WEBVTT - Megan Mullally and Nick Offerman Take it Slow in Work and in Love

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<v Speaker 1>This is Alec Baldwin, and you were listening to Here's

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<v Speaker 1>the Thing. A couple of weeks ago, we were at

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<v Speaker 1>the Ace Hotel in downtown Los Angeles. I was joined

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<v Speaker 1>by Megan Mollally and Nick Offerman. Malally is best known

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<v Speaker 1>for her role as Karen Walker on Will and Grace.

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<v Speaker 1>Offerman's big break was playing the role of Ron Swanson

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<v Speaker 1>on Parks and Recreation, but they also have a life

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<v Speaker 1>together off screen. They have been married since two thousand three,

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<v Speaker 1>and as Playboy Magazine wrote a couple of years ago,

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<v Speaker 1>their comic chemistry is akin to that of a hyper

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<v Speaker 1>sexualized Jerry Stiller and Anne Mira. Thank you both for coming,

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<v Speaker 1>Thanks for having us. Let me begin by asking that

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<v Speaker 1>the two of you also. I'm gonna start with Nick

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<v Speaker 1>because we've gotta go one at a time here, and

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<v Speaker 1>that is that. What was the comedy d n A

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<v Speaker 1>and your family when you were growing up? Did you

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<v Speaker 1>come from a family of like rip snorton comedy people.

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<v Speaker 1>I wouldn't say rip snorting, but there is a powerful

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<v Speaker 1>sense of humor in my family. They're hardworking and humble.

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<v Speaker 1>Their farmers and school teachers and nurses and librarians. Sorry,

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<v Speaker 1>and um, and so there's a real I think it's

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<v Speaker 1>the farmer ethos where you have to work. You can't

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<v Speaker 1>be too funny or too dramatic. You just keep working.

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<v Speaker 1>But you know all of your year's work might be

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<v Speaker 1>wiped out by locusts or storms, so you have to

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<v Speaker 1>have a dry sense of humor of like, well, I

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<v Speaker 1>guess we're eating our shoes this year. And I picked

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<v Speaker 1>up on that. And were you the funny one in

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<v Speaker 1>your family? Well, that might be over egging the pudding,

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<v Speaker 1>but I uh, I was definitely the showman performer. Yeah.

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<v Speaker 1>You mentioned in an interview where you said, like you're hardworking,

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<v Speaker 1>kind of tough, no nonsense family. They viewed you as

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<v Speaker 1>like the woofs of the family business. I'm the city

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<v Speaker 1>when I walk in the door, it says that I'm

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<v Speaker 1>the Milo of my family. Perhaps. And you you that

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<v Speaker 1>you were born in l A but you grew up

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<v Speaker 1>in Oklahoma. Yeah, how did that happen? How did that happen? Well,

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<v Speaker 1>my father was a contract player with Paramount in the fifties,

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<v Speaker 1>and so they lived in Los Angeles for a long

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<v Speaker 1>time and I was born here and then when uh,

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<v Speaker 1>and then they moved back to Oklahoma when I was six,

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<v Speaker 1>and I had a little bag packed by the door

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<v Speaker 1>of that whole time I was in Oklahoma, just waiting

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<v Speaker 1>to come back to Los Angeles. Although I had a

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<v Speaker 1>great upbringing, but I just I knew better. Did he

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<v Speaker 1>feel like he didn't want to ring. Did he feel

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<v Speaker 1>like he didn't want to raise his kids in l A?

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<v Speaker 1>That's why he went back to Oklahoma to have a Uh. Yeah,

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<v Speaker 1>his parents had lived in Newport Beach and they both

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<v Speaker 1>passed away in the same year, and he just didn't

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<v Speaker 1>want to be here anymore. And he was very bitter

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<v Speaker 1>about the entertainment industry. And he had grown up in

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<v Speaker 1>Oklahoma City and my mom had grown up in Tulsa,

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<v Speaker 1>so he just wanted to get back there. But can

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<v Speaker 1>you imagine that being bitter about the entertainment industry. I

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<v Speaker 1>wouldn't know what that's like. Yeah, I think he wanted

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<v Speaker 1>to be the big fish, you know, and he wanted

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<v Speaker 1>to make it. He really wanted to make it, but

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<v Speaker 1>it was really busy drinking alcohol, so it really cut

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<v Speaker 1>into the acting time. Yeah, he was very busy drinking

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<v Speaker 1>alcohol and having sex with women who weren't my mother,

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<v Speaker 1>So it really took a bite out of the Some

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<v Speaker 1>people are able to juggle those persons. Yeah, but he

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<v Speaker 1>was more specialist. Yeah. So did he did he act

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<v Speaker 1>in Oklahoma? Did he revive his careerty become like the

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<v Speaker 1>he did Tony Randall of Oklahoma with gaily people? With

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<v Speaker 1>his theatrical my father was. He wore an ascot and

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<v Speaker 1>at one point had a yeah in Oklaoma City in

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<v Speaker 1>like this early sixties, and had at one point bought

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<v Speaker 1>a fant rolls Roy Roy's Phantom three, uh Gray you

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<v Speaker 1>know what you know extravaganza and he would drive that around,

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<v Speaker 1>tuning in ascot. So the fact that he was not

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<v Speaker 1>way to bang a lot of women and what was that?

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<v Speaker 1>He just had a very he was like a gay guy,

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<v Speaker 1>you know. He just had like a very fantastical presentation. Yeah. Yeah,

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<v Speaker 1>my parents had a lot that I learned to sing

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<v Speaker 1>because my parents had a lot of Barbera Streis and

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<v Speaker 1>Judy Garland records. And I was like, we're my parents

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<v Speaker 1>to gay men. What what's happening now? What he did

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<v Speaker 1>he perform in Like I read that he performed at

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<v Speaker 1>Dinner Theater there. He was kind of the only p

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<v Speaker 1>something that I knew growing up who had this really

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<v Speaker 1>you know, kind of um met a sense of humor

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<v Speaker 1>and so I yeah, he could crack my mom and

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<v Speaker 1>I for sure, but we were all so scared of him.

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<v Speaker 1>That was a good combo. Well, know what your families?

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<v Speaker 1>Are your parents both alive at all? Or now? My

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<v Speaker 1>mom is my mom's ninety five? Yeah, she's she's she's

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<v Speaker 1>an Oklahoma city in the same house that I grew

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<v Speaker 1>up in. Did she get the roles? She know that

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<v Speaker 1>had to be sold? I think. But my my dad

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<v Speaker 1>never really had like a real job, but he had

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<v Speaker 1>money from the family, had some oil money from way

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<v Speaker 1>back when, so he kind of drifted along on that.

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<v Speaker 1>But the roles was temporary. Was your dad around to

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<v Speaker 1>meet him? Do they know each other? No? Unfortunately my

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<v Speaker 1>dad passed away. But I is totally completely different? Is

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<v Speaker 1>he and Nick? Are? I do think that there's some

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<v Speaker 1>crossover because both gay? Um, there's that and wait can

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<v Speaker 1>they yeah, ton, it's coming out? Okay? Speaking of gay?

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<v Speaker 1>Can I mention what you said backstage? Backstage, Megan was

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<v Speaker 1>staring at my balls when I was sitting down. Can

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<v Speaker 1>you see the hole? You see the hole in my past?

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<v Speaker 1>I split my pants? Can you see. Okay, I'm gonna

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<v Speaker 1>put the paper, I'm gonna put my notes here. I'll

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<v Speaker 1>read the trousers has been invented that will contain the

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<v Speaker 1>testicles of like bald one, they will not be reined in,

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<v Speaker 1>they will not be rained in. Nick has taken a

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<v Speaker 1>rather festive handkerchief out of his pocket and wraps around

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<v Speaker 1>his neck in the form of an ascot, So it's

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<v Speaker 1>more of a crava. So the Offerman's. So the Offerman's

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<v Speaker 1>and the and the uh and the Malawley's never met,

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<v Speaker 1>I mean where you got the two families got together well,

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<v Speaker 1>and that would have been an interesting thing. Yeah, Megan's

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<v Speaker 1>mom came to Minuka, and the families have visited each other.

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<v Speaker 1>Uh and and Megan's mom had a wonderful gentleman companion, Mr.

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<v Speaker 1>Nat Smith, and they traveled all over together with them.

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<v Speaker 1>And so they came to our little town of Manuka

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<v Speaker 1>for holiday dinners. And then we came to Oklahoma as well. Minuka, Manuka, Manuka, Minuka.

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<v Speaker 1>So I'm gonna assume that Manuka people even coming there

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<v Speaker 1>from Oklahomas. I mean, Oklahoma City is paris compared to Minuka,

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<v Speaker 1>I'm assuming, and so never even went Chicago is less

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<v Speaker 1>than an hour away, and they never even when it

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<v Speaker 1>was like going to Morocco, it felt like we were

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<v Speaker 1>in Mayberry Um. When I finally got to Chicago, I

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<v Speaker 1>felt like I had traveled from the fifties to present day.

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<v Speaker 1>You you went to Champagne or Banna. I did to

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<v Speaker 1>study what I'm proud fighting a line. I to study theaters.

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<v Speaker 1>They yeah, they have actually a quite reputable theater conservatory.

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<v Speaker 1>And that's what you wanted from when you were when

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<v Speaker 1>you were young, you knew you wanted to study acting.

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<v Speaker 1>I was really ignorant. I I knew that I wanted

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<v Speaker 1>to perform, and I only is about a junior in

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<v Speaker 1>high school. I found out that you could get paid

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<v Speaker 1>to do plays in Chicago. Like I had heard of Broadway,

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<v Speaker 1>and I had heard of London, but I certainly didn't

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<v Speaker 1>think I could get there from Manuka. I was ignorant.

