WEBVTT - No Notes for Broadway Star Alex Newell

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<v Speaker 1>Welcome to the Laverne Cox Show, a production of Shondaland

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<v Speaker 1>Audio in partnership with iHeartRadio.

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<v Speaker 2>No notes, no notes.

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<v Speaker 3>Notes, fuck, yes, absolutely, okay, work, I did that.

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<v Speaker 2>I did that, and I know I did that because

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<v Speaker 2>Jennifer Holiday looked at me and said, I sat there

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<v Speaker 2>and cried when I watched.

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<v Speaker 1>You saying that.

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<v Speaker 3>Hello everyone, and welcome to the Laverne Cox Show. My

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<v Speaker 3>name is Laverne Cox. I am so excited about today's conversation.

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<v Speaker 3>Alex Newle is a dear friend of mine who I

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<v Speaker 3>haven't gotten to sit down and chat with in a

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<v Speaker 3>really long time, so this will partly be a catch up.

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<v Speaker 3>And I'm also a tremendous, tremendous fan. We met at

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<v Speaker 3>the GLAD Awards in twenty fourteen. Alex came up to

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<v Speaker 3>me and just introduced themselves and was so sweet, and

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<v Speaker 3>I was aware of their work, of course, and then somehow,

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<v Speaker 3>some way, a video of Alex singing with the Gay

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<v Speaker 3>Men's Chorus of Boston popped up on my YouTube feed,

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<v Speaker 3>and then I became utterly obsessed with Alex and Alex's

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<v Speaker 3>insane voice, insane vocals like amazing, amazing, amazing voice. I

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<v Speaker 3>really believe Alex Nowell is one of the best singers

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<v Speaker 3>working today. And I'm just so happy for Alex and

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<v Speaker 3>so proud of Alex, and we're going.

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<v Speaker 1>To get into all of that today.

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<v Speaker 3>So for those of you who don't know, Alex Newell

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<v Speaker 3>first grabbed our attension on the small screen and Fox's

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<v Speaker 3>critically acclaimed series Glee as transgender student waigde Unique Adams.

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<v Speaker 3>They made history this year as the first non binary

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<v Speaker 3>identifying actor to be nominated for a Best Featured Actor

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<v Speaker 3>Tony Award, and went on to win that Tony Award

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<v Speaker 3>for their amazing performance in the Broadway musical Shucked, I

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<v Speaker 3>Mean Standing Ovations Girl every single Night. Alex was first

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<v Speaker 3>seen on Broadway in twenty seventeen in the revival of

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<v Speaker 3>Once on This Island and was a fan favorite in

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<v Speaker 3>the hit TV show Zoe's Extraordinary Playlist, which garnered Alex

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<v Speaker 3>a Critics Choice Award nomination. Please enjoy My Conversation with

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<v Speaker 3>the one and only Alex Newell.

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<v Speaker 1>This episode was recorded prior to the SAG After Strike.

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<v Speaker 3>Hello Alex Newell, Welcome to the podcast. How are you

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<v Speaker 3>feeling today, girl?

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<v Speaker 2>I'm great? How are you, my dear I'm.

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<v Speaker 3>Good, and I'm really really excited to be chatting with you.

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<v Speaker 3>So I saw a shucked last week finally, and you

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<v Speaker 3>were amazing. You just won a Tony and your Tony

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<v Speaker 3>Award winning acceptance speech.

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<v Speaker 1>I'm I'm tearing up right now.

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<v Speaker 2>It's super strange because one, I hate a prepared speech,

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<v Speaker 2>and so I was just I wanted to be in

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<v Speaker 2>the moment, and I just wanted to let life be

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<v Speaker 2>what life was in that moment and feel everything because

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<v Speaker 2>even up until my name was called, it could have

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<v Speaker 2>been anybody's, it could have been anybody's. And I mean

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<v Speaker 2>that truly when I say that, I truly was not

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<v Speaker 2>supposed to be up there. I wasn't supposed to win this.

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<v Speaker 2>The path to this wasn't conventional, it wasn't the way

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<v Speaker 2>that I envisioned it was going to be. And then

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<v Speaker 2>on top of that, being who I am and what

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<v Speaker 2>I am that walks this earth each day, there's not

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<v Speaker 2>always space for me, and to have to carve that

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<v Speaker 2>space out was even bigger in that moment because it

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<v Speaker 2>did actually happen.

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<v Speaker 1>Yeah, I think that's why it's so emotional for me.

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<v Speaker 3>Obviously, we've been friends for years and I've been a

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<v Speaker 3>fan for years, and I just for me, it's just

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<v Speaker 3>a testimony to what talent that your talent is just

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<v Speaker 3>so big that it transcends all of the supposed limitations.

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<v Speaker 3>The talent is so undeniable that you've just transcended. And

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<v Speaker 3>that is like part of why I love you so much,

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<v Speaker 3>part of why I think your story is so insanely

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<v Speaker 3>inspiring and I'm just so happy and excited. And it

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<v Speaker 3>was just there was history. There was another gender non

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<v Speaker 3>conforming actor, Jay from Some Like It Hot, who also

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<v Speaker 3>won a Tony that night, But in your speech you

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<v Speaker 3>because I remember we had lunch in twenty fifteen at

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<v Speaker 3>the Whole House in Los Angeles, and I was shocked

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<v Speaker 3>when you told me that you applied to all these

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<v Speaker 3>conservatories and did not get into any one of them.

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<v Speaker 3>And I just can you talk to me about that process.

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<v Speaker 3>I mean this voice that you have, this talent, that

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<v Speaker 3>it's the voice, but it's the presence. To me, it

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<v Speaker 3>seems like it would always be undeniable. What was that

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<v Speaker 3>experience like for you not getting accepted anywhere with this

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<v Speaker 3>talent back then?

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<v Speaker 2>It was completely disheartening because you are told to your

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<v Speaker 2>face how talented you are, and you are working as

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<v Speaker 2>a professional actor at the time, and I was truly

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<v Speaker 2>literally on Glee at the same time, and it's just like, yeah,

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<v Speaker 2>it made sense to get into these schools because I

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<v Speaker 2>was quite literally already successful. But there was something about

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<v Speaker 2>not getting in that I was just like, am I

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<v Speaker 2>not talented? Am I not good enough? Am I not?

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<v Speaker 2>And then, now, being older, I know that it had

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<v Speaker 2>nothing to do with that. It was where do we

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<v Speaker 2>put this kid? But back then, when you're seventeen eighteen

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<v Speaker 2>years old, you're just like, I'm not talented. I'm literally untalented.

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<v Speaker 3>And I think that's a really interesting thing to sort

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<v Speaker 3>of book mark or to note that, like so much

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<v Speaker 3>of it's about how can we cast? Yes, much of

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<v Speaker 3>a getting into a school is like who can we

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<v Speaker 3>cast in the Spring you know musical and the Fall Musical,

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<v Speaker 3>and you should have been playing Fie and you should

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<v Speaker 3>have been doing what you're doing now, but they didn't

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<v Speaker 3>have the vision for that. So at the same time,

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<v Speaker 3>you were doing the Glee project, and so I didn't

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<v Speaker 3>know that you submitted a video through MySpace Girl. MySpace

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<v Speaker 3>take us back to submitting an audition tape and how

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<v Speaker 3>old were you when Glee Project happened?

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<v Speaker 2>I was when I did that tape. You know, my mother,

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<v Speaker 2>when I was younger, I was held back twice, so

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<v Speaker 2>I was already older than every one in my class.

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<v Speaker 2>No matter what nine to eleven happened. Mother's like, you're

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<v Speaker 2>the fourth grade, let's go back to third grade. And

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<v Speaker 2>I was just like, okay, sure. And then we changed schools.

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<v Speaker 2>School I started at they started at the fifth grade,

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<v Speaker 2>even though I was the sixth grade. She was like,

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<v Speaker 2>I guess you're going back to fifth grade. It won't hurt.

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<v Speaker 2>And I was just like, ah, I'm old. So I

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<v Speaker 2>did that tape the beginning of my junior year in

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<v Speaker 2>high school.

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<v Speaker 1>So you would have been sixteen or seventeen.

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<v Speaker 2>I was eighteen. Were I was eighteen because it'd be

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<v Speaker 2>eighteen to submit, So you're eighteen.

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<v Speaker 1>What did you saying on your audition tape? Do you remember?

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<v Speaker 2>I sang and I am telling you in our auditorium

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<v Speaker 2>in my school uniform, Polo Khakis center stage and just

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<v Speaker 2>screaming the song to the backist of Rose. And you know,

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<v Speaker 2>it's strange because that video went viral. Essentially at that time,

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<v Speaker 2>it was because you could upload your submissions onto the MySpace.

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<v Speaker 2>Dear god, it was so long ago, and people would

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<v Speaker 2>watch them and vote on them, and I got over

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<v Speaker 2>like a million likes and views and all of that things.

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<v Speaker 2>And to be honest, I was this close, like very

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<v Speaker 2>very close to not have been on the Glee Project

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<v Speaker 2>at all, because when I got the confirmation email about

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<v Speaker 2>coming out to audition and be called back for this show,

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<v Speaker 2>I thought it was a scam. Why because it just

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<v Speaker 2>it was just so out of the blue. It was

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<v Speaker 2>just like, pop, hey, we saw your online submission. We

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<v Speaker 2>want you to fly out to Los Angeles. We'll pay

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<v Speaker 2>for it. The hotel will pay for it. Please confirm.

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<v Speaker 2>And I was like, that's a scam. So I deleted it.

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<v Speaker 2>But then they kept pestering me. They kept following up,

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<v Speaker 2>and I was just like, well, clear that this is

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<v Speaker 2>kind of real.

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<v Speaker 3>Okay, thank god you went hello yes, And then you

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<v Speaker 3>didn't win the Glee Project, which is fascinating for they

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<v Speaker 3>were so moved by the talent that they were like,

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<v Speaker 3>let's give you a few episodes, and a few episodes

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<v Speaker 3>turned into three seasons.

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<v Speaker 2>The season, three, four, five, and six. Yeah, four seasons.

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<v Speaker 1>Four seasons on Glee, which was life changing.

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<v Speaker 3>The world got to know you, got to know unique

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<v Speaker 3>there was this gender non conforming trans character on primetime television.

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<v Speaker 3>It was so groundbreaking in so many incredible ways.

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<v Speaker 1>And most of us who know you know that.

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<v Speaker 3>But I want to go back a little bit because

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<v Speaker 3>in your speech at the Tony's you mentioned your mom

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<v Speaker 3>was there sitting next to you, and I remember, I

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<v Speaker 3>think I met your mom at once in this island

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<v Speaker 3>of premiere. Now your mom is there, and you grew

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<v Speaker 3>up in the church in Lynn, Massachusetts, and you were

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<v Speaker 3>this church going kid who.

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<v Speaker 1>Was always you right and with this voice.

