WEBVTT - Ozzy & Sharon Osbourne

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<v Speaker 1>Pushkin. It's been fifty years since Black Sabbath released Iron Man,

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<v Speaker 1>but its guitar riffs are still some of the hardest

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<v Speaker 1>and darkest in rock history. While Black Sabbath is often

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<v Speaker 1>giving credit for creating heavy metal, none of its members

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<v Speaker 1>had the success or longevity of their original frontman, Ozzy Osbourne.

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<v Speaker 1>In the eighties, Ozzie successfully turned his Prince of Darkness

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<v Speaker 1>alter ego into a decades long career. With help from

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<v Speaker 1>his manager and wife, Sharon Osbourne, Ozzi's released eleven solo albums,

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<v Speaker 1>with seven of them going multi platinum. They also created Ozzfest,

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<v Speaker 1>a Tory metal festival that became a mecca for metal

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<v Speaker 1>fans everywhere, myself included, and of course, they had their

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<v Speaker 1>pop culture crossover moment with the reality show The Osbourne's

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<v Speaker 1>on MTV. Ozzie and Rick Rubin first met when Rick

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<v Speaker 1>had just moved to la and the two became fast friends.

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<v Speaker 1>Their friendship eventually turned into Rick producing the last Black

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<v Speaker 1>Sabbath record, the Reunion Album from twenty thirteen. Ozzie's mostly

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<v Speaker 1>kept a low profile since then, but at seventy one,

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<v Speaker 1>he's back to making music. He has a new album

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<v Speaker 1>called Ordinary Man, it's his first solo album in a decade. Rick,

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<v Speaker 1>Ozzy and Sharon sat on the bus at Changing a

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<v Speaker 1>Lot to talk about the record and how a gift

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<v Speaker 1>from his father turned an ordinary boy from Birmingham, England,

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<v Speaker 1>into the prince of darkness. This is broken record liner

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<v Speaker 1>notes for the digital Age. I'm justin Richmond. Here's Ozzie

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<v Speaker 1>and Sharon Osbourne in conversation with Rick Rubin. They start

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<v Speaker 1>things off talking about the track Ozzie did with Post

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<v Speaker 1>Malone and Travis Scott take what you Want? Did you

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<v Speaker 1>hear the track as he did with Post Oh, he's

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<v Speaker 1>got to hear that. I'm Travis Scott's a big shot now. Yeah. Yeah.

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<v Speaker 1>When Andrew I did your song we Post He's great. Though,

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<v Speaker 1>he's doing great. I've was stunned that it's just him

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<v Speaker 1>on stage. It's not bad man, no nothing, just him incredible.

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<v Speaker 1>Ye tell me tell me your first memories of any

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<v Speaker 1>performance anytime you was the first time you remember being

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<v Speaker 1>on stage. I was in a band called the Prospected

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<v Speaker 1>because the singer was it was sick. I never do know.

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<v Speaker 1>We did a gig Birmingham fire Station. There's three three

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<v Speaker 1>firemen and a drunk in the audience. You think I

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<v Speaker 1>was going to be shot. I was so nervous. Yeah,

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<v Speaker 1>that was the first thing I ever did we do

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<v Speaker 1>cover songs or oh yeah, blues stones, yeah, uh damn,

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<v Speaker 1>you know, and it was um back in. The whole

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<v Speaker 1>game has changed now when when we're there's no way

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<v Speaker 1>to playing that much anymore. And when we used to

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<v Speaker 1>go to Webb when we were Sabbath, we messed around

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<v Speaker 1>with different names. It was like a polkas blues band

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<v Speaker 1>Earth and then then we wrote the song Black Sabbath

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<v Speaker 1>and then Guisers, what don't we call the band? And

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<v Speaker 1>that was it. Then how did the band come together? Well,

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<v Speaker 1>I was it always you know aboutman called the Red

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<v Speaker 1>Ruby Geezer. I never did a gig with them. But

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<v Speaker 1>the only reason the gigs I had to pay, I

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<v Speaker 1>said Guizer, and I said I want to get out,

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<v Speaker 1>so do I. And shortly around actual Geiser and Bill

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<v Speaker 1>had a band called Mythology and they had been busted

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<v Speaker 1>for smoking dope. I had to break up because it

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<v Speaker 1>was like the curse. She used to go to the

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<v Speaker 1>same school as Tony and we didn't around school. It

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<v Speaker 1>was like high school. Yeah, and one thing I think

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<v Speaker 1>we started. We originally had a saxophone player and a

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<v Speaker 1>bottle bottle and guitar player like because it was like

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<v Speaker 1>the Fleetwood Mac that were that were around, but the

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<v Speaker 1>original Fleetwood Mac nothing what they ended up being. I

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<v Speaker 1>wished to go and see them. We n see John

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<v Speaker 1>Miles Blues Breakers. And there was a club in Birmingham

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<v Speaker 1>called I'm Anish Club now, but we used to go

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<v Speaker 1>in and we used to see all these different bands.

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<v Speaker 1>You know, I saw Candy Eat there once. I was

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<v Speaker 1>like an American banding Birmingham freaks out, how many how

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<v Speaker 1>many people would be in a club like that? Then

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<v Speaker 1>no Ah, great, there's seven hundred thousand and most. Then

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<v Speaker 1>there was a club, a few clubs in Birmingham. We

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<v Speaker 1>used to go with our van full of a quick

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<v Speaker 1>my just in case the band never made and we've

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<v Speaker 1>got any bank. We've gone played be Standing for Blands

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<v Speaker 1>or ten years after jeth Road Show the band amazing,

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<v Speaker 1>and then we played with Jets Hotel and Tony got

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<v Speaker 1>off with the gig and then I remember thinking, oh, no,

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<v Speaker 1>it's gone now because Tony was somewhere else for it.

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<v Speaker 1>I mean he still is. Yeah, it's nobody on the

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<v Speaker 1>face of the other couldn't come up with the riffs

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<v Speaker 1>like the King of the Riffs. Oh it's great, And

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<v Speaker 1>then you know it was just it's kind of we

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<v Speaker 1>all live. Did he ever play with Jethro Tuller, No,

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<v Speaker 1>what I think he did a couple of TV thing

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<v Speaker 1>He died a rock and roll the Rolling Stones, rock

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<v Speaker 1>and Roll circles, yes, which was a chary thing. And

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<v Speaker 1>then he died a couple of things. We wouldn't win

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<v Speaker 1>him too long and he came back and he said,

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<v Speaker 1>if we get out of stuff together, oh we can

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<v Speaker 1>do it. I was like fucking house. He left Jethro

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<v Speaker 1>to come back to us and that was a big job.

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<v Speaker 1>That was. But Tony's one of these guys he has

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<v Speaker 1>been told what to do, you'll do You'll fucking punch one.

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<v Speaker 1>I know that. You know I've seen him do it.

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<v Speaker 1>You know it's some he has been so I told

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<v Speaker 1>me have to wear hats and and but he he was.

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<v Speaker 1>But it was all Everything was new. Well, I mean

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<v Speaker 1>we'd get in the van. We played the Star Club

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<v Speaker 1>Hamburg for residency, but we had nothing to lose. It

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<v Speaker 1>was exciting. Did people like the band right away or no? No,

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<v Speaker 1>we we we do like at the Star Club. But

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<v Speaker 1>it was a good training ground because you do forty

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<v Speaker 1>five minutes on and another band would you go different

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<v Speaker 1>every forty Yeah, so we do one that we blues

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<v Speaker 1>songs and Bill would do a job solver once said,

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<v Speaker 1>Tony would do a guitar us every one. I'd fuck

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<v Speaker 1>around doing all this stuff and climbing ladders, painting my

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<v Speaker 1>face and just generally pissing about, you know. But it

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<v Speaker 1>was a good experience, better than being in Birmingham unemployed.

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<v Speaker 1>I said. We just got b lived from hand to

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<v Speaker 1>mouth and it was fun. Any band that I've ever

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<v Speaker 1>been in the early stages of the band have been

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<v Speaker 1>the most fun because everybody's in the same boat. But

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<v Speaker 1>that remember, I'll remember Jim Simpson, the original manager sign

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<v Speaker 1>on the Wye down to the Fairies today Ferry. We

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<v Speaker 1>just stop off with the recordings to the region sound

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<v Speaker 1>and record them songs you've been doing. Probably just got

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<v Speaker 1>the set up recording went away two days like the

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<v Speaker 1>two six l seasons twelve. So just like the live

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<v Speaker 1>set we had the audience. We've been planning life. So

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<v Speaker 1>I remember coming back from Europe for Christmas and the

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<v Speaker 1>managers come over. I got the artwork to show and

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<v Speaker 1>back then to have the gate Pole album Sleep was

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<v Speaker 1>like the big thing. And when we saw that first

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<v Speaker 1>album Sleep, we're like, fucking, what is this? We right,

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<v Speaker 1>just seven album that was so cool. And then the

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<v Speaker 1>album came out and we heard the album with a

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<v Speaker 1>because when we recorded it, we never had the effects

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<v Speaker 1>like the thunder, the weird voice effects, and it was

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<v Speaker 1>just amazing. And then I'm in a club and I'm

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<v Speaker 1>my first advance was one hundred and five pounds. I thought,

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<v Speaker 1>I never thought, let's say that much money. So I'm

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<v Speaker 1>in the club and this guy comes. Just when he goes,

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<v Speaker 1>I said, he's got some good news to tell you.