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<v Speaker 1>I didn't do the math that that you watch. You know,

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<v Speaker 1>my dad and I loved watching Jackie Gleason and John

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<v Speaker 1>Wayne movies, and I never did the math of impersonating like, oh,

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<v Speaker 1>I can learn to talk like Reverend Jim mcnatowski on

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<v Speaker 1>taxi and then somebody will give me, you know. Instead,

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<v Speaker 1>I just was like, hey, you guys crazy. You would

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<v Speaker 1>have a breakdancing team with his cousin Ryan whatever they

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<v Speaker 1>talk and flip flop flip flop was Ryan because he

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<v Speaker 1>did the gymnastics and the popping locker here was TikTok

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<v Speaker 1>fuking crazy guilty, So you realize you wanted to We

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<v Speaker 1>did plays at my high school and it just plays

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<v Speaker 1>in high school. Yeah, I did. How many people were

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<v Speaker 1>in your high school? Like eleven people total? About eight

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<v Speaker 1>hundred like you did? Good? Oh, and nine other people

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<v Speaker 1>were in the audience. We did um, we did you know,

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<v Speaker 1>the crampy plays that high schools do. We also did musicals,

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<v Speaker 1>and so it was a revelation to discover that you

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<v Speaker 1>could perform theater professionally in as close as Chicago, and

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<v Speaker 1>that these kids were studying that to do this at

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<v Speaker 1>the University of Illinois and I saw I that was

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<v Speaker 1>my first audition, and it was I didn't even know

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<v Speaker 1>what a monologue was like. For one of my monologues,

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<v Speaker 1>I performed a scene of dialogue, played both parts. Yeah, Louis,

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<v Speaker 1>what what exactly like doing both parts? What scene was that?

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<v Speaker 1>What scene did you do to both parts. It was

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<v Speaker 1>a scene from the place steam Bath once again scene

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<v Speaker 1>from the Plague Glory Hole. And yeah, the professors were

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<v Speaker 1>you could have done Boys in the Band and played

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<v Speaker 1>all the parts from but they you know, I honestly think, um,

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<v Speaker 1>they took uh sixteen students a year in this conservatory.

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<v Speaker 1>And I was very affle deck and I think that

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<v Speaker 1>you know, they do a lot of Shakespeare and big

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<v Speaker 1>check off plays, and so you need a couple of

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<v Speaker 1>guys to like carry the coffin or the carry the

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<v Speaker 1>samovar on stage. He was an altar boy. Also, I

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<v Speaker 1>was no, wait, what sports did you play? It was

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<v Speaker 1>Central Illinois, so basketball, baseball, and football, but football was

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<v Speaker 1>my best sports. Would you play position? Defensive back? Either

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<v Speaker 1>cornerback or what they called monster back? That was good

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<v Speaker 1>at at tackling people? Um, but people. It was a

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<v Speaker 1>little weird, But I had, um, I don't know, I

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<v Speaker 1>had the respect of the team, so they they kind

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<v Speaker 1>of thought I was fruity, But I think I was

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<v Speaker 1>tough enough at sports that they were liked. Saturday Afternoon,

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<v Speaker 1>I was in the swing choir. You were gay until

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<v Speaker 1>the kickoff? Were you a superstar athlete there in Oklahoma

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<v Speaker 1>and Oklahoma City. Uh now I was. I wasn't a

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<v Speaker 1>ballet company, though I was a serious ballet dancer for

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<v Speaker 1>many years, and I was in a company for five

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<v Speaker 1>years and studied at New York City Ballet's School School

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<v Speaker 1>of American Ballet UM. But no, I, on the other hand,

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<v Speaker 1>basically came out of the womb in a top hat

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<v Speaker 1>and tapshi. I was developing my skills from birth, Yeah,

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<v Speaker 1>I was. I was literally like in my room trying

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<v Speaker 1>to perfect every possible performing skill imaginable from the age

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<v Speaker 1>of four. Um. Yeah, I don't know why it's I

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<v Speaker 1>think it's weird that those kind of things happened. I

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<v Speaker 1>think that when kids have a certain predilection, predilection for

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<v Speaker 1>a career. I mean I know so many people who

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<v Speaker 1>who had that. Yeah, when I was a kid, that

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<v Speaker 1>we would always torment my mother because like when I

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<v Speaker 1>was a little you know that programming on TV was

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<v Speaker 1>like old Warner Brothers, gangster films, or like the Bowery Boys.

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<v Speaker 1>I don't know if people who remember the Bowery Boys,

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<v Speaker 1>like my whole childhood, we just like shovel that on

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<v Speaker 1>my mother all the time. She'd be like, are you

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<v Speaker 1>boys gonna finish those potatoes. We're like, we're not gonna

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<v Speaker 1>eat the potatoes. See who's asking? See why don't you

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<v Speaker 1>know damn potatoes? Get out of here. See my mother

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<v Speaker 1>will be like, oh God, oh God, what's happening. What

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<v Speaker 1>did you watch? I liked the weird stuff like Mary Hartman,

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<v Speaker 1>Mary Hartman, And yeah, that's the fact that they even

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<v Speaker 1>aired that in Oklahoma City kind of blows my mind

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<v Speaker 1>when I think about smoke pot and watched Mary Hartman

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<v Speaker 1>Mary Hartan. I was it was. I was too young,

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<v Speaker 1>but I had words. Don't bullshit us? Yeah, no, when

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<v Speaker 1>it first started, I was. I didn't ever smoke pot

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<v Speaker 1>till I was seventeen. I don't think I watched Mary Hartman. Mary.

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<v Speaker 1>I used just to blow a big fat one out

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<v Speaker 1>the window before Mary had I love that show my mom.

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<v Speaker 1>My mom used to watch it with me. She totally

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<v Speaker 1>got it. My mom encouraged me in a lot of ways,

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<v Speaker 1>and I knew every song on the radio and all

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<v Speaker 1>that kind of stuff. And my mom always, you know,

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<v Speaker 1>she gave me ballet lessons and encouraged me to be creative.

0:14:17.000 --> 0:14:20.520
<v Speaker 1>Did you smoke a lot of weed there in Minuka? No?

0:14:20.760 --> 0:14:25.240
<v Speaker 1>In fact, no, it was very conservative and the uh

0:14:25.360 --> 0:14:31.640
<v Speaker 1>like the six known pot smokers, were completely alienated, like

0:14:31.680 --> 0:14:35.920
<v Speaker 1>they this this was the eighties, and they like they

0:14:36.360 --> 0:14:41.240
<v Speaker 1>announced their devotion to to marijuana with long hair and

0:14:41.320 --> 0:14:47.200
<v Speaker 1>like rat concert t shirts. It wasn't even something you considered,

0:14:47.320 --> 0:14:50.520
<v Speaker 1>like there was such a taint on it. And then

0:14:50.560 --> 0:14:58.080
<v Speaker 1>I got to theater school and and my best friend Joe,

0:14:58.400 --> 0:15:02.520
<v Speaker 1>it took him at the time time, there's a longside tangent.

0:15:02.560 --> 0:15:05.200
<v Speaker 1>I was pretending to be a born again Christian so

0:15:05.240 --> 0:15:11.960
<v Speaker 1>that I could sleep with this particular young lady, And

0:15:12.040 --> 0:15:14.360
<v Speaker 1>so I had to kind of work out of that

0:15:15.800 --> 0:15:19.400
<v Speaker 1>to save face. They would they would they were he was,

0:15:19.520 --> 0:15:23.320
<v Speaker 1>they were both born again supposedly, and then he would

0:15:23.360 --> 0:15:26.320
<v Speaker 1>like get her to like have sex with them, and

0:15:26.360 --> 0:15:28.320
<v Speaker 1>then they would both cry and like get down their

0:15:28.360 --> 0:15:31.360
<v Speaker 1>knees and repent and ask her forgiveness, and then the

0:15:31.520 --> 0:15:33.520
<v Speaker 1>same thing the next night, and just on and on

0:15:33.600 --> 0:15:39.240
<v Speaker 1>every single night, every night born again. She was born

0:15:39.280 --> 0:15:45.920
<v Speaker 1>again and again and again highly recommended. And when did

0:15:45.920 --> 0:15:47.600
<v Speaker 1>you decide you're going to go to to become like

0:15:47.640 --> 0:15:49.320
<v Speaker 1>a pro. You got a college and what happened when

0:15:49.320 --> 0:15:51.640
<v Speaker 1>you've done with college? Well, there was a group of us. Uh,

0:15:51.680 --> 0:15:54.120
<v Speaker 1>you know, and I was really bad at acting like

0:15:55.000 --> 0:15:57.920
<v Speaker 1>I was so ignorant. Um that I was trying way

0:15:57.920 --> 0:16:02.120
<v Speaker 1>too hard in a nutshell was my problem. And uh.

0:16:02.160 --> 0:16:04.680
<v Speaker 1>And so all through college I wasn't really getting cast.

0:16:05.320 --> 0:16:08.720
<v Speaker 1>But I endeared myself to this group of of great

0:16:08.880 --> 0:16:12.440
<v Speaker 1>artists because I could build scenery and I could choreograph

0:16:12.560 --> 0:16:17.120
<v Speaker 1>sword fights. Became a a big sword fighter and um.

0:16:18.800 --> 0:16:22.360
<v Speaker 1>And so we formed a theater company called the Defiant

0:16:22.440 --> 0:16:28.880
<v Speaker 1>Theater and moved on Moss to Chicago. What's up? That

0:16:29.000 --> 0:16:30.520
<v Speaker 1>was kind of the thing, was like, let's make a

0:16:30.560 --> 0:16:33.160
<v Speaker 1>go of it in Chicago, which is probably the greatest

0:16:33.240 --> 0:16:38.640
<v Speaker 1>theater city in the country. Um. For that reason, it's

0:16:39.520 --> 0:16:41.640
<v Speaker 1>you can. You can. You can make a go of

0:16:41.640 --> 0:16:44.920
<v Speaker 1>it with a storefront theater in a more affordable way

0:16:45.240 --> 0:16:48.680
<v Speaker 1>and your audience there. There's no ulterior motive, there's no Broadway,

0:16:48.800 --> 0:16:54.160
<v Speaker 1>there's no TV business. It's if you're doing Beckett in Chicago,

0:16:54.200 --> 0:16:56.360
<v Speaker 1>it's because you really want to do theater. Why do

0:16:56.440 --> 0:16:58.440
<v Speaker 1>you think that is? To explain to people who don't

0:16:58.480 --> 0:17:03.280
<v Speaker 1>know and count me among them, why is uh, Chicago

0:17:03.480 --> 0:17:05.760
<v Speaker 1>such a fertile ground for theater? I don't know. I

0:17:05.800 --> 0:17:09.919
<v Speaker 1>think it's a combination of not being uh, you know,

0:17:10.280 --> 0:17:13.679
<v Speaker 1>New York, in l A, our places where if you

0:17:13.840 --> 0:17:19.240
<v Speaker 1>if you have a scrap, yeah that's the full of dogs.

