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Speaker 1: Heard around the world on the iHeartRadio app, Apple Podcast

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Speaker 1: or wherever you get your podcast. It's Cannabis Talk one

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Speaker 1: oh one with Blue and Children.

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Speaker 2: Welcome to Cannabis Talk one oh one, the world's number

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Speaker 2: one source for everything cannabis. Thank you guys for listening

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Speaker 2: to the podcast all around the world. To make sure

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Speaker 2: you check out the website Cannabis Talk one on one

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Speaker 2: dot com, as we've got so many great articles and

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Speaker 2: blogs on there for you guys to check out and

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Speaker 2: make sure you give us a call anytime one eight

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Speaker 2: hundred and four twenty nineteen eighty and go check out

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Speaker 2: the ig pages at Cannabis Talk one oh one. My

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Speaker 2: brother Blue is at the number one Christopher Wrights. I

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Speaker 2: am at Joe Grande fifty two. And if you guys

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Speaker 2: haven't seen the latest edition of the Cannabis Talk magazine,

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Speaker 2: it's got so many great articles and cool stories in

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Speaker 2: there with some great pictures. Get yourself a hard copy

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Speaker 2: to day at a local dispensar who or smoke shop

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Speaker 2: near you, and if you don't have one, have them

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Speaker 2: give us a caller. Just check it out online Cannabis

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Speaker 2: Talkmagazine dot com and subscribe now today on the show.

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Speaker 2: We've got some great guests that have been making a

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Speaker 2: lot of noise within the cannabis community, you guys, as

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Speaker 2: well as the music and fashion world. Now they got

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Speaker 2: a new podcast that collides two cultures and show showcases

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Speaker 2: similar while capturing a perspective from an honest place. And

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Speaker 2: these cats right here are doing it and I love it.

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Speaker 2: The Cannabis and Kicks podcast covers all topics from life,

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Speaker 2: sneaker culture, cannabis and features hip hop icon and mixtape

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Speaker 2: legend DJ who Kid in the building with some of

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Speaker 2: his sickest mixtapes ever and if you haven't had one,

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Speaker 2: and that's old school because you know, he's been known

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Speaker 2: for the mixtapes back in the day, And I'm thinking

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Speaker 2: about calling him the Robin Hood of DJing back in

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Speaker 2: the day because he was robbing tracks for people and

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Speaker 2: giving it out to all of us poor folks that

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Speaker 2: trying to listen him and all the other East Coast DJs,

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Speaker 2: Like I thought about him, like, you're kind of like

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Speaker 2: the Robin Hood DJ dog, you know what I mean,

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Speaker 2: Because guys like you did shit that you had to

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Speaker 2: pay a price for, you know. And we're gonna talk

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Speaker 2: about this and We're gonna get into that a little bit.

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Speaker 2: DJ who Kids in the Building, also DJ Legendary Broadways

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Speaker 2: sitting up here on us today. You've been seeing him

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Speaker 2: all over the place. And my dude Marcus right next

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Speaker 2: to me, official like a referee with a whistle baby,

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Speaker 2: the founder and creator host of Cannabis and Kicks, Creative

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Speaker 2: director of Proper and Senior Marketing manager at glass House Brands, Inc.

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Speaker 2: And the beautiful one making us all look sexy up here.

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Speaker 2: Shelley Styles is the co host of Cannabis and Kick,

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Speaker 2: CEO of The Stylish Spirit, and also a celebrity stylist

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Speaker 2: which I think I could use her help my damn self.

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Speaker 2: Without further adode live on the Cannabis Talk one on

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Speaker 2: one campus. Please put your hands together, you guys can

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Speaker 2: give a warm welcome to our next guest, Marcus Malone,

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Speaker 2: Shelley Styles, DJ Legendary Broadway in the world, famous DJ

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Speaker 2: who Kids in the Building. You guys, it's great to

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Speaker 2: have you guys on this podcast. As first off, I'm

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Speaker 2: so proud Marcus of you because I remember when this

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Speaker 2: was an idea. Doug, you know what I mean. You

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Speaker 2: said You're gonna find some clowns to work with you.

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Speaker 2: I didn't know if you really meant that, you know,

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Speaker 2: I mean, because he goes, Joe, I see what you're

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Speaker 2: doing in this podcast, and I'm trying to get a

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Speaker 2: clown together like you a blue dude. I mean, I'm

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Speaker 2: just said to using the words he said. You know

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Speaker 2: what I mean, because he came here, Joe, I want

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Speaker 2: to try to do it. Can I get a little

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Speaker 2: more volume at this one? And and I'm like seeing

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Speaker 2: this come from an idea, Marcus, because we talked about

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Speaker 2: this right, yes, yes, like literally when you thought about it.

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Speaker 3: Yeah, yeah, I was picking your brain. I loved what

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Speaker 3: you guys were doing. You guys were definitely inspired me.

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Speaker 3: At the same time, I was challenged to be like

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Speaker 3: the next Burner and cannabis, but I don't wrap, so

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Speaker 3: I have to use content to kind of navigate my

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Speaker 3: way through. And I found, you know, amazing people that

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Speaker 3: can help me bring this to fruition. So I'm nothing

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Speaker 3: without them. You know, these are my partners. We're all

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Speaker 3: equal and we're just trying to push the envelope.

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Speaker 2: And that all being said, Dude, I've been supporting you

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Speaker 2: guys since it happened, like Marcus sends me things every week,

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Speaker 2: and I literally just watched the episode with Al Harrington. Yes,

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Speaker 2: And I got to tell you, guys, man, I watched

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Speaker 2: the whole thing.

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Speaker 4: That's good.

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Speaker 2: It was over the weekend, so I was at the house.

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Speaker 2: I was cleaning and doing shit, and then I stopped

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Speaker 2: and I was literally watching you guys, and I really

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Speaker 2: was into it. I was like, who kids taking over

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Speaker 2: too much with back him up.

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Speaker 3: A little bit.

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Speaker 2: Other than that, I'm just fucking with you. But dude,

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Speaker 2: I was into it because you guys are all personable.

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Speaker 2: You guys are all real cats, you know what I mean.

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Speaker 2: And one of you guys had on some janky ass

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Speaker 2: shoes on that podcast. I think it might have been you.

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Speaker 2: Hold on, I think you came in boots these Tuesday

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Speaker 2: on that one.

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Speaker 5: Are you ready?

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Speaker 2: No, he didn't have tims on, He didn't even.

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Speaker 6: Have Never happens to a guy like me. That accusation

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Speaker 6: is a big accusation.

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Speaker 5: In the world.

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Speaker 2: What happened on that show? Or was that another podcast

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Speaker 2: that I was watching that you forgot your shoes or

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Speaker 2: you had to go buy some of you which went

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Speaker 2: and cops or something, because he.

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Speaker 6: Said I had some janky shoes, jaking No, no, no, no,

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Speaker 6: matter of fact, let's all put him up because it's

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Speaker 6: a kick ones.

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Speaker 2: I mean, it's raining outside, so I got my north

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Speaker 2: Faces on, you know. I mean, I'm doing the weather

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Speaker 2: proof shoe today, so I want to show off my

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Speaker 2: shoe because you guys are a shoe show, which I

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Speaker 2: like watching you guys podcast. Asked, because it's something you

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Speaker 2: guys do like, you know, and it's a part of

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Speaker 2: the culture.

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Speaker 3: Right.

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Speaker 2: Are those some Nike air Force one? What are the

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Speaker 2: air Max's? Okay, those are hot right there?

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Speaker 3: Oh?

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Speaker 2: Those are cool? What you got on there, young man?

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Speaker 5: DJ?

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Speaker 2: Who what you got there? Travis Scott's, Travis Scott's. No,

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Speaker 2: what about you, Marcus? I got Ronald McDonald's knockoffs?

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Speaker 3: What are those I got? I got Rick Owens?

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Speaker 2: Man, Rick Owens. They just look so big. Your shoes

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Speaker 2: so damn big. And you're such a big ass dude.

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Speaker 2: After who kids said you're gonna be the bear on

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Speaker 2: his mascot. I can see you rocking those shoes with

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Speaker 2: that outfit. That's a privilege, you know what I mean,

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Speaker 2: it could be a good look for you.

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Speaker 3: I'm just saying you got a tall contract after that.

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Speaker 2: So my point is, folks that are listening, you got

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Speaker 2: to go find these guys because you guys are getting

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Speaker 2: a lot of cool guests on there. You guys have

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Speaker 2: a lot of experience on rocking crowds. I mean, let's

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Speaker 2: just start with you know, Broadway over there doing NOAs

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Speaker 2: Little nas X And it's not like, you know, you

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Speaker 2: guys have big ship. You guys do. You're not some

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Speaker 2: little uh uh? Who are these cats type of crew?

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Speaker 3: You know what I mean?

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Speaker 2: Which I love because when I see this, you know,

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Speaker 2: I got a huge background myself in the entertainment game.

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Speaker 2: So when I see Cats do it and I see

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Speaker 2: Marcus trying to come up with something putting together a

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Speaker 2: crew like this, it's like, kudos to you. And then

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Speaker 2: being the female queen of the group. You come so

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Speaker 2: strong with being the stylist and then being somebody that

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Speaker 2: holds her own on the mic and sweet beautiful, no bullshit,

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Speaker 2: it ain't coming crazy at you. Not everybody's just getting

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Speaker 2: on you. It's just dope. I like the dynamic you guys,

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Speaker 2: you know, I mean I really look at it, like,

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Speaker 2: let me see who this fucking show is. Let's not

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Speaker 2: get behind these motherfuckers. Yeah, but we have to.

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Speaker 3: Check the box of storytelling, which you know DJ Broadway

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Speaker 3: and who clearly has.

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Speaker 2: They could just do it every day. Yeah, Like guys

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Speaker 2: like you guys could just talk let's talk about this today,

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Speaker 2: Let's talk about Japan and overseas stories. Let's talk about

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Speaker 2: like you know what I mean? Who kids start talking

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Speaker 2: about a proof and then he starts talking about story

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Speaker 2: in Germany.

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Speaker 3: You know what I mean.

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Speaker 2: We're gonna go on that story for fifteen minutes right

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Speaker 2: now if we wanted to. Crazy, So it's like funny,

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Speaker 2: how like when you get cats? Like that is my point, Marcus,

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Speaker 2: because I could do that too, Like, oh yeah, you know,

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Speaker 2: we all worked with somebody in the past, right, and

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Speaker 2: then you did the Mike Tyson podcast and this and

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Speaker 2: that you're hosting that you could always go backwards, but

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Speaker 2: then it's hard to keep going forwards. Sure, right, And

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Speaker 2: I seen you guys with Al Harrington and using you

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Speaker 2: guys's past and using the future, and what you guys

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Speaker 2: pulled out of them was dope. Like I really admired

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Speaker 2: that that story for Al, and then I admired you

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Speaker 2: guys for being so yourselves. You know what I mean,

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Speaker 2: you all was just smoking, chilling, and then everybody was

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Speaker 2: hitting them with stuff and hearing the story from where

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Speaker 2: it comes from with his grandma, Like that was my

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Speaker 2: first time hearing that story firsthand. I've heard that, you know,

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Speaker 2: it's from his grandma's brand in her name, but to

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Speaker 2: hear that story, I literally got goosebumps right now thinking

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Speaker 2: about that story that I heard on your Guys' podcast.

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Speaker 2: You know, I can't wait to get them on and

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Speaker 2: make them tell the same bucket story.

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Speaker 4: Yeah. So we're trying to pull some other things out

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Speaker 4: of them too, because Marcus was like, no, it is

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Speaker 4: some kind of big story to it that he's you know,

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Speaker 4: talked about a few times, so we wanted to definitely

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Speaker 4: pull it out. And he was dropping gyms and he's like,

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Speaker 4: wait should I be We like yeah, yeah, yeah, yeah,

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Speaker 4: yeah yeah yeah. They get really comfortable and it's super

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Speaker 4: authentic and our getting and a storytelling is like my

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Speaker 4: favorite part. I love listening to all the guys stories.

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Speaker 2: And it is That's what I mean, It's just comfortable.

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Speaker 2: I felt like I was on the couch with you

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Speaker 2: guys just chilling, watching and I literally was on the

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Speaker 2: couch at my house watching it, which made it even

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Speaker 2: that much more special. And I had a good weekend

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Speaker 2: because my kids were on playdates, so you know me,

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Speaker 2: my wife went out to go see one of her friends,

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Speaker 2: so I was solo bolo at the house with just

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Speaker 2: the dog, and it was like an enjoyment. I literally

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Speaker 2: watched us. I'll never forget you guys for it because

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Speaker 2: it was like I kicked it with you on a

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Speaker 2: time that I had off, which isn't normal when you're

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Speaker 2: a marriage man with you know, kids now everything. And

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Speaker 2: so I appreciate what you guys are doing and glad

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Speaker 2: to expose this podcast and but Marcus is doing putting

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Speaker 2: this together to our crowd of another content show that's

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Speaker 2: out there doing it. So I applaud you guys and

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Speaker 2: salute you guys for doing.

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Speaker 4: What you guys are doing.

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Speaker 2: That all being said, let's start from the far end

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Speaker 2: over there, senior Broadways. Where are you from, dogg And

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Speaker 2: where'd you grow up? And how'd you get into DJ?

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Speaker 2: Because I'm gonna straight down the line with that, because

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Speaker 2: you know, you don't just get to DJ for little

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Speaker 2: nas X who goes number one longer than ever anybody

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Speaker 2: in the world. And now you're the dude on stage

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Speaker 2: with him, you know what I mean. So people may

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Speaker 2: look at be like, Okay, if you don't know who

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Speaker 2: this cat is, who are you man?

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Speaker 6: So so we're gonna get NAS's information correct. When nineteen

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Speaker 6: weeks number one, eighteen million sold to date on one

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Speaker 6: song that's only a minute in forty six seconds.

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Speaker 2: It's crazy that he goes down in history like that

230
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Speaker 2: and you get to go down with him as the DJ.

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Speaker 2: I mean, you know, it's legendary.

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Speaker 6: I'm a part of the entire Magic Carpet ride all the.

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Speaker 5: Way until and then, you know what I'm saying.

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Speaker 6: He decided to make some choices, you know, and he said, creatively,

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Speaker 6: I want to go this way, you know what I'm saying.

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Speaker 5: And I'm like, creatively, I'm gonna go this way.

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Speaker 2: Yes, And that's how it happens, and that's how it happens.

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Speaker 2: That's how life happens. Though, right we ain't at the

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Speaker 2: same job, and I ain't working at CAFC no more.

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Speaker 6: But the experience is incredible because you get to see

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Speaker 6: somebody going to Magic Corperate ride from having five dollars

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Speaker 6: to fifty million, and you get to actually see the

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Speaker 6: progression of you have a million today, Oh, you have

244
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Speaker 6: two million today, You're more popular today. To Paparrizzi. You

245
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Speaker 6: get to see somebody's life change, excuse me, in front

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Speaker 6: of someone's eyes. But I get to see that with

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Speaker 6: a lot of artists in this in this game, you

248
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Speaker 6: know what I'm saying, not just him itself. I get

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Speaker 6: to see people actually grow into This is the second album.

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Speaker 5: This is the third album.

251
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Speaker 6: But who I am, I'm I'm the legendary Broadway.

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Speaker 5: I'm from Harlem, New York City, Harlem. Okay, you know

253
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Speaker 5: what I'm saying.

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Speaker 6: I represent that all the way down to the socks

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Speaker 6: to the casket.

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Speaker 2: Drop one, double low three seven, She's Sugarhill Gang. Listen

257
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Speaker 2: to your mom and dad banging that out. I said

258
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Speaker 2: it Hip one.

259
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Speaker 5: I'm here because of them. I love that.

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Speaker 2: I loved them back in the day.

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Speaker 3: Boy.

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Speaker 6: And the reason why I became a DJ is my

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Speaker 6: mother is a DJ. No Way, Yeah, my mother DJ

264
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Speaker 6: with the late Grandmaster Flowers and Queens.

265
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Speaker 5: Wow.

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Speaker 6: She carried records for DJ Elmo and so she had

267
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Speaker 6: a record collection in.

268
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Speaker 2: Her house that's like Beach Street days. Yeah.

269
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Speaker 6: And so I and I saw my mom in the

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Speaker 6: living room playing records smoking weed when I was like

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Speaker 6: five or six years old. And see, so, so how

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Speaker 6: we have this cloud of weed right here. I will

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Speaker 6: walk out of my room and it's like records playing

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Speaker 6: like some jazzy shit, and I'm like, everybody is dancing,

275
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Speaker 6: and I'm like, my mother's controlling this.

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Speaker 5: I was like, I gotta do this shit.

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Speaker 2: Mom's controlling the crowd like that.

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Speaker 5: I was like, so she's she's my inspiration.

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Speaker 6: I always try to impress her with my DJ and

280
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Speaker 6: that is like the sin say so she is still

281
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Speaker 6: never giving me an a plus.

282
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Speaker 2: She's like, my fuck, I actually have to carry crate.

283
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Speaker 2: She's sitting here with a backpack.

284
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Speaker 6: Story not to take up time, please, But my mom

285
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Speaker 6: came to actually see me for the first time the

286
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Speaker 6: DJ right, And it was crazy because it's I was

287
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Speaker 6: in my thirties when that happened. You know, my mom

288
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Speaker 6: didn't really know what I was doing. She was busy

289
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Speaker 6: trying to raise raise us with two jobs, and she

290
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Speaker 6: never really knew what I was into. But I was

291
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Speaker 6: actually tracing her steps and she came to the club.

292
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Speaker 6: And this club is looming in Chicago's popping. It's a

293
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Speaker 6: Saturday night and I'm I'm the closer and I of

294
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Speaker 6: course I think I murdered this thing because girls on

295
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Speaker 6: the floor. I turned around to my mother. I was like,

296
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Speaker 6: so how did I do? She was like, you're knowing

297
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Speaker 6: that transition back on that song?

298
00:13:06,040 --> 00:13:09,280
Speaker 2: You could have No, she did not be counting them.

299
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Speaker 6: She said, you rushed out of a couple of records

300
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Speaker 6: and you know. And I was like, so it's the grade.

301
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Speaker 6: She was like, b minus, I was hurt.

302
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Speaker 2: This is her. Isn't that great When the parents in

303
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Speaker 2: scars like that.

304
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Speaker 4: Get You're like, we're still looking for that approval.

305
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Speaker 6: I'm still looking for that A plus from her, because

306
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Speaker 6: then I know I hit that level.

307
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Speaker 5: She's a master DJ.

308
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Speaker 2: Has she given you an A plus yet? Never? Well,

309
00:13:36,320 --> 00:13:38,120
Speaker 2: that just gets to shure you're not that good day.

310
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Speaker 2: If your mama said it, I'm gonna say it too.

311
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Speaker 2: I'm just saying I must have been.

312
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Speaker 6: If I'm the first African American DJ to play Glastonbury.

313
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Speaker 2: You know what I mean. Drop the credits while her hot,

314
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Speaker 2: please don't hold back. Let it be known.

315
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Speaker 6: So something she gave me work in my on her

316
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Speaker 6: since level, I still got work.

317
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Speaker 2: Oh she's still Yoda in her book. You know what

318
00:14:01,600 --> 00:14:04,480
Speaker 2: I mean, she's like, son, just step down. That's dope.

319
00:14:04,520 --> 00:14:06,640
Speaker 2: That moms was the DJ like that for you. So

320
00:14:06,920 --> 00:14:09,000
Speaker 2: the East Coast? You living in sokel now?

321
00:14:09,040 --> 00:14:09,199
Speaker 3: Then?

322
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Speaker 5: Now, No, I just got here five years ago. Okay, yeah,

323
00:14:13,280 --> 00:14:14,920
Speaker 5: I just got here, man, La was.

324
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Speaker 3: Is a trip.

325
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Speaker 6: We gotta love it better though. I love the fact

326
00:14:19,360 --> 00:14:21,480
Speaker 6: that it's just well now it's gotten a little cold.

327
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Speaker 6: But I just love the fact I didn't even win

328
00:14:22,920 --> 00:14:23,720
Speaker 6: to clothes anymore.

329
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Speaker 2: Yeah, that's sokel weather is a little different than anything else.

330
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Speaker 5: And then everybody's no pleasant.

331
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Speaker 2: Yeah, well, it's good to have you on the show,

332
00:14:31,520 --> 00:14:34,080
Speaker 2: and it's great to see you on that show. And DJ,

333
00:14:34,560 --> 00:14:37,000
Speaker 2: who kid, where are you exactly from? I mean, you've

334
00:14:37,000 --> 00:14:39,760
Speaker 2: been doing this mixtape ship forever, but I mean, what

335
00:14:39,800 --> 00:14:41,640
Speaker 2: part exactly are you born and raised at?

336
00:14:42,320 --> 00:14:45,120
Speaker 7: I was born in Brooklyn. Erasmus. My neighbor was a

337
00:14:45,960 --> 00:14:49,120
Speaker 7: special Ed, as a old iron special Ed. And you

338
00:14:49,120 --> 00:14:51,800
Speaker 7: could tell by the style that I got Erasmus.

339
00:14:52,520 --> 00:14:53,760
Speaker 3: And then, uh, I.

340
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Speaker 2: Never lost because I'm the boss. I never will because

341
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Speaker 2: I'm still the champion chief one. Won't lose that tail

342
00:14:58,760 --> 00:15:01,520
Speaker 2: because I won't street run you over like a truck.

343
00:15:01,920 --> 00:15:06,120
Speaker 2: Dead in the street. Baby, I go back like four flats.

344
00:15:06,360 --> 00:15:07,320
Speaker 2: Don't get it twisted.

345
00:15:12,720 --> 00:15:13,400
Speaker 3: I got a baby.

346
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Speaker 2: I'm the idle, the highest title.

347
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Speaker 7: You know.

348
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Speaker 5: I'm not a Puerto.

349
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Speaker 2: Rican, but I'm speaking so that you know and understand.

350
00:15:18,960 --> 00:15:20,920
Speaker 2: I got the gift to preach. It's a blessing. So

351
00:15:21,000 --> 00:15:24,160
Speaker 2: listen to the lesson I preached, talk since it's informable,

352
00:15:24,640 --> 00:15:26,760
Speaker 2: putting knowledge for my toes to the top of my dout.

353
00:15:26,840 --> 00:15:29,800
Speaker 2: I'm kind of young, but my tongue speaks maturity. I'm

354
00:15:29,800 --> 00:15:40,160
Speaker 2: not an chout. I don't do nothing for security. I'm

355
00:15:40,160 --> 00:15:43,360
Speaker 2: as hip hop as it gets. Let me bring out

356
00:15:43,360 --> 00:15:49,520
Speaker 2: my run DMC boy pictures drop on that. Oh so

357
00:15:49,760 --> 00:15:51,160
Speaker 2: that was your neighbor. You can see I was.

358
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Speaker 7: Yeah, I got beat up when I was in elementary school,

359
00:15:54,840 --> 00:15:58,000
Speaker 7: so they put me in Catholic school. Then got beat

360
00:15:58,080 --> 00:16:01,000
Speaker 7: up again. But my house got robbed in Brooklyn. So

361
00:16:01,080 --> 00:16:02,720
Speaker 7: my father, he was Haitians, and he was like, I

362
00:16:02,720 --> 00:16:06,720
Speaker 7: don't know. Yeah, So we left with the Queens.

363
00:16:06,640 --> 00:16:08,000
Speaker 2: And then is that any better?

364
00:16:08,600 --> 00:16:09,360
Speaker 3: I got a little better.

365
00:16:09,400 --> 00:16:11,800
Speaker 7: We went to We're like middle class out in Queens

366
00:16:11,840 --> 00:16:17,400
Speaker 7: and then you know, back then DJ Clue lived a

367
00:16:17,440 --> 00:16:18,280
Speaker 7: block away from me.

368
00:16:18,920 --> 00:16:20,240
Speaker 3: Envy was across the street from.

369
00:16:20,120 --> 00:16:22,000
Speaker 2: Him, so that's where the influence.

370
00:16:22,080 --> 00:16:25,000
Speaker 7: Yeah, I got influenced by them, by DJ Clue doing

371
00:16:25,000 --> 00:16:28,160
Speaker 7: the mixtapes and stuff with jay Z and everybody. So so,

372
00:16:28,280 --> 00:16:31,240
Speaker 7: but uh, it's funny because my mom every time she's

373
00:16:31,280 --> 00:16:35,280
Speaker 7: take a ship, my father be like like screaming, yeah,

374
00:16:35,360 --> 00:16:37,120
Speaker 7: So is that how came?

