WEBVTT - QLS Classic: Steve Ferrone Part 1

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<v Speaker 1>The Quest Loft Show is a production of iHeartRadio. So

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<v Speaker 1>in twenty twenty two, Questlove Supreme started doing one on

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<v Speaker 1>one interviews and we wanted to get everybody's voices out there,

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<v Speaker 1>and I jumped at the chance to interview my absolute hero,

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<v Speaker 1>my personal god, Steve Feroni, of the average white man,

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<v Speaker 1>who also is drummed for countless people from Tom Petty

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<v Speaker 1>and the Heartbreakers to Duran Duran to Shaka Khan so

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<v Speaker 1>many others. In Part one, Steve speaks about his upbringing

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<v Speaker 1>and Italy, experience of racism, tap dancing also and the

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<v Speaker 1>journeys of being one of the best drummers on the planet.

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<v Speaker 1>This meant the entire world to me. Ladies and Joe,

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<v Speaker 1>Welcome to another episode of Quest Love Supreme. I'm giving

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<v Speaker 1>you full warning right now the center is going to

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<v Speaker 1>be very awkward. I will try not to make our

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<v Speaker 1>guest today feel uncomfortable and straight away from fan worship

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<v Speaker 1>and just try to be as professional as I can.

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<v Speaker 2>I will say though, that you know, every journey.

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<v Speaker 1>Has to start with a spark, every journey, so me personally,

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<v Speaker 1>I will say that, you know, before directing and producing

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<v Speaker 1>and developing TV shows and podcast hosting and movie and

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<v Speaker 1>TV scoring and late night house band leading and producing

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<v Speaker 1>and songwriting for artists and when they djaying, music education, designing, flatwear,

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<v Speaker 1>my own sneaker line, clothes merch, my own drum line,

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<v Speaker 1>teaching college, whatever it is, I will say that there

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<v Speaker 1>still has to be a spark, and that spark starts

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<v Speaker 1>with a love of music and more specifically playing music

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<v Speaker 1>and specifically the drums.

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<v Speaker 2>Everyone knows my passion is drumming.

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<v Speaker 1>In nineteen seventy five, while on the road with my

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<v Speaker 1>musician parents in Toronto, Canada, on a Saturday, I caught

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<v Speaker 1>an episode of my all time favorite television show, Soul Train,

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<v Speaker 1>and it absolutely peaked my curiosity. You know, I was

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<v Speaker 1>already a fan of the average white band and they're

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<v Speaker 1>scary ass logo, but my four year old self was

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<v Speaker 1>transfixed on the one figure on stage who was neither

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<v Speaker 1>white nor average, sitting behind a white forty seven wit

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<v Speaker 1>and gretch drum kit. I kind of made a declaration,

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<v Speaker 1>mostly to myself, that what that guy's doing, that's what

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<v Speaker 1>I want to do for the rest of my life.

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<v Speaker 1>And pretty much from that point, for any album that

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<v Speaker 1>adorned that weird logo of a white Woman's ass in

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<v Speaker 1>the place of the w We copped those records, and

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<v Speaker 1>I studied it and kind of molded myself in our

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<v Speaker 1>guest image. And what really makes that sentence weird is

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<v Speaker 1>I think the only time I really allowed myself to

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<v Speaker 1>morph into the style of our guests was probably seven

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<v Speaker 1>years into my career. I Want had a side project

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<v Speaker 1>called The Philadelphia Experiment on a song called Ain't It

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<v Speaker 1>the Truth, which I kind of immersed myself kind.

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<v Speaker 2>Of a what would Perny do? Moment?

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<v Speaker 1>And Look, if I'm talking too much advanced math, I'm

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<v Speaker 1>gonna slow down. Look, even on a hip hop level,

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<v Speaker 1>his drums are everywhere, nas Is Halftime, Eric Ban Rock

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<v Speaker 1>Him's microphone Fiend, TLC's Ain't Too Proud to Big track

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<v Speaker 1>called Quest check the rhyme in ways that they ain't

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<v Speaker 1>rough any right, Gang Stars Gotta.

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<v Speaker 2>Get over.

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<v Speaker 1>Brand, Nubian word is Bond, Jungle Brothers the promo, Jill

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<v Speaker 1>rob Gs Dope Rhyme's.

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<v Speaker 2>Start Us Music Sounds Better with You, Kanye West Through

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<v Speaker 2>the Wire, Mary J.

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<v Speaker 1>Blige, Love Is All We Need and Love without a Limit,

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<v Speaker 1>pe Rock and Seale Smooth Take You There. B I

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<v Speaker 1>G Is Notorious but not even just the samples, just

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<v Speaker 1>the iconic songs. I'm every woman, Clouds, what You're gonna

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<v Speaker 1>do for me? All Night, Thing, on the Wings of Love,

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<v Speaker 1>Tears in Heaven, love a Girl, Earth Song, keep Rising

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<v Speaker 1>to the top, Glow and name the all the iconic artists,

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<v Speaker 1>They're not official until he's the timekeeper.

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<v Speaker 2>Name him.

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<v Speaker 1>Freddie King, Brian Auger, Bloodstone, Bette Miller, of Retha Franklin, Sherlyn,

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<v Speaker 1>Paul Simon, Melissa Manchester, I told she's gonna get awkward,

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<v Speaker 1>Stephen Christy mcviee Scurti, Politti, Mick Jagger, Patty Austin, George Benson, People,

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<v Speaker 1>Bryce and Jennifer Holliday, Duran Duran, Algerrue, Howard Jones, Cindy Lauper,

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<v Speaker 1>Anita Baker, George Harrison, Eda, James, Marcus, Miller, Brian Ferry,

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<v Speaker 1>Tracy Chapman, Johnny Cash, Zickie Marley Slash, Stevie Nicks, LeAnn Rimes,

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<v Speaker 1>Steve Perry, and of course Tom Petty and the Heartbreakers.

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<v Speaker 1>I will say that pretty much. You know this guy

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<v Speaker 1>is my hero. Even before Prince, before Michael Jackson, I've

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<v Speaker 1>been dying to have a conversation with a person that

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<v Speaker 1>gave me the spark to fall in love with music.

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<v Speaker 1>Thank you very much for talking to me. Steve Farhon,

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<v Speaker 1>all Right, that wasn't too awkward, right, it was just

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<v Speaker 1>a five minute No, that.

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<v Speaker 3>Was that was pretty That was pretty cool. There's a

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<v Speaker 3>lot of people. I didn't even know that.

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<v Speaker 1>No, when we did the Elvis Costello episode, Uh, my engineer, Steve,

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<v Speaker 1>his intro was about twenty four minutes, so my my

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<v Speaker 1>initial intro was like seventeen, but I cut it down

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<v Speaker 1>to a good five.

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<v Speaker 4>But I was one of my favorite rap groups.

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<v Speaker 2>So which one was it?

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<v Speaker 4>AMG?

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<v Speaker 2>Really AMG? That's aw Yeah, Okay, I didn't I didn't

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<v Speaker 2>even there's that.

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<v Speaker 3>It's like a Janine they used the they used them

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<v Speaker 3>a schoolboy crush, okay for Jeanne Janine the reprise.

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<v Speaker 1>All right, Wow, you're you're you're you're highly aware of

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<v Speaker 1>how you get utilized. Now, what I'll say that's weird

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<v Speaker 1>about this moment is the first time that you and

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<v Speaker 1>I were supposed to talk for Quest Loft Supreme was

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<v Speaker 1>on March fifteenth, twenty twenty, which is kind officially the

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<v Speaker 1>day the world shut down because of COVID.

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<v Speaker 4>Yeah, yeah, you were.

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<v Speaker 1>You were doing you were doing a residency at A

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<v Speaker 1>at A thirty rock sitting in on the SETH Meyers Show,

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<v Speaker 1>and the day that we were supposed to speak, that's

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<v Speaker 1>when we realized that we were in a pandemic.

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<v Speaker 4>So we were in trouble.

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<v Speaker 2>Yeah, we have to put that on ice. Now.

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<v Speaker 1>What's even weirder is you know I had been begging

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<v Speaker 1>and begging and begging and begging John Mayer and his

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<v Speaker 1>people like when you come to New York, I gotta

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<v Speaker 1>go to the show, so.

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<v Speaker 2>You know, to really enjoy the experience.

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<v Speaker 1>So to speak, our listeners know that in the pandemic,

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<v Speaker 1>I started micro redosing, So.

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<v Speaker 2>You know, I was, I was in my zone. I was.

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<v Speaker 1>I arrived at Madison Square Garden. I was ready to

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<v Speaker 1>really take in the music and enjoy the show. And

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<v Speaker 1>the first thing I do when I see Pino Palladino,

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<v Speaker 1>he tells me do And of course you know, I

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<v Speaker 1>was microdocent.

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<v Speaker 5>So it sounds like a mirror for Roon tested positive

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<v Speaker 5>Can you sit in? And I was like huh what like?

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<v Speaker 5>And literally I was like, well, let me see the

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<v Speaker 5>set list?

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<v Speaker 1>And I was like, wait a minute, I had to

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<v Speaker 1>learn fifteen songs and how many minutes and they're like

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<v Speaker 1>forty seven minutes.

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<v Speaker 2>So literally I was like, oh no, m boy.

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<v Speaker 1>So you know it's it's like I didn't get to

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<v Speaker 1>talk to you, but I got to play on your

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<v Speaker 1>drum set. And what's even weirder is that after two

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<v Speaker 1>and a half years of avoiding this dodgeball of a virus,

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<v Speaker 1>today I finally tested positive.

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<v Speaker 4>So welcome to the club.

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<v Speaker 2>Right, Yeah, we're connected, man, we are connected.

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<v Speaker 4>Oh my god?

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<v Speaker 1>How you so you know what it's It's like having

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<v Speaker 1>the sniffles, like I was expecting my taste to go

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<v Speaker 1>away and all that stuff. I'm I'm having a Paul man.

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<v Speaker 1>I'm stay in bed all week. I'm watching movies. I'm

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<v Speaker 1>gonna work. You know, I'm working on the Sliding Family

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<v Speaker 1>Stone documentary now, so you know, I'm in fine health.

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<v Speaker 1>I couldn't be happier.

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<v Speaker 4>Before I forget congratulations on the OSCO All.

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<v Speaker 2>Right, my man, thank you, thank you.

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<v Speaker 4>You are God. You are way too hard for me.

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<v Speaker 2>We don't work hard, but I work I work fun.

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<v Speaker 2>Were are you right?

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<v Speaker 3>Now? As we speak, I'm at a friend of mine's

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<v Speaker 3>house in Burbank because my house is being torn apart

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<v Speaker 3>by contractors.

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<v Speaker 2>Okay, we have a lot in common.

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<v Speaker 1>I also purchased a farm about a year and a

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<v Speaker 1>half ago, and I'm still it's almost it's almost in

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<v Speaker 1>money pit territory.

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<v Speaker 2>So contractors, you know, are working on.

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<v Speaker 4>These to fire my contact. Yes, it's going.

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<v Speaker 1>Same same you too, same guys. I got I got

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<v Speaker 1>downs two years ago and now you know we're still

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<v Speaker 1>we're still waiting for it. I didn't I just had

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<v Speaker 1>to free so I'll work. There's just way too much

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<v Speaker 1>money to invest in it, so I gotta wait until

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<v Speaker 1>maybe October, so it'll probably be three years before I

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<v Speaker 1>get inside my home.

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<v Speaker 4>It'll get done when it's supposed to get done. That's

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<v Speaker 4>what I can.

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<v Speaker 2>Say, absolutely absolutely right.

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<v Speaker 1>So you know, I start off with every episode with

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<v Speaker 1>the first five basic questions. Number one for our listening artists,

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<v Speaker 1>could you tell us where you were born?

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<v Speaker 4>Yeah?

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<v Speaker 3>I was born in Brighton in England, in the south

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<v Speaker 3>coast of England, bat now south of London.

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<v Speaker 1>I will say that probably Brighton, England ninety four is

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<v Speaker 1>probably the second best Root show.

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<v Speaker 2>Of all time. What did you play?

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<v Speaker 1>I don't know. We did a gig with Roy Ayers,

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<v Speaker 1>and that's where we discovered that the engineer of our

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<v Speaker 1>show is just as important as the musicians on stage.

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<v Speaker 1>And we kind of learned, you know, because the thing is,

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<v Speaker 1>it's like, unlike America, Brighton at least has an understanding.

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<v Speaker 1>I don't know if it's that a lot of reggae

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<v Speaker 1>concerts over there, but they have a deeper understanding of bass.

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<v Speaker 1>And you know, we realized, like we would just push

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<v Speaker 1>the sound limit like the average show.

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<v Speaker 2>You know, if you trust the sound.

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<v Speaker 1>Company, maybe you're allowed to do like one hundred and

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<v Speaker 1>two dbs, maybe one hundred and eight dbs like we

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<v Speaker 1>were one hundred and forty DB's.

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<v Speaker 2>We weren't loud, but we just had a lot of bass.

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<v Speaker 1>And so at the point where the audience was holding

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<v Speaker 1>their stomach, like you know, they were getting a colonic,

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<v Speaker 1>they still dance, yeah, but still dancing, we realized, like, oh,

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<v Speaker 1>we have to be the most offensively loudest band in music.

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<v Speaker 1>And so, you know, we maybe the first three years

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<v Speaker 1>we were like everyone's nightmare, but nothing compares to that

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<v Speaker 1>one night with roy Aers in nineteen ninety four in Brighton, Like,

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<v Speaker 1>I know, you just celebrated.

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<v Speaker 2>A birthday yeah, seventy two.

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<v Speaker 1>Yes, happy belated, thank you. So I know that you

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<v Speaker 1>were born in nineteen fifty. Now you weren't born in

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<v Speaker 1>the States, you know, dealing with Jim cro Deep South racism.

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<v Speaker 1>But you know, I'm certain that it was alive and

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<v Speaker 1>well across the world. But what does it mean to

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<v Speaker 1>grow up at least for the first ten years of

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<v Speaker 1>your life in Brighton, Like, what experiences did you have?

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<v Speaker 3>You know, Well, there's a there's a photographs not around here.

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<v Speaker 3>I wish I had it with me in my house.

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<v Speaker 3>There's a photograph of me at school. I was like

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<v Speaker 3>the only black kid in school and we're watching a

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<v Speaker 3>Punch and Judy show and guess what, we were just

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<v Speaker 3>having fun. It didn't come into the question that I

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<v Speaker 3>was a different color ever. I mean when I was

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<v Speaker 3>when I was little kay until one day that I

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<v Speaker 3>was out with my friends and.

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<v Speaker 4>We were playing. I lived in a row of houses.

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<v Speaker 3>On a street, and then there was there was this

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<v Speaker 3>alleyway that led up to this little cottage, and then

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<v Speaker 3>there was this crescent with big houses. And in this

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<v Speaker 3>cottage at the top of this little alleyway, there was

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<v Speaker 3>a guy that was a retired Harley Harley Street surgeon.

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<v Speaker 3>And so we used to play up. There was a

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<v Speaker 3>couple of trees and we'd play cowboys and Indians and stuff.