0:17:19.760 --> 0:17:21.920
<v Speaker 1>If you if you have just a spark of talent

0:17:22.040 --> 0:17:24.800
<v Speaker 1>or cuteness, in those cities, people are like, hey, we can,

0:17:24.840 --> 0:17:26.680
<v Speaker 1>we can make a lot of money with you quickly.

0:17:27.119 --> 0:17:30.280
<v Speaker 1>In Chicago, you don't have that ulterior motive, Like the

0:17:30.320 --> 0:17:33.560
<v Speaker 1>top paid theater performers there are not doing that great,

0:17:33.640 --> 0:17:36.159
<v Speaker 1>so it's not it's for passion and you're not chasing

0:17:36.200 --> 0:17:39.120
<v Speaker 1>fame and fortune. And you also just have that Midwestern

0:17:39.160 --> 0:17:42.720
<v Speaker 1>work ethic. Um, Chicago theater is a lot closer to

0:17:42.760 --> 0:17:47.320
<v Speaker 1>farming than the coastal. I did a lot of theater

0:17:47.359 --> 0:17:51.440
<v Speaker 1>in Chicago also, but before Nick and because I'm older,

0:17:52.400 --> 0:17:56.919
<v Speaker 1>she wents to Northwestern. Ye, and then I did theater

0:17:56.960 --> 0:18:00.159
<v Speaker 1>there for like six years. And um that's where I

0:18:00.240 --> 0:18:04.479
<v Speaker 1>learned everything. Because I didn't study acting at Northwestern, so

0:18:05.880 --> 0:18:09.239
<v Speaker 1>um mostly English and art history and UM. But I

0:18:09.280 --> 0:18:12.680
<v Speaker 1>did a lot of theater while I was in school.

0:18:13.160 --> 0:18:16.520
<v Speaker 1>It was right when steppin Wolf was really hitting. I

0:18:16.560 --> 0:18:20.440
<v Speaker 1>got cast in a professional show while I was still

0:18:20.480 --> 0:18:24.000
<v Speaker 1>in school at Northwestern, and Um, I was just starting

0:18:24.040 --> 0:18:28.760
<v Speaker 1>my junior year and I had gone back to school

0:18:28.760 --> 0:18:30.320
<v Speaker 1>for two weeks and I was doing eight shows a

0:18:30.320 --> 0:18:33.440
<v Speaker 1>week at you know, and um, I went in to

0:18:33.560 --> 0:18:35.440
<v Speaker 1>talk to the dean and I said, this is really hard,

0:18:35.480 --> 0:18:39.320
<v Speaker 1>and she said drop out. I said, all right, don't

0:18:39.320 --> 0:18:42.920
<v Speaker 1>mind if I do, and so I did. And then

0:18:43.119 --> 0:18:47.000
<v Speaker 1>I got some calls. When I was doing Chicago Theater

0:18:47.119 --> 0:18:52.520
<v Speaker 1>for some reason, I I tested for the lead in

0:18:52.840 --> 0:18:57.159
<v Speaker 1>Risky Business spoiler alert. I didn't get it, um, but

0:18:57.280 --> 0:18:59.520
<v Speaker 1>I was flown out here for two weeks. It was

0:18:59.560 --> 0:19:02.359
<v Speaker 1>a really big deal and for me at the time.

0:19:02.480 --> 0:19:06.000
<v Speaker 1>And uh then I had a lot of agents, like

0:19:06.440 --> 0:19:09.439
<v Speaker 1>you know, big agents, Hollywood agents calling me in my

0:19:09.560 --> 0:19:12.959
<v Speaker 1>little apartment in Chicago, and I was flown out for

0:19:13.080 --> 0:19:16.240
<v Speaker 1>like two or three other movies didn't get them. And

0:19:16.280 --> 0:19:23.240
<v Speaker 1>then I moved out here finally in six six yeah,

0:19:23.240 --> 0:19:26.040
<v Speaker 1>five six, I don't know. And so I already so

0:19:26.119 --> 0:19:28.400
<v Speaker 1>I had an agent right away, so it made it easier.

0:19:29.200 --> 0:19:31.560
<v Speaker 1>I always was able to support I was very lucky.

0:19:31.600 --> 0:19:34.879
<v Speaker 1>I was always able to support myself. I never had,

0:19:35.480 --> 0:19:39.440
<v Speaker 1>you know, a civy job, you know, which is kind

0:19:39.440 --> 0:19:41.560
<v Speaker 1>of bad and kind of good. What's the first thing

0:19:41.600 --> 0:19:43.200
<v Speaker 1>you did, they really clicked for you, where you really

0:19:44.160 --> 0:19:47.639
<v Speaker 1>started to get you on that path where you you

0:19:47.640 --> 0:19:49.639
<v Speaker 1>know you're gonna work. I mean, I remember exactly. I

0:19:49.640 --> 0:19:51.720
<v Speaker 1>did this movie called She's Having a Baby with Kevin

0:19:51.760 --> 0:19:55.040
<v Speaker 1>Bacon years ago, no place, but I just mentioned it

0:19:55.040 --> 0:19:57.199
<v Speaker 1>because there were these two women who were the casting agents.

0:19:57.200 --> 0:19:58.960
<v Speaker 1>And once I got cast in that movie and I

0:19:59.040 --> 0:20:02.720
<v Speaker 1>was on their radar, everything changed after that. Well, I

0:20:02.760 --> 0:20:05.320
<v Speaker 1>was lucky if I worked, you know, I was able

0:20:05.359 --> 0:20:07.680
<v Speaker 1>to work here and there, and I got a pilot.

0:20:08.280 --> 0:20:10.879
<v Speaker 1>Most pilot seasons, I got a pilot or I you know,

0:20:11.000 --> 0:20:14.240
<v Speaker 1>do episodic, but I never got any shows that really

0:20:14.359 --> 0:20:17.920
<v Speaker 1>hit for more than thirteen episodes. But then I got

0:20:18.040 --> 0:20:21.960
<v Speaker 1>cast in a Broadway revival of Greece. And I was

0:20:22.000 --> 0:20:24.000
<v Speaker 1>doing Greece and somebody said, oh, they're going to do

0:20:24.040 --> 0:20:26.360
<v Speaker 1>a revival of How to Succeed in Business without really

0:20:26.400 --> 0:20:29.160
<v Speaker 1>trying with Matthew Broadwert, and you're perfect for the female lead.

0:20:30.040 --> 0:20:31.719
<v Speaker 1>And I didn't know the show at all, and I

0:20:31.760 --> 0:20:33.960
<v Speaker 1>rented the movie and it took me like three days

0:20:34.000 --> 0:20:35.520
<v Speaker 1>to watch it. I thought it was kind of boring,

0:20:35.680 --> 0:20:38.000
<v Speaker 1>and anyway, I ended up auditioning for it and I

0:20:38.040 --> 0:20:41.560
<v Speaker 1>got it, and then we started before we went to Broadway,

0:20:41.560 --> 0:20:43.720
<v Speaker 1>we did it out here in Lajoya and there was

0:20:43.760 --> 0:20:46.760
<v Speaker 1>this guy who we still know, who worked for the

0:20:46.800 --> 0:20:49.360
<v Speaker 1>Hollywood Reporter at the time, and he wrote this review

0:20:49.640 --> 0:20:52.879
<v Speaker 1>and most of the review was about me, which was crazy.

0:20:53.040 --> 0:20:55.080
<v Speaker 1>And that really was the thing that kind of that

0:20:55.160 --> 0:20:58.520
<v Speaker 1>was my first really big break. Yeah, and what about

0:20:58.560 --> 0:21:01.040
<v Speaker 1>you when you you came out here? When I did

0:21:01.080 --> 0:21:04.680
<v Speaker 1>about four years in Chicago with my company, and things

0:21:04.680 --> 0:21:08.480
<v Speaker 1>started to go well. I became better at acting, started

0:21:08.840 --> 0:21:13.320
<v Speaker 1>getting you know, good roles, and I had a year

0:21:13.359 --> 0:21:17.800
<v Speaker 1>in where the whole year I had just the best

0:21:17.840 --> 0:21:20.680
<v Speaker 1>possible shows. I felt like it was my dream year.

0:21:21.520 --> 0:21:24.040
<v Speaker 1>And I had a tooth. I had a hole in

0:21:24.119 --> 0:21:26.159
<v Speaker 1>one of my molders that I could fit a pepper

0:21:26.200 --> 0:21:32.159
<v Speaker 1>corn in, which was convenient um on long hikes. But

0:21:33.480 --> 0:21:36.199
<v Speaker 1>it dawned on me I was twenty six. I was like,

0:21:36.240 --> 0:21:39.120
<v Speaker 1>I'm at some point I'm gonna need to like see

0:21:39.119 --> 0:21:42.959
<v Speaker 1>a dentist. And I've heard about the like SAG medical

0:21:43.040 --> 0:21:45.760
<v Speaker 1>insurance and things like this, and so I had a

0:21:45.760 --> 0:21:48.360
<v Speaker 1>couple of little jobs out here that brought me out.

