WEBVTT - Jelly Beans 

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<v Speaker 1>A campsite media. Roger was back at the Kingston Penitentiary

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<v Speaker 1>for the very simple reason that the wardens and directors

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<v Speaker 1>of the Canadian Penitentiary Service wanted out of the business

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<v Speaker 1>of worrying about Roger Kuran. He'd built a reputation for escaping,

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<v Speaker 1>for being a go boy, for striking fear in the

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<v Speaker 1>hearts of those tasked with keeping him behind bars. The

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<v Speaker 1>Kingston pen was the one place where they could definitively

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<v Speaker 1>say he wasn't going anywhere, even he knew it, and

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<v Speaker 1>the thought depressed him walking through KP. Now you're struck

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<v Speaker 1>by how every few paces there seems to be another

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<v Speaker 1>checkpoint with steel bars. One cannot simply move through the

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<v Speaker 1>indoor spaces freely. Guards and inmates alike are faced with

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<v Speaker 1>checkpoint after checkpoint. The only part of the prison that

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<v Speaker 1>allows for the dream of freedom to even cross your

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<v Speaker 1>mind is out in the recreational yard. But even it

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<v Speaker 1>is surrounded on all sides by a formidable concrete wall

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<v Speaker 1>with five guard towers, each occupied with armed men. In

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<v Speaker 1>this venue, they wouldn't even need to watch Roger especially close.

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<v Speaker 1>All they'd have to do is treat him like any

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<v Speaker 1>other inmate. That was the idea anyway. One night in

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<v Speaker 1>nineteen sixty two, at around midnight, an old jailor was

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<v Speaker 1>walking his rounds flashlight in hand, ensuring that everyone was

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<v Speaker 1>in their cells asleep. Everything appeared as it should until

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<v Speaker 1>he got to sell C two seven. The inmate was

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<v Speaker 1>in his bed, but as the guard squinted into the

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<v Speaker 1>darkness of the cell, he sensed that something wasn't right.

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<v Speaker 2>He says, Cara. He says, are you all right?

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<v Speaker 3>Karan?

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<v Speaker 1>He called again, but Roger didn't respond. The guard got

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<v Speaker 1>right up against the bars and shone the light directly

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<v Speaker 1>on Roger's head. His hair looked messy, his skin paler

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<v Speaker 1>than it should, and he remained unresponsive. So the guard

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<v Speaker 1>speed walks to the nearest call station and calls the

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<v Speaker 1>hospital line to say, you better get down here.

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<v Speaker 2>So a lot of guys that slashed to visa at

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<v Speaker 2>night when he went to day, and the guard to

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<v Speaker 2>come in the morning. The only way he knew was

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<v Speaker 2>there just helsposed to blot out break from him.

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<v Speaker 1>A nurse and some more guards rushed to sell C.

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<v Speaker 2>Two seven, got the other guard and got the nurse

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<v Speaker 2>in the arms, open the door, lift the leader swarm

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<v Speaker 2>the door over, Carl, Are you all right?

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<v Speaker 1>Still no movement from Roger. So the guard reaches out

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<v Speaker 1>to nudge him awake. But when he did, Roger's head

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<v Speaker 1>rolled off the bed and fell on the floor, by

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<v Speaker 1>which I mean the mannequin head made by Roger Karan

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<v Speaker 1>fell to the floor.

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<v Speaker 2>Over fell on the floor. And the guys, they told

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<v Speaker 2>me the garden almost fell over. The radiote on the floor.

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<v Speaker 2>You don't have and he said, walks on wims.

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<v Speaker 1>The police rushed to the prison and out on the lake.

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<v Speaker 1>A police boat putted back and forth on Lake Ontario

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<v Speaker 1>with its spotlight on the exterior wall. Guards were called

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<v Speaker 1>in the middle of the night. They brought in the dogs.

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<v Speaker 1>It was all hands on deck. And while all that

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<v Speaker 1>was going on, as the crowd and the sound of

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<v Speaker 1>sirens grew, Roger was cursing himself, huddled under the weather

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<v Speaker 1>tarp in the Kingston Pen sports shack, muttering to himself

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<v Speaker 1>that he should have spent one more day on the

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<v Speaker 1>mannequin head.

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<v Speaker 2>So I had a hair from the barber shop, I

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<v Speaker 2>had blacks with parison, and I may have managed, and

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<v Speaker 2>I had turned his head into the wall, but I

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<v Speaker 2>didn't have time to this skinning was almost pale light.

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<v Speaker 2>I didn't have time to get the guy was going

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<v Speaker 2>to give me his artist kit, and he didn't have

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<v Speaker 2>time to.

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<v Speaker 3>Deliver it to me.

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<v Speaker 1>He knew that it was going to be too pale,

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<v Speaker 1>and now his whole plan was foiled. He was not

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<v Speaker 1>a go boy this night, but merely a man under

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<v Speaker 1>a tarp with forty feet of rope and a grappling hook.

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<v Speaker 1>Oh yeah, he managed to procure a grappling hook somehow.

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<v Speaker 1>But even though the jig was up, he certainly wasn't

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<v Speaker 1>just going to step out with his hands up. Not

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<v Speaker 1>his style. If they were going to find him, he

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<v Speaker 1>was going to stubbornly make them find him.

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<v Speaker 2>And they pound me a two dollard warning there. I

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<v Speaker 2>understand he found me. He was sports check. I got

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<v Speaker 2>my head in, hands on my hit and my rope

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<v Speaker 2>book is all kid knuckle in his shaw and they

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<v Speaker 2>got shot guns. And right, wasn't the gun towers or

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<v Speaker 2>counting squat by something that they get tacked? Thought was

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<v Speaker 2>very easy.

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<v Speaker 1>Once they had him, they marched him straight to the warden,

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<v Speaker 1>who had made his way down the hill in his

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<v Speaker 1>pajamas from his home across the street. He greeted Roger

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<v Speaker 1>with a sarcastic good evening. The warden was done worrying

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<v Speaker 1>about Roger, the most slippery inmate in his prison, so

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<v Speaker 1>to put him out of his mind, the warden sentenced

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<v Speaker 1>him on the spot to two years in the hole.

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<v Speaker 1>Roger knew that he was in trouble, but two years

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<v Speaker 1>he was shocked.

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<v Speaker 2>Two years ago, holds unheard of him. You go to

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<v Speaker 2>hold the twenty one days on bread and water, seven days,

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<v Speaker 2>thirty days I maginum.

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<v Speaker 1>But Roger was led away to begin two years of solitary.

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<v Speaker 1>It was clear that the warden was trying to erase

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<v Speaker 1>Roger from his prison and bury him beneath the foundations,

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<v Speaker 1>and it would take everything Roger had to claw his

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<v Speaker 1>way back from iHeart podcasts and campsite media. I'm Sam

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<v Speaker 1>Mullens and this is Go Boy, episode four Jellybeans.

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<v Speaker 3>So we're really going down at the base of the air.

