1 00:00:00,440 --> 00:00:03,960 Speaker 1: Wake that ass up in the morning. The Breakfast Club. 2 00:00:05,160 --> 00:00:08,920 Speaker 2: Morning, everybody in stee j Envy Jesse, hilarious, Charlamage, the 3 00:00:08,960 --> 00:00:11,320 Speaker 2: guy we are the Breakfast Club. We got a special 4 00:00:11,320 --> 00:00:15,400 Speaker 2: guest in the buildance indeed, the brother tank something when 5 00:00:16,400 --> 00:00:16,560 Speaker 2: you know. 6 00:00:16,560 --> 00:00:18,720 Speaker 3: What I'm in here, man looking young every time we 7 00:00:18,840 --> 00:00:19,159 Speaker 3: see you. 8 00:00:19,320 --> 00:00:22,480 Speaker 1: Yeah, yeah, that's I use a good exfoliant. You know 9 00:00:22,520 --> 00:00:23,040 Speaker 1: what I'm saying. 10 00:00:23,800 --> 00:00:25,520 Speaker 3: Routine in the morning. You got a face routine in 11 00:00:25,520 --> 00:00:25,880 Speaker 3: the morning. 12 00:00:26,360 --> 00:00:29,120 Speaker 1: No, well, I use my my wife's you know, beauty 13 00:00:29,160 --> 00:00:31,920 Speaker 1: tools and stuff. You know what I'm saying, Xena Foster beauty, 14 00:00:32,360 --> 00:00:35,080 Speaker 1: get over there, got to get you, got to get you. Yeah, 15 00:00:35,200 --> 00:00:37,760 Speaker 1: I get you right. But that's about it. You know 16 00:00:37,760 --> 00:00:39,560 Speaker 1: what I'm saying. A little dove there you go. You 17 00:00:39,600 --> 00:00:41,360 Speaker 1: know what I'm saying. I keep it clean. 18 00:00:41,479 --> 00:00:44,839 Speaker 2: Take always happy every time you see Okay, wherever you 19 00:00:44,880 --> 00:00:46,920 Speaker 2: see take if it's a club, if it's out in 20 00:00:46,920 --> 00:00:49,479 Speaker 2: the streets, happy in. 21 00:00:49,479 --> 00:00:49,919 Speaker 4: A good move. 22 00:00:50,040 --> 00:00:52,640 Speaker 1: Listen, she's apparently been listening to my music. So I 23 00:00:52,680 --> 00:00:53,720 Speaker 1: feel good about that. 24 00:00:55,720 --> 00:00:57,920 Speaker 3: Taket. Just somebody been in there. 25 00:00:59,800 --> 00:01:12,280 Speaker 1: And didn't get out. This is serious, that's really awesome. 26 00:01:12,640 --> 00:01:13,680 Speaker 1: I'm really happy for you. 27 00:01:13,720 --> 00:01:15,200 Speaker 3: Do you make your movie. I mean, you make your 28 00:01:15,280 --> 00:01:16,720 Speaker 3: music for those those moments. 29 00:01:18,080 --> 00:01:21,320 Speaker 1: Yeah, yeah, that's I mean that was kind of a 30 00:01:21,360 --> 00:01:24,920 Speaker 1: point in the beginning. You know, like everything we do 31 00:01:25,040 --> 00:01:29,520 Speaker 1: is for the attention of a woman or women for 32 00:01:29,640 --> 00:01:31,400 Speaker 1: that matter, depending on how you play it, you know 33 00:01:31,400 --> 00:01:34,320 Speaker 1: what I'm saying. So for me musically, like, I want 34 00:01:34,360 --> 00:01:37,399 Speaker 1: to be connected to as many of those moments as 35 00:01:37,560 --> 00:01:41,319 Speaker 1: humanly possible. I want to be responsible for bringing life 36 00:01:41,959 --> 00:01:42,840 Speaker 1: into the universe. 37 00:01:43,000 --> 00:01:45,640 Speaker 3: People come and said that shot the club. 38 00:01:45,680 --> 00:01:50,880 Speaker 1: I've met the kids, Yeah, no, I was born because 39 00:01:51,120 --> 00:01:53,160 Speaker 1: I've met I'm that old now, you know what I'm 40 00:01:53,200 --> 00:01:57,920 Speaker 1: saying to where I've met the children the offspring of 41 00:01:57,960 --> 00:02:00,440 Speaker 1: my music. So I'm really proud out of that. 42 00:02:00,480 --> 00:02:02,400 Speaker 2: Absolutely, I see if it feels like R and B, 43 00:02:03,240 --> 00:02:06,680 Speaker 2: especially the nineties two thousands, R and B has picked 44 00:02:06,720 --> 00:02:07,400 Speaker 2: up a lot more. 45 00:02:07,440 --> 00:02:08,440 Speaker 4: Have you noticed that as well? 46 00:02:08,560 --> 00:02:14,919 Speaker 1: Absolutely, the feeling was right. It's the feeling of it 47 00:02:14,360 --> 00:02:18,440 Speaker 1: is what's back people want to and it's what's crazy 48 00:02:18,480 --> 00:02:20,480 Speaker 1: is that. Of course, I give credit to the women 49 00:02:20,639 --> 00:02:24,280 Speaker 1: for keeping R and B in the mainstream conversation, right. 50 00:02:24,320 --> 00:02:27,560 Speaker 1: They have been kicking ass and taking names, right, But 51 00:02:28,240 --> 00:02:31,720 Speaker 1: I gotta give some credit to hip hop to the 52 00:02:31,840 --> 00:02:37,320 Speaker 1: sampling of all of this old R and B that 53 00:02:37,400 --> 00:02:40,200 Speaker 1: they've been bringing back to the forefront and making people 54 00:02:40,240 --> 00:02:43,840 Speaker 1: take a deep dive into what those samples are and 55 00:02:43,919 --> 00:02:47,400 Speaker 1: rediscovering the original feelings and now desiring those things. 56 00:02:47,440 --> 00:02:49,680 Speaker 3: Give me some examples. 57 00:02:49,760 --> 00:02:56,520 Speaker 1: Shit so much. I was just listening to Doja Cat. 58 00:02:56,400 --> 00:02:59,040 Speaker 4: Those did it. She just had record with. 59 00:02:59,440 --> 00:03:02,440 Speaker 1: The True record. I mean it's originally Michael Jackson five, 60 00:03:02,520 --> 00:03:07,960 Speaker 1: but I was like, remember the first time you heard 61 00:03:08,000 --> 00:03:11,120 Speaker 1: True shout out to Little Steve and and like Chucky 62 00:03:11,200 --> 00:03:14,200 Speaker 1: Booker and them, like the type of production they don't 63 00:03:14,200 --> 00:03:16,280 Speaker 1: even do that no more. So you have to actually 64 00:03:16,400 --> 00:03:19,560 Speaker 1: outsource it by going to the crates you know what 65 00:03:19,600 --> 00:03:22,440 Speaker 1: I'm saying, and bringing that feeling back and and they 66 00:03:22,480 --> 00:03:25,040 Speaker 1: don't know why it's connecting. We know because we were there, 67 00:03:26,040 --> 00:03:30,240 Speaker 1: But it's it's something about that frequency that just makes 68 00:03:30,280 --> 00:03:31,120 Speaker 1: you feel. 69 00:03:30,960 --> 00:03:34,480 Speaker 5: Good, even when you like, like your first you did 70 00:03:34,560 --> 00:03:38,320 Speaker 5: it with yourself, with your own music, you recreated I Deserve, 71 00:03:38,960 --> 00:03:41,840 Speaker 5: And was it you recreated? 72 00:03:42,560 --> 00:03:45,320 Speaker 1: I did a well one of my own I Deserve. 73 00:03:45,440 --> 00:03:47,040 Speaker 1: I was like, let me sample it for somebody else, 74 00:03:47,080 --> 00:03:50,360 Speaker 1: sample it because they're gonna take all the money. And 75 00:03:50,440 --> 00:03:52,360 Speaker 1: then I know it was a night one that you 76 00:03:52,440 --> 00:03:56,280 Speaker 1: did you okay? It was Brian originally Michelle and Decocello, 77 00:03:57,080 --> 00:03:59,840 Speaker 1: you know what I'm saying. So there there was that, 78 00:04:00,080 --> 00:04:01,200 Speaker 1: and I was like, you know what, I might as 79 00:04:01,240 --> 00:04:03,920 Speaker 1: well get in on this too, because we rarely do that. 80 00:04:04,040 --> 00:04:05,560 Speaker 1: And I was like, let me just tap into some 81 00:04:05,720 --> 00:04:07,320 Speaker 1: old and of course bribe me and night. You know, 82 00:04:07,400 --> 00:04:10,000 Speaker 1: one of my inspirations growing up, and Michelle and deego 83 00:04:10,080 --> 00:04:12,760 Speaker 1: Cello is absolutely one of my favorites. So I just 84 00:04:12,800 --> 00:04:13,480 Speaker 1: had to get some of that. 85 00:04:13,720 --> 00:04:14,880 Speaker 3: I was gonna ask you, man. That was one of 86 00:04:14,920 --> 00:04:16,680 Speaker 3: my questions I have for you. Is R and B 87 00:04:16,880 --> 00:04:18,880 Speaker 3: music a sound or a feeling? 88 00:04:19,520 --> 00:04:26,680 Speaker 1: It's both. It's both because it's like the feeling is 89 00:04:26,839 --> 00:04:30,840 Speaker 1: express through the sounds, you know what I mean? Like 90 00:04:31,040 --> 00:04:35,160 Speaker 1: you like think about like Davante, like how was he 91 00:04:35,440 --> 00:04:38,680 Speaker 1: feeling when he made that when they were making Joe 92 00:04:38,720 --> 00:04:41,680 Speaker 1: to Sy music? Like what was he on? You know 93 00:04:41,720 --> 00:04:44,920 Speaker 1: what I'm saying? He when? When? When when Casey says, 94 00:04:45,080 --> 00:04:49,640 Speaker 1: take my mother, Jesus Christ, my house and my house 95 00:04:49,760 --> 00:04:56,400 Speaker 1: and you okay, they're gonna put that good. Let him work, 96 00:04:56,480 --> 00:05:00,360 Speaker 1: let him work. You gotta you gotta mean that in 97 00:05:00,560 --> 00:05:04,840 Speaker 1: order for it to resonate right like like yes you 98 00:05:04,960 --> 00:05:08,080 Speaker 1: can take my money, my house, and my car for 99 00:05:08,240 --> 00:05:10,680 Speaker 1: one hit of you. I mean them to this day, 100 00:05:12,000 --> 00:05:12,760 Speaker 1: to this day. 101 00:05:12,920 --> 00:05:16,040 Speaker 4: I mean now, But you don't hear that now out 102 00:05:16,040 --> 00:05:18,440 Speaker 4: of that soul and that feeling, that. 103 00:05:18,680 --> 00:05:20,440 Speaker 3: The slick way of telling somebody, I'll give you the world. 