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<v Speaker 3>And we got a bit too close to this guy's

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<v Speaker 3>house and he came out with the swordstick and and

0:13:08.720 --> 0:13:11.320
<v Speaker 3>he pulled his swordstick and he said, get out of here,

0:13:12.440 --> 0:13:15.280
<v Speaker 3>making all that noise made, And he looked right at

0:13:15.320 --> 0:13:18.439
<v Speaker 3>me with this point. I said, you two black bastard.

0:13:18.800 --> 0:13:22.040
<v Speaker 3>And I had no idea what it was that he said, right.

0:13:22.120 --> 0:13:26.640
<v Speaker 3>I didn't know. I didn't know well what that meant,

0:13:26.679 --> 0:13:30.040
<v Speaker 3>you know, but I felt it. I burst in the

0:13:30.040 --> 0:13:32.600
<v Speaker 3>tears and I ran home and I told my grandmother.

0:13:33.040 --> 0:13:34.679
<v Speaker 2>Who are you living with your grandparents?

0:13:35.000 --> 0:13:38.200
<v Speaker 3>Living in my grandparents and my mom yeah, And my.

0:13:38.559 --> 0:13:43.000
<v Speaker 4>Father was in West Africa serially O wow, okay, okay,

0:13:43.200 --> 0:13:44.920
<v Speaker 4>but he was never around. I mean he showed up

0:13:44.920 --> 0:13:46.319
<v Speaker 4>when I was nine for a couple of days. I

0:13:46.440 --> 0:13:46.920
<v Speaker 4>was about it.

0:13:47.800 --> 0:13:51.559
<v Speaker 3>But my grandmother then told got my grandfather and did

0:13:51.600 --> 0:13:53.160
<v Speaker 3>one of those defend my honor?

0:13:55.080 --> 0:13:56.040
<v Speaker 2>Oh you went to the house.

0:13:56.200 --> 0:13:58.440
<v Speaker 3>He went to the house, and my grandfather went up

0:13:58.440 --> 0:14:00.640
<v Speaker 3>there and grabbed this guy and him up against the

0:14:00.679 --> 0:14:01.959
<v Speaker 3>wall and said, don't you ever talk to.

0:14:01.920 --> 0:14:03.200
<v Speaker 4>My grandson like d again.

0:14:03.440 --> 0:14:05.000
<v Speaker 2>But uh uh oh wow.

0:14:05.360 --> 0:14:08.120
<v Speaker 3>The way that it got explained to me at that

0:14:08.160 --> 0:14:10.280
<v Speaker 3>point in time, I think probably I was maybe five

0:14:10.360 --> 0:14:13.080
<v Speaker 3>or six years old, as a little kid. My mother

0:14:13.160 --> 0:14:15.360
<v Speaker 3>said to me that, she said, you know what, there's

0:14:15.400 --> 0:14:18.880
<v Speaker 3>people out there that think that way, and uh and

0:14:19.400 --> 0:14:23.600
<v Speaker 3>there to be pitied, which was something that wasn't desirable

0:14:23.640 --> 0:14:24.520
<v Speaker 3>as far as I didn't want.

0:14:24.640 --> 0:14:28.800
<v Speaker 4>I didn't want to ever be pitied. And so anyway, so.

0:14:28.840 --> 0:14:32.240
<v Speaker 3>That's that's what that's that's the way I kind of

0:14:32.240 --> 0:14:36.200
<v Speaker 3>looked at it. But yes, you're absolutely right, there's there's

0:14:36.240 --> 0:14:39.240
<v Speaker 3>there was a big difference, the big difference. I believe

0:14:39.800 --> 0:14:45.320
<v Speaker 3>those social problems that bruised Black America and and and

0:14:45.560 --> 0:14:49.920
<v Speaker 3>I see that, I see it and I and and

0:14:49.960 --> 0:14:53.800
<v Speaker 3>it's different for me because slavery never came into it.

0:14:54.520 --> 0:14:59.600
<v Speaker 2>Wow, that's amazing. I can't even imagine a life there.

0:14:59.240 --> 0:15:03.040
<v Speaker 3>Is racist ray. Yes, slavery didn't know. I think there's

0:15:03.080 --> 0:15:05.520
<v Speaker 3>a difference in the in the in the way that things.

0:15:05.560 --> 0:15:06.240
<v Speaker 2>You know, it's weird.

0:15:07.680 --> 0:15:11.480
<v Speaker 1>So in the States, I'm I'm part of a one

0:15:11.520 --> 0:15:15.200
<v Speaker 1>percent that's there's one percent of African Americans that can

0:15:15.240 --> 0:15:18.480
<v Speaker 1>trace their family name, their slave ship and where they

0:15:18.480 --> 0:15:19.080
<v Speaker 1>came from.

0:15:19.360 --> 0:15:22.280
<v Speaker 2>I'm in that lucky few. I also found out that

0:15:22.400 --> 0:15:23.160
<v Speaker 2>Elo cool j.

0:15:24.800 --> 0:15:28.880
<v Speaker 1>Is there was two percent of African Americans that had

0:15:29.320 --> 0:15:32.840
<v Speaker 1>nothing to do with slavery. I guess his family settled

0:15:33.000 --> 0:15:37.480
<v Speaker 1>in a place in Ohio that just didn't have slavery,

0:15:37.800 --> 0:15:42.360
<v Speaker 1>and like somehow he was able to his family was

0:15:42.400 --> 0:15:46.720
<v Speaker 1>able to avoid any of that strife, which is, you know,

0:15:46.840 --> 0:15:47.680
<v Speaker 1>kind of a rare thing.

0:15:48.560 --> 0:15:52.520
<v Speaker 2>Can you tell me what your first musical memory was?

0:15:53.960 --> 0:15:54.120
<v Speaker 3>Oh?

0:15:54.440 --> 0:15:58.360
<v Speaker 4>Well, you know what I was told.

0:15:59.800 --> 0:16:02.360
<v Speaker 3>Was was that I used to sit in the high

0:16:02.480 --> 0:16:04.840
<v Speaker 3>chair and we didn't have TV back then.

0:16:04.920 --> 0:16:07.320
<v Speaker 4>We had radio, okay, And I'd.

0:16:07.200 --> 0:16:10.080
<v Speaker 3>Sit in the high chair with my spoon eating and

0:16:10.120 --> 0:16:12.360
<v Speaker 3>then some music would come on and I'd start banging

0:16:12.440 --> 0:16:15.960
<v Speaker 3>my spoon on the on the on the high chair

0:16:16.600 --> 0:16:19.320
<v Speaker 3>table there to just keeping time with whatever music was

0:16:19.360 --> 0:16:22.640
<v Speaker 3>on the radio. And that's was when they they decided that.

0:16:22.520 --> 0:16:24.840
<v Speaker 4>My grand my grandma, my grandmother, and my.

0:16:24.760 --> 0:16:29.120
<v Speaker 3>Mother decided that I needed to channel that that ability somewhere.

0:16:29.200 --> 0:16:32.680
<v Speaker 3>So my grandmother was a big fan of of of

0:16:32.760 --> 0:16:37.960
<v Speaker 3>tap dancing. She she loved Fred Astaire and Jim Kelly

0:16:38.600 --> 0:16:41.120
<v Speaker 3>and Tic Tac Toe and those guys. Was. She was

0:16:41.160 --> 0:16:43.480
<v Speaker 3>aware of them, and so she sent me to tap

0:16:43.600 --> 0:16:45.400
<v Speaker 3>dancing school when I was better, as soon as I

0:16:45.400 --> 0:16:47.000
<v Speaker 3>could walk, at about three years old.

0:16:47.440 --> 0:16:50.360
<v Speaker 1>Yeah, I was going to say, I just discovered that

0:16:50.400 --> 0:16:52.560
<v Speaker 1>about you maybe a week ago when I was doing

0:16:52.560 --> 0:16:56.920
<v Speaker 1>my research, and that's kind of my entry and too.

0:16:57.040 --> 0:16:57.480
<v Speaker 2>Drums.

0:16:57.520 --> 0:17:00.680
<v Speaker 1>I went to perform an arts school in the grade,

0:17:01.120 --> 0:17:05.040
<v Speaker 1>and it was one of those situations where you go to.

0:17:05.000 --> 0:17:08.040
<v Speaker 2>Your drum lesson and the drums are right.

0:17:07.880 --> 0:17:10.040
<v Speaker 1>There and you're sort of like, let me at them,

0:17:10.119 --> 0:17:12.320
<v Speaker 1>let me at him, and they're like nope, and they

0:17:12.359 --> 0:17:15.240
<v Speaker 1>point to a practice pad on the corner and you

0:17:15.240 --> 0:17:17.600
<v Speaker 1>got to learn, like your roommate's like, it's almost like

0:17:17.640 --> 0:17:19.520
<v Speaker 1>I had to practice to work my way up to

0:17:19.560 --> 0:17:22.000
<v Speaker 1>the drum set. But even before I got to the

0:17:22.040 --> 0:17:25.360
<v Speaker 1>practice pad, Yeah.

0:17:25.320 --> 0:17:27.399
<v Speaker 2>I had to take tap dance.

0:17:27.680 --> 0:17:31.679
<v Speaker 1>So yeah, yeah, all that bow jangles me and my

0:17:31.760 --> 0:17:35.320
<v Speaker 1>shadow like like I was, I was a hoofer, Like.

0:17:35.640 --> 0:17:37.600
<v Speaker 4>Good, were you good at it?

0:17:38.480 --> 0:17:40.840
<v Speaker 3>I was pretty good at it. I was pretty good

0:17:40.880 --> 0:17:42.840
<v Speaker 3>at it. I want medals and stuff?

0:17:43.600 --> 0:17:46.920
<v Speaker 2>Really, can you can you still hoof now? Or is that.

0:17:48.600 --> 0:17:49.159
<v Speaker 4>Replacement?

0:17:49.880 --> 0:17:50.160
<v Speaker 2>Okay?

0:17:51.760 --> 0:17:53.439
<v Speaker 4>I got that light on my feet anymore?

0:17:53.440 --> 0:17:55.800
<v Speaker 3>But I could probably I can probably I can do

0:17:55.840 --> 0:17:57.600
<v Speaker 3>a timestep still, okay.

0:17:57.760 --> 0:18:01.680
<v Speaker 2>Yeah, Like around around maybe nine, age nine or age ten,

0:18:01.760 --> 0:18:04.800
<v Speaker 2>I kind of eased out of that and just became

0:18:04.840 --> 0:18:06.040
<v Speaker 2>strictly like music.

0:18:06.840 --> 0:18:07.919
<v Speaker 4>Well, you know, I.

0:18:08.200 --> 0:18:12.280
<v Speaker 3>Have to say my first, like my moment that you had,

0:18:12.320 --> 0:18:14.200
<v Speaker 3>that you said that you had with Average White Band,

0:18:15.200 --> 0:18:19.680
<v Speaker 3>I had when I was about five years old. My

0:18:19.760 --> 0:18:21.359
<v Speaker 3>parents used to take me. They used to take me.

0:18:21.440 --> 0:18:23.960
<v Speaker 3>We had this I guess you call it Vaudeville or

0:18:24.000 --> 0:18:24.560
<v Speaker 3>something like that.

0:18:25.080 --> 0:18:25.560
<v Speaker 4>Vaudeville.

0:18:26.119 --> 0:18:30.760
<v Speaker 3>There was a theater called the Hippodrome in and the

0:18:30.760 --> 0:18:33.640
<v Speaker 3>Beatles played there actually, so it's kind of bingo hall

0:18:33.720 --> 0:18:36.199
<v Speaker 3>now I think it is. But this is one of

0:18:36.200 --> 0:18:39.080
<v Speaker 3>those theaters that got sort of neglected and sort of

0:18:39.160 --> 0:18:43.600
<v Speaker 3>let go little theater. And they used to take me

0:18:43.640 --> 0:18:48.600
<v Speaker 3>there to see these shows. And you know, usually it

0:18:48.640 --> 0:18:53.520
<v Speaker 3>was comedians and pantomime at Christmas and stuff. And they

0:18:53.520 --> 0:18:56.800
<v Speaker 3>took me there to see this show. And there was

0:18:56.840 --> 0:19:00.000
<v Speaker 3>a band. There was a band, a close harmony group

0:19:00.480 --> 0:19:04.520
<v Speaker 3>called the Deep River Boys Deep River Boys from Brooklyn,

0:19:05.440 --> 0:19:09.040
<v Speaker 3>oh really, and they were very very big on radio.

0:19:09.160 --> 0:19:12.880
<v Speaker 4>Luxembourg was was where you would where.

0:19:12.640 --> 0:19:14.880
<v Speaker 3>People would go to to listen to something other than

0:19:14.880 --> 0:19:18.480
<v Speaker 3>the BBC, because the BBC used to just play classical

0:19:18.560 --> 0:19:20.800
<v Speaker 3>music and it wasn't they didn't play anything at all,

0:19:20.840 --> 0:19:23.520
<v Speaker 3>you know. So you go to Radio Luxembourg and you

0:19:23.640 --> 0:19:25.800
<v Speaker 3>tune into Radio Luxembourg and they had a show on

0:19:25.880 --> 0:19:29.960
<v Speaker 3>there and and I guess they also it was also

0:19:30.000 --> 0:19:32.159
<v Speaker 3>a show that was that was that was good for

0:19:32.280 --> 0:19:35.480
<v Speaker 3>like uh, the the American Forces were all over Europe

0:19:35.480 --> 0:19:37.439
<v Speaker 3>at that point. They had the basis in France and

0:19:37.480 --> 0:19:41.359
<v Speaker 3>Germany and and uh and and so they used to

0:19:41.400 --> 0:19:44.840
<v Speaker 3>be on that on on the American Forces broadcasting. But

0:19:44.920 --> 0:19:47.119
<v Speaker 3>they had a regular show on this on this and

0:19:47.160 --> 0:19:51.560
<v Speaker 3>they they on Radio Luxembourg and they appeared at the Hippodrome.

0:19:52.119 --> 0:19:55.280
<v Speaker 3>So my parents took me down there and they did

0:19:55.359 --> 0:19:57.680
<v Speaker 3>maybe it was kind of like gospel music, but I'd

0:19:57.720 --> 0:20:00.000
<v Speaker 3>never heard anything like that, and I got really excited

0:20:00.080 --> 0:20:02.840
<v Speaker 3>and started dancing around in the in the.

0:20:02.800 --> 0:20:06.159
<v Speaker 4>Audience listening to this music is like what's this? You know?

0:20:06.960 --> 0:20:08.159
<v Speaker 4>Oh wow? Where it is that?

0:20:08.240 --> 0:20:10.200
<v Speaker 3>Even you find vanilla ice cream, you give a vanilla

0:20:10.200 --> 0:20:12.000
<v Speaker 3>I skream to a baby first time they have it,

0:20:12.040 --> 0:20:13.800
<v Speaker 3>They're like, why didn't you give me this before? You know,

0:20:13.840 --> 0:20:16.600
<v Speaker 3>you got to build this baby food? Why where was

0:20:16.640 --> 0:20:19.080
<v Speaker 3>this vanilla ice cream. Well that was what what what

0:20:18.840 --> 0:20:22.360
<v Speaker 3>what I got with from their music, and they sent

0:20:22.880 --> 0:20:26.000
<v Speaker 3>them manager. They took me and they brought me backstage

0:20:26.040 --> 0:20:27.480
<v Speaker 3>and befriended, befriended me.

