Speaker 1: Y'all was good on Joszi. You can catch me on
Speaker 1: the bootlet Kill Podcast.
Speaker 2: Boutlet Care Podcast, man special guests in here are you
Speaker 2: the first artist on Love Records? Jazzi is here. Welcome, Welcome, Welcome. Now,
Speaker 2: I can't say the name of your EP because there
Speaker 2: is an N word you can say.
Speaker 1: But you can say for homies, Okay, you can say
Speaker 1: for homies, freak songs, women, free game.
Speaker 2: Did you get any like pushback from the label when
Speaker 2: you named it? That that's why I love Puff because
Speaker 2: he's like just running.
Speaker 1: Because you know, it's because it's for us, about us.
Speaker 1: It's like, you know what I'm saying, Like like like.
Speaker 2: Now now Walmart owns Foo by the way, shout out
Speaker 2: to I think Walmart.
Speaker 1: That's crazy they cast out, but.
Speaker 2: You know you go to get Walmart wart. But now
Speaker 2: that the EP is dope for you, Like, you've had
Speaker 2: a pretty crazy journey through the music industry. If everybody
Speaker 2: kind of like a rundown on like because you obviously
Speaker 2: an amazing writer, what is kind of like your history
Speaker 2: in the music game, You've you've had to come up
Speaker 2: that's pretty crazy, from working with Timberland and not working
Speaker 2: with Diddy, like, how did you get started?
Speaker 1: Long story short, I'm from Memphis, Tennessee to Memphis on
Speaker 1: fire right now, Memphis is going crazy, but you don't
Speaker 1: take music. I don't say. I'm gonna tell you why.
Speaker 1: My mom My mama was an English teacher, Okay, okay,
Speaker 1: So she helped me, Like now that I look back
Speaker 1: now that I'm older, like, she really helped me because
Speaker 1: I'm country but not like my cousins.
Speaker 2: Yeah, everyone from Memphis is Mrsy and in music.
Speaker 1: I can say it, but I know how not to say.
Speaker 1: You have to.
Speaker 2: Your mom was like, no, yeah, you.
Speaker 1: Gotta train yourself. It's like a muscle, you gotta work
Speaker 1: on it. So I was, you know what I'm saying,
Speaker 1: My mama like really helped me with that. I used
Speaker 1: to hate that ship too, though, but now I appreciate it.
Speaker 1: But it's so pretty much. I was working at the
Speaker 1: studio called trap House and Memphis DJ litt Larry who
Speaker 1: Trap House. He had Trap House shoot maggots and it's
Speaker 1: like he's yo, got the right hand man. And I
Speaker 1: had met these this guy Well who's actually young Dogs
Speaker 1: producer rest in Peace. Well, he had this crew that
Speaker 1: caught the machine and they knew this this guy wizdom
Speaker 1: from he was from but he lived in Viable, Timberland,
Speaker 1: and I was in school and I met him and
Speaker 1: he was like, yo, the studio got raided. I was depressed.
Speaker 1: I was like, I don't know what I'm about to do.
Speaker 1: Then they called me to come to Miami to work
Speaker 1: with this this artist that Tim was just you know,
Speaker 1: gave to Wiz to work on he needed a writer.
Speaker 1: Flew me down there and I met Tim, I met
Speaker 1: Missy and I wasn't supposed to be there for a week,
Speaker 1: and I ended up staying like five years, bro, from
Speaker 1: like five years, Yes, from twenty twelve to like twenty
Speaker 1: I just moved twenty eighth. Well, it's not just move,
Speaker 1: but I just I moved here to twenty eighteen. It
Speaker 1: sounds like it wasn't a long time ago, but that
Speaker 1: was actually five years ago.
Speaker 2: So the whole time you were just in Miami just
Speaker 2: cooking up with Tim.
Speaker 1: Yeah, well yeah, just the flying way, I wasn't even
Speaker 1: really cooking up. Like me and Wiz had it like
Speaker 1: we would like when when Tim wasn't working, like three
Speaker 1: in the morning, when he would leave, we would.
Speaker 2: Just you have the studio, so we would be.
Speaker 1: Like we would be just literally I was just a kid,
Speaker 1: the little twenty year old kid, just walking around the studio,
Speaker 1: meeting Wayne, seeing everybody like Polo, I met Little I
Speaker 1: met the whole cash money, cool bird And that's kind
Speaker 1: of how I did put some I put. I did
Speaker 1: that song in respect, put some respect when you mentioned
Speaker 1: my name for bird Man.
Speaker 2: Because I was just at the studio. You know, it's crazy.
Speaker 1: So yeah, I was just I was just there being
Speaker 1: just the legit, just like literally just in trying to yo,
Speaker 1: you need what you need, what you need, what you need,
Speaker 1: what you need. You know what I'm saying because.
