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Speaker 1: Are you leave in I you wanna way back home?

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Speaker 2: Either way, we want to be there.

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Speaker 1: Doesn't matter how much baggage you claim and give us

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Speaker 1: time and a terminol and gay a. We want to

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Speaker 1: send you off InStyle. We want to welcome you back home.

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Speaker 1: Tell us all about it.

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Speaker 3: We scared her?

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Speaker 2: Was it fine?

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Speaker 4: Now?

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Speaker 2: Porn? Do you need to ride?

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Speaker 1: Do you need to ride?

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Speaker 2: Do you need to ride? Do you need to ride?

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Speaker 2: Do you need to ride? Do you need to ride?

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Speaker 5: Need to ride? Do you need with Karen and Chris?

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Speaker 5: Welcome to Do you need to ride? This is Chris Fairbanks.

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Speaker 2: And this is Karen Kilgariff.

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Speaker 5: Well here we are back in the car again, driving

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Speaker 5: a guest to the airport.

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Speaker 3: Oh yes, right, our guest, Jemmic's over. Everyone's keeled.

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Speaker 5: We're of course not in a car. We will be

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Speaker 5: one day, but we have a guest today. He is

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Speaker 5: a very funny stand up comic. He's a writer director.

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Speaker 5: You can watch, uh, we'll talk more about it, but

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Speaker 5: you can watch his Highwayman series if you're if you're

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Speaker 5: a fan of The Incredible Hulk or Highway to Heaven,

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Speaker 5: you will fully love it. Everyone put your hands together

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Speaker 5: for Henry Phillips. Hey, thanks guys, good to be back

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Speaker 5: on the show. Yeah.

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Speaker 3: Yes, multiple guests on the show, right, at least once,

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Speaker 3: if not more.

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Speaker 5: I did one with you guys.

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Speaker 6: Uh and then also there was one where I think

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Speaker 6: you weren't able to make it, Karen, and so I

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Speaker 6: jumped in there and we was it Matt Kershon that

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Speaker 6: we drove around with.

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Speaker 5: Uh oh wow, yeah, that you have a good memory.

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Speaker 5: We're talking eight years ago or something.

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Speaker 2: That makes that reminds me of that you're my enemy.

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Speaker 5: Oh shoot, I forgot. Oh yeah, I forget.

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Speaker 2: That was so much jealousy competition.

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Speaker 5: I forgot. It's called the Nemesis episode.

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Speaker 2: Yes, face him in a mass.

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Speaker 6: Like for all I know, that was a real awkward

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Speaker 6: situation for you guys, and I just bring it up care.

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Speaker 5: Yeah, yeah, yeah one time. Yeah, thanks for bringing out

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Speaker 5: that three week long fight that Karen and I had. Henry, No, no, it.

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Speaker 3: Was the door slamming. What's weird is was it eight

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Speaker 3: years ago? I mean that is possible, So it's possible

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Speaker 3: to me. I mean, when did you guys start?

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Speaker 5: Oh why had if I do this? It's like, when's

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Speaker 5: our anniversary? I please tell me we haven't done this

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Speaker 5: ten years. That had to be I think about just

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Speaker 5: under seven years. Seven eight years.

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Speaker 3: Yeah, yeah, it's been a while. Wow, we've been doing this.

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Speaker 3: We've been doing this into the wind for years. No

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Speaker 3: one ever cared. In the beginning, it was great. Yeah,

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Speaker 3: we were rather free. Yeah, just a tree falling down.

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Speaker 5: Well, hopefully new.

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Speaker 2: People in the last eight years. I'm sorry, have you

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Speaker 2: been in these last eight years?

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Speaker 6: You know what I've been doing pretty well. I'm I'm

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Speaker 6: currently engaged. And to Deborah, you've met Deborah. We all

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Speaker 6: hung out a couple of years ago at Tiggs place,

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Speaker 6: That's right, and a lot of laughs, and yeah, that

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Speaker 6: was probably towards the beginning. That was like twenty fifteen

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Speaker 6: or something. And yeah, we're we're actually going to go

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Speaker 6: to Joshua Tree and have a socially distant ceremony with

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Speaker 6: her friend officiating. And it's going to be very twenty twenty.

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Speaker 6: But it's great for me because I'm like, I don't know,

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Speaker 6: I guess maybe it's because I'm getting older or whatever,

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Speaker 6: but the idea of having a big ceremony with a

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Speaker 6: hundred family members and a hundred other friends, it's just

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Speaker 6: too much.

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Speaker 5: Yeah, yeah, for sure, the top. It's weird to hear

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Speaker 5: you know that. Have you put out the invitations yet, Henry,

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Speaker 5: let's see, did you get one?

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Speaker 6: Well, you know, if you haven't gotten one, then they

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Speaker 6: haven't done.

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Speaker 2: This is a COVID. We it's a COVID exactly, like.

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Speaker 5: Yeah, yeah.

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Speaker 6: The bit I was doing for a while is I

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Speaker 6: would if I was hanging hanging out with a friend,

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Speaker 6: I would say, yeah.

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Speaker 5: By the way, we're canceling the wedding.

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Speaker 6: They're like, oh wait, and then and then I'd be like,

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Speaker 6: oh wait, I didn't invite you anyway.

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Speaker 5: No, that's okay, just forget about it.

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Speaker 6: Yeah, I got some mileage with that one.

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Speaker 5: That was fun. But I know we haven't sent invitations

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Speaker 5: out yet. Yes, I was. It'll be a zoom thing.

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Speaker 5: We're gonna do a zoom for the family.

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Speaker 3: Oh, I'd love to get the code for that, and

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Speaker 3: I did. Just if you just email me a link,

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Speaker 3: I'll watch you.

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Speaker 5: Like funny you guys, And it's probably it's been happening

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Speaker 5: all gear. I bet zoom getting the code for a

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Speaker 5: zoom wedding.

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Speaker 3: Oh, well, you know, zoom comedy shows aren't bad enough.

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Speaker 6: My dad did a zoom funeral we set him up

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Speaker 6: in front of the computer, and I got to say,

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Speaker 6: he's ninety two, and he doesn't quite know everything that's

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Speaker 6: going on around him or where he is. And trying

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Speaker 6: to explain to a fully functional ninety two year old

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Speaker 6: what Zoom is is already difficult. But my dad's basically

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Speaker 6: he just thought he was watching a movie and he

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Speaker 6: at one point I set him up with this thing.

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Speaker 5: It was his old golf buddy who had passed away.

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Speaker 6: And then you know, you can do the type of

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Speaker 6: view on Zoom where anybody who's talking at that moment

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Speaker 6: is the one that pops up. That's like the gallery

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Speaker 6: whatever view, I don't know, speaker view, and uh, my

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Speaker 6: dad just says fully out loud.

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Speaker 5: It just just goes, uh wow, everybody looks so ugly.

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Speaker 6: And it was like, but you you guys know, like

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Speaker 6: we all have since we're all comedians, we have friends

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Speaker 6: like Doug Stanhope, you know, who would always like go

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Speaker 6: out of his way to try to make the most

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Speaker 6: uncomfortable situation and it would work a lot of times.

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Speaker 6: I swear I have never cringed harder than when my

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Speaker 6: dad said it was so unbelievably uncomfortable. I wanted to

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Speaker 6: turn back time because people were just like what who

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Speaker 6: said that?

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Speaker 3: It was like so like, it's the perfect the perfect

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Speaker 3: line because the situation is tragedy. Oh exactly, it's like

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Speaker 3: a tragedy within a tragedy of like, you know, pandemic.

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Speaker 2: Everything about it, everything.

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Speaker 3: About it is said and then darn coming in with

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Speaker 3: a hardcore, hardcore comedy.

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Speaker 5: Oh man, what I know of your dad, I know

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Speaker 5: him a little bit that I see him doing that

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Speaker 5: and it not being mean spirited, it being in a

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Speaker 5: sweet way. Yeah, like out of concern, concern for everyone's faces. Yeah,

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Speaker 5: Oh that's wonderful. I love it so much.

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Speaker 3: Organist playing in the background. Now your father correct me

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Speaker 3: if I'm wrong, if I'm wrong. But your father was

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Speaker 3: like a recurring character on Cheers.

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Speaker 6: Yeah, well, well he did one episode of Cheers. He

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Speaker 6: did a taxi. He just worked a lot. There was

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Speaker 6: a show that he was a regular on called Always

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Speaker 6: Forgiven that was the same people as Cheers. But he uh,

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Speaker 6: but he's been an actor for is he? I guess

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Speaker 6: he was probably about thirty six when he started acting.

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Speaker 6: He kind of quit his his other life and became

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Speaker 6: an actor and did Summer Stock and stuff like that.

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Speaker 6: Then he started doing Broadway and then he got he

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Speaker 6: landed this part in tax There was an episode called

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Speaker 6: on the Job where everybody loses their job or yeah,

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Speaker 6: and they they went and got other jobs and a

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Speaker 6: Lane goes to work for my dad and he just

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Speaker 6: knocked it out of the park.

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Speaker 5: Most of these roles included was that show the one,

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Speaker 5: Oh that's a picture that came out? Yeah, which is

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Speaker 5: the first time that joke I think, Oh, yeah, those

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Speaker 5: jokes were that's the yeah that was Taxi.

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Speaker 6: Yeah oh okay, but yeah, you can see it on YouTube.

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Speaker 6: His name is Bill Wilie and but yeah, he knocked

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Speaker 6: it out of the park.

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Speaker 5: He uh, well, Henry made him a demo reel and

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Speaker 5: it's on there, right, isn't ye? Yeah, yeah demo.

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Speaker 3: Yeah, so you can see everything he's done. Yeah, was

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Speaker 3: it that on chairs? It was within the episode he

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Speaker 3: kept showing up. He was the tour guy.

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Speaker 5: Yeah, exactly, Yeah.

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Speaker 3: Okay, okay, yeah, in my mind that turned into he

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Speaker 3: was on the whole season.

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Speaker 2: So yeah, it's so funny.

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Speaker 6: The slightly tragic story, but I i've I've determined that

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Speaker 6: it's probably not too tragic. But my dad and I

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Speaker 6: remember he was in the running to be the coach

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Speaker 6: on Cheers, and during that period of time, he got

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Speaker 6: a call, uh for the sequel to the movie Porky's

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Speaker 6: to play basically the villain, and he took it because

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Speaker 6: it was like, well, do I do this pilot that

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Speaker 6: may I may or may not even have the part,

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Speaker 6: but it looked pretty good, especially in retrospect, and then

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Speaker 6: maybe the show won't go or whatever, or do I

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Speaker 6: you know, do a whole.

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Speaker 5: Yeah port movie, it's a sure thing.

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Speaker 6: So he did that and uh, and then we just

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Speaker 6: watched Cheers turn into the biggest, most iconic TV show

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Speaker 6: in history. But but my dad remained friends with with

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Speaker 6: that whole.

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Speaker 5: Crew, and yeah, but Cheers was a great show. But

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Speaker 5: Porky's taught the world about glory holes.

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Speaker 2: That's right. I didn't know about that. I'm as eleven

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Speaker 2: year old, and that's.

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Speaker 5: How I learned. Yeah, Bill was part of that teaching. Yeah, yeah,

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Speaker 5: he was. Also.

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Speaker 3: I don't know if it's your dad, but I honestly

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Speaker 3: don't think anybody but Nicholas calls Doano. I hope that's

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Speaker 3: how you say his name. But the guy that played coach,

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Speaker 3: oh yeah, it was so perfect. But he had Cheers

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Speaker 3: was like a favorite show, and he was so he

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Speaker 3: was just so natural.

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Speaker 6: He had that spacey thing that I love, you know,

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Speaker 6: like yes and Wood. He had it when he got

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Speaker 6: on there and yeah, but it was such a perfect

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Speaker 6: sitcom type you know. And uh, yeah, my dad wasn't

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Speaker 6: quite that. My dad was a little bit more of

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Speaker 6: a uh like a loud uh maybe a little bit

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Speaker 6: more like a Greg Proops type guy, like he would

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Speaker 6: always have the suit and very but like a flawed

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Speaker 6: guy in a suit sort of thing. That makes sense.

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Speaker 6: It was a very different type of a character. Yeah,

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Speaker 6: I'm going to turn the phone thing if I'm not mistaken.

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Speaker 5: Though, in in the Cheers character that he did do

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Speaker 5: kept going back to the bar giving tours, Yeah, pretending

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Speaker 5: Paul Revere had been there or something, just so he

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Speaker 5: could drink on the job. Yeah he was.

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Speaker 6: It was a tour guide who was who was giving

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Speaker 6: tours of Boston to tourists. But he kept on saying

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Speaker 6: that the bar was various things, and then he would

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Speaker 6: have them look around and then go.

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Speaker 5: To a shot at the bar. Yeah, that would funny.

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Speaker 5: You would never see so many fun loving alcoholics on

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Speaker 5: a TV show now and like, you just don't take

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Speaker 5: that as lightly as now you did back then.

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Speaker 2: The Mothers against Drunk Driving, Yeah, they're.

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Speaker 5: Very mad, shut down were they were? They really upset

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Speaker 5: at Cheers. I wouldn't be surprised that seems like one

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Speaker 5: of them.

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Speaker 3: I thought it would be funny to blame an organization

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Speaker 3: trying to save people from It's like, back then, when

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Speaker 3: that organization started, drunk driving was not illegal.

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Speaker 5: Yeah, that's true.

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Speaker 6: It was okay that I could see that being a

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Speaker 6: very eighties beef though, the Mother's against Drunk Driving and Cheers.

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Speaker 6: I watched a a Mormon guy speaking generally. I don't

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Speaker 6: have any beef with Mormons. I have some friends that

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Speaker 6: are Mormons, and uh they But this this guy had

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Speaker 6: a problem with the entertainment industry, and I remember him

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Speaker 6: saying that he felt like the fact that they had

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Speaker 6: a TV show about people drinking was the beginning of

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Speaker 6: the end of all civilizations.

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Speaker 2: Oh wow, And he was right, look a look where

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Speaker 2: we are.

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Speaker 5: Ye, he was right. And I found out later that

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Speaker 5: he had been a child actor. Yeah, oh it was,

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Speaker 5: it was he was. It's like, yeah, he was jealous. Yeah,

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Speaker 5: I think that was like I'm bitter too, but like

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Speaker 5: that's a real.

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Speaker 2: We're all bitterer.

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Speaker 5: My four wives agree.

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Speaker 6: Yeah, like my dad, my dad probably could have come

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Speaker 6: out and said, yeah, Cheers is the end of all

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Speaker 6: civilization just because he could.

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Speaker 5: Have been on it and it wasn't on it. Yeah,

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Speaker 5: it's wonderful.

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Speaker 2: It's so good.

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Speaker 3: I was just gonna ask talk about will you talk

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Speaker 3: about your the show that you're that you just made this.

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Speaker 2: Yeah, it's like Highway to Heaven.

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Speaker 6: And yeah, the other one was there's one full episode

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Speaker 6: on YouTube. Generally they're on Patreon Patreon slash Highwayman Show

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Speaker 6: and uh, it's uh. Debora and I both came up

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Speaker 6: with the idea, my fiance and she, so yeah, it's

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Speaker 6: kind of Highway to Heaven. And it's also kind of

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Speaker 6: this show from Canada called The Littlest Hobo, which is

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Speaker 6: about a dog that goes from one person to another.

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Speaker 6: And it's like every show is the same, you know,

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Speaker 6: it's like from back then. It's like they would just

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Speaker 6: sort of show up to this area and change everybody's

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Speaker 6: lives and then move on to the next place. And

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Speaker 6: The Incredible Hulk was sort of like that too. So yeah,

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Speaker 6: I have a ridiculously long origin story about the highwayman

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Speaker 6: who was just a regular guy who was helping his

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Speaker 6: friend move and he severely injured his back, and yeah,

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Speaker 6: due to a freak accident, he was no longer able

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Speaker 6: to help anybody with anything, and so he had to

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Speaker 6: go traveling around the highways and he and he's just

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Speaker 6: the kind of guy that goes around and we'll see

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Speaker 6: somebody stranded with their car. Well, okay, the whole thing

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Speaker 6: started from one time when I my car died when

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Speaker 6: I was in Fresno and just like the middle of

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Speaker 6: the summer.

