WEBVTT - Budget Multi-Verse: Hulu's Redux Redux | SVU

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<v Speaker 1>Film Spotting is presented by Regal Unlimited, the all you

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<v Speaker 2>A woman kills the man that kidnapped and killed her daughter,

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<v Speaker 2>and then she does it again and again and again

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<v Speaker 2>and again and again. It's Reducs Reducs on Hulu.

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<v Speaker 3>I'm that singer, and I'm Jordan Hoffman, and I'm pretty

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<v Speaker 3>sure the movie is called Redo Redo, but we'll get

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<v Speaker 3>to that in a moment.

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<v Speaker 2>Anyhow, With more May Redo and I say, reduc.

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<v Speaker 3>Hey, I gotta read the opening bit, with more, most

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<v Speaker 3>story series, more stuff coming straight to streaming. Ever then

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<v Speaker 3>before it's time for a podcast that keeps track of

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<v Speaker 3>it all. On that podcast, as you know, Film Spotting SVU.

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<v Speaker 3>This week we've got a review of Redu Reduce, plus

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<v Speaker 3>some Odyssey talk Yo Yo Yo Homer in the house,

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<v Speaker 3>plus some streaming res so yeah already, some new to

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<v Speaker 3>VOD streaming titles, and a new game. Who's doing the

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<v Speaker 3>game this week? Is it you or is it Sam?

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<v Speaker 2>I don't know anything. You just said yo yo yo,

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<v Speaker 2>Homer in the house, I briefly lost my soul, left

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<v Speaker 2>my body.

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<v Speaker 3>Homeboy, Homer, No stop, no stop, All right, it's all

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<v Speaker 3>coming up. All of it is coming up. On Film

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<v Speaker 3>Spotting SMA SVU.

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<v Speaker 2>Oh God, welcome to Film Spotting SVU. I met Singer.

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<v Speaker 2>Later in the show, we will answer a listener request

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<v Speaker 2>for a streaming recommendation for a lesser known heist film.

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<v Speaker 2>Spoiler alert, it's Oceans thirty. No, I'm just kidding. And

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<v Speaker 2>this week's aime, which producer Sam is calling multi box

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<v Speaker 2>letter verse.

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<v Speaker 3>Wow cool. All right, Well, the other thing and we're

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<v Speaker 3>gonna mention this week's pick of a streaming movie is Hulu.

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<v Speaker 3>The good old Hulu gang has a multiverse thriller called

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<v Speaker 3>I don't know. I pronounced it Redo Redo. Matt Singer

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<v Speaker 3>says it's Redus Reducs.

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<v Speaker 2>Well, I'm going off of one of a very well

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<v Speaker 2>known movie, Apocalypse now, Reducs. Do you say apocalypse now? Redo?

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<v Speaker 3>The answer is yes, I do. Actually, I don't know.

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<v Speaker 3>I just assume that it's the Silent X it's a little.

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<v Speaker 2>I always have a set. Maybe I've been a philistine

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<v Speaker 2>and a moron for the last sever many years. I've

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<v Speaker 2>always said apocalypse. Now reeks, when you walk into you

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<v Speaker 2>need let producer Sam, please, can you we need someone

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<v Speaker 2>to adjudicate this?

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<v Speaker 3>What what reducs? All right?

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<v Speaker 2>You're I think the only solution is to just not

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<v Speaker 2>say the name of this movie from now on.

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<v Speaker 3>Get your reducts in a row. Now, why don't we

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<v Speaker 3>have the listeners right to feedback at film Spotting SVU

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<v Speaker 3>dot com and tell me is r E d ux?

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<v Speaker 3>Is it redo or reducts? Also, when you walk into

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<v Speaker 3>a fancy house and you first come in the main room,

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<v Speaker 3>you know when there's at umbrella stand and you wipe

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<v Speaker 3>your feet. Are you in a foyer or a foyer?

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<v Speaker 2>I would say a foyer or I might say a foyer.

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<v Speaker 2>I don't know, Well, so this I might say either one.

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<v Speaker 3>If you do it twice.

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<v Speaker 2>Hard lemonades have I had? Then I walk in this room?

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<v Speaker 2>How many white claws have if you.

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<v Speaker 3>Go into two foyer, is it's a foyer? Redo?

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<v Speaker 4>Well?

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<v Speaker 3>All I can tell you is the movie is coming.

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<v Speaker 3>We're gonna talk about it. But first sure bulletin a

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<v Speaker 3>bulletin from twenty five hundred b C. Is this guy.

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<v Speaker 3>His name is Odysseus. He slept all the way to

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<v Speaker 3>Troy and then he have GPS and he could not

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<v Speaker 3>make it home. Meanwhile, other guys wentished up his wife

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<v Speaker 3>and she's played by Anne Hathaway, So who can blame them?

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<v Speaker 3>And the movie is The Odyssey and it's the only

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<v Speaker 3>thing people are talking about right now. Now we are

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<v Speaker 3>the streaming video unit, we have no prisons talking about

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<v Speaker 3>the Odyssey, but the Odyssey will stream someday, so we

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<v Speaker 3>figured I got to get it off my chest.

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<v Speaker 2>I love her movie, Jordan is so now I want

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<v Speaker 2>to ask this because I look, I saw The Odyssey

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<v Speaker 2>and I liked it. I would have no problem not

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<v Speaker 2>talking about it. Today Jordan cannot not talk about the Odyssey.

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<v Speaker 2>He has been texting me like memes that he creates.

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<v Speaker 2>He's texting me bad Odyssey jokes, yeah bad. He thought

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<v Speaker 2>his Yo yo yo Homer in the house was bad.

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<v Speaker 2>You should see some of the things he's texting me.

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<v Speaker 2>So I'm just gonna you really want to talk? So

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<v Speaker 2>what is it about this movie that has so captivated

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<v Speaker 2>your imagination?

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<v Speaker 3>Jordan. Well, it's a couple things. One is I want

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<v Speaker 3>to apologize to my ninth grade teacher because I never

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<v Speaker 3>I didn't read the book when she assigned it to me.

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<v Speaker 3>I sat in class and paid attention enough so that

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<v Speaker 3>I was able to pass the class and do well,

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<v Speaker 3>But when I was supposed to go home and read it,

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<v Speaker 3>I never did. I tried the first page. I was like,

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<v Speaker 3>what the hell is going on? Single muse of a man? Ah,

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<v Speaker 3>come on is I'm gonna go watch Star Trek so

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<v Speaker 3>I feel like a bit of a bozo. And as

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<v Speaker 3>I'm watching it, and the Iliad too, we were assigned

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<v Speaker 3>the Iliad, and this movie is a hodgepodge of the Iliad,

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<v Speaker 3>the Odyssey, and also a little bit of the a Enid,

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<v Speaker 3>which is not Homer. That's some other guy.

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<v Speaker 2>Virgil was ned Flanders. I think did that one.

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<v Speaker 3>While I'm watching this movie, I going, oh, yeah, I

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<v Speaker 3>remember that from ninth grade. I Ah, that guy that

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<v Speaker 3>sounds familiar. Yeah, the swine Herd. I remember the swine Herd.

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<v Speaker 3>I was like, oh, that's kind of cool. Why didn't

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<v Speaker 3>I pay attention to this in class? I felt like

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<v Speaker 3>a shmo And I.

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<v Speaker 2>Look, really the reason you're so captivated by.

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<v Speaker 3>But I loved the one other things I loved when

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<v Speaker 3>there's the mentor character to young telemachus Us and then

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<v Speaker 3>Odysseus says, and then spoiler for five thousand you know

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<v Speaker 3>year old story, one thousand year old stories, spoiler alert

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<v Speaker 3>when mentor gets killed and Telemachus is said, and then

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<v Speaker 3>you don't really hear his name, and then Odysseus calls

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<v Speaker 3>him mentor and he's the mentor, and I'm like, oh,

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<v Speaker 3>I kind of remember that from ninth grade. That's where

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<v Speaker 3>that word comes from. I forgot all that. So I'm

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<v Speaker 3>in the audience by myself watching this movie, just like

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<v Speaker 3>laughing at myself for being a dumbass. So I don't know, No,

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<v Speaker 3>I really, I'm all kidding. Say I'm a Nolan Stan

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<v Speaker 3>Everyone's got a right to be a stand of us.

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<v Speaker 3>So you love Jim Katta, I love I love Christopher Nolan,

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<v Speaker 3>and I.

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<v Speaker 2>Love Christopher Nolan's movies too, But I'm not sending you

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<v Speaker 2>memes at all hours of the night.

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<v Speaker 3>I really was captivated, is the word I I was

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<v Speaker 3>just I had high expectations and they were met and

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<v Speaker 3>they were crossed. I was just loved it. I just

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<v Speaker 3>loved every moment of it. It's my favorite movie of

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<v Speaker 3>the year, and it's the best movie of its kind

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<v Speaker 3>since Oppenheimer, which was the best movie of its kind

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<v Speaker 3>since Tenants, which was the what is its kind?

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<v Speaker 2>It's not like Oppenheimer in terms of genre.

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<v Speaker 3>Well, it's now to be serious, and I feel it

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<v Speaker 3>that it and Oppenheimer and Tennant and a lot of

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<v Speaker 3>the other Nolan films, they do have great commonalities in

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<v Speaker 3>their form and thematics. Yes, thematically, but also just the

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<v Speaker 3>very way you kind of jump right in the close ups,

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<v Speaker 3>the cutting back and forth through time, but also just

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<v Speaker 3>the propulsive editing. I think this woman who's his editor,

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<v Speaker 3>Jennifer Lame, and she's anything, but let me tell you,

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<v Speaker 3>I feel that she is really his secret weapon because

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<v Speaker 3>God knows how much crazy footage he's shooting with these

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<v Speaker 3>giant cameras the size of a refrigerator and dumping in

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<v Speaker 3>her lap. It's a three hour movie that doesn't really

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<v Speaker 3>take breath. It just key movement, and the same with

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<v Speaker 3>with Interstellar, with with with Tenant especially is I mean

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<v Speaker 3>just a perfect movie. I think Tenant is great and

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<v Speaker 3>I know you. I saw your ranking on screencrutch dot com.

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<v Speaker 3>You said that was like his eighth best film. Yes,

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<v Speaker 3>I was gonna that was gonna scream at you. You

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<v Speaker 3>said you ranked his films and you put I believe

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<v Speaker 3>you put uh the al Pacino one.

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<v Speaker 2>Last, right, Yeah, I think that's right, yes.

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<v Speaker 3>Which which I guess something's gotta be last. And then

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<v Speaker 3>you said follow last. Yes, I would probably put following

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<v Speaker 3>dead last, and then the al Pacino one Insomnia and

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<v Speaker 3>then go from there. But then like you had one

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<v Speaker 3>other one, probably Dark Knight Rises, and then you put

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<v Speaker 3>Tenant and I was like that singer, I can't believe

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<v Speaker 3>I allow you in my life with these kinds of opinions.

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<v Speaker 2>It was a movie I understand less every time I

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<v Speaker 2>watch it, and I've seen it many times.

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<v Speaker 3>I have this no possible way to understand that movie.

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<v Speaker 3>It's that's part of what's so good anyway. So I

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<v Speaker 3>really liked it. But you know what, here's the thing.

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<v Speaker 3>So it's an emergency session because Odyssey is all anybody's

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<v Speaker 3>talking about. I want the listeners to write in, to

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<v Speaker 3>write into feedback at film Spotting SVU dot com, And

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<v Speaker 3>next week we're gonna have a special Odyssey episode we'll

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<v Speaker 3>we talk about the movie a little bit more in depth.

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<v Speaker 3>I'm gonna see it again. Between now and then, we're

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<v Speaker 3>gonna be talk I'm gonna be wearing armor and eating

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<v Speaker 3>feta cheese, very Greek, and we're gonna.

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<v Speaker 2>Have Thank God, Riverside isn't smell a vision, That's all

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<v Speaker 2>I have to say.

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<v Speaker 3>And we're gonna talk about Odyssey as if it were

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<v Speaker 3>like that. You know, we're gonna do rec segs based

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<v Speaker 3>on Odyssey in some way, maybe our favorite you know,

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<v Speaker 3>Robert Pattinson Villain rolls or something. I don't know, but

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<v Speaker 3>that's gonna be next week's special edition. Odestly because it's

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<v Speaker 3>the movie of the year. I mean, it made a

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<v Speaker 3>bazillion dollars at the box office.

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<v Speaker 2>Also, it didn't make that much money. It did well.

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<v Speaker 3>It made more opening weekend than Oppenheimer did, and that

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<v Speaker 3>made a billion dollars in the long run.

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<v Speaker 2>Did it even make more than Toy Story five did

0:10:16.804 --> 0:10:19.205
<v Speaker 2>a couple of weeks ago. We didn't. We didn't stop

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<v Speaker 2>the presses to talk about Toy Store.

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<v Speaker 3>I believe that when this is done, it's.

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<v Speaker 2>This the civilization that tells the end of No.

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<v Speaker 3>When When When Otisi is out of when Odyssey is

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<v Speaker 3>out of theaters. I believe it's total box office tally

0:10:38.125 --> 0:10:40.885
<v Speaker 3>will be comparable to Oppenheimer's. I don't know that it'll

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<v Speaker 3>surpass it, but it'll be comparable in the same general ballpark,

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<v Speaker 3>which is close to a billion dollars, I think. I

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<v Speaker 3>think Oppenheimer ultimately made like didn't quite make a billion

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<v Speaker 3>and made like nine hundred and ninety eight million or

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<v Speaker 3>something like that. Anyway, So that's next week's that's the

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<v Speaker 3>fans are excited. They're out there right now. They're they're

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<v Speaker 3>they're stretching, they're they're.

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<v Speaker 2>Banging down the gates of Joy episode exactly.

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<v Speaker 3>So that's exciting. Okay, But now let's talk about this

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<v Speaker 3>week's movie, which producer Sam and I defer to him.

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<v Speaker 3>The word that I until formally called redo is pronounced

0:11:16.804 --> 0:11:19.085
<v Speaker 3>reducks like the Mighty Ducks.

0:11:19.325 --> 0:11:21.485
<v Speaker 2>You didn't just pronounce it that way. You shoul shamed

0:11:21.525 --> 0:11:23.765
<v Speaker 2>me for saying it the right way I did.

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<v Speaker 3>I called you a fool, and it was I who

0:11:26.005 --> 0:11:31.525
<v Speaker 3>was the fool, much much like Odysseus when he when

0:11:31.605 --> 0:11:34.765
<v Speaker 3>he turned his back on Poseidon and then he got screwed.

0:11:34.845 --> 0:11:36.165
<v Speaker 3>That's how I feel we have.

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<v Speaker 2>There's so many lessons that this film imparts to the

0:11:39.165 --> 0:11:40.525
<v Speaker 2>modern the modern viewer.

0:11:41.005 --> 0:11:44.685
<v Speaker 3>Re Ducks is pronounced re ducks. The word is derived

0:11:44.725 --> 0:11:49.045
<v Speaker 3>from Latin, meaning brought back or returning, much like Odysseus

0:11:49.085 --> 0:11:53.405
<v Speaker 3>coming back from true. Oh, Mike, go the first The

0:11:53.445 --> 0:11:57.645
<v Speaker 3>first syllable sounds like rea in the second rhymes with ducks, So.

0:11:57.845 --> 0:12:01.645
<v Speaker 2>The listeners can't hear me. Hear me doing it. But

0:12:01.684 --> 0:12:04.045
<v Speaker 2>I wonder if the mic is picking up me rubbing

0:12:04.085 --> 0:12:08.645
<v Speaker 2>my temples violently every time he mentions Odysseus.

0:12:08.205 --> 0:12:10.925
<v Speaker 3>A temple much like the temple to Athena that was

0:12:11.005 --> 0:12:14.564
<v Speaker 3>sacked at Troy when they broke Zeus's law. Those bastards.

0:12:14.605 --> 0:12:16.285
<v Speaker 2>All right, let's get to this review.

0:12:16.564 --> 0:12:20.804
<v Speaker 3>All right, good good, good good.

0:12:21.125 --> 0:12:25.005
<v Speaker 5>Traveling through the multiverse looking for my daughter, you know.

0:12:25.045 --> 0:12:29.364
<v Speaker 4>For around here, no great, neither am I looking.

0:12:29.045 --> 0:12:33.285
<v Speaker 6>For a world for she wasn't kidnapped and murdered. You

0:12:33.325 --> 0:12:36.085
<v Speaker 6>lost your daughter. It was a long time ago.

0:12:36.684 --> 0:12:40.444
<v Speaker 5>She's been dead in all of them.

0:12:39.525 --> 0:12:42.765
<v Speaker 6>So I just keep killing the bastard to.

0:12:42.885 --> 0:12:49.684
<v Speaker 2>This her revenge is an intimate act. No one swears

0:12:49.765 --> 0:12:52.925
<v Speaker 2>revenge because a guy they met once in line at

0:12:53.045 --> 0:12:56.565
<v Speaker 2>stop and shop got mugged. The victim needs to be

0:12:56.605 --> 0:13:00.725
<v Speaker 2>a loved one. It is by definition a family affair,

0:13:01.485 --> 0:13:05.804
<v Speaker 2>and that certainly lends an interesting twist behind the camera

0:13:06.445 --> 0:13:11.165
<v Speaker 2>to Redux, reducts, or, as Jordan likes to call it, redo, Redo.

0:13:11.125 --> 0:13:13.205
<v Speaker 3>Never again, I won't do it again now I.

0:13:13.165 --> 0:13:16.685
<v Speaker 2>Know, which is a high concept combo of sci fi

0:13:16.885 --> 0:13:20.885
<v Speaker 2>film and revenge picture. It was directed by brothers Ca

0:13:21.245 --> 0:13:25.885
<v Speaker 2>and Matthew McManus, and it stars their sister, MICHAELA McManus.

0:13:26.325 --> 0:13:29.965
<v Speaker 2>She plays a woman out for a unique but very

0:13:30.325 --> 0:13:34.125
<v Speaker 2>intimate sort of revenge after her daughter is murdered by

0:13:34.205 --> 0:13:39.684
<v Speaker 2>a sadistic short order cook in a world where technology

0:13:39.804 --> 0:13:44.605
<v Speaker 2>exists that allows people to jump between universes. She sets

0:13:44.605 --> 0:13:49.444
<v Speaker 2>out across the multiverse trying to find a world, any world,

0:13:49.885 --> 0:13:53.645
<v Speaker 2>where her daughter is still alive. She visits countless worlds,

0:13:53.725 --> 0:13:57.045
<v Speaker 2>and in every single one, her daughter is dead. So

0:13:58.005 --> 0:14:02.525
<v Speaker 2>she seeks out said short order cook and kills him,

0:14:03.005 --> 0:14:05.085
<v Speaker 2>and kills him, and kills him and kills him. She

0:14:05.165 --> 0:14:07.365
<v Speaker 2>hops from one universe to the next and repeats this

0:14:07.445 --> 0:14:12.285
<v Speaker 2>process over and over again. Reducs after Reducs after Redo

0:14:12.405 --> 0:14:18.805
<v Speaker 2>after Redo. Now it's an undeniably inventive twist on a

0:14:18.925 --> 0:14:21.405
<v Speaker 2>very familiar sort of film. But Jordan, and here's my

0:14:21.525 --> 0:14:25.565
<v Speaker 2>question for you, do it. Does the filmmaking family in

0:14:25.605 --> 0:14:29.525
<v Speaker 2>this case that made Redux Reducs have the chops to

0:14:29.565 --> 0:14:34.205
<v Speaker 2>live up to their very inventive concept. Or is the

0:14:34.245 --> 0:14:38.205
<v Speaker 2>fact that this familial revenge movie was made by three

0:14:38.245 --> 0:14:42.005
<v Speaker 2>siblings amount to little more than a great sales pitch

0:14:42.085 --> 0:14:43.685
<v Speaker 2>for a so so movie.

0:14:44.005 --> 0:14:48.845
<v Speaker 3>M Okay. My answer to your question, straight up yes

0:14:48.925 --> 0:14:52.765
<v Speaker 3>or no, is Yes. This movie is good and it's

0:14:52.805 --> 0:14:55.645
<v Speaker 3>worth your time, and you have Hulu, so you might

0:14:55.685 --> 0:14:58.165
<v Speaker 3>as well watch it. Anyhow. It's pretty short too, It's

0:14:58.165 --> 0:15:02.325
<v Speaker 3>like ninety seven minutes or so. I would say it's

0:15:02.405 --> 0:15:04.885
<v Speaker 3>not as good as the movie I'm about to mention,

0:15:05.085 --> 0:15:07.685
<v Speaker 3>But it did remind me of it because it's low budget,

0:15:07.965 --> 0:15:12.405
<v Speaker 3>it's pretty smart, and it involves people getting in a box.

0:15:12.685 --> 0:15:15.085
<v Speaker 3>So remind me of Primer a little bit. Did you

0:15:15.085 --> 0:15:16.725
<v Speaker 3>have Primer vibes from the Stora?

0:15:16.885 --> 0:15:20.485
<v Speaker 2>It's hard not to think about Primer if you know

0:15:20.605 --> 0:15:22.805
<v Speaker 2>that film and you watch this one.

0:15:22.925 --> 0:15:25.765
<v Speaker 3>Yes, No, Primer's in a different universe because Primers really

0:15:26.325 --> 0:15:31.165
<v Speaker 3>brainiac movie. Some would say it's similar to Memento in

0:15:31.165 --> 0:15:32.645
<v Speaker 3>the way it's so crazy and you got to think

0:15:32.645 --> 0:15:36.765
<v Speaker 3>about it hard. But this is much more fun, and

0:15:36.805 --> 0:15:40.205
<v Speaker 3>I really like the central character played by the sister McManus.

0:15:40.885 --> 0:15:45.685
<v Speaker 3>And you know, it teases just enough of the world

0:15:45.805 --> 0:15:49.645
<v Speaker 3>that you buy it. But it doesn't you know, it

0:15:49.645 --> 0:15:51.885
<v Speaker 3>doesn't know the It doesn't know how this thing works

0:15:51.885 --> 0:15:54.605
<v Speaker 3>because this thing doesn't exist. Nobody knows how this thing works.

0:15:54.605 --> 0:15:57.085
<v Speaker 3>So it just just tells you enough to buy the premise.

0:15:57.725 --> 0:15:59.965
<v Speaker 3>I thought the lead actress was quite good, but there

0:16:00.005 --> 0:16:02.685
<v Speaker 3>really aren't any stars in this film. There are some

0:16:02.765 --> 0:16:05.365
<v Speaker 3>twists and turns, though when you learn a little bit

0:16:05.365 --> 0:16:08.525
<v Speaker 3>about one of the twists, this isn't giving too much away.

0:16:08.605 --> 0:16:10.485
<v Speaker 3>Is that you just kind of assume, I don't know, Matt,

0:16:10.525 --> 0:16:13.965
<v Speaker 3>maybe you did too. You assume that the movie began

0:16:15.045 --> 0:16:18.285
<v Speaker 3>in our universe, right, like didn't You just kind of assume, like, oh,

0:16:18.405 --> 0:16:20.165
<v Speaker 3>she's popping around, like at the beginning, we see like

0:16:20.165 --> 0:16:22.725
<v Speaker 3>a montage for kill people. But you just assume that

0:16:22.765 --> 0:16:25.805
<v Speaker 3>the initial transgression happened in our universe and she figured

0:16:25.805 --> 0:16:28.485
<v Speaker 3>out a way to move around, and then later it

0:16:28.525 --> 0:16:31.205
<v Speaker 3>kind of dawns. He was like, no, she she grew

0:16:31.285 --> 0:16:35.565
<v Speaker 3>up in some other realm. You know where where sci

0:16:35.605 --> 0:16:39.365
<v Speaker 3>fi googlews exist. And that was a very interesting take.

0:16:39.405 --> 0:16:42.165
<v Speaker 3>I thought that, like, you know, our base of reality

0:16:42.165 --> 0:16:44.485
<v Speaker 3>and her base of reality were different. We don't know

0:16:44.525 --> 0:16:47.005
<v Speaker 3>when she visits our universe, you know, Like I say,

0:16:47.085 --> 0:16:49.285
<v Speaker 3>she kills this guy a lot. It's a little gruesome actually.

0:16:50.645 --> 0:16:53.245
<v Speaker 3>And then there's a nice, you know message to the film,

0:16:53.285 --> 0:16:56.645
<v Speaker 3>which is, you know, eventually, man, you know, hate it'll

0:16:56.685 --> 0:16:57.245
<v Speaker 3>eat you up.

0:16:57.325 --> 0:16:57.565
<v Speaker 4>Man.

0:16:57.725 --> 0:17:01.485
<v Speaker 3>Revenge is you know, is not you know, it's maybe

0:17:01.685 --> 0:17:03.965
<v Speaker 3>not so good that, you know, kill the person who

0:17:04.045 --> 0:17:06.365
<v Speaker 3>killed your daughter once, but don't kill him one hundred

0:17:06.405 --> 0:17:09.685
<v Speaker 3>and eighty five times. But then of course she meets

0:17:09.965 --> 0:17:15.325
<v Speaker 3>someone along her travels who becomes a surrogate daughter to her. Sure,

0:17:15.525 --> 0:17:20.965
<v Speaker 3>and this is where I really hopem debating whether or

0:17:21.085 --> 0:17:23.485
<v Speaker 3>I should bring this up Here goes because when it's

0:17:23.485 --> 0:17:25.445
<v Speaker 3>a low budget movie like this, there's it possibility that

0:17:25.525 --> 0:17:27.525
<v Speaker 3>the people who made this film more important than people

0:17:27.525 --> 0:17:29.925
<v Speaker 3>who were in this film might actually listen to this podcast.