Speaker 2: Like pick Lingo as you saw you just said, yeah.
Speaker 1: Yeah, Florida thing for real, like swear like for real.
Speaker 1: So like I'll be saying I'm from Memphis by way
Speaker 1: of Miami, because like I feel like I spent like
Speaker 1: the years where you grow up, like your.
Speaker 2: Twenties formative years in Miami.
Speaker 1: Yeah what like I really learned, like.
Speaker 2: What are some of your writing credits that you've picked
Speaker 2: up over the years.
Speaker 1: It's so funny like that one respect because it's so funny.
Speaker 1: I was. I heard that song. I was like dang,
Speaker 1: I really did that. That's hilarious because you know he did.
Speaker 2: That Break Breakfast Iconic interview.
Speaker 1: That was why I did it. But uh, I did
Speaker 1: Monica just write for me with Lil Wayne. I did
Speaker 1: Chris Brown, Discover Jacqueeese you, Sammon Walker, body off of you? Goodness, gracious?
Speaker 1: Why I got a brain fart? Lemonade? Uh, Donald Tollivan
Speaker 1: and Internet Money ship Yeah, the Internet money Thank you, bro?
Speaker 2: You wrote that hook.
Speaker 1: I wrote the whole song. You wrote the whole song. Yeah,
Speaker 1: it was my song. You can go to Spotify and
Speaker 1: listen to my version. Really yeah if you type in
Speaker 1: Jozy lemonade like and then you know, and then they
Speaker 1: changed the beat and.
Speaker 2: Then they made it what it was crazy.
Speaker 1: I did mister right now, Uh, twenty one Savage and
Speaker 1: Drake yep, I did Asking Titties twenty one Savage.
Speaker 2: So when you like, okay, because like we look at
Speaker 2: twenty one savages, like you know a rappers, rapper, when
Speaker 2: you like, help write on a song for him, is
Speaker 2: it the hook? Is it just the hook? Hell?
Speaker 1: Nah? I don't write verses okay at all? Like I
Speaker 1: don't like they and and and it's a disrespect to
Speaker 1: even like like rappers like twenty one in them if
Speaker 1: they hear a verse, they don't, they won't play it.
Speaker 2: That's good.
Speaker 1: So like I don't even want to shoot myself in
Speaker 1: the foot to try to even give niggas like you
Speaker 1: know what I'm saying, Yeah, I stick with the hook.
Speaker 1: I know what worked for me. You know what I'm saying, Like,
Speaker 1: I don't I know how to play the game. Bro,
Speaker 1: I ain't finna try to write your verses, but the hook,
Speaker 1: the idea, like you know what I'm saying.
Speaker 2: Structure, mister right now is a big one too.
Speaker 1: That was a great one.
Speaker 2: I feel like Lemonade is like that's gonna be like
Speaker 2: I was one of my six.
Speaker 1: Yeah, And what's so funny when I did Old Time Road, Bro,
Speaker 1: Like I ain't gonna lie when when it was going
Speaker 1: so crazy, I co wrote on it. Yeah, I did
Speaker 1: Billy Ray Cyrus's verse on Old Time Road and so
Speaker 1: that changed my life. And it was so funny. I
Speaker 1: was scared of it, bro, because it was so big,
Speaker 1: and I was like, you know, motherfucker's gonna try to
Speaker 1: put the They're gonna try to put me in a
Speaker 1: in a box as a pop gimmicky writer. So I
Speaker 1: was scared of that, bro like it was going it
Speaker 1: was going number one, and I was like, Okay, I'm happy,
Speaker 1: but like this ain't me and then I promise you
Speaker 1: next the next year, Slimonade came out, and then and
Speaker 1: then like slit it made me be like okay, yeah, yeah, yeah,
Speaker 1: you know what I'm saying, because like I was, really
Speaker 1: I was really, really, really really scared of that.
Speaker 2: What was it like because at the time that remix,
Speaker 2: that's gotta be this is the biggest song in the
Speaker 2: world at the time, and then the remix comes out
Speaker 2: and makes it bigger. Do you like know much about
Speaker 2: Billy Ray Cyrus before you write the verse, because he's like,
Speaker 2: you know, it's a country. I'm from Memphis, right.
Speaker 1: So you know, like we like, you know, we next
Speaker 1: door to Nashville. You know what I'm saying. We ain't
Speaker 1: nothing like Nashville, but we next door to it. So
Speaker 1: I mean, and then I used to, like I always say,
Speaker 1: I used to be in love with Maley Syrus. I
Speaker 1: used to watch Handle my time. I'm still in love
Speaker 1: with Maley Cyrus.
Speaker 2: What's haying Mally might be out there for you.
Speaker 1: I love it.
