WEBVTT - Marilu Henner - Summer Staff Picks

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<v Speaker 1>This is Alec Baldwin and you were listening to Here's

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<v Speaker 1>the Thing from iHeart Radio. It's summer, and that means

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<v Speaker 1>it's time for our tradition at Here's the Thing, where

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<v Speaker 1>the staff share their favorite episodes from our archives in

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<v Speaker 1>our summer staff picks series first up as Engineer Frank Imperial.

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<v Speaker 2>Thanks Alec, it didn't take long for me to remember

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<v Speaker 2>one of my very favorite episodes. Mary Lou Henner is

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<v Speaker 2>an actress and author, Broadway star and Golden Globe winner,

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<v Speaker 2>but she can also remember every detail of her life

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<v Speaker 2>since childhood, down to what she did, what she wore,

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<v Speaker 2>and even what the weather was on any given day

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<v Speaker 2>in her history. There are less than one hundred people

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<v Speaker 2>in the world with this incredible type of memory, and

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<v Speaker 2>here's Alex's twenty twenty one conversation with one of them.

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<v Speaker 1>People have different definitions of what makes a star. Is

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<v Speaker 1>it raw talent, beauty or is it simply an X factor,

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<v Speaker 1>a certain ineffable quality. Whatever it is, Mary Lou Henner

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<v Speaker 1>has it, and she has it in spades. Singer, dancer, actor,

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<v Speaker 1>and wellness expert, Henner is a multi talented performer who

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<v Speaker 1>is also simply a joy to be around. She's like

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<v Speaker 1>a Christmas tree and lights up every room she's in.

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<v Speaker 1>She's starred in over a dozen films, seven Broadway shows,

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<v Speaker 1>and two smash hit sitcoms. She played Ava Evans Newton

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<v Speaker 1>on Evening Shade alongside Burt Reynolds, and perhaps most notably,

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<v Speaker 1>Elaine Nardo on Taxi, a role that earned her five

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<v Speaker 1>Golden Globe nominations. Mary Lou Henner has also a New

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<v Speaker 1>York Times bestselling author and recently staged a one woman

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<v Speaker 1>autobiographical show. It covered everything from growing up in a

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<v Speaker 1>large family in Chicago to her preternatural mnemonic skills. Henna

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<v Speaker 1>is one of about sixty people in the world who

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<v Speaker 1>can recall nearly every detail of her life, down to

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<v Speaker 1>the exact day and date.

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<v Speaker 3>It's so funny because you know, I worked with Trump

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<v Speaker 3>twice on Celebrity Apprentice, but he used to start the

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<v Speaker 3>reboard room, like Mary Lou. If I took you to Vegas,

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<v Speaker 3>could you cheap for me? Could you count the cards?

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<v Speaker 3>Could you let's go to Vegas.

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<v Speaker 1>I'm sure people assume that this skill you have.

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<v Speaker 3>It's not a skill, but it's yeah, it's just there.

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<v Speaker 3>It's weird.

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<v Speaker 1>What do you call it.

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<v Speaker 3>I call it a gift. The people sometimes call it

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<v Speaker 3>a condition. It's not, and that's why they changed the name.

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<v Speaker 3>They used to call it hyper tygnesia, but then they

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<v Speaker 3>thought that that was like too weird a name, which

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<v Speaker 3>it really is. But it's not that they don't call

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<v Speaker 3>it that anymore. It's h Sam highly superior autobiographical memory.

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<v Speaker 3>H SAM. And it's funny you should mention that and Michelle,

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<v Speaker 3>because I do a song about it in my show

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<v Speaker 3>that my brother wrote the lyrics to. So I'm going

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<v Speaker 3>to is a song called wait, don't tell me No, No,

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<v Speaker 3>you know what it's called. It's you know, the Peggy

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<v Speaker 3>Lee song because I'm a woman. You know that song? Okay,

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<v Speaker 3>So I thought, hmmm, because I have h SAM, so

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<v Speaker 3>this is what we decided. I'll just do the first

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<v Speaker 3>one Bucks County. It was yeah, I was like this

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<v Speaker 3>because I excuse me, mister. It was a very successful

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<v Speaker 3>number and a very successful run, a lot of fun.

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<v Speaker 3>They said it was the best show they've done there

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<v Speaker 3>in seven years.

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<v Speaker 1>Well let me ask you this. You wrote a biography

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<v Speaker 1>back in ninety four. You've written ten books, I believe,

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<v Speaker 1>including that book. But when you do a one woman show.

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<v Speaker 1>Where do you start?

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<v Speaker 3>Well, you need an opening number that sort of grabs

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<v Speaker 3>people and sort of sets up the tone. And so

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<v Speaker 3>I I wanted everything to sort of connect to something

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<v Speaker 3>in my life. And I was watching television and do

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<v Speaker 3>you know the Cold Porter movie, not Night and Day,

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<v Speaker 3>the other one that he did anyway, So all of

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<v Speaker 3>a sudden, I'm flicking through channels and there it is,

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<v Speaker 3>and it's Elvis Costello singing Let's Misbehave, And I thought, oh,

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<v Speaker 3>that's the closing credits to Johnny Dangerously. I'm going to

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<v Speaker 3>sing that song as my opener and then tell a

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<v Speaker 3>story about Johnny Dangerously, but then say everything is connected.

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<v Speaker 3>And then I go into the song about my memory

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<v Speaker 3>because I wanted to set that up right away because

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<v Speaker 3>I throw dates around a lot. And then I talk

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<v Speaker 3>about my childhood, which was so unusual, so you know,

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<v Speaker 3>and I do a little whole tribute to growing up

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<v Speaker 3>in a dancing school.

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<v Speaker 1>Well, yeah, what's funny. When I think of you, I

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<v Speaker 1>think of many things. You know, when you do the

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<v Speaker 1>show Taxi. You're someone who is part of that elite

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<v Speaker 1>group of people that I know who were on a

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<v Speaker 1>hit TV show back when tens of millions of people

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<v Speaker 1>were watching TV, but such a remarkable group of people,

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<v Speaker 1>all of whom went on to have these, you know,

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<v Speaker 1>really heavy duty careers and everything and movies and TV

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<v Speaker 1>and theater and so forth. And how did you get

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<v Speaker 1>that job?

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<v Speaker 3>Okay, this is a good story. I believe that the

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<v Speaker 3>key to your life is how well you deal with

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<v Speaker 3>Plan B, because so many Plan B things you plan

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<v Speaker 3>for Plan A, and you think this is how it's

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<v Speaker 3>going to work out, and then all of a sudden

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<v Speaker 3>forget it. I had been flown out to Los Angeles

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<v Speaker 3>to do a screen test for a movie called Blood Brothers.

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<v Speaker 3>I auditioned for Robert Mulligan, the guy I was testing opposite.

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<v Speaker 3>He didn't get the job, but they kept me around

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<v Speaker 3>because they had to find the guy. And then they

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<v Speaker 3>found him, and it was Richard Gear, whom I knew

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<v Speaker 3>through the Grease family because when I my first day

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<v Speaker 3>in show business professionally, I was in the first National

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<v Speaker 3>Company of Greece and I walked into that first rehearsal

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<v Speaker 3>and it was Jeff Conaway playing Danny Zuko, Jerry Zach's

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<v Speaker 3>playing Kinicki, Michael Lembeck playing Sonny, Judy k playing Rizzo,

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<v Speaker 3>Johnny Travolta playing Duty, and Richard gear rehearsing for the

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<v Speaker 3>London Company to play Danny Zuko. Anyway, so Richard and

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<v Speaker 3>I crosspaths again because we ended up getting cast in

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<v Speaker 3>Blood Brothers. So I came out to Los Angeles and

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<v Speaker 3>then I ended up staying because I had a contract

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<v Speaker 3>with CBS at the time, and they offered me money

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<v Speaker 3>every month to stay away from the other networks while

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<v Speaker 3>they found something for me, holding money, holding deal. I

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<v Speaker 3>had a holding deal for a few years. Now, all

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<v Speaker 3>of a sudden, they're starting to audition for Taxi and

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<v Speaker 3>Joel Thurm he really liked me. They wanted a thirty

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<v Speaker 3>five year old Italian New Yorker because they wanted her

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<v Speaker 3>to have like a sixteen seventeen, eighteen year old daughter,

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<v Speaker 3>and because unmarried woman and goodbye girl those were all

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<v Speaker 3>out then, so they liked the mother daughter dynamic. But

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<v Speaker 3>Joel said, I'm telling you, this is the girl. I

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<v Speaker 3>was twenty five. He said, this is the girl because

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<v Speaker 3>she can hold her own with somebody like a Judd Hirsch.

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<v Speaker 3>She's one of the guys. But you'd believe her having

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<v Speaker 3>art aspirations. And I'm telling you, this is the girl.

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<v Speaker 3>So he kept bringing me back with all these older actresses.

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<v Speaker 3>But in the meantime, my mom was dying in the

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<v Speaker 3>hospital in Chicago, so I would literally fly back and

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<v Speaker 3>forth and back and forth and back and forth. So

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<v Speaker 3>what happened was they really liked me, and at that point,

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<v Speaker 3>paper Chase was picked up for a season because Taxi

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<v Speaker 3>didn't have to do a pilot, so paper Chase was

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<v Speaker 3>picked up for a season and they said, okay, she

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<v Speaker 3>tested higher than even John Houseman, we have to give

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<v Speaker 3>her a contract. And my agent said, well, there's this

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<v Speaker 3>other show, Taxi that you know, so we have to see.

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<v Speaker 3>So my agents were able to play one against the other.

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<v Speaker 3>And I really wanted to do Taxi because the idea

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<v Speaker 3>of doing a sitcom was more appealing to me because

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<v Speaker 3>it's like a stage play, you know. So Taxi said, well,

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<v Speaker 3>she's too young. We see this teenage girl with a daughter,

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<v Speaker 3>blah blah blah blah blah. And they said, look, you're

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<v Speaker 3>going to lose her to pay per Chase if you

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<v Speaker 3>don't do it. And so they said, okay, we'll do it.

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<v Speaker 3>She's Elaine. We'll give her two little kids. So that's

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<v Speaker 3>what they did so.

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<v Speaker 1>How it was Housman pay Per Chase and what was

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<v Speaker 1>his name, Timothy.

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<v Speaker 3>Something, Timothy Bottoms. No, he didn't do the TV show.

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<v Speaker 1>Tim Bottoms did the movie.

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<v Speaker 3>Yeah, yeah, that was a good movie with Lindsay Wagner

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<v Speaker 3>and everything. John Houseman was a real character. At the

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<v Speaker 3>rap party for the pilot, he tried to French kiss me.

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<v Speaker 3>I mean he was like one of those guys.

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<v Speaker 1>Wow, well you can actually be canceled now I know.

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<v Speaker 3>Oh my god, I've got that. Yeah, I mean I

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<v Speaker 3>never had like creepy.

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<v Speaker 1>Who probably deserved to be canceled at some point.

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<v Speaker 3>In Actually, I was very protective of myself. I've been

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<v Speaker 3>the kind of girl that I think most whatever, I

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<v Speaker 3>don't want to say, Well, you know, I had brothers,

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<v Speaker 3>so I knew men or pigs, so I was like

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<v Speaker 3>always on the defense. I knew I was paying attention.

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<v Speaker 1>Some of them are some of them.

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<v Speaker 3>You know.

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<v Speaker 1>It's funny you say that, because in that casting holding

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<v Speaker 1>deal I went out to l A. I told the

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<v Speaker 1>story before I think, but I'm there and Chris Guest's mother,

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<v Speaker 1>Jean Guest, who are worshiped Gene Guests, was in charge

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<v Speaker 1>of casting. Incredible loveliest woman in show She was one

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<v Speaker 1>of the loveliest women in show business. And if she

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<v Speaker 1>really believed in you, she like hung in there with you.

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<v Speaker 1>She brings me into a meeting and they put me

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<v Speaker 1>on a holding deal because I did a pilot for

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<v Speaker 1>them that fizzled, and they said, we're going to sign

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<v Speaker 1>to this holding deal because we really believe in you.

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<v Speaker 1>We're going to keep throwing it against the wall until

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<v Speaker 1>something sticks. And then he says, we want you to

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<v Speaker 1>be the next Bill Dixby. I was like, wow, that

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<v Speaker 1>sounds great.

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<v Speaker 3>Did you ever honor the deal? Did you ever have

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<v Speaker 3>to or did you get something else?

