WEBVTT - Adam Duritz Meets World

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<v Speaker 1>So I have this.

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<v Speaker 2>I have a redwood growing outside of my office here

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<v Speaker 2>when I when I moved into my house, there were

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<v Speaker 2>two redwoods, and you don't really they don't really grow

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<v Speaker 2>in Los Angeles. There's not many of them but there,

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<v Speaker 2>and one of them is really struggling because it's too hot,

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<v Speaker 2>there's too much sun. But this other one right outside

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<v Speaker 2>of my office is thriving. It is now twenty feet tall.

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<v Speaker 2>It is beautiful.

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<v Speaker 3>It's feeding off your energy.

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<v Speaker 2>Yeah right, well, so yeah, you know, you guys know,

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<v Speaker 2>I literally grew up underneath giant redwood, Like we have

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<v Speaker 2>hundreds of them on on our property, and so I

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<v Speaker 2>grew up climbing these trees, just playing under them.

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<v Speaker 1>You know.

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<v Speaker 2>I used to like I used to climb one tree

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<v Speaker 2>in particular to read in it, and I would.

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<v Speaker 1>Use the.

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<v Speaker 4>Tree poets and there's the there're these beautiful, ancient, endangered species.

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<v Speaker 4>But I realized, like I have a very intense identification

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<v Speaker 4>and dedication to a species of plant, you know, And

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<v Speaker 4>I mean for an atheist, this is like the closest

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<v Speaker 4>I have to a spiritual connection used.

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<v Speaker 3>To drop fake dead bodies out of these trees.

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<v Speaker 4>Yes, So do you guys have or like a certain

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<v Speaker 4>animal or plant that you've ever identified with or cared about.

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<v Speaker 5>No, no, no, even even going back to like Save

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<v Speaker 5>the Whales in the eighties, like you didn't care about

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<v Speaker 5>dolphins or whales.

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<v Speaker 6>Them.

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<v Speaker 7>I just don't identify with I hope a dolphin has

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<v Speaker 7>a good life. I'm never you know, I wish the best,

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<v Speaker 7>foresaid dolphin or whale, but I don't identify with them.

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<v Speaker 7>You know, like the gas station shirts you can get

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<v Speaker 7>that have the whales and the wolves and stuff like that.

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<v Speaker 8>I was a teenager.

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<v Speaker 3>Oh I remember your wolf face? Yeah, I Lance.

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<v Speaker 9>Lance gave me a necklace in the nineties that was

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<v Speaker 9>three dolphins swimming in like a circle. And it was

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<v Speaker 9>one of those things you could do on your touristy

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<v Speaker 9>vacation where you would pick an oyster and then you

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<v Speaker 9>get to pop it open and see if there's a

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<v Speaker 9>pearl inside, and so then the dolphins have their swimming

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<v Speaker 9>in a circle and you put the pearl in the

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<v Speaker 9>middle of it.

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<v Speaker 7>The dolphins seemed confused if they're just swimming in a circle.

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<v Speaker 3>Well, I don't know what dolphins do.

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<v Speaker 9>But there was a point where then after he gave

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<v Speaker 9>me the necklace, where it was like.

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<v Speaker 3>Do I do I like dolphins? Am I had? Am

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<v Speaker 3>I going to be a dolphin girl now?

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<v Speaker 9>And then it was very nor lance and I also

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<v Speaker 9>went horseback riding.

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<v Speaker 4>But so he was trying to make you into a

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<v Speaker 4>different animal girls.

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<v Speaker 9>Yeah, yeah, yeah, I think I think he wanted me

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<v Speaker 9>to like have a thing. It was going to make

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<v Speaker 9>it easier to buy me gifts. Yeah, but no, I

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<v Speaker 9>mean I like, I like dogs.

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<v Speaker 7>Yeah, you guys have dogs.

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<v Speaker 4>I don't have a dog. And way too many animals.

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<v Speaker 4>So now I don't even get that.

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<v Speaker 9>You know what, you know what I what I was

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<v Speaker 9>as a kid that I we've never really talked about.

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<v Speaker 3>I was a rat girl.

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<v Speaker 4>We had rats.

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<v Speaker 3>We had rats, many rats as a pet.

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<v Speaker 7>Or you was just your home wasn't clean.

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<v Speaker 3>No, no, we had rat as a pet.

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<v Speaker 9>So the story how we rats is actually it's one

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<v Speaker 9>of my it's one of my favorite childhood stories because

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<v Speaker 9>it's terrible and my So we went to the pet

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<v Speaker 9>store and my mom was like, oh, we should get hamsters,

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<v Speaker 9>and so we got two hamsters. Yeah, so we got

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<v Speaker 9>two hamsters. My brother picked a hamster and I picked

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<v Speaker 9>a hamster. The hamster my brother picked was was a

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<v Speaker 9>little chunky and cute as can be and all gray,

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<v Speaker 9>and he was like wild and not super kind, like

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<v Speaker 9>you know the balls you could put a hamster in

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<v Speaker 9>and they go running. When you tried to get him

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<v Speaker 9>out of that thing, he'd bite you and he'd every

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<v Speaker 9>single time he'd bite the tip of my finger and

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<v Speaker 9>I'd bleed. So his we kind of I was like,

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<v Speaker 9>that hamster's a jerk. I don't like that hamster. My

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<v Speaker 9>hamster was cream and she was yetle and she's so

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<v Speaker 9>sweet and I loved her and she never bit me.

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<v Speaker 9>So they didn't tell us that there's any reason to

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<v Speaker 9>not put the male and female hamster together, and we

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<v Speaker 9>weren't really thinking about that. We had one big cage

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<v Speaker 9>that then had a tube that connected to another cage,

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<v Speaker 9>so they each had their own space. And the way

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<v Speaker 9>our rooms were set up, my brother and my rooms

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<v Speaker 9>were right next to each other, and there was like

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<v Speaker 9>a linen closet in the hallway right outside our rooms,

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<v Speaker 9>and that's where the hamster cage lived. Well, one night

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<v Speaker 9>we heard all this commotion and my brother, who's four

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<v Speaker 9>years younger than me, Chris, yelled from his room Danielle,

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<v Speaker 9>and I said, yeah, and he said, I can't sleep

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<v Speaker 9>the hamsters are making so much noise. And I said, okay,

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<v Speaker 9>no problem, I'll get up and close your door. So

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<v Speaker 9>I got up and I closed his bedroom door, and

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<v Speaker 9>then I went into my room and I closed my

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<v Speaker 9>door and we went to sleep. The next morning, I

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<v Speaker 9>wake up to the sound of my brother screaming, and

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<v Speaker 9>my hamster is sitting in the corner of her little

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<v Speaker 9>side and she's like this, and she's cleaning her face

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<v Speaker 9>and she is covered in blood, my little white cream

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<v Speaker 9>hamster covered. Then she had eaten the head of my

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<v Speaker 9>brother's hamster. So we panicked. We were like, oh my gosh,

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<v Speaker 9>what is this. And my mom just picked up the cage,

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<v Speaker 9>put him in the car and then brought him.

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<v Speaker 3>Back to the pet store and was like, this ham.

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<v Speaker 9>Or decapitated this hamster. We do not want these anymore.

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<v Speaker 3>And they were like, oh, yeah, you can't put them together.

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<v Speaker 3>Do not tell you that, obviously, not, I have to

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<v Speaker 3>tell you. My brother then drew murder hamster art for years.

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<v Speaker 4>In Hamster, there's a.

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<v Speaker 9>Picture of a bed with him sleeping in it, with

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<v Speaker 9>z's coming up from his head, and then a bloody

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<v Speaker 9>massacre going on right outside, and he for years blamed

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<v Speaker 9>himself because he said, when when I couldn't sleep and

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<v Speaker 9>they were making all that noise, had a scream for help,

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<v Speaker 9>screaming for help, and I just wanted to sleep.

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<v Speaker 1>I had the same thing.

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<v Speaker 7>It sounds so weird, but I had a very traumatic

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<v Speaker 7>experience the same kind of way. I had a gerbil

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<v Speaker 7>named Charcoal.

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<v Speaker 6>I was going to say, you ate your roommate, no ird,

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<v Speaker 6>this gerbal named charcoal And we got cats and I

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<v Speaker 6>heard I was like eight or nine years old and

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<v Speaker 6>I was downstairs and I heard a crash upstairs, and

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<v Speaker 6>I was too scared to go up and check what

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<v Speaker 6>it was.

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<v Speaker 7>And my cats had knocked over their things age and

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<v Speaker 7>killed the gerbil. And so to this day, any noise

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<v Speaker 7>I go and check, I'm like.

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<v Speaker 9>Because you don't want another gerbil to die, you know, left.

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<v Speaker 7>Behind Gerbils on my watch are going to die. So

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<v Speaker 7>that same thing where it's like, had I just checked,

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<v Speaker 7>I would have been fine.

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<v Speaker 9>Well that's how we ended up with rats, is that

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<v Speaker 9>the people at the pet store said, to be honest,

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<v Speaker 9>hamsters are disgusting creatures.

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<v Speaker 3>If you want a good pet, here's a rat.

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<v Speaker 9>And my mom was like, the tail and they were like, yeah, yeah,

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<v Speaker 9>you just need to get past the tail. But they're

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<v Speaker 9>actually great pets, and so we did. We got a

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<v Speaker 9>We got a rat named Joey and he was spectacular

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<v Speaker 9>the rat.

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<v Speaker 3>Joe kidding me?

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<v Speaker 7>Are you just saying this?

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<v Speaker 6>Now?

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<v Speaker 2>We got to get two rats named one Joey and

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<v Speaker 2>the other Stanky for keto, Are.

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<v Speaker 7>You Joey the rat?

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<v Speaker 9>I had Joey the rat, and I had him while

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<v Speaker 9>we were on Boy Meets World?

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<v Speaker 4>Made this connection.

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<v Speaker 3>Joey was amazing. Joey also knew his name.

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<v Speaker 9>He could do it so Joey could sit up on

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<v Speaker 9>his hind legs and grab the top of his cage

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<v Speaker 9>and then he'd pull himself up and so with his head,

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<v Speaker 9>he'd pop the top of his case. He'd popped the

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<v Speaker 9>lid off of his cage, and then he could pull

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<v Speaker 9>himself up and he'd run out, and we'd come home

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<v Speaker 9>and Joey would be missing, and we'd go Joey and

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<v Speaker 9>he'd come running out from wherever he was.

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<v Speaker 1>Could he also a Yes?

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<v Speaker 3>Was he musical?

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<v Speaker 4>Was he musically talented?

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<v Speaker 1>And he started great?

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<v Speaker 4>He started a great indie band, Kylie.

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<v Speaker 9>Yeah, but he ain't got no, he is so well,

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<v Speaker 9>I can't believe this. Yes, and then I had and

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<v Speaker 9>then I had rats named Jedediah. I named them after

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<v Speaker 9>Tapega's dad. I had Chloe and Jedediah. And we had

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<v Speaker 9>a rat named Laser. My brother named him Laser, but

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<v Speaker 9>then we figured out it was a girl, and so

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<v Speaker 9>then we changed her Lazy.

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<v Speaker 3>Well, I was rat girl.

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<v Speaker 5>I was a total l So, getting back to my initial, yes,

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<v Speaker 5>so I was a rack girl.

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<v Speaker 4>Yes, I am a Redwood tree person.

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<v Speaker 1>You are a.

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<v Speaker 3>Joey the rat baby. That's now I know. Now, I

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<v Speaker 3>know why he stands to me.

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<v Speaker 9>So, Joe Cammel, Will's Will's spiritual friend.

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<v Speaker 3>Welcome to pod meets World. I'm Daniel Fishl.

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<v Speaker 4>I'm Redwood Strong.

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<v Speaker 7>I'm wilfredll.

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<v Speaker 9>It would be hard to describe a young writer strong

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<v Speaker 9>without including the words counting and crows. At some point

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<v Speaker 9>in your explanation, you see young writer and old soul

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<v Speaker 9>new and was set with his favorite things, carrying a

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<v Speaker 9>book in his monstrous Jinko jeans pocket, giving a white

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<v Speaker 9>rose to a girlfriend at age twelve, Then every year

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<v Speaker 9>after turning me against my mother and praising culture shifting

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<v Speaker 9>albums like August and everything after, and recovering the satellites

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<v Speaker 9>from his favorite band and his love for the Bay

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<v Speaker 9>Area musicians. Claiming a hometown very close to his own

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<v Speaker 9>was infectious, turning Will and I into super fans as well,

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<v Speaker 9>so much so that at some point in my early

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<v Speaker 9>twenties I jumped on staged and danced as they played.

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<v Speaker 9>But we will not focus on that for now. Their

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<v Speaker 9>lead singer, one of the most talented songwriters of the decade,

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<v Speaker 9>if not our generation, has come up multiple times on

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<v Speaker 9>this podcast, and for good reason. The spirit of the

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<v Speaker 9>Counting Crows has a very similar spirit as Boy Meets World.

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<v Speaker 9>Both had heart and substance and an ability to speak

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<v Speaker 9>to fans beyond just the tropes of our time. The

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<v Speaker 9>Grammy and Academy Award nominated singer has survived the test

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<v Speaker 9>of time with his body of work and eventual collaborations,

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<v Speaker 9>speaking to listeners just as much now as he did

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<v Speaker 9>when he first debuted with the absolute classic Mister Jones.

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<v Speaker 9>He's still touring today, selling out stops all over the world,

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<v Speaker 9>but today we're gonna make him talk about something he

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<v Speaker 9>never thought he'd even think about again in this life.

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<v Speaker 9>For more than three minutes, Boy meets World. We're honored

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<v Speaker 9>to welcome a true muse for us cast members and

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<v Speaker 9>someone I'm hoping will be Writer's new best friend, The

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<v Speaker 9>Counting Crow's lead singer, Adam Durretz.

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<v Speaker 3>Oh my gosh, thank you so much for being here

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<v Speaker 3>with us.

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<v Speaker 1>Hello you guys. It has been forever I know.

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<v Speaker 9>Right wow, So we would be remiss if we did

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<v Speaker 9>not acknowledge that between you Adam being here on the

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<v Speaker 9>podcast with us and Lisa Loebe doing one of our

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<v Speaker 9>live shows, this podcast has quickly become a bit of

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<v Speaker 9>a make a wish for writers musical dayste.

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<v Speaker 1>It absolutely has.

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<v Speaker 4>It's like, let's go back to nineteen ninety six over

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<v Speaker 4>and over and over again.

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<v Speaker 9>Yes, and give writer all of his make all of

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<v Speaker 9>his ninety six streams come true. So do you remember

0:11:55.440 --> 0:11:57.760
<v Speaker 9>Adam Ryder coming to a lot of the shows and

0:11:57.800 --> 0:11:59.040
<v Speaker 9>me coming to a lot of the shows?

0:11:59.120 --> 0:12:03.559
<v Speaker 1>Oh? Yeah, of course, and parties at the house too, Yes, yeah,

0:12:03.640 --> 0:12:04.080
<v Speaker 1>of course.

0:12:04.640 --> 0:12:06.439
<v Speaker 7>I think I only met you once. So they were

0:12:06.480 --> 0:12:08.240
<v Speaker 7>younger than me and they went out off on their

0:12:08.240 --> 0:12:11.959
<v Speaker 7>own to all the cool concerts and stuff, and you, hello.

0:12:11.880 --> 0:12:12.839
<v Speaker 1>Will, how are you?

0:12:14.040 --> 0:12:17.120
<v Speaker 2>We were just rewatching an episode and I realized, like, oh,

0:12:17.200 --> 0:12:20.400
<v Speaker 2>that was the episode where I left taping to go

0:12:20.760 --> 0:12:24.040
<v Speaker 2>see my first Counting Crows concert, which was the Hollywood

0:12:24.080 --> 0:12:27.599
<v Speaker 2>Grand Concert where you go wow really yeah, where you

0:12:27.640 --> 0:12:29.880
<v Speaker 2>guys played all the Recovery and the satellite songs for

0:12:29.960 --> 0:12:31.719
<v Speaker 2>the first time, And that was my first concert, and

0:12:31.720 --> 0:12:33.160
<v Speaker 2>I remember just being like, I.

0:12:33.240 --> 0:12:35.400
<v Speaker 4>Love all of these songs. This album's going to be amazing.

0:12:35.400 --> 0:12:36.839
<v Speaker 8>And then had to wait like a year for the album.

0:12:37.000 --> 0:12:39.480
<v Speaker 1>I remember that, So that was really cool. Yeah, we

0:12:39.520 --> 0:12:42.120
<v Speaker 1>were getting ready to like do make the record. Yeah,

0:12:42.480 --> 0:12:43.000
<v Speaker 1>it was great.

0:12:43.360 --> 0:12:46.360
<v Speaker 8>Yeah, a great way to get introduced to all the songs.

0:12:46.400 --> 0:12:48.120
<v Speaker 8>But anyway, we were just watching that and I was like.

0:12:48.360 --> 0:12:50.240
<v Speaker 4>Sixteen, yes, yes, ninety six.

0:12:50.559 --> 0:12:53.200
<v Speaker 9>Well, and writer's real life love for you guys became

0:12:53.240 --> 0:12:56.600
<v Speaker 9>a character trait of his fictional self. He wrote Counting

0:12:56.720 --> 0:13:01.240
<v Speaker 9>Crows on Sean's folder that I then, yeah, there's Counting

0:13:01.320 --> 0:13:04.240
<v Speaker 9>Crows and Strofty right, the words you tried to make happen.

0:13:04.960 --> 0:13:06.320
<v Speaker 3>Counting Crows written on a.

0:13:06.400 --> 0:13:10.199
<v Speaker 9>Sean notebook that you're holding up in the school hallway,

0:13:10.840 --> 0:13:13.439
<v Speaker 9>and it was mentioned to be the Counting Crows was

0:13:13.520 --> 0:13:17.880
<v Speaker 9>Shawn's favorite band. So did you know at the time

0:13:18.280 --> 0:13:23.040
<v Speaker 9>that you and your music was actually influencing Sean from

0:13:23.120 --> 0:13:24.160
<v Speaker 9>Boy Meets World at all?

0:13:24.280 --> 0:13:26.160
<v Speaker 3>Was that in your zeitgeist at all?

