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Speaker 1: Y'all was good on Joszi. You can catch me on

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Speaker 1: the bootlet Kill Podcast.

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Speaker 2: Boutlet Care Podcast, man special guests in here are you

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Speaker 2: the first artist on Love Records? Jazzi is here. Welcome, Welcome, Welcome. Now,

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Speaker 2: I can't say the name of your EP because there

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Speaker 2: is an N word you can say.

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Speaker 1: But you can say for homies, Okay, you can say

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Speaker 1: for homies, freak songs, women, free game.

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Speaker 2: Did you get any like pushback from the label when

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Speaker 2: you named it? That that's why I love Puff because

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Speaker 2: he's like just running.

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Speaker 1: Because you know, it's because it's for us, about us.

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Speaker 1: It's like, you know what I'm saying, Like like like.

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Speaker 2: Now now Walmart owns Foo by the way, shout out

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Speaker 2: to I think Walmart.

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Speaker 1: That's crazy they cast out, but.

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Speaker 2: You know you go to get Walmart wart. But now

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Speaker 2: that the EP is dope for you, Like, you've had

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Speaker 2: a pretty crazy journey through the music industry. If everybody

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Speaker 2: kind of like a rundown on like because you obviously

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Speaker 2: an amazing writer, what is kind of like your history

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Speaker 2: in the music game, You've you've had to come up

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Speaker 2: that's pretty crazy, from working with Timberland and not working

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Speaker 2: with Diddy, like, how did you get started?

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Speaker 1: Long story short, I'm from Memphis, Tennessee to Memphis on

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Speaker 1: fire right now, Memphis is going crazy, but you don't

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Speaker 1: take music. I don't say. I'm gonna tell you why.

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Speaker 1: My mom My mama was an English teacher, Okay, okay,

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Speaker 1: So she helped me, Like now that I look back

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Speaker 1: now that I'm older, like, she really helped me because

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Speaker 1: I'm country but not like my cousins.

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Speaker 2: Yeah, everyone from Memphis is Mrsy and in music.

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Speaker 1: I can say it, but I know how not to say.

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Speaker 1: You have to.

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Speaker 2: Your mom was like, no, yeah, you.

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Speaker 1: Gotta train yourself. It's like a muscle, you gotta work

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Speaker 1: on it. So I was, you know what I'm saying,

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Speaker 1: My mama like really helped me with that. I used

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Speaker 1: to hate that ship too, though, but now I appreciate it.

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Speaker 1: But it's so pretty much. I was working at the

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Speaker 1: studio called trap House and Memphis DJ litt Larry who

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Speaker 1: Trap House. He had Trap House shoot maggots and it's

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Speaker 1: like he's yo, got the right hand man. And I

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Speaker 1: had met these this guy Well who's actually young Dogs

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Speaker 1: producer rest in Peace. Well, he had this crew that

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Speaker 1: caught the machine and they knew this this guy wizdom

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Speaker 1: from he was from but he lived in Viable, Timberland,

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Speaker 1: and I was in school and I met him and

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Speaker 1: he was like, yo, the studio got raided. I was depressed.

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Speaker 1: I was like, I don't know what I'm about to do.

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Speaker 1: Then they called me to come to Miami to work

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Speaker 1: with this this artist that Tim was just you know,

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Speaker 1: gave to Wiz to work on he needed a writer.

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Speaker 1: Flew me down there and I met Tim, I met

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Speaker 1: Missy and I wasn't supposed to be there for a week,

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Speaker 1: and I ended up staying like five years, bro, from

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Speaker 1: like five years, Yes, from twenty twelve to like twenty

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Speaker 1: I just moved twenty eighth. Well, it's not just move,

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Speaker 1: but I just I moved here to twenty eighteen. It

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Speaker 1: sounds like it wasn't a long time ago, but that

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Speaker 1: was actually five years ago.

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Speaker 2: So the whole time you were just in Miami just

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Speaker 2: cooking up with Tim.

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Speaker 1: Yeah, well yeah, just the flying way, I wasn't even

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Speaker 1: really cooking up. Like me and Wiz had it like

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Speaker 1: we would like when when Tim wasn't working, like three

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Speaker 1: in the morning, when he would leave, we would.

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Speaker 2: Just you have the studio, so we would be.

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Speaker 1: Like we would be just literally I was just a kid,

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Speaker 1: the little twenty year old kid, just walking around the studio,

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Speaker 1: meeting Wayne, seeing everybody like Polo, I met Little I

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Speaker 1: met the whole cash money, cool bird And that's kind

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Speaker 1: of how I did put some I put. I did

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Speaker 1: that song in respect, put some respect when you mentioned

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Speaker 1: my name for bird Man.

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Speaker 2: Because I was just at the studio. You know, it's crazy.

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Speaker 1: So yeah, I was just I was just there being

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Speaker 1: just the legit, just like literally just in trying to yo,

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Speaker 1: you need what you need, what you need, what you need,

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Speaker 1: what you need. You know what I'm saying because.

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Speaker 2: Like pick Lingo as you saw you just said, yeah.

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Speaker 1: Yeah, Florida thing for real, like swear like for real.

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Speaker 1: So like I'll be saying I'm from Memphis by way

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Speaker 1: of Miami, because like I feel like I spent like

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Speaker 1: the years where you grow up, like your.

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Speaker 2: Twenties formative years in Miami.

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Speaker 1: Yeah what like I really learned, like.

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Speaker 2: What are some of your writing credits that you've picked

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Speaker 2: up over the years.

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Speaker 1: It's so funny like that one respect because it's so funny.

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Speaker 1: I was. I heard that song. I was like dang,

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Speaker 1: I really did that. That's hilarious because you know he did.

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Speaker 2: That Break Breakfast Iconic interview.

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Speaker 1: That was why I did it. But uh, I did

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Speaker 1: Monica just write for me with Lil Wayne. I did

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Speaker 1: Chris Brown, Discover Jacqueeese you, Sammon Walker, body off of you? Goodness, gracious?

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Speaker 1: Why I got a brain fart? Lemonade? Uh, Donald Tollivan

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Speaker 1: and Internet Money ship Yeah, the Internet money Thank you, bro?

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Speaker 2: You wrote that hook.

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Speaker 1: I wrote the whole song. You wrote the whole song. Yeah,

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Speaker 1: it was my song. You can go to Spotify and

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Speaker 1: listen to my version. Really yeah if you type in

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Speaker 1: Jozy lemonade like and then you know, and then they

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Speaker 1: changed the beat and.

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Speaker 2: Then they made it what it was crazy.

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Speaker 1: I did mister right now, Uh, twenty one Savage and

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Speaker 1: Drake yep, I did Asking Titties twenty one Savage.

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Speaker 2: So when you like, okay, because like we look at

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Speaker 2: twenty one savages, like you know a rappers, rapper, when

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Speaker 2: you like, help write on a song for him, is

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Speaker 2: it the hook? Is it just the hook? Hell?

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Speaker 1: Nah? I don't write verses okay at all? Like I

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Speaker 1: don't like they and and and it's a disrespect to

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Speaker 1: even like like rappers like twenty one in them if

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Speaker 1: they hear a verse, they don't, they won't play it.