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<v Speaker 1>And the pilot and then I did a tea movie

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<v Speaker 1>for them. I did a couple of things for them.

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<v Speaker 1>This is obviously a billion years ago, in the eighties

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<v Speaker 1>and the early eighties.

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<v Speaker 3>The one with Stephanie Zimblist.

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<v Speaker 1>You were so good in that that was NBC.

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<v Speaker 3>Yeah, I could tell you the day we met and

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<v Speaker 3>how we met. What was it. It was May May

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<v Speaker 3>the twenty second of nineteen eighty five. It was a Wednesday,

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<v Speaker 3>and this is how we met. I knew Tuck, your roommate,

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<v Speaker 3>So Tuck and I went till dinner one time, and

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<v Speaker 3>in Venice and right where you guys used to live.

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<v Speaker 3>So I went over to your house. And now we

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<v Speaker 3>are both. I'm in New York doing the junket for Perfect,

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<v Speaker 3>and I'm on a bunch of shows and I'm on

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<v Speaker 3>Live at five with Sue Simmons, remember, yeah, and you're

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<v Speaker 3>And so you and I were both in the room,

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<v Speaker 3>but I didn't see you because I didn't really know you.

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<v Speaker 3>And all of a sudden I could feel you over

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<v Speaker 3>this person over my left shoulder, and then all of

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<v Speaker 3>a sudden, Susimon says, and coming up next Alec Baldwin

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<v Speaker 3>and later Mary Lou Hannah, and it was like we

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<v Speaker 3>looked at each other and I went, oh my gosh.

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<v Speaker 3>It was like, oh my gosh. And you and I

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<v Speaker 3>actually had lunch the day of the big Perfect opening

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<v Speaker 3>and you were one hundred days sober that day, and

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<v Speaker 3>you showed me your coin.

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<v Speaker 1>Yeah. I have thirty six years now and Fabril have

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<v Speaker 1>thirty seven years. The unbelievable.

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<v Speaker 3>It's incredible.

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<v Speaker 1>And even last night I wanted to have a drake.

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<v Speaker 1>Last night, I thought, let me just have a gigantic glass.

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<v Speaker 4>What would you do?

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<v Speaker 1>Wine slurpy glass? Of red wine. Tell me good, because

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<v Speaker 1>I have horrible insomnia. I've always had hard me too.

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<v Speaker 1>Me out with these kids, it's horrible. You know.

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<v Speaker 3>I wrote a book called I Refused to Raise a Braath,

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<v Speaker 3>and I wrote it with a brilliant psychoanalyst because I

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<v Speaker 3>had these two kids, and I listened. Every time I

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<v Speaker 3>listened to her, it didn't the kids, it was all good.

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<v Speaker 3>And then when I didn't, it was like, Okay, it's

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<v Speaker 3>going to bite me on the ass at some point.

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<v Speaker 3>But it's so funny because having so many.

0:10:44.960 --> 0:10:45.720
<v Speaker 1>I grew up with six.

0:10:45.840 --> 0:10:47.439
<v Speaker 3>You grew up with six. We had the opposite of

0:10:47.520 --> 0:10:49.680
<v Speaker 3>you guys, because it was two boys and four girls,

0:10:50.559 --> 0:10:54.679
<v Speaker 3>which is different, and third third I was third. We

0:10:54.800 --> 0:10:57.599
<v Speaker 3>came up with this concept, the concept of hamper, you know,

0:10:57.600 --> 0:11:00.280
<v Speaker 3>because our houses were like a big hamper. So now

0:11:00.400 --> 0:11:02.440
<v Speaker 3>to this day, you could have a beautiful silk blouse,

0:11:02.600 --> 0:11:04.079
<v Speaker 3>but it's got a stain, so you put a pin

0:11:04.160 --> 0:11:06.839
<v Speaker 3>over it. That's hamper. You know, your glasses are broken,

0:11:06.920 --> 0:11:08.720
<v Speaker 3>so you put a pin in it. That's hamper.

0:11:08.840 --> 0:11:09.000
<v Speaker 1>You know.

0:11:09.120 --> 0:11:11.800
<v Speaker 3>You do you put a paper clip a paper clip,

0:11:12.080 --> 0:11:15.120
<v Speaker 3>your uniform had staples in it, or tape or something.

0:11:15.160 --> 0:11:17.800
<v Speaker 3>You know, it's like I remember growing up, our phone

0:11:17.840 --> 0:11:20.719
<v Speaker 3>court was always like so you had to like hold it.

0:11:21.080 --> 0:11:23.160
<v Speaker 1>If you read if you read my memoir, it opens

0:11:23.240 --> 0:11:25.200
<v Speaker 1>up with how my mother's bedroom was filled with plastic

0:11:25.280 --> 0:11:30.160
<v Speaker 1>pails filled with laundry. It was laundry. He bedroom. Her

0:11:30.240 --> 0:11:32.440
<v Speaker 1>bedroom was a hand She had an ironing board at

0:11:32.440 --> 0:11:34.360
<v Speaker 1>the foot of her bed and an iron and she

0:11:34.480 --> 0:11:37.960
<v Speaker 1>had like these plastic hampers, right, these collapsible plastic things

0:11:38.000 --> 0:11:39.679
<v Speaker 1>that were just and they were like falling off of

0:11:39.760 --> 0:11:41.719
<v Speaker 1>each other. I said, if you if you came to

0:11:41.840 --> 0:11:43.319
<v Speaker 1>my house and you didn't know better, you thought this

0:11:43.440 --> 0:11:45.280
<v Speaker 1>was in an illegal laundry. Someone was running out of

0:11:45.280 --> 0:11:45.600
<v Speaker 1>their house.

0:11:46.559 --> 0:11:48.960
<v Speaker 3>So my mother used to do her laun tree on Tuesdays.

0:11:49.040 --> 0:11:51.520
<v Speaker 3>There was seventeen loads, you know, and she always had

0:11:51.559 --> 0:11:53.520
<v Speaker 3>like seventeen loads from all of us because when you

0:11:53.600 --> 0:11:55.360
<v Speaker 3>think about it, a house full of kids like that.

0:11:55.720 --> 0:11:58.120
<v Speaker 3>The beginning of the pandemic, I was home. My boys

0:11:58.160 --> 0:12:00.760
<v Speaker 3>were here, my brother has two children, my husband, we

0:12:00.880 --> 0:12:03.120
<v Speaker 3>were here. I never did more cooking and cleaning and

0:12:03.280 --> 0:12:06.920
<v Speaker 3>laundry and scrubbing grout in my life because I'm very

0:12:07.200 --> 0:12:09.160
<v Speaker 3>you know, I like to be very organized. But we

0:12:09.280 --> 0:12:10.440
<v Speaker 3>had a rule that everybody.

0:12:10.600 --> 0:12:12.640
<v Speaker 1>My wife hates it. She's really angry with me that

0:12:12.760 --> 0:12:16.920
<v Speaker 1>you're so meticulous that I'm so crushed by an OCD

0:12:17.200 --> 0:12:19.240
<v Speaker 1>at that level with my kids, like I'm always cleaning

0:12:19.280 --> 0:12:20.679
<v Speaker 1>in my household, and long with my wife was like,

0:12:21.320 --> 0:12:21.920
<v Speaker 1>this is going to kill you.

0:12:22.040 --> 0:12:24.000
<v Speaker 3>Well, with kids, you got to let it go. I mean,

0:12:24.000 --> 0:12:26.120
<v Speaker 3>because I was always and I was tested for OCD

0:12:26.200 --> 0:12:27.840
<v Speaker 3>because that was part of the whole memory thing. They

0:12:27.920 --> 0:12:29.480
<v Speaker 3>take blood, they do all kinds of tests for you.

0:12:29.720 --> 0:12:33.160
<v Speaker 3>I don't have OCD. I call my oco obsessive compulsive

0:12:33.320 --> 0:12:35.839
<v Speaker 3>order because one kid in the family had to have

0:12:36.000 --> 0:12:38.480
<v Speaker 3>it with six kids, and my bedroom was off the

0:12:38.559 --> 0:12:41.120
<v Speaker 3>kitchen and had no door, so people could be on

0:12:41.200 --> 0:12:43.240
<v Speaker 3>the phone or at the kitchen table and look in

0:12:43.320 --> 0:12:45.520
<v Speaker 3>at a little girl sleeping, and I didn't care. I

0:12:46.720 --> 0:12:49.000
<v Speaker 3>was my oldest sister shared it with me, than my

0:12:49.080 --> 0:12:52.079
<v Speaker 3>younger sister, than my brother. I mean, but always my

0:12:52.280 --> 0:12:54.319
<v Speaker 3>room had no door. So I think that's how I

0:12:54.400 --> 0:12:55.400
<v Speaker 3>ended up in show business.

0:12:55.480 --> 0:12:56.800
<v Speaker 1>I think the same. I'll tell my wife, I go,

0:12:56.880 --> 0:12:59.000
<v Speaker 1>don't you want to let's go to the opposite here.

0:12:59.040 --> 0:13:00.840
<v Speaker 1>Don't you want to commend me for how neat I am?

0:13:00.880 --> 0:13:03.160
<v Speaker 1>But would you rather have a husband who didn't want

0:13:03.160 --> 0:13:07.920
<v Speaker 1>to clean. Now you have two biological children, two biological children,

0:13:08.000 --> 0:13:08.720
<v Speaker 1>and they're how old now?

0:13:08.960 --> 0:13:11.760
<v Speaker 3>They're one is twenty seven, the other one's twenty five

0:13:11.800 --> 0:13:12.800
<v Speaker 3>and a half, and.

0:13:12.880 --> 0:13:14.839
<v Speaker 1>You have them doing what phase of your career? What

0:13:14.920 --> 0:13:16.640
<v Speaker 1>were you working on at the time you decided to

0:13:16.720 --> 0:13:17.920
<v Speaker 1>put the brakes on and have kids.

0:13:18.080 --> 0:13:22.000
<v Speaker 3>Oh well, I had finished, okay, so I finished evening Shade.

0:13:22.200 --> 0:13:23.839
<v Speaker 3>I do tell this in my club act because I

0:13:23.880 --> 0:13:26.400
<v Speaker 3>always say I couldn't talk about the eighties and nineties

0:13:26.400 --> 0:13:29.240
<v Speaker 3>without talking about Burt Reynolds, because I did five projects

0:13:29.280 --> 0:13:31.240
<v Speaker 3>with him and we never had a thing, which is

0:13:31.240 --> 0:13:33.840
<v Speaker 3>probably why we were able to work together so often.

0:13:34.200 --> 0:13:37.800
<v Speaker 3>But I always adored him and he one morning, you know, Rob,

0:13:38.120 --> 0:13:40.400
<v Speaker 3>my second husband, and I were frisky and then I

0:13:40.520 --> 0:13:44.360
<v Speaker 3>go to work and Bert is directing this episode where

0:13:44.400 --> 0:13:47.520
<v Speaker 3>he has me do a stunt where I am running, running, running,

0:13:47.800 --> 0:13:52.600
<v Speaker 3>leaping over like a fence in a football stadium stand

0:13:52.800 --> 0:13:55.600
<v Speaker 3>and I land and then run up to the team

0:13:55.640 --> 0:13:57.280
<v Speaker 3>and he says, do it again, do it again, do

0:13:57.360 --> 0:13:59.679
<v Speaker 3>it again, do it again. So that night I was

0:13:59.679 --> 0:14:02.040
<v Speaker 3>sitting in a restaurant and this is after three and

0:14:02.040 --> 0:14:04.160
<v Speaker 3>a half years I sitting in a restaurant and I

0:14:04.200 --> 0:14:06.720
<v Speaker 3>looked at Rob and I went, the eagle has landed.

0:14:06.920 --> 0:14:09.199
<v Speaker 3>I just got pregnant. He said. What I said, I'm

0:14:09.240 --> 0:14:12.640
<v Speaker 3>telling you. Contact was made, and sure enough I was pregnant.

0:14:12.840 --> 0:14:15.040
<v Speaker 3>So I always tell people Burt Reynolds got me pregnant,

0:14:15.160 --> 0:14:17.000
<v Speaker 3>even though he's not the father of my kids.

0:14:17.280 --> 0:14:18.360
<v Speaker 1>He's the spiritual father.

0:14:18.480 --> 0:14:19.320
<v Speaker 3>The spiritual father.

