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Speaker 1: First of all, you don't know me.

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Speaker 2: We all about that high school drama. Girl drama girl,

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Speaker 2: all about them high school queens. We'll take you for

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Speaker 2: a ride, and our comic.

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Speaker 3: Girl shared for the right drama Queens of girl fashion,

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Speaker 3: but your tough girl, you.

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Speaker 2: Could sit with us.

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Speaker 1: Girl Drama, Queens, Drama, queise drama, Queens Drama Drama, Queens

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Speaker 1: Drama Queens.

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Speaker 4: We're talking about the theme song of our show and

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Speaker 4: wondering whether or not Gavin loves performing it out or

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Speaker 4: if he's just like totally burnt out on it.

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Speaker 5: I desperately need the YouTube audience. I just need everyone

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Speaker 5: to tune into YouTube so they can catch Joy doing

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Speaker 5: her makeup while we're like, you are bringing Multita my.

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Speaker 4: Nasty paint covered nails. It's like, this is so gross.

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Speaker 4: All week long, I've been like reaching for things and

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Speaker 4: I have my nails are covered in house paints from

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Speaker 4: painting sets. I keep reaching for things and people, or

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Speaker 4: like eating at restaurants and people are just looking at

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Speaker 4: and staring at me, my dinner companion.

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Speaker 5: Anyone who's going to turn their nose up at you

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Speaker 5: having paint on your nails.

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Speaker 2: It's a second glance. I don't know.

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Speaker 4: I think it's worth the second glance. They look pretty nasty.

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Speaker 5: I don't know about that.

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Speaker 2: Maybe it's just internal.

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Speaker 5: Let's go back to the thing about does a musician

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Speaker 5: just get tired of singing the same song over and over?

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Speaker 5: I mean, think if every day when you showed up

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Speaker 5: to work as an actor, you had to perform the

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Speaker 5: same scene, yeah, or the same monologue.

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Speaker 4: Yeah, greatest hits like Laurence Olivier always had to do

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Speaker 4: poor Horatio, like you know, like the greatest hits of

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Speaker 4: every actor. If they did concerts, they would just have

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Speaker 4: to run through their repertoire every time.

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Speaker 5: I think it would be especially tough if you really

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Speaker 5: only had one big hit, because I think it would

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Speaker 5: be this thing where you would come to resent it.

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Speaker 5: I think if you had a catalog it would be different.

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Speaker 5: But I think if you had one thing, and as

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Speaker 5: soon as you started playing anything else, everyone's like, play

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Speaker 5: the bether one, right, you probably wish you weren't. Yeah.

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Speaker 2: It's like if you're the Rolling Stones and every song's

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Speaker 2: a hit, you're having a great time. Yeah.

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Speaker 6: Yeah, But if.

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Speaker 2: Everyone only knows one, I don't know. I mean, I

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Speaker 2: really wonder how Gavin feels about it because even what

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Speaker 2: we were talking about, I think before we started recording,

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Speaker 2: so for our friends at home, we were discussing like

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Speaker 2: what our experiences when we're out in public and the

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Speaker 2: song comes on. Essentially we all feel like we're getting punked.

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Speaker 2: It's like, there's nothing like walking down an aisle in

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Speaker 2: the grocery store and being like, wait a second, oh god,

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Speaker 2: oh no, oh no, everyone's looking at me. There's nowhere

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Speaker 2: to hide, there's no corner, and you're like, oh, where

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Speaker 2: do I go? This is so awkward And it is

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Speaker 2: really you know, because people kind of look and they're

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Speaker 2: like eh, and you're like, I know, I don't know

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Speaker 2: what to say. You're just like, you don't know what

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Speaker 2: to do with my body right now. And I wonder,

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Speaker 2: I don't know. I wonder what the experience is like

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Speaker 2: for him. Do you think he loves twenty years of

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Speaker 2: TV royalties or do you think he's like, god, damn it,

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Speaker 2: they ruined my best song. I don't know.

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Speaker 4: I'm going to text him right now. This is a

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Speaker 4: voice text for Gavin. Okay, Hey, what's up. We're podcasting

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Speaker 4: right now, and we me, Sophia and Rob all want

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Speaker 4: to know if you love performing I don't want to be,

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Speaker 4: or if you are so tired of it after twenty

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Speaker 4: years and you sort of present it.

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Speaker 5: Is.

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Speaker 4: This is.

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Speaker 2: This is our question. Okay, coming back, I hope you're great.

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Speaker 5: This is this is peak podcasting. Incredible listening to Joyce

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Speaker 5: and voice notes, just to fully pull back the curtain

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Speaker 5: to the audience. Yes, what we were talking about. Right

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Speaker 5: before I started recording, I opened this conversation with saying

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Speaker 5: that I cannot stand our show's theme song. Now let

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Speaker 5: me say this. Please don't hear what I'm not saying.

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Speaker 5: I love our show, and that is not me coming

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Speaker 5: for Gavin. I have just heard it so many times,

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Speaker 5: and I have had such a weird relationship with the

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Speaker 5: show itself that the theme song, I think, kind of

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Speaker 5: took the brunt of that. So it's yeah, it's a trick. Unfortunately,

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Speaker 5: it has been stuck in my head for like the

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Speaker 5: last day and a half. So I found myself walking

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Speaker 5: around this morning being like, I can't If I never

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Speaker 5: hear that song again, I will be so grateful because

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Speaker 5: it's just.

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Speaker 2: Been hanging around in your brain.

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Speaker 5: Oh my gosh, and I don't even know all the words.

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Speaker 5: I know like two lines and then the rest I know,

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Speaker 5: just like a bits and pieces, which makes it even worse.

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Speaker 2: You have the guitar riff, yes, yeah, and you're like.

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Speaker 5: And I'm like, anything but.

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Speaker 2: This that is so funny. Do you know the happy

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Speaker 2: Birthday trick? What's fa something about the I don't know

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Speaker 2: if it's the melody or the notes or whatever about

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Speaker 2: Happy Birthday. That supposedly, if you have a song stuck

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Speaker 2: in your head and then you sing Happy Birthday to yourself,

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Speaker 2: it'll be gone. But Happy Birthday doesn't stick.

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Speaker 4: It's the backup song that is Hotel California also works

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Speaker 4: for that.

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Speaker 2: Really, yes, oh, I feel like that would get stuck

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Speaker 2: in my head.

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Speaker 4: I loved the really Now it's like it's not catchy

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Speaker 4: enough because all the notes are sort of a lot

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Speaker 4: of the chords are more dissonant and more sharps and flats.

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Speaker 4: I mean, I'm I'm not a composer. I don't know

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Speaker 4: how to read music, but I know the tone and

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Speaker 4: it always it always works.

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Speaker 2: You do write music, No, I do. I just don't.

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Speaker 4: I can't read music, so I don't know how I

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Speaker 4: to write chords or like speak the music language of chords.

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Speaker 2: But I can tell you that it does work. Interesting.

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Speaker 5: I was also in a way, I deserve this because

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Speaker 5: I have had shares. Do you Believe in? Life after Love?

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Speaker 5: Stuck in my head for about a week and a

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Speaker 5: half now, and I was, I was complaining, we have

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Speaker 5: a rule in our house where if Jenny or I

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Speaker 5: have a song stuck in our head, we're not allowed

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Speaker 5: to sing it or tell the other person because they

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Speaker 5: are highly contagious, so you just have to suffer in silence.

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Speaker 5: And so for the last week and a half, I've

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Speaker 5: just been do you believe? In my head? And I'm

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Speaker 5: just like, what did I do to deserve this? And

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Speaker 5: then I got our theme song stuck in my head

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Speaker 5: and I was like, I could diggle a deeper hole.

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Speaker 5: It turns out that was my rock body. Well, welcome

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Speaker 5: to the show, everybody.

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Speaker 2: Now you're here to talk about it. And it's Valentine's

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Speaker 2: Day everyone, Yeah.

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Speaker 5: All right, what do we have today? Season eight, episode fifteen.

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Speaker 5: Valentine's Day is over, or as I like to call it,

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Speaker 5: mid season. Male Wishful film, February fifteenth, twenty eleven. Synopsis, Sex, games, secrets,

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Speaker 5: and shoelaces all come into play as the couples of

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Speaker 5: Tree Hills, so the breat Valentine's Day directed by Paul Johansson.

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Speaker 2: He did such a great job with this episode.

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Speaker 4: I knew the second that I saw the Nathan and

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Speaker 4: Haley bathroom scene of us brushing our teeth and like

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Speaker 4: talking and all the choreography of that. I knew that

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Speaker 4: Paul had directed this episode because I had forgotten about that.

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Speaker 4: But that scene we worked. We worked really hard on

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Speaker 4: that because it was just one shot, so we had

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Speaker 4: extra rehearsal time. And he had a lot of fun

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Speaker 4: with this episode. I think he really brought a lot

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Speaker 4: of fun ideas.

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Speaker 2: Yeah, it was very sweet, and the shooting over you too,

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Speaker 2: but getting your coverage in the mirror, and the choreography

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Speaker 2: of longtime married couple swapping mouthwash and talking about is

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Speaker 2: it a blackhead? Is it a rash? I was like,

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Speaker 2: oh my god, it just was so I don't know,

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Speaker 2: it was fun and really charming, and I felt like

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Speaker 2: so much much of the episode managed to be charming,

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Speaker 2: which felt really nice given Rob's point about the amount

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Speaker 2: of wish fulfillment. You know, like when you have grown

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Speaker 2: ups writing sex game scripts, you're like, but it was charming,

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Speaker 2: and I really cherished that, at least for myself and Austin.

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Speaker 2: We had Paul directing this with us because he knew

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Speaker 2: how to. Instead of leaning in and making things gratuitous

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Speaker 2: and kind of gross, we really ramped up on the

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Speaker 2: wardrobe the comedy. But then we went so comedic and

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Speaker 2: it got to be so goofy and so physical, and

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Speaker 2: I just remember how much fun we had with it,

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Speaker 2: and yeah, it felt it sort of felt like the

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Speaker 2: best outcome, and I felt incredibly protected with those two

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Speaker 2: and it all really did mean most of it anyway,

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Speaker 2: really did make me laugh. I enjoyed watching this one.

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Speaker 5: Yeah, that must you for sure win MVP by MVP,

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Speaker 5: I mean most valuable and most vulnerable player. Here's what

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Speaker 5: I will say. As soon as the episode opened, I

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Speaker 5: remembered this. I was just like, oh, buddy, okay, so

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Speaker 5: soar in her paycheck this week. But I will say

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Speaker 5: I also noticed that it was just you and Austin

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Speaker 5: in the same location, and I went, Okay, listen the

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Speaker 5: work this week. But she was done in like two days. Yeah,

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Speaker 5: so you had a nice break. So at least I

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Speaker 5: feel like you got a reward for going through this.

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Speaker 2: Yeah, totally. I remember getting this U when we get

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Speaker 2: the script and you go, oh my god, am I

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Speaker 2: about to win the schedule lottery? And then I remember

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Speaker 2: when the day out of days came out and I

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Speaker 2: was like, I'm going home and I want to go

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Speaker 2: home for like a whole week. And it was so nice.

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Speaker 2: That's so great.

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Speaker 4: It was so Actually I wondered, when you got the script,

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Speaker 4: how do you handle how did you handle that? Because

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Speaker 4: obviously that would have been really kind of upsetting to

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Speaker 4: read all that At first, I'm assuming, but then knowing

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Speaker 4: Paul was directing, is it just like did you have

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Speaker 4: a panic or were you just like, I'm just going

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Speaker 4: to go talk to Paul and we'll figure this out.

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Speaker 4: It's fine.

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Speaker 2: I don't totally remember, to be honest, what I remember.

