1 00:00:00,120 --> 00:00:04,160 Speaker 1: Warning. Today's episode contains spoilers for the twenty five year 2 00:00:04,200 --> 00:00:09,200 Speaker 1: old movie Gladiator of I Ridly Scott. Well Gladier two 3 00:00:09,480 --> 00:00:13,560 Speaker 1: in theater soon. Be warned if you have out watched Gladiator, 4 00:00:13,800 --> 00:00:17,880 Speaker 1: then watch it before listening to this before seeing Gladiator 5 00:00:17,880 --> 00:00:37,240 Speaker 1: too and aply connected guys. Hello, my name is Jason 6 00:00:37,280 --> 00:00:40,320 Speaker 1: Casepsiote co host to a pod and I will have 7 00:00:40,400 --> 00:00:43,080 Speaker 1: my revenge in this life of the next. 8 00:00:43,320 --> 00:00:46,280 Speaker 2: I weesday night. Are you not entertained? 9 00:00:46,560 --> 00:00:48,320 Speaker 1: And welcome back to x me vision of the podcast 10 00:00:48,320 --> 00:00:50,520 Speaker 1: where we dive deep. It's your favorite shows, movies, comics 11 00:00:50,520 --> 00:00:52,919 Speaker 1: and pop culture coming from My Heart podcast where we 12 00:00:53,000 --> 00:00:56,280 Speaker 1: bring you between two and three and sometimes war episodes 13 00:00:56,320 --> 00:00:59,560 Speaker 1: every week Tuesday Thursday, with extra episodes on Wednesday. 14 00:01:00,120 --> 00:01:03,440 Speaker 2: In today's episode, in the air Lock, we are revisiting 15 00:01:03,480 --> 00:01:07,479 Speaker 2: the five time Oscar winning film Gladiator by Ridley Scott 16 00:01:07,560 --> 00:01:11,000 Speaker 2: starring Russell Crowe, and in the omnibus, we are going 17 00:01:11,040 --> 00:01:13,839 Speaker 2: to dig into some of the history, both real life 18 00:01:13,840 --> 00:01:16,600 Speaker 2: and production wise, that gave us Gladiator and we'll lead 19 00:01:16,680 --> 00:01:19,920 Speaker 2: us in to the eagerly awaited Gladiator two. 20 00:01:20,240 --> 00:01:26,920 Speaker 1: Dun dundun all right. Gladiator the year two thousand, directed 21 00:01:26,920 --> 00:01:30,200 Speaker 1: by Ridley Scott, Gosh, what a film. I saw it 22 00:01:30,200 --> 00:01:32,680 Speaker 1: in the theaters. This is when I was working in 23 00:01:32,720 --> 00:01:38,080 Speaker 1: movie theaters, saw every movie and my reaction was, Wow, 24 00:01:38,160 --> 00:01:41,000 Speaker 1: what an insanely violent and good movie that. 25 00:01:41,240 --> 00:01:44,840 Speaker 2: Was so violent, like when I rewatched it for the pod. 26 00:01:45,600 --> 00:01:47,440 Speaker 2: So let me set this up. When I was a kid, 27 00:01:47,480 --> 00:01:50,160 Speaker 2: I saw this movie on VHS at my dad's house 28 00:01:50,640 --> 00:01:53,240 Speaker 2: and I was so upset when one of the guys 29 00:01:53,480 --> 00:01:57,560 Speaker 2: walks out to fight in the gladiatorial ring and just 30 00:01:57,600 --> 00:02:00,080 Speaker 2: before he goes out, he pisses himself, and I I 31 00:02:00,200 --> 00:02:02,800 Speaker 2: was so upset for how scared that guy was. I 32 00:02:02,800 --> 00:02:05,040 Speaker 2: think I just disassociated for the rest of the movie. 33 00:02:05,080 --> 00:02:07,960 Speaker 2: I've watched it since, but on this watch, I was 34 00:02:08,000 --> 00:02:10,720 Speaker 2: just blown away by the violence and also like, as 35 00:02:10,760 --> 00:02:13,919 Speaker 2: a horror fan, how inventive it is, Like Ridley Scott's like, really, 36 00:02:14,200 --> 00:02:17,720 Speaker 2: what are the craziest ways that people could die in 37 00:02:18,160 --> 00:02:22,200 Speaker 2: the Roman Empire? We're gonna do tiger fight shooting like 38 00:02:22,440 --> 00:02:26,440 Speaker 2: huge steaks into people's chests from shields. Yeah, Like I'm 39 00:02:26,440 --> 00:02:30,600 Speaker 2: gonna catapult a glass ball full of fire like a 40 00:02:30,680 --> 00:02:35,840 Speaker 2: hyper Molotov cocktail. Like there's so much invention in this movie. 41 00:02:35,840 --> 00:02:38,720 Speaker 2: When it comes to that and it is my little crew. 42 00:02:38,720 --> 00:02:41,000 Speaker 2: We always talk about like a dude's rock movie, and 43 00:02:41,040 --> 00:02:43,239 Speaker 2: this is definitely in that vein. Oh, this is a 44 00:02:43,360 --> 00:02:44,519 Speaker 2: dude's a rockin. 45 00:02:44,440 --> 00:02:47,920 Speaker 1: This is a dude's being dudes hanging out with dudes 46 00:02:48,639 --> 00:02:51,480 Speaker 1: type movie where their dudes come together as a team 47 00:02:51,600 --> 00:02:54,560 Speaker 1: to accomplish the goal of reforming. 48 00:02:54,040 --> 00:02:57,560 Speaker 2: Their rob That shit hit me really really hard when 49 00:02:57,560 --> 00:02:59,600 Speaker 2: I was rewatching it this morning. One because I love 50 00:02:59,720 --> 00:03:03,320 Speaker 2: Gime Hansu, who's so fantastic love. But also I have 51 00:03:03,400 --> 00:03:05,440 Speaker 2: to say, for such a violent movie that seems to 52 00:03:05,480 --> 00:03:08,959 Speaker 2: have a pretty simple premise, it actually does a really 53 00:03:09,200 --> 00:03:13,560 Speaker 2: interesting job of crafting those male friendships, those male connections, 54 00:03:13,639 --> 00:03:16,120 Speaker 2: the way that these men come together against the face 55 00:03:16,160 --> 00:03:22,239 Speaker 2: of this evil, maniacal sociopath leader of Rome. This movie 56 00:03:22,320 --> 00:03:23,959 Speaker 2: hit a lot harder for me this time. I'm really 57 00:03:24,000 --> 00:03:25,120 Speaker 2: glad that we're talking about it. 58 00:03:25,639 --> 00:03:28,760 Speaker 1: It has a what I consider to be an iconic 59 00:03:28,800 --> 00:03:32,880 Speaker 1: soundtrack by Hans zimmer Yes that I still listen to, 60 00:03:33,040 --> 00:03:35,920 Speaker 1: particularly when I'm on a walk or running or trying. 61 00:03:36,080 --> 00:03:39,480 Speaker 2: Is really good walking music, main character musicastic. 62 00:03:40,440 --> 00:03:43,880 Speaker 1: This is the breakout role for Russell Crowe, who got 63 00:03:43,880 --> 00:03:47,600 Speaker 1: the role off The Power of his performance in La Confidential, 64 00:03:47,600 --> 00:03:53,080 Speaker 1: where he plays a extremely angry cop, and looking back 65 00:03:53,120 --> 00:03:56,960 Speaker 1: at this movie after my now billion three watch, the 66 00:03:57,000 --> 00:03:59,240 Speaker 1: thing I like about Russell Crowe in this movie is 67 00:03:59,280 --> 00:04:02,600 Speaker 1: he looks like obviously he looks quite fit and big, 68 00:04:02,800 --> 00:04:05,160 Speaker 1: but he's also it's not the eighties and nineties where 69 00:04:05,200 --> 00:04:07,880 Speaker 1: guys were like no Sylvester Stallone Schwartz in it. 70 00:04:07,960 --> 00:04:10,440 Speaker 2: And it's not like the MCU where you've got do 71 00:04:10,600 --> 00:04:11,080 Speaker 2: the diet. 72 00:04:11,240 --> 00:04:13,200 Speaker 1: Like yeah, he looks like just a guy. 73 00:04:13,360 --> 00:04:15,120 Speaker 2: He looks like a guy who could probably win in 74 00:04:15,160 --> 00:04:15,440 Speaker 2: a fight. 75 00:04:15,720 --> 00:04:18,359 Speaker 1: And I love that about this people. So Russell Crowe 76 00:04:18,360 --> 00:04:23,120 Speaker 1: plays Maximus Decimus Meridius, a general the Roman Army currently 77 00:04:23,160 --> 00:04:26,159 Speaker 1: on campaign in Germania. It is one eighty a d 78 00:04:26,480 --> 00:04:30,400 Speaker 1: in the Emperor Marcus Aurelius's reign is coming to an end. 79 00:04:30,400 --> 00:04:34,120 Speaker 1: He's quite old, and his campaign against the Germans is 80 00:04:34,160 --> 00:04:37,080 Speaker 1: also coming to an end. With this victory at Vinda Bona, 81 00:04:37,160 --> 00:04:41,200 Speaker 1: it appears that the Roman Empire's northern border will be solidified. 82 00:04:41,839 --> 00:04:46,920 Speaker 1: Marcus Aurelius is so taken by maximus goodness, his loyalty, 83 00:04:47,080 --> 00:04:51,280 Speaker 1: his dedication, his low family, his love of family, his 84 00:04:51,440 --> 00:04:53,839 Speaker 1: rejection of power. He really just wants to like get 85 00:04:53,880 --> 00:04:55,960 Speaker 1: this war done with and go home. He doesn't want 86 00:04:55,960 --> 00:04:57,920 Speaker 1: a politic in Rome. He doesn't want to do any 87 00:04:57,960 --> 00:05:00,479 Speaker 1: of that kind of stuff. And Mark this is so 88 00:05:00,560 --> 00:05:03,800 Speaker 1: impressed by this that he decides to overstep his own son, 89 00:05:04,080 --> 00:05:10,200 Speaker 1: the extremely immoral Commonists, and raise up Maximists in his stead. 90 00:05:10,240 --> 00:05:13,279 Speaker 1: But unfortunately he makes the grave mistake. 91 00:05:13,400 --> 00:05:14,560 Speaker 2: Rosie, why does he do that? 92 00:05:14,680 --> 00:05:14,960 Speaker 1: Grave? 93 00:05:15,120 --> 00:05:16,040 Speaker 2: Why does he do that? 94 00:05:16,120 --> 00:05:16,440 Speaker 1: Grave? 95 00:05:16,680 --> 00:05:19,560 Speaker 2: Your son is evil, bro Like, don't do that. 96 00:05:19,800 --> 00:05:23,279 Speaker 1: Of telling his son alone. Don't, of course tell him, 97 00:05:23,279 --> 00:05:26,080 Speaker 1: but you gotta tell him in this take your door, yeah, 98 00:05:26,240 --> 00:05:28,880 Speaker 1: in the presence of your daughter and your guards and 99 00:05:28,960 --> 00:05:32,839 Speaker 1: probably Maximus, and just say, hey, Commonist, here's what's up. 100 00:05:33,120 --> 00:05:36,880 Speaker 1: You're not gonna be emperor. It's gonna be Maximus. Does 101 00:05:36,920 --> 00:05:37,560 Speaker 1: everybody see this? 102 00:05:37,640 --> 00:05:39,520 Speaker 2: And guess what though, You're still gonna be living the 103 00:05:39,640 --> 00:05:42,280 Speaker 2: life of luxury. Yes, nothing bad's gonna happen to you. 104 00:05:42,279 --> 00:05:43,679 Speaker 2: You just don't have to be in control. 105 00:05:44,240 --> 00:05:51,640 Speaker 1: Commonists played with wonderful beta energy from Jaque Phoenix break. 106 00:05:51,360 --> 00:05:56,799 Speaker 2: Out role really here for Joaquin in this terrifying, terrify, terrifying. 107 00:05:57,000 --> 00:05:59,839 Speaker 2: It's kind of like, well, if Caligula was an Inceel 108 00:06:00,320 --> 00:06:04,640 Speaker 2: it's this really specific enjoyment of violence and cruelty. Yeah, 109 00:06:04,720 --> 00:06:08,039 Speaker 2: but he's got this sniveling there's a weakness, hatred and 110 00:06:08,200 --> 00:06:11,960 Speaker 2: resentment and weakness. Yea. The ironically is just of his 111 00:06:12,040 --> 00:06:12,919 Speaker 2: own making. 