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Speaker 5: He it was just a nightmare. I was in the

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Speaker 5: middle of nowhere, and.

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Speaker 6: You know, I'm one of those like long sort of

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Speaker 6: highway drives that was just off the beaten path. And

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Speaker 6: so this guy came up, and he's kind of a

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Speaker 6: long haired guy, and I'm just like going, all right,

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Speaker 6: maybe this guy knows something about cars or whatever. And

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Speaker 6: he came up and uh, he he asked me something

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Speaker 6: like if I wanted some kittens or something like that.

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Speaker 6: He had kittens in his.

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Speaker 5: But either way, the.

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Speaker 6: Reason he was coming up had no nothing to do

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Speaker 6: with helping me whatsoever. And when that was resolved, he

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Speaker 6: just went back to his car, and I was like, going, man,

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Speaker 6: I've never met a more worthless person ever, so I thought.

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Speaker 6: But he kind of looked like he was going to

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Speaker 6: be a guy that was going to be able to

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Speaker 6: help out. So that's that's what the highway man.

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Speaker 5: Yeah, that was the scene I saw.

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Speaker 6: He doesn't know anything about cars, he can't really help

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Speaker 6: his cell phone never works. He'd like to help you,

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Speaker 6: but he can't really bend because he's got this aad bad.

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Speaker 5: He's living on disability. That's an important part of his characters.

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Speaker 5: He's roaming the world with not a care because he

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Speaker 5: has a disability from his back. Yeah, and he.

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Speaker 6: Can't really give you a ride because his car's all

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Speaker 6: full of junk, and so he's just a completely worthless guy.

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Speaker 6: But he goes around and but in some episodes he

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Speaker 6: sort of winds up helping people in the way that

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Speaker 6: you don't expect.

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Speaker 5: And then in some episode he has a jet pack

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Speaker 5: for no reason. Yeah, it's a very Oh yeah, and

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Speaker 5: Coiler had a subplot that he finds a It's and

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Speaker 5: he just takes it across the street.

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Speaker 6: Oh yeah, he has a he finds a box that

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Speaker 6: says us a top secret on it and he opens

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Speaker 6: it up and it's a jet pack and so he

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Speaker 6: uses it to help somebody with their car.

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Speaker 5: Yeah, but it is the best yeah now, yeah, and

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Speaker 5: you'll love all all the faces and that there's so

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Speaker 5: many funny people in it. I'm I'm very excited about

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Speaker 5: it because now I'm going to watch all of them.

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Speaker 2: Well do you name a couple of the people that

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Speaker 2: are in it?

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Speaker 6: Well, let's see, Uh, well, Demorges, you guys know Demorses.

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Speaker 5: He did an Episode's Amazing Boy, a lot of friends

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Speaker 5: of Patrick Keanes and on the podcast, there's.

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Speaker 6: In the beginning, Oh, Francisco Ramos is fantastic and he

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Speaker 6: so we we started it right in the middle of

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Speaker 6: COVID and it was like everybody was pretty terrified because

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Speaker 6: we're like, how are we going to do this? And

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Speaker 6: so the first episode Francisco Ramos, if if you don't

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Speaker 6: know him, you should, He's very funny. And so we

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Speaker 6: organized this whole scene where we were both looking straight

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Speaker 6: on so that we're not talking to each other because

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Speaker 6: we're afraid of like it because we can't have mass

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Speaker 6: while we're in there. But we were far enough away

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Speaker 6: and the crew is literally just myself, Debor and our

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Speaker 6: friend Carlos who's got a camera.

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Speaker 5: And.

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Speaker 6: So we so Francisco has his girlfriend Brooke, and it

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Speaker 6: was like, all right, well there. I never even asked

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Speaker 6: if she was an actor or not, but she she

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Speaker 6: turns out to be great, and I think she she was,

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Speaker 6: But we were more interested in, like, well, can you

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Speaker 6: do a scene close to Francisco, because since they're a pod,

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Speaker 6: they can, you know. So, yeah, that was all the

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Speaker 6: decision making that was going into this thing.

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Speaker 5: And well that's how soap operas are now. They'll like

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Speaker 5: have a body double come in for actual makeout scenes

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Speaker 5: and all of a sudden, the arms will be hairy

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Speaker 5: because it's that actress's real life husband.

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Speaker 6: Oh.

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Speaker 5: All the interaction, they are clearly across the room from

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Speaker 5: each other, and you can tell by the eye line

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Speaker 5: when someone is looking twenty feet away, even if they

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Speaker 5: shoot it to make it look I laugh. And they're

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Speaker 5: still shooting soap operas like that. It's the only reason

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Speaker 5: I've been watching you. So they're the.

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Speaker 2: Only thing keeping America going right to me alive.

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Speaker 6: Yes, yeah, that's so smart. Wow, I didn't know that.

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Speaker 6: So here's a question about soap operas. Like we know

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Speaker 6: that TV eventually like starting with shows like Lost and

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Speaker 6: maybe you know all TV since then, Like it seems

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Speaker 6: like they've kind of borrowed that formula of the cliffhanger

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Speaker 6: and keeping stories being serialized as opposed to like.

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Speaker 5: Yeah, you can't just jump in the way to heaven.

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Speaker 6: Would be like you're you start and then you're done

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Speaker 6: and that's the end of the show. Now they all

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Speaker 6: just keep going. But now that we have those in

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Speaker 6: like good TV like Breaking Bed and Mad Men and

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Speaker 6: all that, why watch a soap opera? Then that's what

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Speaker 6: I'm right, Why they have extremely good quality shows that

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Speaker 6: are doing the same thing.

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Speaker 5: I've tried to ask because my dad watches Days of

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Speaker 5: our Lives now, I believe it is or One Life

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Speaker 5: to Live, one of the classics, And I don't want

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Speaker 5: to offend him and his wife by asking why suddenly

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Speaker 5: this thing we've made fun of our whole lives, why

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Speaker 5: he records it and watches it every episode?

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Speaker 3: I can answer that, okay, because as a person when

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Speaker 3: I was like, I think it was like the summer

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Speaker 3: of like six or seventh grade, me and my mom

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Speaker 3: started watching which one was it? It was young Julianne

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Speaker 3: Moore was on it Young in the rest well.

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Speaker 5: Did you say young and the rest you just said young,

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Speaker 5: and so I'm sorry, I oh.

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Speaker 3: Good close, but no, it was it was one of

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Speaker 3: the other ones. But it was really good. And normally

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Speaker 3: I thought it was so boring, but the second my

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Speaker 3: mom and I would both watch it and then at

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Speaker 3: like at a scene when they would just like be

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Speaker 3: staring at each other, and then I would go to commercial. Yeah,

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Speaker 3: it'd be like, oh my god, I thought she liked him,

390
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Speaker 3: but I guess she doesn't like him. It was like

391
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Speaker 3: this weird they seemed real after a while. So it

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Speaker 3: was like this family that was super fucked up and

393
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Speaker 3: that people were cheating and doing all crazy shit, and

394
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Speaker 3: it was like you were checking in on like things

395
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Speaker 3: to gossip about or something. It was really it like

396
00:20:15,280 --> 00:20:17,560
Speaker 3: pulled you in in the dumbest way, but then kind

397
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Speaker 3: of kept you because it was like, well, they're you know,

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Speaker 3: they're down at the docks, and the last we saw,

399
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Speaker 3: you know, blah blah blah was happening, and of course

400
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Speaker 3: that doesn't actually happen, or you know, everything is the

401
00:20:28,680 --> 00:20:31,880
Speaker 3: cliffhanger and the kind of like Bain Switch but yeah,

402
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Speaker 3: I think they're kind of written to be addictive, and

403
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Speaker 3: they've been going on forever.

404
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Speaker 5: Yeah, like they mastered the formula, I guess. I guess

405
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Speaker 5: they're just still better at it than even those great shows,

406
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Speaker 5: because like there's just the frequency of those callbacks. It's

407
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Speaker 5: like one minute per episode, whereas in Breaking Bad it's

408
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Speaker 5: like every other episode has something that you need to

409
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Speaker 5: have watched previous episodes for.

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Speaker 6: But yeah, they just are like doling out crack, you know,

411
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Speaker 6: in these soap operas. They're just constantly giving you the

412
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Speaker 6: things that you have to Yeah. Well, I mean, let's

413
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Speaker 6: face it, how many times have we been like a

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Speaker 6: diner or something by ourselves and then we hear the

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Speaker 6: people talking behind us?

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Speaker 3: It doesn't interesting because the quarantine eavesdropping was my passion.

417
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Speaker 3: I would listen to fucking anybody talk about anything. He's

418
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Speaker 3: my favorite. And it's like there's none of it anymore.

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Speaker 6: Yeah, and it's sad, Yeah, but it's it's engaging to

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Speaker 6: us to just get into somebody's life, you know, it's

421
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Speaker 6: really weird. Yeah, Yeah, to the mall just to stare

422
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Speaker 6: at people. Now what Yeah, Yeah, those are the two

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Speaker 6: things here. Eves dropping on somebody's conversation at a diner

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Speaker 6: and then after they leave, having a little bite of

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Speaker 6: whatever they were eating.

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Speaker 5: Those are the two things. A minute chicken sound can.

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Speaker 2: I think I've told you this, Chris.

428
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Speaker 3: But one time me and I think it was Lizzie

429
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Speaker 3: Cooperman were at the astro and I was going in

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Speaker 3: on whoever whatever person that we were gossiping about. We

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Speaker 3: were gossiping, and I would say about fifteen minutes later,

432
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Speaker 3: we've got our food and we're kind of eating, and

433
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Speaker 3: then the two girls that were sitting in the booth

434
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Speaker 3: behind us got up and one was like, I just

435
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Speaker 3: want to tell you that I'm a big fan of

436
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Speaker 3: your podcast.

437
00:22:19,359 --> 00:22:25,000
Speaker 2: I was like what. Within earshot she heard me just

438
00:22:25,040 --> 00:22:26,360
Speaker 2: being like and fuck.

439
00:22:26,240 --> 00:22:29,479
Speaker 3: Man, because that's I just suddenly got this sense of like,

440
00:22:30,160 --> 00:22:34,360
Speaker 3: oh no, I can't. I can't like publicly gossip any however,

441
00:22:35,560 --> 00:22:37,680
Speaker 3: someone will go, oh, I like your podcast.

442
00:22:37,760 --> 00:22:40,240
Speaker 5: Oh yeah. Thank god she didn't say I'm a big

443
00:22:40,240 --> 00:22:43,879
Speaker 5: fan of the person you're talking about. That would have

444
00:22:43,960 --> 00:22:47,240
Speaker 5: been the ultimate terrible thing. Yeah, no, that's yeah. I

445
00:22:48,359 --> 00:22:50,320
Speaker 5: had that at the airport.

446
00:22:50,840 --> 00:22:52,720
Speaker 6: There was a little period of time because I had

447
00:22:52,720 --> 00:22:55,600
Speaker 6: the one kitchen video that just went you.

448
00:22:55,560 --> 00:22:59,200
Speaker 5: Know, yeh, Henry's kitchen the best vieuse.

449
00:22:59,280 --> 00:23:02,359
Speaker 6: And but how get recognized at airports because that's the

450
00:23:02,359 --> 00:23:05,080
Speaker 6: one place where like you get a just a smattering

451
00:23:05,119 --> 00:23:08,199
Speaker 6: of every type of demographic, you know. And I was

452
00:23:08,320 --> 00:23:11,280
Speaker 6: literally as much as I do anyway, I was getting

453
00:23:11,320 --> 00:23:14,119
Speaker 6: really pussy with the gate agent, just like you know.

454
00:23:14,960 --> 00:23:18,240
Speaker 6: But it's like, you know, I have three hours to wait,

455
00:23:18,280 --> 00:23:19,639
Speaker 6: why are you going to charge me to get on

456
00:23:19,640 --> 00:23:21,920
Speaker 6: the earlier plane? There's empty seats. I've been a customer

457
00:23:21,920 --> 00:23:23,800
Speaker 6: for whatever. And then there's some guy staring at me

458
00:23:23,840 --> 00:23:26,720
Speaker 6: and he's literally like, just when you're done, man, no,

459
00:23:27,040 --> 00:23:29,119
Speaker 6: you're all good now. But like afterwards, hey, can we

460
00:23:29,160 --> 00:23:32,959
Speaker 6: get a picture because and I'm just like, oh, you're

461
00:23:33,000 --> 00:23:36,439
Speaker 6: done screaming at her? Yeah, yeah, when you're done screaming. Uh,

462
00:23:36,760 --> 00:23:38,800
Speaker 6: it's so awkward. And then and then you just have

463
00:23:38,880 --> 00:23:40,639
Speaker 6: to turn into a real nice person.

464
00:23:40,720 --> 00:23:45,200
Speaker 5: And yeah, lax, I saw the sweet man that plays uh,

465
00:23:45,320 --> 00:23:49,440
Speaker 5: the dad on Rushmore. He just passed away. But he's

466
00:23:49,440 --> 00:23:50,600
Speaker 5: an actor, a character actor.

467
00:23:50,640 --> 00:23:54,000
Speaker 2: Oh yeah, oh you know his name?

468
00:23:54,200 --> 00:23:55,080
Speaker 5: How do you do it?

469
00:23:55,640 --> 00:23:58,399
Speaker 3: He's a classic. He's he's an old school classic. And

470
00:23:58,440 --> 00:24:00,160
Speaker 3: I was just talking to somebody about.

471
00:24:00,040 --> 00:24:03,080
Speaker 5: Okay, okay. I just saw him. Someone rented one of

472
00:24:03,119 --> 00:24:06,760
Speaker 5: those luggage carts and didn't put it back into the track.

473
00:24:06,920 --> 00:24:09,879
Speaker 5: They just left it near the other carts, and he

474
00:24:10,040 --> 00:24:14,359
Speaker 5: was screaming at them and calling them lazy. Isn't that

475
00:24:14,560 --> 00:24:17,560
Speaker 5: much harder to put it into the track. That's a

476
00:24:17,680 --> 00:24:20,200
Speaker 5: problem with the world today. And I'm like, you were

477
00:24:20,280 --> 00:24:25,000
Speaker 5: such a sweet dad on Rushmore. Oh so funny. I yeah,

478
00:24:25,359 --> 00:24:27,640
Speaker 5: I'm glad that I didn't say, hey, I know who

479
00:24:27,680 --> 00:24:30,080
Speaker 5: you are, by the way, because it probably would have heard.

480
00:24:29,920 --> 00:24:35,399
Speaker 2: Him, Hey Krabby. That's what I feel like.

481
00:24:35,400 --> 00:24:38,280
Speaker 3: The girl, the girl the auser should have been like, hey, bitch,

482
00:24:38,359 --> 00:24:39,000
Speaker 3: I'm a big.

483
00:24:40,680 --> 00:24:48,919
Speaker 5: You're just we were just talking about that word. But

484
00:24:49,000 --> 00:24:52,399
Speaker 5: it's kind of subject change. What's your your friend that

485
00:24:52,520 --> 00:24:55,000
Speaker 5: helped you made Punching the Clowns. Oh yeah, it's it's

486
00:24:55,040 --> 00:24:57,840
Speaker 5: one of the best. His use of the word bitch,

487
00:24:58,280 --> 00:25:00,159
Speaker 5: which is a word I don't like to you. I

488
00:25:00,240 --> 00:25:02,879
Speaker 5: never let me go back though, so so Greg.

489
00:25:03,119 --> 00:25:06,040
Speaker 6: He's the guy that is the director and co writer

490
00:25:06,160 --> 00:25:07,359
Speaker 6: of the movies that we've made.

491
00:25:07,400 --> 00:25:09,040
Speaker 5: Punching the Clown was the first one.

492
00:25:09,160 --> 00:25:15,560
Speaker 6: Yeah, we met in college at UCLA, and I congratulations yeah.

493
00:25:15,680 --> 00:25:19,679
Speaker 5: Yeah, political science majors and.

494
00:25:20,000 --> 00:25:23,960
Speaker 3: Oh wow, wow wow, Chris, don't get jealous.

495
00:25:24,040 --> 00:25:26,639
Speaker 5: Hey, yeah, art is a legitimate major.