0:14:19.600 --> 0:14:22.280
<v Speaker 1>Yeah, and when you worked with him, you did Cannibal

0:14:22.360 --> 0:14:22.880
<v Speaker 1>Too with him?

0:14:23.040 --> 0:14:24.760
<v Speaker 3>Well, I first did the man who loved women, and

0:14:24.920 --> 0:14:27.280
<v Speaker 3>we had such a great chemistry the very first day.

0:14:27.480 --> 0:14:30.680
<v Speaker 3>But he called me the night that we met, the

0:14:31.000 --> 0:14:32.360
<v Speaker 3>very night and he said, I want you to come

0:14:32.400 --> 0:14:36.160
<v Speaker 3>down to the Dinner Theater in Jupiter, Florida. I want

0:14:36.200 --> 0:14:38.000
<v Speaker 3>you to do their playing our song, he said, And

0:14:38.360 --> 0:14:41.200
<v Speaker 3>I want you to do Cannonball Run too. But I

0:14:41.320 --> 0:14:44.320
<v Speaker 3>want a rewrite of the script. Do you know anybody,

0:14:44.640 --> 0:14:47.440
<v Speaker 3>any of the guys from Taxi that might be willing

0:14:47.520 --> 0:14:49.360
<v Speaker 3>to take a crack at it. I was like, okay,

0:14:49.720 --> 0:14:52.480
<v Speaker 3>So originally the counterball I've never told this story before.

0:14:52.880 --> 0:14:56.480
<v Speaker 3>The count Ball Run Too script was about the Dom

0:14:56.680 --> 0:14:59.440
<v Speaker 3>and Bert sort of rescue this girl who's hiding out

0:14:59.480 --> 0:15:02.240
<v Speaker 3>in a Santa Terrim and she's an heiress and then

0:15:02.280 --> 0:15:04.120
<v Speaker 3>they rescue her, and then she and Bert end up

0:15:04.120 --> 0:15:07.080
<v Speaker 3>in a thing. And so then I get Harvey Miller,

0:15:07.160 --> 0:15:09.360
<v Speaker 3>who was a taxi writer the job, and he turns

0:15:09.400 --> 0:15:13.320
<v Speaker 3>it into two women, and then Shirley McLean wanted to

0:15:13.400 --> 0:15:15.960
<v Speaker 3>do it. So then of course they put Shirley with

0:15:16.080 --> 0:15:18.120
<v Speaker 3>Burt and I was with Dom, which was fine, but

0:15:18.200 --> 0:15:20.160
<v Speaker 3>it's kind of funny, but I had like one of

0:15:20.200 --> 0:15:23.360
<v Speaker 3>the best experience. That movie was so stupid. But there

0:15:23.400 --> 0:15:26.680
<v Speaker 3>were a couple days where we had like twenty three

0:15:26.920 --> 0:15:31.800
<v Speaker 3>wagon trains in the desert outside of Tucson, Arizona, because

0:15:31.880 --> 0:15:34.240
<v Speaker 3>it was one hundred and seventeen degrees. So we started

0:15:34.600 --> 0:15:36.520
<v Speaker 3>hair and makeup was at two o'clock in the morning

0:15:36.560 --> 0:15:38.560
<v Speaker 3>so we could be on the road before four, and

0:15:38.680 --> 0:15:41.360
<v Speaker 3>we pulled the plug at at one. But then everybody

0:15:41.440 --> 0:15:43.480
<v Speaker 3>hung out at the pool at the Arizona Inn. So

0:15:43.560 --> 0:15:45.960
<v Speaker 3>it was Sammy Davis Junior, and Dean Martin, all these

0:15:46.000 --> 0:15:47.920
<v Speaker 3>guys and even Frank for a day. And to be

0:15:48.120 --> 0:15:51.640
<v Speaker 3>with Shirley, whom I had always loved and always idle,

0:15:52.000 --> 0:15:54.400
<v Speaker 3>to play her friend, and then to have her hanging

0:15:54.440 --> 0:15:55.920
<v Speaker 3>out with the rat pack. It was like, you know,

0:15:56.000 --> 0:15:57.880
<v Speaker 3>I was this little girl from Chicago who's watching these

0:15:57.920 --> 0:16:00.760
<v Speaker 3>people at drive ins and stuff. Was like a lot

0:16:00.840 --> 0:16:01.160
<v Speaker 3>of one.

0:16:01.680 --> 0:16:04.200
<v Speaker 1>Yeah, I met him. For those people who don't know this,

0:16:05.120 --> 0:16:06.880
<v Speaker 1>and I was not a big devotee of this, but

0:16:06.960 --> 0:16:09.640
<v Speaker 1>I went a few times. It's that Norby Walters, famous

0:16:09.720 --> 0:16:14.040
<v Speaker 1>record executive. Norby Walters had his card game, his legendary

0:16:14.160 --> 0:16:17.040
<v Speaker 1>card game at his apartment Wednesday nights and West Wednesday

0:16:17.120 --> 0:16:18.720
<v Speaker 1>nights in West Hollywood. And you go up to the

0:16:18.800 --> 0:16:19.960
<v Speaker 1>department of his near.

0:16:20.720 --> 0:16:24.120
<v Speaker 3>Holloway, Yeah, Halloway and Losi Anago, Yeah, Losi, on.

0:16:24.160 --> 0:16:25.840
<v Speaker 1>Your way to Barney's Beanery and on your way to

0:16:25.880 --> 0:16:29.600
<v Speaker 1>the Sunset Marquis, and you go to his house. And

0:16:29.720 --> 0:16:31.800
<v Speaker 1>I went there. I went a handful of times. You know,

0:16:32.320 --> 0:16:38.000
<v Speaker 1>Velvida cheese and no alcohol. That was a no alcohol

0:16:38.280 --> 0:16:39.960
<v Speaker 1>and you bought one hundred dollars worth of chips and

0:16:39.960 --> 0:16:41.400
<v Speaker 1>when you were finished, you were done. There was no

0:16:41.520 --> 0:16:44.160
<v Speaker 1>serious gambling. And you went there. And I remember sitting

0:16:44.200 --> 0:16:46.480
<v Speaker 1>there one time and there was Harvey Korman and Tim.

0:16:46.520 --> 0:16:48.600
<v Speaker 3>Oh Tim Conway, Yeah Conway.

0:16:48.520 --> 0:16:50.360
<v Speaker 1>The two of them were there at one time. Kathy

0:16:50.440 --> 0:16:51.920
<v Speaker 1>Lee Crosby would go every now.

0:16:51.800 --> 0:16:54.600
<v Speaker 3>And then Rod Steiger was there a couple of times.

0:16:54.760 --> 0:16:56.880
<v Speaker 1>When you were there. Bert was there when I went

0:16:56.920 --> 0:16:58.840
<v Speaker 1>one time, Oh he was. He seemed like he was

0:16:58.920 --> 0:17:02.600
<v Speaker 1>in the throw of his kind of medicated agony. But

0:17:03.200 --> 0:17:06.159
<v Speaker 1>but then to the right of me one time was

0:17:06.560 --> 0:17:10.560
<v Speaker 1>Don Adams, and Don Adams is in a China white

0:17:10.760 --> 0:17:13.520
<v Speaker 1>jumpsuit and everyone's waiting for the moment to arrive when

0:17:13.520 --> 0:17:15.080
<v Speaker 1>someone's going to just do this and do the Don

0:17:15.119 --> 0:17:18.840
<v Speaker 1>Adams thing, so somebody will puts down two pairs, you know.

0:17:19.680 --> 0:17:21.840
<v Speaker 1>He puts down two pairs, and I put down I

0:17:21.920 --> 0:17:27.040
<v Speaker 1>say I have three kings, and everybody left, and he

0:17:27.119 --> 0:17:30.520
<v Speaker 1>doesn't laugh. Oh, and then finally he smiles and nods

0:17:30.560 --> 0:17:32.840
<v Speaker 1>to me, like, okay, good for you. You saw the

0:17:32.880 --> 0:17:35.840
<v Speaker 1>opportunity and you took it. But he was very serious

0:17:36.080 --> 0:17:39.760
<v Speaker 1>and very really super antiseptic and very He was there

0:17:39.840 --> 0:17:41.800
<v Speaker 1>to play cards. He didn't want to talk about his

0:17:41.960 --> 0:17:44.200
<v Speaker 1>career or chit chatt. He was there to play cards

0:17:44.440 --> 0:17:46.760
<v Speaker 1>with a bunch of schmucks. We work card players were

0:17:46.760 --> 0:17:50.440
<v Speaker 1>eating Valveda and Hershy's kisses and drinking Hawaian punch whatever

0:17:50.480 --> 0:17:51.200
<v Speaker 1>the hell they had there.

0:17:51.240 --> 0:17:54.080
<v Speaker 3>Yeah, it's funny, you're bringing up Norby Walters because you

0:17:54.160 --> 0:17:56.240
<v Speaker 3>probably don't remember this, but we were both supposed to

0:17:56.400 --> 0:18:01.600
<v Speaker 3>be there on it was. It was the seventh of

0:18:01.880 --> 0:18:04.159
<v Speaker 3>two thousand and one. Okay, it was a Wednesday at

0:18:04.520 --> 0:18:07.879
<v Speaker 3>June the sixth of two thousand and one, seriously, and

0:18:08.680 --> 0:18:10.560
<v Speaker 3>you called up and said you weren't going to make it.

0:18:10.880 --> 0:18:13.040
<v Speaker 3>He put me on the phone with you, and I said,

0:18:13.320 --> 0:18:14.600
<v Speaker 3>you said, how are you doing blah blah blah, And

0:18:14.640 --> 0:18:17.880
<v Speaker 3>I said something about I just I'm filing for divorce.

0:18:18.280 --> 0:18:20.760
<v Speaker 3>And you said, oh, can I talk to you about divorce?

0:18:21.160 --> 0:18:23.600
<v Speaker 3>I said, you said, let's meet tomorrow. So you and

0:18:23.720 --> 0:18:26.960
<v Speaker 3>I went to Sushi Roku on Third Avenue and you

0:18:27.080 --> 0:18:28.960
<v Speaker 3>were telling me there was all the pitfalls. This was

0:18:29.000 --> 0:18:29.760
<v Speaker 3>two thousand and one.

0:18:30.440 --> 0:18:30.680
<v Speaker 1>It was.

0:18:30.960 --> 0:18:33.720
<v Speaker 3>What happened was we got together because I was avoiding

0:18:33.840 --> 0:18:36.800
<v Speaker 3>the process servers because everybody said, oh, you have to

0:18:36.880 --> 0:18:39.040
<v Speaker 3>let the woman serve first because otherwise it looks like

0:18:39.119 --> 0:18:40.840
<v Speaker 3>she cheated. Blah blah blah blah blah. And we were

0:18:40.880 --> 0:18:41.840
<v Speaker 3>having a friendly divorce.

0:18:41.880 --> 0:18:42.000
<v Speaker 1>You know.

0:18:42.119 --> 0:18:44.520
<v Speaker 3>We went away that weekend and read about it ourselves

0:18:44.560 --> 0:18:46.840
<v Speaker 3>in the paper. Rob and I were still friends. You know,

0:18:46.960 --> 0:18:50.200
<v Speaker 3>I do things weird, but we're still like really good friends.

0:18:50.280 --> 0:18:52.840
<v Speaker 3>But anyway, we sat at the sushi Roku for like

0:18:52.920 --> 0:18:55.720
<v Speaker 3>two and a half hours and you told me everything

0:18:55.840 --> 0:18:57.879
<v Speaker 3>that was going on and what I should watch out for.

0:18:58.240 --> 0:19:01.520
<v Speaker 1>I know you remind me energy and my feelings for

0:19:01.560 --> 0:19:04.160
<v Speaker 1>you remind me of when I was around Streisand once

0:19:04.200 --> 0:19:06.280
<v Speaker 1>and I said to her, you know, you and I

0:19:06.320 --> 0:19:08.680
<v Speaker 1>would be the greatest divorced couple. You know, we would

0:19:08.680 --> 0:19:10.800
<v Speaker 1>be married, we'd be in love, maybe we'd have a kid.

0:19:11.160 --> 0:19:13.320
<v Speaker 1>Of course, we get divorced. It just has to be

0:19:13.400 --> 0:19:16.040
<v Speaker 1>that way. It shows us. But I come over every Sunday.