112 00:06:12,880 --> 00:06:14,880 Speaker 1: And it makes him so effective as a villain. This 113 00:06:14,920 --> 00:06:17,080 Speaker 1: is a conversation I was having with my Coast of 114 00:06:17,120 --> 00:06:20,480 Speaker 1: Six Trophies, Chase Rano. I think that there are basically 115 00:06:20,520 --> 00:06:23,039 Speaker 1: three ways to do a great villain. I say two 116 00:06:23,040 --> 00:06:25,000 Speaker 1: ways on that pod, but having thought about it, I 117 00:06:25,040 --> 00:06:25,760 Speaker 1: think there's three ways. 118 00:06:25,920 --> 00:06:27,839 Speaker 2: Tell me what you think exclusive third way? 119 00:06:28,040 --> 00:06:30,560 Speaker 1: Right? I think that the first way is even match 120 00:06:31,640 --> 00:06:35,280 Speaker 1: Batman and the Joker. They're evenly matched in different ways, 121 00:06:35,360 --> 00:06:38,359 Speaker 1: and it's a twelve round about the whole way through 122 00:06:38,400 --> 00:06:43,960 Speaker 1: who's gonna win? Second way is overpowering villain Darth Vader. Right, 123 00:06:44,320 --> 00:06:49,880 Speaker 1: he's so powerful and so scary Michael Myers, Sadie always 124 00:06:49,920 --> 00:06:53,600 Speaker 1: come back. You just don't understand how the hero could 125 00:06:53,640 --> 00:06:56,440 Speaker 1: possibly beat this person. How could they do it? This 126 00:06:56,720 --> 00:06:58,920 Speaker 1: villain is so scary. And then the third way, which 127 00:06:58,960 --> 00:07:04,080 Speaker 1: they do here is weak villain who has all the 128 00:07:04,200 --> 00:07:07,680 Speaker 1: cards in his favor. He's the leader of Rome, he's 129 00:07:07,720 --> 00:07:11,120 Speaker 1: got the army in his disposal. He's got any number 130 00:07:11,480 --> 00:07:14,280 Speaker 1: of minions that will do his will. But at the 131 00:07:14,320 --> 00:07:17,120 Speaker 1: same time, if you go one on one versus the hero, 132 00:07:17,280 --> 00:07:19,400 Speaker 1: there's no way this guy wins. Yeah, because he's such 133 00:07:19,400 --> 00:07:22,800 Speaker 1: a coward. He's weak. And I think that is so 134 00:07:23,000 --> 00:07:26,080 Speaker 1: effective in this movie, because you just are like, God, 135 00:07:26,280 --> 00:07:28,120 Speaker 1: let Maximus get this guy one on one. 136 00:07:28,200 --> 00:07:30,880 Speaker 2: Yeah, I know, right, And every time something I think 137 00:07:30,960 --> 00:07:35,400 Speaker 2: Ridley Scott does incredibly well narratively. Here he sets up 138 00:07:35,600 --> 00:07:38,480 Speaker 2: multiple moments where you think he will be able to 139 00:07:38,560 --> 00:07:42,840 Speaker 2: do it, but then something happens. A child attends, there's gods, 140 00:07:42,880 --> 00:07:46,560 Speaker 2: there's he misses the moment, commodist stands up, and they 141 00:07:46,600 --> 00:07:48,920 Speaker 2: really have you like chomping at the bit, like just 142 00:07:48,960 --> 00:07:50,960 Speaker 2: fucking get this guy. But I think you're right. I 143 00:07:50,960 --> 00:07:53,760 Speaker 2: think that's a really great read on those three and 144 00:07:54,040 --> 00:07:55,800 Speaker 2: I bet you and Shae could do a great little 145 00:07:56,120 --> 00:07:58,920 Speaker 2: mini book about that, like how to make a great villain. 146 00:07:59,200 --> 00:08:01,800 Speaker 2: But also as well, I think for me, this is 147 00:08:01,840 --> 00:08:04,280 Speaker 2: the scariest type of villain, and I think because it 148 00:08:04,360 --> 00:08:07,760 Speaker 2: is relatable, I agree to real life. It's also a 149 00:08:07,880 --> 00:08:11,400 Speaker 2: nightmare scenario where like the guy who bullied you at 150 00:08:11,440 --> 00:08:14,640 Speaker 2: school is the guy in charge gets all the power 151 00:08:14,800 --> 00:08:17,040 Speaker 2: in the world and is in charge, but never changes, 152 00:08:17,200 --> 00:08:20,720 Speaker 2: never grows, never learns anything, and instead is just so 153 00:08:21,720 --> 00:08:24,680 Speaker 2: furious and resentful that all they can do is just 154 00:08:24,720 --> 00:08:26,280 Speaker 2: create more cruelty. 155 00:08:27,040 --> 00:08:31,920 Speaker 1: Maximus refuses to serve Commonists, who he suspects of killing Marcus, 156 00:08:32,760 --> 00:08:36,240 Speaker 1: and so Commonists basically says, well, this guy's gonna die. 157 00:08:36,280 --> 00:08:41,040 Speaker 1: He orders Maximus's execution, and he orders the execution of 158 00:08:41,080 --> 00:08:44,240 Speaker 1: his entire family. But Maximus escapes. Oh and he rides 159 00:08:44,280 --> 00:08:48,920 Speaker 1: his horse from Germania to Spain, which I will talk 160 00:08:48,920 --> 00:08:51,680 Speaker 1: about later. How long that probably took. 161 00:08:51,920 --> 00:08:54,800 Speaker 2: Yes, let's put like an asterisk like that, because we 162 00:08:54,840 --> 00:08:57,120 Speaker 2: are definitely going to be doing some extra vision of footnotes, 163 00:08:57,120 --> 00:08:59,680 Speaker 2: because that's a really good point. Is he Also something 164 00:08:59,679 --> 00:09:03,839 Speaker 2: that I've found really profound about this segment of the movie, 165 00:09:03,960 --> 00:09:08,040 Speaker 2: especially as it moves on, is you see Marcus's second 166 00:09:08,040 --> 00:09:11,280 Speaker 2: in command, Brutus, who's been there, who's been his ally, 167 00:09:11,600 --> 00:09:13,640 Speaker 2: who's been on the war with him, he just turns 168 00:09:13,640 --> 00:09:15,520 Speaker 2: on him and he's like, chopped this motherfucker's head off. 169 00:09:15,520 --> 00:09:17,439 Speaker 1: Immediately is like I can see which way the wind 170 00:09:17,559 --> 00:09:18,640 Speaker 1: is blowing, I'm going that way. 171 00:09:18,880 --> 00:09:22,920 Speaker 2: And that lack of loyalty is becomes so profound when 172 00:09:22,960 --> 00:09:27,360 Speaker 2: he then finds this community in the gladiatorial realms of fighting, 173 00:09:27,679 --> 00:09:29,800 Speaker 2: and I just thought that hits so hard. And also 174 00:09:30,200 --> 00:09:32,920 Speaker 2: this is one of my favorite parts where they're walking 175 00:09:33,000 --> 00:09:36,480 Speaker 2: him and he's gonna escape and it's cold, it's really cold, 176 00:09:36,960 --> 00:09:39,680 Speaker 2: and the guy tries to pull out the sword to 177 00:09:39,800 --> 00:09:42,840 Speaker 2: kill him and it gets stuck in Maximus goues sometimes 178 00:09:42,840 --> 00:09:44,920 Speaker 2: they get stuck in the cold and then just kills 179 00:09:44,920 --> 00:09:49,280 Speaker 2: them all because he has the moment. And that's when 180 00:09:49,280 --> 00:09:53,000 Speaker 2: you realize that this has almost like a proto John 181 00:09:53,040 --> 00:09:55,680 Speaker 2: Wick element to it, where it's like Maximus is like 182 00:09:55,679 --> 00:09:58,559 Speaker 2: a very good fighter, he's a killing machine and also 183 00:09:59,120 --> 00:10:02,320 Speaker 2: crazy in of deaths. In this moment as well, like 184 00:10:02,440 --> 00:10:04,440 Speaker 2: you already see what this man can do, just and 185 00:10:04,679 --> 00:10:06,199 Speaker 2: throwing swords. 186 00:10:05,679 --> 00:10:06,880 Speaker 1: On the like on the movie. 187 00:10:07,240 --> 00:10:09,360 Speaker 2: He throws the sword at him and hits him in 188 00:10:09,440 --> 00:10:11,960 Speaker 2: the chest. I was like screaming. I was like, put 189 00:10:12,000 --> 00:10:14,320 Speaker 2: this back in the fit as guys the modern cinema 190 00:10:14,360 --> 00:10:17,120 Speaker 2: audience would be like yelling and yelling. 191 00:10:17,880 --> 00:10:22,480 Speaker 1: After his epic ride, he is exhausted and he finds 192 00:10:22,559 --> 00:10:26,280 Speaker 1: that his wife and child have been executed and his 193 00:10:26,360 --> 00:10:30,000 Speaker 1: farm is burned and now exhausted by his journey, he 194 00:10:30,080 --> 00:10:34,360 Speaker 1: collapses where he's found by slave traders who take him 195 00:10:34,400 --> 00:10:38,000 Speaker 1: to North Africa. He wakes up there. He's also was 196 00:10:38,080 --> 00:10:41,280 Speaker 1: injured when he escaped the Praetorian guards. He's got this 197 00:10:41,440 --> 00:10:46,320 Speaker 1: nasty injury, and when he comes to he realizes that 198 00:10:46,440 --> 00:10:50,520 Speaker 1: he is at a gladiatorial school, basically where they take 199 00:10:50,559 --> 00:10:52,840 Speaker 1: these enslaved folks and then make them fight for the 200 00:10:52,960 --> 00:10:55,760 Speaker 1: entrainment of people out here in the provinces of North Africa. 201 00:10:56,520 --> 00:10:59,520 Speaker 1: Guess what Maximus is good at. That he's really good. 202 00:10:59,679 --> 00:11:02,840 Speaker 2: At and also because he has history as a soldier 203 00:11:03,320 --> 00:11:05,680 Speaker 2: and as a lieutenant and stuff. Sorry if I got 204 00:11:05,720 --> 00:11:07,680 Speaker 2: the wrong name wrong, but basically as a leader, right, 205 00:11:08,040 --> 00:11:13,880 Speaker 2: he trains his fellow gladiators in how to protect themselves 206 00:11:13,920 --> 00:11:17,120 Speaker 2: and how to fight together and win against these ever 207 00:11:17,240 --> 00:11:19,920 Speaker 2: growing threats that they throw into the ring. I have 208 00:11:19,960 --> 00:11:22,679 Speaker 2: to say, I just thought this was like an exceptionally 209 00:11:22,840 --> 00:11:26,400 Speaker 2: cool and interesting take. You know, we're recording this on Wednesday, 210 00:11:26,440 --> 00:11:28,760 Speaker 2: November six, so I think I was moved by some 211 00:11:28,800 --> 00:11:32,120 Speaker 2: of the moments of solidarity and community that they find. 212 00:11:32,160 --> 00:11:35,520 Speaker 2: And also I just thought it's unexpected when you think 213 00:11:35,559 --> 00:11:39,000 Speaker 2: about movies about men and the idea of lone wolf heroes. 214 00:11:39,640 --> 00:11:43,880 Speaker 2: But Maximus actually saves himself by helping other people and 215 00:11:43,920 --> 00:11:45,880 Speaker 2: teaching them how to save themselves, and I thought that 216 00:11:45,960 --> 00:11:48,520 Speaker 2: was It's really interesting and cool. And in one of 217 00:11:48,559 --> 00:11:51,360 Speaker 2: the earliest fights, we get what is maybe my favorite 218 00:11:51,360 --> 00:11:54,600 Speaker 2: fight in the movie, which is when Maximus and the 219 00:11:54,679 --> 00:11:58,160 Speaker 2: character played by jam and Hansuba Juba they're chained together 220 00:11:58,960 --> 00:12:02,280 Speaker 2: and they have to fight, and it's so amazing to 221 00:12:02,360 --> 00:12:05,280 Speaker 2: see the way that they learn each other's moves on 222 00:12:05,320 --> 00:12:07,600 Speaker 2: the go. It's you and you are just rooting for 223 00:12:07,679 --> 00:12:10,320 Speaker 2: them instantly. It's really really cool. And also I have 224 00:12:10,400 --> 00:12:12,840 Speaker 2: to I almost texted you this days, but I was like, 225 00:12:13,120 --> 00:12:14,840 Speaker 2: this is going to be so out of context if 226 00:12:14,840 --> 00:12:16,960 Speaker 2: I just randomly text you this. I was watching this 227 00:12:17,040 --> 00:12:19,200 Speaker 2: movie and I was like, man, I love Oliver Reed 228 00:12:20,280 --> 00:12:22,720 Speaker 2: in this. I fucking love Oliver Reed. Oliver Reed Proximo 229 00:12:22,840 --> 00:12:26,440 Speaker 2: the leader of the kind of gladiator. 230 00:12:25,640 --> 00:12:28,079 Speaker 1: Guys during the movie, and they have to do some 231 00:12:28,160 --> 00:12:31,559 Speaker 1: CG stuff yea allow him to finish out his scenes. 232 00:12:31,320 --> 00:12:33,120 Speaker 2: And that was one of the first times I think 233 00:12:33,120 --> 00:12:33,720 Speaker 2: they really did. 234 00:12:33,800 --> 00:12:35,440 Speaker 1: One of the first times that was done, and it 235 00:12:35,480 --> 00:12:38,640 Speaker 1: was done quite seamlessly for the day. Even now watching 236 00:12:38,679 --> 00:12:42,880 Speaker 1: that scene, it works, It doesn't bump at all, and 237 00:12:42,960 --> 00:12:44,960 Speaker 1: he is just chewing the scenery. 