375
00:16:37,320 --> 00:16:39,280
Speaker 3: Yeah? I took that hui to high school.

376
00:16:39,680 --> 00:16:41,840
Speaker 7: So if I saw like some big ass titties up

377
00:16:41,880 --> 00:16:43,640
Speaker 7: like WHOI, or if somebody got beat up who.

378
00:16:43,880 --> 00:16:46,600
Speaker 3: So the kids in high school called me the who kid.

379
00:16:47,200 --> 00:16:50,120
Speaker 7: So when I became a DJ, like a mixtape DJ,

380
00:16:50,160 --> 00:16:52,040
Speaker 7: when I was robbing everybody, it just was a great

381
00:16:52,080 --> 00:16:55,080
Speaker 7: coincidence that nobody knew who the kid was.

382
00:16:55,560 --> 00:16:58,120
Speaker 3: So it all kind of like made is putting.

383
00:16:57,800 --> 00:17:00,640
Speaker 7: That out And I didn't want yeah exactly. So that's

384
00:17:00,640 --> 00:17:02,640
Speaker 7: the first question, like a rapper would say when they

385
00:17:02,640 --> 00:17:06,439
Speaker 7: see their songs in the street illegally. But I just

386
00:17:06,480 --> 00:17:08,480
Speaker 7: didn't want to be scratch Master X.

387
00:17:08,520 --> 00:17:12,240
Speaker 3: Or some weird ass fuck that because I didn't want.

388
00:17:12,119 --> 00:17:14,399
Speaker 6: To be You don't want to be Scratch, You're just

389
00:17:14,440 --> 00:17:16,080
Speaker 6: gonna diss everybody.

390
00:17:15,600 --> 00:17:17,600
Speaker 3: That was scratch Those guys, I don't know.

391
00:17:17,640 --> 00:17:19,600
Speaker 2: It was it was great that that's how your name comes,

392
00:17:19,800 --> 00:17:22,240
Speaker 2: and you met and you referenced this about what it is.

393
00:17:22,240 --> 00:17:25,680
Speaker 7: It's just that those names are so like the narrative

394
00:17:25,720 --> 00:17:27,800
Speaker 7: of getting a name like that. It's so typical that

395
00:17:27,880 --> 00:17:30,359
Speaker 7: you would forget that DJ, but you'd be like, the

396
00:17:30,400 --> 00:17:31,360
Speaker 7: fuck is a who Kid?

397
00:17:31,760 --> 00:17:33,760
Speaker 3: In the R I p K Slay. When I first

398
00:17:33,760 --> 00:17:35,960
Speaker 3: met case Slay, he was like, what the fuck is

399
00:17:35,960 --> 00:17:38,520
Speaker 3: a who Kid? What find a dumb ass name is that?

400
00:17:39,080 --> 00:17:41,800
Speaker 7: But it came to a point where people were tired

401
00:17:41,840 --> 00:17:44,359
Speaker 7: of hearing people talk on tapes, and so I just

402
00:17:44,359 --> 00:17:47,760
Speaker 7: did a subliminal who Kid, so it just goes over

403
00:17:47,800 --> 00:17:49,960
Speaker 7: the songs. But yeah, it was for my mother taking

404
00:17:49,960 --> 00:17:52,760
Speaker 7: a dump. I would never have this name.

405
00:17:53,920 --> 00:17:58,639
Speaker 2: Great is that random ass story like that?

406
00:17:59,359 --> 00:17:59,720
Speaker 3: You got that?

407
00:18:01,160 --> 00:18:03,320
Speaker 2: But as you make that, you mentioned that. I said

408
00:18:03,320 --> 00:18:05,520
Speaker 2: that at the beginning about calling you Robin Hood because

409
00:18:05,520 --> 00:18:07,720
Speaker 2: I think about what you were doing, what Clue was

410
00:18:07,760 --> 00:18:09,879
Speaker 2: doing back in the days, and a lot of DJs

411
00:18:09,920 --> 00:18:12,560
Speaker 2: have done. I don't think it happens as much anymore.

412
00:18:12,600 --> 00:18:14,719
Speaker 2: I think more of the artists planet now, but you

413
00:18:14,760 --> 00:18:16,720
Speaker 2: guys were doing the ship back in the day. That

414
00:18:16,880 --> 00:18:19,359
Speaker 2: was the type of shit that gets you hit in

415
00:18:19,400 --> 00:18:22,119
Speaker 2: the mouth, but with a nice four you know knuckles.

416
00:18:22,680 --> 00:18:25,800
Speaker 3: Yeah, I knew it was serious, like when I got kidnapped.

417
00:18:25,320 --> 00:18:28,440
Speaker 2: Or literally like folks don't know you really got kidnapped.

418
00:18:28,840 --> 00:18:31,800
Speaker 7: Pun right, Big pun that was legendary kidnapping right there.

419
00:18:31,960 --> 00:18:34,720
Speaker 7: Shout out to r if you big punt, birthday just pass.

420
00:18:34,520 --> 00:18:35,240
Speaker 3: Right or something.

421
00:18:35,320 --> 00:18:37,880
Speaker 2: Yeah, Doug, I remember thinking about that and thinking about

422
00:18:37,880 --> 00:18:39,800
Speaker 2: what you did, like I said, giving you prompts of

423
00:18:39,840 --> 00:18:41,520
Speaker 2: like you were literally the Robin Hood for.

424
00:18:41,359 --> 00:18:42,640
Speaker 3: Me me clue MV.

425
00:18:42,800 --> 00:18:45,680
Speaker 7: I felt like if we weren't, because you know, I

426
00:18:45,720 --> 00:18:48,159
Speaker 7: when I heard Big Ego on Hot ninety seven, it

427
00:18:48,240 --> 00:18:50,000
Speaker 7: was like, who the fuck is this DJ clue? I'm

428
00:18:50,000 --> 00:18:51,720
Speaker 7: going to find him and kill him? Right, So that

429
00:18:52,040 --> 00:18:54,480
Speaker 7: was a queen's thing. That was like our adrenaline rush

430
00:18:55,119 --> 00:18:57,120
Speaker 7: of like if you're not really like because we had

431
00:18:57,119 --> 00:18:59,880
Speaker 7: no Instagram, we had no social media, so we were

432
00:19:00,000 --> 00:19:03,600
Speaker 7: in the streets from like being like hood legends and

433
00:19:03,600 --> 00:19:07,520
Speaker 7: shiit like you know, like, so the rumors was really

434
00:19:07,520 --> 00:19:09,679
Speaker 7: what blew us up in African bootleggers, Like if it

435
00:19:09,720 --> 00:19:12,679
Speaker 7: was an African bootleggers, we wouldn't be like popping. But

436
00:19:12,760 --> 00:19:15,440
Speaker 7: it's just like if I feel like somebody's not trying

437
00:19:15,440 --> 00:19:16,280
Speaker 7: to find me to kill me.

438
00:19:16,320 --> 00:19:18,280
Speaker 3: Then I didn't really do nothing, you know what I'm saying.

439
00:19:18,320 --> 00:19:21,520
Speaker 3: And then I had full mixtapes like rob jay Z.

440
00:19:21,760 --> 00:19:24,119
Speaker 7: Now I think Norway's CNN wanted to kill me a

441
00:19:24,160 --> 00:19:27,320
Speaker 7: few times. But I just happened to dodge people like

442
00:19:27,920 --> 00:19:30,080
Speaker 7: literally like minutes, like I'll go somewhere.

443
00:19:29,840 --> 00:19:31,399
Speaker 3: Get the ship and get the fuck out.

444
00:19:31,440 --> 00:19:33,879
Speaker 7: But we did Oceans eleven like jay Z's in the

445
00:19:33,920 --> 00:19:37,840
Speaker 7: studio to four. We'll just wait until he leaves.

446
00:19:38,040 --> 00:19:40,120
Speaker 2: Would you like really be camping out on the spot.

447
00:19:39,920 --> 00:19:42,280
Speaker 7: Where eleven, Like we'd be in the car waiting and

448
00:19:42,280 --> 00:19:45,960
Speaker 7: then they come out, go in, give the you know

449
00:19:46,000 --> 00:19:50,040
Speaker 7: back then soundboard guys or production dudes got like bullshit money.

450
00:19:50,200 --> 00:19:52,879
Speaker 7: You can find your bucks, thousand dollars. They give us

451
00:19:52,880 --> 00:19:55,879
Speaker 7: the whole session everything. So it was like you're just

452
00:19:55,960 --> 00:19:58,800
Speaker 7: able to add to hear people talking like I got

453
00:19:58,880 --> 00:20:01,000
Speaker 7: dat's with Biggie, Like shut the fuck up.

454
00:20:00,960 --> 00:20:04,240
Speaker 2: Like that's great. Dash. I started on reel the reel,

455
00:20:04,280 --> 00:20:06,200
Speaker 2: so I get it, you know what I mean? That player,

456
00:20:06,320 --> 00:20:07,520
Speaker 2: the eight tracks, all that.

457
00:20:07,400 --> 00:20:10,560
Speaker 7: Good stealing became a point where it was just it

458
00:20:10,720 --> 00:20:13,439
Speaker 7: just was like every week we go out just like laughing.

459
00:20:13,440 --> 00:20:15,440
Speaker 7: And when I saw that I had like a Lamborghini

460
00:20:15,920 --> 00:20:17,520
Speaker 7: from doing that ship, I just started laughing.

461
00:20:18,000 --> 00:20:18,840
Speaker 3: I was like, this is.

462
00:20:18,840 --> 00:20:21,120
Speaker 2: Fucking crazy, this is crazy. How many tapes you'd sell.

463
00:20:22,760 --> 00:20:25,040
Speaker 7: Man, It's still a point where Toyur Records would pick

464
00:20:25,119 --> 00:20:28,000
Speaker 7: up like twenty some thousand copies of tapes.

465
00:20:28,560 --> 00:20:30,560
Speaker 2: I mean, just to think when the West Coast starts

466
00:20:30,560 --> 00:20:32,920
Speaker 2: getting your mixes out here and people are like getting

467
00:20:32,960 --> 00:20:35,879
Speaker 2: the bootlegs the flea market exactly, the flea markets would be.

468
00:20:36,200 --> 00:20:38,800
Speaker 2: You know, I remember seeing like who Kid and this

469
00:20:38,840 --> 00:20:40,040
Speaker 2: and that, and you know I used to go to

470
00:20:40,119 --> 00:20:42,600
Speaker 2: the barriers to flea market in San Jose. Get that.

471
00:20:42,680 --> 00:20:44,439
Speaker 2: I remember buying a tape off too Short at that

472
00:20:44,520 --> 00:20:46,680
Speaker 2: same flea market in the parking lot, you know what

473
00:20:46,680 --> 00:20:48,320
Speaker 2: I mean, because I was always down with hip hop

474
00:20:48,359 --> 00:20:50,000
Speaker 2: like that going ooh. And then I remember I think

475
00:20:50,040 --> 00:20:54,280
Speaker 2: it was a Stanford Radio. What was it, davy D.

476
00:20:55,000 --> 00:20:57,080
Speaker 2: I think he would played some of your ship before too,

477
00:20:57,080 --> 00:20:59,000
Speaker 2: because the Stanford Radio is what brought hip hop to

478
00:20:59,040 --> 00:21:01,200
Speaker 2: the Bay. That was the first station before k Meal

479
00:21:01,280 --> 00:21:03,679
Speaker 2: started popping it out there, and it was like, Okay,

480
00:21:03,720 --> 00:21:05,639
Speaker 2: this stuff is hard. You were just like legend.

481
00:21:05,760 --> 00:21:07,439
Speaker 7: I mean the tapes got me the link up with

482
00:21:07,440 --> 00:21:11,679
Speaker 7: e forty two short PIPSI that's how I got cool UGK.

483
00:21:11,840 --> 00:21:15,280
Speaker 7: I showed him like the blueprint of like how to

484
00:21:15,320 --> 00:21:18,280
Speaker 7: put like shit illegally and get a bag. And back

485
00:21:18,320 --> 00:21:20,239
Speaker 7: then we had like Cotch Records and all that. They

486
00:21:20,240 --> 00:21:21,200
Speaker 7: didn't give a fuck.

487
00:21:21,280 --> 00:21:23,399
Speaker 2: And the labels hated you too, because not all the

488
00:21:23,520 --> 00:21:26,000
Speaker 2: artists are going after then you got the real money

489
00:21:26,040 --> 00:21:28,440
Speaker 2: makers that are you know, I was ahead, I was

490
00:21:28,640 --> 00:21:31,320
Speaker 2: clearing shit exactly. That's the point people listening going, oh,

491
00:21:31,400 --> 00:21:33,760
Speaker 2: what do you think? No, he had the artist pissed

492
00:21:33,800 --> 00:21:36,240
Speaker 2: off at him, He had the labels pissed off of him,

493
00:21:36,320 --> 00:21:37,960
Speaker 2: all saying, who the fuck is this?

494
00:21:38,040 --> 00:21:38,679
Speaker 3: Who kid? Yo?

495
00:21:38,760 --> 00:21:42,280
Speaker 7: Jimmy Ivean used to have who Kid Wednesdays like meetings,

496
00:21:42,320 --> 00:21:43,679
Speaker 7: like everybody in office right now?

497
00:21:43,720 --> 00:21:45,800
Speaker 3: How did this song get out? Fuck going on?

498
00:21:46,040 --> 00:21:48,080
Speaker 7: He had it every like every other Wednesday when I

499
00:21:48,119 --> 00:21:50,440
Speaker 7: would drop like I got in trouble when I leaked

500
00:21:50,440 --> 00:21:51,160
Speaker 7: the Eminem song.

501
00:21:51,720 --> 00:21:53,479
Speaker 2: So and I heard you told him that. How did

502
00:21:53,480 --> 00:21:54,200
Speaker 2: he react when.

503
00:21:54,040 --> 00:21:55,240
Speaker 3: He told him? Yeah?

504
00:21:55,520 --> 00:21:58,080
Speaker 7: It was like years later, so you know, I'm obviously

505
00:21:58,160 --> 00:22:00,400
Speaker 7: like you know, I work for Eminem now, which is.

506
00:22:00,359 --> 00:22:02,679
Speaker 2: Like the best You're you're DJ on Shade forty.

507
00:22:02,400 --> 00:22:05,520
Speaker 7: Five, like Roseberg is my best friend, and it's funny

508
00:22:05,520 --> 00:22:06,280
Speaker 7: these guys wanted.

509
00:22:06,119 --> 00:22:07,320
Speaker 3: To kill me. Everybody wanted to kill me.

510
00:22:07,359 --> 00:22:09,280
Speaker 7: But I felt like, if you don't go into the

511
00:22:09,320 --> 00:22:12,679
Speaker 7: acme of like trying to get fucking in super trouble

512
00:22:12,720 --> 00:22:15,520
Speaker 7: for something, people just look at it in a different way.

513
00:22:15,600 --> 00:22:17,960
Speaker 7: And that's the whole clue concept. Clue leak jay Z,

514
00:22:18,080 --> 00:22:20,760
Speaker 7: then you're nice DJ for jay Z. So I was like, yo,

515
00:22:21,680 --> 00:22:23,880
Speaker 7: why can't do that shit? But when I saw that

516
00:22:23,960 --> 00:22:27,280
Speaker 7: I'm on a fucking golf cart with Eminem going to

517
00:22:27,359 --> 00:22:29,960
Speaker 7: Super Bowl Eminem, I'm the only one with Eminem. There's

518
00:22:29,960 --> 00:22:33,359
Speaker 7: no other person's me Mary J Kendren, Lamar fifty doctor

519
00:22:33,480 --> 00:22:35,440
Speaker 7: rate all of us in this bubble because that's during

520
00:22:35,480 --> 00:22:37,119
Speaker 7: the COVID shit, right, all of us?

521
00:22:37,160 --> 00:22:38,959
Speaker 3: And then who care? What are you doing here?

522
00:22:39,880 --> 00:22:43,880
Speaker 7: Because I just I guess it's I think hip hop

523
00:22:44,000 --> 00:22:44,960
Speaker 7: is just the best.

524
00:22:45,480 --> 00:22:46,560
Speaker 3: It's the best business man.

525
00:22:46,640 --> 00:22:50,280
Speaker 7: It's all about like consistency, fate, the doors keep opening.

526
00:22:50,600 --> 00:22:51,600
Speaker 3: I'm like fifty something.

527
00:22:51,680 --> 00:22:54,080
Speaker 7: I still do rolling loud, I still fuck with all

528
00:22:54,080 --> 00:22:55,159
Speaker 7: the young kids, fuck with me.

529
00:22:55,520 --> 00:22:57,320
Speaker 3: Obviously, I don't look like a fifty year old. I

530
00:22:57,320 --> 00:22:57,920
Speaker 3: try my best.

531
00:22:58,040 --> 00:23:00,919
Speaker 2: You and me both, brother, you know I'm hitting that

532
00:23:00,960 --> 00:23:03,400
Speaker 2: fifty one on the sound of twenty seventh of this month.

533
00:23:03,440 --> 00:23:07,280
Speaker 8: Oh wow, But it feels good to be like when

534
00:23:07,320 --> 00:23:09,720
Speaker 8: you see like like Little Dirk and all these guys

535
00:23:09,800 --> 00:23:12,119
Speaker 8: like little Baby the excited to see me yo ok,

536
00:23:12,280 --> 00:23:13,560
Speaker 8: get over here, even when I just did.

537
00:23:13,600 --> 00:23:16,280
Speaker 7: I saw Chief Keep the other day, who hardly comes out.

538
00:23:16,640 --> 00:23:18,560
Speaker 7: He just I just set your name on the song,

539
00:23:18,720 --> 00:23:22,000
Speaker 7: like you know, shit like that. But it's about assimilating.

540
00:23:22,040 --> 00:23:23,679
Speaker 7: I spoke to you earlier. The first songs I used

541
00:23:23,680 --> 00:23:26,159
Speaker 7: to listen to is in excess depeche Mode. There was

542
00:23:26,200 --> 00:23:29,480
Speaker 7: no hip hop. Then I saw everything come in. So

543
00:23:29,520 --> 00:23:30,480
Speaker 7: I'm like a unicorn.

544
00:23:30,640 --> 00:23:33,280
Speaker 3: I saw every hip hop act come in. Like my

545
00:23:33,280 --> 00:23:36,639
Speaker 3: best friend is rock Cam, you know, one of.

546
00:23:36,640 --> 00:23:38,440
Speaker 2: The best lines, but maybe of all you know what

547
00:23:38,440 --> 00:23:42,080
Speaker 2: I mean, all these I mean, come on, it's arguably

548
00:23:42,080 --> 00:23:44,159
Speaker 2: one of the best hip hop my best friends.

549
00:23:44,160 --> 00:23:46,440
Speaker 7: So like, so it's like you see that come in,

550
00:23:46,520 --> 00:23:48,800
Speaker 7: and then now you see your transition even to now

551
00:23:48,880 --> 00:23:51,160
Speaker 7: we're doing like I would never think I'd be doing

552
00:23:51,240 --> 00:23:52,120
Speaker 7: like you know.

553
00:23:52,200 --> 00:23:54,720
Speaker 3: Cannabis and kicks pot. I would never thought that. But

554
00:23:54,760 --> 00:23:55,719
Speaker 3: that's why I like about it.

555
00:23:55,760 --> 00:23:57,760
Speaker 7: Like I met Nelson Mandela, I didn't think I would

556
00:23:57,800 --> 00:24:00,800
Speaker 7: see I'm in an attic putting bootleg CD together and

557
00:24:00,840 --> 00:24:04,520
Speaker 7: now I'm with Nelson and what And that.

558
00:24:04,520 --> 00:24:06,439
Speaker 2: Just goes to show where you could speak to the

559
00:24:06,520 --> 00:24:09,200
Speaker 2: youth out there saying, you gots follow your heart, follow

560
00:24:09,240 --> 00:24:11,800
Speaker 2: your passion, because when you're doing something you love. Because

561
00:24:11,800 --> 00:24:14,600
Speaker 2: when you were doing that, as I used the reference Robinhood,

562
00:24:14,640 --> 00:24:16,679
Speaker 2: you weren't really trying to rob these cats. You just

563
00:24:16,720 --> 00:24:19,000
Speaker 2: trying to put out something cool because you knew that

564
00:24:19,200 --> 00:24:19,600
Speaker 2: was dope.

565
00:24:19,720 --> 00:24:21,760
Speaker 7: It's just like you know, you're trying to hurt these dudes.

566
00:24:21,800 --> 00:24:24,720
Speaker 7: The cocaine Cowboys was selling coke crazy. There was no

567
00:24:24,920 --> 00:24:27,160
Speaker 7: there was no laws. There was no red tape. They

568
00:24:27,200 --> 00:24:30,639
Speaker 7: created like you know, the NBI created it. They I mean,

569
00:24:30,680 --> 00:24:33,840
Speaker 7: they created a unit to stop them. But they built Miami.

570
00:24:33,920 --> 00:24:36,000
Speaker 7: Miami was built from the coke business, but there was

571
00:24:36,040 --> 00:24:38,600
Speaker 7: no rules there. So imagine us selling mixtapes.

572
00:24:38,760 --> 00:24:39,920
Speaker 3: There's no We.

573
00:24:39,880 --> 00:24:43,200
Speaker 7: Created the ceasing desist law. Like me and fifty cent

574
00:24:43,280 --> 00:24:46,359
Speaker 7: created the ceasing desist law. We got season desists on

575
00:24:46,400 --> 00:24:47,119
Speaker 7: our own tapes.

576
00:24:47,440 --> 00:24:50,040
Speaker 2: That's I know it was right and that's legit real,

577
00:24:50,200 --> 00:24:50,680
Speaker 2: that's crazy.

578
00:24:50,720 --> 00:24:53,240
Speaker 7: Like we had a meeting, like all lawyers had a

579
00:24:53,280 --> 00:24:57,000
Speaker 7: meeting with like in the scope lawyers, and they.

580
00:24:56,720 --> 00:24:59,239
Speaker 3: Ceased this up. They said, y'all can't put taste us.

581
00:25:00,040 --> 00:25:01,919
Speaker 2: This was out, Like what wait a minute, and then

582
00:25:01,960 --> 00:25:03,879
Speaker 2: all that you guys are putting all this illegal music

583
00:25:03,880 --> 00:25:07,040
Speaker 2: out like that it was illegal music being put out

584
00:25:07,080 --> 00:25:07,800
Speaker 2: wasn't even a.

585
00:25:07,880 --> 00:25:11,040
Speaker 7: Re Why we got fucked by the movie industry because

586
00:25:11,080 --> 00:25:13,280
Speaker 7: the boot legs and Canal and everywhere else all over

587
00:25:13,320 --> 00:25:13,720
Speaker 7: the planet.

588
00:25:13,760 --> 00:25:15,720
Speaker 3: Like I went to Thailand, I went to flea market there,

589
00:25:15,720 --> 00:25:16,560
Speaker 3: I see boot legs.

590
00:25:16,760 --> 00:25:19,240
Speaker 7: The movie industry fucked us in the ass, and then

591
00:25:19,240 --> 00:25:20,720
Speaker 7: we started getting bootlegged.

592
00:25:21,160 --> 00:25:23,760
Speaker 3: You know, so the boot LEGO is getting but legged. Yeah,

593
00:25:23,840 --> 00:25:25,760
Speaker 3: so it's like it was, it was inevitable.

594
00:25:25,880 --> 00:25:28,600
Speaker 7: And then you have the obsoleteness of like certain ship

595
00:25:28,680 --> 00:25:31,760
Speaker 7: like CDs tapes got obsolete. Now you got like the

596
00:25:31,800 --> 00:25:34,480
Speaker 7: flash drives, and then technology really blew us out the frame.

597
00:25:34,520 --> 00:25:36,560
Speaker 3: But we we went through the golden years.

598
00:25:36,560 --> 00:25:38,880
Speaker 7: We made our money, like you know, the Lambos picking

599
00:25:38,920 --> 00:25:41,240
Speaker 7: it up in Canal, I'm like popping the trunk, just

600
00:25:41,320 --> 00:25:43,320
Speaker 7: tapes in the front, Like it was like the weirdest

601
00:25:43,320 --> 00:25:45,680
Speaker 7: ship but there was there were no rules, and when

602
00:25:45,680 --> 00:25:50,720
Speaker 7: the rules I went through the Golden years, I'm it

603
00:25:50,800 --> 00:25:53,399
Speaker 7: was just so dope. Me and fifty Cent when we started,

604
00:25:53,440 --> 00:25:55,359
Speaker 7: like thank god I met fifty cent because we started

605
00:25:55,359 --> 00:25:58,840
Speaker 7: doing like one artist CDs so I don't have to

606
00:25:58,840 --> 00:25:59,800
Speaker 7: get killed or chased.

