WEBVTT - How Bonsai Works

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<v Speaker 1>Welcome to you stuff you should know front House Stuff

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<v Speaker 1>Works dot Com. Hey, and welcome to the podcast. I'm

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<v Speaker 1>Josh Clark, There's Charles W Chuck Bryant. I've decided to

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<v Speaker 1>talk about speed right now. Oh yeah, how's it going. Well?

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<v Speaker 1>You know there are some weirdos that listen to us

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<v Speaker 1>on double Speed. Well they just are like, hurry up

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<v Speaker 1>and get to the point. You're idiot, yea, because you know,

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<v Speaker 1>busy lives. They can't listen to forty minutes of contact straight.

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<v Speaker 1>It always it's funny to mean somebody tweets to us

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<v Speaker 1>or takes the time to write an email say like,

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<v Speaker 1>I love your your podcast, but I'm really displeased with

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<v Speaker 1>the tangents you go on. You seem to talk about

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<v Speaker 1>a lot of stuff that's unrelated. Can you stop doing that?

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<v Speaker 1>And um, I always think I don't think Seffy, you

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<v Speaker 1>should know this for you buddy. If you're if you're

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<v Speaker 1>being driven crazy by that, then well yeah, like we

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<v Speaker 1>would welcome you to stay. But the tangents are they're

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<v Speaker 1>part of the fabric of the show at this point.

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<v Speaker 1>There's the glue. Like it or not, I think the

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<v Speaker 1>whole thing would be decidedly less enjoyable if we were

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<v Speaker 1>just like vomiting facts, just business like, you know. Yeah,

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<v Speaker 1>or maybe after eight fifty shows, we should just completely

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<v Speaker 1>change how we do it. Yeah, there you go. That's

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<v Speaker 1>a great idea. Hey, before we get started, though, we

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<v Speaker 1>do want to thank Sam from gypsums Ma Lord. Oh yeah, yeah,

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<v Speaker 1>thank you. Sam. We mentioned the unique Liqueur Chicago brand

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<v Speaker 1>Liqueur on our PR show Live in Chicago because you

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<v Speaker 1>tried it like before the show. Yeah. Well, I've tried

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<v Speaker 1>it a few times and it's, uh, it's you know,

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<v Speaker 1>it's as John Hodgman said, it tastes like a pencil

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<v Speaker 1>shavings and heartbreak as his descriptor. But Sam heard us

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<v Speaker 1>talking about Crown Down Royal. It was like, wait a minute,

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<v Speaker 1>they talked about my Lord and I didn't send him

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<v Speaker 1>in anything. Yeah, attention all of their distillers in America

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<v Speaker 1>you can get in on this too. Yeah. If the

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<v Speaker 1>makers of Plymouth Gin or Leopold's Gin or Knob Creek

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<v Speaker 1>or Pappy Van Winkle St. George's, they're a great distillery

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<v Speaker 1>out of San Francisco. Yeah, Pappy van Winkle. Wow, we

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<v Speaker 1>that's the stuff that gets like hijacked and sold for

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<v Speaker 1>like dollars on the internet. So I'm just throwing it

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<v Speaker 1>out there. I'm picking it back up, bringing it back here,

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<v Speaker 1>throwing it again. We're happy to drink your booze and

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<v Speaker 1>talk about it at nauseam. Uh you know what else.

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<v Speaker 1>We're happy to talk about big boy bon yes, which

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<v Speaker 1>you I don't know if I was saying it wrong,

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<v Speaker 1>but right before we press record, you said it's not bonsai,

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<v Speaker 1>it's bonsai, and I was like, what's the It's not bonzai? Right?

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<v Speaker 1>That means heads up right right right? Bonsai? Right? Uh?

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<v Speaker 1>Is it basically means plant in tiny container? Yeah? Those

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<v Speaker 1>are the cute toy trees. Mr plastic It depends target

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<v Speaker 1>has some. They definitely have plastic ones. Yeah. If you

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<v Speaker 1>search BONDSA, it's one of the things that comes up immediately.

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<v Speaker 1>It's fake trees. I think it's called like nearly real

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<v Speaker 1>for nearly natural something like that, and uh, it does

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<v Speaker 1>not look nearly natural. It's like near beer. Do you

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<v Speaker 1>ever heard people called non alcoholic beer near beer. I

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<v Speaker 1>think it's kind of funny. I used to um, I

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<v Speaker 1>probably wouldn't tell his story. So with bonds, I, UM, chuck,

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<v Speaker 1>we're talking like you said the little toy trees, And yeah,

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<v Speaker 1>there's plenty of fake bonds I out there, but they're

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<v Speaker 1>just kind of it's the same thing as fake flowers.

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<v Speaker 1>You know. Well it sort of flies in the face

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<v Speaker 1>of what's special about bonsai, which is that it's a

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<v Speaker 1>living work of art. Right it does, And a lot

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<v Speaker 1>of people are like, well, that's just a weird, freakish

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<v Speaker 1>tree that you've been abusing for the last several decades.

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<v Speaker 1>Some people actually do criticize bonsai because it is Yeah,

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<v Speaker 1>it's it's like docking and dog's tail or. Um, it's

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<v Speaker 1>nothing like, but it depending on how you feel about plants,

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<v Speaker 1>it's it's the same thing. You're taking, it's something that's

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<v Speaker 1>natural and literally bending it to your will. So there's

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<v Speaker 1>an anti pruning movement going on around the world. Maybe

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<v Speaker 1>I don't know if I would go that far to

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<v Speaker 1>say it, but um, if you are invested in bonds Eye,

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<v Speaker 1>if you do appreciate bonds Eye, part of the whole

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<v Speaker 1>point of bonds Eye. As you are taking, you're creating

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<v Speaker 1>a tableau that is a a living depiction of nature

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<v Speaker 1>rather than a painting. You're creating a living version of

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<v Speaker 1>basically a painting well sculpture, living sculpture. Yeah, yeah, that's

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<v Speaker 1>even better, Like you can make it out of sculpe clay.

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<v Speaker 1>You could, but then you've you've totally missed the point

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<v Speaker 1>of bonding. Well they'd be fun too, but but it's

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<v Speaker 1>something different, right, So, um, we're going to talk about

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<v Speaker 1>how to how to bonds? Ie, I have to say, um,

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<v Speaker 1>is that a verb as well? It is? Now we're

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<v Speaker 1>gonna Jerry's is cracking up this episode? She's she's reading, Uh, oh,

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<v Speaker 1>what is the guy from Crack's name? Alfredy Newman's like

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<v Speaker 1>kind of oh yeah, he had like this yeah counterpart.

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<v Speaker 1>Yeah is that still around because they're sort of a

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<v Speaker 1>different thing than they. Yeah. Yeah, there's this great story

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<v Speaker 1>behind Cracked, Like Cracked was around for you know, decades,

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<v Speaker 1>and it just got less of languish. And I guess

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<v Speaker 1>some fan came along and was like, hey, I noticed,

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<v Speaker 1>like you're basically just waiting around for Crack to die.

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<v Speaker 1>Can I have a stab at it? Crack at it?

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<v Speaker 1>I specifically didn't say that, but yes, and um they're like, whatever, kid,

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<v Speaker 1>go ahead, and the guy basically resurrected Crack Cracked in

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<v Speaker 1>his basement brought it back from the dead and now

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<v Speaker 1>it's like huge, sold for boatload of money. Oh yeah,

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<v Speaker 1>good for them. I hope it went to that dude

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<v Speaker 1>who resurrected it. I do too, that's great. Um, I

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<v Speaker 1>don't remember how we got onto cracked. Jerry was laughing. Oh,

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<v Speaker 1>she was reading cracked. That's right. Um. So back to

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<v Speaker 1>bonds I, Like I said, we're gonna talk about how

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<v Speaker 1>to bonds I, which, like they said as a verb. Now, um,

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<v Speaker 1>but let's talk about the history of it first. Yeah.

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<v Speaker 1>Like uh, Like many things in the world, and especially

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<v Speaker 1>many things that you might associate with Japan, it started

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<v Speaker 1>earlier in China before it made its way to Japan,

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<v Speaker 1>and in China it was called well in Japan, did

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<v Speaker 1>you already say what the what it literally means? I

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<v Speaker 1>think you did. Yeah, it means plant in a tray, Yeah,

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<v Speaker 1>plant in a tray. In China it was punsi, which

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<v Speaker 1>means tray plant. Not too far off. And if you

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<v Speaker 1>go all the way back to the Tang dynasty, Um,

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<v Speaker 1>they there is evidence, you know, and tomb paintings that

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<v Speaker 1>they had these little little prune trees and shallow pots. Yeah,

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<v Speaker 1>it's just like part of the painting in the tomb.

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<v Speaker 1>It's not like featured, it's just part of it, kind

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<v Speaker 1>of depicting regular life. They're like, okay, well, at least

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<v Speaker 1>by seven oh six, um, see that there were people

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<v Speaker 1>doing bonzai in China through ponzai, right, Uh, it may

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<v Speaker 1>go back even further than that. There's a legend that

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<v Speaker 1>an emperor round about two oh six BC wanted his

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<v Speaker 1>entire empire China recreated a miniature in his backyard, and um,

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<v Speaker 1>they think they suspect that it's possible that that may

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<v Speaker 1>have given rise to pontai. That makes sense. They're like,

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<v Speaker 1>we gotta make tiny trees now because the emperor wants. Yeah.

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<v Speaker 1>But then either through trade or through gifts, exchanges of

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<v Speaker 1>state departments and stuff like that. Um, Japan does what

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<v Speaker 1>it always did, and it got its handed on something

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<v Speaker 1>and then took it to the nth degree and perfected

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<v Speaker 1>and made it. That's what Japan does. That's what they do. Uh.

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<v Speaker 1>There's an ancient Japanese scroll that I found not literally

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<v Speaker 1>in my backyard, and you're adding, uh, that I found

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<v Speaker 1>on the internet. Uh, And it says this is around

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<v Speaker 1>the Kamakura period, which was to thirt thirty three. Um,

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<v Speaker 1>and it says to appreciate and find pleasure and curiously

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<v Speaker 1>curved potted trees is to love deformity, which I thought

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<v Speaker 1>was interesting. And the article I read said it, you know,

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<v Speaker 1>we don't know whether it is positive or negative. Yeah,

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<v Speaker 1>I think it means positive. Maybe the writer was passive aggressive.

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<v Speaker 1>I thought it was a pretty interesting quote though. Oh

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<v Speaker 1>yeah for sure, because I mean, again, you're training trees

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<v Speaker 1>to to be little freaks of nature basically. Yeah. And um,

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<v Speaker 1>like a lot of other works of art at the time, Um,

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<v Speaker 1>it starts out with like monks and Buddhists, and then

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<v Speaker 1>eventually it becomes like part of the rich elite and

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<v Speaker 1>then eventually works its way to the to the common folk.

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<v Speaker 1>So by the I think the thirteenth fifteen, sixteenth century,

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<v Speaker 1>it was, it was, it was, it would become like

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<v Speaker 1>a pretty well established hobby in Japan. Um, I don't.

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<v Speaker 1>I got the impression that wasn't necessarily thought of as

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<v Speaker 1>an art form until the West saw it for the

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<v Speaker 1>first time. So in the seventeenth century, Japan was getting

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<v Speaker 1>really tired of Westerners trying to convert them to Christianity

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<v Speaker 1>and um, basically exploiting them in unfair trade practices. They said,

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<v Speaker 1>you know what Westerners get out, We are isolating ourselves,

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<v Speaker 1>were closing ourselves off the trade with the West except

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<v Speaker 1>for a few Dutch and Spaniards. Uh, and then the Chinese,

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<v Speaker 1>everybody else go away. And they stayed like that for

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<v Speaker 1>a couple hundred years. And um, I believe it was

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<v Speaker 1>Millard Fillmore who sent Matthew Perry Chandler bing over there

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<v Speaker 1>with the squadron of navy freighters and huge cannons and guns, saying,

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<v Speaker 1>you're gonna trade with us? He said, could you guys

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<v Speaker 1>be any cooler? You have all kinds of cool stuff,

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<v Speaker 1>that's my Chandler. So Japan opened up basically at the

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<v Speaker 1>barrel of America's guns. Yeah, we should do a show

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<v Speaker 1>on that. We talked about it enough. It's really interesting

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<v Speaker 1>the isolation this period, Like what was what went on there?

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<v Speaker 1>And then? Uh, A lot of bonds, a lot of

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<v Speaker 1>goldfish tending. Nice remember Mr Burns famous quote those sandal

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<v Speaker 1>wearing goldfish tenders. I don't remember that. That's good though.

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<v Speaker 1>But as far as coming to the West, there were

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<v Speaker 1>a couple of big fairs where it kind of exploded.

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<v Speaker 1>The Paris World Exhibition of eighteen seventy eight in the

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<v Speaker 1>London exhibition of nineteen o nine, where uh, you know,

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<v Speaker 1>of course people in the West just probably flipped for it. Yeah,

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<v Speaker 1>because it's so cool. Yeah, it is like, oh man,

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<v Speaker 1>researching this, I just every time I would come across

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<v Speaker 1>a new term for like a style or something, I

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<v Speaker 1>go look it up and I end up spending half

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<v Speaker 1>an hour just looking at bonds Eye pictures. You know.

