WEBVTT - #25 - JR Writer

0:00:09.680 --> 0:00:14.200
<v Speaker 1>Yes, welcome to another edition of the Bootleg cap Podcast,

0:00:14.800 --> 0:00:19.479
<v Speaker 1>episode number twenty five. Wow, twenty five episodes in. We

0:00:19.520 --> 0:00:29.400
<v Speaker 1>launched this podcast at the end of June, and unfortunately, unfortunately, no, fortunately,

0:00:30.000 --> 0:00:33.200
<v Speaker 1>we're at episode twenty five and everything's been very successful,

0:00:33.800 --> 0:00:36.680
<v Speaker 1>so you know, shit's going good man. Thank you to

0:00:36.680 --> 0:00:40.120
<v Speaker 1>everybody for all the positive feedback and the negative feedback.

0:00:40.120 --> 0:00:42.680
<v Speaker 1>You know, the funniest thing I saw on YouTube was

0:00:43.120 --> 0:00:47.680
<v Speaker 1>someone said that I had horrible posture on a YouTube comment,

0:00:49.880 --> 0:00:51.640
<v Speaker 1>and I gotta fix that. I don't want to have

0:00:51.720 --> 0:00:54.960
<v Speaker 1>bad posture, bro, I really don't want that to happen.

0:00:56.560 --> 0:00:59.240
<v Speaker 1>So been looking at all the feedback though, getting a

0:00:59.280 --> 0:01:02.120
<v Speaker 1>lot of positive feed back. Besides this white motherfucker don't

0:01:02.120 --> 0:01:06.039
<v Speaker 1>know rap music that seems to be the commonality amongst

0:01:06.040 --> 0:01:08.360
<v Speaker 1>most of the comments. But with that being said, go

0:01:08.480 --> 0:01:10.880
<v Speaker 1>fuck yourself. I know plenty more about hip hop than

0:01:10.920 --> 0:01:14.720
<v Speaker 1>you'll ever fucking know in your life. Anyway, Today's a

0:01:14.720 --> 0:01:20.400
<v Speaker 1>crazy day the election recording this the morning of November three,

0:01:20.520 --> 0:01:23.199
<v Speaker 1>and no matter where you fall on the political spectrum,

0:01:23.280 --> 0:01:26.160
<v Speaker 1>it's safe to say that this election is gonna be

0:01:26.280 --> 0:01:28.720
<v Speaker 1>like none we've ever seen in our entire life. So

0:01:30.160 --> 0:01:34.920
<v Speaker 1>fuck Donald Trump and let's see what happens tonight. We

0:01:35.000 --> 0:01:40.560
<v Speaker 1>got a dope episode today JR Ryder, who was a

0:01:40.640 --> 0:01:44.600
<v Speaker 1>part of like the new dip Set crew that you

0:01:44.600 --> 0:01:47.800
<v Speaker 1>know when when Dipset introduced, like hell Rel and Forty

0:01:47.840 --> 0:01:51.320
<v Speaker 1>Cow and Jarl Ryder, there was a real dope energy

0:01:51.640 --> 0:01:55.720
<v Speaker 1>about those three dudes, specifically hell Rel and Jarl Ryder.

0:01:56.360 --> 0:01:58.000
<v Speaker 1>It kind of felt like they were gonna take the

0:01:58.040 --> 0:02:01.400
<v Speaker 1>Dipset flag and run with it for like another ten years. Unfortunately,

0:02:01.480 --> 0:02:06.400
<v Speaker 1>that's not really what transpired. As we all know, there

0:02:06.480 --> 0:02:11.680
<v Speaker 1>was plenty of Dipset family issues and the gang broke up.

0:02:11.760 --> 0:02:16.200
<v Speaker 1>Gr Rider with Jail. But he's an incredible dude man,

0:02:16.200 --> 0:02:21.480
<v Speaker 1>incredible artist, incredible MC and I was just like, you

0:02:21.520 --> 0:02:22.720
<v Speaker 1>know what, he was just gonna come up here in

0:02:22.720 --> 0:02:24.600
<v Speaker 1>freestyle and I was like, Nah, fuck that man, Let's

0:02:24.600 --> 0:02:26.720
<v Speaker 1>do an interview, bro because I think we can have

0:02:26.760 --> 0:02:29.080
<v Speaker 1>a dope conversation. I've talked to JR in the past

0:02:29.560 --> 0:02:32.360
<v Speaker 1>and we had a dope conversation. So we do have

0:02:32.400 --> 0:02:35.120
<v Speaker 1>a freestyle with JR Rider coming out on Friday. And

0:02:35.160 --> 0:02:37.000
<v Speaker 1>if you guys have been paying attention, we started a

0:02:37.000 --> 0:02:42.720
<v Speaker 1>freestyle segment for the podcast for the YouTube that's gonna

0:02:42.720 --> 0:02:47.640
<v Speaker 1>be once a week, so if you subscribe to the

0:02:47.680 --> 0:02:51.920
<v Speaker 1>YouTube channel, you'll notice once a week we have a

0:02:51.960 --> 0:02:53.840
<v Speaker 1>new freestyle coming out. You know, we did Benny the

0:02:53.880 --> 0:02:57.240
<v Speaker 1>Butcher and Hem from BSF. We did Simba last week.

0:02:57.320 --> 0:03:02.320
<v Speaker 1>This week we'll have JR. Rider and Yeah, just trying

0:03:02.320 --> 0:03:05.600
<v Speaker 1>to just crank out as much dope content as possible. Also,

0:03:05.680 --> 0:03:09.440
<v Speaker 1>gonna be doing more episodes of the podcast that you know,

0:03:09.480 --> 0:03:14.360
<v Speaker 1>when we first started the podcast, we were doing I

0:03:14.440 --> 0:03:17.200
<v Speaker 1>was doing more. I did a couple of episodes rather

0:03:17.760 --> 0:03:19.799
<v Speaker 1>where I was just talking to my boy about shit

0:03:20.000 --> 0:03:25.359
<v Speaker 1>right like ranking albums and just kind of not necessarily interviews.

0:03:25.360 --> 0:03:28.639
<v Speaker 1>So I'm gonna start doing more of that, and we're

0:03:28.639 --> 0:03:33.040
<v Speaker 1>gonna start doing some live stream stuff on Twitch on YouTube.

0:03:34.520 --> 0:03:36.240
<v Speaker 1>So I'm excited to start doing that. We're just we're

0:03:36.240 --> 0:03:38.920
<v Speaker 1>just really trying to expand everything we're doing with the

0:03:38.960 --> 0:03:41.920
<v Speaker 1>podcast and do it as as big as we possibly can.

0:03:42.440 --> 0:03:44.760
<v Speaker 1>So shout out to everybody who's locked in twenty five

0:03:44.800 --> 0:03:47.360
<v Speaker 1>episodes in much love to you. Salute to our sponsors

0:03:47.680 --> 0:03:50.680
<v Speaker 1>for always showing us love. Man are presenting sponsor odds

0:03:50.720 --> 0:03:54.960
<v Speaker 1>Socks Listen. I got odd Socks on right now. Actually

0:03:54.960 --> 0:03:57.280
<v Speaker 1>have a pair of nWo wolf Pack the Red Joints

0:03:57.320 --> 0:04:00.280
<v Speaker 1>on at the moment. But Yo, you got to get

0:04:00.320 --> 0:04:03.480
<v Speaker 1>you some odd socks. They're so comfortable, they're fly. Really

0:04:03.480 --> 0:04:05.280
<v Speaker 1>whatever you're into, they got a pair of socks for it.

0:04:06.320 --> 0:04:09.520
<v Speaker 1>Go to odd socksofficial dot com and then when you

0:04:09.600 --> 0:04:11.960
<v Speaker 1>check out, use the keyword bootleg keV and you'll save

0:04:12.040 --> 0:04:15.000
<v Speaker 1>twenty percent off. Now that's it. You know Christmas is

0:04:15.040 --> 0:04:17.360
<v Speaker 1>coming up right, so I'm sure they're gonna have a

0:04:17.360 --> 0:04:22.599
<v Speaker 1>crazy Black Friday cl two. So go get you some socks, licenses,

0:04:23.279 --> 0:04:27.719
<v Speaker 1>breaking bad Socks, fire WWE. Obviously you know I'm banging

0:04:27.720 --> 0:04:34.520
<v Speaker 1>that all day. Pimp, c ODB, Mike Tyson, all the movies, Scarface, Godfather.

0:04:35.320 --> 0:04:37.279
<v Speaker 1>I mean it goes on and on. Go get you

0:04:37.320 --> 0:04:40.200
<v Speaker 1>some odd socks, odd Socksofficial dot com keyword bootleg keV.

0:04:40.839 --> 0:04:45.240
<v Speaker 1>Also shout out to our other sponsor, Vapin. If you're

0:04:45.279 --> 0:04:47.880
<v Speaker 1>a smoker at Toker a straight West Coaster, you might

0:04:47.960 --> 0:04:50.919
<v Speaker 1>enjoy some Vapin products. If you're in Arizona, they have

0:04:50.960 --> 0:04:53.599
<v Speaker 1>a dispensary. It's called Rbal Wellness Center. It's on thirty

0:04:53.720 --> 0:04:56.080
<v Speaker 1>fifth Avenue in Indian School it's somewhere on Indian School,

0:04:56.440 --> 0:04:59.000
<v Speaker 1>somewhere over there on the West Side, somewhere by Panteras

0:04:59.279 --> 0:05:01.960
<v Speaker 1>or Essex, whatever you'd like to call it. But you

0:05:02.000 --> 0:05:04.640
<v Speaker 1>can go to vapincbd dot com and enjoy some CBD

0:05:04.720 --> 0:05:07.960
<v Speaker 1>products or vapimerch dot com and use the keyword bootleg

0:05:08.000 --> 0:05:11.760
<v Speaker 1>keV get twenty percent off. Appreciate you supporting those who

0:05:11.760 --> 0:05:16.640
<v Speaker 1>support us. Let's get into this podcast JR Rder Episode

0:05:16.640 --> 0:05:24.960
<v Speaker 1>twenty five. Let's go ending up on TV with his wife.

0:05:25.080 --> 0:05:28.599
<v Speaker 1>It like hurt my whole entire soul. Dan, I'm such

0:05:28.600 --> 0:05:31.680
<v Speaker 1>a big jipset fan. I was like, damn, I mean,

0:05:31.720 --> 0:05:33.680
<v Speaker 1>I'm not saying that Jim Jones hasn't obviously, No, it's

0:05:33.680 --> 0:05:36.120
<v Speaker 1>a fact because that's what they said about social media.

0:05:36.480 --> 0:05:39.719
<v Speaker 1>How it kind of like ruins the mystery behind the artist,

0:05:39.760 --> 0:05:42.680
<v Speaker 1>the aura. It's like, oh, he's posting about everything. Was

0:05:42.880 --> 0:05:44.919
<v Speaker 1>when we was coming up, it was like I just

0:05:44.920 --> 0:05:46.560
<v Speaker 1>got what I got, all the mixtape and whatever it

0:05:46.600 --> 0:05:48.720
<v Speaker 1>was in the Double XL Yeah, and if you happen

0:05:48.760 --> 0:05:51.320
<v Speaker 1>to see somebody, you see them. But in whatever interview

0:05:51.360 --> 0:05:55.120
<v Speaker 1>they did on Rap City, yeah, exactly exactly or magazine

0:05:55.120 --> 0:05:58.360
<v Speaker 1>Double XL One of those, but now it's like now

0:05:58.400 --> 0:06:01.800
<v Speaker 1>it's like so transparent and they want they want you

0:06:01.839 --> 0:06:04.800
<v Speaker 1>to be transparent. Honestly, that's the only way niggas fuck

0:06:04.839 --> 0:06:07.840
<v Speaker 1>with you. Yeah, are you ready all right your butlet

0:06:07.920 --> 0:06:11.360
<v Speaker 1>cap podcast. We've got the writer of writers. Yeah, you

0:06:11.600 --> 0:06:15.520
<v Speaker 1>writers here, ladies, Jev, thanks for having me back. Man, welcome.

0:06:15.760 --> 0:06:18.120
<v Speaker 1>What's your first time on the boutleg Cap podcast. Yeah?

0:06:18.160 --> 0:06:20.520
<v Speaker 1>We actually had Real ninety two three before. Yeah, shouts

0:06:20.560 --> 0:06:23.480
<v Speaker 1>the DJ HADJ had, the covid is shut down the

0:06:23.520 --> 0:06:27.320
<v Speaker 1>radio station. Yeah, it's quiet, so we're here at my studio. Well,

0:06:27.320 --> 0:06:29.440
<v Speaker 1>how you been, man, I've been good man, just working.

0:06:29.760 --> 0:06:32.039
<v Speaker 1>So give give us like a rundown and everything you

0:06:32.080 --> 0:06:36.440
<v Speaker 1>got going on right now. I'm dropping the album October thirtieth.

0:06:37.160 --> 0:06:39.640
<v Speaker 1>I would call it an EP because my album coming

0:06:39.880 --> 0:06:42.479
<v Speaker 1>after like a few of those. But I'm dropping on

0:06:42.720 --> 0:06:46.280
<v Speaker 1>October thirtief this Friday. It's called I Really Wrapped. Two

0:06:47.160 --> 0:06:49.880
<v Speaker 1>shout outs to thirty eight Spett, shout outs to Royster

0:06:49.960 --> 0:06:52.839
<v Speaker 1>five to nine, shout outs to Davy, shouts the Fred money,

0:06:52.880 --> 0:06:54.880
<v Speaker 1>and shouts to all the producers on there that produced

0:06:55.520 --> 0:06:57.880
<v Speaker 1>fire top to bottom. You know, I don't play man,

0:06:57.920 --> 0:07:00.719
<v Speaker 1>You and take I take this serious. You got Royce there, Yeah,

0:07:00.760 --> 0:07:03.520
<v Speaker 1>me and Royce is serious. I didn't want to leak it.

