WEBVTT - QLS Classic: Top Shelf 1988

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<v Speaker 1>Of Course Love Supreme is a production of iHeartRadio. This

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<v Speaker 1>classic episode was produced by the team at Pandora. Ladies

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<v Speaker 1>and gentlemen, what's up? This is Questlove and you're checking

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<v Speaker 1>out QLs Classic. So some time back, way back, I

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<v Speaker 1>think around twenty eighteen, there was a mythical unearthed with

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<v Speaker 1>quotations project called Top Shelf nineteen eighty eight. It featured

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<v Speaker 1>like a lot of the all stars of the what

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<v Speaker 1>I call the Latin Quarter era of hip hop, the

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<v Speaker 1>Latin Quarter era known as the classic hip hop era.

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<v Speaker 1>A lot of those songs that are now staples and

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<v Speaker 1>hip hop they basically got their debut when.

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<v Speaker 2>DJ Red Alert was spinning at the Latin Quarter.

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<v Speaker 1>Womonarias like Chubb Rot, also Grad Master Cast, Belly, Mal

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<v Speaker 1>Smooth be Of Nice, Smooth Dress, A Black Sheet, Masta,

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<v Speaker 1>A Grandpoopa, Jungle Brothers, Dougie Fresh, Special, Led, MC Light,

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<v Speaker 1>Craig G, Big Daddy, Kane, Bis Marquis, and of course

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<v Speaker 1>MC Search. What can I say, man, this is like

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<v Speaker 1>one of those rare summit meetings that I've always dreamed

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<v Speaker 1>about having a conversation with my uh, you know, my

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<v Speaker 1>comrades and the gods that built hip hop culture as

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<v Speaker 1>I knew and loved it. Ladies and gentlemen, let's go

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<v Speaker 1>back back in time to a classic era and Quest

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<v Speaker 1>Love Supreme history. This is the Top Shelf nineteen eighty

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<v Speaker 1>eight episode Let's go.

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<v Speaker 2>So Luke that man.

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<v Speaker 1>Hatt's just let's just kick it off. Ladies and gentlemen,

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<v Speaker 1>do not attempt to adjust your your.

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<v Speaker 2>Doing your dial.

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<v Speaker 1>This is probably my my, my greatest dream manifesting right

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<v Speaker 1>now in front of in front of my eyes, Ladies

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<v Speaker 1>and gentlemen, I'm surround the ride, all my idols literally

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<v Speaker 1>in front of This is Quest Love Supreme. Only on Pandora.

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<v Speaker 1>We have the world's greatest right in front of me.

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<v Speaker 1>I'm gonna introduce you one by one. Starting up, we

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<v Speaker 1>have sur Kane, Big Dady King, Hello, I will talk

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<v Speaker 1>to you. Craig g Yeah, in the house.

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<v Speaker 2>I want you, sir.

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<v Speaker 1>This is amazing.

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<v Speaker 3>MC light is in the house. Good evening, Hello, Special

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<v Speaker 3>Ed is in the house. What it is like flat

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<v Speaker 3>buy church as stand up for me? All MC search

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<v Speaker 3>is in the house.

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<v Speaker 4>White people stand up.

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<v Speaker 1>We also have Vinji Greenberg from Roston Records, Pittsburgh, Pittsburgh.

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<v Speaker 1>Did you bring me a Bromani brothers, I gotta go

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<v Speaker 1>back and get you on about that. And brotherly, I

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<v Speaker 1>el I'm gonna put your name bro.

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<v Speaker 5>No, no, I'm.

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<v Speaker 1>Gonna say it one more time.

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<v Speaker 5>I I led there.

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<v Speaker 2>Get your jew right.

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<v Speaker 1>I know I'm trying to one more time. Elkare Yeah,

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<v Speaker 1>I did it.

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<v Speaker 4>I mean, Louis Vats get it right.

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<v Speaker 6>Word.

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<v Speaker 1>We are here to I guess, kick off or celebrate

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<v Speaker 1>the Top Shelf project. I can't stress enough to our

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<v Speaker 1>listeners how crucial the year of nineteen eighty eight was

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<v Speaker 1>for hip hop history. And you know to hear of

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<v Speaker 1>this project. First of all, this came out of nowhere,

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<v Speaker 1>at least for me. I never heard of this. The

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<v Speaker 1>idea of can you give us who can who can

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<v Speaker 1>best describe to me the history of the Top Shelf

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<v Speaker 1>nineteen eighty eight project, the genesis of it.

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<v Speaker 7>I'll take that.

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<v Speaker 2>So.

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<v Speaker 7>I had moved to New York in two thousand, was

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<v Speaker 7>working at a record company as an assistant, and I

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<v Speaker 7>was working on producing and writing music at nights and

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<v Speaker 7>on the weekends. And so I started making beats and

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<v Speaker 7>I was getting better at producing, and a mutual friend

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<v Speaker 7>of me and Chris's introduced us, and Chris was big

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<v Speaker 7>into digging for records and all that, and so he

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<v Speaker 7>came over one day and we just made a track

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<v Speaker 7>and it ended up being the track what was the

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<v Speaker 7>first one we made Grand Poobas. So anyway, we made

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<v Speaker 7>a track and we're like, oh, this is really dope,

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<v Speaker 7>but it sounds like it's like nineteen eighty eight. This

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<v Speaker 7>is in two thousand and three. And he kept coming

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<v Speaker 7>over and we kept making beats, and all of a sudden,

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<v Speaker 7>we had this group of beats that we loved, and

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<v Speaker 7>we didn't know what to do with them, because you know,

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<v Speaker 7>it wasn't like fifty cent, who was popping off in

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<v Speaker 7>two thousand and three, was going to get on these

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<v Speaker 7>beats that sounded like nineteen eighty eight.

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<v Speaker 4>So we came up with.

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<v Speaker 7>This idea, like what if we got like our idols

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<v Speaker 7>from nineteen eight eight to somehow get on these records.

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<v Speaker 7>And we didn't I didn't know anybody, really, it was

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<v Speaker 7>just like a dream. And then we came up with

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<v Speaker 7>this whole backstory of top shelf Studios and all the

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<v Speaker 7>tapes were lost in the Tompkin Square Park rides and

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<v Speaker 7>we just sort of just we were just just dreaming

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<v Speaker 7>in my bedroom. Literally just like coming up with this

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<v Speaker 7>story to somehow give this project some context. And it

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<v Speaker 7>wasn't even a project at the time, it was just

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<v Speaker 7>a dream. And so a friend of mine introduced me

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<v Speaker 7>to five to five Freddy and I went to it.

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<v Speaker 7>We went to his house and we played him a

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<v Speaker 7>bunch of beats and he really liked it. He loved

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<v Speaker 7>the concept of it, which was basically there was the

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<v Speaker 7>studio from nineteen eighty eight called Top Shelf. All the

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<v Speaker 7>greatest artists came through there to record after shows, hanging

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<v Speaker 7>out whatever, and during the Tonquin Square Park rides, all

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<v Speaker 7>the tapes were lost.

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<v Speaker 2>And now crazy by the way, thank you.

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<v Speaker 7>And now now fifteen years later, in two thousand and three,

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<v Speaker 7>we find these records, right, But now it's fifteen years

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<v Speaker 7>after that. Because I didn't have I had, I was

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<v Speaker 7>able to. We were able to make the record, but

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<v Speaker 7>we like no one was interested in putting it out,

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<v Speaker 7>and so it wasn't until we had success with Rostroum

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<v Speaker 7>and we're able to do it properly that it's now

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<v Speaker 7>properly coming out now thirty years after the fictional Top

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<v Speaker 7>Shelf Studios was looted during the Tompkins Square Park rides.

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<v Speaker 2>Wow.

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<v Speaker 1>Well, yeah, I think it's only apropos that you do

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<v Speaker 1>it on an even number, which is thirty years into it,

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<v Speaker 1>So it seems like it's all come full circle. How

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<v Speaker 1>did you How did you pitch this idea to each

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<v Speaker 1>to the artist, yes, to each member.

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<v Speaker 7>Well, I thought that by having fat five Freddy on

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<v Speaker 7>my side would help because if it's like two thousand

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<v Speaker 7>and three and it's just like, hey, my name is

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<v Speaker 7>Benji and I want to make this record, that's you know,

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<v Speaker 7>So it was a lot more effective to be like, hey,

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<v Speaker 7>me and fib five Freddy because he came on as

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<v Speaker 7>an executive producer of it.

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<v Speaker 2>Back then.

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<v Speaker 7>You know, we're making this record and blah blah blah,

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<v Speaker 7>and and people like the beats. I think that's what

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<v Speaker 7>it came down to, is people were feeling the energy

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<v Speaker 7>of the project. I mean, you'd have to ask them,

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<v Speaker 7>but to me, it was like, you know, to me,

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<v Speaker 7>it was a celebration of the music that we grew

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<v Speaker 7>up with and that we loved and what got me

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<v Speaker 7>into music in the first place. And so I think

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<v Speaker 7>people felt that energy or I hope they did, which

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<v Speaker 7>was just like it was a celebration and it was

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<v Speaker 7>just like a cool concept idea and like, let's just

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<v Speaker 7>all get together and make a record.

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<v Speaker 1>So I have to ask, were the tracks initially made

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<v Speaker 1>on n SB twelve hundred.

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<v Speaker 4>Or no cheated a little bit. We cheated a little bit.

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<v Speaker 7>We actually made them on an MPC two thousand XL.

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<v Speaker 7>That's close and uh and yeah, yeah, so you know,

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<v Speaker 7>but yeah, no, he didn't make them on sp.

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<v Speaker 1>Well, definitely the spirit of idiot is in there. Like

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<v Speaker 1>I've never thought i'd see the day where you know,

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<v Speaker 1>someone's spitting over something that's one hundred and eight bp ms,

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<v Speaker 1>which you.

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<v Speaker 2>Know, for me, like.

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<v Speaker 1>I mean, I'm I'm just a lover of of of

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<v Speaker 1>fast wraps. So even with chub Rock's track, I was

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<v Speaker 1>like whoa. Like the second I heard, I was like, Oh,

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<v Speaker 1>there's no way he's gonna map and then he started

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<v Speaker 1>like out the now. Yeah, absolutely, So I have to

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<v Speaker 1>ask this room. There's there's one sort of common thread

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<v Speaker 1>that's on almost every Quest Love Supreme show, which.

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<v Speaker 2>I feel the.

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<v Speaker 1>Common denominator of all of you, because of course the

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<v Speaker 1>Latin quarter, of which no one salivates more over Latin

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<v Speaker 1>quarter stories.

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<v Speaker 2>Than I do.

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<v Speaker 1>So yeah, without my corehorts here, who will make fun

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<v Speaker 1>of me of doing this. I have to ask questions

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<v Speaker 1>about the Latin Quarter. They literally, yeah, they made that

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<v Speaker 1>jingle just for me because they know and I ask

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<v Speaker 1>too many questions of it. But for me, I mean,

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<v Speaker 1>I'll be remiss to not let any stories of nineteen

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<v Speaker 1>eighty eight go by without without any Latin Quarter tells.

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<v Speaker 1>First of all, was this room at all like socially?

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<v Speaker 2>Because this is.

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<v Speaker 4>Oh yeah, oh tell y'all man, I'm too young to

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<v Speaker 4>know what.

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<v Speaker 1>You Yeah, I was gonna say, I don't think you

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<v Speaker 1>know right.

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<v Speaker 5>I don't know what you're talking about. That spot really funny.

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<v Speaker 1>You two are actually Juice Crew remembers stars I was

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<v Speaker 1>gonna say. I was gonna say, was Juice crew members.

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<v Speaker 5>To agree with ed? I was really young, but I

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<v Speaker 5>have Yeah, I mean when the symphony was out, I

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<v Speaker 5>was fifteen.

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<v Speaker 1>Yeah, the shouting when I was twelve twelve.

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<v Speaker 5>And but here's the thing about Latin Quarters. I met

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<v Speaker 5>searching front of Latin Quarters when you had the Hate

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<v Speaker 5>Girls song. And the way I wound up in Latin

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<v Speaker 5>Quarters was I used to hey boy, my bad.

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<v Speaker 2>Yeah.

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<v Speaker 5>I used to answer the phones at the Rap Attack

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<v Speaker 5>for mister Magic, and some nights I would wind up

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<v Speaker 5>in Latin Quarters with mister Magic underage, scared to death,

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<v Speaker 5>and I remember bumping into Search in front of there.

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<v Speaker 5>I remember seeing a couple of shows there, but I

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<v Speaker 5>didn't go off, but I would wind up there coming

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<v Speaker 5>from the radio station. So it was kind of weird

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<v Speaker 5>that New York didn't really care about your age. And

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<v Speaker 5>because I had to have been at least fourteen years old.

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<v Speaker 8>Well they made sure that you got a wristband for alcohol.

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<v Speaker 8>So I was at Latin Quarters are fifteen, Yeah, and

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<v Speaker 8>it was okay, And I didn't even want to be

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<v Speaker 8>near a bar, like it was so much going on

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<v Speaker 8>just on a music front, you seeing all the dancers

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<v Speaker 8>and everything, that liquor was the last thing on my mind.

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<v Speaker 9>I agree, I mean I wasn't even I think I

0:11:29.440 --> 0:11:32.600
<v Speaker 9>maybe went to the bar. I can probably count on

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<v Speaker 9>one hand. And it was all five times we're read

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<v Speaker 9>alert to have poopoo juice because he would call us

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<v Speaker 9>all to the bar, all the violators and have poopoo juice,

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<v Speaker 9>which was myers rum pineapple, and I forgot the third thing,

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<v Speaker 9>but yeah, so that was his drink. And I've never

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<v Speaker 9>been anywhere in the world where they know how to

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<v Speaker 9>make poopoo juice, access the Latin Quarter and one bartenders

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<v Speaker 9>in Peace Chris Lighty, Yeah, definitely.

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<v Speaker 10>Well, first of all, Search is being modist because Search

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<v Speaker 10>was the king of Latin Quarters. It's like, you know,

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<v Speaker 10>when when you come in Latin Quarters, it's like just

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<v Speaker 10>you know, it's Red Alert Paradise Gray.

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<v Speaker 2>Mc Search. You know.

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<v Speaker 10>Yeah, that's how that's how it falls. I mean, it's like,

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<v Speaker 10>if you come in there and you don't see Search,

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<v Speaker 10>you gotta think something is wrong. You're for real. I mean,

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<v Speaker 10>it was like he was the king of Latin Quarters.

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<v Speaker 10>That's where I met him first, like really, like like

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<v Speaker 10>when he the Hey Boy song, Like I remember the

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<v Speaker 10>night when Search walked in and Read threw it on

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<v Speaker 10>and gave him love and Search ran on the floor

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<v Speaker 10>and started breaking it down dancing and everybody and everybody

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<v Speaker 10>was screaming it for him. I was like, Okay, you see,

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<v Speaker 10>that's what I need to be doing, you know.

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<v Speaker 1>For real. Wait, now you mentioned something great, you said

0:12:50.559 --> 0:12:53.560
<v Speaker 1>that when you would go with Magic. But I'm under

0:12:53.600 --> 0:13:00.000
<v Speaker 1>the impression that Latin Quarter was more broad alt.

0:13:00.280 --> 0:13:03.800
<v Speaker 5>Well, now, now the thing about it was is we're

0:13:03.840 --> 0:13:07.840
<v Speaker 5>talking before the bridge was like, we're talking when I

0:13:07.880 --> 0:13:11.600
<v Speaker 5>had like the song Transformer out. That was a couple

0:13:11.600 --> 0:13:14.280
<v Speaker 5>of years before the whole conflict started.

0:13:14.559 --> 0:13:17.000
<v Speaker 1>So what was the official first year of the Latin

0:13:17.040 --> 0:13:18.760
<v Speaker 1>Quarter that we know is at eighty six?

0:13:18.800 --> 0:13:22.800
<v Speaker 2>Celebrity Tuesdays? Eighty five Tuesdays and nineteen eighty five, Yeah.

0:13:22.679 --> 0:13:27.160
<v Speaker 9>Celebrity Tuesdays with Paradise and Lamumbo Cars Awesome, too awesome,

0:13:27.200 --> 0:13:30.560
<v Speaker 9>too awesome, too right, and Paradise was working, but it

0:13:30.600 --> 0:13:33.920
<v Speaker 9>was special right, that's exactly right, special Teddy Ted had

0:13:33.960 --> 0:13:35.040
<v Speaker 9>Celebrity Tuesdays.

0:13:35.080 --> 0:13:35.880
<v Speaker 2>That's exactly right.

0:13:35.920 --> 0:13:38.920
<v Speaker 5>Eighty four it was before like the whole drama started.

0:13:38.960 --> 0:13:41.600
<v Speaker 5>So I would go with Magic, and the funny thing

0:13:41.679 --> 0:13:46.400
<v Speaker 5>is Magic would leave me. I'd hit Latin Quarters by myself,

0:13:46.559 --> 0:13:49.200
<v Speaker 5>just like what the hell's going on here? And I

0:13:49.280 --> 0:13:51.040
<v Speaker 5>never went to the bar because I had my little

0:13:51.160 --> 0:13:53.199
<v Speaker 5>rope chain on in the corner, and you know who

0:13:53.200 --> 0:13:55.520
<v Speaker 5>I would see. I would see Hawk and he would

0:13:55.559 --> 0:13:59.320
<v Speaker 5>make me feel safe. That was my brother, because he

0:13:59.320 --> 0:14:01.240
<v Speaker 5>would make me feel safe, and then I'd get a

0:14:01.240 --> 0:14:03.960
<v Speaker 5>little confidence and hang out for a minute.

0:14:04.200 --> 0:14:06.760
<v Speaker 10>But he's talking about the guy that I'm going against

0:14:06.760 --> 0:14:08.160
<v Speaker 10>in the eight and a half step in video with

0:14:08.200 --> 0:14:08.640
<v Speaker 10>the Braids.

0:14:08.840 --> 0:14:10.640
<v Speaker 2>Yeah yeah, yeah.

0:14:10.679 --> 0:14:13.040
<v Speaker 1>Is this the Hawk that you gave a shout out

0:14:13.040 --> 0:14:13.800
<v Speaker 1>to in Rapid Game?

0:14:14.120 --> 0:14:15.800
<v Speaker 2>Yeah that Hawk.