607
00:26:00,280 --> 00:26:01,879
Speaker 3: So he kind of like saved my life with that.

608
00:26:02,160 --> 00:26:04,920
Speaker 7: But then he became like the ultimate guy killing everybody,

609
00:26:04,960 --> 00:26:08,400
Speaker 7: so I still was in harm's way because he was disagnowledged.

610
00:26:08,440 --> 00:26:10,960
Speaker 3: He was this and this guy. So I was like

611
00:26:11,040 --> 00:26:14,040
Speaker 3: still like I was, yeah.

612
00:26:13,960 --> 00:26:16,400
Speaker 2: They gave me this dude and like, wait a minute,

613
00:26:16,440 --> 00:26:17,679
Speaker 2: all right, a bulletproof vessel.

614
00:26:17,760 --> 00:26:19,680
Speaker 7: When I when I when I joined that click, they

615
00:26:19,680 --> 00:26:21,520
Speaker 7: were like, yo, they asked me a few questions and

616
00:26:21,520 --> 00:26:23,040
Speaker 7: they gave me a vest and they were like, YO,

617
00:26:23,080 --> 00:26:25,840
Speaker 7: if you got a wife or whatever, tell the funk off,

618
00:26:26,160 --> 00:26:27,879
Speaker 7: you ain't coming home for like three hundred we have

619
00:26:27,920 --> 00:26:30,679
Speaker 7: three hundred shows, we're gone. And that was it, and

620
00:26:30,680 --> 00:26:32,879
Speaker 7: that's how and I never saw New York for like

621
00:26:32,960 --> 00:26:36,760
Speaker 7: eight years. My mixtape, my mixtape, my mixtape got to

622
00:26:36,760 --> 00:26:41,159
Speaker 7: the eminem. I didn't see New York for eight years years.

623
00:26:41,080 --> 00:26:42,240
Speaker 2: Just on the road, hustling move.

624
00:26:42,760 --> 00:26:43,920
Speaker 3: I mean, we did every show.

625
00:26:43,960 --> 00:26:45,800
Speaker 7: We did the Top of the Pops, we did every

626
00:26:45,880 --> 00:26:49,960
Speaker 7: every show that's gone, we did t R L Gone,

627
00:26:50,040 --> 00:26:52,199
Speaker 7: we did we did everything everything you could think of

628
00:26:52,640 --> 00:26:56,639
Speaker 7: the late show like this guy, everybody came in to

629
00:26:56,720 --> 00:26:58,360
Speaker 7: take all that ship out bro Leftway.

630
00:26:58,440 --> 00:27:00,399
Speaker 2: I mean, you just think of all these shows, it

631
00:27:00,440 --> 00:27:03,240
Speaker 2: all this thing. And as you say that, because you've

632
00:27:03,280 --> 00:27:06,520
Speaker 2: done so many and this is like the fun cliche one,

633
00:27:06,560 --> 00:27:09,480
Speaker 2: but is there one that you go that was that one?

634
00:27:10,160 --> 00:27:11,480
Speaker 3: Uh? Youing?

635
00:27:11,560 --> 00:27:14,560
Speaker 7: In part four, that's when I'm when I introduced Snoop

636
00:27:14,560 --> 00:27:17,600
Speaker 7: Dogg to freestyling, to doing and then we did pm

637
00:27:17,680 --> 00:27:21,600
Speaker 7: P remix. Well if Pimp was originally a freestyle, but

638
00:27:21,640 --> 00:27:23,960
Speaker 7: fifty Cent was like, fuck that, this just sounds so perfect.

639
00:27:23,960 --> 00:27:24,880
Speaker 3: We're making it the song.

640
00:27:25,000 --> 00:27:27,560
Speaker 7: So the freestyle became the remix, and I knew it

641
00:27:27,600 --> 00:27:30,000
Speaker 7: was big when I saw myself on set and we're

642
00:27:30,000 --> 00:27:32,200
Speaker 7: shooting the music video Hype Williams, I'm.

643
00:27:32,080 --> 00:27:34,080
Speaker 2: Like, I should have a music video of it.

644
00:27:34,119 --> 00:27:35,240
Speaker 3: This shit is a freestyle.

645
00:27:35,280 --> 00:27:38,679
Speaker 7: But then I showed Snoop Dogg the way of like,

646
00:27:39,040 --> 00:27:41,440
Speaker 7: you know, instead of you doing the traditional You're in

647
00:27:41,480 --> 00:27:44,119
Speaker 7: the studio for like eight months putting an album together

648
00:27:44,119 --> 00:27:46,760
Speaker 7: and you come out, there's another artist. The wave you

649
00:27:46,800 --> 00:27:50,040
Speaker 7: had is over. Mixtapes keep you consistent, It keeps you feeding.

650
00:27:50,320 --> 00:27:52,359
Speaker 7: And then you know, while you put mixtapes out, you

651
00:27:52,359 --> 00:27:54,720
Speaker 7: see who else got stuff. So oh then I ain't

652
00:27:54,760 --> 00:27:56,919
Speaker 7: gonna do this. I'm not doing this song. Now I'm

653
00:27:56,920 --> 00:27:59,320
Speaker 7: gonna do something else. I'm doing another concept. So fifty

654
00:27:59,320 --> 00:28:01,840
Speaker 7: cent always, we always had the streets on lock because

655
00:28:02,359 --> 00:28:05,920
Speaker 7: we saw the repercussions of people waiting like they They'll

656
00:28:05,920 --> 00:28:07,359
Speaker 7: be in a student for like a year or two,

657
00:28:07,600 --> 00:28:09,840
Speaker 7: trying to do a classic, and then they come out

658
00:28:09,920 --> 00:28:12,960
Speaker 7: and then little Pump comes out. You're fuck like, you know,

659
00:28:13,119 --> 00:28:16,200
Speaker 7: so all that shit you're talking about, nobody gives a fuck, but.

660
00:28:16,119 --> 00:28:17,720
Speaker 3: The mixtapes keep you on point.

661
00:28:17,920 --> 00:28:20,520
Speaker 7: And then I did it for every artist, like going

662
00:28:20,520 --> 00:28:23,160
Speaker 7: down South, Lil Wayne when he was thirteen. I did

663
00:28:23,200 --> 00:28:28,680
Speaker 7: his first mixtape, Trick Daddy Tis. All those guys as legends.

664
00:28:28,720 --> 00:28:31,639
Speaker 7: I did all their joints, Titty Boy, you know, I

665
00:28:31,720 --> 00:28:33,679
Speaker 7: knew them when they were nothing, you know, and they

666
00:28:33,720 --> 00:28:36,679
Speaker 7: all came in the studio bus or they came you know,

667
00:28:36,840 --> 00:28:38,720
Speaker 7: all of the sports stars, do Lebron James.

668
00:28:38,760 --> 00:28:41,520
Speaker 3: I had everybody hosting because I was up against DJ Clue.

669
00:28:41,560 --> 00:28:44,200
Speaker 7: So if I had like, you know, Robert de Niro

670
00:28:44,320 --> 00:28:47,960
Speaker 7: hosting Mike Tyson, I had everybody like hosting the tapes

671
00:28:48,200 --> 00:28:50,200
Speaker 7: to go at Clue to top it off, so I

672
00:28:50,200 --> 00:28:52,720
Speaker 7: could just have like some kind of like medium.

673
00:28:52,720 --> 00:28:54,640
Speaker 2: But did you have Luke on your side too?

674
00:28:54,880 --> 00:28:58,840
Speaker 7: Yeahluke all the two Live Crew days, every old school rapper,

675
00:28:58,840 --> 00:29:01,320
Speaker 7: and believe it or not, like mixed created like a

676
00:29:01,360 --> 00:29:02,760
Speaker 7: protection racket for me too.

677
00:29:02,840 --> 00:29:06,360
Speaker 3: So it's like, don't fuck hook it up because even.

678
00:29:06,160 --> 00:29:08,200
Speaker 2: Though your shit or play whatever you want to play

679
00:29:08,200 --> 00:29:09,120
Speaker 2: with your ship, that's fine.

680
00:29:09,120 --> 00:29:12,160
Speaker 7: But thing about it, like tapes supported like people going

681
00:29:12,160 --> 00:29:14,040
Speaker 7: to school, people were in college. I didn't even know

682
00:29:14,080 --> 00:29:16,760
Speaker 7: how deep it was until I continuously I DJed all

683
00:29:16,760 --> 00:29:21,360
Speaker 7: the colleges and in this damn USA, every college, every

684
00:29:21,440 --> 00:29:25,120
Speaker 7: rich frat we did, but I met people that graduated like, yo,

685
00:29:25,240 --> 00:29:28,400
Speaker 7: you're I paid my rent, I paid this, or I survived,

686
00:29:28,400 --> 00:29:31,240
Speaker 7: I bought food your tapes was like, so I didn't

687
00:29:31,280 --> 00:29:33,520
Speaker 7: know how deep that ship was in the bootleg shit,

688
00:29:33,640 --> 00:29:38,320
Speaker 7: so so it kind of felt good. But it's the

689
00:29:38,360 --> 00:29:42,240
Speaker 7: only genre that I mean, I've done it, like, I've done.

690
00:29:42,080 --> 00:29:43,760
Speaker 3: So much that I still can't believe I'm still doing

691
00:29:43,760 --> 00:29:44,200
Speaker 3: shit now.

692
00:29:44,640 --> 00:29:46,920
Speaker 7: I just see Mike Tyson knock motherfuckers out and now

693
00:29:46,960 --> 00:29:47,640
Speaker 7: I'm his co host.

694
00:29:47,720 --> 00:29:51,200
Speaker 3: So it's like the help, like you understand.

695
00:29:51,240 --> 00:29:53,640
Speaker 7: Like I saw mikedizing one time in the club and

696
00:29:53,680 --> 00:29:54,280
Speaker 7: I was hard fight.

697
00:29:54,320 --> 00:29:57,800
Speaker 3: I ran, And that's when I was a nobody.

698
00:29:57,880 --> 00:30:00,200
Speaker 7: I was like DJ and clock, I paid to one

699
00:30:00,200 --> 00:30:02,120
Speaker 7: of the boats and Phoenix and I ran.

700
00:30:02,480 --> 00:30:03,280
Speaker 2: Why why did you run?

701
00:30:03,360 --> 00:30:07,720
Speaker 3: Because like Tyson, the way you came in, didn't you

702
00:30:08,680 --> 00:30:09,080
Speaker 3: like he was.

703
00:30:09,080 --> 00:30:11,200
Speaker 2: Like you know, he was called crazy right right right?

704
00:30:11,280 --> 00:30:13,400
Speaker 2: And what was he coming after you or where you're

705
00:30:13,400 --> 00:30:14,600
Speaker 2: like out something like, oh, you're.

706
00:30:14,520 --> 00:30:16,240
Speaker 3: Gonna eat my ass. I was like a lot of.

707
00:30:16,680 --> 00:30:19,800
Speaker 5: Yeah, I know.

708
00:30:20,520 --> 00:30:21,800
Speaker 2: I didn't know we were gonna go there. I knew

709
00:30:21,800 --> 00:30:24,160
Speaker 2: the nuts. We're talking first, and now we're talking now.

710
00:30:25,040 --> 00:30:26,600
Speaker 2: I mean, you know, it's Cannabis Talk one O one.

711
00:30:26,640 --> 00:30:28,440
Speaker 2: We're gonna take a break right now and we're gonna

712
00:30:28,440 --> 00:30:31,120
Speaker 2: come back sman, and we're talking to Jelly Styles over here.

713
00:30:31,280 --> 00:30:33,920
Speaker 2: It's Cannabis Talk one O one, his DJ who would

714
00:30:33,920 --> 00:30:36,440
Speaker 2: eating asses you out? This mic sounds funny. Here we go.

715
00:30:36,480 --> 00:30:37,360
Speaker 2: We'll be right back after this.

716
00:30:38,320 --> 00:30:41,719
Speaker 1: You'll be right back with Cannabis Talk. One O one.

717
00:30:48,440 --> 00:30:50,800
Speaker 1: Welcome back to Cannabis Talk one O one.

718
00:30:50,880 --> 00:30:53,200
Speaker 2: The Bear Flat Group is your white label partners. You

719
00:30:53,200 --> 00:30:55,000
Speaker 2: guys that are known to be on time, accurate and

720
00:30:55,040 --> 00:30:58,040
Speaker 2: new quality code packaging. They've been launching brands in California

721
00:30:58,120 --> 00:31:00,920
Speaker 2: since twenty fifteen. At the Bear Flat Group. They do

722
00:31:01,040 --> 00:31:02,800
Speaker 2: what they say they're gonna do. Go check them out

723
00:31:02,800 --> 00:31:06,480
Speaker 2: online at bearflatgroup dot com. We got the folks over

724
00:31:06,480 --> 00:31:09,600
Speaker 2: here from one of the greater podcasts besides Cannabis Talk

725
00:31:09,640 --> 00:31:12,080
Speaker 2: one on one, in my opinion, that gets people loose

726
00:31:12,120 --> 00:31:14,320
Speaker 2: and has people warm. They talk about cakes, they talk

727
00:31:14,360 --> 00:31:17,000
Speaker 2: about life, and they talk all kinds of fun stuff

728
00:31:17,240 --> 00:31:19,680
Speaker 2: which I love and talking to you guys both already

729
00:31:19,800 --> 00:31:23,680
Speaker 2: DJ Legendary Broadway and of course the world's for your

730
00:31:23,680 --> 00:31:28,240
Speaker 2: famous DJ who kid but now Shelley Styles stylists to

731
00:31:28,360 --> 00:31:30,160
Speaker 2: the stars. Where are you from?

732
00:31:31,160 --> 00:31:35,480
Speaker 4: H oh yeah, so three West Coast you're born and raised?

733
00:31:35,600 --> 00:31:37,160
Speaker 2: Okay, go ahead, William.

734
00:31:38,880 --> 00:31:43,560
Speaker 4: No I may. That was the first time I couldn't

735
00:31:43,560 --> 00:31:45,920
Speaker 4: even believe that his Philly actually had came out like that.

736
00:31:46,040 --> 00:31:49,480
Speaker 4: I was like, no, I'm joking, but I was a

737
00:31:49,520 --> 00:31:54,040
Speaker 4: little bit. I was because he graduated with my uncle

738
00:31:54,240 --> 00:31:57,640
Speaker 4: and like our families, you know. So I was like yeah, yeah, yeah, yeah,

739
00:31:57,680 --> 00:32:00,600
Speaker 4: my uncle, guest uncle, they graduated from over work together.

740
00:32:00,680 --> 00:32:03,200
Speaker 4: So when I was like, oh there, because we would

741
00:32:03,200 --> 00:32:05,720
Speaker 4: be quick to tell somebody to keep their name out

742
00:32:05,760 --> 00:32:08,360
Speaker 4: the FM mouth where I'm from. So I was like,

743
00:32:08,360 --> 00:32:10,360
Speaker 4: oh there, go to West Philly. Oh it all made.

744
00:32:10,240 --> 00:32:12,440
Speaker 2: Since right, So a lot of people, I'm sure it did.

745
00:32:12,440 --> 00:32:14,800
Speaker 2: A lot of people are still like huh then Chriscott

746
00:32:14,800 --> 00:32:16,840
Speaker 2: as it will come back and you did a good

747
00:32:16,840 --> 00:32:19,720
Speaker 2: a little special right there. So you're from Philly, from Philly,

748
00:32:19,840 --> 00:32:22,920
Speaker 2: is that where you started doing entertainment? Doing what we're

749
00:32:22,960 --> 00:32:23,200
Speaker 2: doing it?

750
00:32:23,360 --> 00:32:27,360
Speaker 4: I went, I was in Philly, but I would take

751
00:32:27,400 --> 00:32:29,920
Speaker 4: all of my internships and stuff in New York because

752
00:32:29,920 --> 00:32:32,320
Speaker 4: I was always into fashion. So I would be up

753
00:32:32,400 --> 00:32:35,120
Speaker 4: on the megabus and stuff in the morning going to

754
00:32:35,160 --> 00:32:37,240
Speaker 4: New York. I worked at Rockaware. I used to be

755
00:32:37,280 --> 00:32:42,000
Speaker 4: in meetings with Jay Z and everything because Troy Carter actually, yeah,

756
00:32:42,080 --> 00:32:44,480
Speaker 4: Troy got me my Troy Yes, and he's from West

757
00:32:44,520 --> 00:32:46,160
Speaker 4: Philly too. He grew up around the court.

758
00:32:46,200 --> 00:32:48,160
Speaker 2: He grew No I bought you DZ out in Philly

759
00:32:48,800 --> 00:32:49,680
Speaker 2: radio catch.

760
00:32:49,480 --> 00:32:52,040
Speaker 4: Oh yes, yes, yes, yes, yes, I remember hearing him

761
00:32:52,040 --> 00:32:55,920
Speaker 4: on the radio growing up. But Troy Carter actually got

762
00:32:55,920 --> 00:32:59,600
Speaker 4: me my first internship with Eve so Rockawaar was owned

763
00:32:59,600 --> 00:33:03,120
Speaker 4: by licensing company and I ended up more so working

764
00:33:03,160 --> 00:33:05,800
Speaker 4: with Rockaware. So it was dope being in meetings, like

765
00:33:05,920 --> 00:33:09,360
Speaker 4: seeing somebody like jay Z in a position where he

766
00:33:09,400 --> 00:33:12,320
Speaker 4: could just slap his name on something. But he was

767
00:33:12,560 --> 00:33:15,720
Speaker 4: very active and that just inspired me because he would

768
00:33:15,720 --> 00:33:18,520
Speaker 4: be in every meeting, every design meeting, wanting to look

769
00:33:18,560 --> 00:33:21,080
Speaker 4: at every detail, like you know what I mean. The

770
00:33:21,120 --> 00:33:23,920
Speaker 4: first meeting, I was geeked out, like, oh my god, Okay,

771
00:33:23,920 --> 00:33:25,840
Speaker 4: I had to go to the bathroom and get myself together.

772
00:33:27,120 --> 00:33:30,040
Speaker 4: I think he's the first person I've ever fanned out over.

773
00:33:31,760 --> 00:33:32,200
Speaker 3: He left.

774
00:33:32,960 --> 00:33:35,680
Speaker 4: Yeah, did I laugh?

775
00:33:36,000 --> 00:33:36,280
Speaker 2: Oh?

776
00:33:36,400 --> 00:33:42,120
Speaker 4: Yes, the laugh is real, silly laugh. You wouldn't expect

777
00:33:42,120 --> 00:33:43,080
Speaker 4: it to come up fun to.

778
00:33:43,040 --> 00:33:45,680
Speaker 2: Get off fanny over people, especial when you're around a

779
00:33:45,680 --> 00:33:46,200
Speaker 2: lot of cats.

780
00:33:46,320 --> 00:33:47,440
Speaker 4: Yeah, exactly.

781
00:33:47,440 --> 00:33:50,320
Speaker 2: It's that's funny because that's a good question to even

782
00:33:50,360 --> 00:33:51,440
Speaker 2: ask everybody who you fan.

783
00:33:51,760 --> 00:33:54,880
Speaker 4: He's the person. And then it's crazy because I never

784
00:33:55,000 --> 00:33:58,200
Speaker 4: Beyonce would come too to the showroom and stuff, but

785
00:33:58,240 --> 00:34:00,080
Speaker 4: I missed her every time, and I love.

786
00:34:00,440 --> 00:34:02,320
Speaker 2: I gave Beyonce a lap dance back in the day

787
00:34:02,320 --> 00:34:04,120
Speaker 2: when I was over three hundred, way back when when

788
00:34:04,160 --> 00:34:07,000
Speaker 2: she was part of the crew Destiny's Child. They all

789
00:34:07,040 --> 00:34:09,919
Speaker 2: came in there, Me, big Boy, and Fuzzy Alicia Keys

790
00:34:09,960 --> 00:34:12,440
Speaker 2: got the same one too. Boy, it was nothing like

791
00:34:12,480 --> 00:34:14,760
Speaker 2: a five hundred pound big Boy, four hundred pound Fussy

792
00:34:14,800 --> 00:34:17,399
Speaker 2: and three hundred pounds Joe Grande on her asses. Oh

793
00:34:17,440 --> 00:34:19,200
Speaker 2: it was lovely. I got to show you some more pictures.

794
00:34:19,200 --> 00:34:22,640
Speaker 2: Bring my jacket in here for these guys. So yeah,

795
00:34:22,640 --> 00:34:24,440
Speaker 2: it's fun to get all star gaze like that.

796
00:34:24,680 --> 00:34:27,720
Speaker 4: Yeah, So like that was, but then it became like normal,

797
00:34:27,880 --> 00:34:30,760
Speaker 4: you know. So then once I graduated from my undergrad

798
00:34:30,840 --> 00:34:32,520
Speaker 4: I went I actually moved to New York and I

799
00:34:32,560 --> 00:34:36,040
Speaker 4: went back to FT to school for fashion, and then

800
00:34:36,120 --> 00:34:38,360
Speaker 4: from there I moved to Atlanta and I started my

801
00:34:38,480 --> 00:34:43,400
Speaker 4: own women's contemporary clothing line. But people always ask me

802
00:34:43,440 --> 00:34:46,120
Speaker 4: about styling just because they always loved my style, So

803
00:34:46,200 --> 00:34:48,760
Speaker 4: that's really I naturally would do it for like friends

804
00:34:48,760 --> 00:34:50,520
Speaker 4: and stuff, and then it just kind of turned into

805
00:34:51,360 --> 00:34:55,480
Speaker 4: a career and now I kind of pivoted. I'm still

806
00:34:55,520 --> 00:34:59,479
Speaker 4: heavily in the fashion world, but I also am really

807
00:34:59,480 --> 00:35:02,280
Speaker 4: a spiritual person as well. So that's why I created

808
00:35:02,280 --> 00:35:06,000
Speaker 4: the Stylish Spirit, because it's all about styling yourself on

809
00:35:06,040 --> 00:35:08,600
Speaker 4: the inside out. I just would noticed that people weren't

810
00:35:08,640 --> 00:35:10,759
Speaker 4: really like loving on themselves as much as you know

811
00:35:10,840 --> 00:35:13,960
Speaker 4: they should, and just putting on clothes to like, you know,

812
00:35:14,120 --> 00:35:17,600
Speaker 4: cover up a half full cup. And I just want

813
00:35:17,600 --> 00:35:20,320
Speaker 4: people to love on themselves and really pour into themselves.

814
00:35:20,400 --> 00:35:23,000
Speaker 4: So as much as I love fashion, I also love

815
00:35:23,040 --> 00:35:23,600
Speaker 4: the inside.

816
00:35:23,719 --> 00:35:26,520
Speaker 2: And it's funny and not funny though as you say that,

817
00:35:26,640 --> 00:35:29,439
Speaker 2: I think, Shelley, it's such a big part of life

818
00:35:29,520 --> 00:35:31,440
Speaker 2: right now. I literally had a friend of mine just

819
00:35:31,480 --> 00:35:34,279
Speaker 2: take his life that was a DJ in San Francisco,

820
00:35:34,520 --> 00:35:37,640
Speaker 2: and you know, you look at that inside and out stuff,

821
00:35:38,040 --> 00:35:40,160
Speaker 2: and the inside is real. And I was talking to

822
00:35:40,200 --> 00:35:42,239
Speaker 2: another buddy of mine saying, man, when we grew up,

823
00:35:42,640 --> 00:35:45,520
Speaker 2: especially you, who were both in our five o's, like

824
00:35:45,640 --> 00:35:47,800
Speaker 2: it was you were a smurf. If you just started

825
00:35:47,800 --> 00:35:49,680
Speaker 2: talking about how you feel funny, yeah, I mean you

826
00:35:49,760 --> 00:35:51,680
Speaker 2: like a little bitch, and it's like it's not even

827
00:35:52,080 --> 00:35:54,840
Speaker 2: wasn't cool to like, oh man, we should talk about

828
00:35:54,880 --> 00:35:57,800
Speaker 2: this or I got these problems. I feel whatever, you

829
00:35:57,800 --> 00:36:01,160
Speaker 2: don't feel nothing, toughen up, yeah, put some dirt on it. Yeah, yeah,

830
00:36:01,200 --> 00:36:03,719
Speaker 2: I mean it was always that when it's like I

831
00:36:03,719 --> 00:36:05,799
Speaker 2: feel like it's great now that people are doing what

832
00:36:05,840 --> 00:36:08,560
Speaker 2: you're doing and being conscious of it and letting people know.

