WEBVTT - #320 - Jozzy

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<v Speaker 1>Y'all was good on Joszi. You can catch me on

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<v Speaker 1>the bootlet Kill Podcast.

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<v Speaker 2>Boutlet Care Podcast, man special guests in here are you

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<v Speaker 2>the first artist on Love Records? Jazzi is here. Welcome, Welcome, Welcome. Now,

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<v Speaker 2>I can't say the name of your EP because there

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<v Speaker 2>is an N word you can say.

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<v Speaker 1>But you can say for homies, Okay, you can say

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<v Speaker 1>for homies, freak songs, women, free game.

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<v Speaker 2>Did you get any like pushback from the label when

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<v Speaker 2>you named it? That that's why I love Puff because

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<v Speaker 2>he's like just running.

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<v Speaker 1>Because you know, it's because it's for us, about us.

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<v Speaker 1>It's like, you know what I'm saying, Like like like.

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<v Speaker 2>Now now Walmart owns Foo by the way, shout out

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<v Speaker 2>to I think Walmart.

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<v Speaker 1>That's crazy they cast out, but.

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<v Speaker 2>You know you go to get Walmart wart. But now

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<v Speaker 2>that the EP is dope for you, Like, you've had

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<v Speaker 2>a pretty crazy journey through the music industry. If everybody

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<v Speaker 2>kind of like a rundown on like because you obviously

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<v Speaker 2>an amazing writer, what is kind of like your history

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<v Speaker 2>in the music game, You've you've had to come up

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<v Speaker 2>that's pretty crazy, from working with Timberland and not working

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<v Speaker 2>with Diddy, like, how did you get started?

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<v Speaker 1>Long story short, I'm from Memphis, Tennessee to Memphis on

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<v Speaker 1>fire right now, Memphis is going crazy, but you don't

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<v Speaker 1>take music. I don't say. I'm gonna tell you why.

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<v Speaker 1>My mom My mama was an English teacher, Okay, okay,

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<v Speaker 1>So she helped me, Like now that I look back

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<v Speaker 1>now that I'm older, like, she really helped me because

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<v Speaker 1>I'm country but not like my cousins.

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<v Speaker 2>Yeah, everyone from Memphis is Mrsy and in music.

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<v Speaker 1>I can say it, but I know how not to say.

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<v Speaker 1>You have to.

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<v Speaker 2>Your mom was like, no, yeah, you.

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<v Speaker 1>Gotta train yourself. It's like a muscle, you gotta work

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<v Speaker 1>on it. So I was, you know what I'm saying,

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<v Speaker 1>My mama like really helped me with that. I used

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<v Speaker 1>to hate that ship too, though, but now I appreciate it.

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<v Speaker 1>But it's so pretty much. I was working at the

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<v Speaker 1>studio called trap House and Memphis DJ litt Larry who

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<v Speaker 1>Trap House. He had Trap House shoot maggots and it's

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<v Speaker 1>like he's yo, got the right hand man. And I

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<v Speaker 1>had met these this guy Well who's actually young Dogs

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<v Speaker 1>producer rest in Peace. Well, he had this crew that

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<v Speaker 1>caught the machine and they knew this this guy wizdom

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<v Speaker 1>from he was from but he lived in Viable, Timberland,

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<v Speaker 1>and I was in school and I met him and

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<v Speaker 1>he was like, yo, the studio got raided. I was depressed.

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<v Speaker 1>I was like, I don't know what I'm about to do.

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<v Speaker 1>Then they called me to come to Miami to work

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<v Speaker 1>with this this artist that Tim was just you know,

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<v Speaker 1>gave to Wiz to work on he needed a writer.

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<v Speaker 1>Flew me down there and I met Tim, I met

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<v Speaker 1>Missy and I wasn't supposed to be there for a week,

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<v Speaker 1>and I ended up staying like five years, bro, from

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<v Speaker 1>like five years, Yes, from twenty twelve to like twenty

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<v Speaker 1>I just moved twenty eighth. Well, it's not just move,

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<v Speaker 1>but I just I moved here to twenty eighteen. It

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<v Speaker 1>sounds like it wasn't a long time ago, but that

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<v Speaker 1>was actually five years ago.

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<v Speaker 2>So the whole time you were just in Miami just

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<v Speaker 2>cooking up with Tim.

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<v Speaker 1>Yeah, well yeah, just the flying way, I wasn't even

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<v Speaker 1>really cooking up. Like me and Wiz had it like

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<v Speaker 1>we would like when when Tim wasn't working, like three

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<v Speaker 1>in the morning, when he would leave, we would.

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<v Speaker 2>Just you have the studio, so we would be.

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<v Speaker 1>Like we would be just literally I was just a kid,

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<v Speaker 1>the little twenty year old kid, just walking around the studio,

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<v Speaker 1>meeting Wayne, seeing everybody like Polo, I met Little I

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<v Speaker 1>met the whole cash money, cool bird And that's kind

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<v Speaker 1>of how I did put some I put. I did

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<v Speaker 1>that song in respect, put some respect when you mentioned

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<v Speaker 1>my name for bird Man.

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<v Speaker 2>Because I was just at the studio. You know, it's crazy.

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<v Speaker 1>So yeah, I was just I was just there being

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<v Speaker 1>just the legit, just like literally just in trying to yo,

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<v Speaker 1>you need what you need, what you need, what you need,

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<v Speaker 1>what you need. You know what I'm saying because.

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<v Speaker 2>Like pick Lingo as you saw you just said, yeah.

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<v Speaker 1>Yeah, Florida thing for real, like swear like for real.

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<v Speaker 1>So like I'll be saying I'm from Memphis by way

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<v Speaker 1>of Miami, because like I feel like I spent like

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<v Speaker 1>the years where you grow up, like your.

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<v Speaker 2>Twenties formative years in Miami.

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<v Speaker 1>Yeah what like I really learned, like.

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<v Speaker 2>What are some of your writing credits that you've picked

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<v Speaker 2>up over the years.

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<v Speaker 1>It's so funny like that one respect because it's so funny.

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<v Speaker 1>I was. I heard that song. I was like dang,

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<v Speaker 1>I really did that. That's hilarious because you know he did.

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<v Speaker 2>That Break Breakfast Iconic interview.

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<v Speaker 1>That was why I did it. But uh, I did

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<v Speaker 1>Monica just write for me with Lil Wayne. I did

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<v Speaker 1>Chris Brown, Discover Jacqueeese you, Sammon Walker, body off of you? Goodness, gracious?

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<v Speaker 1>Why I got a brain fart? Lemonade? Uh, Donald Tollivan

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<v Speaker 1>and Internet Money ship Yeah, the Internet money Thank you, bro?

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<v Speaker 2>You wrote that hook.

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<v Speaker 1>I wrote the whole song. You wrote the whole song. Yeah,

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<v Speaker 1>it was my song. You can go to Spotify and

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<v Speaker 1>listen to my version. Really yeah if you type in

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<v Speaker 1>Jozy lemonade like and then you know, and then they

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<v Speaker 1>changed the beat and.

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<v Speaker 2>Then they made it what it was crazy.

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<v Speaker 1>I did mister right now, Uh, twenty one Savage and

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<v Speaker 1>Drake yep, I did Asking Titties twenty one Savage.

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<v Speaker 2>So when you like, okay, because like we look at

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<v Speaker 2>twenty one savages, like you know a rappers, rapper, when

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<v Speaker 2>you like, help write on a song for him, is

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<v Speaker 2>it the hook? Is it just the hook? Hell?

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<v Speaker 1>Nah? I don't write verses okay at all? Like I

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<v Speaker 1>don't like they and and and it's a disrespect to

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<v Speaker 1>even like like rappers like twenty one in them if

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<v Speaker 1>they hear a verse, they don't, they won't play it.

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<v Speaker 2>That's good.

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<v Speaker 1>So like I don't even want to shoot myself in

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<v Speaker 1>the foot to try to even give niggas like you

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<v Speaker 1>know what I'm saying, Yeah, I stick with the hook.

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<v Speaker 1>I know what worked for me. You know what I'm saying, Like,

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<v Speaker 1>I don't I know how to play the game. Bro,

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<v Speaker 1>I ain't finna try to write your verses, but the hook,

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<v Speaker 1>the idea, like you know what I'm saying.

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<v Speaker 2>Structure, mister right now is a big one too.

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<v Speaker 1>That was a great one.

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<v Speaker 2>I feel like Lemonade is like that's gonna be like

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<v Speaker 2>I was one of my six.