Speaker 2: She got a voice like she got a voice.
Speaker 1: Yeah, she's amazing what she do.
Speaker 2: When she talks, Like if you heard her do like
Speaker 2: interviews like she was on Joe Rogan, She's got she
Speaker 2: got a voice like she got a scratchy ass deep.
Speaker 1: Voice and don't stop nothing. I got a scratchy deep voice.
Speaker 1: I guess it would be all right.
Speaker 2: Yeah, her voice is like come on, like what was
Speaker 2: what when? Remember when Goorilla was talking about how she
Speaker 2: moans when she's getting like I can't imagine like her voice.
Speaker 1: Saying that deep. That's wild. But yeah, I definitely was
Speaker 1: aware of Billerray Syrus. You know what I'm saying.
Speaker 2: So like, were you like you were kind of were
Speaker 2: you nervous outside of like being boxed in? Were you
Speaker 2: just nervous like damn, like this is a big look, Like.
Speaker 1: I was nervous about being boxed in, bro, I just
Speaker 1: do you were worried about just like nah, man, I
Speaker 1: ain't care about nothing else but just being boxed in.
Speaker 1: I just was like, I hold, these folks don't think
Speaker 1: that that I'm this type of writer, right, you know
Speaker 1: what I'm saying, Like, just I don't want people to
Speaker 1: think that I'm like, you know, cause I'm I'm I'm
Speaker 1: really I really can make substance right, and like not
Speaker 1: that I'm saying Old Time Rod was a substance because
Speaker 1: what Lena's X did was incredible with that song, right,
Speaker 1: So I'm not like jabbing, you know what I'm saying,
Speaker 1: But I just know, like I'm a r Like I'm
Speaker 1: a songwriter who really loves lyrics and like who really
Speaker 1: loves like putting thought into like like feeling and like
Speaker 1: not trying to control the algorithm. That was very That
Speaker 1: was like he controlled the algorithm with that song, like
Speaker 1: just crazy.
Speaker 2: That song was everywhere the biggest songs ever, insane. So
Speaker 2: for you, like cause I I've seen it happen with
Speaker 2: other artists where they're like really big and like kind
Speaker 2: of perceived as a writer. It's worked out for other
Speaker 2: artists where they pop as an artist. But I know
Speaker 2: it's like is it tougher for you to, like do
Speaker 2: you do you have to shake the writer like because
Speaker 2: people see you as a writer sometimes and they might
Speaker 2: not see you as a artist. Because I've seen that
Speaker 2: happen with other writers a little like, like, I mean,
Speaker 2: it's probably a gifting the curse. You already got your
Speaker 2: foot in the door.
Speaker 1: But yeah, what's so crazy? Like I used to have
Speaker 1: a lot of a and RS call me before I
Speaker 1: dropped this project, like, yo, work work with my artist.
Speaker 1: Like now it's quiet. I think people like they kind
Speaker 1: of scared to like hit me to work because they
Speaker 1: know that I'm really I'm really focused on my artist thing.
Speaker 1: But what's so what I'm blessed about is every artist
Speaker 1: that I work with. Bro, Like I got a connection
Speaker 1: with these folks. I can text a little baby. I
Speaker 1: can text way On right now and be like, twin
Speaker 1: what you think about this? I can text Coco Jones
Speaker 1: and be like, yo, I got this song? What you think?
Speaker 1: Like I'm really blessed, Like literally, like Chloe just texted
Speaker 1: me a few days ago, like yo, can I can
Speaker 1: I work on that song that you that you sit me?
Speaker 1: I'm like please go ahead. Like so I'm so blessed
Speaker 1: that like like I can text these artists. You know
Speaker 1: what I'm saying, I don't need like I don't have
Speaker 1: to like go through anybody, And I don't mind. I'll
Speaker 1: mess with you know if like you want to do sessions.
Speaker 1: But like, like I look at how like I tell you,
Speaker 1: I look at how the Dream and Missy did it,
Speaker 1: Like the Dream did stop writing for people he wrote.
Speaker 1: He was selective for who he wrote for, but he
Speaker 1: still gave Rianna hits. He still gave Beyonce hiss.
Speaker 2: You know, Missy, same exactly, bro.
Speaker 1: So like I don't have to stop one thing to
Speaker 1: do the other. I feel like when I step out
Speaker 1: when I want to drop my music, I'm in my bag.
Speaker 1: Yeah you know what I'm saying. Like, but yeah, I
Speaker 1: feel like I always been. I meet whatever I do
Speaker 1: as an artist or as a songwriter, like I didn't
Speaker 1: want to be no ghostwriter, like I want I'm a star.
Speaker 1: Like when I walk in that room as a songwriter,
Speaker 1: I'm a star. When I walk in that room as
Speaker 1: an artist, I'm a star.