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<v Speaker 1>The hole in the Kingston Pen refers to a much

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<v Speaker 1>feared block of cells where inmates were sent for prescribed

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<v Speaker 1>amounts of solitary confinement as punishment. Parents have timeouts to

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<v Speaker 1>keep their children in line, teachers have detention, and the

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<v Speaker 1>guards at KP had the hole with which to threaten

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<v Speaker 1>their subjects. I'll give you the tour. Imagine a short,

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<v Speaker 1>well liit hallway with ten wooden doors on the right

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<v Speaker 1>and ten wooden doors on the left. Every time I

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<v Speaker 1>see the photo of the cell block when it was

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<v Speaker 1>still in use, and I see the brightness and cleanliness

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<v Speaker 1>and perfect symmetry of that cursed hallway, I'm struck by

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<v Speaker 1>how much it looks like a Stanley Kubrick set. Behind

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<v Speaker 1>all twenty doors lies a second steel door with a

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<v Speaker 1>food slot in it, and beyond that lies the cell itself.

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<v Speaker 2>No sheet, no matrist, no nothing cover, all spots paper,

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<v Speaker 2>cup of toothbrust and a cement clock worn grew day.

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<v Speaker 1>It was all as bare as bear could be, and

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<v Speaker 1>he couldn't bring anything with you.

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<v Speaker 4>No personal effects.

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<v Speaker 1>This is Bill Isaacs, a longtime guard at KP, who'd

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<v Speaker 1>seen it all.

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<v Speaker 4>If themate wanted to read, he was entitled to a

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<v Speaker 4>Bible and that was the only source of reading material.

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<v Speaker 1>The walls are solid, impenetrable concrete. There are no windows

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<v Speaker 1>or natural light in the hole, which is not to

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<v Speaker 1>say it's dark or gloomy.

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<v Speaker 2>For two years and you didn't know what the darkness

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<v Speaker 2>like and no windows, nothing, just a two hundred ball

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<v Speaker 2>burn ninety day like being in the middle of Sahara desert.

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<v Speaker 2>He never turn the lights out.

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<v Speaker 1>With the aspect of the whole that would drive men

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<v Speaker 1>literally out of their minds was the light bulb. To

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<v Speaker 1>hear Roger describe it, it was brighter than the Saharan sun.

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<v Speaker 1>And they kept that thing on twenty four hours a day.

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<v Speaker 1>The only way that you were allowed to dim the

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<v Speaker 1>brightness was with your eyelids. Anything beyond that was strictly prohibited.

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<v Speaker 2>If I pull the lights over, nay, the darks Committee

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<v Speaker 2>take my minkets away from the trevells over the head,

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<v Speaker 2>they take my coveralls and probably even make it.

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<v Speaker 5>Prisons are, in fact, the whole criminal justice system is

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<v Speaker 5>an analyst theaters of humiliation.

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<v Speaker 1>Grahame Stewart is a prison rights advocate and the former

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<v Speaker 1>executive director of the John Howard Society, a nonprofit focused

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<v Speaker 1>on prison reform. He's seeing what solitary can do to

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<v Speaker 1>a man.

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<v Speaker 5>Losing that kind of control in your life is humiliating,

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<v Speaker 5>and you don't get over that. You don't get over

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<v Speaker 5>I absolutely convinced that of all the pains of imprisonment.

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<v Speaker 5>That's the one you can't get beyond.

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<v Speaker 1>The guards would supervise the sory souls of the whole

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<v Speaker 1>through a barred sort of skylight. In the ceiling of

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<v Speaker 1>each unit. There was a catwalk that they would pace

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<v Speaker 1>above the cells on, so when an inmate would look up,

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<v Speaker 1>there would periodically be the face of a guard peering

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<v Speaker 1>down on them like a malevolent god.

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<v Speaker 4>They were against the officers looking down at them because

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<v Speaker 4>it looked like they were in a lockage, like somebody

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<v Speaker 4>looking in a zoo cage looking at an animal. So

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<v Speaker 4>you'd get inappropriate comments and a lot of bad language

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<v Speaker 4>from the inmates, you know, like what the hell are

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<v Speaker 4>you looking at? But a lot stronger than that.

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<v Speaker 1>According to Roger, the guards who were assigned to the

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<v Speaker 1>hole were some of the most sadistic in the prison.

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<v Speaker 1>Let me put it this way. If they were well

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<v Speaker 1>liked and charismatic in the eyes of the Brotherhood of

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<v Speaker 1>prison guards, they'd probably be working upstairs on a better assignment.

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<v Speaker 2>Well, guards are charged the whole, nice people. No decent

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<v Speaker 2>guard would ever ask the whole. Only said that as

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<v Speaker 2>keep it real.

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<v Speaker 1>Say, one could frame solitary confinement as quiet time. Perhaps

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<v Speaker 1>a break from having to watch your back.

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<v Speaker 5>But solitary confinement is not private accommodation. Okay, it's a

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<v Speaker 5>lot worse than that.

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<v Speaker 1>Graham Stewart.

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<v Speaker 5>Again, I've had many people say, well, i've ever had

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<v Speaker 5>to go to prison, I'd want to be in solitary

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<v Speaker 5>because basically it's the afraid of being in the population.

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<v Speaker 5>But solitary is deeply painful. It's such isolation from every stimulus.

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<v Speaker 5>You don't know if it's date or night, you don't

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<v Speaker 5>know what time it is, you have nothing to do.

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<v Speaker 5>It's just like being in a closet or or a

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<v Speaker 5>bathroom really for twenty three hours a day.

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<v Speaker 1>We went into the hole during our reporting trip to

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<v Speaker 1>KP and I hated it in there. In the hole,

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<v Speaker 1>the walls are so close that you can hear your

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<v Speaker 1>breath echo, if that makes sense, like you've been bare alive,

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<v Speaker 1>and that feeling is psychologically dangerous.

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<v Speaker 5>Longer they're there, the more damage they are, and it's

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<v Speaker 5>a damage that lasts the rest of their life. You

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<v Speaker 5>can't undo an experience.

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<v Speaker 1>Like that, which is all to say for Roger, there

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<v Speaker 1>was much more at stake than finding a way to

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<v Speaker 1>endure this punishment. This wasn't something he could white knuckle

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<v Speaker 1>like the paddle or shock therapy to get through this.

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<v Speaker 1>He'd need to stay vigilant just to keep his grip

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<v Speaker 1>on his sanity. But would you believe me if I

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<v Speaker 1>told you that inside this cell, this tomblike space, is

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<v Speaker 1>where Roger would eventually have his greatest breakthrough. One day,

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<v Speaker 1>Roger was in a cell when suddenly he heard a

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<v Speaker 1>tapping sound near his toilet. Could this be the first

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<v Speaker 1>sign of him starting to lose it?

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<v Speaker 3>It was not.

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<v Speaker 4>Themates way of communication. The ways that she used to talk,

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<v Speaker 4>especially in segregation, was you know, obviously, through the toilet system.

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<v Speaker 1>Even though great effort was put into keeping these men

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<v Speaker 1>in perfect isolation, something was overlooked. Like Jeff Goldbloom says

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<v Speaker 1>in Jurassic Park, Life finds a Way.

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<v Speaker 2>I had some niggers down there. I never seen it.

