WEBVTT - Part One: Andrew Tate, and the Mythopoetic Men's Movement

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<v Speaker 1>Welcome to him Motherfucker's I'm Robert Evans. This is Behind

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<v Speaker 1>the Bastards, a podcast that has just encountered one of

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<v Speaker 1>the worst disasters of its career. So, uh, we'll get

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<v Speaker 1>into this more later. This is supposed to be and

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<v Speaker 1>it's going to be the first of several episodes about

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<v Speaker 1>Andrew Tate and the mythopoetic men's movement that led to

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<v Speaker 1>his rise to fame and influence among a generation of

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<v Speaker 1>young men. We started recording this episode just a few

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<v Speaker 1>hours ago with the wonderful April Clark and Grace Freud

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<v Speaker 1>of the Girl God podcast. Uh they have in anyway.

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<v Speaker 1>We recorded a little bit with them, and then I

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<v Speaker 1>had a minor emergency which has taken me out of

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<v Speaker 1>the house for a while. Things are okay, you don't

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<v Speaker 1>need to flip out on Reddit or whatever, but it

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<v Speaker 1>was it was a problem, um, and we were not

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<v Speaker 1>able to record with them. To finish recording with them,

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<v Speaker 1>and because of the holiday, we have no backlog. So

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<v Speaker 1>in order to get this episode done and ready for

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<v Speaker 1>our editor asap, Sophie is going to be my guest

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<v Speaker 1>today along with Ian our editor. UM and we will

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<v Speaker 1>get this out as soon as possible, because otherwise we

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<v Speaker 1>will not have a show and we are contractually obligated

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<v Speaker 1>to provide you with entertainment every single week until the

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<v Speaker 1>heat death of the universe. Um, but I do want

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<v Speaker 1>to shout out April and Grace, who are wonderful who

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<v Speaker 1>came on and booked time for us, and I'm sorry

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<v Speaker 1>that things got messed up. We will have them back

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<v Speaker 1>on the pod um at some point in the near future,

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<v Speaker 1>and I wanted to let people know that there is

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<v Speaker 1>They have an upcoming show at JFO Vancouver on February

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<v Speaker 1>and people can get tickets for that show at Girl

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<v Speaker 1>God Show dot com. You can also check out their

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<v Speaker 1>podcast just type girl God and any of the things

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<v Speaker 1>that have podcasts, and you can listen to their awesome show.

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<v Speaker 1>Thank you so much again, April and Grace. I'm sorry

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<v Speaker 1>that there was a minor calamity. UM. Now welcome to

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<v Speaker 1>the pod. Uh, Sophie and Ian, How are y'all doing

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<v Speaker 1>so well? So on I night. Ian is Ian Johnson,

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<v Speaker 1>by the way, he edits a lot of our shows,

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<v Speaker 1>and it's also uh one half of Gladiator with fellow

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<v Speaker 1>fellow editor DJ Daniel. All Right, and um, we do

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<v Speaker 1>have the full Gladiator on staff, which I like to

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<v Speaker 1>bring up as much as possible. M. I appreciate the love.

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<v Speaker 1>And yeah, you know it's Friday. Uh, ready for the weekend.

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<v Speaker 1>Let's talk some tape, you know, Let's let's do it Friday,

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<v Speaker 1>get into Friday, but also almost Saturday. Uh. And Ian

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<v Speaker 1>is currently in his closet. We may start drinking in

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<v Speaker 1>the in the near future. Might need to happen. Yeah,

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<v Speaker 1>let's do it, all right, Robert? Yeah, Ian, I actually

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<v Speaker 1>have you been on just as one of our podcasts

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<v Speaker 1>before you you have known this my first Well, you know, Ian,

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<v Speaker 1>people should know about you again. You're you're one half

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<v Speaker 1>of Gladiator. You're a longtime friend of our other editor

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<v Speaker 1>DJ Daniel. Um, you are a legendary podcast editor. And

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<v Speaker 1>you had absolutely no involvement in the July six plane

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<v Speaker 1>crash that cost John F. Kennedy Jr. His life off

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<v Speaker 1>the Massachusetts coast. No involvement at all. I don't know

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<v Speaker 1>why people, Yeah, don't bring it up. We had nothing

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<v Speaker 1>to do with it. Why are you talking about that?

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<v Speaker 1>I just to let people know Ian had nothing to

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<v Speaker 1>do with it. Ian Sophie, what do y'all know about

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<v Speaker 1>Andrew Tate. Um. So my limited knowledge of him is

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<v Speaker 1>he's I believe a former m M A fighter who

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<v Speaker 1>I don't know how he made a lot of money,

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<v Speaker 1>but it seems like he has a lot of money

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<v Speaker 1>from what he's seen on the internet. Will be talking

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<v Speaker 1>about how and he's into a lot of misogynistic men

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<v Speaker 1>rights kind of stuff. And uh, he got thoroughly destroyed

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<v Speaker 1>online by um Grenna, So I do remember that, um.

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<v Speaker 1>And I think he's in jail now. He is in

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<v Speaker 1>jail now, um. Unrelated to the Greta stuff. Um, there

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<v Speaker 1>was a little bit of a confusion about that, but yes,

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<v Speaker 1>he is in jail for sex trafficking in Romania. Um, Sophie,

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<v Speaker 1>is that more or less your understanding of the guy? Yeah,

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<v Speaker 1>he fucking sucks, Yeah he does. Indeed he does, indeed

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<v Speaker 1>fucking suck. Um. Unfortunately, he's also kind of worth studying

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<v Speaker 1>in detail because he's managed to do something with social

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<v Speaker 1>media that I don't think anyone else has ever managed

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<v Speaker 1>to the same degree of success. Um. He's he's he's

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<v Speaker 1>smart in one very specific way, even though he also

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<v Speaker 1>did a bunch of dumb things and some really dumb

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<v Speaker 1>crimes that hopefully have ruined his life. Um, he was

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<v Speaker 1>he was smart in one in a way that has

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<v Speaker 1>allowed him to become dangerously influential to an entire generation

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<v Speaker 1>of teenage boys. UM, in a way that like no

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<v Speaker 1>one on earth has managed quite yet. Donald Trump is

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<v Speaker 1>really the only other guy that I might put next

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<v Speaker 1>to Tate in that kind, And I think Tate has

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<v Speaker 1>a wider appeal among jin z teens and tweens than

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<v Speaker 1>certainly Trump. It's interesting to see the spaces where Tate's content. Yeah,

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<v Speaker 1>we're gonna be talking about all that. I am one

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<v Speaker 1>of the things when I started looking into this guy,

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<v Speaker 1>there's a ton of articles about because he blew up

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<v Speaker 1>kind of mid one up until you know the arrest

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<v Speaker 1>a couple of weeks ago. There's not profile articles on

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<v Speaker 1>him that like go into detail about his background and

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<v Speaker 1>his past and his entire rise to power. You'll generally

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<v Speaker 1>the best articles you'll find in places like BuzzFeed or

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<v Speaker 1>or UM. I think we have a couple from like

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<v Speaker 1>The Guardian, but like summarize his backstory and two or

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<v Speaker 1>three paragraphs. I wanted to get into who this guy

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<v Speaker 1>is and where he came from because he kind of

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<v Speaker 1>pops out of nowhere if you if you don't follow that.

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<v Speaker 1>I think this is the first time anyone's really done that,

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<v Speaker 1>So I think this will be valuable for for that.

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<v Speaker 1>But I want to start by laying out why we

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<v Speaker 1>have to take Tate seriously and kind of explain the

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<v Speaker 1>scale of of sort of his influence. UM. I am

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<v Speaker 1>not exaggerating when I say that he is maybe the

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<v Speaker 1>most influential single person on teen and preteen males in

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<v Speaker 1>the US and the UK and some other parts of

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<v Speaker 1>the West than anyone else on planet Earth. UM. In

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<v Speaker 1>fall of two, financial services company Piper Sandler released a

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<v Speaker 1>survey of fourteen thousand, five hundred US teens taken between

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<v Speaker 1>August and September of that year. Tait was the number

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<v Speaker 1>one influencer on the list in terms of popularity. He

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<v Speaker 1>beat Kanye West, he beat Mr Beast, he beat Dwyane

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<v Speaker 1>the Rock Johnson, all of them. Mrs. I, Yeah, I

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<v Speaker 1>don't know who Mr Beast is, but he's somebotuber. Yeah, yeah,

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<v Speaker 1>he's a YouTuber. I know. Elon Musk joked about giving

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<v Speaker 1>him control of Twitter or he asked whatever, I don't

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<v Speaker 1>know anything about him. I'm sure you're fine, Mr Beast

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<v Speaker 1>or he's horrible. Anybody used that famous on YouTube? I'm

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<v Speaker 1>a little bit like, yeah, no, good people get famous

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<v Speaker 1>on YouTube, which is what I text our friend Cody

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<v Speaker 1>Johnston every single day when he releases a new YouTube video. Um. Anyway,

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<v Speaker 1>Andrew Tate hashtag on TikTok has received more than ten

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<v Speaker 1>billion views over the course of twenty two alone, which

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<v Speaker 1>is fucking nuts. That is that is insane. Um. That

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<v Speaker 1>is like incomprehensibly viral. Um. He was Also he will

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<v Speaker 1>always claim that he's like the most Googled person on Earth.

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<v Speaker 1>I looked into what he actually is. That's not quite it.

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<v Speaker 1>He is the He is the number one when you

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<v Speaker 1>type in who is into Google? Who is Andrew Tate

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<v Speaker 1>is the number one who is question asked to Google?

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<v Speaker 1>In two which is not the same as being the

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<v Speaker 1>most google person on Earth. Um, although he is one

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<v Speaker 1>of the most google people on Earth. I found a

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<v Speaker 1>couple of lists of that, and he's often at like

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<v Speaker 1>number eight, someplace closer to like ten. But like he's

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<v Speaker 1>incredibly famous. I just tested that, and um it is factor. Yes,

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<v Speaker 1>most Google person on the planet is that's your That's

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<v Speaker 1>that's a lot of people that that is a funload

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<v Speaker 1>of people and and in some counts he's like beating

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<v Speaker 1>Donald Trump WI again drump the literal president um. And

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<v Speaker 1>it's interesting because his career you can compare him to

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<v Speaker 1>a guy like Joe Rogan, right Joe his career, there's

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<v Speaker 1>nothing that people like. Wonder why he's popular, but there's

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<v Speaker 1>no mystery as to how he became popular. He's got

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<v Speaker 1>a very he's been consistently trajector is very very consistent guy,

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<v Speaker 1>constantly in in in the limelight, constantly doing stuff. Not

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<v Speaker 1>hard to see where he came from. Tate is a

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<v Speaker 1>kickboxer for a while and then kind of drops off.

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<v Speaker 1>Is just sort of a guy on Instagram, and then

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<v Speaker 1>it's suddenly the most famous influencer on the planet, seemingly overnight.

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<v Speaker 1>And this is not an accident. This isn't also something

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<v Speaker 1>he didn't just get surprised because something of has happened

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<v Speaker 1>to go viral. This was the result of a tactic

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<v Speaker 1>I haven't seen anyone else used, or certainly not to

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<v Speaker 1>the degree of success um that Tate used, and and

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<v Speaker 1>the tactic that he unleashed not only made him as popular,

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<v Speaker 1>but it made him popular enough that you can find

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<v Speaker 1>articles about schools in the U S and the UK

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<v Speaker 1>holding seminars for young male students and for teachers to

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<v Speaker 1>try to talk about de radicalizing kids who have got

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<v Speaker 1>who have fallen undertake spell. Um when I posted a

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<v Speaker 1>comment about him during his bat with Tunberg, just because

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<v Speaker 1>I was frustrated at the degree I had not with

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<v Speaker 1>Greta's response to him, which I thought was totally fair,

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<v Speaker 1>but with like people kind of cheering it on as

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<v Speaker 1>if he'd been beaten by it, where my concern was like, well,

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<v Speaker 1>the attention historically has just kind of made him more popular.

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<v Speaker 1>And there were a bunch of comments in that post

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<v Speaker 1>I made by teachers who were like, I don't think

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<v Speaker 1>people understand how popular he is with like thirteen, fourteen,

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<v Speaker 1>fifteen year old boys. Um, I talked to kids every

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<v Speaker 1>day who worshiped the guy, and I've never seen anything

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<v Speaker 1>like it. One of my really good friends Jack, this

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<v Speaker 1>is actually a few weeks ago. We were hanging out

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<v Speaker 1>and he was like, kind of joking but also serious.

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<v Speaker 1>He was like, Yo, I'm like, it would be scary

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<v Speaker 1>to be a thirteen year old boy right now because

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<v Speaker 1>of the inundation of this kind of stuff that you're

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<v Speaker 1>seeing all day, every day, and he was like, I'm

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<v Speaker 1>not gonna lie. If I was thirteen or fourteen and

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<v Speaker 1>didn't know better, I could probably fall for a lot

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<v Speaker 1>of this stuff. It's like, I couldn't imagine being that

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<v Speaker 1>age right now and just being flooded with that. Yeah,

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<v Speaker 1>I think about that sort of thing, and a lot

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<v Speaker 1>of I'll talk about kind of there's elements of Tate's

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<v Speaker 1>pitch that I think might have worked on me when

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<v Speaker 1>I was seventeen eighteen years old. Um. Particularly, A big

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<v Speaker 1>part of it is like working a ship job that

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<v Speaker 1>you hate for the entirety of your youth is bullshit,

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<v Speaker 1>which it is, like it's a terrible way to spend

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<v Speaker 1>a life doing the thing you hate forever. Um. And

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<v Speaker 1>if you kind of if that's the hook you're leading with,

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<v Speaker 1>rather than what a lot of male influencers lead in with,

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<v Speaker 1>which is like here's how to pick up chicks. Um.

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<v Speaker 1>You know, that's an interesting spin that he's put up.

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<v Speaker 1>But well, we'll we'll get it. We'll get more into

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<v Speaker 1>his pitch and like, what about it is not new?

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<v Speaker 1>And what about it is new? But I wanted to

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<v Speaker 1>I want to start by kind of explaining who tilled

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<v Speaker 1>the soil that Tate grew up in. And to do

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<v Speaker 1>that we have to travel back and time to the

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<v Speaker 1>nineteen nineties and the work of the the first real

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<v Speaker 1>modern masculinity guru. And now we've talked about guys like

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<v Speaker 1>Bernard McFadden in the past who had elements of that

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<v Speaker 1>where he's big into physical culture and getting buff and

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<v Speaker 1>he talks about like, you know, how how modernity is

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<v Speaker 1>making men weak. But the Robert Bligh is the guy

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<v Speaker 1>who Jordan Peterson is cutting his image, and so do

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<v Speaker 1>degree is a guy like Andrew Tate. He is the

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<v Speaker 1>first guy to kind of bring both academic rigor and

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<v Speaker 1>also this kind of focus on the damage capitalism has

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<v Speaker 1>done to masculinity into this kind of it's become the

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<v Speaker 1>men's rights movements. It's become the pickup artist community. That's

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<v Speaker 1>not what it was called at the time. Um, but yeah,

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<v Speaker 1>Robert L. Wood Bli is the name of the guy

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<v Speaker 1>who kind of kicked all of this off. And he's

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<v Speaker 1>not the dude you'd think he was. He's an American poet.