0:14:16.040 --> 0:14:20.080
<v Speaker 1>Yes, I'm about to play out one second for half

0:14:20.120 --> 0:14:23.760
<v Speaker 1>a second before he was a black thought Trek was

0:14:24.200 --> 0:14:29.040
<v Speaker 1>Hawk Hawk Smooth and his acronym was Hype African Warrior,

0:14:29.200 --> 0:14:30.720
<v Speaker 1>keep kicking this smooth.

0:14:31.560 --> 0:14:33.840
<v Speaker 2>I'm sorry listening. I'm sorry to.

0:14:34.480 --> 0:14:40.000
<v Speaker 4>African Warrior keeping it smooth. I'm sorry, good night.

0:14:40.200 --> 0:14:44.720
<v Speaker 5>But it predated the South bronx Bridge beef, so you

0:14:44.800 --> 0:14:45.360
<v Speaker 5>know what I mean.

0:14:45.480 --> 0:14:48.120
<v Speaker 2>But that was kind of Brooklyn. Yo. Did you take

0:14:48.120 --> 0:14:49.480
<v Speaker 2>the train from fall rockaway there?

0:14:49.680 --> 0:14:52.760
<v Speaker 4>I just took the second street I would take.

0:14:52.800 --> 0:14:55.120
<v Speaker 2>The Age was the Latin Quarter.

0:14:55.320 --> 0:15:01.080
<v Speaker 1>The the was before the Latin Quarter was New York's

0:15:01.160 --> 0:15:05.480
<v Speaker 1>regional then, Like, was this the first Manhattan?

0:15:06.680 --> 0:15:11.800
<v Speaker 2>Remember to me? Like I was so for me?

0:15:12.040 --> 0:15:17.240
<v Speaker 9>Eighty three was lynn Brook Hot Skates, Empire, Roller Rink,

0:15:17.920 --> 0:15:21.400
<v Speaker 9>United States of America and Queens like the only place

0:15:21.440 --> 0:15:24.640
<v Speaker 9>to really hear hip hop was split between hip hop

0:15:24.640 --> 0:15:26.160
<v Speaker 9>and dance music and the Five.

0:15:25.960 --> 0:15:28.000
<v Speaker 2>Boroughs Roxy and dance.

0:15:30.280 --> 0:15:34.040
<v Speaker 9>But they were real strict about young boys going in there,

0:15:34.080 --> 0:15:36.800
<v Speaker 9>like they were real like you it was it was

0:15:36.800 --> 0:15:37.480
<v Speaker 9>tough to get.

0:15:37.320 --> 0:15:38.440
<v Speaker 4>In there when you were young.

0:15:38.320 --> 0:15:39.200
<v Speaker 1>And dance Tarrian.

0:15:40.040 --> 0:15:42.360
<v Speaker 8>Yeah, you were getting your hip hop from the roller

0:15:42.400 --> 0:15:47.000
<v Speaker 8>Rins without questions, questions, skates, skate.

0:15:47.640 --> 0:15:51.560
<v Speaker 2>My first show at USA, I got boot what yeah, I.

0:15:51.480 --> 0:15:54.520
<v Speaker 9>Think I got my first show at Empire Roller Rink.

0:15:54.560 --> 0:15:57.480
<v Speaker 9>I got booted because I had a trash record called

0:15:57.520 --> 0:16:04.200
<v Speaker 9>Melissa that was trash. But I could dance really good,

0:16:04.240 --> 0:16:08.080
<v Speaker 9>so that would save me. But that record was trash

0:16:08.160 --> 0:16:09.880
<v Speaker 9>because you got to remember, I went to high school

0:16:09.880 --> 0:16:12.400
<v Speaker 9>with Dan to Dana slick Rick, so I thought if

0:16:12.440 --> 0:16:14.760
<v Speaker 9>I came out with a British accent, I would be fly.

0:16:15.040 --> 0:16:18.080
<v Speaker 4>Oh my god, and it was terrible.

0:16:18.480 --> 0:16:21.960
<v Speaker 9>So I performed at Celebrity Tuesday because you got some

0:16:22.000 --> 0:16:25.000
<v Speaker 9>towour playing the record, and I went there and I

0:16:25.000 --> 0:16:28.080
<v Speaker 9>got on stage and people are looking at me like

0:16:28.080 --> 0:16:28.720
<v Speaker 9>I'm alien.

0:16:28.760 --> 0:16:30.200
<v Speaker 4>So I started dancing and they were.

0:16:30.040 --> 0:16:32.120
<v Speaker 2>Like, oh, white boy, go white boy.

0:16:32.320 --> 0:16:35.160
<v Speaker 9>So I was like, oh, okay, like this I'm saved.

0:16:35.320 --> 0:16:37.360
<v Speaker 9>Like I figured it out, like I could be whack,

0:16:37.920 --> 0:16:41.080
<v Speaker 9>but I could dance. And then Vanilla Ice came and

0:16:41.240 --> 0:16:44.920
<v Speaker 9>just you know, took that whole steak. But I decided

0:16:44.920 --> 0:16:47.080
<v Speaker 9>to kind of grow and have lyrics and you know,

0:16:47.760 --> 0:16:50.920
<v Speaker 9>become something better than just a dancing I.

0:16:50.880 --> 0:16:56.200
<v Speaker 1>See wait, you said you got how so well, I'll

0:16:56.240 --> 0:16:56.960
<v Speaker 1>never forget it.

0:16:56.960 --> 0:16:59.040
<v Speaker 2>It was again with Miss the Magic.

0:17:01.240 --> 0:17:05.880
<v Speaker 5>Joe Sla was performing and I wasn't even supposed to perform,

0:17:05.960 --> 0:17:09.199
<v Speaker 5>and something happened technically with Magic just threw me on

0:17:09.240 --> 0:17:11.680
<v Speaker 5>the mic and no DJ knew what was going on

0:17:11.800 --> 0:17:13.840
<v Speaker 5>or nothing, and I had to kick an a cappella

0:17:13.880 --> 0:17:16.320
<v Speaker 5>and they weren't really friendly with a cappella's back then

0:17:16.560 --> 0:17:20.560
<v Speaker 5>because it was dances. So you know, about eight bars in,

0:17:20.920 --> 0:17:23.399
<v Speaker 5>I think I'm kicking some hard rhyns. This is again

0:17:23.480 --> 0:17:25.520
<v Speaker 5>before I heard Kine and I threw all like seven

0:17:25.600 --> 0:17:26.360
<v Speaker 5>rhyme books away.

0:17:26.480 --> 0:17:28.240
<v Speaker 2>Yep, So my rhyme.

0:17:28.080 --> 0:17:31.280
<v Speaker 5>Was mad basic and like I said, I mean, I

0:17:31.400 --> 0:17:33.320
<v Speaker 5>just wasn't good and I was nervous as hell. Again

0:17:33.359 --> 0:17:35.800
<v Speaker 5>I'm like fourteen years old. I don't know no better.

0:17:35.840 --> 0:17:38.920
<v Speaker 5>But it didn't deter me, you know what I mean.

0:17:38.960 --> 0:17:42.480
<v Speaker 5>But it was weird because when he mentioned USA, it

0:17:42.600 --> 0:17:44.960
<v Speaker 5>was like one of the read like in queens everybody

0:17:45.000 --> 0:17:48.119
<v Speaker 5>came through USA. But growing up in Queensbridge, the Recenter

0:17:48.640 --> 0:17:51.080
<v Speaker 5>was almost like a celebrity spot, so you had mad

0:17:51.119 --> 0:17:54.200
<v Speaker 5>people come through. I remember being ten watching Grand Master,

0:17:54.760 --> 0:17:57.040
<v Speaker 5>I mean Graham Wizard did or cut with handcuffs on,

0:17:57.760 --> 0:18:00.560
<v Speaker 5>and I'm like ten years old, like with my sepkin On,

0:18:00.720 --> 0:18:01.639
<v Speaker 5>just amazed at it.

0:18:01.760 --> 0:18:04.800
<v Speaker 2>So I've seen a lot of stuff. But my brother.

0:18:05.760 --> 0:18:08.560
<v Speaker 5>My grandmother lived across the street from Harlem World and

0:18:08.640 --> 0:18:11.679
<v Speaker 5>forced the projects and my brother would come home. The

0:18:11.720 --> 0:18:13.600
<v Speaker 5>thing about New York back then is it wasn't as

0:18:13.640 --> 0:18:16.119
<v Speaker 5>regional as you thought. There was somebody from any borough

0:18:16.160 --> 0:18:19.119
<v Speaker 5>at any show. It didn't matter how far away it was.

0:18:19.520 --> 0:18:23.440
<v Speaker 5>Brooklyn was always somewhere. So I would get first hand

0:18:23.480 --> 0:18:26.960
<v Speaker 5>copies of like the Fantastic five cro Crush Battle. So

0:18:27.240 --> 0:18:30.800
<v Speaker 5>I would say, like even before Latin Quarters, like Halem

0:18:30.800 --> 0:18:33.359
<v Speaker 5>World was the spot, like you had to be nice

0:18:33.359 --> 0:18:35.800
<v Speaker 5>to perform at Hall. I wanted to perform at Halem

0:18:35.800 --> 0:18:38.200
<v Speaker 5>World when I didn't even write rhymes. I just was

0:18:38.280 --> 0:18:40.159
<v Speaker 5>rhyming off the top of the head non stop, and

0:18:40.200 --> 0:18:42.840
<v Speaker 5>I was like, Halem World's the spot until I wound

0:18:42.920 --> 0:18:45.919
<v Speaker 5>up at Latin Quarters scared to death, or Union Square

0:18:46.119 --> 0:18:48.840
<v Speaker 5>because I was always by myself, magic with I'd get

0:18:48.920 --> 0:18:51.000
<v Speaker 5>in this car with him and then he'd break out.

0:18:51.560 --> 0:18:52.359
<v Speaker 2>Just leave it.

0:18:53.720 --> 0:18:57.480
<v Speaker 5>Union Square was my first spot outside of Brooklyn, really,

0:18:57.560 --> 0:19:00.400
<v Speaker 5>my first hip hop spot outside of Brooklyn can matter

0:19:00.440 --> 0:19:04.199
<v Speaker 5>of fact, Yeah, yeah, Rock Kim, I used to just

0:19:04.240 --> 0:19:04.920
<v Speaker 5>go to Empire.

0:19:04.920 --> 0:19:06.720
<v Speaker 2>I ain't going nowhere. I was a kid. I walked

0:19:06.760 --> 0:19:09.719
<v Speaker 2>the Empire and walked back home. Okay.

0:19:09.880 --> 0:19:13.040
<v Speaker 5>Yeah, so we just was in the hood, local local spots,

0:19:13.040 --> 0:19:16.800
<v Speaker 5>little parties in the hood and stuff like that, block parties.

0:19:17.040 --> 0:19:21.000
<v Speaker 5>But yeah, Rock Kim was at Union Square. My brother

0:19:21.040 --> 0:19:24.640
<v Speaker 5>won tickets on the radio. Yeah we went, Yeah, we went,

0:19:25.119 --> 0:19:27.440
<v Speaker 5>and you know, we never stopped going.

0:19:27.560 --> 0:19:30.560
<v Speaker 1>We was like, oh so even after youngest in charge

0:19:30.600 --> 0:19:33.040
<v Speaker 1>came out and legal don't I don't know what the

0:19:33.119 --> 0:19:37.760
<v Speaker 1>last official year of Latin Quarter was, but nineteen eighty eight, damn. Okay,

0:19:37.840 --> 0:19:39.120
<v Speaker 1>so yep, that was it.

0:19:39.200 --> 0:19:43.359
<v Speaker 9>And it's it's really a very sad story because it's

0:19:44.040 --> 0:19:46.640
<v Speaker 9>I don't think I've ever told this story, but don't cry.

0:19:47.280 --> 0:19:52.760
<v Speaker 9>Yeah nah, So me Fat Raoul, who was the original DJ.

0:19:53.880 --> 0:19:56.080
<v Speaker 9>We came in there on a Thursday night just kind

0:19:56.080 --> 0:19:59.440
<v Speaker 9>of was me Chris Light he may rest and peace,

0:19:59.480 --> 0:20:00.080
<v Speaker 9>big diar.

0:20:01.840 --> 0:20:05.199
<v Speaker 4>Read and we just strolled up in there on a

0:20:05.240 --> 0:20:05.880
<v Speaker 4>Thursday night.

0:20:06.720 --> 0:20:11.800
<v Speaker 9>And in fact, Raoul was DJINGHM and we were going

0:20:11.880 --> 0:20:13.399
<v Speaker 9>to turn it into a hip hop night. We were

0:20:13.480 --> 0:20:16.400
<v Speaker 9>just like, Yo're like, let Red get on the turntables.

0:20:16.960 --> 0:20:22.600
<v Speaker 1>It wasn't a hip hop nightdays.

0:20:21.240 --> 0:20:24.040
<v Speaker 4>This particular Thursday was not a hip hop night.

0:20:24.440 --> 0:20:28.800
<v Speaker 2>And what gay cabaret night? And was doing it?

0:20:28.920 --> 0:20:31.800
<v Speaker 9>You just decided no, no, no, you don't understand like we

0:20:31.800 --> 0:20:35.520
<v Speaker 9>we were just we were just rolling around the City's no,

0:20:35.640 --> 0:20:38.920
<v Speaker 9>I need to verify, like be clear.

0:20:38.760 --> 0:20:44.840
<v Speaker 4>Like I'm like like Twitter right now verified.

0:20:44.880 --> 0:20:47.720
<v Speaker 5>You ain't had to tell this story, you know, no,

0:20:48.160 --> 0:20:51.040
<v Speaker 5>I think it's important, like we on we on, you know,

0:20:51.119 --> 0:20:52.280
<v Speaker 5>we on Quest Love Supreme.

0:20:52.320 --> 0:20:56.560
<v Speaker 9>We need to get supreme. So so I spised out

0:20:56.680 --> 0:20:58.880
<v Speaker 9>like I was. I think, you know, I've been smoking

0:20:58.960 --> 0:21:01.119
<v Speaker 9>or whatever. And I spised and I told all the

0:21:01.119 --> 0:21:04.040
<v Speaker 9>people that wasn't bee boys to get out, and I

0:21:04.080 --> 0:21:07.199
<v Speaker 9>said something real derogatory about gay people. And I was like,

0:21:07.400 --> 0:21:10.120
<v Speaker 9>if you ain't a bee boy, you need to get out.

0:21:11.080 --> 0:21:14.680
<v Speaker 9>And Big Daryl he just got charged and he went

0:21:14.720 --> 0:21:19.280
<v Speaker 9>downstairs and there was this cock diesel dude with his

0:21:19.400 --> 0:21:21.639
<v Speaker 9>man and we went up to him and this dude

0:21:21.760 --> 0:21:27.440
<v Speaker 9>knocked Darryl out, laid him out flat, and Baby Chris

0:21:27.480 --> 0:21:30.600
<v Speaker 9>grabbed me put me in Mike Goldberg's office and he

0:21:30.640 --> 0:21:35.280
<v Speaker 9>said you stay here, and then things started flying, things

0:21:35.320 --> 0:21:38.080
<v Speaker 9>started flying. I was in there for like an hour,

0:21:38.960 --> 0:21:40.760
<v Speaker 9>like an hour, just sitting there.

0:21:41.359 --> 0:21:41.960
<v Speaker 4>I came out.

0:21:42.040 --> 0:21:49.240
<v Speaker 9>Place was trashed, empty, Mike Goldberg was heated, told Red.

0:21:49.080 --> 0:21:51.119
<v Speaker 4>Never come back, told us never come back.

0:21:51.640 --> 0:21:57.080
<v Speaker 9>And I come outside and Chris and Daryl and Ali

0:21:57.680 --> 0:22:00.359
<v Speaker 9>and Red are just sitting on Chris's Mac some more,

0:22:01.280 --> 0:22:05.360
<v Speaker 9>just sitting there and on the corner of forty seven

0:22:05.400 --> 0:22:07.000
<v Speaker 9>the Broadway, and they were like, search go home.

0:22:08.200 --> 0:22:09.840
<v Speaker 4>I was like, Noah. They were like search go.

0:22:09.840 --> 0:22:11.919
<v Speaker 2>Home, damn.

0:22:12.760 --> 0:22:15.800
<v Speaker 4>And that was it, that last end of the last night.

0:22:15.880 --> 0:22:18.960
<v Speaker 8>Wow, that's crazy to even hear, because you know, we

0:22:19.160 --> 0:22:20.400
<v Speaker 8>just knew that it was closed.

0:22:20.400 --> 0:22:22.360
<v Speaker 11>It was like, what the hell happened?

0:22:22.400 --> 0:22:26.480
<v Speaker 8>And what did at that point Union Square, the Sheraton Hotel.

0:22:28.040 --> 0:22:31.520
<v Speaker 8>We knew that I had kind of taken up, you know,

0:22:31.760 --> 0:22:34.320
<v Speaker 8>a lot of the slack and it was younger and

0:22:34.400 --> 0:22:35.560
<v Speaker 8>fresher and everything.

0:22:35.600 --> 0:22:37.520
<v Speaker 11>But I didn't know that was the reason.

0:22:37.200 --> 0:22:40.640
<v Speaker 4>Why Mike, Mike shut it down, shut it down.

0:22:41.200 --> 0:22:43.040
<v Speaker 5>I just thought it was all the stuff that happened

0:22:43.040 --> 0:22:44.840
<v Speaker 5>when you left that closed it.

0:22:45.760 --> 0:22:45.840
<v Speaker 4>No.

0:22:46.040 --> 0:22:47.879
<v Speaker 9>And you know, it's funny because you talk about Hawk

0:22:47.880 --> 0:22:53.000
<v Speaker 9>and Dog Cainge like Hawk Dog a Rock the original.

0:22:52.600 --> 0:22:57.440
<v Speaker 10>Fifty original fifty six killer Ben Hues.

0:22:57.680 --> 0:23:01.480
<v Speaker 9>When I was in the Quarter and they were about

0:23:01.480 --> 0:23:04.679
<v Speaker 9>to do their thing. The one thing I loved about

0:23:04.680 --> 0:23:06.920
<v Speaker 9>those dudes is they would tell me.

0:23:07.080 --> 0:23:10.800
<v Speaker 2>Search, Yeah, that's what would tell me, like always.

0:23:10.359 --> 0:23:14.840
<v Speaker 4>Protected me, like I was a little puzzle, which leaves.

