1 00:00:02,840 --> 00:00:07,480 Speaker 1: Are you leaving? I you wanna way back home? Either way, 2 00:00:07,720 --> 00:00:13,000 Speaker 1: we want to be there. Doesn't matter how much baggage 3 00:00:13,039 --> 00:00:17,279 Speaker 1: you claim and give us time and a termino and 4 00:00:17,440 --> 00:00:23,160 Speaker 1: gage aid. We want to send you off instat. We 5 00:00:23,400 --> 00:00:25,439 Speaker 1: wanna welcome you back home. 6 00:00:27,240 --> 00:00:28,639 Speaker 2: Tell us all about it. 7 00:00:28,800 --> 00:00:33,120 Speaker 1: We scared or was it fine? Malborn? 8 00:00:49,080 --> 00:00:50,400 Speaker 3: Do you need to ride? 9 00:00:51,080 --> 00:00:54,320 Speaker 1: Do you need to ride? Do you need to ride? 10 00:00:55,000 --> 00:00:58,360 Speaker 1: Do you need to ride? Do you need to ride? 11 00:00:58,960 --> 00:01:00,800 Speaker 1: Do your need to ride? 12 00:01:01,920 --> 00:01:02,200 Speaker 4: Ride? 13 00:01:02,920 --> 00:01:03,720 Speaker 1: Do you need. 14 00:01:10,160 --> 00:01:16,759 Speaker 3: With Karen and Chris welcome to do you need to ride? 15 00:01:16,840 --> 00:01:17,880 Speaker 3: This is Chris. 16 00:01:17,680 --> 00:01:19,520 Speaker 1: Fairback and this is Karen Kilgaroff. 17 00:01:20,200 --> 00:01:24,480 Speaker 3: We are I'm sorry that you got your car detailed. 18 00:01:23,920 --> 00:01:27,080 Speaker 5: To me to be made to look new and now 19 00:01:27,120 --> 00:01:30,120 Speaker 5: it's going to be spotty with elements it is. 20 00:01:30,160 --> 00:01:32,440 Speaker 2: And you know I'm not going to like park the 21 00:01:32,440 --> 00:01:34,440 Speaker 2: car in the garage and then wipe down the rain 22 00:01:34,800 --> 00:01:35,680 Speaker 2: off of the car. 23 00:01:36,040 --> 00:01:36,920 Speaker 1: That's never happening. 24 00:01:37,120 --> 00:01:40,360 Speaker 5: Always impressed with people and they're lying to themselves when 25 00:01:40,400 --> 00:01:43,200 Speaker 5: they have a squeegee in their shower, as if they 26 00:01:43,319 --> 00:01:47,840 Speaker 5: shower and squeegee all the soper as I do with care. 27 00:01:48,800 --> 00:01:51,320 Speaker 5: I do it when I'm in a hotel. No, because 28 00:01:51,320 --> 00:01:53,400 Speaker 5: I don't want to get gained extra charges. 29 00:01:53,680 --> 00:01:55,880 Speaker 1: No, you don't bring a squeegee with you. 30 00:01:55,920 --> 00:01:57,960 Speaker 3: No, no, but if it's available, I use it. 31 00:01:58,400 --> 00:02:01,560 Speaker 2: You will work for the hotel. Yeah, cleaning up your 32 00:02:01,600 --> 00:02:02,240 Speaker 2: own bathroom. 33 00:02:02,560 --> 00:02:04,520 Speaker 3: I may last time I made the bed. 34 00:02:07,040 --> 00:02:07,720 Speaker 1: That was good of you. 35 00:02:08,000 --> 00:02:10,760 Speaker 5: Well it's because I left some marks. I remember I 36 00:02:10,800 --> 00:02:12,160 Speaker 5: was sick. But we all need to go in. 37 00:02:12,320 --> 00:02:14,840 Speaker 3: Oh god, I was just sweaty. 38 00:02:15,160 --> 00:02:17,880 Speaker 2: Oh okay, yeah, not like the brown earmarks that you 39 00:02:17,880 --> 00:02:19,040 Speaker 2: were talking about. 40 00:02:19,440 --> 00:02:22,839 Speaker 3: Episode What if we talk about just yesterday? 41 00:02:23,280 --> 00:02:26,320 Speaker 1: Yesterday for us a full week or more ago to 42 00:02:26,400 --> 00:02:27,320 Speaker 1: the listener. 43 00:02:27,200 --> 00:02:30,160 Speaker 5: Right, and you never know when these are I never know. 44 00:02:30,639 --> 00:02:34,400 Speaker 5: Nothing we speak of is evergreen. We'll talk about news 45 00:02:34,480 --> 00:02:37,600 Speaker 5: topics from today and you hear about them late. 46 00:02:37,720 --> 00:02:39,880 Speaker 3: But that's I don't know how else you do this. 47 00:02:40,520 --> 00:02:41,560 Speaker 1: It's just like this. 48 00:02:42,120 --> 00:02:43,680 Speaker 3: Yeah, everyone does it like this. 49 00:02:43,800 --> 00:02:47,040 Speaker 2: Everyone accepts the fact that time is truly just a construct, 50 00:02:47,280 --> 00:02:51,519 Speaker 2: and the more tech reliant our lives become, the less time. 51 00:02:51,320 --> 00:02:52,200 Speaker 1: Will actually matter. 52 00:02:52,560 --> 00:02:56,120 Speaker 2: And then soon things like this where the time that 53 00:02:56,160 --> 00:02:59,120 Speaker 2: we are doing something won't actually Oh, I guess I 54 00:02:59,120 --> 00:03:00,560 Speaker 2: got to get these breaks checked. 55 00:03:01,120 --> 00:03:05,079 Speaker 5: Oh that's just I think that's a squeak because they're wet. 56 00:03:05,320 --> 00:03:08,320 Speaker 3: Oh, okay, good, Yeah, it is raining right now. 57 00:03:08,480 --> 00:03:13,480 Speaker 5: And normally that's cause for concern in Los Angeles because 58 00:03:13,480 --> 00:03:15,320 Speaker 5: people sort of lose their minds. 59 00:03:15,760 --> 00:03:16,480 Speaker 1: Lose their minds. 60 00:03:16,639 --> 00:03:20,560 Speaker 5: But and I mentioned this yesterday with the squirrel, the 61 00:03:21,240 --> 00:03:22,600 Speaker 5: many many squirrels that. 62 00:03:22,560 --> 00:03:27,880 Speaker 3: Were on the road always deceased. People drive in Texas. 63 00:03:28,200 --> 00:03:30,760 Speaker 5: You would if you spend any time living in Texas, 64 00:03:30,840 --> 00:03:34,400 Speaker 5: you quickly will think, oh, people in Los Angeles are 65 00:03:34,400 --> 00:03:38,640 Speaker 5: conscientious and obey all laws because it is. 66 00:03:39,800 --> 00:03:41,440 Speaker 3: So insane driving there. 67 00:03:41,480 --> 00:03:44,160 Speaker 5: And I don't know what it was, but when it rained, 68 00:03:44,760 --> 00:03:48,880 Speaker 5: it was slippery in a way. Cars would slide off 69 00:03:48,880 --> 00:03:52,720 Speaker 5: the road. And it was not frozen rain, just regular 70 00:03:52,880 --> 00:03:55,720 Speaker 5: a hot day and it would rain. And something about 71 00:03:55,840 --> 00:04:00,680 Speaker 5: the way they mix their asphalt or what ever it 72 00:04:01,200 --> 00:04:03,720 Speaker 5: or maybe it's the drilling of oil and it sprinkles 73 00:04:03,800 --> 00:04:06,200 Speaker 5: down like in movies the workers have the black on 74 00:04:06,280 --> 00:04:09,080 Speaker 5: their face. Oh that happens a lot, yeah, in the films. 75 00:04:10,200 --> 00:04:12,920 Speaker 5: But I think it drizzles down and leaves a coating 76 00:04:13,000 --> 00:04:16,120 Speaker 5: on the road. There's something about it's oil and water mixed, 77 00:04:16,160 --> 00:04:18,919 Speaker 5: which you would think would happen here too. It's hot 78 00:04:18,960 --> 00:04:19,920 Speaker 5: here also. 79 00:04:19,960 --> 00:04:23,280 Speaker 2: It does happen, but it gets taken care of after 80 00:04:23,360 --> 00:04:25,040 Speaker 2: the first rents usually. 81 00:04:25,040 --> 00:04:29,240 Speaker 5: Yeah, whereas in Texas it was when it rained, everyone 82 00:04:29,360 --> 00:04:32,720 Speaker 5: was like left and right cars on the side of 83 00:04:32,720 --> 00:04:33,039 Speaker 5: the road. 84 00:04:33,160 --> 00:04:33,839 Speaker 3: It was insane. 85 00:04:33,960 --> 00:04:36,880 Speaker 5: That's crazy, like you're in a snowstorm. I never figured 86 00:04:36,880 --> 00:04:39,359 Speaker 5: it out in the in the almost five years I 87 00:04:39,440 --> 00:04:39,760 Speaker 5: was there. 88 00:04:40,120 --> 00:04:41,960 Speaker 2: Is there a way you can make a call to 89 00:04:42,080 --> 00:04:45,160 Speaker 2: the comptroller or a city commissioner or. 90 00:04:46,279 --> 00:04:49,560 Speaker 5: No one ever knows what comptrollers do, but it's usually 91 00:04:49,880 --> 00:04:52,400 Speaker 5: fielding calls about slippery. 92 00:04:52,000 --> 00:04:53,440 Speaker 1: Roads, about asphalt in general. 93 00:04:53,600 --> 00:04:55,839 Speaker 3: Yeah, yeah, when is this going to get taken care of? 94 00:04:56,360 --> 00:04:59,160 Speaker 3: Where I live? They did something that we hated. 95 00:04:59,120 --> 00:05:00,000 Speaker 1: You here in Los Angeles. 96 00:05:00,800 --> 00:05:03,720 Speaker 5: I still say, oh, you were just talking about Texas. 97 00:05:03,720 --> 00:05:06,279 Speaker 5: I'm right, I know I bounce around a lot. 98 00:05:06,440 --> 00:05:08,800 Speaker 1: I'm just trying for myself and the listener. Right, are 99 00:05:08,839 --> 00:05:11,480 Speaker 1: you now talking about where you live in Los Angeles? No, 100 00:05:11,920 --> 00:05:12,960 Speaker 1: you're back in Texas. 101 00:05:13,200 --> 00:05:16,440 Speaker 3: I am now in Montana, US. 102 00:05:16,600 --> 00:05:20,000 Speaker 1: You don't live in Montana, I know, but I'm say 103 00:05:20,080 --> 00:05:20,720 Speaker 1: where are you from? 104 00:05:20,760 --> 00:05:21,640 Speaker 3: I say Montana. 105 00:05:21,720 --> 00:05:24,479 Speaker 5: Unless they're asking about comedy, then I say Texas, And 106 00:05:24,480 --> 00:05:26,880 Speaker 5: then they if I don't want to talk about comedy 107 00:05:27,680 --> 00:05:28,680 Speaker 5: or my youth. 108 00:05:28,760 --> 00:05:30,040 Speaker 3: I'm from Los Angeles. 109 00:05:30,120 --> 00:05:30,680 Speaker 1: Oh, I get it. 110 00:05:30,720 --> 00:05:33,520 Speaker 5: I've spent enough time here at where I guess this 111 00:05:33,720 --> 00:05:35,200 Speaker 5: is home. It's been twenty years. 112 00:05:35,240 --> 00:05:38,719 Speaker 2: I mean, I thought I knew this system. But yeah, 113 00:05:39,279 --> 00:05:40,800 Speaker 2: I'll listen respectfully and. 114 00:05:40,800 --> 00:05:41,720 Speaker 3: See what you say. 115 00:05:41,800 --> 00:05:44,479 Speaker 5: It's a nuanced system, and I don't have time to 116 00:05:44,480 --> 00:05:45,800 Speaker 5: go over the rules every time. 117 00:05:45,880 --> 00:05:48,080 Speaker 1: Okay, you're right, that's true. 118 00:05:50,120 --> 00:05:53,080 Speaker 5: They did something with the roads there where they would 119 00:05:53,080 --> 00:05:56,880 Speaker 5: just lay down a layer of tar and then sprinkle 120 00:05:57,839 --> 00:06:01,839 Speaker 5: gravel on it, and then over time, after getting chips 121 00:06:01,839 --> 00:06:05,520 Speaker 5: in your paint and everything, they finally, as all the 122 00:06:05,600 --> 00:06:09,159 Speaker 5: surface is driven over, it finally is ground into. 123 00:06:09,360 --> 00:06:13,839 Speaker 3: It's like a mix. It's not mixed. It just happens 124 00:06:13,880 --> 00:06:16,159 Speaker 3: over time. And it's a lazy way to do things. 125 00:06:16,240 --> 00:06:17,600 Speaker 1: It's a gravel on top of tar. 126 00:06:18,240 --> 00:06:18,560 Speaker 3: Yeah. 127 00:06:18,640 --> 00:06:22,000 Speaker 2: Yeah, they did the country roads in our town like. 128 00:06:21,920 --> 00:06:23,839 Speaker 3: That, right, Yeah. Yeah. 129 00:06:24,240 --> 00:06:27,919 Speaker 5: Sometimes it's sand that's even worse. It gets on your paint. 130 00:06:28,200 --> 00:06:30,400 Speaker 5: It's just a lazy way to do things. But in 131 00:06:30,440 --> 00:06:32,960 Speaker 5: the end, I think it makes for a better road. 132 00:06:33,120 --> 00:06:38,200 Speaker 2: Also, I think I feel like things like that where 133 00:06:38,200 --> 00:06:42,120 Speaker 2: it's like this is what the city's adopted to do. 134 00:06:41,640 --> 00:06:45,080 Speaker 2: Do you think they're allowed to remain lazy over the years, 135 00:06:45,480 --> 00:06:48,080 Speaker 2: wouldn't they have developed the process. 136 00:06:47,760 --> 00:06:49,120 Speaker 1: It to be the most efficient. 137 00:06:49,560 --> 00:06:52,200 Speaker 5: They figured out sidewalks right away. They still do them 138 00:06:52,240 --> 00:06:56,039 Speaker 5: that way. Why do they keep changing the formula? 139 00:06:57,360 --> 00:06:59,919 Speaker 1: You're right, sidewalks have always been basic. 