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<v Speaker 1>By some accounts, he's one of the most influential poets

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<v Speaker 1>in American history. And he was born on December twenty

0:12:00.000 --> 0:12:04.800
<v Speaker 1>third nine in Minnesota. Um Initially Bligh seemed to be

0:12:05.120 --> 0:12:08.079
<v Speaker 1>on certainly not the path that he wound up on.

0:12:08.280 --> 0:12:11.640
<v Speaker 1>He goes to Harvard University, he studies at the Iowa

0:12:11.720 --> 0:12:15.240
<v Speaker 1>Writer's Workshop. He receives a full Fulbright scholarship to go

0:12:15.360 --> 0:12:19.680
<v Speaker 1>to Norway and translate Norwegian poetry into English. And during

0:12:19.720 --> 0:12:22.400
<v Speaker 1>this time he also gets connected to these great poets

0:12:22.440 --> 0:12:26.400
<v Speaker 1>who are not Westerners, like Pablo Neruda and Roumi, and

0:12:26.480 --> 0:12:28.839
<v Speaker 1>they influence his understanding of art and the myths that

0:12:28.960 --> 0:12:30.719
<v Speaker 1>underlie it. And it also leads him to feel that

0:12:30.840 --> 0:12:34.679
<v Speaker 1>like modern contemporary American poetry is kind of hollow and

0:12:34.880 --> 0:12:38.439
<v Speaker 1>lacks a connection to this kind of deeper mythology that

0:12:38.600 --> 0:12:40.760
<v Speaker 1>he sees in some of these Eastern poets and some

0:12:40.880 --> 0:12:42.880
<v Speaker 1>of these, you know, poets from other parts of the

0:12:42.920 --> 0:12:45.120
<v Speaker 1>world that aren't the United States that he feels are

0:12:45.160 --> 0:12:48.920
<v Speaker 1>making a deeper connection to things for just a personal preference.

0:12:49.000 --> 0:12:51.599
<v Speaker 1>But I find the Iowa's Writer's Workshop to be a

0:12:51.760 --> 0:12:54.480
<v Speaker 1>red flag. Oh yeah, wait, wait what I don't know

0:12:54.600 --> 0:12:56.679
<v Speaker 1>much about it? Tell me, tell me why is this? No,

0:12:56.880 --> 0:12:58.960
<v Speaker 1>it's just it's just one of those things that gets

0:12:59.200 --> 0:13:02.960
<v Speaker 1>uh were used in TV as like oh, I need

0:13:03.040 --> 0:13:05.079
<v Speaker 1>to go to this thing. It's like it has like

0:13:05.200 --> 0:13:10.520
<v Speaker 1>a a weird weird to leadism to it that Uh yeah,

0:13:10.600 --> 0:13:12.920
<v Speaker 1>I mean that. I feel that way about Harvard too. Yeah,

0:13:13.080 --> 0:13:15.160
<v Speaker 1>there's a lot of weird to lead the elitism red

0:13:15.200 --> 0:13:19.840
<v Speaker 1>flags where I'm like, uh, but hearing hearing Harvard University

0:13:20.000 --> 0:13:24.440
<v Speaker 1>followed by Iowa Writer's Workshop is usually not the best.

0:13:24.559 --> 0:13:26.760
<v Speaker 1>Oh and then and and then there's the full yeah,

0:13:26.800 --> 0:13:30.680
<v Speaker 1>full bright grant. So it's you know, yeah, i Iowa

0:13:30.760 --> 0:13:37.400
<v Speaker 1>Writer's Workshop. Sophie says, go to hell. Apparently it's right, motherfucker's.

0:13:37.480 --> 0:13:40.679
<v Speaker 1>I don't know much about the Iowa Writer's Workshop. Um,

0:13:41.280 --> 0:13:43.760
<v Speaker 1>but that's his background. And again this is also he's coming.

0:13:43.840 --> 0:13:46.360
<v Speaker 1>He's doing this at an earlier time. I mean, Harvard

0:13:46.520 --> 0:13:49.599
<v Speaker 1>was very very much that kind of thing. But I

0:13:49.640 --> 0:13:52.439
<v Speaker 1>don't know, maybe the Iowa Writer's Workshop was was not.

0:13:52.720 --> 0:13:56.680
<v Speaker 1>I don't know. Um. His first poem of collection of poems,

0:13:56.760 --> 0:13:59.439
<v Speaker 1>which was called Silence in the Snowy Fields, was published

0:13:59.440 --> 0:14:02.280
<v Speaker 1>in nineteens sixty two, and it focused on moments of

0:14:02.400 --> 0:14:05.800
<v Speaker 1>solitude and beauty. As we see in this piece driving

0:14:05.880 --> 0:14:08.599
<v Speaker 1>to town late to mail a letter. It is a

0:14:08.679 --> 0:14:11.319
<v Speaker 1>cold and snowy night. The main street is deserted. The

0:14:11.400 --> 0:14:13.840
<v Speaker 1>only things moving are swirls of snow. As I lift

0:14:13.880 --> 0:14:16.760
<v Speaker 1>the mailbox store, I feel it's cold iron. There is

0:14:16.800 --> 0:14:19.600
<v Speaker 1>a privacy I love in this snowy night. Driving around,

0:14:19.840 --> 0:14:23.080
<v Speaker 1>I will waste more time, which is just like this nice,

0:14:23.360 --> 0:14:25.600
<v Speaker 1>quiet little Certainly you don't see any red flags. There's

0:14:25.600 --> 0:14:27.200
<v Speaker 1>just kind of a poem about one of those quiet

0:14:27.280 --> 0:14:30.000
<v Speaker 1>moments that you have in your life. You know. Um,

0:14:30.560 --> 0:14:32.880
<v Speaker 1>it's I don't know, I don't find it deeply affecting,

0:14:32.960 --> 0:14:36.200
<v Speaker 1>but there's certainly like it's not like he's writing anything

0:14:36.280 --> 0:14:41.240
<v Speaker 1>you would see a problem with, Yeah, for sure. The

0:14:41.400 --> 0:14:43.960
<v Speaker 1>next year he published an influential essay and which he

0:14:44.000 --> 0:14:47.800
<v Speaker 1>attacked mainstream American poetry as impersonal, lacking in soul, and

0:14:47.840 --> 0:14:51.520
<v Speaker 1>a willingness to look inward. His criticism of American society

0:14:51.640 --> 0:14:54.080
<v Speaker 1>expanded after that. In the nineteen sixty six he co

0:14:54.240 --> 0:14:58.160
<v Speaker 1>founded the American Writers Against the Vietnam War. UM. He

0:14:58.320 --> 0:15:00.720
<v Speaker 1>is one of the very first prominent amer Rican artists

0:15:00.880 --> 0:15:05.200
<v Speaker 1>to like try and organize artists against the war. Which

0:15:05.280 --> 0:15:08.800
<v Speaker 1>is I mean good because it was a bad war. UM.

0:15:09.960 --> 0:15:12.280
<v Speaker 1>In nineteen sixty eight, he made a public promise to

0:15:12.320 --> 0:15:14.360
<v Speaker 1>refuse to pay taxes until the end of the war,

0:15:14.920 --> 0:15:17.600
<v Speaker 1>and he also made he made some very trenchent critiques

0:15:17.760 --> 0:15:21.160
<v Speaker 1>of of US imperialism. In nineteen sixty seven, he wrote

0:15:21.200 --> 0:15:23.080
<v Speaker 1>an article for the New York Review of Books in

0:15:23.160 --> 0:15:26.000
<v Speaker 1>which he noted the fact that so few Americans have

0:15:26.120 --> 0:15:29.240
<v Speaker 1>resigned from the government or from responsible posts to protest

0:15:29.280 --> 0:15:32.280
<v Speaker 1>the Vietnam War is remarkable to me. And he's bringing

0:15:32.360 --> 0:15:34.880
<v Speaker 1>up also cases of like the Russian Revolution and stuff,

0:15:34.920 --> 0:15:37.880
<v Speaker 1>where you would have these horrible wars being prosecuted by

0:15:38.400 --> 0:15:40.840
<v Speaker 1>regimes that are on paper a lot less free than

0:15:41.000 --> 0:15:43.960
<v Speaker 1>the United States, but also would have a lot more

0:15:44.040 --> 0:15:47.520
<v Speaker 1>defections or people just like refusing to do their jobs

0:15:47.640 --> 0:15:50.400
<v Speaker 1>because they believed that of course that the sovereign had

0:15:50.440 --> 0:15:53.320
<v Speaker 1>set was unethical. And he's like, why isn't this happening

0:15:53.480 --> 0:15:56.240
<v Speaker 1>in American government? Why is no one refusing to be

0:15:56.320 --> 0:15:59.160
<v Speaker 1>a part of the Vietnam War? And he went on

0:15:59.280 --> 0:16:03.000
<v Speaker 1>to ask, can we imagine General Westmoreland resigning and refusing

0:16:03.040 --> 0:16:06.600
<v Speaker 1>to prosecute a brutal war? Never pilots drop anti personnel

0:16:06.680 --> 0:16:09.080
<v Speaker 1>bombs on small North Vietnamese villages and many of them

0:16:09.160 --> 0:16:11.240
<v Speaker 1>hate it, but they don't resign with a public statement

0:16:11.280 --> 0:16:14.240
<v Speaker 1>of protest. They quietly retire when their tour is over.

0:16:14.960 --> 0:16:18.120
<v Speaker 1>Bligh wondered what this showed about Americans. Are we timid?

0:16:18.280 --> 0:16:21.080
<v Speaker 1>Are we greedy? He thought not, And this is what

0:16:21.200 --> 0:16:24.680
<v Speaker 1>he wrote. What it shows is a disastrous split between

0:16:24.720 --> 0:16:27.120
<v Speaker 1>the Americans inner and outer worlds. He does not aim

0:16:27.200 --> 0:16:29.600
<v Speaker 1>to use his life to make himself whole, to join

0:16:29.680 --> 0:16:32.280
<v Speaker 1>the two worlds in himself. On the contrary, he is

0:16:32.320 --> 0:16:34.440
<v Speaker 1>prepared to give up one of the two worlds. The

0:16:34.560 --> 0:16:37.040
<v Speaker 1>businessman gives up the inner world and clings to the

0:16:37.120 --> 0:16:40.360
<v Speaker 1>outer as his way. A large body of literature denounces

0:16:40.400 --> 0:16:42.760
<v Speaker 1>the business man for taking the one world without the other.

0:16:43.080 --> 0:16:45.120
<v Speaker 1>But when a writer is opposed to the Vietnam War

0:16:45.240 --> 0:16:47.680
<v Speaker 1>and still accepts a grant from the government prosecuting of

0:16:47.720 --> 0:16:50.360
<v Speaker 1>the war, he is doing something similar. He is letting

0:16:50.400 --> 0:16:52.960
<v Speaker 1>the world split. He lets the outer world go by

0:16:53.080 --> 0:16:54.720
<v Speaker 1>him with just a wave of his hand, and then

0:16:54.760 --> 0:16:56.880
<v Speaker 1>he reaches out and pulls the inner world to him.

0:16:57.200 --> 0:16:59.400
<v Speaker 1>He accepts the money for the sake of my work.

0:16:59.680 --> 0:17:01.560
<v Speaker 1>It will enable him to live his inner live in

0:17:01.640 --> 0:17:04.520
<v Speaker 1>his inner world. But the disastrous split has already taken

0:17:04.560 --> 0:17:06.480
<v Speaker 1>place before he begins to use the money for his

0:17:06.600 --> 0:17:08.920
<v Speaker 1>work instead of trying to apply what he has learned

0:17:08.920 --> 0:17:10.760
<v Speaker 1>in the actions of his inner life to the actions

0:17:10.800 --> 0:17:13.560
<v Speaker 1>of the world. He pulls back inside the house, closes

0:17:13.640 --> 0:17:15.520
<v Speaker 1>the door, and declares he doesn't know what is going

0:17:15.600 --> 0:17:17.919
<v Speaker 1>on out there, or knows, but has rejected at all

0:17:18.000 --> 0:17:20.800
<v Speaker 1>as outside his sphere of influence or his interest. He

0:17:21.000 --> 0:17:23.359
<v Speaker 1>is not political, but what could be more within the

0:17:23.400 --> 0:17:25.960
<v Speaker 1>sphere of interest of a writer than the world. And

0:17:26.040 --> 0:17:30.520
<v Speaker 1>I actually find that a really affecting critique. Um, I

0:17:30.880 --> 0:17:32.600
<v Speaker 1>think about that a lot, just in terms of, like

0:17:33.920 --> 0:17:36.560
<v Speaker 1>number one, this desire, I have a lot where I'll

0:17:36.640 --> 0:17:39.040
<v Speaker 1>just be kind of like churning through the muck of

0:17:39.160 --> 0:17:42.440
<v Speaker 1>a bunch of horrible stories about bullshit going on in Congress,

0:17:42.600 --> 0:17:46.439
<v Speaker 1>or like see some horrible Twitter thing culture warship roll

0:17:46.560 --> 0:17:50.080
<v Speaker 1>up and one to um feel this urge to like, well,

0:17:50.160 --> 0:17:52.480
<v Speaker 1>fuck this. I don't want to pay attention to this anymore.

0:17:52.600 --> 0:17:54.680
<v Speaker 1>I just want to discard this from my life and

0:17:54.840 --> 0:17:58.000
<v Speaker 1>focus on this like piece of art or creativity that

0:17:58.280 --> 0:18:00.760
<v Speaker 1>I think most people feel that most reasonably will feel

0:18:00.760 --> 0:18:02.720
<v Speaker 1>that way a lot. And what he's saying is like,

0:18:04.160 --> 0:18:06.920
<v Speaker 1>how can you call yourself a writer? How can you

0:18:06.960 --> 0:18:09.920
<v Speaker 1>call yourself an artist an attempt to discard the outer

0:18:10.080 --> 0:18:13.480
<v Speaker 1>world in favor of the one that you focus on

0:18:13.720 --> 0:18:18.359
<v Speaker 1>for your creativity, Like, how can you actually be connected

0:18:18.400 --> 0:18:21.080
<v Speaker 1>to your inner world in any way and and feel

0:18:21.119 --> 0:18:24.080
<v Speaker 1>as if you can pretend the outer world does not exist.

