WEBVTT - Chapter 6 - 1938

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<v Speaker 1>Lighthouse is a production of I Heart Radio and bamfor Productions.

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<v Speaker 1>M M. This is Dr Albright. The data is August

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<v Speaker 1>the time christ I don't even know what time it is.

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<v Speaker 1>These are my final notes for patient three eight to

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<v Speaker 1>file zero three two one to seven. It's been two

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<v Speaker 1>weeks since I started my initial observations, and things have

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<v Speaker 1>declined in that time. I've tried my best to remain

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<v Speaker 1>impartial to the proceedings and only insert my professional opinion

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<v Speaker 1>when needed. But this case is different than anything I've

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<v Speaker 1>encountered before, leaving me with many, many sleepless nights. When

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<v Speaker 1>I became a doctor, I took an oath, one that

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<v Speaker 1>made me swear to help those in need. And I

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<v Speaker 1>can't help but feel like I failed here, that that

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<v Speaker 1>that we did something wrong, that this will be a

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<v Speaker 1>stain on my soul for the rest of my life.

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<v Speaker 1>Every time I closed my eyes, I can see her,

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<v Speaker 1>I can hear her, her her screams or please for help.

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<v Speaker 1>Did we make the right decision? I thought so at first,

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<v Speaker 1>but now I don't know. God, Please forgive me for

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<v Speaker 1>what we did to that poor girl. She was so young,

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<v Speaker 1>And please God, never let me have to step foot

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<v Speaker 1>in Lighthouse Ever Again Lighthouse Chapter six interview with parents

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<v Speaker 1>Robert and Dorothy august Am is this is this really necessary? Doctor?

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<v Speaker 1>We will need to have a full report along with

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<v Speaker 1>my recommendation during observation before the hospital makes a decision

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<v Speaker 1>based on what you described over the phone. It is

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<v Speaker 1>a terrible ordeal which you were stuck in, and I

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<v Speaker 1>want to make sure that I understand exactly what you

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<v Speaker 1>and your family have gone through. I'm just not sure

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<v Speaker 1>how any of this will help with our lease, anything

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<v Speaker 1>to help our little girls. Fine, how did it begin?

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<v Speaker 1>I don't know the exact moment, unfortunately, just that one

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<v Speaker 1>day she was different, so unhappy, outbursts of anger, mostly

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<v Speaker 1>more so than a normal child. Yes, we have two

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<v Speaker 1>more boys, good boys. And did they ever Oh no,

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<v Speaker 1>they never would like that. This is different. We thought

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<v Speaker 1>maybe it was something that came with having a girl.

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<v Speaker 1>We recommended her every time, but still she persisted, and

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<v Speaker 1>then it got worse in what way? She got violent,

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<v Speaker 1>which she has never done before. What did she do?

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<v Speaker 1>She pushed her brother. Surely it's normal for her siblings

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<v Speaker 1>to fight with each other through a wall a wall.

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<v Speaker 1>Now the wall in question was in the spare bedroom,

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<v Speaker 1>the one under renovation, so the integrity of it wasn't

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<v Speaker 1>fully up to code. But for her to push him

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<v Speaker 1>like that, she could have really hurt him. They were

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<v Speaker 1>playing and they got out of hand and she just

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<v Speaker 1>lost control. She pushed him and then jumped on top

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<v Speaker 1>of him and scratched his face. Was he seriously injured, No, thankfully,

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<v Speaker 1>just the scratches, nothing too deep. Are there other instances?

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<v Speaker 1>She pushed a girl on the playground. The teacher said

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<v Speaker 1>she watched it happen and said it was very unusual

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<v Speaker 1>behavior for her. Said she usually saw the two girls

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<v Speaker 1>giggling together, but now the other one just stays far away.

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<v Speaker 1>She was suspended for two days. I hope you don't

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<v Speaker 1>mind my saying, but she got the belt for that one.

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<v Speaker 1>And at breakfast the other morning, she didn't like her eggs,

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<v Speaker 1>so she threw her plate at the wall, shattered it

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<v Speaker 1>into a million pieces. If I was an inch over

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<v Speaker 1>to the left, it would have hit me in the head.

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<v Speaker 1>What did she say about it? That's the thing. She

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<v Speaker 1>doesn't remember it, any of it, throwing the plate, not

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<v Speaker 1>just the plate, the school friend and the wall too.

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<v Speaker 1>She claimed she doesn't remember a thing. No, I thought

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<v Speaker 1>she was just saying that to avoid getting in trouble,

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<v Speaker 1>but seeing the way she carried on about it, she

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<v Speaker 1>was scared. She genuinely didn't know what she was getting

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<v Speaker 1>in trouble. For that's what clute is in that something

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<v Speaker 1>might be war. Don't you want to play with a doctor?

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<v Speaker 1>Offer long saying things things that scare us, like it's

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<v Speaker 1>nothing to be concerned with. But the content of what

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<v Speaker 1>she is saying was disturbing, such as how she's going

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<v Speaker 1>to drown her brother or stab another one with her

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<v Speaker 1>sewing scissors. I don't think she means or even knows

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<v Speaker 1>what she's saying. But we took the scissors away and

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<v Speaker 1>started locking up any sharp utensils. I see anything else, well,

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<v Speaker 1>there are the people orthy there's no point in hiding it, Roberts.