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Speaker 2: I always felt better when Paul was directing. Of course,

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Speaker 2: I I remember honestly being like, aw cool, Robin Chantell

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Speaker 2: get to watch City and Color in their clothes and

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Speaker 2: I have to do this. And I was like also

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Speaker 2: because I was bummed because I knew I was going

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Speaker 2: to go home with my you know, five days off,

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Speaker 2: and so I couldn't like sneak to set and hang

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Speaker 2: for the show. But yeah, I know that I was excited,

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Speaker 2: not excited. I know that I was what's the word

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Speaker 2: I'm looking for, comforted? I guess knowing Paul was going

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Speaker 2: to be directing. And what I love about Paul, you

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Speaker 2: know when he does the this and he like gives

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Speaker 2: you the look and he has his he has his

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Speaker 2: little close mouth laugh where he goes it's all right.

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Speaker 2: I remember going to find him and he goes, did

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Speaker 2: you read it?

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Speaker 4: You know?

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Speaker 2: And what I loved about it is I knew he

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Speaker 2: already had thoughts. And we really talked about the you know,

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Speaker 2: our great favorite comedic women, and he was like, we'll

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Speaker 2: figure out all your all your moments. You know, you'll

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Speaker 2: have Sophia La Ren moments, you'll have Lucille ball moments.

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Speaker 2: And I was like, that sounds amazing. And then the

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Speaker 2: thing that I knew I needed to figure out was

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Speaker 2: wardrobe because everything was written like lingerie, lingerie, lingerie, and

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Speaker 2: so Carol and I were like, okay, well, if we

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Speaker 2: have to do, you know, the French made thing will

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Speaker 2: really make it feel beautiful and like Bridget BARDOI and

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Speaker 2: sixties and we'll put you in tights and then you know,

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Speaker 2: for the pizza thing. It was like, Okay, well let's

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Speaker 2: do this full body suit moment, so I didn't have

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Speaker 2: to feel like I was supposed to be completely exposed.

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Speaker 4: Yeah, you know, Yeah, it was a lot of underwear,

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Speaker 4: but like got more costume me than yeah, than underwear.

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Speaker 2: Yeah, it felt more costume and I didn't have to

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Speaker 2: prance around with like my ass cheeks out. You know.

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Speaker 2: I was essentially wearing like a red one piece bathing

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Speaker 2: suit and then like had a robe off and then

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Speaker 2: right back on, and the robe served for comedy, and

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Speaker 2: so much of it actually was so funny. Even the

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Speaker 2: French made costume. We like tripled up the little petticoats,

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Speaker 2: so when Austin spun me around, it did like a

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Speaker 2: full twirl and like that stuff felt really fun, And

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Speaker 2: I think those things are cool when you're when you

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Speaker 2: have a team that's going to support you to make

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Speaker 2: you as comfortable as possible. Because our boss made so

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Speaker 2: many of us, I mean all of us uncomfortable in

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Speaker 2: our own ways and in our own moments, and so

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Speaker 2: knowing what was written on the page and then knowing

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Speaker 2: what we got to do, I was like, Paul's a G,

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Speaker 2: Carol's a G. Our team is great.

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Speaker 4: It actually served a great purpose too, because once the

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Speaker 4: audience gets the information mentally, oh, this is not going

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Speaker 4: to be a t and as show for me, they

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Speaker 4: could just focus on you guys and your performances. And

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Speaker 4: that's really what shone through, shown shined was shining.

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Speaker 2: I don't know.

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Speaker 4: That's what was shining through was the two of you

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Speaker 4: because you had so much fun with it and it

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Speaker 4: wasn't just the same thing over and over again. You

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Speaker 4: really got to experiment and play and yeah, it was great.

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Speaker 2: It's really fun. Yeah we did. It was really fun.

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Speaker 5: Sometimes the beauty pageant hijacks the scene, right and in

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Speaker 5: this case, and I should say like the skin show,

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Speaker 5: not just like the but like so it never happened

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Speaker 5: though with you guys, it was like you were wearing

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Speaker 5: something beautiful, but the comedy and the story was still

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Speaker 5: the focal point. For example, a scene where that wasn't

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Speaker 5: successful was the opener when you're in the kitchen and

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Speaker 5: Austin walks out with his pants so low I know,

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Speaker 5: standards and practices, was like, oh my god, to the

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Speaker 5: point that I called Jenny and through him and I

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Speaker 5: was like, excuse me, have you ever seen a lower

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Speaker 5: pair of pants in your life. And she was like

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Speaker 5: and she was like, excuse me, yeah, you every time

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Speaker 5: you've been shirts, Cameron. I was like, oh my bad.

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Speaker 5: But it was just like, for example, so that when

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Speaker 5: that happened, like I stopped hearing dialogue and was just like,

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Speaker 5: my lord, did I just get pregnant? What happened? And

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Speaker 5: that never happened with any of the sex game stuff,

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Speaker 5: but in an opening scene, I was like, this is

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Speaker 5: what it's become. All I'm doing is just staring at

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Speaker 5: Austin's Bear Tor.

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Speaker 2: Yeah. Yeah, he was a good sport. He was. He

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Speaker 2: was really he was. He was doing an ab show

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Speaker 2: for everybody for much of the episode.

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Speaker 5: Also fair considering that every role playing it was him

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Speaker 5: and like Bear like him dressed basically every single time

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Speaker 5: in normal clothes in you So it was it's it

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Speaker 5: was a good team play that he was like, I

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Speaker 5: will gladly do this one wildly gratuitous, dangerously low pants

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Speaker 5: scene in exchange for your eight different fantasy Totally.

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Speaker 2: I also, I remember I remembered a lot of them.

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Speaker 2: When it started, I was like, oh right, I know

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Speaker 2: what we're doing. This is the you know, Valentine's day

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Speaker 2: at home, whole role play day, and then we got

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Speaker 2: to the babysitter one and I was like, I hate this,

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Speaker 2: I hate this, this is so it yuck. And then

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Speaker 2: I literally wrote down, thank god we were the same age.

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Speaker 2: Thank god we called it creepy. And then I go,

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Speaker 2: oh oh, but then we switch it. Now I'm a

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Speaker 2: creep Okay, yeah, I was like, this is the one

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Speaker 2: that just I was like, maybe we could have thrown

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Speaker 2: in the towel on that and been like never mind,

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Speaker 2: never mind and left it there instead of putting him

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Speaker 2: in the schoolboy position. But whatever, he looked cute in

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Speaker 2: his letterman jacket.

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Speaker 5: I moved on, Does anyone actually eat those heart candies? No?

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Speaker 4: I love them what. I love the purple ones, I

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Speaker 4: love the orange ones. Sometimes I like the pink ones.

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Speaker 4: They're a little pepto bismally, but I like.

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Speaker 5: Them so they actually have different flavors. Yeah, they're not

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Speaker 5: just different colors.

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Speaker 2: I love them. Learn something, you guys don't eat those,

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Speaker 2: absolutely not.

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Speaker 5: It's the same reason I don't eat the packing peanuts.

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Speaker 5: When I open up there you go.

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Speaker 2: I was gonna say they're chalky, but Rob really illustrated

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Speaker 2: the point.

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Speaker 5: I'm shocked. I'm shocked joy you know what. That also

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Speaker 5: makes sense, so because in the scene Haley reaches across

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Speaker 5: and takes a handful and slugs about half of it

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Speaker 5: in one So that was clearly that was a joy

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Speaker 5: choice that just happened to work for Haley being Oh.

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Speaker 4: Yeah, I was so excited about eating those. You have

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Speaker 4: to be careful when you eat ho hose I do

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Speaker 4: not like, and so that was definitely something we had

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Speaker 4: to have a little spit bucket on the side for me.

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Speaker 5: Okay, let's talk about that because I have a question,

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Speaker 5: So we're gonna let's just jump to that end scene

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Speaker 5: of Quick. You and James are laying in a bed.

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Speaker 5: You take a bite of the ho ho. I was

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Speaker 5: very aware of this. I was waiting for where's the

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Speaker 5: cut for the spit take or the spit bucket. But

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Speaker 5: you take good bite, you chew, you talk, and then

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Speaker 5: you start kissing me. So my question is, if there

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Speaker 5: was a spit bucket, how did that work?

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Speaker 2: I don't know.

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Speaker 4: I mean, they shoot from different angles. That wasn't the

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Speaker 4: only I don't think that was the only shot.

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Speaker 5: Go back and watch it, sister. They live in that

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00:18:18,280 --> 00:18:21,480
Speaker 5: shot from the bite the chew, the talk, and the kiss.

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Speaker 5: You were giving a kiss with some ho ho in

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Speaker 5: your mouth.

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Speaker 2: That's weird. I was maybe you took a dany diny bite.

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Speaker 4: Maybe I just am remembering a pitbucket and there wasn't one.

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Speaker 4: But I don't like ho hosts, so I don't know.

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Speaker 4: Sorry if I'm speaking out of turn. I thought I

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Speaker 4: thought there was one, but maybe not. Maybe I just

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Speaker 4: had to stomach it. Maybe we only shot it like

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Speaker 4: twice because I don't like ho hose.

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Speaker 2: Yeah, yeah, well, by the way, I wouldn't surprise me

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Speaker 2: if Paul was like, I think I might want this

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Speaker 2: in one shot? Can you do? Can you do a

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Speaker 2: take without this bit bucket? And you were like, h oh, well,

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00:18:57,400 --> 00:18:57,880
Speaker 2: it would have.

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Speaker 4: Been there for after for after the when when they

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Speaker 4: because they ended. He ended the episode by slowing the

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00:19:03,800 --> 00:19:06,280
Speaker 4: kiss down and then went to black, So that would

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Speaker 4: have been what it was that I would have spit

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Speaker 4: it out after he said cut six.

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Speaker 5: Yeah, were just the logistics of having a chewed up

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00:19:13,240 --> 00:19:16,639
Speaker 5: ho ho in your mouth while you kiss memes and

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Speaker 5: then cut and then I cut my.

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Speaker 4: Lips closed, you know, I mean, yeah, yep.

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Speaker 5: Listen, you you go all in on your craft. Okay,

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Speaker 5: that's what I love. You're brave, you're fearless. You eat

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Speaker 5: the ho ho, you chew it up and then you

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00:19:30,440 --> 00:19:31,200
Speaker 5: open mouths.

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Speaker 2: God gross, can you imagine what you're doing?

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Speaker 4: And how about Haley in her house in lubatons or

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00:19:37,760 --> 00:19:41,760
Speaker 4: that's the implication anyway, with the painted bottom of the shoe, she's.

368
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Speaker 2: In high heels climbing on ladders. I wrote this.

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00:19:44,840 --> 00:19:48,359
Speaker 4: Down and talking about how everything is swollen, including your.

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Speaker 2: Like she's so uncomfortable, but she's in stilettos. Yeah, that

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Speaker 2: was weird. That was a weird, uh situation. I wonder why?

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Speaker 2: And on the step stool and like running around the house.

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Speaker 5: It was.

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Speaker 2: It's so interesting to me that they always wanted us

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Speaker 2: in such high heels. Yeah, I don't know.

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00:20:07,320 --> 00:20:09,080
Speaker 5: It felt for a moment like I was watching a

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Speaker 5: cautionary take. Yes, like a pregnant woman on a step

378
00:20:12,680 --> 00:20:15,760
Speaker 5: ladder in high heels, Like what are we how many

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Speaker 5: hats on a heath do we need?

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Speaker 2: Yeah, well they did it to you in this episode,

381
00:20:22,040 --> 00:20:23,600
Speaker 2: and then they do it to me at the end

382
00:20:23,640 --> 00:20:28,879
Speaker 2: of the season exactly that. Oh yeah, yeah, And I

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Speaker 2: remember being I remember when it was my turn being like,

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Speaker 2: who would do this?

385
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Speaker 4: And I was why pregnant, Yes, climbing on these step

386
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Speaker 4: stools in high heel.

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00:20:41,119 --> 00:20:44,800
Speaker 5: Again, fearless, joy, what you do for your own It was.

388
00:20:44,800 --> 00:20:47,400
Speaker 2: All those little sweethearts you got hopped up on sugar.

389
00:20:47,760 --> 00:20:50,120
Speaker 2: That's what I want and you felt like a superhero.