496
00:25:27,960 --> 00:25:31,320
Speaker 6: So you would have like one thousand people in every class,

497
00:25:31,400 --> 00:25:33,280
Speaker 6: except for the way that they sort of got that

498
00:25:33,359 --> 00:25:36,800
Speaker 6: intimate teaching experiences. They would also have little discussion groups

499
00:25:36,800 --> 00:25:40,359
Speaker 6: where there'd be like maybe ten people and one teacher's assistant.

500
00:25:40,960 --> 00:25:44,560
Speaker 6: And so that's where I met Greg. And Greg is

501
00:25:44,680 --> 00:25:49,400
Speaker 6: a French national. He was born and raised in France

502
00:25:49,480 --> 00:25:53,080
Speaker 6: and went to Paris University. He is French as French

503
00:25:53,119 --> 00:25:59,280
Speaker 6: as you can be, except that his mother is American.

504
00:25:59,440 --> 00:26:01,560
Speaker 5: Yeah, many a zero accent.

505
00:26:01,760 --> 00:26:04,320
Speaker 6: So so when he grew up learning English because of

506
00:26:04,320 --> 00:26:07,880
Speaker 6: his mother, he speaks English with an accent that none

507
00:26:07,880 --> 00:26:09,320
Speaker 6: of us would ever know that he was from a

508
00:26:09,359 --> 00:26:13,719
Speaker 6: foreign country. So if if somebody from a foreign country

509
00:26:13,760 --> 00:26:18,200
Speaker 6: says something that's the wrong word, then then we correct

510
00:26:18,240 --> 00:26:20,159
Speaker 6: them or it's like it's obvious why they did it.

511
00:26:20,200 --> 00:26:22,480
Speaker 6: But with Greg, you have no idea why this person

512
00:26:22,600 --> 00:26:25,320
Speaker 6: just said that. So this is a great example, Like

513
00:26:25,400 --> 00:26:27,639
Speaker 6: I guess that at one point he must have asked

514
00:26:27,680 --> 00:26:32,800
Speaker 6: his mom what the word bitch meant, and she said peutent,

515
00:26:33,680 --> 00:26:37,520
Speaker 6: which is a generally derogatory term for a woman. It

516
00:26:37,600 --> 00:26:41,520
Speaker 6: actually is more like a prostitute. It's like it's like

517
00:26:41,560 --> 00:26:44,160
Speaker 6: saying a whore. So she just kind of like said, well,

518
00:26:44,160 --> 00:26:47,119
Speaker 6: that's the same general gist, but he took it literally

519
00:26:47,160 --> 00:26:49,359
Speaker 6: to mean like, oh, a bitch is someone who is

520
00:26:49,359 --> 00:26:51,920
Speaker 6: a prostitute woman the evening Yeah, yeah, he thought a

521
00:26:52,040 --> 00:26:55,680
Speaker 6: prostitute was bitch and that they were equivalent. So cut

522
00:26:55,680 --> 00:26:58,200
Speaker 6: to you know, we're in this discussion group at UCLA

523
00:26:58,280 --> 00:27:03,919
Speaker 6: and this having ascussion about about international politics or whatever

524
00:27:03,960 --> 00:27:07,000
Speaker 6: and municipal politics, and at one point Greg raises his

525
00:27:07,080 --> 00:27:09,639
Speaker 6: hand and he's like, you know, it's kind of interesting

526
00:27:09,760 --> 00:27:14,440
Speaker 6: because in Paris right now they're having a problem with bitches,

527
00:27:15,280 --> 00:27:19,000
Speaker 6: where like they'll be you know, i mean, tourism is

528
00:27:19,040 --> 00:27:23,320
Speaker 6: a major part of Paris and the economy and everything,

529
00:27:23,400 --> 00:27:25,880
Speaker 6: so you'll get American tourists that are trying to eat

530
00:27:25,920 --> 00:27:29,359
Speaker 6: and they'll get harassed by like French bitches. We'll go

531
00:27:29,480 --> 00:27:34,680
Speaker 6: up to them, starts She's like what she couldn't believe

532
00:27:34,680 --> 00:27:37,160
Speaker 6: her ears, like what are you saying? And then he's

533
00:27:37,200 --> 00:27:41,520
Speaker 6: like I'm bitches, you know, bitches, And then like he

534
00:27:41,560 --> 00:27:45,320
Speaker 6: would double down on it, and she's just like what.

535
00:27:45,200 --> 00:27:47,320
Speaker 5: Are you talking about? Like, what do you mean?

536
00:27:47,960 --> 00:27:51,480
Speaker 6: And it was awkward and then uh, I didn't know

537
00:27:51,520 --> 00:27:52,959
Speaker 6: that he was from France, but I was like, this

538
00:27:53,000 --> 00:27:53,639
Speaker 6: guy's cool.

539
00:27:53,760 --> 00:28:00,920
Speaker 5: Yeah, this guy really weird. And then another time there

540
00:28:00,960 --> 00:28:03,080
Speaker 5: but they had a party or something and Henry, I've

541
00:28:03,080 --> 00:28:05,280
Speaker 5: heard this story. That's why I'm telling it, he said.

542
00:28:05,560 --> 00:28:08,159
Speaker 5: Henry came over. He said, Hey, do you want anything

543
00:28:08,200 --> 00:28:10,840
Speaker 5: to eat? We have leftover pea if you want to.

544
00:28:11,040 --> 00:28:13,840
Speaker 6: Uh, He's like he was trying to say pie, but

545
00:28:13,920 --> 00:28:16,560
Speaker 6: he pronounced it pee. Yeah, you know you normally have

546
00:28:16,640 --> 00:28:20,080
Speaker 6: some pea. I'm like, no, I don't drink pea, no,

547
00:28:21,720 --> 00:28:25,000
Speaker 6: but it's leftover. I'll try the idea that he's doing

548
00:28:25,080 --> 00:28:27,640
Speaker 6: it all with a perfectly American Oh yeah, that's the best.

549
00:28:27,960 --> 00:28:32,240
Speaker 6: Does it sounds like he's an asshole? Fucking I'm French? Sorry,

550
00:28:32,280 --> 00:28:32,760
Speaker 6: I'm French.

551
00:28:33,000 --> 00:28:35,280
Speaker 5: Yeah, yeah, I'm French. Sorry.

552
00:28:35,320 --> 00:28:39,200
Speaker 3: I thought bitches were whoores where It's like, guess what, dude, all.

553
00:28:39,080 --> 00:28:45,760
Speaker 5: Of this doesn't work. No, I'm completely French, but he said,

554
00:28:45,880 --> 00:28:49,560
Speaker 5: I'm French. He's so friendly that his personality it would

555
00:28:49,640 --> 00:28:52,640
Speaker 5: confuse everyone because there's it just comes out of it,

556
00:28:52,800 --> 00:28:57,280
Speaker 5: just like comes out of left field. That's great, right

557
00:28:57,320 --> 00:29:00,720
Speaker 5: field or left field. It comes out of center field,

558
00:29:00,760 --> 00:29:05,280
Speaker 5: which actually you'd think you'd expect. But any any fly ball,

559
00:29:05,320 --> 00:29:06,080
Speaker 5: it's hard to catch.

560
00:29:06,120 --> 00:29:08,680
Speaker 2: Honestly, the sun's in your eyes centerfield.

561
00:29:10,440 --> 00:29:17,400
Speaker 5: Look at me, I can be one. That's a John fogertiza. Hey. Hey,

562
00:29:17,760 --> 00:29:21,200
Speaker 5: since we last talked, we have a new president elect.

563
00:29:22,080 --> 00:29:24,800
Speaker 5: That's right. I didn't get the chance to dance in

564
00:29:24,880 --> 00:29:25,800
Speaker 5: the streets with you.

565
00:29:26,520 --> 00:29:28,600
Speaker 3: Oh I loved the video you sent me, though. Chris

566
00:29:28,600 --> 00:29:31,920
Speaker 3: on the day apparently left his apartment went down. He

567
00:29:31,920 --> 00:29:34,160
Speaker 3: heard the children in the streets and sent me a

568
00:29:34,240 --> 00:29:39,920
Speaker 3: video of everybody on Sunset Bulevard dancing to Whitney Houston's

569
00:29:40,080 --> 00:29:41,800
Speaker 3: I want to dance with somebody.

570
00:29:41,520 --> 00:29:45,280
Speaker 5: And they and it was so fucking cool looking. I thought, great,

571
00:29:45,440 --> 00:29:48,200
Speaker 5: the news was going to use that video. I captured

572
00:29:48,240 --> 00:29:52,160
Speaker 5: such a joyous moment because everyone was jumping and singing together.

573
00:29:52,680 --> 00:29:55,640
Speaker 5: And I swear I was just walking the grocery stores

574
00:29:55,640 --> 00:29:59,000
Speaker 5: around the corner. I walked through at like ten in

575
00:29:59,040 --> 00:30:01,840
Speaker 5: the morning when the new was first solidified, and there

576
00:30:01,920 --> 00:30:04,880
Speaker 5: was twenty people, I guess, but I was like, oh cool,

577
00:30:04,920 --> 00:30:07,840
Speaker 5: they're dancing outside a barber shop. And then my buddy

578
00:30:07,880 --> 00:30:10,560
Speaker 5: Jim text and said, oh my god, you have to

579
00:30:10,600 --> 00:30:13,440
Speaker 5: see the street and it was people dancing on city

580
00:30:13,480 --> 00:30:17,600
Speaker 5: buses and the entire street and there was no police.

581
00:30:17,640 --> 00:30:20,040
Speaker 5: There was just happy people. So even the bus driver

582
00:30:20,280 --> 00:30:22,920
Speaker 5: was like, oh right, yeah, me too, I'm happy, but

583
00:30:22,960 --> 00:30:25,840
Speaker 5: I got to take these people that aren't on unemployment

584
00:30:26,200 --> 00:30:29,400
Speaker 5: to work right now. But it was so great, and

585
00:30:29,440 --> 00:30:32,360
Speaker 5: everyone had a mask on even though everyone, yes they did.

586
00:30:32,840 --> 00:30:35,360
Speaker 5: I was at a super spreader event or something. It

587
00:30:35,440 --> 00:30:38,600
Speaker 5: was just a beautiful maybe not the safest, but it

588
00:30:38,680 --> 00:30:39,000
Speaker 5: was so.

589
00:30:39,240 --> 00:30:39,840
Speaker 2: Well, you know it.

590
00:30:39,880 --> 00:30:43,640
Speaker 3: That's great to me because it was like the thing

591
00:30:43,640 --> 00:30:45,520
Speaker 3: where those are all the people that probably have been

592
00:30:45,640 --> 00:30:48,200
Speaker 3: very careful. Most of those people if they were wearing

593
00:30:48,240 --> 00:30:50,800
Speaker 3: a mask in the street, you know, they're probably conscientious.

594
00:30:50,920 --> 00:30:55,040
Speaker 5: Yes, I didn't recognize any of them right exactly, but

595
00:30:54,680 --> 00:30:55,640
Speaker 5: we've all.

596
00:30:55,560 --> 00:30:57,720
Speaker 3: Been stuck, you know, in our houses and a loan

597
00:30:57,840 --> 00:31:00,720
Speaker 3: or just with one other person for so long. And

598
00:31:00,760 --> 00:31:04,200
Speaker 3: then on top of that, it's like the fucking wicked

599
00:31:04,240 --> 00:31:07,040
Speaker 3: witch is dead. I mean there's people who are dancing

600
00:31:07,080 --> 00:31:09,240
Speaker 3: because they it might keep them alive.

601
00:31:09,360 --> 00:31:11,400
Speaker 2: That he is like that he's gone.

602
00:31:11,520 --> 00:31:14,720
Speaker 3: Yeah, And it's it was just such Yeah, people have

603
00:31:15,000 --> 00:31:16,720
Speaker 3: I feel like a lot of the a lot of

604
00:31:16,760 --> 00:31:20,200
Speaker 3: average Americans like myself, haven't felt that level of like

605
00:31:20,760 --> 00:31:23,480
Speaker 3: we're we're so close to elation.

606
00:31:23,800 --> 00:31:25,920
Speaker 2: Yeah, it's just so scary.

607
00:31:25,960 --> 00:31:28,880
Speaker 3: It's been so consistently scary for years and years, and

608
00:31:28,920 --> 00:31:30,600
Speaker 3: then just getting worse and worse and worse.

609
00:31:30,760 --> 00:31:31,800
Speaker 2: Oh yeah, I don't know, it.

610
00:31:31,920 --> 00:31:36,400
Speaker 3: Just beyond I was afraid people wouldn't celebrate because everyone's

611
00:31:36,400 --> 00:31:38,360
Speaker 3: so down in the dumps.

612
00:31:38,400 --> 00:31:41,920
Speaker 5: I didn't expect it. Yeah, or i's great doubt, you know, Well,

613
00:31:42,000 --> 00:31:44,720
Speaker 5: let's wait till the next few days all these mail

614
00:31:44,760 --> 00:31:46,880
Speaker 5: in ballots come in. No, they were ready right then.

615
00:31:47,000 --> 00:31:49,840
Speaker 5: And I tell yeah, if someone showed me video footage

616
00:31:49,880 --> 00:31:53,440
Speaker 5: of me kind of hiding in a door, well just

617
00:31:53,600 --> 00:31:57,720
Speaker 5: watching people dance and like crying at the side of it,

618
00:31:58,120 --> 00:32:01,040
Speaker 5: you would think I would enjoy me as a festivals

619
00:32:01,080 --> 00:32:03,280
Speaker 5: more or something. Well, that was my favorite part.

620
00:32:03,360 --> 00:32:07,560
Speaker 3: There's definitely dudes in the street who are like, I

621
00:32:07,720 --> 00:32:10,959
Speaker 3: have to dance because this is a momentous occasion, but

622
00:32:11,040 --> 00:32:15,080
Speaker 3: I am not comfortable, so everyone around them is or whatever.

623
00:32:15,360 --> 00:32:16,960
Speaker 3: And then there's some dudes that are just kind of like,

624
00:32:17,400 --> 00:32:20,600
Speaker 3: it's only two pm, so I have enough to drink

625
00:32:20,680 --> 00:32:21,600
Speaker 3: to make this work.

626
00:32:21,800 --> 00:32:24,200
Speaker 2: I can't be not self conscious. I never would have

627
00:32:24,200 --> 00:32:24,520
Speaker 2: done it.

628
00:32:24,640 --> 00:32:27,560
Speaker 5: I would sober dancing that if they were drinking, would

629
00:32:27,600 --> 00:32:32,520
Speaker 5: turn into Elaine bennets Seinfeld dancing. Yeah, yes, exactly, erratic

630
00:32:32,640 --> 00:32:34,160
Speaker 5: arm gestures.

631
00:32:34,040 --> 00:32:37,280
Speaker 6: Plus as being that type, that demographic of person. It's like,

632
00:32:37,400 --> 00:32:41,600
Speaker 6: I knowing now that there's cameras everywhere that you can

633
00:32:41,720 --> 00:32:44,280
Speaker 6: be the next viral guy that everybody's making fun of

634
00:32:44,400 --> 00:32:46,320
Speaker 6: with your dancing, it's like, I forget it.

635
00:32:46,920 --> 00:32:49,800
Speaker 3: Yeah, the next viral terrible dancer celebrating.

636
00:32:51,040 --> 00:32:54,840
Speaker 6: I have no problem with that kind of thing if

637
00:32:54,880 --> 00:32:58,480
Speaker 6: it's if since I'm a comedian, if it's it's something

638
00:32:58,480 --> 00:33:00,479
Speaker 6: that I'm doing. But actually, one of my worst fears

639
00:33:00,560 --> 00:33:03,080
Speaker 6: is that I'm doing something unintentionally funny and then it

640
00:33:03,120 --> 00:33:03,720
Speaker 6: goes viral.