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Speaker 2: That's good.

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Speaker 1: So like I don't even want to shoot myself in

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Speaker 1: the foot to try to even give niggas like you

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Speaker 1: know what I'm saying, Yeah, I stick with the hook.

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Speaker 1: I know what worked for me. You know what I'm saying, Like,

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Speaker 1: I don't I know how to play the game. Bro,

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Speaker 1: I ain't finna try to write your verses, but the hook,

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Speaker 1: the idea, like you know what I'm saying.

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Speaker 2: Structure, mister right now is a big one too.

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Speaker 1: That was a great one.

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Speaker 2: I feel like Lemonade is like that's gonna be like

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Speaker 2: I was one of my six.

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Speaker 1: Yeah, And what's so funny when I did Old Time Road, Bro,

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Speaker 1: Like I ain't gonna lie when when it was going

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Speaker 1: so crazy, I co wrote on it. Yeah, I did

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Speaker 1: Billy Ray Cyrus's verse on Old Time Road and so

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Speaker 1: that changed my life. And it was so funny. I

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Speaker 1: was scared of it, bro, because it was so big,

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Speaker 1: and I was like, you know, motherfucker's gonna try to

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Speaker 1: put the They're gonna try to put me in a

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Speaker 1: in a box as a pop gimmicky writer. So I

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Speaker 1: was scared of that, bro like it was going it

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Speaker 1: was going number one, and I was like, Okay, I'm happy,

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Speaker 1: but like this ain't me and then I promise you

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Speaker 1: next the next year, Slimonade came out, and then and

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Speaker 1: then like slit it made me be like okay, yeah, yeah, yeah,

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Speaker 1: you know what I'm saying, because like I was, really

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Speaker 1: I was really, really, really really scared of that.

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Speaker 2: What was it like because at the time that remix,

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Speaker 2: that's gotta be this is the biggest song in the

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Speaker 2: world at the time, and then the remix comes out

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Speaker 2: and makes it bigger. Do you like know much about

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Speaker 2: Billy Ray Cyrus before you write the verse, because he's like,

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Speaker 2: you know, it's a country. I'm from Memphis, right.

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Speaker 1: So you know, like we like, you know, we next

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Speaker 1: door to Nashville. You know what I'm saying. We ain't

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Speaker 1: nothing like Nashville, but we next door to it. So

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Speaker 1: I mean, and then I used to, like I always say,

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Speaker 1: I used to be in love with Maley Syrus. I

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Speaker 1: used to watch Handle my time. I'm still in love

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Speaker 1: with Maley Cyrus.

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Speaker 2: What's haying Mally might be out there for you.

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Speaker 1: I love it.

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Speaker 2: She got a voice like she got a voice.

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Speaker 1: Yeah, she's amazing what she do.

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Speaker 2: When she talks, Like if you heard her do like

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Speaker 2: interviews like she was on Joe Rogan, She's got she

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Speaker 2: got a voice like she got a scratchy ass deep.

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Speaker 1: Voice and don't stop nothing. I got a scratchy deep voice.

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Speaker 1: I guess it would be all right.

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Speaker 2: Yeah, her voice is like come on, like what was

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Speaker 2: what when? Remember when Goorilla was talking about how she

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Speaker 2: moans when she's getting like I can't imagine like her voice.

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Speaker 1: Saying that deep. That's wild. But yeah, I definitely was

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Speaker 1: aware of Billerray Syrus. You know what I'm saying.

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Speaker 2: So like, were you like you were kind of were

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Speaker 2: you nervous outside of like being boxed in? Were you

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Speaker 2: just nervous like damn, like this is a big look, Like.

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Speaker 1: I was nervous about being boxed in, bro, I just

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Speaker 1: do you were worried about just like nah, man, I

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Speaker 1: ain't care about nothing else but just being boxed in.

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Speaker 1: I just was like, I hold, these folks don't think

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Speaker 1: that that I'm this type of writer, right, you know

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Speaker 1: what I'm saying, Like, just I don't want people to

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Speaker 1: think that I'm like, you know, cause I'm I'm I'm

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Speaker 1: really I really can make substance right, and like not

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Speaker 1: that I'm saying Old Time Rod was a substance because

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Speaker 1: what Lena's X did was incredible with that song, right,

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Speaker 1: So I'm not like jabbing, you know what I'm saying,

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Speaker 1: But I just know, like I'm a r Like I'm

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Speaker 1: a songwriter who really loves lyrics and like who really

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Speaker 1: loves like putting thought into like like feeling and like

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Speaker 1: not trying to control the algorithm. That was very That

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Speaker 1: was like he controlled the algorithm with that song, like

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Speaker 1: just crazy.

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Speaker 2: That song was everywhere the biggest songs ever, insane. So

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Speaker 2: for you, like cause I I've seen it happen with

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Speaker 2: other artists where they're like really big and like kind

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Speaker 2: of perceived as a writer. It's worked out for other

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Speaker 2: artists where they pop as an artist. But I know

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Speaker 2: it's like is it tougher for you to, like do

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Speaker 2: you do you have to shake the writer like because

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Speaker 2: people see you as a writer sometimes and they might

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Speaker 2: not see you as a artist. Because I've seen that

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Speaker 2: happen with other writers a little like, like, I mean,

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Speaker 2: it's probably a gifting the curse. You already got your

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Speaker 2: foot in the door.

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Speaker 1: But yeah, what's so crazy? Like I used to have

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Speaker 1: a lot of a and RS call me before I

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Speaker 1: dropped this project, like, yo, work work with my artist.

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Speaker 1: Like now it's quiet. I think people like they kind

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Speaker 1: of scared to like hit me to work because they

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Speaker 1: know that I'm really I'm really focused on my artist thing.

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Speaker 1: But what's so what I'm blessed about is every artist

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Speaker 1: that I work with. Bro, Like I got a connection

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Speaker 1: with these folks. I can text a little baby. I

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Speaker 1: can text way On right now and be like, twin

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Speaker 1: what you think about this? I can text Coco Jones

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Speaker 1: and be like, yo, I got this song? What you think?

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Speaker 1: Like I'm really blessed, Like literally, like Chloe just texted

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Speaker 1: me a few days ago, like yo, can I can

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Speaker 1: I work on that song that you that you sit me?

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Speaker 1: I'm like please go ahead. Like so I'm so blessed

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Speaker 1: that like like I can text these artists. You know

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Speaker 1: what I'm saying, I don't need like I don't have

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Speaker 1: to like go through anybody, And I don't mind. I'll

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Speaker 1: mess with you know if like you want to do sessions.

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Speaker 1: But like, like I look at how like I tell you,

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Speaker 1: I look at how the Dream and Missy did it,

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Speaker 1: Like the Dream did stop writing for people he wrote.

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Speaker 1: He was selective for who he wrote for, but he

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Speaker 1: still gave Rianna hits. He still gave Beyonce hiss.

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Speaker 2: You know, Missy, same exactly, bro.