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<v Speaker 2>I knew there was a guy called Jocko and a

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<v Speaker 2>guy called George down there, and we could never see

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<v Speaker 2>each other. We discovered that the old plumbing system was

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<v Speaker 2>so old, sore, so primitive that it weaned very quietly,

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<v Speaker 2>took our paper cup and took the water on the toilet,

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<v Speaker 2>bowed it down. The state until there was no more

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<v Speaker 2>water in the toilet, and then we cleaned their toilet

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<v Speaker 2>old really well. And then after midnight in the gardens

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<v Speaker 2>would change shift, we'd stick our head in the toilet.

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<v Speaker 2>If I wanted to talk to Jocko and number five

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<v Speaker 2>cell I capped five times in the flour that meant

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<v Speaker 2>for Jocko Bale's toilet that would get on the phone.

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<v Speaker 1>The only drawback to this clandestine phone line was that

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<v Speaker 1>sometimes it'd be too busy to work because the men

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<v Speaker 1>in the hole weren't the only ones on the line.

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<v Speaker 2>Kingston was infested with the biggest, fattest stewart rats you

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<v Speaker 2>ever seen, and then the ukating down every two centuries.

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<v Speaker 2>No bake along, yellow teeth creature. You're all running into.

0:13:37.920 --> 0:13:40.760
<v Speaker 1>Pikes that we're talking to do And for several months,

0:13:41.080 --> 0:13:43.360
<v Speaker 1>this is how Roger was able to keep it together.

0:13:44.160 --> 0:13:46.800
<v Speaker 1>The days of silence were more bearable knowing that that

0:13:47.040 --> 0:13:50.439
<v Speaker 1>night when the guards change shifts, that at least be

0:13:50.600 --> 0:13:51.520
<v Speaker 1>someone to talk to.

0:13:52.280 --> 0:13:54.679
<v Speaker 2>Oh nay long from midnight till six o'clock and guards

0:13:54.720 --> 0:13:57.360
<v Speaker 2>to come on duty next morning. I said, hey, Jocko,

0:13:57.480 --> 0:13:59.040
<v Speaker 2>say yeah, say what's happening.

0:13:59.120 --> 0:14:02.240
<v Speaker 1>Maybe one of the more iconic do you remember where

0:14:02.280 --> 0:14:06.360
<v Speaker 1>you were? Moments Roger learned that JFK was shot with

0:14:06.520 --> 0:14:10.120
<v Speaker 1>his head in the toilet, straining to hear the details

0:14:10.360 --> 0:14:15.920
<v Speaker 1>in disbelief. This period of nightly chatter definitely bought Roger

0:14:16.040 --> 0:14:19.960
<v Speaker 1>some time, a precious little engagement to keep his head clear,

0:14:20.680 --> 0:14:23.960
<v Speaker 1>but it wasn't to last. Guys were usually only put

0:14:24.080 --> 0:14:26.800
<v Speaker 1>down there for a few weeks here or a month there,

0:14:27.960 --> 0:14:30.800
<v Speaker 1>but sometimes there wouldn't be anyone staying in the hole

0:14:31.120 --> 0:14:34.440
<v Speaker 1>except for Roger. He put out the call on the phone,

0:14:35.040 --> 0:14:39.680
<v Speaker 1>but no one would answer. Time passed in an untraceable way,

0:14:40.040 --> 0:14:45.120
<v Speaker 1>and Roger started spending more and more time daydreaming, week dreaming,

0:14:46.040 --> 0:14:46.720
<v Speaker 1>month dreaming.

0:14:49.040 --> 0:14:51.440
<v Speaker 2>I'm going to escaped prison. You curl up on the

0:14:51.520 --> 0:14:57.880
<v Speaker 2>poor and get day dream I'm not in jail. I'm

0:14:57.880 --> 0:15:01.040
<v Speaker 2>not in jail. I'm in Hawaii. And all of a sudden,

0:15:01.040 --> 0:15:06.080
<v Speaker 2>you're in all white, And the gardener looked into the

0:15:06.160 --> 0:15:08.440
<v Speaker 2>people and said, you're not an all white take his cue.

0:15:09.120 --> 0:15:10.680
<v Speaker 2>It gets a place of guys with like a bomb

0:15:10.760 --> 0:15:11.880
<v Speaker 2>going off hisself.

0:15:11.760 --> 0:15:17.040
<v Speaker 6>Like an he gets a whole screaming and red and

0:15:17.280 --> 0:15:20.200
<v Speaker 6>raving and shaving from now wrapper the garden will walk

0:15:20.240 --> 0:15:22.520
<v Speaker 6>down to the catwalk lacking go steth each other was

0:15:22.560 --> 0:15:23.080
<v Speaker 6>really funny.

0:15:23.720 --> 0:15:26.560
<v Speaker 2>Was shaking on, going crazy, literally crazy.

0:15:27.320 --> 0:15:30.400
<v Speaker 1>When the guards would suddenly wrap the glass with their keys.

0:15:30.800 --> 0:15:33.240
<v Speaker 1>It would take him hours to recover from the shock

0:15:33.840 --> 0:15:37.840
<v Speaker 1>from this one single stimulus, the one sound in his life.

0:15:38.560 --> 0:15:42.000
<v Speaker 1>In Roger's brief moments of lucidity, he could see where

0:15:42.040 --> 0:15:44.360
<v Speaker 1>this was going, and he knew that if he didn't

0:15:44.400 --> 0:15:48.200
<v Speaker 1>do something, he could get lost forever. And it's here

0:15:48.760 --> 0:15:52.720
<v Speaker 1>that Roger got an idea. One day, when the guard

0:15:52.800 --> 0:15:55.840
<v Speaker 1>swung by to collect Roger's food tray, the guard was

0:15:55.920 --> 0:15:59.520
<v Speaker 1>surprised to see that the food remained untouched where he

0:15:59.600 --> 0:16:02.320
<v Speaker 1>had left it. When he asked Roger why he didn't

0:16:02.360 --> 0:16:06.600
<v Speaker 1>eat it, Roger said, I'm not hungry. The next meal

0:16:06.920 --> 0:16:10.880
<v Speaker 1>was the same, and the one after. Roger wrote about

0:16:10.920 --> 0:16:13.120
<v Speaker 1>his scheme to get out of the hole and into

0:16:13.200 --> 0:16:16.440
<v Speaker 1>the psychiatric ward and here's our actor reading it.

0:16:17.240 --> 0:16:19.920
<v Speaker 7>My scheme was to put on a crazy act. By

0:16:19.960 --> 0:16:22.920
<v Speaker 7>no means an original idea, because cons in every prison

0:16:23.000 --> 0:16:25.400
<v Speaker 7>throughout the world have tried it. I was going to

0:16:25.480 --> 0:16:28.400
<v Speaker 7>have to put on a tremendous act to convince the guards,

0:16:28.480 --> 0:16:30.880
<v Speaker 7>doctor and warden that I was psychotic. They knew all

0:16:30.880 --> 0:16:33.400
<v Speaker 7>the tricks. I decided to be more cunning than the

0:16:33.440 --> 0:16:36.480
<v Speaker 7>average con and so instead of firing my food tray

0:16:36.520 --> 0:16:38.200
<v Speaker 7>at them and telling them that I was on hunger

0:16:38.240 --> 0:16:41.560
<v Speaker 7>strike because they were poisoning me, I'd let them advise

0:16:41.720 --> 0:16:44.920
<v Speaker 7>me that this was what was happening, sort of reverse psychology.

