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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch to get you through. Yeah me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after Party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party, the bridge to get you from one full

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Speaker 1: episode of Disgraceland to the other, the backyard to dig

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Speaker 1: into the dirt. On this bonus episode, we are talking

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Speaker 1: about this week's subject to the Disgraceland full episode, the Cramps,

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Speaker 1: and even more shocking Sean Combs allegations, some batshit awesome

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Speaker 1: Halloween merchandise from Disgraceland, and of course we are diving

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Speaker 1: into your voicemails, text and more, and as always, a

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Speaker 1: whole lot of rosie. All Right, discoes, let's get into

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Speaker 1: it all right. Real rock and roll is supposed to

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Speaker 1: be dangerous, whether it's the fear of Elvis Presley's swinging

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Speaker 1: hips that are gonna result in your teenage sister getting pregnant,

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Speaker 1: or the grimy, dark image of the Rolling Stones. The

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Speaker 1: anti Beatles at the time asking in newspapers and on billboards.

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Speaker 1: If you'd let your daughter marry a rolling stone, of

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Speaker 1: course you wouldn't. Led Zeppelin, the sex Pistols, the Ramones,

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Speaker 1: black Flag. I can go on and on with well

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Speaker 1: known example after example of rock stars living and behaving dangerously.

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Speaker 1: We all know these stories. Led Zeppelin and the Mudshark,

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Speaker 1: Sid and Nancy and the Chelsea d d Ramone and

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Speaker 1: the Heroin. We take it all, these stories, of course,

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Speaker 1: a little bit further here in Disgrace Land. We make

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Speaker 1: it as as much as we can to be specifically

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Speaker 1: about crime, true crime. Obviously, Jerry Lee Lewis marrying his

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Speaker 1: thirteen year old cousin. It's not dangerous enough. So you know,

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Speaker 1: we talk about the rock and roll pioneer allegedly murdering

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Speaker 1: his wife because that happened. So you know the drill,

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Speaker 1: You know all of this. That's why you're here. The

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Speaker 1: true crime is a part of the danger that is

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Speaker 1: a part of rock and roll. Okay, the danger is

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Speaker 1: integral to rock and roll. It's the true crime is

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Speaker 1: just an unfortunate byproduct of a necessary ingredient that makes

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Speaker 1: rock and roll so compelling historically speaking, anyway, because right now,

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Speaker 1: in the now, rock and roll is dead. We know

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Speaker 1: this in part because there is no danger in today's

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Speaker 1: rock and roll bands. If you can even find rock

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Speaker 1: and roll bands today, I'm speaking now specifically about bands

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Speaker 1: in the mainstream, rock and roll bands in the mainstream.

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Speaker 1: When I say if you can even find a rock

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Speaker 1: and roll band today, I mean in the mainstream. Know

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Speaker 1: that there are great rock and roll bands out there

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Speaker 1: on the club circuit, out there killing it. But you know,

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Speaker 1: we're talking about modern culture, okay, because when we talk

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Speaker 1: about rock and roll as a whole historically, we're talking

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Speaker 1: about a culture shifting force, not a backbench subgenre. Okay,

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Speaker 1: there are no rock and roll bands on the charts anymore.

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Speaker 1: I say this a lot. I'm never gonna stop talking

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Speaker 1: about it. I find it. I find it to be

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Speaker 1: a very shitty reality. But the reason I'm talking about

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Speaker 1: it right now today in this bonus episode is because

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Speaker 1: this is what the Cramps, from this week's full episode,

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Speaker 1: we're getting at. Okay. The Cramps talked a lot about

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Speaker 1: the difference between rock and roll and rock. The Cramps

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Speaker 1: were on a mission to save rock and roll, and

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Speaker 1: they could tell back then in the seventies, eighties, and nineties,

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Speaker 1: that rock and roll was dying. The Cramps, of course,

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Speaker 1: like I alluded to, had a specific definition for what

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Speaker 1: rock and roll was. Dangerous music for teenagers, Okay, dangerous

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Speaker 1: music that separated the cool kids from the squares. By

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Speaker 1: that definition, it's hard to think of any consequential rock

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Speaker 1: and roll bands today that are making noise and that

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Speaker 1: are actually dangerous. Again, I know they're out there, I

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Speaker 1: know they're alive and well, but unfortunately they no longer matter,

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Speaker 1: not to the scale that the artists, the rock and

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Speaker 1: roll artists that I mentioned before, mattered when it came

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Speaker 1: to culture. Okay, these the rock and roll bands today

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Speaker 1: are no longer appearing on the charts and driving culture

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Speaker 1: like Elvis was, like the Rolling Stones did, like the

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Speaker 1: sex Pistols, the Ramones, etc. Today, Coldplay, Hosier, how to

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Speaker 1: say that? Hosier Hosier, and Billie Eilish. These three artists

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Speaker 1: currently occupy the number one top rock album, the number

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Speaker 1: one rock song, and the Hot Rock the number one

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Speaker 1: Hot Rock Alternative song chart positions on Billboard. It's hard

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Speaker 1: to call any of these artists rock and roll by

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Speaker 1: any traditional definition. Again, Play Hosier and Billie Eilish it's

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Speaker 1: hard to call them rock and roll. It's even harder

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Speaker 1: to claim that they're dangerous. They are about as safe

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Speaker 1: as it gets. And this is how you know your

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Speaker 1: parents likely wouldn't be annoyed or threatened if you put

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Speaker 1: a cold Play song on when you're out for a

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Speaker 1: riding the car with your mom, or if, like me,

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Speaker 1: you are a parent, you're likely not going to be

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Speaker 1: annoyed or threatened. If your kid is sitting there and

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Speaker 1: puts on you know, Billie Eilish or Coldplayer or whatever.

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Speaker 1: You might have a question about their taste, but whatever.

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Speaker 1: And the reason why, of course, the reason why we

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Speaker 1: aren't threatened or annoyed particularly is because these artists are safe.

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Speaker 1: They're not dangerous. Okay, to the extent that any of

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Speaker 1: these artists are even rebellious is it's contrived. It's not

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Speaker 1: actual rebellion. Now, I'm not criticizing these artists. Whatever, do

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Speaker 1: what you gotta do, Okay, I don't care. Make whatever

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Speaker 1: music you want. People clearly love it. I don't, but whatever,

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Speaker 1: it does not matter. I'm not criticizing the artists. I'm

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Speaker 1: not criticizing the people who listen to these artists. I'm

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Speaker 1: simply trying to make a point that the Cramps were

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Speaker 1: right that rock and roll was dying, and now it

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Speaker 1: is dead. And there is a massive difference between the

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Speaker 1: rock artists on the charts today and the rock and

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Speaker 1: roll artists on the charts from years past. But you

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Speaker 1: know what isn't dead hip hop. It's not only the

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Speaker 1: dominant music for us that's driving culture. It's also more

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Speaker 1: dangerous than modern rock music in every possible way. And

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Speaker 1: I'm talking about current chart topping hip hop stars too,

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Speaker 1: not just the names from the past that we all

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Speaker 1: know that we've talked about in Disgraceland. Okay, I'm talking

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Speaker 1: about Young Thug. Okay, Young Thug is on trial currently

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Speaker 1: on a criminal conspiracy beef. Another artist w N Melly,

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Speaker 1: if I'm pronouncing that correctly, is about to be tried

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Speaker 1: for a second time on a double murder charge. Those charges,

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Speaker 1: criminal conspiracy and murder, they rival the true crimes from

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Speaker 1: the rock and roll artists that we've covered here in Disgraceland.

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Speaker 1: And yes, like I said, we've covered plenty of hip

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Speaker 1: hop artists in the past and in the present, where

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Speaker 1: in all cases the danger is front and center is

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Speaker 1: very much a part of the artist's disgraceful behavior. And

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Speaker 1: this is because, as we know when it comes to

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Speaker 1: rock starts, when it comes to musicians, the danger is

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Speaker 1: baked into the cake, so to speak. And part of

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Speaker 1: the reason we love a lot of these artists is

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Speaker 1: because they behave badly, and that behavior causes us to

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Speaker 1: question many things, including the reasons why we sometimes support

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Speaker 1: or supported these artists in the first place. These stories

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Speaker 1: about Johnny Paycheck shooting a guy in a bar, about

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Speaker 1: Easye funding his hip hop career with drug money, about

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Speaker 1: guns and roses starting a riot. Somehow, these stories incredibly

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Speaker 1: seems safe compared to the stories being alleged by one

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Speaker 1: hip hop star currently, that, of course, is Sean Ditty Combs.

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Speaker 1: New allegations were released this week against Combs, and let's

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Speaker 1: consider for a quick second just how fucking nuts and

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Speaker 1: outside the rails the behavior of this hip hop star

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Speaker 1: actually is. Now, I've gone over everything in the federal

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Speaker 1: indictment and I talked I think it was last week,

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Speaker 1: perhaps it was the week prior about this attorney from Houston,

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Speaker 1: Tony Busby and the one hundred plus cases complaints criminal

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Speaker 1: complaints that he is bringing against Ditty outside of the indictment.

