WEBVTT - Love is in the Air • EP 815

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<v Speaker 1>First of all, you don't know me.

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<v Speaker 2>We all about that high school drama. Girl drama girl,

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<v Speaker 2>all about them high school queens. We'll take you for

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<v Speaker 2>a ride, and our comic.

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<v Speaker 3>Girl shared for the right drama Queens of girl fashion,

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<v Speaker 3>but your tough girl, you.

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<v Speaker 2>Could sit with us.

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<v Speaker 1>Girl Drama, Queens, Drama, queise drama, Queens Drama Drama, Queens

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<v Speaker 1>Drama Queens.

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<v Speaker 4>We're talking about the theme song of our show and

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<v Speaker 4>wondering whether or not Gavin loves performing it out or

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<v Speaker 4>if he's just like totally burnt out on it.

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<v Speaker 5>I desperately need the YouTube audience. I just need everyone

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<v Speaker 5>to tune into YouTube so they can catch Joy doing

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<v Speaker 5>her makeup while we're like, you are bringing Multita my.

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<v Speaker 4>Nasty paint covered nails. It's like, this is so gross.

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<v Speaker 4>All week long, I've been like reaching for things and

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<v Speaker 4>I have my nails are covered in house paints from

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<v Speaker 4>painting sets. I keep reaching for things and people, or

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<v Speaker 4>like eating at restaurants and people are just looking at

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<v Speaker 4>and staring at me, my dinner companion.

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<v Speaker 5>Anyone who's going to turn their nose up at you

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<v Speaker 5>having paint on your nails.

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<v Speaker 2>It's a second glance. I don't know.

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<v Speaker 4>I think it's worth the second glance. They look pretty nasty.

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<v Speaker 5>I don't know about that.

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<v Speaker 2>Maybe it's just internal.

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<v Speaker 5>Let's go back to the thing about does a musician

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<v Speaker 5>just get tired of singing the same song over and over?

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<v Speaker 5>I mean, think if every day when you showed up

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<v Speaker 5>to work as an actor, you had to perform the

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<v Speaker 5>same scene, yeah, or the same monologue.

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<v Speaker 4>Yeah, greatest hits like Laurence Olivier always had to do

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<v Speaker 4>poor Horatio, like you know, like the greatest hits of

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<v Speaker 4>every actor. If they did concerts, they would just have

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<v Speaker 4>to run through their repertoire every time.

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<v Speaker 5>I think it would be especially tough if you really

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<v Speaker 5>only had one big hit, because I think it would

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<v Speaker 5>be this thing where you would come to resent it.

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<v Speaker 5>I think if you had a catalog it would be different.

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<v Speaker 5>But I think if you had one thing, and as

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<v Speaker 5>soon as you started playing anything else, everyone's like, play

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<v Speaker 5>the bether one, right, you probably wish you weren't. Yeah.

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<v Speaker 2>It's like if you're the Rolling Stones and every song's

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<v Speaker 2>a hit, you're having a great time. Yeah.

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<v Speaker 6>Yeah, But if.

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<v Speaker 2>Everyone only knows one, I don't know. I mean, I

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<v Speaker 2>really wonder how Gavin feels about it because even what

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<v Speaker 2>we were talking about, I think before we started recording,

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<v Speaker 2>so for our friends at home, we were discussing like

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<v Speaker 2>what our experiences when we're out in public and the

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<v Speaker 2>song comes on. Essentially we all feel like we're getting punked.

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<v Speaker 2>It's like, there's nothing like walking down an aisle in

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<v Speaker 2>the grocery store and being like, wait a second, oh god,

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<v Speaker 2>oh no, oh no, everyone's looking at me. There's nowhere

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<v Speaker 2>to hide, there's no corner, and you're like, oh, where

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<v Speaker 2>do I go? This is so awkward And it is

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<v Speaker 2>really you know, because people kind of look and they're

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<v Speaker 2>like eh, and you're like, I know, I don't know

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<v Speaker 2>what to say. You're just like, you don't know what

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<v Speaker 2>to do with my body right now. And I wonder,

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<v Speaker 2>I don't know. I wonder what the experience is like

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<v Speaker 2>for him. Do you think he loves twenty years of

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<v Speaker 2>TV royalties or do you think he's like, god, damn it,

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<v Speaker 2>they ruined my best song. I don't know.

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<v Speaker 4>I'm going to text him right now. This is a

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<v Speaker 4>voice text for Gavin. Okay, Hey, what's up. We're podcasting

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<v Speaker 4>right now, and we me, Sophia and Rob all want

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<v Speaker 4>to know if you love performing I don't want to be,

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<v Speaker 4>or if you are so tired of it after twenty

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<v Speaker 4>years and you sort of present it.

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<v Speaker 5>Is.

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<v Speaker 4>This is.

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<v Speaker 2>This is our question. Okay, coming back, I hope you're great.

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<v Speaker 5>This is this is peak podcasting. Incredible listening to Joyce

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<v Speaker 5>and voice notes, just to fully pull back the curtain

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<v Speaker 5>to the audience. Yes, what we were talking about. Right

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<v Speaker 5>before I started recording, I opened this conversation with saying

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<v Speaker 5>that I cannot stand our show's theme song. Now let

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<v Speaker 5>me say this. Please don't hear what I'm not saying.

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<v Speaker 5>I love our show, and that is not me coming

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<v Speaker 5>for Gavin. I have just heard it so many times,

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<v Speaker 5>and I have had such a weird relationship with the

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<v Speaker 5>show itself that the theme song, I think, kind of

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<v Speaker 5>took the brunt of that. So it's yeah, it's a trick. Unfortunately,

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<v Speaker 5>it has been stuck in my head for like the

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<v Speaker 5>last day and a half. So I found myself walking

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<v Speaker 5>around this morning being like, I can't If I never

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<v Speaker 5>hear that song again, I will be so grateful because

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<v Speaker 5>it's just.

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<v Speaker 2>Been hanging around in your brain.

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<v Speaker 5>Oh my gosh, and I don't even know all the words.

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<v Speaker 5>I know like two lines and then the rest I know,

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<v Speaker 5>just like a bits and pieces, which makes it even worse.

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<v Speaker 2>You have the guitar riff, yes, yeah, and you're like.

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<v Speaker 5>And I'm like, anything but.

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<v Speaker 2>This that is so funny. Do you know the happy

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<v Speaker 2>Birthday trick? What's fa something about the I don't know

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<v Speaker 2>if it's the melody or the notes or whatever about

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<v Speaker 2>Happy Birthday. That supposedly, if you have a song stuck

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<v Speaker 2>in your head and then you sing Happy Birthday to yourself,

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<v Speaker 2>it'll be gone. But Happy Birthday doesn't stick.

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<v Speaker 4>It's the backup song that is Hotel California also works

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<v Speaker 4>for that.

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<v Speaker 2>Really, yes, oh, I feel like that would get stuck

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<v Speaker 2>in my head.

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<v Speaker 4>I loved the really Now it's like it's not catchy

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<v Speaker 4>enough because all the notes are sort of a lot

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<v Speaker 4>of the chords are more dissonant and more sharps and flats.

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<v Speaker 4>I mean, I'm I'm not a composer. I don't know

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<v Speaker 4>how to read music, but I know the tone and

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<v Speaker 4>it always it always works.

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<v Speaker 2>You do write music, No, I do. I just don't.

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<v Speaker 4>I can't read music, so I don't know how I

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<v Speaker 4>to write chords or like speak the music language of chords.

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<v Speaker 2>But I can tell you that it does work. Interesting.

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<v Speaker 5>I was also in a way, I deserve this because

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<v Speaker 5>I have had shares. Do you Believe in? Life after Love?

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<v Speaker 5>Stuck in my head for about a week and a

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<v Speaker 5>half now, and I was, I was complaining, we have

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<v Speaker 5>a rule in our house where if Jenny or I

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<v Speaker 5>have a song stuck in our head, we're not allowed

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<v Speaker 5>to sing it or tell the other person because they

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<v Speaker 5>are highly contagious, so you just have to suffer in silence.

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<v Speaker 5>And so for the last week and a half, I've

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<v Speaker 5>just been do you believe? In my head? And I'm

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<v Speaker 5>just like, what did I do to deserve this? And

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<v Speaker 5>then I got our theme song stuck in my head

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<v Speaker 5>and I was like, I could diggle a deeper hole.

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<v Speaker 5>It turns out that was my rock body. Well, welcome

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<v Speaker 5>to the show, everybody.

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<v Speaker 2>Now you're here to talk about it. And it's Valentine's

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<v Speaker 2>Day everyone, Yeah.

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<v Speaker 5>All right, what do we have today? Season eight, episode fifteen.

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<v Speaker 5>Valentine's Day is over, or as I like to call it,

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<v Speaker 5>mid season. Male Wishful film, February fifteenth, twenty eleven. Synopsis, Sex, games, secrets,

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<v Speaker 5>and shoelaces all come into play as the couples of

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<v Speaker 5>Tree Hills, so the breat Valentine's Day directed by Paul Johansson.

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<v Speaker 2>He did such a great job with this episode.

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<v Speaker 4>I knew the second that I saw the Nathan and

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<v Speaker 4>Haley bathroom scene of us brushing our teeth and like

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<v Speaker 4>talking and all the choreography of that. I knew that

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<v Speaker 4>Paul had directed this episode because I had forgotten about that.

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<v Speaker 4>But that scene we worked. We worked really hard on

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<v Speaker 4>that because it was just one shot, so we had

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<v Speaker 4>extra rehearsal time. And he had a lot of fun

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<v Speaker 4>with this episode. I think he really brought a lot

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<v Speaker 4>of fun ideas.

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<v Speaker 2>Yeah, it was very sweet, and the shooting over you too,

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<v Speaker 2>but getting your coverage in the mirror, and the choreography

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<v Speaker 2>of longtime married couple swapping mouthwash and talking about is

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<v Speaker 2>it a blackhead? Is it a rash? I was like,

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<v Speaker 2>oh my god, it just was so I don't know,

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<v Speaker 2>it was fun and really charming, and I felt like

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<v Speaker 2>so much much of the episode managed to be charming,

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<v Speaker 2>which felt really nice given Rob's point about the amount

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<v Speaker 2>of wish fulfillment. You know, like when you have grown

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<v Speaker 2>ups writing sex game scripts, you're like, but it was charming,

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<v Speaker 2>and I really cherished that, at least for myself and Austin.

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<v Speaker 2>We had Paul directing this with us because he knew

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<v Speaker 2>how to. Instead of leaning in and making things gratuitous

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<v Speaker 2>and kind of gross, we really ramped up on the

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<v Speaker 2>wardrobe the comedy. But then we went so comedic and

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<v Speaker 2>it got to be so goofy and so physical, and

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<v Speaker 2>I just remember how much fun we had with it,

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<v Speaker 2>and yeah, it felt it sort of felt like the

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<v Speaker 2>best outcome, and I felt incredibly protected with those two

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<v Speaker 2>and it all really did mean most of it anyway,

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<v Speaker 2>really did make me laugh. I enjoyed watching this one.

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<v Speaker 5>Yeah, that must you for sure win MVP by MVP,

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<v Speaker 5>I mean most valuable and most vulnerable player. Here's what

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<v Speaker 5>I will say. As soon as the episode opened, I

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<v Speaker 5>remembered this. I was just like, oh, buddy, okay, so

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<v Speaker 5>soar in her paycheck this week. But I will say

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<v Speaker 5>I also noticed that it was just you and Austin

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<v Speaker 5>in the same location, and I went, Okay, listen the

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<v Speaker 5>work this week. But she was done in like two days. Yeah,

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<v Speaker 5>so you had a nice break. So at least I

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<v Speaker 5>feel like you got a reward for going through this.

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<v Speaker 2>Yeah, totally. I remember getting this U when we get

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<v Speaker 2>the script and you go, oh my god, am I

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<v Speaker 2>about to win the schedule lottery? And then I remember

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<v Speaker 2>when the day out of days came out and I

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<v Speaker 2>was like, I'm going home and I want to go

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<v Speaker 2>home for like a whole week. And it was so nice.

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<v Speaker 2>That's so great.

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<v Speaker 4>It was so Actually I wondered, when you got the script,

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<v Speaker 4>how do you handle how did you handle that? Because

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<v Speaker 4>obviously that would have been really kind of upsetting to

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<v Speaker 4>read all that At first, I'm assuming, but then knowing

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<v Speaker 4>Paul was directing, is it just like did you have

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<v Speaker 4>a panic or were you just like, I'm just going

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<v Speaker 4>to go talk to Paul and we'll figure this out.

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<v Speaker 4>It's fine.

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<v Speaker 2>I don't totally remember, to be honest, what I remember.