0:16:45.640 --> 0:16:48.000
<v Speaker 1>But in the early going, they weren't buying what Roger

0:16:48.120 --> 0:16:51.400
<v Speaker 1>was selling. They knew who he was and what he

0:16:51.560 --> 0:16:52.240
<v Speaker 1>was capable of.

0:16:52.880 --> 0:16:54.800
<v Speaker 2>The guards a genio or rigord meal, and they said, no,

0:16:54.800 --> 0:16:56.400
<v Speaker 2>old boss like the one, and the key just said,

0:16:56.520 --> 0:16:57.280
<v Speaker 2>well can I add it?

0:16:57.960 --> 0:17:00.320
<v Speaker 1>So, right in front of Roger, as a stomach was

0:17:00.400 --> 0:17:05.479
<v Speaker 1>practically digesting itself, the guard would make Roger watch as

0:17:05.520 --> 0:17:08.400
<v Speaker 1>he slowly would eat his dinner in front of him.

0:17:09.640 --> 0:17:12.920
<v Speaker 1>By day eight, Roger didn't have to act like his

0:17:13.040 --> 0:17:17.080
<v Speaker 1>health was in jeopardy anymore. It literally was. It's a

0:17:17.160 --> 0:17:20.000
<v Speaker 1>testament to how sick Roger must have looked on that

0:17:20.160 --> 0:17:23.280
<v Speaker 1>day because the guards were concerned enough to call the doctor.

0:17:24.000 --> 0:17:27.160
<v Speaker 1>On day twelve, it was the psychiatrist who finally made

0:17:27.200 --> 0:17:31.840
<v Speaker 1>the call to transfer Roger to the psychiatric ward. His

0:17:32.040 --> 0:17:35.600
<v Speaker 1>wish was about to come true. Roger now had the

0:17:35.680 --> 0:17:39.200
<v Speaker 1>great honor of going to join the Regional Treatment Center,

0:17:39.720 --> 0:17:42.679
<v Speaker 1>which held some of the most criminally insane men.

0:17:43.119 --> 0:17:46.119
<v Speaker 2>In the country if one flew over the propos nests team.

0:17:46.240 --> 0:17:49.880
<v Speaker 1>Compared to this, in all, the Regional Treatment Center or RTC,

0:17:50.400 --> 0:17:53.240
<v Speaker 1>was a separate building within the walls of the Kingston

0:17:53.320 --> 0:17:58.119
<v Speaker 1>Penitentiary campus, and it operated completely separate from the prison.

0:17:59.000 --> 0:18:01.760
<v Speaker 1>They had their own innate that didn't mix. They had

0:18:01.800 --> 0:18:05.720
<v Speaker 1>their own staff and guards that operated independently of the prison,

0:18:06.200 --> 0:18:09.040
<v Speaker 1>and it wasn't often that an inmate was transferred from

0:18:09.119 --> 0:18:12.800
<v Speaker 1>the pen to the RTC. The old guards and historians

0:18:12.880 --> 0:18:15.239
<v Speaker 1>we talked to say that of all the messed up

0:18:15.280 --> 0:18:18.480
<v Speaker 1>things that happened at KP, all of the worst stories,

0:18:18.840 --> 0:18:23.400
<v Speaker 1>the craziest, the most depraved, all come from the RTC,

0:18:24.640 --> 0:18:28.760
<v Speaker 1>and Roger was there by choice, and it wasn't just

0:18:28.840 --> 0:18:33.040
<v Speaker 1>to escape the hole either. The RTC building is unique

0:18:33.200 --> 0:18:35.440
<v Speaker 1>on the campus in that it's one of the tallest

0:18:35.440 --> 0:18:38.800
<v Speaker 1>buildings inside the prison wall, and it also happens to

0:18:38.880 --> 0:18:44.600
<v Speaker 1>be one of the closest to the wall. When we

0:18:44.720 --> 0:18:48.280
<v Speaker 1>climbed to the top floor of this extreme bad vibes building,

0:18:48.800 --> 0:18:53.040
<v Speaker 1>this building, this building is nuts this place that deserves

0:18:53.080 --> 0:18:57.600
<v Speaker 1>its own abandoned mental hospital Instagram account. It was easy

0:18:57.680 --> 0:19:00.720
<v Speaker 1>to see why Roger was willing to litter, really starve

0:19:00.840 --> 0:19:02.000
<v Speaker 1>himself to get here.

0:19:02.840 --> 0:19:04.359
<v Speaker 3>What's your guys, best guess?

0:19:04.480 --> 0:19:07.320
<v Speaker 2>Is this like thirty feet yeah?

0:19:08.600 --> 0:19:08.919
<v Speaker 3>Okay?

0:19:09.800 --> 0:19:12.440
<v Speaker 1>Standing there eye level with the top of the wall.

0:19:13.000 --> 0:19:17.480
<v Speaker 1>It really is tauntingly close. It's easy to imagine Roger

0:19:17.600 --> 0:19:21.159
<v Speaker 1>sipping his soup, peering over the top of it, his

0:19:21.320 --> 0:19:25.840
<v Speaker 1>freedom staring him in the face. Once Roger got his

0:19:25.960 --> 0:19:29.600
<v Speaker 1>health back to a relatively robust state in between his

0:19:29.760 --> 0:19:33.920
<v Speaker 1>bi weekly electroshock therapy sessions, he got down to what

0:19:34.119 --> 0:19:38.680
<v Speaker 1>he does best. He worked quickly to procure a hacksaw

0:19:38.760 --> 0:19:40.960
<v Speaker 1>blade and was even able to get word to some

0:19:41.080 --> 0:19:43.040
<v Speaker 1>old friends in the shop that he was going to

0:19:43.160 --> 0:19:48.639
<v Speaker 1>need another grappling hook. Inside the RTC, Roger enjoyed a

0:19:48.720 --> 0:19:52.760
<v Speaker 1>sense of freedom he hadn't experienced in some time. There's

0:19:52.800 --> 0:19:55.600
<v Speaker 1>lots of free time to mingle, and it was easy

0:19:55.720 --> 0:19:58.200
<v Speaker 1>to elude the eyes of the staff as he would

0:19:58.240 --> 0:20:01.679
<v Speaker 1>work on the bars every chance he got. Everything seemed

0:20:01.680 --> 0:20:05.640
<v Speaker 1>to be coming together for Roger very quickly. He made

0:20:05.680 --> 0:20:07.920
<v Speaker 1>it through the bars on the window. He had his

0:20:08.000 --> 0:20:11.480
<v Speaker 1>grappling hook, safely hidden, and the autumn was giving way

0:20:11.760 --> 0:20:15.159
<v Speaker 1>to winter, which meant that all that was left for

0:20:15.320 --> 0:20:18.280
<v Speaker 1>his escape to become a reality was for the first

0:20:18.480 --> 0:20:22.359
<v Speaker 1>snowy night to arrive. There was only one guard tower

0:20:22.480 --> 0:20:24.560
<v Speaker 1>he needed to worry about on this side of the building.

0:20:25.359 --> 0:20:27.480
<v Speaker 1>Some snow could be enough of a screen for him

0:20:27.520 --> 0:20:30.240
<v Speaker 1>to throw his grappling hook over the top of the wall.