833
00:36:08,719 --> 00:36:11,680
Speaker 2: Look at there's a real lane for people to really

834
00:36:11,719 --> 00:36:14,400
Speaker 2: find themselves and be able to express themselves and then

835
00:36:14,440 --> 00:36:15,840
Speaker 2: to be able to like because if you think about it,

836
00:36:15,880 --> 00:36:18,279
Speaker 2: how you look, how you feel can change everything on

837
00:36:18,320 --> 00:36:18,920
Speaker 2: how you feel.

838
00:36:18,760 --> 00:36:21,920
Speaker 4: Internally, seriously, seriously, So it kind of really goes hand

839
00:36:21,960 --> 00:36:25,320
Speaker 4: to hand, and it's so important, Like so I everybody,

840
00:36:25,320 --> 00:36:27,600
Speaker 4: I just like for them to find whatever their thing is,

841
00:36:27,600 --> 00:36:30,839
Speaker 4: for them to like pour back into themselves. So even

842
00:36:30,880 --> 00:36:33,120
Speaker 4: if you just you know, lighten up a joint and

843
00:36:33,160 --> 00:36:35,720
Speaker 4: taking some time for yourself, like, it's just really important

844
00:36:35,719 --> 00:36:36,920
Speaker 4: to pour back into yourself.

845
00:36:36,960 --> 00:36:38,600
Speaker 2: And how did you link up with Marcus because you're

846
00:36:38,600 --> 00:36:42,000
Speaker 2: the co creator of this whole little Cannabis and podcast.

847
00:36:42,239 --> 00:36:45,000
Speaker 4: Well, we have a mutual friend and she hit me

848
00:36:45,080 --> 00:36:47,319
Speaker 4: up and was like, hey, you know my my they

849
00:36:47,320 --> 00:36:49,879
Speaker 4: grew up together. She's from My girlfriend is from here,

850
00:36:49,960 --> 00:36:53,960
Speaker 4: and I actually met her because I helped her start

851
00:36:54,000 --> 00:36:57,279
Speaker 4: online like women's boutique and stuff, so and I like

852
00:36:57,360 --> 00:36:59,840
Speaker 4: did the site her website all of the creative direction

853
00:37:00,040 --> 00:37:01,960
Speaker 4: and stuff, so she knew she knows that I'm like

854
00:37:02,000 --> 00:37:04,440
Speaker 4: in a creative space and whatnot. And I had been

855
00:37:04,480 --> 00:37:06,640
Speaker 4: talking to her about trying to figure out how I

856
00:37:06,680 --> 00:37:11,000
Speaker 4: wanted to introduce marijuana and stuff to my platform, because

857
00:37:11,280 --> 00:37:13,760
Speaker 4: as much as like I'm, you know, a super girly

858
00:37:13,840 --> 00:37:15,640
Speaker 4: girl and all of that, I wanted to figure out

859
00:37:15,680 --> 00:37:17,640
Speaker 4: exactly how I wanted to go and bring that to

860
00:37:17,680 --> 00:37:20,680
Speaker 4: my audience. So when she mentioned that her friend was

861
00:37:20,719 --> 00:37:22,719
Speaker 4: doing this and they were looking for a girl, she

862
00:37:22,840 --> 00:37:24,640
Speaker 4: was like, I felt like you would be great, and

863
00:37:24,680 --> 00:37:27,480
Speaker 4: then we kind of talked and then it kind of

864
00:37:27,520 --> 00:37:29,040
Speaker 4: just all took off from there, honestly.

865
00:37:29,280 --> 00:37:30,799
Speaker 2: And did he tell you that he got these other

866
00:37:30,840 --> 00:37:33,120
Speaker 2: two DJs to come on? Say with you? The East

867
00:37:33,120 --> 00:37:37,239
Speaker 2: Coast meets the West Coast over here, Marcus Malone out

868
00:37:37,239 --> 00:37:40,240
Speaker 2: of Compton, Compton? Or watch where is it again? Compton?

869
00:37:40,320 --> 00:37:40,400
Speaker 7: Right?

870
00:37:40,480 --> 00:37:42,040
Speaker 2: Yeah? I thought so? I thought I remembered that, right.

871
00:37:42,320 --> 00:37:45,480
Speaker 4: I've never been to Compton either. Oh, I'd be liking

872
00:37:45,520 --> 00:37:46,719
Speaker 4: Beverly Hills. What's Hollywood?

873
00:37:46,719 --> 00:37:52,160
Speaker 2: I got to look at you right ass nails. Yeah,

874
00:37:52,560 --> 00:37:58,960
Speaker 2: mister Wyne over here, I don't come down that way. Well,

875
00:37:58,960 --> 00:38:01,880
Speaker 2: the funny thing is during the break. It was so

876
00:38:02,040 --> 00:38:04,960
Speaker 2: funny because DJ Legendary Broadway was going to I've never

877
00:38:05,000 --> 00:38:06,920
Speaker 2: been to the Bay unless you consider Napa, where I

878
00:38:06,920 --> 00:38:10,319
Speaker 2: went on my wine case. You don't extraordinuck and my

879
00:38:10,760 --> 00:38:12,640
Speaker 2: We took a yacht though that's like writing off the

880
00:38:12,640 --> 00:38:16,759
Speaker 2: pier of Sacramento and the fucker. Then we helicoptered over

881
00:38:17,000 --> 00:38:20,480
Speaker 2: at Tanapa where uh you know, he forty grabbed us

882
00:38:20,480 --> 00:38:22,200
Speaker 2: and we went by Blackhawk. But I don't know if

883
00:38:22,239 --> 00:38:26,080
Speaker 2: I'm actually forty water. Yeah, but I've never been to

884
00:38:26,120 --> 00:38:27,759
Speaker 2: the what they call the Yay area.

885
00:38:28,560 --> 00:38:28,920
Speaker 5: IoT.

886
00:38:29,800 --> 00:38:32,600
Speaker 2: Just motherfucker. Try to say about boogie over here. This

887
00:38:32,680 --> 00:38:36,719
Speaker 2: guy beyond the break, he was so boozy with it.

888
00:38:36,760 --> 00:38:38,560
Speaker 2: He had somebody come roll his blunt for him. He

889
00:38:38,640 --> 00:38:42,000
Speaker 2: was so boogy. This guy carries it's a little person.

890
00:38:42,040 --> 00:38:45,200
Speaker 2: A little person can't rolling his blood world come out

891
00:38:45,239 --> 00:38:48,239
Speaker 2: the backpack. It's so funny, though, Shelley. So it's great

892
00:38:48,239 --> 00:38:50,600
Speaker 2: though that you hook up, because, like I said, watching

893
00:38:50,640 --> 00:38:53,239
Speaker 2: it on the show, you give a balance hearing, you,

894
00:38:53,280 --> 00:38:57,680
Speaker 2: even your presence here. You just bring that women motherly

895
00:38:57,920 --> 00:39:02,120
Speaker 2: sexy touch to it. That's all come binding one and professional.

896
00:39:02,239 --> 00:39:02,480
Speaker 3: You know what.

897
00:39:02,520 --> 00:39:05,000
Speaker 2: I mean like you bring it all to seriously to

898
00:39:05,360 --> 00:39:07,719
Speaker 2: a crew that I watch and I go, Okay, it's

899
00:39:07,719 --> 00:39:10,560
Speaker 2: still street, it's still hood, but it's still professional and

900
00:39:10,600 --> 00:39:13,600
Speaker 2: I love it. Yes, So you know I admire what

901
00:39:13,640 --> 00:39:15,560
Speaker 2: you guys are doing and what you're doing with the crew.

902
00:39:15,680 --> 00:39:17,840
Speaker 4: Thank you. Yeah, I just felt like I had to, okay,

903
00:39:18,000 --> 00:39:21,200
Speaker 4: figure out like how I fit amongst these three because

904
00:39:21,200 --> 00:39:24,680
Speaker 4: they're all like dominant personalities and stuff too so and

905
00:39:24,800 --> 00:39:27,960
Speaker 4: also different. You know, I love them. They're like my

906
00:39:28,320 --> 00:39:30,839
Speaker 4: big brothers now, so it's it's super dope.

907
00:39:31,239 --> 00:39:32,879
Speaker 2: Well, don't be afraid to grab that mic and start

908
00:39:32,880 --> 00:39:34,440
Speaker 2: taking over because you are the queen of the you know,

909
00:39:34,440 --> 00:39:37,040
Speaker 2: I mean, the queen of these kings over here doing

910
00:39:37,080 --> 00:39:40,239
Speaker 2: your damn thing. And now Marcus Malone out of Compton, California,

911
00:39:40,560 --> 00:39:42,640
Speaker 2: break it down. You're born and raised in Compton or

912
00:39:42,840 --> 00:39:45,960
Speaker 2: Compton and Carson. Compton and Carson yu home.

913
00:39:46,040 --> 00:39:50,200
Speaker 3: That's family. So yeah, I grew up both Compton and Carson.

914
00:39:50,760 --> 00:39:56,040
Speaker 3: I was able to pivot from out of that environment.

915
00:39:56,400 --> 00:39:59,719
Speaker 3: Played at Compton Domingus High School, went to college.

916
00:39:59,400 --> 00:40:00,879
Speaker 2: At very Well in high school too.

917
00:40:01,000 --> 00:40:04,760
Speaker 3: Yeah, we won State one national championship, played with Tyson

918
00:40:04,840 --> 00:40:06,960
Speaker 3: Chandler NBA players.

919
00:40:07,120 --> 00:40:10,560
Speaker 2: So you played basketball and football, just basketball basketball. Oh,

920
00:40:10,600 --> 00:40:11,960
Speaker 2: so that's why you got hung up when you were

921
00:40:11,960 --> 00:40:13,719
Speaker 2: trying to dunk the other day. You said, you still

922
00:40:13,719 --> 00:40:16,520
Speaker 2: don't got them hops and no more those are done? Okay.

923
00:40:16,719 --> 00:40:18,319
Speaker 2: I just wanted to make sure everybody remember knows that.

924
00:40:18,360 --> 00:40:19,759
Speaker 3: And I really didn't have it when I played either.

925
00:40:19,800 --> 00:40:21,279
Speaker 2: So I don't even know what were you were?

926
00:40:21,360 --> 00:40:22,480
Speaker 3: Four point guard?

927
00:40:22,520 --> 00:40:25,160
Speaker 2: Your point guard? You're big ass a point guard?

928
00:40:25,640 --> 00:40:26,560
Speaker 3: Six? Five point guard?

929
00:40:26,920 --> 00:40:32,759
Speaker 2: Wow? Yeah, he must have been at least seventy five

930
00:40:32,760 --> 00:40:35,960
Speaker 2: pounds lighter that day and playing, because now he looks

931
00:40:36,040 --> 00:40:38,200
Speaker 2: like a four and he looks like a left tackle.

932
00:40:40,120 --> 00:40:40,719
Speaker 2: You could see.

933
00:40:40,760 --> 00:40:42,359
Speaker 5: He's made a lot of money since then.

934
00:40:43,800 --> 00:40:45,680
Speaker 3: Happy way, it's a happy way, for sure.

935
00:40:46,640 --> 00:40:49,839
Speaker 2: It's called happy, healthy way for sure.

936
00:40:50,000 --> 00:40:52,600
Speaker 3: But so after that, like I said, I went to

937
00:40:52,640 --> 00:40:56,600
Speaker 3: De Paul University coach left after the first year, end

938
00:40:56,680 --> 00:40:58,440
Speaker 3: up on the University Houston where I was supposed to

939
00:40:58,520 --> 00:41:03,360
Speaker 3: go before the Paul. And you know, after that, you know,

940
00:41:03,400 --> 00:41:05,840
Speaker 3: I had an opportunity to play for the Kings, Zacramento

941
00:41:05,960 --> 00:41:08,759
Speaker 3: Kings in the Summer League. I had an opportunity to.

942
00:41:09,040 --> 00:41:11,279
Speaker 2: Was bibby on there then or was there before you.

943
00:41:11,440 --> 00:41:15,000
Speaker 3: Was run our test who was the plane guard? Then

944
00:41:15,120 --> 00:41:17,120
Speaker 3: I only played in the summer league.

945
00:41:17,239 --> 00:41:19,600
Speaker 2: Yeah, I want to say, you got a little contract.

946
00:41:19,840 --> 00:41:20,200
Speaker 2: That's good.

947
00:41:20,280 --> 00:41:22,759
Speaker 3: Yeah, Bibby and Christy was there. Then I went to

948
00:41:22,840 --> 00:41:25,839
Speaker 3: play with Lebron before he went to Miami that last year.

949
00:41:26,480 --> 00:41:28,240
Speaker 3: Got cut the last day of training camp.

950
00:41:28,719 --> 00:41:30,800
Speaker 2: Uh, you really had some handles.

951
00:41:30,880 --> 00:41:33,520
Speaker 3: I was all right, I was, I was all right,

952
00:41:34,400 --> 00:41:37,160
Speaker 3: And then I was working out. Got picked up by

953
00:41:37,200 --> 00:41:39,200
Speaker 3: the Utah Jazz for a ten day tore my m

954
00:41:39,239 --> 00:41:41,319
Speaker 3: c L A c L. Right after I signed.

955
00:41:41,400 --> 00:41:42,160
Speaker 2: Now you're sounding like.

956
00:41:46,000 --> 00:41:49,200
Speaker 3: But but and so I rehabbed right after I had

957
00:41:49,200 --> 00:41:54,040
Speaker 3: an opportunity to go to China. From there, I ended

958
00:41:54,080 --> 00:41:58,640
Speaker 3: up opening a barbershoping beauty sline and Compton and I'm waiting,

959
00:41:58,719 --> 00:42:02,480
Speaker 3: waiting to go after my second term after playing China,

960
00:42:03,160 --> 00:42:05,400
Speaker 3: and one of the barbers was like, hey, you know

961
00:42:05,400 --> 00:42:07,600
Speaker 3: you got all these packages coming here. You know you

962
00:42:07,600 --> 00:42:10,520
Speaker 3: should open up a store. And my mentor at the time,

963
00:42:10,560 --> 00:42:12,279
Speaker 3: he was like, I'm getting out of the business. You

964
00:42:12,280 --> 00:42:15,240
Speaker 3: shouldn't do it. And so one of the barbers convinced

965
00:42:15,280 --> 00:42:17,160
Speaker 3: me to take a job at Chik Shoes and fox

966
00:42:17,280 --> 00:42:20,399
Speaker 3: Hill was mall and from there it was like, Hey,

967
00:42:20,400 --> 00:42:23,120
Speaker 3: we're transferring you to Chicago in two months. You have

968
00:42:23,200 --> 00:42:26,080
Speaker 3: to learn how to run the store. I get to Chicago,

969
00:42:26,200 --> 00:42:29,440
Speaker 3: the first person I meet when I had these ideas

970
00:42:29,440 --> 00:42:30,960
Speaker 3: of what I wanted to do in the city was

971
00:42:31,200 --> 00:42:32,040
Speaker 3: DJ Broadway.

972
00:42:32,280 --> 00:42:35,400
Speaker 2: No Way, y'all meet up there like that.

973
00:42:35,320 --> 00:42:36,840
Speaker 3: And the shoe store, and he was like one of

974
00:42:36,880 --> 00:42:38,719
Speaker 3: my favorite customers because he.

975
00:42:39,040 --> 00:42:43,120
Speaker 2: Spent a lot of money on shoes. Because you helped

976
00:42:43,120 --> 00:42:45,560
Speaker 2: you hit your quota, he.

977
00:42:45,600 --> 00:42:47,319
Speaker 3: Spent a lot of He helped keep the lights on

978
00:42:47,440 --> 00:42:51,440
Speaker 3: for sure. And so you know in that time, you know,

979
00:42:51,520 --> 00:42:53,439
Speaker 3: I lived down the street from the store I worked at.

980
00:42:53,760 --> 00:42:55,680
Speaker 3: He would come through and I was like, Hey, I

981
00:42:55,760 --> 00:42:57,320
Speaker 3: want to meet with this person, this person I have

982
00:42:57,440 --> 00:43:00,440
Speaker 3: these ideas of content I want to create. Bobby's Simmons

983
00:43:00,480 --> 00:43:03,319
Speaker 3: was the first person I interviewed from my platform thanks

984
00:43:03,320 --> 00:43:07,360
Speaker 3: to b Way, and that relationship kind of like transferred

985
00:43:07,400 --> 00:43:10,759
Speaker 3: to when he came back to California or in La

986
00:43:11,480 --> 00:43:14,880
Speaker 3: I'm here and my whole thing was like, Okay, we

987
00:43:15,000 --> 00:43:17,400
Speaker 3: have this relationship, we got to work together some capacity.

988
00:43:17,440 --> 00:43:20,000
Speaker 2: So you guys been in communication those whole years and

989
00:43:20,080 --> 00:43:25,520
Speaker 2: you came down like yo, I'm l a at Marcus.

990
00:43:24,120 --> 00:43:25,120
Speaker 5: Like real talk.

991
00:43:25,200 --> 00:43:29,080
Speaker 6: It been like from in and out because he would

992
00:43:29,200 --> 00:43:32,799
Speaker 6: we were growing at the same time, like within within

993
00:43:32,840 --> 00:43:37,000
Speaker 6: the rights of his career. He's going crazy and I

994
00:43:37,080 --> 00:43:39,759
Speaker 6: was over here going crazy. But we had never got

995
00:43:39,760 --> 00:43:41,359
Speaker 6: a chance to like sit down and be like, yo,

996
00:43:41,560 --> 00:43:42,839
Speaker 6: I got this, I got this.

997
00:43:43,600 --> 00:43:45,520
Speaker 2: Let's do this together, Let's do this together.

998
00:43:45,600 --> 00:43:47,359
Speaker 6: And he finally kind of just like grabbed me by

999
00:43:47,360 --> 00:43:50,600
Speaker 6: the shoulders, like slow down, check it if we line

1000
00:43:50,640 --> 00:43:51,120
Speaker 6: it up like.

1001
00:43:51,120 --> 00:43:54,640
Speaker 5: This, And then I was like, okay, we communicate.

1002
00:43:55,239 --> 00:43:57,279
Speaker 6: We kind of we kind of like to say, so

1003
00:43:57,360 --> 00:43:59,359
Speaker 6: if there was a thing a target, if you saw

1004
00:43:59,400 --> 00:44:03,120
Speaker 6: the movie Last Dance, I feel like I'm on the

1005
00:44:03,120 --> 00:44:06,040
Speaker 6: bulls and he has an expectation and I have the

1006
00:44:06,040 --> 00:44:07,560
Speaker 6: same expectation out of him.

1007
00:44:07,920 --> 00:44:12,000
Speaker 5: So he like, look that game, pick it up.

1008
00:44:12,840 --> 00:44:16,080
Speaker 3: That's nice. Yeah, those talks and the crazy thing about

1009
00:44:17,200 --> 00:44:20,600
Speaker 3: just being in La. I got in cannabis through Lamar

1010
00:44:20,640 --> 00:44:23,600
Speaker 3: old him. I helped him get his first clothing with

1011
00:44:23,680 --> 00:44:26,440
Speaker 3: rich Saul. I helped facilitate the deal and he actually

1012
00:44:26,480 --> 00:44:31,719
Speaker 3: used cannabis as medicine to cope with his child, with

1013
00:44:31,760 --> 00:44:35,640
Speaker 3: his dad and his coke addiction. So you know, I

1014
00:44:35,680 --> 00:44:39,080
Speaker 3: was able to. I was doing a sports platform at

1015
00:44:39,080 --> 00:44:41,480
Speaker 3: the time. I was building called athletes in fashion, and

1016
00:44:41,520 --> 00:44:44,160
Speaker 3: my guys from there, from Camp Green, who you may know,

1017
00:44:45,080 --> 00:44:48,640
Speaker 3: they were in tech, they pivoted to cannabis. They asked me, Hey,

1018
00:44:49,120 --> 00:44:51,799
Speaker 3: you know, we need some athletes who we can bring

1019
00:44:52,000 --> 00:44:53,880
Speaker 3: to a brand about and I was like, bro, I

1020
00:44:53,880 --> 00:44:56,239
Speaker 3: don't know anybody currently that you could do that. I

1021
00:44:56,280 --> 00:45:00,760
Speaker 3: got x NBA players and they chose Lamar. I learned

1022
00:45:00,800 --> 00:45:05,040
Speaker 3: how the cannabis business through that. I'm like, think pandemic.

1023
00:45:05,040 --> 00:45:07,120
Speaker 3: We were trying to revamp the brand because he just

1024
00:45:07,400 --> 00:45:10,320
Speaker 3: he decided to step away. I ended up talking myself

1025
00:45:10,320 --> 00:45:13,440
Speaker 3: into a job at Glasshouse. At the same time, my

1026
00:45:13,560 --> 00:45:16,359
Speaker 3: uncle who's coming over every day during the pandemic, He's like, hey,

1027
00:45:17,600 --> 00:45:20,040
Speaker 3: I want you to come on set. I'm doing Snoops

1028
00:45:20,120 --> 00:45:22,840
Speaker 3: video blah blah blah. So I'm like, okay. My uncle's

1029
00:45:22,880 --> 00:45:26,399
Speaker 3: well known ex gang member. He's just like, all right,

1030
00:45:27,320 --> 00:45:28,640
Speaker 3: I need I'm gonna come pick you up. And I

1031
00:45:28,680 --> 00:45:31,239
Speaker 3: was like, well, damn, I think I got covide. I

1032
00:45:31,280 --> 00:45:33,960
Speaker 3: felt the COVID test, and so he was like, fuck it,

1033
00:45:34,000 --> 00:45:37,920
Speaker 3: don't worry, come on. So he actually was like, nah,

1034
00:45:37,960 --> 00:45:40,800
Speaker 3: you can't come, and so he calls me from set

1035
00:45:40,840 --> 00:45:43,759
Speaker 3: and he's like, hey, you heard a DJ who kid.

1036
00:45:43,800 --> 00:45:45,920
Speaker 3: I was like, yeah, I used to sell his tapes

1037
00:45:46,000 --> 00:45:48,160
Speaker 3: off of line wire. I used to download him and

1038
00:45:48,200 --> 00:45:50,640
Speaker 3: sell his mixtapes off of linewright, That's how I made money.

1039
00:45:50,880 --> 00:45:52,520
Speaker 3: He was like, well, he's right next to me. I

1040
00:45:52,520 --> 00:45:54,560
Speaker 3: think y'all need to meet. And so I was like,

1041
00:45:54,560 --> 00:45:57,120
Speaker 3: oh shit. So I didn't talk to him. I talked

1042
00:45:57,160 --> 00:45:59,600
Speaker 3: to his cousin, Lo and Behold. I'm coming back from

1043
00:45:59,719 --> 00:46:03,000
Speaker 3: game two of the finals with Kyle and I see

1044
00:46:03,000 --> 00:46:05,279
Speaker 3: his cousin in the hallway. He's like, yo, I know you,

1045
00:46:05,320 --> 00:46:07,799
Speaker 3: aren't you Marcus? And I was like, yeah, bro, where

1046
00:46:07,800 --> 00:46:09,080
Speaker 3: you know me from? He was like, we live in

1047
00:46:09,080 --> 00:46:12,640
Speaker 3: the same building, he said, I'm who kids cousin. I said,

1048
00:46:12,680 --> 00:46:15,520
Speaker 3: what the fuck? I said, all right, cool, he said, yeah,

1049
00:46:15,520 --> 00:46:16,880
Speaker 3: he's out of town right now, but I want to

1050
00:46:16,880 --> 00:46:19,400
Speaker 3: connect with you. So one day I'm just walking in

1051
00:46:19,440 --> 00:46:22,799
Speaker 3: the lobby. I'm I think I fake was working out.

1052
00:46:22,800 --> 00:46:24,200
Speaker 3: Clearly I wasn't, and.

1053
00:46:24,160 --> 00:46:28,239
Speaker 2: So obviously I'm coming in the lobby and many chicken

1054
00:46:28,280 --> 00:46:29,160
Speaker 2: wings you ate earlier.