Speaker 2: No matter what. Yeah, yeah, you know what I'm saying.
Speaker 2: You Uh you mentioned uh hanging out with Missy? How
Speaker 2: were you guys? She's one of the goats. Uh did
Speaker 2: you guys build a relationship?
Speaker 1: Super? Super We built a really great relationship. I don't
Speaker 1: talk to her as much now, but she would hit
Speaker 1: me up like I'm proud of you, congratulations. But yeah, now,
Speaker 1: like Missy taught me a lot. She really taught me.
Speaker 1: She taught me how to Like when I was staying
Speaker 1: with her, she didn't have an engineer, so I had
Speaker 1: to learn how to record myself. I had to learn how.
Speaker 2: To Like you were like staying with Missy Elliott.
Speaker 1: Yeah, I I was at a like in Atlanta. We
Speaker 1: stayed with her for a few few weeks. Then I
Speaker 1: went to Jersey and we stayed with her and like
Speaker 1: literally she she made us do this master cleans for
Speaker 1: like seven days and we was like starving. She made
Speaker 1: me start my weight last journey. I lost like sixty pounds.
Speaker 2: Yeah, she did a great job, not playing office she did.
Speaker 1: Yeah, so like so yeah, like Missy like she really
Speaker 1: she really taught me how to like get the work done.
Speaker 1: Like she don't go out. She works, and she worked
Speaker 1: like she broke and I was broke, and I'm trying
Speaker 1: to go out side right and She's like, take your
Speaker 1: ass in this free studio that I got upstairs. You
Speaker 1: got a free studio upstairs. Why the hell you wanna
Speaker 1: go outside? Like when somebody like like break it down
Speaker 1: like that, Like nigga, you broke, why you wouldn't go outside?
Speaker 2: I was like, that's some real ship that shit.
Speaker 1: She could have told me, Bro.
Speaker 2: You said you just did a show it sobs in
Speaker 2: New York, which is obviously a legendary venue.
Speaker 1: Or was that like that ship man, that's like s
Speaker 1: O B's. That was the probably the most amazing energy
Speaker 1: that I ever got from, like, cause you know New York,
Speaker 1: they like New York is tough, for sure, It's tough.
Speaker 2: Yeah, take it could go either way, go.
Speaker 1: Either way, Bro, And it went the right way. And
Speaker 1: and like no, puff Puff didn't pull up. And I'm
Speaker 1: really glad you didn't. You know, it would have been
Speaker 1: like you know, it would have been like more about
Speaker 1: puff in New York. And I held my own.
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Speaker 1: And it just showed me like nobody missed that, like
Speaker 1: they was there for me. Sobs. I ain't gonna front though,
Speaker 1: like they got it. I tell I tell you, they
Speaker 1: gotta fix s Obs up though a little bit. They
Speaker 1: got it. It's like that they got what they gotta
Speaker 1: do something.
Speaker 2: Bro Like it's Sobs, Sobs.
Speaker 1: It ain't gonna change.
Speaker 2: It's just it's just so OB's man.
Speaker 1: Like Walmart, Walmart is gonna be Walmart ain't gonna put
Speaker 1: no chandeliers.
Speaker 2: And then nah, Sobs. You know, this is kind of
Speaker 2: like that venue you gotta hit in New York on
Speaker 2: your way up and.
Speaker 1: You just gotta take it. It was amazing that I
Speaker 1: do it again right now.
Speaker 2: I was gonna say, how it because because you were
Speaker 2: saying a bunch of dudes showed up to the show,
Speaker 2: Because I do feel like.
Speaker 1: I love that too. I love that it was a
Speaker 1: lot of guys in there.
Speaker 2: How would you say your fan base is like, are
Speaker 2: you noticing like a lot more women or men? Like
Speaker 2: because it feels like you're because you kind of as
Speaker 2: a as a as a lesbian woman. I feel like
Speaker 2: you're like, when I listen to your ship, I kind
Speaker 2: of like I can relate to this ship because talking
Speaker 2: about you know what I mean, like with girl, you
Speaker 2: know what I'm saying. So it's like, you know, I
Speaker 2: feel like it's a related related You're kind of relatable
Speaker 2: on both aisles. Thank you, So you're kind of checking
Speaker 2: a lot of boxes, like and I feel like other
Speaker 2: female artists on the R and B side might not
Speaker 2: thank you. Again.