0:23:14.680 --> 0:23:21.239
<v Speaker 1>Me to this question. You knowingly would I don't mean

0:23:21.359 --> 0:23:24.520
<v Speaker 1>risk your life, but hip hop was so potent back

0:23:24.600 --> 0:23:30.440
<v Speaker 1>then that even you're I mean, basically you're playing Russian roulette.

0:23:30.480 --> 0:23:33.560
<v Speaker 1>You don't know what's gonna pop off, because.

0:23:33.320 --> 0:23:35.560
<v Speaker 9>What would happen? No, no, no, what would happen? I'm sorry

0:23:35.680 --> 0:23:38.920
<v Speaker 9>Paul and self. What would happen? Was the quarter got

0:23:38.960 --> 0:23:43.119
<v Speaker 9>so big, right, the rep got so big that the

0:23:43.160 --> 0:23:47.600
<v Speaker 9>tunnel kids would come from Jersey, Connecticut, Long Island. It

0:23:47.640 --> 0:23:52.080
<v Speaker 9>became a feeding market for Brooklyn and for Uptown. And

0:23:52.119 --> 0:23:54.560
<v Speaker 9>these girls from Hempstead would come in and they had

0:23:54.560 --> 0:23:58.919
<v Speaker 9>the big errands and these they were showing out and

0:23:58.960 --> 0:24:01.119
<v Speaker 9>it was like it was there was a shop a

0:24:01.280 --> 0:24:05.199
<v Speaker 9>paradise man like Hogg Dog Deceptor cons like they just

0:24:05.359 --> 0:24:07.840
<v Speaker 9>they went in and they would just give you the

0:24:07.920 --> 0:24:10.640
<v Speaker 9>high sign. And there were certain records when they came

0:24:10.680 --> 0:24:16.840
<v Speaker 9>on Ultramagnetic with either Ultramagnetic came on or rebeled.

0:24:16.440 --> 0:24:25.560
<v Speaker 2>Out a pause, that was it. That was there was.

0:24:25.680 --> 0:24:28.399
<v Speaker 8>Always something that was gonna happen. You just wanted to

0:24:28.440 --> 0:24:31.320
<v Speaker 8>get enough dance time in before it did.

0:24:31.680 --> 0:24:38.880
<v Speaker 1>Quest So when that drum roll comes in on Stetsa.

0:24:36.920 --> 0:24:39.000
<v Speaker 2>In the house on top billing.

0:24:38.760 --> 0:24:42.000
<v Speaker 4>Top me, tuck your stuff, it wasn't even you didn't

0:24:42.040 --> 0:24:42.800
<v Speaker 4>have time to tuck it.

0:24:42.920 --> 0:24:44.960
<v Speaker 9>Like iou would be in the middle of the floor,

0:24:45.000 --> 0:24:49.160
<v Speaker 9>so it'd be Fatima and shake and stretch and all

0:24:49.200 --> 0:24:49.720
<v Speaker 9>of them.

0:24:50.680 --> 0:25:03.000
<v Speaker 6>Stretch right school school, school, Lage, Reggie nice and smooth, Swift, Swift, And.

0:25:02.920 --> 0:25:08.399
<v Speaker 9>As soon as that record came on, I owe you

0:25:08.640 --> 0:25:12.080
<v Speaker 9>was Jay's gone. And what would come in the middle

0:25:12.160 --> 0:25:15.679
<v Speaker 9>of that crowd was every hood.

0:25:15.440 --> 0:25:16.399
<v Speaker 4>Loom that we knew.

0:25:16.920 --> 0:25:18.639
<v Speaker 2>And we were already.

0:25:18.200 --> 0:25:22.600
<v Speaker 11>Back and somebody and was.

0:25:24.480 --> 0:25:27.400
<v Speaker 9>Girls were running out screaming because they were bleeding from

0:25:27.440 --> 0:25:31.560
<v Speaker 9>the ears because their bamboos got yanked yo, And I

0:25:31.600 --> 0:25:32.080
<v Speaker 9>don't know.

0:25:32.000 --> 0:25:32.399
<v Speaker 2>Who it was.

0:25:32.440 --> 0:25:34.080
<v Speaker 9>I'm not even gonna point no fingers because I'm not

0:25:34.080 --> 0:25:37.359
<v Speaker 9>getting thrown under the bus, but somebody from Decepticons. I

0:25:37.400 --> 0:25:40.159
<v Speaker 9>remember when they went after jam Master Jay got to.

0:25:40.160 --> 0:25:46.359
<v Speaker 2>Bring up yo rest inter j kept his kept his.

0:25:46.840 --> 0:25:50.720
<v Speaker 6>They dragged across, they yelled his.

0:25:51.160 --> 0:25:54.600
<v Speaker 9>Ye, he had the chain with the Adidas thing. He

0:25:54.880 --> 0:25:58.000
<v Speaker 9>saw another day and Marv and Mark may he rest

0:25:58.040 --> 0:26:00.680
<v Speaker 9>in peace. He was with him, Hollis who was with him,

0:26:01.200 --> 0:26:07.000
<v Speaker 9>and whoever tetricane to hurricane and whoever tested them. And

0:26:07.119 --> 0:26:08.840
<v Speaker 9>I mean that's one of the few times I remember

0:26:09.280 --> 0:26:12.200
<v Speaker 9>bullets flying in the quarter like you would hear them

0:26:13.800 --> 0:26:17.720
<v Speaker 9>like going past your ear, and you saw like and

0:26:17.880 --> 0:26:20.920
<v Speaker 9>he's holding on and Hollis Crew and he's and they're

0:26:20.960 --> 0:26:23.600
<v Speaker 9>trying to pull it off of his neck and they're

0:26:23.680 --> 0:26:25.720
<v Speaker 9>dragging him across the dance floor.

0:26:26.119 --> 0:26:26.680
<v Speaker 2>It's gone.

0:26:26.720 --> 0:26:29.040
<v Speaker 4>I mean, there's nobody there except for Hollis Crew and

0:26:29.080 --> 0:26:29.560
<v Speaker 4>those dudes.

0:26:29.800 --> 0:26:30.399
<v Speaker 2>And he kept his.

0:26:31.000 --> 0:26:33.560
<v Speaker 10>You remember when Jim Brown would run for a touchdown

0:26:34.520 --> 0:26:36.960
<v Speaker 10>and you see like four or five dudes on his back.

0:26:37.640 --> 0:26:41.439
<v Speaker 2>That's how it looks. Jesus Christ kept his.

0:26:41.600 --> 0:26:48.560
<v Speaker 5>Though, Yes, every week, but it's crazy Tho quest like

0:26:49.680 --> 0:26:52.200
<v Speaker 5>you you wasn't that after midnight and Philly like you

0:26:52.280 --> 0:26:53.880
<v Speaker 5>never like, let me tell you something.

0:26:53.920 --> 0:26:56.920
<v Speaker 4>I know, Yeah, I know, listens when they shut down

0:26:56.960 --> 0:26:58.280
<v Speaker 4>New York, that's when we went.

0:26:59.640 --> 0:27:03.119
<v Speaker 5>Cane at the anniversary show and he had Divine Sounds

0:27:03.160 --> 0:27:03.320
<v Speaker 5>on it.

0:27:03.440 --> 0:27:05.040
<v Speaker 2>Yep, right right.

0:27:05.560 --> 0:27:08.600
<v Speaker 5>And I'll never forget this because I posted it the

0:27:08.720 --> 0:27:10.440
<v Speaker 5>day after because I took a picture with them. I

0:27:10.560 --> 0:27:14.560
<v Speaker 5>was having a conversation and I heard the intro Fi

0:27:14.720 --> 0:27:17.879
<v Speaker 5>plus five and whoever was talking to me, I jetted

0:27:17.960 --> 0:27:19.679
<v Speaker 5>off and ran in the stage because what I remember

0:27:19.760 --> 0:27:23.359
<v Speaker 5>from that song was being at USA and they be

0:27:23.600 --> 0:27:24.640
<v Speaker 5>Fats open for them.

0:27:24.600 --> 0:27:26.520
<v Speaker 2>And they came on and did that song.

0:27:26.880 --> 0:27:27.080
<v Speaker 8>Wow.

0:27:27.200 --> 0:27:31.080
<v Speaker 5>And when they said we're Define Sounds and we're back again,

0:27:31.240 --> 0:27:34.359
<v Speaker 5>somebody started shooting. And this is the crazy thing is

0:27:34.440 --> 0:27:36.600
<v Speaker 5>this is not about being gangster, none of that. I

0:27:36.680 --> 0:27:39.639
<v Speaker 5>loved hip hop so much. I wasn't mad at the gunshots.

0:27:39.720 --> 0:27:41.639
<v Speaker 5>I was mad I did not get to hear the

0:27:41.760 --> 0:27:43.320
<v Speaker 5>song finished being performed.

0:27:43.480 --> 0:27:46.320
<v Speaker 2>That's exactly right, or yeah, like we we.

0:27:46.640 --> 0:27:48.840
<v Speaker 5>I was in a lot of dangerous places because of

0:27:48.960 --> 0:27:52.359
<v Speaker 5>hip hop, yo like, and I was totally oblivious to

0:27:52.440 --> 0:27:54.120
<v Speaker 5>it because I just wanted to hear the music.

0:27:54.240 --> 0:27:56.200
<v Speaker 2>That's exactly right. So that's exactly.

0:27:56.359 --> 0:28:02.040
<v Speaker 9>I remember going to Zanzibar to see you performed. It

0:28:02.160 --> 0:28:04.800
<v Speaker 9>was a Juice Crew night, it was Shante, it was you,

0:28:05.560 --> 0:28:07.960
<v Speaker 9>it was Master Ace, it was Zanziball.

0:28:08.560 --> 0:28:10.440
<v Speaker 4>Y'all didn't even make the stage.

0:28:11.200 --> 0:28:16.760
<v Speaker 9>They played, they played Lean on Me, and that place

0:28:17.240 --> 0:28:20.320
<v Speaker 9>got shot up before y'all even probably even got in

0:28:20.400 --> 0:28:20.800
<v Speaker 9>the limit.

0:28:20.960 --> 0:28:22.880
<v Speaker 2>How about sensations though a little.

0:28:22.800 --> 0:28:25.000
<v Speaker 4>Small hallway, that one hallway.

0:28:24.840 --> 0:28:29.640
<v Speaker 5>And all the way place symphony, Yes, the first Yes,

0:28:30.160 --> 0:28:33.200
<v Speaker 5>that all hall way. Man Like, a lot of stuff

0:28:33.240 --> 0:28:35.359
<v Speaker 5>happened from that dressing room to the stage.

0:28:35.640 --> 0:28:39.200
<v Speaker 2>No, yeah, I remember all those places. I want to remember.

0:28:39.560 --> 0:28:41.480
<v Speaker 2>I want to know how you remember all that stuff,

0:28:41.560 --> 0:28:42.160
<v Speaker 2>man Like I don't.

0:28:43.000 --> 0:28:45.720
<v Speaker 1>It's you can't forget it.

0:28:46.640 --> 0:28:49.960
<v Speaker 2>Venes, I remember the names of the venues, but I can't.

0:28:50.160 --> 0:28:57.800
<v Speaker 2>I actually that one little with the glass mirrorage so

0:28:57.960 --> 0:28:59.200
<v Speaker 2>vividly remember.

0:29:00.000 --> 0:29:04.080
<v Speaker 9>I remember you performing at Hinchcliffe Coliseum in Patterson, New

0:29:04.200 --> 0:29:12.160
<v Speaker 9>Jersey with KRS Boogie Down Productions Audio two You Rock,

0:29:12.280 --> 0:29:16.440
<v Speaker 9>sand I got thirty four seconds on stage to do

0:29:16.560 --> 0:29:20.240
<v Speaker 9>a portion of something I mean, and it was the

0:29:20.320 --> 0:29:23.600
<v Speaker 9>stage was on the fifty yard line and the crowd

0:29:23.760 --> 0:29:27.800
<v Speaker 9>was like a thousand miles away, and it was like

0:29:28.360 --> 0:29:30.960
<v Speaker 9>there was like two thousand people in this stadium of

0:29:31.280 --> 0:29:35.200
<v Speaker 9>maybe ten thousand people, and it was the greatest show.

0:29:35.480 --> 0:29:38.480
<v Speaker 9>I mean, I thought hip hop had reached its pinnacle,

0:29:39.000 --> 0:29:40.720
<v Speaker 9>you know what I'm saying, Because it was like eighty

0:29:41.080 --> 0:29:44.760
<v Speaker 9>seven or something, and there was actually like people in

0:29:44.840 --> 0:29:47.920
<v Speaker 9>the middle of an outdoor stadium coming to a show

0:29:48.000 --> 0:29:51.440
<v Speaker 9>because you know, we were doing like you know, but

0:29:51.560 --> 0:29:53.920
<v Speaker 9>we also doing the spectrum, we were doing Masison Square

0:29:53.960 --> 0:29:57.120
<v Speaker 9>Guard eighty seven was really starting, you know, to pop

0:29:57.200 --> 0:29:59.520
<v Speaker 9>off like that, you know, run DMC and A B

0:29:59.640 --> 0:30:03.680
<v Speaker 9>C Boys as they sold out the guarden, you know, right,

0:30:03.880 --> 0:30:06.040
<v Speaker 9>all of that. But to see like people in an

0:30:06.120 --> 0:30:12.840
<v Speaker 9>outdoor a like a stadium stadium, it was like mind blowing.

0:30:17.760 --> 0:30:18.000
<v Speaker 2>For you.

0:30:18.160 --> 0:30:23.200
<v Speaker 1>What were the like the most notable performances that occurred.

0:30:23.560 --> 0:30:28.440
<v Speaker 1>I've heard the the Keras One versus Melley Mello thing, whatever,

0:30:29.200 --> 0:30:33.160
<v Speaker 1>I've heard that story, But what were in your mind, like,

0:30:33.720 --> 0:30:36.680
<v Speaker 1>what was the consummate, unbeatable performance at.

0:30:38.080 --> 0:30:40.920
<v Speaker 5>I would honestly say, to be honest with you, it

0:30:41.000 --> 0:30:45.200
<v Speaker 5>would be when I first saw a public enemy.

0:30:45.320 --> 0:30:47.080
<v Speaker 8>Oh my god, I was getting ready to say public

0:30:47.400 --> 0:30:48.200
<v Speaker 8>at Latin Quarters.

0:30:48.280 --> 0:30:50.400
<v Speaker 1>Yeah, that was the first time or the rebel without

0:30:50.400 --> 0:30:51.320
<v Speaker 1>a parts time though.

0:30:51.560 --> 0:30:51.640
<v Speaker 4>Was.

0:30:53.240 --> 0:30:57.920
<v Speaker 2>It or was it public Enemy number one? That one?

0:30:58.040 --> 0:31:01.680
<v Speaker 8>And he said, I remember he's remember I'm saying, I

0:31:01.800 --> 0:31:04.880
<v Speaker 8>feel like I'm on I god damn shelf because.

0:31:04.640 --> 0:31:08.480
<v Speaker 5>The stage was so shallow, it was very high and

0:31:08.640 --> 0:31:11.360
<v Speaker 5>it wasn't that and the base from that beat was

0:31:11.720 --> 0:31:12.760
<v Speaker 5>rattling the club.

0:31:12.960 --> 0:31:13.520
<v Speaker 2>I never.

0:31:14.920 --> 0:31:18.120
<v Speaker 9>But what you guys don't remember, but you guys two things.

0:31:18.400 --> 0:31:20.760
<v Speaker 9>One thing was the first time they ever performed there

0:31:21.440 --> 0:31:24.160
<v Speaker 9>was for their Yobum Rush to Show album. They got

0:31:24.200 --> 0:31:26.640
<v Speaker 9>booed off stage like we were throwing batteries at them.

0:31:26.680 --> 0:31:27.320
<v Speaker 2>They were terrible.

0:31:28.280 --> 0:31:29.960
<v Speaker 4>Yeah no, no, no, that was no no.

0:31:30.240 --> 0:31:33.640
<v Speaker 9>And then literally a year later that's when I was raped.

0:31:34.200 --> 0:31:37.720
<v Speaker 9>But I remember, like for me, like to me. The

0:31:37.800 --> 0:31:42.640
<v Speaker 9>shows that I remember were the transformation shows. I remember

0:31:42.720 --> 0:31:43.960
<v Speaker 9>the Audio two doing I.

0:31:44.120 --> 0:31:49.880
<v Speaker 4>Like Cherries, I like Days Better and Grapes sau.

0:31:50.200 --> 0:31:56.960
<v Speaker 12>That they did that at Latin Court, yes, the first

0:31:57.040 --> 0:32:00.560
<v Speaker 12>time Audio two ever performed, and four Top Build a

0:32:00.720 --> 0:32:04.080
<v Speaker 12>year before, a year before they came out of the box.

0:32:04.280 --> 0:32:06.000
<v Speaker 1>I like cherries, yes, oh no.

0:32:06.480 --> 0:32:09.440
<v Speaker 11>Yes, I like cherries before I met them.

0:32:10.280 --> 0:32:15.360
<v Speaker 9>Okay, and I'll and I'll accept it. I'll accept that, Sierr.

0:32:15.800 --> 0:32:19.280
<v Speaker 9>That's fine, and that's fine. But those transformations are the

0:32:19.360 --> 0:32:22.760
<v Speaker 9>things that I remember the best, because that was eighty

0:32:22.840 --> 0:32:25.640
<v Speaker 9>seven and then they went to Top villain and the

0:32:25.760 --> 0:32:27.240
<v Speaker 9>place went bonkers.

0:32:27.320 --> 0:32:29.600
<v Speaker 4>But you know what, the box top Billain was just

0:32:30.560 --> 0:32:33.360
<v Speaker 4>and the second top.

0:32:33.240 --> 0:32:37.760
<v Speaker 2>Villain was immediate, immediatemediate. That was because the top building

0:32:37.800 --> 0:32:39.920
<v Speaker 2>that was immediate. But let me correct myself.

0:32:40.000 --> 0:32:42.120
<v Speaker 5>Honestly, it wasn't the Public Enemy show, and I'll keep

0:32:42.160 --> 0:32:45.479
<v Speaker 5>it a hundred the goddamn Juice Crew show at the Apollo.

0:32:46.280 --> 0:32:49.320
<v Speaker 2>When Biz came out of those quarters.

