1 00:00:00,200 --> 00:00:04,560 Speaker 1: Now here's a highlight from Coast to Coast AM on iHeartRadio, 2 00:00:04,960 --> 00:00:07,720 Speaker 1: Craig Webb stays with us. The dreams behind the music 3 00:00:07,960 --> 00:00:11,200 Speaker 1: is the book and before the break, Craig we were 4 00:00:11,240 --> 00:00:16,880 Speaker 1: talking about where where these songs come from. When Paul 5 00:00:16,960 --> 00:00:19,560 Speaker 1: McCartney talks about the song, you know, he dreams about 6 00:00:19,560 --> 00:00:23,840 Speaker 1: a song, the song writes itself. He likens himself to 7 00:00:23,880 --> 00:00:30,080 Speaker 1: an antenna. We'll just receives receiving the song talks more 8 00:00:30,120 --> 00:00:33,800 Speaker 1: about that. Yeah, well that could be true of all dreams. 9 00:00:33,880 --> 00:00:36,320 Speaker 1: We're not quite sure what the source is. I mean, 10 00:00:36,360 --> 00:00:40,920 Speaker 1: we have ideas. Certainly there's some manifestation of the activity 11 00:00:40,960 --> 00:00:44,800 Speaker 1: in the brain. You know, it's called paradoxical sleep. So 12 00:00:45,280 --> 00:00:48,760 Speaker 1: the dreaming sleep, paradoxical sleep is when we're doing kind 13 00:00:48,760 --> 00:00:51,199 Speaker 1: of let's say, daily activities where it's much more like 14 00:00:51,280 --> 00:00:55,560 Speaker 1: our daytime, often with visuals, sometimes I guess with the music. 15 00:00:56,120 --> 00:00:58,720 Speaker 1: So during this phase there must be something happening in 16 00:00:58,760 --> 00:01:01,320 Speaker 1: the brain. But there's the source of the info can 17 00:01:01,360 --> 00:01:04,240 Speaker 1: definitely come from, would say the mind or perhaps beyond. 18 00:01:05,080 --> 00:01:07,880 Speaker 1: Exactly how to track it or prove any of those 19 00:01:08,160 --> 00:01:09,840 Speaker 1: it's a little bit tougher, but I can say some 20 00:01:10,080 --> 00:01:14,120 Speaker 1: interesting research shows that there's specialized neural networks in the 21 00:01:14,120 --> 00:01:18,319 Speaker 1: brain which are distinct from other functions. That's say that 22 00:01:18,800 --> 00:01:23,280 Speaker 1: you know, even speech and non musical sounds are processed 23 00:01:23,280 --> 00:01:26,880 Speaker 1: by different parts of the brains. Even although both sides 24 00:01:26,880 --> 00:01:30,240 Speaker 1: of the brain process sound and music, there seems to 25 00:01:30,240 --> 00:01:32,920 Speaker 1: be a bit of a distinction between perception of speech 26 00:01:33,520 --> 00:01:37,600 Speaker 1: and music and sort of like singing versus even singing 27 00:01:37,680 --> 00:01:40,800 Speaker 1: versus talking, and even the it extends to the ears. 28 00:01:40,800 --> 00:01:42,759 Speaker 1: To the right ears a little bit better at perceiving 29 00:01:42,840 --> 00:01:46,200 Speaker 1: verbal sounds, the left ear a little better at nonverbal sounds. 30 00:01:46,760 --> 00:01:49,600 Speaker 1: There could be some corolleries in the brain. As for 31 00:01:49,640 --> 00:01:51,960 Speaker 1: the source of the inspiration, it seems sort of be 32 00:01:52,120 --> 00:01:55,360 Speaker 1: like who wants it the most kind of taps into 33 00:01:55,440 --> 00:01:58,280 Speaker 1: the internet and gets it. I have seen and in 34 00:01:58,280 --> 00:02:01,040 Speaker 1: my book there's quite a number of documented songs that 35 00:02:01,160 --> 00:02:05,160 Speaker 1: are this is sort of in parenthesis, gifted by non 36 00:02:05,200 --> 00:02:08,120 Speaker 1: physical beings. In other words, Jimi Hendrix came and inspired 37 00:02:08,600 --> 00:02:12,640 Speaker 1: a number of waking artists, but in their dreams, and 38 00:02:12,800 --> 00:02:15,160 Speaker 1: that a few of the other classical artists, et cetera, 39 00:02:15,320 --> 00:02:20,400 Speaker 1: had mentors, teachers, family members were taken them Sarah for 40 00:02:20,480 --> 00:02:24,120 Speaker 1: those who know them are Sarah, Yeah, Sarah and Tagan. 