390
00:20:50,560 --> 00:20:51,960
Speaker 2: Give me the high heels.

391
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Speaker 5: I did love the sort of opening juxtaposition of the

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Speaker 5: three couples I guess four couples, but I noticed specifically

393
00:21:01,000 --> 00:21:05,840
Speaker 5: the transition from Claying Quinn having hot shower whoopee, to

394
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Speaker 5: then going to Haley and Nathan brushing teeth. What's this

395
00:21:10,400 --> 00:21:13,640
Speaker 5: spot on my back gargling I love you, love you too,

396
00:21:13,680 --> 00:21:18,000
Speaker 5: pat on the back. I was like, great depiction.

397
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Speaker 4: Yeah, I loved the and it was the line was

398
00:21:20,080 --> 00:21:22,359
Speaker 4: Valentine's Day is hot, and then they cut to Nathan

399
00:21:22,400 --> 00:21:25,160
Speaker 4: with the nose clippers and his nose trise.

400
00:21:26,520 --> 00:21:31,639
Speaker 5: I enjoyed watching Julian attempt accents with the different characters,

401
00:21:32,280 --> 00:21:35,600
Speaker 5: like he he definitely put one on for Thor and

402
00:21:35,640 --> 00:21:37,720
Speaker 5: then for the next one the French made one. It

403
00:21:37,720 --> 00:21:40,480
Speaker 5: seemed like it was just kind of dip in his

404
00:21:40,560 --> 00:21:43,800
Speaker 5: toe in the accent pool here and there, Which was

405
00:21:44,200 --> 00:21:47,159
Speaker 5: which was so perfectly Julian. It felt very right. You

406
00:21:47,240 --> 00:21:49,320
Speaker 5: know that he wouldn't have like an accent down. He

407
00:21:49,320 --> 00:21:51,159
Speaker 5: would just sort of be like, I'm going to give

408
00:21:51,200 --> 00:21:51,640
Speaker 5: it a shot.

409
00:21:52,880 --> 00:21:55,800
Speaker 2: You know, he's a director, he's not an actor. I

410
00:21:55,920 --> 00:21:59,879
Speaker 2: liked his you know, Jersey Boys adjacent vibe as the handyman.

411
00:22:01,920 --> 00:22:06,760
Speaker 2: It was very cute. And then my god, when he

412
00:22:06,840 --> 00:22:09,000
Speaker 2: walks in in the suit and the glasses, I was like,

413
00:22:09,080 --> 00:22:12,600
Speaker 2: he looks like Clark kt oh, totally, Like why did

414
00:22:12,640 --> 00:22:14,400
Speaker 2: Austin never audition for Superman?

415
00:22:14,680 --> 00:22:18,879
Speaker 5: Maybe he did? Maybe maybe they saw this episode and

416
00:22:18,920 --> 00:22:20,960
Speaker 5: they thought just it's too much sex.

417
00:22:20,840 --> 00:22:21,560
Speaker 2: Too much.

418
00:22:21,920 --> 00:22:24,880
Speaker 5: Yeah, sex Pylon. Do you remember that name?

419
00:22:25,280 --> 00:22:26,000
Speaker 2: What I told you?

420
00:22:26,080 --> 00:22:29,080
Speaker 5: I worked with a director who did an episode of

421
00:22:29,119 --> 00:22:30,240
Speaker 5: our show, and I guess it was one of the

422
00:22:30,280 --> 00:22:33,840
Speaker 5: ones introducing Austin's character, and he was like, yeah, he was.

423
00:22:34,200 --> 00:22:36,159
Speaker 5: It was when he was the new sex Pylon on

424
00:22:36,200 --> 00:22:38,120
Speaker 5: the show. And I was like, I have never heard a.

425
00:22:38,080 --> 00:22:40,040
Speaker 2: Funnier n sex pylon.

426
00:22:41,080 --> 00:22:44,320
Speaker 5: Sex Pilon Incredibly, you'll come in wearing pants that low.

427
00:22:45,000 --> 00:22:51,080
Speaker 2: You've earned it, shoe fits, you've earned it. Listen we

428
00:22:51,080 --> 00:22:51,640
Speaker 2: we oh.

429
00:22:51,720 --> 00:22:58,760
Speaker 5: Yeah. I loved the uh Haley finding this necklace, which yeah,

430
00:22:58,800 --> 00:23:01,439
Speaker 5: bless it. It looks like it purchased at a drug store.

431
00:23:02,080 --> 00:23:06,000
Speaker 5: And she opens it. She's like oh, And then Quinn goes, oh,

432
00:23:06,520 --> 00:23:07,320
Speaker 5: I wanted that.

433
00:23:07,560 --> 00:23:08,959
Speaker 2: I was like, neither of you wanted that.

434
00:23:09,280 --> 00:23:13,240
Speaker 5: No, you liars. You actually have good taste. You dress

435
00:23:13,280 --> 00:23:15,600
Speaker 5: well on the show. No one wants a giant heart

436
00:23:15,640 --> 00:23:20,480
Speaker 5: necklace unless it's coming from like Jamie. Yeah, sure, wonderful,

437
00:23:21,440 --> 00:23:23,879
Speaker 5: But come on, gang, could we not find a little

438
00:23:23,920 --> 00:23:26,200
Speaker 5: smaller something?

439
00:23:26,920 --> 00:23:29,920
Speaker 2: It just really needed to read on camera, but the

440
00:23:30,640 --> 00:23:33,920
Speaker 2: full palm size was too big. This tells me Rob

441
00:23:34,000 --> 00:23:39,760
Speaker 2: that you are probably an excellent Valentine's Day gift giver.

442
00:23:39,960 --> 00:23:42,240
Speaker 2: No ooh, I like where this is going?

443
00:23:42,720 --> 00:23:43,040
Speaker 5: Right?

444
00:23:43,320 --> 00:23:46,760
Speaker 2: Well ooh the answer is yes. Look how browd he is.

445
00:23:47,600 --> 00:23:51,919
Speaker 5: No, it's yes and no, right, not anymore because I

446
00:23:51,920 --> 00:23:54,560
Speaker 5: have always had it much like Clay, I have a

447
00:23:54,600 --> 00:23:55,960
Speaker 5: beef with Valentine's Day.

448
00:23:56,359 --> 00:23:57,280
Speaker 2: Okay, why like I?

449
00:23:58,240 --> 00:24:02,480
Speaker 5: Because I don't need one holiday to be designated for

450
00:24:02,600 --> 00:24:05,119
Speaker 5: like this is when you should be a romantic. Valentine's

451
00:24:05,160 --> 00:24:08,800
Speaker 5: Day to me is as unromantic as when you're at

452
00:24:08,840 --> 00:24:11,800
Speaker 5: a restaurant and the person walks by with a basket

453
00:24:11,840 --> 00:24:14,159
Speaker 5: of roses and goes would you like a rose for

454
00:24:14,200 --> 00:24:17,080
Speaker 5: the lady. It's like there has never been a lazier

455
00:24:17,080 --> 00:24:19,600
Speaker 5: expression of romance than when a guy goes, yeah, here's

456
00:24:19,640 --> 00:24:21,040
Speaker 5: a ten spot. Here you go.

457
00:24:22,119 --> 00:24:22,960
Speaker 2: No, it's very weird.

458
00:24:23,000 --> 00:24:26,800
Speaker 5: So the same thing. It just feels contrived and so no,

459
00:24:26,920 --> 00:24:30,040
Speaker 5: like I don't we don't even like really acknowledge it anymore.

460
00:24:30,080 --> 00:24:34,000
Speaker 5: But when I was dating, yeah, then I would put

461
00:24:34,040 --> 00:24:36,800
Speaker 5: on a show. But I always resented the fact that

462
00:24:36,880 --> 00:24:38,520
Speaker 5: I felt like it's pressure.

463
00:24:38,640 --> 00:24:42,960
Speaker 4: It's like there's some sort of arbitrary pressure created by

464
00:24:43,000 --> 00:24:44,880
Speaker 4: everything around you, and you're like, why is this, why

465
00:24:44,880 --> 00:24:45,640
Speaker 4: does this exist?

466
00:24:45,880 --> 00:24:49,280
Speaker 2: There's no reason for it? Well, it's it's literally the

467
00:24:49,760 --> 00:24:55,080
Speaker 2: death gargle of late stage capitalism. They're like, hey, if

468
00:24:55,080 --> 00:24:57,720
Speaker 2: you're not a T shirt, as if we didn't get

469
00:24:57,760 --> 00:25:02,600
Speaker 2: you to spend enough money just before New Year's now

470
00:25:02,720 --> 00:25:05,919
Speaker 2: you need a whole other holiday and it's about jewelry.

471
00:25:06,680 --> 00:25:11,400
Speaker 4: Like, come on, death, I'm writing this down death gargle.

472
00:25:12,240 --> 00:25:13,400
Speaker 2: It's the death gargle.

473
00:25:14,240 --> 00:25:15,919
Speaker 5: Stay is it the death rattle?

474
00:25:15,960 --> 00:25:16,679
Speaker 2: It is a rattle.

475
00:25:16,760 --> 00:25:18,320
Speaker 5: Thank you, rob death rattle.

476
00:25:18,359 --> 00:25:20,400
Speaker 2: A death rattle is what it actually is.

477
00:25:20,480 --> 00:25:22,120
Speaker 5: That's an actual sound the body makes.

478
00:25:22,240 --> 00:25:24,679
Speaker 4: I know the phrase, but like the gargle is just

479
00:25:24,920 --> 00:25:26,040
Speaker 4: it's just what came out.

480
00:25:26,200 --> 00:25:31,879
Speaker 2: It's so brilliant. See, sometimes my dyslexi is cute. I'm like,

481
00:25:31,960 --> 00:25:33,800
Speaker 2: what's the word? Close enough?

482
00:25:33,840 --> 00:25:36,879
Speaker 5: I agree though, because to me, it's like I hopefully

483
00:25:37,000 --> 00:25:40,000
Speaker 5: in the other three hundred and sixty four days I

484
00:25:40,200 --> 00:25:42,320
Speaker 5: do a good job of letting you know how I

485
00:25:42,359 --> 00:25:45,720
Speaker 5: feel about it. Yeah, and all of that, and so

486
00:25:45,800 --> 00:25:49,000
Speaker 5: if I suddenly need one day to then like do

487
00:25:49,240 --> 00:25:52,359
Speaker 5: what I've already been told it, it's just yeah.

488
00:25:52,400 --> 00:25:54,800
Speaker 4: Yeah, it's immediate. It's like somebody telling you to sit

489
00:25:54,840 --> 00:25:58,040
Speaker 4: down when you were about to sit down anyway. You're like, oh,

490
00:26:01,400 --> 00:26:04,199
Speaker 4: I'm not doing this for you.

491
00:26:04,200 --> 00:26:07,960
Speaker 2: You know what I like, here's my Valentine's highlight. It's

492
00:26:08,000 --> 00:26:11,919
Speaker 2: actually Chuck's storyline. I mean the sadness of you know,

493
00:26:11,960 --> 00:26:17,760
Speaker 2: his mother dealing with addiction. Aside, I think Valentine's Day

494
00:26:17,800 --> 00:26:20,280
Speaker 2: the way I like to do it, and I agree

495
00:26:20,320 --> 00:26:22,600
Speaker 2: with you, Rob. Maybe it's like when you actually are

496
00:26:22,640 --> 00:26:26,200
Speaker 2: happy or settled or whatever word you want to use,

497
00:26:27,000 --> 00:26:29,680
Speaker 2: you're not in the weird courting phase. You're not trying

498
00:26:29,720 --> 00:26:32,960
Speaker 2: to keep up with anything like Valentine's Day. For me,

499
00:26:33,600 --> 00:26:37,520
Speaker 2: I want a handmade card, like I just want a letter. Yeah,

500
00:26:37,640 --> 00:26:40,439
Speaker 2: that's how I want to acknowledge the day, is to

501
00:26:40,520 --> 00:26:44,959
Speaker 2: acknowledge something real and like sweet and special. You know,

502
00:26:45,119 --> 00:26:48,040
Speaker 2: I think Valentine's Day is so cute for kids, How

503
00:26:48,080 --> 00:26:51,240
Speaker 2: sweet to get Valentine's from you know, your little nuggets,

504
00:26:51,280 --> 00:26:54,320
Speaker 2: help them make cards and whatever. But it's like, yeah,

505
00:26:54,400 --> 00:26:59,320
Speaker 2: the the big show out there. I bugs me too, man,

506
00:26:59,440 --> 00:27:01,359
Speaker 2: We're all okay, we're all Clay.