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<v Speaker 1>It's really engrossing. Yeah. I was gonna be like, all right,

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<v Speaker 1>I'm doing this, but I'm gonna wait for what old age,

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<v Speaker 1>so like three or four years from now. Yeah, I

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<v Speaker 1>think I'm going to get into it. Yeah. I think

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<v Speaker 1>it's just for me. I've got too much going on

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<v Speaker 1>right now to do. But it's gonna be a great

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<v Speaker 1>retirement past time for me. I could just I could

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<v Speaker 1>see myself really like spending days and days. I can

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<v Speaker 1>see it's caring for these little guys because I like,

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<v Speaker 1>oh yeah, and I like, uh like tiny things and miniatures. Oh,

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<v Speaker 1>you're gonna love Bond's Eye. Yeah, like the little tiny

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<v Speaker 1>Tabasco bottles that you get in room service and stuff

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<v Speaker 1>like that. Plus you're crazy for it. Your doll houses

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<v Speaker 1>that you've built on my doll houses. Yeah, I just

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<v Speaker 1>I don't know. I think you read Dobson play. Yeah. Um,

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<v Speaker 1>all right, well, I guess we should talk about some

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<v Speaker 1>of those styles and huh, well you want to take

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<v Speaker 1>a break first, Yeah, let's do that. Okay, okay, Josh,

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<v Speaker 1>you mentioned styles, and I did the same thing you did, Buddy.

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<v Speaker 1>I went and looked at pictures and I put little

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<v Speaker 1>marks next to my favorite ones, like earmarked what I'm

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<v Speaker 1>gonna try and emulate in the future. I'm very curious

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<v Speaker 1>if if we're going to do right, you start so

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<v Speaker 1>upright choken and it's the most formal traditional style where

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<v Speaker 1>it is basically it emulates a strong, healthy, upright growing tree. Yeah.

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<v Speaker 1>I love that we take this like ancient, amazing art

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<v Speaker 1>form and the most formal style we go right, Yeah,

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<v Speaker 1>but I agree. Didn't delight me. And again, what you're

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<v Speaker 1>doing is emulating nature, but you're doing it in miniature.

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<v Speaker 1>And part of bonds Ie UM is using like tricks

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<v Speaker 1>of the eye, force perspective, that kind of stuff. And Um,

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<v Speaker 1>the upright the choken style UM does that by tapering

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<v Speaker 1>the trunk, so it's much wider at the bottom than

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<v Speaker 1>it is that that's the top to kind of give

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<v Speaker 1>you the idea that you're looking up towards a very

0:13:18.960 --> 0:13:22.880
<v Speaker 1>tall tree. Yeah, and we'll sprinkle in bits of the

0:13:23.000 --> 0:13:25.840
<v Speaker 1>uh sort of philosophical art behind it. But the idea

0:13:26.000 --> 0:13:29.680
<v Speaker 1>is that you you sort of imagine a scene in

0:13:29.720 --> 0:13:32.240
<v Speaker 1>your head and then you try and make it look

0:13:32.280 --> 0:13:34.439
<v Speaker 1>like that. Maybe it's something from your past, maybe it's

0:13:34.440 --> 0:13:36.960
<v Speaker 1>a great tree you saw one time on a vacation,

0:13:37.480 --> 0:13:40.240
<v Speaker 1>but just something that makes you feel good. Um, you're

0:13:40.320 --> 0:13:43.120
<v Speaker 1>usually not like, you know, let me just make some crazy,

0:13:43.200 --> 0:13:46.680
<v Speaker 1>weird looking thing because you know I'm drunk. I'm gonna

0:13:46.720 --> 0:13:50.080
<v Speaker 1>make the I'm gonna make that tree that was next

0:13:50.120 --> 0:13:52.360
<v Speaker 1>to the place where my friend got hit and killed

0:13:52.360 --> 0:13:56.000
<v Speaker 1>on his bike. Now it's all about harmony. Yes, that

0:13:56.040 --> 0:13:58.440
<v Speaker 1>would be the opposite of Bond's eye. Yes, that's right.

0:13:59.160 --> 0:14:01.480
<v Speaker 1>Uh So, moving into another style, which I did not

0:14:01.480 --> 0:14:04.760
<v Speaker 1>put a check Martin next to. But it's okay, mayogi,

0:14:05.160 --> 0:14:07.319
<v Speaker 1>I like this one. It's okay. It's a little like

0:14:07.440 --> 0:14:12.599
<v Speaker 1>the choken. Um it's the informal upright, Okay, so a

0:14:12.600 --> 0:14:16.200
<v Speaker 1>little more style maybe. Yeah. So the chocon is very formal,

0:14:16.320 --> 0:14:21.720
<v Speaker 1>very straight. Um, the mayogi is it's overall the shape

0:14:21.760 --> 0:14:24.600
<v Speaker 1>is upright, but it can like bend and twist to

0:14:24.720 --> 0:14:28.360
<v Speaker 1>get to that point. You see what I'm saying. It's neat. Yeah,

0:14:28.440 --> 0:14:30.880
<v Speaker 1>I think it's neat. I wouldn't mind doing a moyogi

0:14:31.160 --> 0:14:33.040
<v Speaker 1>at some point in the future, but it definitely won't

0:14:33.040 --> 0:14:34.960
<v Speaker 1>be the first one I try. All Right, it's it's

0:14:35.000 --> 0:14:38.880
<v Speaker 1>down the list of it. Uh the slanting shakan or

0:14:41.240 --> 0:14:46.000
<v Speaker 1>or fukanagashi fukagashi. Yeah, nice, it's that good. Um, these

0:14:46.040 --> 0:14:47.720
<v Speaker 1>are pretty cool. I have to say. That has the

0:14:47.760 --> 0:14:51.000
<v Speaker 1>leaning trunk at a forty five degree angle and the

0:14:51.720 --> 0:14:55.200
<v Speaker 1>branches follow the angle of the trunk. Yeah, they're they're

0:14:55.240 --> 0:14:58.880
<v Speaker 1>parallel to it, right, Yes, basically parallel essentially right, so

0:14:59.120 --> 0:15:04.080
<v Speaker 1>they're neat looking. And that trunk is slanted. Uh. In

0:15:04.080 --> 0:15:09.040
<v Speaker 1>in reference to the the pot, the lip the lip

0:15:09.080 --> 0:15:14.200
<v Speaker 1>of the pot, right, um, and we should say don't

0:15:14.240 --> 0:15:16.240
<v Speaker 1>we haven't said it. So we're talking mostly about the

0:15:16.240 --> 0:15:19.200
<v Speaker 1>trees and that's what gets the most attention. But um,

0:15:19.240 --> 0:15:23.160
<v Speaker 1>classically and at its heart, bonsai is a it's a balance,

0:15:23.240 --> 0:15:26.400
<v Speaker 1>it's a harmony between the plant and the pot. Like

0:15:26.440 --> 0:15:29.320
<v Speaker 1>when you're talking about it bonsai. The pot is included

0:15:29.360 --> 0:15:35.440
<v Speaker 1>in that it's very it's part of the sculpture itself. Almost, yeah, agreed. Uh.

0:15:35.480 --> 0:15:38.880
<v Speaker 1>And also with that slanting style. Um supposedly, even though

0:15:38.880 --> 0:15:42.480
<v Speaker 1>I saw many examples to the contrary. The first branch

0:15:43.080 --> 0:15:46.600
<v Speaker 1>is supposed to go opposite of the angle of the

0:15:46.640 --> 0:15:50.000
<v Speaker 1>trunk for to provide balance, right, I think that's in

0:15:50.040 --> 0:15:57.160
<v Speaker 1>the shotgun style. It goes opposite. Yeah, got yeah, alright, alright, chuck,

0:15:57.240 --> 0:16:01.240
<v Speaker 1>next cascade for really eat and you just lit up

0:16:01.240 --> 0:16:05.520
<v Speaker 1>like a Christmas tree. It's yours. So the semi cascade,

0:16:05.600 --> 0:16:08.720
<v Speaker 1>the Hanken guy is mine. That's the one I'm going

0:16:08.760 --> 0:16:10.840
<v Speaker 1>to try first. All right, Well, go ahead and describe it.

0:16:10.880 --> 0:16:13.280
<v Speaker 1>This so basically, and you need a deeper pot. So

0:16:13.400 --> 0:16:18.240
<v Speaker 1>most pots for um uh bonsai are shallow. Um this

0:16:18.360 --> 0:16:20.800
<v Speaker 1>you need like a pretty deep pot forward, because the

0:16:21.280 --> 0:16:26.680
<v Speaker 1>plant is basically mostly overhanging. It's outside and hanging down

0:16:26.800 --> 0:16:30.200
<v Speaker 1>from the pot. That's a full on cascade. And these

0:16:30.240 --> 0:16:33.280
<v Speaker 1>are meant to really emulate like a tree that's just

0:16:33.400 --> 0:16:37.360
<v Speaker 1>barely hanging on and like a rocky outcrop on a mountain. Interesting,

0:16:37.640 --> 0:16:40.880
<v Speaker 1>and so the cascade is full on like the basically

0:16:40.960 --> 0:16:44.480
<v Speaker 1>the whole plant has been below the lip of the pot.

0:16:45.600 --> 0:16:50.520
<v Speaker 1>The semi cascade is where right where the there's a

0:16:50.560 --> 0:16:53.600
<v Speaker 1>substantial amount of the plant is still in the pot,

0:16:54.040 --> 0:16:58.440
<v Speaker 1>but it's growing over and down the side something or

0:16:58.560 --> 0:17:02.120
<v Speaker 1>really off to the side and swept his semi cascade,

0:17:02.160 --> 0:17:04.159
<v Speaker 1>I think is another term for it. Yeah, now I'm

0:17:04.160 --> 0:17:07.800
<v Speaker 1>trying to apply psychology to why that's your favorite. It's

0:17:07.840 --> 0:17:10.800
<v Speaker 1>just the look of it. Just aesthetically speaking, I think

0:17:10.840 --> 0:17:14.720
<v Speaker 1>it's it's great. Next up we have the literati or

0:17:14.760 --> 0:17:22.760
<v Speaker 1>the bungen or bungeni bing bunging guy. Yeah, I think

0:17:22.800 --> 0:17:29.080
<v Speaker 1>that's way better. Probably one of those. So you think

0:17:29.119 --> 0:17:32.080
<v Speaker 1>I would ask my wife, sure we should just have

0:17:32.160 --> 0:17:37.960
<v Speaker 1>you me in here with like a ruler smacking knuckles. Nope. Um,

0:17:38.040 --> 0:17:41.280
<v Speaker 1>this is the one that's really uh focuses on perspective.

0:17:41.680 --> 0:17:44.119
<v Speaker 1>So the idea here here is that you're you're looking

0:17:44.920 --> 0:17:49.199
<v Speaker 1>uh from below to a tree that is above, like

0:17:49.280 --> 0:17:50.960
<v Speaker 1>if you're at the base of a mountain looking up.

0:17:51.720 --> 0:17:53.720
<v Speaker 1>Then you tailor the tree to make it look as

0:17:53.720 --> 0:17:56.560
<v Speaker 1>if And we should also mention that you should look

0:17:56.560 --> 0:18:00.720
<v Speaker 1>at eye level is traditionally where you're when you talk perspective.

0:18:01.359 --> 0:18:03.840
<v Speaker 1>You know, if you're standing four ft above it, right,

0:18:03.920 --> 0:18:06.400
<v Speaker 1>that's different you should look at bonsai eye level. Yeah,

0:18:06.440 --> 0:18:09.159
<v Speaker 1>that's why they're so frequently displayed at eye level. That's right.

0:18:09.720 --> 0:18:13.680
<v Speaker 1>And there's also it's probably worth mentioning here that there's

0:18:13.680 --> 0:18:17.040
<v Speaker 1>a definite front and a definite back to a bonsaie.