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<v Speaker 2>I always felt better when Paul was directing. Of course,

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<v Speaker 2>I I remember honestly being like, aw cool, Robin Chantell

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<v Speaker 2>get to watch City and Color in their clothes and

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<v Speaker 2>I have to do this. And I was like also

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<v Speaker 2>because I was bummed because I knew I was going

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<v Speaker 2>to go home with my you know, five days off,

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<v Speaker 2>and so I couldn't like sneak to set and hang

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<v Speaker 2>for the show. But yeah, I know that I was excited,

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<v Speaker 2>not excited. I know that I was what's the word

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<v Speaker 2>I'm looking for, comforted? I guess knowing Paul was going

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<v Speaker 2>to be directing. And what I love about Paul, you

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<v Speaker 2>know when he does the this and he like gives

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<v Speaker 2>you the look and he has his he has his

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<v Speaker 2>little close mouth laugh where he goes it's all right.

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<v Speaker 2>I remember going to find him and he goes, did

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<v Speaker 2>you read it?

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<v Speaker 4>You know?

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<v Speaker 2>And what I loved about it is I knew he

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<v Speaker 2>already had thoughts. And we really talked about the you know,

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<v Speaker 2>our great favorite comedic women, and he was like, we'll

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<v Speaker 2>figure out all your all your moments. You know, you'll

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<v Speaker 2>have Sophia La Ren moments, you'll have Lucille ball moments.

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<v Speaker 2>And I was like, that sounds amazing. And then the

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<v Speaker 2>thing that I knew I needed to figure out was

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<v Speaker 2>wardrobe because everything was written like lingerie, lingerie, lingerie, and

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<v Speaker 2>so Carol and I were like, okay, well, if we

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<v Speaker 2>have to do, you know, the French made thing will

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<v Speaker 2>really make it feel beautiful and like Bridget BARDOI and

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<v Speaker 2>sixties and we'll put you in tights and then you know,

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<v Speaker 2>for the pizza thing. It was like, Okay, well let's

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<v Speaker 2>do this full body suit moment, so I didn't have

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<v Speaker 2>to feel like I was supposed to be completely exposed.

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<v Speaker 4>Yeah, you know, Yeah, it was a lot of underwear,

0:12:23.120 --> 0:12:26.920
<v Speaker 4>but like got more costume me than yeah, than underwear.

0:12:27.400 --> 0:12:29.720
<v Speaker 2>Yeah, it felt more costume and I didn't have to

0:12:29.840 --> 0:12:33.600
<v Speaker 2>prance around with like my ass cheeks out. You know.

0:12:34.360 --> 0:12:37.040
<v Speaker 2>I was essentially wearing like a red one piece bathing

0:12:37.120 --> 0:12:40.000
<v Speaker 2>suit and then like had a robe off and then

0:12:40.080 --> 0:12:43.280
<v Speaker 2>right back on, and the robe served for comedy, and

0:12:43.400 --> 0:12:47.280
<v Speaker 2>so much of it actually was so funny. Even the

0:12:47.280 --> 0:12:50.680
<v Speaker 2>French made costume. We like tripled up the little petticoats,

0:12:51.120 --> 0:12:54.000
<v Speaker 2>so when Austin spun me around, it did like a

0:12:54.000 --> 0:12:58.320
<v Speaker 2>full twirl and like that stuff felt really fun, And

0:12:58.360 --> 0:13:01.200
<v Speaker 2>I think those things are cool when you're when you

0:13:01.280 --> 0:13:03.520
<v Speaker 2>have a team that's going to support you to make

0:13:03.520 --> 0:13:07.840
<v Speaker 2>you as comfortable as possible. Because our boss made so

0:13:07.920 --> 0:13:10.679
<v Speaker 2>many of us, I mean all of us uncomfortable in

0:13:10.720 --> 0:13:13.400
<v Speaker 2>our own ways and in our own moments, and so

0:13:14.920 --> 0:13:17.080
<v Speaker 2>knowing what was written on the page and then knowing

0:13:17.080 --> 0:13:19.240
<v Speaker 2>what we got to do, I was like, Paul's a G,

0:13:19.520 --> 0:13:21.679
<v Speaker 2>Carol's a G. Our team is great.

0:13:22.080 --> 0:13:25.600
<v Speaker 4>It actually served a great purpose too, because once the

0:13:25.679 --> 0:13:29.160
<v Speaker 4>audience gets the information mentally, oh, this is not going

0:13:29.240 --> 0:13:31.560
<v Speaker 4>to be a t and as show for me, they

0:13:31.600 --> 0:13:34.920
<v Speaker 4>could just focus on you guys and your performances. And

0:13:34.960 --> 0:13:40.120
<v Speaker 4>that's really what shone through, shown shined was shining.

0:13:40.240 --> 0:13:40.679
<v Speaker 2>I don't know.

0:13:40.880 --> 0:13:43.800
<v Speaker 4>That's what was shining through was the two of you

0:13:44.160 --> 0:13:45.760
<v Speaker 4>because you had so much fun with it and it

0:13:45.800 --> 0:13:47.760
<v Speaker 4>wasn't just the same thing over and over again. You

0:13:47.840 --> 0:13:51.000
<v Speaker 4>really got to experiment and play and yeah, it was great.

0:13:51.040 --> 0:13:53.360
<v Speaker 2>It's really fun. Yeah we did. It was really fun.

0:13:53.840 --> 0:13:59.040
<v Speaker 5>Sometimes the beauty pageant hijacks the scene, right and in

0:13:59.080 --> 0:14:02.920
<v Speaker 5>this case, and I should say like the skin show,

0:14:03.040 --> 0:14:05.760
<v Speaker 5>not just like the but like so it never happened

0:14:05.800 --> 0:14:07.679
<v Speaker 5>though with you guys, it was like you were wearing

0:14:07.720 --> 0:14:11.920
<v Speaker 5>something beautiful, but the comedy and the story was still

0:14:11.920 --> 0:14:14.840
<v Speaker 5>the focal point. For example, a scene where that wasn't

0:14:14.880 --> 0:14:18.000
<v Speaker 5>successful was the opener when you're in the kitchen and

0:14:18.440 --> 0:14:23.160
<v Speaker 5>Austin walks out with his pants so low I know,

0:14:23.360 --> 0:14:27.720
<v Speaker 5>standards and practices, was like, oh my god, to the

0:14:27.760 --> 0:14:30.880
<v Speaker 5>point that I called Jenny and through him and I

0:14:30.880 --> 0:14:33.840
<v Speaker 5>was like, excuse me, have you ever seen a lower

0:14:33.920 --> 0:14:35.760
<v Speaker 5>pair of pants in your life. And she was like

0:14:37.560 --> 0:14:40.280
<v Speaker 5>and she was like, excuse me, yeah, you every time

0:14:40.320 --> 0:14:44.160
<v Speaker 5>you've been shirts, Cameron. I was like, oh my bad.

0:14:45.280 --> 0:14:47.440
<v Speaker 5>But it was just like, for example, so that when

0:14:47.440 --> 0:14:50.520
<v Speaker 5>that happened, like I stopped hearing dialogue and was just like,

0:14:50.760 --> 0:14:56.600
<v Speaker 5>my lord, did I just get pregnant? What happened? And

0:14:56.640 --> 0:14:59.040
<v Speaker 5>that never happened with any of the sex game stuff,

0:14:59.040 --> 0:15:00.600
<v Speaker 5>but in an opening scene, I was like, this is

0:15:00.600 --> 0:15:02.880
<v Speaker 5>what it's become. All I'm doing is just staring at

0:15:02.880 --> 0:15:03.720
<v Speaker 5>Austin's Bear Tor.

0:15:04.080 --> 0:15:07.440
<v Speaker 2>Yeah. Yeah, he was a good sport. He was. He

0:15:07.560 --> 0:15:09.960
<v Speaker 2>was really he was. He was doing an ab show

0:15:10.040 --> 0:15:12.720
<v Speaker 2>for everybody for much of the episode.

0:15:13.640 --> 0:15:17.960
<v Speaker 5>Also fair considering that every role playing it was him

0:15:18.000 --> 0:15:21.360
<v Speaker 5>and like Bear like him dressed basically every single time

0:15:21.360 --> 0:15:24.400
<v Speaker 5>in normal clothes in you So it was it's it

0:15:24.440 --> 0:15:26.960
<v Speaker 5>was a good team play that he was like, I

0:15:27.040 --> 0:15:32.160
<v Speaker 5>will gladly do this one wildly gratuitous, dangerously low pants

0:15:32.160 --> 0:15:38.240
<v Speaker 5>scene in exchange for your eight different fantasy Totally.

0:15:38.800 --> 0:15:44.520
<v Speaker 2>I also, I remember I remembered a lot of them.

0:15:44.520 --> 0:15:46.000
<v Speaker 2>When it started, I was like, oh right, I know

0:15:46.040 --> 0:15:48.480
<v Speaker 2>what we're doing. This is the you know, Valentine's day

0:15:48.480 --> 0:15:53.800
<v Speaker 2>at home, whole role play day, and then we got

0:15:53.840 --> 0:15:58.040
<v Speaker 2>to the babysitter one and I was like, I hate this,

0:15:58.160 --> 0:16:01.720
<v Speaker 2>I hate this, this is so it yuck. And then

0:16:02.000 --> 0:16:05.200
<v Speaker 2>I literally wrote down, thank god we were the same age.

0:16:05.480 --> 0:16:07.360
<v Speaker 2>Thank god we called it creepy. And then I go,

0:16:07.440 --> 0:16:09.560
<v Speaker 2>oh oh, but then we switch it. Now I'm a

0:16:09.600 --> 0:16:13.000
<v Speaker 2>creep Okay, yeah, I was like, this is the one

0:16:13.080 --> 0:16:15.880
<v Speaker 2>that just I was like, maybe we could have thrown

0:16:15.920 --> 0:16:18.000
<v Speaker 2>in the towel on that and been like never mind,

0:16:18.080 --> 0:16:21.480
<v Speaker 2>never mind and left it there instead of putting him

0:16:21.560 --> 0:16:26.600
<v Speaker 2>in the schoolboy position. But whatever, he looked cute in

0:16:26.600 --> 0:16:27.400
<v Speaker 2>his letterman jacket.

0:16:27.440 --> 0:16:46.360
<v Speaker 5>I moved on, Does anyone actually eat those heart candies? No?

0:16:46.720 --> 0:16:51.320
<v Speaker 4>I love them what. I love the purple ones, I

0:16:51.360 --> 0:16:54.280
<v Speaker 4>love the orange ones. Sometimes I like the pink ones.

0:16:54.280 --> 0:16:56.080
<v Speaker 4>They're a little pepto bismally, but I like.

0:16:56.080 --> 0:16:58.520
<v Speaker 5>Them so they actually have different flavors. Yeah, they're not

0:16:58.560 --> 0:16:59.400
<v Speaker 5>just different colors.

0:17:00.000 --> 0:17:04.119
<v Speaker 2>I love them. Learn something, you guys don't eat those,

0:17:04.680 --> 0:17:05.600
<v Speaker 2>absolutely not.

0:17:07.080 --> 0:17:09.479
<v Speaker 5>It's the same reason I don't eat the packing peanuts.

0:17:09.520 --> 0:17:10.960
<v Speaker 5>When I open up there you go.

0:17:11.640 --> 0:17:15.200
<v Speaker 2>I was gonna say they're chalky, but Rob really illustrated

0:17:15.200 --> 0:17:15.600
<v Speaker 2>the point.

0:17:16.760 --> 0:17:19.960
<v Speaker 5>I'm shocked. I'm shocked joy you know what. That also

0:17:20.000 --> 0:17:25.040
<v Speaker 5>makes sense, so because in the scene Haley reaches across

0:17:25.040 --> 0:17:27.760
<v Speaker 5>and takes a handful and slugs about half of it

0:17:27.840 --> 0:17:30.960
<v Speaker 5>in one So that was clearly that was a joy

0:17:31.080 --> 0:17:33.720
<v Speaker 5>choice that just happened to work for Haley being Oh.

0:17:33.680 --> 0:17:36.240
<v Speaker 4>Yeah, I was so excited about eating those. You have

0:17:36.240 --> 0:17:38.080
<v Speaker 4>to be careful when you eat ho hose I do

0:17:38.160 --> 0:17:40.560
<v Speaker 4>not like, and so that was definitely something we had

0:17:40.560 --> 0:17:42.240
<v Speaker 4>to have a little spit bucket on the side for me.

0:17:42.400 --> 0:17:44.359
<v Speaker 5>Okay, let's talk about that because I have a question,

0:17:44.400 --> 0:17:45.960
<v Speaker 5>So we're gonna let's just jump to that end scene

0:17:45.960 --> 0:17:51.400
<v Speaker 5>of Quick. You and James are laying in a bed.

0:17:52.400 --> 0:17:54.040
<v Speaker 5>You take a bite of the ho ho. I was

0:17:54.160 --> 0:17:56.119
<v Speaker 5>very aware of this. I was waiting for where's the

0:17:56.160 --> 0:17:58.960
<v Speaker 5>cut for the spit take or the spit bucket. But

0:17:59.560 --> 0:18:02.360
<v Speaker 5>you take good bite, you chew, you talk, and then

0:18:02.400 --> 0:18:07.320
<v Speaker 5>you start kissing me. So my question is, if there

0:18:07.359 --> 0:18:09.320
<v Speaker 5>was a spit bucket, how did that work?