0:17:30.365 --> 0:17:33.244
<v Speaker 3>So here we go. I really like the movie, and

0:17:33.325 --> 0:17:36.525
<v Speaker 3>I think that the young woman who played the surrogate

0:17:36.605 --> 0:17:38.805
<v Speaker 3>daughter as an actress by name is Stella Marcus. I

0:17:38.845 --> 0:17:43.045
<v Speaker 3>think she's very talented. She was miscast in this film.

0:17:43.165 --> 0:17:45.285
<v Speaker 3>This is a low budget movie made in Canada. You

0:17:45.325 --> 0:17:47.285
<v Speaker 3>know they you know Canada. I mean, come on, they

0:17:47.285 --> 0:17:52.365
<v Speaker 3>barely have running water up there, so what they I'm

0:17:52.445 --> 0:17:55.845
<v Speaker 3>making a joke. So it's a low budget film from Canada.

0:17:56.005 --> 0:17:57.765
<v Speaker 3>So they made they went to the war with the

0:17:57.885 --> 0:18:00.405
<v Speaker 3>army they had, right, So they cast this young woman

0:18:00.445 --> 0:18:04.885
<v Speaker 3>who was good. But she's supposed to be like, you know,

0:18:05.725 --> 0:18:09.605
<v Speaker 3>a tough chick from the streets, and she's seen a

0:18:09.645 --> 0:18:13.285
<v Speaker 3>lot and done a lot. And this this actress, young woman,

0:18:13.845 --> 0:18:16.205
<v Speaker 3>she looks not like that. You know. It's just it

0:18:16.285 --> 0:18:19.925
<v Speaker 3>just was not the right casting, and it did bother me.

0:18:20.045 --> 0:18:22.965
<v Speaker 3>Normally I just roll with it. I suspend my disbelief, like,

0:18:23.005 --> 0:18:25.925
<v Speaker 3>oh yeah, right, she doesn't look like like she's had

0:18:25.925 --> 0:18:29.245
<v Speaker 3>it too rough, but okay, I really had a hard

0:18:29.285 --> 0:18:33.365
<v Speaker 3>time buying her in this role. Young, young, young Stella.

0:18:33.445 --> 0:18:35.445
<v Speaker 3>The next movie you're in, when you're gonna get cast

0:18:35.565 --> 0:18:38.405
<v Speaker 3>in something more appropriate, you're gonna shine, You're gonna be great.

0:18:38.445 --> 0:18:40.285
<v Speaker 3>You got a great career ahead of you. And to

0:18:40.365 --> 0:18:43.245
<v Speaker 3>the directors that put her in the film, I'm sure

0:18:43.285 --> 0:18:46.125
<v Speaker 3>she was the best you saw. So nothing you can do.

0:18:46.645 --> 0:18:48.765
<v Speaker 3>This was for me a little bit of a It

0:18:48.805 --> 0:18:51.445
<v Speaker 3>did bother me, Like I'm like, every time she's on screen,

0:18:51.485 --> 0:18:53.085
<v Speaker 3>I'm going ash, she's wrong for the part. She's wrong

0:18:53.125 --> 0:18:54.845
<v Speaker 3>for the part. But I still like the movie and

0:18:54.885 --> 0:18:56.925
<v Speaker 3>I really recommend it. Recommend it. Did you feel that

0:18:57.005 --> 0:18:58.645
<v Speaker 3>she wasn't so hot in this in this role?

0:18:58.645 --> 0:19:01.285
<v Speaker 2>Also? I thought she was fine. I think the thing

0:19:01.325 --> 0:19:04.205
<v Speaker 2>that resonated with me from what you said was about

0:19:04.685 --> 0:19:07.925
<v Speaker 2>suspending your disbelief. I didn't necessarily have as much of

0:19:07.965 --> 0:19:10.885
<v Speaker 2>a problem with her, but I think, well, I thought overall,

0:19:11.045 --> 0:19:13.965
<v Speaker 2>I thought it was a pretty well done, you know,

0:19:14.165 --> 0:19:17.525
<v Speaker 2>very low budget movie, and with whatever they had available,

0:19:17.565 --> 0:19:21.245
<v Speaker 2>they did a fine job it. You know, I think

0:19:21.685 --> 0:19:25.485
<v Speaker 2>you can't help but think about Primer, as you mentioned,

0:19:25.525 --> 0:19:28.045
<v Speaker 2>based on the premise, and also like that there's this

0:19:28.205 --> 0:19:31.205
<v Speaker 2>box that is the all important thing that they used,

0:19:31.405 --> 0:19:35.485
<v Speaker 2>you know, instead of time travel, it's it's it's multiversal time,

0:19:35.565 --> 0:19:39.005
<v Speaker 2>you know, dimension jumps. But it is just a big box.

0:19:39.445 --> 0:19:42.365
<v Speaker 2>But the problem with that comparison is like I feel

0:19:42.365 --> 0:19:45.565
<v Speaker 2>like with Primer, a movie that I don't adore, but

0:19:45.645 --> 0:19:47.805
<v Speaker 2>it's like the more you think about Primer, the more

0:19:47.885 --> 0:19:49.725
<v Speaker 2>like it kind of it's like a fun puzzle to

0:19:49.765 --> 0:19:52.485
<v Speaker 2>twist around in your head. And this movie, I think

0:19:52.525 --> 0:19:54.885
<v Speaker 2>the more you think about it, the less you're gonna

0:19:54.885 --> 0:19:57.365
<v Speaker 2>get out of it. It's not that sort of film.

0:19:58.645 --> 0:20:02.925
<v Speaker 2>It's like this box, right, the box. The box winds

0:20:03.005 --> 0:20:07.525
<v Speaker 2>up in vans, it winds up in in in hotel rooms,

0:20:08.205 --> 0:20:10.565
<v Speaker 2>and there are times and there are times where it's

0:20:10.565 --> 0:20:13.085
<v Speaker 2>like it like lands in like the middle of the street.

0:20:13.285 --> 0:20:14.445
<v Speaker 3>Right, and we got it.

0:20:14.885 --> 0:20:16.965
<v Speaker 2>We got to get this thing. This thing must weigh

0:20:17.045 --> 0:20:20.965
<v Speaker 2>six thousand pounds. And these two women, how are the

0:20:21.205 --> 0:20:22.925
<v Speaker 2>lifting it? How are they moving? And how do they

0:20:23.005 --> 0:20:26.685
<v Speaker 2>get anywhere? And you know you mentioned that you kind

0:20:26.685 --> 0:20:31.405
<v Speaker 2>of expected that, Okay, well this movie is she must

0:20:31.405 --> 0:20:35.965
<v Speaker 2>have started in our world. Yeah, and somehow it started

0:20:36.045 --> 0:20:38.405
<v Speaker 2>jumping around, found this device or whatever. And we really

0:20:38.445 --> 0:20:41.244
<v Speaker 2>don't get a ton of information about this this what

0:20:41.285 --> 0:20:45.645
<v Speaker 2>did you call it? A gigga googaw? Yeah, a googaw.

0:20:45.965 --> 0:20:48.365
<v Speaker 2>That's one of the big competitors to Bazouga. We haven't

0:20:48.405 --> 0:20:51.405
<v Speaker 2>talked about it before, but it's it's another it's an

0:20:51.485 --> 0:20:54.525
<v Speaker 2>up and comer in the streaming space is Googaw. But

0:20:55.645 --> 0:20:59.085
<v Speaker 2>what we as you mentioned, like you sort of eventually realize, well, no,

0:20:59.365 --> 0:21:03.485
<v Speaker 2>she's from a much different place that has incredible technology.

0:21:04.005 --> 0:21:06.565
<v Speaker 2>But every other universe that we see in this movie

0:21:06.965 --> 0:21:10.245
<v Speaker 2>looks exactly like our world, right, so there's there every

0:21:10.325 --> 0:21:13.245
<v Speaker 2>universe looks like ours except the one that she comes from,

0:21:13.245 --> 0:21:15.565
<v Speaker 2>which apparently is like a sci fi paraise.

0:21:15.765 --> 0:21:17.805
<v Speaker 3>Like I was thinking that too, that it was like,

0:21:18.005 --> 0:21:20.565
<v Speaker 3>there should be like one time where she jumps and

0:21:20.765 --> 0:21:23.845
<v Speaker 3>it rains donuts, like on the Simpsons episode where Homer

0:21:23.965 --> 0:21:25.085
<v Speaker 3>went to the donut raining.

0:21:25.285 --> 0:21:28.085
<v Speaker 2>Now you could say I am nitpicking, and you're probably right,

0:21:28.125 --> 0:21:30.845
<v Speaker 2>but my point is this movie works best sort of

0:21:30.925 --> 0:21:33.405
<v Speaker 2>only at the sort of we're using this as an

0:21:33.445 --> 0:21:36.245
<v Speaker 2>excuse to tell like an emotional story. Yeah, and I

0:21:36.365 --> 0:21:39.405
<v Speaker 2>make on that level, yes, And on that level it works,

0:21:39.485 --> 0:21:42.405
<v Speaker 2>and I thought it was effective. Yeah, And it is

0:21:42.445 --> 0:21:46.325
<v Speaker 2>a smart use of like multi versus to tell a

0:21:46.365 --> 0:21:49.845
<v Speaker 2>story about grief and about trauma and all those sorts

0:21:49.885 --> 0:21:54.645
<v Speaker 2>of things. The metaphor works where it'll it'll start to

0:21:54.725 --> 0:21:57.085
<v Speaker 2>kind of fall apart. Is if you kind of if

0:21:57.125 --> 0:21:59.645
<v Speaker 2>you're not if you don't get hooked by that, you're

0:21:59.845 --> 0:22:02.365
<v Speaker 2>you could be in trouble because like trying to kind

0:22:02.405 --> 0:22:05.525
<v Speaker 2>of make sense of what's happening in a like does

0:22:05.565 --> 0:22:08.725
<v Speaker 2>this all add up. I'm not so sure that it does,

0:22:09.125 --> 0:22:11.565
<v Speaker 2>but I think if it's it is a again you

0:22:11.605 --> 0:22:13.845
<v Speaker 2>have to suspend your disbelief and if you can do that,

0:22:14.165 --> 0:22:17.605
<v Speaker 2>I thought it was a pretty solid little plucky, little

0:22:17.845 --> 0:22:19.005
<v Speaker 2>Indie Taylor.

0:22:19.165 --> 0:22:22.485
<v Speaker 3>It's a good festival film. It's a great calling card film.

0:22:23.405 --> 0:22:25.805
<v Speaker 3>If I ran a studio, I get all these I

0:22:25.845 --> 0:22:27.845
<v Speaker 3>get these kids in an office and see what they

0:22:27.885 --> 0:22:30.205
<v Speaker 3>want to do next.

0:22:29.645 --> 0:22:32.205
<v Speaker 6>I can't quit.

0:22:32.365 --> 0:22:36.685
<v Speaker 3>The action is good. I think the last sequence, the

0:22:36.725 --> 0:22:38.845
<v Speaker 3>final Girls sequence at the end, I thought that was

0:22:38.885 --> 0:22:40.925
<v Speaker 3>really well done. It was became a good horror movie

0:22:40.925 --> 0:22:44.125
<v Speaker 3>at the end. Also, it opens really sharp. Like the beginning,

0:22:44.165 --> 0:22:45.565
<v Speaker 3>Like I mentioned this before, it has.

0:22:45.485 --> 0:22:46.805
<v Speaker 2>A very catchy beginning.

0:22:46.845 --> 0:22:50.405
<v Speaker 3>I agree, violent as hell, also a very exiting and

0:22:50.525 --> 0:22:53.125
<v Speaker 3>she's running around and she's stealing a truck and all

0:22:53.165 --> 0:22:56.765
<v Speaker 3>this stuff. I mean, these guys have the goods.

0:22:56.645 --> 0:22:59.245
<v Speaker 2>And they and I will give them credit. Also, you know,

0:22:59.245 --> 0:23:00.885
<v Speaker 2>as you said, like they just kind of throw you

0:23:00.965 --> 0:23:04.085
<v Speaker 2>into it. There's you're just totally disoriented to start, and

0:23:04.125 --> 0:23:06.605
<v Speaker 2>that is fun. I've been in the middle of reading

0:23:07.325 --> 0:23:12.405
<v Speaker 2>Frank Miller's new memoir called Push the Wall. Frank Miller,

0:23:12.485 --> 0:23:15.805
<v Speaker 2>the creator of Sin City and the writer and artist

0:23:15.925 --> 0:23:19.005
<v Speaker 2>of the Dark Knight returns and many many great comic books.

0:23:19.125 --> 0:23:22.405
<v Speaker 2>It's a really good book. And he has a chapter

0:23:22.485 --> 0:23:25.525
<v Speaker 2>it's about his life, but it's also about making art

0:23:25.645 --> 0:23:28.725
<v Speaker 2>and comics, and he gives some very few but a

0:23:28.725 --> 0:23:31.845
<v Speaker 2>couple of rules of storytelling. And one of his rules

0:23:31.885 --> 0:23:36.445
<v Speaker 2>is start your story as late in the story as possible. Yeah,

0:23:36.525 --> 0:23:39.245
<v Speaker 2>and this is a perfect example of that, and it does,

0:23:39.605 --> 0:23:42.645
<v Speaker 2>and it shows why it's effective instead of like explaining,

0:23:43.285 --> 0:23:45.765
<v Speaker 2>and probably because they just couldn't afford to show whatever

0:23:45.925 --> 0:23:48.845
<v Speaker 2>universe this lady came from, they start with her already

0:23:48.885 --> 0:23:52.885
<v Speaker 2>on this this endless quest of killing the same person

0:23:53.005 --> 0:23:55.205
<v Speaker 2>over and over and what's happening and why is she

0:23:55.285 --> 0:23:58.765
<v Speaker 2>doing this? And that is really fun to try to

0:23:58.805 --> 0:24:02.205
<v Speaker 2>piece that out. And I give them total credit for

0:24:02.245 --> 0:24:05.285
<v Speaker 2>the way it starts. It's very effective. And then yeah,

0:24:05.325 --> 0:24:09.245
<v Speaker 2>as you learn more, it also works. And MICHAELA. McManus

0:24:09.325 --> 0:24:12.285
<v Speaker 2>does give a really good performance. And so yeah, all

0:24:12.325 --> 0:24:14.565
<v Speaker 2>of that stuff I thought. I thought the strongest part

0:24:14.605 --> 0:24:16.725
<v Speaker 2>of the movie really was the first like fifteen twenty

0:24:16.765 --> 0:24:17.525
<v Speaker 2>minutes or so.

0:24:17.565 --> 0:24:19.285
<v Speaker 3>Yeah, that really kicks it. And then the ending I

0:24:19.325 --> 0:24:21.885
<v Speaker 3>think is good to you. So I recommend it. I

0:24:21.925 --> 0:24:23.885
<v Speaker 3>mean it's a little different. It's it's one of those

0:24:23.885 --> 0:24:26.965
<v Speaker 3>movies that like, nobody's talking about except for us, so

0:24:27.085 --> 0:24:27.405
<v Speaker 3>make more.

0:24:27.445 --> 0:24:29.045
<v Speaker 2>They don't know how to pronounce the title. How could

0:24:29.045 --> 0:24:29.765
<v Speaker 2>they talk about it?

0:24:29.805 --> 0:24:31.445
<v Speaker 3>I mean I watched you with my wife and she

0:24:31.605 --> 0:24:33.765
<v Speaker 3>enjoyed it too. She thought it was it was pretty cool.

0:24:33.965 --> 0:24:36.285
<v Speaker 3>And yeah, it's like a little gem. It's a little

0:24:36.325 --> 0:24:39.925
<v Speaker 3>indie gems. It's not am not gonna be on anybody's

0:24:40.325 --> 0:24:42.765
<v Speaker 3>end of the year best lists, but it is something

0:24:42.805 --> 0:24:43.245
<v Speaker 3>you're not.

0:24:43.165 --> 0:24:47.885
<v Speaker 2>Sending me any Redux Reducks memes at eleven thirty at night. No, No,

0:24:47.965 --> 0:24:49.645
<v Speaker 2>let's put that before we wrap up. I know we

0:24:49.645 --> 0:24:50.565
<v Speaker 2>don't want to have a We didn't.

0:24:50.565 --> 0:24:50.805
<v Speaker 3>We don't.

0:24:50.805 --> 0:24:52.045
<v Speaker 2>We didn't want to go on too long. We have

0:24:52.085 --> 0:24:53.925
<v Speaker 2>a lot to talk about this week. Yes, I did

0:24:53.925 --> 0:24:57.165
<v Speaker 2>want to say one one thing that irked me. I mean,

0:24:57.165 --> 0:24:58.965
<v Speaker 2>it is in this movie, but it is it is

0:24:59.005 --> 0:25:01.484
<v Speaker 2>more that I'm just sick of this trope? Can I

0:25:01.525 --> 0:25:03.085
<v Speaker 2>can I throw this out? Can I get on a

0:25:03.085 --> 0:25:03.925
<v Speaker 2>soapbox here?

0:25:05.085 --> 0:25:05.525
<v Speaker 3>Yeah?

0:25:05.645 --> 0:25:08.925
<v Speaker 2>I am not a huge fan. I feel like in

0:25:09.005 --> 0:25:12.045
<v Speaker 2>every Revenge movie and I didn't write down examples, and

0:25:12.085 --> 0:25:14.005
<v Speaker 2>I don't have any to like site. But I just

0:25:14.125 --> 0:25:17.645
<v Speaker 2>feel like this is something I've seen too much the

0:25:17.805 --> 0:25:21.805
<v Speaker 2>Revenge movie, where someone is on an end list quest

0:25:21.885 --> 0:25:24.685
<v Speaker 2>for revenge. I must do this, I must get revenge.

0:25:24.685 --> 0:25:27.725
<v Speaker 2>I must, I must, And then they encounter someone at

0:25:27.725 --> 0:25:32.045
<v Speaker 2>the beginning of a potential quest for revenge and they

0:25:32.045 --> 0:25:34.245
<v Speaker 2>are like, you know, you don't want this, you don't

0:25:34.565 --> 0:25:36.965
<v Speaker 2>you know, don't do this right, which is a thing

0:25:37.045 --> 0:25:39.405
<v Speaker 2>that happens in this movie with the character of Mia,

0:25:40.045 --> 0:25:44.365
<v Speaker 2>for various reasons, has her own want desired, a reason

0:25:44.445 --> 0:25:47.565
<v Speaker 2>to want revenge, and so as she falls in with

0:25:47.765 --> 0:25:51.405
<v Speaker 2>the Michayla mcmannon's character Irene, you know, it sort of

0:25:51.565 --> 0:25:53.925
<v Speaker 2>is a you know, like you know, she kind of

0:25:53.965 --> 0:25:55.805
<v Speaker 2>takes her under her wing, but she also is like,

0:25:55.845 --> 0:25:59.845
<v Speaker 2>you know, you know, it's almost like the walk Hard.

0:26:00.445 --> 0:26:02.165
<v Speaker 3>Don't be like me, don't be like me.

0:26:02.805 --> 0:26:07.005
<v Speaker 2>It's like the walk Hard scene where John c Ryley

0:26:07.485 --> 0:26:09.845
<v Speaker 2>you don't want yeah, exactly. Tim Medow is like, you

0:26:09.845 --> 0:26:12.885
<v Speaker 2>don't want none of this? Is it expensive? It's the

0:26:13.005 --> 0:26:16.645
<v Speaker 2>cheapest drug there is. You don't want none of it.

0:26:16.765 --> 0:26:21.005
<v Speaker 2>I am sick of the character want the character who

0:26:21.085 --> 0:26:24.165
<v Speaker 2>is on an endless quest of revenge telling someone you

0:26:24.245 --> 0:26:27.605
<v Speaker 2>don't want none of this now? But do they stop?

0:26:28.085 --> 0:26:30.325
<v Speaker 2>Do they again? I don't want to spoil the end

0:26:30.365 --> 0:26:31.245
<v Speaker 2>of this movie here.

0:26:31.645 --> 0:26:33.165
<v Speaker 3>Like they do want You don't want this.

0:26:33.285 --> 0:26:35.645
<v Speaker 2>I mean, excuse me while I go kill ten more

0:26:35.685 --> 0:26:38.565
<v Speaker 2>people because I have to. It's just that, to me

0:26:38.645 --> 0:26:41.085
<v Speaker 2>is a very played out trope and I don't.

0:26:41.565 --> 0:26:44.165
<v Speaker 3>Well, for first of all, Walkhart has ruined movies. I

0:26:44.245 --> 0:26:47.485
<v Speaker 3>mean no, you can't take any movie seriously post Walkcard

0:26:47.565 --> 0:26:51.125
<v Speaker 3>and Walkard just destroyed the whole the whole medium. But

0:26:51.245 --> 0:26:54.845
<v Speaker 3>you're right, it's like, you know, I have a friends.

0:26:55.485 --> 0:26:57.645
<v Speaker 3>It's a bit. It's like you know somebody who like

0:26:58.605 --> 0:27:02.925
<v Speaker 3>had spent their youth doing drugs and you know, betting

0:27:03.005 --> 0:27:06.085
<v Speaker 3>women and living like a crazy person and later comes

0:27:06.085 --> 0:27:07.725
<v Speaker 3>out and is sober, and it's like, you don't want

0:27:07.725 --> 0:27:09.325
<v Speaker 3>to live what I live through. It's like, I don't know,

0:27:09.365 --> 0:27:11.845
<v Speaker 3>it sounds kind of fun from here what you were doing,

0:27:12.125 --> 0:27:14.765
<v Speaker 3>I'd like to I'd like to find out for myself.

0:27:15.205 --> 0:27:17.525
<v Speaker 3>So yeah, it is. It is a funny thing. And

0:27:18.845 --> 0:27:20.925
<v Speaker 3>but yes it is played out, like you know, don't

0:27:21.165 --> 0:27:24.085
<v Speaker 3>be like but again it's played out, but it's what

0:27:24.165 --> 0:27:26.885
<v Speaker 3>this character's be. It made you know, I bought it

0:27:26.965 --> 0:27:29.885
<v Speaker 3>because I liked the performance and I like the general premise.

0:27:30.565 --> 0:27:33.125
<v Speaker 3>You're right, I had the walk hard thought to it

0:27:33.245 --> 0:27:36.725
<v Speaker 3>during that exact moment, but I said, you know what,

0:27:36.765 --> 0:27:40.005
<v Speaker 3>I'll give them a break because I felt it. I mean,

0:27:40.045 --> 0:27:44.005
<v Speaker 3>I just watched this woman murder a man seventeen times

0:27:44.125 --> 0:27:47.885
<v Speaker 3>and because he torture her daughter, sure, and I kind

0:27:47.885 --> 0:27:49.965
<v Speaker 3>of felt it. So it was like, you know what.

0:27:50.165 --> 0:27:51.845
<v Speaker 2>At this point, it just feels like a scene that

0:27:51.885 --> 0:27:53.965
<v Speaker 2>people throw in because they feel like they have to

0:27:54.005 --> 0:27:55.285
<v Speaker 2>include a scene like that.

0:27:55.965 --> 0:27:58.725
<v Speaker 3>And I mean it's unfortunate because I think this movie

0:27:58.925 --> 0:28:01.845
<v Speaker 3>earned it. I feel this movie earned that scene, whereas

0:28:01.925 --> 0:28:05.005
<v Speaker 3>some other examples don't. But I but you're right, it's

0:28:05.045 --> 0:28:07.525
<v Speaker 3>just that they I wish there was a different spin

0:28:08.125 --> 0:28:12.285
<v Speaker 3>because that, Yeah, that's what the point of this movie is.

0:28:12.325 --> 0:28:16.285
<v Speaker 3>Revenge doesn't solve anything. It's this movie's anti death penalty.

0:28:16.485 --> 0:28:18.645
<v Speaker 3>You know, killing the guy who kills your loved one

0:28:18.685 --> 0:28:21.085
<v Speaker 3>isn't gonna help. But you need to come to that

0:28:21.205 --> 0:28:23.565
<v Speaker 3>conclusion on your own. And she comes to it after

0:28:24.085 --> 0:28:27.325
<v Speaker 3>traveling the multiverse and strangling him one hundred times. I mean,

0:28:27.325 --> 0:28:28.645
<v Speaker 3>that's it is a yes.

0:28:29.085 --> 0:28:31.165
<v Speaker 2>I don't know that I one hundred percent agree that

0:28:31.165 --> 0:28:33.405
<v Speaker 2>that is the message of the movie. Where any movie

0:28:33.445 --> 0:28:37.125
<v Speaker 2>where you've murdered someone thousands of times and then I

0:28:37.125 --> 0:28:40.885
<v Speaker 2>don't know that it's necessarily saying that that that it's bad, but.