0:13:26.600 --> 0:13:29.040
<v Speaker 1>No, I don't think so. Until I met Ryder, I'm

0:13:29.080 --> 0:13:31.319
<v Speaker 1>not sure. I remember. One thing I do remember was

0:13:31.400 --> 0:13:36.360
<v Speaker 1>that the show was like simultaneous with us, Yes, like

0:13:36.480 --> 0:13:42.439
<v Speaker 1>I think you went on the air. Maybe it was

0:13:42.520 --> 0:13:44.840
<v Speaker 1>the same fall that we went on tour for our

0:13:44.880 --> 0:13:47.599
<v Speaker 1>first album, Like, yes, so I think we left in

0:13:47.679 --> 0:13:49.800
<v Speaker 1>August of ninety three or something, and you went on

0:13:49.960 --> 0:13:52.520
<v Speaker 1>tour in September of ninety or like. The show went

0:13:52.559 --> 0:13:54.959
<v Speaker 1>on that year. I remember that and knowing about it,

0:13:55.840 --> 0:13:57.400
<v Speaker 1>So maybe I did, which is that would be the

0:13:57.480 --> 0:13:59.880
<v Speaker 1>reason I would know that well. I mostly remember me

0:14:00.000 --> 0:14:07.000
<v Speaker 1>being Danielle and Ryder though a few years later. Yeah,

0:14:07.200 --> 0:14:09.400
<v Speaker 1>it was a weird thing back then that people don't

0:14:09.440 --> 0:14:15.200
<v Speaker 1>take into account that before all the streaming and things

0:14:15.280 --> 0:14:20.280
<v Speaker 1>being out on DVDs, touring and primetime did not mix,

0:14:20.680 --> 0:14:24.520
<v Speaker 1>you know, like shows that were on TV. You just

0:14:24.840 --> 0:14:27.680
<v Speaker 1>like I mean, for all the talk about friends in

0:14:27.760 --> 0:14:30.240
<v Speaker 1>our band, I had never seen the show because I

0:14:30.320 --> 0:14:31.880
<v Speaker 1>had been on tour the whole time the show was

0:14:31.920 --> 0:14:32.440
<v Speaker 1>on the air.

0:14:32.880 --> 0:14:34.720
<v Speaker 9>Right, And when would you have been able to watch

0:14:34.760 --> 0:14:37.280
<v Speaker 9>Primetime TV. You know, you're like on stage at the

0:14:37.360 --> 0:14:39.440
<v Speaker 9>same time that shows are airing.

0:14:39.760 --> 0:14:44.800
<v Speaker 1>Exactly, so like the whole television from that period, Like

0:14:44.880 --> 0:14:48.200
<v Speaker 1>I had never seen Seinfeld until way later. I think

0:14:48.200 --> 0:14:51.280
<v Speaker 1>it was around the same time as well, because I

0:14:51.520 --> 0:14:55.880
<v Speaker 1>didn't see Seinfeld until it was like I had a

0:14:55.960 --> 0:14:59.280
<v Speaker 1>DVD box set years later because I missed the entirety

0:14:59.400 --> 0:15:02.360
<v Speaker 1>of the run on television. Wow.

0:15:03.040 --> 0:15:05.240
<v Speaker 9>Well, we the three of us talk a lot about

0:15:05.320 --> 0:15:08.480
<v Speaker 9>the experience of auditioning for a part on a show

0:15:08.760 --> 0:15:12.120
<v Speaker 9>and then a month later you're on primetime TV for

0:15:12.240 --> 0:15:16.560
<v Speaker 9>an audience of seventeen million people. And while researching your career,

0:15:16.800 --> 0:15:19.960
<v Speaker 9>it's amazing you had a pretty similar situation. You had

0:15:20.000 --> 0:15:22.040
<v Speaker 9>been in a few bands and then you formed Counting

0:15:22.080 --> 0:15:24.200
<v Speaker 9>Crows and pretty quickly you were in like a bidding

0:15:24.320 --> 0:15:27.400
<v Speaker 9>war between labels and mister Jones being one of the

0:15:27.480 --> 0:15:28.640
<v Speaker 9>first songs you recorded.

0:15:29.000 --> 0:15:32.000
<v Speaker 3>How did you then deal with that change in your life?

0:15:33.080 --> 0:15:33.200
<v Speaker 6>Uh?

0:15:33.280 --> 0:15:33.800
<v Speaker 1>Freaked out?

0:15:34.200 --> 0:15:34.440
<v Speaker 3>Yeah?

0:15:34.560 --> 0:15:40.160
<v Speaker 1>Mostly mostly, I just I mean I was a very

0:15:40.320 --> 0:15:42.160
<v Speaker 1>shy person. I you know, I was dealing with a

0:15:42.200 --> 0:15:45.880
<v Speaker 1>lot of mental illness too before then that I you know,

0:15:46.080 --> 0:15:50.600
<v Speaker 1>wasn't talking about publicly, and you know, I had the

0:15:50.720 --> 0:15:53.000
<v Speaker 1>social disorder, which you know, keeps you at a sort

0:15:53.040 --> 0:15:57.760
<v Speaker 1>of distance from the world. So I was very hesitant

0:15:57.840 --> 0:16:01.640
<v Speaker 1>around people you know, and then I was only all

0:16:01.680 --> 0:16:03.520
<v Speaker 1>the people in the world you know, are looking at you.

0:16:03.840 --> 0:16:08.040
<v Speaker 1>I found that to be very strange and uncomfortable. But

0:16:08.280 --> 0:16:10.000
<v Speaker 1>you know, a lot when the other side of it

0:16:10.120 --> 0:16:11.520
<v Speaker 1>is that when you're in a band, a lot of

0:16:11.560 --> 0:16:14.360
<v Speaker 1>your life is spent in this bubble on the road

0:16:15.080 --> 0:16:18.280
<v Speaker 1>where you are with people you do know. Early on

0:16:18.440 --> 0:16:22.440
<v Speaker 1>we were mostly an opening band, but I had a

0:16:22.640 --> 0:16:27.720
<v Speaker 1>good introduction to like all the new people at first

0:16:27.760 --> 0:16:32.720
<v Speaker 1>as an opener for Suede and the Cranberries and then

0:16:32.840 --> 0:16:35.080
<v Speaker 1>Cracker for a long time, you know, as they were

0:16:35.120 --> 0:16:37.320
<v Speaker 1>all having success and we were the opening band, so

0:16:37.400 --> 0:16:39.240
<v Speaker 1>I would you know, I got a chance to kind

0:16:39.280 --> 0:16:41.360
<v Speaker 1>of work my way into it slowly because it was

0:16:41.440 --> 0:16:47.520
<v Speaker 1>about I don't know, five or six seven months until

0:16:47.560 --> 0:16:49.080
<v Speaker 1>it really blew up. Yeah.

0:16:49.880 --> 0:16:53.560
<v Speaker 9>Well, you've been very vocal about the dissociative disorder, and

0:16:54.040 --> 0:16:56.640
<v Speaker 9>I didn't realize that you were dealing with that before

0:16:57.320 --> 0:17:01.000
<v Speaker 9>you had success as well, because the for our listeners

0:17:01.040 --> 0:17:03.520
<v Speaker 9>who may not know what it is, but it's where

0:17:03.640 --> 0:17:06.159
<v Speaker 9>you feel very distance your mind is very distance from

0:17:06.200 --> 0:17:09.399
<v Speaker 9>the reality that you are experiencing, and it causes a

0:17:09.480 --> 0:17:11.399
<v Speaker 9>lot of memory loss, right, Like you don't have a

0:17:11.440 --> 0:17:13.640
<v Speaker 9>lot of strong memories from certain times of your life.

0:17:14.080 --> 0:17:16.320
<v Speaker 1>Well, it can do that. It just kind of you

0:17:16.440 --> 0:17:18.520
<v Speaker 1>just kind of live at a distance from things at times,

0:17:18.600 --> 0:17:21.479
<v Speaker 1>and you know, it can blur out parts of your

0:17:21.520 --> 0:17:25.600
<v Speaker 1>life a bit. But you know, I didn't talk about

0:17:25.600 --> 0:17:27.919
<v Speaker 1>it back then because while it was a real problem

0:17:28.000 --> 0:17:31.200
<v Speaker 1>for me, I didn't want to, like, you know, I

0:17:31.240 --> 0:17:36.639
<v Speaker 1>didn't want to be a public circus, you know. But

0:17:36.760 --> 0:17:39.240
<v Speaker 1>also it's you know, it wasn't the entirety of my life.

0:17:39.280 --> 0:17:40.680
<v Speaker 1>It was just part of what was going on.

0:17:40.800 --> 0:17:40.920
<v Speaker 4>You know.

0:17:41.000 --> 0:17:45.000
<v Speaker 1>I was enjoying getting to be a rock star. I

0:17:45.040 --> 0:17:47.280
<v Speaker 1>mean it was pretty cool, honestly.

0:17:47.680 --> 0:17:48.399
<v Speaker 3>Yeah, of course.

0:17:49.280 --> 0:17:51.399
<v Speaker 1>I mean especially because you know, you dream about this

0:17:51.520 --> 0:17:53.840
<v Speaker 1>your whole life. You're in your bedroom by yourself. I mean,

0:17:53.840 --> 0:17:55.800
<v Speaker 1>you guys all know this because you want to be

0:17:55.880 --> 0:17:57.760
<v Speaker 1>an actor. But it seems like, how is anyone even

0:17:57.800 --> 0:18:00.200
<v Speaker 1>going to know who I am? You know, like your

0:18:00.240 --> 0:18:03.200
<v Speaker 1>bedroom in my case, in Berkeley or San Francisco, and

0:18:04.080 --> 0:18:06.760
<v Speaker 1>you you writing songs, But it's not like how's the

0:18:06.840 --> 0:18:09.440
<v Speaker 1>world's supposed to hear that, and then they do, you know,

0:18:09.560 --> 0:18:13.600
<v Speaker 1>and that's it's really cool, you know, it is it's

0:18:14.359 --> 0:18:18.159
<v Speaker 1>and you know it's that's thirty years ago now, the

0:18:18.240 --> 0:18:21.920
<v Speaker 1>first album, it was thirty years this year. Yeah, so

0:18:23.359 --> 0:18:27.359
<v Speaker 1>I mean I've spent more of my life in this

0:18:27.640 --> 0:18:31.960
<v Speaker 1>life than not, you know, which is I mean, it's

0:18:32.040 --> 0:18:33.720
<v Speaker 1>really cool. It is everything I ever wanted.

0:18:34.200 --> 0:18:36.560
<v Speaker 2>You've also you've explored this a lot on a conscious

0:18:36.640 --> 0:18:38.600
<v Speaker 2>level in the songs themselves, you know, I mean there's

0:18:38.640 --> 0:18:41.560
<v Speaker 2>the irony of like the lyrics to mister Jones, but

0:18:41.680 --> 0:18:44.679
<v Speaker 2>then also just throughout your career, you know, you missus

0:18:44.680 --> 0:18:48.200
<v Speaker 2>Potter's lullo By and more like when I Dream of Michaelangelo.

0:18:48.320 --> 0:18:52.520
<v Speaker 2>You always you talk about this tension between the artist

0:18:52.680 --> 0:18:57.440
<v Speaker 2>and the audience's identification with with the artists, and you know,

0:18:57.560 --> 0:18:59.320
<v Speaker 2>for us, it's it's kind of simple. We can be

0:18:59.480 --> 0:19:02.800
<v Speaker 2>like we're not our characters, right, Like that's a different person.

0:19:03.000 --> 0:19:04.680
<v Speaker 2>And while there's a lot of crossover, you know, we

0:19:04.920 --> 0:19:07.560
<v Speaker 2>look the same as Soundless, but it's it's but for you,

0:19:07.920 --> 0:19:10.840
<v Speaker 2>you're actually you know, you are creating characters and narratives

0:19:11.480 --> 0:19:14.120
<v Speaker 2>within your stories. But for the most part, it's it's

0:19:14.160 --> 0:19:17.080
<v Speaker 2>a confessional point of view, it's it's you're writing about yourself.

0:19:17.560 --> 0:19:21.959
<v Speaker 2>So I mean, yeah, when people confuse you with your character,

0:19:22.200 --> 0:19:23.359
<v Speaker 2>does that feel I mean, what.

0:19:23.480 --> 0:19:23.920
<v Speaker 9>Is that like?

0:19:25.520 --> 0:19:27.840
<v Speaker 1>Well, I mean I am my characters. There's no confusion.

0:19:27.960 --> 0:19:31.320
<v Speaker 1>I mean, these songs are all about me. Every one

0:19:31.359 --> 0:19:35.359
<v Speaker 1>of them is about me, you know. And and also

0:19:35.440 --> 0:19:37.800
<v Speaker 1>you know, and I think you you build a career

0:19:37.880 --> 0:19:41.840
<v Speaker 1>on something like that, and people identify with it, you know,

0:19:41.960 --> 0:19:45.080
<v Speaker 1>they they because you know, you're talking about things you

0:19:45.160 --> 0:19:46.880
<v Speaker 1>feel and things you go through in your life. And sure,

0:19:47.000 --> 0:19:49.960
<v Speaker 1>some of the things are you know, not everybody gets

0:19:49.960 --> 0:19:51.439
<v Speaker 1>to be a rock star or something, but a lot

0:19:51.480 --> 0:19:54.920
<v Speaker 1>of it is just human expression and feelings and what

0:19:55.480 --> 0:19:58.600
<v Speaker 1>human beings deal with when they try to like relate

0:19:58.680 --> 0:20:00.320
<v Speaker 1>to each other. And I think that's what most of

0:20:00.359 --> 0:20:04.000
<v Speaker 1>my songs are really about. And you know, the the

0:20:06.400 --> 0:20:08.560
<v Speaker 1>the confusing part of it, I think for people is

0:20:08.680 --> 0:20:12.280
<v Speaker 1>that I totally understand why people relate to all the

0:20:12.359 --> 0:20:15.560
<v Speaker 1>things in the songs, but just not the same thing

0:20:15.560 --> 0:20:21.320
<v Speaker 1>as knowing me, you know, because you're getting a very

0:20:21.400 --> 0:20:24.040
<v Speaker 1>specific amount of information that I'm willing to share with you,

0:20:24.640 --> 0:20:27.960
<v Speaker 1>right and and it's not the same thing as knowing

0:20:28.000 --> 0:20:30.280
<v Speaker 1>a person. But I get why everybody wants to be

0:20:30.359 --> 0:20:32.880
<v Speaker 1>pals because I'm the same way. You know, I want

0:20:32.920 --> 0:20:37.000
<v Speaker 1>to be friends with all my idols too. But yeah, no,

0:20:37.080 --> 0:20:40.199
<v Speaker 1>it's a it's a weird thing. The and I mean,

0:20:40.200 --> 0:20:42.359
<v Speaker 1>I explore it from both sides because certainly, you know,

0:20:43.000 --> 0:20:47.440
<v Speaker 1>when you arrive in Hollywood and you discover that that

0:20:47.600 --> 0:20:50.240
<v Speaker 1>TV and those movie screens are more windows than walls,

0:20:50.680 --> 0:20:52.399
<v Speaker 1>you know that you can actually go through them and

0:20:52.560 --> 0:20:55.840
<v Speaker 1>meet those people and date them or whatever. When you

0:20:55.920 --> 0:20:59.200
<v Speaker 1>discover that, you know, it brings up a whole bunch

0:20:59.240 --> 0:21:02.359
<v Speaker 1>of confusing things for you as well for myself, because

0:21:03.240 --> 0:21:05.400
<v Speaker 1>you know, I realized that I was meeting all these

0:21:05.560 --> 0:21:09.920
<v Speaker 1>you know girls I dreamt about or or imagine meeting,

0:21:10.880 --> 0:21:13.399
<v Speaker 1>but your your picture of them is a character on

0:21:13.480 --> 0:21:15.359
<v Speaker 1>a screen, you know, not a person. And you know,

0:21:15.440 --> 0:21:19.240
<v Speaker 1>so like Missus Potters especially, is about you know, what

0:21:19.440 --> 0:21:24.760
<v Speaker 1>are you doing fantasizing about fictional characters who look like

0:21:25.240 --> 0:21:27.520
<v Speaker 1>the real people that portray them, but aren't the real

0:21:27.560 --> 0:21:31.200
<v Speaker 1>people that portray them, you know, And it's a I

0:21:31.320 --> 0:21:33.640
<v Speaker 1>found that to be kind of a fascinating subject. I mean,

0:21:35.160 --> 0:21:40.360
<v Speaker 1>just because I realized I'm getting sucked into this I'm

0:21:40.480 --> 0:21:43.359
<v Speaker 1>like self consciously doing this thing that I know is crazy,

0:21:44.760 --> 0:21:49.880
<v Speaker 1>and yeah, no, it's a you know, pretty people people.

0:21:50.000 --> 0:21:52.520
<v Speaker 1>You know, what are you gonna do? You know, I've

0:21:52.560 --> 0:21:54.960
<v Speaker 1>been a geek, you know, I was a geeky kid.

0:21:55.200 --> 0:22:00.560
<v Speaker 1>You know, I like Star Wars and yeah, there's all

0:22:00.600 --> 0:22:04.160
<v Speaker 1>these girls. It was very confusing to me and fun

0:22:04.520 --> 0:22:08.320
<v Speaker 1>and yeah, you know, somewhat disappointing.

0:22:09.119 --> 0:22:13.040
<v Speaker 9>But Will Will literally went through the exact same thing.

0:22:13.119 --> 0:22:15.640
<v Speaker 9>Will has tried to convince us. I think he has

0:22:15.720 --> 0:22:19.000
<v Speaker 9>at this point that he was a nerdy, dorky kid

0:22:19.440 --> 0:22:22.400
<v Speaker 9>that girls did not like, and then he moved out

0:22:22.440 --> 0:22:25.879
<v Speaker 9>to LA and started Boy Meets World, and all of

0:22:25.920 --> 0:22:29.760
<v Speaker 9>a sudden he was able to date famous actresses and

0:22:30.800 --> 0:22:31.520
<v Speaker 9>how to urge.

0:22:31.640 --> 0:22:34.399
<v Speaker 7>Yeah, it's really bizarre when you go from you know,

0:22:34.680 --> 0:22:39.560
<v Speaker 7>painting miniature figures and reading your fantasy novels to people

0:22:39.640 --> 0:22:42.000
<v Speaker 7>in magazines wanting to date you. It's just it's and

0:22:42.119 --> 0:22:44.520
<v Speaker 7>so you're the natural thing you do is you question

0:22:44.640 --> 0:22:47.719
<v Speaker 7>if it's real, because it's like, why, how can how

0:22:47.800 --> 0:22:50.760
<v Speaker 7>can this suddenly be happening on a Tuesday when last

0:22:50.840 --> 0:22:54.480
<v Speaker 7>Tuesday I was was specifically told not to show up

0:22:54.480 --> 0:22:56.719
<v Speaker 7>at the party because nobody wanted me there, So I mean,

0:22:56.800 --> 0:22:59.360
<v Speaker 7>did you feel that same thing where you're you love?

0:22:59.400 --> 0:23:01.960
<v Speaker 7>It's this weird balance of loving what you're doing but

0:23:02.160 --> 0:23:04.360
<v Speaker 7>also questioning it every step of the way.