238 00:12:45,080 --> 00:12:48,520 Speaker 2: I love his energy. I feel like you need something 239 00:12:48,960 --> 00:12:50,599 Speaker 2: like that in one of these movies because if you 240 00:12:50,679 --> 00:12:53,240 Speaker 2: think back to the movies that this hearkens back to, right, 241 00:12:53,400 --> 00:12:58,640 Speaker 2: like Spartacus, those Sword and Sandals esque era movies, even 242 00:12:58,679 --> 00:13:02,360 Speaker 2: like Lawrence of Arabier Eve, like just movies that old 243 00:13:02,440 --> 00:13:04,959 Speaker 2: Hollywood epic scale. You're going to have at least one 244 00:13:05,000 --> 00:13:08,640 Speaker 2: scene Chua and I feel like Oliver Reed is delivering 245 00:13:08,840 --> 00:13:11,600 Speaker 2: in this role and it's kind of amazing to see 246 00:13:11,600 --> 00:13:15,480 Speaker 2: that against Jaimon and Russell, who are just doing these 247 00:13:15,559 --> 00:13:20,200 Speaker 2: really like straight down the line serious performances where you 248 00:13:20,240 --> 00:13:21,600 Speaker 2: really believe they have to survive. 249 00:13:22,400 --> 00:13:26,079 Speaker 1: Maximus and the team, because of their success out here 250 00:13:26,120 --> 00:13:29,040 Speaker 1: in North Africa get taken by Proximo to Rome. They 251 00:13:29,160 --> 00:13:31,959 Speaker 1: called up to the big leagues, and there takes place 252 00:13:32,040 --> 00:13:35,280 Speaker 1: my favorite fight, Rosie, which is the fight in which 253 00:13:35,559 --> 00:13:39,079 Speaker 1: they are cast as the barbarian, these Hannibal's barbarians that 254 00:13:39,120 --> 00:13:44,040 Speaker 1: are supposed to lose the climactic battle between Rome and Carthage, 255 00:13:44,080 --> 00:13:47,760 Speaker 1: I think the Third Punic War or whatever, and instead 256 00:13:47,840 --> 00:13:51,640 Speaker 1: they turn the table. I love this because it gets 257 00:13:51,640 --> 00:13:53,160 Speaker 1: them all to work as a team. He's like, has 258 00:13:53,200 --> 00:13:55,000 Speaker 1: anybody been here in the army? One guy's like, I 259 00:13:55,040 --> 00:13:57,400 Speaker 1: fought with you, and he says, Okay, here's how we're 260 00:13:57,400 --> 00:13:57,960 Speaker 1: going to do it. 261 00:13:58,000 --> 00:14:01,240 Speaker 2: And he understands the Battle of Carthage and what happens, 262 00:14:01,240 --> 00:14:04,800 Speaker 2: so he can basically use his knowledge to defeat. Yeah, 263 00:14:04,840 --> 00:14:06,679 Speaker 2: that is one of the coolest moments. I also love 264 00:14:06,800 --> 00:14:08,800 Speaker 2: how this is one of the moments I think Ridley 265 00:14:08,840 --> 00:14:11,120 Speaker 2: Scott does so well in this movie that often we 266 00:14:11,160 --> 00:14:14,320 Speaker 2: don't get nowadays in like a historical epic, the moment 267 00:14:14,559 --> 00:14:18,680 Speaker 2: when everyone in the audience is like cheering for them 268 00:14:19,280 --> 00:14:22,120 Speaker 2: and the gladiators start to realize that they won, and 269 00:14:22,160 --> 00:14:25,040 Speaker 2: you get these looks on the face of like pure joy. 270 00:14:25,360 --> 00:14:27,280 Speaker 2: And actually when they first go to Rome, there's this 271 00:14:27,520 --> 00:14:30,000 Speaker 2: really great, slightly dated but in a way that I 272 00:14:30,040 --> 00:14:33,400 Speaker 2: really love bit that Ridley Scott does where he overlays 273 00:14:33,440 --> 00:14:36,840 Speaker 2: all different people like cheering and talking and it feels 274 00:14:37,040 --> 00:14:40,120 Speaker 2: very very nineties, but it just fits so well. Like 275 00:14:40,520 --> 00:14:42,760 Speaker 2: it's ironic because there is a lot of violence in 276 00:14:42,800 --> 00:14:48,800 Speaker 2: this movie, but it's classical Hollywood energy. Does give me 277 00:14:48,880 --> 00:14:51,800 Speaker 2: like a kind of nostalgic feel. If this comes on TV, 278 00:14:51,880 --> 00:14:53,080 Speaker 2: I will always just put it on. 279 00:14:53,560 --> 00:14:56,080 Speaker 1: There's a great moment in this fight where Hagen, who 280 00:14:56,120 --> 00:14:59,960 Speaker 1: is the big german guy, yeah, who doesn't immediately warm 281 00:15:00,120 --> 00:15:03,000 Speaker 1: to Maximus. Certainly during the time that they were at 282 00:15:03,000 --> 00:15:06,280 Speaker 1: the gladiator school, he's always been like, Hagen's a huge, 283 00:15:06,880 --> 00:15:10,000 Speaker 1: muscly guy, and I think he in some way looks 284 00:15:10,000 --> 00:15:12,720 Speaker 1: at Maximus and is like I could do what you're doing, 285 00:15:12,840 --> 00:15:13,680 Speaker 1: Like whatever. 286 00:15:13,560 --> 00:15:14,160 Speaker 2: What can you do? 287 00:15:14,280 --> 00:15:16,160 Speaker 1: And so he goes off on his own to try 288 00:15:16,200 --> 00:15:20,040 Speaker 1: and fight, separate from the group, and Maximus risks his 289 00:15:20,080 --> 00:15:22,800 Speaker 1: life to save him after he's injured, brings him back. 290 00:15:22,920 --> 00:15:23,160 Speaker 2: Yeah. 291 00:15:23,200 --> 00:15:27,920 Speaker 1: And it's that moment that seals Hagen's loyalty to Maximus 292 00:15:28,640 --> 00:15:31,240 Speaker 1: and shows the value of everybody working to so they 293 00:15:31,320 --> 00:15:35,120 Speaker 1: win this exactly. They win this massive fight. Commonists comes down, 294 00:15:35,400 --> 00:15:38,000 Speaker 1: everybody's cheering, and Communist loves to be popular, so he 295 00:15:38,040 --> 00:15:39,400 Speaker 1: comes down to meet the gladiators. 296 00:15:39,400 --> 00:15:41,320 Speaker 2: He's like, these guys seem cool. I should get them 297 00:15:41,360 --> 00:15:43,720 Speaker 2: on my side. That definitely couldn't be any weird connection 298 00:15:44,080 --> 00:15:44,640 Speaker 2: between us. 299 00:15:44,720 --> 00:15:49,160 Speaker 1: Yeah, And it's there that Maximus reveals his identity, which 300 00:15:49,360 --> 00:15:51,520 Speaker 1: how many people could you think could actually hear it 301 00:15:51,600 --> 00:15:54,400 Speaker 1: in the arena, Like, definitely the people right on the ground, 302 00:15:54,400 --> 00:15:56,120 Speaker 1: but I don't think that. 303 00:15:56,280 --> 00:15:58,360 Speaker 2: But otherwise, no one else, no one else, You're just 304 00:15:58,400 --> 00:16:03,280 Speaker 2: hearing cheering, scream people taking bets. I also love this 305 00:16:03,320 --> 00:16:06,720 Speaker 2: because this is another great moment in the woaquin Phoenix 306 00:16:06,800 --> 00:16:10,080 Speaker 2: kind of weak villain. He gets himself into this problem 307 00:16:10,320 --> 00:16:13,160 Speaker 2: because Maximus is happy to not reveal his identity, right, 308 00:16:13,200 --> 00:16:16,320 Speaker 2: He's got his little MF Doom mask on, he's hiding, and. 309 00:16:16,440 --> 00:16:19,520 Speaker 1: He makes him do it. He's like, hey, he makes him. 310 00:16:19,400 --> 00:16:21,840 Speaker 2: Do it, and then it's like, okay, bro, okay, you're 311 00:16:21,880 --> 00:16:24,840 Speaker 2: setting yourself up for a very big issue here, especially 312 00:16:25,320 --> 00:16:28,720 Speaker 2: because obviously your sister Lucilla played by Connie Nielsen the Legend, 313 00:16:29,000 --> 00:16:32,440 Speaker 2: she is a fan of Maximus and she thinks he's dead, 314 00:16:33,080 --> 00:16:36,240 Speaker 2: and nobody else is gonna be on your side if 315 00:16:36,240 --> 00:16:37,760 Speaker 2: you want to get rid of this man who knows 316 00:16:37,760 --> 00:16:39,240 Speaker 2: what you did, and obviously he does. 317 00:16:42,080 --> 00:16:53,480 Speaker 3: Yeah. 318 00:16:54,280 --> 00:16:58,720 Speaker 1: Commonist then really really wants to order the execution of 319 00:16:58,760 --> 00:17:03,000 Speaker 1: all of these gladiators, including uh Maximus who spurred him. 320 00:17:03,000 --> 00:17:04,760 Speaker 2: He's trying to do the thumbs down kill us. 321 00:17:04,840 --> 00:17:08,320 Speaker 1: But again, he loves being popular and everybody, and he 322 00:17:08,359 --> 00:17:11,280 Speaker 1: can tell the crowd would immediately be really upset if 323 00:17:11,320 --> 00:17:15,159 Speaker 1: they did that, so he very begrudgingly goes thumbs up. 324 00:17:15,280 --> 00:17:17,639 Speaker 2: Yeah, that must have been the hardest thumbs up that 325 00:17:17,680 --> 00:17:20,520 Speaker 2: man had ever done in his life. He was resembling. 326 00:17:20,640 --> 00:17:23,600 Speaker 1: He was very resentabul This leads to one of the 327 00:17:23,600 --> 00:17:25,639 Speaker 1: funniest scenes I think in the entire movie, where they 328 00:17:25,680 --> 00:17:31,480 Speaker 1: immediately smashed cut commonist. It is palous and he's just like, oh, 329 00:17:32,760 --> 00:17:37,280 Speaker 1: oh my goodness, him, what are we gonna do? This 330 00:17:37,800 --> 00:17:40,280 Speaker 1: is so sad about crying. 331 00:17:40,640 --> 00:17:42,840 Speaker 2: And you know what's really interesting is, like I think 332 00:17:42,840 --> 00:17:46,280 Speaker 2: it's a very interesting performance by Waki and who really 333 00:17:46,280 --> 00:17:49,200 Speaker 2: goes very hard on the villainy of it all. Because 334 00:17:49,240 --> 00:17:52,960 Speaker 2: actually this scene which is hilarious and I was cracking up, 335 00:17:53,240 --> 00:17:55,640 Speaker 2: But like, if you read this scene a different way, 336 00:17:55,720 --> 00:17:57,600 Speaker 2: or you had a different act to portray it, this 337 00:17:57,640 --> 00:17:59,639 Speaker 2: could be a scene that would give you empathy towards 338 00:17:59,640 --> 00:18:02,199 Speaker 2: this Carria who, no matter what he does, he's never 339 00:18:02,240 --> 00:18:04,080 Speaker 2: good enough for his dad, he's never good enough for 340 00:18:04,119 --> 00:18:06,920 Speaker 2: his people. Everyone else always comes above him. There's a 341 00:18:07,000 --> 00:18:09,320 Speaker 2: version of this character who that at least a certain 342 00:18:09,359 --> 00:18:13,080 Speaker 2: part of the audience would find relatability in but Joaquin 343 00:18:13,160 --> 00:18:15,280 Speaker 2: allows none of that. He is like, I'm going to 344 00:18:15,359 --> 00:18:19,840 Speaker 2: make this the most vile, hateful, loser character. And he 345 00:18:19,880 --> 00:18:22,600 Speaker 2: does a great job, honestly, and you just won't hand. 346 00:18:23,000 --> 00:18:26,440 Speaker 2: You're like, everybody conspire to get this motherfucker out because 347 00:18:26,440 --> 00:18:28,600 Speaker 2: he is not the one so communist. 348 00:18:28,640 --> 00:18:32,199 Speaker 1: Then sets up a rigged fight that Maximus has to 349 00:18:32,240 --> 00:18:36,399 Speaker 1: take part in against the retired greatest gladiator ever and 350 00:18:36,480 --> 00:18:39,919 Speaker 1: there's tigers that are waiting to attack him in the 351 00:18:39,960 --> 00:18:47,240 Speaker 1: moment he steps outside of the squared circle, but hears anyway. 