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<v Speaker 1>As so what's that? This is? Your album entered the

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<v Speaker 1>British chart next week and someone was seventeen or something.

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<v Speaker 1>Are you winding me up? You're joking? And it remained

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<v Speaker 1>there for eighteen months. Time it was going ome and

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<v Speaker 1>down the chart which showed me had parent and went

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<v Speaker 1>straight at number one. I'm like, because he must as yourself,

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<v Speaker 1>you don't when you do. When you're doing something, you

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<v Speaker 1>like it, yeah, but when somebody goes, I fucking that's

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<v Speaker 1>that's all you need. But when somebody comes and says

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<v Speaker 1>your album's in the charts and everything's going one way,

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<v Speaker 1>and it was just it doesn't make sense. It's like

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<v Speaker 1>you don't believe it. He don't believe real. Ye, it's

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<v Speaker 1>like you can't accept it, you know why? Well I

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<v Speaker 1>did complain. Things started to look up and Sharon Father

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<v Speaker 1>one of the managers, then somebody else that worked for him, girls,

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<v Speaker 1>and it's just everything was up and up, but we

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<v Speaker 1>got ripped up royally by manager and badly. Remember the

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<v Speaker 1>first time you do a show where people really liked it? Yeah,

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<v Speaker 1>the first time they liked it, like like we did

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<v Speaker 1>a jump Pell radio show. Oh y, we hadn't even

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<v Speaker 1>recorded the more written the songs by that point people

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<v Speaker 1>started to when they album got in the chart. It

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<v Speaker 1>was like we used to play his underground clubs. Underground

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<v Speaker 1>then was what underground underground? But it was good word

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<v Speaker 1>of mouth. Yes, saw Black Sabbath in the first we

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<v Speaker 1>said fuck TV, fuck doing this. We were a people's

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<v Speaker 1>band calling and back in England then it was like

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<v Speaker 1>doing top of the pubs was a banging but we

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<v Speaker 1>all did it or eventually and it was just to

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<v Speaker 1>make the first something ms you could sabbably sell. Then

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<v Speaker 1>the drugs, the alcohol, the wives, the divorced and all

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<v Speaker 1>the trappings. You know, we found it the man who

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<v Speaker 1>was ripping us. Though we tried to manage ourselves, we

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<v Speaker 1>fucking clue and the booze started to get heavy. I

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<v Speaker 1>started to drink more, and Bill started to drink more,

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<v Speaker 1>and me and Bill and Tony and Gooze we just

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<v Speaker 1>got ugly. Now I didn't get good. There was no fight.

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<v Speaker 1>It was a band that we believed in what we

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<v Speaker 1>were doing at first, and then we got royally take

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<v Speaker 1>into the cleaners and we just thought, what's the poison?

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<v Speaker 1>And when they fired me, I thought, Sharon's Votom's managers

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<v Speaker 1>yet again, and I thought, we don't want you to

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<v Speaker 1>be getting sucked up all. That's what I was, And

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<v Speaker 1>I gotta be honest. At that point, I just said

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<v Speaker 1>I'm done. It sounds like it was already bad at

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<v Speaker 1>that time. Anyway, rememberable we ended up making music to

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<v Speaker 1>pay our lawyers fees. Yeah, And we all said to

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<v Speaker 1>each other many times what we needed someone like Sharon

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<v Speaker 1>or Father, somebody to come and say, hey, you need

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<v Speaker 1>to try yourself though, get your shit together and write

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<v Speaker 1>somebody to tell us what we what was wrong because

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<v Speaker 1>our egos, we're running the show in under the implant,

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<v Speaker 1>the drugs and alcohol. I just went to and Sharon's

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<v Speaker 1>officer got me up a partmagine in West La Parker Hotel.

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<v Speaker 1>I thought, I fucking last spling any money I got?

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<v Speaker 1>How old were you at that time? I was about thirty.

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<v Speaker 1>I thought I got that spinge. So Sharon comes O

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<v Speaker 1>away when sing, she goes. Listen as she goes. If

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<v Speaker 1>you get yourself to go, we want to manage her

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<v Speaker 1>because I was thought. I thought no one wanted to

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<v Speaker 1>manage a singer. Then I met Randy, and then then

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<v Speaker 1>another thing happened to me. How do you meet Randy?

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<v Speaker 1>A guy called Dana Strum from Slaughter remember the bunch o.

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<v Speaker 1>Dana Strum was my original choice for a bugget. Sharon

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<v Speaker 1>got me auditioning people. I'd never auditioned anybody in my life.

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<v Speaker 1>Or I go, no, I don't like him. She will

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<v Speaker 1>tell him I got no, you tell him I get

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<v Speaker 1>it a woman so um Danna said, got me all

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<v Speaker 1>this guitar house. I was out to lunch all the

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<v Speaker 1>from I remember part one, I'm gonna I'm gonna bring

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<v Speaker 1>this one kid, and you got it's great, some m

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<v Speaker 1>three sheets to win. I'm in my apartment and he

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<v Speaker 1>comes in, this little guy who must have weighed one

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<v Speaker 1>hundred and five pounds wet. I mean he was like

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<v Speaker 1>like a woman. I said, Oh, you gotta be joking.

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<v Speaker 1>He's just hear me out. He's gonna come down to

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<v Speaker 1>my studio studio working. Hear him play. Yeah, oh go

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<v Speaker 1>ahead the studio. I'm thinking I'm hallucination. This kid comes

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<v Speaker 1>in with this little lamb. I'm blew my lights wow,

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<v Speaker 1>And you knew right away. I mean this kid was

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<v Speaker 1>like this kid was like someone else, always like even

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<v Speaker 1>in the fuck up sto you want a gig? I mean,

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<v Speaker 1>he was unbelieving. Then he came to England and I

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<v Speaker 1>was still married to my accent. He's just stayed with

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<v Speaker 1>me for leaving me in for a while and we

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<v Speaker 1>wrote Goodbye to Romans the first time we ever wrote incredible.

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<v Speaker 1>But then he was like it was like this. It

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<v Speaker 1>wasn't like he didn't get He wasn't a party. He

0:14:08.679 --> 0:14:11.800
<v Speaker 1>was a true musician in respect. He wrote music, you

0:14:11.920 --> 0:14:15.400
<v Speaker 1>talk music and he would give the opening bands lessons

0:14:15.440 --> 0:14:19.720
<v Speaker 1>on fucking finger chapter and what. But it was yeah,

0:14:19.760 --> 0:14:21.880
<v Speaker 1>there again, it was the early time. Then we got

0:14:21.880 --> 0:14:29.240
<v Speaker 1>successful in the fucking lawsuits. Sorry, agreed, but you know

0:14:29.280 --> 0:14:34.200
<v Speaker 1>it's for some reason. I've been out of sabbaths now

0:14:34.880 --> 0:14:37.920
<v Speaker 1>forty years, but it seems like the time that I

0:14:38.040 --> 0:14:40.040
<v Speaker 1>was with him seems longer than I'm being are. I

0:14:40.040 --> 0:14:43.760
<v Speaker 1>don't know what a is. Yeah, it's just it's such

0:14:43.800 --> 0:14:48.120
<v Speaker 1>a defining it's such a defining band. But we don't.

0:14:48.240 --> 0:14:52.400
<v Speaker 1>But when you're in it, yes, you know you you

0:14:52.560 --> 0:14:56.200
<v Speaker 1>love the adulation, you love the success, yes, but you

0:14:56.320 --> 0:14:58.920
<v Speaker 1>just go because you did it. Yeah, you don't know.