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Speaker 1: So like I don't have to stop one thing to

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Speaker 1: do the other. I feel like when I step out

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Speaker 1: when I want to drop my music, I'm in my bag.

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Speaker 1: Yeah you know what I'm saying. Like, but yeah, I

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Speaker 1: feel like I always been. I meet whatever I do

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Speaker 1: as an artist or as a songwriter, like I didn't

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Speaker 1: want to be no ghostwriter, like I want I'm a star.

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Speaker 1: Like when I walk in that room as a songwriter,

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Speaker 1: I'm a star. When I walk in that room as

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Speaker 1: an artist, I'm a star.

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Speaker 2: No matter what. Yeah, yeah, you know what I'm saying.

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Speaker 2: You Uh you mentioned uh hanging out with Missy? How

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Speaker 2: were you guys? She's one of the goats. Uh did

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Speaker 2: you guys build a relationship?

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Speaker 1: Super? Super We built a really great relationship. I don't

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Speaker 1: talk to her as much now, but she would hit

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Speaker 1: me up like I'm proud of you, congratulations. But yeah, now,

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Speaker 1: like Missy taught me a lot. She really taught me.

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Speaker 1: She taught me how to Like when I was staying

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Speaker 1: with her, she didn't have an engineer, so I had

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Speaker 1: to learn how to record myself. I had to learn how.

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Speaker 2: To Like you were like staying with Missy Elliott.

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Speaker 1: Yeah, I I was at a like in Atlanta. We

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Speaker 1: stayed with her for a few few weeks. Then I

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Speaker 1: went to Jersey and we stayed with her and like

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Speaker 1: literally she she made us do this master cleans for

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Speaker 1: like seven days and we was like starving. She made

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Speaker 1: me start my weight last journey. I lost like sixty pounds.

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Speaker 2: Yeah, she did a great job, not playing office she did.

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Speaker 1: Yeah, so like so yeah, like Missy like she really

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Speaker 1: she really taught me how to like get the work done.

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Speaker 1: Like she don't go out. She works, and she worked

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Speaker 1: like she broke and I was broke, and I'm trying

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Speaker 1: to go out side right and She's like, take your

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Speaker 1: ass in this free studio that I got upstairs. You

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Speaker 1: got a free studio upstairs. Why the hell you wanna

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Speaker 1: go outside? Like when somebody like like break it down

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Speaker 1: like that, Like nigga, you broke, why you wouldn't go outside?

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Speaker 2: I was like, that's some real ship that shit.

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Speaker 1: She could have told me, Bro.

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Speaker 2: You said you just did a show it sobs in

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Speaker 2: New York, which is obviously a legendary venue.

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Speaker 1: Or was that like that ship man, that's like s

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Speaker 1: O B's. That was the probably the most amazing energy

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Speaker 1: that I ever got from, like, cause you know New York,

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Speaker 1: they like New York is tough, for sure, It's tough.

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Speaker 2: Yeah, take it could go either way, go.

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Speaker 1: Either way, Bro, And it went the right way. And

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Speaker 1: and like no, puff Puff didn't pull up. And I'm

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Speaker 1: really glad you didn't. You know, it would have been

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Speaker 1: like you know, it would have been like more about

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Speaker 1: puff in New York. And I held my own.

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Speaker 1: And it just showed me like nobody missed that, like

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Speaker 1: they was there for me. Sobs. I ain't gonna front though,

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Speaker 1: like they got it. I tell I tell you, they

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Speaker 1: gotta fix s Obs up though a little bit. They

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Speaker 1: got it. It's like that they got what they gotta

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Speaker 1: do something.

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Speaker 2: Bro Like it's Sobs, Sobs.

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Speaker 1: It ain't gonna change.

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Speaker 2: It's just it's just so OB's man.

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Speaker 1: Like Walmart, Walmart is gonna be Walmart ain't gonna put

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Speaker 1: no chandeliers.

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Speaker 2: And then nah, Sobs. You know, this is kind of

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Speaker 2: like that venue you gotta hit in New York on

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Speaker 2: your way up and.

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Speaker 1: You just gotta take it. It was amazing that I

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Speaker 1: do it again right now.

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Speaker 2: I was gonna say, how it because because you were

348
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Speaker 2: saying a bunch of dudes showed up to the show,

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Speaker 2: Because I do feel like.

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Speaker 1: I love that too. I love that it was a

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Speaker 1: lot of guys in there.

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Speaker 2: How would you say your fan base is like, are

353
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Speaker 2: you noticing like a lot more women or men? Like

354
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Speaker 2: because it feels like you're because you kind of as

355
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Speaker 2: a as a as a lesbian woman. I feel like

356
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Speaker 2: you're like, when I listen to your ship, I kind

357
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Speaker 2: of like I can relate to this ship because talking

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Speaker 2: about you know what I mean, like with girl, you

359
00:16:31,680 --> 00:16:33,480
Speaker 2: know what I'm saying. So it's like, you know, I

360
00:16:33,480 --> 00:16:35,480
Speaker 2: feel like it's a related related You're kind of relatable

361
00:16:35,520 --> 00:16:37,680
Speaker 2: on both aisles. Thank you, So you're kind of checking

362
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Speaker 2: a lot of boxes, like and I feel like other

363
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Speaker 2: female artists on the R and B side might not

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Speaker 2: thank you. Again.

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Speaker 1: That means a lot because I'm telling you both. That

366
00:16:46,760 --> 00:16:48,720
Speaker 1: was a different crowd, Like it was a lot a

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Speaker 1: lot of girls, a lot of girls that was and

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Speaker 1: then it was like and then in the middle it

369
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Speaker 1: was like couples, and then in the back it was

370
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Speaker 1: the hood niggas and like did to the motherfucking left side,

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Speaker 1: it was like like the like in the VIP section,

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Speaker 1: it's the baddies, you know, they want to send in

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Speaker 1: the VIP section. Then you had your gay couples, you know,

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Speaker 1: guys on gods and it was just everybody was just

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Speaker 1: like I never like I really didn't know what my

376
00:17:15,680 --> 00:17:18,359
Speaker 1: crowd was. I was just like it was crazy, like

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00:17:18,400 --> 00:17:20,359
Speaker 1: in the front it was just all girls, but like

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Speaker 1: you know, I really just I love that that my

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00:17:24,359 --> 00:17:26,119
Speaker 1: crowd is what it is, you know what I'm saying,

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Speaker 1: And I appreciate that even in Atlanta, like I was like, oh, yeah,

381
00:17:31,280 --> 00:17:34,720
Speaker 1: it's it's it's not just one thing. And that means

382
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Speaker 1: a lot to me because like it looked like like

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00:17:37,160 --> 00:17:40,040
Speaker 1: the guys was feeling and guys was in there. I'm like, damn, bro,

384
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Speaker 1: like that made me feel That made me feel feel

385
00:17:43,200 --> 00:17:46,720
Speaker 1: good and appreciate it because you know, you just want

386
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Speaker 1: everybody not to feel like, yo, oh she's a gay artist.