Speaker 1: That means a lot because I'm telling you both. That
Speaker 1: was a different crowd, Like it was a lot a
Speaker 1: lot of girls, a lot of girls that was and
Speaker 1: then it was like and then in the middle it
Speaker 1: was like couples, and then in the back it was
Speaker 1: the hood niggas and like did to the motherfucking left side,
Speaker 1: it was like like the like in the VIP section,
Speaker 1: it's the baddies, you know, they want to send in
Speaker 1: the VIP section. Then you had your gay couples, you know,
Speaker 1: guys on gods and it was just everybody was just
Speaker 1: like I never like I really didn't know what my
Speaker 1: crowd was. I was just like it was crazy, like
Speaker 1: in the front it was just all girls, but like
Speaker 1: you know, I really just I love that that my
Speaker 1: crowd is what it is, you know what I'm saying,
Speaker 1: And I appreciate that even in Atlanta, like I was like, oh, yeah,
Speaker 1: it's it's it's not just one thing. And that means
Speaker 1: a lot to me because like it looked like like
Speaker 1: the guys was feeling and guys was in there. I'm like, damn, bro,
Speaker 1: like that made me feel That made me feel feel
Speaker 1: good and appreciate it because you know, you just want
Speaker 1: everybody not to feel like, yo, oh she's a gay artist.
Speaker 1: She's for gay she's for the gaye. No, like I
Speaker 1: ain't for the I don't even I'm not for the gaze.
Speaker 1: I'm for the women. I'm for the niggas. It's why
Speaker 1: I songs women for Game, for niggas.
Speaker 2: For everybody, everybody, you know. Yeah, like I couldn't say
Speaker 2: for the gays.
Speaker 1: I'm for everybody, you know, for the gags, for everybody
Speaker 1: you know.
Speaker 2: But like I love that for you, Like, uh, you know,
Speaker 2: obviously did he? Because did he? We we think back
Speaker 2: to what was it about a year ago he said
Speaker 2: R and B is dead and then for him to
Speaker 2: launch Love Records and have an amazing, Like, I mean,
Speaker 2: you're making just dope records that are thank you so much.
Speaker 2: Reminded me of like the R and B that's kind
Speaker 2: of been missing. You know. We get a lot of
Speaker 2: like the alternative R and B vibe ship, but I'm like,
Speaker 2: where's that RM B shit that I grew up on?
Speaker 2: You know, So for you, uh, do you feel any
Speaker 2: pressure like being signed to the guy who said R
Speaker 2: and B is dead?
Speaker 1: No, no pressure because you got to back that up,
Speaker 1: you know, like, and what's so amazing? Nobody nobody online
Speaker 1: was said nothing crazy like and I'm not even person
Speaker 1: who like looks coming, but like literally nobody said anything
Speaker 1: about that R and B is dead, Like oh oh,
Speaker 1: she didn't live up to it, Like no, I didn't
Speaker 1: see not.
Speaker 2: One Like well, I mean I think Diddy knew what
Speaker 2: he was doing. He probably was like, yeah, R and
Speaker 2: B is dead, but I got the answer.
Speaker 1: But the thing is, yeah, I mean like R and
Speaker 1: B is here and it's alive, and it's crazy.
Speaker 2: I think in a great.
Speaker 1: RB is in a great space. It's just a certain
Speaker 1: RB like they don't like like the up tempos like
Speaker 1: summertime jams, like what happened to the Loomye D's and
Speaker 1: like the Jagged what's the party? You know what I'm saying,
Speaker 1: And that's why we're replaying that it's gone for sure,
Speaker 1: Yeah no, but it's not we bringing it back. That's
Speaker 1: why we got replayed. That's why we got commotion.
Speaker 2: That's even like the Army groups groups, Yeah what flow
Speaker 2: from from the UK? Yeah, they just had a show.
Speaker 1: Yeah, exactly, flow from the u k is. Like the
Speaker 1: u k IS is like actually shipping on us right
Speaker 1: now on the RBS, they're shipping on us when it
Speaker 1: comes to a lot of things with music. I ain't
Speaker 1: gonna lie to y'all. They're they're so progressive, but shout
Speaker 1: out to my boys saying uptown who got flowed? But
Speaker 1: like literally like that's what I want to do. I
Speaker 1: want to bring back summertime bots. You know what I'm saying.
Speaker 1: And that's why that's why, like replay has that feeling
Speaker 1: and commotion and like I want to even alone, Like
Speaker 1: you can play alone in the club. I've heard it of. DJ.
Speaker 1: Just speed it up a little bit and it's still
Speaker 1: got a bot where you can Like that's what I'm
Speaker 1: talking about, Like still got a hip hop vibe to
Speaker 1: it for you.
Speaker 2: Obviously putting out an EP is the album still being
Speaker 2: worked on.