41 00:02:24,440 --> 00:02:26,240 Speaker 1: I found them on which order they say their name is, 42 00:02:26,680 --> 00:02:30,239 Speaker 1: but their grandmother came and some other inspirations Elsie on 43 00:02:30,480 --> 00:02:33,400 Speaker 1: the Big Montreal artists who work with Sark to Slay 44 00:02:33,440 --> 00:02:37,680 Speaker 1: and others have let's say relatives, maybe beings that are 45 00:02:37,800 --> 00:02:40,200 Speaker 1: not physical anymore come and help them with the music. 46 00:02:40,320 --> 00:02:43,280 Speaker 1: So there's a few ideas and maybe it'd be interesting 47 00:02:43,320 --> 00:02:45,480 Speaker 1: to get the listeners take on where it comes from. 48 00:02:45,520 --> 00:02:49,400 Speaker 1: What do you what would you say, Richard? Oh? Wow? 49 00:02:51,160 --> 00:02:54,520 Speaker 1: I mean I think I think Paul McCartney is writing. 50 00:02:55,480 --> 00:02:58,639 Speaker 1: I think it comes from Paul McCartney. When when we're 51 00:02:58,639 --> 00:03:03,480 Speaker 1: talking about him, um, I think he's being maybe very 52 00:03:03,560 --> 00:03:08,320 Speaker 1: very generous and humble when he talks about the songs 53 00:03:08,360 --> 00:03:15,840 Speaker 1: writing themselves. But I think they come from deep inside him. Yea. 54 00:03:15,919 --> 00:03:19,600 Speaker 1: And people are subconscious or something like that. There's an 55 00:03:19,600 --> 00:03:23,200 Speaker 1: interesting principle it says it's probably not you know, certainly 56 00:03:23,200 --> 00:03:26,519 Speaker 1: not our fully conscious stelf. For Lucid, maybe it's closer. 57 00:03:26,960 --> 00:03:31,320 Speaker 1: But there's a number of artists, not just musicians, who's say, wow, 58 00:03:31,360 --> 00:03:33,560 Speaker 1: I didn't write this. I don't even know how I 59 00:03:33,600 --> 00:03:35,280 Speaker 1: got it or where it came from and in the 60 00:03:35,400 --> 00:03:38,200 Speaker 1: dream they believe it was somebody else's hit, like Roy Orbison. 61 00:03:38,560 --> 00:03:41,160 Speaker 1: He dreams this song, oh my gosh, that's an amazing 62 00:03:41,200 --> 00:03:45,560 Speaker 1: new Elvis hit, and then he woke up saying, in Dreams, 63 00:03:45,760 --> 00:03:49,920 Speaker 1: by the way Orbison song, that's that's not an Elvis hit. 64 00:03:49,960 --> 00:03:52,080 Speaker 1: I don't think there is any hit in Dreams. And 65 00:03:52,120 --> 00:03:54,360 Speaker 1: he started putting together a melody, and so we can 66 00:03:54,400 --> 00:03:56,960 Speaker 1: say in Dreams was inspired by dreams and perhaps a 67 00:03:57,000 --> 00:03:59,160 Speaker 1: little bit by Elvis, but he thought it was Elvis' 68 00:03:59,160 --> 00:04:01,440 Speaker 1: is in the Dream and that's happened. Even McCartney actually 69 00:04:01,840 --> 00:04:04,520 Speaker 1: thought one of the songs came from the Stones, but 70 00:04:04,560 --> 00:04:06,760 Speaker 1: then when he woke up, a wait a minute, that's 71 00:04:06,800 --> 00:04:09,080 Speaker 1: not the son. James Cameron had the same idea for 72 00:04:09,120 --> 00:04:11,240 Speaker 1: his movies. He goes out, these aren't mine. Let do 73 00:04:11,280 --> 00:04:14,840 Speaker 1: these come from? Richard back with his book Illusions or 74 00:04:14,920 --> 00:04:18,359 Speaker 1: Excuse Me? Jonathan Siegel, he had a big series of 75 00:04:18,440 --> 00:04:20,760 Speaker 1: dreams that he said, I don't know, it didn't come 76 00:04:20,800 --> 00:04:22,480 Speaker 1: from me. I'm not sure where they came from. It's 77 00:04:22,520 --> 00:04:25,480 Speaker 1: not even mine. So there's an interesting sort of identity 78 00:04:25,600 --> 00:04:28,840 Speaker 1: or maybe ownership question. My guess is it's a little 79 00:04:28,839 --> 00:04:32,200 Speaker 1: bit deeper part of the subconscious, maybe the collective unconscious, 80 00:04:32,240 --> 00:04:39,480 Speaker 1: so not necessarily the