352 00:18:45,520 --> 00:18:47,120 Speaker 2: This is that stuff where I think when you think 353 00:18:47,119 --> 00:18:49,959 Speaker 2: about Gladiator, where when they're having this kind of climactic 354 00:18:50,200 --> 00:18:53,840 Speaker 2: fight and the rose petals are falling. Yeah, that's the 355 00:18:53,880 --> 00:18:55,880 Speaker 2: kind of stuff that Ridley Scott does well. I mean, 356 00:18:56,200 --> 00:18:59,840 Speaker 2: I'm very excited for Gladiator too, because I've seen some 357 00:19:00,080 --> 00:19:03,160 Speaker 2: hilarious Ridley Scott quotes. Because in the trailer they teased 358 00:19:03,440 --> 00:19:07,400 Speaker 2: that they flood the Colosseum and then the historians, since 359 00:19:08,280 --> 00:19:10,720 Speaker 2: historians were like, this wouldn't happen, and then this is 360 00:19:10,760 --> 00:19:12,920 Speaker 2: what Ridley Scott said. He said, if they can build 361 00:19:12,920 --> 00:19:15,119 Speaker 2: the Colosseum, they can flood it, and find a couple 362 00:19:15,119 --> 00:19:17,520 Speaker 2: of sharks. That's what he said, and I was like, yes, 363 00:19:17,640 --> 00:19:20,359 Speaker 2: Ridley Scott, I want to see Prescal punching a shark. 364 00:19:20,480 --> 00:19:22,000 Speaker 2: I really do that cinema to me. 365 00:19:22,520 --> 00:19:29,640 Speaker 1: As Maximus's popularity grows, a cadre of disgruntled senators who 366 00:19:29,680 --> 00:19:31,919 Speaker 1: want to return Rome back to the Republic that it 367 00:19:31,960 --> 00:19:36,200 Speaker 1: once was, basically conspire with Maximus to try and elevate 368 00:19:36,240 --> 00:19:38,439 Speaker 1: him and bring back the Republic. Before any of that 369 00:19:38,480 --> 00:19:42,280 Speaker 1: can happen, Communist sets up the big fight between him 370 00:19:42,480 --> 00:19:44,640 Speaker 1: personally and Maximus. 371 00:19:44,680 --> 00:19:46,760 Speaker 2: Absolutely unbelievable gumption. 372 00:19:47,400 --> 00:19:47,919 Speaker 1: What told you? 373 00:19:47,960 --> 00:19:50,200 Speaker 2: How did you ever think this was gonna work? Bro? 374 00:19:50,720 --> 00:19:54,439 Speaker 2: Of all the terrible plans in Hollywood movies, this is 375 00:19:54,480 --> 00:19:57,480 Speaker 2: probably the worst plan. I get it, you want to 376 00:19:57,480 --> 00:20:00,560 Speaker 2: look like you're stronger than him, But to me, I'm like, 377 00:20:01,000 --> 00:20:03,639 Speaker 2: my guy, just get some more gladia as somebody can 378 00:20:03,720 --> 00:20:05,520 Speaker 2: kill him, like someone can do it. 379 00:20:05,560 --> 00:20:07,760 Speaker 1: Yes, somebody will eventually, and then. 380 00:20:07,640 --> 00:20:09,200 Speaker 2: You can go down and chop off his head or 381 00:20:09,200 --> 00:20:12,000 Speaker 2: whatever you want to do. But this was a terrible plan, Commodist. 382 00:20:12,160 --> 00:20:13,440 Speaker 2: It was always going to end badly for you. 383 00:20:14,160 --> 00:20:17,119 Speaker 1: Before the fight, you know, he's got Maximus chained up 384 00:20:17,160 --> 00:20:18,879 Speaker 1: and he's telling him we're gonna fight, but then he 385 00:20:19,000 --> 00:20:22,480 Speaker 1: like stabs him in the armpit a wound, like a 386 00:20:22,680 --> 00:20:28,960 Speaker 1: steadily bleeding wound from which and obviously disabled slowly die. Yeah. 387 00:20:29,040 --> 00:20:31,960 Speaker 1: They go into the ring and there's Maximus. He's wounded, 388 00:20:32,040 --> 00:20:35,960 Speaker 1: but he manages to fucking beat commedists. Yeah, and he 389 00:20:36,119 --> 00:20:39,040 Speaker 1: dies on the floor of the arena with his old 390 00:20:39,200 --> 00:20:43,560 Speaker 1: lieutenant and Connie Nielsen and the body of the Emperor 391 00:20:43,600 --> 00:20:46,480 Speaker 1: next to him and all these other people watching, and. 392 00:20:46,880 --> 00:20:50,160 Speaker 2: He can see the afterlife and he's thinking about his family. 393 00:20:50,200 --> 00:20:51,600 Speaker 2: He's walking back in to. 394 00:20:51,680 --> 00:20:56,280 Speaker 1: The afterlife and that actually you mentioned it, the fwalling petals. 395 00:20:56,320 --> 00:20:58,919 Speaker 1: There's all these moments. This is why Ridley Scott is 396 00:20:59,440 --> 00:21:04,440 Speaker 1: Realley Scott. There's all these poetic moments that enhance the vibe, 397 00:21:04,640 --> 00:21:07,320 Speaker 1: oh yeah, the charm and the themes of the movie. 398 00:21:07,359 --> 00:21:10,639 Speaker 1: And one of those is this scene that was actually 399 00:21:10,720 --> 00:21:13,359 Speaker 1: filmed by Russell Crows stunt double, the scene of like 400 00:21:13,560 --> 00:21:14,479 Speaker 1: touching the wee. 401 00:21:14,600 --> 00:21:15,320 Speaker 2: Yeah yeah, yeah. 402 00:21:15,359 --> 00:21:18,960 Speaker 1: He saw at one point Ridley saw this guy doing 403 00:21:18,960 --> 00:21:20,879 Speaker 1: this and was like, get the steady cam and follow 404 00:21:20,880 --> 00:21:22,200 Speaker 1: this guy. That's a cool oh. 405 00:21:22,040 --> 00:21:25,479 Speaker 2: Wow, And that became such a huge image. 406 00:21:25,160 --> 00:21:27,840 Speaker 1: To touch back on and It's this moment of a 407 00:21:27,920 --> 00:21:30,919 Speaker 1: wonderful spirituality that is threaded throughout the film, and it 408 00:21:30,960 --> 00:21:34,800 Speaker 1: gives the film the weight. It's the beyond, just like 409 00:21:34,840 --> 00:21:37,919 Speaker 1: a John Wick this guy Kills Everybody type of movie. 410 00:21:37,960 --> 00:21:40,640 Speaker 2: Also as well, I think that it is a rare 411 00:21:40,800 --> 00:21:43,680 Speaker 2: kind of hopefulness for a movie like this, because you're 412 00:21:43,720 --> 00:21:46,520 Speaker 2: going for the tragic ending. Maximus dies, but the end of. 413 00:21:46,520 --> 00:21:49,080 Speaker 1: The movie they do not overthrow the rumin Emperor. 414 00:21:50,800 --> 00:21:53,800 Speaker 2: Shocks. But the most important thing is not the fact 415 00:21:53,840 --> 00:21:57,240 Speaker 2: that Lucilla recognizes him as a hero in Rome and 416 00:21:57,280 --> 00:21:59,479 Speaker 2: they try and regain their freedom. The most important thing 417 00:21:59,520 --> 00:22:01,840 Speaker 2: is you get to see him walking back to his family. 418 00:22:02,480 --> 00:22:04,840 Speaker 2: Another one of the scenes that just devastated me when 419 00:22:04,840 --> 00:22:06,560 Speaker 2: I saw this as a kid was when he goes 420 00:22:06,600 --> 00:22:09,600 Speaker 2: back to his family, he sees their like burnt feet 421 00:22:09,800 --> 00:22:12,960 Speaker 2: where they've been hanged. And but yes, I really love 422 00:22:13,080 --> 00:22:15,320 Speaker 2: that if you watch the movie and you watch the 423 00:22:15,359 --> 00:22:19,000 Speaker 2: brutality and you follow this story, you actually get to 424 00:22:19,080 --> 00:22:22,320 Speaker 2: see him reunite with them in that same space, in 425 00:22:22,320 --> 00:22:24,200 Speaker 2: this kind of almost like black and white limon or 426 00:22:24,280 --> 00:22:27,600 Speaker 2: space that Ridley created. And I think that's very rare 427 00:22:27,600 --> 00:22:30,280 Speaker 2: for a movie like this to have that poetic nature, 428 00:22:30,359 --> 00:22:33,119 Speaker 2: that spirituality, that moment of hope, of like, actually he 429 00:22:33,160 --> 00:22:35,680 Speaker 2: does get to do the thing that he wanted the most, 430 00:22:35,720 --> 00:22:37,520 Speaker 2: we don't snatch it away from him. His death is 431 00:22:37,520 --> 00:22:39,760 Speaker 2: not the end, it's actually the beginning. I think that's 432 00:22:39,840 --> 00:22:41,960 Speaker 2: very beautiful. I will also say as well, I like 433 00:22:42,040 --> 00:22:45,359 Speaker 2: your use of the term poetic because in that moment 434 00:22:45,480 --> 00:22:48,199 Speaker 2: when he's Maximus is on the floor and he is 435 00:22:48,320 --> 00:22:51,920 Speaker 2: struggling to breathe and Lucilla's looking down on him, the 436 00:22:51,960 --> 00:22:55,960 Speaker 2: color of the sky behind her is just the brightest blue, 437 00:22:56,280 --> 00:22:58,560 Speaker 2: the brightest blue you've ever seen. Like, the way that 438 00:22:58,600 --> 00:23:03,800 Speaker 2: he uses color and con trass is so interesting. And also, 439 00:23:04,160 --> 00:23:07,399 Speaker 2: you know what, Jaimenhns, who's there at the end, Jubi 440 00:23:07,560 --> 00:23:09,720 Speaker 2: is there. You know I would have watched Gladiator two 441 00:23:09,720 --> 00:23:12,240 Speaker 2: with him. We're gonna talk about the many Gladiator two options, 442 00:23:12,240 --> 00:23:14,920 Speaker 2: actually because I'm obsessed with one of them. But yeah, 443 00:23:15,240 --> 00:23:17,600 Speaker 2: what a movie. I'm actually so so glad that we 444 00:23:17,680 --> 00:23:19,639 Speaker 2: got to revisit this because I don't know in twenty 445 00:23:19,680 --> 00:23:22,399 Speaker 2: twenty four, Man, this just hit so hard for me 446 00:23:22,520 --> 00:23:25,399 Speaker 2: and just spoke to me as a fun like dude's 447 00:23:25,480 --> 00:23:28,199 Speaker 2: rock bros hanging out almost slice of life. Like a 448 00:23:28,200 --> 00:23:30,280 Speaker 2: lot of times they're just like, this is what it's 449 00:23:30,359 --> 00:23:32,879 Speaker 2: hanging out the life of a gladiator. It's like a 450 00:23:32,880 --> 00:23:36,000 Speaker 2: lot of this movie is actually like very character based, 451 00:23:36,240 --> 00:23:39,959 Speaker 2: very slow, lots of waiting, lots of talking, lots of 452 00:23:40,400 --> 00:23:43,399 Speaker 2: not even much scheming or plotting. More just like we 453 00:23:43,520 --> 00:23:46,280 Speaker 2: might die what is important to you? And I think 454 00:23:46,280 --> 00:23:50,959 Speaker 2: that's really really cool and actually unusual and makes the 455 00:23:50,960 --> 00:23:56,960 Speaker 2: film age well. Also visually it looks so good. I 456 00:23:57,000 --> 00:24:01,080 Speaker 2: feel like if the kids on TikTok and it's watch 457 00:24:01,200 --> 00:24:04,919 Speaker 2: this movie, I feel like they're gonna do like comparisons 458 00:24:05,000 --> 00:24:08,080 Speaker 2: between how washed out modern cinema looks and the like 459 00:24:08,280 --> 00:24:14,240 Speaker 2: absolute saturated, beautiful color, big colors. Yes, is so appealing 460 00:24:14,320 --> 00:24:16,800 Speaker 2: to watch. Ridley Scott, you did it man, this is a. 461 00:24:16,840 --> 00:24:19,639 Speaker 1: Well this is two thousand and it's on film correct. 462 00:24:19,680 --> 00:24:23,280 Speaker 2: Yeah, yeah, yeah, it's And that's why it looks so good. Yeah, 463 00:24:23,280 --> 00:24:24,280 Speaker 2: I mean it's beautiful. 464 00:24:24,600 --> 00:24:26,760 Speaker 1: That'll lead us to Gladier two, which is set fifteen 465 00:24:26,840 --> 00:24:29,199 Speaker 1: years after the events of the original film and is 466 00:24:29,200 --> 00:24:35,320 Speaker 1: focused on the adventure of the son of Lucilla played 467 00:24:35,320 --> 00:24:38,000 Speaker 1: by Connie Nilsen, the nephew of Commedis. 468 00:24:37,640 --> 00:24:39,760 Speaker 2: Who is the main part of this movie, he is 469 00:24:39,840 --> 00:24:42,760 Speaker 2: essentially commedist almost uses him as like a human shield. 