104 00:05:20,920 --> 00:05:24,760 Speaker 1: Yeah yeah, but we moved into this, you know, we 105 00:05:24,960 --> 00:05:28,680 Speaker 1: moved into this kind of you know, samp and all 106 00:05:28,760 --> 00:05:32,919 Speaker 1: of these things. When it comes to taking care of women. 107 00:05:35,120 --> 00:05:37,640 Speaker 1: I just think that men are just they've they've been 108 00:05:37,720 --> 00:05:40,760 Speaker 1: programmed to not be vulnerable, you know what I'm saying. 109 00:05:40,839 --> 00:05:45,279 Speaker 1: They've been programmed to not to not cater. I don't 110 00:05:45,279 --> 00:05:47,920 Speaker 1: know who started that, you know what I'm saying. It 111 00:05:47,960 --> 00:05:50,320 Speaker 1: ain't pimping, It ain't player, you know what I'm saying, 112 00:05:50,320 --> 00:05:51,960 Speaker 1: because all the pems on the players. I grew up 113 00:05:52,600 --> 00:05:54,880 Speaker 1: watching taking care that they women. 114 00:05:55,120 --> 00:05:57,960 Speaker 4: But where did it end? Like what era did it end? 115 00:05:58,040 --> 00:06:01,680 Speaker 2: Because even early trade song was singing his ass off 116 00:06:01,720 --> 00:06:03,160 Speaker 2: to the women, expressing his love. 117 00:06:03,240 --> 00:06:05,200 Speaker 3: I think it was when the RB singers started wanting 118 00:06:05,240 --> 00:06:08,159 Speaker 3: to be rappers, and when a lot of these RMB 119 00:06:08,279 --> 00:06:12,640 Speaker 3: singers probably started having sex with direct I think it's. 120 00:06:12,880 --> 00:06:19,200 Speaker 5: Exactly what these guys are, all right, But I'm trying 121 00:06:19,240 --> 00:06:22,000 Speaker 5: to go over there. What you say, say it again, 122 00:06:22,040 --> 00:06:23,520 Speaker 5: That's what I think what it was, Say it again. 123 00:06:23,720 --> 00:06:26,040 Speaker 3: I think when the Army singers started wanting to be 124 00:06:26,240 --> 00:06:29,000 Speaker 3: rappers and a lot of the RMB singers started sleeping 125 00:06:29,520 --> 00:06:32,760 Speaker 3: with the rapper, I don't even know what that means, 126 00:06:33,040 --> 00:06:34,920 Speaker 3: not saying that, not saying that a man can't make 127 00:06:35,000 --> 00:06:37,120 Speaker 3: songs about another man and it's still be a love song, 128 00:06:37,839 --> 00:06:39,920 Speaker 3: just saying I think that they started loving on each 129 00:06:39,920 --> 00:06:41,760 Speaker 3: other so much that they really was on some f 130 00:06:41,839 --> 00:06:42,440 Speaker 3: the women's stuff. 131 00:06:43,000 --> 00:06:44,920 Speaker 4: Yeah, and I think I could have seen tang faces 132 00:06:44,960 --> 00:06:45,600 Speaker 4: like the no. 133 00:06:45,880 --> 00:06:48,760 Speaker 1: But I also think that you know, you know, with 134 00:06:49,000 --> 00:06:51,720 Speaker 1: with the with the wanting to be with with hip 135 00:06:51,760 --> 00:06:56,880 Speaker 1: hop's emergence, right, it became this really cool thing that 136 00:06:57,160 --> 00:07:00,640 Speaker 1: was taking over everything, the airwaves and radio, the clubs 137 00:07:00,680 --> 00:07:03,200 Speaker 1: and all of that. And so as R and B 138 00:07:03,440 --> 00:07:06,360 Speaker 1: artists getting left behind, we're trying to figure out how 139 00:07:06,360 --> 00:07:09,640 Speaker 1: to compete and stay relevant. And so you and the 140 00:07:09,760 --> 00:07:13,240 Speaker 1: club and you, you know, you're decently hot artist, but 141 00:07:13,360 --> 00:07:15,560 Speaker 1: none of your songs are being played in here, and 142 00:07:15,680 --> 00:07:18,400 Speaker 1: all the songs are about bottles and they're about cars, 143 00:07:18,480 --> 00:07:21,920 Speaker 1: and they're about money, and it's about it's not about women, 144 00:07:22,000 --> 00:07:25,200 Speaker 1: it's about bitches, and so it's like, shit, I got 145 00:07:25,320 --> 00:07:28,200 Speaker 1: to incorporate some of this into my music if I'm 146 00:07:28,280 --> 00:07:32,840 Speaker 1: going to survive in this new landscape. And so as 147 00:07:33,440 --> 00:07:35,400 Speaker 1: as we took that turn, or as R and B 148 00:07:35,520 --> 00:07:38,400 Speaker 1: took that turn and never found its balance, I. 149 00:07:38,440 --> 00:07:41,200 Speaker 3: Think it's the DJ fault. And I tell you why, 150 00:07:41,400 --> 00:07:42,880 Speaker 3: because there used to be a time when we was 151 00:07:42,960 --> 00:07:45,600 Speaker 3: growing up in the clubs, there would be a moment 152 00:07:45,640 --> 00:07:48,560 Speaker 3: where the slow songs played. Yeah, absolutely, but regardless, y'all 153 00:07:48,600 --> 00:07:50,600 Speaker 3: don't turn down there everybody be on too much drugs. 154 00:07:50,800 --> 00:07:53,440 Speaker 2: Well yeah, I mean there was a time, and usually 155 00:07:53,440 --> 00:07:54,600 Speaker 2: it was at the end of the party. But now 156 00:07:54,840 --> 00:07:56,120 Speaker 2: it comes back. Now I have a set in the 157 00:07:56,120 --> 00:07:58,720 Speaker 2: middle of my party where I play R and B 158 00:07:58,840 --> 00:08:01,000 Speaker 2: music in this set usually the biggest part of it 159 00:08:01,000 --> 00:08:03,600 Speaker 2: because people are singing. They feel that that how it 160 00:08:03,720 --> 00:08:05,320 Speaker 2: felt to be during that time. 161 00:08:05,480 --> 00:08:06,480 Speaker 1: So it does go back. 162 00:08:06,480 --> 00:08:08,520 Speaker 2: I would say that, but I just feel like it 163 00:08:08,760 --> 00:08:11,320 Speaker 2: doesn't make it cool anymore. Somebody talks about singing in 164 00:08:11,360 --> 00:08:13,600 Speaker 2: the rain anymore, or talking about the girl hurt their 165 00:08:13,640 --> 00:08:15,400 Speaker 2: feelings Like I was listening to the Boys the Men 166 00:08:15,520 --> 00:08:17,920 Speaker 2: record and he was telling this girl cheated. He was like, 167 00:08:17,960 --> 00:08:19,480 Speaker 2: it's okay, baby, I just want you back. 168 00:08:19,600 --> 00:08:20,360 Speaker 6: I just didn't care. 169 00:08:20,440 --> 00:08:20,920 Speaker 1: I just didn't. 170 00:08:22,040 --> 00:08:23,760 Speaker 4: But if somebody did that now, they'd be like, look 171 00:08:23,800 --> 00:08:24,600 Speaker 4: at this simp ass. 172 00:08:24,680 --> 00:08:27,000 Speaker 1: You know what I mean. I listen, I still do it. 173 00:08:28,040 --> 00:08:28,600 Speaker 1: I don't care. 174 00:08:28,960 --> 00:08:30,000 Speaker 3: You still what simple? 175 00:08:31,360 --> 00:08:35,880 Speaker 1: If that's what they want to call it. If I 176 00:08:36,040 --> 00:08:38,240 Speaker 1: wasn't married, that's that's still what I'm gonna. 177 00:08:38,000 --> 00:08:40,560 Speaker 5: Be on, showing that she can be vulnerable as a man, 178 00:08:40,760 --> 00:08:42,720 Speaker 5: like you know, you open it up and then I'm 179 00:08:42,720 --> 00:08:43,520 Speaker 5: telling you I don't care. 180 00:08:43,720 --> 00:08:44,520 Speaker 6: That's what I guess. 181 00:08:44,520 --> 00:08:45,839 Speaker 5: I can speak for me, but I can speak for 182 00:08:45,840 --> 00:08:48,160 Speaker 5: a lot of women too, like that is attractive when 183 00:08:48,200 --> 00:08:52,000 Speaker 5: a man is not only just thinking bottles bitches. 184 00:08:52,080 --> 00:08:54,560 Speaker 6: Yeah, that's what I'm gonna do. No, it's you guys 185 00:08:54,559 --> 00:08:56,880 Speaker 6: speak to my soul and music and some like a 186 00:08:57,000 --> 00:09:00,360 Speaker 6: lot of older R and B does that for me. 187 00:09:00,800 --> 00:09:01,520 Speaker 6: I don't hear today. 188 00:09:02,080 --> 00:09:04,120 Speaker 1: But yeah, I don't subscribe to any of that stuff. 189 00:09:04,480 --> 00:09:07,000 Speaker 1: I don't care. I don't care what they do or 190 00:09:07,320 --> 00:09:10,800 Speaker 1: how the tables turn. I do the R and B 191 00:09:10,960 --> 00:09:12,640 Speaker 1: that I love that I fell in love with you 192 00:09:12,679 --> 00:09:16,959 Speaker 1: know what I'm saying. I watched my older uncles and everybody. 193 00:09:17,000 --> 00:09:19,840 Speaker 1: I still follow their model and I and my job. 194 00:09:20,280 --> 00:09:27,679 Speaker 1: I'm responsible for maintaining the line to where we treasure 195 00:09:27,920 --> 00:09:29,959 Speaker 1: and we cater and we take care of our women. 196 00:09:30,480 --> 00:09:32,199 Speaker 3: And the other thing too. I think the art of 197 00:09:32,440 --> 00:09:35,079 Speaker 3: love making is gone. Like if you listen to you, 198 00:09:35,480 --> 00:09:36,920 Speaker 3: if you listen to like that that you and Jay 199 00:09:37,000 --> 00:09:40,360 Speaker 3: Valentine did and that song slow yeah, you have had 200 00:09:40,440 --> 00:09:45,720 Speaker 3: to have made love in order to truly appreciate that record. 