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<v Speaker 3>And can you talk a little bit about your journey

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<v Speaker 3>in the church, your mother, and then your gender non conformity,

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<v Speaker 3>because I don't know if I've really heard you.

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<v Speaker 1>Maybe you've talked about this, but girl, what's the team?

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<v Speaker 2>Well, one thing about my mother always gave me space

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<v Speaker 2>to be whoever the hell I wanted to be. She

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<v Speaker 2>always led with quite literally as the Bible teaches you,

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<v Speaker 2>to lead with love and to have compassion and to

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<v Speaker 2>love your neighbor as your own self. And I'm a

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<v Speaker 2>shaney bitch most days, but that is where my gaze

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<v Speaker 2>of life is. It's that of love and.

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<v Speaker 1>The gaz of life.

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<v Speaker 4>Yes.

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<v Speaker 2>So my mother growing up in church, like church for

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<v Speaker 2>my family was that of community. I lived in predominantly

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<v Speaker 2>white schools all my life, but like church was community.

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<v Speaker 2>Like I call my mom's friends there, all of my

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<v Speaker 2>aunts and uncles like those are my family members, not

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<v Speaker 2>just church members that I know.

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<v Speaker 3>So your church was black church, right, Just to be clear,

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<v Speaker 3>I remember you even know the schools were predominantly white

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<v Speaker 3>school yes, okay.

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<v Speaker 2>And so they're all of my aunts and my uncles,

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<v Speaker 2>and like true family members. We don't just see each

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<v Speaker 2>other on Sunday. We saw each other through the week.

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<v Speaker 2>They would babysit me. So that was my relationship. It

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<v Speaker 2>wasn't until our pastor had died, Reverend Murray, who was

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<v Speaker 2>I love that man. If I asked for a dollar,

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<v Speaker 2>he would give me a dollar. I was a spoiled,

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<v Speaker 2>rotten child. But so he passed away and we got

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<v Speaker 2>a new pastor. And you know, with every change of regime,

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<v Speaker 2>everybody has their own ideologies and their own feelings and

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<v Speaker 2>how they interpret the Bible. And as I would get older,

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<v Speaker 2>I would see how this one passed to would treat

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<v Speaker 2>me as I came out more and was more expressive,

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<v Speaker 2>and then he would bring in people that would have

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<v Speaker 2>that same ideology that my lifestyle was wrong, something was

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<v Speaker 2>wrong with me. I was sinning all of.

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<v Speaker 1>That and specifically you are just in general.

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<v Speaker 2>Well, there wasn't anyone else like me at church. So

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<v Speaker 2>it was pointed. It was pointed. And I remember one time,

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<v Speaker 2>because everyone loved me at that church, there were two

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<v Speaker 2>specifical moments. One time, one of the associate pastors got

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<v Speaker 2>in the pulpit and was towing the line of homosexuality

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<v Speaker 2>is a sin and they were going to hell. And

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<v Speaker 2>I remember no one in the church made a peep.

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<v Speaker 2>They didn't say amen, they didn't agree with They just

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<v Speaker 2>said And I think he was reprimanded by some of

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<v Speaker 2>the elders in the church and said that we don't

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<v Speaker 2>do that here. That's something we don't do. So and

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<v Speaker 2>my mother said that she had a private conversation with

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<v Speaker 2>a pastor at that time. And you know, when I sing,

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<v Speaker 2>the Holy Ghost shows up. That's my ministry. And I

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<v Speaker 2>know that well about me.

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<v Speaker 3>Now, when did you start singing in church and singing

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<v Speaker 3>in the choir? I'm assuming there were solos early on,

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<v Speaker 3>but yeah.

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<v Speaker 2>There were always solos. I was from the time that

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<v Speaker 2>I could speak, when I was two, And you know,

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<v Speaker 2>I thought that people hated how I sounded because they

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<v Speaker 2>kept crying and every time I would sing, everyone was

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<v Speaker 2>sobbing their eyes out, and I was just like, I

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<v Speaker 2>sound awful. But I just realized as I got older

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<v Speaker 2>that that was their way of showing how much they

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<v Speaker 2>loved it, and I helped them have this cathartic moment

0:12:46.520 --> 0:12:48.920
<v Speaker 2>and brought them closer to God while singing.

0:12:49.000 --> 0:12:51.920
<v Speaker 3>So your first experience is singing. Just to pause on

0:12:52.160 --> 0:12:55.200
<v Speaker 3>your first experience is singing two years old. I know

0:12:55.240 --> 0:12:57.960
<v Speaker 3>the State Fair story, which is the gorgeous You saw

0:12:57.960 --> 0:13:00.800
<v Speaker 3>somebody on stage at the State Bear when I, you know,

0:13:00.920 --> 0:13:02.560
<v Speaker 3>left your mom and went up on stage and like

0:13:02.600 --> 0:13:03.200
<v Speaker 3>started singing.

0:13:03.280 --> 0:13:06.680
<v Speaker 1>That's genius. And so your first experience is singing in church.

0:13:06.760 --> 0:13:10.040
<v Speaker 3>People were crying, yeah, because they're so moved by the

0:13:10.040 --> 0:13:13.600
<v Speaker 3>beauty of the voice. So once you realize that you

0:13:13.640 --> 0:13:15.960
<v Speaker 3>gave people a holy ghost and people saw God through

0:13:16.000 --> 0:13:18.199
<v Speaker 3>you and you were able to process that, how did

0:13:18.240 --> 0:13:22.440
<v Speaker 3>that change your life to understand that that it was

0:13:22.440 --> 0:13:24.240
<v Speaker 3>a gift or did you understand that it was a gift?

0:13:24.280 --> 0:13:25.280
<v Speaker 1>How was like didn't.

0:13:25.520 --> 0:13:28.120
<v Speaker 2>I never knew it was a gift, And sometimes I

0:13:28.160 --> 0:13:31.160
<v Speaker 2>think that's the best to not take it for granted.

0:13:31.200 --> 0:13:34.400
<v Speaker 2>So you're just using it in its pure sense. Like

0:13:34.520 --> 0:13:38.160
<v Speaker 2>I loved singing. I still loved singing, and so for

0:13:38.280 --> 0:13:41.559
<v Speaker 2>me it was joy and I loved getting to do

0:13:41.600 --> 0:13:44.920
<v Speaker 2>what I knew how to do so well. And my

0:13:45.040 --> 0:13:49.000
<v Speaker 2>gift giving was actually me receiving it as well. I

0:13:49.240 --> 0:13:52.560
<v Speaker 2>too got to experience my gift in that sense.

0:13:52.640 --> 0:13:55.400
<v Speaker 1>That's that's incredible, that's incredible.

0:13:55.520 --> 0:13:58.080
<v Speaker 3>So was there a certain points before auditioning for Glee

0:13:58.160 --> 0:14:00.840
<v Speaker 3>project or was there a point where you were like, oh,

0:14:00.960 --> 0:14:02.080
<v Speaker 3>maybe I got something.

0:14:02.200 --> 0:14:04.240
<v Speaker 1>Maybe I'm slaying, maybe I'm turning it.

0:14:04.280 --> 0:14:08.000
<v Speaker 3>Because I mean, even the repertoire, even the boldness as

0:14:08.160 --> 0:14:12.640
<v Speaker 3>of sixteen, seventeen, eighteen year old to take on Effie's singing,

0:14:12.760 --> 0:14:15.320
<v Speaker 3>to take on these roll, these songs, this is the

0:14:15.400 --> 0:14:18.640
<v Speaker 3>biggest I mean, Fie is like the biggest, probably most

0:14:18.640 --> 0:14:22.800
<v Speaker 3>difficult Broadway roll besides Phantom, right, yea of the opera

0:14:22.840 --> 0:14:27.080
<v Speaker 3>to sing and so to like the audacity, I mean,

0:14:27.200 --> 0:14:30.320
<v Speaker 3>so girl, you had to know something just to even like,

0:14:30.480 --> 0:14:30.920
<v Speaker 3>well I did.

0:14:31.080 --> 0:14:33.480
<v Speaker 1>What did someone tell you girl? You should sing? Fie?

0:14:33.560 --> 0:14:36.760
<v Speaker 2>No, I just had the gumption. Well, I just had

0:14:36.760 --> 0:14:40.400
<v Speaker 2>the gall and the gumption and the audacity. I really did.

0:14:40.600 --> 0:14:43.800
<v Speaker 2>I heard the song Here's Prior on the Fresh Prince

0:14:43.800 --> 0:14:47.960
<v Speaker 2>of bel Air where Will is lip syncing and I'm

0:14:48.000 --> 0:14:50.480
<v Speaker 2>telling you, and I was like, what's that song? And

0:14:50.520 --> 0:14:54.240
<v Speaker 2>then I'm down this rabbit hole of Jennifer Holiday and

0:14:54.400 --> 0:14:58.000
<v Speaker 2>dream Girls and just a whole new world of diaspora

0:14:58.160 --> 0:14:58.880
<v Speaker 2>is in front of me.

0:14:59.040 --> 0:15:00.000
<v Speaker 1>How old were you?

0:15:00.160 --> 0:15:02.320
<v Speaker 2>I couldn't have been more than like eleven or twelve.

0:15:03.160 --> 0:15:03.800
<v Speaker 1>Oh my god.

0:15:04.120 --> 0:15:08.800
<v Speaker 3>So for Alex Newell to discover Jennifer Holiday and Dreamgirls

0:15:08.840 --> 0:15:12.880
<v Speaker 3>at eleven years old feels like a really is life

0:15:13.000 --> 0:15:16.920
<v Speaker 3>changing Yeah, give it all, life changing moment.

0:15:17.440 --> 0:15:20.560
<v Speaker 2>Yes, and I and that's if there is one musical

0:15:20.600 --> 0:15:24.520
<v Speaker 2>that I know from bookend to bookend, it is dream Girls.

0:15:24.520 --> 0:15:27.640
<v Speaker 2>I know everything about it. And then when the movie

0:15:27.680 --> 0:15:30.560
<v Speaker 2>came out on Christmas Day that year, I said We're going.

0:15:30.680 --> 0:15:33.400
<v Speaker 2>I said, forget about Christmas, We're going to the movie theater.

0:15:33.480 --> 0:15:36.800
<v Speaker 2>Immediately post hastetalling, we have to see the film.

0:15:37.160 --> 0:15:38.440
<v Speaker 1>I love, love, love this.

0:15:38.640 --> 0:15:41.480
<v Speaker 2>But then it's on top of that, it's like Jennifer Holiday,

0:15:41.680 --> 0:15:45.400
<v Speaker 2>Neil Carter, even the Dame of Billy Porter, all of

0:15:45.440 --> 0:15:48.960
<v Speaker 2>these voices that I've looked up to. That's when the

0:15:49.040 --> 0:15:52.320
<v Speaker 2>wakening of like wanting to do theater, wanting to sing professionally.

0:15:52.560 --> 0:15:54.840
<v Speaker 2>I think that's when I thought that I had the gumption.