0:19:16.119 --> 0:19:20.399
<v Speaker 1>We'd have Chinese food screen exactly. And I feel the

0:19:20.400 --> 0:19:21.840
<v Speaker 1>same way about you. You and I would have made

0:19:21.920 --> 0:19:23.040
<v Speaker 1>great x P.

0:19:23.640 --> 0:19:27.000
<v Speaker 3>Yeah, we think very similarly, and that we have that

0:19:27.160 --> 0:19:28.880
<v Speaker 3>big family kind of thing.

0:19:29.760 --> 0:19:32.720
<v Speaker 1>This is a trite word, and this is a trite idea,

0:19:32.800 --> 0:19:35.040
<v Speaker 1>but not so trite now in the age of the

0:19:35.240 --> 0:19:38.600
<v Speaker 1>pandemic and beyond. And that is positivity. And you have

0:19:38.680 --> 0:19:43.959
<v Speaker 1>always been this like staggeringly positive healthy. What's the secret?

0:19:44.440 --> 0:19:46.479
<v Speaker 3>Well, A couple of things come to mind. I had

0:19:46.520 --> 0:19:48.920
<v Speaker 3>a really great family and we're still super close. My

0:19:49.000 --> 0:19:52.040
<v Speaker 3>parents both died tragically, both of them very young, and

0:19:52.160 --> 0:19:54.280
<v Speaker 3>I think it bonded the family. I did a lot

0:19:54.359 --> 0:19:57.000
<v Speaker 3>of therapy. I got my whole family involved in therapy.

0:19:57.440 --> 0:20:00.840
<v Speaker 3>My therapist would put six speaker boxes up in her

0:20:00.920 --> 0:20:04.840
<v Speaker 3>office at Princeton, New Jersey, and every other Sunday for

0:20:05.119 --> 0:20:07.960
<v Speaker 3>ten years, the siblings would do a group therapy. So

0:20:08.040 --> 0:20:10.520
<v Speaker 3>we've worked out a lot of our stuff. That's number one.

0:20:10.920 --> 0:20:14.360
<v Speaker 3>But I had an extraordinary childhood which was totally unusual,

0:20:14.520 --> 0:20:16.639
<v Speaker 3>with the dancing school in the backyard, beauty shop in

0:20:16.680 --> 0:20:20.960
<v Speaker 3>the kitchen, an uncle who taught art at the Catholic

0:20:20.960 --> 0:20:23.680
<v Speaker 3>grammar school and lived upstairs with his boyfriend Charles, and

0:20:24.160 --> 0:20:26.919
<v Speaker 3>a menagerie of animals. And I just had such an

0:20:27.000 --> 0:20:29.000
<v Speaker 3>unusual way of growing up. And I always had this

0:20:29.240 --> 0:20:32.680
<v Speaker 3>mission to make something of myself and to share. I

0:20:32.720 --> 0:20:34.840
<v Speaker 3>think it's a middle child and me always wanted to, like,

0:20:34.920 --> 0:20:36.600
<v Speaker 3>if I have a good idea, I want to share

0:20:36.600 --> 0:20:39.520
<v Speaker 3>it with everybody. I've never been very proprietary over anything.

0:20:39.640 --> 0:20:42.719
<v Speaker 3>I just always want to share with people. I think

0:20:42.760 --> 0:20:45.359
<v Speaker 3>it comes from being the middle maybe, But I also

0:20:45.400 --> 0:20:49.120
<v Speaker 3>think having my memory has helped, because the memory makes

0:20:49.160 --> 0:20:51.600
<v Speaker 3>you get over things very quickly, because you start to

0:20:51.720 --> 0:20:54.800
<v Speaker 3>see the waves. And also being an actress. You know,

0:20:55.000 --> 0:20:57.800
<v Speaker 3>every bad experience was like, Okay, I'm going to take

0:20:57.840 --> 0:21:00.320
<v Speaker 3>note of this. What can I do better next time?

0:21:00.400 --> 0:21:02.880
<v Speaker 3>How can I figure this out? You know I say

0:21:03.000 --> 0:21:04.200
<v Speaker 3>to people all the time, they go, how do you

0:21:04.240 --> 0:21:06.240
<v Speaker 3>do it? And it's like this, I go, think of

0:21:06.560 --> 0:21:09.560
<v Speaker 3>flaps up and it's like you just close your ears

0:21:09.600 --> 0:21:12.000
<v Speaker 3>to it, flaps up. You say that to my kids

0:21:12.040 --> 0:21:14.159
<v Speaker 3>all the time, you know, smile not and move on.

0:21:14.720 --> 0:21:16.520
<v Speaker 1>So you were married three times, you were married twice,

0:21:16.560 --> 0:21:20.280
<v Speaker 1>and you're married again now third in final, final, And

0:21:20.400 --> 0:21:22.480
<v Speaker 1>so each of these meant the extent you're willing to say,

0:21:22.640 --> 0:21:25.080
<v Speaker 1>what did they represent for you? You seem to be

0:21:25.160 --> 0:21:29.399
<v Speaker 1>such a thoughtful, deliberate aware. You seem like somebody that

0:21:29.600 --> 0:21:33.480
<v Speaker 1>all the lights are on your brain, your mind, your

0:21:33.560 --> 0:21:35.720
<v Speaker 1>soul is like a house shoe pull up to It's

0:21:35.800 --> 0:21:39.320
<v Speaker 1>like some kind of a Richard Neutra, all glass structure

0:21:39.359 --> 0:21:41.600
<v Speaker 1>and all the lights are on. You're always on, you

0:21:41.640 --> 0:21:44.439
<v Speaker 1>know what I mean? And alert and aware. So when

0:21:44.480 --> 0:21:46.640
<v Speaker 1>you married one, and you married two, when you married three,

0:21:46.840 --> 0:21:48.040
<v Speaker 1>what were you marrying them for?

0:21:48.720 --> 0:21:50.760
<v Speaker 3>Well? First of all, Freddie and I met at a

0:21:51.320 --> 0:21:54.760
<v Speaker 3>screen test, and I didn't know that they added a kiss,

0:21:54.960 --> 0:21:57.639
<v Speaker 3>and I was the sixth girl screen testing opposite him

0:21:57.720 --> 0:21:59.520
<v Speaker 3>for a film called Hammet, and.

0:22:00.520 --> 0:22:01.000
<v Speaker 1>We just did.

0:22:01.200 --> 0:22:03.720
<v Speaker 3>Some people who don't know this is Forrest, Yeah, sorry,

0:22:03.800 --> 0:22:07.639
<v Speaker 3>Frederick Forrest. The Academy Award nominated Freddy Freddy. And so

0:22:07.880 --> 0:22:10.280
<v Speaker 3>he was so different from anybody I knew. He was

0:22:10.320 --> 0:22:12.040
<v Speaker 3>a lot older than I was, but he was so

0:22:12.320 --> 0:22:15.040
<v Speaker 3>different from anybody I ever knew. And I was so

0:22:15.320 --> 0:22:18.240
<v Speaker 3>fascinated by him because his brain was so different and

0:22:18.359 --> 0:22:21.280
<v Speaker 3>he was just I've just never seen anything like a

0:22:21.400 --> 0:22:28.360
<v Speaker 3>totally instinctive, brilliant actor. Brilliant actor and would transform himself

0:22:28.760 --> 0:22:31.680
<v Speaker 3>every part that he's played. He looks completely different. And

0:22:31.880 --> 0:22:33.680
<v Speaker 3>he wanted to marry me a few months after we

0:22:33.760 --> 0:22:36.760
<v Speaker 3>started dating, and I said, no, let's live together. He said,

0:22:36.840 --> 0:22:39.440
<v Speaker 3>no marriage or nothing. I said, okay, well then nothing.

0:22:39.840 --> 0:22:42.359
<v Speaker 3>And then I went to my tenth year high school

0:22:42.359 --> 0:22:45.200
<v Speaker 3>reunion in Chicago and he went to a wedding and

0:22:45.320 --> 0:22:47.679
<v Speaker 3>he called me and we were both feeling very sentimental

0:22:47.760 --> 0:22:50.240
<v Speaker 3>and we said, okay, let's get married. I said okay,

0:22:50.720 --> 0:22:52.760
<v Speaker 3>and then we ended up getting married three weeks later

0:22:52.880 --> 0:22:55.760
<v Speaker 3>in New Orleans and that was it. And then coming

0:22:55.800 --> 0:22:57.920
<v Speaker 3>home from the honeymoon because the actors were on strike.

0:22:58.000 --> 0:23:00.119
<v Speaker 3>I was going back to taxing. I thought, what if

0:23:00.160 --> 0:23:02.320
<v Speaker 3>I just don't. I'm married a total stranger to me,

0:23:02.440 --> 0:23:04.560
<v Speaker 3>you know. It was like crazy. But he was so

0:23:04.800 --> 0:23:09.119
<v Speaker 3>fascinating and so loving and so full of demons that

0:23:09.600 --> 0:23:13.360
<v Speaker 3>if you're not somebody who is exposed to demons a lot,

0:23:13.840 --> 0:23:15.920
<v Speaker 3>you think like, I'll fix it. I'm going to take

0:23:15.920 --> 0:23:18.000
<v Speaker 3>care of it. Twenty eight.

0:23:18.960 --> 0:23:21.439
<v Speaker 1>You're very young. Yeah, everything you do in your twenties

0:23:21.520 --> 0:23:23.480
<v Speaker 1>is a moment. Yeah. No.

0:23:24.080 --> 0:23:26.240
<v Speaker 3>I have three theories of marriage. The first one is

0:23:26.880 --> 0:23:30.200
<v Speaker 3>marriages like making waffles. You throw the first one out, okay.

0:23:30.560 --> 0:23:33.560
<v Speaker 3>The second one is marriage is finding that special certain

0:23:33.640 --> 0:23:36.560
<v Speaker 3>someone you just know you'd love to aggravate the rest

0:23:36.640 --> 0:23:39.320
<v Speaker 3>of your life, because marriage is like, you know, all

0:23:39.359 --> 0:23:41.520
<v Speaker 3>these little, like diggy kind of things. And I said,

0:23:41.560 --> 0:23:44.160
<v Speaker 3>but no, the real theory Saint A. Zuberrie wrote something

0:23:44.320 --> 0:23:47.440
<v Speaker 3>and I added something to it, and that is you'll

0:23:47.520 --> 0:23:51.320
<v Speaker 3>have a happy marriage when you realize marriage isn't two

0:23:51.400 --> 0:23:55.639
<v Speaker 3>people gazing longingly into each other's eyes, but rather looking

0:23:55.680 --> 0:23:59.560
<v Speaker 3>out over the mountain in the same direction, with their

0:23:59.560 --> 0:24:02.760
<v Speaker 3>hands on each other's genitals. That's the part I added.

0:24:05.640 --> 0:24:09.160
<v Speaker 3>That's the part I added because you've got to have heat.

0:24:09.240 --> 0:24:10.720
<v Speaker 1>Oh that wasn't saint than zuber reed?

0:24:10.800 --> 0:24:13.880
<v Speaker 3>No, no, sorry, So you got to have vision and heat.

0:24:13.960 --> 0:24:17.159
<v Speaker 3>So my first marriage was all heat, my second marriage

0:24:17.240 --> 0:24:20.119
<v Speaker 3>was all vision, and finally I have vision and heat in.

0:24:20.200 --> 0:24:27.879
<v Speaker 1>My third marriage. Wow actress Mary Lou Henner. If you

0:24:28.080 --> 0:24:31.120
<v Speaker 1>like hearing about the lives of groundbreaking women in comedy,

0:24:31.680 --> 0:24:35.480
<v Speaker 1>check out my interview with Carol Burnett. Her hit variety

0:24:35.560 --> 0:24:38.040
<v Speaker 1>show ran for more than a decade in the late

0:24:38.160 --> 0:24:41.440
<v Speaker 1>sixties and seventies, and at the height of her success,

0:24:41.960 --> 0:24:45.400
<v Speaker 1>she had to tread carefully. In that era.

0:24:45.720 --> 0:24:48.840
<v Speaker 3>The only one who really would speak up was Lucy.

0:24:49.400 --> 0:24:50.280
<v Speaker 1>She was very strong.

0:24:51.160 --> 0:24:55.360
<v Speaker 3>But it's not in my nature to take over confront

0:24:56.000 --> 0:24:56.439
<v Speaker 3>or anything.