0:18:17.720 --> 0:18:21.240
<v Speaker 1>We'll get into that. Uh, this one is one of

0:18:21.280 --> 0:18:24.040
<v Speaker 1>my favorites. Broom. Yes, we are at the broom. So

0:18:24.080 --> 0:18:25.920
<v Speaker 1>this is this the one that you marked the hokey

0:18:25.960 --> 0:18:29.159
<v Speaker 1>duchy yes. Um. And you might look it up people

0:18:29.160 --> 0:18:34.720
<v Speaker 1>and say interesting, not the most flashy tree, but there's

0:18:34.760 --> 0:18:37.720
<v Speaker 1>something about it. Man. It has this like really full

0:18:38.640 --> 0:18:41.919
<v Speaker 1>kind of half dome with a just a single trunk

0:18:42.359 --> 0:18:45.320
<v Speaker 1>jutting up. Yeah, it's just beautiful to me. It's like

0:18:45.359 --> 0:18:48.360
<v Speaker 1>it takes the shape of like an idealized like maple

0:18:48.520 --> 0:18:50.919
<v Speaker 1>or oak tree. Yeah, you know, it reminded me of

0:18:50.920 --> 0:18:53.880
<v Speaker 1>a like a grand oak. Yeah. Well, yeah, I wouldn't

0:18:53.920 --> 0:18:56.000
<v Speaker 1>call you flashy. You've never been known to where like

0:18:56.080 --> 0:18:58.480
<v Speaker 1>I d bracelets or pinky rings or I don't know

0:18:58.520 --> 0:19:00.280
<v Speaker 1>what either one of those things are. Do you know

0:19:00.320 --> 0:19:04.080
<v Speaker 1>what a pinky ring is? Nope, yes you do. I

0:19:04.119 --> 0:19:06.119
<v Speaker 1>don't know what you're talking about. A pinky ring, A

0:19:06.200 --> 0:19:09.879
<v Speaker 1>man's pinky ring, I know what a man is. Okay,

0:19:09.920 --> 0:19:14.760
<v Speaker 1>well I'll tell you later. Uh So, next up is

0:19:14.880 --> 0:19:20.800
<v Speaker 1>my absolute favorite by far, the landscape. It's when you

0:19:21.160 --> 0:19:25.160
<v Speaker 1>create your little miniature scene. It's like a shadow box,

0:19:25.640 --> 0:19:27.320
<v Speaker 1>which I used to love doing those when I was

0:19:27.320 --> 0:19:30.280
<v Speaker 1>a kid. My my oldest sister was into this, um

0:19:30.560 --> 0:19:32.919
<v Speaker 1>years and years ago. Yeah. She would make more like

0:19:33.000 --> 0:19:36.560
<v Speaker 1>English gardens kind of in miniature that with like you

0:19:36.600 --> 0:19:38.960
<v Speaker 1>know what, like those gazing balls. She would make like,

0:19:39.000 --> 0:19:41.439
<v Speaker 1>well tiny one of those is the focal point of

0:19:41.480 --> 0:19:43.560
<v Speaker 1>the place. And yeah, so this is when you have

0:19:43.600 --> 0:19:45.840
<v Speaker 1>your little nature scene. You've got moss, you've got little rocks,

0:19:45.880 --> 0:19:48.600
<v Speaker 1>you may even have a water feature. And it's just

0:19:49.080 --> 0:19:51.000
<v Speaker 1>I just I don't know, man. Ever since I was

0:19:51.040 --> 0:19:53.520
<v Speaker 1>a kid, I love little things like that. So is

0:19:53.560 --> 0:19:55.880
<v Speaker 1>that the first one you're gonna try? Well, I think

0:19:55.920 --> 0:19:59.280
<v Speaker 1>I'll probably have to work up to that. Um, you're

0:19:59.280 --> 0:20:02.359
<v Speaker 1>not gonna just do water features right out of the gate, No,

0:20:02.520 --> 0:20:04.240
<v Speaker 1>but I might have built my own fountain once. It's

0:20:04.280 --> 0:20:07.879
<v Speaker 1>not that hard. You need to pump um. And this

0:20:08.040 --> 0:20:13.080
<v Speaker 1>actually China is still into um yeah, into bonsai, but

0:20:13.240 --> 0:20:16.400
<v Speaker 1>this is the stuff that they practice called pinging. Yeah,

0:20:16.520 --> 0:20:19.119
<v Speaker 1>very landscape oriented. Yeah, I might even put a little

0:20:19.400 --> 0:20:21.480
<v Speaker 1>like a camping sing little fire ring. Oh, that'd be

0:20:21.480 --> 0:20:25.040
<v Speaker 1>great with some little little guys with their acoustic guitars. Right,

0:20:25.080 --> 0:20:27.679
<v Speaker 1>and then Jason Vorhees is standing off to the side

0:20:27.720 --> 0:20:33.320
<v Speaker 1>just watching them. Maybe, um, root over or root on rock.

0:20:33.760 --> 0:20:36.159
<v Speaker 1>This is the one I thought was gonna be your favorite. Yeah,

0:20:36.400 --> 0:20:39.080
<v Speaker 1>so what's the deal here? Um? You you could definitely

0:20:39.119 --> 0:20:42.240
<v Speaker 1>combine this one with something like cascade or wind sweat.

0:20:43.680 --> 0:20:48.720
<v Speaker 1>It's where you train the roots of the um the

0:20:48.840 --> 0:20:51.280
<v Speaker 1>tree to grow around or on top of a rock.

0:20:51.400 --> 0:20:53.600
<v Speaker 1>It's pretty neat, so it looks like it is really

0:20:53.640 --> 0:20:57.840
<v Speaker 1>clinging to a mountain side. Yeah. And what they're trying

0:20:57.840 --> 0:20:59.560
<v Speaker 1>to do in a lot of these cases is give

0:20:59.600 --> 0:21:03.560
<v Speaker 1>the appear arrants of like an old tree, Uh, something

0:21:03.600 --> 0:21:07.040
<v Speaker 1>has been around for many years, um, when in fact

0:21:07.080 --> 0:21:08.760
<v Speaker 1>it maybe a tree that's like a year old, but

0:21:08.800 --> 0:21:10.800
<v Speaker 1>it looks like some ancient oak or something. Yeah. And

0:21:10.840 --> 0:21:12.920
<v Speaker 1>we'll talk about some of the techniques for doing that later,

0:21:12.960 --> 0:21:16.240
<v Speaker 1>but that is largely the It seems like the initial

0:21:16.280 --> 0:21:19.200
<v Speaker 1>point if you're you're trying to make it look like

0:21:19.280 --> 0:21:22.080
<v Speaker 1>an old tree, or you're creating a tree that you

0:21:22.160 --> 0:21:25.080
<v Speaker 1>intend to live for a few hundred years and get old,

0:21:25.720 --> 0:21:27.720
<v Speaker 1>you know. Yeah, and the oldest one they have in

0:21:27.840 --> 0:21:32.440
<v Speaker 1>d C like fo years old. That's even close. Yeah, yeah,

0:21:32.520 --> 0:21:34.320
<v Speaker 1>I mean that one's cool. You want to talk about that.

0:21:34.920 --> 0:21:37.679
<v Speaker 1>So there's a white pine at the National Banzai and

0:21:37.720 --> 0:21:41.440
<v Speaker 1>Penji Museum in d C, and it's almost four dred

0:21:41.560 --> 0:21:46.119
<v Speaker 1>years old. But also notably it survived a pretty big event,

0:21:47.240 --> 0:21:51.600
<v Speaker 1>the bombing of Urashima, and then it was given as

0:21:51.600 --> 0:21:56.399
<v Speaker 1>a gift from Japan to UM the US. Why. I

0:21:56.400 --> 0:21:58.320
<v Speaker 1>don't know. I guess they were like, you're don't ever

0:21:58.359 --> 0:22:03.320
<v Speaker 1>do that again, this thing to remind you, I think twice.

0:22:03.800 --> 0:22:05.399
<v Speaker 1>So there are many many older ones in that that

0:22:05.480 --> 0:22:08.479
<v Speaker 1>was what you're saying. Yeah, there's one in uh Museum

0:22:08.520 --> 0:22:11.160
<v Speaker 1>in Spain. It's a ficus that's like a thousand years old.

0:22:11.560 --> 0:22:13.840
<v Speaker 1>There's another one that's like a thousand. There's a couple

0:22:13.840 --> 0:22:16.199
<v Speaker 1>that are eight hundred years old. And the ideas that

0:22:16.320 --> 0:22:19.880
<v Speaker 1>many times these are passed within your family, correct, Yeah, yeah,

0:22:20.000 --> 0:22:23.680
<v Speaker 1>very frequently they'll be handed down as heirlooms. UM. Now,

0:22:23.800 --> 0:22:26.520
<v Speaker 1>some of the disparity between ages where they're like that

0:22:26.560 --> 0:22:29.479
<v Speaker 1>one doesn't really count. It may have been like a

0:22:29.560 --> 0:22:32.320
<v Speaker 1>thousand year old ficus that somebody found out in the

0:22:32.359 --> 0:22:35.439
<v Speaker 1>wild and collected and has been bonds eying for twenty years.

0:22:36.119 --> 0:22:39.160
<v Speaker 1>So this one, I have the impression um has been

0:22:39.200 --> 0:22:41.359
<v Speaker 1>bonds eyed and in the same family for like six

0:22:41.440 --> 0:22:45.159
<v Speaker 1>or seven generations, so it's been like tended to. So

0:22:45.160 --> 0:22:46.840
<v Speaker 1>it may have been kind of old when it was

0:22:47.119 --> 0:22:50.400
<v Speaker 1>when it was collected um, but it's been bonds eyed

0:22:50.480 --> 0:22:54.040
<v Speaker 1>for hundreds of years all right. To finish up, the

0:22:54.160 --> 0:22:59.480
<v Speaker 1>last category, which I think is pretty cool, multiform or

0:22:59.640 --> 0:23:04.640
<v Speaker 1>eca to or SoCon or kabudachi, and that is when

0:23:04.680 --> 0:23:06.880
<v Speaker 1>you have the illusion that you have more than one

0:23:06.920 --> 0:23:10.159
<v Speaker 1>tree but it's really just one tree. Yeah, that's it's

0:23:10.200 --> 0:23:12.600
<v Speaker 1>pretty cool. So it looks like, you know, it's generally

0:23:12.680 --> 0:23:15.840
<v Speaker 1>jutting out from the bottom obviously of the roots structure

0:23:15.920 --> 0:23:18.040
<v Speaker 1>up and it looks like a couple of trees. Yeah,

0:23:18.160 --> 0:23:20.440
<v Speaker 1>but it's a single tree. Some people cheat and put

0:23:20.640 --> 0:23:23.879
<v Speaker 1>some several trees in there. But well you can do that, right,

0:23:24.000 --> 0:23:26.240
<v Speaker 1>a little you're a little forest, I guess so. But

0:23:26.400 --> 0:23:30.960
<v Speaker 1>isn't that then really the landscape the psychi maybe? I think,

0:23:31.040 --> 0:23:33.200
<v Speaker 1>you know, what, are the Bonsai police gonna come knocking

0:23:33.240 --> 0:23:35.480
<v Speaker 1>on your door? Yeah, you don't want to mess with

0:23:35.560 --> 0:23:41.399
<v Speaker 1>those guys. You know you don't, they'll ignore you. All right,

0:23:41.480 --> 0:23:44.000
<v Speaker 1>let's talk a little bit about what kind of plants

0:23:44.160 --> 0:23:46.879
<v Speaker 1>you can use, because I did not know this. I

0:23:46.920 --> 0:23:51.160
<v Speaker 1>thought there was a special kind of tree that everybody

0:23:51.280 --> 0:23:55.359
<v Speaker 1>used to make a bonsai. Yeah, but in fact it's

0:23:55.880 --> 0:23:57.480
<v Speaker 1>it could be a tree that out in the wild

0:23:57.680 --> 0:24:01.560
<v Speaker 1>is thirty tall. I had no idea. I thought there

0:24:01.560 --> 0:24:03.600
<v Speaker 1>were little miniature trees. It just grew up to be

0:24:03.680 --> 0:24:06.240
<v Speaker 1>like a foot tall. Yeah, no, a lot. Apparently that's

0:24:06.280 --> 0:24:08.600
<v Speaker 1>like a common misconception. I saw that during research a

0:24:08.600 --> 0:24:12.359
<v Speaker 1>couple of times. Um. The whole key is you are

0:24:13.400 --> 0:24:18.040
<v Speaker 1>dwarfing a tree, and you're doing that by um, keeping

0:24:18.080 --> 0:24:20.399
<v Speaker 1>it in a small container and keeping its roots trimmed

0:24:20.400 --> 0:24:23.400
<v Speaker 1>back so that it comes to basically go against its

0:24:23.480 --> 0:24:29.440
<v Speaker 1>natural processes and just stays small in miniature. Um. But yeah,

0:24:29.600 --> 0:24:36.040
<v Speaker 1>basically any plant can be bonds eyed it is and Um,

0:24:36.119 --> 0:24:38.479
<v Speaker 1>what I didn't realize is that most bonds eye is

0:24:38.520 --> 0:24:42.120
<v Speaker 1>meant to be outdoors. Thought it was strictly indoor. Yeah,

0:24:42.119 --> 0:24:45.240
<v Speaker 1>and there are indoor varieties Like you can take indoor

0:24:45.280 --> 0:24:47.680
<v Speaker 1>plants or plants that do well indoors and make them

0:24:47.680 --> 0:24:49.840
<v Speaker 1>bonds eye, and it's becoming more of a thing. But

0:24:50.040 --> 0:24:52.040
<v Speaker 1>for the most part, if you're doing, especially something with

0:24:52.080 --> 0:24:56.000
<v Speaker 1>like a pine or a deciduous tree or a juniper,

0:24:56.280 --> 0:24:58.639
<v Speaker 1>those are outdoor plants, and your your bonds eye is

0:24:58.640 --> 0:25:01.160
<v Speaker 1>meant to stay outdoors, except you know, if you bring

0:25:01.200 --> 0:25:03.480
<v Speaker 1>it in and use it as a centerpiece or something

0:25:03.560 --> 0:25:06.200
<v Speaker 1>once in a while. Yeah, and for those trees, um,

0:25:06.240 --> 0:25:08.399
<v Speaker 1>it makes a point in here that they have a

0:25:08.520 --> 0:25:12.280
<v Speaker 1>natural yearly cycle that will be disrupted if you keep

0:25:12.280 --> 0:25:16.080
<v Speaker 1>it indoors, so um, you may have to overwinter it

0:25:16.200 --> 0:25:18.480
<v Speaker 1>to a certain degree, but you're also gonna want to

0:25:18.520 --> 0:25:21.720
<v Speaker 1>take these out in the winter some r um. But

0:25:21.760 --> 0:25:24.639
<v Speaker 1>it also says that it's not like a grown tree

0:25:24.680 --> 0:25:27.679
<v Speaker 1>that's covered mulch and like super deep rooted, So you

0:25:27.680 --> 0:25:29.800
<v Speaker 1>can't just leave it out all winter, no, and if

0:25:29.840 --> 0:25:31.399
<v Speaker 1>you do, you would want to leave it in like

0:25:31.440 --> 0:25:34.080
<v Speaker 1>a cold frame or a greenhouse or something like that

0:25:34.080 --> 0:25:37.720
<v Speaker 1>where it's gonna survive, or you could also protect it

0:25:37.720 --> 0:25:40.600
<v Speaker 1>with a bunch of mulch too you leave it outside.