0:15:54.880 --> 0:15:56.680
<v Speaker 2>I was like, if they can do it, so can I.

0:15:57.080 --> 0:15:58.360
<v Speaker 2>Let's get this ball rolling.

0:15:58.800 --> 0:16:02.080
<v Speaker 1>Amazing. So oh, I love that you mentioned Neil Carter

0:16:02.120 --> 0:16:03.160
<v Speaker 1>and it's so funny. I was.

0:16:03.240 --> 0:16:05.480
<v Speaker 3>I remember I was sharing a video of you singing

0:16:05.640 --> 0:16:09.640
<v Speaker 3>I'm random black Girl and my make d you know, Dajah,

0:16:09.720 --> 0:16:12.440
<v Speaker 3>this is years ago, and Daja was like, I hear

0:16:12.520 --> 0:16:15.080
<v Speaker 3>Neil car, little Neil Carter in there, and I Nail

0:16:15.120 --> 0:16:18.120
<v Speaker 3>Cars from my hometown of Mobile, Alabama. I'm a huge

0:16:18.160 --> 0:16:20.480
<v Speaker 3>Neil Carter fan, and I hear Neil in your voice,

0:16:20.480 --> 0:16:23.800
<v Speaker 3>and so I just love I mean, every the Jennifer Holiday,

0:16:24.280 --> 0:16:27.080
<v Speaker 3>you know, references are clear, but the Neil Carter.

0:16:27.240 --> 0:16:29.120
<v Speaker 2>Yes sang in the nasal.

0:16:30.280 --> 0:16:33.520
<v Speaker 1>Yeah, it's so beautiful, such a beautiful sound that Neil

0:16:33.600 --> 0:16:34.200
<v Speaker 1>Carter had.

0:16:34.400 --> 0:16:38.040
<v Speaker 2>I remember watching the PBS special of Dateless Behavin and

0:16:38.120 --> 0:16:40.160
<v Speaker 2>that's what really made me want to do musical theater.

0:16:41.400 --> 0:16:43.040
<v Speaker 2>And then my mother was just like, oh, you know,

0:16:43.320 --> 0:16:44.280
<v Speaker 2>to high school with her.

0:16:45.240 --> 0:16:47.800
<v Speaker 1>I said, huh, your mother went to high school with

0:16:47.840 --> 0:16:48.320
<v Speaker 1>Neil Carter.

0:16:48.760 --> 0:16:50.760
<v Speaker 2>She was a senior when my mother was coming in

0:16:50.800 --> 0:16:51.480
<v Speaker 2>as a freshman.

0:16:52.280 --> 0:16:54.400
<v Speaker 1>And she is your mother from Alabama?

0:16:54.560 --> 0:16:56.680
<v Speaker 2>Or yeah, my both of my darents are from Alabama.

0:16:56.720 --> 0:16:59.479
<v Speaker 2>My mother's from Birmingham and my father's were just Lousa.

0:17:01.440 --> 0:17:03.760
<v Speaker 1>You didn't know that. I did not know this, you know,

0:17:03.880 --> 0:17:06.200
<v Speaker 1>from Obile. Yeah, I know.

0:17:06.359 --> 0:17:08.679
<v Speaker 2>But when my father died. When my father died when

0:17:08.720 --> 0:17:11.119
<v Speaker 2>I was six, my mother would send me the Alabama

0:17:11.160 --> 0:17:13.919
<v Speaker 2>each and every summer. So from the time that I

0:17:14.119 --> 0:17:17.200
<v Speaker 2>was that's another thing. Being a church in the south

0:17:17.400 --> 0:17:20.639
<v Speaker 2>versus being in church in the city, two different things.

0:17:21.200 --> 0:17:24.480
<v Speaker 2>But oh yes, each and every year just in Cottondale, Alabama,

0:17:24.600 --> 0:17:26.520
<v Speaker 2>each summer, from the time that I was like oh

0:17:27.520 --> 0:17:29.040
<v Speaker 2>til I was like seventeen.

0:17:28.880 --> 0:17:30.520
<v Speaker 1>I never ever knew this. And what I.

0:17:32.000 --> 0:17:35.000
<v Speaker 3>Think is important to just also just underline is how

0:17:36.000 --> 0:17:38.639
<v Speaker 3>like I was a person who grew up with a

0:17:38.680 --> 0:17:41.480
<v Speaker 3>lot of shame and trauma and I did not feel

0:17:41.560 --> 0:17:44.560
<v Speaker 3>that unconditional love from my mom. And it sounds like

0:17:44.680 --> 0:17:47.000
<v Speaker 3>you had it always, and not only from her, but

0:17:47.080 --> 0:17:50.360
<v Speaker 3>from your church community. The audacity for them to say

0:17:50.400 --> 0:17:53.080
<v Speaker 3>we don't do that here we were not. That is

0:17:53.200 --> 0:17:57.959
<v Speaker 3>so utterly transformative, and so then you can go into

0:17:58.040 --> 0:18:00.439
<v Speaker 3>the world with a sense of worthiness. You can go

0:18:00.520 --> 0:18:04.159
<v Speaker 3>into the world as as a gender non conforming person

0:18:04.480 --> 0:18:08.320
<v Speaker 3>with a sense of worthiness that you have a right

0:18:08.359 --> 0:18:11.320
<v Speaker 3>to be here. Obviously there's talent too, but even beyond

0:18:11.320 --> 0:18:12.840
<v Speaker 3>the talent, a lot of you have talent but don't

0:18:12.840 --> 0:18:15.560
<v Speaker 3>have that sense of worthiness, and so this makes the

0:18:15.640 --> 0:18:18.560
<v Speaker 3>difference in terms of entering the world. And I just

0:18:18.640 --> 0:18:23.879
<v Speaker 3>always want to emphasize that to like parents too, and

0:18:23.960 --> 0:18:25.639
<v Speaker 3>you can get that later. If you didn't have that

0:18:25.680 --> 0:18:27.480
<v Speaker 3>as a child, you can. It's never too late to

0:18:27.480 --> 0:18:30.520
<v Speaker 3>have a happy childhood. But for you to be your

0:18:30.640 --> 0:18:34.080
<v Speaker 3>age and even in your twenties, with the success that

0:18:34.160 --> 0:18:37.240
<v Speaker 3>you had on Glee and then Zoe's Extraordinary Playlist and

0:18:37.240 --> 0:18:40.600
<v Speaker 3>then your Broadway debut, and now being I believe you're thirty,

0:18:40.680 --> 0:18:42.240
<v Speaker 3>how do you disclosure your age?

0:18:43.560 --> 0:18:45.720
<v Speaker 2>I'm just thirty, You're just thirty.

0:18:45.800 --> 0:18:49.439
<v Speaker 3>Okay, so you're thirty years old and just wanted to

0:18:49.480 --> 0:18:50.679
<v Speaker 3>own your first Tony Award.

0:18:50.760 --> 0:18:58.600
<v Speaker 1>That is incredible. That is fucking incredible. This is a

0:18:58.640 --> 0:18:59.960
<v Speaker 1>good time to take a little break.

0:19:06.520 --> 0:19:12.000
<v Speaker 3>We're back, so love from the family, love from the community.

0:19:12.520 --> 0:19:16.359
<v Speaker 3>So you had not study voice formally, is what I've

0:19:16.440 --> 0:19:19.600
<v Speaker 3>read before the Glee project. You were just singing in church,

0:19:20.000 --> 0:19:25.800
<v Speaker 3>in choirs and school. There's a video of you. Do

0:19:25.840 --> 0:19:27.720
<v Speaker 3>you have like a little scarf us you're wearing a

0:19:27.760 --> 0:19:28.960
<v Speaker 3>suit if you're super young?

0:19:28.960 --> 0:19:30.399
<v Speaker 1>Do you know how old you were in that video

0:19:30.440 --> 0:19:31.880
<v Speaker 1>you sing I'm changing.

0:19:31.720 --> 0:19:33.879
<v Speaker 2>Ah, I was most likely eighteen.

0:19:33.960 --> 0:19:37.040
<v Speaker 1>Yes, so you're eighteen, And what's fascinating to me.

0:19:37.440 --> 0:19:41.399
<v Speaker 3>The voice is stunningly beautiful, but if you build a song,

0:19:41.840 --> 0:19:46.880
<v Speaker 3>so without any vocal training, you understood how to start

0:19:47.640 --> 0:19:51.399
<v Speaker 3>quietly and to build a song, and then there's just

0:19:51.880 --> 0:19:54.240
<v Speaker 3>there was so much support, and there was so much

0:19:54.520 --> 0:19:57.600
<v Speaker 3>seeming technique. There was a forward placement, there was a

0:19:57.840 --> 0:19:59.920
<v Speaker 3>little bit of a twang, there's rain.

0:20:00.560 --> 0:20:03.600
<v Speaker 2>How do you it's truly mimicking. I think a lot

0:20:03.640 --> 0:20:07.920
<v Speaker 2>of my pre knowing what I'm doing now with a

0:20:07.960 --> 0:20:11.240
<v Speaker 2>lot of money now to have impeccable technique, But back

0:20:11.280 --> 0:20:15.040
<v Speaker 2>then I think it was really me just trying to

0:20:15.280 --> 0:20:19.239
<v Speaker 2>make it sound exactly like I remember hearing it and

0:20:20.560 --> 0:20:24.439
<v Speaker 2>really pushing myself to knowing what that is. And at

0:20:24.480 --> 0:20:26.800
<v Speaker 2>the time I was eighteen, so I was still in

0:20:26.880 --> 0:20:31.760
<v Speaker 2>a private school, taking concert choir with my choral teacher,

0:20:31.960 --> 0:20:35.359
<v Speaker 2>and him really stressing all the things even though he

0:20:35.400 --> 0:20:38.240
<v Speaker 2>didn't know the voice technique and all of that stuff,

0:20:38.280 --> 0:20:40.359
<v Speaker 2>but he knew the quality that he wanted and how

0:20:40.400 --> 0:20:42.719
<v Speaker 2>to structure a good song. But it is it was

0:20:42.720 --> 0:20:46.640
<v Speaker 2>making myself sound like Barbar Streison, or trying to make

0:20:46.680 --> 0:20:50.160
<v Speaker 2>the grouse sound the same as Jennifer Holiday, or making

0:20:50.160 --> 0:20:53.040
<v Speaker 2>sure I had that nice and nasally forward placement like

0:20:53.119 --> 0:20:56.240
<v Speaker 2>Nel Carter because that's how the notes come out easier.

0:20:57.160 --> 0:20:58.399
<v Speaker 2>So I think it was a lot.

0:20:58.280 --> 0:21:00.440
<v Speaker 3>Of that, And then I think that thing is had

0:21:00.680 --> 0:21:03.080
<v Speaker 3>to be playing around with all that without a voice

0:21:03.119 --> 0:21:06.000
<v Speaker 3>feature and not hurt yourself. Yeah, were there moments when

0:21:06.000 --> 0:21:08.760
<v Speaker 3>you would experiment and it'd be like, this doesn't feel right,

0:21:09.000 --> 0:21:12.160
<v Speaker 3>like in terms of strain, because these chords are very delicate.