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<v Speaker 1>Yeah, And what's so funny when I did Old Time Road, Bro,

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<v Speaker 1>Like I ain't gonna lie when when it was going

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<v Speaker 1>so crazy, I co wrote on it. Yeah, I did

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<v Speaker 1>Billy Ray Cyrus's verse on Old Time Road and so

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<v Speaker 1>that changed my life. And it was so funny. I

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<v Speaker 1>was scared of it, bro, because it was so big,

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<v Speaker 1>and I was like, you know, motherfucker's gonna try to

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<v Speaker 1>put the They're gonna try to put me in a

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<v Speaker 1>in a box as a pop gimmicky writer. So I

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<v Speaker 1>was scared of that, bro like it was going it

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<v Speaker 1>was going number one, and I was like, Okay, I'm happy,

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<v Speaker 1>but like this ain't me and then I promise you

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<v Speaker 1>next the next year, Slimonade came out, and then and

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<v Speaker 1>then like slit it made me be like okay, yeah, yeah, yeah,

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<v Speaker 1>you know what I'm saying, because like I was, really

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<v Speaker 1>I was really, really, really really scared of that.

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<v Speaker 2>What was it like because at the time that remix,

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<v Speaker 2>that's gotta be this is the biggest song in the

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<v Speaker 2>world at the time, and then the remix comes out

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<v Speaker 2>and makes it bigger. Do you like know much about

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<v Speaker 2>Billy Ray Cyrus before you write the verse, because he's like,

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<v Speaker 2>you know, it's a country. I'm from Memphis, right.

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<v Speaker 1>So you know, like we like, you know, we next

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<v Speaker 1>door to Nashville. You know what I'm saying. We ain't

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<v Speaker 1>nothing like Nashville, but we next door to it. So

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<v Speaker 1>I mean, and then I used to, like I always say,

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<v Speaker 1>I used to be in love with Maley Syrus. I

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<v Speaker 1>used to watch Handle my time. I'm still in love

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<v Speaker 1>with Maley Cyrus.

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<v Speaker 2>What's haying Mally might be out there for you.

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<v Speaker 1>I love it.

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<v Speaker 2>She got a voice like she got a voice.

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<v Speaker 1>Yeah, she's amazing what she do.

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<v Speaker 2>When she talks, Like if you heard her do like

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<v Speaker 2>interviews like she was on Joe Rogan, She's got she

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<v Speaker 2>got a voice like she got a scratchy ass deep.

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<v Speaker 1>Voice and don't stop nothing. I got a scratchy deep voice.

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<v Speaker 1>I guess it would be all right.

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<v Speaker 2>Yeah, her voice is like come on, like what was

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<v Speaker 2>what when? Remember when Goorilla was talking about how she

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<v Speaker 2>moans when she's getting like I can't imagine like her voice.

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<v Speaker 1>Saying that deep. That's wild. But yeah, I definitely was

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<v Speaker 1>aware of Billerray Syrus. You know what I'm saying.

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<v Speaker 2>So like, were you like you were kind of were

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<v Speaker 2>you nervous outside of like being boxed in? Were you

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<v Speaker 2>just nervous like damn, like this is a big look, Like.

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<v Speaker 1>I was nervous about being boxed in, bro, I just

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<v Speaker 1>do you were worried about just like nah, man, I

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<v Speaker 1>ain't care about nothing else but just being boxed in.

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<v Speaker 1>I just was like, I hold, these folks don't think

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<v Speaker 1>that that I'm this type of writer, right, you know

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<v Speaker 1>what I'm saying, Like, just I don't want people to

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<v Speaker 1>think that I'm like, you know, cause I'm I'm I'm

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<v Speaker 1>really I really can make substance right, and like not

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<v Speaker 1>that I'm saying Old Time Rod was a substance because

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<v Speaker 1>what Lena's X did was incredible with that song, right,

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<v Speaker 1>So I'm not like jabbing, you know what I'm saying,

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<v Speaker 1>But I just know, like I'm a r Like I'm

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<v Speaker 1>a songwriter who really loves lyrics and like who really

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<v Speaker 1>loves like putting thought into like like feeling and like

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<v Speaker 1>not trying to control the algorithm. That was very That

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<v Speaker 1>was like he controlled the algorithm with that song, like

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<v Speaker 1>just crazy.

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<v Speaker 2>That song was everywhere the biggest songs ever, insane. So

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<v Speaker 2>for you, like cause I I've seen it happen with

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<v Speaker 2>other artists where they're like really big and like kind

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<v Speaker 2>of perceived as a writer. It's worked out for other

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<v Speaker 2>artists where they pop as an artist. But I know

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<v Speaker 2>it's like is it tougher for you to, like do

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<v Speaker 2>you do you have to shake the writer like because

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<v Speaker 2>people see you as a writer sometimes and they might

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<v Speaker 2>not see you as a artist. Because I've seen that

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<v Speaker 2>happen with other writers a little like, like, I mean,

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<v Speaker 2>it's probably a gifting the curse. You already got your

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<v Speaker 2>foot in the door.

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<v Speaker 1>But yeah, what's so crazy? Like I used to have

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<v Speaker 1>a lot of a and RS call me before I

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<v Speaker 1>dropped this project, like, yo, work work with my artist.

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<v Speaker 1>Like now it's quiet. I think people like they kind

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<v Speaker 1>of scared to like hit me to work because they

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<v Speaker 1>know that I'm really I'm really focused on my artist thing.

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<v Speaker 1>But what's so what I'm blessed about is every artist

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<v Speaker 1>that I work with. Bro, Like I got a connection

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<v Speaker 1>with these folks. I can text a little baby. I

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<v Speaker 1>can text way On right now and be like, twin

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<v Speaker 1>what you think about this? I can text Coco Jones

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<v Speaker 1>and be like, yo, I got this song? What you think?

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<v Speaker 1>Like I'm really blessed, Like literally, like Chloe just texted

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<v Speaker 1>me a few days ago, like yo, can I can

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<v Speaker 1>I work on that song that you that you sit me?

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<v Speaker 1>I'm like please go ahead. Like so I'm so blessed

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<v Speaker 1>that like like I can text these artists. You know

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<v Speaker 1>what I'm saying, I don't need like I don't have

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<v Speaker 1>to like go through anybody, And I don't mind. I'll

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<v Speaker 1>mess with you know if like you want to do sessions.

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<v Speaker 1>But like, like I look at how like I tell you,

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<v Speaker 1>I look at how the Dream and Missy did it,

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<v Speaker 1>Like the Dream did stop writing for people he wrote.

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<v Speaker 1>He was selective for who he wrote for, but he

0:10:23.679 --> 0:10:25.959
<v Speaker 1>still gave Rianna hits. He still gave Beyonce hiss.

0:10:26.000 --> 0:10:28.679
<v Speaker 2>You know, Missy, same exactly, bro.

0:10:28.760 --> 0:10:31.160
<v Speaker 1>So like I don't have to stop one thing to

0:10:31.200 --> 0:10:34.319
<v Speaker 1>do the other. I feel like when I step out

0:10:34.320 --> 0:10:36.600
<v Speaker 1>when I want to drop my music, I'm in my bag.

0:10:36.840 --> 0:10:39.480
<v Speaker 1>Yeah you know what I'm saying. Like, but yeah, I

0:10:39.559 --> 0:10:42.480
<v Speaker 1>feel like I always been. I meet whatever I do

0:10:42.559 --> 0:10:44.960
<v Speaker 1>as an artist or as a songwriter, like I didn't

0:10:44.960 --> 0:10:46.960
<v Speaker 1>want to be no ghostwriter, like I want I'm a star.

0:10:47.720 --> 0:10:50.360
<v Speaker 1>Like when I walk in that room as a songwriter,

0:10:50.520 --> 0:10:52.400
<v Speaker 1>I'm a star. When I walk in that room as

0:10:52.440 --> 0:10:53.760
<v Speaker 1>an artist, I'm a star.

0:10:53.679 --> 0:10:55.640
<v Speaker 2>No matter what. Yeah, yeah, you know what I'm saying.

0:10:55.760 --> 0:10:58.720
<v Speaker 2>You Uh you mentioned uh hanging out with Missy? How

0:10:58.880 --> 0:11:03.120
<v Speaker 2>were you guys? She's one of the goats. Uh did

0:11:03.160 --> 0:11:04.439
<v Speaker 2>you guys build a relationship?

0:11:04.800 --> 0:11:09.000
<v Speaker 1>Super? Super We built a really great relationship. I don't

0:11:09.000 --> 0:11:11.520
<v Speaker 1>talk to her as much now, but she would hit

0:11:11.559 --> 0:11:16.400
<v Speaker 1>me up like I'm proud of you, congratulations. But yeah, now,

0:11:16.480 --> 0:11:18.679
<v Speaker 1>like Missy taught me a lot. She really taught me.