507
00:27:02,359 --> 00:27:04,080
Speaker 5: This is one I think Clay got very.

508
00:27:04,040 --> 00:27:08,879
Speaker 2: Right, except that Clay covers trick. Yes, apparently a full

509
00:27:09,280 --> 00:27:15,879
Speaker 2: event might be exploded Trickso.

510
00:27:13,880 --> 00:27:17,080
Speaker 5: That time cut is the amount of work that Chase

511
00:27:17,119 --> 00:27:20,040
Speaker 5: and Chuck apparently did in like ninety minutes.

512
00:27:20,280 --> 00:27:23,760
Speaker 2: Yes, by the way, two days we shot all those

513
00:27:23,760 --> 00:27:27,360
Speaker 2: Brook and Julian scenes on stage. Set deck was dressing

514
00:27:27,520 --> 00:27:31,719
Speaker 2: trick the two days, the full two full days of loading,

515
00:27:31,880 --> 00:27:36,119
Speaker 2: and supposedly next minutes, we just decorated a school a

516
00:27:36,240 --> 00:27:39,600
Speaker 2: venue for a school dance, an eighth grade school dance.

517
00:27:39,640 --> 00:27:43,639
Speaker 4: And it required sheets of you know tinsel that like

518
00:27:43,680 --> 00:27:48,159
Speaker 4: hangs with all the ribbony strips and uh, you know,

519
00:27:48,560 --> 00:27:52,000
Speaker 4: other random sort of little decorations. But that stuff takes

520
00:27:52,040 --> 00:27:53,840
Speaker 4: a really long time to hang and we had a

521
00:27:53,880 --> 00:27:55,840
Speaker 4: whole like a whole team of moms.

522
00:27:56,400 --> 00:27:59,080
Speaker 2: You know, Listen does not just get put up by

523
00:27:59,200 --> 00:28:02,400
Speaker 2: Chuck and Chase. Chase and an eight year old did

524
00:28:02,480 --> 00:28:06,080
Speaker 2: that in ninety minutes flat. Absolutely not. No.

525
00:28:06,480 --> 00:28:10,520
Speaker 5: Also, it's so funny that you you managed to get

526
00:28:10,960 --> 00:28:15,359
Speaker 5: your person's favorite band to do a private show and

527
00:28:15,400 --> 00:28:18,280
Speaker 5: then you go, but you know what, it's not quite enough.

528
00:28:18,760 --> 00:28:22,240
Speaker 5: What if I got four hundred dollars of decorations from

529
00:28:22,240 --> 00:28:23,960
Speaker 5: my goals and hung it up everywhere?

530
00:28:24,040 --> 00:28:28,600
Speaker 2: Yep, that'll do it. Yeah, yeah, not just the candelabras,

531
00:28:28,640 --> 00:28:32,240
Speaker 2: but make sure you have this spinning multi cutout hearts

532
00:28:32,440 --> 00:28:34,200
Speaker 2: hanging from the ceiling like.

533
00:28:34,240 --> 00:28:35,240
Speaker 5: The shot on that.

534
00:28:35,800 --> 00:28:38,360
Speaker 2: I was like, why do we need this? He's up

535
00:28:38,360 --> 00:28:41,280
Speaker 2: there singing, it's so beautiful. Leave it.

536
00:28:41,520 --> 00:28:44,920
Speaker 5: Yeah, it's just missing one thing. Oh you know what? Yeah,

537
00:28:45,040 --> 00:28:48,959
Speaker 5: a creepy nine year old waiter. Yeah, that's really going

538
00:28:49,000 --> 00:28:49,640
Speaker 5: to hammer him.

539
00:28:50,360 --> 00:28:52,400
Speaker 2: But she doesn't know. Has she ever met Chuck?

540
00:28:52,920 --> 00:28:55,520
Speaker 5: No, she doesn't meet Chuck. I don't think I know Chuck.

541
00:28:55,600 --> 00:29:15,200
Speaker 2: Or here's my question, what is the what's the Scrooge

542
00:29:15,320 --> 00:29:19,040
Speaker 2: character for Valentine's Day? Is there one? It's us? What's

543
00:29:19,080 --> 00:29:25,880
Speaker 2: it called like scrooge. Hat's Christmas? Bahambug? What's the what's

544
00:29:25,960 --> 00:29:30,240
Speaker 2: the scrooge of I see through you Valentine's Day?

545
00:29:32,000 --> 00:29:33,600
Speaker 5: I don't know, but that's a great idea for him.

546
00:29:33,600 --> 00:29:35,880
Speaker 2: We got to come up with actually.

547
00:29:36,080 --> 00:29:39,560
Speaker 5: Add this to our listen to writing it down projects.

548
00:29:40,880 --> 00:29:44,200
Speaker 2: She's literally writing it down. I'm typing it.

549
00:29:44,520 --> 00:29:49,640
Speaker 5: I remember City and Color performing for us, and that

550
00:29:49,800 --> 00:29:52,800
Speaker 5: was special. That was one of those memories that I

551
00:29:53,280 --> 00:29:55,840
Speaker 5: just and I didn't know who they were or who

552
00:29:55,880 --> 00:30:00,000
Speaker 5: he was prior, and Chantelle did, and I remember her

553
00:30:00,040 --> 00:30:02,120
Speaker 5: saying like, dude, this is a big deal, and he's

554
00:30:02,200 --> 00:30:04,520
Speaker 5: so he's so yeah, and then sitting there and being

555
00:30:04,560 --> 00:30:07,680
Speaker 5: like this is It's really made sure.

556
00:30:08,040 --> 00:30:10,600
Speaker 4: Our show did that so well, Like we would have

557
00:30:10,680 --> 00:30:13,400
Speaker 4: these moments where you could just tell, I mean, they

558
00:30:13,800 --> 00:30:15,520
Speaker 4: set it up so well with the cameras in the

559
00:30:15,560 --> 00:30:18,960
Speaker 4: stages and you could just tell somebody is such a star.

560
00:30:19,120 --> 00:30:23,000
Speaker 4: They just step up there with their instrument and start singing,

561
00:30:23,080 --> 00:30:26,040
Speaker 4: and everything else falls away. All the ridiculousness, all the

562
00:30:26,080 --> 00:30:29,720
Speaker 4: other things that we joke about and you know, make

563
00:30:29,760 --> 00:30:34,120
Speaker 4: fun of lovingly about our show falls away, and you're

564
00:30:34,120 --> 00:30:39,200
Speaker 4: watching a very real talent do what they do it's wonderful,

565
00:30:39,800 --> 00:30:40,680
Speaker 4: and even.

566
00:30:40,480 --> 00:30:43,440
Speaker 5: Though he had no lines, there was a wonderful moment

567
00:30:43,480 --> 00:30:47,360
Speaker 5: that grounded the whole thing, where in between songs, I

568
00:30:47,400 --> 00:30:51,080
Speaker 5: think there's a moment of Clay and Quinn kissing and

569
00:30:51,120 --> 00:30:53,840
Speaker 5: the camera kind of pans up and you see him

570
00:30:53,880 --> 00:30:55,800
Speaker 5: just standing there. Because the truth is, that would be

571
00:30:55,840 --> 00:30:59,400
Speaker 5: so awkward performing for two people, and I'm so glad

572
00:30:59,440 --> 00:31:02,040
Speaker 5: that we took a moment to acknowledge, Yeah, that is

573
00:31:02,080 --> 00:31:04,520
Speaker 5: a very weird dynamic, and he kind of gives that

574
00:31:04,560 --> 00:31:07,960
Speaker 5: look like I guess I'll keep It was.

575
00:31:08,280 --> 00:31:13,440
Speaker 2: Very funny, especially because he has no band. You know,

576
00:31:13,480 --> 00:31:16,600
Speaker 2: it's an acoustic performance, so it's like he doesn't have

577
00:31:16,640 --> 00:31:19,000
Speaker 2: anyone he can look at while you two are making

578
00:31:19,080 --> 00:31:22,200
Speaker 2: out to have He's just kind of like, so do

579
00:31:22,360 --> 00:31:27,120
Speaker 2: I go or more of this? I love them?

580
00:31:27,160 --> 00:31:29,880
Speaker 4: Paul noticed and put that in because it easily could

581
00:31:29,880 --> 00:31:32,000
Speaker 4: have just been skipped over, but he was like, no,

582
00:31:32,080 --> 00:31:33,840
Speaker 4: you're in the scene. What would you how would you

583
00:31:33,840 --> 00:31:36,800
Speaker 4: be reacting exactly? Thank you for being an actor and

584
00:31:36,840 --> 00:31:38,440
Speaker 4: knowing what's going on in the scene.

585
00:31:38,720 --> 00:31:41,600
Speaker 5: I will say I loved I agree with you. So

586
00:31:41,840 --> 00:31:44,200
Speaker 5: the heart of this episode was Chuck and Chase. Yes,

587
00:31:44,440 --> 00:31:46,080
Speaker 5: their stuff was great, and Mouth.

588
00:31:45,920 --> 00:31:51,960
Speaker 2: And Millie both both those storylines were like real highlights

589
00:31:52,200 --> 00:31:54,440
Speaker 2: for me. They were so fun to watch.

590
00:31:54,760 --> 00:31:58,440
Speaker 5: Yeah, yeah, give me all the Lisa go. She's just

591
00:31:59,040 --> 00:32:03,280
Speaker 5: so lovable and likable and fun to watch, and her

592
00:32:03,400 --> 00:32:07,360
Speaker 5: and Lee are so great together. But the Chuck and

593
00:32:07,440 --> 00:32:10,760
Speaker 5: Chase of it I really liked because I thought Michael

594
00:32:10,800 --> 00:32:16,320
Speaker 5: did such a wonderful job with how he played the

595
00:32:16,400 --> 00:32:20,959
Speaker 5: disappointment about his dad. Yeah, Like when he has that

596
00:32:21,080 --> 00:32:22,880
Speaker 5: line when I think Chase says like, when was the

597
00:32:22,920 --> 00:32:25,200
Speaker 5: last time you saw your dad? And he says he

598
00:32:25,280 --> 00:32:28,120
Speaker 5: kind of throws it away like two years not that long.

599
00:32:28,800 --> 00:32:31,640
Speaker 5: I was like, oh, he didn't lean into it, you know.

600
00:32:31,760 --> 00:32:33,640
Speaker 5: And then the fact that he circles back at the

601
00:32:33,760 --> 00:32:35,760
Speaker 5: very end of the day in Chase's car and goes,

602
00:32:35,920 --> 00:32:41,000
Speaker 5: two years is a long time. Huh. It's like he knows.

603
00:32:42,520 --> 00:32:45,280
Speaker 5: He's just trying to tell himself a different story about it,

604
00:32:45,320 --> 00:32:49,400
Speaker 5: you know. But their whole dynamic was was so great.

605
00:32:49,440 --> 00:32:51,880
Speaker 5: And then the reveal of I mean behind the scenes

606
00:32:51,920 --> 00:32:54,480
Speaker 5: Michael made does love show too, Yeah, and he does music.

607
00:32:54,360 --> 00:32:56,520
Speaker 4: And she writes songs. I mean that that song was

608
00:32:56,560 --> 00:33:00,120
Speaker 4: a song that he was singing and showing like not

609
00:33:00,160 --> 00:33:03,120
Speaker 4: showing off, but like he was always wandering around singing,

610
00:33:03,120 --> 00:33:05,920
Speaker 4: and our creator and other writers on the show noticed

611
00:33:06,080 --> 00:33:07,680
Speaker 4: and he was like, oh, yeah, I got a new song.