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Speaker 1: Now he's released I believe six of these lawsuits this week. Okay,

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Speaker 1: so that's new. And these lawsuits are going to be

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Speaker 1: expanded as well, and I'm not going to go through

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Speaker 1: all of them, but I am just going to tell

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Speaker 1: you that they are completely shocking. I'm going to read

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Speaker 1: you one of the complaints here. I'm not going to

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Speaker 1: read it from the indictment because it's it would honestly

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Speaker 1: take up it would take up the entire episode. But

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Speaker 1: I am going to read to you verbatim from a

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Speaker 1: Business Insider. This is from October fourteenth. I'm recording this

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Speaker 1: on October sixteenth, and I'm reading you a direct from

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Speaker 1: the Business Insider article because I don't want to miss anything,

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Speaker 1: and I don't want to I don't want anybody to

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Speaker 1: claim that I'm sensationalizing anything. And I want you guys

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Speaker 1: to know that what I'm about to read you is

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Speaker 1: a summarized version of what is in the actual lawsuit, Okay,

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Speaker 1: in the legal paperwork and the complaint. And by that

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Speaker 1: I mean it's it's uh. I don't want to say

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Speaker 1: it's cleaned up. I mean, yeah, it's cleaned up a

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Speaker 1: little bit. It's not as shocking. Yet it's still super shocking.

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Speaker 1: So it says here the nineteen page and again, this

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Speaker 1: is one of six one of six lawsuits. Okay. The

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Speaker 1: nineteen page lawsuit is one of two filed Monday that

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Speaker 1: names an outside company as a defendant beyond the companies

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Speaker 1: belonging to Combs. It was filed on behalf of a

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Speaker 1: John Doe who now lives in Ohio. The plaintiff, the

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Speaker 1: John Doe, alleges that he was orally raped by Combs

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Speaker 1: while working in the stockroom of a flagship's store. The

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Speaker 1: plaintiff said he worked for Echo, a rival company to

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Speaker 1: Combs's Sean John brand that was also carried by Macy's. Okay,

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Speaker 1: so here we go. On the day of the attack,

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Speaker 1: did he entered into the stock room with three armed bodyguards?

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Speaker 1: This is what the lawsuit says. One or more of

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Speaker 1: the guards struck the plaintiff, So it says here he

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Speaker 1: may have been pistol whipped, that's what he's alleging, causing

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Speaker 1: him to fall to his hands in knees. The plaintiff

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Speaker 1: says in the lawsuit that one or more of the

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Speaker 1: bodyguards threatened to kill him. So let's just take a second. Here,

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Speaker 1: let's move beyond the Business Insider article, here, beyond the

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Speaker 1: legal documentation, and let's try to put ourselves in the moment.

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Speaker 1: You're a dude working in a stock room. You're just

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Speaker 1: having your fucking day. Man. You know, and I've worked

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Speaker 1: in stock rooms before, when I was younger. I've worked

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Speaker 1: in factories. I I know what it's like. You're off

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Speaker 1: in your own your own head. You might have headphones on,

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Speaker 1: you're chilling, you're thinking about lunch, that sandwich you packed,

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Speaker 1: You're getting ready to go, take a load off for

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Speaker 1: about forty five minutes before you jump back into your day.

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Speaker 1: And all of a sudden, one of the biggest hip

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Speaker 1: hop stars on the fucking planet walks in with three bodyguards.

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Speaker 1: Pistol whips you. Pistol whips you at work, and, as

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Speaker 1: far as I can tell, for no reason. And then

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Speaker 1: and then the plaintiff claims the Combs demands he blows them,

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Speaker 1: performs oral sex. The plaintiff goes on to say that

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Speaker 1: Diddy was calling him Echo because that's the brand he

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Speaker 1: worked for. That's that's who he was stalking the shells for. Again,

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Speaker 1: you're sitting there, Sean Combs walks in with three security guards,

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Speaker 1: pistol whips you, is calling you echo the name of

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Speaker 1: the company you work for, demands that you give him

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Speaker 1: head and then orally rapes you, or so you claim,

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Speaker 1: all while you're just waiting to fucking go on your

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Speaker 1: lunch break. Then, and this is the shit that gets me,

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Speaker 1: the specificity, the details in these lawsuits, in these legal documents. Then,

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Speaker 1: the lawsuit alleges that after the assault, Combs grabbed armfuls

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Speaker 1: of Sean John merchandise from the stock room, went out

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Speaker 1: onto the retail floor and began passing out merchandise to

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Speaker 1: an adoring crowd as if nothing had happened. The plaintiff

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Speaker 1: reported in the same day to company security, but there

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Speaker 1: was no follow up and he was soon barred from

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Speaker 1: the store, the lawsuit alleges, and it should be mentioned

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Speaker 1: that Diddy, through his lawyers, has denied that this or

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Speaker 1: any of the other allegations I mentioned in passing so

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Speaker 1: far have actually happened. Okay did He's claiming that he's innocent,

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Speaker 1: and the same thing that he said about the federal charges,

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Speaker 1: the same thing he's saying about these churches. Now, you

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Speaker 1: may say, Jake, you mentioned that the diddy stuff is shocking,

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Speaker 1: perhaps more shocking than anything that you've covered in disgrace Land.

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Speaker 1: But really, Jake, it's just it's just some rape. It's

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Speaker 1: just some pre lunch break rape, you know, getting a

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Speaker 1: little rapie before the lunch truck pulls up to the

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Speaker 1: to the Macy's loading dock. The details, again, the details

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Speaker 1: and the sheer horror of this action are as bad,

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Speaker 1: or sorry, worse than almost anything that I've that I've

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Speaker 1: covered so far. And and then when you start to

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Speaker 1: get into some of these other allegations that have come

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Speaker 1: out over the last few weeks that are outside of

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Speaker 1: the federal indictment that the now famous one thousand or

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Speaker 1: ten thousand whatever it was bottles of lubricant sexual lubricant

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Speaker 1: that were seized, and the allegations that that lubricant, that

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Speaker 1: that lubricant was dosed with drugs that tranquilize you so

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Speaker 1: that they can use it to massage women and get

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Speaker 1: them to pass out and then abuse them sexually. I mean,

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Speaker 1: I can't even I can't even wrap my brain around this.

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Speaker 1: And as if the actions weren't bad enough, as if

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Speaker 1: the crimes and the allegations themselves are not horrifying enough.

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Speaker 1: They are particularly horrifying when you take into account that

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Speaker 1: these claims go back I think almost thirty years, three

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Speaker 1: decades of this behavior. So when I look at it

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Speaker 1: like that, yeah, it is way worse than anything that

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Speaker 1: I've covered. Okay, all of this goes way beyond anything

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Speaker 1: that we've spoken about here, and disgrace saying, yes, even

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Speaker 1: the Big Larch cannibalism episode that was one incident a

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Speaker 1: psychotic reaction to a drug. This, this Ditty stuff is

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Speaker 1: a sickening criminal conspiracy allegedly spanning years, decades, and beyond

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Speaker 1: the federal indictment, there are, of course, these separate lawsuits

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Speaker 1: that I've been talking about where the behavior described in

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Speaker 1: these suits involves the criminal conspiracy, the sex trafficking, drugging

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Speaker 1: underaged men and women to forced sex upon them unknowingly,

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Speaker 1: and now even now even the threat of murder. I'm

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Speaker 1: not going to go into the other lawsuits of these

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Speaker 1: new six, but there's there's one where Ditty threatens one

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Speaker 1: of his victims with murder if if they say anything. Okay,

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Speaker 1: And of course, again Sean Combs denies this, saying through

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Speaker 1: his attorneys on Monday that the lawsuits filed here that

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Speaker 1: I'm speaking about were done so to quote unquote Garner Publicity.

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Speaker 1: And they further say, mister Combs and his legal team

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Speaker 1: have full confidence in the facts, their legal defenses, and

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Speaker 1: the integrity of the judicial process. The lawyer said in court.

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Speaker 1: They go on to say in court the truth will prevail.

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Speaker 1: The mister Combs has never sexually assaulted anyone adult or minor,

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Speaker 1: man or woman unquote. So there you have it. However,

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Speaker 1: if even a portion, if even a portion of this

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Speaker 1: is true, then this story is as dangerous as it gets.

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Speaker 1: This artist is as dangerous as they come. Part of

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Speaker 1: me doesn't know what to do with all this, you know,

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Speaker 1: It's like it's I keep saying this, it's the biggest

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Speaker 1: music and true crime story of all time, and you know,

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Speaker 1: the music and true crime is what we do. Yet

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Speaker 1: I'm confused as to how to how to deal with

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Speaker 1: all this. It's there's so much of it that is

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Speaker 1: so shocking that at a certain point it's not shocking,

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Speaker 1: and it makes it seem like what I've been doing

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Speaker 1: is is child's play. Suddenly telling the story of Jerry

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Speaker 1: Lewis getting away with murdering his wife feels cute compared

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Speaker 1: to thirty years of this alleged Diddy behavior. It's so much.

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Speaker 1: And again, we get the headlines, we get the memes,

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Speaker 1: the notifications, were becoming desensitized to the whole thing almost,

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Speaker 1: or at least I am, because I'm deep in it.

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Speaker 1: But the details in the ditty criminal complaints, they're more

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Speaker 1: shocking in a lot of ways, again, like I said,

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Speaker 1: than anything that I've seen in my research for Disgraceland

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Speaker 1: thus far. And then, of course, where this goes? Man, Okay,

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Speaker 1: as I've been saying, this is a question of where

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Speaker 1: does all this go? And who else was involved beyond Diddy.