140 00:07:00,200 --> 00:07:04,359 Speaker 2: They went from wooden slats, from deadwood to chunks this 141 00:07:04,400 --> 00:07:05,600 Speaker 2: amount like right over there. 142 00:07:05,839 --> 00:07:09,039 Speaker 5: Yeah, it's been the same for years. Some of the 143 00:07:09,160 --> 00:07:13,680 Speaker 5: nicest sidewalks where I live in Montana don't live there 144 00:07:14,520 --> 00:07:18,240 Speaker 5: where I once lived, which my time there is timeless, 145 00:07:18,320 --> 00:07:21,560 Speaker 5: much like the sidewalks. They would be stamped by the 146 00:07:22,240 --> 00:07:26,120 Speaker 5: local sidewalk maker, whose name was O'Connor. That's my mother's 147 00:07:26,120 --> 00:07:29,600 Speaker 5: maiden name. I always thought I'm the child of a 148 00:07:29,640 --> 00:07:34,640 Speaker 5: sidewalk tycoon. Yes, but alas it was just a different 149 00:07:35,760 --> 00:07:36,680 Speaker 5: Irish immigrant. 150 00:07:37,160 --> 00:07:39,600 Speaker 2: A lot of O'Connors in this country. Oh, there's a 151 00:07:39,680 --> 00:07:43,560 Speaker 2: lot of Jesus. 152 00:07:43,520 --> 00:07:45,920 Speaker 3: The baby, don't forget the baby. 153 00:07:47,720 --> 00:07:51,480 Speaker 5: But yeah, it's it's a slippery out, but not as 154 00:07:51,480 --> 00:07:53,520 Speaker 5: slippery as Texas my. 155 00:07:53,520 --> 00:07:54,480 Speaker 1: Own where you live. 156 00:07:56,720 --> 00:08:02,320 Speaker 5: I do have a credit this mom and coffee shop 157 00:08:02,520 --> 00:08:03,640 Speaker 5: coming out wonderful. 158 00:08:04,080 --> 00:08:05,600 Speaker 1: I'm gonna get the same thing we got. 159 00:08:05,600 --> 00:08:07,520 Speaker 3: Yesterday, and I'm very excited. 160 00:08:07,800 --> 00:08:11,040 Speaker 2: It's so exciting to get coffee as a gift. Yeah, 161 00:08:11,120 --> 00:08:13,080 Speaker 2: future coffee enjoyment as a gift. 162 00:08:13,360 --> 00:08:14,080 Speaker 1: Very nice. 163 00:08:14,560 --> 00:08:16,840 Speaker 5: It's also nice to be handed a coffee when you 164 00:08:16,840 --> 00:08:17,679 Speaker 5: show up somewhere. 165 00:08:17,840 --> 00:08:20,320 Speaker 1: Oh, even if it's shitty coffee. 166 00:08:20,400 --> 00:08:22,240 Speaker 2: If you go somewhere for like a job or something 167 00:08:22,240 --> 00:08:25,200 Speaker 2: and someone's like, hey, do you want coffee, I'm like, yes, yeah, 168 00:08:25,240 --> 00:08:27,000 Speaker 2: I want to, and I want you to have it 169 00:08:27,040 --> 00:08:28,960 Speaker 2: with me, and I want both of us to drink 170 00:08:28,960 --> 00:08:30,680 Speaker 2: it at the same time, so we have like a 171 00:08:30,920 --> 00:08:34,160 Speaker 2: shared experience. And this is terrible coffee. Now we have 172 00:08:34,200 --> 00:08:36,400 Speaker 2: to put hazel nut creamer in it. Yeah, this is 173 00:08:36,440 --> 00:08:39,000 Speaker 2: going to be crazy. I never drink this shit. Actually 174 00:08:39,080 --> 00:08:41,640 Speaker 2: it tastes really good. Then you're on a thing, right. 175 00:08:41,679 --> 00:08:43,680 Speaker 2: Even bad coffee is fun coffee. 176 00:08:43,760 --> 00:08:44,040 Speaker 3: Yeah. 177 00:08:44,120 --> 00:08:48,360 Speaker 5: And if you drink wine, that can be troof with wine, yes, 178 00:08:49,440 --> 00:08:52,840 Speaker 5: but you know, minus the hazel nut creamer, that would 179 00:08:52,880 --> 00:08:53,640 Speaker 5: be real gross. 180 00:08:54,000 --> 00:08:57,000 Speaker 2: Unless is that some sort of a is it like 181 00:08:57,000 --> 00:08:58,280 Speaker 2: a white California roadshop. 182 00:08:58,920 --> 00:09:03,280 Speaker 5: I'm an invent her, a food inventor. I can't believe 183 00:09:04,480 --> 00:09:06,199 Speaker 5: there was some basque. 184 00:09:06,840 --> 00:09:10,599 Speaker 1: If people fucking get on social media start defending the 185 00:09:11,040 --> 00:09:15,360 Speaker 1: white I'm not actually at my wine bar, we serve 186 00:09:15,440 --> 00:09:18,040 Speaker 1: that and we call it the Fairbanks and we love it. 187 00:09:18,120 --> 00:09:22,000 Speaker 1: Karen Andre Chris, I'm sick of it. 188 00:09:23,840 --> 00:09:27,680 Speaker 5: The one thing, though, the grossest sounding thing is like 189 00:09:27,720 --> 00:09:31,400 Speaker 5: a basque beverage that is coca cola and red wine together, 190 00:09:32,360 --> 00:09:34,160 Speaker 5: which sounds. 191 00:09:34,960 --> 00:09:35,160 Speaker 1: Like it. 192 00:09:35,360 --> 00:09:37,760 Speaker 5: Yeah, once you put it in your mouth and there's 193 00:09:37,840 --> 00:09:40,439 Speaker 5: ice cubes, of course it's great it. 194 00:09:41,480 --> 00:09:42,800 Speaker 1: Yeah, yeah, I would imagine. 195 00:09:43,120 --> 00:09:48,679 Speaker 5: Remember a time in Houston. I never lived there. I 196 00:09:50,240 --> 00:09:52,760 Speaker 5: a comic I can't remember his name. He was so nice. 197 00:09:53,000 --> 00:09:56,199 Speaker 5: He's from India and he was funny. But he came 198 00:09:56,240 --> 00:09:57,920 Speaker 5: to my show in Houston and he had a new 199 00:09:57,960 --> 00:10:00,320 Speaker 5: Portia and he let me drive it after having some 200 00:10:00,520 --> 00:10:04,880 Speaker 5: red wine Coca colas. And that's the only time I've 201 00:10:04,960 --> 00:10:07,520 Speaker 5: driven a Porsche other than the other time. 202 00:10:07,600 --> 00:10:08,640 Speaker 1: I bet that was exciting. 203 00:10:08,840 --> 00:10:09,760 Speaker 3: It was exciting. 204 00:10:10,320 --> 00:10:13,120 Speaker 1: Now really quick mm hm red wine coca cola. 205 00:10:13,440 --> 00:10:16,080 Speaker 3: Yeah, it's called something, but of course I'll never remember. 206 00:10:16,200 --> 00:10:19,920 Speaker 1: Is it called coke wine? That was my guess. 207 00:10:20,000 --> 00:10:23,280 Speaker 3: That's just describing an evening in the nineties. 208 00:10:24,240 --> 00:10:26,480 Speaker 1: It makes me think of in high school when we 209 00:10:26,520 --> 00:10:29,640 Speaker 1: went on our trip to Russia, Poland in the West, 210 00:10:29,720 --> 00:10:31,280 Speaker 1: which was the name of the tour. 211 00:10:32,280 --> 00:10:34,080 Speaker 3: Did you study abroad. 212 00:10:34,280 --> 00:10:37,760 Speaker 2: It was just like summertime, the summer trip that you 213 00:10:37,800 --> 00:10:39,760 Speaker 2: went on that was like supposed to be educational, but 214 00:10:39,800 --> 00:10:41,760 Speaker 2: it was to Russia before the wall came down. 215 00:10:41,880 --> 00:10:45,200 Speaker 1: Oh wow, yeah, it was Russia eighty seven. I won't 216 00:10:45,200 --> 00:10:47,400 Speaker 1: tell you the subway story again. I won't. 217 00:10:47,480 --> 00:10:49,480 Speaker 2: I can tell you that my friend ordering a Gena 218 00:10:49,559 --> 00:10:52,160 Speaker 2: Tonic in a in a bar that looked out of 219 00:10:52,559 --> 00:10:56,120 Speaker 2: like it was out of a movie of Communism era Russia, 220 00:10:56,240 --> 00:10:58,679 Speaker 2: right where it was all gray only men, all of 221 00:10:58,679 --> 00:11:01,000 Speaker 2: them over sixty, all of them with gray hair and 222 00:11:01,040 --> 00:11:03,560 Speaker 2: buzz cuts. All of them looked like they were carrying 223 00:11:03,600 --> 00:11:05,440 Speaker 2: the weight of the world on their shoulders. And my 224 00:11:05,480 --> 00:11:07,599 Speaker 2: friend Jennifer walks in and goes, can I get it 225 00:11:07,679 --> 00:11:10,640 Speaker 2: Gena Tonic? The guy's just staring at her. 226 00:11:10,760 --> 00:11:16,520 Speaker 1: I'm like, they don't speak English, they don't have mixers here, Like, 227 00:11:16,640 --> 00:11:19,520 Speaker 1: are you looking at the same thing I'm fucking looking at. 228 00:11:19,679 --> 00:11:20,760 Speaker 3: That is hilarious. 229 00:11:21,679 --> 00:11:23,480 Speaker 1: I got it in. I said I wasn't gonna tell it, 230 00:11:23,520 --> 00:11:26,320 Speaker 1: and then I told it right paper umbrellas, do you 231 00:11:26,360 --> 00:11:30,280 Speaker 1: have I want my tie, but not with Do you 232 00:11:30,360 --> 00:11:32,200 Speaker 1: mind if I paint your walls? Do you need some 233 00:11:32,280 --> 00:11:35,680 Speaker 1: color in here? It's what I call drab. This is 234 00:11:35,760 --> 00:11:38,760 Speaker 1: drab and dreary. Can I do your hair or at 235 00:11:38,840 --> 00:11:40,760 Speaker 1: least diet. The real story I was going to tell 236 00:11:40,760 --> 00:11:42,880 Speaker 1: you is when we were in Germany, which was part 237 00:11:42,880 --> 00:11:45,880 Speaker 1: of the West portion of the trip, we went to 238 00:11:45,920 --> 00:11:50,920 Speaker 1: a beer garden and they served warm beer mixed with lemonade, 239 00:11:51,200 --> 00:11:54,760 Speaker 1: strawberry aid, and like lime aid. 240 00:11:55,480 --> 00:11:57,920 Speaker 3: All that sounds great, except you said the word warm. 241 00:11:58,720 --> 00:12:00,600 Speaker 1: It's real. That's how they do it. 242 00:12:00,800 --> 00:12:01,319 Speaker 3: Huh. 243 00:12:01,360 --> 00:12:03,160 Speaker 1: They do not refrigerate. 244 00:12:03,480 --> 00:12:06,199 Speaker 3: I just don't get it. I don't even understand room 245 00:12:06,240 --> 00:12:07,120 Speaker 3: temperature water. 246 00:12:07,600 --> 00:12:09,200 Speaker 1: I know you always like ice water. 247 00:12:09,520 --> 00:12:13,160 Speaker 5: Oh yeah, cold as possible. It's the only way I 248 00:12:13,160 --> 00:12:14,560 Speaker 5: can muscle it down. 249 00:12:16,679 --> 00:12:21,640 Speaker 1: Hi, nak, my name's Karen. Can I get a double tall, 250 00:12:21,800 --> 00:12:23,880 Speaker 1: one pump mocha? 251 00:12:26,520 --> 00:12:30,640 Speaker 3: I'm gonna get a coffee with one peppermint? 252 00:12:32,120 --> 00:12:36,920 Speaker 1: Can I also get a grande whatever? Your daily roast is? 253 00:12:37,000 --> 00:12:40,559 Speaker 2: Coffee today with a pump of peppermint in it, and 254 00:12:41,640 --> 00:12:43,040 Speaker 2: also with almond milk. 255 00:12:42,840 --> 00:12:47,840 Speaker 1: In it, almis nothing at all? Okay, that's gonna be it, 256 00:12:49,120 --> 00:12:54,960 Speaker 1: Thank you. I picture he is tall on the taller side, 257 00:12:56,600 --> 00:13:03,120 Speaker 1: looks like Italian, maybe with glasses and like hippie facial hair. 258 00:13:03,480 --> 00:13:08,000 Speaker 5: Yeah, because he he's confident too. He introduced himself and 259 00:13:08,080 --> 00:13:09,600 Speaker 5: asked your name mm hmm. 260 00:13:09,600 --> 00:13:11,800 Speaker 1: Yeah, which they might force. 261 00:13:11,559 --> 00:13:13,760 Speaker 3: Him to do that, though I don't hear that a lot. 262 00:13:14,080 --> 00:13:16,319 Speaker 3: My name is this? What is your name is? 263 00:13:16,400 --> 00:13:16,640 Speaker 1: Nick? 264 00:13:16,760 --> 00:13:18,600 Speaker 3: I mean that's like we may as well have been 265 00:13:18,640 --> 00:13:19,240 Speaker 3: at a party. 266 00:13:19,400 --> 00:13:22,439 Speaker 2: He made me remember his name too. I never remember, 267 00:13:22,679 --> 00:13:23,240 Speaker 2: I bet right. 268 00:13:23,280 --> 00:13:25,679 Speaker 5: When we go to the window, he does a greeting, 269 00:13:25,760 --> 00:13:29,760 Speaker 5: one of those greeting, uh, very European. 270 00:13:29,360 --> 00:13:32,000 Speaker 3: Kisses on the cheek twice. He'll kiss your cheek twice. 271 00:13:32,120 --> 00:13:35,240 Speaker 2: It's what if Nick has a giraffe neck? What a 272 00:13:35,320 --> 00:13:36,400 Speaker 2: wonderful discovery. 273 00:13:36,600 --> 00:13:38,680 Speaker 3: Oh so he wouldn't You wouldn't even need to go 274 00:13:38,760 --> 00:13:39,440 Speaker 3: near the window. 275 00:13:39,760 --> 00:13:42,080 Speaker 2: I stay exactly where I am and Nick comes out 276 00:13:42,120 --> 00:13:43,720 Speaker 2: at me and kisses me on the cheek with his 277 00:13:43,760 --> 00:13:44,640 Speaker 2: long neck, like. 278 00:13:44,600 --> 00:13:47,520 Speaker 3: I'n em you at one of those drive through feederies. 