0:21:12.560 --> 0:21:15.800
<v Speaker 2>I never had like, yeah, I lost my voice, like

0:21:15.840 --> 0:21:18.800
<v Speaker 2>any person would lose their voice, but like I never

0:21:19.160 --> 0:21:23.720
<v Speaker 2>really worried about it because it was so particular when

0:21:23.720 --> 0:21:25.919
<v Speaker 2>I was younger. I can't stress it enough. When I

0:21:26.040 --> 0:21:30.280
<v Speaker 2>was younger, before life and gravity hits your vocal cords

0:21:30.280 --> 0:21:34.120
<v Speaker 2>and changes your voice, it was always so verily easy

0:21:34.200 --> 0:21:37.720
<v Speaker 2>and effortless, like if you think I'm singing effortlessly now,

0:21:38.000 --> 0:21:40.399
<v Speaker 2>back then, when I was a child and those o

0:21:40.520 --> 0:21:43.720
<v Speaker 2>our bands, that rubberbanding down there, it was so easy.

0:21:43.960 --> 0:21:46.040
<v Speaker 3>I remember when we talked it at lunch, you talked

0:21:46.040 --> 0:21:49.960
<v Speaker 3>about when puberty hit and your voice. Presumably you were

0:21:50.000 --> 0:21:53.439
<v Speaker 3>signed mail at birth, I think we can say. And

0:21:53.520 --> 0:21:56.560
<v Speaker 3>so for most folks to sign mail at birth, when

0:21:56.800 --> 0:21:58.840
<v Speaker 3>puberty happens, the voice dropped.

0:21:59.200 --> 0:22:01.960
<v Speaker 1>So did that have been for you?

0:22:02.040 --> 0:22:02.600
<v Speaker 2>Fully? Not?

0:22:03.840 --> 0:22:06.600
<v Speaker 1>So? Bless your heart?

0:22:06.920 --> 0:22:10.760
<v Speaker 3>So so what was your There was no I hate you?

0:22:13.840 --> 0:22:16.480
<v Speaker 3>It did not mine did So you didn't have a

0:22:16.560 --> 0:22:18.399
<v Speaker 3>voice drop? No, not at all?

0:22:18.800 --> 0:22:24.840
<v Speaker 2>No, So no, what happened was I let's talk about it.

0:22:24.840 --> 0:22:28.080
<v Speaker 2>The anatomy of my vocal box is already mutated. Okay,

0:22:28.119 --> 0:22:31.880
<v Speaker 2>so that's really what it truly is. It's everything is smaller,

0:22:32.080 --> 0:22:36.560
<v Speaker 2>compactor and narrower and mimics not exactly, but mimics and

0:22:36.680 --> 0:22:41.639
<v Speaker 2>looks like that of a female voice box. Our vocal cords.

0:22:41.680 --> 0:22:43.159
<v Speaker 1>You've been scoped, yes.

0:22:43.080 --> 0:22:46.480
<v Speaker 2>We've looked at it. They're smaller, they're shorter, and there's

0:22:46.520 --> 0:22:49.720
<v Speaker 2>like this little you that's normally like a wider you.

0:22:50.240 --> 0:22:53.680
<v Speaker 2>But mine is an upright view, that makes everything more smaller,

0:22:53.880 --> 0:22:57.040
<v Speaker 2>and then I have some tissue that makes even more

0:22:57.200 --> 0:23:00.639
<v Speaker 2>narrower that is kind of mutated on top of the

0:23:00.720 --> 0:23:04.440
<v Speaker 2>vocal cords, so it's like a little bump in front

0:23:04.520 --> 0:23:06.680
<v Speaker 2>of the vocal cords, which makes it even smaller. So

0:23:06.720 --> 0:23:09.080
<v Speaker 2>it makes everything that much higher as.

0:23:08.960 --> 0:23:11.560
<v Speaker 3>Well, a bump in front of that, so like the

0:23:11.600 --> 0:23:17.040
<v Speaker 3>false vocal folds or smaller. Is that when yeah, wow, oh,

0:23:17.080 --> 0:23:18.200
<v Speaker 3>this is so fascinating.

0:23:18.280 --> 0:23:20.480
<v Speaker 2>So it's a blessing and a curse because I have

0:23:20.600 --> 0:23:23.640
<v Speaker 2>to push twice as much air out and even when

0:23:23.680 --> 0:23:26.679
<v Speaker 2>I'm in my legitimate there's always just a little bit

0:23:26.760 --> 0:23:29.160
<v Speaker 2>of a hiss back there because it's literally my air

0:23:29.359 --> 0:23:30.400
<v Speaker 2>just gasping out.

0:23:31.560 --> 0:23:34.080
<v Speaker 3>What's interesting to me when I move my voice because

0:23:34.080 --> 0:23:35.840
<v Speaker 3>I you know, I'm a student of the voice, and

0:23:35.920 --> 0:23:39.000
<v Speaker 3>I'm very fascinated by vocal pedagogy. And my voice teacher,

0:23:39.000 --> 0:23:43.359
<v Speaker 3>who is a male soprano, Madam Iris Eiff, was a

0:23:43.480 --> 0:23:47.399
<v Speaker 3>tenor and then sort of transitioned into a soprano. And

0:23:47.400 --> 0:23:49.960
<v Speaker 3>what Iris says is that to form like a head

0:23:50.080 --> 0:23:53.560
<v Speaker 3>voice for someone to signed male at birth who doesn't

0:23:53.600 --> 0:23:57.639
<v Speaker 3>have you know, your vocal structure, is that for the

0:23:57.920 --> 0:23:59.720
<v Speaker 3>head voice that a little bit of air has to

0:23:59.760 --> 0:24:04.320
<v Speaker 3>pass through to just to make it easy and make Yeah.

0:24:04.359 --> 0:24:07.280
<v Speaker 2>But when I when my voice changed, I would give

0:24:07.520 --> 0:24:09.720
<v Speaker 2>Mariah a run for her money.

0:24:10.280 --> 0:24:14.080
<v Speaker 3>There was a change there, but it wasn't like a drop, No,

0:24:14.160 --> 0:24:16.840
<v Speaker 3>it was not. So when it changed, I just lost

0:24:17.359 --> 0:24:20.480
<v Speaker 3>whistle tones. But I heard you as an adult with

0:24:20.520 --> 0:24:22.920
<v Speaker 3>whistle tones. Where's to stay your whistle tones now? Because girl,

0:24:22.920 --> 0:24:26.040
<v Speaker 3>we've heard I've heard above, I see I've heard g

0:24:26.359 --> 0:24:28.760
<v Speaker 3>there's literally a video of you singing I think a

0:24:28.880 --> 0:24:33.080
<v Speaker 3>G seven on because there's Alex to do a vocal

0:24:33.200 --> 0:24:34.840
<v Speaker 3>range videos on YouTube.

0:24:34.880 --> 0:24:36.240
<v Speaker 1>A lot of them have been taken down.

0:24:36.440 --> 0:24:39.120
<v Speaker 2>I think I'm the one taking them down. I don't

0:24:39.160 --> 0:24:41.160
<v Speaker 2>want the expectation that I'm going to be out here

0:24:41.200 --> 0:24:42.680
<v Speaker 2>to give whistle tones.

0:24:42.560 --> 0:24:45.760
<v Speaker 3>Or whistle tones are iffing, even for Mariah she in

0:24:45.800 --> 0:24:49.160
<v Speaker 3>her prime. Some days it just you know, it wasn't there.

0:24:49.080 --> 0:24:52.360
<v Speaker 2>Just doesn't come out. And that's where I'm at now. Yeah, okay, yes,

0:24:52.600 --> 0:24:54.520
<v Speaker 2>some days I'll wake up and I call it a

0:24:54.520 --> 0:24:56.639
<v Speaker 2>healthy day because I don't have them. And then on

0:24:56.720 --> 0:24:59.600
<v Speaker 2>those sad damage days, I'm just like, well, I guess

0:24:59.640 --> 0:25:03.040
<v Speaker 2>I have whistle tones, but it is it's temperamental. Like

0:25:03.359 --> 0:25:06.920
<v Speaker 2>some days, my chords are to pristine to do whistle tones.

0:25:06.960 --> 0:25:10.400
<v Speaker 2>They're relaxed and there there's no swelling anywhere. There's They're

0:25:10.480 --> 0:25:11.320
<v Speaker 2>just there.

0:25:11.400 --> 0:25:13.320
<v Speaker 3>So for you, a whistle is about a little bit

0:25:13.320 --> 0:25:15.960
<v Speaker 3>of swelling your whistle. For me, that on the Tonies

0:25:16.000 --> 0:25:18.480
<v Speaker 3>when you're saying, Mama will provide. On the Tonys, it's

0:25:18.520 --> 0:25:21.320
<v Speaker 3>so big, there's such a it's such a big sound.

0:25:21.600 --> 0:25:25.080
<v Speaker 2>That was I think. I was so i by the

0:25:25.160 --> 0:25:30.119
<v Speaker 2>time I did that Tony performance, I was on so

0:25:30.280 --> 0:25:34.479
<v Speaker 2>much steroids. I was on xenix. I was just I was.

0:25:34.800 --> 0:25:38.040
<v Speaker 2>I had just been thrown all through the ringer throughout

0:25:38.080 --> 0:25:41.080
<v Speaker 2>that entire show, where it felt like I was carrying

0:25:41.119 --> 0:25:43.560
<v Speaker 2>this show on my back. I was doing all the press,

0:25:43.600 --> 0:25:46.480
<v Speaker 2>I was doing all the shows. I wasn't calling out.

0:25:46.600 --> 0:25:49.879
<v Speaker 2>I was running around doing Broadway in the Park, Broadway

0:25:50.280 --> 0:25:54.120
<v Speaker 2>in the Alley, Broadway bars, Broadway bears like, Broadway Under

0:25:54.119 --> 0:25:56.840
<v Speaker 2>the Stars, Broadway Broadway. I was just like, I can't

0:25:56.880 --> 0:26:01.159
<v Speaker 2>do anymore and zero zero reward. I was nominated for Tony,

0:26:01.560 --> 0:26:03.880
<v Speaker 2>wasn't nominated for a drama desk. I wasn't drama dated

0:26:03.920 --> 0:26:07.560
<v Speaker 2>for many things that season and it was just like,

0:26:08.560 --> 0:26:11.880
<v Speaker 2>all right, let's just get on the stage and sing

0:26:11.920 --> 0:26:14.760
<v Speaker 2>for Grandma.

0:26:13.680 --> 0:26:16.119
<v Speaker 1>And saying for the god Tonning. You sang for the

0:26:16.160 --> 0:26:18.240
<v Speaker 1>god Tonning. You wore it out, girl.