0:21:48.440 --> 0:21:51.840
<v Speaker 1>It was very dubious. I mean, I was playing a

0:21:51.880 --> 0:21:57.400
<v Speaker 1>bad guy in a weird cartoon thing on Nickelodeon. The

0:21:57.440 --> 0:22:01.280
<v Speaker 1>producers were like, we can fly you out, but it's

0:22:01.359 --> 0:22:09.119
<v Speaker 1>you know, it's on you Go Airlines and it's a subcoach. Um.

0:22:09.160 --> 0:22:13.560
<v Speaker 1>I landed at L A X and I coming from Chicago.

0:22:14.119 --> 0:22:16.600
<v Speaker 1>I just thought I would take the C T A

0:22:18.640 --> 0:22:22.280
<v Speaker 1>to Hollywood, and I ended up finding a bus. I

0:22:22.359 --> 0:22:26.320
<v Speaker 1>knew that Sunset turned into Caesar Chavez, so I took

0:22:26.320 --> 0:22:29.040
<v Speaker 1>a bus to down to like right here, and then

0:22:29.119 --> 0:22:35.080
<v Speaker 1>walked to the Sunset Gower and I was like, man,

0:22:35.119 --> 0:22:37.920
<v Speaker 1>I isn't it crazy? The ship? We didn't we had

0:22:37.920 --> 0:22:40.720
<v Speaker 1>no money. How we survived and you love it? And

0:22:41.040 --> 0:22:42.880
<v Speaker 1>I loved it and I didn't love it at all.

0:22:44.720 --> 0:22:47.960
<v Speaker 1>I couldn't wait to make money. And when did things

0:22:48.040 --> 0:22:51.120
<v Speaker 1>When did things change for you? And did you want

0:22:51.160 --> 0:22:53.680
<v Speaker 1>them to? Because you sound like somebody who you're you

0:22:53.920 --> 0:22:55.960
<v Speaker 1>weren't maybe quite sure that was the goal was to

0:22:56.040 --> 0:22:58.200
<v Speaker 1>make it or was it? Well? I wanted yeah, I

0:22:58.240 --> 0:23:01.600
<v Speaker 1>always wanted to be, you know, to perform good writing.

0:23:01.680 --> 0:23:03.760
<v Speaker 1>I mean that's what kind of like. I really thought

0:23:03.800 --> 0:23:07.159
<v Speaker 1>I was gonna be a theater guy and I and

0:23:07.200 --> 0:23:12.439
<v Speaker 1>I became one. But it uh there's there was something lacking,

0:23:12.520 --> 0:23:15.719
<v Speaker 1>Like all my friends in my theater company didn't have

0:23:16.560 --> 0:23:19.440
<v Speaker 1>They sort of lost their fire and they all dropped

0:23:19.440 --> 0:23:23.520
<v Speaker 1>away and got jobs and had kids, and so I was.

0:23:23.680 --> 0:23:26.280
<v Speaker 1>I was trying to find my place, and and I

0:23:26.320 --> 0:23:28.919
<v Speaker 1>moved here, and I was kind of lost for a

0:23:28.960 --> 0:23:32.000
<v Speaker 1>couple of years, and I finally said, I don't know

0:23:32.040 --> 0:23:35.000
<v Speaker 1>what the funk I'm doing. I I, uh don't understand

0:23:35.000 --> 0:23:37.080
<v Speaker 1>this business. I don't like it. I quit going to

0:23:37.200 --> 0:23:42.240
<v Speaker 1>like commercial auditions and instead committed those hours to carpentry work.

0:23:43.200 --> 0:23:46.280
<v Speaker 1>And finally I said, I just need to do a play. Uh,

0:23:46.720 --> 0:23:50.000
<v Speaker 1>that's that's what I do. And I told everybody I

0:23:50.080 --> 0:23:53.720
<v Speaker 1>knew and some friends again. Casting directors say, say, are

0:23:53.720 --> 0:23:56.280
<v Speaker 1>the reason we're all sitting here. I mean, these two

0:23:56.320 --> 0:23:59.719
<v Speaker 1>great ladies that championed me said hey, our friends are

0:23:59.720 --> 0:24:02.800
<v Speaker 1>doing a play. And Megan was the lead in the

0:24:02.880 --> 0:24:06.199
<v Speaker 1>play and it saved my life. I mean that. And

0:24:06.200 --> 0:24:09.160
<v Speaker 1>that's where you met. Yeah, that's where we was. Yeah,

0:24:09.200 --> 0:24:12.160
<v Speaker 1>I was in two thousand and it was a theater

0:24:12.280 --> 0:24:17.119
<v Speaker 1>company on the East Side, and he was sleeping on

0:24:17.119 --> 0:24:23.080
<v Speaker 1>a couch in someone's basement. Quite a catch. I've been

0:24:23.080 --> 0:24:31.600
<v Speaker 1>looking for somebody just like him ahead a yeah, a

0:24:31.600 --> 0:24:34.959
<v Speaker 1>pair of gold overalls that he he wrote all of

0:24:35.000 --> 0:24:38.120
<v Speaker 1>his notes on, like people's phone numbers and stuff because

0:24:38.160 --> 0:24:45.840
<v Speaker 1>apparently no paper. So I'll watch out. Come on over

0:24:45.880 --> 0:24:47.840
<v Speaker 1>to my place and take a shower. You smell like

0:24:47.920 --> 0:24:50.000
<v Speaker 1>you could use one. Didn't have a bathroom, Now have

0:24:50.040 --> 0:24:53.399
<v Speaker 1>a bathroom. But what was the play? You had a

0:24:53.440 --> 0:24:57.879
<v Speaker 1>pail chuck Me's the Berlin Circle? What was it about?

0:24:57.920 --> 0:25:01.400
<v Speaker 1>What did you play? Uh? Meg? And played Pamela Harriman.

0:25:02.119 --> 0:25:07.080
<v Speaker 1>It's sort of a comedy modernization of Caucasian chalk Circle,

0:25:07.320 --> 0:25:12.119
<v Speaker 1>and it's like a deconstruction of mother Courage. Basically, I

0:25:12.160 --> 0:25:15.560
<v Speaker 1>played an East German soldier who did a lot of

0:25:15.600 --> 0:25:24.160
<v Speaker 1>breakdancing named Werner heine Um and he shaved his head

0:25:24.280 --> 0:25:29.040
<v Speaker 1>for it, and he had um a big mustache, shades

0:25:29.080 --> 0:25:32.679
<v Speaker 1>of things to and he was about forty pounds heavier.

0:25:37.160 --> 0:25:42.679
<v Speaker 1>So meeting Megan and miraculously having her accept me into

0:25:42.840 --> 0:25:50.000
<v Speaker 1>her body, um after a period of four months, that's

0:25:50.320 --> 0:25:53.960
<v Speaker 1>that's one four months, So that's extreme. It was crazy.

0:25:54.119 --> 0:25:57.400
<v Speaker 1>I I had all kinds of it really was very

0:25:57.440 --> 0:26:02.520
<v Speaker 1>well orchestrated. At first, we couldn't do we couldn't even

0:26:02.560 --> 0:26:04.480
<v Speaker 1>it wasn't even a possibility. We weren't going to date.

0:26:04.560 --> 0:26:10.280
<v Speaker 1>Nothing was gonna happen. Yeah. Then then we then we kissed.

0:26:10.440 --> 0:26:12.560
<v Speaker 1>That was that was. He got in my car one

0:26:12.640 --> 0:26:14.879
<v Speaker 1>night and I was like, get out. And then a

0:26:14.960 --> 0:26:17.680
<v Speaker 1>couple of weeks later, you know, there's a little making out,

0:26:17.880 --> 0:26:21.240
<v Speaker 1>and then I wouldn't even let him come over to

0:26:21.280 --> 0:26:24.080
<v Speaker 1>my house. Then finally he could come over to the house,

0:26:24.160 --> 0:26:26.080
<v Speaker 1>but he couldn't come in. He could just drop me

0:26:26.119 --> 0:26:28.800
<v Speaker 1>off for you know, or we could stand outside in

0:26:28.840 --> 0:26:31.440
<v Speaker 1>the yard, but he couldn't come in. Then he could

0:26:31.440 --> 0:26:33.480
<v Speaker 1>come in, but only the living room, and then he

0:26:33.520 --> 0:26:41.000
<v Speaker 1>had to go. Then he could come in and I

0:26:41.040 --> 0:26:43.399
<v Speaker 1>don't know. Then he could sleep on the couch, but

0:26:43.440 --> 0:26:46.200
<v Speaker 1>I would sleep in the bedroom. Then he could sleep

0:26:46.240 --> 0:26:49.399
<v Speaker 1>in the bed, but he couldn't have sex. Then finally sex.

0:26:49.440 --> 0:26:51.200
<v Speaker 1>I don't know why. I guess I had just been

0:26:51.280 --> 0:26:54.040
<v Speaker 1>burned so many times. I was going to be goddamned

0:26:54.040 --> 0:26:55.960
<v Speaker 1>if it was going to happen again. I was just

0:26:55.960 --> 0:27:00.560
<v Speaker 1>gonna making really really sure. Wow, So did you feel

0:27:00.560 --> 0:27:04.000
<v Speaker 1>about that? Nick? Four months of I would just what

0:27:04.200 --> 0:27:07.359
<v Speaker 1>door I'm behind whatever she was playing there, I would

0:27:07.359 --> 0:27:10.960
<v Speaker 1>have you know, I mean, I would have done four years,

0:27:11.040 --> 0:27:18.320
<v Speaker 1>Like I knew, I knew it was I knew it

0:27:18.400 --> 0:27:23.320
<v Speaker 1>was it, and so I was like this, I had

0:27:23.359 --> 0:27:27.040
<v Speaker 1>that confidence, and I think I was just so skeptical

0:27:27.080 --> 0:27:30.200
<v Speaker 1>about everything, and I'd been heard, and I just didn't

0:27:30.200 --> 0:27:32.280
<v Speaker 1>want to I just didn't want to take any chances.

0:27:39.000 --> 0:27:42.640
<v Speaker 1>The four months paid off for Megan Molalley and Nick Offerman.