279 00:13:47,600 --> 00:13:48,000 Speaker 1: That's right. 280 00:13:48,040 --> 00:13:50,920 Speaker 2: I freeze in terror, and Nick's like, you stay right there, 281 00:13:50,960 --> 00:13:52,600 Speaker 2: young lady, just holding. 282 00:13:52,280 --> 00:13:57,040 Speaker 3: A little bucket of oats. Well, Martha Kelly screams Nick, please. 283 00:13:59,440 --> 00:14:01,520 Speaker 3: Oh there was yeah. 284 00:14:01,920 --> 00:14:07,080 Speaker 5: Many also in Texas my home there was a lot 285 00:14:07,120 --> 00:14:13,080 Speaker 5: of like refugee farms for animals that should not have 286 00:14:13,160 --> 00:14:15,000 Speaker 5: been purchased as pets. 287 00:14:15,120 --> 00:14:18,360 Speaker 3: That's some crazy guy wanted a tiger, yep, and. 288 00:14:18,480 --> 00:14:21,440 Speaker 5: It was We went to one because Martha and I 289 00:14:21,480 --> 00:14:24,080 Speaker 5: were doing a talk show and we had we wanted. 290 00:14:24,120 --> 00:14:26,840 Speaker 5: She wanted animals on and so we went to Noah's 291 00:14:26,920 --> 00:14:32,280 Speaker 5: Land and there was a little ligers and tigers and 292 00:14:32,640 --> 00:14:36,760 Speaker 5: lions and zions and every because they would just breed 293 00:14:36,760 --> 00:14:39,320 Speaker 5: through these chain link fences with holes in them. There 294 00:14:39,400 --> 00:14:42,520 Speaker 5: was a little pig and then they're ten feet away 295 00:14:42,520 --> 00:14:43,520 Speaker 5: it'd be a crocodile. 296 00:14:43,640 --> 00:14:45,400 Speaker 3: I'm like, I was so on edge. 297 00:14:45,720 --> 00:14:48,760 Speaker 5: But you drive through, you buy the food, and then 298 00:14:48,960 --> 00:14:51,720 Speaker 5: animals just come in the window and an email. 299 00:14:52,240 --> 00:14:52,680 Speaker 3: First of fall. 300 00:14:52,760 --> 00:14:56,320 Speaker 5: Their eyeballs are larger than a human's, but their head 301 00:14:56,400 --> 00:14:59,520 Speaker 5: is they're in the insane Jim Henson's sock puppet. 302 00:15:00,080 --> 00:15:01,080 Speaker 1: So it's really funny. 303 00:15:01,400 --> 00:15:04,160 Speaker 3: It's so you laugh in the way that you laugh 304 00:15:04,360 --> 00:15:06,480 Speaker 3: if someone pulls out a gun. It's just. 305 00:15:08,000 --> 00:15:10,920 Speaker 5: Pure panic, Yeah, pure panic. But you have no choice 306 00:15:10,960 --> 00:15:13,880 Speaker 5: but to laugh because I'm not a screamer. And once 307 00:15:14,200 --> 00:15:17,760 Speaker 5: there was there was the EMU was like reaching in 308 00:15:17,800 --> 00:15:19,560 Speaker 5: and I'm like, I want this to end all of 309 00:15:19,600 --> 00:15:22,080 Speaker 5: a sudden from my side of the car a camel 310 00:15:22,560 --> 00:15:25,680 Speaker 5: grabbed it by its long neck and lifted it up 311 00:15:25,720 --> 00:15:25,920 Speaker 5: in the. 312 00:15:25,920 --> 00:15:27,520 Speaker 3: Air and it dropped on Martha's hood. 313 00:15:27,800 --> 00:15:32,640 Speaker 1: No, it's just chaos. 314 00:15:32,800 --> 00:15:33,480 Speaker 3: I loved it. 315 00:15:34,640 --> 00:15:36,240 Speaker 1: That's how it was on Noah's art. 316 00:15:37,040 --> 00:15:44,200 Speaker 3: Yep, exactly. Yeah, there's two of everything, thank you. I 317 00:15:44,240 --> 00:15:46,880 Speaker 3: don't think that was no. I don't think it's the 318 00:15:46,920 --> 00:15:49,640 Speaker 3: same guy. That guy was not. 319 00:15:50,880 --> 00:15:53,480 Speaker 5: First of all, his neck was like six inches long, 320 00:15:54,320 --> 00:15:57,160 Speaker 5: Like okay, okay, is that your neck? 321 00:15:57,240 --> 00:16:00,400 Speaker 3: Okay, let me let me write home out that. 322 00:16:00,560 --> 00:16:03,160 Speaker 1: No, I'll just I guess I'll stay exactly where I 323 00:16:03,160 --> 00:16:04,080 Speaker 1: am for cheek kisses. 324 00:16:04,200 --> 00:16:09,640 Speaker 2: No, I don't fucking think so. But also Nick was like, Hi, 325 00:16:09,960 --> 00:16:11,120 Speaker 2: I'm Nick. What's your name? 326 00:16:11,320 --> 00:16:15,560 Speaker 1: Yeah, and that guy went Hi, Karen, like that, Oh 327 00:16:15,640 --> 00:16:16,760 Speaker 1: really he was my cousin. 328 00:16:16,880 --> 00:16:20,440 Speaker 5: Yeah, huh, he knew your name though, there's no way 329 00:16:20,440 --> 00:16:21,359 Speaker 5: they have a discussion. 330 00:16:21,400 --> 00:16:22,240 Speaker 3: That had to be Nick. 331 00:16:22,440 --> 00:16:24,480 Speaker 2: I think they took my name when Nick tricked me 332 00:16:24,520 --> 00:16:27,320 Speaker 2: into giving my name, thinking that I was making. 333 00:16:27,040 --> 00:16:28,000 Speaker 1: A love connection. 334 00:16:28,360 --> 00:16:31,480 Speaker 5: Every time someone drives through and they learn their name, 335 00:16:31,640 --> 00:16:34,320 Speaker 5: they put it on one of those felt marquis, like 336 00:16:34,400 --> 00:16:35,600 Speaker 5: at your college gig. 337 00:16:35,560 --> 00:16:39,040 Speaker 1: Guest of the day. Yeah, that's random. That computer picks 338 00:16:39,040 --> 00:16:40,000 Speaker 1: that randomly. 339 00:16:40,320 --> 00:16:42,960 Speaker 3: And what did they want with those blinks? 340 00:16:43,240 --> 00:16:46,600 Speaker 2: You just to be aware of this area and yeah, 341 00:16:46,760 --> 00:16:47,880 Speaker 2: slow down, but not stop. 342 00:16:48,000 --> 00:16:50,720 Speaker 5: They want us to spot wayward children in this park 343 00:16:51,000 --> 00:16:54,440 Speaker 5: like that. One time I was just so eerily saw 344 00:16:54,480 --> 00:16:58,000 Speaker 5: a child just hanging out having a picnic by himself, 345 00:16:58,160 --> 00:16:59,960 Speaker 5: no no parents anywhere around. 346 00:17:00,120 --> 00:17:02,320 Speaker 1: I think the parents were wearing a bunch of green 347 00:17:02,400 --> 00:17:04,480 Speaker 1: and blended in. Yeah, you just did. That's what I 348 00:17:04,560 --> 00:17:05,600 Speaker 1: need that to be. 349 00:17:06,080 --> 00:17:08,199 Speaker 3: Yeah, they were probably just TikTok parents. 350 00:17:09,400 --> 00:17:12,120 Speaker 1: They were over talking straight into camera and not painted 351 00:17:12,200 --> 00:17:12,920 Speaker 1: to their child. 352 00:17:13,119 --> 00:17:16,280 Speaker 5: Yeah, they were just doing one of those what would 353 00:17:16,320 --> 00:17:18,639 Speaker 5: you do if you found a child in the park 354 00:17:18,840 --> 00:17:21,879 Speaker 5: videos so popular in parenting these days. 355 00:17:22,040 --> 00:17:24,720 Speaker 1: Those parents were in the tree for sure. 356 00:17:25,800 --> 00:17:26,080 Speaker 3: Yeah. 357 00:17:26,160 --> 00:17:26,400 Speaker 5: Yeah. 358 00:17:26,520 --> 00:17:30,440 Speaker 3: Sometimes sometimes they do just want to get away from 359 00:17:30,480 --> 00:17:31,000 Speaker 3: the kid. 360 00:17:30,840 --> 00:17:33,639 Speaker 1: For a bit, climb up the street. 361 00:17:33,720 --> 00:17:38,960 Speaker 3: Ye, dad is just thinking, Yeah, what are they doing? 362 00:17:39,080 --> 00:17:41,880 Speaker 1: You run around? I'll watch you from up here there. 363 00:17:42,160 --> 00:17:44,320 Speaker 1: It looked like I was like, are they fighting? That's 364 00:17:44,359 --> 00:17:46,720 Speaker 1: always my thing of like seven to eleven parking lot. 365 00:17:47,600 --> 00:17:48,720 Speaker 1: They must be up to no good. 366 00:17:48,960 --> 00:17:49,160 Speaker 3: Yeah. 367 00:17:49,200 --> 00:17:52,359 Speaker 2: And then they were talking and then they the younger 368 00:17:52,400 --> 00:17:54,040 Speaker 2: man just kissed the woman on the cheek. 369 00:17:55,359 --> 00:17:56,600 Speaker 1: Yeah, family meeting. 370 00:17:56,760 --> 00:18:01,199 Speaker 5: Yeah, it's nice to be reminded that not everyone's an 371 00:18:01,240 --> 00:18:01,800 Speaker 5: evil doer. 372 00:18:02,440 --> 00:18:04,720 Speaker 1: No. In fact, most people are just trying to fucking 373 00:18:04,800 --> 00:18:06,560 Speaker 1: chill out before. 374 00:18:06,160 --> 00:18:07,960 Speaker 3: It started raining like this. 375 00:18:07,960 --> 00:18:10,600 Speaker 5: This morning, I woke up and did my early old 376 00:18:10,680 --> 00:18:13,040 Speaker 5: guy skateboarding at Costco Parking. 377 00:18:13,280 --> 00:18:16,960 Speaker 1: He was there, I was alone, Oh. 378 00:18:16,600 --> 00:18:19,920 Speaker 5: Yeah, and I set up a little tripod because I've 379 00:18:19,920 --> 00:18:21,560 Speaker 5: been trying to get this one trick. 380 00:18:21,760 --> 00:18:24,080 Speaker 3: And there's always a guy. 381 00:18:24,720 --> 00:18:27,919 Speaker 5: Most mornings I go there, a guy comes and parks 382 00:18:27,920 --> 00:18:31,120 Speaker 5: in his van right by the curb, and he's got 383 00:18:31,119 --> 00:18:32,120 Speaker 5: a lot of stuff. 384 00:18:31,840 --> 00:18:34,280 Speaker 3: In his van. I don't know that he lives in it, 385 00:18:34,320 --> 00:18:35,400 Speaker 3: but he's always dressed. 386 00:18:36,280 --> 00:18:38,520 Speaker 5: He's just on some sort of break, Like maybe he 387 00:18:38,520 --> 00:18:41,879 Speaker 5: goes there after his regular night shift. Oh yeah, but 388 00:18:41,960 --> 00:18:45,000 Speaker 5: he's always He's been there enough that he I swear 389 00:18:45,119 --> 00:18:49,040 Speaker 5: everything he knows about skateboarding is from watching me and 390 00:18:49,160 --> 00:18:53,240 Speaker 5: whoever else is there. And he's a little weird. He 391 00:18:53,320 --> 00:18:57,800 Speaker 5: has got like a scary resting face mm hmm. But 392 00:18:57,880 --> 00:19:00,600 Speaker 5: he's a little guy, so I'm not scared of him. 393 00:19:01,280 --> 00:19:04,560 Speaker 5: And he like one time he got out and he 394 00:19:04,680 --> 00:19:07,960 Speaker 5: happened to have like a child's toy skateboard with him. 395 00:19:08,000 --> 00:19:11,720 Speaker 5: He started riding around and giggling maniacally, and he caught 396 00:19:11,760 --> 00:19:12,359 Speaker 5: me off guard. 397 00:19:12,400 --> 00:19:14,960 Speaker 3: But I think he was just like I skateboard too. 398 00:19:14,840 --> 00:19:16,680 Speaker 5: But no one embraced it right away, so he went 399 00:19:16,720 --> 00:19:18,440 Speaker 5: back in his van and then I felt bad. 400 00:19:18,920 --> 00:19:21,960 Speaker 1: How many other people were there A bunch. 401 00:19:21,720 --> 00:19:25,199 Speaker 5: And a lot of them aren't like you know, so 402 00:19:25,240 --> 00:19:27,959 Speaker 5: they don't have like the social awareness. 403 00:19:27,440 --> 00:19:28,440 Speaker 3: That I'm riddled with. 404 00:19:29,960 --> 00:19:32,080 Speaker 5: They just were like looked at him weird, like what 405 00:19:32,200 --> 00:19:32,640 Speaker 5: is he doing? 406 00:19:32,640 --> 00:19:34,560 Speaker 3: And then he's feelings. I think we're hurt. 407 00:19:34,640 --> 00:19:38,159 Speaker 5: Oh, anyway, this morning, he says, do you want me 408 00:19:38,280 --> 00:19:41,000 Speaker 5: to film you? And then I was worried because I've 409 00:19:41,000 --> 00:19:43,199 Speaker 5: handed my phone to someone and had them try and 410 00:19:43,240 --> 00:19:44,040 Speaker 5: run away before. 411 00:19:44,400 --> 00:19:47,560 Speaker 1: Yeah wait sorry, oh yeah, just real quick on that one. 412 00:19:47,760 --> 00:19:48,360 Speaker 3: Uh huh? 413 00:19:48,359 --> 00:19:50,800 Speaker 1: Well how did they get you to hand your phone 414 00:19:50,800 --> 00:19:51,760 Speaker 1: to them the first time? 415 00:19:53,080 --> 00:19:55,399 Speaker 5: This guy was almost crying. I was had a laundromat. 