conscious mind. We've talked before fairly recently, 81 00:04:39,520 --> 00:04:48,640 Speaker 1: and I remember vaguely a story involving a precognition dream 82 00:04:48,680 --> 00:04:54,440 Speaker 1: that involves a shipwreck. Oh yeah, that's one of my 83 00:04:54,520 --> 00:04:57,040 Speaker 1: fascinating dreams. Now, the song is probably not going to 84 00:04:57,120 --> 00:04:59,360 Speaker 1: be number one hit. I was one of the charts there, 85 00:04:59,720 --> 00:05:02,520 Speaker 1: but stories the number one hit like I put it 86 00:05:02,560 --> 00:05:04,320 Speaker 1: near the start of the book just because it has 87 00:05:04,360 --> 00:05:09,520 Speaker 1: so many interesting aspects. It's Canadian folk composer CBC radio 88 00:05:09,560 --> 00:05:13,840 Speaker 1: host also Clary Croft. A little salutation out to clary 89 00:05:13,880 --> 00:05:17,120 Speaker 1: who who told me this very interesting story and sings 90 00:05:17,120 --> 00:05:19,440 Speaker 1: and talks about it when he when he does presentations. 91 00:05:20,360 --> 00:05:23,520 Speaker 1: But the story is about the Anti m Pride. It's 92 00:05:23,560 --> 00:05:27,800 Speaker 1: actually a schooner background in eighteen eighty nine in Halifax, 93 00:05:27,920 --> 00:05:29,640 Speaker 1: Nova Scotia, and it was going to go sail on 94 00:05:29,640 --> 00:05:34,279 Speaker 1: its maiden voyage about I guess five years later after 95 00:05:34,279 --> 00:05:37,880 Speaker 1: it was built and to my boo, Nova Scotia. So 96 00:05:37,920 --> 00:05:40,200 Speaker 1: this is all document in track. So it's a true 97 00:05:40,240 --> 00:05:42,560 Speaker 1: thing that actually physically happened, and you know, you can 98 00:05:42,600 --> 00:05:45,000 Speaker 1: actually pull up stories about it in papers and stuff. 99 00:05:45,640 --> 00:05:49,200 Speaker 1: The interesting part that's not so documented is that you know, 100 00:05:49,200 --> 00:05:51,640 Speaker 1: they were all loaded up with lots of expensive fish 101 00:05:51,680 --> 00:05:53,680 Speaker 1: and things that would go bad, and I guess maybe 102 00:05:53,680 --> 00:05:56,080 Speaker 1: some lumber and such, but they kind of had to 103 00:05:56,120 --> 00:05:59,000 Speaker 1: get it in a certain pretty tight timeline, except that 104 00:05:59,080 --> 00:06:02,839 Speaker 1: the first mates why awoke that morning and lots of tears, 105 00:06:02,920 --> 00:06:05,440 Speaker 1: really upset because she's had a haunting vision of the 106 00:06:05,480 --> 00:06:08,840 Speaker 1: ship with gray hull and all sails set but they 107 00:06:08,839 --> 00:06:12,080 Speaker 1: were black and she sort of saw the whole I 108 00:06:12,080 --> 00:06:14,960 Speaker 1: guess a shipwreck. So she said to her husband, you're 109 00:06:14,960 --> 00:06:18,080 Speaker 1: not going. It probably took a little discussion, you know. 110 00:06:18,520 --> 00:06:21,320 Speaker 1: It's it's one thing to sort of just follow a dream, 111 00:06:21,320 --> 00:06:24,080 Speaker 1: but it's another one. You're maybe your job and somebody 112 00:06:24,080 --> 00:06:26,800 Speaker 1: else's whole career depends on the door quite as us. 113 00:06:27,000 --> 00:06:30,200 Speaker 1: And eventually, a long story short, I went to the 114 00:06:30,240 --> 00:06:33,240 Speaker 1: captain Pride, interesting name, but that's the actual name of 115 00:06:33,240 --> 00:06:35,320 Speaker 1: the captain, and he said, I can't go with him, 116 00:06:35,320 --> 00:06:37,720 Speaker 1: so silly a and maybe lose my marriage. But you 117 00:06:37,760 --> 00:06:40,000 Speaker 1: probably shouldn't go either, because my wife had this dream 118 00:06:40,040 --> 00:06:42,640 Speaker 1: and she saw this big storm and it might be 119 00:06:42,680 --> 00:06:46,159 Speaker 1: a shipwreck. Anyways, he was committed with the sale, and 120 00:06:46,320 --> 00:06:48,839 Speaker 1: unfortunately he took his son as the first mate. And 121 00:06:48,920 --> 00:06:52,520 Speaker 1: so sad story that did come true was the whole 122 00:06:52,520 --> 00:06:55,520 Speaker 1: ship was shipwrecked, pretty much as as the wife saw 123 00:06:56,080 --> 00:06:58,480 Speaker 1: a life saving dream. I guess the first mate, and 124 00:06:58,600 --> 00:07:01,680 Speaker 1: unfortunately not to the son. But another interesting aspect is 125 00:07:02,240 --> 00:07:05,680 Speaker 1: Larry said, Annie m Pride, where have I heard that before? 