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<v Speaker 1>It wasn't real. It was to her, and please, every

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<v Speaker 1>bit helps. Every detail is important. That's the only way

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<v Speaker 1>I can make a full assessment. She sees things, sees

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<v Speaker 1>things in the house. Does she describe these things she sees?

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<v Speaker 1>She sees people? Are they people she knows recognizes? Where

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<v Speaker 1>in the house? Does she see them all over everywhere? Really?

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<v Speaker 1>Has she described them? Who are they? Sometimes? We catch

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<v Speaker 1>bits and pieces now and again. There's a little boy

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<v Speaker 1>whom she describe in cold, whose teeth are always setting.

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<v Speaker 1>There's also a young woman she sees the kitchen, and

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<v Speaker 1>someone else she calls the boulder man bowler man. She

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<v Speaker 1>claims she sees a man and he's always wearing a

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<v Speaker 1>bowler hat. But none of that was real. She's just

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<v Speaker 1>seeing things. Have either of you seen any of these people? Know?

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<v Speaker 1>But every child has imaginary friends. What do you mean, yes,

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<v Speaker 1>you've seen something that she has. Once when I was

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<v Speaker 1>in the garden with her, we were planting some flowers

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<v Speaker 1>when she suddenly looked up and pointed towards the tree

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<v Speaker 1>line and asked if I could see him? See who

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<v Speaker 1>the boulder man? I saw something. He was there, and

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<v Speaker 1>then he just wasn't. I thought maybe my eyes were

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<v Speaker 1>playing tricks on me, because it was like nothing was

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<v Speaker 1>ever there at all. Why didn't you tell me this?

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<v Speaker 1>Because I didn't think it mattered, just some shadows strick

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<v Speaker 1>of the light, But then everything else started happening. Did

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<v Speaker 1>you recognize him? No, I didn't get a good book.

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<v Speaker 1>Jesus Christ Dorothy, he asked to know everything. I can't

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<v Speaker 1>believe you never told me. Tell him about the photos.

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<v Speaker 1>What photos, Dorothy? Tell him? Robert, alright, fine, I've taken

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<v Speaker 1>some photos of the family altogether. I have my own

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<v Speaker 1>equipment and I can develop them downstairs in the basement.

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<v Speaker 1>Converted a side room into my photo lab. Now I

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<v Speaker 1>could show you later and show you some of the photos.

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<v Speaker 1>At first, I thought maybe it was just a blemish

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<v Speaker 1>or miss firem camer What was in the photos? Her face?

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<v Speaker 1>It seems to be covered by something by what It's

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<v Speaker 1>like a shadow covering her face, hovering over her. And

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<v Speaker 1>you've seen this in more than one photo, yes, all

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<v Speaker 1>of them over the past few months. And your other

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<v Speaker 1>two nothing nothing in their photos. No, have they seen anything.

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<v Speaker 1>It would be helpful to speak to them as well,

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<v Speaker 1>just in case. Yes, of course. What happened next? Well,

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<v Speaker 1>after the wall incident with Robert Jr. August time is

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<v Speaker 1>twelve p m. Robert, it's nice to meet you. Do

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<v Speaker 1>you prefer Robert or Bob? Is fine, sir, Bob? It

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<v Speaker 1>is then you have great manners. Bob. How old are you?

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<v Speaker 1>I'm and how old were you when your sister was born?

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<v Speaker 1>I was seven. That is quite an age difference between you, Yes, sir,

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<v Speaker 1>and the oldest. So that means I look out for them,

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<v Speaker 1>both your sister and your brother. You mean, yes, sir,

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<v Speaker 1>Do you feel like you have to look out for

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<v Speaker 1>them often? No, sir, just the normal kids stuff, making

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<v Speaker 1>sure they don't get in trouble. Do you know why

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<v Speaker 1>I'm here talking to you about, right it is? Tell

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<v Speaker 1>me about your sister. I understand she harmed you not

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<v Speaker 1>too long ago, just a few scratches, kids stuff. Your

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<v Speaker 1>parents tell me she pushed you through a wall. Yeah,

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<v Speaker 1>I was hoping they didn't tell you that part. Why

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<v Speaker 1>is that she's only eight, a kid, and she bested me.

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<v Speaker 1>I didn't want my friends to rag on me. I

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<v Speaker 1>assure you your secret is safe with me. I just

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<v Speaker 1>want to know about what happened and see if I

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<v Speaker 1>can help make some recommendations for what's best for her.

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<v Speaker 1>We were just messing around. She was being annoying, but

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<v Speaker 1>I guess that's her job because she's my little sister.

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<v Speaker 1>So I took her bear, her stuffed animal. Yes, sir,

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<v Speaker 1>I took it into the other bedroom, that the one

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<v Speaker 1>we're supposed to stay out of because they're rebuilding it

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<v Speaker 1>and there's a lot of sharp obs x in there.

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<v Speaker 1>And I pretended like I was going to drive a

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<v Speaker 1>nail through it if she didn't stop, and she got upset.