0:18:10.600 --> 0:18:11.080
<v Speaker 2>I don't know.

0:18:11.440 --> 0:18:13.359
<v Speaker 4>I mean, they shoot from different angles. That wasn't the

0:18:13.359 --> 0:18:15.360
<v Speaker 4>only I don't think that was the only shot.

0:18:16.080 --> 0:18:18.199
<v Speaker 5>Go back and watch it, sister. They live in that

0:18:18.280 --> 0:18:21.480
<v Speaker 5>shot from the bite the chew, the talk, and the kiss.

0:18:22.160 --> 0:18:23.720
<v Speaker 5>You were giving a kiss with some ho ho in

0:18:23.720 --> 0:18:24.160
<v Speaker 5>your mouth.

0:18:24.600 --> 0:18:29.280
<v Speaker 2>That's weird. I was maybe you took a dany diny bite.

0:18:29.480 --> 0:18:32.120
<v Speaker 4>Maybe I just am remembering a pitbucket and there wasn't one.

0:18:32.520 --> 0:18:36.159
<v Speaker 4>But I don't like ho hosts, so I don't know.

0:18:36.440 --> 0:18:38.480
<v Speaker 4>Sorry if I'm speaking out of turn. I thought I

0:18:38.480 --> 0:18:40.560
<v Speaker 4>thought there was one, but maybe not. Maybe I just

0:18:40.600 --> 0:18:43.199
<v Speaker 4>had to stomach it. Maybe we only shot it like

0:18:43.240 --> 0:18:45.800
<v Speaker 4>twice because I don't like ho hose.

0:18:46.320 --> 0:18:49.879
<v Speaker 2>Yeah, yeah, well, by the way, I wouldn't surprise me

0:18:49.920 --> 0:18:51.800
<v Speaker 2>if Paul was like, I think I might want this

0:18:51.880 --> 0:18:54.679
<v Speaker 2>in one shot? Can you do? Can you do a

0:18:54.720 --> 0:18:57.400
<v Speaker 2>take without this bit bucket? And you were like, h oh, well,

0:18:57.400 --> 0:18:57.880
<v Speaker 2>it would have.

0:18:57.840 --> 0:19:00.520
<v Speaker 4>Been there for after for after the when when they

0:19:00.560 --> 0:19:03.760
<v Speaker 4>because they ended. He ended the episode by slowing the

0:19:03.800 --> 0:19:06.280
<v Speaker 4>kiss down and then went to black, So that would

0:19:06.320 --> 0:19:07.920
<v Speaker 4>have been what it was that I would have spit

0:19:08.000 --> 0:19:10.480
<v Speaker 4>it out after he said cut six.

0:19:10.560 --> 0:19:13.199
<v Speaker 5>Yeah, were just the logistics of having a chewed up

0:19:13.240 --> 0:19:16.639
<v Speaker 5>ho ho in your mouth while you kiss memes and

0:19:16.680 --> 0:19:18.240
<v Speaker 5>then cut and then I cut my.

0:19:18.200 --> 0:19:21.879
<v Speaker 4>Lips closed, you know, I mean, yeah, yep.

0:19:22.160 --> 0:19:26.119
<v Speaker 5>Listen, you you go all in on your craft. Okay,

0:19:26.320 --> 0:19:28.920
<v Speaker 5>that's what I love. You're brave, you're fearless. You eat

0:19:28.920 --> 0:19:30.399
<v Speaker 5>the ho ho, you chew it up and then you

0:19:30.440 --> 0:19:31.200
<v Speaker 5>open mouths.

0:19:31.800 --> 0:19:34.160
<v Speaker 2>God gross, can you imagine what you're doing?

0:19:34.320 --> 0:19:37.679
<v Speaker 4>And how about Haley in her house in lubatons or

0:19:37.760 --> 0:19:41.760
<v Speaker 4>that's the implication anyway, with the painted bottom of the shoe, she's.

0:19:41.560 --> 0:19:44.760
<v Speaker 2>In high heels climbing on ladders. I wrote this.

0:19:44.840 --> 0:19:48.359
<v Speaker 4>Down and talking about how everything is swollen, including your.

0:19:48.640 --> 0:19:51.879
<v Speaker 2>Like she's so uncomfortable, but she's in stilettos. Yeah, that

0:19:51.960 --> 0:19:55.440
<v Speaker 2>was weird. That was a weird, uh situation. I wonder why?

0:19:56.160 --> 0:19:59.680
<v Speaker 2>And on the step stool and like running around the house.

0:19:59.680 --> 0:19:59.919
<v Speaker 5>It was.

0:20:00.160 --> 0:20:02.600
<v Speaker 2>It's so interesting to me that they always wanted us

0:20:02.640 --> 0:20:06.840
<v Speaker 2>in such high heels. Yeah, I don't know.

0:20:07.320 --> 0:20:09.080
<v Speaker 5>It felt for a moment like I was watching a

0:20:09.119 --> 0:20:12.639
<v Speaker 5>cautionary take. Yes, like a pregnant woman on a step

0:20:12.680 --> 0:20:15.760
<v Speaker 5>ladder in high heels, Like what are we how many

0:20:15.800 --> 0:20:17.000
<v Speaker 5>hats on a heath do we need?

0:20:17.480 --> 0:20:21.240
<v Speaker 2>Yeah, well they did it to you in this episode,

0:20:22.040 --> 0:20:23.600
<v Speaker 2>and then they do it to me at the end

0:20:23.640 --> 0:20:28.879
<v Speaker 2>of the season exactly that. Oh yeah, yeah, And I

0:20:29.000 --> 0:20:31.879
<v Speaker 2>remember being I remember when it was my turn being like,

0:20:32.160 --> 0:20:33.160
<v Speaker 2>who would do this?

0:20:33.920 --> 0:20:37.520
<v Speaker 4>And I was why pregnant, Yes, climbing on these step

0:20:37.600 --> 0:20:40.160
<v Speaker 4>stools in high heel.

0:20:41.119 --> 0:20:44.800
<v Speaker 5>Again, fearless, joy, what you do for your own It was.

0:20:44.800 --> 0:20:47.400
<v Speaker 2>All those little sweethearts you got hopped up on sugar.

0:20:47.760 --> 0:20:50.120
<v Speaker 2>That's what I want and you felt like a superhero.

0:20:50.560 --> 0:20:51.960
<v Speaker 2>Give me the high heels.

0:20:52.160 --> 0:20:56.760
<v Speaker 5>I did love the sort of opening juxtaposition of the

0:20:56.840 --> 0:21:00.719
<v Speaker 5>three couples I guess four couples, but I noticed specifically

0:21:01.000 --> 0:21:05.840
<v Speaker 5>the transition from Claying Quinn having hot shower whoopee, to

0:21:06.000 --> 0:21:10.320
<v Speaker 5>then going to Haley and Nathan brushing teeth. What's this

0:21:10.400 --> 0:21:13.640
<v Speaker 5>spot on my back gargling I love you, love you too,

0:21:13.680 --> 0:21:18.000
<v Speaker 5>pat on the back. I was like, great depiction.

0:21:18.200 --> 0:21:20.000
<v Speaker 4>Yeah, I loved the and it was the line was

0:21:20.080 --> 0:21:22.359
<v Speaker 4>Valentine's Day is hot, and then they cut to Nathan

0:21:22.400 --> 0:21:25.160
<v Speaker 4>with the nose clippers and his nose trise.

0:21:26.520 --> 0:21:31.639
<v Speaker 5>I enjoyed watching Julian attempt accents with the different characters,

0:21:32.280 --> 0:21:35.600
<v Speaker 5>like he he definitely put one on for Thor and

0:21:35.640 --> 0:21:37.720
<v Speaker 5>then for the next one the French made one. It

0:21:37.720 --> 0:21:40.480
<v Speaker 5>seemed like it was just kind of dip in his

0:21:40.560 --> 0:21:43.800
<v Speaker 5>toe in the accent pool here and there, Which was

0:21:44.200 --> 0:21:47.159
<v Speaker 5>which was so perfectly Julian. It felt very right. You

0:21:47.240 --> 0:21:49.320
<v Speaker 5>know that he wouldn't have like an accent down. He

0:21:49.320 --> 0:21:51.159
<v Speaker 5>would just sort of be like, I'm going to give

0:21:51.200 --> 0:21:51.640
<v Speaker 5>it a shot.

0:21:52.880 --> 0:21:55.800
<v Speaker 2>You know, he's a director, he's not an actor. I

0:21:55.920 --> 0:21:59.879
<v Speaker 2>liked his you know, Jersey Boys adjacent vibe as the handyman.

0:22:01.920 --> 0:22:06.760
<v Speaker 2>It was very cute. And then my god, when he

0:22:06.840 --> 0:22:09.000
<v Speaker 2>walks in in the suit and the glasses, I was like,

0:22:09.080 --> 0:22:12.600
<v Speaker 2>he looks like Clark kt oh, totally, Like why did

0:22:12.640 --> 0:22:14.400
<v Speaker 2>Austin never audition for Superman?

0:22:14.680 --> 0:22:18.879
<v Speaker 5>Maybe he did? Maybe maybe they saw this episode and

0:22:18.920 --> 0:22:20.960
<v Speaker 5>they thought just it's too much sex.

0:22:20.840 --> 0:22:21.560
<v Speaker 2>Too much.

0:22:21.920 --> 0:22:24.880
<v Speaker 5>Yeah, sex Pylon. Do you remember that name?

0:22:25.280 --> 0:22:26.000
<v Speaker 2>What I told you?

0:22:26.080 --> 0:22:29.080
<v Speaker 5>I worked with a director who did an episode of

0:22:29.119 --> 0:22:30.240
<v Speaker 5>our show, and I guess it was one of the

0:22:30.280 --> 0:22:33.840
<v Speaker 5>ones introducing Austin's character, and he was like, yeah, he was.

0:22:34.200 --> 0:22:36.159
<v Speaker 5>It was when he was the new sex Pylon on

0:22:36.200 --> 0:22:38.120
<v Speaker 5>the show. And I was like, I have never heard a.

0:22:38.080 --> 0:22:40.040
<v Speaker 2>Funnier n sex pylon.

0:22:41.080 --> 0:22:44.320
<v Speaker 5>Sex Pilon Incredibly, you'll come in wearing pants that low.

0:22:45.000 --> 0:22:51.080
<v Speaker 2>You've earned it, shoe fits, you've earned it. Listen we

0:22:51.080 --> 0:22:51.640
<v Speaker 2>we oh.

0:22:51.720 --> 0:22:58.760
<v Speaker 5>Yeah. I loved the uh Haley finding this necklace, which yeah,

0:22:58.800 --> 0:23:01.439
<v Speaker 5>bless it. It looks like it purchased at a drug store.

0:23:02.080 --> 0:23:06.000
<v Speaker 5>And she opens it. She's like oh, And then Quinn goes, oh,

0:23:06.520 --> 0:23:07.320
<v Speaker 5>I wanted that.

0:23:07.560 --> 0:23:08.959
<v Speaker 2>I was like, neither of you wanted that.

0:23:09.280 --> 0:23:13.240
<v Speaker 5>No, you liars. You actually have good taste. You dress

0:23:13.280 --> 0:23:15.600
<v Speaker 5>well on the show. No one wants a giant heart

0:23:15.640 --> 0:23:20.480
<v Speaker 5>necklace unless it's coming from like Jamie. Yeah, sure, wonderful,

0:23:21.440 --> 0:23:23.879
<v Speaker 5>But come on, gang, could we not find a little

0:23:23.920 --> 0:23:26.200
<v Speaker 5>smaller something?

0:23:26.920 --> 0:23:29.920
<v Speaker 2>It just really needed to read on camera, but the

0:23:30.640 --> 0:23:33.920
<v Speaker 2>full palm size was too big. This tells me Rob

0:23:34.000 --> 0:23:39.760
<v Speaker 2>that you are probably an excellent Valentine's Day gift giver.

0:23:39.960 --> 0:23:42.240
<v Speaker 2>No ooh, I like where this is going?

0:23:42.720 --> 0:23:43.040
<v Speaker 5>Right?

0:23:43.320 --> 0:23:46.760
<v Speaker 2>Well ooh the answer is yes. Look how browd he is.

0:23:47.600 --> 0:23:51.919
<v Speaker 5>No, it's yes and no, right, not anymore because I

0:23:51.920 --> 0:23:54.560
<v Speaker 5>have always had it much like Clay, I have a

0:23:54.600 --> 0:23:55.960
<v Speaker 5>beef with Valentine's Day.

0:23:56.359 --> 0:23:57.280
<v Speaker 2>Okay, why like I?