0:11:19.440 --> 0:11:21.960
<v Speaker 1>She taught me how to Like when I was staying

0:11:21.960 --> 0:11:23.600
<v Speaker 1>with her, she didn't have an engineer, so I had

0:11:23.640 --> 0:11:26.400
<v Speaker 1>to learn how to record myself. I had to learn how.

0:11:26.280 --> 0:11:28.240
<v Speaker 2>To Like you were like staying with Missy Elliott.

0:11:28.320 --> 0:11:30.360
<v Speaker 1>Yeah, I I was at a like in Atlanta. We

0:11:30.360 --> 0:11:33.200
<v Speaker 1>stayed with her for a few few weeks. Then I

0:11:33.240 --> 0:11:35.680
<v Speaker 1>went to Jersey and we stayed with her and like

0:11:35.800 --> 0:11:38.679
<v Speaker 1>literally she she made us do this master cleans for

0:11:38.720 --> 0:11:42.320
<v Speaker 1>like seven days and we was like starving. She made

0:11:42.320 --> 0:11:45.040
<v Speaker 1>me start my weight last journey. I lost like sixty pounds.

0:11:45.080 --> 0:11:47.760
<v Speaker 2>Yeah, she did a great job, not playing office she did.

0:11:47.880 --> 0:11:51.280
<v Speaker 1>Yeah, so like so yeah, like Missy like she really

0:11:51.520 --> 0:11:53.920
<v Speaker 1>she really taught me how to like get the work done.

0:11:54.080 --> 0:11:56.960
<v Speaker 1>Like she don't go out. She works, and she worked

0:11:56.960 --> 0:11:59.600
<v Speaker 1>like she broke and I was broke, and I'm trying

0:11:59.640 --> 0:12:02.679
<v Speaker 1>to go out side right and She's like, take your

0:12:02.720 --> 0:12:04.800
<v Speaker 1>ass in this free studio that I got upstairs. You

0:12:04.840 --> 0:12:06.840
<v Speaker 1>got a free studio upstairs. Why the hell you wanna

0:12:06.880 --> 0:12:11.280
<v Speaker 1>go outside? Like when somebody like like break it down

0:12:11.320 --> 0:12:13.880
<v Speaker 1>like that, Like nigga, you broke, why you wouldn't go outside?

0:12:14.320 --> 0:12:16.560
<v Speaker 2>I was like, that's some real ship that shit.

0:12:16.640 --> 0:12:17.640
<v Speaker 1>She could have told me, Bro.

0:12:17.760 --> 0:12:19.719
<v Speaker 2>You said you just did a show it sobs in

0:12:19.760 --> 0:12:21.760
<v Speaker 2>New York, which is obviously a legendary venue.

0:12:21.840 --> 0:12:25.960
<v Speaker 1>Or was that like that ship man, that's like s

0:12:26.000 --> 0:12:30.320
<v Speaker 1>O B's. That was the probably the most amazing energy

0:12:30.320 --> 0:12:32.400
<v Speaker 1>that I ever got from, like, cause you know New York,

0:12:32.400 --> 0:12:35.520
<v Speaker 1>they like New York is tough, for sure, It's tough.

0:12:35.600 --> 0:12:37.559
<v Speaker 2>Yeah, take it could go either way, go.

0:12:37.600 --> 0:12:41.640
<v Speaker 1>Either way, Bro, And it went the right way. And

0:12:41.640 --> 0:12:43.920
<v Speaker 1>and like no, puff Puff didn't pull up. And I'm

0:12:43.920 --> 0:12:46.040
<v Speaker 1>really glad you didn't. You know, it would have been

0:12:46.080 --> 0:12:49.600
<v Speaker 1>like you know, it would have been like more about

0:12:49.600 --> 0:12:53.000
<v Speaker 1>puff in New York. And I held my own.

0:12:53.520 --> 0:12:55.600
<v Speaker 2>Yo, what's good man, We gotta stop the interview to

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<v Speaker 2>the interview, right.

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<v Speaker 1>And it just showed me like nobody missed that, like

0:15:35.000 --> 0:15:39.480
<v Speaker 1>they was there for me. Sobs. I ain't gonna front though,

0:15:39.640 --> 0:15:41.560
<v Speaker 1>like they got it. I tell I tell you, they

0:15:41.560 --> 0:15:43.520
<v Speaker 1>gotta fix s Obs up though a little bit. They

0:15:43.520 --> 0:15:45.880
<v Speaker 1>got it. It's like that they got what they gotta

0:15:46.000 --> 0:15:46.840
<v Speaker 1>do something.

0:15:46.640 --> 0:15:48.960
<v Speaker 2>Bro Like it's Sobs, Sobs.

0:15:49.320 --> 0:15:50.240
<v Speaker 1>It ain't gonna change.

0:15:50.640 --> 0:15:52.400
<v Speaker 2>It's just it's just so OB's man.

0:15:52.360 --> 0:15:54.960
<v Speaker 1>Like Walmart, Walmart is gonna be Walmart ain't gonna put

0:15:55.000 --> 0:15:55.720
<v Speaker 1>no chandeliers.

0:15:55.720 --> 0:15:59.640
<v Speaker 2>And then nah, Sobs. You know, this is kind of

0:15:59.640 --> 0:16:01.440
<v Speaker 2>like that venue you gotta hit in New York on

0:16:01.480 --> 0:16:02.600
<v Speaker 2>your way up and.

0:16:02.880 --> 0:16:05.840
<v Speaker 1>You just gotta take it. It was amazing that I

0:16:05.960 --> 0:16:06.800
<v Speaker 1>do it again right now.

0:16:06.880 --> 0:16:08.400
<v Speaker 2>I was gonna say, how it because because you were

0:16:08.400 --> 0:16:10.000
<v Speaker 2>saying a bunch of dudes showed up to the show,

0:16:11.720 --> 0:16:12.840
<v Speaker 2>Because I do feel like.

0:16:12.920 --> 0:16:14.280
<v Speaker 1>I love that too. I love that it was a

0:16:14.320 --> 0:16:15.040
<v Speaker 1>lot of guys in there.

0:16:15.160 --> 0:16:18.040
<v Speaker 2>How would you say your fan base is like, are

0:16:18.040 --> 0:16:20.320
<v Speaker 2>you noticing like a lot more women or men? Like

0:16:20.360 --> 0:16:22.720
<v Speaker 2>because it feels like you're because you kind of as

0:16:22.760 --> 0:16:24.560
<v Speaker 2>a as a as a lesbian woman. I feel like

0:16:24.600 --> 0:16:26.280
<v Speaker 2>you're like, when I listen to your ship, I kind

0:16:26.320 --> 0:16:28.840
<v Speaker 2>of like I can relate to this ship because talking

0:16:28.840 --> 0:16:31.680
<v Speaker 2>about you know what I mean, like with girl, you

0:16:31.680 --> 0:16:33.480
<v Speaker 2>know what I'm saying. So it's like, you know, I

0:16:33.480 --> 0:16:35.480
<v Speaker 2>feel like it's a related related You're kind of relatable

0:16:35.520 --> 0:16:37.680
<v Speaker 2>on both aisles. Thank you, So you're kind of checking

0:16:37.720 --> 0:16:39.840
<v Speaker 2>a lot of boxes, like and I feel like other

0:16:39.920 --> 0:16:43.040
<v Speaker 2>female artists on the R and B side might not

0:16:43.360 --> 0:16:43.920
<v Speaker 2>thank you. Again.