0:20:27.960 --> 0:20:31.040
<v Speaker 4>They made me Deep River Boys number six. And that

0:20:31.440 --> 0:20:33.639
<v Speaker 4>was the time. That was when I found out that

0:20:33.720 --> 0:20:34.399
<v Speaker 4>I was black.

0:20:36.040 --> 0:20:38.359
<v Speaker 2>Oh word, okay, Yeah, I.

0:20:38.320 --> 0:20:39.320
<v Speaker 4>Had no idea.

0:20:39.680 --> 0:20:43.800
<v Speaker 3>I had no idea that I was black until I

0:20:43.880 --> 0:20:46.520
<v Speaker 3>went and saw these guys and they took me back

0:20:46.640 --> 0:20:48.760
<v Speaker 3>back to my parents, my grandma, my mom, and my

0:20:48.760 --> 0:20:51.679
<v Speaker 3>grandmother took me backstage to meet them, you know, with

0:20:51.800 --> 0:20:55.040
<v Speaker 3>the they've been invited back. And I looked at these

0:20:55.080 --> 0:20:57.520
<v Speaker 3>guys and they were six foot tall, which was then

0:20:57.560 --> 0:21:01.440
<v Speaker 3>back then was gigantic, was a giant, and I said,

0:21:02.160 --> 0:21:03.520
<v Speaker 3>I wish I could be black black.

0:21:03.600 --> 0:21:05.280
<v Speaker 4>You guys, we.

0:21:07.080 --> 0:21:09.679
<v Speaker 3>Used the word back then. We never said black was

0:21:09.720 --> 0:21:13.200
<v Speaker 3>colored because it was respectful. It was disrespectful to say

0:21:13.200 --> 0:21:16.040
<v Speaker 3>black black. So I wish I was colored like you.

0:21:16.560 --> 0:21:20.280
<v Speaker 3>And this guy Harry Douglas, who I stayed in touch

0:21:20.320 --> 0:21:23.080
<v Speaker 3>with for years, he passed away sometimes sometime ago.

0:21:24.080 --> 0:21:26.800
<v Speaker 2>You matained a friendship with him, Yes, all.

0:21:26.720 --> 0:21:27.399
<v Speaker 4>Through the years.

0:21:27.480 --> 0:21:31.439
<v Speaker 3>Yes, it was just amazing and uh, and it.

0:21:31.520 --> 0:21:34.439
<v Speaker 1>Was the first Americans that you interacted with. Yes, well, yes,

0:21:34.960 --> 0:21:36.959
<v Speaker 1>how weird was it to hear? Did they have an

0:21:37.000 --> 0:21:37.640
<v Speaker 1>accent to you?

0:21:38.440 --> 0:21:41.040
<v Speaker 4>I didn't even know. I was just like, I was

0:21:41.119 --> 0:21:41.680
<v Speaker 4>just so sweet.

0:21:41.840 --> 0:21:43.600
<v Speaker 3>I mean, they that's how they sang, and they sang,

0:21:44.000 --> 0:21:46.240
<v Speaker 3>they sang like they were Yeah.

0:21:46.440 --> 0:21:49.720
<v Speaker 4>We heard. It seemed like we sort of heard about America.

0:21:49.760 --> 0:21:51.640
<v Speaker 3>And I think we had TV by then, so there'd

0:21:51.640 --> 0:21:53.600
<v Speaker 3>be a couple of TV series that we've seen. Not

0:21:53.720 --> 0:21:56.600
<v Speaker 3>much of a TV little thing like this black White thing, right.

0:21:57.480 --> 0:22:00.280
<v Speaker 3>But but Harry Douglas looked at me and he and

0:22:00.320 --> 0:22:01.960
<v Speaker 3>he said to me, he says, you know, tonight, I'm

0:22:02.000 --> 0:22:05.000
<v Speaker 3>going to cause a spell. And when you wake up

0:22:05.040 --> 0:22:06.800
<v Speaker 3>tomorrow morning, you go look in the mirror and you

0:22:07.280 --> 0:22:10.280
<v Speaker 3>and you'll be you'll be colored like we are.

0:22:11.480 --> 0:22:14.439
<v Speaker 4>I want to sleep. I went to sleep, and then

0:22:14.480 --> 0:22:17.159
<v Speaker 4>I got up and I went to the mirror and wanted, yes,

0:22:17.359 --> 0:22:22.240
<v Speaker 4>it whatked? I haven't got anything more about it?

0:22:25.720 --> 0:22:27.320
<v Speaker 2>Oh God, that's a great story.

0:22:27.400 --> 0:22:32.400
<v Speaker 4>Yeah.

0:22:32.440 --> 0:22:37.680
<v Speaker 1>Do you know what the first LP or single that

0:22:37.800 --> 0:22:40.400
<v Speaker 1>you gravitated towards?

0:22:41.640 --> 0:22:46.080
<v Speaker 3>Well, you know, I remember I used to I used

0:22:46.119 --> 0:22:49.120
<v Speaker 3>to listen a lot to Motown m hm.

0:22:49.600 --> 0:22:54.359
<v Speaker 2>So northern soil was a thing then that more than sixties.

0:22:54.119 --> 0:22:54.879
<v Speaker 4>It was, Yeah, it was.

0:22:55.080 --> 0:22:56.760
<v Speaker 3>It was more of a MUDs and rockers. You know,

0:22:56.840 --> 0:23:00.960
<v Speaker 3>we had these two factions for warring factions. And the

0:23:01.040 --> 0:23:03.360
<v Speaker 3>rockers used to listen to sort of Elvis Presley, sort

0:23:03.359 --> 0:23:05.320
<v Speaker 3>of the rock and roll and skiffle music, and the

0:23:05.400 --> 0:23:09.560
<v Speaker 3>mods used to listen to to The Who and Motown

0:23:09.680 --> 0:23:12.160
<v Speaker 3>and Motown and that.

0:23:12.480 --> 0:23:16.200
<v Speaker 4>And that was funny because we all everybody started to

0:23:16.240 --> 0:23:17.919
<v Speaker 4>play air base. You know.

0:23:18.000 --> 0:23:21.040
<v Speaker 3>It went from playing like air guitar or just air drums.

0:23:21.720 --> 0:23:23.640
<v Speaker 3>When Motown came out, everybody was.

0:23:24.240 --> 0:23:26.840
<v Speaker 2>So that's what you grab it to it, Okay, digging.

0:23:26.600 --> 0:23:27.479
<v Speaker 4>On James Jamison.

0:23:28.720 --> 0:23:31.080
<v Speaker 3>Yeah, But when it came to like playing an instrument,

0:23:31.119 --> 0:23:34.480
<v Speaker 3>the drums was I'd learned. I figured out the mechanics

0:23:34.520 --> 0:23:37.560
<v Speaker 3>are doing that. But playing in a I got it.

0:23:37.600 --> 0:23:39.320
<v Speaker 3>I actually got a job when I was twelve and

0:23:39.640 --> 0:23:42.600
<v Speaker 3>in a in a real show. And while I was

0:23:42.640 --> 0:23:44.840
<v Speaker 3>on the show, in the kids chorus of this summer show,

0:23:45.960 --> 0:23:49.440
<v Speaker 3>tap dancing and singing with this a guy named Max

0:23:49.440 --> 0:23:52.800
<v Speaker 3>Bygraves who was a big star in England. I looked

0:23:52.840 --> 0:23:54.800
<v Speaker 3>down into the orchestra pit and we did this. We

0:23:54.960 --> 0:23:56.560
<v Speaker 3>there this thing where it all up yet there doing

0:23:56.560 --> 0:23:58.760
<v Speaker 3>the twist. You know, let's twist again. We'd all have

0:23:58.840 --> 0:24:01.240
<v Speaker 3>to be out there twisted little kids with this guy.

0:24:01.680 --> 0:24:06.240
<v Speaker 3>And I looked down and I saw the how she

0:24:06.320 --> 0:24:08.879
<v Speaker 3>doesn't have these hands like that, you know, And so

0:24:08.920 --> 0:24:11.359
<v Speaker 3>I went upstairs and practiced that, and then I thought, well,

0:24:11.359 --> 0:24:12.840
<v Speaker 3>then I had listened a bit more when I was

0:24:12.920 --> 0:24:13.880
<v Speaker 3>up there twisted.

0:24:13.520 --> 0:24:14.800
<v Speaker 4>And said what's he doing with his feet?

0:24:16.119 --> 0:24:16.560
<v Speaker 2>Wow?

0:24:17.080 --> 0:24:17.520
<v Speaker 4>Yeah?

0:24:17.560 --> 0:24:19.560
<v Speaker 2>So what what? Uh?

0:24:19.840 --> 0:24:22.199
<v Speaker 1>Well, I'll re asked the question, do you know what

0:24:22.240 --> 0:24:25.040
<v Speaker 1>the first single or album that you purchased with your

0:24:25.119 --> 0:24:25.760
<v Speaker 1>own money?

0:24:26.000 --> 0:24:27.800
<v Speaker 2>Because I think it's a little different than.

0:24:30.000 --> 0:24:32.919
<v Speaker 4>Sadly, what is it the first single?

0:24:35.840 --> 0:24:39.520
<v Speaker 3>I'll it was my mother's birthday and I asked her

0:24:39.560 --> 0:24:42.919
<v Speaker 3>what she wanted for a birthday, and she said she

0:24:43.040 --> 0:24:44.640
<v Speaker 3>wanted Green Green Grass of Home.

0:24:46.000 --> 0:24:46.760
<v Speaker 2>Who sings that?

0:24:47.720 --> 0:24:49.360
<v Speaker 4>Frank? I think it was Frank Gifield.

0:24:50.520 --> 0:24:54.520
<v Speaker 2>Oh wow, I look and there it comes Mary Lives.

0:24:56.720 --> 0:24:57.000
<v Speaker 2>That's what.

0:24:58.920 --> 0:25:01.240
<v Speaker 4>Went into the record. So can I get a company

0:25:01.320 --> 0:25:02.720
<v Speaker 4>of that?

0:25:03.760 --> 0:25:03.960
<v Speaker 2>Yeah?

0:25:04.000 --> 0:25:05.680
<v Speaker 1>A lot of people and say like Jackson five or

0:25:05.720 --> 0:25:08.280
<v Speaker 1>some of the but the real answer is, uh, I

0:25:08.280 --> 0:25:12.040
<v Speaker 1>think the forty five ever purchased was Bad Blood by

0:25:12.119 --> 0:25:18.399
<v Speaker 1>Nil saidaka and only only because really I judged I

0:25:18.480 --> 0:25:20.800
<v Speaker 1>lived in a house with like over three thousand records

0:25:21.080 --> 0:25:25.440
<v Speaker 1>because my parents were musicians, and the Rocket Company, which

0:25:25.480 --> 0:25:29.160
<v Speaker 1>was Elton John's label, Nil Saidaka's label. I judge records

0:25:29.200 --> 0:25:33.480
<v Speaker 1>on how good the logo looked rotating on the forty five.

0:25:33.680 --> 0:25:37.440
<v Speaker 1>So I liked the green and blue hue of MCA

0:25:37.520 --> 0:25:43.800
<v Speaker 1>Rocket Records, and so I chose Bad Blood. So the

0:25:43.840 --> 0:25:46.640
<v Speaker 1>first time that you actually sat on a drum set,

0:25:46.680 --> 0:25:48.600
<v Speaker 1>like who taught you how to play the drums? Like,

0:25:48.600 --> 0:25:52.560
<v Speaker 1>what's your what's your entry into sitting on a drum set?

0:25:52.800 --> 0:25:55.560
<v Speaker 3>Well, I just what happened was was that when I

0:25:55.600 --> 0:25:59.200
<v Speaker 3>went to when I was after we've done this, TV

0:25:59.320 --> 0:26:04.000
<v Speaker 3>is run this this show, the summer show. There was

0:26:04.240 --> 0:26:07.520
<v Speaker 3>a place called the Regent Ballroom in Brighton and that

0:26:08.080 --> 0:26:08.880
<v Speaker 3>is not there anymore.

0:26:09.119 --> 0:26:13.680
<v Speaker 4>It's Boots Chemists now. But on Saturday mornings they would

0:26:13.720 --> 0:26:15.440
<v Speaker 4>have they'd have it open.

0:26:15.480 --> 0:26:19.280
<v Speaker 3>There would be a disc jockey and or people would

0:26:19.280 --> 0:26:22.040
<v Speaker 3>take their kids there and drop their kids off there

0:26:22.359 --> 0:26:25.200
<v Speaker 3>and then they go shopping. They go and do their shopping,

0:26:25.200 --> 0:26:26.879
<v Speaker 3>they leave their kids. There were safe places on the

0:26:26.880 --> 0:26:28.560
<v Speaker 3>b and the kids would dance.

0:26:28.359 --> 0:26:33.120
<v Speaker 1>And so DJ culture was a thing in the sixties

0:26:33.160 --> 0:26:35.359
<v Speaker 1>where yeah, yeah, you put a record or on you

0:26:35.359 --> 0:26:36.560
<v Speaker 1>hear it over a PA system.

0:26:36.760 --> 0:26:39.280
<v Speaker 3>Yeah yeah, yeah, we had they had two things that

0:26:39.480 --> 0:26:42.800
<v Speaker 3>they had a live band and then the stage would

0:26:42.840 --> 0:26:44.679
<v Speaker 3>revolve and there would be a disc jockey, and so

0:26:44.720 --> 0:26:47.160
<v Speaker 3>they would they would the band would take a break,

0:26:47.160 --> 0:26:48.639
<v Speaker 3>and then the dis jockey would be out there and

0:26:48.640 --> 0:26:49.280
<v Speaker 3>play the records.

0:26:49.280 --> 0:26:51.560
<v Speaker 4>And we used to like them the records.

0:26:51.240 --> 0:26:53.000
<v Speaker 3>A lot more than the band, yeah, because the band

0:26:53.040 --> 0:26:54.960
<v Speaker 3>played the old stuff. Really there was sort of like

0:26:55.000 --> 0:26:57.800
<v Speaker 3>a ballroom band, you know. The disc jockey used to

0:26:57.840 --> 0:27:00.600
<v Speaker 3>play the motown and we used to love that, loved it.

0:27:01.359 --> 0:27:03.680
<v Speaker 2>Yeah wow, okay, yeah.

0:27:03.800 --> 0:27:05.919
<v Speaker 4>And and so we were we were there.

0:27:06.760 --> 0:27:09.080
<v Speaker 3>We used to go there on a Saturday morning and

0:27:09.200 --> 0:27:11.240
<v Speaker 3>me and my me and you know, a young boys

0:27:11.359 --> 0:27:13.920
<v Speaker 3>with the raging hormones who go up to these young

0:27:13.960 --> 0:27:15.879
<v Speaker 3>girls and and they dance with us.

0:27:15.920 --> 0:27:17.440
<v Speaker 4>You know, we might get a kiss on the cheek

0:27:17.480 --> 0:27:18.760
<v Speaker 4>and that was it. It was finished.