0:07:03.680 --> 0:07:08.520
<v Speaker 1>I just want people to hear when it when the projects. Now,

0:07:08.960 --> 0:07:12.000
<v Speaker 1>obviously most people know you from your dip Set times,

0:07:12.000 --> 0:07:13.480
<v Speaker 1>I want to kind of go back before that, kind

0:07:13.520 --> 0:07:18.320
<v Speaker 1>of give me your history of how you got into music. Man, Like,

0:07:18.320 --> 0:07:20.840
<v Speaker 1>we're like, like, at what year did you start taking

0:07:20.840 --> 0:07:24.120
<v Speaker 1>this shit serious? Obviously there was there was a jail

0:07:24.200 --> 0:07:26.280
<v Speaker 1>Rider before you started to work with Dip Set. Yeah,

0:07:26.280 --> 0:07:28.960
<v Speaker 1>hell yeah, I was eleven when I first started. I

0:07:29.000 --> 0:07:33.679
<v Speaker 1>was influenced by like Wu Tang Snoop Dogg, Tupac, Big

0:07:33.840 --> 0:07:36.680
<v Speaker 1>Big Punk, Big Al, you know what I mean. But yeah,

0:07:36.720 --> 0:07:40.560
<v Speaker 1>I started rapping as at eleven, twelve, thirteen, you know,

0:07:40.680 --> 0:07:44.120
<v Speaker 1>running the streets, battling, getting my making a name for myself.

0:07:44.160 --> 0:07:47.960
<v Speaker 1>And then somebody at sixteen, somebody introduced me to Killer

0:07:48.200 --> 0:07:51.800
<v Speaker 1>in hallm one day. So yeah, and then history from there.

0:07:51.880 --> 0:07:54.720
<v Speaker 1>So from sixteen on, you was just cam locked in

0:07:54.760 --> 0:07:58.160
<v Speaker 1>with you from sixteen and a yeah, a fact damn

0:07:58.520 --> 0:08:00.920
<v Speaker 1>showing me the ropes. You know, I was like I

0:08:01.000 --> 0:08:04.400
<v Speaker 1>was like a sponge around Jewels, around Kim around gym,

0:08:04.480 --> 0:08:07.840
<v Speaker 1>just you know, picking up little things from everything business

0:08:07.960 --> 0:08:10.960
<v Speaker 1>and at what point in time, So obviously sixteen years old,

0:08:11.000 --> 0:08:14.000
<v Speaker 1>you meet Cam? How long how long after that was

0:08:14.040 --> 0:08:17.880
<v Speaker 1>it before you actually you know, were officially Well, it

0:08:17.920 --> 0:08:20.920
<v Speaker 1>took me a minute because I had to prove myself,

0:08:21.240 --> 0:08:23.400
<v Speaker 1>you know, and we was like we're from Harlem, so

0:08:23.440 --> 0:08:26.640
<v Speaker 1>we always competitive. So Cam used to test me like

0:08:27.000 --> 0:08:30.080
<v Speaker 1>I was wild young, and it don't matter where it

0:08:30.200 --> 0:08:32.480
<v Speaker 1>was at. I'll take the train there, I'll walk there.

0:08:32.520 --> 0:08:35.080
<v Speaker 1>It didn't matter. I was that hungry. So you know,

0:08:35.800 --> 0:08:38.440
<v Speaker 1>he'll make sure I was on my toes. So anytime

0:08:38.480 --> 0:08:41.040
<v Speaker 1>I come around, he'll be like, yo, let me hear

0:08:41.080 --> 0:08:44.080
<v Speaker 1>some It could be a room full of people. Just

0:08:44.320 --> 0:08:46.840
<v Speaker 1>we could be at a bar right here, something and

0:08:46.920 --> 0:08:49.360
<v Speaker 1>if it sounds like something, I spit a w reck.

0:08:49.640 --> 0:08:51.520
<v Speaker 1>Now I heard that. Let me hear something else. Or

0:08:51.600 --> 0:08:55.120
<v Speaker 1>you falling off? Oh I know you ain't slacking. So

0:08:56.320 --> 0:08:58.959
<v Speaker 1>I never wanted that reaction from anybody. So I always

0:08:58.960 --> 0:09:01.720
<v Speaker 1>stayed on my toes and I always proved myself like

0:09:01.760 --> 0:09:04.160
<v Speaker 1>they didn't have to come to me, like I hear

0:09:04.440 --> 0:09:06.679
<v Speaker 1>is a video shoot, I'll pull up to the video

0:09:06.720 --> 0:09:09.719
<v Speaker 1>shoot with my mixtape done. Caim, Look, I'm don here.

0:09:09.720 --> 0:09:11.360
<v Speaker 1>I'm ready. I'm ready. I just need you to host it.

0:09:11.400 --> 0:09:13.680
<v Speaker 1>I'm gonna put it out. What year? What year was?

0:09:13.760 --> 0:09:15.839
<v Speaker 1>Uh okay, I don't know how old you are, but

0:09:15.880 --> 0:09:18.160
<v Speaker 1>when you're sixteen and you first thirty five, So when

0:09:18.200 --> 0:09:21.360
<v Speaker 1>you when you're sixteen you first meet Cam, this is

0:09:21.600 --> 0:09:25.079
<v Speaker 1>around with the which era is this? This is after?

0:09:26.280 --> 0:09:28.560
<v Speaker 1>This is after? Yeah, this is around the time I

0:09:28.600 --> 0:09:31.880
<v Speaker 1>met him, right when Juel's got signed. Jim didn't even

0:09:31.960 --> 0:09:34.480
<v Speaker 1>have a deal yet. So was this around taking me home? No,

0:09:34.559 --> 0:09:38.560
<v Speaker 1>come home, Come Home? That's like a Drake song. Bro.

0:09:39.840 --> 0:09:42.320
<v Speaker 1>I just had this huge Drake argument all day to

0:09:42.360 --> 0:09:44.160
<v Speaker 1>day on the internet and I was just listening to

0:09:44.280 --> 0:09:48.480
<v Speaker 1>Drake's album in my car. He's all right, that's what

0:09:48.520 --> 0:09:51.160
<v Speaker 1>the argument was about. But no come home with me.

0:09:52.880 --> 0:09:56.319
<v Speaker 1>I feel like it was like Cam's like coming out party, uh,

0:09:56.520 --> 0:10:00.520
<v Speaker 1>you know, his first project with Rockefeller, and I feel

0:10:00.559 --> 0:10:03.640
<v Speaker 1>like that kicked off the real Like obviously Dipset was

0:10:03.679 --> 0:10:05.240
<v Speaker 1>doing their thing with the mixtapte, and I feel like

0:10:05.240 --> 0:10:08.320
<v Speaker 1>that really kicked off the wave of like the movement

0:10:08.360 --> 0:10:12.160
<v Speaker 1>where it was felt nationwide like oh yeah, like Dipset

0:10:12.200 --> 0:10:15.719
<v Speaker 1>was something that wasn't just like New York's secret. You

0:10:15.760 --> 0:10:17.440
<v Speaker 1>know what I'm saying. No, that's a fact. Like I

0:10:17.480 --> 0:10:20.760
<v Speaker 1>don't know if Cam planned it or I really think

0:10:20.800 --> 0:10:23.800
<v Speaker 1>it probably happened naturally. But he has that confidence like

0:10:24.000 --> 0:10:26.720
<v Speaker 1>all of us from Halem has that confidence where it's

0:10:26.760 --> 0:10:29.520
<v Speaker 1>like this is this is what we're gonna do. Be,

0:10:29.600 --> 0:10:31.640
<v Speaker 1>We're gonna put out this, We're gonna we was like

0:10:31.679 --> 0:10:35.160
<v Speaker 1>the first dip set honestly was like the first rap

0:10:35.200 --> 0:10:38.520
<v Speaker 1>group to put out street mixtapes without DJs like the

0:10:38.600 --> 0:10:43.000
<v Speaker 1>DJ because usually you could debate, you could debate j Unit,

0:10:43.480 --> 0:10:45.960
<v Speaker 1>you could debate because they came out saying but they

0:10:46.000 --> 0:10:47.880
<v Speaker 1>still had like when you say with out of DJ,

0:10:48.000 --> 0:10:50.360
<v Speaker 1>like obviously they had who Kid and I think who

0:10:50.440 --> 0:10:55.839
<v Speaker 1>Kid was was DJ NO, but Caseills hosted I was

0:10:56.480 --> 0:10:59.960
<v Speaker 1>hosted the dip set ship. Yeah, so you were around

0:11:00.760 --> 0:11:02.800
<v Speaker 1>during You might not have been official yet, but you

0:11:02.800 --> 0:11:06.079
<v Speaker 1>were around like the diplomatic community wave Like, yeah, I

0:11:06.120 --> 0:11:08.280
<v Speaker 1>was supposed to be on the first album, but the

0:11:08.320 --> 0:11:11.800
<v Speaker 1>song me and Kim and mheard McGruff from Harlem shouts

0:11:11.840 --> 0:11:16.720
<v Speaker 1>to him. We had didn't get cleared. So little things

0:11:16.800 --> 0:11:19.160
<v Speaker 1>like that, I felt like God put in my in

0:11:19.240 --> 0:11:21.760
<v Speaker 1>my path, in my way for me to go harder

0:11:21.800 --> 0:11:25.439
<v Speaker 1>from haters to little little obstacles like that to where

0:11:25.440 --> 0:11:28.520
<v Speaker 1>it's like not easy for me, so I can always

0:11:28.520 --> 0:11:30.800
<v Speaker 1>stay on my toes and always focus. But you was

0:11:30.920 --> 0:11:33.240
<v Speaker 1>around during that time, No I was around. I was

0:11:33.280 --> 0:11:36.079
<v Speaker 1>just crazy. That's like, YO, tell me about those times, man,

0:11:36.080 --> 0:11:39.640
<v Speaker 1>because I just remember vividly as a kid buying the

0:11:39.679 --> 0:11:43.560
<v Speaker 1>Double XL where everybody was in there with the Thames

0:11:43.559 --> 0:11:45.640
<v Speaker 1>and that was like when I first saw like I

0:11:45.760 --> 0:11:48.440
<v Speaker 1>really got to kind of like figure out who Jim

0:11:48.520 --> 0:11:52.520
<v Speaker 1>Jones was. Yeah, I forget everybody had jerseys on in

0:11:52.520 --> 0:11:56.480
<v Speaker 1>the ex Double Jerseys, Michelle Times and shit, I remember

0:11:56.480 --> 0:11:59.160
<v Speaker 1>that you're vividly like the airbrush toms and all that.

0:11:59.280 --> 0:12:02.360
<v Speaker 1>Ye yep, But like, what was it like being around

0:12:02.360 --> 0:12:04.400
<v Speaker 1>that energy because we look at it now and it's

0:12:04.480 --> 0:12:08.400
<v Speaker 1>like we missed that in hip hop? You know. I

0:12:08.400 --> 0:12:14.120
<v Speaker 1>think dipset is so nostalgic to so many people. To me,

0:12:14.280 --> 0:12:16.360
<v Speaker 1>you know specifically, I remember, you know, just like that

0:12:16.480 --> 0:12:19.559
<v Speaker 1>whole era, just just just the feeling that it brought

0:12:19.600 --> 0:12:21.880
<v Speaker 1>to the game, and like, I feel like it's missing,

0:12:21.920 --> 0:12:24.400
<v Speaker 1>but you were there for it, Like did you realize

0:12:24.400 --> 0:12:26.960
<v Speaker 1>like how special this shit was at the time? Because

0:12:26.960 --> 0:12:28.800
<v Speaker 1>at the time, it wasn't like Dipset was like the

0:12:29.280 --> 0:12:32.360
<v Speaker 1>commercially the biggest ship, but it was like in this

0:12:32.600 --> 0:12:36.600
<v Speaker 1>it was like culturally so big, you know what I'm saying.

0:12:36.679 --> 0:12:39.680
<v Speaker 1>Like obviously, Kim had hit records, Jewels had hit records,

0:12:39.679 --> 0:12:41.920
<v Speaker 1>but I mean like like culturally they meant so much

0:12:42.160 --> 0:12:44.800
<v Speaker 1>at that time. Did you know, like what you were

0:12:44.880 --> 0:12:46.439
<v Speaker 1>part of at that time when you were like a kid.

0:12:46.440 --> 0:12:48.960
<v Speaker 1>Reason I even got damn with Kim and Hollered as

0:12:49.000 --> 0:12:51.960
<v Speaker 1>somebody to get me to him is because he him

0:12:51.960 --> 0:12:55.720
<v Speaker 1>and Jim and Juelle's already had that wave already where

0:12:55.840 --> 0:12:58.959
<v Speaker 1>it was just a hood wave where it's like everybody knew.

0:12:59.320 --> 0:13:02.280
<v Speaker 1>I mean, I'm pretty sure other places knew about Joel's

0:13:02.320 --> 0:13:06.320
<v Speaker 1>in the beginning or whatever off cam sde album, but

0:13:06.320 --> 0:13:12.079
<v Speaker 1>but uh, like uh, the mixtapes and and and those

0:13:12.120 --> 0:13:15.400
<v Speaker 1>albums or whatever had them as her legends already. So

0:13:16.280 --> 0:13:18.080
<v Speaker 1>me just you know what I mean, getting down with

0:13:18.160 --> 0:13:20.960
<v Speaker 1>them at that time was like a dream come true.

0:13:21.000 --> 0:13:23.720
<v Speaker 1>It's like, Yo, that's like somebody being from Brooklyn getting

0:13:23.720 --> 0:13:26.160
<v Speaker 1>signed with Jay Z, or somebody being from la and

0:13:26.160 --> 0:13:28.959
<v Speaker 1>getting down with Snoop Dogg dog Pam. You know, what

0:13:29.000 --> 0:13:30.959
<v Speaker 1>I'm saying. But it was just it was magical. It's

0:13:31.040 --> 0:13:32.920
<v Speaker 1>like you know what I mean, because it's like I

0:13:32.960 --> 0:13:36.920
<v Speaker 1>would come in and you know they swag. Is just

0:13:37.080 --> 0:13:38.840
<v Speaker 1>like or I was swag because I was there. But

0:13:38.880 --> 0:13:41.400
<v Speaker 1>I'm just saying, I'm looking from the outside, looking at

0:13:41.800 --> 0:13:44.280
<v Speaker 1>you know what I'm saying. But it was just it

0:13:44.320 --> 0:13:45.880
<v Speaker 1>was dope. It was dope, you know what I'm saying.