470 00:24:43,040 --> 00:24:45,360 Speaker 2: Most times we see him brought out as if he's worried, 471 00:24:45,560 --> 00:24:48,000 Speaker 2: he wants to look good, but he doesn't really care 472 00:24:48,040 --> 00:24:50,960 Speaker 2: about him. But Lucias did grow up in this very 473 00:24:51,560 --> 00:24:56,200 Speaker 2: royal regal household, so I'm very interested to see how 474 00:24:56,240 --> 00:24:58,119 Speaker 2: they set it up where he ends up in a 475 00:24:58,119 --> 00:25:00,440 Speaker 2: similar situation. Because also something I want to say about 476 00:25:00,440 --> 00:25:04,760 Speaker 2: this movie that I do also love. I love Alexander Dumas, 477 00:25:04,760 --> 00:25:07,000 Speaker 2: and I love the Count of Montey Cristo, and this 478 00:25:07,040 --> 00:25:10,240 Speaker 2: is essentially a Count of Monty Cristo's story, revenge story. 479 00:25:10,359 --> 00:25:12,720 Speaker 2: It's like and also the idea that you can rise 480 00:25:12,800 --> 00:25:15,880 Speaker 2: up the ranks and hide your identity until you need 481 00:25:15,960 --> 00:25:18,240 Speaker 2: to reveal it and get your revenge, just very Count 482 00:25:18,240 --> 00:25:19,400 Speaker 2: of Monty Cristo. 483 00:25:19,160 --> 00:25:21,080 Speaker 1: Early superhero archetype. 484 00:25:22,359 --> 00:25:25,879 Speaker 2: But yeah, so he's gonna be basically he loved Maximus 485 00:25:25,880 --> 00:25:29,399 Speaker 2: and now that's gonna be the person who's fighting his 486 00:25:29,440 --> 00:25:31,480 Speaker 2: way up through the trials. Jason, I got to ask 487 00:25:31,480 --> 00:25:35,160 Speaker 2: you an important question. Yes, does Paul Mescal have the juice? 488 00:25:35,400 --> 00:25:37,120 Speaker 1: We were gonna fuck, We're gonna find out, We're gonna 489 00:25:37,240 --> 00:25:40,080 Speaker 1: apparently they're saying that he has the juice. He's the juice. 490 00:25:40,280 --> 00:25:43,399 Speaker 1: Here's your top ten movies of the year two thousand. 491 00:25:43,440 --> 00:25:45,879 Speaker 1: Number one Mission Impossible Too, John wu. 492 00:25:45,880 --> 00:25:47,480 Speaker 2: Probably lots of slow mo. 493 00:25:47,720 --> 00:25:49,800 Speaker 1: Lots of SlowMo. Sadly one of the weakest. I think, 494 00:25:49,880 --> 00:25:50,639 Speaker 1: Oh it is. 495 00:25:50,680 --> 00:25:53,359 Speaker 2: It's a Vibes movie, and you can enjoy a Vibes movie, 496 00:25:53,359 --> 00:25:56,080 Speaker 2: but it's definitely not the high point of a very 497 00:25:56,200 --> 00:25:58,520 Speaker 2: very high point filled franchise. 498 00:25:58,200 --> 00:26:02,040 Speaker 1: That made half a billion dollar. Number two Gladiator. There 499 00:26:02,119 --> 00:26:05,440 Speaker 1: we are just under half a billion dollars. Number three Castaway, 500 00:26:05,600 --> 00:26:08,520 Speaker 1: Oh incredible Tour de fource by Tom Hanks, who's basically 501 00:26:08,520 --> 00:26:09,840 Speaker 1: in that movie alone. 502 00:26:09,920 --> 00:26:12,480 Speaker 2: That is another movie. I will say, even though it's 503 00:26:12,520 --> 00:26:15,120 Speaker 2: just him and his beach ball, his football, I should 504 00:26:15,160 --> 00:26:17,720 Speaker 2: say that is a dude's rock movie. Dudes love Costaway 505 00:26:17,920 --> 00:26:19,760 Speaker 2: and they love to see this dude just chill him 506 00:26:19,760 --> 00:26:21,720 Speaker 2: on his own on the Costaway Beach. 507 00:26:22,160 --> 00:26:27,840 Speaker 1: Number three What Women Want starring the terrible Awful Mel 508 00:26:27,880 --> 00:26:31,040 Speaker 1: Gibson and Helen Hunt. The Wonderful Helen Hunt, The Wonderful 509 00:26:31,080 --> 00:26:34,480 Speaker 1: Mersey Tome, in which mel Gibson can hear women's thoughts. 510 00:26:34,520 --> 00:26:34,920 Speaker 2: Creepy. 511 00:26:35,000 --> 00:26:40,639 Speaker 1: Next up, Dinosaur, Oh, Dinosaur DNA. We've never spoken about 512 00:26:40,720 --> 00:26:43,600 Speaker 1: Dinosaur the movie ever. 513 00:26:43,119 --> 00:26:45,879 Speaker 2: Ever. The only reason that it's still relevant to people 514 00:26:45,920 --> 00:26:48,640 Speaker 2: is it has a very terrifying ride in Animal Kingdom 515 00:26:49,160 --> 00:26:51,640 Speaker 2: that has traumatized many people, which I believe they're about 516 00:26:51,680 --> 00:26:54,400 Speaker 2: to take away. So good on Dinosaur. Who knew that 517 00:26:54,400 --> 00:26:56,280 Speaker 2: that was one of the top five biggest movies. I 518 00:26:56,280 --> 00:26:57,320 Speaker 2: would never have seen it coming. 519 00:26:57,800 --> 00:27:01,960 Speaker 1: Next Jim Carrey, Oh, how the Grinch Stole Christmas? Number six, the. 520 00:27:01,920 --> 00:27:04,440 Speaker 2: Loved Christmas movie. Still people love it to this day. 521 00:27:04,720 --> 00:27:07,879 Speaker 1: Number seven, and you forget what a huge smash this 522 00:27:08,160 --> 00:27:11,119 Speaker 1: was and the sequels that came from it. Meet the Parents, 523 00:27:11,200 --> 00:27:12,679 Speaker 1: Robert de Niro and Ben Stiller. 524 00:27:12,760 --> 00:27:15,360 Speaker 2: Dude, that was a time when a mid range comedy 525 00:27:15,359 --> 00:27:17,200 Speaker 2: could become a full quadrant success. 526 00:27:17,280 --> 00:27:19,760 Speaker 1: Yes, could be the number seven movie for the year. Wow. 527 00:27:19,840 --> 00:27:23,680 Speaker 1: Number eight The Perfect Storm, Oh my Gosh, starring a 528 00:27:23,960 --> 00:27:27,400 Speaker 1: Wahlberg and Clooney and about the fishing boat that goes 529 00:27:27,440 --> 00:27:29,639 Speaker 1: up the wave CG Wave, The CG Wave. I saw 530 00:27:29,680 --> 00:27:31,680 Speaker 1: it in the theater and I thought, what was what's 531 00:27:31,720 --> 00:27:32,240 Speaker 1: the fuss about? 532 00:27:32,359 --> 00:27:34,640 Speaker 2: What's the fuss about? It's just okay? 533 00:27:35,240 --> 00:27:40,040 Speaker 1: Number nine, Get this X Men. Number nine what imagine that? 534 00:27:40,400 --> 00:27:43,320 Speaker 2: What turn around for the books, especially because X Men 535 00:27:43,359 --> 00:27:44,960 Speaker 2: was still seen as a massive success. 536 00:27:45,119 --> 00:27:48,520 Speaker 1: That's right, and number ten rounding out the top ten, 537 00:27:48,960 --> 00:27:51,960 Speaker 1: Harrison Ford, Michelle Pfeiffer, What Lies Beneath? 538 00:27:52,359 --> 00:27:54,359 Speaker 2: Okay, I love that movie. I love a good weird 539 00:27:54,400 --> 00:27:55,200 Speaker 2: eroic thrill. 540 00:27:55,320 --> 00:27:56,680 Speaker 1: I do like that movie as well. 541 00:27:56,800 --> 00:28:01,000 Speaker 2: Wow, what crazy year, and honestly Gladiates to be up there. 542 00:28:01,119 --> 00:28:02,600 Speaker 2: I'm glad that people went to see it. 543 00:28:03,040 --> 00:28:06,760 Speaker 1: Other notable films of that period Crashing Tiger, Oh Hidden, 544 00:28:06,800 --> 00:28:07,720 Speaker 1: Dragon Love. 545 00:28:07,560 --> 00:28:10,120 Speaker 2: It should have been on that Love that traffic, Oh. 546 00:28:10,119 --> 00:28:12,680 Speaker 1: Love It almost famous, bombed at the theater, but cleaned 547 00:28:12,760 --> 00:28:13,800 Speaker 1: up critically. 548 00:28:13,480 --> 00:28:15,360 Speaker 2: Became a full cult classic. 549 00:28:15,680 --> 00:28:18,960 Speaker 1: Aaron Brockovich, Julia Roberts has come Back. 550 00:28:19,000 --> 00:28:22,960 Speaker 2: That's a truly groundbreaking movie for ha and also just 551 00:28:23,000 --> 00:28:25,159 Speaker 2: for like the waste in a mock perceived like a 552 00:28:25,200 --> 00:28:27,159 Speaker 2: true story movie. So that's huge. 553 00:28:27,160 --> 00:28:29,960 Speaker 1: And file this one under another movie that they don't 554 00:28:29,960 --> 00:28:32,840 Speaker 1: make any more, wonder Boys. Oh wow, the Curtis Hansen 555 00:28:33,119 --> 00:28:36,960 Speaker 1: Steve Cloves production. That's I think one. An Oscar for 556 00:28:37,000 --> 00:28:39,760 Speaker 1: Best Original Song, starring Michael Douglas and a young Tobey 557 00:28:39,840 --> 00:28:43,400 Speaker 1: Maguire has his kind of acolyte, who loves Michael Douglas, 558 00:28:43,440 --> 00:28:47,480 Speaker 1: who plays an author his writing. Next up, Rome Facts. 559 00:29:05,920 --> 00:29:08,719 Speaker 4: Welcome back, and it's time for Rome Facts Room facts 560 00:29:08,720 --> 00:29:10,680 Speaker 4: in the omnip Facts about Rome. 561 00:29:10,800 --> 00:29:13,840 Speaker 2: This is what men love. They love a fact about 562 00:29:13,920 --> 00:29:15,680 Speaker 2: Jack And how often do you think about the Vermin 563 00:29:15,720 --> 00:29:17,800 Speaker 2: Empire a little bit. 564 00:29:17,840 --> 00:29:20,400 Speaker 1: I'm looking back at my I'm looking back at my 565 00:29:20,440 --> 00:29:23,520 Speaker 1: bookshelf right now. There's a recent book on the history 566 00:29:23,560 --> 00:29:27,240 Speaker 1: of Ravenna, which became the second capital of the Western 567 00:29:27,280 --> 00:29:30,200 Speaker 1: Roman Empire. There's a bunch of other stuff, the history 568 00:29:30,240 --> 00:29:33,080 Speaker 1: of Byzantine emperors. I think about it a bit as 569 00:29:33,120 --> 00:29:34,560 Speaker 1: a person who loves history. 570 00:29:34,800 --> 00:29:35,720 Speaker 2: You are history love. 571 00:29:35,800 --> 00:29:37,880 Speaker 1: I'm a history lover. So let's start at the very 572 00:29:37,920 --> 00:29:40,680 Speaker 1: beginning for Rome. You know what I love. I love 573 00:29:40,800 --> 00:29:42,040 Speaker 1: foundational myths. 574 00:29:42,240 --> 00:29:43,920 Speaker 2: Oh yeah, and love a good man. 575 00:29:43,960 --> 00:29:47,440 Speaker 1: And Rome has a really cool foundational myth. They thought 576 00:29:47,480 --> 00:29:50,160 Speaker 1: of their history as like part legend and part history, 577 00:29:50,160 --> 00:29:53,360 Speaker 1: which is really cool. According to Roman foundational myth, one 578 00:29:53,440 --> 00:29:56,200 Speaker 1: day during the reign of the seventh and last King 579 00:29:56,240 --> 00:29:59,960 Speaker 1: of Rome, Tarquinis, tarquin Is the star Wars fans now 580 00:30:00,640 --> 00:30:04,040 Speaker 1: came before the king, and she had nine big books 581 00:30:04,040 --> 00:30:08,000 Speaker 1: of Greek oracular poetry, which she offered to the king 582 00:30:08,080 --> 00:30:11,680 Speaker 1: at like an insane price, like whatever, like the GDP 583 00:30:11,960 --> 00:30:14,000 Speaker 1: of Rome for a year like this was when Rome 584 00:30:14,080 --> 00:30:16,360 Speaker 1: was just like a middling kingdom, not a big deal. 585 00:30:16,760 --> 00:30:18,440 Speaker 1: But she offered it to them at like a price 586 00:30:18,480 --> 00:30:20,959 Speaker 1: that would bankrupt the kingdom. The King's like, no, are 587 00:30:20,960 --> 00:30:21,840 Speaker 1: you kidding? It's too much. 588 00:30:21,920 --> 00:30:23,240 Speaker 2: Get away, I don't need these books. 589 00:30:23,360 --> 00:30:26,800 Speaker 1: She goes off, burns three of the books, comes back 590 00:30:26,840 --> 00:30:30,120 Speaker 1: with six, and says, here's the six remaining books for 591 00:30:30,160 --> 00:30:33,720 Speaker 1: the original price. The king refused again, but this time 592 00:30:33,760 --> 00:30:34,920 Speaker 1: he was a little concerned. 593 00:30:34,960 --> 00:30:35,680 Speaker 2: He was stress. 