,080 --> 00:10:44,120
Speaker 1: And this is why I thought Harry's statement was so interesting.

200
00:10:44,559 --> 00:10:47,560
Speaker 1: You know, he said, believe in the afterlife, and everybody

201
00:10:47,760 --> 00:10:51,680
Speaker 1: that gets you know it's counterintuitive. What but if you

202
00:10:51,960 --> 00:10:56,439
Speaker 1: open yourself up to the possibility that there's an afterlife,

203
00:10:57,440 --> 00:11:00,800
Speaker 1: then you stop worrying about it so much and now

204
00:11:00,840 --> 00:11:04,640
Speaker 1: you can focus on life. What you're doing here, listen

205
00:11:04,679 --> 00:11:07,199
Speaker 1: to more Coast to Coast a m. Every week night

206
00:11:07,400 --> 00:11:09,920
Speaker 1: at one a m. Eastern and go to Coast to

207
00:11:09,920 --> 00:11:11,680
Speaker 1: Coast a m dot com for more