0:23:05.119 --> 0:23:06.879
<v Speaker 1>Well, I mean, fame is a hell of a glow up,

0:23:07.200 --> 0:23:10.320
<v Speaker 1>you know. I mean, it really does. It does make

0:23:10.400 --> 0:23:15.440
<v Speaker 1>us all look a lot better. But I think part

0:23:15.480 --> 0:23:17.359
<v Speaker 1>of it is that it's also like this affiday that

0:23:17.480 --> 0:23:19.680
<v Speaker 1>you come with. You know, because you walk up to

0:23:19.760 --> 0:23:22.840
<v Speaker 1>someone that you don't know at a party when you're younger,

0:23:22.920 --> 0:23:25.280
<v Speaker 1>and it's like they have a whole world of skepticism,

0:23:26.160 --> 0:23:30.040
<v Speaker 1>justifiably so, you know, and when you're famous, suddenly it

0:23:30.119 --> 0:23:32.320
<v Speaker 1>comes with like, well, okay, I might want to meet

0:23:32.400 --> 0:23:35.080
<v Speaker 1>him too, right, but then you still have to they

0:23:35.160 --> 0:23:40.120
<v Speaker 1>have to like you over time. Nobody's sticking around for well,

0:23:40.200 --> 0:23:43.119
<v Speaker 1>I mean, I guess some people do. But mostly what

0:23:43.240 --> 0:23:44.760
<v Speaker 1>I thought that what I saw it as at the end,

0:23:44.840 --> 0:23:49.440
<v Speaker 1>is that mostly it's it's an opportunity to meet people.

0:23:50.160 --> 0:23:51.960
<v Speaker 1>You still have to be yourself and it is it

0:23:52.119 --> 0:23:56.520
<v Speaker 1>is real. Uh, It's just you know, it's not real

0:23:56.640 --> 0:23:58.960
<v Speaker 1>right at first, but that's just you know, the chance

0:23:59.119 --> 0:24:01.639
<v Speaker 1>nothing's real. When you meet people, you're always putting on

0:24:01.720 --> 0:24:04.520
<v Speaker 1>your best self. In any dating situation, we spend the

0:24:04.560 --> 0:24:08.120
<v Speaker 1>beginning of our relationship being absolutely the best version of ourselves,

0:24:08.160 --> 0:24:09.600
<v Speaker 1>and then you know, then you are who you are.

0:24:10.080 --> 0:24:10.200
<v Speaker 7>You know.

0:24:10.280 --> 0:24:12.600
<v Speaker 1>I have friends who do this, unfortunately in marriage, where

0:24:12.640 --> 0:24:17.960
<v Speaker 1>they're like the best husband ever, like ever possible for

0:24:18.080 --> 0:24:19.960
<v Speaker 1>a while, and then it's like then they become themselves

0:24:20.000 --> 0:24:22.119
<v Speaker 1>and they're still a good person, but it's inevitably a

0:24:22.160 --> 0:24:24.639
<v Speaker 1>disappointment after the servant they were for a while, you

0:24:24.680 --> 0:24:28.159
<v Speaker 1>know what I mean. It leads to some really really

0:24:28.840 --> 0:24:30.080
<v Speaker 1>relationship problems.

0:24:30.119 --> 0:24:33.760
<v Speaker 9>You know, Yeah, my husband just started very mediocre, so

0:24:33.880 --> 0:24:36.879
<v Speaker 9>that I am never disappointed. He just is like, listen,

0:24:36.960 --> 0:24:39.760
<v Speaker 9>it's not age, it's not getting any better than this.

0:24:40.359 --> 0:24:43.119
<v Speaker 3>And now I'm just not disappointed because I know.

0:24:43.119 --> 0:24:44.000
<v Speaker 1>I started a five.

0:24:44.480 --> 0:24:47.240
<v Speaker 7>You're a good genius, honestly, absolutely genius.

0:24:47.280 --> 0:24:49.399
<v Speaker 9>It's the same reason why when I get older, I

0:24:49.480 --> 0:24:51.280
<v Speaker 9>am not going to tell anybody i'm younger. I'm going

0:24:51.359 --> 0:24:53.399
<v Speaker 9>to say I'm five or ten years older than I

0:24:53.520 --> 0:24:56.320
<v Speaker 9>really am. Like you look great, yeah, I'm like I'm

0:24:56.400 --> 0:24:58.960
<v Speaker 9>sixty two. I'm sixty two. I'm definitely not going to

0:24:59.000 --> 0:24:59.320
<v Speaker 9>go down.

0:24:59.720 --> 0:24:59.880
<v Speaker 1>Well.

0:25:00.119 --> 0:25:04.000
<v Speaker 9>It is really interesting because entertainment is the only field where,

0:25:04.119 --> 0:25:07.160
<v Speaker 9>whether you're an actor or a musician, suddenly your dating

0:25:07.240 --> 0:25:10.520
<v Speaker 9>life and your personal life it becomes a major focal point.

0:25:10.760 --> 0:25:13.119
<v Speaker 9>Like I don't know who my dentist dates or who

0:25:13.200 --> 0:25:16.760
<v Speaker 9>my accountant dates. And yet you know, so much of

0:25:17.760 --> 0:25:22.320
<v Speaker 9>your folklore, Adam was around your dating relationship, and yet

0:25:22.400 --> 0:25:26.399
<v Speaker 9>you were releasing absolutely classic albums. Did it ever bother

0:25:26.560 --> 0:25:30.200
<v Speaker 9>you that that there was that major distraction from the

0:25:30.320 --> 0:25:31.280
<v Speaker 9>music you were creating.

0:25:31.840 --> 0:25:34.520
<v Speaker 1>Well, yeah, because I also felt like, well a lot

0:25:34.560 --> 0:25:37.239
<v Speaker 1>of it was fictional. I have dated people I've never

0:25:37.359 --> 0:25:40.240
<v Speaker 1>met in my life. More some women than i've never

0:25:40.359 --> 0:25:43.200
<v Speaker 1>met still never met in my life, are part of

0:25:43.280 --> 0:25:45.800
<v Speaker 1>these like Google alerts that pop up on my phone

0:25:45.800 --> 0:25:48.320
<v Speaker 1>about past dating histories, you know. And I felt like

0:25:48.400 --> 0:25:51.560
<v Speaker 1>at the time also, you know, inevitably after a successful

0:25:51.560 --> 0:25:53.760
<v Speaker 1>first record, there's always some kind of backlash. It's just

0:25:53.840 --> 0:25:57.159
<v Speaker 1>there's no way around it, you know, because radio is

0:25:57.200 --> 0:25:59.280
<v Speaker 1>going to play you as much as they can because

0:25:59.320 --> 0:26:02.639
<v Speaker 1>that's their that's how they make their money. And you know,

0:26:03.000 --> 0:26:04.800
<v Speaker 1>at some point you're just going to annoy the set

0:26:04.840 --> 0:26:07.320
<v Speaker 1>of everybody. Yeah, you know, you get sick of that song.

0:26:07.760 --> 0:26:10.280
<v Speaker 1>And I felt like after the first album. We spent

0:26:10.359 --> 0:26:13.879
<v Speaker 1>about three albums where I do feel like they were

0:26:13.960 --> 0:26:17.720
<v Speaker 1>kind of disregarded, and there the touring reviews and the

0:26:17.800 --> 0:26:20.040
<v Speaker 1>album reviews had more to do with my dating life

0:26:20.160 --> 0:26:23.320
<v Speaker 1>or my imagined dating life than they did with the

0:26:23.440 --> 0:26:26.160
<v Speaker 1>records themselves. You know. It's it's one of the real

0:26:26.200 --> 0:26:29.320
<v Speaker 1>disappointments in my career that Recovering the Satellites and This

0:26:29.440 --> 0:26:34.200
<v Speaker 1>Desert Life and Hard Candy got kind of disregarded. Those

0:26:34.240 --> 0:26:37.240
<v Speaker 1>three records in a lot of ways, you know, and

0:26:37.600 --> 0:26:41.080
<v Speaker 1>they're some of my favorite of our work. You know,

0:26:41.200 --> 0:26:43.920
<v Speaker 1>I really thought we got better and better right then,

0:26:44.080 --> 0:26:47.399
<v Speaker 1>but it really wasn't until Saturday nights and Sunday mornings

0:26:47.480 --> 0:26:49.720
<v Speaker 1>that the press came back around. You know.

0:26:51.359 --> 0:26:52.080
<v Speaker 4>Well, I think part of.

0:26:52.080 --> 0:26:54.960
<v Speaker 2>That is because August was such a huge hit. I mean,

0:26:55.000 --> 0:26:57.720
<v Speaker 2>you guys were out of the gate, like, you know,

0:26:57.880 --> 0:27:01.359
<v Speaker 2>next level kind of success. And I also remember that

0:27:01.440 --> 0:27:05.440
<v Speaker 2>there was this thing, you know, in the nineties, which

0:27:05.560 --> 0:27:08.120
<v Speaker 2>is thankfully not a thing anymore, but this whole notion

0:27:08.240 --> 0:27:11.359
<v Speaker 2>of selling out, you know, like and that was it

0:27:11.440 --> 0:27:14.360
<v Speaker 2>was so it was so negative to be a sellout.

0:27:15.240 --> 0:27:18.560
<v Speaker 2>Do you remember feeling like worrying about that or how

0:27:18.600 --> 0:27:20.840
<v Speaker 2>you wrestled with that in the nineties.

0:27:22.040 --> 0:27:24.520
<v Speaker 1>Only worrying about like the perception of it, because the

0:27:24.640 --> 0:27:28.439
<v Speaker 1>idea of it seems so stupid, Like it's in every

0:27:28.600 --> 0:27:34.119
<v Speaker 1>other aspect of life, fame, entertainment, everything else. People are

0:27:34.280 --> 0:27:36.760
<v Speaker 1>just supposed to do the best they can. We love

0:27:36.920 --> 0:27:41.040
<v Speaker 1>to watch celebrities and sports heroes and hip hop heroes

0:27:41.600 --> 0:27:48.800
<v Speaker 1>on super Bowl commercials and everything else. Selling great even

0:27:48.960 --> 0:27:52.240
<v Speaker 1>then for those people, But just for rock and roll,

0:27:52.320 --> 0:27:55.080
<v Speaker 1>we were supposed to be I don't know what. Everybody

0:27:55.160 --> 0:27:56.840
<v Speaker 1>else in their careers is just trying to do the

0:27:56.920 --> 0:27:59.120
<v Speaker 1>best they can. You're trying to make the money. That's

0:27:59.119 --> 0:28:01.879
<v Speaker 1>why everyone else in the world's career is about, you know,

0:28:02.040 --> 0:28:06.639
<v Speaker 1>and meanwhile we're supposed to not do any of that.

0:28:06.760 --> 0:28:09.960
<v Speaker 1>I always felt it was so silly, like it's so

0:28:10.320 --> 0:28:13.600
<v Speaker 1>hard to succeed in a band. The business is so bad.

0:28:14.600 --> 0:28:17.480
<v Speaker 1>The ability to support yourself and to have success for

0:28:17.560 --> 0:28:20.320
<v Speaker 1>more than a couple of years is so nearly impossible.

0:28:21.119 --> 0:28:26.400
<v Speaker 1>To deny yourself like one part of the possible earnings

0:28:26.640 --> 0:28:32.159
<v Speaker 1>seems so silly to me, like nobody else's thought of

0:28:32.320 --> 0:28:34.320
<v Speaker 1>that way. I remember, at one point, you know, we

0:28:34.440 --> 0:28:38.480
<v Speaker 1>got to radio, had gotten so genre specific in the

0:28:39.000 --> 0:28:42.280
<v Speaker 1>early two thousands that it was very There wasn't really

0:28:43.360 --> 0:28:47.040
<v Speaker 1>any genre that was right for us. We were just

0:28:47.120 --> 0:28:50.080
<v Speaker 1>like a bunch of different stuff. You know, our music

0:28:50.120 --> 0:28:54.320
<v Speaker 1>didn't fit any particular groove, and you know, it was

0:28:54.440 --> 0:28:56.200
<v Speaker 1>getting very hard for us to get played on the radio.

0:28:56.200 --> 0:28:57.960
<v Speaker 1>And we were getting ready to release hard Candy and

0:28:58.480 --> 0:29:00.920
<v Speaker 1>Coke came along our diet home I can't remember which

0:29:00.960 --> 0:29:03.680
<v Speaker 1>one it was and said, Hey, we really like that

0:29:03.760 --> 0:29:05.760
<v Speaker 1>song American Girls. We want to put it on a

0:29:06.440 --> 0:29:09.320
<v Speaker 1>on a commercial and we're going to put that commercial

0:29:09.360 --> 0:29:12.240
<v Speaker 1>on TV all summer long. Wow. And the record comes

0:29:12.280 --> 0:29:13.640
<v Speaker 1>out I think in the end of the summer of

0:29:13.680 --> 0:29:15.800
<v Speaker 1>the fall, and so like your single will be out

0:29:15.840 --> 0:29:18.480
<v Speaker 1>there on TV the entire summer. Its great for you,

0:29:18.560 --> 0:29:21.320
<v Speaker 1>And I thought, we've never done that, but that you know,

0:29:22.080 --> 0:29:23.920
<v Speaker 1>it seems like a really good idea, you know, like

0:29:24.040 --> 0:29:26.760
<v Speaker 1>we should and we did. But there was a lot

0:29:26.800 --> 0:29:29.400
<v Speaker 1>of like backlash about selling out about it. God fuck,

0:29:29.800 --> 0:29:32.120
<v Speaker 1>I like die coke. I drink it all. I used

0:29:32.160 --> 0:29:35.120
<v Speaker 1>to drink it all the time, you know. Uh, so

0:29:35.760 --> 0:29:37.760
<v Speaker 1>it isn't really selling out, it's just it's something I

0:29:37.840 --> 0:29:40.400
<v Speaker 1>actually used. But it kind of got slammed at that moment,

0:29:40.840 --> 0:29:43.280
<v Speaker 1>and I remember thinking, wow, that was what is the

0:29:43.360 --> 0:29:45.680
<v Speaker 1>point of that? Like, what do you all expect us

0:29:45.760 --> 0:29:47.760
<v Speaker 1>to do? We're just everyone's trying to earn a living.

0:29:47.880 --> 0:29:49.840
<v Speaker 1>You're right, only as you can't.

0:29:50.000 --> 0:29:51.760
<v Speaker 4>It's specific. It was specific to the era.

0:29:51.960 --> 0:29:54.440
<v Speaker 2>I mean, I think it's gone now hopefully, But it

0:29:54.520 --> 0:29:56.520
<v Speaker 2>was also that you're right that it's very specific to

0:29:56.600 --> 0:29:59.440
<v Speaker 2>rock and roll, right like and but there's something about

0:29:59.440 --> 0:30:02.680
<v Speaker 2>that early nineties vibe too, like the grunge era, and

0:30:02.840 --> 0:30:05.320
<v Speaker 2>like you know, all of those all of all of

0:30:05.440 --> 0:30:08.000
<v Speaker 2>you guys were sort of grouped together as this like

0:30:08.120 --> 0:30:12.240
<v Speaker 2>anti establishment in some ways, it was a retro vibe,

0:30:12.360 --> 0:30:14.400
<v Speaker 2>you know, which is so funny now to think about. Like,

0:30:14.880 --> 0:30:17.080
<v Speaker 2>like when August and everything after came out, I remember

0:30:17.160 --> 0:30:18.720
<v Speaker 2>like a lot of the reviews were like, oh, this

0:30:18.880 --> 0:30:21.280
<v Speaker 2>is a throwback to the seventies or you know, this

0:30:21.440 --> 0:30:23.760
<v Speaker 2>is like a and yet now, of course the music

0:30:23.920 --> 0:30:27.040
<v Speaker 2>is so so associated with the nineties, you know, the

0:30:27.120 --> 0:30:29.400
<v Speaker 2>same way that, like our careers are so associated with

0:30:29.440 --> 0:30:32.160
<v Speaker 2>the nineties. How do you feel about the nineties now?

0:30:32.400 --> 0:30:33.440
<v Speaker 8>Like as an era?

0:30:34.200 --> 0:30:37.360
<v Speaker 1>Man, I lived through it. I never really think about

0:30:37.440 --> 0:30:40.480
<v Speaker 1>eras myself, like it always seems like this sort of

0:30:42.040 --> 0:30:47.640
<v Speaker 1>false value bucket we throw things into for grouping of time,

0:30:47.760 --> 0:30:50.000
<v Speaker 1>you know, like and we make judgments about it. You know,

0:30:50.120 --> 0:30:52.280
<v Speaker 1>like when I was growing up, the sixties were cool.

0:30:52.360 --> 0:30:55.440
<v Speaker 1>The seventies were bull right, you know, it's not the

0:30:55.480 --> 0:30:58.560
<v Speaker 1>seventies were kind of great. I don't know, they were weird,

0:30:58.640 --> 0:31:01.560
<v Speaker 1>and more of the vibe of the sixties took place

0:31:01.600 --> 0:31:04.080
<v Speaker 1>in the seventies and took place in the sixties, you know.

0:31:04.240 --> 0:31:07.040
<v Speaker 1>And then you know, I remember, you know, being a

0:31:07.080 --> 0:31:09.480
<v Speaker 1>little older, and the seventies were cool, and now the

0:31:09.600 --> 0:31:13.040
<v Speaker 1>eighties were and so shallow. But I look back on it.

0:31:13.080 --> 0:31:15.320
<v Speaker 1>In the eighties is the birth of college radio and

0:31:15.400 --> 0:31:18.880
<v Speaker 1>the birth of like indie rock and roll, And it

0:31:18.960 --> 0:31:23.280
<v Speaker 1>always seems like just this kind of that seems like

0:31:23.360 --> 0:31:26.040
<v Speaker 1>a way of selling things we get. We take a

0:31:26.280 --> 0:31:28.760
<v Speaker 1>group a block of time, and we lump it together

0:31:28.840 --> 0:31:31.239
<v Speaker 1>and we say, all these people were this way, all

0:31:31.280 --> 0:31:33.760
<v Speaker 1>these people were this way. It's like there's a real

0:31:33.880 --> 0:31:38.600
<v Speaker 1>fascination now with every age group having its own gen or.

0:31:38.680 --> 0:31:40.880
<v Speaker 1>Some people are baby boomers, some people are zoomers, some

0:31:41.040 --> 0:31:44.160
<v Speaker 1>people are are like millennials, and it's like a I

0:31:44.240 --> 0:31:47.840
<v Speaker 1>realized my generation kind of doesn't really have that where.