Speaker 1: Man, I'm listening, bro, I'm almost done with the album literally, bro,
Speaker 1: Like I'm I literally just texted Puff today like, Yo,
Speaker 1: I'm about to put the project on. I mean, we
Speaker 1: transfer you what I got so far. I want you
Speaker 1: to listen to it, digest it, and you know, because
Speaker 1: I like, it's a lot of things that I want
Speaker 1: to like fix up and clean up. But this this
Speaker 1: album is about to be. Like I don't have no
Speaker 1: features on the last album on the EP because I
Speaker 1: want to hold my own. I didn't want an artists
Speaker 1: to feel like I'm trying to use them, so like
Speaker 1: I'm going for the I'm going.
Speaker 2: I'm going.
Speaker 1: I'm trying to go for anyone out, won't You're not scared?
Speaker 1: I'm asking everybody.
Speaker 2: Well. I keep hearing about also too, like, uh, this
Speaker 2: Diddy album, a lot of people have heard it's so good.
Speaker 2: Uh obviously he put the bryceon Tiller single out last year.
Speaker 2: Are you helping him a lot with that?
Speaker 1: Yeah, I'm I'm damn it. Like an I heard it's.
Speaker 2: Like a DJ Khaled type R and B album, Cuz.
Speaker 1: That's that's a beautiful damn that's hard. That's exactly what
Speaker 1: it is. And he's rapping on it though, like but
Speaker 1: definitely like like he is, like what's the circus the.
Speaker 2: Barnom he's that he's the ring master.
Speaker 1: Yeah, he's he's like you know what I'm saying, and
Speaker 1: like it is so freaking good, Like and literally I
Speaker 1: am at the project, like as far as like taking
Speaker 1: like every song, like taking it off, putting songs on it.
Speaker 1: He's trusting me what I'll be having to like like
Speaker 1: if I leave for a week, he'll put a song
Speaker 1: on them, like Puff, take that off? No, take that off,
Speaker 1: Like I gotta like be around here twenty four seven
Speaker 1: because it's always somebody else.
Speaker 2: Around you know what I'm saying.
Speaker 1: But like this man is just a genius bro Like
Speaker 1: Puff is like scary. This dude's ear. The dude's ear
Speaker 1: is just I just don't.
Speaker 2: Like as you fuck, his work ethics insane.
Speaker 1: His work ethic is nasty. It's kind of I like
Speaker 1: he's a little OCD, you know, and I'm not. I'm
Speaker 1: not an OCD you like person when it comes especially
Speaker 1: when it comes to music, Like like if you hear
Speaker 1: my chain rattling and there's just gonna stand.
Speaker 2: And I don't care if.
Speaker 1: You hear the chair out if you're recording vocals or yeah,
Speaker 1: I don't care about like I'm just not I like that.
Speaker 2: Yeah, yeah, for sure, Yes I agree, you know what
Speaker 2: I'm saying.
Speaker 1: But like you know, I be like, stop, you don't overcook,
Speaker 1: like you can cook, but don't overcook your ship, like
Speaker 1: you know what I'm saying. So I'm trying to teach.
Speaker 1: And I think that's the difference between the nineties and
Speaker 1: today is like the nineties they took so they took
Speaker 1: a long time with everything that they do.
Speaker 2: For sure, they took a long time.
Speaker 1: But like you know, there's a there's a way, like
Speaker 1: we can kind of like integrate your your way and
Speaker 1: then yeah, yeah, and like you know, don't overcook it.
Speaker 2: So for you are you like are you are you straight?
Speaker 2: Just going in cutting the melody first and filming in
Speaker 2: the lyrics.
Speaker 1: I'm a freestyle of a show, like I'm a free
Speaker 1: the way future the way do it is the same
Speaker 1: way I do it. Like literally, I go in there
Speaker 1: a freestyle. I'll come I'll go out there and sit
Speaker 1: with my engineer comp the melodies and then I'll be like, yo,
Speaker 1: I don't even write anymore. I'll be like, play the
Speaker 1: line line for line, just hit and so sometimes that.
Speaker 2: The way most people are doing it.
Speaker 1: That's how I write songs for anybody, though, like with anybody.
Speaker 1: And it's so hard because like when I'm writing for artists,
Speaker 1: they be like, send me the lyrics. I'm like, damn,
Speaker 1: I gotta write. Oh, it'd be so hard. Like that's
Speaker 1: the worst part of the whole thing is having to
Speaker 1: write it. When they be like, sem me the lyrics.
Speaker 2: I'm like a.
Speaker 1: First, yeah, bro, cause like you be just because I
Speaker 1: do like four songs a night, five songs a night,
Speaker 1: like write home, I can do like five songs like
Speaker 1: whole songs, damn, and so like that. After that third
Speaker 1: or fourth if you don't mean be one of the light,
Speaker 1: you be in such the mood you don't you don't
Speaker 1: want to stop and write these lyrics down, bro, They's
Speaker 1: just be like stopping the process.
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Speaker 2: get back to the interview. What's the best strip clip
Speaker 2: in Miami in your opinion?