387
00:17:49,840 --> 00:17:52,639
Speaker 1: She's for gay she's for the gaye. No, like I

388
00:17:52,680 --> 00:17:54,800
Speaker 1: ain't for the I don't even I'm not for the gaze.

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Speaker 1: I'm for the women. I'm for the niggas. It's why

390
00:17:56,760 --> 00:18:00,120
Speaker 1: I songs women for Game, for niggas.

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Speaker 2: For everybody, everybody, you know. Yeah, like I couldn't say

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00:18:04,520 --> 00:18:05,119
Speaker 2: for the gays.

393
00:18:07,040 --> 00:18:10,600
Speaker 1: I'm for everybody, you know, for the gags, for everybody

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00:18:10,600 --> 00:18:10,800
Speaker 1: you know.

395
00:18:10,920 --> 00:18:15,520
Speaker 2: But like I love that for you, Like, uh, you know,

396
00:18:15,600 --> 00:18:19,400
Speaker 2: obviously did he? Because did he? We we think back

397
00:18:19,440 --> 00:18:21,400
Speaker 2: to what was it about a year ago he said

398
00:18:21,480 --> 00:18:24,159
Speaker 2: R and B is dead and then for him to

399
00:18:24,240 --> 00:18:28,080
Speaker 2: launch Love Records and have an amazing, Like, I mean,

400
00:18:28,080 --> 00:18:30,760
Speaker 2: you're making just dope records that are thank you so much.

401
00:18:30,840 --> 00:18:33,719
Speaker 2: Reminded me of like the R and B that's kind

402
00:18:33,760 --> 00:18:35,960
Speaker 2: of been missing. You know. We get a lot of

403
00:18:36,000 --> 00:18:38,560
Speaker 2: like the alternative R and B vibe ship, but I'm like,

404
00:18:38,600 --> 00:18:40,919
Speaker 2: where's that RM B shit that I grew up on?

405
00:18:41,000 --> 00:18:43,800
Speaker 2: You know, So for you, uh, do you feel any

406
00:18:43,840 --> 00:18:46,720
Speaker 2: pressure like being signed to the guy who said R

407
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Speaker 2: and B is dead?

408
00:18:47,680 --> 00:18:50,280
Speaker 1: No, no pressure because you got to back that up,

409
00:18:50,600 --> 00:18:54,720
Speaker 1: you know, like, and what's so amazing? Nobody nobody online

410
00:18:54,920 --> 00:18:58,440
Speaker 1: was said nothing crazy like and I'm not even person

411
00:18:58,520 --> 00:19:03,600
Speaker 1: who like looks coming, but like literally nobody said anything

412
00:19:03,640 --> 00:19:05,760
Speaker 1: about that R and B is dead, Like oh oh,

413
00:19:05,800 --> 00:19:07,920
Speaker 1: she didn't live up to it, Like no, I didn't

414
00:19:07,960 --> 00:19:08,360
Speaker 1: see not.

415
00:19:08,400 --> 00:19:10,200
Speaker 2: One Like well, I mean I think Diddy knew what

416
00:19:10,200 --> 00:19:11,600
Speaker 2: he was doing. He probably was like, yeah, R and

417
00:19:11,680 --> 00:19:12,879
Speaker 2: B is dead, but I got the answer.

418
00:19:13,119 --> 00:19:16,720
Speaker 1: But the thing is, yeah, I mean like R and

419
00:19:16,760 --> 00:19:19,199
Speaker 1: B is here and it's alive, and it's crazy.

420
00:19:19,280 --> 00:19:20,880
Speaker 2: I think in a great.

421
00:19:20,960 --> 00:19:22,920
Speaker 1: RB is in a great space. It's just a certain

422
00:19:23,040 --> 00:19:26,240
Speaker 1: RB like they don't like like the up tempos like

423
00:19:26,680 --> 00:19:29,199
Speaker 1: summertime jams, like what happened to the Loomye D's and

424
00:19:29,560 --> 00:19:33,680
Speaker 1: like the Jagged what's the party? You know what I'm saying,

425
00:19:34,160 --> 00:19:36,160
Speaker 1: And that's why we're replaying that it's gone for sure,

426
00:19:36,240 --> 00:19:37,960
Speaker 1: Yeah no, but it's not we bringing it back. That's

427
00:19:37,960 --> 00:19:39,920
Speaker 1: why we got replayed. That's why we got commotion.

428
00:19:40,080 --> 00:19:43,680
Speaker 2: That's even like the Army groups groups, Yeah what flow

429
00:19:43,760 --> 00:19:46,440
Speaker 2: from from the UK? Yeah, they just had a show.

430
00:19:47,600 --> 00:19:50,000
Speaker 1: Yeah, exactly, flow from the u k is. Like the

431
00:19:50,119 --> 00:19:52,840
Speaker 1: u k IS is like actually shipping on us right

432
00:19:52,840 --> 00:19:55,520
Speaker 1: now on the RBS, they're shipping on us when it

433
00:19:55,560 --> 00:19:57,240
Speaker 1: comes to a lot of things with music. I ain't

434
00:19:57,240 --> 00:20:00,360
Speaker 1: gonna lie to y'all. They're they're so progressive, but shout

435
00:20:00,400 --> 00:20:03,560
Speaker 1: out to my boys saying uptown who got flowed? But

436
00:20:03,680 --> 00:20:06,200
Speaker 1: like literally like that's what I want to do. I

437
00:20:06,280 --> 00:20:08,480
Speaker 1: want to bring back summertime bots. You know what I'm saying.

438
00:20:08,480 --> 00:20:11,679
Speaker 1: And that's why that's why, like replay has that feeling

439
00:20:11,720 --> 00:20:15,440
Speaker 1: and commotion and like I want to even alone, Like

440
00:20:15,480 --> 00:20:17,560
Speaker 1: you can play alone in the club. I've heard it of. DJ.

441
00:20:17,720 --> 00:20:19,080
Speaker 1: Just speed it up a little bit and it's still

442
00:20:19,119 --> 00:20:21,360
Speaker 1: got a bot where you can Like that's what I'm

443
00:20:21,359 --> 00:20:23,560
Speaker 1: talking about, Like still got a hip hop vibe to

444
00:20:23,600 --> 00:20:24,440
Speaker 1: it for you.

445
00:20:25,480 --> 00:20:28,800
Speaker 2: Obviously putting out an EP is the album still being

446
00:20:28,840 --> 00:20:29,119
Speaker 2: worked on.

447
00:20:29,240 --> 00:20:32,360
Speaker 1: Man, I'm listening, bro, I'm almost done with the album literally, bro,

448
00:20:32,440 --> 00:20:35,040
Speaker 1: Like I'm I literally just texted Puff today like, Yo,

449
00:20:35,040 --> 00:20:37,239
Speaker 1: I'm about to put the project on. I mean, we

450
00:20:37,280 --> 00:20:41,040
Speaker 1: transfer you what I got so far. I want you

451
00:20:41,119 --> 00:20:43,920
Speaker 1: to listen to it, digest it, and you know, because

452
00:20:44,000 --> 00:20:45,600
Speaker 1: I like, it's a lot of things that I want

453
00:20:45,600 --> 00:20:48,000
Speaker 1: to like fix up and clean up. But this this

454
00:20:48,119 --> 00:20:49,600
Speaker 1: album is about to be. Like I don't have no

455
00:20:49,640 --> 00:20:52,119
Speaker 1: features on the last album on the EP because I

456
00:20:52,160 --> 00:20:54,679
Speaker 1: want to hold my own. I didn't want an artists

457
00:20:54,680 --> 00:20:56,919
Speaker 1: to feel like I'm trying to use them, so like

458
00:20:56,960 --> 00:20:58,359
Speaker 1: I'm going for the I'm going.