0:13:46.040 --> 0:13:49.280
<v Speaker 1>Just from the fashion to the from to the touring

0:13:49.440 --> 0:13:54.360
<v Speaker 1>to the radio freestyles. Uh uh everything from when we

0:13:54.400 --> 0:13:57.440
<v Speaker 1>was at the bottom to where we at the top. Everything,

0:13:58.160 --> 0:14:01.480
<v Speaker 1>the whole, the whole uh run we had was was

0:14:01.520 --> 0:14:03.560
<v Speaker 1>just epic. It's dope. Do you remember how you were

0:14:03.559 --> 0:14:06.320
<v Speaker 1>when you officially finally got your name on the on

0:14:06.360 --> 0:14:09.720
<v Speaker 1>the contract with Cam. I was eighteen years old. I

0:14:09.760 --> 0:14:12.800
<v Speaker 1>remember because uh we was on the tour bus and

0:14:12.840 --> 0:14:14.400
<v Speaker 1>I was waiting for the because we was on the

0:14:14.440 --> 0:14:18.800
<v Speaker 1>tour for U diplomatic community too, and I wanted to

0:14:19.040 --> 0:14:23.160
<v Speaker 1>uh oh, matter of fact, Cam wanted me. Cam like yo,

0:14:23.240 --> 0:14:24.800
<v Speaker 1>I wanted the tour to be over. Matter of fact,

0:14:24.960 --> 0:14:27.000
<v Speaker 1>I'm like, damn, I want to get back and pick

0:14:27.080 --> 0:14:28.960
<v Speaker 1>up my check because I had just signed or whatever,

0:14:29.560 --> 0:14:32.240
<v Speaker 1>And Cam like nah, be. You ain't picking up the

0:14:32.360 --> 0:14:35.200
<v Speaker 1>check until y'all drink a whole box of scissor. We

0:14:35.600 --> 0:14:41.320
<v Speaker 1>celebrated drink. It was like a hundred nips. I remember.

0:14:42.240 --> 0:14:44.520
<v Speaker 1>It was just like dumb hot. But I ain't gonna

0:14:44.520 --> 0:14:46.240
<v Speaker 1>hold you. I was happy, you know what I'm saying,

0:14:46.240 --> 0:14:47.840
<v Speaker 1>And I ain't care. I'm like, I'm gonna drink at

0:14:47.880 --> 0:14:51.640
<v Speaker 1>least half a box and tell him I'm sick. But yeah,

0:14:51.720 --> 0:14:53.440
<v Speaker 1>you know that was that was. That was dope, you

0:14:53.440 --> 0:14:55.840
<v Speaker 1>know what I'm saying. Soon as we got back, I signed.

0:14:55.880 --> 0:14:57.720
<v Speaker 1>I remember that was my last time I took the

0:14:57.800 --> 0:15:01.320
<v Speaker 1>train and somebody talked my ear off death, like, yeah,

0:15:01.360 --> 0:15:03.480
<v Speaker 1>what you're doing on the train, don't worry. It should

0:15:03.480 --> 0:15:06.280
<v Speaker 1>be the last time, yo. How I never got the

0:15:06.320 --> 0:15:09.560
<v Speaker 1>trices or was it good? Yeah? It was good. It

0:15:09.640 --> 0:15:11.560
<v Speaker 1>was good. I mean, it's just different. It was just

0:15:11.800 --> 0:15:14.440
<v Speaker 1>what was it? Because I just remember seeing that like

0:15:14.480 --> 0:15:17.200
<v Speaker 1>the sources ship like I wasn't old enough to drink

0:15:17.240 --> 0:15:20.880
<v Speaker 1>obviously it was. It had to flavor like a like

0:15:20.920 --> 0:15:28.880
<v Speaker 1>a like uh hypnotic hypnotics, purple hit like a purple hypnotic,

0:15:29.000 --> 0:15:30.680
<v Speaker 1>you know what I mean type of taste. I missed

0:15:30.720 --> 0:15:32.960
<v Speaker 1>that whole wave in life. I've never even drank hypnotic

0:15:33.040 --> 0:15:35.320
<v Speaker 1>and I'd like to consider myself a mild alcoholic man.

0:15:35.320 --> 0:15:38.840
<v Speaker 1>But that but that's how Yeah, but then you was

0:15:38.920 --> 0:15:44.640
<v Speaker 1>drinking incredible hawks. But anyway, but okay, okay, okay, but

0:15:44.720 --> 0:15:47.640
<v Speaker 1>look missed that whole Waven life. That's how you know,

0:15:48.400 --> 0:15:51.440
<v Speaker 1>the the just the aura, our aura. How crazy it

0:15:51.600 --> 0:15:55.920
<v Speaker 1>was because Jim had that idea. And you know, when

0:15:55.920 --> 0:15:57.560
<v Speaker 1>an artist says, yo, I'm gonna come up with my

0:15:57.600 --> 0:15:59.480
<v Speaker 1>own liquor and all that, it doesn't matter where he

0:15:59.560 --> 0:16:02.680
<v Speaker 1>at at his in his career. It's dope, it's salutable.

0:16:02.760 --> 0:16:06.880
<v Speaker 1>But we care about your music more than the sil

0:16:07.280 --> 0:16:09.840
<v Speaker 1>things that you're coming out with. But every when we

0:16:10.000 --> 0:16:13.320
<v Speaker 1>came out with that, everyone ran with it. That bottle

0:16:13.440 --> 0:16:16.280
<v Speaker 1>was like a rose bottle in the hood. Everywhere we went,

0:16:16.880 --> 0:16:18.720
<v Speaker 1>it was just it was just fire. I mean, just

0:16:18.760 --> 0:16:21.360
<v Speaker 1>to you know, we was that influential. I mean when

0:16:21.400 --> 0:16:23.600
<v Speaker 1>I toured the world, that's when I really realized how

0:16:23.640 --> 0:16:27.760
<v Speaker 1>big dipset was. Going to Japan, Switzerland, Sweden, you know,

0:16:27.920 --> 0:16:32.480
<v Speaker 1>all those places on my own at that Yeah, that's crazy.

0:16:33.840 --> 0:16:36.680
<v Speaker 1>Fast forward a year and a half or two ago,

0:16:36.720 --> 0:16:38.800
<v Speaker 1>when did when did you when did you guys drop

0:16:38.840 --> 0:16:42.520
<v Speaker 1>your your project you upstage? How long ago was that?

0:16:42.600 --> 0:16:44.480
<v Speaker 1>It was like last year of the year twenty eighteen,

0:16:44.840 --> 0:16:48.640
<v Speaker 1>so yeah, so about two years ago. What do you

0:16:48.640 --> 0:16:51.080
<v Speaker 1>guys dropped it the same day as Dipset dropped their

0:16:51.120 --> 0:16:53.880
<v Speaker 1>shit h the same day as Diplomatic Community, and then

0:16:54.040 --> 0:16:57.200
<v Speaker 1>I remember hitting play on it and I was on

0:16:57.240 --> 0:17:00.280
<v Speaker 1>the intro. You guys used like a question should I

0:17:00.320 --> 0:17:02.440
<v Speaker 1>asked Jim in an interview like as the intro, and

0:17:02.480 --> 0:17:06.320
<v Speaker 1>I was like, oh, and that's I think. I was, Yeah, yeah,

0:17:06.359 --> 0:17:07.960
<v Speaker 1>you said thanks for the shoutout that so I'm like,

0:17:07.960 --> 0:17:09.719
<v Speaker 1>you know what, let me hit him No, But uh,

0:17:11.560 --> 0:17:15.080
<v Speaker 1>I think that there's like, what's your relationship like with

0:17:15.600 --> 0:17:18.040
<v Speaker 1>everybody in the crew now? Because I feel like that

0:17:18.119 --> 0:17:20.560
<v Speaker 1>kind of felt like there might be some some you know,

0:17:20.560 --> 0:17:23.320
<v Speaker 1>obviously you guys dropped like the record, no reunions, like

0:17:24.000 --> 0:17:26.040
<v Speaker 1>is there any static? It's just a bunch of us

0:17:26.040 --> 0:17:28.159
<v Speaker 1>and we're not always on the same page, you know

0:17:28.160 --> 0:17:30.760
<v Speaker 1>what I'm saying. So you know it's all love, It's not.

0:17:30.840 --> 0:17:33.080
<v Speaker 1>It wasn't like on some I I'm gonna put out

0:17:33.480 --> 0:17:36.600
<v Speaker 1>the album and as a disk, you know what I'm saying,

0:17:36.680 --> 0:17:38.600
<v Speaker 1>or as a response. It's like, Okay, I hear that

0:17:38.680 --> 0:17:41.280
<v Speaker 1>they putting out an album, let's do our own version.

0:17:41.359 --> 0:17:43.680
<v Speaker 1>Since we can't do I ain't get no phone call,

0:17:44.000 --> 0:17:47.640
<v Speaker 1>but I'm not gonna lie. A week before I was releasing,

0:17:47.840 --> 0:17:50.000
<v Speaker 1>Joel's had called me, you know what I'm saying, to

0:17:50.040 --> 0:17:52.280
<v Speaker 1>get on the album. But this is before he was

0:17:52.320 --> 0:17:55.000
<v Speaker 1>locked up by right, Oh yeah cool, tell you yeah,

0:17:55.040 --> 0:17:58.800
<v Speaker 1>shout the Jewels. He just came home. But it wasn't Yeah,

0:17:58.840 --> 0:18:01.879
<v Speaker 1>it wasn't no static. But as far as now, I

0:18:01.880 --> 0:18:03.560
<v Speaker 1>got no problems with nobody. I supposed to. I supposed

0:18:03.560 --> 0:18:05.600
<v Speaker 1>to gym, I speak to duels, you know what I mean? Here,

0:18:05.760 --> 0:18:09.280
<v Speaker 1>it seems like Cam is the one who consistently Cam

0:18:09.320 --> 0:18:11.879
<v Speaker 1>is the one that messed everything up. Nah, but it

0:18:11.960 --> 0:18:15.000
<v Speaker 1>just seems it feels like he's the guy who's like

0:18:15.160 --> 0:18:17.159
<v Speaker 1>I feel like Jim and Jewels are always cool. I

0:18:17.200 --> 0:18:20.240
<v Speaker 1>feel like it's always like a Cam thing, at least

0:18:20.280 --> 0:18:22.720
<v Speaker 1>from the outside looking in as a fan, Like, yeah,

0:18:22.880 --> 0:18:24.920
<v Speaker 1>I mean, you know, Cam is Cam is Kim. You

0:18:24.960 --> 0:18:26.679
<v Speaker 1>know what I'm saying. He's he's gonna move on his

0:18:26.760 --> 0:18:29.760
<v Speaker 1>own time, So it is what it is. Do you

0:18:29.800 --> 0:18:32.680
<v Speaker 1>know how he felt about you? Guys doing that about

0:18:32.680 --> 0:18:36.320
<v Speaker 1>doing the project. Yeah, I heard from from somebody that

0:18:36.400 --> 0:18:38.359
<v Speaker 1>he probably mad at me. But you know, so have

0:18:38.400 --> 0:18:42.639
<v Speaker 1>you kill No? I haven't. No, I haven't, but shouts

0:18:42.680 --> 0:18:44.480
<v Speaker 1>to Kim. You know what I'm saying, he doing business

0:18:44.480 --> 0:18:47.960
<v Speaker 1>with my guy Ryan. We got a whole CBD company

0:18:47.960 --> 0:18:50.920
<v Speaker 1>coming out or whatever, call legends of him where we're

0:18:50.960 --> 0:18:54.399
<v Speaker 1>doing you know, lines with different legends or whatever. You know,

0:18:54.640 --> 0:19:00.480
<v Speaker 1>check out that. Do you find it a gift in

0:19:00.560 --> 0:19:05.240
<v Speaker 1>a curse? Being associate Like obviously with being a part

0:19:05.280 --> 0:19:07.400
<v Speaker 1>of dip set and the allure in the history, there's

0:19:07.480 --> 0:19:11.800
<v Speaker 1>always a built in fan base for that. Like it's

0:19:11.840 --> 0:19:15.159
<v Speaker 1>almost like you know fan base by its like as

0:19:15.200 --> 0:19:17.920
<v Speaker 1>soon as like you, like somebody finds out your dip set,

0:19:18.320 --> 0:19:21.600
<v Speaker 1>like right now with Tde, some if TDE signed somebody,

0:19:22.200 --> 0:19:24.159
<v Speaker 1>they got crazy fans that are just gonna fuck with

0:19:24.160 --> 0:19:26.159
<v Speaker 1>that artist no matter what. Is that a gift in

0:19:26.240 --> 0:19:29.120
<v Speaker 1>a curse to kind of like always carry the dip

0:19:29.200 --> 0:19:33.280
<v Speaker 1>set like with you, like, like, is it it's a

0:19:33.320 --> 0:19:37.080
<v Speaker 1>gift in a curse? Because it's like sometimes a person

0:19:37.160 --> 0:19:40.640
<v Speaker 1>might not know how to answer a certain question at

0:19:40.640 --> 0:19:42.880
<v Speaker 1>a certain moment, you know what I'm saying, Because it's

0:19:42.960 --> 0:19:44.360
<v Speaker 1>it's a bunch of us, you know what I'm saying.