0:16:44.040 --> 0:16:46.640
<v Speaker 1>That means a lot because I'm telling you both. That

0:16:46.760 --> 0:16:48.720
<v Speaker 1>was a different crowd, Like it was a lot a

0:16:48.760 --> 0:16:51.920
<v Speaker 1>lot of girls, a lot of girls that was and

0:16:51.960 --> 0:16:54.400
<v Speaker 1>then it was like and then in the middle it

0:16:54.520 --> 0:16:58.040
<v Speaker 1>was like couples, and then in the back it was

0:16:58.120 --> 0:17:02.680
<v Speaker 1>the hood niggas and like did to the motherfucking left side,

0:17:02.720 --> 0:17:06.000
<v Speaker 1>it was like like the like in the VIP section,

0:17:06.040 --> 0:17:07.440
<v Speaker 1>it's the baddies, you know, they want to send in

0:17:07.480 --> 0:17:11.000
<v Speaker 1>the VIP section. Then you had your gay couples, you know,

0:17:11.080 --> 0:17:12.959
<v Speaker 1>guys on gods and it was just everybody was just

0:17:13.000 --> 0:17:15.600
<v Speaker 1>like I never like I really didn't know what my

0:17:15.680 --> 0:17:18.359
<v Speaker 1>crowd was. I was just like it was crazy, like

0:17:18.400 --> 0:17:20.359
<v Speaker 1>in the front it was just all girls, but like

0:17:20.400 --> 0:17:24.240
<v Speaker 1>you know, I really just I love that that my

0:17:24.359 --> 0:17:26.119
<v Speaker 1>crowd is what it is, you know what I'm saying,

0:17:26.240 --> 0:17:30.800
<v Speaker 1>And I appreciate that even in Atlanta, like I was like, oh, yeah,

0:17:31.280 --> 0:17:34.720
<v Speaker 1>it's it's it's not just one thing. And that means

0:17:34.760 --> 0:17:37.120
<v Speaker 1>a lot to me because like it looked like like

0:17:37.160 --> 0:17:40.040
<v Speaker 1>the guys was feeling and guys was in there. I'm like, damn, bro,

0:17:40.160 --> 0:17:43.200
<v Speaker 1>like that made me feel That made me feel feel

0:17:43.200 --> 0:17:46.720
<v Speaker 1>good and appreciate it because you know, you just want

0:17:46.800 --> 0:17:49.840
<v Speaker 1>everybody not to feel like, yo, oh she's a gay artist.

0:17:49.840 --> 0:17:52.639
<v Speaker 1>She's for gay she's for the gaye. No, like I

0:17:52.680 --> 0:17:54.800
<v Speaker 1>ain't for the I don't even I'm not for the gaze.

0:17:54.840 --> 0:17:56.760
<v Speaker 1>I'm for the women. I'm for the niggas. It's why

0:17:56.760 --> 0:18:00.120
<v Speaker 1>I songs women for Game, for niggas.

0:17:59.000 --> 0:18:04.480
<v Speaker 2>For everybody, everybody, you know. Yeah, like I couldn't say

0:18:04.520 --> 0:18:05.119
<v Speaker 2>for the gays.

0:18:07.040 --> 0:18:10.600
<v Speaker 1>I'm for everybody, you know, for the gags, for everybody

0:18:10.600 --> 0:18:10.800
<v Speaker 1>you know.

0:18:10.920 --> 0:18:15.520
<v Speaker 2>But like I love that for you, Like, uh, you know,

0:18:15.600 --> 0:18:19.400
<v Speaker 2>obviously did he? Because did he? We we think back

0:18:19.440 --> 0:18:21.400
<v Speaker 2>to what was it about a year ago he said

0:18:21.480 --> 0:18:24.159
<v Speaker 2>R and B is dead and then for him to

0:18:24.240 --> 0:18:28.080
<v Speaker 2>launch Love Records and have an amazing, Like, I mean,

0:18:28.080 --> 0:18:30.760
<v Speaker 2>you're making just dope records that are thank you so much.

0:18:30.840 --> 0:18:33.719
<v Speaker 2>Reminded me of like the R and B that's kind

0:18:33.760 --> 0:18:35.960
<v Speaker 2>of been missing. You know. We get a lot of

0:18:36.000 --> 0:18:38.560
<v Speaker 2>like the alternative R and B vibe ship, but I'm like,

0:18:38.600 --> 0:18:40.919
<v Speaker 2>where's that RM B shit that I grew up on?

0:18:41.000 --> 0:18:43.800
<v Speaker 2>You know, So for you, uh, do you feel any

0:18:43.840 --> 0:18:46.720
<v Speaker 2>pressure like being signed to the guy who said R

0:18:46.720 --> 0:18:47.280
<v Speaker 2>and B is dead?

0:18:47.680 --> 0:18:50.280
<v Speaker 1>No, no pressure because you got to back that up,

0:18:50.600 --> 0:18:54.720
<v Speaker 1>you know, like, and what's so amazing? Nobody nobody online

0:18:54.920 --> 0:18:58.440
<v Speaker 1>was said nothing crazy like and I'm not even person

0:18:58.520 --> 0:19:03.600
<v Speaker 1>who like looks coming, but like literally nobody said anything

0:19:03.640 --> 0:19:05.760
<v Speaker 1>about that R and B is dead, Like oh oh,

0:19:05.800 --> 0:19:07.920
<v Speaker 1>she didn't live up to it, Like no, I didn't

0:19:07.960 --> 0:19:08.360
<v Speaker 1>see not.

0:19:08.400 --> 0:19:10.200
<v Speaker 2>One Like well, I mean I think Diddy knew what

0:19:10.200 --> 0:19:11.600
<v Speaker 2>he was doing. He probably was like, yeah, R and

0:19:11.680 --> 0:19:12.879
<v Speaker 2>B is dead, but I got the answer.

0:19:13.119 --> 0:19:16.720
<v Speaker 1>But the thing is, yeah, I mean like R and

0:19:16.760 --> 0:19:19.199
<v Speaker 1>B is here and it's alive, and it's crazy.

0:19:19.280 --> 0:19:20.880
<v Speaker 2>I think in a great.

0:19:20.960 --> 0:19:22.920
<v Speaker 1>RB is in a great space. It's just a certain

0:19:23.040 --> 0:19:26.240
<v Speaker 1>RB like they don't like like the up tempos like

0:19:26.680 --> 0:19:29.199
<v Speaker 1>summertime jams, like what happened to the Loomye D's and

0:19:29.560 --> 0:19:33.680
<v Speaker 1>like the Jagged what's the party? You know what I'm saying,

0:19:34.160 --> 0:19:36.160
<v Speaker 1>And that's why we're replaying that it's gone for sure,

0:19:36.240 --> 0:19:37.960
<v Speaker 1>Yeah no, but it's not we bringing it back. That's

0:19:37.960 --> 0:19:39.920
<v Speaker 1>why we got replayed. That's why we got commotion.

0:19:40.080 --> 0:19:43.680
<v Speaker 2>That's even like the Army groups groups, Yeah what flow

0:19:43.760 --> 0:19:46.440
<v Speaker 2>from from the UK? Yeah, they just had a show.

0:19:47.600 --> 0:19:50.000
<v Speaker 1>Yeah, exactly, flow from the u k is. Like the

0:19:50.119 --> 0:19:52.840
<v Speaker 1>u k IS is like actually shipping on us right

0:19:52.840 --> 0:19:55.520
<v Speaker 1>now on the RBS, they're shipping on us when it

0:19:55.560 --> 0:19:57.240
<v Speaker 1>comes to a lot of things with music. I ain't

0:19:57.240 --> 0:20:00.360
<v Speaker 1>gonna lie to y'all. They're they're so progressive, but shout

0:20:00.400 --> 0:20:03.560
<v Speaker 1>out to my boys saying uptown who got flowed? But

0:20:03.680 --> 0:20:06.200
<v Speaker 1>like literally like that's what I want to do. I

0:20:06.280 --> 0:20:08.480
<v Speaker 1>want to bring back summertime bots. You know what I'm saying.

0:20:08.480 --> 0:20:11.679
<v Speaker 1>And that's why that's why, like replay has that feeling

0:20:11.720 --> 0:20:15.440
<v Speaker 1>and commotion and like I want to even alone, Like

0:20:15.480 --> 0:20:17.560
<v Speaker 1>you can play alone in the club. I've heard it of. DJ.

0:20:17.720 --> 0:20:19.080
<v Speaker 1>Just speed it up a little bit and it's still

0:20:19.119 --> 0:20:21.360
<v Speaker 1>got a bot where you can Like that's what I'm

0:20:21.359 --> 0:20:23.560
<v Speaker 1>talking about, Like still got a hip hop vibe to

0:20:23.600 --> 0:20:24.440
<v Speaker 1>it for you.

0:20:25.480 --> 0:20:28.800
<v Speaker 2>Obviously putting out an EP is the album still being

0:20:28.840 --> 0:20:29.119
<v Speaker 2>worked on.