0:25:40.800 --> 0:25:43.880
<v Speaker 1>But yeah, there's it does follow a lot of its

0:25:43.920 --> 0:25:47.080
<v Speaker 1>natural processes, right, So if you're doing like a fruiting

0:25:47.080 --> 0:25:50.239
<v Speaker 1>tree or a flowering tree, like as as long as

0:25:50.240 --> 0:25:53.440
<v Speaker 1>it's healthy and happy, Uh, it's going to bear fruit,

0:25:53.480 --> 0:25:56.960
<v Speaker 1>there's gonna be flowers. Um. Pretty cool. Yeah, it's very cool.

0:25:57.040 --> 0:26:00.560
<v Speaker 1>But you are simulating nature and that it's the roots

0:26:00.600 --> 0:26:03.760
<v Speaker 1>are being kept shallow and trimmed. So you have to

0:26:03.800 --> 0:26:06.760
<v Speaker 1>take that into consideration by protecting it from cold and

0:26:06.840 --> 0:26:09.800
<v Speaker 1>from making sure it has a lot of water too. Yeah,

0:26:10.000 --> 0:26:12.119
<v Speaker 1>we'll we'll get into the specifics of care here in

0:26:12.119 --> 0:26:14.359
<v Speaker 1>a minute. Um, But as you said, you can pretty

0:26:14.440 --> 0:26:16.879
<v Speaker 1>much use any tree. Ideally, what you want to use

0:26:16.960 --> 0:26:19.520
<v Speaker 1>is something some sort of tree or shrub that have

0:26:20.359 --> 0:26:24.240
<v Speaker 1>small leaves or needles and that can get super dense.

0:26:24.720 --> 0:26:28.680
<v Speaker 1>So you just have sort of more um, more material

0:26:28.880 --> 0:26:31.840
<v Speaker 1>to work with for your art form. How's that? I

0:26:31.840 --> 0:26:36.480
<v Speaker 1>think it's wonderful. And it all starts with roots, right, Yeah,

0:26:36.560 --> 0:26:39.800
<v Speaker 1>So when you're looking for a specimen, you can just

0:26:39.840 --> 0:26:42.240
<v Speaker 1>go to like your local nursery. Some people grow stuff

0:26:42.280 --> 0:26:45.920
<v Speaker 1>from seed. You can also take cuttings um and grow

0:26:45.960 --> 0:26:48.199
<v Speaker 1>them in like rooting hormone or something like that. If

0:26:48.240 --> 0:26:51.520
<v Speaker 1>you start from seed, that's like, that's neat, that's dedication.

0:26:52.119 --> 0:26:53.920
<v Speaker 1>And I will also say that if you start with

0:26:54.480 --> 0:26:57.639
<v Speaker 1>a kit that has a bonsai already sort of shaped

0:26:57.680 --> 0:27:01.120
<v Speaker 1>for you. That's and I'm not gonna knock it too

0:27:01.160 --> 0:27:02.800
<v Speaker 1>much because you might not have time and you might

0:27:02.800 --> 0:27:05.040
<v Speaker 1>still want to take care with it. That's a good point,

0:27:05.200 --> 0:27:07.800
<v Speaker 1>but I would recommend like to get your full experience

0:27:07.840 --> 0:27:10.920
<v Speaker 1>and maybe start with a cutting that you kind of

0:27:11.240 --> 0:27:13.440
<v Speaker 1>grow as your own little baby, right, or you can

0:27:13.480 --> 0:27:15.840
<v Speaker 1>go to like a nursery or something like that and

0:27:15.880 --> 0:27:18.320
<v Speaker 1>just say I would like to buy this plant and

0:27:18.320 --> 0:27:20.480
<v Speaker 1>I'm going to turn it into a bond's eye. That

0:27:20.560 --> 0:27:24.040
<v Speaker 1>definitely counts as well. So UM, A really good one

0:27:24.080 --> 0:27:27.440
<v Speaker 1>to start with that I found is um a juniper.

0:27:28.240 --> 0:27:31.639
<v Speaker 1>Most junipers they grow as groundcovers, so they stay fairly

0:27:31.720 --> 0:27:37.080
<v Speaker 1>low to the ground normally, so they do well being miniaturized.

0:27:37.480 --> 0:27:41.320
<v Speaker 1>They're also pretty hardy plants from what I understand, and

0:27:41.440 --> 0:27:45.480
<v Speaker 1>um they grow really well in any temperate climate, relatively

0:27:45.520 --> 0:27:48.760
<v Speaker 1>temperate climate. So you go to a nursery and you

0:27:48.760 --> 0:27:52.680
<v Speaker 1>you want to kind of go already with the style

0:27:52.880 --> 0:27:54.800
<v Speaker 1>in mind that you're going to go with, whether it's

0:27:54.840 --> 0:27:59.000
<v Speaker 1>broom or whether it's wind swept or semi cascade or whatever,

0:27:59.600 --> 0:28:02.399
<v Speaker 1>because then you'll you'll be able to kind of narrow

0:28:02.480 --> 0:28:05.080
<v Speaker 1>down the plant that you want to buy because it's

0:28:05.119 --> 0:28:08.119
<v Speaker 1>already gonna you're almost seeing it in there, like you

0:28:08.160 --> 0:28:10.240
<v Speaker 1>know how sculptors say that they like look at a

0:28:10.240 --> 0:28:12.960
<v Speaker 1>piece of marble and they're just chipping away what was

0:28:13.000 --> 0:28:16.120
<v Speaker 1>already in there all along. It's very similar with bonsai

0:28:16.200 --> 0:28:19.119
<v Speaker 1>as well. You go in, you find the plant that

0:28:19.200 --> 0:28:22.000
<v Speaker 1>kind of suits your needs a little bit, and then yeah,

0:28:22.040 --> 0:28:25.040
<v Speaker 1>you dig down and you want to find the first

0:28:25.160 --> 0:28:27.560
<v Speaker 1>roots that come off of this, off of the trunk,

0:28:28.240 --> 0:28:31.440
<v Speaker 1>and that's where that's what's called the crown, right, That's right,

0:28:32.240 --> 0:28:35.720
<v Speaker 1>And as long as those are pretty healthy looking and intact,

0:28:36.240 --> 0:28:38.600
<v Speaker 1>it's probably a pretty good bet that you can turn

0:28:38.600 --> 0:28:41.160
<v Speaker 1>that thing into a bonsai. That's right. And you should

0:28:41.160 --> 0:28:44.800
<v Speaker 1>remember too that, um, the more you want to alter

0:28:45.120 --> 0:28:48.000
<v Speaker 1>the tree, the probably younger and smaller it should be

0:28:48.080 --> 0:28:51.320
<v Speaker 1>to begin with, um, because you can only do so much.

0:28:51.920 --> 0:28:53.840
<v Speaker 1>You know. You can't take a tree that's like stick

0:28:53.920 --> 0:28:55.440
<v Speaker 1>straight and be like, all right now, I want it

0:28:55.480 --> 0:28:59.160
<v Speaker 1>to cascade all the way back down. I yeah, you

0:28:59.560 --> 0:29:01.800
<v Speaker 1>might be too, but it would take decades to get

0:29:01.800 --> 0:29:03.520
<v Speaker 1>it to grow like that. I would say you'd have

0:29:03.520 --> 0:29:05.680
<v Speaker 1>to be a bonsai master, Yeah, you would. In order

0:29:05.720 --> 0:29:09.560
<v Speaker 1>to do that again like Mr. Miyagi, But these exposed roots,

0:29:10.280 --> 0:29:14.640
<v Speaker 1>um it's gonna give the appearance if you want to

0:29:14.680 --> 0:29:16.880
<v Speaker 1>have that age look like it's an ancient tree. Maybe

0:29:17.680 --> 0:29:20.080
<v Speaker 1>ancient trees usually have these great, big roots that you

0:29:20.080 --> 0:29:22.280
<v Speaker 1>see sort of on top of the ground. So that's

0:29:22.280 --> 0:29:25.400
<v Speaker 1>a neat thing you can do with your bondsai um plus.

0:29:25.440 --> 0:29:28.360
<v Speaker 1>Also it's great when you dig down to the those

0:29:28.400 --> 0:29:30.800
<v Speaker 1>top roots that form the crown where the trunk ends

0:29:30.800 --> 0:29:32.920
<v Speaker 1>and the roots, the real roots begin. There's gonna be

0:29:32.960 --> 0:29:35.480
<v Speaker 1>plenty of fewer roots above that, and you're actually gonna

0:29:35.480 --> 0:29:38.280
<v Speaker 1>want to trim those away, but it gives the what

0:29:38.320 --> 0:29:42.200
<v Speaker 1>was once a pretty short plant suddenly has a trunk now,

0:29:42.680 --> 0:29:44.680
<v Speaker 1>and you're like, oh, okay, wow, I see where this

0:29:44.760 --> 0:29:47.440
<v Speaker 1>is coming from, starting to take shape just right out

0:29:47.440 --> 0:29:49.960
<v Speaker 1>of the gate. Yeah. And what you're doing what I mean,

0:29:50.000 --> 0:29:51.800
<v Speaker 1>we'll talk about pruning in a bit, but how you're

0:29:51.840 --> 0:29:54.840
<v Speaker 1>shaping this is with wire either with like aluminum or

0:29:54.880 --> 0:29:58.840
<v Speaker 1>copper wiring that you can leave on to bend the

0:29:58.880 --> 0:30:01.760
<v Speaker 1>tree to your will up to like a year. But

0:30:01.840 --> 0:30:03.520
<v Speaker 1>you want to be careful and not make it too

0:30:03.520 --> 0:30:06.800
<v Speaker 1>tight because it can actually cut into the tree, which

0:30:06.840 --> 0:30:09.840
<v Speaker 1>you don't want at all and um, so you keep

0:30:09.840 --> 0:30:13.080
<v Speaker 1>it on your wiring. And the idea is that again

0:30:13.080 --> 0:30:16.080
<v Speaker 1>with harmony, you don't want branches a mess of branches

0:30:16.120 --> 0:30:18.800
<v Speaker 1>obscuring one another. You want each branch to have have

0:30:18.920 --> 0:30:22.080
<v Speaker 1>sort of its own personality exactly. Yeah. So you want

0:30:22.080 --> 0:30:26.120
<v Speaker 1>to talk about how to how to start a bonds eyelet? Okay,

0:30:26.440 --> 0:30:28.720
<v Speaker 1>so you go in, you find your you find your

0:30:29.000 --> 0:30:31.440
<v Speaker 1>plan and by the way, um, well we're going to

0:30:31.560 --> 0:30:33.120
<v Speaker 1>kind of give you a step by step. But I

0:30:33.160 --> 0:30:36.920
<v Speaker 1>found a really good website called Bondsay for Beginners dot

0:30:36.960 --> 0:30:42.040
<v Speaker 1>com um and they have a really really good, really

0:30:42.960 --> 0:30:46.280
<v Speaker 1>well written even though there's lots of misspelled words, but

0:30:46.400 --> 0:30:50.960
<v Speaker 1>just it's really understandable. For the number four, it's like

0:30:51.120 --> 0:30:56.120
<v Speaker 1>f O R E no bonds I four beginners. Wow. Yeah,

0:30:56.400 --> 0:30:58.400
<v Speaker 1>I don't remember if it is the number four. I

0:30:58.400 --> 0:31:01.040
<v Speaker 1>don't think it is. Okay, just look it up and