0:27:43.040 --> 0:27:46.720
<v Speaker 1>They've been married since two thousand three. They described themselves

0:27:46.800 --> 0:27:50.200
<v Speaker 1>as simple, boring people and say one of the reasons

0:27:50.240 --> 0:27:52.800
<v Speaker 1>they've lasted is that they like to go home and

0:27:52.840 --> 0:27:56.119
<v Speaker 1>read books and do jigsaw puzzles and play cards to

0:27:56.240 --> 0:28:00.200
<v Speaker 1>protect themselves from the craziness of the business. To year

0:28:00.280 --> 0:28:04.000
<v Speaker 1>from another family pair, take a listen to my conversation

0:28:04.040 --> 0:28:07.919
<v Speaker 1>with writer Erica Young and her daughter Molly Young Fast.

0:28:08.480 --> 0:28:11.359
<v Speaker 1>What did you learn about marriage from your parents? Mom?

0:28:11.400 --> 0:28:14.359
<v Speaker 1>Can I answer that question honestly? Of course, honestly is

0:28:14.400 --> 0:28:17.800
<v Speaker 1>the only way. Well. I would say, have you seen

0:28:17.840 --> 0:28:21.920
<v Speaker 1>Kramer versus Kramer? That was my general impression of marriage

0:28:21.960 --> 0:28:25.800
<v Speaker 1>from my upbringing. But you know, my mom had some good,

0:28:26.240 --> 0:28:30.960
<v Speaker 1>useful suggestions, but ultimately I sort of had to find

0:28:31.000 --> 0:28:33.920
<v Speaker 1>my own way, though she did eventually marry a really

0:28:33.960 --> 0:28:36.040
<v Speaker 1>great guy and they've been married for twenty one years.

0:28:36.440 --> 0:28:53.959
<v Speaker 1>Take a listen at Here's the Thing dot org. This

0:28:54.040 --> 0:28:56.960
<v Speaker 1>is Alec Baldwin and you were listening to Here's the Thing.

0:28:57.640 --> 0:29:01.280
<v Speaker 1>My guests today are actors Nick From and Megan mollally.

0:29:01.800 --> 0:29:05.000
<v Speaker 1>They joined me live on stage at the Ace Hotel

0:29:05.400 --> 0:29:09.920
<v Speaker 1>in downtown Los Angeles. Megan mollally had already done a

0:29:09.960 --> 0:29:12.760
<v Speaker 1>couple of seasons of Will and Grace when she met Nick.

0:29:13.240 --> 0:29:16.200
<v Speaker 1>Nick told me that as a cast spouse, he was

0:29:16.240 --> 0:29:18.600
<v Speaker 1>what he calls the main mascot on the set of

0:29:18.600 --> 0:29:21.560
<v Speaker 1>Will and Grace, and in that role he learned a lot.

0:29:22.120 --> 0:29:25.920
<v Speaker 1>So it was the most incredible education in wonderland to

0:29:26.120 --> 0:29:28.200
<v Speaker 1>be there and watch them make every episode of that

0:29:28.240 --> 0:29:32.160
<v Speaker 1>show for the last six seasons. And I was just

0:29:32.200 --> 0:29:34.400
<v Speaker 1>happy as a clam. And I also had my wood shop,

0:29:34.680 --> 0:29:39.440
<v Speaker 1>like I was living the dream. And so when Parts

0:29:39.440 --> 0:29:44.120
<v Speaker 1>and Wreck came around, that was that was when thank

0:29:44.200 --> 0:29:51.400
<v Speaker 1>you that that took it up an unexpected seventeen notches

0:29:51.600 --> 0:29:55.520
<v Speaker 1>where I was like, oh ship, It was so crazy.

0:29:55.560 --> 0:29:58.560
<v Speaker 1>We have so many parallels because we both moved to

0:29:58.720 --> 0:30:02.200
<v Speaker 1>Los Angeles. Well both had a Chicago theater period and

0:30:02.200 --> 0:30:04.400
<v Speaker 1>then we moved to Los Angeles when we were twenty six,

0:30:05.080 --> 0:30:07.760
<v Speaker 1>and then we both got I got Casting, Will and

0:30:07.760 --> 0:30:09.760
<v Speaker 1>Grace when I was thirty nine and you got Parks

0:30:09.800 --> 0:30:11.960
<v Speaker 1>and Wreck when you were thirty nine. Right, so we

0:30:12.000 --> 0:30:14.120
<v Speaker 1>have so many weird parallels, and he had watched me

0:30:14.200 --> 0:30:16.680
<v Speaker 1>go through all of that, so he kind of knew

0:30:17.400 --> 0:30:20.600
<v Speaker 1>what to expect. You were able to kind of Yeah,

0:30:20.600 --> 0:30:22.920
<v Speaker 1>it was kind of satisfying for me to see him

0:30:22.960 --> 0:30:26.120
<v Speaker 1>like encounter some of the things that I had dealt

0:30:26.160 --> 0:30:29.640
<v Speaker 1>with because he thought that I was being why he

0:30:29.680 --> 0:30:31.440
<v Speaker 1>thought I was being a baby, And then he went

0:30:31.440 --> 0:30:32.840
<v Speaker 1>through them and he was like, I don't like it,

0:30:32.880 --> 0:30:38.120
<v Speaker 1>And I was like, see, I don't like the color

0:30:38.160 --> 0:30:42.560
<v Speaker 1>they painted my dressing room. But but but for example,

0:30:42.640 --> 0:30:45.080
<v Speaker 1>what like, what's something you were able to guide him about. Well,

0:30:45.360 --> 0:30:49.320
<v Speaker 1>one the one that is so valuable to me. Early

0:30:49.400 --> 0:30:52.440
<v Speaker 1>on in our relationship, we were in New York and

0:30:52.880 --> 0:30:55.320
<v Speaker 1>Megan was going to do Letterman and we were running

0:30:55.480 --> 0:30:58.239
<v Speaker 1>ten minutes late, you know, to get to Letterman, and

0:30:58.280 --> 0:31:01.120
<v Speaker 1>I was sweating bullets and I was new to the

0:31:01.120 --> 0:31:03.600
<v Speaker 1>whole thing, and I was like, what the fuck is

0:31:03.920 --> 0:31:06.040
<v Speaker 1>what's going on? How can you we'd be late for Dave?

0:31:06.080 --> 0:31:08.320
<v Speaker 1>What's the matter with you. And we get there and

0:31:08.360 --> 0:31:12.360
<v Speaker 1>there's some people outside that want Megan's autograph, and she

0:31:12.600 --> 0:31:17.280
<v Speaker 1>stops to sign the autographs. So we're like Jesus and

0:31:17.560 --> 0:31:21.240
<v Speaker 1>we'll get inside. And I said, are you crazy? We're

0:31:21.320 --> 0:31:23.920
<v Speaker 1>late to Letterman And she said, I if it wasn't

0:31:23.960 --> 0:31:26.200
<v Speaker 1>for the people who want my autograph, I wouldn't be

0:31:26.240 --> 0:31:30.520
<v Speaker 1>on Letterman. Ah. And now when did you get to

0:31:30.640 --> 0:31:32.360
<v Speaker 1>I mean, I don't want to be campy about it,

0:31:32.360 --> 0:31:34.200
<v Speaker 1>but when did you get the big phone call when

0:31:34.240 --> 0:31:35.640
<v Speaker 1>you knew you were going to go do the big show?

0:31:36.720 --> 0:31:38.280
<v Speaker 1>That's Will and Grace? But yeah, Will and Grace. But

0:31:38.280 --> 0:31:42.760
<v Speaker 1>I'm talking about not how to succeed. I got a

0:31:42.760 --> 0:31:47.960
<v Speaker 1>lot more plus just I'm just saying whatever, stick around. Miss.

0:31:54.360 --> 0:31:56.360
<v Speaker 1>I loved by the way how he didn't mention parks

0:31:56.360 --> 0:31:58.280
<v Speaker 1>and he kind of laid back. It was then I

0:31:58.320 --> 0:32:03.280
<v Speaker 1>got up with this thing called bucks. And are you

0:32:03.320 --> 0:32:06.880
<v Speaker 1>talking about the first time? Will and Grace? Are this upcoming?

0:32:06.880 --> 0:32:15.040
<v Speaker 1>Well and Grace? Well, miss fancy pants, I was talking

0:32:15.080 --> 0:32:16.920
<v Speaker 1>about the first round of Will and Grace. Don't you

0:32:16.960 --> 0:32:20.160
<v Speaker 1>guys want Alec to come on Will and Grace this time?

0:32:20.240 --> 0:32:25.440
<v Speaker 1>Hand One of the greatest lines I ever had on

0:32:25.480 --> 0:32:27.240
<v Speaker 1>Will and Grace. We did the live show when I

0:32:27.240 --> 0:32:29.120
<v Speaker 1>had ice cream in a bag. You always gonna have

0:32:29.120 --> 0:32:30.920
<v Speaker 1>ice cream with you, and you wouldn't let me into

0:32:31.080 --> 0:32:33.760
<v Speaker 1>your apartment hint In made me wait four months. Yeah,

0:32:34.320 --> 0:32:36.920
<v Speaker 1>and I got the ice cream and uh, I'm standing

0:32:36.920 --> 0:32:38.840
<v Speaker 1>there and I say good night to you, and Eric

0:32:38.920 --> 0:32:44.560
<v Speaker 1>McCormick says, your package is dripping. I said, what can

0:32:44.600 --> 0:32:48.080
<v Speaker 1>I say? I like her. That was like the most

0:32:48.160 --> 0:32:52.240
<v Speaker 1>ridiculous line I've ever been asked to say a television

0:32:52.240 --> 0:32:54.000
<v Speaker 1>show in my entire life. But when you got the call,

0:32:54.080 --> 0:32:55.880
<v Speaker 1>how did that happen? Were you? How did you get

0:32:55.880 --> 0:32:58.760
<v Speaker 1>that job? Well, Jim Burrows always call that lightning in

0:32:58.760 --> 0:33:03.080
<v Speaker 1>a bottle. I had moved out there five and I

0:33:03.120 --> 0:33:08.040
<v Speaker 1>had auditioned for shows every year pilot season, and um,

0:33:08.080 --> 0:33:11.080
<v Speaker 1>I usually booked a pilot. I was. I was lucky.