0:31:49.720 --> 0:31:51.680
<v Speaker 1>I mean, you could call us baby boomers, but baby

0:31:51.680 --> 0:31:54.480
<v Speaker 1>booms has to do with like people who were born

0:31:54.520 --> 0:31:56.760
<v Speaker 1>after World War Two, you know, Like I mean, I'm

0:31:56.800 --> 0:31:59.720
<v Speaker 1>born in the sixties. It's clearly not You call it

0:31:59.760 --> 0:32:01.480
<v Speaker 1>whatever you want. It just didn't seem like that that

0:32:01.760 --> 0:32:04.840
<v Speaker 1>stuff existed. I never even thought of it until what's

0:32:04.880 --> 0:32:10.800
<v Speaker 1>the name's book gen X came out? Generation was that.

0:32:11.160 --> 0:32:15.720
<v Speaker 1>I can't rember who Douglas Copewan wrote that book. It

0:32:15.800 --> 0:32:19.040
<v Speaker 1>all seems kind of I don't know, that's silly to me.

0:32:19.120 --> 0:32:21.880
<v Speaker 1>It's just like I have great memories of the nineties

0:32:22.000 --> 0:32:24.360
<v Speaker 1>and the time I spent, but only in the fact

0:32:24.360 --> 0:32:25.800
<v Speaker 1>that there are years I have to think about which

0:32:25.880 --> 0:32:29.680
<v Speaker 1>records came out when. Okay, well, Desert Life came out

0:32:29.680 --> 0:32:31.840
<v Speaker 1>in ninety nine, so that's the last record from the nineties.

0:32:31.880 --> 0:32:34.200
<v Speaker 1>Then we have the two thousands, which I remember having

0:32:34.200 --> 0:32:36.640
<v Speaker 1>a lot of fun on the millennium. I think we

0:32:36.720 --> 0:32:41.080
<v Speaker 1>threw a big party. But you know, I never really

0:32:41.120 --> 0:32:42.880
<v Speaker 1>thought much about it, except at the time I got

0:32:42.920 --> 0:32:44.920
<v Speaker 1>to be a rock star and there was a lot

0:32:45.000 --> 0:32:49.280
<v Speaker 1>of other cool bands playing great music. I loved touring

0:32:49.400 --> 0:32:51.520
<v Speaker 1>during that period. It just seemed like everywhere I went

0:32:51.560 --> 0:32:53.640
<v Speaker 1>there were other friends in town from wherever. It was

0:32:53.720 --> 0:32:57.360
<v Speaker 1>just like a really magical period. I moved to Hollywood

0:32:58.160 --> 0:33:01.800
<v Speaker 1>in the middle of that period and really loved that

0:33:01.960 --> 0:33:03.520
<v Speaker 1>for a long time too, you know.

0:33:03.800 --> 0:33:06.440
<v Speaker 9>Yeah, I mean Your August and everything after was released

0:33:06.480 --> 0:33:09.440
<v Speaker 9>on a label called DGC through Geffen Records, and it

0:33:09.520 --> 0:33:13.280
<v Speaker 9>was you were alongside like Nirvana, Teenage Fan Club, Sonic Youth, which,

0:33:13.400 --> 0:33:15.880
<v Speaker 9>like I don't mean to sound like a get off

0:33:15.960 --> 0:33:18.760
<v Speaker 9>my Lawn, but like you would be hard pressed to

0:33:18.880 --> 0:33:22.200
<v Speaker 9>find a more influential time in rock music.

0:33:23.400 --> 0:33:25.920
<v Speaker 3>What are what are some of your favorite.

0:33:25.560 --> 0:33:29.880
<v Speaker 9>Memories of being around those guys and and and just

0:33:30.000 --> 0:33:32.160
<v Speaker 9>being mixed with those other artists.

0:33:33.440 --> 0:33:36.719
<v Speaker 1>Well, you know, we went to Geffen or DGC. There

0:33:36.760 --> 0:33:39.520
<v Speaker 1>were several labels at Gavin David Geffen company was DGC

0:33:40.680 --> 0:33:42.320
<v Speaker 1>and it was kind of the indie arm of the

0:33:42.400 --> 0:33:46.560
<v Speaker 1>company at the time, and it was it was kind

0:33:46.560 --> 0:33:48.520
<v Speaker 1>of a boutique label. And I think we went there

0:33:48.560 --> 0:33:53.160
<v Speaker 1>in the end because we felt like they were really patient.

0:33:54.200 --> 0:33:56.640
<v Speaker 1>They didn't they didn't really care about whether we had

0:33:56.640 --> 0:33:58.480
<v Speaker 1>a hit right away. I mean, I don't think anybody

0:33:58.480 --> 0:34:00.480
<v Speaker 1>at the rec company thought this album was going to be.

0:34:00.720 --> 0:34:02.600
<v Speaker 1>They loved the record, but they didn't naturally think it

0:34:02.640 --> 0:34:04.040
<v Speaker 1>was going to be a huge success. We were hoping

0:34:04.120 --> 0:34:06.840
<v Speaker 1>for a couple hundred thousand records at best that would

0:34:06.880 --> 0:34:10.200
<v Speaker 1>be great. But I thought it was going to be

0:34:10.280 --> 0:34:11.920
<v Speaker 1>kind of like a campfire where we all got to

0:34:11.960 --> 0:34:14.080
<v Speaker 1>hang out with each other, and that was actually the case,

0:34:14.719 --> 0:34:17.880
<v Speaker 1>like we did. I met all those bands back then

0:34:17.960 --> 0:34:21.360
<v Speaker 1>at barbecues over our A and R Guys house. The

0:34:21.440 --> 0:34:24.200
<v Speaker 1>first record actually ended up being on was Maria mckey's record.

0:34:24.239 --> 0:34:26.120
<v Speaker 1>She was on the label too, and I got to

0:34:26.200 --> 0:34:29.480
<v Speaker 1>go sing on her record at the time, and the

0:34:29.600 --> 0:34:31.600
<v Speaker 1>Jayhawks were in her band, so I got to know

0:34:31.719 --> 0:34:34.280
<v Speaker 1>those guys too, and they ended up they and Maria

0:34:34.680 --> 0:34:36.880
<v Speaker 1>do all the background vocals that I don't do on

0:34:37.000 --> 0:34:39.799
<v Speaker 1>August on the first record, either the background vocals are

0:34:39.880 --> 0:34:43.040
<v Speaker 1>me or they're Maria McKee or the Jayhawks, And you know,

0:34:43.160 --> 0:34:46.080
<v Speaker 1>we all you know, I knew Kurt and the guys

0:34:46.160 --> 0:34:49.719
<v Speaker 1>in Nirvana and Sonic Youth, and you know, they were

0:34:49.760 --> 0:34:51.920
<v Speaker 1>all really nice to me. We were all very different musically,

0:34:52.360 --> 0:34:56.000
<v Speaker 1>but that didn't seem to matter. We were all like

0:34:56.320 --> 0:35:01.319
<v Speaker 1>and that tends to not matter among musicians. They don't

0:35:01.360 --> 0:35:04.239
<v Speaker 1>really tend to be about I'm about this kind of music.

0:35:04.640 --> 0:35:06.799
<v Speaker 1>People tend to be about, yes, I'm about this kind

0:35:06.840 --> 0:35:10.239
<v Speaker 1>of music, but musicians just tend to like music. And

0:35:10.360 --> 0:35:13.600
<v Speaker 1>that was my experience then too, is that it was

0:35:13.680 --> 0:35:16.840
<v Speaker 1>just a lot of great indie rock musicians who we

0:35:17.040 --> 0:35:19.479
<v Speaker 1>got to hang out with and it was really cool.

0:35:20.239 --> 0:35:20.440
<v Speaker 1>I know.

0:35:20.520 --> 0:35:22.640
<v Speaker 7>These are kind of the basic questions you probably get

0:35:22.719 --> 0:35:24.560
<v Speaker 7>in a lot of interviews, but they're the ones that

0:35:24.640 --> 0:35:27.640
<v Speaker 7>I love. And it's stuff like who were your influences

0:35:27.680 --> 0:35:29.480
<v Speaker 7>growing up? Like what were the bands that you listened

0:35:29.520 --> 0:35:31.160
<v Speaker 7>to when you were a kid?

0:35:32.000 --> 0:35:34.040
<v Speaker 1>Well, it was a bunch of different kinds of stuff,

0:35:34.120 --> 0:35:38.880
<v Speaker 1>you know. I grew up in Oakland, you know, and

0:35:39.000 --> 0:35:42.400
<v Speaker 1>Oakland was really a big funk in soul Town. So

0:35:42.520 --> 0:35:46.960
<v Speaker 1>early on there was a lot of like earth Wind

0:35:47.000 --> 0:35:51.560
<v Speaker 1>and Fire, the Commodore's p funk. But at the same time,

0:35:53.440 --> 0:35:55.920
<v Speaker 1>the radio station I listened to at the time growing up,

0:35:56.320 --> 0:36:00.000
<v Speaker 1>Kasan played everything. You know, they were really free form radio,

0:36:00.360 --> 0:36:06.160
<v Speaker 1>so you could hear, you know, the earth Wind and Fire,

0:36:06.280 --> 0:36:09.520
<v Speaker 1>followed by George Jones country music, maybe a little bit

0:36:09.520 --> 0:36:12.880
<v Speaker 1>of Miles Davis and then sex Pistols. You know, it

0:36:12.880 --> 0:36:14.600
<v Speaker 1>would they would play anything, so I kind of grew

0:36:14.680 --> 0:36:16.319
<v Speaker 1>up listening to everything. So at the same time as

0:36:16.360 --> 0:36:18.360
<v Speaker 1>I was really into Earth Wind and Fire, I was

0:36:18.440 --> 0:36:22.600
<v Speaker 1>really into Elvis Costello and Joe Jackson and you know,

0:36:23.040 --> 0:36:26.040
<v Speaker 1>all the kind of like new wave and early punk stuff.

0:36:28.800 --> 0:36:30.719
<v Speaker 1>It was kind of like a real melting pot for

0:36:30.840 --> 0:36:34.359
<v Speaker 1>me listening musically, you know. I certainly loved a lot

0:36:34.440 --> 0:36:39.640
<v Speaker 1>of bands like Well the Band. I don't know that

0:36:39.760 --> 0:36:41.879
<v Speaker 1>Dylan was the thing early on, but I got really

0:36:41.960 --> 0:36:45.200
<v Speaker 1>into going through like the Rolling Stone Record Guide and

0:36:45.719 --> 0:36:48.080
<v Speaker 1>looking for five Star records and then buying them to

0:36:48.160 --> 0:36:49.480
<v Speaker 1>teach myself about music.

0:36:49.560 --> 0:36:49.680
<v Speaker 6>You know.

0:36:49.760 --> 0:36:53.400
<v Speaker 1>I remember when I first bought it, the pictures in

0:36:53.520 --> 0:36:56.560
<v Speaker 1>there were all five Star records, So I remember getting

0:36:56.600 --> 0:36:59.280
<v Speaker 1>Al Green's Let's Stay Together because it was a picture

0:36:59.320 --> 0:37:01.920
<v Speaker 1>in there, and being floored by that and this Lightton

0:37:01.960 --> 0:37:05.319
<v Speaker 1>Hopkins record, you know, and I was just really into

0:37:05.440 --> 0:37:09.879
<v Speaker 1>like trying to educate myself. At one point I went

0:37:10.000 --> 0:37:12.560
<v Speaker 1>one by one and bought all the Rolling Stones records,

0:37:12.719 --> 0:37:16.080
<v Speaker 1>like at the US shop in Berkeley and listened to

0:37:16.160 --> 0:37:20.520
<v Speaker 1>them from the beginning, you know, England's newest hit makers,

0:37:20.560 --> 0:37:22.920
<v Speaker 1>all the way up through I guess Tattoo you came up,

0:37:23.080 --> 0:37:26.480
<v Speaker 1>came out my senior year in high school. You know,

0:37:26.560 --> 0:37:29.239
<v Speaker 1>I just kind of was really obsessed with music and

0:37:29.840 --> 0:37:32.440
<v Speaker 1>obsessed with like learning all I could about it. I

0:37:32.719 --> 0:37:33.960
<v Speaker 1>loved El Fitzgerald.

0:37:34.400 --> 0:37:36.160
<v Speaker 2>Did you have a particular moment, I mean, was it

0:37:36.280 --> 0:37:39.319
<v Speaker 2>with Connen Crozer? Does it predate that where you feel

0:37:39.360 --> 0:37:42.400
<v Speaker 2>like you found your voice as a musician as a songwriter.

0:37:43.160 --> 0:37:45.759
<v Speaker 1>Well, it started when I wrote songs, because before that,

0:37:46.400 --> 0:37:48.480
<v Speaker 1>you know, I like to sing, and I really loved music.

0:37:48.560 --> 0:37:50.120
<v Speaker 1>I was pretty obsessed with it, but I didn't know

0:37:50.160 --> 0:37:51.520
<v Speaker 1>where to go with that. I mean, I guess you

0:37:51.560 --> 0:37:55.320
<v Speaker 1>could go be in musicals, but that wasn't really the

0:37:55.440 --> 0:37:58.400
<v Speaker 1>center of our culture anymore. It didn't seem like and

0:37:58.480 --> 0:38:02.320
<v Speaker 1>I didn't really like, you know, I acted when I

0:38:02.440 --> 0:38:05.520
<v Speaker 1>was younger. I was a young conservatory at ACT in

0:38:05.560 --> 0:38:10.000
<v Speaker 1>San Francisco, but I didn't really love it. I like performing,

0:38:10.280 --> 0:38:13.520
<v Speaker 1>but it just wasn't me. And when I was a

0:38:13.560 --> 0:38:15.840
<v Speaker 1>freshman in college, I wrote my first song and that

0:38:16.040 --> 0:38:17.120
<v Speaker 1>sort of changed everything.

0:38:17.800 --> 0:38:17.960
<v Speaker 7>You know.

0:38:18.960 --> 0:38:21.520
<v Speaker 1>It was like a bell or like a light switch

0:38:21.640 --> 0:38:24.319
<v Speaker 1>going off in my head, you know, like, oh, I'm

0:38:24.360 --> 0:38:28.160
<v Speaker 1>a songwriter. And that was like, I mean the hardest

0:38:28.200 --> 0:38:34.440
<v Speaker 1>thing about shifting from childhood to adulthood is how you

0:38:34.520 --> 0:38:38.000
<v Speaker 1>identify yourself. You know, we're kids. We do things that

0:38:38.040 --> 0:38:40.719
<v Speaker 1>we're told to do and then we go around, but

0:38:40.800 --> 0:38:43.120
<v Speaker 1>as far as accomplishing anything, it's mostly stuff that people

0:38:43.200 --> 0:38:46.960
<v Speaker 1>tell us to do. You know, you guys worked really young,

0:38:47.040 --> 0:38:49.839
<v Speaker 1>so it's different for you. But you know, you got

0:38:49.880 --> 0:38:52.440
<v Speaker 1>your homework and you'd like to meet girls, and those

0:38:52.480 --> 0:38:55.920
<v Speaker 1>are kind of the two things of life. And you

0:38:56.000 --> 0:38:58.080
<v Speaker 1>start to get into college and into being an adult,

0:38:58.120 --> 0:38:59.440
<v Speaker 1>and you're like, well, what's going to happen with the

0:38:59.480 --> 0:39:01.480
<v Speaker 1>rest of my life when it's choices that I get

0:39:01.560 --> 0:39:04.839
<v Speaker 1>to make for mysel for myself, And that's a pretty

0:39:04.880 --> 0:39:08.319
<v Speaker 1>confusing moment. And I remember like being in I think

0:39:08.320 --> 0:39:11.200
<v Speaker 1>a chemistry class, and you know, my sister was still

0:39:11.200 --> 0:39:13.759
<v Speaker 1>at home. My mother was off in medical school, so

0:39:13.960 --> 0:39:15.680
<v Speaker 1>my sister was home alone with my dad. She was

0:39:15.719 --> 0:39:20.239
<v Speaker 1>sixteen or fifteen, and it's a that's a pretty you know,

0:39:20.880 --> 0:39:23.920
<v Speaker 1>difficult time in a girl's life. Things are changing, and

0:39:25.239 --> 0:39:27.200
<v Speaker 1>you know, she was struggling with me being gone and

0:39:27.320 --> 0:39:31.680
<v Speaker 1>my mom being gone. And I wrote this song. I

0:39:31.760 --> 0:39:34.640
<v Speaker 1>started humming to myself in class, and I hummed this

0:39:34.800 --> 0:39:38.520
<v Speaker 1>melody and I wrote these lyrics to it, songs called

0:39:38.520 --> 0:39:41.040
<v Speaker 1>good Morning, Little Sister. I got out of class and

0:39:41.080 --> 0:39:43.400
<v Speaker 1>I had this thing written, and I'm like, well, I

0:39:43.480 --> 0:39:45.759
<v Speaker 1>went back to my dorm and there was a like

0:39:45.840 --> 0:39:48.399
<v Speaker 1>a lounge across the hall from my room, my freshman dorm,

0:39:48.520 --> 0:39:50.160
<v Speaker 1>and there was a piano in there, and I went

0:39:50.200 --> 0:39:52.359
<v Speaker 1>in there. I locked the door, and I sat down

0:39:52.400 --> 0:39:54.920
<v Speaker 1>at the piano and I, I can't really play piano,

0:39:54.960 --> 0:39:56.040
<v Speaker 1>but I know how to make a major on a

0:39:56.080 --> 0:39:59.680
<v Speaker 1>minor chord, So I like hummed the song to myself

0:39:59.719 --> 0:40:01.520
<v Speaker 1>and I poked at the piano until i'd find a

0:40:01.640 --> 0:40:03.759
<v Speaker 1>note that I was singing, and then I would try

0:40:03.800 --> 0:40:06.239
<v Speaker 1>and figure out a chord that goes with that. It

0:40:06.320 --> 0:40:08.480
<v Speaker 1>took me the whole rest of the day, like three

0:40:08.560 --> 0:40:11.000
<v Speaker 1>or four hours. The song would take fifteen minutes. Now

0:40:11.040 --> 0:40:15.040
<v Speaker 1>it's really simple. But at the end of it, I'd

0:40:15.080 --> 0:40:17.759
<v Speaker 1>written a song, you know, and it was literally like

0:40:17.800 --> 0:40:19.680
<v Speaker 1>a light bulb going off my head and I thought, oh, yeah,

0:40:20.200 --> 0:40:23.280
<v Speaker 1>I'm a songwriter. And I knew what I was before

0:40:23.320 --> 0:40:26.080
<v Speaker 1>any of my friends did. Like I mean, I fell

0:40:26.120 --> 0:40:27.600
<v Speaker 1>behind again when we all got out of there and

0:40:27.640 --> 0:40:30.480
<v Speaker 1>started getting jobs, because it's very hard to get a

0:40:30.600 --> 0:40:35.680
<v Speaker 1>job as a songwriter. But you know, it changed everything

0:40:35.760 --> 0:40:38.719
<v Speaker 1>in my life that day, Like that moment was the

0:40:38.840 --> 0:40:42.200
<v Speaker 1>biggest defining moment in my life because before that, I

0:40:42.320 --> 0:40:45.239
<v Speaker 1>was a kid, and then I was a songwriter, and

0:40:45.320 --> 0:40:47.320
<v Speaker 1>I knew that I knew what I was, what I

0:40:47.400 --> 0:40:49.120
<v Speaker 1>was going to do with my life. I didn't know

0:40:49.160 --> 0:40:53.000
<v Speaker 1>how I was going to do it, but I knew

0:40:53.120 --> 0:40:56.040
<v Speaker 1>who I was and what I was and it was

0:40:56.080 --> 0:40:59.880
<v Speaker 1>a very weird feeling, especially as it became clear how

0:41:00.120 --> 0:41:01.040
<v Speaker 1>hard that was going to be.