0:19:44.400 --> 0:19:47.760
<v Speaker 1>Plus that name is attached to anywhere I go. Whether

0:19:47.800 --> 0:19:50.399
<v Speaker 1>I do an interview next week, them questions are gonna

0:19:50.400 --> 0:19:52.159
<v Speaker 1>come up, you know what I'm saying. So, but I

0:19:52.160 --> 0:19:54.399
<v Speaker 1>don't think it's a it's a curse at all, you

0:19:54.400 --> 0:19:55.800
<v Speaker 1>know what I mean. I don't think it's a curse

0:19:56.440 --> 0:19:58.119
<v Speaker 1>because I help build that, you know what I'm saying. So,

0:19:58.119 --> 0:20:00.200
<v Speaker 1>I don't think it's a curse. Yeah, we talk about Harlem,

0:20:00.240 --> 0:20:03.560
<v Speaker 1>and Harlem's got such a crazy history. I remember the

0:20:03.600 --> 0:20:06.240
<v Speaker 1>first time I ever went to New York, the first like,

0:20:06.320 --> 0:20:08.000
<v Speaker 1>one of the only things that I care to do

0:20:08.080 --> 0:20:09.640
<v Speaker 1>is go to Harlem and take a picture in front

0:20:09.640 --> 0:20:12.119
<v Speaker 1>of the big album mural. Oh yeah, we were just

0:20:12.119 --> 0:20:15.399
<v Speaker 1>out there. I had the Ferrari out there. Yeah, baby

0:20:15.400 --> 0:20:17.080
<v Speaker 1>mom at the time. We took the train and I

0:20:17.080 --> 0:20:18.679
<v Speaker 1>was like, look, I just need to get this one picture.

0:20:19.040 --> 0:20:21.280
<v Speaker 1>You know what I'm saying. That's crazy. We win ate

0:20:21.440 --> 0:20:24.119
<v Speaker 1>at what's the soul food spot there? The big popular

0:20:24.160 --> 0:20:26.360
<v Speaker 1>soul food place you talk about Rufe Chris, You're talking

0:20:26.400 --> 0:20:32.440
<v Speaker 1>about soul food spot Amy Rooths my bad, Yeah, Sylvia's.

0:20:32.600 --> 0:20:35.360
<v Speaker 1>I went to Sylvias. Yeah, yeah, Fred is more outside

0:20:35.359 --> 0:20:37.160
<v Speaker 1>than me. I'm in the studio all day, he said,

0:20:37.200 --> 0:20:40.600
<v Speaker 1>I'm in Fred, that's him, that's I'm outside. You gotta

0:20:40.640 --> 0:20:44.360
<v Speaker 1>come outside. Yeah. So, like you've obviously been putting in work,

0:20:44.400 --> 0:20:48.400
<v Speaker 1>but like with with with the new project, Davey somebody

0:20:48.560 --> 0:20:52.119
<v Speaker 1>also who you know is one of the greats the

0:20:52.480 --> 0:20:57.240
<v Speaker 1>at the city right now? Is it? Like you you

0:20:57.320 --> 0:20:59.200
<v Speaker 1>mentioned that there's gonna be an album. How do you

0:20:59.240 --> 0:21:01.240
<v Speaker 1>separate what's on the EPO what's on the album? Like

0:21:01.280 --> 0:21:03.320
<v Speaker 1>do you tuck certain ship like this is the album? Shit?

0:21:03.640 --> 0:21:07.680
<v Speaker 1>So yeah, because I with albums we had, I got

0:21:07.800 --> 0:21:12.080
<v Speaker 1>songs that are like they sound like album cuts with

0:21:12.160 --> 0:21:14.920
<v Speaker 1>my EPs or my mixtapes on my street albums or

0:21:14.960 --> 0:21:16.840
<v Speaker 1>whatever you want to label them. As long as they

0:21:16.920 --> 0:21:19.919
<v Speaker 1>not it's not called the album. It's more of a

0:21:20.080 --> 0:21:24.440
<v Speaker 1>like a I'm proving myself. I still got it, I'm

0:21:24.440 --> 0:21:27.399
<v Speaker 1>still better than everybody. This is how I'm coming. So

0:21:27.440 --> 0:21:29.719
<v Speaker 1>you know what time it is when this album is dropping.

0:21:29.760 --> 0:21:32.280
<v Speaker 1>See the album, you'll have some of that, but you'll

0:21:32.320 --> 0:21:35.560
<v Speaker 1>have more of a mixture of concepts and real songs

0:21:35.640 --> 0:21:37.880
<v Speaker 1>laid out with hooks and you know what I mean.

0:21:38.080 --> 0:21:41.399
<v Speaker 1>Few skits. This is the get warmed up again. I

0:21:41.440 --> 0:21:43.719
<v Speaker 1>haven't put nothing out in two years, so it's crazy

0:21:43.760 --> 0:21:47.760
<v Speaker 1>to think how how how big of a wrench was you?

0:21:47.760 --> 0:21:49.800
<v Speaker 1>You going to jail man? Do you think in your momentum?

0:21:49.840 --> 0:21:52.479
<v Speaker 1>Because I felt like you had so much momentum. It

0:21:52.520 --> 0:21:54.280
<v Speaker 1>was a good That's a gift in the curse, honestly,

0:21:54.359 --> 0:21:56.959
<v Speaker 1>because the curse is taking me away from my family,

0:21:57.000 --> 0:21:59.800
<v Speaker 1>taking my freedom away obviously, and taking my career away

0:21:59.800 --> 0:22:02.320
<v Speaker 1>for the moment, what about the gift part. The gift

0:22:02.440 --> 0:22:05.760
<v Speaker 1>is uh, snapping me out of it and keeping me

0:22:05.840 --> 0:22:09.159
<v Speaker 1>focused and waking me up. It just made me away.

0:22:09.359 --> 0:22:12.320
<v Speaker 1>It got me back into books and really has me

0:22:12.720 --> 0:22:17.360
<v Speaker 1>more focused. Like two years. I mean, yeah, that's that's

0:22:17.359 --> 0:22:20.840
<v Speaker 1>a lifetime in hip hop. Yeah, that's that's yeah. I

0:22:20.880 --> 0:22:23.920
<v Speaker 1>mean if I wasn't. I mean, you look around all

0:22:23.920 --> 0:22:29.200
<v Speaker 1>the top top rappers of what how old are they? Yeah, dude,

0:22:30.160 --> 0:22:32.720
<v Speaker 1>I just had this conversation with Benny, like Benny's old,

0:22:33.160 --> 0:22:36.680
<v Speaker 1>Like damn, Benny's like an older Like you know, we

0:22:36.720 --> 0:22:40.360
<v Speaker 1>look like generic hip hop fans look at Griselda as

0:22:40.400 --> 0:22:42.399
<v Speaker 1>these new artists. Because it came up like, well, for

0:22:42.640 --> 0:22:45.360
<v Speaker 1>these guys have been grinding for a minute, like these

0:22:45.359 --> 0:22:47.320
<v Speaker 1>guys are my age, like, yo, Like, these guys aren't

0:22:47.359 --> 0:22:49.600
<v Speaker 1>new rappers. You're just hearing them now, but these are

0:22:49.600 --> 0:22:51.879
<v Speaker 1>grown ass men. You know what I wanted to ask Benny.

0:22:51.920 --> 0:22:54.159
<v Speaker 1>I wanted to see because back in the day, I

0:22:54.200 --> 0:22:57.199
<v Speaker 1>always heard the name Black Sopranos, so I wanted to

0:22:57.240 --> 0:22:59.440
<v Speaker 1>know if they always if he always went with that

0:22:59.520 --> 0:23:02.040
<v Speaker 1>with that, I think that that's been around for a while,

0:23:02.160 --> 0:23:06.639
<v Speaker 1>yo Oka. Yeah, and then even Griselda didn't become Griselda

0:23:06.680 --> 0:23:09.879
<v Speaker 1>officially until I think like twenty sixteen. It was I

0:23:09.880 --> 0:23:12.000
<v Speaker 1>forget what West Side Gun had, what the name of

0:23:12.080 --> 0:23:15.440
<v Speaker 1>his label was prior to that. But yeah, the Buffalo shit, Yeah,

0:23:15.440 --> 0:23:19.520
<v Speaker 1>they got it on smash. How inspiring is that to

0:23:19.600 --> 0:23:24.239
<v Speaker 1>see like bars the shit you Yeah, it's five. It

0:23:24.280 --> 0:23:28.520
<v Speaker 1>gets me. It gets me. It gets me like jealous,

0:23:28.560 --> 0:23:31.600
<v Speaker 1>but not in a bad way, and it gets me motivated.

0:23:31.680 --> 0:23:35.080
<v Speaker 1>But that's what that's what the two thousands used to

0:23:35.160 --> 0:23:39.720
<v Speaker 1>do for me, Like the Fabs, Jada Kiss albums, Lloyd

0:23:39.760 --> 0:23:44.719
<v Speaker 1>Banks freestyles, like all of those freestyles and dudes that

0:23:44.800 --> 0:23:48.200
<v Speaker 1>was really lyrical, from Stack Bundles to everybody that was

0:23:48.400 --> 0:23:52.760
<v Speaker 1>that was really rapping. It's like they kept me on

0:23:52.760 --> 0:23:56.400
<v Speaker 1>my toes for one for two. They motivated me. When

0:23:56.440 --> 0:23:59.560
<v Speaker 1>it's like it's like I'm hating and I'm motivated at

0:23:59.600 --> 0:24:01.560
<v Speaker 1>the same time. I was like, Oh, we killed that.

0:24:02.080 --> 0:24:04.520
<v Speaker 1>I gotta go crazy the next time I go up there,

0:24:04.600 --> 0:24:07.280
<v Speaker 1>I gotta go crazy on the next freestyle. I do

0:24:07.600 --> 0:24:11.120
<v Speaker 1>you know what I'm saying? Because now though, I mean, well,

0:24:11.119 --> 0:24:16.479
<v Speaker 1>before Griselda and after the two thousands, obviously it just

0:24:16.720 --> 0:24:19.320
<v Speaker 1>was drop man. It's like, yeah, you know, if you

0:24:19.359 --> 0:24:22.080
<v Speaker 1>were paying attention there. It wasn't like if you were

0:24:22.080 --> 0:24:26.280
<v Speaker 1>like a super you know, underground head. But like definitely

0:24:26.320 --> 0:24:29.400
<v Speaker 1>on the on the forefront year though the ship is.

0:24:29.520 --> 0:24:32.520
<v Speaker 1>I always say like the dark years are like twenty

0:24:32.560 --> 0:24:36.680
<v Speaker 1>seventeen through twenty nineteen when the SoundCloud shit really took over.

0:24:37.560 --> 0:24:39.879
<v Speaker 1>It was bad man. There was like even when I

0:24:39.920 --> 0:24:42.920
<v Speaker 1>came a little Pump a little Pump era. Yeah, that

0:24:42.920 --> 0:24:45.399
<v Speaker 1>that era, that shit was. I mean it's still going on,

0:24:45.680 --> 0:24:47.840
<v Speaker 1>nah that. I think that shit's finally dying out, man,

0:24:47.920 --> 0:24:50.680
<v Speaker 1>I really do. Like I think all that Antiqus shit,

0:24:50.760 --> 0:24:55.680
<v Speaker 1>all that shit like perfect fading out six nine shit. Everybody,

0:24:55.720 --> 0:24:58.000
<v Speaker 1>it was like a fucking car crash. Nobody could look away,

0:24:58.240 --> 0:25:01.160
<v Speaker 1>but then when the music came out, no one cares. Yeah.

0:25:01.320 --> 0:25:03.320
<v Speaker 1>I think it was more about let's see what's gonna

0:25:03.320 --> 0:25:07.639
<v Speaker 1>happen in the antics. Yeah, like all you know, his

0:25:07.760 --> 0:25:11.439
<v Speaker 1>story is insane, Like whenever they make his movie, like,

0:25:11.480 --> 0:25:13.680
<v Speaker 1>I'm gonna watch it because it's a crazy story. Like

0:25:13.720 --> 0:25:16.439
<v Speaker 1>if someone just told you that mm hm, and like

0:25:16.520 --> 0:25:18.440
<v Speaker 1>without knowing who he was or having any sort of

0:25:18.480 --> 0:25:21.920
<v Speaker 1>personal feelings to it, you'd be like, nah, that's crazy,

0:25:22.000 --> 0:25:26.320
<v Speaker 1>fam normal, Like look like that's a movie you'd watch because,

0:25:26.359 --> 0:25:28.040
<v Speaker 1>like the ship is, it's a crazy story. But yeah,

0:25:28.200 --> 0:25:31.960
<v Speaker 1>I think that that whole wave of like people being

0:25:32.040 --> 0:25:34.320
<v Speaker 1>known more for the bullshit they pop on their cloud

0:25:34.400 --> 0:25:37.080
<v Speaker 1>than their music. I think COVID low key kind of

0:25:37.080 --> 0:25:39.600
<v Speaker 1>helped too, because people aren't standing on couches and clubs

0:25:39.680 --> 0:25:42.720
<v Speaker 1>right now. They're like that's the fact they're consuming music

0:25:42.720 --> 0:25:45.800
<v Speaker 1>in their headphones, got their cars. Yeah, you gotta wrap

0:25:46.000 --> 0:25:48.360
<v Speaker 1>And that's I think it's it's helping bring a lot

0:25:48.400 --> 0:25:52.280
<v Speaker 1>of the dope ship to to the like yeah, because

0:25:52.320 --> 0:25:54.840
<v Speaker 1>if you look the week that they need a butcher

0:25:55.320 --> 0:26:01.360
<v Speaker 1>black Dot, Freddy Gibbs hist gives tons of dope shit

0:26:01.440 --> 0:26:04.760
<v Speaker 1>is throw got thirty eight specially. Yeah, thirty eight Spash

0:26:04.840 --> 0:26:07.480
<v Speaker 1>is crazy and he's been nice. Yeah yeah, yeah, yeah,

0:26:07.520 --> 0:26:09.560
<v Speaker 1>for sure, he's crazy. I need to get him up here.