126 00:07:05,839 --> 00:07:08,000 Speaker 1: You know the name of the ship, and he said, 127 00:07:08,040 --> 00:07:10,320 Speaker 1: wait a minute. He went back to his childhood wall 128 00:07:10,400 --> 00:07:12,200 Speaker 1: from his I guess the house where he grew up, 129 00:07:13,000 --> 00:07:14,960 Speaker 1: and his parents were still there, and he saw this 130 00:07:15,240 --> 00:07:18,920 Speaker 1: half model of a ship, which I understand. I didn't 131 00:07:18,920 --> 00:07:20,760 Speaker 1: know this, but when they make a ship, they actually 132 00:07:20,800 --> 00:07:23,360 Speaker 1: make a small version that's half the ship, to see 133 00:07:23,360 --> 00:07:25,520 Speaker 1: if all the parts work. And I guess it fits 134 00:07:25,560 --> 00:07:28,760 Speaker 1: well and balances. It's such a So all his childhood 135 00:07:28,760 --> 00:07:30,800 Speaker 1: he'd had the half model of the Annie M Pride, 136 00:07:30,880 --> 00:07:34,200 Speaker 1: the actual original one, on his wall, and he asked 137 00:07:34,200 --> 00:07:36,920 Speaker 1: his mother where do we get this? And she goes, oh, 138 00:07:36,960 --> 00:07:39,960 Speaker 1: that's because your maternal relative is Annie m Pride and 139 00:07:40,680 --> 00:07:44,440 Speaker 1: her husband named Sadly, he died in a shipwreck and 140 00:07:44,520 --> 00:07:46,120 Speaker 1: his son died, and he was like, oh my god, 141 00:07:46,120 --> 00:07:51,200 Speaker 1: that's our maternal relative. Oh my god, I'm interesting a 142 00:07:51,320 --> 00:07:57,080 Speaker 1: premonition well followed by at least one person. Um if 143 00:07:57,920 --> 00:08:03,200 Speaker 1: I mean, can people dream about specific things without necessarily 144 00:08:03,200 --> 00:08:09,680 Speaker 1: being conscious? Interesting? Yeah, like intentional dreams maybe yeah, or 145 00:08:09,760 --> 00:08:12,800 Speaker 1: like falling asleep. Sometimes it's called incubation. There's a whole 146 00:08:12,800 --> 00:08:16,119 Speaker 1: bunch of different ideas of sort of names for people 147 00:08:16,240 --> 00:08:19,440 Speaker 1: use it. But the experience is more or less starting 148 00:08:19,600 --> 00:08:22,560 Speaker 1: with in my looser definition, starting to become lucid, in 149 00:08:22,600 --> 00:08:25,920 Speaker 1: other words, guiding the dream content a little bit. In fact, 150 00:08:25,920 --> 00:08:27,800 Speaker 1: I bet you most of the lusers have done it. 151 00:08:27,920 --> 00:08:31,120 Speaker 1: They just didn't necessarily name it. You know, if you certainly, 152 00:08:31,120 --> 00:08:33,440 Speaker 1: if you go to sleep with a question mine, you know, 153 00:08:33,440 --> 00:08:35,640 Speaker 1: I'll sleep on it. That kind of thing, you may 154 00:08:35,679 --> 00:08:37,920 Speaker 1: well dream on it, like many of the inventions and 155 00:08:38,040 --> 00:08:40,800 Speaker 1: songs and things. But sometimes if you're just watching a 156 00:08:40,880 --> 00:08:44,160 Speaker 1: movie or reading a book, or you're wondering or worrying 157 00:08:44,200 --> 00:08:47,840 Speaker 1: about something, that momentum of thought and maybe feeling will 158 00:08:47,880 --> 00:08:50,960 Speaker 1: carry into the dreams. So it's a little bit better 159 00:08:51,000 --> 00:08:53,840 Speaker 1: when you're conscious or lucid, or choose I guess such 160 00:08:53,840 --> 00:08:56,440 Speaker 1: a lucidity is. In other words, let's make sure