0:41:01.239 --> 0:41:03.120
<v Speaker 2>Yeah, I was going to say, because I mean, writing

0:41:03.239 --> 0:41:05.640
<v Speaker 2>is one thing, sharing it with the world and getting

0:41:05.680 --> 0:41:07.279
<v Speaker 2>it out there is such a struggle too.

0:41:07.360 --> 0:41:09.640
<v Speaker 1>I mean, yeah, getting anyone to hear it, you know,

0:41:09.800 --> 0:41:12.800
<v Speaker 1>Like I mean I was. I started school at UC Davis,

0:41:13.280 --> 0:41:15.319
<v Speaker 1>and I was there for my first couple of years,

0:41:15.360 --> 0:41:18.160
<v Speaker 1>and then I transferred down to Berkeley because all I

0:41:18.280 --> 0:41:22.520
<v Speaker 1>was doing was writing songs, and I realized, if I

0:41:22.640 --> 0:41:24.439
<v Speaker 1>really want to do this, I have to be back

0:41:24.560 --> 0:41:27.759
<v Speaker 1>in the Bay Area. I had a lot of years

0:41:27.840 --> 0:41:29.480
<v Speaker 1>after that of trying to figure out how to get

0:41:29.480 --> 0:41:31.439
<v Speaker 1>anyone to hear my music. But the start was moving

0:41:31.480 --> 0:41:34.160
<v Speaker 1>back to the Bay Area. But I spent you know,

0:41:35.760 --> 0:41:39.840
<v Speaker 1>almost ten years in the clubs, you know, before anything happened.

0:41:39.880 --> 0:41:41.920
<v Speaker 1>Really I was. I was eighteen when I wrote my

0:41:42.360 --> 0:41:46.080
<v Speaker 1>first song. I was twenty seven the first time anyone

0:41:46.120 --> 0:41:49.080
<v Speaker 1>from any record company came to see a band that

0:41:49.200 --> 0:41:54.239
<v Speaker 1>was in Wow twenty eight when we got signed. I

0:41:54.360 --> 0:41:57.480
<v Speaker 1>was twenty nine when the first record came out. So

0:41:57.760 --> 0:42:01.440
<v Speaker 1>you know, it wasn't like I mean, I had put

0:42:01.520 --> 0:42:03.800
<v Speaker 1>in years in bands, in the clubs and the barrier,

0:42:03.880 --> 0:42:06.880
<v Speaker 1>you know, which is maybe great because I feel like

0:42:06.960 --> 0:42:11.719
<v Speaker 1>I'm a eight to no or whatever, like I don't

0:42:11.760 --> 0:42:15.000
<v Speaker 1>have anything I regret that I put out in our career, Whereas,

0:42:15.080 --> 0:42:17.680
<v Speaker 1>like you know, maybe I wouldn't feel the same if

0:42:17.760 --> 0:42:20.200
<v Speaker 1>I had been releasing stuff earlier, you know, but when

0:42:20.239 --> 0:42:22.439
<v Speaker 1>I wasn't as ready, I guess.

0:42:31.520 --> 0:42:34.759
<v Speaker 7>So I have a question for you, because I was

0:42:34.840 --> 0:42:37.040
<v Speaker 7>obsessed with television the way it sounds like you were

0:42:37.040 --> 0:42:40.080
<v Speaker 7>obsessed with music. So I found a lot of my

0:42:40.400 --> 0:42:44.400
<v Speaker 7>music through what i'd watch on TV. And I remember

0:42:44.640 --> 0:42:48.439
<v Speaker 7>I'd heard of you from writer obviously, but the first

0:42:48.480 --> 0:42:51.520
<v Speaker 7>time I really saw you was your appearance on Saturday

0:42:51.600 --> 0:42:51.920
<v Speaker 7>Night Live.

0:42:52.200 --> 0:42:53.800
<v Speaker 3>I'm so glad you're going to talk about that. I

0:42:53.960 --> 0:42:55.160
<v Speaker 3>remember that so well.

0:42:55.360 --> 0:42:59.320
<v Speaker 7>I do too, and you guys just killed it. And

0:42:59.800 --> 0:43:02.239
<v Speaker 7>I I remember right then watching that going, oh, I

0:43:02.800 --> 0:43:04.640
<v Speaker 7>have to get this album, like I have to find

0:43:04.680 --> 0:43:07.680
<v Speaker 7>this band. Did you notice a shift in either was

0:43:07.719 --> 0:43:11.160
<v Speaker 7>it record sales, popularity, whatever due to that appearance on SNL.

0:43:11.320 --> 0:43:14.279
<v Speaker 1>Oh, yeah, it made our career. Yeah, without a doubt.

0:43:16.520 --> 0:43:19.200
<v Speaker 1>We and I have to give them props for this too,

0:43:19.280 --> 0:43:22.960
<v Speaker 1>because they booked us to play that show before we

0:43:23.080 --> 0:43:26.239
<v Speaker 1>were anything. Our record was, as I remember, at two

0:43:26.360 --> 0:43:29.560
<v Speaker 1>hundred and thirteen on the charts. The night we played

0:43:29.560 --> 0:43:31.840
<v Speaker 1>Saturday Night Live, we weren't even in the top two hundred.

0:43:32.960 --> 0:43:36.200
<v Speaker 1>Marcy Klein saw us open for Cracker at Irving Plaza

0:43:36.719 --> 0:43:39.840
<v Speaker 1>and Cracker we had a great show, and Cracker also

0:43:40.520 --> 0:43:42.800
<v Speaker 1>we'd have no career without them, pushed us back on

0:43:42.920 --> 0:43:45.879
<v Speaker 1>stage for an encore. Wow, you know as an opening band,

0:43:46.080 --> 0:43:49.640
<v Speaker 1>you know, which doesn't happen. And she booked us right

0:43:49.680 --> 0:43:54.320
<v Speaker 1>after that, or like started talking to us about booking

0:43:54.400 --> 0:43:56.800
<v Speaker 1>us because there were two shows. Letterman also was offering

0:43:56.920 --> 0:43:59.920
<v Speaker 1>us slots at the time, and so was Saturday Night Live.

0:44:00.000 --> 0:44:01.759
<v Speaker 1>And we went through a bunch of negotiation on what

0:44:01.840 --> 0:44:03.560
<v Speaker 1>we would play and who's going to play with us,

0:44:03.600 --> 0:44:05.799
<v Speaker 1>And it took a while and ended up Saturday Night

0:44:05.800 --> 0:44:08.320
<v Speaker 1>Live kind of gave us what we wanted first. But

0:44:08.400 --> 0:44:09.840
<v Speaker 1>when we played that show, we weren't even in the

0:44:09.880 --> 0:44:13.239
<v Speaker 1>top two hundred and it literally, and I know joke

0:44:13.280 --> 0:44:16.440
<v Speaker 1>about this, the record jumped forty spots a week for

0:44:16.719 --> 0:44:19.879
<v Speaker 1>five or six weeks, so we landed at number two,

0:44:21.360 --> 0:44:23.080
<v Speaker 1>and we were at two for the next couple of years.

0:44:23.160 --> 0:44:26.000
<v Speaker 1>We never went to number one, but yeah, it was

0:44:26.200 --> 0:44:29.359
<v Speaker 1>entirely due to Saturday Night Live. And then a few

0:44:29.440 --> 0:44:32.240
<v Speaker 1>months later that was like the first week of January

0:44:32.320 --> 0:44:36.160
<v Speaker 1>of ninety four, and we played it. Mister Jones was

0:44:36.239 --> 0:44:41.439
<v Speaker 1>released on MTV the week between Christmas and New Year's

0:44:41.440 --> 0:44:44.840
<v Speaker 1>that year, which you don't release things during that period,

0:44:44.920 --> 0:44:48.840
<v Speaker 1>nobody does because there's no charts, Yeah, and so people

0:44:48.960 --> 0:44:51.919
<v Speaker 1>avoid it, and we thought, well, what if we put

0:44:52.000 --> 0:44:55.680
<v Speaker 1>the single out then instead, like, with nothing else going

0:44:55.719 --> 0:44:58.520
<v Speaker 1>to MTV that week except our song, maybe they'll play

0:44:58.520 --> 0:45:01.840
<v Speaker 1>it a bunch mostly one hundred and twenty minutes the

0:45:01.920 --> 0:45:04.520
<v Speaker 1>first time it played. But you know, so my point

0:45:04.600 --> 0:45:06.160
<v Speaker 1>is like, it's not like mister Jones was a big

0:45:06.239 --> 0:45:09.800
<v Speaker 1>hit or something. Right, We played Saturday and Live and

0:45:09.880 --> 0:45:12.440
<v Speaker 1>we played round here first, and that kind of made

0:45:12.480 --> 0:45:15.680
<v Speaker 1>our career, you know that. Literally it was like two thirteen, one,

0:45:15.880 --> 0:45:21.360
<v Speaker 1>seventy one, thirty something, ninety something, fifty something, sixteen thirteen,

0:45:22.080 --> 0:45:26.160
<v Speaker 1>six two, and then we spent a couple of years

0:45:26.160 --> 0:45:27.480
<v Speaker 1>at number two after that.

0:45:28.680 --> 0:45:29.720
<v Speaker 3>That is just insane.

0:45:30.160 --> 0:45:32.320
<v Speaker 1>Yeah, we didn't even notice it though, I mean, because

0:45:32.320 --> 0:45:34.759
<v Speaker 1>it was just record sales. It wasn't doing anything for us.

0:45:34.840 --> 0:45:37.719
<v Speaker 1>We played our first headline shows in clubs in the

0:45:37.840 --> 0:45:41.000
<v Speaker 1>Northeast the weeks after Saturday Night Live. Then we went

0:45:41.080 --> 0:45:43.600
<v Speaker 1>back to opening for Cracker, and then we were getting

0:45:43.600 --> 0:45:46.760
<v Speaker 1>ready to go play European tour, and we played Letterman

0:45:46.880 --> 0:45:50.840
<v Speaker 1>right before we left. Uh, and while we were playing Letterman,

0:45:51.880 --> 0:45:54.600
<v Speaker 1>Rolling Stone had called that day. I think, unless I'm

0:45:54.800 --> 0:45:56.759
<v Speaker 1>pushing all these things together, it's been a long time.

0:45:57.360 --> 0:46:00.640
<v Speaker 1>My memory is that my managers came to me Letterman

0:46:00.680 --> 0:46:04.960
<v Speaker 1>show and said, Uh, Rolling Stone wants to put you

0:46:05.000 --> 0:46:07.120
<v Speaker 1>on the cover. You're going to Europe next week. They're

0:46:07.120 --> 0:46:12.040
<v Speaker 1>going to send David Wilde to write the piece on

0:46:12.160 --> 0:46:15.160
<v Speaker 1>you and Mark Selliger to take the pictures, and they're

0:46:15.160 --> 0:46:18.960
<v Speaker 1>going to meet you in Paris, you know, And then

0:46:19.000 --> 0:46:19.840
<v Speaker 1>we went to Europe.

0:46:21.280 --> 0:46:25.719
<v Speaker 9>All those years of buying Rolling Stone and studying it

0:46:25.920 --> 0:46:28.880
<v Speaker 9>and researching it and now they're asking you to be

0:46:29.000 --> 0:46:30.600
<v Speaker 9>on the cover and they're going to write an article

0:46:30.600 --> 0:46:30.960
<v Speaker 9>about you.

0:46:31.560 --> 0:46:34.600
<v Speaker 1>And my first response was because he asked me about it,

0:46:34.680 --> 0:46:38.920
<v Speaker 1>and I said, okay, can I think about it? He

0:46:39.000 --> 0:46:42.439
<v Speaker 1>looked at me. I'm like, okay, no, I'm sorry. Of course, yeah,

0:46:42.600 --> 0:46:46.279
<v Speaker 1>it's fine, but like, but legitimately I was scared about it.

0:46:46.360 --> 0:46:48.520
<v Speaker 1>I mean I had two minds of it as a

0:46:48.640 --> 0:46:52.880
<v Speaker 1>rock musician, of course, or as anyone really at that

0:46:53.000 --> 0:46:55.440
<v Speaker 1>by that time, because it wasn't really a music magazine anymore.

0:46:55.520 --> 0:46:58.600
<v Speaker 1>By that you have to say yes to being on

0:46:58.680 --> 0:47:00.800
<v Speaker 1>the cover Rolling Stone because they there's no point to

0:47:00.920 --> 0:47:04.239
<v Speaker 1>your career otherwise it's going to make you huge, you know.

0:47:05.400 --> 0:47:08.800
<v Speaker 1>But all I could think of was, you know, it's

0:47:08.840 --> 0:47:12.279
<v Speaker 1>hard to portray it nowadays because we don't really have

0:47:12.480 --> 0:47:14.680
<v Speaker 1>news stands anymore. But they used to be on every

0:47:14.719 --> 0:47:17.400
<v Speaker 1>corner in every major city and there'd be these racks

0:47:17.480 --> 0:47:19.480
<v Speaker 1>and Rolling Stone would be like, you know, there'd be

0:47:19.560 --> 0:47:21.480
<v Speaker 1>twenty of them up there and you could see and

0:47:21.520 --> 0:47:25.480
<v Speaker 1>whoever's on the cover, it's like your face is on

0:47:25.680 --> 0:47:29.040
<v Speaker 1>every street corner in America. And I was thinking about

0:47:29.080 --> 0:47:31.440
<v Speaker 1>what that would be like and it seemed scary to me.

0:47:31.719 --> 0:47:34.680
<v Speaker 1>It seemed like everyone will be looking at me. How

0:47:34.880 --> 0:47:37.200
<v Speaker 1>this is different from just like playing a club, you know.

0:47:37.880 --> 0:47:39.680
<v Speaker 1>I was nervous about that.

0:47:40.080 --> 0:47:40.239
<v Speaker 6>You know.

0:47:40.360 --> 0:47:42.560
<v Speaker 1>I was also right about that it was going to

0:47:42.640 --> 0:47:45.040
<v Speaker 1>be very strange, and it was strange for me. But

0:47:45.200 --> 0:47:48.240
<v Speaker 1>you can't say no to that. It'd be stupid, you know. Otherwise,

0:47:48.280 --> 0:47:50.239
<v Speaker 1>why try to have a career that lasts, you know.

0:47:51.280 --> 0:47:53.799
<v Speaker 9>So the time that you were on Saturday Night Live,

0:47:53.880 --> 0:47:57.640
<v Speaker 9>the cast was Chris Farley, Norm MacDonald, Adam Sandler, David Spade,

0:47:57.960 --> 0:48:01.000
<v Speaker 9>just some of the most incredible comedians of all time.

0:48:01.840 --> 0:48:04.160
<v Speaker 3>What do you remember most about that night?

0:48:06.440 --> 0:48:11.879
<v Speaker 1>Uh, it's a mixed bag. I mean, the cast was great.

0:48:11.960 --> 0:48:14.200
<v Speaker 1>They're just really nice people, all of them. I really enjoyed.

0:48:14.280 --> 0:48:17.640
<v Speaker 1>Sarah Silverman and Jennie Garoppolo were on it too right then,

0:48:17.760 --> 0:48:20.240
<v Speaker 1>but they were struggling a lot. They were really weren't

0:48:20.320 --> 0:48:23.360
<v Speaker 1>very good to women back then, and like I remember

0:48:24.280 --> 0:48:28.040
<v Speaker 1>hanging out at the Paramount later that night and the

0:48:28.120 --> 0:48:30.080
<v Speaker 1>two of them were just really bummed out about like

0:48:32.600 --> 0:48:34.520
<v Speaker 1>it's hard to get their stuff on the show. Yeah,

0:48:34.560 --> 0:48:36.919
<v Speaker 1>you could make dick jokes, but you couldn't make Sarah

0:48:36.960 --> 0:48:39.120
<v Speaker 1>Silverman jokes, you know what I mean, Like she was

0:48:39.200 --> 0:48:44.640
<v Speaker 1>much more risque, and they really struggled with getting stuff

0:48:44.719 --> 0:48:47.120
<v Speaker 1>on it. But that's not the cast fault, that's the

0:48:47.520 --> 0:48:50.960
<v Speaker 1>right And we struggled a lot that week. We had

0:48:51.040 --> 0:48:53.759
<v Speaker 1>made a lot of agreements with Saturday Night Live about

0:48:53.800 --> 0:48:57.200
<v Speaker 1>what we were going to play, about playing the entire songs,

0:48:57.320 --> 0:49:00.080
<v Speaker 1>and they kind of went back on everything. Right, we

0:49:00.200 --> 0:49:03.840
<v Speaker 1>got there and changed everything we'd agreed on, and we

0:49:04.000 --> 0:49:06.880
<v Speaker 1>fought about it all week. We eventually, in the end

0:49:06.960 --> 0:49:09.120
<v Speaker 1>had to threaten to leave that afternoon.

0:49:10.960 --> 0:49:13.520
<v Speaker 4>Yeah, I remember hearing about this. It was because they

0:49:13.520 --> 0:49:14.799
<v Speaker 4>didn't want you to play round here?

0:49:15.160 --> 0:49:15.440
<v Speaker 6>Was that what?

0:49:15.719 --> 0:49:17.920
<v Speaker 1>They didn't want us to play it first, even though

0:49:17.960 --> 0:49:20.560
<v Speaker 1>that was the agreement, and I was very set on

0:49:20.680 --> 0:49:22.920
<v Speaker 1>that being the first song that the world heard from us,

0:49:23.120 --> 0:49:25.200
<v Speaker 1>you know, I thought it was the most important song.