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Speaker 1: Now Tony Busby, who filed those lawsuits this week, who

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Speaker 1: has the one hundred plus lawsuits that he's going to file,

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Speaker 1: is doubling down on his claim that there will be

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Speaker 1: names soon that will shock us. We will see and

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Speaker 1: just you know, for an update, you know, he has

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Speaker 1: reached out to those big names, to those people that

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Speaker 1: he has evidence against in these criminal lawsuits who are

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Speaker 1: involved with Diddy, and he's essentially shopping settlements. I'm not

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Speaker 1: going to pass judgment on the people making these claims.

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Speaker 1: I'm not even gonna pass judgment on Tony Busby. Not

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Speaker 1: all criminal attorneys are the stereotype. But I'm just giving

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Speaker 1: you this information so you know, I think there's a

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Speaker 1: slim chance. Then in the final analysis, we sit back

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Speaker 1: and go, this was a money grab and Diddy was

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Speaker 1: innocent and he walks away. I think that is a

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Speaker 1: very there is a very slim chance of that happening.

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Speaker 1: At the same time, are we going to see culture

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Speaker 1: imploding evidence that is going to tear down some of

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Speaker 1: the biggest A list celebrities on the planet. I don't

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Speaker 1: think it's going to go that far either. I think

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Speaker 1: it'll be somewhere in the middle, perhaps closer to that

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Speaker 1: last scenario that I just mentioned. I want to update

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Speaker 1: you guys a little bit here on jay Z and Beyonce.

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Speaker 1: I think it was in last week's episode I was

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Speaker 1: speaking critically of jay Z and how he hasn't really

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Speaker 1: defended himself on anything like that. Well, we have we

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Speaker 1: have new news on that. Piers Morgan the Journalists had

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Speaker 1: Jaguar Wright on his show. I've told you guys, who

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Speaker 1: Jaguar Right is. Jaguar Right went off kind of on

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Speaker 1: jay Z in Beyonce with these wild allegations that she's

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Speaker 1: been making on TikTok that are I just I'm gonna

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Speaker 1: I'm going to refrain from repeating them here, but they

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Speaker 1: are connected to Diddy. Of course, jay Z and Beyonce,

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Speaker 1: their attorney promptly went after Piers Morgan. Piers Morgan had

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Speaker 1: to issue an apology, so that says something. And apparently

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Speaker 1: jay Z and Beyonce have been issuing cease and desist

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Speaker 1: letters to content creators on TikTok who are repeating some

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Speaker 1: of the allegations that Jaguar Right is repeating. So I

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Speaker 1: just wanted to update you there because I made a

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Speaker 1: point of mentioning how they they hadn't really jay Z

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Speaker 1: and Beyonce hadn't really said anything. I do want to

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Speaker 1: also mention that there's still you know, even though jay

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Speaker 1: Z and Beyonce have spoken up here through their attorney

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Speaker 1: at least or through their attorney's actions, I should say

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Speaker 1: they've acted through their attorney, not spoken up. I do

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Speaker 1: want to say that it's still kind of crickets from

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Speaker 1: the entertainment industry on the Diddy allegations. So that's telling

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Speaker 1: I believe, So the Diddy allegations. My larger point beyond dangerous. Okay,

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Speaker 1: they are legitimately scary. They're monstrous. So here's a question.

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Speaker 1: Would you leave your kid alone with the guys in

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Speaker 1: Coldplay while you went off for a pack of smokes?

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Speaker 2: Maybe?

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Speaker 1: Probably okay? But would you leave your kid alone with

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Speaker 1: Sean Combs Apps fusolutely not. If these allegations are true,

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Speaker 1: Shawn Combs has taken the danger of rock and roll,

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Speaker 1: the danger of hip hop, obviously way over the frigging line,

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Speaker 1: to a point where, like I said, even I am shocked,

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Speaker 1: which is very hard to do. But still, Sean Combs

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Speaker 1: is not a rock and roll star. He's a hip

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Speaker 1: hop mogul, and rock and roll is dead despite the

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Speaker 1: Cramp's best intentions, and Shawn Combs he's in jail attempting

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Speaker 1: for a third time to get out on bail before

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Speaker 1: his trial begins on May fifth, twenty twenty five, but

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Speaker 1: the judge might just rule that he's too dangerous to

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Speaker 1: be let out. We shall see if these allegations turn

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Speaker 1: out to be true, than Shawn Combs is, like I said,

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Speaker 1: truly a monster, scarier in more dangerous guys and anything

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Speaker 1: Halloween can serve up than anything in a Cramp song.

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Speaker 1: Scarier and more dangerous than any horror movie. And speaking

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Speaker 1: of which, next week's full episode in Your Disgrace Slam

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Speaker 1: Feed is on the film Poltergeist and the curse connected

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Speaker 1: to that movie. This movie scared the hell out of

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Speaker 1: me when I was a little kid. I don't find

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Speaker 1: it to be as scary now, and I showed it.

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Speaker 1: We showed it last year to my oldest son. I

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Speaker 1: don't think we let our youngest watch it, and he

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Speaker 1: was scared. He was super scared. There's something about polder guys,

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Speaker 1: where I don't know, like this sort of like just

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Speaker 1: before puberty years, you know, ten eleven. I don't remember

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Speaker 1: how old I was when I saw it, but it

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Speaker 1: was the perfect age for me to be freaked out

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Speaker 1: by it. So when you're listening to this next episode,

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Speaker 1: next episode in the Disgraceland feed on Poldier, guys, I

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Speaker 1: want you guys to be thinking about what movies scared

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Speaker 1: the hell out of you when you were a kid. Okay,

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Speaker 1: that's going to be the question of the week next week.

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Speaker 1: I'm gonna take a quick break. I'll be back in

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Speaker 1: the flash with your voicemails, text, dms and more. All Right,

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Speaker 1: we are back. Thanks guys for listening to this bonus

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Speaker 1: episode of Disgraceland. I want to update you guys on

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Speaker 1: the live stream that we had planned for last week

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Speaker 1: October ninth. We were, of course postponed due to Hurricane Milton,

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Speaker 1: which came storming through Florida also had a bunch of

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Speaker 1: tornadoes we weren't planning on anyways, We are working on

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Speaker 1: a solution to how we're going to bring you this story.

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Speaker 1: I'll have news on that for you very shortly, so

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Speaker 1: you'll hear that here in the upcoming bonus episodes, upcoming

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Speaker 1: after party episodes. Also want to let you guys know

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Speaker 1: we are fully ensconced in the Halloween season right now

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Speaker 1: in Disgrace and you can tell from our programming We're

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Speaker 1: going full darkness on you and I'm loving it. I

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Speaker 1: hope you're loving it as well. We just released our

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Speaker 1: episode on the Cramps. We put back into the feed

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Speaker 1: one of the archive episodes on Black Sabbath. We did

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Speaker 1: some auzy stuff. But back to the Cramps and Black Sabbath.

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Speaker 1: We have these two new merch items that I'm really

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Speaker 1: excited about that are inspired by these episodes. We have

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Speaker 1: a Masters of Reality, Black Sabbath design for Rock Rolla,

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Speaker 1: which I'm pretty stoked on. And we have a Cramps

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Speaker 1: inspired design as well for this other T shirt that

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Speaker 1: we've got for you guys. We did in collaboration with

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Speaker 1: a great artist I named Spencer Alexander. So these merch items,

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Speaker 1: these two new shirts that we have, they're gonna be

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Speaker 1: available to you well right now as you're hearing this.

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Speaker 1: But here's the thing. This is a drop. It's a

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Speaker 1: merch drop. They're only going to be available for a week,

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Speaker 1: starting Thursday, the day that this bonus episode is released, Thursday,

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Speaker 1: October seventeenth, The merch items are going to be available

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Speaker 1: on our website. Go to the merch page. I'm gonna

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Speaker 1: be posting this stuff out through social media of course,

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Speaker 1: but again only for one week, seven days, and then

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Speaker 1: they're gone. So check those designs out. I wish I

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Speaker 1: could show them to you here. I can't check out

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Speaker 1: my Instagram x whatever. We'll get the stuff everywhere, and

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Speaker 1: of course, go to the website Disgrace lampod dot com

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Speaker 1: go to the merch page and you will see these

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Speaker 1: items there. Get them while they last. You're not gonna

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Speaker 1: want to sleep on these they're freaking awesome. I love them.

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Speaker 1: I have to hold myself back from buying them for

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Speaker 1: my family all over the place, but I'm not going

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Speaker 1: to do that. We're going to keep the stock bountiful

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Speaker 1: for you guys. Get in there, cop this Halloween Disgraceline merch.

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Speaker 1: You're gonna love it all right enough for me. Let's

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Speaker 1: hear from you, guys six one seven nine oh six

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Speaker 1: sixty six three aid to send me a text or

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Speaker 1: voicemail just like this caller from the six to one

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Speaker 1: nine on the question of the greatest rock and roll

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Speaker 1: band of all time.

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Speaker 3: Hey, Jake, this is Jesse from the six one nine.