1055
00:46:30,640 --> 00:46:33,680
Speaker 3: I'm in the lobby and he was like, yo, can

1056
00:46:33,719 --> 00:46:35,600
Speaker 3: you help me get up. I can't get up. Think

1057
00:46:35,640 --> 00:46:38,520
Speaker 3: he to have a fob, and so I looked, I'm like, oh,

1058
00:46:38,560 --> 00:46:40,880
Speaker 3: ship DJ who kid, I'm supposed to bro, I'm supposed

1059
00:46:40,920 --> 00:46:42,840
Speaker 3: to meet with you. He's looking like, Bro, what is

1060
00:46:42,880 --> 00:46:43,560
Speaker 3: he about to you?

1061
00:46:43,920 --> 00:46:44,320
Speaker 5: Exactly?

1062
00:46:45,520 --> 00:46:47,640
Speaker 2: Should I break everybody? What the fuck's going on around here?

1063
00:46:47,640 --> 00:46:48,719
Speaker 5: And not again? I don't need to get.

1064
00:46:48,600 --> 00:46:49,359
Speaker 2: Pistol whooped again.

1065
00:46:50,520 --> 00:46:51,560
Speaker 3: It was not fucking with it.

1066
00:46:51,640 --> 00:46:52,520
Speaker 5: So I'm like, nah, Bro.

1067
00:46:53,120 --> 00:46:54,920
Speaker 3: I'm like, nah, Bro, I know your cousin. I know

1068
00:46:55,000 --> 00:46:57,040
Speaker 3: this person. That's the person you met my uncle rock

1069
00:46:57,440 --> 00:47:00,040
Speaker 3: and mind you, I'm on a certain floor and he

1070
00:47:00,120 --> 00:47:02,200
Speaker 3: on a certain floor. So I got like an elevator pitch.

1071
00:47:02,640 --> 00:47:05,319
Speaker 3: I convinced him to come out the elevator. I had

1072
00:47:05,360 --> 00:47:08,040
Speaker 3: merch for him from Glasshouse, and I was like, hey,

1073
00:47:08,080 --> 00:47:10,040
Speaker 3: you know, I got I got per merch, I got

1074
00:47:10,040 --> 00:47:12,760
Speaker 3: we blah blah blah come through. So he's like standing

1075
00:47:12,840 --> 00:47:15,000
Speaker 3: like in my house while I'm like in the living room.

1076
00:47:15,040 --> 00:47:16,600
Speaker 3: But he's not like fully bought.

1077
00:47:16,360 --> 00:47:21,120
Speaker 2: Into looking like a bear.

1078
00:47:21,280 --> 00:47:23,640
Speaker 3: So when he sees me pull out all of this merch,

1079
00:47:23,680 --> 00:47:26,080
Speaker 3: he's like okay. His guards kind of went down, and

1080
00:47:26,120 --> 00:47:28,600
Speaker 3: so from then we got to talking and I saw

1081
00:47:28,640 --> 00:47:32,360
Speaker 3: what he needed help with for per our conversation, and

1082
00:47:32,400 --> 00:47:34,680
Speaker 3: it turned for me being like his camera guy, which

1083
00:47:34,719 --> 00:47:36,640
Speaker 3: I still help him. I'm still gonna after this, I'm

1084
00:47:36,640 --> 00:47:39,560
Speaker 3: gonna film for him. And then it was like, how

1085
00:47:39,600 --> 00:47:42,520
Speaker 3: can I work with him? What do I have? Same time,

1086
00:47:42,640 --> 00:47:45,800
Speaker 3: I'm at Glasshouse trying to pitch ideas and the person

1087
00:47:45,840 --> 00:47:48,399
Speaker 3: at the time really wasn't feeling it, and I'm like, well, damn,

1088
00:47:48,480 --> 00:47:50,960
Speaker 3: I can't let this die. So one day I'm talking

1089
00:47:51,000 --> 00:47:53,239
Speaker 3: to Broadway. He's moving fast. I'm like, Yo, I think

1090
00:47:53,239 --> 00:47:55,200
Speaker 3: I got the perfect thing for you. I think I

1091
00:47:55,200 --> 00:47:57,239
Speaker 3: know what you're missing, and I said, I want to

1092
00:47:57,239 --> 00:47:59,799
Speaker 3: bring DJ who Kid, so you know you're not the

1093
00:47:59,800 --> 00:48:03,839
Speaker 3: only DJ Fast forward me and who Kids talking. One day,

1094
00:48:03,880 --> 00:48:05,440
Speaker 3: He's like, Yo, I need something where I can sit down.

1095
00:48:05,480 --> 00:48:07,320
Speaker 3: I'm getting older, I want to do blah blah blah.

1096
00:48:07,600 --> 00:48:09,400
Speaker 3: I said, I got it. I said I got the

1097
00:48:09,400 --> 00:48:12,200
Speaker 3: perfect thing. I've been watching this whole Moniker his the

1098
00:48:12,239 --> 00:48:16,279
Speaker 3: Gucci shoes, the jacket, the storytelling. I'm like, okay, I

1099
00:48:16,320 --> 00:48:19,040
Speaker 3: got something here. So it's too So one day I'm

1100
00:48:19,040 --> 00:48:25,520
Speaker 3: scrolling on the IG whatever Explore page and I see

1101
00:48:25,520 --> 00:48:27,880
Speaker 3: this chick. I'm like, Okay, she's cute, And I knew

1102
00:48:28,440 --> 00:48:31,480
Speaker 3: I needed to check every box storytelling a woman that

1103
00:48:31,680 --> 00:48:34,399
Speaker 3: is fashionable, that can speak and can hold her own.

1104
00:48:34,680 --> 00:48:37,920
Speaker 3: And I knew I need to fuse both retail and

1105
00:48:38,000 --> 00:48:40,839
Speaker 3: cannabis because obviously I worked in retail before I worked

1106
00:48:40,840 --> 00:48:43,600
Speaker 3: in cannabis. It's a lot with social equity that happens

1107
00:48:43,640 --> 00:48:46,560
Speaker 3: in both sectors. So I knew I can organically tell

1108
00:48:46,560 --> 00:48:50,040
Speaker 3: a story from an honest place. And so I scroll

1109
00:48:50,080 --> 00:48:52,040
Speaker 3: and I see this girl, I'm like, oh shit, she

1110
00:48:52,120 --> 00:48:54,839
Speaker 3: gets busy. Like I'm into girls who can dress, Like,

1111
00:48:54,880 --> 00:48:56,920
Speaker 3: you can't just be thick or whatever. You have to

1112
00:48:56,960 --> 00:48:59,960
Speaker 3: be able to dress. So that's what normally drew me

1113
00:49:00,440 --> 00:49:02,920
Speaker 3: to Shelley Styles. Shelley, So I'm looking at her.

1114
00:49:03,280 --> 00:49:05,960
Speaker 2: You're a pervert, is what you're saying. Read between the

1115
00:49:06,000 --> 00:49:08,120
Speaker 2: lines of what you're saying. You're perven on her page

1116
00:49:09,160 --> 00:49:12,600
Speaker 2: hitting all the but oh she's hot, she's hot, yes, yes, yes,

1117
00:49:13,080 --> 00:49:15,520
Speaker 2: And then you and she could talk, well there's benefit.

1118
00:49:16,280 --> 00:49:18,360
Speaker 3: So so yeah, and I was kind of trying to

1119
00:49:18,360 --> 00:49:20,040
Speaker 3: look how I want to dress a female that I

1120
00:49:20,080 --> 00:49:21,680
Speaker 3: was talking to at the time, and she just kind

1121
00:49:21,680 --> 00:49:23,920
Speaker 3: of fit the look I was. I was looking for.

1122
00:49:24,320 --> 00:49:26,520
Speaker 3: So I'm looking at her page and I'm like, wait.

1123
00:49:26,840 --> 00:49:27,880
Speaker 2: I got a friend in common.

1124
00:49:28,480 --> 00:49:30,600
Speaker 3: I'm like, yeah, I got a friend in common named April.

1125
00:49:30,920 --> 00:49:33,360
Speaker 3: I'm scrolling down looking at her reels, and I was

1126
00:49:33,400 --> 00:49:35,800
Speaker 3: attracted by her reels. She does a great job of

1127
00:49:35,880 --> 00:49:38,080
Speaker 3: branding herself on her page. If you ever get a chance,

1128
00:49:38,280 --> 00:49:41,080
Speaker 3: you got to check out Shelley Styles. And so I

1129
00:49:41,160 --> 00:49:43,680
Speaker 3: caught one of the reels of her smoking. I said, oh,

1130
00:49:43,760 --> 00:49:47,719
Speaker 3: you're not slick. I said yeah. I said, this is

1131
00:49:47,760 --> 00:49:50,400
Speaker 3: a woman who smokes because it had to be in

1132
00:49:50,440 --> 00:49:53,680
Speaker 3: cannabis industry and not smoke like they'll they'll sniff it

1133
00:49:53,719 --> 00:49:57,280
Speaker 3: out quick. So I'm sitting here, I'm like, Okay, April,

1134
00:49:57,280 --> 00:49:59,319
Speaker 3: I got it. I got something. Please, can you like,

1135
00:49:59,360 --> 00:50:01,400
Speaker 3: can you see if what this girl is doing? I

1136
00:50:01,480 --> 00:50:04,640
Speaker 3: need her involved? Lo and behold, just worked out God's

1137
00:50:04,680 --> 00:50:06,120
Speaker 3: way of putting us all together.

1138
00:50:06,280 --> 00:50:09,560
Speaker 2: It's clearly what an organic great Amazon like.

1139
00:50:09,760 --> 00:50:13,880
Speaker 3: Yeah, yeah, And she bought in from day one. And

1140
00:50:14,239 --> 00:50:17,800
Speaker 3: the ironic thing was I wanted to be just a quarterback.

1141
00:50:17,840 --> 00:50:20,520
Speaker 3: These are the stars, like they all have dope brands,

1142
00:50:20,520 --> 00:50:22,719
Speaker 3: and I feel like it just needs to be highlighted

1143
00:50:22,960 --> 00:50:24,680
Speaker 3: because I just knew what I had in my back

1144
00:50:24,680 --> 00:50:26,200
Speaker 3: pocket so I could take my time. I don't have

1145
00:50:26,239 --> 00:50:29,280
Speaker 3: to score right now. But then I saw that, Okay,

1146
00:50:30,440 --> 00:50:35,920
Speaker 3: this this is something that is different. It's it's engaging,

1147
00:50:36,360 --> 00:50:38,080
Speaker 3: and I just knew we couldn't lose if we just

1148
00:50:38,120 --> 00:50:40,960
Speaker 3: put the time in. So you know, kudos to them

1149
00:50:41,080 --> 00:50:43,480
Speaker 3: for just believing in me. And you know we're partners.

1150
00:50:43,520 --> 00:50:46,480
Speaker 3: We split everything down the line, and you know we're

1151
00:50:46,520 --> 00:50:49,759
Speaker 3: working on something big. We have an announcement soon, which

1152
00:50:49,800 --> 00:50:52,240
Speaker 3: I'll let you know as soon as it's for sure.

1153
00:50:52,360 --> 00:50:55,640
Speaker 3: But yeah, we've evolved pretty quick with this.

1154
00:50:55,760 --> 00:50:58,080
Speaker 2: But you know, I could see it because, like you said,

1155
00:50:58,120 --> 00:51:00,360
Speaker 2: you put a legendary crew like this too, you know

1156
00:51:00,360 --> 00:51:02,719
Speaker 2: what I mean, that's doing big things and and the

1157
00:51:02,760 --> 00:51:05,719
Speaker 2: history behind it. And then you stalk and fucking who's

1158
00:51:05,760 --> 00:51:08,440
Speaker 2: getting the building the way you did, and then creeping

1159
00:51:08,520 --> 00:51:10,480
Speaker 2: on her page like you did. You know what I mean,

1160
00:51:10,840 --> 00:51:12,520
Speaker 2: It makes you kind of cool. And then, you know

1161
00:51:12,560 --> 00:51:14,759
Speaker 2: what I mean, you take Broadways money like you did

1162
00:51:15,080 --> 00:51:17,799
Speaker 2: overcharging them for shoes and shit, you gotta give it back.

1163
00:51:19,800 --> 00:51:21,880
Speaker 5: But this is a movie. You gotta sell it.

1164
00:51:22,120 --> 00:51:26,520
Speaker 2: I mean, I'm just saying it from exactly. It's a

1165
00:51:26,560 --> 00:51:29,560
Speaker 2: plot it's by fucking from Compton has been doing it.

1166
00:51:30,360 --> 00:51:31,839
Speaker 5: My commission movie.

1167
00:51:31,600 --> 00:51:35,160
Speaker 3: My commission from uh. Broadway Sales literally paid for the

1168
00:51:35,200 --> 00:51:37,959
Speaker 3: first exactly, so you can think Broadway.

1169
00:51:37,640 --> 00:51:42,040
Speaker 2: For you know what, what a great story. I applaud

1170
00:51:42,080 --> 00:51:44,359
Speaker 2: you guys, and especially you, like I said, though, because

1171
00:51:44,360 --> 00:51:46,399
Speaker 2: I remember you coming here and that's literally talking about

1172
00:51:46,800 --> 00:51:48,719
Speaker 2: you putting together a show and you're like, Joe, I

1173
00:51:48,719 --> 00:51:51,000
Speaker 2: got to you just do it like you gotta do it.

1174
00:51:51,080 --> 00:51:54,120
Speaker 3: I mean, And I definitely appreciate you for being able

1175
00:51:54,120 --> 00:51:56,600
Speaker 3: to lean on you and just ask you for advice,

1176
00:51:56,640 --> 00:52:00,360
Speaker 3: you know, just camera techniques or conversation pieces. You know,

1177
00:52:00,480 --> 00:52:04,960
Speaker 3: you really don't find people and other industries that like

1178
00:52:05,040 --> 00:52:09,279
Speaker 3: to share information. So you being like an advocate for

1179
00:52:09,400 --> 00:52:11,960
Speaker 3: me and believing in me and give me the confidence

1180
00:52:12,000 --> 00:52:13,920
Speaker 3: to just say, hey, can I talk to you about this?

1181
00:52:14,239 --> 00:52:16,400
Speaker 3: What should I do here? Or you know, you pouring

1182
00:52:16,400 --> 00:52:18,919
Speaker 3: into me allowed me to give me confidence to say, hey,

1183
00:52:18,960 --> 00:52:22,279
Speaker 3: we could do this. It's a laying out here in cannabis,

1184
00:52:22,320 --> 00:52:24,959
Speaker 3: And that's what I love about cannabis. We're talking about

1185
00:52:24,960 --> 00:52:25,440
Speaker 3: the plant.

1186
00:52:25,480 --> 00:52:27,360
Speaker 2: I mean, and it's cannabis and kicks because of the

1187
00:52:27,360 --> 00:52:29,480
Speaker 2: way it all lines up in fashion, all this stuff,

1188
00:52:29,520 --> 00:52:31,680
Speaker 2: and not only that, it goes hand and hand on

1189
00:52:31,719 --> 00:52:33,359
Speaker 2: what we all have done here on this panel. We've

1190
00:52:33,400 --> 00:52:34,959
Speaker 2: all given back to folks. You know what I'm saying.

1191
00:52:35,000 --> 00:52:36,920
Speaker 2: So me giving back to you is what we are

1192
00:52:36,960 --> 00:52:38,840
Speaker 2: about here, you know what I mean. Like, I'm about

1193
00:52:38,880 --> 00:52:41,920
Speaker 2: that with people like I cannot help catch like Diego

1194
00:52:41,920 --> 00:52:43,759
Speaker 2: who's working our border right there as an interurn out

1195
00:52:43,760 --> 00:52:48,600
Speaker 2: of Chicago, so he's from the town. We'll talk Diego

1196
00:52:48,640 --> 00:52:50,000
Speaker 2: on the mic, turning mic up, where are you from?

1197
00:52:50,120 --> 00:52:51,280
Speaker 2: Let him know where you're from over.

1198
00:52:51,160 --> 00:52:54,759
Speaker 6: There, Chicago our around the city called Geneva, and.

1199
00:52:56,080 --> 00:52:58,120
Speaker 3: I lived on the South Side. I don't know what.

1200
00:52:59,000 --> 00:53:01,160
Speaker 5: I don't know what. You need it now, I'm not trying.

1201
00:53:01,760 --> 00:53:03,320
Speaker 2: Oh no, no, I'll get to the middle.

1202
00:53:03,480 --> 00:53:04,760
Speaker 5: I'm not from Chicago.

1203
00:53:04,800 --> 00:53:07,000
Speaker 3: I just live Oh yeah.

1204
00:53:07,000 --> 00:53:09,080
Speaker 2: But but my point is that's what we do. We

1205
00:53:09,160 --> 00:53:11,759
Speaker 2: give back. He's here on an internship right now from

1206
00:53:11,840 --> 00:53:14,560
Speaker 2: Chicago working with us, like he took his summer to

1207
00:53:14,680 --> 00:53:17,560
Speaker 2: come here. And my point is we do that here

1208
00:53:17,560 --> 00:53:20,319
Speaker 2: at Cannabis talk one on one. So I'd actually give

1209
00:53:20,360 --> 00:53:22,640
Speaker 2: it another tip. You need to start getting in with

1210
00:53:22,680 --> 00:53:24,600
Speaker 2: some intern figure out how you can we get to

1211
00:53:24,640 --> 00:53:26,680
Speaker 2: do it through the iHeart thing, and we monitor through

1212
00:53:26,680 --> 00:53:28,920
Speaker 2: the colleges, but like we're able to bring in a

1213
00:53:28,960 --> 00:53:31,680
Speaker 2: lot of young cats through that way and teach them

1214
00:53:31,680 --> 00:53:33,879
Speaker 2: because just like my knowledge that I spoke to you at,

1215
00:53:33,920 --> 00:53:35,640
Speaker 2: we like to give that back so much to the

1216
00:53:36,080 --> 00:53:38,200
Speaker 2: especially you guys who have been DJing forever, and then

1217
00:53:38,200 --> 00:53:40,759
Speaker 2: a stylist like yourself, Shelley, who could just give back

1218
00:53:40,800 --> 00:53:43,080
Speaker 2: because as you guys know, there's nothing better than that,

1219
00:53:43,080 --> 00:53:45,640
Speaker 2: There's nothing better than that feeling when you're talking to

1220
00:53:45,680 --> 00:53:48,000
Speaker 2: somebody of like old story man, when I met you

1221
00:53:48,080 --> 00:53:50,200
Speaker 2: and you said this, you know who called me today

1222
00:53:50,239 --> 00:53:52,759
Speaker 2: ironically speaking of like old stores before he was the

1223
00:53:52,800 --> 00:53:56,200
Speaker 2: big brand. Shurbinsky out of the Bay Area, right, Mario

1224
00:53:56,360 --> 00:53:59,000
Speaker 2: called me because we're talking about my boy passing from

1225
00:53:59,000 --> 00:54:01,080
Speaker 2: the Bay and he's like, I just heard jav patter.

1226
00:54:01,160 --> 00:54:03,200
Speaker 2: We start chopping up and he's like telling me old

1227
00:54:03,200 --> 00:54:05,319
Speaker 2: stories of me coming out the club with powder on

1228
00:54:05,400 --> 00:54:09,000
Speaker 2: my nose and ship like, oh yeah, your boy used

1229
00:54:09,000 --> 00:54:13,439
Speaker 2: to get down like a clown back. Then he goes, Joe,

1230
00:54:13,480 --> 00:54:16,000
Speaker 2: I never forget you coming exactly, this is a random story, Joe,

1231
00:54:16,040 --> 00:54:17,960
Speaker 2: what's up. He's like, I never forget you. But my

1232
00:54:18,000 --> 00:54:20,440
Speaker 2: point is it's knowing folks like that, giving back to

1233
00:54:20,480 --> 00:54:23,720
Speaker 2: people and having those history of things. And it always

1234
00:54:23,760 --> 00:54:26,560
Speaker 2: stays long when you have that longevity with Tats because

1235
00:54:26,800 --> 00:54:28,840
Speaker 2: when you meet him back then, like you meet a

1236
00:54:28,880 --> 00:54:31,320
Speaker 2: Broadway back then, and then he comes to Cali and

1237
00:54:31,360 --> 00:54:33,360
Speaker 2: you're like, dude, we got to hook up and link

1238
00:54:34,239 --> 00:54:36,920
Speaker 2: and you guys do cannabis and kicks, and I'm telling you,

1239
00:54:36,960 --> 00:54:38,399
Speaker 2: I love it. I think you guys need to start

1240
00:54:38,400 --> 00:54:40,520
Speaker 2: doing something here instead of that beautiful set you guys got.

1241
00:54:40,360 --> 00:54:41,759
Speaker 3: With that ship.

1242
00:54:41,800 --> 00:54:42,879
Speaker 2: That's hot. Don't get me wrong.

1243
00:54:42,920 --> 00:54:43,319
Speaker 7: I like it.

1244
00:54:43,440 --> 00:54:47,360
Speaker 5: And tell you something very interesting about that set that

1245
00:54:47,520 --> 00:54:59,560
Speaker 5: she keeps house really and he's from Chicago and she

1246
00:54:59,760 --> 00:55:00,600
Speaker 5: keep so.

1247
00:55:00,640 --> 00:55:02,960
Speaker 2: Wow Peter Pan Robinhood, we got everybody.

1248
00:55:04,000 --> 00:55:06,279
Speaker 5: You're giving you a piece of art because he really

1249
00:55:06,320 --> 00:55:07,279
Speaker 5: doesn't let anyone in.

1250
00:55:07,840 --> 00:55:09,600
Speaker 2: Hey, dog, And I think it's so dope looking too.

1251
00:55:09,600 --> 00:55:10,960
Speaker 2: I kind of like the set too. But I'm saying

1252
00:55:10,960 --> 00:55:12,120
Speaker 2: this is a home for you guys too.

1253
00:55:12,160 --> 00:55:12,319
Speaker 3: Man.

1254
00:55:12,360 --> 00:55:14,319
Speaker 2: You got your This is a you know, we do

1255
00:55:14,360 --> 00:55:16,360
Speaker 2: our set like this and you're put some stuff on

1256
00:55:16,440 --> 00:55:18,600
Speaker 2: there and do the graffiti or whatever, but we're gonna

1257
00:55:18,600 --> 00:55:20,279
Speaker 2: take a break real quick. Come back. We got the

1258
00:55:20,360 --> 00:55:23,799
Speaker 2: high five with Cannabis and Kick since Cannabis Talk one

1259
00:55:23,800 --> 00:55:25,080
Speaker 2: oh one. We'll be right back after.

1260
00:55:25,120 --> 00:55:27,120
Speaker 5: We'll be right back with Cannabis.

1261
00:55:26,680 --> 00:55:28,400
Speaker 3: Talk one O one.

1262
00:55:35,520 --> 00:55:37,879
Speaker 1: Welcome back to Cannabis Talk one o one.

1263
00:55:38,120 --> 00:55:40,359
Speaker 2: Turn your typical into something special, Folks, when it comes

1264
00:55:40,360 --> 00:55:42,400
Speaker 2: in to use products to flavor mutations, you're just as

1265
00:55:42,480 --> 00:55:44,880
Speaker 2: enjoyable as the feeling your experience. Visit the website of

1266
00:55:44,880 --> 00:55:47,040
Speaker 2: the rand oils dot com. I want to thank everybody

1267
00:55:47,080 --> 00:55:50,000
Speaker 2: here that helps us out. Porn Hey, Marcus Mondo, Teddy

1268
00:55:50,040 --> 00:55:55,080
Speaker 2: the Dog Show, Isaiah Casey, Daniel Diego, Jessica cam Beach, Barcelara, Ali,

1269
00:55:55,160 --> 00:55:58,760
Speaker 2: Goldie Brother, Pitt, Mark Carnes, Chris Frankeno, Jennifer Erica and Elvis.

1270
00:55:58,760 --> 00:56:01,239
Speaker 2: Thank you guys all for everything you do. We are

1271
00:56:01,280 --> 00:56:04,840
Speaker 2: here with the Cups and Cannabis and Kicks podcast. Marcus Malone,

1272
00:56:04,920 --> 00:56:09,360
Speaker 2: Shelley Styles, DJ Legendary Broadway and the world famous DJ.

1273
00:56:09,480 --> 00:56:12,560
Speaker 2: Who kid has left the building. You know what, he

1274
00:56:12,600 --> 00:56:15,279
Speaker 2: had a bigger show to go do. It's understandable, so

1275
00:56:15,320 --> 00:56:17,080
Speaker 2: we're not going to get the high five from him,

1276
00:56:17,080 --> 00:56:19,160
Speaker 2: but you know he had a who what's the guests

1277
00:56:19,160 --> 00:56:19,960
Speaker 2: that he had to go interview?