0:27:18.760 --> 0:27:18.919
<v Speaker 3>You know.

0:27:19.400 --> 0:27:23.480
<v Speaker 4>That was a lot. Well, one day, Manfred Man's band

0:27:23.600 --> 0:27:24.880
<v Speaker 4>they were playing that night.

0:27:24.800 --> 0:27:29.320
<v Speaker 3>At the in the in the in the in the ballroom, right,

0:27:29.760 --> 0:27:33.200
<v Speaker 3>and they set up early when we were all in there,

0:27:33.800 --> 0:27:35.480
<v Speaker 3>and they played I think, I guess they did their

0:27:35.520 --> 0:27:38.520
<v Speaker 3>sound check and they played for us little kids and

0:27:38.560 --> 0:27:41.760
<v Speaker 3>every and every every little, every little twelve year old

0:27:41.800 --> 0:27:45.480
<v Speaker 3>girl and there went completely crazy about this band, like

0:27:45.480 --> 0:27:48.800
<v Speaker 3>like they were the Beatles, screaming. And so I said

0:27:48.800 --> 0:27:52.760
<v Speaker 3>to my friends, we're doing we're doing it all wrong.

0:27:53.040 --> 0:27:56.199
<v Speaker 3>We need we need to be that, we need to

0:27:56.200 --> 0:27:59.679
<v Speaker 3>be a man. Yeah, so we put we started playing.

0:28:00.160 --> 0:28:01.879
<v Speaker 3>We got we just I got a toy. I had

0:28:01.880 --> 0:28:04.800
<v Speaker 3>a toy drum kit, and I had those motor skills.

0:28:04.800 --> 0:28:05.480
<v Speaker 4>I knew where to do it.

0:28:05.520 --> 0:28:07.560
<v Speaker 3>And the only song there was a guy that he

0:28:07.600 --> 0:28:11.000
<v Speaker 3>had a real guitar, but he had an old record

0:28:11.000 --> 0:28:15.600
<v Speaker 3>player that his dad had changed into being an amplifier

0:28:15.600 --> 0:28:18.640
<v Speaker 3>and there okay, yeah, and he played and we played

0:28:18.680 --> 0:28:21.520
<v Speaker 3>saw standing there at the t chests with the string

0:28:21.560 --> 0:28:24.720
<v Speaker 3>and the tech that was a that's that was the

0:28:24.720 --> 0:28:26.680
<v Speaker 3>bass in that's and that's all we could play with

0:28:26.760 --> 0:28:28.160
<v Speaker 3>saws standing there and we did that.

0:28:28.640 --> 0:28:30.840
<v Speaker 1>Let me make sure I'm clear on this. You mean

0:28:30.920 --> 0:28:34.840
<v Speaker 1>Manford Man, the actual blinded by the Light guys. Yeah, okay,

0:28:34.960 --> 0:28:36.760
<v Speaker 1>see I know him from their seventy six I didn't

0:28:36.760 --> 0:28:38.280
<v Speaker 1>realize yeah yeah history.

0:28:38.120 --> 0:28:40.640
<v Speaker 4>Yeah yeah, yeah for then yeah yeah, yeah.

0:28:40.560 --> 0:28:44.080
<v Speaker 3>Oh, and so we were we would we would go

0:28:44.160 --> 0:28:46.160
<v Speaker 3>and play in the afternoons at friend's house.

0:28:46.760 --> 0:28:49.280
<v Speaker 4>He couldn't do it. My grandfather, Yeah, he was.

0:28:49.480 --> 0:28:51.200
<v Speaker 3>He was a meltman, and he would go out and

0:28:51.200 --> 0:28:53.800
<v Speaker 3>start work at three o'clock in the morning, and he

0:28:54.120 --> 0:28:54.560
<v Speaker 3>didn't want to.

0:28:54.600 --> 0:28:55.960
<v Speaker 4>He hated music all kinds.

0:28:56.120 --> 0:28:58.720
<v Speaker 3>The only thing you like was classical music, and anything

0:28:58.800 --> 0:29:02.000
<v Speaker 3>young was just he didn't like anything about young.

0:29:01.880 --> 0:29:04.000
<v Speaker 2>Kids noise, right, okay.

0:29:03.760 --> 0:29:06.920
<v Speaker 3>Yeah, so we go up to another friend's house and

0:29:07.320 --> 0:29:09.680
<v Speaker 3>we'd set up and we'd play with this little toy

0:29:09.760 --> 0:29:11.680
<v Speaker 3>drum kid thing that I had. My grandmother bought me

0:29:11.680 --> 0:29:16.200
<v Speaker 3>a snare drum for Christmas, a real one. And the

0:29:16.240 --> 0:29:20.400
<v Speaker 3>guy with the guitar because he had a real instrument,

0:29:20.680 --> 0:29:22.480
<v Speaker 3>his father, his father on the gas station.

0:29:23.240 --> 0:29:23.600
<v Speaker 2>Okay.

0:29:24.040 --> 0:29:25.880
<v Speaker 4>He used to go and hang out in the music.

0:29:25.680 --> 0:29:28.480
<v Speaker 3>Stores, which is where all the older kids that had

0:29:28.520 --> 0:29:29.720
<v Speaker 3>bands used to hang out.

0:29:30.320 --> 0:29:33.680
<v Speaker 4>Okay, right, so yeah, there's these there's these big kids

0:29:33.680 --> 0:29:34.080
<v Speaker 4>what they we.

0:29:34.720 --> 0:29:38.600
<v Speaker 3>Call them big kids because here we are twelve year

0:29:38.640 --> 0:29:43.120
<v Speaker 3>olds and there's his like eighteen year old kids, sixteen, seventeen,

0:29:43.120 --> 0:29:45.760
<v Speaker 3>eighteen year old kids that had started playing bands, playing

0:29:45.880 --> 0:29:49.120
<v Speaker 3>making bands and could play but we had money, had

0:29:49.200 --> 0:29:52.200
<v Speaker 3>jobs because someone would leave score at fifteen and they

0:29:52.240 --> 0:29:54.880
<v Speaker 3>would they would buy and save up and buy an

0:29:54.880 --> 0:29:59.080
<v Speaker 3>instrument and make a band. So this kid was there

0:29:59.120 --> 0:30:01.360
<v Speaker 3>trying to be in a little twelve year old I

0:30:01.400 --> 0:30:03.240
<v Speaker 3>got a real guitar, trying to hang out with these

0:30:03.240 --> 0:30:03.920
<v Speaker 3>older kids.

0:30:04.520 --> 0:30:06.960
<v Speaker 4>And there was a bunch of guys in there.

0:30:07.080 --> 0:30:08.960
<v Speaker 3>The way gigs used to be got, there would be

0:30:09.000 --> 0:30:11.360
<v Speaker 3>a bulletin board, right, they put a bulletin board in

0:30:11.400 --> 0:30:15.480
<v Speaker 3>the music shop. And if you if you wanted a geek,

0:30:15.880 --> 0:30:17.360
<v Speaker 3>you go and look at the bulletin and see who

0:30:17.440 --> 0:30:19.400
<v Speaker 3>was who was looking for a drummer, who was looking

0:30:19.400 --> 0:30:20.520
<v Speaker 3>for a guitarists or.

0:30:21.440 --> 0:30:24.400
<v Speaker 4>You know, and and and and.

0:30:24.800 --> 0:30:27.440
<v Speaker 3>They put up this thing and they were talking to

0:30:27.520 --> 0:30:29.400
<v Speaker 3>the propriety of the store and they were saying, to

0:30:30.080 --> 0:30:32.240
<v Speaker 3>our drummer's got to go and get his appendix out,

0:30:32.720 --> 0:30:34.200
<v Speaker 3>and we need we got a gig at a youth

0:30:34.280 --> 0:30:38.240
<v Speaker 3>club on Saturday night, and we need to get if.

0:30:37.760 --> 0:30:39.200
<v Speaker 4>I hear any drummers coming in here.

0:30:39.760 --> 0:30:42.360
<v Speaker 3>My friend took his life into his hands, talking to

0:30:42.480 --> 0:30:46.880
<v Speaker 3>like older kids like that and said, I know a drummer.

0:30:47.680 --> 0:30:49.200
<v Speaker 3>And they said, well, who's that? And they said, well,

0:30:49.240 --> 0:30:51.000
<v Speaker 3>you know, good thing. He said, you're a blues band, right,

0:30:51.800 --> 0:30:52.800
<v Speaker 3>the Flames they called them.

0:30:52.880 --> 0:30:54.640
<v Speaker 4>Yeah, where this guy? He's black?

0:30:55.240 --> 0:30:59.520
<v Speaker 3>So that was that was the first. That was the first.

0:30:59.640 --> 0:31:03.080
<v Speaker 3>They said that as old as he's he's twelve years old.

0:31:03.440 --> 0:31:05.920
<v Speaker 3>They said, well is he any good? And get yeah,

0:31:05.960 --> 0:31:08.840
<v Speaker 3>you can play it. He said, okay, hav him come

0:31:08.880 --> 0:31:12.200
<v Speaker 3>over and meet us at this at this house. And

0:31:12.280 --> 0:31:15.760
<v Speaker 3>so this kid and we no telephone, you know, you

0:31:15.840 --> 0:31:16.880
<v Speaker 3>had to come over to my house.

0:31:16.920 --> 0:31:18.560
<v Speaker 4>He said. There's these big kids and they got a

0:31:18.600 --> 0:31:22.200
<v Speaker 4>band and they're looking for a drummer. And I'm like, well, big.

0:31:22.080 --> 0:31:24.840
<v Speaker 3>Kids, because big kids used to beat up kids like

0:31:24.920 --> 0:31:25.720
<v Speaker 3>my sights, you know.

0:31:26.680 --> 0:31:27.400
<v Speaker 4>And he said yeah.

0:31:27.440 --> 0:31:31.080
<v Speaker 3>So so I went over there and I took my

0:31:31.080 --> 0:31:32.360
<v Speaker 3>life in my hands and I walked in there, and

0:31:32.360 --> 0:31:34.800
<v Speaker 3>I sat down and I played a few songs with them,

0:31:34.800 --> 0:31:37.120
<v Speaker 3>and and and they said, okay, well you can come

0:31:37.160 --> 0:31:37.960
<v Speaker 3>play the youth.

0:31:37.760 --> 0:31:41.440
<v Speaker 4>Club with us and pass the test. Passed the test, yeah,

0:31:41.800 --> 0:31:44.760
<v Speaker 4>because I knew. I knew songs.

0:31:44.960 --> 0:31:47.600
<v Speaker 3>You know, it was for the tap dancing you feel

0:31:47.640 --> 0:31:52.240
<v Speaker 3>you were, you know, I knew introduction versus chorus bridge,

0:31:52.440 --> 0:31:55.960
<v Speaker 3>you know, and and and and and how the dynamic

0:31:56.080 --> 0:31:58.080
<v Speaker 3>the dynamic of a song, so I could kind of

0:31:58.120 --> 0:31:59.760
<v Speaker 3>follow that. I didn't even have to know the song

0:32:00.120 --> 0:32:00.520
<v Speaker 3>follow it.

0:32:01.240 --> 0:32:04.120
<v Speaker 1>There's one time I went to not an all white school,

0:32:04.240 --> 0:32:09.400
<v Speaker 1>but there's one time I went to. I was playing

0:32:09.400 --> 0:32:12.720
<v Speaker 1>a pick up a game of basketball, so naturally, you know,

0:32:12.760 --> 0:32:14.600
<v Speaker 1>the white kids thought like, well, we'll take a mirror

0:32:14.640 --> 0:32:15.320
<v Speaker 1>because he's black.

0:32:15.920 --> 0:32:19.440
<v Speaker 2>And yeah, I was in a sports game. I found out.

0:32:20.760 --> 0:32:24.040
<v Speaker 3>They made be captain of the football team. Dude, really,

0:32:24.080 --> 0:32:25.880
<v Speaker 3>I said, yeah, that's useless.

0:32:26.000 --> 0:32:26.880
<v Speaker 4>I was useless.

0:32:27.880 --> 0:32:30.040
<v Speaker 1>That means you're a room musician. I always say that

0:32:30.120 --> 0:32:31.880
<v Speaker 1>room musicians don't know sports.

0:32:31.880 --> 0:32:32.600
<v Speaker 2>I'm sorry, man.

0:32:33.560 --> 0:32:36.280
<v Speaker 1>Well, one, you're saying you were twelve, which basically means

0:32:36.280 --> 0:32:37.520
<v Speaker 1>that this is sixty two.

0:32:38.040 --> 0:32:38.480
<v Speaker 2>Yeah.

0:32:39.600 --> 0:32:42.480
<v Speaker 1>You know, for the United States, the what we call

0:32:42.560 --> 0:32:46.680
<v Speaker 1>the British invasion will happen in a year, a year

0:32:46.680 --> 0:32:51.400
<v Speaker 1>and a half. What is the Well, you lived in

0:32:51.520 --> 0:32:53.360
<v Speaker 1>the British invasion, so I guess it wasn't a big

0:32:53.400 --> 0:32:59.440
<v Speaker 1>deal to you. So what is the effect of white

0:32:59.480 --> 0:33:03.000
<v Speaker 1>based blues these teams that are listening to these blues

0:33:03.040 --> 0:33:07.440
<v Speaker 1>records and starting rock bands, Like, how how influential was

0:33:07.480 --> 0:33:09.160
<v Speaker 1>it was?

0:33:09.600 --> 0:33:12.240
<v Speaker 3>It was extremely you know, because this is what happened.

0:33:12.360 --> 0:33:17.240
<v Speaker 3>You know, these older kids, they knew somehow, I don't

0:33:17.280 --> 0:33:21.600
<v Speaker 3>know how, but they knew about Muddy Waters, Sonny Terry

0:33:21.640 --> 0:33:24.840
<v Speaker 3>and Brownie McGee lad and Hopkins. Oh, they knew all

0:33:24.880 --> 0:33:28.120
<v Speaker 3>about that stuff, and that those guys.

0:33:27.800 --> 0:33:30.160
<v Speaker 4>Had a tour and they would come and play the

0:33:30.280 --> 0:33:31.200
<v Speaker 4>Dome in Brighton.

0:33:31.800 --> 0:33:32.840
<v Speaker 2>Yeah.

0:33:32.880 --> 0:33:35.520
<v Speaker 4>And so Bill Doggett, he was my least favorite.

0:33:35.840 --> 0:33:39.880
<v Speaker 2>You ain't Bill Doggett. He is my least favorite.

0:33:39.960 --> 0:33:43.080
<v Speaker 3>But now and listening to him, I got to wonder why, right,

0:33:43.520 --> 0:33:48.560
<v Speaker 3>But when at that time I loved John Lee Hooker.

0:33:49.280 --> 0:33:53.680
<v Speaker 3>John Lee Hooker was just and Sonny Terry and Brownie McGhee.

0:33:54.840 --> 0:33:55.440
<v Speaker 4>I loved it.

0:33:55.480 --> 0:33:58.760
<v Speaker 3>And they and so these guys they come around every

0:33:58.840 --> 0:34:01.720
<v Speaker 3>year and the band that I was, this band that

0:34:01.760 --> 0:34:02.520
<v Speaker 3>I was playing.