0:28:41.285 --> 0:28:43.045
<v Speaker 3>Well that's what she's come through, is that she's she

0:28:43.165 --> 0:28:45.645
<v Speaker 3>has to stop, she has to stop the cycle of violence. Man,

0:28:45.685 --> 0:28:47.845
<v Speaker 3>as we all do. You know, let's get Putin and

0:28:47.925 --> 0:28:50.525
<v Speaker 3>Zelensky to watch Redus reducts in the world to be

0:28:50.565 --> 0:28:51.245
<v Speaker 3>a better place.

0:28:51.845 --> 0:28:54.445
<v Speaker 2>All right, fair enough, Well, if they want to watch it,

0:28:55.045 --> 0:28:57.765
<v Speaker 2>they can do so on Hulu.

0:28:58.405 --> 0:29:01.165
<v Speaker 3>That's right, they have Hulu out there and Kiev and

0:29:01.365 --> 0:29:04.725
<v Speaker 3>Moscow and peace to the world.

0:29:05.325 --> 0:29:06.845
<v Speaker 7>How do you know where I am?

0:29:06.845 --> 0:29:07.725
<v Speaker 8>Anymore?

0:29:09.285 --> 0:29:13.085
<v Speaker 2>We're moving on to everyone's favorite segment to say, if

0:29:13.125 --> 0:29:16.965
<v Speaker 2>not to actually participate in. It, is the recommendation segment,

0:29:17.005 --> 0:29:23.285
<v Speaker 2>also known as e works.

0:29:25.005 --> 0:29:31.725
<v Speaker 3>All right, you got annoyed at me for saying homeboy

0:29:31.805 --> 0:29:34.205
<v Speaker 3>Homer in the house and you're screaming and yelling about

0:29:34.205 --> 0:29:35.285
<v Speaker 3>reck what Jordan?

0:29:35.405 --> 0:29:36.245
<v Speaker 2>You know what you did?

0:29:36.445 --> 0:29:38.725
<v Speaker 3>I know you know what you did? You know what?

0:29:38.805 --> 0:29:41.565
<v Speaker 3>The movie Reducks, Reducks, which I will now pronounce the

0:29:41.605 --> 0:29:44.885
<v Speaker 3>correct way, is quite good and it did make me

0:29:44.965 --> 0:29:47.485
<v Speaker 3>think of some other films that I would like to

0:29:47.525 --> 0:29:48.525
<v Speaker 3>recommend that.

0:29:48.645 --> 0:29:51.765
<v Speaker 2>Ironically, all your picks were movies with titles with a

0:29:51.845 --> 0:29:56.245
<v Speaker 2>silent X I've now established is not accurate. No, sorry,

0:29:56.245 --> 0:29:57.645
<v Speaker 2>what is your what's your recommendation?

0:29:57.725 --> 0:29:59.565
<v Speaker 3>All right, here we go. I'm going for a biggie.

0:29:59.565 --> 0:30:01.645
<v Speaker 3>The last couple of weeks I've been not no pussy

0:30:01.645 --> 0:30:04.565
<v Speaker 3>footing around. When I have an opportunity, When I have

0:30:04.605 --> 0:30:07.805
<v Speaker 3>an opportunity to just nail it and slam it out

0:30:07.805 --> 0:30:10.285
<v Speaker 3>of the park, I'm gonna do it right. Recent recommendations

0:30:10.285 --> 0:30:14.125
<v Speaker 3>include big ass movies like The in Laws, Amadeis, What's

0:30:14.205 --> 0:30:15.845
<v Speaker 3>Up Duck? These are some of my favorite movies of

0:30:15.885 --> 0:30:20.205
<v Speaker 3>all time, and here it comes again, Reducks. Reducks is

0:30:20.205 --> 0:30:23.885
<v Speaker 3>about a woman who has to take extraordinary science fiction

0:30:25.085 --> 0:30:29.325
<v Speaker 3>methods to save what she thinks, save the world, save

0:30:29.365 --> 0:30:33.085
<v Speaker 3>her life, correct a great wrong. I know. A story

0:30:33.125 --> 0:30:38.285
<v Speaker 3>about a group of people who are facing eternal existential

0:30:38.645 --> 0:30:42.965
<v Speaker 3>destruction planetary destruction in fact, and the only way that

0:30:43.045 --> 0:30:46.725
<v Speaker 3>they could have solved the problem were to take their

0:30:46.805 --> 0:30:50.085
<v Speaker 3>vessel sling shot it around the sun.

0:30:50.085 --> 0:30:53.245
<v Speaker 2>It wouldn't happen to be a nuclear vessel by any chance.

0:30:55.005 --> 0:30:59.325
<v Speaker 3>Sling shot around the sun. Go back in time, get

0:30:59.325 --> 0:31:03.125
<v Speaker 3>a humpback whale, bring it forward in time. And they

0:31:03.125 --> 0:31:05.605
<v Speaker 3>need to that's true. They need to Georgie and.

0:31:05.605 --> 0:31:07.405
<v Speaker 2>Grant please a little respect.

0:31:08.085 --> 0:31:11.285
<v Speaker 3>They have to get two humpback whales, drop them in

0:31:11.365 --> 0:31:15.005
<v Speaker 3>the tank at Paramount in Los Angeles and have them

0:31:15.045 --> 0:31:18.965
<v Speaker 3>talk to a probe. And that movie, of course, is

0:31:20.445 --> 0:31:23.805
<v Speaker 3>truly one of the most foundational films in my life.

0:31:24.045 --> 0:31:26.125
<v Speaker 3>Changed my life forever. When I saw it in the theater,

0:31:27.685 --> 0:31:30.245
<v Speaker 3>Star Trek for the Voyage Home. Now, I was not.

0:31:30.885 --> 0:31:34.605
<v Speaker 2>Get the red alert sound effects. Please play it, play

0:31:34.645 --> 0:31:36.805
<v Speaker 2>it here it comes. It's a whole segment of Star

0:31:36.885 --> 0:31:40.125
<v Speaker 2>Trek Talk Go Space, the Final Frontier.

0:31:40.885 --> 0:31:43.965
<v Speaker 3>When I saw Star Trek for the Voyage Home in Featers,

0:31:44.605 --> 0:31:50.005
<v Speaker 3>I was trek curious. I really didn't know much about it.

0:31:50.805 --> 0:31:53.765
<v Speaker 3>I had one friend he liked the show because his

0:31:53.885 --> 0:31:55.645
<v Speaker 3>dad was a fan, and I'd like seen it a

0:31:55.645 --> 0:31:57.325
<v Speaker 3>little bit in his basement, but like we'd kind of

0:31:57.365 --> 0:31:59.365
<v Speaker 3>catch it halfway through. He's like, you don't know, Star Trek.

0:31:59.405 --> 0:32:01.525
<v Speaker 3>This is good. He was from Long Island, so he

0:32:01.605 --> 0:32:04.245
<v Speaker 3>talked like that. So I knew it. But I also

0:32:04.325 --> 0:32:06.285
<v Speaker 3>knew that it was a thing that people made fun

0:32:06.325 --> 0:32:08.485
<v Speaker 3>of because it was for dorks and dwebs, which it is.

0:32:09.925 --> 0:32:14.765
<v Speaker 3>But somehow I got to see this movie.

0:32:14.805 --> 0:32:15.325
<v Speaker 2>I was there.

0:32:15.485 --> 0:32:17.725
<v Speaker 3>I don't even know who I went with the first time.

0:32:17.765 --> 0:32:19.445
<v Speaker 3>I don't think I was with my I think I

0:32:19.525 --> 0:32:21.525
<v Speaker 3>was alone. I don't know. I was like twelve thirteen.

0:32:21.565 --> 0:32:23.765
<v Speaker 3>Somehow I saw this movie. I don't know. It was

0:32:23.765 --> 0:32:25.845
<v Speaker 3>such a deep important thing that I just like, I

0:32:25.965 --> 0:32:29.405
<v Speaker 3>just it just sort of touched my very essence that

0:32:29.485 --> 0:32:32.765
<v Speaker 3>I don't remember getting there and I don't remember who

0:32:32.765 --> 0:32:36.285
<v Speaker 3>I was with, But when I left, I still remember

0:32:36.325 --> 0:32:37.845
<v Speaker 3>being in the theater, and I remember some of the

0:32:37.925 --> 0:32:40.805
<v Speaker 3>laughs that Bones got. I remember, I mean the scenes

0:32:40.805 --> 0:32:43.325
<v Speaker 3>at the beginning were Bones and Spokers zinging each other.

0:32:43.485 --> 0:32:46.325
<v Speaker 4>There is one possibility, but of course I cannot guarantee success.

0:32:46.605 --> 0:32:50.285
<v Speaker 4>We could attempt to find some humpback whales. You just

0:32:50.325 --> 0:32:53.805
<v Speaker 4>said there aren't any except on Earth of the past, Yes, Donga,

0:32:54.365 --> 0:32:59.965
<v Speaker 4>that is exactly what I said. Well, in that case, no, wait,

0:33:00.085 --> 0:33:05.485
<v Speaker 4>just to dance, Bock, start your computations for time work.

0:33:05.765 --> 0:33:07.125
<v Speaker 3>I saw them moving to the theater like three or

0:33:07.125 --> 0:33:11.325
<v Speaker 3>four times, and I started watching the original series of

0:33:11.365 --> 0:33:15.605
<v Speaker 3>Star Trek on TV because it was always on reruns

0:33:15.645 --> 0:33:17.245
<v Speaker 3>at the time, it was Channel eleven in the New

0:33:17.325 --> 0:33:19.965
<v Speaker 3>York New Jersey area at eleven PM, and I would

0:33:20.005 --> 0:33:21.885
<v Speaker 3>It's not supposed to stay that late, so I would

0:33:21.885 --> 0:33:24.045
<v Speaker 3>say I'm going to bed, and then sneak into the

0:33:24.045 --> 0:33:26.165
<v Speaker 3>guest room where we had a very small television, and

0:33:26.165 --> 0:33:29.885
<v Speaker 3>I would watch Star Trek. And then X amount of

0:33:29.885 --> 0:33:33.525
<v Speaker 3>months later the Next Generation began, So I saw that

0:33:33.725 --> 0:33:37.445
<v Speaker 3>from the beginning. So I was watching TOS for the

0:33:37.485 --> 0:33:43.645
<v Speaker 3>first time simultaneously while watching Next Generation, and it sent

0:33:43.765 --> 0:33:48.885
<v Speaker 3>me into a not very standard orbit. Let me tell

0:33:48.885 --> 0:33:51.045
<v Speaker 3>you sent me. It changed my life. I mean, it

0:33:51.125 --> 0:33:55.045
<v Speaker 3>really did. So I don't know. I mean there are

0:33:55.205 --> 0:33:57.805
<v Speaker 3>still some people I still meet some people in my

0:33:57.965 --> 0:34:01.005
<v Speaker 3>life Matt Singer where they go like, oh yeah, Star Trek.

0:34:01.045 --> 0:34:04.445
<v Speaker 3>Like now it's not It used to be quite stigmatized.

0:34:04.525 --> 0:34:06.485
<v Speaker 3>You could not go to school and tell your friends

0:34:06.485 --> 0:34:08.205
<v Speaker 3>you watch Star Trek. You get beat up because you

0:34:08.205 --> 0:34:10.924
<v Speaker 3>were a nerd. Right nowadays people know, you know this

0:34:11.005 --> 0:34:14.925
<v Speaker 3>is the post Marvel. You know it's him to be square,

0:34:14.965 --> 0:34:15.484
<v Speaker 3>as they say.

0:34:15.565 --> 0:34:18.685
<v Speaker 2>Now, I just assume people don't care. Kids in school

0:34:18.685 --> 0:34:19.805
<v Speaker 2>do they care anymore?

0:34:20.485 --> 0:34:22.605
<v Speaker 3>I think there are still things that if you went

0:34:22.645 --> 0:34:25.205
<v Speaker 3>to a school and you watch something really geeky, they

0:34:25.205 --> 0:34:27.444
<v Speaker 3>would still beat you up. Maybe they would just find

0:34:27.485 --> 0:34:29.765
<v Speaker 3>a way to beat beat you up anyway.

0:34:29.885 --> 0:34:32.165
<v Speaker 2>I mean, bullies will be bullies. I just think I

0:34:32.205 --> 0:34:32.965
<v Speaker 2>would imagine that.

0:34:35.125 --> 0:34:35.285
<v Speaker 3>Yeah.

0:34:35.325 --> 0:34:37.085
<v Speaker 2>Yeah, they don't even know what Star Trek? What is

0:34:37.165 --> 0:34:37.645
<v Speaker 2>Star Trek?

0:34:37.685 --> 0:34:39.364
<v Speaker 3>I know they're not, they're not.

0:34:39.485 --> 0:34:42.885
<v Speaker 2>Who is this man in a bathrobe with a uh

0:34:43.245 --> 0:34:45.725
<v Speaker 2>with a with a headband covering the tops of his ears?

0:34:45.765 --> 0:34:46.645
<v Speaker 2>Who is this man?

0:34:47.525 --> 0:34:48.325
<v Speaker 3>His name is Buck?

0:34:48.605 --> 0:34:50.805
<v Speaker 2>Why are they talking about beaming? What is beaming? They

0:34:50.845 --> 0:34:51.725
<v Speaker 2>wouldn't understand.

0:34:52.165 --> 0:34:54.445
<v Speaker 3>No, But there's got to be something out there that

0:34:54.485 --> 0:34:56.365
<v Speaker 3>if you know, if you watch, Oh I'm.

0:34:56.245 --> 0:34:58.725
<v Speaker 2>Sure, I mean they're sure there is. I just I

0:34:58.805 --> 0:34:59.605
<v Speaker 2>question whether that.

0:34:59.725 --> 0:35:01.845
<v Speaker 3>It's not Star Trek. No, it's that that is not

0:35:01.845 --> 0:35:03.525
<v Speaker 3>going to get you beat up anymore. But the point

0:35:03.525 --> 0:35:06.725
<v Speaker 3>I'm trying to make is this, Uh, the point I'm

0:35:06.765 --> 0:35:09.285
<v Speaker 3>trying to make is so important that I forgot what

0:35:09.365 --> 0:35:13.125
<v Speaker 3>it was. But the point is this that that, oh, yeah,

0:35:13.205 --> 0:35:15.685
<v Speaker 3>I still changed your life. No, No, it did change

0:35:15.685 --> 0:35:17.525
<v Speaker 3>my life for sure. I mean for maybe there's people

0:35:17.565 --> 0:35:20.125
<v Speaker 3>listening who don't know. But I have written a great

0:35:20.165 --> 0:35:22.525
<v Speaker 3>deal about Star Trek, wrote a Star Trek book, I've

0:35:22.605 --> 0:35:25.925
<v Speaker 3>used to moderate the Star Trek panels on cruise ships.

0:35:25.925 --> 0:35:27.325
<v Speaker 3>For God's sakes, it's kind of my thing.

0:35:27.725 --> 0:35:30.285
<v Speaker 2>You hung out with Ethan Phillips for God's sake, as

0:35:30.365 --> 0:35:31.885
<v Speaker 2>you told anecdotes about it.

0:35:31.925 --> 0:35:34.765
<v Speaker 3>I have. That's right. So the point is this, there

0:35:34.765 --> 0:35:38.364
<v Speaker 3>are still some people out there that I meet and

0:35:38.485 --> 0:35:41.645
<v Speaker 3>say in a friendly and benign way, oh, yeah, Star Trek.

0:35:41.965 --> 0:35:45.245
<v Speaker 3>I've never actually seen it, and because it can be

0:35:45.325 --> 0:35:50.085
<v Speaker 3>intimidating because the show's debuted sixty years ago and there's

0:35:50.165 --> 0:35:52.485
<v Speaker 3>seven hundred and some odd episodes. If you include the

0:35:52.485 --> 0:35:54.725
<v Speaker 3>new stuff, it's well over eight hundred and fifty. Now,

0:35:54.765 --> 0:35:57.125
<v Speaker 3>there's a lot of different movies. Which ones you see first?

0:35:57.805 --> 0:36:01.525
<v Speaker 3>The one to see first is either Star Trek to

0:36:01.605 --> 0:36:03.765
<v Speaker 3>the Wrath of Khan or Star Trek for the Voyage Home.

0:36:03.925 --> 0:36:07.125
<v Speaker 3>Either one, they're both perfect. Star Trek for the Voyage

0:36:07.125 --> 0:36:10.005
<v Speaker 3>Home was a little sillier and funnier. Star Trek to

0:36:10.045 --> 0:36:12.205
<v Speaker 3>the Wrath of Khan I think is more gripping and

0:36:12.685 --> 0:36:16.245
<v Speaker 3>will tear your heart out at the end. But that's

0:36:16.245 --> 0:36:17.805
<v Speaker 3>what I always say. And like, you really don't know

0:36:17.845 --> 0:36:19.844
<v Speaker 3>anything about Star Trek you've been meaning to see, Yeah,

0:36:19.885 --> 0:36:22.484
<v Speaker 3>I kind of know, Captain, what should I do? Watch

0:36:22.485 --> 0:36:25.165
<v Speaker 3>Star Trek two or Star Trek for either one flip

0:36:25.165 --> 0:36:28.245
<v Speaker 3>a coin doesn't matter, and you'll get it. You'll get

0:36:28.285 --> 0:36:31.525
<v Speaker 3>it and you'll be hooked because it is one of

0:36:31.565 --> 0:36:37.645
<v Speaker 3>life's few perfect things. That's my rec seg for today.

0:36:38.365 --> 0:36:39.205
<v Speaker 6>I'm coming with you.

0:36:39.405 --> 0:36:42.765
<v Speaker 2>You can next time it's the twenty third CenTra No

0:36:45.005 --> 0:36:50.245
<v Speaker 2>Chills Maximum watch Jenny TLAs Well, I'll help Jordan here

0:36:50.285 --> 0:36:52.765
<v Speaker 2>and say that Star Trek for the Voyage Home is

0:36:52.805 --> 0:36:55.245
<v Speaker 2>streaming on Paramount Plus if you want it. I'm going

0:36:55.285 --> 0:36:57.884
<v Speaker 2>to assume that all the Star Treks are over there,

0:36:57.885 --> 0:37:01.245
<v Speaker 2>because Paramount owns the Star Trek franchise.

0:37:01.285 --> 0:37:02.645
<v Speaker 3>That's kind of all I got these days.

0:37:04.405 --> 0:37:06.565
<v Speaker 2>So if you want to watch that one, if you

0:37:06.645 --> 0:37:08.805
<v Speaker 2>haven't seen it, if you're ready, and if you want

0:37:08.805 --> 0:37:12.844
<v Speaker 2>to die, if you want to go dive into the

0:37:12.885 --> 0:37:16.805
<v Speaker 2>whole universe of Star Trek, it's all. It's all over there.

0:37:16.805 --> 0:37:20.404
<v Speaker 2>And sometimes I I'm certainly not a fan of the

0:37:20.765 --> 0:37:23.005
<v Speaker 2>level of Jordan, but once in a while I will

0:37:23.965 --> 0:37:25.685
<v Speaker 2>I like to fall as when I'm like, you know,

0:37:25.925 --> 0:37:27.885
<v Speaker 2>laying in bed, like what I want to fall asleep to,

0:37:27.965 --> 0:37:30.405
<v Speaker 2>I'll put on an old Star Trek the original series.

0:37:30.445 --> 0:37:32.525
<v Speaker 2>That's something one of my favorite things to just not

0:37:32.805 --> 0:37:33.125
<v Speaker 2>off to.

0:37:33.285 --> 0:37:35.205
<v Speaker 3>It's just because the sound effects those places.

0:37:35.525 --> 0:37:38.965
<v Speaker 2>Yeah, those yeah, like the little the computer noises on

0:37:39.005 --> 0:37:40.325
<v Speaker 2>the bridge. They're very soothing.

0:37:40.445 --> 0:37:44.085
<v Speaker 3>It really is, Yes, yes, it's it's it's like listening

0:37:44.085 --> 0:37:47.765
<v Speaker 3>to your mother, uh you know, cradle you or you know,

0:37:47.925 --> 0:37:49.404
<v Speaker 3>not your mother, my mother.

0:37:49.485 --> 0:37:52.965
<v Speaker 2>But let's not make it weird. Let's move on to

0:37:53.005 --> 0:37:54.245
<v Speaker 2>my recommendation here.

0:37:55.045 --> 0:37:57.685
<v Speaker 3>Yeah, what you got what what if Reducks Reducts remind

0:37:57.885 --> 0:37:58.404
<v Speaker 3>you of?

0:37:58.885 --> 0:38:01.245
<v Speaker 2>Well, it certainly didn't remind me of of Star Trek.

0:38:01.405 --> 0:38:04.165
<v Speaker 2>I decided to go in a more of a revenge

0:38:04.245 --> 0:38:09.405
<v Speaker 2>movie Root and the one. It's funny you were like,

0:38:09.445 --> 0:38:12.085
<v Speaker 2>I'm doing the big movies. I'm doing I'm going bigger,

0:38:12.125 --> 0:38:14.285
<v Speaker 2>I'm going home. I like to I'd like to try

0:38:14.325 --> 0:38:17.645
<v Speaker 2>not to pick the most obvious things. And the one

0:38:17.645 --> 0:38:21.605
<v Speaker 2>that I found that I thought about that is it's

0:38:21.165 --> 0:38:24.925
<v Speaker 2>not one of the most famous revenge movies, but I

0:38:24.965 --> 0:38:28.485
<v Speaker 2>found on streaming. It's actually streaming in a lot of places,

0:38:28.885 --> 0:38:32.325
<v Speaker 2>including quite a few that are free, So there's there.

0:38:32.445 --> 0:38:36.005
<v Speaker 2>You can have your pick of ways to watch it.

0:38:36.005 --> 0:38:38.364
<v Speaker 2>It is a movie I was extremely excited to watch

0:38:38.445 --> 0:38:42.085
<v Speaker 2>when it first came out in nineteen ninety nine, because

0:38:42.085 --> 0:38:45.844
<v Speaker 2>it was directed and written by the co writer of

0:38:45.925 --> 0:38:48.525
<v Speaker 2>my favorite movie at the time, Jordan. Do you think

0:38:48.565 --> 0:38:49.245
<v Speaker 2>you know what it is?

0:38:49.525 --> 0:38:52.444
<v Speaker 3>Yeah, this is gonna be it's that Sam Raimi movie

0:38:52.445 --> 0:38:55.285
<v Speaker 3>in black and white? No, okay, all right, No, what

0:38:55.405 --> 0:38:57.085
<v Speaker 3>is that called? The same Raimi movie in black and white?

0:38:57.125 --> 0:38:58.525
<v Speaker 2>Well, it's not in black and white. But are you

0:38:58.565 --> 0:39:00.725
<v Speaker 2>thinking of a simple plan? Maybe yes, I mean that

0:39:00.765 --> 0:39:03.125
<v Speaker 2>did come around out around that time, and that is

0:39:03.125 --> 0:39:05.404
<v Speaker 2>an excellent movie. Yeah, it's not in black and white.

0:39:05.405 --> 0:39:08.605
<v Speaker 2>I don't think Sam has a movie. Sam has a guess.

0:39:08.725 --> 0:39:11.165
<v Speaker 3>Sam thinks it might be the Limey? Is it the Limey?

0:39:11.525 --> 0:39:15.525
<v Speaker 2>No, another excellent guess, and it is a revenge movie.

0:39:15.645 --> 0:39:18.645
<v Speaker 2>But that was that was not it, because my favorite

0:39:18.645 --> 0:39:22.444
<v Speaker 2>movie at this time was a film called La Confidential,

0:39:22.685 --> 0:39:26.285
<v Speaker 2>which saw on resaw and that was I don't know

0:39:26.285 --> 0:39:28.125
<v Speaker 2>if it was my Star Trek four, but that was

0:39:28.165 --> 0:39:32.525
<v Speaker 2>a very big movie for me, great when I was whatever, sixteen, seventeen,

0:39:32.525 --> 0:39:36.445
<v Speaker 2>whatever year that was. But the co writer of that

0:39:36.645 --> 0:39:42.444
<v Speaker 2>movie's next movie was a little film called Payback, which

0:39:42.485 --> 0:39:48.445
<v Speaker 2>is currently streaming on Prime video on Peacock on Pluto,

0:39:49.005 --> 0:39:53.205
<v Speaker 2>on Roku, on to b and on YouTube TV, so

0:39:53.285 --> 0:39:56.765
<v Speaker 2>you have it many many different ways to see it. Now,

0:39:56.805 --> 0:39:58.685
<v Speaker 2>I do want to put this caveat when I saw

0:39:58.725 --> 0:40:02.245
<v Speaker 2>this movie for the first time, so excited from the

0:40:02.285 --> 0:40:07.125
<v Speaker 2>co writer of La Confidential, Brian Helgelin bh, I saw

0:40:07.165 --> 0:40:09.805
<v Speaker 2>it and I thought, oh, this is okay. But then

0:40:09.925 --> 0:40:13.844
<v Speaker 2>what I realized much later, only recently I somehow missed

0:40:13.885 --> 0:40:18.525
<v Speaker 2>this is that several years later the movie was re

0:40:18.525 --> 0:40:22.245
<v Speaker 2>released in a director's cut that really restores Brian Helgalin

0:40:22.365 --> 0:40:26.165
<v Speaker 2>basically was removed from the movie during editing and he

0:40:26.365 --> 0:40:32.005
<v Speaker 2>was replaced, although his name always remained on it. So

0:40:32.165 --> 0:40:34.045
<v Speaker 2>his version the movie that I saw and thought was

0:40:34.085 --> 0:40:36.845
<v Speaker 2>met was not his version. But now if you look around,

0:40:36.885 --> 0:40:40.725
<v Speaker 2>you can find his version, which is much better and

0:40:41.085 --> 0:40:44.285
<v Speaker 2>pay It's sometimes it just says payback. You have to

0:40:44.325 --> 0:40:48.085
<v Speaker 2>look for the run time. That's the giveaway. Fine, look

0:40:48.125 --> 0:40:50.444
<v Speaker 2>up the director's cut run time, and then make sure

0:40:50.525 --> 0:40:53.845
<v Speaker 2>the version you're streaming has the correct run time. It

0:40:53.925 --> 0:40:56.605
<v Speaker 2>is that is the one that's available in certain places,

0:40:56.725 --> 0:41:00.364
<v Speaker 2>including to Be to Be, which we talked all about

0:41:00.485 --> 0:41:05.485
<v Speaker 2>last week. It has the correct or at least according

0:41:05.525 --> 0:41:08.085
<v Speaker 2>to me, recommended version I think it's also in some

0:41:08.085 --> 0:41:12.365
<v Speaker 2>places called payback straight up, but I don't think on

0:41:12.445 --> 0:41:13.884
<v Speaker 2>two B that's what they call it. I think that's

0:41:13.965 --> 0:41:17.805
<v Speaker 2>just says payback, you gotta look for the time. Yes,

0:41:18.045 --> 0:41:20.765
<v Speaker 2>and in any version. This movie is an adaptation of

0:41:20.805 --> 0:41:25.245
<v Speaker 2>a classic revenge novel The Hunter by Richard Stark, which

0:41:25.325 --> 0:41:28.885
<v Speaker 2>was technically Donald Westlake under a pseudonym. Oh, it is

0:41:28.965 --> 0:41:34.085
<v Speaker 2>the original novel that introduced his character Parker. It's very famous.