0:18:24.160 --> 0:18:27.440
<v Speaker 1>You're doing the same thing as a businessman who focuses

0:18:27.680 --> 0:18:31.280
<v Speaker 1>entirely on his his desire to make money and ignores

0:18:31.359 --> 0:18:35.000
<v Speaker 1>his spiritual development. Like there's not a fundamental moral difference

0:18:35.040 --> 0:18:38.600
<v Speaker 1>between what the two of you are doing, because you're both, Uh,

0:18:39.040 --> 0:18:44.280
<v Speaker 1>you're both rejecting half of of of you're being in

0:18:44.480 --> 0:18:47.520
<v Speaker 1>order to stick with the one that's more comfortable because

0:18:47.560 --> 0:18:50.040
<v Speaker 1>of whatever you've you've chosen as your profession. And in

0:18:50.119 --> 0:18:52.399
<v Speaker 1>the case of yeah, I don't know, I found an

0:18:52.400 --> 0:18:55.840
<v Speaker 1>Attrention critique that makes me think a lot about myself. Um,

0:18:56.920 --> 0:18:59.760
<v Speaker 1>maybe maybe check out what Bligh has to say about

0:18:59.800 --> 0:19:01.960
<v Speaker 1>the Vietnam War. And he put his money where his

0:19:02.040 --> 0:19:04.760
<v Speaker 1>mouth was. He used that article to republish a letter

0:19:04.840 --> 0:19:07.000
<v Speaker 1>he'd sent to the chairman of the National Foundation of

0:19:07.160 --> 0:19:09.879
<v Speaker 1>the on the Arts and Humanities, UM, because they had

0:19:09.920 --> 0:19:12.280
<v Speaker 1>offered him a five thousand dollar grant. And he turns

0:19:12.320 --> 0:19:15.200
<v Speaker 1>it down because he's like, look, this is uh, this

0:19:15.400 --> 0:19:18.399
<v Speaker 1>is an instrument of the United States government, and I

0:19:18.720 --> 0:19:21.760
<v Speaker 1>am opposed to a war they are waging. And even

0:19:21.840 --> 0:19:24.320
<v Speaker 1>though I could argue that, like, well, if I take

0:19:24.359 --> 0:19:26.600
<v Speaker 1>this money and won't get spent on bombs, what I'm

0:19:26.600 --> 0:19:30.320
<v Speaker 1>really doing is providing legitimacy to the state that is

0:19:30.520 --> 0:19:33.000
<v Speaker 1>carrying out this terrible war. And I'm simply not going

0:19:33.119 --> 0:19:36.080
<v Speaker 1>to do that. I'm going to choose to refuse to

0:19:36.240 --> 0:19:40.320
<v Speaker 1>support it in any way, even by letting it support me. Um, which,

0:19:40.359 --> 0:19:42.080
<v Speaker 1>whether or not you agree with it, is a deeply

0:19:42.160 --> 0:19:46.920
<v Speaker 1>principled stance that requires sacrificing something. Yeah, so when when

0:19:47.000 --> 0:19:50.920
<v Speaker 1>does he right he's not a bad guy so far? Yeah,

0:19:51.000 --> 0:19:53.880
<v Speaker 1>I'm waiting. Yeah, this is not this is not cool

0:19:53.920 --> 0:19:57.159
<v Speaker 1>people who did cool stuff. No, no, no, So spoiler alert,

0:19:57.520 --> 0:20:01.920
<v Speaker 1>the Vietnam War ends. Um, we don't do great um

0:20:02.240 --> 0:20:05.439
<v Speaker 1>goes goes okay for Vietnam though, well, I mean, millions

0:20:05.480 --> 0:20:09.000
<v Speaker 1>of people die, but they do win. Um Bli remains

0:20:09.119 --> 0:20:12.119
<v Speaker 1>an influential poet and thinker. In the nineteen seventies, he

0:20:12.320 --> 0:20:15.840
<v Speaker 1>organizes the first Great Mother Conference, which is still going

0:20:15.920 --> 0:20:19.800
<v Speaker 1>on today. It's a nine day festival that explores human consciousness,

0:20:19.840 --> 0:20:23.240
<v Speaker 1>and it celebrates this kind of archetypal idea of the

0:20:23.320 --> 0:20:26.560
<v Speaker 1>Great Mother as this kind of like feminine creative force

0:20:26.800 --> 0:20:32.879
<v Speaker 1>that that you know, underlies everything in society. Um and

0:20:33.520 --> 0:20:35.879
<v Speaker 1>BLI the reason why he felt it was important to

0:20:35.960 --> 0:20:38.840
<v Speaker 1>kind of bring consciousness and get people focused on this

0:20:39.040 --> 0:20:42.000
<v Speaker 1>idea and on this celebration of femininity is that he

0:20:42.119 --> 0:20:46.560
<v Speaker 1>saw the Vietnam War as kind of the expression of masculinity,

0:20:47.080 --> 0:20:49.680
<v Speaker 1>like running wild and leading to terrible death. And he

0:20:49.760 --> 0:20:53.040
<v Speaker 1>believed that Americans needed to reconnect with femininity in the

0:20:53.080 --> 0:20:55.280
<v Speaker 1>wake of the Vietnam War, which is again not an

0:20:55.359 --> 0:20:59.480
<v Speaker 1>unreasonable stance. Um. You know, you can argue with it,

0:20:59.560 --> 0:21:02.199
<v Speaker 1>but you and see where he's coming from. And they're

0:21:02.359 --> 0:21:06.240
<v Speaker 1>like both waiting for it. I'm just waiting for job

0:21:07.280 --> 0:21:11.720
<v Speaker 1>is coming. Motherfucker is coming. So as the aftershocks of

0:21:11.800 --> 0:21:16.640
<v Speaker 1>Vietnam faded, America enters the swinging eighties, Blind becomes concerned

0:21:16.720 --> 0:21:19.639
<v Speaker 1>with something else. Entirely. He sees in the Reagan years

0:21:20.160 --> 0:21:23.440
<v Speaker 1>this vapid consumer culture, you know, malls and ship the

0:21:23.760 --> 0:21:28.359
<v Speaker 1>the increasing spread of popular music is like a concept

0:21:28.480 --> 0:21:32.879
<v Speaker 1>in a way that it really happened. I mean again,

0:21:33.000 --> 0:21:35.800
<v Speaker 1>TV there's a lot of transgressive shit on TV today.

0:21:36.040 --> 0:21:40.639
<v Speaker 1>TV in the nineteen eighties was not what it is now. Um.

0:21:41.119 --> 0:21:43.640
<v Speaker 1>So he sees all this happening, and he he also

0:21:43.800 --> 0:21:46.960
<v Speaker 1>just sees, like, again, what kind of Reaganism and unrestrained

0:21:47.000 --> 0:21:52.000
<v Speaker 1>capitalism is doing to people? Um And he begins to

0:21:52.119 --> 0:21:58.960
<v Speaker 1>believe that the kind of soullessness and and uh brokenness

0:21:59.240 --> 0:22:03.920
<v Speaker 1>at the the core of the American experiment is the

0:22:04.000 --> 0:22:08.080
<v Speaker 1>result now of a crisis and masculinity. Right, So previously

0:22:08.240 --> 0:22:12.320
<v Speaker 1>he had Yeah, there's an extent to which he thinks, like,

0:22:12.720 --> 0:22:14.359
<v Speaker 1>I don't know. Well, we'll get into what he thinks.

0:22:14.440 --> 0:22:17.440
<v Speaker 1>So in nineteen ninety he writes a book that is

0:22:17.560 --> 0:22:20.080
<v Speaker 1>kind of illustrating the things that he's he started to

0:22:20.160 --> 0:22:22.840
<v Speaker 1>feel here, and he calls it Iron John, a book

0:22:22.880 --> 0:22:25.720
<v Speaker 1>about men. Now, do you have you heard of the

0:22:25.800 --> 0:22:31.760
<v Speaker 1>fairy Tale of Iron John? Ian so familiar? No, No,

0:22:31.920 --> 0:22:35.720
<v Speaker 1>you're not Big Grimm's fairy Tales people. That's fine, neither

0:22:35.800 --> 0:22:37.480
<v Speaker 1>am I I had not heard about this either. I

0:22:37.560 --> 0:22:44.120
<v Speaker 1>think maybe it's bigger in Germany. Umms. Fairy tales continue. Yeah, wow, wow,

0:22:44.240 --> 0:22:46.760
<v Speaker 1>that's a red flat one of the greatest works of

0:22:46.920 --> 0:22:53.080
<v Speaker 1>art and I'm gonna guess German history. Um, Sophie, I

0:22:53.640 --> 0:22:57.480
<v Speaker 1>feel like you just hate German history reflectively for reasons

0:22:57.760 --> 0:23:01.280
<v Speaker 1>that have nothing to do with anything that has ever

0:23:01.359 --> 0:23:07.080
<v Speaker 1>happened in history. Mm hmmm. I have no comment on that. Wow, Wow,

0:23:07.320 --> 0:23:19.080
<v Speaker 1>well Red Flag. I think Iron John again, it's a

0:23:19.119 --> 0:23:21.840
<v Speaker 1>fairy tale, and I think I'll give a brief summary

0:23:21.840 --> 0:23:24.200
<v Speaker 1>of how that fairy tale goes. It's because it's again

0:23:24.400 --> 0:23:25.879
<v Speaker 1>none of us. I mean, he brought it up. You

0:23:25.880 --> 0:23:28.320
<v Speaker 1>should tell us what I'll tell you. I'm gonna do

0:23:28.440 --> 0:23:31.600
<v Speaker 1>it so God damn. I'm gonna quote from a rite

0:23:31.640 --> 0:23:35.480
<v Speaker 1>up in the New York magazine here. That story goes

0:23:35.640 --> 0:23:38.600
<v Speaker 1>like this. Something in the forest is killing a kingdom's hunters.

0:23:38.640 --> 0:23:41.080
<v Speaker 1>A stranger arrives, goes into the forest with his dog,

0:23:41.160 --> 0:23:43.760
<v Speaker 1>and returns with a large, hairy man he's extracted from

0:23:43.800 --> 0:23:46.359
<v Speaker 1>a pond. This is the wild man whom the king

0:23:46.480 --> 0:23:49.359
<v Speaker 1>locks in a cage. The king's son, playing with his ball,

0:23:49.640 --> 0:23:51.560
<v Speaker 1>lets it slip into the cage, and the wild man

0:23:51.680 --> 0:23:53.840
<v Speaker 1>tells him he'll give it back if the boy steals

0:23:53.880 --> 0:23:55.879
<v Speaker 1>the key to the cage from under his mother's pillow

0:23:55.920 --> 0:23:58.359
<v Speaker 1>and sets him free. The boy unlocks the cage, but

0:23:58.480 --> 0:24:00.800
<v Speaker 1>fearful that he'll be in trouble with his par flees

0:24:00.840 --> 0:24:03.159
<v Speaker 1>on the wild Man's back to the forest. After the

0:24:03.200 --> 0:24:05.440
<v Speaker 1>boy fails a series of trials and acquires a head

0:24:05.440 --> 0:24:07.720
<v Speaker 1>of golden hair, the wild Man kicks him out of

0:24:07.760 --> 0:24:09.800
<v Speaker 1>the forest, but after he sinks to the low status

0:24:09.840 --> 0:24:12.280
<v Speaker 1>of a kitchen worker in a foreign kingdom, the wild

0:24:12.320 --> 0:24:14.600
<v Speaker 1>Man helps him become a mighty warrior, and he wins

0:24:14.640 --> 0:24:17.119
<v Speaker 1>the hand of the Princess, is reunited with his parents,

0:24:17.200 --> 0:24:20.320
<v Speaker 1>and becomes the rich, heroic king in his own right. So,

0:24:21.960 --> 0:24:24.760
<v Speaker 1>you know, I think we're probably missing some context. They're

0:24:24.880 --> 0:24:29.040
<v Speaker 1>just from culture. But it's like, I get why that's

0:24:29.080 --> 0:24:32.200
<v Speaker 1>not in like the tight five of Grimm's fairy Tales,

0:24:32.760 --> 0:24:34.440
<v Speaker 1>Like that's that's maybe the one you leave on the

0:24:34.480 --> 0:24:37.560
<v Speaker 1>cutting room floor. That's like the B sides. Yeah, that's

0:24:37.600 --> 0:24:42.000
<v Speaker 1>like a B side. Yeah, that's like, um, that's like

0:24:42.200 --> 0:24:44.440
<v Speaker 1>I don't know, the one of the one of the

0:24:44.480 --> 0:24:48.640
<v Speaker 1>Beatles songs that people don't talk about that much anymore. Um. Well,

0:24:49.000 --> 0:24:52.440
<v Speaker 1>to be to be fair, like it's up against like

0:24:52.880 --> 0:25:01.520
<v Speaker 1>Snow White Great fairy Tale. It would be funny to

0:25:01.600 --> 0:25:05.800
<v Speaker 1>see like modern Disney try to do this I mean,

0:25:05.880 --> 0:25:10.160
<v Speaker 1>the actual fairy tales are pretty horrific, to be honest. Yeah,

0:25:10.520 --> 0:25:13.000
<v Speaker 1>this one I also might be one of the tamer ones.

0:25:13.000 --> 0:25:14.720
<v Speaker 1>I don't know. I'm not an expert on fairy tales.

0:25:15.160 --> 0:25:18.000
<v Speaker 1>That's why Disney was like to tame, not into it.

0:25:18.160 --> 0:25:20.600
<v Speaker 1>And again, I feel like I feel like this is

0:25:20.640 --> 0:25:23.760
<v Speaker 1>an example. I think sometimes we look at these stories

0:25:23.920 --> 0:25:26.120
<v Speaker 1>that have been around a long time and are like, wow,

0:25:26.760 --> 0:25:28.800
<v Speaker 1>you know, there's some deep wisdom in there, which is

0:25:28.840 --> 0:25:31.200
<v Speaker 1>why we should keep telling them. But I'm looking at this,

0:25:31.440 --> 0:25:34.240
<v Speaker 1>which is it's it's a parable about manhood, right and

0:25:34.280 --> 0:25:36.920
<v Speaker 1>about becoming an adult. And I'm like, you know, it's

0:25:36.920 --> 0:25:40.000
<v Speaker 1>a better parable about manhood and becoming an adult. First

0:25:40.000 --> 0:25:45.120
<v Speaker 1>Star Wars movie. That's a good point. Much better one,

0:25:45.400 --> 0:25:48.879
<v Speaker 1>much better one. Look, George Lucas knocked it out of

0:25:48.880 --> 0:25:52.840
<v Speaker 1>the park. Fuck you Grim. You know who else is

0:25:52.920 --> 0:25:58.240
<v Speaker 1>George Lucas? No, Robert, who else is George Lucas? The

0:25:58.359 --> 0:26:03.880
<v Speaker 1>sponsor of this podcast? I mean would be actually George,

0:26:04.160 --> 0:26:08.360
<v Speaker 1>you have the cash sponsor this podcast. Uh, and we'll

0:26:08.520 --> 0:26:12.320
<v Speaker 1>we'll we'll make it work, buddy, We we got you.