594 00:30:37,800 --> 00:30:40,160 Speaker 1: He's like, hold on a second, Okay, I'm still gonna 595 00:30:40,200 --> 00:30:40,520 Speaker 1: decline it. 596 00:30:40,600 --> 00:30:43,880 Speaker 2: It seems like maybe something is important in these maybe 597 00:30:43,960 --> 00:30:44,720 Speaker 2: she goes off. 598 00:30:44,920 --> 00:30:48,960 Speaker 1: She burns three more books, comes back with the remaining three, 599 00:30:49,760 --> 00:30:53,480 Speaker 1: again offering at the original break the bank price. Now 600 00:30:53,600 --> 00:30:59,600 Speaker 1: the king, probably very anxiously, goes to the priests and says, hey, 601 00:30:59,760 --> 00:31:01,760 Speaker 1: what do we do about this? These books? Do we 602 00:31:01,800 --> 00:31:05,400 Speaker 1: need these books? The priests are absolutely alarmed that six 603 00:31:05,440 --> 00:31:07,360 Speaker 1: of the books have already been burned and says buy them. 604 00:31:08,240 --> 00:31:12,040 Speaker 1: Let over the price, buy them. So Tarkanis buys the books, 605 00:31:12,560 --> 00:31:17,880 Speaker 1: and they contained We actually don't know what the prophecies. 606 00:31:17,280 --> 00:31:19,880 Speaker 2: Were, how they the text didn't like survive, that's. 607 00:31:19,800 --> 00:31:24,160 Speaker 1: Right, But it's generally thought that the poems were in 608 00:31:24,240 --> 00:31:26,880 Speaker 1: hexamin or Greek verse, and then written in an acrostic 609 00:31:26,960 --> 00:31:31,680 Speaker 1: form where the first letter of each line read down 610 00:31:32,360 --> 00:31:36,080 Speaker 1: vertically down spelled the first line of the prophecy. And 611 00:31:36,120 --> 00:31:40,720 Speaker 1: these prophecies dealt with things like twins are born, or 612 00:31:40,800 --> 00:31:43,880 Speaker 1: a calf with two heads are born, or there's wildfires 613 00:31:44,000 --> 00:31:49,200 Speaker 1: a comet, and when Rome would face an emergency, they 614 00:31:49,240 --> 00:31:51,680 Speaker 1: would go down. These were kept in the temple of Jupiter. 615 00:31:51,720 --> 00:31:54,640 Speaker 1: We know they really existed because they were kept in 616 00:31:54,680 --> 00:31:57,520 Speaker 1: secrecy for hundreds of years, and only they were a 617 00:31:57,560 --> 00:32:00,440 Speaker 1: state secret, and they were referenced like when Rome really 618 00:32:00,480 --> 00:32:02,920 Speaker 1: needed them, so they would go down. The priests would 619 00:32:02,920 --> 00:32:04,680 Speaker 1: go down there and look up the thing in the 620 00:32:04,680 --> 00:32:07,120 Speaker 1: book and see what the prescription would be, and it 621 00:32:07,120 --> 00:32:09,880 Speaker 1: would be some sort of ritual that would offset disaster. 622 00:32:10,600 --> 00:32:12,840 Speaker 1: Now we again we know that they really existed. They 623 00:32:12,840 --> 00:32:14,920 Speaker 1: were kept under the temporal of Jupiter until they were 624 00:32:14,920 --> 00:32:17,080 Speaker 1: destroyed by a fire in a three BC. And this 625 00:32:17,560 --> 00:32:21,480 Speaker 1: tells you how valuable the Romans considered these books. They 626 00:32:21,520 --> 00:32:26,160 Speaker 1: then sent emissaries out all across the known world looking 627 00:32:26,200 --> 00:32:30,600 Speaker 1: for copies of the books, and one of the ways 628 00:32:30,680 --> 00:32:33,760 Speaker 1: they were able to kind of in their minds authenticate 629 00:32:33,880 --> 00:32:37,720 Speaker 1: like the real pages was if they were also acrostic. Yeah, 630 00:32:37,760 --> 00:32:41,600 Speaker 1: so they were prioritizing other acrostic poetry from books that 631 00:32:41,640 --> 00:32:44,400 Speaker 1: were similar, and they kind of reassembled the tone, but 632 00:32:44,440 --> 00:32:46,400 Speaker 1: that they were lost for good, like in the fifth 633 00:32:46,440 --> 00:32:49,720 Speaker 1: century sometime they were burned again. Wild, Let's talk about emperors. 634 00:32:49,800 --> 00:32:51,920 Speaker 1: There's a lot of emperor talk. Let's go down the 635 00:32:51,960 --> 00:32:53,000 Speaker 1: line with the emperors. 636 00:32:53,040 --> 00:32:55,480 Speaker 2: If you've ever read like a history book or even 637 00:32:55,560 --> 00:32:58,000 Speaker 2: just Greek and Rahman myth. So you've watched the movie 638 00:32:58,080 --> 00:33:01,480 Speaker 2: with Elizabeth Taylor and Darren come up in Gladiate Away, 639 00:33:01,520 --> 00:33:04,160 Speaker 2: You're like, oh, I understand as a real history. That's 640 00:33:04,200 --> 00:33:06,520 Speaker 2: the hang out passed. So Jason tell us some emperor 641 00:33:06,560 --> 00:33:07,959 Speaker 2: fact Emperor facts. 642 00:33:08,560 --> 00:33:11,760 Speaker 1: We start with the first emperor ever, Augustus, the adopted 643 00:33:11,800 --> 00:33:14,720 Speaker 1: son of Julius Caesar. He ascended in twenty seven BC 644 00:33:14,920 --> 00:33:18,120 Speaker 1: and basically Rome was still used to the Senate playing 645 00:33:18,120 --> 00:33:22,560 Speaker 1: an important role in political life, and so Augustus slow 646 00:33:22,600 --> 00:33:26,560 Speaker 1: played it. He accrued power very gradually, and he didn't 647 00:33:26,560 --> 00:33:29,280 Speaker 1: put himself forward as an emperor. He basically said, no, 648 00:33:29,360 --> 00:33:31,520 Speaker 1: I'm just a senator, but I'm like kind of the 649 00:33:31,520 --> 00:33:33,560 Speaker 1: best one. But I'm still part of the Senate. 650 00:33:33,560 --> 00:33:35,360 Speaker 2: I mean, it's the chill guy, but I am in control. 651 00:33:35,520 --> 00:33:38,880 Speaker 1: That's right. He died of old age, and then his 652 00:33:38,960 --> 00:33:42,840 Speaker 1: adopted son Tiberius came in. This is fourteen eighty to 653 00:33:43,000 --> 00:33:45,760 Speaker 1: thirty seven eighty that he reigned. He was a general, 654 00:33:45,920 --> 00:33:48,480 Speaker 1: he was an abled diplomat. The Senate really didn't like 655 00:33:48,560 --> 00:33:52,240 Speaker 1: him for various reasons, and he spent his last years 656 00:33:52,280 --> 00:33:55,040 Speaker 1: basically in seclusion on his estate on the island of Capri. 657 00:33:55,680 --> 00:33:58,560 Speaker 1: If you read people who really hated him from that period, 658 00:33:58,600 --> 00:34:01,360 Speaker 1: he was doing all kinds of perverted in evil things 659 00:34:01,560 --> 00:34:03,280 Speaker 1: on the island of Capri. We don't know if that 660 00:34:03,440 --> 00:34:07,760 Speaker 1: was true, but he left romean control of his top 661 00:34:07,800 --> 00:34:09,480 Speaker 1: assistant during this time, and then he died. 662 00:34:09,600 --> 00:34:12,399 Speaker 2: I just want to say, as well, Augustus, shout out 663 00:34:12,400 --> 00:34:14,359 Speaker 2: to you, because it's very rare that you get to 664 00:34:14,400 --> 00:34:16,800 Speaker 2: live and die of old age in ancient Rome. 665 00:34:16,840 --> 00:34:17,879 Speaker 1: In this format. That's true. 666 00:34:17,960 --> 00:34:20,920 Speaker 2: Julius Caesa stabbed obviously. I just want to say, I 667 00:34:20,920 --> 00:34:23,360 Speaker 2: think you did a good job of Augustus Tiberius, I 668 00:34:23,400 --> 00:34:25,520 Speaker 2: probably should have done a little bit more leading, a 669 00:34:25,560 --> 00:34:27,600 Speaker 2: little bit less chilling on your weird island. 670 00:34:27,719 --> 00:34:29,280 Speaker 1: And by the way, there's a lot of Roman emperors, 671 00:34:29,320 --> 00:34:31,719 Speaker 1: some of which have been forgotten and some of which 672 00:34:31,719 --> 00:34:34,200 Speaker 1: are like recently discovered, like oh, here's a guy that 673 00:34:34,239 --> 00:34:38,480 Speaker 1: reigned for a little while. Anyway. Next up Caligula, son 674 00:34:38,560 --> 00:34:41,920 Speaker 1: of the famed Roman general Germanicus, who that was the 675 00:34:41,960 --> 00:34:44,520 Speaker 1: honorific name given to him. His name was like Gaius, 676 00:34:44,520 --> 00:34:46,760 Speaker 1: something like they all are, but he went to Germany 677 00:34:46,800 --> 00:34:49,440 Speaker 1: and had many great victories, and so they named in Germanicus. 678 00:34:49,719 --> 00:34:54,080 Speaker 1: His wife was Agrippina, Augustus's granddaughter as z Agrippina the elder, 679 00:34:54,920 --> 00:34:57,960 Speaker 1: So Coligilia is their son. And his name is actually 680 00:34:58,000 --> 00:35:00,400 Speaker 1: a nickname because his name also is like Gaya Caesar 681 00:35:00,480 --> 00:35:03,160 Speaker 1: or whatever, and it meant little boots, and it's a 682 00:35:03,200 --> 00:35:07,040 Speaker 1: reference to the little soldiers boots kids size soldier's boots 683 00:35:07,080 --> 00:35:09,000 Speaker 1: that he would wear when he was on campaign with Dad. 684 00:35:09,000 --> 00:35:11,799 Speaker 1: The soldiers gave him this nickname and it stuck. He 685 00:35:11,840 --> 00:35:15,720 Speaker 1: went insane with power and was assassinated by an alliance. 686 00:35:15,360 --> 00:35:18,120 Speaker 2: Did the craziest, wildest stuff. 687 00:35:18,120 --> 00:35:19,640 Speaker 1: He just went mad, If. 688 00:35:19,480 --> 00:35:21,720 Speaker 2: You've never seen the movie Caligula, there was a recent 689 00:35:21,800 --> 00:35:23,600 Speaker 2: four K re released very good. 690 00:35:23,719 --> 00:35:27,760 Speaker 1: Caligula tried to, according to a probably a Procerpal story, 691 00:35:28,080 --> 00:35:32,040 Speaker 1: tried to elevate his horse in status to senatorial ring. 692 00:35:32,360 --> 00:35:35,520 Speaker 2: I gotta say that's hilarious, though, thanks for the jokes 693 00:35:35,520 --> 00:35:37,279 Speaker 2: on that one. I mean, not sensible, but. 694 00:35:37,360 --> 00:35:41,600 Speaker 1: Hilarious praturing guards and other power players assassinated him and 695 00:35:42,120 --> 00:35:46,839 Speaker 1: proclaimed Claudius, yes, the next emperor. Claudius was sidelined. Watch 696 00:35:46,960 --> 00:35:50,560 Speaker 1: I Claudius for another great movie about this. Was sidelined 697 00:35:50,560 --> 00:35:53,439 Speaker 1: and underestimated for most of his life because he had 698 00:35:53,440 --> 00:35:56,160 Speaker 1: a lisp and a limp, and these physical disabilities basically 699 00:35:56,239 --> 00:35:58,160 Speaker 1: made him look weak in everybody's mind. This is probably 700 00:35:58,160 --> 00:36:01,280 Speaker 1: why he survived as long as he did. The Praetorian Guard, 701 00:36:01,440 --> 00:36:05,920 Speaker 1: according to legend, found him hiding behind a drape after 702 00:36:05,960 --> 00:36:09,160 Speaker 1: they killed Caligula, and as the last surviving member of 703 00:36:09,160 --> 00:36:12,200 Speaker 1: the Julia Claudian family, they immediately were like, okay him, 704 00:36:12,280 --> 00:36:15,600 Speaker 1: Harry is the emperor and they proclaimed emperor, probably thinking 705 00:36:15,760 --> 00:36:18,560 Speaker 1: this guy's going to be very controllable. Claudius, it turned out, 706 00:36:18,640 --> 00:36:21,319 Speaker 1: was good at the job, but he had a lot 707 00:36:21,360 --> 00:36:24,480 Speaker 1: of enemies. The Senate was always on his ass, and 708 00:36:24,560 --> 00:36:28,279 Speaker 1: his wife Agrippina the Younger uh uh also somehow a 709 00:36:28,280 --> 00:36:31,520 Speaker 1: granddaughter of Augustus, who is one of the most influential 710 00:36:31,600 --> 00:36:36,360 Speaker 1: women of the age. Apparently, according to legend Lanny contemporarious sources, 711 00:36:36,400 --> 00:36:40,959 Speaker 1: allegedly poisoned him so that her son stepson Nero could 712 00:36:40,960 --> 00:36:43,240 Speaker 1: take over Nero. You probably know that, Pela. 713 00:36:43,280 --> 00:36:44,920 Speaker 2: That's why I was gonna say, you're getting into some 714 00:36:44,960 --> 00:36:47,319 Speaker 2: famous empress head. I feel like people will recognize you. 715 00:36:47,400 --> 00:36:51,120 Speaker 1: Probably know Nero. Nero gradually turned the empire against him 716 00:36:51,160 --> 00:36:55,239 Speaker 1: because he became insane and created an extreme personality cult 717 00:36:55,280 --> 00:36:56,120 Speaker 1: around himself. 