0:20:32.320 --> 0:20:35.240
<v Speaker 1>But with all of these things in place, Roger got

0:20:35.320 --> 0:20:39.600
<v Speaker 1>pulled into something he hadn't in a long time. He

0:20:39.720 --> 0:20:42.560
<v Speaker 1>got into a fight with the ward tough guy, a

0:20:42.680 --> 0:20:46.639
<v Speaker 1>dude named Punchy, But unlike most of his other prison fights,

0:20:47.119 --> 0:20:50.240
<v Speaker 1>this one didn't seem to arrive at a resolution. When

0:20:50.240 --> 0:20:55.119
<v Speaker 1>the fisticuffs were over. Afterward, Punchy was telling anyone who'd

0:20:55.200 --> 0:20:57.879
<v Speaker 1>listen that he was going to kill Roger at the

0:20:58.040 --> 0:21:02.480
<v Speaker 1>earliest opportunity, and had it snowed a day or two earlier,

0:21:02.920 --> 0:21:05.960
<v Speaker 1>maybe nothing would have happened. Maybe Roger would have made

0:21:05.960 --> 0:21:08.400
<v Speaker 1>it over the wall and all the way to Mexico,

0:21:08.760 --> 0:21:12.159
<v Speaker 1>never to be seen again. But that's not how it

0:21:12.280 --> 0:21:16.120
<v Speaker 1>went down. There was a party a few cell blocks over.

0:21:16.560 --> 0:21:19.280
<v Speaker 1>Roger could hear that everyone was lit up on prison

0:21:19.359 --> 0:21:24.480
<v Speaker 1>brew and pills. When Suddenly, this punchy guy appeared out

0:21:24.520 --> 0:21:28.920
<v Speaker 1>of nowhere. Roger didn't know what hit him. Before he

0:21:29.000 --> 0:21:33.280
<v Speaker 1>could even protect himself, the blade was in him. Punchy

0:21:33.359 --> 0:21:37.000
<v Speaker 1>withdrew the ship from Roger as he gasped for breath

0:21:37.440 --> 0:21:41.680
<v Speaker 1>and begged, kill me, just kill me, but he offered

0:21:41.760 --> 0:21:46.399
<v Speaker 1>no such mercy. Instead, Punchy just walked away, leaving Roger

0:21:46.480 --> 0:21:50.679
<v Speaker 1>slumped against a wall in the corridor, his blood pooling

0:21:51.000 --> 0:21:51.600
<v Speaker 1>on the floor.

0:21:51.920 --> 0:21:55.359
<v Speaker 8>I was stad in the stomach. Gucks come over my

0:21:55.440 --> 0:21:59.680
<v Speaker 8>hand and my spleaming montred. I gotta put long star

0:21:59.760 --> 0:22:02.080
<v Speaker 8>on my stomach. Got two knights slaves and my.

0:22:02.160 --> 0:22:03.720
<v Speaker 2>Nose and oh nose, you know over.

0:22:05.480 --> 0:22:08.520
<v Speaker 1>When he was discovered by two orderlies, they moved quickly

0:22:08.880 --> 0:22:10.880
<v Speaker 1>and rushed him to the civilian hospital.

0:22:11.000 --> 0:22:12.879
<v Speaker 8>I was the fastest I ever got out the penitentiary

0:22:12.880 --> 0:22:16.680
<v Speaker 8>in Yami's eleven o'clock at night, going through the front gates,

0:22:16.680 --> 0:22:17.640
<v Speaker 8>and I got to my hand.

0:22:18.000 --> 0:22:19.400
<v Speaker 2>Blood's flying out everywhere.

0:22:19.720 --> 0:22:22.760
<v Speaker 1>As Roger slushed around in the ambulance like a puddle

0:22:22.840 --> 0:22:26.960
<v Speaker 1>on the floor, everything around him was frantic and chaotic,

0:22:27.560 --> 0:22:30.560
<v Speaker 1>but inside he was certain that this would be his

0:22:30.680 --> 0:22:34.159
<v Speaker 1>final night on earth. He watched the paramedics as he

0:22:34.280 --> 0:22:35.520
<v Speaker 1>slipped in and out.

0:22:35.680 --> 0:22:37.200
<v Speaker 9>By the time he got to hot I was just

0:22:37.280 --> 0:22:40.280
<v Speaker 9>going unconscious, you know, and all these keyboard ripping my

0:22:40.400 --> 0:22:42.640
<v Speaker 9>toes off, and you don't know me. And a priest

0:22:42.720 --> 0:22:44.560
<v Speaker 9>comes over to me and he says, you know, he

0:22:44.640 --> 0:22:46.960
<v Speaker 9>says he mind go to pray over it, and everything's

0:22:47.000 --> 0:22:48.440
<v Speaker 9>all blurred and on our member.

0:22:48.320 --> 0:22:50.560
<v Speaker 2>Saying, well help you south now, I just played you

0:22:50.640 --> 0:22:51.080
<v Speaker 2>say you're.

0:22:50.960 --> 0:22:51.560
<v Speaker 3>Shifting the day.

0:22:52.080 --> 0:22:55.640
<v Speaker 1>Meanwhile, one hundred and eighty miles away in Montreal, well,

0:22:55.680 --> 0:22:56.280
<v Speaker 1>we were at home.

0:22:56.359 --> 0:22:57.240
<v Speaker 10>In the phone rings.

0:22:57.640 --> 0:23:00.720
<v Speaker 1>This is Roger's niece, Diane, and my mother.

0:23:00.720 --> 0:23:03.359
<v Speaker 10>Gets off the phone and she was really really upset

0:23:03.400 --> 0:23:05.640
<v Speaker 10>and she was crying and I said, Mom, what's wrong?

0:23:06.200 --> 0:23:09.359
<v Speaker 10>And she says, Roger's been stabbed all over and they

0:23:09.440 --> 0:23:13.119
<v Speaker 10>don't think he's going to live. And then so we prayed.

0:23:13.280 --> 0:23:15.640
<v Speaker 10>We all prayed, you know, because in those days, that's

0:23:15.720 --> 0:23:17.119
<v Speaker 10>what you did and that's how.

0:23:17.080 --> 0:23:17.440
<v Speaker 2>You did it.

0:23:17.680 --> 0:23:20.680
<v Speaker 1>So Roger's sister and mother rushed from Cornwall all the

0:23:20.720 --> 0:23:23.760
<v Speaker 1>way to Kingston. Here's Sue Roger's sister.

0:23:24.080 --> 0:23:27.760
<v Speaker 11>They forewarned us that more than likely when we arrived,

0:23:27.840 --> 0:23:32.840
<v Speaker 11>he may not be alive. And we got there and

0:23:32.920 --> 0:23:36.040
<v Speaker 11>there were tubes coming out of him, and he had

0:23:37.200 --> 0:23:40.040
<v Speaker 11>a guard inside the room and a guard outside the

0:23:40.080 --> 0:23:40.920
<v Speaker 11>door of the room.

0:23:41.440 --> 0:23:44.440
<v Speaker 1>As Sue stood at her brother's side, she held his hand,

0:23:44.720 --> 0:23:45.840
<v Speaker 1>urging him to hang on.