0:24:56.520 --> 0:25:00.280
<v Speaker 4>You know, if a sketch wasn't working or something, instead

0:25:00.320 --> 0:25:03.440
<v Speaker 4>of like gleaes and or Sid would say, look, guys,

0:25:03.520 --> 0:25:04.080
<v Speaker 4>this stinks.

0:25:04.200 --> 0:25:05.680
<v Speaker 3>Now, come on, you got to fix it.

0:25:05.760 --> 0:25:07.000
<v Speaker 1>But but you know they would do that.

0:25:07.880 --> 0:25:11.240
<v Speaker 4>I would say, I'd call the writers down into the

0:25:11.320 --> 0:25:15.119
<v Speaker 4>rehearsal hall and I'd say, you know, guys, I'm not

0:25:15.240 --> 0:25:17.160
<v Speaker 4>doing this too well. Do you think maybe you could

0:25:17.160 --> 0:25:19.760
<v Speaker 4>help me out with a different line here or there?

0:25:20.480 --> 0:25:22.600
<v Speaker 4>Because you know, otherwise I would have.

0:25:22.600 --> 0:25:26.920
<v Speaker 1>Been a bit hear more of my conversation with Carol

0:25:26.960 --> 0:25:32.000
<v Speaker 1>Burnett in our archives that Here's Thething dot org. After

0:25:32.119 --> 0:25:34.600
<v Speaker 1>the Break, Mary Lou Henner talks about how a change

0:25:34.760 --> 0:25:38.159
<v Speaker 1>she made and her approach to auditioning completely opened up

0:25:38.400 --> 0:25:52.679
<v Speaker 1>her career. I'm Alec Baldwin and you're listening to Here's

0:25:52.760 --> 0:25:57.200
<v Speaker 1>the Thing. Mary lou Henner is passionate about encouraging people

0:25:57.320 --> 0:26:01.120
<v Speaker 1>to take charge of their happiness and well being. She's

0:26:01.160 --> 0:26:04.359
<v Speaker 1>written several best selling books on living a healthy lifestyle,

0:26:04.920 --> 0:26:07.680
<v Speaker 1>often sharing lessons that changed her own life.

0:26:08.600 --> 0:26:11.639
<v Speaker 3>What happened was, I went with Jerry Katzman, who's the

0:26:11.720 --> 0:26:13.879
<v Speaker 3>head of William Morse at the time. He said, you

0:26:14.000 --> 0:26:15.560
<v Speaker 3>have to write a book. I'm hooking you up with

0:26:16.400 --> 0:26:18.840
<v Speaker 3>Judith Reagan. So Judith and I met at lunch and

0:26:18.920 --> 0:26:21.040
<v Speaker 3>we hung out together all day and everything. I had

0:26:21.040 --> 0:26:23.600
<v Speaker 3>a book deal, so I started working on my autobiography.

0:26:23.880 --> 0:26:26.479
<v Speaker 3>She is a character, and when she started her own imprint,

0:26:26.560 --> 0:26:28.320
<v Speaker 3>she said to me, you have to write a health

0:26:28.359 --> 0:26:30.639
<v Speaker 3>book because you're in such good shape of this. You

0:26:30.800 --> 0:26:32.879
<v Speaker 3>changed so much since blah blah blah. Every time I

0:26:33.000 --> 0:26:35.119
<v Speaker 3>have anything wrong with me, my kids, I call you,

0:26:35.400 --> 0:26:38.200
<v Speaker 3>and you always seem to know the answer. So I

0:26:38.359 --> 0:26:41.560
<v Speaker 3>was doing the show Chicago on Broadway, and one of

0:26:41.560 --> 0:26:43.280
<v Speaker 3>the guys said, oh, why don't you give us like

0:26:43.400 --> 0:26:46.040
<v Speaker 3>some lectures. I was like okay. So in between shows,

0:26:46.520 --> 0:26:48.400
<v Speaker 3>I would do these seminars and I'd have a little,

0:26:48.840 --> 0:26:51.000
<v Speaker 3>you know, like tape recorder, and I'd be, you know,

0:26:51.160 --> 0:26:53.200
<v Speaker 3>talking to them, and then I'd be putting on my

0:26:53.280 --> 0:26:56.119
<v Speaker 3>eyelashes like the evils of dairy products, you know, as

0:26:56.160 --> 0:26:58.760
<v Speaker 3>I'm putting on my eyelashes to go do roxy. And

0:26:58.880 --> 0:27:00.960
<v Speaker 3>so then I worked with some who was like a

0:27:01.119 --> 0:27:04.320
<v Speaker 3>real crafts person in terms of like books, and I

0:27:04.560 --> 0:27:06.359
<v Speaker 3>was so revved up from all the fossy and my

0:27:06.440 --> 0:27:08.879
<v Speaker 3>boys were very little, so I could like give them

0:27:08.880 --> 0:27:11.200
<v Speaker 3>a bath, go to the theater, be revved up, go

0:27:11.359 --> 0:27:13.440
<v Speaker 3>to an office and work on the book. And a

0:27:13.520 --> 0:27:15.920
<v Speaker 3>few weeks after the show ended, the book came out

0:27:16.480 --> 0:27:18.680
<v Speaker 3>and it went on the New York Times bestseller list.

0:27:18.880 --> 0:27:21.520
<v Speaker 3>And I've sold over a million copies of that first

0:27:21.640 --> 0:27:24.240
<v Speaker 3>health book. But then got a contract to keep going

0:27:24.320 --> 0:27:28.280
<v Speaker 3>and going and going. So then I've done ton what's.

0:27:28.119 --> 0:27:30.800
<v Speaker 1>Your biggest health concern? You know, we're growing up in

0:27:30.880 --> 0:27:34.359
<v Speaker 1>my lifetime, everybody was always saying, you know, don't smoke,

0:27:34.600 --> 0:27:37.200
<v Speaker 1>and then when I went through my drug phase, people

0:27:37.280 --> 0:27:39.119
<v Speaker 1>said you got to get sober and stop taking all

0:27:39.160 --> 0:27:43.760
<v Speaker 1>these drugs and drinking, which I've had a very relatively

0:27:43.840 --> 0:27:46.960
<v Speaker 1>brief but white hot period of that for a couple

0:27:47.000 --> 0:27:48.640
<v Speaker 1>of years in the eighties when I was very young,

0:27:49.320 --> 0:27:51.200
<v Speaker 1>and then as I've gotten older. You know, the thing

0:27:51.400 --> 0:27:54.920
<v Speaker 1>that shocks me, that is the utter poison in my

0:27:55.000 --> 0:27:57.600
<v Speaker 1>life is sugar. Because I was pre diabetic and now

0:27:57.600 --> 0:28:01.639
<v Speaker 1>I'm full diabetic. Has been so gotten married for me?

0:28:02.640 --> 0:28:05.720
<v Speaker 1>For me, Yeah, what's your health concerns now? Like, what

0:28:05.880 --> 0:28:09.520
<v Speaker 1>do you say to yourself? I never eat. I sometimes

0:28:09.600 --> 0:28:11.480
<v Speaker 1>eat every now and then I cheat and I allow

0:28:11.600 --> 0:28:14.480
<v Speaker 1>myself to eat. When you want to treat yourself to

0:28:14.520 --> 0:28:16.359
<v Speaker 1>something that you know isn't the best possible thing for you,

0:28:16.600 --> 0:28:18.080
<v Speaker 1>is it something sweet? Is something? No? No?

0:28:18.200 --> 0:28:18.240
<v Speaker 4>No?

0:28:18.359 --> 0:28:21.320
<v Speaker 3>If I'm a savory person, no, I would say probably

0:28:21.359 --> 0:28:24.720
<v Speaker 3>sushi is like my own, my last not so guilty pleasure. Yeah.

0:28:24.960 --> 0:28:27.920
<v Speaker 3>But I haven't had dairy since August fifteenth, nineteen seventy nine.

0:28:28.080 --> 0:28:30.200
<v Speaker 3>It was a Wednesday I gave up dairy and have

0:28:30.400 --> 0:28:32.879
<v Speaker 3>never had dairy since. And it changed my life. So

0:28:32.960 --> 0:28:34.560
<v Speaker 3>I'm always trying to get people off of deser.

0:28:35.000 --> 0:28:38.360
<v Speaker 1>What was the impact? Oh, the sinuses and congestion you here, but.

0:28:38.480 --> 0:28:40.480
<v Speaker 3>Well that's a lot, but you know, through sore throats

0:28:40.600 --> 0:28:42.920
<v Speaker 3>and stomach aches all the time. When I lived in

0:28:42.960 --> 0:28:44.960
<v Speaker 3>New York, I'd live near zay Bars, and I would

0:28:45.000 --> 0:28:47.080
<v Speaker 3>go pick up cheese ends, you know at zay bars

0:28:47.120 --> 0:28:49.160
<v Speaker 3>where they'd cut the cheese a certain way and then

0:28:49.200 --> 0:28:51.240
<v Speaker 3>they have the little the little rind and stuff. And

0:28:51.360 --> 0:28:54.240
<v Speaker 3>I'd buy these little cheese bags, cheese ends bags on

0:28:54.360 --> 0:28:56.440
<v Speaker 3>my way to unemployment and wondered, why am I not

0:28:56.560 --> 0:28:59.120
<v Speaker 3>working when I'm fat, constabated and have been impulsed, you know,

0:28:59.480 --> 0:29:02.400
<v Speaker 3>I mean the whole stomach changed after I gave up dairy.

0:29:02.560 --> 0:29:04.080
<v Speaker 1>I used to be an ice cream addict. I was

0:29:04.120 --> 0:29:06.320
<v Speaker 1>like Brando. Yeah, and they say that brand would sit

0:29:06.360 --> 0:29:07.720
<v Speaker 1>with like a half a gallon of ice cream and

0:29:07.800 --> 0:29:10.040
<v Speaker 1>watch TV and you have like a big jug of

0:29:10.120 --> 0:29:11.440
<v Speaker 1>ice cream and lay in his bed and just with

0:29:11.560 --> 0:29:13.000
<v Speaker 1>a spoon and eat like a half a gallon of

0:29:13.040 --> 0:29:14.360
<v Speaker 1>ice cream. That wasn't that that?

0:29:14.720 --> 0:29:17.440
<v Speaker 3>Yeah? But Darry is always the first thing I talk

0:29:17.480 --> 0:29:20.240
<v Speaker 3>to people about. Always. That's been on my that's my

0:29:20.320 --> 0:29:24.640
<v Speaker 3>soapbox speech. Immediately with people especially, I can read people's

0:29:24.680 --> 0:29:26.560
<v Speaker 3>faces and tell that they're like allergic to it or

0:29:26.600 --> 0:29:28.920
<v Speaker 3>something like that, or they've had trouble. But the big

0:29:29.040 --> 0:29:30.920
<v Speaker 3>killer right now, I think for everybody is the whole

0:29:31.000 --> 0:29:33.960
<v Speaker 3>stress management people. Really, you know, I say three things.

0:29:34.600 --> 0:29:36.640
<v Speaker 3>Learn to love the food that loves you. And we

0:29:36.840 --> 0:29:38.880
<v Speaker 3>know what doesn't love us. Learn to love the food

0:29:38.920 --> 0:29:41.640
<v Speaker 3>that loves you. It's very obviously what does Dairy did

0:29:41.760 --> 0:29:44.479
<v Speaker 3>not love me, Meat did not love me. Sugar does

0:29:44.600 --> 0:29:47.480
<v Speaker 3>not love meat, nor does it love you obviously, So

0:29:47.600 --> 0:29:49.560
<v Speaker 3>I say, learn to love the food that loves you.

0:29:49.800 --> 0:29:52.440
<v Speaker 3>I say motion is the lotion, because we've got to move.

0:29:52.680 --> 0:29:55.520
<v Speaker 3>You know, your cap stretches, your dogs, you walk your dogs.

0:29:55.560 --> 0:29:58.320
<v Speaker 3>Your hamster's got a wheel with this beautiful human animal.

0:29:58.360 --> 0:30:01.080
<v Speaker 3>You've got to walk, you got to do. You gotta move, move, move,

0:30:01.200 --> 0:30:04.080
<v Speaker 3>Motion is the lotion. And then I also say, you

0:30:04.200 --> 0:30:06.240
<v Speaker 3>better fall in love with your stress or it's going

0:30:06.320 --> 0:30:09.240
<v Speaker 3>to kill you. Because if I give I go all

0:30:09.280 --> 0:30:10.320
<v Speaker 3>over the country.