641
00:33:03,800 --> 00:33:07,280
Speaker 5: Yeah yeah, that and punching the clown the second one. Yeah,

642
00:33:07,320 --> 00:33:10,200
Speaker 5: a cigarette. Someone gives them a cigarette and it starts

643
00:33:10,200 --> 00:33:13,720
Speaker 5: burning his hair and he does this weird, erratic movement

644
00:33:13,760 --> 00:33:16,240
Speaker 5: and falls off stage, and that's what goes viral and

645
00:33:16,320 --> 00:33:20,040
Speaker 5: makes the record company interested in his work because there's

646
00:33:20,120 --> 00:33:22,160
Speaker 5: all these hits on this video and they just want

647
00:33:22,240 --> 00:33:25,560
Speaker 5: him to do yeah, or I'm maybe not doing it. No,

648
00:33:25,760 --> 00:33:29,200
Speaker 5: that's exactly. Yeah, yeah, so funny. JK. Simmons is in

649
00:33:29,320 --> 00:33:35,680
Speaker 5: that by the way from Assoula, Montana. So now we

650
00:33:35,800 --> 00:33:39,200
Speaker 5: have a former president that will It's kind of like

651
00:33:39,520 --> 00:33:43,640
Speaker 5: when like if someone graduates from college or they don't

652
00:33:43,680 --> 00:33:46,160
Speaker 5: graduate and pretend that they did at top of the

653
00:33:46,160 --> 00:33:50,240
Speaker 5: class and they won't leave their parents' house and they

654
00:33:50,320 --> 00:33:53,080
Speaker 5: just start putting up posters and listening to pink Floyd

655
00:33:53,520 --> 00:33:57,200
Speaker 5: and the parents he's not. I feel like they're just

656
00:33:57,240 --> 00:33:59,560
Speaker 5: gonna have to let him rent a room there because

657
00:33:59,560 --> 00:33:59,840
Speaker 5: he's not.

658
00:34:01,640 --> 00:34:05,160
Speaker 3: Or he's gonna around Thanksgiving, go down to mar A

659
00:34:05,240 --> 00:34:07,760
Speaker 3: Lago in Florida and never come back because he is.

660
00:34:08,239 --> 00:34:13,640
Speaker 3: We are watching a toxic, malignant narcissist, I believe is

661
00:34:13,680 --> 00:34:17,280
Speaker 3: like the clinical term who cannot They can't they can't

662
00:34:17,760 --> 00:34:21,560
Speaker 3: admit fault, they can't take responsibility, they can't nothing can

663
00:34:21,640 --> 00:34:26,279
Speaker 3: ever go against them. And it's like the angry drunk

664
00:34:26,360 --> 00:34:29,520
Speaker 3: dad at the pizza parlor who's like embarrassing his little

665
00:34:29,600 --> 00:34:34,080
Speaker 3: league son and then decides and now I'm gonna sit here,

666
00:34:34,280 --> 00:34:36,479
Speaker 3: you know what I mean, Like, just like, how does

667
00:34:36,520 --> 00:34:39,319
Speaker 3: this end with a person who behaves like this and

668
00:34:39,440 --> 00:34:44,319
Speaker 3: cannot egos their ego is so out of control, and

669
00:34:44,360 --> 00:34:47,200
Speaker 3: they're so out of control that like what do you do?

670
00:34:47,280 --> 00:34:49,560
Speaker 3: And I think Joe Biden's doing the perfect thing, which

671
00:34:49,600 --> 00:34:51,040
Speaker 3: is he's fucking ignoring him.

672
00:34:52,160 --> 00:34:53,719
Speaker 2: He's just doing the work well.

673
00:34:53,760 --> 00:34:56,719
Speaker 6: And also, yeah, like I was thinking, what if everybody

674
00:34:56,760 --> 00:35:00,400
Speaker 6: in America, well at least half of America anyway, just

675
00:35:00,480 --> 00:35:03,839
Speaker 6: contributed to a fund to pay him to leave, Like,

676
00:35:03,920 --> 00:35:07,239
Speaker 6: we'll give you millions of dollars, just get we'll lay

677
00:35:07,239 --> 00:35:08,719
Speaker 6: off that massive amount of death.

678
00:35:08,920 --> 00:35:11,319
Speaker 5: Yeah, he'll take it would be worth it for us.

679
00:35:11,320 --> 00:35:12,439
Speaker 5: He'll take the money. Yeah.

680
00:35:12,520 --> 00:35:14,759
Speaker 6: Yeah, Like I will just pay you out of my

681
00:35:14,800 --> 00:35:17,520
Speaker 6: own pocket to just never ever see you again.

682
00:35:18,239 --> 00:35:20,959
Speaker 3: It turns out that the money in the briefcase, because

683
00:35:20,960 --> 00:35:22,600
Speaker 3: we're going to put in a briefcase, we're going to

684
00:35:22,640 --> 00:35:24,760
Speaker 3: put it out in the front door, so he's actually

685
00:35:24,800 --> 00:35:27,960
Speaker 3: out of the building. Yeah, that money is paper money,

686
00:35:28,000 --> 00:35:30,520
Speaker 3: it's not real. And then we get him out.

687
00:35:30,920 --> 00:35:32,520
Speaker 2: But then it's like, fuck it, we don't have to

688
00:35:32,560 --> 00:35:36,200
Speaker 2: pay a scammer whatever.

689
00:35:36,320 --> 00:35:39,520
Speaker 5: Hah, it's little squares of cheese cloth, sucker.

690
00:35:40,360 --> 00:35:43,239
Speaker 6: You know, maybe I'll make that a highwayman with your permission,

691
00:35:43,320 --> 00:35:46,120
Speaker 6: because that's a great But I was like epy.

692
00:35:47,440 --> 00:35:48,000
Speaker 5: For sure.

693
00:35:48,320 --> 00:35:48,719
Speaker 3: That is.

694
00:35:49,960 --> 00:35:52,759
Speaker 5: It is my favorite thing when someone throws a fit

695
00:35:53,640 --> 00:35:57,719
Speaker 5: and they sit and they make themselves stay there, or

696
00:35:57,840 --> 00:36:00,480
Speaker 5: better they throw a fit and leave and have to

697
00:36:00,560 --> 00:36:04,160
Speaker 5: come back in, come back because they One time before

698
00:36:04,320 --> 00:36:08,640
Speaker 5: he had his infamous set where he said terrible things,

699
00:36:09,080 --> 00:36:12,799
Speaker 5: Michael Richards Kramer from Seinfeld was at the improv. This

700
00:36:12,960 --> 00:36:15,480
Speaker 5: was like a week before that happened, and he was

701
00:36:15,520 --> 00:36:18,799
Speaker 5: screaming at Ben Glieber. I remember that. He was like,

702
00:36:18,920 --> 00:36:21,359
Speaker 5: you're not even on the level. Man. That was so old.

703
00:36:21,400 --> 00:36:24,120
Speaker 5: He was so angry and he left. He slammed the

704
00:36:24,160 --> 00:36:26,800
Speaker 5: door and then he came back in. He's like, I

705
00:36:26,920 --> 00:36:29,960
Speaker 5: left my cell phone somewhere. Can we all can the

706
00:36:30,120 --> 00:36:31,400
Speaker 5: staff and.

707
00:36:31,440 --> 00:36:33,480
Speaker 2: Let's all get together and help you look for it.

708
00:36:33,600 --> 00:36:35,839
Speaker 5: Yeah, they found his phone and then he got mad

709
00:36:35,880 --> 00:36:40,560
Speaker 5: and yelled again and left again. It was the best stage,

710
00:36:40,680 --> 00:36:41,560
Speaker 5: I'll explain.

711
00:36:41,719 --> 00:36:44,560
Speaker 6: So Ben Leeb used to run this College Humor. Remember

712
00:36:44,600 --> 00:36:47,040
Speaker 6: that show was like called College Humor or whatever, and

713
00:36:47,080 --> 00:36:48,120
Speaker 6: it was just a big.

714
00:36:48,200 --> 00:36:50,680
Speaker 5: If I'm not yeah yet, no it is, but it is.

715
00:36:51,120 --> 00:36:54,080
Speaker 6: So Ben was like a twenty six year old guy

716
00:36:54,160 --> 00:36:58,399
Speaker 6: or whatever who was running this show. And I guess that, uh,

717
00:36:59,400 --> 00:37:03,560
Speaker 6: when Ben Gleib made the Flyers. He said, Seinfeldt's creamer,

718
00:37:03,880 --> 00:37:08,640
Speaker 6: And apparently somebody had was supposed to have told Ben

719
00:37:08,719 --> 00:37:11,280
Speaker 6: that you can't say that. You just say, Michael Richard,

720
00:37:11,440 --> 00:37:15,319
Speaker 6: you're gonna say Seinfeld because I don't know. He just

721
00:37:15,360 --> 00:37:16,400
Speaker 6: had to hang up about it.

722
00:37:16,440 --> 00:37:18,680
Speaker 5: He's only proud of his role in ua Ches.

723
00:37:19,440 --> 00:37:22,759
Speaker 6: So even let's say in this scenario, let's just say

724
00:37:22,800 --> 00:37:26,040
Speaker 6: that Ben Gleib is completely guilty of whatever he was

725
00:37:26,040 --> 00:37:29,080
Speaker 6: being accused of. It's a twenty six year old guy

726
00:37:29,280 --> 00:37:34,320
Speaker 6: being yelled at by a fifty year old what multi millionaire.

727
00:37:33,960 --> 00:37:35,839
Speaker 5: He was poking in its chest.

728
00:37:35,960 --> 00:37:38,960
Speaker 6: It's just not a good look, Like, how could something

729
00:37:39,000 --> 00:37:41,960
Speaker 6: have gone that wrong in your life because of whatever

730
00:37:42,000 --> 00:37:43,959
Speaker 6: this twenty six year old guy did.

731
00:37:44,400 --> 00:37:48,480
Speaker 3: So, yeah, he had issues for sure, well and in retrospect,

732
00:37:48,600 --> 00:37:52,600
Speaker 3: clearly he was he was yelling because he wasn't supposed

733
00:37:52,600 --> 00:37:54,319
Speaker 3: to be on the Flyer. But really what was going

734
00:37:54,320 --> 00:37:56,800
Speaker 3: on is he should not have been doing stand up comedy.

735
00:37:57,360 --> 00:37:59,720
Speaker 3: Once he got there, he knew it, and the pressure

736
00:37:59,760 --> 00:38:02,640
Speaker 3: began to build. So now there's all these people because

737
00:38:02,840 --> 00:38:05,480
Speaker 3: you're so funny on Seinfeld, because writer's write for you

738
00:38:05,560 --> 00:38:08,719
Speaker 3: and it's a physical thing, right. He clearly from that

739
00:38:08,760 --> 00:38:11,440
Speaker 3: fucking set at the laugh Factory, he didn't have an act.

740
00:38:11,760 --> 00:38:13,400
Speaker 3: He thought he was going to just go up and

741
00:38:13,480 --> 00:38:16,600
Speaker 3: just be able to kind of just be adored. And

742
00:38:16,760 --> 00:38:19,520
Speaker 3: he probably got in there and and you were on

743
00:38:19,719 --> 00:38:22,759
Speaker 3: stage and there's people who it's happened to me many

744
00:38:22,800 --> 00:38:25,319
Speaker 3: times where you're standing in the back and you're like, oh, fuck,

745
00:38:25,400 --> 00:38:27,200
Speaker 3: my stuff isn't good enough for this, and you have

746
00:38:27,719 --> 00:38:30,640
Speaker 3: your you fold internally and you give up and you

747
00:38:30,760 --> 00:38:31,279
Speaker 3: bum out.

748
00:38:31,680 --> 00:38:34,040
Speaker 2: But he like he didn't even have a thing to

749
00:38:34,280 --> 00:38:36,799
Speaker 2: rely on, and that's why it got so bad at

750
00:38:36,840 --> 00:38:38,920
Speaker 2: the other crazy set where he.

751
00:38:39,080 --> 00:38:41,920
Speaker 5: Yeah, you can even in the credit of thinking, oh,

752
00:38:41,960 --> 00:38:45,239
Speaker 5: I'm going to be able to work out anonymously, work

753
00:38:45,280 --> 00:38:48,640
Speaker 5: out some material, and damn it, there's all these adoring fans.

754
00:38:48,680 --> 00:38:49,480
Speaker 5: I didn't want that.

755
00:38:49,680 --> 00:38:53,919
Speaker 6: No, I'm mad, Yeah exactly, Like that's the worst case. Yeah,

756
00:38:53,520 --> 00:38:57,160
Speaker 6: I don't think I have that in me. I've always

757
00:38:57,320 --> 00:39:01,440
Speaker 6: I've always lash out. No, no, I mean I've always

758
00:39:01,480 --> 00:39:03,280
Speaker 6: stuck out at the time. But like when a set's

759
00:39:03,320 --> 00:39:07,440
Speaker 6: going really really bad, like I've always stuck it out,

760
00:39:07,480 --> 00:39:09,960
Speaker 6: and I've stuck through some really awful ones. I go

761
00:39:10,000 --> 00:39:11,680
Speaker 6: into a mode, kind of like what you're talking about

762
00:39:11,680 --> 00:39:13,480
Speaker 6: with Biden. I just ignore them and I just do

763
00:39:13,640 --> 00:39:15,560
Speaker 6: my act as if it's a speech that i'm doing,

764
00:39:15,640 --> 00:39:19,759
Speaker 6: and you know, and but but I can't. I've never

765
00:39:19,840 --> 00:39:23,080
Speaker 6: been somebody to think that I'm the one who's right

766
00:39:23,120 --> 00:39:23,839
Speaker 6: and they're wrong.

767
00:39:23,920 --> 00:39:27,719
Speaker 5: I've seen what you do. One time. Oh yeah, we

768
00:39:27,719 --> 00:39:30,520
Speaker 5: were in Little Rock and the audience was terrible, and

769
00:39:30,560 --> 00:39:34,640
Speaker 5: they they just someone was heckled I can't remember what with.

770
00:39:34,800 --> 00:39:37,600
Speaker 5: And then Henry was having a terrible set, and then

771
00:39:37,640 --> 00:39:39,759
Speaker 5: we just kind of got bummed out and he's like, well,

772
00:39:39,800 --> 00:39:42,479
Speaker 5: you know, as a comic, you just want to kind

773
00:39:42,480 --> 00:39:45,480
Speaker 5: of make people happy. And I guess tonight I'm not

774
00:39:45,600 --> 00:39:49,319
Speaker 5: quite doing my job, but I hope your guys night

775
00:39:49,480 --> 00:39:52,040
Speaker 5: ends up well. And they were all like, oh no,

776
00:39:52,360 --> 00:39:54,200
Speaker 5: and then they all turned on that lady.

777
00:39:54,280 --> 00:39:57,000
Speaker 6: Oh yeah, because this lady was heckling me, and oh yeah,

778
00:39:57,000 --> 00:40:01,480
Speaker 6: that's right. She said something particular like you know, get

779
00:40:01,560 --> 00:40:03,440
Speaker 6: off or you suck or whatever. And then that's when

780
00:40:03,480 --> 00:40:05,399
Speaker 6: I was like, you know, you're probably not even wrong.

781
00:40:05,719 --> 00:40:07,120
Speaker 5: It's like, I just.

782
00:40:07,400 --> 00:40:09,640
Speaker 6: I'm terrible, and maybe this didn't maybe this was a

783
00:40:09,640 --> 00:40:10,480
Speaker 6: bad idea.

784
00:40:10,840 --> 00:40:14,239
Speaker 5: My pal. Yeah, everybody turned on that lady.

785
00:40:14,280 --> 00:40:17,600
Speaker 6: And afterward, I'm at the lobby and like some some

786
00:40:17,920 --> 00:40:20,399
Speaker 6: cowboy guy comes up to me and he's like, hey, man,

787
00:40:20,560 --> 00:40:23,160
Speaker 6: give me two of those CDs and don't don't pay

788
00:40:23,200 --> 00:40:26,920
Speaker 6: no mine to that lady. She's crazy, you know, and

789
00:40:26,960 --> 00:40:27,920
Speaker 6: I'm just selling them.

790
00:40:27,920 --> 00:40:30,160
Speaker 5: It was like the end of a you know, one of.

791
00:40:30,080 --> 00:40:33,120
Speaker 6: Those uh Charlie Brown episodes.

792
00:40:35,120 --> 00:40:36,640
Speaker 2: You emotionally manipulated them.