that 161 00:08:56,480 --> 00:08:58,839 Speaker 1: you choose wisely what you're thinking about it before sleep, 162 00:08:58,880 --> 00:09:01,400 Speaker 1: and if you have a question and intention, I hope 163 00:09:01,400 --> 00:09:05,320 Speaker 1: a dream you know, hey, teach me skiing skills like 164 00:09:05,440 --> 00:09:09,000 Speaker 1: the German Olympic ski team they learn their ski skills 165 00:09:09,000 --> 00:09:12,400 Speaker 1: and their dreams or whatever. So it's possible. And then 166 00:09:12,400 --> 00:09:14,240 Speaker 1: I guess when it becomes a little bit more lucid, 167 00:09:14,320 --> 00:09:16,800 Speaker 1: more conscious, you start to realize during the dream you 168 00:09:16,800 --> 00:09:19,240 Speaker 1: can guide it a little bit. And then the interesting 169 00:09:19,280 --> 00:09:22,120 Speaker 1: part is harvesting. Let's make sure we get the content 170 00:09:22,160 --> 00:09:24,839 Speaker 1: but are able to bring it back and act on it. 171 00:09:24,920 --> 00:09:28,680 Speaker 1: So I usually encourage my students because I teleclasses online. 172 00:09:28,679 --> 00:09:31,760 Speaker 1: I say, not just what does the dream mean? It's 173 00:09:31,800 --> 00:09:35,280 Speaker 1: a good question. You can understand it intellectually interpret a bit, 174 00:09:35,559 --> 00:09:39,680 Speaker 1: but what does it want? Like it really does want something, 175 00:09:39,720 --> 00:09:41,400 Speaker 1: There might be an action in the world. Let's say 176 00:09:41,480 --> 00:09:44,840 Speaker 1: McCartney never acted on the musical inspiration for Yesterday. And 177 00:09:44,920 --> 00:09:47,880 Speaker 1: also let it be I know, a huge beetle hit, right, 178 00:09:47,920 --> 00:09:50,480 Speaker 1: we wouldn't have these amazing songs in their world. So 179 00:09:50,920 --> 00:09:53,120 Speaker 1: make sure to kind of consider and maybe even ask 180 00:09:53,160 --> 00:09:55,400 Speaker 1: yourself what does the dream wants? And just that question, 181 00:09:55,440 --> 00:09:58,199 Speaker 1: they'll trigger some thoughts, maybe some actions or impulses. To 182 00:09:58,320 --> 00:10:01,439 Speaker 1: bring it to our public world as a gift from 183 00:10:01,480 --> 00:10:04,800 Speaker 1: your your personal you know, inner subconscious, I hope. So 184 00:10:04,960 --> 00:10:06,839 Speaker 1: I'd like to see more dreams come true out him. 185 00:10:08,240 --> 00:10:11,520 Speaker 1: What does the dream want? So it's we're at or 186 00:10:11,840 --> 00:10:15,600 Speaker 1: the dream is asking as something, or are deep subconscious 187 00:10:15,760 --> 00:10:20,000 Speaker 1: is asking us something? So, um, I know this is 188 00:10:20,040 --> 00:10:23,640 Speaker 1: a fairly common theme with dreams. And I used to 189 00:10:23,679 --> 00:10:27,840 Speaker 1: have this dream, a recurring dream a lot. Not not anymore, 190 00:10:27,880 --> 00:10:31,680 Speaker 1: but losing my teeth, I would start spitting out like 191 00:10:31,720 --> 00:10:36,400 Speaker 1: I was spitting out chicklets, and I had that quite frequently. 192 00:10:36,640 --> 00:10:40,800 Speaker 1: So is what is the dream want when I'm spitting 193 00:10:40,800 --> 00:10:44,480 Speaker 1: out chicklets my teeth? Well, before I go into that one, 194 00:10:44,480 --> 00:10:46,880 Speaker 1: because these things get personal pretty fast, I should ask 195 00:10:46,880 --> 00:10:50,920 Speaker 1: do you have that recurring dream anymore? No? No, um, 196 00:10:51,480 --> 00:10:53,520 Speaker 1: I would say, I haven't had it probably in about 197 00:10:53,559 --> 00:10:55,080 Speaker 1: ten to fifteen years. But I used to have it 198 00:10:55,120 --> 00:10:58,240 Speaker 1: a lot. Yeah. Okay, good, so we can get a 199 00:10:58,280 --> 00:11:00,760 Speaker 1: little more personal. By the way, this is actually according 200 00:11:00,800 --> 00:11:03,680 Speaker 1: to a recent research study of looking up Google searches, 201 00:11:04,120 --> 00:11:07,880 Speaker 1: it's the most common dream in many countries. Wow, I've 202 00:11:07,920 --> 00:11:11,360 Speaker 1: actually seen different statistics, but I guess for Google searches 203 00:11:11,400 --> 00:11:14,880 Speaker 1: it's easy to type teeth falling out dream, but it is. 204 00:11:15,360 --> 00:11:19,839 Speaker 1: It actually is multifaceted. So the big universal archetypal dreams 205 00:11:19,840 --> 00:11:23,360 Speaker 1: are usually across cultures, so it's not just USA or Canada. 