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<v Speaker 1>I assume I wasn't gonna actually heard it. Honest, I

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<v Speaker 1>know she loves that teddy Bear. She takes it with

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<v Speaker 1>her everywhere. I just wanted her to leave me be.

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<v Speaker 1>Then what happened. She was crying and pleading with me,

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<v Speaker 1>and then she just stopped. She got really still and

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<v Speaker 1>just stared at me. But you promised not to tell again,

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<v Speaker 1>you can trust me. Well, there was something wrong with

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<v Speaker 1>her eyes. What do you mean? They just got all

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<v Speaker 1>black and scary. And I thought I thought I heard

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<v Speaker 1>someone whispering under her breath. No, it sounded like a

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<v Speaker 1>bunch of other people were there, But but there wasn't.

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<v Speaker 1>It was just us. What were they saying? I don't know.

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<v Speaker 1>It was hard to make out, but it was real scary.

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<v Speaker 1>And Madeline moved her head like she was listening to anything.

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<v Speaker 1>To you. No, but she tilted her eyes back to

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<v Speaker 1>me and gave me a really creepy smile. Right before

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<v Speaker 1>she jumped on me. I thought she pushed you, well,

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<v Speaker 1>sort of, but she jumped with such force that it

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<v Speaker 1>pushed us both backward. I toppled over some lumber and

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<v Speaker 1>went straight through the wall into the hallway, and she

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<v Speaker 1>attacked you again. She did. She began to scratch my

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<v Speaker 1>face and just started laughing. I put my hands up

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<v Speaker 1>to protect myself and tried to get her off me,

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<v Speaker 1>but she was just so strong. I couldn't believe it.

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<v Speaker 1>It was like she was in a trance or something,

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<v Speaker 1>and I kept yelling for help until my dad came

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<v Speaker 1>and pulled her off me. She started crying. She just

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<v Speaker 1>snapped out of the days and didn't remember anything. I see,

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<v Speaker 1>But you were unharmed. A few cuts and bruises and scratches.

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<v Speaker 1>Is this the first time she's lashed out at you

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<v Speaker 1>like this, yes, sir. I mean she's been acting strangely

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<v Speaker 1>since we moved in a few months ago, but nothing

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<v Speaker 1>like this. Strangely how your parents said that sometimes she

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<v Speaker 1>sees people, yes, sir, but she talks to them too.

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<v Speaker 1>I catch her sometimes I'll walk past her room she's

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<v Speaker 1>having a lively conversation within air, or into the kitchen

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<v Speaker 1>and she's setting the table talking with someone. But any

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<v Speaker 1>time I've asked her about it, she just says it

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<v Speaker 1>was nothing, and there's nothing there, No nothing, but I

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<v Speaker 1>can hear the whispers sometimes too. Talking at nine twelve am,

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<v Speaker 1>Patient three two files zero three to one to seven,

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<v Speaker 1>Interview five. How are you today, Madeleine goreat how are you?

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<v Speaker 1>I'm doing well. Do you wake my picture? It's very nice?

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<v Speaker 1>Did you just draw it? I did you know what

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<v Speaker 1>it is? It looks like the lighthouse, but from a

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<v Speaker 1>long time ago. I see the light is on. No,

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<v Speaker 1>that's from last night. Last night I sat growing again, Madeleine,

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<v Speaker 1>you know that's not true. The lighthouse hasn't been operational

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<v Speaker 1>in years. You don't have to pretend with me, Madeleine.

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<v Speaker 1>It's been a few days since you and I first

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<v Speaker 1>started speaking, But today I want to talk to you

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<v Speaker 1>about the incident from last night. Do you remember the

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<v Speaker 1>day before the day it was? But do you remember

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<v Speaker 1>what happened during dinner time at the table? I don't

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<v Speaker 1>remember what we have for dinner. Your mother invited me

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<v Speaker 1>to stay for dinner so I can observe you all

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<v Speaker 1>as a family. I sat across from you, and you

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<v Speaker 1>sat in between your brothers. I remember bread, Yes, there

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<v Speaker 1>was fresh bread in the basket. Your mother made it.

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<v Speaker 1>But do you remember what happened with the bread. Your

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<v Speaker 1>mother did not want you to spoil your dinner and

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<v Speaker 1>told you that you couldn't have any more. And then

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<v Speaker 1>and then I didn't have any more, no, Madeleine. And

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<v Speaker 1>then your brother took the basket away, and you took

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<v Speaker 1>your knife and you cut him. I cut him, Yes,

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<v Speaker 1>you cut him right across his palm. Do you remember

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<v Speaker 1>a little Why did you do that? I don't know.

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<v Speaker 1>Did somebody tell you to do that, Madeleine? You can

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<v Speaker 1>tell me. He said it wouldn't hurt him. Who said?

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<v Speaker 1>He said that it was only for pretend, and it

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<v Speaker 1>was to convince them mommy to give me what I want.

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<v Speaker 1>Who told you this, Madeleine? He said, I can't come

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<v Speaker 1>play in the dark with them until I do these

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<v Speaker 1>things that I keep doing them, but I don't remember.