0:23:46.119 --> 0:23:48.840
<v Speaker 11>I remember him squeezing my hand. He held my hand

0:23:48.920 --> 0:23:51.800
<v Speaker 11>so hard, actually heard me, you know, but he could

0:23:51.840 --> 0:23:53.640
<v Speaker 11>have broke it. I would not have moved my hand away,

0:23:53.760 --> 0:23:56.000
<v Speaker 11>so he recognized us, that's for sure.

0:23:56.720 --> 0:23:58.720
<v Speaker 1>It had been a long time since she'd been able

0:23:58.800 --> 0:24:01.399
<v Speaker 1>to touch her brother, to breathe the same air as

0:24:01.480 --> 0:24:02.760
<v Speaker 1>him outside of prison.

0:24:03.160 --> 0:24:05.560
<v Speaker 11>And I would explained to him, you know, the surgery

0:24:05.600 --> 0:24:08.359
<v Speaker 11>is what happened, because half his nose had been ripped away,

0:24:09.119 --> 0:24:12.720
<v Speaker 11>and he had been knifed in his stomach area, which

0:24:13.400 --> 0:24:15.960
<v Speaker 11>caused him to lose his spleen. They did surgery on

0:24:16.080 --> 0:24:20.879
<v Speaker 11>him and all kinds of transfusions and whatnot. And it

0:24:21.000 --> 0:24:23.240
<v Speaker 11>was only a few days later that we kept calling

0:24:23.320 --> 0:24:26.800
<v Speaker 11>the hospital to see how he was doing, and they said, oh,

0:24:26.920 --> 0:24:30.440
<v Speaker 11>he's been taken back to the penitentiary like a matter

0:24:30.480 --> 0:24:32.879
<v Speaker 11>of like two days, as soon as it looked like

0:24:32.960 --> 0:24:35.480
<v Speaker 11>he was going to live, as soon as it looked

0:24:35.600 --> 0:24:39.640
<v Speaker 11>like it, right back the penitentiary because he was go boy.

0:24:52.240 --> 0:24:54.600
<v Speaker 1>Roger was placed back in the hole by the warden

0:24:54.880 --> 0:24:58.920
<v Speaker 1>at the earliest possible opportunity. His whole fiasco in the

0:24:58.960 --> 0:25:02.359
<v Speaker 1>psychiatric hospit had only signaled to those keeping him in

0:25:02.440 --> 0:25:06.560
<v Speaker 1>solitary that they'd been making the right choice. It proved

0:25:06.600 --> 0:25:10.040
<v Speaker 1>what they'd suspected all along, that if they ever gave

0:25:10.200 --> 0:25:14.080
<v Speaker 1>Roger Kerran even the slightest of openings, he do everything

0:25:14.200 --> 0:25:17.640
<v Speaker 1>he could to slip through. So he was back where

0:25:17.680 --> 0:25:20.840
<v Speaker 1>he started. The only difference now was that he had

0:25:20.920 --> 0:25:25.080
<v Speaker 1>no spleen. His long term future would be spent in

0:25:25.240 --> 0:25:28.639
<v Speaker 1>this very room with this very light bulb and that

0:25:29.200 --> 0:25:37.880
<v Speaker 1>very guard and this very hopelessness. The months without human

0:25:38.000 --> 0:25:43.080
<v Speaker 1>contact began to accumulate. There was no peace. There was nothing,

0:25:43.640 --> 0:25:45.400
<v Speaker 1>literally nothing.

0:25:46.040 --> 0:25:51.280
<v Speaker 5>And a person starts to turn on themselves.

0:25:50.840 --> 0:25:53.080
<v Speaker 1>In that environment, Graham Stewart again.

0:25:53.359 --> 0:25:55.920
<v Speaker 5>They get very depressed, or they get very angry, or

0:25:55.960 --> 0:25:59.399
<v Speaker 5>they get delusionble. You can't undo an experience like that.

0:25:59.640 --> 0:26:02.840
<v Speaker 5>Imagine what it's like going day after day. So it's

0:26:02.880 --> 0:26:03.840
<v Speaker 5>a deep trauma.

0:26:04.400 --> 0:26:07.080
<v Speaker 1>Roger would pace his cage like an animal for an

0:26:07.280 --> 0:26:11.640
<v Speaker 1>entire day or was it an entire night, He couldn't tell,

0:26:12.200 --> 0:26:14.720
<v Speaker 1>and the guards certainly weren't going to help him get

0:26:14.760 --> 0:26:17.399
<v Speaker 1>a grip on what day or time it was. The

0:26:17.520 --> 0:26:20.879
<v Speaker 1>guards he'd tricked into committing him to the psychiatric ward

0:26:21.280 --> 0:26:24.600
<v Speaker 1>were pissed that they'd been fooled, so they'd take special

0:26:24.720 --> 0:26:28.280
<v Speaker 1>care to torment him like it was their job, and

0:26:28.400 --> 0:26:31.919
<v Speaker 1>if they ever saw him finally drift off, it'd smash

0:26:32.000 --> 0:26:35.840
<v Speaker 1>the glass and laugh as he shot up, confused, as

0:26:35.920 --> 0:26:38.960
<v Speaker 1>he visibly was beginning to show signs that he was

0:26:39.080 --> 0:26:43.240
<v Speaker 1>losing his sanity. One of the first things that was

0:26:43.320 --> 0:26:46.440
<v Speaker 1>concerning to Roger was when one day he could hear

0:26:46.640 --> 0:26:48.440
<v Speaker 1>a very clear crackle.

0:26:48.640 --> 0:26:52.360
<v Speaker 2>And my hearing was so acute. I to sometimes say

0:26:52.440 --> 0:26:54.960
<v Speaker 2>street slice of ripped of my supper trade. And it

0:26:55.080 --> 0:26:57.879
<v Speaker 2>got so quiet around midnight that I started hearing this

0:26:58.040 --> 0:27:01.240
<v Speaker 2>cracking sun. Where's it come from? I got here my grit,

0:27:01.600 --> 0:27:03.680
<v Speaker 2>I put my ear there, and might I could hear

0:27:03.800 --> 0:27:04.959
<v Speaker 2>my grit drying up?

0:27:05.680 --> 0:27:08.600
<v Speaker 1>Around this time, Roger started to hear other things down

0:27:08.640 --> 0:27:11.600
<v Speaker 1>there too, and down in.

0:27:11.720 --> 0:27:14.560
<v Speaker 2>All almost two years, hallucinating.

0:27:13.880 --> 0:27:17.120
<v Speaker 1>That your voice all Roger would be laying on his bed,

0:27:17.400 --> 0:27:21.320
<v Speaker 1>basking in the Saharan sun when he'd hear a whimper and.

0:27:21.400 --> 0:27:24.240
<v Speaker 2>Here I hear a female voice cry every night at

0:27:24.240 --> 0:27:26.760
<v Speaker 2>eleven o'clock when the guards cheeks shift, and she was

0:27:26.840 --> 0:27:29.119
<v Speaker 2>so lonely, so distressed, and I was so lonely and

0:27:29.240 --> 0:27:29.960
<v Speaker 2>so distressed.