0:23:58.240 --> 0:24:02.480
<v Speaker 5>Because I don't need one holiday to be designated for

0:24:02.600 --> 0:24:05.119
<v Speaker 5>like this is when you should be a romantic. Valentine's

0:24:05.160 --> 0:24:08.800
<v Speaker 5>Day to me is as unromantic as when you're at

0:24:08.840 --> 0:24:11.800
<v Speaker 5>a restaurant and the person walks by with a basket

0:24:11.840 --> 0:24:14.159
<v Speaker 5>of roses and goes would you like a rose for

0:24:14.200 --> 0:24:17.080
<v Speaker 5>the lady. It's like there has never been a lazier

0:24:17.080 --> 0:24:19.600
<v Speaker 5>expression of romance than when a guy goes, yeah, here's

0:24:19.640 --> 0:24:21.040
<v Speaker 5>a ten spot. Here you go.

0:24:22.119 --> 0:24:22.960
<v Speaker 2>No, it's very weird.

0:24:23.000 --> 0:24:26.800
<v Speaker 5>So the same thing. It just feels contrived and so no,

0:24:26.920 --> 0:24:30.040
<v Speaker 5>like I don't we don't even like really acknowledge it anymore.

0:24:30.080 --> 0:24:34.000
<v Speaker 5>But when I was dating, yeah, then I would put

0:24:34.040 --> 0:24:36.800
<v Speaker 5>on a show. But I always resented the fact that

0:24:36.880 --> 0:24:38.520
<v Speaker 5>I felt like it's pressure.

0:24:38.640 --> 0:24:42.960
<v Speaker 4>It's like there's some sort of arbitrary pressure created by

0:24:43.000 --> 0:24:44.880
<v Speaker 4>everything around you, and you're like, why is this, why

0:24:44.880 --> 0:24:45.640
<v Speaker 4>does this exist?

0:24:45.880 --> 0:24:49.280
<v Speaker 2>There's no reason for it? Well, it's it's literally the

0:24:49.760 --> 0:24:55.080
<v Speaker 2>death gargle of late stage capitalism. They're like, hey, if

0:24:55.080 --> 0:24:57.720
<v Speaker 2>you're not a T shirt, as if we didn't get

0:24:57.760 --> 0:25:02.600
<v Speaker 2>you to spend enough money just before New Year's now

0:25:02.720 --> 0:25:05.919
<v Speaker 2>you need a whole other holiday and it's about jewelry.

0:25:06.680 --> 0:25:11.400
<v Speaker 4>Like, come on, death, I'm writing this down death gargle.

0:25:12.240 --> 0:25:13.400
<v Speaker 2>It's the death gargle.

0:25:14.240 --> 0:25:15.919
<v Speaker 5>Stay is it the death rattle?

0:25:15.960 --> 0:25:16.679
<v Speaker 2>It is a rattle.

0:25:16.760 --> 0:25:18.320
<v Speaker 5>Thank you, rob death rattle.

0:25:18.359 --> 0:25:20.400
<v Speaker 2>A death rattle is what it actually is.

0:25:20.480 --> 0:25:22.120
<v Speaker 5>That's an actual sound the body makes.

0:25:22.240 --> 0:25:24.679
<v Speaker 4>I know the phrase, but like the gargle is just

0:25:24.920 --> 0:25:26.040
<v Speaker 4>it's just what came out.

0:25:26.200 --> 0:25:31.879
<v Speaker 2>It's so brilliant. See, sometimes my dyslexi is cute. I'm like,

0:25:31.960 --> 0:25:33.800
<v Speaker 2>what's the word? Close enough?

0:25:33.840 --> 0:25:36.879
<v Speaker 5>I agree though, because to me, it's like I hopefully

0:25:37.000 --> 0:25:40.000
<v Speaker 5>in the other three hundred and sixty four days I

0:25:40.200 --> 0:25:42.320
<v Speaker 5>do a good job of letting you know how I

0:25:42.359 --> 0:25:45.720
<v Speaker 5>feel about it. Yeah, and all of that, and so

0:25:45.800 --> 0:25:49.000
<v Speaker 5>if I suddenly need one day to then like do

0:25:49.240 --> 0:25:52.359
<v Speaker 5>what I've already been told it, it's just yeah.

0:25:52.400 --> 0:25:54.800
<v Speaker 4>Yeah, it's immediate. It's like somebody telling you to sit

0:25:54.840 --> 0:25:58.040
<v Speaker 4>down when you were about to sit down anyway. You're like, oh,

0:26:01.400 --> 0:26:04.199
<v Speaker 4>I'm not doing this for you.

0:26:04.200 --> 0:26:07.960
<v Speaker 2>You know what I like, here's my Valentine's highlight. It's

0:26:08.000 --> 0:26:11.919
<v Speaker 2>actually Chuck's storyline. I mean the sadness of you know,

0:26:11.960 --> 0:26:17.760
<v Speaker 2>his mother dealing with addiction. Aside, I think Valentine's Day

0:26:17.800 --> 0:26:20.280
<v Speaker 2>the way I like to do it, and I agree

0:26:20.320 --> 0:26:22.600
<v Speaker 2>with you, Rob. Maybe it's like when you actually are

0:26:22.640 --> 0:26:26.200
<v Speaker 2>happy or settled or whatever word you want to use,

0:26:27.000 --> 0:26:29.680
<v Speaker 2>you're not in the weird courting phase. You're not trying

0:26:29.720 --> 0:26:32.960
<v Speaker 2>to keep up with anything like Valentine's Day. For me,

0:26:33.600 --> 0:26:37.520
<v Speaker 2>I want a handmade card, like I just want a letter. Yeah,

0:26:37.640 --> 0:26:40.439
<v Speaker 2>that's how I want to acknowledge the day, is to

0:26:40.520 --> 0:26:44.959
<v Speaker 2>acknowledge something real and like sweet and special. You know,

0:26:45.119 --> 0:26:48.040
<v Speaker 2>I think Valentine's Day is so cute for kids, How

0:26:48.080 --> 0:26:51.240
<v Speaker 2>sweet to get Valentine's from you know, your little nuggets,

0:26:51.280 --> 0:26:54.320
<v Speaker 2>help them make cards and whatever. But it's like, yeah,

0:26:54.400 --> 0:26:59.320
<v Speaker 2>the the big show out there. I bugs me too, man,

0:26:59.440 --> 0:27:01.359
<v Speaker 2>We're all okay, we're all Clay.

0:27:02.359 --> 0:27:04.080
<v Speaker 5>This is one I think Clay got very.

0:27:04.040 --> 0:27:08.879
<v Speaker 2>Right, except that Clay covers trick. Yes, apparently a full

0:27:09.280 --> 0:27:15.879
<v Speaker 2>event might be exploded Trickso.

0:27:13.880 --> 0:27:17.080
<v Speaker 5>That time cut is the amount of work that Chase

0:27:17.119 --> 0:27:20.040
<v Speaker 5>and Chuck apparently did in like ninety minutes.

0:27:20.280 --> 0:27:23.760
<v Speaker 2>Yes, by the way, two days we shot all those

0:27:23.760 --> 0:27:27.360
<v Speaker 2>Brook and Julian scenes on stage. Set deck was dressing

0:27:27.520 --> 0:27:31.719
<v Speaker 2>trick the two days, the full two full days of loading,

0:27:31.880 --> 0:27:36.119
<v Speaker 2>and supposedly next minutes, we just decorated a school a

0:27:36.240 --> 0:27:39.600
<v Speaker 2>venue for a school dance, an eighth grade school dance.

0:27:39.640 --> 0:27:43.639
<v Speaker 4>And it required sheets of you know tinsel that like

0:27:43.680 --> 0:27:48.159
<v Speaker 4>hangs with all the ribbony strips and uh, you know,

0:27:48.560 --> 0:27:52.000
<v Speaker 4>other random sort of little decorations. But that stuff takes

0:27:52.040 --> 0:27:53.840
<v Speaker 4>a really long time to hang and we had a

0:27:53.880 --> 0:27:55.840
<v Speaker 4>whole like a whole team of moms.

0:27:56.400 --> 0:27:59.080
<v Speaker 2>You know, Listen does not just get put up by

0:27:59.200 --> 0:28:02.400
<v Speaker 2>Chuck and Chase. Chase and an eight year old did

0:28:02.480 --> 0:28:06.080
<v Speaker 2>that in ninety minutes flat. Absolutely not. No.

0:28:06.480 --> 0:28:10.520
<v Speaker 5>Also, it's so funny that you you managed to get

0:28:10.960 --> 0:28:15.359
<v Speaker 5>your person's favorite band to do a private show and

0:28:15.400 --> 0:28:18.280
<v Speaker 5>then you go, but you know what, it's not quite enough.

0:28:18.760 --> 0:28:22.240
<v Speaker 5>What if I got four hundred dollars of decorations from

0:28:22.240 --> 0:28:23.960
<v Speaker 5>my goals and hung it up everywhere?

0:28:24.040 --> 0:28:28.600
<v Speaker 2>Yep, that'll do it. Yeah, yeah, not just the candelabras,

0:28:28.640 --> 0:28:32.240
<v Speaker 2>but make sure you have this spinning multi cutout hearts

0:28:32.440 --> 0:28:34.200
<v Speaker 2>hanging from the ceiling like.

0:28:34.240 --> 0:28:35.240
<v Speaker 5>The shot on that.

0:28:35.800 --> 0:28:38.360
<v Speaker 2>I was like, why do we need this? He's up

0:28:38.360 --> 0:28:41.280
<v Speaker 2>there singing, it's so beautiful. Leave it.

0:28:41.520 --> 0:28:44.920
<v Speaker 5>Yeah, it's just missing one thing. Oh you know what? Yeah,

0:28:45.040 --> 0:28:48.959
<v Speaker 5>a creepy nine year old waiter. Yeah, that's really going

0:28:49.000 --> 0:28:49.640
<v Speaker 5>to hammer him.

0:28:50.360 --> 0:28:52.400
<v Speaker 2>But she doesn't know. Has she ever met Chuck?

0:28:52.920 --> 0:28:55.520
<v Speaker 5>No, she doesn't meet Chuck. I don't think I know Chuck.

0:28:55.600 --> 0:29:15.200
<v Speaker 2>Or here's my question, what is the what's the Scrooge

0:29:15.320 --> 0:29:19.040
<v Speaker 2>character for Valentine's Day? Is there one? It's us? What's

0:29:19.080 --> 0:29:25.880
<v Speaker 2>it called like scrooge. Hat's Christmas? Bahambug? What's the what's

0:29:25.960 --> 0:29:30.240
<v Speaker 2>the scrooge of I see through you Valentine's Day?

0:29:32.000 --> 0:29:33.600
<v Speaker 5>I don't know, but that's a great idea for him.

0:29:33.600 --> 0:29:35.880
<v Speaker 2>We got to come up with actually.

0:29:36.080 --> 0:29:39.560
<v Speaker 5>Add this to our listen to writing it down projects.

0:29:40.880 --> 0:29:44.200
<v Speaker 2>She's literally writing it down. I'm typing it.

0:29:44.520 --> 0:29:49.640
<v Speaker 5>I remember City and Color performing for us, and that

0:29:49.800 --> 0:29:52.800
<v Speaker 5>was special. That was one of those memories that I

0:29:53.280 --> 0:29:55.840
<v Speaker 5>just and I didn't know who they were or who

0:29:55.880 --> 0:30:00.000
<v Speaker 5>he was prior, and Chantelle did, and I remember her

0:30:00.040 --> 0:30:02.120
<v Speaker 5>saying like, dude, this is a big deal, and he's

0:30:02.200 --> 0:30:04.520
<v Speaker 5>so he's so yeah, and then sitting there and being

0:30:04.560 --> 0:30:07.680
<v Speaker 5>like this is It's really made sure.

0:30:08.040 --> 0:30:10.600
<v Speaker 4>Our show did that so well, Like we would have

0:30:10.680 --> 0:30:13.400
<v Speaker 4>these moments where you could just tell, I mean, they

0:30:13.800 --> 0:30:15.520
<v Speaker 4>set it up so well with the cameras in the

0:30:15.560 --> 0:30:18.960
<v Speaker 4>stages and you could just tell somebody is such a star.

0:30:19.120 --> 0:30:23.000
<v Speaker 4>They just step up there with their instrument and start singing,

0:30:23.080 --> 0:30:26.040
<v Speaker 4>and everything else falls away. All the ridiculousness, all the

0:30:26.080 --> 0:30:29.720
<v Speaker 4>other things that we joke about and you know, make

0:30:29.760 --> 0:30:34.120
<v Speaker 4>fun of lovingly about our show falls away, and you're

0:30:34.120 --> 0:30:39.200
<v Speaker 4>watching a very real talent do what they do it's wonderful,

0:30:39.800 --> 0:30:40.680
<v Speaker 4>and even.

0:30:40.480 --> 0:30:43.440
<v Speaker 5>Though he had no lines, there was a wonderful moment

0:30:43.480 --> 0:30:47.360
<v Speaker 5>that grounded the whole thing, where in between songs, I

0:30:47.400 --> 0:30:51.080
<v Speaker 5>think there's a moment of Clay and Quinn kissing and

0:30:51.120 --> 0:30:53.840
<v Speaker 5>the camera kind of pans up and you see him

0:30:53.880 --> 0:30:55.800
<v Speaker 5>just standing there. Because the truth is, that would be

0:30:55.840 --> 0:30:59.400
<v Speaker 5>so awkward performing for two people, and I'm so glad

0:30:59.440 --> 0:31:02.040
<v Speaker 5>that we took a moment to acknowledge, Yeah, that is

0:31:02.080 --> 0:31:04.520
<v Speaker 5>a very weird dynamic, and he kind of gives that

0:31:04.560 --> 0:31:07.960
<v Speaker 5>look like I guess I'll keep It was.