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<v Speaker 1>Calm down, it's all right. He doesn't like you. He

0:14:48.800 --> 0:14:50.760
<v Speaker 1>wants you to go away. He wants you to stop

0:14:50.760 --> 0:14:54.680
<v Speaker 1>asking me questions, Madeleine, listened to me. Whomever is telling

0:14:54.720 --> 0:14:58.480
<v Speaker 1>you this, they are not real. Do you understand? It's

0:14:58.520 --> 0:15:02.040
<v Speaker 1>your subconscious mind and sometimes it does not have your

0:15:02.080 --> 0:15:06.240
<v Speaker 1>best intentions at heart. He is real. They are real.

0:15:06.320 --> 0:15:11.640
<v Speaker 1>They are my friend, Madeleine. Madeleine, what are you doing?

0:15:12.040 --> 0:15:14.920
<v Speaker 1>He said, you have to go away. Now, what's that noise?

0:15:15.520 --> 0:15:19.920
<v Speaker 1>He said, you are interfering. Please sit down. He wants

0:15:19.960 --> 0:15:22.280
<v Speaker 1>me to come play with him. And if I don't

0:15:22.320 --> 0:15:24.920
<v Speaker 1>make you go away, I will never be able to

0:15:25.240 --> 0:15:41.440
<v Speaker 1>Madeleine stop this now, Madeline stop. Lighthouse will return after

0:15:41.520 --> 0:16:03.080
<v Speaker 1>these messages and now back to Lighthouse. It is now August.

0:16:04.280 --> 0:16:06.520
<v Speaker 1>It has been a few days since what happened, and

0:16:07.400 --> 0:16:11.240
<v Speaker 1>I I still don't know how to explain it. What

0:16:11.680 --> 0:16:16.800
<v Speaker 1>I saw was just not possible. I think my time

0:16:16.800 --> 0:16:19.480
<v Speaker 1>in this house has somehow affected my judgment and and

0:16:19.680 --> 0:16:23.840
<v Speaker 1>clouded my medical training because I saw I saw something

0:16:24.000 --> 0:16:27.800
<v Speaker 1>in that room with us. Something was there whispering into

0:16:27.840 --> 0:16:30.720
<v Speaker 1>her ear. I can still hardly believe it, and my

0:16:30.840 --> 0:16:34.880
<v Speaker 1>mind refuses to even consider the possibilities or ramifications of

0:16:34.920 --> 0:16:38.200
<v Speaker 1>what that means. I have avoided seeing her the past

0:16:38.240 --> 0:16:41.080
<v Speaker 1>few days, but I'm due back in a few hours

0:16:41.120 --> 0:16:45.360
<v Speaker 1>to speak with the middle child, who you may be

0:16:45.400 --> 0:16:50.080
<v Speaker 1>holding the key to answer some of those what are

0:16:50.120 --> 0:16:57.840
<v Speaker 1>you doing? You're off of me? Out of it? Stop crazy.

0:16:58.320 --> 0:17:00.840
<v Speaker 1>If the floorboard creaking didn't wait me up, I'd be dead.

0:17:01.080 --> 0:17:03.240
<v Speaker 1>She would have stabbed me right in the heart, Hubert,

0:17:03.320 --> 0:17:06.240
<v Speaker 1>please calm down. Don't tell me to calm down. Did

0:17:06.280 --> 0:17:09.520
<v Speaker 1>you see what she did? She tried to kill me.

0:17:09.600 --> 0:17:11.760
<v Speaker 1>I thought you said the sharp utensils were locked up.

0:17:11.840 --> 0:17:14.560
<v Speaker 1>It was a pair of pruning shears. Can you believe it?

0:17:14.720 --> 0:17:18.639
<v Speaker 1>She tried to murder me. Stop at Dorothy, just stop

0:17:18.680 --> 0:17:22.400
<v Speaker 1>it with her, with our little girl, all right, you

0:17:22.480 --> 0:17:25.800
<v Speaker 1>have to do something about this. There is something inside

0:17:25.800 --> 0:17:28.679
<v Speaker 1>of her. That thing is not my Madeleine. You hear me,

0:17:28.760 --> 0:17:30.800
<v Speaker 1>it's not. I don't know what it is, but it's

0:17:30.880 --> 0:17:33.560
<v Speaker 1>not her If you don't do something to help her soon,

0:17:33.720 --> 0:17:42.000
<v Speaker 1>so help me with them. That's all I want money.

0:17:42.080 --> 0:17:44.840
<v Speaker 1>You don't know what you're saying as me. I hate you,

0:17:45.280 --> 0:17:49.280
<v Speaker 1>he says, you're not my real family. There, Madeline, do

0:17:49.359 --> 0:17:51.520
<v Speaker 1>you know what you tried to do last night? Yes?

0:17:51.800 --> 0:17:53.560
<v Speaker 1>And I would do it and get it and get

0:17:53.600 --> 0:17:55.480
<v Speaker 1>it and get to get away from you. Let me

0:17:55.640 --> 0:18:05.320
<v Speaker 1>go door for you again. As she is sitting in

0:18:05.359 --> 0:18:09.479
<v Speaker 1>with my interview with Henry. Yes, sorry, Henry and your twelve.