0:32:50.560 --> 0:32:52.600
<v Speaker 5>Quarters, it was public and I thought you met period

0:32:52.720 --> 0:32:54.440
<v Speaker 5>like it might have been the Juice Crew Show at

0:32:54.480 --> 0:32:54.880
<v Speaker 5>the Apollo.

0:32:55.200 --> 0:32:57.120
<v Speaker 4>Okay, yeah, I mean came.

0:32:57.000 --> 0:33:00.240
<v Speaker 5>Out of a giant nose caane came swinging down from

0:33:00.280 --> 0:33:02.200
<v Speaker 5>a damn ivory bench.

0:33:02.600 --> 0:33:03.560
<v Speaker 2>I don't know remember when.

0:33:06.120 --> 0:33:08.720
<v Speaker 5>This was the first time I seen a production like

0:33:08.880 --> 0:33:11.680
<v Speaker 5>and I'm down with these dudes, and I remember them

0:33:11.760 --> 0:33:18.360
<v Speaker 5>not wanting me to perform driving a giants start dropping out.

0:33:22.120 --> 0:33:22.600
<v Speaker 4>I'll tell you.

0:33:22.880 --> 0:33:25.800
<v Speaker 9>I'll tell you another great show that I remember. It

0:33:25.960 --> 0:33:30.200
<v Speaker 9>was winter, it was cold, it was cold, and this

0:33:30.440 --> 0:33:33.520
<v Speaker 9>was when Emerald City and Red Parrot were doing hip

0:33:33.520 --> 0:33:36.880
<v Speaker 9>hop nights and they had a really interesting way to

0:33:36.920 --> 0:33:40.880
<v Speaker 9>get to the club because the stairs and that was

0:33:40.960 --> 0:33:44.040
<v Speaker 9>really like a Juice Crew spot, like that was Magic's home.

0:33:44.160 --> 0:33:46.840
<v Speaker 9>That was like that was a Juice Crew house, like

0:33:46.960 --> 0:33:51.120
<v Speaker 9>they were there every week. But Roxanne and Biz did

0:33:51.160 --> 0:33:54.440
<v Speaker 9>their record. I'm shantem right. So they're at the Red

0:33:54.440 --> 0:33:56.040
<v Speaker 9>Parrot and I'm looking at the watch and I'm like,

0:33:56.200 --> 0:33:58.520
<v Speaker 9>I gotta get to the Q. I run to the

0:33:58.600 --> 0:34:02.280
<v Speaker 9>o Q, you know, having a good time, blah blah

0:34:02.320 --> 0:34:05.800
<v Speaker 9>blah blah. And then everything goes dark and we think, oh,

0:34:06.560 --> 0:34:09.239
<v Speaker 9>powering out or something, and then all you hear is

0:34:10.080 --> 0:34:14.200
<v Speaker 9>Vic and then Biz walked out and then Shauntey walked

0:34:14.200 --> 0:34:17.080
<v Speaker 9>out in a full length fur and.

0:34:17.280 --> 0:34:23.759
<v Speaker 2>It was a rap. It was a rap. It was

0:34:23.840 --> 0:34:24.319
<v Speaker 2>a rap.

0:34:24.400 --> 0:34:27.879
<v Speaker 9>I There are very few shows that I remember where

0:34:27.960 --> 0:34:31.200
<v Speaker 9>people went that crazy that was a rap.

0:34:31.920 --> 0:34:33.960
<v Speaker 1>Were these shows in which people would just perform their

0:34:34.000 --> 0:34:36.240
<v Speaker 1>single and that was it or was it a full.

0:34:36.400 --> 0:34:39.759
<v Speaker 9>People would just show up and perform and leave. You

0:34:39.800 --> 0:34:43.560
<v Speaker 9>would just come in and get busy max and.

0:34:43.680 --> 0:34:48.280
<v Speaker 4>Relieve inside, and you were happy. You were so happy,

0:34:48.400 --> 0:34:49.800
<v Speaker 4>you were so happy.

0:34:50.520 --> 0:34:52.920
<v Speaker 9>I mean, and I hate to parlay it into this

0:34:53.120 --> 0:34:55.799
<v Speaker 9>and I'm not trying to, but like, what makes eighty

0:34:55.840 --> 0:34:59.840
<v Speaker 9>eight the Golden Era is because of this. It's because

0:35:00.080 --> 0:35:04.799
<v Speaker 9>like everything kind of accumulated up, you know what I'm saying,

0:35:04.880 --> 0:35:07.400
<v Speaker 9>like eighty five and eighty six with Rock Kim and

0:35:07.920 --> 0:35:10.800
<v Speaker 9>Kine and the Canaan Rock Kim battles, you know, not

0:35:11.000 --> 0:35:13.359
<v Speaker 9>battles like beef, but battle who is the better MC

0:35:14.080 --> 0:35:17.080
<v Speaker 9>and g rap with I'm fly rolling up my tentsive window,

0:35:17.239 --> 0:35:19.480
<v Speaker 9>raised my antenna because I'm not only fly, but I'm

0:35:19.520 --> 0:35:20.479
<v Speaker 9>a big bread winner.

0:35:20.800 --> 0:35:22.359
<v Speaker 4>Like oh my god, queens.

0:35:22.040 --> 0:35:24.960
<v Speaker 9>Represent you know, And it was like all of this movement,

0:35:25.040 --> 0:35:28.799
<v Speaker 9>movement movement in eighty eight, like Thomas set it straight.

0:35:28.800 --> 0:35:30.560
<v Speaker 9>You know what I'm saying, ain't no half stepping word.

0:35:30.680 --> 0:35:33.520
<v Speaker 9>I'm ready, like when he said that, when Kate said that,

0:35:33.760 --> 0:35:36.759
<v Speaker 9>like it was it. We were ready, Like it wasn't

0:35:36.840 --> 0:35:38.320
<v Speaker 9>just him ready, we were ready.

0:35:38.880 --> 0:35:41.200
<v Speaker 4>We were ready to be greater than the sum of

0:35:41.280 --> 0:35:43.080
<v Speaker 4>what we were in the streets of our boroughs.

0:35:43.400 --> 0:35:45.960
<v Speaker 10>I think eighty eight was like you know, transformation, you

0:35:46.040 --> 0:35:49.840
<v Speaker 10>know period, you know, like during like the mid eighties.

0:35:50.480 --> 0:35:52.239
<v Speaker 10>What was going on was like during the time of

0:35:52.400 --> 0:35:55.000
<v Speaker 10>the show, and a lot of that it was like

0:35:55.120 --> 0:36:00.440
<v Speaker 10>really like the hip hop party era where you know,

0:36:00.480 --> 0:36:03.360
<v Speaker 10>a lot of the hip hop dancers played a major

0:36:03.480 --> 0:36:07.880
<v Speaker 10>part and the whole crowd participation, that interaction thing you know,

0:36:07.920 --> 0:36:11.719
<v Speaker 10>it was that that party feel that like cats like

0:36:11.840 --> 0:36:16.239
<v Speaker 10>your Busy Bee DJ, Hollywood Buck Starsky were doing it

0:36:16.520 --> 0:36:19.320
<v Speaker 10>regular parties back in the days. Now it's like on

0:36:19.600 --> 0:36:24.760
<v Speaker 10>Wax that way. But then incomes you know, on Brothers.

0:36:25.000 --> 0:36:27.960
<v Speaker 10>I think rock Kim was first, and then Kars and

0:36:28.040 --> 0:36:32.160
<v Speaker 10>then myself and it started turning into a lyrical thing,

0:36:32.800 --> 0:36:35.200
<v Speaker 10>you know. And I think at that point, you know

0:36:35.280 --> 0:36:38.360
<v Speaker 10>a lot of people were, you know, like really like

0:36:38.960 --> 0:36:43.480
<v Speaker 10>stepping their game up lyrically, and the MC his presence

0:36:43.640 --> 0:36:47.160
<v Speaker 10>was really really being felt, you know, because I mean,

0:36:47.200 --> 0:36:49.960
<v Speaker 10>if you think about it, you know, back then, any

0:36:50.080 --> 0:36:52.920
<v Speaker 10>artist that came out with his DJ the DJ name

0:36:53.000 --> 0:36:56.840
<v Speaker 10>came first, you know, Jasey, Jeffer Fresh, Prince, Eric b

0:36:56.960 --> 0:36:59.680
<v Speaker 10>and Rakim Grand that's the Flagh in the Furious Five.

0:37:00.680 --> 0:37:02.919
<v Speaker 2>It was like the artist was making their presence felt.

0:37:03.400 --> 0:37:09.680
<v Speaker 1>Okay, So from each of you, what song during that

0:37:09.840 --> 0:37:13.520
<v Speaker 1>period did you hear that just made you, that just

0:37:13.719 --> 0:37:19.320
<v Speaker 1>transformed your whole artistic approach, Like you hearing something like

0:37:20.400 --> 0:37:24.720
<v Speaker 1>Jay will always till this day talk about him hearing

0:37:25.000 --> 0:37:28.400
<v Speaker 1>who Shot You for the first time in his car

0:37:28.640 --> 0:37:32.200
<v Speaker 1>and that totally transforming his life and his whole approach

0:37:32.280 --> 0:37:35.560
<v Speaker 1>to how he was going to be as as an

0:37:35.719 --> 0:37:39.160
<v Speaker 1>MC And I mean I've heard this countless of times

0:37:39.200 --> 0:37:42.560
<v Speaker 1>with different songs. But for you guys, which is the

0:37:42.640 --> 0:37:47.280
<v Speaker 1>class of eighty eight eighty nine, because me, as a consumer,

0:37:47.960 --> 0:37:52.240
<v Speaker 1>I cannot think of another year in which, week after

0:37:52.400 --> 0:37:56.520
<v Speaker 1>week after week was just some life changing shit coming

0:37:56.560 --> 0:38:02.360
<v Speaker 1>out every week. Literally, Like I mean at least twenty

0:38:02.440 --> 0:38:07.480
<v Speaker 1>four to twenty five classic albums, like career defining albums

0:38:08.000 --> 0:38:10.680
<v Speaker 1>that year alone. So for you guys that are actually

0:38:10.719 --> 0:38:14.880
<v Speaker 1>participating in it, was it a thing of like, oh,

0:38:14.920 --> 0:38:17.000
<v Speaker 1>I'm a fan of it, or were you like did

0:38:17.040 --> 0:38:19.360
<v Speaker 1>you feel a certain way when you heard lyrics and

0:38:19.440 --> 0:38:22.399
<v Speaker 1>fury or like damn, like all right, I gotta come

0:38:22.480 --> 0:38:25.840
<v Speaker 1>with it, and like what song from a peer of

0:38:25.920 --> 0:38:29.040
<v Speaker 1>yours that made you feel a certain way?

0:38:29.120 --> 0:38:32.560
<v Speaker 2>Like damn, Like I gotta come this damn guy right here?

0:38:32.719 --> 0:38:33.560
<v Speaker 11>Man, Like I.

0:38:35.160 --> 0:38:37.719
<v Speaker 5>Being having access to Mally, you hear stuff early and

0:38:37.760 --> 0:38:40.440
<v Speaker 5>I think he had that little silver cougar and I

0:38:40.520 --> 0:38:42.320
<v Speaker 5>get in the call and he puts his tape in

0:38:42.920 --> 0:38:46.560
<v Speaker 5>and I hear set it off, and I was just like, okay, man,

0:38:47.960 --> 0:38:51.200
<v Speaker 5>I gotta go home. Just put burn all my rhyme books.

0:38:51.760 --> 0:38:54.760
<v Speaker 5>The old one, two, rhyme, rhyme, step and it's ova,

0:38:55.200 --> 0:39:00.399
<v Speaker 5>It's done, It's done. And then I remember this dude,

0:39:00.600 --> 0:39:01.880
<v Speaker 5>I used to go out, Like I said, I used

0:39:01.880 --> 0:39:04.040
<v Speaker 5>to answer the phones at BLS and I would come

0:39:04.080 --> 0:39:06.759
<v Speaker 5>in early and listen to all the new records. I've

0:39:06.880 --> 0:39:09.160
<v Speaker 5>never heard a special Ed in my entire life. Then

0:39:09.600 --> 0:39:12.680
<v Speaker 5>and I put his album on, and the same way

0:39:12.800 --> 0:39:15.440
<v Speaker 5>he was doing it with bars, but it was like effortless,

0:39:15.560 --> 0:39:18.440
<v Speaker 5>like he was talking to you. I was like, holy shit, man,

0:39:18.520 --> 0:39:22.600
<v Speaker 5>see now that I can't be Kane. I can't be Ed,

0:39:22.719 --> 0:39:25.120
<v Speaker 5>but I could be myself because Ed is being itself.

0:39:25.280 --> 0:39:28.240
<v Speaker 5>He's dropping ill bars, but it sounds like he's making

0:39:28.320 --> 0:39:32.040
<v Speaker 5>a sweat exactly exactly. So there was a lot of

0:39:32.120 --> 0:39:34.800
<v Speaker 5>moments in those times, not just eighty eight, but in

0:39:34.880 --> 0:39:38.040
<v Speaker 5>those few that little corner of years eighty eight, eighty

0:39:38.160 --> 0:39:44.040
<v Speaker 5>nine and all like MC's went from you know, just

0:39:44.160 --> 0:39:47.759
<v Speaker 5>the basic pattern of a regular bar in the cadences,

0:39:48.200 --> 0:39:52.520
<v Speaker 5>rapping three words in one sentence. And it was like, okay, wait,

0:39:53.920 --> 0:39:56.360
<v Speaker 5>you know I started with shot, Well listen, everybody, my

0:39:56.480 --> 0:39:57.080
<v Speaker 5>name is Craigg.

0:39:57.360 --> 0:39:59.799
<v Speaker 2>I was like, okay, well that style is done.

0:40:00.840 --> 0:40:03.400
<v Speaker 1>I can't do that.

0:40:06.440 --> 0:40:09.840
<v Speaker 2>When I heard said. When I heard said it off, I.

0:40:12.480 --> 0:40:14.640
<v Speaker 5>Was like, okay, man, and not even and even before

0:40:14.640 --> 0:40:16.960
<v Speaker 5>I said it off, I can't hold it back that one.

0:40:18.040 --> 0:40:20.560
<v Speaker 2>I was like, Yo, these dudes is rhyming like. And

0:40:20.680 --> 0:40:22.399
<v Speaker 2>the funny story I always tell this story.

0:40:22.440 --> 0:40:24.839
<v Speaker 5>You know, I was at the studio when Rock Kim

0:40:25.000 --> 0:40:28.759
<v Speaker 5>did Eric be his president Shan mixed that song and

0:40:29.000 --> 0:40:32.680
<v Speaker 5>we were laughing at him because he was punching in

0:40:32.920 --> 0:40:35.520
<v Speaker 5>each line. And I'm not saying that's anything against him

0:40:35.520 --> 0:40:37.640
<v Speaker 5>as a rapper. Maybe he didn't know how to record

0:40:37.719 --> 0:40:40.600
<v Speaker 5>in the studio then and we were like, this is terrible,

0:40:41.280 --> 0:40:42.920
<v Speaker 5>like I didn't know. And then when I heard it

0:40:43.120 --> 0:40:45.160
<v Speaker 5>like a week later, mall he was turning records around

0:40:45.200 --> 0:40:47.160
<v Speaker 5>in like a week. The next week on the radio

0:40:47.239 --> 0:40:48.520
<v Speaker 5>I heard it, I was like, that is not the

0:40:48.640 --> 0:40:51.800
<v Speaker 5>goddamn same song. I was sitting in the studio listeners.

0:40:52.560 --> 0:40:56.040
<v Speaker 9>And I'll tell you that that moment. I used to

0:40:56.080 --> 0:40:58.000
<v Speaker 9>hang out with Eric a lot in the quarter and

0:40:58.000 --> 0:40:59.680
<v Speaker 9>I used to drive him out to Wine Dance. He

0:40:59.719 --> 0:41:02.800
<v Speaker 9>had old little shorty that he had in wine dancing

0:41:02.880 --> 0:41:05.280
<v Speaker 9>because he thought I lived in the Five Towns.

0:41:05.320 --> 0:41:07.560
<v Speaker 4>I lived near Wine Dance, Long Island.

0:41:07.280 --> 0:41:10.680
<v Speaker 9>Which was like two hours out of my way, but

0:41:10.960 --> 0:41:12.520
<v Speaker 9>I was just, you know, I just wanted to hang

0:41:12.560 --> 0:41:16.680
<v Speaker 9>out with Eric Bright. He gave me a white label

0:41:17.520 --> 0:41:21.480
<v Speaker 9>of Eric B for President on Zakia Records, and I

0:41:21.600 --> 0:41:22.160
<v Speaker 9>listened to it.

0:41:22.440 --> 0:41:23.440
<v Speaker 4>And when I heard.

0:41:27.280 --> 0:41:28.960
<v Speaker 9>Sitting on the couch with my feet up, you think

0:41:29.000 --> 0:41:31.160
<v Speaker 9>I'm lazy? You must be crazy. You thought I was

0:41:31.200 --> 0:41:35.120
<v Speaker 9>a donut. You tried to glaze me. I threw every

0:41:35.239 --> 0:41:38.360
<v Speaker 9>round book I had in the trash and I'll never forget.

0:41:38.400 --> 0:41:40.320
<v Speaker 9>The next day, I went to see some homeboys that

0:41:40.400 --> 0:41:43.560
<v Speaker 9>I just graduated high school with and I said to him.

0:41:44.200 --> 0:41:46.040
<v Speaker 9>I said, to my man, g Man Holt Man, he

0:41:46.120 --> 0:41:48.120
<v Speaker 9>rests in peace. I was like, yo, you heard that

0:41:48.280 --> 0:41:50.360
<v Speaker 9>ERICB for President? And we both said thought I was

0:41:50.400 --> 0:41:52.560
<v Speaker 9>a donut. You tried to glaze me. It was the

0:41:52.960 --> 0:41:58.160
<v Speaker 9>craziest shit I ever heard. And then a month two

0:41:58.280 --> 0:42:02.080
<v Speaker 9>months later, this knuckle head comes out and changes the

0:42:02.160 --> 0:42:06.880
<v Speaker 9>whole game. Brannan, Now, I mean Wrath of Cain was

0:42:06.960 --> 0:42:11.160
<v Speaker 9>another point in my career where I just for a

0:42:11.280 --> 0:42:14.800
<v Speaker 9>minute there I was like, yeah, I can't do this.