459
00:20:58,480 --> 00:20:58,880
Speaker 2: I'm going.

460
00:20:59,040 --> 00:21:01,760
Speaker 1: I'm trying to go for anyone out, won't You're not scared?

461
00:21:01,920 --> 00:21:02,840
Speaker 1: I'm asking everybody.

462
00:21:02,920 --> 00:21:06,159
Speaker 2: Well. I keep hearing about also too, like, uh, this

463
00:21:06,320 --> 00:21:10,720
Speaker 2: Diddy album, a lot of people have heard it's so good.

464
00:21:11,240 --> 00:21:14,160
Speaker 2: Uh obviously he put the bryceon Tiller single out last year.

465
00:21:15,680 --> 00:21:16,879
Speaker 2: Are you helping him a lot with that?

466
00:21:17,119 --> 00:21:20,480
Speaker 1: Yeah, I'm I'm damn it. Like an I heard it's.

467
00:21:20,359 --> 00:21:23,480
Speaker 2: Like a DJ Khaled type R and B album, Cuz.

468
00:21:23,359 --> 00:21:26,119
Speaker 1: That's that's a beautiful damn that's hard. That's exactly what

469
00:21:26,119 --> 00:21:28,199
Speaker 1: it is. And he's rapping on it though, like but

470
00:21:28,359 --> 00:21:32,720
Speaker 1: definitely like like he is, like what's the circus the.

471
00:21:32,640 --> 00:21:37,680
Speaker 2: Barnom he's that he's the ring master.

472
00:21:38,320 --> 00:21:41,880
Speaker 1: Yeah, he's he's like you know what I'm saying, and

473
00:21:41,960 --> 00:21:45,359
Speaker 1: like it is so freaking good, Like and literally I

474
00:21:45,880 --> 00:21:48,959
Speaker 1: am at the project, like as far as like taking

475
00:21:49,320 --> 00:21:52,119
Speaker 1: like every song, like taking it off, putting songs on it.

476
00:21:52,720 --> 00:21:56,280
Speaker 1: He's trusting me what I'll be having to like like

477
00:21:56,320 --> 00:21:58,200
Speaker 1: if I leave for a week, he'll put a song

478
00:21:58,240 --> 00:22:01,960
Speaker 1: on them, like Puff, take that off? No, take that off,

479
00:22:02,200 --> 00:22:04,480
Speaker 1: Like I gotta like be around here twenty four seven

480
00:22:04,520 --> 00:22:06,120
Speaker 1: because it's always somebody else.

481
00:22:05,960 --> 00:22:07,040
Speaker 2: Around you know what I'm saying.

482
00:22:07,119 --> 00:22:09,240
Speaker 1: But like this man is just a genius bro Like

483
00:22:09,280 --> 00:22:13,240
Speaker 1: Puff is like scary. This dude's ear. The dude's ear

484
00:22:13,400 --> 00:22:15,400
Speaker 1: is just I just don't.

485
00:22:15,280 --> 00:22:18,280
Speaker 2: Like as you fuck, his work ethics insane.

486
00:22:18,320 --> 00:22:21,480
Speaker 1: His work ethic is nasty. It's kind of I like

487
00:22:22,000 --> 00:22:25,320
Speaker 1: he's a little OCD, you know, and I'm not. I'm

488
00:22:25,359 --> 00:22:28,320
Speaker 1: not an OCD you like person when it comes especially

489
00:22:28,320 --> 00:22:30,800
Speaker 1: when it comes to music, Like like if you hear

490
00:22:30,840 --> 00:22:32,640
Speaker 1: my chain rattling and there's just gonna stand.

491
00:22:32,680 --> 00:22:33,440
Speaker 2: And I don't care if.

492
00:22:33,320 --> 00:22:36,120
Speaker 1: You hear the chair out if you're recording vocals or yeah,

493
00:22:36,200 --> 00:22:39,760
Speaker 1: I don't care about like I'm just not I like that.

494
00:22:40,280 --> 00:22:44,399
Speaker 2: Yeah, yeah, for sure, Yes I agree, you know what

495
00:22:44,480 --> 00:22:44,960
Speaker 2: I'm saying.

496
00:22:45,400 --> 00:22:48,919
Speaker 1: But like you know, I be like, stop, you don't overcook,

497
00:22:49,119 --> 00:22:51,520
Speaker 1: like you can cook, but don't overcook your ship, like

498
00:22:51,640 --> 00:22:53,160
Speaker 1: you know what I'm saying. So I'm trying to teach.

499
00:22:53,600 --> 00:22:55,359
Speaker 1: And I think that's the difference between the nineties and

500
00:22:55,359 --> 00:22:57,560
Speaker 1: today is like the nineties they took so they took

501
00:22:57,680 --> 00:22:59,920
Speaker 1: a long time with everything that they do.

502
00:23:00,480 --> 00:23:02,080
Speaker 2: For sure, they took a long time.

503
00:23:02,160 --> 00:23:04,639
Speaker 1: But like you know, there's a there's a way, like

504
00:23:04,680 --> 00:23:07,960
Speaker 1: we can kind of like integrate your your way and

505
00:23:08,000 --> 00:23:11,400
Speaker 1: then yeah, yeah, and like you know, don't overcook it.

506
00:23:11,280 --> 00:23:13,720
Speaker 2: So for you are you like are you are you straight?

507
00:23:13,840 --> 00:23:16,320
Speaker 2: Just going in cutting the melody first and filming in

508
00:23:16,320 --> 00:23:16,680
Speaker 2: the lyrics.

509
00:23:16,720 --> 00:23:20,120
Speaker 1: I'm a freestyle of a show, like I'm a free

510
00:23:20,240 --> 00:23:22,560
Speaker 1: the way future the way do it is the same

511
00:23:22,600 --> 00:23:24,560
Speaker 1: way I do it. Like literally, I go in there

512
00:23:24,560 --> 00:23:27,440
Speaker 1: a freestyle. I'll come I'll go out there and sit

513
00:23:27,520 --> 00:23:30,280
Speaker 1: with my engineer comp the melodies and then I'll be like, yo,

514
00:23:30,480 --> 00:23:32,480
Speaker 1: I don't even write anymore. I'll be like, play the

515
00:23:32,480 --> 00:23:36,199
Speaker 1: line line for line, just hit and so sometimes that.

516
00:23:36,920 --> 00:23:39,040
Speaker 2: The way most people are doing it.