0:41:34.285 --> 0:41:37.365
<v Speaker 3>Oh, I didn't know that either. Well, here's my twis,

0:41:37.405 --> 0:41:39.645
<v Speaker 3>I never saw a payback. Also, this is I was

0:41:39.765 --> 0:41:41.765
<v Speaker 3>new to man man learn so much about paid back.

0:41:42.005 --> 0:41:43.925
<v Speaker 2>You're gonna learn about payback. Yes, Well, part of the

0:41:43.965 --> 0:41:46.165
<v Speaker 2>reason you didn't know it was a Parker movie, yeah,

0:41:46.325 --> 0:41:49.325
<v Speaker 2>is because Mel Gibson, who is the star of the movie,

0:41:49.405 --> 0:41:52.245
<v Speaker 2>doesn't play Parker. They changed the character's name to Porter.

0:41:52.365 --> 0:41:55.045
<v Speaker 2>Don't ask me why, but they did. But the plot,

0:41:55.165 --> 0:41:57.925
<v Speaker 2>if you do know The Hunter, it is very very close.

0:41:58.845 --> 0:42:01.965
<v Speaker 2>Porter gets double crossed by his wife. He gets left

0:42:01.965 --> 0:42:05.165
<v Speaker 2>for dead. They steal seventy thousand dollars of his money,

0:42:05.205 --> 0:42:09.645
<v Speaker 2>and so he sets out for revenge.

0:42:10.285 --> 0:42:14.085
<v Speaker 5>Not many men know in their life's work. I do

0:42:15.125 --> 0:42:21.125
<v Speaker 5>seventy grand that's what they took from me. That's that

0:42:21.285 --> 0:42:22.365
<v Speaker 5>was gonna get back.

0:42:24.125 --> 0:42:26.924
<v Speaker 3>Does the song just James Brown's the Big Payback get

0:42:26.925 --> 0:42:27.805
<v Speaker 3>played in Payback.

0:42:28.045 --> 0:42:30.285
<v Speaker 2>You're putting me on the spot and I'm I want

0:42:30.285 --> 0:42:32.445
<v Speaker 2>to say yes, but I'm not certain so because we

0:42:32.485 --> 0:42:34.884
<v Speaker 2>want this movie. Yeah, it's a great song.

0:42:35.205 --> 0:42:37.205
<v Speaker 3>That song was written for a movie called The Big

0:42:37.205 --> 0:42:41.045
<v Speaker 3>Payback and then was not Yeah, and then and then

0:42:41.205 --> 0:42:44.645
<v Speaker 3>was not used in the film, but James Brown released

0:42:44.645 --> 0:42:47.605
<v Speaker 3>it anyhow. He also improvised the lyrics. Is he just

0:42:47.805 --> 0:42:52.045
<v Speaker 3>learned that his girlfriend was two timing him? Oh, she's like,

0:42:52.125 --> 0:42:54.005
<v Speaker 3>I got to get in the studio and like everybody

0:42:54.125 --> 0:42:56.245
<v Speaker 3>made a groove and he just got in front of

0:42:56.285 --> 0:42:59.525
<v Speaker 3>the mic and was just like the pay Back.

0:43:02.685 --> 0:43:05.245
<v Speaker 2>Basically how we make the podcast everything. That's pretty much

0:43:05.325 --> 0:43:08.365
<v Speaker 2>basically the same thing where artists on the level of

0:43:08.445 --> 0:43:09.365
<v Speaker 2>James Brown.

0:43:09.165 --> 0:43:11.525
<v Speaker 3>And he says the Big Payback, the Big Payback and

0:43:11.565 --> 0:43:13.325
<v Speaker 3>one of the dumbest things on the internet, and this

0:43:13.405 --> 0:43:16.045
<v Speaker 3>is coming from me, so it's got to be pretty dumb.

0:43:16.925 --> 0:43:20.205
<v Speaker 3>There is if you go on YouTube and look around

0:43:20.365 --> 0:43:24.325
<v Speaker 3>far enough, you will find an animated gift of Vic

0:43:24.565 --> 0:43:30.165
<v Speaker 3>Tayback dancing to the Big tay Back a big Payback. Now,

0:43:30.165 --> 0:43:32.525
<v Speaker 3>if you don't know who Vic tay Back is, google

0:43:32.605 --> 0:43:35.725
<v Speaker 3>him and you go, oh that guy, So yeah, you can.

0:43:35.805 --> 0:43:38.445
<v Speaker 3>You can watch a video of Vic tay Back as

0:43:38.485 --> 0:43:45.445
<v Speaker 3>the Big Payback. Who is in Payback?

0:43:45.485 --> 0:43:48.364
<v Speaker 2>I know Mel Gibson's Mel Gibson, Everyone's favorite person. He's

0:43:48.685 --> 0:43:51.005
<v Speaker 2>everyone widely beloved by one doll.

0:43:51.365 --> 0:43:51.925
<v Speaker 3>Who else is?

0:43:52.565 --> 0:43:54.805
<v Speaker 2>I can tell you, though, I'll run down the cast list,

0:43:54.805 --> 0:43:56.605
<v Speaker 2>but I do want to reiterate again. You want to

0:43:56.645 --> 0:43:58.645
<v Speaker 2>make sure you watch the right version. You know, this

0:43:58.765 --> 0:44:03.325
<v Speaker 2>is not like a vanity director's cut where they added

0:44:03.365 --> 0:44:05.285
<v Speaker 2>a couple of a little more violence or a little

0:44:05.285 --> 0:44:06.885
<v Speaker 2>more nudity. But it's basically the same film it is.

0:44:07.085 --> 0:44:08.485
<v Speaker 2>It's a fairly different film.

0:44:08.765 --> 0:44:12.685
<v Speaker 3>It's a Drimmer film. I'm shorter, which is better from

0:44:12.725 --> 0:44:15.405
<v Speaker 3>Sam that I'm told that that the director's cut of

0:44:15.405 --> 0:44:17.925
<v Speaker 3>Payback is ten minutes shorter than the Yes.

0:44:17.845 --> 0:44:20.364
<v Speaker 2>It's the nine. It's like ninety minutes is the director's cut,

0:44:20.365 --> 0:44:22.685
<v Speaker 2>which is like ten minutes shorter than the theatrical cut.

0:44:22.765 --> 0:44:24.765
<v Speaker 3>They're paying it back so fast, it's like Zell. It

0:44:24.845 --> 0:44:26.485
<v Speaker 3>didn't paying you back really fast?

0:44:26.605 --> 0:44:31.085
<v Speaker 2>That's right, it's the Zell of of revenge movies. And

0:44:31.165 --> 0:44:31.525
<v Speaker 2>it has.

0:44:31.445 --> 0:44:34.325
<v Speaker 3>A difference away he just left it.

0:44:36.805 --> 0:44:39.565
<v Speaker 2>Is, Yes, so it's shorter, it has a different villain,

0:44:40.125 --> 0:44:43.245
<v Speaker 2>it has it looks different. They like color gratered it differently.

0:44:43.285 --> 0:44:45.205
<v Speaker 2>It has a different ending, it has a different score.

0:44:45.565 --> 0:44:48.765
<v Speaker 2>It is a very different movie. Supposedly, what happened was

0:44:49.445 --> 0:44:52.845
<v Speaker 2>Mel Gibson again beloved by all you know he was.

0:44:52.965 --> 0:44:55.525
<v Speaker 2>This was like him at the apex of his stardom basically,

0:44:55.565 --> 0:45:00.725
<v Speaker 2>you know, like the mid to late nineties, and he

0:45:00.725 --> 0:45:03.645
<v Speaker 2>he basically like took the movie over essentially like him,

0:45:03.725 --> 0:45:06.045
<v Speaker 2>and the studio wanted this movie to become more of

0:45:06.085 --> 0:45:09.245
<v Speaker 2>a lethal weapon, like you know, just basically him wise

0:45:09.325 --> 0:45:13.205
<v Speaker 2>cracking more, make it more upbeat, make it more fun.

0:45:13.685 --> 0:45:17.885
<v Speaker 2>And and the Parker novels generally are they're brutal and

0:45:18.005 --> 0:45:22.884
<v Speaker 2>nasty and mean, they're very you know, kind of noir ish.

0:45:22.925 --> 0:45:25.205
<v Speaker 2>And that was the movie that Helgelin wanted to make.

0:45:25.805 --> 0:45:30.165
<v Speaker 2>And so the the Payback Director's cut or straight up

0:45:30.245 --> 0:45:32.805
<v Speaker 2>or whatever it is, has more violence, and the character

0:45:32.885 --> 0:45:36.765
<v Speaker 2>is much more brutal, and he's more of a jerk

0:45:37.165 --> 0:45:39.925
<v Speaker 2>and he doesn't and you like the it's clearly made

0:45:39.965 --> 0:45:42.005
<v Speaker 2>with the idea that we don't care if you like

0:45:42.205 --> 0:45:45.485
<v Speaker 2>this character, and God knows Mel Gibson can play a

0:45:45.565 --> 0:45:48.125
<v Speaker 2>character we don't like something. He actually does very well,

0:45:48.165 --> 0:45:50.285
<v Speaker 2>whether you know, maybe he wanted to be more likable

0:45:50.285 --> 0:45:53.605
<v Speaker 2>in the movie his version, but he's actually very good

0:45:53.925 --> 0:45:57.445
<v Speaker 2>in the version where he's more you know, more awful.

0:45:57.845 --> 0:46:00.285
<v Speaker 2>So that's that's my pick. Make sure you are the

0:46:00.365 --> 0:46:03.525
<v Speaker 2>right version. I've never said that streaming on all of

0:46:03.525 --> 0:46:06.845
<v Speaker 2>these places, Prime, Peacock, Pluto, Roku, too b YouTube, but

0:46:07.005 --> 0:46:10.165
<v Speaker 2>just make sure you watch that shorter ninety minute director's.

0:46:09.685 --> 0:46:14.125
<v Speaker 5>Cut my money, yes or no?

0:46:14.125 --> 0:46:14.325
<v Speaker 9>No?

0:46:17.965 --> 0:46:20.325
<v Speaker 2>All right, now's the time on our rex eg where

0:46:20.325 --> 0:46:25.245
<v Speaker 2>we actually recommend titles for one listener who's written to

0:46:25.325 --> 0:46:28.645
<v Speaker 2>us at our email address feedback at film SPOTTINGSVI dot com.

0:46:28.765 --> 0:46:30.525
<v Speaker 3>Yeah, and this week's is great. You want to know

0:46:30.565 --> 0:46:31.445
<v Speaker 3>why it's so great?

0:46:31.485 --> 0:46:31.645
<v Speaker 4>Man?

0:46:32.405 --> 0:46:36.125
<v Speaker 3>Because he compliments me. That's why it's so great. So uh,

0:46:36.805 --> 0:46:38.005
<v Speaker 3>he gets well, why don't.

0:46:37.845 --> 0:46:40.805
<v Speaker 2>You read the recommendation here? To read the request, I

0:46:40.845 --> 0:46:41.645
<v Speaker 2>should say.

0:46:41.565 --> 0:46:45.405
<v Speaker 3>This great ask in your glory, this great learned and

0:46:45.485 --> 0:46:48.805
<v Speaker 3>righteous man by the name of Max. He wrote as follows,

0:46:49.765 --> 0:46:52.605
<v Speaker 3>Hello to all at the Unit Love the podcast on

0:46:52.765 --> 0:46:56.325
<v Speaker 3>Jordan's recommendation. I watched The in Laws last night and

0:46:56.365 --> 0:46:59.765
<v Speaker 3>I'm still cracking up remembering some of the lines from

0:46:59.805 --> 0:47:02.045
<v Speaker 3>the movie the next day. Yes, The in Laws is great,

0:47:02.645 --> 0:47:06.085
<v Speaker 3>definitely better than Coda, though perhaps not Moonlight. Okay, fair

0:47:06.205 --> 0:47:09.085
<v Speaker 3>enough to Jordan. All I can say regarding his recommendation

0:47:09.245 --> 0:47:11.285
<v Speaker 3>is when you're right, You're right, which is a line

0:47:11.325 --> 0:47:13.685
<v Speaker 3>from the movie Peter Falk says it. It's such a

0:47:13.685 --> 0:47:16.884
<v Speaker 3>good movie. Also very much enjoying The Hunt for Red

0:47:16.885 --> 0:47:19.165
<v Speaker 3>October another recommendation from a few weeks ago. I think

0:47:19.165 --> 0:47:21.364
<v Speaker 3>that was one of yours, Matt. I thought I reach

0:47:21.405 --> 0:47:24.085
<v Speaker 3>out and ask whether you'd consider doing a personal recommendation

0:47:24.125 --> 0:47:25.805
<v Speaker 3>for me. Of course we would. That's what we do

0:47:25.845 --> 0:47:28.685
<v Speaker 3>here on the rec sex Here he goes. I love

0:47:28.725 --> 0:47:30.605
<v Speaker 3>lots of different types of movies, but my go to

0:47:30.805 --> 0:47:37.245
<v Speaker 3>comfort watch has always been heist films. Heist films from Raffifi,

0:47:37.325 --> 0:47:39.925
<v Speaker 3>which is The Jewels das in French movie, which is terrific,

0:47:40.005 --> 0:47:43.605
<v Speaker 3>to Logan Lucky, which is the relatively recent Soderberg movie,

0:47:43.645 --> 0:47:46.445
<v Speaker 3>which is pretty much a replay of Raffifi, which is

0:47:46.485 --> 0:47:50.205
<v Speaker 3>also really good. But Matt and Jordan, please recommend the

0:47:50.245 --> 0:47:53.645
<v Speaker 3>best heist films they've seen, especially if it's on one

0:47:53.685 --> 0:47:56.525
<v Speaker 3>of the following platforms, Amazon, Netflix, Movie or Disney. Preferably,

0:47:56.565 --> 0:48:00.565
<v Speaker 3>these would be lesser seen films, or perhaps ones that

0:48:00.645 --> 0:48:03.725
<v Speaker 3>slightly subvert the genre. And he says, and this is

0:48:03.805 --> 0:48:05.685
<v Speaker 3>kind of funny because this was one that I was

0:48:05.725 --> 0:48:11.085
<v Speaker 3>thinking about. I recently watched The Delinquents on movie, which

0:48:11.165 --> 0:48:13.685
<v Speaker 3>is a very untraditional heist film, and absolutely love The

0:48:13.725 --> 0:48:18.165
<v Speaker 3>Delinquents I believe was from Argentina and maybe from twenty

0:48:18.165 --> 0:48:20.525
<v Speaker 3>twenty four, give or take twenty twenty four to twenty five.

0:48:21.085 --> 0:48:24.805
<v Speaker 3>Good movie. But he wants something different, so that's what

0:48:24.845 --> 0:48:25.325
<v Speaker 3>he's asked for.

0:48:25.365 --> 0:48:29.085
<v Speaker 2>Then he give you're recommending that classic heist film Star

0:48:29.165 --> 0:48:32.445
<v Speaker 2>Trek for the Voyage Home they steal. It is a

0:48:32.485 --> 0:48:33.045
<v Speaker 2>heist film.

0:48:33.205 --> 0:48:34.364
<v Speaker 3>It totally is a heist film.

0:48:34.405 --> 0:48:38.285
<v Speaker 2>They have to steel well, yeah, the vessels.

0:48:38.205 --> 0:48:41.245
<v Speaker 3>They have to create. They have to steal plutonium, yes,

0:48:41.485 --> 0:48:45.484
<v Speaker 3>and they have to steal something that they can put

0:48:45.485 --> 0:48:50.085
<v Speaker 3>the whales in. They need transparent aluminum. That's what transparent

0:48:50.085 --> 0:48:53.165
<v Speaker 3>illumine hasn't been invented yet. Wah wah.

0:48:53.165 --> 0:48:57.285
<v Speaker 2>There's disguises, they go in disguises. I mean it really

0:48:57.325 --> 0:48:59.365
<v Speaker 2>it actually, I mean I I was I was joking,

0:48:59.405 --> 0:49:01.725
<v Speaker 2>but I'm it's a joke with the kernel of truth.

0:49:01.725 --> 0:49:01.925
<v Speaker 6>It is.

0:49:02.645 --> 0:49:03.685
<v Speaker 3>It's a great film.

0:49:03.725 --> 0:49:06.085
<v Speaker 2>So what is your actual lesser scene?

0:49:06.405 --> 0:49:09.005
<v Speaker 3>Okay, I'll go first, and I'll make this quick because

0:49:09.005 --> 0:49:12.045
<v Speaker 3>it's an idiotic movie. But a lesser scene is what

0:49:12.085 --> 0:49:14.085
<v Speaker 3>I had to do. So you know, he mentioned he

0:49:14.165 --> 0:49:18.685
<v Speaker 3>and he's already seen Raffifi and and and this movie.

0:49:18.725 --> 0:49:21.885
<v Speaker 3>Logan Lucky. Logan Lucky also is under that movie was

0:49:21.885 --> 0:49:24.605
<v Speaker 3>not a hit. It's great. I love it. So here

0:49:24.645 --> 0:49:29.924
<v Speaker 3>we go from the year nineteen seventy six. I'm gonna

0:49:29.965 --> 0:49:34.404
<v Speaker 3>start naming some actors that are in a movie, and

0:49:35.045 --> 0:49:37.245
<v Speaker 3>you're gonna say they were all in a movie together.

0:49:37.405 --> 0:49:41.125
<v Speaker 3>You're kidding me. So I'm gonna leave the top build

0:49:41.325 --> 0:49:43.645
<v Speaker 3>last because then it might give it away. But the

0:49:43.725 --> 0:49:47.685
<v Speaker 3>movie has in it Diane Keaton, who of course was

0:49:47.725 --> 0:49:51.125
<v Speaker 3>a great comedian but also in serious films like Reds

0:49:51.165 --> 0:49:57.165
<v Speaker 3>and Whatnot, real actress, Charles Derning, Michael Caine, Leslie and

0:49:57.445 --> 0:50:01.525
<v Speaker 3>Warren Bert Young who you know from the Rocky films.

0:50:02.165 --> 0:50:05.125
<v Speaker 3>Two guys who are not household names, but you'd know

0:50:05.165 --> 0:50:08.205
<v Speaker 3>him if he saw I'm Dennis Dugan and Jack Guilford

0:50:08.205 --> 0:50:10.525
<v Speaker 3>they're classic that guys from the seventies.

0:50:11.405 --> 0:50:16.165
<v Speaker 2>I mentioned Mike Samus nodding, nodding, very intent. He's listening.

0:50:16.245 --> 0:50:16.725
<v Speaker 3>You've seen it.

0:50:16.765 --> 0:50:18.405
<v Speaker 2>I don't know if he's figured it out, but he

0:50:18.485 --> 0:50:20.205
<v Speaker 2>was like he was really thinking, he hasn't.

0:50:20.485 --> 0:50:23.525
<v Speaker 3>Michael Kane is the villain and he plays a real

0:50:23.725 --> 0:50:26.365
<v Speaker 3>character from history, a fellow by the name of Adam

0:50:26.725 --> 0:50:30.765
<v Speaker 3>Wirth who was a safe cracker who was British in

0:50:30.805 --> 0:50:33.805
<v Speaker 3>the late eighteen hundreds and you know, around the turn

0:50:33.805 --> 0:50:36.565
<v Speaker 3>of the century and was very celebrated. He was kind

0:50:36.565 --> 0:50:40.485
<v Speaker 3>of like a celebrated outlaw. And the stars of this

0:50:40.605 --> 0:50:47.245
<v Speaker 3>movie are James Kahan and Elliott Gould as two buddies.

0:50:48.205 --> 0:50:50.925
<v Speaker 3>I think I stumped Sam. We've never stumped Sam before.

0:50:51.645 --> 0:50:55.925
<v Speaker 3>They're two buddies. And this movie was a major It

0:50:56.005 --> 0:50:58.085
<v Speaker 3>was a it was a major flop. But it's really

0:50:58.125 --> 0:51:01.325
<v Speaker 3>good because it has that stacked cast. And it was

0:51:01.325 --> 0:51:03.445
<v Speaker 3>originally going to be this is going to be like

0:51:03.485 --> 0:51:05.924
<v Speaker 3>a butch casting The Sundance Kid because it's set back

0:51:05.925 --> 0:51:08.845
<v Speaker 3>in the day and it's about two outlaws that are

0:51:08.885 --> 0:51:12.285
<v Speaker 3>played by James Kahan and Elliott Gould. But then as

0:51:12.365 --> 0:51:15.605
<v Speaker 3>the movie was made, it got Sillier and Sillier and

0:51:15.645 --> 0:51:20.205
<v Speaker 3>Sillier and became a zany comedy. The movie is called

0:51:20.645 --> 0:51:24.725
<v Speaker 3>Harry and Walter Go to New York, and no one

0:51:24.765 --> 0:51:26.005
<v Speaker 3>has seen this movie.

0:51:26.125 --> 0:51:28.844
<v Speaker 2>I only know about this movie, and I actually knew

0:51:28.845 --> 0:51:30.325
<v Speaker 2>it once you got to the end, I knew what

0:51:30.365 --> 0:51:33.125
<v Speaker 2>it was. I only know about it because Jordan talks

0:51:33.165 --> 0:51:36.005
<v Speaker 2>about this movie almost as much as he talks about

0:51:36.005 --> 0:51:38.925
<v Speaker 2>the Odyssey. That's the only reason I couldn't. I couldn't

0:51:38.965 --> 0:51:41.165
<v Speaker 2>chime in because I was like, it's Harry and somebody

0:51:41.205 --> 0:51:43.404
<v Speaker 2>go to New York. It's just a cock the movie.

0:51:43.445 --> 0:51:46.965
<v Speaker 2>He's always talking about. Meet Harry Digby.

0:51:47.325 --> 0:51:50.645
<v Speaker 4>He wants to be the ultimate conray and travel with

0:51:50.725 --> 0:51:52.565
<v Speaker 4>high society.

0:51:53.365 --> 0:51:59.045
<v Speaker 6>He's got chum, he's got confidence, He's got Walter.

0:52:00.005 --> 0:52:02.605
<v Speaker 3>Harry and Walter Go to New York is a masterpiece

0:52:02.725 --> 0:52:06.085
<v Speaker 3>in dumb comedy. Now here's the premise and metal shut up.

0:52:06.125 --> 0:52:11.805
<v Speaker 3>So okay, it's Harry and Walter are two vaudevillians back

0:52:11.805 --> 0:52:14.765
<v Speaker 3>in the day, and they do you know, they do

0:52:14.845 --> 0:52:17.285
<v Speaker 3>like vaudeville shtick. They do. They sing and dance and

0:52:17.285 --> 0:52:19.485
<v Speaker 3>there's a lot of original songs in it with funny

0:52:19.565 --> 0:52:22.884
<v Speaker 3>lyrics and they do like magic tricks, but what they're

0:52:22.965 --> 0:52:26.285
<v Speaker 3>really doing is they're stealing from the audience. So they

0:52:26.325 --> 0:52:29.565
<v Speaker 3>pretend to be like, you know, Elliot Gould pretends to

0:52:29.605 --> 0:52:32.325
<v Speaker 3>be a swammy from the East and he's like and

0:52:32.325 --> 0:52:35.285
<v Speaker 3>then James Connor is like, oh, mysterious Swammy, tell me

0:52:35.365 --> 0:52:38.165
<v Speaker 3>what you see. Meanwhile, he's picking the pocket of the

0:52:38.205 --> 0:52:40.765
<v Speaker 3>old lady who's you know, in the in the music hall.