612
00:33:07,720 --> 00:33:10,720
Speaker 4: And he started singing that one and was working on it,

613
00:33:10,760 --> 00:33:11,200
Speaker 4: and they were.

614
00:33:11,120 --> 00:33:12,240
Speaker 2: Like, let's put it in the show.

615
00:33:13,320 --> 00:33:14,280
Speaker 5: Wait, that's an original.

616
00:33:14,360 --> 00:33:16,760
Speaker 2: Yeah yeah, he wrote that.

617
00:33:17,040 --> 00:33:20,440
Speaker 5: Oh, I already had my notes. I love that Michael

618
00:33:20,520 --> 00:33:22,280
Speaker 5: is part of the music of One Tree Hill, but

619
00:33:22,360 --> 00:33:24,720
Speaker 5: now knowing I assumed it was from a play of

620
00:33:24,720 --> 00:33:26,600
Speaker 5: some sort. Now, so knowing that it's his, though, makes

621
00:33:26,600 --> 00:33:29,080
Speaker 5: it so much better. I will say it did make

622
00:33:29,160 --> 00:33:32,000
Speaker 5: I had one strong feeling, which is, I this is

623
00:33:32,040 --> 00:33:36,480
Speaker 5: a personal bugaboo of mine. I can't stand being sung too,

624
00:33:38,040 --> 00:33:41,080
Speaker 5: like when someone sings and makes eye contact with me.

625
00:33:41,240 --> 00:33:43,840
Speaker 5: I think it's because I think it's because like in

626
00:33:43,920 --> 00:33:46,200
Speaker 5: dating when I was younger, like a lot the girls

627
00:33:46,200 --> 00:33:50,000
Speaker 5: would like try to like sing, and I just hated

628
00:33:50,040 --> 00:33:52,000
Speaker 5: the position it put me in, Like I felt like

629
00:33:52,040 --> 00:33:53,800
Speaker 5: I was a prisoner. Because now I have to be like,

630
00:33:53,880 --> 00:33:56,360
Speaker 5: oh yeah, wow, so good that I just came to

631
00:33:56,400 --> 00:34:00,600
Speaker 5: resent it. So watching Chase sit there and not know

632
00:34:00,760 --> 00:34:04,920
Speaker 5: how to react and respond was so funny and also

633
00:34:05,040 --> 00:34:07,840
Speaker 5: so triggering for me because I'm like that that is

634
00:34:07,880 --> 00:34:12,200
Speaker 5: my nightmare. Oh just someone looking at me.

635
00:34:12,320 --> 00:34:18,240
Speaker 4: His face was so brilliant. So sincere, I'm so glad

636
00:34:18,280 --> 00:34:22,200
Speaker 4: they didn't do this this Chase Chuck as a one off.

637
00:34:22,600 --> 00:34:25,680
Speaker 4: You know that they really kept this mentorship love story.

638
00:34:25,719 --> 00:34:29,440
Speaker 4: I'm just I'm so here for it. I love their dynamic.

639
00:34:29,560 --> 00:34:32,560
Speaker 4: But yes, Chuck on stage jumping around and what.

640
00:34:32,560 --> 00:34:33,800
Speaker 2: Is he Oh that's what he says.

641
00:34:33,920 --> 00:34:36,200
Speaker 4: Chase goes, you know that punch in the stomach thing

642
00:34:36,200 --> 00:34:37,239
Speaker 4: actually is kind of cool.

643
00:34:40,280 --> 00:34:42,920
Speaker 2: Chuck's like he like show tunes. Actually, that punch of

644
00:34:42,920 --> 00:34:44,839
Speaker 2: the stummy thing is kind of cool. Will you make

645
00:34:44,840 --> 00:34:47,479
Speaker 2: that your thing? Yeah? I just want to protect your kid.

646
00:34:48,800 --> 00:34:51,919
Speaker 5: One thing I was confused about, though, is that two

647
00:34:52,000 --> 00:34:56,240
Speaker 5: episodes ago, Chasing Mia had sex in the wedding limo.

648
00:34:57,120 --> 00:35:00,640
Speaker 5: One episode ago, Mia comes to the bar and like, hey,

649
00:35:00,680 --> 00:35:03,239
Speaker 5: you see him off. Are we good? And he's like, yeah,

650
00:35:03,400 --> 00:35:06,399
Speaker 5: we're good. I just have some stuff going on. Then

651
00:35:06,480 --> 00:35:09,480
Speaker 5: this episode is Valentine's Day and there's not a mention.

652
00:35:10,440 --> 00:35:13,759
Speaker 2: Well, but he says to her, which I and it

653
00:35:13,840 --> 00:35:17,560
Speaker 2: bumped for me too. When she says are we good?

654
00:35:17,680 --> 00:35:19,839
Speaker 2: He said, yeah, you said the slutty wedding sex didn't

655
00:35:19,880 --> 00:35:23,759
Speaker 2: mean anything, and I was like, oh.

656
00:35:25,239 --> 00:35:28,160
Speaker 5: No, no, no, no. He said to her, uh no,

657
00:35:28,280 --> 00:35:30,640
Speaker 5: we said that we sex didn't mean anything, and then

658
00:35:30,680 --> 00:35:33,600
Speaker 5: she goes, no, you said that, and I just went

659
00:35:33,640 --> 00:35:33,960
Speaker 5: with it.

660
00:35:34,080 --> 00:35:39,879
Speaker 2: Oh oh, I didn't take detailed enough notes. Yeah, it's

661
00:35:39,880 --> 00:35:42,040
Speaker 2: funny because I scrolled down on Today's and I'm like, no,

662
00:35:42,120 --> 00:35:43,839
Speaker 2: I see it, and I'm like, oh, you actually, you're

663
00:35:44,000 --> 00:35:48,319
Speaker 2: very right. I yeah, I wonder what that what that

664
00:35:48,719 --> 00:35:52,439
Speaker 2: is because we're not getting any explanation, like it could

665
00:35:52,480 --> 00:35:54,680
Speaker 2: have been one line if Chuck just asked him.

666
00:35:54,560 --> 00:35:58,080
Speaker 5: That's exactly it. Yeah, I'm I'm okay that all we

667
00:35:58,160 --> 00:36:00,920
Speaker 5: saw was Chase and Chuck because it's an awesome storyline

668
00:36:00,920 --> 00:36:02,560
Speaker 5: for both of these guys, and it's so cool to

669
00:36:02,600 --> 00:36:04,839
Speaker 5: see them do different things than they usually do. It

670
00:36:04,880 --> 00:36:08,319
Speaker 5: was just odd that, like you said, Joy, it's one line, yeah,

671
00:36:08,880 --> 00:36:12,160
Speaker 5: and you can address it and move on. So I

672
00:36:12,160 --> 00:36:13,319
Speaker 5: thought that, Yeah, it.

673
00:36:13,239 --> 00:36:19,080
Speaker 2: Is really weird, especially if Chase is circling back to

674
00:36:19,719 --> 00:36:24,760
Speaker 2: the sort of headspace he was in when Julian shows

675
00:36:24,880 --> 00:36:27,839
Speaker 2: the girls the video at Thanksgiving and he's like, I'm

676
00:36:27,880 --> 00:36:30,040
Speaker 2: just going to focus on me, you know, I need

677
00:36:30,080 --> 00:36:35,480
Speaker 2: to figure out my own life whatever. Why not talk

678
00:36:35,520 --> 00:36:38,200
Speaker 2: about it? Why not actually show the audience that that

679
00:36:38,440 --> 00:36:42,360
Speaker 2: is continuing to run for him? It's weird. It feels

680
00:36:42,400 --> 00:36:43,000
Speaker 2: like a ball drop.

681
00:36:43,239 --> 00:36:46,400
Speaker 5: Yeah, and if we're trying to make him likeaboy, you know,

682
00:36:46,440 --> 00:36:48,560
Speaker 5: it's just like that's not a cool thing to do.

683
00:36:48,680 --> 00:36:50,799
Speaker 5: Then you know, to be like, I don't want it.

684
00:36:50,920 --> 00:36:54,880
Speaker 5: Let's have sex. I don't want it. Yeah, there was

685
00:36:54,880 --> 00:36:56,919
Speaker 5: one more thing I wanted to do address about the

686
00:36:57,000 --> 00:36:59,920
Speaker 5: reveal of the whole surprise. Clay set up right so

687
00:37:00,560 --> 00:37:03,560
Speaker 5: he somehow gets her favorite band, It gets trick all

688
00:37:03,600 --> 00:37:08,240
Speaker 5: to himself. He has Michael's explode all over them. Obviously

689
00:37:08,239 --> 00:37:10,160
Speaker 5: a lot of time and work went into this. They

690
00:37:10,360 --> 00:37:13,359
Speaker 5: walk up to the table and he doesn't pull out

691
00:37:13,440 --> 00:37:17,839
Speaker 5: Quinn's why didn't you do that? Buddy? I don't know,

692
00:37:19,840 --> 00:37:23,520
Speaker 5: like as as as the as me who like I'm

693
00:37:23,560 --> 00:37:25,840
Speaker 5: big on chivalry and me he was like, I don't.

694
00:37:25,960 --> 00:37:27,960
Speaker 5: And then also, just if you're going to track what

695
00:37:28,000 --> 00:37:31,080
Speaker 5: the characters doing what, I don't know how both me

696
00:37:31,120 --> 00:37:34,240
Speaker 5: and Clay drop the ball so hard, but I was shocked.

697
00:37:34,320 --> 00:37:36,399
Speaker 5: Now we walk up to the table, I don't even

698
00:37:36,400 --> 00:37:39,560
Speaker 5: make an effort. I immediately go for mine, and nine

699
00:37:39,600 --> 00:37:42,799
Speaker 5: year old waiter Michael May pulls out Quinn's chair.

700
00:37:43,040 --> 00:37:45,600
Speaker 4: Oh that's why, because because they had set you guys

701
00:37:45,600 --> 00:37:47,120
Speaker 4: had set it up that Michael was going to pull

702
00:37:47,120 --> 00:37:50,359
Speaker 4: out the chair. That as like an intro that has

703
00:37:50,400 --> 00:37:50,799
Speaker 4: to be it.

704
00:37:50,840 --> 00:37:53,120
Speaker 5: But I don't. I don't even do the empty gesture.

705
00:37:54,440 --> 00:37:55,640
Speaker 5: It's just it, really all.

706
00:37:55,719 --> 00:37:57,520
Speaker 4: You were spaced out for a minute when you guys

707
00:37:57,520 --> 00:37:59,600
Speaker 4: were walking up, you know, like you know how it goes.

708
00:37:59,640 --> 00:38:02,279
Speaker 4: You're chatting about something right before they say action, and

709
00:38:02,320 --> 00:38:04,879
Speaker 4: then you just walk into it and kind of I mean,

710
00:38:04,920 --> 00:38:06,279
Speaker 4: I think that happens to all of us.

711
00:38:06,520 --> 00:38:10,440
Speaker 2: I also wonder if as a director, I would imagine

712
00:38:10,480 --> 00:38:13,680
Speaker 2: Paul said, I want Michael May to pull the chair

713
00:38:13,719 --> 00:38:17,680
Speaker 2: out for Chantelle. So I wonder if by the third

714
00:38:17,760 --> 00:38:20,200
Speaker 2: time you did it, and that was actually the best

715
00:38:20,400 --> 00:38:23,080
Speaker 2: tracking shot to get you guys to the table, you

716
00:38:23,120 --> 00:38:24,960
Speaker 2: weren't even gesturing for it anymore.