0:31:01.080 --> 0:31:03.320
<v Speaker 1>if it's somebody from New Zealand writing, you found the

0:31:03.400 --> 0:31:07.400
<v Speaker 1>right one. Um. But they they they basically have a

0:31:07.400 --> 0:31:09.760
<v Speaker 1>great step by step of how to do it all. Right,

0:31:09.840 --> 0:31:11.760
<v Speaker 1>So you want to buy a tree. A good time

0:31:11.800 --> 0:31:13.000
<v Speaker 1>of the year to do this is to go in

0:31:13.000 --> 0:31:18.360
<v Speaker 1>the spring when the the growing cycle begins, uh, and

0:31:18.400 --> 0:31:21.440
<v Speaker 1>go to your nursery and uh, like you said, you

0:31:21.560 --> 0:31:25.720
<v Speaker 1>you're looking for whatever tree that fits your mind's eye

0:31:25.720 --> 0:31:28.160
<v Speaker 1>of what you eventually want. And it saysn't here to

0:31:28.360 --> 0:31:31.040
<v Speaker 1>start with your scene and work towards that. I think

0:31:31.080 --> 0:31:33.560
<v Speaker 1>I would be more inclined to sort of freeform a

0:31:33.640 --> 0:31:36.400
<v Speaker 1>little bit, you know, over the years, which I'm sure

0:31:36.520 --> 0:31:39.200
<v Speaker 1>is fine, right, gonna be the bad boy of the

0:31:39.200 --> 0:31:41.920
<v Speaker 1>bonds I world. Aren't you never know what I'm gonna

0:31:41.920 --> 0:31:47.440
<v Speaker 1>do next? Exhibitions wearing like a motorcycle jacket possibly. Uh

0:31:47.480 --> 0:31:49.440
<v Speaker 1>So the price is gonna vary depending on what kind

0:31:49.440 --> 0:31:52.040
<v Speaker 1>of tree you're getting. Um, and of course I looked

0:31:52.080 --> 0:31:54.080
<v Speaker 1>up to kits there. You know, they can be fifty

0:31:54.160 --> 0:31:56.960
<v Speaker 1>to a couple hundred bucks depending on the kind of tree.

0:31:56.960 --> 0:31:59.280
<v Speaker 1>And like how finished looking at is right? Or I

0:31:59.320 --> 0:32:02.600
<v Speaker 1>mean like it can you can go spend ten to

0:32:02.880 --> 0:32:06.480
<v Speaker 1>twenty on like a say, like a juniper and then

0:32:07.360 --> 0:32:10.040
<v Speaker 1>and there are plenty of bonsai tools that you can buy.

0:32:10.080 --> 0:32:12.200
<v Speaker 1>The Internet will be happy to take your money for that.

0:32:12.360 --> 0:32:14.640
<v Speaker 1>But you can also make do with other stuff like

0:32:15.160 --> 0:32:18.320
<v Speaker 1>florists wire. You can get the copper wire you need

0:32:18.520 --> 0:32:23.840
<v Speaker 1>from probably a hardware store piers. There's yeah, pliers, Uh, scissors,

0:32:23.920 --> 0:32:30.880
<v Speaker 1>scissors smaller the better, um scissors exactly um. And then

0:32:30.960 --> 0:32:34.280
<v Speaker 1>you're also gonna want like a root rake um, which

0:32:34.320 --> 0:32:36.719
<v Speaker 1>you can just bend a fork and bam, you got

0:32:36.760 --> 0:32:39.360
<v Speaker 1>a root rake boom. So you've got your plant or

0:32:39.360 --> 0:32:42.160
<v Speaker 1>where you're saying, it's a juniper, you're gonna dig down,

0:32:42.720 --> 0:32:46.239
<v Speaker 1>you're going to um, You're gonna basically take it out,

0:32:46.280 --> 0:32:47.760
<v Speaker 1>put it on the table in front of you. You

0:32:47.800 --> 0:32:51.720
<v Speaker 1>want a spray, bottle of water, and take a right

0:32:52.400 --> 0:32:57.560
<v Speaker 1>get started traditionally exactly you go and then you you

0:32:57.720 --> 0:33:00.600
<v Speaker 1>get started. Um. So you take the dirt off of

0:33:00.600 --> 0:33:02.520
<v Speaker 1>the top layer all the way down to the crown.

0:33:02.880 --> 0:33:04.560
<v Speaker 1>And again there's a bunch of feet of roots which

0:33:04.560 --> 0:33:07.479
<v Speaker 1>you want to trim from the trunk itself. And then

0:33:07.520 --> 0:33:09.600
<v Speaker 1>you you take a look at the roots like you

0:33:09.600 --> 0:33:11.640
<v Speaker 1>you scraped the dirt away, and you really look at

0:33:11.640 --> 0:33:14.640
<v Speaker 1>the roots structure, and you say, I gotta get rid

0:33:14.680 --> 0:33:16.600
<v Speaker 1>of a lot of this. Yeah. And you should already

0:33:16.640 --> 0:33:18.800
<v Speaker 1>have your your pot at this point, by the way,

0:33:19.320 --> 0:33:23.680
<v Speaker 1>because this is the first step is the uh potting right.

0:33:24.160 --> 0:33:28.000
<v Speaker 1>And I've seen people, usually especially beginners, make the mistake

0:33:28.040 --> 0:33:31.240
<v Speaker 1>when they're first creating a bond's eye that, Um, they

0:33:31.320 --> 0:33:34.080
<v Speaker 1>go real small with the pot. You're gonna go through

0:33:34.080 --> 0:33:36.880
<v Speaker 1>a couple of pots in the first few years. Um,

0:33:37.240 --> 0:33:39.560
<v Speaker 1>so they say, don't be afraid to use a big pot.

0:33:39.600 --> 0:33:40.880
<v Speaker 1>As a matter of fact, you should probably use a

0:33:40.880 --> 0:33:44.560
<v Speaker 1>bigger pot than you think you should for its first pots. Eventually,

0:33:44.720 --> 0:33:46.880
<v Speaker 1>three or four years down the road, you're going to

0:33:46.960 --> 0:33:49.720
<v Speaker 1>finally come to that that one pot that this thing

0:33:49.800 --> 0:33:51.880
<v Speaker 1>stays in for the rest of its life, and you're

0:33:51.880 --> 0:33:54.680
<v Speaker 1>gonna repot it every couple of years, but you're gonna

0:33:54.800 --> 0:33:56.800
<v Speaker 1>repot it in the same pot. Yeah, you're gonna be

0:33:56.840 --> 0:33:58.880
<v Speaker 1>a flea market and it's gonna just there's gonna be

0:33:58.880 --> 0:34:02.840
<v Speaker 1>a golden light shine around this one pot. And you're

0:34:02.840 --> 0:34:05.400
<v Speaker 1>gonna say that things twenty dollars and James Brown is

0:34:05.440 --> 0:34:08.400
<v Speaker 1>gonna be like, dude, you see the love, and then

0:34:08.400 --> 0:34:11.239
<v Speaker 1>you'll talk him down to fourteen dollars and then up

0:34:11.239 --> 0:34:12.880
<v Speaker 1>to seventeen, and then you'll meet at the middle of

0:34:12.960 --> 0:34:15.239
<v Speaker 1>fifteen and then you've got your pot. That'll be a

0:34:15.320 --> 0:34:19.880
<v Speaker 1>great day. Uh. All right, So you're at the roots,

0:34:19.920 --> 0:34:22.560
<v Speaker 1>I think. Yeah, So when you trim the roots away,

0:34:22.920 --> 0:34:24.640
<v Speaker 1>I was really surprised by this. You want to trim

0:34:24.680 --> 0:34:28.160
<v Speaker 1>about two thirds of the roots present on your plant

0:34:28.160 --> 0:34:29.960
<v Speaker 1>when you buy it. Yeah, it even says in here

0:34:29.960 --> 0:34:33.400
<v Speaker 1>that seems extreme, but don't fret. No, Um, And the

0:34:33.520 --> 0:34:35.840
<v Speaker 1>roots you really want to go after the bigger ones,

0:34:36.160 --> 0:34:39.160
<v Speaker 1>the more established ones. You want to leave some at

0:34:39.160 --> 0:34:42.799
<v Speaker 1>the top at that crown. But um, especially if you're

0:34:42.880 --> 0:34:44.719
<v Speaker 1>dealing with a tree and it has a tap root,

0:34:44.800 --> 0:34:48.040
<v Speaker 1>that root that goes like straight down, that's actually not

0:34:48.120 --> 0:34:50.560
<v Speaker 1>as much for watering as it is for stability, and

0:34:50.600 --> 0:34:52.759
<v Speaker 1>you don't need it in your tiny, little shallow pot.

0:34:53.000 --> 0:34:55.359
<v Speaker 1>So you want to get rid of roots like that. Yep,

0:34:55.960 --> 0:34:57.920
<v Speaker 1>you've got your pot. Um, you want to put a

0:34:57.920 --> 0:35:01.600
<v Speaker 1>little thin layer of gravel for draining. Um. Yeah, and

0:35:01.640 --> 0:35:04.759
<v Speaker 1>that's another big thing. Your pot has to have drainage holes,

0:35:05.200 --> 0:35:10.160
<v Speaker 1>good ones. Yeah. Well you're the lawn watering expert. You

0:35:10.200 --> 0:35:14.160
<v Speaker 1>don't want a quarter quarter into water over it just

0:35:14.280 --> 0:35:16.799
<v Speaker 1>standing all right. So you've got your pot, you've got

0:35:16.800 --> 0:35:21.560
<v Speaker 1>your gravel down there. Um, you've trimmed your roots, and

0:35:22.239 --> 0:35:25.799
<v Speaker 1>you need your soil mixture. Yeah, this is a it's

0:35:25.800 --> 0:35:28.719
<v Speaker 1>a big one. And there are different um schools of

0:35:28.760 --> 0:35:30.719
<v Speaker 1>thought on what kind of soil it says in here,

0:35:30.920 --> 0:35:35.080
<v Speaker 1>um equal parts uh, sand, peat and loam. Yeah, that's

0:35:35.160 --> 0:35:38.839
<v Speaker 1>I guess that's like a general generic go to bonds eyes.

0:35:38.920 --> 0:35:41.680
<v Speaker 1>But you want soil specific to your tree. Like if

0:35:41.680 --> 0:35:45.360
<v Speaker 1>you have a juniper, that's gonna probably be different soil

0:35:45.440 --> 0:35:48.799
<v Speaker 1>than what like olive tree needs. And so you just

0:35:48.840 --> 0:35:50.760
<v Speaker 1>need to find out about the plant that your bonds

0:35:50.760 --> 0:35:52.600
<v Speaker 1>eyeing and find out what kind of soil it likes,

0:35:52.840 --> 0:35:56.200
<v Speaker 1>how much water it needs, what kind of nutrients it takes, um,

0:35:56.239 --> 0:35:59.200
<v Speaker 1>and what kind of sunlight it needs. Especially that's right,

0:35:59.239 --> 0:36:01.919
<v Speaker 1>it's a big one. So you stick that sucker in there.

0:36:02.080 --> 0:36:03.960
<v Speaker 1>You've got your trimmed roots, and you want to spread

0:36:03.960 --> 0:36:07.719
<v Speaker 1>them out really evenly. Um, you know, towards the edges

0:36:07.760 --> 0:36:11.600
<v Speaker 1>of the pot. Yeah, of the container, um, through like

0:36:11.680 --> 0:36:14.319
<v Speaker 1>just all throughout the container. You want the roots going down. Yeah,

0:36:14.320 --> 0:36:16.360
<v Speaker 1>And I don't think we mentioned you should run a

0:36:16.400 --> 0:36:19.520
<v Speaker 1>wire up through the drainage hole to support the tree. Initially, Yeah,

0:36:19.600 --> 0:36:23.200
<v Speaker 1>this is a big one, um, And this this wire,

0:36:23.280 --> 0:36:25.520
<v Speaker 1>this is it's going to support the tree. But also

0:36:25.560 --> 0:36:27.319
<v Speaker 1>if you're gonna bend the tree, so you're doing a

0:36:27.360 --> 0:36:31.520
<v Speaker 1>cascade or a semi cascade or anything like that exactly

0:36:31.840 --> 0:36:35.440
<v Speaker 1>you're gonna use that wire, um to, You're gonna go

0:36:35.840 --> 0:36:38.800
<v Speaker 1>train it around the trunk and then bend the wire

0:36:38.840 --> 0:36:41.520
<v Speaker 1>and it's gonna bend the poor plant with it, and

0:36:41.520 --> 0:36:43.040
<v Speaker 1>you're gonna leave it on there for like a month

0:36:43.160 --> 0:36:45.440
<v Speaker 1>or so at least, But you want to keep a

0:36:45.480 --> 0:36:49.080
<v Speaker 1>really close eye on it because the tree will start

0:36:49.120 --> 0:36:51.760
<v Speaker 1>to grow around it and it will be forever scarred.