0:42:15.200 --> 0:42:18.120
<v Speaker 9>I can't I just me personally, I can't do this.

0:42:18.520 --> 0:42:21.520
<v Speaker 1>I see him do this. I've seen Ratha Kane change

0:42:21.600 --> 0:42:28.439
<v Speaker 1>Tarik's life. One of Lady Bee's apprentice was in high

0:42:28.480 --> 0:42:30.400
<v Speaker 1>school with me, so he used to answer phones to

0:42:30.440 --> 0:42:33.560
<v Speaker 1>Para ninety nine in Philly, so he'd off to bring

0:42:33.640 --> 0:42:36.800
<v Speaker 1>in like promotional twelve inches and all that stuff, so

0:42:36.920 --> 0:42:38.640
<v Speaker 1>we heard like stuff ahead of time.

0:42:39.000 --> 0:42:44.040
<v Speaker 2>But man, we were in fifth period and.

0:42:44.280 --> 0:42:46.959
<v Speaker 1>He was at the door of school and he held

0:42:47.040 --> 0:42:51.239
<v Speaker 1>up we saw the cold Chilling Them logo, and he

0:42:51.400 --> 0:42:59.279
<v Speaker 1>was like, somehow we excused ourselves from English class, went

0:42:59.360 --> 0:43:02.239
<v Speaker 1>to the rooftop and he says, you gotta hear this ship,

0:43:02.840 --> 0:43:09.080
<v Speaker 1>and he like, I'll never forget the collective jaw drop

0:43:09.360 --> 0:43:12.800
<v Speaker 1>of twelve of us cutting various classes or whatever. Like

0:43:13.280 --> 0:43:15.440
<v Speaker 1>lunch period was different for something like eleventh grader had

0:43:15.480 --> 0:43:17.080
<v Speaker 1>a little blue school record place.

0:43:17.200 --> 0:43:21.600
<v Speaker 4>Yeah, we had like a little the preschool Crosbysby.

0:43:22.680 --> 0:43:27.080
<v Speaker 1>And we were just staring at We did not know

0:43:27.800 --> 0:43:28.399
<v Speaker 1>what that ship.

0:43:28.920 --> 0:43:31.439
<v Speaker 9>We just I'll tell lights something that you don't even

0:43:31.520 --> 0:43:35.480
<v Speaker 9>know when you did. I'm not having it with pas K.

0:43:36.360 --> 0:43:38.080
<v Speaker 9>I cut off K Love for like the rest of

0:43:38.160 --> 0:43:41.880
<v Speaker 9>my life because yeah, because when Hay Love, when I

0:43:41.960 --> 0:43:44.200
<v Speaker 9>did Hey Boy with K Love, like I wanted to

0:43:44.280 --> 0:43:46.480
<v Speaker 9>do a record like that with her, and she was

0:43:46.560 --> 0:43:48.200
<v Speaker 9>fronting like she was like, yeah, I'm not you know,

0:43:48.480 --> 0:43:49.640
<v Speaker 9>nobody's trying to hear all that.

0:43:50.000 --> 0:43:52.839
<v Speaker 4>And then y'all came out with that and I was like, yo,

0:43:52.960 --> 0:43:54.719
<v Speaker 4>cheek guy, you, I can't fuck with you.

0:43:55.120 --> 0:43:55.920
<v Speaker 1>I can't fuck with you.

0:43:56.239 --> 0:43:59.040
<v Speaker 4>Like see that we could have done that, Like we

0:43:59.239 --> 0:43:59.840
<v Speaker 4>could have done that.

0:44:00.400 --> 0:44:01.840
<v Speaker 2>That to me was the.

0:44:01.920 --> 0:44:06.160
<v Speaker 9>Greatest duet top five that are alive. That duet is

0:44:06.360 --> 0:44:08.400
<v Speaker 9>just still to this day incredible.

0:44:08.960 --> 0:44:11.160
<v Speaker 2>What was the B side the cram to understand you?

0:44:11.200 --> 0:44:13.359
<v Speaker 11>What was it called a take it Light?

0:44:13.840 --> 0:44:13.880
<v Speaker 9>No?

0:44:15.920 --> 0:44:18.080
<v Speaker 5>I had the ill bounce beat to it. I used

0:44:18.080 --> 0:44:22.000
<v Speaker 5>to call awesome too and request it. I used to

0:44:22.040 --> 0:44:25.920
<v Speaker 5>call it awesome too. I used to call records in

0:44:25.960 --> 0:44:26.400
<v Speaker 5>the morning.

0:44:26.520 --> 0:44:27.560
<v Speaker 2>He came on Tuesday.

0:44:28.040 --> 0:44:31.000
<v Speaker 11>B side to cram to understand you was take it light?

0:44:31.239 --> 0:44:31.840
<v Speaker 1>Was it take it light?

0:44:31.920 --> 0:44:33.719
<v Speaker 2>With the ill jo I used to call.

0:44:35.080 --> 0:44:37.200
<v Speaker 5>Yeah, I used to call and I used to call

0:44:37.320 --> 0:44:39.239
<v Speaker 5>awesome too at four thirty in the morning on a

0:44:39.320 --> 0:44:44.480
<v Speaker 5>Tuesday morning. When if your mom's caught you on the phone,

0:44:44.800 --> 0:44:47.759
<v Speaker 5>she would whoop that I would be calling and I'd

0:44:47.800 --> 0:44:48.839
<v Speaker 5>be whispering into the phone.

0:44:48.920 --> 0:44:54.880
<v Speaker 2>Yo. Molly Mall lives in my building. Fresh by the

0:44:55.040 --> 0:44:56.400
<v Speaker 2>Fresh three mcs.

0:44:56.880 --> 0:45:00.279
<v Speaker 5>Like hip hop, you know you're drawn to it, man,

0:45:00.400 --> 0:45:02.840
<v Speaker 5>Like with the violence, all of that was like secondary.

0:45:02.960 --> 0:45:05.160
<v Speaker 2>I just wanted to hear hip hop.

0:45:05.280 --> 0:45:08.600
<v Speaker 5>I wanted to hear dudes rhyming and to make me

0:45:08.680 --> 0:45:10.320
<v Speaker 5>feel like I wasn't crazy for doing it.

0:45:11.280 --> 0:45:13.279
<v Speaker 9>Is there a record like and I always wanted to

0:45:13.400 --> 0:45:15.560
<v Speaker 9>ask you this, but is there a record that you

0:45:15.760 --> 0:45:19.240
<v Speaker 9>wrote that you even stepped back and you were like yourself,

0:45:19.360 --> 0:45:22.120
<v Speaker 9>h yo, that you were like, man, the most gave

0:45:22.160 --> 0:45:22.400
<v Speaker 9>me this.

0:45:22.560 --> 0:45:24.280
<v Speaker 4>Right here, because this is crazy.

0:45:24.520 --> 0:45:26.720
<v Speaker 11>No, I think he was too in it. You probably

0:45:26.880 --> 0:45:28.279
<v Speaker 11>was too in it to know right.

0:45:28.600 --> 0:45:30.880
<v Speaker 2>Probably Mortal Kombat on my second.

0:45:32.360 --> 0:45:36.800
<v Speaker 10>Mortal Kombat really yeah, because it was just that, just

0:45:36.960 --> 0:45:40.440
<v Speaker 10>one line that just had me like, okay, yeah, I'm

0:45:40.480 --> 0:45:41.680
<v Speaker 10>in a special place right now.

0:45:41.840 --> 0:45:44.480
<v Speaker 9>Yeah, Like I remember being in the zone when I

0:45:44.560 --> 0:45:47.120
<v Speaker 9>wrote gas Face. I was in the zone when I

0:45:47.200 --> 0:45:49.399
<v Speaker 9>wrote black Hat as bad luck bad guys, where black

0:45:49.480 --> 0:45:51.160
<v Speaker 9>must have been a white guy that started all that.

0:45:51.360 --> 0:45:53.799
<v Speaker 9>I literally stopped for a minute and I was like, yeah,

0:45:53.800 --> 0:45:56.440
<v Speaker 9>I'm never going to write a better rhym like the I.

0:45:56.640 --> 0:45:59.719
<v Speaker 10>Was the none of in front of because every one

0:45:59.760 --> 0:46:03.280
<v Speaker 10>of my adversaries lack your little son of obituary columns

0:46:03.280 --> 0:46:06.879
<v Speaker 10>of reach your name add out question.

0:46:06.960 --> 0:46:09.320
<v Speaker 2>Let me ask you a question, though, Yes, what is

0:46:09.440 --> 0:46:11.759
<v Speaker 2>your favorite m Sea light song?

0:46:12.520 --> 0:46:13.480
<v Speaker 1>I'm gonna tell you something.

0:46:15.800 --> 0:46:16.600
<v Speaker 11>I can answer that.

0:46:17.160 --> 0:46:20.600
<v Speaker 1>No, do you know listen, I'm gonna tell you something.

0:46:22.040 --> 0:46:25.520
<v Speaker 1>See as a drummer, I've.

0:46:25.600 --> 0:46:26.600
<v Speaker 2>Never heard.

0:46:27.920 --> 0:46:31.040
<v Speaker 1>I mean paper then's the first song with the rim

0:46:31.120 --> 0:46:34.720
<v Speaker 1>shot was used. Everything was snare drum hard snare drums

0:46:35.719 --> 0:46:41.400
<v Speaker 1>and again it was I mean for me to to

0:46:42.520 --> 0:46:45.279
<v Speaker 1>to get a what I call a War of the

0:46:45.360 --> 0:46:50.480
<v Speaker 1>World's movement, which is orson Welles's War of the World's

0:46:50.480 --> 0:46:53.440
<v Speaker 1>where people thought it was a real Aliens attack and

0:46:53.480 --> 0:46:55.200
<v Speaker 1>people staring at the radio like what the fuck is

0:46:55.239 --> 0:46:59.800
<v Speaker 1>going on? When I heard that song, Yo I I

0:47:01.000 --> 0:47:03.680
<v Speaker 1>that was one of the for me, even as a drummer,

0:47:03.719 --> 0:47:05.960
<v Speaker 1>I was just like, yo, I, I didn't know you

0:47:06.040 --> 0:47:06.680
<v Speaker 1>were allowed to do that.

0:47:06.760 --> 0:47:08.359
<v Speaker 4>You can rhyme over a rim shot.

0:47:08.440 --> 0:47:10.160
<v Speaker 10>You don't have to play drummer. You could play rim

0:47:10.239 --> 0:47:13.600
<v Speaker 10>shots this shit and it's crazy. Literally the rim was

0:47:13.680 --> 0:47:16.880
<v Speaker 10>hitting hard though, I mean yeah, the drums, and for.

0:47:16.960 --> 0:47:19.440
<v Speaker 1>Me, the way the way that Tarik and I bonded,

0:47:19.600 --> 0:47:24.320
<v Speaker 1>like Tarik thought it was such a novelty for a

0:47:24.440 --> 0:47:27.880
<v Speaker 1>human being to like recreate it so to like get girls.

0:47:28.440 --> 0:47:31.879
<v Speaker 1>Tarik would be calling, like Tarik would call my crib

0:47:31.960 --> 0:47:35.399
<v Speaker 1>at like eleven o'clock, which is like way past high

0:47:35.440 --> 0:47:37.680
<v Speaker 1>school hours for your parents. Like my dad was like

0:47:37.880 --> 0:47:42.080
<v Speaker 1>Joe Jackson, drill sergeant. Don't nobody call this house after

0:47:42.200 --> 0:47:44.440
<v Speaker 1>nine pm, like that sort of thing. Tarik would call

0:47:44.520 --> 0:47:48.840
<v Speaker 1>like eleven, like yo, like on three way, have a

0:47:48.920 --> 0:47:50.640
<v Speaker 1>joiner on the On the other line, he'd be like, Yo,

0:47:51.600 --> 0:47:53.920
<v Speaker 1>run the basement real quick and play on place it he.

0:47:53.960 --> 0:47:54.560
<v Speaker 2>Off real quick.

0:47:55.320 --> 0:47:57.000
<v Speaker 4>But you you don't know, plase it off.

0:47:57.080 --> 0:47:58.640
<v Speaker 2>Yeah, he can place it off, like yo, man, my

0:47:58.719 --> 0:47:59.919
<v Speaker 2>dad like might start riffing.

0:48:00.160 --> 0:48:02.840
<v Speaker 1>Just play us off it just like literally that was

0:48:02.920 --> 0:48:06.759
<v Speaker 1>his thing, like I bet you can't play. And he

0:48:06.760 --> 0:48:10.399
<v Speaker 1>would call and be like, yo, play play play paper

0:48:10.480 --> 0:48:13.359
<v Speaker 1>thin real quick, like just call girls up like I'm

0:48:13.360 --> 0:48:13.799
<v Speaker 1>gonna get.

0:48:13.719 --> 0:48:14.279
<v Speaker 2>A mirror to play.

0:48:15.760 --> 0:48:19.360
<v Speaker 1>Even in school where we were he would battle MC's

0:48:19.640 --> 0:48:24.839
<v Speaker 1>uh in the cafeteria on the sixth floor and all

0:48:24.880 --> 0:48:28.800
<v Speaker 1>the instrumental majors were in the basement and we weren't

0:48:29.280 --> 0:48:32.759
<v Speaker 1>using the elevator and I had this little cassio sk

0:48:32.960 --> 0:48:36.000
<v Speaker 1>one thing. So the way that my duib as was

0:48:36.040 --> 0:48:38.800
<v Speaker 1>allowed to sit with the cool kids. Was I provided

0:48:38.840 --> 0:48:41.160
<v Speaker 1>the break beats and not and not the punching line.

0:48:41.360 --> 0:48:43.040
<v Speaker 1>They would they would take an order. They'd be like,

0:48:43.040 --> 0:48:46.400
<v Speaker 1>all right, run downstairs and play play funky drummer real

0:48:46.480 --> 0:48:51.000
<v Speaker 1>quick aside to run downstairs. That was I was the apprentice, Like,

0:48:51.080 --> 0:48:53.719
<v Speaker 1>that's how I earned my way into That's how Turikono

0:48:53.800 --> 0:48:58.359
<v Speaker 1>became a group. And literally like you have like one

0:48:58.480 --> 0:49:01.239
<v Speaker 1>point seven seconds to get a good four bar out

0:49:01.280 --> 0:49:05.399
<v Speaker 1>of it, so you would have to pay twice as fast. Okay,

0:49:05.480 --> 0:49:07.680
<v Speaker 1>it's good, run upstairs, and then he'd be like, now

0:49:08.040 --> 0:49:10.960
<v Speaker 1>I'm gonna do top billing, real quick run down set.

0:49:11.040 --> 0:49:14.200
<v Speaker 1>That was me every day at Performing Arts High school.

0:49:14.719 --> 0:49:17.960
<v Speaker 1>Like boys and men were in the bathroom harmonizing, but

0:49:18.120 --> 0:49:21.000
<v Speaker 1>me and Tarik were literally Now now.

0:49:20.920 --> 0:49:24.640
<v Speaker 5>As as an actual drummer, did you have simsonic drums?

0:49:24.680 --> 0:49:28.879
<v Speaker 1>Did you have those the Mattels? Yes, yes, I got that. Yeah,

0:49:30.160 --> 0:49:32.440
<v Speaker 1>I was doing playing rock on that night, day and

0:49:32.560 --> 0:49:32.920
<v Speaker 1>night night.

0:49:32.920 --> 0:49:36.400
<v Speaker 2>And then you know what, you know? You know my

0:49:36.560 --> 0:49:37.960
<v Speaker 2>favorite song from your catalog?

0:49:38.080 --> 0:49:41.600
<v Speaker 11>Right, no.

0:49:43.080 --> 0:49:44.960
<v Speaker 2>Tempt said this? Oh thank you?

0:49:45.600 --> 0:49:45.920
<v Speaker 6>And yo?

0:49:47.000 --> 0:49:51.279
<v Speaker 1>Where is intro? Though? Who was that? Matt Robinson's inn,

0:49:51.440 --> 0:49:58.239
<v Speaker 1>who's being really okay? Can you explain the genesis of

0:49:59.480 --> 0:50:03.200
<v Speaker 1>being Pezza the president and Answeringette and how this thing started?

0:50:03.239 --> 0:50:07.359
<v Speaker 5>Cannot answer that quickly, Duck Alert. I always accused her

0:50:07.560 --> 0:50:10.040
<v Speaker 5>of being a beat bier because when Kane did raw,

0:50:10.440 --> 0:50:12.839
<v Speaker 5>I felt like kidd and play did do this my way?

0:50:13.400 --> 0:50:15.280
<v Speaker 2>And we used to talk about it on the radio.

0:50:15.920 --> 0:50:21.080
<v Speaker 10>I know you did, yeah really and defense though they

0:50:21.239 --> 0:50:25.160
<v Speaker 10>picked up that record I think the same day I

0:50:25.200 --> 0:50:29.360
<v Speaker 10>picked up the Okay yeah see, but I said it

0:50:29.440 --> 0:50:31.120
<v Speaker 10>in dougle Lo, I was like herbs a beat biter.

0:50:31.600 --> 0:50:34.319
<v Speaker 5>So we always made fun of it, and maybe that's

0:50:34.360 --> 0:50:36.360
<v Speaker 5>what you got magic saying that's where we got it.

0:50:37.080 --> 0:50:40.480
<v Speaker 1>So you guys must really be perplexed now in twenty eighteen,

0:50:40.680 --> 0:50:44.280
<v Speaker 1>where it would be who the artist that actually mirror

0:50:45.400 --> 0:50:48.760
<v Speaker 1>a track that sounds similar to what came out before?

0:50:50.000 --> 0:50:52.360
<v Speaker 2>I would welcome it now actually because it all sounds

0:50:52.440 --> 0:50:55.000
<v Speaker 2>like one record to me. Yeah, I mean, you know the.

0:50:55.040 --> 0:50:57.280
<v Speaker 9>One thing that I love about this top show record

0:50:57.360 --> 0:50:59.919
<v Speaker 9>when I when I heard it, when I heard lights

0:51:00.120 --> 0:51:02.920
<v Speaker 9>record on this record listen up Everybody of Night the

0:51:03.120 --> 0:51:06.640
<v Speaker 9>MC five foot and you know I started crying like

0:51:06.760 --> 0:51:10.320
<v Speaker 9>I started literally crying because it was like, oh my gosh,

0:51:10.360 --> 0:51:13.839
<v Speaker 9>she took me to eighty eight. And like there's very

0:51:13.920 --> 0:51:16.680
<v Speaker 9>few times this year I got like emotional over records,

0:51:16.840 --> 0:51:20.600
<v Speaker 9>and one of them was watching nas do Ellmatic with

0:51:20.719 --> 0:51:24.960
<v Speaker 9>the Kennedy you know, Philharmonic. Like I lost my shit

0:51:25.040 --> 0:51:28.520
<v Speaker 9>when I watched Dealmatic and a three hundred piece orchestra.