0:33:11.120 --> 0:33:13.080
<v Speaker 1>But then I kind of got burned out. And so

0:33:13.240 --> 0:33:17.240
<v Speaker 1>around nines seven, I was in the parking lot of

0:33:17.240 --> 0:33:19.400
<v Speaker 1>a bed Bath and Beyond and I got on a

0:33:19.400 --> 0:33:23.600
<v Speaker 1>pay phone with my agent and I said, Bob Gersh,

0:33:23.720 --> 0:33:28.240
<v Speaker 1>I am not doing anymore. I'm not auditioning for anymore sitcoms.

0:33:28.240 --> 0:33:32.880
<v Speaker 1>It wasn't It's not meant to be obviously, and he said, yeah, okay,

0:33:33.000 --> 0:33:35.400
<v Speaker 1>I think you are auditioning for sitcoms and I said, well,

0:33:35.440 --> 0:33:37.040
<v Speaker 1>I'm not. And then I had to pay my rent,

0:33:37.600 --> 0:33:40.440
<v Speaker 1>so I was like, okay, I'm auditioning for sitcom. So

0:33:40.480 --> 0:33:43.480
<v Speaker 1>I auditioned for Will and Grace for the role of

0:33:43.520 --> 0:33:48.040
<v Speaker 1>Grace and they were like no, thanks, and I went home.

0:33:48.440 --> 0:33:50.400
<v Speaker 1>A couple of weeks later, I got this call, they

0:33:50.400 --> 0:33:52.000
<v Speaker 1>want you audition for Will and Grace and I said,

0:33:52.040 --> 0:33:54.400
<v Speaker 1>I already did, dumbouse and they said no for this

0:33:54.520 --> 0:33:58.240
<v Speaker 1>other part. And I said, there's not another woman in it,

0:33:58.280 --> 0:33:59.880
<v Speaker 1>and they were like, yeah, there's and they sent me

0:33:59.880 --> 0:34:02.960
<v Speaker 1>the script and I read it and I thought, oh,

0:34:03.120 --> 0:34:05.080
<v Speaker 1>this is boring because it wasn't written the way that

0:34:05.160 --> 0:34:08.600
<v Speaker 1>it ended up being. So I went in and I

0:34:08.640 --> 0:34:10.680
<v Speaker 1>auditioned and then they wanted me to come to the

0:34:10.719 --> 0:34:14.120
<v Speaker 1>network and I was the only person and UM, so boring, sorry,

0:34:14.239 --> 0:34:19.719
<v Speaker 1>and uh so we are, okay, thank you, thanks for

0:34:19.800 --> 0:34:22.399
<v Speaker 1>the I needed that well push. I was the day

0:34:22.440 --> 0:34:24.400
<v Speaker 1>of the network and I didn't know whether it was

0:34:24.400 --> 0:34:26.279
<v Speaker 1>going to go or not, and I finally decided I

0:34:26.320 --> 0:34:28.400
<v Speaker 1>would go, and I went and I got the part

0:34:28.600 --> 0:34:32.120
<v Speaker 1>and then we went and we had our first read

0:34:32.160 --> 0:34:35.880
<v Speaker 1>through informally before the big table read, and I was like, M.

0:34:36.640 --> 0:34:41.239
<v Speaker 1>And then we had the big table read and I

0:34:41.280 --> 0:34:47.240
<v Speaker 1>was like And then we shot the pilot. And well

0:34:47.360 --> 0:34:49.319
<v Speaker 1>before we shot the pilot, we were sitting there and

0:34:49.440 --> 0:34:54.640
<v Speaker 1>Don all Meyer, who was a big friend of O. J's,

0:34:55.440 --> 0:35:01.000
<v Speaker 1>a be network executive at NBC, came over to us,

0:35:01.040 --> 0:35:03.040
<v Speaker 1>which is unheard of at that time for a network

0:35:03.120 --> 0:35:06.960
<v Speaker 1>executive to come over to the horrible shitty actors, you know.

0:35:07.560 --> 0:35:11.000
<v Speaker 1>And this was when Deborah Messi used to smoke cigarettes

0:35:11.000 --> 0:35:12.400
<v Speaker 1>and she had a cigarette and he said, do you

0:35:12.440 --> 0:35:14.040
<v Speaker 1>need a lie and she said yes, and he pulled

0:35:14.040 --> 0:35:17.319
<v Speaker 1>out this gold Cardier lighter, this really glamorous lighter, and

0:35:17.360 --> 0:35:19.440
<v Speaker 1>he gave attorneys and she lit her cigarette and went

0:35:19.480 --> 0:35:20.960
<v Speaker 1>to hand it back and he said keep it. And

0:35:21.000 --> 0:35:25.879
<v Speaker 1>we were like, oh, we're getting picked up. I'm buying

0:35:25.920 --> 0:35:32.879
<v Speaker 1>a ranger over. So so we did the pilot and

0:35:33.120 --> 0:35:35.680
<v Speaker 1>I don't even know why, but like it was mostly

0:35:35.719 --> 0:35:39.799
<v Speaker 1>Sean Hayes, Like the audience just fucking flipped over him.

0:35:39.840 --> 0:35:41.680
<v Speaker 1>And he had never he was twenty seven, he had

0:35:41.760 --> 0:35:46.520
<v Speaker 1>never done anything, never been on a television show, and

0:35:46.560 --> 0:35:49.400
<v Speaker 1>there was just an instant response, and then I thought,

0:35:50.080 --> 0:35:52.960
<v Speaker 1>all right, And then about the tenth episode in it

0:35:53.120 --> 0:35:56.319
<v Speaker 1>started getting really coming together and I thought this could

0:35:56.320 --> 0:35:59.280
<v Speaker 1>be really really good. Well, what's interesting when I watched

0:35:59.320 --> 0:36:02.600
<v Speaker 1>the show. When I came on the show, I decided

0:36:02.600 --> 0:36:06.160
<v Speaker 1>to watch a whole kind of uh bin of the

0:36:06.200 --> 0:36:09.520
<v Speaker 1>shows and your show. Like when I did a sitcom,

0:36:10.160 --> 0:36:12.600
<v Speaker 1>you really don't get it until a few episodes in,

0:36:12.640 --> 0:36:15.759
<v Speaker 1>Like your kind of your first season is nothing at

0:36:15.800 --> 0:36:17.799
<v Speaker 1>all like your character in the thirds. You're really kind

0:36:17.800 --> 0:36:21.440
<v Speaker 1>of short, taking more chances, taking more things on on yourself.

0:36:21.560 --> 0:36:23.879
<v Speaker 1>I didn't do that high voice at the beginning because

0:36:23.920 --> 0:36:26.880
<v Speaker 1>I thought they would definitely fire fire. Yeah, and so

0:36:26.920 --> 0:36:29.040
<v Speaker 1>it kind of like every episode gets a little bit

0:36:29.080 --> 0:36:32.600
<v Speaker 1>a little bit, a little bit, a little bit higher. Yeah.

0:36:33.040 --> 0:36:35.160
<v Speaker 1>That's amazing because there you and I have such similarity

0:36:35.200 --> 0:36:37.600
<v Speaker 1>because I have auditioned to play Kenneth on thirty Rock

0:36:37.680 --> 0:36:45.200
<v Speaker 1>first and I didn't get the tar and I went home,

0:36:46.120 --> 0:36:51.360
<v Speaker 1>and then they wrote another part for me to play. Crazily,

0:36:51.440 --> 0:36:59.360
<v Speaker 1>Jack McBriar was almost Ron Swanson, No, just kidding, but

0:36:59.440 --> 0:37:02.480
<v Speaker 1>he's not a very beast like you and me and

0:37:02.600 --> 0:37:04.840
<v Speaker 1>I talked backstage about how we're men of a certain

0:37:04.920 --> 0:37:06.600
<v Speaker 1>kind of a code, a certain kind of d n

0:37:06.680 --> 0:37:16.560
<v Speaker 1>A god bless you, and I come on, put your

0:37:16.560 --> 0:37:20.440
<v Speaker 1>money where your mouth is. They didn't pay enough preticket

0:37:20.480 --> 0:37:23.880
<v Speaker 1>for us to do that. I'm afraid. Now. How did

0:37:23.880 --> 0:37:27.120
<v Speaker 1>the parks andrec thing happen? For you? Well? In contact you?

0:37:27.160 --> 0:37:31.080
<v Speaker 1>How does that play out? I auditioned Um a bunch

0:37:31.160 --> 0:37:36.040
<v Speaker 1>for the show The Office, Um, and I loved that

0:37:36.120 --> 0:37:39.279
<v Speaker 1>show and the sense of humor. And I had known

0:37:39.400 --> 0:37:42.400
<v Speaker 1>Rain Wilson actually for a long time because we always

0:37:42.760 --> 0:37:45.560
<v Speaker 1>auditioned against each other for like the weird Guy in

0:37:45.600 --> 0:37:52.719
<v Speaker 1>the Basement for real, for real, and and Rain was

0:37:52.760 --> 0:37:54.680
<v Speaker 1>scoring these victories. He had a great part on a

0:37:54.719 --> 0:37:57.399
<v Speaker 1>six ft under and then he got Um and then

0:37:57.400 --> 0:37:59.680
<v Speaker 1>he got The Office. And Megan and I loved watching

0:37:59.680 --> 0:38:02.880
<v Speaker 1>the off this and when Dwight would have a great episode,

0:38:04.000 --> 0:38:05.600
<v Speaker 1>it would end and I would say, you know, if

0:38:05.600 --> 0:38:07.560
<v Speaker 1>I'm ever gonna make it, it's gonna be on a

0:38:07.600 --> 0:38:12.160
<v Speaker 1>show like this with a part like Dwight shroot. And

0:38:12.920 --> 0:38:16.320
<v Speaker 1>so I had I had auditioned for them like there

0:38:16.320 --> 0:38:18.680
<v Speaker 1>there was a fundness, but I was never able to

0:38:18.719 --> 0:38:23.000
<v Speaker 1>do anything on their show. A few years later, one

0:38:23.040 --> 0:38:27.320
<v Speaker 1>of their main writers Mike Scher, who also played Mos. Shoot,

0:38:29.520 --> 0:38:34.719
<v Speaker 1>that's some of the best Easter eggs. Uh, he's so funny.