0:14:58.960 --> 0:15:02.160
<v Speaker 1>You don't understand what. I'll never forget about working with

0:15:02.200 --> 0:15:04.560
<v Speaker 1>you in that studio. Yes, you do this. Every time

0:15:04.600 --> 0:15:07.840
<v Speaker 1>I'd sing it, go Ozzie, I'd have to like nine

0:15:07.880 --> 0:15:11.200
<v Speaker 1>times you go Ozzie. That was great, Just give me

0:15:11.240 --> 0:15:17.640
<v Speaker 1>one more, Like how can it be fucking in that

0:15:17.840 --> 0:15:23.200
<v Speaker 1>fucking book? Yeah, that was fun. Yeah, we made a

0:15:23.240 --> 0:15:28.200
<v Speaker 1>good album. I was great it right, number one. That

0:15:28.320 --> 0:15:31.480
<v Speaker 1>was our first number number one in both solo and

0:15:31.640 --> 0:15:36.560
<v Speaker 1>big incredible in America. It was like number one in

0:15:36.640 --> 0:15:41.280
<v Speaker 1>thirteen countries. Yeah wow, I mean the album was called

0:15:41.280 --> 0:15:46.160
<v Speaker 1>thirteen number one in thirteen countries. But that dang, And

0:15:46.240 --> 0:15:47.960
<v Speaker 1>you know the first time. I remember the first time

0:15:48.000 --> 0:15:51.640
<v Speaker 1>we talked about making the Black Sabbath three about nineteen.

0:15:52.880 --> 0:15:55.160
<v Speaker 1>It was a very long time ago in that place

0:15:55.200 --> 0:15:58.360
<v Speaker 1>in a sunset yes for you and the other game,

0:15:58.440 --> 0:16:01.840
<v Speaker 1>we were saying you your yes. I remember we sat

0:16:01.920 --> 0:16:05.040
<v Speaker 1>in that room and all the members were there and

0:16:05.120 --> 0:16:08.000
<v Speaker 1>we talked about doing it then, and you had spoken

0:16:08.200 --> 0:16:11.400
<v Speaker 1>before before that separately Yes, yes, yes, And I remember.

0:16:11.600 --> 0:16:13.560
<v Speaker 1>I don't know if you remember this, but for me,

0:16:13.920 --> 0:16:16.240
<v Speaker 1>this was a big deal in my life. You came

0:16:16.280 --> 0:16:19.200
<v Speaker 1>to my house one night before before that house, my

0:16:19.240 --> 0:16:22.800
<v Speaker 1>first house in La You came late one night after

0:16:22.840 --> 0:16:27.080
<v Speaker 1>the Rainbow Yes, and we listened to Black Sabbath music

0:16:27.880 --> 0:16:32.280
<v Speaker 1>until the sun came up, and you performed a whole

0:16:32.320 --> 0:16:35.920
<v Speaker 1>Black Sabbath performance for me in my living room. And

0:16:36.000 --> 0:16:38.840
<v Speaker 1>it was one of the greatest experiences of my life

0:16:38.840 --> 0:16:44.880
<v Speaker 1>because I never got to see Black Sabbath became me.

0:16:44.960 --> 0:16:50.800
<v Speaker 1>Are going listen, You're gonna mind me a promise if

0:16:50.840 --> 0:16:55.600
<v Speaker 1>you ever get back wellecond but if you ever get

0:16:55.600 --> 0:16:58.480
<v Speaker 1>back with the boys, please let me produce an album.

0:17:00.680 --> 0:17:04.560
<v Speaker 1>You pop at different plays. I like that song maybe

0:17:04.720 --> 0:17:06.720
<v Speaker 1>the Student, and I don't know, I don't know what

0:17:06.760 --> 0:17:09.119
<v Speaker 1>we're doing but you can and you and oh the

0:17:09.160 --> 0:17:12.119
<v Speaker 1>extra tracks on the live album, you go, I like

0:17:12.320 --> 0:17:18.000
<v Speaker 1>that that one sucks and walks out, I mean, and

0:17:18.080 --> 0:17:21.320
<v Speaker 1>then I was the arkepts going in brick rooms. He

0:17:21.480 --> 0:17:25.120
<v Speaker 1>really wants to do an album. Yeah, it was fun

0:17:25.240 --> 0:17:27.399
<v Speaker 1>doing that. It was fun. It was fun worth that

0:17:27.480 --> 0:17:29.960
<v Speaker 1>and it's funny that we talked about it like fifteen

0:17:30.040 --> 0:17:32.440
<v Speaker 1>or twenty years before and then finally came to fruition.

0:17:32.760 --> 0:17:34.919
<v Speaker 1>Do you know, I was just tongue hundred the democ

0:17:36.480 --> 0:17:41.119
<v Speaker 1>what I said, you know something, Well, I'm a believer

0:17:41.200 --> 0:17:44.359
<v Speaker 1>in this. The amount of people on this plane is

0:17:44.920 --> 0:17:47.800
<v Speaker 1>and in a one lifetime you'll only meet a certain amount,

0:17:49.480 --> 0:17:51.800
<v Speaker 1>and things are meant to happen the way. It's when

0:17:53.240 --> 0:17:56.480
<v Speaker 1>I believe believer too. I mean when when I when

0:17:56.480 --> 0:17:58.760
<v Speaker 1>I was married to another woman, Yes i'd see Sharon,

0:17:58.800 --> 0:18:03.119
<v Speaker 1>I would go should we do? I was always a

0:18:03.200 --> 0:18:07.960
<v Speaker 1>track And it's amazing the why things turn out meant

0:18:07.960 --> 0:18:12.639
<v Speaker 1>to be meant to be. And you guys are incredible together.

0:18:13.600 --> 0:18:20.600
<v Speaker 1>Well nobody else could put up I'm not, but it's

0:18:20.640 --> 0:18:22.840
<v Speaker 1>just incredible. I look award to look down that road

0:18:23.800 --> 0:18:28.920
<v Speaker 1>and the things that happened. I just I can't believe it.

0:18:29.040 --> 0:18:35.000
<v Speaker 1>Sometimes seventy one and I'm just bude. Another album. Amazing,

0:18:35.680 --> 0:18:38.240
<v Speaker 1>so cool. The album's really cool. It's amazing when it

0:18:38.280 --> 0:18:40.920
<v Speaker 1>just comes together like that in a month I've done.

0:18:40.920 --> 0:18:44.040
<v Speaker 1>It's so great. We'll be back with more from Sharon

0:18:44.080 --> 0:18:52.119
<v Speaker 1>and Ozzie after the break. Here's Ozzie and Rick listening

0:18:52.160 --> 0:18:56.640
<v Speaker 1>to Straight to Hell, the first single off Azzie's new album.

0:18:56.680 --> 0:19:00.680
<v Speaker 1>That's great. Your your voice is ever eternal. It's like

0:19:01.280 --> 0:19:05.560
<v Speaker 1>it's unbelievable how much you sound like you all the time,

0:19:05.600 --> 0:19:09.160
<v Speaker 1>and how good it is. Amazing, so exciting to hear.

0:19:10.280 --> 0:19:14.160
<v Speaker 1>Ordinary man Alten's on this phone. Let's hear how did

0:19:14.160 --> 0:19:17.200
<v Speaker 1>that song come about? It just climbed out the first

0:19:17.240 --> 0:19:22.240
<v Speaker 1>song we ever wrote. It's so good. It's really good.

0:19:22.760 --> 0:19:25.840
<v Speaker 1>You know I signed to something recently. Most of the

0:19:25.840 --> 0:19:28.440
<v Speaker 1>best stuff I've ever done. Yeah, I just clime out

0:19:28.440 --> 0:19:31.760
<v Speaker 1>of nowhere. Amazing. Can you sit there for weeks and

0:19:31.840 --> 0:19:34.600
<v Speaker 1>weeks you think you're going now And some of them

0:19:35.920 --> 0:19:38.600
<v Speaker 1>I remember you telling me stories about the way Sabbath

0:19:38.600 --> 0:19:42.600
<v Speaker 1>would write, where you just jam and what Sabbath would do.

0:19:42.720 --> 0:19:45.639
<v Speaker 1>We're just jam on my pick, riff, shout and just

0:19:45.760 --> 0:19:49.040
<v Speaker 1>lincome together. And I just like stick of vocal now.

0:19:49.080 --> 0:19:53.440
<v Speaker 1>It was it was a good education because a lot

0:19:53.440 --> 0:19:56.239
<v Speaker 1>of kids I've never heard of. It's a jam, you know.

0:19:57.720 --> 0:20:00.000
<v Speaker 1>Maybe it was a lot of fun, you know, absolute

0:20:00.160 --> 0:20:02.040
<v Speaker 1>Is it fun to make? Music's the best thing in

0:20:02.080 --> 0:20:05.080
<v Speaker 1>the world. Oh no, I don't know anything. Ye a

0:20:05.280 --> 0:20:08.720
<v Speaker 1>journey fifty years and we're so lucky we get to

0:20:08.760 --> 0:20:12.879
<v Speaker 1>do this. Unbelievable. I mean, I don't know where it

0:20:12.920 --> 0:20:15.840
<v Speaker 1>can I'm from, you know, But it's just I'm complaining.