201 00:09:46,360 --> 00:09:50,080 Speaker 3: You no, my face, that's my type of view. 202 00:09:56,679 --> 00:10:02,400 Speaker 1: You have to be listen men, I want to say this. 203 00:10:02,600 --> 00:10:04,760 Speaker 1: I want to put this out there, and I'm gonna 204 00:10:04,760 --> 00:10:07,160 Speaker 1: say this. I'm gonna say this this way and then 205 00:10:07,240 --> 00:10:09,719 Speaker 1: we'll and then we'll fix it up later. You have 206 00:10:09,920 --> 00:10:15,640 Speaker 1: to fall back in love with pussy. You have to 207 00:10:15,840 --> 00:10:18,520 Speaker 1: fall back in love with the idea. Now, let's clean 208 00:10:18,679 --> 00:10:26,679 Speaker 1: up of making love to a woman and and doing 209 00:10:26,840 --> 00:10:31,599 Speaker 1: it at a high level. You have to you have 210 00:10:31,800 --> 00:10:37,640 Speaker 1: to study a woman. You have to ask questions, You 211 00:10:37,800 --> 00:10:42,160 Speaker 1: have to learn her body in order to do this 212 00:10:42,440 --> 00:10:47,920 Speaker 1: thing the right way. Every key does not start one 213 00:10:48,000 --> 00:10:53,319 Speaker 1: key doesn't start every cards right. You you want to 214 00:10:53,360 --> 00:10:59,280 Speaker 1: be curious about that thing, right, and outside of the curiosity, 215 00:10:59,480 --> 00:11:02,400 Speaker 1: you have to have an infinity for it. You got 216 00:11:02,440 --> 00:11:05,319 Speaker 1: to have a love for it to enjoy. Sit it 217 00:11:05,480 --> 00:11:10,600 Speaker 1: on my face. That's my one type of Yes. 218 00:11:11,640 --> 00:11:12,160 Speaker 6: Can I swim? 219 00:11:12,320 --> 00:11:13,400 Speaker 3: You can I swim? 220 00:11:15,520 --> 00:11:20,840 Speaker 6: Come on now about him school? I love Yes. 221 00:11:22,360 --> 00:11:23,920 Speaker 3: Don't do it to finish, do it because. 222 00:11:23,679 --> 00:11:24,120 Speaker 1: You love it. 223 00:11:24,360 --> 00:11:25,440 Speaker 3: Listen, listen. 224 00:11:25,559 --> 00:11:29,559 Speaker 1: My wife will tell you just eat and beat it. 225 00:11:34,360 --> 00:11:39,439 Speaker 1: Talk had a high left right. I treat her like 226 00:11:39,600 --> 00:11:42,959 Speaker 1: she knew talking about. 227 00:11:44,280 --> 00:11:46,440 Speaker 3: Talk about it. That ain't no about your wife. 228 00:11:47,000 --> 00:11:58,679 Speaker 1: We were facing each other. I don't care when I'm 229 00:11:59,280 --> 00:12:01,400 Speaker 1: you in the I don't care what no other niggas 230 00:12:01,480 --> 00:12:05,400 Speaker 1: is doing. Right. It's listen when we used to be 231 00:12:05,480 --> 00:12:07,760 Speaker 1: in the club with Jamie Fox and Fox will look 232 00:12:07,840 --> 00:12:10,280 Speaker 1: around in it sex way. It's too many dudes in here. 233 00:12:11,760 --> 00:12:16,360 Speaker 1: Y'all got to move. That's where I'm from. What are 234 00:12:16,440 --> 00:12:18,480 Speaker 1: women at That's. 235 00:12:18,440 --> 00:12:21,000 Speaker 3: My focus And that's not a disc that's just the 236 00:12:21,080 --> 00:12:21,880 Speaker 3: truth is. 237 00:12:22,080 --> 00:12:23,880 Speaker 1: That's why I got all this nice ship on man. 238 00:12:24,559 --> 00:12:27,160 Speaker 3: R and B singers. I would assume their muse is 239 00:12:27,240 --> 00:12:28,720 Speaker 3: women at all times. 240 00:12:28,800 --> 00:12:32,920 Speaker 1: That's the point. That is the point to to have 241 00:12:33,080 --> 00:12:37,400 Speaker 1: some type of spiritual or physical connection with a woman. 242 00:12:38,200 --> 00:12:40,760 Speaker 6: So that's what we're getting in the vault, that's what 243 00:12:40,840 --> 00:12:41,520 Speaker 6: we're getting. 244 00:12:42,360 --> 00:12:45,520 Speaker 1: More of that, more of that feeling. The shout out 245 00:12:45,559 --> 00:12:50,880 Speaker 1: to fab fabulous is when I say stand up brother, absolutely, man, 246 00:12:51,080 --> 00:12:54,480 Speaker 1: I mean pulled up for me, not just on the song. 247 00:12:54,679 --> 00:12:56,719 Speaker 1: And you know sometimes you know, when you're dealing with 248 00:12:56,800 --> 00:13:00,319 Speaker 1: a an artist, you know, with the magnitude of fab like, 249 00:13:01,040 --> 00:13:02,840 Speaker 1: it can take you a good four to six months 250 00:13:02,920 --> 00:13:06,320 Speaker 1: to get that feature. He's moving, he's a dobby, he's 251 00:13:07,120 --> 00:13:09,480 Speaker 1: moving around this man said, I got you. As soon 252 00:13:09,520 --> 00:13:10,920 Speaker 1: as I get back, I'll be back in the week 253 00:13:10,920 --> 00:13:12,839 Speaker 1: and a half, two weeks. I got you not only 254 00:13:12,920 --> 00:13:15,280 Speaker 1: knocked that out, said when's the video when we shoot cool? 255 00:13:15,320 --> 00:13:17,640 Speaker 1: I'm on the way. Then said man, we're the assets, 256 00:13:17,640 --> 00:13:18,720 Speaker 1: so I can promote. 257 00:13:18,800 --> 00:13:21,920 Speaker 3: Like come from a different generation. 258 00:13:22,520 --> 00:13:25,320 Speaker 1: Yeah, but he's still fab you know what I'm saying. 259 00:13:25,360 --> 00:13:27,840 Speaker 1: And so your access to him, regardless of how cool 260 00:13:27,880 --> 00:13:30,600 Speaker 1: you are, still limited, right because he's doing what he does. 261 00:13:31,280 --> 00:13:34,800 Speaker 1: And so for him to make himself available to me 262 00:13:34,920 --> 00:13:37,920 Speaker 1: and for this record, man, which just really really started 263 00:13:38,080 --> 00:13:40,880 Speaker 1: before we get started this racist it's in terms of 264 00:13:40,960 --> 00:13:43,839 Speaker 1: climbing the charts, is my fastest record why do you 265 00:13:43,880 --> 00:13:48,400 Speaker 1: think that is tempo? Okay, people have been people have 266 00:13:48,480 --> 00:13:51,200 Speaker 1: been waiting for tempo from me. I got the slow 267 00:13:51,240 --> 00:13:54,200 Speaker 1: in the mid, I got that, but now they don't 268 00:13:54,280 --> 00:13:56,920 Speaker 1: let me get some tempo. Now you're then fucked up. 269 00:13:56,960 --> 00:13:57,839 Speaker 1: So you did this on purpose? 270 00:13:57,880 --> 00:14:01,240 Speaker 4: You wanted a tempo right, absolutely, yeah, this is calculated. 271 00:14:01,360 --> 00:14:03,920 Speaker 1: This is on purpose. I needed the right one. My 272 00:14:04,000 --> 00:14:05,880 Speaker 1: guy Dirk sent me this record. I said, you do 273 00:14:06,160 --> 00:14:09,280 Speaker 1: not know what you have just done. You get tank tempo. 274 00:14:12,040 --> 00:14:14,040 Speaker 3: It's crazy that you're still trying to make new records 275 00:14:14,040 --> 00:14:15,880 Speaker 3: at this point. I'm not saying that you can't have 276 00:14:15,960 --> 00:14:18,400 Speaker 3: such a catalog. You really don't even have to if 277 00:14:18,400 --> 00:14:18,920 Speaker 3: you don't want to. 278 00:14:19,240 --> 00:14:22,640 Speaker 1: I do because I don't remember that last hit record. 279 00:14:24,160 --> 00:14:27,160 Speaker 1: I don't remember it, don't I don't live in it. 280 00:14:27,360 --> 00:14:30,200 Speaker 1: I don't live in that last outfit that I wore. 281 00:14:30,680 --> 00:14:33,000 Speaker 1: You know what I'm saying every day is okay, what's next? 282 00:14:33,400 --> 00:14:35,880 Speaker 1: How can I beat that? That was cool? Because I'm 283 00:14:36,440 --> 00:14:39,880 Speaker 1: watching around me. You know what I'm saying. If need be, 284 00:14:40,080 --> 00:14:42,760 Speaker 1: I'll I'll drive up to CB's house. You know what 285 00:14:42,760 --> 00:14:45,480 Speaker 1: I'm saying and let him play me a thousand songs. 286 00:14:45,480 --> 00:14:48,440 Speaker 1: I'm like shit, I got more work to do, you 287 00:14:48,480 --> 00:14:50,360 Speaker 1: know what I'm saying. I'll look at the charts and 288 00:14:50,400 --> 00:14:53,800 Speaker 1: see who's on there. I'm not okay, I got work 289 00:14:53,840 --> 00:14:58,680 Speaker 1: to do. Yeah, Like that's what drives me. Like it's 290 00:14:58,800 --> 00:15:01,480 Speaker 1: so many new things happen every day that I'm like this, Oh, 291 00:15:01,520 --> 00:15:04,120 Speaker 1: I got to compete with that. I gotta fight with that, 292 00:15:04,360 --> 00:15:06,440 Speaker 1: you know what I'm saying, And it gets me up 293 00:15:06,480 --> 00:15:06,800 Speaker 1: for game. 294 00:15:07,320 --> 00:15:10,320 Speaker 2: Now, your health and how you are as far as 295 00:15:11,320 --> 00:15:12,960 Speaker 2: not drinking it and all the things that you do, 296 00:15:13,160 --> 00:15:15,320 Speaker 2: is that from what place? Is that from a place 297 00:15:15,360 --> 00:15:18,240 Speaker 2: of you seeing people your age doing it and you're like, damn, 298 00:15:18,680 --> 00:15:19,440 Speaker 2: did it'll look as good? 299 00:15:19,600 --> 00:15:21,200 Speaker 4: Or is it from a I just want to be 300 00:15:21,240 --> 00:15:22,040 Speaker 4: healthy type of place? 