0:34:02.240 --> 0:34:05.480
<v Speaker 4>With, they take me, these eighteen year old kids would

0:34:05.480 --> 0:34:07.280
<v Speaker 4>take me right to see it.

0:34:07.920 --> 0:34:10.280
<v Speaker 3>I mean, I would have paid more attention had I

0:34:10.360 --> 0:34:12.520
<v Speaker 3>had I known what I was watching, right, you know,

0:34:13.080 --> 0:34:15.480
<v Speaker 3>But I got to see those guys. It was incredible,

0:34:15.840 --> 0:34:18.319
<v Speaker 3>and that was that was the start of it for me.

0:34:19.480 --> 0:34:23.360
<v Speaker 1>I'm currently trying to shop there's someone that's written a

0:34:23.400 --> 0:34:29.399
<v Speaker 1>series based on a lot of those Chicago blues legends

0:34:30.680 --> 0:34:35.160
<v Speaker 1>coming over to Germany, coming over to the UK, finding

0:34:35.200 --> 0:34:36.439
<v Speaker 1>a new audience over there.

0:34:36.600 --> 0:34:38.120
<v Speaker 2>We're trying to shop that series.

0:34:38.160 --> 0:34:40.799
<v Speaker 3>Right, they knew who they were, right, I mean, we

0:34:40.840 --> 0:34:43.920
<v Speaker 3>didn't have computers and stuff to look at these pod

0:34:44.480 --> 0:34:45.239
<v Speaker 3>Who the hell is that?

0:34:45.680 --> 0:34:45.879
<v Speaker 4>Yeah?

0:34:46.880 --> 0:34:47.359
<v Speaker 2>What's good?

0:34:47.400 --> 0:34:50.760
<v Speaker 1>Because you know they couldn't get arrested in the United States?

0:34:51.120 --> 0:34:53.880
<v Speaker 3>You know, well, yeah, if they could get arrested in

0:34:53.920 --> 0:34:56.920
<v Speaker 3>the United States. So I remember seeing that that that

0:34:57.360 --> 0:35:00.839
<v Speaker 3>movie about Standing in the Shadows of Motor Down, when

0:35:00.880 --> 0:35:04.400
<v Speaker 3>they were absolutely shocked when they arrived in England that

0:35:04.440 --> 0:35:07.400
<v Speaker 3>people would say, come up and say, who's James Jamison?

0:35:07.400 --> 0:35:09.880
<v Speaker 4>Which one I used? James Jamison? They were like, how

0:35:09.920 --> 0:35:13.200
<v Speaker 4>do you know about James Jamison? Which one of us? Benny?

0:35:13.280 --> 0:35:15.799
<v Speaker 4>Which one he used? Benny Benjamin. We knew that all

0:35:15.840 --> 0:35:18.000
<v Speaker 4>those people were were you.

0:35:17.800 --> 0:35:21.760
<v Speaker 1>Were you developing any heroes? Like who would you say,

0:35:22.000 --> 0:35:30.680
<v Speaker 1>is the first drumming hero that you had? Okay, up, yeah,

0:35:30.680 --> 0:35:32.040
<v Speaker 1>I was gonna say, I know, I knew you guys

0:35:32.080 --> 0:35:34.480
<v Speaker 1>covered what his Soul on the seventy seven Benny and

0:35:34.560 --> 0:35:34.959
<v Speaker 1>Us record?

0:35:36.000 --> 0:35:38.279
<v Speaker 2>Was that your idea to cover that song?

0:35:38.960 --> 0:35:41.520
<v Speaker 3>Yes, because that was the first time that I ever

0:35:41.600 --> 0:35:45.960
<v Speaker 3>heard jrumps pay with syncopation like that I was were

0:35:46.480 --> 0:35:49.200
<v Speaker 3>I was working, I said, when I was about fourteen

0:35:49.280 --> 0:35:51.560
<v Speaker 3>years old, I started to go like in summer. I

0:35:52.160 --> 0:35:56.040
<v Speaker 3>left school at fifteen, but we started to go over

0:35:56.080 --> 0:36:00.040
<v Speaker 3>and work American bases in France. And I remember it,

0:36:00.040 --> 0:36:02.480
<v Speaker 3>it was yesterday. I was in the in the There

0:36:02.520 --> 0:36:05.600
<v Speaker 3>was a place called the Casern and it was in

0:36:05.719 --> 0:36:08.399
<v Speaker 3>ta in the middle of France. And we were there

0:36:08.440 --> 0:36:12.600
<v Speaker 3>playing at the Enlisted Man's Club, and and we could

0:36:12.640 --> 0:36:15.000
<v Speaker 3>eat on the base. So we go to the we'd

0:36:15.040 --> 0:36:16.840
<v Speaker 3>stay off the base, but we could go to the

0:36:16.840 --> 0:36:18.480
<v Speaker 3>base and eat on the base and go to the

0:36:18.520 --> 0:36:21.080
<v Speaker 3>can and there was a we we sort of went

0:36:21.120 --> 0:36:23.719
<v Speaker 3>and sat down near the juke box so we could

0:36:23.760 --> 0:36:25.600
<v Speaker 3>hear the music that was on there. Couldn't afford to

0:36:25.600 --> 0:36:30.240
<v Speaker 3>buy anything, but right, and this, uh, this black gi

0:36:31.040 --> 0:36:33.719
<v Speaker 3>in these fatigues, the green fatigues that they used to wear.

0:36:34.040 --> 0:36:36.239
<v Speaker 3>He sort of sauntered over there, sort of skinny that

0:36:36.280 --> 0:36:38.000
<v Speaker 3>I remember seeing him do it, and he popped in

0:36:38.640 --> 0:36:41.080
<v Speaker 3>whatever it was called a dime, whatever they put in there,

0:36:41.640 --> 0:36:44.880
<v Speaker 3>and he hit some numbers and walked away, and I

0:36:44.880 --> 0:36:45.840
<v Speaker 3>heard shout.

0:36:45.560 --> 0:36:52.080
<v Speaker 1>It out, Dug, dug, and what what what was that?

0:36:52.760 --> 0:36:56.239
<v Speaker 4>I heard, I heard, I heard Charlie Watts. I never

0:36:56.280 --> 0:36:58.839
<v Speaker 4>heard drums played like that. Where did that come from?

0:37:00.200 --> 0:37:00.439
<v Speaker 3>Wow?

0:37:00.520 --> 0:37:01.960
<v Speaker 4>So I went over and I had to look what

0:37:02.400 --> 0:37:07.680
<v Speaker 4>records that? Oh? Then eat King? What is so?

0:37:07.680 --> 0:37:10.239
<v Speaker 1>So how do you know who's playing drums? Because I

0:37:10.239 --> 0:37:15.279
<v Speaker 1>don't know if album credits are even a thing like

0:37:15.360 --> 0:37:17.680
<v Speaker 1>when I was You know, Purdy did a session for

0:37:17.840 --> 0:37:21.319
<v Speaker 1>my dad in like seventy four, so that's how I

0:37:21.320 --> 0:37:22.040
<v Speaker 1>got to meet him.

0:37:22.280 --> 0:37:24.879
<v Speaker 2>But how do you know who is what?

0:37:25.120 --> 0:37:27.359
<v Speaker 4>And well, I don't know.

0:37:27.520 --> 0:37:30.800
<v Speaker 3>I found out that it was Putty, but maybe it

0:37:30.800 --> 0:37:33.880
<v Speaker 3>got the album or something or us around and somebody

0:37:34.040 --> 0:37:35.440
<v Speaker 3>somebody else knew I.

0:37:35.360 --> 0:37:37.160
<v Speaker 4>Got to know. We couldn't look it up on the computer.

0:37:39.120 --> 0:37:41.799
<v Speaker 3>I don't remember having an album with that with any

0:37:41.840 --> 0:37:42.719
<v Speaker 3>information on it.

0:37:43.120 --> 0:37:46.280
<v Speaker 4>But somebody told me, oh, that's been Puddy.

0:37:46.800 --> 0:37:50.320
<v Speaker 1>Okay, well you mentioned sort of dropping out at fifteen.

0:37:51.160 --> 0:37:54.400
<v Speaker 1>When you do that in your mind, is it like okay,

0:37:54.800 --> 0:37:58.279
<v Speaker 1>do or die? I have to be a musician? And

0:37:58.320 --> 0:38:01.280
<v Speaker 1>how does your family feel about this decision?

0:38:01.280 --> 0:38:04.080
<v Speaker 4>It was it was revenge. You know, it's class system

0:38:04.120 --> 0:38:04.560
<v Speaker 4>in England.

0:38:05.480 --> 0:38:07.799
<v Speaker 3>I wasn't supposed to be anything more than maybe a

0:38:07.880 --> 0:38:09.600
<v Speaker 3>bus driver or plumber.

0:38:11.200 --> 0:38:12.520
<v Speaker 4>I wasn't. I wasn't gonna.

0:38:12.560 --> 0:38:14.240
<v Speaker 3>I wasn't going to stay an extra year at school

0:38:14.280 --> 0:38:16.719
<v Speaker 3>and become a banker or like a working a bank

0:38:16.760 --> 0:38:19.959
<v Speaker 3>clerk or civil servant or something like that.

0:38:20.440 --> 0:38:20.759
<v Speaker 4>I was.

0:38:22.280 --> 0:38:24.600
<v Speaker 3>It kind of started. I mean I sort of stayed in.

0:38:24.840 --> 0:38:27.319
<v Speaker 3>We had forms A, B, C, D forms. I was

0:38:27.360 --> 0:38:28.840
<v Speaker 3>in the A form. I was kind of in. I

0:38:28.880 --> 0:38:31.160
<v Speaker 3>could hover in the middle of the A form. I

0:38:31.239 --> 0:38:37.480
<v Speaker 3>wasn't done, okay. I decided that I wanted to play drums,

0:38:37.840 --> 0:38:41.360
<v Speaker 3>and especially you know since now at Ringo Star have

0:38:41.480 --> 0:38:46.600
<v Speaker 3>become a huge star, right Charlie Watts. These were like

0:38:46.680 --> 0:38:51.120
<v Speaker 3>normal guys. They weren't upper upper upper class, upper cross

0:38:51.200 --> 0:38:55.560
<v Speaker 3>or anything here like they were like us Keith Moon

0:38:55.719 --> 0:38:58.400
<v Speaker 3>I used to play my band used to open for

0:38:58.440 --> 0:39:00.719
<v Speaker 3>the Hoop and they played him with Bright in a

0:39:00.760 --> 0:39:02.080
<v Speaker 3>little little club. Yeah.

0:39:03.000 --> 0:39:05.719
<v Speaker 2>Was he destroying his kit back then or well.

0:39:05.480 --> 0:39:07.160
<v Speaker 3>Not in the beginning, but then he started to once

0:39:07.200 --> 0:39:09.600
<v Speaker 3>they started, once they started to give him equipment and

0:39:09.760 --> 0:39:11.239
<v Speaker 3>the whole story behind that.

0:39:11.320 --> 0:39:15.360
<v Speaker 4>But I used to go I take pieces of it

0:39:15.440 --> 0:39:16.359
<v Speaker 4>for spares for Mike.

0:39:16.400 --> 0:39:18.520
<v Speaker 3>I had an Olympic drum kit, a little Olympic which

0:39:18.520 --> 0:39:22.319
<v Speaker 3>is at wasn't it wasn't a gigster. Gigster was was

0:39:22.360 --> 0:39:26.520
<v Speaker 3>the was the was It was the really cheap, horrible thing, right,

0:39:26.600 --> 0:39:30.879
<v Speaker 3>and then he had Olympic, which was intermediate, and then premiere. Right,

0:39:31.560 --> 0:39:34.719
<v Speaker 3>but I had this Olympic thing, and but and the

0:39:34.760 --> 0:39:38.600
<v Speaker 3>premiere stuff would like different lugs and stuff would fit

0:39:38.680 --> 0:39:38.960
<v Speaker 3>on there.

0:39:39.040 --> 0:39:41.560
<v Speaker 4>You So if I had stuff that broke, I could

0:39:41.560 --> 0:39:41.880
<v Speaker 4>take that.

0:39:42.840 --> 0:39:45.439
<v Speaker 3>And Keith Moon would take a sledgehammer to his drum

0:39:45.480 --> 0:39:48.879
<v Speaker 3>kit and just smash it into matchwood, and I'd say,

0:39:48.880 --> 0:39:52.520
<v Speaker 3>to the road, can I have yeah, sure to take it.

0:39:53.200 --> 0:39:53.560
<v Speaker 2>Really.

0:39:55.160 --> 0:39:59.759
<v Speaker 1>Pete Townsend destroyed the guitar on the Tonight Show and

0:39:59.840 --> 0:40:03.880
<v Speaker 1>the let me have it, so okay, well it was

0:40:03.920 --> 0:40:04.920
<v Speaker 1>like it was like a ukulelele.

0:40:05.080 --> 0:40:06.480
<v Speaker 2>But still you know, it's like a guitar.

0:40:06.880 --> 0:40:09.440
<v Speaker 3>But like I'm saying though that this was pears that

0:40:09.480 --> 0:40:11.239
<v Speaker 3>were that were that we're doing it. So when they

0:40:11.719 --> 0:40:15.160
<v Speaker 3>started to ask me when I was like fourteen year olds,

0:40:15.200 --> 0:40:17.120
<v Speaker 3>you know, what what do you want to do when

0:40:17.120 --> 0:40:18.480
<v Speaker 3>you leave school? And I said, oh, I want to

0:40:18.480 --> 0:40:20.640
<v Speaker 3>be a drummer. I want to I want to play drums.

0:40:20.960 --> 0:40:23.719
<v Speaker 3>And they said you can't do that. I said why not?

0:40:24.400 --> 0:40:27.560
<v Speaker 3>And they said, well because it's not a real job.

0:40:29.120 --> 0:40:33.080
<v Speaker 3>So I said, well, ringo star, does it? Charlie wats

0:40:33.160 --> 0:40:35.520
<v Speaker 3>does it? Yeah, but you know you're a ringo star.

0:40:35.920 --> 0:40:38.880
<v Speaker 3>And then they started to call me ringo and I

0:40:39.000 --> 0:40:40.960
<v Speaker 3>used to I used to. I used to play football.

0:40:41.000 --> 0:40:43.160
<v Speaker 3>I was not They may be captain, but I wasn't

0:40:43.200 --> 0:40:46.200
<v Speaker 3>any good at the captain. I used to box at school.

0:40:46.239 --> 0:40:47.280
<v Speaker 3>I was pretty good boxing.

0:40:47.680 --> 0:40:51.680
<v Speaker 1>Okay, wait you were there was boxing curriculum and hid yeah.

0:40:51.480 --> 0:40:53.520
<v Speaker 4>Oh yeah yeah, until one kid got killed and then

0:40:53.560 --> 0:40:55.040
<v Speaker 4>they stopped it. There was a couple of years.