0:26:19.400 --> 0:26:22.520
<v Speaker 2>I think I was just so tired, and that whistle

0:26:22.560 --> 0:26:25.679
<v Speaker 2>tone was kind of just like my last goah. I

0:26:25.760 --> 0:26:30.359
<v Speaker 2>was just like, well, I'm singing, let's go and just

0:26:30.440 --> 0:26:31.040
<v Speaker 2>keep going.

0:26:31.160 --> 0:26:34.520
<v Speaker 1>Yes, bitch, you did it in performances too.

0:26:34.520 --> 0:26:36.720
<v Speaker 3>There were videos of Mama to provide the way you

0:26:36.760 --> 0:26:39.440
<v Speaker 3>did it in performances as well, and it's just it's beautiful.

0:26:39.600 --> 0:26:42.640
<v Speaker 1>So we talked last week about Shocked versus.

0:26:42.320 --> 0:26:44.080
<v Speaker 3>Once on This Island, which was written for someone else,

0:26:44.080 --> 0:26:47.760
<v Speaker 3>and obviously Lulu was written espressly for you, so that

0:26:48.119 --> 0:26:50.680
<v Speaker 3>run it sounds like once on This Island was whether

0:26:51.000 --> 0:26:52.840
<v Speaker 3>that was a strenuous number for you or is it

0:26:53.000 --> 0:26:55.119
<v Speaker 3>just not getting rest?

0:26:55.240 --> 0:26:57.119
<v Speaker 2>It was everything all of that. It was not getting

0:26:57.200 --> 0:26:59.199
<v Speaker 2>enough for rest, being in my twenties and thinking that

0:26:59.240 --> 0:27:02.000
<v Speaker 2>I could go out and and then come and do

0:27:02.080 --> 0:27:04.199
<v Speaker 2>my show the very next day. For met Today, it

0:27:04.320 --> 0:27:07.359
<v Speaker 2>was the sand, being in that sand all the time

0:27:07.440 --> 0:27:10.080
<v Speaker 2>and just breathing it in and constantly getting sick and

0:27:10.160 --> 0:27:13.760
<v Speaker 2>hiding and never being able to get truly well, or

0:27:13.960 --> 0:27:16.960
<v Speaker 2>the animals and the pet dander that was always around,

0:27:17.119 --> 0:27:19.600
<v Speaker 2>or you know, there was a myriad of things that

0:27:19.800 --> 0:27:22.560
<v Speaker 2>was just like fighting me at every juncture. I was like,

0:27:22.720 --> 0:27:25.399
<v Speaker 2>I got bronchitis four times during that run, and I

0:27:25.440 --> 0:27:28.840
<v Speaker 2>was just like, is this where I die bronchitis?

0:27:29.160 --> 0:27:32.719
<v Speaker 1>When you have to sing that number? Like, yes, that

0:27:32.840 --> 0:27:33.240
<v Speaker 1>is not.

0:27:33.359 --> 0:27:35.480
<v Speaker 2>And it was saying for someone else. And on top

0:27:35.520 --> 0:27:39.080
<v Speaker 2>of that, it's the expectation of the two great fucking

0:27:39.160 --> 0:27:41.920
<v Speaker 2>women that came before me to do that role. I'm

0:27:42.080 --> 0:27:45.639
<v Speaker 2>singing Keisha Lewis's song that Lilyus White took up a

0:27:45.680 --> 0:27:49.360
<v Speaker 2>whole half step and sang down, and so that expectation

0:27:49.560 --> 0:27:50.560
<v Speaker 2>of walking into work.

0:27:50.680 --> 0:27:52.680
<v Speaker 1>I think you added a run though that they didn't

0:27:52.680 --> 0:27:52.960
<v Speaker 1>do that.

0:27:52.960 --> 0:27:57.560
<v Speaker 3>I think that, yes, whoa, that's an Alex Newall.

0:27:57.640 --> 0:27:59.720
<v Speaker 2>Yeah, that was me. That was the one stemp that

0:27:59.760 --> 0:28:02.679
<v Speaker 2>I had because I was like, what vocal health do

0:28:02.760 --> 0:28:06.800
<v Speaker 2>I have to do this clissando up seamlessly because there

0:28:06.920 --> 0:28:11.879
<v Speaker 2>might have been danced and said whoa or whoo. So

0:28:11.920 --> 0:28:14.280
<v Speaker 2>I said, how could I maneuver this? I know for

0:28:14.440 --> 0:28:15.960
<v Speaker 2>me that I will get up to that.

0:28:16.040 --> 0:28:19.160
<v Speaker 1>I f mm hmm, it makes sense.

0:28:19.200 --> 0:28:21.639
<v Speaker 3>I mean, singing a high note as part of a

0:28:21.840 --> 0:28:28.400
<v Speaker 3>scale is a lot easier than just hitting in a gossando, which.

0:28:28.200 --> 0:28:31.280
<v Speaker 2>Is stupid because I do with glissando in my song.

0:28:31.400 --> 0:28:33.720
<v Speaker 2>Now at the very end, can.

0:28:33.520 --> 0:28:35.960
<v Speaker 3>You talk a little bit about the difference between the run,

0:28:36.040 --> 0:28:38.240
<v Speaker 3>because as far as I know, you always hit the

0:28:38.280 --> 0:28:42.400
<v Speaker 3>run and mom will provide the glissando, and independently owned

0:28:42.560 --> 0:28:43.000
<v Speaker 3>is more.

0:28:43.200 --> 0:28:46.400
<v Speaker 1>It's trickier for you. Do you know why that is

0:28:46.440 --> 0:28:46.880
<v Speaker 1>for you?

0:28:46.960 --> 0:28:50.760
<v Speaker 2>There are two reasons. One it's I have just come

0:28:50.840 --> 0:29:00.040
<v Speaker 2>out of the phrase of these long held notes I

0:28:54.360 --> 0:29:03.400
<v Speaker 2>do celebrated, and there's not really breath there. So by

0:29:03.440 --> 0:29:06.640
<v Speaker 2>the time I get to you and I live my life,

0:29:07.280 --> 0:29:12.520
<v Speaker 2>I'm already at my breath capacity. And the other thing

0:29:12.600 --> 0:29:16.960
<v Speaker 2>is I can't say musically and I live my love

0:29:19.000 --> 0:29:22.840
<v Speaker 2>because that's that's a break, or I can't do and

0:29:22.960 --> 0:29:26.320
<v Speaker 2>I live my life. I wish I could, but that

0:29:26.480 --> 0:29:28.600
<v Speaker 2>breath makes it less impressive.

0:29:28.640 --> 0:29:31.800
<v Speaker 3>And it just Yeah, thessando is part of a bigger

0:29:31.840 --> 0:29:34.480
<v Speaker 3>phrase that's ye live my life.

0:29:37.560 --> 0:29:40.040
<v Speaker 2>But then you have to hold You have to hold

0:29:40.120 --> 0:29:42.520
<v Speaker 2>the life for two beats before you can slide up

0:29:42.880 --> 0:29:46.760
<v Speaker 2>because the court underneath the piano hasn't changed yet. Wow,

0:29:48.920 --> 0:29:51.240
<v Speaker 2>because if you just go straight through the gossando you

0:29:51.320 --> 0:29:53.160
<v Speaker 2>sound flex girl.

0:29:54.080 --> 0:29:56.160
<v Speaker 1>WHOA okay? Wow?

0:29:57.240 --> 0:29:59.720
<v Speaker 3>At what point did you start working with vocal coaches

0:30:00.160 --> 0:30:04.440
<v Speaker 3>and cultivating with someone the gift?

0:30:04.680 --> 0:30:06.920
<v Speaker 1>You know? How did that change your voice?

0:30:06.960 --> 0:30:09.040
<v Speaker 3>How did that change your understanding of singing when you

0:30:09.120 --> 0:30:11.400
<v Speaker 3>started actually taking voice lessons?

0:30:12.040 --> 0:30:16.040
<v Speaker 2>So I have a great voice coach now, Mike Ruccles brilliance.

0:30:16.080 --> 0:30:19.719
<v Speaker 2>He really helped me through months in this island because

0:30:19.800 --> 0:30:21.640
<v Speaker 2>I kept hitting the wall. I kept hitting the wall,

0:30:21.640 --> 0:30:23.640
<v Speaker 2>and I was just like, I can't make it. I'm

0:30:23.640 --> 0:30:26.480
<v Speaker 2>not making it. And you know, I was young and

0:30:26.520 --> 0:30:31.640
<v Speaker 2>stupid and I was never calling out. So he he's

0:30:31.640 --> 0:30:33.560
<v Speaker 2>looked at me one day and said, you're working too hard.

0:30:34.160 --> 0:30:38.960
<v Speaker 2>You are out here singing far too hard. Less, give

0:30:39.080 --> 0:30:42.400
<v Speaker 2>less and then take a step back. You don't have

0:30:42.440 --> 0:30:46.360
<v Speaker 2>to be impressive every single show because what you're doing

0:30:46.520 --> 0:30:48.320
<v Speaker 2>in itself is already impressive.

0:30:49.200 --> 0:30:49.400
<v Speaker 1>MM.

0:30:51.600 --> 0:30:54.920
<v Speaker 3>So it's the I need to let them know, you know,

0:30:55.040 --> 0:30:58.440
<v Speaker 3>every single night, and learning how to what Lantine price.

0:30:58.520 --> 0:31:01.440
<v Speaker 3>My operatic idol says on your interest, not your capital,

0:31:02.280 --> 0:31:05.760
<v Speaker 3>So you learned to sing on your interests, not your capital,

0:31:05.880 --> 0:31:09.520
<v Speaker 3>so that you could have something left over. And what

0:31:09.560 --> 0:31:12.480
<v Speaker 3>was interesting about last week's performance of Independently Owned So

0:31:12.600 --> 0:31:15.920
<v Speaker 3>I've I'm upset, I'm obsessed with you singing independently owns

0:31:16.000 --> 0:31:18.320
<v Speaker 3>So what we have the cast recording that's on YouTube,

0:31:18.320 --> 0:31:21.840
<v Speaker 3>when you're in the recording studio where you bitch work,

0:31:22.120 --> 0:31:26.000
<v Speaker 3>it's just iconic. We had the voice. Oh girl, you

0:31:26.120 --> 0:31:28.880
<v Speaker 3>slay the voice. You should get an Emmy nomination for that.