0:20:29.240 --> 0:20:32.360
<v Speaker 1>Man, I'm listening, bro, I'm almost done with the album literally, bro,

0:20:32.440 --> 0:20:35.040
<v Speaker 1>Like I'm I literally just texted Puff today like, Yo,

0:20:35.040 --> 0:20:37.239
<v Speaker 1>I'm about to put the project on. I mean, we

0:20:37.280 --> 0:20:41.040
<v Speaker 1>transfer you what I got so far. I want you

0:20:41.119 --> 0:20:43.920
<v Speaker 1>to listen to it, digest it, and you know, because

0:20:44.000 --> 0:20:45.600
<v Speaker 1>I like, it's a lot of things that I want

0:20:45.600 --> 0:20:48.000
<v Speaker 1>to like fix up and clean up. But this this

0:20:48.119 --> 0:20:49.600
<v Speaker 1>album is about to be. Like I don't have no

0:20:49.640 --> 0:20:52.119
<v Speaker 1>features on the last album on the EP because I

0:20:52.160 --> 0:20:54.679
<v Speaker 1>want to hold my own. I didn't want an artists

0:20:54.680 --> 0:20:56.919
<v Speaker 1>to feel like I'm trying to use them, so like

0:20:56.960 --> 0:20:58.359
<v Speaker 1>I'm going for the I'm going.

0:20:58.480 --> 0:20:58.880
<v Speaker 2>I'm going.

0:20:59.040 --> 0:21:01.760
<v Speaker 1>I'm trying to go for anyone out, won't You're not scared?

0:21:01.920 --> 0:21:02.840
<v Speaker 1>I'm asking everybody.

0:21:02.920 --> 0:21:06.159
<v Speaker 2>Well. I keep hearing about also too, like, uh, this

0:21:06.320 --> 0:21:10.720
<v Speaker 2>Diddy album, a lot of people have heard it's so good.

0:21:11.240 --> 0:21:14.160
<v Speaker 2>Uh obviously he put the bryceon Tiller single out last year.

0:21:15.680 --> 0:21:16.879
<v Speaker 2>Are you helping him a lot with that?

0:21:17.119 --> 0:21:20.480
<v Speaker 1>Yeah, I'm I'm damn it. Like an I heard it's.

0:21:20.359 --> 0:21:23.480
<v Speaker 2>Like a DJ Khaled type R and B album, Cuz.

0:21:23.359 --> 0:21:26.119
<v Speaker 1>That's that's a beautiful damn that's hard. That's exactly what

0:21:26.119 --> 0:21:28.199
<v Speaker 1>it is. And he's rapping on it though, like but

0:21:28.359 --> 0:21:32.720
<v Speaker 1>definitely like like he is, like what's the circus the.

0:21:32.640 --> 0:21:37.680
<v Speaker 2>Barnom he's that he's the ring master.

0:21:38.320 --> 0:21:41.880
<v Speaker 1>Yeah, he's he's like you know what I'm saying, and

0:21:41.960 --> 0:21:45.359
<v Speaker 1>like it is so freaking good, Like and literally I

0:21:45.880 --> 0:21:48.959
<v Speaker 1>am at the project, like as far as like taking

0:21:49.320 --> 0:21:52.119
<v Speaker 1>like every song, like taking it off, putting songs on it.

0:21:52.720 --> 0:21:56.280
<v Speaker 1>He's trusting me what I'll be having to like like

0:21:56.320 --> 0:21:58.200
<v Speaker 1>if I leave for a week, he'll put a song

0:21:58.240 --> 0:22:01.960
<v Speaker 1>on them, like Puff, take that off? No, take that off,

0:22:02.200 --> 0:22:04.480
<v Speaker 1>Like I gotta like be around here twenty four seven

0:22:04.520 --> 0:22:06.120
<v Speaker 1>because it's always somebody else.

0:22:05.960 --> 0:22:07.040
<v Speaker 2>Around you know what I'm saying.

0:22:07.119 --> 0:22:09.240
<v Speaker 1>But like this man is just a genius bro Like

0:22:09.280 --> 0:22:13.240
<v Speaker 1>Puff is like scary. This dude's ear. The dude's ear

0:22:13.400 --> 0:22:15.400
<v Speaker 1>is just I just don't.

0:22:15.280 --> 0:22:18.280
<v Speaker 2>Like as you fuck, his work ethics insane.

0:22:18.320 --> 0:22:21.480
<v Speaker 1>His work ethic is nasty. It's kind of I like

0:22:22.000 --> 0:22:25.320
<v Speaker 1>he's a little OCD, you know, and I'm not. I'm

0:22:25.359 --> 0:22:28.320
<v Speaker 1>not an OCD you like person when it comes especially

0:22:28.320 --> 0:22:30.800
<v Speaker 1>when it comes to music, Like like if you hear

0:22:30.840 --> 0:22:32.640
<v Speaker 1>my chain rattling and there's just gonna stand.

0:22:32.680 --> 0:22:33.440
<v Speaker 2>And I don't care if.

0:22:33.320 --> 0:22:36.120
<v Speaker 1>You hear the chair out if you're recording vocals or yeah,

0:22:36.200 --> 0:22:39.760
<v Speaker 1>I don't care about like I'm just not I like that.

0:22:40.280 --> 0:22:44.399
<v Speaker 2>Yeah, yeah, for sure, Yes I agree, you know what

0:22:44.480 --> 0:22:44.960
<v Speaker 2>I'm saying.

0:22:45.400 --> 0:22:48.919
<v Speaker 1>But like you know, I be like, stop, you don't overcook,

0:22:49.119 --> 0:22:51.520
<v Speaker 1>like you can cook, but don't overcook your ship, like

0:22:51.640 --> 0:22:53.160
<v Speaker 1>you know what I'm saying. So I'm trying to teach.

0:22:53.600 --> 0:22:55.359
<v Speaker 1>And I think that's the difference between the nineties and

0:22:55.359 --> 0:22:57.560
<v Speaker 1>today is like the nineties they took so they took

0:22:57.680 --> 0:22:59.920
<v Speaker 1>a long time with everything that they do.

0:23:00.480 --> 0:23:02.080
<v Speaker 2>For sure, they took a long time.

0:23:02.160 --> 0:23:04.639
<v Speaker 1>But like you know, there's a there's a way, like

0:23:04.680 --> 0:23:07.960
<v Speaker 1>we can kind of like integrate your your way and

0:23:08.000 --> 0:23:11.400
<v Speaker 1>then yeah, yeah, and like you know, don't overcook it.

0:23:11.280 --> 0:23:13.720
<v Speaker 2>So for you are you like are you are you straight?

0:23:13.840 --> 0:23:16.320
<v Speaker 2>Just going in cutting the melody first and filming in

0:23:16.320 --> 0:23:16.680
<v Speaker 2>the lyrics.

0:23:16.720 --> 0:23:20.120
<v Speaker 1>I'm a freestyle of a show, like I'm a free

0:23:20.240 --> 0:23:22.560
<v Speaker 1>the way future the way do it is the same

0:23:22.600 --> 0:23:24.560
<v Speaker 1>way I do it. Like literally, I go in there

0:23:24.560 --> 0:23:27.440
<v Speaker 1>a freestyle. I'll come I'll go out there and sit

0:23:27.520 --> 0:23:30.280
<v Speaker 1>with my engineer comp the melodies and then I'll be like, yo,

0:23:30.480 --> 0:23:32.480
<v Speaker 1>I don't even write anymore. I'll be like, play the

0:23:32.480 --> 0:23:36.199
<v Speaker 1>line line for line, just hit and so sometimes that.

0:23:36.920 --> 0:23:39.040
<v Speaker 2>The way most people are doing it.

0:23:39.080 --> 0:23:41.200
<v Speaker 1>That's how I write songs for anybody, though, like with anybody.

0:23:41.280 --> 0:23:43.439
<v Speaker 1>And it's so hard because like when I'm writing for artists,

0:23:43.640 --> 0:23:45.240
<v Speaker 1>they be like, send me the lyrics. I'm like, damn,

0:23:45.520 --> 0:23:48.960
<v Speaker 1>I gotta write. Oh, it'd be so hard. Like that's

0:23:49.000 --> 0:23:50.639
<v Speaker 1>the worst part of the whole thing is having to

0:23:50.640 --> 0:23:52.119
<v Speaker 1>write it. When they be like, sem me the lyrics.

0:23:52.119 --> 0:23:52.439
<v Speaker 2>I'm like a.

0:23:54.520 --> 0:23:56.960
<v Speaker 1>First, yeah, bro, cause like you be just because I

0:23:57.280 --> 0:23:59.400
<v Speaker 1>do like four songs a night, five songs a night,

0:23:59.480 --> 0:24:01.359
<v Speaker 1>like write home, I can do like five songs like

0:24:01.400 --> 0:24:05.200
<v Speaker 1>whole songs, damn, and so like that. After that third

0:24:05.320 --> 0:24:06.679
<v Speaker 1>or fourth if you don't mean be one of the light,

0:24:06.760 --> 0:24:10.040
<v Speaker 1>you be in such the mood you don't you don't

0:24:10.080 --> 0:24:12.280
<v Speaker 1>want to stop and write these lyrics down, bro, They's

0:24:12.280 --> 0:24:13.640
<v Speaker 1>just be like stopping the process.