0:26:13.200 --> 0:26:30.200
<v Speaker 1>Um anyway, Uh we are back and no, but maybe

0:26:31.040 --> 0:26:37.120
<v Speaker 1>so here we are, Um, we're talking. We were having

0:26:37.160 --> 0:26:40.720
<v Speaker 1>a good time. Um So, Bligh's book looks at this

0:26:40.880 --> 0:26:43.840
<v Speaker 1>myth of iron John and he re examines the myth

0:26:44.000 --> 0:26:47.800
<v Speaker 1>using Young in psychology, which is again another red flag.

0:26:48.400 --> 0:26:51.960
<v Speaker 1>There's perfectly valid reasons to study young, but whenever you

0:26:52.080 --> 0:26:56.879
<v Speaker 1>have somebody who is reevaluating myths using Young in psychology,

0:26:56.960 --> 0:26:59.800
<v Speaker 1>they always turned into Jordan B. Peterson. I'm sorry, that's

0:26:59.840 --> 0:27:02.680
<v Speaker 1>just the way that it works. Um So, he's trying

0:27:02.720 --> 0:27:04.639
<v Speaker 1>to find lessons that are going to be meaningful for

0:27:04.760 --> 0:27:07.760
<v Speaker 1>men struggling with modernity, and his basic conclusion, as far

0:27:07.840 --> 0:27:10.760
<v Speaker 1>as I can tell, is that men need rewilding in

0:27:10.920 --> 0:27:13.520
<v Speaker 1>order to fix the things that are driving them crazy. Right,

0:27:13.840 --> 0:27:17.440
<v Speaker 1>they need to reconnect with the wild man inside them. Now,

0:27:18.480 --> 0:27:20.280
<v Speaker 1>this is going to be this is the root of

0:27:20.320 --> 0:27:23.440
<v Speaker 1>a million kinds of man influencer garbage, right, everything in

0:27:23.520 --> 0:27:25.359
<v Speaker 1>that funk. Like you guys know the liver King, that

0:27:25.480 --> 0:27:28.280
<v Speaker 1>guy who was telling people that he got super jacked

0:27:28.320 --> 0:27:31.399
<v Speaker 1>by eating nothing but raw animal livers that he hunted. Um,

0:27:31.640 --> 0:27:37.080
<v Speaker 1>he's spending twelve tho dollars a month on steroids, which

0:27:37.119 --> 0:27:39.280
<v Speaker 1>he lied about. Now he's getting sued for a hundred

0:27:39.280 --> 0:27:42.000
<v Speaker 1>billion dollars because he defrauded people by convincing them to

0:27:42.080 --> 0:27:46.760
<v Speaker 1>take his liver enzyme pills. So funny. But what the

0:27:46.840 --> 0:27:49.960
<v Speaker 1>livered King is doing is this is he's basically setting it,

0:27:50.040 --> 0:27:53.040
<v Speaker 1>pretending to be the wild man that Blag talks about

0:27:53.359 --> 0:27:54.840
<v Speaker 1>and being like, this is what you have to do

0:27:55.000 --> 0:27:56.920
<v Speaker 1>in order to, you know, be healthy and deal with

0:27:57.000 --> 0:27:59.639
<v Speaker 1>all of these toxic things about our modern lives is

0:28:00.200 --> 0:28:02.520
<v Speaker 1>go out and throw spears at bores and then eat

0:28:02.560 --> 0:28:07.400
<v Speaker 1>their raw, uncooked organs. Um, which I would actually say

0:28:07.520 --> 0:28:09.879
<v Speaker 1>is a lot less masculine than doing the thing that

0:28:09.960 --> 0:28:13.040
<v Speaker 1>our actual cave man ancestors did, which was learned how

0:28:13.080 --> 0:28:20.800
<v Speaker 1>to cook meat. Um. But you make a really good point. Um,

0:28:21.880 --> 0:28:24.600
<v Speaker 1>it's also the root of we had. We just started

0:28:24.640 --> 0:28:26.560
<v Speaker 1>this year with a couple of more episodes of Jordan B.

0:28:26.680 --> 0:28:28.639
<v Speaker 1>Peterson Show. He talks a lot about the need for

0:28:28.720 --> 0:28:32.560
<v Speaker 1>men to be controllable beasts and also references another Grimm's

0:28:32.600 --> 0:28:34.879
<v Speaker 1>fairy tale. The one that he chooses is, um, well,

0:28:34.880 --> 0:28:37.440
<v Speaker 1>I think it's a Grimm's fairy tale, fucking Beauty and

0:28:37.480 --> 0:28:39.440
<v Speaker 1>the Beast. I don't know, maybe not, maybe that started

0:28:39.480 --> 0:28:40.920
<v Speaker 1>as a Disney thing. I don't know where it started,

0:28:41.160 --> 0:28:43.240
<v Speaker 1>but he talks a lot about like this. Again, there

0:28:43.320 --> 0:28:46.400
<v Speaker 1>the all of these guys today who were talking about

0:28:46.480 --> 0:28:48.800
<v Speaker 1>you have to be primal, you have to reconnect with

0:28:48.840 --> 0:28:51.200
<v Speaker 1>your cave man roots. You have to like the thing

0:28:51.360 --> 0:28:53.880
<v Speaker 1>I saw. I think I saw Jordan B. Peterson like

0:28:54.040 --> 0:28:55.880
<v Speaker 1>video on Instagram the other day and I didn't know

0:28:56.200 --> 0:28:58.400
<v Speaker 1>it was him. I was just scrolling and he was.

0:28:58.600 --> 0:29:00.320
<v Speaker 1>But now that you say that, I'm pre sure it

0:29:00.440 --> 0:29:04.720
<v Speaker 1>was him, because he was talking about how men should

0:29:04.720 --> 0:29:07.120
<v Speaker 1>be dangerous, Like you should be dangerous when it's like

0:29:07.440 --> 0:29:10.160
<v Speaker 1>knowing when to use the threat of violence or not.

0:29:10.360 --> 0:29:12.440
<v Speaker 1>It's like, just because you're dangerous doesn't mean you're like

0:29:12.920 --> 0:29:15.400
<v Speaker 1>a violent person, but you should have that capacity or

0:29:15.480 --> 0:29:19.680
<v Speaker 1>some ship. That's what makes you a true man. It's like, what, yeah, crazy,

0:29:20.160 --> 0:29:22.360
<v Speaker 1>it's um that I mean. And that's you can see

0:29:22.480 --> 0:29:25.320
<v Speaker 1>like Peterson is not in and he never has been

0:29:25.360 --> 0:29:29.080
<v Speaker 1>an original thinker. He's cribbing from Bligh, right, they all are.

0:29:29.320 --> 0:29:31.960
<v Speaker 1>Bligh is the origin of this. And it's also worth

0:29:32.040 --> 0:29:35.760
<v Speaker 1>noting that while Bligh's book has been hit, the descendants

0:29:35.760 --> 0:29:40.600
<v Speaker 1>Suppli's book are pure reactionary gibberish. Bligh himself was not. Again,

0:29:40.680 --> 0:29:43.000
<v Speaker 1>we went through this guy's background. He's he's a deeper

0:29:43.080 --> 0:29:45.400
<v Speaker 1>thinker than that, And there's passages in his book that

0:29:45.480 --> 0:29:48.640
<v Speaker 1>are kind of worth connecting with. Um. So I'm going

0:29:48.680 --> 0:29:51.000
<v Speaker 1>to read a quote from that now to judge by

0:29:51.040 --> 0:29:54.320
<v Speaker 1>men's lives in New Guinea, Kenya, North Africa, Zulu Lands,

0:29:54.320 --> 0:29:56.800
<v Speaker 1>and in the Arab and Persian culture favored flavored by

0:29:56.840 --> 0:30:00.080
<v Speaker 1>Sufi communities, men have lived together in heart union and

0:30:00.200 --> 0:30:03.840
<v Speaker 1>soul connections for hundreds of thousands of years. Contemporary business

0:30:03.920 --> 0:30:07.160
<v Speaker 1>life allows competitive relationships only in which the major emotions

0:30:07.200 --> 0:30:10.960
<v Speaker 1>are anxiety, tension, loneliness, rivalry, and fear after work. What

0:30:11.120 --> 0:30:13.239
<v Speaker 1>do men do collect in a bar to hold light

0:30:13.320 --> 0:30:16.640
<v Speaker 1>conversations over light beer? Unities that are broken off whenever

0:30:16.720 --> 0:30:18.680
<v Speaker 1>a young woman comes by or touches the brim of

0:30:18.760 --> 0:30:21.800
<v Speaker 1>someone's cowboy hat. Having no soul union with other men

0:30:21.920 --> 0:30:23.640
<v Speaker 1>can be the most damaged and wound of all. And

0:30:24.320 --> 0:30:26.400
<v Speaker 1>Cowboy had things kind of weird, But that's a totally

0:30:26.480 --> 0:30:29.720
<v Speaker 1>valid point. The lack of intimate male to male friendship

0:30:30.320 --> 0:30:34.640
<v Speaker 1>is a deep problem in our light beer I had,

0:30:34.680 --> 0:30:38.600
<v Speaker 1>I mean because I think he's just sort of I mean, okay,

0:30:38.640 --> 0:30:40.720
<v Speaker 1>whatever he's getting into a little bit of masculinely the

0:30:41.320 --> 0:30:48.040
<v Speaker 1>point making like, yeah, sorry, Sophie, famous lover of light beer. Um,

0:30:48.560 --> 0:30:51.440
<v Speaker 1>it's okay, I love I love my champagne beer too.

0:30:53.800 --> 0:30:56.080
<v Speaker 1>I just I had some lovely Actually, wish I had

0:30:56.120 --> 0:31:00.800
<v Speaker 1>some Peroni right now. Peroni is a lovely ice, wonderful,

0:31:00.880 --> 0:31:03.640
<v Speaker 1>especially on a hot day. Yeah, I've I've done. I've

0:31:03.720 --> 0:31:06.160
<v Speaker 1>gone on long runs with nothing but a backpack full

0:31:06.200 --> 0:31:10.440
<v Speaker 1>of Pironi to keep me going. Um, that sounds very believable.

0:31:10.520 --> 0:31:16.040
<v Speaker 1>Lot Peroni. It is essentially water. I can smell the

0:31:16.080 --> 0:31:20.360
<v Speaker 1>ad dollars coming in. Yeah, p sponsor us, you coward.

0:31:21.200 --> 0:31:23.440
<v Speaker 1>But you see like what he's making there, And this

0:31:23.640 --> 0:31:25.240
<v Speaker 1>is not a point that like, this is not a

0:31:25.280 --> 0:31:27.320
<v Speaker 1>point Andrew Tate would make, right, because these guys are

0:31:27.360 --> 0:31:31.080
<v Speaker 1>all hyper competitive, and that's a huge part of like

0:31:31.240 --> 0:31:34.320
<v Speaker 1>what they're talking about. Whereas one of the like BLI

0:31:34.680 --> 0:31:36.880
<v Speaker 1>is at his core a large part of what he's

0:31:36.920 --> 0:31:40.200
<v Speaker 1>complaining about is totally rational, which is like, again, aren't

0:31:40.240 --> 0:31:43.920
<v Speaker 1>allowed to where is it? Where is this thing? Well,

0:31:44.200 --> 0:31:46.960
<v Speaker 1>that's not the only thing in the book. Um. He's

0:31:46.960 --> 0:31:51.000
<v Speaker 1>also talking a lot of yeah for it. Yeah, we're

0:31:51.040 --> 0:31:55.160
<v Speaker 1>we're getting to it. Ironed John spends sixty two weeks

0:31:55.240 --> 0:31:58.120
<v Speaker 1>on the New York seller list. Yeah. I don't think

0:31:58.120 --> 0:32:02.920
<v Speaker 1>anything gets spends that long in the best seller listing. Yes,

0:32:03.160 --> 0:32:09.760
<v Speaker 1>that is UM. Yeah, this is n UM because it's

0:32:09.800 --> 0:32:12.200
<v Speaker 1>on there for more than a year. UM. And it

0:32:12.320 --> 0:32:15.160
<v Speaker 1>turned Bly from a respected poet and activist into the

0:32:15.200 --> 0:32:19.440
<v Speaker 1>first masculinity guru in modern US history. Now again, we

0:32:19.600 --> 0:32:23.080
<v Speaker 1>had guys like Bernar McFadden before UM, who had talked

0:32:23.080 --> 0:32:25.600
<v Speaker 1>about aspects of this, but Bly is wrapping his arguments

0:32:25.600 --> 0:32:29.000
<v Speaker 1>in respected academia, and the way he's connecting with his

0:32:29.120 --> 0:32:31.280
<v Speaker 1>people is exactly the same as the kind of ship

0:32:31.360 --> 0:32:34.360
<v Speaker 1>that Jordan Peterson and and other folks do today, guys

0:32:34.400 --> 0:32:37.280
<v Speaker 1>like Ivan Throne and whatnot who were in the masculinity

0:32:37.400 --> 0:32:43.040
<v Speaker 1>influencer thing. He's doing conferences, he's having rooms full of people,

0:32:43.320 --> 0:32:45.960
<v Speaker 1>men gather and he's speaking to them and he's like

0:32:46.160 --> 0:32:49.800
<v Speaker 1>running them through. He's basically bringing them to these moments

0:32:49.840 --> 0:32:52.440
<v Speaker 1>of emotional height. And you can see some there's a

0:32:52.440 --> 0:32:54.560
<v Speaker 1>little bit of Werner Erhard in this. You know, there's

0:32:54.560 --> 0:32:56.280
<v Speaker 1>a reason this is all coming out at the same

0:32:56.360 --> 0:32:58.880
<v Speaker 1>time as we start to get the self help craze

0:32:58.960 --> 0:33:02.360
<v Speaker 1>hit UM. But he's basically holding these big pep rallies

0:33:02.440 --> 0:33:05.080
<v Speaker 1>for adult men. In nineteen nine one more than a

0:33:05.160 --> 0:33:07.160
<v Speaker 1>thousand men went to see him at the East Bold

0:33:07.160 --> 0:33:12.280
<v Speaker 1>Auditorium in Parkland, Washington, paying seventy five nineteen dollars for

0:33:12.320 --> 0:33:16.400
<v Speaker 1>the privilege. Yeah. A contemporary article in Entertainment Weekly describes

0:33:16.480 --> 0:33:19.960
<v Speaker 1>the scene thus, lee as the customers file in, a

0:33:20.080 --> 0:33:23.840
<v Speaker 1>dozen white guys flail away incompetently on African drums. When

0:33:23.880 --> 0:33:26.040
<v Speaker 1>the crowd has seated, the drummers quit the stage, and

0:33:26.120 --> 0:33:29.200
<v Speaker 1>Bly and Michael Mead, a storyteller who helps run the workshops,

0:33:29.480 --> 0:33:32.480
<v Speaker 1>begin to recite, rambling myths and bits of verse. Meat

0:33:32.520 --> 0:33:36.600
<v Speaker 1>occasionally bangs a bongo bli, plinks a bazooki, the Greek

0:33:36.720 --> 0:33:39.720
<v Speaker 1>version of the mandolin, seening, sending mournful notes wafting out

0:33:39.760 --> 0:33:42.440
<v Speaker 1>over the audience. So that that sounds good, right, It

0:33:42.480 --> 0:33:44.760
<v Speaker 1>sounds like a fun time. Yeah, it sounds like a

0:33:44.800 --> 0:33:47.719
<v Speaker 1>great way to spend seventy ft. Yeah. I always love

0:33:47.800 --> 0:33:51.520
<v Speaker 1>white guys playing African drums. Uh in in my in

0:33:51.640 --> 0:33:58.520
<v Speaker 1>my gigantic stadium uh speech series by a fucking poet anyway, Bly,

0:33:58.800 --> 0:34:02.360
<v Speaker 1>who in or had been called the most influential living

0:34:02.360 --> 0:34:05.680
<v Speaker 1>American poet by current biography, became a kind of celebrity

0:34:05.720 --> 0:34:08.719
<v Speaker 1>that hadn't previously existed. So he's filling stadiums with people

0:34:08.760 --> 0:34:10.719
<v Speaker 1>who want to hear him talk, But he's also he's

0:34:10.760 --> 0:34:12.920
<v Speaker 1>engaging them in a way that's going to spawn the

0:34:13.040 --> 0:34:16.839
<v Speaker 1>modern men's self help industry. Quote, Bly are just men

0:34:16.920 --> 0:34:19.880
<v Speaker 1>to rediscover their manhood by getting back to their wild nature.