0:20:17.800 --> 0:20:21.480
<v Speaker 1>That's amazing. I hear also, I hear like some of

0:20:21.480 --> 0:20:25.159
<v Speaker 1>the Beatle influence on the writing and the string parts

0:20:25.200 --> 0:20:28.400
<v Speaker 1>so cool. And if you sound and you sound the same,

0:20:28.440 --> 0:20:31.720
<v Speaker 1>which is what's so incredible. It's like you sound so

0:20:31.800 --> 0:20:37.920
<v Speaker 1>remarkably like you every time, and strong and fresh and

0:20:38.680 --> 0:20:41.440
<v Speaker 1>all of the there's so much energy in your voice.

0:20:41.480 --> 0:20:45.080
<v Speaker 1>It's unbelievable. I just do you just do it. I mean,

0:20:45.160 --> 0:20:48.040
<v Speaker 1>there's no nobody else in my family has ever been

0:20:48.280 --> 0:20:53.120
<v Speaker 1>involved in music in any way. I've come from stress

0:20:53.760 --> 0:20:58.560
<v Speaker 1>far with those siblings to have died. But no, he's

0:20:58.680 --> 0:21:03.320
<v Speaker 1>uh got any beautical Jack my son goes to me,

0:21:03.560 --> 0:21:07.080
<v Speaker 1>statusis I like the Beetles, But I don't see what

0:21:07.119 --> 0:21:12.119
<v Speaker 1>you're going about it, and okay, it's slightly imagine this

0:21:12.920 --> 0:21:15.320
<v Speaker 1>going to bed today in black and white and waking

0:21:15.440 --> 0:21:18.359
<v Speaker 1>up in Carla. That's what it was like. Yeah, and

0:21:18.480 --> 0:21:20.720
<v Speaker 1>he goes what I thought. I still don't understand. I said,

0:21:21.320 --> 0:21:25.159
<v Speaker 1>we in England were just I was like nineteen sixty

0:21:25.200 --> 0:21:29.080
<v Speaker 1>whatever early and the water ended fifteen years ago. We

0:21:29.200 --> 0:21:31.480
<v Speaker 1>changed that long and all of a sudden this band

0:21:31.520 --> 0:21:35.440
<v Speaker 1>comes out, which swamp the last thing we have do

0:21:35.600 --> 0:21:41.600
<v Speaker 1>that much matters in Germany and they were like fucking huge.

0:21:41.840 --> 0:21:45.199
<v Speaker 1>Do you remember the first time you heard them? Yeah, exactly,

0:21:45.280 --> 0:21:51.640
<v Speaker 1>tell me I got a transit transistor radio. Yes. Then

0:21:51.640 --> 0:21:56.320
<v Speaker 1>it was that they progressed to get over. I'm walking

0:21:56.359 --> 0:22:02.480
<v Speaker 1>down Posy Ministry. I'm about thirteen, and I'm leaning on

0:22:02.480 --> 0:22:07.120
<v Speaker 1>all his leading on the lamp post and fucking all

0:22:07.160 --> 0:22:10.120
<v Speaker 1>his pub songs and whatever. You're on the radio. Suddenly

0:22:10.320 --> 0:22:13.280
<v Speaker 1>she Loves You comes on. I stopped and it was

0:22:13.320 --> 0:22:18.680
<v Speaker 1>like I was awakened. Wow, it was like, holy shit,

0:22:19.320 --> 0:22:23.480
<v Speaker 1>I want with Paul McCarney to marry my sister. I mean,

0:22:23.520 --> 0:22:27.280
<v Speaker 1>it was just fantastic for me, and it was I

0:22:27.359 --> 0:22:32.919
<v Speaker 1>loved them. I absent my wed by a wall in

0:22:32.920 --> 0:22:35.119
<v Speaker 1>my bedroom was covered in anything with the name on

0:22:35.480 --> 0:22:37.879
<v Speaker 1>and anytime anything they put out you would be you

0:22:37.880 --> 0:22:43.160
<v Speaker 1>would get an immediately. I'd work delivering food, call or whatever. Yes.

0:22:43.880 --> 0:22:46.800
<v Speaker 1>And by a Beatle record, I mean it was fucking amazing,

0:22:47.840 --> 0:22:50.800
<v Speaker 1>which people go, you know, hut it out to some

0:22:50.920 --> 0:22:55.359
<v Speaker 1>people now, But the Beatles for me, were you other

0:22:55.400 --> 0:22:57.480
<v Speaker 1>than the Beatles? Were there other who were the other

0:22:57.560 --> 0:23:01.760
<v Speaker 1>things that really just let you up musically? Uh? The King,

0:23:01.960 --> 0:23:09.240
<v Speaker 1>the Kinks, you really got my l uh manfred Man? Yeah,

0:23:09.760 --> 0:23:15.359
<v Speaker 1>uh this down? Led Zeppelin? Yeah, I mean when we

0:23:15.440 --> 0:23:18.480
<v Speaker 1>when we When I first heard them first two Zeppelin albums,

0:23:19.000 --> 0:23:22.159
<v Speaker 1>it it was unbelieving. Really you were you already a

0:23:22.160 --> 0:23:25.000
<v Speaker 1>band yet or not? Yes? But were you remove about

0:23:25.920 --> 0:23:29.479
<v Speaker 1>has breast behind them? I mean when I heard that

0:23:29.520 --> 0:23:33.560
<v Speaker 1>first Zeppelin album, yeah, one and two, Yeah, I just

0:23:33.880 --> 0:23:35.880
<v Speaker 1>put after that, I kind of lost you. The moment

0:23:35.920 --> 0:23:38.399
<v Speaker 1>could be we're doing our own thing. I was to

0:23:38.440 --> 0:23:42.359
<v Speaker 1>go drinking. We bought them a law, good guy. I

0:23:43.880 --> 0:23:46.800
<v Speaker 1>every drunk. Great when the show when you show me's

0:23:46.800 --> 0:23:50.359
<v Speaker 1>an asshole, I've been around you drunk. You you were

0:23:50.400 --> 0:23:53.480
<v Speaker 1>never an asshole? Oh not to not to me. I

0:23:53.560 --> 0:23:55.560
<v Speaker 1>never said I never saw I've seen you bad, but

0:23:55.600 --> 0:23:59.919
<v Speaker 1>I've never seen you unpleasant to be around. Hard my moment.

0:24:02.640 --> 0:24:10.040
<v Speaker 1>I mean, I've had two wives, I don't know a job,

0:24:10.359 --> 0:24:13.159
<v Speaker 1>another job, the more fuck up your turn up to

0:24:13.160 --> 0:24:16.359
<v Speaker 1>a gig, Oh it's going to be crazy, gonna be

0:24:16.359 --> 0:24:18.440
<v Speaker 1>a good notice, which I remember there was a story

0:24:18.440 --> 0:24:20.560
<v Speaker 1>where one of you tried to kill the other. Which

0:24:20.640 --> 0:24:27.200
<v Speaker 1>which was it? Oh that one he tried to kill you? Yeah, okay,

0:24:27.320 --> 0:24:32.320
<v Speaker 1>how how serious was it? He had? He had a blackout,

0:24:32.400 --> 0:24:36.800
<v Speaker 1>as he had a blackout and it was really really serious.

0:24:36.880 --> 0:24:39.560
<v Speaker 1>But I knew something was happening because he'd been out

0:24:39.560 --> 0:24:41.920
<v Speaker 1>of it for like a week. So it was a

0:24:41.960 --> 0:24:47.920
<v Speaker 1>week of like experimenting with pills and alcohol and he

0:24:48.160 --> 0:24:51.879
<v Speaker 1>was just like on a roll. Yeah, and you could

0:24:51.920 --> 0:24:54.679
<v Speaker 1>feel it building. You knew something was going to happen,

0:24:54.760 --> 0:24:58.960
<v Speaker 1>and yeah, it happened. But then then he was good.

0:24:59.400 --> 0:25:03.600
<v Speaker 1>Had to go into treatment for six months. He was good. Okay, man,

0:25:03.560 --> 0:25:07.760
<v Speaker 1>I got drunk again. But you know, you know, you know,

0:25:07.840 --> 0:25:11.879
<v Speaker 1>they go, oh, I tried rehab. It didn't work. You

0:25:12.000 --> 0:25:13.920
<v Speaker 1>get it when you get it, if you but if

0:25:13.960 --> 0:25:16.040
<v Speaker 1>and if you don't get it, you don't get it. Yeah,

0:25:16.160 --> 0:25:19.159
<v Speaker 1>I don't to be honest with you, I have a

0:25:19.200 --> 0:25:25.919
<v Speaker 1>problem walking with that alcohol now, line with it. You know.

