WEBVTT - Remembering Joe Diffie: BobbyCast #217 with Joe Diffie on having dinner with George Jones, being in a Super Bowl Commercial and seeing an aura Around Garth Brooks

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<v Speaker 1>So Joe Diffy passed away literally saw it just now,

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<v Speaker 1>so I thought I would get on and say a

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<v Speaker 1>few things and also put back the episode we did

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<v Speaker 1>with him just a few months ago. I was lucky

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<v Speaker 1>enough to have become buds with Joe over the last

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<v Speaker 1>few years, especially the last couple of years. He first

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<v Speaker 1>came on the radio show, which to me was a

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<v Speaker 1>big deal because it's always awesome getting to hang out

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<v Speaker 1>with the people that you liked when you were a kid,

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<v Speaker 1>and that was definitely the case with Joe Diffy. I

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<v Speaker 1>just got a text from a country singer just now said, dude,

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<v Speaker 1>Joe Diffy, so sad. I'm really glad he was on

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<v Speaker 1>your podcast. It was the only long form interview that

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<v Speaker 1>I heard from him. So we're gonna play it back

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<v Speaker 1>if you didn't get to hear it. And we also

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<v Speaker 1>did this around Christmas time, I think last year, right, Yeah,

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<v Speaker 1>so it we weren't really able to promote as much

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<v Speaker 1>as we would like. I would have liked to as well,

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<v Speaker 1>So I hope you like it. Just a couple of

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<v Speaker 1>things before we get into it. Joe Diffy died at

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<v Speaker 1>sixty one, and this is a few days after his

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<v Speaker 1>positive coronavirus. His tests came out, just made a bunch

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<v Speaker 1>of hits throughout the nineties. By the way, I don't

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<v Speaker 1>know what day you're listening to this, but he did

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<v Speaker 1>die Sunday due to complications related to COVID nineteen. Um.

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<v Speaker 1>You know, there's a lot of quotes here. I'll go

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<v Speaker 1>because with these funerals or with people dying during coronavirus time,

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<v Speaker 1>what really sucks is you can't get a bunch of

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<v Speaker 1>people together to appreciate and pay respects. So that that stinks,

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<v Speaker 1>because you know, you want to show that you love people,

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<v Speaker 1>you want to be there for them. Joe Diffy was

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<v Speaker 1>a grand old oprety member. It was a Grammy winner.

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<v Speaker 1>We're gonna go through some of his catalogs in a second,

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<v Speaker 1>But to me, he was just a a good old

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<v Speaker 1>normal dude who whenever he put out his new record

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<v Speaker 1>he saved me is very first final and he wrote

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<v Speaker 1>on a one of five hundred, so our condolences out

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<v Speaker 1>to the whole family there. You know, when Joe came

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<v Speaker 1>over and did the Bobby cast, I think he brought

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<v Speaker 1>his whole family with him. Were like they were in here, yeah,

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<v Speaker 1>like an audience and his daughter was a huge fan

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<v Speaker 1>of the show. You know, I was able to play

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<v Speaker 1>the opery with Joe a couple of times. It just

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<v Speaker 1>it sucks. It does it really sucks. There's really nothing

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<v Speaker 1>more to the point except it sucks. Um. My favorite

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<v Speaker 1>song from Joe Diffy was problem Me Upside of the the

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<v Speaker 1>jew Box. I know. I got to sing it with

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<v Speaker 1>them on the radio show because I was like, Joe,

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<v Speaker 1>I love it, but let me sing it with you,

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<v Speaker 1>and he was like, all right, so this is my

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<v Speaker 1>favorite on the video we talked about it coming up.

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<v Speaker 1>John der Green, Hey, everybody knows this one. On that

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<v Speaker 1>hot summer night. It cut man all my lives and

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<v Speaker 1>trapped me jams and just set off and win and

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<v Speaker 1>lack about a pick up man. Third Rock from the Sun,

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<v Speaker 1>which is one of those weird songs that I learned

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<v Speaker 1>every word too as a kid because there are so

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<v Speaker 1>many words and I was so proud of myself that

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<v Speaker 1>I could sing all of it. When do I come

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<v Speaker 1>on the radio, I play a cool but like, oh

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<v Speaker 1>I like this song, but I know every word and

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<v Speaker 1>I want to look at them too. I'll just be

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<v Speaker 1>singing it and hopefully they'd appreciate. I knew every word

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<v Speaker 1>of the song. And then ships that don't come in.

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<v Speaker 1>Here's to all the souls who have ever died in bed,

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<v Speaker 1>insane loughter looms, all this down, all man, those to

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<v Speaker 1>stand around him, these shoes and it's bead against the wind,

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<v Speaker 1>and those who wait forever. Ships don't recipes. Joe. I

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<v Speaker 1>love you as a kid, love jagain as an adult,

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<v Speaker 1>probably loved you all that time in the middle two.

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<v Speaker 1>That sucks. It sucks, It sucks. Um. Here is the

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<v Speaker 1>Bobby cast I did with Joe Diffy that I was

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<v Speaker 1>so excited for that. I did it on vacation during Christmas,

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<v Speaker 1>and I was like, holy crap, I hope you enjoy it,

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<v Speaker 1>share it with your friends, and here you go. I

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<v Speaker 1>welcome to episode to seventeen with a guy I really

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<v Speaker 1>like and we've been a big fan of for yours

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<v Speaker 1>Joe Diffy. Good to hear you, good to see you,

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<v Speaker 1>Thank you, thank you. You know. I was looking up.

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<v Speaker 1>I know most of the stuff about you, like I've

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<v Speaker 1>been a fan before we've been able to be friends.

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<v Speaker 1>I was just a massive fan of you growing up,

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<v Speaker 1>and so as I kind of went on the deep

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<v Speaker 1>dive because I always like to find out. You know,

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<v Speaker 1>what do I not know about the people that are

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<v Speaker 1>coming over to the house listen to this. I don't

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<v Speaker 1>know if you eve knew? Oh Lord, here we go.

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<v Speaker 1>On this day, December six, you had the number one

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<v Speaker 1>song on the Billboard Country chart with Pickup Man. It

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<v Speaker 1>was your longest lasting number one. I haven't spent four

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<v Speaker 1>weeks in number one from December four to January. Did

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<v Speaker 1>you know that was today? No? I didn't know today.

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<v Speaker 1>I knew the rest of that, but I didn't realize

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<v Speaker 1>the date of it. That's pretty cool on this day

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<v Speaker 1>and four number one? Yeah. Yeah. So for example, Luke

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<v Speaker 1>Combs just spent three weeks at number one. Um, and

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<v Speaker 1>that's a for a song, the last three weeks number one,

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<v Speaker 1>especially today, it's a really big deal when you have

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<v Speaker 1>a song that numbone for four weeks in what's really

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<v Speaker 1>the the vibe of that? Well, I mean it was

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<v Speaker 1>unusual because back then, you know, they put out a

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<v Speaker 1>lot more songs. The frequency you have, you know, you

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<v Speaker 1>put out four, four or five songs a year, and

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<v Speaker 1>now you might have one song that stays on the

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<v Speaker 1>charts lingering there at some point for almost a year.

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<v Speaker 1>You know, so so that was kind of the weird

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<v Speaker 1>part we had. We had to wait to see what

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<v Speaker 1>how long it was gonna stay number one before we

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<v Speaker 1>could put out another record. So did you feel like

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<v Speaker 1>that song was going to be a number one song?

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<v Speaker 1>I knew it from the instant I heard it. I

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<v Speaker 1>really did. Yeah. I don't know why, I just something

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<v Speaker 1>about it. I just you know, have you been able

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<v Speaker 1>to name and nail boasted most of your big songs

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<v Speaker 1>when the first time you heard them? Yeah? Pretty much. Uh,

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<v Speaker 1>there was a couple that it didn't like John dear

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<v Speaker 1>Green I hated when I first heard it. Yeah, why

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<v Speaker 1>well because the demo and now this is it's a

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<v Speaker 1>long sago, but but when I first heard it, Uh,

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<v Speaker 1>it was done by the writer named Dennis Lyndy, and

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<v Speaker 1>he had a very eclectic sound in voice, and he

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<v Speaker 1>did all his own demos at his house. So it

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<v Speaker 1>had like a Jews harp playing like aren't Arnie? And

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<v Speaker 1>I was like, what the heck is that? You know?

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<v Speaker 1>And then my producer so we just he said, ignored

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<v Speaker 1>the demo part. I have to add right now that

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<v Speaker 1>that I subsequently, uh loved all of Dennis Lindy's demos

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<v Speaker 1>they were so cool. After you got after you kind

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<v Speaker 1>of figured out what was what was happening, you know,

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<v Speaker 1>any of My producer said listen to the words and

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<v Speaker 1>uh and uh. I was like, man, I just don't

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<v Speaker 1>like it at all. He goes, well, he said, he said,

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<v Speaker 1>I think this is a hit, And I said, well,

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<v Speaker 1>we can try it, you know, we'll go on the

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<v Speaker 1>studio and cut and if it doesn't work out, then

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<v Speaker 1>we scrap it, you know. So luckily it worked out.

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<v Speaker 1>So you go in and at what point is it

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<v Speaker 1>during the session? Is it during the track? When do

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<v Speaker 1>you go, oh, there might be something here with John

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<v Speaker 1>der Gran when we tracked it, you know, because obviously

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<v Speaker 1>it was a lot different than the demo, you know,

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<v Speaker 1>so yeah, we once once we started tracking, I was like,

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<v Speaker 1>that's that is a pretty good song right there. What

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<v Speaker 1>song of yours when you play it gets the biggest response?

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<v Speaker 1>And you know what's funny about that? It was not

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<v Speaker 1>a number one song? Isn't that weird? And it's you know,

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<v Speaker 1>I talked with a lot of young artists now and

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<v Speaker 1>they're like, I just want that number one. Like I

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<v Speaker 1>get it, you do. But and and in Keith were

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<v Speaker 1>gonna have talked about this where his a lot of

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<v Speaker 1>his biggest songs weren't number one, and then we werena

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<v Speaker 1>you know was back in those days. I mean there

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<v Speaker 1>were severally over like four or five different charts, so

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<v Speaker 1>I think it did go number one and one of

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<v Speaker 1>them I don't know which one, but but yeah, that's

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<v Speaker 1>always that is a strange phenomena some of your some

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<v Speaker 1>songs that do go number one don't sell as as well, etcetery.

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<v Speaker 1>You know. So for me, when I think about your music,

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<v Speaker 1>like my favorite song has propped me out, and that

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<v Speaker 1>was not a number one song on the on the

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<v Speaker 1>radio chart. I mean when I think, Joe Diffy, this

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<v Speaker 1>is the song from me. I know every word. Remember

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<v Speaker 1>when it came out, I bought the CD and I

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<v Speaker 1>memorized every word so I could sing all of I

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<v Speaker 1>did that and third rock because the third rock is

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<v Speaker 1>a little harder because the words are a lot faster.

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<v Speaker 1>But this, this is the song for me that if

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<v Speaker 1>someone's like, what your favorite? A matter of fact, when

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<v Speaker 1>you came in, I was like, Joe, you gotta play

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<v Speaker 1>problem me up? And you did and and again is

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<v Speaker 1>it peaked a number three on the radio chart. It's weird.

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<v Speaker 1>There's a big record from you. The video though for

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<v Speaker 1>this song is what I really remember from this song

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<v Speaker 1>as well, because back in the day we used to

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<v Speaker 1>really watch mt from music video right a lot. Yeah,

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<v Speaker 1>all you know what I remember about the video mostly

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<v Speaker 1>filming the video. It was so hot, man, it was,

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<v Speaker 1>And they had this these buckets of like sea bree

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<v Speaker 1>remember sea breeze. It was kind of like a facial

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<v Speaker 1>cleanser or some kind of deal, and it was like

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<v Speaker 1>but it had like an aromatic kind of effect and

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<v Speaker 1>they were dabbing all of us with it stuff. You know.

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<v Speaker 1>That's just remember was so hot and and plus the

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<v Speaker 1>dead guy. Yeah, it was so funny, man. I mean

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<v Speaker 1>that that that to me is those two songs. And

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<v Speaker 1>again as I started deep diving, and I was like, man,

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<v Speaker 1>my favorite two songs number five and a number three.

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<v Speaker 1>And you say that John der Green gets the biggest.

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<v Speaker 1>When you do your set list, what do you start with?

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<v Speaker 1>What's the first song? A third rock from the sun?

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<v Speaker 1>You come out of high energy, huh, Which this wasn't

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<v Speaker 1>number one song for you. Yeah. I just would have

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<v Speaker 1>a problem going out and doing the fast up quick

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<v Speaker 1>because if you had a breath for the next three

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<v Speaker 1>songs that has happened. Yes, like especially I said right

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<v Speaker 1>where it happened to me a lot as if I'm

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<v Speaker 1>you know, on the oprey for some reason makes you nervous.

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<v Speaker 1>And if you ever get backwards during your breathing in

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<v Speaker 1>that song, you were screwed. I mean, it's it's over,

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<v Speaker 1>you know. Tell me about this song Third Rock. So

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<v Speaker 1>you heard it, were you like? What's this about? Like? What? Um?

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<v Speaker 1>I always thought it was like a little mini movie,

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<v Speaker 1>you know, which I heard a lot of songwriters say,

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<v Speaker 1>you try to dude, right, I try to write it

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<v Speaker 1>a little three minute movie, you know. But honestly, this

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<v Speaker 1>was one that I mean, even though I liked it.

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<v Speaker 1>They there was the same publisher had played two different

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<v Speaker 1>songs for us, and uh, and I like the other

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<v Speaker 1>one better actually and so uh you know. So anyway

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<v Speaker 1>I ended up getting both of them. Had to do

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<v Speaker 1>to the wheel and dealing some some guy apparently that

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<v Speaker 1>I don't know. I can't verify this, but I was

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<v Speaker 1>told this. Garth Brooks wanted Third Rock as well. So

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<v Speaker 1>and how did you get Third Rocket? What was the wheel?

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<v Speaker 1>We cut both? We would do both of their songs.