0:38:35.120 --> 0:38:37.640
<v Speaker 1>So he and Greg Daniels created Parts and Wreck, and

0:38:37.680 --> 0:38:40.160
<v Speaker 1>Mike had remembered me. He had he had written my

0:38:40.239 --> 0:38:42.360
<v Speaker 1>name on a post it and put it on his monitor,

0:38:42.800 --> 0:38:45.239
<v Speaker 1>and years later, when they said we're gonna make Parts

0:38:45.280 --> 0:38:47.160
<v Speaker 1>and Wreck, he said, I want this guy on on

0:38:47.239 --> 0:38:51.440
<v Speaker 1>my post it on the program. They originally read me

0:38:52.040 --> 0:38:55.960
<v Speaker 1>for a role that was a romantic interest for Rashida

0:38:56.400 --> 0:39:00.000
<v Speaker 1>and everyone. We were all getting along great. Everyone's like, yeah,

0:39:00.200 --> 0:39:02.840
<v Speaker 1>this is great. And they turned it into NBC and

0:39:02.880 --> 0:39:07.239
<v Speaker 1>they literally said, you said someone like Aaron Eckhart and

0:39:07.960 --> 0:39:13.759
<v Speaker 1>you fucking hand us Nick Offerman. Wow, no, thank you.

0:39:14.880 --> 0:39:16.880
<v Speaker 1>So my part, Ron Swanson, was supposed to be an

0:39:16.920 --> 0:39:23.600
<v Speaker 1>older guy, but they, bless them, obstinately said all right,

0:39:23.719 --> 0:39:25.719
<v Speaker 1>we want Nick on the show. We're gonna make him

0:39:26.040 --> 0:39:31.600
<v Speaker 1>Leslie's boss. And it took months. NBC was like, hmm,

0:39:31.760 --> 0:39:37.160
<v Speaker 1>let's audition several hundred other people just to be sure.

0:39:37.239 --> 0:39:40.799
<v Speaker 1>Let's go on a world tour. Yeah, every guy I've

0:39:40.840 --> 0:39:44.800
<v Speaker 1>ever met read for Ron Swanson, Um, except Jack McBriar.

0:39:45.280 --> 0:39:49.640
<v Speaker 1>And so finally, uh, finally, finally, after five months, Uh,

0:39:50.320 --> 0:39:53.440
<v Speaker 1>they had me in one last time, put me on tape,

0:39:53.560 --> 0:40:00.680
<v Speaker 1>turned it in and I got the job, and my Mike, Sure,

0:40:00.760 --> 0:40:04.279
<v Speaker 1>my boss called me. I had inured myself. You learned early.

0:40:04.560 --> 0:40:07.919
<v Speaker 1>If you're lucky enough to test for shows, you learn

0:40:08.040 --> 0:40:10.320
<v Speaker 1>quickly how painful it is because when you test for

0:40:10.360 --> 0:40:12.640
<v Speaker 1>the network, they have it figured out, so you have

0:40:12.680 --> 0:40:16.600
<v Speaker 1>to negotiate beforehand, so that you can't negotiate once they

0:40:16.600 --> 0:40:19.840
<v Speaker 1>want you. You can't say, okay, I want extra money.

0:40:19.880 --> 0:40:22.879
<v Speaker 1>So when you go into the audition, they put your

0:40:22.880 --> 0:40:25.520
<v Speaker 1>contract in front of you and it says this. It's like,

0:40:25.719 --> 0:40:28.000
<v Speaker 1>all right, if you get this job, you will get

0:40:28.680 --> 0:40:32.920
<v Speaker 1>thirty thousand dollars a week for many weeks, and you

0:40:32.960 --> 0:40:34.960
<v Speaker 1>know you've taken the bus to get there, and you're

0:40:35.000 --> 0:40:39.879
<v Speaker 1>just like, God, she's as scritch, Please you can cut

0:40:39.920 --> 0:40:43.160
<v Speaker 1>that at half if you want, you know, cool, And

0:40:43.239 --> 0:40:46.239
<v Speaker 1>so then you're so crushed when you never get it,

0:40:46.440 --> 0:40:49.120
<v Speaker 1>And so you learn to not get emotionally involved and

0:40:49.120 --> 0:40:52.120
<v Speaker 1>you're like, yeah, I know this doesn't mean anything. And

0:40:52.320 --> 0:40:54.200
<v Speaker 1>I had done that for many years. So when I

0:40:54.520 --> 0:40:59.879
<v Speaker 1>actually got the job, I just started sobbing, and I said,

0:41:00.280 --> 0:41:03.320
<v Speaker 1>Mike please keep talking to me, but I'm gonna openly

0:41:03.400 --> 0:41:07.920
<v Speaker 1>sob remember about fifteen minutes it was it was that

0:41:08.160 --> 0:41:12.040
<v Speaker 1>was one of the greatest days of my life. I

0:41:12.040 --> 0:41:15.480
<v Speaker 1>mean it really was such got the job on approximate,

0:41:15.480 --> 0:41:17.840
<v Speaker 1>really was going to get it. It just took so

0:41:18.000 --> 0:41:21.360
<v Speaker 1>damn long. Now we're going to be at a time.

0:41:21.719 --> 0:41:24.160
<v Speaker 1>But I just want to ask you, like, what's entertainment

0:41:24.200 --> 0:41:26.880
<v Speaker 1>in your life now? Like, do you go to the movies?

0:41:26.960 --> 0:41:28.840
<v Speaker 1>Do you watch a lot of streaming TV? Do you

0:41:29.040 --> 0:41:31.280
<v Speaker 1>watch your Because I read what you guys an evening

0:41:31.280 --> 0:41:34.800
<v Speaker 1>for you was what piece puzzle in an audiobook we

0:41:35.000 --> 0:41:37.680
<v Speaker 1>do on a table that you built Missing the Bachelor

0:41:37.719 --> 0:41:40.919
<v Speaker 1>to be here tonight three hour episodes. So I'm just saying,

0:41:40.920 --> 0:41:43.359
<v Speaker 1>that's a really big deal for us. I'm sorry, big

0:41:43.400 --> 0:41:46.440
<v Speaker 1>sacrifice that is. That is our bag, Like, that's our

0:41:46.480 --> 0:41:50.680
<v Speaker 1>ultimate escape, is doing puzzles while listening to audio. Yeahs.

0:41:50.760 --> 0:41:54.959
<v Speaker 1>Anybody who doubts that we personally actually put every piece

0:41:55.000 --> 0:42:00.520
<v Speaker 1>of that puzzle together, fuck you someone someone did it.

0:42:01.040 --> 0:42:03.800
<v Speaker 1>Oh yeah, she's ready to play Karen again. You want

0:42:03.920 --> 0:42:06.960
<v Speaker 1>to see like a time lapse video of us doing

0:42:07.000 --> 0:42:08.560
<v Speaker 1>it because they don't believe that we do it. Or

0:42:08.600 --> 0:42:11.200
<v Speaker 1>they just want to jerk off to us doing a puzzle.

0:42:13.719 --> 0:42:17.600
<v Speaker 1>Very astute one of the other than you streaming live

0:42:17.719 --> 0:42:21.360
<v Speaker 1>for people to jerk off to your puzzle making. What

0:42:21.520 --> 0:42:23.319
<v Speaker 1>is entertainment in near your household? What do you like

0:42:23.360 --> 0:42:25.480
<v Speaker 1>to do? Theater? Film, music? What do you went to?

0:42:25.719 --> 0:42:31.720
<v Speaker 1>Megan's the entertainment director. Um, we we watch pay watch

0:42:33.239 --> 0:42:38.000
<v Speaker 1>is uh literally yeah. We both love reading. But we

0:42:38.080 --> 0:42:43.720
<v Speaker 1>also we watch a great variety of independent films, um,

0:42:43.800 --> 0:42:47.359
<v Speaker 1>foreign films, comedies, and we watched a lot of you know,

0:42:49.280 --> 0:42:55.120
<v Speaker 1>cable and streaming shows. But we do watch the entire

0:42:55.400 --> 0:43:00.560
<v Speaker 1>entire Bachelor franchise and survivor Into the Bachelor? You into

0:43:00.640 --> 0:43:08.479
<v Speaker 1>you into that? The Battle? Yeah? Oh um, yeah, because

0:43:08.480 --> 0:43:10.960
<v Speaker 1>I wach that show once. It was very degrading. They're

0:43:11.040 --> 0:43:13.759
<v Speaker 1>like begging the guy to marry them, and I'm like,

0:43:13.920 --> 0:43:15.839
<v Speaker 1>you know, the guy's a douche. What are you begging

0:43:15.880 --> 0:43:18.600
<v Speaker 1>them to marry you for? Not all the time, but

0:43:18.640 --> 0:43:22.880
<v Speaker 1>some of the time. Now, last question, Megan's math that

0:43:22.960 --> 0:43:25.680
<v Speaker 1>I cast aspersions on her favorite show. Oh, I don't know,

0:43:25.760 --> 0:43:28.839
<v Speaker 1>I don't mind. What's for you? Is there a play

0:43:28.920 --> 0:43:30.359
<v Speaker 1>in your future? You want to get back on stage

0:43:30.360 --> 0:43:35.640
<v Speaker 1>anytime soon? We both love working on stage. Uh. The

0:43:36.080 --> 0:43:40.839
<v Speaker 1>last year I did Confederacy of Dunce's in Boston and

0:43:41.040 --> 0:43:44.840
<v Speaker 1>UH and it was a huge hit. It broke sales

0:43:44.880 --> 0:43:49.920
<v Speaker 1>records for the theater. The New York UH community informed

0:43:50.000 --> 0:43:54.040
<v Speaker 1>us we were not invited at the time. Why do

0:43:54.040 --> 0:43:57.400
<v Speaker 1>you think that is? I don't know, that's way above

0:43:57.440 --> 0:44:00.319
<v Speaker 1>my pay grade. Um, we were hoping to do it

0:44:00.320 --> 0:44:03.960
<v Speaker 1>in New York and then maybe London. UM. Beyond that,

0:44:04.040 --> 0:44:06.400
<v Speaker 1>I don't know. I mean, a couple of plays just

0:44:06.480 --> 0:44:08.839
<v Speaker 1>came my way that were long commitments, and I had

0:44:08.920 --> 0:44:11.720
<v Speaker 1>to say no to them, and it was heartbreaking because

0:44:11.760 --> 0:44:16.080
<v Speaker 1>they were super juice. Aside a new play, is there

0:44:16.120 --> 0:44:19.760
<v Speaker 1>a is there a classic revival role you're dying to play? Um?