301 00:15:22,320 --> 00:15:25,120 Speaker 1: It's really healthy. I mean it's really like I'm an 302 00:15:25,120 --> 00:15:29,560 Speaker 1: athlete first, so for me, it's very important you know 303 00:15:29,720 --> 00:15:31,560 Speaker 1: what goes into my body because what goes in is 304 00:15:31,600 --> 00:15:34,480 Speaker 1: what comes out. You know what I'm saying. I've often 305 00:15:35,120 --> 00:15:39,040 Speaker 1: I've often been in the gym and my model to 306 00:15:39,760 --> 00:15:42,600 Speaker 1: myself is what will Floyd do? What we mayweather? Do? 307 00:15:43,160 --> 00:15:45,520 Speaker 1: You know what I'm saying, Because I've watched him buy 308 00:15:45,960 --> 00:15:48,400 Speaker 1: thirty bottles. You know what I'm saying, I've watched the 309 00:15:48,440 --> 00:15:51,240 Speaker 1: people around him rolling up smoke, and I've watched the 310 00:15:51,280 --> 00:15:54,720 Speaker 1: people around him just indulge. I watched him do none 311 00:15:54,760 --> 00:15:57,560 Speaker 1: of it and then grab his stuff out the back 312 00:15:57,600 --> 00:16:00,280 Speaker 1: of the truck when we leave the club and run home. 313 00:16:01,240 --> 00:16:01,640 Speaker 6: Mm hmm. 314 00:16:02,040 --> 00:16:04,920 Speaker 1: I said, that's what a billion dollars looks like. I 315 00:16:05,080 --> 00:16:07,480 Speaker 1: want that. So when me and my guy gains get 316 00:16:07,520 --> 00:16:10,240 Speaker 1: in there, like, it's not a game. This part of 317 00:16:10,360 --> 00:16:13,200 Speaker 1: what I do as it correlates to who I am 318 00:16:13,280 --> 00:16:16,240 Speaker 1: as an artist. It's not why I do it. I 319 00:16:16,280 --> 00:16:18,640 Speaker 1: would be doing this anyway, you know what I'm saying, 320 00:16:18,680 --> 00:16:21,760 Speaker 1: Like I want to be one hundred and fifty. You 321 00:16:21,800 --> 00:16:23,800 Speaker 1: know what I'm saying? Still pulling up to the breakfast club? 322 00:16:24,920 --> 00:16:28,920 Speaker 1: Yeah yeah, And I pray y'all are still here. But 323 00:16:28,920 --> 00:16:30,080 Speaker 1: if y'all know I'm still. 324 00:16:30,000 --> 00:16:31,360 Speaker 3: I think I got one hundred and one. 325 00:16:31,360 --> 00:16:37,440 Speaker 1: You got one hundred and one? Ice Why can't we fifty? 326 00:16:37,600 --> 00:16:39,560 Speaker 1: Why not about fifty? 327 00:16:39,680 --> 00:16:41,680 Speaker 3: Why not? I'm not gonna put it. I'm not gonna 328 00:16:41,680 --> 00:16:43,360 Speaker 3: say we can. I'm not gonna put a limitation on it, 329 00:16:43,400 --> 00:16:43,760 Speaker 3: you know what I mean. 330 00:16:44,080 --> 00:16:45,200 Speaker 1: It's all what you're putting in. 331 00:16:45,600 --> 00:16:48,160 Speaker 3: Did what happened with Jamie scare you too. 332 00:16:49,360 --> 00:16:54,400 Speaker 1: Yeah, absolutely, and you know, you just it just goes 333 00:16:55,320 --> 00:16:59,400 Speaker 1: back to the idea of you just never know. You 334 00:16:59,600 --> 00:17:02,880 Speaker 1: just never know, and it's not something you can predict, 335 00:17:03,080 --> 00:17:07,680 Speaker 1: not something you can for his situation prevent, you know 336 00:17:07,720 --> 00:17:12,760 Speaker 1: what I mean. Sometimes your body will just you know, 337 00:17:13,560 --> 00:17:19,600 Speaker 1: the alert is is detrimental, right, your body telling you 338 00:17:19,760 --> 00:17:24,240 Speaker 1: something is wrong. It's sometimes you know, the alarm is 339 00:17:25,320 --> 00:17:28,080 Speaker 1: damn near fatal, you know what I mean. And that's 340 00:17:28,200 --> 00:17:30,760 Speaker 1: just that's just life. And so yeah, it's scary. I 341 00:17:30,800 --> 00:17:32,879 Speaker 1: mean just not just because he's you know, one of 342 00:17:33,000 --> 00:17:35,760 Speaker 1: my best friends, but just like it could have easily 343 00:17:35,800 --> 00:17:36,520 Speaker 1: been either one of us. 344 00:17:36,720 --> 00:17:38,359 Speaker 3: You know what I find interesting about that situation too, 345 00:17:38,359 --> 00:17:40,560 Speaker 3: because you talk about, you know, giving people their flowers 346 00:17:40,560 --> 00:17:44,720 Speaker 3: while they're here, when it seems like Jamie I don't 347 00:17:44,720 --> 00:17:46,080 Speaker 3: want to say this, but may not have made it, 348 00:17:46,119 --> 00:17:48,920 Speaker 3: like people didn't know everybody was giving him as flowers 349 00:17:49,240 --> 00:17:51,080 Speaker 3: as soon as he made it. It's like all of 350 00:17:51,160 --> 00:17:53,639 Speaker 3: that kind of just stuff. It's like when he was like, 351 00:17:53,800 --> 00:17:56,080 Speaker 3: we were appreciate that Jamie's the greatest of all, one 352 00:17:56,080 --> 00:17:58,320 Speaker 3: of the most talented human being. Then soon as than 353 00:17:58,359 --> 00:18:00,000 Speaker 3: you realize he's okay, it's just like all that stuff. 354 00:18:01,119 --> 00:18:04,040 Speaker 1: We I mean, I want to say, our culture, we 355 00:18:04,160 --> 00:18:06,080 Speaker 1: have a thing about that, you know what I'm saying, Like, 356 00:18:06,200 --> 00:18:08,640 Speaker 1: you know, somebody passes and then we you know, we're 357 00:18:08,680 --> 00:18:10,760 Speaker 1: running music up the charts, you know what I mean. 358 00:18:10,840 --> 00:18:13,960 Speaker 1: We have a thing about our legendary artists that we 359 00:18:14,160 --> 00:18:17,240 Speaker 1: just don't preserve until it's too late, you know what 360 00:18:17,280 --> 00:18:20,840 Speaker 1: I mean. I was having this conversation yesterday about about 361 00:18:20,920 --> 00:18:23,639 Speaker 1: Boys to Men. Right, Boys to Men is the highest 362 00:18:23,680 --> 00:18:27,400 Speaker 1: selling group of all times, not the high selling black group, 363 00:18:27,960 --> 00:18:32,359 Speaker 1: the high selling group really, And I actually remember, I 364 00:18:32,440 --> 00:18:37,639 Speaker 1: actually remember a time where I was sending my sister 365 00:18:37,800 --> 00:18:40,440 Speaker 1: to go see a Boys to Men concert at a 366 00:18:40,560 --> 00:18:43,920 Speaker 1: venue that only hell, four hundred people. How is that 367 00:18:44,040 --> 00:18:49,000 Speaker 1: even possible that we let Boys to Men get to that? 368 00:18:49,200 --> 00:18:51,560 Speaker 1: Now they're back now they you know, they six seven 369 00:18:51,600 --> 00:18:54,159 Speaker 1: figures to good now, right, But how is it that 370 00:18:54,359 --> 00:18:57,679 Speaker 1: we let that happen? Whereas in the rolling stones can 371 00:18:57,760 --> 00:18:59,760 Speaker 1: pop out every summer. 372 00:18:59,600 --> 00:19:02,560 Speaker 2: That they're not that good, and they should be that 373 00:19:02,600 --> 00:19:04,359 Speaker 2: good if they the number one telling, they should be 374 00:19:04,440 --> 00:19:06,880 Speaker 2: on some rolling stones to do the guarden three times, 375 00:19:06,920 --> 00:19:09,000 Speaker 2: four times, five times in a row every year. 376 00:19:08,920 --> 00:19:11,960 Speaker 1: You too, We can we can run down the list 377 00:19:13,119 --> 00:19:18,040 Speaker 1: of those legendary artists from those other cultures that still 378 00:19:18,160 --> 00:19:21,119 Speaker 1: get to run it up, and we just throw our 379 00:19:21,240 --> 00:19:26,080 Speaker 1: legends away so casually like the they didn't build this, 380 00:19:28,119 --> 00:19:30,480 Speaker 1: that's that's we can't do. 381 00:19:30,680 --> 00:19:33,400 Speaker 3: Said the highest selling group and what category? 382 00:19:34,119 --> 00:19:37,959 Speaker 1: R and B? I mean R and B man Boys men, 383 00:19:38,800 --> 00:19:42,200 Speaker 1: I'm google that laboratory. 384 00:19:46,080 --> 00:19:48,080 Speaker 3: But you're right, But even think about it, highest selling 385 00:19:48,160 --> 00:19:49,040 Speaker 3: R and B group of all time. 386 00:19:49,440 --> 00:19:51,840 Speaker 2: But even think about it like this, no disrespect to 387 00:19:51,880 --> 00:19:54,520 Speaker 2: Michael Bibbins. Michael Bibbons should be one hundred millionaire if 388 00:19:54,520 --> 00:19:55,840 Speaker 2: that's the case, because he founded them. 389 00:19:55,880 --> 00:19:56,960 Speaker 4: In the records they're still moving. 390 00:19:57,240 --> 00:20:00,320 Speaker 1: Well, I mean that's that's business, right, And so you 391 00:20:00,400 --> 00:20:01,639 Speaker 1: know I was in the Boys. I was in a 392 00:20:01,840 --> 00:20:03,719 Speaker 1: new edition story, you know what I'm saying. So how 393 00:20:03,760 --> 00:20:07,120 Speaker 1: all that business came about and what went on behind notes, 394 00:20:07,359 --> 00:20:11,359 Speaker 1: that's something that's a different conversation. But ultimately, yes, you 395 00:20:11,400 --> 00:20:14,040 Speaker 1: know what I'm saying, the conversation should be, Michael Bivens 396 00:20:15,000 --> 00:20:18,520 Speaker 1: pioneered X, Y and Z. Let's make sure that he 397 00:20:18,680 --> 00:20:21,720 Speaker 1: has a job or a high level position curating the 398 00:20:21,800 --> 00:20:24,640 Speaker 1: next generation of you know what I'm saying. When people 399 00:20:24,680 --> 00:20:27,240 Speaker 1: come on my podcast, like, I yell at all these people. 400 00:20:27,480 --> 00:20:30,680 Speaker 1: I yell at Jean Garrett, I yell at you know, 401 00:20:31,160 --> 00:20:34,560 Speaker 1: all these pioneers who come on on our problem, Like, 402 00:20:34,600 --> 00:20:38,200 Speaker 1: what are you doing, Mike City? What are you doing? 