424
00:25:15,480 --> 00:25:17,960
Speaker 3: I'm just gonna keep it simple and brief man. For me,

425
00:25:18,280 --> 00:25:22,280
Speaker 3: it's clean. I'm forty seven. I can think back to

426
00:25:22,680 --> 00:25:25,200
Speaker 3: the very first songs that I ever heard from them,

427
00:25:25,440 --> 00:25:28,399
Speaker 3: and here it is, all these years later, especially with

428
00:25:28,440 --> 00:25:32,680
Speaker 3: the resurgence from Bohemian Rhapsody back with Wayne's World. Thank

429
00:25:32,720 --> 00:25:37,880
Speaker 3: God for that. They're just transcendent in everything. I mean,

430
00:25:37,920 --> 00:25:40,080
Speaker 3: you've got, you got some slow rock, you got some

431
00:25:40,200 --> 00:25:42,880
Speaker 3: fast rock. You just got popped through them too. But

432
00:25:42,920 --> 00:25:45,560
Speaker 3: they're still one of the best, if not the best

433
00:25:45,840 --> 00:25:48,560
Speaker 3: rock and roll bands ever. Just my opinion from a

434
00:25:48,600 --> 00:25:51,320
Speaker 3: young man from San Diego, California.

435
00:25:51,359 --> 00:25:54,000
Speaker 1: Thank you, Jesse, thanks for the voicemail, my friend. I

436
00:25:54,000 --> 00:25:56,560
Speaker 1: appreciate you. My wife will appreciate your message even more

437
00:25:56,560 --> 00:26:00,000
Speaker 1: though she is a massive Queen fan, which reminds me.

438
00:26:00,000 --> 00:26:02,199
Speaker 1: I mean, we used to have a framed version of

439
00:26:02,560 --> 00:26:05,359
Speaker 1: the bicycle race poster. If you're Queen fan, you'll know

440
00:26:05,440 --> 00:26:08,920
Speaker 1: that came inside of the Jazz album. It's an incredible photograph,

441
00:26:09,119 --> 00:26:14,040
Speaker 1: credible poster. It's a bunch of well, fat bottomed girls

442
00:26:14,119 --> 00:26:18,000
Speaker 1: on bicycles and uh, it's great. And now I'm wondering,

443
00:26:18,000 --> 00:26:20,399
Speaker 1: where the hell where is that? I have that somewhere.

444
00:26:20,440 --> 00:26:21,679
Speaker 1: I'm kind of gonna find it. I want to put

445
00:26:21,720 --> 00:26:23,639
Speaker 1: it back up. All right, let's check in with the

446
00:26:23,800 --> 00:26:25,439
Speaker 1: five to four to Roho on the same question.

447
00:26:27,800 --> 00:26:29,880
Speaker 4: All right, so you want to know what the greatest

448
00:26:29,960 --> 00:26:32,840
Speaker 4: rock and roll band of all time? Okay, So if

449
00:26:32,840 --> 00:26:35,720
Speaker 4: we're gonna for any user crash he already you set up.

450
00:26:36,680 --> 00:26:41,040
Speaker 4: I'm gonna have to say Motorheads only because it was

451
00:26:41,600 --> 00:26:45,840
Speaker 4: vastly popular, but not commercially popular, kind of like you know,

452
00:26:46,400 --> 00:26:50,560
Speaker 4: there were mines of cramps so forth, but it had

453
00:26:50,680 --> 00:26:55,880
Speaker 4: such a wide base of fans, and they were all kids.

454
00:26:56,320 --> 00:27:01,960
Speaker 4: Most kids who did they identified with the insane rock

455
00:27:02,880 --> 00:27:06,719
Speaker 4: well rock and roll actually, but yeah, So I'm going

456
00:27:06,800 --> 00:27:09,280
Speaker 4: to go ahead and say it was Motorhead to make

457
00:27:09,600 --> 00:27:12,320
Speaker 4: great rock and roll band. I mean even Lendy says

458
00:27:12,359 --> 00:27:15,800
Speaker 4: it himself and concert he says, we are Motorhead, we

459
00:27:15,840 --> 00:27:20,640
Speaker 4: play rock and roll. So there you go, all right, droll,

460
00:27:21,720 --> 00:27:22,080
Speaker 4: All right.

461
00:27:22,040 --> 00:27:26,719
Speaker 1: I agree with you. Take five four roh, Motorhead. Great answer, Motorhead.

462
00:27:26,760 --> 00:27:28,200
Speaker 1: You know, I talk a lot in the in the

463
00:27:28,280 --> 00:27:31,239
Speaker 1: in the previous block about how when we're framing this

464
00:27:31,320 --> 00:27:34,199
Speaker 1: question of great rock and roll bands, I like to

465
00:27:34,280 --> 00:27:36,679
Speaker 1: lean into these bands that are pushing the culture. And

466
00:27:36,760 --> 00:27:39,840
Speaker 1: even though Motorhead was subculture, they were pushing the culture.

467
00:27:39,920 --> 00:27:43,280
Speaker 1: Motorhead was a presence in the nineteen eighties, and every

468
00:27:43,359 --> 00:27:45,800
Speaker 1: high school in America you could you could find that

469
00:27:45,800 --> 00:27:49,639
Speaker 1: that iconic Motorhead logo on a jean jacket of a

470
00:27:49,680 --> 00:27:53,480
Speaker 1: gearhead somewhere in America on any given day, and I

471
00:27:53,480 --> 00:27:56,560
Speaker 1: would argue pretty much any high school in the United States.

472
00:27:56,600 --> 00:28:00,000
Speaker 1: So Motorhead were definitely counterculture, but they were pushing the cultures.

473
00:28:00,080 --> 00:28:02,960
Speaker 1: So I love your take here. All right, let's check

474
00:28:03,000 --> 00:28:06,440
Speaker 1: out the eight six four.

475
00:28:07,119 --> 00:28:07,960
Speaker 3: What's happening, Jake?

476
00:28:08,080 --> 00:28:11,320
Speaker 2: This is Will in age sixty four. First off, I

477
00:28:11,359 --> 00:28:12,840
Speaker 2: just want to say, I hope you all being safe

478
00:28:12,840 --> 00:28:17,119
Speaker 2: from Florida. We just got through Helene in South Carolina

479
00:28:17,240 --> 00:28:19,240
Speaker 2: and it was wild. We were without power from of

480
00:28:19,320 --> 00:28:22,480
Speaker 2: the week. My homies in Ashville of really going through it.

481
00:28:22,640 --> 00:28:25,600
Speaker 2: I hope you're really being safe down there. A couple

482
00:28:25,560 --> 00:28:29,960
Speaker 2: of things we connected on teaching through Instagram. Fucking love that.

483
00:28:31,640 --> 00:28:34,760
Speaker 2: I want to say, maybe you should look into Vince Giraldi,

484
00:28:35,200 --> 00:28:39,200
Speaker 2: that was famous for doing the Charlie Brown music. As

485
00:28:39,240 --> 00:28:40,160
Speaker 2: much as I put him on.

486
00:28:40,120 --> 00:28:42,960
Speaker 5: The map, he I'm pretty sure he had some back

487
00:28:43,040 --> 00:28:44,880
Speaker 5: and forth with the people.

488
00:28:44,600 --> 00:28:47,880
Speaker 2: Doing the cartoon and he wasn't too happy, especially with

489
00:28:47,920 --> 00:28:50,840
Speaker 2: the vocalized version of Christmas times here even like those

490
00:28:50,880 --> 00:28:51,880
Speaker 2: little brass and there with him.

491
00:28:52,480 --> 00:28:56,840
Speaker 4: But to go on, people that die too young.

492
00:28:57,640 --> 00:29:01,360
Speaker 5: I'm still going over your entire catalog of the episodes.

493
00:29:01,440 --> 00:29:06,560
Speaker 5: But dude, Jeff Buckley, like, what a fucking tragedy man,

494
00:29:07,040 --> 00:29:09,720
Speaker 5: what a talent that we really didn't get to see

495
00:29:09,880 --> 00:29:10,880
Speaker 5: fully blossomed.

496
00:29:11,080 --> 00:29:11,240
Speaker 6: You know.

497
00:29:11,920 --> 00:29:14,680
Speaker 5: The way he went out was disgraceful and just upsetting.

498
00:29:14,760 --> 00:29:17,560
Speaker 2: It sad, but I mean, I always thought, you know,

499
00:29:17,640 --> 00:29:21,680
Speaker 2: as much as everybody was very you know, very taken

500
00:29:21,760 --> 00:29:23,240
Speaker 2: with what he did. You know, there was a couple

501
00:29:23,320 --> 00:29:25,640
Speaker 2: of snakes in the grass, you know, really just out

502
00:29:25,680 --> 00:29:28,920
Speaker 2: for their own trying to push this too. But Jeff

503
00:29:28,960 --> 00:29:31,160
Speaker 2: Buckley as like one of the best albums, and it

504
00:29:31,240 --> 00:29:33,640
Speaker 2: happen to be one of his only so like, I

505
00:29:33,720 --> 00:29:35,520
Speaker 2: thought that was a really cool one. I still think

506
00:29:35,560 --> 00:29:37,880
Speaker 2: they need to do an episode of Tim Armstrong given

507
00:29:38,000 --> 00:29:39,440
Speaker 2: his crazy.

508
00:29:39,760 --> 00:29:41,719
Speaker 3: History with Ivy and Rancid.

509
00:29:42,080 --> 00:29:44,120
Speaker 2: But dude, just want to say, I appreciate what you do.

510
00:29:45,480 --> 00:29:47,440
Speaker 2: Keep fucking doing it, man. We love it, man, we

511
00:29:47,560 --> 00:29:49,920
Speaker 2: love it. Be safe down here in Florida. Much love.