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<v Speaker 1>Do you know what the other song was. It was

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<v Speaker 1>called uh something. But if you're having to think, I

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<v Speaker 1>guess that really was never seen. There was never a single. Yeah,

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<v Speaker 1>did you put it on the record. Yeah, it's that.

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<v Speaker 1>I'm gonna run through your number one's real quick. Let's

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<v Speaker 1>do home. Yeah, your first the debut singers is that right?

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<v Speaker 1>First song out and you go number one for six,

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<v Speaker 1>number one, six in a row. So do you think

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<v Speaker 1>after let's say two or three, do you have a

0:11:21.880 --> 0:11:25.440
<v Speaker 1>figured out? Um? You know what I felt like? Such

0:11:25.520 --> 0:11:27.439
<v Speaker 1>I was. I felt a little bit like a rube.

0:11:27.440 --> 0:11:30.040
<v Speaker 1>I was so naive about the whole process. I mean

0:11:30.080 --> 0:11:32.000
<v Speaker 1>even though I kind of knew. I kind of knew

0:11:32.440 --> 0:11:34.680
<v Speaker 1>about stuff, but man, when you know when you get it,

0:11:34.760 --> 0:11:37.200
<v Speaker 1>when you when you start off like from what I did.

0:11:37.240 --> 0:11:39.000
<v Speaker 1>I mean, I was on the road three hundred days

0:11:39.040 --> 0:11:41.480
<v Speaker 1>a year, and so I didn't really have time to

0:11:41.520 --> 0:11:44.559
<v Speaker 1>think about stuff. I was busy, you know, traveling and

0:11:44.880 --> 0:11:47.439
<v Speaker 1>doing shows and me doing meet and greets and all

0:11:47.480 --> 0:11:51.080
<v Speaker 1>that stuff. You know, So what brought you to Nashville?

0:11:51.400 --> 0:11:53.920
<v Speaker 1>Meaning I know the music, I know that the thought

0:11:53.960 --> 0:11:57.720
<v Speaker 1>of country music. But there's always something where something you

0:11:57.720 --> 0:12:00.240
<v Speaker 1>get that push or you can kind of the itch. Well,

0:12:00.360 --> 0:12:02.640
<v Speaker 1>I got laid off from my job I had. I

0:12:02.880 --> 0:12:06.280
<v Speaker 1>was working on a foundry back in Duncan, Oklahoma, and

0:12:06.320 --> 0:12:09.080
<v Speaker 1>they shut the plant down, laid us all off, and

0:12:09.360 --> 0:12:11.839
<v Speaker 1>you know, and I've been singing a little VFWS and

0:12:13.440 --> 0:12:17.959
<v Speaker 1>twenty moved. I moved to Nasville when I was also

0:12:18.000 --> 0:12:20.880
<v Speaker 1>a little bit older. Yeah, compared to like the nineteen

0:12:21.200 --> 0:12:22.960
<v Speaker 1>two years are moving here now exactly? So you get

0:12:23.040 --> 0:12:25.160
<v Speaker 1>laid off, ye, And I said. And I had been

0:12:25.200 --> 0:12:28.000
<v Speaker 1>to Nashville once before with my aunt and a friend

0:12:28.040 --> 0:12:30.400
<v Speaker 1>of mine. We had we we did this little thing

0:12:30.440 --> 0:12:32.559
<v Speaker 1>as a trio, and we came in and my aunt

0:12:32.559 --> 0:12:37.160
<v Speaker 1>had known somebody here in Nashville, and so anyway, we

0:12:37.200 --> 0:12:39.400
<v Speaker 1>met with him and I spent in love with the

0:12:39.440 --> 0:12:42.120
<v Speaker 1>city then. But I didn't have the opportunity because I

0:12:42.160 --> 0:12:43.880
<v Speaker 1>still had a job at the time, you know. But

0:12:43.960 --> 0:12:45.960
<v Speaker 1>when I got laid off, I was like, well, you

0:12:46.000 --> 0:12:47.560
<v Speaker 1>know what, I think, I'm just gonna try it. So

0:12:47.679 --> 0:12:49.400
<v Speaker 1>I just loaded up everything I could get in this

0:12:49.440 --> 0:12:52.240
<v Speaker 1>whole beat up car I had, and off I went.

0:12:52.960 --> 0:12:55.920
<v Speaker 1>So at home, you know, you're you're playing around bar?

0:12:55.960 --> 0:12:58.200
<v Speaker 1>Are you playing on bars at home at all? Not

0:12:58.320 --> 0:13:01.800
<v Speaker 1>a lot honestly, my background was more of a I

0:13:01.840 --> 0:13:03.920
<v Speaker 1>sang in a gospel group then I then I went

0:13:03.920 --> 0:13:07.280
<v Speaker 1>from that to a bluegrass group. I played bluegrass for

0:13:07.840 --> 0:13:10.600
<v Speaker 1>six years with this group called the Special Edition. Were

0:13:10.600 --> 0:13:12.760
<v Speaker 1>you known as the guy that was doing music while

0:13:12.800 --> 0:13:15.520
<v Speaker 1>working at the plant by your workers? Yeah? Are your

0:13:15.559 --> 0:13:17.920
<v Speaker 1>co workers? Yeah? They always asked me to sing, you know,

0:13:18.160 --> 0:13:20.480
<v Speaker 1>would you ever sing at work? I don't remember gather

0:13:20.520 --> 0:13:22.600
<v Speaker 1>them around and be like all right, boys, yeah, I

0:13:22.600 --> 0:13:24.960
<v Speaker 1>mean I just they sing that song, you know whatever.

0:13:25.120 --> 0:13:26.719
<v Speaker 1>Isn't it funny how the things at the time that

0:13:26.800 --> 0:13:29.320
<v Speaker 1>seemed this happened over my career in my life too.

0:13:29.559 --> 0:13:32.319
<v Speaker 1>We're really I put finger quotes up. Unfortunate things that

0:13:32.360 --> 0:13:35.160
<v Speaker 1>happened to us turn out to really be blessing, dude, blessing,

0:13:35.240 --> 0:13:37.800
<v Speaker 1>the biggest blessing ever. Yeah, because if I hadn't got

0:13:37.880 --> 0:13:40.360
<v Speaker 1>laid off, I probably would have never left there. You know.

0:13:40.480 --> 0:13:42.080
<v Speaker 1>So when you get laid off, do you remember how

0:13:42.120 --> 0:13:43.920
<v Speaker 1>that happened? Did you did your your boss your form

0:13:43.920 --> 0:13:46.280
<v Speaker 1>and come in and go all right, you're done. No,

0:13:46.440 --> 0:13:48.560
<v Speaker 1>it was just more of a I got a phone call,

0:13:48.720 --> 0:13:51.720
<v Speaker 1>I think, and they said, yeah, play shut down, don't

0:13:51.720 --> 0:13:54.640
<v Speaker 1>go out there and then immediately do you go all

0:13:54.720 --> 0:13:56.240
<v Speaker 1>right time to go to Nashville? Like, was it kind

0:13:56.240 --> 0:13:59.400
<v Speaker 1>of in the chamber already? No, it took a took

0:13:59.400 --> 0:14:02.720
<v Speaker 1>a couple of once, you know, drawing unemployment, and I thought, well,

0:14:03.280 --> 0:14:06.040
<v Speaker 1>you know, I might as well think of something. I

0:14:06.040 --> 0:14:08.320
<v Speaker 1>had a good friend of mine. We used to discuss

0:14:08.360 --> 0:14:10.880
<v Speaker 1>thing he wanted. He moved to Dallas and became an

0:14:10.880 --> 0:14:13.120
<v Speaker 1>accountant and you know, and I said, I want to

0:14:13.200 --> 0:14:15.480
<v Speaker 1>He said, yet, you know, you gotta try music. You're

0:14:15.520 --> 0:14:18.240
<v Speaker 1>really good at it and all that stuff. So and

0:14:18.360 --> 0:14:20.680
<v Speaker 1>when you got to town, did you feel like you

0:14:20.720 --> 0:14:23.960
<v Speaker 1>were good enough to get in the mix immediately? Um?

0:14:24.080 --> 0:14:27.080
<v Speaker 1>I just felt really lost, honestly when I first got

0:14:27.080 --> 0:14:29.560
<v Speaker 1>to town, because I just gotten divorced and I missed

0:14:29.560 --> 0:14:31.120
<v Speaker 1>my kids and you know, and I was just in

0:14:31.160 --> 0:14:33.040
<v Speaker 1>this new place and I didn't have a place to live,

0:14:33.080 --> 0:14:35.240
<v Speaker 1>and you know, and all this kind of stuff. Would

0:14:35.240 --> 0:14:37.440
<v Speaker 1>you do what you I finally moved in with a

0:14:37.560 --> 0:14:40.240
<v Speaker 1>with a musician, a guy named David Greer, and we

0:14:40.240 --> 0:14:44.400
<v Speaker 1>we rented at a house with no heater and for

0:14:44.720 --> 0:14:46.640
<v Speaker 1>about a year. And what are you doing when you

0:14:46.640 --> 0:14:49.520
<v Speaker 1>first moved to Nashville? Meaning are you out trying to

0:14:49.640 --> 0:14:53.680
<v Speaker 1>meet people play right around, like what what what happened

0:14:53.680 --> 0:14:55.520
<v Speaker 1>with the new artists? Me? I was trying. I needed

0:14:55.520 --> 0:14:57.440
<v Speaker 1>some incouncil. I got a job. I knew a guy

0:14:57.480 --> 0:14:59.720
<v Speaker 1>that worked at Gifts and Guitars, and so they hired

0:14:59.720 --> 0:15:04.360
<v Speaker 1>me I there to work in the warehouse shipping guitars everywhere.

0:15:04.400 --> 0:15:08.040
<v Speaker 1>So and then after that I would just do whatever

0:15:08.080 --> 0:15:11.440
<v Speaker 1>I could. I'd go to two showcases and you know,

0:15:11.600 --> 0:15:14.240
<v Speaker 1>just go hang out, just just to get my get

0:15:14.240 --> 0:15:16.680
<v Speaker 1>out there and meet people. You know, it's so interesting

0:15:16.680 --> 0:15:19.120
<v Speaker 1>to hear about because, like I know, you was the

0:15:19.120 --> 0:15:21.240
<v Speaker 1>county music legend. But I love hearing like the origin

0:15:21.360 --> 0:15:23.480
<v Speaker 1>story of the hustle because I think so many people

0:15:23.480 --> 0:15:26.200
<v Speaker 1>don't know that there's a hustle for everyone. Man, I

0:15:26.280 --> 0:15:29.440
<v Speaker 1>tell you what there was. There was days seriously, Uh

0:15:29.760 --> 0:15:31.720
<v Speaker 1>you know we didn't have anything in the house to eat.

0:15:31.720 --> 0:15:34.400
<v Speaker 1>I mean nothing. One time I had I think I had,

0:15:34.440 --> 0:15:36.840
<v Speaker 1>like I don't know, seventy five cents on me and

0:15:36.880 --> 0:15:40.440
<v Speaker 1>I went by this funniest thing ever. I didn't know

0:15:40.520 --> 0:15:43.520
<v Speaker 1>they didn't have white castles in the duncan. So I

0:15:43.520 --> 0:15:47.120
<v Speaker 1>saw instead of Hamburger cents, I thought, oh yeah, I've

0:15:47.160 --> 0:15:49.680
<v Speaker 1>got I can you know, so I stop. Yeah, so

0:15:49.720 --> 0:15:51.760
<v Speaker 1>I know, I said, the guys canna help you? I said,

0:15:51.920 --> 0:15:54.960
<v Speaker 1>I like a Hamburger police. He goes, uh, just one.

0:15:55.480 --> 0:15:58.520
<v Speaker 1>I said, yeah, I didn't know they were, you know tiny.

0:15:59.000 --> 0:16:01.120
<v Speaker 1>Let's talk about this new prob jack. So it's the

0:16:01.160 --> 0:16:05.600
<v Speaker 1>first ever vinyl, right, and so it's called Joe Joe

0:16:06.000 --> 0:16:09.120
<v Speaker 1>Joe Diffy, Right, so tell me about this. It's just

0:16:09.160 --> 0:16:13.040
<v Speaker 1>a compilation of of of some number one songs we

0:16:13.120 --> 0:16:16.200
<v Speaker 1>had and uh, and we included a new song on it.

0:16:16.320 --> 0:16:18.880
<v Speaker 1>I just always kind of wanted a vinyl and it

0:16:18.960 --> 0:16:21.360
<v Speaker 1>seems to be kind of coming back in fashion right now.

0:16:21.440 --> 0:16:24.040
<v Speaker 1>So where can people get it? Joe Diffy dot com

0:16:24.200 --> 0:16:29.200
<v Speaker 1>slash vinyl And each album is individually autographed and number

0:16:29.760 --> 0:16:32.080
<v Speaker 1>you sign them all? Did you have the family sign

0:16:32.080 --> 0:16:35.840
<v Speaker 1>them all? No? I signed every stinking one. They're all different. Thing. Yeah,

0:16:35.880 --> 0:16:38.240
<v Speaker 1>I was. I was trying to be meticulous about it,

0:16:38.280 --> 0:16:41.280
<v Speaker 1>because you know, you signed five or anything. After a while,

0:16:41.320 --> 0:16:43.520
<v Speaker 1>you're like, man, I just don't care, you know. I

0:16:43.560 --> 0:16:45.120
<v Speaker 1>know at first, because I was like when I do

0:16:45.240 --> 0:16:47.320
<v Speaker 1>my books, the first book I wrote, I was a

0:16:47.360 --> 0:16:50.240
<v Speaker 1>little more like I'm gonna make everything so pride after

0:16:50.520 --> 0:16:52.520
<v Speaker 1>and you're like, you know what, I think they're gonna

0:16:52.520 --> 0:16:54.800
<v Speaker 1>even like to you start convincing yourself to Sloppy's cooler.

0:16:56.440 --> 0:17:00.360
<v Speaker 1>My arts decide. Even at one point earlier, earlier in

0:17:00.400 --> 0:17:02.440
<v Speaker 1>my career, because I was signing so many things, I

0:17:02.480 --> 0:17:04.760
<v Speaker 1>was trying to come up with a faster way to

0:17:04.800 --> 0:17:07.000
<v Speaker 1>sign my name, just like make a line and two

0:17:07.040 --> 0:17:09.320
<v Speaker 1>dots or something, you know, but I just never do.