206 00:11:23,400 --> 00:11:26,440 Speaker 1: It's actually many cultures worldwide. It's not the biggest one 207 00:11:26,480 --> 00:11:28,760 Speaker 1: in all the cultures like in South America. I think 208 00:11:28,760 --> 00:11:31,640 Speaker 1: it's snakes, you know, which probably makes sense, I guess 209 00:11:31,720 --> 00:11:34,520 Speaker 1: from the corporation or her worry point of view. But 210 00:11:34,600 --> 00:11:36,840 Speaker 1: the teeth falling out dream has a few levels. And 211 00:11:37,000 --> 00:11:39,200 Speaker 1: I laughed a little bit with sort of a friendly 212 00:11:39,200 --> 00:11:41,720 Speaker 1: good nature because I've had it too. It can have 213 00:11:41,840 --> 00:11:46,680 Speaker 1: the level of, let's say, sort of publicly spewing out 214 00:11:46,760 --> 00:11:50,520 Speaker 1: different words or maybe not always personally happy with or 215 00:11:50,760 --> 00:11:54,000 Speaker 1: they just come out like I guess are I'm thinking 216 00:11:54,040 --> 00:11:56,959 Speaker 1: halle Berry has the teeth falling out dream. So maybe 217 00:11:56,960 --> 00:11:59,040 Speaker 1: some of the things she said, or she's sort of 218 00:11:59,040 --> 00:12:01,520 Speaker 1: worried about complex shouldn't losing our teeth or you know, 219 00:12:01,600 --> 00:12:04,559 Speaker 1: as an actor, that's very important our look as a 220 00:12:04,640 --> 00:12:06,960 Speaker 1: radio announcer, Yeah, the things that come out of our mouse. 221 00:12:06,960 --> 00:12:09,320 Speaker 1: Who want to make sure that there's no biting words 222 00:12:09,320 --> 00:12:12,560 Speaker 1: in there, and we're getting making sure that they sort 223 00:12:12,559 --> 00:12:15,520 Speaker 1: of don't bite into people's minds too deeply unless we 224 00:12:15,600 --> 00:12:17,800 Speaker 1: choose it. I guess if we're making a new story, 225 00:12:18,320 --> 00:12:21,000 Speaker 1: and then there seems to be a pretty interesting sort 226 00:12:21,040 --> 00:12:25,000 Speaker 1: of sigh or psychic or maybe premonition level. This isn't 227 00:12:25,000 --> 00:12:27,480 Speaker 1: actually a number of cultures that I've interviewed a number 228 00:12:27,480 --> 00:12:29,520 Speaker 1: of people around the world, and forget all the countries 229 00:12:29,559 --> 00:12:33,920 Speaker 1: Bahamas as one, Italy, a number of places like five 230 00:12:34,040 --> 00:12:36,280 Speaker 1: or six, I can't name them all right now, but 231 00:12:36,440 --> 00:12:38,320 Speaker 1: in the culture that it says, oh, if you dream 232 00:12:38,360 --> 00:12:40,880 Speaker 1: about losing your teeth, and I means somebody close to 233 00:12:40,920 --> 00:12:43,760 Speaker 1: you is going to die. But first I guess as 234 00:12:43,760 --> 00:12:46,480 Speaker 1: a scientist, as those that are like, oh, you know, skeptic, 235 00:12:47,679 --> 00:12:51,160 Speaker 1: But actually, after hearing it quite a bit and seeing 236 00:12:51,559 --> 00:12:54,720 Speaker 1: actual dreamers I work with having clear premonitions of someone 237 00:12:54,720 --> 00:12:57,360 Speaker 1: close to them passing, and it usually seems to be 238 00:12:57,400 --> 00:12:59,880 Speaker 1: when there's actual blood in the dream, so a slight 239 00:13:00,040 --> 00:13:03,679 Speaker 1: variation when there's physical blood chicklists or chewing glass and 240 00:13:03,760 --> 00:13:07,440 Speaker 1: people