0:25:26.240 --> 0:25:29.040
<v Speaker 1>If I if I was okay, we got'll be still drinking. Yeah,

0:25:29.480 --> 0:25:33.600
<v Speaker 1>but I got so fed up, a feeling like crap

0:25:33.640 --> 0:25:37.600
<v Speaker 1>without it, you know. Oh no, No, I just must

0:25:37.640 --> 0:25:41.600
<v Speaker 1>have been six or seven out rehab three or four,

0:25:41.920 --> 0:25:48.480
<v Speaker 1>a few rehaps about fifteen, and then I just stopped. Great,

0:25:48.920 --> 0:25:53.760
<v Speaker 1>I'm just about any seven years now. Amazing. Congratulations our son.

0:25:53.880 --> 0:25:58.520
<v Speaker 1>He's what I mean, sixty seventeen years. Wow, he got

0:25:58.560 --> 0:26:05.160
<v Speaker 1>so bad seventeen I believe that it's amazing. It really is. Yeah,

0:26:05.520 --> 0:26:07.800
<v Speaker 1>watching a bit about him, I'll never never forget what

0:26:07.800 --> 0:26:10.520
<v Speaker 1>he said to me. We had a run such him

0:26:10.520 --> 0:26:14.920
<v Speaker 1>one day. So long as going now suck? What the

0:26:14.960 --> 0:26:19.320
<v Speaker 1>fuck are you always complaining about? You've never wanted for

0:26:19.359 --> 0:26:25.560
<v Speaker 1>a damn thing? Oh yeah, what about your dad? That

0:26:25.640 --> 0:26:31.320
<v Speaker 1>was a good fucking I just read fuck Jack Arms

0:26:31.400 --> 0:26:37.240
<v Speaker 1>so sorry because it's undeniable. Yeah, always there but not there, yea, yea, yeah,

0:26:37.520 --> 0:26:40.960
<v Speaker 1>that's what alcohol and drugs. You think physically there, but

0:26:41.000 --> 0:26:43.359
<v Speaker 1>you're not there. You might maybe at ark on the

0:26:43.440 --> 0:26:47.679
<v Speaker 1>fucking road. You know. We'll be back with more from

0:26:47.680 --> 0:26:55.240
<v Speaker 1>Ozzy Osbourne after the break, we're back with more from

0:26:55.240 --> 0:27:03.240
<v Speaker 1>Ozzy Osbourne. Any of the metal bands that you liked, um,

0:27:03.240 --> 0:27:06.159
<v Speaker 1>not really okay, Any any bands that came in the

0:27:06.160 --> 0:27:10.359
<v Speaker 1>week I didn't we good? I mean that last Black

0:27:10.359 --> 0:27:14.400
<v Speaker 1>Sabbaths it was pretty We had been fighting each other,

0:27:14.560 --> 0:27:18.320
<v Speaker 1>fighting the world, and now we're going down, so well,

0:27:19.040 --> 0:27:23.760
<v Speaker 1>I'd go, let's fucking get a bling. It was Carlot,

0:27:24.320 --> 0:27:31.240
<v Speaker 1>we're needing a break from you loved? I say, oh, well, great,

0:27:31.560 --> 0:27:33.520
<v Speaker 1>yeah for me, for me too. It's the Beatles and

0:27:33.560 --> 0:27:37.760
<v Speaker 1>a CDC are like blun Scott was a great singer,

0:27:37.920 --> 0:27:43.879
<v Speaker 1>great great Brian's all right, but I prefer Barn Yeah,

0:27:44.280 --> 0:27:48.760
<v Speaker 1>the Highway to Hell, the rhythm section, the way those

0:27:48.800 --> 0:27:53.320
<v Speaker 1>guys playing, I mean, diammed up a Black Sabbaths in

0:27:53.400 --> 0:27:58.720
<v Speaker 1>nineteen seventy one. Thing Wow in Sydney, Australia. Wow. Great.

0:27:59.000 --> 0:28:01.240
<v Speaker 1>Did you know what time you saw me? Like you

0:28:01.320 --> 0:28:04.600
<v Speaker 1>knew it was special? Oh? I mean angers, To be honest,

0:28:04.600 --> 0:28:06.359
<v Speaker 1>I thought it's been a gimmick and a sash on

0:28:06.400 --> 0:28:10.720
<v Speaker 1>a short pack. But they when they playing, yeah, when

0:28:10.800 --> 0:28:13.280
<v Speaker 1>they fucking I mean, here's a guy didn't do all

0:28:13.320 --> 0:28:16.400
<v Speaker 1>this little all beyond the neck and all his fucking

0:28:16.840 --> 0:28:21.760
<v Speaker 1>he played me. That's what I like about it. There

0:28:21.760 --> 0:28:25.240
<v Speaker 1>ain't no one to touch Hanger's young for that groove.

0:28:25.480 --> 0:28:29.880
<v Speaker 1>Yeah down, you know when you can bang your head

0:28:29.880 --> 0:28:33.399
<v Speaker 1>all day and not get fed up. It's true. I

0:28:33.400 --> 0:28:37.760
<v Speaker 1>mean they worked the absolute but two that you said

0:28:37.760 --> 0:28:42.320
<v Speaker 1>about their rhythm section was brilliant. You just never had

0:28:42.440 --> 0:28:47.520
<v Speaker 1>any It's so the rhythm, rhythm, rhythm, it was always

0:28:47.560 --> 0:28:53.440
<v Speaker 1>so danceable. Yea, even you know, why don't we try

0:28:53.440 --> 0:28:58.360
<v Speaker 1>and do a fucking danceable kind of because we missed

0:28:58.360 --> 0:29:00.440
<v Speaker 1>the riff man. He could fucking come up wanted to do,

0:29:01.240 --> 0:29:06.080
<v Speaker 1>but that Sabbath would try and fuck things. Oh, I

0:29:06.160 --> 0:29:10.000
<v Speaker 1>mean what we would do be sending sound remotely commercial.

0:29:10.160 --> 0:29:14.160
<v Speaker 1>We throw a spanner in the work, all these fucking words,

0:29:14.160 --> 0:29:18.240
<v Speaker 1>the weird changes and that that wasn't my copy. And

0:29:18.280 --> 0:29:21.239
<v Speaker 1>when they got gerald woodroupe and keyboard, I was like,

0:29:21.480 --> 0:29:25.880
<v Speaker 1>fuck this. Me and Bill used to travel together on

0:29:25.880 --> 0:29:30.320
<v Speaker 1>a GMC mobile home, which was looking back, we had

0:29:30.520 --> 0:29:34.320
<v Speaker 1>such a fucking blood it was. It was like a

0:29:34.520 --> 0:29:41.040
<v Speaker 1>fucking You'd get up every morning, you have a coffee,

0:29:41.760 --> 0:29:46.440
<v Speaker 1>glass of milk, a glass of orange Jude, and the

0:29:46.520 --> 0:29:51.479
<v Speaker 1>Bill every morning altogether. Yeah, so I'd go, Bill, excuse

0:29:51.520 --> 0:29:57.120
<v Speaker 1>me for asking you this? What's the deal? We all

0:29:57.200 --> 0:29:59.960
<v Speaker 1>the what's the Rabby morning he was all the coff

0:30:00.000 --> 0:30:04.640
<v Speaker 1>if he wakes me up, the orange, excuse me out healthy,

0:30:04.960 --> 0:30:07.400
<v Speaker 1>the milk, put butts a line on my stomach, and

0:30:07.440 --> 0:30:10.600
<v Speaker 1>the Bill put me back to sleep. He had it

0:30:10.640 --> 0:30:14.280
<v Speaker 1>all worked out. So you and you rode on the

0:30:14.280 --> 0:30:18.440
<v Speaker 1>bus with Bills and and he was your your travel partner. Yeah,

0:30:18.800 --> 0:30:21.520
<v Speaker 1>and then would Geezer and Tony team up that would

0:30:21.560 --> 0:30:26.240
<v Speaker 1>be flying everywhere m you preferred the bus. B and

0:30:26.320 --> 0:30:30.120
<v Speaker 1>I were like close. I when when the actual encome

0:30:30.320 --> 0:30:34.600
<v Speaker 1>that got him to fire me? Wow, I bother were

0:30:34.680 --> 0:30:38.840
<v Speaker 1>surprised when they fired you. Now you know what to

0:30:39.000 --> 0:30:43.080
<v Speaker 1>be perfectly truths. I'd lost it. Yeah, I just I

0:30:43.200 --> 0:30:47.000
<v Speaker 1>was just, I mean, I go, why do you have

0:30:47.040 --> 0:30:50.440
<v Speaker 1>to fly off around the world to do nothing? Yeah,

0:30:51.040 --> 0:30:54.760
<v Speaker 1>isn't he I mean, I should say said At one

0:30:54.800 --> 0:30:57.320
<v Speaker 1>point I was going, well, Queen did this, this one

0:30:57.360 --> 0:30:59.800
<v Speaker 1>did though? We should do And I said, and I said,

0:30:59.800 --> 0:31:02.640
<v Speaker 1>one day, I think we've got a problem with the

0:31:02.640 --> 0:31:05.040
<v Speaker 1>bands that we want to influence and now influence in us.