1278
00:56:20,040 --> 00:56:20,440
Speaker 5: Right now.

1279
00:56:22,320 --> 00:56:23,359
Speaker 2: Wow, look at him.

1280
00:56:23,960 --> 00:56:26,840
Speaker 3: Knowing him, he'll probably lead this interview too, so be careful.

1281
00:56:27,120 --> 00:56:27,319
Speaker 4: Yeah.

1282
00:56:27,480 --> 00:56:31,480
Speaker 2: Yeah, he hasn't stopped.

1283
00:56:31,520 --> 00:56:32,360
Speaker 7: He he.

1284
00:56:35,680 --> 00:56:38,319
Speaker 2: Well, that's your line already. You're like, wait a minute,

1285
00:56:38,320 --> 00:56:39,880
Speaker 2: I thought we were dropping that on four twenty.

1286
00:56:40,280 --> 00:56:42,640
Speaker 4: His second nature, he'll just bust it out.

1287
00:56:42,960 --> 00:56:45,400
Speaker 6: Do you remember the show Inspect the Gadget, of course,

1288
00:56:45,520 --> 00:56:48,440
Speaker 6: and how Chief Quimby would give him the message and

1289
00:56:48,480 --> 00:56:49,239
Speaker 6: it would blow up.

1290
00:56:49,400 --> 00:56:51,520
Speaker 5: Yes, and like that's who kid, If you send him

1291
00:56:51,520 --> 00:56:51,960
Speaker 5: something that.

1292
00:56:52,000 --> 00:56:57,000
Speaker 2: Go go gadget to go out, he just boom. And

1293
00:56:57,040 --> 00:56:59,319
Speaker 2: now with this Internet boy, he just lets it go.

1294
00:56:59,680 --> 00:57:02,160
Speaker 5: He got a chair. Who kid is still like that?

1295
00:57:02,400 --> 00:57:04,120
Speaker 2: Oh that's great. You know what, I didn't get the

1296
00:57:04,400 --> 00:57:06,680
Speaker 2: answer to this one, but I'm wondering where did DJ

1297
00:57:06,880 --> 00:57:09,759
Speaker 2: Legendary Broadway come from? How did that name come from?

1298
00:57:09,800 --> 00:57:12,680
Speaker 2: Because did Jemma give it to you or you know,

1299
00:57:12,680 --> 00:57:14,280
Speaker 2: how did that come from?

1300
00:57:14,760 --> 00:57:18,760
Speaker 6: I'm a Jets fan, so, by the way, Joe really

1301
00:57:19,000 --> 00:57:22,320
Speaker 6: so you know, his motto was I wanted to model

1302
00:57:22,360 --> 00:57:24,360
Speaker 6: my life after a little bit of the things that

1303
00:57:24,400 --> 00:57:27,840
Speaker 6: he did. So basically when he took the championship, you

1304
00:57:27,880 --> 00:57:28,560
Speaker 6: know he was.

1305
00:57:28,600 --> 00:57:30,760
Speaker 2: You were young though, yeah, I was real.

1306
00:57:30,640 --> 00:57:32,320
Speaker 6: Young, but I heard the story and I thought it

1307
00:57:32,480 --> 00:57:35,200
Speaker 6: just was me. The name Broadway Joe and the type

1308
00:57:35,200 --> 00:57:36,240
Speaker 6: of playboy.

1309
00:57:35,800 --> 00:57:38,680
Speaker 2: He was, Oh he was. He was New York's fire like.

1310
00:57:38,760 --> 00:57:42,240
Speaker 6: He was in Minx and he was doing different different waves.

1311
00:57:42,400 --> 00:57:44,720
Speaker 2: He was flossy, was washy back before my fucker was

1312
00:57:44,720 --> 00:57:47,560
Speaker 2: flossy rosh cats in the hood. That was the urban

1313
00:57:47,600 --> 00:57:49,800
Speaker 2: crowd doing that. Then you see the wife boy.

1314
00:57:51,600 --> 00:57:52,000
Speaker 3: The mob.

1315
00:57:52,200 --> 00:57:53,560
Speaker 5: It was different. He was like that.

1316
00:57:53,960 --> 00:57:56,480
Speaker 6: You might have been the Fred Williamson in his world,

1317
00:57:56,520 --> 00:58:00,360
Speaker 6: you know what I'm saying. And so I said, I

1318
00:58:00,360 --> 00:58:02,600
Speaker 6: I am a Jets fan, and then I'm sorry, by

1319
00:58:02,640 --> 00:58:05,960
Speaker 6: the way, but go ahead. I mean, I'm a Cowboys fan,

1320
00:58:06,000 --> 00:58:10,040
Speaker 6: but we just loyal to the If you're a Jets fan,

1321
00:58:10,120 --> 00:58:12,400
Speaker 6: you understand the camaraderie at.

1322
00:58:12,280 --> 00:58:15,160
Speaker 2: It, but camaraderie that you guys celebrate over there.

1323
00:58:15,520 --> 00:58:16,640
Speaker 5: Yeah, and we fly.

1324
00:58:16,840 --> 00:58:19,040
Speaker 6: You know, you got whether you like it or not,

1325
00:58:19,160 --> 00:58:21,520
Speaker 6: somebody's girlfriend's going to be at a Jets game before

1326
00:58:21,520 --> 00:58:24,080
Speaker 6: a Giants game. Oh look at you, that New York

1327
00:58:24,160 --> 00:58:28,560
Speaker 6: rival Jets Giants. Sexy to be at a Jets game

1328
00:58:28,640 --> 00:58:31,000
Speaker 6: or Giants game. It's way more sexy to be at

1329
00:58:31,000 --> 00:58:33,760
Speaker 6: a Jets game because only the bad ones go to

1330
00:58:33,800 --> 00:58:36,000
Speaker 6: the Jets games and the Giants games gets.

1331
00:58:35,760 --> 00:58:40,200
Speaker 2: The that's funny. So Broadway Joe was what gave you

1332
00:58:40,240 --> 00:58:40,960
Speaker 2: the DJ name?

1333
00:58:41,040 --> 00:58:42,880
Speaker 5: Huh yeah, because he guaranteed to win.

1334
00:58:42,960 --> 00:58:44,960
Speaker 6: He was on the beach with chicks a week before

1335
00:58:45,000 --> 00:58:47,680
Speaker 6: the super Bowl and he was They was like, shouldn't

1336
00:58:47,760 --> 00:58:48,320
Speaker 6: be practicing?

1337
00:58:48,360 --> 00:58:49,600
Speaker 5: He was like, a guarantee we win.

1338
00:58:50,840 --> 00:58:53,280
Speaker 2: That's a great story right there. Who knew that DJ?

1339
00:58:53,480 --> 00:58:58,560
Speaker 2: Legendary Broadway from old school Jets quarterback. The Joe name

1340
00:58:58,600 --> 00:59:00,200
Speaker 2: is sto. I love when people bring up old Ship

1341
00:59:00,240 --> 00:59:01,600
Speaker 2: and I bring that up. You know, Shelley's going there,

1342
00:59:01,680 --> 00:59:04,880
Speaker 2: Who the hell is I did you know Marcus?

1343
00:59:04,880 --> 00:59:07,000
Speaker 3: You know Jo Okay quarterback?

1344
00:59:07,040 --> 00:59:10,160
Speaker 2: Yeah, old school quarterback. I said, even before our time

1345
00:59:10,240 --> 00:59:12,360
Speaker 2: though you know what I'm saying, Like, I mean, he's

1346
00:59:12,360 --> 00:59:15,560
Speaker 2: still alive, but he's a very old man. And you

1347
00:59:15,640 --> 00:59:18,440
Speaker 2: gotta be able to watch the tapes and watch the

1348
00:59:18,560 --> 00:59:22,040
Speaker 2: history because he's a legendary a quarterback that took his

1349
00:59:22,120 --> 00:59:25,760
Speaker 2: team further than you know anybody. But it's just his story.

1350
00:59:25,840 --> 00:59:29,680
Speaker 6: He's a player still, he's he's still he walked out

1351
00:59:29,720 --> 00:59:32,200
Speaker 6: in the super Bowl with two of them.

1352
00:59:32,680 --> 00:59:36,800
Speaker 5: He still does it outside on you like yeah, I'm

1353
00:59:36,840 --> 00:59:37,479
Speaker 5: still him.

1354
00:59:37,880 --> 00:59:49,200
Speaker 2: Yeah exactly. I was just Randall at that Super.

1355
00:59:48,920 --> 00:59:56,680
Speaker 4: Bowl Eagles household my stepdad. Every every Sunday is like

1356
00:59:57,160 --> 01:00:01,000
Speaker 4: the damn Super Bowl. They're grilling is. It's just all

1357
01:00:01,080 --> 01:00:03,360
Speaker 4: kinds of stuff going on, like we he calls the

1358
01:00:03,400 --> 01:00:07,280
Speaker 4: basement the nest. It's like it's really really serious over there.

1359
01:00:07,320 --> 01:00:08,760
Speaker 2: So I grew up in Randall and I worked at

1360
01:00:08,840 --> 01:00:11,760
Speaker 2: NBC Sports together for a while a lot. Yeah, yeah, yeah,

1361
01:00:11,800 --> 01:00:13,600
Speaker 2: so I got pictures of him and doing all kinds

1362
01:00:13,600 --> 01:00:16,600
Speaker 2: I did sports talk for years before I started doing

1363
01:00:16,640 --> 01:00:19,160
Speaker 2: other stuff, and so yeah, I have a nice little

1364
01:00:19,200 --> 01:00:22,000
Speaker 2: sports history of doing all kinds of stuff with the

1365
01:00:22,080 --> 01:00:25,440
Speaker 2: Raider pregame show for years and the Lakers show for years,

1366
01:00:25,520 --> 01:00:28,440
Speaker 2: and sports was just my thing and love following n

1367
01:00:28,480 --> 01:00:29,520
Speaker 2: C double A everything.

1368
01:00:29,560 --> 01:00:32,120
Speaker 5: So my question for you, did you know the AFL

1369
01:00:32,200 --> 01:00:32,760
Speaker 5: was coming back?

1370
01:00:33,200 --> 01:00:34,960
Speaker 2: Yes, I did hear about something like that.

1371
01:00:35,080 --> 01:00:37,520
Speaker 5: Yeah, I'm the official DJ at the entire league.

1372
01:00:37,800 --> 01:00:38,880
Speaker 2: Really that I did?

1373
01:00:38,920 --> 01:00:39,120
Speaker 3: Who?

1374
01:00:39,200 --> 01:00:41,240
Speaker 2: Just I think my boy col just told me that too.

1375
01:00:41,280 --> 01:00:46,000
Speaker 2: Our Dandel told me. Yeah, he said he's the NFL DJ.

1376
01:00:46,120 --> 01:00:48,160
Speaker 5: Yes, man, So the NFL is coming back.

1377
01:00:49,320 --> 01:00:51,840
Speaker 2: Yeah, that's always a big honor doing stuff like that.

1378
01:00:51,960 --> 01:00:54,400
Speaker 6: Yeah, man, the League twenty four is gonna be a

1379
01:00:54,520 --> 01:00:57,280
Speaker 6: very nice year. Shout out to everybody involved in that.

1380
01:00:57,360 --> 01:01:00,440
Speaker 2: Man and DJ and at these crowds are something that's like,

1381
01:01:00,960 --> 01:01:04,160
Speaker 2: it's infamous one of my boys, J Spinoza. He DJ's

1382
01:01:04,200 --> 01:01:06,080
Speaker 2: up ethink for the Raiders or the forty nine ers,

1383
01:01:06,160 --> 01:01:08,680
Speaker 2: one of them teams. And just seeing the videos from

1384
01:01:08,720 --> 01:01:10,800
Speaker 2: these c like you just rock that whole crowd and

1385
01:01:10,840 --> 01:01:11,960
Speaker 2: that's you know, eighty thousand.

1386
01:01:12,160 --> 01:01:16,439
Speaker 6: Man, it's an adrenaline rush that when I was a kid,

1387
01:01:16,480 --> 01:01:20,680
Speaker 6: I just I practiced hours, hourless time in the mirror

1388
01:01:21,200 --> 01:01:22,000
Speaker 6: for those moments.

1389
01:01:22,000 --> 01:01:23,760
Speaker 5: So when I got a chance to actually do it,

1390
01:01:23,800 --> 01:01:24,200
Speaker 5: and then.

1391
01:01:24,040 --> 01:01:26,880
Speaker 6: I saw the power of like what it feels like

1392
01:01:26,880 --> 01:01:28,680
Speaker 6: to be on stage, and then you embody it and

1393
01:01:28,720 --> 01:01:30,600
Speaker 6: then you get better at it, and then you start

1394
01:01:30,600 --> 01:01:32,640
Speaker 6: coming out some nights and you start testing it.

1395
01:01:33,040 --> 01:01:34,560
Speaker 2: Well, maybe your mom could give you an a at

1396
01:01:34,600 --> 01:01:42,040
Speaker 2: the AFL. Seriously, exactly, it's cannabis tuk one O one.

1397
01:01:42,080 --> 01:01:43,960
Speaker 2: We're here with cannabis and kicks. We're gonna do the

1398
01:01:44,040 --> 01:01:45,960
Speaker 2: high five with you guys, and we're gonna go straight

1399
01:01:46,000 --> 01:01:48,360
Speaker 2: down the line right here. We'll start at the end

1400
01:01:48,400 --> 01:01:50,920
Speaker 2: over there with the legendary Broadway. We'll then go to you,

1401
01:01:51,040 --> 01:01:53,680
Speaker 2: Shelley Styles, and then Marcus Folone'll clean the house up

1402
01:01:53,840 --> 01:01:56,520
Speaker 2: and you'll just follow the same question, maybe with different answers,

1403
01:01:56,520 --> 01:01:59,200
Speaker 2: but we'll see where it goes. Question number one, how

1404
01:01:59,200 --> 01:02:01,680
Speaker 2: old are you the first time you smoked cannabis? And

1405
01:02:01,720 --> 01:02:04,480
Speaker 2: where did you get it? From?

1406
01:02:04,720 --> 01:02:06,080
Speaker 5: My mom's ashra.

1407
01:02:06,840 --> 01:02:09,680
Speaker 2: Oh yeah, well she's just a little roach there. Just

1408
01:02:09,880 --> 01:02:10,680
Speaker 2: and how old were you?

1409
01:02:10,720 --> 01:02:14,640
Speaker 6: Absolutely can we get in trouble for this? No, you

1410
01:02:14,680 --> 01:02:15,880
Speaker 6: can't get held a response.

1411
01:02:16,000 --> 01:02:17,600
Speaker 2: I mean, my mom might come over here and smack

1412
01:02:17,680 --> 01:02:18,160
Speaker 2: you and give.

1413
01:02:18,000 --> 01:02:19,880
Speaker 6: You an f on the next one, just because could

1414
01:02:19,920 --> 01:02:22,320
Speaker 6: you be applying for something? And then she'd be denied

1415
01:02:22,440 --> 01:02:23,400
Speaker 6: based on the answer.

1416
01:02:23,680 --> 01:02:25,680
Speaker 2: No, this is a long time ago, I'm sure, So

1417
01:02:25,720 --> 01:02:26,480
Speaker 2: therefore you're good.

1418
01:02:26,480 --> 01:02:30,280
Speaker 5: You're Google digit seventy seventy.

1419
01:02:30,360 --> 01:02:32,240
Speaker 2: I was six when I first started smoking.

1420
01:02:31,960 --> 01:02:35,440
Speaker 5: So yeah, yeah, I really started early.

1421
01:02:35,680 --> 01:02:37,320
Speaker 2: Yeah, there's a lot of people that I just talked

1422
01:02:37,360 --> 01:02:39,680
Speaker 2: to another guy yesterday that was seven. So yeah, what

1423
01:02:39,760 --> 01:02:41,520
Speaker 2: about you, Shelley, first time? Where'd you get it?

1424
01:02:42,440 --> 01:02:47,680
Speaker 4: I got it from her friend. I probably was nineteen.

1425
01:02:48,600 --> 01:02:50,200
Speaker 4: I was I was late when I first tried.

1426
01:02:50,560 --> 01:02:52,480
Speaker 2: No, that's not late. That's the right time I was.

1427
01:02:53,800 --> 01:02:56,320
Speaker 4: But like, we used to frown upon girls that smoke,

1428
01:02:56,400 --> 01:02:58,520
Speaker 4: So if anyone even asked if I smoked, I would

1429
01:02:58,520 --> 01:03:01,120
Speaker 4: be like, oh no, like so it was like not

1430
01:03:01,160 --> 01:03:06,320
Speaker 4: at so hard, yes, exactly so no, you know so

1431
01:03:06,760 --> 01:03:09,000
Speaker 4: no I used to not I didn't used to smoking.

1432
01:03:09,080 --> 01:03:10,919
Speaker 4: Then you here we.

1433
01:03:10,840 --> 01:03:13,800
Speaker 2: Are and show a friend and how old you said,

1434
01:03:13,800 --> 01:03:17,280
Speaker 2: thirteen or nineteen nineteen? Okay, Mars, what about you?

1435
01:03:18,080 --> 01:03:21,520
Speaker 3: I sold it first. But the first time I smoked,

1436
01:03:21,520 --> 01:03:25,920
Speaker 3: I was thirty with lamorrow them what, Yeah, it was

1437
01:03:25,960 --> 01:03:26,880
Speaker 3: by default.

1438
01:03:27,280 --> 01:03:30,360
Speaker 2: I had a default and you didn't know. I mean,

1439
01:03:30,400 --> 01:03:33,840
Speaker 2: what the deep that it wasn't a regular just we

1440
01:03:34,200 --> 01:03:36,680
Speaker 2: I was working with the biggest cannabis company in the world,

1441
01:03:36,840 --> 01:03:39,520
Speaker 2: class house. I mean, geez, yeah, no I was. Uh.

1442
01:03:39,960 --> 01:03:42,560
Speaker 3: They were giving him different samples of weed, uh to

1443
01:03:43,000 --> 01:03:45,960
Speaker 3: try for his strain. And I couldn't sleep, and I

1444
01:03:45,960 --> 01:03:49,200
Speaker 3: thought I was depressed, and they were like, hey, you're creative,

1445
01:03:49,240 --> 01:03:51,560
Speaker 3: your mind won't slow down. You might need cannabis to

1446
01:03:51,560 --> 01:03:54,640
Speaker 3: help you sleep at night. And so that's the regiment.

1447
01:03:55,600 --> 01:03:59,320
Speaker 3: A joint and a glass rare wine every night, every night.

1448
01:04:00,200 --> 01:04:02,640
Speaker 2: You know, it's better than a pill, for sure, better

1449
01:04:02,640 --> 01:04:04,560
Speaker 2: than a pill. Question number two of the High five

1450
01:04:04,600 --> 01:04:07,000
Speaker 2: with the Cannabis and Kicks Crew, what is your favorite

1451
01:04:07,040 --> 01:04:12,440
Speaker 2: way to use cannabis To just get wavy? I mean

1452
01:04:12,480 --> 01:04:14,840
Speaker 2: it's a smoking a joint.

1453
01:04:16,400 --> 01:04:18,880
Speaker 5: I don't have a better definition than it get.

1454
01:04:18,960 --> 01:04:21,120
Speaker 2: Just getting it, just like being wavy.

1455
01:04:22,000 --> 01:04:24,320
Speaker 5: Okay, you know there's no science.

1456
01:04:24,000 --> 01:04:25,720
Speaker 2: But I see pupping on blunts right here.

1457
01:04:25,760 --> 01:04:26,400
Speaker 3: Is it a joint?

1458
01:04:26,440 --> 01:04:27,000
Speaker 2: Is it blunt?

1459
01:04:27,480 --> 01:04:31,600
Speaker 6: I'm very ninety ish, so things that happened in between

1460
01:04:31,640 --> 01:04:33,400
Speaker 6: the years of eighties.

1461
01:04:33,560 --> 01:04:36,920
Speaker 2: Your Swiss, your sweet gar seea Vega whatever. Yeah, I

1462
01:04:37,000 --> 01:04:37,560
Speaker 2: like the way.

1463
01:04:37,480 --> 01:04:40,120
Speaker 6: In that element every day because that element was one

1464
01:04:40,120 --> 01:04:41,920
Speaker 6: of the most purest elements of it.

1465
01:04:42,000 --> 01:04:44,200
Speaker 2: So that's you and me both I love. And that's

1466
01:04:44,280 --> 01:04:45,800
Speaker 2: what I think of it too, Like I mean, don't

1467
01:04:45,800 --> 01:04:47,240
Speaker 2: give me no bam or weed.

1468
01:04:47,040 --> 01:04:48,480
Speaker 5: And all the no, none of that.

1469
01:04:48,760 --> 01:04:50,720
Speaker 6: I gotta feel like how I felt when I had

1470
01:04:50,800 --> 01:04:54,400
Speaker 6: to backpack on when I was sixteen at all times,

1471
01:04:54,440 --> 01:04:56,440
Speaker 6: because that was when I was at it.

1472
01:04:56,840 --> 01:04:58,520
Speaker 2: Toy, you probably don't even like the pre roll. You

1473
01:04:58,520 --> 01:05:01,320
Speaker 2: want to cut your blunt open with the stuff that

1474
01:05:01,360 --> 01:05:05,040
Speaker 2: I can't. I can see that I can see and

1475
01:05:05,040 --> 01:05:06,720
Speaker 2: that when you say that, and then I look down

1476
01:05:06,760 --> 01:05:10,760
Speaker 2: and I see all the tobacco there the guts. That's

1477
01:05:10,800 --> 01:05:12,280
Speaker 2: the way I used to boom.

1478
01:05:12,280 --> 01:05:15,360
Speaker 6: There's a rhythm to still busting that blunt down, empty

1479
01:05:15,400 --> 01:05:17,240
Speaker 6: and it putting because it's a bop to it.

1480
01:05:18,200 --> 01:05:19,520
Speaker 5: You might have some music on.

1481
01:05:19,600 --> 01:05:22,960
Speaker 6: It's a whole rhythm to doing it, you understand, you know.

1482
01:05:23,040 --> 01:05:25,320
Speaker 2: I remember listening to some rbl posse cruising down the

1483
01:05:25,360 --> 01:05:26,080
Speaker 2: one o one.

1484
01:05:25,920 --> 01:05:27,959
Speaker 5: And how you come up with the song?

1485
01:05:28,080 --> 01:05:30,680
Speaker 2: Oh my goodness, what you were doing? Oh it was

1486
01:05:30,720 --> 01:05:32,000
Speaker 2: the best times. What about you?

1487
01:05:33,920 --> 01:05:34,000
Speaker 7: So?

1488
01:05:34,080 --> 01:05:36,120
Speaker 4: I used to love Swiss shirts, but I try to

1489
01:05:36,480 --> 01:05:39,640
Speaker 4: not smoke stuff with tobacco in there. So I do

1490
01:05:39,800 --> 01:05:44,959
Speaker 4: the CBD reps because they are similar texture, but it'll

1491
01:05:44,960 --> 01:05:47,400
Speaker 4: still get the same kind of smoke without the tobacco.

1492
01:05:47,760 --> 01:05:48,600
Speaker 2: Got your favorite way?

1493
01:05:48,760 --> 01:05:53,840
Speaker 3: Yeah, go ahead now, Marcus Cones. Because I'm moving around,

1494
01:05:54,000 --> 01:05:57,920
Speaker 3: I just like quick and ease. Yeah, quick and easy. Yeah,

1495
01:05:57,960 --> 01:05:58,720
Speaker 3: that's that's it.

1496
01:05:58,960 --> 01:05:59,240
Speaker 2: That's it.

1497
01:05:59,320 --> 01:06:01,280
Speaker 3: I already had a patients that Broadway has.

1498
01:06:01,440 --> 01:06:03,640
Speaker 2: Okay, Well, Broadway's probably gonna have a good one with

1499
01:06:03,680 --> 01:06:05,840
Speaker 2: this one, as he's been everywhere. But who knows, maybe

1500
01:06:05,880 --> 01:06:07,680
Speaker 2: all three of you guys do Question number three of

1501
01:06:07,720 --> 01:06:11,080
Speaker 2: the high five Craziest place You Ever used cannabis or

1502
01:06:11,120 --> 01:06:16,280
Speaker 2: smoked Amsterdam. That's always a good one. Red light district Amsterdam.

1503
01:06:16,320 --> 01:06:18,960
Speaker 6: And what's crazy about the red Light District. They're changing

1504
01:06:19,000 --> 01:06:21,560
Speaker 6: the laws, like at the end of the year, so you.