0:31:08.280 --> 0:31:13.440
<v Speaker 2>Very funny, especially because he has no band. You know,

0:31:13.480 --> 0:31:16.600
<v Speaker 2>it's an acoustic performance, so it's like he doesn't have

0:31:16.640 --> 0:31:19.000
<v Speaker 2>anyone he can look at while you two are making

0:31:19.080 --> 0:31:22.200
<v Speaker 2>out to have He's just kind of like, so do

0:31:22.360 --> 0:31:27.120
<v Speaker 2>I go or more of this? I love them?

0:31:27.160 --> 0:31:29.880
<v Speaker 4>Paul noticed and put that in because it easily could

0:31:29.880 --> 0:31:32.000
<v Speaker 4>have just been skipped over, but he was like, no,

0:31:32.080 --> 0:31:33.840
<v Speaker 4>you're in the scene. What would you how would you

0:31:33.840 --> 0:31:36.800
<v Speaker 4>be reacting exactly? Thank you for being an actor and

0:31:36.840 --> 0:31:38.440
<v Speaker 4>knowing what's going on in the scene.

0:31:38.720 --> 0:31:41.600
<v Speaker 5>I will say I loved I agree with you. So

0:31:41.840 --> 0:31:44.200
<v Speaker 5>the heart of this episode was Chuck and Chase. Yes,

0:31:44.440 --> 0:31:46.080
<v Speaker 5>their stuff was great, and Mouth.

0:31:45.920 --> 0:31:51.960
<v Speaker 2>And Millie both both those storylines were like real highlights

0:31:52.200 --> 0:31:54.440
<v Speaker 2>for me. They were so fun to watch.

0:31:54.760 --> 0:31:58.440
<v Speaker 5>Yeah, yeah, give me all the Lisa go. She's just

0:31:59.040 --> 0:32:03.280
<v Speaker 5>so lovable and likable and fun to watch, and her

0:32:03.400 --> 0:32:07.360
<v Speaker 5>and Lee are so great together. But the Chuck and

0:32:07.440 --> 0:32:10.760
<v Speaker 5>Chase of it I really liked because I thought Michael

0:32:10.800 --> 0:32:16.320
<v Speaker 5>did such a wonderful job with how he played the

0:32:16.400 --> 0:32:20.959
<v Speaker 5>disappointment about his dad. Yeah, Like when he has that

0:32:21.080 --> 0:32:22.880
<v Speaker 5>line when I think Chase says like, when was the

0:32:22.920 --> 0:32:25.200
<v Speaker 5>last time you saw your dad? And he says he

0:32:25.280 --> 0:32:28.120
<v Speaker 5>kind of throws it away like two years not that long.

0:32:28.800 --> 0:32:31.640
<v Speaker 5>I was like, oh, he didn't lean into it, you know.

0:32:31.760 --> 0:32:33.640
<v Speaker 5>And then the fact that he circles back at the

0:32:33.760 --> 0:32:35.760
<v Speaker 5>very end of the day in Chase's car and goes,

0:32:35.920 --> 0:32:41.000
<v Speaker 5>two years is a long time. Huh. It's like he knows.

0:32:42.520 --> 0:32:45.280
<v Speaker 5>He's just trying to tell himself a different story about it,

0:32:45.320 --> 0:32:49.400
<v Speaker 5>you know. But their whole dynamic was was so great.

0:32:49.440 --> 0:32:51.880
<v Speaker 5>And then the reveal of I mean behind the scenes

0:32:51.920 --> 0:32:54.480
<v Speaker 5>Michael made does love show too, Yeah, and he does music.

0:32:54.360 --> 0:32:56.520
<v Speaker 4>And she writes songs. I mean that that song was

0:32:56.560 --> 0:33:00.120
<v Speaker 4>a song that he was singing and showing like not

0:33:00.160 --> 0:33:03.120
<v Speaker 4>showing off, but like he was always wandering around singing,

0:33:03.120 --> 0:33:05.920
<v Speaker 4>and our creator and other writers on the show noticed

0:33:06.080 --> 0:33:07.680
<v Speaker 4>and he was like, oh, yeah, I got a new song.

0:33:07.720 --> 0:33:10.720
<v Speaker 4>And he started singing that one and was working on it,

0:33:10.760 --> 0:33:11.200
<v Speaker 4>and they were.

0:33:11.120 --> 0:33:12.240
<v Speaker 2>Like, let's put it in the show.

0:33:13.320 --> 0:33:14.280
<v Speaker 5>Wait, that's an original.

0:33:14.360 --> 0:33:16.760
<v Speaker 2>Yeah yeah, he wrote that.

0:33:17.040 --> 0:33:20.440
<v Speaker 5>Oh, I already had my notes. I love that Michael

0:33:20.520 --> 0:33:22.280
<v Speaker 5>is part of the music of One Tree Hill, but

0:33:22.360 --> 0:33:24.720
<v Speaker 5>now knowing I assumed it was from a play of

0:33:24.720 --> 0:33:26.600
<v Speaker 5>some sort. Now, so knowing that it's his, though, makes

0:33:26.600 --> 0:33:29.080
<v Speaker 5>it so much better. I will say it did make

0:33:29.160 --> 0:33:32.000
<v Speaker 5>I had one strong feeling, which is, I this is

0:33:32.040 --> 0:33:36.480
<v Speaker 5>a personal bugaboo of mine. I can't stand being sung too,

0:33:38.040 --> 0:33:41.080
<v Speaker 5>like when someone sings and makes eye contact with me.

0:33:41.240 --> 0:33:43.840
<v Speaker 5>I think it's because I think it's because like in

0:33:43.920 --> 0:33:46.200
<v Speaker 5>dating when I was younger, like a lot the girls

0:33:46.200 --> 0:33:50.000
<v Speaker 5>would like try to like sing, and I just hated

0:33:50.040 --> 0:33:52.000
<v Speaker 5>the position it put me in, Like I felt like

0:33:52.040 --> 0:33:53.800
<v Speaker 5>I was a prisoner. Because now I have to be like,

0:33:53.880 --> 0:33:56.360
<v Speaker 5>oh yeah, wow, so good that I just came to

0:33:56.400 --> 0:34:00.600
<v Speaker 5>resent it. So watching Chase sit there and not know

0:34:00.760 --> 0:34:04.920
<v Speaker 5>how to react and respond was so funny and also

0:34:05.040 --> 0:34:07.840
<v Speaker 5>so triggering for me because I'm like that that is

0:34:07.880 --> 0:34:12.200
<v Speaker 5>my nightmare. Oh just someone looking at me.

0:34:12.320 --> 0:34:18.240
<v Speaker 4>His face was so brilliant. So sincere, I'm so glad

0:34:18.280 --> 0:34:22.200
<v Speaker 4>they didn't do this this Chase Chuck as a one off.

0:34:22.600 --> 0:34:25.680
<v Speaker 4>You know that they really kept this mentorship love story.

0:34:25.719 --> 0:34:29.440
<v Speaker 4>I'm just I'm so here for it. I love their dynamic.

0:34:29.560 --> 0:34:32.560
<v Speaker 4>But yes, Chuck on stage jumping around and what.

0:34:32.560 --> 0:34:33.800
<v Speaker 2>Is he Oh that's what he says.

0:34:33.920 --> 0:34:36.200
<v Speaker 4>Chase goes, you know that punch in the stomach thing

0:34:36.200 --> 0:34:37.239
<v Speaker 4>actually is kind of cool.

0:34:40.280 --> 0:34:42.920
<v Speaker 2>Chuck's like he like show tunes. Actually, that punch of

0:34:42.920 --> 0:34:44.839
<v Speaker 2>the stummy thing is kind of cool. Will you make

0:34:44.840 --> 0:34:47.479
<v Speaker 2>that your thing? Yeah? I just want to protect your kid.

0:34:48.800 --> 0:34:51.919
<v Speaker 5>One thing I was confused about, though, is that two

0:34:52.000 --> 0:34:56.240
<v Speaker 5>episodes ago, Chasing Mia had sex in the wedding limo.

0:34:57.120 --> 0:35:00.640
<v Speaker 5>One episode ago, Mia comes to the bar and like, hey,

0:35:00.680 --> 0:35:03.239
<v Speaker 5>you see him off. Are we good? And he's like, yeah,

0:35:03.400 --> 0:35:06.399
<v Speaker 5>we're good. I just have some stuff going on. Then

0:35:06.480 --> 0:35:09.480
<v Speaker 5>this episode is Valentine's Day and there's not a mention.

0:35:10.440 --> 0:35:13.759
<v Speaker 2>Well, but he says to her, which I and it

0:35:13.840 --> 0:35:17.560
<v Speaker 2>bumped for me too. When she says are we good?

0:35:17.680 --> 0:35:19.839
<v Speaker 2>He said, yeah, you said the slutty wedding sex didn't

0:35:19.880 --> 0:35:23.759
<v Speaker 2>mean anything, and I was like, oh.

0:35:25.239 --> 0:35:28.160
<v Speaker 5>No, no, no, no. He said to her, uh no,

0:35:28.280 --> 0:35:30.640
<v Speaker 5>we said that we sex didn't mean anything, and then

0:35:30.680 --> 0:35:33.600
<v Speaker 5>she goes, no, you said that, and I just went

0:35:33.640 --> 0:35:33.960
<v Speaker 5>with it.

0:35:34.080 --> 0:35:39.879
<v Speaker 2>Oh oh, I didn't take detailed enough notes. Yeah, it's

0:35:39.880 --> 0:35:42.040
<v Speaker 2>funny because I scrolled down on Today's and I'm like, no,

0:35:42.120 --> 0:35:43.839
<v Speaker 2>I see it, and I'm like, oh, you actually, you're

0:35:44.000 --> 0:35:48.319
<v Speaker 2>very right. I yeah, I wonder what that what that

0:35:48.719 --> 0:35:52.439
<v Speaker 2>is because we're not getting any explanation, like it could

0:35:52.480 --> 0:35:54.680
<v Speaker 2>have been one line if Chuck just asked him.

0:35:54.560 --> 0:35:58.080
<v Speaker 5>That's exactly it. Yeah, I'm I'm okay that all we

0:35:58.160 --> 0:36:00.920
<v Speaker 5>saw was Chase and Chuck because it's an awesome storyline

0:36:00.920 --> 0:36:02.560
<v Speaker 5>for both of these guys, and it's so cool to

0:36:02.600 --> 0:36:04.839
<v Speaker 5>see them do different things than they usually do. It

0:36:04.880 --> 0:36:08.319
<v Speaker 5>was just odd that, like you said, Joy, it's one line, yeah,

0:36:08.880 --> 0:36:12.160
<v Speaker 5>and you can address it and move on. So I

0:36:12.160 --> 0:36:13.319
<v Speaker 5>thought that, Yeah, it.

0:36:13.239 --> 0:36:19.080
<v Speaker 2>Is really weird, especially if Chase is circling back to

0:36:19.719 --> 0:36:24.760
<v Speaker 2>the sort of headspace he was in when Julian shows

0:36:24.880 --> 0:36:27.839
<v Speaker 2>the girls the video at Thanksgiving and he's like, I'm

0:36:27.880 --> 0:36:30.040
<v Speaker 2>just going to focus on me, you know, I need

0:36:30.080 --> 0:36:35.480
<v Speaker 2>to figure out my own life whatever. Why not talk

0:36:35.520 --> 0:36:38.200
<v Speaker 2>about it? Why not actually show the audience that that

0:36:38.440 --> 0:36:42.360
<v Speaker 2>is continuing to run for him? It's weird. It feels

0:36:42.400 --> 0:36:43.000
<v Speaker 2>like a ball drop.

0:36:43.239 --> 0:36:46.400
<v Speaker 5>Yeah, and if we're trying to make him likeaboy, you know,

0:36:46.440 --> 0:36:48.560
<v Speaker 5>it's just like that's not a cool thing to do.

0:36:48.680 --> 0:36:50.799
<v Speaker 5>Then you know, to be like, I don't want it.

0:36:50.920 --> 0:36:54.880
<v Speaker 5>Let's have sex. I don't want it. Yeah, there was

0:36:54.880 --> 0:36:56.919
<v Speaker 5>one more thing I wanted to do address about the

0:36:57.000 --> 0:36:59.920
<v Speaker 5>reveal of the whole surprise. Clay set up right so

0:37:00.560 --> 0:37:03.560
<v Speaker 5>he somehow gets her favorite band, It gets trick all

0:37:03.600 --> 0:37:08.240
<v Speaker 5>to himself. He has Michael's explode all over them. Obviously

0:37:08.239 --> 0:37:10.160
<v Speaker 5>a lot of time and work went into this. They

0:37:10.360 --> 0:37:13.359
<v Speaker 5>walk up to the table and he doesn't pull out

0:37:13.440 --> 0:37:17.839
<v Speaker 5>Quinn's why didn't you do that? Buddy? I don't know,

0:37:19.840 --> 0:37:23.520
<v Speaker 5>like as as as the as me who like I'm

0:37:23.560 --> 0:37:25.840
<v Speaker 5>big on chivalry and me he was like, I don't.