0:52:40.805 --> 0:52:44.605
<v Speaker 3>So it's very funny, and they dream of being big gangsters.

0:52:44.645 --> 0:52:47.725
<v Speaker 3>They dream of being Adam Worth, who is Michael Caine

0:52:48.245 --> 0:52:52.885
<v Speaker 3>is this like uh, you know, patrician safecracker and it

0:52:52.965 --> 0:52:58.765
<v Speaker 3>becomes like the road Runner and Coyote. They start chasing

0:52:58.805 --> 0:53:02.005
<v Speaker 3>each other. Meanwhile, they meet up with Diane Keaton, who's

0:53:02.005 --> 0:53:07.005
<v Speaker 3>playing like a young ardent communist and she hates Adam Worth,

0:53:07.325 --> 0:53:09.605
<v Speaker 3>so they decide to team up with her, and they're

0:53:09.605 --> 0:53:12.765
<v Speaker 3>gonna break Adam Worth. Is gonna is gonna steal from

0:53:12.805 --> 0:53:15.925
<v Speaker 3>the Bank of Boston. There and the our team of

0:53:15.965 --> 0:53:20.045
<v Speaker 3>wacky people are gonna steal from Adam Worth after he's

0:53:20.045 --> 0:53:22.645
<v Speaker 3>stolen from it and give it to the poor because

0:53:22.685 --> 0:53:25.285
<v Speaker 3>she runs a soup kitchen and that's the premise. But

0:53:25.325 --> 0:53:27.645
<v Speaker 3>they're singing and dancing the whole way through because they're

0:53:27.685 --> 0:53:29.725
<v Speaker 3>Vought Villians and that's how they do their stick as

0:53:29.765 --> 0:53:32.565
<v Speaker 3>they sing and dance. And I tell you the movie

0:53:32.605 --> 0:53:34.405
<v Speaker 3>is great. It's got Elliott Gould at the top of

0:53:34.445 --> 0:53:39.125
<v Speaker 3>his game, handsome James Kahn right after The Godfather doing

0:53:39.245 --> 0:53:43.285
<v Speaker 3>this silly movie, and it was set up to be

0:53:43.325 --> 0:53:46.405
<v Speaker 3>a big hit and then it just just fell on

0:53:46.445 --> 0:53:48.165
<v Speaker 3>its face with the audience and it was kind of

0:53:48.165 --> 0:53:51.725
<v Speaker 3>a notorious flop at the time. But it deserves review,

0:53:51.965 --> 0:53:55.525
<v Speaker 3>deserves a second look, and one can stream it. You

0:53:55.605 --> 0:53:58.805
<v Speaker 3>gotta pay three ninety nine. But if you, if any

0:53:58.885 --> 0:54:03.645
<v Speaker 3>listener out there in good faith streams this movie and

0:54:03.685 --> 0:54:06.805
<v Speaker 3>spends three ninety nine and honestly says they dislike it,

0:54:07.405 --> 0:54:11.685
<v Speaker 3>right to feedback and film Spotting SVU and Matt will

0:54:11.685 --> 0:54:15.405
<v Speaker 3>reimburse you the money. Now he will venmo you. And

0:54:17.445 --> 0:54:19.165
<v Speaker 3>now you're gonna like it. You're gonna it's a it's

0:54:19.165 --> 0:54:21.525
<v Speaker 3>a funny movie. It's really very charming and the production

0:54:21.525 --> 0:54:23.365
<v Speaker 3>design is great too. It's all like old time in

0:54:23.445 --> 0:54:25.765
<v Speaker 3>New York. Please give it a look. I think you're

0:54:25.765 --> 0:54:26.404
<v Speaker 3>gonna like it.

0:54:26.685 --> 0:54:29.245
<v Speaker 2>Okay, So yeah, so it's rentable. You can't stream it

0:54:29.325 --> 0:54:31.645
<v Speaker 2>right now, but it is. It is available for rent

0:54:31.725 --> 0:54:33.605
<v Speaker 2>on any It is available for rent on Amazon and

0:54:33.645 --> 0:54:36.285
<v Speaker 2>a bunch of other places. Yes, exactly, one of these days,

0:54:36.285 --> 0:54:37.925
<v Speaker 2>I'll have to watch it, just so I don't have

0:54:37.965 --> 0:54:40.364
<v Speaker 2>to listen to you when you talk about it. I'll

0:54:40.405 --> 0:54:41.285
<v Speaker 2>the police be able to say.

0:54:41.605 --> 0:54:44.685
<v Speaker 3>It's got such a stacked cast. Carol Kine is dancing

0:54:44.685 --> 0:54:47.444
<v Speaker 3>and singing around. It's it's really funny, all right.

0:54:47.805 --> 0:54:51.045
<v Speaker 2>So I can't yell at you for breaking the rules

0:54:51.085 --> 0:54:53.325
<v Speaker 2>here and picking a thing that was only renting because

0:54:53.365 --> 0:54:55.325
<v Speaker 2>I broke the rules a little bit here too, and

0:54:55.445 --> 0:55:00.325
<v Speaker 2>that I picked something that wasn't on one of Max's services.

0:55:00.365 --> 0:55:03.205
<v Speaker 2>But it is available to watch for free on Plex.

0:55:03.365 --> 0:55:05.365
<v Speaker 2>So I'm hoping that that it gets me.

0:55:06.085 --> 0:55:06.285
<v Speaker 3>You know.

0:55:06.285 --> 0:55:08.605
<v Speaker 2>That's my get out of jail free card here. I

0:55:08.605 --> 0:55:10.964
<v Speaker 2>think if he wants to rent it on Amazon after

0:55:11.045 --> 0:55:12.845
<v Speaker 2>and make it a double feature with Harry and Walter

0:55:12.885 --> 0:55:14.285
<v Speaker 2>Go to New York, you can do that too. But

0:55:14.405 --> 0:55:17.964
<v Speaker 2>it's free on Plex. My pick of a lesser known

0:55:18.005 --> 0:55:20.765
<v Speaker 2>heist film. It's also a seventies one, but a little

0:55:21.245 --> 0:55:25.285
<v Speaker 2>a little earlier. It is The Anderson Tapes, directed by

0:55:25.445 --> 0:55:29.444
<v Speaker 2>Sidney Lumet. This is one of my favorite lesser known

0:55:29.565 --> 0:55:34.405
<v Speaker 2>heist films. It is also one that kind of subverts

0:55:34.445 --> 0:55:37.765
<v Speaker 2>the genre a little bit, so maybe that helps. Like

0:55:37.845 --> 0:55:40.725
<v Speaker 2>from what Max was saying, came out in nineteen seventy one,

0:55:41.365 --> 0:55:43.525
<v Speaker 2>but in some ways it was ahead of its time.

0:55:43.565 --> 0:55:48.325
<v Speaker 2>It seems to kind of anticipate the very paranoid thrillers

0:55:48.965 --> 0:55:53.325
<v Speaker 2>that would start really coming out in droves around the

0:55:53.365 --> 0:55:57.444
<v Speaker 2>Watergate era. There is barely a scene in this movie

0:55:57.485 --> 0:56:00.125
<v Speaker 2>that does not involve some form of a security camera,

0:56:00.565 --> 0:56:05.165
<v Speaker 2>a hidden microphone, a wiretap, and all of that is

0:56:05.285 --> 0:56:09.844
<v Speaker 2>kind of underlined by this amazing Quincy Jones score in

0:56:09.845 --> 0:56:21.365
<v Speaker 2>this film, one of the coolest scores in any seventies movie.

0:56:21.485 --> 0:56:26.565
<v Speaker 2>It has all electronic bleeps and bloops and what was

0:56:26.565 --> 0:56:30.205
<v Speaker 2>that made up word you used before, Jordan googaws Google's

0:56:30.365 --> 0:56:33.085
<v Speaker 2>there's a lot of electronic Okay, well, there's a lot

0:56:33.125 --> 0:56:35.765
<v Speaker 2>of electronic googaws in this score as well.

0:56:36.205 --> 0:56:36.725
<v Speaker 3>Exactly.

0:56:37.165 --> 0:56:39.085
<v Speaker 2>The movie would be a great double feature. I don't

0:56:39.085 --> 0:56:40.805
<v Speaker 2>know about Harry and Walter go to Europe. It would

0:56:40.805 --> 0:56:43.645
<v Speaker 2>be a great double feature with the conversation, but it

0:56:43.765 --> 0:56:46.565
<v Speaker 2>is also a heist movie. It stars Sean Connery as

0:56:46.565 --> 0:56:51.965
<v Speaker 2>this wise cracking crook who it wouldn't shock me if

0:56:52.085 --> 0:56:55.565
<v Speaker 2>this was one of the inspirations that Soderberg and Clooney

0:56:55.685 --> 0:56:58.165
<v Speaker 2>used for Danny Ocean and Ocean's eleven, because as the

0:56:58.205 --> 0:57:02.885
<v Speaker 2>movie begins, Connery's Duke Anderson is getting released from a

0:57:02.925 --> 0:57:07.525
<v Speaker 2>long prison sentence. He immediately decides to find something new

0:57:07.565 --> 0:57:12.485
<v Speaker 2>to rob, and he sets his sights on this condo

0:57:12.565 --> 0:57:18.165
<v Speaker 2>building in Manhattan where his girlfriend played by Diane Cannon, lives.

0:57:18.725 --> 0:57:21.765
<v Speaker 2>And what Duke does not know, what SHAWNK. Connery's character

0:57:21.805 --> 0:57:25.045
<v Speaker 2>does not know, is the entire building is under surveillance.

0:57:25.085 --> 0:57:29.445
<v Speaker 2>It's being watched. The mob boss that Sean Connery is

0:57:29.525 --> 0:57:32.125
<v Speaker 2>kind of connected to that he uses as the as

0:57:32.205 --> 0:57:35.525
<v Speaker 2>the kind of the bank roll for this operation is

0:57:35.565 --> 0:57:39.605
<v Speaker 2>also being surveilled. And one of the things that makes

0:57:39.645 --> 0:57:42.765
<v Speaker 2>it a unique heist movie is that the movie cuts

0:57:42.805 --> 0:57:45.925
<v Speaker 2>back and forth with the heist and with like the

0:57:45.925 --> 0:57:50.045
<v Speaker 2>police investigating the heist after the fact, and it doesn't

0:57:50.085 --> 0:57:53.245
<v Speaker 2>spoil what's gonna happen, and it's a very kind of

0:57:53.285 --> 0:57:56.405
<v Speaker 2>interesting way of doing it, and it is very fun.

0:57:56.885 --> 0:57:59.325
<v Speaker 2>It's a Sydney Lumette film, so of course it is

0:57:59.365 --> 0:58:02.125
<v Speaker 2>a New York film. It has incredible New York flavor.

0:58:03.485 --> 0:58:08.325
<v Speaker 2>And this movie is the first film by a major

0:58:08.565 --> 0:58:12.445
<v Speaker 2>film star that we all know and love. Christopher Walkin.

0:58:12.605 --> 0:58:17.245
<v Speaker 2>He gets the introducing credit. You know it's Sean Connery,

0:58:17.325 --> 0:58:20.765
<v Speaker 2>Diane Cannon and introducing Christopher Walkin.

0:58:21.165 --> 0:58:23.085
<v Speaker 1>You must be one of those hardened criminals that corrupts

0:58:23.085 --> 0:58:23.845
<v Speaker 1>the younger offender.

0:58:25.925 --> 0:58:28.765
<v Speaker 4>I need you to bridge some burglar alarms, open doors,

0:58:29.485 --> 0:58:31.765
<v Speaker 4>got some telephone circuits or you can do that.

0:58:33.165 --> 0:58:35.085
<v Speaker 6>You a piso, set you up in business for yourself.

0:58:36.165 --> 0:58:37.925
<v Speaker 4>Well so some set of a bitch can come still

0:58:37.925 --> 0:58:38.325
<v Speaker 4>me blind.

0:58:38.365 --> 0:58:41.765
<v Speaker 3>They ripuff everything in here, very stacked cast. You've also

0:58:41.805 --> 0:58:46.405
<v Speaker 3>got Martin balsam Alan King. Yes, Garrett Morris is in this.

0:58:46.765 --> 0:58:49.565
<v Speaker 3>Conrad Bain is in it, Margaret Hamilton is in this.

0:58:49.805 --> 0:58:50.605
<v Speaker 3>Well I'm looking at I.

0:58:50.605 --> 0:58:53.925
<v Speaker 2>Mean incredible cast. Connery is great in it. This is

0:58:53.965 --> 0:58:58.045
<v Speaker 2>one of his first kind of breakout non bond roles

0:58:58.085 --> 0:58:59.725
<v Speaker 2>that kind of made you know that he made in

0:58:59.765 --> 0:59:02.725
<v Speaker 2>the early seventies as he was trying to get away

0:59:02.725 --> 0:59:04.885
<v Speaker 2>from the bond thing. He doesn't have a two pay,

0:59:05.045 --> 0:59:08.965
<v Speaker 2>his hair is not looking fantastic, and he and Lumette

0:59:09.005 --> 0:59:11.325
<v Speaker 2>actually had a kind of They had a they're not

0:59:11.365 --> 0:59:13.645
<v Speaker 2>really a famous duo, but they made a bunch of

0:59:13.685 --> 0:59:14.365
<v Speaker 2>movies together.

0:59:14.725 --> 0:59:16.925
<v Speaker 3>I had The Hill, The Hill is The Hill is?

0:59:17.045 --> 0:59:17.845
<v Speaker 3>I love The Hill.

0:59:17.885 --> 0:59:21.525
<v Speaker 2>The Hill is a very underrated movie. They also Murder

0:59:21.525 --> 0:59:23.885
<v Speaker 2>on the Orient Express, which is a famous movie. And

0:59:23.925 --> 0:59:27.445
<v Speaker 2>they made this very underseen, very dark movie called The Offense,

0:59:28.045 --> 0:59:31.325
<v Speaker 2>which is really that's a nasty one, that's really bleak.

0:59:31.605 --> 0:59:34.565
<v Speaker 2>Oh and they made a Family Business, which is a

0:59:34.685 --> 0:59:36.645
<v Speaker 2>goofy comedy. Underrated.

0:59:36.725 --> 0:59:40.005
<v Speaker 3>Also, David Mannett right then he may have well have

0:59:40.045 --> 0:59:41.005
<v Speaker 3>to we would have to look.

0:59:41.325 --> 0:59:44.205
<v Speaker 2>But yes, I think the Anderson tapes. I don't know

0:59:44.205 --> 0:59:45.485
<v Speaker 2>if it's I don't know if it's my favorite. I

0:59:45.565 --> 0:59:48.485
<v Speaker 2>liked a bunch of those movies. I had a Lumet

0:59:48.805 --> 0:59:51.765
<v Speaker 2>phase during COVID. That was one of my COVID Who

0:59:51.805 --> 0:59:54.405
<v Speaker 2>am I I'm gonna watch every movie by Sidney Lumette

0:59:54.405 --> 0:59:57.325
<v Speaker 2>and I watched a whole bunch of Sidney Lewette movies.

0:59:57.525 --> 0:59:58.605
<v Speaker 3>Almost all of them are good.

0:59:58.965 --> 1:00:01.685
<v Speaker 2>Almost all of them are good to great. Yes, Yeah,

1:00:01.725 --> 1:00:05.125
<v Speaker 2>and the Hill you mentioned that's one that's super underrated.

1:00:05.165 --> 1:00:07.525
<v Speaker 2>I love the Hill, but that's not a heist movie.

1:00:07.685 --> 1:00:10.565
<v Speaker 2>This is a heist movie. The Anderson Tapes. Super good,

1:00:10.765 --> 1:00:13.165
<v Speaker 2>not very well known. You can watch it for free

1:00:13.205 --> 1:00:16.805
<v Speaker 2>on Plex. You can rent it on Amazon. Check it out.

1:00:17.285 --> 1:00:19.085
<v Speaker 3>I have seen this movie, but I saw it so

1:00:19.285 --> 1:00:21.445
<v Speaker 3>long ago I barely remember it. I really want to

1:00:21.485 --> 1:00:24.365
<v Speaker 3>see it again. But you're right, I mean at this time,

1:00:24.405 --> 1:00:28.005
<v Speaker 3>this was seventy one, Like this is not that I

1:00:28.045 --> 1:00:30.805
<v Speaker 3>forget the exact year that the first Thomas Crown Affair

1:00:30.925 --> 1:00:34.565
<v Speaker 3>came out around maybe like two years earlier, early, like yeah,

1:00:34.685 --> 1:00:36.645
<v Speaker 3>like back then. If you're making a heist movie, you

1:00:36.685 --> 1:00:39.405
<v Speaker 3>gotta do some weird formal stuff like this. Like you say,

1:00:39.445 --> 1:00:42.685
<v Speaker 3>it jumps around in times, got three different timelines. Thomas

1:00:42.685 --> 1:00:44.925
<v Speaker 3>Crowd Affair, of course has the split screens and the

1:00:45.005 --> 1:00:48.645
<v Speaker 3>chopped up scenes and whatnot. It's really fun stuff. But

1:00:48.685 --> 1:00:51.325
<v Speaker 3>you know, I always, whenever when you said the Anderson Tapes,

1:00:52.725 --> 1:00:55.565
<v Speaker 3>I always confuse that in my head with the Ipcris File,

1:00:55.685 --> 1:00:57.845
<v Speaker 3>which is a very different movie. Have you seen that one,

1:00:57.885 --> 1:00:58.525
<v Speaker 3>the Ippris File.

1:00:58.645 --> 1:00:59.805
<v Speaker 2>I have seen the file.

1:00:59.885 --> 1:01:02.165
<v Speaker 3>Yeah, and there's some and there's some. Uh, there were

1:01:02.205 --> 1:01:06.245
<v Speaker 3>a sequels to that too. Billion Dollar Brain, Billion Dollar Brain. Yeah,

1:01:06.285 --> 1:01:07.325
<v Speaker 3>a funeral in Berlin.

1:01:08.325 --> 1:01:09.525
<v Speaker 2>They're Michael Kine movies.

1:01:09.805 --> 1:01:12.005
<v Speaker 3>Yeah, and they're very different, but I always get I

1:01:12.085 --> 1:01:15.285
<v Speaker 3>always get Anderson Tapes and if Chris File because they

1:01:15.365 --> 1:01:16.645
<v Speaker 3>you know, a similar type of title.

1:01:16.845 --> 1:01:19.085
<v Speaker 2>All right, let's run down the rec segg. Let's go

1:01:19.165 --> 1:01:23.005
<v Speaker 2>back through all the recommendations here. Jordan recommended Star Trek

1:01:23.045 --> 1:01:24.005
<v Speaker 2>for the Voyage Home.

1:01:24.645 --> 1:01:27.605
<v Speaker 3>That's right, plus I reckon that's also, by the way,

1:01:27.605 --> 1:01:29.725
<v Speaker 3>on Canopy. If you have a if you have a card,

1:01:30.165 --> 1:01:32.285
<v Speaker 3>you know, library card, you can watch that on Canopy.

1:01:32.885 --> 1:01:37.845
<v Speaker 2>Okay. I recommended Payback Revenge Film on Prime Video, Peacock,

1:01:37.845 --> 1:01:40.885
<v Speaker 2>Pluto and two B. And then for our listener, Max,

1:01:40.925 --> 1:01:43.205
<v Speaker 2>who loves Jordan, but we won't hold that against him,

1:01:43.845 --> 1:01:46.805
<v Speaker 2>he recommends Jordan recommends Harry and Walter go to New

1:01:46.885 --> 1:01:52.445
<v Speaker 2>York on VOD and I recommended the Anderson Tapes on Plex.

1:01:52.525 --> 1:01:56.645
<v Speaker 2>And if you want a personalized recommendation, you can send

1:01:56.725 --> 1:01:59.925
<v Speaker 2>us a note at feedback at Film Spotting svu dot com.

1:01:59.925 --> 1:02:03.045
<v Speaker 2>Tell us what kind of movie you want, what sort

1:02:03.085 --> 1:02:06.205
<v Speaker 2>of streaming services you use. We might ignore that, like

1:02:06.245 --> 1:02:08.605
<v Speaker 2>we did this week. Sorry Max, but we try.

1:02:09.165 --> 1:02:11.805
<v Speaker 3>Are there any is there like an archive of places

1:02:11.805 --> 1:02:13.805
<v Speaker 3>where people can.

1:02:13.685 --> 1:02:16.405
<v Speaker 2>It's funny you should mention that Jordan, there is As

1:02:16.405 --> 1:02:18.445
<v Speaker 2>a matter of fact, if you want to see all

1:02:18.565 --> 1:02:21.485
<v Speaker 2>the titles we have recommended on all the episodes of

1:02:21.485 --> 1:02:25.165
<v Speaker 2>Film Spotting SVU so far, go to letterboxed and look

1:02:25.205 --> 1:02:29.805
<v Speaker 2>for the list. Now streaming on Bazooga. Bazooga the name

1:02:29.885 --> 1:02:32.765
<v Speaker 2>of the made up streaming service Jordan created on our

1:02:32.885 --> 1:02:35.765
<v Speaker 2>very first episode when he was making fun of the

1:02:35.805 --> 1:02:40.405
<v Speaker 2>stupid names of these streaming services. And it has a

1:02:40.405 --> 1:02:43.885
<v Speaker 2>list of all the movies we've recommended. It has detailed

1:02:43.885 --> 1:02:46.125
<v Speaker 2>notes if you click on the see read notes or

1:02:46.165 --> 1:02:49.085
<v Speaker 2>whatever that option is. Sam producer Sam has done a

1:02:49.085 --> 1:02:51.885
<v Speaker 2>fabulous job of maintaining it and also like running down

1:02:51.965 --> 1:02:55.325
<v Speaker 2>what we recommended, why we recommended it, and where you

1:02:55.365 --> 1:02:57.125
<v Speaker 2>can find it. So that's the place to go if

1:02:57.125 --> 1:02:58.565
<v Speaker 2>you want recommendations.

1:02:58.725 --> 1:03:15.365
<v Speaker 9>Bazzooga. When you gotta stream Bazzooga, it's cream.

1:03:12.485 --> 1:03:13.165
<v Speaker 6>Of the crop.

1:03:14.205 --> 1:03:24.485
<v Speaker 7>It's right at the top of your favorite streamings.

1:03:24.525 --> 1:03:27.925
<v Speaker 3>Hey, Matt Singer, pull up a chair. The great producer

1:03:27.925 --> 1:03:30.565
<v Speaker 3>of Sam is here and he's brought a new game.

1:03:31.405 --> 1:03:35.165
<v Speaker 3>Now won the games twice in a row. You're coming up,

1:03:36.125 --> 1:03:38.965
<v Speaker 3>You're you're coming up. I'm still I believe this is

1:03:39.005 --> 1:03:42.005
<v Speaker 3>week fifteen now of the new show and I've won

1:03:42.205 --> 1:03:45.565
<v Speaker 3>ten and you've won four. No, I've won ten and

1:03:45.645 --> 1:03:47.325
<v Speaker 3>you've won three, and Sam's one.

1:03:48.525 --> 1:03:48.965
<v Speaker 6>I won one.

1:03:49.485 --> 1:03:51.285
<v Speaker 2>We tie. I think me and Sam tie.

1:03:51.365 --> 1:03:52.525
<v Speaker 6>That could hear? Right?

1:03:53.005 --> 1:03:54.685
<v Speaker 3>Yeah? The when I the one time I was the

1:03:54.765 --> 1:03:55.325
<v Speaker 3>quiz master.

1:03:55.485 --> 1:03:58.085
<v Speaker 2>You are still the overwhelming games.

1:03:58.685 --> 1:04:02.085
<v Speaker 3>But you're on a street. Let's see if you can continue.

1:04:02.205 --> 1:04:04.045
<v Speaker 3>So what's this? What's this week's games?

1:04:04.165 --> 1:04:08.525
<v Speaker 6>Okay? So yes, the title of this game is multi

1:04:08.605 --> 1:04:12.285
<v Speaker 6>Box letter Verse. I I wanted to try to come

1:04:12.365 --> 1:04:16.845
<v Speaker 6>up with a multiverse inspired game based on reducts redo. Well,

1:04:16.885 --> 1:04:20.885
<v Speaker 6>just compromise, it's I like, that's that's what that's really.

1:04:22.285 --> 1:04:26.085
<v Speaker 6>So instead of hopping through a multiverse in search of

1:04:26.365 --> 1:04:31.445
<v Speaker 6>a killer, we're hopping through the letterboxed multiverse in search

1:04:31.445 --> 1:04:35.085
<v Speaker 6>of eleven correct answers. And this is the way we're

1:04:35.085 --> 1:04:36.965
<v Speaker 6>gonna do. It's going to take ten minutes for me

1:04:37.045 --> 1:04:38.965
<v Speaker 6>to explain how this game is going to work, but

1:04:39.805 --> 1:04:43.125
<v Speaker 6>here we go. So the starting point is going to

1:04:43.165 --> 1:04:45.725
<v Speaker 6>be all of the films Matt Singer has logged a

1:04:45.765 --> 1:04:50.485
<v Speaker 6>reviewed on Letterboxed, sorted by date of entry, going back

1:04:50.525 --> 1:04:52.925
<v Speaker 6>to how far how far back is your letterbox to go?

1:04:53.005 --> 1:04:53.165
<v Speaker 5>Mad?