1505
01:06:21,480 --> 01:06:23,280
Speaker 2: Can't smoke on the streets now no more.

1506
01:06:23,320 --> 01:06:25,880
Speaker 6: I heard they won't be able to experience Amsterdam as

1507
01:06:25,920 --> 01:06:28,200
Speaker 6: I last did. So when I was going down the

1508
01:06:28,200 --> 01:06:30,120
Speaker 6: canal smoking on the canal.

1509
01:06:30,080 --> 01:06:31,880
Speaker 5: You can no longer do that. Wow.

1510
01:06:32,200 --> 01:06:34,560
Speaker 6: So the last time you could do it, we just

1511
01:06:34,560 --> 01:06:37,280
Speaker 6: so happened to be on tour with Tiana and that

1512
01:06:37,400 --> 01:06:39,040
Speaker 6: was the last time you're gonna be able to openly

1513
01:06:39,080 --> 01:06:42,120
Speaker 6: smoke weed. And the Red Light District, I think the girls,

1514
01:06:42,120 --> 01:06:45,280
Speaker 6: Not that I have any interest in anything that happens

1515
01:06:45,280 --> 01:06:47,480
Speaker 6: in the red room.

1516
01:06:49,320 --> 01:06:52,560
Speaker 5: It's gonna change for you guys that like to entertain yourselves,

1517
01:06:53,920 --> 01:06:54,800
Speaker 5: which is terrible.

1518
01:06:54,840 --> 01:06:56,760
Speaker 2: It's just one of those places that I've never been to,

1519
01:06:56,840 --> 01:06:58,640
Speaker 2: but I've always been fascinated with it, Like.

1520
01:06:58,760 --> 01:07:00,560
Speaker 5: Wow, it's really like Girls in the Wind.

1521
01:07:00,840 --> 01:07:04,720
Speaker 6: Oh yeah, I've heard like, you're like, it's creepy to me.

1522
01:07:04,760 --> 01:07:06,800
Speaker 5: I don't know, it's it looks like a horror movie.

1523
01:07:06,840 --> 01:07:09,520
Speaker 2: They're like, Hi, You're like, that's.

1524
01:07:09,360 --> 01:07:11,520
Speaker 5: Not sexy at all.

1525
01:07:11,760 --> 01:07:13,560
Speaker 2: It's it can be a little made.

1526
01:07:13,800 --> 01:07:14,600
Speaker 5: It creeped me out.

1527
01:07:14,840 --> 01:07:17,320
Speaker 2: I remember taking listeners to the Bunny Ranch, Dennis hof

1528
01:07:17,440 --> 01:07:20,360
Speaker 2: Spot and where the Nevada and when I worked at

1529
01:07:20,360 --> 01:07:22,440
Speaker 2: Power six and we did thing called the Lame Mosine

1530
01:07:22,640 --> 01:07:24,560
Speaker 2: and we pull up there, they just all come out,

1531
01:07:24,640 --> 01:07:26,160
Speaker 2: and I was taking a bunch of dudes that never

1532
01:07:26,160 --> 01:07:28,800
Speaker 2: been laid before. As the radio promotion, I'm like, I'm

1533
01:07:28,800 --> 01:07:31,840
Speaker 2: getting you all laid. Let's go the Lame Mosine ride

1534
01:07:32,240 --> 01:07:38,240
Speaker 2: to bring that back, Shelley, what about you craziest place?

1535
01:07:40,600 --> 01:07:43,760
Speaker 4: It's this if you drop all the way all the way,

1536
01:07:43,800 --> 01:07:45,240
Speaker 4: all the way all the way up to p H

1537
01:07:45,640 --> 01:07:49,480
Speaker 4: and it's this cliff up there. It's just like endless ocean.

1538
01:07:49,600 --> 01:07:50,640
Speaker 2: It's like Malibu.

1539
01:07:52,160 --> 01:07:52,440
Speaker 4: Sorry.

1540
01:07:52,560 --> 01:07:56,720
Speaker 2: Yeah, when you say pH you know the California. Yeah,

1541
01:07:58,040 --> 01:08:01,960
Speaker 2: your California. Now, I know you fully did the California

1542
01:08:02,000 --> 01:08:03,480
Speaker 2: ps like everybody knows too.

1543
01:08:03,640 --> 01:08:05,680
Speaker 4: Almost a decade. I think it's getting pretty.

1544
01:08:05,680 --> 01:08:07,920
Speaker 2: You've got you've got to bury l a right there.

1545
01:08:08,000 --> 01:08:10,520
Speaker 2: And your West Philly was like, who the hell is

1546
01:08:10,560 --> 01:08:10,919
Speaker 2: this girl?

1547
01:08:11,000 --> 01:08:14,720
Speaker 4: Pacific Coast Highway for those in the back with the

1548
01:08:14,800 --> 01:08:18,360
Speaker 4: cheap seats, that's no. I'm joking, but yeah, it's just

1549
01:08:18,400 --> 01:08:21,920
Speaker 4: a vibe. It's just it's beautiful over there, so beautiful.

1550
01:08:22,040 --> 01:08:25,519
Speaker 4: It's just kind of looks dangerous. Some people actually climb.

1551
01:08:25,560 --> 01:08:27,040
Speaker 2: Oh yeah, you can hike up there everything.

1552
01:08:27,120 --> 01:08:29,640
Speaker 4: Yeah, yeah, yea, and I'll say I'll say low. But

1553
01:08:30,040 --> 01:08:32,960
Speaker 4: it's just it's just hanging your feet over.

1554
01:08:32,840 --> 01:08:35,599
Speaker 2: A little bit, smoking up there, just looking.

1555
01:08:35,400 --> 01:08:37,280
Speaker 4: At that, and then you got to be high and

1556
01:08:37,360 --> 01:08:40,360
Speaker 4: drive back down. I think that's the craziest part about it.

1557
01:08:40,400 --> 01:08:43,599
Speaker 2: But that you was Christles recommend that, right, I mean

1558
01:08:43,600 --> 01:08:45,960
Speaker 2: that's a few that's just unbelievable.

1559
01:08:48,000 --> 01:08:48,960
Speaker 5: We don't recommend.

1560
01:08:49,320 --> 01:08:51,960
Speaker 4: No, it's not for me driving back, you know.

1561
01:08:52,120 --> 01:08:56,160
Speaker 2: Moving Marcus, what about you now that you started so

1562
01:08:56,240 --> 01:08:58,320
Speaker 2: late in your thirties and all your boozy places you've

1563
01:08:58,360 --> 01:08:58,720
Speaker 2: been to.

1564
01:08:58,840 --> 01:09:01,720
Speaker 3: U speaking of I think the first time was on

1565
01:09:01,760 --> 01:09:06,160
Speaker 3: a plane jet. Yeah, it's too experience. I did the pump,

1566
01:09:06,439 --> 01:09:09,680
Speaker 3: you know, I have the new asthma that's infused. But

1567
01:09:09,720 --> 01:09:10,519
Speaker 3: then a joint.

1568
01:09:10,640 --> 01:09:14,799
Speaker 4: I gotta tell you real quick, go ahead, and speaking

1569
01:09:14,840 --> 01:09:17,599
Speaker 4: of planes, no, seriously, because I took an asthma pump

1570
01:09:17,760 --> 01:09:20,519
Speaker 4: hit on the way to the airport. And I'm somebody

1571
01:09:20,560 --> 01:09:22,920
Speaker 4: that is like prone to fainting. I've been passing out

1572
01:09:22,960 --> 01:09:27,519
Speaker 4: since I was like twelve years old, and my fate

1573
01:09:27,640 --> 01:09:29,240
Speaker 4: woke me up out my sleep.

1574
01:09:29,400 --> 01:09:29,599
Speaker 7: Right.

1575
01:09:30,120 --> 01:09:33,439
Speaker 4: I was so high, I taped my neighbor. I said,

1576
01:09:33,479 --> 01:09:36,600
Speaker 4: get help, I'm about to go out. Next thing I know,

1577
01:09:36,680 --> 01:09:44,320
Speaker 4: and it's a red Eye. It's a red eye flight.

1578
01:09:44,400 --> 01:09:46,719
Speaker 4: Next thing I know, all the lights are on the plane.

1579
01:09:46,760 --> 01:09:49,760
Speaker 4: They're like, she's not comprehensive. They have ice PAGs over

1580
01:09:49,800 --> 01:09:54,840
Speaker 4: my entire body. They're they're taking they're taking off my

1581
01:09:55,000 --> 01:09:57,720
Speaker 4: ug boots. And I was just so embarrassed. So now

1582
01:09:57,840 --> 01:10:00,240
Speaker 4: I don't smoke before I fly, because.

1583
01:10:00,160 --> 01:10:04,200
Speaker 2: Yeah, obviously off to play naked with ice pack around

1584
01:10:04,200 --> 01:10:14,479
Speaker 2: your body. You want to go on a flight? Second,

1585
01:10:15,000 --> 01:10:16,800
Speaker 2: right after this show, we're gonna go on a flight.

1586
01:10:17,680 --> 01:10:20,880
Speaker 2: Spoken day question that before the High five with the

1587
01:10:20,920 --> 01:10:23,440
Speaker 2: Cannabis and Kicks crew. What is your go to munchies

1588
01:10:23,520 --> 01:10:24,959
Speaker 2: after you get high Broadway?

1589
01:10:25,120 --> 01:10:28,240
Speaker 5: Oh man, So the snack God is my nickname.

1590
01:10:28,360 --> 01:10:30,880
Speaker 6: I am the snack God, blessed by the paper man

1591
01:10:30,920 --> 01:10:36,800
Speaker 6: in Chicago gave me that name. I am a connoisseur

1592
01:10:36,920 --> 01:10:39,240
Speaker 6: of lacing certain candies that.

1593
01:10:39,200 --> 01:10:41,479
Speaker 5: Should go together, certain chips that should go together.

1594
01:10:42,320 --> 01:10:44,439
Speaker 6: When you're getting high, so I come up with the

1595
01:10:44,479 --> 01:10:47,639
Speaker 6: best collaborations of what you should have. So I may

1596
01:10:47,760 --> 01:10:51,360
Speaker 6: mix two different types of PAGs of skittles together just so.

1597
01:10:51,280 --> 01:10:53,439
Speaker 5: You get two different reactions. I mean, give you the

1598
01:10:53,560 --> 01:10:54,960
Speaker 5: sours with the purple pack.

1599
01:10:55,479 --> 01:10:57,519
Speaker 6: You didn't know those go together until you tried it

1600
01:10:57,560 --> 01:10:59,640
Speaker 6: by me, and then you're like, the snack God is

1601
01:10:59,680 --> 01:11:00,200
Speaker 6: blessed me.

1602
01:11:00,439 --> 01:11:02,719
Speaker 2: Yeah, you know you made my mouth water.

1603
01:11:05,240 --> 01:11:05,759
Speaker 5: My mouth.

1604
01:11:08,840 --> 01:11:12,360
Speaker 2: Exactly, and I love the purple pet yes, making my

1605
01:11:12,439 --> 01:11:16,479
Speaker 2: diabetes just kicking right now. Shelley, what about you?

1606
01:11:17,200 --> 01:11:21,639
Speaker 4: I love sour straw I love sour shawls. And give

1607
01:11:21,720 --> 01:11:27,280
Speaker 4: me a cheddar sour cream ruffle and a ginger rell

1608
01:11:27,640 --> 01:11:28,679
Speaker 4: or apple juice.

1609
01:11:29,600 --> 01:11:32,320
Speaker 3: It's just it's just she didn't ask for that in

1610
01:11:32,320 --> 01:11:32,639
Speaker 3: a writer.

1611
01:11:32,960 --> 01:11:38,360
Speaker 2: Just f y right about to have it now show, Yes,

1612
01:11:38,439 --> 01:11:41,439
Speaker 2: the co host needs little snacks over there, and then

1613
01:11:41,439 --> 01:11:43,200
Speaker 2: you need to have a snack connoisseur put his own

1614
01:11:43,240 --> 01:11:46,320
Speaker 2: little bowl together. Yeah, I mean, what about you over here,

1615
01:11:46,800 --> 01:11:48,240
Speaker 2: Senor Malone.

1616
01:11:48,000 --> 01:11:53,240
Speaker 3: Me and Shelley actually talk about this all the time. Uh, Twizzlers,

1617
01:11:53,760 --> 01:11:56,680
Speaker 3: but listen, not the not the one Halloween little ones, No,

1618
01:11:57,080 --> 01:12:00,160
Speaker 3: the ones you could peel, so the strawberry ones, but

1619
01:12:00,560 --> 01:12:03,280
Speaker 3: I think that's better than regular licorice. But that's another

1620
01:12:03,320 --> 01:12:05,800
Speaker 3: debate for another day. But other than that, I'll go

1621
01:12:05,880 --> 01:12:07,080
Speaker 3: Rice Christy treats.

1622
01:12:07,680 --> 01:12:09,160
Speaker 2: Rish Christy treats our classes.

1623
01:12:09,439 --> 01:12:10,200
Speaker 3: You can't go wrong.

1624
01:12:10,479 --> 01:12:12,960
Speaker 2: I mean sometimes when I see something like let it

1625
01:12:13,080 --> 01:12:17,120
Speaker 2: on some fresh ones, You're like, I try some of that. Yeah, absolutely,

1626
01:12:17,200 --> 01:12:19,439
Speaker 2: I want Have you did an edible Rice Chisty treat

1627
01:12:19,800 --> 01:12:23,000
Speaker 2: Never me either, don't do it, don't don't try it.

1628
01:12:23,520 --> 01:12:26,320
Speaker 3: I've seen some of the craziest things happening. I don't

1629
01:12:26,360 --> 01:12:27,880
Speaker 3: know what it is about Rice Christy tree.

1630
01:12:31,920 --> 01:12:37,040
Speaker 5: I did jog around it. Yo, that's an athlete.

1631
01:12:37,400 --> 01:12:39,280
Speaker 3: This is way wait, this is birthday cake. This is

1632
01:12:39,280 --> 01:12:40,559
Speaker 3: different birthday cake.

1633
01:12:40,720 --> 01:12:42,839
Speaker 5: Let me take me. I'm gonna try it.

1634
01:12:43,400 --> 01:12:45,639
Speaker 2: The candy man is gonna try it. Question number five

1635
01:12:45,680 --> 01:12:47,920
Speaker 2: of the high five. Here you go, Broadway. This one

1636
01:12:47,920 --> 01:12:50,360
Speaker 2: could get deep, It can go anyway you want to

1637
01:12:50,360 --> 01:12:52,800
Speaker 2: go with this one, folks. But if you could smoke

1638
01:12:52,840 --> 01:12:56,920
Speaker 2: cannabis with anyone dead or alive, who would it be?

1639
01:12:57,000 --> 01:13:01,080
Speaker 2: And why James bitch.

1640
01:13:02,640 --> 01:13:06,120
Speaker 6: Boy, the people that are living that tell the stories.

1641
01:13:06,520 --> 01:13:08,400
Speaker 6: I'm kind of feel bad, like, why.

1642
01:13:08,160 --> 01:13:10,840
Speaker 5: Can I have been in there and experience that? What

1643
01:13:10,880 --> 01:13:13,280
Speaker 5: the fuck. I wanted to just be a fucking pony

1644
01:13:13,320 --> 01:13:14,920
Speaker 5: do a backflip. Fuck.

1645
01:13:15,840 --> 01:13:18,280
Speaker 2: You know what's crazy? Rick James is one of those guys.

1646
01:13:18,320 --> 01:13:19,439
Speaker 2: I mean, marry Jay.

1647
01:13:20,439 --> 01:13:22,840
Speaker 6: You gotta want to go in his house. I don't

1648
01:13:22,880 --> 01:13:26,360
Speaker 6: care how safe you think you are. It's gonna be maniacaling.

1649
01:13:26,760 --> 01:13:28,760
Speaker 6: Oh but you gotta wow.

1650
01:13:29,200 --> 01:13:31,400
Speaker 2: There's never a bad answer. But Rick James right there

1651
01:13:31,479 --> 01:13:33,680
Speaker 2: just gets me like, oh, yes, that would be. He

1652
01:13:33,800 --> 01:13:37,200
Speaker 2: seemed like he'd be funny, he'd be crazy, he'd be eclectic,

1653
01:13:37,240 --> 01:13:40,280
Speaker 2: he'd be left field, he'd be every way. You know

1654
01:13:40,320 --> 01:13:42,479
Speaker 2: what I mean. He may even get spiritual on you.

1655
01:13:42,520 --> 01:13:43,120
Speaker 2: Who knows.

1656
01:13:43,479 --> 01:13:45,320
Speaker 6: You might make an album with him out of any

1657
01:13:45,439 --> 01:13:47,559
Speaker 6: It just you never know what the vibe is gonna be.

1658
01:13:47,600 --> 01:13:50,879
Speaker 5: You might tell jokes with him. He might slap you, That's.

1659
01:13:50,680 --> 01:13:53,960
Speaker 2: What I mean. You might just fight like it's Rick James, bitch.

1660
01:13:54,600 --> 01:13:56,560
Speaker 2: You haven't he like it's crazy.

1661
01:13:56,960 --> 01:13:58,920
Speaker 5: You're gonna be shocked that he slaps you first.

1662
01:13:58,920 --> 01:14:01,280
Speaker 2: And he even go like a right, let's keep dropping

1663
01:14:01,320 --> 01:14:04,640
Speaker 2: it up. That's a good one. I am mad at it.

1664
01:14:04,640 --> 01:14:05,320
Speaker 2: What about your show?

1665
01:14:06,640 --> 01:14:08,800
Speaker 4: I'm gonna say, Bob Marley.

1666
01:14:08,400 --> 01:14:10,720
Speaker 2: Oh okay, then why the Bob? I mean Bob has

1667
01:14:10,800 --> 01:14:13,240
Speaker 2: everybody reasons for Bob, but it.

1668
01:14:13,200 --> 01:14:17,680
Speaker 4: Would probably just be a vibe experience. I don't know.

1669
01:14:17,800 --> 01:14:22,800
Speaker 4: He stimulated my body, my mind, maybe make me a song.

1670
01:14:22,920 --> 01:14:24,439
Speaker 4: We just put it in the I don't know. I

1671
01:14:24,600 --> 01:14:27,360
Speaker 4: just see it be in this whole situation in the

1672
01:14:27,439 --> 01:14:29,680
Speaker 4: wilderness somewhere, you know, like.

1673
01:14:30,080 --> 01:14:36,160
Speaker 2: I like a location. It just took me somewhere and

1674
01:14:36,200 --> 01:14:38,240
Speaker 2: none of that. When when you think about Bob though, right,

1675
01:14:38,280 --> 01:14:41,400
Speaker 2: like his music is still relevant and it's like it's

1676
01:14:41,400 --> 01:14:44,040
Speaker 2: still the themes of like that are really going on

1677
01:14:44,120 --> 01:14:47,800
Speaker 2: in this world. Like it's crazy, you know what I mean,

1678
01:14:48,120 --> 01:14:51,160
Speaker 2: It's really crazy sometimes when you really think about, like

1679
01:14:51,720 --> 01:14:57,880
Speaker 2: has it changed? I love that much? Like think about

1680
01:14:57,920 --> 01:14:59,680
Speaker 2: that music and what he's saying and what he's got

1681
01:14:59,760 --> 01:15:03,439
Speaker 2: children now, just when I think about that aspect of it,

1682
01:15:03,520 --> 01:15:05,559
Speaker 2: I go fuck. He was so ahead of his time,

1683
01:15:05,800 --> 01:15:07,400
Speaker 2: but yet not ahead of his time because it was

1684
01:15:07,439 --> 01:15:10,160
Speaker 2: perfect time. Yeah, I mean, but it still works in

1685
01:15:10,200 --> 01:15:12,600
Speaker 2: this day time. Marcus Malone, if you could smoke with

1686
01:15:12,640 --> 01:15:14,519
Speaker 2: anyone dead or alive, who.

1687
01:15:14,400 --> 01:15:19,960
Speaker 3: Would it be and why, I'd say Kobe Bryant And

1688
01:15:20,040 --> 01:15:24,759
Speaker 3: the reason why Odum had got me opportunity to interview

1689
01:15:24,840 --> 01:15:29,920
Speaker 3: him for another TV platform that I have, and I

1690
01:15:30,040 --> 01:15:32,160
Speaker 3: was had to get X amount of money to get

1691
01:15:32,200 --> 01:15:35,439
Speaker 3: to him, and right when I got like quarters away there,

1692
01:15:35,920 --> 01:15:38,680
Speaker 3: he ended up passing. But I knew that he was

1693
01:15:39,720 --> 01:15:43,080
Speaker 3: he was an advocate for cannabis. Wow.

1694
01:15:43,439 --> 01:15:45,240
Speaker 5: Yeah, yeah, wow.

1695
01:15:45,520 --> 01:15:47,400
Speaker 3: So it's a lesson in that, like you know, don't

1696
01:15:47,640 --> 01:15:48,639
Speaker 3: don't waste your time.

1697
01:15:48,720 --> 01:15:50,200
Speaker 2: I just showed him the picture of Kobe and I

1698
01:15:50,320 --> 01:15:52,400
Speaker 2: just yea, I.

1699
01:15:52,439 --> 01:15:54,280
Speaker 3: Have a ton of him though, but through Lamar.

1700
01:15:54,360 --> 01:15:56,559
Speaker 2: But yeah, I mean, it's just he was one of

1701
01:15:56,600 --> 01:15:58,639
Speaker 2: those guys though for you to just show you didn't

1702
01:15:58,640 --> 01:15:59,559
Speaker 2: get to do the interview.

1703
01:16:00,360 --> 01:16:03,280
Speaker 3: And we had a story that Odam told me that

1704
01:16:03,439 --> 01:16:05,240
Speaker 3: a lot of people didn't know about Kobe and how

1705
01:16:05,280 --> 01:16:07,800
Speaker 3: he was really into retail and he wanted to like

1706
01:16:07,840 --> 01:16:10,919
Speaker 3: we had this like kind of you know, jocular episode.

1707
01:16:10,920 --> 01:16:13,320
Speaker 3: We wanted to see Kobe in a different light, and

1708
01:16:13,479 --> 01:16:15,920
Speaker 3: we had it all lined up. He was down to

1709
01:16:15,920 --> 01:16:17,120
Speaker 3: do it. I just had to come up with the

1710
01:16:17,160 --> 01:16:19,640
Speaker 3: money and it was a large something just so you know,

1711
01:16:20,280 --> 01:16:23,240
Speaker 3: but you know, it was a quarterway halfway there and

1712
01:16:23,320 --> 01:16:25,559
Speaker 3: then you know, we hear about the passing.

1713
01:16:26,520 --> 01:16:28,519
Speaker 2: It's one of those passings like nine to eleven, right

1714
01:16:28,720 --> 01:16:30,519
Speaker 2: if you know where you were when you heard about it.

1715
01:16:30,680 --> 01:16:33,160
Speaker 2: You know exactly what you're doing. It's still to this

1716
01:16:33,320 --> 01:16:34,240
Speaker 2: day one of those.

1717
01:16:34,080 --> 01:16:37,840
Speaker 3: Things that at the air and the like just the

1718
01:16:38,240 --> 01:16:42,479
Speaker 3: gloom over La that day was so crazy and falling.

1719
01:16:43,960 --> 01:16:47,400
Speaker 5: Let me tell you crazy. That is what you said.

1720
01:16:48,640 --> 01:16:50,479
Speaker 5: Two things that you just said there was crazy.

1721
01:16:50,560 --> 01:16:53,880
Speaker 6: I saw you with lamar Odam at the Man Cave.

1722
01:16:54,120 --> 01:16:57,800
Speaker 3: Yep, that's how we reconnected. So Martin was doing bt

1723
01:16:58,040 --> 01:17:00,920
Speaker 3: Man Cave show. He was there with co Son with

1724
01:17:01,000 --> 01:17:03,360
Speaker 3: Coon who's a host on the show. Right.

1725
01:17:04,560 --> 01:17:08,040
Speaker 6: And then the other part about that is the night

1726
01:17:08,080 --> 01:17:11,960
Speaker 6: before the Grammys, it was really foggy in La and

1727
01:17:12,040 --> 01:17:13,960
Speaker 6: it was like people trying to get to after parties

1728
01:17:13,960 --> 01:17:17,240
Speaker 6: and everything like that, and you couldn't see going up

1729
01:17:17,280 --> 01:17:19,880
Speaker 6: to mahalland and all of that. And I said, damn,

1730
01:17:20,120 --> 01:17:21,879
Speaker 6: I'm not going to any of those parties.