0:31:29.400 --> 0:31:33.880
<v Speaker 3>Hell you, we need to get her in egop. Slay

0:31:34.040 --> 0:31:37.320
<v Speaker 3>that and the growls and the grunts, right, and then

0:31:37.560 --> 0:31:40.000
<v Speaker 3>we hurt churture at the Tony's And then there's other

0:31:40.120 --> 0:31:43.360
<v Speaker 3>videos of you know, bootleg or people recorded things from

0:31:43.360 --> 0:31:45.800
<v Speaker 3>the audience or whatever. And then what was so beautiful

0:31:45.840 --> 0:31:49.680
<v Speaker 3>for me last week hearing you was I felt you

0:31:49.800 --> 0:31:53.840
<v Speaker 3>singing on your interest and there's there's something so beautiful

0:31:53.880 --> 0:31:56.920
<v Speaker 3>that the purity of your voice. You have this growl

0:31:56.960 --> 0:31:59.080
<v Speaker 3>like there're the maturity that the voice has, but there's

0:31:59.080 --> 0:32:06.880
<v Speaker 3>still this pure or soprano, highly placed sound that is gorgeous.

0:32:07.000 --> 0:32:11.120
<v Speaker 3>And you did the slide because you'll do the that glissando.

0:32:11.200 --> 0:32:11.720
<v Speaker 1>You'll do it.

0:32:11.840 --> 0:32:14.200
<v Speaker 3>You do it on the recording. You slide up and

0:32:14.240 --> 0:32:16.360
<v Speaker 3>then growl at the top of it. I believe if

0:32:16.400 --> 0:32:16.720
<v Speaker 3>I'm going.

0:32:19.200 --> 0:32:21.640
<v Speaker 1>And you growl and work.

0:32:21.720 --> 0:32:25.280
<v Speaker 3>But last week they're what you The slide happened, but

0:32:25.320 --> 0:32:27.160
<v Speaker 3>there was less of a growl, and so there was

0:32:27.280 --> 0:32:30.080
<v Speaker 3>What was beautiful about it is that the purely pureness

0:32:30.080 --> 0:32:33.120
<v Speaker 3>of the tone at the top right. And maybe it

0:32:33.160 --> 0:32:35.720
<v Speaker 3>was you like saying, I'm not gonna give everything tonight,

0:32:35.960 --> 0:32:39.520
<v Speaker 3>but it was also what I loved as just a

0:32:39.560 --> 0:32:42.240
<v Speaker 3>fan of your voice and a fan of just beautiful singing.

0:32:42.680 --> 0:32:46.120
<v Speaker 1>Is that tone. There's a beautiful soprano sound that you

0:32:46.240 --> 0:32:48.520
<v Speaker 1>have that I'm you know, I want you to sing opera.

0:32:49.240 --> 0:32:52.480
<v Speaker 3>We've talked about this, but we got to hear that

0:32:52.680 --> 0:32:55.280
<v Speaker 3>beautiful sound and in the duets as well. And the

0:32:55.320 --> 0:32:57.840
<v Speaker 3>acting is so beautiful in your performance as well, and

0:32:57.880 --> 0:33:02.120
<v Speaker 3>there's just so much heart and you're hilarious, and it's

0:33:02.200 --> 0:33:07.160
<v Speaker 3>just beautiful to watch the growth that you've had as

0:33:07.200 --> 0:33:10.440
<v Speaker 3>an actor from Glee Once on This Island is always

0:33:10.480 --> 0:33:12.760
<v Speaker 3>extraordinary playlist which you were actually were wonderful. You got

0:33:12.760 --> 0:33:15.520
<v Speaker 3>a Quittic's Choice nomination for Lways Extraordinary play. This beautiful

0:33:15.520 --> 0:33:18.479
<v Speaker 3>acting on that show and just to see the growth

0:33:18.520 --> 0:33:22.000
<v Speaker 3>as also as an actor is really wonderful. Can you

0:33:22.080 --> 0:33:25.240
<v Speaker 3>talk a little bit about the relationship. For you as

0:33:25.280 --> 0:33:30.240
<v Speaker 3>a musical theater artist, building the character into song, like

0:33:30.400 --> 0:33:32.840
<v Speaker 3>musical theater is like you're telling the story in so

0:33:32.920 --> 0:33:37.640
<v Speaker 3>many different ways with the voice, with characterization, and the physicality.

0:33:37.760 --> 0:33:41.240
<v Speaker 3>Lulu has a very specific physicality that's gorgeous.

0:33:40.920 --> 0:33:41.640
<v Speaker 4>That she does.

0:33:43.080 --> 0:33:47.320
<v Speaker 2>So you know, for me, it's always the ground up.

0:33:47.600 --> 0:33:49.760
<v Speaker 2>I had someone to ask me when I was doing

0:33:49.800 --> 0:33:52.360
<v Speaker 2>a Christmas Carol, how do you get into character? And

0:33:52.400 --> 0:33:56.080
<v Speaker 2>I say, I think I start by quite literally molding

0:33:56.120 --> 0:33:59.760
<v Speaker 2>how they walk? How did they hold themselves when they're

0:33:59.800 --> 0:34:04.600
<v Speaker 2>just walking. And I have the mindset of how they're walking,

0:34:04.680 --> 0:34:07.600
<v Speaker 2>I'm in it. And so that's why Vulu's walk is

0:34:07.720 --> 0:34:11.880
<v Speaker 2>so distinct, Like anytime I step foot on that stage,

0:34:11.920 --> 0:34:14.719
<v Speaker 2>that bitch is stomping because she has some place to go.

0:34:14.800 --> 0:34:17.960
<v Speaker 2>And you know, the costume helps with the corset. But

0:34:18.440 --> 0:34:21.800
<v Speaker 2>I want the singing and the acting to be so seamless.

0:34:22.640 --> 0:34:24.640
<v Speaker 2>I want to be second nature. I don't want it

0:34:24.680 --> 0:34:27.560
<v Speaker 2>to be like I'm talking now and now I'm gonna sing.

0:34:28.040 --> 0:34:30.520
<v Speaker 2>I want to be Oh, I'm happy to sing right now.

0:34:30.719 --> 0:34:33.000
<v Speaker 1>Yeah. Yeah. And there's a great analysis.

0:34:33.000 --> 0:34:35.920
<v Speaker 3>There's a wonderful channel called black Music Archive where they

0:34:35.920 --> 0:34:38.399
<v Speaker 3>do an analysis of your independently owner and if you've

0:34:38.400 --> 0:34:41.960
<v Speaker 3>seen that video and Malik talks about how is written

0:34:42.000 --> 0:34:44.479
<v Speaker 3>kind of in your speaking voice. It sort of starts there,

0:34:44.560 --> 0:34:47.480
<v Speaker 3>so when you start, it's coming out of dialogue and

0:34:47.480 --> 0:34:49.719
<v Speaker 3>then you're kind of it's like talk singing, but your

0:34:49.719 --> 0:34:54.640
<v Speaker 3>talk singing is very way higher than a lot of people, and.

0:34:54.560 --> 0:34:55.960
<v Speaker 1>So it sort of comes out of that.

0:34:56.080 --> 0:34:58.719
<v Speaker 3>So it's beautiful to have something written for you, like,

0:34:58.920 --> 0:35:01.120
<v Speaker 3>can you talk a little bit about like the evolution

0:35:01.360 --> 0:35:04.560
<v Speaker 3>of independently owned in terms of when you got the

0:35:04.680 --> 0:35:08.680
<v Speaker 3>role and how the song changed or did it well?

0:35:08.920 --> 0:35:11.880
<v Speaker 2>The ending, the whole back half of the song was

0:35:11.960 --> 0:35:14.399
<v Speaker 2>completely written for me. The first half of the song

0:35:14.600 --> 0:35:17.760
<v Speaker 2>it like it was already written. It was the same.

0:35:17.920 --> 0:35:20.239
<v Speaker 2>It was like, I'll know a change. I've always been

0:35:20.320 --> 0:35:24.000
<v Speaker 2>a w O M A N. I'm independently oh and

0:35:24.239 --> 0:35:27.960
<v Speaker 2>celebrated I'm independently Oh dada da da da da da

0:35:28.000 --> 0:35:36.400
<v Speaker 2>da da da da da and I live my life independently. Button. Wow,

0:35:36.680 --> 0:35:40.160
<v Speaker 2>that's how the song went. And it said button And

0:35:40.280 --> 0:35:42.480
<v Speaker 2>we did our out of town tryout and they heard

0:35:42.560 --> 0:35:45.640
<v Speaker 2>me singing and they said we need more.

0:35:47.360 --> 0:35:50.120
<v Speaker 1>Well because miss thing can bring more. I mean, this

0:35:50.280 --> 0:35:52.880
<v Speaker 1>is Alex new Ole Darling. We need to have a climax.

0:35:52.960 --> 0:35:54.120
<v Speaker 1>We need to have a modulation.

0:35:54.640 --> 0:35:58.359
<v Speaker 2>And because modulated was always there, the joke was always there.

0:35:58.880 --> 0:36:01.600
<v Speaker 2>But then our music director and Jason how it was

0:36:01.640 --> 0:36:04.920
<v Speaker 2>just like I just let's just keep and so we

0:36:05.040 --> 0:36:08.520
<v Speaker 2>were still in the room and literally just were playing

0:36:08.600 --> 0:36:11.800
<v Speaker 2>and bouncing ideas back and forth off each other, and

0:36:11.960 --> 0:36:14.920
<v Speaker 2>he was just playing chords, and you know, you wanted bigger.

0:36:15.000 --> 0:36:17.640
<v Speaker 2>There was one time that one version of the song

0:36:17.680 --> 0:36:19.680
<v Speaker 2>and I was like Jason, I literally cannot sing that

0:36:20.520 --> 0:36:20.879
<v Speaker 2>the list.

0:36:20.960 --> 0:36:24.239
<v Speaker 4>It wasn't just modulate to celebrate Da da da da

0:36:24.920 --> 0:36:26.960
<v Speaker 4>It was but da da da da da da da

0:36:27.040 --> 0:36:28.640
<v Speaker 4>da da da da Da Da Da Da Da Da

0:36:28.760 --> 0:36:30.680
<v Speaker 4>Da da da da da da da da da da

0:36:30.760 --> 0:36:31.400
<v Speaker 4>da da da.

0:36:31.600 --> 0:36:34.120
<v Speaker 2>And I was like Jason, I literally cannot breathe. We

0:36:34.280 --> 0:36:37.560
<v Speaker 2>need to I'll just die right on the floor. And

0:36:37.680 --> 0:36:38.640
<v Speaker 2>so we truncated it.

0:36:38.719 --> 0:36:43.560
<v Speaker 3>But like even I have my limitations, everyone does, and

0:36:43.680 --> 0:36:47.279
<v Speaker 3>it's important to know again, to know what those limitations

0:36:47.360 --> 0:36:49.880
<v Speaker 3>are and to say that, and to say it. I

0:36:49.960 --> 0:36:51.959
<v Speaker 3>remember someone and I haven't. I didn't talk to Billy

0:36:51.960 --> 0:36:54.719
<v Speaker 3>about this, but I heard like through the grapevine when

0:36:54.760 --> 0:36:58.160
<v Speaker 3>Billy did Kinky Booths, that Billy went in and said, okay,

0:36:58.239 --> 0:36:59.680
<v Speaker 3>if you want me to do a shows a week,

0:36:59.680 --> 0:37:02.160
<v Speaker 3>and he's in this key like, this is what it

0:37:02.280 --> 0:37:04.239
<v Speaker 3>is it needs to be. And this is Billy, a

0:37:04.400 --> 0:37:07.000
<v Speaker 3>very seasoned Billy, coming in saying you know, this is

0:37:07.040 --> 0:37:07.800
<v Speaker 3>what it's got to be.