0:26:09.880 --> 0:26:12.280
<v Speaker 1>Yeah yeah. Him and Benny's project was crazy a couple

0:26:12.320 --> 0:26:15.679
<v Speaker 1>of years ago. But yeah, I think, like you know,

0:26:15.720 --> 0:26:18.320
<v Speaker 1>with you, I think it's like it's it's like you said,

0:26:18.359 --> 0:26:19.879
<v Speaker 1>like it was a gift in the curse that you

0:26:19.880 --> 0:26:22.840
<v Speaker 1>you know, went away. And so how different was the

0:26:23.720 --> 0:26:27.920
<v Speaker 1>like the dynamic of the crew from when you went

0:26:27.960 --> 0:26:30.560
<v Speaker 1>into when you got out. When I went in, it

0:26:30.600 --> 0:26:34.000
<v Speaker 1>was already it was still like fractured. Yeah, it was.

0:26:34.080 --> 0:26:36.560
<v Speaker 1>It was like everybody doing their own thing. I mean

0:26:36.600 --> 0:26:39.480
<v Speaker 1>it was like that before, but we moved as a unit.

0:26:39.560 --> 0:26:43.480
<v Speaker 1>I think fame and money it just made like our

0:26:43.520 --> 0:26:46.480
<v Speaker 1>circle crowded because now once we all popped, now we

0:26:46.600 --> 0:26:49.359
<v Speaker 1>all got an entourages and now it's not just us,

0:26:49.720 --> 0:26:53.560
<v Speaker 1>it's all of us. It's like this enterage, that enterrage,

0:26:53.600 --> 0:26:56.200
<v Speaker 1>that entourage. So I don't know, I just think maybe

0:26:56.240 --> 0:26:58.719
<v Speaker 1>a complicated things, but it's all love. It's not like

0:26:59.040 --> 0:27:00.920
<v Speaker 1>I think if Kim was to pick up the phone

0:27:00.960 --> 0:27:04.040
<v Speaker 1>and call anybody, he could make a dips ever union

0:27:04.040 --> 0:27:07.120
<v Speaker 1>happen anytime. No, for sure, Yeah, no, I think he's

0:27:07.119 --> 0:27:10.960
<v Speaker 1>got that. Yo. We were just talking about how back

0:27:10.960 --> 0:27:14.879
<v Speaker 1>in the day dipset it was like a thing like

0:27:14.920 --> 0:27:18.919
<v Speaker 1>a signature to rhyme the same words, to rhyme the

0:27:18.960 --> 0:27:21.320
<v Speaker 1>same words. Yeah, I think, in my heart, I think

0:27:21.400 --> 0:27:24.400
<v Speaker 1>Jewel started that. No, for sure, that's a Jewel statement. All.

0:27:24.920 --> 0:27:27.600
<v Speaker 1>I just was listening to some throwback freeze that he

0:27:27.640 --> 0:27:29.520
<v Speaker 1>had and that was the first because I studied lyrics

0:27:29.560 --> 0:27:31.320
<v Speaker 1>for real, and that's the first time I seen that

0:27:31.400 --> 0:27:34.720
<v Speaker 1>scheme where he's. Cam wasn't doing that on like SDE

0:27:35.000 --> 0:27:37.840
<v Speaker 1>and even come Home. Cam started doing that after Jewel's,

0:27:38.119 --> 0:27:40.159
<v Speaker 1>but it didn't really matter because Joel's is his all this,

0:27:40.280 --> 0:27:43.159
<v Speaker 1>you know what I'm saying. So, but yeah, Jewell's I

0:27:43.200 --> 0:27:45.520
<v Speaker 1>think Jewel started that when he said, you think a

0:27:45.640 --> 0:27:49.479
<v Speaker 1>good jobs making twenty five an hour got cats selling

0:27:49.560 --> 0:27:52.440
<v Speaker 1>twenty five twenties by the hour, That's what he's saying.

0:27:52.520 --> 0:27:56.240
<v Speaker 1>And I'm the one paying. I'm twenty five an hour. Yeah, nah,

0:27:57.040 --> 0:28:02.240
<v Speaker 1>twenty five for what told you? Like, Yo, they go

0:28:02.400 --> 0:28:05.359
<v Speaker 1>ride the same shit, but it's it's it means something

0:28:05.400 --> 0:28:07.960
<v Speaker 1>different every time. Every time. It's like it makes it

0:28:08.000 --> 0:28:11.600
<v Speaker 1>that much harder. Yeah, facts, facts it's almost harder to

0:28:11.640 --> 0:28:15.040
<v Speaker 1>do that than rhymen it with a new word. That's easy. Yeah, yeah,

0:28:15.240 --> 0:28:16.879
<v Speaker 1>you know what I was just telling. I had my

0:28:17.000 --> 0:28:20.600
<v Speaker 1>video shoot for this song nothing Means Nothing off my

0:28:20.680 --> 0:28:25.760
<v Speaker 1>album off my EP coming out October thirtieth, Friday, Yeah Friday,

0:28:25.800 --> 0:28:28.000
<v Speaker 1>feature in thirty eight, So that's just coming out Monday,

0:28:28.280 --> 0:28:32.160
<v Speaker 1>So this will be out already, dope. So the EP's out. Yeah,

0:28:32.280 --> 0:28:35.879
<v Speaker 1>EP is out. Go get that And if you watching this,

0:28:35.960 --> 0:28:38.680
<v Speaker 1>then you already know the EP. Crazy and if you don't,

0:28:38.720 --> 0:28:41.040
<v Speaker 1>then go listen to that. But anyway, I was just

0:28:41.040 --> 0:28:43.360
<v Speaker 1>shooting a video in the heights with my god thirty

0:28:43.360 --> 0:28:45.760
<v Speaker 1>eight specially. I was telling them because on the verse

0:28:46.280 --> 0:28:50.280
<v Speaker 1>that he spit, he rhymed for like thirty two bars,

0:28:50.320 --> 0:28:54.640
<v Speaker 1>but the same rhyme, like the same how you explain it,

0:28:54.680 --> 0:28:57.440
<v Speaker 1>like the same rhyme and pattern, Like he never switched

0:28:57.480 --> 0:29:02.160
<v Speaker 1>the rhyme scheme, huh know, the scheme like the yeah,

0:29:02.200 --> 0:29:05.920
<v Speaker 1>like he's never yeah like that, he just rhymed with

0:29:06.440 --> 0:29:08.880
<v Speaker 1>not the same words, but the same scheme. Yeah, the

0:29:08.920 --> 0:29:12.000
<v Speaker 1>same scheme, like it's never switched out to rhyme with

0:29:12.080 --> 0:29:14.440
<v Speaker 1>anything else. And it was fired straight through. I'm like

0:29:14.480 --> 0:29:18.200
<v Speaker 1>that's fire. That's impressive to keep that going because it's

0:29:18.200 --> 0:29:20.480
<v Speaker 1>so easy to just say two lines and then switch

0:29:20.520 --> 0:29:22.360
<v Speaker 1>it again and then and then a lot of these

0:29:22.440 --> 0:29:26.040
<v Speaker 1>rappers they don't rhyme multiple syllables. So to me, this

0:29:26.240 --> 0:29:28.440
<v Speaker 1>don't be sounding impressive, but I know to the people

0:29:28.480 --> 0:29:32.200
<v Speaker 1>it's like, nah, that was real shitty kick though. Yeah,

0:29:32.200 --> 0:29:35.440
<v Speaker 1>I think everybody has their own thing. I think, you know,

0:29:35.520 --> 0:29:40.520
<v Speaker 1>there's artists who say things in an extremely simple way,

0:29:40.560 --> 0:29:44.440
<v Speaker 1>but the way they say it is the character, you know,

0:29:44.480 --> 0:29:46.520
<v Speaker 1>the way they say it. You know, I think that

0:29:47.120 --> 0:29:50.240
<v Speaker 1>there's guys who rap really fucking fast. They don't say anything,

0:29:50.600 --> 0:29:56.040
<v Speaker 1>but they all flow. That's just the flow. And there

0:29:56.080 --> 0:29:57.800
<v Speaker 1>are there are people who could do both. There's people

0:29:57.800 --> 0:30:00.440
<v Speaker 1>who rap like that that are fucking fired, like m

0:30:00.920 --> 0:30:03.040
<v Speaker 1>yeah am Tech nine. Like there's some dudes who could

0:30:03.040 --> 0:30:05.280
<v Speaker 1>really get down. But like, I think that just everybody

0:30:05.320 --> 0:30:07.800
<v Speaker 1>has their own thing, like you know, and then there's

0:30:07.840 --> 0:30:11.080
<v Speaker 1>guys like Royce who are like fucking old Knights Jed Eyes,

0:30:11.840 --> 0:30:15.680
<v Speaker 1>like Race to Fight nine can do is elite. It's crazy.

0:30:15.720 --> 0:30:17.960
<v Speaker 1>Do you like get like intimidating when you know you're like,

0:30:18.080 --> 0:30:19.600
<v Speaker 1>did you first of all, do you know Race is

0:30:19.600 --> 0:30:21.480
<v Speaker 1>getting on the record like or is it something you

0:30:21.520 --> 0:30:23.160
<v Speaker 1>send to him. I'm gonna be real with you, bro,

0:30:23.440 --> 0:30:26.200
<v Speaker 1>I ain't intimidated by nobody's work in a session with

0:30:26.240 --> 0:30:28.920
<v Speaker 1>Low Wayne. Low Wayne my gotto. But Race is a

0:30:29.040 --> 0:30:31.960
<v Speaker 1>much better rapper than Lil Wayne. For the record, it's ablatable.

0:30:32.040 --> 0:30:34.960
<v Speaker 1>Lil Wayne is bigger, It's debatable. I don't know, man,

0:30:35.080 --> 0:30:36.920
<v Speaker 1>Race is a fucking murderer. Bro. I gotta be in

0:30:36.920 --> 0:30:39.120
<v Speaker 1>a student with Royce to really because I witnessed this

0:30:39.240 --> 0:30:43.880
<v Speaker 1>man wheezy like it's different off the top record diverse

0:30:44.360 --> 0:30:47.840
<v Speaker 1>and say I don't like the middle, erase the middle

0:30:47.920 --> 0:30:49.640
<v Speaker 1>and then go back in and just no, not go

0:30:49.680 --> 0:30:51.960
<v Speaker 1>back in. He's still live and do it right there

0:30:52.320 --> 0:30:54.800
<v Speaker 1>after he said a Race. Yeah, so you you've seen

0:30:54.840 --> 0:30:57.320
<v Speaker 1>Wayne's creative process. What is that like? Is it no pen?

0:30:57.480 --> 0:31:01.160
<v Speaker 1>Is it no pen? No pen? It's just you might

0:31:01.200 --> 0:31:04.160
<v Speaker 1>listen to the beat a few times, chuckle, laugh a

0:31:04.200 --> 0:31:06.040
<v Speaker 1>little bit, and then walk to the boot. Is he

0:31:06.160 --> 0:31:10.360
<v Speaker 1>just punching as he goes? No? One shot deal really,

0:31:10.440 --> 0:31:12.000
<v Speaker 1>And if you don't like a line or he don't

0:31:12.000 --> 0:31:14.040
<v Speaker 1>like to go back and fix it, you just say, yeah,

0:31:14.240 --> 0:31:16.720
<v Speaker 1>let's do that over, do you? How do you do

0:31:16.840 --> 0:31:19.600
<v Speaker 1>your thing because obviously you're the writer, writer one tape,

0:31:19.800 --> 0:31:23.280
<v Speaker 1>you know what I mean? You don't write down anything? No, no, no, okay, yeah, right,

0:31:23.440 --> 0:31:26.040
<v Speaker 1>because I trying to force myself to bust my brain

0:31:26.080 --> 0:31:28.080
<v Speaker 1>to try to remember that. But yeah, I notice nowadays,

0:31:28.080 --> 0:31:33.240
<v Speaker 1>like uh, a lot of rappers, especially now with the

0:31:33.280 --> 0:31:36.080
<v Speaker 1>way like melody infused music has like kind of taken over,

0:31:37.120 --> 0:31:39.800
<v Speaker 1>Like a lot of artists. They will just go into

0:31:39.800 --> 0:31:42.680
<v Speaker 1>the boots and then they're like they'll lay down like

0:31:43.200 --> 0:31:46.520
<v Speaker 1>the melody like and then to it and then they'll

0:31:46.560 --> 0:31:48.719
<v Speaker 1>just punch in line by line. It's like that's like

0:31:49.320 --> 0:31:52.800
<v Speaker 1>when somebody needs a ghost writer. You you you let

0:31:52.840 --> 0:31:54.960
<v Speaker 1>me hear the beat and you tell me like you

0:31:55.120 --> 0:31:57.440
<v Speaker 1>mumble to it. This is the type of flow flow

0:31:57.560 --> 0:31:59.760
<v Speaker 1>because now you need the word no, I've seen it.

0:31:59.760 --> 0:32:02.520
<v Speaker 1>It's it's actually a reference. It's it's like, yo, they'll

0:32:02.600 --> 0:32:04.360
<v Speaker 1>lay that down and then they'll sit there and smoke

0:32:04.440 --> 0:32:07.720
<v Speaker 1>and listen and then they'll go in and just punching. No.

0:32:07.760 --> 0:32:10.120
<v Speaker 1>But it's but that's it. But it's it's it's still creative.

0:32:10.160 --> 0:32:13.560
<v Speaker 1>It's still creative. It's just not I feel like it's

0:32:13.560 --> 0:32:16.840
<v Speaker 1>harder to be able to say what you want to

0:32:16.880 --> 0:32:19.400
<v Speaker 1>say and get your point across without thinking about it

0:32:19.480 --> 0:32:24.840
<v Speaker 1>too much because Bobby ram and multiple words meaning multiple

0:32:25.200 --> 0:32:29.080
<v Speaker 1>things at the same time, with metaphors, punch lines, and

0:32:29.120 --> 0:32:31.400
<v Speaker 1>it's just it's just, you know, I'm a fan of that.