0:18:10.000 --> 0:18:13.440
<v Speaker 1>It's okay, Henry, you can talk to him. Yes, what

0:18:13.480 --> 0:18:16.399
<v Speaker 1>can you tell me about your sister? She's my best friend.

0:18:16.560 --> 0:18:19.240
<v Speaker 1>They are very close. You love your sister, I can tell.

0:18:19.680 --> 0:18:21.640
<v Speaker 1>I want you to know that I'm trying to help her.

0:18:21.960 --> 0:18:25.400
<v Speaker 1>All of us are. Do you understand that? Yes? Does

0:18:25.440 --> 0:18:28.239
<v Speaker 1>your sister tell you about her friends, the ones she

0:18:28.280 --> 0:18:30.560
<v Speaker 1>sees they live in the house with us. Have you

0:18:30.600 --> 0:18:33.800
<v Speaker 1>seen them as well? Go on? Now? Sometimes do they

0:18:33.800 --> 0:18:36.840
<v Speaker 1>talk to you also? I don't want them to. They

0:18:36.880 --> 0:18:40.920
<v Speaker 1>scare me. It's okay. Sometimes the unknown is scary even

0:18:40.920 --> 0:18:43.399
<v Speaker 1>to me. Does she tell you what they say to

0:18:43.440 --> 0:18:47.040
<v Speaker 1>her sometimes? And what does she tell you? One of

0:18:47.080 --> 0:18:50.320
<v Speaker 1>them tells her to do bad things, bad things to you,

0:18:50.600 --> 0:18:54.840
<v Speaker 1>to your family. I don't know just And does she

0:18:54.960 --> 0:18:58.160
<v Speaker 1>do them sometimes? Like with your hand the other night

0:18:58.560 --> 0:19:00.920
<v Speaker 1>and with what she did to your father last night?

0:19:01.440 --> 0:19:03.880
<v Speaker 1>I guess how is your hand? By the way, it's

0:19:03.880 --> 0:19:06.120
<v Speaker 1>going to scar, but it's getting better. I help them

0:19:06.200 --> 0:19:09.560
<v Speaker 1>change the bandages twice a day. Does it hurt? I'm

0:19:09.600 --> 0:19:13.400
<v Speaker 1>sorry to hear that. I'm sure we'll stop soon enough, though, Henry,

0:19:13.560 --> 0:19:16.080
<v Speaker 1>do you know why she does these things? Why they

0:19:16.119 --> 0:19:18.320
<v Speaker 1>tell her to do them? I don't know why they

0:19:18.400 --> 0:19:21.400
<v Speaker 1>tell her, but I know why she does them. Why

0:19:21.600 --> 0:19:25.199
<v Speaker 1>because she wants to go live with them? And do

0:19:25.240 --> 0:19:29.439
<v Speaker 1>you know where the dark is? Do you want to

0:19:29.480 --> 0:19:32.960
<v Speaker 1>live with them in the dark. I'm glad to hear that, Henry.

0:19:33.160 --> 0:19:36.040
<v Speaker 1>You want to help your sister, don't you? Yes, good,

0:19:36.400 --> 0:19:39.879
<v Speaker 1>because we need your help to help out Madeline. Okay, Abigail.

0:19:40.240 --> 0:19:43.639
<v Speaker 1>Her name is Abigail. Her middle name is Abigail. For

0:19:43.680 --> 0:19:46.000
<v Speaker 1>some reason, Henry and Madeline have a game where they

0:19:46.119 --> 0:19:49.160
<v Speaker 1>call each other by their names. She calls him Michael

0:19:49.280 --> 0:19:52.359
<v Speaker 1>and he calls her Abigail. They've been doing it for years,

0:19:52.560 --> 0:19:54.960
<v Speaker 1>one of those things siblings do. I suppose is she

0:19:55.119 --> 0:19:57.879
<v Speaker 1>going to be okay? You're not going to take her away?

0:19:57.920 --> 0:20:00.720
<v Speaker 1>Are you well? Henry? Growing boy? So I'm sure you

0:20:00.840 --> 0:20:05.280
<v Speaker 1>understand how serious this is your sister is. She's not

0:20:05.359 --> 0:20:08.960
<v Speaker 1>well okay, and her outbursts keep getting worse and worse,

0:20:09.000 --> 0:20:11.960
<v Speaker 1>and we're afraid she's going to hurt someone, even herself.

0:20:12.440 --> 0:20:15.480
<v Speaker 1>Considering what happened last night, I may need to recommend

0:20:15.480 --> 0:20:17.800
<v Speaker 1>she go away for a bit, but only so we

0:20:17.800 --> 0:20:20.200
<v Speaker 1>can figure out how to treat her. Do you understand

0:20:21.359 --> 0:20:25.600
<v Speaker 1>I'm going to ask you something that is very important though, Okay, okay,

0:20:25.680 --> 0:20:28.560
<v Speaker 1>is there something that we're missing, something that maybe we

0:20:28.640 --> 0:20:31.520
<v Speaker 1>don't know or haven't heard, that can possibly help us.