0:17:09.480 --> 0:17:12.359
<v Speaker 1>Look right, you're living here, you you're in the same roommate.

0:17:12.359 --> 0:17:14.720
<v Speaker 1>Are you still together while you're working out the guitar place? Uh?

0:17:15.200 --> 0:17:17.840
<v Speaker 1>For a little while. Then I moved out. And that's

0:17:17.920 --> 0:17:19.840
<v Speaker 1>kind of how I got my first break actually in

0:17:19.880 --> 0:17:23.960
<v Speaker 1>the music business. Was I moved out with from with him,

0:17:24.160 --> 0:17:26.920
<v Speaker 1>and I moved in with his brother and sister who

0:17:26.920 --> 0:17:31.480
<v Speaker 1>I worked with, the brother at Gibson and uh as

0:17:31.480 --> 0:17:35.720
<v Speaker 1>it happened, uh super you know, talented songwriter, a guy

0:17:35.720 --> 0:17:38.399
<v Speaker 1>who lived next door, and as as Johnny Neil and

0:17:38.560 --> 0:17:42.600
<v Speaker 1>uh and so Johnny you know he can't see he's blind.

0:17:42.680 --> 0:17:45.760
<v Speaker 1>So my friends John that I moved in with, this

0:17:45.840 --> 0:17:49.720
<v Speaker 1>is not getting too complicated. Any time John would would

0:17:50.119 --> 0:17:52.639
<v Speaker 1>you take him to various things too? Whatever you need

0:17:52.680 --> 0:17:55.720
<v Speaker 1>to do sessions or whatever. And then one day John

0:17:55.800 --> 0:17:59.400
<v Speaker 1>was working in so Johnny asked, He said, A, man,

0:17:59.480 --> 0:18:01.879
<v Speaker 1>I think somebody he called the house, you know, and

0:18:01.880 --> 0:18:04.040
<v Speaker 1>I answered the phone. He said, man, I need John

0:18:04.080 --> 0:18:05.520
<v Speaker 1>to come get me. A said, well, he's not here,

0:18:06.160 --> 0:18:08.240
<v Speaker 1>and he's like, well, wow, man, I don't know what

0:18:08.320 --> 0:18:10.480
<v Speaker 1>to do, and I said, I'll come get you. Really,

0:18:10.560 --> 0:18:12.879
<v Speaker 1>so I didn't really know him, you know. So anyway,

0:18:12.880 --> 0:18:14.960
<v Speaker 1>if we hit it off and we started writing songs together,

0:18:14.960 --> 0:18:17.080
<v Speaker 1>that's how I got my first publishing deals through him.

0:18:17.560 --> 0:18:19.080
<v Speaker 1>Was that a big deal to you to get paid

0:18:19.119 --> 0:18:22.359
<v Speaker 1>to write song? Oh? Lord, yes, absolutely. They paid me

0:18:22.400 --> 0:18:25.000
<v Speaker 1>a hundred dollars a week to write songs, and then

0:18:25.040 --> 0:18:27.800
<v Speaker 1>they paid for you know, the demos. The cost of

0:18:27.840 --> 0:18:31.200
<v Speaker 1>the demos. So, and that's how I got kind of discovered.

0:18:31.240 --> 0:18:33.840
<v Speaker 1>You know, I guess, quote unquote are you singing the demo?

0:18:33.880 --> 0:18:36.080
<v Speaker 1>I was singing the demos. So then you know, the

0:18:36.200 --> 0:18:39.440
<v Speaker 1>musicians and other guys were like, hey, I gotta come

0:18:39.440 --> 0:18:41.600
<v Speaker 1>seeing my demo for me. You know. So what do

0:18:41.600 --> 0:18:45.080
<v Speaker 1>you think about your your vocal style? What do you

0:18:45.119 --> 0:18:49.280
<v Speaker 1>think it was that attracted people to you? Oh that's

0:18:49.280 --> 0:18:51.640
<v Speaker 1>a good question. I don't know. I really I don't

0:18:51.640 --> 0:18:53.880
<v Speaker 1>know if I can answer that. How would you classify

0:18:53.920 --> 0:18:57.840
<v Speaker 1>yourself as a singer but pretty country? You know? I mean,

0:18:58.480 --> 0:19:01.040
<v Speaker 1>but I'm able to kind of ran child. On this

0:19:01.080 --> 0:19:04.720
<v Speaker 1>new project, I did a duet with with an incredible

0:19:04.720 --> 0:19:11.040
<v Speaker 1>singer named Mark Brossard. He's like Louisiana. Yeah. Yeah, he's fantastic,

0:19:11.119 --> 0:19:14.119
<v Speaker 1>and I just happened to get you know, I was

0:19:14.200 --> 0:19:16.920
<v Speaker 1>listening to him as we were riding along with the bus,

0:19:16.920 --> 0:19:19.800
<v Speaker 1>we listening to various music, and he happened to be

0:19:19.840 --> 0:19:23.800
<v Speaker 1>in town recording the same time Iowa. So we contacted

0:19:23.840 --> 0:19:25.080
<v Speaker 1>him and I just want to go meet him and

0:19:25.080 --> 0:19:27.240
<v Speaker 1>say hi, you know. So I did, and he played

0:19:27.240 --> 0:19:28.840
<v Speaker 1>me some of this new album he was working on,

0:19:28.880 --> 0:19:31.080
<v Speaker 1>and so we became friends. You know, we're not like

0:19:31.119 --> 0:19:34.520
<v Speaker 1>super close friends or anything. But then I said, man,

0:19:34.560 --> 0:19:36.520
<v Speaker 1>I'm looking to do some do ats. I s would

0:19:36.520 --> 0:19:38.760
<v Speaker 1>you be interested in singing something? Because yeah, So he

0:19:38.840 --> 0:19:41.480
<v Speaker 1>came over and we're looking at each other, like, well

0:19:41.480 --> 0:19:43.600
<v Speaker 1>what do we do? He goes, I don't know. I said,

0:19:44.520 --> 0:19:47.840
<v Speaker 1>you know, pride and joy I said kinda r yeah,

0:19:47.840 --> 0:19:50.479
<v Speaker 1>I said kind of, I kind of do yeah, and

0:19:50.520 --> 0:19:52.439
<v Speaker 1>so you know, we said let's do that one. So

0:19:52.480 --> 0:19:54.119
<v Speaker 1>we end up doing that that's pretty cool. Here it

0:19:54.240 --> 0:20:12.359
<v Speaker 1>is right here, my lad, she's lean. You're that sweetheart.

0:20:12.520 --> 0:20:17.040
<v Speaker 1>You see him baby, that's on the new Final Project.

0:20:17.600 --> 0:20:21.000
<v Speaker 1>Hey Mike, we you see me from Louisiana. Okay, I

0:20:21.000 --> 0:20:22.399
<v Speaker 1>just I never want to mess it up. But like

0:20:22.720 --> 0:20:26.000
<v Speaker 1>I felt like you as Karen Karen Crowe Louisiana and

0:20:26.040 --> 0:20:29.960
<v Speaker 1>you grew up in Oklahoma mostly when you were growing up,

0:20:30.320 --> 0:20:32.640
<v Speaker 1>and is it true you were so good at all

0:20:32.680 --> 0:20:34.920
<v Speaker 1>the sports that they named you like athlete at the

0:20:34.960 --> 0:20:37.960
<v Speaker 1>year of school. Is that true? What that's the old days?

0:20:38.080 --> 0:20:41.080
<v Speaker 1>But yeah, well what was your sport? Well? Mostly I

0:20:41.160 --> 0:20:44.800
<v Speaker 1>was probably the best at football. I played like we

0:20:45.200 --> 0:20:47.360
<v Speaker 1>It was a small school, you know, so they both

0:20:47.359 --> 0:20:50.080
<v Speaker 1>ways played both ways. We did never really never left

0:20:50.080 --> 0:20:52.120
<v Speaker 1>the field really, you know. That was a deep gun,

0:20:52.240 --> 0:20:54.960
<v Speaker 1>punched and kickoffs. And then I also was like you know,

0:20:55.200 --> 0:20:57.600
<v Speaker 1>I never left the field. So you sell a big

0:20:57.600 --> 0:21:01.280
<v Speaker 1>football fan. Oh yeah, here's your team. I mean, of course,

0:21:01.359 --> 0:21:03.639
<v Speaker 1>I like the Pros are like the Titans and the

0:21:03.640 --> 0:21:05.800
<v Speaker 1>course of Cowboys. That's who I grew up around, was

0:21:06.040 --> 0:21:12.080
<v Speaker 1>near the cow the Cowboys. So college jam Oklahoma, Oh yeah,

0:21:12.160 --> 0:21:15.560
<v Speaker 1>big center fans. Yeah, So did you watch the Hisman ceremony.

0:21:15.680 --> 0:21:20.159
<v Speaker 1>I did not. I was working. Jalen got third, got third? Um,

0:21:20.400 --> 0:21:23.280
<v Speaker 1>great season, and but oh use in it. They're playing ls.

0:21:24.320 --> 0:21:26.880
<v Speaker 1>It's four verses. One. That's gonna be a tough game. Brother,

0:21:27.000 --> 0:21:29.040
<v Speaker 1>that's gonna be everyone. It's gonna be a real tough

0:21:29.080 --> 0:21:33.680
<v Speaker 1>Gamel's loaded. Well, so you're a good football player, your pompershner,

0:21:33.800 --> 0:21:38.960
<v Speaker 1>huh yesh. Yeah, I returned a few points. And I'll

0:21:38.960 --> 0:21:40.680
<v Speaker 1>tell you what I did not like with standing there

0:21:40.720 --> 0:21:42.960
<v Speaker 1>vulnerable as that ball is coming down and you can

0:21:43.040 --> 0:21:45.679
<v Speaker 1>just feel without even seeing you can you know, if

0:21:45.680 --> 0:21:47.440
<v Speaker 1>you're in a room Joe and you know somebody's looking

0:21:47.440 --> 0:21:49.119
<v Speaker 1>at you, and you don't have to look up to

0:21:49.119 --> 0:21:52.119
<v Speaker 1>feel someone's eyes on you exactly, but you're imagining that

0:21:52.200 --> 0:21:56.360
<v Speaker 1>with nine or ten guys coming at you hard, same

0:21:56.400 --> 0:21:58.480
<v Speaker 1>kind of feeling, and you're like trying to judge do

0:21:59.520 --> 0:22:04.240
<v Speaker 1>and do I by waves. Once it looks like earte

0:22:04.240 --> 0:22:06.719
<v Speaker 1>you that, Yeah, because you have to have tremendous focus, right.

0:22:06.760 --> 0:22:09.200
<v Speaker 1>And once I didn't fair catch and I thought I

0:22:09.280 --> 0:22:11.240
<v Speaker 1>wanna I'm gonna just take off with this ball. I

0:22:11.240 --> 0:22:13.160
<v Speaker 1>thought I had some space and the ball is coming

0:22:13.200 --> 0:22:15.200
<v Speaker 1>down and I get a little little alligator arm and

0:22:15.280 --> 0:22:18.679
<v Speaker 1>it hits my hand and I bobbled it. It's on

0:22:18.720 --> 0:22:20.560
<v Speaker 1>the ground. And it was the only time that I

0:22:20.640 --> 0:22:23.680
<v Speaker 1>really lunged for a fumble in my because I mostly

0:22:23.680 --> 0:22:26.240
<v Speaker 1>played wide receiver um and I didn't return a lot

0:22:26.240 --> 0:22:28.240
<v Speaker 1>of punt, especially after this the story here. But I

0:22:28.800 --> 0:22:30.760
<v Speaker 1>botched the ball and I was like, I gotta go

0:22:30.840 --> 0:22:33.600
<v Speaker 1>dive for it, and and diving for the fumble was

0:22:33.680 --> 0:22:37.000
<v Speaker 1>I think the most physical part of because it was

0:22:37.080 --> 0:22:40.680
<v Speaker 1>just everybody's piling on diving and I was on the

0:22:40.680 --> 0:22:42.639
<v Speaker 1>bottom and I was like, I'm done. Do you ever

0:22:42.680 --> 0:22:44.760
<v Speaker 1>hear those guys scream on the bottom, you know, because

0:22:44.800 --> 0:22:47.240
<v Speaker 1>they're down there and then something's happening to him. Then oh,

0:22:47.640 --> 0:22:51.480
<v Speaker 1>hear that terrified people grabbing in twists, And it's the

0:22:51.520 --> 0:22:57.920
<v Speaker 1>whole thing. So you play football, play basketball, basketball, baseball, baseball, track, golf,

0:22:59.000 --> 0:23:00.960
<v Speaker 1>five sport guy, Huh if you think I'm playing college

0:23:01.000 --> 0:23:05.320
<v Speaker 1>at all? Uh? I thought about. But I never did

0:23:05.320 --> 0:23:09.040
<v Speaker 1>get any scharlar scholarship offers for football. I actually had

0:23:09.119 --> 0:23:11.800
<v Speaker 1>some small college offered me a side on the same

0:23:11.840 --> 0:23:15.040
<v Speaker 1>basketball scholarship, oddly enough, and I wasn't that great. I mean,

0:23:15.240 --> 0:23:17.920
<v Speaker 1>I was okay, but you know, but uh, but no.

0:23:18.119 --> 0:23:22.080
<v Speaker 1>I have a cousin that played at Oklahoma State and

0:23:22.200 --> 0:23:24.680
<v Speaker 1>he was younger than I, and so he I asked

0:23:24.760 --> 0:23:26.200
<v Speaker 1>him and said, do you think I could could have

0:23:26.240 --> 0:23:29.159
<v Speaker 1>played that? He goes, I absolutely really not so. But

0:23:29.200 --> 0:23:31.200
<v Speaker 1>I never get any scholarship offers. I had a coach.