0:51:28.640 --> 0:51:33.840
<v Speaker 9>But that simple little record, like her rhymeing like she

0:51:34.200 --> 0:51:38.000
<v Speaker 9>was seventeen again on a record that just came out

0:51:38.200 --> 0:51:42.000
<v Speaker 9>like five days ago. I was like, like the Indian

0:51:42.120 --> 0:51:43.680
<v Speaker 9>man in the garbage commercial.

0:51:44.920 --> 0:51:45.440
<v Speaker 4>Yeah, I was.

0:51:46.960 --> 0:51:50.040
<v Speaker 10>First of all, still to this day, you know. I

0:51:50.120 --> 0:51:53.160
<v Speaker 10>mean I mean people, can you say still sounds that

0:51:53.400 --> 0:51:54.359
<v Speaker 10>hungry on the mic?

0:51:54.480 --> 0:51:54.680
<v Speaker 11>Yeah?

0:51:55.200 --> 0:51:56.839
<v Speaker 2>You know, but only yeah.

0:51:56.960 --> 0:51:59.759
<v Speaker 9>But I mean, with all due respect, your record on

0:52:00.840 --> 0:52:05.080
<v Speaker 9>Yo be you went in, man, you went in, you

0:52:05.200 --> 0:52:10.640
<v Speaker 9>went in, Edwin in Dress went in. Doug's records incredible

0:52:10.840 --> 0:52:14.440
<v Speaker 9>and they were dancing and saying it and move into

0:52:14.600 --> 0:52:18.520
<v Speaker 9>I mean every record sounds like this celebration of eighty

0:52:18.600 --> 0:52:21.359
<v Speaker 9>eight and that, and it's why I went so hard,

0:52:21.760 --> 0:52:23.840
<v Speaker 9>you know what I mean, Like just from a marketing

0:52:23.920 --> 0:52:24.759
<v Speaker 9>and promotion.

0:52:25.320 --> 0:52:28.640
<v Speaker 4>Perspective, it's like, yo, this it just sparked.

0:52:28.200 --> 0:52:30.520
<v Speaker 9>Something in me and like put a battery in my

0:52:30.640 --> 0:52:33.600
<v Speaker 9>back that I'm like, Yo, there's there's a there's a

0:52:34.000 --> 0:52:37.040
<v Speaker 9>wealth of opportunity here for these brothers, for these icons

0:52:37.080 --> 0:52:38.560
<v Speaker 9>and these legends to get back out.

0:52:38.600 --> 0:52:41.879
<v Speaker 1>Then, So what's the plan now that the album is out?

0:52:41.920 --> 0:52:45.279
<v Speaker 1>What's the the ongoing future plan for this project? Is

0:52:45.320 --> 0:52:47.000
<v Speaker 1>this just well good morning?

0:52:47.680 --> 0:52:50.800
<v Speaker 9>I mean, you know I told like this, and I

0:52:50.920 --> 0:52:52.880
<v Speaker 9>told I didn't tell you this. Well, I told you

0:52:52.960 --> 0:52:57.360
<v Speaker 9>over the phone a little bit you heard yeah, but no, no, no.

0:52:57.480 --> 0:53:01.400
<v Speaker 9>But my concept for the performance on Good Morning America

0:53:01.520 --> 0:53:05.319
<v Speaker 9>is a small sample of what I want the tour

0:53:05.440 --> 0:53:12.359
<v Speaker 9>to be because how we listened and absorbed hip hop

0:53:13.360 --> 0:53:17.680
<v Speaker 9>is way different than rock guys did. Because rock guys

0:53:17.840 --> 0:53:20.160
<v Speaker 9>had radio twenty four hours a day.

0:53:21.120 --> 0:53:23.239
<v Speaker 4>The Beatles could you could hear the Beatles.

0:53:22.920 --> 0:53:26.880
<v Speaker 9>Six hundred times a week on fifty two stations between

0:53:27.080 --> 0:53:31.960
<v Speaker 9>New York and Philly. So the music was absorbed by

0:53:32.040 --> 0:53:35.719
<v Speaker 9>that boomer generation in a way that was very traditional.

0:53:36.600 --> 0:53:40.600
<v Speaker 9>So when they continued to kind of repitulate that music,

0:53:41.080 --> 0:53:43.480
<v Speaker 9>it was it was easy.

0:53:44.280 --> 0:53:45.520
<v Speaker 4>It's not easy for us.

0:53:45.920 --> 0:53:49.719
<v Speaker 9>There was nothing easy about eighty five to ninety two,

0:53:49.960 --> 0:53:53.719
<v Speaker 9>ninety three. It was three hour spurts and the only

0:53:53.800 --> 0:53:56.760
<v Speaker 9>time you really heard music was how it was blended together.

0:53:57.520 --> 0:54:02.160
<v Speaker 9>You'd go from Cain to Audio two to rob bas

0:54:02.320 --> 0:54:05.440
<v Speaker 9>and easy rock to MC light to a promo to

0:54:05.520 --> 0:54:08.439
<v Speaker 9>Da Da Da Da Da. So I feel like it's

0:54:08.560 --> 0:54:14.480
<v Speaker 9>time to engage that essence if I can't, like and

0:54:14.640 --> 0:54:16.680
<v Speaker 9>bring that out on on the road.

0:54:16.920 --> 0:54:20.200
<v Speaker 4>And that's kind of the top shelf tour and how

0:54:20.239 --> 0:54:23.080
<v Speaker 4>I see it, you know, in the spring, and and

0:54:23.400 --> 0:54:23.839
<v Speaker 4>and again.

0:54:24.000 --> 0:54:26.440
<v Speaker 9>Not to blow these two knuckleheads up there that are

0:54:26.520 --> 0:54:32.040
<v Speaker 9>right here, but but Benji like he's spending money like

0:54:32.120 --> 0:54:34.640
<v Speaker 9>it's a whiz Khalifer record. I mean, would all do respect?

0:54:34.640 --> 0:54:36.399
<v Speaker 9>And I'm not trying to dig in his pockets, I'm

0:54:36.440 --> 0:54:43.120
<v Speaker 9>really not, but like the patience and the presence of

0:54:43.280 --> 0:54:46.480
<v Speaker 9>mind to do what he's doing on the level that

0:54:46.600 --> 0:54:47.120
<v Speaker 9>he's doing it.

0:54:47.840 --> 0:54:53.359
<v Speaker 4>No one's done it for these icons, no one, like never,

0:54:53.560 --> 0:54:55.280
<v Speaker 4>It's never happened.

0:55:00.680 --> 0:55:05.160
<v Speaker 5>I got a question for Benji, and yes, being from Pittsburgh, right,

0:55:06.640 --> 0:55:10.080
<v Speaker 5>how did what was y'all y'all inspiration behind the beats?

0:55:10.200 --> 0:55:11.719
<v Speaker 2>Like did y'all get tapes from New.

0:55:11.680 --> 0:55:15.680
<v Speaker 5>York or like, because a lot of the beats are

0:55:15.719 --> 0:55:18.800
<v Speaker 5>in the pocket in that eighty eight sound like you

0:55:18.880 --> 0:55:21.920
<v Speaker 5>know what I mean? So, what was your inspiration behind

0:55:22.040 --> 0:55:22.480
<v Speaker 5>the beats?

0:55:22.600 --> 0:55:26.480
<v Speaker 2>Like I was from New York and I grew up

0:55:26.520 --> 0:55:29.799
<v Speaker 2>in Jersey and Okay, so you had heavy access to it. Yeah.

0:55:30.200 --> 0:55:32.800
<v Speaker 5>I used to watch Video Music Box every day after school,

0:55:33.080 --> 0:55:36.240
<v Speaker 5>so I mean it was part of my childhood.

0:55:36.320 --> 0:55:39.600
<v Speaker 7>So and you know, for me from from Pittsburgh, we

0:55:39.640 --> 0:55:43.640
<v Speaker 7>didn't have a video music box, but we had sandwiches.

0:55:44.320 --> 0:55:47.200
<v Speaker 9>Sorry, I know you had a local video show. I

0:55:47.239 --> 0:55:49.560
<v Speaker 9>forgot Homeboy's name, but you had a local video show.

0:55:50.040 --> 0:55:53.680
<v Speaker 9>The kid that was on buzz Zzy had like a

0:55:53.840 --> 0:55:54.480
<v Speaker 9>video show.

0:55:55.440 --> 0:56:02.000
<v Speaker 4>Reggie Read the DJ that was on naz Ak, that's Cleveland.

0:56:03.320 --> 0:56:05.480
<v Speaker 4>There's a dude, Man, there's a dude in Pittsburgh. I

0:56:05.560 --> 0:56:07.080
<v Speaker 4>don't know if you remember him came.

0:56:06.960 --> 0:56:08.839
<v Speaker 2>But he had a video show. This guy's a wealth

0:56:08.880 --> 0:56:13.200
<v Speaker 2>of knowledge. Yeah, like remember all the search write You

0:56:13.280 --> 0:56:13.960
<v Speaker 2>write it down.

0:56:15.440 --> 0:56:18.480
<v Speaker 4>For me, like like a sky I got this ghetto.

0:56:18.320 --> 0:56:22.200
<v Speaker 9>Pass that these black men and women allowed me to

0:56:22.280 --> 0:56:26.279
<v Speaker 9>make this music. Like if I don't remember everything, it

0:56:26.320 --> 0:56:28.880
<v Speaker 9>would be a disrespect to the people that allowed me

0:56:28.960 --> 0:56:31.279
<v Speaker 9>to go into the quarter, that allowed me to go

0:56:31.360 --> 0:56:34.160
<v Speaker 9>into Union Square. I mean, turn it like turn it

0:56:34.320 --> 0:56:37.320
<v Speaker 9>just a one eighty like Hawk could have just snuffed

0:56:37.360 --> 0:56:39.279
<v Speaker 9>me the second I walked in there, fuck out of here,

0:56:39.320 --> 0:56:39.759
<v Speaker 9>white boy.

0:56:41.040 --> 0:56:42.040
<v Speaker 4>It would have been simple.

0:56:42.320 --> 0:56:42.520
<v Speaker 2>Yeah.

0:56:42.560 --> 0:56:44.000
<v Speaker 4>But you know what in the beginning of.

0:56:44.080 --> 0:56:49.240
<v Speaker 5>Hip hop, man hip hop was for the not black

0:56:49.400 --> 0:56:51.840
<v Speaker 5>or white or Puerto Rican. It was for everybody. We

0:56:52.000 --> 0:56:55.080
<v Speaker 5>was all involved in it because it was music, It

0:56:55.200 --> 0:56:58.600
<v Speaker 5>was a rhythm. It was something that that brought together

0:56:58.760 --> 0:57:00.840
<v Speaker 5>all the people from the hood that ain't have no

0:57:00.920 --> 0:57:05.040
<v Speaker 5>wheels to go or something to have in common.

0:57:05.800 --> 0:57:07.880
<v Speaker 2>It was a way to communicate and a way to

0:57:08.160 --> 0:57:08.880
<v Speaker 2>party together.

0:57:09.400 --> 0:57:14.120
<v Speaker 5>Y'all had your different crews coming together, partying together without beef.

0:57:14.120 --> 0:57:15.160
<v Speaker 2>And I respect that.

0:57:15.360 --> 0:57:19.360
<v Speaker 9>But b I ain't seen nine white boy in any

0:57:19.560 --> 0:57:23.080
<v Speaker 9>park gym that I ever went to from nineteen eighty

0:57:23.160 --> 0:57:27.440
<v Speaker 9>to nineteen eighty six, except for Vanilla b aka Blake

0:57:27.600 --> 0:57:33.600
<v Speaker 9>Latham aka Lord Scotch aka KEYWAYK, like I saw nine

0:57:33.960 --> 0:57:35.640
<v Speaker 9>white people anywhere.

0:57:36.720 --> 0:57:40.120
<v Speaker 1>Even in you were literally the one white person as the.

0:57:40.360 --> 0:57:41.520
<v Speaker 4>Only white person.

0:57:41.720 --> 0:57:44.640
<v Speaker 9>There was a joke understanding in mathematics who used to

0:57:44.680 --> 0:57:47.200
<v Speaker 9>do the big parties in Prospect Park when the five

0:57:47.240 --> 0:57:50.400
<v Speaker 9>percenters used to get together. You remember that understand that

0:57:50.480 --> 0:57:52.400
<v Speaker 9>had this Big Book of Life and he'd come on in.

0:57:53.280 --> 0:57:55.040
<v Speaker 9>I used to sneak in the Prospect Park and watch

0:57:55.080 --> 0:57:56.280
<v Speaker 9>the five percenter's break.

0:57:56.720 --> 0:57:56.840
<v Speaker 2>Yo.

0:57:57.000 --> 0:57:57.640
<v Speaker 4>He would say that.

0:57:57.720 --> 0:58:00.200
<v Speaker 9>Search is the only white person except police at the

0:58:00.240 --> 0:58:08.280
<v Speaker 9>park game. Okay, I mean, yo, there were nine white people.

0:58:09.520 --> 0:58:12.160
<v Speaker 9>And that's why I got so mad, like I would.

0:58:12.320 --> 0:58:15.480
<v Speaker 9>I mean I got mad like eighty six. Like a

0:58:15.560 --> 0:58:18.000
<v Speaker 9>group came out on Select Records called B M O. C.

0:58:18.640 --> 0:58:21.160
<v Speaker 9>And was a guy named Shecky Green and this other dude,

0:58:21.520 --> 0:58:22.040
<v Speaker 9>and I'm.

0:58:21.880 --> 0:58:25.240
<v Speaker 1>Like they were Capital Actually no, no, no, no they weren't.

0:58:25.240 --> 0:58:26.360
<v Speaker 2>They weren't Select.

0:58:26.720 --> 0:58:32.880
<v Speaker 10>Prospect or for Green Park. I'm sorry, Prospect. Yeah yeah,

0:58:32.920 --> 0:58:33.439
<v Speaker 10>I think they.

0:58:33.440 --> 0:58:34.000
<v Speaker 2>Was on Capitol.

0:58:34.080 --> 0:58:34.680
<v Speaker 4>No, there wasn't.

0:58:35.320 --> 0:58:39.440
<v Speaker 2>The b C Boys were on Capital first before men

0:58:39.560 --> 0:58:40.040
<v Speaker 2>on campus.

0:58:40.120 --> 0:58:42.320
<v Speaker 1>Yeah yeah, yeah, they were before the white boys.

0:58:42.400 --> 0:58:43.680
<v Speaker 4>He was on the same time.

0:58:43.720 --> 0:58:46.640
<v Speaker 9>I'm a white boys on and then the white boys.

0:58:46.840 --> 0:58:49.360
<v Speaker 9>And I'm like all this corny ship, like yo, funk

0:58:49.440 --> 0:58:51.400
<v Speaker 9>out of here, excuse my lad. But I was like,

0:58:52.400 --> 0:58:53.960
<v Speaker 9>you know what I'm saying, like, yo, it was it

0:58:54.120 --> 0:58:56.800
<v Speaker 9>was shut up. No, I know you did, but I

0:58:57.040 --> 0:58:59.840
<v Speaker 9>just you know, it's disrespectful. And my daughter me is here,

0:59:00.040 --> 0:59:01.720
<v Speaker 9>like I don't you know, but it's like, you know,

0:59:02.000 --> 0:59:06.080
<v Speaker 9>like I just don't want I was mad, like I

0:59:06.240 --> 0:59:09.040
<v Speaker 9>was mad, like you can't come in here, like you

0:59:09.160 --> 0:59:11.840
<v Speaker 9>don't know what I went through, Like I was battling

0:59:11.920 --> 0:59:13.040
<v Speaker 9>in Vandermere projects.

0:59:13.080 --> 0:59:15.800
<v Speaker 4>I was van I was pink houses, like I was

0:59:16.280 --> 0:59:17.439
<v Speaker 4>tearing dudes.

0:59:17.240 --> 0:59:20.760
<v Speaker 9>Down for money and like getting shot at, Like don't

0:59:20.800 --> 0:59:23.320
<v Speaker 9>come in here with some Connecticut nonsense and call yourself

0:59:23.400 --> 0:59:24.920
<v Speaker 9>BMOC like I'm not seeing you.

0:59:26.080 --> 0:59:28.800
<v Speaker 1>So when did you When did you guys feel that

0:59:30.120 --> 0:59:33.640
<v Speaker 1>the spirit of hip hop, at least the transformation of it,

0:59:34.560 --> 0:59:39.120
<v Speaker 1>was slowly eroding? Like what was your first uh oh moment?

0:59:39.200 --> 0:59:41.160
<v Speaker 1>And I don't mean like when this guy rose to

0:59:41.240 --> 0:59:42.240
<v Speaker 1>prominence or whatever, but.

0:59:44.840 --> 0:59:48.640
<v Speaker 11>When when When I heard.

0:59:50.000 --> 0:59:54.320
<v Speaker 8>Women referred to as bitches by NWA, I was like something,

0:59:54.520 --> 0:59:57.880
<v Speaker 8>something's about to happen, Something's different because I had never

0:59:58.000 --> 1:00:03.720
<v Speaker 8>heard Caine, KRS One, Slick Rick Heavy d Fresh Prince.

1:00:04.240 --> 1:00:07.640
<v Speaker 8>I never heard any of them refer to a woman

1:00:07.800 --> 1:00:08.280
<v Speaker 8>as a bitch.

1:00:08.440 --> 1:00:12.920
<v Speaker 9>Even go see the doctor was like respectful, right, The

1:00:12.960 --> 1:00:17.120
<v Speaker 9>word was skeezer, yeah, and that was really shady, Like

1:00:17.320 --> 1:00:19.960
<v Speaker 9>my mom would not let me say skeezer in the house.

1:00:20.880 --> 1:00:23.200
<v Speaker 9>You know what I'm saying like, but but I will

1:00:23.280 --> 1:00:26.600
<v Speaker 9>tell you. For me, I went to I'll never forget this.