0:20:31.840 --> 0:20:34.520
<v Speaker 1>I don't think, So take a moment to think about it, okay,

0:20:34.960 --> 0:20:37.920
<v Speaker 1>if anything comes to mind. Well, I heard her say

0:20:38.000 --> 0:20:43.040
<v Speaker 1>once that you love mom. Probert's Madeline. She's gone. What

0:20:43.040 --> 0:20:46.560
<v Speaker 1>do you mean gone? She's not here. I was watching her, honest,

0:20:46.920 --> 0:20:48.920
<v Speaker 1>But then one minute she was there and the next

0:20:49.119 --> 0:20:52.359
<v Speaker 1>she was gone. With your father, I don't know where

0:20:52.359 --> 0:20:54.199
<v Speaker 1>did you see her last? Well, we were in the

0:20:54.240 --> 0:20:57.800
<v Speaker 1>study and she was reading, and then she was gone. Man,

0:20:57.840 --> 0:21:20.800
<v Speaker 1>Then h m hmmm. Lighthouse will return after a word

0:21:20.880 --> 0:21:40.800
<v Speaker 1>from our sponsors. And now lighthouse continues August, still no

0:21:40.880 --> 0:21:43.920
<v Speaker 1>sign of the girl. Her disappearance has taken a toll

0:21:44.000 --> 0:21:45.960
<v Speaker 1>on her mother, and while there is still tension in

0:21:46.000 --> 0:21:49.280
<v Speaker 1>the household, it's of a different kind. No longer does

0:21:49.320 --> 0:21:51.760
<v Speaker 1>the threat of bodily harm at her hands hang over them,

0:21:51.760 --> 0:21:53.719
<v Speaker 1>but the thought of their little girl gone missing and

0:21:53.760 --> 0:21:57.520
<v Speaker 1>not returning has replaced it. Robert the father, has secluded

0:21:57.600 --> 0:22:00.480
<v Speaker 1>himself from the rest of the family, it seems, and

0:22:00.520 --> 0:22:03.560
<v Speaker 1>has been coping with the bottle. The two boys, while

0:22:03.720 --> 0:22:06.920
<v Speaker 1>upset as well, are doing all they can. A few

0:22:06.960 --> 0:22:09.159
<v Speaker 1>times they've helped me comb over every inch of the

0:22:09.160 --> 0:22:11.280
<v Speaker 1>house and its grounds to look for her. But a

0:22:11.440 --> 0:22:14.560
<v Speaker 1>last and no avail. The police think that it was

0:22:14.600 --> 0:22:19.800
<v Speaker 1>an intruder, but the family, well, hm, it's been four days.

0:22:20.920 --> 0:22:23.639
<v Speaker 1>That's a long time to be missing, and I'm beginning

0:22:23.720 --> 0:22:33.480
<v Speaker 1>to do any more. I don't know where she can be,

0:22:33.600 --> 0:22:37.639
<v Speaker 1>and I'm afraid that she's gone, gone forever. I understand,

0:22:37.640 --> 0:22:41.080
<v Speaker 1>and I am very sorry. In my experience, these cases

0:22:41.119 --> 0:22:43.600
<v Speaker 1>can go either way, but often the patient gets nervous

0:22:43.600 --> 0:22:45.879
<v Speaker 1>at the thought of being taken away and tries to

0:22:45.960 --> 0:22:49.080
<v Speaker 1>avoid the inevitable. But she's just a little girl. I

0:22:49.160 --> 0:22:53.080
<v Speaker 1>understand that, Mrs Hollis, But children are very resilient. You've

0:22:53.160 --> 0:22:56.120
<v Speaker 1>seen what has been going on. Tell me what you think.

0:22:56.400 --> 0:22:59.800
<v Speaker 1>I don't think it's appropriate for me, please, doctor. In

0:22:59.880 --> 0:23:07.120
<v Speaker 1>my professional opinion, I think that's personal. I I think

0:23:07.160 --> 0:23:10.360
<v Speaker 1>this is a very unique case, unlike anything I've ever

0:23:10.359 --> 0:23:14.200
<v Speaker 1>seen before. And to be honest, I'm unsure if modern

0:23:14.240 --> 0:23:17.360
<v Speaker 1>medicine is what's needed here. There seems to be something

0:23:17.920 --> 0:23:23.520
<v Speaker 1>else at play here. She's not our little girl, Dorothy,

0:23:23.720 --> 0:23:27.200
<v Speaker 1>Mr Hollis, tell her what you really think, doctor. Don't

0:23:27.200 --> 0:23:30.639
<v Speaker 1>bullshit me, because I know you see it too. Mr Hollis.

0:23:30.640 --> 0:23:33.199
<v Speaker 1>You're drunk. I think you should perhaps lay down and

0:23:33.200 --> 0:23:36.639
<v Speaker 1>get some rest. But don't you understand the two of you.

0:23:36.640 --> 0:23:40.440
<v Speaker 1>You saw what she did, what she was doing, what

0:23:40.640 --> 0:23:45.359
<v Speaker 1>she tried to do. She's gone, Dorothy, that that thing

0:23:45.720 --> 0:23:49.000
<v Speaker 1>is not our daughter. What you're saying, oh, I know,

0:23:49.359 --> 0:23:52.879
<v Speaker 1>I know. No amount of doctors. We're going to fix

0:23:52.960 --> 0:23:58.320
<v Speaker 1>what was in her, whatever it is was. Don't worry.