0:34:20.280 --> 0:34:23.560
<v Speaker 1>Some feminists, he says, in a justified fear of brutality,

0:34:23.800 --> 0:34:26.600
<v Speaker 1>have labored to breed fierceness out of men, creating the

0:34:26.680 --> 0:34:29.560
<v Speaker 1>sort of soft male of whom Teddy Roosevelt might have said,

0:34:29.800 --> 0:34:31.760
<v Speaker 1>I could carve a better man out of a banana.

0:34:32.200 --> 0:34:34.560
<v Speaker 1>BLYI believes that inside of every such male, there's a

0:34:34.600 --> 0:34:37.799
<v Speaker 1>wild man yearning to get out, a radiant inner king,

0:34:38.040 --> 0:34:41.280
<v Speaker 1>just waiting to confirm masculine pride and shareness of purpose.

0:34:41.880 --> 0:34:45.160
<v Speaker 1>Bli insists he doesn't blame women for men's sorry state.

0:34:45.400 --> 0:34:47.719
<v Speaker 1>He blames older men who have failed to provide young

0:34:47.760 --> 0:34:50.800
<v Speaker 1>ones with the role models they crave. In traditional societies,

0:34:50.880 --> 0:34:54.600
<v Speaker 1>boys worked alongside men, plowing fields and fashioning arrowheads, but

0:34:54.680 --> 0:34:58.040
<v Speaker 1>the industrial Revolution severed that connection. The title character and

0:34:58.120 --> 0:35:00.360
<v Speaker 1>his bestseller is a wild hairy Fellow. Who in the

0:35:00.680 --> 0:35:02.480
<v Speaker 1>in a grim fairy tale is fished up from a

0:35:02.560 --> 0:35:05.239
<v Speaker 1>pond and becomes a boy's mentor. That image is also

0:35:05.280 --> 0:35:08.920
<v Speaker 1>the inspiration for his most extravagant exercise and manly self discovery,

0:35:09.320 --> 0:35:11.759
<v Speaker 1>five day wild Man Excursions, in which groups of a

0:35:11.840 --> 0:35:13.880
<v Speaker 1>hundred men take to the woods under the tutelage of

0:35:13.920 --> 0:35:16.880
<v Speaker 1>Bly and others to dance around fires, banging on drums.

0:35:17.320 --> 0:35:19.600
<v Speaker 1>I mean, honey, just say you have daddy issues and

0:35:19.719 --> 0:35:23.520
<v Speaker 1>move the funk on. Yeah, yeah, I mean again, this

0:35:23.760 --> 0:35:26.960
<v Speaker 1>is there's this there's this element where he's like, society

0:35:27.080 --> 0:35:30.320
<v Speaker 1>is fucked because feminists have tried to breed the violence

0:35:30.360 --> 0:35:35.400
<v Speaker 1>out of her. Yeah, okay, so you know you have

0:35:35.960 --> 0:35:38.719
<v Speaker 1>It's like like astonishing to me that people are picking

0:35:38.840 --> 0:35:42.160
<v Speaker 1>seventy five dollars and like selling out, because I mean

0:35:42.200 --> 0:35:44.520
<v Speaker 1>that's more like that's more than the people were paying

0:35:44.600 --> 0:35:48.960
<v Speaker 1>for for Coachella in the early early two thousand's. The

0:35:49.080 --> 0:35:52.840
<v Speaker 1>crazy thing is like at the core of what he's saying,

0:35:52.920 --> 0:35:54.920
<v Speaker 1>it's like most of that sounds that he's making some

0:35:55.040 --> 0:35:59.440
<v Speaker 1>good points points about, you know, how men have evolved

0:35:59.480 --> 0:36:02.240
<v Speaker 1>in our So I'm just saying, where where's the twist,

0:36:02.280 --> 0:36:05.840
<v Speaker 1>because yeah, there's the there's you've seen it start to

0:36:05.920 --> 0:36:08.360
<v Speaker 1>happen here. So it's because like the valid thing in

0:36:08.400 --> 0:36:11.280
<v Speaker 1>that past is just he's like, hey, look, young boys

0:36:11.440 --> 0:36:14.840
<v Speaker 1>used to grow up learning alongside both their father and

0:36:14.920 --> 0:36:17.360
<v Speaker 1>the other men, you know, in whatever community they were in,

0:36:17.719 --> 0:36:20.239
<v Speaker 1>and that taught them what it meant to be a man.

0:36:20.960 --> 0:36:23.960
<v Speaker 1>And now because capitalism has kind of taken the man

0:36:24.000 --> 0:36:26.000
<v Speaker 1>out of the house, you're supposed to be working forty

0:36:26.120 --> 0:36:29.040
<v Speaker 1>six eight hours a week, right, they're not there to right,

0:36:29.160 --> 0:36:31.560
<v Speaker 1>it's just the usually in like the way our our

0:36:31.640 --> 0:36:34.000
<v Speaker 1>society where it's just the woman who's raising the kid.

0:36:34.360 --> 0:36:37.279
<v Speaker 1>That's what he's saying then, that we've cut men off

0:36:37.440 --> 0:36:39.560
<v Speaker 1>from this process of learning how to be adult men

0:36:39.640 --> 0:36:42.400
<v Speaker 1>and and like that is actually a pretty valid critique.

0:36:42.440 --> 0:36:45.880
<v Speaker 1>And the problem is that not that he's saying. The

0:36:45.960 --> 0:36:49.319
<v Speaker 1>problem is that feminists have bred fierceness out of men

0:36:49.360 --> 0:36:53.680
<v Speaker 1>instead of being like, capitalism separates parents from children for

0:36:53.840 --> 0:36:58.400
<v Speaker 1>huge amounts of time, and that's bad for kids. And actually,

0:36:58.520 --> 0:37:00.960
<v Speaker 1>if you look at it, like you can see in

0:37:01.080 --> 0:37:03.719
<v Speaker 1>the in that very scenario of like men are out

0:37:03.760 --> 0:37:07.120
<v Speaker 1>of the house working, so they're kids are raised largely

0:37:07.200 --> 0:37:09.520
<v Speaker 1>by their mothers, well, that also means an unfair burdens

0:37:09.560 --> 0:37:11.640
<v Speaker 1>being placed on the mother. You could see this, there's

0:37:11.680 --> 0:37:14.360
<v Speaker 1>a way to have solidarity between the genders here and

0:37:14.480 --> 0:37:16.160
<v Speaker 1>be like, oh, yeah, this is all of a problem

0:37:16.200 --> 0:37:19.360
<v Speaker 1>of this system we've built that like separates families in

0:37:19.480 --> 0:37:21.800
<v Speaker 1>ways that are really fucked up. Like I identify with

0:37:21.880 --> 0:37:24.479
<v Speaker 1>that when I was a kid um because we didn't

0:37:24.520 --> 0:37:26.560
<v Speaker 1>have much money at all. The only job my dad

0:37:26.600 --> 0:37:28.200
<v Speaker 1>could get was in New York City, and there was

0:37:28.239 --> 0:37:30.640
<v Speaker 1>a period of more than a year where he was gone.

0:37:30.840 --> 0:37:33.000
<v Speaker 1>He was living on a friend's couch working. They're sending

0:37:33.040 --> 0:37:36.040
<v Speaker 1>money back to us, and it was it was it's

0:37:36.080 --> 0:37:38.400
<v Speaker 1>not just him that made a sacrifice. I made a

0:37:38.440 --> 0:37:41.399
<v Speaker 1>sacrifice as his son, and my mom made a sacrifice

0:37:41.760 --> 0:37:44.880
<v Speaker 1>dealing with the entire job of like raising me. Like,

0:37:45.880 --> 0:37:48.560
<v Speaker 1>there's a thing to identify with their But you can

0:37:48.600 --> 0:37:50.680
<v Speaker 1>see the start of the toxicity where he's like, well,

0:37:50.760 --> 0:37:52.839
<v Speaker 1>what's the problem is that feminists have tried to make

0:37:52.920 --> 0:37:58.120
<v Speaker 1>men less fierce? That's not really the problem. Robert Bligh Like, Um,

0:37:58.920 --> 0:38:01.320
<v Speaker 1>one interesting thing just before you keep going, is I

0:38:01.400 --> 0:38:03.719
<v Speaker 1>think in that quote, did he say that justifiably they

0:38:03.840 --> 0:38:07.959
<v Speaker 1>tried to breathe Yeah, brutality out of men or whatever,

0:38:08.640 --> 0:38:11.960
<v Speaker 1>even they're like on some level, you know, you can

0:38:12.160 --> 0:38:15.000
<v Speaker 1>kind of like okay, like I kind of see what

0:38:15.120 --> 0:38:17.719
<v Speaker 1>the point he's making. You know, men do p pretruate

0:38:17.880 --> 0:38:19.800
<v Speaker 1>a lot of the bullshit that happens to women in

0:38:19.880 --> 0:38:24.160
<v Speaker 1>our society. So like, he's nearly he's not anywhere. He's

0:38:24.160 --> 0:38:27.080
<v Speaker 1>not on the same planet of toxicity as a lot

0:38:27.120 --> 0:38:29.319
<v Speaker 1>of as as guys like you know, Andrew Tate who

0:38:29.360 --> 0:38:31.480
<v Speaker 1>are about to talk about, or even like Jan Peterson.

0:38:31.920 --> 0:38:33.719
<v Speaker 1>But you can see the root of it right where

0:38:33.760 --> 0:38:38.000
<v Speaker 1>he is. Yeah, yeah, he's he's still saying fundamentally, part

0:38:38.040 --> 0:38:41.000
<v Speaker 1>of the problem is famous want men to be less aggressive,

0:38:41.000 --> 0:38:42.840
<v Speaker 1>and like, no, that's not really part of the problem

0:38:42.920 --> 0:38:48.360
<v Speaker 1>that you have adequately identified. Um, yeah, he wants his listeners.

0:38:48.640 --> 0:38:51.600
<v Speaker 1>The young boys are drowning in female energy in the schools.

0:38:51.760 --> 0:38:54.480
<v Speaker 1>Every young man has a fantastic need for initiation. That's

0:38:54.520 --> 0:38:57.040
<v Speaker 1>why we all became so crazy about our football coach.

0:38:57.680 --> 0:39:01.400
<v Speaker 1>Such initiations, he says, channel wildness and the socially approved acts.

0:39:02.239 --> 0:39:05.480
<v Speaker 1>And again you see kind of this, like, well, why

0:39:05.600 --> 0:39:09.160
<v Speaker 1>is the problem? Isn't female energy? Like it's not that,

0:39:09.400 --> 0:39:12.560
<v Speaker 1>Like it's that young men it's that families are being

0:39:12.600 --> 0:39:15.040
<v Speaker 1>split up by this like need to compete and work

0:39:15.239 --> 0:39:17.840
<v Speaker 1>in ways that are really unhealthy for kids. But anyway,

0:39:18.239 --> 0:39:19.920
<v Speaker 1>you can look at the sea of other self help

0:39:20.000 --> 0:39:22.439
<v Speaker 1>grifters at the time we're in her air hard around

0:39:22.480 --> 0:39:24.400
<v Speaker 1>Hubbard who would come around at this point, and you

0:39:24.480 --> 0:39:27.040
<v Speaker 1>could say that BLI is just kind of another dude,

0:39:27.080 --> 0:39:29.000
<v Speaker 1>and that he's doing a lot of the same things

0:39:29.040 --> 0:39:31.080
<v Speaker 1>a lot of these other self help grifters are doing.