416 00:19:55,480 --> 00:19:57,640 Speaker 5: He said, can I please borrow your phone? I need 417 00:19:57,640 --> 00:19:59,439 Speaker 5: to call my mom she has to pick me up. 418 00:19:59,480 --> 00:20:01,520 Speaker 5: I'm having a hard day, and I'm like, oh shit. 419 00:20:02,359 --> 00:20:05,200 Speaker 5: And it was the day of flip phones, where it 420 00:20:05,280 --> 00:20:08,159 Speaker 5: wasn't or I didn't it wasn't quite an iPhone I 421 00:20:08,200 --> 00:20:11,119 Speaker 5: think it was somewhere in the middle where Samsung. 422 00:20:11,560 --> 00:20:16,200 Speaker 3: Yeah, it was like the Samsung Era HTC. I think 423 00:20:16,200 --> 00:20:16,560 Speaker 3: it was. 424 00:20:17,960 --> 00:20:21,080 Speaker 5: Yeah, you did have a touchscreen, but my information wasn't 425 00:20:21,320 --> 00:20:23,840 Speaker 5: you don't just push on the Wills Fargo app during 426 00:20:23,920 --> 00:20:28,720 Speaker 5: my account and I gave it to him and he 427 00:20:29,040 --> 00:20:31,880 Speaker 5: did seem like he was going to try and make 428 00:20:31,920 --> 00:20:34,680 Speaker 5: a run for it. He had a I need say 429 00:20:34,680 --> 00:20:38,240 Speaker 5: no more after this, a Tasmanian double. 430 00:20:38,000 --> 00:20:39,040 Speaker 3: Tattoo on his neck. 431 00:20:39,840 --> 00:20:40,360 Speaker 1: That's right. 432 00:20:40,800 --> 00:20:44,159 Speaker 5: I think spending a basketball of course. Oh you know, 433 00:20:44,320 --> 00:20:45,280 Speaker 5: Taz loves. 434 00:20:45,200 --> 00:20:49,400 Speaker 1: Basketball and he's just like he's like a big Globetrotters guy. 435 00:20:49,600 --> 00:20:52,400 Speaker 3: Yeah, mostly trick shots, none of the fundamentals. 436 00:20:52,520 --> 00:20:55,639 Speaker 5: No, no, But this guy called many people and I 437 00:20:55,760 --> 00:20:56,760 Speaker 5: just stood there and waited. 438 00:20:58,240 --> 00:21:00,560 Speaker 3: But he was having a hard day. And I think 439 00:21:00,560 --> 00:21:01,720 Speaker 3: I've talked about this before. 440 00:21:01,760 --> 00:21:05,359 Speaker 5: I kept getting calls and texts for him for weeks 441 00:21:05,400 --> 00:21:09,040 Speaker 5: afterwards about being a bad father. I'm like, I'm not him. 442 00:21:09,160 --> 00:21:10,560 Speaker 5: This isn't his new phone. 443 00:21:10,920 --> 00:21:13,520 Speaker 3: In fact, remember him telling you. 444 00:21:13,480 --> 00:21:18,080 Speaker 5: That trash So that was a weird experience, but he didn't. 445 00:21:18,080 --> 00:21:20,639 Speaker 5: In another time, at the skatepark in Ventice, these kids 446 00:21:20,680 --> 00:21:24,400 Speaker 5: ran off and I swept the leg on one kid 447 00:21:24,440 --> 00:21:26,199 Speaker 5: and he was down and I realized he was like 448 00:21:26,320 --> 00:21:27,440 Speaker 5: sixteen or seventeen. 449 00:21:27,480 --> 00:21:28,480 Speaker 3: I'm like, I'm a grown man. 450 00:21:28,880 --> 00:21:29,320 Speaker 1: Your phone. 451 00:21:29,440 --> 00:21:33,480 Speaker 5: Yeah, and that Matt Fultron helped me. Oh wow, look 452 00:21:33,480 --> 00:21:33,920 Speaker 5: at that Jack. 453 00:21:34,160 --> 00:21:36,880 Speaker 1: Look at that Jack Skellington. This is where Jack Skellington 454 00:21:36,920 --> 00:21:38,480 Speaker 1: live was. I just wanted to drive you by it. 455 00:21:38,920 --> 00:21:42,920 Speaker 1: Now this might be Look at this cute how Skelington. 456 00:21:43,680 --> 00:21:45,280 Speaker 1: That's what I believe it to be. 457 00:21:45,440 --> 00:21:46,520 Speaker 3: Yeah, that makes sense. 458 00:21:47,280 --> 00:21:49,200 Speaker 1: It's not Skeleton, right. 459 00:21:49,560 --> 00:21:52,919 Speaker 3: I just called Jack Skeleton my whole life. But I 460 00:21:52,960 --> 00:21:55,560 Speaker 3: don't even know any of the music off hand. 461 00:21:58,080 --> 00:21:59,919 Speaker 1: I'm sorry, but these are two of the cutest how 462 00:22:00,200 --> 00:22:02,360 Speaker 1: as I've ever seen, aren't they. 463 00:22:02,560 --> 00:22:04,119 Speaker 3: Let's knock and see if we can go in. 464 00:22:04,280 --> 00:22:06,800 Speaker 1: Look at those guys, see us to come turning around 465 00:22:07,800 --> 00:22:08,879 Speaker 1: Hijack Scalington. 466 00:22:10,000 --> 00:22:12,280 Speaker 5: This guy in the van filmed me skateboarding, and he 467 00:22:12,320 --> 00:22:13,240 Speaker 5: did a very good job. 468 00:22:13,280 --> 00:22:15,680 Speaker 3: He's like a very good photographer. 469 00:22:15,880 --> 00:22:20,679 Speaker 5: I followed and he's like, try it again, and you 470 00:22:20,720 --> 00:22:22,720 Speaker 5: can hear his voice in it. He's like, oh, you 471 00:22:22,760 --> 00:22:25,920 Speaker 5: almost got it, and he was I'm like, wait, actually, 472 00:22:25,960 --> 00:22:29,040 Speaker 5: this guy maybe has a skateboarding background, because he's like, oh, 473 00:22:29,080 --> 00:22:30,320 Speaker 5: you almost. 474 00:22:30,680 --> 00:22:32,160 Speaker 3: I don't want to go into what I was doing. 475 00:22:32,200 --> 00:22:33,840 Speaker 3: But he was good. 476 00:22:33,960 --> 00:22:36,720 Speaker 5: He was great, and he was motivating me. He was 477 00:22:36,760 --> 00:22:40,359 Speaker 5: saying encouraging things. He made me get pretty close. 478 00:22:40,560 --> 00:22:41,200 Speaker 1: That's nice. 479 00:22:41,560 --> 00:22:43,080 Speaker 3: Yeah, it was a cool interaction. 480 00:22:43,280 --> 00:22:47,400 Speaker 5: So the point is I was glad that I gave 481 00:22:47,480 --> 00:22:50,400 Speaker 5: him the benefit of the doubt handed him my pocket computer. 482 00:22:50,800 --> 00:22:52,280 Speaker 3: Yeah, that's so not unsure. 483 00:22:52,440 --> 00:22:55,879 Speaker 2: It is very risky, and I feel like you have 484 00:22:55,960 --> 00:23:00,919 Speaker 2: shared stories on this podcast multiple times about really getting 485 00:23:00,960 --> 00:23:03,879 Speaker 2: involved with whoever the fuck you pass on the street, 486 00:23:04,080 --> 00:23:06,880 Speaker 2: and I would like you to stop doing. 487 00:23:07,000 --> 00:23:12,199 Speaker 5: I know, but I know sometimes I have regrets, but 488 00:23:12,240 --> 00:23:17,800 Speaker 5: I also, more often than not, I'm I'm happy. 489 00:23:17,440 --> 00:23:21,040 Speaker 1: That I okay. If that's how you want to remember. 490 00:23:20,720 --> 00:23:24,600 Speaker 3: You're right, there's gonna be one. But what you forget, Karen, 491 00:23:24,720 --> 00:23:27,680 Speaker 3: is I can handle myself, okay in a violent scenario. 492 00:23:27,920 --> 00:23:29,120 Speaker 3: I mean, you don't want me to. 493 00:23:29,960 --> 00:23:31,920 Speaker 5: Talk about how tough I used to be back when 494 00:23:31,960 --> 00:23:32,800 Speaker 5: I's in Texas. 495 00:23:32,840 --> 00:23:33,439 Speaker 1: Do you no? 496 00:23:33,560 --> 00:23:38,600 Speaker 3: I don't. Oh yeah, you do? You love fights? You 497 00:23:38,920 --> 00:23:39,360 Speaker 3: love it? 498 00:23:39,440 --> 00:23:40,280 Speaker 1: I do love fights. 499 00:23:40,440 --> 00:23:41,320 Speaker 3: I know you did it. 500 00:23:42,440 --> 00:23:43,240 Speaker 1: That's my favorite. 501 00:23:43,440 --> 00:23:46,960 Speaker 5: I just know how to address if shit actually goes 502 00:23:46,960 --> 00:23:49,359 Speaker 5: now and I crumple like you kissue. 503 00:23:49,680 --> 00:23:54,800 Speaker 2: But the guy in the van, although a mean mug, yeah, 504 00:23:55,000 --> 00:23:58,000 Speaker 2: isn't big and maybe isn't scary, and he was worth 505 00:23:58,040 --> 00:23:58,440 Speaker 2: a risk. 506 00:23:58,560 --> 00:24:00,760 Speaker 5: And I've interacted with him before. I should have said 507 00:24:00,800 --> 00:24:03,639 Speaker 5: one time, he's like, how do you attach a file? 508 00:24:03,720 --> 00:24:08,040 Speaker 5: And I went into his email. I've held his phone before. Okay, yeah, 509 00:24:08,119 --> 00:24:10,200 Speaker 5: so I was returning the fit. Did you want cheers 510 00:24:10,240 --> 00:24:10,640 Speaker 5: to shirt? 511 00:24:10,840 --> 00:24:12,200 Speaker 3: Cheers? Okay? 512 00:24:13,000 --> 00:24:17,439 Speaker 1: Hey, I don't know, because I turned toward you to 513 00:24:17,480 --> 00:24:18,359 Speaker 1: say that you were. 514 00:24:18,240 --> 00:24:20,920 Speaker 3: Gesturing you never do. Yeah, you were extending. 515 00:24:20,960 --> 00:24:23,040 Speaker 5: Maybe you thought we were going to stop suddenly, but 516 00:24:23,119 --> 00:24:25,359 Speaker 5: you also had a coffee in your hand, so it 517 00:24:25,520 --> 00:24:27,359 Speaker 5: just seemed like an emergency cheers. 518 00:24:27,440 --> 00:24:30,160 Speaker 1: I'm just kind of feeling the holiday spirit right now. 519 00:24:30,359 --> 00:24:32,960 Speaker 3: I let's cheers people as we drive by. 520 00:24:33,280 --> 00:24:36,760 Speaker 1: Yeah, hey, hey guys, cheers be. 521 00:24:36,800 --> 00:24:37,679 Speaker 3: Holidays to you. 522 00:24:42,119 --> 00:24:45,560 Speaker 5: Oh well, unfortunately we aren't just the same today. 523 00:24:46,040 --> 00:24:47,520 Speaker 3: I think we should make that a thing. 524 00:24:47,720 --> 00:24:49,640 Speaker 1: Okay, is that it? 525 00:24:50,320 --> 00:24:52,119 Speaker 3: This is a Selena shirt? 526 00:24:52,320 --> 00:24:56,840 Speaker 5: Oh Selena, you know from Texas, not Gomez. 527 00:24:57,840 --> 00:24:59,880 Speaker 2: When are you going to talk about the Montana singers 528 00:25:00,480 --> 00:25:01,640 Speaker 2: where you're from? 529 00:25:02,320 --> 00:25:06,520 Speaker 5: You mean rob Quist or the band Silkworm. That's about 530 00:25:06,560 --> 00:25:08,360 Speaker 5: does it? That's about it. 531 00:25:08,440 --> 00:25:12,520 Speaker 1: That's it. Colin Malloy from the December Ist, Hey, that's big. Yeah. 532 00:25:12,560 --> 00:25:14,480 Speaker 3: I used to go to my improv shows. I did 533 00:25:14,480 --> 00:25:16,320 Speaker 3: a lot of logos for his first band. 534 00:25:16,760 --> 00:25:18,680 Speaker 1: You gave him the idea to talk about Wales. 535 00:25:19,080 --> 00:25:22,000 Speaker 5: I gave him the idea to name a band after 536 00:25:22,040 --> 00:25:26,360 Speaker 5: a month, have it be nautically themed, even though it's 537 00:25:26,440 --> 00:25:27,399 Speaker 5: December based. 538 00:25:27,720 --> 00:25:30,040 Speaker 1: And he's like, this is a fucking great you know 539 00:25:30,119 --> 00:25:32,440 Speaker 1: you know what he did? He said, yes, and. 540 00:25:33,920 --> 00:25:38,280 Speaker 3: Exactly, prop exactly. He saw my short form games. 541 00:25:39,119 --> 00:25:40,399 Speaker 1: He's like, I want to be a part of this. 542 00:25:40,640 --> 00:25:42,360 Speaker 1: I'm too, I too A martis. 543 00:25:42,240 --> 00:25:43,520 Speaker 3: Actually Colin did. 544 00:25:43,880 --> 00:25:47,000 Speaker 5: He He did have great suggestions that he used to 545 00:25:47,080 --> 00:25:50,359 Speaker 5: yell at a nurse, stuff like that, or things like 546 00:25:50,960 --> 00:25:54,879 Speaker 5: a stuttering weather man to try and stomp me. And 547 00:25:54,920 --> 00:25:57,520 Speaker 5: I'm like, oh, here we go, here we go, and uh. 548 00:25:58,000 --> 00:26:00,320 Speaker 5: I would always get nervous when he'd yell something out. 549 00:26:00,880 --> 00:26:03,919 Speaker 5: And then he married a friend of mine I went 550 00:26:03,920 --> 00:26:06,880 Speaker 5: to art school with, who I've always stayed in touch with, 551 00:26:06,960 --> 00:26:09,680 Speaker 5: and she was showing her artwork and she's like, oh, 552 00:26:09,680 --> 00:26:12,879 Speaker 5: I did this for Colin's new band, and it was 553 00:26:12,960 --> 00:26:17,159 Speaker 5: like these old timey character drawings. And then I was 554 00:26:17,320 --> 00:26:21,000 Speaker 5: in of Tower Records and I saw that it was 555 00:26:21,040 --> 00:26:23,000 Speaker 5: the cover of some That's how I. 556 00:26:23,000 --> 00:26:25,280 Speaker 1: Realized you put it all together. 