512
00:29:50,520 --> 00:29:52,640
Speaker 1: Eight six four. Thanks for the call. I hope you

513
00:29:52,680 --> 00:29:56,720
Speaker 1: guys are doing okay post Helene. Love that you're digging

514
00:29:56,760 --> 00:29:59,880
Speaker 1: on the Keith Jarrett, I remember, I remember our DM exchange.

515
00:30:01,080 --> 00:30:04,240
Speaker 1: Vince GERALDI I'm definitely familiar with, not just because of

516
00:30:04,600 --> 00:30:06,560
Speaker 1: Charlie Brown and the Peanuts, although that was if I'm

517
00:30:06,560 --> 00:30:11,040
Speaker 1: being honest, that was what hit me to. Vince has

518
00:30:11,080 --> 00:30:13,920
Speaker 1: a great album that you probably know of, called Black Orpheus.

519
00:30:13,960 --> 00:30:17,000
Speaker 1: If anyone is interested, check that out by Vince Giraldi.

520
00:30:17,080 --> 00:30:19,720
Speaker 1: It's j Vince Gerraldi is a hip fucking dude man

521
00:30:20,200 --> 00:30:22,680
Speaker 1: jazz guy. I think even hung out with the dead

522
00:30:23,440 --> 00:30:25,560
Speaker 1: early in the early years. I could be wrong about that.

523
00:30:25,640 --> 00:30:27,520
Speaker 1: I know he died young, but I think there was

524
00:30:27,560 --> 00:30:32,160
Speaker 1: some San Francisco connection there. A six four I I

525
00:30:32,240 --> 00:30:34,960
Speaker 1: did not know about his beef over the vocalized version

526
00:30:35,000 --> 00:30:37,360
Speaker 1: of Christmas Time is here. I love that. I love

527
00:30:37,480 --> 00:30:40,200
Speaker 1: knowing that that I find out to be very interesting

528
00:30:40,200 --> 00:30:43,120
Speaker 1: because although he apparently was beefing with it, I think

529
00:30:43,160 --> 00:30:45,760
Speaker 1: that that the version of that song on the from

530
00:30:45,800 --> 00:30:48,560
Speaker 1: a Charlie Brown Christmas or whatever it's called, is incredible

531
00:30:48,680 --> 00:30:52,160
Speaker 1: and I love it. And oh, Jeff Buckley, Yes, great answer, great, great,

532
00:30:52,200 --> 00:30:54,240
Speaker 1: great answer, And we have a Jeff Buckley episode. I

533
00:30:54,240 --> 00:30:56,960
Speaker 1: don't know if you've heard it or not. I'll drop

534
00:30:57,040 --> 00:30:59,960
Speaker 1: the number and the date later here in the Bone

535
00:31:00,120 --> 00:31:01,720
Speaker 1: episode so that you can find it in the archive.

536
00:31:02,240 --> 00:31:05,840
Speaker 1: All right, Ted from Texas called in, Yeah, and he

537
00:31:05,920 --> 00:31:09,480
Speaker 1: had to take kind of controversial take. I'm not gonna

538
00:31:09,520 --> 00:31:11,640
Speaker 1: mention I'm not going to play the voicemail from Ted,

539
00:31:11,680 --> 00:31:14,840
Speaker 1: but Ted, I want to address your voicemail even though

540
00:31:14,840 --> 00:31:16,120
Speaker 1: I don't want to play because I don't want to give.

541
00:31:16,120 --> 00:31:19,440
Speaker 1: I don't want to give too much time to this theory,

542
00:31:19,560 --> 00:31:21,760
Speaker 1: the theory, your theory. You mentioned that someone else had

543
00:31:21,800 --> 00:31:27,920
Speaker 1: mentioned on a podcast that Diddy was responsible for killing Tupac,

544
00:31:28,200 --> 00:31:32,600
Speaker 1: and I don't but I can't go there. If that

545
00:31:32,840 --> 00:31:37,640
Speaker 1: comes out in this whole Diddy debacle, I'll be shocked.

546
00:31:38,960 --> 00:31:41,600
Speaker 1: I will really be shocked. I think we will truly

547
00:31:41,720 --> 00:31:46,600
Speaker 1: be entering into uncharted territory there, very uncharted, chilling territory there.

548
00:31:48,200 --> 00:31:51,600
Speaker 1: And I go back and forth in my thinking historically

549
00:31:51,760 --> 00:31:54,160
Speaker 1: on who I think killed Tupac and who I think

550
00:31:54,240 --> 00:31:57,560
Speaker 1: killed Biggie and all to say, I just I just

551
00:31:57,640 --> 00:32:01,800
Speaker 1: don't know. I have I have had strong opinions at times.

552
00:32:02,360 --> 00:32:05,200
Speaker 1: I no longer have those strong opinions. But I can

553
00:32:05,240 --> 00:32:07,880
Speaker 1: also say confidently that I do not believe that that

554
00:32:08,120 --> 00:32:12,360
Speaker 1: Sean Combs killed Tupac Shakure. I just because it was relevant,

555
00:32:12,360 --> 00:32:14,840
Speaker 1: I wanted to address it here. All right, Let's do

556
00:32:15,040 --> 00:32:18,760
Speaker 1: some texts and DMS five one to erho texts in

557
00:32:18,880 --> 00:32:22,040
Speaker 1: best rock and Roll band of All Time? Rolling Stones,

558
00:32:22,280 --> 00:32:26,040
Speaker 1: it's Keith. He's a lifelong student and fanboy of American music,

559
00:32:26,400 --> 00:32:28,760
Speaker 1: and he did it better than any American rocker. Exit

560
00:32:28,920 --> 00:32:32,480
Speaker 1: on Main Street is the press play album The Stooges

561
00:32:32,560 --> 00:32:38,000
Speaker 1: and MC five popped into my head too, you know, yeah, yeah,

562
00:32:38,080 --> 00:32:39,840
Speaker 1: I hate that the best rock and roll band of

563
00:32:39,880 --> 00:32:42,640
Speaker 1: all time is an English band. I just do because

564
00:32:42,720 --> 00:32:45,000
Speaker 1: rock and roll to me is an American art form

565
00:32:46,000 --> 00:32:49,640
Speaker 1: and we gave it to the world. But the Stones

566
00:32:49,680 --> 00:32:52,320
Speaker 1: gave it back to us better than anyone else did,

567
00:32:52,440 --> 00:32:55,960
Speaker 1: at least for a minute. There good solid four or

568
00:32:56,040 --> 00:32:59,640
Speaker 1: five year run, maybe a little longer. I don't know.

569
00:32:59,680 --> 00:33:01,680
Speaker 1: I have mapped it out in my head. I actually

570
00:33:01,680 --> 00:33:03,720
Speaker 1: I have, I just can't remember. I'm pretty sure I

571
00:33:03,800 --> 00:33:05,720
Speaker 1: mapped it out in my Exit on Main Street episode

572
00:33:05,760 --> 00:33:09,800
Speaker 1: on the Rolling Stones. But you know, and I guess

573
00:33:09,840 --> 00:33:11,680
Speaker 1: if I'm going number two for greatest rock and roll

574
00:33:11,720 --> 00:33:16,200
Speaker 1: band of all time, I would go led Zeppelin, another

575
00:33:16,280 --> 00:33:19,480
Speaker 1: English band. Maybe the Beatles are up there too. God,

576
00:33:20,440 --> 00:33:22,760
Speaker 1: I hate that it's not an American band. Who are

577
00:33:22,800 --> 00:33:24,880
Speaker 1: the great American rock and roll bands? That's a question.

578
00:33:25,920 --> 00:33:30,280
Speaker 1: Who are they? Grateful dead but still by the Cramps

579
00:33:30,360 --> 00:33:35,480
Speaker 1: definition of rock and roll, Nah, not even close. Though

580
00:33:35,520 --> 00:33:39,560
Speaker 1: the Dead were dangerous, they truly were. You know, I've

581
00:33:39,600 --> 00:33:42,520
Speaker 1: talked about that too. Okay, you really this is a

582
00:33:42,560 --> 00:33:44,840
Speaker 1: great text, you really got me going here five one

583
00:33:44,880 --> 00:33:46,640
Speaker 1: to oh, oh see what I did there? The Kinks

584
00:33:46,680 --> 00:33:48,840
Speaker 1: though again English, you really got me. But then van

585
00:33:48,920 --> 00:33:52,040
Speaker 1: Halen maybe van Halen, I don't know. Six or four

586
00:33:52,040 --> 00:33:54,760
Speaker 1: to one, writes in Since your latest question is about

587
00:33:54,960 --> 00:33:57,320
Speaker 1: best rock and roll bands, I'm going to say in

588
00:33:57,560 --> 00:34:01,160
Speaker 1: history the answer is led Zeppelin, and times the answer

589
00:34:01,240 --> 00:34:03,640
Speaker 1: is low cut Connie, Great Tech six four to one,

590
00:34:04,240 --> 00:34:06,640
Speaker 1: and I think I agree with you. I just mentioned

591
00:34:06,720 --> 00:34:09,200
Speaker 1: led Zeppelin, and I definitely agree with you when it

592
00:34:09,200 --> 00:34:12,040
Speaker 1: comes to low kut Connie and break a little news

593
00:34:12,080 --> 00:34:13,759
Speaker 1: here sixty four to one. I'm gonna have Adam on

594
00:34:13,880 --> 00:34:16,279
Speaker 1: the show next week on the bonus episode. As a

595
00:34:16,320 --> 00:34:18,799
Speaker 1: little addendum at the end is a little interview talk

596
00:34:18,800 --> 00:34:21,680
Speaker 1: about low Kuk Connie's movie, Adam's movie that he is out.