718 00:36:56,480 --> 00:36:58,360 Speaker 2: Well, he is the one who was very famous that 719 00:36:58,400 --> 00:37:00,400 Speaker 2: when the Great Fire Room happened, they say he was 720 00:37:00,400 --> 00:37:01,240 Speaker 2: like playing a fiddle. 721 00:37:01,320 --> 00:37:03,760 Speaker 1: That's right. The Great Fire Rome happened on his watch, 722 00:37:03,800 --> 00:37:07,680 Speaker 1: burned a huge portion of the city. The fiddle, by 723 00:37:07,680 --> 00:37:09,840 Speaker 1: the way, was not invented during this time. Yeah, so 724 00:37:09,880 --> 00:37:12,000 Speaker 1: it was apar Yeah, but it gives you an idea 725 00:37:12,040 --> 00:37:14,160 Speaker 1: of how people viewed him, which is like this tyrant 726 00:37:14,200 --> 00:37:14,799 Speaker 1: who didn't care. 727 00:37:14,880 --> 00:37:17,560 Speaker 2: He was like a pan style like chaos mango. 728 00:37:17,760 --> 00:37:21,600 Speaker 1: Yeah. Eventually he turned everyone against him to such a 729 00:37:21,680 --> 00:37:26,000 Speaker 1: degree that the senate sentenced him to death, and everybody 730 00:37:26,080 --> 00:37:29,040 Speaker 1: abandoned him, and he realized the end was near, but 731 00:37:29,200 --> 00:37:31,480 Speaker 1: he didn't have the courage to take his own life, 732 00:37:31,480 --> 00:37:33,640 Speaker 1: so he ordered like his servant to kill him, and 733 00:37:34,120 --> 00:37:35,919 Speaker 1: they stabbed him, and then he bled out and died. 734 00:37:36,320 --> 00:37:38,279 Speaker 1: That led to the chaos known as the Year of 735 00:37:38,320 --> 00:37:40,680 Speaker 1: the Four Emperors from sixty eight to sixty nine, when 736 00:37:40,760 --> 00:37:44,640 Speaker 1: four different emperors reigned for a few months each. First 737 00:37:44,680 --> 00:37:47,560 Speaker 1: there was Galba, who's too old, too passive. He was 738 00:37:47,640 --> 00:37:51,200 Speaker 1: murdered by Atho. Then there was Atho, who committed suicide 739 00:37:51,239 --> 00:37:54,400 Speaker 1: after losing to Vitellius in battle. Then there was Vitellius, 740 00:37:55,000 --> 00:37:58,480 Speaker 1: whoigs executed by a Vespasian after getting into a war 741 00:37:58,520 --> 00:38:00,640 Speaker 1: with Vespasian. And then there was vespace And who ran 742 00:38:00,680 --> 00:38:04,400 Speaker 1: things for a while. Vespatian was a soldier. He was 743 00:38:04,760 --> 00:38:07,840 Speaker 1: one of these rags richest stories that kind of became 744 00:38:07,880 --> 00:38:10,560 Speaker 1: more common. He was a late comer to public life. 745 00:38:11,160 --> 00:38:14,080 Speaker 1: We don't have a lot of records of his time 746 00:38:14,239 --> 00:38:16,879 Speaker 1: as emperor. Reigned for ten years, but he's best known 747 00:38:16,920 --> 00:38:19,920 Speaker 1: for beginning the construction of the famed Colisseum of Room. 748 00:38:20,360 --> 00:38:23,360 Speaker 1: Then came his son Titus, He was ruler during the 749 00:38:23,480 --> 00:38:25,880 Speaker 1: eruption of Mauna Vesuvius, which you've probably seen on the 750 00:38:25,880 --> 00:38:27,040 Speaker 1: television series Loki. 751 00:38:27,600 --> 00:38:29,239 Speaker 2: Yeah, that's definitely where I not from. 752 00:38:29,360 --> 00:38:33,960 Speaker 1: Yeah, he is best known for finishing the Coliseum. You're 753 00:38:33,960 --> 00:38:36,839 Speaker 1: not only ruled for two years before dying at forty one. 754 00:38:37,719 --> 00:38:40,319 Speaker 1: I think a stroke or something I forget. Then came 755 00:38:40,400 --> 00:38:43,640 Speaker 1: to a mission, also Vespatian's son. He was like a 756 00:38:43,680 --> 00:38:48,200 Speaker 1: hardcore dictator and artocrat. He effectively sidelined the Senate, took 757 00:38:48,239 --> 00:38:52,200 Speaker 1: all of its traditional and at that point the accouterments 758 00:38:52,239 --> 00:38:55,080 Speaker 1: of their position that didn't really have any real power 759 00:38:55,160 --> 00:38:58,320 Speaker 1: but still were like culturally important. He stripped those things 760 00:38:58,360 --> 00:39:02,120 Speaker 1: away as well, and that led to his assassination by 761 00:39:02,520 --> 00:39:04,880 Speaker 1: a conspiracy of senators and other artificials. 762 00:39:05,080 --> 00:39:08,560 Speaker 2: So many assassinations, many many manuyes. This was a society 763 00:39:08,600 --> 00:39:09,960 Speaker 2: that loved an assassination, loved it. 764 00:39:09,960 --> 00:39:11,759 Speaker 1: There's no other way to get the person out. Then 765 00:39:11,840 --> 00:39:15,120 Speaker 1: came Nerva. This is the revenge of the Senate. So 766 00:39:15,200 --> 00:39:18,520 Speaker 1: after the Senate had its power stripped away, the Senate went, oh, yeah, 767 00:39:18,560 --> 00:39:22,960 Speaker 1: watch this, we proclaim this guy Emperor Nerva. Nerva then 768 00:39:23,160 --> 00:39:26,600 Speaker 1: dutifully promised to return to the Senate all of its 769 00:39:26,680 --> 00:39:31,000 Speaker 1: traditional stuff, its power, and its influence. He was forced 770 00:39:31,040 --> 00:39:32,879 Speaker 1: by the military, who did not trust him at all, 771 00:39:32,920 --> 00:39:35,680 Speaker 1: to adopt an air from the military who adopted Trajan 772 00:39:36,160 --> 00:39:39,279 Speaker 1: young general, who turned out to be his probably his 773 00:39:39,320 --> 00:39:42,560 Speaker 1: best decision, because when Nerva died of a stroke less 774 00:39:42,560 --> 00:39:46,640 Speaker 1: than two years later, Trajan ascended, and along with Nerva, 775 00:39:47,200 --> 00:39:50,799 Speaker 1: Trajan became part of this era known as the Five 776 00:39:50,840 --> 00:39:53,879 Speaker 1: Good Emperors, when they got five solid emperors in a row, 777 00:39:53,920 --> 00:39:56,880 Speaker 1: who all except for Nerva, ruled for a long time. 778 00:39:56,960 --> 00:40:01,239 Speaker 1: So Trajan was considered by his contemporary and by historians 779 00:40:01,239 --> 00:40:03,200 Speaker 1: of the age to be the goat. Like this guy's 780 00:40:03,239 --> 00:40:05,839 Speaker 1: the greatest, Like oh, my god, Trajan. This is how 781 00:40:05,880 --> 00:40:08,440 Speaker 1: he used to say of emperors that followed Trajan. May 782 00:40:08,520 --> 00:40:11,400 Speaker 1: he be as lucky as Augustus and as good as Trajan. 783 00:40:11,440 --> 00:40:14,480 Speaker 1: Because Trajan was so good. W Trajan grew the empire 784 00:40:14,600 --> 00:40:19,320 Speaker 1: to its greatest geographical limit, and the Pax Romana, the 785 00:40:19,360 --> 00:40:22,200 Speaker 1: fame Pox Romana, which is probably something you learned in school, begins, 786 00:40:22,239 --> 00:40:25,400 Speaker 1: which is this piece of Rome that lasted like a 787 00:40:25,520 --> 00:40:30,280 Speaker 1: century plus. Then came Hadrian, Trajan's cousin basically said, okay, 788 00:40:30,360 --> 00:40:32,800 Speaker 1: enough with the expanding. We're huge, We're a huge empire. 789 00:40:32,880 --> 00:40:35,919 Speaker 1: Let's just defend these borders and solidify them. This gives 790 00:40:35,960 --> 00:40:39,160 Speaker 1: us Hadrian's wall in northern England famous wall. 791 00:40:39,200 --> 00:40:40,600 Speaker 2: I've been the legendary. 792 00:40:40,640 --> 00:40:43,640 Speaker 1: He was a very active ruler. He visited almost every 793 00:40:43,719 --> 00:40:47,440 Speaker 1: Roman province except we think the ones in Spain and 794 00:40:47,480 --> 00:40:49,920 Speaker 1: then Dacia, which they had to give up and they 795 00:40:50,040 --> 00:40:52,960 Speaker 1: died after twenty years in office. Wow, He's got that 796 00:40:53,040 --> 00:40:55,440 Speaker 1: famous column which you can go see in Rome, which 797 00:40:55,680 --> 00:40:59,080 Speaker 1: has a bunch of his feats and famously shows the 798 00:40:59,160 --> 00:41:04,000 Speaker 1: sack of the Temple of Jerusalem. That gives Us Antoninus Pious, 799 00:41:04,360 --> 00:41:07,759 Speaker 1: Adrian's adopted son, husband to his niece Faustina. He was 800 00:41:07,800 --> 00:41:11,160 Speaker 1: an efficient ruler. He left the emperor rich. He died 801 00:41:11,200 --> 00:41:13,319 Speaker 1: after twenty two years in office. Everybody was happy. He 802 00:41:13,360 --> 00:41:17,920 Speaker 1: was succeeded by his adopted sons, Marcus Aurelius and Lucius 803 00:41:18,000 --> 00:41:21,800 Speaker 1: Verus as co emperors. Oh interesting, Lucius Verus dies after 804 00:41:22,239 --> 00:41:25,320 Speaker 1: nine years of co empering, and this allows Marcus Riis 805 00:41:25,320 --> 00:41:27,799 Speaker 1: to become the sole emperor. As we see in this film, 806 00:41:27,840 --> 00:41:31,480 Speaker 1: Marcus Aurelius the last of the five good emperors. We 807 00:41:31,600 --> 00:41:33,759 Speaker 1: kind of forget about Lucius Verus as one of the 808 00:41:33,760 --> 00:41:37,120 Speaker 1: five good Emperors, and it's really about Marcus Aurelius. Of course, 809 00:41:37,160 --> 00:41:41,920 Speaker 1: we see him in Gladiator, the wonderful Richard Harris in 810 00:41:41,960 --> 00:41:44,920 Speaker 1: one of his final roles. He's just fantastic as Marcus. 811 00:41:45,200 --> 00:41:48,920 Speaker 1: And Marcus Relius was a student of philosophy of the 812 00:41:48,960 --> 00:41:52,920 Speaker 1: Greek school of Stoicism. He kept a journal of notes 813 00:41:52,920 --> 00:41:55,880 Speaker 1: to himself, kind of like advice about how to rule 814 00:41:55,920 --> 00:41:59,279 Speaker 1: and live wisely and honorably and with restraint, and these 815 00:41:59,320 --> 00:42:04,879 Speaker 1: became collective in a book called the Meditations Marcus Relis's Meditations, 816 00:42:04,880 --> 00:42:07,279 Speaker 1: and there's still people that follow his philosophy today. It 817 00:42:07,320 --> 00:42:11,160 Speaker 1: remains in circulation. He died after a very long ill illness, 818 00:42:11,280 --> 00:42:14,160 Speaker 1: probably of natural causes, but there was some speculation at 819 00:42:14,200 --> 00:42:16,359 Speaker 1: the time that he might have been killed by his 820 00:42:16,480 --> 00:42:19,399 Speaker 1: son Communists, and it was cyinar a pax romana after that, 821 00:42:19,640 --> 00:42:20,840 Speaker 1: because he was the last of. 822 00:42:20,840 --> 00:42:22,280 Speaker 2: The fires, was crazy. 