0:31:06.280 --> 0:31:08.680
<v Speaker 1>Can we look at the way And I wasn't any

0:31:08.880 --> 0:31:11.760
<v Speaker 1>better than them. Oh that were any better. It was

0:31:11.800 --> 0:31:16.959
<v Speaker 1>just we're like, we need we needed rescuing, but we

0:31:16.960 --> 0:31:19.640
<v Speaker 1>didn't trust anybody. I didn't want to do it anymore

0:31:19.640 --> 0:31:22.800
<v Speaker 1>with them. I was bored with the concerts. I was

0:31:22.840 --> 0:31:25.960
<v Speaker 1>bored with the recording. I would be poor bored with it.

0:31:26.200 --> 0:31:29.640
<v Speaker 1>I did. Wasn't into it, Yeah I was, But the

0:31:30.080 --> 0:31:35.320
<v Speaker 1>problem is where do I go? Yeah? I felt like

0:31:35.640 --> 0:31:38.520
<v Speaker 1>if you've had a life from where you come from,

0:31:38.520 --> 0:31:42.280
<v Speaker 1>it it's been up your fire everywhere you find great hotel. Yes,

0:31:42.680 --> 0:31:47.200
<v Speaker 1>and you know, I was thinking, if I've jumped, I'm done. Yeah,

0:31:47.360 --> 0:31:49.640
<v Speaker 1>I'm never going to do it again. And when Shannon

0:31:49.720 --> 0:31:51.560
<v Speaker 1>came out and said you wanted to marriagement, I was like,

0:31:52.400 --> 0:31:57.720
<v Speaker 1>why does anybody want to move? Fucking And then behold

0:31:57.720 --> 0:32:03.400
<v Speaker 1>it happened again. Amazing. And then because when I was

0:32:03.440 --> 0:32:07.120
<v Speaker 1>on my doing my solo thing, yes and we all

0:32:07.200 --> 0:32:15.480
<v Speaker 1>had a Matella was opening for me, I'd compass said,

0:32:15.600 --> 0:32:19.160
<v Speaker 1>just remember not a sorry, he's taking the piss out

0:32:19.160 --> 0:32:24.000
<v Speaker 1>of me, joking with me. I know why. And every

0:32:24.000 --> 0:32:27.040
<v Speaker 1>time I Compass e recon start playing Black Sabbath music.

0:32:28.560 --> 0:32:31.760
<v Speaker 1>Now I think you're Black Sabbath of their heroes. Yeah,

0:32:32.360 --> 0:32:36.280
<v Speaker 1>I didn't. I didn't think people would commentary talking to

0:32:36.360 --> 0:32:40.640
<v Speaker 1>me about Sabbath all the time. I'd go, you like that,

0:32:42.600 --> 0:32:46.840
<v Speaker 1>I got paranoid, I am and warping. And then it

0:32:47.000 --> 0:32:51.000
<v Speaker 1>took on sing thing. You know, it got bigger than

0:32:51.080 --> 0:32:54.360
<v Speaker 1>we did. Yes, yeah, you know it kind of like

0:32:55.040 --> 0:32:59.000
<v Speaker 1>it's that's just kind of fair statement, the myth of

0:32:59.080 --> 0:33:03.000
<v Speaker 1>Black Sabbath, But we didn't really mean. Gauze is a great,

0:33:03.320 --> 0:33:08.560
<v Speaker 1>great lyricist, amazing and a great bass player. Oh for fantastic.

0:33:08.680 --> 0:33:11.720
<v Speaker 1>Nob to touch him. He's fucking fantastic in the band

0:33:11.840 --> 0:33:15.680
<v Speaker 1>building building his day was a great drummer Tony. He's

0:33:15.720 --> 0:33:17.520
<v Speaker 1>always going to be the great kids. No one to

0:33:17.520 --> 0:33:21.200
<v Speaker 1>touch him player. And to this day, I still don't

0:33:21.320 --> 0:33:24.600
<v Speaker 1>understand how he plays guitar because he's got no fingertips,

0:33:24.920 --> 0:33:27.520
<v Speaker 1>plays with plastic fingers. Yes, I don't know. I don't

0:33:27.520 --> 0:33:30.800
<v Speaker 1>know him. Chime and chili again, how do you know

0:33:30.840 --> 0:33:33.320
<v Speaker 1>when you're hitting the string? When you when you met him,

0:33:33.400 --> 0:33:36.480
<v Speaker 1>had he already lost his fingers? It was scored? Was

0:33:36.520 --> 0:33:40.400
<v Speaker 1>he think you couldn't even watch more? Sixteen seventeen and

0:33:40.520 --> 0:33:44.240
<v Speaker 1>the doctor said, forget playing guitar, You'll never play again. Wow,

0:33:45.480 --> 0:33:48.880
<v Speaker 1>only shroved le Bron. I mean he did not only

0:33:48.920 --> 0:33:50.760
<v Speaker 1>play it again, he fucking become one of the world

0:33:50.800 --> 0:33:56.040
<v Speaker 1>fucking best. I mean there's a man you know, when

0:33:56.040 --> 0:33:59.400
<v Speaker 1>he got diagnosed at cancer, what have I got to do?

0:33:59.480 --> 0:34:02.320
<v Speaker 1>And he will do with you. That's what he's. That's him.

0:34:02.480 --> 0:34:07.080
<v Speaker 1>Yeah you can. I mean I'm like, he's like, right,

0:34:07.120 --> 0:34:10.680
<v Speaker 1>what I have to do? Yeah, he's He's always been

0:34:10.760 --> 0:34:18.000
<v Speaker 1>lay very calm. He go if you don't panic. Hey

0:34:18.200 --> 0:34:20.239
<v Speaker 1>was the band really and we were all part of

0:34:20.280 --> 0:34:25.759
<v Speaker 1>the band, but he was the most irreplicable one. Oh,

0:34:25.880 --> 0:34:27.919
<v Speaker 1>I don't hard to say, hard to say. I feel

0:34:27.920 --> 0:34:30.920
<v Speaker 1>like it's the four, the four together as well. Yeah

0:34:31.040 --> 0:34:33.680
<v Speaker 1>it is. It's like you could replace, you can't replace.

0:34:34.440 --> 0:34:37.279
<v Speaker 1>You can't you can't replace any of them. But you

0:34:37.320 --> 0:34:40.320
<v Speaker 1>don't know that because you always think online alcohol, bline, instrument.

0:34:41.480 --> 0:34:44.480
<v Speaker 1>But it's often the it's not who's best, it's the

0:34:44.560 --> 0:34:48.279
<v Speaker 1>combination together that makes It's like it's like if you

0:34:48.360 --> 0:34:52.520
<v Speaker 1>don't know, it's like if you're cooking something or garlic

0:34:52.680 --> 0:34:57.000
<v Speaker 1>is better, it's it's the recipe, yes, right, but it's

0:34:57.040 --> 0:34:59.200
<v Speaker 1>like you but you know, you always think it's you.

0:34:59.440 --> 0:35:01.759
<v Speaker 1>It's called in the band back cut. I'm playing this

0:35:01.920 --> 0:35:05.400
<v Speaker 1>when people will say to me, why did you always

0:35:05.440 --> 0:35:08.200
<v Speaker 1>sing on the side of the stage, I don't fucking know.

0:35:08.360 --> 0:35:13.680
<v Speaker 1>Just I don't know, just because Tony he's one of

0:35:13.680 --> 0:35:17.440
<v Speaker 1>the few people who could walk into this room, don't now,

0:35:18.360 --> 0:35:24.920
<v Speaker 1>and I would fucking feel intimidated. Wow. He intimidates the

0:35:25.000 --> 0:35:29.200
<v Speaker 1>fuck enemy. Wow. And he knows it. But when on

0:35:29.280 --> 0:35:31.160
<v Speaker 1>the album that we made last, I didn't get the

0:35:31.160 --> 0:35:33.719
<v Speaker 1>feeling that there was any you know, you know, I've

0:35:33.719 --> 0:35:35.520
<v Speaker 1>got the impression. I don't know what. I've never known this.