793
00:40:36,719 --> 00:40:38,600
Speaker 6: Yeah, no, absolutely, And then I go to the next

794
00:40:38,640 --> 00:40:40,680
Speaker 6: town and do the same thing. You know, I get

795
00:40:40,680 --> 00:40:42,160
Speaker 6: people to feel sorry for me.

796
00:40:42,840 --> 00:40:44,680
Speaker 5: Oh man, the best.

797
00:40:44,560 --> 00:40:46,000
Speaker 2: Good thing to fold into the highway.

798
00:40:46,000 --> 00:40:46,200
Speaker 3: Man.

799
00:40:46,840 --> 00:40:48,839
Speaker 6: The best thing that happened, though, is one time I

800
00:40:48,920 --> 00:40:51,000
Speaker 6: was on the road and I had a really, really

801
00:40:51,000 --> 00:40:53,880
Speaker 6: awful set and people were walking by while I was

802
00:40:53,880 --> 00:40:57,000
Speaker 6: trying to sell my merchandise, and it's just excruciating. I

803
00:40:57,080 --> 00:40:59,200
Speaker 6: hate that I ever had to go through this situation.

804
00:40:59,320 --> 00:41:02,640
Speaker 6: But this one guy came up to me and he

805
00:41:02,680 --> 00:41:08,080
Speaker 6: looked like Sam Elliott, and he goes, uh, you know something,

806
00:41:08,800 --> 00:41:11,960
Speaker 6: I think what you're doing is really good, and whether

807
00:41:12,000 --> 00:41:16,200
Speaker 6: there's people that understand it or not, don't don't listen

808
00:41:16,200 --> 00:41:18,319
Speaker 6: to them. You keep doing what you're doing because it's good,

809
00:41:18,360 --> 00:41:20,719
Speaker 6: it's special and I think people eventually are going to

810
00:41:20,800 --> 00:41:24,120
Speaker 6: know about that, all right, And I'm like, wow, thanks,

811
00:41:24,160 --> 00:41:26,480
Speaker 6: I felt like so good. And then he said something like.

812
00:41:26,560 --> 00:41:30,680
Speaker 4: Uh, that one about uh don't look now because mama's

813
00:41:30,680 --> 00:41:33,400
Speaker 4: got her boobs out, and I was like, wait, that

814
00:41:33,520 --> 00:41:35,600
Speaker 4: wasn't me. That was the guy that was the other

815
00:41:35,640 --> 00:41:37,560
Speaker 4: guy before me. And then I realized he was given

816
00:41:37,600 --> 00:41:39,759
Speaker 4: this whole awesome speech to somebody that he.

817
00:41:39,760 --> 00:41:42,799
Speaker 6: Thought was the other guy. Yeah, yeah, he just oh you,

818
00:41:43,040 --> 00:41:45,319
Speaker 6: Oh no, you suck. Sorry, I'm trying to find the

819
00:41:45,320 --> 00:41:47,120
Speaker 6: guy I forgot.

820
00:41:47,160 --> 00:41:49,840
Speaker 5: No, it was you. It was your face that I

821
00:41:49,880 --> 00:41:52,799
Speaker 5: thought was open. It was the other guy's material that

822
00:41:52,880 --> 00:41:56,080
Speaker 5: I enjoyed. Also in Little Rock, Not to be Well,

823
00:41:56,200 --> 00:42:01,520
Speaker 5: stories are great about the times we eat it the most. Yeah, god,

824
00:42:01,560 --> 00:42:02,759
Speaker 5: I got so many.

825
00:42:02,920 --> 00:42:04,439
Speaker 2: I got so many, way too many.

826
00:42:04,560 --> 00:42:07,359
Speaker 5: That's the same funny bone In Little Rock he met

827
00:42:07,480 --> 00:42:10,279
Speaker 5: we went into a sandwich place named me You left

828
00:42:10,280 --> 00:42:13,680
Speaker 5: your guitar in there? Oh yeah. He thought he'd lost

829
00:42:13,719 --> 00:42:16,520
Speaker 5: his guitar, and someone brought in a guitar for him

830
00:42:16,560 --> 00:42:19,160
Speaker 5: to borrow, and it was do you want to take

831
00:42:19,200 --> 00:42:23,759
Speaker 5: it over from I don't think I remember, And then

832
00:42:24,239 --> 00:42:25,960
Speaker 5: and so he had to borrow this guitar, and they

833
00:42:25,960 --> 00:42:27,719
Speaker 5: made a big deal about it. And then at the

834
00:42:27,800 --> 00:42:29,400
Speaker 5: end of the show he opened his trunk and the

835
00:42:29,440 --> 00:42:31,240
Speaker 5: guitar was in the trunk. He just forgot.

836
00:42:31,320 --> 00:42:31,520
Speaker 6: Oh.

837
00:42:31,560 --> 00:42:34,800
Speaker 5: Yeah, it was like the I guess we were drinking

838
00:42:34,840 --> 00:42:37,120
Speaker 5: back then, there was a lot of drinking. Yeah, when

839
00:42:37,120 --> 00:42:41,600
Speaker 5: you're in a town like that, you enjoyed the local spirits. Well,

840
00:42:41,600 --> 00:42:47,120
Speaker 5: it's how you get to know the people. Yeah, get

841
00:42:47,280 --> 00:42:49,719
Speaker 5: to a point where you're allowing the people to yeah,

842
00:42:50,000 --> 00:42:53,920
Speaker 5: get to know you. Yes, and that got.

843
00:42:54,000 --> 00:42:55,399
Speaker 3: This is just putting me in the mind of all

844
00:42:55,440 --> 00:42:59,000
Speaker 3: the times I did this agent that booked me in

845
00:42:59,040 --> 00:43:02,640
Speaker 3: all these college gigs, and I probably had twenty minutes

846
00:43:02,640 --> 00:43:05,200
Speaker 3: of la comedy, which means in the real world, you

847
00:43:05,200 --> 00:43:09,319
Speaker 3: have seven minutes of actual, relatable comedy that anyone would

848
00:43:09,360 --> 00:43:11,920
Speaker 3: give half a shit about. And I was on this

849
00:43:12,000 --> 00:43:14,080
Speaker 3: tour where I was supposed to be doing an hour

850
00:43:14,920 --> 00:43:17,880
Speaker 3: and so before every show, I would just be sitting

851
00:43:17,960 --> 00:43:22,200
Speaker 3: in my room writing out like what the actual chunks

852
00:43:22,239 --> 00:43:24,520
Speaker 3: I could be doing were, and then places I could

853
00:43:24,560 --> 00:43:27,839
Speaker 3: possibly go to, just how am I going to do this?

854
00:43:27,880 --> 00:43:29,799
Speaker 3: And then I'd be like, and I'll do crowd work

855
00:43:29,800 --> 00:43:31,320
Speaker 3: with this or that. But It's like I was barely

856
00:43:31,320 --> 00:43:33,879
Speaker 3: a good enough comic to do fifteen minutes, much less

857
00:43:34,080 --> 00:43:36,359
Speaker 3: work the crowd here and work the crowd.

858
00:43:36,200 --> 00:43:37,719
Speaker 2: And it was so stressful.

859
00:43:38,239 --> 00:43:41,000
Speaker 3: But by the end of the tour, so it started awful,

860
00:43:41,040 --> 00:43:42,879
Speaker 3: and there was a couple shows where like I owe

861
00:43:42,960 --> 00:43:47,359
Speaker 3: people money because of how I mean, it was disastrous.

862
00:43:47,719 --> 00:43:49,680
Speaker 3: I actually, at one point I remember being in this

863
00:43:49,760 --> 00:43:53,200
Speaker 3: little tiny it almost looked like a It was like

864
00:43:53,239 --> 00:43:56,640
Speaker 3: a side theater and everything was carpeted inside it, but

865
00:43:56,719 --> 00:43:59,560
Speaker 3: it was kind of like a diamond shape. So the

866
00:43:59,600 --> 00:44:02,120
Speaker 3: stage was this triangle that I was standing on and

867
00:44:02,160 --> 00:44:05,799
Speaker 3: there was probably twenty five seats in this room. And

868
00:44:06,040 --> 00:44:08,680
Speaker 3: I tried to talk slow and I tried to work

869
00:44:08,719 --> 00:44:10,879
Speaker 3: the room, but it was dry as a bone in there.

870
00:44:11,320 --> 00:44:13,239
Speaker 3: And then I just started going, does anybody have any

871
00:44:13,320 --> 00:44:14,440
Speaker 3: questions about Hollywood?

872
00:44:16,280 --> 00:44:16,440
Speaker 5: Did?

873
00:44:16,520 --> 00:44:18,839
Speaker 3: I didn't have like bits to answer. I was just

874
00:44:19,200 --> 00:44:22,600
Speaker 3: trying to kill time. It was, I mean, when it's bad,

875
00:44:22,600 --> 00:44:24,920
Speaker 3: it is the worst fucking experience.

876
00:44:25,040 --> 00:44:27,080
Speaker 6: Yeah, And I did those colleges, and you really want

877
00:44:27,120 --> 00:44:29,240
Speaker 6: them to go to well because the amount of money

878
00:44:29,239 --> 00:44:31,520
Speaker 6: that you're getting is way disproportional to me.

879
00:44:31,600 --> 00:44:35,720
Speaker 5: Yes, it's like but yeah, they were they were brutal.

880
00:44:35,760 --> 00:44:38,560
Speaker 5: I stopped. I did like a I did ten of.

881
00:44:38,480 --> 00:44:41,440
Speaker 6: Them in as many days, and I bought I came

882
00:44:41,480 --> 00:44:44,400
Speaker 6: back to LA and bought a car, and I told

883
00:44:44,440 --> 00:44:46,120
Speaker 6: them I never ever wanted to do another one of

884
00:44:46,160 --> 00:44:48,160
Speaker 6: those again. Like I felt dirty, I felt like I

885
00:44:48,160 --> 00:44:50,880
Speaker 6: wanted to quit. I was just like I got my car.

886
00:44:51,760 --> 00:44:55,040
Speaker 6: It was just like, you know, just it was so hard. Yeah,

887
00:44:55,239 --> 00:44:58,560
Speaker 6: it was really really Yeah, it was soul drenching.

888
00:44:58,640 --> 00:45:01,400
Speaker 5: Yeah, even that I don't miss. I of course missed

889
00:45:01,440 --> 00:45:03,759
Speaker 5: doing stand up, but a lot of people are posting

890
00:45:03,800 --> 00:45:07,920
Speaker 5: their their acts from before this all was happening, just

891
00:45:07,960 --> 00:45:12,719
Speaker 5: to keep their Instagram active or whatever. And some of

892
00:45:12,719 --> 00:45:15,600
Speaker 5: my favorite comics are in front of audiences that still

893
00:45:16,239 --> 00:45:18,360
Speaker 5: it'll be a club that I like, and they're heckling,

894
00:45:18,440 --> 00:45:22,160
Speaker 5: they're drunk, they aren't listening, and they're having to deal

895
00:45:22,200 --> 00:45:25,520
Speaker 5: with crowd work that was flung upon them. I don't

896
00:45:25,560 --> 00:45:31,880
Speaker 5: miss that at all. You would think the absence would

897
00:45:31,880 --> 00:45:35,520
Speaker 5: make my heart fond for it. No, No, not at all.

898
00:45:36,920 --> 00:45:39,080
Speaker 3: Well, because because the bad times are the worst, So

899
00:45:39,120 --> 00:45:42,439
Speaker 3: it's like the good for me and the way I'm

900
00:45:42,480 --> 00:45:45,880
Speaker 3: set up, the good times are like, even if they're amazing,

901
00:45:46,080 --> 00:45:48,680
Speaker 3: I just immediately dismissed them as like, nah, fine, good,

902
00:45:48,719 --> 00:45:50,680
Speaker 3: I got what I wanted. But the bad time I

903
00:45:50,719 --> 00:45:53,400
Speaker 3: can walk you through, like the time I had to

904
00:45:53,480 --> 00:45:58,279
Speaker 3: follow Darren Carter who used to be called Darren Carter Starter,

905
00:45:58,960 --> 00:46:03,160
Speaker 3: And I closed with that uncanny impression of Bert Simpson

906
00:46:03,200 --> 00:46:05,880
Speaker 3: on a skateboard where he turned his head and looked

907
00:46:05,920 --> 00:46:09,120
Speaker 3: exactly like the cartoon, and that was his closer with

908
00:46:09,280 --> 00:46:11,840
Speaker 3: music under follow Darren.

909
00:46:12,560 --> 00:46:13,759
Speaker 2: I was no never.

910
00:46:13,920 --> 00:46:16,640
Speaker 3: He was a he was a died in the wool

911
00:46:16,800 --> 00:46:20,359
Speaker 3: club comic who talked about super relatable stuff and like,

912
00:46:20,440 --> 00:46:22,120
Speaker 3: I grew up in this kind of neighborhood, and I

913
00:46:22,160 --> 00:46:22,920
Speaker 3: here's what I'm like.

914
00:46:23,000 --> 00:46:23,400
Speaker 2: He was.

915
00:46:23,920 --> 00:46:25,960
Speaker 3: He was like by the book, and I was standing

916
00:46:25,960 --> 00:46:28,640
Speaker 3: over on the side with my like my personal observations

917
00:46:28,680 --> 00:46:33,840
Speaker 3: about myself, where I was like, I'm fucked, this will

918
00:46:33,880 --> 00:46:34,560
Speaker 3: not go well.

919
00:46:34,640 --> 00:46:38,400
Speaker 5: There's no observations about myself. Is a great way to

920
00:46:38,480 --> 00:46:42,240
Speaker 5: describe the comedy I've been trying to do my whole career,

921
00:46:42,280 --> 00:46:45,840
Speaker 5: and I just feel me. I just realized I been wrong.

922
00:46:46,160 --> 00:46:50,799
Speaker 6: When I did my half hour special. This is uh,

923
00:46:51,960 --> 00:46:54,399
Speaker 6: I guess two thousand and four or something like that.

924
00:46:54,520 --> 00:46:59,080
Speaker 6: Dan Natnterman was the guy who did his before, and

925
00:46:59,440 --> 00:47:01,759
Speaker 6: he is a monster of a comedian. I mean he

926
00:47:01,880 --> 00:47:07,600
Speaker 6: is just amazing, so funny, fast, relatable, like perfect economy

927
00:47:07,600 --> 00:47:10,960
Speaker 6: of words everything, and I had to go after.

928
00:47:10,760 --> 00:47:13,520
Speaker 5: Him, and I just remember thinking this irony.

929
00:47:13,560 --> 00:47:16,040
Speaker 6: It's like every laugh that he got like hurt me

930
00:47:16,160 --> 00:47:18,359
Speaker 6: because I was like, I have to go and try

931
00:47:18,400 --> 00:47:20,880
Speaker 6: to compete with that, because they're all in that mode

932
00:47:20,960 --> 00:47:23,200
Speaker 6: and I don't have what he has. I'm going to

933
00:47:23,239 --> 00:47:27,319
Speaker 6: be pulling it into a whole other place. And as

934
00:47:27,360 --> 00:47:30,839
Speaker 6: it turns out, my half hour special wasn't that good.

935
00:47:31,360 --> 00:47:34,120
Speaker 6: I laughed because it sounded like that was gonna be

936
00:47:34,120 --> 00:47:35,839
Speaker 6: one of those things. As it turned out, it went fine,

937
00:47:35,880 --> 00:47:43,000
Speaker 6: but no but' but I just remember the irony of

938
00:47:43,040 --> 00:47:45,560
Speaker 6: going like there's so many happy people and I'm so

939
00:47:45,760 --> 00:47:49,880
Speaker 6: upset right now. It's like this is so bad, Like, yeah,

940
00:47:49,920 --> 00:47:50,960
Speaker 6: that was a tough one.

941
00:47:51,320 --> 00:47:51,919
Speaker 2: That's the thing.