0:23:58.560 --> 0:24:03.320
<v Speaker 1>I did did what Mr Hollis Robert, do you know

0:24:03.440 --> 0:24:06.720
<v Speaker 1>something about Madeline's whereabouts? Did you not hear what I said?

0:24:07.200 --> 0:24:11.720
<v Speaker 1>That ain't Madeleine? Where is Roberts? So care of it, Dorothy.

0:24:11.920 --> 0:24:15.240
<v Speaker 1>It's the care of the thing and made sure it'll

0:24:15.440 --> 0:24:18.760
<v Speaker 1>never hurt this family again. What did you do? Robert?

0:24:18.760 --> 0:24:22.959
<v Speaker 1>Where is the girl? He's gone away? Where is she

0:24:23.920 --> 0:24:28.480
<v Speaker 1>in the dark room? Oh god, Robert, it's soule A, Dorothy,

0:24:28.640 --> 0:24:33.080
<v Speaker 1>She's gone, She's gone. What did you do to her?

0:24:33.119 --> 0:24:40.000
<v Speaker 1>You monster? I'm a monster. I am. Something was inside her,

0:24:40.200 --> 0:24:43.639
<v Speaker 1>something it was telling her to kill the family. I

0:24:43.680 --> 0:24:48.360
<v Speaker 1>had no choice. I had to stop it. What did

0:24:48.359 --> 0:24:52.440
<v Speaker 1>you do? I knew I had to stop it. I mean,

0:24:52.560 --> 0:24:54.760
<v Speaker 1>christ you know what she's tried to do to me?

0:24:55.720 --> 0:24:59.359
<v Speaker 1>So I planned it to end it. She loves that

0:24:59.480 --> 0:25:02.000
<v Speaker 1>god to and Teddy bear of hers, so I was

0:25:02.080 --> 0:25:05.920
<v Speaker 1>gonna take it and lure her into the basement with

0:25:06.000 --> 0:25:09.720
<v Speaker 1>it in my workspace, the dark room, and when she

0:25:09.800 --> 0:25:13.840
<v Speaker 1>was in there, all alone, defenseless, so is I'm gonna

0:25:14.040 --> 0:25:20.000
<v Speaker 1>kill her. Just wrap my hands around her throat and squeeze,

0:25:20.760 --> 0:25:25.480
<v Speaker 1>squeeze until she couldn't breathe anymore, until she stopped moving.

0:25:26.720 --> 0:25:31.000
<v Speaker 1>It's tried, my god, I tried. But as I was

0:25:31.119 --> 0:25:34.920
<v Speaker 1>doing it, I looked to do her eyes and I

0:25:35.000 --> 0:25:44.240
<v Speaker 1>saw her, I saw her, my little girl. I just

0:25:45.200 --> 0:25:49.600
<v Speaker 1>I couldn't let her go, and she she dropped to

0:25:49.640 --> 0:25:54.040
<v Speaker 1>the floor, and I hoped, I hoped she would get up,

0:25:54.840 --> 0:26:00.400
<v Speaker 1>but she who's already too far gone too It is okay.

0:26:01.760 --> 0:26:04.879
<v Speaker 1>They couldn't finish when it's start, and they couldn't fix

0:26:05.040 --> 0:26:09.679
<v Speaker 1>right had already done. So I left or there. I

0:26:09.800 --> 0:26:13.000
<v Speaker 1>closed the door, locked her in its just let nates

0:26:13.000 --> 0:26:20.119
<v Speaker 1>are run. It's course you you killed her. I've protected

0:26:20.240 --> 0:26:35.960
<v Speaker 1>my family September three time is it doesn't matter. This

0:26:36.080 --> 0:26:39.480
<v Speaker 1>is the final entry about patient three to file zero

0:26:39.600 --> 0:26:43.199
<v Speaker 1>three to one to five seven. It's been less than

0:26:43.200 --> 0:26:45.240
<v Speaker 1>a week since, but I've tried to block the events

0:26:45.280 --> 0:26:49.360
<v Speaker 1>of that evening out of my head. It's it's difficult

0:26:49.359 --> 0:26:50.840
<v Speaker 1>for me to come to terms with it, but I

0:26:50.880 --> 0:26:54.399
<v Speaker 1>feel as if I can finally put into words onto

0:26:54.400 --> 0:26:57.440
<v Speaker 1>this recording, and perhaps getting it off my chest will

0:26:57.480 --> 0:27:01.880
<v Speaker 1>be of some relief, one final act of retribution. Perhaps.