0:35:35.600 --> 0:35:39.200
<v Speaker 1>But he had his friend with him. I don't know

0:35:39.239 --> 0:35:40.960
<v Speaker 1>what the deal was with him, why he bore him.

0:35:40.960 --> 0:35:43.480
<v Speaker 1>Remember that guy he bought out with him? I can't remember.

0:35:44.440 --> 0:35:46.279
<v Speaker 1>He was the guy does his own work at home.

0:35:46.320 --> 0:35:51.600
<v Speaker 1>I don't know. I mean engineer, maybe producer, engineer, Yeah,

0:35:51.960 --> 0:35:57.239
<v Speaker 1>because he's one of he wants to fill every hole. Yeah,

0:35:58.200 --> 0:36:00.600
<v Speaker 1>and that's what just what happens, you know. So when

0:36:00.640 --> 0:36:02.400
<v Speaker 1>we first did the first album, we did it on

0:36:02.440 --> 0:36:05.960
<v Speaker 1>two four track machine bounced Over. Then we had eight

0:36:06.000 --> 0:36:08.120
<v Speaker 1>track there, we had a sixteen track, then we had

0:36:08.120 --> 0:36:11.600
<v Speaker 1>thirty two so one. But on that first album and

0:36:12.080 --> 0:36:15.759
<v Speaker 1>half Apparent sometimes only don't look forward track. You mean

0:36:15.880 --> 0:36:19.480
<v Speaker 1>him dubbed everything on the first album Bill drums were

0:36:19.480 --> 0:36:24.280
<v Speaker 1>in mono and peas around. You just started playing bass

0:36:24.320 --> 0:36:27.200
<v Speaker 1>not longer. You know, it was just to play rhythm

0:36:26.040 --> 0:36:31.840
<v Speaker 1>in the robbery. But he just we just wanted to play.

0:36:32.080 --> 0:36:37.480
<v Speaker 1>He's a great player, great lyricist. Hey. It was just

0:36:37.560 --> 0:36:40.960
<v Speaker 1>you know, I supposing in fairs to say that the

0:36:41.080 --> 0:36:44.560
<v Speaker 1>chemistry and the recipe was a good recipe, absolutely, and

0:36:44.719 --> 0:36:48.600
<v Speaker 1>the tone of your voice next to the next to

0:36:48.640 --> 0:36:53.200
<v Speaker 1>the guitar, next to Tony's guitar, that combination amazing that

0:36:53.360 --> 0:36:55.680
<v Speaker 1>just happened. It's like it's a miracle. I mean, I

0:36:55.680 --> 0:36:59.960
<v Speaker 1>remember when we did Uh Volume four, which was originally

0:37:00.080 --> 0:37:03.640
<v Speaker 1>gonna be cool snow Blind, but the record well Warner

0:37:04.239 --> 0:37:08.200
<v Speaker 1>too drug orient tried to show Now you get fucking

0:37:08.840 --> 0:37:12.279
<v Speaker 1>gladly calling from I don't know how we used to do.

0:37:12.320 --> 0:37:17.759
<v Speaker 1>It's just I've tried writing that form with the bounds. Yeah,

0:37:18.400 --> 0:37:22.880
<v Speaker 1>because no, it's it's unique to that particular group of people.

0:37:22.920 --> 0:37:25.359
<v Speaker 1>And it when as soon as you guys came here

0:37:25.360 --> 0:37:30.359
<v Speaker 1>and started playing, it's so unremarkable. It's like remarkable how

0:37:30.480 --> 0:37:34.640
<v Speaker 1>much it always sounds like Black Sabbath when you guys

0:37:34.680 --> 0:37:37.360
<v Speaker 1>are together. It's like you can't not sound like you

0:37:37.360 --> 0:37:39.279
<v Speaker 1>could play a cover of someone else and it would

0:37:39.280 --> 0:37:43.040
<v Speaker 1>still just sound like a Black Sabbath song, an original. Yeah. Yeah,

0:37:43.080 --> 0:37:45.000
<v Speaker 1>But the only thing about the album word the video

0:37:45.120 --> 0:37:49.920
<v Speaker 1>is Bill wasn't playing. We'd have been still doing the

0:37:50.000 --> 0:37:54.160
<v Speaker 1>fucking album now, because it's funny because he almost was.

0:37:54.200 --> 0:37:56.640
<v Speaker 1>I remembered when we rehearsed with him and he was

0:37:56.680 --> 0:38:01.319
<v Speaker 1>excited and then he sort of backed away. Yeah, from

0:38:01.400 --> 0:38:05.760
<v Speaker 1>the rip up those He takes so much time over everything,

0:38:06.280 --> 0:38:09.240
<v Speaker 1>and and Tony said to me, one day's not Bill's trouble.

0:38:09.680 --> 0:38:12.040
<v Speaker 1>He still thinks everybody's not ripping muffle, which I get.

0:38:12.840 --> 0:38:16.799
<v Speaker 1>I mean, Sharon's my fucking but I ain't no better

0:38:16.800 --> 0:38:19.880
<v Speaker 1>than Bill or any of them. I'm lucky to have

0:38:19.960 --> 0:38:24.120
<v Speaker 1>a wife who's on my side. Yes, because he's fuckers

0:38:24.160 --> 0:38:27.480
<v Speaker 1>man that would come in and give you all this bullshit,

0:38:28.320 --> 0:38:31.359
<v Speaker 1>drive you around in a fucking flash car, show a

0:38:31.360 --> 0:38:36.200
<v Speaker 1>bit of money, and then you can sue them, and

0:38:36.280 --> 0:38:40.080
<v Speaker 1>it takes you a fucking lifetime to win. The lawyers win,

0:38:41.480 --> 0:38:46.520
<v Speaker 1>you gloss your start and your fuck and that's where

0:38:46.520 --> 0:38:52.240
<v Speaker 1>they go. Sharon five was a ring now fucking rip hey,

0:38:52.280 --> 0:38:56.120
<v Speaker 1>you know, it's like I love my world. Now. I

0:38:56.120 --> 0:38:58.839
<v Speaker 1>mean I've done some stupid things. He's will been weird much,

0:39:00.560 --> 0:39:05.000
<v Speaker 1>but sometimes you go, she must love me. Yeah, I

0:39:05.080 --> 0:39:07.920
<v Speaker 1>must be lucky to have someone that does love me. Yes,

0:39:08.160 --> 0:39:12.240
<v Speaker 1>she well, he got stung for a lot of cash.

0:39:12.280 --> 0:39:15.000
<v Speaker 1>But then again, I said to Bill Ward one day

0:39:15.040 --> 0:39:17.480
<v Speaker 1>on the phone a little while ago. Now, I say,

0:39:17.640 --> 0:39:21.600
<v Speaker 1>you know what, in a way, for as far as

0:39:21.640 --> 0:39:24.759
<v Speaker 1>almost concerned, it was a blessing that I never got

0:39:24.760 --> 0:39:28.160
<v Speaker 1>all that cash up front, because with what cash I had,

0:39:29.360 --> 0:39:31.319
<v Speaker 1>with what cash I had, I don't know a good

0:39:31.400 --> 0:39:35.040
<v Speaker 1>joe and nearly killing myself. Yeah, I knew you'd Bill, Yes, yeah,

0:39:35.080 --> 0:39:38.160
<v Speaker 1>you're right. I wouldn't be sitting here. And that's for sure.

0:39:38.680 --> 0:39:41.919
<v Speaker 1>If I got all the millions up front, we would

0:39:41.920 --> 0:39:46.400
<v Speaker 1>have been fucking dead. Yeah. Yeah, it's all good money

0:39:46.400 --> 0:39:48.680
<v Speaker 1>at the I mean, you get kids from a fuck

0:39:48.760 --> 0:39:53.040
<v Speaker 1>all one day and give them a million dollars. Fuck,

0:39:53.440 --> 0:39:55.520
<v Speaker 1>I don't know what to do. Have you ever gone

0:39:55.520 --> 0:39:58.359
<v Speaker 1>back to where you were one train? You go? What

0:39:58.400 --> 0:40:01.520
<v Speaker 1>the fuck would I thinking? All the time. It's like

0:40:01.600 --> 0:40:04.680
<v Speaker 1>anytime I anytime I happened to tap back in or

0:40:04.719 --> 0:40:06.480
<v Speaker 1>see an old picture or something, and I try to

0:40:06.480 --> 0:40:09.120
<v Speaker 1>remember what that was like. It's like a different life.