0:39:31.560 --> 0:39:33.399
<v Speaker 1>But one of the things that differs him is those

0:39:33.440 --> 0:39:36.879
<v Speaker 1>guys are mostly pile like plying nonsense based on bad

0:39:36.920 --> 0:39:41.560
<v Speaker 1>interpretations of Eastern religion and psychological abuse, and BLI is

0:39:41.680 --> 0:39:44.600
<v Speaker 1>kind of he's not insulting or attacking people. He's not

0:39:44.760 --> 0:39:49.160
<v Speaker 1>calling them them weak. Um he's he's making some reasonable

0:39:49.239 --> 0:39:52.680
<v Speaker 1>points about stuff that's toxic about our society. And then

0:39:52.760 --> 0:39:56.960
<v Speaker 1>he's trying to create like mutual cathartic experiences with the

0:39:57.040 --> 0:40:00.560
<v Speaker 1>men in his audience who are being an vited to

0:40:00.719 --> 0:40:03.120
<v Speaker 1>kind of see the men around them as brothers in

0:40:03.200 --> 0:40:05.680
<v Speaker 1>a way that's more intimate than maybe they had been

0:40:05.719 --> 0:40:10.760
<v Speaker 1>trained to do previously. Um. So again he's there's there's

0:40:10.800 --> 0:40:14.080
<v Speaker 1>something interesting going on here that isn't even holy toxic

0:40:14.200 --> 0:40:16.160
<v Speaker 1>that I think is kind of worth acknowledging as we

0:40:16.320 --> 0:40:19.080
<v Speaker 1>lead to the parts of it that are a lot

0:40:19.160 --> 0:40:22.480
<v Speaker 1>more toxic. Um. And it's one of those things where,

0:40:22.520 --> 0:40:24.359
<v Speaker 1>like I've spent a lot of time on in cell

0:40:24.480 --> 0:40:27.239
<v Speaker 1>message boards and they do talk a lot about this

0:40:27.480 --> 0:40:30.440
<v Speaker 1>feeling of disconnection with society. So when he says that,

0:40:30.600 --> 0:40:33.440
<v Speaker 1>like young men are not connected to their communities, he's

0:40:33.480 --> 0:40:36.320
<v Speaker 1>he's making a decent point. Um. He Also one of

0:40:36.360 --> 0:40:37.920
<v Speaker 1>the points he makes that I thought was interesting is

0:40:37.960 --> 0:40:41.239
<v Speaker 1>he talks about the differences between female sex that and

0:40:41.320 --> 0:40:43.320
<v Speaker 1>male sex, and he points out that because of like

0:40:43.480 --> 0:40:48.720
<v Speaker 1>just basic biological realities of how periods happen, young girls

0:40:48.960 --> 0:40:52.840
<v Speaker 1>are instructed about their bodies in ways that young boys

0:40:52.880 --> 0:40:56.080
<v Speaker 1>are not, and it leads to lifelong discomfort talking about

0:40:56.200 --> 0:41:00.000
<v Speaker 1>their bodies, talking about health problems. Um. And that's probably

0:41:00.080 --> 0:41:03.160
<v Speaker 1>be a valid thing to point out, um, but definitely

0:41:03.200 --> 0:41:07.920
<v Speaker 1>goes both ways. Sure, and again he's very he's completely

0:41:08.000 --> 0:41:10.960
<v Speaker 1>ignorant too. Well. I'm sure there's a lot of things actually,

0:41:11.719 --> 0:41:14.360
<v Speaker 1>especially today, that women are not taught about their bodies

0:41:14.480 --> 0:41:17.640
<v Speaker 1>because of anyway, Again, these are a lot of two

0:41:17.680 --> 0:41:20.560
<v Speaker 1>way problems, and he's focusing just on the male aspect

0:41:20.640 --> 0:41:23.719
<v Speaker 1>of them. But he's not inherently wrong about the male

0:41:23.800 --> 0:41:26.440
<v Speaker 1>aspect of them. He's just leaving a large part of

0:41:26.480 --> 0:41:29.680
<v Speaker 1>the equation out um, and that's where the toxicity comes

0:41:29.719 --> 0:41:33.919
<v Speaker 1>in here. Yeah, I'm I'm I'm ready, I'm ready. BLI

0:41:34.080 --> 0:41:37.520
<v Speaker 1>has reached his fundamental message. Men and women are essentially alien,

0:41:37.640 --> 0:41:40.799
<v Speaker 1>and neither should apologize they're different tribes. He is saying,

0:41:40.920 --> 0:41:42.719
<v Speaker 1>my father was an alcoholic, and yet if you look

0:41:42.800 --> 0:41:44.960
<v Speaker 1>underneath his weakness, there was something there that my mother

0:41:45.080 --> 0:41:47.440
<v Speaker 1>didn't have. She was fine, but she didn't have it.

0:41:47.719 --> 0:41:50.480
<v Speaker 1>Three million sperms start out and they find themselves immediately

0:41:50.560 --> 0:41:54.200
<v Speaker 1>in a hostile environment facing an egg approximately forty times bigger,

0:41:54.520 --> 0:41:56.960
<v Speaker 1>where the product of the one survivor that didn't give up,

0:41:57.800 --> 0:42:01.160
<v Speaker 1>which is it's really weird to be like setting up

0:42:01.280 --> 0:42:06.680
<v Speaker 1>the gender struggle as like sperm versus egg, where it's like, well,

0:42:06.719 --> 0:42:10.080
<v Speaker 1>actually all of us are the product of sperm. That's

0:42:10.120 --> 0:42:13.480
<v Speaker 1>the only way people happen. That's what I emphasize on

0:42:13.520 --> 0:42:15.640
<v Speaker 1>the last part of that quote there, you said, we're

0:42:15.680 --> 0:42:19.879
<v Speaker 1>in the product of the one survivor that didn't give up. Yeah,

0:42:20.040 --> 0:42:21.960
<v Speaker 1>what's the other half of that equation. Is it just

0:42:22.239 --> 0:42:23.880
<v Speaker 1>is it just one little bit of a bit of

0:42:23.960 --> 0:42:30.279
<v Speaker 1>cum that makes a baby? Why is there another part

0:42:30.360 --> 0:42:33.320
<v Speaker 1>to the baby equation? Yeah, I just want to be like, honey,

0:42:33.360 --> 0:42:35.480
<v Speaker 1>did you not show up for sex said class that day?

0:42:35.560 --> 0:42:38.440
<v Speaker 1>Did you miss that lesson? He's framing it like the

0:42:38.600 --> 0:42:42.080
<v Speaker 1>sperm have to murder the eggs so that one can survive.

0:42:43.560 --> 0:42:48.400
<v Speaker 1>That is not the way it works. Um. Bli actually

0:42:48.480 --> 0:42:51.400
<v Speaker 1>insists that he is not preaching old style machismo, and

0:42:51.480 --> 0:42:53.640
<v Speaker 1>he takes pains to tell his audience that, in fact,

0:42:53.760 --> 0:42:56.800
<v Speaker 1>male rage is weakness. We're not talking about aggression. He

0:42:56.880 --> 0:42:59.520
<v Speaker 1>calls out a few of his listeners seemed confused. At

0:42:59.560 --> 0:43:01.600
<v Speaker 1>the height of an hour long discussion of the Gulf War,

0:43:01.760 --> 0:43:05.239
<v Speaker 1>one audience member announces that he's succeeded from society. I'm

0:43:05.280 --> 0:43:07.719
<v Speaker 1>not paying my taxes. I bought an a K forty seven,

0:43:07.760 --> 0:43:09.960
<v Speaker 1>and I'm farting around with ammunition just in case I

0:43:10.040 --> 0:43:12.840
<v Speaker 1>have to back up my decision, he says, softly but firmly.

0:43:13.280 --> 0:43:15.560
<v Speaker 1>Bli and many others have spoken out against the Gulf War,

0:43:15.680 --> 0:43:18.520
<v Speaker 1>yet nobody criticizes the a K forty seven fellow, and

0:43:18.600 --> 0:43:21.080
<v Speaker 1>when Bli asks the Vietnam bets to stand to be honored.

0:43:21.080 --> 0:43:23.720
<v Speaker 1>The room erupts with the applause for about three minutes,

0:43:24.520 --> 0:43:27.320
<v Speaker 1>and you can see there too, the seeds of a

0:43:27.480 --> 0:43:33.000
<v Speaker 1>lot that's going on right now, right where Yeah, he's like,

0:43:33.080 --> 0:43:35.560
<v Speaker 1>we're not talking about many to more be more aggressive.

0:43:35.600 --> 0:43:37.160
<v Speaker 1>And then the guy's like, I have dropped out of

0:43:37.239 --> 0:43:44.200
<v Speaker 1>society and started buying guns. And everyone's like that's great. Um,

0:43:44.760 --> 0:43:49.359
<v Speaker 1>look we're not anyway whatever the BLI died last year.

0:43:49.600 --> 0:43:52.839
<v Speaker 1>Um he lived a long time, yeah, I would say,

0:43:53.000 --> 0:43:57.759
<v Speaker 1>And you can find people, you know, reappraising his work

0:43:57.840 --> 0:43:59.680
<v Speaker 1>and stuff. There's some folks who will say that, like,

0:43:59.840 --> 0:44:02.960
<v Speaker 1>his greater talent was for self promotion rather than poetry,

0:44:03.320 --> 0:44:05.439
<v Speaker 1>and he wasn't as good a poet as people had said.

0:44:05.640 --> 0:44:08.040
<v Speaker 1>I don't know. I'm not a not a poetry guy.

0:44:08.200 --> 0:44:11.520
<v Speaker 1>I'm not gonna analyze his poetry in in that way.

0:44:11.840 --> 0:44:15.760
<v Speaker 1>I do think sometimes because somebody turns out to age

0:44:15.800 --> 0:44:18.200
<v Speaker 1>into a problematic person, people are like, well, I guess

0:44:18.200 --> 0:44:20.680
<v Speaker 1>their work that everybody loved in the past sucked, And

0:44:20.760 --> 0:44:23.640
<v Speaker 1>I think that's kind of cowardly. Like, no people liked

0:44:23.680 --> 0:44:25.879
<v Speaker 1>his poems, they were influential, and then he turned into

0:44:25.920 --> 0:44:31.480
<v Speaker 1>a crank. That's fine, that happens, like yeah, um, anyway,

0:44:32.960 --> 0:44:35.440
<v Speaker 1>you know who isn't a crank and who will never

0:44:35.560 --> 0:44:40.440
<v Speaker 1>do anything problematic My favorite filmmaker Roman Oh. Oh you

0:44:40.520 --> 0:44:43.120
<v Speaker 1>know what. I googled his name as I was saying,

0:44:43.840 --> 0:44:48.239
<v Speaker 1>oh boy, oh dear, um, Well, I'm gonna go burn

0:44:48.320 --> 0:44:52.200
<v Speaker 1>all my DVDs of Rosemary's Baby, and y'all check out

0:44:52.280 --> 0:45:04.719
<v Speaker 1>these ads. Ah, we're bad, really glad if a little

0:45:04.760 --> 0:45:06.600
<v Speaker 1>while I thought it was good, with like the talk

0:45:06.680 --> 0:45:09.759
<v Speaker 1>about reabrasing artists works and the thank you, thank you,

0:45:10.360 --> 0:45:13.160
<v Speaker 1>I thrive on praisey. Yeah, that was something different, good

0:45:13.239 --> 0:45:18.920
<v Speaker 1>for you. So um Blin died, but his work launched

0:45:18.960 --> 0:45:23.200
<v Speaker 1>what scholars have called the mytho poetic men's movement, and

0:45:23.480 --> 0:45:28.640
<v Speaker 1>it's it's, oh my god, that's amazing. It is. It

0:45:28.800 --> 0:45:33.960
<v Speaker 1>is a somewhat uh fucking prickish name to call it,

0:45:34.080 --> 0:45:37.480
<v Speaker 1>I guess, but it's what they mean by mythopoetic. I

0:45:37.520 --> 0:45:39.760
<v Speaker 1>should explain, Like, what they're saying is like the argument

0:45:39.800 --> 0:45:41.839
<v Speaker 1>Bli and the other because there's a bunch of other

0:45:41.920 --> 0:45:44.319
<v Speaker 1>authors in this. The argument they're making is that our

0:45:44.480 --> 0:45:48.640
<v Speaker 1>society has stripped mythology out and has become this like

0:45:48.800 --> 0:45:53.640
<v Speaker 1>kind of coldly competitive engine for creating cash value, and

0:45:53.800 --> 0:45:56.520
<v Speaker 1>that we need in order to make men healthier, we

0:45:56.600 --> 0:46:00.400
<v Speaker 1>need to reintroduce like this kind of mythic under standing

0:46:01.000 --> 0:46:04.520
<v Speaker 1>of of masculinity and of the world that like, that's

0:46:04.600 --> 0:46:06.640
<v Speaker 1>kind and a lot of it is they're like looking

0:46:06.760 --> 0:46:10.040
<v Speaker 1>at like Native American cultures and some of the different

0:46:10.080 --> 0:46:13.839
<v Speaker 1>rituals around masculinity they had and being like, well, maybe well,

0:46:14.160 --> 0:46:16.800
<v Speaker 1>and there's actually again, there's a scientific basis to a

0:46:16.880 --> 0:46:19.040
<v Speaker 1>lot of this is cultural appropriation. But like, one of

0:46:19.080 --> 0:46:21.440
<v Speaker 1>the things that's happening this period is you've got a

0:46:21.480 --> 0:46:24.640
<v Speaker 1>lot of Vietnam veterans dealing with PTSD in an era

0:46:24.760 --> 0:46:27.520
<v Speaker 1>before they understand it. And a thing that occurs during

0:46:27.560 --> 0:46:30.279
<v Speaker 1>this period is that some of them have buddies who

0:46:30.320 --> 0:46:34.360
<v Speaker 1>are also struggling with PTSD and our Indigenous Americans and

0:46:34.440 --> 0:46:38.640
<v Speaker 1>who invite their their white and black and Hispanic battle

0:46:38.680 --> 0:46:42.759
<v Speaker 1>buddies back to do stuff like sweat lodges um in

0:46:42.920 --> 0:46:45.720
<v Speaker 1>order to like cope and other kind of different rituals

0:46:45.800 --> 0:46:48.640
<v Speaker 1>that have existed in some of these indigenous societies to

0:46:48.760 --> 0:46:51.360
<v Speaker 1>deal with what happens to men when they go to

0:46:51.440 --> 0:46:54.840
<v Speaker 1>war and they invite their friends back, and that stuff

0:46:54.880 --> 0:46:57.560
<v Speaker 1>works better than just getting a job working for an

0:46:57.560 --> 0:47:01.680
<v Speaker 1>accounting firm immediately after leaving Vietnam. Um. And so people

0:47:01.719 --> 0:47:03.600
<v Speaker 1>are starting to study this and write about it. And

0:47:04.320 --> 0:47:06.759
<v Speaker 1>one of the things that the mythopoetic guys take is

0:47:06.920 --> 0:47:09.160
<v Speaker 1>this belief that you should basically just kind of like

0:47:09.480 --> 0:47:13.600
<v Speaker 1>steel wholesale from these cultures and and dress white people

0:47:13.719 --> 0:47:17.080
<v Speaker 1>up in head dresses and give them drums and stuff,

0:47:17.360 --> 0:47:19.920
<v Speaker 1>as opposed to being like, oh, well, maybe you know,

0:47:20.120 --> 0:47:23.560
<v Speaker 1>there's a way that isn't that to look at the

0:47:23.680 --> 0:47:27.680
<v Speaker 1>value that some of these rituals have in healing people. Um.

0:47:28.239 --> 0:47:31.120
<v Speaker 1>You know, I'm not the person to to analyze that completely,

0:47:31.200 --> 0:47:34.160
<v Speaker 1>but that's part of what what they're saying here is that,

0:47:34.320 --> 0:47:37.480
<v Speaker 1>like they're they're kind of recognizing there's something hollow at

0:47:37.520 --> 0:47:41.279
<v Speaker 1>the center of American culture that is not hollow in

0:47:41.440 --> 0:47:43.600
<v Speaker 1>some of these other cultures. And instead of being like,

0:47:44.600 --> 0:47:48.280
<v Speaker 1>maybe there's things that we should fundamentally change about American culture,

0:47:48.400 --> 0:47:50.600
<v Speaker 1>they're they're saying, what if we dress up like these

0:47:50.640 --> 0:47:53.520
<v Speaker 1>other people? Right? That's essentially what's going on with a

0:47:53.560 --> 0:47:56.600
<v Speaker 1>lot of the mytho poetic movement. So a big chunk

0:47:56.680 --> 0:47:58.200
<v Speaker 1>of this and these are some of this is blig.