0:27:30.160 --> 0:27:33.399
<v Speaker 1>Every night the sobbing became a little clearer, like she

0:27:33.560 --> 0:27:36.000
<v Speaker 1>was right there in the cell with him. So he'd

0:27:36.080 --> 0:27:38.720
<v Speaker 1>murmur things to her, tell her that they were going

0:27:38.800 --> 0:27:41.520
<v Speaker 1>to be okay, that they were both going to find

0:27:41.560 --> 0:27:43.119
<v Speaker 1>a way to survive this.

0:27:44.040 --> 0:27:46.880
<v Speaker 2>And she I could hear a crying. Her tears were

0:27:46.920 --> 0:27:49.720
<v Speaker 2>coming out of all fourst of my cellar. A voice

0:27:49.880 --> 0:27:52.800
<v Speaker 2>was like a fallowist and rocky home crazy or lucinating.

0:27:53.040 --> 0:27:55.080
<v Speaker 2>I'm nervous, I'm bouncing off all the walls.

0:27:55.760 --> 0:27:58.760
<v Speaker 1>Roger started to slip into the space he was afraid

0:27:58.840 --> 0:28:02.680
<v Speaker 1>of where he was entering into a dangerous forest that

0:28:02.800 --> 0:28:04.639
<v Speaker 1>he might never make it out of.

0:28:05.560 --> 0:28:07.720
<v Speaker 2>I was so nervous that one night I fell a spigure.

0:28:07.840 --> 0:28:10.159
<v Speaker 2>Must have been after midnight, like I armed behind my

0:28:10.640 --> 0:28:12.920
<v Speaker 2>I had a real bad dream. I woke up from

0:28:12.960 --> 0:28:15.920
<v Speaker 2>these bad dreams, and all of a sudden, I felt

0:28:15.960 --> 0:28:18.520
<v Speaker 2>this presence behind me, and I turned my head and

0:28:18.640 --> 0:28:22.520
<v Speaker 2>rooting roll and I spotted these five fingers. Well, I

0:28:22.520 --> 0:28:24.600
<v Speaker 2>had jumped so high they all took.

0:28:25.200 --> 0:28:27.840
<v Speaker 1>And it was around this time when Roger started to

0:28:27.920 --> 0:28:32.240
<v Speaker 1>become frightened of his own limbs. When it happened a

0:28:32.440 --> 0:28:40.360
<v Speaker 1>bonafide Christmas miracle. On Christmas Eve, suddenly a vision came

0:28:40.440 --> 0:28:44.000
<v Speaker 1>to visit Roger in his solitary cell. But this time,

0:28:44.120 --> 0:28:48.320
<v Speaker 1>for once, it wasn't a vision at all. It was real.

0:28:49.400 --> 0:28:52.400
<v Speaker 1>A tall man in a navy blue uniform entered his

0:28:52.520 --> 0:28:56.360
<v Speaker 1>cell and regarded Roger with a warm look on his face.

0:28:56.840 --> 0:28:59.880
<v Speaker 2>Christmas Eve around a state of populdn't you go?

0:29:00.200 --> 0:29:00.400
<v Speaker 3>Open?

0:29:00.680 --> 0:29:03.120
<v Speaker 2>And then he walked a captain in the Salvation Army guy.

0:29:03.520 --> 0:29:05.760
<v Speaker 2>And first time I had ever seen one of these

0:29:05.840 --> 0:29:08.120
<v Speaker 2>guys in a hole, like for two years they lived

0:29:08.120 --> 0:29:09.520
<v Speaker 2>in a hole, never seen anything.

0:29:09.800 --> 0:29:15.560
<v Speaker 1>Salvation Army offers the true spirit of Christmas. The man

0:29:15.600 --> 0:29:19.360
<v Speaker 1>from the Salvation Army firmly shook Roger's hand and gave

0:29:19.440 --> 0:29:20.320
<v Speaker 1>him a gift.

0:29:20.680 --> 0:29:23.280
<v Speaker 2>They gave you a personalized Christmas card. And then he

0:29:23.320 --> 0:29:26.200
<v Speaker 2>gave me a bag of candies and Mike Candy Shop

0:29:26.280 --> 0:29:28.640
<v Speaker 2>with Mormon of jelly beans, all kinds of carsn't it.

0:29:29.280 --> 0:29:32.760
<v Speaker 1>Roger looked down at the jelly beans and card in disbelief.

0:29:33.520 --> 0:29:37.640
<v Speaker 1>As the man tipped his hat, said Merry Christmas and

0:29:37.920 --> 0:29:38.320
<v Speaker 1>was gone.

0:29:46.760 --> 0:29:49.280
<v Speaker 2>They closed the door. I sick crossed lady on the floor.

0:29:49.720 --> 0:29:51.400
<v Speaker 2>So I got these jelly beans. I want to eat

0:29:51.440 --> 0:29:53.960
<v Speaker 2>them all right away, I said, no, six hours, it's

0:29:53.960 --> 0:29:56.360
<v Speaker 2>going to be Christmas eve. I'm going to wait until

0:29:56.360 --> 0:29:59.040
<v Speaker 2>a shift changes, when the guards come, and I'll know

0:29:59.160 --> 0:30:01.880
<v Speaker 2>it's midnight and it's it's a Merry Christmas, Roger, and

0:30:01.960 --> 0:30:03.080
<v Speaker 2>then eat on my tige beans.

0:30:03.520 --> 0:30:07.719
<v Speaker 1>But as midnight approached, Roger kept staring at his jelly beans.

0:30:08.600 --> 0:30:11.840
<v Speaker 1>They were the first objects that weren't prison food or

0:30:11.920 --> 0:30:14.920
<v Speaker 1>an army blanket or a book that he'd been allowed

0:30:15.040 --> 0:30:19.000
<v Speaker 1>in the hole. And they were so beautiful, so perfect.

0:30:19.640 --> 0:30:22.640
<v Speaker 1>Some of them were colors he quite literally hadn't seen

0:30:22.720 --> 0:30:26.200
<v Speaker 1>in years. It seemed a waste to chew them up

0:30:26.320 --> 0:30:30.440
<v Speaker 1>and swallow them, so he thought about what else he

0:30:30.520 --> 0:30:35.040
<v Speaker 1>could use them for. He saw his least favorite guard

0:30:35.360 --> 0:30:38.000
<v Speaker 1>glaring at him through the skylight, and then this.

0:30:38.120 --> 0:30:41.240
<v Speaker 2>Suddenly came to me as a Christmas heat. But I

0:30:41.560 --> 0:30:44.640
<v Speaker 2>only tell him what I think of is is that

0:30:44.920 --> 0:30:46.840
<v Speaker 2>you know, I saw a writing word on the floor,

0:30:46.880 --> 0:30:49.240
<v Speaker 2>a real nasty word on the floor. Then he came

0:30:49.800 --> 0:30:53.120
<v Speaker 2>with it being malicious as directed him not playing the game,

0:30:53.640 --> 0:30:55.640
<v Speaker 2>and a good king of nasty word to only three

0:30:55.720 --> 0:30:56.560
<v Speaker 2>or four of them as well.

0:30:57.120 --> 0:31:00.520
<v Speaker 1>So as the clock turned over to Christmas, Roger spelled

0:31:00.520 --> 0:31:03.040
<v Speaker 1>out the word pig on the floor with his jelly

0:31:03.120 --> 0:31:07.400
<v Speaker 1>beans and looked up at the skylight expectantly. When the

0:31:07.480 --> 0:31:09.840
<v Speaker 1>guard appeared in the window, pull.