517
00:23:39,080 --> 00:23:41,200
Speaker 1: That's how I write songs for anybody, though, like with anybody.

518
00:23:41,280 --> 00:23:43,439
Speaker 1: And it's so hard because like when I'm writing for artists,

519
00:23:43,640 --> 00:23:45,240
Speaker 1: they be like, send me the lyrics. I'm like, damn,

520
00:23:45,520 --> 00:23:48,960
Speaker 1: I gotta write. Oh, it'd be so hard. Like that's

521
00:23:49,000 --> 00:23:50,639
Speaker 1: the worst part of the whole thing is having to

522
00:23:50,640 --> 00:23:52,119
Speaker 1: write it. When they be like, sem me the lyrics.

523
00:23:52,119 --> 00:23:52,439
Speaker 2: I'm like a.

524
00:23:54,520 --> 00:23:56,960
Speaker 1: First, yeah, bro, cause like you be just because I

525
00:23:57,280 --> 00:23:59,400
Speaker 1: do like four songs a night, five songs a night,

526
00:23:59,480 --> 00:24:01,359
Speaker 1: like write home, I can do like five songs like

527
00:24:01,400 --> 00:24:05,200
Speaker 1: whole songs, damn, and so like that. After that third

528
00:24:05,320 --> 00:24:06,679
Speaker 1: or fourth if you don't mean be one of the light,

529
00:24:06,760 --> 00:24:10,040
Speaker 1: you be in such the mood you don't you don't

530
00:24:10,080 --> 00:24:12,280
Speaker 1: want to stop and write these lyrics down, bro, They's

531
00:24:12,280 --> 00:24:13,640
Speaker 1: just be like stopping the process.

532
00:24:13,720 --> 00:24:17,360
Speaker 2: But it is summertime. If you're dealing with electi rectile

533
00:24:17,400 --> 00:24:20,760
Speaker 2: dysfunction ed, if you will, maybe you got stress at work,

534
00:24:21,359 --> 00:24:24,119
Speaker 2: maybe you're tired of looking at the same chick. Maybe

535
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Speaker 2: you just need a little pep in your step. You

536
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537
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538
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539
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541
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546
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552
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562
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563
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564
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565
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566
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567
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568
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569
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570
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571
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573
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574
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575
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576
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577
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578
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579
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580
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581
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582
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583
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584
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585
00:27:16,160 --> 00:27:18,560
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586
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587
00:27:20,680 --> 00:27:22,399
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588
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589
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590
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591
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592
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595
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596
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597
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598
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Speaker 2: They just dropped the Beavis and butthead socks and draws.

599
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Speaker 2: Let's take a check some nice little peek at the

600
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Speaker 2: Beavis and butt Heead draw skis bro Come on, many

601
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602
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608
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611
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612
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Speaker 2: And they just got Coca Cola, They got the scarface boys, Like,

613
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614
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615
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616
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617
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618
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621
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Speaker 2: Or don't and keep torturing yourself with those shitty socks

622
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Speaker 2: you're wearing right now. Be a damn shame. Anyway, let's

623
00:29:14,560 --> 00:29:16,840
Speaker 2: get back to the interview. What's the best strip clip

624
00:29:16,880 --> 00:29:18,080
Speaker 2: in Miami in your opinion?

625
00:29:18,680 --> 00:29:22,160
Speaker 1: Oh? Man, I mean Booby Trap.

626
00:29:22,280 --> 00:29:24,280
Speaker 2: Booby Trap, Booby Trap, whe Place.

627
00:29:24,160 --> 00:29:26,760
Speaker 1: Booby Trup. I love Booby and I ain't gonna front.

628
00:29:26,920 --> 00:29:29,959
Speaker 1: The office is kind of The office is lit. If

629
00:29:30,000 --> 00:29:32,440
Speaker 1: you go with the right you gotta go right. People

630
00:29:32,960 --> 00:29:35,000
Speaker 1: spot one way in, one way out, you know what

631
00:29:35,040 --> 00:29:36,880
Speaker 1: I'm saying. So you gotta be you gotta know, you

632
00:29:36,960 --> 00:29:37,200
Speaker 1: gotta be.

633
00:29:37,400 --> 00:29:39,480
Speaker 2: You know where it has a really good Food is

634
00:29:39,520 --> 00:29:42,520
Speaker 2: a taboo. They got a chef in there. I don't

635
00:29:42,520 --> 00:29:44,640
Speaker 2: know who the chef is. It's Tory lanez Well. I

636
00:29:44,640 --> 00:29:45,320
Speaker 2: don't know how much.

637
00:29:45,920 --> 00:29:49,360
Speaker 1: Oh yeah, yeah he had I never been I never visited.

638
00:29:49,960 --> 00:29:50,720
Speaker 1: I never been there.

639
00:29:50,920 --> 00:29:52,960
Speaker 2: But booby traps like the new like.

640
00:29:53,360 --> 00:29:56,840
Speaker 1: Yeah, that was another spot, that ass five Perry Perry wing.

641
00:29:56,920 --> 00:29:59,840
Speaker 1: It was five five nah nah g it was a

642
00:30:00,320 --> 00:30:03,520
Speaker 1: It was Cocos Cocos. I don't know if y'all know,

643
00:30:03,560 --> 00:30:05,480
Speaker 1: if you and the Yams, you know what cocos is.

644
00:30:05,520 --> 00:30:08,560
Speaker 1: It's a smaller duct off strip club. They got some wings.

645
00:30:08,600 --> 00:30:09,360
Speaker 1: That was so far.

646
00:30:09,560 --> 00:30:10,640
Speaker 2: What do you think about tutsies.

647
00:30:11,680 --> 00:30:15,840
Speaker 1: I'm not a totsy person like the homies. Like niggas

648
00:30:15,840 --> 00:30:20,520
Speaker 1: love tussies, but I don't. I don't like the massages

649
00:30:20,560 --> 00:30:22,720
Speaker 1: on the first on the floor, like up at the top.

650
00:30:22,760 --> 00:30:24,400
Speaker 2: I don't they do more than massages.

651
00:30:24,600 --> 00:30:26,960
Speaker 1: They do a lot more than massages, But I don't.

652
00:30:27,280 --> 00:30:29,160
Speaker 1: I don't really like that. I don't. It doesn't do

653
00:30:29,200 --> 00:30:31,440
Speaker 1: nothing for me for four hundred dollars. Yeah, no, they

654
00:30:31,520 --> 00:30:33,480
Speaker 1: go crazy. I walked down on one of my homies.

655
00:30:33,440 --> 00:30:36,280
Speaker 1: I oh yeah, my fault, my fault. I ain't seen nothing,

656
00:30:36,320 --> 00:30:40,640
Speaker 1: bro you've never tricked off on a stripper? No, I

657
00:30:40,720 --> 00:30:43,560
Speaker 1: gotta ask No, I mean no, I haven't. Let me

658
00:30:43,600 --> 00:30:47,040
Speaker 1: not do it like no, No, I mean I throw

659
00:30:47,120 --> 00:30:49,680
Speaker 1: brad at them. Yeah, like go crazy, I know, Like.