403 00:20:39,720 --> 00:20:42,240 Speaker 1: You know so much about this game. You've curated so 404 00:20:42,400 --> 00:20:46,200 Speaker 1: many moments, so much music, have blessed so many artists. 405 00:20:46,280 --> 00:20:49,960 Speaker 1: What are you doing? You know this? What are we 406 00:20:50,240 --> 00:20:57,040 Speaker 1: doing to preserve our genre music? And so you know, 407 00:20:57,200 --> 00:20:59,879 Speaker 1: I've challenged everybody and we're taking the challenge on too. 408 00:21:00,080 --> 00:21:02,000 Speaker 1: R and B Money is taking on the challenge. R 409 00:21:02,040 --> 00:21:03,960 Speaker 1: and B everything. The Army Money. 410 00:21:03,760 --> 00:21:05,920 Speaker 3: Podcast were tanking J Bobbin on the Black Effect. I 411 00:21:05,960 --> 00:21:08,600 Speaker 3: heart radio podcast network. What is the meaning of the 412 00:21:08,720 --> 00:21:11,440 Speaker 3: R and B Money like, like, why is it your podcast? 413 00:21:11,480 --> 00:21:13,440 Speaker 3: Why is it the albums? What does that mean? What 414 00:21:13,440 --> 00:21:15,240 Speaker 3: does that sound brand mean? R and B Money? 415 00:21:15,840 --> 00:21:20,880 Speaker 1: People love money. People love the idea that something makes 416 00:21:21,000 --> 00:21:25,040 Speaker 1: money that is successful and and and and that is 417 00:21:25,160 --> 00:21:30,640 Speaker 1: just attractive to people. The word money, right, you can't 418 00:21:30,640 --> 00:21:32,760 Speaker 1: get past it, Like as soon as you say, as 419 00:21:32,760 --> 00:21:36,119 Speaker 1: soon as you hurt young money like young as soon 420 00:21:36,119 --> 00:21:38,359 Speaker 1: as you heard cash money, they money isn't all cash. 421 00:21:40,000 --> 00:21:42,720 Speaker 1: You just love money, and so for me, it's like 422 00:21:42,840 --> 00:21:46,920 Speaker 1: associating R and B with success. We could we could 423 00:21:47,000 --> 00:21:49,280 Speaker 1: be deep and put some other nuances to it. You 424 00:21:49,320 --> 00:21:52,320 Speaker 1: know what I'm saying, A glamorous R and B or 425 00:21:52,400 --> 00:21:55,119 Speaker 1: you know what I'm saying, or top shelf R and B. No, 426 00:21:55,320 --> 00:21:59,920 Speaker 1: for simple people, R and B money money, This is 427 00:22:00,160 --> 00:22:02,760 Speaker 1: how we live. And all this, you see, came from 428 00:22:02,880 --> 00:22:03,119 Speaker 1: R and B. 429 00:22:03,359 --> 00:22:05,560 Speaker 3: That makes sense when I listen to a song like 430 00:22:05,600 --> 00:22:09,119 Speaker 3: want of Love is love? When it comes to R 431 00:22:09,200 --> 00:22:11,720 Speaker 3: and B to sound or the feeling, is it simply sexual? 432 00:22:12,359 --> 00:22:12,399 Speaker 5: No? 433 00:22:13,280 --> 00:22:15,720 Speaker 1: No, no, no, it can't be because love is not 434 00:22:17,000 --> 00:22:19,800 Speaker 1: Love is Love is not those things like we say, 435 00:22:19,960 --> 00:22:23,280 Speaker 1: want to make love like that? It sounds good, you 436 00:22:23,359 --> 00:22:25,280 Speaker 1: know what I'm saying. That's just the physical aspect of it. 437 00:22:25,359 --> 00:22:27,840 Speaker 1: But love is the choice you make about somebody every day. 438 00:22:29,119 --> 00:22:33,760 Speaker 1: It's not an actual feeling. Love is a choice that 439 00:22:33,880 --> 00:22:38,000 Speaker 1: you have to make every day. So I'm rocking with 440 00:22:38,119 --> 00:22:42,399 Speaker 1: you right, good or bad, ugly? Like when we were 441 00:22:42,400 --> 00:22:44,879 Speaker 1: just talking about when he said, I know you were 442 00:22:44,920 --> 00:22:49,880 Speaker 1: seeing that other fella, that's part of it. I didn't 443 00:22:49,920 --> 00:22:55,439 Speaker 1: marry into perfection. I'm married under the idea that hey man, 444 00:22:55,760 --> 00:22:57,639 Speaker 1: whatever it is, we just gonna rock through it. I 445 00:22:57,880 --> 00:23:03,560 Speaker 1: chose you to walk through life, and that means whatever 446 00:23:03,680 --> 00:23:06,639 Speaker 1: comes with that. Love got to be a feeling though, right, No, 447 00:23:07,080 --> 00:23:07,840 Speaker 1: that's euphoria. 448 00:23:08,640 --> 00:23:11,400 Speaker 3: Really yeah, break that down for me. Take I ain't 449 00:23:11,400 --> 00:23:11,920 Speaker 3: get there yet. 450 00:23:15,640 --> 00:23:19,119 Speaker 1: Love is a choice. It's a choice. Right, as we 451 00:23:19,240 --> 00:23:22,240 Speaker 1: go back, Let's let's say you're Christian. Let's say you're you're, 452 00:23:22,320 --> 00:23:24,800 Speaker 1: You're you're you know, you're a devout Christian, you and 453 00:23:24,920 --> 00:23:27,480 Speaker 1: you're into the Bible. The choice that was made was 454 00:23:27,520 --> 00:23:30,400 Speaker 1: that Jesus said I'm going to die for you. God 455 00:23:30,480 --> 00:23:34,600 Speaker 1: so loved the world that he sent. It wasn't a feeling. 456 00:23:36,080 --> 00:23:41,200 Speaker 1: He set something in motion because that's how you show 457 00:23:41,320 --> 00:23:44,880 Speaker 1: the love I'm going to send my son and then 458 00:23:44,920 --> 00:23:47,359 Speaker 1: he's going to die. Another choice that he made. He 459 00:23:47,400 --> 00:23:51,680 Speaker 1: didn't have to die. He could have tore that whole 460 00:23:51,760 --> 00:23:52,160 Speaker 1: thing down. 461 00:23:52,359 --> 00:23:54,359 Speaker 3: But you only make that choice for things that you 462 00:23:54,480 --> 00:23:56,680 Speaker 3: have to have feelings for, right, Like I don't wake 463 00:23:56,760 --> 00:23:59,000 Speaker 3: up every day and choose to love something that I 464 00:23:59,040 --> 00:23:59,680 Speaker 3: don't have any love. 465 00:23:59,680 --> 00:24:04,080 Speaker 1: For a commitment, it's a commitment to your purpose. Right, 466 00:24:04,200 --> 00:24:07,600 Speaker 1: you get good feelings from it, you know what I'm saying, 467 00:24:07,680 --> 00:24:10,399 Speaker 1: Because that's that's just you being. That's just you being 468 00:24:10,480 --> 00:24:13,760 Speaker 1: connected to the universe. Things feel good, you know what 469 00:24:13,800 --> 00:24:16,080 Speaker 1: I'm saying. And when you're on a certain path that 470 00:24:16,160 --> 00:24:19,560 Speaker 1: you're connected to, it feels even better because it's connected 471 00:24:19,600 --> 00:24:22,120 Speaker 1: to your purpose or connected to you know, like when 472 00:24:22,160 --> 00:24:24,280 Speaker 1: you know you have deja vu and you're like, I 473 00:24:24,359 --> 00:24:25,840 Speaker 1: feel like I've been here before. I feel like I'm 474 00:24:25,880 --> 00:24:28,800 Speaker 1: supposed to be here. You feel that, right, But that's 475 00:24:28,920 --> 00:24:35,280 Speaker 1: just that's just feelings. Love is a choice. I have 476 00:24:35,400 --> 00:24:39,280 Speaker 1: to decide how I express that choice, and we just 477 00:24:39,400 --> 00:24:41,040 Speaker 1: we just call it love war. 478 00:24:41,040 --> 00:24:44,920 Speaker 3: The choice to that war, the choice. You got a 479 00:24:45,000 --> 00:24:47,880 Speaker 3: song on the new album called War. It made me say, 480 00:24:47,920 --> 00:24:50,600 Speaker 3: if you know your behavior is going to cause war, 481 00:24:50,880 --> 00:24:51,920 Speaker 3: why choose it? Think? 482 00:24:53,000 --> 00:24:59,119 Speaker 1: Sometimes you can't help yourself. You cannot help yourself. You 483 00:24:59,320 --> 00:25:02,760 Speaker 1: all you We are not perfect people, We're not. 484 00:25:03,119 --> 00:25:04,680 Speaker 3: But you know you ain't to spend that ten thousand 485 00:25:04,680 --> 00:25:05,120 Speaker 3: in the club. 486 00:25:06,240 --> 00:25:10,359 Speaker 1: Sometimes you can't help yourself. You ain't never been in 487 00:25:10,440 --> 00:25:12,880 Speaker 1: the club. And it just in the moment just got 488 00:25:12,960 --> 00:25:14,440 Speaker 1: good to you. I just feel like we need three 489 00:25:14,480 --> 00:25:17,399 Speaker 1: more bottles. We need three more bottles, and we need 490 00:25:17,520 --> 00:25:23,880 Speaker 1: five more thousand and ones. No I'm not saying right 491 00:25:23,960 --> 00:25:27,840 Speaker 1: now I'm just saying, when you started really getting that money. 492 00:25:29,560 --> 00:25:32,399 Speaker 1: What yeah, Yeah, Like when you like, when you're in 493 00:25:32,440 --> 00:25:33,639 Speaker 1: the strip club and you're in. 494 00:25:33,680 --> 00:25:36,480 Speaker 4: A zone, you're talking to somebody that picks them singles 495 00:25:36,480 --> 00:25:36,840 Speaker 4: off the floor. 496 00:25:36,920 --> 00:25:40,040 Speaker 3: Though that was back in the day. Relaxed myself. 497 00:25:44,800 --> 00:25:47,080 Speaker 1: When you're in the strip club and you get in 498 00:25:47,160 --> 00:25:53,359 Speaker 1: a zone, just bring me more ones. I'll figure it 499 00:25:53,440 --> 00:25:58,280 Speaker 1: out after this. Remember, you could manipulate the uh uh 500 00:25:59,080 --> 00:26:01,600 Speaker 1: the where you gonn get the money from the machine? 