0:44:20.320 --> 0:44:23.440
<v Speaker 1>I mean I love a lot of different genres, but

0:44:24.120 --> 0:44:26.719
<v Speaker 1>I think you and I should do ben Hecks the

0:44:26.760 --> 0:44:30.279
<v Speaker 1>Front Page at some point the York. Yeah, we're a

0:44:30.280 --> 0:44:36.719
<v Speaker 1>little late to that one. My friend, Well, there's always Cleveland. UM.

0:44:36.760 --> 0:44:41.719
<v Speaker 1>I love Martin McDonough's plays. Uh there, but I mean

0:44:42.320 --> 0:44:45.040
<v Speaker 1>I could go all night I love. I was in

0:44:45.120 --> 0:44:48.919
<v Speaker 1>Chicago when Tracy Lets started writing plays. Uh. In fact,

0:44:49.040 --> 0:44:51.520
<v Speaker 1>his first play, Killer Joe, I was one of the

0:44:51.640 --> 0:44:55.520
<v Speaker 1>scenic carpenters on and so I I really love his

0:44:55.600 --> 0:44:58.160
<v Speaker 1>work and I admire him a lot. But when you

0:44:58.200 --> 0:45:01.480
<v Speaker 1>do play, when you're a guy like I love Williams,

0:45:01.480 --> 0:45:03.319
<v Speaker 1>and you track that as you get older, and you go, well,

0:45:03.320 --> 0:45:07.360
<v Speaker 1>I'm Chance and I'm Stanley, and I'm Thow and I'm Brick,

0:45:07.719 --> 0:45:10.279
<v Speaker 1>and there's a big leap to Shannon and then your

0:45:10.280 --> 0:45:14.279
<v Speaker 1>big daddy and maybe the doctor in the Indus street

0:45:14.280 --> 0:45:18.520
<v Speaker 1>Car who cards s blanch Off to the nuthouse. But but, but,

0:45:18.520 --> 0:45:20.160
<v Speaker 1>but I'm not just saying this to be polite, because

0:45:20.200 --> 0:45:23.319
<v Speaker 1>every actor of a certain age is has their eye

0:45:23.320 --> 0:45:27.560
<v Speaker 1>on Shannon. And in that play, you'd be great as

0:45:27.560 --> 0:45:31.040
<v Speaker 1>Shannon is Iguana. You should do the Iguana you should

0:45:31.080 --> 0:45:34.960
<v Speaker 1>do You would be fantastic as Shannon. Now you what

0:45:35.000 --> 0:45:39.040
<v Speaker 1>about you on stage? Well, miss set preising my famous

0:45:39.120 --> 0:45:43.359
<v Speaker 1>TV role? Anytime in your schedule, I've done well. I've

0:45:43.400 --> 0:45:46.400
<v Speaker 1>done three musicals on Broadway and one play on Broadway,

0:45:46.440 --> 0:45:49.319
<v Speaker 1>and then we did something off Broadway together, and then

0:45:49.360 --> 0:45:53.239
<v Speaker 1>I got to do in I did um, I got

0:45:53.239 --> 0:45:58.120
<v Speaker 1>to do Guys and Dolls with Nathan Lane, um Carneie Hall.

0:45:59.040 --> 0:46:01.520
<v Speaker 1>So that's doesn't just a lot better than that and

0:46:01.600 --> 0:46:05.520
<v Speaker 1>that role. You know Adelaide. We're both like twenty five

0:46:05.600 --> 0:46:07.680
<v Speaker 1>years too old for it, but it doesn't matter because

0:46:07.840 --> 0:46:11.120
<v Speaker 1>we're both the same. So I would like to do

0:46:11.200 --> 0:46:14.080
<v Speaker 1>that on Broadway with with Nathan Um. But I just

0:46:14.120 --> 0:46:17.399
<v Speaker 1>did another play with with him and Matthew Broderick called

0:46:17.400 --> 0:46:20.880
<v Speaker 1>It's only a play. And then there's a new musical.

0:46:21.400 --> 0:46:24.680
<v Speaker 1>There's a couple There are a couple of musicals like

0:46:24.840 --> 0:46:30.160
<v Speaker 1>maybe um you know Gypsy or Um Sweeney Todd that

0:46:30.160 --> 0:46:32.520
<v Speaker 1>that I could do. But there's a new musical by

0:46:32.520 --> 0:46:35.279
<v Speaker 1>the people who did Urine Town that I'm that I

0:46:35.320 --> 0:46:37.879
<v Speaker 1>did a reading of in New York, that I really

0:46:37.920 --> 0:46:43.879
<v Speaker 1>want to do. It's really funny and wrong. But I mean,

0:46:43.960 --> 0:46:48.080
<v Speaker 1>doing eight shows a week on Broadway is is kind

0:46:48.120 --> 0:46:51.840
<v Speaker 1>of hard. It is tough. I remember I would do

0:46:51.960 --> 0:46:55.120
<v Speaker 1>I Heckt in MacArthur. I did Uh twenty century with

0:46:55.160 --> 0:46:57.759
<v Speaker 1>Anne Hash And when you do too on Wednesday, that's

0:46:57.800 --> 0:47:00.279
<v Speaker 1>one thing. But when you get to Saturday and see

0:47:00.280 --> 0:47:02.719
<v Speaker 1>you have the flu and you're doing two shows and

0:47:02.719 --> 0:47:05.880
<v Speaker 1>it said it's it shows number six and seven. I

0:47:05.920 --> 0:47:07.879
<v Speaker 1>remember we would do the Mattinee and I would lay

0:47:07.880 --> 0:47:10.560
<v Speaker 1>on my couch in my my bed in my dress room,

0:47:10.760 --> 0:47:12.840
<v Speaker 1>and I'd say, I hope that Robber has come and

0:47:12.920 --> 0:47:16.480
<v Speaker 1>rob the box office and then come up to my

0:47:16.560 --> 0:47:18.440
<v Speaker 1>room and shoot me on my bed and kill me

0:47:19.239 --> 0:47:21.239
<v Speaker 1>because I can't go out and do this fucking play

0:47:21.320 --> 0:47:23.840
<v Speaker 1>one more time. So I'm so tired and I'm in

0:47:23.880 --> 0:47:26.560
<v Speaker 1>so much pain. And you know that when you're performing,

0:47:26.600 --> 0:47:28.799
<v Speaker 1>you'll do anything to get you know, the show must

0:47:28.840 --> 0:47:30.560
<v Speaker 1>go on. So like they come up to you and say,

0:47:30.600 --> 0:47:34.399
<v Speaker 1>we're gonna shoot some uh some gasoline in your ass

0:47:34.520 --> 0:47:36.680
<v Speaker 1>to get you to go, and you're gonna take the

0:47:36.680 --> 0:47:38.480
<v Speaker 1>shot of gasoline in the ask to get out. And

0:47:38.520 --> 0:47:40.840
<v Speaker 1>you always have to give it your all. It's the

0:47:40.920 --> 0:47:43.600
<v Speaker 1>thing for people like us, you know, you can't. I've

0:47:43.640 --> 0:47:46.400
<v Speaker 1>I've worked with people I won't name any names, but

0:47:46.440 --> 0:47:50.520
<v Speaker 1>I've worked with people who will sort of, um, you know,

0:47:51.040 --> 0:47:59.600
<v Speaker 1>just phone it in, even god damn it cats out

0:47:59.640 --> 0:48:02.840
<v Speaker 1>of the bed. Well, let me just say that, and

0:48:02.920 --> 0:48:05.359
<v Speaker 1>I'm not being a hokey here. Let me just say

0:48:05.400 --> 0:48:08.959
<v Speaker 1>that whatever you do, everyone here will be watching because

0:48:09.000 --> 0:48:13.440
<v Speaker 1>the two of you are so loved and admired and

0:48:13.560 --> 0:48:17.319
<v Speaker 1>respected by your audience, and deservedly so, because you're both

0:48:17.360 --> 0:48:20.000
<v Speaker 1>so unique and so original, which is which is not

0:48:20.120 --> 0:48:23.000
<v Speaker 1>easy to find in this business anymore. And as two

0:48:23.040 --> 0:48:25.960
<v Speaker 1>of the great originals in show business, thank you so

0:48:26.040 --> 0:48:31.759
<v Speaker 1>much for coming and being thanks for having us. Thank you.

0:48:41.520 --> 0:48:45.000
<v Speaker 1>This week's show was recorded live at the Ace Hotel

0:48:45.320 --> 0:48:50.640
<v Speaker 1>in downtown Los Angeles, thanks to KPCC Southern California Public

0:48:50.719 --> 0:48:55.720
<v Speaker 1>Radio Alex Cohen, John Cone, Tony Federico, and Melissa La Case.

0:48:56.200 --> 0:48:59.080
<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

0:48:59.160 --> 0:49:04.560
<v Speaker 1>Thing FOURT