0:49:26.840 --> 0:49:29.759
<v Speaker 1>And they wanted us to edit the songs down, which

0:49:29.800 --> 0:49:31.680
<v Speaker 1>we had agreed not to do because I didn't like

0:49:31.880 --> 0:49:36.560
<v Speaker 1>editing songs. And I mean, in the end, actually having

0:49:36.600 --> 0:49:38.200
<v Speaker 1>allowed us to play around Here and as well as

0:49:38.239 --> 0:49:41.040
<v Speaker 1>it went, they came back later on and asked me,

0:49:41.120 --> 0:49:43.160
<v Speaker 1>can you please cut down mister Jones right before we

0:49:43.239 --> 0:49:44.680
<v Speaker 1>were going to go play it, and so I did.

0:49:45.080 --> 0:49:47.400
<v Speaker 1>I think I think I cut the last verset, the

0:49:47.480 --> 0:49:50.960
<v Speaker 1>last double chorus in half. I don't remember exactly, but

0:49:51.080 --> 0:49:53.360
<v Speaker 1>I think I did think it was only fair to

0:49:53.440 --> 0:49:57.960
<v Speaker 1>do that. But it was a rough week because they

0:49:58.080 --> 0:50:01.800
<v Speaker 1>kept threatening out. You know, they're a big the company, NBC.

0:50:02.000 --> 0:50:04.360
<v Speaker 1>It's big, and that's the biggest show for bands, and

0:50:05.600 --> 0:50:09.080
<v Speaker 1>you know, they don't really have much of a hesitation

0:50:09.160 --> 0:50:10.040
<v Speaker 1>about bullying you.

0:50:10.400 --> 0:50:13.239
<v Speaker 7>And yeah, you're just lucky to be here, kid kind

0:50:13.280 --> 0:50:13.520
<v Speaker 7>of thing.

0:50:14.080 --> 0:50:16.800
<v Speaker 1>Basically we were, but I can be very stubborn, and

0:50:16.880 --> 0:50:22.279
<v Speaker 1>we had a deal and we didn't. I mean, they've

0:50:22.360 --> 0:50:25.840
<v Speaker 1>never had us back, let's put it that way. But

0:50:26.120 --> 0:50:28.560
<v Speaker 1>the show made our career, and without a doubt, it

0:50:28.640 --> 0:50:30.800
<v Speaker 1>absolutely made our career, you know, like I think it.

0:50:32.239 --> 0:50:35.239
<v Speaker 1>I just remember very clearly the influence that had on

0:50:35.320 --> 0:50:37.880
<v Speaker 1>record sales in the month and a half after that.

0:50:38.560 --> 0:50:40.160
<v Speaker 1>You know, we went to play Letterman right before we

0:50:40.200 --> 0:50:43.759
<v Speaker 1>played Saturday Live and we played round Here again, and that,

0:50:43.920 --> 0:50:46.400
<v Speaker 1>to me is probably still our best ever television performance,

0:50:46.440 --> 0:50:48.640
<v Speaker 1>that Letterman performance. But we were great on Saturday Night Live.

0:50:49.080 --> 0:50:54.560
<v Speaker 1>We crushed it. Yeah, and I couldn't be more thankful

0:50:54.640 --> 0:50:57.120
<v Speaker 1>to them about the effect they had on our career.

0:50:57.320 --> 0:51:01.919
<v Speaker 1>While my memories of it are pretty because I would

0:51:01.960 --> 0:51:04.080
<v Speaker 1>have loved to enjoy Saturday Night Live too, but it

0:51:04.280 --> 0:51:08.359
<v Speaker 1>was it's a rough week, you know. It was I'm

0:51:08.480 --> 0:51:12.239
<v Speaker 1>just this like young nobody, you know, and I I

0:51:12.360 --> 0:51:16.440
<v Speaker 1>don't know how to deal with a network. Yeah, and

0:51:16.640 --> 0:51:21.160
<v Speaker 1>like Lauren Michael's and the and I'm very scared I'm

0:51:21.239 --> 0:51:23.840
<v Speaker 1>ruining our career. But I was also very determined to

0:51:23.920 --> 0:51:25.560
<v Speaker 1>get our career off to the right start.

0:51:26.080 --> 0:51:28.640
<v Speaker 2>Well, I think a big part of your staying power

0:51:30.040 --> 0:51:32.920
<v Speaker 2>has been has been obviously the live shows and your

0:51:32.960 --> 0:51:34.879
<v Speaker 2>approach to live shows in particular. I mean I talked

0:51:34.880 --> 0:51:37.800
<v Speaker 2>about it when we talked about mentioning Counting Crows on

0:51:38.960 --> 0:51:41.480
<v Speaker 2>en Boy Meets World. I talked about, like, how my fandom,

0:51:42.000 --> 0:51:44.160
<v Speaker 2>you know, it was like I like the first album whatever.

0:51:44.200 --> 0:51:45.840
<v Speaker 2>But once I started seeing you guys.

0:51:45.760 --> 0:51:48.720
<v Speaker 4>Live, what it was for me was, Oh, every night's different.

0:51:49.080 --> 0:51:53.080
<v Speaker 8>You know that that that that you allow improvisation or

0:51:53.160 --> 0:51:55.560
<v Speaker 8>you you seek improvisation every night, and then you have

0:51:55.680 --> 0:51:58.880
<v Speaker 8>this inner textuality with other songs riffing on you know,

0:51:59.400 --> 0:52:02.040
<v Speaker 8>used to be sort of humor now at Springsteen, you know,

0:52:02.080 --> 0:52:04.239
<v Speaker 8>but you were always you know, where did that come from?

0:52:06.480 --> 0:52:11.239
<v Speaker 1>I think that people I saw growing up were that way.

0:52:11.560 --> 0:52:11.719
<v Speaker 7>You know.

0:52:11.840 --> 0:52:15.680
<v Speaker 1>I feel like, you know, Ram would play obscure Velvet

0:52:15.760 --> 0:52:19.160
<v Speaker 1>Underground songs. Well obscure then because no Velvet Underground kind

0:52:19.160 --> 0:52:23.200
<v Speaker 1>of disappeared. Now there are you know, icons, but at

0:52:23.239 --> 0:52:25.759
<v Speaker 1>that point they were in the eighties, they were kind

0:52:25.800 --> 0:52:28.840
<v Speaker 1>of a forgotten band, you know. And I got introduced

0:52:28.840 --> 0:52:32.120
<v Speaker 1>to all this music by them, by like the big

0:52:32.239 --> 0:52:36.200
<v Speaker 1>star songs they played. And you know, when I saw

0:52:36.920 --> 0:52:39.400
<v Speaker 1>I had a lot of you know, I saw Van

0:52:39.520 --> 0:52:40.880
<v Speaker 1>Marrison a few times when I was a kid. He

0:52:41.640 --> 0:52:45.800
<v Speaker 1>clearly improvised a lot on stage. I saw Miles Davies,

0:52:45.840 --> 0:52:46.560
<v Speaker 1>he did the same thing.

0:52:46.680 --> 0:52:46.840
<v Speaker 7>You know.

0:52:47.040 --> 0:52:50.520
<v Speaker 1>It was a lot of music that I really liked

0:52:50.640 --> 0:52:52.719
<v Speaker 1>that did that. But you know, it's also part of

0:52:52.840 --> 0:52:58.520
<v Speaker 1>what in our minds for a lot of years, we

0:52:58.680 --> 0:53:05.640
<v Speaker 1>associated seeing the bands we loved with music being different

0:53:05.680 --> 0:53:08.440
<v Speaker 1>from the records, because that's what live music was. It

0:53:08.600 --> 0:53:12.160
<v Speaker 1>wasn't until I think, really MTV came along that we

0:53:12.320 --> 0:53:18.560
<v Speaker 1>associated seeing that people perform and hearing the record. You know,

0:53:19.480 --> 0:53:22.000
<v Speaker 1>I mean, you had Elvis movies before that kind of

0:53:22.080 --> 0:53:26.839
<v Speaker 1>and you know, Beatles movies but you didn't really think

0:53:26.920 --> 0:53:28.440
<v Speaker 1>of it that way, like when you thought about going

0:53:28.480 --> 0:53:30.520
<v Speaker 1>to a concert, it was going to be different and

0:53:30.640 --> 0:53:33.600
<v Speaker 1>you look forward to that, you know. But the MTV

0:53:33.760 --> 0:53:35.160
<v Speaker 1>kind of trained us in a lot of ways to

0:53:35.239 --> 0:53:37.279
<v Speaker 1>think we could watch the band and it would be

0:53:37.320 --> 0:53:40.640
<v Speaker 1>exactly the same as we were listening. And that's nothing

0:53:40.680 --> 0:53:42.319
<v Speaker 1>wrong with that. There are people who do it really well.

0:53:44.239 --> 0:53:45.719
<v Speaker 1>And I guess there was TV too, now that I

0:53:45.800 --> 0:53:48.560
<v Speaker 1>think about it, At Sullivan and most people you were

0:53:48.640 --> 0:53:51.120
<v Speaker 1>lip syncing, So it did exist before MTV, but that

0:53:51.280 --> 0:53:53.239
<v Speaker 1>was on TV, you know. I don't know. Maybe my

0:53:53.360 --> 0:53:56.520
<v Speaker 1>theory doesn't really work. I like it. It's an interesting one,

0:53:56.880 --> 0:53:59.120
<v Speaker 1>damn it. The mistake I made right now was calling

0:53:59.239 --> 0:53:59.880
<v Speaker 1>myself on that.

0:54:00.160 --> 0:54:01.279
<v Speaker 4>You should have just let it out.

0:54:03.960 --> 0:54:08.520
<v Speaker 1>Person who should point out you're wrong is yourself. I

0:54:08.560 --> 0:54:10.880
<v Speaker 1>don't know. I grew up thinking that's what music was,

0:54:11.040 --> 0:54:13.399
<v Speaker 1>you know, and I really liked that, and so when

0:54:13.400 --> 0:54:17.800
<v Speaker 1>I started to play music, it wasn't like it actually

0:54:17.920 --> 0:54:21.279
<v Speaker 1>wasn't right when I started to play music. The very

0:54:21.440 --> 0:54:27.520
<v Speaker 1>first gig of our first tour, we drove up the tour.

0:54:27.600 --> 0:54:29.800
<v Speaker 1>We were going to be opening for Suade, and the

0:54:29.840 --> 0:54:32.200
<v Speaker 1>middle band was the Cranberry's. They ended up blowing up

0:54:32.280 --> 0:54:34.400
<v Speaker 1>midway through that tour, but Swade was the headliner and

0:54:34.480 --> 0:54:36.640
<v Speaker 1>we were the third band. And the first gig we

0:54:36.719 --> 0:54:40.200
<v Speaker 1>played was that the Town Pump in Vancouver, and I

0:54:40.320 --> 0:54:43.719
<v Speaker 1>think it was just Cranberry's that night, and we drove

0:54:43.760 --> 0:54:45.839
<v Speaker 1>all the way up from Berkeley, twenty four hour drive

0:54:46.120 --> 0:54:51.120
<v Speaker 1>up from Berkeley, and that afternoon before the show, we

0:54:51.200 --> 0:54:54.080
<v Speaker 1>did sound check and then we went a few of

0:54:54.200 --> 0:54:57.200
<v Speaker 1>us went over to the Lake Victoria and we were

0:54:57.239 --> 0:54:59.440
<v Speaker 1>sort of looking at the shores of the lake. It

0:54:59.520 --> 0:55:01.000
<v Speaker 1>was pretty and we were just trying to figure out

0:55:01.000 --> 0:55:03.480
<v Speaker 1>what to do before the show. And I turned to

0:55:03.600 --> 0:55:05.120
<v Speaker 1>like the guys who were there in the band. I

0:55:05.160 --> 0:55:08.560
<v Speaker 1>think it was Charlie and I don't remember who else

0:55:08.640 --> 0:55:12.440
<v Speaker 1>was there, Dan maybe, and I'm like, hey, when we

0:55:12.520 --> 0:55:15.440
<v Speaker 1>get done with the solo, the guitar solo and mister Jones,

0:55:15.680 --> 0:55:21.320
<v Speaker 1>I'm gonna go like this and everybody come down and

0:55:21.440 --> 0:55:23.799
<v Speaker 1>they said why, I'm like, I don't know, I'm gonna

0:55:23.800 --> 0:55:26.600
<v Speaker 1>do something. What are you gonna do? I don't know,

0:55:27.080 --> 0:55:30.680
<v Speaker 1>Just follow me. It's gonna be cool, you know, I'll try,

0:55:30.960 --> 0:55:32.719
<v Speaker 1>you know, And it was just like they all looked

0:55:32.719 --> 0:55:34.920
<v Speaker 1>at me like okay, well all right, let's try it.

0:55:35.719 --> 0:55:37.719
<v Speaker 1>And then we did it that night and it was great,

0:55:37.960 --> 0:55:40.320
<v Speaker 1>and like, you know, we're the opening of three bands,

0:55:41.320 --> 0:55:44.160
<v Speaker 1>and we start playing these shows where we're like taking

0:55:44.200 --> 0:55:46.759
<v Speaker 1>the songs apart in the middle. Yeah, and you know,

0:55:46.800 --> 0:55:48.960
<v Speaker 1>you only have a half hour set, so you can

0:55:49.040 --> 0:55:51.839
<v Speaker 1>only play a few songs. But we started doing these

0:55:52.680 --> 0:55:55.800
<v Speaker 1>ten minute versions of like Ranking in a thirty minute

0:55:55.840 --> 0:55:58.279
<v Speaker 1>set or around here. Later. I don't remember how soon

0:55:58.360 --> 0:55:59.880
<v Speaker 1>we started doing around here, because I know it started

0:55:59.880 --> 0:56:04.520
<v Speaker 1>with Ranking, you know, and people sat up and took notice,

0:56:04.680 --> 0:56:07.560
<v Speaker 1>you know, and people got, oh, this is really cool,

0:56:07.640 --> 0:56:09.400
<v Speaker 1>you know, because especially the people that are seeing you

0:56:09.480 --> 0:56:11.960
<v Speaker 1>at that point either have sought you out because they

0:56:12.000 --> 0:56:14.719
<v Speaker 1>have the record and they're really interested, or they're just

0:56:14.840 --> 0:56:17.239
<v Speaker 1>like indie music fans because they're there ce Suaye, you know,

0:56:18.160 --> 0:56:22.560
<v Speaker 1>and they're in a club, you know. And nobody's complained

0:56:22.560 --> 0:56:25.840
<v Speaker 1>about it until the next summer when we were huge,

0:56:26.760 --> 0:56:30.320
<v Speaker 1>and the fans that came in were like, play mister Jones,

0:56:30.920 --> 0:56:32.239
<v Speaker 1>that's all, and.

0:56:32.320 --> 0:56:36.200
<v Speaker 4>Make it sound exactly the same album tricks, right.

0:56:36.400 --> 0:56:38.000
<v Speaker 1>I mean, I still think we get a lot of

0:56:38.040 --> 0:56:40.960
<v Speaker 1>complaints still, I mean not a lot, but like, you know,

0:56:41.000 --> 0:56:44.320
<v Speaker 1>I'll be looking through the the mentions and the stuff

0:56:44.400 --> 0:56:49.040
<v Speaker 1>on Instagram after shows and they'll there'll be someone every

0:56:49.080 --> 0:56:52.640
<v Speaker 1>once in a while who's like, they just ruined song

0:56:52.760 --> 0:56:56.760
<v Speaker 1>after songs tonight. How are we supposed to sing along

0:56:57.000 --> 0:57:00.279
<v Speaker 1>if he doesn't even know how the song goes? First

0:57:00.320 --> 0:57:02.680
<v Speaker 1>thought is, don't worry about singing along. I can do

0:57:02.760 --> 0:57:09.200
<v Speaker 1>it better than you, right, But you know, I understand

0:57:09.440 --> 0:57:12.680
<v Speaker 1>enjoying singing along at shows. You know, when I go

0:57:12.840 --> 0:57:15.399
<v Speaker 1>when I go to see Dashboard Confessional, my friend Chris's band,

0:57:15.800 --> 0:57:18.760
<v Speaker 1>the entire audience sings along the whole time and it's awesome.

0:57:19.160 --> 0:57:21.240
<v Speaker 3>Yeah, but I my songs.

0:57:21.040 --> 0:57:23.600
<v Speaker 1>Aren't as They're not like, I don't know why they're

0:57:23.600 --> 0:57:25.720
<v Speaker 1>They're just different in that Well maybe it's just that

0:57:25.760 --> 0:57:27.360
<v Speaker 1>I'm screwing them up. It could be that too.

0:57:27.600 --> 0:57:29.880
<v Speaker 2>When the ground, I mean, I think that you know

0:57:30.040 --> 0:57:33.320
<v Speaker 2>that that live quality that's sort of like, oh, every

0:57:33.400 --> 0:57:34.920
<v Speaker 2>night is going to be a little different where we

0:57:34.960 --> 0:57:37.800
<v Speaker 2>don't know, you're you're having an experience, you're discovering the

0:57:37.920 --> 0:57:40.280
<v Speaker 2>song live. That I mean, that was what always attracted

0:57:40.360 --> 0:57:42.640
<v Speaker 2>me to you guys, you know, and I think that, yeah,

0:57:42.680 --> 0:57:43.800
<v Speaker 2>you're going to lose some people.

0:57:43.920 --> 0:57:47.240
<v Speaker 4>But I think, you know, it's it's worked out. You know,

0:57:47.440 --> 0:57:48.200
<v Speaker 4>you guys are still here.

0:57:48.320 --> 0:57:50.160
<v Speaker 1>Yeah, I mean, I think you're right, and it's like

0:57:50.920 --> 0:57:53.920
<v Speaker 1>something is working because it's thirty years on and plenty

0:57:53.920 --> 0:57:55.480
<v Speaker 1>of people came to shows this summer. You know, we

0:57:55.560 --> 0:57:58.440
<v Speaker 1>played sixty shows this summer and there's a lot of

0:57:58.480 --> 0:57:58.920
<v Speaker 1>people there.

0:57:59.280 --> 0:58:02.920
<v Speaker 9>We were in the same places you once. Yeah, we

0:58:03.480 --> 0:58:06.080
<v Speaker 9>were in Raleigh, North Carolina the same night you guys

0:58:06.160 --> 0:58:07.960
<v Speaker 9>were in Raleigh, and we found out you were doing

0:58:08.000 --> 0:58:10.640
<v Speaker 9>a show walking distance from where we were, and we

0:58:10.800 --> 0:58:12.800
<v Speaker 9>tried to get in at the last second and not

0:58:12.960 --> 0:58:14.200
<v Speaker 9>a ticket to be found.

0:58:14.280 --> 0:58:15.640
<v Speaker 3>I couldn't get couldn't get in.