0:40:57.040 --> 0:41:01.480
<v Speaker 3>But but but they they we boxing at school and

0:41:01.560 --> 0:41:04.160
<v Speaker 3>I was always all right, had that And I used

0:41:04.160 --> 0:41:05.480
<v Speaker 3>to do that for the school. And I used to

0:41:05.520 --> 0:41:09.279
<v Speaker 3>run track at school. But when they started to mock

0:41:09.360 --> 0:41:12.879
<v Speaker 3>me about what I wanted to do about music, then

0:41:12.920 --> 0:41:14.960
<v Speaker 3>I went on strike and I said, right, that's it.

0:41:15.640 --> 0:41:17.080
<v Speaker 3>I'm going to play music. I'm not going to do

0:41:17.120 --> 0:41:20.839
<v Speaker 3>this anymore. And I rebelled, complete rebellion. I'd go into

0:41:21.000 --> 0:41:23.439
<v Speaker 3>go into exams and I'd sit there and they'd say

0:41:23.440 --> 0:41:25.399
<v Speaker 3>you got five minutes to just read the stuff through.

0:41:25.760 --> 0:41:28.600
<v Speaker 3>I'd sit there and then they ring the bell say okay,

0:41:28.640 --> 0:41:30.960
<v Speaker 3>start start working. I put up my hand and say

0:41:31.000 --> 0:41:34.600
<v Speaker 3>can't do it. Wow, I said, can't do it. It's

0:41:34.600 --> 0:41:35.759
<v Speaker 3>too difficult, can't do it.

0:41:36.840 --> 0:41:37.319
<v Speaker 4>We'll try.

0:41:37.719 --> 0:41:40.080
<v Speaker 3>I don't honor, and they wouldn't want to argue with me,

0:41:40.120 --> 0:41:42.960
<v Speaker 3>so I just say, okay, get out, and I'd leave.

0:41:43.640 --> 0:41:48.000
<v Speaker 4>I go play drums.

0:41:50.040 --> 0:41:53.200
<v Speaker 2>What was what was considered making a good living as

0:41:53.200 --> 0:41:55.600
<v Speaker 2>a musician, at least at that point in your life.

0:41:56.600 --> 0:41:58.880
<v Speaker 3>Within nine pounds a week with a bit of a fortune.

0:42:00.280 --> 0:42:02.200
<v Speaker 3>You know when I when I left and Let's school

0:42:02.200 --> 0:42:04.160
<v Speaker 3>and got a job, I was earning like four pounds

0:42:04.160 --> 0:42:07.680
<v Speaker 3>a week. You know, four pounds went a lot further than.

0:42:07.239 --> 0:42:07.879
<v Speaker 4>It does now.

0:42:07.960 --> 0:42:10.640
<v Speaker 2>But but oh because of place, yes.

0:42:11.080 --> 0:42:15.600
<v Speaker 4>But it was still very little, very little money.

0:42:16.200 --> 0:42:19.680
<v Speaker 3>Give it about one pound fifty to my mom for

0:42:19.760 --> 0:42:23.360
<v Speaker 3>rent and.

0:42:22.440 --> 0:42:25.680
<v Speaker 4>Really, yeah, okay, That's how I was brought.

0:42:25.480 --> 0:42:31.279
<v Speaker 1>Up eventually, I know, in your mind, is it is

0:42:31.280 --> 0:42:34.160
<v Speaker 1>the goal to make it in America? Is the goal

0:42:34.239 --> 0:42:39.560
<v Speaker 1>to get on the radio? Is the goal to play

0:42:39.719 --> 0:42:43.799
<v Speaker 1>a large theater? Like what's the first step? And you

0:42:43.960 --> 0:42:44.520
<v Speaker 1>making it?

0:42:44.960 --> 0:42:48.279
<v Speaker 3>Never really had any particular ambition at all and any

0:42:48.320 --> 0:42:50.520
<v Speaker 3>anything except to play, to play music.

0:42:50.320 --> 0:42:51.920
<v Speaker 4>And make a living at it.

0:42:51.960 --> 0:42:56.600
<v Speaker 3>I mean, I mean, I mean I did the starving

0:42:56.719 --> 0:43:00.200
<v Speaker 3>musician bit in London, you know, and with a couple

0:43:00.200 --> 0:43:03.120
<v Speaker 3>of guys we lived in a one bedroom one bedroom

0:43:03.480 --> 0:43:08.560
<v Speaker 3>apart wasn't even an apartment room, right, and we're starving

0:43:08.640 --> 0:43:11.920
<v Speaker 3>musicians and there's some people would would live. Was a

0:43:12.040 --> 0:43:15.040
<v Speaker 3>charity of people go and hang out and get picked

0:43:15.080 --> 0:43:18.040
<v Speaker 3>up for the old gig here and there. Okay, the

0:43:18.080 --> 0:43:20.640
<v Speaker 3>object I think the object really was just just to

0:43:20.680 --> 0:43:22.520
<v Speaker 3>get to a place where you could afford to pay

0:43:22.520 --> 0:43:26.680
<v Speaker 3>your rent and get a place to live and not

0:43:26.760 --> 0:43:30.319
<v Speaker 3>even what I didn't have any any ambition as far

0:43:30.360 --> 0:43:31.680
<v Speaker 3>as like private jets.

0:43:31.520 --> 0:43:37.880
<v Speaker 1>Or right here we have now yeah that's yeah what

0:43:37.880 --> 0:43:41.080
<v Speaker 1>what I what is rent a month in Okay, let's

0:43:41.120 --> 0:43:45.399
<v Speaker 1>say like you're now eighteen in nineteen sixty eight, what is.

0:43:45.400 --> 0:43:48.239
<v Speaker 2>Rent a month in the UK?

0:43:49.080 --> 0:43:54.400
<v Speaker 4>Oh? Maybe two three pounds a week maybe something?

0:43:55.200 --> 0:43:56.719
<v Speaker 2>Yeah, so you make that on a gig?

0:43:57.000 --> 0:43:57.239
<v Speaker 4>Yeah?

0:43:57.880 --> 0:43:58.600
<v Speaker 2>Yeah.

0:43:58.680 --> 0:44:02.719
<v Speaker 1>So when the sort of psychedelic movement eases in, or

0:44:02.760 --> 0:44:06.879
<v Speaker 1>at least like by post nineteen sixty six, like when

0:44:06.920 --> 0:44:09.839
<v Speaker 1>the Beatles start experimenting, when Hendricks is starting to come

0:44:09.880 --> 0:44:13.200
<v Speaker 1>over to make a mark, is this affecting you at

0:44:13.239 --> 0:44:14.759
<v Speaker 1>all and your musicianship?

0:44:15.719 --> 0:44:19.840
<v Speaker 4>Absolutely? I mean yeah, I mean it was wonderful. It

0:44:19.880 --> 0:44:22.120
<v Speaker 4>was one of the sixties. Was a wonderful time, you know,

0:44:22.320 --> 0:44:25.000
<v Speaker 4>as far as like music fashion.

0:44:25.640 --> 0:44:28.360
<v Speaker 2>You know. So, were you a hippie?

0:44:29.239 --> 0:44:30.279
<v Speaker 4>No, I was, I was.

0:44:30.320 --> 0:44:32.879
<v Speaker 6>I was, well, I you know, I started off when when,

0:44:33.080 --> 0:44:36.160
<v Speaker 6>like I said, the boring US MUDs and rockers, right,

0:44:36.680 --> 0:44:38.759
<v Speaker 6>I thought, well, you know this still started like an

0:44:38.760 --> 0:44:42.000
<v Speaker 6>Easter Sunday down at the beach, and I thought, well

0:44:42.040 --> 0:44:42.680
<v Speaker 6>it was gonna win.

0:44:43.520 --> 0:44:44.880
<v Speaker 4>Yeah, the rockers they count, you know.

0:44:45.000 --> 0:44:49.279
<v Speaker 3>So I sort of put on some rocker garb as

0:44:49.280 --> 0:44:51.400
<v Speaker 3>close as I could get to rocker GB and I

0:44:51.440 --> 0:44:53.719
<v Speaker 3>went down to the beach and there were thousands and

0:44:53.920 --> 0:44:56.400
<v Speaker 3>thousands of MUDs. So I went back home and I

0:44:56.440 --> 0:45:01.000
<v Speaker 3>put on some Levi's and a white T shirt chase it,

0:45:01.080 --> 0:45:03.160
<v Speaker 3>and then went down there and became a modern rioted

0:45:03.200 --> 0:45:05.640
<v Speaker 3>with everybody through throwing stones and running up and down

0:45:05.680 --> 0:45:07.520
<v Speaker 3>the beach and beating up people when we could find

0:45:07.600 --> 0:45:08.000
<v Speaker 3>him with them.

0:45:09.040 --> 0:45:09.560
<v Speaker 2>Oh God.

0:45:10.880 --> 0:45:14.000
<v Speaker 1>So you know, from what I know it is was

0:45:14.040 --> 0:45:18.640
<v Speaker 1>the American group Bloodstone your first experience in the United

0:45:18.640 --> 0:45:20.440
<v Speaker 1>States or was that was there a group.

0:45:20.320 --> 0:45:21.840
<v Speaker 4>Or in the United States?

0:45:21.880 --> 0:45:24.560
<v Speaker 3>I mean, I'd done the Freddy King album, I've worked

0:45:24.600 --> 0:45:25.480
<v Speaker 3>on the Freddy King.

0:45:25.360 --> 0:45:28.919
<v Speaker 2>Album okay, and there was that like playing with him.

0:45:29.960 --> 0:45:34.319
<v Speaker 3>It's incredible he was And the producer was a guy

0:45:34.400 --> 0:45:38.000
<v Speaker 3>named Mike Vernon, a hush guy named Mike Vernon, and

0:45:38.080 --> 0:45:41.440
<v Speaker 3>Mike had come down to see this I'd started. I

0:45:41.600 --> 0:45:44.280
<v Speaker 3>come back to England from from being living in Europe

0:45:44.880 --> 0:45:46.760
<v Speaker 3>and went to music school.

0:45:47.239 --> 0:45:49.360
<v Speaker 2>What school U is?

0:45:49.719 --> 0:45:51.560
<v Speaker 4>The Nice Conservatory of Music?

0:45:52.360 --> 0:45:53.000
<v Speaker 2>You went to Nice?

0:45:53.280 --> 0:45:55.560
<v Speaker 4>Yeah? Yeah, There's a.

0:45:55.560 --> 0:45:59.920
<v Speaker 3>Guy named Jack car who was the percussion the percussion teacher.

0:46:00.040 --> 0:46:02.719
<v Speaker 3>And I was too old actually to get into the

0:46:02.760 --> 0:46:05.200
<v Speaker 3>school as a student. So he got me in as

0:46:05.239 --> 0:46:07.279
<v Speaker 3>a teacher because I could play, so.

0:46:08.080 --> 0:46:09.320
<v Speaker 4>He had me teach the kids.

0:46:09.680 --> 0:46:11.440
<v Speaker 3>And because I was teaching the kids how to play

0:46:11.520 --> 0:46:13.880
<v Speaker 3>modern drums, because all they talk was classical music.

0:46:14.320 --> 0:46:17.439
<v Speaker 4>That was about it.

0:46:17.600 --> 0:46:18.600
<v Speaker 2>So you could read music.

0:46:20.239 --> 0:46:22.759
<v Speaker 3>By the time I left, I could, yeah, minimally. Not

0:46:22.760 --> 0:46:25.400
<v Speaker 3>not like the guys. I mean, there was guys that

0:46:25.800 --> 0:46:29.400
<v Speaker 3>have been since they were tiny. I had learned to

0:46:29.400 --> 0:46:32.600
<v Speaker 3>play their instrument to reading music, you know, and that.

0:46:33.000 --> 0:46:36.480
<v Speaker 3>But these guys they couldn't play modern drums. I could,

0:46:37.480 --> 0:46:39.640
<v Speaker 3>so I have to teach them. So when I'm teaching them,

0:46:39.680 --> 0:46:42.400
<v Speaker 3>I'm writing them out exercises and They're like, oh no, no, no,

0:46:42.440 --> 0:46:45.799
<v Speaker 3>mister Feroni, this is this is how you write that out.

0:46:45.920 --> 0:46:50.040
<v Speaker 3>And so I was learning. I was as I was teaching.

0:46:50.760 --> 0:46:52.640
<v Speaker 3>I did three years of that and it was wonderful,

0:46:53.040 --> 0:46:56.400
<v Speaker 3>It was really wonderful. But when I came when I

0:46:56.440 --> 0:46:58.759
<v Speaker 3>came back, I started to play with this band, Gonzales.

0:46:59.480 --> 0:47:02.680
<v Speaker 3>They were a bunch of studio musicians that would that

0:47:02.719 --> 0:47:05.960
<v Speaker 3>would play in the clubs at night. And the way

0:47:06.040 --> 0:47:09.360
<v Speaker 3>you got into that band was you wait for whoever

0:47:09.520 --> 0:47:11.560
<v Speaker 3>was playing your instrument to go out of town or

0:47:11.560 --> 0:47:13.920
<v Speaker 3>have a gig that he couldn't a session that he

0:47:13.960 --> 0:47:16.400
<v Speaker 3>couldn't make the gig, and then you would come in

0:47:16.440 --> 0:47:17.440
<v Speaker 3>there and then you would play.

0:47:17.600 --> 0:47:19.960
<v Speaker 4>You would play that gig until you couldn't make it anymore.

0:47:20.000 --> 0:47:20.560
<v Speaker 4>Then you leave.

0:47:20.719 --> 0:47:22.880
<v Speaker 3>And then guys like Richard Bailey, so I'd switch up

0:47:22.880 --> 0:47:26.080
<v Speaker 3>with like Richard Bailey and that was that was how

0:47:26.160 --> 0:47:28.279
<v Speaker 3>that band. And we opened for Average White Band once.

0:47:29.200 --> 0:47:32.399
<v Speaker 1>Really yeah, okay, yeah, I was going to say, at

0:47:32.400 --> 0:47:36.920
<v Speaker 1>this point, were you running into Allen or Hamish or

0:47:37.800 --> 0:47:38.800
<v Speaker 1>the Glasgow guys.

0:47:38.840 --> 0:47:42.319
<v Speaker 3>I was really good friends with Robbie McIntosh when I

0:47:42.400 --> 0:47:44.920
<v Speaker 3>was when I went to Italy, when I was like

0:47:45.000 --> 0:47:47.239
<v Speaker 3>seventeen years old. I went to Italy and I met

0:47:47.320 --> 0:47:50.200
<v Speaker 3>Robbie down there and Alex did it, would you know?

0:47:50.360 --> 0:47:51.160
<v Speaker 4>You know Alex is.

0:47:53.200 --> 0:47:55.640
<v Speaker 3>He sang with Santana. He sang that song I'm Winning

0:47:55.719 --> 0:47:59.719
<v Speaker 3>with Santana, really okay? And Alex and Robbie used to

0:47:59.719 --> 0:48:03.520
<v Speaker 3>play a band called the Senate and they were there

0:48:03.560 --> 0:48:06.239
<v Speaker 3>in Italy and I was there. I was there working

0:48:06.280 --> 0:48:10.160
<v Speaker 3>with an American guy named Ronnie Jones. He's still alive,

0:48:10.200 --> 0:48:13.040
<v Speaker 3>God bless him these eighty three years old, eighty three

0:48:13.080 --> 0:48:15.360
<v Speaker 3>years old now, and he lives he lives in Milan.