1:04:53.205 --> 1:04:56.045
<v Speaker 2>Do you remember I'm gonna guess like twenty twelve.

1:04:56.285 --> 1:04:59.965
<v Speaker 6>Oh, see, what I have is twenty eighteen. Is that possible?

1:05:00.445 --> 1:05:01.125
<v Speaker 6>Was it that late?

1:05:01.165 --> 1:05:01.325
<v Speaker 4>Oh?

1:05:01.325 --> 1:05:03.285
<v Speaker 2>It's definitely older than that for sure.

1:05:03.285 --> 1:05:05.685
<v Speaker 6>Okay, it's it doesn't really matter. I just need a

1:05:05.725 --> 1:05:09.245
<v Speaker 6>starting place. So if you go into I'm on my desktop. Here,

1:05:09.285 --> 1:05:11.405
<v Speaker 6>I'm on a laptop, so it's a little different the

1:05:11.445 --> 1:05:13.645
<v Speaker 6>interface if you want to play this at home, I

1:05:13.645 --> 1:05:16.565
<v Speaker 6>should say the interface on a desktop is a little

1:05:16.565 --> 1:05:20.285
<v Speaker 6>bit different than on your phone. So just to explain

1:05:20.325 --> 1:05:23.845
<v Speaker 6>the layout here. If you go into if you sort

1:05:23.965 --> 1:05:28.645
<v Speaker 6>all of Matt Singer's a letterbox titles that he's logged

1:05:29.525 --> 1:05:33.845
<v Speaker 6>or reviewed, what you get is a row of twelve films. Okay,

1:05:34.045 --> 1:05:37.365
<v Speaker 6>so twelve films. We're going to start with choosing a

1:05:37.485 --> 1:05:39.965
<v Speaker 6>number between one and twelve, which will of course be

1:05:40.005 --> 1:05:42.005
<v Speaker 6>one of these films, and that's how it's the portal

1:05:42.445 --> 1:05:46.365
<v Speaker 6>we're going to enter the multi force verson. Okay, so

1:05:46.445 --> 1:05:48.325
<v Speaker 6>you're picking a film boort directory and you're picking the

1:05:48.325 --> 1:05:51.005
<v Speaker 6>portal into the multi box letter verse. Okay, for that

1:05:51.045 --> 1:05:53.245
<v Speaker 6>film you choose, I'm going to name the first actor

1:05:53.325 --> 1:05:56.605
<v Speaker 6>listed in the cast list. Yeah, and if it's your turn,

1:05:56.685 --> 1:05:59.325
<v Speaker 6>you're going to tell me one of that actor's five

1:05:59.445 --> 1:06:02.965
<v Speaker 6>most popular films. Okay, this is how you are in

1:06:03.005 --> 1:06:05.525
<v Speaker 6>the points. We've got to the NATA. So if you

1:06:05.565 --> 1:06:09.005
<v Speaker 6>get it correct, we're going to enter that portal the

1:06:09.085 --> 1:06:11.925
<v Speaker 6>film you you you named one of the top five

1:06:11.965 --> 1:06:12.485
<v Speaker 6>most popular.

1:06:12.645 --> 1:06:15.325
<v Speaker 3>So if you say the Anderson Tapes and I say

1:06:15.325 --> 1:06:17.925
<v Speaker 3>Sean Connery, and then I say doctor No, and I

1:06:17.925 --> 1:06:19.605
<v Speaker 3>get it right, then we go to doctor.

1:06:19.365 --> 1:06:21.645
<v Speaker 6>Now, this is exactly right. Okay, then, and this is

1:06:21.645 --> 1:06:23.245
<v Speaker 6>how we're going to alternate. So this is not a

1:06:23.285 --> 1:06:25.925
<v Speaker 6>buzzing situation again. This is we're going to take turns

1:06:26.685 --> 1:06:31.285
<v Speaker 6>and the first person to eleven. Unless this takes too long,

1:06:31.325 --> 1:06:33.685
<v Speaker 6>we're gonna maybe it'll be five. But if if we're

1:06:33.685 --> 1:06:37.285
<v Speaker 6>moving through fast, which we might, we're gonna go pickleball

1:06:37.405 --> 1:06:40.365
<v Speaker 6>rules and it's the first to eleven winning by two. Okay,

1:06:40.485 --> 1:06:41.765
<v Speaker 6>this is how we're gonna try.

1:06:41.565 --> 1:06:43.925
<v Speaker 3>It, all right, who gets to go first?

1:06:44.205 --> 1:06:47.365
<v Speaker 6>Matt has won two games in a row. He is

1:06:47.405 --> 1:06:51.165
<v Speaker 6>going to choose a number between one and twelve. Go ahead, Matt, anytime,

1:06:51.205 --> 1:06:51.565
<v Speaker 6>go ahead.

1:06:51.645 --> 1:06:53.365
<v Speaker 2>Let's let's I'm gonna say number seven.

1:06:53.485 --> 1:07:00.565
<v Speaker 6>Okay, one, you have chosen inception. Okay, So the the

1:07:00.605 --> 1:07:06.005
<v Speaker 6>topill top build actor, of course, is Leonardo DiCaprio. We're

1:07:06.125 --> 1:07:09.125
<v Speaker 6>entering the Letterbox multiverse.

1:07:08.725 --> 1:07:09.845
<v Speaker 2>The DiCaprio verse.

1:07:09.885 --> 1:07:14.365
<v Speaker 6>You have to name one of his five most popular films. Again,

1:07:14.725 --> 1:07:17.485
<v Speaker 6>the multiverse is just this is just me, this is

1:07:17.565 --> 1:07:21.605
<v Speaker 6>just you. The letterbox multiverses is very quirky. How they

1:07:21.805 --> 1:07:24.245
<v Speaker 6>how they determined what is the most popular. I'm not

1:07:24.325 --> 1:07:26.965
<v Speaker 6>in charge of that, Okay, nobody knows, nobody.

1:07:27.045 --> 1:07:29.525
<v Speaker 2>So I need to name one of the five films

1:07:29.525 --> 1:07:32.685
<v Speaker 2>that Letterbox describes as the most script The top is

1:07:32.845 --> 1:07:34.765
<v Speaker 2>just one, and that's one. I should do that now,

1:07:34.845 --> 1:07:37.885
<v Speaker 2>just one? Pretty well, I will say, Once upon a

1:07:37.885 --> 1:07:38.565
<v Speaker 2>Time in Holliday.

1:07:38.605 --> 1:07:40.605
<v Speaker 3>That's your pick, not Titanic. What the hell's the matter

1:07:40.685 --> 1:07:40.885
<v Speaker 3>with you?

1:07:41.125 --> 1:07:43.485
<v Speaker 6>Okay? This is good, this is helpful. So once upon

1:07:43.525 --> 1:07:46.645
<v Speaker 6>a Time in Hollywood is the number five? You were

1:07:46.765 --> 1:07:50.205
<v Speaker 6>very close the number five most popular? Okay, Titanic is

1:07:50.245 --> 1:07:54.485
<v Speaker 6>not among the top five. Okay, Okay, So here we go.

1:07:55.085 --> 1:07:56.965
<v Speaker 2>So I use a lot of Letterbox store and I'm

1:07:56.965 --> 1:07:58.445
<v Speaker 2>on there fifteen times a day.

1:07:59.205 --> 1:08:04.725
<v Speaker 6>I have entered the Once upon a Time in Hollywood portal.

1:08:05.485 --> 1:08:07.645
<v Speaker 6>And we we are not going to go with Leo again.

1:08:07.645 --> 1:08:09.085
<v Speaker 6>Who is the top build actor in this film. But

1:08:09.125 --> 1:08:10.445
<v Speaker 6>we're going to move down to number two and that's

1:08:10.445 --> 1:08:15.085
<v Speaker 6>Brad Pitt. So Jordan name one of Brad Pitt's top five.

1:08:15.885 --> 1:08:19.085
<v Speaker 3>Well, I've just had the rug completely pulled for me.

1:08:19.285 --> 1:08:21.764
<v Speaker 6>And you cannot use Once upon a Time in Hollywood

1:08:21.805 --> 1:08:22.325
<v Speaker 6>if no.

1:08:22.485 --> 1:08:25.684
<v Speaker 3>But I would assume that Titanic in the top five.

1:08:25.805 --> 1:08:27.844
<v Speaker 2>Can he pick from one of the top six. You'll

1:08:28.165 --> 1:08:29.684
<v Speaker 2>give him a grace one.

1:08:29.765 --> 1:08:32.205
<v Speaker 3>Let's worry about that when we get there. Go ahead, Okay, Well,

1:08:32.245 --> 1:08:34.604
<v Speaker 3>I'm truly in a state of shock because I would

1:08:34.604 --> 1:08:37.605
<v Speaker 3>assume that Titanic is the most famous Leo movie of

1:08:37.645 --> 1:08:41.085
<v Speaker 3>almost popular So what are the other Brad Pitt movies? Uh?

1:08:41.165 --> 1:08:42.165
<v Speaker 1>Huh uh.

1:08:42.325 --> 1:08:43.564
<v Speaker 3>And there's a ticking clock on this.

1:08:43.605 --> 1:08:45.564
<v Speaker 6>We're never going to make two eleven. Okay, so go ahead.

1:08:45.685 --> 1:08:48.685
<v Speaker 3>Well I have to think, because I I'm stunned. I

1:08:48.725 --> 1:08:49.285
<v Speaker 3>don't even know.

1:08:49.485 --> 1:08:51.405
<v Speaker 2>He's vamping. He's vamping. He can't think.

1:08:51.485 --> 1:08:57.045
<v Speaker 3>Okay, I'm going to say I don't know. I'm gonna

1:08:57.045 --> 1:08:58.925
<v Speaker 3>say Thelma and Louise the thing that.

1:09:00.205 --> 1:09:05.085
<v Speaker 6>Okay, no, wrong, I don't know, Okay, So I will

1:09:05.085 --> 1:09:08.325
<v Speaker 6>what we will do here, we will go back into

1:09:08.565 --> 1:09:10.724
<v Speaker 6>Once upon a timehod for you. It's back to you, Matt.

1:09:10.725 --> 1:09:15.325
<v Speaker 6>You're up one zero. We're going to move past Brad Pitt, two, Margot, Robbie,

1:09:15.445 --> 1:09:17.125
<v Speaker 6>and I just need a top five film.

1:09:16.925 --> 1:09:17.485
<v Speaker 3>Oh please?

1:09:17.605 --> 1:09:19.525
<v Speaker 2>Okay, Well for Margot Robbi, I'm gonna say.

1:09:19.805 --> 1:09:22.285
<v Speaker 6>Barby is, of course number one, you got it?

1:09:22.565 --> 1:09:22.605
<v Speaker 5>Go?

1:09:23.205 --> 1:09:29.845
<v Speaker 6>Okay, So entering Barbie, So here we go, George. He

1:09:29.885 --> 1:09:34.085
<v Speaker 6>could feel his fourteen to one lead whatever slipping away

1:09:34.205 --> 1:09:38.405
<v Speaker 6>with the Okay Barbie, of course, we've already Margot Robbie.

1:09:38.445 --> 1:09:40.724
<v Speaker 6>We're moving on, of course, to Ryan Gosling.

1:09:40.885 --> 1:09:42.925
<v Speaker 3>Ryan Gosling, all right, so I'm gonna go with the

1:09:42.965 --> 1:09:45.125
<v Speaker 3>recent hit project Hail Mary.

1:09:45.325 --> 1:09:48.724
<v Speaker 6>You got it. It's number three, okayk God, yeah, Project

1:09:48.765 --> 1:09:51.805
<v Speaker 6>Hail Mary. Of course. Now it's back to Matt, the

1:09:51.885 --> 1:09:55.725
<v Speaker 6>number two star. Oh, this is gonna be tricky. It

1:09:55.845 --> 1:09:58.684
<v Speaker 6>is the rock I was. I was thinking it wasn't

1:09:58.685 --> 1:10:00.645
<v Speaker 6>going to be the Rock, but it is. Okay that

1:10:00.885 --> 1:10:03.125
<v Speaker 6>he does no other credits, So we're gonna skip over

1:10:03.245 --> 1:10:07.564
<v Speaker 6>James Ortiz Rocky and move right on to Sondra Huler.

1:10:08.005 --> 1:10:10.885
<v Speaker 8>Okay, it's only been in a couple of months to

1:10:11.005 --> 1:10:15.685
<v Speaker 8>five Yeah, okay, I'm gonna I think she was in

1:10:15.965 --> 1:10:18.325
<v Speaker 8>Tony Erdman number four.

1:10:18.405 --> 1:10:21.925
<v Speaker 6>You're in it? Okay, now you really put in a spot?

1:10:22.205 --> 1:10:23.165
<v Speaker 3>Yeah?

1:10:23.245 --> 1:10:25.245
<v Speaker 2>Yeah, what are we What are we gonna do now?

1:10:25.805 --> 1:10:27.965
<v Speaker 3>That guy, the old guy. I don't know what else.

1:10:28.005 --> 1:10:30.125
<v Speaker 2>I wish I could say I did that strategically, but

1:10:30.205 --> 1:10:30.605
<v Speaker 2>I did not.

1:10:31.005 --> 1:10:33.564
<v Speaker 3>I think I know something else that this man was.

1:10:33.565 --> 1:10:36.925
<v Speaker 6>His name is Peter simonsak Simanachek.

1:10:37.085 --> 1:10:40.445
<v Speaker 3>Yeah, I I think I remember him running around a

1:10:40.445 --> 1:10:43.564
<v Speaker 3>little bit in Force Masure. Wasn't he in that movie?

1:10:44.125 --> 1:10:47.805
<v Speaker 6>Okay? He was not in Force? Sure, we're gonna have

1:10:47.925 --> 1:10:49.365
<v Speaker 6>to what I'm gonna have to do.

1:10:49.605 --> 1:10:52.844
<v Speaker 2>Return to the starting point of perhaps.

1:10:52.405 --> 1:10:54.605
<v Speaker 3>What was that guy? What else was he in? What was?

1:10:54.645 --> 1:10:55.245
<v Speaker 3>What's his number?

1:10:55.445 --> 1:10:57.285
<v Speaker 6>There is one other title, but I don't know why

1:10:57.285 --> 1:11:00.925
<v Speaker 6>you'd know this. He was in Fantastic Beasts The Secrets

1:11:01.085 --> 1:11:06.285
<v Speaker 6>of Dumbledore in twenty twenty two. Kay, it's the only

1:11:06.325 --> 1:11:07.205
<v Speaker 6>other title.

1:11:07.245 --> 1:11:11.285
<v Speaker 2>Beloved franchise. Everybody is waiting for the next film.

1:11:11.485 --> 1:11:13.644
<v Speaker 3>Remember for fifteen minutes they were going to remake Tony

1:11:13.725 --> 1:11:17.285
<v Speaker 3>Ordman with Jack Nicholson in the League. Yes, Yes, that

1:11:17.285 --> 1:11:19.005
<v Speaker 3>would have been it was the thing? Yeah?

1:11:19.445 --> 1:11:21.285
<v Speaker 2>Was it was it? And was Kristin Wig is going

1:11:21.365 --> 1:11:21.564
<v Speaker 2>to be?

1:11:21.885 --> 1:11:24.805
<v Speaker 3>Yeah? Going to be. I mean, there's no need to

1:11:24.845 --> 1:11:27.205
<v Speaker 3>make the movie. I love it's so good.

1:11:27.005 --> 1:11:30.405
<v Speaker 2>As it's a great movie. Yes, that was going to

1:11:30.485 --> 1:11:33.365
<v Speaker 2>be like his uh you know, his comeback.

1:11:32.965 --> 1:11:36.125
<v Speaker 6>And maybe his his like last Hurrahs, Yeah.

1:11:36.165 --> 1:11:37.485
<v Speaker 2>Swan song and comeback.

1:11:37.605 --> 1:11:40.725
<v Speaker 6>Yes, but it's so we There is a button we

1:11:40.765 --> 1:11:44.165
<v Speaker 6>can push which removed, which returns us to our what

1:11:44.205 --> 1:11:46.644
<v Speaker 6>do you what were you calling it? Where we were prime?

1:11:46.805 --> 1:11:49.285
<v Speaker 6>We universe did into the prime universe prime. Okay, I

1:11:49.325 --> 1:11:52.525
<v Speaker 6>love it Prime, not necessarily our universe, but universe Prime.

1:11:52.605 --> 1:11:54.765
<v Speaker 6>So Matt, let's pick a number between one and twelve again.

1:11:54.805 --> 1:11:56.765
<v Speaker 6>You picked seven last time.

1:11:56.725 --> 1:11:59.085
<v Speaker 2>Right before we do that? What is this three?

1:12:00.845 --> 1:12:02.005
<v Speaker 6>And we need to get to eleven?

1:12:02.125 --> 1:12:04.325
<v Speaker 2>I will this time, I will say number two.

1:12:04.245 --> 1:12:08.525
<v Speaker 6>Number two? Okay? Interesting, Well again, this is your letterboxed

1:12:08.565 --> 1:12:13.045
<v Speaker 6>films list, and the film is swept Away, Guy Ritchie's

1:12:13.685 --> 1:12:18.805
<v Speaker 6>Swept Away starring Madonna, So all I need Donna is

1:12:18.845 --> 1:12:21.605
<v Speaker 6>one of her top five film.

1:12:21.805 --> 1:12:24.325
<v Speaker 2>I mean, I'm gonna, I'm gonna just throw out Dick Tracy.

1:12:24.325 --> 1:12:28.564
<v Speaker 6>Tracy is number five. That's four. Well done, okay, so

1:12:28.605 --> 1:12:33.165
<v Speaker 6>we can go right to Warren Batty to you sure, okay.

1:12:32.885 --> 1:12:34.725
<v Speaker 2>I'll I mean Look, that's a movie with a lot

1:12:34.725 --> 1:12:36.684
<v Speaker 2>of people. Yeah, and Warren Batty, come.

1:12:36.645 --> 1:12:37.645
<v Speaker 3>I'll say Reds.

1:12:38.085 --> 1:12:42.085
<v Speaker 6>Reds is number five? Well done? Oh that was that's risky.

1:12:42.885 --> 1:12:44.644
<v Speaker 6>And now we've just we were just talking about Diane

1:12:44.685 --> 1:12:47.564
<v Speaker 6>Keaton earlier. I believe yep, she's number two. Matt, it's

1:12:47.565 --> 1:12:48.724
<v Speaker 6>back to Europe for too.

1:12:49.685 --> 1:12:49.885
<v Speaker 2>Well.

1:12:49.885 --> 1:12:50.685
<v Speaker 6>This is this is.

1:12:50.925 --> 1:12:55.205
<v Speaker 2>Because getny what I I mean, go for it. I'm

1:12:55.205 --> 1:12:57.325
<v Speaker 2>trying to think if there's one that won't just be

1:12:57.405 --> 1:13:00.724
<v Speaker 2>a gimme for Jordan, what that would be in this level.

1:13:00.805 --> 1:13:01.405
<v Speaker 6>That's true too.

1:13:01.445 --> 1:13:04.125
<v Speaker 2>I didn't think about this strategy and the strategy of

1:13:04.245 --> 1:13:04.765
<v Speaker 2>is there one.

1:13:05.805 --> 1:13:09.205
<v Speaker 3>If you say the movie that most people associate her with,

1:13:09.925 --> 1:13:11.724
<v Speaker 3>you you end me. You end me with a guy

1:13:11.765 --> 1:13:14.645
<v Speaker 3>who's made seven hundred thousand movies, So who knows what

1:13:14.725 --> 1:13:15.604
<v Speaker 3>the top five is?

1:13:16.005 --> 1:13:19.045
<v Speaker 2>That's okay, fine, that's a good point. That's a good point.

1:13:19.085 --> 1:13:20.885
<v Speaker 2>All right, Well I guess then I have to say,

1:13:21.005 --> 1:13:22.205
<v Speaker 2>I guess I'll say Annie.

1:13:21.885 --> 1:13:25.405
<v Speaker 6>Hall, Okay, that's five, it's five two. And here we

1:13:25.525 --> 1:13:29.005
<v Speaker 6>enter the Annie Hall verse, and of course we're we're

1:13:29.005 --> 1:13:36.605
<v Speaker 6>talking Woody. Now what are your top five? What are adular?

1:13:37.205 --> 1:13:40.365
<v Speaker 3>And it's Woody Allen as an actor, not as an actor. Correct,

1:13:40.365 --> 1:13:42.605
<v Speaker 3>So I can't say Midnight in Paris, which was a

1:13:42.605 --> 1:13:46.485
<v Speaker 3>big hit, because he ain't in it. Well, you know

1:13:46.565 --> 1:13:49.725
<v Speaker 3>what I'm gonna do. I'm going to say, Hannah and

1:13:49.725 --> 1:13:50.845
<v Speaker 3>her Sisters.

1:13:50.605 --> 1:13:54.564
<v Speaker 6>Number four, you got it, well done? It is five

1:13:54.725 --> 1:13:58.604
<v Speaker 6>three Hannah and her sisters Woody is no. Mia Farrow

1:13:59.005 --> 1:14:02.005
<v Speaker 6>is built first. Of course she's the hand.

1:14:03.325 --> 1:14:04.405
<v Speaker 2>This is a tough one.

1:14:04.685 --> 1:14:11.285
<v Speaker 3>I mean, well, there's obvious Rosemary's there. It is six three,

1:14:11.565 --> 1:14:13.644
<v Speaker 3>christ I get John Cassavettis.

1:14:13.885 --> 1:14:16.724
<v Speaker 6>It is John Cassavetti's You got it? Okay?

1:14:16.765 --> 1:14:17.245
<v Speaker 4>I mean.

1:14:18.845 --> 1:14:21.765
<v Speaker 3>Geez as an actor as an actor, but like you know,

1:14:21.845 --> 1:14:24.365
<v Speaker 3>you gotta think Letterbox now. Now, now you know he

1:14:24.445 --> 1:14:28.045
<v Speaker 3>won the Oscar for the Dirty Dozen. So but that's

1:14:28.045 --> 1:14:30.564
<v Speaker 3>not what Letterbox associates him with. Letterbox.

1:14:30.605 --> 1:14:32.245
<v Speaker 6>Now you're saying, Jordan, here we go, let's go.

1:14:32.565 --> 1:14:37.005
<v Speaker 3>Letterbox associates him with the John Cassavetti's movies. Okay, So

1:14:37.125 --> 1:14:40.085
<v Speaker 3>I'm gonna roll the dice here. M h I'm gonna

1:14:40.165 --> 1:14:44.564
<v Speaker 3>roll the dice and I'm gonna say, husbands.

1:14:45.405 --> 1:14:48.045
<v Speaker 6>You were on the right track. Oh wait a minute, no,

1:14:48.365 --> 1:14:51.325
<v Speaker 6>you're right. I'm sorry I didn't see the title there

1:14:51.565 --> 1:14:55.764
<v Speaker 6>Husbands is number five, so it's Rosemary's Baby, Mikey and Nicky,

1:14:55.965 --> 1:14:59.525
<v Speaker 6>Opening Night, Love Streams, and Husband's number five. Okay, it

1:14:59.685 --> 1:15:00.564
<v Speaker 6>is man.

1:15:00.445 --> 1:15:02.684
<v Speaker 3>I should have said Mikey and Nicky. Of course Letterbox

1:15:02.725 --> 1:15:04.684
<v Speaker 3>loves that movie, so the dirty doesn't gets the diss.

1:15:04.685 --> 1:15:07.245
<v Speaker 3>He won the Oscar. That's the one that everybody in

1:15:07.365 --> 1:15:09.485
<v Speaker 3>back in the day knew him for. But no more.

1:15:10.405 --> 1:15:13.005
<v Speaker 6>Okay, so now we've entered husbands and we are at

1:15:13.045 --> 1:15:17.725
<v Speaker 6>the top, build, Ben Gazara, this could be tricky character actor, right,

1:15:17.965 --> 1:15:23.845
<v Speaker 6>Ben Matt's singer, I mean ten titles. What are his

1:15:24.045 --> 1:15:28.085
<v Speaker 6>top five one or one of his top five films

1:15:28.125 --> 1:15:30.645
<v Speaker 6>on Letterbox? It's six' Four matt to?

1:15:30.725 --> 1:15:35.325
<v Speaker 2>You is he is he in The killing of A Chinese?

1:15:35.405 --> 1:15:36.405
<v Speaker 2>BOOKIE i don't even know if.

1:15:36.405 --> 1:15:38.245
<v Speaker 6>HE'S i mean he is the star Of killing of

1:15:38.245 --> 1:15:41.765
<v Speaker 6>A Chinese. Bookie but that is the ninth most, Popular Ben,

1:15:41.765 --> 1:15:43.845
<v Speaker 6>gazeera all, Right i'm not.

1:15:43.925 --> 1:15:45.925
<v Speaker 3>Gonna tell you what number one. Is you? Ready number

1:15:45.965 --> 1:15:46.965
<v Speaker 3>one is going to be the Big.

1:15:47.045 --> 1:15:52.245
<v Speaker 6>Lebowski you're absolutely, right but that's not how we do things.

1:15:52.285 --> 1:15:54.365
<v Speaker 6>Here we go back To husband's and we go to

1:15:54.405 --> 1:15:58.725
<v Speaker 6>your Beloved Peter. FALK i think the next build this

1:15:58.765 --> 1:15:59.325
<v Speaker 6>should be pretty.