0:23:31.240 --> 0:23:33.440
<v Speaker 1>Couple of coaches and small colleges asked me to walk

0:23:33.480 --> 0:23:36.560
<v Speaker 1>on and if it worked out, they'd give me a scholarship.

0:23:36.640 --> 0:23:47.080
<v Speaker 1>I never So you're in Nashville, and so you're driving Jimmy, right,

0:23:47.800 --> 0:23:50.719
<v Speaker 1>Johnny Neil, Johnny excuse me, there's John and Johnny. You're

0:23:50.800 --> 0:23:54.000
<v Speaker 1>driving Johnny Neil and so you go pick him up

0:23:54.040 --> 0:23:57.200
<v Speaker 1>the first time. And then how does that relationship turn

0:23:57.280 --> 0:24:00.199
<v Speaker 1>into something? Because you guys started well, I had to

0:24:00.240 --> 0:24:02.320
<v Speaker 1>him a couple of times that I'd love to write

0:24:02.320 --> 0:24:04.320
<v Speaker 1>with it. You know. Of course, I'm just a newbie,

0:24:04.320 --> 0:24:06.240
<v Speaker 1>you know, I didn't really know much about it, and

0:24:06.320 --> 0:24:08.040
<v Speaker 1>he kind of gave me the old brush off. You

0:24:08.080 --> 0:24:10.760
<v Speaker 1>know maybe one day, well maybe maybe, you know, but

0:24:10.880 --> 0:24:13.199
<v Speaker 1>we just hit it off. We had a moment a

0:24:13.240 --> 0:24:16.000
<v Speaker 1>few minutes that I actually talking and you know, and

0:24:16.280 --> 0:24:18.440
<v Speaker 1>goofing around, and so he said, well, come on over

0:24:18.560 --> 0:24:21.280
<v Speaker 1>so we wrote a couple of songs and and he

0:24:21.320 --> 0:24:23.520
<v Speaker 1>had a little studio at his at his house that

0:24:24.160 --> 0:24:28.040
<v Speaker 1>and so we turned those demos in and his publisher

0:24:28.200 --> 0:24:32.080
<v Speaker 1>at the time signed signed me as well. So that's

0:24:32.119 --> 0:24:34.520
<v Speaker 1>kind of how I got started and our want to

0:24:34.600 --> 0:24:36.960
<v Speaker 1>you know, I don't think Johnny and I ever got

0:24:37.000 --> 0:24:38.480
<v Speaker 1>We got a couple of cross I got one on

0:24:38.520 --> 0:24:41.280
<v Speaker 1>the member of the Forster Sisters. Yeah, it's called Come

0:24:41.400 --> 0:24:44.120
<v Speaker 1>Hold Me. And then uh so then I started writing

0:24:44.160 --> 0:24:47.719
<v Speaker 1>with another guy named Lonnie Wilson's great drummer, session drummer

0:24:47.800 --> 0:24:52.800
<v Speaker 1>and writer and singer. And we had first first top

0:24:52.840 --> 0:24:56.000
<v Speaker 1>five record with Holly Dunn had There Goes My Heart

0:24:56.040 --> 0:24:58.400
<v Speaker 1>Again was the name of it. So so a top

0:24:58.440 --> 0:25:01.280
<v Speaker 1>five song back in eight eighties. Did you make any

0:25:01.280 --> 0:25:03.359
<v Speaker 1>money off that? Dude? I went to the mail by

0:25:03.440 --> 0:25:05.399
<v Speaker 1>and we're seeing that much money in my life? Really

0:25:05.440 --> 0:25:08.000
<v Speaker 1>like the first installment, you know, yeah, I was like,

0:25:08.080 --> 0:25:11.040
<v Speaker 1>I gotta write war songs. That's pretty cool. And how

0:25:11.080 --> 0:25:15.080
<v Speaker 1>long do those checks keep coming? Oh? They the first

0:25:15.520 --> 0:25:19.440
<v Speaker 1>years pretty good. And after that it tapers off significantly

0:25:19.640 --> 0:25:22.159
<v Speaker 1>and almost down to nothing, you know, and you're cutting

0:25:22.160 --> 0:25:24.480
<v Speaker 1>these demos that people lynched in your in your singing style,

0:25:24.480 --> 0:25:26.320
<v Speaker 1>which we were on a minute ago. So when did

0:25:26.359 --> 0:25:28.160
<v Speaker 1>it become a thing where you go, Okay, I think

0:25:28.160 --> 0:25:31.119
<v Speaker 1>it's time for me to try to be an artist. Well,

0:25:31.160 --> 0:25:34.639
<v Speaker 1>I mean, that's kind of what I had in mind

0:25:35.040 --> 0:25:37.840
<v Speaker 1>all all along. But I just knew that songwriting would

0:25:37.880 --> 0:25:41.919
<v Speaker 1>be a good avenue to meet people and and you know,

0:25:42.119 --> 0:25:44.040
<v Speaker 1>just because it was part of the music. But that's

0:25:44.040 --> 0:25:46.920
<v Speaker 1>such a significant part. So I just but I always

0:25:47.040 --> 0:25:50.040
<v Speaker 1>had that in my mind being an artist, but h

0:25:50.359 --> 0:25:53.399
<v Speaker 1>and I didn't really have any way to that that

0:25:53.600 --> 0:25:57.040
<v Speaker 1>I knew. It takes somebody to promote you, basically, And

0:25:57.080 --> 0:25:59.840
<v Speaker 1>so I started doing demos for these the couple of guys,

0:26:00.000 --> 0:26:04.600
<v Speaker 1>and they knew they were good friends with Bob mcgomery,

0:26:04.800 --> 0:26:08.000
<v Speaker 1>who was Epic Records at the time, and uh and

0:26:08.080 --> 0:26:10.920
<v Speaker 1>so after they played him some demos, so he called

0:26:10.960 --> 0:26:14.359
<v Speaker 1>me over and met with me, and I said, how

0:26:14.359 --> 0:26:15.919
<v Speaker 1>would you like to have a record deal? And I'm like,

0:26:16.400 --> 0:26:19.480
<v Speaker 1>uh so, yeah, it's pretty cool. So that was the conversation.

0:26:19.840 --> 0:26:21.919
<v Speaker 1>They kind of changed it off, how would you like

0:26:21.960 --> 0:26:25.280
<v Speaker 1>to have a record deal? Conversation? Yeah, exactly, that's pretty cool. Yeah,

0:26:25.359 --> 0:26:27.600
<v Speaker 1>he said, I said, a man, I wanted to do

0:26:27.680 --> 0:26:29.560
<v Speaker 1>this my whole life and he said, no, you haven't.

0:26:29.840 --> 0:26:31.480
<v Speaker 1>I was like, I looked at him and I was like,

0:26:31.480 --> 0:26:33.480
<v Speaker 1>what do you mean? He goes, you don't lived your

0:26:33.480 --> 0:26:36.080
<v Speaker 1>whole life? You guys thought, okay, one of those guys.

0:26:36.320 --> 0:26:38.480
<v Speaker 1>How long from when you were laid off until you

0:26:38.560 --> 0:26:42.359
<v Speaker 1>got your record deal? Three years? So you spent a

0:26:42.359 --> 0:26:44.639
<v Speaker 1>couple of months figuring it out. You moved here, you wrote,

0:26:44.720 --> 0:26:48.040
<v Speaker 1>so three years from there to there? Right? Do you

0:26:48.040 --> 0:26:49.560
<v Speaker 1>feel like you mad sued a lot as an artist

0:26:49.560 --> 0:26:53.840
<v Speaker 1>at that time in those three years? Probably just just

0:26:54.040 --> 0:26:56.840
<v Speaker 1>from the sheer volume of demos and stuff I did,

0:26:57.920 --> 0:27:01.320
<v Speaker 1>you know? They're all various styles and um, so you

0:27:01.400 --> 0:27:03.600
<v Speaker 1>kind of had to learn to to do that kind

0:27:03.600 --> 0:27:05.720
<v Speaker 1>of you know, just so yeah, I think so. You

0:27:05.720 --> 0:27:07.240
<v Speaker 1>know a lot of the artists and a lot of

0:27:07.240 --> 0:27:08.919
<v Speaker 1>my friends too, that that that are here, that you

0:27:08.960 --> 0:27:10.560
<v Speaker 1>kind of come in in classes. You don't do it

0:27:10.560 --> 0:27:13.200
<v Speaker 1>on purpose, but when you moved to town, you start

0:27:13.240 --> 0:27:15.080
<v Speaker 1>meeting other people that moved town around the same time,

0:27:15.160 --> 0:27:17.040
<v Speaker 1>and that kind of becomes your pack that you grow

0:27:17.119 --> 0:27:19.360
<v Speaker 1>up with because you're all on a similar level exactly

0:27:19.520 --> 0:27:21.679
<v Speaker 1>when you move here, like, who is some of the

0:27:21.680 --> 0:27:25.479
<v Speaker 1>folks in your class, well, to see. There was Tricia

0:27:25.560 --> 0:27:29.400
<v Speaker 1>your Wood, Um, there was a t. Graham Brown. There

0:27:29.520 --> 0:27:34.040
<v Speaker 1>was you know, Garthur singing some demos. I don't know

0:27:34.080 --> 0:27:36.280
<v Speaker 1>if any of the other ones were as you know,

0:27:36.359 --> 0:27:39.399
<v Speaker 1>but I mean the same guys that there's you know

0:27:39.440 --> 0:27:42.440
<v Speaker 1>in my generation or you know of course the Mark

0:27:42.520 --> 0:27:45.679
<v Speaker 1>Chests and Tracy Lawrence and those guys. You know. So

0:27:46.040 --> 0:27:48.880
<v Speaker 1>what was Tricia doing? Was she working at Mary tell

0:27:48.960 --> 0:27:51.320
<v Speaker 1>Moore Music or was she singing demos? I'm not sure.

0:27:51.359 --> 0:27:52.960
<v Speaker 1>I just I had only met her a few times

0:27:52.960 --> 0:27:55.760
<v Speaker 1>when we sing a couple of demos together, yeah, which

0:27:55.800 --> 0:27:57.320
<v Speaker 1>is cool. And then I got I got her just

0:27:57.359 --> 0:27:59.960
<v Speaker 1>saying one a chick song quote unquote that I had

0:28:00.040 --> 0:28:02.200
<v Speaker 1>and so she's saying for me. So we've been friends

0:28:02.200 --> 0:28:05.200
<v Speaker 1>ever since. So whenever you hear or you see someone

0:28:05.200 --> 0:28:08.320
<v Speaker 1>like Gartha Tricia back then, were you like, man, there's

0:28:08.320 --> 0:28:10.280
<v Speaker 1>something special about them, like you think or is it

0:28:10.440 --> 0:28:12.200
<v Speaker 1>or is it just the land of the Giants where

0:28:12.200 --> 0:28:17.679
<v Speaker 1>everybody's good? Most everybody was good? You know, it's it

0:28:17.760 --> 0:28:19.119
<v Speaker 1>was just you felt like it was just kind of

0:28:19.119 --> 0:28:21.520
<v Speaker 1>a crap. Shoot. You know, somebody's gonna get lucky and

0:28:21.600 --> 0:28:23.840
<v Speaker 1>get that deal. And something I happened I tell you

0:28:23.880 --> 0:28:26.680
<v Speaker 1>a weird story and people might think this is really odd.

0:28:27.359 --> 0:28:30.199
<v Speaker 1>I've done this twice in my life. I went to

0:28:30.200 --> 0:28:32.359
<v Speaker 1>see I went to the showcase where it was Garth

0:28:32.920 --> 0:28:36.000
<v Speaker 1>and it was at the Douglas Corner and I was

0:28:36.040 --> 0:28:38.160
<v Speaker 1>sitting around having a beer, you know, walking talking to

0:28:38.200 --> 0:28:40.080
<v Speaker 1>some friends of mine, and I look up and he's

0:28:40.240 --> 0:28:44.400
<v Speaker 1>playing it up there and I saw an aura around him.

0:28:44.560 --> 0:28:46.400
<v Speaker 1>I'm not kidding, you know. So I started looking around

0:28:46.480 --> 0:28:48.320
<v Speaker 1>the room. I thought, was the lights, guys, be weird,

0:28:48.360 --> 0:28:51.360
<v Speaker 1>that's something weird going on here. And I didn't find

0:28:51.400 --> 0:28:53.920
<v Speaker 1>I couldn't find any reason that he had a blue

0:28:54.040 --> 0:28:57.040
<v Speaker 1>aura around him. I swear to good it was the

0:28:57.080 --> 0:28:59.680
<v Speaker 1>weirdest thing. And the other time was my my wife Tara.

0:29:00.080 --> 0:29:02.560
<v Speaker 1>I saw her. She had an oar. Now do you

0:29:02.600 --> 0:29:04.680
<v Speaker 1>think that that's in your eyes? Do you think that

0:29:04.720 --> 0:29:07.360
<v Speaker 1>you saw something special? I didn't know what it was,

0:29:07.640 --> 0:29:09.480
<v Speaker 1>just I saw. I saw it, and I asked, I said,

0:29:09.560 --> 0:29:12.400
<v Speaker 1>y'all see that. Everybody else like no, and I'm like, man,

0:29:12.440 --> 0:29:14.640
<v Speaker 1>I's okay, I'm I'm gonna get quiet here. So did

0:29:14.640 --> 0:29:16.240
<v Speaker 1>you ever talk to Garth in the early days where

0:29:16.240 --> 0:29:20.120
<v Speaker 1>you guys time, we didn't we weren't super close or anything.