0:47:58.280 --> 0:48:00.359
<v Speaker 1>Some of these guys outside of Bligh is there. They're

0:48:00.400 --> 0:48:03.680
<v Speaker 1>making their like putting a bunch of like white accountants

0:48:03.760 --> 0:48:06.759
<v Speaker 1>and sweat lodges that they make the wrong way and

0:48:07.160 --> 0:48:10.920
<v Speaker 1>lecturing them about you know, young and Joseph Campbell, or

0:48:10.960 --> 0:48:14.200
<v Speaker 1>they're like making them dress like Caveman while playing you know,

0:48:14.360 --> 0:48:16.920
<v Speaker 1>African drums. There's a lot of like weird and comfortable

0:48:17.040 --> 0:48:21.480
<v Speaker 1>racism in the mythopoetic men's movement. UM. That said, it

0:48:21.640 --> 0:48:24.239
<v Speaker 1>is less toxic than the men's rights movement that would

0:48:24.280 --> 0:48:28.200
<v Speaker 1>follow it. Um. Things kind of get increasingly aggressive and

0:48:28.320 --> 0:48:31.920
<v Speaker 1>toxic from this point out. UM. But Bly and the

0:48:32.000 --> 0:48:36.719
<v Speaker 1>initial mytho poetic influencers were not They saw themselves as therapists,

0:48:36.840 --> 0:48:38.600
<v Speaker 1>and again I don't think they were good at this.

0:48:39.040 --> 0:48:41.320
<v Speaker 1>But they were not political. So they were not This

0:48:41.440 --> 0:48:44.280
<v Speaker 1>was not a conservative movement. They were not billing themselves

0:48:44.320 --> 0:48:46.719
<v Speaker 1>as right wing. They were not really like weighing in

0:48:46.840 --> 0:48:50.040
<v Speaker 1>on culture war issues, in part because the culture war

0:48:50.080 --> 0:48:53.520
<v Speaker 1>didn't exist in the same way then that it does now. UM.

0:48:53.719 --> 0:48:57.680
<v Speaker 1>And it's interesting because Bli expressly says this is an

0:48:57.719 --> 0:49:02.000
<v Speaker 1>a political movement. You might criticize him because he had

0:49:02.080 --> 0:49:05.600
<v Speaker 1>just written a really kind of beautiful essay during the

0:49:05.680 --> 0:49:09.920
<v Speaker 1>Vietnam War about the cowardness of being a political but whatever, um.

0:49:10.120 --> 0:49:12.359
<v Speaker 1>I found an article from the Washington Post in nine

0:49:13.239 --> 0:49:15.120
<v Speaker 1>that talked to a number of men who had been

0:49:15.200 --> 0:49:18.200
<v Speaker 1>most active in the movement, and there's some interesting pieces

0:49:18.239 --> 0:49:21.719
<v Speaker 1>in there. Quote an affirmation and strength comes from a

0:49:21.800 --> 0:49:24.839
<v Speaker 1>bonding between men that's impossible to put into words, says

0:49:25.040 --> 0:49:28.000
<v Speaker 1>ed Hanold, the mild mannered federal lawyer and founder of

0:49:28.000 --> 0:49:30.640
<v Speaker 1>the Men's Council of Creator Washington, one of six such

0:49:30.760 --> 0:49:34.000
<v Speaker 1>local groups salving men's deep inner pain through communal rituals

0:49:34.280 --> 0:49:37.480
<v Speaker 1>of dancing, roaring, hugging, and weeping. The experience was known

0:49:37.560 --> 0:49:39.920
<v Speaker 1>to men in the past, but has been forgotten. American

0:49:39.960 --> 0:49:42.520
<v Speaker 1>men face a desperate situation and don't even know it.

0:49:42.880 --> 0:49:45.160
<v Speaker 1>There are large numbers of men wandering lost and some

0:49:45.520 --> 0:49:48.439
<v Speaker 1>personal waste, land of jobs with little meaning, personal lives

0:49:48.480 --> 0:49:51.640
<v Speaker 1>with little passion, and massive confusion about the reasons why.

0:49:52.160 --> 0:49:54.960
<v Speaker 1>He pauses thoughtfully and adds, there's a lot of hurting

0:49:55.040 --> 0:50:01.480
<v Speaker 1>cowboys out there. Now, these guys are not cowboys. These

0:50:01.520 --> 0:50:05.160
<v Speaker 1>guys were like middle managers at auto parts stores and

0:50:05.239 --> 0:50:09.799
<v Speaker 1>ship like, they're absolutely not hurting cowboys. Um, and also

0:50:09.920 --> 0:50:12.640
<v Speaker 1>actual cowboys aren't what this guy thought they were. But

0:50:12.760 --> 0:50:16.239
<v Speaker 1>he's not wrong again and saying that, Like, the situation

0:50:16.320 --> 0:50:20.120
<v Speaker 1>of American men was pretty unpleasant in the early nineteen nineties.

0:50:20.440 --> 0:50:23.400
<v Speaker 1>They were struggling against a capitalist culture that thrived on

0:50:23.440 --> 0:50:25.880
<v Speaker 1>the obliteration of meaning. However, men, of course they are

0:50:25.920 --> 0:50:27.839
<v Speaker 1>not the only ones suffering from this, nor are they

0:50:27.880 --> 0:50:30.520
<v Speaker 1>suffering worse than any other group of Americans. Right, this

0:50:30.719 --> 0:50:34.239
<v Speaker 1>is just alienation under capitalism. Part of what he's doing

0:50:34.360 --> 0:50:37.520
<v Speaker 1>here that is noteworthy and becomes a huge problem later on,

0:50:38.040 --> 0:50:42.000
<v Speaker 1>is he is identifying real problems with the society we

0:50:42.120 --> 0:50:45.160
<v Speaker 1>live in and then cutting men off from the rest

0:50:45.200 --> 0:50:47.520
<v Speaker 1>of that society and thus cutting off the pacity of

0:50:47.600 --> 0:50:50.600
<v Speaker 1>possibility of solidarity. So you can't look at this kind

0:50:50.640 --> 0:50:53.359
<v Speaker 1>of alienation and loss of meaning and be like, wow,

0:50:53.760 --> 0:50:57.560
<v Speaker 1>men and women and everybody is being harmed by the

0:50:57.840 --> 0:51:01.040
<v Speaker 1>meaninglessness this whole, at this or of our culture. You

0:51:01.120 --> 0:51:03.600
<v Speaker 1>have to say men are being harmed, and then that

0:51:03.719 --> 0:51:05.960
<v Speaker 1>invites like, well, there must be women that are doing it,

0:51:06.000 --> 0:51:07.480
<v Speaker 1>and it must be we should be looking at how

0:51:07.520 --> 0:51:13.560
<v Speaker 1>feminine flow right in It's interesting to see like just

0:51:13.960 --> 0:51:18.879
<v Speaker 1>how far John Wayne's like reach impacts the way men think. Yeah,

0:51:19.760 --> 0:51:22.320
<v Speaker 1>there's a lot of hurting cowboys. Motherfucker, you are not

0:51:22.440 --> 0:51:26.239
<v Speaker 1>a cowboy. And by the way, cowboys were mostly like

0:51:26.880 --> 0:51:29.759
<v Speaker 1>poor black and Hispanic and Indigenous men who were being

0:51:29.840 --> 0:51:33.400
<v Speaker 1>exploited for their labor. Like, this is not none of

0:51:33.480 --> 0:51:37.160
<v Speaker 1>what you're saying means anything. You are entirely You're you're

0:51:37.160 --> 0:51:39.520
<v Speaker 1>talking about the emptiness of culture and your understanding of

0:51:39.600 --> 0:51:42.080
<v Speaker 1>history has been entirely formed by the movies you watched.

0:51:42.680 --> 0:51:49.240
<v Speaker 1>Like anyway, do better, well, some of them will eventually

0:51:49.280 --> 0:51:51.080
<v Speaker 1>in the future. I think it would be interesting to

0:51:51.200 --> 0:51:53.840
<v Speaker 1>try and find out look into all these men's groups

0:51:53.880 --> 0:51:56.840
<v Speaker 1>in the Washington in the state of Washington in this

0:51:56.960 --> 0:51:58.839
<v Speaker 1>period of time and see how many of those guys

0:51:58.880 --> 0:52:01.719
<v Speaker 1>wound up being elders and the proud boys thirty years later.

0:52:01.880 --> 0:52:05.759
<v Speaker 1>But that's that's that's a more in depth work for

0:52:06.080 --> 0:52:08.040
<v Speaker 1>for someone in the future if they want to do it.

0:52:08.760 --> 0:52:11.600
<v Speaker 1>Um So, one of the most dangerous aspects of the

0:52:11.719 --> 0:52:14.879
<v Speaker 1>mytho poetic men's movement is that it was not as

0:52:15.080 --> 0:52:19.960
<v Speaker 1>toxic as its descendants. Again, it identifies real problems, but

0:52:20.040 --> 0:52:23.240
<v Speaker 1>then it recasts them as things that just men, mostly

0:52:23.320 --> 0:52:25.920
<v Speaker 1>white men, are suffering from. And the answer is like,

0:52:26.239 --> 0:52:31.239
<v Speaker 1>KEECHI kind of racist LARPing as member like that. That's

0:52:31.239 --> 0:52:35.080
<v Speaker 1>basically what they're doing, right, and this, yeah, it's it's,

0:52:35.160 --> 0:52:37.839
<v Speaker 1>it's it causes problems. Later on, one of the most

0:52:37.960 --> 0:52:40.360
<v Speaker 1>ridiculous aspects of the mytho poetic men's movement was the

0:52:40.440 --> 0:52:43.920
<v Speaker 1>creation of wing Span, the Journal of the Male Spirit.

0:52:44.480 --> 0:52:46.719
<v Speaker 1>Uh don't you just want to sit down in with

0:52:46.760 --> 0:52:50.080
<v Speaker 1>a copy of Wingspan read out quotes to your buds.

0:52:50.840 --> 0:52:53.640
<v Speaker 1>I start every morning with it, with it. Yeah, just

0:52:53.960 --> 0:52:56.920
<v Speaker 1>spread spreading your wings. So in the in the pre

0:52:57.040 --> 0:52:59.160
<v Speaker 1>internet era, this acted as a clearing house for the

0:52:59.200 --> 0:53:02.640
<v Speaker 1>movement and a introl place where influencers could advertise their events.

0:53:02.920 --> 0:53:06.640
<v Speaker 1>Quote the last issue of Wingspan list dozens of publications

0:53:06.680 --> 0:53:08.839
<v Speaker 1>and events for men around the country, including a New

0:53:08.880 --> 0:53:12.480
<v Speaker 1>Warrior Training Adventure weekend in Wisconsin, Drumming and Dancing for

0:53:12.560 --> 0:53:15.640
<v Speaker 1>men in Massachusetts, Brother to Brother in New York, Healing

0:53:15.719 --> 0:53:19.200
<v Speaker 1>the Father Wound in California, and Afro American Mails at

0:53:19.320 --> 0:53:22.600
<v Speaker 1>Risk in New Jersey. A recent grandfather ceremony at the

0:53:22.640 --> 0:53:25.800
<v Speaker 1>Fairfax Unitarian Men's Council featured drumming on a five and

0:53:25.840 --> 0:53:28.920
<v Speaker 1>a half foot thunder heart drum. In this area. There

0:53:29.000 --> 0:53:32.200
<v Speaker 1>are three large councils in Virginia, one in Gaithersburg and

0:53:32.239 --> 0:53:35.239
<v Speaker 1>another in Baltimore. The Men's Council of Greater Washington, which

0:53:35.320 --> 0:53:37.960
<v Speaker 1>Hanld started in June of nine with fifty men, is

0:53:38.000 --> 0:53:40.880
<v Speaker 1>the largest, with two thousand members and fifty newcomers arriving

0:53:40.920 --> 0:53:44.600
<v Speaker 1>for each monthly meeting. Late one night in January, at

0:53:44.600 --> 0:53:47.600
<v Speaker 1>the Council's meeting in the Washington Ethical Society Auditorium on

0:53:47.719 --> 0:53:50.920
<v Speaker 1>Upper sixteenth Street, Hanald shed his Clark Kent image as

0:53:50.960 --> 0:53:53.480
<v Speaker 1>he leads five hundred men who are pounding drums and chanting.

0:53:53.760 --> 0:53:56.520
<v Speaker 1>The sweating windows shape with rhythmic thunder that reverberates up

0:53:56.520 --> 0:53:59.000
<v Speaker 1>and down the street as they raise Honald, gyrating and

0:53:59.080 --> 0:54:02.080
<v Speaker 1>clapping high overhead and parade him about the room. Then

0:54:02.160 --> 0:54:05.240
<v Speaker 1>group leaders circulate with large feathers and clay pots, wafting

0:54:05.280 --> 0:54:07.560
<v Speaker 1>the smoke of burning sage into the waiting faces. And

0:54:07.640 --> 0:54:10.520
<v Speaker 1>what is termed a Native American ritual designed to put

0:54:10.560 --> 0:54:15.080
<v Speaker 1>you in touch with generations of male ancestors. So that's

0:54:15.120 --> 0:54:21.239
<v Speaker 1>a little problematic, just to scoch um a number of

0:54:21.320 --> 0:54:25.120
<v Speaker 1>other masculinity grifters, followed by Robert Moore and Douglas Gillette

0:54:25.120 --> 0:54:29.360
<v Speaker 1>wrote the bestseller King, Warrior, Magician, Magician, Lover, which reported

0:54:29.400 --> 0:54:33.200
<v Speaker 1>to that's a that's a title right there. I want

0:54:33.239 --> 0:54:36.080
<v Speaker 1>to be a cane, warrior, magician, lover. And these are

0:54:36.480 --> 0:54:40.400
<v Speaker 1>these are like the archetypes of male masculinity. Um I

0:54:40.440 --> 0:54:42.640
<v Speaker 1>don't think they're in order, because you probably don't start

0:54:42.640 --> 0:54:44.439
<v Speaker 1>as a king and end up as a lover, although

0:54:44.480 --> 0:54:46.840
<v Speaker 1>maybe you do. That would be progressive actually saying that

0:54:46.920 --> 0:54:49.400
<v Speaker 1>you need to you need to shed your your mastery

0:54:49.520 --> 0:54:51.799
<v Speaker 1>and your sense of ownership in order to become a lover.