0:30:10.600 --> 0:30:13.360
<v Speaker 1>Stress, you better I can't fall in love with my stress.

0:30:13.920 --> 0:30:16.160
<v Speaker 3>Well yeah, I mean it's but no, you have to,

0:30:16.480 --> 0:30:18.800
<v Speaker 3>I always say, because I give speeches all over the country.

0:30:18.840 --> 0:30:20.840
<v Speaker 3>I'm always like asked to give you know, could go

0:30:20.920 --> 0:30:24.440
<v Speaker 3>to different things, seminars and stuff. And I always say,

0:30:24.440 --> 0:30:26.360
<v Speaker 3>if every one of you in this audience wrote down

0:30:26.560 --> 0:30:28.720
<v Speaker 3>your problems on a piece of paper and I collected

0:30:28.760 --> 0:30:30.920
<v Speaker 3>them and I started reading them out, and you had

0:30:30.960 --> 0:30:33.680
<v Speaker 3>to pick some problems that are on a list, you'd

0:30:33.680 --> 0:30:36.440
<v Speaker 3>all take back your own because you know the beast,

0:30:36.960 --> 0:30:39.360
<v Speaker 3>you know how to handle it. You just might not

0:30:39.480 --> 0:30:40.320
<v Speaker 3>be doing it well.

0:30:40.320 --> 0:30:42.719
<v Speaker 1>I always tell people whenever i'm especially when i'm speaking

0:30:42.720 --> 0:30:45.760
<v Speaker 1>to people in this profession. Number One, find out how

0:30:45.800 --> 0:30:48.479
<v Speaker 1>much you love acting itself, because you're going to get

0:30:48.480 --> 0:30:50.920
<v Speaker 1>to do so little of it. Oh, the life of

0:30:51.000 --> 0:30:53.400
<v Speaker 1>the actor is all this other bullshit. You know, the

0:30:53.440 --> 0:30:55.560
<v Speaker 1>rest of the year and you're in front of a camera,

0:30:55.720 --> 0:30:57.560
<v Speaker 1>what forty five minutes a day, an hour a day.

0:30:57.600 --> 0:30:59.160
<v Speaker 1>The rest is sitting in your room. You do the show,

0:30:59.160 --> 0:31:01.880
<v Speaker 1>it's two hours a night. If you're inclined to do theater,

0:31:02.400 --> 0:31:03.840
<v Speaker 1>and I said, you don't need to find that how

0:31:03.920 --> 0:31:06.040
<v Speaker 1>much you love it. And number two, if you're in

0:31:06.320 --> 0:31:08.360
<v Speaker 1>get into it. Don't do what I did, which is

0:31:08.400 --> 0:31:11.480
<v Speaker 1>to be like fuck la and fuck you, and I

0:31:11.520 --> 0:31:13.160
<v Speaker 1>think you're all full of shit. And you know, this

0:31:13.240 --> 0:31:14.960
<v Speaker 1>whole thing is just this business is full of shit.

0:31:15.400 --> 0:31:17.520
<v Speaker 1>Be a part of it. Join the academy, go to

0:31:17.600 --> 0:31:20.680
<v Speaker 1>the screening, be a part of the business, and don't

0:31:20.720 --> 0:31:22.640
<v Speaker 1>be cynical about it. And if not, then get out.

0:31:22.760 --> 0:31:23.120
<v Speaker 1>Get out.

0:31:23.280 --> 0:31:25.160
<v Speaker 3>I always say, if something, do you or don't do it.

0:31:25.680 --> 0:31:28.040
<v Speaker 3>If someone can talk you out of it, let it,

0:31:28.560 --> 0:31:31.360
<v Speaker 3>because otherwise you have to really really want to do it.

0:31:31.680 --> 0:31:34.280
<v Speaker 3>And also I always say to people, look fall in

0:31:34.320 --> 0:31:36.840
<v Speaker 3>love with auditioning because it might be the only ten

0:31:36.920 --> 0:31:39.600
<v Speaker 3>minutes you have that job. So if you do it,

0:31:39.920 --> 0:31:42.080
<v Speaker 3>you know what I mean, then it's like your job

0:31:42.160 --> 0:31:42.800
<v Speaker 3>for ten minutes.

0:31:42.920 --> 0:31:45.160
<v Speaker 1>And maybe you remember all these people from the TV

0:31:45.320 --> 0:31:48.920
<v Speaker 1>star shelf that we always talk about. Gregory Harrison, who

0:31:49.000 --> 0:31:51.600
<v Speaker 1>did an interview wants to change My life Gregory Harrison.

0:31:52.040 --> 0:31:56.640
<v Speaker 3>I mean, we did Jack Nicholson and Margaret parts in

0:31:57.640 --> 0:32:01.040
<v Speaker 3>Cardinal Knowledge at the Pasadena Playhouse. We played those parts,

0:32:01.080 --> 0:32:03.200
<v Speaker 3>so we saw each other naked in a shower. Yeah,

0:32:03.360 --> 0:32:03.680
<v Speaker 3>oh my.

0:32:03.760 --> 0:32:06.280
<v Speaker 1>God, I'm sure you both look pretty good. We do,

0:32:07.640 --> 0:32:12.560
<v Speaker 1>We still do. I he did an interview once years ago,

0:32:12.680 --> 0:32:14.480
<v Speaker 1>was a million years ago, like TV Guide or some

0:32:14.640 --> 0:32:17.400
<v Speaker 1>stupid thing, and he did an interview where he said, basically,

0:32:17.440 --> 0:32:19.920
<v Speaker 1>I'm paraphrasing. He was like, you know, his whole energy changed,

0:32:20.240 --> 0:32:22.960
<v Speaker 1>his whole career changed when he walked into auditions and

0:32:23.040 --> 0:32:25.560
<v Speaker 1>his attitude was like, how can I help you? Like

0:32:25.720 --> 0:32:27.680
<v Speaker 1>you called me here right. I didn't put a gun

0:32:27.720 --> 0:32:29.520
<v Speaker 1>to your head and make you, but it comes audition

0:32:29.640 --> 0:32:32.240
<v Speaker 1>me for this part. I have something you want? Yes,

0:32:32.520 --> 0:32:34.959
<v Speaker 1>you're looking for something and whether and once he stopped

0:32:35.040 --> 0:32:38.560
<v Speaker 1>giving the energy of like oh and being fawning and obsequious,

0:32:38.800 --> 0:32:39.880
<v Speaker 1>then everything changed.

0:32:40.120 --> 0:32:41.800
<v Speaker 3>It's so funny you're saying this because I tell a

0:32:41.880 --> 0:32:46.000
<v Speaker 3>story in my show again about how I auditioned for

0:32:46.320 --> 0:32:49.160
<v Speaker 3>forty commercials before I got one and the reason I

0:32:49.240 --> 0:32:50.920
<v Speaker 3>finally got one, and then I booked seventy two and

0:32:50.960 --> 0:32:52.560
<v Speaker 3>two and a half years. It was quite crazy. I

0:32:52.680 --> 0:32:56.200
<v Speaker 3>was doing commercials constantly, but it took me forty auditions

0:32:56.240 --> 0:32:58.840
<v Speaker 3>to get my first one. Because on the thirty ninth

0:32:59.160 --> 0:33:00.640
<v Speaker 3>a friend of mine called me and it was for

0:33:00.760 --> 0:33:02.840
<v Speaker 3>mister Coffee. I still remember the jingle and I had

0:33:02.880 --> 0:33:05.480
<v Speaker 3>to sing it. I was so wrong for the part,

0:33:05.560 --> 0:33:07.040
<v Speaker 3>but he called me in and he called me that

0:33:07.200 --> 0:33:09.960
<v Speaker 3>night and he said he knew I was having trouble

0:33:10.000 --> 0:33:12.000
<v Speaker 3>with auditions, and he said, are you this way the

0:33:12.040 --> 0:33:14.400
<v Speaker 3>way you were today with me in your auditions? And

0:33:14.400 --> 0:33:16.680
<v Speaker 3>I went, oh, my gosh, no, are you kidding. I

0:33:16.840 --> 0:33:19.120
<v Speaker 3>was just so myself because you were there. He said,

0:33:19.400 --> 0:33:21.840
<v Speaker 3>we almost changed the whole concept of the commercial because

0:33:21.880 --> 0:33:24.200
<v Speaker 3>you were so original. He said, that's what you have

0:33:24.360 --> 0:33:26.920
<v Speaker 3>to do every time you go into an audition. Stop

0:33:27.040 --> 0:33:29.440
<v Speaker 3>giving people what you think they want. Just go in

0:33:29.520 --> 0:33:30.920
<v Speaker 3>there and it's going to hit. It's going to hit.

0:33:30.960 --> 0:33:32.760
<v Speaker 3>And he was right. And then I booked one right

0:33:32.800 --> 0:33:35.520
<v Speaker 3>after the other and I became this body parts model

0:33:35.920 --> 0:33:37.800
<v Speaker 3>and it was just like crazy that I did a

0:33:37.840 --> 0:33:39.200
<v Speaker 3>lot of different parts of the body.

0:33:39.440 --> 0:33:41.720
<v Speaker 1>I was, which parts of the body did you do?

0:33:42.320 --> 0:33:44.800
<v Speaker 1>Which party? This is in my show? I said.

0:33:44.840 --> 0:33:47.760
<v Speaker 3>I did four playtext Brad commercials. You know it's got

0:33:47.960 --> 0:33:50.960
<v Speaker 3>sash here and seamless support to play text panties.

0:33:51.360 --> 0:33:53.200
<v Speaker 1>You were wearing a bra, you were a bra model.

0:33:53.320 --> 0:33:55.640
<v Speaker 3>I was a bra model, but sometimes I had like

0:33:55.720 --> 0:33:58.080
<v Speaker 3>a shirt on, you know, and you could see certain things.

0:33:58.200 --> 0:34:01.200
<v Speaker 3>But it was just like I'm like, well exactly. And

0:34:01.280 --> 0:34:04.320
<v Speaker 3>then I did two play text panties commercials or all

0:34:04.400 --> 0:34:05.960
<v Speaker 3>you saw was my butts and they were cracked.

0:34:06.000 --> 0:34:08.600
<v Speaker 1>But these were separate commercials, separate. The bra and the

0:34:08.680 --> 0:34:12.440
<v Speaker 1>panty were two. He was a separate shoots because if

0:34:12.440 --> 0:34:14.040
<v Speaker 1>I was the producer, that's what I would have said, said,

0:34:14.120 --> 0:34:16.400
<v Speaker 1>and we need to shoot these separately, and we need

0:34:16.440 --> 0:34:18.520
<v Speaker 1>to shoot them over five days four and I did

0:34:18.640 --> 0:34:19.640
<v Speaker 1>do yes.

0:34:20.000 --> 0:34:22.000
<v Speaker 3>And then I said, but all you see is my button,

0:34:22.080 --> 0:34:25.840
<v Speaker 3>my crotch, walking my dog, walking around Lincoln Center getting

0:34:25.880 --> 0:34:28.919
<v Speaker 3>on a bus. Well, the polaroids when you walk into

0:34:28.960 --> 0:34:31.840
<v Speaker 3>the audition for a panties commercial, it's amazing because you

0:34:31.880 --> 0:34:34.400
<v Speaker 3>see all these polaroids of just people's crotches and butts

0:34:34.440 --> 0:34:36.520
<v Speaker 3>and side views and everything else. And then I was

0:34:36.560 --> 0:34:38.920
<v Speaker 3>even the Fruit of the Loom pantyhose girl inside of

0:34:38.960 --> 0:34:42.160
<v Speaker 3>a giant apple with my legs sticking out. And so

0:34:42.480 --> 0:34:44.600
<v Speaker 3>I did like different carts. But then I also did

0:34:44.719 --> 0:34:46.880
<v Speaker 3>like I did an exce on Bicentennial Minute where I

0:34:46.920 --> 0:34:50.160
<v Speaker 3>played Annie Sullivan. I got a Cleo nomination for that.