0:27:04.520 --> 0:27:09.600
<v Speaker 1>After Robert admitted his transgression and Dorothy discovered the body

0:27:09.600 --> 0:27:12.560
<v Speaker 1>of their young daughter in the dark room, I along

0:27:12.560 --> 0:27:17.480
<v Speaker 1>with Robert, joined her. Seeing her there, her small body broken,

0:27:17.640 --> 0:27:21.119
<v Speaker 1>clutching to her beloved teddy bear, nearly broke me, but

0:27:22.480 --> 0:27:24.760
<v Speaker 1>I held it together as best I could, as Dorothy

0:27:24.840 --> 0:27:30.400
<v Speaker 1>was breaking down enough for everyone. This poor child, who

0:27:30.440 --> 0:27:33.040
<v Speaker 1>knows how long she suffered lying there in the dark,

0:27:33.160 --> 0:27:37.359
<v Speaker 1>anguishing over the end before death took her. How How

0:27:37.400 --> 0:27:41.399
<v Speaker 1>could this child, this poor sweet child, be a vessel

0:27:41.560 --> 0:27:46.840
<v Speaker 1>for such evil? Because that is what happened in Lighthouse.

0:27:47.920 --> 0:27:51.560
<v Speaker 1>It harbors an evil something I cannot explain with medical science,

0:27:51.560 --> 0:27:57.160
<v Speaker 1>something that defies all explanation. Robert, for all his faults,

0:27:57.240 --> 0:28:00.720
<v Speaker 1>was I hate to say this, but he was right.

0:28:01.600 --> 0:28:05.360
<v Speaker 1>Madeleine was just going to get worse, keep having outbursts

0:28:05.400 --> 0:28:09.680
<v Speaker 1>until eventually she would have killed someone, maybe even me.

0:28:11.000 --> 0:28:13.600
<v Speaker 1>Though he may have taken it too far, It was

0:28:13.680 --> 0:28:16.880
<v Speaker 1>too late, the deed was already done. But now there

0:28:16.920 --> 0:28:19.320
<v Speaker 1>was the issue of what to do with her, her

0:28:20.680 --> 0:28:26.879
<v Speaker 1>her body. So Robert and I, God help us, we

0:28:27.000 --> 0:28:30.600
<v Speaker 1>decided to take matters into our own hands. The girl

0:28:30.680 --> 0:28:34.560
<v Speaker 1>was already reported, were searching for her everywhere, but to

0:28:34.680 --> 0:28:37.879
<v Speaker 1>invite them into the home again, to let them see

0:28:37.920 --> 0:28:41.240
<v Speaker 1>this terrible tragedy, it would have been too much for

0:28:41.320 --> 0:28:47.880
<v Speaker 1>Dorothy to bear. So we we buried her there in

0:28:47.920 --> 0:28:52.240
<v Speaker 1>the basement, in the dark room, forever, sealing her in

0:28:52.240 --> 0:28:57.080
<v Speaker 1>the place where she took her final agonizing breath. As

0:28:57.080 --> 0:29:00.040
<v Speaker 1>we dug deeper and deeper, I felt every bone in

0:29:00.120 --> 0:29:03.800
<v Speaker 1>my body crying out against my actions, going against every

0:29:03.840 --> 0:29:09.280
<v Speaker 1>oath I swore to uphold. But this needed to be done.

0:29:10.760 --> 0:29:13.480
<v Speaker 1>Whatever had taken hold of her, whatever still remained, it

0:29:13.560 --> 0:29:17.800
<v Speaker 1>needed to be buried forever, never to be let loose again.

0:29:19.280 --> 0:29:21.400
<v Speaker 1>We hoped to God that the whole was deep enough,

0:29:21.440 --> 0:29:24.200
<v Speaker 1>close to the bowels of hell, from where would never return.

0:29:25.280 --> 0:29:27.400
<v Speaker 1>And as the last patch of dirt was returned to

0:29:27.440 --> 0:29:32.240
<v Speaker 1>its place, I realized that in a strange way, Madeline

0:29:32.320 --> 0:29:36.840
<v Speaker 1>did get her wish. She was finally living amongst her

0:29:36.880 --> 0:29:43.640
<v Speaker 1>friends in the darkness. I am so sorry, so very

0:29:43.760 --> 0:29:48.640
<v Speaker 1>sorry for what I have done. Ah I cannot live

0:29:48.880 --> 0:29:51.440
<v Speaker 1>with this immense guilt, and I hope that we have

0:29:51.560 --> 0:29:55.440
<v Speaker 1>made the right choice. Please forgive me and my soul

0:29:55.480 --> 0:30:01.040
<v Speaker 1>for my actions. This is Dr Malcolm Albright MHM, and

0:30:01.120 --> 0:30:36.560
<v Speaker 1>this is my final entry. I'm sorry, m H m H.

0:30:52.000 --> 0:30:56.080
<v Speaker 1>Lighthouse is a production of I Heart Radio and Bamford Productions.

0:30:56.880 --> 0:31:01.000
<v Speaker 1>Chapter six featured the voices of John McCormick, Paulina Logan,

0:31:01.440 --> 0:31:06.160
<v Speaker 1>b J Gripp, Ali Trasher, and Alyssa Rose. Written and

0:31:06.200 --> 0:31:11.240
<v Speaker 1>directed by Jeff Heimbuck audio engineering, an original musical score

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<v Speaker 1>by Corey Celeste. Production assistants by Alex Gona. Executive produced

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<v Speaker 1>by Holly Fry. Questions comments, you can reach us at

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<v Speaker 1>the Man in the Hat is Watching at gmail dot com.

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<v Speaker 1>Thank you for listening.