0:29:20.160 --> 0:29:23.480
<v Speaker 1>You know, who were your buds musically and who did

0:29:23.480 --> 0:29:25.520
<v Speaker 1>you like tour with? Who'd you liked to werow with? Well,

0:29:25.560 --> 0:29:27.640
<v Speaker 1>I've had a lot of him, you know, I like

0:29:27.920 --> 0:29:29.840
<v Speaker 1>all of the people I've toured with. But let's do

0:29:29.880 --> 0:29:32.920
<v Speaker 1>this mount rushmore of your favorite tour buddies four and

0:29:33.040 --> 0:29:36.080
<v Speaker 1>four you only get four. Oh gosh, that's that's hard, man,

0:29:36.560 --> 0:29:38.880
<v Speaker 1>I'm putting it. I'm putting the screws to you. I mean,

0:29:39.080 --> 0:29:41.720
<v Speaker 1>of course, I mean I toured with Garth, so that

0:29:41.800 --> 0:29:44.280
<v Speaker 1>didn't do a whole lot. We Uh he used to

0:29:44.280 --> 0:29:47.760
<v Speaker 1>open shows for me oddly enough, Yeah, and so but

0:29:47.880 --> 0:29:49.880
<v Speaker 1>we did that and I opened some shows for him

0:29:49.960 --> 0:29:52.720
<v Speaker 1>after that. Of course. You know my one of my

0:29:52.800 --> 0:29:56.200
<v Speaker 1>closest buddies Mark Chestnut, and uh, you know he's he's

0:29:56.200 --> 0:29:59.640
<v Speaker 1>always really consistent. And uh, who else would it be?

0:30:00.160 --> 0:30:03.520
<v Speaker 1>Uh that I toured with, uh, you know, Travis Tritz

0:30:03.560 --> 0:30:06.960
<v Speaker 1>and an incredible singer. A year long tour with him.

0:30:07.120 --> 0:30:08.840
<v Speaker 1>How was that? Because I know Travis a little bit

0:30:08.880 --> 0:30:14.200
<v Speaker 1>and he's at times it's very in your face and

0:30:14.240 --> 0:30:17.840
<v Speaker 1>at times it's super's super warm yew, how about you

0:30:17.840 --> 0:30:21.360
<v Speaker 1>in Travis relationship? It was good. Yeah, it was very good. Yeah. Uh,

0:30:21.920 --> 0:30:23.960
<v Speaker 1>you know, we just we just had a good time

0:30:24.000 --> 0:30:27.400
<v Speaker 1>as me, Travis, myself and Leroy Partnell. We're out there

0:30:27.400 --> 0:30:29.640
<v Speaker 1>and it was a good package. You know, we had

0:30:29.680 --> 0:30:31.800
<v Speaker 1>a lot of fun. You got one more on the aunt, Rushman,

0:30:32.880 --> 0:30:38.440
<v Speaker 1>Garth Chestnuts, Tracy Lawrence. You know, Tracy is always good.

0:30:38.480 --> 0:30:40.000
<v Speaker 1>You know when you good when you go see him.

0:30:40.200 --> 0:30:42.040
<v Speaker 1>I'm trying to say who else I toured with. I've

0:30:42.080 --> 0:30:44.720
<v Speaker 1>done so many, you know, various packages here and there

0:30:44.800 --> 0:30:47.200
<v Speaker 1>that I can't even remember. You ever put a kid

0:30:47.480 --> 0:30:49.040
<v Speaker 1>opening and that kid turned out to be a big

0:30:49.040 --> 0:30:53.960
<v Speaker 1>starway later on? Uh, let me think I want I

0:30:53.960 --> 0:30:56.760
<v Speaker 1>almost said Brad Paisy, but I'm not sure that ever happened,

0:30:57.640 --> 0:31:00.680
<v Speaker 1>you know, because I've see some I met a kid

0:31:00.680 --> 0:31:04.440
<v Speaker 1>the other night that uh came open. He opened for

0:31:04.680 --> 0:31:06.680
<v Speaker 1>me and Chestnut. We're doing an acoustic thing and he

0:31:06.720 --> 0:31:09.040
<v Speaker 1>came up and saying, this kid was really good. You

0:31:09.080 --> 0:31:13.120
<v Speaker 1>know what was remember? I don't remember, right is me? Yeah? Man,

0:31:13.280 --> 0:31:16.040
<v Speaker 1>it's it's under the little place in Texas we were in. Man.

0:31:16.120 --> 0:31:17.680
<v Speaker 1>We got him up to saying and he was like,

0:31:17.960 --> 0:31:20.040
<v Speaker 1>you nailed. He's saying, is it cold in here in

0:31:20.120 --> 0:31:22.720
<v Speaker 1>my song. So here's another number one. This is it's

0:31:22.760 --> 0:31:28.480
<v Speaker 1>the Devil Danced, The Devil Dance pocket. Do you have

0:31:28.560 --> 0:31:33.920
<v Speaker 1>a ball? He said? A swing in that song? Yeah,

0:31:34.280 --> 0:31:37.800
<v Speaker 1>that's Is that your second number one song? I know?

0:31:38.040 --> 0:31:40.040
<v Speaker 1>I think that was like the third one? Yeah, I

0:31:40.160 --> 0:31:43.640
<v Speaker 1>believe so home hits. You have a number one. What

0:31:43.720 --> 0:31:45.080
<v Speaker 1>was the second big one for you? If you want

0:31:45.080 --> 0:31:46.880
<v Speaker 1>me to? Okay, if you want me to? And then

0:31:46.920 --> 0:31:49.160
<v Speaker 1>I think devil Oh actually may have been new what

0:31:49.400 --> 0:31:52.520
<v Speaker 1>laughing old flying? I can't remember. I lost track? Pick

0:31:52.600 --> 0:31:57.160
<v Speaker 1>up man? Which jam? Where do you put this into

0:31:57.240 --> 0:32:01.360
<v Speaker 1>that list? Oh? It's fourth or fifth. It's gotta be

0:32:01.400 --> 0:32:03.240
<v Speaker 1>interesting to put together set less for you because you

0:32:03.240 --> 0:32:05.920
<v Speaker 1>have so many biggs. It's really hard. I remember, I

0:32:05.920 --> 0:32:10.280
<v Speaker 1>remember touring. I got the final with George Straight but

0:32:10.400 --> 0:32:13.960
<v Speaker 1>put him on that Mount Rushmore when I first started.

0:32:14.080 --> 0:32:17.040
<v Speaker 1>What year was that? It had to have been ninety

0:32:17.080 --> 0:32:19.360
<v Speaker 1>one or two somewhere in that arrange. What does a

0:32:19.480 --> 0:32:21.960
<v Speaker 1>tour like with you and George Straight? Well? I didn't

0:32:21.960 --> 0:32:24.080
<v Speaker 1>really get to see George very much, you know, he

0:32:24.200 --> 0:32:26.720
<v Speaker 1>was he was kind of a private person and uh,

0:32:26.960 --> 0:32:28.960
<v Speaker 1>you know, and he didn't really come to sound checks

0:32:29.040 --> 0:32:31.200
<v Speaker 1>or anything. So I mean, I saw him occasionally and

0:32:31.200 --> 0:32:34.600
<v Speaker 1>he's super super nice man. He just and I just

0:32:34.600 --> 0:32:36.880
<v Speaker 1>remember I was. I was pretty tickle when he finally,

0:32:37.120 --> 0:32:38.760
<v Speaker 1>you know, say hey, Joe, how are you doing, I'm like,

0:32:38.800 --> 0:32:42.160
<v Speaker 1>all right, George, what was my name? Now? So bigger

0:32:42.160 --> 0:32:44.520
<v Speaker 1>than the Beatles, here's right here. Number one for you

0:32:47.920 --> 0:32:55.959
<v Speaker 1>Beetles Wild. You know, for me, whenever I would hear

0:32:56.000 --> 0:32:57.160
<v Speaker 1>you as a kid, I always felt like you were

0:32:57.200 --> 0:33:01.200
<v Speaker 1>smiling when you were singing like that. That is part

0:33:01.280 --> 0:33:03.840
<v Speaker 1>of him, you know when you're trying to I mean

0:33:03.880 --> 0:33:06.400
<v Speaker 1>you do think of that. I try to emote, you know,

0:33:06.680 --> 0:33:09.800
<v Speaker 1>put your feelings into the songs you're saying. Say yeah,

0:33:10.160 --> 0:33:11.800
<v Speaker 1>I always felt like when and when I think about

0:33:11.800 --> 0:33:13.960
<v Speaker 1>your songs, I always thinking, man, Joey sounds like he's

0:33:14.080 --> 0:33:17.120
<v Speaker 1>he's having a good time. Yeah, absolutely that that would

0:33:17.160 --> 0:33:19.320
<v Speaker 1>be if I were to I talk about if someone's like,

0:33:19.360 --> 0:33:21.240
<v Speaker 1>what should it sounds like it's it's not like he's smiling,

0:33:21.280 --> 0:33:24.760
<v Speaker 1>like he's having fun singing about country saying what do

0:33:24.800 --> 0:33:27.200
<v Speaker 1>you How do you feel about these artists like the

0:33:27.200 --> 0:33:30.880
<v Speaker 1>the Luke Combs. Um, I'm setting you up here, but

0:33:30.880 --> 0:33:35.479
<v Speaker 1>but the guys that are really super traditional style again

0:33:36.040 --> 0:33:38.160
<v Speaker 1>does that excite you. I love it. Yeah, I mean

0:33:38.440 --> 0:33:41.320
<v Speaker 1>country has always been a little bit scyical, you know,

0:33:41.400 --> 0:33:44.640
<v Speaker 1>and it's a it goes from one thing to another

0:33:44.760 --> 0:33:47.840
<v Speaker 1>kind of vacillates back and forth. So I love Luke.

0:33:48.040 --> 0:33:50.880
<v Speaker 1>I got to, along with Vince Gil and a couple

0:33:50.880 --> 0:33:52.680
<v Speaker 1>of other folks, got to induct him to the Grand

0:33:52.680 --> 0:33:56.080
<v Speaker 1>Old Opry recently, so that was pretty cool. Whenever the

0:33:56.320 --> 0:33:59.720
<v Speaker 1>al Dean song came out and the famous lyric is

0:33:59.800 --> 0:34:06.040
<v Speaker 1>Joe Joe Joe Diffe, did you know this was coming? Yeah? Yeah,

0:34:06.120 --> 0:34:10.359
<v Speaker 1>I actually had heard it started up. Somebody contacted me said, man,

0:34:10.360 --> 0:34:12.399
<v Speaker 1>there's a song somewhere out there that has your name

0:34:12.400 --> 0:34:15.400
<v Speaker 1>in them. So really so somehow we got a copy

0:34:15.400 --> 0:34:17.520
<v Speaker 1>of it. It It was a demo, you know. Thomas Rhett

0:34:17.560 --> 0:34:20.319
<v Speaker 1>was one of the writers on that, and so the

0:34:20.360 --> 0:34:22.880
<v Speaker 1>first time I heard it was Thomas Rhet's version, you know,

0:34:23.320 --> 0:34:26.120
<v Speaker 1>and it was a lot more kind of rap feeling

0:34:26.160 --> 0:34:29.359
<v Speaker 1>than than that Jason's version. Jason has a lot more

0:34:29.400 --> 0:34:32.800
<v Speaker 1>guitars and stuff. So yeah, I just like my and

0:34:32.880 --> 0:34:35.040
<v Speaker 1>my band members were sitting around, I said that here's

0:34:35.080 --> 0:34:37.319
<v Speaker 1>that song got my name in it apparently, so I

0:34:37.360 --> 0:34:39.560
<v Speaker 1>put it in there and had all that. We're looking

0:34:39.560 --> 0:34:41.440
<v Speaker 1>atach other like, what the hell is that? You know?

0:34:41.719 --> 0:34:46.640
<v Speaker 1>So Jo, did you did bring you out all out?

0:34:47.239 --> 0:34:48.640
<v Speaker 1>Or wait? Where was it that they did this in

0:34:48.680 --> 0:34:50.719
<v Speaker 1>an award show? It was a C M S They

0:34:50.760 --> 0:34:53.200
<v Speaker 1>had had the giant head? Is that what it was?

0:34:54.000 --> 0:34:56.000
<v Speaker 1>I remember seeing it was, That's what it was, the

0:34:56.080 --> 0:34:58.479
<v Speaker 1>giant head dropped out of the sea. Did you find

0:34:58.480 --> 0:35:01.040
<v Speaker 1>when that song comes out that people were going like

0:35:01.120 --> 0:35:03.080
<v Speaker 1>younger kids were like, who the heck is Joe diffy?

0:35:03.320 --> 0:35:07.080
<v Speaker 1>Like twelve year old dude. I'm that's a good setup

0:35:07.080 --> 0:35:10.440
<v Speaker 1>for for saying this that that because of Jason and

0:35:10.640 --> 0:35:13.800
<v Speaker 1>Thomas Ricks. Thomas does that song on his show as well,

0:35:13.840 --> 0:35:16.000
<v Speaker 1>you know, and so they're getting it's being heard by

0:35:16.040 --> 0:35:18.920
<v Speaker 1>a lot of people, you know, and so we are.

0:35:18.920 --> 0:35:22.399
<v Speaker 1>Our crowds have just been tremendous and a lot more

0:35:22.600 --> 0:35:24.600
<v Speaker 1>you know, younger people, and they know every day I

0:35:24.640 --> 0:35:27.560
<v Speaker 1>got word to every song was pretty amazing. Back in

0:35:27.600 --> 0:35:30.360
<v Speaker 1>the day, there was that the TV commercial there was

0:35:30.760 --> 0:35:33.400
<v Speaker 1>I think they did pick up man. Pick up Man

0:35:33.480 --> 0:35:36.600
<v Speaker 1>was using and maybe a card truck commercial, board truck

0:35:36.640 --> 0:35:38.960
<v Speaker 1>commercial and did they read the words a little bit

0:35:38.960 --> 0:35:42.719
<v Speaker 1>in it? Well, yeah, they get another singer what was it? No,

0:35:43.000 --> 0:35:45.680
<v Speaker 1>that was that was actually me on camera that that's

0:35:45.680 --> 0:35:49.080
<v Speaker 1>the same one you're talking about. That That commercial actually

0:35:49.480 --> 0:35:52.680
<v Speaker 1>day aired on the super during the super Bowl, So

0:35:53.000 --> 0:35:56.680
<v Speaker 1>that's when that commercial you were in the super Bowl commercial. Yeah,

0:35:56.719 --> 0:35:59.000
<v Speaker 1>that's pretty cool. That cool. I got more people though

0:35:59.040 --> 0:36:01.640
<v Speaker 1>that had no do I was that saw that and

0:36:01.680 --> 0:36:04.080
<v Speaker 1>we're like, hey, you're that pickup guy. You know, people

0:36:04.080 --> 0:36:06.080
<v Speaker 1>would recognize you for being the pickup guy from the

0:36:06.120 --> 0:36:08.680
<v Speaker 1>commercial more because I was on camera too. Yeah. Yeah, yeah,

0:36:08.760 --> 0:36:10.520
<v Speaker 1>but they would see you from the It's interesting. I

0:36:10.520 --> 0:36:12.080
<v Speaker 1>was talking to Brad Paisley a couple of weeks ago

0:36:12.280 --> 0:36:14.040
<v Speaker 1>and I said, Hey, what are people like coming up

0:36:14.040 --> 0:36:16.359
<v Speaker 1>to you as the insurance guy? And He's like, yeah,

0:36:16.400 --> 0:36:18.280
<v Speaker 1>a lot of people don't even know that I do music,

0:36:18.320 --> 0:36:19.680
<v Speaker 1>if they don't know country music, and they only know

0:36:19.719 --> 0:36:23.120
<v Speaker 1>me from the I think the nationwide commercials. Yeah that's right, Mike. Yeah.