0:24:13.720 --> 0:24:17.360
<v Speaker 2>But it is summertime. If you're dealing with electi rectile

0:24:17.400 --> 0:24:20.760
<v Speaker 2>dysfunction ed, if you will, maybe you got stress at work,

0:24:21.359 --> 0:24:24.119
<v Speaker 2>maybe you're tired of looking at the same chick. Maybe

0:24:24.119 --> 0:24:27.280
<v Speaker 2>you just need a little pep in your step. You

0:24:27.359 --> 0:24:30.000
<v Speaker 2>need to get on that blue Choo. Man. You don't

0:24:30.000 --> 0:24:32.199
<v Speaker 2>need to do anything, but it'd be nice to have

0:24:32.280 --> 0:24:34.560
<v Speaker 2>the option to. So go to blue choo dot com

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<v Speaker 2>right now, use the promo code Bootleg and get the

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0:24:52.760 --> 0:24:57.840
<v Speaker 2>as viagra and sialis. So we're talking about getting your

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<v Speaker 2>dick hard here. In case that went over your head.

0:25:00.240 --> 0:25:02.080
<v Speaker 2>You know it won't go over your head once you

0:25:02.160 --> 0:25:06.679
<v Speaker 2>take it. Promise you that blue Choo also is incredible

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<v Speaker 2>because not only does it come in the blue chewable

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<v Speaker 2>it also has a mint chewable flavor, which is the

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0:25:30.280 --> 0:25:31.880
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0:25:31.880 --> 0:25:34.520
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0:25:34.520 --> 0:25:36.840
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<v Speaker 2>me later. What's up guys. Hey, if you are watching

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<v Speaker 2>this and it's April twentieth, for twenty, I'm going to

0:25:53.720 --> 0:25:57.200
<v Speaker 2>be hanging out at Hard Dean today. That's right, put

0:25:57.200 --> 0:26:00.480
<v Speaker 2>the flyer up the rock. I'll be a Hard Dean

0:26:01.080 --> 0:26:05.639
<v Speaker 2>hanging out all day to day. The craziest most just

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<v Speaker 2>luxurious illness dispensary in the world, located right in Las Vegas, Nevada.

0:26:12.800 --> 0:26:16.240
<v Speaker 2>Now Hardean Las Vegas. They are family, They sponsor the podcast.

0:26:16.840 --> 0:26:19.360
<v Speaker 2>I love those guys dearly. And when I say that

0:26:19.440 --> 0:26:21.560
<v Speaker 2>it is the best place I've ever walked into to

0:26:21.640 --> 0:26:25.879
<v Speaker 2>buy premium cannabis, I'm not lying. Best customer service, best

0:26:25.920 --> 0:26:31.600
<v Speaker 2>bud tenders, best bud put in your King Palm, and

0:26:32.880 --> 0:26:36.240
<v Speaker 2>just overall, man, just a great experience. So what y'all

0:26:36.240 --> 0:26:39.360
<v Speaker 2>need to do is go follow him online. Hardan Underscore

0:26:39.520 --> 0:26:42.560
<v Speaker 2>Las Vegas. Follow him on the gram. We got a

0:26:42.600 --> 0:26:44.800
<v Speaker 2>lot of dope stuff in the works. They actually just

0:26:44.880 --> 0:26:47.639
<v Speaker 2>opened a fire podcast studio, so we're gonna be doing

0:26:47.680 --> 0:26:51.520
<v Speaker 2>a lot of content in Vegas live from Hardean. They

0:26:51.520 --> 0:26:53.879
<v Speaker 2>also just dropped a fucking tennis shoe with Fila. They

0:26:53.880 --> 0:26:58.520
<v Speaker 2>got dope flag gear, Man Premium cannabis, the best selection

0:26:59.480 --> 0:27:04.200
<v Speaker 2>culture sniff you walk in there, man, Listen, they got

0:27:04.359 --> 0:27:06.920
<v Speaker 2>I'm not even lying to y'all. Hardin has their own

0:27:07.119 --> 0:27:10.720
<v Speaker 2>signature scent and it smells good. I keep a bottle

0:27:10.720 --> 0:27:13.239
<v Speaker 2>of it in my car literally maybe twice a day.

0:27:13.240 --> 0:27:16.119
<v Speaker 2>I spread it. Get that Harden with smells amazing. So

0:27:16.160 --> 0:27:18.560
<v Speaker 2>look makes you go to Harden if you're in Vegas,

0:27:18.560 --> 0:27:20.680
<v Speaker 2>Get in that uber, Get in that cab. As soon

0:27:20.680 --> 0:27:22.399
<v Speaker 2>as you touch down, say take me to Harden. The

0:27:22.760 --> 0:27:25.359
<v Speaker 2>taxi drivers, the UBI drivers, they know exactly where it

0:27:25.400 --> 0:27:27.680
<v Speaker 2>is because it's the hottest spot in Vegas. They gonna

0:27:27.720 --> 0:27:29.280
<v Speaker 2>take you straight there. You're gonna tell them I sent you.

0:27:29.480 --> 0:27:32.240
<v Speaker 2>They're gonna get you situated real nicely, all right. Harding Underscore,

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<v Speaker 2>Las Vegas, Go show on some love. Go to Hardin

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<v Speaker 2>Las Vegas dot com. Gotta give a shout out to

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<v Speaker 2>our OG's my dog's at odds Socks. Baby, they've been

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<v Speaker 2>fucking with us from day one, and they've been dropping

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<v Speaker 2>so many crazy dope new like socks. You know, first

0:27:45.200 --> 0:27:46.960
<v Speaker 2>of all, can we talk about Beavis and butt Heead.

0:27:46.960 --> 0:27:49.840
<v Speaker 2>They just dropped the Beavis and butthead socks and draws.

0:27:49.920 --> 0:27:52.359
<v Speaker 2>Let's take a check some nice little peek at the

0:27:52.359 --> 0:27:59.840
<v Speaker 2>Beavis and butt Heead draw skis bro Come on, many

0:28:00.000 --> 0:28:04.160
<v Speaker 2>also just drop Coca Cola. We got Scarface, we got Reeses,

0:28:04.920 --> 0:28:08.919
<v Speaker 2>we got the big fucking Lebowski, so many dope socks,

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<v Speaker 2>My first of a suggestion would be get you a

0:28:30.480 --> 0:28:33.440
<v Speaker 2>pair or a pack of the odd Socks basics to

0:28:33.520 --> 0:28:35.960
<v Speaker 2>black and the whites. Those are my go tos. And

0:28:36.000 --> 0:28:38.720
<v Speaker 2>then you gotta fuck with some of these big Lebowski socks.

0:28:39.240 --> 0:28:43.240
<v Speaker 2>And they just got Coca Cola, They got the scarface boys, Like,

0:28:43.280 --> 0:28:45.760
<v Speaker 2>what are we talking about? Man? What are you waiting on?

0:28:45.800 --> 0:28:48.360
<v Speaker 2>They are the most comfortable socks in the world. So

0:28:48.400 --> 0:28:51.720
<v Speaker 2>if you're not wearing odd socks, you're just cheating yourself.

0:28:51.920 --> 0:28:55.360
<v Speaker 2>You know what I mean, You're really cheating yourself. They

0:28:55.360 --> 0:28:59.080
<v Speaker 2>got a fucking South Park. Come on, brah, what are

0:28:59.080 --> 0:29:02.480
<v Speaker 2>we talking about? Go to odd socksoficial dot com right now,

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<v Speaker 2>Or don't and keep torturing yourself with those shitty socks

0:29:11.480 --> 0:29:14.560
<v Speaker 2>you're wearing right now. Be a damn shame. Anyway, let's

0:29:14.560 --> 0:29:16.840
<v Speaker 2>get back to the interview. What's the best strip clip

0:29:16.880 --> 0:29:18.080
<v Speaker 2>in Miami in your opinion?

0:29:18.680 --> 0:29:22.160
<v Speaker 1>Oh? Man, I mean Booby Trap.

0:29:22.280 --> 0:29:24.280
<v Speaker 2>Booby Trap, Booby Trap, whe Place.

0:29:24.160 --> 0:29:26.760
<v Speaker 1>Booby Trup. I love Booby and I ain't gonna front.

0:29:26.920 --> 0:29:29.959
<v Speaker 1>The office is kind of The office is lit. If

0:29:30.000 --> 0:29:32.440
<v Speaker 1>you go with the right you gotta go right. People

0:29:32.960 --> 0:29:35.000
<v Speaker 1>spot one way in, one way out, you know what

0:29:35.040 --> 0:29:36.880
<v Speaker 1>I'm saying. So you gotta be you gotta know, you

0:29:36.960 --> 0:29:37.200
<v Speaker 1>gotta be.