0:58:15.960 --> 0:58:19.240
<v Speaker 1>Oh, you were at the convention. Yeah, yeah, I remember

0:58:19.280 --> 0:58:22.400
<v Speaker 1>that day because Chris went over to the convention because

0:58:22.920 --> 0:58:26.400
<v Speaker 1>he's seriously geeky too, and Kaba went over to the

0:58:26.440 --> 0:58:28.800
<v Speaker 1>convention to sort of geek out with people, you know,

0:58:29.760 --> 0:58:33.440
<v Speaker 1>Star Wars, Star Trek. Really, he's really into that. Like

0:58:33.640 --> 0:58:37.520
<v Speaker 1>last was it last year? I think it was last year.

0:58:38.200 --> 0:58:40.240
<v Speaker 1>Chris called me and he said, I'm coming up to

0:58:40.320 --> 0:58:45.640
<v Speaker 1>New York for a weekend. I'm doing this thing. I

0:58:45.680 --> 0:58:46.840
<v Speaker 1>don't know if you want to go with us. And

0:58:46.840 --> 0:58:49.640
<v Speaker 1>I'm like, what is it. He goes, well, it's a

0:58:49.640 --> 0:58:53.200
<v Speaker 1>little embarrassing, but you know, you know me, And I'm like, yeah,

0:58:53.280 --> 0:58:55.240
<v Speaker 1>what is it? He goes, We're going to a podcast.

0:58:55.320 --> 0:58:59.000
<v Speaker 1>We're going to a Star Trek podcast. Really, all right,

0:58:59.000 --> 0:59:00.920
<v Speaker 1>I'll come with you him and his brother and we

0:59:01.000 --> 0:59:05.040
<v Speaker 1>all went. It was this podcast called the Greatest Generation

0:59:05.560 --> 0:59:08.720
<v Speaker 1>and they go every podcast they go through a different

0:59:08.760 --> 0:59:11.840
<v Speaker 1>episode starting I don't think they did the original Star Trek.

0:59:11.840 --> 0:59:13.560
<v Speaker 1>I think they started with the Next Generation and they're

0:59:13.560 --> 0:59:16.400
<v Speaker 1>going theoretically going through all the shows, but they have

0:59:16.520 --> 0:59:20.480
<v Speaker 1>these live ones where they just do the movies. Okay,

0:59:20.640 --> 0:59:22.480
<v Speaker 1>So we went to one of the live ones at

0:59:22.560 --> 0:59:27.440
<v Speaker 1>the Bell what's that place in the Bellhouse in Brooklyn,

0:59:28.440 --> 0:59:31.000
<v Speaker 1>and we saw we went to hang out with these

0:59:31.040 --> 0:59:32.360
<v Speaker 1>We went and talked to the guys and hang out

0:59:32.360 --> 0:59:33.640
<v Speaker 1>with them and had a few beers, and then they

0:59:33.720 --> 0:59:36.920
<v Speaker 1>did their podcast on Star Trek four, which was my

0:59:37.160 --> 0:59:40.120
<v Speaker 1>favorite of the old Star Trek movies. Great movie The

0:59:40.200 --> 0:59:42.720
<v Speaker 1>Whales and the twentieth Century San Francisco.

0:59:43.120 --> 0:59:44.000
<v Speaker 6>Yep, so.

0:59:45.760 --> 0:59:53.040
<v Speaker 1>Yeah, yeah, great movie. So they did this hysterical podcast

0:59:53.120 --> 0:59:55.040
<v Speaker 1>on it. Me and Chris went to it with his

0:59:55.160 --> 0:59:58.880
<v Speaker 1>brother and it was awesome and I you know, so yeah.

0:59:59.440 --> 1:00:02.520
<v Speaker 1>I remember that day because Chris there was like a

1:00:02.640 --> 1:00:06.840
<v Speaker 1>tunnel that connected actually through the basement to the convention

1:00:07.480 --> 1:00:09.120
<v Speaker 1>to our gig, and they went to it.

1:00:09.560 --> 1:00:13.200
<v Speaker 9>We just crashed it.

1:00:13.360 --> 1:00:14.880
<v Speaker 7>We would have crashed it if we could.

1:00:15.040 --> 1:00:15.520
<v Speaker 1>We tried.

1:00:15.640 --> 1:00:17.800
<v Speaker 9>We walked by, we stood outside for a little bit,

1:00:17.920 --> 1:00:19.920
<v Speaker 9>listened to a little bit of the music, and left.

1:00:19.960 --> 1:00:21.560
<v Speaker 3>We tried to get in, but we just couldn't.

1:00:22.240 --> 1:00:23.800
<v Speaker 1>We don't have each other's numbers anymore.

1:00:24.000 --> 1:00:25.440
<v Speaker 4>No, I texted.

1:00:25.560 --> 1:00:27.520
<v Speaker 2>I texted Emmy because I'm still in touch with Emmy,

1:00:27.560 --> 1:00:28.960
<v Speaker 2>So I texted him and he was like, let me try,

1:00:29.080 --> 1:00:29.560
<v Speaker 2>let me try.

1:00:29.680 --> 1:00:31.520
<v Speaker 8>But then it was like five minutes before the show

1:00:31.760 --> 1:00:31.960
<v Speaker 8>was like.

1:00:32.040 --> 1:00:34.560
<v Speaker 1>Emberdn't come to Ah. I wish I'd known. I would

1:00:34.600 --> 1:00:36.600
<v Speaker 1>have absolutely worked it out to get you guys in.

1:00:37.040 --> 1:00:38.400
<v Speaker 1>That's a shame.

1:00:38.680 --> 1:00:40.280
<v Speaker 3>I have another industry question for you.

1:00:40.480 --> 1:00:43.880
<v Speaker 9>The biggest story this month has been the surprising resurgence

1:00:44.040 --> 1:00:48.200
<v Speaker 9>of Creed from the Texas Rangers championing them through the

1:00:48.240 --> 1:00:50.840
<v Speaker 9>World Series and now they've reunited for a tour and

1:00:50.920 --> 1:00:53.560
<v Speaker 9>it seems like they have like the perfect amount of

1:00:53.840 --> 1:00:57.439
<v Speaker 9>camp and nostalgia going into the next year.

1:00:57.800 --> 1:01:01.439
<v Speaker 3>So my question for you is creep get a bad rap?

1:01:03.160 --> 1:01:06.320
<v Speaker 1>Well, I think yeah, I mean, there's no such thing

1:01:06.360 --> 1:01:10.720
<v Speaker 1>as anything but that. Look, I mean, we're just it

1:01:10.800 --> 1:01:13.160
<v Speaker 1>doesn't matter whether you're a big Creed fan or not.

1:01:13.520 --> 1:01:16.440
<v Speaker 1>Somebody is and they enjoy the music, you know, like

1:01:17.080 --> 1:01:20.040
<v Speaker 1>they enjoy the music. And people like music because they

1:01:20.200 --> 1:01:23.040
<v Speaker 1>like music, you know, and they should be able to

1:01:23.240 --> 1:01:26.640
<v Speaker 1>enjoy that music. It's really dumb to me this thing

1:01:26.720 --> 1:01:29.120
<v Speaker 1>we do where our you know, music's different from other

1:01:29.200 --> 1:01:32.160
<v Speaker 1>art forms that we literally wear it on our chests, right, yeah,

1:01:32.200 --> 1:01:34.200
<v Speaker 1>you know, although this is a fresh pinch shirt, so

1:01:34.280 --> 1:01:37.439
<v Speaker 1>maybe it's actually maybe it's actually a TV show show.

1:01:37.480 --> 1:01:39.560
<v Speaker 3>You correct yourself way too much at them.

1:01:39.800 --> 1:01:40.600
<v Speaker 7>Just go with it.

1:01:41.560 --> 1:01:44.440
<v Speaker 1>I mean, I feel like we define ourselves by the

1:01:44.520 --> 1:01:47.320
<v Speaker 1>music we like in ways we don't with other art forms.

1:01:47.560 --> 1:01:48.000
<v Speaker 7>And and.

1:01:49.840 --> 1:01:52.200
<v Speaker 1>And then we put down other people for the music

1:01:52.280 --> 1:01:54.280
<v Speaker 1>they like. And it just seems so silly to me.

1:01:54.520 --> 1:01:57.800
<v Speaker 1>It's just whether their music is great or not, whether

1:01:57.840 --> 1:02:00.439
<v Speaker 1>the band is like howe, we have to stratify who's

1:02:00.480 --> 1:02:03.480
<v Speaker 1>the best. There's still some guy who was sitting at

1:02:03.520 --> 1:02:06.200
<v Speaker 1>home in his bedroom writing these songs that meant something

1:02:06.240 --> 1:02:09.040
<v Speaker 1>to him, right, and he chose to express himself in

1:02:09.120 --> 1:02:12.040
<v Speaker 1>that way, and so he did, and the way the media,

1:02:12.280 --> 1:02:16.280
<v Speaker 1>like Lynch mobs certain bands and then everybody else jumps

1:02:16.320 --> 1:02:18.680
<v Speaker 1>on it too. I watched this documentary a little while

1:02:18.720 --> 1:02:20.560
<v Speaker 1>ago about the Begs, you know, and.

1:02:20.600 --> 1:02:21.040
<v Speaker 3>It was.

1:02:22.920 --> 1:02:27.440
<v Speaker 1>So good, and you know, there there were such a

1:02:27.640 --> 1:02:31.760
<v Speaker 1>huge influential band, meshing different kinds of music and making

1:02:31.880 --> 1:02:36.080
<v Speaker 1>this incredible like music out of it. The disco music

1:02:36.200 --> 1:02:39.440
<v Speaker 1>was so good and and then that became this thing

1:02:39.480 --> 1:02:43.000
<v Speaker 1>that divided people, and you realize, like they One of

1:02:43.040 --> 1:02:44.600
<v Speaker 1>the great things in that movie was they did an

1:02:44.640 --> 1:02:47.160
<v Speaker 1>interview with one of the ushers at Kimiski Park where

1:02:47.200 --> 1:02:49.920
<v Speaker 1>they had to burn the disco record celebration, and that

1:02:50.000 --> 1:02:52.240
<v Speaker 1>people are bringing in records that he's like, this isn't

1:02:52.240 --> 1:02:54.920
<v Speaker 1>a disco record, this is a soul It's like Stevie Wonder,

1:02:55.000 --> 1:02:58.000
<v Speaker 1>you know, it's and he realized that, Oll, it's not

1:02:58.120 --> 1:03:00.360
<v Speaker 1>really just about disco. It's about black meat music and

1:03:00.440 --> 1:03:04.080
<v Speaker 1>gay music and everything that was sort of like not

1:03:04.400 --> 1:03:07.560
<v Speaker 1>cool for white guys in middle of I don't know what,

1:03:08.240 --> 1:03:10.840
<v Speaker 1>but the Beg's Meanwhile, we're off on the biggest tour

1:03:10.880 --> 1:03:13.920
<v Speaker 1>in the world. They get home and they realize no

1:03:14.040 --> 1:03:16.920
<v Speaker 1>one nots to ever hear anything from you again. You know,

1:03:17.000 --> 1:03:19.520
<v Speaker 1>like you're You've gone from being the biggest band bar

1:03:19.680 --> 1:03:23.880
<v Speaker 1>none in the world to anathema, like no one even

1:03:23.920 --> 1:03:26.720
<v Speaker 1>wants to like admit to liking you ever again, and

1:03:26.800 --> 1:03:29.280
<v Speaker 1>that's kind of the end of their career, which sucks.

1:03:29.560 --> 1:03:32.440
<v Speaker 1>I mean, that's so stupid, and it's just it has

1:03:32.520 --> 1:03:34.240
<v Speaker 1>to do a lot with what radio does, which is

1:03:34.320 --> 1:03:36.760
<v Speaker 1>play it until you're sick of it. And that's part

1:03:36.800 --> 1:03:39.040
<v Speaker 1>of what happens. You know, radio plays till you are

1:03:39.120 --> 1:03:41.080
<v Speaker 1>sick of it, and you have no control over that.

1:03:41.640 --> 1:03:44.200
<v Speaker 1>The best possible situation is that they play you, and

1:03:44.280 --> 1:03:46.360
<v Speaker 1>the worst possible situation is they play you too much,

1:03:46.440 --> 1:03:46.880
<v Speaker 1>and then.

1:03:48.320 --> 1:03:48.480
<v Speaker 6>You know.

1:03:49.120 --> 1:03:52.120
<v Speaker 1>But I was sort of I'd forgotten about all that

1:03:52.200 --> 1:03:55.360
<v Speaker 1>when it happened, and it was appalling to watch it

1:03:55.440 --> 1:03:58.160
<v Speaker 1>again and see what a lynch mob it was. Yeah,

1:03:58.560 --> 1:04:00.440
<v Speaker 1>you know, and uh, how to disupport that.

1:04:00.840 --> 1:04:11.840
<v Speaker 7>Is because we were a television show. We hear from

1:04:11.880 --> 1:04:14.400
<v Speaker 7>our fans all the time. We grew up with you.

1:04:14.560 --> 1:04:17.360
<v Speaker 7>It's super important to us and it meant something in

1:04:17.440 --> 1:04:20.960
<v Speaker 7>our childhood, so very briefly bringing it to television, did

1:04:21.080 --> 1:04:22.880
<v Speaker 7>you have a Boy Meets World in your life. Was

1:04:22.920 --> 1:04:24.720
<v Speaker 7>there a show you grew up watching that was really

1:04:24.760 --> 1:04:25.240
<v Speaker 7>important to you?

1:04:27.560 --> 1:04:30.360
<v Speaker 1>Yeah, I mean there were lots. I mean the ones

1:04:30.440 --> 1:04:32.600
<v Speaker 1>that stick out the most in my mind were like

1:04:32.680 --> 1:04:34.600
<v Speaker 1>All in the Family when I was a kid, it

1:04:34.760 --> 1:04:39.320
<v Speaker 1>was really and the Jeffersons, they were really like, you know,

1:04:39.440 --> 1:04:42.520
<v Speaker 1>good Time, those those sitcoms, the Norman Lear Ones, Mary

1:04:42.560 --> 1:04:45.960
<v Speaker 1>Tyler Moore Show, you know, those were so brilliant and

1:04:46.160 --> 1:04:50.600
<v Speaker 1>so like culture changing to me at the time. And

1:04:50.720 --> 1:04:54.160
<v Speaker 1>then soon after that, I got really obsessed with Hill

1:04:54.200 --> 1:04:56.720
<v Speaker 1>Street Blues, you know, and and the beginning of his shows,

1:04:56.760 --> 1:04:59.960
<v Speaker 1>which are so many good shows that Stephen Boschko made,

1:05:00.040 --> 1:05:03.120
<v Speaker 1>and such a huge influence on everything after that too,

1:05:03.280 --> 1:05:09.520
<v Speaker 1>you know, like television changes massively because of those shows

1:05:09.560 --> 1:05:11.160
<v Speaker 1>and specifically Hill Street Blues.

1:05:10.920 --> 1:05:11.040
<v Speaker 6>You know.

1:05:12.920 --> 1:05:15.160
<v Speaker 1>And then but the other thing that really hit me

1:05:15.280 --> 1:05:17.800
<v Speaker 1>after that was Ken Burns. I still think in a

1:05:17.840 --> 1:05:21.120
<v Speaker 1>lot of ways is my favorite filmmaker, you know, and

1:05:21.240 --> 1:05:23.520
<v Speaker 1>that he made I guess they're movies, but they were

1:05:23.560 --> 1:05:26.480
<v Speaker 1>all made for TV. You know, the Statue of Liberty,

1:05:26.520 --> 1:05:29.520
<v Speaker 1>one that features Carolyn Fourchet, who was the poet I

1:05:29.600 --> 1:05:31.120
<v Speaker 1>was reading when I wrote my first song and had

1:05:31.120 --> 1:05:35.080
<v Speaker 1>a huge influence you know, that Civil War documentary. Later on,

1:05:35.200 --> 1:05:39.200
<v Speaker 1>the Jazz and the Baseball ones, which were so powerful

1:05:39.280 --> 1:05:42.400
<v Speaker 1>to me, you know, and he just continued making them

1:05:42.400 --> 1:05:45.240
<v Speaker 1>for years and years still to this day. Their brilliant work.

1:05:45.560 --> 1:05:50.680
<v Speaker 1>The Vietnam one is incredible, Pat too. Yeah, the Prohibition

1:05:50.800 --> 1:05:53.040
<v Speaker 1>one's really good. It's a little briefer, but it's really good.

1:05:53.600 --> 1:05:55.520
<v Speaker 1>Jack Johnson one had a big effect on me because

1:05:55.520 --> 1:05:57.760
<v Speaker 1>it becomes part of the beginning of Palisades Park, which

1:05:57.800 --> 1:06:02.720
<v Speaker 1>is about Jack Johnson's fight with Jim Jeffreys in Reno

1:06:02.880 --> 1:06:05.160
<v Speaker 1>in whatever that was nineteen hundred and nineteen ten, you know,

1:06:05.280 --> 1:06:10.160
<v Speaker 1>like that's the beginning of Palisades Park. Yeah, those shows

1:06:10.160 --> 1:06:14.120
<v Speaker 1>were really really big to me. You know, it changes

1:06:14.200 --> 1:06:17.320
<v Speaker 1>weirdly when we go on tour because then I just

1:06:18.120 --> 1:06:20.440
<v Speaker 1>for a few years, it's almost impossible to see anything.

1:06:21.320 --> 1:06:25.320
<v Speaker 1>Until I made friends who gave me, Like Nev Campbell,

1:06:25.640 --> 1:06:27.720
<v Speaker 1>I told her I really wanted to see Party of

1:06:27.760 --> 1:06:29.040
<v Speaker 1>Five because I hadn't seen it and I heard it

1:06:29.160 --> 1:06:32.040
<v Speaker 1>was really great, and she got me the She had

1:06:32.080 --> 1:06:37.000
<v Speaker 1>the studio print all of them up on VHS tapes

1:06:37.240 --> 1:06:40.560
<v Speaker 1>and gave me like three boxes of podcast and they

1:06:40.640 --> 1:06:42.880
<v Speaker 1>did the same thing for me for the X Files

1:06:43.120 --> 1:06:44.520
<v Speaker 1>and we would watch them in the back of the

1:06:44.560 --> 1:06:45.200
<v Speaker 1>bus on tour.

1:06:45.320 --> 1:06:46.680
<v Speaker 3>You know, that's amazing.

1:06:46.760 --> 1:06:48.680
<v Speaker 9>I wonder if she had to pay like five hundred

1:06:48.720 --> 1:06:51.960
<v Speaker 9>dollars to get me, had to pay at the end

1:06:52.040 --> 1:06:54.360
<v Speaker 9>of the season, Adam. Believe it or not, we would

1:06:54.440 --> 1:06:56.520
<v Speaker 9>work on the show all season, and then at the

1:06:56.800 --> 1:06:59.600
<v Speaker 9>end of the season, they would say, for the lolow

1:06:59.720 --> 1:07:03.120
<v Speaker 9>price of like three hundred and eighty dollars, you can

1:07:03.600 --> 1:07:06.760
<v Speaker 9>have a copy of each episode you did on these

1:07:06.880 --> 1:07:09.720
<v Speaker 9>VHS tapes. And we would pay the money and we'd

1:07:09.800 --> 1:07:10.800
<v Speaker 9>get them on VHS.