660
00:30:52,640 --> 00:30:54,960
Speaker 2: In Miami, I've seen some. I've seen some grown man

661
00:30:55,280 --> 00:30:57,000
Speaker 2: ye dive into some really.

662
00:30:57,600 --> 00:31:00,280
Speaker 1: Because when I fuck with a girl, like I'm fucking

663
00:31:00,400 --> 00:31:02,600
Speaker 1: her to make her have a great night, I want

664
00:31:02,600 --> 00:31:04,480
Speaker 1: her to be like, yo, you fuck the ship out

665
00:31:04,480 --> 00:31:06,800
Speaker 1: of me like that shit was incredible, Like why am

666
00:31:06,800 --> 00:31:08,800
Speaker 1: I gonna pay you to let me give you a

667
00:31:08,800 --> 00:31:12,160
Speaker 1: good night? You know what I'm saying, Like you should

668
00:31:12,200 --> 00:31:13,880
Speaker 1: be paying me what I'm about to do to you.

669
00:31:14,280 --> 00:31:17,640
Speaker 1: That's how I look at it. So I'm not about Yeah,

670
00:31:17,760 --> 00:31:20,520
Speaker 1: I mean that's how like if I was, that's my

671
00:31:20,520 --> 00:31:22,800
Speaker 1: mind state, Like I'm not. I'm not. I don't, I don't,

672
00:31:23,320 --> 00:31:25,720
Speaker 1: you're not. I'm not trying to bust. I got a bus.

673
00:31:26,840 --> 00:31:28,200
Speaker 1: Let me let me go and get that. If I

674
00:31:28,240 --> 00:31:30,080
Speaker 1: was a nigga, I get it. I would definitely pay

675
00:31:30,280 --> 00:31:31,840
Speaker 1: so you can get out of my face for I

676
00:31:32,040 --> 00:31:34,320
Speaker 1: need to, you know. But for me, it's more of

677
00:31:34,320 --> 00:31:37,760
Speaker 1: a like so like it's a it's a little mind thing.

678
00:31:37,880 --> 00:31:42,760
Speaker 2: Like Okay, So I don't want to get into the

679
00:31:42,720 --> 00:31:43,520
Speaker 2: intricacies of this.

680
00:31:44,120 --> 00:31:46,240
Speaker 1: I don'kay. You can get it whatever you want to get.

681
00:31:46,080 --> 00:31:49,640
Speaker 2: It, Like for you, like do you have like okay,

682
00:31:49,640 --> 00:31:52,840
Speaker 2: you're obviously you got to strap on like the in

683
00:31:52,880 --> 00:31:55,320
Speaker 2: the drawd ready to go. Different sizes for different chicks, Like.

684
00:31:55,840 --> 00:31:57,760
Speaker 1: Now, I don't have different sizes for different ships.

685
00:31:57,800 --> 00:31:59,800
Speaker 2: You just got to like how does how does how

686
00:31:59,840 --> 00:32:04,640
Speaker 2: does a masculine lesbian woman picked this the go to strap?

687
00:32:04,720 --> 00:32:05,360
Speaker 1: I only got one?

688
00:32:05,800 --> 00:32:09,720
Speaker 2: You only got one one? Okay, I'm just curious.

689
00:32:10,560 --> 00:32:12,560
Speaker 1: Now I'm not like, oh I got let me put

690
00:32:12,600 --> 00:32:16,000
Speaker 1: this strap on. Nah, I don't have that, like literally.

691
00:32:15,760 --> 00:32:17,440
Speaker 2: Got the main guy, the main one.

692
00:32:17,600 --> 00:32:19,720
Speaker 1: Okay, I got the main one, and like you know,

693
00:32:20,480 --> 00:32:23,520
Speaker 1: sometimes I'll bring it sometimes I don't. Like I'm not

694
00:32:23,520 --> 00:32:26,280
Speaker 1: like a person who got to carry the strap like

695
00:32:26,320 --> 00:32:27,280
Speaker 1: everywhere I go, Like.

696
00:32:28,560 --> 00:32:29,560
Speaker 2: I'm just I don't know.

697
00:32:29,640 --> 00:32:32,640
Speaker 1: No, I love that. I love these questions, like you

698
00:32:32,640 --> 00:32:33,080
Speaker 1: can ask me.

699
00:32:33,120 --> 00:32:36,760
Speaker 2: I wondering this ship because I'm like, you know, because

700
00:32:36,800 --> 00:32:39,960
Speaker 2: like you'll see, Like but I was in Miami one

701
00:32:39,960 --> 00:32:41,760
Speaker 2: weekend and I don't know what was going on, but

702
00:32:41,800 --> 00:32:43,520
Speaker 2: it was like a stud weekend. Do you know what

703
00:32:43,520 --> 00:32:44,800
Speaker 2: weekend I'm talking about in Miami.

704
00:32:44,920 --> 00:32:47,120
Speaker 1: Yeah, sweet heat shout outs DJ.

705
00:32:47,440 --> 00:32:50,640
Speaker 2: I was in town during that uh something mouse and

706
00:32:50,680 --> 00:32:52,640
Speaker 2: I was on South Beach and it was just like

707
00:32:52,680 --> 00:32:54,200
Speaker 2: a bunch of young and ma's running around.

708
00:32:54,240 --> 00:32:55,880
Speaker 1: It was crazy sound ship.

709
00:32:56,080 --> 00:32:58,800
Speaker 2: I was like, damn, this ship is crazy. I'm like,

710
00:32:58,800 --> 00:33:01,440
Speaker 2: what is going on in Miami this weekend? Everyone looks

711
00:33:01,440 --> 00:33:02,880
Speaker 2: like Queen the Teeth and set it off.

712
00:33:03,440 --> 00:33:06,360
Speaker 1: My shout out Queen the Teeth and said it.

713
00:33:06,440 --> 00:33:08,480
Speaker 2: So I was just what I just wonder, like when

714
00:33:08,480 --> 00:33:12,000
Speaker 2: it comes to like, you know, because y'all be pulling

715
00:33:12,000 --> 00:33:13,720
Speaker 2: some bad bitches, you know what I'm saying, Like, I

716
00:33:13,840 --> 00:33:16,720
Speaker 2: just wonder because women love women. But the strap situation is.

717
00:33:16,680 --> 00:33:20,160
Speaker 1: Women love women. Yeah, it's just it's just never gonna change,

718
00:33:20,200 --> 00:33:21,600
Speaker 1: like a woman just loves women.

719
00:33:21,680 --> 00:33:23,640
Speaker 2: How often do you get a new strap?

720
00:33:25,160 --> 00:33:25,360
Speaker 1: Now?

721
00:33:25,360 --> 00:33:29,000
Speaker 2: I do change my strap to change every three months,

722
00:33:29,000 --> 00:33:30,480
Speaker 2: every six months, Yeah.

723
00:33:30,320 --> 00:33:32,120
Speaker 1: It could be. It depends on if I'm sucking a lot,

724
00:33:32,200 --> 00:33:34,640
Speaker 1: if I'm like going crazy, I gotta retire this one.