597
00:34:21,760 --> 00:34:24,600
Speaker 1: So there you go. Anyone knows who low kak Connie is,

598
00:34:24,960 --> 00:34:28,040
Speaker 1: You're welcome in advance. Anyone who doesn't go find low

599
00:34:28,120 --> 00:34:30,640
Speaker 1: Kuk Connie and again you're welcome. You will love them.

600
00:34:30,719 --> 00:34:32,960
Speaker 1: Amazing rock and roll band. Five three zero Rights in

601
00:34:33,040 --> 00:34:37,799
Speaker 1: the Cramps. Yes, one of the best episodes ever. Well,

602
00:34:37,840 --> 00:34:39,960
Speaker 1: thank you very much. Five three oh, I appreciate that.

603
00:34:40,520 --> 00:34:42,160
Speaker 1: Eight four or five rights saying, Hey, I hope I'm

604
00:34:42,200 --> 00:34:45,839
Speaker 1: not reaching you at a bad time, so polite. Eight

605
00:34:45,880 --> 00:34:48,440
Speaker 1: four or five you're definitely not from Massachusetts. Eight four

606
00:34:48,520 --> 00:34:50,680
Speaker 1: or five says, my name is Luke and I'm a disco.

607
00:34:51,040 --> 00:34:53,760
Speaker 1: I was listening to your after party episode from September

608
00:34:53,800 --> 00:34:55,960
Speaker 1: twenty six. I believe I was hoping to reach you

609
00:34:56,000 --> 00:34:57,640
Speaker 1: in order to ask would it be possible for me

610
00:34:57,800 --> 00:35:00,239
Speaker 1: to still sign up for the upcoming book club. It

611
00:35:00,360 --> 00:35:04,920
Speaker 1: is on the Exorcist right, Yes, it is Luke, and

612
00:35:05,440 --> 00:35:08,880
Speaker 1: I was supposed to put this information out on how

613
00:35:08,920 --> 00:35:10,360
Speaker 1: to sign up. You can sign up if you're an

614
00:35:10,400 --> 00:35:11,719
Speaker 1: All Access member, but we don't need to be an

615
00:35:11,760 --> 00:35:14,839
Speaker 1: All Access member. Anyone can join, and I gotta get

616
00:35:14,880 --> 00:35:17,480
Speaker 1: that information out. I'll have more information next week, and

617
00:35:17,600 --> 00:35:19,600
Speaker 1: I in here in the bonus episode, and then of

618
00:35:19,640 --> 00:35:24,240
Speaker 1: course in the socials that's on the twenty ninth. I believe. Okay,

619
00:35:24,320 --> 00:35:26,480
Speaker 1: So Luke, thank you. I gonna make a note nine

620
00:35:26,560 --> 00:35:29,080
Speaker 1: oh four text in. It's Spencer text in more about

621
00:35:29,080 --> 00:35:32,080
Speaker 1: the greatest rock and roll band. A lot of Keith,

622
00:35:32,120 --> 00:35:33,840
Speaker 1: a lot of Rolling Stones. I mean, Keith is the

623
00:35:33,920 --> 00:35:36,759
Speaker 1: avatar for a rock and roll star. Spencer's talking about

624
00:35:36,840 --> 00:35:39,799
Speaker 1: Exit on Main Street, A five six rights in rock

625
00:35:39,840 --> 00:35:41,600
Speaker 1: and roll question from the after party. I hope I'm

626
00:35:41,640 --> 00:35:45,360
Speaker 1: not too late. Zz top Rio Grand Mud is badass.

627
00:35:45,440 --> 00:35:48,200
Speaker 1: I came to it way too late. ACDC. It's all

628
00:35:48,239 --> 00:35:50,320
Speaker 1: straightforward rock and roll, but as a teenager, it was

629
00:35:50,400 --> 00:35:54,759
Speaker 1: led Zeppelin for me. Lots of Dare I say consensus

630
00:35:54,880 --> 00:35:57,640
Speaker 1: here on the greatest rock and roll band of all time?

631
00:35:57,800 --> 00:36:01,160
Speaker 1: Lots of led Zeppelin, lots of Rolling Stone ones, ac

632
00:36:01,360 --> 00:36:03,640
Speaker 1: DC pulling up the rear a bit in the third,

633
00:36:04,960 --> 00:36:08,520
Speaker 1: you know, I would go ACDC. I think Bond Scott

634
00:36:08,800 --> 00:36:10,719
Speaker 1: is probably the greatest rock and roll front man of

635
00:36:10,719 --> 00:36:14,640
Speaker 1: all time in my estimation, but Brian Johnson is not.

636
00:36:16,239 --> 00:36:18,680
Speaker 1: I like Brian Johnson a lot. I love him actually,

637
00:36:19,280 --> 00:36:21,840
Speaker 1: but he's no Bond Scott. And just there's you know,

638
00:36:21,960 --> 00:36:24,160
Speaker 1: I can't I can't go there with ac DC because

639
00:36:24,640 --> 00:36:26,960
Speaker 1: there's so much non bond Scott something. Most people don't

640
00:36:26,960 --> 00:36:29,040
Speaker 1: even know who Bond Scott is, but that Bond Scott

641
00:36:29,080 --> 00:36:33,279
Speaker 1: era stuff, particularly PowerEdge. Oh my god, definition of rock

642
00:36:33,280 --> 00:36:35,360
Speaker 1: and roll? All right? I said I do some dms,

643
00:36:35,400 --> 00:36:38,959
Speaker 1: and I'm gonna do some dms, okay. Hector Gomez on Facebook. Rights, dude,

644
00:36:39,200 --> 00:36:41,640
Speaker 1: leave town before you become the subject of your podcast. Well,

645
00:36:41,680 --> 00:36:44,520
Speaker 1: we didn't leave town, Hector, but the tornadoes and the

646
00:36:44,600 --> 00:36:48,760
Speaker 1: hurricanes scared the shit out of us. We're all thankfully, okay.

647
00:36:49,680 --> 00:36:51,960
Speaker 1: I just want to say thanks to everybody, Hector and

648
00:36:52,040 --> 00:36:55,400
Speaker 1: everyone else who sent me some me and my family

649
00:36:55,520 --> 00:36:58,800
Speaker 1: some kindness and some well wishes during what was a

650
00:36:58,960 --> 00:37:01,480
Speaker 1: very stressful time. I'm and I'm very grateful that things

651
00:37:01,520 --> 00:37:05,160
Speaker 1: turned out okay for us. Some shit went down fairly

652
00:37:05,239 --> 00:37:08,000
Speaker 1: close to us, but again thankful that we did not

653
00:37:08,120 --> 00:37:12,640
Speaker 1: suffer any damage to our property or to ourselves. At

654
00:37:12,760 --> 00:37:15,560
Speaker 1: Matti sphere over on Instagram. Rights and listen to the

655
00:37:15,640 --> 00:37:17,920
Speaker 1: Cramps episode and the correct answer to your question at

656
00:37:17,920 --> 00:37:19,600
Speaker 1: the end about the greatest rock and roll band of

657
00:37:19,640 --> 00:37:23,200
Speaker 1: all time is the Beatles. I know, I know the Stones,

658
00:37:23,320 --> 00:37:25,719
Speaker 1: right Na, especially after Lemmy's remarks on the matter in

659
00:37:25,800 --> 00:37:27,480
Speaker 1: that doc for a few years ago. I don't know

660
00:37:27,560 --> 00:37:29,399
Speaker 1: how it couldn't be Unle that's the chorus, Chuck Barrier,

661
00:37:29,440 --> 00:37:32,480
Speaker 1: or maybe the Stooges honorable mention, the Ramones ACDC. This

662
00:37:32,560 --> 00:37:36,120
Speaker 1: guy's all over the place, Matt most Fear. I take

663
00:37:36,200 --> 00:37:38,920
Speaker 1: your point. The Beatles Beatles were more than a rock

664
00:37:38,960 --> 00:37:41,400
Speaker 1: and roll band to me, As Paul McCartney tells it,

665
00:37:41,440 --> 00:37:43,480
Speaker 1: They're just a great, literalc and roll band. It's an

666
00:37:43,560 --> 00:37:48,120
Speaker 1: awful Paul McCartney impersonation. Keep you can keep it in there, Matt. Okay,

667
00:37:49,080 --> 00:37:51,920
Speaker 1: but the Beatles just so much more than a rock

668
00:37:51,960 --> 00:37:54,279
Speaker 1: and roll band. It feels like an insult called them

669
00:37:54,320 --> 00:37:56,720
Speaker 1: just a rock and roll band. They changed pop music

670
00:37:56,960 --> 00:38:01,400
Speaker 1: forever on a grand scale. So I don't know. I

671
00:38:01,480 --> 00:38:04,760
Speaker 1: take your point though. At disgrace Lampod on Facebook, on Instagram,

672
00:38:05,560 --> 00:38:08,239
Speaker 1: over on the Xbox, not the Xbox on x you

673
00:38:08,239 --> 00:38:10,560
Speaker 1: know what I mean, Hit me up on anything. Next

674
00:38:10,560 --> 00:38:12,960
Speaker 1: week's question of the week is going to be what movie?