Speaker 1: Oh? Man, I mean Booby Trap.
Speaker 2: Booby Trap, Booby Trap, whe Place.
Speaker 1: Booby Trup. I love Booby and I ain't gonna front.
Speaker 1: The office is kind of The office is lit. If
Speaker 1: you go with the right you gotta go right. People
Speaker 1: spot one way in, one way out, you know what
Speaker 1: I'm saying. So you gotta be you gotta know, you
Speaker 1: gotta be.
Speaker 2: You know where it has a really good Food is
Speaker 2: a taboo. They got a chef in there. I don't
Speaker 2: know who the chef is. It's Tory lanez Well. I
Speaker 2: don't know how much.
Speaker 1: Oh yeah, yeah he had I never been I never visited.
Speaker 1: I never been there.
Speaker 2: But booby traps like the new like.
Speaker 1: Yeah, that was another spot, that ass five Perry Perry wing.
Speaker 1: It was five five nah nah g it was a
Speaker 1: It was Cocos Cocos. I don't know if y'all know,
Speaker 1: if you and the Yams, you know what cocos is.
Speaker 1: It's a smaller duct off strip club. They got some wings.
Speaker 1: That was so far.
Speaker 2: What do you think about tutsies.
Speaker 1: I'm not a totsy person like the homies. Like niggas
Speaker 1: love tussies, but I don't. I don't like the massages
Speaker 1: on the first on the floor, like up at the top.
Speaker 2: I don't they do more than massages.
Speaker 1: They do a lot more than massages, But I don't.
Speaker 1: I don't really like that. I don't. It doesn't do
Speaker 1: nothing for me for four hundred dollars. Yeah, no, they
Speaker 1: go crazy. I walked down on one of my homies.
Speaker 1: I oh yeah, my fault, my fault. I ain't seen nothing,
Speaker 1: bro you've never tricked off on a stripper? No, I
Speaker 1: gotta ask No, I mean no, I haven't. Let me
Speaker 1: not do it like no, No, I mean I throw
Speaker 1: brad at them. Yeah, like go crazy, I know, Like.
Speaker 2: In Miami, I've seen some. I've seen some grown man
Speaker 2: ye dive into some really.
Speaker 1: Because when I fuck with a girl, like I'm fucking
Speaker 1: her to make her have a great night, I want
Speaker 1: her to be like, yo, you fuck the ship out
Speaker 1: of me like that shit was incredible, Like why am
Speaker 1: I gonna pay you to let me give you a
Speaker 1: good night? You know what I'm saying, Like you should
Speaker 1: be paying me what I'm about to do to you.
Speaker 1: That's how I look at it. So I'm not about Yeah,
Speaker 1: I mean that's how like if I was, that's my
Speaker 1: mind state, Like I'm not. I'm not. I don't, I don't,
Speaker 1: you're not. I'm not trying to bust. I got a bus.
Speaker 1: Let me let me go and get that. If I
Speaker 1: was a nigga, I get it. I would definitely pay
Speaker 1: so you can get out of my face for I
Speaker 1: need to, you know. But for me, it's more of
Speaker 1: a like so like it's a it's a little mind thing.
Speaker 2: Like Okay, So I don't want to get into the
Speaker 2: intricacies of this.
Speaker 1: I don'kay. You can get it whatever you want to get.
Speaker 2: It, Like for you, like do you have like okay,
Speaker 2: you're obviously you got to strap on like the in
Speaker 2: the drawd ready to go. Different sizes for different chicks, Like.
Speaker 1: Now, I don't have different sizes for different ships.
Speaker 2: You just got to like how does how does how
Speaker 2: does a masculine lesbian woman picked this the go to strap?
Speaker 1: I only got one?
Speaker 2: You only got one one? Okay, I'm just curious.
Speaker 1: Now I'm not like, oh I got let me put
Speaker 1: this strap on. Nah, I don't have that, like literally.
Speaker 2: Got the main guy, the main one.
Speaker 1: Okay, I got the main one, and like you know,
Speaker 1: sometimes I'll bring it sometimes I don't. Like I'm not
Speaker 1: like a person who got to carry the strap like
Speaker 1: everywhere I go, Like.
Speaker 2: I'm just I don't know.
Speaker 1: No, I love that. I love these questions, like you
Speaker 1: can ask me.
Speaker 2: I wondering this ship because I'm like, you know, because
Speaker 2: like you'll see, Like but I was in Miami one
Speaker 2: weekend and I don't know what was going on, but
Speaker 2: it was like a stud weekend. Do you know what
Speaker 2: weekend I'm talking about in Miami.
Speaker 1: Yeah, sweet heat shout outs DJ.
Speaker 2: I was in town during that uh something mouse and
Speaker 2: I was on South Beach and it was just like
Speaker 2: a bunch of young and ma's running around.