0:32:31.400 --> 0:32:34.280
<v Speaker 1>That's know what I'm saying. When we're talking about Harlem,

0:32:34.480 --> 0:32:37.160
<v Speaker 1>who do you have as your top five? Harlem? Mcs

0:32:37.200 --> 0:32:52.080
<v Speaker 1>ever ever ever on Big l Mace Cam, not me yourself? Damn,

0:32:53.520 --> 0:32:56.320
<v Speaker 1>I thought it was more than three from I think

0:32:56.400 --> 0:32:58.960
<v Speaker 1>Davis is making his way into that kind of is

0:32:58.960 --> 0:33:02.320
<v Speaker 1>a young legend, that's my But he's still catalog though. Man,

0:33:02.440 --> 0:33:04.840
<v Speaker 1>he's still young. He's got a lot of catalog. Yeah,

0:33:04.920 --> 0:33:08.280
<v Speaker 1>Davis is my god. David's Yeah, Dave's is definitely. He's

0:33:08.280 --> 0:33:11.280
<v Speaker 1>definitely up there. But as far as my top five,

0:33:12.480 --> 0:33:17.920
<v Speaker 1>I would say, Big ol Cam Mace, do you got

0:33:17.960 --> 0:33:20.200
<v Speaker 1>who else? Out of respect? You put asab Rocky in

0:33:20.240 --> 0:33:23.240
<v Speaker 1>there just because of the wave that he created. As

0:33:23.280 --> 0:33:27.440
<v Speaker 1>far as maybe not lyrically, he's not literally there. Asad

0:33:27.520 --> 0:33:31.120
<v Speaker 1>Rocky is nice though now he's under a different type

0:33:31.160 --> 0:33:34.040
<v Speaker 1>of rapper. He's a little bit more creative when it

0:33:34.120 --> 0:33:37.160
<v Speaker 1>comes to like putting together rhyms and songs and it's

0:33:37.160 --> 0:33:40.000
<v Speaker 1>dope still, but it's not that type of rap, the

0:33:40.600 --> 0:33:45.160
<v Speaker 1>big pun that type of rap that I was influenced by, Like,

0:33:45.280 --> 0:33:47.920
<v Speaker 1>oh yeah, but ain't really like he might not even

0:33:47.920 --> 0:33:53.080
<v Speaker 1>know who. Of course, come on man, okay, Bodega Bams

0:33:53.080 --> 0:33:55.360
<v Speaker 1>is fire. He I don't know that's got in that conversation,

0:33:55.440 --> 0:33:58.280
<v Speaker 1>but he's that's my guy. He does. He's definitely deserves

0:33:58.400 --> 0:34:01.200
<v Speaker 1>my ship, you know what, I deserve a shot because

0:34:01.200 --> 0:34:03.960
<v Speaker 1>he's nice. He definitely from Harlem or not. We're not

0:34:03.960 --> 0:34:08.360
<v Speaker 1>thinking of somebody bro. Yeah, g depth, but he just

0:34:08.480 --> 0:34:11.399
<v Speaker 1>wasn't a wasn't even am child of the ghetto. Oh

0:34:11.440 --> 0:34:14.560
<v Speaker 1>that ship was so fire. It was so good. I

0:34:14.600 --> 0:34:18.799
<v Speaker 1>mean I think at that one album crazy yeah yeah yeah,

0:34:18.880 --> 0:34:23.160
<v Speaker 1>but he's like he did catch your body, they find himself,

0:34:23.560 --> 0:34:26.520
<v Speaker 1>you know what's crazy. I was like in Poughkeepsie performance

0:34:26.560 --> 0:34:30.120
<v Speaker 1>turned himself in. Yeah, before he turned himself in. I

0:34:30.160 --> 0:34:33.680
<v Speaker 1>was in Poughkeepsie performing and and then I'm on stage

0:34:34.040 --> 0:34:37.480
<v Speaker 1>rapping and I see somebody get on stage with like

0:34:37.560 --> 0:34:41.799
<v Speaker 1>a big colorful bubble coat, and I'm like, I ain't

0:34:41.800 --> 0:34:43.959
<v Speaker 1>coming nobody. I could see it from from the side

0:34:43.960 --> 0:34:47.080
<v Speaker 1>of my eyes. So I look as g Debt and

0:34:47.120 --> 0:34:49.960
<v Speaker 1>he's just like going crazy. But he looked a little

0:34:50.040 --> 0:34:51.759
<v Speaker 1>like off. So I'm like, you know, I talked to

0:34:51.800 --> 0:34:56.920
<v Speaker 1>him afterwards, we spoke. He was there. Yeah, I'm just

0:34:56.920 --> 0:34:58.880
<v Speaker 1>trying to remember a clear but shouts to him. He

0:34:59.000 --> 0:35:01.440
<v Speaker 1>was just that was before he turned himself in, so

0:35:01.480 --> 0:35:03.360
<v Speaker 1>I knew it was something a little bit, a little

0:35:03.360 --> 0:35:06.840
<v Speaker 1>bit off for shots to him. He's still a hallm legend. Yeah, Mace,

0:35:06.880 --> 0:35:09.080
<v Speaker 1>I feel like there's and also get enough respects at

0:35:09.160 --> 0:35:12.560
<v Speaker 1>mc mace was crazy yea, get all the pross of

0:35:12.600 --> 0:35:14.759
<v Speaker 1>my books now. I just feel like in general we

0:35:14.800 --> 0:35:19.160
<v Speaker 1>talk about like overall, you're saying crazy run Man, Crazy Run.

0:35:20.719 --> 0:35:23.440
<v Speaker 1>Double Double Up was a little disappointing, but you know,

0:35:23.480 --> 0:35:25.120
<v Speaker 1>he was trying to get out that contract. That's how

0:35:25.160 --> 0:35:26.399
<v Speaker 1>I looked at it. He was trying to get away

0:35:26.400 --> 0:35:28.160
<v Speaker 1>from There was some there was like two records on

0:35:28.200 --> 0:35:30.799
<v Speaker 1>Double Up. But I remember buying Double Up and I

0:35:30.840 --> 0:35:33.439
<v Speaker 1>was like, oh damn, because he was trying to match

0:35:33.480 --> 0:35:36.640
<v Speaker 1>it up with that Hall the World album. Oh yeah,

0:35:36.719 --> 0:35:38.960
<v Speaker 1>that's right, the Harlem World album. They came out like

0:35:39.000 --> 0:35:42.080
<v Speaker 1>that's the triple plot. They came out super That's when

0:35:42.080 --> 0:35:44.400
<v Speaker 1>he was trying. He tried to he dropped double up

0:35:44.440 --> 0:35:46.879
<v Speaker 1>to get out his contract with Puff. That's what he's

0:35:46.920 --> 0:35:49.480
<v Speaker 1>trying to do. And he was like pretty much he

0:35:49.560 --> 0:35:51.359
<v Speaker 1>said it like he was kind of forced to put

0:35:51.400 --> 0:35:53.640
<v Speaker 1>that guy put together that album whatever. When you were

0:35:53.680 --> 0:35:56.480
<v Speaker 1>a kid, was like when him and Cam and Big

0:35:56.640 --> 0:36:02.680
<v Speaker 1>L was that like movement known in Harlem, like it

0:36:02.800 --> 0:36:05.480
<v Speaker 1>was Children of the Corn, right, Yeah, but that was

0:36:05.560 --> 0:36:08.480
<v Speaker 1>like I was too young for that. Yeah. Yeah, I

0:36:08.480 --> 0:36:11.440
<v Speaker 1>mean once I got older, I doubled back and listened,

0:36:11.719 --> 0:36:13.839
<v Speaker 1>But I was too young for that. People don't even

0:36:13.880 --> 0:36:17.480
<v Speaker 1>realize that Mace had like an entire you know, Murder

0:36:17.520 --> 0:36:21.280
<v Speaker 1>Mace was a real thing. Yo. It was so crazy

0:36:21.320 --> 0:36:25.319
<v Speaker 1>when Mace came back as like with the Jesus shit

0:36:25.480 --> 0:36:27.640
<v Speaker 1>and then he went back to the gangster shit with

0:36:27.719 --> 0:36:30.719
<v Speaker 1>G Unit for like one mixtape. I was so confused.

0:36:31.400 --> 0:36:33.759
<v Speaker 1>I was like what, But honestly, I'm at the same time,

0:36:33.800 --> 0:36:36.680
<v Speaker 1>I might have been confused, but I was hyped though.

0:36:37.120 --> 0:36:40.960
<v Speaker 1>I'm like, Okay, Murder back on Murder Time, Okay, Yeah

0:36:40.960 --> 0:36:43.680
<v Speaker 1>that didn't work out though, And then he went back

0:36:43.719 --> 0:36:48.480
<v Speaker 1>to the the Welcome Back album with the Brewers hat

0:36:48.520 --> 0:36:51.680
<v Speaker 1>on and then yeah, I actually got to meet Mace.

0:36:51.800 --> 0:36:54.839
<v Speaker 1>Very nice guys. You have you have you ever worked

0:36:54.840 --> 0:36:57.879
<v Speaker 1>with Mace? Nah? No, yeah, you got to bring Murder

0:36:57.920 --> 0:37:00.560
<v Speaker 1>Mace back for a verse. Man love to do it

0:37:00.560 --> 0:37:03.239
<v Speaker 1>soon with Mace. Mace is a legend, of course, manig

0:37:03.640 --> 0:37:05.239
<v Speaker 1>one of the biggest to do it from home. Oh

0:37:05.280 --> 0:37:09.920
<v Speaker 1>for sure, I would argue Peak if we're measuring Peak

0:37:10.600 --> 0:37:13.960
<v Speaker 1>the biggest. Yeah, I mean he's the only artist I

0:37:14.040 --> 0:37:16.200
<v Speaker 1>know that. When I'm talking at that, I'm not talking

0:37:16.239 --> 0:37:19.040
<v Speaker 1>about total run or influence on the culture, but I'm

0:37:19.080 --> 0:37:23.040
<v Speaker 1>talking about like commercial success Peak wise for like a year,

0:37:23.920 --> 0:37:27.920
<v Speaker 1>Cam and Mace. It's it's one of these two commercial

0:37:28.200 --> 0:37:32.399
<v Speaker 1>Mace is fucking who you think had was bigger? Oh

0:37:32.520 --> 0:37:36.200
<v Speaker 1>Mace you think so? Oh yeah, why you think that?

0:37:36.719 --> 0:37:39.680
<v Speaker 1>Oh that's like that because he has songs with Mariah

0:37:39.680 --> 0:37:42.960
<v Speaker 1>Because Cam, No, I think it's I think it's like

0:37:43.640 --> 0:37:49.520
<v Speaker 1>hard like bro that that like twelve month fucking run.

0:37:49.960 --> 0:37:52.680
<v Speaker 1>Mace was like the guy. Well he brung Cam in

0:37:53.600 --> 0:37:57.680
<v Speaker 1>for sure. No, you're right, Yeah, Confessions of Fire, I remember, like,

0:37:57.880 --> 0:38:00.360
<v Speaker 1>fucking I fuck with that originally because Mace was on it.

0:38:02.080 --> 0:38:04.000
<v Speaker 1>What was the song on that album where he was

0:38:04.000 --> 0:38:06.640
<v Speaker 1>talking about his aunt or his mom or some crazy ship.

0:38:06.680 --> 0:38:08.719
<v Speaker 1>It was some wild ship. The song was actually called

0:38:08.760 --> 0:38:11.279
<v Speaker 1>Confessions of Fire Bucket. He ain't say that though, he

0:38:11.320 --> 0:38:13.960
<v Speaker 1>ain't say them. Not the mom of the arm throw

0:38:16.840 --> 0:38:19.000
<v Speaker 1>you're talking about. You're talking about when I write that

0:38:19.040 --> 0:38:21.600
<v Speaker 1>poodle and try to turn the poodle into theles on

0:38:21.760 --> 0:38:24.040
<v Speaker 1>confession the song Confessions of Fire. He said, that's when

0:38:24.040 --> 0:38:26.759
<v Speaker 1>he's confession. Hey, look up the lyrics and that's to

0:38:26.800 --> 0:38:28.560
<v Speaker 1>the song. That's what I'm telling you. But he ain't

0:38:28.600 --> 0:38:32.040
<v Speaker 1>saying he said on there about oh yeah, yeah, yeah,

0:38:32.040 --> 0:38:33.759
<v Speaker 1>he might have said. He said no, he said, see

0:38:33.800 --> 0:38:36.759
<v Speaker 1>what that dust does. He said he was saying a

0:38:36.760 --> 0:38:39.040
<v Speaker 1>bunch of off the crazy ship, and I was like,

0:38:39.120 --> 0:38:40.880
<v Speaker 1>this guy is crazy. I don't know if it was no.

0:38:40.920 --> 0:38:43.400
<v Speaker 1>I don't think he said the mom but it was.

0:38:43.600 --> 0:38:45.520
<v Speaker 1>It was some ship that was like off the wall

0:38:45.680 --> 0:38:47.759
<v Speaker 1>like that though, where I was like, oh this guy,

0:38:47.840 --> 0:38:50.680
<v Speaker 1>camera is different, I asked him. I said yo, I

0:38:50.760 --> 0:38:53.880
<v Speaker 1>say yo, flee while you switch the style. So now

0:38:54.000 --> 0:38:57.560
<v Speaker 1>you know, trying to take my ship man see eminem

0:38:57.640 --> 0:39:00.640
<v Speaker 1>Rain with the whole ship. Let him have it. But

0:39:00.719 --> 0:39:02.359
<v Speaker 1>he was doing it before that. He was doing that

0:39:02.440 --> 0:39:05.200
<v Speaker 1>dark ship on the on Confessions of like for high kids.

0:39:05.360 --> 0:39:08.520
<v Speaker 1>You want you like violence, bro, because I remember thinking

0:39:08.600 --> 0:39:10.319
<v Speaker 1>like there was the Horse and Carriage record, and then

0:39:10.360 --> 0:39:12.840
<v Speaker 1>I bought the album and I was like, oh no,

0:39:13.000 --> 0:39:15.880
<v Speaker 1>this is something. There's some other This ship is dark.