0:31:09.720 --> 0:31:12.120
<v Speaker 2>My hands back. I looked up at him. He looks

0:31:12.160 --> 0:31:15.160
<v Speaker 2>at the word. All of a sudden, he became livid.

0:31:15.440 --> 0:31:18.640
<v Speaker 2>Just show me with rage, you know, Please start banging

0:31:19.120 --> 0:31:20.640
<v Speaker 2>and saying this and that. I look at it like

0:31:20.720 --> 0:31:22.600
<v Speaker 2>he's crazy. You know, what's the matter with you? Boston.

0:31:23.120 --> 0:31:26.680
<v Speaker 1>Roger had tried many things to intentionally enrage the guard

0:31:26.760 --> 0:31:29.640
<v Speaker 1>since he'd been down there, but nothing had got a

0:31:29.720 --> 0:31:33.040
<v Speaker 1>reaction like this. It was beautiful when.

0:31:33.000 --> 0:31:35.000
<v Speaker 2>He's shaking his fast like you know what's happening, you know.

0:31:35.360 --> 0:31:37.400
<v Speaker 12>Then he walked away mumbling to himself, and I sat

0:31:37.440 --> 0:31:40.720
<v Speaker 12>there and on I says, my god, the power of

0:31:40.800 --> 0:31:42.720
<v Speaker 12>the written word is incredible.

0:31:43.040 --> 0:31:45.720
<v Speaker 1>The next guard got the word dog, the one after

0:31:45.880 --> 0:31:49.960
<v Speaker 1>that jerk. For two days, Roger racked his brain to

0:31:50.040 --> 0:31:52.880
<v Speaker 1>spell the worst three and four letter words he could

0:31:52.960 --> 0:31:53.280
<v Speaker 1>think of.

0:31:55.200 --> 0:31:57.480
<v Speaker 12>Four days after I was expressing myself, I found a

0:31:57.600 --> 0:32:00.680
<v Speaker 12>goon squad come charging myself with clubs and as masks,

0:32:00.960 --> 0:32:02.720
<v Speaker 12>pinned me up against the wall, and he confiscated my

0:32:02.800 --> 0:32:06.400
<v Speaker 12>jelly beans. I was using my fist, I was using

0:32:06.440 --> 0:32:08.880
<v Speaker 12>my stupidity all these years, and I wasn't getting nowhere.

0:32:08.960 --> 0:32:11.120
<v Speaker 12>All of a sudden, I just reverted to a few words,

0:32:11.160 --> 0:32:13.240
<v Speaker 12>and I got a terrific reaction of it.

0:32:13.440 --> 0:32:14.040
<v Speaker 3>And this was it.

0:32:14.760 --> 0:32:18.320
<v Speaker 1>Roger had only written a few monosyllabic words out of

0:32:18.440 --> 0:32:22.800
<v Speaker 1>jelly beans. But even in the moment, he knew that something,

0:32:23.440 --> 0:32:26.400
<v Speaker 1>a much bigger shift was happening.

0:32:26.840 --> 0:32:29.600
<v Speaker 2>Are knew something happened in my life.

0:32:30.240 --> 0:32:34.160
<v Speaker 1>He needed to write more words. He needed to But

0:32:34.400 --> 0:32:39.680
<v Speaker 1>how when he remembered that all inmates were granted upon request,

0:32:40.080 --> 0:32:42.520
<v Speaker 1>something he never thought to ask for.

0:32:43.160 --> 0:32:47.040
<v Speaker 13>Suddenly I found myself asking the school teacher if he

0:32:47.040 --> 0:32:49.280
<v Speaker 13>would send me down some pencils in a scribber, not

0:32:49.400 --> 0:32:53.120
<v Speaker 13>knowing why or what, except that this compulsion in need

0:32:53.200 --> 0:32:57.680
<v Speaker 13>his urge to express my inner aguage, my turmoil.

0:32:58.120 --> 0:33:00.840
<v Speaker 1>As the stationary and pencils make their way down to

0:33:00.960 --> 0:33:05.000
<v Speaker 1>the hole, it's worth pausing to point out the unlikelihood

0:33:05.200 --> 0:33:09.400
<v Speaker 1>of what happened next. This man had almost no education,

0:33:10.000 --> 0:33:13.360
<v Speaker 1>he had no voice. He was the bottom of the

0:33:13.440 --> 0:33:18.160
<v Speaker 1>bottom of the bottom of the prison and society. And

0:33:18.280 --> 0:33:22.960
<v Speaker 1>against all of this, his words were about to change everything.

0:33:38.160 --> 0:33:41.600
<v Speaker 1>Go Boy is a production from Campside Media in partnership

0:33:41.640 --> 0:33:46.560
<v Speaker 1>with iHeart Podcasts. Listen on the iHeartRadio app, Apple Podcasts,

0:33:47.000 --> 0:33:50.760
<v Speaker 1>or wherever you get your podcasts. Go Boy was written

0:33:50.800 --> 0:33:54.640
<v Speaker 1>and hosted by me Sam LLINs. Our producer is Rob

0:33:54.720 --> 0:33:59.160
<v Speaker 1>Lindsay of Paradox Pictures. Laine Rose is our senior producer.

0:34:00.000 --> 0:34:04.640
<v Speaker 1>Sound design, mix and engineering by Garrett Tiedeman. Original music

0:34:05.000 --> 0:34:10.600
<v Speaker 1>by Garrett Tiedemant, fact checking by Michael Kenyon Meyer. Selected

0:34:10.719 --> 0:34:15.040
<v Speaker 1>archival clips are from CBC Licensing. The book Go Boy

0:34:15.280 --> 0:34:20.319
<v Speaker 1>was written by Roger Kuran. iHeart Podcasts Executive producers are

0:34:20.400 --> 0:34:25.359
<v Speaker 1>Lindsay Hoffman and Jennifer Bassett. Excerpts from Roger Koran's book

0:34:25.440 --> 0:34:29.360
<v Speaker 1>Go Boy, read by Jamie Cavanaugh. Special thanks to Kingston

0:34:29.440 --> 0:34:33.680
<v Speaker 1>Pantentry Tours and Greg Guthrow from Saint Lawrence Parks Commission.

0:34:34.320 --> 0:34:39.000
<v Speaker 1>Thanks also to Canada's Penitentiary Museum, Mike Schreider, Dave Saint

0:34:39.040 --> 0:34:45.000
<v Speaker 1>Ounge and Correctional Service Canada. Campside Media's executive producers are

0:34:45.120 --> 0:34:50.279
<v Speaker 1>Josh Dean, Vanessa, Gregoriatis, Adam Hoff, and Matt Cher. A

0:34:50.400 --> 0:34:54.800
<v Speaker 1>special thanks to our operations team Doug Slaywyn, Ashley Warren,

0:34:55.040 --> 0:34:59.319
<v Speaker 1>Sabina Marra and Destiny Dingle. If you enjoyed Go Boy,

0:34:59.600 --> 0:35:03.000
<v Speaker 1>please rate and review the show wherever you get your podcasts.

0:35:03.680 --> 0:35:04.440
<v Speaker 1>Thanks for listening.