0:36:51.800 --> 0:36:54.120
<v Speaker 1>And as far as bonds eye is concerned, you're just

0:36:54.239 --> 0:36:56.560
<v Speaker 1>ruined your plants. So you want to keep a close

0:36:56.560 --> 0:37:00.120
<v Speaker 1>eye on it. Um. You want to make it tight it.

0:37:00.280 --> 0:37:01.839
<v Speaker 1>You want to make it tight enough so that when

0:37:01.880 --> 0:37:04.880
<v Speaker 1>you bend it, it's going to bend the tree with it,

0:37:04.920 --> 0:37:07.520
<v Speaker 1>but not so tight that it bites into or damages

0:37:07.600 --> 0:37:09.840
<v Speaker 1>the tree. That's right, And um, yeah, you want to

0:37:09.920 --> 0:37:11.560
<v Speaker 1>keep a really close eye on it to make sure

0:37:11.560 --> 0:37:14.200
<v Speaker 1>the tree doesn't grow. And then when it's done after

0:37:14.280 --> 0:37:17.160
<v Speaker 1>a month, maybe longer, this article says up to a year.

0:37:17.200 --> 0:37:20.480
<v Speaker 1>But all right, I didn't see that anywhere else. Um,

0:37:20.640 --> 0:37:23.120
<v Speaker 1>you want to clip clip it away like you're not

0:37:23.120 --> 0:37:25.200
<v Speaker 1>gonna unwind it or else, You're probably just gonna break

0:37:25.239 --> 0:37:26.959
<v Speaker 1>your bonds up right, and hopefully your tree you won't

0:37:26.960 --> 0:37:29.839
<v Speaker 1>go and pop back into place, and if it does,

0:37:29.920 --> 0:37:33.040
<v Speaker 1>you just have to redo it again. Patients, my friend, patience,

0:37:33.200 --> 0:37:36.400
<v Speaker 1>that's right, they say in the article Patients is the

0:37:36.440 --> 0:37:39.400
<v Speaker 1>best tool that you can have in your arsenal Right. Um,

0:37:39.480 --> 0:37:41.680
<v Speaker 1>so you get the wire sticking up through the drain there,

0:37:41.760 --> 0:37:44.000
<v Speaker 1>that's right, And um, you're for as far as the

0:37:44.000 --> 0:37:46.600
<v Speaker 1>soil you want it to be. You want to tap

0:37:46.640 --> 0:37:49.000
<v Speaker 1>it and kind of you know, shake the pot around

0:37:49.000 --> 0:37:51.600
<v Speaker 1>to remove the air pockets, firm it around the base

0:37:51.640 --> 0:37:54.640
<v Speaker 1>of the tree. But you don't want it so packed

0:37:54.640 --> 0:37:56.560
<v Speaker 1>in that you know, the water's got to go through

0:37:56.640 --> 0:37:58.759
<v Speaker 1>and drain all the way through and out right, Well,

0:37:58.760 --> 0:38:01.160
<v Speaker 1>you want well draining. Well, one thing I saw was

0:38:01.400 --> 0:38:05.680
<v Speaker 1>three parts potting soil to one part like miniature gravel basically,

0:38:06.080 --> 0:38:09.759
<v Speaker 1>so the soil is gonna drain. Well, apparently you do

0:38:09.880 --> 0:38:13.560
<v Speaker 1>want it kind of packed because that that tree does

0:38:13.640 --> 0:38:15.719
<v Speaker 1>not have stability with its roots, so it's going to

0:38:15.800 --> 0:38:18.080
<v Speaker 1>rely on the dirt more than it normally would. Yeah,

0:38:18.320 --> 0:38:22.440
<v Speaker 1>especially around the trunk um and then but yeah, you

0:38:22.440 --> 0:38:24.319
<v Speaker 1>want to shake it to get the air pockets out

0:38:24.320 --> 0:38:26.560
<v Speaker 1>for sure, that's right. Um. A lot of people also

0:38:26.680 --> 0:38:30.120
<v Speaker 1>put additional gravel on top to keep the dirt in

0:38:30.200 --> 0:38:33.000
<v Speaker 1>place when it's water like that. Yeah, and it looks

0:38:33.080 --> 0:38:36.160
<v Speaker 1>nice to agreed. Uh, So you don't want to do

0:38:36.239 --> 0:38:38.080
<v Speaker 1>that and then go throw it out in the full

0:38:38.080 --> 0:38:41.279
<v Speaker 1>sun all day long in July. What you want to

0:38:41.320 --> 0:38:43.120
<v Speaker 1>do is start it in a shady spot for about

0:38:43.120 --> 0:38:45.920
<v Speaker 1>a week and let it get used to be in

0:38:46.320 --> 0:38:49.319
<v Speaker 1>shorter rooted and then a weird new container, and let

0:38:49.320 --> 0:38:51.359
<v Speaker 1>it accept the fact that it's. Um, I know, I'm

0:38:51.360 --> 0:38:54.359
<v Speaker 1>gonna be small. This is gonna hurt. I'm gonna be small.

0:38:54.360 --> 0:38:57.319
<v Speaker 1>I'm never gonna be a big, big daddy. And once

0:38:57.360 --> 0:39:00.160
<v Speaker 1>it gets over that and accepts its fate, um, and

0:39:00.200 --> 0:39:02.520
<v Speaker 1>it says, you know what, I actually like this because

0:39:02.520 --> 0:39:04.359
<v Speaker 1>I'm gonna be a beautiful work of art and get

0:39:04.400 --> 0:39:06.480
<v Speaker 1>lots of care and attention. Now you can move me

0:39:06.520 --> 0:39:08.040
<v Speaker 1>into the sun a little bit at a time, a

0:39:08.080 --> 0:39:10.399
<v Speaker 1>couple of hours at a time, yeah, sir or ma'am,

0:39:10.480 --> 0:39:15.719
<v Speaker 1>thank you master, and um since yes, since ay and

0:39:15.760 --> 0:39:18.160
<v Speaker 1>then uh yeah, a couple of hours in the morning,

0:39:18.719 --> 0:39:21.360
<v Speaker 1>and then before you know it, you can have that

0:39:21.520 --> 0:39:25.040
<v Speaker 1>that bad boy out there. Like weathering all kinds of weather,

0:39:25.840 --> 0:39:29.880
<v Speaker 1>weathering the wet, normal weather, like it normally would Yeah. Um,

0:39:29.920 --> 0:39:32.360
<v Speaker 1>and your plants gonna tell you whether it's happy or

0:39:32.360 --> 0:39:35.719
<v Speaker 1>not happy. I think with buns I in particular, you're

0:39:35.719 --> 0:39:38.560
<v Speaker 1>gonna notice like every little change in your plant because

0:39:38.560 --> 0:39:41.239
<v Speaker 1>you're really concentrating on it and focusing on it, and

0:39:41.520 --> 0:39:43.839
<v Speaker 1>all the rest of your plans are gonna hate you. Yeah,

0:39:44.239 --> 0:39:46.960
<v Speaker 1>gonna be like remember me, your spider plants gonna be

0:39:47.040 --> 0:39:51.000
<v Speaker 1>like growing around your throat, just closing off your airway.

0:39:51.400 --> 0:39:54.839
<v Speaker 1>So watch out for your spider plant. Agreed. Um, And

0:39:55.160 --> 0:39:57.560
<v Speaker 1>I should say one more thing took when you first

0:39:57.640 --> 0:40:02.279
<v Speaker 1>pot your plant, Um, you the first watering, you should

0:40:02.320 --> 0:40:04.160
<v Speaker 1>basically take it in like a tray or a pan

0:40:04.280 --> 0:40:07.360
<v Speaker 1>or a bucket of water and submerge it to the

0:40:07.440 --> 0:40:11.120
<v Speaker 1>soil level and just let it sit there. Are you sure? Yeah?

0:40:11.160 --> 0:40:13.160
<v Speaker 1>All right, this is what I've seen. Don't like plunk

0:40:13.239 --> 0:40:16.440
<v Speaker 1>it in there, slowly submerge it in there, and that

0:40:16.480 --> 0:40:18.640
<v Speaker 1>water is going to make sure that every route gets

0:40:18.640 --> 0:40:21.719
<v Speaker 1>its water, and um, it's going to fill in any

0:40:21.800 --> 0:40:23.799
<v Speaker 1>air pockets that are in there. So it's really going

0:40:23.840 --> 0:40:28.879
<v Speaker 1>to basically solidify your soil and pack it in and

0:40:28.920 --> 0:40:31.920
<v Speaker 1>just get it ready very nice, pretty neat, right, super

0:40:31.920 --> 0:40:35.160
<v Speaker 1>neat should we take a break. All right, we're gonna

0:40:35.160 --> 0:40:37.360
<v Speaker 1>come back and talk a little bit more about BONDSAI

0:40:37.520 --> 0:41:02.400
<v Speaker 1>care and shaping, which is where the money is. So

0:41:02.560 --> 0:41:05.640
<v Speaker 1>check you got your bonds Eye. You are. You've moved

0:41:05.640 --> 0:41:08.319
<v Speaker 1>it back on into the sunlight. It's basically accepted its

0:41:08.360 --> 0:41:11.560
<v Speaker 1>fate as a smaller version of itself. You've named it

0:41:12.840 --> 0:41:20.760
<v Speaker 1>right right now? Yeah? Uh, Alan, mind's Roy. So Allan

0:41:20.800 --> 0:41:24.360
<v Speaker 1>and Roy, the Bonds Eye twins are hanging out outside

0:41:24.880 --> 0:41:28.080
<v Speaker 1>um when you first pot it. You can also prepare

0:41:28.120 --> 0:41:32.360
<v Speaker 1>the limbs to um where you're basically trimming the limbs

0:41:32.400 --> 0:41:35.920
<v Speaker 1>back one going. So remember there's one in the front.

0:41:36.040 --> 0:41:37.959
<v Speaker 1>There's a front and the back to it, right, Yeah,

0:41:37.960 --> 0:41:41.160
<v Speaker 1>which you should establish and stick to a right typically

0:41:41.360 --> 0:41:44.680
<v Speaker 1>with bonds I. In traditional bonds I, the first the

0:41:44.719 --> 0:41:47.960
<v Speaker 1>first um limb is about a third of the way

0:41:48.040 --> 0:41:50.839
<v Speaker 1>up from the dirt, uh, and it's going to jut

0:41:50.840 --> 0:41:54.120
<v Speaker 1>out to the right. Second one is going to jut

0:41:54.160 --> 0:41:56.560
<v Speaker 1>out the opposite direction. But it's not going to be

0:41:56.719 --> 0:41:58.720
<v Speaker 1>even with the other one. It's gonna be another about

0:41:58.760 --> 0:42:00.960
<v Speaker 1>third of the way up. You don't you don't ever,

0:42:01.200 --> 0:42:04.759
<v Speaker 1>You rarely want um limbs even with one another. It's

0:42:04.760 --> 0:42:08.359
<v Speaker 1>called a bar that's unsightly exactly. UM. So the next

0:42:08.400 --> 0:42:10.759
<v Speaker 1>one shuts out the opposite direction, and the third one

0:42:10.800 --> 0:42:12.600
<v Speaker 1>is about another third way up, and that juts out

0:42:12.640 --> 0:42:16.320
<v Speaker 1>towards the back, So it gives the impression of distance,

0:42:16.360 --> 0:42:20.800
<v Speaker 1>of perspective and bowing and growing out the back, balance

0:42:20.840 --> 0:42:24.839
<v Speaker 1>and harmony. UM. And you do this by you can

0:42:25.280 --> 0:42:28.719
<v Speaker 1>take that same wire, different lighter wire, depending on the

0:42:28.760 --> 0:42:31.160
<v Speaker 1>size of the limb, and bend them in the ways

0:42:31.200 --> 0:42:33.719
<v Speaker 1>that you want. But more often than not, you're going

0:42:33.760 --> 0:42:37.000
<v Speaker 1>to be creating these illusions or this this pattern by

0:42:37.040 --> 0:42:39.440
<v Speaker 1>trimming your bond's eye. And like you said, this is

0:42:39.440 --> 0:42:41.440
<v Speaker 1>where the money is. This is where when you think

0:42:41.440 --> 0:42:43.399
<v Speaker 1>of bonds eye, this is what I think of a

0:42:43.440 --> 0:42:48.080
<v Speaker 1>little Japanese people like trimming the limbs off of tiny plants. Yeah,

0:42:48.120 --> 0:42:51.880
<v Speaker 1>and it's UM again. You're you're striving to make it

0:42:51.920 --> 0:42:55.480
<v Speaker 1>look like something larger that you would find in nature. Sure,

0:42:55.520 --> 0:42:58.719
<v Speaker 1>you could get super weird and avant garde with your

0:42:58.719 --> 0:43:03.239
<v Speaker 1>form and your shape, but in general, traditionally, UM, you

0:43:03.280 --> 0:43:06.319
<v Speaker 1>wanted to take a form that you would find out

0:43:06.320 --> 0:43:10.080
<v Speaker 1>in the wild somewhere on a smaller scale. But that