Speaker 1: It was crazy sound ship.
Speaker 2: I was like, damn, this ship is crazy. I'm like,
Speaker 2: what is going on in Miami this weekend? Everyone looks
Speaker 2: like Queen the Teeth and set it off.
Speaker 1: My shout out Queen the Teeth and said it.
Speaker 2: So I was just what I just wonder, like when
Speaker 2: it comes to like, you know, because y'all be pulling
Speaker 2: some bad bitches, you know what I'm saying, Like, I
Speaker 2: just wonder because women love women. But the strap situation is.
Speaker 1: Women love women. Yeah, it's just it's just never gonna change,
Speaker 1: like a woman just loves women.
Speaker 2: How often do you get a new strap?
Speaker 1: Now?
Speaker 2: I do change my strap to change every three months,
Speaker 2: every six months, Yeah.
Speaker 1: It could be. It depends on if I'm sucking a lot,
Speaker 1: if I'm like going crazy, I gotta retire this one.
Speaker 1: Yeah yeah yeah. But but also also like sometimes you
Speaker 1: gotta use I'll use a condom on it, Like I'm not.
Speaker 2: So you put a condumn on the strep out of
Speaker 2: respect for her, like I don't know, like because you
Speaker 2: don't know, Yeah, of respect respect, you know, and out
Speaker 2: of respect for the you know, for the strap, for
Speaker 2: the disease, my ship ship, all these niggas outt you're
Speaker 2: hearing on, so you gotta be careful, you know, cause
Speaker 2: but but like honestly, like, yes, it's not it's not
Speaker 2: like it's just like a dick.
Speaker 1: I feel like niggas just be going there wrong and
Speaker 1: it was just which is crazy, especially three, which is sick.
Speaker 2: Yeah, it's a crazy thing which is sitting. But like, yeah,
Speaker 2: you know, it's so that's what's up. I say, I
Speaker 2: appreciate you for explaining such things.
Speaker 1: Not easy anything about listening. My hands a little sweaty.
Speaker 1: Anytime you need something like advice about you want to
Speaker 1: know what's going on.
Speaker 2: He's just I'm just curious, Hey, what is on? Now?
Speaker 2: I know that that was Sweetheat weekend and Sweeteat weekend. Yeah,
Speaker 2: cause it was wild.
Speaker 1: It was wild. Now I get wild. Ill be seeing girl,
Speaker 1: I'll be seeing some studs be walking out with they strap.
Speaker 1: I don't do that, like they be like literally having
Speaker 1: they strap on, like like they got a dick when
Speaker 1: they walking around. I'm not I'm not I'm not that
Speaker 1: masking it. You know what I'm saying. I'm masking it,
Speaker 1: but I'm not that. Like you know, I'm not gonna
Speaker 1: do that. I'm not gonna have my ship.
Speaker 2: Just yeah, I get it. Well, Uh, the new pee's out, Yeah.
Speaker 1: Shout out to them if they do that. Though, I
Speaker 1: respect whatever does that.
Speaker 2: I'm just saying that's me. Likewise, I would I would
Speaker 2: respect that too. Somebody walking around with that and they're like,
Speaker 2: I'd be like, yo, respect she hang it Like I
Speaker 2: feel like Britney Grinder might walk around with that. You
Speaker 2: know what I'm saying. Shout out to Brittany.
Speaker 1: Shout out, man, she deserves to do whatever. She won't
Speaker 1: being locked up in Russia for that.
Speaker 2: Phoenix Mercury shouting for Phoenix. So legend, so Yo, go
Speaker 2: run up to EP. You got a bunch of music
Speaker 2: videos out and then hopefully this Diddy album comes out
Speaker 2: soon that you're an r N yeah, and you're working
Speaker 2: on the album, working.
Speaker 1: On the album. I can't wait for the album, man,
Speaker 1: I can't wait to even give you out a title,
Speaker 1: the title so Smooth.
Speaker 2: Before the end of the year, you'll have it out.
Speaker 1: I'm trying to have this out by like August September.
Speaker 2: Oh shit, so real soon.
Speaker 1: I'm really trying to like work on this, like heavy.
Speaker 2: And then you're still writing.
Speaker 1: Still writing, still writing, still going crazy.
Speaker 2: Anything come out recently that you could shout out.
Speaker 1: I did Chloe, our new project Pray It Away, the
Speaker 1: Black Blue Project. I did a song called night on
Speaker 1: the last project called night Ride Home. Last song.
Speaker 2: I love that last one of my favorite artists, So.
Speaker 1: He's so good.
Speaker 2: Shout out to my boy, he's incredible. There it is.
Speaker 2: We appreciate you pulling up Josie.
Speaker 1: My God, thank you.
Speaker 2: There it is