0:34:50.480 --> 0:34:53.640
<v Speaker 3>And I did everything from Reese's peanut butter to gleam toothpaste,

0:34:53.840 --> 0:34:56.680
<v Speaker 3>so many different times. I was the Ponderosa Steakhouse girl,

0:34:57.000 --> 0:34:59.920
<v Speaker 3>the samson I luggage girl. So I just kept doing

0:35:00.120 --> 0:35:02.120
<v Speaker 3>and doing it. And doing it because every time and

0:35:02.200 --> 0:35:03.600
<v Speaker 3>I learned this the heart, I mean, I learned the

0:35:03.600 --> 0:35:06.080
<v Speaker 3>hard way. You walk in and you'd bring something to it,

0:35:06.200 --> 0:35:08.279
<v Speaker 3>like Gregory says, how can I help you? Let me

0:35:08.360 --> 0:35:10.000
<v Speaker 3>show you something like I would do with it.

0:35:10.560 --> 0:35:13.359
<v Speaker 1>But what did you study at you Chicago? You studied theater.

0:35:13.719 --> 0:35:16.000
<v Speaker 3>No, they had a theater department, but they had no

0:35:16.600 --> 0:35:17.320
<v Speaker 3>theater degree.

0:35:17.719 --> 0:35:19.160
<v Speaker 1>So even though I was kind of course, did you

0:35:19.200 --> 0:35:19.600
<v Speaker 1>take so? I?

0:35:19.840 --> 0:35:22.120
<v Speaker 3>No, I was a political science major and so and

0:35:22.200 --> 0:35:24.200
<v Speaker 3>the first two years is mostly the core curriculum.

0:35:24.320 --> 0:35:26.439
<v Speaker 1>So where did you learn to sing and dance? Well?

0:35:26.520 --> 0:35:28.840
<v Speaker 3>I grew up in the dancing studio, and I always

0:35:28.880 --> 0:35:31.120
<v Speaker 3>sang because my two older sisters were in choir and

0:35:31.120 --> 0:35:33.440
<v Speaker 3>stuff like that. So I'd go to their practices and stuff,

0:35:33.680 --> 0:35:35.560
<v Speaker 3>and it was just something I always wanted, you know.

0:35:36.080 --> 0:35:37.600
<v Speaker 3>I was on stage at two and a half at

0:35:37.600 --> 0:35:39.160
<v Speaker 3>a father doma.

0:35:38.640 --> 0:35:40.200
<v Speaker 1>In Chicago, like a pinnacle for you? Is that a

0:35:40.239 --> 0:35:40.960
<v Speaker 1>big dream? Country?

0:35:41.080 --> 0:35:45.279
<v Speaker 3>That was a big gream. They called me on March

0:35:45.360 --> 0:35:48.000
<v Speaker 3>the four, nineteen ninety seven, Walter, whom I knew from

0:35:48.000 --> 0:35:50.279
<v Speaker 3>the Greece family, and they called me and they said

0:35:50.880 --> 0:35:53.360
<v Speaker 3>Annie Ranking is leaving Chicago. And she thinks she'd be

0:35:53.400 --> 0:35:56.800
<v Speaker 3>a good replacement. What kind of dance shape are you in?

0:35:57.360 --> 0:36:00.160
<v Speaker 3>And I said, ooh, I haven't had my legs up

0:36:00.200 --> 0:36:02.680
<v Speaker 3>over my head except for childbirth or a good weekend

0:36:02.920 --> 0:36:06.080
<v Speaker 3>for about five years, so I better get my ass

0:36:06.200 --> 0:36:08.319
<v Speaker 3>back into class. So I went to class for ten

0:36:08.400 --> 0:36:10.279
<v Speaker 3>days and then I went to audition and then he

0:36:10.480 --> 0:36:13.200
<v Speaker 3>said go home, work on the fosse, and I did.

0:36:13.239 --> 0:36:15.160
<v Speaker 3>And I went back and there were like twenty seven

0:36:15.680 --> 0:36:18.880
<v Speaker 3>potential actors in the room and they kept eliminating, eliminating

0:36:18.960 --> 0:36:21.759
<v Speaker 3>until they told me I had the job. So I

0:36:21.840 --> 0:36:24.279
<v Speaker 3>did four hundred and eight performance, four hundred and eight

0:36:24.520 --> 0:36:27.600
<v Speaker 3>performance on Broadway Broadway, but I also did Vegas because

0:36:27.640 --> 0:36:29.239
<v Speaker 3>they asked me to come to Vegas and I was like, no,

0:36:29.320 --> 0:36:30.719
<v Speaker 3>I don't want to go to Vegas. And then my

0:36:30.800 --> 0:36:32.760
<v Speaker 3>agent said, well, let's have some fun with your quote.

0:36:33.000 --> 0:36:34.440
<v Speaker 3>And then he called me back. He said, they made

0:36:34.480 --> 0:36:36.400
<v Speaker 3>you an offer you can't refuse. You're going to Vegas.

0:36:36.480 --> 0:36:38.480
<v Speaker 3>It was like okay, So I went to Vegas. But

0:36:38.640 --> 0:36:41.200
<v Speaker 3>my favorite Vegas story because people always said, what's the

0:36:41.200 --> 0:36:44.640
<v Speaker 3>difference between Broadway and Vegas? Although it's not this anymore,

0:36:44.640 --> 0:36:47.120
<v Speaker 3>I'd say, oh yeah, Cup holders, because back then you

0:36:47.200 --> 0:36:50.800
<v Speaker 3>could this was ninety nine and two thousand you couldn't.

0:36:50.960 --> 0:36:52.640
<v Speaker 3>You could drink in Vegas, but you couldn't do it

0:36:52.719 --> 0:36:56.400
<v Speaker 3>on Broadway. So I'd been there two weeks and they

0:36:56.480 --> 0:37:00.239
<v Speaker 3>said we love you here. I said, really, you've the

0:37:00.280 --> 0:37:02.360
<v Speaker 3>show and I was like all excited. He said, no,

0:37:02.440 --> 0:37:04.600
<v Speaker 3>I haven't seen the show yet, but your crowd drinks

0:37:04.640 --> 0:37:06.880
<v Speaker 3>a lot more Belvedere than most people.

0:37:09.560 --> 0:37:14.600
<v Speaker 1>Okay, we love Velvitere. Yeah, I'll never forget. Someone was

0:37:15.160 --> 0:37:18.040
<v Speaker 1>connected to like one of these big phizzy musicals and

0:37:18.120 --> 0:37:20.040
<v Speaker 1>they were doing like some kind of a cast replacement

0:37:20.040 --> 0:37:22.520
<v Speaker 1>and they wanted all this stunt casting with somebody famous.

0:37:23.280 --> 0:37:26.239
<v Speaker 1>And this actress walks into audition for the lead role.

0:37:26.400 --> 0:37:28.800
<v Speaker 1>She's this famous actress, and she comes in and she

0:37:28.880 --> 0:37:31.319
<v Speaker 1>does her audition and she leaves and everyone's just kind

0:37:31.360 --> 0:37:33.880
<v Speaker 1>of standing there slack joe. After she leaves, and the

0:37:33.960 --> 0:37:36.839
<v Speaker 1>director turns over and goes, she can't sing, she can't dance,

0:37:36.920 --> 0:37:40.880
<v Speaker 1>she can't act. She's a star, you know, like we're

0:37:40.920 --> 0:37:43.360
<v Speaker 1>gonna hire her even though she has She gets a

0:37:43.440 --> 0:37:46.320
<v Speaker 1>D or an F in all three categories based on

0:37:46.360 --> 0:37:48.000
<v Speaker 1>what they saw there in that room that day.

0:37:48.040 --> 0:37:50.279
<v Speaker 3>It's so funny because there's all these stories that you

0:37:50.360 --> 0:37:52.719
<v Speaker 3>know that sort of shape your life, like that one,

0:37:53.000 --> 0:37:54.880
<v Speaker 3>you know, and you just write, you hear it and

0:37:54.960 --> 0:37:57.399
<v Speaker 3>you understand it and you know it right away. When

0:37:57.440 --> 0:38:00.560
<v Speaker 3>I was first on Taxi is somebody at ABC. He goes,

0:38:00.719 --> 0:38:03.160
<v Speaker 3>I've got a movie for you, Mary Lou. I said, really,

0:38:03.360 --> 0:38:06.239
<v Speaker 3>what is it? And he said Sizzle? I said, what's

0:38:06.280 --> 0:38:10.920
<v Speaker 3>it about? He said, who cares sizzle? So Johnny and

0:38:10.960 --> 0:38:13.239
<v Speaker 3>I always used to say we would like jokers, like

0:38:13.400 --> 0:38:15.240
<v Speaker 3>people were like you, who cares sizzle?

0:38:15.560 --> 0:38:19.520
<v Speaker 1>You know, it's just that thing that you do. New

0:38:19.640 --> 0:38:23.640
<v Speaker 1>York Times best selling author Mary Lou Henner. If you're

0:38:23.800 --> 0:38:27.239
<v Speaker 1>enjoying this conversation, be sure to subscribe to Here's the

0:38:27.360 --> 0:38:32.120
<v Speaker 1>Thing on the iHeartRadio app, Apple Podcasts, or wherever you

0:38:32.200 --> 0:38:35.959
<v Speaker 1>get your podcasts. When we return, Mary Lou Henner talks

0:38:35.960 --> 0:38:52.479
<v Speaker 1>about finding lasting love the third time around. I'm Alec

0:38:52.520 --> 0:38:55.839
<v Speaker 1>Baldwin and this is Here's the Thing. Mary Lou Henner

0:38:55.960 --> 0:39:01.000
<v Speaker 1>recently developed and performed a one woman autobiographical Shoe. It's

0:39:01.040 --> 0:39:04.520
<v Speaker 1>filled with songs and stories from her remarkable life.

0:39:05.560 --> 0:39:07.640
<v Speaker 3>I sing a song about my sons and show a

0:39:07.719 --> 0:39:10.399
<v Speaker 3>video of like pictures of them and little videos. Oh

0:39:10.520 --> 0:39:12.480
<v Speaker 3>it kills me every time if I watch it, I'll

0:39:12.520 --> 0:39:13.560
<v Speaker 3>cry just thinking about it.

0:39:13.680 --> 0:39:14.040
<v Speaker 1>I cry.

0:39:14.320 --> 0:39:17.480
<v Speaker 3>And it's a mash up between nick of Time because

0:39:17.640 --> 0:39:19.120
<v Speaker 3>you know, it's funny Nicky took me three and a

0:39:19.160 --> 0:39:21.600
<v Speaker 3>half years to get pregnant. Joey like immediately I didn't

0:39:21.680 --> 0:39:23.759
<v Speaker 3>get my period. It was like Bam, I'm pregnant again.

0:39:24.200 --> 0:39:26.719
<v Speaker 3>So he and so I do nick of Time and

0:39:26.920 --> 0:39:29.160
<v Speaker 3>happiness is just a thing called joe and that's it.

0:39:29.560 --> 0:39:32.840
<v Speaker 3>And also I sing a song about Freddie, my first husband.

0:39:32.960 --> 0:39:35.960
<v Speaker 3>I do Desperado because that's kind of who he was

0:39:36.040 --> 0:39:38.200
<v Speaker 3>in my life. And that song always gets to me too.

0:39:38.560 --> 0:39:40.800
<v Speaker 3>So it's like tell telling some of those type stories

0:39:40.800 --> 0:39:43.239
<v Speaker 3>and talking about Bird was very emotional to a couple

0:39:43.280 --> 0:39:45.440
<v Speaker 3>of times. So it depends, you know, it depends on

0:39:45.560 --> 0:39:45.960
<v Speaker 3>the crowd.

0:39:46.320 --> 0:39:48.040
<v Speaker 1>When you come and you're gonna camp, bet he is

0:39:48.080 --> 0:39:48.960
<v Speaker 1>your husband going to come with you?

0:39:49.160 --> 0:39:52.839
<v Speaker 3>He comes? Yeah, he's great. Oh he's another whole story.

0:39:52.880 --> 0:39:55.239
<v Speaker 3>You know, we wrote a book. We got together. He

0:39:55.360 --> 0:39:57.760
<v Speaker 3>was my roommate's boyfriend. I didn't dare twinkle in his direction.