942
00:47:51,920 --> 00:47:56,120
Speaker 3: It's the comparison, right, that's fucks everybody else. But it

943
00:47:56,200 --> 00:47:58,160
Speaker 3: took me so long to learn that all you have

944
00:47:58,239 --> 00:47:59,960
Speaker 3: to do is have the confidence to know that they

945
00:48:00,160 --> 00:48:03,359
Speaker 3: don't expect everyone to be the same. You're just there

946
00:48:03,440 --> 00:48:05,279
Speaker 3: doing your thing. And that's like I had to learn

947
00:48:05,320 --> 00:48:09,200
Speaker 3: that after years of watching people. Patrick Keane I watched

948
00:48:09,239 --> 00:48:10,799
Speaker 3: him do this at one time and he had to

949
00:48:10,840 --> 00:48:14,000
Speaker 3: follow someone did a drop in, someone famous, like fucking

950
00:48:14,120 --> 00:48:15,520
Speaker 3: David Spade did a drop in.

951
00:48:16,120 --> 00:48:19,560
Speaker 2: Came just fucking it was he wall to.

952
00:48:19,560 --> 00:48:23,040
Speaker 3: Wall destruction, there was no one left alive, and then

953
00:48:23,080 --> 00:48:25,359
Speaker 3: here comes Patrick Keenan. I was just like, my heart

954
00:48:25,400 --> 00:48:28,520
Speaker 3: was breaking for him, and he just went rt.

955
00:48:28,080 --> 00:48:32,080
Speaker 2: And brought it all right fucking back. It was masterful.

956
00:48:32,600 --> 00:48:36,759
Speaker 3: And it was him talking slowly, just talking calmly, doing

957
00:48:36,800 --> 00:48:38,719
Speaker 3: his jokes, playing the reality of the room.

958
00:48:38,719 --> 00:48:40,480
Speaker 2: Whereas if it were me, I'd be like.

959
00:48:42,480 --> 00:48:46,799
Speaker 6: Anyway, the glimmer and the voice. Yeah, yeah, yeah, that's

960
00:48:46,800 --> 00:48:49,719
Speaker 6: what I'd have. Yeah, No, Patrick, well back in the

961
00:48:50,040 --> 00:48:54,359
Speaker 6: Bitter Redhead. I've seen Patrick, and I mean I've seen

962
00:48:54,440 --> 00:48:57,280
Speaker 6: him go up for ten minutes with not one person

963
00:48:57,400 --> 00:49:02,080
Speaker 6: laughing and not even a little bit shaken by it.

964
00:49:02,440 --> 00:49:04,360
Speaker 5: He doesn't speed up his act. He just kind of

965
00:49:04,400 --> 00:49:05,040
Speaker 5: still looks.

966
00:49:04,880 --> 00:49:07,759
Speaker 6: At the wall and yeah, yeah, you know, yes, I

967
00:49:07,840 --> 00:49:10,719
Speaker 6: moved out when I was seven, My parents moved out

968
00:49:10,760 --> 00:49:13,280
Speaker 6: with me, you know, and like he'll just keep doing

969
00:49:13,320 --> 00:49:17,120
Speaker 6: that same delivery and he doesn't and I can't do it.

970
00:49:17,200 --> 00:49:20,200
Speaker 5: Yeah, yeah, his stand up lends itself to that. If

971
00:49:20,200 --> 00:49:24,239
Speaker 5: you're self deprecating and you're playing some sort of an

972
00:49:24,280 --> 00:49:28,399
Speaker 5: unaware loser on stage, you can it's the best. It's

973
00:49:28,440 --> 00:49:30,399
Speaker 5: the best. I wish I did what he did. Yeah,

974
00:49:30,400 --> 00:49:32,160
Speaker 5: and that skill, Chris, you.

975
00:49:32,120 --> 00:49:33,680
Speaker 2: Seem like an unaware loser.

976
00:49:33,880 --> 00:49:36,240
Speaker 5: I thank you. I mean I was sort of fishing

977
00:49:36,320 --> 00:49:38,920
Speaker 5: for that, and I honestly, I don't have to worry

978
00:49:39,040 --> 00:49:41,440
Speaker 5: now that do you need ride fans come to shows.

979
00:49:41,520 --> 00:49:44,240
Speaker 5: I don't have to. I haven't experienced what I'm talking

980
00:49:44,280 --> 00:49:46,359
Speaker 5: about for a couple of years. I'm lucky.

981
00:49:46,680 --> 00:49:48,640
Speaker 6: Before we get too far ahead, I want to go

982
00:49:48,760 --> 00:49:51,920
Speaker 6: back because out of context, it sounded awful when I

983
00:49:51,920 --> 00:49:54,799
Speaker 6: said I saw Patrick do fifteen minutes with nobody left.

984
00:49:54,840 --> 00:49:57,160
Speaker 5: No, but I've seen that it's pretty important for people.

985
00:49:57,280 --> 00:49:57,960
Speaker 2: It's too late.

986
00:49:57,840 --> 00:50:00,279
Speaker 6: Outside of the business and know that he's incredibly funny.

987
00:50:00,280 --> 00:50:02,799
Speaker 6: I'm just saying that happens to everybody. The amazing part

988
00:50:02,920 --> 00:50:05,120
Speaker 6: was that he had the skill to keep going that anyway.

989
00:50:05,160 --> 00:50:08,160
Speaker 3: Yeah, Well, because they do like and this is you know,

990
00:50:08,600 --> 00:50:12,440
Speaker 3: so inside baseball, but so often, especially throughout the nineties,

991
00:50:12,480 --> 00:50:15,719
Speaker 3: they couldn't stop putting comedy shows in places where no

992
00:50:15,719 --> 00:50:18,359
Speaker 3: one wanted a Commis show, so hard enough to do

993
00:50:18,400 --> 00:50:22,120
Speaker 3: a sound upset at the improv or god forbid, the

994
00:50:22,200 --> 00:50:25,040
Speaker 3: laugh Factory or somewhere like that. But suddenly now you're

995
00:50:25,080 --> 00:50:28,839
Speaker 3: at Farfalla on Hillhurst and there's people trying to eat

996
00:50:28,880 --> 00:50:31,440
Speaker 3: a nice meal and who have paid good money, and

997
00:50:31,480 --> 00:50:33,680
Speaker 3: all of a sudden you're up there like, well anyway

998
00:50:35,719 --> 00:50:36,680
Speaker 3: whatever where it's like.

999
00:50:36,840 --> 00:50:37,319
Speaker 2: Get out.

1000
00:50:37,480 --> 00:50:38,920
Speaker 5: I mean I would always.

1001
00:50:38,600 --> 00:50:42,319
Speaker 2: Get so subconscious for the people. It's like, no one

1002
00:50:42,360 --> 00:50:42,799
Speaker 2: wants this.

1003
00:50:43,120 --> 00:50:47,279
Speaker 5: Yeah, it's not good. I met Karen at Lucy's laundromat.

1004
00:50:47,440 --> 00:50:50,839
Speaker 5: We were doing a show to people putting separating their

1005
00:50:51,200 --> 00:50:55,279
Speaker 5: whites like it was absent, with a bathroom behind you.

1006
00:50:55,400 --> 00:50:57,359
Speaker 5: It was the most you did your set in front

1007
00:50:57,400 --> 00:51:00,960
Speaker 5: of a bathroom, unlikely placed to do common man for

1008
00:51:01,040 --> 00:51:01,319
Speaker 5: good re.

1009
00:51:01,480 --> 00:51:04,240
Speaker 6: Well that's where that this great line from Charlie Shannon,

1010
00:51:04,280 --> 00:51:06,720
Speaker 6: who's no longer with us, but he was an Austin comic.

1011
00:51:06,800 --> 00:51:11,920
Speaker 6: But somebody told me this story one of the Austin comics,

1012
00:51:11,920 --> 00:51:16,160
Speaker 6: I assume, but about how he he finally realized he

1013
00:51:16,280 --> 00:51:19,799
Speaker 6: was done with Austin when he was opening or no

1014
00:51:19,920 --> 00:51:24,799
Speaker 6: following a mother and daughter comedy team and he was like, yeah,

1015
00:51:24,840 --> 00:51:27,719
Speaker 6: this is just too ridiculous. And he went out to

1016
00:51:27,960 --> 00:51:30,280
Speaker 6: LA and was just hustling and trying to get whatever

1017
00:51:30,280 --> 00:51:32,919
Speaker 6: he gigs he could, and he finally landed the laundromat

1018
00:51:32,960 --> 00:51:35,800
Speaker 6: gig and the night he was there, it was literally

1019
00:51:35,840 --> 00:51:38,200
Speaker 6: the mother and Daughter team and he had to go

1020
00:51:38,360 --> 00:51:43,200
Speaker 6: after him and he's on stage like yeah, oh god.

1021
00:51:42,960 --> 00:51:44,200
Speaker 5: He's like, so so.

1022
00:51:45,800 --> 00:51:49,759
Speaker 6: Now I'm I'm still following the mother and daughter comedy team,

1023
00:51:49,800 --> 00:51:52,000
Speaker 6: but this time I'm doing it in a laundromat Like

1024
00:51:52,040 --> 00:51:53,680
Speaker 6: that was a very downward move.

1025
00:51:53,800 --> 00:51:57,560
Speaker 5: To his credit. It was Melissa and Joan Rivers, yeah,

1026
00:51:57,680 --> 00:52:01,440
Speaker 5: which which is great out their killer No. Yeah, we

1027
00:52:01,600 --> 00:52:04,359
Speaker 5: Over the years, I've seen all these acts just pop up.

1028
00:52:04,640 --> 00:52:05,640
Speaker 5: What dude, you know what?

1029
00:52:05,680 --> 00:52:07,440
Speaker 2: That just made me think of at the Improv.

1030
00:52:07,840 --> 00:52:10,960
Speaker 3: The improv in the nineties became this place where everyone's

1031
00:52:11,040 --> 00:52:14,160
Speaker 3: agent got hip that they would give you a TV

1032
00:52:14,320 --> 00:52:16,480
Speaker 3: deal if you were a stand up comedian.

1033
00:52:16,560 --> 00:52:16,799
Speaker 5: Yeah.

1034
00:52:16,800 --> 00:52:20,560
Speaker 3: So all these actors just started coming in and memorizing monologues.

1035
00:52:20,960 --> 00:52:23,319
Speaker 3: And there was a woman one time, and you know,

1036
00:52:23,680 --> 00:52:27,840
Speaker 3: sorry if you whatever, but she was from the South

1037
00:52:27,960 --> 00:52:31,120
Speaker 3: and she went on stage barefoot, and then it was

1038
00:52:31,239 --> 00:52:34,360
Speaker 3: all the happiest jokes about women and husbands and periods

1039
00:52:34,360 --> 00:52:36,640
Speaker 3: and everything you've ever seen, but also this thing of

1040
00:52:36,719 --> 00:52:39,600
Speaker 3: like she's literally like a barefoot hillbilly.

1041
00:52:40,480 --> 00:52:42,440
Speaker 2: And I just remember standing on the side and just

1042
00:52:42,480 --> 00:52:44,759
Speaker 2: going like, I don't.

1043
00:52:44,520 --> 00:52:48,200
Speaker 3: Know why I'm here or how I fit into anything

1044
00:52:48,239 --> 00:52:50,879
Speaker 3: that's happening in this town. It doesn't make sense. It's

1045
00:52:50,960 --> 00:52:54,480
Speaker 3: not good. These people love it. I fucking hate it,

1046
00:52:54,600 --> 00:52:57,440
Speaker 3: like I must be in the wrong, Like that thing

1047
00:52:57,480 --> 00:52:59,399
Speaker 3: where you just kind of like, I feel like every

1048
00:52:59,400 --> 00:53:02,279
Speaker 3: time I do this set of comedy, I lost my

1049
00:53:02,520 --> 00:53:05,240
Speaker 3: vision of what the point of my career was supposed

1050
00:53:05,239 --> 00:53:06,960
Speaker 3: to be. Because I would see what was happening and

1051
00:53:06,960 --> 00:53:09,480
Speaker 3: I'd just be like, yeah, I don't do that. What

1052
00:53:09,520 --> 00:53:10,919
Speaker 3: am I gonna do? Yeah?

1053
00:53:11,120 --> 00:53:14,520
Speaker 5: What's gonna happen now? But you forged ahead and you

1054
00:53:14,560 --> 00:53:16,960
Speaker 5: took off your shoes and you went up after her.

1055
00:53:20,000 --> 00:53:22,200
Speaker 2: There are people going on stage like there was a girl.

1056
00:53:22,719 --> 00:53:25,239
Speaker 3: The old eighties version was there was a woman who

1057
00:53:25,320 --> 00:53:28,719
Speaker 3: used to do her whole act wearing her bridal gown

1058
00:53:28,800 --> 00:53:30,080
Speaker 3: because it costs her so much money.

1059
00:53:30,120 --> 00:53:32,480
Speaker 2: Shot I remember most use out of it, remember that.

1060
00:53:32,560 --> 00:53:34,279
Speaker 3: And then there was a girl that used to go

1061
00:53:34,320 --> 00:53:37,680
Speaker 3: on stage carrying her purse and shopping bags, and it

1062
00:53:37,800 --> 00:53:39,960
Speaker 3: was like this character of like I just love shopping

1063
00:53:39,960 --> 00:53:42,359
Speaker 3: and I just stopped shopping and shit like that where

1064
00:53:42,360 --> 00:53:44,560
Speaker 3: I'm like, ladies, can we get together and make some

1065
00:53:44,600 --> 00:53:46,600
Speaker 3: agreements of what we are and are not going to

1066
00:53:46,680 --> 00:53:49,120
Speaker 3: do on stage? Because this is then I get on

1067
00:53:49,160 --> 00:53:50,879
Speaker 3: stage and I'm just like, did anyone see the igh

1068
00:53:50,880 --> 00:53:51,439
Speaker 3: speed chase?

1069
00:53:51,520 --> 00:53:53,000
Speaker 2: And they're like, where's your gimmick?

1070
00:53:53,080 --> 00:53:53,959
Speaker 5: We don't got a shit.

1071
00:53:54,760 --> 00:53:57,719
Speaker 6: I saw a girl go on one time at the

1072
00:53:57,760 --> 00:54:01,560
Speaker 6: improv and she was kind of doing the ditsy blonde

1073
00:54:01,600 --> 00:54:03,440
Speaker 6: act or whatever, and she goes, ooh, I'm sorry, I

1074
00:54:03,480 --> 00:54:06,120
Speaker 6: just dropped something, and then she turns around and literally

1075
00:54:06,160 --> 00:54:08,359
Speaker 6: bends over so that her skirt comes up and you

1076
00:54:08,440 --> 00:54:12,600
Speaker 6: just see her thong in her ass, and then it's

1077
00:54:12,719 --> 00:54:13,600
Speaker 6: nobody's laughing.

1078
00:54:13,640 --> 00:54:17,040
Speaker 5: They're all just like yeah, and then she gets back out.

1079
00:54:17,200 --> 00:54:18,719
Speaker 5: I was like, what was that?

1080
00:54:19,360 --> 00:54:19,640
Speaker 1: Wow?

1081
00:54:19,880 --> 00:54:22,000
Speaker 5: I can't compete with that. I kept going, I mean,

1082
00:54:22,040 --> 00:54:25,080
Speaker 5: that wasn't her closer, No, that was her opener? Oh wow?

1083
00:54:25,120 --> 00:54:28,880
Speaker 6: Oh yeah, so to get it all right, all right,

1084
00:54:29,200 --> 00:54:37,320
Speaker 6: oh closer? Uh so. But I think the reason to

1085
00:54:37,640 --> 00:54:40,080
Speaker 6: defend La, which I always do because I'm from here,

1086
00:54:40,200 --> 00:54:44,840
Speaker 6: you know, I just feel like LA is whatever people

1087
00:54:44,880 --> 00:54:47,080
Speaker 6: want it to be. Like, there's so many different things

1088
00:54:47,120 --> 00:54:49,799
Speaker 6: going on. Obviously, I remember seeing you at Largo, and

1089
00:54:49,960 --> 00:54:52,319
Speaker 6: that whole scene was the one that I was gravitated

1090
00:54:52,320 --> 00:54:55,799
Speaker 6: to because it was so you know, incredible. But yeah,

1091
00:54:55,840 --> 00:54:58,319
Speaker 6: there was also when you went to like La Cabaret

1092
00:54:58,440 --> 00:55:01,600
Speaker 6: on Ventura Boulevard, there was a whole different world of

1093
00:55:01,600 --> 00:55:04,760
Speaker 6: comedy going on there, and every now and then they

1094
00:55:04,800 --> 00:55:07,719
Speaker 6: would intersect and it was weird. But I feel like

1095
00:55:08,680 --> 00:55:10,960
Speaker 6: other places have a more cohesive Like when you go

1096
00:55:11,000 --> 00:55:14,680
Speaker 6: to the Minneapolis ACME Comedy Club at the open Mit night.