1:15:59.325 --> 1:16:03.684
<v Speaker 3>Easy Peter. FALK i, Mean colombo doesn't really count because

1:16:03.685 --> 1:16:07.564
<v Speaker 3>it's it's That letterbox Loves. Colombo BUT i would have

1:16:07.645 --> 1:16:09.245
<v Speaker 3>to say if it was a feature, Film i'd have

1:16:09.285 --> 1:16:12.485
<v Speaker 3>to Say. Colombo colon the case of the is this?

1:16:14.125 --> 1:16:14.685
<v Speaker 3>No BECAUSE i.

1:16:14.605 --> 1:16:17.685
<v Speaker 2>Don't he's, Falling he's falling for a.

1:16:17.725 --> 1:16:20.125
<v Speaker 3>Time you can't just Say, colombo, Right.

1:16:20.645 --> 1:16:22.725
<v Speaker 6>You can't Say. Colombo, well you could say, it you'd be.

1:16:22.765 --> 1:16:27.604
<v Speaker 3>Wrong but, Okay letterbox is a little. Aerodite and And

1:16:27.685 --> 1:16:28.805
<v Speaker 3>i'm gonna Say wings Of.

1:16:28.885 --> 1:16:34.045
<v Speaker 6>Desire wings Of desire is number, four well? Done of,

1:16:34.085 --> 1:16:35.405
<v Speaker 6>Course Princess bride number?

1:16:35.445 --> 1:16:37.205
<v Speaker 3>One oh, JEEZ i forgot about.

1:16:37.205 --> 1:16:41.125
<v Speaker 6>That, okay but now we're at six. Five this is getting.

1:16:41.365 --> 1:16:42.885
<v Speaker 6>Tight wings Of desire.

1:16:42.605 --> 1:16:43.644
<v Speaker 2>Gonna get it BECAUSE i don't.

1:16:43.685 --> 1:16:44.125
<v Speaker 6>KNOW i don't.

1:16:44.165 --> 1:16:46.965
<v Speaker 3>Know of, course you know the main, guy you know

1:16:47.005 --> 1:16:47.325
<v Speaker 3>the main?

1:16:47.365 --> 1:16:53.165
<v Speaker 2>Guy what what? Else it's ten thirty at. NIGHT i

1:16:53.165 --> 1:16:55.644
<v Speaker 2>can't think of gans movie right?

1:16:55.725 --> 1:16:59.245
<v Speaker 3>Now CAN i? Steal CAN i steal A Bruno? Ganz

1:16:59.365 --> 1:17:01.085
<v Speaker 3>or JUST i JUST i did not?

1:17:01.245 --> 1:17:04.725
<v Speaker 6>Allow for we are, allowed But i'm. NOT i THINK

1:17:04.805 --> 1:17:06.965
<v Speaker 6>i might have to, though BECAUSE i don't know if

1:17:07.005 --> 1:17:12.725
<v Speaker 6>there are any more familiar names In wings Of? Desire all,

1:17:12.805 --> 1:17:13.885
<v Speaker 6>right well let him steal.

1:17:13.885 --> 1:17:15.445
<v Speaker 2>It he's gonna win.

1:17:15.565 --> 1:17:18.285
<v Speaker 3>Again should we enter another room or SHOULD i try

1:17:18.285 --> 1:17:19.005
<v Speaker 3>to steal A bruno?

1:17:19.005 --> 1:17:20.925
<v Speaker 6>Games, ahead go, ahead steal A bruno gance.

1:17:21.085 --> 1:17:24.645
<v Speaker 3>Don't actually now it might be kind of. Tough he

1:17:24.765 --> 1:17:26.325
<v Speaker 3>is in a lot of great. MOVIE i would, say

1:17:26.325 --> 1:17:26.844
<v Speaker 3>The American.

1:17:26.885 --> 1:17:31.925
<v Speaker 6>Friend, Yeah American? Friend is it Number let's see, five, six, seven?

1:17:32.005 --> 1:17:34.205
<v Speaker 6>Eight steal?

1:17:34.565 --> 1:17:36.245
<v Speaker 3>Film what's number one For Bruno?

1:17:36.285 --> 1:17:40.085
<v Speaker 6>Gans it's actually the house That jack. Built the uh

1:17:42.005 --> 1:17:46.285
<v Speaker 6>Is wings Of, desire then Her Zugs No, sparatu The

1:17:46.365 --> 1:17:50.685
<v Speaker 6>Vampire downfall is the first ONE i actually thought. Of

1:17:50.765 --> 1:17:53.604
<v Speaker 6>doesn't he Play hitler In? Downfall that's?

1:17:54.085 --> 1:17:54.245
<v Speaker 4>Right?

1:17:55.805 --> 1:17:58.445
<v Speaker 6>Yeah and he's In Malik's Hidden. Life those are the

1:17:58.445 --> 1:18:01.325
<v Speaker 6>top Five bruno. Games BUT i think we have to go.

1:18:01.485 --> 1:18:02.885
<v Speaker 6>Back we need to go.

1:18:02.845 --> 1:18:05.045
<v Speaker 2>Back start to the starting point. Again we need to

1:18:05.045 --> 1:18:05.724
<v Speaker 2>go to the starting.

1:18:05.725 --> 1:18:10.325
<v Speaker 6>Point so we're at where still it's six' five and it's, To, you, Matt.

1:18:10.325 --> 1:18:12.965
<v Speaker 3>Okay SO because I Got bruno, gans wrong.

1:18:12.965 --> 1:18:16.405
<v Speaker 6>You pick a number, that number pick a number. Number

1:18:16.445 --> 1:18:25.325
<v Speaker 6>ten number ten is The Movie John. Carpenter's, christine ah

1:18:25.565 --> 1:18:26.205
<v Speaker 6>this is gonna.

1:18:26.205 --> 1:18:28.844
<v Speaker 3>Be, tough NO and i know the, Main, guy.

1:18:29.405 --> 1:18:34.085
<v Speaker 6>Well the main Guy Is. Keith gordon, come on this's

1:18:34.085 --> 1:18:34.525
<v Speaker 6>a biggie.

1:18:34.605 --> 1:18:40.405
<v Speaker 3>For that there's two.

1:18:40.445 --> 1:18:44.684
<v Speaker 2>BIGGIES there i don't know what we might have different.

1:18:44.725 --> 1:18:50.885
<v Speaker 3>Definitions of there's one that's biggie for letterbox and when

1:18:50.885 --> 1:18:53.045
<v Speaker 3>there's a biggie. For, Me personally i'm.

1:18:52.885 --> 1:18:54.604
<v Speaker 2>Gonna say addressed.

1:18:54.605 --> 1:18:57.724
<v Speaker 6>To, kill yes dressed to kill number That's what i'm? Well, done?

1:18:57.965 --> 1:19:01.085
<v Speaker 3>Okay, good Well now I'm Because michael kaine's in five hundred.

1:19:01.085 --> 1:19:02.405
<v Speaker 3>Thousand moves that's.

1:19:02.245 --> 1:19:04.765
<v Speaker 2>A, Tough One. Michael kane tell, You, WHAT jordan i

1:19:04.765 --> 1:19:07.604
<v Speaker 2>Don't Think Billion dollar brain is gonna be in the top.

1:19:07.445 --> 1:19:09.885
<v Speaker 3>All right i'm. Gonna say i'm Gonna go i'm gonna

1:19:09.925 --> 1:19:12.724
<v Speaker 3>Say For, michael KAINE although i would personally not say

1:19:12.765 --> 1:19:13.285
<v Speaker 3>this is in his.

1:19:13.365 --> 1:19:17.885
<v Speaker 6>Top, five sure i'm gonna Say The dark knight Seven

1:19:18.045 --> 1:19:20.125
<v Speaker 6>Six christian bale Gets.

1:19:20.365 --> 1:19:24.085
<v Speaker 2>Baal, yeah okay but we've already Said The. Dark night.

1:19:24.325 --> 1:19:29.365
<v Speaker 2>That's Correct so i'm Gonna Say American.

1:19:28.925 --> 1:19:33.965
<v Speaker 6>Psycho psycho, number two? Well, done yeah eight, To Six.

1:19:34.045 --> 1:19:38.125
<v Speaker 6>American psycho who's the? Second, lead interesting that's a.

1:19:38.165 --> 1:19:39.965
<v Speaker 2>Good question who is the second Lead?

1:19:40.005 --> 1:19:40.045
<v Speaker 4>In?

1:19:40.125 --> 1:19:44.965
<v Speaker 2>Americans yes, The dude i'm seeing a lot.

1:19:45.005 --> 1:19:49.525
<v Speaker 3>OF faces i know who's paul. IN that i don't

1:19:49.525 --> 1:19:50.765
<v Speaker 3>know Who played who's second lead?

1:19:50.805 --> 1:19:50.965
<v Speaker 5>In this?

1:19:51.325 --> 1:19:55.765
<v Speaker 6>Justin throw justin gets? Second? BILLING here I got i,

1:19:55.765 --> 1:19:56.085
<v Speaker 6>GOT it i.

1:19:56.125 --> 1:19:56.885
<v Speaker 3>GOT it i got a letter.

1:19:58.765 --> 1:20:01.965
<v Speaker 6>Number three you? Got, it okay it is. Eight seven

1:20:02.045 --> 1:20:05.285
<v Speaker 6>this is a. Barn, burner okay The most i'm sweating.

1:20:05.525 --> 1:20:08.765
<v Speaker 6>So profusely, so now of course you know where. We

1:20:08.805 --> 1:20:11.405
<v Speaker 6>are we're In The mulholland, drive verse and It's The

1:20:11.525 --> 1:20:13.925
<v Speaker 6>nami watts top Five to game.

1:20:13.965 --> 1:20:16.725
<v Speaker 2>Of, five yeah, that's yeah what would be?

1:20:19.165 --> 1:20:20.485
<v Speaker 6>EIGHT seven i.

1:20:20.405 --> 1:20:23.445
<v Speaker 2>Don't WANT dead i don't want, dead AIR but i

1:20:23.485 --> 1:20:25.604
<v Speaker 2>also don't want to just fill a Buster like. Jordan

1:20:25.685 --> 1:20:28.165
<v Speaker 2>does but That's what i'm doing. Right now i'm trying

1:20:28.205 --> 1:20:28.445
<v Speaker 2>to Think.

1:20:28.445 --> 1:20:32.724
<v Speaker 6>Of watts, come on you got, this one.

1:20:32.285 --> 1:20:35.365
<v Speaker 2>Big one i'm Gonna Say. King Kong Peter Jackson's.

1:20:35.445 --> 1:20:39.405
<v Speaker 6>King, kong okay so THIS is i hadn't allowed. For

1:20:39.445 --> 1:20:41.725
<v Speaker 6>this this is like. Number six but we Couldn't Mention.

1:20:41.845 --> 1:20:45.325
<v Speaker 6>Mulholland drive so you picked one of the FIVE remaining i,

1:20:45.365 --> 1:20:50.765
<v Speaker 6>THINK past i think you have to have five things, to.

1:20:50.845 --> 1:20:53.965
<v Speaker 3>Choose, Right right, You're right, you're, right OKAY n i guess.

1:20:53.965 --> 1:20:56.605
<v Speaker 3>That's fair if number one was that going to be

1:20:56.805 --> 1:21:00.045
<v Speaker 3>fun is? Number one oh so there's number two. Funny

1:21:00.085 --> 1:21:01.325
<v Speaker 3>games i'm thinking letterbox.

1:21:01.845 --> 1:21:05.445
<v Speaker 6>Funny games actually not back down at, like god that

1:21:05.565 --> 1:21:06.045
<v Speaker 6>was the THAT.

1:21:06.165 --> 1:21:07.885
<v Speaker 2>Was i thought of, that ONE but i.

1:21:07.925 --> 1:21:08.805
<v Speaker 3>THOUGHT that i.

1:21:08.885 --> 1:21:13.604
<v Speaker 6>Was Surprised the ring is. NUMBER three i totally Blanked

1:21:13.925 --> 1:21:18.445
<v Speaker 6>the birdman and Then a jillenhall Film called demolition from

1:21:19.565 --> 1:21:23.045
<v Speaker 6>that's that? POPULAR crazy i saw that.

1:21:23.085 --> 1:21:25.805
<v Speaker 3>Movie, terrible yeah we were there. OPENING night i think

1:21:25.805 --> 1:21:26.765
<v Speaker 3>we start together.

1:21:26.965 --> 1:21:32.085
<v Speaker 6>Nine to seven Were At. King, kong second It's Actually.

1:21:32.085 --> 1:21:36.684
<v Speaker 6>ADRIAN brody, A, WELL adrian, I mean i have too

1:21:36.725 --> 1:21:38.684
<v Speaker 6>biggies to, choose FROM but i gotta Think LETTER.

1:21:38.725 --> 1:21:41.685
<v Speaker 3>Box d The LETTER box d, is Recent so i'll

1:21:41.725 --> 1:21:43.285
<v Speaker 3>go with. The Brutalist.

1:21:44.285 --> 1:21:48.845
<v Speaker 6>Brutalist number six in this case does not. Count you

1:21:49.645 --> 1:21:52.725
<v Speaker 6>this is where we Have to you probably overlooked his

1:21:53.205 --> 1:21:54.605
<v Speaker 6>participation in the Films Of.

1:21:54.605 --> 1:21:57.805
<v Speaker 3>Wes anderson, oh yeah that doesn't counts.

1:21:57.365 --> 1:21:59.845
<v Speaker 6>Where well THAT'S what. I mean these these aren't just.

1:21:59.965 --> 1:22:02.325
<v Speaker 6>Starring appearances this is.

1:22:02.245 --> 1:22:05.885
<v Speaker 2>Where BRUTALIST is a letter box WOULD have i probably

1:22:05.885 --> 1:22:07.005
<v Speaker 2>would have said the brutalist.

1:22:07.005 --> 1:22:08.205
<v Speaker 6>As well number is.

1:22:08.565 --> 1:22:10.564
<v Speaker 3>The pianist on there, at all or or that also

1:22:10.565 --> 1:22:11.725
<v Speaker 3>have been off because of All The.

1:22:11.765 --> 1:22:15.684
<v Speaker 6>Wes, Anderson yeah pianist is probably way. Down there Let's

1:22:15.725 --> 1:22:17.724
<v Speaker 6>see pianist Is down, oh boy where?

1:22:17.805 --> 1:22:17.885
<v Speaker 2>Is?

1:22:17.925 --> 1:22:19.765
<v Speaker 3>It is?

1:22:19.805 --> 1:22:22.684
<v Speaker 6>Number three, i'm sorry it's. Umber three, that's Impressive Between

1:22:22.765 --> 1:22:26.165
<v Speaker 6>Fantastic mister Fox And. Asteroid city but in, this case

1:22:26.205 --> 1:22:29.564
<v Speaker 6>we go Back To king kong and we go to

1:22:29.645 --> 1:22:32.125
<v Speaker 6>the third build in, this Case, after Watts, after brody

1:22:32.165 --> 1:22:34.645
<v Speaker 6>and we Go To. Jack black this is this is

1:22:35.005 --> 1:22:41.205
<v Speaker 6>to actually you're, Two. Away matt there's a lot to choose,

1:22:41.245 --> 1:22:42.445
<v Speaker 6>from here but a lot of.

1:22:42.525 --> 1:22:45.205
<v Speaker 2>KIDS movies i don't know how kids movies play with

1:22:45.285 --> 1:22:46.844
<v Speaker 2>the letterboxed.

1:22:46.165 --> 1:22:48.125
<v Speaker 6>Crowd seven one.

1:22:48.245 --> 1:22:51.205
<v Speaker 2>Or no my kids aren't logging all their all. Their

1:22:52.165 --> 1:22:57.365
<v Speaker 2>Jack so i'm i, M boy i.

1:22:57.405 --> 1:22:59.325
<v Speaker 3>HAVE answer i have three to.

1:22:59.405 --> 1:23:03.165
<v Speaker 2>Choose from, i'm debating, All right I'm the i'm, gonna

1:23:03.165 --> 1:23:07.604
<v Speaker 2>say Even Though i'm i'm it's. All right i'm Gonna

1:23:07.605 --> 1:23:08.365
<v Speaker 2>say School.

1:23:08.125 --> 1:23:11.045
<v Speaker 6>Of rock School of rock, number four. Well done You're

1:23:11.085 --> 1:23:15.325
<v Speaker 6>at you're. At ten you're, One Away. Matt Singer It's

1:23:16.085 --> 1:23:20.645
<v Speaker 6>Jack blanting Minecraft The Super mario Brothers Movie. Kung fu

1:23:21.005 --> 1:23:24.725
<v Speaker 6>and it weren't there then then will not guess this

1:23:24.765 --> 1:23:29.125
<v Speaker 6>one the holiday, number five that movie that.

1:23:29.165 --> 1:23:32.405
<v Speaker 2>Is a that has become a? Beloved movie has it?

1:23:32.485 --> 1:23:32.724
<v Speaker 4>Really?

1:23:32.925 --> 1:23:33.604
<v Speaker 6>Is yes Ok?

1:23:35.325 --> 1:23:39.885
<v Speaker 3>IS minecraft I? LIKE minecraft i did too. With, You.

1:23:42.605 --> 1:23:45.245
<v Speaker 6>Okay So jack black of course is. Top building School

1:23:45.285 --> 1:23:51.045
<v Speaker 6>Of rock? SECOND build i. Love this we need a,

1:23:51.085 --> 1:23:53.045
<v Speaker 6>top Five, but john this could. Be tough?

1:23:54.645 --> 1:23:58.405
<v Speaker 3>Should not. It's not i'm Going With. Working girl i'm

1:23:58.405 --> 1:24:00.564
<v Speaker 3>Just gonna, oh no we're.

1:24:00.605 --> 1:24:04.564
<v Speaker 6>Too smart you're Nobody's Seen working girl. On letterbox nobody's.

1:24:04.565 --> 1:24:08.205
<v Speaker 6>Seen it how far down? Is it it's even well below,

1:24:08.285 --> 1:24:11.445
<v Speaker 6>broadcast NEWS which i love. Her, in uh it's down

1:24:11.485 --> 1:24:14.525
<v Speaker 6>at you think. About it that's gonna.

1:24:14.525 --> 1:24:18.685
<v Speaker 2>Tell you toy, toy store, toy story two.

1:24:17.885 --> 1:24:20.845
<v Speaker 3>To three movies don't, count different?

1:24:22.805 --> 1:24:25.405
<v Speaker 6>All right so okay for, The, WIN matt i. Like

1:24:25.485 --> 1:24:28.604
<v Speaker 6>this so we're ending on the third Build from School.

1:24:28.605 --> 1:24:32.285
<v Speaker 6>Of rock you can, win it, oh boy by telling

1:24:32.325 --> 1:24:36.125
<v Speaker 6>me one of the five most popular films on letterbox

1:24:36.165 --> 1:24:41.725
<v Speaker 6>of The Actor, Mike white You're gonna you're gonna have to.

1:24:41.725 --> 1:24:42.365
<v Speaker 6>EARN it, i Mean.

1:24:43.885 --> 1:24:48.685
<v Speaker 2>THIRD build i can't think of, Anything Else so i'm

1:24:48.725 --> 1:24:51.085
<v Speaker 2>Gonna say Chuck. AND buck I know.

1:24:51.285 --> 1:24:52.285
<v Speaker 6>Chuck and buck is.

1:24:53.725 --> 1:24:53.885
<v Speaker 3>Did?

1:24:53.925 --> 1:24:57.285
<v Speaker 6>He didn't he just write that is He? All Star?

1:24:57.325 --> 1:24:58.645
<v Speaker 6>He's chuck Is? He CHUCK can?

1:24:58.685 --> 1:24:59.605
<v Speaker 3>I STEAL can? I?

1:24:59.645 --> 1:25:04.205
<v Speaker 6>Steal uh in, this case we go back to let

1:25:04.285 --> 1:25:05.485
<v Speaker 6>him want, to.

1:25:05.445 --> 1:25:11.405
<v Speaker 3>Say it's gonna be. High fidelity see in?

1:25:11.565 --> 1:25:12.965
<v Speaker 2>High, fidelity yeah.

1:25:14.965 --> 1:25:16.005
<v Speaker 6>Why isn't He With?

1:25:16.205 --> 1:25:18.845
<v Speaker 2>JACK black i think you're confusing Him With.

1:25:18.965 --> 1:25:24.045
<v Speaker 6>Todd, luiso okay possibly, all RIGHT because i could picture,

1:25:24.125 --> 1:25:25.285
<v Speaker 6>Him suddenly but, all right.

1:25:25.285 --> 1:25:25.965
<v Speaker 3>Let me do.

1:25:26.005 --> 1:25:31.445
<v Speaker 6>A mulligan because, you stole, You, failed okay so steal

1:25:31.965 --> 1:25:34.205
<v Speaker 6>that means we got do we go? Back, to uh

1:25:34.445 --> 1:25:36.165
<v Speaker 6>go back to the.

1:25:36.285 --> 1:25:37.405
<v Speaker 2>Next building School.

1:25:37.405 --> 1:25:38.245
<v Speaker 3>Of rose Who.

1:25:38.165 --> 1:25:42.005
<v Speaker 6>Played mike white's? Girlfriend comedian.

1:25:43.325 --> 1:25:43.965
<v Speaker 2>Is it?

1:25:44.005 --> 1:25:44.085
<v Speaker 4>Is?

1:25:44.125 --> 1:25:46.365
<v Speaker 2>It Uh? Sarah silverman It Is?

1:25:46.485 --> 1:25:54.085
<v Speaker 6>Sarah? Silverman, oh no Top Five. Sarah silverman, oh, boy yikes.

1:25:54.205 --> 1:25:58.005
<v Speaker 2>Oh boy one movie that she's.

1:25:58.045 --> 1:26:01.604
<v Speaker 6>Been, in Yeah, after silverman it's all Kids in School.

1:26:01.605 --> 1:26:04.085
<v Speaker 2>Of, rocks yeah we'll have to go back to. THE

1:26:04.085 --> 1:26:07.805
<v Speaker 2>beginning i DON'T think i can at this late hour of.

1:26:07.845 --> 1:26:09.125
<v Speaker 2>THE day, I know I mean.

1:26:09.165 --> 1:26:11.885
<v Speaker 3>I can throw one, out, There okay and it's a

1:26:11.925 --> 1:26:15.365
<v Speaker 3>recent film and it's successful with the. Letterbox crowd oh

1:26:15.685 --> 1:26:17.285
<v Speaker 3>the Movie Is Bradley.

1:26:17.285 --> 1:26:22.604
<v Speaker 6>Cooper's, maestro yes, well done, number five, good steal, good job,

1:26:22.685 --> 1:26:24.445
<v Speaker 6>ALL right i would. Have forgotten she's of course The

1:26:24.485 --> 1:26:26.245
<v Speaker 6>Record ralph movies.

1:26:28.845 --> 1:26:34.005
<v Speaker 3>And Incredibly Star. Trek voyage she was in the two Part.

1:26:33.885 --> 1:26:36.005
<v Speaker 2>Play The, Red, alert sam you're gonna have to add

1:26:36.125 --> 1:26:38.805
<v Speaker 2>make make. A note i expect to Hear The red

1:26:38.805 --> 1:26:39.485
<v Speaker 2>alert sound.

1:26:39.765 --> 1:26:42.005
<v Speaker 3>She's in she's in one of the. Great episodes She

1:26:42.085 --> 1:26:43.365
<v Speaker 3>And tom Paris.

1:26:43.405 --> 1:26:47.165
<v Speaker 6>And silverman's number one most, popular Film the popular and

1:26:47.205 --> 1:26:50.564
<v Speaker 6>beloved don't look up by director out of, ok, okay

1:26:50.685 --> 1:26:53.965
<v Speaker 6>yeah so that means so we Go to Maestro And.

1:26:54.005 --> 1:26:58.964
<v Speaker 6>Bradley cooper that's, Right, right wow top Building. To Berry

1:26:59.725 --> 1:27:02.205
<v Speaker 6>What harry mulligan is top billed according to. The letterbox

1:27:02.205 --> 1:27:02.604
<v Speaker 6>this is how.

1:27:02.605 --> 1:27:05.604
<v Speaker 3>We play so that's what Goes to oh so What

1:27:05.765 --> 1:27:08.405
<v Speaker 3>is oh that's a. HARDER one i mean that. IS

1:27:08.445 --> 1:27:10.445
<v Speaker 3>tough i can THINK of i can think of some.

1:27:10.445 --> 1:27:11.285
<v Speaker 3>Good movies she's in.

1:27:11.325 --> 1:27:12.645
<v Speaker 6>Many films what would be the?

1:27:12.685 --> 1:27:16.965
<v Speaker 3>MOST popular i KNOW the i can. Steal this what's

1:27:17.005 --> 1:27:17.445
<v Speaker 3>the score?

1:27:17.525 --> 1:27:17.685
<v Speaker 4>Right?

1:27:17.725 --> 1:27:21.005
<v Speaker 2>Now sam it is ten? To eight, oh god.

1:27:21.325 --> 1:27:25.645
<v Speaker 3>Sure it's not ten? To nine after That last maestro that?

1:27:25.765 --> 1:27:29.205
<v Speaker 6>Was, eight okay, all right good More.