557 00:26:25,080 --> 00:26:28,200 Speaker 5: And then I'm like, oh, that is his voice because 558 00:26:28,240 --> 00:26:30,880 Speaker 5: the band before was not it was more bluegrass type 559 00:26:30,960 --> 00:26:35,080 Speaker 5: music and one of the members was dating Eva, the 560 00:26:35,119 --> 00:26:37,840 Speaker 5: woman that started the woman I credit with me becoming 561 00:26:37,880 --> 00:26:38,520 Speaker 5: a comedian. 562 00:26:39,080 --> 00:26:39,520 Speaker 1: Amazing. 563 00:26:39,800 --> 00:26:41,119 Speaker 3: Yeah, it is amazing. 564 00:26:41,320 --> 00:26:43,359 Speaker 1: It's amazing the way things happened. 565 00:26:43,560 --> 00:26:45,480 Speaker 3: Yeah, as people become successful. 566 00:26:46,880 --> 00:26:49,880 Speaker 1: Yeah, it's true. 567 00:26:50,160 --> 00:26:52,879 Speaker 2: Now if your mom or dad said, Chris, we're going 568 00:26:52,920 --> 00:26:55,080 Speaker 2: to come and take you to the Symphony Orchestra Family 569 00:26:55,200 --> 00:26:58,679 Speaker 2: Night concert and you were twelve, what would your answer 570 00:26:58,680 --> 00:26:59,000 Speaker 2: to them? 571 00:26:59,560 --> 00:27:04,320 Speaker 3: Is it this? Which symphony is? It's at San Fernando? Yes? 572 00:27:04,760 --> 00:27:05,000 Speaker 1: Is it? 573 00:27:05,720 --> 00:27:08,360 Speaker 2: Are you talking about the Boston Pops mom and dad, No, 574 00:27:09,160 --> 00:27:10,960 Speaker 2: we're talking about the San Fernando Symphony. 575 00:27:11,640 --> 00:27:19,400 Speaker 5: I honestly, I very nostalgically remember enjoying the Symphony Orchestra 576 00:27:19,600 --> 00:27:21,520 Speaker 5: in the park near my house. 577 00:27:22,119 --> 00:27:23,720 Speaker 3: And I what state? 578 00:27:26,200 --> 00:27:29,520 Speaker 1: I almost said state, and I'm like, easy, it's supposed 579 00:27:29,520 --> 00:27:30,080 Speaker 1: to be a fun job. 580 00:27:30,160 --> 00:27:34,280 Speaker 5: Well, I have three fucking houses ones in Montana and 581 00:27:34,359 --> 00:27:38,199 Speaker 5: my dad lives there. He bought it. Okay, that's fine. Also, 582 00:27:38,640 --> 00:27:42,720 Speaker 5: and then my other house is in Austin. People have 583 00:27:42,760 --> 00:27:45,800 Speaker 5: renovated it and they clearly live there now since I 584 00:27:45,800 --> 00:27:49,240 Speaker 5: stopped paying rent, but it's still my house. And yeah, 585 00:27:49,400 --> 00:27:51,760 Speaker 5: and uh and then I have that little shack here. 586 00:27:52,080 --> 00:27:55,159 Speaker 5: But uh, yeah, this was my childhood home. There was 587 00:27:55,200 --> 00:27:57,480 Speaker 5: a park down the street and we'd all everyone would 588 00:27:57,520 --> 00:28:02,639 Speaker 5: lay on blankets, mostly old folks, and you watch symphony music, 589 00:28:03,720 --> 00:28:07,240 Speaker 5: like from the University of Montana. And at the time 590 00:28:07,280 --> 00:28:10,119 Speaker 5: I thought it was so lame, just because it was 591 00:28:10,280 --> 00:28:14,639 Speaker 5: just tubas and shit. Yeah, but now I'm like, that 592 00:28:14,760 --> 00:28:15,399 Speaker 5: was really cool. 593 00:28:15,480 --> 00:28:18,520 Speaker 3: It was great. Yeah, I just I look on it fun. 594 00:28:19,560 --> 00:28:22,119 Speaker 2: My father used to make us listen to classical music 595 00:28:22,200 --> 00:28:24,240 Speaker 2: anytime we were in the car with him, because he's 596 00:28:24,720 --> 00:28:27,440 Speaker 2: he loves classical music. He can whistle along, Like if 597 00:28:27,440 --> 00:28:30,560 Speaker 2: you turn the classical station on, he will start whistling 598 00:28:31,119 --> 00:28:34,520 Speaker 2: along with whatever comes on. He knows it and is 599 00:28:34,560 --> 00:28:36,880 Speaker 2: like a fan of it and has been since his twenties. 600 00:28:37,720 --> 00:28:38,480 Speaker 1: Isn't that crazy? 601 00:28:38,720 --> 00:28:39,680 Speaker 3: That's great? 602 00:28:39,880 --> 00:28:44,920 Speaker 5: So he knows right away it's Beethoven or Chopin or 603 00:28:45,200 --> 00:28:46,680 Speaker 5: Mozart or correct. 604 00:28:46,680 --> 00:28:47,760 Speaker 3: I could keep going. 605 00:28:47,680 --> 00:28:50,080 Speaker 1: And he no, I bet you could have. Actually, I 606 00:28:50,120 --> 00:28:51,760 Speaker 1: bet you have three more left in news. 607 00:28:52,720 --> 00:28:57,680 Speaker 3: I am dry, I got a tripled dip. Well is empty. 608 00:28:57,760 --> 00:28:59,320 Speaker 2: I'm going to drive up to where that cop car 609 00:28:59,400 --> 00:29:00,680 Speaker 2: is and see what's going down. 610 00:29:00,840 --> 00:29:04,520 Speaker 5: Oh, we got Wolfgang, we got Onamandis, we got Mozart. 611 00:29:10,240 --> 00:29:12,840 Speaker 1: My dad did a thing where anytime he would go, 612 00:29:13,320 --> 00:29:15,960 Speaker 1: we would well, we'd be like, Dad, please, let us 613 00:29:16,000 --> 00:29:17,560 Speaker 1: listen to the radio and be like, no, no, no, this 614 00:29:17,600 --> 00:29:20,840 Speaker 1: is You'll like this, You'll like this. And then if 615 00:29:20,920 --> 00:29:24,520 Speaker 1: Beethoven would come on, he would say, who's this? And 616 00:29:24,680 --> 00:29:27,320 Speaker 1: I would always guess Mozart. Yeah, we would always guess 617 00:29:27,400 --> 00:29:30,120 Speaker 1: random ones. He goes, no Beethoven, And it took us 618 00:29:30,240 --> 00:29:33,360 Speaker 1: years to realize he only asked when Beethoven. 619 00:29:32,960 --> 00:29:34,880 Speaker 3: Played, Oh okay. 620 00:29:34,480 --> 00:29:37,480 Speaker 1: Who's this? And then we just are like Mozart. 621 00:29:37,960 --> 00:29:42,160 Speaker 5: Yeah, yeah, that's funny. Yeah that Just like the main 622 00:29:42,240 --> 00:29:46,400 Speaker 5: character in Clockwork Orange, the fan of Beethoven didn't like Mozart. 623 00:29:46,600 --> 00:29:50,200 Speaker 5: But regular people like us that don't pillage with a 624 00:29:50,280 --> 00:29:52,760 Speaker 5: gang of thugs like both. 625 00:29:52,520 --> 00:29:55,080 Speaker 1: Of them, don't go to milk bars, don't beat up 626 00:29:55,080 --> 00:29:55,680 Speaker 1: old people. 627 00:29:56,080 --> 00:29:59,520 Speaker 5: It's a troublesome movie. I really wish I didn't watch 628 00:29:59,520 --> 00:30:01,200 Speaker 5: it on VA as a. 629 00:30:01,160 --> 00:30:06,040 Speaker 1: Preteen, I I watched that movie and had to pretend. 630 00:30:06,120 --> 00:30:08,320 Speaker 1: I think it was like we were all like went 631 00:30:08,360 --> 00:30:12,360 Speaker 1: to the movie theater. It was like a artsy movie theater, 632 00:30:12,640 --> 00:30:14,840 Speaker 1: and we're all like yeah, But I was like, I 633 00:30:14,880 --> 00:30:18,160 Speaker 1: don't like this the whole time. I was so there. 634 00:30:18,840 --> 00:30:22,200 Speaker 2: Stanley Kubrick is such an amazing director, and that he 635 00:30:22,440 --> 00:30:25,040 Speaker 2: fucks with you in a way that you don't even 636 00:30:25,160 --> 00:30:28,360 Speaker 2: understand what's happening, and you're just like, I'm just unhappy. 637 00:30:28,720 --> 00:30:31,600 Speaker 2: I don't want to be here, Like I don't what 638 00:30:31,640 --> 00:30:32,760 Speaker 2: if this is the future. 639 00:30:33,280 --> 00:30:35,200 Speaker 3: I say that, and they gave me the. 640 00:30:35,160 --> 00:30:36,080 Speaker 1: Same he said it. 641 00:30:36,320 --> 00:30:41,560 Speaker 3: I say that, I listen and I repeat it. You speak, 642 00:30:41,800 --> 00:30:43,240 Speaker 3: I rants, I repeat. 643 00:30:43,640 --> 00:30:47,040 Speaker 5: I have been to all three places they shot the Shining, 644 00:30:47,120 --> 00:30:49,920 Speaker 5: even though they gave me the creeps. Oh we like 645 00:30:49,960 --> 00:30:53,760 Speaker 5: to be scared, we do, and. 646 00:30:52,920 --> 00:30:55,680 Speaker 2: And we like to look at what he was looking 647 00:30:55,680 --> 00:31:00,480 Speaker 2: at because he put together like the Shining even more so. 648 00:31:00,840 --> 00:31:02,320 Speaker 1: The Shining is horrifying. 649 00:31:02,600 --> 00:31:03,320 Speaker 3: Yeah it really is. 650 00:31:03,360 --> 00:31:06,720 Speaker 5: And it holds up. Yeah it does, even though I've 651 00:31:06,720 --> 00:31:10,520 Speaker 5: watched it so many times. It holds up right, so 652 00:31:10,680 --> 00:31:11,320 Speaker 5: very scary. 653 00:31:11,480 --> 00:31:14,760 Speaker 2: That child was not a child actor, It was just 654 00:31:14,800 --> 00:31:17,800 Speaker 2: a kid he got Yeah, where do you find that 655 00:31:17,920 --> 00:31:22,000 Speaker 2: kid in a park, A loose kid. Parents know where 656 00:31:22,040 --> 00:31:25,520 Speaker 2: to be found, loose loose kid in the park. 657 00:31:28,080 --> 00:31:33,240 Speaker 5: I kind of remember that. They just like he found 658 00:31:33,280 --> 00:31:34,479 Speaker 5: him at a mall or something. 659 00:31:34,800 --> 00:31:36,280 Speaker 1: I don't know. I'm sure he had all these tricks. 660 00:31:36,280 --> 00:31:39,440 Speaker 2: It's like it was like the you know, production designer 661 00:31:39,560 --> 00:31:42,840 Speaker 2: son or I can't remember somebody. I'm sure it's horrified 662 00:31:42,920 --> 00:31:45,719 Speaker 2: right now because this is their whole life. But I 663 00:31:45,800 --> 00:31:48,080 Speaker 2: just remember reading something where it was like, the reason 664 00:31:48,200 --> 00:31:51,440 Speaker 2: he's so amazing is because he was just like, yeah, 665 00:31:51,480 --> 00:31:56,240 Speaker 2: I think it. It was some staff member's son, and 666 00:31:56,320 --> 00:31:58,360 Speaker 2: so he started talking to him and it was just like, 667 00:31:58,440 --> 00:32:01,120 Speaker 2: oh my god, this is the perfect He's a perfect 668 00:32:01,280 --> 00:32:02,120 Speaker 2: like awareness. 669 00:32:02,520 --> 00:32:06,560 Speaker 5: Right, did he maybe have that kid's parent direct them, 670 00:32:06,600 --> 00:32:08,480 Speaker 5: because that would be a cool trick. 671 00:32:09,360 --> 00:32:09,960 Speaker 1: Cool trick. 672 00:32:10,080 --> 00:32:12,520 Speaker 3: I want to do that trick. It's my idea. If 673 00:32:12,560 --> 00:32:13,520 Speaker 3: he didn't do it. 674 00:32:14,040 --> 00:32:16,320 Speaker 1: But then one of the parents are bad directors. 675 00:32:16,080 --> 00:32:18,560 Speaker 3: Right, there is always that chance they just. 676 00:32:18,520 --> 00:32:24,440 Speaker 1: Have no vision, they're not original. Wait, Annalist, do you 677 00:32:24,480 --> 00:32:27,440 Speaker 1: mind looking up and seeing the kid in the shining? 678 00:32:27,520 --> 00:32:29,680 Speaker 1: Was he a child actor or was he a relative 679 00:32:29,760 --> 00:32:33,400 Speaker 1: of a Danny staff member who was Danny? Because I 680 00:32:33,440 --> 00:32:36,240 Speaker 1: could be wrong, and then if I'm wrong, that means 681 00:32:36,280 --> 00:32:38,520 Speaker 1: I'm just making a whole thing up, which is a 682 00:32:38,520 --> 00:32:38,880 Speaker 1: little bit. 683 00:32:39,040 --> 00:32:39,840 Speaker 3: I don't think you are. 684 00:32:39,960 --> 00:32:42,760 Speaker 5: I don't think you're telling these tales out of school. Okay, 685 00:32:44,320 --> 00:32:51,320 Speaker 5: I think you're exactly right. Network network. Is that how 686 00:32:51,360 --> 00:32:52,320 Speaker 5: you name the network? 687 00:32:52,640 --> 00:32:56,080 Speaker 1: Yes, because I say it constantly. 