0:37:08.000 --> 0:37:16.040
<v Speaker 1>And so knowing that for yourself is so very very important. Okay,

0:37:16.120 --> 0:37:23.879
<v Speaker 1>it's that time again. We'll be right back. We are back.

0:37:26.640 --> 0:37:29.759
<v Speaker 1>Oh my gosh, Okay, Like, okay, I have audio that

0:37:29.840 --> 0:37:31.200
<v Speaker 1>I want to share with you.

0:37:39.480 --> 0:37:40.000
<v Speaker 4>I am.

0:37:41.640 --> 0:37:55.280
<v Speaker 2>Sup, but I think I mean I need.

0:38:03.960 --> 0:38:06.759
<v Speaker 4>Sing up singing so clear.

0:38:08.880 --> 0:38:13.920
<v Speaker 3>And chi I'm ordify.

0:38:16.160 --> 0:38:26.040
<v Speaker 2>Ill talking out and I'm not BA, but I'm.

0:38:29.920 --> 0:38:38.600
<v Speaker 3>Up little.

0:38:50.160 --> 0:38:51.280
<v Speaker 2>I cannot.

0:39:20.360 --> 0:39:26.319
<v Speaker 3>Okay segment Alex is nodding. Segment this is the thing

0:39:26.360 --> 0:39:29.040
<v Speaker 3>I wanted to listen with you. So the first one

0:39:29.239 --> 0:39:31.160
<v Speaker 3>was I think you were probably eighteen or so. It

0:39:31.280 --> 0:39:34.080
<v Speaker 3>was that one with the little scarf, and then the

0:39:34.120 --> 0:39:36.239
<v Speaker 3>second one was with the Boston Gay Men's Course from

0:39:36.280 --> 0:39:40.440
<v Speaker 3>twenty fourteen, so you've been twenty two. And then the

0:39:40.520 --> 0:39:42.879
<v Speaker 3>last one was last year when you were twenty nine.

0:39:42.920 --> 0:39:46.880
<v Speaker 3>I guess at Broadway juneteenth twenty twenty two. So a

0:39:47.000 --> 0:39:49.160
<v Speaker 3>decade of you singing, I am changing and there's more

0:39:49.400 --> 0:39:52.160
<v Speaker 3>versions on the internet. So your first reactions like I

0:39:52.280 --> 0:39:55.719
<v Speaker 3>sang that, so you hear this, because like oftentimes people

0:39:55.719 --> 0:39:57.440
<v Speaker 3>are like, oh, they may have notes or they might

0:39:57.520 --> 0:39:59.160
<v Speaker 3>you know, be like, oh you know I could have

0:39:59.239 --> 0:39:59.839
<v Speaker 3>done this better.

0:40:00.320 --> 0:40:09.040
<v Speaker 5>You're like, no, no, no, no, fuck, yes, absolutely, okay,

0:40:10.200 --> 0:40:10.719
<v Speaker 5>I did that.

0:40:11.520 --> 0:40:13.520
<v Speaker 2>I did that, And I know I did that because

0:40:13.640 --> 0:40:18.000
<v Speaker 2>Jennifer Holiday looked at me and said, I sat there

0:40:18.040 --> 0:40:20.920
<v Speaker 2>and cried when I watched you sing that. You did

0:40:21.000 --> 0:40:23.719
<v Speaker 2>me so proud of I'm so thankful for that. She

0:40:23.840 --> 0:40:26.080
<v Speaker 2>came to see shop and she told me this in person.

0:40:26.200 --> 0:40:28.520
<v Speaker 2>She told me. She called me after it, but she

0:40:28.680 --> 0:40:31.320
<v Speaker 2>told me to me in person. She said, you honored

0:40:31.400 --> 0:40:33.239
<v Speaker 2>me and made it your own, and I love that

0:40:33.320 --> 0:40:36.240
<v Speaker 2>about you. You will pay homage to those that account

0:40:36.239 --> 0:40:39.759
<v Speaker 2>before you and still have your own twist on what

0:40:40.040 --> 0:40:42.239
<v Speaker 2>was there. And that's how I want to do any

0:40:42.719 --> 0:40:46.560
<v Speaker 2>song that's already iconic. But also that song has meant

0:40:46.719 --> 0:40:49.319
<v Speaker 2>so much for me my entire life. I mean, that's

0:40:49.360 --> 0:40:52.040
<v Speaker 2>why it's been over a decade that I've been singing it.

0:40:52.440 --> 0:41:00.680
<v Speaker 2>Not here in makeup, here hold on Oh the DNC

0:41:00.800 --> 0:41:03.040
<v Speaker 2>and I'm accepting my final award.

0:41:04.080 --> 0:41:06.160
<v Speaker 3>Oh work, okay, So I don't want to keep you

0:41:06.239 --> 0:41:10.520
<v Speaker 3>too much longer, But can you reflect on the eighteen

0:41:10.600 --> 0:41:13.480
<v Speaker 3>year old you, the twenty two year old you, the voice.

0:41:13.239 --> 0:41:16.920
<v Speaker 1>That you heard then, right? And then the difference is

0:41:17.040 --> 0:41:17.840
<v Speaker 1>in the maturity.

0:41:17.880 --> 0:41:21.280
<v Speaker 3>I mean, you sound like a grown woman in twenty

0:41:21.400 --> 0:41:24.279
<v Speaker 3>twenty two, like a grown woman because I am grown now.

0:41:24.680 --> 0:41:24.919
<v Speaker 5>Yeah.

0:41:25.200 --> 0:41:26.920
<v Speaker 1>Do you feel like you slayed all of them? No?

0:41:27.080 --> 0:41:29.799
<v Speaker 2>I mean absolutely not. I mean no eighteen year old

0:41:29.840 --> 0:41:31.160
<v Speaker 2>should be singing and changing.

0:41:31.520 --> 0:41:34.239
<v Speaker 1>But you did, and you slayed it. There's so much

0:41:34.960 --> 0:41:37.360
<v Speaker 1>that was added to that number that you gave us.

0:41:37.480 --> 0:41:39.600
<v Speaker 3>I think that's when I listened to all three of

0:41:39.680 --> 0:41:41.759
<v Speaker 3>them back to back, it's like this bitch has been

0:41:41.800 --> 0:41:45.799
<v Speaker 3>through some stuff that she is bringing in a whole

0:41:45.880 --> 0:41:46.279
<v Speaker 3>new way.

0:41:46.840 --> 0:41:48.640
<v Speaker 1>That's what I hear. But what do you hear when

0:41:48.680 --> 0:41:50.080
<v Speaker 1>you listen to the three versions?

0:41:50.440 --> 0:41:53.800
<v Speaker 2>Well, I hear the one in a sense of purity

0:41:53.880 --> 0:41:58.399
<v Speaker 2>that was there back in twenty fourteen or however long ago.

0:41:58.600 --> 0:42:00.840
<v Speaker 2>I was singing the little song, I knew none of

0:42:00.920 --> 0:42:03.200
<v Speaker 2>those words I was singing. I know what that song

0:42:03.360 --> 0:42:06.640
<v Speaker 2>was about back then. I do now know what that

0:42:06.800 --> 0:42:09.040
<v Speaker 2>song is about, because life is a bitch and it

0:42:09.160 --> 0:42:13.080
<v Speaker 2>comes hard, and you figured some shit out. But back

0:42:13.160 --> 0:42:16.239
<v Speaker 2>then it was truly just I liked singing the song,

0:42:16.880 --> 0:42:19.120
<v Speaker 2>and that was I was having fun while singing it.

0:42:19.440 --> 0:42:21.960
<v Speaker 2>And now I get to have my life lessons and

0:42:22.200 --> 0:42:25.160
<v Speaker 2>have fun singing the song, and I still can't wait

0:42:25.200 --> 0:42:26.239
<v Speaker 2>to sing it eight shows a week.

0:42:27.560 --> 0:42:30.239
<v Speaker 1>Yeah, how are we manifesting Fie for you?

0:42:30.440 --> 0:42:33.320
<v Speaker 3>I mean, I know it's been on your bucket list forever,

0:42:34.080 --> 0:42:36.400
<v Speaker 3>so it's gonna happen. We've been man if you've been

0:42:36.400 --> 0:42:38.560
<v Speaker 3>manifesting it your whole life, and it will. I know

0:42:38.719 --> 0:42:42.319
<v Speaker 3>it will happen on God's time, not our time. Oh,

0:42:42.560 --> 0:42:46.520
<v Speaker 3>Alex Knewell the Tony Award winning Out of Circle Critics

0:42:46.719 --> 0:42:49.080
<v Speaker 3>Drama Death Award winning.

0:42:49.160 --> 0:42:51.239
<v Speaker 2>Oh, I just handed me everything this time. They had

0:42:51.280 --> 0:42:52.919
<v Speaker 2>to be nothing the last time. This time they said

0:42:52.960 --> 0:42:53.399
<v Speaker 2>take it off.

0:42:54.640 --> 0:42:57.359
<v Speaker 1>So what's next? What's the dream now?

0:42:57.520 --> 0:43:03.040
<v Speaker 2>I mean a vacation, Oh, well, deserved vacation.

0:43:04.360 --> 0:43:05.120
<v Speaker 5>I've never well.

0:43:05.200 --> 0:43:08.360
<v Speaker 2>I took my first vacation last year for my thirtieth

0:43:08.440 --> 0:43:12.759
<v Speaker 2>birthday and it was only for four days. So it's time.

0:43:13.520 --> 0:43:16.040
<v Speaker 2>But we sit and we talked about all the amazing

0:43:16.120 --> 0:43:18.879
<v Speaker 2>things I've done. I've never gotten to take a break.

0:43:20.320 --> 0:43:23.360
<v Speaker 2>I've constantly been working NonStop and I'm very blessed and

0:43:23.440 --> 0:43:25.640
<v Speaker 2>fortunate that i had this opportunity to do such. But

0:43:26.239 --> 0:43:30.239
<v Speaker 2>it is time to take a step back and like,

0:43:30.440 --> 0:43:33.239
<v Speaker 2>actually appreciate all the hard work I've done.

0:43:34.120 --> 0:43:37.719
<v Speaker 3>Yeah, and I think what I love about There's so

0:43:37.760 --> 0:43:39.480
<v Speaker 3>many things I love about you. I mean, I just

0:43:39.640 --> 0:43:43.480
<v Speaker 3>love pure talent excites me. Amazing singing excites me, but

0:43:43.680 --> 0:43:46.560
<v Speaker 3>cultivating the talent. A lot of people are gifted and

0:43:46.719 --> 0:43:51.080
<v Speaker 3>talented and have voices, but you have really cultivated and studied.