501 00:26:01,680 --> 00:26:05,040 Speaker 1: Remember you could manipulate the atm on the weekends. A 502 00:26:05,119 --> 00:26:07,720 Speaker 1: lot of people too young for that, you remember you could. 503 00:26:08,000 --> 00:26:11,760 Speaker 1: You could. You could go to different ATMs and grab 504 00:26:11,960 --> 00:26:15,359 Speaker 1: money out based on the balance that you had on Friday. 505 00:26:15,520 --> 00:26:19,680 Speaker 1: On Friday and they would catch it until Monday, you'd 506 00:26:19,720 --> 00:26:25,000 Speaker 1: be overdrawn, like like fifteen hundred Jesus. But I had 507 00:26:25,040 --> 00:26:27,520 Speaker 1: to get to the strip club. They needed to see me, 508 00:26:27,680 --> 00:26:32,200 Speaker 1: They needed to see see and I couldn't come in 509 00:26:32,320 --> 00:26:33,000 Speaker 1: empty hand. 510 00:26:35,560 --> 00:26:37,840 Speaker 4: You spent at the strip clubs? How much you think 511 00:26:37,840 --> 00:26:38,880 Speaker 4: you spent it that this club? 512 00:26:39,000 --> 00:26:42,720 Speaker 1: I don't know, No, I mean in the most and 513 00:26:42,760 --> 00:26:44,760 Speaker 1: one night may not something like maybe like a little 514 00:26:44,840 --> 00:26:50,240 Speaker 1: forty fifty nothing crazy, Yeah, what's wrong with that. 515 00:26:50,359 --> 00:26:52,600 Speaker 3: That's a lot of money. Fifty thousand dollars a script. 516 00:26:52,400 --> 00:26:57,920 Speaker 1: Club in relation to what to what you make someone 517 00:26:57,960 --> 00:27:00,840 Speaker 1: who only said no, I'm back to my wage. I 518 00:27:00,840 --> 00:27:06,720 Speaker 1: don't know about y'all. Sometimes you save up for that moment. 519 00:27:07,600 --> 00:27:11,800 Speaker 1: I've seen real money being spent in the club, you 520 00:27:11,840 --> 00:27:15,440 Speaker 1: know what I'm saying. I've been with BMF with real money. 521 00:27:16,280 --> 00:27:19,880 Speaker 1: That fifty thousand, I'm talking about it nothing. They were 522 00:27:19,920 --> 00:27:23,200 Speaker 1: throwing all hundreds when I walked in with him, and 523 00:27:23,520 --> 00:27:26,600 Speaker 1: and like in in Charlemagne fashion, I had my shirt out. 524 00:27:27,400 --> 00:27:30,960 Speaker 1: I need to catch some of this. I'm not gonna dance, 525 00:27:32,240 --> 00:27:35,480 Speaker 1: but all this can't hit the floor like I've I've 526 00:27:35,520 --> 00:27:35,800 Speaker 1: seen it. 527 00:27:35,840 --> 00:27:37,359 Speaker 3: What does script clubs do for R and B singers? 528 00:27:37,440 --> 00:27:39,200 Speaker 3: We know why rappers go to the script club, like 529 00:27:39,240 --> 00:27:40,560 Speaker 3: you know, they want to get their music. 530 00:27:40,359 --> 00:27:43,920 Speaker 1: Play, because at the time our music was being played 531 00:27:43,960 --> 00:27:46,240 Speaker 1: in there, so you forget my music is being played 532 00:27:46,240 --> 00:27:49,760 Speaker 1: in the strip clubs. Yeah, no, I hold strip clubs. 533 00:27:50,080 --> 00:27:52,359 Speaker 1: They called me and they play they played when we 534 00:27:52,520 --> 00:27:54,680 Speaker 1: they played fucking with me, They played, Yeah, I got 535 00:27:54,720 --> 00:27:55,280 Speaker 1: I Got ship. 536 00:27:56,359 --> 00:27:59,760 Speaker 6: You do listen home when you got a song called when. 537 00:28:00,720 --> 00:28:03,320 Speaker 1: I got I Got shipped. You know what I'm say. 538 00:28:03,320 --> 00:28:05,919 Speaker 1: I'm saying, and so when they danced to my music 539 00:28:06,400 --> 00:28:10,320 Speaker 1: that I I have to reward them for that. You 540 00:28:10,359 --> 00:28:11,920 Speaker 1: know what I'm saying. I have to take care of 541 00:28:12,040 --> 00:28:13,640 Speaker 1: them for that. And the strip club for free. 542 00:28:13,800 --> 00:28:15,320 Speaker 4: The money that you're making the Strip Club, you get 543 00:28:15,359 --> 00:28:15,720 Speaker 4: back and just. 544 00:28:15,760 --> 00:28:16,399 Speaker 3: Give it back. 545 00:28:17,760 --> 00:28:19,960 Speaker 1: To give program. I remember when I host I was 546 00:28:20,000 --> 00:28:23,720 Speaker 1: the first artist to host King of Diamonds. And I 547 00:28:23,800 --> 00:28:25,520 Speaker 1: remember when I host the King of Diamonds. I think 548 00:28:25,520 --> 00:28:27,240 Speaker 1: I think I might have got like fifteen to twenty 549 00:28:27,320 --> 00:28:31,000 Speaker 1: thousand for it, and and and I foolishly got all 550 00:28:31,040 --> 00:28:35,120 Speaker 1: that in once m M. But I had a time 551 00:28:37,600 --> 00:28:41,240 Speaker 1: I went back, played basketball, had some food. I looked 552 00:28:41,240 --> 00:28:43,480 Speaker 1: at one time I got Aaron Corso he was eating steak. 553 00:28:45,520 --> 00:28:53,400 Speaker 1: King of Diamonds leave. They had to they had to, 554 00:28:53,840 --> 00:28:56,320 Speaker 1: They had to soap, they had to the sudge, get 555 00:28:56,360 --> 00:28:59,120 Speaker 1: in the pool. Like I left, like one time seven 556 00:28:59,120 --> 00:29:01,920 Speaker 1: o'clock in the morning. Wow, Well I was walking out 557 00:29:02,400 --> 00:29:04,560 Speaker 1: the strip was dressed together. 558 00:29:07,960 --> 00:29:09,440 Speaker 4: That was before you was married though, No. 559 00:29:09,760 --> 00:29:12,719 Speaker 1: Yeah, well but war is war is just a depiction 560 00:29:12,920 --> 00:29:14,920 Speaker 1: of that. You know what I'm saying, This means war. Look, 561 00:29:14,960 --> 00:29:17,240 Speaker 1: I laid them walking in I'm some random club drinking 562 00:29:17,280 --> 00:29:17,880 Speaker 1: with my friends. 563 00:29:17,920 --> 00:29:24,480 Speaker 4: What did your wife said? When when she hear these stories, she'd. 564 00:29:24,360 --> 00:29:28,440 Speaker 1: Be she's indifferent, you know what I'm saying, because you know, 565 00:29:28,560 --> 00:29:31,160 Speaker 1: she don't like strip clubs at all, so she doesn't 566 00:29:31,200 --> 00:29:33,920 Speaker 1: go with you no, And I'd be like, babe, you 567 00:29:33,920 --> 00:29:35,520 Speaker 1: should go with me, you know what I'm saying. We 568 00:29:35,600 --> 00:29:37,360 Speaker 1: had this rule where I wouldn't go, and then I 569 00:29:37,840 --> 00:29:39,520 Speaker 1: just started breaking the rules and I was like, look, 570 00:29:39,560 --> 00:29:44,680 Speaker 1: I'm going grown ass man where I can't go. But 571 00:29:45,120 --> 00:29:46,640 Speaker 1: you know it was because I would go in there 572 00:29:46,640 --> 00:29:48,920 Speaker 1: and I would kind of be irresponsible, you know what 573 00:29:48,920 --> 00:29:49,280 Speaker 1: I'm saying. 574 00:29:49,360 --> 00:29:51,800 Speaker 4: If you spend in fifty thousand, she's probably like. 575 00:29:51,800 --> 00:29:54,520 Speaker 1: No, it's that And so there's okay, if you're gonna go, 576 00:29:54,600 --> 00:29:56,480 Speaker 1: you're gonna have a good time, Like, don't forget you 577 00:29:56,520 --> 00:30:00,160 Speaker 1: know your family. Let's just let's just you know, so. 578 00:30:00,800 --> 00:30:02,280 Speaker 3: How good of a time and you haven't you forget 579 00:30:02,320 --> 00:30:04,360 Speaker 3: you have a family. How much of a time you 580 00:30:04,440 --> 00:30:05,840 Speaker 3: must be having a scriptlub. 581 00:30:07,520 --> 00:30:09,640 Speaker 1: If she looking at you know, looking at the amex, 582 00:30:10,000 --> 00:30:11,840 Speaker 1: you know what I'm saying. And then there's just just 583 00:30:11,960 --> 00:30:15,120 Speaker 1: a tab for twelve thousand dollars like, what are we doing? What? 584 00:30:16,080 --> 00:30:16,680 Speaker 1: What are we doing? 585 00:30:16,880 --> 00:30:18,680 Speaker 6: Come on now, you need a white thoat. 586 00:30:19,560 --> 00:30:19,920 Speaker 3: You need it. 587 00:30:19,960 --> 00:30:23,480 Speaker 1: You need an accountability system. I absolutely need that. So 588 00:30:23,600 --> 00:30:25,720 Speaker 1: that's just that's just kind of our thing. But you know, 589 00:30:26,680 --> 00:30:28,600 Speaker 1: in this song, I just wanted to make sure to 590 00:30:28,680 --> 00:30:31,240 Speaker 1: tell that story because every man goes through this, you 591 00:30:31,280 --> 00:30:32,560 Speaker 1: know what I'm saying, where they just want to do 592 00:30:32,640 --> 00:30:34,080 Speaker 1: what they want to do. They want to do their thing. 593 00:30:34,160 --> 00:30:38,280 Speaker 1: I see you calling me, but you I'm rocking right now, 594 00:30:38,880 --> 00:30:41,440 Speaker 1: and so you know, it's it's it's it's like you said, 595 00:30:41,520 --> 00:30:44,920 Speaker 1: it's starting a war. You know you're starting a war, 596 00:30:45,440 --> 00:30:47,959 Speaker 1: but you're like, you know, I'll fight that battle when 597 00:30:48,000 --> 00:30:49,840 Speaker 1: I get home. Fuck, it is what it is. 598 00:30:50,120 --> 00:30:51,480 Speaker 3: It almost got a country field to it. 599 00:30:51,760 --> 00:30:55,920 Speaker 1: It's very country is that it's very no. I did 600 00:30:55,960 --> 00:30:59,840 Speaker 1: this record three years ago, Wow, and I was like, oh, 601 00:31:00,040 --> 00:31:05,120 Speaker 1: y'all finally caught up. Cool. I'll drop it. My guys, 602 00:31:05,240 --> 00:31:07,680 Speaker 1: Javon Cole Captains. They produced it, and when they send 603 00:31:07,680 --> 00:31:09,680 Speaker 1: it to me, I was like, bro, this is so different. 