675
00:38:13,120 --> 00:38:15,040
Speaker 1: What horror movies scared the hell out of you guys

676
00:38:15,160 --> 00:38:17,520
Speaker 1: as kids? Let me know. I'm gonna take a quick break,

677
00:38:17,640 --> 00:38:19,719
Speaker 1: come back on the other side and read some emails

678
00:38:19,840 --> 00:38:37,600
Speaker 1: and some reviews. All right, we are back, Disgracelampod at

679
00:38:37,719 --> 00:38:41,520
Speaker 1: gmail dot com. Johnny Vinyl writes in episode idea, this

680
00:38:41,680 --> 00:38:44,760
Speaker 1: could easily be a two parter apocalypse now the Doors

681
00:38:44,840 --> 00:38:47,920
Speaker 1: in a cursed cast. You could tie in the Doors

682
00:38:48,120 --> 00:38:50,920
Speaker 1: infamous first performance of the end with the issues in

683
00:38:50,960 --> 00:38:53,759
Speaker 1: the making of the movie, Martin Sheen getting fucked up

684
00:38:53,800 --> 00:38:55,759
Speaker 1: and punching the mirror and his heart attack on set,

685
00:38:55,840 --> 00:38:59,360
Speaker 1: Brando not rehearsing a thing and being completely insane, Dennis

686
00:38:59,400 --> 00:39:01,839
Speaker 1: Hopper hi and riffing his own lines because he also

687
00:39:01,920 --> 00:39:04,960
Speaker 1: refused to learn thing. You can spin this with brilliance,

688
00:39:05,000 --> 00:39:08,280
Speaker 1: Johnny Vinel, I appreciate the email. That's a great fucking idea. Actually,

689
00:39:08,360 --> 00:39:13,720
Speaker 1: Man Apocalypse now sounds Johnny like you've seen Coppola's wife's

690
00:39:13,800 --> 00:39:19,959
Speaker 1: documentary Hearts of Darkness, which is incredible. And uh yeah. Also,

691
00:39:20,120 --> 00:39:22,160
Speaker 1: there's there's a lot of there's a lot of great

692
00:39:22,280 --> 00:39:25,239
Speaker 1: little tidbits from the making of that movie that are

693
00:39:25,360 --> 00:39:28,239
Speaker 1: unknown that would be fun to get into, like how

694
00:39:28,280 --> 00:39:30,719
Speaker 1: Harvey kai Tel was originally cast to play the role

695
00:39:30,760 --> 00:39:33,239
Speaker 1: of Martin Sheen played but didn't get it. I like this.

696
00:39:33,600 --> 00:39:36,360
Speaker 1: I like this good email. Strong Disgrace Lapod at gmail

697
00:39:36,400 --> 00:39:39,839
Speaker 1: dot com. My buddy Grayson Schmidt writes in again, what's

698
00:39:39,880 --> 00:39:45,720
Speaker 1: a hurricane? Grayson likes to write in and and correct

699
00:39:46,760 --> 00:39:50,400
Speaker 1: the way I pronounce words. Grayson, I really appreciate it.

700
00:39:50,520 --> 00:39:52,480
Speaker 1: I don't know what a hurricane is. I know what

701
00:39:52,480 --> 00:39:56,320
Speaker 1: a hurricane is. It's something that I hide in my garage.

702
00:39:56,400 --> 00:39:59,240
Speaker 1: From there you go, Grayson, that was for you, Okay.

703
00:39:59,280 --> 00:40:01,560
Speaker 1: I hope I'm pronounce saying this one correctly. I think

704
00:40:01,560 --> 00:40:04,840
Speaker 1: it's high alsop says Hey, Jake and team. I'm not

705
00:40:04,880 --> 00:40:09,560
Speaker 1: sure if you've already covered her, but Sophie aka Sophie Neon,

706
00:40:10,560 --> 00:40:13,960
Speaker 1: Xeon or Neon, a prolific music producer and activists, was

707
00:40:14,000 --> 00:40:16,480
Speaker 1: an interesting and amazing person, and her death has been

708
00:40:16,480 --> 00:40:19,319
Speaker 1: put under more scrutiny as of late. Definitely worth a look,

709
00:40:19,360 --> 00:40:21,400
Speaker 1: if not an episode. I'm a huge fan of your

710
00:40:21,440 --> 00:40:23,799
Speaker 1: show and it don't mean the world to me if

711
00:40:23,840 --> 00:40:26,280
Speaker 1: you discuss this on the show or respond to this email.

712
00:40:26,320 --> 00:40:28,239
Speaker 1: Your episodes are so in depth and it's clear you

713
00:40:28,320 --> 00:40:30,359
Speaker 1: love the work that you do. Keep it up. Uh,

714
00:40:30,760 --> 00:40:32,759
Speaker 1: thank you for the email. I've never heard of this artist,

715
00:40:32,800 --> 00:40:35,080
Speaker 1: but I am going to look into it. I'm particularly interested.

716
00:40:35,120 --> 00:40:37,880
Speaker 1: We don't actually do a lot of missing artists episodes,

717
00:40:38,120 --> 00:40:40,080
Speaker 1: and the subject of your email, even though you mentioned

718
00:40:40,120 --> 00:40:43,600
Speaker 1: her death, you're the subject is strange artist disappearance. So

719
00:40:43,640 --> 00:40:47,600
Speaker 1: I'm guessing that this artist disappeared Sophie and was then

720
00:40:48,080 --> 00:40:50,200
Speaker 1: found to be dead. I don't know. I'm going to

721
00:40:50,239 --> 00:40:52,799
Speaker 1: look into. I am intrigued, is my point, and you're right.

722
00:40:52,880 --> 00:40:54,359
Speaker 1: I do love the work that I do. I'm very

723
00:40:54,440 --> 00:40:56,160
Speaker 1: grateful to be able to do this, so thank you,

724
00:40:56,360 --> 00:40:59,920
Speaker 1: Thanks to all of you. All right, Disgrace Sampod at Gmail.

725
00:41:00,480 --> 00:41:02,560
Speaker 1: You want to hit us up on anything now listen

726
00:41:02,840 --> 00:41:05,000
Speaker 1: you know the drill. Leave a review on Apple Podcasts

727
00:41:05,080 --> 00:41:07,520
Speaker 1: or Spotify. Help us out with the discovery of the show,

728
00:41:07,880 --> 00:41:11,240
Speaker 1: and you can win some free merchandise, some free shirts,

729
00:41:11,320 --> 00:41:14,400
Speaker 1: some free pins, whatever we got lying around. It's real easy.

730
00:41:14,480 --> 00:41:16,279
Speaker 1: You just go to the Apple podcast app, you go

731
00:41:16,360 --> 00:41:18,640
Speaker 1: to the Spotify app, you engage with us there, leave

732
00:41:18,680 --> 00:41:21,080
Speaker 1: a nice review. People see it. They then listen to

733
00:41:21,160 --> 00:41:23,600
Speaker 1: the show. This one comes from IR two four to

734
00:41:23,640 --> 00:41:25,840
Speaker 1: two says insanely good show and worth your time. The

735
00:41:25,880 --> 00:41:28,160
Speaker 1: writing is amazing. This is on Apple Podcasts, of course,

736
00:41:28,239 --> 00:41:31,080
Speaker 1: the stories and knowledge amazing. I love true crime. Hear

737
00:41:31,120 --> 00:41:34,640
Speaker 1: about all the shenanigans it starts. Get into IR two

738
00:41:34,680 --> 00:41:36,600
Speaker 1: four two goes on to say a lot of nice

739
00:41:36,640 --> 00:41:38,520
Speaker 1: things about the show. We appreciate that at IR two

740
00:41:38,600 --> 00:41:40,680
Speaker 1: four two. I R two four two. Hit us up,

741
00:41:41,320 --> 00:41:43,719
Speaker 1: Disgrace Sampod at gmail dot com or hit me up

742
00:41:43,800 --> 00:41:47,319
Speaker 1: on Instagram at Disgrace sampod or on x We'll get

743
00:41:47,320 --> 00:41:50,560
Speaker 1: you some free merch all right over on Spotify, Jody,

744
00:41:51,120 --> 00:41:57,840
Speaker 1: super Magic for Ransie for Zannie Farransi super Magic for Zannie. Okay,

745
00:41:58,280 --> 00:42:01,839
Speaker 1: Jody writes in awesome episode. Maybe an episode on she's

746
00:42:01,840 --> 00:42:04,120
Speaker 1: talking about the Cramps episode. Maybe an episode on Miles

747
00:42:04,200 --> 00:42:07,280
Speaker 1: Copeland might be interesting. Gonna have to go led Zeppelin

748
00:42:07,360 --> 00:42:09,759
Speaker 1: for greatest rock and roll band, both the pure awesomeness

749
00:42:10,280 --> 00:42:12,759
Speaker 1: and for the generations of influence they have. First of all,

750
00:42:12,760 --> 00:42:14,520
Speaker 1: great answer the greatest rock and roll band. We talked

751
00:42:14,520 --> 00:42:18,680
Speaker 1: about that before. Also love your thinking on Miles Copeland. However,

752
00:42:18,920 --> 00:42:21,600
Speaker 1: I think I'm going to do a police episode and

753
00:42:21,680 --> 00:42:26,880
Speaker 1: work the Miles Copeland topic into the subject of the police.