0:48:16.320 --> 0:48:20.759
<v Speaker 1>Did McIntosh have what you would say a pocket then

0:48:21.120 --> 0:48:21.839
<v Speaker 1>or was he just.

0:48:23.360 --> 0:48:25.080
<v Speaker 2>Well, really he came.

0:48:24.960 --> 0:48:27.120
<v Speaker 4>Up with listening to the same stuff as I did.

0:48:27.400 --> 0:48:30.920
<v Speaker 3>You know, It's funny, you know, we all came up

0:48:30.960 --> 0:48:33.920
<v Speaker 3>listening to the same music, even Tom Penny and went.

0:48:34.000 --> 0:48:36.680
<v Speaker 3>After spending some time with the Heartbreak, as we start

0:48:36.719 --> 0:48:38.600
<v Speaker 3>talking to oh you know this song or that song,

0:48:39.160 --> 0:48:41.479
<v Speaker 3>and I came to find out that Tom and Mike

0:48:41.760 --> 0:48:43.960
<v Speaker 3>were listening to the same stuff as I was listening

0:48:44.000 --> 0:48:46.880
<v Speaker 3>to as the English Invasion.

0:48:47.520 --> 0:48:48.880
<v Speaker 4>We were all listening to the same.

0:48:48.760 --> 0:48:51.439
<v Speaker 2>Music, the same thing, okay, Yeah, And.

0:48:51.360 --> 0:48:54.120
<v Speaker 4>So there was a connection made through the through the music,

0:48:54.239 --> 0:48:54.400
<v Speaker 4>you know.

0:48:54.440 --> 0:48:56.960
<v Speaker 3>And there was a connection made with with with the

0:48:56.960 --> 0:48:59.600
<v Speaker 3>guys from Average white Man because they grew up in

0:48:59.600 --> 0:49:02.319
<v Speaker 3>scott and I was down at the way up there

0:49:02.360 --> 0:49:05.600
<v Speaker 3>in Scotland with Dundee and Run. I'm down here in

0:49:05.680 --> 0:49:08.520
<v Speaker 3>the south of England and we're all listening to motown

0:49:08.560 --> 0:49:10.239
<v Speaker 3>and listening to stacks.

0:49:10.800 --> 0:49:14.000
<v Speaker 4>Yeah. And so when we sat down and started.

0:49:13.640 --> 0:49:18.200
<v Speaker 3>To play that music, we had a way of playing

0:49:18.239 --> 0:49:21.400
<v Speaker 3>it that was it would give a note to it,

0:49:21.440 --> 0:49:22.440
<v Speaker 3>but we didn't copy.

0:49:23.080 --> 0:49:23.560
<v Speaker 4>We didn't.

0:49:23.960 --> 0:49:26.279
<v Speaker 2>It wasn't a it wasn't derivative of it.

0:49:26.680 --> 0:49:29.240
<v Speaker 4>No, No, you could tell what it.

0:49:29.160 --> 0:49:32.760
<v Speaker 1>Was, you know, because you were sort of the drummer

0:49:32.800 --> 0:49:37.200
<v Speaker 1>whose DNA I studied the most. Always wanted to know

0:49:37.280 --> 0:49:42.080
<v Speaker 1>this the the sort of trick or at least your

0:49:42.120 --> 0:49:45.960
<v Speaker 1>signature feel, which I kind of believe maybe Pretty did

0:49:45.960 --> 0:49:51.800
<v Speaker 1>it first, the infamous.

0:49:49.640 --> 0:49:52.120
<v Speaker 4>Oh yeah, yeah, that's pretty is okay.

0:49:52.400 --> 0:49:55.880
<v Speaker 1>I was gonna say, you you heard Pretty do that?

0:49:55.920 --> 0:49:58.360
<v Speaker 1>And then Matt just instantly became part of your DNA.

0:49:58.719 --> 0:50:02.040
<v Speaker 3>Absolutely yeah, and then and then and then the other

0:50:02.120 --> 0:50:06.800
<v Speaker 3>high hat stuff that I got that from Stevie Wonder.

0:50:08.280 --> 0:50:10.920
<v Speaker 2>It's so funny, Okay, I'm glad I'm talking to you.

0:50:12.760 --> 0:50:18.120
<v Speaker 1>Well, An, I might be, I was gonna say, quote unquote,

0:50:18.200 --> 0:50:21.239
<v Speaker 1>I might be quote unquote working on a Stevie Wonder

0:50:21.280 --> 0:50:22.080
<v Speaker 1>project as well.

0:50:22.320 --> 0:50:25.360
<v Speaker 2>And you know Stevie.

0:50:24.880 --> 0:50:29.480
<v Speaker 1>To me, I don't know any besides James Gatson and

0:50:29.560 --> 0:50:34.239
<v Speaker 1>maybe Bonzo. I don't know another drummer who I define

0:50:35.000 --> 0:50:38.479
<v Speaker 1>more with his symbol work, you know, like all music

0:50:38.520 --> 0:50:40.839
<v Speaker 1>of my mind, just the sloppiness of like love having

0:50:40.840 --> 0:50:42.680
<v Speaker 1>you around and just.

0:50:42.760 --> 0:50:47.600
<v Speaker 3>I miss that when he started programming drums so much.

0:50:47.719 --> 0:50:50.520
<v Speaker 1>I know, like I love when he stopped him just

0:50:51.200 --> 0:50:54.400
<v Speaker 1>all over. I think it's also the fact that he

0:50:54.440 --> 0:50:59.400
<v Speaker 1>would sort of Motown style overdubbed those Tom Thomson overdubbed

0:50:59.400 --> 0:51:02.720
<v Speaker 1>those high hat feels that it sounds super intense because

0:51:03.560 --> 0:51:06.200
<v Speaker 1>you know, it just sounds like he's playing it within

0:51:06.239 --> 0:51:07.680
<v Speaker 1>an ench of his life.

0:51:07.840 --> 0:51:10.200
<v Speaker 4>Oh, it's wonderful. This is that's wonderful.

0:51:10.200 --> 0:51:13.200
<v Speaker 1>Suff What was the first American city that you arrived

0:51:13.200 --> 0:51:16.640
<v Speaker 1>in in New York and what was your first impression

0:51:16.680 --> 0:51:17.120
<v Speaker 1>of America?

0:51:17.320 --> 0:51:22.880
<v Speaker 4>Wow, I remember I remember landing.

0:51:23.400 --> 0:51:26.400
<v Speaker 3>I remember landing at the airport and I had my drums,

0:51:26.480 --> 0:51:27.680
<v Speaker 3>my drum kit on.

0:51:27.400 --> 0:51:31.319
<v Speaker 4>On a on a car right and I don't think.

0:51:31.360 --> 0:51:34.080
<v Speaker 4>I don't think I had to work for it. What

0:51:34.960 --> 0:51:37.239
<v Speaker 4>And and I came through and this.

0:51:36.880 --> 0:51:38.919
<v Speaker 3>This guy, this customs guy, looked in and he says,

0:51:38.960 --> 0:51:40.359
<v Speaker 3>what are you doing? I said, oh, we just hear

0:51:40.520 --> 0:51:44.399
<v Speaker 3>like a vacation. And he said, oh okay. He says,

0:51:44.400 --> 0:51:46.560
<v Speaker 3>your first time here visiting. I don't know is because

0:51:46.560 --> 0:51:48.239
<v Speaker 3>I had an English act because back then he was

0:51:48.280 --> 0:51:49.880
<v Speaker 3>kind of unique for a black guy to speak with

0:51:49.880 --> 0:51:52.840
<v Speaker 3>an English accent, you know. And he said he and

0:51:52.920 --> 0:51:54.439
<v Speaker 3>he said, and he said to me, he said does

0:51:54.960 --> 0:51:58.439
<v Speaker 3>He said, have you got any drugs? And I said, no,

0:51:58.480 --> 0:52:00.840
<v Speaker 3>I'm good, I'm got any drugs. It's not He said,

0:52:01.080 --> 0:52:03.279
<v Speaker 3>there's plenty through that door. Welcome to New York.

0:52:05.440 --> 0:52:06.160
<v Speaker 2>And that was that.

0:52:06.560 --> 0:52:07.480
<v Speaker 4>And that was that.

0:52:07.800 --> 0:52:12.080
<v Speaker 3>Sixth Avenue we wrote, were writing up six Sevenue and

0:52:12.160 --> 0:52:16.719
<v Speaker 3>I remember, wow, just.

0:52:16.640 --> 0:52:20.560
<v Speaker 2>Looking out and amazing. Yeah. Yeah, when was when is

0:52:20.600 --> 0:52:23.320
<v Speaker 2>the era of back line?

0:52:24.280 --> 0:52:24.360
<v Speaker 3>Like?

0:52:24.440 --> 0:52:29.080
<v Speaker 1>Were you expected to provide your own gear, your own drums?

0:52:29.400 --> 0:52:30.920
<v Speaker 2>Are you setting up your own gear?

0:52:31.000 --> 0:52:33.319
<v Speaker 1>Was there a roadie back in the day or were

0:52:33.400 --> 0:52:34.760
<v Speaker 1>you setting up your own stuff?

0:52:35.200 --> 0:52:38.080
<v Speaker 3>Well, there were a couple of roadies, but they would

0:52:38.320 --> 0:52:40.040
<v Speaker 3>they would help, but you know, we will have to

0:52:40.040 --> 0:52:41.600
<v Speaker 3>really sort of take care of her own stuff.

0:52:42.520 --> 0:52:51.800
<v Speaker 1>Okay, I've heard many accounts of how Robbie passed away

0:52:52.000 --> 0:52:54.719
<v Speaker 1>and how you got into the group, but I've never

0:52:54.719 --> 0:52:58.000
<v Speaker 1>heard an official version from official band member. How did

0:52:58.120 --> 0:53:00.560
<v Speaker 1>Robbie pass away? And how did you get the gig?

0:53:00.719 --> 0:53:01.600
<v Speaker 1>For the average white man?

0:53:01.800 --> 0:53:03.880
<v Speaker 4>Well, you know where were you know, we're friends. I

0:53:03.880 --> 0:53:05.160
<v Speaker 4>was supposed to go to that party.

0:53:05.200 --> 0:53:07.279
<v Speaker 3>I was supposed to medium with that party, but I was,

0:53:07.480 --> 0:53:11.040
<v Speaker 3>I was, I was. I was doing the film, doing

0:53:11.040 --> 0:53:15.239
<v Speaker 3>the film with no I played, well, I might be

0:53:15.280 --> 0:53:17.960
<v Speaker 3>in them, but I did the move music for it.

0:53:18.040 --> 0:53:19.600
<v Speaker 2>So did it ever come out?

0:53:20.440 --> 0:53:23.560
<v Speaker 4>Yes, yes, I I think I have it. I think

0:53:23.600 --> 0:53:24.279
<v Speaker 4>I could have found it.

0:53:24.280 --> 0:53:29.960
<v Speaker 2>Oh my god. Okay, yeah, they're train. Yes. When they

0:53:30.040 --> 0:53:30.560
<v Speaker 2>when they.

0:53:30.400 --> 0:53:35.640
<v Speaker 1>Were promoting that album on Soul Train, uh, Don Cornelis

0:53:35.680 --> 0:53:38.120
<v Speaker 1>showed like a minute of the clip where they're riding

0:53:38.120 --> 0:53:40.279
<v Speaker 1>in the train and they're in the bunkers and yeah,

0:53:41.160 --> 0:53:42.680
<v Speaker 1>doing show tunes and whatnot.

0:53:42.800 --> 0:53:46.160
<v Speaker 3>And so it's funny. I mean I had to go

0:53:46.239 --> 0:53:48.600
<v Speaker 3>there and be on set with them and then and

0:53:48.640 --> 0:53:53.200
<v Speaker 3>then we go we do it called music and yeah.

0:53:52.080 --> 0:53:56.120
<v Speaker 1>So you're all over that record. Yeah, Wow, that's not you.

0:53:56.200 --> 0:53:57.320
<v Speaker 1>On Natural high money.

0:53:57.440 --> 0:54:00.319
<v Speaker 4>Money is but no, it's not a master, but but

0:54:00.520 --> 0:54:04.799
<v Speaker 4>money is money. Badass. Something actually said it to me.

0:54:04.840 --> 0:54:06.839
<v Speaker 4>That's why I started looking for it. I forgot all

0:54:06.880 --> 0:54:07.319
<v Speaker 4>about it.

0:54:07.760 --> 0:54:09.960
<v Speaker 2>Wow, we did that. All the best things in life

0:54:10.200 --> 0:54:13.440
<v Speaker 2>for you, right, get So.

0:54:12.960 --> 0:54:15.600
<v Speaker 3>So I was doing I was doing that, and and

0:54:15.640 --> 0:54:17.239
<v Speaker 3>they were playing that. They were doing a run at

0:54:17.280 --> 0:54:19.879
<v Speaker 3>the Troubador. And Robbie caughed me out and he said,

0:54:19.880 --> 0:54:21.400
<v Speaker 3>come on, man, come and go and be a party

0:54:21.400 --> 0:54:23.800
<v Speaker 3>on It was Sunday night or something.

0:54:24.560 --> 0:54:26.719
<v Speaker 4>So I got to work. If I can, I'll be

0:54:26.800 --> 0:54:32.240
<v Speaker 4>there and and and as fate would have it, I didn't.

0:54:32.600 --> 0:54:36.320
<v Speaker 3>I didn't go. Okay, and and and the next morning

0:54:36.360 --> 0:54:39.000
<v Speaker 3>I woke up and my my my drum tech. Then

0:54:39.800 --> 0:54:42.120
<v Speaker 3>the guy that was working for me, guy named Terry Merchant.

0:54:42.560 --> 0:54:42.919
<v Speaker 2>Mm hmm.

0:54:43.200 --> 0:54:48.520
<v Speaker 4>He said, Steve Robbie is dead. Yeah, And I said

0:54:49.040 --> 0:54:49.759
<v Speaker 4>what dead? Drunk?

0:54:49.960 --> 0:54:52.640
<v Speaker 3>Because Robbie, Robbie and I used to go out drinking together.

0:54:53.120 --> 0:54:56.520
<v Speaker 3>Robbie was the hell of a drinker. And he said, no, no, no,

0:54:56.840 --> 0:54:57.319
<v Speaker 3>he's dead.

0:54:57.440 --> 0:55:01.000
<v Speaker 4>You know, he died. He died an overdose. Robbie. It

0:55:01.200 --> 0:55:03.240
<v Speaker 4>wasn't so much of a drug taker.

0:55:03.320 --> 0:55:05.080
<v Speaker 3>I could say. There wasn't so much of a drug.