0:39:58.160 --> 0:40:00.600
<v Speaker 3>But then when he called me out of nowhere six

0:40:00.640 --> 0:40:03.120
<v Speaker 3>months after my divorce from Rob was final. We got

0:40:03.160 --> 0:40:04.920
<v Speaker 3>together within a week. We're saying I love you, We're

0:40:04.920 --> 0:40:06.759
<v Speaker 3>going to spend the rest of our lives together. And

0:40:06.840 --> 0:40:09.960
<v Speaker 3>two months later he's diagnosed with two cancers, bladder cancer

0:40:10.000 --> 0:40:12.960
<v Speaker 3>and lung cancer. And we ended up doing a whole

0:40:13.000 --> 0:40:15.759
<v Speaker 3>protocol for him that didn't involve chemo or radiation. They

0:40:15.800 --> 0:40:18.640
<v Speaker 3>wanted to remove his bladder, his prostate, run a hose

0:40:18.680 --> 0:40:20.440
<v Speaker 3>up his penis and we could pump it up six

0:40:20.520 --> 0:40:22.600
<v Speaker 3>times if we wanted to have sex. They were they

0:40:22.640 --> 0:40:25.000
<v Speaker 3>were pushing all of this. I was like, no, and

0:40:25.400 --> 0:40:26.080
<v Speaker 3>we always say.

0:40:25.920 --> 0:40:27.480
<v Speaker 1>This is he's done with the pump by the way

0:40:27.480 --> 0:40:27.960
<v Speaker 1>he finishing.

0:40:28.120 --> 0:40:30.040
<v Speaker 3>Don't do it for fun. No, he doesn't need the

0:40:30.080 --> 0:40:33.320
<v Speaker 3>pump at all. No, my husband, thanks, No, No, not

0:40:33.440 --> 0:40:38.320
<v Speaker 3>at all. He saved all of his organs. He saved

0:40:38.360 --> 0:40:40.560
<v Speaker 3>his organs and he's been in remission. It'll be eighteen

0:40:40.640 --> 0:40:43.560
<v Speaker 3>years November the twenty fourth. It's pretty remarkable. And he

0:40:43.680 --> 0:40:47.279
<v Speaker 3>didn't he did immunotherapy, but he went completely vegan, and

0:40:47.360 --> 0:40:49.600
<v Speaker 3>he went got rid of I mean he did everything.

0:40:49.640 --> 0:40:52.360
<v Speaker 3>He shot himself with iscador, which is extract of mistletoe.

0:40:52.480 --> 0:40:54.600
<v Speaker 3>He got rid of all of the mercury, fillings in

0:40:54.640 --> 0:40:59.480
<v Speaker 3>his mouthculation therapy, high colonics, lymphatic massages, infrared saunas, and

0:40:59.560 --> 0:41:02.120
<v Speaker 3>he stayed on this protocol and he has been in

0:41:02.160 --> 0:41:06.160
<v Speaker 3>remission almost eighteen years. It's pretty remarkable, you know, pretty cool.

0:41:06.480 --> 0:41:07.799
<v Speaker 1>When I went to the doctor and he was going

0:41:07.880 --> 0:41:11.759
<v Speaker 1>to do the anterior hip replacement process, and he says

0:41:11.760 --> 0:41:13.000
<v Speaker 1>to me, now, I want to just review with you

0:41:13.080 --> 0:41:15.360
<v Speaker 1>that you know that that when you do the anterior procedure,

0:41:15.360 --> 0:41:17.680
<v Speaker 1>when we go in the front as opposed to the side,

0:41:17.800 --> 0:41:20.239
<v Speaker 1>it's the quickest to heal. But there are some complications.

0:41:20.360 --> 0:41:21.920
<v Speaker 1>Is like point zero two percent that we're going to

0:41:22.000 --> 0:41:24.239
<v Speaker 1>nick some nerves in there. There's some material to it.

0:41:24.360 --> 0:41:26.120
<v Speaker 1>And I said, what nerve? He took his finger and

0:41:26.160 --> 0:41:30.160
<v Speaker 1>he went like this, no, And I turned her mind

0:41:30.200 --> 0:41:32.680
<v Speaker 1>and said, oh, you can just tear that out just right.

0:41:33.120 --> 0:41:35.239
<v Speaker 1>I'm done. You can just yank that, get a pair

0:41:35.239 --> 0:41:37.080
<v Speaker 1>of pliers, and I've done with that.

0:41:37.280 --> 0:41:39.520
<v Speaker 3>Sex come on you. And we have an expression in

0:41:39.600 --> 0:41:43.000
<v Speaker 3>my family PF. Okay, we have this expression. My brothers

0:41:43.040 --> 0:41:44.840
<v Speaker 3>and I made it up and it's like measures the

0:41:44.920 --> 0:41:47.000
<v Speaker 3>sexual cuotient of things like oh man, there was so

0:41:47.120 --> 0:41:49.200
<v Speaker 3>much PF at that party, or man, I saw that

0:41:49.320 --> 0:41:51.720
<v Speaker 3>movie no PF between the two of them, and PF

0:41:51.840 --> 0:41:55.319
<v Speaker 3>stands for pussy factor or penis factor, right, because things

0:41:55.400 --> 0:41:58.000
<v Speaker 3>have PF, you know. And I don't like BD for

0:41:58.080 --> 0:42:00.719
<v Speaker 3>big dick energy because that is sexist and sizest, do

0:42:00.760 --> 0:42:03.040
<v Speaker 3>you know what I mean? But you and Hilaria obviously

0:42:03.120 --> 0:42:07.439
<v Speaker 3>have tons of PF. Obviously six kids, but you still

0:42:07.480 --> 0:42:09.279
<v Speaker 3>want to have You're still going to have PF.

0:42:09.040 --> 0:42:11.719
<v Speaker 1>Even I want you. I don't want to retire from that,

0:42:11.800 --> 0:42:14.640
<v Speaker 1>but yeah, please, but six kids, it's really been. It's

0:42:14.640 --> 0:42:16.719
<v Speaker 1>been like a super six and eight years is yeah,

0:42:17.000 --> 0:42:18.120
<v Speaker 1>six kids in seven.

0:42:17.920 --> 0:42:20.000
<v Speaker 3>Years, seven years and seven years old. Oh that's right,

0:42:20.040 --> 0:42:22.600
<v Speaker 3>seven years. You know. I don't know if you remember

0:42:22.640 --> 0:42:25.080
<v Speaker 3>this day, but we were all all the kids because

0:42:25.360 --> 0:42:29.200
<v Speaker 3>Ireland is close to my Joey's age. He's born November twelfth,

0:42:29.480 --> 0:42:33.920
<v Speaker 3>nineteen ninety five, so she's like the month. So we

0:42:34.040 --> 0:42:36.120
<v Speaker 3>were all at a meet because Joey was like the

0:42:36.200 --> 0:42:38.480
<v Speaker 3>real athlete in the family. But Joey was at this meet,

0:42:38.560 --> 0:42:44.360
<v Speaker 3>and Caitlyn Jenner was there and her kids and you know,

0:42:44.600 --> 0:42:47.000
<v Speaker 3>Ireland and my Joey and they were all doing their

0:42:47.000 --> 0:42:49.279
<v Speaker 3>sports thing. And you walked up to my son, Nick,

0:42:49.480 --> 0:42:52.239
<v Speaker 3>who was about thirteen at the time, fourteen at the time,

0:42:52.440 --> 0:42:53.960
<v Speaker 3>And you said, and what are you going to be

0:42:54.040 --> 0:42:57.680
<v Speaker 3>besides the Ralph Lauran model, because he's very cute.

0:42:57.719 --> 0:42:58.440
<v Speaker 1>What is he doing now?

0:42:58.600 --> 0:43:01.120
<v Speaker 3>He's a director. He's a director. He went to Columbia

0:43:01.480 --> 0:43:03.960
<v Speaker 3>and he directs all these videos. And he directed this

0:43:04.040 --> 0:43:07.160
<v Speaker 3>short that has now been bought by Will Ferrell's company

0:43:07.280 --> 0:43:09.320
<v Speaker 3>and he's turned it into a two hour movie and

0:43:09.719 --> 0:43:11.960
<v Speaker 3>he might be directing it, we'll see. But it looks good.

0:43:12.760 --> 0:43:14.600
<v Speaker 3>Can I just say what my son Joey's doing too?

0:43:14.719 --> 0:43:17.360
<v Speaker 3>Because he's yes, okay, because I said about Nick. So

0:43:17.480 --> 0:43:20.480
<v Speaker 3>Joey lives in Brooklyn. He does his improv troupe that

0:43:20.520 --> 0:43:23.120
<v Speaker 3>they do whatever. But he's an international bridge player. He's

0:43:23.120 --> 0:43:25.040
<v Speaker 3>one of the top bridge players in the world under

0:43:25.120 --> 0:43:28.160
<v Speaker 3>twenty five, and he became a life master at twenty four.

0:43:28.440 --> 0:43:30.520
<v Speaker 3>And he has all these women that he plays bridge

0:43:30.560 --> 0:43:32.480
<v Speaker 3>with and they pay a lot of money to play

0:43:32.520 --> 0:43:34.840
<v Speaker 3>with him because he's so cute. And he's writing a

0:43:34.840 --> 0:43:40.399
<v Speaker 3>script called Bridge Jiggelow because I have a comedy writer

0:43:40.560 --> 0:43:41.600
<v Speaker 3>and I have a director.

0:43:42.080 --> 0:43:42.880
<v Speaker 1>Yeah, I love it.

0:43:43.120 --> 0:43:44.480
<v Speaker 3>Yeah, I'm sure.

0:43:44.280 --> 0:43:48.440
<v Speaker 1>Telling telling me should read Jonathan Ames's book The Extra

0:43:48.600 --> 0:43:51.879
<v Speaker 1>Man that was made into a film with Kevin Klein

0:43:51.920 --> 0:43:54.960
<v Speaker 1>and Paul Dano, and that's your son, the Paul Danel.

0:43:55.280 --> 0:43:57.520
<v Speaker 1>He is a character because it's about a boy that

0:43:57.640 --> 0:44:00.239
<v Speaker 1>meets like a guy who's like a walker. He's like

0:44:00.239 --> 0:44:03.160
<v Speaker 1>a male prostitute and he doesn't necessarily sleep with the women,

0:44:03.239 --> 0:44:05.000
<v Speaker 1>but he's like he like takes old of these old

0:44:05.000 --> 0:44:07.600
<v Speaker 1>biddies to like Palm Beach, Cotillions and all the show.

0:44:07.680 --> 0:44:11.040
<v Speaker 3>I don't think are thinking that my son is talking

0:44:11.080 --> 0:44:13.359
<v Speaker 3>about them as old biddies, because you know, someone who

0:44:13.440 --> 0:44:16.480
<v Speaker 3>knows not his not his bridge party.

0:44:16.960 --> 0:44:19.400
<v Speaker 1>Anyway, My love to you, and I look forward to

0:44:19.400 --> 0:44:20.120
<v Speaker 1>seeing you in New York.

0:44:20.120 --> 0:44:23.879
<v Speaker 3>Okay, give my love to your kids. And you're one.

0:44:24.120 --> 0:44:25.239
<v Speaker 3>Sometimes it's called Mary Lou.

0:44:25.320 --> 0:44:25.719
<v Speaker 1>I know, so.

0:44:27.680 --> 0:44:28.239
<v Speaker 3>I forgot that.

0:44:28.480 --> 0:44:31.520
<v Speaker 1>I know we literally they my wife calls are Mary Lou.

0:44:31.640 --> 0:44:34.520
<v Speaker 1>I know she does Maria Luthia, but my wife calls

0:44:34.520 --> 0:44:35.040
<v Speaker 1>her Mary Lou.

0:44:37.320 --> 0:44:40.520
<v Speaker 3>It's on the back of her little high chair. I know.

0:44:40.640 --> 0:44:43.680
<v Speaker 3>See I pay attention. Well, my name is Mary, Lucy, Denise,

0:44:43.719 --> 0:44:45.880
<v Speaker 3>ce Celia, Hannah Forrest, Lieberman Brown.

0:44:47.960 --> 0:44:50.120
<v Speaker 1>Good luck vision and heat, good luck on that chair.

0:44:50.760 --> 0:44:52.279
<v Speaker 1>My love to you, sweet We'll talk to you down

0:44:52.280 --> 0:45:00.279
<v Speaker 1>the road, okay. Actress and author Mary Lou Henner. This

0:45:00.520 --> 0:45:05.480
<v Speaker 1>episode was produced by Kathleen Russo, Carrie Donahue, Maureen Hobin,

0:45:05.600 --> 0:45:10.520
<v Speaker 1>and Zach MacNeice. Our engineer is Frank Imperial. I'm Alec Baldwin.

0:45:10.600 --> 0:45:13.600
<v Speaker 1>Here's the thing. Is brought to you by iHeart Radio