0:37:25.960 --> 0:37:27.960
<v Speaker 5>And then also, just if you're going to track what

0:37:28.000 --> 0:37:31.080
<v Speaker 5>the characters doing what, I don't know how both me

0:37:31.120 --> 0:37:34.240
<v Speaker 5>and Clay drop the ball so hard, but I was shocked.

0:37:34.320 --> 0:37:36.399
<v Speaker 5>Now we walk up to the table, I don't even

0:37:36.400 --> 0:37:39.560
<v Speaker 5>make an effort. I immediately go for mine, and nine

0:37:39.600 --> 0:37:42.799
<v Speaker 5>year old waiter Michael May pulls out Quinn's chair.

0:37:43.040 --> 0:37:45.600
<v Speaker 4>Oh that's why, because because they had set you guys

0:37:45.600 --> 0:37:47.120
<v Speaker 4>had set it up that Michael was going to pull

0:37:47.120 --> 0:37:50.359
<v Speaker 4>out the chair. That as like an intro that has

0:37:50.400 --> 0:37:50.799
<v Speaker 4>to be it.

0:37:50.840 --> 0:37:53.120
<v Speaker 5>But I don't. I don't even do the empty gesture.

0:37:54.440 --> 0:37:55.640
<v Speaker 5>It's just it, really all.

0:37:55.719 --> 0:37:57.520
<v Speaker 4>You were spaced out for a minute when you guys

0:37:57.520 --> 0:37:59.600
<v Speaker 4>were walking up, you know, like you know how it goes.

0:37:59.640 --> 0:38:02.279
<v Speaker 4>You're chatting about something right before they say action, and

0:38:02.320 --> 0:38:04.879
<v Speaker 4>then you just walk into it and kind of I mean,

0:38:04.920 --> 0:38:06.279
<v Speaker 4>I think that happens to all of us.

0:38:06.520 --> 0:38:10.440
<v Speaker 2>I also wonder if as a director, I would imagine

0:38:10.480 --> 0:38:13.680
<v Speaker 2>Paul said, I want Michael May to pull the chair

0:38:13.719 --> 0:38:17.680
<v Speaker 2>out for Chantelle. So I wonder if by the third

0:38:17.760 --> 0:38:20.200
<v Speaker 2>time you did it, and that was actually the best

0:38:20.400 --> 0:38:23.080
<v Speaker 2>tracking shot to get you guys to the table, you

0:38:23.120 --> 0:38:24.960
<v Speaker 2>weren't even gesturing for it anymore.

0:38:25.200 --> 0:38:28.440
<v Speaker 5>Also to Joy's point, I do have a very specific

0:38:28.480 --> 0:38:33.320
<v Speaker 5>memory of trying my hardest to distract and break Steven

0:38:34.000 --> 0:38:36.920
<v Speaker 5>while he was talking to the two of us. So

0:38:37.400 --> 0:38:39.600
<v Speaker 5>you were right. I was probably focusing all of my

0:38:39.840 --> 0:38:43.360
<v Speaker 5>energy on how I could make Steven laugh and distract

0:38:43.400 --> 0:38:48.040
<v Speaker 5>him or make Shantelle laugh. Then I was actually which

0:38:48.080 --> 0:38:48.600
<v Speaker 5>is on brand?

0:38:48.719 --> 0:38:52.319
<v Speaker 2>Yeah sounds about right, so feels right. I love it.

0:38:52.640 --> 0:38:54.719
<v Speaker 2>You know what I thought was very sweet too in

0:38:54.800 --> 0:38:58.120
<v Speaker 2>their storyline, and you brought up part of it, the

0:38:58.160 --> 0:39:01.399
<v Speaker 2>conversation they have in the car. You know, when when

0:39:02.440 --> 0:39:05.319
<v Speaker 2>Chase drives Chuck home and they have that beat and

0:39:05.360 --> 0:39:08.239
<v Speaker 2>he acknowledges that two years is a long time, you

0:39:08.320 --> 0:39:12.680
<v Speaker 2>start to kind of see underneath. I like that when

0:39:12.719 --> 0:39:15.920
<v Speaker 2>he starts to, you know, be kind of a little

0:39:15.920 --> 0:39:19.960
<v Speaker 2>shit again. There's just a pause and then he's self

0:39:20.000 --> 0:39:24.680
<v Speaker 2>correct and says, thank you so great, and you're already

0:39:24.760 --> 0:39:29.800
<v Speaker 2>starting to see just a little bit of a positive

0:39:29.840 --> 0:39:32.880
<v Speaker 2>presence have an influence on a kid. I thought it

0:39:32.920 --> 0:39:34.840
<v Speaker 2>was such a nice reminder and it was nice to

0:39:34.880 --> 0:39:39.520
<v Speaker 2>have that acknowledgment, even though it was wordless between Chuck's

0:39:39.560 --> 0:39:43.279
<v Speaker 2>mom and Chase, because it's a pretty big reveal, right,

0:39:43.600 --> 0:39:45.680
<v Speaker 2>you know, you assume he's been working all day, and

0:39:45.680 --> 0:39:49.040
<v Speaker 2>then you realize he's been checking on Chuck's mom. Yeah,

0:39:49.760 --> 0:39:53.080
<v Speaker 2>you know, it's a big woe for the audience and

0:39:54.400 --> 0:39:56.600
<v Speaker 2>to sort of see how that registered for her.

0:39:57.560 --> 0:39:57.920
<v Speaker 5>I don't know.

0:39:57.960 --> 0:40:00.799
<v Speaker 2>I thought it was a I thought the whole the

0:40:00.840 --> 0:40:06.080
<v Speaker 2>whole bit of it, despite it not actually being in

0:40:06.160 --> 0:40:09.240
<v Speaker 2>terms of the verbiage, you know, really long or really

0:40:09.280 --> 0:40:16.040
<v Speaker 2>wordy scenes, I thought the impact was really excellently driven home.

0:40:16.719 --> 0:40:21.719
<v Speaker 5>Yeah, and it was a great way of getting a

0:40:21.760 --> 0:40:26.080
<v Speaker 5>new insight into Chase's character. Yes, because the amount of

0:40:26.280 --> 0:40:29.480
<v Speaker 5>class and grace that he had for her. Yeah, Like

0:40:29.520 --> 0:40:31.640
<v Speaker 5>when she even tried to blame it on him and

0:40:31.640 --> 0:40:33.120
<v Speaker 5>she was like, I think you're better than me, I

0:40:33.160 --> 0:40:36.000
<v Speaker 5>was like, there's a version of which he says, yeah,

0:40:36.040 --> 0:40:40.399
<v Speaker 5>this version of you way better. But he never once

0:40:40.440 --> 0:40:42.680
<v Speaker 5>shamed her. The look he gave her at the end

0:40:42.760 --> 0:40:45.840
<v Speaker 5>wasn't like hmmm, yeah, you know he was. He was

0:40:45.880 --> 0:40:48.600
<v Speaker 5>sweet about the whole thing. The one one thing I

0:40:48.680 --> 0:40:51.720
<v Speaker 5>kind of bumped on though, is that when Chuck says

0:40:51.840 --> 0:40:54.160
<v Speaker 5>two years is a long time, I wanted Chase to

0:40:54.239 --> 0:40:57.920
<v Speaker 5>say yes. I wanted Chase to kind of validate as

0:40:57.920 --> 0:41:00.680
<v Speaker 5>opposed I see what he's doing. He's trying to be like, nah, buddy,

0:41:00.680 --> 0:41:03.719
<v Speaker 5>it's not that bad like he's But I also wanted

0:41:03.800 --> 0:41:07.360
<v Speaker 5>him to go, yeah, you're right, because what did he

0:41:07.400 --> 0:41:08.680
<v Speaker 5>say he is saying in that moment?

0:41:08.880 --> 0:41:12.120
<v Speaker 2>Did he say anything he said no, oh really, he.

0:41:12.040 --> 0:41:17.200
<v Speaker 5>Goes, Oh yeah, no, he goes. She says, two years

0:41:17.200 --> 0:41:19.279
<v Speaker 5>is a long time, huh, And Chase says it's not

0:41:19.360 --> 0:41:22.879
<v Speaker 5>that long. And I wish Chase had said yeah, because

0:41:22.960 --> 0:41:24.880
<v Speaker 5>Chuck knows in his heart it's a long time. So

0:41:24.920 --> 0:41:28.520
<v Speaker 5>it's like, yeah, this is your chance to like establish

0:41:28.600 --> 0:41:30.520
<v Speaker 5>that with the kid, validate what he's saying. Yeah, man,

0:41:31.120 --> 0:41:34.719
<v Speaker 5>it's a super long time. Yeah, that's wild. Whatever you're

0:41:34.760 --> 0:41:35.520
<v Speaker 5>feeling is right.

0:41:37.719 --> 0:41:38.080
<v Speaker 2>He didn't.

0:41:38.120 --> 0:41:42.160
<v Speaker 4>He just doesn't have the maturity and experience to know

0:41:42.200 --> 0:41:44.239
<v Speaker 4>how to handle that. Like that's kind of what we

0:41:44.320 --> 0:41:48.080
<v Speaker 4>do often in life. And somebody's struggling, you just want

0:41:48.080 --> 0:41:50.400
<v Speaker 4>to make him feel better, you know. Yeah, it's like,

0:41:50.480 --> 0:41:53.839
<v Speaker 4>oh no, it's okay, it's okay. It takes I think

0:41:53.840 --> 0:41:56.200
<v Speaker 4>it takes a wild life experience to learn that that's

0:41:56.239 --> 0:41:59.920
<v Speaker 4>actually not comforting. It's actually better to just acknowledge the

0:42:00.040 --> 0:42:00.440
<v Speaker 4>hard thing.

0:42:00.920 --> 0:42:03.279
<v Speaker 2>Well, and by the way, we're worry able to see

0:42:03.320 --> 0:42:09.120
<v Speaker 2>that now. But when you were saying that, Joy, I

0:42:09.160 --> 0:42:11.000
<v Speaker 2>was like, oh my god, I always forget that. At

0:42:11.040 --> 0:42:13.959
<v Speaker 2>this point in the show, our characters are like twenty five.

0:42:14.560 --> 0:42:19.440
<v Speaker 5>Yeah. Yeah, when you think about that, Chase is actually

0:42:19.440 --> 0:42:25.040
<v Speaker 5>doing an extraordinarily good job. Totally. Yeah, it's not fair

0:42:25.080 --> 0:42:27.719
<v Speaker 5>for like forty three year old parent me to be like,

0:42:28.360 --> 0:42:34.160
<v Speaker 5>there was a better day. Yeah, I wouldn't have known better. Yeah.

0:42:34.200 --> 0:42:36.200
<v Speaker 5>So no, he did a fantastic job.

0:42:37.760 --> 0:42:37.880
<v Speaker 4>This.

0:42:38.200 --> 0:42:40.239
<v Speaker 5>What's so great about not remembering what happens in the

0:42:40.280 --> 0:42:42.759
<v Speaker 5>show is that I was genuinely caught off guard with

0:42:43.000 --> 0:42:47.320
<v Speaker 5>the station calling mouth at the end of the episode

0:42:48.719 --> 0:42:51.080
<v Speaker 5>it's for Millie, and I was like, wait, a second,

0:42:51.080 --> 0:42:54.440
<v Speaker 5>does she does she becomes some news person?

0:42:55.520 --> 0:42:56.480
<v Speaker 2>Isn't that crazy?

0:42:57.680 --> 0:42:58.520
<v Speaker 5>Oh my god?

0:42:58.600 --> 0:42:58.759
<v Speaker 4>Yeah?

0:43:00.080 --> 0:43:00.680
<v Speaker 2>Oh man.

0:43:01.160 --> 0:43:01.480
<v Speaker 5>Wow.

0:43:01.520 --> 0:43:06.120
<v Speaker 2>It's such a nice cliffhanger too, because their whole storyline

0:43:06.160 --> 0:43:11.160
<v Speaker 2>in the episode is so sweet and so thoughtful, even

0:43:11.200 --> 0:43:16.799
<v Speaker 2>the detail that when he gives her the gift, he says, well,

0:43:17.080 --> 0:43:18.960
<v Speaker 2>I talked to Brooke and she says, you like this.