604 00:31:10,600 --> 00:31:12,400 Speaker 1: And when I when I wrote it, I was like, Okay, 605 00:31:12,440 --> 00:31:15,560 Speaker 1: let me tell this story because country is country is 606 00:31:15,600 --> 00:31:17,480 Speaker 1: still a good place where you can tell those stories 607 00:31:17,840 --> 00:31:22,000 Speaker 1: the best for you. And so that's that's where I 608 00:31:22,040 --> 00:31:23,960 Speaker 1: came from. But I've been there, everybody just now, you know, 609 00:31:24,080 --> 00:31:25,680 Speaker 1: trying to be country, I've been there. 610 00:31:26,160 --> 00:31:27,520 Speaker 6: A lot of these songs are a lot of these 611 00:31:27,560 --> 00:31:29,240 Speaker 6: songs songs that you have been done. 612 00:31:29,240 --> 00:31:30,760 Speaker 5: I mean, is that why it's called the vault because 613 00:31:30,760 --> 00:31:32,320 Speaker 5: you think of a vault and you're like, this is 614 00:31:32,400 --> 00:31:33,720 Speaker 5: what I had been had. 615 00:31:33,920 --> 00:31:36,400 Speaker 1: That one is the only one that I had already. 616 00:31:39,240 --> 00:31:43,680 Speaker 1: What's that them Come Inside Dame? You know all about that? 617 00:31:48,960 --> 00:31:58,000 Speaker 1: That herd a Special Place. Yeah, that was the Kevin 618 00:31:58,040 --> 00:32:05,600 Speaker 1: Hart Damn and that record, and I had that record. 619 00:32:05,680 --> 00:32:08,760 Speaker 1: But I did that record at uh at the left 620 00:32:08,800 --> 00:32:12,320 Speaker 1: camp for puff for did he in his in his album? 621 00:32:12,960 --> 00:32:16,240 Speaker 1: And when he was going through records, this this song 622 00:32:16,320 --> 00:32:20,120 Speaker 1: didn't make the cut, and you know, and I called 623 00:32:20,160 --> 00:32:21,920 Speaker 1: and I called him. I was like, bro, because he 624 00:32:22,000 --> 00:32:24,600 Speaker 1: was holding all the records. Everything was done at the camp. 625 00:32:25,120 --> 00:32:27,000 Speaker 1: He's mine. I paid for the you know what I'm saying. 626 00:32:27,040 --> 00:32:29,320 Speaker 1: I paid for the camp and rightfully, so he can 627 00:32:29,400 --> 00:32:30,920 Speaker 1: do that. You know what I'm saying. Whoever paid for 628 00:32:31,000 --> 00:32:31,920 Speaker 1: that studio time and all. 629 00:32:31,840 --> 00:32:34,440 Speaker 4: That day camp work, he paid you all the right 630 00:32:34,480 --> 00:32:35,680 Speaker 4: record and he just kept well. 631 00:32:35,560 --> 00:32:37,920 Speaker 1: I mean he he created, he created the atmosphere. So 632 00:32:37,960 --> 00:32:40,480 Speaker 1: about this about the studio, set up, the tents, like 633 00:32:40,560 --> 00:32:45,680 Speaker 1: he just did a whole thing, chef's bar, like this was. 634 00:32:45,680 --> 00:32:48,080 Speaker 3: In l a fantastic album. 635 00:32:48,120 --> 00:32:51,840 Speaker 1: That album was too, great album album, great album. 636 00:32:52,000 --> 00:32:52,160 Speaker 5: You know. 637 00:32:52,240 --> 00:32:54,080 Speaker 1: So I wasn't mad. I was like, it's some great 638 00:32:54,160 --> 00:32:56,239 Speaker 1: music on there. I'm not mad. JOSSI did her thing 639 00:32:56,360 --> 00:32:58,920 Speaker 1: on there like a crazy album. But you know a 640 00:32:59,000 --> 00:33:01,760 Speaker 1: lot of times when when when artists have these records 641 00:33:02,120 --> 00:33:04,440 Speaker 1: that you know, they hold them until until they need them, 642 00:33:04,440 --> 00:33:06,080 Speaker 1: they'll use them for the next project or whatever. And 643 00:33:06,600 --> 00:33:08,720 Speaker 1: and I hit them. I was like, Dad, I need 644 00:33:08,800 --> 00:33:11,440 Speaker 1: that record, man, can you please please let me get 645 00:33:11,480 --> 00:33:13,520 Speaker 1: that record? The Playboy? I got you king you good 646 00:33:13,640 --> 00:33:15,880 Speaker 1: man run with it. And that was that was love 647 00:33:15,920 --> 00:33:17,840 Speaker 1: on his part, man, because most artists, you know, they 648 00:33:17,880 --> 00:33:22,160 Speaker 1: don't do that. I don't write any of Yeah, I 649 00:33:22,200 --> 00:33:24,240 Speaker 1: mean I submitted a lot, I did a lot of work. 650 00:33:24,320 --> 00:33:26,160 Speaker 1: But for me, like it was, I don't really go 651 00:33:26,240 --> 00:33:28,560 Speaker 1: to camps. You know what I'm saying. I don't go 652 00:33:28,680 --> 00:33:31,080 Speaker 1: to the whole you know what I'm saying, thousand producers, 653 00:33:31,200 --> 00:33:33,840 Speaker 1: thousand writers. But you know, when he hit me. He 654 00:33:34,000 --> 00:33:36,280 Speaker 1: was like, Bro, you're the You're You're the best at it, 655 00:33:36,400 --> 00:33:38,920 Speaker 1: and I just need you. I need you in the building. 656 00:33:39,360 --> 00:33:42,000 Speaker 1: I need people to see that you're here, because that's 657 00:33:42,040 --> 00:33:45,120 Speaker 1: gonna make people thank here. I gotta go hard, I 658 00:33:45,160 --> 00:33:47,440 Speaker 1: gotta I gotta go crazy, And so that was I 659 00:33:47,600 --> 00:33:51,280 Speaker 1: was there for the energy, but also to participate work 660 00:33:51,360 --> 00:33:56,680 Speaker 1: with you know, Cardiac who's super dope, Eric Bellinger, all 661 00:33:56,680 --> 00:33:58,640 Speaker 1: those guys was up there. You know what I'm saying, 662 00:33:58,760 --> 00:34:01,040 Speaker 1: Like the room, I'm when I say it was crazy. 663 00:34:02,280 --> 00:34:05,640 Speaker 1: It was crazy. Like the people that came that showed 664 00:34:05,720 --> 00:34:10,040 Speaker 1: up the Diddy for that camp. It was crazy. It 665 00:34:10,200 --> 00:34:12,640 Speaker 1: was crazy. So I was just I was just happy 666 00:34:12,640 --> 00:34:14,160 Speaker 1: they'd let me walk walk with that record. 667 00:34:14,840 --> 00:34:17,320 Speaker 6: About to go on with another og Carl Thomas. 668 00:34:17,719 --> 00:34:20,400 Speaker 3: Carl Thomas one of the greatest R and B albums 669 00:34:20,400 --> 00:34:23,319 Speaker 3: of all time, not even close. 670 00:34:23,719 --> 00:34:26,799 Speaker 1: And people I've seen people ask me, you know, people 671 00:34:26,880 --> 00:34:29,439 Speaker 1: ask me why you know, why you choose Carl Thomas, 672 00:34:29,480 --> 00:34:31,680 Speaker 1: why you choose Kerry Hillson. I'm like, you don't hear it. 673 00:34:32,840 --> 00:34:35,120 Speaker 3: Emotion was literally one of the greatest RMB albums. Like 674 00:34:35,200 --> 00:34:37,919 Speaker 3: you don't you don't top the bottom love making music? 675 00:34:37,960 --> 00:34:39,160 Speaker 1: You know what I'm saying, like when we down at 676 00:34:39,200 --> 00:34:40,960 Speaker 1: them do ops with my girl are down and down 677 00:34:41,000 --> 00:34:43,640 Speaker 1: in uh in Miami, and then Carl Thomas records come on, 678 00:34:44,480 --> 00:34:48,920 Speaker 1: it's a thing as shit really happens. Play some of 679 00:34:48,920 --> 00:34:51,000 Speaker 1: them carry Hillson records like things happen. 680 00:34:51,280 --> 00:34:51,520 Speaker 6: Yeah. 681 00:34:51,719 --> 00:34:52,759 Speaker 1: I was like, first of all, I want to go 682 00:34:52,800 --> 00:34:54,040 Speaker 1: into with my friends. I want to go in toward 683 00:34:54,080 --> 00:34:56,320 Speaker 1: people I like. But then too, I want to I 684 00:34:56,360 --> 00:34:57,640 Speaker 1: want to be out there is it's an R and 685 00:34:57,719 --> 00:34:59,840 Speaker 1: B money tour. I want the catalog to be expensive. 686 00:35:00,440 --> 00:35:04,120 Speaker 1: With some expensive catalogs, you know, carry got Hot one hundreds. 687 00:35:05,200 --> 00:35:08,520 Speaker 1: Carl Thomas has timeless R and B. 688 00:35:10,440 --> 00:35:14,120 Speaker 5: Parties today right now with Summer Raine. They play that 689 00:35:14,760 --> 00:35:16,480 Speaker 5: at the top, in the middle of the party at 690 00:35:16,480 --> 00:35:18,440 Speaker 5: the end like they bring what And I grabbed them 691 00:35:18,440 --> 00:35:21,200 Speaker 5: like I don't care where I'm at, no karaoke even playing. 