1731
01:17:21,920 --> 01:17:22,080
Speaker 3: Man.

1732
01:17:22,160 --> 01:17:23,920
Speaker 6: So like I woke up the next morning cause I

1733
01:17:23,960 --> 01:17:26,840
Speaker 6: was going that's the year I was with not and

1734
01:17:28,000 --> 01:17:30,800
Speaker 6: that's I was going to. I was on my way

1735
01:17:30,840 --> 01:17:34,280
Speaker 6: to the Grammys and like I'm waking up and just

1736
01:17:35,439 --> 01:17:38,840
Speaker 6: I had never seen La so sad, like everything was

1737
01:17:38,960 --> 01:17:41,600
Speaker 6: like and I want to say that night, if you

1738
01:17:41,800 --> 01:17:45,040
Speaker 6: saw the sky was purple, like if you got the

1739
01:17:45,160 --> 01:17:47,320
Speaker 6: if you have the video of the day that he

1740
01:17:47,479 --> 01:17:51,200
Speaker 6: passed and the Grammys, the sky was purple. That was

1741
01:17:51,240 --> 01:17:54,280
Speaker 6: the craziest thing I've ever seen out here in Los Angeles.

1742
01:17:54,320 --> 01:17:57,120
Speaker 3: And it's a lesson behind that, like don't wait for

1743
01:17:57,200 --> 01:17:59,559
Speaker 3: an opportunity, Like if you get opportunity to do something

1744
01:17:59,640 --> 01:18:02,080
Speaker 3: or something is in your mind, you know, just go

1745
01:18:02,160 --> 01:18:04,479
Speaker 3: for it and do it. I procrastinated a lot, actually,

1746
01:18:04,560 --> 01:18:06,840
Speaker 3: and when I really focused, the money started coming to

1747
01:18:06,920 --> 01:18:10,640
Speaker 3: raise to get Kobe, and it was like, damn, not

1748
01:18:10,720 --> 01:18:13,200
Speaker 3: only did I not get to tell a gym, but

1749
01:18:13,520 --> 01:18:16,760
Speaker 3: my procrastination I missed out on something that would have

1750
01:18:16,760 --> 01:18:17,600
Speaker 3: been monumental.

1751
01:18:17,960 --> 01:18:20,040
Speaker 2: So yeah, I got a chance to do a lot

1752
01:18:20,040 --> 01:18:21,719
Speaker 2: of interviews with them and kick it with them several

1753
01:18:21,760 --> 01:18:25,080
Speaker 2: I mean like hundreds of times literally, and even one

1754
01:18:25,120 --> 01:18:27,560
Speaker 2: time that's just like out of this world crazy, like

1755
01:18:27,600 --> 01:18:29,800
Speaker 2: I was at the club in Vegas with them, I

1756
01:18:29,800 --> 01:18:32,639
Speaker 2: mean like chilling, like when the Lakers did the thing,

1757
01:18:32,680 --> 01:18:35,240
Speaker 2: and because I was, yeah, preseason, how they kick it

1758
01:18:35,280 --> 01:18:36,960
Speaker 2: out there and then all the team was at the club.

1759
01:18:37,200 --> 01:18:39,000
Speaker 2: The whole team was there for sure, but Kobe was

1760
01:18:39,040 --> 01:18:40,960
Speaker 2: behind the team in his own little private thing. But

1761
01:18:40,960 --> 01:18:44,960
Speaker 2: I was typed with the securities to a security Yeah, Rob, Yeah,

1762
01:18:44,960 --> 01:18:45,479
Speaker 2: that's my guy.

1763
01:18:46,120 --> 01:18:48,880
Speaker 3: Used to be officers together. Way crazy story I bring

1764
01:18:48,880 --> 01:18:49,160
Speaker 3: that up.

1765
01:18:49,680 --> 01:18:53,000
Speaker 2: Oh so Rob, when co passed, I said Rob a

1766
01:18:53,040 --> 01:18:55,639
Speaker 2: video that we produced it because Rob and I were tight.

1767
01:18:55,720 --> 01:18:57,599
Speaker 3: Because Robert get the Kobe.

1768
01:18:58,320 --> 01:19:01,240
Speaker 2: Rob's been the best dude ever ever, but with Kobe,

1769
01:19:01,520 --> 01:19:03,160
Speaker 2: because Kobe used to listen to me on the radio. Right,

1770
01:19:03,160 --> 01:19:04,880
Speaker 2: So when I met him, Kobe's like, oh yeah, joke

1771
01:19:04,920 --> 01:19:06,320
Speaker 2: right it no way about. I was like, don't you

1772
01:19:06,360 --> 01:19:08,920
Speaker 2: fucking act like you know me? You know how when

1773
01:19:10,120 --> 01:19:11,960
Speaker 2: whatever you know how it is when you are. But

1774
01:19:12,000 --> 01:19:13,880
Speaker 2: I was in LA and these cats you so listen

1775
01:19:13,920 --> 01:19:15,840
Speaker 2: to me on the radio. So I'm like, oh, yeah,

1776
01:19:16,200 --> 01:19:18,120
Speaker 2: you know, you forget what you do. I mean, I

1777
01:19:18,200 --> 01:19:19,759
Speaker 2: just do what I do. You don't know who listens

1778
01:19:19,760 --> 01:19:21,720
Speaker 2: to you. And then I go in the Laker locker

1779
01:19:21,800 --> 01:19:23,200
Speaker 2: room and I interview him and he was a fan

1780
01:19:23,240 --> 01:19:25,280
Speaker 2: and his wife was a fan, and you'll be and

1781
01:19:25,360 --> 01:19:27,960
Speaker 2: Vanessa was kicking it. And when I say hundreds of times,

1782
01:19:28,080 --> 01:19:30,040
Speaker 2: hundreds and hundreds of times and I used to just

1783
01:19:30,120 --> 01:19:33,000
Speaker 2: be with these dudes, when it hit me, I was devastated,

1784
01:19:33,040 --> 01:19:34,559
Speaker 2: ye still it still.

1785
01:19:34,320 --> 01:19:36,439
Speaker 3: Has me to this day, Like I just that's why

1786
01:19:36,439 --> 01:19:39,479
Speaker 3: I go so hard with them with this because I

1787
01:19:39,520 --> 01:19:42,719
Speaker 3: know we have a window before the next act comes

1788
01:19:42,880 --> 01:19:45,680
Speaker 3: or you know, for whatever, you know, God forbid. But

1789
01:19:45,880 --> 01:19:47,880
Speaker 3: you know this is why we go so hard. Well,

1790
01:19:47,960 --> 01:19:51,160
Speaker 3: I do the real reason now they know I'm missed

1791
01:19:51,160 --> 01:19:52,320
Speaker 3: out on something huge.

1792
01:19:52,560 --> 01:19:54,879
Speaker 2: Well, and you guys are doing great things. Man, Cannabis

1793
01:19:54,960 --> 01:19:56,960
Speaker 2: and Kicks is the podcast. Go check it out. You

1794
01:19:57,000 --> 01:19:59,120
Speaker 2: just got to know who these folks are and then

1795
01:19:59,120 --> 01:20:00,840
Speaker 2: you get to see them in view people too, and

1796
01:20:00,880 --> 01:20:02,880
Speaker 2: listen to them interview people. So go check that out.

1797
01:20:02,880 --> 01:20:05,160
Speaker 2: And like you said, we like to support other people.

1798
01:20:05,160 --> 01:20:07,000
Speaker 2: And like you, we met as friends and you told

1799
01:20:07,040 --> 01:20:08,320
Speaker 2: me you were doing this, and you know, I'm a

1800
01:20:08,360 --> 01:20:11,000
Speaker 2: supporter of people in the community, let alone that are

1801
01:20:11,000 --> 01:20:12,680
Speaker 2: you know, just because it's a rival. But don't listen

1802
01:20:12,720 --> 01:20:13,400
Speaker 2: to his before you listen.

1803
01:20:14,280 --> 01:20:19,280
Speaker 3: But we're TV too, so we're not just podcast, we're

1804
01:20:19,360 --> 01:20:23,000
Speaker 3: TV as well. But I mean again, to have someone

1805
01:20:23,000 --> 01:20:26,519
Speaker 3: to this status or be able to share knowledge, I

1806
01:20:26,520 --> 01:20:30,080
Speaker 3: mean it speaks volumes. You know a lot of competition.

1807
01:20:30,160 --> 01:20:32,479
Speaker 3: They don't even and I have friends who are big time.

1808
01:20:32,920 --> 01:20:35,240
Speaker 3: They won't give me the light to day.

1809
01:20:35,320 --> 01:20:37,679
Speaker 2: You know what's funny about that? Like I always tell people,

1810
01:20:37,720 --> 01:20:39,400
Speaker 2: like when I was doing radio, even like when people

1811
01:20:39,400 --> 01:20:41,280
Speaker 2: would come by and go, you guys suck. I listened

1812
01:20:41,280 --> 01:20:43,160
Speaker 2: to k Rock, right, and I'm like, well, thanks for

1813
01:20:43,200 --> 01:20:45,760
Speaker 2: listening at least you know, like and I never know,

1814
01:20:45,800 --> 01:20:47,760
Speaker 2: and then I see the k Rock what's up guys

1815
01:20:47,760 --> 01:20:49,920
Speaker 2: with Like, we all just trying to do our thing,

1816
01:20:49,920 --> 01:20:51,760
Speaker 2: and we're gonna have our own people that listen to us.

1817
01:20:51,760 --> 01:20:53,439
Speaker 2: You're gonna have the people for listening to you, and

1818
01:20:53,680 --> 01:20:56,240
Speaker 2: maybe they're like me and you and whatever. Just give

1819
01:20:56,280 --> 01:20:58,000
Speaker 2: out and put out content and do what we do.

1820
01:20:58,120 --> 01:21:00,240
Speaker 3: And I respect your craft so much, you and Lou,

1821
01:21:01,160 --> 01:21:03,800
Speaker 3: so I try not to do exactly what you guys do.

1822
01:21:03,880 --> 01:21:06,840
Speaker 3: I try to say, okay, what's another angle. We can

1823
01:21:06,840 --> 01:21:09,320
Speaker 3: tell stories or about just what's going on in the

1824
01:21:09,360 --> 01:21:12,599
Speaker 3: cannabis space because people need it right, And we even

1825
01:21:12,640 --> 01:21:14,719
Speaker 3: try not to drop the same day as you drop.

1826
01:21:14,800 --> 01:21:17,439
Speaker 3: So I just respect you guys that much to where

1827
01:21:17,479 --> 01:21:20,880
Speaker 3: I appreciate everything you're doing and I value it. I

1828
01:21:21,160 --> 01:21:22,479
Speaker 3: have to cherish it with care.

1829
01:21:22,560 --> 01:21:24,160
Speaker 2: Well, thank you man, Like I said, when you send

1830
01:21:24,160 --> 01:21:25,360
Speaker 2: it to me, I peep it. You know what I mean,

1831
01:21:25,479 --> 01:21:27,360
Speaker 2: so thank you for sharing it with me because I

1832
01:21:27,360 --> 01:21:29,519
Speaker 2: support you guys. Well, I supported you, Marcus now that

1833
01:21:29,560 --> 01:21:31,280
Speaker 2: I met you guys. Now I support you guys. But

1834
01:21:31,320 --> 01:21:33,920
Speaker 2: Marcus be sending it to me, like you know, he

1835
01:21:33,960 --> 01:21:35,240
Speaker 2: sent it to me, I'd be like, I like that,

1836
01:21:35,320 --> 01:21:37,320
Speaker 2: but thank you, big brother. Like you know, he always be.

1837
01:21:37,320 --> 01:21:37,880
Speaker 5: Hitting me back.

1838
01:21:37,920 --> 01:21:39,920
Speaker 2: And I'm like, oh, thank you for sending it to me, Marcus.

1839
01:21:39,920 --> 01:21:42,000
Speaker 2: And I'd like to see you guys growth and seeing

1840
01:21:42,040 --> 01:21:45,040
Speaker 2: what you guys are doing. It's cool, it's fun, it's entertaining.

1841
01:21:45,520 --> 01:21:47,600
Speaker 2: It's just all that other good stuff that I like.

1842
01:21:47,640 --> 01:21:49,479
Speaker 2: So I feel like it's hitting my thing. And like

1843
01:21:49,479 --> 01:21:51,479
Speaker 2: I said, DJ who kids, he's a shut up Where

1844
01:21:51,520 --> 01:21:52,840
Speaker 2: you at? Who kid? Oh you can't say nothing.

1845
01:21:55,439 --> 01:21:56,640
Speaker 3: Try his new strain too.

1846
01:21:56,800 --> 01:21:58,559
Speaker 2: Oh that's right, Obama run.

1847
01:21:58,720 --> 01:22:00,880
Speaker 3: It's with ice cream. He did it with ice cream.

1848
01:22:00,960 --> 01:22:03,880
Speaker 3: So what I love about it is indoors fire. He

1849
01:22:03,920 --> 01:22:07,720
Speaker 3: took his time with it. The packaging is amazing. I

1850
01:22:07,760 --> 01:22:08,920
Speaker 3: think got logo.

1851
01:22:09,280 --> 01:22:10,479
Speaker 5: Yeah, so look for.

1852
01:22:10,520 --> 01:22:14,120
Speaker 3: Who DEI uh for in stores, ask for who DEENI

1853
01:22:14,200 --> 01:22:15,480
Speaker 3: and your local dispensaries.

1854
01:22:15,479 --> 01:22:16,519
Speaker 2: But I like the name who.

1855
01:22:18,360 --> 01:22:20,680
Speaker 3: Back in the day, I think it it kind of

1856
01:22:20,760 --> 01:22:22,640
Speaker 3: just from that I think so so.

1857
01:22:23,160 --> 01:22:25,160
Speaker 2: I mean, and not only that, like these old school

1858
01:22:25,200 --> 01:22:27,120
Speaker 2: hip hop stories, I could just go back and forth

1859
01:22:27,160 --> 01:22:28,800
Speaker 2: with all days.

1860
01:22:28,800 --> 01:22:30,559
Speaker 5: We gotta talk about some stuff.

1861
01:22:31,360 --> 01:22:33,160
Speaker 2: I mean, I wish he was still here so I

1862
01:22:33,160 --> 01:22:35,200
Speaker 2: could tell him that, you know, like the last interview

1863
01:22:35,240 --> 01:22:38,519
Speaker 2: with Biggie we did in San Francisco the Doghouse. I

1864
01:22:38,600 --> 01:22:41,120
Speaker 2: did the last interview with the Torrius b ig like

1865
01:22:41,280 --> 01:22:43,400
Speaker 2: three days before that he died. Three days after that

1866
01:22:43,439 --> 01:22:46,360
Speaker 2: he died. Oh yeah, I got the picture. You're ready

1867
01:22:46,360 --> 01:22:49,160
Speaker 2: for this. I interviewed his son on this show set,

1868
01:22:49,439 --> 01:22:50,599
Speaker 2: and I figured out the picture.

1869
01:22:50,680 --> 01:22:51,600
Speaker 3: Yes, remember c J.

1870
01:22:51,720 --> 01:22:55,760
Speaker 2: Wallace, And I presented with a picture that I go, dog,

1871
01:22:55,800 --> 01:22:57,960
Speaker 2: this was taking three days before your dad died. He goes, Damn,

1872
01:22:58,240 --> 01:22:59,960
Speaker 2: and he goes, I still got that shirt?

1873
01:23:00,320 --> 01:23:00,599
Speaker 3: This?

1874
01:23:00,760 --> 01:23:03,760
Speaker 2: Wow, because that was the shirt he was wearing and

1875
01:23:03,800 --> 01:23:06,920
Speaker 2: that he had on his on his trip to Cali. Wow, dude,

1876
01:23:06,920 --> 01:23:09,519
Speaker 2: it was. And me and Biggie hit it off so tough,

1877
01:23:09,800 --> 01:23:12,320
Speaker 2: like we we were the same age, big dudes at

1878
01:23:12,320 --> 01:23:13,880
Speaker 2: the time. I was hell a bigger too, So it's like,

1879
01:23:13,920 --> 01:23:15,800
Speaker 2: you know, we tested each other as far as walking off,

1880
01:23:15,840 --> 01:23:18,040
Speaker 2: walking up. You know, you know what I'm talking about.

1881
01:23:18,080 --> 01:23:19,280
Speaker 5: Marc do that.

1882
01:23:19,360 --> 01:23:21,960
Speaker 2: You don't talk about you know, I mean that East coast,

1883
01:23:21,960 --> 01:23:23,560
Speaker 2: West coast. And he came to the studio and he

1884
01:23:23,600 --> 01:23:26,559
Speaker 2: walked down like, I fucking punk, what's up? What's up?

1885
01:23:28,120 --> 01:23:30,720
Speaker 2: I got purple hair at the time, too, bleached eyebrows,

1886
01:23:30,720 --> 01:23:33,000
Speaker 2: a silver front tooth. You know, me a Pierce snowsbring.

1887
01:23:33,439 --> 01:23:35,240
Speaker 2: You know, I was crazy back in the nineties.

1888
01:23:35,280 --> 01:23:36,519
Speaker 5: Oh yeah, I gotta think that.

1889
01:23:36,560 --> 01:23:37,240
Speaker 3: I'll show you something.

1890
01:23:37,240 --> 01:23:39,400
Speaker 2: This is Kennedy's Talk one on one folks. You know

1891
01:23:39,439 --> 01:23:41,200
Speaker 2: how we get down to the town over here, So

1892
01:23:41,280 --> 01:23:43,840
Speaker 2: make sure you keep Oh this was this was us

1893
01:23:43,840 --> 01:23:46,120
Speaker 2: on the show. Said just you know, nah, I mean

1894
01:23:46,360 --> 01:23:48,280
Speaker 2: it wasn't lying when I told you purple hair. I

1895
01:23:48,320 --> 01:23:51,960
Speaker 2: don't care. I mean looking at Uh. He didn't do

1896
01:23:52,000 --> 01:23:54,760
Speaker 2: a freestyle with us, but he was on the show.

1897
01:23:54,800 --> 01:23:57,360
Speaker 2: The last interview to this is the interview that they

1898
01:23:57,400 --> 01:23:59,879
Speaker 2: played when Puffy shows the footage of him and everywhere,

1899
01:24:00,240 --> 01:24:01,880
Speaker 2: like this is the interview that they do and they

1900
01:24:01,920 --> 01:24:05,920
Speaker 2: show everywhere. It's that interview. He's wearing that shirt, those clothes. Yeah,

1901
01:24:05,960 --> 01:24:08,559
Speaker 2: that's the one. Yeah, that's the thing that was on

1902
01:24:08,600 --> 01:24:10,439
Speaker 2: our show in San Francisco's the number one raake morning

1903
01:24:10,520 --> 01:24:11,120
Speaker 2: show in San Francis.

1904
01:24:11,160 --> 01:24:12,040
Speaker 3: Have you ever told the story?

1905
01:24:12,520 --> 01:24:14,240
Speaker 2: Yeah, I mean I say, at the time and time,

1906
01:24:14,280 --> 01:24:18,040
Speaker 2: but his temperament, Oh, so he came. It was real,

1907
01:24:18,160 --> 01:24:20,160
Speaker 2: you know, it was real funny. That's why two everybody.

1908
01:24:20,200 --> 01:24:21,320
Speaker 2: So when he walked up, and he walked up and

1909
01:24:21,400 --> 01:24:23,559
Speaker 2: I walked up on him and literally like this market

1910
01:24:23,680 --> 01:24:26,160
Speaker 2: you know, big, you big dude. He was walking aggressively

1911
01:24:26,200 --> 01:24:28,360
Speaker 2: towards me. So I'm kind of and you can't stop,

1912
01:24:28,400 --> 01:24:29,760
Speaker 2: you know what I'm saying. You know how you man,

1913
01:24:29,840 --> 01:24:32,000
Speaker 2: you know how he man up stupid, especially back then

1914
01:24:32,320 --> 01:24:34,479
Speaker 2: and you're younger. So he walks out, walks out, what's up?

1915
01:24:34,520 --> 01:24:36,559
Speaker 2: What's up? And then I just went like this and

1916
01:24:36,560 --> 01:24:38,360
Speaker 2: I handed him a joint just like this. I said,

1917
01:24:38,360 --> 01:24:40,519
Speaker 2: what's up, man, welcome to Cali. And he goes, oh,

1918
01:24:40,560 --> 01:24:41,880
Speaker 2: that's what was up. And I handed him some weed,

1919
01:24:42,120 --> 01:24:43,360
Speaker 2: you know, I mean, because I had some weirder and

1920
01:24:43,400 --> 01:24:45,000
Speaker 2: that was that type of dude on the radio. Yeah,

1921
01:24:44,960 --> 01:24:46,880
Speaker 2: I mean, I was always smoking and always that guy.

1922
01:24:47,080 --> 01:24:50,280
Speaker 2: So then right there he was like, oh, and I

1923
01:24:50,280 --> 01:24:52,599
Speaker 2: got another one. We're facing the camera and a real picture,

1924
01:24:52,600 --> 01:24:55,120
Speaker 2: but that was like an action shot. But and I'll

1925
01:24:55,120 --> 01:24:56,920
Speaker 2: show you got some other pictures too with a Leah

1926
01:24:56,960 --> 01:24:58,720
Speaker 2: blowing a candle out of my ass on stage or

1927
01:24:58,720 --> 01:24:59,960
Speaker 2: some stuff like that back in the day.

1928
01:25:00,240 --> 01:25:00,360
Speaker 5: You know.

1929
01:25:00,400 --> 01:25:02,800
Speaker 2: So I got a lot of stories. I got a

1930
01:25:02,800 --> 01:25:04,840
Speaker 2: lot of stories, you guys, I got a lot of stories.

1931
01:25:04,840 --> 01:25:05,880
Speaker 3: We gotta have you on our show.

1932
01:25:05,880 --> 01:25:07,519
Speaker 2: I would love to and really just come with the

1933
01:25:07,560 --> 01:25:10,760
Speaker 2: heavy ones because like even like the run DMC stories

1934
01:25:10,840 --> 01:25:13,479
Speaker 2: and Run calling me after one of my fights and

1935
01:25:13,520 --> 01:25:15,120
Speaker 2: you know, because it's the box so I fought eight

1936
01:25:15,160 --> 01:25:17,479
Speaker 2: times and that he was down watching me in one

1937
01:25:17,520 --> 01:25:19,280
Speaker 2: of my fights and then he was like he left

1938
01:25:19,280 --> 01:25:21,160
Speaker 2: that weekend. Then he called me on Monday like Joe's

1939
01:25:21,160 --> 01:25:23,800
Speaker 2: you in your fight? Run did not just call it.

1940
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Speaker 3: But that's why I love We love having people or

1941
01:25:27,400 --> 01:25:30,760
Speaker 3: other journalists on our show because we get to tap

1942
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Speaker 3: into stories that they may not be able to tell

1943
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Speaker 3: on their platforms.

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Speaker 2: Yeah, because we don't just want to want to tell

1945
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Speaker 2: my story elaborately on it and over shining like oh

1946
01:25:38,040 --> 01:25:40,759
Speaker 2: it's fuck you guys, kind of leak a little things

1947
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Speaker 2: like that, like the Leo one's a great one, which

1948
01:25:42,680 --> 01:25:44,439
Speaker 2: I'll show you the picture guys when we could get

1949
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Speaker 2: off there. It's cannabis talk one. I want to remember

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Speaker 2: this folks. Ah wait, is there anything you guys want

1951
01:25:48,640 --> 01:25:49,920
Speaker 2: to mention before we get off this show?

1952
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Speaker 3: Uh? You know, watch us on our Instagram, our social

1953
01:25:54,560 --> 01:26:00,000
Speaker 3: media's all Cannabis and Kicks TV, Follow us Aware on YouTube,

1954
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Speaker 3: on Apple Music, on spout by all platforms, and definitely

1955
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Speaker 3: tap into each person's brand. We're all doing something.

1956
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Speaker 2: If you ever want to purb out showy styles like.

1957
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Speaker 3: Anyway the legendary Instagram and I'm Marcus Malone.

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Speaker 2: There it is you, guys, Cannada's Talk one on one.

1959
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Speaker 2: If no one else loves you, we do.

1960
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Speaker 1: Thank you for listening to Cannabis Talk one on one

1961
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Speaker 1: on the iHeartRadio app, Apple Podcasts or wherever you get

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Speaker 1: your podcasts