754
00:42:27,040 --> 00:42:28,640
Speaker 1: I think that's the way I'm going to approach that.

755
00:42:29,080 --> 00:42:31,560
Speaker 1: Appreciate it, Jody, get in touch with gay submurch All right,

756
00:42:31,920 --> 00:42:34,080
Speaker 1: all right, guys, this episode is nearing its end, but

757
00:42:34,160 --> 00:42:37,080
Speaker 1: the after party continues. As you know, for all our

758
00:42:37,280 --> 00:42:39,439
Speaker 1: All Access members, you can sign up today you're gonna

759
00:42:39,440 --> 00:42:41,799
Speaker 1: hear an extended version of this after party. You're also

760
00:42:41,840 --> 00:42:45,319
Speaker 1: going to get some ad free episodes and a new

761
00:42:46,120 --> 00:42:50,040
Speaker 1: full free episode of disgrace sand per month just by

762
00:42:50,080 --> 00:42:52,640
Speaker 1: becoming a member. Go to disgrace sampod dot com slash

763
00:42:52,760 --> 00:43:10,520
Speaker 1: membership to become an all access member today. All right, guys,

764
00:43:10,600 --> 00:43:13,960
Speaker 1: we are back. Listen. Go to the disgrace land site

765
00:43:14,000 --> 00:43:17,120
Speaker 1: right now, disgrace landpod dot com. Go to our merch page.

766
00:43:17,440 --> 00:43:19,600
Speaker 1: Cop some of that new merch Check out those designs.

767
00:43:19,600 --> 00:43:22,320
Speaker 1: They're freakin' awesome. You're gonna love them. They're only available

768
00:43:22,400 --> 00:43:26,040
Speaker 1: for seven days. The Black Sabbath homage t shirt that

769
00:43:26,120 --> 00:43:29,200
Speaker 1: we have, the Cramps tribute that we're paying check those out.

770
00:43:29,560 --> 00:43:32,800
Speaker 1: Get those very HALLOWEENI you're gonna dig them. Disgrace landpod

771
00:43:32,840 --> 00:43:35,239
Speaker 1: dot com, and go to the merch page. Cop that

772
00:43:35,440 --> 00:43:39,719
Speaker 1: limited edition merchandise. All right, listen. I mentioned a bunch

773
00:43:39,760 --> 00:43:43,240
Speaker 1: of episodes, as I always do, bunch of Disgraceland episodes.

774
00:43:43,719 --> 00:43:46,960
Speaker 1: In this bonus episode. I mentioned Jeff Buckley. That's episode

775
00:43:47,200 --> 00:43:51,560
Speaker 1: number one thirty two, released on June sixth, twenty twenty three.

776
00:43:52,080 --> 00:43:56,120
Speaker 1: I mentioned Easy E, which coincidentally was released as episode

777
00:43:56,200 --> 00:43:59,400
Speaker 1: number one thirty one, and that release date was just

778
00:43:59,480 --> 00:44:03,760
Speaker 1: before that was May thirtieth, twenty twenty three. I mentioned

779
00:44:03,800 --> 00:44:05,800
Speaker 1: the Ramones. You gotta go back all the way to

780
00:44:05,880 --> 00:44:09,719
Speaker 1: episode seventy two in the archive. Okay, from February sixteenth,

781
00:44:09,760 --> 00:44:13,440
Speaker 1: twenty twenty one, for our Ramones episode and Mets fans

782
00:44:14,000 --> 00:44:16,400
Speaker 1: being sons and daughters of Queen's you should listen to

783
00:44:16,440 --> 00:44:18,759
Speaker 1: the Ramones episode. Okay, get that spirit going for your

784
00:44:18,800 --> 00:44:20,640
Speaker 1: Mets in the playoffs right now? All right, we of

785
00:44:20,719 --> 00:44:23,240
Speaker 1: course mentioned the Rolling Stones. I'm talking about the greatest

786
00:44:23,320 --> 00:44:25,960
Speaker 1: rock and roll bands of all time. A lot of

787
00:44:26,000 --> 00:44:28,840
Speaker 1: people brought up Exile on Main Street as an example

788
00:44:28,960 --> 00:44:32,799
Speaker 1: of that Rolling Stones Exile on Main Street. Specific episode

789
00:44:33,080 --> 00:44:35,200
Speaker 1: that we have for you is episode number thirty six,

790
00:44:35,360 --> 00:44:39,440
Speaker 1: released back on July twenty third, twenty nineteen. Guys, we're

791
00:44:39,480 --> 00:44:42,480
Speaker 1: up to over two hundred episodes right now. Two hundred episodes.

792
00:44:43,040 --> 00:44:45,560
Speaker 1: I didn't even blink an eye. I didn't even think

793
00:44:45,640 --> 00:44:49,439
Speaker 1: to celebrate that two hundred. It's a big fucking deal.

794
00:44:50,080 --> 00:44:51,680
Speaker 1: I guess I'm gonna have to do it at two fifty.

795
00:44:51,760 --> 00:44:53,880
Speaker 1: We did it at one hundred. I'll do something special

796
00:44:53,960 --> 00:44:57,480
Speaker 1: for two fifty. Two hundred episodes, lots of episodes in

797
00:44:57,520 --> 00:44:59,640
Speaker 1: the archive, is my point. Just gave you a couple

798
00:44:59,680 --> 00:45:02,200
Speaker 1: go do those Tell a friend you know Stones fans,

799
00:45:02,280 --> 00:45:05,080
Speaker 1: Romones fans, Easy E. Buckley fans. Pass that shit around,

800
00:45:05,080 --> 00:45:07,960
Speaker 1: all right, don't bowguard it as always, Thanks for all

801
00:45:08,000 --> 00:45:10,200
Speaker 1: the calls, Thanks for the voicemails, Thanks for the reviews.

802
00:45:10,239 --> 00:45:12,400
Speaker 1: If I read your review here, get in touch so

803
00:45:12,440 --> 00:45:14,279
Speaker 1: I can get you some merch. I got to get

804
00:45:14,280 --> 00:45:16,480
Speaker 1: out of here. So let's recap number one right now

805
00:45:16,560 --> 00:45:19,239
Speaker 1: in your feed. Our episode on the Cramps, number two

806
00:45:19,320 --> 00:45:22,879
Speaker 1: coming tomorrow, a special rewind episode from our archive. We're

807
00:45:22,880 --> 00:45:25,479
Speaker 1: talking about Poltergeist next week. All right, So the question

808
00:45:25,600 --> 00:45:28,160
Speaker 1: of the week, what movie scared the hell out of

809
00:45:28,200 --> 00:45:29,480
Speaker 1: you when you were a kid? And let me know.

810
00:45:29,719 --> 00:45:31,920
Speaker 1: Number three merch winners, get in touch. You know who

811
00:45:31,920 --> 00:45:33,880
Speaker 1: you are. A number four book club coming on October

812
00:45:33,920 --> 00:45:36,759
Speaker 1: twenty ninth. Okay, get to reading The Exorcist. You still

813
00:45:36,800 --> 00:45:38,680
Speaker 1: got time. Get in here with us. I'm gonna put

814
00:45:38,680 --> 00:45:40,120
Speaker 1: out some details on how you can join the book

815
00:45:40,120 --> 00:45:42,920
Speaker 1: club number five. Remember, no one cares about great storytelling

816
00:45:42,960 --> 00:45:45,640
Speaker 1: more than you do. In well, that's a disgrace, all right.

817
00:45:45,680 --> 00:45:48,440
Speaker 1: In honor of this week's episode, subject to Cramps, me

818
00:45:48,920 --> 00:45:52,320
Speaker 1: reading to you the Billboard charts from June thirteenth, nineteen

819
00:45:52,520 --> 00:45:55,640
Speaker 1: seventy eight. The day The Cramps played a live set

820
00:45:55,719 --> 00:46:01,560
Speaker 1: at a mental institution in northern California. One Shadow Dancing

821
00:46:01,960 --> 00:46:07,040
Speaker 1: Andy Gibb last week two, peak position one weeks on

822
00:46:07,200 --> 00:46:10,839
Speaker 1: Chart ten. Number two, You're the One that I Want.

823
00:46:11,280 --> 00:46:15,520
Speaker 1: John Travolta and Olivia Newton John last week one, peak

824
00:46:15,560 --> 00:46:21,200
Speaker 1: position one weeks on Chart twelve, Number three, Baker Street

825
00:46:21,640 --> 00:46:27,000
Speaker 1: Jerry Rafferty last week five, peak position week three weeks

826
00:46:27,040 --> 00:46:31,080
Speaker 1: on chart Peak nine, Big number four. It's a hard

827
00:46:31,880 --> 00:46:34,800
Speaker 1: Bonnie Tyler peak last week to six.

828
00:46:35,280 --> 00:46:41,080
Speaker 6: Peak positions weeks on chart last thirty number five, too

829
00:46:41,200 --> 00:46:48,400
Speaker 6: Much two Legs Johnny Mathis Number Swarms last year peak position.

830
00:46:54,480 --> 00:46:57,000
Speaker 1: Quit talking and start mixing.