0:54:51.880 --> 0:54:54.000
<v Speaker 1>But I don't think that's the point they're making. Um

0:54:54.719 --> 0:54:58.440
<v Speaker 1>More is a young an analyst and a professor of psychology. Jillette,

0:54:58.560 --> 0:55:01.520
<v Speaker 1>like Dr Jordan balt Is Peterson, was a mythologist. I

0:55:01.560 --> 0:55:03.920
<v Speaker 1>found a good write up that described the main arguments

0:55:03.960 --> 0:55:07.160
<v Speaker 1>in their book by Aaron Innes. The book's second shared

0:55:07.200 --> 0:55:09.840
<v Speaker 1>premise is that there are universal male archetypes inherent to

0:55:09.920 --> 0:55:12.400
<v Speaker 1>every male bodied person that are represented in myth and

0:55:12.480 --> 0:55:15.160
<v Speaker 1>story around the world, but are suppressed in the dominant culture.

0:55:15.520 --> 0:55:18.160
<v Speaker 1>The Developmental History of every Man says more, Gilette is

0:55:18.200 --> 0:55:20.400
<v Speaker 1>in large part the story of his failure or success

0:55:20.440 --> 0:55:24.520
<v Speaker 1>at discovering within himself the archetypes of mature masculinity. Following

0:55:24.560 --> 0:55:27.040
<v Speaker 1>young and psychological theory. They claim that if men are

0:55:27.080 --> 0:55:29.800
<v Speaker 1>not given room to express these archetypes in a healthy manner,

0:55:30.040 --> 0:55:32.160
<v Speaker 1>they will act them out unconsciously in ways that are

0:55:32.200 --> 0:55:35.200
<v Speaker 1>damaging and violent, either directed outward at other people as

0:55:35.280 --> 0:55:38.520
<v Speaker 1>overtly hostile male behavior, or directed inward which SAPs the

0:55:38.560 --> 0:55:41.200
<v Speaker 1>fatality of the men involved. It's worth noting that the

0:55:41.239 --> 0:55:43.640
<v Speaker 1>authors of both books, as well as their contemporary followers,

0:55:43.719 --> 0:55:45.720
<v Speaker 1>seem a hell of a lot more concerned about remedying

0:55:45.800 --> 0:55:48.880
<v Speaker 1>male acting out that's turned inward and creating male malaise

0:55:48.920 --> 0:55:51.759
<v Speaker 1>than they are about male violence directed towards others. Take

0:55:51.840 --> 0:55:54.000
<v Speaker 1>the essay why Men Find It So Hard to Feel

0:55:54.239 --> 0:55:57.160
<v Speaker 1>by Mythopoetic Workshop leader Darren Austin Hall, who says that

0:55:57.200 --> 0:56:00.120
<v Speaker 1>women are at an advantage to men spiritually and at

0:56:00.320 --> 0:56:03.600
<v Speaker 1>minstrel cycles made women are energetically connected to cycles of

0:56:03.640 --> 0:56:05.960
<v Speaker 1>the moon, which in turn is energetically linked to our

0:56:06.000 --> 0:56:08.840
<v Speaker 1>unconscious This leads him to the conclusion that the solution

0:56:08.920 --> 0:56:11.520
<v Speaker 1>to warmongering tyrants in the world is for women to

0:56:11.719 --> 0:56:14.680
<v Speaker 1>use touch and the beautiful arts of seductive love to

0:56:15.160 --> 0:56:18.839
<v Speaker 1>disarm men, and that this will solve male violence. There

0:56:19.080 --> 0:56:23.160
<v Speaker 1>is the girl's just gotta touch us, Ryan, We'll stop

0:56:23.200 --> 0:56:33.400
<v Speaker 1>doing genocides. That's incredible. Hitler wouldn't have done all that

0:56:33.560 --> 0:56:35.680
<v Speaker 1>bad stuff, if I get what I mean. He was

0:56:35.760 --> 0:56:37.960
<v Speaker 1>dating his cousin, So I don't really want to continue

0:56:38.000 --> 0:56:43.279
<v Speaker 1>this joke. But dating dating is the wrong word. Um.

0:56:44.560 --> 0:56:47.040
<v Speaker 1>You know that story, Sophie. We've talked about Hitler and

0:56:47.120 --> 0:56:50.960
<v Speaker 1>his cousin. Yeah, I killed herself. Yeah, it's bad. It's

0:56:50.960 --> 0:56:55.279
<v Speaker 1>a really bad story. Again, bringing up Hitler and the

0:56:55.400 --> 0:56:59.360
<v Speaker 1>cousin that he may be murdered, um, is definitely perhaps

0:56:59.400 --> 0:57:01.040
<v Speaker 1>a good way of pointing out how fucked up it

0:57:01.160 --> 0:57:03.080
<v Speaker 1>is to say the problem of men's violence is that

0:57:03.160 --> 0:57:07.359
<v Speaker 1>women don't touch them the right way. Um, it's pretty bad.

0:57:07.440 --> 0:57:09.760
<v Speaker 1>It also brings to mind I'm thinking about our Liberia

0:57:09.840 --> 0:57:13.600
<v Speaker 1>episodes and the that sex strike that a bunch of

0:57:13.680 --> 0:57:15.400
<v Speaker 1>women went on to get the warlords to come to

0:57:15.480 --> 0:57:18.760
<v Speaker 1>the table to negotiate, and how it's like literally the opposite.

0:57:18.800 --> 0:57:21.040
<v Speaker 1>It's it's number one one of the most amazing stories

0:57:21.120 --> 0:57:23.080
<v Speaker 1>of activism I've ever heard of, and it's literally the

0:57:23.160 --> 0:57:26.440
<v Speaker 1>opposite of what these guys are saying. Um. But I

0:57:26.520 --> 0:57:30.280
<v Speaker 1>don't know, I don't know. This is also gross. Um

0:57:31.600 --> 0:57:36.520
<v Speaker 1>yeah ikey. So most regular listeners of the show are

0:57:36.560 --> 0:57:39.520
<v Speaker 1>broadly familiar with the way men's empowerment gurus and men's

0:57:39.600 --> 0:57:42.240
<v Speaker 1>rights influencers evolved over the last twenty years or so,

0:57:42.720 --> 0:57:45.480
<v Speaker 1>a mix of right wing culture war politics intersecting with

0:57:45.840 --> 0:57:48.640
<v Speaker 1>very divorced men. And I think we haven't talked about

0:57:48.680 --> 0:57:51.360
<v Speaker 1>this yet, but these guys are all extremely divorced, right,

0:57:51.440 --> 0:57:54.680
<v Speaker 1>There's a there's a lot of weekend Dad energy in

0:57:54.800 --> 0:57:59.320
<v Speaker 1>these sense. Yeah, okay, that's why they're also better Okay,

0:57:59.680 --> 0:58:02.720
<v Speaker 1>yea that there's just no way anything else is going

0:58:02.840 --> 0:58:06.200
<v Speaker 1>on here. Um. Elon Musk would have been really really

0:58:06.240 --> 0:58:08.040
<v Speaker 1>would have fit in at these Maybe it would have

0:58:08.400 --> 0:58:10.200
<v Speaker 1>kept him from buying Twitter. You know, I don't want

0:58:10.240 --> 0:58:15.080
<v Speaker 1>to say it was all toxic. Um. So yeah, again,

0:58:15.200 --> 0:58:18.760
<v Speaker 1>you have UM. Most people listening are kind of familiar

0:58:18.800 --> 0:58:21.640
<v Speaker 1>with where things descend after the mytho poetic men's movement,

0:58:21.680 --> 0:58:24.520
<v Speaker 1>which still kind of is around, but more or less

0:58:24.520 --> 0:58:27.280
<v Speaker 1>peters out over the course of the nineties, and after

0:58:27.360 --> 0:58:29.360
<v Speaker 1>that point, you've got a mix of right wing culture

0:58:29.400 --> 0:58:32.720
<v Speaker 1>war politics that intersects with these very divorce dudes angry

0:58:32.760 --> 0:58:36.280
<v Speaker 1>over custody, you know, yelling about how men are discriminated against.

0:58:36.320 --> 0:58:39.280
<v Speaker 1>And then we have pick of course, starting in the

0:58:39.360 --> 0:58:42.040
<v Speaker 1>early two thousands, these pickup artists selling the secret to

0:58:42.160 --> 0:58:45.640
<v Speaker 1>fucking chicks at bars, and this all gets brewed up

0:58:45.680 --> 0:58:48.120
<v Speaker 1>into this slurry, and you know, you've got to pick

0:58:48.200 --> 0:58:51.320
<v Speaker 1>up artists intersecting with the men's rights activists, intersecting with

0:58:51.360 --> 0:58:55.120
<v Speaker 1>the right wing culture war politicians, intersecting with these literal Nazis.

0:58:55.480 --> 0:58:57.800
<v Speaker 1>And from that slurry we get gamer Gate and the

0:58:57.920 --> 0:59:00.680
<v Speaker 1>alt right and at least a portion of Donald Trump's

0:59:00.720 --> 0:59:08.960
<v Speaker 1>political success. Right, Um, so that is that is the story? Well,

0:59:09.000 --> 0:59:11.120
<v Speaker 1>I mean this is I I we haven't gone into

0:59:11.200 --> 0:59:12.640
<v Speaker 1>this on the show, and it was something I was

0:59:12.680 --> 0:59:14.280
<v Speaker 1>broadly aware of it, didn't know much about. But I

0:59:14.320 --> 0:59:16.800
<v Speaker 1>think this is especially leading into a story about a

0:59:16.840 --> 0:59:20.160
<v Speaker 1>guy like Andrew Tate, who was the most toxic, arguably

0:59:20.440 --> 0:59:23.360
<v Speaker 1>calls himself the most like toxic man on the Internet,

0:59:23.680 --> 0:59:28.200
<v Speaker 1>and is certainly an articon of of male toxicity. I

0:59:28.320 --> 0:59:30.400
<v Speaker 1>think it kind of behooves us to talk about what

0:59:30.680 --> 0:59:35.200
<v Speaker 1>led to him because it's interesting. Um. Anyway, this is

0:59:35.240 --> 0:59:37.800
<v Speaker 1>the end of episode one. Anybody anybody got some thoughts

0:59:37.880 --> 0:59:41.120
<v Speaker 1>here at the end of things? Um, I mean, I

0:59:41.200 --> 0:59:43.160
<v Speaker 1>think that was a really great explainer on kind of

0:59:43.280 --> 0:59:47.840
<v Speaker 1>laying the groundwork for where the ideas that eventually became

0:59:47.920 --> 0:59:52.240
<v Speaker 1>Andrew Tap you know, started and took a foothold, and uh, yeah,

0:59:52.280 --> 0:59:54.400
<v Speaker 1>after you broke it down, it makes sense and I

0:59:54.480 --> 0:59:57.000
<v Speaker 1>can see how we got there, you know. But it

0:59:57.160 --> 1:00:01.000
<v Speaker 1>is interesting that, you know, some of the initial original points,

1:00:01.080 --> 1:00:04.000
<v Speaker 1>like you said, we're valid and do kind of highlight

1:00:04.120 --> 1:00:07.400
<v Speaker 1>some issues in our society that maybe we should be

1:00:07.560 --> 1:00:10.880
<v Speaker 1>focusing more on or addressing. But also, as you said,

1:00:10.920 --> 1:00:13.880
<v Speaker 1>it's not just a men's problem. It's a problem for everyone,

1:00:13.960 --> 1:00:16.560
<v Speaker 1>and everyone's being affected by it, and we should be

1:00:16.600 --> 1:00:19.320
<v Speaker 1>finding solidarity in that, and how can we help everybody

1:00:19.400 --> 1:00:22.800
<v Speaker 1>improve our lives, not just oh it's a problem that's

1:00:22.840 --> 1:00:28.120
<v Speaker 1>only affecting men, so women problem. It's so interesting to

1:00:28.200 --> 1:00:32.840
<v Speaker 1>me how many people see, oh, men are being made

1:00:32.920 --> 1:00:37.160
<v Speaker 1>to like spend their entire young and mature adult lives

1:00:37.440 --> 1:00:40.520
<v Speaker 1>like laboring for somebody else's profit in a factory whatever,

1:00:41.000 --> 1:00:43.200
<v Speaker 1>and as a result, their kids barely know them, which

1:00:43.240 --> 1:00:45.120
<v Speaker 1>is a real problem. A lot of kids raised and

1:00:45.200 --> 1:00:49.480
<v Speaker 1>like the fifties, sixties, seventies have and translating that as

1:00:49.960 --> 1:00:53.000
<v Speaker 1>and like seeing you know, their moms struggling to like

1:00:53.160 --> 1:00:55.440
<v Speaker 1>keep the house going and raise the kids through all

1:00:55.480 --> 1:00:58.160
<v Speaker 1>that and and and the kids suffering, and be like, well,

1:00:58.200 --> 1:01:01.640
<v Speaker 1>this is clearly a men's problem. No, this is this

1:01:01.800 --> 1:01:09.000
<v Speaker 1>is a cultural problem. Everybody's problem is this. Um anyway, Sophie,

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<v Speaker 1>I'm really not looking forward to what's coming next, Sophie.

1:01:13.640 --> 1:01:15.439
<v Speaker 1>It's gonna be terrible, and you're gonna have to play

1:01:15.440 --> 1:01:20.720
<v Speaker 1>a lot of clips. So I'm so sorry listeners, but

1:01:20.960 --> 1:01:24.400
<v Speaker 1>I'm sorry, but it is necessary. You know what. I'm

1:01:24.480 --> 1:01:27.320
<v Speaker 1>not sorry. I'll never apologize. That's what I learned from

1:01:27.360 --> 1:01:29.919
<v Speaker 1>Andrew Tate. I think you wrote a really good script though.

1:01:30.640 --> 1:01:34.760
<v Speaker 1>Thank you, Sophie. Welcome Robert, I love me too. All right,

1:01:34.800 --> 1:01:37.840
<v Speaker 1>everybody that's gonna do it with us for us today

1:01:38.080 --> 1:01:41.800
<v Speaker 1>at at Behind the Bastards the podcast that will be

1:01:41.920 --> 1:01:45.400
<v Speaker 1>recorded again immediately after this, although I will probably start

1:01:45.480 --> 1:01:50.600
<v Speaker 1>drinking because it is now quite late. Um So, Huzza Huzza.

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<v Speaker 1>Behind the Bastards is a production of cool Zone Media.

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<v Speaker 1>For more from cool Zone, Media This at our website,

1:02:00.600 --> 1:02:03.680
<v Speaker 1>cool zone media dot com, or check us out on

1:02:03.800 --> 1:02:06.360
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

1:02:06.440 --> 1:02:07.280
<v Speaker 1>get your podcasts.