688 00:32:56,320 --> 00:32:59,440 Speaker 2: And we went through a bunch of names, but we 689 00:32:59,520 --> 00:33:02,040 Speaker 2: had to you're all the names because you can't use 690 00:33:02,080 --> 00:33:04,560 Speaker 2: the name of that. Somebody else already has that, somebody 691 00:33:04,600 --> 00:33:08,080 Speaker 2: else has like copy written or trademarked or whatever. And 692 00:33:08,160 --> 00:33:10,880 Speaker 2: so we picked a ton of other names and now 693 00:33:10,920 --> 00:33:14,680 Speaker 2: I can't remember. One of them was Starling Media after 694 00:33:14,800 --> 00:33:18,960 Speaker 2: Clarice Starling from you know It in Silence of These, 695 00:33:19,480 --> 00:33:23,360 Speaker 2: Silence of the Lambs These, and there was a bunch 696 00:33:23,360 --> 00:33:26,600 Speaker 2: of other ones that were like similar, and it was 697 00:33:27,160 --> 00:33:30,520 Speaker 2: like we just kept having them turned down and having 698 00:33:30,560 --> 00:33:31,440 Speaker 2: to think of another one. 699 00:33:31,280 --> 00:33:33,680 Speaker 3: And having it See that's hard. 700 00:33:33,800 --> 00:33:37,480 Speaker 1: Yeah, it was pretty irritating. But then Georgia was like, wait, 701 00:33:38,400 --> 00:33:40,480 Speaker 1: what about exactly right? I think I said it at 702 00:33:40,480 --> 00:33:42,600 Speaker 1: one point and then she was like, wait, what if 703 00:33:42,640 --> 00:33:42,920 Speaker 1: it's that. 704 00:33:43,400 --> 00:33:47,840 Speaker 5: Yeah, I like the name of our podcast. I wouldn't 705 00:33:47,960 --> 00:33:51,200 Speaker 5: change a thing I do want to do a remix 706 00:33:51,200 --> 00:33:52,960 Speaker 5: of the song. I want us to get back in 707 00:33:53,000 --> 00:33:55,800 Speaker 5: the studio and buy that. I mean, you just make 708 00:33:55,880 --> 00:33:59,600 Speaker 5: a song and I come in after the fat. 709 00:33:59,560 --> 00:34:02,520 Speaker 2: Okay, you want a different version of the same song, 710 00:34:02,640 --> 00:34:03,280 Speaker 2: I don't know. 711 00:34:03,520 --> 00:34:05,720 Speaker 3: I just for a special occasion. Should we do a 712 00:34:05,800 --> 00:34:06,560 Speaker 3: Christmas theme? 713 00:34:06,960 --> 00:34:07,120 Speaker 5: Oh? 714 00:34:07,160 --> 00:34:10,280 Speaker 3: Now people are gonna want it. It was a bad idea. 715 00:34:10,360 --> 00:34:14,520 Speaker 1: Don't listen to me, Yeah, exactly, I don't. I don't 716 00:34:14,560 --> 00:34:15,239 Speaker 1: think I can. 717 00:34:15,800 --> 00:34:17,840 Speaker 2: I don't know if I would be able to execute 718 00:34:17,920 --> 00:34:19,239 Speaker 2: a different version of That's not. 719 00:34:19,600 --> 00:34:21,600 Speaker 3: Just because you haven't been playing the guitar as much. 720 00:34:21,680 --> 00:34:23,879 Speaker 1: Yeah, And also it's what would be different. I can't 721 00:34:23,880 --> 00:34:24,640 Speaker 1: play a keyboards. 722 00:34:24,719 --> 00:34:27,880 Speaker 5: It's one of your better best songs, better or best 723 00:34:28,200 --> 00:34:31,200 Speaker 5: you think so, not comedically, but it is it. I 724 00:34:31,440 --> 00:34:34,560 Speaker 5: never you would think we would get sick of our 725 00:34:34,600 --> 00:34:37,719 Speaker 5: own theme song, and I never thank you. I can 726 00:34:37,760 --> 00:34:41,600 Speaker 5: listen to it all damn day. It's very pretty. 727 00:34:41,600 --> 00:34:42,399 Speaker 1: Thank you very much. 728 00:34:42,560 --> 00:34:44,280 Speaker 3: Yeah, good good lyrics. 729 00:34:44,440 --> 00:34:46,560 Speaker 2: The thing I liked about it is it all came 730 00:34:46,600 --> 00:34:50,200 Speaker 2: out at one time, which I think is how the 731 00:34:50,200 --> 00:34:53,000 Speaker 2: best songs do. Sometimes you can like here, first of 732 00:34:53,000 --> 00:34:55,239 Speaker 2: all you think of a lyric, and then later on, Yeah, 733 00:34:55,680 --> 00:34:58,120 Speaker 2: but in this one, I was mad about something else 734 00:34:58,719 --> 00:35:00,520 Speaker 2: and I was like, I want to get this done, 735 00:35:00,719 --> 00:35:03,160 Speaker 2: and I also don't want it to be bad, and 736 00:35:03,200 --> 00:35:04,960 Speaker 2: so it made me more mad because I'm like, you 737 00:35:05,000 --> 00:35:06,560 Speaker 2: can't control that part. 738 00:35:06,800 --> 00:35:10,399 Speaker 1: And oftentimes I would write bad songs because I knew 739 00:35:10,520 --> 00:35:12,759 Speaker 1: three chords. But I was just kind of in the 740 00:35:12,880 --> 00:35:15,600 Speaker 1: snit and then I was just like here and then 741 00:35:16,000 --> 00:35:16,560 Speaker 1: I liked it. 742 00:35:16,800 --> 00:35:19,680 Speaker 3: Yeah. My favorite layer is were you scared? Or was 743 00:35:19,719 --> 00:35:20,200 Speaker 3: it fine? 744 00:35:20,440 --> 00:35:21,000 Speaker 1: Yeah? 745 00:35:21,080 --> 00:35:23,799 Speaker 5: I think that that's a good that's like a throwaway, 746 00:35:24,000 --> 00:35:25,880 Speaker 5: Like you don't even want to hear about it anyway? 747 00:35:26,120 --> 00:35:27,319 Speaker 3: Were you scared or was it fun? 748 00:35:27,520 --> 00:35:29,120 Speaker 1: Can we just move on to the next topic? 749 00:35:29,600 --> 00:35:31,880 Speaker 3: Just please just say fine. I don't want to hear 750 00:35:31,920 --> 00:35:32,920 Speaker 3: about you being scared. 751 00:35:33,120 --> 00:35:35,239 Speaker 1: I'm sure it wasn't great, but it was fine, right, 752 00:35:35,320 --> 00:35:38,640 Speaker 1: you're fine. Yeah, it's always fine. We're just gonna get 753 00:35:38,640 --> 00:35:40,920 Speaker 1: to the next thing that's scary and then it'll be fine. 754 00:35:41,000 --> 00:35:43,319 Speaker 5: I promise I won't think of any more projects that 755 00:35:43,400 --> 00:35:45,279 Speaker 5: will require us to do a bunch of. 756 00:35:45,239 --> 00:35:49,360 Speaker 3: Work and also practice beforehand. Good. 757 00:35:49,480 --> 00:35:52,520 Speaker 4: I can't find anything about Daniel Lloyd or Danny Lloyd. 758 00:35:52,640 --> 00:35:55,600 Speaker 4: It doesn't say that his that his parents were working 759 00:35:55,640 --> 00:35:58,240 Speaker 4: on the film or anything, just that he was selected 760 00:35:58,280 --> 00:36:01,240 Speaker 4: because of his ability to concentrate for long periods of time, 761 00:36:01,840 --> 00:36:03,360 Speaker 4: and they said that he wasn't told that it was 762 00:36:03,400 --> 00:36:04,080 Speaker 4: a horror film. 763 00:36:04,400 --> 00:36:05,080 Speaker 3: Yeah. 764 00:36:05,280 --> 00:36:07,600 Speaker 5: I think what I just know is that he never 765 00:36:07,680 --> 00:36:12,680 Speaker 5: worked again. But that's just Hollywood. You know, you get 766 00:36:12,719 --> 00:36:13,480 Speaker 5: type gass. 767 00:36:13,560 --> 00:36:16,360 Speaker 1: You know you're six, You're out there, hungry, trying to 768 00:36:16,400 --> 00:36:20,000 Speaker 1: find your next gig, can't spell. 769 00:36:20,280 --> 00:36:23,880 Speaker 5: You're traumatized by the abusive environment. 770 00:36:24,000 --> 00:36:27,160 Speaker 3: Because Shelley Duvall buy a cabin somewhere. 771 00:36:29,200 --> 00:36:31,200 Speaker 2: You actually thought it was funny because no one told 772 00:36:31,200 --> 00:36:32,160 Speaker 2: you it was a horror movie. 773 00:36:32,840 --> 00:36:36,680 Speaker 5: Yeah, yeah, there were there. It is still the best 774 00:36:36,719 --> 00:36:38,480 Speaker 5: thing to ever. 775 00:36:38,680 --> 00:36:39,040 Speaker 3: I think. 776 00:36:39,200 --> 00:36:43,919 Speaker 5: One of the first viral videos that I remember, other 777 00:36:44,000 --> 00:36:48,319 Speaker 5: than the overdubbed g I Joe cartoon flips, was the 778 00:36:48,480 --> 00:36:53,239 Speaker 5: recut trailer to The Shining Yeah to be like a 779 00:36:53,760 --> 00:36:54,320 Speaker 5: versus Cramer. 780 00:36:54,520 --> 00:36:58,400 Speaker 6: Yeah, Like he's he's lonely, he's a writer that doesn't 781 00:36:58,440 --> 00:37:00,200 Speaker 6: know what to write about, and then he works in 782 00:37:00,239 --> 00:37:04,279 Speaker 6: this in this hotel and falls in love with this 783 00:37:04,480 --> 00:37:06,600 Speaker 6: single mom's kid and becomes his dad. 784 00:37:06,880 --> 00:37:10,800 Speaker 5: Yep, it's the past, like, uh, just with a little 785 00:37:11,280 --> 00:37:12,560 Speaker 5: little soundtrack change. 786 00:37:12,640 --> 00:37:15,040 Speaker 3: Music is important. Yeah, with storytelling. 787 00:37:15,200 --> 00:37:15,359 Speaker 5: Well. 788 00:37:15,360 --> 00:37:18,040 Speaker 2: Also, Jack Nicholson's face is important because he was doing 789 00:37:18,040 --> 00:37:20,400 Speaker 2: the joker smile for a lot of the crazier parts 790 00:37:20,440 --> 00:37:23,800 Speaker 2: of that and then and then it looked like corny 791 00:37:23,960 --> 00:37:26,080 Speaker 2: kind of Oh this is nice. 792 00:37:26,360 --> 00:37:28,480 Speaker 1: Yeah, yeah, it's like, oh he's not smiling. 793 00:37:28,560 --> 00:37:32,360 Speaker 5: Actually, yeah, he is unpredictable. 794 00:37:32,480 --> 00:37:35,000 Speaker 3: He'll pick up a beetle and just put it in 795 00:37:35,040 --> 00:37:35,520 Speaker 3: his mouth. 796 00:37:36,840 --> 00:37:40,280 Speaker 1: Ew. Yeah, is that from the Witches of Eastwick? 797 00:37:40,640 --> 00:37:41,040 Speaker 3: Uh? 798 00:37:41,120 --> 00:37:45,799 Speaker 1: No, those cherries I think he put Are you sure 799 00:37:45,800 --> 00:37:46,680 Speaker 1: they're not the same thing. 800 00:37:46,800 --> 00:37:49,120 Speaker 5: He'll put anything in his mouth. That guy a lit 801 00:37:49,200 --> 00:37:53,000 Speaker 5: cigar that was at a Laker game. No, he he 802 00:37:53,200 --> 00:37:57,719 Speaker 5: it was The Departed. There's there's a scene in the 803 00:37:57,800 --> 00:38:01,960 Speaker 5: Departed where a cockroaches climbing across a stove and he 804 00:38:02,000 --> 00:38:03,520 Speaker 5: picks it up and puts it in his mouth. 805 00:38:03,600 --> 00:38:07,120 Speaker 1: No, yes, and he this needs it. This was improvisation. 806 00:38:08,840 --> 00:38:09,600 Speaker 1: I don't like that. 807 00:38:09,880 --> 00:38:16,480 Speaker 5: Yes, and I don't need it because it's a cockroach 808 00:38:16,480 --> 00:38:16,919 Speaker 5: in the mouth. 809 00:38:17,400 --> 00:38:18,080 Speaker 1: Yeah. 810 00:38:18,120 --> 00:38:22,760 Speaker 2: Well, I mean, look, I guess it's nice that someone 811 00:38:23,440 --> 00:38:26,680 Speaker 2: it's The Departed. Jack Nicholson has nothing to prove. 812 00:38:26,920 --> 00:38:29,239 Speaker 1: It's not like he needs to be doing that rock 813 00:38:29,280 --> 00:38:32,440 Speaker 1: and roll acting and he's still giving it one thousand percent. 814 00:38:33,040 --> 00:38:37,239 Speaker 2: But Jesus fucking Christ, it's a cockroach. Yeah, don't put 815 00:38:37,239 --> 00:38:37,960 Speaker 2: that in your mouth. 816 00:38:38,600 --> 00:38:41,440 Speaker 3: Cage did it too in Vampire's Something Kiss. 817 00:38:41,880 --> 00:38:46,280 Speaker 2: Do you think that Jack Nicholson's action was an answer 818 00:38:46,360 --> 00:38:48,000 Speaker 2: to Nicholas Cage's. 819 00:38:47,600 --> 00:38:49,839 Speaker 3: I think they probably respect each other's work. 820 00:38:50,560 --> 00:38:52,400 Speaker 1: I'm sure they watch each other's movies. 821 00:38:52,560 --> 00:38:54,920 Speaker 2: Oh yeah, right now, could you name a movie that 822 00:38:55,000 --> 00:38:57,759 Speaker 2: has both Jack Nicholson and Nicholas Cage in it? 823 00:38:59,400 --> 00:39:06,760 Speaker 5: Let's see. Wow, I don't believe they've ever worked together. 824 00:39:07,640 --> 00:39:11,160 Speaker 1: I don't either, but in fact, Jackie, yes, we will 825 00:39:11,160 --> 00:39:14,359 Speaker 1: need the answer to this one. But here's the thing 826 00:39:14,440 --> 00:39:16,440 Speaker 1: I did. It turns out I did make up that 827 00:39:16,520 --> 00:39:19,440 Speaker 1: whole thing of that kid wasn't a child actor? Is 828 00:39:19,440 --> 00:39:20,480 Speaker 1: it full fabrication? 