0:39:17.200 --> 0:39:20.240
<v Speaker 1>He's yeah, yeah, look him up. Eric. You know what

0:39:20.239 --> 0:39:23.799
<v Speaker 1>what was dope to? Uh uh? The joon with him

0:39:23.800 --> 0:39:27.759
<v Speaker 1>and o dB. That was classic. Oh yeah, what do

0:39:27.800 --> 0:39:30.360
<v Speaker 1>you what do you think is Camp's best album? His

0:39:30.520 --> 0:39:36.319
<v Speaker 1>best overall album. I'm gonna go purple. I mean I'm

0:39:36.320 --> 0:39:39.279
<v Speaker 1>a Purple Hayes guy, though Purple Hays. Yeah, fucking that

0:39:39.360 --> 0:39:41.040
<v Speaker 1>Killer Can be that he make his beat. It's like

0:39:41.040 --> 0:39:42.719
<v Speaker 1>the craziest beat. I don't know if that was a

0:39:42.760 --> 0:39:45.600
<v Speaker 1>sample whatever it was, whoever did the killer come? I

0:39:45.680 --> 0:39:47.680
<v Speaker 1>was like, oh no, that was that was our pristive

0:39:47.760 --> 0:39:51.160
<v Speaker 1>shout out to my guy Prestige. It did sample, sounded

0:39:51.239 --> 0:39:54.319
<v Speaker 1>like Killer Can, but he came in and sung it

0:39:54.360 --> 0:39:56.719
<v Speaker 1>over and they made it as a sample like try

0:39:56.760 --> 0:40:02.640
<v Speaker 1>to alter it. So fuck my fuck mom and father shove.

0:40:03.800 --> 0:40:05.600
<v Speaker 1>He said, I fucked my own and I fucked my

0:40:05.680 --> 0:40:10.120
<v Speaker 1>mom to die. But when my girl got side of minds,

0:40:10.160 --> 0:40:12.880
<v Speaker 1>I was trauma died. Shove the dick down the throat Okay, okay,

0:40:14.080 --> 0:40:18.319
<v Speaker 1>I said, man, fucking age test. Oh yeah, no, no, no no,

0:40:18.520 --> 0:40:22.600
<v Speaker 1>don't you cut that Up't gonna do the deal with

0:40:22.600 --> 0:40:24.960
<v Speaker 1>you now, fucking up Cam. I was trying to get

0:40:25.080 --> 0:40:27.680
<v Speaker 1>he was in l a earlier this week, and my boy,

0:40:27.719 --> 0:40:29.200
<v Speaker 1>I was trying to get him to come through. That's

0:40:29.239 --> 0:40:32.120
<v Speaker 1>like a bucket list interview for me. Killer of course,

0:40:32.640 --> 0:40:36.439
<v Speaker 1>the Killer shout to the whole set, I have your phone, sir,

0:40:39.640 --> 0:40:44.200
<v Speaker 1>all good buddy, SAO plugging CBD. Yeah, shouts to my guys,

0:40:44.239 --> 0:40:47.080
<v Speaker 1>my guys, Ryan, Henry and the good guys over at

0:40:47.160 --> 0:40:49.319
<v Speaker 1>Legends of Legends of Hemp. You know what I mean.

0:40:49.360 --> 0:40:54.840
<v Speaker 1>We got some some dope ideas coming, man, CBD, CBDs drops,

0:40:54.880 --> 0:41:01.719
<v Speaker 1>CBD energy shots, CBD lines, what else massage? Oh it

0:41:01.840 --> 0:41:06.040
<v Speaker 1>was vape pens. We got a whole load of stuff coming.

0:41:06.080 --> 0:41:10.799
<v Speaker 1>So so the CBD uh side of the game, you

0:41:10.840 --> 0:41:18.960
<v Speaker 1>guys got on locked pretty much. Listen, you're not on

0:41:19.000 --> 0:41:21.840
<v Speaker 1>the mic, buddy. So I tried to get him to

0:41:21.880 --> 0:41:23.880
<v Speaker 1>brief me on the way, but I couldn't remember everything.

0:41:23.920 --> 0:41:27.880
<v Speaker 1>But yeah, you know, CBD is a worldwide markets exactly.

0:41:28.040 --> 0:41:30.879
<v Speaker 1>You know, it's not restricted like a marijuana type of thing.

0:41:31.000 --> 0:41:33.760
<v Speaker 1>So you can ship worldwide and you know it's healthy.

0:41:33.880 --> 0:41:37.120
<v Speaker 1>It's like, you know that's fair. Are you a healthy guy?

0:41:37.440 --> 0:41:40.239
<v Speaker 1>Of course? Tell you I dropped twenty pounds. But since

0:41:40.280 --> 0:41:42.640
<v Speaker 1>the last time I came in, how did you? What

0:41:42.680 --> 0:41:44.440
<v Speaker 1>did you do to lose the weight? I do Keto

0:41:44.640 --> 0:41:47.400
<v Speaker 1>and Bro, I got on Keto and lost weight and

0:41:47.440 --> 0:41:49.200
<v Speaker 1>then I got off it and now I'm fat again.

0:41:49.560 --> 0:41:52.000
<v Speaker 1>Well I'll be off and on and I don't I

0:41:52.000 --> 0:41:54.800
<v Speaker 1>don't know it works, it works, yo, Like you go

0:41:55.040 --> 0:41:58.920
<v Speaker 1>months strictly on Keto. Bro. What I did was I stopped.

0:41:59.840 --> 0:42:02.040
<v Speaker 1>I did the I start doing the kiddo, but I

0:42:02.080 --> 0:42:04.719
<v Speaker 1>cancel my gym umber shit, and I ordered the not

0:42:04.880 --> 0:42:08.160
<v Speaker 1>to track treadmill, put it in my credit ball, and

0:42:08.200 --> 0:42:10.919
<v Speaker 1>I just walk up yeah. Yeah, And I just walk

0:42:11.040 --> 0:42:13.719
<v Speaker 1>walk up hill for ten to fifteen minutes before every

0:42:13.719 --> 0:42:16.640
<v Speaker 1>meal and then workout at night. You know what I'm saying.

0:42:16.800 --> 0:42:18.640
<v Speaker 1>Do you do do everything with the studio in the crib?

0:42:18.920 --> 0:42:21.640
<v Speaker 1>I canceled, Yeah, I did that. I did that right

0:42:21.680 --> 0:42:26.480
<v Speaker 1>before COVID, Right before COVID hit. People are saying that, uh,

0:42:26.640 --> 0:42:28.919
<v Speaker 1>there's like a big exodus out of New York right now,

0:42:29.080 --> 0:42:31.839
<v Speaker 1>like people are moving and ship. Have you noticed like

0:42:31.880 --> 0:42:34.959
<v Speaker 1>people leaving. Nah. I heard like Manhattan's got like forty

0:42:35.040 --> 0:42:37.920
<v Speaker 1>thousand open apartments right now, just a live bro really

0:42:38.000 --> 0:42:41.520
<v Speaker 1>not gonna live Hell no, bro, Well ship for everyone's

0:42:41.560 --> 0:42:43.879
<v Speaker 1>rent price purposes, you can of you know that'd be nice,

0:42:43.960 --> 0:42:47.719
<v Speaker 1>right yeah, hell yeah, i'd be. I'd be like thinking like, yo, no,

0:42:47.960 --> 0:42:52.560
<v Speaker 1>everybody's not paying five thousand a month, especially for these apartments.

0:42:52.560 --> 0:42:54.680
<v Speaker 1>Like you enter these apartments because these apartment has been

0:42:54.680 --> 0:42:57.200
<v Speaker 1>there for years. Even the hotels are fucked up, You'll

0:42:57.239 --> 0:42:59.160
<v Speaker 1>be like, I just spent six hundred hours in the hotel.

0:42:59.239 --> 0:43:01.720
<v Speaker 1>Is the size of my closet? Yeah? No, it's nothing

0:43:01.760 --> 0:43:06.000
<v Speaker 1>like in New York are so small there's nowhere to

0:43:06.040 --> 0:43:09.520
<v Speaker 1>put your ship. Like wait what there's nothing like l

0:43:09.560 --> 0:43:12.400
<v Speaker 1>a hotel's you like, you'll get it on Expeedia and

0:43:12.440 --> 0:43:15.840
<v Speaker 1>then you'll get in and you'll be like, wait, element

0:43:15.880 --> 0:43:18.560
<v Speaker 1>you see that you got you have some old pictures up? Yeah? No,

0:43:18.680 --> 0:43:21.359
<v Speaker 1>that shit crazy? Nah? Yeah, because I know with with

0:43:21.360 --> 0:43:23.920
<v Speaker 1>with the COVID ship, like I heard that just a

0:43:23.920 --> 0:43:26.319
<v Speaker 1>lot of people are a lot of people are leaving

0:43:26.320 --> 0:43:30.600
<v Speaker 1>California because it's so expensive. L A be clubs LA.

0:43:30.680 --> 0:43:33.360
<v Speaker 1>I'm not gonna lie, no, I mean, it's great. I

0:43:33.360 --> 0:43:35.719
<v Speaker 1>could never live in New York. I love visiting New York,

0:43:36.040 --> 0:43:38.000
<v Speaker 1>but I'm a West Coast guy and just the why

0:43:38.080 --> 0:43:40.600
<v Speaker 1>you feel that, I just don't like like everybody's just so,

0:43:41.160 --> 0:43:47.440
<v Speaker 1>everybody's obnoxious everything. It's just you go outside and it's stress.

0:43:48.560 --> 0:43:51.439
<v Speaker 1>My fucker is walking down the streets. Yeah, they got

0:43:51.440 --> 0:43:54.680
<v Speaker 1>their fucking game face on. It's like out here, I

0:43:54.680 --> 0:43:57.839
<v Speaker 1>could go outside and not see nobody. No I hear that.

0:43:57.960 --> 0:44:00.799
<v Speaker 1>You'll you'll walk past and they'll say what's up. Yeah.

0:44:00.840 --> 0:44:04.880
<v Speaker 1>But even like, it's impossible to avoid strangers in New

0:44:04.960 --> 0:44:08.080
<v Speaker 1>York if you're gonna have a life, to go to work,

0:44:08.120 --> 0:44:11.040
<v Speaker 1>to go whatever you have to out here, I can

0:44:11.120 --> 0:44:13.040
<v Speaker 1>drive from point A to point B and have zero

0:44:13.080 --> 0:44:15.600
<v Speaker 1>interactions with people. I don't know. That's how Jersey is.

0:44:16.120 --> 0:44:19.360
<v Speaker 1>New York is so like you gotta get on the

0:44:19.400 --> 0:44:21.600
<v Speaker 1>train or even you gotta walk to get to Like

0:44:21.640 --> 0:44:24.160
<v Speaker 1>it's just a lot, bro And in the parking situation,

0:44:25.560 --> 0:44:27.839
<v Speaker 1>you gotta pay for a parking space every month. All

0:44:27.920 --> 0:44:31.239
<v Speaker 1>kinds of crazy. Yeah, the only thing out here is

0:44:31.280 --> 0:44:37.040
<v Speaker 1>that tras. But when I moved here, the radio stations

0:44:37.040 --> 0:44:42.480
<v Speaker 1>in Burbank and Burbank's pretty expensive. But I purposely was like,

0:44:42.560 --> 0:44:44.880
<v Speaker 1>I'm gonna eat ship and pay more money so I

0:44:45.000 --> 0:44:47.960
<v Speaker 1>never have to get on the freeway. So I got

0:44:48.000 --> 0:44:50.960
<v Speaker 1>my studios right here in Burbank North Hollywood area, the

0:44:51.040 --> 0:44:53.359
<v Speaker 1>radio stations in burt Oh, this is Burbank. This is

0:44:53.400 --> 0:44:55.920
<v Speaker 1>the Burbank North Hollywood like border. So if you go

0:44:56.040 --> 0:44:58.560
<v Speaker 1>like half a mile that way, you're in Burbank radio station,

0:44:58.640 --> 0:45:00.160
<v Speaker 1>like five minutes from here. So I was like, you

0:45:00.200 --> 0:45:02.440
<v Speaker 1>know what, like, I'm gonna just pay more for my rents.

0:45:02.440 --> 0:45:04.279
<v Speaker 1>I don't have to deal with what you said, because

0:45:04.280 --> 0:45:07.480
<v Speaker 1>that's where everybody, like the traffic get you fucking stressed

0:45:07.520 --> 0:45:10.640
<v Speaker 1>out thinking about that ship out here. Yeah, Bro, the

0:45:10.680 --> 0:45:13.560
<v Speaker 1>GPS says seven minutes. It took me seventeen minutes. Bro,

0:45:13.800 --> 0:45:15.480
<v Speaker 1>it was traffic for no reason. Then I had to

0:45:15.520 --> 0:45:19.560
<v Speaker 1>tell when it cleared up, I told the drive, I'll say, oh, bro, drive,

0:45:20.320 --> 0:45:24.359
<v Speaker 1>what are you doing? You know, it's definitely I would

0:45:24.440 --> 0:45:26.840
<v Speaker 1>probably rather still deal with the traffic than have to

0:45:26.960 --> 0:45:29.759
<v Speaker 1>like deal with the people, deal with the trains. Oh,

0:45:29.800 --> 0:45:33.160
<v Speaker 1>to deal with the trains. Yeah, there's no trains. I

0:45:33.160 --> 0:45:34.879
<v Speaker 1>mean there is, bit I don't think people really don't

0:45:34.880 --> 0:45:37.359
<v Speaker 1>take them like that. Oh, it's not like that. It's

0:45:37.360 --> 0:45:39.640
<v Speaker 1>like a Jersey train. Jersey's not here in New Jerseys. Y.

0:45:39.800 --> 0:45:44.000
<v Speaker 1>One time I fell asleep in New York. I was

0:45:44.000 --> 0:45:48.200
<v Speaker 1>on the train and I fell asleep. I woke up

0:45:48.200 --> 0:45:51.440
<v Speaker 1>and you woke up. I woke up in Spanish Harlem.

0:45:51.640 --> 0:45:54.400
<v Speaker 1>Oh that wasn't that fall, but no. I took it

0:45:54.440 --> 0:45:57.520
<v Speaker 1>from like downtown and I woke up in Spanish Harlem.