1097
00:55:14,719 --> 00:55:18,560
Speaker 6: There you'll see like thirty comics, but and they're all fantastic,

1098
00:55:18,640 --> 00:55:21,000
Speaker 6: but they all have this You're not going to see

1099
00:55:21,040 --> 00:55:24,279
Speaker 6: like somebody who's like wow, that person looks like a

1100
00:55:24,360 --> 00:55:27,960
Speaker 6: complete it's LA. So you get all these people from

1101
00:55:28,320 --> 00:55:30,640
Speaker 6: making it whatever LA they wanted to be. Like even

1102
00:55:30,640 --> 00:55:32,439
Speaker 6: in New York, Like when I'd go to New York,

1103
00:55:32,520 --> 00:55:34,360
Speaker 6: and maybe it's only the ones the shows that I

1104
00:55:34,400 --> 00:55:37,120
Speaker 6: went to, but there was a cohesiveness there too. Everybody

1105
00:55:37,160 --> 00:55:39,760
Speaker 6: was a certain level of you know, it was always

1106
00:55:39,760 --> 00:55:41,480
Speaker 6: a little bit more fast paced, but there were always

1107
00:55:41,560 --> 00:55:44,279
Speaker 6: jokes and they were solid delivery. And everything, but in

1108
00:55:44,440 --> 00:55:49,000
Speaker 6: la it was really eclectic in terms of the style

1109
00:55:49,160 --> 00:55:51,480
Speaker 6: that people were going for was all over the map.

1110
00:55:52,400 --> 00:55:55,120
Speaker 5: At Largo. You guys both used to do Largo a

1111
00:55:55,160 --> 00:55:58,000
Speaker 5: lot right, which to me has always been I didn't.

1112
00:55:58,200 --> 00:56:01,280
Speaker 6: I did right toward the end of the old location,

1113
00:56:01,360 --> 00:56:03,120
Speaker 6: and I was so so proud.

1114
00:56:03,239 --> 00:56:07,239
Speaker 5: Yeah, it seems like a place that always successfully combined

1115
00:56:07,480 --> 00:56:10,400
Speaker 5: music and comedy, though there's not a lot of places

1116
00:56:10,400 --> 00:56:13,720
Speaker 5: that pulled it off. And you two are both people

1117
00:56:13,760 --> 00:56:17,279
Speaker 5: that also successfully combined music and comedy, and I wonder

1118
00:56:17,880 --> 00:56:20,360
Speaker 5: would you do you feel like if Largo was Was

1119
00:56:20,440 --> 00:56:22,560
Speaker 5: Largo a big part of that for you at least? Karen?

1120
00:56:23,480 --> 00:56:24,600
Speaker 2: Yes, for sure.

1121
00:56:25,160 --> 00:56:28,399
Speaker 3: I'd like to say the credit full credit for I mean,

1122
00:56:28,400 --> 00:56:30,640
Speaker 3: aside from Flanagan, who's the owner and he has great

1123
00:56:30,680 --> 00:56:33,360
Speaker 3: taste and whatever, and he was smart enough to go,

1124
00:56:33,680 --> 00:56:36,440
Speaker 3: we should be doing comedy here because he you know,

1125
00:56:36,520 --> 00:56:38,920
Speaker 3: he's the one booking all the music. But he was

1126
00:56:38,960 --> 00:56:41,440
Speaker 3: smart enough to pull in Lisa Langing and Lisa Langan

1127
00:56:42,239 --> 00:56:45,239
Speaker 3: when I started in San Francisco in nineteen ninety, she

1128
00:56:45,480 --> 00:56:49,520
Speaker 3: ran the Improv in downtown San Francisco. She was the

1129
00:56:49,560 --> 00:56:52,880
Speaker 3: manager of that club, so she knew all those people,

1130
00:56:53,360 --> 00:56:55,600
Speaker 3: and then she got She got when every there was

1131
00:56:55,640 --> 00:56:58,879
Speaker 3: like a mass exodus in like ninety four, everyone moved

1132
00:56:58,920 --> 00:57:01,279
Speaker 3: to la and she did too. She got a job

1133
00:57:01,320 --> 00:57:04,760
Speaker 3: at Comedy Central, and she was so good at picking talent,

1134
00:57:04,920 --> 00:57:08,960
Speaker 3: like she she she saw Flight of the Concords and

1135
00:57:09,000 --> 00:57:11,279
Speaker 3: brought them over and had them perform at Largo, Like

1136
00:57:11,320 --> 00:57:14,680
Speaker 3: she is one of those people that had such good taste.

1137
00:57:14,960 --> 00:57:17,560
Speaker 2: So anyway, I think that she like that she set

1138
00:57:17,720 --> 00:57:18,240
Speaker 2: that table.

1139
00:57:18,280 --> 00:57:21,919
Speaker 3: But she also knew that that the kind of quote

1140
00:57:22,000 --> 00:57:25,680
Speaker 3: unquote alternative style could get very much up its own

1141
00:57:25,720 --> 00:57:28,360
Speaker 3: ass and be like use the fact that it wasn't

1142
00:57:28,480 --> 00:57:31,480
Speaker 3: old school club style and then just you're there watching

1143
00:57:31,480 --> 00:57:33,720
Speaker 3: someone read a notebook and it's boring. So she would

1144
00:57:33,920 --> 00:57:36,880
Speaker 3: book those shows like That's how I met Greg Fitzimmons,

1145
00:57:37,000 --> 00:57:40,200
Speaker 3: who is a classic club comic in every way, who

1146
00:57:40,320 --> 00:57:43,680
Speaker 3: can do any kind of show he wants because he's

1147
00:57:43,720 --> 00:57:44,320
Speaker 3: so good.

1148
00:57:44,400 --> 00:57:45,640
Speaker 2: He's just such a natural.

1149
00:57:46,000 --> 00:57:49,240
Speaker 3: So that it was where I started to learn you

1150
00:57:49,280 --> 00:57:51,680
Speaker 3: don't have to get into this like box. You don't

1151
00:57:51,720 --> 00:57:53,640
Speaker 3: have to tell yourself you do it one way or

1152
00:57:53,680 --> 00:57:56,400
Speaker 3: the other, because the point is stand on stage with

1153
00:57:56,440 --> 00:57:59,480
Speaker 3: confidence and say good jokes. That's all so like that

1154
00:57:59,560 --> 00:58:03,400
Speaker 3: became for me instead of this kind of like you

1155
00:58:03,400 --> 00:58:06,080
Speaker 3: know what I think the cafe thing did, which was

1156
00:58:06,160 --> 00:58:09,080
Speaker 3: make go, here's what I did today, whatever, And instead

1157
00:58:09,120 --> 00:58:11,640
Speaker 3: you got competitive because you were like, well, I want

1158
00:58:11,640 --> 00:58:13,800
Speaker 3: to be at least as funny as the person who

1159
00:58:13,840 --> 00:58:16,600
Speaker 3: went on before me. Me personally, I was always like

1160
00:58:16,640 --> 00:58:18,560
Speaker 3: I need to win the whole thing or whatever, so

1161
00:58:18,680 --> 00:58:21,080
Speaker 3: I just be like out of my mind. But it

1162
00:58:21,120 --> 00:58:23,440
Speaker 3: was a good Like I think she pulled in all

1163
00:58:23,440 --> 00:58:26,200
Speaker 3: these people that kind of for me taught me what

1164
00:58:26,400 --> 00:58:29,760
Speaker 3: good comedy actually is, how it actually works, and that's

1165
00:58:29,880 --> 00:58:32,040
Speaker 3: authenticity and confidence and.

1166
00:58:32,000 --> 00:58:35,000
Speaker 5: Like so funny to me that it took halfway through

1167
00:58:35,000 --> 00:58:37,760
Speaker 5: my career to find out that confidence was a big

1168
00:58:37,800 --> 00:58:41,600
Speaker 5: part of being successful, right, I really even my character

1169
00:58:41,640 --> 00:58:45,480
Speaker 5: on stage was someone that was pretending not to have confidence,

1170
00:58:45,480 --> 00:58:48,400
Speaker 5: so I would have to confidently do that when I

1171
00:58:48,520 --> 00:58:52,360
Speaker 5: was stammering and making mistakes. What an obstacle I made

1172
00:58:52,360 --> 00:58:55,200
Speaker 5: for myself. I don't know why I did the confidence.

1173
00:58:55,200 --> 00:58:58,160
Speaker 5: I still need to remind myself. They want to see

1174
00:58:58,200 --> 00:59:02,680
Speaker 5: you be confident, not just funny. It's like, yeah, that's

1175
00:59:02,680 --> 00:59:03,120
Speaker 5: what I am.

1176
00:59:03,200 --> 00:59:06,680
Speaker 6: It's probably like a very obvious example, but like if

1177
00:59:06,720 --> 00:59:11,760
Speaker 6: you're on a plane and the pilot, whatever personality they

1178
00:59:11,800 --> 00:59:15,240
Speaker 6: may have, the one you don't want is for them

1179
00:59:15,280 --> 00:59:20,320
Speaker 6: to be like, uh yeah, okay, not really sure.

1180
00:59:20,120 --> 00:59:21,160
Speaker 5: Exactly what a lot of this.

1181
00:59:21,480 --> 00:59:23,440
Speaker 6: I'm like the worst when it comes to flying, and

1182
00:59:23,480 --> 00:59:25,800
Speaker 6: it's like, no, I want you to be really good,

1183
00:59:25,880 --> 00:59:28,480
Speaker 6: you know. But I don't think that's such a crazy analogy,

1184
00:59:28,480 --> 00:59:32,080
Speaker 6: because it's like, in any situation, you want the person

1185
00:59:32,160 --> 00:59:35,120
Speaker 6: that is driving the whole thing to be good at

1186
00:59:35,120 --> 00:59:38,160
Speaker 6: what they do, even if their act is being completely

1187
00:59:38,240 --> 00:59:39,520
Speaker 6: you know, self deprecating.

1188
00:59:39,520 --> 00:59:43,120
Speaker 5: That's a different thing. But I guess I've always put

1189
00:59:43,440 --> 00:59:46,840
Speaker 5: a thin line between cockiness and confidence. And I always

1190
00:59:46,840 --> 00:59:50,160
Speaker 5: appreciated when people were good at what they do, but

1191
00:59:50,240 --> 00:59:53,080
Speaker 5: they let you find out about it. They didn't tell

1192
00:59:53,120 --> 00:59:56,240
Speaker 5: you they were good or put on some vibrado. You're

1193
00:59:56,280 --> 00:59:58,680
Speaker 5: just watching them. They're like, Wow, this is the best

1194
00:59:58,680 --> 01:00:02,560
Speaker 5: pilot I've ever seen fly and he's hardly said anything

1195
01:00:02,600 --> 01:00:05,680
Speaker 5: except buckle your seat belt and uh. And so I

1196
01:00:05,720 --> 01:00:09,080
Speaker 5: always want people to find out that I'm confident. But

1197
01:00:09,440 --> 01:00:11,280
Speaker 5: you kind of got to put it on a little.

1198
01:00:11,320 --> 01:00:13,720
Speaker 5: You have to pretend a little at night, and I have.

1199
01:00:13,640 --> 01:00:16,480
Speaker 3: To tell you, guys, as a female comic, you have

1200
01:00:16,520 --> 01:00:18,920
Speaker 3: to do it even more because people you walk on

1201
01:00:19,000 --> 01:00:22,200
Speaker 3: stage and people get afraid for you about what other

1202
01:00:22,240 --> 01:00:24,160
Speaker 3: people are going to start doing. I hate there's a

1203
01:00:24,200 --> 01:00:28,000
Speaker 3: real weird vibe change if you're like first, if youre comics,

1204
01:00:28,040 --> 01:00:31,760
Speaker 3: go and then it's you I did, they get real

1205
01:00:31,920 --> 01:00:33,720
Speaker 3: like you almost hear.

1206
01:00:33,640 --> 01:00:35,600
Speaker 2: People start talking or whatever, and it's like a little

1207
01:00:35,600 --> 01:00:36,040
Speaker 2: bit like that.

1208
01:00:36,080 --> 01:00:38,320
Speaker 3: And if you I found and at least this was

1209
01:00:38,360 --> 01:00:41,760
Speaker 3: my impression that if you don't immediately have like boom boom,

1210
01:00:41,880 --> 01:00:43,600
Speaker 3: if you can't just go dude, dude, I made you

1211
01:00:43,680 --> 01:00:46,200
Speaker 3: laugh twice. Now we're doing this, yeah, they if you,

1212
01:00:46,360 --> 01:00:49,400
Speaker 3: if I took any time at the top, it would

1213
01:00:49,520 --> 01:00:52,120
Speaker 3: unwind way quicker than if a guy was doing it,

1214
01:00:52,160 --> 01:00:55,400
Speaker 3: because I because I believe there's a lot of people

1215
01:00:55,400 --> 01:00:57,440
Speaker 3: who just be like, oh no, she shouldn't be doing

1216
01:00:57,520 --> 01:01:00,840
Speaker 3: you know, it's like protect her kind of mental So

1217
01:01:00,840 --> 01:01:03,160
Speaker 3: I would come up and just be a fucking asshole

1218
01:01:03,640 --> 01:01:05,720
Speaker 3: most of the time, or just be like blah blah blah,

1219
01:01:05,800 --> 01:01:08,240
Speaker 3: you this, get that off the table or whatever, and

1220
01:01:08,400 --> 01:01:10,520
Speaker 3: just be like this is my house. Even though it

1221
01:01:10,520 --> 01:01:13,680
Speaker 3: was completely fake. It was all this kind of fake

1222
01:01:13,760 --> 01:01:16,520
Speaker 3: confidence and aggression. But it was the way to say,

1223
01:01:16,680 --> 01:01:19,520
Speaker 3: don't fucking worry about me, I will take care of

1224
01:01:19,560 --> 01:01:21,880
Speaker 3: this kind of thing. It felt, it felt very necessary.

1225
01:01:22,000 --> 01:01:25,040
Speaker 5: I'm glad that I've seen that changing for the better

1226
01:01:25,200 --> 01:01:29,080
Speaker 5: over the year, for sure, But it's about goddamn time

1227
01:01:29,160 --> 01:01:31,320
Speaker 5: and we're going backwards in enough other ways.

1228
01:01:31,400 --> 01:01:35,760
Speaker 6: So uh yeah, no, I mean, but it's funny because

1229
01:01:35,800 --> 01:01:38,520
Speaker 6: these are the old cliche of it's like, can you

1230
01:01:38,600 --> 01:01:40,440
Speaker 6: learn that in a class? Can somebody tell you on

1231
01:01:40,560 --> 01:01:43,560
Speaker 6: week one? Always be confident? It's like, yeah, you kind

1232
01:01:43,560 --> 01:01:45,280
Speaker 6: of have to learn it. You have to learn why

1233
01:01:45,320 --> 01:01:46,240
Speaker 6: you have to do it.

1234
01:01:46,280 --> 01:01:49,840
Speaker 3: You know, It's like yes, and what it means to

1235
01:01:49,880 --> 01:01:53,320
Speaker 3: you because like how you would if you watch Patrick Keane,

1236
01:01:53,720 --> 01:01:56,480
Speaker 3: you'd go, he's confident, but he also kind of seems

1237
01:01:56,520 --> 01:01:59,480
Speaker 3: like he doesn't care. Yeah, it comes out in these

1238
01:01:59,480 --> 01:02:02,520
Speaker 3: different ways, which are funny in themselves because that's what

1239
01:02:02,840 --> 01:02:05,840
Speaker 3: it's like. That's the authentic part, is like I don't

1240
01:02:05,840 --> 01:02:06,880
Speaker 3: care what you think of me.

1241
01:02:07,400 --> 01:02:09,560
Speaker 2: But then also here's a little of this other thing.