have glass. So the other level is another level 241 00:13:07,559 --> 00:13:09,520 Speaker 1: is sort of grinding our teeth at night, which is 242 00:13:09,520 --> 00:13:11,920 Speaker 1: a little more obvious. I guess, you know, teeth falling 243 00:13:11,920 --> 00:13:14,680 Speaker 1: out or crumbling. So we might be grinding our teeth 244 00:13:14,679 --> 00:13:16,960 Speaker 1: and if we're not careful about it, or go to 245 00:13:17,000 --> 00:13:18,880 Speaker 1: the dentist and do something about it, maybe get a 246 00:13:18,880 --> 00:13:22,280 Speaker 1: bite place or something. They might have actual future permonition 247 00:13:22,320 --> 00:13:25,520 Speaker 1: where we have like teeth bits or you'll lose teeth. 248 00:13:25,600 --> 00:13:29,160 Speaker 1: So the big lesson overall through all the different categories 249 00:13:29,320 --> 00:13:32,800 Speaker 1: is learning having presents in peace with letting go because 250 00:13:33,520 --> 00:13:35,440 Speaker 1: even in life, you know, we do lose our teeth 251 00:13:35,440 --> 00:13:37,840 Speaker 1: as a child, growing up, maybe later our wisdom teeth 252 00:13:37,880 --> 00:13:41,200 Speaker 1: and as a multi person, so letting go of I 253 00:13:41,240 --> 00:13:44,920 Speaker 1: guess the permanence challenge of life and just allowing the 254 00:13:44,920 --> 00:13:47,520 Speaker 1: body to do its transitions at times sounds easy to 255 00:13:47,520 --> 00:13:49,400 Speaker 1: say letting go, but I can't say I've mastered that 256 00:13:49,520 --> 00:13:53,680 Speaker 1: life lesson. No, that might be the toughest one. You 257 00:13:53,760 --> 00:13:58,040 Speaker 1: mentioned letting go. Are there some practical ways of dreams 258 00:13:58,040 --> 00:14:01,680 Speaker 1: can help the living in the ying around around that 259 00:14:01,720 --> 00:14:06,800 Speaker 1: transition around death? Yeah? Sure, deaths the big the end 260 00:14:06,800 --> 00:14:08,920 Speaker 1: of our big dream that we you know occurs every 261 00:14:08,960 --> 00:14:12,640 Speaker 1: day that we call life. I did a whole sort 262 00:14:12,679 --> 00:14:15,599 Speaker 1: of audio CD which was the presentation I gave with 263 00:14:15,679 --> 00:14:18,720 Speaker 1: the little pali of care contents all about that. So 264 00:14:18,800 --> 00:14:20,560 Speaker 1: there's a number of ways that they can really help. 265 00:14:21,120 --> 00:14:24,000 Speaker 1: I guess one simple way that's maybe not obvious, but 266 00:14:24,040 --> 00:14:25,680 Speaker 1: it's been hinted out a little bit here with the 267 00:14:25,960 --> 00:14:30,080 Speaker 1: sailor dream. The first name is precognitive dreams can actually 268 00:14:30,120 --> 00:14:34,520 Speaker 1: help prevent death. So like the sailor didn't die, you know, 269 00:14:34,640 --> 00:14:38,080 Speaker 1: or another researcher here actually one of the discoverers of 270 00:14:37,960 --> 00:14:40,640 Speaker 1: a ram of sleep, of appatite movement sleep, which which 271 00:14:40,760 --> 00:14:44,160 Speaker 1: tribute lots of research and the egs and everything of 272 00:14:44,240 --> 00:14:48,520 Speaker 1: the sleep reportings, William Dement later had I guess, not 273 00:14:48,680 --> 00:14:51,040 Speaker 1: dream about research, but later had a dream where a 274 00:14:51,120 --> 00:14:53,360 Speaker 1: doctor was showing him an X ray of his lungs 275 00:14:53,680 --> 00:14:57,600 Speaker 1: up on one of these I guess extreme viewing the screens, 276 00:14:57,640 --> 00:15:01,520 Speaker 1: whatever they are, and he had really thinking feeling and 277 00:15:01,600 --> 00:15:04,560 Speaker 1: the doctor's organosis was unfortunately, you know, you have lung 278 00:15:04,600 --> 00:15:06,120 Speaker 1: cancer and you're not going to get to see your 279 00:15:06,160 --> 00:15:08,320 Speaker 1: children go up and just going to be a horrible, 280 00:15:09,000 --> 00:15:12,000 Speaker 1: thinkful