1:27:29.005 --> 1:27:33.564
<v Speaker 2>Than i'm gonna all right. Watch one you're gonna get,

1:27:33.565 --> 1:27:34.045
<v Speaker 2>it Wrong and i'm.

1:27:34.045 --> 1:27:35.685
<v Speaker 3>Gonna, steal oh well she in.

1:27:35.725 --> 1:27:35.805
<v Speaker 4>That?

1:27:35.845 --> 1:27:38.845
<v Speaker 6>One win this is for. The win, Come, on matt get.

1:27:38.885 --> 1:27:41.205
<v Speaker 2>IT wrong I know i have choices that are, less

1:27:41.285 --> 1:27:43.245
<v Speaker 2>CERTAIN but i don't know if she that. She's in

1:27:43.285 --> 1:27:45.005
<v Speaker 2>but This one i'm forgetting whether she's in. Or Not

1:27:45.045 --> 1:27:46.445
<v Speaker 2>but i'm just gonna SAY because i think she is.

1:27:46.485 --> 1:27:49.125
<v Speaker 2>In It sultburn sturn is.

1:27:49.205 --> 1:27:54.365
<v Speaker 6>Number one, You Win matt singer for the. Third row, well,

1:27:54.525 --> 1:27:57.845
<v Speaker 6>done wow EACH eleven i would.

1:27:57.965 --> 1:27:59.604
<v Speaker 3>NOT have i barely.

1:28:00.125 --> 1:28:02.365
<v Speaker 6>Remember anything she's, a yeah of course she Was In

1:28:02.565 --> 1:28:05.725
<v Speaker 6>Emeralds Promising, young woman which is.

1:28:05.805 --> 1:28:08.725
<v Speaker 3>NUMBER five i would have Sit Inside. LEWIN davis i

1:28:08.765 --> 1:28:10.045
<v Speaker 3>knew you were going to, Say that and that's.

1:28:10.165 --> 1:28:11.925
<v Speaker 6>Number six it's, number six?

1:28:12.725 --> 1:28:14.844
<v Speaker 3>Isn't it didn't she Win have oscar for? An education?

1:28:15.245 --> 1:28:17.604
<v Speaker 3>SHE was I was the other ones were? An?

1:28:17.725 --> 1:28:18.165
<v Speaker 2>Education?

1:28:18.725 --> 1:28:21.605
<v Speaker 6>Right wrong well she was, In that, oh no just

1:28:21.645 --> 1:28:23.765
<v Speaker 6>meaning and not not so that was a.

1:28:23.805 --> 1:28:24.845
<v Speaker 2>GOOD good i didn't. Pick.

1:28:24.885 --> 1:28:27.525
<v Speaker 6>THAT uh i don't think it will surprise you to

1:28:27.605 --> 1:28:29.725
<v Speaker 6>learn that, number two which you, may forget she was

1:28:29.725 --> 1:28:32.405
<v Speaker 6>in This but Pride And Prejudice Joe wright's Pride. And

1:28:32.405 --> 1:28:34.805
<v Speaker 6>prejudice she Showed Young. Kiddy bennett the.

1:28:34.765 --> 1:28:37.165
<v Speaker 2>Other ONE that i was Debating, was SHAME which i

1:28:37.165 --> 1:28:39.325
<v Speaker 2>don't think is in the top shame number the, other one.

1:28:39.685 --> 1:28:41.365
<v Speaker 2>Number ten that was the other one that came to

1:28:41.445 --> 1:28:42.725
<v Speaker 2>mind for, some Reason.

1:28:42.445 --> 1:28:48.405
<v Speaker 6>Probably Letterbox popular Drive And The. Great. Drive drive She's

1:28:48.485 --> 1:28:51.685
<v Speaker 6>as isaac's the girlfriend and also the right she's the,

1:28:51.725 --> 1:28:52.645
<v Speaker 6>love interest the Love.

1:28:52.685 --> 1:28:58.405
<v Speaker 3>Interest isaacson drive sucked by. The way that movie? Is good, all,

1:28:58.485 --> 1:29:01.564
<v Speaker 3>that guys he's got any one? COMING out I can't drive.

1:29:01.685 --> 1:29:05.684
<v Speaker 2>Is bad animated films. Don't count what else? You got, Keep.

1:29:05.525 --> 1:29:10.125
<v Speaker 3>Going Nicholas, winding road whatever the hell is, name is

1:29:10.165 --> 1:29:13.525
<v Speaker 3>he's no good name a. Good movie He's, made drive

1:29:14.965 --> 1:29:16.805
<v Speaker 3>that's the, best one and it's. No good then he

1:29:16.885 --> 1:29:21.325
<v Speaker 3>Did The neon Demon with demon like it's and that

1:29:21.405 --> 1:29:28.205
<v Speaker 3>might be the. Only two someone. Is good but what

1:29:28.325 --> 1:29:30.245
<v Speaker 3>he Made With ryan gosling as a Boxer in.

1:29:30.325 --> 1:29:34.365
<v Speaker 2>Thailand Terrible only god, forgives awful not.

1:29:34.365 --> 1:29:37.165
<v Speaker 6>Not great, all right you can, Keep, talking Jordan but

1:29:37.565 --> 1:29:41.165
<v Speaker 6>matt has he's won three in, a row three in.

1:29:41.205 --> 1:29:44.005
<v Speaker 6>A row i like. This game maybe eleven was, too

1:29:44.045 --> 1:29:45.645
<v Speaker 6>LONG but i thought this Was a it was a.

1:29:45.645 --> 1:29:47.965
<v Speaker 2>FUN game i was. Very stressful it was very back,

1:29:48.005 --> 1:29:48.405
<v Speaker 2>and forth.

1:29:48.525 --> 1:29:53.165
<v Speaker 3>Very stressful i'm gonna feel that somehow For My greek

1:29:53.285 --> 1:29:55.525
<v Speaker 3>odyssey next. Week, game.

1:29:58.045 --> 1:29:59.485
<v Speaker 6>Everyone we're gonna.

1:29:59.485 --> 1:30:02.564
<v Speaker 3>HAVE all i gotta come up with a game that Involves.

1:30:02.605 --> 1:30:06.125
<v Speaker 3>The odyssey you. Know, what actually The what i'm probably

1:30:06.125 --> 1:30:08.644
<v Speaker 3>gonna do Is the odyssey has a pretty. Stacked Cast

1:30:08.765 --> 1:30:11.045
<v Speaker 3>so i'm. Gonna work we got. That somehow it'll.

1:30:11.085 --> 1:30:12.965
<v Speaker 6>Be fun, all right let's let's wrap this. Thing up.

1:30:13.125 --> 1:30:16.525
<v Speaker 3>It's, late yeah, oh okay. Very quickly let's just blaze

1:30:16.525 --> 1:30:18.725
<v Speaker 3>through the. Big finale here on the show.

1:30:20.325 --> 1:30:22.125
<v Speaker 2>We, START george i, Have, it, NO no i got it.

1:30:22.125 --> 1:30:23.965
<v Speaker 3>RIGHT here i got it. Right here there are some new,

1:30:24.165 --> 1:30:26.245
<v Speaker 3>you know the kids out there listening want to know

1:30:26.285 --> 1:30:30.724
<v Speaker 3>what's coming to rent and stream and. BUY online i can't.

1:30:30.725 --> 1:30:35.405
<v Speaker 3>Believe It disclosure days. Rentable already it costs a. Few

1:30:35.445 --> 1:30:38.165
<v Speaker 3>bucks it's not the three ninety. Nine rental it's probably nineteen,

1:30:38.245 --> 1:30:41.325
<v Speaker 3>ninety Nine But. Disclosure Day matt singer only gave it

1:30:41.365 --> 1:30:43.724
<v Speaker 3>three and a half Stars. ON letterbox i don't Believe

1:30:43.765 --> 1:30:46.885
<v Speaker 3>that spielberg generates an enormous air, of mystery at least

1:30:46.925 --> 1:30:51.165
<v Speaker 3>until a predictable and unsatisfying. Third, act geez that's as

1:30:51.165 --> 1:30:55.325
<v Speaker 3>deflating as An Unknotted. HELIUM balloon i feel that's a little.

1:30:56.645 --> 1:30:56.725
<v Speaker 5>A.

1:30:56.725 --> 1:30:59.885
<v Speaker 3>LITTLE unfair i think the movie's better. Than that but

1:31:00.125 --> 1:31:03.205
<v Speaker 3>you can decide the listeners By Watching disclosure day if

1:31:03.205 --> 1:31:05.724
<v Speaker 3>you missed it. In theaters it's to rent. To, buy also,

1:31:05.925 --> 1:31:10.445
<v Speaker 3>scary MOVIE which i did. NOT see Lbx User matt,

1:31:10.445 --> 1:31:14.604
<v Speaker 3>singer says with a basketball reference that's as old As

1:31:14.645 --> 1:31:18.644
<v Speaker 3>The scary movie. Franchise itself the filmmaker's comic Strategy resembles

1:31:18.765 --> 1:31:22.445
<v Speaker 3>shaquille O'Neill's approach the. Foul line take ten shots and

1:31:22.525 --> 1:31:25.845
<v Speaker 3>hope to hit three, of them and Then finally shack

1:31:25.885 --> 1:31:26.445
<v Speaker 3>couldn't hit a?

1:31:26.485 --> 1:31:27.764
<v Speaker 2>Free throw what everybody?

1:31:27.805 --> 1:31:30.965
<v Speaker 3>Knows this, come on. IT'S fine I honestly i didn't

1:31:30.965 --> 1:31:31.765
<v Speaker 3>even know there was A new.

1:31:31.805 --> 1:31:34.045
<v Speaker 6>You gotta Go With Nick Center mitchell robinson now now

1:31:34.125 --> 1:31:36.125
<v Speaker 6>the most famous war worst uh.

1:31:36.325 --> 1:31:40.365
<v Speaker 2>WORST fellowship, I don't i honestly don't watch that much basketball.

1:31:40.405 --> 1:31:43.205
<v Speaker 2>These days so that's where that's why It. Was shack, i'm.

1:31:43.045 --> 1:31:46.325
<v Speaker 3>Sorry you, know what you know what's coming out to rent.

1:31:46.405 --> 1:31:49.285
<v Speaker 3>Or buy so it's not free Yet On, disney Plus But, Star,

1:31:49.365 --> 1:31:54.764
<v Speaker 3>wars Colon the Mandalorian and grogoo is available to stream

1:31:55.005 --> 1:31:59.525
<v Speaker 3>To renter by and Letterbox User jordan hoffman, WROTE quote

1:32:00.125 --> 1:32:03.845
<v Speaker 3>I took suda fed just before and got very little sleep,

1:32:03.925 --> 1:32:06.765
<v Speaker 3>last night so as soon as the, LIGHTS dimmed i

1:32:06.925 --> 1:32:08.805
<v Speaker 3>zonked the. HELL out i heard there was a good

1:32:08.845 --> 1:32:11.645
<v Speaker 3>scene with a, giant SNAKE but i missed. That part

1:32:12.005 --> 1:32:15.325
<v Speaker 3>all of these titles are available For premier people can

1:32:15.365 --> 1:32:17.565
<v Speaker 3>read these right when you put them. On there you

1:32:17.885 --> 1:32:21.405
<v Speaker 3>are aware, of, THAT yeah i. Suppose so but other

1:32:21.485 --> 1:32:26.285
<v Speaker 3>big news theatrical releases to streaming. Channels obsessions the big

1:32:26.365 --> 1:32:28.925
<v Speaker 3>hit of the year is Now. On peacock you gotta.

1:32:28.965 --> 1:32:31.245
<v Speaker 3>See it everybody, knows it everybody. LOVES it i think

1:32:31.245 --> 1:32:32.565
<v Speaker 3>it's a. Great film it was.

1:32:32.725 --> 1:32:34.165
<v Speaker 2>Very good the girl.

1:32:33.965 --> 1:32:36.405
<v Speaker 3>Says, no, no no but we the audience, say, yes.

1:32:36.485 --> 1:32:41.804
<v Speaker 3>Yes Yes also, exit eight based On a japanese video

1:32:41.885 --> 1:32:44.805
<v Speaker 3>game about a guy stuck on. The subway It's. On

1:32:45.005 --> 1:32:47.724
<v Speaker 3>shutter we got To give shutter more Love because shutter

1:32:47.765 --> 1:32:50.485
<v Speaker 3>is a great. Filming service we. Really do and then

1:32:50.605 --> 1:32:54.005
<v Speaker 3>a MOVIE and I like exit. Eight Too christian petzold

1:32:54.125 --> 1:32:56.365
<v Speaker 3>makes a lot of. GREAT movies i Believe, he's german

1:32:57.125 --> 1:33:02.325
<v Speaker 3>and his most recent movie Is called muriel's Numeuleltois no it's.

1:33:02.325 --> 1:33:04.725
<v Speaker 2>Pronounced reducs, I'm sorry.

1:33:05.725 --> 1:33:09.845
<v Speaker 3>Mirror's. Number three it's. ON movie i haven't. Seen It

1:33:10.325 --> 1:33:13.285
<v Speaker 3>but petzold's made a lot of. Good movies phoenix back in,

1:33:13.285 --> 1:33:19.205
<v Speaker 3>twenty fourteen Just phenomenal transit, twenty eighteen, many others. Great

1:33:19.325 --> 1:33:24.285
<v Speaker 3>movies and Then, another biggie which is in fact your friend.

1:33:24.285 --> 1:33:27.805
<v Speaker 3>And mine what's? His Name richard Brody From The new.

1:33:27.925 --> 1:33:31.285
<v Speaker 3>YORKER magazine i happen to be Looking at. INSTAGRAM today i.

1:33:31.285 --> 1:33:33.644
<v Speaker 3>Saw him he's a. Beautiful man he's, had beautiful piercing

1:33:33.685 --> 1:33:37.205
<v Speaker 3>blue eyes and a beard like he's like a stepped

1:33:37.205 --> 1:33:40.445
<v Speaker 3>out Of a. Dastaovsky Novel richard brudy called this the

1:33:40.485 --> 1:33:43.805
<v Speaker 3>best movie of the year. So, far wow It's Called

1:33:44.205 --> 1:33:46.604
<v Speaker 3>blue HERON and i.

1:33:46.645 --> 1:33:48.805
<v Speaker 2>Still need to. See it i've heard nothing but, great

1:33:48.805 --> 1:33:51.485
<v Speaker 2>things not Just For. RICHARD brody i will be watching

1:33:51.525 --> 1:33:54.165
<v Speaker 2>it because it's going to be On the criterion Channel When.

1:33:54.085 --> 1:33:58.245
<v Speaker 3>Jordan tuesday the, twenty first and it was the director

1:33:58.365 --> 1:34:02.085
<v Speaker 3>as a woman by the Name Of sophie rumvari and

1:34:02.765 --> 1:34:05.325
<v Speaker 3>my just sort of general gist. OF it i haven't.

1:34:05.325 --> 1:34:09.125
<v Speaker 3>Seen either i'm getting vibes of what was That Movie

1:34:09.125 --> 1:34:12.405
<v Speaker 3>after sun from a few, Years ago. ESCAUSE yes i

1:34:12.445 --> 1:34:16.485
<v Speaker 3>think that also was about reminiscing of youth and Vacation

1:34:16.645 --> 1:34:17.445
<v Speaker 3>and i'm getting.

1:34:17.285 --> 1:34:19.805
<v Speaker 2>Semi autobiographical coming.

1:34:19.525 --> 1:34:21.765
<v Speaker 3>Of AGE and I thought i Asked the son was

1:34:21.805 --> 1:34:25.205
<v Speaker 3>great and sad. And blue heron is probably going to

1:34:25.245 --> 1:34:28.525
<v Speaker 3>be just as, good now also. Very good it's one

1:34:28.525 --> 1:34:30.724
<v Speaker 3>of my favorite movies of the year. On, hooplu yes

1:34:30.765 --> 1:34:36.325
<v Speaker 3>absolutely number one favorite movie at thet. This juncture yes a.

1:34:36.405 --> 1:34:40.645
<v Speaker 2>True hodyssey, Move Over, christopher nolan here are men on a.

1:34:40.725 --> 1:34:44.365
<v Speaker 3>True odyssey nirvana, the band, the movie the show is

1:34:44.605 --> 1:34:47.485
<v Speaker 3>great and if you haven't, seen it you really owe it.

1:34:47.485 --> 1:34:50.685
<v Speaker 3>To yourself and then what you will do is you

1:34:50.725 --> 1:34:53.805
<v Speaker 3>will go on YouTube and then start watching clips of.

1:34:53.845 --> 1:34:56.765
<v Speaker 3>The series you don't have to know anything about this to.

1:34:56.885 --> 1:34:59.205
<v Speaker 2>WATCH it i know we're, wrapping up but you have

1:34:59.245 --> 1:35:01.365
<v Speaker 2>to explain people Go, what nirvana, the band, the show?

1:35:01.365 --> 1:35:01.805
<v Speaker 3>The movie what?

1:35:01.925 --> 1:35:03.365
<v Speaker 2>Is this it has nothing to do with The. Band,

1:35:03.445 --> 1:35:06.245
<v Speaker 2>nirvana no it is based ON a, tv show but

1:35:06.285 --> 1:35:07.645
<v Speaker 2>you don't need to know anything. ABOUT it i had

1:35:07.645 --> 1:35:10.285
<v Speaker 2>never seen a single episode of the SHOW before i watched.

1:35:10.285 --> 1:35:13.405
<v Speaker 2>The movie it's just about these two guys who they

1:35:13.725 --> 1:35:16.925
<v Speaker 2>sort of have a band in their, own minds who

1:35:17.725 --> 1:35:20.965
<v Speaker 2>go through all these elaborate attempts to get a gig

1:35:21.165 --> 1:35:24.445
<v Speaker 2>at a local Club. In toronto but really it's just

1:35:24.485 --> 1:35:30.724
<v Speaker 2>about friendship and, two idiots two dopes. Goofing off can't

1:35:30.725 --> 1:35:32.085
<v Speaker 2>Imagine why JORDAN and i.

1:35:32.205 --> 1:35:32.805
<v Speaker 3>ENJOYED it i.

1:35:33.685 --> 1:35:34.805
<v Speaker 2>Don't know but it.

1:35:34.925 --> 1:35:37.485
<v Speaker 3>Is hilarious it is, really, good clever it.

1:35:37.565 --> 1:35:41.205
<v Speaker 2>Is, touching yeah it's, really good as The best back

1:35:41.205 --> 1:35:44.964
<v Speaker 2>To the future sequel perhaps ever made in some, strange way.

1:35:45.005 --> 1:35:47.165
<v Speaker 3>And it'll inspire you to go on YouTube and watch

1:35:47.205 --> 1:35:49.245
<v Speaker 3>clips From The old show And the old yeah.

1:35:49.285 --> 1:35:50.925
<v Speaker 2>So funny And The old show is. Great too So

1:35:50.965 --> 1:35:53.245
<v Speaker 2>that's hulu on the, twenty.

1:35:52.925 --> 1:35:57.405
<v Speaker 3>Fourth very quickly direct, to streaming very. Very Quickly kevin

1:35:57.445 --> 1:36:01.285
<v Speaker 3>hart in seventy. Two Hours kevin hart sometimes makes, good

1:36:01.285 --> 1:36:04.005
<v Speaker 3>stuff and sometimes it's not. So good let's give it.

1:36:04.045 --> 1:36:07.365
<v Speaker 3>A shot after he's inadvertently added to the, group text

1:36:08.085 --> 1:36:10.884
<v Speaker 3>a forty year old executive hopes to save his flailing

1:36:10.965 --> 1:36:14.525
<v Speaker 3>career by joining a group of twenty somethings on a

1:36:14.525 --> 1:36:17.525
<v Speaker 3>wild three day. Bachelor party that could, be funny who knows?

1:36:17.765 --> 1:36:21.405
<v Speaker 3>Could be and then there's something Coming TO apple Tv Called.

1:36:21.725 --> 1:36:25.525
<v Speaker 3>The dink it's a pickleball Comedy With, Jake Johnson, ben

1:36:25.605 --> 1:36:29.525
<v Speaker 3>Stiller And, ed harris Directed by oh you love This Guy.

1:36:29.605 --> 1:36:33.005
<v Speaker 3>Josh greenbaum He Made barbin star go TO this i do.

1:36:33.085 --> 1:36:36.285
<v Speaker 2>Love, this guy and you love Doing, space balls.

1:36:36.165 --> 1:36:38.485
<v Speaker 3>And he's doing the New, space balls so maybe it'll.

1:36:38.525 --> 1:36:40.925
<v Speaker 3>BE good i was not the World's Biggest Bob barbin,

1:36:41.005 --> 1:36:42.565
<v Speaker 3>star FAN but i SHOULD probably i was in a.

1:36:42.605 --> 1:36:45.365
<v Speaker 3>BAD movement i. SAW that I just i. DON'T know

1:36:45.365 --> 1:36:48.045
<v Speaker 3>i don't. Dare you? I'm sorry WHAT can? I say sare?

1:36:48.165 --> 1:36:51.005
<v Speaker 3>You do you want to tell us what we're gonna do? Next?

1:36:51.005 --> 1:36:54.085
<v Speaker 2>Week sure well next week on, the show we are Gonna,

1:36:54.165 --> 1:36:59.085
<v Speaker 2>because jordan as he said, multiple times everybody's Talking About,

1:36:59.125 --> 1:37:02.045
<v Speaker 2>the odyssey and even though it is not, on streaming he.

1:37:02.085 --> 1:37:05.445
<v Speaker 2>Doesn't care so we're gonna do kind Of an odyssey

1:37:05.525 --> 1:37:09.924
<v Speaker 2>themed EPISODE. Of svu we are going to do streaming

1:37:09.965 --> 1:37:13.285
<v Speaker 2>recommendations Inspired By. The odyssey maybe we will discuss the

1:37:13.325 --> 1:37:17.245
<v Speaker 2>movie more a little more in depth, next week and

1:37:17.405 --> 1:37:20.125
<v Speaker 2>we're gonna play. A Game as, jordan said it's Gonna

1:37:20.165 --> 1:37:24.925
<v Speaker 2>be odyssey. Theme somehow we're gonna take a just a

1:37:25.045 --> 1:37:28.365
<v Speaker 2>one week break from a new, streaming title and we're

1:37:28.365 --> 1:37:31.644
<v Speaker 2>gonna shift To. The odyssey because we literally won't let

1:37:31.725 --> 1:37:32.005
<v Speaker 2>us do.

1:37:32.125 --> 1:37:35.845
<v Speaker 3>Anything else we're gonna, Drink uzo we're gonna, Saga naki

1:37:36.045 --> 1:37:39.564
<v Speaker 3>we're gonna Have A greek greek music on bazouki playing

1:37:40.045 --> 1:37:43.445
<v Speaker 3>underneath The whole sam's gonna layer. That in we're gonna

1:37:43.565 --> 1:37:43.805
<v Speaker 3>what was?

1:37:43.805 --> 1:37:48.725
<v Speaker 2>That bazooka that was. MY confusion i, was like does

1:37:48.765 --> 1:37:50.445
<v Speaker 2>Bazooka have? Greek music that.

1:37:50.485 --> 1:37:52.965
<v Speaker 3>Was bazuki is like a is like. A zither you

1:37:53.005 --> 1:37:53.165
<v Speaker 3>know what.

1:37:57.845 --> 1:37:58.045
<v Speaker 8>We're?

1:37:58.045 --> 1:38:01.325
<v Speaker 3>Gonna hear, all right it's been a. Long episode thank

1:38:01.365 --> 1:38:03.005
<v Speaker 3>you for all six of you that made it to

1:38:03.085 --> 1:38:04.765
<v Speaker 3>the end of. The show it's it's, you know it's

1:38:04.805 --> 1:38:09.125
<v Speaker 3>a very. Long show please write to film uh feedback

1:38:09.125 --> 1:38:11.165
<v Speaker 3>At film spotting s. For you let us know what

1:38:11.205 --> 1:38:13.765
<v Speaker 3>your comments are about. The odyssey we'll we'll lead. WITH

1:38:13.845 --> 1:38:15.005
<v Speaker 3>that i, YOU know i want to know What.

1:38:15.045 --> 1:38:17.644
<v Speaker 2>You be Careful because jordan will send you memes. Back

1:38:17.685 --> 1:38:18.845
<v Speaker 2>though just, be aware.

1:38:20.525 --> 1:38:22.965
<v Speaker 3>You know if you want To Follow, matt singer who's

1:38:22.965 --> 1:38:24.325
<v Speaker 3>got a new book coming out at the end of

1:38:24.365 --> 1:38:25.564
<v Speaker 3>the Year Called, Funny People.

1:38:26.405 --> 1:38:31.925
<v Speaker 2>Funny Business. Funny Business funny people is A movie i.

1:38:31.925 --> 1:38:35.005
<v Speaker 3>Got confused you can follow Him on instagram and letterbox At.

1:38:35.045 --> 1:38:37.445
<v Speaker 3>Super pulse you can follow Me ON Letterbox, I Think

1:38:37.485 --> 1:38:42.165
<v Speaker 3>I'm jay hoffman six And On. BLUE sky svu is

1:38:42.165 --> 1:38:46.085
<v Speaker 3>Produced by Sam. VAN holgren I Am jordan Hoffman And I'm.

1:38:46.125 --> 1:38:47.644
<v Speaker 2>Matt singer thanks. For listening