823 00:42:22,360 --> 00:42:24,360 Speaker 1: He was crazy, and everybody after that was bad. So 824 00:42:24,440 --> 00:42:27,040 Speaker 1: then comes Communists. He was co emperor for three years 825 00:42:27,080 --> 00:42:29,680 Speaker 1: under his father, but then as his father died, he 826 00:42:29,719 --> 00:42:35,720 Speaker 1: became the sole ruler and immediately became paranoid, dictatorial, increasingly megamoniacal, 827 00:42:36,440 --> 00:42:39,000 Speaker 1: drunk on power of fame, he created a personality cult 828 00:42:39,040 --> 00:42:41,880 Speaker 1: around himself which basically said that he was like the 829 00:42:41,920 --> 00:42:45,279 Speaker 1: source of everything Roman. He was the epitome of pure Rome, and. 830 00:42:45,239 --> 00:42:47,520 Speaker 2: Everything that happened from Rome was from him. 831 00:42:47,480 --> 00:42:50,920 Speaker 1: All good things in Rome spraying from him. And this 832 00:42:51,000 --> 00:42:54,319 Speaker 1: culminated in a slate of games for the public, the 833 00:42:54,360 --> 00:42:57,760 Speaker 1: plebeing games during which in the mornings commonists would slay 834 00:42:58,080 --> 00:43:00,480 Speaker 1: animals with arrows, and in the afternoon he would fight 835 00:43:00,560 --> 00:43:02,520 Speaker 1: rigged gladiator man, which he always won. 836 00:43:03,160 --> 00:43:04,240 Speaker 2: Like we start in the movie. 837 00:43:04,040 --> 00:43:07,760 Speaker 1: That's all right, His mistress Marcia probably killed him with poison, 838 00:43:07,880 --> 00:43:10,719 Speaker 1: we think, after she discovered the communists had like a 839 00:43:10,760 --> 00:43:11,960 Speaker 1: death list at his desk, and. 840 00:43:11,920 --> 00:43:14,239 Speaker 2: Her name was on it, making like a death though, 841 00:43:14,360 --> 00:43:16,439 Speaker 2: and he was like putting my wife on the end. 842 00:43:16,440 --> 00:43:19,600 Speaker 1: Put her on it. When the poison didn't take, Marsha's 843 00:43:19,600 --> 00:43:23,440 Speaker 1: co conspirators sent Narcissus, the Emperor's wrestling coach, in to 844 00:43:23,560 --> 00:43:24,000 Speaker 1: kill him. 845 00:43:24,080 --> 00:43:25,799 Speaker 2: Oh, incredibly, he died that. 846 00:43:25,760 --> 00:43:28,960 Speaker 1: Way, General Maximus, he's not a real guy, not a 847 00:43:29,000 --> 00:43:31,960 Speaker 1: real guy. But let's talk about how long it would 848 00:43:31,960 --> 00:43:34,320 Speaker 1: have taken him to ride that horse from Germaania. Okay, 849 00:43:34,360 --> 00:43:39,000 Speaker 1: so according to what we know about Marcus Relius, historically 850 00:43:39,040 --> 00:43:42,400 Speaker 1: he died in Vindebona, Germania, which they mentioned in the 851 00:43:42,520 --> 00:43:44,960 Speaker 1: film several times. And you hear in that fight in 852 00:43:45,000 --> 00:43:47,000 Speaker 1: the arena one of the soldier who says, I fought 853 00:43:47,040 --> 00:43:49,200 Speaker 1: with you at Vinda Bona. That's that battle we see. 854 00:43:49,280 --> 00:43:54,240 Speaker 1: Vinda Bona is basically around modern day Vienna. And Maximus 855 00:43:54,280 --> 00:43:57,160 Speaker 1: says at one point, I am Maximus Meridith. And he 856 00:43:57,160 --> 00:43:59,000 Speaker 1: also tells Marcus that his home is in the hills 857 00:43:59,000 --> 00:44:02,520 Speaker 1: above Truchillo, and that early scene, which is about fifty 858 00:44:02,719 --> 00:44:07,160 Speaker 1: five kilometers about an hour driving distance from Mereda in Spain. 859 00:44:07,880 --> 00:44:12,319 Speaker 1: So assuming that the farm homestead is like somewhere in 860 00:44:12,360 --> 00:44:15,560 Speaker 1: that area Truhuilo Mereda, that's about a twenty six hour 861 00:44:15,640 --> 00:44:18,680 Speaker 1: drive by car or a six day bike ride according 862 00:44:18,680 --> 00:44:22,200 Speaker 1: to Google a map. So if we say that a 863 00:44:22,280 --> 00:44:25,319 Speaker 1: bike is about the same as riding a horse, which 864 00:44:25,320 --> 00:44:27,520 Speaker 1: gets tired, and we can say that Maximus was going 865 00:44:27,520 --> 00:44:30,239 Speaker 1: with great haste. So let's say I don't know four 866 00:44:30,320 --> 00:44:33,000 Speaker 1: or five days, I'm sure the horse died right after this, I. 867 00:44:32,920 --> 00:44:35,160 Speaker 2: Would say that the horse is definitely dying. I would 868 00:44:35,160 --> 00:44:37,239 Speaker 2: say maybe closer to a week because I don't know 869 00:44:37,239 --> 00:44:40,080 Speaker 2: if the horse could keep it going at high speed 870 00:44:40,280 --> 00:44:40,880 Speaker 2: the whole. 871 00:44:40,760 --> 00:44:43,040 Speaker 1: I agree with you. The course, I guess we could 872 00:44:43,040 --> 00:44:46,000 Speaker 1: assume like he stole horses. Whatever the case. 873 00:44:46,120 --> 00:44:49,279 Speaker 2: Multiple it was dated several days time. 874 00:44:49,480 --> 00:44:54,800 Speaker 1: Yeah, Vienna to Spain. That's a long time last Gladator fact. Wow, 875 00:44:54,840 --> 00:44:57,759 Speaker 1: as we get ready for Gladiator two, thank you famously, 876 00:44:57,840 --> 00:45:00,600 Speaker 1: Now you're talking about stuff I know about. Yes famously 877 00:45:00,880 --> 00:45:05,839 Speaker 1: made script famously. Australian rock musician Nick Cave, best known 878 00:45:05,880 --> 00:45:09,640 Speaker 1: for his group Nick Cave and the Bad Seeds, mentioned 879 00:45:09,960 --> 00:45:13,759 Speaker 1: on the Mark Marin podcast back in twenty thirteen that, apparently, 880 00:45:14,440 --> 00:45:18,480 Speaker 1: at the personal request of his countryman Russell Crowe, he 881 00:45:18,560 --> 00:45:23,719 Speaker 1: wrote a spec script for Gladiator two titled Gladiator two 882 00:45:24,560 --> 00:45:25,520 Speaker 1: Gladiator two. 883 00:45:26,160 --> 00:45:30,279 Speaker 2: Christ Killer Yes, and it would have focused on I'm 884 00:45:30,320 --> 00:45:33,759 Speaker 2: obsessed with this script. I've actually read some versions that 885 00:45:33,800 --> 00:45:38,000 Speaker 2: are online of this script. It is based on the 886 00:45:38,719 --> 00:45:41,800 Speaker 2: idea that Maximus would have to like fight his way 887 00:45:41,920 --> 00:45:47,719 Speaker 2: out of hell, yes, to find a space where he 888 00:45:47,760 --> 00:45:50,080 Speaker 2: could then kill like a god. And it's because he 889 00:45:50,320 --> 00:45:52,080 Speaker 2: has to get his family out of hell or something 890 00:45:52,120 --> 00:45:53,000 Speaker 2: I think was the general like. 891 00:45:53,040 --> 00:45:56,680 Speaker 1: Well, what happens is apparently what he says in this interview, 892 00:45:56,719 --> 00:45:59,919 Speaker 1: is that the old gods are impressed with Maximus's death 893 00:46:00,160 --> 00:46:02,280 Speaker 1: and the way he took on power, and so they go, Okay, 894 00:46:02,800 --> 00:46:06,719 Speaker 1: you're the guy that we have hand picked for a 895 00:46:06,800 --> 00:46:09,080 Speaker 1: mission that we have specifically for you. You will return 896 00:46:09,120 --> 00:46:10,719 Speaker 1: to life, you will fight your way out of hell, 897 00:46:11,200 --> 00:46:14,279 Speaker 1: take over the body of apparently an old man, and 898 00:46:14,360 --> 00:46:19,319 Speaker 1: then go and kill this guy named Hephestos, who is 899 00:46:19,360 --> 00:46:22,400 Speaker 1: apparently like a messiah like christ like figure who the 900 00:46:22,440 --> 00:46:24,800 Speaker 1: old guys were very threatened by, and they wanted Maximus 901 00:46:24,800 --> 00:46:25,480 Speaker 1: to go kill that guy. 902 00:46:25,480 --> 00:46:26,600 Speaker 2: And so that's so good. 903 00:46:26,600 --> 00:46:27,880 Speaker 1: What a crazy story. 904 00:46:28,000 --> 00:46:30,960 Speaker 2: I have to tell you something, guys, that's even crazier, right. 905 00:46:31,360 --> 00:46:34,080 Speaker 2: I actually thought that was the version of Gladiata two 906 00:46:34,080 --> 00:46:36,399 Speaker 2: we were getting until the trailer came out. It has 907 00:46:36,440 --> 00:46:40,360 Speaker 2: been such a big part of my life, this insane, 908 00:46:40,680 --> 00:46:44,160 Speaker 2: unmade gladiat sequel. I thought, well, why would they make 909 00:46:44,200 --> 00:46:46,520 Speaker 2: any other version? Now I will say something that makes 910 00:46:46,520 --> 00:46:48,439 Speaker 2: it a little bit less crazy, And if you haven't 911 00:46:48,440 --> 00:46:50,880 Speaker 2: seen this movie, go watch it. Nick Cave is actually 912 00:46:50,880 --> 00:46:53,040 Speaker 2: a fantastic film writer. In two thousand and five, he 913 00:46:53,080 --> 00:46:56,839 Speaker 2: wrote this movie called The Proposition with Guy Piss and 914 00:46:56,920 --> 00:47:00,239 Speaker 2: Ray Winston and Danny Houston, and it's about a guy 915 00:47:00,520 --> 00:47:03,440 Speaker 2: who is a notorious outlaw and he gets caught by 916 00:47:03,440 --> 00:47:05,560 Speaker 2: a law man and they say, okay, we'll let you 917 00:47:05,640 --> 00:47:08,359 Speaker 2: go if you go and find your brother and kill 918 00:47:08,440 --> 00:47:12,560 Speaker 2: him because he is a really bad guy. And if 919 00:47:12,600 --> 00:47:15,000 Speaker 2: you don't do it, we'll execute your younger brother. And 920 00:47:15,040 --> 00:47:17,719 Speaker 2: it is so interesting. It's such a weird Western. I 921 00:47:17,800 --> 00:47:19,879 Speaker 2: used to watch it all the time. But yeah, Nick Cave, 922 00:47:20,000 --> 00:47:23,840 Speaker 2: He's written interesting, weird, dark films, so I definitely thought 923 00:47:23,840 --> 00:47:25,600 Speaker 2: there was a world where somebody would want to make 924 00:47:25,640 --> 00:47:29,279 Speaker 2: Gladiator to Christ Killer. Alas that is not the movie. 925 00:47:29,320 --> 00:47:32,120 Speaker 2: We're getting there. I have to say, at this point 926 00:47:32,200 --> 00:47:34,400 Speaker 2: in Russell Crowe's career, I believe he would be in 927 00:47:34,400 --> 00:47:36,759 Speaker 2: that movie. Have you seen The Pope's Exorcist? I believe 928 00:47:36,840 --> 00:47:39,640 Speaker 2: Russell Crowe would fight his way out of hell in 929 00:47:39,760 --> 00:47:42,799 Speaker 2: the gladiat But yeah, Jason, thank you for this incredible 930 00:47:42,880 --> 00:47:45,120 Speaker 2: ride through Roman history. 931 00:47:45,480 --> 00:47:47,560 Speaker 1: Well thank you, And on the next couple of episodes 932 00:47:47,560 --> 00:47:49,759 Speaker 1: of Export Vision, we're diving into our Kane season two, 933 00:47:50,320 --> 00:47:53,719 Speaker 1: Act two and doing prophecy on HBO Max. That's it 934 00:47:53,760 --> 00:48:01,960 Speaker 1: through this episode. Thanks for listening, folks. Bite x Ray 935 00:48:02,000 --> 00:48:06,040 Speaker 1: Vision is hosted by Jason Kencepcion and Rosie Knight and 936 00:48:06,160 --> 00:48:09,880 Speaker 1: is a production of iHeart Podcasts. Our executive producers are 937 00:48:09,960 --> 00:48:14,400 Speaker 1: Joelle Smith and Aaron Kaufman. Our supervising producer is a 938 00:48:14,480 --> 00:48:19,400 Speaker 1: Boo Zafar. Our producers are Carmen Laurent and Mia Taylor. 939 00:48:20,160 --> 00:48:22,239 Speaker 1: Our theme song is by Brian Basquez. 940 00:48:22,719 --> 00:48:27,000 Speaker 2: Special thanks to Soul Rubin and Chris Laude, Kenny Goodman 941 00:48:27,400 --> 00:48:29,440 Speaker 2: and Heidi A disco moderata