829 00:39:20,760 --> 00:39:25,520 Speaker 5: Well, even if he wasn't already, that was definitely his 830 00:39:25,719 --> 00:39:30,120 Speaker 5: first gig. It was a real flash in the panch 831 00:39:30,160 --> 00:39:33,920 Speaker 5: and flashing the Charlie bucket like that guy. Never he 832 00:39:34,080 --> 00:39:36,680 Speaker 5: was just a kid that acted in one movie and 833 00:39:36,880 --> 00:39:38,000 Speaker 5: ch Charlie. 834 00:39:38,480 --> 00:39:40,200 Speaker 3: Yeah on TikTok. 835 00:39:40,280 --> 00:39:43,960 Speaker 2: Someone that like scene starts where that mom starts singing, 836 00:39:44,000 --> 00:39:47,880 Speaker 2: and someone wrote the most fast forwarded scene in any movie. 837 00:39:47,920 --> 00:39:51,520 Speaker 3: Or history. No one is so specific. 838 00:39:51,640 --> 00:39:54,719 Speaker 1: No one wants that mom's song. It's too depressing. 839 00:39:55,719 --> 00:40:00,640 Speaker 5: No, yeah, I I don't think. I I think still 840 00:40:00,680 --> 00:40:02,600 Speaker 5: as an adult, I fast forward over it. 841 00:40:03,360 --> 00:40:07,239 Speaker 2: Yeah, but you know what, you don't fast forward over 842 00:40:07,880 --> 00:40:09,879 Speaker 2: Grandpa Joe getting out of that fucking bed. 843 00:40:10,160 --> 00:40:12,319 Speaker 3: You gotta be careful how hard you push that button 844 00:40:12,400 --> 00:40:13,799 Speaker 3: as it comes right after. 845 00:40:15,080 --> 00:40:16,359 Speaker 1: It is the next thing. 846 00:40:16,440 --> 00:40:20,400 Speaker 5: Literally, she sings about the long laundry bam, he's dancing 847 00:40:20,440 --> 00:40:21,320 Speaker 5: about the chocolate. 848 00:40:21,440 --> 00:40:26,879 Speaker 1: He's like, I don't I feel my leg Charlie, pretty good? 849 00:40:26,960 --> 00:40:31,120 Speaker 3: Right, it really was. You do a good, Grandpa Joe. 850 00:40:31,239 --> 00:40:33,520 Speaker 1: Thank you, Thank you, Charlie. 851 00:40:33,520 --> 00:40:34,760 Speaker 3: It's the only way down. 852 00:40:36,320 --> 00:40:40,080 Speaker 1: You do also do a pretty good Walls have. 853 00:40:40,080 --> 00:40:42,800 Speaker 5: To be sterilized, so you get nothing. 854 00:40:43,000 --> 00:40:44,760 Speaker 1: You dacer get nothing. 855 00:40:45,360 --> 00:40:48,280 Speaker 3: I'm a very good impressionist. 856 00:40:48,600 --> 00:40:56,080 Speaker 5: You are and impersonator and carrot caricaturist. 857 00:40:56,800 --> 00:40:59,320 Speaker 1: And citizen of Montana. 858 00:40:59,400 --> 00:41:04,200 Speaker 3: There's a different It's between impression and Oh. 859 00:41:04,600 --> 00:41:08,120 Speaker 5: My dad always said rich Little does imitations, not impressions, 860 00:41:08,239 --> 00:41:10,880 Speaker 5: because he just repeats the saying that that person says. 861 00:41:11,760 --> 00:41:15,279 Speaker 1: Oh that's more of a critique. Yes, yes, yeah. 862 00:41:15,000 --> 00:41:17,000 Speaker 5: I think that my dad was not a big rich 863 00:41:17,040 --> 00:41:18,520 Speaker 5: Little fan sorry like it. 864 00:41:18,960 --> 00:41:20,600 Speaker 3: If he's out there listening. 865 00:41:20,880 --> 00:41:23,400 Speaker 1: I think we've lost rich at this point. Oh really, 866 00:41:23,560 --> 00:41:24,239 Speaker 1: I do think so. 867 00:41:24,360 --> 00:41:28,160 Speaker 3: Yes, well, he had a great comics on Leached episode Unleashed. 868 00:41:29,080 --> 00:41:31,560 Speaker 5: That's where Robin Leech shosets and they just talk about 869 00:41:31,560 --> 00:41:32,000 Speaker 5: the money. 870 00:41:33,400 --> 00:41:35,280 Speaker 1: Do you have champagne and pearles? 871 00:41:36,560 --> 00:41:38,400 Speaker 3: I have a caviare swimming pool? 872 00:41:43,800 --> 00:41:44,240 Speaker 1: Okay? 873 00:41:44,520 --> 00:41:45,960 Speaker 3: Are we stopping by the studio? 874 00:41:47,360 --> 00:41:52,400 Speaker 1: Is it the church? And am I gonna going to hit? 875 00:41:52,680 --> 00:41:55,000 Speaker 3: I think you're good. I think this is one of 876 00:41:55,000 --> 00:41:56,560 Speaker 3: the things your car would yell about. 877 00:41:56,880 --> 00:41:57,600 Speaker 1: Oh that's true. 878 00:41:57,800 --> 00:42:02,200 Speaker 5: There's probably a little camera on your hubcapp. I said 879 00:42:02,200 --> 00:42:03,640 Speaker 5: that almost accusatorially. 880 00:42:03,719 --> 00:42:04,680 Speaker 1: I know, I'm kind of angrily. 881 00:42:04,960 --> 00:42:07,120 Speaker 3: Yeah, oh, you probably have a fucking camera on. 882 00:42:07,080 --> 00:42:10,640 Speaker 1: Your hubcap impressions versus imitation. 883 00:42:10,960 --> 00:42:15,360 Speaker 5: That's where April Richardson and I shot Almost Genius and 884 00:42:15,719 --> 00:42:17,440 Speaker 5: all the World's Dumbest episodes. 885 00:42:17,520 --> 00:42:20,160 Speaker 2: God, that literally looks like a shotgun shack on the 886 00:42:20,200 --> 00:42:20,879 Speaker 2: side of the road. 887 00:42:21,000 --> 00:42:22,640 Speaker 3: Yeah yeah wow. 888 00:42:23,040 --> 00:42:26,280 Speaker 1: And that's his working studio here in show business. 889 00:42:26,440 --> 00:42:28,279 Speaker 3: I think it is skill. I don't know. 890 00:42:28,480 --> 00:42:30,000 Speaker 5: Every once in a while I want to drop by 891 00:42:30,040 --> 00:42:33,120 Speaker 5: and say hi to the guys. I mean, I think 892 00:42:33,160 --> 00:42:36,120 Speaker 5: they work on cops a lot. Now, seems like they 893 00:42:36,160 --> 00:42:39,960 Speaker 5: would be able to keep cost low. Well, like a 894 00:42:40,000 --> 00:42:43,040 Speaker 5: lot of businesses, it's hard to have a studio through 895 00:42:43,080 --> 00:42:46,160 Speaker 5: a whole quarantine. Yeah, you may have let it go 896 00:42:46,280 --> 00:42:49,560 Speaker 5: and just opt for any room with a green curtain, 897 00:42:49,600 --> 00:42:53,600 Speaker 5: because that's really all you need. You don't need a bathroom, 898 00:42:53,800 --> 00:42:57,840 Speaker 5: you don't. It's a building with bushes nearby, hopefully nice. 899 00:42:57,680 --> 00:42:59,320 Speaker 1: Tall bushes you can squat behind. 900 00:42:59,600 --> 00:43:06,360 Speaker 5: Yeah, I do like to sit an ipe. It's better 901 00:43:06,400 --> 00:43:07,160 Speaker 5: for the prostate. 902 00:43:07,360 --> 00:43:11,120 Speaker 2: Okay, let's talk about this coffee drink that you've invented 903 00:43:11,120 --> 00:43:11,760 Speaker 2: for this trip. 904 00:43:11,920 --> 00:43:14,200 Speaker 5: I can't believe you want a subject change, but yes, 905 00:43:14,360 --> 00:43:15,400 Speaker 5: let's talk about. 906 00:43:15,200 --> 00:43:18,800 Speaker 1: It because I'm wondering. 907 00:43:19,280 --> 00:43:21,239 Speaker 2: Did we pull up to that drive through and you 908 00:43:21,320 --> 00:43:24,920 Speaker 2: thought to yourself, it's time for Fairbanks to get a 909 00:43:24,960 --> 00:43:26,719 Speaker 2: little creative with this coffee drink again. 910 00:43:27,080 --> 00:43:29,799 Speaker 3: Yeah, this time, I'm very happy with it, are you. 911 00:43:30,360 --> 00:43:33,560 Speaker 5: There's something about there's the times I've had only one 912 00:43:33,640 --> 00:43:38,440 Speaker 5: pump into my coffee and it just doesn't take like 913 00:43:38,480 --> 00:43:39,600 Speaker 5: a vanilla or something. 914 00:43:39,600 --> 00:43:40,839 Speaker 3: It's like barely there. 915 00:43:40,920 --> 00:43:45,480 Speaker 5: It's so little flavor that it's almost disappointing. Into a 916 00:43:45,520 --> 00:43:48,879 Speaker 5: drip coffee as right, yeah, right, yeah, Like I know 917 00:43:49,000 --> 00:43:52,279 Speaker 5: that it's trying to have flavor, but much like a Lacroix. 918 00:43:52,280 --> 00:43:54,320 Speaker 3: It's just disappointing that I'd even tried. 919 00:43:54,920 --> 00:43:59,080 Speaker 5: But this, the peppermint, I could it hit my face 920 00:43:59,160 --> 00:44:00,120 Speaker 5: like it actually is. 921 00:44:00,160 --> 00:44:01,920 Speaker 3: There's a menthol situation happening. 922 00:44:02,080 --> 00:44:03,920 Speaker 5: Very I could tell it was there the minute my 923 00:44:04,000 --> 00:44:06,840 Speaker 5: nose was because I pour it in my nose first. 924 00:44:06,960 --> 00:44:08,640 Speaker 3: Oh yeah, it's very good. 925 00:44:08,960 --> 00:44:11,759 Speaker 5: Just one pump of peppermint and a little bit of 926 00:44:12,200 --> 00:44:14,439 Speaker 5: any type of milk other than cow. 927 00:44:15,320 --> 00:44:16,080 Speaker 3: It's delicious. 928 00:44:16,160 --> 00:44:18,080 Speaker 2: It seems like it'd be good, and it's nice, a 929 00:44:18,160 --> 00:44:20,640 Speaker 2: nice holidayish kind of vibe. 930 00:44:20,880 --> 00:44:25,239 Speaker 3: Yeah it is. I already got Christmas favor I know, 931 00:44:25,320 --> 00:44:25,640 Speaker 3: mean too. 932 00:44:25,800 --> 00:44:29,000 Speaker 2: But my thing is this, I don't like a mint 933 00:44:29,400 --> 00:44:31,520 Speaker 2: in my food or drink usually at all. 934 00:44:32,000 --> 00:44:35,440 Speaker 1: Oh really, what do you reserve mint for toothpaste? 935 00:44:35,920 --> 00:44:36,280 Speaker 3: Ah? 936 00:44:36,360 --> 00:44:38,919 Speaker 1: Yes, it's two toothpasty boy. 937 00:44:39,000 --> 00:44:40,280 Speaker 3: I've never even put that together. 938 00:44:40,360 --> 00:44:42,360 Speaker 1: Oh sorry, I think I just ruined your drink. 939 00:44:43,120 --> 00:44:48,560 Speaker 5: No, No, it's I know, to differentiate because coffee does 940 00:44:48,600 --> 00:44:49,799 Speaker 5: the opposite of white in. 941 00:44:49,719 --> 00:44:51,320 Speaker 3: My teeth, that's true. 942 00:44:51,440 --> 00:44:54,719 Speaker 5: Yeah, it turns my teeth into brown little pillows. I 943 00:44:54,800 --> 00:44:58,400 Speaker 5: mean it's actually yeah, it's really good. I like to 944 00:44:58,480 --> 00:44:59,160 Speaker 5: keep it simple. 945 00:44:59,520 --> 00:45:00,440 Speaker 1: Yeah, I think that's good. 946 00:45:00,520 --> 00:45:04,040 Speaker 2: But I like, I've never thought about it before because 947 00:45:04,080 --> 00:45:06,360 Speaker 2: I just basically get this same thing every time and 948 00:45:06,440 --> 00:45:08,520 Speaker 2: know I like it and know what I want out 949 00:45:08,520 --> 00:45:10,920 Speaker 2: of it. But the idea of kind of going, I'm 950 00:45:11,000 --> 00:45:12,640 Speaker 2: going to do a simple mix and match. 951 00:45:13,080 --> 00:45:17,960 Speaker 1: Yeah, coffee, uh, some sort of a dairy product in there, 952 00:45:18,040 --> 00:45:18,920 Speaker 1: and then a flavor. 953 00:45:19,880 --> 00:45:24,879 Speaker 5: I promised myself i'd come out of this this time 954 00:45:24,960 --> 00:45:27,400 Speaker 5: off from society trying new things. 955 00:45:27,520 --> 00:45:29,480 Speaker 3: Oh, it's my version of a pool party. 956 00:45:30,560 --> 00:45:33,359 Speaker 1: It's a pump of peppermint in some woo. 957 00:45:33,680 --> 00:45:35,879 Speaker 3: Watch me do cannon ball, everybody. 958 00:45:35,960 --> 00:45:41,080 Speaker 2: We must do what we can when we can, as 959 00:45:41,120 --> 00:45:41,520 Speaker 2: we can. 960 00:45:41,600 --> 00:45:43,799 Speaker 5: I don't know if that's actually saying, but is that 961 00:45:44,040 --> 00:45:47,480 Speaker 5: I actually that was Shakespeare or something. 962 00:45:47,680 --> 00:45:49,320 Speaker 2: It was because I was talking in that weird voice. 963 00:45:50,640 --> 00:45:52,480 Speaker 2: It sounded like a real good quote. 964 00:45:52,560 --> 00:45:53,640 Speaker 3: Yeah, had had that. 965 00:45:53,840 --> 00:45:56,759 Speaker 5: Uh you get ready for this cadence to it, but 966 00:45:56,880 --> 00:46:00,000 Speaker 5: then in the end, just very disappointing. 