1:00:26.800 --> 1:00:30.320
<v Speaker 9>I went to Roanoke, Virginia on tour with Kine. We

1:00:30.440 --> 1:00:33.640
<v Speaker 9>went back to back and the first year we went

1:00:33.920 --> 1:00:38.280
<v Speaker 9>it was Caine, Queen, Latifa, Digital Underground, third Base, nice

1:00:38.320 --> 1:00:45.720
<v Speaker 9>and smooth, eighty nine. Ronoke, black crowd, college crowd, felt good,

1:00:46.480 --> 1:00:49.720
<v Speaker 9>you know, it felt like any other place. We went

1:00:49.840 --> 1:00:52.200
<v Speaker 9>back a year later. Carol Lewis booked us a year

1:00:52.320 --> 1:00:57.080
<v Speaker 9>later in Ronoke. It was all white people all and

1:00:57.200 --> 1:01:00.440
<v Speaker 9>screaming for Caine and screaming for Digital under around and

1:01:00.520 --> 1:01:06.640
<v Speaker 9>screaming foret totally, totally and for me, like I was

1:01:06.800 --> 1:01:10.840
<v Speaker 9>through when we did Pop Goes the Weasel and we

1:01:10.920 --> 1:01:13.120
<v Speaker 9>went out on tour, you know, and we took Cypress

1:01:13.200 --> 1:01:15.360
<v Speaker 9>and Naughty and Tim Dog and all that, and we

1:01:15.440 --> 1:01:18.320
<v Speaker 9>would get to Pop Goes the Weasel and these drunk

1:01:18.440 --> 1:01:20.560
<v Speaker 9>frat white boys would come on our stage and try

1:01:20.600 --> 1:01:24.080
<v Speaker 9>to do stage diving, and our dances were from Long Beach.

1:01:24.160 --> 1:01:24.840
<v Speaker 4>We weren't having that.

1:01:24.920 --> 1:01:27.120
<v Speaker 9>We would body slam these dudes like they were rushing

1:01:27.160 --> 1:01:30.280
<v Speaker 9>the stage, like we were snuffing them, like we didn't

1:01:30.320 --> 1:01:31.040
<v Speaker 9>know what they were doing.

1:01:31.160 --> 1:01:33.080
<v Speaker 4>Like I was I was done. Like for me, I

1:01:33.200 --> 1:01:35.920
<v Speaker 4>was done, Like I was like, this is just not

1:01:36.840 --> 1:01:38.280
<v Speaker 4>this is not what I expected.

1:01:38.640 --> 1:01:40.400
<v Speaker 2>Shout out to eighty eight for you saying snuff.

1:01:40.480 --> 1:01:40.600
<v Speaker 4>I know.

1:01:40.720 --> 1:01:44.640
<v Speaker 11>Another moment, another moment that was different for me was.

1:01:45.360 --> 1:01:48.600
<v Speaker 4>I could have said duff too right now, all of.

1:01:48.600 --> 1:01:51.520
<v Speaker 8>Those women in the hot tub with Puffy and Biggie.

1:01:51.680 --> 1:01:54.880
<v Speaker 8>I was like, wait a second, what's happening here? It

1:01:55.280 --> 1:01:58.800
<v Speaker 8>was a lot, you know, as a woman looking at

1:01:58.880 --> 1:02:02.800
<v Speaker 8>these visuals, it was like I was really confused as

1:02:02.880 --> 1:02:04.160
<v Speaker 8>to where we were headed.

1:02:04.440 --> 1:02:07.760
<v Speaker 4>But you trying to flip it on, trying to flip

1:02:07.800 --> 1:02:07.960
<v Speaker 4>it on.

1:02:09.760 --> 1:02:13.439
<v Speaker 9>You try to flip the sexuality, try to take your sexuality.

1:02:13.520 --> 1:02:15.400
<v Speaker 4>And you were saying what kind of guy you liked?

1:02:15.840 --> 1:02:18.200
<v Speaker 11>Oh yeah, that's time. But they wouldn't.

1:02:19.480 --> 1:02:22.560
<v Speaker 2>I was wasn't it a hot tubfo I'm.

1:02:22.840 --> 1:02:23.520
<v Speaker 4>I'm not saying that.

1:02:23.640 --> 1:02:24.240
<v Speaker 2>I don't. I don't.

1:02:24.400 --> 1:02:31.600
<v Speaker 5>Just for me, it wasn't the music. It was when

1:02:31.640 --> 1:02:35.320
<v Speaker 5>they started first week sales. Huh, all of a sudden,

1:02:36.240 --> 1:02:40.400
<v Speaker 5>All of a sudden, they stopped developing artists, and all

1:02:40.440 --> 1:02:42.880
<v Speaker 5>of a sudden, it just jumped into who could say

1:02:42.960 --> 1:02:47.280
<v Speaker 5>the craziest thing and get the most like pre social

1:02:47.360 --> 1:02:50.200
<v Speaker 5>media pre going viral. It was what you could say

1:02:50.280 --> 1:02:53.240
<v Speaker 5>on record to get the most attention. And the first

1:02:53.280 --> 1:02:56.520
<v Speaker 5>week sales kind of like took away from artists me

1:02:56.640 --> 1:02:59.120
<v Speaker 5>and developed where you had to go open up for somebody,

1:02:59.280 --> 1:03:01.439
<v Speaker 5>You had to follow the tour bus in the van,

1:03:02.160 --> 1:03:04.560
<v Speaker 5>you know what I mean. It turned into something else where.

1:03:05.040 --> 1:03:07.680
<v Speaker 5>If your album then pop in like three weeks, it

1:03:07.760 --> 1:03:11.439
<v Speaker 5>was over, you know what I mean, Like not even

1:03:11.520 --> 1:03:13.800
<v Speaker 5>in hip hop. There was other genres of music where

1:03:13.840 --> 1:03:16.800
<v Speaker 5>the album been out for a year and didn't catch on,

1:03:16.960 --> 1:03:17.760
<v Speaker 5>and then it caught on.

1:03:18.040 --> 1:03:21.320
<v Speaker 2>So to me, the first week sales kind of ruined.

1:03:21.680 --> 1:03:23.720
<v Speaker 11>The chance of growth. I remember.

1:03:23.960 --> 1:03:27.200
<v Speaker 9>I remember me and Pete and Clark Kemp were doing

1:03:27.280 --> 1:03:30.440
<v Speaker 9>a party at Irving Plaza when Palladium was open and

1:03:30.640 --> 1:03:33.720
<v Speaker 9>a young group got on stage in nineteen eighty six.

1:03:33.880 --> 1:03:36.480
<v Speaker 9>Nobody knew of them, a group called rob Based and

1:03:36.520 --> 1:03:37.080
<v Speaker 9>Easy Rock.

1:03:37.600 --> 1:03:38.520
<v Speaker 2>They were on profile.

1:03:38.840 --> 1:03:42.840
<v Speaker 9>My man Steve plot Nikki, who was head of retail,

1:03:42.960 --> 1:03:45.160
<v Speaker 9>said hey, can you get these guys a slot on

1:03:45.240 --> 1:03:48.080
<v Speaker 9>your on your Night? They came on, they did a

1:03:48.160 --> 1:03:53.400
<v Speaker 9>song called It Takes two. Didn't move nobody? What didn't

1:03:53.440 --> 1:03:56.800
<v Speaker 9>move nobody didn't? Clark Camp played it easy rock got

1:03:56.840 --> 1:04:01.400
<v Speaker 9>on the turntables, he was rhyming. No one could care less.

1:04:01.520 --> 1:04:03.200
<v Speaker 2>A year later, was it the sound system?

1:04:03.400 --> 1:04:04.960
<v Speaker 4>Nope, sound system was bumping.

1:04:05.440 --> 1:04:08.360
<v Speaker 2>Was unfamiliar right now based on.

1:04:10.160 --> 1:04:13.320
<v Speaker 4>Internationally known nobody was trying to check for them lyrics.

1:04:13.360 --> 1:04:16.320
<v Speaker 2>A year later it was a rap popularity.

1:04:16.520 --> 1:04:19.280
<v Speaker 9>But no, no, no, But I'm talking about the timeline,

1:04:19.360 --> 1:04:21.360
<v Speaker 9>you know what I mean. Actually that record came out

1:04:21.560 --> 1:04:23.240
<v Speaker 9>now and it didn't.

1:04:23.080 --> 1:04:26.040
<v Speaker 4>Pop in eight weeks. It'd be a rap, be a rap.

1:04:26.480 --> 1:04:28.320
<v Speaker 4>This record developed over a year.

1:04:29.760 --> 1:04:31.760
<v Speaker 10>You know, a long time. You know when I noticed

1:04:31.800 --> 1:04:36.360
<v Speaker 10>a difference. I noticed a difference listening to radio and

1:04:36.600 --> 1:04:42.520
<v Speaker 10>seeing what was in heavy rotation, because like you know,

1:04:42.600 --> 1:04:46.320
<v Speaker 10>I remember, like when we came out n W A

1:04:46.720 --> 1:04:50.400
<v Speaker 10>easy E. They was popping and they were selling a

1:04:50.440 --> 1:04:55.640
<v Speaker 10>lot of records. Didn't get no radio play. Radio was

1:04:55.720 --> 1:04:58.680
<v Speaker 10>Scott Walker. Same thing was New York.

1:04:58.960 --> 1:05:00.520
<v Speaker 1>I don't know. In Philly we had uh sort of

1:05:00.680 --> 1:05:05.560
<v Speaker 1>no wrap work day. Like suddenly in ninety ninety one,

1:05:06.480 --> 1:05:09.960
<v Speaker 1>suddenly there was no rap work day. Like they took

1:05:09.960 --> 1:05:13.160
<v Speaker 1>away Lady B Street Beat for like a good two years.

1:05:13.200 --> 1:05:15.320
<v Speaker 1>It was like hard as hell. Then we had to

1:05:15.400 --> 1:05:16.560
<v Speaker 1>depend on college radio.

1:05:16.760 --> 1:05:18.360
<v Speaker 10>But I'm saying. What I'm trying to say is like

1:05:19.520 --> 1:05:23.000
<v Speaker 10>that at all, I'm not I don't think so. You

1:05:23.040 --> 1:05:25.320
<v Speaker 10>didn't hear No NW on the radio. You didn't hear

1:05:25.400 --> 1:05:28.080
<v Speaker 10>Luke Skywalker on the radio. You didn't hear the Ghetto

1:05:28.160 --> 1:05:32.240
<v Speaker 10>Boys on the radio. We didn't sell, but they were

1:05:32.320 --> 1:05:34.760
<v Speaker 10>selling a lot of records and they were popping millions

1:05:34.800 --> 1:05:38.200
<v Speaker 10>of kind of hammer. But when you started hearing all

1:05:38.280 --> 1:05:44.959
<v Speaker 10>the Volga lyrics and the gangster rap being the main

1:05:45.240 --> 1:05:50.880
<v Speaker 10>thing becoming mainstream on radio, That's when I felt like, okay,

1:05:51.320 --> 1:05:53.160
<v Speaker 10>something something.

1:05:53.080 --> 1:05:55.560
<v Speaker 2>That's how it's not ours gender?

1:05:56.080 --> 1:06:02.640
<v Speaker 1>How easy or how hard was it to rock different

1:06:02.680 --> 1:06:07.040
<v Speaker 1>marketplaces that weren't New York based. So if saturd Off

1:06:07.120 --> 1:06:09.640
<v Speaker 1>could move you in nineteen eighty eight in New York,

1:06:11.320 --> 1:06:14.120
<v Speaker 1>when you guys would go to Phoenix or something or like.

1:06:14.280 --> 1:06:17.240
<v Speaker 10>You had to understand your catalog. You had to understand

1:06:17.240 --> 1:06:20.800
<v Speaker 10>your catalog and knew what work with certain crowds. You

1:06:20.880 --> 1:06:23.560
<v Speaker 10>know certain places I knew that you know, I could

1:06:23.720 --> 1:06:27.760
<v Speaker 10>end with raw, I could end with warm it Up and.

1:06:27.920 --> 1:06:31.320
<v Speaker 8>Usually the video because by then, Yo MTV raps was

1:06:31.400 --> 1:06:34.600
<v Speaker 8>rocking all over the nation, and you knew that the

1:06:34.720 --> 1:06:37.240
<v Speaker 8>song you had with your video you could do.

1:06:37.520 --> 1:06:38.520
<v Speaker 2>Yeah, it was a hot joint.

1:06:38.800 --> 1:06:41.120
<v Speaker 5>I would cheat because I knew how to freestyle. Like

1:06:41.200 --> 1:06:43.280
<v Speaker 5>I remember doing a show in like Houston and they

1:06:43.320 --> 1:06:45.520
<v Speaker 5>had no clue I was, but I freestyled off of

1:06:45.520 --> 1:06:47.600
<v Speaker 5>a ghetto a ghetto boys beat and.

1:06:47.680 --> 1:06:52.000
<v Speaker 2>Won them over. That's because my songs were really regional.

1:06:52.360 --> 1:06:55.160
<v Speaker 1>So you know what, I'm so glad you said that

1:06:55.200 --> 1:07:00.520
<v Speaker 1>shit before anything. We were living in London at the time,

1:07:00.600 --> 1:07:04.080
<v Speaker 1>so we had to go on ninth hand information. Yeah,

1:07:04.880 --> 1:07:07.800
<v Speaker 1>what happened at night of the freestyle between you and Supernat?

1:07:08.160 --> 1:07:13.560
<v Speaker 5>Oh, that was just that was a situation where you know,

1:07:14.160 --> 1:07:16.240
<v Speaker 5>I was known for freestyle and you know, on the

1:07:16.320 --> 1:07:18.680
<v Speaker 5>radio and all of that, and a lot of people

1:07:18.760 --> 1:07:21.600
<v Speaker 5>knew that I could freestyle, and I was cool with

1:07:21.800 --> 1:07:25.360
<v Speaker 5>Organized Confusion, and they were working with Supernat and he

1:07:25.520 --> 1:07:27.200
<v Speaker 5>was in the studio talking about how he was the

1:07:27.240 --> 1:07:30.080
<v Speaker 5>greatest freestyler and they were like, well, yo, Craig g

1:07:30.240 --> 1:07:32.760
<v Speaker 5>could probably take you. So we were supposed to battle

1:07:32.800 --> 1:07:36.840
<v Speaker 5>on Bobido okay live on the radio, and I think

1:07:36.920 --> 1:07:38.560
<v Speaker 5>Buck While and a few other people were going to

1:07:38.600 --> 1:07:41.600
<v Speaker 5>bring their drum machines and that didn't show up. So

1:07:42.520 --> 1:07:46.000
<v Speaker 5>I'm at the New Music seminar and I'm just chilling.

1:07:46.240 --> 1:07:49.320
<v Speaker 5>I'm with like Diamond D and them, and he was

1:07:49.400 --> 1:07:51.560
<v Speaker 5>on stage and they just asked him. They were like, yo,

1:07:51.600 --> 1:07:53.040
<v Speaker 5>what's up with the battle with you and Craig g

1:07:53.160 --> 1:07:55.080
<v Speaker 5>And if you ever see the video? He kind of

1:07:55.120 --> 1:07:57.480
<v Speaker 5>looks out and it's on video. Yeah, they have like

1:07:57.520 --> 1:07:57.960
<v Speaker 5>clips of.

1:07:57.960 --> 1:07:59.800
<v Speaker 2>It on video. Yeah. Is it on YouTube? Yeah?

1:08:00.400 --> 1:08:02.680
<v Speaker 5>Oh god, yeah, it's like clips of it. It's probably

1:08:02.760 --> 1:08:06.520
<v Speaker 5>from the freestyle All the Rap movie. But he called

1:08:06.560 --> 1:08:10.400
<v Speaker 5>me out and I remound you out. Yeah, Craig, where

1:08:10.400 --> 1:08:10.720
<v Speaker 5>you at?

1:08:11.120 --> 1:08:13.320
<v Speaker 2>What is that? That's a call out? Right yes?

1:08:13.520 --> 1:08:15.680
<v Speaker 5>And then imagine him saying that and you turn around

1:08:15.720 --> 1:08:17.560
<v Speaker 5>and grand Master the Kaz is standing next to you,

1:08:17.680 --> 1:08:20.599
<v Speaker 5>who's like part of some of the most legendary battles.

1:08:20.880 --> 1:08:22.840
<v Speaker 5>I walked on stage with a forty ounce in my hand.

1:08:22.880 --> 1:08:25.600
<v Speaker 5>I wasn't prepared to battle him, but I did know,

1:08:26.560 --> 1:08:28.960
<v Speaker 5>and I knew I was the underdog, and I used

1:08:29.000 --> 1:08:31.479
<v Speaker 5>it against him. Basically, that's pretty much what happened. Like

1:08:31.560 --> 1:08:34.160
<v Speaker 5>I baited him, I said a regular rhyme. I knew

1:08:34.200 --> 1:08:37.120
<v Speaker 5>some information. Nobody told me. I researched everybody. I knew

1:08:37.160 --> 1:08:40.120
<v Speaker 5>he was some Indiana and it was perfect time. And

1:08:40.240 --> 1:08:42.360
<v Speaker 5>like I said, when you go back home to Indiana,

1:08:42.479 --> 1:08:45.840
<v Speaker 5>get Mike Tyson out the slammer and he couldn't.

1:08:45.520 --> 1:08:47.320
<v Speaker 2>Recover, basically is what it was.

1:08:47.680 --> 1:08:47.800
<v Speaker 12>You know.

1:08:48.360 --> 1:08:49.880
<v Speaker 5>I talked to him a lot, like you know, he

1:08:49.960 --> 1:08:51.920
<v Speaker 5>lives in Calli and we might work on some music

1:08:51.960 --> 1:08:54.040
<v Speaker 5>at some point. We don't have the scheduling like that.

1:08:54.200 --> 1:08:59.360
<v Speaker 5>But you know, to me, it kind of helped me

1:08:59.520 --> 1:09:03.160
<v Speaker 5>because it took me from being this old school rapper

1:09:03.680 --> 1:09:06.800
<v Speaker 5>to being able to work my way into the underground

1:09:06.880 --> 1:09:09.240
<v Speaker 5>and have like a slightly second career from it.

1:09:09.760 --> 1:09:11.879
<v Speaker 1>Yeah, the ripples that that caused.