1242
01:02:09,640 --> 01:02:13,120
Speaker 5: That's the one, like confidently pretending you don't care, that's

1243
01:02:13,200 --> 01:02:14,080
Speaker 5: the that's the goal.

1244
01:02:14,200 --> 01:02:16,800
Speaker 6: It's like they make no mistake for people out there

1245
01:02:16,800 --> 01:02:18,640
Speaker 6: that you can't just be confident.

1246
01:02:19,120 --> 01:02:23,040
Speaker 5: It's not enough. You also have to have a humor. Yeah, yeah,

1247
01:02:23,080 --> 01:02:23,960
Speaker 5: because I've said.

1248
01:02:23,760 --> 01:02:25,560
Speaker 2: To have at least seven solid jokes.

1249
01:02:25,640 --> 01:02:29,040
Speaker 5: Yeah, we've been that that person who's way too.

1250
01:02:28,880 --> 01:02:31,920
Speaker 6: Confident and they have nothing is like, oh come on,

1251
01:02:32,040 --> 01:02:34,040
Speaker 6: oh come on you guys. Look at this guy's looking

1252
01:02:34,040 --> 01:02:36,640
Speaker 6: at me like that. It's like you just didn't say anything.

1253
01:02:36,840 --> 01:02:37,120
Speaker 5: You know.

1254
01:02:37,240 --> 01:02:39,320
Speaker 3: It's like, can I tell you my favorite? And I

1255
01:02:39,360 --> 01:02:41,120
Speaker 3: know I've told the story on this, but.

1256
01:02:41,960 --> 01:02:46,200
Speaker 5: It's been eight years. We just found out this is this.

1257
01:02:46,280 --> 01:02:50,240
Speaker 3: Is my favorite moment of the confidence issue and the

1258
01:02:50,360 --> 01:02:54,160
Speaker 3: me interpreting that is like kind of like aggression or bitchiness,

1259
01:02:54,160 --> 01:02:56,600
Speaker 3: which is very nineties. I mean that that's what everything

1260
01:02:56,680 --> 01:02:58,840
Speaker 3: was like back then. But there was this one night,

1261
01:02:58,840 --> 01:03:01,080
Speaker 3: and I believe it was me be on stage after

1262
01:03:01,960 --> 01:03:06,280
Speaker 3: Darren Carter Party Starter and you know, the I'm three

1263
01:03:06,400 --> 01:03:09,160
Speaker 3: jokes in eating it, but I'm telling them im median,

1264
01:03:09,240 --> 01:03:10,440
Speaker 3: you know what I mean, Like, there was no way

1265
01:03:10,440 --> 01:03:12,720
Speaker 3: I was going to get up there interpret interpret anything

1266
01:03:12,880 --> 01:03:17,520
Speaker 3: is success because he just leveled it, So anything was

1267
01:03:17,520 --> 01:03:21,320
Speaker 3: going to seem worse and bad compared to how great

1268
01:03:21,360 --> 01:03:25,720
Speaker 3: he did. So I doing, you know, like whatever, my

1269
01:03:25,760 --> 01:03:28,920
Speaker 3: first three jokes are and it's like fart, fart, fart, and.

1270
01:03:28,800 --> 01:03:31,840
Speaker 2: Then I hear a beep to my left.

1271
01:03:32,080 --> 01:03:35,200
Speaker 3: You know in the improv, you know, people are kind

1272
01:03:35,200 --> 01:03:36,960
Speaker 3: of around you, not just in front of.

1273
01:03:36,880 --> 01:03:39,040
Speaker 5: You by hold by a pacemaker. I'm guessing.

1274
01:03:39,720 --> 01:03:42,280
Speaker 3: I turn and I go, oh, I'm sorry you a doctor?

1275
01:03:42,320 --> 01:03:43,480
Speaker 3: Is that your beeber? Do you have to go?

1276
01:03:43,560 --> 01:03:44,480
Speaker 5: Do you have to go? Deliver it?

1277
01:03:44,480 --> 01:03:46,680
Speaker 2: At eighty and I just like went off on this guy.

1278
01:03:46,600 --> 01:03:50,640
Speaker 3: And I literally said like seven sentences like I overdid

1279
01:03:50,640 --> 01:03:53,040
Speaker 3: it out of this kind of like I'm I'm eating

1280
01:03:53,080 --> 01:03:55,360
Speaker 3: it and I hate everyone. And then he just held

1281
01:03:55,440 --> 01:03:58,000
Speaker 3: up his wrist and what is my watch?

1282
01:03:59,520 --> 01:04:00,800
Speaker 5: Was so great?

1283
01:04:00,840 --> 01:04:02,840
Speaker 2: It was just I think I did one more joke

1284
01:04:02,880 --> 01:04:03,200
Speaker 2: in them.

1285
01:04:03,160 --> 01:04:05,080
Speaker 3: Left because I was just like, I'm not okay, Like

1286
01:04:05,160 --> 01:04:06,760
Speaker 3: I can't stand up anymore.

1287
01:04:06,800 --> 01:04:09,240
Speaker 2: This is fucking George. And he didn't.

1288
01:04:09,360 --> 01:04:11,600
Speaker 3: He was the worst part was he wasn't mean about it.

1289
01:04:11,720 --> 01:04:12,800
Speaker 3: He's trying to be nicer.

1290
01:04:14,080 --> 01:04:15,560
Speaker 2: Just my watch. I don't know what to tell you.

1291
01:04:15,800 --> 01:04:19,120
Speaker 5: I can see myself getting taking it further. Well, why

1292
01:04:19,160 --> 01:04:21,840
Speaker 5: would you buy a watch like that? And why would

1293
01:04:21,840 --> 01:04:23,560
Speaker 5: you wear it? Oh God, I'm dying.

1294
01:04:24,160 --> 01:04:26,600
Speaker 2: I'm dying, that's like, literally.

1295
01:04:26,680 --> 01:04:28,880
Speaker 6: When you say that they're not trying to be mean,

1296
01:04:28,920 --> 01:04:31,320
Speaker 6: that's almost the worst. Like, uh, there was a guy,

1297
01:04:31,480 --> 01:04:32,160
Speaker 6: Chuck Bartel.

1298
01:04:32,160 --> 01:04:32,720
Speaker 5: Do you know him.

1299
01:04:33,000 --> 01:04:36,800
Speaker 6: I remember that extremely funny one liner guy like that.

1300
01:04:36,920 --> 01:04:40,360
Speaker 6: Hegburg kind of style and he was up one night,

1301
01:04:40,440 --> 01:04:42,720
Speaker 6: but he would he was not immune to having bad sets.

1302
01:04:42,720 --> 01:04:44,080
Speaker 6: It was one of those things where like if it

1303
01:04:44,160 --> 01:04:46,440
Speaker 6: started off wrong, then it all went wrong, you know.

1304
01:04:47,600 --> 01:04:49,360
Speaker 6: But he was so funny. But I remember, right in

1305
01:04:49,400 --> 01:04:51,800
Speaker 6: the middle of a bad late Friday show or whatever,

1306
01:04:51,880 --> 01:04:53,760
Speaker 6: he did a joke and then he did just that

1307
01:04:53,920 --> 01:04:58,480
Speaker 6: little bit of commenting on how bad the response was.

1308
01:04:58,840 --> 01:05:01,120
Speaker 6: He said something like, you know, boy, maybe I'm not

1309
01:05:01,160 --> 01:05:03,560
Speaker 6: as good as this as I thought, or something like that.

1310
01:05:04,920 --> 01:05:08,480
Speaker 6: And this lady in the audience is like she sounded

1311
01:05:08,520 --> 01:05:10,720
Speaker 6: like she might have been sixty five years old, but

1312
01:05:10,760 --> 01:05:11,240
Speaker 6: she's just.

1313
01:05:11,120 --> 01:05:18,440
Speaker 5: Like, well, it's hard. Like that was just like and

1314
01:05:18,480 --> 01:05:20,520
Speaker 5: he's just like, all right, I want to kill myself.

1315
01:05:21,240 --> 01:05:24,960
Speaker 5: This is so great. It's hard.

1316
01:05:25,680 --> 01:05:28,360
Speaker 6: It was like, oh boy, you did not because there's

1317
01:05:28,400 --> 01:05:30,080
Speaker 6: like it's completely sincere.

1318
01:05:30,440 --> 01:05:33,120
Speaker 5: You know, my god, nobody's trying to be mean. That

1319
01:05:33,280 --> 01:05:38,640
Speaker 5: is the best. I like that. Oh, Henry, you have

1320
01:05:38,840 --> 01:05:42,160
Speaker 5: a dinner to go to and we've Yeah, I want

1321
01:05:42,200 --> 01:05:43,520
Speaker 5: you to be able to get out of here and

1322
01:05:43,560 --> 01:05:49,080
Speaker 5: not disappoint you friends and family. But is it fun there? Yeah?

1323
01:05:49,160 --> 01:05:57,400
Speaker 5: I've been uh yeah, thank you for any questions about Hollywood? Yeah,

1324
01:05:57,560 --> 01:06:02,360
Speaker 5: if I does Losiena go really direction? Does it go? Okay?

1325
01:06:03,080 --> 01:06:05,120
Speaker 2: I just an apartments?

1326
01:06:05,920 --> 01:06:10,200
Speaker 5: Yeah, yeah, we're a realtor? Or how much your parking tickets?

1327
01:06:10,520 --> 01:06:13,960
Speaker 5: Will my dreams come true? I love the idea people.

1328
01:06:14,040 --> 01:06:16,360
Speaker 3: It's like jam any question about Hollywood and they literally

1329
01:06:16,400 --> 01:06:19,040
Speaker 3: they immediately assume that it's about the city itself.

1330
01:06:19,200 --> 01:06:24,040
Speaker 5: Yeah, exactly how is money allocated with parks and recreation?

1331
01:06:24,200 --> 01:06:26,640
Speaker 5: Does that come out of a municipal? Okay?

1332
01:06:26,960 --> 01:06:30,000
Speaker 3: Is there a comptroller for Elliot itself?

1333
01:06:30,240 --> 01:06:33,840
Speaker 5: Comptroller? No one controller, but there's one in every city.

1334
01:06:34,520 --> 01:06:38,680
Speaker 6: How long before because we've become such a dystopian wasteland

1335
01:06:38,720 --> 01:06:42,240
Speaker 6: lately with just like if you go losien again Pico

1336
01:06:42,280 --> 01:06:44,840
Speaker 6: and it's like everything's boarded up, people are wearing masks.

1337
01:06:44,920 --> 01:06:49,920
Speaker 6: There's just people walking around aimlessly. And at what point

1338
01:06:49,960 --> 01:06:54,840
Speaker 6: does like that La La story kind of stereotype changed,

1339
01:06:55,280 --> 01:06:56,840
Speaker 6: Like if you're going to pitch something like, well, I

1340
01:06:56,880 --> 01:06:59,280
Speaker 6: wants this to be sort of an LA stereotype, and

1341
01:06:59,280 --> 01:07:02,920
Speaker 6: it's like, oh really, okay, so just like Red Sky

1342
01:07:03,160 --> 01:07:05,600
Speaker 6: from the Fire and then just sort of like it,

1343
01:07:05,880 --> 01:07:07,920
Speaker 6: like they're picturing more of a blade runner thing or

1344
01:07:07,920 --> 01:07:11,800
Speaker 6: something like that. The whole LA thing seems to be

1345
01:07:11,880 --> 01:07:13,520
Speaker 6: moving away from us right now.

1346
01:07:13,520 --> 01:07:16,160
Speaker 5: I hope it comes back, but it's not.

1347
01:07:16,120 --> 01:07:19,080
Speaker 6: Like the rollerblading and the thong bikini kind of stereotype

1348
01:07:19,120 --> 01:07:20,000
Speaker 6: anymore right now.

1349
01:07:20,160 --> 01:07:23,880
Speaker 5: Although I did just take a masked headshot, a new

1350
01:07:23,920 --> 01:07:28,120
Speaker 5: headshot with a mask, oh yeah, just to the Times.

1351
01:07:28,360 --> 01:07:36,040
Speaker 5: Yeah smart, yeah, thank you. Yeah, I'm smart, confident. I'm

1352
01:07:36,040 --> 01:07:38,480
Speaker 5: gonna I'm gonna end this thing because it's been so great.

1353
01:07:38,680 --> 01:07:40,760
Speaker 5: I can only und it from here or one of

1354
01:07:40,760 --> 01:07:43,480
Speaker 5: you guys. Thanks, thank you so much.

1355
01:07:43,560 --> 01:07:43,800
Speaker 6: Karen.

1356
01:07:43,840 --> 01:07:44,600
Speaker 5: It's so funny.

1357
01:07:44,640 --> 01:07:47,080
Speaker 6: It's so great to talk to you, to you because

1358
01:07:47,080 --> 01:07:50,880
Speaker 6: you've always been one of my favorites. Yeah you you too,

1359
01:07:51,000 --> 01:07:57,160
Speaker 6: Yeah right, oh absolutely, yeah, yeah, there's a there's a thing. Also,

1360
01:07:57,240 --> 01:07:59,200
Speaker 6: we've had so many parallel experiences.

1361
01:07:59,200 --> 01:08:01,960
Speaker 5: Is amazing. When you're talking about all this stuff, I'm like, wow, yeah,

1362
01:08:02,760 --> 01:08:07,080
Speaker 5: I really think Karen's gonna make it. Thank you, and

1363
01:08:07,120 --> 01:08:09,400
Speaker 5: we're gonna let's go get something neat we're gonna go.

1364
01:08:09,600 --> 01:08:12,320
Speaker 5: Uh you've been watch the Highwayman.

1365
01:08:13,440 --> 01:08:14,280
Speaker 2: I'm gonna do it right now.

1366
01:08:14,440 --> 01:08:18,439
Speaker 6: We patreon dot com slash Highwayman Show and you'll see

1367
01:08:18,439 --> 01:08:21,280
Speaker 6: the teaser on there. And there's a free episode on

1368
01:08:21,320 --> 01:08:23,080
Speaker 6: YouTube called Boots the Clown.

1369
01:08:23,600 --> 01:08:26,000
Speaker 5: Yes, and I just watched it and I loved it

1370
01:08:26,040 --> 01:08:29,080
Speaker 5: so much. And you can see him also as my

1371
01:08:29,240 --> 01:08:34,120
Speaker 5: real life friend Henry Phillips. You've been listening to Do

1372
01:08:34,160 --> 01:08:37,160
Speaker 5: you Need a Ride? D yn are.

1373
01:08:41,240 --> 01:08:41,559
Speaker 1: Nice?

1374
01:08:43,400 --> 01:08:44,479
Speaker 5: I leaving on?

1375
01:08:44,840 --> 01:08:46,719
Speaker 1: You wanna way back?

1376
01:08:47,479 --> 01:08:47,960
Speaker 5: Either way?

1377
01:08:48,240 --> 01:08:53,479
Speaker 1: We want to be there, doesn't matter how much baggage

1378
01:08:53,520 --> 01:09:00,240
Speaker 1: you us time and turman On and Gabe, we want

1379
01:09:00,280 --> 01:09:00,800
Speaker 1: to send you.

1380
01:09:01,000 --> 01:09:05,160
Speaker 2: Off INSTI do you wanna welcome.

1381
01:09:04,920 --> 01:09:05,840
Speaker 5: You back home?

1382
01:09:07,760 --> 01:09:09,080
Speaker 1: Tell us all about it?

1383
01:09:09,320 --> 01:09:10,000
Speaker 3: We scared?

1384
01:09:10,040 --> 01:09:11,040
Speaker 2: He was it fine?

1385
01:09:13,040 --> 01:09:13,640
Speaker 1: Melbourn?

1386
01:09:29,600 --> 01:09:30,880
Speaker 5: Do you need to ride?

1387
01:09:31,600 --> 01:09:34,840
Speaker 2: Do you need to ride? Do you need to ride?

1388
01:09:35,520 --> 01:09:38,800
Speaker 1: Do you need to ride? Do you need to ride?

1389
01:09:39,439 --> 01:09:41,280
Speaker 5: Do you need to ride?

1390
01:09:41,479 --> 01:09:42,759
Speaker 3: Do you need to ride?

1391
01:09:43,439 --> 01:09:51,599
Speaker 5: Do you need with Karen and Chris