death. And you know, he woke up on oh 281 00:15:12,160 --> 00:15:15,800 Speaker 1: my god, thank goodness, it was just a dream, but 282 00:15:15,920 --> 00:15:18,040 Speaker 1: that he had the wisdom to sort of follow what 283 00:15:18,120 --> 00:15:21,280 Speaker 1: I encouraged the listeners and my students say, what does 284 00:15:21,280 --> 00:15:23,800 Speaker 1: the dream want not to So that's a bad dream 285 00:15:23,920 --> 00:15:27,040 Speaker 1: or just a nightmare? Well, yeah, nightmare, but not just one. 286 00:15:27,640 --> 00:15:31,120 Speaker 1: He stopped smoking right away because it was a strong smoker, 287 00:15:31,160 --> 00:15:35,280 Speaker 1: and he did live and leave leave a pretty long 288 00:15:35,440 --> 00:15:37,560 Speaker 1: healthy life up until the end of his days, which 289 00:15:37,680 --> 00:15:40,400 Speaker 1: wasn't by lung cancer stuff. We can't say that it 290 00:15:40,440 --> 00:15:42,520 Speaker 1: would have come true, but the best predictions it was 291 00:15:42,520 --> 00:15:44,440 Speaker 1: a negative type are the ones that don't come true. 292 00:15:44,480 --> 00:15:47,960 Speaker 1: So possibly it was a life saving So I can 293 00:15:48,000 --> 00:15:52,840 Speaker 1: be one aspect, maybe helping people impalliative care at least 294 00:15:52,840 --> 00:15:55,280 Speaker 1: I've seen that somebody who actually there was a patient 295 00:15:55,280 --> 00:15:59,000 Speaker 1: in coma for many, many months, and I guess one 296 00:15:59,000 --> 00:16:01,200 Speaker 1: of the characters, and he said, okay, maybe I can 297 00:16:01,320 --> 00:16:04,280 Speaker 1: journey in kind of let's say an intentional dream, kind 298 00:16:04,280 --> 00:16:07,200 Speaker 1: of a sitting of the daytime. Lucia dreams sham on 299 00:16:07,320 --> 00:16:10,240 Speaker 1: a journey, and she journeyed in sort of quote unquote 300 00:16:10,280 --> 00:16:13,480 Speaker 1: met the being who was lying there in coma and 301 00:16:13,520 --> 00:16:16,040 Speaker 1: said hey, And all of a sudden, the woman and 302 00:16:16,120 --> 00:16:18,360 Speaker 1: coma grabbed hers, like where did everybody go? Why aren't 303 00:16:18,400 --> 00:16:21,920 Speaker 1: they coming anymore to visit? And the caregiver says, oh, 304 00:16:22,040 --> 00:16:24,440 Speaker 1: actually been a few months, so you know, they did 305 00:16:24,480 --> 00:16:27,080 Speaker 1: come and she said, well, okay, and the caregiver in 306 00:16:27,120 --> 00:16:29,160 Speaker 1: the dream still said, is there anybody you'd like to 307 00:16:29,200 --> 00:16:31,560 Speaker 1: see and then maybe you can move on? Or is 308 00:16:31,600 --> 00:16:33,440 Speaker 1: there I think to help you sort of come back. 309 00:16:33,720 --> 00:16:36,880 Speaker 1: So yeah, I'd like to see. And so when she 310 00:16:36,960 --> 00:16:40,000 Speaker 1: came back awake, you know, the caregiver was I guess 311 00:16:40,080 --> 00:16:43,280 Speaker 1: practical and problematic enough to call up certain family members 312 00:16:43,280 --> 00:16:46,280 Speaker 1: and having to come visit, and and very shortly after 313 00:16:46,320 --> 00:16:49,160 Speaker 1: I'm not quite sure days, but let's say within about 314 00:16:49,160 --> 00:16:51,920 Speaker 1: a week or so, after all the business the patient 315 00:16:52,000 --> 00:16:54,760 Speaker 1: had had sort of peacefully passed, and I guess and 316 00:16:54,840 --> 00:16:56,720 Speaker 1: some of level they sort of knew who was visiting 317 00:16:56,760 --> 00:17:00,080 Speaker 1: and had their unfinished business a little bit finished, or 318 00:17:00,080 --> 00:17:01,800 Speaker 1: at least you've got a connection, and then moved on. 319 00:17:02,360 --> 00:17:05,600 Speaker 1: Listen to more Coast to Coast AM every weeknight at 320 00:17:05,680 --> 00:17:08,600 Speaker 1: one am Eastern and go to Coast to Coast am 321 00:17:08,680 --> 00:17:09,680 Speaker 1: dot com for more