0:29:37.400 --> 0:29:39.480
<v Speaker 2>You know where it has a really good Food is

0:29:39.520 --> 0:29:42.520
<v Speaker 2>a taboo. They got a chef in there. I don't

0:29:42.520 --> 0:29:44.640
<v Speaker 2>know who the chef is. It's Tory lanez Well. I

0:29:44.640 --> 0:29:45.320
<v Speaker 2>don't know how much.

0:29:45.920 --> 0:29:49.360
<v Speaker 1>Oh yeah, yeah he had I never been I never visited.

0:29:49.960 --> 0:29:50.720
<v Speaker 1>I never been there.

0:29:50.920 --> 0:29:52.960
<v Speaker 2>But booby traps like the new like.

0:29:53.360 --> 0:29:56.840
<v Speaker 1>Yeah, that was another spot, that ass five Perry Perry wing.

0:29:56.920 --> 0:29:59.840
<v Speaker 1>It was five five nah nah g it was a

0:30:00.320 --> 0:30:03.520
<v Speaker 1>It was Cocos Cocos. I don't know if y'all know,

0:30:03.560 --> 0:30:05.480
<v Speaker 1>if you and the Yams, you know what cocos is.

0:30:05.520 --> 0:30:08.560
<v Speaker 1>It's a smaller duct off strip club. They got some wings.

0:30:08.600 --> 0:30:09.360
<v Speaker 1>That was so far.

0:30:09.560 --> 0:30:10.640
<v Speaker 2>What do you think about tutsies.

0:30:11.680 --> 0:30:15.840
<v Speaker 1>I'm not a totsy person like the homies. Like niggas

0:30:15.840 --> 0:30:20.520
<v Speaker 1>love tussies, but I don't. I don't like the massages

0:30:20.560 --> 0:30:22.720
<v Speaker 1>on the first on the floor, like up at the top.

0:30:22.760 --> 0:30:24.400
<v Speaker 2>I don't they do more than massages.

0:30:24.600 --> 0:30:26.960
<v Speaker 1>They do a lot more than massages, But I don't.

0:30:27.280 --> 0:30:29.160
<v Speaker 1>I don't really like that. I don't. It doesn't do

0:30:29.200 --> 0:30:31.440
<v Speaker 1>nothing for me for four hundred dollars. Yeah, no, they

0:30:31.520 --> 0:30:33.480
<v Speaker 1>go crazy. I walked down on one of my homies.

0:30:33.440 --> 0:30:36.280
<v Speaker 1>I oh yeah, my fault, my fault. I ain't seen nothing,

0:30:36.320 --> 0:30:40.640
<v Speaker 1>bro you've never tricked off on a stripper? No, I

0:30:40.720 --> 0:30:43.560
<v Speaker 1>gotta ask No, I mean no, I haven't. Let me

0:30:43.600 --> 0:30:47.040
<v Speaker 1>not do it like no, No, I mean I throw

0:30:47.120 --> 0:30:49.680
<v Speaker 1>brad at them. Yeah, like go crazy, I know, Like.

0:30:52.640 --> 0:30:54.960
<v Speaker 2>In Miami, I've seen some. I've seen some grown man

0:30:55.280 --> 0:30:57.000
<v Speaker 2>ye dive into some really.

0:30:57.600 --> 0:31:00.280
<v Speaker 1>Because when I fuck with a girl, like I'm fucking

0:31:00.400 --> 0:31:02.600
<v Speaker 1>her to make her have a great night, I want

0:31:02.600 --> 0:31:04.480
<v Speaker 1>her to be like, yo, you fuck the ship out

0:31:04.480 --> 0:31:06.800
<v Speaker 1>of me like that shit was incredible, Like why am

0:31:06.800 --> 0:31:08.800
<v Speaker 1>I gonna pay you to let me give you a

0:31:08.800 --> 0:31:12.160
<v Speaker 1>good night? You know what I'm saying, Like you should

0:31:12.200 --> 0:31:13.880
<v Speaker 1>be paying me what I'm about to do to you.

0:31:14.280 --> 0:31:17.640
<v Speaker 1>That's how I look at it. So I'm not about Yeah,

0:31:17.760 --> 0:31:20.520
<v Speaker 1>I mean that's how like if I was, that's my

0:31:20.520 --> 0:31:22.800
<v Speaker 1>mind state, Like I'm not. I'm not. I don't, I don't,

0:31:23.320 --> 0:31:25.720
<v Speaker 1>you're not. I'm not trying to bust. I got a bus.

0:31:26.840 --> 0:31:28.200
<v Speaker 1>Let me let me go and get that. If I

0:31:28.240 --> 0:31:30.080
<v Speaker 1>was a nigga, I get it. I would definitely pay

0:31:30.280 --> 0:31:31.840
<v Speaker 1>so you can get out of my face for I

0:31:32.040 --> 0:31:34.320
<v Speaker 1>need to, you know. But for me, it's more of

0:31:34.320 --> 0:31:37.760
<v Speaker 1>a like so like it's a it's a little mind thing.

0:31:37.880 --> 0:31:42.760
<v Speaker 2>Like Okay, So I don't want to get into the

0:31:42.720 --> 0:31:43.520
<v Speaker 2>intricacies of this.

0:31:44.120 --> 0:31:46.240
<v Speaker 1>I don'kay. You can get it whatever you want to get.

0:31:46.080 --> 0:31:49.640
<v Speaker 2>It, Like for you, like do you have like okay,

0:31:49.640 --> 0:31:52.840
<v Speaker 2>you're obviously you got to strap on like the in

0:31:52.880 --> 0:31:55.320
<v Speaker 2>the drawd ready to go. Different sizes for different chicks, Like.

0:31:55.840 --> 0:31:57.760
<v Speaker 1>Now, I don't have different sizes for different ships.

0:31:57.800 --> 0:31:59.800
<v Speaker 2>You just got to like how does how does how

0:31:59.840 --> 0:32:04.640
<v Speaker 2>does a masculine lesbian woman picked this the go to strap?

0:32:04.720 --> 0:32:05.360
<v Speaker 1>I only got one?

0:32:05.800 --> 0:32:09.720
<v Speaker 2>You only got one one? Okay, I'm just curious.

0:32:10.560 --> 0:32:12.560
<v Speaker 1>Now I'm not like, oh I got let me put

0:32:12.600 --> 0:32:16.000
<v Speaker 1>this strap on. Nah, I don't have that, like literally.

0:32:15.760 --> 0:32:17.440
<v Speaker 2>Got the main guy, the main one.

0:32:17.600 --> 0:32:19.720
<v Speaker 1>Okay, I got the main one, and like you know,

0:32:20.480 --> 0:32:23.520
<v Speaker 1>sometimes I'll bring it sometimes I don't. Like I'm not

0:32:23.520 --> 0:32:26.280
<v Speaker 1>like a person who got to carry the strap like

0:32:26.320 --> 0:32:27.280
<v Speaker 1>everywhere I go, Like.

0:32:28.560 --> 0:32:29.560
<v Speaker 2>I'm just I don't know.

0:32:29.640 --> 0:32:32.640
<v Speaker 1>No, I love that. I love these questions, like you

0:32:32.640 --> 0:32:33.080
<v Speaker 1>can ask me.

0:32:33.120 --> 0:32:36.760
<v Speaker 2>I wondering this ship because I'm like, you know, because

0:32:36.800 --> 0:32:39.960
<v Speaker 2>like you'll see, Like but I was in Miami one

0:32:39.960 --> 0:32:41.760
<v Speaker 2>weekend and I don't know what was going on, but

0:32:41.800 --> 0:32:43.520
<v Speaker 2>it was like a stud weekend. Do you know what

0:32:43.520 --> 0:32:44.800
<v Speaker 2>weekend I'm talking about in Miami.

0:32:44.920 --> 0:32:47.120
<v Speaker 1>Yeah, sweet heat shout outs DJ.

0:32:47.440 --> 0:32:50.640
<v Speaker 2>I was in town during that uh something mouse and

0:32:50.680 --> 0:32:52.640
<v Speaker 2>I was on South Beach and it was just like

0:32:52.680 --> 0:32:54.200
<v Speaker 2>a bunch of young and ma's running around.

0:32:54.240 --> 0:32:55.880
<v Speaker 1>It was crazy sound ship.