725
00:33:34,760 --> 00:33:40,720
Speaker 1: Yeah yeah yeah. But but also also like sometimes you

726
00:33:40,800 --> 00:33:44,280
Speaker 1: gotta use I'll use a condom on it, Like I'm not.

727
00:33:44,560 --> 00:33:47,200
Speaker 2: So you put a condumn on the strep out of

728
00:33:47,200 --> 00:33:49,280
Speaker 2: respect for her, like I don't know, like because you

729
00:33:49,280 --> 00:33:52,000
Speaker 2: don't know, Yeah, of respect respect, you know, and out

730
00:33:52,000 --> 00:33:55,280
Speaker 2: of respect for the you know, for the strap, for

731
00:33:55,400 --> 00:33:58,840
Speaker 2: the disease, my ship ship, all these niggas outt you're

732
00:33:58,880 --> 00:34:01,200
Speaker 2: hearing on, so you gotta be careful, you know, cause

733
00:34:01,240 --> 00:34:04,640
Speaker 2: but but like honestly, like, yes, it's not it's not

734
00:34:04,680 --> 00:34:06,640
Speaker 2: like it's just like a dick.

735
00:34:06,840 --> 00:34:08,560
Speaker 1: I feel like niggas just be going there wrong and

736
00:34:08,600 --> 00:34:12,360
Speaker 1: it was just which is crazy, especially three, which is sick.

737
00:34:12,600 --> 00:34:15,520
Speaker 2: Yeah, it's a crazy thing which is sitting. But like, yeah,

738
00:34:15,560 --> 00:34:17,640
Speaker 2: you know, it's so that's what's up. I say, I

739
00:34:17,800 --> 00:34:20,000
Speaker 2: appreciate you for explaining such things.

740
00:34:20,160 --> 00:34:24,120
Speaker 1: Not easy anything about listening. My hands a little sweaty.

741
00:34:24,120 --> 00:34:26,360
Speaker 1: Anytime you need something like advice about you want to

742
00:34:26,480 --> 00:34:27,279
Speaker 1: know what's going on.

743
00:34:28,000 --> 00:34:31,200
Speaker 2: He's just I'm just curious, Hey, what is on? Now?

744
00:34:31,239 --> 00:34:34,239
Speaker 2: I know that that was Sweetheat weekend and Sweeteat weekend. Yeah,

745
00:34:34,360 --> 00:34:35,200
Speaker 2: cause it was wild.

746
00:34:35,280 --> 00:34:37,359
Speaker 1: It was wild. Now I get wild. Ill be seeing girl,

747
00:34:37,440 --> 00:34:39,680
Speaker 1: I'll be seeing some studs be walking out with they strap.

748
00:34:39,760 --> 00:34:41,640
Speaker 1: I don't do that, like they be like literally having

749
00:34:41,640 --> 00:34:43,560
Speaker 1: they strap on, like like they got a dick when

750
00:34:43,560 --> 00:34:46,520
Speaker 1: they walking around. I'm not I'm not I'm not that

751
00:34:47,200 --> 00:34:50,360
Speaker 1: masking it. You know what I'm saying. I'm masking it,

752
00:34:50,400 --> 00:34:53,600
Speaker 1: but I'm not that. Like you know, I'm not gonna

753
00:34:53,640 --> 00:34:55,520
Speaker 1: do that. I'm not gonna have my ship.

754
00:34:55,960 --> 00:35:01,719
Speaker 2: Just yeah, I get it. Well, Uh, the new pee's out, Yeah.

755
00:35:02,239 --> 00:35:03,759
Speaker 1: Shout out to them if they do that. Though, I

756
00:35:03,800 --> 00:35:05,360
Speaker 1: respect whatever does that.

757
00:35:05,440 --> 00:35:08,600
Speaker 2: I'm just saying that's me. Likewise, I would I would

758
00:35:08,640 --> 00:35:12,040
Speaker 2: respect that too. Somebody walking around with that and they're like,

759
00:35:12,239 --> 00:35:16,520
Speaker 2: I'd be like, yo, respect she hang it Like I

760
00:35:16,520 --> 00:35:18,360
Speaker 2: feel like Britney Grinder might walk around with that. You

761
00:35:18,400 --> 00:35:20,360
Speaker 2: know what I'm saying. Shout out to Brittany.

762
00:35:20,400 --> 00:35:22,399
Speaker 1: Shout out, man, she deserves to do whatever. She won't

763
00:35:22,520 --> 00:35:23,759
Speaker 1: being locked up in Russia for that.

764
00:35:23,760 --> 00:35:29,400
Speaker 2: Phoenix Mercury shouting for Phoenix. So legend, so Yo, go

765
00:35:29,480 --> 00:35:30,839
Speaker 2: run up to EP. You got a bunch of music

766
00:35:30,960 --> 00:35:34,480
Speaker 2: videos out and then hopefully this Diddy album comes out

767
00:35:34,520 --> 00:35:37,680
Speaker 2: soon that you're an r N yeah, and you're working

768
00:35:37,680 --> 00:35:38,720
Speaker 2: on the album, working.

769
00:35:38,560 --> 00:35:40,440
Speaker 1: On the album. I can't wait for the album, man,

770
00:35:41,160 --> 00:35:42,880
Speaker 1: I can't wait to even give you out a title,

771
00:35:42,920 --> 00:35:44,080
Speaker 1: the title so Smooth.

772
00:35:44,760 --> 00:35:46,080
Speaker 2: Before the end of the year, you'll have it out.

773
00:35:46,120 --> 00:35:48,440
Speaker 1: I'm trying to have this out by like August September.

774
00:35:48,480 --> 00:35:49,680
Speaker 2: Oh shit, so real soon.

775
00:35:49,840 --> 00:35:52,200
Speaker 1: I'm really trying to like work on this, like heavy.

776
00:35:52,280 --> 00:35:53,560
Speaker 2: And then you're still writing.

777
00:35:53,560 --> 00:35:56,040
Speaker 1: Still writing, still writing, still going crazy.

778
00:35:56,239 --> 00:35:58,200
Speaker 2: Anything come out recently that you could shout out.

779
00:35:59,520 --> 00:36:03,560
Speaker 1: I did Chloe, our new project Pray It Away, the

780
00:36:03,920 --> 00:36:06,239
Speaker 1: Black Blue Project. I did a song called night on

781
00:36:06,280 --> 00:36:09,200
Speaker 1: the last project called night Ride Home. Last song.

782
00:36:09,719 --> 00:36:11,920
Speaker 2: I love that last one of my favorite artists, So.

783
00:36:11,960 --> 00:36:12,680
Speaker 1: He's so good.

784
00:36:12,920 --> 00:36:15,319
Speaker 2: Shout out to my boy, he's incredible. There it is.

785
00:36:15,320 --> 00:36:17,120
Speaker 2: We appreciate you pulling up Josie.

786
00:36:16,760 --> 00:36:17,400
Speaker 1: My God, thank you.

787
00:36:17,480 --> 00:36:17,960
Speaker 2: There it is