0:36:23.280 --> 0:36:25.000
<v Speaker 1>And so people were coming up to you and you're

0:36:25.000 --> 0:36:27.520
<v Speaker 1>the super Bowl commercial guy. Is that a nice paydy

0:36:27.560 --> 0:36:30.040
<v Speaker 1>to the super Bowl commercial? Yes, it's very nice. I

0:36:30.080 --> 0:36:32.960
<v Speaker 1>love pay days. I grew up a song though has

0:36:33.040 --> 0:36:35.919
<v Speaker 1>made me probably more money than any of the other

0:36:35.960 --> 0:36:38.800
<v Speaker 1>songs I've had, and I didn't write the song. A

0:36:38.880 --> 0:36:40.960
<v Speaker 1>couple of friends of mine wrote it, and uh so

0:36:41.000 --> 0:36:43.880
<v Speaker 1>they get paid as well, you know, but for for

0:36:43.920 --> 0:36:47.080
<v Speaker 1>the royalty publishing and all that stuff. So but I

0:36:47.200 --> 0:36:50.520
<v Speaker 1>was also an Apple beachs commercial and was it there

0:36:50.560 --> 0:36:53.719
<v Speaker 1>like cars to ghost services, like yeah you pick up Yeah,

0:36:53.760 --> 0:36:56.200
<v Speaker 1>they changed the lyrics on it, and uh I'll tell

0:36:56.200 --> 0:37:00.000
<v Speaker 1>you the miracle of modern stuff, you know, I had

0:36:58.920 --> 0:37:03.160
<v Speaker 1>to do in my house. And and so somehow we

0:37:03.239 --> 0:37:06.680
<v Speaker 1>got my book and agents got they said that they

0:37:06.800 --> 0:37:09.960
<v Speaker 1>were interested in using Pickup Man as a part of

0:37:09.960 --> 0:37:13.480
<v Speaker 1>an Apple Beach commercial, and so they sent me a

0:37:13.480 --> 0:37:17.000
<v Speaker 1>CD of it, just the music and the lyrics changed

0:37:17.040 --> 0:37:21.759
<v Speaker 1>that they had rewritten it basically, and uh so I

0:37:21.840 --> 0:37:24.520
<v Speaker 1>just stuck it into the thing and read the lyrics,

0:37:24.520 --> 0:37:26.799
<v Speaker 1>singing it down. Tell me about an hour, and I

0:37:26.840 --> 0:37:28.520
<v Speaker 1>sent it back. I thought it was gonna be like

0:37:28.560 --> 0:37:31.959
<v Speaker 1>a presentation or a demo for them, and they used

0:37:31.960 --> 0:37:35.799
<v Speaker 1>it and they ken't renew it. Man, it is like

0:37:35.960 --> 0:37:37.719
<v Speaker 1>this is great, I said, kind I guess some more

0:37:37.760 --> 0:37:40.000
<v Speaker 1>of those commercials. Is that where it is like in

0:37:40.040 --> 0:37:42.840
<v Speaker 1>the sink stuff? Yeah, yeah, if you can get it,

0:37:42.880 --> 0:37:44.680
<v Speaker 1>if you can get a get in one of those

0:37:44.719 --> 0:37:47.200
<v Speaker 1>deals this pretty good deal. What's that touring like for you? Now?

0:37:47.320 --> 0:37:49.640
<v Speaker 1>It's great? You done a much shows a lot. Yeah,

0:37:49.680 --> 0:37:52.640
<v Speaker 1>this is I've been working, working a lot and uh

0:37:53.200 --> 0:37:56.440
<v Speaker 1>probably uh you know, just staying really busy, which is

0:37:56.480 --> 0:37:59.320
<v Speaker 1>really good. I like working. You know, we were talking

0:37:59.360 --> 0:38:02.239
<v Speaker 1>earlier that travel part gets a little old. You know,

0:38:02.360 --> 0:38:05.080
<v Speaker 1>you get tired from that. But I mean, you know,

0:38:05.120 --> 0:38:08.839
<v Speaker 1>get the thing due play around and messing around all

0:38:08.840 --> 0:38:10.800
<v Speaker 1>the times. Like it's like I told my guys that

0:38:10.880 --> 0:38:13.239
<v Speaker 1>it's like we're on a big camping trip all the time,

0:38:13.360 --> 0:38:15.800
<v Speaker 1>you know, so we have fun. You worked in oilfield

0:38:15.840 --> 0:38:19.400
<v Speaker 1>for a while. I did. You drove a truck the

0:38:19.440 --> 0:38:21.719
<v Speaker 1>pump cement? Is that true? What does that work? Like?

0:38:21.960 --> 0:38:25.400
<v Speaker 1>It sucked? Yeah. It was for a company called Halliburton

0:38:25.960 --> 0:38:30.080
<v Speaker 1>and uh oddly enough, who were headquartered They used to

0:38:30.160 --> 0:38:33.160
<v Speaker 1>be headquartered in Duncan, Oklahoma. But I had to move

0:38:33.200 --> 0:38:35.840
<v Speaker 1>to Alas, Texas to get to work for him because

0:38:35.880 --> 0:38:38.400
<v Speaker 1>I had an uncle that worked for them, and uh

0:38:38.480 --> 0:38:40.040
<v Speaker 1>so I did. I didn't do that for very long.

0:38:40.080 --> 0:38:42.120
<v Speaker 1>I was there for about I don't know, three or

0:38:42.120 --> 0:38:44.839
<v Speaker 1>four months or so, and I just it was like

0:38:44.920 --> 0:38:47.799
<v Speaker 1>you're gone all the time, and you know that the

0:38:47.800 --> 0:38:50.319
<v Speaker 1>pay was not that great, and uh so I just

0:38:50.360 --> 0:38:52.080
<v Speaker 1>decided I didn't like that, so I moved back to

0:38:52.160 --> 0:38:54.759
<v Speaker 1>Duncan and got a job in that foundry. So so

0:38:54.880 --> 0:38:58.040
<v Speaker 1>what about you going to medical school? Always if you

0:38:58.120 --> 0:38:59.840
<v Speaker 1>had asked me when I was a kid, that's what

0:39:00.080 --> 0:39:02.239
<v Speaker 1>was one to be, was a doctor. And I used

0:39:02.239 --> 0:39:05.040
<v Speaker 1>to read medical books and I followed my parents around

0:39:05.160 --> 0:39:07.840
<v Speaker 1>reading them facts and figures on that kind of stuff.

0:39:07.880 --> 0:39:10.120
<v Speaker 1>You know, what'd your mom and dad do? Uh? They

0:39:10.160 --> 0:39:13.040
<v Speaker 1>were both the teachers. My dad did a little bit

0:39:13.080 --> 0:39:15.600
<v Speaker 1>of everything. He had his own welding company for a while.

0:39:15.640 --> 0:39:18.680
<v Speaker 1>He had a repossession company for a while. Was he

0:39:18.719 --> 0:39:22.600
<v Speaker 1>didn't repo cars. He didn't like that in the middle

0:39:22.600 --> 0:39:25.399
<v Speaker 1>of the night and go and that's a dangerous it's

0:39:25.480 --> 0:39:27.440
<v Speaker 1>very dangerous. You got shot at a couple of times.

0:39:27.440 --> 0:39:30.600
<v Speaker 1>He said he didn't like that. So, yeah, he had

0:39:30.640 --> 0:39:33.240
<v Speaker 1>he actually built since he was a welder. He built

0:39:33.280 --> 0:39:36.120
<v Speaker 1>this rig on the like a hook that that was

0:39:36.239 --> 0:39:38.400
<v Speaker 1>hydraulic and it would come out of the out of

0:39:38.440 --> 0:39:40.600
<v Speaker 1>the back of the pickup and the tailgate would lower

0:39:40.600 --> 0:39:42.640
<v Speaker 1>down and he would just back up to the cars

0:39:42.680 --> 0:39:45.080
<v Speaker 1>and pick him up and drive off with him. That's

0:39:45.080 --> 0:39:47.799
<v Speaker 1>a crazy line of word and thinking. As we get

0:39:48.040 --> 0:39:50.520
<v Speaker 1>as kids, we see adults do things more like that's

0:39:50.520 --> 0:39:52.080
<v Speaker 1>just kind of normal, right, But as you get to

0:39:52.120 --> 0:39:54.320
<v Speaker 1>be an adult and you see other adults repoint and

0:39:54.320 --> 0:39:58.640
<v Speaker 1>people shooting out over that's that's. Yeah. He didn't last

0:39:58.640 --> 0:40:00.880
<v Speaker 1>long with that. He didn't like that at all. And plus,

0:40:00.920 --> 0:40:03.960
<v Speaker 1>you know, you're having to and he just just the

0:40:04.040 --> 0:40:06.320
<v Speaker 1>human element of it. A lot of people who couldn't

0:40:06.360 --> 0:40:08.800
<v Speaker 1>you know, they were behind on their payments through whatever.

0:40:09.320 --> 0:40:11.160
<v Speaker 1>Some of them were just bumms, and some of them

0:40:11.239 --> 0:40:13.839
<v Speaker 1>just lost their jobs or something, you know, or we're ill.

0:40:14.200 --> 0:40:16.319
<v Speaker 1>And he'd after the bank, would you know, telling to

0:40:16.320 --> 0:40:17.920
<v Speaker 1>go get this car. You know. So I had to

0:40:17.960 --> 0:40:20.439
<v Speaker 1>work with the bank a lot. And so he didn't

0:40:20.480 --> 0:40:22.960
<v Speaker 1>like that either because then people had to come. He

0:40:23.000 --> 0:40:24.720
<v Speaker 1>had to te it to a yard, and then people

0:40:24.760 --> 0:40:26.640
<v Speaker 1>came to the yard and he had to be out

0:40:26.640 --> 0:40:29.399
<v Speaker 1>there while they gathered their belonging to the other repossessed car.

0:40:29.600 --> 0:40:32.920
<v Speaker 1>You know. Yeah, so he didn't like that. You were

0:40:32.920 --> 0:40:35.359
<v Speaker 1>inducted into the Grand Ole Opry. Yeah, it's a real

0:40:35.480 --> 0:40:37.920
<v Speaker 1>special thing. That was one of one of my highlights

0:40:37.920 --> 0:40:40.200
<v Speaker 1>of my career. I could consider it. You know, how

0:40:40.239 --> 0:40:41.880
<v Speaker 1>did you get told you were going to be in

0:40:41.880 --> 0:40:44.160
<v Speaker 1>the operation kind of the same way I got told

0:40:44.160 --> 0:40:46.200
<v Speaker 1>by a record deal. I went out to the opera

0:40:46.280 --> 0:40:49.040
<v Speaker 1>and and uh, I met with the guy who I

0:40:49.040 --> 0:40:50.640
<v Speaker 1>can't remember his name right now. He was the head

0:40:50.640 --> 0:40:52.799
<v Speaker 1>of it back then, and I just I thought, I

0:40:52.800 --> 0:40:54.440
<v Speaker 1>didn't know why we were even out there, and was

0:40:54.560 --> 0:40:56.959
<v Speaker 1>out there with my managers, and he goes, how would

0:40:56.960 --> 0:40:58.600
<v Speaker 1>you like to be remember the grand Ole Obrary. I

0:40:58.719 --> 0:41:01.200
<v Speaker 1>was like, yeah, so that really really that's how I

0:41:01.200 --> 0:41:03.680
<v Speaker 1>got my record deal and the Grand Ol Operathing. So

0:41:03.960 --> 0:41:06.440
<v Speaker 1>it's pretty cool, pretty low key, and it was very

0:41:06.520 --> 0:41:09.920
<v Speaker 1>low Yeah. Is it true that your parents and your

0:41:09.920 --> 0:41:12.480
<v Speaker 1>parents that you could sing harmonies when you were three

0:41:12.560 --> 0:41:16.040
<v Speaker 1>years old? Now you probably can't remember remember three, You

0:41:16.080 --> 0:41:18.640
<v Speaker 1>do remember three? I remember singing and are we had

0:41:18.640 --> 0:41:20.920
<v Speaker 1>to pick up and uh I had two sisters, have

0:41:20.960 --> 0:41:23.759
<v Speaker 1>two sisters, and so we would all be five or

0:41:23.760 --> 0:41:25.839
<v Speaker 1>five of us being the truck and to keep us

0:41:25.880 --> 0:41:29.480
<v Speaker 1>occupied and and you know, from screaming at each other,

0:41:29.640 --> 0:41:33.760
<v Speaker 1>they would sing solid, simple songs, you know, kids songs,

0:41:33.760 --> 0:41:36.000
<v Speaker 1>and we sing along with them. And at three you

0:41:36.000 --> 0:41:38.799
<v Speaker 1>can harmonize. I just hear, I just heard it. It

0:41:38.880 --> 0:41:40.360
<v Speaker 1>just it was in my head, I could hear it.

0:41:40.400 --> 0:41:42.200
<v Speaker 1>Were you always a really good singer as a seven

0:41:42.280 --> 0:41:44.160
<v Speaker 1>year old? Isn't a church or wherever you were singing?