0:32:56.080 --> 0:32:58.800
<v Speaker 2>I was like, damn, this ship is crazy. I'm like,

0:32:58.800 --> 0:33:01.440
<v Speaker 2>what is going on in Miami this weekend? Everyone looks

0:33:01.440 --> 0:33:02.880
<v Speaker 2>like Queen the Teeth and set it off.

0:33:03.440 --> 0:33:06.360
<v Speaker 1>My shout out Queen the Teeth and said it.

0:33:06.440 --> 0:33:08.480
<v Speaker 2>So I was just what I just wonder, like when

0:33:08.480 --> 0:33:12.000
<v Speaker 2>it comes to like, you know, because y'all be pulling

0:33:12.000 --> 0:33:13.720
<v Speaker 2>some bad bitches, you know what I'm saying, Like, I

0:33:13.840 --> 0:33:16.720
<v Speaker 2>just wonder because women love women. But the strap situation is.

0:33:16.680 --> 0:33:20.160
<v Speaker 1>Women love women. Yeah, it's just it's just never gonna change,

0:33:20.200 --> 0:33:21.600
<v Speaker 1>like a woman just loves women.

0:33:21.680 --> 0:33:23.640
<v Speaker 2>How often do you get a new strap?

0:33:25.160 --> 0:33:25.360
<v Speaker 1>Now?

0:33:25.360 --> 0:33:29.000
<v Speaker 2>I do change my strap to change every three months,

0:33:29.000 --> 0:33:30.480
<v Speaker 2>every six months, Yeah.

0:33:30.320 --> 0:33:32.120
<v Speaker 1>It could be. It depends on if I'm sucking a lot,

0:33:32.200 --> 0:33:34.640
<v Speaker 1>if I'm like going crazy, I gotta retire this one.

0:33:34.760 --> 0:33:40.720
<v Speaker 1>Yeah yeah yeah. But but also also like sometimes you

0:33:40.800 --> 0:33:44.280
<v Speaker 1>gotta use I'll use a condom on it, Like I'm not.

0:33:44.560 --> 0:33:47.200
<v Speaker 2>So you put a condumn on the strep out of

0:33:47.200 --> 0:33:49.280
<v Speaker 2>respect for her, like I don't know, like because you

0:33:49.280 --> 0:33:52.000
<v Speaker 2>don't know, Yeah, of respect respect, you know, and out

0:33:52.000 --> 0:33:55.280
<v Speaker 2>of respect for the you know, for the strap, for

0:33:55.400 --> 0:33:58.840
<v Speaker 2>the disease, my ship ship, all these niggas outt you're

0:33:58.880 --> 0:34:01.200
<v Speaker 2>hearing on, so you gotta be careful, you know, cause

0:34:01.240 --> 0:34:04.640
<v Speaker 2>but but like honestly, like, yes, it's not it's not

0:34:04.680 --> 0:34:06.640
<v Speaker 2>like it's just like a dick.

0:34:06.840 --> 0:34:08.560
<v Speaker 1>I feel like niggas just be going there wrong and

0:34:08.600 --> 0:34:12.360
<v Speaker 1>it was just which is crazy, especially three, which is sick.

0:34:12.600 --> 0:34:15.520
<v Speaker 2>Yeah, it's a crazy thing which is sitting. But like, yeah,

0:34:15.560 --> 0:34:17.640
<v Speaker 2>you know, it's so that's what's up. I say, I

0:34:17.800 --> 0:34:20.000
<v Speaker 2>appreciate you for explaining such things.

0:34:20.160 --> 0:34:24.120
<v Speaker 1>Not easy anything about listening. My hands a little sweaty.

0:34:24.120 --> 0:34:26.360
<v Speaker 1>Anytime you need something like advice about you want to

0:34:26.480 --> 0:34:27.279
<v Speaker 1>know what's going on.

0:34:28.000 --> 0:34:31.200
<v Speaker 2>He's just I'm just curious, Hey, what is on? Now?

0:34:31.239 --> 0:34:34.239
<v Speaker 2>I know that that was Sweetheat weekend and Sweeteat weekend. Yeah,

0:34:34.360 --> 0:34:35.200
<v Speaker 2>cause it was wild.

0:34:35.280 --> 0:34:37.359
<v Speaker 1>It was wild. Now I get wild. Ill be seeing girl,

0:34:37.440 --> 0:34:39.680
<v Speaker 1>I'll be seeing some studs be walking out with they strap.

0:34:39.760 --> 0:34:41.640
<v Speaker 1>I don't do that, like they be like literally having

0:34:41.640 --> 0:34:43.560
<v Speaker 1>they strap on, like like they got a dick when

0:34:43.560 --> 0:34:46.520
<v Speaker 1>they walking around. I'm not I'm not I'm not that

0:34:47.200 --> 0:34:50.360
<v Speaker 1>masking it. You know what I'm saying. I'm masking it,

0:34:50.400 --> 0:34:53.600
<v Speaker 1>but I'm not that. Like you know, I'm not gonna

0:34:53.640 --> 0:34:55.520
<v Speaker 1>do that. I'm not gonna have my ship.

0:34:55.960 --> 0:35:01.719
<v Speaker 2>Just yeah, I get it. Well, Uh, the new pee's out, Yeah.

0:35:02.239 --> 0:35:03.759
<v Speaker 1>Shout out to them if they do that. Though, I

0:35:03.800 --> 0:35:05.360
<v Speaker 1>respect whatever does that.

0:35:05.440 --> 0:35:08.600
<v Speaker 2>I'm just saying that's me. Likewise, I would I would

0:35:08.640 --> 0:35:12.040
<v Speaker 2>respect that too. Somebody walking around with that and they're like,

0:35:12.239 --> 0:35:16.520
<v Speaker 2>I'd be like, yo, respect she hang it Like I

0:35:16.520 --> 0:35:18.360
<v Speaker 2>feel like Britney Grinder might walk around with that. You

0:35:18.400 --> 0:35:20.360
<v Speaker 2>know what I'm saying. Shout out to Brittany.

0:35:20.400 --> 0:35:22.399
<v Speaker 1>Shout out, man, she deserves to do whatever. She won't

0:35:22.520 --> 0:35:23.759
<v Speaker 1>being locked up in Russia for that.

0:35:23.760 --> 0:35:29.400
<v Speaker 2>Phoenix Mercury shouting for Phoenix. So legend, so Yo, go

0:35:29.480 --> 0:35:30.839
<v Speaker 2>run up to EP. You got a bunch of music

0:35:30.960 --> 0:35:34.480
<v Speaker 2>videos out and then hopefully this Diddy album comes out

0:35:34.520 --> 0:35:37.680
<v Speaker 2>soon that you're an r N yeah, and you're working

0:35:37.680 --> 0:35:38.720
<v Speaker 2>on the album, working.

0:35:38.560 --> 0:35:40.440
<v Speaker 1>On the album. I can't wait for the album, man,

0:35:41.160 --> 0:35:42.880
<v Speaker 1>I can't wait to even give you out a title,

0:35:42.920 --> 0:35:44.080
<v Speaker 1>the title so Smooth.

0:35:44.760 --> 0:35:46.080
<v Speaker 2>Before the end of the year, you'll have it out.

0:35:46.120 --> 0:35:48.440
<v Speaker 1>I'm trying to have this out by like August September.

0:35:48.480 --> 0:35:49.680
<v Speaker 2>Oh shit, so real soon.

0:35:49.840 --> 0:35:52.200
<v Speaker 1>I'm really trying to like work on this, like heavy.

0:35:52.280 --> 0:35:53.560
<v Speaker 2>And then you're still writing.

0:35:53.560 --> 0:35:56.040
<v Speaker 1>Still writing, still writing, still going crazy.

0:35:56.239 --> 0:35:58.200
<v Speaker 2>Anything come out recently that you could shout out.

0:35:59.520 --> 0:36:03.560
<v Speaker 1>I did Chloe, our new project Pray It Away, the

0:36:03.920 --> 0:36:06.239
<v Speaker 1>Black Blue Project. I did a song called night on

0:36:06.280 --> 0:36:09.200
<v Speaker 1>the last project called night Ride Home. Last song.

0:36:09.719 --> 0:36:11.920
<v Speaker 2>I love that last one of my favorite artists, So.

0:36:11.960 --> 0:36:12.680
<v Speaker 1>He's so good.

0:36:12.920 --> 0:36:15.319
<v Speaker 2>Shout out to my boy, he's incredible. There it is.

0:36:15.320 --> 0:36:17.120
<v Speaker 2>We appreciate you pulling up Josie.

0:36:16.760 --> 0:36:17.400
<v Speaker 1>My God, thank you.

0:36:17.480 --> 0:36:17.960
<v Speaker 2>There it is