717
00:38:25,200 --> 00:38:28,440
Speaker 5: Also to Joy's point, I do have a very specific

718
00:38:28,480 --> 00:38:33,320
Speaker 5: memory of trying my hardest to distract and break Steven

719
00:38:34,000 --> 00:38:36,920
Speaker 5: while he was talking to the two of us. So

720
00:38:37,400 --> 00:38:39,600
Speaker 5: you were right. I was probably focusing all of my

721
00:38:39,840 --> 00:38:43,360
Speaker 5: energy on how I could make Steven laugh and distract

722
00:38:43,400 --> 00:38:48,040
Speaker 5: him or make Shantelle laugh. Then I was actually which

723
00:38:48,080 --> 00:38:48,600
Speaker 5: is on brand?

724
00:38:48,719 --> 00:38:52,319
Speaker 2: Yeah sounds about right, so feels right. I love it.

725
00:38:52,640 --> 00:38:54,719
Speaker 2: You know what I thought was very sweet too in

726
00:38:54,800 --> 00:38:58,120
Speaker 2: their storyline, and you brought up part of it, the

727
00:38:58,160 --> 00:39:01,399
Speaker 2: conversation they have in the car. You know, when when

728
00:39:02,440 --> 00:39:05,319
Speaker 2: Chase drives Chuck home and they have that beat and

729
00:39:05,360 --> 00:39:08,239
Speaker 2: he acknowledges that two years is a long time, you

730
00:39:08,320 --> 00:39:12,680
Speaker 2: start to kind of see underneath. I like that when

731
00:39:12,719 --> 00:39:15,920
Speaker 2: he starts to, you know, be kind of a little

732
00:39:15,920 --> 00:39:19,960
Speaker 2: shit again. There's just a pause and then he's self

733
00:39:20,000 --> 00:39:24,680
Speaker 2: correct and says, thank you so great, and you're already

734
00:39:24,760 --> 00:39:29,800
Speaker 2: starting to see just a little bit of a positive

735
00:39:29,840 --> 00:39:32,880
Speaker 2: presence have an influence on a kid. I thought it

736
00:39:32,920 --> 00:39:34,840
Speaker 2: was such a nice reminder and it was nice to

737
00:39:34,880 --> 00:39:39,520
Speaker 2: have that acknowledgment, even though it was wordless between Chuck's

738
00:39:39,560 --> 00:39:43,279
Speaker 2: mom and Chase, because it's a pretty big reveal, right,

739
00:39:43,600 --> 00:39:45,680
Speaker 2: you know, you assume he's been working all day, and

740
00:39:45,680 --> 00:39:49,040
Speaker 2: then you realize he's been checking on Chuck's mom. Yeah,

741
00:39:49,760 --> 00:39:53,080
Speaker 2: you know, it's a big woe for the audience and

742
00:39:54,400 --> 00:39:56,600
Speaker 2: to sort of see how that registered for her.

743
00:39:57,560 --> 00:39:57,920
Speaker 5: I don't know.

744
00:39:57,960 --> 00:40:00,799
Speaker 2: I thought it was a I thought the whole the

745
00:40:00,840 --> 00:40:06,080
Speaker 2: whole bit of it, despite it not actually being in

746
00:40:06,160 --> 00:40:09,240
Speaker 2: terms of the verbiage, you know, really long or really

747
00:40:09,280 --> 00:40:16,040
Speaker 2: wordy scenes, I thought the impact was really excellently driven home.

748
00:40:16,719 --> 00:40:21,719
Speaker 5: Yeah, and it was a great way of getting a

749
00:40:21,760 --> 00:40:26,080
Speaker 5: new insight into Chase's character. Yes, because the amount of

750
00:40:26,280 --> 00:40:29,480
Speaker 5: class and grace that he had for her. Yeah, Like

751
00:40:29,520 --> 00:40:31,640
Speaker 5: when she even tried to blame it on him and

752
00:40:31,640 --> 00:40:33,120
Speaker 5: she was like, I think you're better than me, I

753
00:40:33,160 --> 00:40:36,000
Speaker 5: was like, there's a version of which he says, yeah,

754
00:40:36,040 --> 00:40:40,399
Speaker 5: this version of you way better. But he never once

755
00:40:40,440 --> 00:40:42,680
Speaker 5: shamed her. The look he gave her at the end

756
00:40:42,760 --> 00:40:45,840
Speaker 5: wasn't like hmmm, yeah, you know he was. He was

757
00:40:45,880 --> 00:40:48,600
Speaker 5: sweet about the whole thing. The one one thing I

758
00:40:48,680 --> 00:40:51,720
Speaker 5: kind of bumped on though, is that when Chuck says

759
00:40:51,840 --> 00:40:54,160
Speaker 5: two years is a long time, I wanted Chase to

760
00:40:54,239 --> 00:40:57,920
Speaker 5: say yes. I wanted Chase to kind of validate as

761
00:40:57,920 --> 00:41:00,680
Speaker 5: opposed I see what he's doing. He's trying to be like, nah, buddy,

762
00:41:00,680 --> 00:41:03,719
Speaker 5: it's not that bad like he's But I also wanted

763
00:41:03,800 --> 00:41:07,360
Speaker 5: him to go, yeah, you're right, because what did he

764
00:41:07,400 --> 00:41:08,680
Speaker 5: say he is saying in that moment?

765
00:41:08,880 --> 00:41:12,120
Speaker 2: Did he say anything he said no, oh really, he.

766
00:41:12,040 --> 00:41:17,200
Speaker 5: Goes, Oh yeah, no, he goes. She says, two years

767
00:41:17,200 --> 00:41:19,279
Speaker 5: is a long time, huh, And Chase says it's not

768
00:41:19,360 --> 00:41:22,879
Speaker 5: that long. And I wish Chase had said yeah, because

769
00:41:22,960 --> 00:41:24,880
Speaker 5: Chuck knows in his heart it's a long time. So

770
00:41:24,920 --> 00:41:28,520
Speaker 5: it's like, yeah, this is your chance to like establish

771
00:41:28,600 --> 00:41:30,520
Speaker 5: that with the kid, validate what he's saying. Yeah, man,

772
00:41:31,120 --> 00:41:34,719
Speaker 5: it's a super long time. Yeah, that's wild. Whatever you're

773
00:41:34,760 --> 00:41:35,520
Speaker 5: feeling is right.

774
00:41:37,719 --> 00:41:38,080
Speaker 2: He didn't.

775
00:41:38,120 --> 00:41:42,160
Speaker 4: He just doesn't have the maturity and experience to know

776
00:41:42,200 --> 00:41:44,239
Speaker 4: how to handle that. Like that's kind of what we

777
00:41:44,320 --> 00:41:48,080
Speaker 4: do often in life. And somebody's struggling, you just want

778
00:41:48,080 --> 00:41:50,400
Speaker 4: to make him feel better, you know. Yeah, it's like,

779
00:41:50,480 --> 00:41:53,839
Speaker 4: oh no, it's okay, it's okay. It takes I think

780
00:41:53,840 --> 00:41:56,200
Speaker 4: it takes a wild life experience to learn that that's

781
00:41:56,239 --> 00:41:59,920
Speaker 4: actually not comforting. It's actually better to just acknowledge the

782
00:42:00,040 --> 00:42:00,440
Speaker 4: hard thing.

783
00:42:00,920 --> 00:42:03,279
Speaker 2: Well, and by the way, we're worry able to see

784
00:42:03,320 --> 00:42:09,120
Speaker 2: that now. But when you were saying that, Joy, I

785
00:42:09,160 --> 00:42:11,000
Speaker 2: was like, oh my god, I always forget that. At

786
00:42:11,040 --> 00:42:13,959
Speaker 2: this point in the show, our characters are like twenty five.

787
00:42:14,560 --> 00:42:19,440
Speaker 5: Yeah. Yeah, when you think about that, Chase is actually

788
00:42:19,440 --> 00:42:25,040
Speaker 5: doing an extraordinarily good job. Totally. Yeah, it's not fair

789
00:42:25,080 --> 00:42:27,719
Speaker 5: for like forty three year old parent me to be like,

790
00:42:28,360 --> 00:42:34,160
Speaker 5: there was a better day. Yeah, I wouldn't have known better. Yeah.

791
00:42:34,200 --> 00:42:36,200
Speaker 5: So no, he did a fantastic job.

792
00:42:37,760 --> 00:42:37,880
Speaker 4: This.

793
00:42:38,200 --> 00:42:40,239
Speaker 5: What's so great about not remembering what happens in the

794
00:42:40,280 --> 00:42:42,759
Speaker 5: show is that I was genuinely caught off guard with

795
00:42:43,000 --> 00:42:47,320
Speaker 5: the station calling mouth at the end of the episode

796
00:42:48,719 --> 00:42:51,080
Speaker 5: it's for Millie, and I was like, wait, a second,

797
00:42:51,080 --> 00:42:54,440
Speaker 5: does she does she becomes some news person?

798
00:42:55,520 --> 00:42:56,480
Speaker 2: Isn't that crazy?

799
00:42:57,680 --> 00:42:58,520
Speaker 5: Oh my god?

800
00:42:58,600 --> 00:42:58,759
Speaker 4: Yeah?

801
00:43:00,080 --> 00:43:00,680
Speaker 2: Oh man.

802
00:43:01,160 --> 00:43:01,480
Speaker 5: Wow.

803
00:43:01,520 --> 00:43:06,120
Speaker 2: It's such a nice cliffhanger too, because their whole storyline

804
00:43:06,160 --> 00:43:11,160
Speaker 2: in the episode is so sweet and so thoughtful, even

805
00:43:11,200 --> 00:43:16,799
Speaker 2: the detail that when he gives her the gift, he says, well,

806
00:43:17,080 --> 00:43:18,960
Speaker 2: I talked to Brooke and she says, you like this.

807
00:43:19,880 --> 00:43:22,600
Speaker 2: You know that that mouth went to figure out what

808
00:43:22,760 --> 00:43:25,759
Speaker 2: she'd really want instead of you know, giving her some

809
00:43:25,960 --> 00:43:29,560
Speaker 2: random something because it's Valentine's Day. I just think their

810
00:43:29,600 --> 00:43:33,799
Speaker 2: relationship is so sweet, you know, him giving us a

811
00:43:33,800 --> 00:43:35,920
Speaker 2: little peak behind the curtain about how they used to

812
00:43:35,960 --> 00:43:38,600
Speaker 2: eat Chinese food together in New York and you know,

813
00:43:38,640 --> 00:43:41,680
Speaker 2: now they're eating that meal by candlelight and talking about

814
00:43:41,680 --> 00:43:44,279
Speaker 2: how far they've come, and she says, it's nice to

815
00:43:44,440 --> 00:43:48,479
Speaker 2: be here, and she means, you know, so much more

816
00:43:48,520 --> 00:43:52,520
Speaker 2: than just in Tree Hill. It's like in this place

817
00:43:52,520 --> 00:43:55,480
Speaker 2: and time with him, and the whole build up is

818
00:43:55,640 --> 00:43:57,759
Speaker 2: just so sweet to have.

819
00:43:57,680 --> 00:44:00,359
Speaker 4: Been through so much in their relationship and she's through

820
00:44:00,400 --> 00:44:02,760
Speaker 4: so much in her personal life and growth.

821
00:44:03,920 --> 00:44:06,359
Speaker 2: And then and then that moment at the end. It's

822
00:44:06,400 --> 00:44:09,360
Speaker 2: such a good cliffhanger because you go, h oh, like

823
00:44:09,400 --> 00:44:11,440
Speaker 2: are they still going to like to be here? Or

824
00:44:11,520 --> 00:44:13,200
Speaker 2: is this going to cause a problem?

825
00:44:13,320 --> 00:44:17,600
Speaker 4: Yeah, because you know Mouf, he's so supportive and kind

826
00:44:17,800 --> 00:44:20,120
Speaker 4: and generous, and you know he's what else is he

827
00:44:20,160 --> 00:44:22,840
Speaker 4: going to do but say that's great, congratulations, But you

828
00:44:22,960 --> 00:44:25,200
Speaker 4: know that's going to kill him inside.

829
00:44:25,560 --> 00:44:29,040
Speaker 5: Maybe maybe his dramatic weight gain that is coming up

830
00:44:29,120 --> 00:44:33,240
Speaker 5: is from all the humble pie. He's being forced because

831
00:44:33,239 --> 00:44:36,600
Speaker 5: this guy has taken one hit out, Like.