0:41:44.239 --> 0:41:48.200
<v Speaker 1>You always think? I guess, you know, it's hard to value,

0:41:48.280 --> 0:41:49.960
<v Speaker 1>hard to judge it, you know, I guess were you

0:41:50.080 --> 0:41:52.319
<v Speaker 1>rewarded for your singing at a very young age? Were

0:41:52.320 --> 0:41:55.080
<v Speaker 1>people telling you why? Joe? Yeah, I mean I remember

0:41:55.160 --> 0:41:57.040
<v Speaker 1>my aunt got me up in front of with her

0:41:57.080 --> 0:41:59.960
<v Speaker 1>band and I got up and saying you're my son

0:42:00.000 --> 0:42:01.960
<v Speaker 1>and giant or something like that, you know, and so

0:42:02.000 --> 0:42:04.480
<v Speaker 1>it's pretty cool. What was that like in the nineties,

0:42:04.560 --> 0:42:08.360
<v Speaker 1>touring with no internet and no cell phone and no

0:42:08.480 --> 0:42:10.400
<v Speaker 1>Google Maps. Do you ever just end up with the

0:42:10.400 --> 0:42:13.560
<v Speaker 1>bus in a wrong talent? Absolutely? Oh you would, Yeah,

0:42:13.920 --> 0:42:15.160
<v Speaker 1>you know, of course you have to get the map

0:42:15.200 --> 0:42:17.799
<v Speaker 1>at and then you had to know, you, hey, even

0:42:17.840 --> 0:42:21.120
<v Speaker 1>our satellite we had did have a satellite dish, but

0:42:21.200 --> 0:42:23.759
<v Speaker 1>your bus had to be stopped and you had to

0:42:23.840 --> 0:42:27.960
<v Speaker 1>like physically enter in, get the atlas out and figure

0:42:28.000 --> 0:42:31.840
<v Speaker 1>out your latitude and your longitude and enter those coordinates

0:42:31.880 --> 0:42:35.040
<v Speaker 1>in and then it would raise up. Yeah. Would you

0:42:35.040 --> 0:42:37.520
<v Speaker 1>ever get somewhere because there weren't cell phones realized there

0:42:37.560 --> 0:42:41.000
<v Speaker 1>was no show happening anymore, or like you get there

0:42:41.000 --> 0:42:42.560
<v Speaker 1>and like no, we tried to get ahold of you,

0:42:42.760 --> 0:42:46.920
<v Speaker 1>but they carryer pigeon, you know. No, unfortunately, never had

0:42:46.960 --> 0:42:49.279
<v Speaker 1>that happen. But what kind of countryms of artists you

0:42:49.360 --> 0:42:53.239
<v Speaker 1>drawn to? Now? I guess I have a tendency to

0:42:53.640 --> 0:42:56.239
<v Speaker 1>lean more towards the country. You're the country side of

0:42:56.280 --> 0:42:59.440
<v Speaker 1>the things, you know, which you know, so you know,

0:42:59.480 --> 0:43:01.960
<v Speaker 1>I enjoy Luke and you know, Brad Paisley and a

0:43:02.000 --> 0:43:03.960
<v Speaker 1>couple of other guys that that I think are good,

0:43:04.080 --> 0:43:06.800
<v Speaker 1>good singers. You know, growing up, who was your favorite?

0:43:07.520 --> 0:43:11.680
<v Speaker 1>Oh man, well, it'd probably have to be George Jones,

0:43:12.080 --> 0:43:15.440
<v Speaker 1>and that's who I emulated, so you know, learned a

0:43:15.440 --> 0:43:18.879
<v Speaker 1>lot by emulating him. But I mean I I had

0:43:18.880 --> 0:43:21.520
<v Speaker 1>a whole rangement. Of course, I had the regulars that

0:43:21.560 --> 0:43:26.000
<v Speaker 1>everybody mentions, Haggard, Jones, Johnny Cash, you know, Conway, there

0:43:26.080 --> 0:43:28.560
<v Speaker 1>was you know, a whole plethora of those people. But

0:43:28.560 --> 0:43:31.920
<v Speaker 1>but I you know, I actually like I loved Loretta

0:43:32.000 --> 0:43:35.040
<v Speaker 1>Lyon and Dolly Parton as well, you know, and Connie Smith,

0:43:35.120 --> 0:43:37.680
<v Speaker 1>and so I heard a lot of those being from Oklahoma.

0:43:37.840 --> 0:43:40.600
<v Speaker 1>And I'll perhaps it with my story. I'm from Arkansas.

0:43:40.640 --> 0:43:44.120
<v Speaker 1>So it was Johnny Cash and Conway Twitty and you can,

0:43:44.719 --> 0:43:46.680
<v Speaker 1>I mean listen, which tall Liman was so big to

0:43:47.000 --> 0:43:49.000
<v Speaker 1>anybody from Arkansas was a big deal to us because

0:43:49.000 --> 0:43:51.920
<v Speaker 1>there weren't a lot of us who made it on

0:43:51.960 --> 0:43:56.200
<v Speaker 1>any sort of national stage being from Oklahoma. Who was

0:43:56.239 --> 0:43:58.080
<v Speaker 1>it that you looked at and was like, wow, like

0:43:58.160 --> 0:43:59.840
<v Speaker 1>this is one of our guys doing or one of

0:43:59.880 --> 0:44:02.239
<v Speaker 1>our girls doing it? Well, I mean obviously, you know,

0:44:02.520 --> 0:44:05.759
<v Speaker 1>but they aren't that much older than I am, but

0:44:05.920 --> 0:44:09.600
<v Speaker 1>I mean, Reba advanced, they were already involved in doing

0:44:09.760 --> 0:44:12.560
<v Speaker 1>stuff before I ever removed to Nashville. So that was

0:44:12.560 --> 0:44:15.479
<v Speaker 1>pretty cool to see that, and you know, you kinda

0:44:16.200 --> 0:44:20.520
<v Speaker 1>kind of take that and you know, feel good about it. Man,

0:44:21.080 --> 0:44:25.279
<v Speaker 1>that's crazy. Like I did the Michael was I think

0:44:25.280 --> 0:44:27.600
<v Speaker 1>in DC. I did with Reba Kennedy Honors. I did

0:44:27.600 --> 0:44:29.319
<v Speaker 1>the Kennedy Honors for Reba. I got to go. I did,

0:44:29.440 --> 0:44:31.520
<v Speaker 1>went up and did ten minutes to stand up, and

0:44:31.560 --> 0:44:33.440
<v Speaker 1>there was like six of us the presented Reeve. It

0:44:33.480 --> 0:44:35.839
<v Speaker 1>was me and Brooks and Dunn and Kristin Chenowyth and

0:44:36.280 --> 0:44:38.120
<v Speaker 1>Kelly Clarkson. But anyway, so I go up and I'm

0:44:38.160 --> 0:44:40.920
<v Speaker 1>doing comedy but I'm also talking through as I'm doing comedy.

0:44:41.000 --> 0:44:44.759
<v Speaker 1>Reba's Oklahoma Alive where she was it was, you know,

0:44:44.840 --> 0:44:48.160
<v Speaker 1>doing uh that the roadwork in the rodeos, like singing

0:44:48.160 --> 0:44:52.120
<v Speaker 1>the rodeos and you know, just thinvered singing the national

0:44:52.120 --> 0:44:55.040
<v Speaker 1>anthem at the rodeo, tex Ritter. I think the one

0:44:55.200 --> 0:44:57.359
<v Speaker 1>who for you saw you sing, I know you got

0:44:57.400 --> 0:44:59.880
<v Speaker 1>a record of it. Who saw you randomly if in

0:45:00.120 --> 0:45:01.480
<v Speaker 1>one and they were like, man, I think there could

0:45:01.480 --> 0:45:03.920
<v Speaker 1>be like you're actually pretty good there, Joe, did you

0:45:03.920 --> 0:45:05.640
<v Speaker 1>ever have one of those? A little drunk guy at

0:45:05.640 --> 0:45:09.799
<v Speaker 1>the bar before you go? He threw literally through five

0:45:09.840 --> 0:45:12.320
<v Speaker 1>dollars after he said, telling you out a mood to Nashville,

0:45:12.400 --> 0:45:15.480
<v Speaker 1>you're really good. So have you ever see anybody cover

0:45:15.600 --> 0:45:17.839
<v Speaker 1>your songs nowadays? And you go, man, that's a really

0:45:17.840 --> 0:45:21.279
<v Speaker 1>good version of that song. I've heard it a couple

0:45:21.320 --> 0:45:23.279
<v Speaker 1>of me. That sounds really good. You know, it's fun.

0:45:23.320 --> 0:45:25.120
<v Speaker 1>It's fun to me to hear them. You know, if

0:45:25.160 --> 0:45:26.640
<v Speaker 1>you could pick one of your songs to be covered

0:45:26.640 --> 0:45:29.239
<v Speaker 1>again now and be made a hit again, which which

0:45:29.239 --> 0:45:31.680
<v Speaker 1>song would you like to see a reborn? That's a

0:45:31.719 --> 0:45:35.360
<v Speaker 1>good question. Uh, well, I know my favorite song is

0:45:35.400 --> 0:45:37.440
<v Speaker 1>the ships that don't come in. Oh come on, I

0:45:37.480 --> 0:45:39.000
<v Speaker 1>love the only place. Let me, let me listen. That's

0:45:39.360 --> 0:45:51.800
<v Speaker 1>all never died in bed, insane lot loomsoon allless down

0:45:51.960 --> 0:45:55.719
<v Speaker 1>a man. So everybody listening right now, there's a lot

0:45:55.719 --> 0:45:58.960
<v Speaker 1>of artists listen to this podcast. Ships that don't come in.

0:45:59.040 --> 0:46:01.799
<v Speaker 1>That's the cover to do it is that's that's such

0:46:01.840 --> 0:46:05.080
<v Speaker 1>a great song. I've I've told the writers that David

0:46:05.080 --> 0:46:09.120
<v Speaker 1>gives the Paul Nelson I said that song didn't need me,

0:46:09.200 --> 0:46:11.480
<v Speaker 1>but it needed somebody to see it because it's just

0:46:11.520 --> 0:46:13.239
<v Speaker 1>such a great song. I think it could have been

0:46:13.239 --> 0:46:14.879
<v Speaker 1>a hit with anybody, you know. So I was glad

0:46:14.920 --> 0:46:17.080
<v Speaker 1>I got it. Anybody cool ever come up to you

0:46:17.120 --> 0:46:19.560
<v Speaker 1>that You're like, man, they're a fan of you. But

0:46:19.560 --> 0:46:21.040
<v Speaker 1>You're like, that's really cool. They're a fan of me.

0:46:22.440 --> 0:46:26.720
<v Speaker 1>A lot of yeah, a lot uh some people I revere,

0:46:26.880 --> 0:46:29.640
<v Speaker 1>you know. I mean, I walked I was gonna introduce

0:46:29.719 --> 0:46:32.880
<v Speaker 1>myself to Merle Haggard one time at the A c M.

0:46:32.960 --> 0:46:34.839
<v Speaker 1>And I walked up to because, Joe, how you doing, Man,

0:46:34.920 --> 0:46:36.879
<v Speaker 1>I'm a big fan of here, And I'm like, Merl

0:46:36.960 --> 0:46:39.359
<v Speaker 1>Hackard knows my name. It's just blows my mind. You know,

0:46:39.760 --> 0:46:42.879
<v Speaker 1>Ronnie Millsnap told me it was you know, so yeah,

0:46:43.040 --> 0:46:45.960
<v Speaker 1>those that's a really special thing when somebody who you

0:46:46.200 --> 0:46:49.080
<v Speaker 1>who you idolize, tells you that, you know, can you

0:46:49.120 --> 0:46:52.640
<v Speaker 1>go to dinner in Nashville with are in Tennessee without

0:46:52.640 --> 0:46:55.839
<v Speaker 1>being bothered? Yeah, And it's people are pretty cool. They're

0:46:55.880 --> 0:47:00.480
<v Speaker 1>really they are. And and I just always I feel

0:47:00.480 --> 0:47:02.160
<v Speaker 1>like it's really not a bother. I mean, the only

0:47:02.239 --> 0:47:04.680
<v Speaker 1>time I never even kind of gets under my skin

0:47:04.719 --> 0:47:06.920
<v Speaker 1>a little bit is if I'm in the middle of eating.

0:47:07.440 --> 0:47:09.680
<v Speaker 1>You know, I often say if people are eating or

0:47:09.719 --> 0:47:12.560
<v Speaker 1>with their kids, those are really the only two times,

0:47:12.560 --> 0:47:16.120
<v Speaker 1>because otherwise everyone neces what they signed up for, right figure,

0:47:16.160 --> 0:47:19.080
<v Speaker 1>your public figure. But eating like literal food on the table,

0:47:19.640 --> 0:47:21.960
<v Speaker 1>fork in my hand, eating something and something. Yeah, but

0:47:22.000 --> 0:47:24.279
<v Speaker 1>I mean, and of course people don't mean any harm

0:47:24.320 --> 0:47:26.400
<v Speaker 1>by it, you know, a fact fact. George Jones and

0:47:26.440 --> 0:47:29.799
<v Speaker 1>I were at dinner one night, one evening, and and

0:47:29.880 --> 0:47:31.640
<v Speaker 1>this lady came up, and we were in the middle

0:47:31.680 --> 0:47:33.799
<v Speaker 1>of eating, and she comes up with a little boy,

0:47:33.840 --> 0:47:37.400
<v Speaker 1>and and she goes, I don't mean to bother you guys,

0:47:37.440 --> 0:47:39.120
<v Speaker 1>And George goes, but what are you doing it for?

0:47:40.920 --> 0:47:43.200
<v Speaker 1>He was teasing, of course, you know. So what is

0:47:43.239 --> 0:47:45.279
<v Speaker 1>it like to be a fan of George Jones and

0:47:45.320 --> 0:47:48.440
<v Speaker 1>then here you are having dinner? Now I couldn't I

0:47:48.440 --> 0:47:50.080
<v Speaker 1>don't even know how. I couldn't even talk to him.