0:43:19.880 --> 0:43:22.600
<v Speaker 2>You know that that mouth went to figure out what

0:43:22.760 --> 0:43:25.759
<v Speaker 2>she'd really want instead of you know, giving her some

0:43:25.960 --> 0:43:29.560
<v Speaker 2>random something because it's Valentine's Day. I just think their

0:43:29.600 --> 0:43:33.799
<v Speaker 2>relationship is so sweet, you know, him giving us a

0:43:33.800 --> 0:43:35.920
<v Speaker 2>little peak behind the curtain about how they used to

0:43:35.960 --> 0:43:38.600
<v Speaker 2>eat Chinese food together in New York and you know,

0:43:38.640 --> 0:43:41.680
<v Speaker 2>now they're eating that meal by candlelight and talking about

0:43:41.680 --> 0:43:44.279
<v Speaker 2>how far they've come, and she says, it's nice to

0:43:44.440 --> 0:43:48.479
<v Speaker 2>be here, and she means, you know, so much more

0:43:48.520 --> 0:43:52.520
<v Speaker 2>than just in Tree Hill. It's like in this place

0:43:52.520 --> 0:43:55.480
<v Speaker 2>and time with him, and the whole build up is

0:43:55.640 --> 0:43:57.759
<v Speaker 2>just so sweet to have.

0:43:57.680 --> 0:44:00.359
<v Speaker 4>Been through so much in their relationship and she's through

0:44:00.400 --> 0:44:02.760
<v Speaker 4>so much in her personal life and growth.

0:44:03.920 --> 0:44:06.359
<v Speaker 2>And then and then that moment at the end. It's

0:44:06.400 --> 0:44:09.360
<v Speaker 2>such a good cliffhanger because you go, h oh, like

0:44:09.400 --> 0:44:11.440
<v Speaker 2>are they still going to like to be here? Or

0:44:11.520 --> 0:44:13.200
<v Speaker 2>is this going to cause a problem?

0:44:13.320 --> 0:44:17.600
<v Speaker 4>Yeah, because you know Mouf, he's so supportive and kind

0:44:17.800 --> 0:44:20.120
<v Speaker 4>and generous, and you know he's what else is he

0:44:20.160 --> 0:44:22.840
<v Speaker 4>going to do but say that's great, congratulations, But you

0:44:22.960 --> 0:44:25.200
<v Speaker 4>know that's going to kill him inside.

0:44:25.560 --> 0:44:29.040
<v Speaker 5>Maybe maybe his dramatic weight gain that is coming up

0:44:29.120 --> 0:44:33.240
<v Speaker 5>is from all the humble pie. He's being forced because

0:44:33.239 --> 0:44:36.600
<v Speaker 5>this guy has taken one hit out, Like.

0:44:36.520 --> 0:44:41.440
<v Speaker 2>When does mouth get to win? Dang it, it's a lot.

0:44:41.840 --> 0:44:43.919
<v Speaker 5>He deserves a w poor guy.

0:44:44.040 --> 0:44:48.880
<v Speaker 2>Yeah, well it's not coming soon. Oh boy, I just

0:44:48.920 --> 0:44:51.960
<v Speaker 2>looked up. I have to tell you guys what I

0:44:52.000 --> 0:44:57.360
<v Speaker 2>wrote down. When you and UH and James are going

0:44:57.640 --> 0:45:00.919
<v Speaker 2>you know, playing Nathan are scouting Kellerman's kid.

0:45:01.160 --> 0:45:03.040
<v Speaker 5>Oh yeah, oh yeah, that's so good.

0:45:03.320 --> 0:45:06.320
<v Speaker 2>And he walks off the field saying, my dad's a douche.

0:45:07.400 --> 0:45:09.320
<v Speaker 2>I wrote down because when you guys get to the

0:45:09.400 --> 0:45:12.400
<v Speaker 2>dugout and he's drinking beer, he goes, are you going

0:45:12.440 --> 0:45:15.040
<v Speaker 2>to sign me or lecture me? And you say, depends

0:45:15.040 --> 0:45:17.080
<v Speaker 2>on what you're looking for in an agent, And I go,

0:45:17.360 --> 0:45:19.680
<v Speaker 2>he called his dad a douche. He's a douche. It's

0:45:19.719 --> 0:45:23.439
<v Speaker 2>like literally the notes I wrote down, like like I'm

0:45:23.480 --> 0:45:26.120
<v Speaker 2>the eight year old being like this guy, Yeah, rude,

0:45:27.000 --> 0:45:29.720
<v Speaker 2>who do you think you are? It's a good little twist.

0:45:30.080 --> 0:45:31.840
<v Speaker 2>Was that a real athlete that guy? Or is he

0:45:31.880 --> 0:45:32.280
<v Speaker 2>an actor?

0:45:32.680 --> 0:45:36.560
<v Speaker 5>No? So that is Eric McIntyre and he is not

0:45:36.640 --> 0:45:41.719
<v Speaker 5>a real baseball player. He had to learn kind of

0:45:41.719 --> 0:45:42.960
<v Speaker 5>the mechanics.

0:45:42.400 --> 0:45:44.840
<v Speaker 2>Of throwing for really, So he's an actor.

0:45:45.080 --> 0:45:47.719
<v Speaker 5>He's an actor. Yeah, no, yeah, he's much more of

0:45:47.760 --> 0:45:53.000
<v Speaker 5>a D and D guy than he is. How fun's

0:45:53.080 --> 0:45:55.799
<v Speaker 5>that's that's kind of how I knew know of him

0:45:55.840 --> 0:45:58.000
<v Speaker 5>afterwards since then he's a big, big into the D

0:45:58.040 --> 0:46:00.920
<v Speaker 5>and D scenes. So, yeah, baseball, note his strike zone,

0:46:02.000 --> 0:46:04.840
<v Speaker 5>but he played it well and listened to play. He

0:46:04.880 --> 0:46:07.160
<v Speaker 5>played the hell out of that douchebag. I mean, because

0:46:07.600 --> 0:46:12.360
<v Speaker 5>he was instantly punchable completely there. His walk even I

0:46:12.400 --> 0:46:15.040
<v Speaker 5>don't know if his walk was a choice, but he

0:46:15.080 --> 0:46:17.680
<v Speaker 5>didn't even open his mouth that walk alone. Yeah, that

0:46:17.719 --> 0:46:18.760
<v Speaker 5>guy needs to get punched.

0:46:18.960 --> 0:46:23.840
<v Speaker 2>Yeah he really he had. He had such an air

0:46:24.080 --> 0:46:27.720
<v Speaker 2>of ego, like the way he moved his shoulders, everything,

0:46:27.760 --> 0:46:31.080
<v Speaker 2>he really physicalized that. Well, yes, it's kind of cool

0:46:31.120 --> 0:46:35.640
<v Speaker 2>to know that he's not actually that type of athlete

0:46:35.680 --> 0:46:36.080
<v Speaker 2>at all.

0:46:38.040 --> 0:46:41.480
<v Speaker 5>No, those were just good choices and it was also

0:46:41.560 --> 0:46:45.160
<v Speaker 5>such a heightened version of that type of person in

0:46:45.239 --> 0:46:48.120
<v Speaker 5>fact he has, like because I love thinking about like

0:46:48.239 --> 0:46:50.000
<v Speaker 5>how did how did he get there? So like he

0:46:50.080 --> 0:46:52.960
<v Speaker 5>went and he got like a little igloo container he

0:46:53.000 --> 0:46:56.040
<v Speaker 5>filled it full of ice, and some beers like him

0:46:56.080 --> 0:46:59.120
<v Speaker 5>walking to Its just it was so funny, man. But

0:46:59.160 --> 0:47:02.040
<v Speaker 5>I love that at the end of it, Clay is

0:47:02.080 --> 0:47:03.560
<v Speaker 5>just like he called us all.

0:47:03.800 --> 0:47:07.799
<v Speaker 2>Yeah, well that's the fun part of it. I think

0:47:07.880 --> 0:47:10.760
<v Speaker 2>it's a good twist that it's Kellerman's kid. And also

0:47:11.760 --> 0:47:15.040
<v Speaker 2>it's fun to have him essentially be a foil to

0:47:15.600 --> 0:47:19.520
<v Speaker 2>you and Nathan as buddy cops. It's fun to see

0:47:19.520 --> 0:47:22.720
<v Speaker 2>you two in that role, the you know, moving around

0:47:22.760 --> 0:47:27.799
<v Speaker 2>together and figuring it out. And yes, we get a

0:47:27.800 --> 0:47:33.160
<v Speaker 2>little bit of perspective from this younger kid and you

0:47:33.160 --> 0:47:36.960
<v Speaker 2>guys sitting having a conversation and him having to essentially

0:47:36.960 --> 0:47:40.760
<v Speaker 2>be like I used to be that guy. It's it's cool,

0:47:41.120 --> 0:47:45.120
<v Speaker 2>you know. The the passage of time that it shows

0:47:45.200 --> 0:47:46.560
<v Speaker 2>is a really interesting device.

0:47:47.120 --> 0:47:52.880
<v Speaker 5>Yes, and it was a clever way to show Nathan's value,

0:47:53.680 --> 0:47:56.440
<v Speaker 5>his value added as an agent, that he was able

0:47:56.480 --> 0:48:00.480
<v Speaker 5>to go. Yeah. I was like this, and you know,

0:48:00.560 --> 0:48:02.400
<v Speaker 5>like it was great because as a viewer, I was like,

0:48:03.080 --> 0:48:05.759
<v Speaker 5>this kid, he's a toll, Like no way. And then

0:48:05.800 --> 0:48:07.640
<v Speaker 5>it was and that was sort of where Clay was leaning.

0:48:07.640 --> 0:48:09.440
<v Speaker 5>And I liked that it was Nathan the counter bounce

0:48:09.480 --> 0:48:11.680
<v Speaker 5>to go I don't know, Bud.

0:48:12.000 --> 0:48:13.880
<v Speaker 2>I was like that had to break it to ye,

0:48:14.000 --> 0:48:17.080
<v Speaker 2>he might be the next me. Yeah, room to grow.

0:48:17.680 --> 0:48:30.040
<v Speaker 6>Yeah, it's cool.

0:48:30.920 --> 0:48:31.920
<v Speaker 5>Honorable mentions.

0:48:32.480 --> 0:48:35.360
<v Speaker 4>Oh, by the way, the pizza box fight between Austin

0:48:35.440 --> 0:48:40.680
<v Speaker 4>and the pizza guy at the door, it was so good.

0:48:41.040 --> 0:48:43.120
<v Speaker 2>And and and when Austin goes to the door, the

0:48:43.160 --> 0:48:48.640
<v Speaker 2>guy's like, I don't mind, great, love that so great. Honestly,

0:48:48.760 --> 0:48:50.719
<v Speaker 2>he was a scene stealer. I'm gonna I'm gonna give

0:48:50.760 --> 0:48:54.919
<v Speaker 2>him my honorable mention pizza man. Yeah, it's so good.

0:48:56.400 --> 0:48:58.279
<v Speaker 2>Killed it Michael Mays for me.

0:48:59.200 --> 0:49:02.960
<v Speaker 5>M yeah, I'm going to give mine to uh to

0:49:03.040 --> 0:49:06.440
<v Speaker 5>Michael May. Yeah he did great. That whole storyline was

0:49:06.440 --> 0:49:09.520
<v Speaker 5>so fun to watch, and I love what it's setting up.

0:49:09.719 --> 0:49:12.040
<v Speaker 5>I do remember a bit of where this one goes. Yeah,

0:49:12.360 --> 0:49:13.080
<v Speaker 5>it goes there.

0:49:13.400 --> 0:49:16.200
<v Speaker 4>So Bean Jeans is asking us, with so many of

0:49:16.200 --> 0:49:19.719
<v Speaker 4>the characters not having siblings on the show, who do

0:49:19.800 --> 0:49:22.080
<v Speaker 4>you wish had a sibling and got to be a

0:49:22.120 --> 0:49:25.200
<v Speaker 4>part of the show. And would that sibling have a

0:49:25.239 --> 0:49:26.560
<v Speaker 4>love interest in a friend group?

0:49:27.000 --> 0:49:27.360
<v Speaker 2>WHOA.

0:49:28.440 --> 0:49:30.879
<v Speaker 5>I really wish Dan had had a sibling. I think

0:49:30.880 --> 0:49:33.799
<v Speaker 5>that would have been good for well he did, he did.

0:49:36.200 --> 0:49:41.680
<v Speaker 2>I was like, you got oh boy, guys, listen, I

0:49:41.719 --> 0:49:48.279
<v Speaker 2>know there's a lot that's true. Well, it's interesting because

0:49:48.360 --> 0:49:53.160
<v Speaker 2>Dan had a sibling. Obviously, you've got Nathan and Lucas.

0:49:53.239 --> 0:49:56.560
<v Speaker 2>Haley's one of a bunch. I don't think Brooke or

0:49:56.600 --> 0:49:59.560
<v Speaker 2>Peyton could have had siblings because they became each other's

0:49:59.560 --> 0:50:01.280
<v Speaker 2>siblings because they were lonely only.

0:50:01.760 --> 0:50:04.799
<v Speaker 4>Yeah, but maybe if Haley had a brother, that would

0:50:04.800 --> 0:50:06.840
<v Speaker 4>have been nice because we only ever saw sisters.