832
00:44:36,520 --> 00:44:41,440
Speaker 2: When does mouth get to win? Dang it, it's a lot.

833
00:44:41,840 --> 00:44:43,919
Speaker 5: He deserves a w poor guy.

834
00:44:44,040 --> 00:44:48,880
Speaker 2: Yeah, well it's not coming soon. Oh boy, I just

835
00:44:48,920 --> 00:44:51,960
Speaker 2: looked up. I have to tell you guys what I

836
00:44:52,000 --> 00:44:57,360
Speaker 2: wrote down. When you and UH and James are going

837
00:44:57,640 --> 00:45:00,919
Speaker 2: you know, playing Nathan are scouting Kellerman's kid.

838
00:45:01,160 --> 00:45:03,040
Speaker 5: Oh yeah, oh yeah, that's so good.

839
00:45:03,320 --> 00:45:06,320
Speaker 2: And he walks off the field saying, my dad's a douche.

840
00:45:07,400 --> 00:45:09,320
Speaker 2: I wrote down because when you guys get to the

841
00:45:09,400 --> 00:45:12,400
Speaker 2: dugout and he's drinking beer, he goes, are you going

842
00:45:12,440 --> 00:45:15,040
Speaker 2: to sign me or lecture me? And you say, depends

843
00:45:15,040 --> 00:45:17,080
Speaker 2: on what you're looking for in an agent, And I go,

844
00:45:17,360 --> 00:45:19,680
Speaker 2: he called his dad a douche. He's a douche. It's

845
00:45:19,719 --> 00:45:23,439
Speaker 2: like literally the notes I wrote down, like like I'm

846
00:45:23,480 --> 00:45:26,120
Speaker 2: the eight year old being like this guy, Yeah, rude,

847
00:45:27,000 --> 00:45:29,720
Speaker 2: who do you think you are? It's a good little twist.

848
00:45:30,080 --> 00:45:31,840
Speaker 2: Was that a real athlete that guy? Or is he

849
00:45:31,880 --> 00:45:32,280
Speaker 2: an actor?

850
00:45:32,680 --> 00:45:36,560
Speaker 5: No? So that is Eric McIntyre and he is not

851
00:45:36,640 --> 00:45:41,719
Speaker 5: a real baseball player. He had to learn kind of

852
00:45:41,719 --> 00:45:42,960
Speaker 5: the mechanics.

853
00:45:42,400 --> 00:45:44,840
Speaker 2: Of throwing for really, So he's an actor.

854
00:45:45,080 --> 00:45:47,719
Speaker 5: He's an actor. Yeah, no, yeah, he's much more of

855
00:45:47,760 --> 00:45:53,000
Speaker 5: a D and D guy than he is. How fun's

856
00:45:53,080 --> 00:45:55,799
Speaker 5: that's that's kind of how I knew know of him

857
00:45:55,840 --> 00:45:58,000
Speaker 5: afterwards since then he's a big, big into the D

858
00:45:58,040 --> 00:46:00,920
Speaker 5: and D scenes. So, yeah, baseball, note his strike zone,

859
00:46:02,000 --> 00:46:04,840
Speaker 5: but he played it well and listened to play. He

860
00:46:04,880 --> 00:46:07,160
Speaker 5: played the hell out of that douchebag. I mean, because

861
00:46:07,600 --> 00:46:12,360
Speaker 5: he was instantly punchable completely there. His walk even I

862
00:46:12,400 --> 00:46:15,040
Speaker 5: don't know if his walk was a choice, but he

863
00:46:15,080 --> 00:46:17,680
Speaker 5: didn't even open his mouth that walk alone. Yeah, that

864
00:46:17,719 --> 00:46:18,760
Speaker 5: guy needs to get punched.

865
00:46:18,960 --> 00:46:23,840
Speaker 2: Yeah he really he had. He had such an air

866
00:46:24,080 --> 00:46:27,720
Speaker 2: of ego, like the way he moved his shoulders, everything,

867
00:46:27,760 --> 00:46:31,080
Speaker 2: he really physicalized that. Well, yes, it's kind of cool

868
00:46:31,120 --> 00:46:35,640
Speaker 2: to know that he's not actually that type of athlete

869
00:46:35,680 --> 00:46:36,080
Speaker 2: at all.

870
00:46:38,040 --> 00:46:41,480
Speaker 5: No, those were just good choices and it was also

871
00:46:41,560 --> 00:46:45,160
Speaker 5: such a heightened version of that type of person in

872
00:46:45,239 --> 00:46:48,120
Speaker 5: fact he has, like because I love thinking about like

873
00:46:48,239 --> 00:46:50,000
Speaker 5: how did how did he get there? So like he

874
00:46:50,080 --> 00:46:52,960
Speaker 5: went and he got like a little igloo container he

875
00:46:53,000 --> 00:46:56,040
Speaker 5: filled it full of ice, and some beers like him

876
00:46:56,080 --> 00:46:59,120
Speaker 5: walking to Its just it was so funny, man. But

877
00:46:59,160 --> 00:47:02,040
Speaker 5: I love that at the end of it, Clay is

878
00:47:02,080 --> 00:47:03,560
Speaker 5: just like he called us all.

879
00:47:03,800 --> 00:47:07,799
Speaker 2: Yeah, well that's the fun part of it. I think

880
00:47:07,880 --> 00:47:10,760
Speaker 2: it's a good twist that it's Kellerman's kid. And also

881
00:47:11,760 --> 00:47:15,040
Speaker 2: it's fun to have him essentially be a foil to

882
00:47:15,600 --> 00:47:19,520
Speaker 2: you and Nathan as buddy cops. It's fun to see

883
00:47:19,520 --> 00:47:22,720
Speaker 2: you two in that role, the you know, moving around

884
00:47:22,760 --> 00:47:27,799
Speaker 2: together and figuring it out. And yes, we get a

885
00:47:27,800 --> 00:47:33,160
Speaker 2: little bit of perspective from this younger kid and you

886
00:47:33,160 --> 00:47:36,960
Speaker 2: guys sitting having a conversation and him having to essentially

887
00:47:36,960 --> 00:47:40,760
Speaker 2: be like I used to be that guy. It's it's cool,

888
00:47:41,120 --> 00:47:45,120
Speaker 2: you know. The the passage of time that it shows

889
00:47:45,200 --> 00:47:46,560
Speaker 2: is a really interesting device.

890
00:47:47,120 --> 00:47:52,880
Speaker 5: Yes, and it was a clever way to show Nathan's value,

891
00:47:53,680 --> 00:47:56,440
Speaker 5: his value added as an agent, that he was able

892
00:47:56,480 --> 00:48:00,480
Speaker 5: to go. Yeah. I was like this, and you know,

893
00:48:00,560 --> 00:48:02,400
Speaker 5: like it was great because as a viewer, I was like,

894
00:48:03,080 --> 00:48:05,759
Speaker 5: this kid, he's a toll, Like no way. And then

895
00:48:05,800 --> 00:48:07,640
Speaker 5: it was and that was sort of where Clay was leaning.

896
00:48:07,640 --> 00:48:09,440
Speaker 5: And I liked that it was Nathan the counter bounce

897
00:48:09,480 --> 00:48:11,680
Speaker 5: to go I don't know, Bud.

898
00:48:12,000 --> 00:48:13,880
Speaker 2: I was like that had to break it to ye,

899
00:48:14,000 --> 00:48:17,080
Speaker 2: he might be the next me. Yeah, room to grow.

900
00:48:17,680 --> 00:48:30,040
Speaker 6: Yeah, it's cool.

901
00:48:30,920 --> 00:48:31,920
Speaker 5: Honorable mentions.

902
00:48:32,480 --> 00:48:35,360
Speaker 4: Oh, by the way, the pizza box fight between Austin

903
00:48:35,440 --> 00:48:40,680
Speaker 4: and the pizza guy at the door, it was so good.

904
00:48:41,040 --> 00:48:43,120
Speaker 2: And and and when Austin goes to the door, the

905
00:48:43,160 --> 00:48:48,640
Speaker 2: guy's like, I don't mind, great, love that so great. Honestly,

906
00:48:48,760 --> 00:48:50,719
Speaker 2: he was a scene stealer. I'm gonna I'm gonna give

907
00:48:50,760 --> 00:48:54,919
Speaker 2: him my honorable mention pizza man. Yeah, it's so good.

908
00:48:56,400 --> 00:48:58,279
Speaker 2: Killed it Michael Mays for me.

909
00:48:59,200 --> 00:49:02,960
Speaker 5: M yeah, I'm going to give mine to uh to

910
00:49:03,040 --> 00:49:06,440
Speaker 5: Michael May. Yeah he did great. That whole storyline was

911
00:49:06,440 --> 00:49:09,520
Speaker 5: so fun to watch, and I love what it's setting up.

912
00:49:09,719 --> 00:49:12,040
Speaker 5: I do remember a bit of where this one goes. Yeah,

913
00:49:12,360 --> 00:49:13,080
Speaker 5: it goes there.

914
00:49:13,400 --> 00:49:16,200
Speaker 4: So Bean Jeans is asking us, with so many of

915
00:49:16,200 --> 00:49:19,719
Speaker 4: the characters not having siblings on the show, who do

916
00:49:19,800 --> 00:49:22,080
Speaker 4: you wish had a sibling and got to be a

917
00:49:22,120 --> 00:49:25,200
Speaker 4: part of the show. And would that sibling have a

918
00:49:25,239 --> 00:49:26,560
Speaker 4: love interest in a friend group?

919
00:49:27,000 --> 00:49:27,360
Speaker 2: WHOA.

920
00:49:28,440 --> 00:49:30,879
Speaker 5: I really wish Dan had had a sibling. I think

921
00:49:30,880 --> 00:49:33,799
Speaker 5: that would have been good for well he did, he did.

922
00:49:36,200 --> 00:49:41,680
Speaker 2: I was like, you got oh boy, guys, listen, I

923
00:49:41,719 --> 00:49:48,279
Speaker 2: know there's a lot that's true. Well, it's interesting because

924
00:49:48,360 --> 00:49:53,160
Speaker 2: Dan had a sibling. Obviously, you've got Nathan and Lucas.

925
00:49:53,239 --> 00:49:56,560
Speaker 2: Haley's one of a bunch. I don't think Brooke or

926
00:49:56,600 --> 00:49:59,560
Speaker 2: Peyton could have had siblings because they became each other's

927
00:49:59,560 --> 00:50:01,280
Speaker 2: siblings because they were lonely only.

928
00:50:01,760 --> 00:50:04,799
Speaker 4: Yeah, but maybe if Haley had a brother, that would

929
00:50:04,800 --> 00:50:06,840
Speaker 4: have been nice because we only ever saw sisters.

930
00:50:07,680 --> 00:50:09,040
Speaker 2: I mean who else could.

931
00:50:08,840 --> 00:50:11,760
Speaker 5: Have I would have liked to see Clay have a sibling.

932
00:50:12,080 --> 00:50:13,640
Speaker 2: Yeah, Yeah, that would have been fun.

933
00:50:14,360 --> 00:50:16,879
Speaker 5: Because it would have been nice to see a baseline,

934
00:50:16,880 --> 00:50:21,600
Speaker 5: because Clay has endured like immense trauma though especially we're

935
00:50:21,600 --> 00:50:23,120
Speaker 5: going to find out how deep it goes, so it

936
00:50:23,160 --> 00:50:27,760
Speaker 5: would have been interesting to see what that gene pool

937
00:50:27,800 --> 00:50:31,120
Speaker 5: looks like without like what that what that person looks

938
00:50:31,200 --> 00:50:32,920
Speaker 5: like without going through Yeah.