0:40:09.160 --> 0:40:14.360
<v Speaker 1>Oh no, it's like, why did I get there? From there? Okay,

0:40:14.400 --> 0:40:18.120
<v Speaker 1>I mean not. I was married, I had two children,

0:40:19.760 --> 0:40:26.000
<v Speaker 1>I was done. You know, I got a house, car, holidays,

0:40:26.600 --> 0:40:29.680
<v Speaker 1>somewhat bit a cat drink when I wanted to do

0:40:30.160 --> 0:40:32.440
<v Speaker 1>bit of dope when I wanted to do so, I

0:40:32.480 --> 0:40:37.439
<v Speaker 1>thought that was you. Yeah, and then I thought I don't. Now. Look,

0:40:37.520 --> 0:40:42.200
<v Speaker 1>I mean, life's amising journey. Do you never know what's

0:40:42.200 --> 0:40:45.239
<v Speaker 1>going to come up? You know? Oh? This take this

0:40:45.440 --> 0:40:48.279
<v Speaker 1>last year, I got to go to the bathroom, fell

0:40:48.320 --> 0:40:53.799
<v Speaker 1>on my face. I'm virtually crippled, totally. Guess it's approbably

0:40:53.920 --> 0:40:58.720
<v Speaker 1>I snapped my well did something more spine. But then again,

0:41:00.040 --> 0:41:03.480
<v Speaker 1>I've fallen downstairs, I've fallen out of windows of fucking

0:41:04.640 --> 0:41:07.200
<v Speaker 1>this and that, and it's something stupid like I'm for

0:41:07.280 --> 0:41:09.719
<v Speaker 1>a bit, I'm falling on your face in the middle

0:41:09.719 --> 0:41:14.399
<v Speaker 1>of the night. That's typical, ito, isn't heah Sides law.

0:41:17.360 --> 0:41:21.879
<v Speaker 1>But yeah, I'll tell you what so many one said

0:41:21.920 --> 0:41:25.239
<v Speaker 1>to me, Oh see, what was the best gift you

0:41:25.320 --> 0:41:29.600
<v Speaker 1>ever had? I'm thinking, shambled me on watch, trying to think,

0:41:30.680 --> 0:41:33.960
<v Speaker 1>and then it fucking hit me. Had my father that

0:41:34.040 --> 0:41:38.080
<v Speaker 1>brought me a microphone, I wouldn't be here. Wow, my

0:41:38.160 --> 0:41:42.000
<v Speaker 1>father bought me a pa yes when you dead for it,

0:41:42.120 --> 0:41:45.879
<v Speaker 1>and bought me a microphone, and that's caught me gigs. Yes,

0:41:47.120 --> 0:41:50.200
<v Speaker 1>I mean I never repaid him because I was so

0:41:50.760 --> 0:41:53.520
<v Speaker 1>fucking going out and I'm the king of the world

0:41:53.520 --> 0:41:57.200
<v Speaker 1>for fucking tenua. Then he passed away my mom. So

0:41:57.520 --> 0:42:02.719
<v Speaker 1>what I did? I well, okay, my siblings bits of

0:42:02.760 --> 0:42:05.759
<v Speaker 1>money in there. But it does seem like it's it's

0:42:05.800 --> 0:42:09.399
<v Speaker 1>meant to be like I mean, I think my my

0:42:09.480 --> 0:42:14.080
<v Speaker 1>pearl dad went to work, comrade come shine at nights

0:42:15.160 --> 0:42:18.719
<v Speaker 1>the fucking as long as I can remember. And I

0:42:18.920 --> 0:42:23.600
<v Speaker 1>never fucking crossed his palment. I mean, he was still working.

0:42:23.719 --> 0:42:28.520
<v Speaker 1>It was fucked up, and must have he must have

0:42:28.560 --> 0:42:32.439
<v Speaker 1>been really regardless of that. He must have been really

0:42:32.480 --> 0:42:38.080
<v Speaker 1>proud of your SI had to be. I uh. Before

0:42:38.120 --> 0:42:39.520
<v Speaker 1>I got five from the showers, I left for a

0:42:39.520 --> 0:42:43.319
<v Speaker 1>short while, perhaps a month show. I went, I went

0:42:43.320 --> 0:42:47.000
<v Speaker 1>to the pre I love Davis anousment. I was such

0:42:47.000 --> 0:42:54.120
<v Speaker 1>a such am. I left black sabers. He went threw

0:42:57.560 --> 0:43:00.239
<v Speaker 1>so he always back to you. He was a good

0:43:00.280 --> 0:43:05.200
<v Speaker 1>It sounds like good simple man. Yeah, he just I mean,

0:43:06.440 --> 0:43:10.120
<v Speaker 1>I only wish I wish he was sure. You know,

0:43:11.080 --> 0:43:15.919
<v Speaker 1>sometimes I'll go to my own like, Okay, I wish

0:43:16.000 --> 0:43:17.759
<v Speaker 1>he was here for me to have a chat, like

0:43:17.840 --> 0:43:19.799
<v Speaker 1>I'm talking to you now, I'd love to have a

0:43:19.880 --> 0:43:23.640
<v Speaker 1>chat with him, and so many one situations. I'll never

0:43:23.680 --> 0:43:26.600
<v Speaker 1>get on with my father. But he's on his deathbed.

0:43:27.120 --> 0:43:28.640
<v Speaker 1>I don't know whether I should go and see him.

0:43:29.760 --> 0:43:32.640
<v Speaker 1>Let me tell you something, Whether you got something nice

0:43:32.800 --> 0:43:35.920
<v Speaker 1>or bad to say to him, do it now because

0:43:36.000 --> 0:43:38.600
<v Speaker 1>we're up the road. He ain't. Yeah, you're gonna kick

0:43:38.719 --> 0:43:41.800
<v Speaker 1>kick your butt forever. Just say what you gotta say.

0:43:43.480 --> 0:43:47.040
<v Speaker 1>How's your relationship with Jack? Now? Oh it's great, it's great.

0:43:47.719 --> 0:43:51.120
<v Speaker 1>He's got three girls, he got married, he got fucking divorced,

0:43:51.120 --> 0:43:55.359
<v Speaker 1>and I mean I love him, I absolutely, I love

0:43:55.480 --> 0:44:01.520
<v Speaker 1>My kids will take off me though, Oh fucking I'm

0:44:01.600 --> 0:44:05.560
<v Speaker 1>sponging up. But I got that. I go, what is he? Yeah?

0:44:06.800 --> 0:44:10.279
<v Speaker 1>You actually your boy gets older? Yeah? Boys are cool. Yeah,

0:44:10.480 --> 0:44:14.319
<v Speaker 1>girls will send you to a fucking learns. Because I'm

0:44:14.320 --> 0:44:21.200
<v Speaker 1>not joking. Jack goes, come on, let's go go on

0:44:21.280 --> 0:44:25.720
<v Speaker 1>the shooting Ryan just an. But Jack, he's a great father,

0:44:25.960 --> 0:44:30.440
<v Speaker 1>he's a great he's pretty good hands on dad, yeah,

0:44:30.560 --> 0:44:34.359
<v Speaker 1>which all I wasn't so much fucking hands on me,

0:44:34.880 --> 0:44:39.239
<v Speaker 1>get me back to bed. It's been great saying you're

0:44:39.320 --> 0:44:41.560
<v Speaker 1>Rick same man. A pleasure always and I hope to

0:44:41.560 --> 0:44:44.520
<v Speaker 1>see you again soon. Absolutely out and listen to music.

0:44:48.440 --> 0:44:51.120
<v Speaker 1>Thanks to Sharon and Nazzy Osbourne for stopping by Shangula

0:44:51.280 --> 0:44:54.280
<v Speaker 1>to catch up with brick. Azzy's new album Ordinary Man

0:44:54.400 --> 0:44:56.799
<v Speaker 1>is out now, and also be sure to check out

0:44:56.840 --> 0:45:00.279
<v Speaker 1>hasy dot com to keep up with the Osbournes. You

0:45:00.320 --> 0:45:02.640
<v Speaker 1>can hear some of Ozzie's music by visiting broken record

0:45:02.640 --> 0:45:05.120
<v Speaker 1>podcast dot com, where we have a playlist available for

0:45:05.160 --> 0:45:07.480
<v Speaker 1>you to listen to. Broken Record is produced with help

0:45:07.520 --> 0:45:10.920
<v Speaker 1>from Jason Gambrel, Mia Lobel, and Leah Rose for Pushkin Industries.

0:45:11.600 --> 0:45:14.520
<v Speaker 1>I theme music's by Kenny Beats. I'm justin Richmond. Thanks

0:45:14.520 --> 0:45:15.040
<v Speaker 1>for listening.