0:55:05.320 --> 0:55:08.839
<v Speaker 3>He's more of a drinker, right. But Robbie, this is

0:55:08.920 --> 0:55:13.319
<v Speaker 3>this was the thing was Robbie. Robbie could drink. I'd

0:55:13.320 --> 0:55:17.800
<v Speaker 3>seen Robbie drink Butler vodka and then he just switched

0:55:17.800 --> 0:55:21.200
<v Speaker 3>to Scotch, right, and I get sick. But I never

0:55:21.280 --> 0:55:26.120
<v Speaker 3>saw Robbie throw up. Never saw him he would pass out, right,

0:55:26.520 --> 0:55:30.600
<v Speaker 3>you know. And and from from my understanding, because I

0:55:30.680 --> 0:55:33.040
<v Speaker 3>wasn't there for a lot of what when when the

0:55:33.080 --> 0:55:36.279
<v Speaker 3>whole was just there for the aftermath was that he

0:55:36.400 --> 0:55:40.000
<v Speaker 3>was at this party and everybody did did this. Something

0:55:40.239 --> 0:55:43.279
<v Speaker 3>was saying his some he's some cocaine, right, And so

0:55:44.320 --> 0:55:45.920
<v Speaker 3>Robbie wouldn't do anything small.

0:55:46.040 --> 0:55:47.799
<v Speaker 4>He was not that sort of a person either.

0:55:48.239 --> 0:55:49.040
<v Speaker 2>He went bigger.

0:55:49.440 --> 0:55:51.560
<v Speaker 3>Yeah, when he went and he went, he went bigger,

0:55:51.800 --> 0:55:55.479
<v Speaker 3>and and everybody everybody else that did it got sick.

0:55:56.320 --> 0:56:00.080
<v Speaker 3>And Robbie went home, went to sleep and stayed in

0:56:00.120 --> 0:56:02.279
<v Speaker 3>his system. It was it was heroine and it was

0:56:02.320 --> 0:56:04.040
<v Speaker 3>cut with strychnine, and it killed him.

0:56:04.960 --> 0:56:07.759
<v Speaker 4>Jesus Christy, is that simple? You know?

0:56:08.640 --> 0:56:11.440
<v Speaker 3>You know, I mean we talk a lot about you know,

0:56:12.040 --> 0:56:15.919
<v Speaker 3>accidental drug overdoses. You know, sometimes the house I'm saying

0:56:16.040 --> 0:56:18.800
<v Speaker 3>at the moment, there was three guys that died of

0:56:19.760 --> 0:56:22.720
<v Speaker 3>fentanyl overdoses, and one of those one of those guys

0:56:22.840 --> 0:56:27.879
<v Speaker 3>was his was his nephew, right, and uh and accidental.

0:56:28.000 --> 0:56:31.440
<v Speaker 3>I don't think anybody goes does any of that stuff

0:56:31.719 --> 0:56:33.640
<v Speaker 3>to die, you know. I mean, if they want to

0:56:33.680 --> 0:56:36.600
<v Speaker 3>do that, they say, I'm I'll write a suicide note,

0:56:37.280 --> 0:56:40.160
<v Speaker 3>right exactly, you did this to me, and then they're

0:56:40.320 --> 0:56:42.080
<v Speaker 3>just do an enormous art and they're dying. And I

0:56:42.080 --> 0:56:45.239
<v Speaker 3>think the recreation, I don't think that this guy even

0:56:45.280 --> 0:56:46.879
<v Speaker 3>had a problem. And I think there was just three

0:56:46.880 --> 0:56:51.000
<v Speaker 3>buddies that decided to go and mess around, get let's

0:56:51.120 --> 0:56:52.799
<v Speaker 3>let's try that stuff and see what it does.

0:56:52.840 --> 0:56:57.080
<v Speaker 2>And unfortunately, yeah, he's a killer.

0:56:57.480 --> 0:56:59.359
<v Speaker 4>It wasn't like that in the sixties. I can tell

0:56:59.360 --> 0:57:00.000
<v Speaker 4>you that right now.

0:57:00.360 --> 0:57:03.040
<v Speaker 3>But I don't think anything any of the drugs nowadays

0:57:03.239 --> 0:57:05.400
<v Speaker 3>like they were in the sixties and seventies, and it

0:57:05.480 --> 0:57:09.800
<v Speaker 3>was it's a it's a different animal. So you know, Robbie,

0:57:11.120 --> 0:57:13.200
<v Speaker 3>it was a tragic, a tragic accident.

0:57:15.200 --> 0:57:18.000
<v Speaker 4>It did. It was a lot of pain, probably still

0:57:18.040 --> 0:57:19.120
<v Speaker 4>being felt felt today.

0:57:20.280 --> 0:57:22.320
<v Speaker 3>You know. I hadn't spoken to his widow in over

0:57:22.360 --> 0:57:25.160
<v Speaker 3>twenty years. And she called me last week from from

0:57:25.160 --> 0:57:30.120
<v Speaker 3>real England. Yeah, he did, and and and and she

0:57:30.120 --> 0:57:34.520
<v Speaker 3>she was telling me that she she just just now

0:57:34.800 --> 0:57:36.760
<v Speaker 3>has come to terms with the fact to be able

0:57:36.800 --> 0:57:39.440
<v Speaker 3>to just say, you know, this is what it was.

0:57:39.600 --> 0:57:43.000
<v Speaker 3>And not much point running around feeling resentment. In years

0:57:43.000 --> 0:57:46.320
<v Speaker 3>of running around feeling resentment, you just make yourself that broke.

0:57:46.160 --> 0:57:48.280
<v Speaker 2>Her heart for all those years, forty five years. It

0:57:48.440 --> 0:57:49.000
<v Speaker 2>just wow.

0:57:49.320 --> 0:57:53.840
<v Speaker 4>She remarried, but yeah, still painful.

0:57:54.120 --> 0:57:56.720
<v Speaker 3>Yeah, you know, Robbie was a great guy, a great

0:57:56.760 --> 0:57:58.040
<v Speaker 3>drummer and a great guy.

0:57:58.680 --> 0:58:02.880
<v Speaker 1>How how long does time go by before you're getting

0:58:02.880 --> 0:58:07.000
<v Speaker 1>the phone call to join the average white band and

0:58:07.240 --> 0:58:10.640
<v Speaker 1>before they call you, are they trying to at least

0:58:10.680 --> 0:58:13.120
<v Speaker 1>maintain the status of the name of the group and

0:58:13.240 --> 0:58:15.640
<v Speaker 1>find a white guy that's funky?

0:58:16.360 --> 0:58:18.840
<v Speaker 3>No, Well, I tell you what happened was was this

0:58:19.000 --> 0:58:22.920
<v Speaker 3>was that was that when when I found out about

0:58:22.960 --> 0:58:25.600
<v Speaker 3>Robbie being being dead, I went and I called, I

0:58:25.640 --> 0:58:27.600
<v Speaker 3>got hold of Hamish, and I went over to the

0:58:27.640 --> 0:58:32.760
<v Speaker 3>hotel and sat over the hotel with everybody and we

0:58:32.760 --> 0:58:37.080
<v Speaker 3>were all drinking, because that's what we did with the Scots,

0:58:37.520 --> 0:58:40.600
<v Speaker 3>and and and I said to them, listen, you know,

0:58:41.160 --> 0:58:43.760
<v Speaker 3>Robbie wouldn't want you guys to stop.

0:58:43.840 --> 0:58:44.040
<v Speaker 4>Now.

0:58:44.240 --> 0:58:47.080
<v Speaker 3>You know you just gotten to get this airplay with

0:58:47.280 --> 0:58:51.320
<v Speaker 3>pick up the pieces that's happening for you. I don't

0:58:51.360 --> 0:58:52.840
<v Speaker 3>know how this is all gonna en, but you guys,

0:58:53.120 --> 0:58:55.920
<v Speaker 3>you know you shouldn't shouldn't stop.

0:58:56.560 --> 0:58:58.640
<v Speaker 2>There was talk of maybe we should stop the group.

0:58:59.720 --> 0:59:03.240
<v Speaker 3>Well it was it was everybody was sitting around sort

0:59:03.280 --> 0:59:06.160
<v Speaker 3>of like it was all over. You know, it's like

0:59:06.400 --> 0:59:09.240
<v Speaker 3>it's not over, it's you know. And so I said,

0:59:09.240 --> 0:59:12.040
<v Speaker 3>if there's anything I can do, let me know, and

0:59:12.040 --> 0:59:16.320
<v Speaker 3>and and and I was under contract to Bloodstone, right,

0:59:17.720 --> 0:59:22.240
<v Speaker 3>So what what I would do is Stick super and myself.

0:59:22.280 --> 0:59:23.800
<v Speaker 3>What would happen if I couldn't do it, if I

0:59:23.840 --> 0:59:26.120
<v Speaker 3>was working with a Bludstone, Sticks would go and play

0:59:26.120 --> 0:59:26.440
<v Speaker 3>with them?

0:59:27.200 --> 0:59:28.480
<v Speaker 4>Yeah, And then.

0:59:28.640 --> 0:59:30.400
<v Speaker 2>Sticks briefly joined the Average White band.

0:59:32.080 --> 0:59:35.880
<v Speaker 3>They played No average White Man, So he go and

0:59:35.880 --> 0:59:38.400
<v Speaker 3>play the gig and then and then if he could,

0:59:38.400 --> 0:59:40.640
<v Speaker 3>if he couldn't do it, I do it. And and

0:59:40.280 --> 0:59:43.560
<v Speaker 3>and you know, I go and play with them.

0:59:44.000 --> 0:59:48.280
<v Speaker 4>They were auditioning people. S I R. There's drummers all

0:59:48.520 --> 0:59:49.960
<v Speaker 4>black white And it didn't really matter.

0:59:50.000 --> 0:59:53.440
<v Speaker 3>They were just looking for a drummer, Yeah, okay with

0:59:53.560 --> 0:59:56.360
<v Speaker 3>sticks and sticks and I would go we'd go to

0:59:56.440 --> 1:00:00.400
<v Speaker 3>the auditions and we'd sit there in the SI and

1:00:00.440 --> 1:00:02.720
<v Speaker 3>the drummer would come in. They start playing with them,

1:00:02.720 --> 1:00:05.080
<v Speaker 3>and they say, okay, no, that ain't working, and they

1:00:05.080 --> 1:00:08.080
<v Speaker 3>would get more and more depressed, you know, and so

1:00:08.200 --> 1:00:10.280
<v Speaker 3>either sticks on myself would go up and we jam

1:00:10.360 --> 1:00:12.280
<v Speaker 3>with them and they come back to life again, and

1:00:12.320 --> 1:00:13.960
<v Speaker 3>then they wheel in another drummer, and.

1:00:13.880 --> 1:00:15.800
<v Speaker 4>Then we'd sit there and we'd watch them and they

1:00:15.840 --> 1:00:16.560
<v Speaker 4>would go there.

1:00:17.080 --> 1:00:19.880
<v Speaker 1>Any any drummer of note that tried to audition for

1:00:19.920 --> 1:00:21.120
<v Speaker 1>the band that didn't.

1:00:20.880 --> 1:00:23.080
<v Speaker 3>Make nobody, nobody that I knew, but there was a

1:00:23.120 --> 1:00:25.040
<v Speaker 3>lot of kids wanted to play. They would, you know.

1:00:25.240 --> 1:00:27.640
<v Speaker 3>It was it was a big audition to go to.

1:00:28.640 --> 1:00:31.840
<v Speaker 3>And so and so I had to play this gig

1:00:31.880 --> 1:00:34.960
<v Speaker 3>with them down at Long Beach at Long Beach Arena,

1:00:36.080 --> 1:00:38.120
<v Speaker 3>at the old Long Beach Arena, and.

1:00:39.320 --> 1:00:41.960
<v Speaker 4>Were down there. We sit there and come out, we

1:00:42.040 --> 1:00:46.120
<v Speaker 4>start to play. I remember this gig there was.

1:00:46.120 --> 1:00:50.200
<v Speaker 3>They were also like kind of state static audience. They

1:00:50.200 --> 1:00:51.960
<v Speaker 3>weren't really doing too much. And then there was this

1:00:52.000 --> 1:00:55.120
<v Speaker 3>one I saw this one guy sort of started to rock,

1:00:55.200 --> 1:00:57.480
<v Speaker 3>you know, so I sort of hold him owned in

1:00:57.520 --> 1:00:59.680
<v Speaker 3>on him, and it kind of spread out from him

1:00:59.680 --> 1:01:01.400
<v Speaker 3>and by the end of the show, everybody was like

1:01:01.920 --> 1:01:04.480
<v Speaker 3>dancing and going crazy and it was It was a

1:01:04.520 --> 1:01:07.120
<v Speaker 3>great show. And I came off the stage and this

1:01:07.600 --> 1:01:10.320
<v Speaker 3>little fella came walking up to me, dapper. You know,

1:01:10.400 --> 1:01:12.920
<v Speaker 3>it's really well dressed, and I said, you know, a

1:01:13.000 --> 1:01:15.360
<v Speaker 3>little bid. He walked up to me and he said,

1:01:16.120 --> 1:01:19.400
<v Speaker 3>you got to be in the band. And I said,

1:01:19.880 --> 1:01:21.480
<v Speaker 3>I'd love to be in the band, but I'm under

1:01:21.520 --> 1:01:22.680
<v Speaker 3>contract to another band.

1:01:22.720 --> 1:01:23.800
<v Speaker 4>I can't. I can't do it, you know.

1:01:23.960 --> 1:01:27.000
<v Speaker 3>And he said, you're out of that band, and you're

1:01:27.000 --> 1:01:30.640
<v Speaker 3>in the band, and then he walked and he walked

1:01:30.680 --> 1:01:33.200
<v Speaker 3>off and Bruce mccaskell was the manager at the time

1:01:33.240 --> 1:01:33.760
<v Speaker 3>of the banner.

1:01:34.360 --> 1:01:37.480
<v Speaker 4>I said, Bruce, who the hell is that? And he said, oh,

1:01:37.520 --> 1:01:39.400
<v Speaker 4>that's how I did.

1:01:42.400 --> 1:01:44.600
<v Speaker 3>And I was out of that contract and I was

1:01:44.640 --> 1:01:46.800
<v Speaker 3>in average white Man just like that.

1:01:49.040 --> 1:01:51.920
<v Speaker 1>All Right, ladies and gentlemen, I know you dread when

1:01:51.960 --> 1:01:54.400
<v Speaker 1>you hear this, but you got to come back next

1:01:54.480 --> 1:01:58.360
<v Speaker 1>week for the next QLs episode of our special one

1:01:58.360 --> 1:02:03.000
<v Speaker 1>on one Question of Preme with my idol Steve Faron.

1:02:03.880 --> 1:02:05.480
<v Speaker 1>He's going to talk about his time with the average

1:02:05.480 --> 1:02:09.680
<v Speaker 1>white bend Duran Duran, Tom Petty, playing with Prince all

1:02:09.760 --> 1:02:11.800
<v Speaker 1>this other stuff. Man, I hope you come back and

1:02:12.560 --> 1:02:15.160
<v Speaker 1>enjoy this episode. And this is one of the probably

1:02:15.160 --> 1:02:17.440
<v Speaker 1>the most special episodes I've ever done, where I get

1:02:17.480 --> 1:02:21.320
<v Speaker 1>to talk to the person that showed me the joys

1:02:21.360 --> 1:02:24.480
<v Speaker 1>of music and drumming, especially all right, see y'all then

1:02:24.640 --> 1:02:30.600
<v Speaker 1>thank you. Quest Love Supreme is a production of iHeartRadio.