0:43:10.080 --> 0:43:15.840
<v Speaker 1>that is the that's the UM effect. Of wind, of sun,

0:43:16.560 --> 0:43:20.640
<v Speaker 1>of weird weather, of poor soil, of just the weirder

0:43:20.680 --> 0:43:24.120
<v Speaker 1>looking the tree out in nature basically the harder the

0:43:24.160 --> 0:43:26.239
<v Speaker 1>heart of the life that's had and you're trying to

0:43:26.280 --> 0:43:30.960
<v Speaker 1>recreate that nurturing pretty kind of counterintuitive, but if you

0:43:31.080 --> 0:43:33.719
<v Speaker 1>just stop and think about what you're looking at in

0:43:33.800 --> 0:43:37.040
<v Speaker 1>nature that you're trying to emulate, you'll probably figure out

0:43:37.080 --> 0:43:39.360
<v Speaker 1>different ways to do it. And if you haven't figured

0:43:39.360 --> 0:43:41.720
<v Speaker 1>it out, somebody's probably been doing it for a thousand

0:43:41.800 --> 0:43:43.959
<v Speaker 1>years already, and you can go get yourself a book

0:43:44.040 --> 0:43:46.440
<v Speaker 1>or look on the internet to find a technique. Yeah. So,

0:43:46.520 --> 0:43:48.960
<v Speaker 1>like you said, with the wind, like the win the

0:43:48.960 --> 0:43:52.520
<v Speaker 1>real tree and real life that's on the mountaintop, the

0:43:52.560 --> 0:43:55.319
<v Speaker 1>wind is trying to kill it and it's leaning out

0:43:55.320 --> 0:43:57.880
<v Speaker 1>over the edge of the cliff like, oh man, my

0:43:57.960 --> 0:44:01.200
<v Speaker 1>days are numbered. Um, But you nurture that in your

0:44:01.200 --> 0:44:04.960
<v Speaker 1>own bonds eye and you emulate that, and it's um,

0:44:05.080 --> 0:44:06.319
<v Speaker 1>I don't know. I like the idea of it for

0:44:06.360 --> 0:44:08.719
<v Speaker 1>some reason. It's like a tribute almost. Yeah, it's an

0:44:08.719 --> 0:44:14.040
<v Speaker 1>homage to that tree that's hanging on by a route. Yeah,

0:44:14.080 --> 0:44:16.760
<v Speaker 1>when it comes to light, Um, you want to rotate

0:44:16.800 --> 0:44:19.160
<v Speaker 1>it around you don't want it getting the same it's

0:44:19.239 --> 0:44:22.279
<v Speaker 1>the same side exposure to sunlight every single day. You

0:44:22.280 --> 0:44:24.160
<v Speaker 1>want to you want to rotate it around. You want

0:44:24.160 --> 0:44:26.600
<v Speaker 1>to keep an eye out for bugs and insects, Yeah,

0:44:26.680 --> 0:44:28.680
<v Speaker 1>for sure. And again you're paying attention to your bonds

0:44:28.680 --> 0:44:30.760
<v Speaker 1>any more than your other plants, so you're gonna notice,

0:44:30.760 --> 0:44:33.920
<v Speaker 1>like if it suddenly has an insect infestation. Yeah, a

0:44:33.920 --> 0:44:37.759
<v Speaker 1>little larva uh what they called spittlebugs black or red

0:44:37.800 --> 0:44:42.200
<v Speaker 1>dots of mites. Uh says you can brush these away. Um.

0:44:42.360 --> 0:44:44.560
<v Speaker 1>I imagine you could smash them with a framing hammer

0:44:45.600 --> 0:44:50.120
<v Speaker 1>if you wanted. After you brush them off. Um, But

0:44:50.360 --> 0:44:53.760
<v Speaker 1>a bit in the Japanese bondsi tradition, you're you're probably

0:44:53.760 --> 0:44:56.000
<v Speaker 1>brushing them away a little paint brush, right like you

0:44:56.120 --> 0:45:00.480
<v Speaker 1>go and go hit the spider plant. Hey, tiers are

0:45:00.520 --> 0:45:03.920
<v Speaker 1>okay man, they eat the little bugs for you. The

0:45:03.960 --> 0:45:07.120
<v Speaker 1>spider plant, I mean the spider plant. Yeah. Yeah, Well

0:45:07.160 --> 0:45:08.799
<v Speaker 1>you gotta watch out for that thing. It's trying to

0:45:08.880 --> 0:45:10.960
<v Speaker 1>kill you and your whole family exactly. So that's where

0:45:10.960 --> 0:45:14.879
<v Speaker 1>you need to funnel your spittlebugs. Watering is another big

0:45:14.920 --> 0:45:18.520
<v Speaker 1>one too. You depending on how hot it is outside,

0:45:18.560 --> 0:45:20.799
<v Speaker 1>you may end up needing to water your bonds eye

0:45:20.800 --> 0:45:23.399
<v Speaker 1>like two times a day, which means if you're into

0:45:23.440 --> 0:45:25.799
<v Speaker 1>bonds eye, you probably don't leave your house very much.

0:45:26.600 --> 0:45:29.040
<v Speaker 1>You most likely want to bonds or water your bonds

0:45:29.040 --> 0:45:32.399
<v Speaker 1>eye every day, depending on again the plant, but most

0:45:32.400 --> 0:45:35.880
<v Speaker 1>bonds I need watering every single day and twice on

0:45:35.960 --> 0:45:38.920
<v Speaker 1>hot days. Yeah, And what you don't want is um

0:45:39.040 --> 0:45:40.640
<v Speaker 1>you know, as you're paying attention to it, you don't

0:45:40.640 --> 0:45:46.239
<v Speaker 1>want to a soggy, boggy base. That's a really bad sign.

0:45:46.320 --> 0:45:48.560
<v Speaker 1>That means you probably didn't put down enough gravel on

0:45:48.600 --> 0:45:51.760
<v Speaker 1>the bottom, or your soil mix doesn't have enough gravel

0:45:51.840 --> 0:45:55.000
<v Speaker 1>or whatever mixed in to make it drain quickly. Because

0:45:55.600 --> 0:45:58.520
<v Speaker 1>it's tough to over water a well draining potted plant

0:45:58.600 --> 0:46:02.319
<v Speaker 1>of any type, including SI, you're probably gonna be doing

0:46:02.360 --> 0:46:06.080
<v Speaker 1>more pruning early on in the life of the bondsai.

0:46:06.200 --> 0:46:08.239
<v Speaker 1>And once it has that general shape that you like,

0:46:08.920 --> 0:46:12.080
<v Speaker 1>that's when you're doing uh, you know, just the subtle

0:46:12.160 --> 0:46:15.360
<v Speaker 1>changes that probably mean a lot to you. Um. But

0:46:15.440 --> 0:46:18.600
<v Speaker 1>other friends that come over at you know, happy hour,

0:46:19.280 --> 0:46:23.719
<v Speaker 1>they'll just say, hey, nice tree, there's yeah, you got

0:46:23.840 --> 0:46:29.680
<v Speaker 1>a ice, And they don't realize that. They don't realize

0:46:29.680 --> 0:46:32.439
<v Speaker 1>all the subtle little you know, you might clip away one,

0:46:33.520 --> 0:46:35.920
<v Speaker 1>you know, a half of an inch of a branch.

0:46:36.560 --> 0:46:39.520
<v Speaker 1>To you that that makes it just perfect that other

0:46:39.520 --> 0:46:43.359
<v Speaker 1>people would probably not even notice. That's why it's your

0:46:43.400 --> 0:46:45.439
<v Speaker 1>bonds eye. That's right, Josh, That's why I was thinking

0:46:45.440 --> 0:46:47.920
<v Speaker 1>about it, like like giving the gift of a bond's

0:46:47.960 --> 0:46:50.520
<v Speaker 1>eye to somebody. Yeah, that you've tended to for years

0:46:50.560 --> 0:46:53.120
<v Speaker 1>and years and years. That's that's a significant gift. Yeah,

0:46:53.120 --> 0:46:57.600
<v Speaker 1>it's like and here's my my daughter. Yeah, you know right,

0:46:57.719 --> 0:47:00.520
<v Speaker 1>well not really, but you know what I mean, Marry

0:47:00.640 --> 0:47:05.600
<v Speaker 1>this plant, don't you marry it? You're also gonna keep

0:47:05.680 --> 0:47:08.520
<v Speaker 1>up with the fertilizer. Again, like this is so this

0:47:08.560 --> 0:47:11.120
<v Speaker 1>is almost such a generic overview in some places that

0:47:11.200 --> 0:47:14.200
<v Speaker 1>I feel bad even saying it. But just go find

0:47:14.200 --> 0:47:19.000
<v Speaker 1>out what the plant that you're raising needs. Normally do that,

0:47:19.400 --> 0:47:22.080
<v Speaker 1>but again you have to bear in mind that it's

0:47:22.120 --> 0:47:25.520
<v Speaker 1>slightly different because you're you're keeping it in miniature. It

0:47:25.560 --> 0:47:28.279
<v Speaker 1>doesn't have its normal roots system. It needs more water

0:47:28.360 --> 0:47:32.440
<v Speaker 1>than usual, and um, it's probably because you're watering it

0:47:32.560 --> 0:47:35.319
<v Speaker 1>so much. The nutrients in the soil are gonna leach

0:47:35.360 --> 0:47:38.200
<v Speaker 1>out much more quickly, so you need to fertilize it

0:47:38.280 --> 0:47:40.080
<v Speaker 1>more than you would just if you were growing it

0:47:40.120 --> 0:47:44.080
<v Speaker 1>normally in a container. Right, So since you're fertilizing something

0:47:44.120 --> 0:47:45.960
<v Speaker 1>more usually the rule of thumb, as you want to

0:47:46.440 --> 0:47:50.239
<v Speaker 1>you want to fertilize something weekly weekly, so w E

0:47:50.280 --> 0:47:54.879
<v Speaker 1>A K L Y weekly um, and and that way

0:47:54.880 --> 0:47:58.040
<v Speaker 1>you're constantly replenishing the nutrients in the soil. But you're

0:47:58.040 --> 0:48:00.840
<v Speaker 1>not gonna like burn or scorch theos with like a

0:48:00.920 --> 0:48:04.160
<v Speaker 1>chemical burn over feeding it. Yeah, and again you pointed

0:48:04.200 --> 0:48:06.440
<v Speaker 1>out earlier, but I think it bears in mind repeating.

0:48:06.520 --> 0:48:10.520
<v Speaker 1>The key is repotting and trimming those roots every couple

0:48:10.520 --> 0:48:12.920
<v Speaker 1>of years. And like you said, once you find the

0:48:12.920 --> 0:48:14.799
<v Speaker 1>pot at the flea market that you fell in love

0:48:14.840 --> 0:48:16.799
<v Speaker 1>with and can keep it in that pot forever, as

0:48:16.800 --> 0:48:18.560
<v Speaker 1>long as it's you know, the one you want to

0:48:18.600 --> 0:48:20.360
<v Speaker 1>stay with him, you can do what you want, but

0:48:20.560 --> 0:48:23.440
<v Speaker 1>um or give it as a gift, or give it

0:48:23.480 --> 0:48:25.799
<v Speaker 1>as a gift. But as you uh, as you keep

0:48:25.840 --> 0:48:28.359
<v Speaker 1>trimming these roots back, it's gonna stay that size. If

0:48:28.400 --> 0:48:31.080
<v Speaker 1>you forget about it. If you're a hoarder and you

0:48:31.239 --> 0:48:34.360
<v Speaker 1>and you and you're drunk and you pass out for

0:48:34.480 --> 0:48:37.120
<v Speaker 1>ten years, you're gonna wake up with a twelve ft

0:48:37.160 --> 0:48:39.680
<v Speaker 1>oak tree in your living room. That's the story of

0:48:39.680 --> 0:48:44.359
<v Speaker 1>Peppy van Winkle, Is that? Yeah? I guess that is true,

0:48:44.400 --> 0:48:48.400
<v Speaker 1>isn't it, Because yeah, you're basically once it becomes established

0:48:48.400 --> 0:48:51.920
<v Speaker 1>to the shape you want it, you're just basically pruning

0:48:51.920 --> 0:48:54.359
<v Speaker 1>it back here they're keeping it trimmed. And then when

0:48:54.360 --> 0:48:57.040
<v Speaker 1>you repotted every couple of years, like the whole point

0:48:57.120 --> 0:48:59.400
<v Speaker 1>is to keep the root system in check. Huh. So

0:48:59.440 --> 0:49:02.120
<v Speaker 1>if you didn't do that, yeah, it would just probably

0:49:02.160 --> 0:49:04.960
<v Speaker 1>it would what it would do because yeah, no water,

0:49:05.160 --> 0:49:07.759
<v Speaker 1>there would be so many roots in a pot that

0:49:07.800 --> 0:49:10.560
<v Speaker 1>doesn't fit them. I'd probably look cool would be growing

0:49:10.640 --> 0:49:14.680
<v Speaker 1>over it. And that's some that's basic stuff that we've

0:49:14.680 --> 0:49:16.960
<v Speaker 1>been talking about. But there is a lot of advanced

0:49:16.960 --> 0:49:18.719
<v Speaker 1>things you can do too, and one of those is

0:49:18.760 --> 0:49:22.000
<v Speaker 1>like again, training it to grow over rocks. So like

0:49:22.000 --> 0:49:24.279
<v Speaker 1>when you potted the bonds eye, you would want a

0:49:24.280 --> 0:49:27.520
<v Speaker 1>bonsaie with really long roots, um so that you could

0:49:27.600 --> 0:49:29.759
<v Speaker 1>when you when you're potting it, you would actually place

0:49:29.840 --> 0:49:31.919
<v Speaker 1>it on a rock and then why are the roots

0:49:31.960 --> 0:49:35.000
<v Speaker 1>in place to let them start to establish in the pots?