1:07:11.680 --> 1:07:13.960
<v Speaker 1>That's not that they really get you, coming and gone.

1:07:13.960 --> 1:07:15.160
<v Speaker 1>I mean right, that's how they get you.

1:07:15.720 --> 1:07:16.480
<v Speaker 4>That's how they get you.

1:07:16.880 --> 1:07:17.160
<v Speaker 9>Disney.

1:07:17.240 --> 1:07:20.200
<v Speaker 1>Yeah, man, it's like those studios. It's like there's so

1:07:20.440 --> 1:07:22.840
<v Speaker 1>much You realize that too when you're in a band.

1:07:22.880 --> 1:07:25.120
<v Speaker 1>Once you start working with a movie or a TV show,

1:07:25.360 --> 1:07:27.920
<v Speaker 1>there's just so much more money involved and therefore so

1:07:28.040 --> 1:07:30.720
<v Speaker 1>many more executives, and therefore it cost them less to

1:07:30.800 --> 1:07:32.640
<v Speaker 1>just sick a lawyer at you for something. It's just

1:07:32.800 --> 1:07:36.040
<v Speaker 1>like it ends up always being I love having my

1:07:36.200 --> 1:07:38.720
<v Speaker 1>music in movies and on TV, but it's always a

1:07:38.760 --> 1:07:40.320
<v Speaker 1>bit of a chore. And a headache because you got

1:07:40.400 --> 1:07:42.000
<v Speaker 1>to defend yourself the whole way through it.

1:07:42.360 --> 1:07:45.120
<v Speaker 9>Yep, that's exactly right. My last question for you, you

1:07:45.360 --> 1:07:48.360
<v Speaker 9>guys have been on the road NonStop lately. What can

1:07:48.440 --> 1:07:52.080
<v Speaker 9>fans expect from Counting Crows in the future. And do you,

1:07:52.080 --> 1:07:54.320
<v Speaker 9>you know, need anybody to jump on stage with you

1:07:54.440 --> 1:07:55.800
<v Speaker 9>like I did thirty years ago and.

1:07:55.920 --> 1:07:57.720
<v Speaker 3>Then just you know, dance on stage.

1:07:58.920 --> 1:08:00.800
<v Speaker 1>We always need that. We haven't done it much in

1:08:00.880 --> 1:08:02.840
<v Speaker 1>a while, just with the other bands, but yeah, we

1:08:03.640 --> 1:08:05.919
<v Speaker 1>used to do that with hanging around and everybody.

1:08:05.920 --> 1:08:08.040
<v Speaker 3>We all jumped up, We all jumped up there.

1:08:08.840 --> 1:08:08.960
<v Speaker 7>You know.

1:08:09.040 --> 1:08:10.280
<v Speaker 1>That's kind of based on the fact that we had

1:08:10.280 --> 1:08:12.560
<v Speaker 1>all our friends in the studio clapping on that song.

1:08:12.640 --> 1:08:15.400
<v Speaker 1>Originally it was everybody at the house recording on it,

1:08:15.720 --> 1:08:19.160
<v Speaker 1>I mean clapping when we did the song. Uh, I mean,

1:08:19.240 --> 1:08:21.280
<v Speaker 1>I'm writing a few songs. I was just working last

1:08:21.360 --> 1:08:26.000
<v Speaker 1>night to get the second half of the suite done.

1:08:26.600 --> 1:08:28.840
<v Speaker 1>I think hopefully we'll get recording later this year. And

1:08:28.920 --> 1:08:31.599
<v Speaker 1>then we were just talking the last couple of days

1:08:31.600 --> 1:08:34.920
<v Speaker 1>about going out this coming summer and whether to do

1:08:35.000 --> 1:08:38.599
<v Speaker 1>it or not and how to do it, and I mean,

1:08:38.640 --> 1:08:41.120
<v Speaker 1>ablell just keep doing what we're doing. I guess it

1:08:41.200 --> 1:08:43.160
<v Speaker 1>seems to be working and I don't really have any

1:08:43.160 --> 1:08:50.000
<v Speaker 1>other employment. Surprised how little there is out there for

1:08:50.760 --> 1:08:51.960
<v Speaker 1>aging rock and rollers.

1:08:52.040 --> 1:08:52.200
<v Speaker 4>You know.

1:08:53.880 --> 1:08:56.200
<v Speaker 9>Well, we would love to make it out to a

1:08:56.280 --> 1:08:58.840
<v Speaker 9>show and and we'll invite Will along this time.

1:08:58.960 --> 1:09:00.960
<v Speaker 7>Will, I'd like to come again.

1:09:01.080 --> 1:09:01.320
<v Speaker 1>Writer.

1:09:01.600 --> 1:09:05.600
<v Speaker 7>Writer especially uh brought your band into my life. I

1:09:05.720 --> 1:09:08.240
<v Speaker 7>tried to reciprocate with my my growing up band, which

1:09:08.280 --> 1:09:11.960
<v Speaker 7>is Who's Gerdo. I've tried over and over. So I'm

1:09:12.000 --> 1:09:15.000
<v Speaker 7>trying to get more Bob Mulled into their lives as

1:09:15.080 --> 1:09:18.840
<v Speaker 7>much as I can. It's amazing, it's amazing. So but

1:09:19.040 --> 1:09:21.360
<v Speaker 7>they then Writer introduced me to Counting Crows and it's

1:09:21.360 --> 1:09:23.680
<v Speaker 7>been Uh. It was a great, great addition to my

1:09:23.840 --> 1:09:24.719
<v Speaker 7>my musical career.

1:09:24.840 --> 1:09:25.360
<v Speaker 1>So I loved it.

1:09:26.200 --> 1:09:28.599
<v Speaker 7>One more one more, very very very very brief thing.

1:09:28.680 --> 1:09:30.120
<v Speaker 7>Writer used to tell me back in the day, you

1:09:30.160 --> 1:09:32.640
<v Speaker 7>made a hell of a set of ribs using was

1:09:32.680 --> 1:09:33.799
<v Speaker 7>it Doctor Pecker?

1:09:34.520 --> 1:09:34.680
<v Speaker 1>Yeah?

1:09:34.880 --> 1:09:37.280
<v Speaker 7>Yeah, So I'm gonna need that recipe at some point.

1:09:37.840 --> 1:09:40.920
<v Speaker 1>I don't. I haven't done the Dr Pepper part of

1:09:40.920 --> 1:09:43.080
<v Speaker 1>the recipe in a long time. It's really good, though,

1:09:43.080 --> 1:09:45.400
<v Speaker 1>because the idea was that since you don't have a smoker.

1:09:46.000 --> 1:09:50.080
<v Speaker 1>You boil it a bit before you do the the grill.

1:09:50.880 --> 1:09:53.040
<v Speaker 1>I have been working on my ribs over the years,

1:09:53.439 --> 1:09:55.640
<v Speaker 1>tried coming up with an oven version, and I've been

1:09:55.720 --> 1:09:59.400
<v Speaker 1>I have not re included the doctor pepper part yet.

1:09:59.400 --> 1:10:01.519
<v Speaker 1>I've just been cooking it in the oven. But I

1:10:01.560 --> 1:10:03.600
<v Speaker 1>will say I got that recipe from Gibby Haynes of

1:10:03.600 --> 1:10:07.519
<v Speaker 1>the Butthole. Surfers used to have barbecues on sunset on

1:10:07.680 --> 1:10:09.519
<v Speaker 1>Sundays in front of the Viper Room when I was

1:10:09.600 --> 1:10:14.000
<v Speaker 1>martining there, and so Gibby taught me to make the

1:10:14.080 --> 1:10:16.960
<v Speaker 1>doctor Pepper ribs. We did it on Sunset Boulevard in

1:10:17.000 --> 1:10:17.880
<v Speaker 1>front of the Viper Room.

1:10:18.680 --> 1:10:21.760
<v Speaker 4>That's the only time I've ever had crawfish was at here.

1:10:21.800 --> 1:10:22.000
<v Speaker 1>Please.

1:10:22.000 --> 1:10:24.320
<v Speaker 4>You had to crawfish boil once, and I remember that.

1:10:24.439 --> 1:10:27.560
<v Speaker 4>I have done Mart's cracking the heads. Oh yeah, I

1:10:27.680 --> 1:10:29.759
<v Speaker 4>tried it. I'll never do it again.

1:10:30.400 --> 1:10:32.360
<v Speaker 7>I want the ribs. I want the rib recipe. Yeah

1:10:32.360 --> 1:10:32.840
<v Speaker 7>that's awesome.

1:10:33.479 --> 1:10:35.120
<v Speaker 1>Well, Adam, I'll figure out how to do it.

1:10:36.120 --> 1:10:38.800
<v Speaker 9>Thank you so much for taking time out of your

1:10:38.880 --> 1:10:41.599
<v Speaker 9>day and joining us. And you know it goes without

1:10:41.680 --> 1:10:44.599
<v Speaker 9>saying how important you were in writer's life. Throughout the nineties,

1:10:44.640 --> 1:10:47.520
<v Speaker 9>but also just to all of us, and it's an

1:10:47.600 --> 1:10:50.519
<v Speaker 9>honor to have gone through the nineties right alongside you.

1:10:50.640 --> 1:10:53.360
<v Speaker 9>We all celebrated our thirtieth anniversary this year, you with

1:10:53.400 --> 1:10:55.639
<v Speaker 9>August and everything after in us with Boy Meets World.

1:10:56.040 --> 1:10:59.800
<v Speaker 9>And it's really nice that we're both still here and

1:11:00.200 --> 1:11:03.439
<v Speaker 9>able to talk about the the impact that we had

1:11:03.479 --> 1:11:05.280
<v Speaker 9>on people and still doing what we love to do.

1:11:05.439 --> 1:11:06.720
<v Speaker 3>So thank you for being here with us.

1:11:07.040 --> 1:11:08.920
<v Speaker 1>It's so nice to see you guys again. I have

1:11:09.000 --> 1:11:10.600
<v Speaker 1>to say, it's really great to see all of you.

1:11:11.240 --> 1:11:11.839
<v Speaker 1>Thank pleasure.

1:11:11.920 --> 1:11:14.320
<v Speaker 3>It was really nice seeing you. Hopefully we'll see you soon.

1:11:14.880 --> 1:11:15.479
<v Speaker 1>Thanks you guys.

1:11:15.840 --> 1:11:17.639
<v Speaker 3>Thanks Adam, Bye bye bye.

1:11:29.439 --> 1:11:31.880
<v Speaker 1>Wow. So cool. Such a nice guy.

1:11:32.200 --> 1:11:33.320
<v Speaker 3>What a great dude.

1:11:33.840 --> 1:11:36.960
<v Speaker 4>Yeah, always has been the nicest guy.

1:11:37.720 --> 1:11:37.880
<v Speaker 6>You know.

1:11:37.920 --> 1:11:39.880
<v Speaker 2>It's it's it's so funny when somebody is like, you know,

1:11:40.080 --> 1:11:42.040
<v Speaker 2>writing songs for their tortured constantly.

1:11:42.360 --> 1:11:44.320
<v Speaker 4>Yeah, but then you actually talked to him.

1:11:44.320 --> 1:11:45.599
<v Speaker 7>He's pretty happy, pretty nice.

1:11:46.479 --> 1:11:48.160
<v Speaker 4>I'm sure he has his down moments, but those are

1:11:48.200 --> 1:11:49.920
<v Speaker 4>the moments that he writes the songs about. But you know,

1:11:50.040 --> 1:11:51.360
<v Speaker 4>for the most part, life is good.

1:11:51.680 --> 1:11:51.920
<v Speaker 3>Yeah.

1:11:52.160 --> 1:11:53.920
<v Speaker 9>Well, and he'd like he talked about you know, he

1:11:54.120 --> 1:11:57.280
<v Speaker 9>understands why people relate to it so much, even though

1:11:57.320 --> 1:11:59.840
<v Speaker 9>it seems like, you know, when you hear of some

1:12:00.120 --> 1:12:02.360
<v Speaker 9>be talking about because we talk about it in the

1:12:02.400 --> 1:12:04.599
<v Speaker 9>movie industry all the time or the TV industry where

1:12:04.600 --> 1:12:07.280
<v Speaker 9>it's like let's do a let's do a story about

1:12:07.560 --> 1:12:10.519
<v Speaker 9>a famous person, you go, well, that's not relatable. But

1:12:11.360 --> 1:12:16.759
<v Speaker 9>the actual struggle of fame and life changing those things

1:12:16.960 --> 1:12:20.000
<v Speaker 9>are actually super relatable and so exactly like you said,

1:12:20.000 --> 1:12:23.320
<v Speaker 9>where he wrote songs about a very specific sliver of

1:12:23.400 --> 1:12:25.519
<v Speaker 9>his life that he was willing to let you in on,

1:12:26.000 --> 1:12:28.519
<v Speaker 9>and it happened to be aspects of life that everyone

1:12:28.600 --> 1:12:29.160
<v Speaker 9>can relate to.

1:12:29.439 --> 1:12:30.599
<v Speaker 3>It's just it's really interesting.

1:12:31.120 --> 1:12:31.320
<v Speaker 9>Yeah.

1:12:31.400 --> 1:12:33.840
<v Speaker 8>I also just love hearing you know, it's like for

1:12:34.240 --> 1:12:36.800
<v Speaker 8>you know, doing music for ten years before you have

1:12:36.920 --> 1:12:37.400
<v Speaker 8>that moment.

1:12:37.560 --> 1:12:39.400
<v Speaker 4>But of course, as far as the world is concerned,

1:12:39.439 --> 1:12:40.599
<v Speaker 4>you're an overnight success.

1:12:40.720 --> 1:12:41.120
<v Speaker 3>That happened.

1:12:42.080 --> 1:12:45.320
<v Speaker 4>No, that's never the case. Whenever you hear about an

1:12:45.360 --> 1:12:48.479
<v Speaker 4>overnight success, there is probably ten years of struggle. Now,

1:12:48.560 --> 1:12:51.320
<v Speaker 4>when you're talking about child actors, that's a little different.

1:12:51.320 --> 1:12:52.880
<v Speaker 4>You can't you can't just be sitting on a porch

1:12:52.960 --> 1:12:55.640
<v Speaker 4>somewhere and somebody finds you. But that doesn't happen musically now,

1:12:55.720 --> 1:12:56.280
<v Speaker 4>it doesn't happen.

1:12:56.400 --> 1:12:58.880
<v Speaker 2>It doesn't happen almost in any other capacity, Like it's

1:12:58.960 --> 1:13:01.960
<v Speaker 2>really specifically too kid actors. But yeah, I've always thought

1:13:01.960 --> 1:13:04.160
<v Speaker 2>about that, like you know how much. And also just

1:13:04.240 --> 1:13:07.599
<v Speaker 2>like it's so interesting to hear about there's so especially

1:13:07.640 --> 1:13:10.200
<v Speaker 2>with rock and roll or music in general, there's so

1:13:10.320 --> 1:13:13.080
<v Speaker 2>much glamor and excitement and but the reality is like

1:13:13.200 --> 1:13:15.479
<v Speaker 2>the day to day life of being a musician is

1:13:15.640 --> 1:13:16.639
<v Speaker 2>so much work.

1:13:16.720 --> 1:13:20.400
<v Speaker 3>Like toy now, I mean, and we're little tour we're doing.

1:13:20.520 --> 1:13:22.800
<v Speaker 1>Can you imagine being on tour for nine months a

1:13:22.880 --> 1:13:23.880
<v Speaker 1>year the mad scene.

1:13:24.280 --> 1:13:25.960
<v Speaker 4>No, And if you're like the lead singer or the

1:13:26.040 --> 1:13:28.599
<v Speaker 4>lead musician, you're doing every every night.

1:13:28.680 --> 1:13:29.960
<v Speaker 8>It just takes so much energy.

1:13:30.080 --> 1:13:32.200
<v Speaker 7>And yeah, I couldn't imagine but him just going and

1:13:32.280 --> 1:13:34.240
<v Speaker 7>not even really knowing how to play the piano, but

1:13:34.360 --> 1:13:36.600
<v Speaker 7>going in picking out the notes and then going, oh,

1:13:36.640 --> 1:13:39.040
<v Speaker 7>I'm a songwriter. I mean that's amazing to me.

1:13:39.160 --> 1:13:39.920
<v Speaker 1>Yeah, it's in credit.

1:13:40.080 --> 1:13:41.639
<v Speaker 8>I've never heard that story. It's really cool.

1:13:41.720 --> 1:13:42.719
<v Speaker 3>I love it, very cool.

1:13:43.200 --> 1:13:45.080
<v Speaker 9>Well, thank you all for joining us for this episode

1:13:45.080 --> 1:13:47.040
<v Speaker 9>of Pod Meets World. As always, you can follow us

1:13:47.080 --> 1:13:49.720
<v Speaker 9>on Instagram, Pod Meets World Show. You can send us

1:13:49.720 --> 1:13:52.040
<v Speaker 9>your emails Pod Meets World Show at gmail dot com

1:13:52.240 --> 1:13:57.240
<v Speaker 9>and we have merch missed the march and me pod

1:13:57.280 --> 1:13:58.680
<v Speaker 9>Meets Worldshow dot com.

1:13:59.240 --> 1:14:01.360
<v Speaker 3>Thank you all for joining us writer send us out.

1:14:02.000 --> 1:14:03.599
<v Speaker 1>We love you all. Pod dismissed.

1:14:05.280 --> 1:14:08.679
<v Speaker 2>Podmeets World is an iHeart podcast producer hosted by Danielle Fischel,

1:14:08.760 --> 1:14:12.400
<v Speaker 2>Wilfridell and Ryder Strong executive producers, Jensen Karp and Amy

1:14:12.479 --> 1:14:16.200
<v Speaker 2>Sugarman Executive in charge of production, Danielle Romo, producer and editor,

1:14:16.240 --> 1:14:18.440
<v Speaker 2>Tara Subasch, producer, Mattie.

1:14:18.120 --> 1:14:21.280
<v Speaker 4>Moore engineer and Boy Meets World Superman Easton Allen. Our

1:14:21.320 --> 1:14:24.439
<v Speaker 4>theme song is by Kyle Morton of Typhoon. Follow us

1:14:24.479 --> 1:14:27.360
<v Speaker 4>on Instagram at Podmets World Show or email us at

1:14:27.520 --> 1:14:29.880
<v Speaker 4>Podmeats World Show at gmail dot com