0:43:51.120 --> 0:43:53.960
<v Speaker 3>And even before you had voice teachers, you studied, right,

0:43:54.080 --> 0:43:57.280
<v Speaker 3>you studied, now, Carter, you studied, and so there's different

0:43:57.320 --> 0:43:58.120
<v Speaker 3>ways to study.

0:43:58.440 --> 0:44:01.080
<v Speaker 1>And that's what I love. And I remember we're talking

0:44:01.080 --> 0:44:02.120
<v Speaker 1>to you in twenty fifteen.

0:44:02.160 --> 0:44:04.880
<v Speaker 3>I was just like, this is it is a gift

0:44:05.080 --> 0:44:07.359
<v Speaker 3>from God that you have and it is and it's

0:44:07.480 --> 0:44:10.680
<v Speaker 3>rare for singers to be able to maintain their voices

0:44:10.760 --> 0:44:13.520
<v Speaker 3>over decades. And this is my dream for you that

0:44:13.719 --> 0:44:16.759
<v Speaker 3>you know, at seventy you're giving us everything that you

0:44:16.800 --> 0:44:17.040
<v Speaker 3>can do.

0:44:17.280 --> 0:44:19.640
<v Speaker 2>I will still be Pat Lavelle when I'm seventy eight. Yes, ma'am,

0:44:19.680 --> 0:44:22.399
<v Speaker 2>I'm going to be Patricia Labille. She is still out

0:44:22.440 --> 0:44:24.080
<v Speaker 2>here singing the girls now.

0:44:24.080 --> 0:44:27.560
<v Speaker 3>Amen, and I still want using some offer two. But

0:44:27.760 --> 0:44:30.840
<v Speaker 3>you know, if you feel so called, so to be

0:44:31.000 --> 0:44:35.400
<v Speaker 3>continued with you, Alex, I love you so much. In

0:44:35.560 --> 0:44:37.759
<v Speaker 3>my podcast with the question what else is true? It's

0:44:37.800 --> 0:44:40.920
<v Speaker 3>taken from my therapy and the idea of both. And

0:44:41.640 --> 0:44:44.760
<v Speaker 3>when things are rough and things are challenging in the world,

0:44:44.840 --> 0:44:47.799
<v Speaker 3>as they often are, we can focus on the thing

0:44:47.840 --> 0:44:50.520
<v Speaker 3>that's challenging. We can also focus on the thing that

0:44:50.640 --> 0:44:53.319
<v Speaker 3>brings us joy that the other thing that's that is true,

0:44:53.480 --> 0:44:57.040
<v Speaker 3>because it's always both, and so for you today, Alex Newell,

0:44:57.560 --> 0:44:58.839
<v Speaker 3>what else is true?

0:45:00.000 --> 0:45:06.000
<v Speaker 2>What else is true? Honesty? That's where I'm at, Honesty.

0:45:06.560 --> 0:45:09.920
<v Speaker 2>I think we get afraid of honesty and truth a

0:45:10.000 --> 0:45:12.880
<v Speaker 2>lot of times, and we don't like it if it hurts,

0:45:13.280 --> 0:45:15.880
<v Speaker 2>and we don't like it if it's too much to

0:45:15.960 --> 0:45:18.759
<v Speaker 2>hear at one time. And I've lived my life in

0:45:19.400 --> 0:45:21.719
<v Speaker 2>such an honest way, and I try to live my

0:45:21.880 --> 0:45:25.000
<v Speaker 2>life in such an honest way, and sometimes it comes

0:45:25.040 --> 0:45:28.560
<v Speaker 2>off shady, sometimes it comes off mean, but it's our

0:45:28.719 --> 0:45:31.799
<v Speaker 2>truth and sometimes it's better to let that out.

0:45:32.960 --> 0:45:36.239
<v Speaker 3>What has been a truthful moment that you've had, or

0:45:36.239 --> 0:45:38.160
<v Speaker 3>an honest moment that you've had with yourself or someone

0:45:38.239 --> 0:45:42.319
<v Speaker 3>else that has been maybe hard to hear or hard

0:45:42.400 --> 0:45:42.800
<v Speaker 3>to say.

0:45:44.040 --> 0:45:47.319
<v Speaker 2>You know, I think it's asking for help. A lot

0:45:47.360 --> 0:45:50.319
<v Speaker 2>of times I had to do that in the back

0:45:50.360 --> 0:45:53.480
<v Speaker 2>of my mind and realize that it is actually okay

0:45:53.920 --> 0:45:56.799
<v Speaker 2>to ask for help. I sing the song independently own

0:45:56.960 --> 0:45:59.920
<v Speaker 2>eight chos a week and knowing that I've cultivated this

0:46:00.320 --> 0:46:03.359
<v Speaker 2>great career of mine on my own, and a lot

0:46:03.440 --> 0:46:06.239
<v Speaker 2>of that has come with struggle of trying to do

0:46:06.360 --> 0:46:09.160
<v Speaker 2>it all on my own and not really wanting to

0:46:09.239 --> 0:46:10.279
<v Speaker 2>do anything else after that.

0:46:10.480 --> 0:46:15.480
<v Speaker 1>So yeah, Wow, as the phone rings, we can ask

0:46:15.520 --> 0:46:17.920
<v Speaker 1>for help, we can ask for help. I love that.

0:46:18.120 --> 0:46:20.000
<v Speaker 3>That is a great note to end on. Thank you

0:46:20.120 --> 0:46:22.759
<v Speaker 3>so much, Alex Nowell. You are a gift to the

0:46:22.880 --> 0:46:25.080
<v Speaker 3>world and I love you so much.

0:46:25.360 --> 0:46:26.239
<v Speaker 2>I love you, I love you.

0:46:26.800 --> 0:46:29.839
<v Speaker 5>I'm so happy for you. I'm so happy and fucking proud.

0:46:29.800 --> 0:46:38.720
<v Speaker 1>You know. I'm so proud. I love you, Alex. Alex Newell.

0:46:39.120 --> 0:46:44.400
<v Speaker 3>Oh, that was so wonderful watching Alex listen to themselves

0:46:44.680 --> 0:46:49.440
<v Speaker 3>saying and just be an utter joy of how beautiful

0:46:49.480 --> 0:46:52.000
<v Speaker 3>their sound is, how much they turned it out.

0:46:52.160 --> 0:46:54.080
<v Speaker 1>It reminds me of my idol, Lantine Price.

0:46:54.360 --> 0:46:57.799
<v Speaker 3>There's many many interviews of Liantine and articles written about

0:46:57.840 --> 0:47:00.200
<v Speaker 3>Lantine where she says I just love the sound of

0:47:00.280 --> 0:47:05.560
<v Speaker 3>my voice, and watching Alex listen to themselves saying I

0:47:05.640 --> 0:47:09.240
<v Speaker 3>am changing through the years. I felt Alex in something

0:47:09.320 --> 0:47:13.040
<v Speaker 3>similar Alex to not say that, but Alex was like, no, notes.

0:47:13.880 --> 0:47:17.560
<v Speaker 3>What's wonderful to me about that is that we can

0:47:17.600 --> 0:47:19.840
<v Speaker 3>be so critical of ourselves as artists, and I'm so

0:47:20.000 --> 0:47:23.719
<v Speaker 3>critical of myself, but Alex was just like I did that.

0:47:25.920 --> 0:47:29.800
<v Speaker 3>And also I think what's beautiful about Leontine and Alex

0:47:29.920 --> 0:47:31.879
<v Speaker 3>is that they both understand it's a gift from God,

0:47:32.040 --> 0:47:35.480
<v Speaker 3>that it's not even really theirs right, that it is

0:47:35.560 --> 0:47:38.759
<v Speaker 3>something that is bigger than them. And I was just

0:47:38.840 --> 0:47:42.840
<v Speaker 3>thinking about Alex as a child, like opening their mouth

0:47:43.000 --> 0:47:47.520
<v Speaker 3>and this beautiful, pure sound comes out, and that sound

0:47:47.640 --> 0:47:50.560
<v Speaker 3>is still there, and I don't know, it feels like

0:47:50.680 --> 0:47:55.040
<v Speaker 3>this metaphor for life, as like we grow and mature

0:47:55.600 --> 0:47:58.760
<v Speaker 3>and go through life and hopefully become.

0:47:58.600 --> 0:47:59.960
<v Speaker 1>Better visions of ourselves.

0:48:00.719 --> 0:48:04.359
<v Speaker 3>That that purity, that light that we all have inside

0:48:04.400 --> 0:48:07.719
<v Speaker 3>of us as children, if we can maintain that if

0:48:07.760 --> 0:48:09.960
<v Speaker 3>the voice can be a metaphor for what we can

0:48:10.040 --> 0:48:14.320
<v Speaker 3>do to maintain a certain kind of purity and innocence

0:48:14.880 --> 0:48:17.560
<v Speaker 3>as we move through the world, even as we, you know,

0:48:17.800 --> 0:48:19.920
<v Speaker 3>maybe a little weathered by life.

0:48:20.080 --> 0:48:21.800
<v Speaker 1>To keep that freshness.

0:48:21.920 --> 0:48:25.919
<v Speaker 3>Lantine says that she feels the youngest and the most

0:48:26.000 --> 0:48:28.400
<v Speaker 3>vibrant when she's singing, that it should be this like

0:48:28.600 --> 0:48:34.640
<v Speaker 3>youthful exuberance, and Alex indeed has that. Let's all like

0:48:34.840 --> 0:48:39.840
<v Speaker 3>start collectively manifesting Alex singing e Fie and Dreamgirls like

0:48:39.960 --> 0:48:42.560
<v Speaker 3>everyone within the sound of my voice. Let's manifest that

0:48:42.760 --> 0:48:46.919
<v Speaker 3>because we need to see Alex nule as Fie and Dreamgirls.

0:48:47.320 --> 0:48:48.080
<v Speaker 1>We need to see that.

0:49:00.760 --> 0:49:03.120
<v Speaker 3>Thank you for listening to The Laverne Cox Show. Please

0:49:03.200 --> 0:49:05.920
<v Speaker 3>rate reviews, subscribe and share with everyone you know. You

0:49:05.960 --> 0:49:09.440
<v Speaker 3>can find me on Instagram and Twitter aka x and

0:49:09.680 --> 0:49:12.680
<v Speaker 3>TikTok at Laverne Cox and on Facebook at Laverne Cox

0:49:13.000 --> 0:49:13.520
<v Speaker 3>for Real.

0:49:14.120 --> 0:49:20.319
<v Speaker 1>Until next time, stay in the love. The Laverne Cox

0:49:20.360 --> 0:49:24.200
<v Speaker 1>Show is a production of Shondaland Audio in partnership with iHeartRadio.

0:49:24.680 --> 0:49:28.439
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