939
00:50:32,719 --> 00:50:35,080
Speaker 4: It's always unsettling when you meet a character and then

940
00:50:35,120 --> 00:50:37,080
Speaker 4: you never when you watch a show for this long

941
00:50:37,360 --> 00:50:39,240
Speaker 4: and you never meet their parents, you never know anything

942
00:50:39,280 --> 00:50:42,280
Speaker 4: about the life before. It just it makes it harder

943
00:50:42,320 --> 00:50:45,840
Speaker 4: for you to see them as a fully realized person

944
00:50:46,000 --> 00:50:49,239
Speaker 4: like you do so much to embody Clay, and then

945
00:50:49,400 --> 00:50:51,920
Speaker 4: there's still all this empty backstory that we don't know

946
00:50:51,960 --> 00:50:55,319
Speaker 4: other than what you tell us. I actually agree with you.

947
00:50:55,360 --> 00:50:58,000
Speaker 4: I really would have loved to see a parent, or

948
00:50:58,160 --> 00:51:00,840
Speaker 4: a sibling or just some one to give us a

949
00:51:00,840 --> 00:51:01,800
Speaker 4: little more context.

950
00:51:02,120 --> 00:51:05,400
Speaker 2: Well, and I think especially knowing where things go with

951
00:51:05,560 --> 00:51:11,600
Speaker 2: you and how extreme that storyline yeah felt, and what

952
00:51:11,640 --> 00:51:14,680
Speaker 2: you had to commit to, I think it would have

953
00:51:15,440 --> 00:51:19,799
Speaker 2: probably been really special and grounding if we'd gotten to

954
00:51:19,840 --> 00:51:21,480
Speaker 2: see that, Like I would have actually loved it.

955
00:51:21,520 --> 00:51:24,760
Speaker 4: If Clay had a sister, Yeah, who could have said,

956
00:51:25,239 --> 00:51:27,520
Speaker 4: you know, who was like taking care of the kid?

957
00:51:28,080 --> 00:51:30,600
Speaker 2: Yeah, and also who could have been like a great

958
00:51:30,880 --> 00:51:34,400
Speaker 2: friend to Quinn's character to be like, listen, I know

959
00:51:34,440 --> 00:51:39,479
Speaker 2: it feels crazy. This is my experience, this is you know. Yeah,

960
00:51:39,040 --> 00:51:42,719
Speaker 2: I think I think you could have That would have

961
00:51:42,760 --> 00:51:43,360
Speaker 2: been nice for you.

962
00:51:43,719 --> 00:51:46,080
Speaker 4: Yeah. There would have been room for like a like

963
00:51:46,160 --> 00:51:50,280
Speaker 4: a cool sist, just like kind of stage bouncing around,

964
00:51:50,320 --> 00:51:53,960
Speaker 4: getting to know anybody, just being like, hey, you're acting.

965
00:51:54,120 --> 00:51:56,919
Speaker 4: You're acting a fool, and hey, like stop dating two

966
00:51:56,920 --> 00:52:00,200
Speaker 4: girls at the same time, dude, and hey like, don't

967
00:52:00,200 --> 00:52:02,840
Speaker 4: worry about your girlfriend getting this job. You're something great's

968
00:52:02,840 --> 00:52:05,320
Speaker 4: coming your way, and you know, like bouncing around.

969
00:52:05,160 --> 00:52:07,319
Speaker 5: It wouldn't have been a wild if Clay had a sister.

970
00:52:07,360 --> 00:52:09,920
Speaker 5: And then you realize this season in she was a

971
00:52:09,960 --> 00:52:13,040
Speaker 5: ghost too because she had Oh my.

972
00:52:12,719 --> 00:52:16,640
Speaker 4: God, the whole it's the line of the witch in

973
00:52:16,640 --> 00:52:19,160
Speaker 4: the Wardrobe. The whole town is actually just dead and

974
00:52:19,200 --> 00:52:19,640
Speaker 4: we're all.

975
00:52:23,000 --> 00:52:23,760
Speaker 5: Here's my question.

976
00:52:23,920 --> 00:52:24,440
Speaker 2: Incredible.

977
00:52:24,440 --> 00:52:29,200
Speaker 5: I think so Bean Jeans, I think I'm correctly assuming

978
00:52:29,360 --> 00:52:33,120
Speaker 5: is a nickname. What what does it come from? What

979
00:52:33,239 --> 00:52:34,359
Speaker 5: is this listener's real name.

980
00:52:36,280 --> 00:52:39,880
Speaker 4: Yeah, bean jeans, Oh genes Okay, it's g E n

981
00:52:39,960 --> 00:52:42,600
Speaker 4: E s not jeans like blue jeans, because bean blue

982
00:52:42,640 --> 00:52:45,879
Speaker 4: jeans actually sounds like really terrible, like you just had

983
00:52:45,880 --> 00:52:48,960
Speaker 4: a gene ate a really bad Bullivan Dan and it

984
00:52:49,000 --> 00:52:49,880
Speaker 4: did not turn out.

985
00:52:49,719 --> 00:52:51,000
Speaker 2: Well for you. Oh God.

986
00:52:51,160 --> 00:52:54,600
Speaker 4: But being jeans but with the ge Oh so, maybe

987
00:52:54,640 --> 00:52:57,680
Speaker 4: it's maybe it's like a Boston thing. Maybe this person is,

988
00:52:58,400 --> 00:53:02,920
Speaker 4: you know, genetics, their families from Boston, like Boston baked beans.

989
00:53:02,960 --> 00:53:04,200
Speaker 5: Is that why?

990
00:53:04,400 --> 00:53:08,359
Speaker 2: No bean town? Okay, could be I don't know, would

991
00:53:08,400 --> 00:53:11,720
Speaker 2: be petite, could be a oh yeah, little person.

992
00:53:12,200 --> 00:53:16,200
Speaker 5: Or it's just some type of legume that has become

993
00:53:16,239 --> 00:53:18,480
Speaker 5: sentient and figured out how to use a computer.

994
00:53:20,560 --> 00:53:24,640
Speaker 4: Perhaps we like your commitment, We like your commitment to

995
00:53:24,680 --> 00:53:24,920
Speaker 4: the bit.

996
00:53:25,080 --> 00:53:28,320
Speaker 2: Thank you. Indeed, should we spend a wheel, let's do it?

997
00:53:36,040 --> 00:53:38,120
Speaker 6: Oh boy?

998
00:53:39,440 --> 00:53:46,200
Speaker 2: Who is most likely to accidentally go viral for something embarrassing?

999
00:53:47,360 --> 00:53:48,160
Speaker 2: Shan tell.

1000
00:53:50,840 --> 00:53:51,960
Speaker 5: She's a strong candidate.

1001
00:53:52,280 --> 00:53:59,000
Speaker 2: Not no, think she's so regal. She is. She's also

1002
00:53:59,120 --> 00:54:02,799
Speaker 2: clumsy and good. I just could totally see. I could

1003
00:54:02,840 --> 00:54:06,400
Speaker 2: totally see that. Amazing, amazing.

1004
00:54:06,400 --> 00:54:08,799
Speaker 5: I think I'm a strong front runner for that as well.

1005
00:54:09,239 --> 00:54:11,080
Speaker 2: I was gonna say you Rob, and I mean that

1006
00:54:11,120 --> 00:54:11,840
Speaker 2: as a compliment.

1007
00:54:11,960 --> 00:54:13,680
Speaker 5: Yeah, well listen, it's.

1008
00:54:13,880 --> 00:54:15,279
Speaker 2: Because you commit to the bed.

1009
00:54:15,360 --> 00:54:17,839
Speaker 5: Yeah, there's a there's a I don't know why. There's

1010
00:54:17,880 --> 00:54:21,560
Speaker 5: a video of all of us. We're at some event.

1011
00:54:21,920 --> 00:54:23,440
Speaker 5: I don't think it's not a con, but we're like

1012
00:54:23,480 --> 00:54:25,200
Speaker 5: all there is a cast. It was that thing where

1013
00:54:26,080 --> 00:54:31,480
Speaker 5: they had uh Jackson. He came out in his green

1014
00:54:31,520 --> 00:54:34,880
Speaker 5: man suit and danced on stage for like four minutes straight,

1015
00:54:35,000 --> 00:54:36,719
Speaker 5: and then like we all came out and we sat

1016
00:54:36,760 --> 00:54:40,040
Speaker 5: on two couches and then for some reason, we're talking

1017
00:54:40,040 --> 00:54:43,279
Speaker 5: to an audience, like in an auditorium or something. For

1018
00:54:43,320 --> 00:54:43,960
Speaker 5: some reason.

1019
00:54:44,239 --> 00:54:46,960
Speaker 2: Oh yeah, it was sashed me.

1020
00:54:46,960 --> 00:54:49,800
Speaker 5: To like, let's be honest. You probably just mentioned dancing,

1021
00:54:49,840 --> 00:54:52,480
Speaker 5: and we're like Rob does stupid dancing and I stand

1022
00:54:52,560 --> 00:54:54,680
Speaker 5: up and I like I danced and like I drop

1023
00:54:54,719 --> 00:54:57,960
Speaker 5: it like it's hot. And I don't know why, but

1024
00:54:58,040 --> 00:55:01,279
Speaker 5: that video still lives to this day. So, oh my god.

1025
00:55:02,080 --> 00:55:04,080
Speaker 2: It was at a theater in Wilmington.

1026
00:55:04,800 --> 00:55:09,480
Speaker 4: It was some kind of panel about this wasn't one

1027
00:55:09,520 --> 00:55:11,560
Speaker 4: hundredth episode maybe hundred.

1028
00:55:11,680 --> 00:55:12,480
Speaker 5: I wasn't there for.

1029
00:55:12,960 --> 00:55:17,160
Speaker 2: Oh fine, would have been the finale? I guess I

1030
00:55:17,160 --> 00:55:18,960
Speaker 2: think it must have been the finale.

1031
00:55:19,320 --> 00:55:22,920
Speaker 4: Yeah, some kind of panel. I do remember that though.

1032
00:55:23,280 --> 00:55:24,880
Speaker 4: That's funny. That video is still alive.

1033
00:55:25,560 --> 00:55:26,400
Speaker 5: Thanks Internet.

1034
00:55:29,120 --> 00:55:33,879
Speaker 2: Oh every poor fashion choice and silly little thing we've

1035
00:55:33,880 --> 00:55:36,240
Speaker 2: ever done immortalized.

1036
00:55:36,280 --> 00:55:37,360
Speaker 6: It's so sad.

1037
00:55:38,320 --> 00:55:41,160
Speaker 4: Well next episode, Season eight, episode sixteen.

1038
00:55:42,280 --> 00:55:45,000
Speaker 2: I think I'm gone. I like it here.

1039
00:55:45,320 --> 00:55:49,000
Speaker 4: That's from Annie and also the name of our next episode.

1040
00:55:50,120 --> 00:55:54,520
Speaker 4: Stay tuned, folks. Bye, Hey, thanks for listening.

1041
00:55:54,640 --> 00:55:56,839
Speaker 2: Don't forget to leave us a review. You can also

1042
00:55:56,920 --> 00:56:00,880
Speaker 2: follow us on Instagram at Drama Queen's Ota.

1043
00:56:00,560 --> 00:56:04,759
Speaker 4: Or email us at Drama Queens at iHeartRadio dot com.

1044
00:56:04,960 --> 00:56:06,000
Speaker 2: See you next time.

1045
00:56:07,239 --> 00:56:10,600
Speaker 3: We all about that high school drama Girl Drama Girl,

1046
00:56:10,680 --> 00:56:13,799
Speaker 3: all about them high school queens. We'll take you for

1047
00:56:13,920 --> 00:56:17,320
Speaker 3: a ride, and our comic girl cheering for the right teams.

1048
00:56:17,400 --> 00:56:21,479
Speaker 3: Drama Queenslease my girl, rough girl fashion, but your tough girl.

1049
00:56:21,560 --> 00:56:22,480
Speaker 2: You could sit with us.

1050
00:56:22,520 --> 00:56:26,640
Speaker 1: Girl Drama Queens, Drama Queise Drama Queens, Drama Drama Queens,

1051
00:56:26,680 --> 00:56:28,319
Speaker 1: Drama Queens