967 00:46:00,080 --> 00:46:03,480 Speaker 3: Yeah, I'm it's not really I'm kidding. 968 00:46:03,960 --> 00:46:05,239 Speaker 1: I like this rainy day. 969 00:46:05,600 --> 00:46:11,800 Speaker 5: It's terrific. Yeah, I appreciate any weather that we get. Yeah, agreed, 970 00:46:12,000 --> 00:46:15,759 Speaker 5: And it's what people usually complain about rainy days, but 971 00:46:15,840 --> 00:46:18,560 Speaker 5: I love it. Look how gray it is. It's so nice, creary. 972 00:46:18,640 --> 00:46:21,920 Speaker 3: This is as close as we get to a season. 973 00:46:22,280 --> 00:46:25,040 Speaker 1: It makes me think maybe I should put up some 974 00:46:25,120 --> 00:46:25,880 Speaker 1: Christmas lights. 975 00:46:25,960 --> 00:46:26,360 Speaker 3: Yeah. 976 00:46:27,080 --> 00:46:29,920 Speaker 5: It made me do crafts. It made me paint on 977 00:46:29,960 --> 00:46:33,759 Speaker 5: my jacket. Yeah, cover up these ugly image on the back. 978 00:46:34,600 --> 00:46:37,960 Speaker 5: It makes me want to get crafty. Something about rain 979 00:46:38,280 --> 00:46:40,719 Speaker 5: It's like, well, I have no choice. I gotta get creative, 980 00:46:41,000 --> 00:46:41,440 Speaker 5: that's right. 981 00:46:41,560 --> 00:46:43,840 Speaker 2: It's like when you have to do a recess indoors 982 00:46:44,800 --> 00:46:46,960 Speaker 2: on a rainy day at school. 983 00:46:47,200 --> 00:46:47,839 Speaker 3: Yeah. 984 00:46:48,600 --> 00:46:51,799 Speaker 2: Do you remember reading the book A Snowy Day and 985 00:46:51,840 --> 00:46:54,320 Speaker 2: then doing the art project where you get a piece 986 00:46:54,360 --> 00:46:58,160 Speaker 2: of blue construction paper and you get white paint, and 987 00:46:58,200 --> 00:47:01,360 Speaker 2: then you blow the white paint around with a straw 988 00:47:01,920 --> 00:47:03,200 Speaker 2: and it looks like snow. 989 00:47:03,920 --> 00:47:06,920 Speaker 5: I've used those techniques before, and I liked it just 990 00:47:06,920 --> 00:47:12,680 Speaker 5: because it was made me dizzy, you know, paint, oh god, 991 00:47:13,080 --> 00:47:15,719 Speaker 5: sniff and glue everything. For a fifth grader, I was 992 00:47:15,760 --> 00:47:18,120 Speaker 5: really ahead of my time. But I don't remember that 993 00:47:18,200 --> 00:47:18,879 Speaker 5: book at all. 994 00:47:19,080 --> 00:47:20,359 Speaker 1: This is a kindergarten book. 995 00:47:20,600 --> 00:47:22,600 Speaker 2: It's like it's very It's like one of the first 996 00:47:22,640 --> 00:47:24,560 Speaker 2: books a teacher would read you at school. 997 00:47:25,120 --> 00:47:27,840 Speaker 5: Oh okay, now I don't remember you have a good memory. 998 00:47:27,880 --> 00:47:30,560 Speaker 5: I don't remember much from kindergarten. 999 00:47:30,760 --> 00:47:31,440 Speaker 1: Kindergarten. 1000 00:47:31,680 --> 00:47:35,000 Speaker 2: Well, and it's it's just a it's a very sweet book, 1001 00:47:35,040 --> 00:47:37,120 Speaker 2: but it's like a little boy that just basically put 1002 00:47:37,280 --> 00:47:39,600 Speaker 2: ma'am seriously, I'll fucking kill you. 1003 00:47:40,800 --> 00:47:41,759 Speaker 1: God damn it. 1004 00:47:42,520 --> 00:47:43,560 Speaker 3: You love fights. 1005 00:47:43,680 --> 00:47:46,800 Speaker 1: You are like she's literally at the stop sign, rolling 1006 00:47:46,880 --> 00:47:48,880 Speaker 1: through the stop sign and then decides to turn and 1007 00:47:48,920 --> 00:47:50,680 Speaker 1: look and see what else is maybe happening. 1008 00:47:50,840 --> 00:47:52,080 Speaker 3: Yeah, it's annoying with people. 1009 00:47:52,160 --> 00:47:54,279 Speaker 5: They do plan on stopping, but they're going to make 1010 00:47:54,320 --> 00:47:55,760 Speaker 5: you think they're going to keep rolling. 1011 00:47:55,880 --> 00:47:59,040 Speaker 1: Well, and also it's like and then sometimes those same 1012 00:47:59,080 --> 00:48:01,239 Speaker 1: people roll out in front of you far enough that 1013 00:48:01,280 --> 00:48:03,400 Speaker 1: you have to let them just do whatever they want 1014 00:48:03,880 --> 00:48:05,960 Speaker 1: because they've already now kind of blocked you in a 1015 00:48:06,000 --> 00:48:09,680 Speaker 1: way where then you have to like go like after you. 1016 00:48:09,760 --> 00:48:12,600 Speaker 3: Yeah, I don't expect that from a MASTA driver. 1017 00:48:13,280 --> 00:48:14,360 Speaker 1: No, that's ballsy. 1018 00:48:14,680 --> 00:48:17,520 Speaker 5: Yeah, that's BMW behavior. No offense to all of you 1019 00:48:17,560 --> 00:48:19,440 Speaker 5: out there and driving beamers. 1020 00:48:20,120 --> 00:48:22,000 Speaker 3: Don't you have a car dealership to work out? 1021 00:48:22,120 --> 00:48:25,239 Speaker 1: Yeah? For real, don't you have wait wait, high fived. 1022 00:48:26,719 --> 00:48:30,200 Speaker 5: That. I think Karen throw out her shoulder. It's such 1023 00:48:30,239 --> 00:48:33,719 Speaker 5: a testament high fives. Karen never has fund to high 1024 00:48:33,719 --> 00:48:36,359 Speaker 5: five in her life. But you put that hand up. 1025 00:48:36,840 --> 00:48:39,040 Speaker 1: I was driving around a curve. I couldn't use my 1026 00:48:39,120 --> 00:48:39,880 Speaker 1: inside hands. 1027 00:48:40,080 --> 00:48:42,120 Speaker 5: Terrible time to do a thing that you didn't even 1028 00:48:42,160 --> 00:48:45,160 Speaker 5: want to do, and you didn't hesitate for a minute. 1029 00:48:45,600 --> 00:48:48,640 Speaker 1: I was not going to leave you hanging. Yeah, yeah, 1030 00:48:49,000 --> 00:48:50,839 Speaker 1: not on this beautiful Christmas day. 1031 00:48:51,040 --> 00:48:52,200 Speaker 3: No, it's bad luck. 1032 00:48:52,680 --> 00:48:55,840 Speaker 5: Yeah, but yeah, I don't remember that book pretty nice. 1033 00:48:56,080 --> 00:48:59,719 Speaker 2: Yeah, but apparently my sister says, all these years later, 1034 00:49:00,400 --> 00:49:04,120 Speaker 2: like literally fifty, she still does that exact same art 1035 00:49:04,120 --> 00:49:06,799 Speaker 2: project after the first time she reads that book. And 1036 00:49:06,840 --> 00:49:10,040 Speaker 2: they read it in the wintertime, so it's like other 1037 00:49:10,160 --> 00:49:11,839 Speaker 2: kids go through a snowy day. 1038 00:49:12,160 --> 00:49:12,520 Speaker 3: Yeah. 1039 00:49:12,560 --> 00:49:15,920 Speaker 5: I wonder if if I ever have little people in 1040 00:49:16,000 --> 00:49:20,160 Speaker 5: my house on the future, if all of a sudden 1041 00:49:20,200 --> 00:49:23,520 Speaker 5: I'll remember things like that, I bet, just because you're. 1042 00:49:23,440 --> 00:49:26,360 Speaker 3: Around kids, and it'll kind of open up that memory vault. 1043 00:49:27,960 --> 00:49:31,560 Speaker 1: Did you leave that memory ball memory vault? Oh? Good? 1044 00:49:31,640 --> 00:49:32,080 Speaker 3: Good? 1045 00:49:32,600 --> 00:49:33,200 Speaker 1: Just that matter. 1046 00:49:33,560 --> 00:49:37,240 Speaker 5: Well, our brains really are bull balls of memories. 1047 00:49:37,960 --> 00:49:39,560 Speaker 3: Each lobe is spherical. 1048 00:49:42,040 --> 00:49:42,920 Speaker 1: I think we're done. 1049 00:49:43,080 --> 00:49:44,600 Speaker 3: It was a fun episode. 1050 00:49:45,120 --> 00:49:50,160 Speaker 1: Look, I like our episodes the best because I love 1051 00:49:50,239 --> 00:49:52,719 Speaker 1: listening to sound of my own voice too. 1052 00:49:53,560 --> 00:49:55,799 Speaker 3: When when it's just you and I, there's few were 1053 00:49:55,920 --> 00:49:59,680 Speaker 3: stopping of talkings. Yes, oh god. 1054 00:49:59,600 --> 00:50:01,960 Speaker 2: And it's easier to lose your train of thought and 1055 00:50:02,000 --> 00:50:04,080 Speaker 2: pick it back up again later. One of my favorite 1056 00:50:04,120 --> 00:50:04,680 Speaker 2: things to do. 1057 00:50:04,960 --> 00:50:07,480 Speaker 5: Yeah, and this is tiring for you and I, I 1058 00:50:07,480 --> 00:50:10,600 Speaker 5: mean we, you and I. Generally, I think that you 1059 00:50:10,640 --> 00:50:13,360 Speaker 5: and I are both people that don't mind. We know 1060 00:50:13,400 --> 00:50:15,960 Speaker 5: a lot of people that can't stand silence for a 1061 00:50:16,000 --> 00:50:18,160 Speaker 5: moment that it has to be filled with conversation. 1062 00:50:18,360 --> 00:50:18,799 Speaker 1: Oh yeah. 1063 00:50:18,840 --> 00:50:20,839 Speaker 5: And I grew up with a group of friends that 1064 00:50:20,880 --> 00:50:23,280 Speaker 5: we could go on road trips and no one says 1065 00:50:23,320 --> 00:50:27,240 Speaker 5: anything for a half hour and it doesn't mean anything. 1066 00:50:27,520 --> 00:50:28,680 Speaker 3: Everything is fine, yep. 1067 00:50:29,520 --> 00:50:33,680 Speaker 5: And so we have to work harder, you know, even 1068 00:50:33,719 --> 00:50:36,640 Speaker 5: though we're great communicators, you and I. Oh yeah, yeah, 1069 00:50:36,680 --> 00:50:40,520 Speaker 5: it is work. It's not hot in here, but I'm sweating. 1070 00:50:41,120 --> 00:50:42,719 Speaker 5: It's laborious to talk. 1071 00:50:42,800 --> 00:50:45,399 Speaker 1: You have to think, you have to plan, you have 1072 00:50:45,480 --> 00:50:48,040 Speaker 1: to kind of listen at least a little bit. You 1073 00:50:48,120 --> 00:50:51,000 Speaker 1: have to use the now and the person just used 1074 00:50:51,040 --> 00:50:52,759 Speaker 1: to connect to what you want to say. 1075 00:50:53,040 --> 00:50:56,440 Speaker 5: Yeah, it's it's a lot like it's hard labor. The 1076 00:50:56,480 --> 00:50:57,680 Speaker 5: same is building a fence. 1077 00:50:57,760 --> 00:51:02,239 Speaker 2: Hey, teamsters, we just want to say, first of all, congratulations, Yeah, 1078 00:51:02,520 --> 00:51:04,640 Speaker 2: huge job, amazing work. 1079 00:51:04,800 --> 00:51:07,799 Speaker 3: We're pro union, very pro union. 1080 00:51:08,120 --> 00:51:12,320 Speaker 1: But also your jobs might be hard. This is way harder. 1081 00:51:13,440 --> 00:51:15,440 Speaker 3: I think we should start a podcast union. 1082 00:51:17,360 --> 00:51:19,880 Speaker 1: That needs to happen very soon. Yeah I'm not joking. 1083 00:51:20,000 --> 00:51:22,399 Speaker 5: Yeah, you actually am telling you to do that. You're 1084 00:51:22,440 --> 00:51:24,040 Speaker 5: you're closer to the business than me. 1085 00:51:24,640 --> 00:51:28,440 Speaker 1: Oh yeah, I'm not the one fucking asking for it. 1086 00:51:30,120 --> 00:51:33,560 Speaker 2: I'm not the one at the skateboard park every goddamn day. 1087 00:51:33,600 --> 00:51:37,360 Speaker 1: Where am i. I'm in there at that zoom meeting 1088 00:51:37,520 --> 00:51:38,560 Speaker 1: in that room right there. 1089 00:51:39,120 --> 00:51:43,000 Speaker 3: That's it. I'm striking. This is our first strike. You've 1090 00:51:43,000 --> 00:51:46,520 Speaker 3: been listening to Do you Need a Ride? D y 1091 00:51:46,640 --> 00:51:59,960 Speaker 3: n Are? Hey are? That was harmonizing. This has been 1092 00:52:00,200 --> 00:52:01,680 Speaker 3: an Exactly Write. 1093 00:52:01,440 --> 00:52:05,680 Speaker 1: Production produced by Annalise Nelson, mixed by Edson Choi. 1094 00:52:06,080 --> 00:52:07,960 Speaker 2: Our talent booker is Patrick Kottner. 1095 00:52:08,239 --> 00:52:10,920 Speaker 3: Theme song by Karen Kilgarrett. 1096 00:52:10,600 --> 00:52:12,040 Speaker 1: Artwork by Chris Fairbanks. 1097 00:52:12,280 --> 00:52:15,360 Speaker 2: Follow the show on Instagram, Twitter, and Facebook at dinar 1098 00:52:15,480 --> 00:52:18,560 Speaker 2: podcast That's d y nar Podcast. 1099 00:52:19,000 --> 00:52:22,560 Speaker 5: For more information, go to Exactlyrightmedia dot com. 1100 00:52:22,600 --> 00:52:22,960 Speaker 1: Thank you. 1101 00:52:23,800 --> 00:52:24,840 Speaker 3: Oh You're welcome.