1:09:12.360 --> 1:09:14.439
<v Speaker 2>Yeah, I don't know.

1:09:15.320 --> 1:09:18.920
<v Speaker 1>I don't know, I forget. I think Tim Westwood was

1:09:19.040 --> 1:09:21.680
<v Speaker 1>talking about like yeah, and this before the internet, so

1:09:21.760 --> 1:09:25.840
<v Speaker 1>there was such a viral moment that it just became

1:09:26.560 --> 1:09:27.479
<v Speaker 1>something on its own.

1:09:27.560 --> 1:09:29.360
<v Speaker 2>But sometimes I could be an asshole.

1:09:29.360 --> 1:09:30.760
<v Speaker 5>And I remember at the end of the battle, I

1:09:30.840 --> 1:09:32.600
<v Speaker 5>had a stack of cards from record labels and I

1:09:32.680 --> 1:09:33.639
<v Speaker 5>threw them all in the trash.

1:09:34.400 --> 1:09:37.840
<v Speaker 2>Really, yeah, all the trash because I was like, nobody

1:09:38.000 --> 1:09:38.600
<v Speaker 2>was checking for me.

1:09:40.240 --> 1:09:42.360
<v Speaker 5>So if it ain't genuine, I don't I don't want

1:09:42.360 --> 1:09:45.160
<v Speaker 5>to be the flavor of the month, right so you know,

1:09:45.400 --> 1:09:47.960
<v Speaker 5>I threw them all in the trash. I had rowdy records,

1:09:47.960 --> 1:09:50.080
<v Speaker 5>I had a stack of cards from labels. I threw

1:09:50.120 --> 1:09:50.920
<v Speaker 5>them all in the garbage.

1:09:51.600 --> 1:09:54.120
<v Speaker 1>King, did you ever have any battles of note on?

1:09:54.760 --> 1:09:58.240
<v Speaker 1>I mean during that the period of where you're coming up,

1:09:58.360 --> 1:10:00.800
<v Speaker 1>like any MC's ever try try to challenge you.

1:10:00.960 --> 1:10:03.280
<v Speaker 10>Like I mean, that's I started as a battle rapper.

1:10:03.320 --> 1:10:05.920
<v Speaker 10>That's all I did. Really, Yeah, That's all I did

1:10:06.360 --> 1:10:09.360
<v Speaker 10>until I met Biz. And that's how I met Biz.

1:10:09.520 --> 1:10:11.559
<v Speaker 10>I met Biz battling. I basked him for a battle.

1:10:11.640 --> 1:10:14.760
<v Speaker 2>You never saw him with Keith Murray was rapping for him. No,

1:10:18.880 --> 1:10:21.200
<v Speaker 2>cut it out, man, I don't know what are we

1:10:21.320 --> 1:10:23.679
<v Speaker 2>talking about. Yeah that Keith?

1:10:24.120 --> 1:10:26.760
<v Speaker 10>Yeah, now what Keith was fifteen man, you know he

1:10:26.920 --> 1:10:28.839
<v Speaker 10>was fifteen, just really getting started.

1:10:29.000 --> 1:10:32.320
<v Speaker 2>Man, cut it out, man, nah man, you got it

1:10:32.439 --> 1:10:32.600
<v Speaker 2>to me.

1:10:32.840 --> 1:10:34.920
<v Speaker 5>Man, you say rhyme in front of Cane and kine

1:10:34.920 --> 1:10:36.439
<v Speaker 5>to just say a rhyme at the top of your

1:10:36.520 --> 1:10:39.400
<v Speaker 5>rhyme by ninety five decibels of a bar and you

1:10:39.600 --> 1:10:41.920
<v Speaker 5>just you're like, okay, let me just go back home

1:10:42.000 --> 1:10:44.400
<v Speaker 5>and those other rhyme books.

1:10:44.920 --> 1:10:45.519
<v Speaker 2>Keith was like.

1:10:47.560 --> 1:10:49.600
<v Speaker 10>His name wasn't even Keith Murray. His rap name was

1:10:49.720 --> 1:10:55.000
<v Speaker 10>do Damage at the time. Oh, I don't know, eighty

1:10:55.080 --> 1:10:56.160
<v Speaker 10>eight maybe, But you.

1:10:56.240 --> 1:10:58.519
<v Speaker 5>Know, coming up during that time, like if you lived

1:10:58.520 --> 1:11:00.720
<v Speaker 5>in a certain neighborhood and they knew you rhyme, you

1:11:00.840 --> 1:11:01.519
<v Speaker 5>couldn't leave a.

1:11:01.520 --> 1:11:04.760
<v Speaker 2>House without battle with somebody. I mean, I remember Jazz

1:11:04.880 --> 1:11:05.920
<v Speaker 2>the whole Jazz Rush.

1:11:06.720 --> 1:11:09.479
<v Speaker 1>Yeah, I hear of it in Philly, but I don't

1:11:10.000 --> 1:11:12.080
<v Speaker 1>what was Did you and Jazz Frush know each other

1:11:12.120 --> 1:11:13.240
<v Speaker 1>from Philly or just no?

1:11:13.479 --> 1:11:17.400
<v Speaker 10>You know, I just found out, maybe like uh, two

1:11:17.560 --> 1:11:20.799
<v Speaker 10>years ago, that we had battled prior to after Midnight.

1:11:21.680 --> 1:11:25.080
<v Speaker 10>I didn't even know that, yeah, because I remember battling

1:11:25.160 --> 1:11:28.840
<v Speaker 10>someone at the rooftop that had dissed Bismarcky and I

1:11:29.000 --> 1:11:31.560
<v Speaker 10>stepped up and battled them there. I didn't know that

1:11:31.680 --> 1:11:35.080
<v Speaker 10>that was the same dude from after Midnight. Okay, I

1:11:35.520 --> 1:11:39.240
<v Speaker 10>remember the after Midnight thing, and I know it was

1:11:39.280 --> 1:11:42.080
<v Speaker 10>a time issue. I don't know whether I got there

1:11:42.200 --> 1:11:44.720
<v Speaker 10>late or what was going. I can't really remember. And

1:11:44.840 --> 1:11:48.120
<v Speaker 10>then we got we got on and I guess Dode

1:11:48.120 --> 1:11:51.400
<v Speaker 10>asked for the battle. We came up and we went

1:11:52.439 --> 1:11:54.599
<v Speaker 10>and we I don't know where we went, well, maybe

1:11:54.640 --> 1:12:00.519
<v Speaker 10>two rounds maybe, and dude didn't want to stop. Dude

1:12:00.520 --> 1:12:04.439
<v Speaker 10>didn't want to stop, and then Lady B told him, listen,

1:12:04.960 --> 1:12:08.200
<v Speaker 10>you need to stop. You need to stop, because sure

1:12:08.240 --> 1:12:09.400
<v Speaker 10>at first she said it to me like, yo, we

1:12:09.439 --> 1:12:11.960
<v Speaker 10>need to finish the show. And the dude didn't want

1:12:11.960 --> 1:12:12.200
<v Speaker 10>to stop.

1:12:12.720 --> 1:12:13.200
<v Speaker 1>Just minchell.

1:12:13.320 --> 1:12:15.320
<v Speaker 2>He was like, I'll battle you. Yeah, this was Durman,

1:12:15.360 --> 1:12:16.719
<v Speaker 2>the show god, okay.

1:12:17.240 --> 1:12:21.320
<v Speaker 10>And then the first Lady BE told me, you know,

1:12:21.560 --> 1:12:22.960
<v Speaker 10>so I was ready to go on with the show,

1:12:23.400 --> 1:12:26.400
<v Speaker 10>you know, because I knew that because I already at

1:12:26.840 --> 1:12:28.800
<v Speaker 10>the rooftop. I already gave it to him and it

1:12:28.920 --> 1:12:32.160
<v Speaker 10>was happening again. But dude, you know this dude, you know,

1:12:32.200 --> 1:12:35.040
<v Speaker 10>he didn't want to stop. And then Lady B told him, like,

1:12:35.560 --> 1:12:38.439
<v Speaker 10>you really need to stop. Like I'm like, give him

1:12:38.479 --> 1:12:40.240
<v Speaker 10>that look like you know, I'm doing you a favor.

1:12:41.160 --> 1:12:44.640
<v Speaker 10>But dude, dude was relentless with it, you know. And

1:12:44.840 --> 1:12:47.760
<v Speaker 10>then I threw I think one hundred dollars at him.

1:12:47.800 --> 1:12:49.400
<v Speaker 10>I was like, I was like, I was like, yeah,

1:12:49.400 --> 1:12:51.160
<v Speaker 10>here you go, man, he goes something for your troubles man,

1:12:51.240 --> 1:12:54.360
<v Speaker 10>something like being arrogant, you know.

1:12:56.560 --> 1:12:59.360
<v Speaker 2>But yeah, I mean, I'm just finding out that it

1:12:59.520 --> 1:13:00.479
<v Speaker 2>was the same dude.

1:13:00.640 --> 1:13:00.800
<v Speaker 5>You know.

1:13:01.240 --> 1:13:04.760
<v Speaker 2>I tried to ask Charlie Me and Charlie Mack was

1:13:04.880 --> 1:13:08.120
<v Speaker 2>talking about him performed but Ultra Magnetic Fie and Philly Yeah,

1:13:08.200 --> 1:13:10.200
<v Speaker 2>the Juice for joint we did though for Charlie Mack.

1:13:10.280 --> 1:13:12.559
<v Speaker 10>Yeah, because I was telling Charlie Mack to bring up

1:13:12.560 --> 1:13:15.280
<v Speaker 10>because he said the dude still talks about I was, yo, dude,

1:13:15.320 --> 1:13:16.679
<v Speaker 10>I'm like, I'd love to see this guy.

1:13:17.760 --> 1:13:22.479
<v Speaker 1>The legend of Caine versus Jash Fresh is like bigger

1:13:22.600 --> 1:13:24.200
<v Speaker 1>than what actually happened.

1:13:24.200 --> 1:13:25.880
<v Speaker 2>I'm glad you told me what actually had a lot

1:13:25.920 --> 1:13:26.519
<v Speaker 2>of this monster.

1:13:27.000 --> 1:13:30.880
<v Speaker 1>Yeah, yeah here. I don't know if it's on tape

1:13:30.960 --> 1:13:31.960
<v Speaker 1>or video or anything.

1:13:32.080 --> 1:13:34.240
<v Speaker 10>No, Like Charlie Max said that he's like still today,

1:13:34.280 --> 1:13:36.320
<v Speaker 10>he'd be like, y'all know, I want y'all know, I

1:13:36.400 --> 1:13:38.040
<v Speaker 10>want I mean.

1:13:39.439 --> 1:13:40.760
<v Speaker 1>That I can attest dude.

1:13:41.120 --> 1:13:43.360
<v Speaker 2>That's like the garbage man. I mean, you know, you

1:13:43.439 --> 1:13:45.000
<v Speaker 2>know I ran for one hundred and fifty y'alls in

1:13:45.080 --> 1:13:45.519
<v Speaker 2>high school.

1:13:46.560 --> 1:13:47.240
<v Speaker 1>Oh Pocai.

1:13:47.560 --> 1:13:50.560
<v Speaker 10>Yeah, well, I mean, I I'll give Duke credit. He

1:13:50.600 --> 1:13:52.479
<v Speaker 10>didn't back down, you know what I'm saying, and he

1:13:52.600 --> 1:13:53.920
<v Speaker 10>wanted to keep it going. But what it was, it

1:13:54.000 --> 1:13:55.400
<v Speaker 10>was like we was in the middle of a show,

1:13:56.040 --> 1:13:59.439
<v Speaker 10>and I mean it was like you not winning, right,

1:13:59.560 --> 1:14:01.640
<v Speaker 10>there was a professional yeah you know.

1:14:01.840 --> 1:14:05.120
<v Speaker 2>You know, but I mean, but you know, yeah, that's

1:14:05.160 --> 1:14:05.720
<v Speaker 2>what that was.

1:14:06.320 --> 1:14:10.280
<v Speaker 1>Wow. Wow, ladies and gentlemen, I can go on forever.

1:14:10.520 --> 1:14:13.880
<v Speaker 1>It's about to be like zero o'clock of the morning. Yeah,

1:14:15.040 --> 1:14:18.599
<v Speaker 1>I will say. Yes, ladies and gentlemen, please please support

1:14:19.120 --> 1:14:23.479
<v Speaker 1>Top Shelf nineteen eighty eight. Can we expect any other

1:14:25.760 --> 1:14:27.120
<v Speaker 1>offspring videos?

1:14:28.200 --> 1:14:28.320
<v Speaker 6>Oh?

1:14:28.439 --> 1:14:31.000
<v Speaker 7>Yeah, definitely, definitely want to have some visuals in the future.

1:14:31.080 --> 1:14:35.360
<v Speaker 7>We're going to have some crazy vinyl next year and yeah.

1:14:35.240 --> 1:14:37.800
<v Speaker 1>We would be available on hard that's yeah, that's the

1:14:37.960 --> 1:14:38.599
<v Speaker 1>most important.

1:14:38.760 --> 1:14:43.840
<v Speaker 7>Yeah, absolutely, absolutely, super yeah, absolutely. Can I just say

1:14:43.880 --> 1:14:47.360
<v Speaker 7>one thing, yes, absolutely so. In nineteen eighty eight, I

1:14:47.520 --> 1:14:50.120
<v Speaker 7>was ten years old in Pittsburgh. I was a paper boy,

1:14:50.479 --> 1:14:54.120
<v Speaker 7>like a real paper like I delivered newspapers and I

1:14:54.280 --> 1:14:56.759
<v Speaker 7>use that money to go to the record store.

1:14:56.600 --> 1:14:57.800
<v Speaker 4>To buy tapes.

1:14:59.240 --> 1:15:02.840
<v Speaker 7>And they were tapes of everyone that's in this room.

1:15:03.520 --> 1:15:07.519
<v Speaker 7>And and then I flashed forward to nineteen ninety at

1:15:07.560 --> 1:15:11.519
<v Speaker 7>the Syria Mosque when Third Base and Big Daddy Kane

1:15:11.880 --> 1:15:15.840
<v Speaker 7>Digital Underground were performing and I was there with my

1:15:15.960 --> 1:15:17.400
<v Speaker 7>brother and one of his friends.

1:15:18.200 --> 1:15:18.439
<v Speaker 4>Cane.

1:15:18.479 --> 1:15:21.200
<v Speaker 7>You came out in a hot tub. They pushed you

1:15:21.280 --> 1:15:22.080
<v Speaker 7>out in a hot tub.

1:15:27.520 --> 1:15:35.120
<v Speaker 9>Ladies, you'll forgive me, ladies, lady, forgive me old time story.

1:15:35.120 --> 1:15:40.320
<v Speaker 2>I'm sitting here like you have the bike and shorts.

1:15:42.120 --> 1:15:47.760
<v Speaker 2>Oh yeah, sexual chocolate, sexual chocolate actually work back. Oh

1:15:47.960 --> 1:15:49.160
<v Speaker 2>my goodness, it worked.

1:15:49.240 --> 1:15:50.800
<v Speaker 7>But let me tell you how much of an honor

1:15:50.840 --> 1:15:53.639
<v Speaker 7>it is to just be here with you guys. It's

1:15:53.760 --> 1:15:56.400
<v Speaker 7>it's like really sort of a surreal experience for me.

1:15:56.600 --> 1:15:59.200
<v Speaker 7>So it's an honor to be here and to have

1:15:59.320 --> 1:16:01.560
<v Speaker 7>worked with you in some capacity and to you know,

1:16:01.720 --> 1:16:04.439
<v Speaker 7>bring this project to light. And you know, one of

1:16:04.479 --> 1:16:06.559
<v Speaker 7>my main things with this project is not just like, yeah,

1:16:06.640 --> 1:16:09.439
<v Speaker 7>go listen to Top Shelf nineteen eighty eight, like definitely

1:16:09.560 --> 1:16:13.160
<v Speaker 7>do because it's super dope, but also listen to everything else.

1:16:13.640 --> 1:16:15.479
<v Speaker 7>Listen to Long Leave of the Cane, listen to Lighters

1:16:15.479 --> 1:16:17.519
<v Speaker 7>of Rock, listen to all the different records that came

1:16:17.560 --> 1:16:20.639
<v Speaker 7>out then, and it's like a celebration of that time,

1:16:20.680 --> 1:16:25.559
<v Speaker 7>and it's a reminder of like, Yo, she was dope, you.

1:16:25.640 --> 1:16:26.080
<v Speaker 2>Know what I mean.

1:16:26.200 --> 1:16:28.600
<v Speaker 7>And that's like what I came up listening to, Like

1:16:28.720 --> 1:16:31.560
<v Speaker 7>that's like basically all I listened to and so to me,

1:16:31.680 --> 1:16:34.240
<v Speaker 7>it's important to always shine a light on it.

1:16:34.760 --> 1:16:37.559
<v Speaker 1>We have to invest in our art and our artists. Yes,

1:16:37.680 --> 1:16:40.200
<v Speaker 1>you're you're right, ladies and gentlemen. I thank you very

1:16:40.280 --> 1:16:43.600
<v Speaker 1>much for coming to Normally I tell my crew to

1:16:43.720 --> 1:16:45.400
<v Speaker 1>give it up, but I'm the only person here.

1:16:46.800 --> 1:16:47.360
<v Speaker 2>Give it up to.

1:16:49.000 --> 1:16:51.720
<v Speaker 1>So on behalf of the top shelf like a crew

1:16:52.439 --> 1:16:57.240
<v Speaker 1>and the QLs crew. This is quest Love. Thank you

1:16:57.360 --> 1:16:59.920
<v Speaker 1>very much for joining us. This was a special edition

1:17:00.680 --> 1:17:03.439
<v Speaker 1>of Course Love Supreme. I'll see you on the next program.

1:17:03.920 --> 1:17:06.519
<v Speaker 2>Peace Couest.

1:17:06.600 --> 1:17:10.519
<v Speaker 1>Love Supreme is a production of iHeartRadio. This classic episode

1:17:10.640 --> 1:17:16.759
<v Speaker 1>was produced by the team at Pandora. For more podcasts

1:17:16.760 --> 1:17:21.120
<v Speaker 1>from iHeartRadio, visit the iHeartRadio app, Apple Podcasts, or wherever

1:17:21.160 --> 1:17:22.439
<v Speaker 1>you listen to your favorite shows.