0:45:57.640 --> 0:45:59.680
<v Speaker 1>It was like three in the morning, Bro, I get, oh,

0:46:00.080 --> 0:46:01.960
<v Speaker 1>come up, and I'm like, but you still good? And

0:46:02.040 --> 0:46:04.040
<v Speaker 1>three in the morning and Spanish hall them. You lucky.

0:46:04.040 --> 0:46:08.400
<v Speaker 1>You ain't wake up in Hunt's Point And I was like, okay, damn,

0:46:08.440 --> 0:46:10.480
<v Speaker 1>this is so. This is Spanish harlot. So I'm like

0:46:10.520 --> 0:46:12.600
<v Speaker 1>trying to walk around and find my entrance into the

0:46:12.640 --> 0:46:14.319
<v Speaker 1>subway to get to the other way, and I'm like

0:46:15.080 --> 0:46:17.120
<v Speaker 1>at the time, I'm like real tight with bodega bam.

0:46:17.200 --> 0:46:18.959
<v Speaker 1>So I remember hitting them and I'd be like, hey, bro,

0:46:19.560 --> 0:46:23.440
<v Speaker 1>I'm right here in my camera here because I just

0:46:23.480 --> 0:46:26.160
<v Speaker 1>woke up and got off the train. No, Spanish Halem

0:46:26.239 --> 0:46:28.719
<v Speaker 1>is dope and it's cool. I mean, it's laid back, yo.

0:46:28.840 --> 0:46:32.279
<v Speaker 1>Harlem is a vibe. Bro. I just think it's like

0:46:32.280 --> 0:46:34.160
<v Speaker 1>like I felt like if I remember every like you know,

0:46:34.160 --> 0:46:35.759
<v Speaker 1>there's a few times I talked about moving to New

0:46:35.800 --> 0:46:36.880
<v Speaker 1>York and I was like, Yo, if I'm gonna move

0:46:36.920 --> 0:46:38.840
<v Speaker 1>to New York, I'm not either living in Jersey or Harlem,

0:46:39.160 --> 0:46:43.920
<v Speaker 1>because Harlem is like still technically it's it's still technically

0:46:44.160 --> 0:46:47.480
<v Speaker 1>it's like the first burrow outside of like like if

0:46:47.520 --> 0:46:50.640
<v Speaker 1>you're going towards like you're leaving Manhattan. It's part of man.

0:46:50.719 --> 0:46:54.920
<v Speaker 1>It's part of man Man. But yeah, we got Manhattan, Harlem,

0:46:55.400 --> 0:46:58.719
<v Speaker 1>Washington Heights that's old Manhattan and Washington Heights is oh

0:46:58.920 --> 0:47:04.719
<v Speaker 1>my bad ellie. Yes, Manhattan, Halem, Washington Heights like big,

0:47:04.800 --> 0:47:08.319
<v Speaker 1>big Spanish area, right yeah, Dominican shout my dominicanos up there.

0:47:08.400 --> 0:47:11.120
<v Speaker 1>And then from there it's the Bronx. Then it's the Bronx.

0:47:11.400 --> 0:47:13.520
<v Speaker 1>Maybe a few blocks away. You could just cross a

0:47:13.520 --> 0:47:19.239
<v Speaker 1>little bridge. You in the Bronx, shout out to the Bronx. Man. Yeah,

0:47:19.239 --> 0:47:21.799
<v Speaker 1>what do you think? Why do you think for people

0:47:21.800 --> 0:47:24.400
<v Speaker 1>who don't who are from New York, Man, every single

0:47:24.400 --> 0:47:27.719
<v Speaker 1>borough has its own flavor. It's it's very different. Like

0:47:27.760 --> 0:47:29.880
<v Speaker 1>you could go to Brooklyn and it's like you feel

0:47:29.880 --> 0:47:32.400
<v Speaker 1>like you're in a whole nother place. Even parts of Brooklyn.

0:47:32.400 --> 0:47:37.800
<v Speaker 1>Now you're like fucking hipster motherfuckers everywhere, and then you

0:47:37.800 --> 0:47:41.560
<v Speaker 1>you know, five minutes away, it's a dangerous place. Yeah.

0:47:42.560 --> 0:47:44.080
<v Speaker 1>Is that most of New York is like most of

0:47:44.120 --> 0:47:46.520
<v Speaker 1>New York becoming gentrified? Or is it still like No,

0:47:46.560 --> 0:47:51.640
<v Speaker 1>it's just some because Brooklyn is fucking crazy, yeah, Central,

0:47:52.200 --> 0:48:01.480
<v Speaker 1>I mean the hipster Willisburg. Okay, I don't really know

0:48:01.520 --> 0:48:03.000
<v Speaker 1>Brooklyn like that. I ain't gonna hold you. Yeah, I

0:48:03.560 --> 0:48:07.080
<v Speaker 1>try to stay away from Brooklyn. Brooklyn, serious Brooklyn, serious

0:48:09.160 --> 0:48:12.880
<v Speaker 1>white girls with fucking armpit hair and ship you know

0:48:12.920 --> 0:48:15.959
<v Speaker 1>what I'm saying. Yeah, New York is. Yeah, I remember

0:48:16.239 --> 0:48:22.280
<v Speaker 1>it was like versus like people that were originally there. Okay,

0:48:22.440 --> 0:48:28.000
<v Speaker 1>I knew. I knew Brooklyn was different. When my guys

0:48:28.200 --> 0:48:30.960
<v Speaker 1>the Wave Gag they didy go by the wool, now

0:48:31.160 --> 0:48:33.279
<v Speaker 1>you know what I mean. But they had me in

0:48:33.400 --> 0:48:37.160
<v Speaker 1>Brownsville projects. Okay, I just remember Brownsville by the way,

0:48:37.160 --> 0:48:39.440
<v Speaker 1>shout out to mop just reading about Brownsville as a

0:48:39.480 --> 0:48:40.960
<v Speaker 1>kid in the Double E solth Yeah, they had me

0:48:41.000 --> 0:48:44.040
<v Speaker 1>in Brownsville projects. And when I got there, like when

0:48:44.080 --> 0:48:47.279
<v Speaker 1>I went to the when I really seen the projects firsthand.

0:48:47.280 --> 0:48:51.120
<v Speaker 1>That's when I seen like, this is totally different from Harlem.

0:48:51.280 --> 0:48:54.359
<v Speaker 1>This is nowhere in Hallam. A't got nothing on this.

0:48:54.360 --> 0:48:57.160
<v Speaker 1>This is different. This is like walking past the police

0:48:57.200 --> 0:48:59.760
<v Speaker 1>with a bottle of rose and they don't say ship

0:49:00.760 --> 0:49:03.280
<v Speaker 1>like this is different, Like they all they care about

0:49:03.280 --> 0:49:05.360
<v Speaker 1>his shootouts and they might not even they might not

0:49:05.400 --> 0:49:08.520
<v Speaker 1>even walk up. They're gonna call for backup. It's just

0:49:08.719 --> 0:49:13.000
<v Speaker 1>dark over there. It's different. Yeah, It's like it's different, bro. Yeah,

0:49:13.040 --> 0:49:16.520
<v Speaker 1>I just I just vividly remember reading Billy Dan's in

0:49:16.560 --> 0:49:18.600
<v Speaker 1>a Little Fame talking about how they used to shoot

0:49:18.600 --> 0:49:22.480
<v Speaker 1>people off like they used to They used to just

0:49:22.480 --> 0:49:25.279
<v Speaker 1>shoot people off the top of their built like like

0:49:25.320 --> 0:49:32.000
<v Speaker 1>they were snipers or met them too. Crazyest neighborhood all

0:49:32.000 --> 0:49:33.880
<v Speaker 1>in New York and all in New York that you've

0:49:33.920 --> 0:49:39.319
<v Speaker 1>been to, many that I've been to. Damn, they gonna

0:49:39.360 --> 0:49:41.279
<v Speaker 1>be mad at me. I can't just say one yeah

0:49:41.360 --> 0:49:44.000
<v Speaker 1>nah they you know, No, Brownsville is like the crit

0:49:44.040 --> 0:49:47.799
<v Speaker 1>to me in New York. Nah, in New York because

0:49:47.840 --> 0:49:50.160
<v Speaker 1>see if I say no, now it's like words. So

0:49:50.200 --> 0:49:54.520
<v Speaker 1>we ain't gangster like that. Nah. But I think Brownsville

0:49:54.719 --> 0:49:57.279
<v Speaker 1>honestly Brownsville is different. It was. It would be some

0:49:57.320 --> 0:50:03.239
<v Speaker 1>people from East New York that'll tell you Brownsville for real. Brownsville. Yeah,

0:50:03.320 --> 0:50:06.359
<v Speaker 1>man shout out to MP. Yes, sir, First Family Z owned.

0:50:06.360 --> 0:50:08.480
<v Speaker 1>You know what I'm saying, Yes, sir. Well look your

0:50:08.520 --> 0:50:11.760
<v Speaker 1>ep is out. Yeah, go get that. I really wrapped

0:50:11.760 --> 0:50:15.880
<v Speaker 1>two out now on a platforms. Yeah. Album on the way,

0:50:15.920 --> 0:50:18.400
<v Speaker 1>but I'm gonna drop another EPC. That's the problem I've

0:50:18.440 --> 0:50:21.440
<v Speaker 1>been having is like I dropped the upstage. It got

0:50:21.440 --> 0:50:24.759
<v Speaker 1>a nice response. I fell back for two You guys,

0:50:24.760 --> 0:50:26.840
<v Speaker 1>you can't fall back no more. Bro, Yeah, no, so

0:50:26.880 --> 0:50:28.840
<v Speaker 1>I'm not today. Listen, let me tell you if I

0:50:28.840 --> 0:50:30.680
<v Speaker 1>can give you any advice in today's world, bro, just

0:50:30.760 --> 0:50:34.160
<v Speaker 1>keep dropping NonStop. And you're independent, right facts, So just dude,

0:50:34.280 --> 0:50:36.920
<v Speaker 1>run up your independent catalog, get that nice fucking monthly

0:50:36.960 --> 0:50:40.759
<v Speaker 1>residual income coming in, Yeah, and run it, bro, Like

0:50:40.880 --> 0:50:44.600
<v Speaker 1>take a page out of what like Riselda is doing

0:50:44.640 --> 0:50:47.200
<v Speaker 1>as far as like the quantity of music they're dropping

0:50:47.800 --> 0:50:50.279
<v Speaker 1>and own all of it. You know what would would

0:50:50.480 --> 0:50:52.640
<v Speaker 1>spark me to do that? Thirty I had a cold

0:50:52.719 --> 0:50:55.640
<v Speaker 1>conversation with thirty eighth stage specially another example, just like yo,

0:50:55.680 --> 0:50:57.239
<v Speaker 1>he looked at me, like, Yo, why you holding onto

0:50:57.239 --> 0:51:00.400
<v Speaker 1>the music for show? Now? This is not this is

0:51:00.480 --> 0:51:02.880
<v Speaker 1>not the same era, right, It's not the era to

0:51:02.880 --> 0:51:05.399
<v Speaker 1>hold on the music. But see, I was always don't

0:51:05.440 --> 0:51:08.200
<v Speaker 1>overthink your rollout, don't overthink any of that ship I was.

0:51:08.520 --> 0:51:11.120
<v Speaker 1>I was always accustomed to one album a year, that's

0:51:11.120 --> 0:51:13.359
<v Speaker 1>how you do it. Drop five albums a year. That's

0:51:13.360 --> 0:51:16.480
<v Speaker 1>what I'm gonna start doing. Dropping next month again November thirty.

0:51:16.600 --> 0:51:20.520
<v Speaker 1>Perfect facts, just keep going dog and like then you

0:51:20.560 --> 0:51:24.759
<v Speaker 1>know you'll be like, yo, damn these monthly fucking what's

0:51:24.760 --> 0:51:27.680
<v Speaker 1>your distro? Are you doing? Like tone Core distroc right now,

0:51:27.800 --> 0:51:30.240
<v Speaker 1>I'm putting this project out through video shouts the video.

0:51:30.640 --> 0:51:32.680
<v Speaker 1>But I got tom Core, I messed with different like

0:51:32.719 --> 0:51:36.279
<v Speaker 1>I got my brother all that distro kid. You know, yeah,

0:51:36.400 --> 0:51:39.160
<v Speaker 1>it'll work pretty much to say, yeah, I own my mask.

0:51:39.200 --> 0:51:41.120
<v Speaker 1>I just I just got my master's back from my

0:51:41.200 --> 0:51:43.279
<v Speaker 1>Warner Brothers for one of my albums. Now I'm trying

0:51:43.320 --> 0:51:45.120
<v Speaker 1>to get my first album that was number two in

0:51:45.120 --> 0:51:48.400
<v Speaker 1>the country. Hopefully they give it back to me Cotch Records,

0:51:49.120 --> 0:51:53.160
<v Speaker 1>One Man and y'all owe me some money too. But

0:51:53.200 --> 0:51:56.160
<v Speaker 1>I'm not gonna make a big deal let's work things out.

0:51:56.480 --> 0:52:00.239
<v Speaker 1>You know. E one is uh, what's the guy name?

0:52:00.280 --> 0:52:05.240
<v Speaker 1>Elliet Ellie? What's Alan Grumblett? Shout out to Steve Lobel.

0:52:05.280 --> 0:52:07.560
<v Speaker 1>We'll try to get to Steve. Steve's real, real close

0:52:07.600 --> 0:52:08.960
<v Speaker 1>friends with him. I can try to make that happen

0:52:09.040 --> 0:52:11.319
<v Speaker 1>for you. Yeah, let's do that. Boom Well, listen, man,

0:52:12.120 --> 0:52:14.840
<v Speaker 1>we got a freestyle dropping tomorrow. So this is Monday,

0:52:15.000 --> 0:52:19.759
<v Speaker 1>Today's Monday. Tomorrow they'll be It's going down jail rder freestyle, Yes, sir,

0:52:20.040 --> 0:52:24.120
<v Speaker 1>boom perfect, all right, cool play the beat in there,

0:52:24.200 --> 0:52:25.919
<v Speaker 1>hang out ball. They switch out to set