0:47:50.080 --> 0:47:52.280
<v Speaker 1>I didn't know what to even ask him. I'm assuming

0:47:52.280 --> 0:47:55.640
<v Speaker 1>he has to invite you. Yeah, and did you got

0:47:55.800 --> 0:47:58.919
<v Speaker 1>where did that relationship? How did it start? Just from

0:47:58.960 --> 0:48:02.360
<v Speaker 1>doing a couple of shows to other and uh? And

0:48:02.400 --> 0:48:05.640
<v Speaker 1>I sang on on his hit song, I don't need

0:48:05.680 --> 0:48:11.080
<v Speaker 1>your rocking chair, I don't need yeall you met a game. Yeah,

0:48:11.360 --> 0:48:14.080
<v Speaker 1>so that was one of the most special things. Not

0:48:14.120 --> 0:48:17.359
<v Speaker 1>only because of that, but I got to take my dad.

0:48:17.360 --> 0:48:19.000
<v Speaker 1>I didn't tell him where we were going. He was

0:48:19.920 --> 0:48:23.040
<v Speaker 1>George Jones, his idol, you know, so I just took him.

0:48:23.120 --> 0:48:24.759
<v Speaker 1>I took him. He said, where are we going? I said,

0:48:24.920 --> 0:48:26.400
<v Speaker 1>just come on, you know. So I took him in

0:48:26.440 --> 0:48:29.680
<v Speaker 1>there and and uh, there was all he saw Alan Jackson,

0:48:29.760 --> 0:48:31.520
<v Speaker 1>Clint bike and all these people. He was like, what

0:48:31.640 --> 0:48:34.600
<v Speaker 1>is this? What's going on here? Then the limo pulls up.

0:48:34.680 --> 0:48:36.799
<v Speaker 1>George gets that. He was just I've never seen he

0:48:36.840 --> 0:48:39.160
<v Speaker 1>was speechless. He just was stunned by you know. So

0:48:39.280 --> 0:48:41.480
<v Speaker 1>that's really cool, right, Like, of all the moments, I

0:48:41.520 --> 0:48:43.760
<v Speaker 1>getting to do things for the people that you care about,

0:48:44.200 --> 0:48:45.759
<v Speaker 1>at least for me, has been that kind of the

0:48:45.760 --> 0:48:48.839
<v Speaker 1>coolest thing to do. Absolutely, that's pretty cool that you're

0:48:48.840 --> 0:48:50.560
<v Speaker 1>a big fan of George Jones and the next then

0:48:50.560 --> 0:48:53.320
<v Speaker 1>you're at dinner with Really it took me a couple

0:48:53.320 --> 0:48:58.480
<v Speaker 1>of times, uh before I was able to converse with

0:48:58.520 --> 0:49:00.279
<v Speaker 1>him because I was just really so Nerve was some

0:49:01.080 --> 0:49:03.120
<v Speaker 1>and he was just such an icon in my eyes.

0:49:03.200 --> 0:49:05.040
<v Speaker 1>But he I found it later on. He was He

0:49:05.160 --> 0:49:07.719
<v Speaker 1>was just so he's just so country, you know, He's

0:49:07.760 --> 0:49:09.600
<v Speaker 1>like and he's like talking to your grandpa. He couldn't

0:49:09.600 --> 0:49:12.600
<v Speaker 1>hear it real good, you know, So you say something

0:49:12.680 --> 0:49:15.440
<v Speaker 1>and he goes, you know. So then I got even

0:49:15.440 --> 0:49:17.799
<v Speaker 1>to sing on a on a song with me and

0:49:17.840 --> 0:49:20.520
<v Speaker 1>it was really cool too. Did you ever meet Tammy? Oh? Yeah,

0:49:20.719 --> 0:49:24.080
<v Speaker 1>Tammy was once. She loved my singing. Yes, you asked

0:49:24.080 --> 0:49:25.960
<v Speaker 1>about that earlier. She I forgot about Tamm but she

0:49:26.040 --> 0:49:28.360
<v Speaker 1>was a huge fan of mine. In fact, I sang on.

0:49:29.120 --> 0:49:31.759
<v Speaker 1>She did an album of duets with a lot of

0:49:31.880 --> 0:49:35.759
<v Speaker 1>rock artists, and I think me and wend known Over

0:49:35.840 --> 0:49:38.160
<v Speaker 1>the only two country people she has to be on there.

0:49:38.239 --> 0:49:40.520
<v Speaker 1>So that was really neat to get to sit there.

0:49:40.920 --> 0:49:43.160
<v Speaker 1>I mean, you're talking about bizarre. All of a sudden,

0:49:43.160 --> 0:49:45.920
<v Speaker 1>I'm sitting there right next to Tammy Win that and

0:49:45.960 --> 0:49:48.160
<v Speaker 1>we sang it live, we sang it down live. It

0:49:48.320 --> 0:49:51.759
<v Speaker 1>was you know, there was no overdubbing or punching in.

0:49:51.920 --> 0:49:54.080
<v Speaker 1>It was that. That's what it was. So were you

0:49:54.120 --> 0:49:57.360
<v Speaker 1>around when they were doing the tours of stars homes

0:49:57.360 --> 0:50:01.080
<v Speaker 1>when they would actually dry by people's houses, which nowadays

0:50:01.080 --> 0:50:04.359
<v Speaker 1>seems really weird. It's a it's a pain in the rear.

0:50:04.400 --> 0:50:07.439
<v Speaker 1>You'll be up more on your lawns all the time. Yeah,

0:50:07.640 --> 0:50:10.200
<v Speaker 1>So I'm only what happens. You're all sweating, and you

0:50:10.239 --> 0:50:12.880
<v Speaker 1>know they you know, here there comes that bus, little

0:50:12.880 --> 0:50:14.960
<v Speaker 1>people and they are all taking pictures of you and

0:50:15.000 --> 0:50:18.000
<v Speaker 1>you're sweat and dripping off of you got grass all

0:50:18.040 --> 0:50:22.239
<v Speaker 1>over you. You know, it's like hill. You know, how

0:50:22.239 --> 0:50:24.040
<v Speaker 1>would they find your house? I don't know how that.

0:50:24.400 --> 0:50:26.200
<v Speaker 1>I don't know. I don't know how they did it,

0:50:26.239 --> 0:50:30.480
<v Speaker 1>because if they did that nowadays, that would be the weirdest. Well,

0:50:30.600 --> 0:50:32.839
<v Speaker 1>I asked him, I asked made request. I said, Look,

0:50:33.440 --> 0:50:36.160
<v Speaker 1>not only it's it's bothering me, but it's bothering my

0:50:36.239 --> 0:50:40.160
<v Speaker 1>neighbors as well, to have these busses coming and stopping

0:50:40.200 --> 0:50:42.239
<v Speaker 1>in that and everybody getting out and all this. We

0:50:42.320 --> 0:50:44.520
<v Speaker 1>get out of the bus a couple of times I did, yeah,

0:50:44.880 --> 0:50:47.680
<v Speaker 1>so and I guess it's not illegal. No. I actually

0:50:47.719 --> 0:50:51.520
<v Speaker 1>called and asked, is there any way we can make

0:50:51.560 --> 0:50:54.800
<v Speaker 1>this stop? And they're like no, so okay. So it

0:50:54.880 --> 0:50:57.600
<v Speaker 1>was kind of weird. So after that, literally I'll be

0:50:57.719 --> 0:51:00.040
<v Speaker 1>up more on the lawn or doing something outside and

0:51:00.040 --> 0:51:01.879
<v Speaker 1>and i'd be watching because I knew about what time

0:51:01.960 --> 0:51:04.320
<v Speaker 1>of day they came by it. So I just watched

0:51:04.320 --> 0:51:06.919
<v Speaker 1>for when I go hide, you know, run behind the shed.

0:51:08.200 --> 0:51:11.880
<v Speaker 1>Everybody check it out. Joe Joe, Joe Diffy. Each album

0:51:12.000 --> 0:51:15.360
<v Speaker 1>is individually autographed and numbered, and it's at Joe Diffy

0:51:15.400 --> 0:51:17.600
<v Speaker 1>dot com slash vinyl. But I'm sure if you just

0:51:17.600 --> 0:51:19.200
<v Speaker 1>go to Joe Diffy dot com there's also a link

0:51:19.280 --> 0:51:21.400
<v Speaker 1>up there that says for the vinyl right if you

0:51:21.440 --> 0:51:23.239
<v Speaker 1>can't spell vinyl, cause I'll be honest, not a great

0:51:23.239 --> 0:51:27.520
<v Speaker 1>word to spell. B I N Y L not No,

0:51:28.000 --> 0:51:31.160
<v Speaker 1>I'm not. I would have been anyone on that um

0:51:31.200 --> 0:51:34.279
<v Speaker 1>as long as there's a bar. Yeah, tell me about

0:51:34.320 --> 0:51:36.960
<v Speaker 1>that A couple of great friends of mine wrote that

0:51:37.239 --> 0:51:40.319
<v Speaker 1>guy Gaylan Griffin and uh and Brian Keith Burns who

0:51:40.800 --> 0:51:43.120
<v Speaker 1>was in Trick Pony and he played bass for me

0:51:43.160 --> 0:51:45.920
<v Speaker 1>for like seven years early in my career, and so

0:51:45.960 --> 0:51:47.960
<v Speaker 1>they wrote this song. It just reminded me of brought

0:51:48.000 --> 0:51:50.520
<v Speaker 1>me up a little bit. So that's that's that's most

0:51:50.520 --> 0:51:52.680
<v Speaker 1>of the reason I did it. With a lot of

0:51:52.680 --> 0:51:54.960
<v Speaker 1>the music from when I was a kid in the

0:51:55.040 --> 0:51:56.360
<v Speaker 1>nineties where you have a bunch of your number one

0:51:56.400 --> 0:51:59.239
<v Speaker 1>songs kind of re emerging as a big deal. Did

0:51:59.280 --> 0:52:02.760
<v Speaker 1>that help your touring nineties country? Like? Was it? Like? Absolutely?

0:52:02.800 --> 0:52:06.080
<v Speaker 1>It was like a whole new rebirth of touring for you. Absolutely, yeah,

0:52:06.320 --> 0:52:09.200
<v Speaker 1>helped it and tremendously. And like I say, uh, with

0:52:09.239 --> 0:52:12.040
<v Speaker 1>the advent of that song in the nine I've got

0:52:12.080 --> 0:52:15.080
<v Speaker 1>so many new art, new fans and you know, younger fans.

0:52:15.120 --> 0:52:18.600
<v Speaker 1>It's just really it's really been pretty amazing to me. Well,

0:52:18.640 --> 0:52:21.920
<v Speaker 1>I'm super happy that that you came by. Good luck,

0:52:21.960 --> 0:52:24.960
<v Speaker 1>Hope yourself. So many of these these vinyl records that

0:52:24.960 --> 0:52:28.840
<v Speaker 1>you're so annoyed having to sign, that's problem to have

0:52:29.880 --> 0:52:32.600
<v Speaker 1>is the best I would get so irritated signed these

0:52:32.600 --> 0:52:34.440
<v Speaker 1>books and be like, I'm so happy to be irritated.

0:52:34.520 --> 0:52:37.480
<v Speaker 1>It was the greatest irritation you gotta Sometimes, you know,

0:52:37.560 --> 0:52:40.480
<v Speaker 1>you get a little a little by ester who or

0:52:40.600 --> 0:52:43.080
<v Speaker 1>just worn out with things over time when you you

0:52:43.200 --> 0:52:45.960
<v Speaker 1>kind of it's good to get a little, uh, you know,

0:52:46.280 --> 0:52:48.200
<v Speaker 1>check once in a while, just to kind of a

0:52:48.200 --> 0:52:50.080
<v Speaker 1>little gut check and say, okay, wait a minute, I'm

0:52:50.120 --> 0:52:52.120
<v Speaker 1>doing the best. I got the best job in the world.

0:52:52.760 --> 0:52:55.160
<v Speaker 1>You know. I could be at roof and house and

0:52:55.160 --> 0:52:56.839
<v Speaker 1>I used to do that. You know, I could be

0:52:56.840 --> 0:52:58.880
<v Speaker 1>back on doing clean I used to do clean up

0:52:58.880 --> 0:53:01.200
<v Speaker 1>from moving house, which is even the ruinouse. All right,

0:53:01.280 --> 0:53:04.840
<v Speaker 1>so I have I'm I'm just so lucky and so blessed,

0:53:04.840 --> 0:53:08.120
<v Speaker 1>like a great family, you know, and so great friends.

0:53:08.160 --> 0:53:10.879
<v Speaker 1>So you know, it's it's a it's a pleasure for me. Well,

0:53:11.239 --> 0:53:13.160
<v Speaker 1>you're always welcome. I got a Christmas card from you,

0:53:13.239 --> 0:53:15.560
<v Speaker 1>all right, Yes? Did you know that I did? Yes.

0:53:15.840 --> 0:53:17.279
<v Speaker 1>I felt like I was giving I felt like I

0:53:17.320 --> 0:53:19.759
<v Speaker 1>was giving him news. Mike. He was like, he was like, oh,

0:53:19.800 --> 0:53:21.520
<v Speaker 1>you gotta Christmas. I got a Christmas car from a

0:53:21.560 --> 0:53:25.040
<v Speaker 1>couple of days. It's just a gazillion, but we're glad

0:53:25.080 --> 0:53:27.919
<v Speaker 1>that you're on the list, so it was news to you. Well,

0:53:28.040 --> 0:53:31.120
<v Speaker 1>she told me about it, yes, okay, good before yesterday. Regardless,

0:53:31.120 --> 0:53:32.480
<v Speaker 1>I thought it was pretty cool. I'm not gonna lie

0:53:32.520 --> 0:53:34.600
<v Speaker 1>to you. Thought it was pretty cool. Joe Diffie dot

0:53:34.640 --> 0:53:37.480
<v Speaker 1>com slash Vinyl Joe, good luck and good to see

0:53:37.480 --> 0:53:41.319
<v Speaker 1>you again. Thank you. Episode to seventeen here on the

0:53:41.320 --> 0:53:41.879
<v Speaker 1>Bobby Cat