692 00:35:21,840 --> 00:35:25,759 Speaker 1: Met Me give me a little come on, you gotta 693 00:35:25,760 --> 00:35:28,759 Speaker 1: pay for that Charlamagne has given us. He's blessed us 694 00:35:28,800 --> 00:35:29,040 Speaker 1: with his. 695 00:35:29,680 --> 00:35:36,960 Speaker 6: Stormy come on outside when she keeps me home. That's 696 00:35:37,000 --> 00:35:37,319 Speaker 6: my song. 697 00:35:37,440 --> 00:35:45,960 Speaker 3: That was was That was my wife and colle rocking 698 00:35:46,000 --> 00:35:49,080 Speaker 3: with card Time, Carl Thomas emotional and Joe my name 699 00:35:49,200 --> 00:35:49,480 Speaker 3: is Joe. 700 00:35:52,880 --> 00:35:55,880 Speaker 1: I gotta I gotta do a tour with Joe too. Yeah, Man, 701 00:35:55,960 --> 00:35:56,759 Speaker 1: the tour and a song. 702 00:35:57,040 --> 00:35:57,480 Speaker 3: I love that. 703 00:35:57,840 --> 00:36:00,080 Speaker 1: People have been wanting that for quite some time. You 704 00:36:00,120 --> 00:36:01,879 Speaker 1: know what I'm saying, I get you. You know, Joe 705 00:36:02,000 --> 00:36:05,279 Speaker 1: likes to hide until it's time. You know what I'm saying, like, well, 706 00:36:05,320 --> 00:36:07,160 Speaker 1: you know I'll be I'll be out playboy. You know 707 00:36:07,160 --> 00:36:08,279 Speaker 1: what I'm saying, I'm gonna pop out. 708 00:36:08,160 --> 00:36:12,719 Speaker 3: Of you mentioned in Everybody with TGT. I ain't no boy, 709 00:36:12,760 --> 00:36:16,520 Speaker 3: no time reason genuine up with dead. Yeah, but you 710 00:36:16,640 --> 00:36:18,279 Speaker 3: was in the studio in I saw you in the 711 00:36:18,320 --> 00:36:19,719 Speaker 3: studio working on My Beautiful Pain. 712 00:36:20,800 --> 00:36:26,560 Speaker 1: Yeah, yeah, I think you know. I think we we're 713 00:36:26,600 --> 00:36:29,600 Speaker 1: at a great place, man, We're at a great place 714 00:36:29,680 --> 00:36:34,920 Speaker 1: where I think now we all everybody collectively sees the 715 00:36:35,080 --> 00:36:39,360 Speaker 1: value in what we are, in what we created. And 716 00:36:40,160 --> 00:36:43,600 Speaker 1: it's again, it's this resurgence of just that feeling of 717 00:36:43,840 --> 00:36:45,920 Speaker 1: R and B and so you got you got two 718 00:36:46,000 --> 00:36:49,839 Speaker 1: guys from the nineties who got classic catalogs. You got 719 00:36:49,920 --> 00:36:52,359 Speaker 1: me coming in from the two thousands, who came came 720 00:36:52,440 --> 00:36:56,880 Speaker 1: up under these guys, and and people are hungry and 721 00:36:56,960 --> 00:37:00,640 Speaker 1: thirsty for that, and so you're gonna see You're going 722 00:37:00,680 --> 00:37:05,600 Speaker 1: to see some T G T you know. Fortunately, thank god, 723 00:37:05,640 --> 00:37:08,319 Speaker 1: you're gonna get that album. No, I don't know if 724 00:37:08,360 --> 00:37:11,200 Speaker 1: we have an album, but we do have We do 725 00:37:11,360 --> 00:37:14,120 Speaker 1: have a couple of moments. Yeah, that that we're lining 726 00:37:14,200 --> 00:37:16,120 Speaker 1: up that are gonna be very special. So that's all. 727 00:37:16,239 --> 00:37:18,800 Speaker 1: That's all I can really really say about that. 728 00:37:19,160 --> 00:37:21,040 Speaker 3: And I saw you the other night. Man, I forgot. 729 00:37:21,040 --> 00:37:22,840 Speaker 3: I don't know where y'all was at, but Flavor flav 730 00:37:23,040 --> 00:37:26,279 Speaker 3: was singing. He was what was so I forgot what 731 00:37:26,360 --> 00:37:27,160 Speaker 3: he was singing? Was it? 732 00:37:27,480 --> 00:37:30,320 Speaker 1: We were honoring, they were honoring. I don't want to 733 00:37:30,320 --> 00:37:34,120 Speaker 1: get this wrong to be I don't remember be there. 734 00:37:34,560 --> 00:37:36,279 Speaker 1: I can't, I don't. I don't want to mess up 735 00:37:36,280 --> 00:37:39,160 Speaker 1: the name of the organization. Seanna hit me. It was like, 736 00:37:39,200 --> 00:37:42,640 Speaker 1: we're honoring Jimmy Jam and Terry Lewis and we need 737 00:37:42,760 --> 00:37:45,399 Speaker 1: you to do what you do. And I was like, cool, 738 00:37:45,440 --> 00:37:47,279 Speaker 1: I'm in. You say Jimmy Jam and Terry Lewis, I'm in. 739 00:37:47,440 --> 00:37:49,640 Speaker 1: I don't. I don't care what it is. And so 740 00:37:49,760 --> 00:37:53,840 Speaker 1: we're honoring them and and and Babyface is there, and 741 00:37:54,400 --> 00:37:56,000 Speaker 1: you know, I don't want to pressure baby Face to 742 00:37:56,080 --> 00:38:00,560 Speaker 1: sing but he's there, and I'm like, Babyface, you want 743 00:38:00,600 --> 00:38:04,319 Speaker 1: to sing, you can, you don't have to. And they 744 00:38:04,360 --> 00:38:06,200 Speaker 1: started playing one of his songs and we were singing 745 00:38:06,239 --> 00:38:08,320 Speaker 1: in faces like na, noah, let me let me handle that. 746 00:38:09,760 --> 00:38:11,680 Speaker 1: He started singing. Just Flavor flav just came out of 747 00:38:11,760 --> 00:38:14,760 Speaker 1: nowhere and just started and just started singing. 748 00:38:14,880 --> 00:38:16,359 Speaker 3: You look surprised that you could hold a note. 749 00:38:17,680 --> 00:38:20,719 Speaker 1: No, if that wasn't surprise, it was just like that. 750 00:38:20,840 --> 00:38:22,279 Speaker 3: Think about it, like, why did you take the mic 751 00:38:22,280 --> 00:38:23,399 Speaker 3: from Babyface to give it a flavor? 752 00:38:25,800 --> 00:38:30,640 Speaker 1: My thing is Babyface is singing all right, and and 753 00:38:30,960 --> 00:38:36,160 Speaker 1: Flavor Flame has the gall and audacity to take the 754 00:38:36,239 --> 00:38:41,319 Speaker 1: micro to run up and started singing against his baby face. 755 00:38:44,560 --> 00:38:46,640 Speaker 3: Why didn't you stop it? That's why the game need referees. 756 00:38:46,800 --> 00:38:48,920 Speaker 3: You supposed to stop that, right then you're big enough 757 00:38:48,920 --> 00:38:50,200 Speaker 3: to stopping pos at. 758 00:38:50,160 --> 00:38:55,919 Speaker 1: That moment, right, It only goes one way. It only 759 00:38:56,040 --> 00:39:00,800 Speaker 1: looks like disrespect in front of that mini people. You 760 00:39:00,840 --> 00:39:04,239 Speaker 1: know what I'm saying, Like now it's now it's Flavor Flair. 761 00:39:04,280 --> 00:39:07,279 Speaker 1: He is Flavor Flake. Let's not discredit him. 762 00:39:07,280 --> 00:39:08,160 Speaker 3: He is who he is. 763 00:39:08,880 --> 00:39:10,680 Speaker 1: And then I run up on him saying, nigga, baby 764 00:39:10,719 --> 00:39:12,400 Speaker 1: face singing, hold on right now, nigga, hold on, hold on? 765 00:39:12,600 --> 00:39:14,319 Speaker 3: Didn't he disrespect baby facing away? 766 00:39:15,800 --> 00:39:24,279 Speaker 1: Baby Face has to fight that battle. Listen, and don't 767 00:39:24,320 --> 00:39:27,080 Speaker 1: think that if baby Face felt the way, he wouldn't 768 00:39:27,120 --> 00:39:32,120 Speaker 1: have handled it. Babyfaces, listen. The songs are nice and 769 00:39:32,280 --> 00:39:36,200 Speaker 1: soft and meek. Baby Face is not. He's a nice guy, 770 00:39:36,280 --> 00:39:40,040 Speaker 1: but he's nobody sucker. I promise you if he felt 771 00:39:40,080 --> 00:39:42,719 Speaker 1: the way, and he would have and I was kind 772 00:39:42,760 --> 00:39:45,439 Speaker 1: of following his lead, the baby Face would have looked 773 00:39:45,520 --> 00:39:48,480 Speaker 1: like he wasn't feeling it, then we would have handled 774 00:39:48,520 --> 00:39:50,080 Speaker 1: that way. But he was. It was all in good fun. 775 00:39:51,760 --> 00:39:52,520 Speaker 4: R and B money. 776 00:39:52,600 --> 00:39:54,480 Speaker 1: The vault is out, vault say it again. 777 00:39:54,760 --> 00:39:57,239 Speaker 4: The vault is out right now. And we appreciate you 778 00:39:57,280 --> 00:39:57,720 Speaker 4: for doing. 779 00:39:57,960 --> 00:40:01,279 Speaker 1: Twenty six Yes, right, yeah, what's up right now? 780 00:40:01,360 --> 00:40:02,000 Speaker 4: Right right now? 781 00:40:02,600 --> 00:40:04,600 Speaker 1: Okay, are you gonna what do you? What are you 782 00:40:04,640 --> 00:40:05,680 Speaker 1: gonna do with this music? 783 00:40:06,200 --> 00:40:08,000 Speaker 6: You already know what I'm doing. I got what I can't. 784 00:40:08,040 --> 00:40:09,600 Speaker 6: Ain't too much I can do right now because I 785 00:40:09,640 --> 00:40:11,239 Speaker 6: can't get pregnant twice and one. 786 00:40:11,400 --> 00:40:13,040 Speaker 1: You know how far along are you? 787 00:40:14,040 --> 00:40:15,920 Speaker 6: Five months? I'mbo to be six five months. 788 00:40:16,080 --> 00:40:17,120 Speaker 1: Yeah, that's a good time. 789 00:40:17,440 --> 00:40:20,279 Speaker 6: Yeah, I'm still look, I'm still money. 790 00:40:23,680 --> 00:40:24,640 Speaker 3: I'm still moving a head. 791 00:40:26,200 --> 00:40:28,640 Speaker 1: Let me tell you something. My wife is pregnant. 792 00:40:28,719 --> 00:40:30,279 Speaker 3: Some of the best, the best time, some of the 793 00:40:30,320 --> 00:40:32,600 Speaker 3: best crazy. 794 00:40:35,440 --> 00:40:39,239 Speaker 1: Oh my god, it's something extra in there. 795 00:40:39,640 --> 00:40:41,120 Speaker 3: It is. Can I swim in your ocean? 796 00:40:45,000 --> 00:40:49,879 Speaker 6: That's right, I know people I put on money. It's 797 00:40:49,880 --> 00:40:50,399 Speaker 6: a skip. 798 00:40:50,719 --> 00:40:55,879 Speaker 1: It's like an ointment all right about right now, it's take. 799 00:40:56,360 --> 00:41:01,560 Speaker 4: It's the practice club, good morning, the morning, the breakfast Club. 800 00:41:05,480 --> 00:41:05,800 Speaker 6: Mhm.