0:50:07.680 --> 0:50:09.040
<v Speaker 2>I mean who else could.

0:50:08.840 --> 0:50:11.760
<v Speaker 5>Have I would have liked to see Clay have a sibling.

0:50:12.080 --> 0:50:13.640
<v Speaker 2>Yeah, Yeah, that would have been fun.

0:50:14.360 --> 0:50:16.879
<v Speaker 5>Because it would have been nice to see a baseline,

0:50:16.880 --> 0:50:21.600
<v Speaker 5>because Clay has endured like immense trauma though especially we're

0:50:21.600 --> 0:50:23.120
<v Speaker 5>going to find out how deep it goes, so it

0:50:23.160 --> 0:50:27.760
<v Speaker 5>would have been interesting to see what that gene pool

0:50:27.800 --> 0:50:31.120
<v Speaker 5>looks like without like what that what that person looks

0:50:31.200 --> 0:50:32.920
<v Speaker 5>like without going through Yeah.

0:50:32.719 --> 0:50:35.080
<v Speaker 4>It's always unsettling when you meet a character and then

0:50:35.120 --> 0:50:37.080
<v Speaker 4>you never when you watch a show for this long

0:50:37.360 --> 0:50:39.240
<v Speaker 4>and you never meet their parents, you never know anything

0:50:39.280 --> 0:50:42.280
<v Speaker 4>about the life before. It just it makes it harder

0:50:42.320 --> 0:50:45.840
<v Speaker 4>for you to see them as a fully realized person

0:50:46.000 --> 0:50:49.239
<v Speaker 4>like you do so much to embody Clay, and then

0:50:49.400 --> 0:50:51.920
<v Speaker 4>there's still all this empty backstory that we don't know

0:50:51.960 --> 0:50:55.319
<v Speaker 4>other than what you tell us. I actually agree with you.

0:50:55.360 --> 0:50:58.000
<v Speaker 4>I really would have loved to see a parent, or

0:50:58.160 --> 0:51:00.840
<v Speaker 4>a sibling or just some one to give us a

0:51:00.840 --> 0:51:01.800
<v Speaker 4>little more context.

0:51:02.120 --> 0:51:05.400
<v Speaker 2>Well, and I think especially knowing where things go with

0:51:05.560 --> 0:51:11.600
<v Speaker 2>you and how extreme that storyline yeah felt, and what

0:51:11.640 --> 0:51:14.680
<v Speaker 2>you had to commit to, I think it would have

0:51:15.440 --> 0:51:19.799
<v Speaker 2>probably been really special and grounding if we'd gotten to

0:51:19.840 --> 0:51:21.480
<v Speaker 2>see that, Like I would have actually loved it.

0:51:21.520 --> 0:51:24.760
<v Speaker 4>If Clay had a sister, Yeah, who could have said,

0:51:25.239 --> 0:51:27.520
<v Speaker 4>you know, who was like taking care of the kid?

0:51:28.080 --> 0:51:30.600
<v Speaker 2>Yeah, and also who could have been like a great

0:51:30.880 --> 0:51:34.400
<v Speaker 2>friend to Quinn's character to be like, listen, I know

0:51:34.440 --> 0:51:39.479
<v Speaker 2>it feels crazy. This is my experience, this is you know. Yeah,

0:51:39.040 --> 0:51:42.719
<v Speaker 2>I think I think you could have That would have

0:51:42.760 --> 0:51:43.360
<v Speaker 2>been nice for you.

0:51:43.719 --> 0:51:46.080
<v Speaker 4>Yeah. There would have been room for like a like

0:51:46.160 --> 0:51:50.280
<v Speaker 4>a cool sist, just like kind of stage bouncing around,

0:51:50.320 --> 0:51:53.960
<v Speaker 4>getting to know anybody, just being like, hey, you're acting.

0:51:54.120 --> 0:51:56.919
<v Speaker 4>You're acting a fool, and hey, like stop dating two

0:51:56.920 --> 0:52:00.200
<v Speaker 4>girls at the same time, dude, and hey like, don't

0:52:00.200 --> 0:52:02.840
<v Speaker 4>worry about your girlfriend getting this job. You're something great's

0:52:02.840 --> 0:52:05.320
<v Speaker 4>coming your way, and you know, like bouncing around.

0:52:05.160 --> 0:52:07.319
<v Speaker 5>It wouldn't have been a wild if Clay had a sister.

0:52:07.360 --> 0:52:09.920
<v Speaker 5>And then you realize this season in she was a

0:52:09.960 --> 0:52:13.040
<v Speaker 5>ghost too because she had Oh my.

0:52:12.719 --> 0:52:16.640
<v Speaker 4>God, the whole it's the line of the witch in

0:52:16.640 --> 0:52:19.160
<v Speaker 4>the Wardrobe. The whole town is actually just dead and

0:52:19.200 --> 0:52:19.640
<v Speaker 4>we're all.

0:52:23.000 --> 0:52:23.760
<v Speaker 5>Here's my question.

0:52:23.920 --> 0:52:24.440
<v Speaker 2>Incredible.

0:52:24.440 --> 0:52:29.200
<v Speaker 5>I think so Bean Jeans, I think I'm correctly assuming

0:52:29.360 --> 0:52:33.120
<v Speaker 5>is a nickname. What what does it come from? What

0:52:33.239 --> 0:52:34.359
<v Speaker 5>is this listener's real name.

0:52:36.280 --> 0:52:39.880
<v Speaker 4>Yeah, bean jeans, Oh genes Okay, it's g E n

0:52:39.960 --> 0:52:42.600
<v Speaker 4>E s not jeans like blue jeans, because bean blue

0:52:42.640 --> 0:52:45.879
<v Speaker 4>jeans actually sounds like really terrible, like you just had

0:52:45.880 --> 0:52:48.960
<v Speaker 4>a gene ate a really bad Bullivan Dan and it

0:52:49.000 --> 0:52:49.880
<v Speaker 4>did not turn out.

0:52:49.719 --> 0:52:51.000
<v Speaker 2>Well for you. Oh God.

0:52:51.160 --> 0:52:54.600
<v Speaker 4>But being jeans but with the ge Oh so, maybe

0:52:54.640 --> 0:52:57.680
<v Speaker 4>it's maybe it's like a Boston thing. Maybe this person is,

0:52:58.400 --> 0:53:02.920
<v Speaker 4>you know, genetics, their families from Boston, like Boston baked beans.

0:53:02.960 --> 0:53:04.200
<v Speaker 5>Is that why?

0:53:04.400 --> 0:53:08.359
<v Speaker 2>No bean town? Okay, could be I don't know, would

0:53:08.400 --> 0:53:11.720
<v Speaker 2>be petite, could be a oh yeah, little person.

0:53:12.200 --> 0:53:16.200
<v Speaker 5>Or it's just some type of legume that has become

0:53:16.239 --> 0:53:18.480
<v Speaker 5>sentient and figured out how to use a computer.

0:53:20.560 --> 0:53:24.640
<v Speaker 4>Perhaps we like your commitment, We like your commitment to

0:53:24.680 --> 0:53:24.920
<v Speaker 4>the bit.

0:53:25.080 --> 0:53:28.320
<v Speaker 2>Thank you. Indeed, should we spend a wheel, let's do it?

0:53:36.040 --> 0:53:38.120
<v Speaker 6>Oh boy?

0:53:39.440 --> 0:53:46.200
<v Speaker 2>Who is most likely to accidentally go viral for something embarrassing?

0:53:47.360 --> 0:53:48.160
<v Speaker 2>Shan tell.

0:53:50.840 --> 0:53:51.960
<v Speaker 5>She's a strong candidate.

0:53:52.280 --> 0:53:59.000
<v Speaker 2>Not no, think she's so regal. She is. She's also

0:53:59.120 --> 0:54:02.799
<v Speaker 2>clumsy and good. I just could totally see. I could

0:54:02.840 --> 0:54:06.400
<v Speaker 2>totally see that. Amazing, amazing.

0:54:06.400 --> 0:54:08.799
<v Speaker 5>I think I'm a strong front runner for that as well.

0:54:09.239 --> 0:54:11.080
<v Speaker 2>I was gonna say you Rob, and I mean that

0:54:11.120 --> 0:54:11.840
<v Speaker 2>as a compliment.

0:54:11.960 --> 0:54:13.680
<v Speaker 5>Yeah, well listen, it's.

0:54:13.880 --> 0:54:15.279
<v Speaker 2>Because you commit to the bed.

0:54:15.360 --> 0:54:17.839
<v Speaker 5>Yeah, there's a there's a I don't know why. There's

0:54:17.880 --> 0:54:21.560
<v Speaker 5>a video of all of us. We're at some event.

0:54:21.920 --> 0:54:23.440
<v Speaker 5>I don't think it's not a con, but we're like

0:54:23.480 --> 0:54:25.200
<v Speaker 5>all there is a cast. It was that thing where

0:54:26.080 --> 0:54:31.480
<v Speaker 5>they had uh Jackson. He came out in his green

0:54:31.520 --> 0:54:34.880
<v Speaker 5>man suit and danced on stage for like four minutes straight,

0:54:35.000 --> 0:54:36.719
<v Speaker 5>and then like we all came out and we sat

0:54:36.760 --> 0:54:40.040
<v Speaker 5>on two couches and then for some reason, we're talking

0:54:40.040 --> 0:54:43.279
<v Speaker 5>to an audience, like in an auditorium or something. For

0:54:43.320 --> 0:54:43.960
<v Speaker 5>some reason.

0:54:44.239 --> 0:54:46.960
<v Speaker 2>Oh yeah, it was sashed me.

0:54:46.960 --> 0:54:49.800
<v Speaker 5>To like, let's be honest. You probably just mentioned dancing,

0:54:49.840 --> 0:54:52.480
<v Speaker 5>and we're like Rob does stupid dancing and I stand

0:54:52.560 --> 0:54:54.680
<v Speaker 5>up and I like I danced and like I drop

0:54:54.719 --> 0:54:57.960
<v Speaker 5>it like it's hot. And I don't know why, but

0:54:58.040 --> 0:55:01.279
<v Speaker 5>that video still lives to this day. So, oh my god.

0:55:02.080 --> 0:55:04.080
<v Speaker 2>It was at a theater in Wilmington.

0:55:04.800 --> 0:55:09.480
<v Speaker 4>It was some kind of panel about this wasn't one

0:55:09.520 --> 0:55:11.560
<v Speaker 4>hundredth episode maybe hundred.

0:55:11.680 --> 0:55:12.480
<v Speaker 5>I wasn't there for.

0:55:12.960 --> 0:55:17.160
<v Speaker 2>Oh fine, would have been the finale? I guess I

0:55:17.160 --> 0:55:18.960
<v Speaker 2>think it must have been the finale.

0:55:19.320 --> 0:55:22.920
<v Speaker 4>Yeah, some kind of panel. I do remember that though.

0:55:23.280 --> 0:55:24.880
<v Speaker 4>That's funny. That video is still alive.

0:55:25.560 --> 0:55:26.400
<v Speaker 5>Thanks Internet.

0:55:29.120 --> 0:55:33.879
<v Speaker 2>Oh every poor fashion choice and silly little thing we've

0:55:33.880 --> 0:55:36.240
<v Speaker 2>ever done immortalized.

0:55:36.280 --> 0:55:37.360
<v Speaker 6>It's so sad.

0:55:38.320 --> 0:55:41.160
<v Speaker 4>Well next episode, Season eight, episode sixteen.

0:55:42.280 --> 0:55:45.000
<v Speaker 2>I think I'm gone. I like it here.

0:55:45.320 --> 0:55:49.000
<v Speaker 4>That's from Annie and also the name of our next episode.

0:55:50.120 --> 0:55:54.520
<v Speaker 4>Stay tuned, folks. Bye, Hey, thanks for listening.

0:55:54.640 --> 0:55:56.839
<v Speaker 2>Don't forget to leave us a review. You can also

0:55:56.920 --> 0:56:00.880
<v Speaker 2>follow us on Instagram at Drama Queen's Ota.

0:56:00.560 --> 0:56:04.759
<v Speaker 4>Or email us at Drama Queens at iHeartRadio dot com.

0:56:04.960 --> 0:56:06.000
<v Speaker 2>See you next time.

0:56:07.239 --> 0:56:10.600
<v Speaker 3>We all about that high school drama Girl Drama Girl,

0:56:10.680 --> 0:56:13.799
<v Speaker 3>all about them high school queens. We'll take you for

0:56:13.920 --> 0:56:17.320
<v Speaker 3>a ride, and our comic girl cheering for the right teams.

0:56:17.400 --> 0:56:21.479
<v Speaker 3>Drama Queenslease my girl, rough girl fashion, but your tough girl.

0:56:21.560 --> 0:56:22.480
<v Speaker 2>You could sit with us.

0:56:22.520 --> 0:56:26.640
<v Speaker 1>Girl Drama Queens, Drama Queise Drama Queens, Drama Drama Queens,

0:56:26.680 --> 0:56:28.319
<v Speaker 1>Drama Queens