0:49:35.000 --> 0:49:38.799
<v Speaker 1>Just things like that. There's something called um gin which

0:49:38.840 --> 0:49:41.279
<v Speaker 1>is basically this is really neil. But you saw it.

0:49:41.320 --> 0:49:42.880
<v Speaker 1>Did you see a lot of bonds I that had

0:49:42.920 --> 0:49:47.000
<v Speaker 1>like dead wood exposed. Okay, so gin is where at

0:49:47.040 --> 0:49:49.600
<v Speaker 1>the top of the trunk or at the ends of limbs,

0:49:49.960 --> 0:49:53.800
<v Speaker 1>deadwood is exposed to just really play up how old

0:49:53.840 --> 0:49:57.160
<v Speaker 1>this thing is supposed to be or actually is. Um

0:49:57.200 --> 0:49:59.800
<v Speaker 1>there's something called shari, which is deadwood on the trunk

0:50:00.000 --> 0:50:04.000
<v Speaker 1>a low. And then there's something called sabamiki, and that's

0:50:04.040 --> 0:50:06.800
<v Speaker 1>like you actually get in there and peel away the

0:50:06.800 --> 0:50:12.759
<v Speaker 1>the bark, drill into the trunk and carve holes into it,

0:50:12.920 --> 0:50:16.520
<v Speaker 1>carved like a gap into it to create the illusion

0:50:16.600 --> 0:50:19.640
<v Speaker 1>that it was scarred from like a lightning strike. And

0:50:19.680 --> 0:50:21.560
<v Speaker 1>you you've got to be really careful doing that because

0:50:21.560 --> 0:50:24.480
<v Speaker 1>you can very easily kill your bonsaie. But if you

0:50:24.520 --> 0:50:27.560
<v Speaker 1>do it right, it'll grow back and scar around it

0:50:27.600 --> 0:50:29.839
<v Speaker 1>and you'll have a pretty interesting looking tree. So that's

0:50:29.840 --> 0:50:33.279
<v Speaker 1>not recommended for beginners, I would not think so. I

0:50:33.280 --> 0:50:35.239
<v Speaker 1>think you'd kill a lot of plants doing that that way.

0:50:35.280 --> 0:50:37.800
<v Speaker 1>So and and again, people have been trying this stuff

0:50:37.840 --> 0:50:41.840
<v Speaker 1>for a couple of thousand years now, so there's a

0:50:41.920 --> 0:50:43.640
<v Speaker 1>lot of different stuff you can do. In a lot

0:50:43.680 --> 0:50:47.000
<v Speaker 1>of different resources out there. Yeah, go to your local

0:50:47.080 --> 0:50:50.560
<v Speaker 1>japan town and say teach me. And you know what,

0:50:51.200 --> 0:50:56.920
<v Speaker 1>if the movie uh A Kid Lost in Translation is true,

0:50:57.760 --> 0:51:00.440
<v Speaker 1>then if you're a pretty American girl, you and wander

0:51:00.480 --> 0:51:04.759
<v Speaker 1>into any Japanese ceremony and they will just accept you

0:51:04.800 --> 0:51:07.560
<v Speaker 1>with open arms. Yeah that's why they're known for. Yeah. Yeah,

0:51:07.640 --> 0:51:11.239
<v Speaker 1>probably so right to a certain degree. Sure you're not

0:51:11.360 --> 0:51:13.799
<v Speaker 1>a jerk? Well, yeah, like what does she walk into?

0:51:13.920 --> 0:51:16.719
<v Speaker 1>Was her origami or was that bonsa? I don't know,

0:51:16.719 --> 0:51:19.759
<v Speaker 1>I don't remember. Was it a wedding? No, Scarlett Joe

0:51:19.760 --> 0:51:23.439
<v Speaker 1>Hanson walking out there, these Japanese women doing some either

0:51:23.480 --> 0:51:26.239
<v Speaker 1>bonsai or origami or something. They were like, oh, well,

0:51:26.320 --> 0:51:28.440
<v Speaker 1>you know, come on in and let me show you

0:51:28.480 --> 0:51:31.799
<v Speaker 1>our ancient ways. Yeah, I don't remember that part. Yeah

0:51:31.880 --> 0:51:35.040
<v Speaker 1>that was neat. I like that movie a lot too,

0:51:35.560 --> 0:51:39.200
<v Speaker 1>Wasn't isn't the legend around it that Bill Murray's actually

0:51:39.200 --> 0:51:43.640
<v Speaker 1>playing himself like it's based on an experience, Sofia Coppola had, Yeah,

0:51:43.640 --> 0:51:45.640
<v Speaker 1>I bet it's not too far off, and so like

0:51:46.400 --> 0:51:51.400
<v Speaker 1>uh Giovanni Ribisi is um, Spike Jones sparely, Joe Hansen

0:51:51.560 --> 0:51:56.840
<v Speaker 1>is um Sofia Coppola. Um, uh Anna Faris is Cameron Diaz.

0:51:57.440 --> 0:52:00.120
<v Speaker 1>One dude is justin Timberlake, and so like this actually

0:52:00.120 --> 0:52:03.200
<v Speaker 1>supposedly happened. But then it's everyone says, well, who's Bill

0:52:03.320 --> 0:52:07.040
<v Speaker 1>Murray playing? Allegedly Bill Murray is playing himself. That makes sense.

0:52:07.320 --> 0:52:09.759
<v Speaker 1>I mean, we'll never know what he whispers at the end, either,

0:52:09.960 --> 0:52:12.080
<v Speaker 1>which I love. That was a great movie. I forgot

0:52:12.080 --> 0:52:15.200
<v Speaker 1>about that one. Make it Santry time. She's a part

0:52:15.200 --> 0:52:20.120
<v Speaker 1>of my hundred percent club, Sofia. The directors who have

0:52:20.640 --> 0:52:24.160
<v Speaker 1>made nothing but great movies. I think I've only seen

0:52:24.400 --> 0:52:27.400
<v Speaker 1>that and the Vergson Suicide's great movie. What else does

0:52:27.440 --> 0:52:31.600
<v Speaker 1>she made? She did Um the Blame Ring recently. Never

0:52:31.640 --> 0:52:35.440
<v Speaker 1>thought really good. Don't be turned off by the title, Yeah,

0:52:35.480 --> 0:52:38.560
<v Speaker 1>because I have been um. And she did the one

0:52:38.560 --> 0:52:42.879
<v Speaker 1>with Stephen Dorff. Oh, I can't remember where he's the actor,

0:52:43.040 --> 0:52:45.400
<v Speaker 1>just sort of hold up in the Chateau Marmont before

0:52:45.760 --> 0:52:50.279
<v Speaker 1>with his daughter now before Sunrise before Tomorrow. Nope. And

0:52:50.360 --> 0:52:55.240
<v Speaker 1>she did the one the let the meat Cake, Uh,

0:52:55.320 --> 0:52:58.759
<v Speaker 1>Marie Antoinette movie with Kirsten Dunns. It was fantastic. I

0:52:58.800 --> 0:53:00.879
<v Speaker 1>never saw that one either. They're all great I think

0:53:00.920 --> 0:53:04.359
<v Speaker 1>she's top notch. I'll check him out. Uh. If you

0:53:04.640 --> 0:53:07.319
<v Speaker 1>want to know more about Bonsai or Sofia Coppola, you

0:53:07.320 --> 0:53:09.200
<v Speaker 1>can type those words in the search part house to

0:53:09.360 --> 0:53:11.000
<v Speaker 1>works dot com. And since I said that it's time

0:53:11.000 --> 0:53:18.240
<v Speaker 1>for listening out, yes, I'm gonna call this uh tornado

0:53:18.360 --> 0:53:22.440
<v Speaker 1>miss already. That thing just came out today. And you

0:53:22.480 --> 0:53:25.239
<v Speaker 1>know what, I hope everyone's all right because there are

0:53:25.280 --> 0:53:27.160
<v Speaker 1>tornadoes like kind of all over the place. The yeah,

0:53:27.160 --> 0:53:31.520
<v Speaker 1>I heard Oklahoma's Canadas. Hey, guys love the show. You

0:53:31.520 --> 0:53:34.480
<v Speaker 1>mentioned tornado miss episode that I bet you would get

0:53:34.480 --> 0:53:37.160
<v Speaker 1>an email from a civil engineer, and here I am.

0:53:37.239 --> 0:53:39.360
<v Speaker 1>I just wanted to share an interesting fact about designing

0:53:39.360 --> 0:53:41.880
<v Speaker 1>wind resistant buildings. I remember the day of the two

0:53:41.920 --> 0:53:44.160
<v Speaker 1>thousand and eight downtown Atlanta tornado you mentioned because it

0:53:44.200 --> 0:53:46.600
<v Speaker 1>was actually the last day of classes at Georgia Tech

0:53:46.719 --> 0:53:49.520
<v Speaker 1>before I went out, before I went home to Florida

0:53:49.560 --> 0:53:52.239
<v Speaker 1>for spring break. Ironically, I just learned in one of

0:53:52.280 --> 0:53:55.120
<v Speaker 1>my classes that one reason most skyscrapers are not the

0:53:55.120 --> 0:53:57.719
<v Speaker 1>same basic shape from top to bottom is to alleviate

0:53:57.719 --> 0:54:00.440
<v Speaker 1>pressure from wind. In the same class, for fessor had

0:54:00.480 --> 0:54:03.919
<v Speaker 1>mentioned that one of the absolute worst structural designs where

0:54:03.960 --> 0:54:07.840
<v Speaker 1>skyscraper is a perfect cylinder, which is what our Peachtree

0:54:07.840 --> 0:54:10.399
<v Speaker 1>Plaza is that had the windows up for so long.

0:54:11.120 --> 0:54:13.600
<v Speaker 1>It's a cylinder. The wind whips all around, it ends

0:54:13.640 --> 0:54:15.200
<v Speaker 1>up hitting the entire face of the building as a

0:54:15.239 --> 0:54:17.759
<v Speaker 1>giant wall of forts, rather than hitting the building at

0:54:17.800 --> 0:54:20.880
<v Speaker 1>different places over time. Not ideal for a glass tube

0:54:20.880 --> 0:54:23.239
<v Speaker 1>of the building. Anyway, I thought you guys would find

0:54:23.239 --> 0:54:25.680
<v Speaker 1>that interesting. You are the best thing to come out

0:54:25.719 --> 0:54:29.680
<v Speaker 1>of Athens in my Georgia tech opinion. Oh wow, I

0:54:29.760 --> 0:54:31.960
<v Speaker 1>see where that was going. Keep up the good work.

0:54:32.000 --> 0:54:34.760
<v Speaker 1>And that is from Scooter Sheldon. Thanks a lot, Scooter,

0:54:36.360 --> 0:54:38.520
<v Speaker 1>Scooter Salvin. I don't know about the best thing to

0:54:38.560 --> 0:54:42.000
<v Speaker 1>come out of Athens. Uh, just a couple of bands

0:54:42.080 --> 0:54:48.239
<v Speaker 1>and beers and coffees and football players. Scooters take all right,

0:54:48.960 --> 0:54:52.600
<v Speaker 1>Thank you, Scooter. If you want to give us high

0:54:52.680 --> 0:54:55.480
<v Speaker 1>praise like Scooter did, we're always down with that. You

0:54:55.480 --> 0:54:58.640
<v Speaker 1>can tweak to us y s Podcast. You can post

0:54:58.680 --> 0:55:01.279
<v Speaker 1>cool stuff on Facebook that com slash stuff you should know.

0:55:01.680 --> 0:55:04.040
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0:55:04.120 --> 0:55:06.919
<v Speaker 1>K podcast for real. You can send us an email

0:55:06.960 --> 0:55:09.200
<v Speaker 1>to Stuff Podcast at how stuff works dot com. It's

0:55:09.239 --> 0:55:11.200
<v Speaker 1>always join us out our home on the Web. Stuff

0:55:11.239 --> 0:55:18.239
<v Speaker 1>you Should Know dot com For more on this and

0:55:18.320 --> 0:55:20.879
<v Speaker 1>thousands of other topics. Is It How Stuff Works dot

0:55:20.920 --> 0:55:28.240
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